WEBVTT - My Favorite TV Show: The Office

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<v Speaker 1>Do you think that the Office jokes can kind of

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<v Speaker 1>live in today's society. I don't know. People are watching it,

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<v Speaker 1>and that's what ultimately is the goal in real life.

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<v Speaker 1>How are Kevin and Brian different? Well, first of all,

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<v Speaker 1>I don't spoiler alert, I don't talk quite the same way.

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<v Speaker 1>When finally Dwight gets married and then Michael shows up,

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<v Speaker 1>I was just like, oh my god, I started crying

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<v Speaker 1>without saying anything about me. I promise you this. You

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<v Speaker 1>were not the only one who cried. Hey, what up? Everyone?

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<v Speaker 1>Welcome to another episode of cheek Ease and Chill. I'm

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<v Speaker 1>your host cheek Ease, and we have a very exciting

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<v Speaker 1>episode in store for you today. The person we're speaking

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<v Speaker 1>with is a cast member of one of my favorite

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<v Speaker 1>shows ever. So let's not waste any more time and

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<v Speaker 1>let's jump right into it. This is cheek Ease and Chill.

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<v Speaker 1>Today's guest is someone I'm really looking forward to talking to.

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<v Speaker 1>It's none other than Brian bomb Gartner. You may know

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<v Speaker 1>him as Kevin Malone from the Emmy Award winning TV

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<v Speaker 1>sitcom The Office, or you might know him as the

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<v Speaker 1>host of his podcast Off the Beat. Welcome to the show,

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<v Speaker 1>Brian thank you. How are you. I'm good, How are

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<v Speaker 1>you good? I'm glad to be here. Thank you. I'm

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<v Speaker 1>so excited. I cannot believe that I'm talking to you

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<v Speaker 1>right now. Thank you so much. I'm a huge, huge

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<v Speaker 1>fan of the Office. Honestly, I'm one of the later fans,

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<v Speaker 1>Like I started watching it, I want to say, like

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<v Speaker 1>about a year ago, and I'm like so into it,

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<v Speaker 1>and everyone asked me, who's your favorite character? Like It's

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<v Speaker 1>so hard because I love you all for like different reasons.

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<v Speaker 1>But I kind of wanted to talk about that, you know,

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<v Speaker 1>being a part of the Office, And do you think

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<v Speaker 1>that the Office, like a lot of the jokes that

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<v Speaker 1>have been made, can kind of live in today's society.

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<v Speaker 1>I guess, um, we get asked that question a lot now.

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<v Speaker 1>I mean, look, here's the thing. We haven't filmed anything

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<v Speaker 1>now in about eight years, right, And for most of

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<v Speaker 1>the time we were on we were the number one

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<v Speaker 1>show on NBC, right, so we were good. But for us,

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<v Speaker 1>we never felt like we were like friends or something

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<v Speaker 1>like huge billboards and ads and the cover of Vogue

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<v Speaker 1>or whatever. That wasn't it. However, now seven eight years

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<v Speaker 1>and then this started several years ago. We're currently the

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<v Speaker 1>most watched show in television. So of all the news

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<v Speaker 1>ship people talking about squid Game or succession or or

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<v Speaker 1>whatever it is, more people are watching The Office now

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<v Speaker 1>than any other show in television. So part of what

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<v Speaker 1>I have been exploring over the last couple of years

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<v Speaker 1>is why what happened? Like, why are more people watching it?

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<v Speaker 1>Why do we have new fit with fans like you

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<v Speaker 1>Cheekey's why are you finding it now? Well after when

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<v Speaker 1>we ran? And I think that the universality of the show.

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<v Speaker 1>I mean, you know, we have one producer who just says, well,

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<v Speaker 1>because it's funny, that's that's it. I think that's true.

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<v Speaker 1>But I think that really it's about especially during the

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<v Speaker 1>pandemic this time when we were all sort of searching

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<v Speaker 1>for a connection. We couldn't go out the way that

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<v Speaker 1>we used to go out. We couldn't see our friends.

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<v Speaker 1>If we had family across the country, we couldn't see them.

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<v Speaker 1>And so I think that The Office became a show

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<v Speaker 1>that people started using to find a connection with people.

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<v Speaker 1>You know, could it be made today? I don't know.

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<v Speaker 1>I think there are things that might change. One of

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<v Speaker 1>our producers, Greg Daniels, who created the show says, you know,

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<v Speaker 1>we may make fun a little bit. We may have

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<v Speaker 1>poked more fun at a woke culture now than anything else.

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<v Speaker 1>I don't know, could it be made today? People are

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<v Speaker 1>watching it, and that's what ultimately is the goal, So

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<v Speaker 1>I don't know. I I tend to say yes, with

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<v Speaker 1>maybe some some joke exceptions. Yeah. I think it's hilarious,

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<v Speaker 1>And like you said, I just for me it was.

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<v Speaker 1>Everyone's so sensitive now I feel, you know, and I

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<v Speaker 1>get it to a certain extent, but for me, it's

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<v Speaker 1>like it's acting. It's supposed to be fun. I don't know,

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<v Speaker 1>it's just I want to think that it could be

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<v Speaker 1>made today, you know, and like you said, you know,

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<v Speaker 1>maybe adjusting a few things. But I think it's perfect

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<v Speaker 1>the way it is, and I really use it as

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<v Speaker 1>as a form of therapy. I feel like when I'm

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<v Speaker 1>watching The Office, I could watch the same episode a

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<v Speaker 1>thousand times and I don't get bored. I feel like

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<v Speaker 1>I find something new every single time, and it's an

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<v Speaker 1>outlet for me, and it's it's a form of therapy.

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<v Speaker 1>And I could just sometimes even put it on as

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<v Speaker 1>background noise when I'm doing something and I can almost

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<v Speaker 1>finish everyone's lines, like it makes me forget about everything

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<v Speaker 1>going on in the world because, as we know, it's

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<v Speaker 1>been pretty tough since. So it's like, that's what it's

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<v Speaker 1>done for my heart in my mind, and this is

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<v Speaker 1>why I'm like, I guess, yeah, I'm new, but I'm like,

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<v Speaker 1>I don't know, I feel like, what the heck? Why

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<v Speaker 1>did I jump on the damn badwag in so late?

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<v Speaker 1>Because it makes it feels so good? Are you surprised, though?

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<v Speaker 1>Are you surprised that so many people like still love it? Yeah?

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<v Speaker 1>I mean of the things that we've talked about is,

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<v Speaker 1>you know, we've got a lot of younger people. I mean,

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<v Speaker 1>you know, like I get stopped by twelve fourteen year

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<v Speaker 1>old and when we made the show, we weren't making

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<v Speaker 1>it for that. I mean, it really was about a

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<v Speaker 1>staple of television is like the office comedy, right, So

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<v Speaker 1>it's like, okay, so people in offices will hopefully they'll

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<v Speaker 1>respond to the humor and watch it. But I think

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<v Speaker 1>that the young people was really surprising to me. And

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<v Speaker 1>then I've come to a discovery through conversations with multiple

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<v Speaker 1>people about this, which is that there's a correlation between

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<v Speaker 1>an unreasonable boss who makes his employees do unreasonable things

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<v Speaker 1>while sitting next to people that you don't choose to

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<v Speaker 1>sit next to year after year after year. There's a

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<v Speaker 1>close correlation between that and an unreasonable teacher who makes

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<v Speaker 1>their students do unreasonable things while sitting in a classroom

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<v Speaker 1>next to these people that you don't necessarily choose to

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<v Speaker 1>sit next to. And so I think that while thirteen, fourteen,

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<v Speaker 1>sixteen year old people don't have the office experience, they

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<v Speaker 1>do have an experience of being in a confined area

