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Speaker 1: oil filter today, quality parts, helpful people. That's NAPA No

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Speaker 1: how no how General States pricing Sales prices do not

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Speaker 1: include the policiple state local taxes. A recycling piece offer

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Speaker 1: ends four thirty nineteen yards Radio. He's a legendary Queen's rapper,

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Speaker 1: set boy, He's a Miami hip hop pioneer. What Up

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Speaker 1: is d j e f N? Together they drink it

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Speaker 1: up with some of the biggest players in music and sports.

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Speaker 1: Me the most professional unprofessional podcast. This is Drinks Chap Radio.

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Speaker 1: Every day is New Year's Eve. That's Hey Hanks, this out.

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Speaker 1: This is your boy. What Up? His DJ e f

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Speaker 1: N And it's his Drink Champs motherfucking podcast. Right now

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Speaker 1: we have one of the members from the one of

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Speaker 1: the most legendary anders in the hip hop He is

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Speaker 1: also one of the best producers that ever had lived.

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Speaker 1: He is also the man behind everything that was produced there.

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Speaker 1: He's also he is also a very lion, this type

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Speaker 1: of person. He came to the Lions then. He didn't

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Speaker 1: care about the Romans or none of that. He came,

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Speaker 1: he flew out on his own time. He's a legend.

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Speaker 1: I knew him from Twelfth Street. I knew him from

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Speaker 1: back then, and he is in the house with the

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Speaker 1: drink champs. In case you guys are confused, I don't

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Speaker 1: know who I'm talking about. I'm talking about the legendary

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Speaker 1: have it of Mark Deep maybe's I am very listen,

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Speaker 1: I'm very This is one of my most excited interviews because, um,

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Speaker 1: I know our history and I know how cool we are.

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Speaker 1: But I know I know how the internet, you know,

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Speaker 1: take shi up and switch and switching and bounce it.

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Speaker 1: And the interesting thing about you is like, I just

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Speaker 1: recently got asked to do a show is called Hot

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Speaker 1: Hot Ones, right when you do the Hot Wings. And

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Speaker 1: I was like, yo, I wanted to change it up

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Speaker 1: a little bit. I was like, yo, listen to the

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Speaker 1: it's a show it's called and it's on Complex. So

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Speaker 1: um I was I was like, yo, I want to

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Speaker 1: change up a little bit. Tell them about to five wings.

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Speaker 1: That's real hot, and I'll do five of the strongest

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Speaker 1: vodka in the world. And I thought about it. I

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Speaker 1: was like, half could have easily said that to me.

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Speaker 1: He's gonna said, Yo, y'all do it, but I want

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Speaker 1: to do it on this and you did that. Let's

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Speaker 1: make some noise. Not his game. So listen, you got

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Speaker 1: one of the best hip hop stories I ever want

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Speaker 1: this beat. This is one of the best hip hop

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Speaker 1: stories I've ever heard. You may shook ones or for

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Speaker 1: the project. Yeah, he is very smart. How many other

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Speaker 1: people have been cooking on the Project stove and it

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Speaker 1: ain't make a dollar? Just think made the mirror. Let's

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Speaker 1: make some noise. Let me tell you something. At that time,

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Speaker 1: people and basically people in forty people are really listening

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Speaker 1: to the Project Souls and I ain't even think about you.

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Speaker 1: But now, oh that is the that's the before you

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Speaker 1: light it. Yeah, right before you light it, you know,

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Speaker 1: before it come on and all that. You know. So

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Speaker 1: so let me ask you did you think of the

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Speaker 1: beat when you heard that? Now you know, I was

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Speaker 1: just in the projects, you know, broke as fuck, just

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Speaker 1: like or something like, I just got to make some ship.

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Speaker 1: So you know, the stove inspired me, you know what

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Speaker 1: I mean. So I was like, yeah, let me throw

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Speaker 1: this into the beat and you know whatever it was

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Speaker 1: after the first album, this is at you. I never

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Speaker 1: really considered you. But now Hill, I never even I

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Speaker 1: never think about it, no doubt. So I always be like,

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Speaker 1: you know what saying the infamous albums like my first

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Speaker 1: album and the the juvenile hells like the miscarriage. Yeah

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Speaker 1: say that. Yeah, yeah he No, he didn't executive produce it,

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Speaker 1: but he uh, he really helped us out. Like he

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Speaker 1: we wasn't nobody. He didn't infamous album. No, he didn't

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Speaker 1: know something do Yeah. He used to drive out to him.

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Speaker 1: Let me look at the like having oh man, yeah,

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Speaker 1: that was our first album right there. So you produced

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Speaker 1: this on this is w No. I got my first

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Speaker 1: taste of production on there. I really didn't know how

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Speaker 1: to produce at that time, so I just did, like,

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Speaker 1: you know, one or two songs on there because you

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Speaker 1: were in the art and design. So let me very smart,

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Speaker 1: not smart, but let's make some noise for that's a

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Speaker 1: prestigious school. My brother, I'm from up from the town.

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Speaker 1: I know what this. So when did you start producing,

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Speaker 1: like like what happened um back when the producer asked

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Speaker 1: me for we asked for a beat from a known

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Speaker 1: producers I've seen, not Ris, but I'm not gonna blow

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Speaker 1: his name up. Whoever it was. I should we Patty

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Speaker 1: wanna drink? Chat right? Take another drink? Take another drink? More?

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Speaker 1: Did you drink? We need you to get Patty right now?

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Speaker 1: Come on? All right? Not not but I love this

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Speaker 1: guy to death. But pe Ron asked us for like

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Speaker 1: grand and my budget was only sixty thousand, and he

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Speaker 1: asked us for twenty five thousand. I was like, I'm

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Speaker 1: gonna make my own beats for real. That's how it started.

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Speaker 1: That's how I started. But during this project, during no,

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Speaker 1: during the now, it was that project. It was that

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Speaker 1: project because I seen inside the label and he said

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Speaker 1: that you asked him for a beat. Oh he told me.

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Speaker 1: He told you to keep making your own beats. Yeah, yeah,

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Speaker 1: he inspired me to. He was like no, no, not

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Speaker 1: gonna make your own ship. And then I was like,

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Speaker 1: all right, sucking. Then I made my own ship. I

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Speaker 1: didn't even know how to make beats really, like you

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Speaker 1: know what I'm saying. I just was like just watching

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Speaker 1: people because you know, because you know you're from Left

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Speaker 1: Frame pros from over there. I used to go over

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Speaker 1: there to Large Pro crib and then watch him make beats.

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Speaker 1: And whenever I used to ask some questions like Yo,

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Speaker 1: how you do that, he'd be like like, chill, Like chill,

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Speaker 1: don't ask questions, just watch. So I used to just

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Speaker 1: watch Large Pro dude beats with the infamous album, right,

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Speaker 1: and he learned from the best of the game, damn it.

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Speaker 1: I mean, you know, Q Tip was ill, and he like,

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Speaker 1: we didn't have no money back then, so you know,

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Speaker 1: they were just willing to help us, right, just just

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Speaker 1: just just from the buzz of juvenile Hell, it wasn't

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Speaker 1: no buzz. It wasn't look I got in Florida. I

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Speaker 1: got this in Miami. I mean, now it's a buzz

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Speaker 1: like you know what I'm saying, Like, you know, that

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Speaker 1: was our first album, but it wasn't no buzz. I

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Speaker 1: got this before ones and all that, right, I mean,

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Speaker 1: but it was cool always, Like listen, he gave Cares

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Speaker 1: won a tennis ball from nineteen Yeah, what's three years

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Speaker 1: from nineteen from before Cavs was born. This boy took

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Speaker 1: cause you signed this for me, and you know what

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Speaker 1: I mean, this is my man. Yeah, so you guys

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Speaker 1: you worked with Biggie Small, right, how was that? I

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Speaker 1: mean it was pretty cool, you know what I mean.

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Speaker 1: We had just dropped, you know what I'm saying, the

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Speaker 1: Infamous album and he was working on Life after Death.

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Speaker 1: So Puff hit me up. He was like, y'all need

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Speaker 1: some trash for whatever, blah blah blah. But this is

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Speaker 1: a strange story that happened because I gave I sent

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Speaker 1: Puffs some beats and then uh, we actually did it

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Speaker 1: in the studio. Like the beat that I did it

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Speaker 1: got lost whatever he paid for and like Puff is

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Speaker 1: like a gangster. He was like, yeo, where's the track

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Speaker 1: out paid for? He was like it was a child,

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Speaker 1: was like yea, all got it. He was like, well,

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Speaker 1: you gonna make this beat right there? You know you

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Speaker 1: gonta do it. You're gonna do it over. So then

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Speaker 1: I had to, you know, recollect it and to just

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Speaker 1: do it over. What beat was that? Living to my

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Speaker 1: Last Days? Money to him that the ones with the

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Speaker 1: locks on it on the life and you just did famous?

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Speaker 1: You got something to do with that? The video was wild. Yeah.

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Speaker 1: I spent like, uh six months and Callie working on

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Speaker 1: on on on the album with Kanye. Yeah, I spent

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Speaker 1: that time out there. I only got like you know,

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Speaker 1: I wanted to have tracks on there, but it was

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Speaker 1: worth it. Just smoke already, man, Just go back to

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Speaker 1: Blunt's not happen You literally currency influenced me. Currency whole

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Speaker 1: way head smoking cold. You know you don't want me

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Speaker 1: to smoke that. No, no, so you ushould drink. I

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Speaker 1: and J back in the original Drink Champion. Yeah, yeah, J.

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Speaker 1: Would you say that was the worst days of your life?

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Speaker 1: That was said that the worst the word like you

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Speaker 1: was bad active. I said that was like the roughest

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Speaker 1: days of the month. Yeah, I still wake up drinking that.

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Speaker 1: I went to queens Bridge one time, like eleven o'clock

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Speaker 1: in the morning. A lot of people don't know this.

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Speaker 1: The first time I met you wasn't through Capone. It

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Speaker 1: was through Twin. Me and Twin was locked up and

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Speaker 1: sparking big up the Twin for Queen's bridget A big

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Speaker 1: Twin came and you guys got shook one. You got

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Speaker 1: the number one record in the world. You're sitting on

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Speaker 1: the bench, on top of the bench, just down the

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Speaker 1: bottle and J just fall and everybody like, oh ship.

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Speaker 1: I was like, yo, this thing is a rack. This

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Speaker 1: was in the world like to see and you was

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Speaker 1: you was at that time, you was dead up, still

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Speaker 1: living in the hood, and you you had the number

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Speaker 1: one record. You could have bounced like after I made money,

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Speaker 1: I was like, I thought about you. I was like

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Speaker 1: that nigga really staved like you duked it out for

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Speaker 1: a while for a little second, I do did you

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Speaker 1: save at least what I saved? You save money? Now

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Speaker 1: we were spending that ship, yo, But yo, that that

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Speaker 1: was like that was my first experience. Like I came

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Speaker 1: to Queen's Bridge and I've seen you the first day.

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Speaker 1: I remember Twain introducing us. But I remember that ship

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Speaker 1: was like ill to me, like to see that you

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Speaker 1: was really still out there, like and you was rich,

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Speaker 1: Like you know what I'm saying, Like you you have

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Speaker 1: money coming in. You niggas had shows that that record

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Speaker 1: was everywhere because you know what it was like, because

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Speaker 1: when you're living in the project exactly like when you

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Speaker 1: come from or whatever. When you got respect, you don't

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Speaker 1: feel like going anywhere. You know what I'm saying. You

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Speaker 1: got that respect, you know what I'm saying. Not saying,

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Speaker 1: I like I was a gangster or anything like that.

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Speaker 1: But I just had that respect, you know what I'm

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Speaker 1: saying out there, and I could have money you being

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Speaker 1: you know what I mean, it's respect. Something is get money,

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Speaker 1: and they gotta leave because they don't got no respect,

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Speaker 1: you know what I'm saying. So I stayed out there

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Speaker 1: for the reasonable amount of time, you know what I'm

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Speaker 1: saying that then and then and then what made you

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Speaker 1: find what was the final step where you said, I

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Speaker 1: gotta get the funk up out of it? Because I

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Speaker 1: used to come in the crib like around you know,

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Speaker 1: four o'clock in the morning. At five o'clock in the morning,

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Speaker 1: was out, there was out. There was the wild pack

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Speaker 1: ahead and knock you out, knock you out. He's wild.

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Speaker 1: But like that. Yeah, but you know, after a while,

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Speaker 1: it's like you can't dangle meet in front of wolves

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Speaker 1: for too long. So I just like, you know, let

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Speaker 1: me just go because you know what it was why

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Speaker 1: it took me so long, because I was scared. You

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Speaker 1: know what, ain't I always lives in the projects, living

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Speaker 1: on my own, you know what I'm saying. That lyric

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Speaker 1: you said, no matter how much blue getting I gotta

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Speaker 1: stay tuned to out. You know. Yeah it was wild,

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Speaker 1: but you know so um, you know, I was a

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Speaker 1: little scared, so I was like, you know, funk it.

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Speaker 1: I just went out on my own, became a grown man.

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Speaker 1: It was like I gotta get my own. You know

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Speaker 1: what I'm saying, You know, some grown man ship and

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Speaker 1: you can't you you was way too big of an artist,

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Speaker 1: way too big. And but your block is famous, like

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Speaker 1: people got to know twelve Street Run Our Test is

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Speaker 1: the next building from you. Right, this is correct, right,

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Speaker 1: that is it's it's half building Run Our Tests building

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Speaker 1: and then Campons Building and Compons Building right there, and

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Speaker 1: all of our families was all cool with this sounds crazy,

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Speaker 1: and I'm saying all about so like when I see

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Speaker 1: Run Run or TV Run Our Tests on TV, like

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Speaker 1: you know and the like supposed to be calling the

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Speaker 1: metal World piece, but I call your mama plan. So

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Speaker 1: you know, so when I see him and stuff like that,

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Speaker 1: it's not like a thing where we'll be like yo,

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Speaker 1: s he for my projects. Now we all know each other,

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Speaker 1: like it's like really family. I've seen Ramon in Club

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Speaker 1: Live with NAS. He pulled out a nineteen eighty nine

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Speaker 1: Nokia pharone. I said, Slim, you gotta step it up.

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Speaker 1: You got I got phones? Man, When I say the

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Speaker 1: play and caress, when I'm still looking for you, Carress,

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Speaker 1: you want to give you a fucking phone? What kind

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Speaker 1: of still out a beat? Boy? He was that serious though,

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Speaker 1: he was that he gotta say that. He did say,

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Speaker 1: he said he has a beat, but we got gotta

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Speaker 1: work no more. N I think, listen, you can't get

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Speaker 1: careless run direct him and rock him as hard niggers.

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Speaker 1: To just reach direct, you gotta hit the person in person.

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Speaker 1: And then that persons. Yeah, and you know they get

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Speaker 1: on ships and ship like that. Let's makes no noise

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Speaker 1: to care arrested. Goddamnit. They're not responding to that ship.

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Speaker 1: Duc and sad. But that block in twelfth Street, you

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Speaker 1: have ron ron um Like we used to like when

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Speaker 1: I was out there and I used to play ball,

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Speaker 1: we used to think of ram Ran as a butch,

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Speaker 1: like he was the guy who came into to to

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Speaker 1: tuck things out. He really made it Like, how did

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Speaker 1: you know that? From the beginning, I mean, his father

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Speaker 1: used to his pops, you know, was on the block.

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Speaker 1: His pops used to have him out there and his

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Speaker 1: twenty degree whether playing ball on the blass this is

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Speaker 1: and his father knocking him down like this, So you

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Speaker 1: already knew that when he did make I didn't think

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Speaker 1: he was gonna make it, But when he did make it,

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Speaker 1: I was like, oh, of course. You know. It's kind

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Speaker 1: of similar to Serena Williams and Venus Williams and the

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Speaker 1: story with ram Ran. It was made to be tough,

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Speaker 1: like people don't think that, Like you know, he's in

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Speaker 1: the n b A and you know, his pops like

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Speaker 1: he's he is a rude like nigga on that course.

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Speaker 1: What I mean by like, you know what I'm saying,

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Speaker 1: Like his pops told him to be the toughest dude.

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Speaker 1: Like his post was a man's man, you know what

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Speaker 1: I'm saying. And when you see him on the cold

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Speaker 1: when he was doing this thing, it's not a mistake.

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Speaker 1: You know what I'm saying, you'd be like, oh, ship,

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Speaker 1: Like people think that he's crazy, but he's not crazy.

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Speaker 1: He was just made to play that way. Like and

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Speaker 1: you know right, so now Juvenile Hell came out before

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Speaker 1: Illmatic correct, Yeah it did it? Did it did? So?

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Speaker 1: Did you did you see NAS recording illmatic at any point.

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Speaker 1: By time he was recording Allmatic, me and him wasn't

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Speaker 1: really hanging with each other no more because he was

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Speaker 1: just Columbia just grabbed him whoever, like during the juven

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Speaker 1: because yeah, because we was teenagers together before even juven

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Speaker 1: out hell came out, you know what I'm saying. So

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Speaker 1: we used to hang out and far together. No. I

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Speaker 1: never went to a full. You never went to toll Fall. No,

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Speaker 1: Queen's rich niggas makes a noise, a toll full. Everybody

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Speaker 1: in queens nobody queens here. That's a school was the

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Speaker 1: school to go to. We set it in body in

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Speaker 1: the trump Man. I went to one. I was sliss

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Speaker 1: talking about Holy only each other man. That's crazy, That's yeah,

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Speaker 1: That's that's how I met Queensburg because I was from

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Speaker 1: my head. Yeah, I was from I got kicked out

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Speaker 1: of older schools in Corona, left Frack East. Yeah, I

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Speaker 1: seven kicked out of sixty one, and I kicked out

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Speaker 1: of another school and they sent me to Ridgewood. I

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Speaker 1: knew I was days preparing me for jail because there

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Speaker 1: was no women in there. I was like, hold on,

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Speaker 1: this is a six Honday school. Gave me one more

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Speaker 1: chance and I had to go to I S one

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Speaker 1: six and Bliss from the seven s and Bliss you

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Speaker 1: get out. And the two niggas I met was Kaam

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Speaker 1: Capone Holly right which is capone and LJ do name

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Speaker 1: el also te Street for twel street. Member, can you

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00:17:02,280 --> 00:17:08,399
Speaker 1: tell these things? Very street queen? Listen, listen, I'm honorary.

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Speaker 1: Let me tell you something. Um. When I first met

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Speaker 1: Nory and Nod he was like hanging around and stuff

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Speaker 1: like that. He was almost like it was like he

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Speaker 1: was from there, like real accepted me, like he was

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Speaker 1: like from there. He just came in, he fit in,

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Speaker 1: you know what I'm saying or whatever whatever. But I

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Speaker 1: was locked up with twin yep, and like it was

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Speaker 1: Credit and Lincoln and Lincoln Yes we're eating now latest

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Speaker 1: now later. This is like Golden sp makes some lost

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Speaker 1: for you have never been a Sparta come on the

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Speaker 1: crowds way Yeah, so yo, y'all history is so crazy.

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Speaker 1: So you were you and P? Because P is originally

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Speaker 1: from Long Island, y'all connected? Queen P is from originally

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Speaker 1: from from what I know, he's from like Queens and

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Speaker 1: then his grandmother lived in Allan. You can't just say

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Speaker 1: queens like. Yeah, he was from left rack from up

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Speaker 1: from because back then we used to call him peewee

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Speaker 1: like and we called and we called him that too,

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Speaker 1: so he was hold on. We's because having his Amanda

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Speaker 1: here is Amanda was Amanda? Can I can I get

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Speaker 1: another drink? Let's shut up, shut out the best? I

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Speaker 1: told her, have outside, sat cared front. It's the first time.

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Speaker 1: Doesn't look good, he said, y'all think it's looking good.

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Speaker 1: He's looking good. We got we got pretty girls out.

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Speaker 1: Let's shout out the best. Not only the liquor, but

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Speaker 1: they provided the females because having his here, and he's

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Speaker 1: a very special guest. He's a glassic guy. And they

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00:18:54,880 --> 00:18:57,520
Speaker 1: got a spat and kindle. They got a spot another

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Speaker 1: to spats and candle. I want to pronounced that was

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00:19:01,080 --> 00:19:04,040
Speaker 1: that the hood in the range? Yeah? Yeah, it sounds

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00:19:04,080 --> 00:19:06,160
Speaker 1: like orange, but it is in Spanish that I don't

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00:19:06,160 --> 00:19:09,840
Speaker 1: have and cut the bay, cut the bay. They got

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00:19:09,840 --> 00:19:12,600
Speaker 1: the liquer. So happy whenever you are as best buy

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00:19:12,640 --> 00:19:15,560
Speaker 1: liquors man, what's the Instagram best Buy liquors? Right there

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00:19:15,600 --> 00:19:18,320
Speaker 1: is what it is at best Buy liquors man. Definitely

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00:19:18,320 --> 00:19:21,719
Speaker 1: looking at yeah, so have man you know. Um, so

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00:19:21,760 --> 00:19:24,760
Speaker 1: you said, y'all, yeah, he's yeah, he's from Wising, from

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00:19:24,840 --> 00:19:27,680
Speaker 1: that frog, from that frock. And when I'm with the police,

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00:19:27,760 --> 00:19:29,720
Speaker 1: the police, this is not that's not a false along.

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00:19:29,760 --> 00:19:32,560
Speaker 1: Oh they kept moving, it wanted to stop. It was weird.

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00:19:32,760 --> 00:19:36,440
Speaker 1: It was weird. It was weird. And we have we're

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00:19:36,480 --> 00:19:38,520
Speaker 1: not friending. Is the first time we ever had police.

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00:19:38,960 --> 00:19:47,399
Speaker 1: The second time that Oh I wasn't here, We're not baking,

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00:19:47,520 --> 00:19:50,120
Speaker 1: we're not faking a last week we had to say

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Speaker 1: I wasn't dead when the police pulled at all. It

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Speaker 1: all so so you guys were we age when you connected.

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Speaker 1: When I first met p y'all don't say why y'all

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Speaker 1: calling people, come on and we don't know you. You're

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Speaker 1: talking like families. He was sure. But I met him

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Speaker 1: when I was fifteen. I met him on his high

356
00:20:11,760 --> 00:20:15,080
Speaker 1: school whatever whatever. He used to have madgerry on and

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00:20:15,119 --> 00:20:18,760
Speaker 1: it was blund you know what I'm saying. He didn't

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00:20:18,760 --> 00:20:23,080
Speaker 1: have back in the day's Kam used to streets. He

359
00:20:23,160 --> 00:20:24,879
Speaker 1: had the whole thing. He used to call him to

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00:20:24,880 --> 00:20:28,639
Speaker 1: go to the the challenge. But he didn't heroin with me.

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00:20:29,000 --> 00:20:31,400
Speaker 1: But he was, you know, he was the coolst look

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00:20:31,440 --> 00:20:34,399
Speaker 1: at what I'm saying that we connected and then so

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00:20:34,640 --> 00:20:38,720
Speaker 1: um when y'all met was instantly like yo, he told

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00:20:38,760 --> 00:20:41,560
Speaker 1: you he does music? Or like, how how was it

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00:20:41,600 --> 00:20:43,920
Speaker 1: initially when y'all first met, Like no, because we used

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00:20:43,920 --> 00:20:45,480
Speaker 1: to be Yeah, we used to be in the lunch

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Speaker 1: room and they used to be free staling at the tables.

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00:20:47,720 --> 00:20:49,359
Speaker 1: He was one of them, is freet staling. I used

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00:20:49,400 --> 00:20:52,080
Speaker 1: to feast that blah blah blah blah. And then as

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00:20:52,080 --> 00:20:54,600
Speaker 1: soon as we met, it was like instant friends, like

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Speaker 1: instant friends, like instant you know what I mean. And

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Speaker 1: and he was rapping at the time on because I heard, um,

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Speaker 1: you wrote his first round. I mean he used to

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Speaker 1: he used to have his own rhynds and stuff like that.

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00:21:05,840 --> 00:21:08,200
Speaker 1: But but we got a deal and stuff like that.

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00:21:08,240 --> 00:21:10,480
Speaker 1: You know, I used to write and whatever. He didn't

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00:21:10,520 --> 00:21:19,879
Speaker 1: need it, but credit have go ahead, he wrote first

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00:21:20,040 --> 00:21:22,040
Speaker 1: to listen, Man, you gonta loosen. You gotta keep drinking.

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00:21:22,040 --> 00:21:25,200
Speaker 1: You do you want to drink? Amanda? I look, I'm floss.

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00:21:26,119 --> 00:21:29,239
Speaker 1: Amanda is very pretty. She's on the podcast for us.

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00:21:29,280 --> 00:21:31,640
Speaker 1: She's from best Buy Liquors. You're trying to show off

382
00:21:31,680 --> 00:21:34,840
Speaker 1: for you half Yeah, we've never never had this, we

383
00:21:34,920 --> 00:21:38,920
Speaker 1: never had this. This is best. We're pulling all the

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00:21:38,960 --> 00:21:42,080
Speaker 1: stops for you. Yeah though, man, I love this show.

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00:21:42,119 --> 00:21:44,640
Speaker 1: So listen, fathers, they just passed. How many? How many

386
00:21:44,680 --> 00:21:46,800
Speaker 1: bulls did you pay for in your life? How many?

387
00:21:46,840 --> 00:21:50,920
Speaker 1: But she's sound like you said, Boston's bush? How many

388
00:21:51,080 --> 00:21:54,320
Speaker 1: bushes that pay for my life? Keep it real, keep

389
00:21:54,359 --> 00:21:58,280
Speaker 1: you keep say like too, because like like to, like to,

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00:21:58,800 --> 00:22:01,639
Speaker 1: I've gotta disagree with you, gonna say, did you answer that?

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00:22:02,040 --> 00:22:07,280
Speaker 1: I just I just heard how I might be in

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00:22:07,280 --> 00:22:12,560
Speaker 1: a double digits in nice. You ain't taking a professional one.

393
00:22:12,680 --> 00:22:15,399
Speaker 1: And the night you're the professional one with the hangars

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00:22:15,000 --> 00:22:20,240
Speaker 1: and he was like, come here, let's have it for Marthy.

395
00:22:20,400 --> 00:22:23,840
Speaker 1: You were like the first Wesley Snipe that one, like

396
00:22:23,880 --> 00:22:26,280
Speaker 1: he was like the hip hop version. Oh he was

397
00:22:26,359 --> 00:22:28,600
Speaker 1: knocking down a lot of a lot of a lot

398
00:22:28,640 --> 00:22:33,120
Speaker 1: of things. I mean, that's back in the days, back

399
00:22:33,160 --> 00:22:35,560
Speaker 1: in the day. That's not we ain't talking about nothing new.

400
00:22:35,880 --> 00:22:38,240
Speaker 1: Back in the days. It was knocking down a lot

401
00:22:38,240 --> 00:22:43,640
Speaker 1: of things. Yeah, you was doing and you only pay

402
00:22:43,680 --> 00:22:48,520
Speaker 1: for tool boys. Listen my experiences. If you're dark skin

403
00:22:48,880 --> 00:22:51,919
Speaker 1: and you're from twelve Streets powerful, you're a freak. If

404
00:22:51,960 --> 00:22:54,879
Speaker 1: you're dog skinning you from twelve streets, you're freak to

405
00:22:54,960 --> 00:22:57,960
Speaker 1: make some noise for me knowing what's going on and

406
00:22:58,080 --> 00:23:10,359
Speaker 1: Queen's range Norde, it is kind of true. Yeah, I

407
00:23:10,520 --> 00:23:14,520
Speaker 1: got another story. That's another show. Yeah, I should have had.

