1 00:00:00,320 --> 00:00:07,840 Speaker 1: Today's Michael Berry's Show is sponsored by the Evil. Between 2 00:00:07,920 --> 00:00:12,039 Speaker 1: nineteen seventy two and nineteen seventy seven, the Ideal Toy 3 00:00:12,080 --> 00:00:16,520 Speaker 1: Company released a series of Evil Canievl related merchandise. During 4 00:00:16,520 --> 00:00:19,919 Speaker 1: the six years the toys were manufactured, Ideal claimed to 5 00:00:19,920 --> 00:00:22,400 Speaker 1: have sold more than one hundred and twenty five million 6 00:00:22,480 --> 00:00:26,400 Speaker 1: dollars worth of Canievl toys, which, as you know, has 7 00:00:26,440 --> 00:00:29,120 Speaker 1: the same buying power as six hundred and seventy eight 8 00:00:29,160 --> 00:00:34,000 Speaker 1: million dollars today. The toys included the original nineteen seventy 9 00:00:34,040 --> 00:00:37,080 Speaker 1: two action figures and I don't care what your sister said, 10 00:00:37,280 --> 00:00:40,800 Speaker 1: they weren't dolls, they were action figures, damn it. And 11 00:00:40,920 --> 00:00:46,760 Speaker 1: nineteen seventy three, Ideal released the Evil. After the release 12 00:00:46,800 --> 00:00:49,080 Speaker 1: of the stunt cycle, the Knievl toys were the best 13 00:00:49,120 --> 00:00:52,800 Speaker 1: selling item for the Ideal Toy Company. During the next 14 00:00:52,840 --> 00:00:56,200 Speaker 1: four years, Ideal Toys released various models relating to the 15 00:00:56,240 --> 00:01:00,800 Speaker 1: Canevral's Touring stunt show. The models included a Rob Knieveldal, 16 00:01:01,120 --> 00:01:04,280 Speaker 1: the Scramble van At Dragster, a stunt car, and the 17 00:01:04,360 --> 00:01:10,280 Speaker 1: Evil Knieval Stunt World. Additionally, Ideal released non Knieval Touring toys, 18 00:01:10,640 --> 00:01:14,679 Speaker 1: including a chopper motorcycle, a trailbike, and a female counterpart, 19 00:01:14,959 --> 00:01:18,720 Speaker 1: Dairy Daring. The last item marketed by Ideal before it 20 00:01:18,760 --> 00:01:22,240 Speaker 1: discontinued the distribution of Knieval toys was the Strato cycle 21 00:01:22,319 --> 00:01:25,720 Speaker 1: based on the film Viva Knieval. 22 00:01:26,000 --> 00:01:29,360 Speaker 2: This is Evil Canieval and the Evil CANEVL shock absorbing 23 00:01:29,400 --> 00:01:37,080 Speaker 2: stunt cycle. You can make them do wheelies, backstands, even 24 00:01:37,160 --> 00:01:41,640 Speaker 2: midair summersaults. And for that big jump, here's Evil up 25 00:01:41,720 --> 00:01:49,400 Speaker 2: and over that four foot ditch. Evil Canieval sold separately 26 00:01:49,480 --> 00:01:52,120 Speaker 2: or with the Evil CANEVL stunt cycle from Ideal. 27 00:01:53,800 --> 00:01:56,000 Speaker 3: But I'm not a lot to I'm fifty two years old, 28 00:01:56,040 --> 00:01:59,600 Speaker 3: and that music got me wound up, like, yeah, you can, 29 00:02:00,000 --> 00:02:02,680 Speaker 3: you can do it. You know he jumped a snake? 30 00:02:02,760 --> 00:02:06,560 Speaker 3: What was it? Uh? What was the big jump he did? 31 00:02:06,800 --> 00:02:09,920 Speaker 3: Was it the snake Canyon? Is that right? Did I 32 00:02:09,960 --> 00:02:12,079 Speaker 3: get that right? You know? I read a biography of 33 00:02:12,120 --> 00:02:16,000 Speaker 3: him a few years ago, and the premise of the 34 00:02:16,040 --> 00:02:20,680 Speaker 3: biography was, you like Evil Knievel, but he was a really, 35 00:02:20,720 --> 00:02:26,200 Speaker 3: really bad guy. He was a crusty, salty, evil, mean 36 00:02:27,200 --> 00:02:30,200 Speaker 3: dude that you wouldn't like if you met him. I 37 00:02:30,200 --> 00:02:33,760 Speaker 3: remember thinking, gosh, evil Knievel. You're not a nice guy. 38 00:02:34,720 --> 00:02:38,360 Speaker 3: What do I care? It gives him a little character. 39 00:02:38,480 --> 00:02:40,560 Speaker 3: You don't want Evil Knievel to be like your nice 40 00:02:40,639 --> 00:02:42,480 Speaker 3: next door day where you go and mow their grass. 41 00:02:42,480 --> 00:02:45,400 Speaker 3: Far You want Evil Canebra to be mean. You want 42 00:02:45,480 --> 00:02:47,200 Speaker 3: him to owe people a bunch of money in a 43 00:02:47,240 --> 00:02:50,240 Speaker 3: lot of different states before you could catch somebody on 44 00:02:50,280 --> 00:02:52,880 Speaker 3: the internet for doing that. You want to know, You 45 00:02:52,919 --> 00:02:57,799 Speaker 3: want to know he's colorful, colorful. I tell you of 46 00:02:57,840 --> 00:03:00,799 Speaker 3: all the things to steal. Your buddy still head of 47 00:03:00,840 --> 00:03:03,320 Speaker 3: the cops at the galason Port. See if you can 48 00:03:03,320 --> 00:03:05,520 Speaker 3: get him on the is it Brown? What's his last name? 49 00:03:05,919 --> 00:03:12,480 Speaker 3: Kevin Brown? So Ramon. Ramon has the weirdest set of friends. 50 00:03:12,520 --> 00:03:16,320 Speaker 3: He'll just randomly have some friend in a position that 51 00:03:16,440 --> 00:03:19,880 Speaker 3: you would never expect his friend to be in. And 52 00:03:20,160 --> 00:03:23,240 Speaker 3: one of those is his buddy is the head of 53 00:03:23,400 --> 00:03:26,600 Speaker 3: the Galveston Port Police. Is that what it's called? 54 00:03:26,720 --> 00:03:26,919 Speaker 4: Yeah? 55 00:03:27,040 --> 00:03:30,239 Speaker 3: Okay. At one point I was going to fire Ramon, 56 00:03:30,919 --> 00:03:34,239 Speaker 3: and I told that on the air, and his buddy 57 00:03:34,280 --> 00:03:36,960 Speaker 3: called him and said, hey, uh, just so you know, 58 00:03:37,040 --> 00:03:39,560 Speaker 3: if if he fires, you can come down here and 59 00:03:39,600 --> 00:03:44,520 Speaker 3: go to work. And I thought, man, oh man, Kevin Brown, 60 00:03:45,840 --> 00:03:48,160 Speaker 3: Kenneth Kenneth Sorry, Kenneth Brown. Yes, let me get his 61 00:03:48,240 --> 00:03:49,800 Speaker 3: name right, because I'm about to tell you what a 62 00:03:49,880 --> 00:03:55,200 Speaker 3: goober this guy is. He says, Hey, Ramone, Uh, I know, 63 00:03:55,520 --> 00:03:58,120 Speaker 3: you know, I know what's going on there at work. No, 64 00:03:58,320 --> 00:04:00,240 Speaker 3: you know what, I you know what I I heard 65 00:04:00,280 --> 00:04:01,800 Speaker 3: me say on the air. It's not like you got 66 00:04:01,800 --> 00:04:06,600 Speaker 3: an investigative unit following the situation. And he said, I 67 00:04:06,640 --> 00:04:08,200 Speaker 3: just want you to know you can come to work 68 00:04:08,200 --> 00:04:11,960 Speaker 3: down here. And I couldn't help it. All I could 69 00:04:12,000 --> 00:04:16,000 Speaker 3: imagine was there's Ramon walking around in his little uniform. 