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<v Speaker 1>with with a bunch of other people with different personalities

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<v Speaker 1>that ultimately you have to form some sort of bond

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<v Speaker 1>with to get through day after day after day. And

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<v Speaker 1>I think to your point, that's one of the things

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<v Speaker 1>that's been really surprising to me, that not to put

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<v Speaker 1>words in your mouth, but essentially like it brings you comfort,

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<v Speaker 1>you put it on even if you're not watching, because

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<v Speaker 1>it makes you feel good in a way. And I

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<v Speaker 1>think that's the thing that that people miss. Michael Scott

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<v Speaker 1>may say inappropriate things, non pc things, things you quote

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<v Speaker 1>unquote can't say today, but it's always been confusing to

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<v Speaker 1>me because the overall message is he says something and

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<v Speaker 1>you have thirteen people looking at the camera or responding

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<v Speaker 1>in a way which is you can't say that, you

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<v Speaker 1>can't you can you can't say that thing. This has

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<v Speaker 1>always been confusing to me. To me, it's actually very

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<v Speaker 1>progressive in that way. It is telling you, in some

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<v Speaker 1>ways or other what you can and can't say. We

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<v Speaker 1>had mandatory sexual harassment seminars from NBC Universal, right, this

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<v Speaker 1>huge conglomerate. So just like if you were working in

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<v Speaker 1>an office, we had to get sexual harassment training once

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<v Speaker 1>a year. We had to sit in a room and

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<v Speaker 1>sign in for their corporate whatever. And this is not

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<v Speaker 1>a joke, this is true. In that seminar, the HR

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<v Speaker 1>people that they would bring in to teach these seminars

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<v Speaker 1>would show clips from the office showing what you couldn't

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<v Speaker 1>do in the workplace. So we're all sitting there watching

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<v Speaker 1>ourselves on TV showing doing what we are told we

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<v Speaker 1>can't do. Very weird thing. But anyway, I think that

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<v Speaker 1>the message of the show is, yeah, these are things

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<v Speaker 1>you can't do or can't say. Yeah, like you said,

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<v Speaker 1>Like I would see Pam's face all the time and

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<v Speaker 1>she look at the camera, She's like uh, like she's

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<v Speaker 1>not her head, like I just can't believe you just

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<v Speaker 1>said that, but it would make it so freaking funny.

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<v Speaker 1>And I'm just like guys like I see it as

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<v Speaker 1>again acting. But any who, now, let's talk about Kevin

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<v Speaker 1>so in real life. How are Kevin and Brian different?

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<v Speaker 1>Are they very different? Do you guys have any similarities

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<v Speaker 1>at all? Well, first of all, I don't spoiler alert,

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<v Speaker 1>I don't talk. I don't talk in quite the same way,

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<v Speaker 1>so that would be a difference. I don't I talk

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<v Speaker 1>a little faster. Let's say this. The basketball episode was

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<v Speaker 1>not edited. That was me, so I guess I can

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<v Speaker 1>shoot the rock that were similar at that nice we

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<v Speaker 1>shot a golf episode. I play a lot of golf,

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<v Speaker 1>so that's true. And I do like to bet on golf.

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<v Speaker 1>That is true as well. I like to play cards,

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<v Speaker 1>so maybe that's true as well. I know you you

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<v Speaker 1>know music, so don't don't be alarmed here. I do

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<v Speaker 1>not play the drums. I do not play the drums.

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<v Speaker 1>But I'll tell you a funny story. I fooled Alice Cooper,

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<v Speaker 1>which might be my greatest claim to fame. I showed

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<v Speaker 1>up at a charity event for Alice Cooper. We're on

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<v Speaker 1>our way, there's like a big benefit concert and they've

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<v Speaker 1>got I mean, they've got tons of musicians singing and

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<v Speaker 1>playing instruments. And the guy goes, okay, so just so

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<v Speaker 1>you know, you know, it's concert and different people sing.

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<v Speaker 1>But Alice thought it would be really fun the last

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<v Speaker 1>song that he's gonna play as schools out for summer,

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<v Speaker 1>right schools for So he's like, all right, so when

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<v Speaker 1>when we play that, we're gonna invite you on stage

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<v Speaker 1>to play the drums. Oh my god. And I was like,

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<v Speaker 1>I was like, um, I don't want to make Mr

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<v Speaker 1>Cooper mad, but that's a hard no. Like I know,

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<v Speaker 1>I know enough that I could not fool my way

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<v Speaker 1>through with a bunch of legendary musicians playing the drums

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<v Speaker 1>on that song. So yeah, I turned into a little

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<v Speaker 1>bad background singer. I did come up and do some

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<v Speaker 1>background singing, but yeah, no, I do not play the drums. Okay, nice,

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<v Speaker 1>Are you married, Brian? I am? Yes. So that's a

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<v Speaker 1>different because they know Kevin didn't have or he had girlfriends,

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<v Speaker 1>right he did. We started with a fiancee, yes, we started,

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<v Speaker 1>who left, and then there was periodically a couple of

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<v Speaker 1>other relationships. But Brian's very much married and you've been

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<v Speaker 1>married for how long? Brian? Eight years? Nice? Okay, so

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<v Speaker 1>right after like you finished with The Office, No, I

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<v Speaker 1>guess we were. I guess now we were. Oh, yes,

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<v Speaker 1>that's right, Yes, that's right, that's right. Together, but no,

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<v Speaker 1>together together longer. That's why the math. I was like, no,

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<v Speaker 1>that didn't happen. Yes, but anyway, So so what made

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<v Speaker 1>you want to be on the show? Like, did you

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<v Speaker 1>want to audition for Kevin's role specifically or did you

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<v Speaker 1>just audition? How did that work? No? I was aware

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<v Speaker 1>there was a British version of the show first, and

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<v Speaker 1>there was a character in the British version, his name

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<v Speaker 1>was Keith that they kind of, you know, they kind

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<v Speaker 1>of took that character. So most of the characters in

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<v Speaker 1>the Office were not taken. So they really, um, Michael

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<v Speaker 1>and Dwight and Jim and Pam and Ryan and Kevin.

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<v Speaker 1>We're really the only characters that had a British counterpart

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<v Speaker 1>that came over. So that's sort of where it started.

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<v Speaker 1>And I knew that they were looking for unknown people.

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<v Speaker 1>And at the time I had just moved to Los Angeles,

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<v Speaker 1>I had been doing theater around the country, so I was.

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<v Speaker 1>I was not known, and so I knew. I knew

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<v Speaker 1>that was a part I could play, and I knew

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<v Speaker 1>they were looking for unknown people, and so no, I

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<v Speaker 1>saught it out. I worked to get an audition in

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<v Speaker 1>a meeting, but ultimately, yeah, I just I just auditioned. Okay,

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<v Speaker 1>And how did you prepare for the role of Kevin?

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<v Speaker 1>I mean I had been working, like I said, in

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<v Speaker 1>the theater and for me, voice, physicality, those were all

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<v Speaker 1>part of creating a character. I mean I had, I

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<v Speaker 1>had gone to school, I had studied acting, and I

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<v Speaker 1>wasn't really a comedy guy per se. I mean I

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<v Speaker 1>did a lot of dramas and usually really bad bad guys.