408
00:23:15,560 --> 00:23:18,000
Speaker 1: So let's let's get let's get to these rumors. Right.

409
00:23:18,800 --> 00:23:21,480
Speaker 1: A lot of people they seen this email that came

410
00:23:21,520 --> 00:23:25,760
Speaker 1: out right and me and half what people don't know

411
00:23:26,320 --> 00:23:29,159
Speaker 1: before the book was wrote for everything, Me and you

412
00:23:29,320 --> 00:23:33,200
Speaker 1: probably came out. Yes, you came out here. You hunger

413
00:23:33,280 --> 00:23:36,480
Speaker 1: me in Miami like we were. Everything was cool. He

414
00:23:36,560 --> 00:23:38,240
Speaker 1: brought me out for your birthday. Ba's right from the

415
00:23:38,280 --> 00:23:41,200
Speaker 1: birthday party. Were don't get back to the birthday party. Right,

416
00:23:41,400 --> 00:23:45,600
Speaker 1: But this this email came out and they existed, right.

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00:23:45,640 --> 00:23:50,080
Speaker 1: It was a show that happened in the Lando and

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00:23:50,560 --> 00:23:54,280
Speaker 1: my DJ, Butcher Rock. Butcher Rock the promoter hit hit

419
00:23:54,400 --> 00:23:58,040
Speaker 1: him and said, uh it was he booked us. I

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00:23:58,040 --> 00:24:00,280
Speaker 1: guess he sent y'all half and then he was sending

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00:24:00,400 --> 00:24:03,400
Speaker 1: us a half and then this email comes out. They said, mom,

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00:24:03,520 --> 00:24:05,960
Speaker 1: d didn't want to do a show. If CNN it's

423
00:24:06,000 --> 00:24:09,720
Speaker 1: in the bell, then okay, do you believe that? Yeah,

424
00:24:09,760 --> 00:24:13,720
Speaker 1: I do believe. I mean, but okay, let me. I

425
00:24:13,720 --> 00:24:16,080
Speaker 1: ain't even gonna go deep. But anyway, you know what

426
00:24:16,080 --> 00:24:20,080
Speaker 1: I'm saying, I kind of heard about that you aren't

427
00:24:20,119 --> 00:24:22,479
Speaker 1: worded about. I kind of heard about that before the record.

428
00:24:22,880 --> 00:24:26,280
Speaker 1: You definitely have nothing to do with mom not wanting

429
00:24:26,320 --> 00:24:31,360
Speaker 1: to do a show with CNN. Like with No and Cap, Look,

430
00:24:31,560 --> 00:24:33,879
Speaker 1: I'm gonna I'm gonna say, Look, we're gonna throw it

431
00:24:33,880 --> 00:24:41,560
Speaker 1: on the table. Our bird, Victor, Kiwan and Kaya we

432
00:24:41,760 --> 00:24:44,919
Speaker 1: know each other. So I was just disturbed by the

433
00:24:44,960 --> 00:24:47,080
Speaker 1: email because I could tell it wasn't you. I could

434
00:24:47,119 --> 00:24:49,760
Speaker 1: tell I wasn't I know you. I was definitely I

435
00:24:49,800 --> 00:24:53,679
Speaker 1: was definitely Uh. I didn't see the email, but I

436
00:24:53,720 --> 00:24:56,239
Speaker 1: heard about the situation. I was like what I was like,

437
00:24:56,880 --> 00:24:59,040
Speaker 1: you know, no, IM not kind of a lot of

438
00:24:59,040 --> 00:25:01,240
Speaker 1: times certain should be out of my hands because I

439
00:25:01,280 --> 00:25:03,200
Speaker 1: don't give a fuck. Is if you're gonna pay me

440
00:25:04,040 --> 00:25:06,240
Speaker 1: saying I'm gonna be at the show wherever. You know

441
00:25:06,280 --> 00:25:08,760
Speaker 1: what I'm saying, I don't. I don't care who's evening there.

442
00:25:09,359 --> 00:25:11,679
Speaker 1: I don't care. You know what I'm saying. It's because

443
00:25:11,800 --> 00:25:13,639
Speaker 1: you know, but I just because I just had to

444
00:25:13,760 --> 00:25:16,920
Speaker 1: want to kill that rumor because at the end of

445
00:25:17,000 --> 00:25:21,000
Speaker 1: the day, you know nas is they're alluded to the

446
00:25:21,119 --> 00:25:25,439
Speaker 1: NAS component orienta mab deep toll. Is that not the

447
00:25:25,520 --> 00:25:36,840
Speaker 1: craziest I heard that rumor, you heard goddamnit. And but

448
00:25:36,840 --> 00:25:40,320
Speaker 1: but you know what that that could five He was

449
00:25:40,359 --> 00:25:42,879
Speaker 1: ready to give me five hundred thousand, and I couldn't

450
00:25:42,880 --> 00:25:45,480
Speaker 1: get in contact with y'all at one point. That's my work.

451
00:25:45,640 --> 00:25:49,680
Speaker 1: See you know now that's see see now to you,

452
00:25:51,200 --> 00:25:54,320
Speaker 1: I was like, it was like, yeah, I mean I

453
00:25:54,400 --> 00:25:57,120
Speaker 1: hate Ice. I hate Ice, right, yeah, I hate Ice.

454
00:25:57,760 --> 00:26:05,320
Speaker 1: Hit me that that's not half. But but but but

455
00:26:05,480 --> 00:26:08,159
Speaker 1: like you know, because um, this is real ship, because

456
00:26:08,440 --> 00:26:11,600
Speaker 1: us when we live in this internet world. That's why

457
00:26:11,600 --> 00:26:13,280
Speaker 1: I gotta really respect you for this. You know what

458
00:26:13,280 --> 00:26:16,480
Speaker 1: I'm saying for you taking your time out and obviously

459
00:26:16,800 --> 00:26:19,000
Speaker 1: you here to dad that room, but you're here to

460
00:26:19,040 --> 00:26:21,240
Speaker 1: say that y'all listen. And he reached out, and he

461
00:26:21,400 --> 00:26:29,800
Speaker 1: reached out, yea, not even hit him. You're my dude,

462
00:26:29,840 --> 00:26:33,399
Speaker 1: I've really hit you first. Then I hit him right then.

463
00:26:33,440 --> 00:26:35,320
Speaker 1: I was like, you gotta have me on this show. Yes,

464
00:26:35,480 --> 00:26:38,080
Speaker 1: I really really really respect that move. So I just

465
00:26:38,119 --> 00:26:40,400
Speaker 1: wanted the people to know that for people who think

466
00:26:40,440 --> 00:26:45,119
Speaker 1: there's a mob d uh component oriega beef, there is not.

467
00:26:45,600 --> 00:26:48,959
Speaker 1: I mean it was, it was, it was whatever back then.

468
00:26:49,600 --> 00:26:51,199
Speaker 1: But to keep it, to keep it really, to keep

469
00:26:51,240 --> 00:26:53,000
Speaker 1: it real, is like, Okay, you know what I'm saying.

470
00:26:53,040 --> 00:26:56,639
Speaker 1: Old families and clues have a little friction going on

471
00:26:57,000 --> 00:26:59,959
Speaker 1: or whatever, but it's nothing that never can't get fixed.

472
00:27:00,840 --> 00:27:03,159
Speaker 1: What I'm saying that whatever, let me salute your glass

473
00:27:03,200 --> 00:27:07,639
Speaker 1: for that, slute your glass for that and have it came. Man,

474
00:27:07,160 --> 00:27:16,600
Speaker 1: I am mad impressed that some noise. I'm a little

475
00:27:16,600 --> 00:27:18,359
Speaker 1: scared of your questioning, but I said, you know what,

476
00:27:18,520 --> 00:27:20,680
Speaker 1: fuck it, because you know what it is, see people

477
00:27:20,760 --> 00:27:22,520
Speaker 1: to people. Forget about the picture. Who when I was

478
00:27:22,520 --> 00:27:25,359
Speaker 1: in New Rochelle and you came your question, you ain't.

479
00:27:25,400 --> 00:27:28,639
Speaker 1: You ain't send me this record? Who did I come with?

480
00:27:28,680 --> 00:27:32,920
Speaker 1: Who come? Don't? You can't came in security the top

481
00:27:32,960 --> 00:27:35,600
Speaker 1: smart move, smart move, you can't make some noise and

482
00:27:35,640 --> 00:27:41,960
Speaker 1: security don't know Big Tim. I don't know. If I

483
00:27:41,960 --> 00:27:44,320
Speaker 1: should have seen a lot of nigger videos. I was like,

484
00:27:44,560 --> 00:27:47,680
Speaker 1: I gotta bring somebody to him, Big Tim. Okay, big

485
00:27:47,680 --> 00:27:49,840
Speaker 1: a big Tim from Flushing. So now I mean, you

486
00:27:49,840 --> 00:27:53,000
Speaker 1: don't know how much I respect that because this this

487
00:27:53,080 --> 00:27:55,280
Speaker 1: room one needed to be the rest. And I feel

488
00:27:55,320 --> 00:27:59,440
Speaker 1: like me you nas mob deep component over yea. I

489
00:27:59,480 --> 00:28:01,840
Speaker 1: feel like that's something that we should do because we're

490
00:28:01,840 --> 00:28:04,000
Speaker 1: not like fake friends, like I really know you, you

491
00:28:04,119 --> 00:28:07,520
Speaker 1: really know me, I really know Prodigy, you really know me,

492
00:28:07,600 --> 00:28:10,400
Speaker 1: you really know Kayen like I know him and Pee ship.

493
00:28:10,520 --> 00:28:14,000
Speaker 1: But listen, Capone, it's not gonna do nothing, not like

494
00:28:14,000 --> 00:28:17,400
Speaker 1: I'm the boss of campone. But that's over, Like Prodigy,

495
00:28:17,680 --> 00:28:20,600
Speaker 1: just put that ship to the side and let's start over.

496
00:28:20,680 --> 00:28:23,880
Speaker 1: Even Boom he was respecting. He said he just wanted

497
00:28:23,920 --> 00:28:28,960
Speaker 1: to talk about because if we said any more beach slander,

498
00:28:29,200 --> 00:28:30,840
Speaker 1: you wouldn't have came here and you would have known

499
00:28:30,880 --> 00:28:35,520
Speaker 1: about it. There's no mom an in any time. You

500
00:28:35,560 --> 00:28:37,399
Speaker 1: know what I'm saying, I see you, you know what

501
00:28:37,480 --> 00:28:42,000
Speaker 1: I would, and then saying I always taken in a

502
00:28:42,120 --> 00:28:46,000
Speaker 1: playful man like see, here's the deal. Let me just

503
00:28:46,000 --> 00:28:49,480
Speaker 1: get you to the point. Prodigy is my man like

504
00:28:49,760 --> 00:28:52,720
Speaker 1: me and you hung out a whole lot. But me

505
00:28:52,800 --> 00:28:55,080
Speaker 1: and Pete just you know, when I found out his

506
00:28:55,160 --> 00:28:57,480
Speaker 1: left frack ties, I kind of, you know, took a

507
00:28:57,560 --> 00:28:59,280
Speaker 1: lin into him, right, and you know what I mean,

508
00:28:59,760 --> 00:29:03,000
Speaker 1: and me and Pete hung out so much so the

509
00:29:03,040 --> 00:29:05,520
Speaker 1: book threw me off. I'm gonna be honest, this is me.

510
00:29:05,680 --> 00:29:07,520
Speaker 1: My point is I didn't read the book. I know,

511
00:29:10,360 --> 00:29:12,040
Speaker 1: I never seen you big up the book or nothing

512
00:29:12,080 --> 00:29:14,120
Speaker 1: like that. But we'll get to that later, right, So

513
00:29:15,200 --> 00:29:17,120
Speaker 1: the book comes out, I kind of took it as

514
00:29:17,120 --> 00:29:20,000
Speaker 1: a just a little disrespect because I felt like I

515
00:29:20,040 --> 00:29:22,959
Speaker 1: would never speak about that situation. I never made records

516
00:29:22,960 --> 00:29:26,920
Speaker 1: about that shooting. Yeah they shooting. Yeah, I didn't shoot that.

517
00:29:27,040 --> 00:29:28,960
Speaker 1: You have you know what I'm saying, like that day,

518
00:29:29,320 --> 00:29:45,560
Speaker 1: like that was in the studio, studio it was, But

519
00:29:45,920 --> 00:29:50,560
Speaker 1: what I'm saying is like, no, no, I purposely would

520
00:29:50,600 --> 00:29:53,080
Speaker 1: never shoot having all prodigy, that's my word. But I

521
00:29:53,160 --> 00:29:55,880
Speaker 1: was assume that other names they dropped me, the cute club,

522
00:29:55,920 --> 00:29:59,000
Speaker 1: they dropped me. But I never spoke about it. I

523
00:29:59,120 --> 00:30:00,800
Speaker 1: never got money or of it. So for him to

524
00:30:00,800 --> 00:30:03,520
Speaker 1: pre book and at the end of the day, if

525
00:30:03,600 --> 00:30:06,480
Speaker 1: you throw my name in it, if you the thing

526
00:30:06,520 --> 00:30:09,120
Speaker 1: about it is, it's gonna go off, but you gotta

527
00:30:09,480 --> 00:30:12,720
Speaker 1: you can't control where it lands. You might throw it

528
00:30:12,800 --> 00:30:15,200
Speaker 1: up and just want to catch it. Like at that time,

529
00:30:15,200 --> 00:30:18,440
Speaker 1: I was sitting back, I was like nah, I'm not

530
00:30:18,560 --> 00:30:22,320
Speaker 1: I'm not letting this go. And and and just I'm

531
00:30:22,360 --> 00:30:24,520
Speaker 1: gonna tell my side of the story. Ship. Do you

532
00:30:24,560 --> 00:30:26,280
Speaker 1: think I took it too far when I was going

533
00:30:26,360 --> 00:30:30,440
Speaker 1: at him, going at Prodigy, I mean, you got you

534
00:30:30,440 --> 00:30:32,200
Speaker 1: your own man, you gotta do what you gotta do.

535
00:30:32,800 --> 00:30:45,640
Speaker 1: I like your answer, go off side officially. But but

536
00:30:45,880 --> 00:30:48,080
Speaker 1: but when when all that ship was going down like

537
00:30:48,120 --> 00:30:50,600
Speaker 1: crazy shit, it's like, come on, man, that she was

538
00:30:50,680 --> 00:30:53,680
Speaker 1: like what twenty years ago? Yeah, definitely, man, definitely. And

539
00:30:53,880 --> 00:30:56,400
Speaker 1: I would never wanted to disrespect people like you know,

540
00:30:56,480 --> 00:30:59,840
Speaker 1: Karate Joe. You know That's why I never made a

541
00:31:00,200 --> 00:31:04,080
Speaker 1: about that. I remember that it was the first time

542
00:31:04,080 --> 00:31:07,680
Speaker 1: it was brought up in the public's the first time,

543
00:31:07,880 --> 00:31:09,840
Speaker 1: and I'm gonna keep it real. I spoke to P,

544
00:31:10,040 --> 00:31:13,360
Speaker 1: and P said, um um, you know I got you

545
00:31:13,400 --> 00:31:15,480
Speaker 1: in the book. But there was no disrespect. So I

546
00:31:15,520 --> 00:31:17,240
Speaker 1: was like, all right, cool, So I'm looking forward to

547
00:31:17,280 --> 00:31:20,000
Speaker 1: the ship. Then the ship hits me from the background

548
00:31:20,080 --> 00:31:22,080
Speaker 1: and I'm like, damn, So if you use my name,

549
00:31:22,160 --> 00:31:24,280
Speaker 1: I got a choice to like it or not like it.

550
00:31:24,360 --> 00:31:26,680
Speaker 1: I didn't like it, so I had a choice, and

551
00:31:26,720 --> 00:31:30,160
Speaker 1: I was ponder the way I did. But it was

552
00:31:30,240 --> 00:31:32,680
Speaker 1: all in jokes. It was all in fun, and I'm

553
00:31:32,760 --> 00:31:35,000
Speaker 1: glad that you came here. I'm glad you because you

554
00:31:35,000 --> 00:31:38,480
Speaker 1: know what, out of out of out of component Noriega

555
00:31:39,840 --> 00:31:42,800
Speaker 1: and mar D, I'm gonna give you be the bravest

556
00:31:42,840 --> 00:31:45,680
Speaker 1: one to come through and step forward and put this

557
00:31:45,800 --> 00:31:48,800
Speaker 1: rumor to a motherfucking rack, because you could have been

558
00:31:48,840 --> 00:31:52,040
Speaker 1: any place in the world tonight, of course, but you

559
00:31:52,240 --> 00:31:57,360
Speaker 1: chose to be here tonight. And I want to say,

560
00:31:57,600 --> 00:32:05,000
Speaker 1: maybe the fucking happy we're gonna get this money in mind?

561
00:32:05,000 --> 00:32:06,400
Speaker 1: You when he hit us up, when he hit at

562
00:32:06,480 --> 00:32:09,080
Speaker 1: least the Dream Champions Instagram, he didn't. He didn't hit

563
00:32:09,160 --> 00:32:11,120
Speaker 1: us up to be on the show. He was just saying, yo,

564
00:32:11,240 --> 00:32:15,160
Speaker 1: y'all doing like he was just showing I really, I

565
00:32:15,200 --> 00:32:17,560
Speaker 1: really do. So you got a new project, right, let's

566
00:32:17,560 --> 00:32:20,040
Speaker 1: talk about this new project. Let's put that in front

567
00:32:20,040 --> 00:32:25,000
Speaker 1: your face. Alchemists. How did y'all meet alchemists? Um, they

568
00:32:25,080 --> 00:32:27,360
Speaker 1: met alchemists and then I met him later? Whose day

569
00:32:28,160 --> 00:32:33,400
Speaker 1: people in college? You know what I mean? And they

570
00:32:33,440 --> 00:32:36,600
Speaker 1: met they met uh alchemists, and then I met him

571
00:32:36,680 --> 00:32:39,040
Speaker 1: later and I was ship, you know what I'm saying.

572
00:32:39,080 --> 00:32:42,959
Speaker 1: So I knew him ever since and then and then

573
00:32:43,080 --> 00:32:45,280
Speaker 1: and then what's what's the first beat y'all collaborated on?

574
00:32:45,360 --> 00:32:50,560
Speaker 1: You alchemist and him ship man, we've never been working

575
00:32:50,600 --> 00:32:52,880
Speaker 1: for a minute though now, but we never really collaborated

576
00:32:52,920 --> 00:32:56,200
Speaker 1: on the beats. We never. We never. It's either producing

577
00:32:56,280 --> 00:32:59,720
Speaker 1: for y'all. No, he a, yeah, like he did ship

578
00:33:00,040 --> 00:33:02,600
Speaker 1: like since like what ninety nine and two thousand song

579
00:33:02,760 --> 00:33:05,240
Speaker 1: and started doing stuff for us and stuff like that.

580
00:33:05,320 --> 00:33:07,120
Speaker 1: So you know, I was I took a leg of

581
00:33:07,160 --> 00:33:09,400
Speaker 1: to him, and I was like, you know, I don't

582
00:33:09,440 --> 00:33:12,000
Speaker 1: be uh, you know, I'm not like a hall over

583
00:33:12,080 --> 00:33:13,720
Speaker 1: the beats and ship. I was like, oh, you got

584
00:33:14,040 --> 00:33:16,479
Speaker 1: gonna do beats, come on and do some pieces, you know.

585
00:33:16,840 --> 00:33:19,800
Speaker 1: And he happened to just be nice. Not the tragedy name.

586
00:33:20,480 --> 00:33:23,200
Speaker 1: Yes he did. Indeed, let's make some noise for tragedy man.

587
00:33:25,600 --> 00:33:29,120
Speaker 1: Where does that name come from? What I met trash

588
00:33:29,160 --> 00:33:31,360
Speaker 1: back in eighty eight when he first came home. I

589
00:33:31,360 --> 00:33:33,920
Speaker 1: guess he was locked up for like three years year

590
00:33:34,600 --> 00:33:39,240
Speaker 1: Trash here or whatever. Yeah, that's like my mentor you

591
00:33:39,240 --> 00:33:40,560
Speaker 1: know what I mean. He used to be me the

592
00:33:40,720 --> 00:33:43,840
Speaker 1: w BLS and all these other little stations and stuff

593
00:33:43,880 --> 00:33:46,400
Speaker 1: like that to Morley mah House, and I didn't have

594
00:33:46,440 --> 00:33:49,040
Speaker 1: a rap name, and I was like, yo, you know,

595
00:33:49,080 --> 00:33:50,840
Speaker 1: I don't gotta rap name, and he was like, I'm

596
00:33:50,840 --> 00:33:53,200
Speaker 1: gonna give you one of my names. So his name

597
00:33:53,280 --> 00:33:56,720
Speaker 1: was Having, Trash, tragedy, tragic, and then he just gave

598
00:33:56,760 --> 00:34:03,760
Speaker 1: me Having And what year was this? Eighty eight? We

599
00:34:06,640 --> 00:34:12,960
Speaker 1: point o point. So what was your most memorable session

600
00:34:13,640 --> 00:34:16,319
Speaker 1: you ever had? My most memorable session that I ever

601
00:34:16,400 --> 00:34:20,880
Speaker 1: had being in the studio. The most memorable session that

602
00:34:20,960 --> 00:34:24,600
Speaker 1: I haven't had been in the studio was when uh

603
00:34:24,840 --> 00:34:29,040
Speaker 1: He's working on Hello Nerve and I got there first

604
00:34:29,640 --> 00:34:33,000
Speaker 1: to the studio peking. Second, he had just bought a

605
00:34:33,040 --> 00:34:36,680
Speaker 1: new car, Tahoe something like that, and then he let

606
00:34:37,160 --> 00:34:40,279
Speaker 1: the rest of them go get some trees. And then

607
00:34:40,360 --> 00:34:44,160
Speaker 1: maybe a half an hour later, an hour later, we

608
00:34:44,280 --> 00:34:47,080
Speaker 1: found out that some of the crew got into a

609
00:34:47,120 --> 00:34:50,200
Speaker 1: car accident. To them, got I know what you're talking about.

610
00:34:50,600 --> 00:34:54,800
Speaker 1: Twining said that Godfather was driving, and he was driving

611
00:34:55,600 --> 00:34:59,879
Speaker 1: was that he was doing we were doing Hell on Earth.

612
00:35:00,560 --> 00:35:02,960
Speaker 1: He's doing the Hell on Earth album. And so that's

613
00:35:03,000 --> 00:35:06,440
Speaker 1: the most memorable session that I haven't had, Like you know,

614
00:35:07,320 --> 00:35:10,440
Speaker 1: good memorable now it's I mean, but it's a memorable

615
00:35:11,080 --> 00:35:14,000
Speaker 1: at least, you know, And then Uh Prodigy had to

616
00:35:14,040 --> 00:35:17,600
Speaker 1: warrant and the police was calling his phone. He was like, yo,

617
00:35:17,640 --> 00:35:19,879
Speaker 1: should should I answer? And I was like, nigger man,

618
00:35:20,360 --> 00:35:23,880
Speaker 1: because Godfather already called us and said, Yo, man, niggas

619
00:35:23,880 --> 00:35:26,880
Speaker 1: just hurt. Niggas just hurt. And then the police is

620
00:35:26,920 --> 00:35:29,719
Speaker 1: calling next. Now I hear it. Godfather was like the

621
00:35:29,760 --> 00:35:32,800
Speaker 1: only one like who didn't have no cuts, not nothing,

622
00:35:32,840 --> 00:35:35,800
Speaker 1: and everybody else it's always the driver is like always

623
00:35:35,840 --> 00:35:40,360
Speaker 1: be the one that don't really obtain any injuries. But

624
00:35:40,719 --> 00:35:44,319
Speaker 1: two people died and two others like critically injured but

625
00:35:44,320 --> 00:35:46,840
Speaker 1: they lived. And did I hit the room more correct?

626
00:35:46,880 --> 00:35:48,960
Speaker 1: Like it was like they hit they hit a cone?

627
00:35:49,600 --> 00:35:51,319
Speaker 1: Was it a can? You know when you're on the

628
00:35:51,320 --> 00:35:54,000
Speaker 1: west side of highway and you're driving off and you're

629
00:35:54,040 --> 00:35:57,200
Speaker 1: driving up town and you get in they got that

630
00:35:57,280 --> 00:36:00,200
Speaker 1: little divided that's like only this big, you know what

631
00:36:00,239 --> 00:36:02,359
Speaker 1: I mean. So if you miss an exit but you're

632
00:36:02,360 --> 00:36:04,319
Speaker 1: trying to get back going and you're doing seventy months

633
00:36:04,360 --> 00:36:08,359
Speaker 1: per hour, the cargos bowler, So that's what happened. Dahn

634
00:36:08,600 --> 00:36:11,319
Speaker 1: God bless man, Yeah, God, I remember that time man.

635
00:36:11,680 --> 00:36:14,200
Speaker 1: So that was definitely one of the most members studio.

636
00:36:14,480 --> 00:36:17,920
Speaker 1: I remember that Times Street and another and another memorable

637
00:36:18,000 --> 00:36:27,439
Speaker 1: moment I know. But another memorable one was when we

638
00:36:27,440 --> 00:36:30,399
Speaker 1: was working on Murder music and we was in an

639
00:36:30,640 --> 00:36:34,399
Speaker 1: Electric Lady right there on West Aid for something like that. Yeah. Yeah,

640
00:36:34,719 --> 00:36:36,480
Speaker 1: Like then I had came back and one of my

641
00:36:36,520 --> 00:36:38,480
Speaker 1: homeboys like getting Princess out there. I was like, get

642
00:36:38,480 --> 00:36:43,880
Speaker 1: the funk out there, So he went and got you

643
00:36:43,880 --> 00:36:51,839
Speaker 1: want to tell me you met Prince? Yes, yeah, I've

644
00:36:51,880 --> 00:36:56,440
Speaker 1: never been in the vicinity of the words, and that's

645
00:36:56,440 --> 00:36:59,200
Speaker 1: how I feel about Michael Jackson. So anyway, so we

646
00:36:59,320 --> 00:37:01,440
Speaker 1: in the studio. One of my homeboys was like, yo,

647
00:37:01,560 --> 00:37:03,239
Speaker 1: Princes out there. I was like, get the funk out

648
00:37:03,239 --> 00:37:04,960
Speaker 1: of here. He was like, hell yeah, I'll bring that

649
00:37:05,000 --> 00:37:09,160
Speaker 1: a game. Mad cool. He fucking brought Prince in the studio.

650
00:37:10,880 --> 00:37:13,840
Speaker 1: Now I'm about this Electric Lady. Remember this is Jimi Hendricks.

