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Speaker 1: Wake that ass up early in the morning.

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Speaker 2: The Breakfast Club Morning, everybody in Steed j n v

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Speaker 2: Ess hilarious, Charlamagne the guy. We are the Breakfast Club.

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Speaker 2: You got some special guests.

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Speaker 1: In the building.

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Speaker 3: Yes, indeed we got the Alchemists.

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Speaker 2: We got Larry June and two Chains. Welcome album. Life

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Speaker 2: is beautiful as out right now.

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Speaker 4: Early Album of the Year contend. It's still early. It's

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Speaker 4: only February. Early Album of the Year contender. Man, I

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Speaker 4: appreciate that.

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Speaker 1: Man.

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Speaker 2: Change came in here, like, where's my picture on the wall?

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Speaker 2: I'm walking around here? But his picture is right there.

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Speaker 1: Next thing.

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Speaker 3: They got his feet up, He got his feet up there.

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Speaker 5: No, I hadn't been to this location.

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Speaker 3: It's the first time here.

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Speaker 5: It's my first.

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Speaker 3: It's been a minute since you've been up here.

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Speaker 1: So how y'all brother's feeling feeling good? How about you?

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Speaker 3: I'm good.

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Speaker 4: Change had to make the wall number one of your legend.

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Speaker 4: That's number one. But number two Chains was the first,

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Speaker 4: the first breakfast club show we ever did. Oh boy,

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Speaker 4: and the first person say anything was too changed? How'd

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Speaker 4: you get two chains around?

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Speaker 6: Matter?

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Speaker 2: You were here so at the time, we didn't have

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Speaker 2: no money right, so to change did it for the love?

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Speaker 3: And Charlemagne was supposed to handle transpen what.

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Speaker 7: Change was red hot?

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Speaker 4: I mean red hot like early too early in carnal?

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Speaker 4: What's the word in car nations of two change? You

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Speaker 4: don't know what red hat? But Charlamage was supposed to

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Speaker 4: handle car service. Charlamagne man had a car. Charlamage didn't

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Speaker 4: say it was a caravan, picked up two changes in

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Speaker 4: the caravan.

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Speaker 3: Yes, yes he did.

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Speaker 7: You just thought that was cool. I had the money.

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Speaker 8: But you're supposed to let a nigga know a van

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Speaker 8: gonna come pick him up, and not a black.

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Speaker 7: I don't know they was going in a van. I

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Speaker 7: thought they had asked yourself.

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Speaker 2: But change that he never he never did, never play

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Speaker 2: and always never talked.

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Speaker 1: About alwayshows love.

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Speaker 7: We always appreciate that, Sir three link up for this album.

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Speaker 1: How we do it?

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Speaker 6: Well, let me see, I know Larry and I work

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Speaker 6: together before. I'm a fan of his music. You know

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Speaker 6: what I'm saying. He a player. You know what I'm saying,

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Speaker 6: I'm a player and I don't know. We had a

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Speaker 6: conversation like just about doing a couple of records. Yeah,

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Speaker 6: and he's somebody that is into like cohesiveness and everything.

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Speaker 6: So he was like, we just need to do one producer.

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Speaker 6: You know what I'm saying, We're gonna rob with Al

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Speaker 6: And it just started becoming like you know what I'm saying.

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Speaker 6: Every time a song was finished, it started to becoming

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Speaker 6: just dope and dope, you know what I mean. And

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Speaker 6: I felt like, man, we probably ain't do about six

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Speaker 6: seven more, you know what I'm saying. And before you

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Speaker 6: knew it is like what he said, the early contender

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Speaker 6: for album.

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Speaker 2: Yeah, And how did Alchemists get to play? Why was

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Speaker 2: he the producer? Why he was the one that's like,

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Speaker 2: this is the sound we want for this?

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Speaker 9: We had we were already working like we've been talking

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Speaker 9: for a while. We had a couple of records in motion,

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Speaker 9: like the last couple of years, and.

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Speaker 6: I've been working with Al but with me a lot

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Speaker 6: of my projects, they would have different producers, so I

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Speaker 6: would have two or three our type joints on it

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Speaker 6: feel good, but people would just kind of go towards

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Speaker 6: the party records or the trap records. So it felt

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Speaker 6: good for me just to do what I really like

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Speaker 6: to do best is and that's a.

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Speaker 4: Rapt Those real hip hop beat, that boom battle you

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Speaker 4: know what I mean?