70 00:04:18,360 --> 00:04:24,120 Speaker 3: Huh yeah, man, messy some id I'm getting on this 71 00:04:24,200 --> 00:04:27,599 Speaker 3: carnival cruise and the Carnival Cruise ticketing agent's right there. 72 00:04:27,960 --> 00:04:28,159 Speaker 4: I know. 73 00:04:28,279 --> 00:04:31,240 Speaker 3: I just you know, as a you might see my 74 00:04:31,320 --> 00:04:34,400 Speaker 3: badge here, as a Galveston Port Police officer, I have 75 00:04:34,520 --> 00:04:38,520 Speaker 3: a full authority within three hundred feet of the port 76 00:04:38,680 --> 00:04:45,839 Speaker 3: to requisition and request identification on the grounds of the port, 77 00:04:45,920 --> 00:04:49,560 Speaker 3: you know, with the security concerns. Well, my boy, Kenneth 78 00:04:49,600 --> 00:04:52,039 Speaker 3: Brown needs to get on it because guess what just 79 00:04:52,120 --> 00:04:58,760 Speaker 3: happened yesterday morning? Seven A M. Poe Poe at the 80 00:04:58,760 --> 00:05:01,320 Speaker 3: Port of Galveston or search for a man who stole 81 00:05:01,360 --> 00:05:05,400 Speaker 3: a shrimp boat from the docks and then ran in 82 00:05:05,800 --> 00:05:10,560 Speaker 3: aground at seven am. Huh. Well, I mean, I guess 83 00:05:10,800 --> 00:05:13,720 Speaker 3: if you're going to steal a shrimp boat, you probably 84 00:05:13,760 --> 00:05:16,200 Speaker 3: got to do that pretty early in the morning, right. 85 00:05:16,279 --> 00:05:19,640 Speaker 3: That's that's one of those things that you can't really 86 00:05:20,279 --> 00:05:24,440 Speaker 3: wait around. On Port of Galveston, Popo called about a 87 00:05:24,480 --> 00:05:27,880 Speaker 3: stolen shrimp boat at Peer nineteen, the public dock near 88 00:05:27,920 --> 00:05:32,440 Speaker 3: the city's downtown along the Galaston Ship Channel. The pier 89 00:05:32,600 --> 00:05:36,240 Speaker 3: is home to Galveston's Mosquito Fleet, the nickname for the 90 00:05:36,400 --> 00:05:43,200 Speaker 3: shrimpers who have used the same berths since the eighteen fifties. Wow, 91 00:05:45,720 --> 00:05:49,400 Speaker 3: that's impressive. I mean that that's a little bit of 92 00:05:49,480 --> 00:05:54,840 Speaker 3: history that you wouldn't exactly expect since the eighteen fifties. 93 00:05:55,480 --> 00:06:01,920 Speaker 3: Popo said. A man boarded the boat the antenna and 94 00:06:02,080 --> 00:06:04,920 Speaker 3: backed it out of the slip where it was moored, 95 00:06:05,839 --> 00:06:09,200 Speaker 3: damaging two other boats at the pier. Okay, it kind 96 00:06:09,240 --> 00:06:13,680 Speaker 3: of adds to the story that he can't captain the boat. 97 00:06:14,560 --> 00:06:18,640 Speaker 3: He's crashing stuff up as he's pulling out. The man 98 00:06:18,720 --> 00:06:23,599 Speaker 3: piloted the ship east down the ship channel before running 99 00:06:23,600 --> 00:06:27,240 Speaker 3: into ground at Pier seven, about half a mile from 100 00:06:27,240 --> 00:06:32,320 Speaker 3: where it was taken. Popo say the boat sustained significant 101 00:06:32,440 --> 00:06:36,800 Speaker 3: damage from the crash. Investigators they believe they know who 102 00:06:36,839 --> 00:06:42,200 Speaker 3: the man was, and we're seeking an arrest warrant. I'll 103 00:06:42,200 --> 00:06:45,240 Speaker 3: bet you they know who he is. I'll bet you 104 00:06:45,279 --> 00:06:49,640 Speaker 3: they know exactly who he is, because the kind of 105 00:06:49,680 --> 00:06:53,520 Speaker 3: guy that's going to steal a shrimp boat, not know 106 00:06:53,600 --> 00:06:59,000 Speaker 3: how to pilot it, tear it all to hell. Yeah, 107 00:06:59,279 --> 00:07:02,520 Speaker 3: that's the guy that is homeless and has probably stolen 108 00:07:02,560 --> 00:07:08,200 Speaker 3: five boats before. It just didn't make the news. What 109 00:07:08,279 --> 00:07:11,840 Speaker 3: are you doing if you're Kenneth Brown that you're sitting 110 00:07:11,840 --> 00:07:14,960 Speaker 3: in your office and one of your officers calls you 111 00:07:15,000 --> 00:07:19,840 Speaker 3: and says, uh, hey, boss, uh we just gotta uh 112 00:07:20,640 --> 00:07:27,360 Speaker 3: we just got a call. Hey they uh they had 113 00:07:27,480 --> 00:07:34,040 Speaker 3: uh you know old man Win because he's Vietnamese. I 114 00:07:34,040 --> 00:07:39,640 Speaker 3: guarantee you you know old man went baby. You know 115 00:07:39,680 --> 00:07:43,120 Speaker 3: there's nineteen Wins out of twenty Vietnamese families that runs 116 00:07:43,120 --> 00:07:49,040 Speaker 3: tramp boats here. You're right, You're right. You know tweet 117 00:07:49,040 --> 00:07:52,960 Speaker 3: Wins that made you know, seventeen of them have a 118 00:07:53,000 --> 00:07:59,440 Speaker 3: daughter named Twee. That's a good point, Okay, Uh he's 119 00:07:59,480 --> 00:08:02,280 Speaker 3: got can you member his first name of his daughter's Twee, 120 00:08:03,000 --> 00:08:06,840 Speaker 3: and his other son is Truck Bobby. Seven of them 121 00:08:06,880 --> 00:08:11,840 Speaker 3: have a son named Truck as well. What's the problem here, Well, sir, 122 00:08:11,920 --> 00:08:15,280 Speaker 3: you're not gonna believe this, But about seven o'clock this morning, 123 00:08:16,600 --> 00:08:20,840 Speaker 3: you know, crazy Red. It's normally over on Broadway from 124 00:08:20,880 --> 00:08:26,520 Speaker 3: the gas station, naked wanking it. Yeah, he stole his ears. 125 00:08:27,640 --> 00:08:29,080 Speaker 3: He stole over truck. 126 00:08:29,120 --> 00:08:31,040 Speaker 1: Wow, the Michael Verry Show, the. 127 00:08:31,080 --> 00:08:33,280 Speaker 2: Evil Canevil stunt cycle rum ideal. 128 00:08:35,160 --> 00:08:38,240 Speaker 3: Let's go, Steve. All systems rookie here. The winds are 129 00:08:38,240 --> 00:08:39,480 Speaker 3: Westernlein and ten nuts. 130 00:08:39,640 --> 00:08:41,000 Speaker 1: Okay, this is nass one. 131 00:08:41,040 --> 00:08:44,120 Speaker 2: I'm calling ten seconds now ten seconds. 