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<v Speaker 1>Really yeah, yeah, I know, I know that's what people

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<v Speaker 1>say now it's crazy, but yeah, I mean I I

0:12:26.200 --> 0:12:28.720
<v Speaker 1>certainly I had done some comedy, but it wasn't like

0:12:28.760 --> 0:12:32.040
<v Speaker 1>I was a stand up guy or an improv guy

0:12:32.200 --> 0:12:35.160
<v Speaker 1>working really just in comedy. So for me, in terms

0:12:35.200 --> 0:12:37.880
<v Speaker 1>of creating the role, yeah, that was just what I saw,

0:12:37.920 --> 0:12:40.560
<v Speaker 1>and then working with the writers we kind of fine

0:12:40.600 --> 0:12:43.760
<v Speaker 1>tuned him a little bit. But yeah, the physicality and

0:12:43.800 --> 0:12:46.520
<v Speaker 1>the voice and all of that was was for me

0:12:46.600 --> 0:12:49.520
<v Speaker 1>about creating a character. Nice were you one of the

0:12:49.559 --> 0:12:53.320
<v Speaker 1>writers on the show. No, I directed, but I wasn't

0:12:53.320 --> 0:12:55.960
<v Speaker 1>a writer. You The thing I tell people because there

0:12:55.960 --> 0:12:57.400
<v Speaker 1>were a lot of If you don't know, there were

0:12:57.400 --> 0:12:59.720
<v Speaker 1>a lot of actors who were writers on the Office.

0:13:00.240 --> 0:13:03.600
<v Speaker 1>The way that you know is if you were in

0:13:03.640 --> 0:13:07.720
<v Speaker 1>the main room. The people in the main room weren't

0:13:07.760 --> 0:13:13.040
<v Speaker 1>writers because mostly filmed in the in the main room.

0:13:13.080 --> 0:13:15.720
<v Speaker 1>So the people who sat back by the break room

0:13:15.720 --> 0:13:18.400
<v Speaker 1>in the annex, those were the writers. So Mindy Kaling

0:13:18.440 --> 0:13:22.000
<v Speaker 1>who played Kelly, and Paul Lieberstein who played Toby, and

0:13:22.679 --> 0:13:26.040
<v Speaker 1>bj Novak who played Ryan. Yeah, they were all back

0:13:26.080 --> 0:13:29.760
<v Speaker 1>there so they could be writing and not filming as much.

0:13:30.240 --> 0:13:32.600
<v Speaker 1>And that was because they needed to write. Yes, there

0:13:32.600 --> 0:13:36.800
<v Speaker 1>were times when I wanted to just choke Ryan just

0:13:37.000 --> 0:13:47.640
<v Speaker 1>like he was hilarious. So then Michael Scott les, I'm

0:13:47.640 --> 0:13:51.280
<v Speaker 1>gonna be honest. Okay. When Michael Scott left, I was like,

0:13:51.280 --> 0:13:52.800
<v Speaker 1>I don't know if I want to watch anymore because

0:13:52.800 --> 0:13:54.600
<v Speaker 1>it's like he was so huge because I'm never going

0:13:54.679 --> 0:13:56.040
<v Speaker 1>to be the same And I got into the show

0:13:56.080 --> 0:13:59.559
<v Speaker 1>because of my boyfriend. He's a huge office. I'm like huge,

0:14:00.200 --> 0:14:02.800
<v Speaker 1>And I was like, okay, I was like I don't know.

0:14:02.800 --> 0:14:04.160
<v Speaker 1>He's like, no, you have to watch you have to

0:14:04.160 --> 0:14:05.720
<v Speaker 1>watch it. I watched it, and I fell in love

0:14:05.800 --> 0:14:07.520
<v Speaker 1>all over again. I felt like, oh my god, like

0:14:07.679 --> 0:14:10.280
<v Speaker 1>everyone came together and did such a wonderful job. Like

0:14:10.480 --> 0:14:12.680
<v Speaker 1>it got to a point where I didn't even miss Michael.

0:14:12.840 --> 0:14:14.959
<v Speaker 1>But then you watch it again and we started over again,

0:14:14.960 --> 0:14:16.880
<v Speaker 1>and I'm like, oh, this is why I love it.

0:14:16.920 --> 0:14:20.320
<v Speaker 1>You know, But how did you guys feel when Michael said, okay,

0:14:20.480 --> 0:14:22.640
<v Speaker 1>he had to go. I mean, it was it was

0:14:23.480 --> 0:14:27.120
<v Speaker 1>devastatingly hard. It was really hard. I mean because again,

0:14:27.720 --> 0:14:31.720
<v Speaker 1>we were all including Steve, the people who watched the

0:14:31.720 --> 0:14:36.280
<v Speaker 1>show more recently, Steve Carell's big star, right, like, and

0:14:36.400 --> 0:14:39.160
<v Speaker 1>you watch the show, it's Steve Karel show. But you know,

0:14:39.200 --> 0:14:42.320
<v Speaker 1>at the time, nobody was famous, nobody was known. Fourty

0:14:42.400 --> 0:14:44.560
<v Speaker 1>year old Virgin didn't come out until our second season,

0:14:44.600 --> 0:14:48.360
<v Speaker 1>and that's really when he went bonkers. So we all

0:14:48.480 --> 0:14:51.440
<v Speaker 1>kind of grew up together, and the show struggled in

0:14:51.480 --> 0:14:55.000
<v Speaker 1>the beginning in terms of getting fans, and so, you know,

0:14:55.040 --> 0:14:58.320
<v Speaker 1>we all just sort of bonded together. So when he left,

0:14:58.360 --> 0:15:00.720
<v Speaker 1>it really was like one of the ang is gone,

0:15:00.760 --> 0:15:03.720
<v Speaker 1>and kind of the Papa is gone. And the thing

0:15:03.720 --> 0:15:05.960
<v Speaker 1>you have to know also is is that as much

0:15:06.000 --> 0:15:09.880
<v Speaker 1>of an amazing creation that Michael Scott is, Steve Carell

0:15:09.960 --> 0:15:13.720
<v Speaker 1>is a is a better guy um than than even

0:15:13.760 --> 0:15:17.560
<v Speaker 1>that that creation. So we were we were losing kind

0:15:17.560 --> 0:15:20.480
<v Speaker 1>of an amazing character, not just in our show but

0:15:20.600 --> 0:15:23.320
<v Speaker 1>in my opinion, in the history of television. But we're

0:15:23.360 --> 0:15:28.200
<v Speaker 1>also missing like our leader, our friend who who we

0:15:28.240 --> 0:15:30.720
<v Speaker 1>had all kind of grown up with in the industry.

0:15:30.760 --> 0:15:34.040
<v Speaker 1>So it was really tough, I think in terms of

0:15:34.200 --> 0:15:38.280
<v Speaker 1>for us moving forward. He's talked very publicly about why

0:15:38.320 --> 0:15:41.080
<v Speaker 1>he left. I mean, he was the central story for

0:15:41.280 --> 0:15:44.160
<v Speaker 1>seven years, and he felt like he wanted the character

0:15:44.240 --> 0:15:48.040
<v Speaker 1>to have a journey from having his family be the

0:15:48.160 --> 0:15:51.840
<v Speaker 1>office to maturing and growing enough as a human being

0:15:52.040 --> 0:15:54.120
<v Speaker 1>to be able to have his own family and someone

0:15:54.160 --> 0:15:57.000
<v Speaker 1>that he fell in love with. So that journey had happened,

0:15:57.360 --> 0:15:59.600
<v Speaker 1>and after that he felt like it was it was

0:15:59.640 --> 0:16:02.080
<v Speaker 1>just it was time for him to go. So we

0:16:02.160 --> 0:16:05.680
<v Speaker 1>all felt like there were parts of the other characters

0:16:05.760 --> 0:16:08.960
<v Speaker 1>that now we just had more time to tell once

0:16:09.000 --> 0:16:11.440
<v Speaker 1>he was gone. So that was really what our our

0:16:11.480 --> 0:16:15.520
<v Speaker 1>focus became was was just further exploring the other characters

0:16:15.520 --> 0:16:18.240
<v Speaker 1>that were left yeah, you guys did amazing with it,

0:16:18.320 --> 0:16:21.240
<v Speaker 1>because I really thought it's gonna be just way too different,

0:16:21.360 --> 0:16:23.640
<v Speaker 1>you know. And when I got around to watching it

0:16:23.680 --> 0:16:26.120
<v Speaker 1>and I'm like, no, everyone came together and did an

0:16:26.120 --> 0:16:29.840
<v Speaker 1>amazing effing job, I was like this, I loved it.