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Speaker 7: That sun done.

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Speaker 1: Yo yo yo?

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Speaker 7: What about those type of that sound energizes your pen.

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Speaker 6: My voice is able to cut through on samples. With

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Speaker 6: the trap drums, I'll be having to like kind of

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Speaker 6: yell a little bit. I can sit down and record.

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Speaker 6: When I'm doing these songs, I'll be having to stand

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Speaker 6: up record trap songs and then and I'd be having

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Speaker 6: to kind of be creative and sometimes it hit it

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Speaker 6: and sometimes it miss but I have to be creative

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Speaker 6: around the drums and kind of peek my head out.

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Speaker 6: But with those loops and things like that, I'm able

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Speaker 6: just to get my idea across looser.

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Speaker 9: Yeah, you get looser because it's like it's just a

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Speaker 9: phil at it's not like you know, like it's kind

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Speaker 9: of understated the production, so at least room for like

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Speaker 9: the lyricists, like if you if you got something to

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Speaker 9: say on those type of beats, you're gonna flourish, you know,

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Speaker 9: change Larry there, those type of mcs like less is more.

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Speaker 10: It's found on that like a file a like yeah,

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Speaker 10: like a raw versus like a stacked up like I

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Speaker 10: would compare like a track to something that's layered up

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Speaker 10: on the vocals.

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Speaker 1: Some of these are kind of just.

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Speaker 9: Raw and it's just like a mood, you know what

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Speaker 9: I mean, where it's like they're just to just to

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Speaker 9: move their pens.

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Speaker 11: So it's like the focus is on the lyricists.

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Speaker 9: And you know, I mean change, I don't. He's been

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Speaker 9: one the people who know music. No to Change has

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Speaker 9: always been top tier with the pen like, but he

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Speaker 9: always had the knack to make hit records too, you know,

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Speaker 9: but that never fooled me, Like I could tell the

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Speaker 9: MC's like a big Sean or somebody who's like, yo,

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Speaker 9: he makes shit records, but he can rap like extremely well, like.

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Speaker 11: With anybody who you would put on any list, you know.

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Speaker 8: So so that's your comference on the trap is not

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Speaker 8: really a trap you just do for us?

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Speaker 6: He ain't really no, So of course I trapped before, right,

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Speaker 6: and even on this type of subject matter, I talk

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Speaker 6: about the streets and the trap. But early on I'm

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Speaker 6: always throw Tech under the bus for this.

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Speaker 1: You know.

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Speaker 6: Early on, I was doing a mixtape. It was called

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Speaker 6: all Ice on Meal. It was a double.

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Speaker 5: Mixtape, and I had who doing was it? It was

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Speaker 5: you and who else? It was him? A screen, and

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Speaker 5: then I gave Tech like some my your.

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Speaker 6: Kids stuff, and he was like, boy, I don't want

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Speaker 6: I want some boy, give me some of that trap.

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Speaker 6: And then when I gave some of that trap, he

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Speaker 6: came back with like data saying, boy, I'm telling you

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Speaker 6: they rocking with this right here. So he was more

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Speaker 6: as a manager, more data driven as far as like

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Speaker 6: what the people were kind of leaning towards. When I

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Speaker 6: would drop a project that had some some lyrics and

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Speaker 6: some trap stuff, you know what I mean. But you know,

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Speaker 6: I'm in this thing to like to show growth anyway

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Speaker 6: and to show that anything's possible.

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Speaker 5: You know what I'm saying. I ain't get my meeting

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Speaker 5: Stiles after thirty.

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Speaker 6: You know what I'm saying. I'm still out here having

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Speaker 6: more motion in the ocean. I'm saying, business is doing good.

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Speaker 6: The rap's gonna come out. We're gonna talk about how

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Speaker 6: we got these businesses in this passive income going. We're

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Speaker 6: gonna popy like that. You know what I'm saying. I

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Speaker 6: ain't spending no blocks. I ain't got time to go

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Speaker 6: to jail, leave my family. I ain't no more crash

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Speaker 6: dummy mission. You could never get me like that. So

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Speaker 6: it's just like I just stay out the way. I'm very,

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Speaker 6: very highly confident in everything I do, and so that's

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Speaker 6: my comfort zone, knowing it when I walk in the room,

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Speaker 6: my chin up, my chest.