132 00:08:43,800 --> 00:08:58,079 Speaker 5: Rusher zero five four three two one. 133 00:08:54,600 --> 00:08:58,520 Speaker 6: Knucking money rock, poking down here with every record name. 134 00:09:03,120 --> 00:09:04,719 Speaker 6: We're coming bard with derecise name. 135 00:09:07,120 --> 00:09:07,439 Speaker 7: I got. 136 00:09:25,600 --> 00:09:33,920 Speaker 8: Steve Austin, astronaut, a man barely alive, gentlemen, we can 137 00:09:34,000 --> 00:09:39,679 Speaker 8: rebuild him. We have the technology, we have the capability 138 00:09:39,720 --> 00:09:46,680 Speaker 8: to make the world's first by on a man. Steve 139 00:09:46,760 --> 00:09:56,319 Speaker 8: Austin will be that matter, better than he was before, better, stronger. 140 00:09:57,080 --> 00:10:07,360 Speaker 9: Faster man. 141 00:10:07,400 --> 00:10:09,280 Speaker 10: When you were about eight years old and that music 142 00:10:09,360 --> 00:10:15,640 Speaker 10: queued right there, you like I could do that if 143 00:10:15,640 --> 00:10:19,240 Speaker 10: you think about running outside and sprinting through the backyard 144 00:10:19,280 --> 00:10:20,720 Speaker 10: and this one hundred and five. 145 00:10:20,559 --> 00:10:26,520 Speaker 3: Degrees in Texas heat, but in your mind, sitting there 146 00:10:26,520 --> 00:10:32,520 Speaker 3: eating your cereals on the bean bag bonic man? WHOA 147 00:10:32,920 --> 00:10:38,520 Speaker 3: that true story? First time I had dinner with Lee Majors, 148 00:10:39,360 --> 00:10:41,160 Speaker 3: I literally would kind of stare at him and think 149 00:10:41,200 --> 00:10:44,640 Speaker 3: to myself, you never know, I mean that some of 150 00:10:44,640 --> 00:10:46,040 Speaker 3: it might have been real. Some of that they might 151 00:10:46,080 --> 00:10:50,319 Speaker 3: have written around who he already was. You know, maybe 152 00:10:50,360 --> 00:10:52,640 Speaker 3: he did have some parts for replaced that could do 153 00:10:52,720 --> 00:10:56,120 Speaker 3: amazing things. Anyway, So the story is out at the 154 00:10:56,120 --> 00:11:02,200 Speaker 3: Port of Galveston seven am yesterday, oh apparently to law 155 00:11:02,280 --> 00:11:07,319 Speaker 3: enforcement down in Galveston. Your boy, Kenneth Brown is Kenny Brown. 156 00:11:08,160 --> 00:11:10,480 Speaker 3: Kenneth was what he was back in school, maybe back 157 00:11:10,480 --> 00:11:12,040 Speaker 3: when the teacher was telling him to sit down and 158 00:11:12,040 --> 00:11:15,480 Speaker 3: stop eating his buggers. But now he's Kenny Brown. That's 159 00:11:15,480 --> 00:11:19,640 Speaker 3: what Jimmy Fullen does. Kenny Brown. Oh, Kenny. Kenny says 160 00:11:20,440 --> 00:11:24,400 Speaker 3: he's friendly, but don't get too friendly because that'd be ken. Right. 161 00:11:24,880 --> 00:11:28,520 Speaker 3: Kenny is like, he's still a good dude, but he's 162 00:11:28,559 --> 00:11:33,520 Speaker 3: an adult, right, Like Kenny Duncan Jr. Or like it's 163 00:11:33,520 --> 00:11:37,480 Speaker 3: the difference between Colin ken Stabler or Kenny Stabler. Though 164 00:11:37,520 --> 00:11:39,280 Speaker 3: I shouldn't say it because I don't make damn pastor 165 00:11:39,320 --> 00:11:42,600 Speaker 3: any man anyway. So this dude steals the shrimp boat, 166 00:11:42,600 --> 00:11:47,200 Speaker 3: which he's not able to pilot very well, and I 167 00:11:47,240 --> 00:11:51,480 Speaker 3: don't I don't think he meant to run that boat 168 00:11:51,480 --> 00:11:54,560 Speaker 3: of ground. Truth be told. Because you've just stole him 169 00:11:54,559 --> 00:11:56,880 Speaker 3: to shrimp boat. You might go tooling around for a while. 170 00:11:59,440 --> 00:12:02,920 Speaker 3: I think he's I saw an old friend and he 171 00:12:03,000 --> 00:12:06,440 Speaker 3: became overjoyed. That's what I think happened. I think he 172 00:12:06,480 --> 00:12:08,760 Speaker 3: was on the shrimp boat. He had soolen, he saw 173 00:12:08,760 --> 00:12:12,000 Speaker 3: an old friend he never expected to see, jumped off 174 00:12:12,000 --> 00:12:16,480 Speaker 3: the boat and swam to his friend. And thanks to 175 00:12:16,520 --> 00:12:18,720 Speaker 3: our Galveston connections, don't want to get buy in trouble. 176 00:12:19,040 --> 00:12:22,679 Speaker 3: We have obtained surveillance footage of the Pier seven area 177 00:12:22,679 --> 00:12:28,880 Speaker 3: where it ran aground. Ramon, let it row. What are 178 00:12:28,920 --> 00:12:29,559 Speaker 3: you doing here? 179 00:12:31,240 --> 00:12:35,160 Speaker 9: Well, I thought i'd try out my sea legs for. 180 00:12:35,160 --> 00:12:37,640 Speaker 11: You think I know legs the canny day. 181 00:12:38,640 --> 00:12:44,160 Speaker 9: Yes, I know that you wrote me a letter, idiot. Well, well, 182 00:12:44,160 --> 00:12:47,360 Speaker 9: Captain Florest Gum, I had to see this for myself. 183 00:12:49,280 --> 00:12:54,480 Speaker 9: And I told you if you were ever a shrimp 184 00:12:54,480 --> 00:12:57,840 Speaker 9: boat captain that I'd be your first mate. Well here 185 00:12:57,880 --> 00:13:01,920 Speaker 9: I am. I am a man of my word. Okay, yeah, 186 00:13:01,920 --> 00:13:04,520 Speaker 9: but don't you be thinking that I'm gonna be calling 187 00:13:04,559 --> 00:13:05,880 Speaker 9: you sir Nosa. 188 00:13:13,840 --> 00:13:22,280 Speaker 3: It's my boat, you know. Apparently we hit a nerve 189 00:13:22,360 --> 00:13:27,400 Speaker 3: on the Ramone as a Galveston Port Police officer in 190 00:13:27,440 --> 00:13:31,520 Speaker 3: his uniform. I'm not gonna tell you some of the 191 00:13:31,520 --> 00:13:33,160 Speaker 3: things people are sending in because some of these are 192 00:13:33,160 --> 00:13:36,600 Speaker 3: people that you know, and it might make you, uh, 193 00:13:37,120 --> 00:13:39,880 Speaker 3: it might make you laugh. I like to imagine Ramona 194 00:13:39,960 --> 00:13:42,600 Speaker 3: is one of those over zealous Barney Fife kind of cops. 195 00:13:43,240 --> 00:13:45,560 Speaker 3: There he is with his Port commansion. I hope the 196 00:13:45,600 --> 00:13:48,600 Speaker 3: Port Commission has off colored uniforms, you know what I mean, 197 00:13:48,880 --> 00:13:51,760 Speaker 3: Like you see officers with the forest green or something. 