0:16:29.880 --> 0:16:31.880
<v Speaker 1>I was like, Okay, well Michael's not here, and I

0:16:32.080 --> 0:16:34.200
<v Speaker 1>kind of just forgot. But I mean, I love him,

0:16:34.240 --> 0:16:36.320
<v Speaker 1>and I think that Steve Carroll is just an amazing

0:16:36.400 --> 0:16:39.120
<v Speaker 1>human being an actor. But I was wondering about that

0:16:39.160 --> 0:16:40.960
<v Speaker 1>because I was like, I felt it. I cried. I

0:16:41.000 --> 0:16:42.440
<v Speaker 1>was like when he left, I was like, what the

0:16:42.480 --> 0:16:45.440
<v Speaker 1>heck is going on? But I think that that's that's

0:16:45.480 --> 0:16:47.520
<v Speaker 1>big of him too, of saying, you know what, sometimes

0:16:47.520 --> 0:16:49.120
<v Speaker 1>we do have to accept, like this is good for

0:16:49.160 --> 0:16:50.720
<v Speaker 1>this season of my life and now I'm moving on

0:16:50.760 --> 0:16:52.800
<v Speaker 1>to the next phase. And he did it both for

0:16:52.880 --> 0:16:55.520
<v Speaker 1>himself and the character, you know, So I think it

0:16:55.520 --> 0:16:59.120
<v Speaker 1>worked out fairly nicely. I'm sure it was difficult, but yeah,

0:16:59.160 --> 0:17:01.280
<v Speaker 1>I mean and and look, I mean, and I'm not

0:17:01.320 --> 0:17:03.720
<v Speaker 1>trying to undercut any of that because that is the truth.

0:17:03.800 --> 0:17:06.439
<v Speaker 1>But by the same token, the fact that he was

0:17:06.520 --> 0:17:12.359
<v Speaker 1>there producing or you know, acting in almost thirty episodes

0:17:12.400 --> 0:17:17.160
<v Speaker 1>a year after he became kind of the largest comedy

0:17:17.200 --> 0:17:19.280
<v Speaker 1>star on the planet after fourty year old Virgin in

0:17:19.320 --> 0:17:21.720
<v Speaker 1>the movies that that he did and the opportunities that

0:17:21.800 --> 0:17:23.439
<v Speaker 1>he had, the fact that he stayed around. You know,

0:17:23.480 --> 0:17:27.159
<v Speaker 1>his contract was for seven years. Everybody else over time

0:17:27.320 --> 0:17:31.440
<v Speaker 1>extended their contracts. He lived out his contract. He didn't leave,

0:17:31.600 --> 0:17:34.240
<v Speaker 1>you know. That was the thing is, he didn't really leave.

0:17:34.359 --> 0:17:36.280
<v Speaker 1>He did his job. He did it the whole time

0:17:36.320 --> 0:17:38.240
<v Speaker 1>he was there. He loved it. He's talked a lot

0:17:38.240 --> 0:17:41.439
<v Speaker 1>about it. He and I talked for my podcast about

0:17:41.520 --> 0:17:45.080
<v Speaker 1>that transition for him. But the fact that he stayed

0:17:45.119 --> 0:17:49.520
<v Speaker 1>that long after what he had become really like at

0:17:49.560 --> 0:17:53.159
<v Speaker 1>the beginning of our second season is also really just

0:17:53.240 --> 0:17:55.600
<v Speaker 1>like a credit to him as a human being. That

0:17:55.640 --> 0:17:58.560
<v Speaker 1>he didn't just say like, okay, guys, I'm I'm good now,

0:17:58.600 --> 0:18:01.040
<v Speaker 1>thank you so much, and I'm to go, you know,

0:18:01.880 --> 0:18:06.720
<v Speaker 1>do the next Ghostbusters or whatever. No, he was a

0:18:06.720 --> 0:18:08.359
<v Speaker 1>man of his word. He said, this is my contract,

0:18:08.400 --> 0:18:10.800
<v Speaker 1>I'm gonna live it through and and you know, he

0:18:10.840 --> 0:18:12.480
<v Speaker 1>gave his best. I mean, I'm sure it was. It

0:18:12.520 --> 0:18:13.919
<v Speaker 1>was a lot of work because he was doing everything

0:18:13.960 --> 0:18:17.520
<v Speaker 1>all at once. Um, are you guys still friends. Oh yeah,

0:18:17.600 --> 0:18:19.800
<v Speaker 1>I mean, you know, we just like everybody, right, I

0:18:19.800 --> 0:18:23.120
<v Speaker 1>mean there's been time a lot of people don't live

0:18:23.240 --> 0:18:26.479
<v Speaker 1>in the same city anymore. Um, people have kind of

0:18:26.720 --> 0:18:31.359
<v Speaker 1>moved around the country, and obviously the pandemic seeing but um,

0:18:31.400 --> 0:18:34.280
<v Speaker 1>you know, I tell people we have a group text

0:18:34.880 --> 0:18:38.959
<v Speaker 1>that we use fairly often, and then you know, some

0:18:39.040 --> 0:18:42.240
<v Speaker 1>of us get together. Oscar and I tomorrow morning are

0:18:42.400 --> 0:18:45.560
<v Speaker 1>going to Oklahoma City to do something together. So you know,

0:18:45.760 --> 0:18:49.239
<v Speaker 1>there's different things that happened, and awesome. Tell Oscar I said, Hi,

0:18:49.720 --> 0:18:53.480
<v Speaker 1>I will He's like, who is that chick? But anyways,

0:18:53.560 --> 0:18:56.840
<v Speaker 1>I love Oscar. He's freaking awesome. Okay, so tell me

0:18:57.160 --> 0:19:01.480
<v Speaker 1>life after the office finished? What team? Correct? Yeah, that's

0:19:01.480 --> 0:19:05.120
<v Speaker 1>about right. Yeah, did you take some time off? Yeah?

0:19:05.160 --> 0:19:07.600
<v Speaker 1>I mean I'll be honest, like, no one should cry

0:19:07.640 --> 0:19:10.280
<v Speaker 1>for any of us, but you know, most help well

0:19:10.359 --> 0:19:12.919
<v Speaker 1>and especially now, right. I mean most of the shows

0:19:12.920 --> 0:19:16.440
<v Speaker 1>you start watching are nine episodes or ten or even

0:19:16.440 --> 0:19:20.760
<v Speaker 1>the network television shows were two and we were doing thirty.

0:19:20.960 --> 0:19:24.400
<v Speaker 1>So I mean we were working almost year round. Yeah.

0:19:24.400 --> 0:19:26.880
<v Speaker 1>The other thing people don't realize is is that it's

0:19:26.920 --> 0:19:29.920
<v Speaker 1>it's twelve or fourteen hours a day on set. I

0:19:29.960 --> 0:19:31.800
<v Speaker 1>mean just in terms of the amount of time, so

0:19:31.840 --> 0:19:34.480
<v Speaker 1>that's sixty seventy hours a week. There was just very

0:19:34.520 --> 0:19:37.600
<v Speaker 1>little time for anything else in addition to the other

0:19:37.920 --> 0:19:40.800
<v Speaker 1>kind of requirements that go along with doing a show,

0:19:40.840 --> 0:19:44.240
<v Speaker 1>press and so forth. So yeah, I think I think

0:19:44.280 --> 0:19:49.000
<v Speaker 1>I took some time and also became very strategic in

0:19:49.119 --> 0:19:51.960
<v Speaker 1>terms of the types of roles that I wanted to play.