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Speaker 5: I don't like that, you know what I'm saying. Like, man,

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Speaker 5: God did his thing with me.

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Speaker 1: Now, you like to collaborate a lot.

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Speaker 2: Change Like it feels like you like competing, right, whether

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Speaker 2: it's early on with Drake or it's with Wayne, it's

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Speaker 2: with Larry ju And why is that you never fall back?

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Speaker 2: You always seemed like you want to do that more.

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Speaker 6: I think Atlanta is a place that we just are

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Speaker 6: into doing collaborations, you know what I'm saying. Atlanta artists

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Speaker 6: always we always work together and work with different people.

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Speaker 6: We never had that problem, you know what I mean. So,

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Speaker 6: like I said, respect Larry, I wanted I wanted to

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Speaker 6: do this project. It wasn't Larry idea. I like, we

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Speaker 6: ought to do this, you know what I'm saying. And

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Speaker 6: I was just I wanted to do it too.

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Speaker 1: Yeah.

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Speaker 6: Yeah, I'm just letting you know. Like I mean, I

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Speaker 6: go to Vegas, I go to Miami. I tell DJ

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Speaker 6: Man put on that smoothie. In nineteen ninety one. I

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Speaker 6: tell him, I want to hear that before I get

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Speaker 6: out of here, you know what I'm saying. So it

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Speaker 6: was just about it was just genuine organic like his campaign.

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Speaker 6: It was just organic love, and so it.

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Speaker 12: Came organic too though it wasn't even We didn't think

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Speaker 12: too much about it just kind of came. Yeah, he

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Speaker 12: had a few records, sent it to me and then

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Speaker 12: we just kept that ship rocking.

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Speaker 1: It was real smooth.

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Speaker 7: What I like about you you wrap about.

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Speaker 4: You wrap about a lot of health and in organic living,

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Speaker 4: Like what got you into a mindfulness lifestyle and what

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Speaker 4: made you start putting that in your music?

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Speaker 12: You know, I started a little like I dropped my

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Speaker 12: first mixtape when I was fifteen. I was kind of

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Speaker 12: talking about a lot of shit that I wouldn't really

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Speaker 12: like fully into. Then I had just tuned into my

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Speaker 12: real what I was into and like my actual life,

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Speaker 12: and when I saw I wrap about my day to day

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Speaker 12: shit to just start working for me, you know what

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Speaker 12: I mean.

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Speaker 1: I'm kind of like him. I didn't make no.

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Speaker 12: Bread into to my thirties really too, so you know,

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Speaker 12: I had they go through the ups and downs and

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Speaker 12: really finding myself as an artists, and when I start

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Speaker 12: talking about the shit that I really like to do,

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Speaker 12: it just kind of start coming natural for me.

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Speaker 7: So early on you had a lot of cap in

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Speaker 7: your app.

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Speaker 1: Yeah, I was.

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Speaker 12: I was fifteen sixteen, you know, I just kind of

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Speaker 12: more influenced by the hip hop, you know what I mean,

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Speaker 12: and the shit you know what I mean. And it's

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Speaker 12: finding myself as an artist, you know what I mean.

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Speaker 12: And when I start doing that and really like fall

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Speaker 12: on like what I want to do and start working out.

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Speaker 4: Did somebody tell you how did you just check yourself?

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Speaker 4: Did somebody be like, come on, nobody.

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Speaker 12: Didn't tell me I was around all that. You know,

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Speaker 12: I'm from that, you know what kind of that was

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Speaker 12: like my my environment and shit. But it was just

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Speaker 12: more like what can I bring different to the game?

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Speaker 12: I was like, you know, it's only one me. I

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Speaker 12: can talk about my life and what I do and

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Speaker 12: people will relate to it.

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Speaker 1: Some people might not, you know, people will. I'm thankful

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Speaker 1: that some people do.

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Speaker 4: You talk about financial literacy a lot too, which is

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Speaker 4: interesting because you know, to chains he talks about flexing

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Speaker 4: a lot, right so and spending a lot.

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Speaker 7: So how did that you know?

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Speaker 12: Mention the studio, Uh, listening to a lot of audio books,

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Speaker 12: you know in high school, like you know, Robert Kolsaki

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Speaker 12: and shit like and stuff like that, and just just

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Speaker 12: trying to do better, you know what I mean, coming

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Speaker 12: from that environment, and you know, just trying to switch

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Speaker 12: it up and do something different and have longevity in

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Speaker 12: my career. So I start knowledging myself about things like

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Speaker 12: that and just you know, put it into the music,

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Speaker 12: you know what I mean, and letting people know, not

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Speaker 12: the major and minor things.