198 00:13:52,080 --> 00:13:55,120 Speaker 3: I hope they have uniforms that are real distinctive. You know, 199 00:13:55,160 --> 00:13:58,600 Speaker 3: it's a Port Commission officer. I can imagine Ramon, like 200 00:13:58,640 --> 00:14:01,800 Speaker 3: Barney fIF sitting at his desk and writing songs about 201 00:14:02,120 --> 00:14:04,480 Speaker 3: his imagined exploits. 202 00:14:06,800 --> 00:14:10,679 Speaker 5: In a jail house down and Dick. He's fighting crime 203 00:14:10,840 --> 00:14:15,760 Speaker 5: and risking life. Well a share of Andy's body, pistol 204 00:14:15,880 --> 00:14:21,480 Speaker 5: pack and Barney fire and oh my dear and all 205 00:14:21,600 --> 00:14:26,840 Speaker 5: my dere and Barney five. He's a deadly crime stopper. 206 00:14:27,200 --> 00:14:32,240 Speaker 5: What a copper, Barney five. One day there come a 207 00:14:32,440 --> 00:14:36,840 Speaker 5: ride and two bad men to Robbie Bank. But Fife 208 00:14:37,000 --> 00:14:41,160 Speaker 5: was tricky. I did I did henther locked up in 209 00:14:41,360 --> 00:14:41,880 Speaker 5: the tank? 210 00:14:42,600 --> 00:14:48,240 Speaker 2: Oh my Barney. He had a jail and couldn't lock it. 211 00:14:48,640 --> 00:14:52,400 Speaker 5: Had one ball it for his pistol, had to keep 212 00:14:52,600 --> 00:14:54,200 Speaker 5: it in his pocket. 213 00:14:56,240 --> 00:15:00,680 Speaker 3: Imagine the first guy that rolled out the laugh track. Hey, John, 214 00:15:00,760 --> 00:15:02,840 Speaker 3: we got this great thing. Now when you hear it's 215 00:15:02,840 --> 00:15:06,720 Speaker 3: gonna blow your mind. I'm gonna add it to a 216 00:15:06,880 --> 00:15:09,960 Speaker 3: scene and I want you to watch. You put a 217 00:15:10,080 --> 00:15:14,240 Speaker 3: live audience in there. Nope, I got a button I 218 00:15:14,280 --> 00:15:17,120 Speaker 3: can push. Look at this cause the first time they 219 00:15:17,160 --> 00:15:18,640 Speaker 3: heard it, they didn't know what that was. They know 220 00:15:18,680 --> 00:15:21,240 Speaker 3: where it came from. Somebody came up with this idea 221 00:15:21,800 --> 00:15:24,880 Speaker 3: of a laugh track. And if you listen carefully, which 222 00:15:24,920 --> 00:15:27,600 Speaker 3: we used to do, if you recall, you would notice 223 00:15:27,640 --> 00:15:29,920 Speaker 3: that they had like five different ones. One of them 224 00:15:29,960 --> 00:15:32,160 Speaker 3: would roll from back to front. One of them would 225 00:15:32,160 --> 00:15:34,840 Speaker 3: have this one woman. She's giggling, just a little too loud. 226 00:15:35,400 --> 00:15:40,320 Speaker 3: They'd be all sorts of different laughs, so you wouldn't 227 00:15:40,320 --> 00:15:41,720 Speaker 3: think it was the same one, and they were just 228 00:15:41,840 --> 00:15:44,360 Speaker 3: hitting a button. And then I was reading a book 229 00:15:44,400 --> 00:15:46,560 Speaker 3: about this. I can't remember what the year was, somewhere 230 00:15:46,560 --> 00:15:50,040 Speaker 3: in the seventies where it just abruptly stopped and when 231 00:15:50,080 --> 00:15:54,120 Speaker 3: it stopped, it stopped. They never came back. So imagine 232 00:15:54,120 --> 00:16:01,320 Speaker 3: you're the guy that didn't get the memo and you go, hey, Tom, 233 00:16:01,400 --> 00:16:03,560 Speaker 3: go ahead and put a laugh track. I've marked in 234 00:16:03,680 --> 00:16:05,360 Speaker 3: red where I want you to put the laugh tracks. 235 00:16:05,360 --> 00:16:09,880 Speaker 3: She'll be about seventeen times in thirty minutes. Oh oh no, Sam, 236 00:16:11,040 --> 00:16:14,320 Speaker 3: are you serious? Laugh tracks are so last week? Nobody's 237 00:16:14,360 --> 00:16:17,280 Speaker 3: doing laugh tracks anymore. You talking about We've been doing 238 00:16:17,360 --> 00:16:21,560 Speaker 3: laugh tracks for twenty years. No, no, they'll laugh us out. 239 00:16:22,280 --> 00:16:25,280 Speaker 3: We can't do that. The reason we played Steve Austin 240 00:16:27,040 --> 00:16:30,280 Speaker 3: did girls have lunchboxes? You know what's funny. I've been 241 00:16:30,320 --> 00:16:32,520 Speaker 3: in a lot of conversations that as an adult male 242 00:16:34,240 --> 00:16:37,680 Speaker 3: that somehow come back to our lunch box. And I 243 00:16:37,760 --> 00:16:40,840 Speaker 3: have never heard a girl say, well, my lunch box 244 00:16:41,080 --> 00:16:46,120 Speaker 3: was Molly Mullweather or you know that, you never you 245 00:16:46,280 --> 00:16:51,520 Speaker 3: never hear did girls she's not eat because the boys lunchbox. 246 00:16:51,680 --> 00:16:54,840 Speaker 3: I had an Evil Knieval lunchbox. That was my deal 247 00:16:55,800 --> 00:17:00,440 Speaker 3: and probably the most popular lunchbox that gets mentioned today 248 00:17:01,080 --> 00:17:05,480 Speaker 3: and it comes up all the time is the Lee Majors. Uh, 249 00:17:05,960 --> 00:17:09,520 Speaker 3: there's one with Lee Majors and Paul McCartney. Is that right? Yeah, 250 00:17:09,840 --> 00:17:14,040 Speaker 3: it's real weird. It's it's an odd collaboration, and you 251 00:17:14,160 --> 00:17:16,560 Speaker 3: wonder what they were thinking. I'll find it here during 252 00:17:16,640 --> 00:17:21,840 Speaker 3: the break. But that brings us to our question the 253 00:17:22,040 --> 00:17:26,560 Speaker 3: earliest lunch box. You remember, it'll be a lightning round. 254 00:17:27,600 --> 00:17:32,800 Speaker 3: Be ready, know your information and you will answer the year, 255 00:17:34,720 --> 00:17:39,920 Speaker 3: your age at that time, the town where it happened, 256 00:17:39,960 --> 00:17:42,200 Speaker 3: and if it's Houston, you tell what elementary you went 257 00:17:42,280 --> 00:17:46,720 Speaker 3: to and the box we got that So for me 258 00:17:47,800 --> 00:17:54,640 Speaker 3: it would be nineteen seventy six, Loreena Oates Elementary, Orange, 259 00:17:54,720 --> 00:18:01,520 Speaker 3: Texas Evel. You know how the players they like to 260 00:18:01,560 --> 00:18:05,840 Speaker 3: hold what college they went to? Ohio State? 261 00:18:06,440 --> 00:18:06,800 Speaker 12: All right? 