0:19:52.000 --> 0:19:55.439
<v Speaker 1>You know, I wanted to be sure to make decisions

0:19:55.480 --> 0:19:58.879
<v Speaker 1>to do different things and started doing more in the

0:19:58.880 --> 0:20:02.800
<v Speaker 1>film space and in the drama television space, as uh

0:20:03.160 --> 0:20:06.320
<v Speaker 1>I talked about before. So and then, you know, really

0:20:06.359 --> 0:20:09.919
<v Speaker 1>the last couple of years, I've I've almost returned in

0:20:09.960 --> 0:20:12.919
<v Speaker 1>a way because of the phenomenon that the office became.

0:20:13.000 --> 0:20:16.840
<v Speaker 1>I kind of became the historian in a way. Myself

0:20:16.880 --> 0:20:19.840
<v Speaker 1>and Ben Silverman, we wrote a book you're now speaking

0:20:19.880 --> 0:20:23.520
<v Speaker 1>to a New York Times bestselling author, Welcome to dunder Mifflin.

0:20:23.600 --> 0:20:26.720
<v Speaker 1>If you haven't checked that out. We put a bunch

0:20:26.720 --> 0:20:29.080
<v Speaker 1>of never before seeing photos in there and kind of

0:20:29.080 --> 0:20:32.520
<v Speaker 1>went back and and retold the story of the show

0:20:32.600 --> 0:20:35.760
<v Speaker 1>and how it came to be, and really, quite frankly,

0:20:35.840 --> 0:20:38.320
<v Speaker 1>I think for fans like you that found the show

0:20:38.440 --> 0:20:42.080
<v Speaker 1>later to really try to go back and say, like, yes,

0:20:42.160 --> 0:20:45.919
<v Speaker 1>Steve Carrell, he was not nobody knew who Rain Wilson was,

0:20:46.040 --> 0:20:49.119
<v Speaker 1>or Jenni Fisher or John Krasinski. You know, Jennif Fisher

0:20:49.200 --> 0:20:51.480
<v Speaker 1>was about to quit the business and move on to

0:20:51.560 --> 0:20:54.720
<v Speaker 1>do something else when this happened. So it was a

0:20:54.760 --> 0:20:58.360
<v Speaker 1>lot about that. So I've really enjoyed now after some

0:20:58.520 --> 0:21:01.479
<v Speaker 1>time going back and and re exploring it again, and

0:21:01.560 --> 0:21:03.800
<v Speaker 1>I'm having a lot of fun. So did your book

0:21:03.840 --> 0:21:07.800
<v Speaker 1>come first and then your podcast? The podcast came first,

0:21:07.880 --> 0:21:10.720
<v Speaker 1>So I went back and talked to my old friends

0:21:10.920 --> 0:21:13.080
<v Speaker 1>and did a bunch of interviews and ended up with

0:21:13.280 --> 0:21:18.120
<v Speaker 1>um over a hundred hours of interviews from just office

0:21:18.160 --> 0:21:22.919
<v Speaker 1>folks and sort of took that and photos and turned

0:21:22.920 --> 0:21:26.320
<v Speaker 1>that into a book. And and now I enjoyed doing

0:21:26.359 --> 0:21:29.760
<v Speaker 1>the podcast stuff so much. The sort of new iteration

0:21:29.880 --> 0:21:33.040
<v Speaker 1>it's called off the beat. Yeah, tell us about it.

0:21:33.520 --> 0:21:36.480
<v Speaker 1>So I'm going back and talking to other entertainers, people

0:21:36.480 --> 0:21:39.359
<v Speaker 1>in television, people in movies. We're gonna talk to people

0:21:39.359 --> 0:21:43.879
<v Speaker 1>in music and people in uh sports eventually, but you know,

0:21:44.160 --> 0:21:48.000
<v Speaker 1>just wanting to tell the stories that have never been

0:21:48.040 --> 0:21:53.280
<v Speaker 1>heard before. So today's episode, Jon Hamm from Madman, came out,

0:21:53.600 --> 0:21:57.800
<v Speaker 1>talked to Eric stone Street from Modern Family and Jimmy

0:21:57.880 --> 0:22:01.240
<v Speaker 1>Lynn Siegler from The Sopranos, And so you know these

0:22:01.440 --> 0:22:05.080
<v Speaker 1>stars from certain shows or entertainment. But I'm really wanting

0:22:05.119 --> 0:22:07.160
<v Speaker 1>to hear the story that that we don't know. That's

0:22:07.240 --> 0:22:10.080
<v Speaker 1>the story. And I'm calling him those off the beat moments.

0:22:10.160 --> 0:22:13.960
<v Speaker 1>We all know those, you know, winning Emmy's or mad Men.

0:22:14.080 --> 0:22:16.600
<v Speaker 1>But but how did Jon Hamm get the role of

0:22:16.680 --> 0:22:19.159
<v Speaker 1>Don Draper and mad Men? And I mean, here's a

0:22:19.160 --> 0:22:23.320
<v Speaker 1>crazy story. I'll tell you. He was Ellie Kemper, Right,

0:22:23.320 --> 0:22:26.280
<v Speaker 1>So Ellie Kemper, who played Aaron Hannon in the Office

0:22:26.400 --> 0:22:30.960
<v Speaker 1>and Unbreakable Kimmy Schmidt. Jon Hamm was her high school

0:22:31.040 --> 0:22:36.480
<v Speaker 1>drama teacher. No way, what the hell? How crazy is that?

0:22:37.080 --> 0:22:40.560
<v Speaker 1>How crazy is that? Yeah? And so we discovered this

0:22:40.680 --> 0:22:45.080
<v Speaker 1>on your podcast Off the Beat. Yeah. So then years later,

0:22:45.560 --> 0:22:47.320
<v Speaker 1>I say, well, do you keep in touch with her?

0:22:47.480 --> 0:22:50.159
<v Speaker 1>Like she's a high school student, Like do you do

0:22:50.200 --> 0:22:53.280
<v Speaker 1>you you know? And uh, he said, yeah, you know,

0:22:53.359 --> 0:22:55.880
<v Speaker 1>Off and on I remembered her. She you know, obviously

0:22:55.920 --> 0:22:58.800
<v Speaker 1>she was good and talented. And then years later, when

0:22:58.920 --> 0:23:03.040
<v Speaker 1>she started Breakable Kimi Schmidt. They called John and said,

0:23:03.520 --> 0:23:05.719
<v Speaker 1>I want to play this role in this movie. So

0:23:05.760 --> 0:23:09.520
<v Speaker 1>it's like this weird the high school drama teacher becomes

0:23:09.720 --> 0:23:12.199
<v Speaker 1>the guest star. And he was making jokes like he

0:23:12.320 --> 0:23:14.560
<v Speaker 1>was like talking to me about coming and playing this part.