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Speaker 1: But I still I still flex.

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Speaker 12: I talk about shit, my fleck's a little different, you know,

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Speaker 12: I might talk about a fifteen dollars orange juice some

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Speaker 12: ship like that. I'm just saying about hop out with

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Speaker 12: the lawsuit to the side, very peacefully.

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Speaker 1: I'm talking about Now you.

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Speaker 8: Got a bunch of singles that you drop on like

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Speaker 8: different platforms like streaming platforms and then YouTube exclusive, how

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Speaker 8: do you like figure out what's going drop where?

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Speaker 11: Because in different places.

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Speaker 1: So when I do it, just the YouTube, I just

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Speaker 1: put it out.

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Speaker 12: I don't think too much about it, just put it

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Speaker 12: out just more just for the for the fans, and uh,

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Speaker 12: just keeping it going. I don't really think I don't

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Speaker 12: think too much about it. I talked to day, but

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Speaker 12: just do it, like, let's do it, do whatever we feel.

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Speaker 12: I don't really think too much about it.

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Speaker 7: What do you like about Larry is an MC?

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Speaker 9: I mean when you know, first linking with him, it

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Speaker 9: was like first like the tone, you know, like I

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Speaker 9: go off of music, you know, like obviously Resting Peace

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Speaker 9: Prodigy that was like my brother. We did a lot

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Speaker 9: of music together and sometimes it's just like the tone,

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Speaker 9: it's just something similar to her with Body James or

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Speaker 9: it was like Larry tone was crazy. And then I

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Speaker 9: was actually late. Once I got hip to his shit,

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Speaker 9: it was like he was deep in. I had to

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Speaker 9: go back and like, do you know because like with

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Speaker 9: Larry's music, you could you need a tour guy because

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Speaker 9: he got so many different styles, like it just depends

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Speaker 9: who takes you through it, you know, the right way.

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Speaker 9: And it was like I dug into his music and

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Speaker 9: was like, Okay, I figured out after a while, Okay,

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Speaker 9: I feel I felt like I could make something that'll

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Speaker 9: fit to it, you know what I'm saying. And then

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Speaker 9: when we started working we did like one joint. I

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Speaker 9: think it was j Worthy who linked us up and

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Speaker 9: then it sounded good and for me, if I if

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Speaker 9: I can get one, it sounds good.

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Speaker 1: You know the Monico joints. Yeah, for your album Go Joint.

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Speaker 9: Before we did Great Escape, we did one joint for

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Speaker 9: his album, and it was like, I felt like there

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Speaker 9: was potential because sometimes you do one record with somebody

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Speaker 9: and it's like one and done, and sometimes you.

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Speaker 1: Build a better relationship.

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Speaker 9: Plus just like my brother now, Larry is super likable,

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Speaker 9: like he's just one of the coolest movies, just my brother.

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Speaker 9: So you know, in music you build relationships sometimes beyond

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Speaker 9: how long did.

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Speaker 7: This this project take?

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Speaker 8: Because I saw an interview you said if you Larry,

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Speaker 8: you said, rapping gives you anxiety?

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Speaker 1: Uh, with that?

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Speaker 12: Working with Change he changed that. But he worked so

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Speaker 12: quick and he owned he on my phone with a verse.

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Speaker 12: With a Verse, I had to switch my whole program

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Speaker 12: up so that this was pretty quick, you know what

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Speaker 12: I mean. We got a few records we didn't put

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Speaker 12: out yet, and it was I ain't I was keeping

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Speaker 12: up with Change. I ain't got he was. He was

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Speaker 12: giving me the sauce, and I was see what I

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Speaker 12: can do? Me come different on here. So like working

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Speaker 12: with chains and al like definitely took me out my element,

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Speaker 12: you know what I mean, different patterns and uh topics

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Speaker 12: and and it's making me a better m C.

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Speaker 1: I'm very thankful.

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Speaker 7: Is that pressure of that pressure line by the verse.

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Speaker 12: It ain't it ain't pressure. It's more like I'm just

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Speaker 12: I'm getting better, you know what I mean. And he

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Speaker 12: he are real lyricists. He really really do this ship

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Speaker 12: so like he give me like styles and I ain't

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Speaker 12: even thought about even doing me rap like this and

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Speaker 12: try this and just putting me in a different box.