262 00:18:06,880 --> 00:18:09,240 Speaker 3: So seven one three nine nine nine one thousand, seven 263 00:18:09,280 --> 00:18:11,240 Speaker 3: one three nine nine nine one thousand, Here. 264 00:18:11,200 --> 00:18:14,280 Speaker 2: Is he and O where that poor? What dish? 265 00:18:14,400 --> 00:18:16,280 Speaker 1: The Michael Berry Show, The Evil. 266 00:18:16,119 --> 00:18:19,240 Speaker 2: Canevil stunt cycle, rum Ideal Jim Mud. 267 00:18:19,200 --> 00:18:22,960 Speaker 3: Weighed in to tell us that the late great Dorothy 268 00:18:23,040 --> 00:18:27,399 Speaker 3: Loretta Mud, his mother, who passed away last year, wrote 269 00:18:27,480 --> 00:18:31,040 Speaker 3: my name, address and telephone number on the inside of 270 00:18:31,200 --> 00:18:35,520 Speaker 3: the lid. Boy, if you were to do that today, 271 00:18:36,520 --> 00:18:38,800 Speaker 3: if I were to say, you know, maybe write the 272 00:18:38,880 --> 00:18:42,679 Speaker 3: identifying feature, because when we were kids, the big concern 273 00:18:42,840 --> 00:18:46,200 Speaker 3: was a kid would get lost, so you'd want to 274 00:18:46,240 --> 00:18:49,560 Speaker 3: put something with them that they'd get lost. If I 275 00:18:49,760 --> 00:18:54,239 Speaker 3: were actually just that story alone, there's some woman right 276 00:18:54,280 --> 00:18:56,440 Speaker 3: now going to her computer and write me anymore, Michael, 277 00:18:56,960 --> 00:18:59,480 Speaker 3: Have you put that they're gonna get They're gonna know 278 00:18:59,480 --> 00:19:04,240 Speaker 3: where you live, come get you by I literally get 279 00:19:04,440 --> 00:19:07,840 Speaker 3: on average one email a day, which doesn't sound like 280 00:19:07,920 --> 00:19:11,639 Speaker 3: that much, but it adds up from somebody who says 281 00:19:11,800 --> 00:19:16,280 Speaker 3: something I've done has endangered somebody. You were talking to 282 00:19:16,400 --> 00:19:19,360 Speaker 3: that woman on the radio and you asked her where 283 00:19:19,480 --> 00:19:22,879 Speaker 3: she lived and she said Houston, And now somebody can 284 00:19:22,960 --> 00:19:28,520 Speaker 3: just go there and get her, Michael. Every day these 285 00:19:28,680 --> 00:19:34,720 Speaker 3: piece people live that what just happened you were feeding 286 00:19:34,800 --> 00:19:40,200 Speaker 3: me through that came through it? Are you getting Oh 287 00:19:40,280 --> 00:19:44,080 Speaker 3: that's the phone? Oh give us another phone line? Is 288 00:19:44,119 --> 00:19:46,280 Speaker 3: that we're going to get that on all our calls No, 289 00:19:46,359 --> 00:19:49,920 Speaker 3: it just stopped. Oh, try it up to part it 290 00:19:50,000 --> 00:19:52,040 Speaker 3: up again again. Yeah, there we go, there we go. 291 00:19:54,320 --> 00:20:01,040 Speaker 3: No for your man, how about how Bear pitching six 292 00:20:01,680 --> 00:20:06,480 Speaker 3: shut out in he's and then takes the loss. That's rough. 293 00:20:07,680 --> 00:20:09,880 Speaker 3: Can't rock the baby anymore. I'll tell you what first 294 00:20:09,920 --> 00:20:12,879 Speaker 3: came I've been to with the shot clock. I like 295 00:20:13,000 --> 00:20:16,680 Speaker 3: that shot clock. Not gonna lie. The purists are against it, 296 00:20:17,280 --> 00:20:19,560 Speaker 3: but I like the action. Man, you could you don't 297 00:20:19,600 --> 00:20:24,320 Speaker 3: have time to do anything it is. Yeah, I was 298 00:20:24,400 --> 00:20:27,159 Speaker 3: sway up with Bob Buker. All right, put putty back 299 00:20:27,200 --> 00:20:28,480 Speaker 3: in so I can see if we're getting a double 300 00:20:29,400 --> 00:20:32,680 Speaker 3: you fit? What what happened? Okay, all right, it's it 301 00:20:32,800 --> 00:20:35,520 Speaker 3: is in fact, oh, he said his mom. So he 302 00:20:35,560 --> 00:20:38,280 Speaker 3: had a happy day's lunchbox, and then he went to 303 00:20:38,320 --> 00:20:41,320 Speaker 3: the Dukes of Hazzard. Oh yeah, you step it to 304 00:20:41,359 --> 00:20:44,679 Speaker 3: a whole other level with the Dukes of Hazard seven one, three, nine, nine, 305 00:20:44,960 --> 00:20:48,160 Speaker 3: one thousand. It is, in fact like a lightning round 306 00:20:48,240 --> 00:20:55,399 Speaker 3: game night. Start with Bonnie Joe and just go all 307 00:20:55,440 --> 00:20:57,440 Speaker 3: the way down and then come back up at the top. 308 00:20:57,520 --> 00:21:00,200 Speaker 3: Bonnie Joe go Okay. 309 00:21:00,400 --> 00:21:04,480 Speaker 7: Snoopy as the red baron Teanuts gang on a school bus. Barbie, 310 00:21:04,600 --> 00:21:06,480 Speaker 7: Batman and Robin were my four. 311 00:21:07,119 --> 00:21:08,520 Speaker 12: That I had, all right? 312 00:21:08,640 --> 00:21:10,600 Speaker 3: And the year how old you were? And where it was? 313 00:21:11,400 --> 00:21:15,240 Speaker 7: Oh, it was spring Shot is elementary here in Houston. 314 00:21:15,520 --> 00:21:18,879 Speaker 7: And it was like an elementary school all through elementary school. 315 00:21:19,520 --> 00:21:21,280 Speaker 3: All right, John, go ahead? 316 00:21:23,880 --> 00:21:28,280 Speaker 12: Fireball XL five nineteen sixty four or five years old, 317 00:21:28,520 --> 00:21:31,000 Speaker 12: chlora pac Elementary, Houston, Texas. 318 00:21:31,240 --> 00:21:33,159 Speaker 3: Okay, heldo fireball. 319 00:21:34,800 --> 00:21:41,399 Speaker 12: FIREBALLLEXL five And what was that? It was a little 320 00:21:42,280 --> 00:21:44,280 Speaker 12: you know, it's kind of like a puppet show like 321 00:21:44,359 --> 00:21:45,200 Speaker 12: the Thunderbird? 322 00:21:47,280 --> 00:21:51,159 Speaker 3: Was it a TV show of British children's sci fi 323 00:21:51,359 --> 00:21:55,960 Speaker 3: puppet television about the missions of Fireball XL five, a 324 00:21:56,119 --> 00:21:59,320 Speaker 3: vessel of the World Space Patrol that polices the Cosmos 325 00:21:59,359 --> 00:22:02,280 Speaker 3: in the year twenty six two, commanded by Colonel do 326 00:22:02,320 --> 00:22:08,840 Speaker 3: you remember the colonel's name though, Steve Zodiac. He defends 327 00:22:08,920 --> 00:22:12,080 Speaker 3: Earth from interstellar threats while encountering a wide variety of 328 00:22:12,160 --> 00:22:17,480 Speaker 3: alien civilizations inspired by Wow, John, you just taught me 329 00:22:17,560 --> 00:22:20,320 Speaker 3: something I didn't know that is very interesting. Did you 330 00:22:20,400 --> 00:22:25,479 Speaker 3: know about that fireball? Excel fine? I canna hear it now? Michael, 331 00:22:26,600 --> 00:22:28,960 Speaker 3: how did you not know about Fireball? Excelf? I couldn't 332 00:22:28,960 --> 00:22:30,800 Speaker 3: believe that you said it, didn't even know? How can 333 00:22:30,800 --> 00:22:34,080 Speaker 3: you not knowing? I couldn't believe it. She look, I 334 00:22:34,200 --> 00:22:36,000 Speaker 3: read too many emails. I need to back off from 335 00:22:36,040 --> 00:22:38,040 Speaker 3: the emails for a while. She loot, you're old, Michael 336 00:22:38,080 --> 00:22:38,920 Speaker 3: Berry show ahead. 