651
00:37:14,160 --> 00:37:17,640
Speaker 1: Now about this, I'm about this tour whatever. Prince is

652
00:37:17,680 --> 00:37:21,480
Speaker 1: like this and he had did he have just know,

653
00:37:21,680 --> 00:37:29,400
Speaker 1: he just had kids number one on Hills. So I

654
00:37:29,480 --> 00:37:31,600
Speaker 1: was making so I was so I was making a

655
00:37:31,600 --> 00:37:35,359
Speaker 1: beat and then I was like, holy ship, Prince like

656
00:37:36,320 --> 00:37:38,960
Speaker 1: he just hung out at that point yeah. I was like, Yo,

657
00:37:39,160 --> 00:37:40,680
Speaker 1: is there anything I need to do to the beat,

658
00:37:40,719 --> 00:37:44,000
Speaker 1: because like hold on that. They got over the keyboard

659
00:37:44,280 --> 00:37:48,360
Speaker 1: started to guard the record though he was that cool

660
00:37:48,440 --> 00:37:55,000
Speaker 1: yo when he beat yes and I'll bet and then snoop,

661
00:37:55,239 --> 00:37:57,200
Speaker 1: I'm doing the beat and this record came out. It

662
00:37:57,360 --> 00:38:01,600
Speaker 1: came out record It's called out, shall now kill? Listen

663
00:38:01,640 --> 00:38:09,640
Speaker 1: to it? Oh my god, Prince. They probably walked away

664
00:38:09,680 --> 00:38:11,960
Speaker 1: and say, don't give me credit? How do you play

665
00:38:12,000 --> 00:38:14,160
Speaker 1: the key Then Nigga walked down and didn't even say bye,

666
00:38:14,239 --> 00:38:24,640
Speaker 1: how about dad credit? He was like, I'm like, way,

667
00:38:26,080 --> 00:38:29,160
Speaker 1: because produces live the elless life. Like producers live the

668
00:38:29,160 --> 00:38:32,279
Speaker 1: Ellis life. Let's just keep it here. It's okay, no

669
00:38:32,280 --> 00:38:36,920
Speaker 1: no elless life, right, I mean, because you guys not

670
00:38:37,000 --> 00:38:39,879
Speaker 1: only get to make your own project, but you get

671
00:38:39,920 --> 00:38:42,400
Speaker 1: to go out there like with with the Big We.

672
00:38:42,520 --> 00:38:44,880
Speaker 1: You wasn't there with Big Lady the vocals. No, I

673
00:38:44,920 --> 00:38:47,239
Speaker 1: wasn't there with Big Who was you there? Like they

674
00:38:47,320 --> 00:38:49,799
Speaker 1: blown your way to lad your vote lad, they vot

675
00:38:50,120 --> 00:38:56,160
Speaker 1: money your beats, Little Kim and Foxy m together. No, no,

676
00:38:56,160 --> 00:39:02,200
Speaker 1: no this record that now, but I saw them east time.

677
00:39:02,280 --> 00:39:03,920
Speaker 1: You know what I'm saying, Like when I was going

678
00:39:03,960 --> 00:39:07,600
Speaker 1: to Foxy. I've seen her like her vocals, and then

679
00:39:07,640 --> 00:39:11,200
Speaker 1: I've seen a little kim Ley hugs, So it was

680
00:39:11,280 --> 00:39:15,400
Speaker 1: kind of dope. Now we did l A l A right, Yeah,

681
00:39:15,719 --> 00:39:18,000
Speaker 1: now we did that together. Yeah we did. They only

682
00:39:18,120 --> 00:39:20,640
Speaker 1: win that, y'all. But y'all ever matter at us for that, Like,

683
00:39:24,040 --> 00:39:30,120
Speaker 1: but if that was it was originally a Mob Deep record.

684
00:39:30,360 --> 00:39:33,480
Speaker 1: If you originally White label said Mob Deep, No, that's

685
00:39:33,480 --> 00:39:38,840
Speaker 1: because somebody who whatever, Yeah, that was the record and

686
00:39:38,880 --> 00:39:41,279
Speaker 1: they asked us to get on it exactly, and it

687
00:39:41,320 --> 00:39:45,640
Speaker 1: was like we could have been like R was doing

688
00:39:45,680 --> 00:39:49,600
Speaker 1: the very first the imitations of the West Coast, all

689
00:39:49,600 --> 00:39:54,040
Speaker 1: the slang. Who's doing that? The intro say, I don't

690
00:39:54,160 --> 00:39:56,360
Speaker 1: because look this is this is how I remember it.

691
00:39:56,400 --> 00:40:00,279
Speaker 1: You tell me if you remember it. The um I

692
00:40:00,480 --> 00:40:02,440
Speaker 1: happened to be in Queen's Bridge just hanging out like

693
00:40:02,480 --> 00:40:04,319
Speaker 1: I love twelve Street. That was I felt like I

694
00:40:04,320 --> 00:40:07,200
Speaker 1: was a twelve Street I'm from fifty seven. Yeah, I'm

695
00:40:07,200 --> 00:40:10,080
Speaker 1: I'm very twelve street maker, right, okay boom. So we're

696
00:40:10,080 --> 00:40:12,759
Speaker 1: out there and then Stretch Armstrong is doing this bad

697
00:40:12,840 --> 00:40:16,480
Speaker 1: Boy mixtape. Remember remember it was the bad Boys take.

698
00:40:16,760 --> 00:40:18,759
Speaker 1: I don't remember, but yeah, this is what this, this

699
00:40:18,840 --> 00:40:21,840
Speaker 1: is what is originally for. So so it was a

700
00:40:21,880 --> 00:40:24,160
Speaker 1: freestyle in the sense and in the sense it was

701
00:40:24,200 --> 00:40:28,160
Speaker 1: a freestyle. So um, that day a dude named Chass

702
00:40:28,480 --> 00:40:30,880
Speaker 1: from my hood. I remember he was the flying Snigger

703
00:40:30,960 --> 00:40:33,480
Speaker 1: from my hood. But he was the craziest snigger. Right. So,

704
00:40:34,200 --> 00:40:37,680
Speaker 1: so Chass this outside like he confused, he playing me

705
00:40:37,800 --> 00:40:40,359
Speaker 1: New York, New York. He's like, yo, you think they're

706
00:40:40,400 --> 00:40:43,320
Speaker 1: this on us? So I'm like, I don't know. I

707
00:40:43,480 --> 00:40:46,840
Speaker 1: go to Queensbridge right to meet up. We happened to,

708
00:40:47,080 --> 00:40:50,879
Speaker 1: you know, be there and Stretch Armstrong calls and says,

709
00:40:51,080 --> 00:40:54,239
Speaker 1: it's come to the studio. So you had I think

710
00:40:54,280 --> 00:40:59,520
Speaker 1: you had the turquoise blazer. Yes I did. Yeah, A

711
00:40:59,560 --> 00:41:02,920
Speaker 1: little good had a turnquoise blazer. That that that the

712
00:41:03,000 --> 00:41:05,719
Speaker 1: listen just in case y'all thinking of a blazer. Now,

713
00:41:05,960 --> 00:41:12,520
Speaker 1: back then a blazer was like a fucking this. Guys

714
00:41:12,560 --> 00:41:14,400
Speaker 1: got a memory of a turn. I can't tell you

715
00:41:14,440 --> 00:41:17,080
Speaker 1: what happened yesterday, but I can tell you come up.

716
00:41:17,120 --> 00:41:21,320
Speaker 1: I remember this. So everybody we met at Stretched on

717
00:41:21,520 --> 00:41:26,799
Speaker 1: Strang's crib, and um, I think back then, having had

718
00:41:26,800 --> 00:41:29,040
Speaker 1: already gave us beat, but we ain't put nothing now

719
00:41:29,520 --> 00:41:31,800
Speaker 1: but the originals on the original Dog Pound Beat. So

720
00:41:31,920 --> 00:41:36,640
Speaker 1: this is what happened? Stretched back. Yeah, I think we

721
00:41:36,760 --> 00:41:40,160
Speaker 1: had already did so what no no, no, no, no norong.

722
00:41:40,800 --> 00:41:42,719
Speaker 1: So what happened is this is L A l A.

723
00:41:43,480 --> 00:41:46,960
Speaker 1: So what happened? Um stretch? I said, the stretch? Yo.

724
00:41:47,520 --> 00:41:49,560
Speaker 1: I remember Chad had just played me this, so I

725
00:41:49,800 --> 00:41:51,919
Speaker 1: asked him he was on something called a DJ list

726
00:41:52,280 --> 00:41:54,920
Speaker 1: back then, back in the days, you could send somebody

727
00:41:54,960 --> 00:41:57,520
Speaker 1: a record and two months in advance and your ship

728
00:41:57,600 --> 00:42:00,440
Speaker 1: wouldn't be bootlegs. You know what I'm saying, Because if

729
00:42:00,440 --> 00:42:01,920
Speaker 1: he was on the DJ list, it was just a

730
00:42:02,880 --> 00:42:04,960
Speaker 1: So I asked Stressed to pull it up. We heard

731
00:42:05,040 --> 00:42:08,600
Speaker 1: New York, New York. We couldn't determine if they were

732
00:42:08,640 --> 00:42:11,640
Speaker 1: dissing us or not, so technically we didn't diss them.

733
00:42:11,719 --> 00:42:19,280
Speaker 1: We just rhymed correct the video I always, I always,

734
00:42:20,960 --> 00:42:24,120
Speaker 1: but I remember it was Prodigies verse. They took it

735
00:42:24,239 --> 00:42:27,799
Speaker 1: because he said, um, he said JFK on our way

736
00:42:27,880 --> 00:42:33,920
Speaker 1: to L A M. And remember remember and then he

737
00:42:34,080 --> 00:42:36,960
Speaker 1: used that on your album later. But the original L

738
00:42:37,000 --> 00:42:40,439
Speaker 1: A l A were all five of us. Prodigy said,

739
00:42:40,560 --> 00:42:43,640
Speaker 1: n y C, you and our verse supremacy having in

740
00:42:43,680 --> 00:42:46,399
Speaker 1: pre Queen's Nigga, so it's seemed to be Mega got

741
00:42:46,480 --> 00:42:50,040
Speaker 1: word back from Noriega. And that was on the original

742
00:42:50,400 --> 00:42:53,399
Speaker 1: L A L A. Oh, I'm gonna break it down.

743
00:42:53,440 --> 00:42:58,640
Speaker 1: He did that on right, hold on, hold on somewhere else,

744
00:42:58,920 --> 00:43:02,040
Speaker 1: no if versus were so where else, but it was

745
00:43:02,080 --> 00:43:04,680
Speaker 1: originally on L A L A. He took it off.

746
00:43:06,280 --> 00:43:09,640
Speaker 1: And when he took it off, we remember we're calling

747
00:43:09,800 --> 00:43:11,960
Speaker 1: Steve Riffis. Steve looking was like, no, he doesn't want

748
00:43:12,000 --> 00:43:15,680
Speaker 1: to be a part of this. Yeah, you didn't. You

749
00:43:15,719 --> 00:43:19,240
Speaker 1: didn't even make some noise happy, I didn't you stayed

750
00:43:19,239 --> 00:43:21,560
Speaker 1: the part of make some noise that happen to stay it.

751
00:43:24,120 --> 00:43:25,920
Speaker 1: But from what I heard, now I never heard this

752
00:43:25,960 --> 00:43:29,680
Speaker 1: from Prodigy or or Steve Rifkin myself, but from what

753
00:43:29,800 --> 00:43:32,160
Speaker 1: I heard, Steve Riffins said Prodigy didn't want to do it.

754
00:43:32,800 --> 00:43:35,080
Speaker 1: And then the verse came off the week that the

755
00:43:35,200 --> 00:43:37,960
Speaker 1: day that we shot the video is the day it

756
00:43:38,120 --> 00:43:40,320
Speaker 1: came out, and you was only supposed to come to

757
00:43:40,400 --> 00:43:42,680
Speaker 1: the video. And then Prodigy showed that he was like

758
00:43:43,480 --> 00:43:45,640
Speaker 1: he was in the video. That's right, that's right, because

759
00:43:45,680 --> 00:43:48,080
Speaker 1: it was so he did his verse in the video.

760
00:43:48,320 --> 00:43:51,000
Speaker 1: No no, he was like he was just like l

761
00:43:51,080 --> 00:43:55,279
Speaker 1: A l A big city and right, but you're saying

762
00:43:55,320 --> 00:43:57,200
Speaker 1: it wasn't a distract who said that? No? No, But

763
00:43:57,360 --> 00:44:00,960
Speaker 1: then because that intro was this know yeah yeah, yeah

764
00:44:01,000 --> 00:44:04,080
Speaker 1: yeah that that was replaced, but but we heard it.

765
00:44:04,160 --> 00:44:06,040
Speaker 1: We all heard it. But then then that sounds like

766
00:44:06,120 --> 00:44:09,040
Speaker 1: live nigga rack. That was it. Then he that's when

767
00:44:09,080 --> 00:44:11,200
Speaker 1: he used that person. That's when he used that person,

768
00:44:11,480 --> 00:44:17,239
Speaker 1: but originally and then here's my question, is Tupac came

769
00:44:17,320 --> 00:44:19,440
Speaker 1: at y'all you know this is my record? Did you

770
00:44:19,520 --> 00:44:24,120
Speaker 1: have at one point where it's be like yeah, yeah,

771
00:44:24,480 --> 00:44:27,960
Speaker 1: like quest But I didn't give a fuck because I

772
00:44:28,080 --> 00:44:30,840
Speaker 1: was like, because what did you do? Um? What was

773
00:44:30,880 --> 00:44:33,400
Speaker 1: the record? I loved the racket, it just dropped it

774
00:44:33,480 --> 00:44:35,880
Speaker 1: too late when you went back and dropped the gym on.

775
00:44:37,120 --> 00:44:43,239
Speaker 1: Yeah yeah, but I didn't kid because I was like, yo,

776
00:44:43,320 --> 00:44:46,879
Speaker 1: this Niga Tupac. They think it from juice what I'm saying,

777
00:44:46,960 --> 00:44:50,520
Speaker 1: like saying that name. So I was like, fuck, like

778
00:44:50,640 --> 00:44:53,000
Speaker 1: who gives the fun what I'm saying because we got

779
00:44:53,080 --> 00:44:57,320
Speaker 1: like a hundred queensman, Well fucking kill you. But I

780
00:44:57,400 --> 00:45:03,920
Speaker 1: loved to But did you time did you realize how

781
00:45:04,080 --> 00:45:06,400
Speaker 1: beef that I mean, how big that moment was, Like

782
00:45:07,040 --> 00:45:10,759
Speaker 1: like it was, it was huge, Like for Tupac to

783
00:45:10,840 --> 00:45:13,480
Speaker 1: this you it's like you you go platinum or something like,

784
00:45:13,680 --> 00:45:16,120
Speaker 1: I'm gonna keeping it red. That's how I think was.

785
00:45:16,239 --> 00:45:18,800
Speaker 1: It was hard for the original Petty, but I wanted

786
00:45:18,840 --> 00:45:29,080
Speaker 1: to I was like you, But then I thought about

787
00:45:29,120 --> 00:45:31,800
Speaker 1: I said, I was super broke at that moment, so

788
00:45:32,480 --> 00:45:35,520
Speaker 1: I couldn't have thought no Tupac beef. But they came

789
00:45:35,560 --> 00:45:38,920
Speaker 1: at it's a fact, my nigger. Like at one point

790
00:45:39,440 --> 00:45:41,399
Speaker 1: on one arm, I was mad that he did job,

791
00:45:41,520 --> 00:45:43,719
Speaker 1: and the other arm, I was like, holy ship, I

792
00:45:43,840 --> 00:45:47,080
Speaker 1: whited my sweat, But y'all went back. I didn't give him.

793
00:45:47,400 --> 00:45:49,839
Speaker 1: You didn't give drop with Jim, and we did drop

794
00:45:49,920 --> 00:45:54,279
Speaker 1: a gym on it because I because I always thought that, like,

795
00:45:54,719 --> 00:45:56,640
Speaker 1: even if we did see each other, it was gonna

796
00:45:56,680 --> 00:45:59,439
Speaker 1: be like whatever, it wasn't gonna be the real ship,

797
00:46:00,200 --> 00:46:01,919
Speaker 1: you know what I mean. We come from the hood,

798
00:46:02,040 --> 00:46:04,960
Speaker 1: so the real shit is in the hood, and these

799
00:46:05,000 --> 00:46:09,879
Speaker 1: other niggas is just rapids. You know, this is real

800
00:46:09,920 --> 00:46:13,080
Speaker 1: ship right there. It's real ship. You know. The fans

801
00:46:13,239 --> 00:46:16,880
Speaker 1: and the people wanted to notice a story. This is dope.

802
00:46:17,640 --> 00:46:19,920
Speaker 1: When you did my radio when the l A l

803
00:46:20,000 --> 00:46:22,200
Speaker 1: A Ship was out, believe me, we was going to

804
00:46:22,480 --> 00:46:25,239
Speaker 1: l A under Elias is like when we couldn't just

805
00:46:25,760 --> 00:46:30,560
Speaker 1: because Biggie got killed. Remember this time, that's true this time.

806
00:46:31,200 --> 00:46:33,320
Speaker 1: What's the chronological order of that though? So when the

807
00:46:33,480 --> 00:46:37,239
Speaker 1: L A A came out? What years after ninety six? Right,

808
00:46:37,360 --> 00:46:41,200
Speaker 1: and Biggie had died when si No, no, not google

809
00:46:41,280 --> 00:46:49,560
Speaker 1: Google because the record that because diverse Biggie dies, No, no, no,

810
00:46:49,680 --> 00:46:51,759
Speaker 1: we need the Google. So this is way before big

811
00:46:52,440 --> 00:46:56,520
Speaker 1: when Biggie and Pop died, right, Yeah, Biggie had passed

812
00:46:56,800 --> 00:47:00,960
Speaker 1: for sure. Was ninety seven alright, it was later, Yeah,

813
00:47:01,640 --> 00:47:06,200
Speaker 1: so it's still ninety seven, but still name. All I

814
00:47:06,280 --> 00:47:09,279
Speaker 1: know is I remember like when all of that, when

815
00:47:09,360 --> 00:47:13,080
Speaker 1: all of that stuff was going down, it was the

816
00:47:13,120 --> 00:47:16,680
Speaker 1: East Coast, West Coast beat. Somebody probably didn't even die yet,

817
00:47:17,400 --> 00:47:19,839
Speaker 1: you understand what I'm saying. So when they did die,

818
00:47:20,760 --> 00:47:27,279
Speaker 1: you understand it was like, okay, bulletproof cause names under

819
00:47:27,320 --> 00:47:30,840
Speaker 1: the alias is. But California is a market that you

820
00:47:31,000 --> 00:47:34,040
Speaker 1: have to be into to sell records. It's like a

821
00:47:34,160 --> 00:47:36,840
Speaker 1: huge market and it's one of our number one markets

822
00:47:36,880 --> 00:47:39,160
Speaker 1: to this day. You understand what I'm saying, and I'm

823
00:47:39,160 --> 00:47:42,200
Speaker 1: sure you can agree. I love California. I'm out there.

824
00:47:43,360 --> 00:47:45,560
Speaker 1: I gotta I got a crib about this. It's like,

825
00:47:45,760 --> 00:47:51,239
Speaker 1: you know, make some noise for havoc flaws, having your

826
00:47:51,280 --> 00:47:54,360
Speaker 1: old st I just seen you. You haven't rolled up

827
00:47:54,400 --> 00:47:57,040
Speaker 1: in a yellow cat. Let's make some noise for that, nigga.

828
00:48:01,000 --> 00:48:03,359
Speaker 1: You gotta that's some old school ship. Because because that's

829
00:48:03,760 --> 00:48:06,919
Speaker 1: because my Uba account was compromised the way y'all count

830
00:48:07,600 --> 00:48:09,799
Speaker 1: you know, so when I used my Uba somebody knows.

831
00:48:09,840 --> 00:48:13,879
Speaker 1: You have to explain this because don't want to watch

832
00:48:13,920 --> 00:48:15,719
Speaker 1: out for this. I don't even want to explain it.

833
00:48:16,880 --> 00:48:20,040
Speaker 1: But somebody knows I'm using computers one day. One time

834
00:48:20,120 --> 00:48:23,120
Speaker 1: you got tapped, right, they said that you said, ship

835
00:48:23,600 --> 00:48:25,719
Speaker 1: like you're not good with computers. You need to get

836
00:48:25,719 --> 00:48:35,120
Speaker 1: your original. That's that's in segrede Like you ain't sucking up. Yeah, yeah,

837
00:48:35,800 --> 00:48:38,279
Speaker 1: what those pssigens true? Like, let's just keep it real.

838
00:48:39,280 --> 00:48:42,279
Speaker 1: That's just got you seen the messages I send the

839
00:48:42,360 --> 00:48:45,880
Speaker 1: compone ship. It's so good. It's the same ship. It

840
00:48:45,960 --> 00:48:48,120
Speaker 1: may not you went a little too far. I did

841
00:48:48,239 --> 00:48:49,880
Speaker 1: call them a fact and all that you were a

842
00:48:49,920 --> 00:48:52,959
Speaker 1: little too far. I don't even want to relive that moment,

843
00:48:53,040 --> 00:48:56,600
Speaker 1: but I was. I was out of my mind that listen.

844
00:48:56,680 --> 00:48:59,240
Speaker 1: That's the part I didn't mean it. I totally understood

845
00:48:59,280 --> 00:49:01,880
Speaker 1: that ship listening, I know, but I didn't mean it.

846
00:49:02,080 --> 00:49:04,680
Speaker 1: Understand it, but I didn't mean it. I said, you listen,

847
00:49:05,000 --> 00:49:07,239
Speaker 1: if you could see the ship that we say to

848
00:49:07,360 --> 00:49:10,080
Speaker 1: each other, like like when in the middle of an argument,

849
00:49:10,760 --> 00:49:13,799
Speaker 1: there's no respect. You come back later and be like, yo,

850
00:49:13,920 --> 00:49:18,600
Speaker 1: my bad man. Of course we fight, we fight, we

851
00:49:18,719 --> 00:49:23,520
Speaker 1: fight dirty? How many fights? And keep I wanted that

852
00:49:25,120 --> 00:49:27,320
Speaker 1: just stow that out there, that we just stole that

853
00:49:27,440 --> 00:49:31,080
Speaker 1: out there. And I said, and Paul, who wins in

854
00:49:31,160 --> 00:49:40,960
Speaker 1: the fight? I'm always gonna win against And like Vegas,

855
00:49:42,800 --> 00:49:46,120
Speaker 1: my security is like the cows were talking about, it's

856
00:49:46,160 --> 00:49:50,960
Speaker 1: your brother security champion involving, it's your brother anyway you're

857
00:49:50,960 --> 00:49:57,680
Speaker 1: stuffing in Vegas, right, That's definitely that's definitely a lot

858
00:49:57,680 --> 00:50:02,560
Speaker 1: of But now I gotta ask, you know, people hit

859
00:50:02,640 --> 00:50:04,880
Speaker 1: me up on the d M. I got you, I

860
00:50:04,920 --> 00:50:09,719
Speaker 1: got a job. Yeah. On my Instagram, my DM is

861
00:50:09,760 --> 00:50:13,719
Speaker 1: getting scary on my Instagram, I'm searching because now you

862
00:50:13,840 --> 00:50:15,680
Speaker 1: check them out there's two different d m s, right,

863
00:50:15,760 --> 00:50:17,919
Speaker 1: there's one thing is only one d people who follow

864
00:50:18,000 --> 00:50:23,880
Speaker 1: you and this DM people. Oh those niggas and they

865
00:50:23,960 --> 00:50:27,240
Speaker 1: take pictures show up on the computer to having listen.

866
00:50:27,640 --> 00:50:30,040
Speaker 1: Let me, yeah, them niggass foul. Let's be asking me

867
00:50:30,160 --> 00:50:40,719
Speaker 1: weird ship. Yeah, I don't know about those. Welcome to

868
00:50:40,840 --> 00:50:44,840
Speaker 1: play a new podcast network featuring radio and TV personalities,

869
00:50:44,960 --> 00:50:48,759
Speaker 1: talking business, sports, tech, entertainment, and more. Play it at

870
00:50:48,840 --> 00:50:53,440
Speaker 1: play dot It. We're back to Drink Champs Radio with

871
00:50:53,719 --> 00:51:00,239
Speaker 1: Rapper and R and d j FN. Where was we are? Right?

872
00:51:00,719 --> 00:51:04,279
Speaker 1: I forgot you me coupon for one time, as like

873
00:51:04,400 --> 00:51:08,560
Speaker 1: I forgot God make upone for one time. He's in Japan?

874
00:51:08,880 --> 00:51:11,000
Speaker 1: In Japan? Did I say this story? I said it

875
00:51:11,040 --> 00:51:12,800
Speaker 1: in front of him and I said I wanted no, No,

876
00:51:12,840 --> 00:51:14,200
Speaker 1: you didn't stayed in front of him? Yeah I did,

877
00:51:15,000 --> 00:51:17,319
Speaker 1: episode Yeah I did. He Oh yeah, he was there.

878
00:51:17,640 --> 00:51:20,520
Speaker 1: He wasn't really there. He wasn't really there, so he

879
00:51:20,600 --> 00:51:24,120
Speaker 1: was knocked the uh me a capone. He spoke about

880
00:51:24,160 --> 00:51:26,360
Speaker 1: it on the podcast What was your worst fight? Like

881
00:51:26,440 --> 00:51:29,560
Speaker 1: you and p worst fight Because partner's gotta fight. That's

882
00:51:29,560 --> 00:51:31,840
Speaker 1: how you know the relationship is real. Like if you

883
00:51:31,880 --> 00:51:35,480
Speaker 1: ain't snuff your nigga one time. Fine, niggers don't love

884
00:51:35,520 --> 00:51:40,239
Speaker 1: each other's. You gotta just like I'm talking about, like

885
00:51:40,440 --> 00:51:44,439
Speaker 1: when you got twenty years together like my dogs twenty something. Yeah, yeah,

886
00:51:44,440 --> 00:51:48,040
Speaker 1: because I mean when money is involved, I'm talking about money.

887
00:51:48,320 --> 00:51:53,160
Speaker 1: You gotta snuff nigga one time, A rap stuff me.

888
00:51:53,160 --> 00:51:58,399
Speaker 1: I'm gonna keep it. We never had to fight half

889
00:51:59,440 --> 00:52:04,720
Speaker 1: you got Reverence Club. You're not doing it. Really didn't

890
00:52:04,960 --> 00:52:08,920
Speaker 1: have a fight. But I don't believe you. Yeah, but

891
00:52:09,000 --> 00:52:16,239
Speaker 1: you come, we can't close. I never never, never put

892
00:52:16,320 --> 00:52:20,239
Speaker 1: my hands over But because I listen, I know you're lying.

893
00:52:20,280 --> 00:52:22,560
Speaker 1: It's okay. Now you're protecting your people, and that's a

894
00:52:22,600 --> 00:52:25,520
Speaker 1: great thing. That's a great thing. I'm gonna tell you

895
00:52:25,600 --> 00:52:28,120
Speaker 1: when you had to fight with him, when when it

896
00:52:28,200 --> 00:52:30,080
Speaker 1: came home from jail, That's the same time I had

897
00:52:30,120 --> 00:52:32,719
Speaker 1: to fight with Capone when the nigga's come home from jail.

898
00:52:32,800 --> 00:52:34,440
Speaker 1: This is what we fucked up, right, me and you.

899
00:52:35,400 --> 00:52:39,560
Speaker 1: You gotta leave a nigga. Three months after nigga come

900
00:52:39,600 --> 00:52:42,920
Speaker 1: home from jail, the nigga still smells like cool crafts.