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Speaker 12: Just like when I did the Great Escape with you,

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Speaker 12: I was telling him like, man, I love these beast dudes.

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Speaker 1: He was putting me you know what I mean.

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Speaker 9: He made I think he made us both step up

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Speaker 9: just because of the level that changes as an artist

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Speaker 9: and as perfection. It's like we went out to Atlanta

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Speaker 9: and got to work with him in his lab and

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Speaker 9: just got to like get his energy in his world.

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Speaker 9: That was like is different, super impressive, like sleepy in

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Speaker 9: his in his city. It's like I went home like

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Speaker 9: as a different animals just seeing his operation like change

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Speaker 9: is a mastermind. So both of us going out there

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Speaker 9: seeing his operation in Atlanta was like super motivating like heah,

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Speaker 9: we gotta.

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Speaker 3: I want to.

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Speaker 4: I feel like Wayne was on you like that change.

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Speaker 4: I feel like I feel like I can see you

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Speaker 4: and Wayne working together and Wayne hitting you up, like

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Speaker 4: where is the verse?

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Speaker 7: The song is done?

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Speaker 1: You know?

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Speaker 5: This was men and Wayne?

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Speaker 1: We this we was.

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Speaker 6: That's why I was on him like that because I'm

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Speaker 6: used to Wayne shooting it right back. I'm used to

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Speaker 6: thinking I'm finna smoke this guy. And he sent it

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Speaker 6: back with just some crazy shit with wind level and

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Speaker 6: some lyrics and and so it was just like telling Larry,

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Speaker 6: just don't they don't overthink it, like you know what

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Speaker 6: I mean. So with man Toune, we actually have hundreds

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Speaker 6: of we work really fast together. He's someone that I

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Speaker 6: can go on. I can go in the booth with

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Speaker 6: half an idea and finish it up. What's like getting

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Speaker 6: a booth and then Wayne and going to the booth

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Speaker 6: with the whole idea. So he'll just want to take

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Speaker 6: the whole thing all the way through. So it's just

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Speaker 6: different rhyme styles. But actually working with him has made

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Speaker 6: me a better artist, like he said I did for him.

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Speaker 6: So it's cool to be able to like trinkle down

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Speaker 6: and pass that energy on because me doing two projects

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Speaker 6: with Wayne, I'd be lying if I say I ain't

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Speaker 6: get better. You know what I'm saying right rocking with him?

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Speaker 2: You know, I was gonna ask you what you mentioned

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Speaker 2: earlier with Prodigy two questions with that, Are you surprised

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Speaker 2: about how much love that Prodigy is getting now in

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Speaker 2: the last couple of years.

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Speaker 11: I feel like people are.

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Speaker 2: Dissecting what he's been saying, and I think they missed

355
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Speaker 2: it before. I've been seeing it more and more and

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Speaker 2: more recently.

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Speaker 9: I always felt like that was gonna happen, like they

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Speaker 9: become like more legendary after, you know, because they did

359
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Speaker 9: so much work.

360
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Speaker 11: It was like insane and you could just peel.

361
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Speaker 9: Back layers of prodigies rhymes like he went so far,

362
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Speaker 9: he was so ahead of his time that it's like

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Speaker 9: and even them, it's funny them being small too.

364
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Speaker 11: I always felt like them being.

365
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Speaker 9: These two little guys, like they would be rediscovered in

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Speaker 9: twenty years by some young kids like mob Deep, Like

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Speaker 9: if some kids finds them in twenty years, they're gonna

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Speaker 9: hit it, strike a gold mine. Like their discography is

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Speaker 9: like unmatched, and you know, yeah, I mean Pea's legend

370
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Speaker 9: lives like he did more than the average person while

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Speaker 9: he was here and even left behind a lot of stuff.

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Speaker 11: So we're lucky enough to be working on a new

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Speaker 11: mob deep project.

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Speaker 3: There's another we have change.

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Speaker 9: It looked like what doing the beats and you know

376
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Speaker 9: Nas is.

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Speaker 1: Involved, and yeah, man, it feels.

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Speaker 9: Great, just even just like when you hear his voice again,

379
00:14:41,640 --> 00:14:45,080
Speaker 9: you're gonna be like, wow, missed you know what I'm saying,

380
00:14:45,120 --> 00:14:46,840
Speaker 9: Like how much we missed it. It's a void just

381
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Speaker 9: not hearing his voice anymore.