337 00:22:39,960 --> 00:22:44,359 Speaker 11: Okay, Pasadena High. Okay, road Runner. 338 00:22:44,920 --> 00:22:46,159 Speaker 4: One of the metals. 339 00:22:49,119 --> 00:22:49,840 Speaker 13: Lunchboxes. 340 00:22:50,640 --> 00:22:52,280 Speaker 3: She looked. They were all metal, weren't they? 341 00:22:53,760 --> 00:22:57,720 Speaker 11: No, they started making plastic. My son had plastic ones. 342 00:22:58,040 --> 00:23:00,520 Speaker 3: Yeah, we don't want anybody can it with plastic? People 343 00:23:00,560 --> 00:23:02,399 Speaker 3: that listened to Nirvana or. 344 00:23:02,480 --> 00:23:04,840 Speaker 14: So he did? 345 00:23:05,160 --> 00:23:10,240 Speaker 11: Okay, all right, so now, but it was Pasadena High, 346 00:23:12,080 --> 00:23:19,720 Speaker 11: eleventh grade, sixteen years old, road Runner, and I was, yeah, sixteen, So. 347 00:23:20,240 --> 00:23:22,440 Speaker 3: I don't know anybody that still carried a lunch box 348 00:23:22,520 --> 00:23:25,359 Speaker 3: at sixteen? Did y'all not have a Did y'all not 349 00:23:25,440 --> 00:23:27,800 Speaker 3: have two lines at the cafeteria, one with the fixed 350 00:23:27,840 --> 00:23:30,320 Speaker 3: meal for fixed income, and one where you could buy 351 00:23:30,320 --> 00:23:32,000 Speaker 3: a little piece of pizza or a burger? 352 00:23:33,600 --> 00:23:36,920 Speaker 4: We didn't have a fixed meal. You know, you either 353 00:23:36,960 --> 00:23:38,600 Speaker 4: brought your lunch or you bought your lunch. 354 00:23:39,040 --> 00:23:42,080 Speaker 3: If you bought your lunch, what were the options. 355 00:23:43,840 --> 00:23:47,119 Speaker 11: You picked? You know, you went down the roll and 356 00:23:47,240 --> 00:23:50,360 Speaker 11: you just pick what you wanted, man, I can't. 357 00:23:50,200 --> 00:23:52,600 Speaker 3: Remember what it's called. We had two lines. They were 358 00:23:52,840 --> 00:23:55,800 Speaker 3: in separate entrances, and one was the set meal for 359 00:23:55,920 --> 00:23:59,480 Speaker 3: the day and you'd go in and it was whatever 360 00:23:59,560 --> 00:24:01,800 Speaker 3: they were irving and you got that. And the other 361 00:24:01,880 --> 00:24:06,000 Speaker 3: one was a concession. I can't remember what that one 362 00:24:06,119 --> 00:24:08,680 Speaker 3: was called, but it was a big deal and we 363 00:24:08,800 --> 00:24:11,399 Speaker 3: got two dollars for lunch, and you knew what you 364 00:24:11,480 --> 00:24:14,480 Speaker 3: could get for two dollars, which for me was a 365 00:24:14,560 --> 00:24:18,440 Speaker 3: piece of pizza, a coke and uh what was that? 366 00:24:18,800 --> 00:24:23,080 Speaker 3: Chocolate and banana bar? Bomb bomb pop? Yeah, you get 367 00:24:23,119 --> 00:24:23,680 Speaker 3: a bomb pop? 368 00:24:23,880 --> 00:24:24,199 Speaker 6: All right? 369 00:24:24,359 --> 00:24:25,520 Speaker 3: John, you're up, go ahead. 370 00:24:27,560 --> 00:24:31,639 Speaker 4: It's sir, nineteen eighty one, Salfur, Louisiana. 371 00:24:31,880 --> 00:24:33,399 Speaker 12: The school is called R. W. 372 00:24:33,640 --> 00:24:37,159 Speaker 14: Vince In elementary school, I think I was nine or 373 00:24:37,280 --> 00:24:39,200 Speaker 14: ten and the dukes of Hazard. 374 00:24:40,800 --> 00:24:41,879 Speaker 3: By the way, what's that? 375 00:24:42,160 --> 00:24:42,360 Speaker 14: Yeah? 376 00:24:43,920 --> 00:24:44,879 Speaker 12: The box was metal. 377 00:24:45,080 --> 00:24:47,440 Speaker 3: Yeah, we're gonna assume it's all metal because if it's 378 00:24:47,760 --> 00:24:50,600 Speaker 3: lasting people too young. What did you had? 379 00:24:50,720 --> 00:24:50,960 Speaker 9: Metal? 380 00:24:51,040 --> 00:24:51,200 Speaker 1: Right? 381 00:24:51,800 --> 00:24:53,560 Speaker 3: I can't imagine. When she said that, I thought, well, 382 00:24:53,600 --> 00:24:57,359 Speaker 3: they're all metal, but I guess maybe not. Joseph, you're up, 383 00:24:57,440 --> 00:25:01,840 Speaker 3: go ahead, eighteen seventy three. 384 00:25:02,160 --> 00:25:07,840 Speaker 13: Culture Elementary started with Space nineteen ninety nine, then UFO 385 00:25:08,359 --> 00:25:12,320 Speaker 13: and then Steve Austin The six million Dollar Man. 386 00:25:12,680 --> 00:25:17,119 Speaker 3: There you go. You know, Chad, somebody I know their 387 00:25:17,240 --> 00:25:20,280 Speaker 3: kids went to Coltre Elementary when they were younger. Why 388 00:25:20,520 --> 00:25:23,920 Speaker 3: was Here's here to? I was Space nineteen ninety nine canceled? 389 00:25:24,600 --> 00:25:27,159 Speaker 3: Did you ever watch Space ninety nine or more? I 390 00:25:27,440 --> 00:25:32,440 Speaker 3: knew that it had Barbara Bain, Martin Landau, Katherine Schell, 391 00:25:33,080 --> 00:25:40,400 Speaker 3: Tony Anholt, Barry Moore and Xenium more Merton read here 392 00:25:40,480 --> 00:25:42,240 Speaker 3: how many Dolfins Died in Space? 393 00:25:43,840 --> 00:25:47,480 Speaker 2: And Michael Berry Show, The Evil Canevo stunt cycle, Rum Ideal, 394 00:25:49,560 --> 00:25:50,119 Speaker 2: Let's check. 