901
00:52:43,000 --> 00:52:47,279
Speaker 1: So you gotta leave him Alan For three months, we

902
00:52:47,560 --> 00:52:50,200
Speaker 1: try to hold these niggas down and we came on

903
00:52:50,320 --> 00:52:52,480
Speaker 1: and then you gotta fuck them up. Let's keep it ready,

904
00:52:52,719 --> 00:52:55,000
Speaker 1: come on, having we heard you beat the body up before,

905
00:52:55,160 --> 00:53:00,960
Speaker 1: let's make I'm sorry, I'm sorry, it's this drink chat.

906
00:53:01,640 --> 00:53:05,960
Speaker 1: Have we retaught it over? I don't know. I just

907
00:53:06,080 --> 00:53:09,520
Speaker 1: like I ain't gonna lie. I think campone is the

908
00:53:09,560 --> 00:53:12,480
Speaker 1: only draw I had, Like it was a draw, like

909
00:53:12,560 --> 00:53:15,160
Speaker 1: he snuffed me though. First it's a fact it came

910
00:53:15,239 --> 00:53:18,680
Speaker 1: from jail. And it's still be in them like it's

911
00:53:18,680 --> 00:53:21,359
Speaker 1: still be still. You gotta slam them in their head.

912
00:53:22,320 --> 00:53:24,399
Speaker 1: You gotta slam on there. I've seen do some foul

913
00:53:24,400 --> 00:53:27,359
Speaker 1: ship right after came out of there. I didn't listen. Yes, yes,

914
00:53:28,200 --> 00:53:32,560
Speaker 1: d D doesn't run in twelve Street. Is it like,

915
00:53:35,000 --> 00:53:39,600
Speaker 1: let's make some noise for twelve street water. You know,

916
00:53:39,680 --> 00:53:41,560
Speaker 1: I'm so proud that you came through because you know,

917
00:53:41,680 --> 00:53:44,160
Speaker 1: this is all this ship is jokes and laughs, you

918
00:53:44,200 --> 00:53:46,960
Speaker 1: know what I'm saying, Like the people, you're a legend, man,

919
00:53:47,160 --> 00:53:51,000
Speaker 1: my dude, you like you've done so much historical monument

920
00:53:51,080 --> 00:53:53,440
Speaker 1: to ship, and we've done it. You know what I'm saying, Uh,

921
00:53:53,920 --> 00:53:56,560
Speaker 1: seeing each other grow and I just I just The

922
00:53:56,640 --> 00:53:58,919
Speaker 1: reason why we're joking and laughing is I want people

923
00:53:58,960 --> 00:54:00,520
Speaker 1: to know because at the end of the day, I

924
00:54:00,600 --> 00:54:02,920
Speaker 1: can't interview somebody at Drink Champs who don't want to

925
00:54:02,960 --> 00:54:06,919
Speaker 1: do Drink Champs, like I can't. I can't, I can't

926
00:54:06,920 --> 00:54:09,000
Speaker 1: sleep this. But you're about to start getting a lot

927
00:54:09,160 --> 00:54:11,880
Speaker 1: of interviews of like no, I mean, I'll ship is

928
00:54:11,960 --> 00:54:14,600
Speaker 1: ring like yeah, yeah, but we stopped everything for you

929
00:54:14,719 --> 00:54:17,839
Speaker 1: and we guess guess what We also we got what's

930
00:54:17,840 --> 00:54:20,839
Speaker 1: that stud a bar bar? What is it called bartenders?

931
00:54:22,000 --> 00:54:26,320
Speaker 1: A bartender? We got a bartender? And man like I

932
00:54:26,400 --> 00:54:28,000
Speaker 1: want to make sure I want to stay the guy?

933
00:54:28,560 --> 00:54:30,680
Speaker 1: What is it? Because it's bartender? We haven't we have

934
00:54:30,719 --> 00:54:33,799
Speaker 1: a bartender? We have what the guy version of bartenders?

935
00:54:33,960 --> 00:54:41,759
Speaker 1: Same ends have? I think that hip hop should have

936
00:54:41,840 --> 00:54:45,439
Speaker 1: our own race. Do you think I'm retarding who said

937
00:54:45,480 --> 00:54:49,960
Speaker 1: that in the last episode, Like I think your own race?

938
00:54:50,160 --> 00:54:52,239
Speaker 1: Like I feel like you should check, like hip hop

939
00:54:52,360 --> 00:54:54,080
Speaker 1: is a race, Like hip hop is a race, Like

940
00:54:54,200 --> 00:54:57,600
Speaker 1: I feel like like white black hip hop hip hop yep,

941
00:54:58,040 --> 00:54:59,759
Speaker 1: Like I feel like I understand that, Like a w

942
00:55:00,000 --> 00:55:03,200
Speaker 1: hotel is my favorite hotel? Right soon, that's my favorite hotel,

943
00:55:03,400 --> 00:55:05,960
Speaker 1: right and in the W hotel, whatever W hotel you got?

944
00:55:06,160 --> 00:55:08,239
Speaker 1: You got the gay flag out there. I don't care.

945
00:55:09,080 --> 00:55:16,919
Speaker 1: I'm good, but I want to hit my flag. What's

946
00:55:16,960 --> 00:55:19,279
Speaker 1: it look like? I don't know. Let me make a

947
00:55:19,360 --> 00:55:22,120
Speaker 1: hip hop flag? Hold me here? Even say you want

948
00:55:22,120 --> 00:55:24,719
Speaker 1: to hit make it? We want to Why you war

949
00:55:24,840 --> 00:55:27,800
Speaker 1: me on the drink hip? Yes, you start a contest

950
00:55:27,880 --> 00:55:30,200
Speaker 1: if somebody didn't make the hip hop flag. Told me

951
00:55:32,400 --> 00:55:34,000
Speaker 1: you know how they got the Jordan thing like that

952
00:55:34,840 --> 00:55:37,560
Speaker 1: it should be like a hip hop flag. Yes, like

953
00:55:37,680 --> 00:55:40,399
Speaker 1: I am with that, like a contest. Yeah. And then

954
00:55:41,120 --> 00:55:43,160
Speaker 1: because just think about it, hold on, ho told you

955
00:55:43,160 --> 00:55:46,040
Speaker 1: to open the rose hold hold hold on, hold on.

956
00:55:46,080 --> 00:55:49,320
Speaker 1: We're gonna say that for afterwards. Everybody else is saying no, no,

957
00:55:49,400 --> 00:55:54,040
Speaker 1: nobody else, no, no, no, you listen to here. Let

958
00:55:54,160 --> 00:55:58,479
Speaker 1: us tell you that, my man, what's hold on? Because

959
00:55:58,480 --> 00:56:00,320
Speaker 1: we could be staying right here, but is in that

960
00:56:00,760 --> 00:56:05,080
Speaker 1: having listen? This is real ship, right okay? Like like

961
00:56:05,239 --> 00:56:08,279
Speaker 1: we should have responsibility of putting people in office. Like

962
00:56:08,360 --> 00:56:10,840
Speaker 1: I told Tyler quality he came here and he was

963
00:56:10,880 --> 00:56:13,239
Speaker 1: speaking all this ship, you know, great ship about how

964
00:56:13,360 --> 00:56:15,880
Speaker 1: we reform and great ship. But I said you should

965
00:56:15,920 --> 00:56:19,520
Speaker 1: run for either mayor or Brooklyn Council council, like the

966
00:56:19,800 --> 00:56:21,319
Speaker 1: or the mayor of Brooklyn. You know what they wanted.

967
00:56:22,600 --> 00:56:24,200
Speaker 1: This is what I'm trying to do. I think he

968
00:56:24,440 --> 00:56:27,359
Speaker 1: was down to do it. But now we told Mama

969
00:56:27,440 --> 00:56:31,080
Speaker 1: Mississippi or l A, this is But you know what

970
00:56:31,200 --> 00:56:33,800
Speaker 1: do when niggas be running for office, a lot of

971
00:56:33,840 --> 00:56:39,480
Speaker 1: skeleton stuff coming out. Donald Trump, he's like he's changing. Listen,

972
00:56:39,520 --> 00:56:41,719
Speaker 1: he might being around to be the next perfect And

973
00:56:41,800 --> 00:56:44,879
Speaker 1: he sat and look, look should you telling me? You're

974
00:56:44,880 --> 00:56:47,200
Speaker 1: telling me that the ship that Donald Trump do? Right?

975
00:56:47,440 --> 00:56:53,360
Speaker 1: But he's white, but he's white here. But he was like,

976
00:56:53,440 --> 00:56:56,920
Speaker 1: it's like a smack. He turned politics into a freestyle battle. Right.

977
00:56:57,040 --> 00:56:59,279
Speaker 1: So what I'm saying is that's why we can't win

978
00:56:59,520 --> 00:57:01,839
Speaker 1: under being in black people, but we can win them

979
00:57:01,880 --> 00:57:05,560
Speaker 1: to being hip hop. You understand what I'm saying, Like

980
00:57:05,920 --> 00:57:10,360
Speaker 1: we have people registered as a hip hopper. Party is

981
00:57:10,480 --> 00:57:15,080
Speaker 1: a race or a party, it's both. Listen, I'm the

982
00:57:15,160 --> 00:57:19,479
Speaker 1: guy a party. Yeah why not? Man gotta change something

983
00:57:19,560 --> 00:57:23,200
Speaker 1: ship like they already hate us. But what I'm saying

984
00:57:23,360 --> 00:57:27,080
Speaker 1: is we can actually turn the world around if if

985
00:57:27,280 --> 00:57:29,600
Speaker 1: hip hop, because the world right now. Yeah, but we

986
00:57:29,680 --> 00:57:35,280
Speaker 1: don't want culturally we don't. We could if we network everybody.

987
00:57:36,840 --> 00:57:40,080
Speaker 1: That's what I'm saying, network everybody. You don't need to

988
00:57:40,120 --> 00:57:43,160
Speaker 1: have meetings. But you registered under the hip hop so

989
00:57:43,320 --> 00:57:46,280
Speaker 1: you could beat any fucking nationality and you rent. That's

990
00:57:47,200 --> 00:57:49,600
Speaker 1: that's a good idea. I'm just I'm saying I'm with

991
00:57:49,880 --> 00:57:53,600
Speaker 1: with both for those because let's just say, let's just say, man, like,

992
00:57:53,800 --> 00:57:56,720
Speaker 1: you know hip hop, it's crazy, Like you have brothers

993
00:57:56,760 --> 00:57:59,560
Speaker 1: like Screwball from Queen's Bridge, you know what I'm saying,

994
00:57:59,640 --> 00:58:02,200
Speaker 1: legend and one of them passed away, right, how many

995
00:58:02,200 --> 00:58:05,200
Speaker 1: of the two of them passed away? I want school

996
00:58:05,520 --> 00:58:09,720
Speaker 1: one of them. Yeah, So why wouldn't hip hop come like, like,

997
00:58:09,840 --> 00:58:12,960
Speaker 1: it shouldn't be mob deep responsibility, it should be hip

998
00:58:13,040 --> 00:58:17,240
Speaker 1: hop responsibility when a person has dedicated their life to

999
00:58:17,360 --> 00:58:20,400
Speaker 1: this culture and this thing, Like, we should have insurance

1000
00:58:20,440 --> 00:58:27,040
Speaker 1: policies for ourselves, even bigger than even bigger than that.

1001
00:58:27,120 --> 00:58:29,240
Speaker 1: Do you agree with that? Like, like, if you're after

1002
00:58:29,360 --> 00:58:31,960
Speaker 1: this sag, this all this ship, you ain't got shipped

1003
00:58:31,960 --> 00:58:35,480
Speaker 1: for hip hop, you boil and bust your legs. I

1004
00:58:35,520 --> 00:58:37,320
Speaker 1: would love I would love to agree with you, But

1005
00:58:37,440 --> 00:58:40,480
Speaker 1: it's only just about getting fucking insurance, period. As a

1006
00:58:40,560 --> 00:58:44,160
Speaker 1: human being individually. And I'm saying, because motherfucker's be dying

1007
00:58:44,280 --> 00:58:47,360
Speaker 1: and leaving their family with the bill, you know what

1008
00:58:47,440 --> 00:58:49,080
Speaker 1: I'm saying, that ship like that when they could just

1009
00:58:49,200 --> 00:58:52,440
Speaker 1: get life insurance, and life insurance is available for anybody

1010
00:58:52,480 --> 00:58:54,480
Speaker 1: and it don't cost that much. It's true, but you're

1011
00:58:54,560 --> 00:58:56,920
Speaker 1: part of a legendary group. You're gonna get money for

1012
00:58:57,000 --> 00:58:59,240
Speaker 1: the rest of your life. What about people who dedicated

1013
00:58:59,280 --> 00:59:01,960
Speaker 1: their life to the game and can't get another dollar

1014
00:59:01,960 --> 00:59:06,120
Speaker 1: out this game, but they spent every dollar they gets.

1015
00:59:06,520 --> 00:59:09,360
Speaker 1: Give an example, give an example, because like like because

1016
00:59:09,400 --> 00:59:12,640
Speaker 1: you could have or like a school bating, like a

1017
00:59:12,760 --> 00:59:17,080
Speaker 1: sporty d like a schoolball, like a cool hurt like coolhrioneers,

1018
00:59:17,120 --> 00:59:20,400
Speaker 1: and like if cool HRC is sit that was how

1019
00:59:20,560 --> 00:59:22,880
Speaker 1: That's originally how even jay Z was a part of

1020
00:59:22,960 --> 00:59:26,040
Speaker 1: that movement. I think originally what is that that cool

1021
00:59:26,160 --> 00:59:28,120
Speaker 1: Hurricane and Africa if I'm bought and all of them

1022
00:59:28,200 --> 00:59:31,520
Speaker 1: should have some kind of Yeah, man, if you're a

1023
00:59:31,560 --> 00:59:33,840
Speaker 1: sports agent and you get fucked up, there's something to

1024
00:59:33,920 --> 00:59:37,400
Speaker 1: protect you. Right now if you portray hit your motherfucker.

1025
00:59:37,800 --> 00:59:40,560
Speaker 1: If you're a sports agent, did you make it bread,

1026
00:59:41,360 --> 00:59:44,760
Speaker 1: did get health insurance and life insurance. Right, you know

1027
00:59:44,760 --> 00:59:47,040
Speaker 1: what I'm saying, if you're in the hood, if you

1028
00:59:47,440 --> 00:59:50,360
Speaker 1: fucking stupid enough not to get medicaid and you fucking

1029
00:59:50,480 --> 00:59:52,320
Speaker 1: just stupid enough not to get me, but you don't

1030
00:59:52,360 --> 00:59:54,800
Speaker 1: feel like people who dedicated it, like at the end

1031
00:59:54,840 --> 00:59:57,240
Speaker 1: of the talking about rappings, and I think when you said,

1032
00:59:57,680 --> 01:00:01,960
Speaker 1: that's perfect exam when they made it. Of course, there's

1033
01:00:02,000 --> 01:00:06,120
Speaker 1: not an organization for people to put their money in fishing,

1034
01:00:06,200 --> 01:00:08,840
Speaker 1: at the very least for hip hop. But at the

1035
01:00:08,920 --> 01:00:12,400
Speaker 1: same time, when you do make money, you shouldn't just

1036
01:00:12,440 --> 01:00:14,320
Speaker 1: spend it on jervy and cars and all of this

1037
01:00:14,400 --> 01:00:17,240
Speaker 1: ship and expect me to feel sorry for you ten

1038
01:00:17,360 --> 01:00:20,480
Speaker 1: years later. Is that Is that the culture's responsibility too,

1039
01:00:20,520 --> 01:00:22,840
Speaker 1: because we're teaching that too. It's not the coach, is

1040
01:00:23,000 --> 01:00:26,840
Speaker 1: your responsibility the person. But if the culture is teaching

1041
01:00:26,880 --> 01:00:28,320
Speaker 1: that to the youth that doesn't know any better than

1042
01:00:28,320 --> 01:00:30,200
Speaker 1: they grow up in that, I'm just it's just not

1043
01:00:30,360 --> 01:00:33,280
Speaker 1: really teaching that because they're not even like we shouldn't

1044
01:00:33,320 --> 01:00:35,760
Speaker 1: be like boxing, Like you know, in boxing, there's no

1045
01:00:35,920 --> 01:00:37,920
Speaker 1: whole's barre. You just get your money and that's it.

1046
01:00:38,320 --> 01:00:42,600
Speaker 1: But every other sport they have like you know, unions

1047
01:00:42,720 --> 01:00:46,880
Speaker 1: and they have ship like hip hop shouldn't be like that.

1048
01:00:46,960 --> 01:00:48,960
Speaker 1: But if we're not do a movie, I signed up

1049
01:00:49,280 --> 01:00:53,160
Speaker 1: these motherfucker's pay me for as long as this movie

1050
01:00:53,240 --> 01:00:55,680
Speaker 1: is being paid play you know what I'm saying, Like

1051
01:00:55,840 --> 01:00:58,680
Speaker 1: that ship is real ship, like like why hip hop

1052
01:00:58,800 --> 01:01:00,920
Speaker 1: can't do that? So and then we have a union

1053
01:01:01,000 --> 01:01:04,880
Speaker 1: where we we take a percentage out and the union

1054
01:01:05,040 --> 01:01:11,800
Speaker 1: is definitely that's okay. He gets some real shit into

1055
01:01:11,840 --> 01:01:16,160
Speaker 1: the union. There's five hundred thousand dollars and none of

1056
01:01:16,280 --> 01:01:18,240
Speaker 1: us got to come out of our pocket because we've

1057
01:01:18,240 --> 01:01:20,840
Speaker 1: been paying. Okay, who are you gonna try? But think

1058
01:01:20,840 --> 01:01:23,480
Speaker 1: about think about it, Think about it, but think about it,

1059
01:01:23,640 --> 01:01:25,680
Speaker 1: but think about it. What about when you start running

1060
01:01:25,680 --> 01:01:28,400
Speaker 1: into lazy rappers that's no, no, you gotta pay you,

1061
01:01:29,400 --> 01:01:34,240
Speaker 1: you gotta pay into it. Qualified like yeah, okay, all right,

1062
01:01:34,480 --> 01:01:37,120
Speaker 1: so you're not gonna hand th hip hop is hip hop?

1063
01:01:37,200 --> 01:01:39,160
Speaker 1: Wellfare I mean it's like sack when he said sack

1064
01:01:39,240 --> 01:01:41,880
Speaker 1: that made sense. I don't understand. Wait, hip hop weipa

1065
01:01:42,320 --> 01:01:45,320
Speaker 1: because it would become like welfare because somebody like I'm

1066
01:01:45,360 --> 01:01:50,320
Speaker 1: a rapper just to get benefits, But I got that work.

1067
01:01:50,560 --> 01:01:53,080
Speaker 1: You gotta put it. It's like it's like as it's

1068
01:01:53,120 --> 01:01:56,120
Speaker 1: like a pension. You gottas like show your work. Yeah,

1069
01:01:56,480 --> 01:01:59,080
Speaker 1: like you know how you like public Like like if

1070
01:01:59,120 --> 01:02:02,000
Speaker 1: you work for it's a pension, you get a pension

1071
01:02:02,160 --> 01:02:04,040
Speaker 1: at the end of your job. Correct, Like if you

1072
01:02:04,160 --> 01:02:08,520
Speaker 1: work for somewhere a pension a picture. I'm like, oh no,

1073
01:02:08,680 --> 01:02:14,360
Speaker 1: a pension. Nobody know what I'm talking about. You work

1074
01:02:14,400 --> 01:02:20,400
Speaker 1: over to get Yeah, but I know that I watched

1075
01:02:20,480 --> 01:02:25,720
Speaker 1: The King of Queens and King Queens don't he gets

1076
01:02:25,760 --> 01:02:28,560
Speaker 1: a pension at the end of this ship. He worked

1077
01:02:28,600 --> 01:02:31,120
Speaker 1: for ups and that's what happens in real life. But

1078
01:02:31,760 --> 01:02:34,360
Speaker 1: but but you know what does why we can't we

1079
01:02:34,480 --> 01:02:37,120
Speaker 1: get a priendship? It's not realistic because there's too many

1080
01:02:37,240 --> 01:02:40,200
Speaker 1: fucking rappers. No, but I'm saying, you gotta put it

1081
01:02:40,200 --> 01:02:41,960
Speaker 1: in that. You gotta put it in your work, and

1082
01:02:42,120 --> 01:02:44,840
Speaker 1: you gotta buy into But what's work, you gotta buy

1083
01:02:44,920 --> 01:02:47,280
Speaker 1: into it though you doin't make your money, you ain't

1084
01:02:47,280 --> 01:02:50,960
Speaker 1: gonna buy into ship. That's what I'm saying. And like publishing,

1085
01:02:51,040 --> 01:02:53,600
Speaker 1: if your if your record ain't doing nothing, publish ain't

1086
01:02:53,600 --> 01:02:56,640
Speaker 1: gonna pay. So we have system. How about when you

1087
01:02:56,720 --> 01:03:00,400
Speaker 1: make money, just buy yourself some healthcare, that's yeah. But

1088
01:03:00,640 --> 01:03:03,040
Speaker 1: but what I'm saying is, what about the niggas like

1089
01:03:03,160 --> 01:03:07,200
Speaker 1: God blessed, like like O D B or d M.

1090
01:03:07,600 --> 01:03:10,280
Speaker 1: They ain't going to get no healthcare have it? Those

1091
01:03:10,320 --> 01:03:16,280
Speaker 1: are my niggs that were here before it got to

1092
01:03:16,360 --> 01:03:18,400
Speaker 1: where it got, Like a cool Hurt. Do you not

1093
01:03:18,560 --> 01:03:21,600
Speaker 1: think that maybe someone like a cool Hurt start something

1094
01:03:21,680 --> 01:03:25,280
Speaker 1: back from the culture. Do we deserve something back from

1095
01:03:25,280 --> 01:03:28,560
Speaker 1: the culture, of course, being that the culture was built

1096
01:03:28,600 --> 01:03:34,120
Speaker 1: on his back. Definitely, definitely. But he's there before an infrastructure,

1097
01:03:34,680 --> 01:03:38,200
Speaker 1: before the infrastructure, before industry was invested in hip hop,

1098
01:03:38,320 --> 01:03:42,640
Speaker 1: before anybody even believed in hip hop as a viable means. Yeah,

1099
01:03:42,760 --> 01:03:45,120
Speaker 1: but if you get somewhere with you know what I'm saying,

1100
01:03:45,200 --> 01:03:48,320
Speaker 1: before the infrastructure, then you know, what can I say?

1101
01:03:48,880 --> 01:03:54,120
Speaker 1: What can I say? But anyway, let's get onto that.

1102
01:03:54,280 --> 01:03:57,800
Speaker 1: Just I'm sorry I was getting political because that's something

1103
01:03:57,840 --> 01:04:00,040
Speaker 1: that really close to my heart. It's like if you

1104
01:04:00,080 --> 01:04:02,760
Speaker 1: put in twenty years of work, anybody put in twenty

1105
01:04:02,840 --> 01:04:06,280
Speaker 1: years of work, and you know, some people not know

1106
01:04:06,480 --> 01:04:08,520
Speaker 1: how to reinvent themselves. Some people don't know how to

1107
01:04:08,560 --> 01:04:11,320
Speaker 1: produce beats, some people don't know how to do a podcast.

1108
01:04:11,400 --> 01:04:13,760
Speaker 1: Some people don't know how to DJ. You know what

1109
01:04:13,760 --> 01:04:17,360
Speaker 1: I'm saying. What happens like you know, um, you look

1110
01:04:17,400 --> 01:04:20,800
Speaker 1: at the NBA. These guys stop stop playing for the NBA,

1111
01:04:20,880 --> 01:04:24,439
Speaker 1: and they have options like as a rapper, why can't

1112
01:04:24,480 --> 01:04:26,320
Speaker 1: we retire and say I put it in that work,

1113
01:04:27,560 --> 01:04:31,440
Speaker 1: I paid my insurance, I want my insurance back, and

1114
01:04:31,560 --> 01:04:33,560
Speaker 1: you get it. You you get a nice slump something.

1115
01:04:34,000 --> 01:04:38,280
Speaker 1: You get to go to Barbados and chase beyond their work.

1116
01:04:38,400 --> 01:04:41,800
Speaker 1: Before that would happen, he says, you can't just be

1117
01:04:41,920 --> 01:04:44,120
Speaker 1: because you know what it happened. You can't be Joe Small.

1118
01:04:44,920 --> 01:04:47,000
Speaker 1: This is what it happened. When you start thinking like that,

1119
01:04:47,160 --> 01:04:49,000
Speaker 1: when you go okay, when you can come in rapper,

1120
01:04:49,360 --> 01:04:51,600
Speaker 1: you join it to this thing and then you're gonna

1121
01:04:51,600 --> 01:04:54,840
Speaker 1: get healthcare. It's just gonna drive the prices down when

1122
01:04:54,880 --> 01:04:57,280
Speaker 1: you're going to perform. If you was gonna get paid

1123
01:04:57,360 --> 01:04:59,800
Speaker 1: five thousand dollars, now you're only gonna get paid to

1124
01:05:00,000 --> 01:05:03,160
Speaker 1: WUNDR dollars. If everybody is getting into this system. So

1125
01:05:03,280 --> 01:05:06,520
Speaker 1: it's a capitalistic market. You understand what I'm saying. And

1126
01:05:06,720 --> 01:05:09,280
Speaker 1: it's a free market. You understand what I'm saying, so,

1127
01:05:09,360 --> 01:05:12,080
Speaker 1: if you want to put restrictions on it and regulations,

1128
01:05:12,160 --> 01:05:15,440
Speaker 1: then cool. But next time you go to Russia or

1129
01:05:15,480 --> 01:05:17,240
Speaker 1: Switzerland to do the show, they're only going to give

1130
01:05:17,280 --> 01:05:21,400
Speaker 1: you two hundred dollars. No, that's what's gonna happen if

1131
01:05:21,480 --> 01:05:23,720
Speaker 1: you make it assist. I don't see how that would happen,

1132
01:05:23,760 --> 01:05:28,880
Speaker 1: though it will happen if it's a system. If he's

1133
01:05:28,880 --> 01:05:33,400
Speaker 1: saying something that we took cha to a whole like this,

1134
01:05:33,600 --> 01:05:36,520
Speaker 1: like it different. I don't want another drink because like

1135
01:05:37,880 --> 01:05:40,840
Speaker 1: you see Dash, like Dash, like Dash did all these

1136
01:05:40,880 --> 01:05:46,600
Speaker 1: amazing records, and his that's retirement is his but ship, yeah,

1137
01:05:46,720 --> 01:05:50,320
Speaker 1: it's royalty check. But like it, like you did this publishing.

1138
01:05:51,480 --> 01:05:54,360
Speaker 1: You got to be crazy like this and and this

1139
01:05:54,440 --> 01:05:57,240
Speaker 1: is thing about it. You're blessed. There's people who is

1140
01:05:57,400 --> 01:06:01,840
Speaker 1: not right. Whose faults I don't know. I'm asking. No,

1141
01:06:02,000 --> 01:06:06,240
Speaker 1: I don't think it should be calm over what I'm

1142
01:06:07,520 --> 01:06:10,960
Speaker 1: the concept. The concept sounds good, but once you do

1143
01:06:11,120 --> 01:06:14,880
Speaker 1: the concept, it's gonna drive prices down for the rest

1144
01:06:14,960 --> 01:06:16,760
Speaker 1: of the people that's trying to get paid. And it's

1145
01:06:16,760 --> 01:06:22,600
Speaker 1: not gonna be a free market. No, this is right.