382
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Speaker 4: The Metro reach out to you because when he was inspired,

383
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Speaker 4: it seemed like Prodigy inspired couple of projects.

384
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Speaker 9: I reached out to him actually and thanked him for

385
00:14:56,080 --> 00:14:58,400
Speaker 9: that because I thought that was so dope. When they

386
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Speaker 9: sampled his voice throughout the album, just kept his spiritual

387
00:15:02,200 --> 00:15:03,720
Speaker 9: That was just super and.

388
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Speaker 11: Plus you know him in Future had a little bit

389
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Speaker 11: of history as well.

390
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Speaker 3: In Future were cool.

391
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Speaker 9: There's a video that they never came out with that

392
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Speaker 9: p is in actually a Future video and that it

393
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Speaker 9: never came I forget what song it was, but they

394
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Speaker 9: were they were cool.

395
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Speaker 6: It was a dope contrast artists with creation from Somebody

396
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Speaker 6: is Ship Poppers Pope.

397
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Speaker 9: But I think we're keeping the tradition alive even doing this,

398
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Speaker 9: that's doing you know me coming from you know, you

399
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Speaker 9: know where my history and then Lincoln with somebody like

400
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Speaker 9: Change and Larry and just bringing it all together.

401
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Speaker 3: You know you have a bar when when you That

402
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Speaker 3: was my secon question.

403
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Speaker 2: Do you have a bar of artists that you work with,

404
00:15:40,080 --> 00:15:41,680
Speaker 2: like you be like I'm not working with him because

405
00:15:41,680 --> 00:15:43,840
Speaker 2: it's just this doesn't fit or is it like I

406
00:15:43,920 --> 00:15:47,240
Speaker 2: give everybody opportunity like Larry Jewel fists chains fists, but

407
00:15:47,320 --> 00:15:48,320
Speaker 2: certain one somebody.

408
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Speaker 3: Else might not fit.

409
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Speaker 13: That might say you I need alchemists a beat cool,

410
00:15:51,520 --> 00:15:53,880
Speaker 13: but yeah, certain artists fit more where I feel like

411
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Speaker 13: I could make whole projects with like you know, Rock Marcy,

412
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Speaker 13: you know Body, James, Larry, June to Change.

413
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Speaker 11: Of course, Prodigy and I. You know I do have

414
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Speaker 11: some like repeat you know friends that I work with.

415
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Speaker 6: I told I told him I'm making my pop producer

416
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Speaker 6: by rocking with me when we had them conversation like nah,

417
00:16:11,120 --> 00:16:14,360
Speaker 6: you know low key underground like boys stop make yes

418
00:16:14,720 --> 00:16:15,320
Speaker 6: pop out here.

419
00:16:15,360 --> 00:16:20,080
Speaker 9: But I think I get the jacket put on me

420
00:16:20,160 --> 00:16:22,160
Speaker 9: sometimes and be in this like purist, keep it real

421
00:16:22,240 --> 00:16:23,640
Speaker 9: hip hop I'm really not that.

422
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Speaker 11: I don't I love music.

423
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Speaker 1: I don't want to be put in a box. I

424
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Speaker 1: don't want to be limited.

425
00:16:28,320 --> 00:16:30,000
Speaker 9: Even when we did Generations, you know, join on the

426
00:16:30,040 --> 00:16:32,720
Speaker 9: album at first, Change was like he didn't even want

427
00:16:32,760 --> 00:16:33,240
Speaker 9: to hear any.

428
00:16:33,080 --> 00:16:35,479
Speaker 11: Of those beats because we started that record together.

429
00:16:35,280 --> 00:16:37,400
Speaker 6: First, and he was like, I don't want those shorty

430
00:16:37,800 --> 00:16:40,440
Speaker 6: alchemists trapped men.