395 00:25:50,000 --> 00:25:53,720 Speaker 3: In the nail bag. Stephen writes, the reason you don't 396 00:25:53,720 --> 00:25:57,160 Speaker 3: know about Fireball XL five is you weren't born yet. 397 00:25:57,280 --> 00:26:00,639 Speaker 3: And there was another besides the Thunderbirds, which was a 398 00:26:00,720 --> 00:26:06,920 Speaker 3: spaceship fleet stingray a mini sub. Sandy says, she's a girl. 399 00:26:07,320 --> 00:26:10,600 Speaker 3: I had a soft sided twiggy mailbox. It was oval 400 00:26:10,680 --> 00:26:13,920 Speaker 3: shape see attached picture. But it's not metal, so I'm 401 00:26:13,920 --> 00:26:19,119 Speaker 3: not counting now. John J. Kennedy from Nashville, Tennessee rights 402 00:26:19,520 --> 00:26:22,359 Speaker 3: I worked as a professional laugher on the final season 403 00:26:22,440 --> 00:26:25,280 Speaker 3: of the Nanny In the nineties, a crew of about 404 00:26:25,359 --> 00:26:27,480 Speaker 3: twenty of us got paid to sit in the stands 405 00:26:27,520 --> 00:26:31,200 Speaker 3: on filming day and laugh in the appropriate places. We 406 00:26:31,320 --> 00:26:32,960 Speaker 3: got to eat with the cast and crew, and we 407 00:26:33,040 --> 00:26:37,120 Speaker 3: were well taken care of. Chad writes nineteen eighty one, 408 00:26:37,240 --> 00:26:41,560 Speaker 3: Lowry Elementary School, Houston, Dukes of Hazzard with the leaky 409 00:26:41,640 --> 00:26:45,320 Speaker 3: thermost that got your sandwich wet. Now that's a memory 410 00:26:45,400 --> 00:26:50,760 Speaker 3: right there. Doris writes Czar, I've been bringing the podcast. 411 00:26:50,800 --> 00:26:55,040 Speaker 3: I've been binging, sorry the podcast, and I heard your 412 00:26:55,080 --> 00:26:57,679 Speaker 3: story about the woman named Beth Dick, and I couldn't 413 00:26:57,760 --> 00:27:01,000 Speaker 3: resist sharing my topper. It was in the frequent flyer 414 00:27:01,080 --> 00:27:04,879 Speaker 3: program in Aero Mexico, and our computer capabilities were behind 415 00:27:04,960 --> 00:27:08,760 Speaker 3: the industry standard. We took transfers of mileage points from 416 00:27:08,800 --> 00:27:11,200 Speaker 3: American Express for purchase of tickets, but we didn't have 417 00:27:11,280 --> 00:27:15,360 Speaker 3: electronic capabilities. We had to have physical computer tapes, which 418 00:27:15,560 --> 00:27:18,600 Speaker 3: MX only shipped once a week. We had to make 419 00:27:18,640 --> 00:27:22,040 Speaker 3: the reservation and wait for the mileage transfer. Some people 420 00:27:22,119 --> 00:27:25,560 Speaker 3: don't have demanding enough jobs so they still play silly pranks. 421 00:27:26,040 --> 00:27:29,040 Speaker 3: So imagine my surprise when we actually got the mileage 422 00:27:29,080 --> 00:27:39,800 Speaker 3: transfer for Richard drips, Sincerely, Red Edwards Lawrence. Sybil Lawrence 423 00:27:39,840 --> 00:27:45,800 Speaker 3: writes Houston Cimarron Elementary, nineteen seventy three, lunch box, speed Buggy, 424 00:27:46,720 --> 00:27:51,280 Speaker 3: There you go. Bobby writes, you ever look at Viva 425 00:27:51,359 --> 00:27:55,560 Speaker 3: Knievel from about seventy seven? Evil was an absolute star 426 00:27:56,720 --> 00:28:02,119 Speaker 3: horrible movie, so horrible it's great. And finally, Steven writes, Zar, 427 00:28:03,400 --> 00:28:05,560 Speaker 3: I listen to you every day. I'm applauding some of 428 00:28:05,640 --> 00:28:09,320 Speaker 3: your suggestions to life. At fifty six, I'm saying goodbye 429 00:28:09,359 --> 00:28:12,040 Speaker 3: to one career and jumping into another, starting afresh. A 430 00:28:12,119 --> 00:28:16,960 Speaker 3: few weeks ago, I enrolled. I enrolled in truck driving 431 00:28:17,040 --> 00:28:21,800 Speaker 3: school and got my CDLA license. Learning to parallel park 432 00:28:21,800 --> 00:28:25,520 Speaker 3: a semi is something else. I start my new job tomorrow, 433 00:28:25,560 --> 00:28:27,960 Speaker 3: but it's twelve weeks of training. I won't be able 434 00:28:28,000 --> 00:28:29,879 Speaker 3: to hear the show during this time. Oh there's the 435 00:28:29,960 --> 00:28:31,960 Speaker 3: podcast in the evening show, but it's not the same. 436 00:28:32,760 --> 00:28:34,920 Speaker 3: Good news. Once I finish my training, I'll be able 437 00:28:34,960 --> 00:28:37,160 Speaker 3: to listen to you from my rig ten to four, 438 00:28:37,480 --> 00:28:39,680 Speaker 3: over and out. Keep up the great work and the 439 00:28:39,800 --> 00:28:43,960 Speaker 3: best radio show on earth. Stephen, Well, that's a nice message, 440 00:28:45,280 --> 00:28:48,240 Speaker 3: and James writes, this is Wilson It's a picture of 441 00:28:48,360 --> 00:28:50,120 Speaker 3: a fellow and his dog on a bench out in 442 00:28:50,160 --> 00:28:53,360 Speaker 3: front of a motel. He's the good will ambassador here 443 00:28:53,400 --> 00:28:57,200 Speaker 3: at the Longhorn Ranch motel, just south of Study Butte 444 00:28:57,320 --> 00:29:00,280 Speaker 3: out in Big Bend. He knows no strangers, and he 445 00:29:00,400 --> 00:29:03,160 Speaker 3: works for snacks. If you ask him, he'll pray, he'll 446 00:29:03,240 --> 00:29:05,680 Speaker 3: kneel with his paws together. He has a pocket full 447 00:29:05,720 --> 00:29:08,440 Speaker 3: of high fives and handshakes. Such a good boy. When 448 00:29:08,480 --> 00:29:10,440 Speaker 3: we arrived, he ran up to me like an old friend. 449 00:29:10,920 --> 00:29:13,440 Speaker 3: If I sit on this bench, he leaps up beside 450 00:29:13,520 --> 00:29:16,480 Speaker 3: me and forces his head under my arm. Buddies for life, 451 00:29:17,080 --> 00:29:21,240 Speaker 3: or until some other sucker retreats happens along. How about that? 452 00:29:22,040 --> 00:29:23,640 Speaker 3: Joe writes, nineteen seventy two. 453 00:29:23,880 --> 00:29:24,040 Speaker 4: RP. 454 00:29:24,240 --> 00:29:29,400 Speaker 3: Harris Elementary School, Oh Elementary school Snoopy and Charlie Brown. 455 00:29:29,760 --> 00:29:31,920 Speaker 3: All right, so the phone lines we go. It is 456 00:29:32,000 --> 00:29:42,520 Speaker 3: a lightning a lightning round game. But night seven one three, sorry, 457 00:29:42,560 --> 00:29:45,080 Speaker 3: seven one three, ninety nine nine one thousand. We'll start 458 00:29:45,120 --> 00:29:46,600 Speaker 3: with Dave and go all the way down the list. 459 00:29:46,760 --> 00:29:47,520 Speaker 3: Dave go. 460 00:29:49,720 --> 00:29:49,840 Speaker 9: Hi. 461 00:29:50,800 --> 00:29:54,600 Speaker 14: Jenny Garden, North Line, Elementary Landlow Giant's probably about nineteen 462 00:29:54,680 --> 00:29:58,360 Speaker 14: sixty six with my freedo bandido rubber deal that you 463 00:29:58,440 --> 00:30:00,800 Speaker 14: got out of the fridos and put on my pencil 464 00:30:00,880 --> 00:30:02,520 Speaker 14: and almost. I didn't make it on the buck. I 465 00:30:02,600 --> 00:30:04,120 Speaker 14: didn't make it on the bus, and I did some 466 00:30:04,240 --> 00:30:06,680 Speaker 14: windows that she stopped and pick me up my first 467 00:30:06,760 --> 00:30:07,840 Speaker 14: day in ken Goyave. 