1146
01:06:22,680 --> 01:06:29,880
Speaker 1: They're getting paid less, but we uh rely on publishing.

1147
01:06:30,520 --> 01:06:32,000
Speaker 1: You understand what I'm saying. So I don't give a

1148
01:06:32,040 --> 01:06:34,000
Speaker 1: funk with you give me a friend because I'm not sing,

1149
01:06:34,040 --> 01:06:35,680
Speaker 1: I'm living and got my house. I don't. I don't

1150
01:06:35,720 --> 01:06:39,440
Speaker 1: care what you give. Give me seventy five center the publisher.

1151
01:06:40,840 --> 01:06:44,080
Speaker 1: I'm more happier with that because that's gonna last longer

1152
01:06:44,280 --> 01:06:46,600
Speaker 1: and then my kids could get that, because this is

1153
01:06:46,680 --> 01:06:49,560
Speaker 1: for my kids. Now, you know what I'm saying, in

1154
01:06:49,720 --> 01:06:51,720
Speaker 1: turn is doing what we're talking about in the sex

1155
01:06:52,240 --> 01:06:55,120
Speaker 1: pretty much but not directly. You understand what I'm saying.

1156
01:06:55,240 --> 01:06:59,160
Speaker 1: But it's a good concept. Hip hop insurance and this

1157
01:06:59,320 --> 01:07:01,680
Speaker 1: that in the third but it had just drive prices

1158
01:07:01,760 --> 01:07:05,480
Speaker 1: down and people away from the business. Okay, let's get

1159
01:07:05,520 --> 01:07:12,080
Speaker 1: back dump right now. I'll tell you my favorite. I'm

1160
01:07:12,280 --> 01:07:21,320
Speaker 1: having that that girlhood Yeah to the Crescent. Listen, um.

1161
01:07:21,800 --> 01:07:23,360
Speaker 1: Then I tell you my favorite have a rhyme and

1162
01:07:23,400 --> 01:07:25,120
Speaker 1: I ever say that just now I'm trying. Let's go.

1163
01:07:25,320 --> 01:07:29,400
Speaker 1: Let's go on the on the infamous album. You said,

1164
01:07:29,760 --> 01:07:32,560
Speaker 1: I keep it real packed still like my niked y.

1165
01:07:32,960 --> 01:07:34,680
Speaker 1: Come on, say the rhyme with going the food, try

1166
01:07:34,760 --> 01:07:38,040
Speaker 1: to play me wear them up. Then I'm swazy forever

1167
01:07:38,840 --> 01:07:41,800
Speaker 1: forever while then come on, you don't know your ship.

1168
01:07:41,920 --> 01:07:44,800
Speaker 1: Come on, you don't do that. That's my favorite rhin

1169
01:07:45,040 --> 01:07:48,240
Speaker 1: ever did forever while then this Alba living up in

1170
01:07:48,360 --> 01:07:53,120
Speaker 1: the bridge. You must hit skin coat, hit the nigger

1171
01:07:53,240 --> 01:07:57,480
Speaker 1: like a big twenty five nine kids getting life forever

1172
01:07:57,640 --> 01:08:01,320
Speaker 1: burning in hell Na trife of stuff. Send me all

1173
01:08:01,840 --> 01:08:04,200
Speaker 1: you can bring it on, yo, I'm pulling out. Stop

1174
01:08:04,320 --> 01:08:08,120
Speaker 1: the nigga is just like a pall though I'm said tomorrow,

1175
01:08:08,280 --> 01:08:13,440
Speaker 1: roll go past me, click get I want the bullshit

1176
01:08:13,680 --> 01:08:16,600
Speaker 1: that side. I was raisy, slept with little stage. I

1177
01:08:16,640 --> 01:08:19,120
Speaker 1: have a crime of death. Plays in pulls to the

1178
01:08:19,160 --> 01:08:22,479
Speaker 1: alcohol walk before you crawl. I'm mending this to win this.

1179
01:08:22,720 --> 01:08:26,479
Speaker 1: You gonna take full the infamous queens if you want

1180
01:08:26,520 --> 01:08:29,720
Speaker 1: to see get creeping on those capt sleeping and then

1181
01:08:29,840 --> 01:08:32,240
Speaker 1: never do that. I'm rolling with two massive plus my

1182
01:08:32,320 --> 01:08:36,880
Speaker 1: crew backs mavy move, I choose give blues. I'm open

1183
01:08:36,960 --> 01:08:39,920
Speaker 1: off the daily. A baby or gets frayed with the

1184
01:08:40,000 --> 01:08:44,000
Speaker 1: sleeper because I'm my brother's keeper, the Grand Reaper, rolling

1185
01:08:44,080 --> 01:08:47,640
Speaker 1: with nothing but big battist and big heaters, blowing a

1186
01:08:47,760 --> 01:08:51,880
Speaker 1: three times leave you mark like Adidas chicken. How to

1187
01:08:52,000 --> 01:08:55,479
Speaker 1: fit you. Pretty boy needs friend. Hard is the issue

1188
01:08:55,840 --> 01:08:58,760
Speaker 1: word to my arm boy, you get folded, old and

1189
01:08:58,920 --> 01:09:01,840
Speaker 1: molded when I get bet you every rhyme, it's the

1190
01:09:01,960 --> 01:09:05,320
Speaker 1: truth that the must get cross put right on your back.

1191
01:09:05,400 --> 01:09:08,679
Speaker 1: Take it to the sauce isn't and I can't get

1192
01:09:08,920 --> 01:09:13,840
Speaker 1: up the select lifestyle before the first side. Get that wrong, Wow,

1193
01:09:14,200 --> 01:09:17,080
Speaker 1: before the first side too. You know how to do

1194
01:09:17,439 --> 01:09:21,719
Speaker 1: violate motherfucka. See you with the lynden. It's the start

1195
01:09:21,880 --> 01:09:32,800
Speaker 1: up if you and setting it again and again. Yo.

1196
01:09:34,520 --> 01:09:38,920
Speaker 1: That that rhyme is so powerful that when I met

1197
01:09:39,360 --> 01:09:43,920
Speaker 1: y g all right, I met the said he I'm

1198
01:09:43,920 --> 01:09:45,920
Speaker 1: in it for two seconds. He said a little bit up.

1199
01:09:47,200 --> 01:09:56,040
Speaker 1: Whatever you want, whatever I said you like, Yo, Listen, man,

1200
01:09:56,520 --> 01:10:00,559
Speaker 1: I'm gonna be honest. Man. I hated these rooms about

1201
01:10:00,720 --> 01:10:04,679
Speaker 1: us because if there wasn't no mob deep, there wouldn't

1202
01:10:04,680 --> 01:10:07,680
Speaker 1: have been no CNN. And if we never said that,

1203
01:10:08,000 --> 01:10:10,200
Speaker 1: I'm gonna say it in front your face. I'm gonna

1204
01:10:10,200 --> 01:10:15,080
Speaker 1: say the front of everybody. We you paved the way

1205
01:10:15,200 --> 01:10:19,040
Speaker 1: for us. Now I's paved the way for y'all. Y'all

1206
01:10:19,160 --> 01:10:22,040
Speaker 1: paved the way for us. And this is how life

1207
01:10:22,160 --> 01:10:24,640
Speaker 1: is supposed to be. We're supposed to get money for

1208
01:10:24,720 --> 01:10:27,280
Speaker 1: the rest of our life and be old niggas and

1209
01:10:27,439 --> 01:10:34,040
Speaker 1: drinking Tito's vodka. Goddamn podcasts, getting drinks from a chick

1210
01:10:34,160 --> 01:10:38,439
Speaker 1: name a man dog. Ship is live. That's not too bad,

1211
01:10:38,800 --> 01:10:41,840
Speaker 1: you know what I'm saying. Happens too bad. We can't

1212
01:10:41,840 --> 01:10:46,559
Speaker 1: complain right now. I can't complain. But yo, man, yeah

1213
01:10:46,640 --> 01:10:48,320
Speaker 1: that ship. You know, you got your new album and

1214
01:10:48,439 --> 01:10:55,479
Speaker 1: we've totally forgotten. Come on, ye right even take the

1215
01:10:55,560 --> 01:10:57,479
Speaker 1: whole time. Let me do a commercial right now. I

1216
01:10:57,640 --> 01:10:59,519
Speaker 1: just got a first week album. This is one of

1217
01:10:59,600 --> 01:11:01,160
Speaker 1: the man was that you grind it out for a

1218
01:11:01,280 --> 01:11:04,719
Speaker 1: lot of weeks here. And it's called The Solid Partner,

1219
01:11:05,200 --> 01:11:07,640
Speaker 1: you know what I mean. And it's produced by the

1220
01:11:07,720 --> 01:11:12,479
Speaker 1: Alchemists and stuff like that, the whole holding, the whole project. Yeah,

1221
01:11:12,560 --> 01:11:14,080
Speaker 1: he did the whole If you look at it, look

1222
01:11:14,120 --> 01:11:19,880
Speaker 1: like a jazz album. JA. But you know I'm good,

1223
01:11:19,960 --> 01:11:25,040
Speaker 1: fun baby girl. We have Alchemist. I'm having one. We're

1224
01:11:25,040 --> 01:11:28,519
Speaker 1: not gonna have leader than We're not to have it

1225
01:11:28,640 --> 01:11:32,800
Speaker 1: leave yet yet. Albums you heard it, Thank you, thank you,

1226
01:11:33,200 --> 01:11:38,760
Speaker 1: thank you. Now Now what's left, that's what's left for you? Like, man,

1227
01:11:38,880 --> 01:11:41,680
Speaker 1: there's so much it's so much going on. I just

1228
01:11:41,880 --> 01:11:46,479
Speaker 1: wrote a screenplay, you know what I'm saying, entitled Black Sheep.

1229
01:11:47,479 --> 01:11:48,960
Speaker 1: You know what I'm saying. The movie that I'm about

1230
01:11:48,960 --> 01:11:53,800
Speaker 1: to put out roughly, it's it's it's about a black

1231
01:11:53,880 --> 01:11:56,320
Speaker 1: kid that was raised by a Mexican family. You know

1232
01:11:56,360 --> 01:11:58,479
Speaker 1: what I'm saying. Since he was a tie West Coast

1233
01:11:58,520 --> 01:12:00,360
Speaker 1: I told you this thing. He went to artist. It's

1234
01:12:00,400 --> 01:12:05,320
Speaker 1: just art designed, and you gotta you gotta be rich

1235
01:12:05,439 --> 01:12:08,880
Speaker 1: or smart to go to art design. Me living in Cali,

1236
01:12:09,120 --> 01:12:10,960
Speaker 1: me living in Calli and just being out there and

1237
01:12:11,040 --> 01:12:12,960
Speaker 1: just checking it out. You know what I'm saying. That

1238
01:12:13,040 --> 01:12:15,120
Speaker 1: so good. But my next movie is called Killer Black.

1239
01:12:15,479 --> 01:12:18,880
Speaker 1: It was just more straightfro it. You know what I'm saying. Brother, right, Yeah,

1240
01:12:18,920 --> 01:12:26,439
Speaker 1: it's gonna be my brother. He was. He was. He

1241
01:12:26,640 --> 01:12:29,000
Speaker 1: was the realest thing, Like you do my brother. He

1242
01:12:29,080 --> 01:12:32,040
Speaker 1: was a great guy, you know, and I you know, imagine,

1243
01:12:32,120 --> 01:12:33,840
Speaker 1: you know that's my brother and he's not here right now.

1244
01:12:34,520 --> 01:12:37,920
Speaker 1: So I got a movie loosely based on him that

1245
01:12:38,040 --> 01:12:41,160
Speaker 1: I wrote. And it's not just bullshit like you know,

1246
01:12:41,439 --> 01:12:45,040
Speaker 1: hood flicks or whatever. Let's get it. Did you did

1247
01:12:45,120 --> 01:12:49,400
Speaker 1: you agree with Prodigies book like let's just like read no, no, no, no,

1248
01:12:49,479 --> 01:12:51,720
Speaker 1: I'm gonna be honest with you, and I'm gonna say

1249
01:12:51,720 --> 01:12:55,519
Speaker 1: it again. Um. I didn't read it, and the little

1250
01:12:55,600 --> 01:12:59,400
Speaker 1: things that I did read, I didn't agree with it,

1251
01:12:59,560 --> 01:13:02,240
Speaker 1: but I was expected it because that was his story.

1252
01:13:03,080 --> 01:13:04,640
Speaker 1: You know, that was his point of view. So I

1253
01:13:04,800 --> 01:13:07,400
Speaker 1: was like, okay, cool. And you know, me and Prodigy

1254
01:13:07,600 --> 01:13:10,800
Speaker 1: is around each other four seven, seven days a week.

1255
01:13:11,240 --> 01:13:14,200
Speaker 1: You know what I'm saying. So you know his life

1256
01:13:14,320 --> 01:13:18,040
Speaker 1: is yours your life, right, So would you ever write

1257
01:13:18,040 --> 01:13:20,559
Speaker 1: a book like that? And like what I like? Because

1258
01:13:21,000 --> 01:13:23,120
Speaker 1: I assume if I would have wrote a book like that,

1259
01:13:23,280 --> 01:13:25,320
Speaker 1: I would have wrote it. But now that he wrote

1260
01:13:25,320 --> 01:13:27,080
Speaker 1: a book like that, I won't write one. So you

1261
01:13:27,200 --> 01:13:30,479
Speaker 1: write a movie, you write the movie. You know, it's whatever.

1262
01:13:30,680 --> 01:13:32,880
Speaker 1: Your brother, your brother is a queen's legend, not only

1263
01:13:32,920 --> 01:13:36,799
Speaker 1: a queen's bridge leathern. He was like one of the realists.

1264
01:13:36,800 --> 01:13:39,559
Speaker 1: Of the realists said that's your older brother or your

1265
01:13:39,600 --> 01:13:41,760
Speaker 1: younger brother. He's my younger brother, he's my little brother,

1266
01:13:42,000 --> 01:13:48,200
Speaker 1: your little brother. Why I'm God blessed man, God bless

1267
01:13:48,240 --> 01:13:51,880
Speaker 1: you my brother. But yeah, you know, so, uh, my lad.

1268
01:13:52,320 --> 01:13:55,840
Speaker 1: The next screen player that I wrote it's called you know,

1269
01:13:56,080 --> 01:13:59,920
Speaker 1: Killer Black, and it's loosely based on my brother stud

1270
01:14:00,640 --> 01:14:03,720
Speaker 1: you know you brother before. It's not gonna be like

1271
01:14:03,800 --> 01:14:06,080
Speaker 1: a shooting the mat, shoot him up, bang bang type

1272
01:14:06,120 --> 01:14:08,400
Speaker 1: of film, but it's gonna really get inside the depths

1273
01:14:08,920 --> 01:14:11,840
Speaker 1: of you know, my career, the ship like that, you

1274
01:14:11,880 --> 01:14:14,000
Speaker 1: know what I mean. It was going on no no,

1275
01:14:14,200 --> 01:14:18,880
Speaker 1: no block. I'm just saying. Your block was was how

1276
01:14:18,960 --> 01:14:21,439
Speaker 1: much time? How much time we got love? We don't

1277
01:14:21,479 --> 01:14:24,800
Speaker 1: getting whatever we want because my fucking bladders about the

1278
01:14:24,840 --> 01:14:28,920
Speaker 1: But everybody got to this is the way we kind

1279
01:14:28,960 --> 01:14:34,560
Speaker 1: of maybe we don't. Yeah, how much we could do

1280
01:14:34,640 --> 01:14:36,479
Speaker 1: like five more minutes and come back, yeah yeah, yeah,

1281
01:14:36,479 --> 01:14:38,479
Speaker 1: but yeah smoke him over. Yeah yeah, we can do

1282
01:14:38,520 --> 01:14:43,479
Speaker 1: like five came minutes. It's a beautiful day. It's a

1283
01:14:43,560 --> 01:14:46,960
Speaker 1: beautiful thing. I knew that. I learned that from vol

1284
01:14:47,200 --> 01:14:50,840
Speaker 1: I was. I learned that from and we're thought about

1285
01:14:51,200 --> 01:14:56,040
Speaker 1: years ago Charlemagne. So Charlemagne told me. He said he

1286
01:14:56,439 --> 01:14:58,720
Speaker 1: came on our ship and he said, yo, see, I

1287
01:14:58,840 --> 01:15:01,400
Speaker 1: can't say no to y'all be because y'all to drink

1288
01:15:01,520 --> 01:15:04,160
Speaker 1: champs and y'all actually have drinks and breakfast. He said,

1289
01:15:04,200 --> 01:15:06,559
Speaker 1: the breakfast club never have breakfast. I was like, oh,

1290
01:15:07,560 --> 01:15:11,360
Speaker 1: the concept we've had forever breast and sleep. Yeah, just

1291
01:15:12,360 --> 01:15:14,560
Speaker 1: out the ground and we take it. We all know.

1292
01:15:16,160 --> 01:15:20,880
Speaker 1: That's who thought that, both of us with this is

1293
01:15:20,880 --> 01:15:24,400
Speaker 1: a conceptual drink did me and listening? I used to

1294
01:15:24,479 --> 01:15:26,479
Speaker 1: hang out, right, this is how the drink champs. In

1295
01:15:26,600 --> 01:15:29,200
Speaker 1: my mind, he got a totally different story, and it's

1296
01:15:29,320 --> 01:15:31,920
Speaker 1: fucking great. I have a different story. No, I'm just

1297
01:15:32,160 --> 01:15:34,800
Speaker 1: in my mind because in my mind, we used to

1298
01:15:35,000 --> 01:15:36,479
Speaker 1: We used to hang out. I used to be calling.

1299
01:15:38,080 --> 01:15:39,600
Speaker 1: He had a studio. I used to be called, and

1300
01:15:39,600 --> 01:15:41,920
Speaker 1: he used to play poker. If if you would call

1301
01:15:42,120 --> 01:15:44,880
Speaker 1: records and play poker, it's pretty much like the same time,

1302
01:15:45,760 --> 01:15:49,280
Speaker 1: Like it's long, it's happen right. So he would be

1303
01:15:49,360 --> 01:15:51,000
Speaker 1: out there with a big gas bottle of a card.

1304
01:15:51,080 --> 01:15:54,200
Speaker 1: He look, this one had this religiously, and I'll be

1305
01:15:54,240 --> 01:15:56,040
Speaker 1: out there with a big gas bottle or like either

1306
01:15:57,080 --> 01:15:59,320
Speaker 1: I was drinking san No, it wasn't a rock back then. No,

1307
01:16:00,000 --> 01:16:04,720
Speaker 1: we're drinking something different. Great, great, yeah, great goose and

1308
01:16:05,160 --> 01:16:08,920
Speaker 1: you lived in Candle too, and he loves good stick up.

1309
01:16:09,000 --> 01:16:13,559
Speaker 1: The people can do man. Credit you came down south

1310
01:16:13,680 --> 01:16:16,200
Speaker 1: and you've left. No, no, love, but we won't give

1311
01:16:16,240 --> 01:16:20,479
Speaker 1: KINDO give kids love. Let's your kid do love kids.

1312
01:16:20,720 --> 01:16:23,320
Speaker 1: It's South Miami. It's real south. It's like Long Island

1313
01:16:23,320 --> 01:16:28,040
Speaker 1: of Miami's not really like a little bit. They even

1314
01:16:28,080 --> 01:16:33,040
Speaker 1: got homestead story. You were telling them how we how

1315
01:16:33,120 --> 01:16:35,720
Speaker 1: we started drinking champs. Oh yeah your story. Yeah. So

1316
01:16:35,880 --> 01:16:38,599
Speaker 1: you would drink the Baccardi. I would drink the Great Goose.

1317
01:16:38,920 --> 01:16:42,120
Speaker 1: And then we were both finished. So we both felt like,

1318
01:16:42,160 --> 01:16:45,519
Speaker 1: oh that all right, a champion champ. And then we

1319
01:16:45,920 --> 01:16:49,519
Speaker 1: initiated statics selector first, No, no, but you're going wait

1320
01:16:49,560 --> 01:16:54,559
Speaker 1: ahead of the st mad friends, get them drinks Netflix friends, Oh,

1321
01:16:54,680 --> 01:16:56,640
Speaker 1: mad friends, okay, because we have mad people are in

1322
01:16:56,720 --> 01:16:59,240
Speaker 1: the studio and they all trying to drink with us.

1323
01:16:59,400 --> 01:17:03,280
Speaker 1: So you had cats trying older cats they can't hang

1324
01:17:03,360 --> 01:17:04,880
Speaker 1: and I don't do her no more. And one of

1325
01:17:04,920 --> 01:17:08,040
Speaker 1: the niggas pissed in the cool I remember, Yes, we

1326
01:17:08,120 --> 01:17:13,080
Speaker 1: had study piste in the cool. Long story short, a

1327
01:17:13,160 --> 01:17:15,559
Speaker 1: lot of drinking, and then we were just saying, either

1328
01:17:15,600 --> 01:17:17,400
Speaker 1: you're a dream champ or you're not a dream champ.

1329
01:17:18,760 --> 01:17:20,479
Speaker 1: So then he made a song about it while he

1330
01:17:20,600 --> 01:17:24,960
Speaker 1: was there, The Dream Champion Alchemist. When when did you make.

1331
01:17:25,000 --> 01:17:28,080
Speaker 1: This was an alchemist b alchemist alchemist and then we

1332
01:17:28,160 --> 01:17:33,160
Speaker 1: had to change it. Alchemist Soldier didn't come and get

1333
01:17:33,200 --> 01:17:38,479
Speaker 1: it having me, which we can not gonna having last album.

1334
01:17:38,760 --> 01:17:41,479
Speaker 1: You're not gonna have it. Listen once. Once you say

1335
01:17:41,479 --> 01:17:43,320
Speaker 1: I don't drink Champ is a contract. You can have

1336
01:17:43,439 --> 01:17:53,040
Speaker 1: it for three times ten. I want to make something

1337
01:17:53,280 --> 01:17:56,559
Speaker 1: very very very very very very very clear. We're recording,

1338
01:17:56,600 --> 01:17:59,120
Speaker 1: by the way, so let's go. Raving has always been

1339
01:17:59,200 --> 01:18:04,400
Speaker 1: a genuine dude, genuine person to me. Me and Prodigy

1340
01:18:04,560 --> 01:18:08,320
Speaker 1: has always been a genuine, genuine love. I wanted to

1341
01:18:08,400 --> 01:18:12,000
Speaker 1: put this rumor to rest. There's no beef with Seeing

1342
01:18:12,120 --> 01:18:15,920
Speaker 1: and mall deep cost. We had misunderstandings, but it is

1343
01:18:16,000 --> 01:18:19,519
Speaker 1: not beef. We can get money together. He stood here,

1344
01:18:20,120 --> 01:18:24,360
Speaker 1: when everybody take a piss most of the time, uh no, no, no,

1345
01:18:24,520 --> 01:18:27,719
Speaker 1: Fat Joe started it off, well I'm taking a piss,

1346
01:18:28,040 --> 01:18:30,560
Speaker 1: and we kept it going. We kept it going. But

1347
01:18:30,960 --> 01:18:33,000
Speaker 1: usually that's an r Q to be like it's over,

1348
01:18:34,000 --> 01:18:38,720
Speaker 1: that's done. I want to thank you for making that.

1349
01:18:39,439 --> 01:18:44,400
Speaker 1: You'll just recently celebrated twenty years or the infamous album.

1350
01:18:44,840 --> 01:18:48,240
Speaker 1: That album changed my life. I don't give a funk

1351
01:18:48,600 --> 01:18:51,000
Speaker 1: even when I was beefing with P whatever. That's my man.

1352
01:18:51,160 --> 01:18:55,240
Speaker 1: I love him. I love him. I wouldn't if it

1353
01:18:55,360 --> 01:18:58,080
Speaker 1: wasn't for that album, I wouldn't be here. Let me

1354
01:18:58,120 --> 01:19:00,519
Speaker 1: cut you off real quick. I was. I was just

1355
01:19:00,640 --> 01:19:02,519
Speaker 1: driving in the cub with my home but and I

1356
01:19:02,640 --> 01:19:05,280
Speaker 1: was just telling them, like, you know, the little bullshit

1357
01:19:05,439 --> 01:19:08,960
Speaker 1: that uh P and whatever know he had. I said, Yo,

1358
01:19:09,080 --> 01:19:11,599
Speaker 1: that ship is like laughable because I seen them. Niggas

1359
01:19:11,640 --> 01:19:14,479
Speaker 1: is mad cool. Yes, you know behind the scenes, the

1360
01:19:15,000 --> 01:19:17,599
Speaker 1: mad cool whatever. Thank you, thank you, thank you, thank

1361
01:19:17,640 --> 01:19:20,400
Speaker 1: you for let's clearing the sea and people, motors and

1362
01:19:20,520 --> 01:19:25,759
Speaker 1: people will be here next yes, yes, your prodigy wherever

1363
01:19:25,800 --> 01:19:28,479
Speaker 1: you want to. You know, I got Pete drunk in

1364
01:19:28,560 --> 01:19:32,519
Speaker 1: my studio one night. He he fell out to ask nature.

1365
01:19:32,560 --> 01:19:34,479
Speaker 1: I swear to god, I was like, yo, we didn't

1366
01:19:34,479 --> 01:19:37,880
Speaker 1: know what to do. Give him more drinks and can't

1367
01:19:37,920 --> 01:19:41,240
Speaker 1: do that, Like this is more deep, we can't do that.