0:23:14.600 --> 0:23:16.000
<v Speaker 1>And he's like, well, I don't know if I have

0:23:16.200 --> 0:23:19.119
<v Speaker 1>time to do it, and they're like, um, it's like

0:23:19.240 --> 0:23:22.040
<v Speaker 1>one episode a year, and he's like, oh, you're not

0:23:22.080 --> 0:23:26.240
<v Speaker 1>even offering me the lead, like imred teacher, and now

0:23:26.640 --> 0:23:30.080
<v Speaker 1>I'm gonna play Like yeah, anyway, So I'm having a

0:23:30.080 --> 0:23:33.040
<v Speaker 1>blast doing that. I love podcasting because I feel like

0:23:33.080 --> 0:23:35.159
<v Speaker 1>you just I don't know, it's I don't have to

0:23:35.200 --> 0:23:37.679
<v Speaker 1>get like already and stuff. You know. Eventually I want

0:23:37.720 --> 0:23:39.280
<v Speaker 1>to get into like the visual part of it, like

0:23:39.320 --> 0:23:41.680
<v Speaker 1>some video, but for now I'm really enjoying It's it's

0:23:41.680 --> 0:23:44.080
<v Speaker 1>a form again, a therapy for me. Yeah, I love

0:23:44.119 --> 0:23:45.800
<v Speaker 1>the form. I mean, you know the thing I tell

0:23:45.840 --> 0:23:48.600
<v Speaker 1>people is if you just say late night television, right,

0:23:49.000 --> 0:23:52.160
<v Speaker 1>you think, oh, well, they talked to John Hamm last week. Yeah,

0:23:52.480 --> 0:23:56.000
<v Speaker 1>they talked to him for eight minutes with a commercial

0:23:56.040 --> 0:23:59.040
<v Speaker 1>break in the middle, Like they didn't really talk about anything.

0:23:59.119 --> 0:24:02.440
<v Speaker 1>They talked about whatever, project he has coming on right now,

0:24:02.520 --> 0:24:05.880
<v Speaker 1>maybe one Madman joke and then you know we're onto

0:24:05.920 --> 0:24:09.199
<v Speaker 1>the next person. I think this form allows you to

0:24:09.480 --> 0:24:12.720
<v Speaker 1>have substitutive conversations and begin to have and find a

0:24:12.760 --> 0:24:15.439
<v Speaker 1>relationship with a person that that you can't sort of

0:24:15.520 --> 0:24:18.960
<v Speaker 1>get in that other form. So I'm really enjoying it.

0:24:25.800 --> 0:24:27.199
<v Speaker 1>I have a Q and A. Are you down to

0:24:27.240 --> 0:24:29.840
<v Speaker 1>do that with me right now? I'm down. Let's go.

0:24:30.320 --> 0:24:37.920
<v Speaker 1>Who's your favorite character on the Office, Kevin Malone? That's right, yes, um.

0:24:38.080 --> 0:24:41.399
<v Speaker 1>I do think, however, in terms of just character that

0:24:42.119 --> 0:24:46.160
<v Speaker 1>Michael Scott is amazing. The character of Dwight True is

0:24:46.600 --> 0:24:49.920
<v Speaker 1>just the character everything about him. The dichotomy is within

0:24:50.000 --> 0:24:56.719
<v Speaker 1>himself that he's an anime loving trans am driving heavy

0:24:56.800 --> 0:25:01.840
<v Speaker 1>metal listening like chess pla. Nothing makes sense to it,

0:25:01.920 --> 0:25:04.720
<v Speaker 1>but I think it's see that's the thing I loved.

0:25:04.800 --> 0:25:07.119
<v Speaker 1>I love all of you guys. At different times, I

0:25:07.200 --> 0:25:10.560
<v Speaker 1>just I can't pinpoint one. I really really really can't

0:25:10.600 --> 0:25:13.880
<v Speaker 1>even like Todd Packer. Sometimes I was just like, oh

0:25:13.880 --> 0:25:16.000
<v Speaker 1>my god, I want to just choke him too, but

0:25:16.320 --> 0:25:18.399
<v Speaker 1>then he's freaking funny, so I'm like, I don't know,

0:25:18.480 --> 0:25:20.480
<v Speaker 1>I can't choose one. I mean, someone just came up

0:25:20.520 --> 0:25:21.720
<v Speaker 1>to me the other day on the street and was

0:25:21.800 --> 0:25:23.760
<v Speaker 1>talking about their favorite moment of the show, and I said,

0:25:23.800 --> 0:25:25.840
<v Speaker 1>what was it? And that's a crazy thing. I get

0:25:26.600 --> 0:25:30.639
<v Speaker 1>so many. But they were like, oh, when Todd Packer

0:25:30.920 --> 0:25:37.520
<v Speaker 1>makes the cupcakes and laced and you and Andy go

0:25:37.600 --> 0:25:41.680
<v Speaker 1>into that like trip scene. I'm like, oh, yeah, that

0:25:41.800 --> 0:25:50.280
<v Speaker 1>was so fun. Yeah, there are so many moments like that.

0:25:50.680 --> 0:25:52.119
<v Speaker 1>I love it. Yeah, that's one of the times I

0:25:52.200 --> 0:25:53.800
<v Speaker 1>was like, oh my god, I don't like this guy,

0:25:53.960 --> 0:25:58.320
<v Speaker 1>but I love him. It's you know, love and hate relationship. Um, okay,

0:25:58.320 --> 0:26:01.080
<v Speaker 1>So who's your favorite actor on the Oh I can't

0:26:01.119 --> 0:26:03.359
<v Speaker 1>answer that, but I will tell you this. I've said

0:26:03.359 --> 0:26:09.000
<v Speaker 1>it many times. The funniest person off screen is Oscar Nunias. Really,

0:26:09.080 --> 0:26:13.080
<v Speaker 1>Oscar nuns is the funniest. Oh my good news. Okay,

0:26:13.080 --> 0:26:15.520
<v Speaker 1>I love Oscar. I have a question. Actually, okay, So

0:26:15.600 --> 0:26:19.199
<v Speaker 1>Phillis I hear that she was was it she was

0:26:19.560 --> 0:26:21.600
<v Speaker 1>like she was trying to find castor what what's the

0:26:21.680 --> 0:26:24.320
<v Speaker 1>what's the deal with Phillis? She was a casting director. Yeah,

0:26:24.320 --> 0:26:26.439
<v Speaker 1>she was the assistant casting director on the On the

0:26:26.480 --> 0:26:31.520
<v Speaker 1>Office and what happens oftentimes Alison Jones, who's a genius

0:26:31.520 --> 0:26:34.679
<v Speaker 1>and has cast basically every comedy that anyone who's listening

0:26:34.680 --> 0:26:37.520
<v Speaker 1>to has ever liked. Alison Jones the casting director, and

0:26:37.560 --> 0:26:39.120
<v Speaker 1>so a lot of times they're like, you know, talking

0:26:39.160 --> 0:26:41.840
<v Speaker 1>to the producers and doing stuff when people are reading.

0:26:42.280 --> 0:26:47.920
<v Speaker 1>And Phillis was the person who read with us, right, So, like,

0:26:48.359 --> 0:26:50.760
<v Speaker 1>imagine if I'm auditioning and I have a scene with

0:26:50.840 --> 0:26:54.359
<v Speaker 1>Angela or something, so She's reading Angela's lines off camera

0:26:54.800 --> 0:26:57.760
<v Speaker 1>while I'm auditioning for the role, and the director Ken

0:26:57.840 --> 0:27:01.440
<v Speaker 1>Kappas told stories they would have these long sessions and

0:27:01.440 --> 0:27:04.359
<v Speaker 1>so forth, and he found himself that he kept looking

0:27:04.359 --> 0:27:07.679
<v Speaker 1>over at Phillis and he's like, like, couldn't kind he

0:27:07.760 --> 0:27:10.560
<v Speaker 1>was like, to the detriment of like probably some of

0:27:10.600 --> 0:27:13.880
<v Speaker 1>the actors who auditioned, he just couldn't stop watching Phillis

0:27:14.119 --> 0:27:16.800
<v Speaker 1>and eventually went to Greg and was like, she has

0:27:16.840 --> 0:27:19.119
<v Speaker 1>to work here, And so that was how the character

0:27:19.160 --> 0:27:23.560
<v Speaker 1>of Phillis was created. That's crazy. Wow, Yeah, my boyfriend

0:27:23.560 --> 0:27:24.800
<v Speaker 1>was telling me that. I was like, I don't believe you.