468 00:30:07,880 --> 00:30:11,720 Speaker 3: It's a lightning round. He slips through and then he 469 00:30:11,800 --> 00:30:16,240 Speaker 3: won't stop talking, my Michael. That's Dave that hangs out 470 00:30:16,280 --> 00:30:18,520 Speaker 3: behind the gallery Furnshire parking lot and calls every day. 471 00:30:19,840 --> 00:30:22,800 Speaker 3: Damn it, he got through our lines and then like 472 00:30:22,920 --> 00:30:26,040 Speaker 3: a streaker, he just was gonna go till I finally 473 00:30:26,080 --> 00:30:29,480 Speaker 3: cut him off, wasn't he Damn it, Dave, you got me, 474 00:30:29,960 --> 00:30:32,560 Speaker 3: you got me? You know right now he is just tickled. 475 00:30:32,720 --> 00:30:34,440 Speaker 7: I got through, I got through. 476 00:30:35,040 --> 00:30:35,640 Speaker 9: I got through. 477 00:30:36,520 --> 00:30:36,680 Speaker 4: You know. 478 00:30:36,800 --> 00:30:39,800 Speaker 3: He's the one that goes out and randomly flags down 479 00:30:39,920 --> 00:30:43,280 Speaker 3: cops and ask him how things are going. Remember I 480 00:30:43,360 --> 00:30:45,000 Speaker 3: had a cop tell me he told me the story. 481 00:30:45,200 --> 00:30:46,760 Speaker 3: I had a cop tell me. Oh he does that. 482 00:30:46,880 --> 00:30:50,120 Speaker 3: He's flagged me down. He literally, as cops are coming 483 00:30:50,160 --> 00:30:52,600 Speaker 3: down the road, gets out in the street and flags 484 00:30:52,640 --> 00:30:56,160 Speaker 3: him down like he's in trouble. A distress call goes 485 00:30:56,240 --> 00:30:59,200 Speaker 3: up to their door. How y'all doing. Uh fine, fella, 486 00:30:59,320 --> 00:31:02,040 Speaker 3: what do you need? Oh? I was just gonna see 487 00:31:02,120 --> 00:31:05,400 Speaker 3: if y'all have I pick up the trash in this neighborhood. 488 00:31:06,040 --> 00:31:06,160 Speaker 9: Uh. 489 00:31:06,640 --> 00:31:09,160 Speaker 3: And I just I didn't know if that's just kind 490 00:31:09,200 --> 00:31:13,240 Speaker 3: of curious kind of what's been going on. I didn't 491 00:31:13,320 --> 00:31:16,320 Speaker 3: know if you know there was a shooting last week 492 00:31:16,960 --> 00:31:19,920 Speaker 3: over on that yet. Yeah, we know, we're cops. It's 493 00:31:19,960 --> 00:31:22,800 Speaker 3: our do we know that kind of stuff? Okay? Well, 494 00:31:22,840 --> 00:31:24,840 Speaker 3: I just I just check it in. You guys be safe. Okay, 495 00:31:25,120 --> 00:31:25,960 Speaker 3: you'll be safe here. 496 00:31:26,080 --> 00:31:27,480 Speaker 9: You on Robert. 497 00:31:30,360 --> 00:31:35,360 Speaker 3: Flintstones the process that I hadn't dine about the Flintstones 498 00:31:35,400 --> 00:31:40,040 Speaker 3: for nineteen sixty four. 499 00:31:41,880 --> 00:31:44,760 Speaker 4: Roy h guess Elementary School, Beaumont, Texas? 500 00:31:45,920 --> 00:31:50,000 Speaker 3: Where is that Both Texas? 501 00:31:50,040 --> 00:31:50,760 Speaker 4: You know where Both is? 502 00:31:50,880 --> 00:31:51,200 Speaker 9: Michael? 503 00:31:51,520 --> 00:31:52,000 Speaker 3: Uh huh. 504 00:31:53,760 --> 00:31:56,480 Speaker 4: Oh come on, man, going towards Lumberton just before you 505 00:31:56,560 --> 00:31:57,720 Speaker 4: cross Pine Island by you. 506 00:32:00,720 --> 00:32:03,680 Speaker 3: Oh, my brother would not approve of me not knowing 507 00:32:03,720 --> 00:32:05,600 Speaker 3: where that is, because I'm sure at some point he 508 00:32:05,720 --> 00:32:09,120 Speaker 3: all ter. Yeah, I don't know. So you were outside 509 00:32:09,120 --> 00:32:09,600 Speaker 3: of Beaumont. 510 00:32:11,520 --> 00:32:14,480 Speaker 4: No, it was actually Beaumont, but the community was called 511 00:32:14,560 --> 00:32:15,160 Speaker 4: both d. 512 00:32:15,280 --> 00:32:20,440 Speaker 3: Otah, who's that laughing in the background? You got your 513 00:32:20,480 --> 00:32:24,240 Speaker 3: own left track. Yeah, I dude, who is that. 514 00:32:30,440 --> 00:32:30,600 Speaker 4: Right? 515 00:32:31,200 --> 00:32:35,840 Speaker 3: He just snorted, Robert Nobody, sir, who is the dude 516 00:32:35,880 --> 00:32:36,320 Speaker 3: in the back? 517 00:32:38,200 --> 00:32:39,760 Speaker 9: Nobody myself? 518 00:32:41,040 --> 00:32:45,120 Speaker 3: Oh that was from idiot Randy. You're only Michael berry Shaw. 519 00:32:45,160 --> 00:32:45,560 Speaker 3: Go ahead. 520 00:32:47,240 --> 00:32:51,080 Speaker 4: Nineteen sixty six, Deer Park second grade, Send you into 521 00:32:51,160 --> 00:32:52,680 Speaker 4: elementary The Monsters. 522 00:32:53,400 --> 00:32:55,160 Speaker 3: That's how you answer the question. Boomboo, you got it? 523 00:32:55,240 --> 00:33:04,280 Speaker 3: Laid out favorite character, Eddie Monster, which theme song you 524 00:33:04,400 --> 00:33:06,040 Speaker 3: liked better? Adam's Family or Monsters? 525 00:33:07,520 --> 00:33:08,640 Speaker 2: Monsters Man? 526 00:33:08,680 --> 00:33:12,200 Speaker 3: That was quality programming, wasn't it? God Lea that puts 527 00:33:12,280 --> 00:33:15,760 Speaker 3: me in such a good Herman Monster was such a 528 00:33:16,240 --> 00:33:18,720 Speaker 3: you couldn't be in a bad mood. And watch that show? 529 00:33:20,320 --> 00:33:22,600 Speaker 3: What's your name again? You dumped you jump Brandy already? 530 00:33:23,400 --> 00:33:25,680 Speaker 3: Brandy was good? Julianne, What you got? 531 00:33:27,760 --> 00:33:31,640 Speaker 11: Nineteen seventy six through about nineteen seventy eight, Raggedy Ann 532 00:33:31,720 --> 00:33:36,000 Speaker 11: and Andy and a hobby Hobby at Saint John's Elementary 533 00:33:36,040 --> 00:33:36,960 Speaker 11: School in Robstown. 534 00:33:37,920 --> 00:33:39,080 Speaker 3: Wow, okay, real quick? One more? 535 00:33:39,320 --> 00:33:39,760 Speaker 12: Pat go 536 00:33:42,680 --> 00:33:49,080 Speaker 13: Houston, Texas Hidden Valley Elementary, fifth Grade, South Sided Black 537 00:33:49,280 --> 00:33:49,800 Speaker 13: Barbie