1368
01:19:41,400 --> 01:19:43,080
Speaker 1: And then and then the nigga woke up and just

1369
01:19:43,160 --> 01:19:46,519
Speaker 1: wrote his rhyme. He's still on the floor, wrote is crazy,

1370
01:19:46,600 --> 01:19:49,600
Speaker 1: my nigga prodigy. We love you, my nigga. Please just

1371
01:19:49,680 --> 01:19:51,800
Speaker 1: put this room with the arrest. You know what I'm saying,

1372
01:19:51,840 --> 01:19:53,800
Speaker 1: like we should go out here and get money. We

1373
01:19:53,920 --> 01:19:56,240
Speaker 1: are oldest and plus when older niggas is beef and

1374
01:19:56,280 --> 01:19:58,479
Speaker 1: we look corny, you know that, right, like older niggas

1375
01:19:59,040 --> 01:20:06,800
Speaker 1: con when yeah, yeah, we don't want to do that. Man. Man,

1376
01:20:06,880 --> 01:20:08,800
Speaker 1: I want to thank you so much and I want

1377
01:20:08,840 --> 01:20:10,880
Speaker 1: to like really just throw it out there that you

1378
01:20:10,960 --> 01:20:13,680
Speaker 1: know we really got genuine love for each other. Like

1379
01:20:14,640 --> 01:20:16,800
Speaker 1: you ain't asked to change up nothing. You knew what

1380
01:20:17,040 --> 01:20:19,040
Speaker 1: what what it was gonna be. You came, and I

1381
01:20:19,200 --> 01:20:21,720
Speaker 1: really appreciate this. Your album is out. Let's let's pick

1382
01:20:21,800 --> 01:20:25,080
Speaker 1: that up once more time. Um, the Summer part the

1383
01:20:25,520 --> 01:20:28,920
Speaker 1: Silent Partners real quick, you want to say the solent

1384
01:20:28,960 --> 01:20:31,599
Speaker 1: partner because you know what I'm saying. Um, in Mob Deep,

1385
01:20:31,640 --> 01:20:34,479
Speaker 1: you know what I'm saying. You know that you know

1386
01:20:34,640 --> 01:20:37,160
Speaker 1: who's the most vocal one in Mob Deep, and that

1387
01:20:37,240 --> 01:20:40,200
Speaker 1: would be Prodigy. And know everybody always look at me

1388
01:20:40,439 --> 01:20:42,840
Speaker 1: like I'm the person that make the beats. Yes I

1389
01:20:42,960 --> 01:20:45,920
Speaker 1: do make the beats, but but I do spit to

1390
01:20:46,160 --> 01:20:48,080
Speaker 1: at the same time. And you hold you know what

1391
01:20:48,120 --> 01:20:50,280
Speaker 1: I'm saying, and my ship and this is this is

1392
01:20:50,400 --> 01:20:52,720
Speaker 1: like yo, you know when I leave out of here,

1393
01:20:52,800 --> 01:20:57,400
Speaker 1: you could throw this in the garbage whatever. You're crazy

1394
01:20:57,439 --> 01:21:11,240
Speaker 1: we hit it was gonna occur. I didn't you out

1395
01:21:11,280 --> 01:21:15,639
Speaker 1: of smoke with Yeah, no, no, I ain't gonna lieas

1396
01:21:15,760 --> 01:21:18,560
Speaker 1: been the biggest drinker in the world. You remember, I

1397
01:21:19,000 --> 01:21:22,360
Speaker 1: came out here for my birthday and you just signed

1398
01:21:22,400 --> 01:21:26,200
Speaker 1: the COMMUNI oh, you just signed the g UNI. I

1399
01:21:26,320 --> 01:21:28,120
Speaker 1: told you don't like you. I was like, yea, what

1400
01:21:28,320 --> 01:21:31,040
Speaker 1: the fund did you woke me into? Like what what

1401
01:21:31,160 --> 01:21:33,439
Speaker 1: you happened? I aligned you up? Keep it? No, no, no, no,

1402
01:21:33,800 --> 01:21:35,960
Speaker 1: I didn't think you lined me up. But I thought

1403
01:21:36,000 --> 01:21:38,000
Speaker 1: you thought that you was the type of person they

1404
01:21:38,040 --> 01:21:41,680
Speaker 1: could brink. Yeah, no, I was. I forgot I live

1405
01:21:41,760 --> 01:21:45,120
Speaker 1: in Miami. In fact, you arrived. You just signed the gnute.

1406
01:21:45,439 --> 01:21:48,280
Speaker 1: Let's keep it. What I told you. Don't talk to this.

1407
01:21:48,520 --> 01:21:53,559
Speaker 1: He's like, he's not told you. It's happy. I gotta

1408
01:21:53,680 --> 01:21:56,679
Speaker 1: gotta you, my nigger. I love you. Know you can't.

1409
01:21:57,240 --> 01:21:59,439
Speaker 1: You ain't listen listen? No, no, wasn't. It was so

1410
01:21:59,560 --> 01:22:03,120
Speaker 1: Be the club, but so Be live I was. It

1411
01:22:03,200 --> 01:22:08,280
Speaker 1: was your birthday. It was my birthday. Invite. You went

1412
01:22:08,280 --> 01:22:11,400
Speaker 1: into my career. Let's make some noise for having come

1413
01:22:11,439 --> 01:22:16,479
Speaker 1: into my career. So listen, I'm your man. You didn't

1414
01:22:16,479 --> 01:22:19,320
Speaker 1: trust me that night a little bit because I told

1415
01:22:19,439 --> 01:22:22,400
Speaker 1: you not to talk to Fat Joe. But as a

1416
01:22:22,439 --> 01:22:24,360
Speaker 1: real nigger, I got to do that. Yo. I still

1417
01:22:24,439 --> 01:22:28,360
Speaker 1: don't do it. The weekend niggas got knobs. I told you,

1418
01:22:28,800 --> 01:22:34,280
Speaker 1: they looked like, this is what happened. This is me.

1419
01:22:34,479 --> 01:22:36,800
Speaker 1: I got having out here and we wild me having

1420
01:22:36,880 --> 01:22:40,519
Speaker 1: a great time this party. I remember that. So I

1421
01:22:40,640 --> 01:22:42,760
Speaker 1: didn't invite Fat Joe. But Fat Joe was my brother.

1422
01:22:42,800 --> 01:22:45,120
Speaker 1: I didn't think of the just side you and it

1423
01:22:45,760 --> 01:22:49,000
Speaker 1: so but so much. Fat Joe walked in. He was like, yo,

1424
01:22:49,560 --> 01:22:51,680
Speaker 1: is that who I think it is? And I was like, yo,

1425
01:22:51,840 --> 01:22:55,000
Speaker 1: that's mymm that's my brother. He was with me, so

1426
01:22:55,160 --> 01:22:59,160
Speaker 1: he's like he's good. But I didn't feel comfortable. I said,

1427
01:22:59,200 --> 01:23:01,960
Speaker 1: have don't talk to that. And I was by myself. No,

1428
01:23:03,280 --> 01:23:05,639
Speaker 1: I was by myself. No, you were with me, nigger.

1429
01:23:05,640 --> 01:23:09,200
Speaker 1: You wouldn't by yourself. I was no. I was running

1430
01:23:09,200 --> 01:23:12,120
Speaker 1: around my birthday. But I told you, I said, have

1431
01:23:12,360 --> 01:23:14,519
Speaker 1: don't say nothing this nigga, just chill. He ain't gonna

1432
01:23:14,560 --> 01:23:16,920
Speaker 1: do not. But you you went over there. It was like, well,

1433
01:23:17,040 --> 01:23:21,000
Speaker 1: it was like tim Puerto Ricans like, good, we're gonna

1434
01:23:21,040 --> 01:23:24,280
Speaker 1: kill you. They were gonna kill you and Puerto Rican

1435
01:23:24,720 --> 01:23:27,360
Speaker 1: they were my sons plus two times and they was

1436
01:23:27,400 --> 01:23:29,920
Speaker 1: gonna kill you. When I was there, listen the New

1437
01:23:30,040 --> 01:23:32,560
Speaker 1: York tell you because they were looking at me like this,

1438
01:23:33,000 --> 01:23:36,680
Speaker 1: No the New York New York video. Remember you just

1439
01:23:36,760 --> 01:23:42,479
Speaker 1: signed the g unit as well. What he was it

1440
01:23:42,600 --> 01:23:45,720
Speaker 1: was rules. He was out of line. Don't having you

1441
01:23:45,920 --> 01:23:49,280
Speaker 1: was there and yours. I almost killed these niggs. These

1442
01:23:49,360 --> 01:23:53,000
Speaker 1: niggas start floating on you. I said, you crazy, think

1443
01:23:53,240 --> 01:23:55,120
Speaker 1: like you left for me that day. You don't remember,

1444
01:23:55,439 --> 01:23:57,839
Speaker 1: and you came to the you came to my studio.

1445
01:23:58,200 --> 01:24:00,640
Speaker 1: This is a fact. And then that that day and

1446
01:24:00,720 --> 01:24:03,040
Speaker 1: so be luve. I told you not and then it

1447
01:24:03,200 --> 01:24:05,840
Speaker 1: was great, But yeah, you got too much hard havoc.

1448
01:24:05,960 --> 01:24:08,040
Speaker 1: That was too much part of weeken. Nigga was gonna

1449
01:24:08,080 --> 01:24:11,040
Speaker 1: kill you in there. You did you have me? You

1450
01:24:11,920 --> 01:24:14,800
Speaker 1: was with me? He was good. Look yeah, but what

1451
01:24:14,960 --> 01:24:17,840
Speaker 1: you from what you saw right? You showed him what

1452
01:24:18,000 --> 01:24:21,400
Speaker 1: over there I've seen Joe. I was like, you know

1453
01:24:21,439 --> 01:24:23,639
Speaker 1: what I'm saying. You know he did with his people's

1454
01:24:24,000 --> 01:24:27,400
Speaker 1: and then niggas was like this they was. I started

1455
01:24:27,439 --> 01:24:30,800
Speaker 1: walking towards fat Joe. They was like this, like you

1456
01:24:30,880 --> 01:24:35,200
Speaker 1: don't do it like listen. I was on the other side.

1457
01:24:35,680 --> 01:24:37,280
Speaker 1: I forget what it was. I took a picture and

1458
01:24:37,320 --> 01:24:42,240
Speaker 1: I looked and I was like, y'all know read like

1459
01:24:42,400 --> 01:24:44,120
Speaker 1: you know when you wasn't listen through that. But it

1460
01:24:44,280 --> 01:24:47,160
Speaker 1: was funny yourself because you got mad havoc and you

1461
01:24:47,240 --> 01:24:49,679
Speaker 1: know what, people need to start recognizing that. People needed

1462
01:24:49,680 --> 01:24:52,120
Speaker 1: to start recognizing that you flew out here for to

1463
01:24:52,200 --> 01:24:55,080
Speaker 1: come see the Dream Champs on your own dime. You

1464
01:24:55,240 --> 01:24:58,599
Speaker 1: came here and you you you you, you talked about

1465
01:24:58,640 --> 01:25:01,120
Speaker 1: everything you didn't tell me now where Christians and I

1466
01:25:01,160 --> 01:25:03,880
Speaker 1: would just really want to appreciate you guys having twenty

1467
01:25:04,000 --> 01:25:09,440
Speaker 1: years of a classic motherfucking album. If the album singlehandedly

1468
01:25:09,720 --> 01:25:13,200
Speaker 1: was it changed, it changed hip hop. But you made

1469
01:25:13,240 --> 01:25:20,880
Speaker 1: a beat for the Prodect really appreciate your contributions to

1470
01:25:20,960 --> 01:25:24,200
Speaker 1: hip hop. I really appreciate your contributions to my career

1471
01:25:24,600 --> 01:25:26,760
Speaker 1: because I want to keep giving it up to you

1472
01:25:27,000 --> 01:25:30,560
Speaker 1: and Prodigy because you know, a lot of people get misconfused,

1473
01:25:30,600 --> 01:25:31,960
Speaker 1: like you know, I like to be funny, you know,

1474
01:25:32,000 --> 01:25:35,720
Speaker 1: and whatever, whatever, But like if it I seriously say

1475
01:25:35,800 --> 01:25:38,680
Speaker 1: that if it wasn't for y'all, it wouldn't have been

1476
01:25:38,720 --> 01:25:41,960
Speaker 1: a us. You understand what I'm saying, and think about

1477
01:25:42,000 --> 01:25:45,040
Speaker 1: it like prodigy, like like his his origin being from

1478
01:25:45,160 --> 01:25:47,800
Speaker 1: Left Frack or being a ship affiliated and left frac.

1479
01:25:47,880 --> 01:25:49,840
Speaker 1: It was like we was the second coming of y'all.

1480
01:25:50,360 --> 01:25:52,200
Speaker 1: You know what I'm saying. So I got I got nothing.

1481
01:25:52,320 --> 01:25:56,120
Speaker 1: And you worked on the war report? Yes, yes I didn't, Yes,

1482
01:25:56,200 --> 01:25:58,360
Speaker 1: you worked on the wards for how how was it

1483
01:25:58,439 --> 01:26:00,599
Speaker 1: working on the war report? We're going on on twenty

1484
01:26:00,680 --> 01:26:08,840
Speaker 1: years next year? Paro was a genius, and I want

1485
01:26:08,880 --> 01:26:11,200
Speaker 1: you to answer the proper viol this question. But when

1486
01:26:11,240 --> 01:26:12,640
Speaker 1: I knew he was a genius, this is how I

1487
01:26:12,720 --> 01:26:15,000
Speaker 1: knew you was ill. Every beat I ever did for

1488
01:26:15,080 --> 01:26:18,840
Speaker 1: you in the beginning, like the original beat was it?

1489
01:26:19,080 --> 01:26:21,280
Speaker 1: But then you went back and did three different more

1490
01:26:21,520 --> 01:26:25,880
Speaker 1: versions right like you this day to this day still

1491
01:26:25,960 --> 01:26:29,880
Speaker 1: do that. This Nick is a genus. We beat machine

1492
01:26:29,880 --> 01:26:34,120
Speaker 1: you used mostly right in the machine, but before were

1493
01:26:34,200 --> 01:26:36,960
Speaker 1: using instruments back in those days, back in the days

1494
01:26:37,040 --> 01:26:42,439
Speaker 1: with the NBC. No sometimes you do that, give me

1495
01:26:42,560 --> 01:26:46,760
Speaker 1: three different beat him lately. Machine. You don't have the

1496
01:26:47,920 --> 01:26:50,479
Speaker 1: right because we didn't know what we might have it

1497
01:26:50,960 --> 01:26:52,880
Speaker 1: were in Miami. You never know, we don't even know

1498
01:26:52,960 --> 01:26:59,680
Speaker 1: what that is, only dark skin. Listen, you don't think

1499
01:26:59,720 --> 01:27:02,840
Speaker 1: I Miami son, don't get trying to be you don't

1500
01:27:02,840 --> 01:27:09,720
Speaker 1: get good. I'm bad not been. No, No, that's that

1501
01:27:09,840 --> 01:27:11,599
Speaker 1: New York when you come from New York, fresh from

1502
01:27:11,640 --> 01:27:14,840
Speaker 1: New York. But y'all just if you're from's on an

1503
01:27:14,840 --> 01:27:17,040
Speaker 1: overseas tour, you've been get a lot of money later,

1504
01:27:17,760 --> 01:27:21,880
Speaker 1: happy yap, yapping on to this whole year that we

1505
01:27:22,000 --> 01:27:26,679
Speaker 1: can I hap Smith and Weston. I'll take that personal

1506
01:27:27,439 --> 01:27:32,880
Speaker 1: like I was. I couldn't. We wouldn't have to like

1507
01:27:33,000 --> 01:27:35,080
Speaker 1: I mean, those are my niggers, but we would have

1508
01:27:35,120 --> 01:27:43,679
Speaker 1: had a better toy. Were you heard that. I'm glad

1509
01:27:43,760 --> 01:27:47,400
Speaker 1: you didn't come. It was well because niggas were snatching

1510
01:27:47,439 --> 01:27:51,240
Speaker 1: up my buges. So I was like, na happen you've

1511
01:27:51,240 --> 01:27:57,360
Speaker 1: been getting especially campone yea compone? Yeah y'all yeah, is

1512
01:27:57,400 --> 01:28:01,400
Speaker 1: that a twelve street thing? Did that start from kindergarten?

1513
01:28:01,560 --> 01:28:04,320
Speaker 1: Or like when did that start? Like Dawston nigg is

1514
01:28:04,400 --> 01:28:07,200
Speaker 1: like like like yeah, what does that start? Like y'all

1515
01:28:07,240 --> 01:28:09,559
Speaker 1: think y'all think it's been knocking things down like back

1516
01:28:09,600 --> 01:28:13,760
Speaker 1: in the day, like not recently, not recently under the

1517
01:28:13,840 --> 01:28:17,400
Speaker 1: effort excuse me, excuse me? No, no, no, what I'm

1518
01:28:17,439 --> 01:28:19,960
Speaker 1: saying that a girl? Oh, let's make some noise for

1519
01:28:20,040 --> 01:28:25,960
Speaker 1: having having a girl. We don't believe. Are you gonna

1520
01:28:25,960 --> 01:28:29,000
Speaker 1: take another hit? Three is my lucky number? You take

1521
01:28:29,040 --> 01:28:33,120
Speaker 1: two more? I'm like, we had cares. Whatever the funk?

1522
01:28:33,200 --> 01:28:36,680
Speaker 1: That is that guy? When the last time you smo?

1523
01:28:36,760 --> 01:28:42,800
Speaker 1: I feel like I got a snell? This is the

1524
01:28:42,880 --> 01:28:46,240
Speaker 1: last time that is? I feel like I got a snail? This?

1525
01:28:46,360 --> 01:28:50,720
Speaker 1: This is that ship? Is that ships? Nettle bomb? When

1526
01:28:50,720 --> 01:28:56,680
Speaker 1: the last time are you smoke? Just now? But before this?

1527
01:28:56,880 --> 01:29:05,720
Speaker 1: That's truth five nutes ago? Oh wow, I really like man,

1528
01:29:06,680 --> 01:29:09,880
Speaker 1: I didn't arrest one. He slipped. He was like, yeah,

1529
01:29:10,120 --> 01:29:12,640
Speaker 1: you can't, you can't. Yeah, I do the him all

1530
01:29:12,640 --> 01:29:16,840
Speaker 1: the time. It was like, yeah, I'm like, what did

1531
01:29:17,120 --> 01:29:21,800
Speaker 1: you listen? Listen, I want to just throw this out

1532
01:29:21,840 --> 01:29:25,160
Speaker 1: and throw us in. You're officially a drink chap. You know,

1533
01:29:25,200 --> 01:29:27,840
Speaker 1: I ain't gonna lie having There's nobody who drinks like you.

1534
01:29:27,960 --> 01:29:30,280
Speaker 1: I was in SV but one night you jumped on

1535
01:29:30,360 --> 01:29:33,599
Speaker 1: the motherfucking's stage. He was kicking in all types of crazy.

1536
01:29:33,760 --> 01:29:35,599
Speaker 1: I look at it, and you know, having is little

1537
01:29:35,720 --> 01:29:38,840
Speaker 1: but that nigga heart as much. That's as hard as

1538
01:29:38,840 --> 01:29:40,840
Speaker 1: the size of the empire state. Bro then my nigga,

1539
01:29:40,840 --> 01:29:42,519
Speaker 1: because I'm gonna be honest, Like if you would have

1540
01:29:42,560 --> 01:29:45,280
Speaker 1: told me to do the podcast, your podcast, I might

1541
01:29:45,360 --> 01:29:47,560
Speaker 1: have been like nah, like I don't know, Like like

1542
01:29:47,680 --> 01:29:50,479
Speaker 1: I don't know. You came out, you flew out, and

1543
01:29:50,600 --> 01:29:54,599
Speaker 1: you came into line comfortable. He's mad. He comfortable because

1544
01:29:54,640 --> 01:29:57,600
Speaker 1: he you know why, because he don't pay don't hang it,

1545
01:29:57,800 --> 01:30:00,479
Speaker 1: he don't You don't pay attention a of the internet

1546
01:30:00,479 --> 01:30:02,400
Speaker 1: because the Internet will have you believe in some ship.

1547
01:30:03,439 --> 01:30:06,479
Speaker 1: The Internet will make create some fake dramas and then

1548
01:30:06,520 --> 01:30:08,320
Speaker 1: you start believing the drama. But you're like you, I

1549
01:30:08,360 --> 01:30:10,000
Speaker 1: think I do gotta beat for this nigger, like you

1550
01:30:10,000 --> 01:30:11,360
Speaker 1: know what I'm saying. Because it's the end of it

1551
01:30:11,560 --> 01:30:14,120
Speaker 1: with with with bozos. But I want to thank you

1552
01:30:14,240 --> 01:30:17,320
Speaker 1: again for coming through, stepping through. But let's get this money.

1553
01:30:17,360 --> 01:30:19,360
Speaker 1: And he heard about this toll. Let's speak about this tour.

1554
01:30:19,520 --> 01:30:22,880
Speaker 1: That's the train, that train I used to run trains

1555
01:30:22,920 --> 01:30:28,559
Speaker 1: on Toil Street back in there. It's not that time

1556
01:30:28,640 --> 01:30:32,240
Speaker 1: with train yo. I ain't gonna live yo. Let me

1557
01:30:32,240 --> 01:30:35,160
Speaker 1: tell yourself during that infamous album. Y'all made me want

1558
01:30:35,200 --> 01:30:37,519
Speaker 1: to rap like I had doubted. I had doubted myself.

1559
01:30:38,479 --> 01:30:40,479
Speaker 1: You know what I'm saying. Yeah, I had doubted myself.

1560
01:30:40,560 --> 01:30:42,880
Speaker 1: Then I hung out with Twins and that's hung out

1561
01:30:42,920 --> 01:30:44,680
Speaker 1: with I went to the Polady. This is one of

1562
01:30:44,760 --> 01:30:52,439
Speaker 1: my favorite Queen's Beast stories with Nas had came, Nas

1563
01:30:52,520 --> 01:30:56,639
Speaker 1: had the Gold Lexus and Twins. I was Twins. Guess

1564
01:30:56,800 --> 01:30:59,559
Speaker 1: I wasn't Capone. I only think you know Capone was home,

1565
01:30:59,680 --> 01:31:01,479
Speaker 1: but think was on the run. He had shot a

1566
01:31:01,560 --> 01:31:04,280
Speaker 1: dude called Pat Post. Do you remember this? It's my

1567
01:31:04,400 --> 01:31:07,320
Speaker 1: memory good. So I even got more stories to it,

1568
01:31:07,360 --> 01:31:09,320
Speaker 1: but go ahead, but listen. So this is my what's

1569
01:31:09,360 --> 01:31:12,559
Speaker 1: my favorite Queen's Bridge moment. Y'all had a show at

1570
01:31:12,600 --> 01:31:18,520
Speaker 1: the Palladium and it was like nine hundred niggas outside

1571
01:31:19,280 --> 01:31:22,960
Speaker 1: the train bear and then Nas drove through. He had

1572
01:31:23,080 --> 01:31:27,160
Speaker 1: drove through in the gold Lexus that was like his

1573
01:31:27,280 --> 01:31:31,160
Speaker 1: first car, and everybody opened up. That's nice. Drove through

1574
01:31:32,080 --> 01:31:33,920
Speaker 1: and then Nigger was smoking on the blunt and he

1575
01:31:34,040 --> 01:31:40,320
Speaker 1: just said Queens and it was like, damn, we need

1576
01:31:40,640 --> 01:31:45,200
Speaker 1: people with Joe. I can't tell you like this ship

1577
01:31:45,320 --> 01:31:47,800
Speaker 1: like the Mellion Man, March to me, my nigga, Like,

1578
01:31:47,960 --> 01:31:50,400
Speaker 1: I was like, that was my favorite queen. It was

1579
01:31:50,439 --> 01:31:53,320
Speaker 1: that the mar Deep show at the Palladium, and yo,

1580
01:31:53,960 --> 01:31:56,080
Speaker 1: I would never forget that for as long as I lived.

1581
01:31:56,120 --> 01:31:59,439
Speaker 1: That he really was, like, I don't even he came

1582
01:32:00,360 --> 01:32:01,880
Speaker 1: I don't even think he came in the club that

1583
01:32:02,080 --> 01:32:04,320
Speaker 1: this night. I think he just came in. It was

1584
01:32:04,400 --> 01:32:07,320
Speaker 1: like y'all niggas, because I don't y'all did perform like

1585
01:32:07,680 --> 01:32:11,360
Speaker 1: five songs and then y'all niggas beat somebody up and ship. Yeah,

1586
01:32:12,000 --> 01:32:14,800
Speaker 1: like it was like pretty much like that like that,

1587
01:32:15,000 --> 01:32:16,960
Speaker 1: and then I was like, yo, you know what, I'm

1588
01:32:17,000 --> 01:32:20,479
Speaker 1: bringing my whole hood out like when I do that,

1589
01:32:20,760 --> 01:32:25,760
Speaker 1: and y'all, y'all was my inspiration. How much fussy did

1590
01:32:25,760 --> 01:32:29,240
Speaker 1: you have? How many times he just takes it back then?

1591
01:32:29,520 --> 01:32:35,760
Speaker 1: How much? Yeah? Man, not a lot man. You know, No,

1592
01:32:35,880 --> 01:32:39,160
Speaker 1: I'm an immate. I swear I'm an imagi man. Nobody

1593
01:32:39,200 --> 01:32:41,960
Speaker 1: believes you have it not. He was knocking things down,

1594
01:32:42,040 --> 01:32:46,519
Speaker 1: singers and all that. He was giving out for beats. Always.

1595
01:32:46,960 --> 01:32:49,880
Speaker 1: I always was a man, you know. I always was

1596
01:32:51,840 --> 01:32:55,639
Speaker 1: there ever a tour, allowed tour with pun alcoholics and y'all.

1597
01:32:56,800 --> 01:32:59,479
Speaker 1: It probably was. I do remember being you just don't remember.

1598
01:32:59,720 --> 01:33:05,479
Speaker 1: You're a d M ship right now? Nah? But you

1599
01:33:05,560 --> 01:33:08,800
Speaker 1: know what dope um? Yeah, we used to be on

1600
01:33:09,160 --> 01:33:14,000
Speaker 1: on the road with a pun a lot Um. Who

1601
01:33:14,080 --> 01:33:19,719
Speaker 1: else was it? It was MP, Alcoholics MP. They wasn't

1602
01:33:19,760 --> 01:33:21,680
Speaker 1: really around at that time. That was like kind of

1603
01:33:21,760 --> 01:33:25,280
Speaker 1: early after that wasn't being a loud because Loud was

1604
01:33:25,439 --> 01:33:31,080
Speaker 1: like the label at that time, like the Street. I never,

1605
01:33:31,280 --> 01:33:33,519
Speaker 1: I never, I never looked at Loud like that. But

1606
01:33:33,640 --> 01:33:35,800
Speaker 1: they came up with like some kind of documentary that

1607
01:33:38,560 --> 01:33:39,960
Speaker 1: when you said you don't you didn't look at them

1608
01:33:40,000 --> 01:33:41,720
Speaker 1: like that? What do you mean by no? I never

1609
01:33:41,800 --> 01:33:48,640
Speaker 1: looked at Loud as like some kind of like no,

1610
01:33:48,960 --> 01:33:53,080
Speaker 1: but I but I, but I big, like you know

1611
01:33:53,080 --> 01:33:55,000
Speaker 1: what I'm saying. But when we got there, it was

1612
01:33:55,160 --> 01:33:58,240
Speaker 1: just in its infancy. So when we got there, what

1613
01:33:58,560 --> 01:34:02,200
Speaker 1: word did you just say? But I mean, and I

1614
01:34:02,479 --> 01:34:05,960
Speaker 1: was looking back, they think the artists that they chose

1615
01:34:07,200 --> 01:34:14,679
Speaker 1: labelies don't even do that today Alcoholics. When I think

1616
01:34:14,680 --> 01:34:17,280
Speaker 1: about it now, when I think back, I kind of

1617
01:34:17,400 --> 01:34:21,439
Speaker 1: like regret taking it for granted, Like but I didn't

1618
01:34:21,479 --> 01:34:24,000
Speaker 1: know like what we was around because we had Woo

1619
01:34:24,120 --> 01:34:28,439
Speaker 1: Team and mal D. Then poem was dead, So it

1620
01:34:28,600 --> 01:34:33,160
Speaker 1: was just really something that was like, was there a

1621
01:34:33,200 --> 01:34:36,360
Speaker 1: certain anar at Loud that was picking artists inside? Steve

1622
01:34:36,479 --> 01:34:39,840
Speaker 1: was Steve not that I know because once we got there,

1623
01:34:39,880 --> 01:34:43,479
Speaker 1: how did you get allow because Maddie Ce and Scott

1624
01:34:43,560 --> 01:34:50,439
Speaker 1: Tree and Scott fantasy O, Yeah he was onside Loud

1625
01:34:50,600 --> 01:34:53,320
Speaker 1: was Loud was a Cubic when we first got there

1626
01:34:53,640 --> 01:34:55,639
Speaker 1: and they said, yeah, we got these artists ko Wu

1627
01:34:55,800 --> 01:34:58,840
Speaker 1: Tang and I remember bringing it home and listening to it,

1628
01:34:59,560 --> 01:35:01,400
Speaker 1: and I was like, you know, because you know, I'm

1629
01:35:01,439 --> 01:35:04,240
Speaker 1: on my own ships like whatever, you know what I'm saying.