0:27:24.800 --> 0:27:29.240
<v Speaker 1>He's like, I swear as as Kevin. She was, and

0:27:29.280 --> 0:27:31.960
<v Speaker 1>not to like sell the podcast, but she and I

0:27:32.040 --> 0:27:35.520
<v Speaker 1>had a long conversation in which I learned all of

0:27:35.560 --> 0:27:39.200
<v Speaker 1>that is true, but more than that. When we started filming,

0:27:39.600 --> 0:27:43.439
<v Speaker 1>she felt self conscious because she wasn't an improviser, she

0:27:43.520 --> 0:27:45.760
<v Speaker 1>wasn't an actor, and she felt like she was behind him.

0:27:46.200 --> 0:27:49.760
<v Speaker 1>Was afraid she wasn't being good, and so she would

0:27:49.880 --> 0:27:53.720
<v Speaker 1>leave work and she went and picked up books on

0:27:53.840 --> 0:27:58.240
<v Speaker 1>improv and at night would read books on improv. As

0:27:58.280 --> 0:28:00.800
<v Speaker 1>we started shooting the show. Yeah, she told me that

0:28:00.840 --> 0:28:04.040
<v Speaker 1>I had no idea, no idea, how cute is she?

0:28:04.200 --> 0:28:06.000
<v Speaker 1>And I thought she was so awesome. I was like,

0:28:06.040 --> 0:28:09.000
<v Speaker 1>I definitely thought she was an actor and she's freaking

0:28:09.040 --> 0:28:10.879
<v Speaker 1>like I wanted to always just hug her and have

0:28:10.920 --> 0:28:12.920
<v Speaker 1>her bake cookies for me, and I'm just like, she's

0:28:13.240 --> 0:28:15.080
<v Speaker 1>I didn't even know that that's that's so great. So

0:28:15.119 --> 0:28:16.440
<v Speaker 1>she was like, I want to be great at this

0:28:16.640 --> 0:28:19.440
<v Speaker 1>and she was so The chili scene was a very

0:28:19.480 --> 0:28:22.920
<v Speaker 1>popular scene for Kevin. What's your favorite scene or episode?

0:28:23.359 --> 0:28:27.720
<v Speaker 1>I mean it really changes the series of episodes where

0:28:27.920 --> 0:28:33.640
<v Speaker 1>Kevin meets Holly in terms of of playing that. That

0:28:33.800 --> 0:28:37.159
<v Speaker 1>was really fun. That was really fun. Yeah, that was

0:28:37.200 --> 0:28:41.000
<v Speaker 1>a cool moment and how she thought you were special something. Yeah,

0:28:42.080 --> 0:28:44.440
<v Speaker 1>she would speak to me. I was like, oh my gosh.

0:28:44.480 --> 0:28:47.080
<v Speaker 1>The one I loved was when you gave Michael was

0:28:47.080 --> 0:28:49.880
<v Speaker 1>looking for a girlfriend and you gave him Wendy's number

0:28:50.040 --> 0:28:56.840
<v Speaker 1>and it was Wendy's Wendy's the Fast. Oh my god, hilarious. Yeah,

0:28:56.880 --> 0:29:00.520
<v Speaker 1>I love that. That. And also, oh, can you please

0:29:00.560 --> 0:29:02.400
<v Speaker 1>do it about the cats when you said, no, you're

0:29:02.400 --> 0:29:06.600
<v Speaker 1>not supposed to eat cats, Kevin, you can't eat cats.

0:29:07.200 --> 0:29:11.840
<v Speaker 1>You can't eat cats, Kevin. I loved it. Oh my god,

0:29:11.840 --> 0:29:13.800
<v Speaker 1>I have so many. Oh. And then the very last

0:29:13.920 --> 0:29:17.720
<v Speaker 1>one when finally Dwight gets married to Angela and then

0:29:17.760 --> 0:29:20.440
<v Speaker 1>Michael shows up. I was like, oh my god. When

0:29:20.480 --> 0:29:22.080
<v Speaker 1>Jim said, you know, I can't be your best man,

0:29:22.200 --> 0:29:25.240
<v Speaker 1>and like he comes and I was just like, oh

0:29:25.320 --> 0:29:28.640
<v Speaker 1>my god. I started crying. Beautiful, I promise you this,

0:29:28.760 --> 0:29:32.000
<v Speaker 1>without saying anything about me, I promise you this. You

0:29:32.080 --> 0:29:36.040
<v Speaker 1>were not the only one who cried. Oh oh my gosh,

0:29:36.080 --> 0:29:39.600
<v Speaker 1>you did you cry. I'm not answering that. I'm just

0:29:39.720 --> 0:29:43.000
<v Speaker 1>letting you know for sure you aren't the only one. Dude.

0:29:43.120 --> 0:29:46.600
<v Speaker 1>I was bawling. I was like, this is perfect. I

0:29:46.640 --> 0:29:49.120
<v Speaker 1>just felt like it all just came together. And he

0:29:49.120 --> 0:29:52.200
<v Speaker 1>didn't even talk much. He just stayed like behind and

0:29:52.280 --> 0:29:54.600
<v Speaker 1>let everyone else do their thing, and it was just

0:29:54.640 --> 0:29:56.760
<v Speaker 1>so beautiful. I was bawling. I've watched it like three

0:29:56.800 --> 0:29:58.680
<v Speaker 1>times already. I think I probably watched I mean, I

0:29:58.880 --> 0:30:04.080
<v Speaker 1>cry again. So what's something you think the audience got

0:30:04.120 --> 0:30:07.520
<v Speaker 1>wrong about Kevin? Well? I can tell you this. There

0:30:07.560 --> 0:30:17.200
<v Speaker 1>became a very popular Reddit chain which that Kevin was

0:30:17.440 --> 0:30:22.120
<v Speaker 1>secretly a genius and he was embezzling money from dunder

0:30:22.160 --> 0:30:26.360
<v Speaker 1>Mifflin and that's how he got the bar. And they

0:30:26.760 --> 0:30:29.280
<v Speaker 1>go through and they talk about a bunch of examples

0:30:29.280 --> 0:30:32.440
<v Speaker 1>about his gambling and how he gets some money and

0:30:32.440 --> 0:30:36.600
<v Speaker 1>blah blah blah, blah blah. I don't think that's right. Okay,

0:30:37.400 --> 0:30:41.000
<v Speaker 1>So that's a fan theory with all of the evidence

0:30:41.000 --> 0:30:43.000
<v Speaker 1>they have, I don't I don't think they're right about that.

0:30:43.600 --> 0:30:46.320
<v Speaker 1>Now that we're talking about that there was some type

0:30:46.360 --> 0:30:48.920
<v Speaker 1>of serial killer, right, I forgot his name and they

0:30:48.920 --> 0:30:51.560
<v Speaker 1>thought it was Creed. Yes, I thought that maybe it

0:30:51.600 --> 0:30:53.680
<v Speaker 1>was Creed or something like that. Did we We never

0:30:53.720 --> 0:30:56.080
<v Speaker 1>got to the bottom of that, did we. No? But

0:30:56.160 --> 0:30:59.320
<v Speaker 1>I'll tell you this. Everything it's and not only every

0:30:59.520 --> 0:31:02.040
<v Speaker 1>like Q in a show where people are allowed to

0:31:02.080 --> 0:31:05.600
<v Speaker 1>ask questions. Not only do people always ask about the

0:31:05.640 --> 0:31:10.120
<v Speaker 1>scrant and the Strangler, that's the name. It's almost always

0:31:10.200 --> 0:31:12.880
<v Speaker 1>one of the first questions, which is who is the

0:31:12.920 --> 0:31:15.440
<v Speaker 1>Scranton Strangler? And I think they're saying they're doing it

0:31:15.440 --> 0:31:18.440
<v Speaker 1>now to kind of mess with me. Let me tell

0:31:18.480 --> 0:31:20.920
<v Speaker 1>you this, for those of you who would have that

0:31:21.000 --> 0:31:28.880
<v Speaker 1>same question right now, I don't care, and nobody cares.