1630
01:35:04,640 --> 01:35:06,840
Speaker 1: But then like the next three months, niggs in my

1631
01:35:06,920 --> 01:35:09,640
Speaker 1: whole hood was playing. They didn't even know that I

1632
01:35:09,800 --> 01:35:14,240
Speaker 1: was in the office building of the people that funk

1633
01:35:14,280 --> 01:35:16,760
Speaker 1: with these niggas. And then my whole hood is playing

1634
01:35:16,800 --> 01:35:18,920
Speaker 1: woting and I'm looking at these niggas like, oh, ship,

1635
01:35:19,160 --> 01:35:21,519
Speaker 1: I could go back to the office and give him,

1636
01:35:23,040 --> 01:35:24,880
Speaker 1: you know what I'm saying him a little bit of

1637
01:35:24,960 --> 01:35:30,160
Speaker 1: differ like what they like. They gave me the c D.

1638
01:35:30,320 --> 01:35:31,599
Speaker 1: I didn't know what to do with it, and then

1639
01:35:31,640 --> 01:35:34,080
Speaker 1: I just put it to the side. But then the

1640
01:35:34,160 --> 01:35:36,720
Speaker 1: whole hood started going crazy my own hood. I was like,

1641
01:35:37,400 --> 01:35:39,640
Speaker 1: I was like you like that. I was like, I

1642
01:35:40,000 --> 01:35:42,000
Speaker 1: know these niggas like you know what I'm saying that

1643
01:35:43,560 --> 01:35:47,360
Speaker 1: on their own at first, and then Loud came no, no, no, no,

1644
01:35:47,479 --> 01:35:49,599
Speaker 1: no no. We made it. Loud gave us the budget,

1645
01:35:49,640 --> 01:35:52,479
Speaker 1: and then we did it. And then we just gave

1646
01:35:52,560 --> 01:35:54,519
Speaker 1: louds hurting the run with you know what I'm saying.

1647
01:35:54,520 --> 01:35:57,080
Speaker 1: They was like, okay, this is here, and he just

1648
01:35:57,200 --> 01:36:00,280
Speaker 1: like yeah, and we took a chance. But that wasn't

1649
01:36:00,320 --> 01:36:03,320
Speaker 1: the first Shook Ones. It was a shop too, right.

1650
01:36:03,400 --> 01:36:06,360
Speaker 1: It was. It was one that you never hit, you

1651
01:36:06,439 --> 01:36:11,160
Speaker 1: know what I'm saying. And then when we basically the remix, right,

1652
01:36:11,360 --> 01:36:13,320
Speaker 1: so when we put out the first Shook Ones, we

1653
01:36:13,400 --> 01:36:19,960
Speaker 1: put it out and then uh, nobody liked it. Nobody, No,

1654
01:36:20,200 --> 01:36:23,280
Speaker 1: it's a different it was a different beat. So people

1655
01:36:23,439 --> 01:36:26,240
Speaker 1: was like, no, nobody liked it. They was like, so, um,

1656
01:36:26,920 --> 01:36:29,439
Speaker 1: what's up? And y'all was on Loud at that time, right,

1657
01:36:29,520 --> 01:36:31,760
Speaker 1: and there was like what's up? So like, we gave

1658
01:36:31,800 --> 01:36:34,600
Speaker 1: you a second shot, So I was like, I fuck it.

1659
01:36:34,680 --> 01:36:38,519
Speaker 1: I was and then I just I made the Shook

1660
01:36:38,560 --> 01:36:41,680
Speaker 1: once that you hit, So I made it. And then

1661
01:36:41,800 --> 01:36:44,720
Speaker 1: the project Stole and then I made it and then

1662
01:36:44,760 --> 01:36:47,760
Speaker 1: they was listening and then they was like they was

1663
01:36:47,800 --> 01:36:51,920
Speaker 1: like okay, and then they liked it personally, so they

1664
01:36:52,040 --> 01:36:56,080
Speaker 1: pushed it. And then you remember performing that how can

1665
01:36:56,160 --> 01:36:58,519
Speaker 1: I be down at Luke's Club? Of course I was.

1666
01:36:58,920 --> 01:37:01,600
Speaker 1: I was listening. I was like in Atlanta, not not

1667
01:37:01,720 --> 01:37:04,000
Speaker 1: here in Miami Blue Club in Miami, how can I

1668
01:37:04,080 --> 01:37:06,679
Speaker 1: be Downard always said, don't test him. He remembers everything.

1669
01:37:07,720 --> 01:37:11,200
Speaker 1: He got a tennis hipp dinosaur from teen forty three

1670
01:37:13,560 --> 01:37:16,320
Speaker 1: Cubs Blue Club. That's too late. He just had the

1671
01:37:16,400 --> 01:37:23,040
Speaker 1: juven I believe, I believe you. But we did a lot.

1672
01:37:23,160 --> 01:37:25,719
Speaker 1: We did a lot of like you know what I'm saying,

1673
01:37:25,800 --> 01:37:28,759
Speaker 1: Like he was with you don't even know the juvenile

1674
01:37:28,840 --> 01:37:31,880
Speaker 1: Hell tape. Right, of course you gotta believe that if

1675
01:37:31,880 --> 01:37:35,800
Speaker 1: you gotta do believe you don't. I don't how much

1676
01:37:35,920 --> 01:37:38,400
Speaker 1: how much ship did y'all do when you first came out?

1677
01:37:38,479 --> 01:37:42,160
Speaker 1: You I gotta blur, doesn't even know I gotta blur,

1678
01:37:42,560 --> 01:37:47,479
Speaker 1: like yeah, like blur. I was doing drugs, Ecstacy, I

1679
01:37:47,600 --> 01:37:50,400
Speaker 1: want to represent the DJ and then but then but

1680
01:37:50,520 --> 01:37:52,599
Speaker 1: then I liked it Molly for a little while too.

1681
01:37:52,600 --> 01:37:55,640
Speaker 1: I'm gonna keep it on, keep it on. I know,

1682
01:37:56,400 --> 01:37:59,000
Speaker 1: a little while, a little while, a little sometimes I

1683
01:37:59,080 --> 01:38:00,600
Speaker 1: still be a little. He came mind, he didn't know

1684
01:38:00,640 --> 01:38:02,479
Speaker 1: what exc was, and then it was and then it

1685
01:38:02,560 --> 01:38:05,320
Speaker 1: was a round. I was mon went into space. Yeah

1686
01:38:05,360 --> 01:38:08,080
Speaker 1: that's six months more real drug abuse. How new is

1687
01:38:08,120 --> 01:38:10,080
Speaker 1: the fact? How new? I was like, I was like

1688
01:38:10,200 --> 01:38:14,840
Speaker 1: print something. But he thought it together. He was like, hey, yeah,

1689
01:38:14,880 --> 01:38:17,400
Speaker 1: I was going home. It wasn't it was gold Rush.

1690
01:38:17,560 --> 01:38:20,720
Speaker 1: Was going to gold Rush twenty four hours, nigger. I

1691
01:38:20,880 --> 01:38:25,599
Speaker 1: was going there and get pancakes and Latin. It's still

1692
01:38:25,640 --> 01:38:29,400
Speaker 1: over its class. You know, you can't, you can't, you

1693
01:38:29,520 --> 01:38:31,840
Speaker 1: can't you get out. But I said, I just able

1694
01:38:31,880 --> 01:38:34,799
Speaker 1: to call on the morning. Already, it's all going already,

1695
01:38:36,320 --> 01:38:42,920
Speaker 1: it's old already, pay story. Thank you for throwing it out. Hello, Hello,

1696
01:38:43,000 --> 01:38:45,400
Speaker 1: you've been in Florida. He's been forever. No, no, no,

1697
01:38:45,560 --> 01:38:48,519
Speaker 1: I'm asking him. Yeah, foul, I've been. I've been a

1698
01:38:48,680 --> 01:38:55,160
Speaker 1: faulty years. But people the lowest don't know what that. Yeah,

1699
01:38:55,240 --> 01:38:58,040
Speaker 1: the numbers, this is, yeah, this is real. Ship doesn't

1700
01:38:59,640 --> 01:39:01,760
Speaker 1: because it hold on, hold on, how many years you

1701
01:39:01,880 --> 01:39:04,000
Speaker 1: be in Florida. I don't think I'm like a tennish

1702
01:39:04,479 --> 01:39:09,439
Speaker 1: tennish tennis tish because two of them like like I

1703
01:39:09,600 --> 01:39:11,960
Speaker 1: think I've been I think I've been more than ten.

1704
01:39:12,120 --> 01:39:14,120
Speaker 1: But I still had cribs in New York at that time,

1705
01:39:14,200 --> 01:39:15,960
Speaker 1: so I can't really but that don't count. Yeah, that

1706
01:39:16,040 --> 01:39:17,880
Speaker 1: don't count. But when I flew out here, so I'm

1707
01:39:17,920 --> 01:39:20,639
Speaker 1: like eight, I'm like eight strong years and he came

1708
01:39:20,680 --> 01:39:23,920
Speaker 1: religiously for me. Yeah. So when you go like this,

1709
01:39:24,120 --> 01:39:27,479
Speaker 1: like yo, around my way you talk about Florida, right,

1710
01:39:27,640 --> 01:39:30,599
Speaker 1: I ain't gonna. I've adapted that sometimes around I don't

1711
01:39:30,600 --> 01:39:32,800
Speaker 1: have around Listen, there's no around, like, there's no like

1712
01:39:32,880 --> 01:39:35,720
Speaker 1: blocks out here unless you're like over town. It is

1713
01:39:35,960 --> 01:39:38,840
Speaker 1: like people hang out and like crabs out here, like

1714
01:39:38,960 --> 01:39:41,200
Speaker 1: see see how are you from? When we're from You

1715
01:39:41,439 --> 01:39:44,040
Speaker 1: got on twelfth Street and you hang out on ninety seven.

1716
01:39:44,200 --> 01:39:47,040
Speaker 1: Hoods is different, Like the hoods is different in Miami. Yeah,

1717
01:39:47,120 --> 01:39:50,160
Speaker 1: southern hood. What's the Southern hood? What's the Southern Its

1718
01:39:50,800 --> 01:39:53,120
Speaker 1: hood does little? They kill your fasts out here, that

1719
01:39:53,280 --> 01:39:57,400
Speaker 1: kill your fat, Miami Miami to kill your fast. To

1720
01:39:57,520 --> 01:39:59,680
Speaker 1: listen and listen, you know who I want to pick up? Man?

1721
01:39:59,680 --> 01:40:01,560
Speaker 1: I know it is very awkward, but I want to

1722
01:40:01,600 --> 01:40:04,760
Speaker 1: big up Kodak Black. The reason why I want to

1723
01:40:04,760 --> 01:40:07,400
Speaker 1: big up quote that fact because I gotta switch up

1724
01:40:07,439 --> 01:40:09,920
Speaker 1: my years. My years are living in Miami and my

1725
01:40:10,080 --> 01:40:13,120
Speaker 1: years are living in Browway. I also lived in Broward,

1726
01:40:13,360 --> 01:40:15,680
Speaker 1: and I've always been You never repped Brower. You know

1727
01:40:15,840 --> 01:40:18,840
Speaker 1: you're repping you about Brown. I was on parole and

1728
01:40:18,880 --> 01:40:23,400
Speaker 1: Brown you're talking about. Excuse what's the difference? No, No,

1729
01:40:23,560 --> 01:40:26,920
Speaker 1: it's it's different. You know, I break it down. Good

1730
01:40:26,960 --> 01:40:32,360
Speaker 1: for you, easy for you. Um, Queensbridge and Ravens Wood

1731
01:40:32,720 --> 01:40:36,720
Speaker 1: is the same thing, but it's not the same thing.

1732
01:40:37,280 --> 01:40:39,280
Speaker 1: I don't think that's a good Yes, it is because

1733
01:40:39,320 --> 01:40:45,400
Speaker 1: it's right down the blocks. And no it's not. That's

1734
01:40:45,400 --> 01:40:53,800
Speaker 1: a different yes. And brow is it close to Miami. Yeah,

1735
01:40:54,080 --> 01:40:58,120
Speaker 1: it's like Jersey York. It's the same show. Yeah, you

1736
01:40:58,160 --> 01:41:00,360
Speaker 1: could do Jersey and I think Jersey and You makes

1737
01:41:00,400 --> 01:41:05,120
Speaker 1: more sense. And brow Studios, yes, my Stewardess and Broward.

1738
01:41:05,120 --> 01:41:07,600
Speaker 1: I was on probation in Broward, so I wanted to be.

1739
01:41:07,760 --> 01:41:10,599
Speaker 1: And then they now popping with COLDE that black. Let's

1740
01:41:10,600 --> 01:41:24,360
Speaker 1: make some noise for Code Black Pop for Smoke. Welcome

1741
01:41:24,479 --> 01:41:28,600
Speaker 1: to Play, a new podcast network featuring radio and TV personalities,

1742
01:41:28,720 --> 01:41:32,559
Speaker 1: talking business, sports, tech, entertainment and more. Play it at

1743
01:41:32,640 --> 01:41:37,200
Speaker 1: play dot It. We're back to drink Champs Radio with

1744
01:41:37,479 --> 01:41:43,600
Speaker 1: Rapper and R and d J. Yes, then now have

1745
01:41:43,800 --> 01:41:49,479
Speaker 1: it Queen's Bridge. Did I want to just be clear

1746
01:41:50,680 --> 01:41:53,080
Speaker 1: there's no beef for component nor Yeah, gona happen. And

1747
01:41:53,120 --> 01:41:55,880
Speaker 1: I really want to know me get all deep, excuse me?

1748
01:41:56,320 --> 01:41:58,640
Speaker 1: And I really appreciate you for coming here and just

1749
01:41:58,760 --> 01:42:01,840
Speaker 1: sitting here. And but this toll. Is this something that

1750
01:42:01,960 --> 01:42:04,240
Speaker 1: you think that we can pull off. I think that

1751
01:42:04,360 --> 01:42:06,320
Speaker 1: we could really pull it off and it will really

1752
01:42:06,320 --> 01:42:08,080
Speaker 1: be dope. And I think that the fans would love

1753
01:42:08,120 --> 01:42:13,160
Speaker 1: it more than we even think. I believe. I believe so.

1754
01:42:13,520 --> 01:42:17,080
Speaker 1: I believe so, man, I definitely believe. So like me

1755
01:42:17,160 --> 01:42:21,400
Speaker 1: like this roll like this bullshit right now? Yeah, you

1756
01:42:21,439 --> 01:42:24,000
Speaker 1: don't like the smell. You didn't like it when currency

1757
01:42:24,080 --> 01:42:25,360
Speaker 1: was here, So why the fun you like it now?

1758
01:42:25,560 --> 01:42:27,519
Speaker 1: Because I was trying. I was like trying to win,

1759
01:42:29,000 --> 01:42:31,160
Speaker 1: like when I win my argument, Like I don't mind it?

1760
01:42:31,280 --> 01:42:34,920
Speaker 1: Are you patty having I'm I'm a petty nigger. I'm

1761
01:42:35,080 --> 01:42:36,840
Speaker 1: very petty. Like when you break up with a bit

1762
01:42:36,960 --> 01:42:39,760
Speaker 1: and you got if you pull hard purse do you

1763
01:42:39,840 --> 01:42:44,000
Speaker 1: take the person back. It depends how much it could.

1764
01:42:44,400 --> 01:42:49,280
Speaker 1: I gotta rhyme like that, I said, break up with him,

1765
01:42:49,360 --> 01:42:55,640
Speaker 1: take the purse back. That's a fact. But you surprised,

1766
01:42:56,400 --> 01:42:58,040
Speaker 1: and this is when I was rich rich. I'm still

1767
01:42:58,080 --> 01:43:00,479
Speaker 1: surprised when you get petty, I'm mad hetty. You know

1768
01:43:00,600 --> 01:43:05,080
Speaker 1: you listen if jay Z called me over all podcast

1769
01:43:05,600 --> 01:43:08,559
Speaker 1: that is petty. That means rich rich Niggas is petty.

1770
01:43:08,760 --> 01:43:13,400
Speaker 1: I think we should all accept our pettiness. Does anybody

1771
01:43:13,479 --> 01:43:17,920
Speaker 1: disagree accept your pettiness? Have and do you think you know?

1772
01:43:18,000 --> 01:43:23,040
Speaker 1: You don't set your pettiness? I really accepted. I haven't too.

1773
01:43:23,520 --> 01:43:25,400
Speaker 1: You ever took you back from a bit? Did I

1774
01:43:25,479 --> 01:43:33,280
Speaker 1: ever take from a I subscribe the situation. I got

1775
01:43:33,320 --> 01:43:35,560
Speaker 1: mad stories if you want me to go first, I

1776
01:43:35,680 --> 01:43:39,120
Speaker 1: gave it twenty g and then he's about to break up,

1777
01:43:39,160 --> 01:43:42,439
Speaker 1: I said, I with my and she gave it to

1778
01:43:42,560 --> 01:43:47,280
Speaker 1: be bad. But I gonna know what year this is,

1779
01:43:47,320 --> 01:43:49,519
Speaker 1: because I want to know what's her pussy? Sunshine? You

1780
01:43:49,600 --> 01:43:52,920
Speaker 1: throw it in the air. The sunshine was it was?

1781
01:43:52,960 --> 01:43:57,120
Speaker 1: It wasn't that wasn't that it was such? It was

1782
01:43:57,200 --> 01:44:01,400
Speaker 1: so shot. But not every tinge to get back though?

1783
01:44:01,760 --> 01:44:03,960
Speaker 1: What happened. I mean, thank god she had the tweenys

1784
01:44:04,000 --> 01:44:08,840
Speaker 1: to give back. Yeah, thank god for her bank. She

1785
01:44:08,960 --> 01:44:12,160
Speaker 1: spent it and still had it. I gave it to it,

1786
01:44:12,280 --> 01:44:13,920
Speaker 1: but she still had it and I took it back.

1787
01:44:14,120 --> 01:44:16,160
Speaker 1: But that's being the Indian. Give it. That was fat.

1788
01:44:17,240 --> 01:44:21,400
Speaker 1: That was fat. That's called pettiness and from queens. Don't

1789
01:44:21,800 --> 01:44:23,559
Speaker 1: queze thing. I don't think it's a question. I think

1790
01:44:23,600 --> 01:44:25,840
Speaker 1: it's a I mean, I think it's a queenzy. Y'all

1791
01:44:26,439 --> 01:44:28,920
Speaker 1: right now, you just just think queens because you just

1792
01:44:29,000 --> 01:44:32,000
Speaker 1: said that, I'm saying I'm petty. I don't representing queens

1793
01:44:32,040 --> 01:44:36,360
Speaker 1: in this moment right now. I remember sing me and

1794
01:44:37,080 --> 01:44:39,840
Speaker 1: but I'm asking my brother phone queens, are you petty?

1795
01:44:40,160 --> 01:44:43,040
Speaker 1: You said? He said yeah, he said, yeah, okay, e

1796
01:44:43,200 --> 01:44:45,840
Speaker 1: f have you taken have you brought a bit something?

1797
01:44:45,880 --> 01:44:51,240
Speaker 1: And just said, oh, listen, don't you fucking line. Listen, listen,

1798
01:44:51,360 --> 01:44:53,840
Speaker 1: that's time out. You could have met you all for

1799
01:44:53,920 --> 01:44:56,840
Speaker 1: going to Cisco videos. You ain't even see the video

1800
01:44:57,840 --> 01:45:01,960
Speaker 1: and you you stop sucking one. Listen. Don't that relation

1801
01:45:02,479 --> 01:45:06,840
Speaker 1: that's actually one girl in the room with size the bartender.

1802
01:45:07,160 --> 01:45:09,439
Speaker 1: Is that is that come in, come in home. You're

1803
01:45:09,439 --> 01:45:11,320
Speaker 1: not giving the full situation. You know, don't have to

1804
01:45:11,360 --> 01:45:15,000
Speaker 1: say your name is that petty? He listen his girl called.

1805
01:45:15,720 --> 01:45:17,680
Speaker 1: I don't know if he was in the story. I

1806
01:45:18,160 --> 01:45:20,960
Speaker 1: definitely go with your fat story. I'm just going with

1807
01:45:21,080 --> 01:45:23,840
Speaker 1: the face story. Right he found out his girl was

1808
01:45:23,880 --> 01:45:27,040
Speaker 1: going to Cisco video and he broke up whatever, Right,

1809
01:45:27,080 --> 01:45:29,479
Speaker 1: there is that petty. That's not the way with it down.

1810
01:45:29,800 --> 01:45:34,880
Speaker 1: But I'm dyslexic. I'm breaking it down a dyslexican. The

1811
01:45:35,040 --> 01:45:47,160
Speaker 1: dons wasn't This story has been coming in from the y.

1812
01:45:48,360 --> 01:45:50,920
Speaker 1: Did your girlfriend hit you about this? It was not girl.

1813
01:45:51,280 --> 01:45:56,080
Speaker 1: She was an aspiring model at the time. I didn't

1814
01:45:56,120 --> 01:45:58,960
Speaker 1: set myself up. As soon as she started doing videos,

1815
01:45:59,240 --> 01:46:02,360
Speaker 1: I was done. I just set myself up. But she

1816
01:46:02,520 --> 01:46:05,360
Speaker 1: was stone song. I'm like, I'm out, I'm not. This

1817
01:46:07,080 --> 01:46:10,720
Speaker 1: is a video man, this is a video homie. I'm

1818
01:46:10,760 --> 01:46:12,880
Speaker 1: a d J. I'm working in this world. I'm not

1819
01:46:13,000 --> 01:46:14,840
Speaker 1: trying to be in the I'm in the same room

1820
01:46:14,880 --> 01:46:18,320
Speaker 1: of dudes with my broad and I'm not listening to

1821
01:46:18,920 --> 01:46:21,320
Speaker 1: I'm not just in the bi Cisco. He was still

1822
01:46:21,439 --> 01:46:28,800
Speaker 1: mad about it makes him going, you are you trying

1823
01:46:28,840 --> 01:46:31,240
Speaker 1: to separate yourself from when she was in the in

1824
01:46:31,320 --> 01:46:35,840
Speaker 1: the jay Z Pimps and UK video Big Pimper, she

1825
01:46:35,920 --> 01:46:43,560
Speaker 1: was a big pimping. They put all the champagne. You

1826
01:46:43,720 --> 01:46:51,720
Speaker 1: tell me you wait wait wait wait wait wait wait

1827
01:46:52,560 --> 01:46:56,960
Speaker 1: wait wait wait song sous first, I was out Big

1828
01:46:57,040 --> 01:46:59,200
Speaker 1: Pimp and cave. I was already out. I was like,

1829
01:46:59,439 --> 01:47:05,920
Speaker 1: thank god, you gotta again. I gotta piss this time too.

1830
01:47:05,920 --> 01:47:08,680
Speaker 1: When you pause eventually and then were gonna close it

1831
01:47:08,720 --> 01:47:10,560
Speaker 1: out after this, that cum and piss coming or that

1832
01:47:10,720 --> 01:47:13,800
Speaker 1: was dope. That was the yo. I didn't know about

1833
01:47:13,800 --> 01:47:19,360
Speaker 1: the big man ye ship, but that was a reality.

1834
01:47:19,479 --> 01:47:24,599
Speaker 1: You made my choice the song listen because when when

1835
01:47:24,800 --> 01:47:27,320
Speaker 1: I heard you carried your wanting, I don't listen. She

1836
01:47:27,439 --> 01:47:36,160
Speaker 1: wants to know she wanted. She wanted, she was out.

1837
01:47:39,320 --> 01:47:41,240
Speaker 1: I was out. When I was out, I saw the future.

1838
01:47:41,600 --> 01:47:46,360
Speaker 1: I saw the future. I don't let him out of

1839
01:47:46,439 --> 01:47:52,800
Speaker 1: here coming back telling a girl from the thought song, Dude,

1840
01:47:53,920 --> 01:47:56,760
Speaker 1: he got paid. I'm trying. I was trying to throw

1841
01:47:56,800 --> 01:47:58,200
Speaker 1: you something like, to save you out of the head

1842
01:47:58,880 --> 01:48:04,040
Speaker 1: and I'm probably don't you wally hold On had to

1843
01:48:04,080 --> 01:48:08,920
Speaker 1: be off. You know, I forgot what you wanting. Those

1844
01:48:08,960 --> 01:48:11,439
Speaker 1: three videos, she was what you wanted. Those faces are

1845
01:48:11,439 --> 01:48:14,240
Speaker 1: tricky for me. She was and she wasn't sucking Rookie

1846
01:48:14,280 --> 01:48:20,080
Speaker 1: Martins crazy song. I mean, I'm looking, okay, let's go.

1847
01:48:20,360 --> 01:48:23,080
Speaker 1: She freaky miry and being very like I'm three niggers.

1848
01:48:23,120 --> 01:48:30,280
Speaker 1: He just nagged. But that was not the point. I

1849
01:48:30,520 --> 01:48:34,519
Speaker 1: say she wants to she must have it back to

1850
01:48:34,680 --> 01:48:43,280
Speaker 1: the podcast like prints here. That's not only like Star Jason.

1851
01:48:43,360 --> 01:48:49,920
Speaker 1: They got no step hold ons. Okay, and I didn't

1852
01:48:49,920 --> 01:48:52,280
Speaker 1: know before it was beating and he had a hat on.

1853
01:48:52,520 --> 01:48:54,519
Speaker 1: I didn't know what he still I have but this

1854
01:48:54,640 --> 01:48:56,560
Speaker 1: will still got bit to up. So let me just

1855
01:48:56,720 --> 01:49:01,320
Speaker 1: just just this is a sign. Do you think sis him?

1856
01:49:05,000 --> 01:49:07,920
Speaker 1: But you know what I think the cricket looking dude

1857
01:49:08,040 --> 01:49:12,240
Speaker 1: from what's these dudes names Poison? What's the dude names

1858
01:49:12,280 --> 01:49:19,479
Speaker 1: from Poison? The cricket looking call Ronny n I think homie?

1859
01:49:19,560 --> 01:49:23,600
Speaker 1: Did it? He from you know edition movie about to

1860
01:49:23,640 --> 01:49:33,519
Speaker 1: come out? All you Do Pressure Missing actually said with

1861
01:49:33,640 --> 01:49:39,519
Speaker 1: Daddy Mary no twin No snapchat? Did they tell you? Right? Yeah?