0:31:29.320 --> 0:31:32.320
<v Speaker 1>And that's the thing is that getting Toby on jury

0:31:32.360 --> 0:31:36.360
<v Speaker 1>duty was an excuse to bring in the character of

0:31:36.400 --> 0:31:38.400
<v Speaker 1>Holly for Michael to fall in love with. I mean,

0:31:38.480 --> 0:31:42.520
<v Speaker 1>that's really what happened, and people are so obsessed with

0:31:42.520 --> 0:31:45.000
<v Speaker 1>and they're talking about it. Was it. Toby is a creed.

0:31:45.480 --> 0:31:49.840
<v Speaker 1>To my knowledge, that was never discussed ever in the

0:31:49.840 --> 0:31:52.720
<v Speaker 1>writer's room. So I guess whatever anybody else thinks is

0:31:52.760 --> 0:31:56.240
<v Speaker 1>what it is, because I don't have any better answer. Yeah,

0:31:56.360 --> 0:31:59.240
<v Speaker 1>created I love his little comments here and there. They're

0:31:59.240 --> 0:32:01.320
<v Speaker 1>just they're great. So what do you miss? Do you

0:32:01.360 --> 0:32:04.600
<v Speaker 1>miss anything about being on the show? Oh? I mean

0:32:04.640 --> 0:32:06.720
<v Speaker 1>I love the show. I mean I was a huge

0:32:06.760 --> 0:32:09.240
<v Speaker 1>fan of the show. I love that we ended it

0:32:09.240 --> 0:32:12.320
<v Speaker 1>when we did, because we ended it with a full

0:32:12.360 --> 0:32:14.960
<v Speaker 1>story told, meaning we shot this documentary and then it

0:32:15.000 --> 0:32:17.880
<v Speaker 1>eventually aired and we got to see what happened after

0:32:17.960 --> 0:32:20.720
<v Speaker 1>it aired. And you know, I think if we'd gone

0:32:20.720 --> 0:32:22.960
<v Speaker 1>on any longer, we were going to start losing more

0:32:23.000 --> 0:32:26.400
<v Speaker 1>and more people and the show wouldn't have been the same.

0:32:27.000 --> 0:32:29.920
<v Speaker 1>And so I'm feel really fortunate about that. But I think,

0:32:30.000 --> 0:32:32.480
<v Speaker 1>you know, in terms of what I missed most, it's

0:32:32.520 --> 0:32:35.040
<v Speaker 1>just spending time with those people. Do you think you'd

0:32:35.040 --> 0:32:37.840
<v Speaker 1>ever do another sitcom? Oh, if it was the right thing,

0:32:38.440 --> 0:32:40.000
<v Speaker 1>it would have to be the right thing with the

0:32:40.120 --> 0:32:45.880
<v Speaker 1>right character. Okay, So what's next? What's next for Brian? Uh?

0:32:45.920 --> 0:32:49.760
<v Speaker 1>You know, that's a great question. I had filmed sort

0:32:49.800 --> 0:32:54.520
<v Speaker 1>of beginning or before early pandemic. I had a couple

0:32:54.520 --> 0:32:57.920
<v Speaker 1>of movies that came out fairly recently and that was

0:32:57.960 --> 0:33:00.960
<v Speaker 1>a lot of fun. I wrote this book, and I'm

0:33:01.000 --> 0:33:04.200
<v Speaker 1>doing the podcast and doing work here and there when

0:33:04.240 --> 0:33:07.760
<v Speaker 1>it comes up. I did the a new animated show

0:33:07.800 --> 0:33:10.840
<v Speaker 1>on Netflix, have a voice of a bear in that

0:33:11.920 --> 0:33:15.400
<v Speaker 1>trash truck. So I'm keeping busy and I am really

0:33:15.400 --> 0:33:18.840
<v Speaker 1>really happy. Good. That makes me happy that you're happy.

0:33:18.880 --> 0:33:21.680
<v Speaker 1>Thank you good. And I'm honestly so grateful that I

0:33:21.720 --> 0:33:23.760
<v Speaker 1>was able to talk to you and I'm going to

0:33:23.840 --> 0:33:28.200
<v Speaker 1>go watch the Office right after this again. Um, and

0:33:28.280 --> 0:33:30.680
<v Speaker 1>just thank you so much, Brian. And yes, you guys

0:33:30.760 --> 0:33:34.600
<v Speaker 1>check out his podcast Off the Beat. I usually end

0:33:34.720 --> 0:33:39.280
<v Speaker 1>all of my podcasts with a motivational quote. Okay, perfect,

0:33:39.400 --> 0:33:42.160
<v Speaker 1>I need you to motivate me cheek, Yes, I got

0:33:42.280 --> 0:33:46.360
<v Speaker 1>you here, you guys go. All endings are also beginnings,

0:33:46.760 --> 0:33:50.080
<v Speaker 1>we just don't know it at the time. I'm one

0:33:50.160 --> 0:33:52.720
<v Speaker 1>to think that, like, don't get sad when something ends,

0:33:52.720 --> 0:33:55.160
<v Speaker 1>because there's something and giving you the chance, an opportunity

0:33:55.240 --> 0:33:58.000
<v Speaker 1>for something else to start in your life. So there

0:33:58.000 --> 0:34:01.320
<v Speaker 1>you have you, guys. Thank you so much. We're listening in.

0:34:01.400 --> 0:34:05.920
<v Speaker 1>Please share your social media, Brian. My social media everything

0:34:06.240 --> 0:34:11.319
<v Speaker 1>is b b Bomb Gardner at Instagram, at Twitter. I

0:34:11.400 --> 0:34:14.120
<v Speaker 1>have one TikTok video. I was like, I'm gonna get

0:34:14.120 --> 0:34:17.239
<v Speaker 1>on TikTok now, and I don't do it anywhere. It's

0:34:17.280 --> 0:34:20.960
<v Speaker 1>it's very time consuming TikTok or something else. During the pandemic,

0:34:21.000 --> 0:34:22.840
<v Speaker 1>I was killing it on TikTok and then after I

0:34:22.880 --> 0:34:24.920
<v Speaker 1>just started getting busy again and I'm just like, f it,

0:34:25.000 --> 0:34:31.560
<v Speaker 1>I just can't to a walk all right, awesome, Well,

0:34:31.600 --> 0:34:33.200
<v Speaker 1>there you guys have it. Thank you, so much for

0:34:33.239 --> 0:34:36.200
<v Speaker 1>listening and tuning into another episode of Cheek, Ease and Chill.

0:34:36.320 --> 0:34:38.440
<v Speaker 1>This is an amazing what you guys. I love you

0:34:38.440 --> 0:34:45.319
<v Speaker 1>guys so much and this is a production of I

0:34:45.440 --> 0:34:49.719
<v Speaker 1>Heart Radio and Mike podcast Network. Follow us on Instagram

0:34:49.840 --> 0:34:54.160
<v Speaker 1>at MIA Podcasts and follow me chicks That's c h

0:34:54.360 --> 0:34:58.320
<v Speaker 1>i q u i s. For more podcasts from My Heart,

0:34:58.560 --> 0:35:02.080
<v Speaker 1>visit the iHeart ray Yo app, Apple podcast, or wherever

0:35:02.120 --> 0:35:08.600
<v Speaker 1>you listen to your favorite shows. H m hm