1862
01:49:39,720 --> 01:49:48,759
Speaker 1: Right you no snapchat? We told bro? I mean videos

1863
01:49:48,840 --> 01:50:05,679
Speaker 1: from Wounded and draw somebody has y ready ye don't

1864
01:50:05,680 --> 01:50:09,439
Speaker 1: follow me out? No, it's petty man. Listen man, listen,

1865
01:50:09,840 --> 01:50:13,960
Speaker 1: that's a new religion. Can I ask him produce a question? Yes,

1866
01:50:15,240 --> 01:50:20,240
Speaker 1: we have you like the MPC or machine? Matter which

1867
01:50:20,280 --> 01:50:22,800
Speaker 1: one is better for you? It's a producer question. Mad

1868
01:50:22,880 --> 01:50:26,439
Speaker 1: producers want to know the machine? Yeah? Why is that?

1869
01:50:27,960 --> 01:50:33,120
Speaker 1: Because it corresponds with the lot of tops. NBC won't

1870
01:50:33,200 --> 01:50:36,240
Speaker 1: do that. The new one does. But you know it's

1871
01:50:36,240 --> 01:50:39,919
Speaker 1: just native instruments speak them to it. The workflow, the workflow?

1872
01:50:40,040 --> 01:50:45,639
Speaker 1: Is this quicker better? I would definitely say the machine, Yeah, definitely.

1873
01:50:45,840 --> 01:50:47,719
Speaker 1: And let me ask you the two part question before

1874
01:50:47,760 --> 01:50:50,080
Speaker 1: you get up out of here. Who's your favorite producer?

1875
01:50:50,560 --> 01:51:00,479
Speaker 1: My favorite producer? Yeah, um yeah, my favorite? Damn you

1876
01:51:00,840 --> 01:51:04,560
Speaker 1: I don't even listen to So who's the producer you

1877
01:51:04,600 --> 01:51:08,479
Speaker 1: would want to work h Quincy Jones? Well, then you

1878
01:51:08,520 --> 01:51:11,200
Speaker 1: would want to rhyme over their beats, over their beat,

1879
01:51:11,280 --> 01:51:22,040
Speaker 1: Quincy Jones, Michael Jackson. If I went to Quinzy Jones, right,

1880
01:51:22,160 --> 01:51:24,639
Speaker 1: If I went to him one day, I said, Quincy Jones,

1881
01:51:24,960 --> 01:51:27,759
Speaker 1: you know what I'm saying, I'm gonna make an album.

1882
01:51:28,640 --> 01:51:31,559
Speaker 1: He'd be like, yeah, we could do it. He'd be like, yeah,

1883
01:51:31,560 --> 01:51:33,560
Speaker 1: if we could do it. Look what I did for

1884
01:51:33,680 --> 01:51:36,160
Speaker 1: Minchael Jackson. And this is how we're gonna do it,

1885
01:51:36,280 --> 01:51:38,600
Speaker 1: and we're gonna make an off the Wall. If he

1886
01:51:38,680 --> 01:51:40,280
Speaker 1: told me I'm going to make an off the Wall,

1887
01:51:41,040 --> 01:51:43,400
Speaker 1: then I'm gonna agree with him because I know that

1888
01:51:43,560 --> 01:51:46,800
Speaker 1: he did make an off the Wall. You understand what

1889
01:51:46,880 --> 01:51:50,000
Speaker 1: I'm saying, Like, listen to Off the Wall. Don't listen

1890
01:51:50,000 --> 01:51:54,240
Speaker 1: to the thriller. Listen listen to Off the Wall. Michael

1891
01:51:54,320 --> 01:51:56,640
Speaker 1: Jackson hooked up with Quincy Jones and they did that.

1892
01:51:57,640 --> 01:51:59,880
Speaker 1: We're going for a second time. That's that roll came

1893
01:52:00,080 --> 01:52:09,559
Speaker 1: right now. Having God damn it, having it. Don't kill

1894
01:52:09,640 --> 01:52:16,479
Speaker 1: our guests, bro, that's one of our guests with him whatever,

1895
01:52:20,800 --> 01:52:23,559
Speaker 1: but having let me tell you something, man, Honestly, from

1896
01:52:23,560 --> 01:52:25,599
Speaker 1: the bottom of my heart, I can't thank you enough.

1897
01:52:25,680 --> 01:52:28,080
Speaker 1: This ain't no for them podcast. This is real life

1898
01:52:28,640 --> 01:52:31,720
Speaker 1: because you know we we have a career. When you've

1899
01:52:31,760 --> 01:52:34,160
Speaker 1: been in this game for twenty years, this is a

1900
01:52:34,320 --> 01:52:39,000
Speaker 1: career we built. We built ship off of what we've done.

1901
01:52:39,880 --> 01:52:42,320
Speaker 1: And I was so glad when you wanted to be

1902
01:52:42,439 --> 01:52:45,000
Speaker 1: the man, the big man of all four of us.

1903
01:52:45,040 --> 01:52:48,559
Speaker 1: I gotta credit you for this because if you didn't

1904
01:52:48,600 --> 01:52:51,000
Speaker 1: come out here, it would still be dumb room as

1905
01:52:51,040 --> 01:52:55,200
Speaker 1: a component. Oriega Marbdep Dumb Beef. You came out here.

1906
01:52:55,360 --> 01:53:00,120
Speaker 1: I really can't thank you enough to appreciate you are

1907
01:53:00,200 --> 01:53:03,439
Speaker 1: coming out here and that's dead and these fucking dumb

1908
01:53:03,520 --> 01:53:07,320
Speaker 1: ass rumors and let's get motherfucking money because we are

1909
01:53:07,479 --> 01:53:10,559
Speaker 1: young black fucking people who came from the ghetto, came

1910
01:53:10,600 --> 01:53:13,439
Speaker 1: from the similar ghetto. You're the same trains you gotta

1911
01:53:13,479 --> 01:53:15,000
Speaker 1: take to go to your hood, the same train you

1912
01:53:15,040 --> 01:53:17,040
Speaker 1: gotta take to go to my hood. You're the fucking

1913
01:53:17,160 --> 01:53:19,639
Speaker 1: silent partner. And I just want to thank you once

1914
01:53:19,680 --> 01:53:22,479
Speaker 1: again for putting these rumors to rest. There is no

1915
01:53:22,640 --> 01:53:27,320
Speaker 1: Component Noriega Wild Marb Deep Beef. There's there's none of that.

1916
01:53:27,520 --> 01:53:30,120
Speaker 1: We are family. We're gonna keep this ship going, keep

1917
01:53:30,160 --> 01:53:33,400
Speaker 1: getting money. This toll it's supposed to be possible with

1918
01:53:33,640 --> 01:53:36,439
Speaker 1: nas Marb Deep and Component Noriega, and we want to

1919
01:53:36,520 --> 01:53:38,920
Speaker 1: motherfucking make that happen. Man. You know what I'm saying.

1920
01:53:39,040 --> 01:53:41,479
Speaker 1: Let's get this money, man, you know what I'm saying.

1921
01:53:44,120 --> 01:53:46,760
Speaker 1: And you got that silent partner, My my dude, is

1922
01:53:46,840 --> 01:53:48,240
Speaker 1: that is that to note? You want to leave it

1923
01:53:48,320 --> 01:53:50,120
Speaker 1: on or you want to say you want to want

1924
01:53:50,120 --> 01:53:56,200
Speaker 1: to say quick. I rarely give my less speeches. You

1925
01:53:56,240 --> 01:53:58,000
Speaker 1: know what I'm saying, But on the side of a

1926
01:53:58,160 --> 01:54:01,679
Speaker 1: DJ and a fan, and I'm telling y'all those DJs

1927
01:54:01,720 --> 01:54:06,320
Speaker 1: in the rule right now. The records y'all made, y'all

1928
01:54:06,360 --> 01:54:10,000
Speaker 1: inspired us. Yes, we love playing those records. Those are

1929
01:54:10,120 --> 01:54:14,360
Speaker 1: hip hop records. I'm saying, those are classic records. And

1930
01:54:14,479 --> 01:54:17,320
Speaker 1: we thank you, thank you and Prodigy, and we thank

1931
01:54:17,360 --> 01:54:24,479
Speaker 1: you for the production and the verses. Man. Yeah, that

1932
01:54:24,720 --> 01:54:27,960
Speaker 1: question one of question when you when you made Quiet Storm,

1933
01:54:28,080 --> 01:54:29,840
Speaker 1: you think that that that was gonna start a beef

1934
01:54:29,880 --> 01:54:31,760
Speaker 1: between Foxy and Kim? Did you know that or no,

1935
01:54:32,280 --> 01:54:36,400
Speaker 1: you didn't know. I had no idea, You had no idea.

1936
01:54:36,720 --> 01:54:39,600
Speaker 1: And then Alchemist, who was like your partner, did Bang Bang,

1937
01:54:39,920 --> 01:54:44,480
Speaker 1: which was like equivalent to like Foxy answering, hop, was

1938
01:54:44,600 --> 01:54:47,480
Speaker 1: that bugged out because you know, we didn't plan that.

1939
01:54:47,600 --> 01:54:49,840
Speaker 1: We just was doing a record and she came in.

1940
01:54:50,080 --> 01:54:54,560
Speaker 1: Did you ever look at it like that? Yeah? Definitely

1941
01:54:55,840 --> 01:54:58,800
Speaker 1: used getting too much pussy into much money, you too much.

1942
01:54:59,480 --> 01:55:04,560
Speaker 1: That's that's at the hold hold on you. We did.

1943
01:55:04,640 --> 01:55:07,160
Speaker 1: We did the Quiet story said that was like Cloud

1944
01:55:07,320 --> 01:55:10,480
Speaker 1: nine right right? And then I heard I heard some

1945
01:55:10,760 --> 01:55:13,040
Speaker 1: ship there? How didn't they seven? Yeah? Yeah, how do

1946
01:55:13,120 --> 01:55:20,040
Speaker 1: they seven? But I didn't give it, you know, I ain't.

1947
01:55:20,600 --> 01:55:25,920
Speaker 1: We ain't really care about all that, huh, all right,

1948
01:55:26,320 --> 01:55:29,120
Speaker 1: so it's definitely definitely it never it never was about

1949
01:55:29,200 --> 01:55:33,080
Speaker 1: that to me because it just was too far apart.

1950
01:55:34,560 --> 01:55:37,800
Speaker 1: It was like, really really far apart. And you worked there,

1951
01:55:37,840 --> 01:55:41,880
Speaker 1: big junior mafia. Those are my people who donna get

1952
01:55:42,000 --> 01:55:44,400
Speaker 1: trying to get a little seeds up here too. Hopefully

1953
01:55:44,440 --> 01:55:47,080
Speaker 1: we get a little care fox he or somebody. Females,

1954
01:55:47,120 --> 01:55:50,360
Speaker 1: Ain't you fucking want us lately? They don't like us ship.

1955
01:55:51,080 --> 01:55:54,160
Speaker 1: I don't know. I was surprised the bartender just came

1956
01:55:54,680 --> 01:55:58,200
Speaker 1: did say every time he said, I think of Homie

1957
01:55:58,240 --> 01:56:02,520
Speaker 1: from the Bartenders. That's why I said that word. It

1958
01:56:02,520 --> 01:56:06,280
Speaker 1: should be barked around. Yeah, let's make him another word?

1959
01:56:06,320 --> 01:56:09,080
Speaker 1: Got that make him on? Was you ever be funded

1960
01:56:09,160 --> 01:56:15,760
Speaker 1: by the interview at any point? What that means? I

1961
01:56:15,880 --> 01:56:18,760
Speaker 1: just learned that. I learned that world, yo. But listen,

1962
01:56:18,960 --> 01:56:21,400
Speaker 1: I have it once again. I can't thank you so much, man,

1963
01:56:21,440 --> 01:56:24,720
Speaker 1: I really appreciate you for coming here because this is

1964
01:56:24,760 --> 01:56:26,880
Speaker 1: all jokes man for the fans that don't know. We

1965
01:56:27,400 --> 01:56:29,520
Speaker 1: you know, we played with the facts. You know what

1966
01:56:29,560 --> 01:56:32,640
Speaker 1: I'm saying like, that's that's what the drunk. It's drunk facts,

1967
01:56:32,680 --> 01:56:34,800
Speaker 1: you know what I'm saying. And we have fun and

1968
01:56:34,880 --> 01:56:37,240
Speaker 1: you sat in. You didn't trying to change nothing. You

1969
01:56:37,320 --> 01:56:40,280
Speaker 1: did everything that a real nigga dude. We got so

1970
01:56:40,400 --> 01:56:42,720
Speaker 1: many people trying to come here, and I was I

1971
01:56:42,760 --> 01:56:45,040
Speaker 1: ain't gonna lie to. I can't tell you, I won't

1972
01:56:45,120 --> 01:56:47,520
Speaker 1: lie to. I was so excited about this. I was

1973
01:56:47,560 --> 01:56:50,280
Speaker 1: trying to pick out my outfit. He said he was

1974
01:56:50,320 --> 01:56:55,440
Speaker 1: gonna my outfit early, but I funked up. I couldn't

1975
01:56:55,480 --> 01:56:57,520
Speaker 1: match the sneakers that I wanted to wear, so I

1976
01:56:57,600 --> 01:57:01,720
Speaker 1: fu no, no, these these are supremes, are very supreme,

1977
01:57:01,800 --> 01:57:06,480
Speaker 1: unith you know I wanted because my man raised from

1978
01:57:06,520 --> 01:57:09,160
Speaker 1: eight and nine? Where were at we at eight and nine? Yo?

1979
01:57:09,200 --> 01:57:13,440
Speaker 1: We got we sucked at ourselves. Yeah, pick up our

1980
01:57:13,520 --> 01:57:17,280
Speaker 1: eight and nine games dot com? Some exclusive James. I

1981
01:57:17,320 --> 01:57:20,560
Speaker 1: don't got him on that. You know. These are three

1982
01:57:21,800 --> 01:57:26,000
Speaker 1: those those are these are scosives and they clean? Yeah, yeah,

1983
01:57:26,280 --> 01:57:29,600
Speaker 1: I ain't gonna like I'm just saying. I forget where

1984
01:57:29,600 --> 01:57:31,680
Speaker 1: I was out saying Europe, somewhere Paris or something, and

1985
01:57:31,760 --> 01:57:34,640
Speaker 1: I rolled over my own shoe. I can't even swing

1986
01:57:34,760 --> 01:57:41,040
Speaker 1: on nobody like I rolled over my old shoes. I

1987
01:57:41,120 --> 01:57:44,200
Speaker 1: wanted to be the first thing I smelled. It didn't.

1988
01:57:44,680 --> 01:57:46,760
Speaker 1: I didn't use the man like. I was like, Yo,

1989
01:57:47,880 --> 01:57:50,920
Speaker 1: you the reason want Jaysus sucked up? But having man, Yo,

1990
01:57:51,120 --> 01:57:53,120
Speaker 1: this is real ship man. You got the album out?

1991
01:57:53,440 --> 01:57:56,040
Speaker 1: Now are you gonna put it on the artist? Are you?

1992
01:57:56,640 --> 01:57:59,000
Speaker 1: Is it your turn to put it on an artist? Like? Yo?

1993
01:57:59,400 --> 01:58:02,280
Speaker 1: Like like what people you prod do? Some people you

1994
01:58:02,320 --> 01:58:05,160
Speaker 1: produce people like can yeah puff daddy? You know what

1995
01:58:05,200 --> 01:58:10,400
Speaker 1: I'm saying. You're like, um, like, is it your turn

1996
01:58:10,520 --> 01:58:15,200
Speaker 1: to put on the new guy? Nope, it's not my

1997
01:58:15,360 --> 01:58:17,560
Speaker 1: turn to keep doing what you're doing your selfish as

1998
01:58:18,480 --> 01:58:23,360
Speaker 1: make something to be your selfish. That was a selfish ash. No,

1999
01:58:23,640 --> 01:58:26,160
Speaker 1: but no, no, no. But what I'm trying to say

2000
01:58:26,280 --> 01:58:28,680
Speaker 1: is the person that I do put out is gonna

2001
01:58:28,720 --> 01:58:32,440
Speaker 1: be really special. So that's why they just don't find

2002
01:58:32,520 --> 01:58:37,000
Speaker 1: him any autist I don't. You might be working home

2003
01:58:37,040 --> 01:58:39,280
Speaker 1: me whoever the funk he's working, Whoever I put out

2004
01:58:39,400 --> 01:58:41,960
Speaker 1: is gonna be very special, trust me. Now, have you

2005
01:58:42,040 --> 01:58:44,680
Speaker 1: been looking for that type of artists? A lot of

2006
01:58:44,720 --> 01:58:47,800
Speaker 1: stuff been coming to me, like really really really good stuff.

2007
01:58:48,520 --> 01:58:58,760
Speaker 1: Sony gigs is ready to gigs and it gets chicken

2008
01:58:58,840 --> 01:59:02,640
Speaker 1: your main hard heard in my life. He's got the

2009
01:59:02,680 --> 01:59:07,080
Speaker 1: best song. He gotta the whole day devil. Listen. This

2010
01:59:07,120 --> 01:59:09,800
Speaker 1: is to ask you know, on the show Chicken Chow

2011
01:59:11,040 --> 01:59:14,680
Speaker 1: do listen, he's finger bird. I don't remember that was

2012
01:59:14,880 --> 01:59:18,600
Speaker 1: the first, was the chow bird rabbing? What the what

2013
01:59:18,680 --> 01:59:21,000
Speaker 1: is about chicken cho this time? You don't want to

2014
01:59:21,560 --> 01:59:31,840
Speaker 1: do it? Chicken tell you want to? Yea yea Chicken

2015
01:59:31,920 --> 01:59:38,640
Speaker 1: chown Maney, you gotta find the same play Chicken chown Maine.

2016
01:59:38,640 --> 01:59:42,800
Speaker 1: It's all, Oh, he's gonna play the suitar. But when

2017
01:59:42,840 --> 01:59:47,880
Speaker 1: you got his bras rabbit playing a round, don't remember what?

2018
01:59:50,200 --> 01:59:55,160
Speaker 1: But tell him chat. That's what I get out here. Okay,

2019
01:59:55,240 --> 01:59:57,240
Speaker 1: come in, Eddie, what's happening? How much that asked you?

2020
01:59:57,800 --> 01:59:59,400
Speaker 1: If you had to, if you had to count, how

2021
01:59:59,480 --> 02:00:02,720
Speaker 1: much ask his assholes you have? I don't have my

2022
02:00:02,800 --> 02:00:08,240
Speaker 1: fingers on my hand, you don't have, so let me

2023
02:00:08,280 --> 02:00:12,120
Speaker 1: actually starting them mine. Let me ask you something pause?

2024
02:00:12,440 --> 02:00:16,040
Speaker 1: Was you offended or was you like into when they

2025
02:00:16,080 --> 02:00:19,320
Speaker 1: said eat the bullet like grocer pants? Was you grow

2026
02:00:19,480 --> 02:00:25,120
Speaker 1: or was young? He said he's like Costco? But did

2027
02:00:25,200 --> 02:00:28,400
Speaker 1: you ever reference that reference, like, so what do you

2028
02:00:28,480 --> 02:00:31,200
Speaker 1: call it when you eat? As? Yes? What else you

2029
02:00:31,240 --> 02:00:34,320
Speaker 1: gonna go? You don't have a special word, yeah, like

2030
02:00:34,400 --> 02:00:36,600
Speaker 1: you ain't with your bit and you'd be like you

2031
02:00:36,640 --> 02:00:44,840
Speaker 1: don't want to. I don't want to. He don't even

2032
02:00:44,880 --> 02:00:50,520
Speaker 1: have a special night. He sat, asked, just eating you

2033
02:00:50,840 --> 02:00:53,120
Speaker 1: see to meat the point of his ass sr live

2034
02:00:53,560 --> 02:00:58,200
Speaker 1: live on it. She just did ask porn yes, because

2035
02:00:58,240 --> 02:01:00,560
Speaker 1: like these niggers is crazy. No, I don't talk having

2036
02:01:00,920 --> 02:01:05,040
Speaker 1: no jokes on the sho and he said, I love

2037
02:01:05,080 --> 02:01:10,440
Speaker 1: the booty. Now let's ask. Having having asked all you

2038
02:01:10,560 --> 02:01:17,080
Speaker 1: asked all, guess do you ask? I'm gonna be honest

2039
02:01:17,160 --> 02:01:30,320
Speaker 1: having you look like you you like you hear you ask,

2040
02:01:30,480 --> 02:01:34,640
Speaker 1: But I'm gonna keep it a hunting. He's ass hafnue

2041
02:01:34,720 --> 02:01:42,480
Speaker 1: And that's like here in the projects as sonya come on,

2042
02:01:42,880 --> 02:01:45,040
Speaker 1: keep it real with the drink champs. You gotta you

2043
02:01:45,120 --> 02:01:48,680
Speaker 1: gotta inspire these young people. I gotta white. I gotta

2044
02:01:49,960 --> 02:01:55,160
Speaker 1: didn't know that that respectful man. We didn't know respectful,

2045
02:01:55,640 --> 02:01:58,800
Speaker 1: we didn't know he shot. I think he should have

2046
02:01:58,840 --> 02:02:00,880
Speaker 1: said that, like from the beginning it like we've been

2047
02:02:00,920 --> 02:02:05,040
Speaker 1: going in You're just stop listening. No he did, Yes

2048
02:02:05,080 --> 02:02:09,720
Speaker 1: he did, and you got listening having its crazy. Thank

2049
02:02:09,760 --> 02:02:14,880
Speaker 1: you really appreciate you for coming having fun. This is jokes.

2050
02:02:15,080 --> 02:02:16,880
Speaker 1: And you got to you got the album out right

2051
02:02:16,960 --> 02:02:21,160
Speaker 1: now and Silent Partner is out right now. And and

2052
02:02:21,800 --> 02:02:25,240
Speaker 1: you you said what's next? We actually what's next? Um?

2053
02:02:25,800 --> 02:02:28,480
Speaker 1: You said you're gonna find a special artist. You got

2054
02:02:28,600 --> 02:02:31,000
Speaker 1: a script that you're write in, and there's any other

2055
02:02:31,120 --> 02:02:33,040
Speaker 1: thing that you can you go, you go. You know

2056
02:02:33,360 --> 02:02:36,720
Speaker 1: it's gonna be definitely crazy. The movie that I'm about

2057
02:02:36,760 --> 02:02:40,600
Speaker 1: to put out right now. And wait, wait, can we

2058
02:02:40,680 --> 02:02:44,000
Speaker 1: do a dream Champ song with having producing it? Oh? Yes,

2059
02:02:44,320 --> 02:02:51,200
Speaker 1: just the original let me. I've been everywhere. Listen, man,

2060
02:02:51,240 --> 02:02:53,600
Speaker 1: I've been everywhe He's a drink chat he trying to

2061
02:02:53,640 --> 02:02:57,760
Speaker 1: know he's the original drink Listen, listen, I've seen having

2062
02:02:58,480 --> 02:03:03,240
Speaker 1: drink gallants. This is a fad and hold it down.

2063
02:03:03,520 --> 02:03:07,720
Speaker 1: Ian Jack? You did you? Did you love Ian J

2064
02:03:07,840 --> 02:03:11,880
Speaker 1: at one point? Or Danny? Which one you liked? J

2065
02:03:12,080 --> 02:03:16,480
Speaker 1: was cool telling people Danny is because people didn't know that,

2066
02:03:17,120 --> 02:03:27,560
Speaker 1: saying oh that's stink who drunk that ship before drink

2067
02:03:27,760 --> 02:03:35,960
Speaker 1: because your song drank MT twenty special. Hell no, we

2068
02:03:36,440 --> 02:03:43,720
Speaker 1: drank that ship. That's like Cisco drank Cisco. You drank Cisco. Cisco.

2069
02:03:46,560 --> 02:03:49,400
Speaker 1: If you phone Queens based, you drunk Cisco. That drank Cisco.

2070
02:03:49,600 --> 02:03:53,440
Speaker 1: Here they an't really similar out there like that. Yeah,

2071
02:03:53,680 --> 02:03:56,120
Speaker 1: they sold in the Jamaica Avenue. They sold it in ke.

2072
02:03:57,960 --> 02:04:00,600
Speaker 1: So let me ask you the last question. Did you

2073
02:04:00,680 --> 02:04:02,520
Speaker 1: tell prod of you? That's the three By the way,

2074
02:04:03,240 --> 02:04:07,560
Speaker 1: did you tell Prodigy you came in? I got to

2075
02:04:07,600 --> 02:04:13,120
Speaker 1: tell some man. Listen, because listen, I want to end

2076
02:04:13,160 --> 02:04:17,720
Speaker 1: this once we get for Prodigy. Love you, we love you. Please,

2077
02:04:17,800 --> 02:04:20,840
Speaker 1: Prodigy come out here. You for left practice, About time

2078
02:04:20,920 --> 02:04:23,120
Speaker 1: you claim your roots. Come back home. That's what the

2079
02:04:23,160 --> 02:04:24,840
Speaker 1: blood they can say right there, be like come home.

2080
02:04:25,360 --> 02:04:28,560
Speaker 1: You know what I'm saying. So slid partner, solid partner.

2081
02:04:28,600 --> 02:04:32,680
Speaker 1: I thank you for coming, having man and that you

2082
02:04:32,760 --> 02:04:34,440
Speaker 1: got anything else you want to say to the fans,

2083
02:04:35,320 --> 02:04:37,840
Speaker 1: socials gives your socials at least, and we get you

2084
02:04:38,000 --> 02:04:41,720
Speaker 1: drunk your websites and social media, we got you, We

2085
02:04:41,840 --> 02:04:47,240
Speaker 1: got boom the right. So to the mic though, so

2086
02:04:47,400 --> 02:04:48,960
Speaker 1: to the mic that people want to hear you, Yeah,

2087
02:04:48,960 --> 02:04:54,360
Speaker 1: the people know they have drunk. I'm gonna I don't

2088
02:04:54,360 --> 02:04:56,680
Speaker 1: even know where you remember you remember the point you

2089
02:04:56,800 --> 02:04:58,760
Speaker 1: was to be sober? I like to drunk happy. I'm

2090
02:04:58,800 --> 02:05:03,920
Speaker 1: gonna be honest. He's he's he's real. Happy is best happen.

2091
02:05:04,000 --> 02:05:06,320
Speaker 1: It's good, he's good. Do you remember you were sober

2092
02:05:06,400 --> 02:05:08,480
Speaker 1: like for like like how how long you just how

2093
02:05:08,520 --> 02:05:12,280
Speaker 1: long you were so before? Like tweets? Well you don't

2094
02:05:12,280 --> 02:05:14,360
Speaker 1: sunk that up right now? I know. Thank you very much.

2095
02:05:14,440 --> 02:05:18,320
Speaker 1: I've been for two years. Thank you having we love

2096
02:05:18,400 --> 02:05:30,200
Speaker 1: you up. Yeah, the drop to drop on twisted this

2097
02:05:30,320 --> 02:05:55,240
Speaker 1: is wonderful. I'm gone find all your favorite movies and

2098
02:05:55,240 --> 02:05:57,920
Speaker 1: shows faster with exciting just speaking to the excellent voice.

2099
02:05:57,920 --> 02:06:00,400
Speaker 1: Promote this nurch across live to on demand and even

2100
02:06:00,440 --> 02:06:03,800
Speaker 1: Netflix and Prime Videos. Now that's simple, easy, awesome. Go

2101
02:06:03,920 --> 02:06:06,640
Speaker 1: to axcity dot com call one hundred Exfity or visitors

2102
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Speaker 1: store today. Restrictiontions apply