431
00:16:40,720 --> 00:16:42,760
Speaker 9: Because to me, I have different bags I go into

432
00:16:42,920 --> 00:16:44,760
Speaker 9: depending on the artist. Like if you listen to the

433
00:16:44,840 --> 00:16:47,440
Speaker 9: rock Marshy O My Day last December, those beats sound

434
00:16:47,480 --> 00:16:50,440
Speaker 9: nothing like these, so I know how to like kind

435
00:16:50,440 --> 00:16:53,120
Speaker 9: of create different palettes. But that joint at first, Change

436
00:16:53,240 --> 00:16:55,640
Speaker 9: was like, we're gonna use this for something else. And

437
00:16:55,720 --> 00:16:57,360
Speaker 9: then we thought about it and was like, you know what,

438
00:16:57,680 --> 00:17:00,960
Speaker 9: we should add that into the album because it's like it's.

439
00:17:00,800 --> 00:17:01,960
Speaker 11: Blending the sounds a little bit.

440
00:17:01,960 --> 00:17:03,760
Speaker 1: I don't want to. I'm not a purist. I'm not

441
00:17:03,920 --> 00:17:07,000
Speaker 1: like I hate that other stuff. Keep it real hip hop.

442
00:17:07,119 --> 00:17:10,440
Speaker 11: I love all good and it's bad, you know, in

443
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Speaker 11: every category.

444
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Speaker 7: To me, I love that song Generations.

445
00:17:13,359 --> 00:17:13,480
Speaker 1: You know.

446
00:17:13,640 --> 00:17:15,960
Speaker 4: The hook is we the Generation got all these kids

447
00:17:16,000 --> 00:17:18,480
Speaker 4: on the Dirty Spry, We the Generation got got them

448
00:17:18,520 --> 00:17:20,399
Speaker 4: on the Perkys every night with the generation got them

449
00:17:20,680 --> 00:17:24,800
Speaker 4: on switches. What was the conversation about that hook? Because

450
00:17:24,880 --> 00:17:26,879
Speaker 4: Larry you from that generation, I was influenced by a

451
00:17:26,880 --> 00:17:27,840
Speaker 4: lot of that, So I know y'all had to have

452
00:17:27,880 --> 00:17:29,000
Speaker 4: a conversation about that song.

453
00:17:29,960 --> 00:17:31,600
Speaker 1: Man is the truth.

454
00:17:31,720 --> 00:17:34,119
Speaker 6: It just it just when you look at you know

455
00:17:34,200 --> 00:17:36,200
Speaker 6: how it is. You know, everybody you get a little older,

456
00:17:36,280 --> 00:17:38,159
Speaker 6: they try to unk you to death. They try to

457
00:17:38,800 --> 00:17:41,280
Speaker 6: you know, they try to drink most syrup and you

458
00:17:41,400 --> 00:17:43,840
Speaker 6: to death. They try to smoke more whatever than you

459
00:17:43,920 --> 00:17:45,159
Speaker 6: to death. You got to be like, bro, we do

460
00:17:45,280 --> 00:17:45,520
Speaker 6: want to.

461
00:17:45,680 --> 00:17:46,440
Speaker 3: Turn y'all out.

462
00:17:46,520 --> 00:17:47,200
Speaker 5: You know what I'm saying.

463
00:17:47,240 --> 00:17:49,399
Speaker 6: We the one got y'all. It's like when I go

464
00:17:49,520 --> 00:17:51,240
Speaker 6: back and I listen to somebody like eight Ball and

465
00:17:51,359 --> 00:17:53,440
Speaker 6: m JG. Who I came up on. They had songs

466
00:17:53,480 --> 00:17:56,280
Speaker 6: like robbery. They had me lurking, you know what I mean.

467
00:17:56,359 --> 00:17:59,240
Speaker 6: And so it's the same thing that I know. If

468
00:17:59,280 --> 00:18:01,439
Speaker 6: it wasn't a music, it's the videos. It's the lone

469
00:18:01,800 --> 00:18:04,680
Speaker 6: blunts and videos we had. It's the double cup this stuff, y'all.

470
00:18:04,840 --> 00:18:09,640
Speaker 6: Daddy was attracted too. And then y'all come up and well,

471
00:18:09,720 --> 00:18:11,440
Speaker 6: not y'all, I'm just talking about in general. You know

472
00:18:11,480 --> 00:18:13,280
Speaker 6: what I'm saying, some people come up and so that's

473
00:18:13,320 --> 00:18:16,680
Speaker 6: what the generation idea came from. Like we kind of

474
00:18:16,760 --> 00:18:23,280
Speaker 6: the generation that kind of might have messed up some stuff,

475
00:18:23,320 --> 00:18:24,920
Speaker 6: you know what I'm saying. So you know what I'm saying,

476
00:18:25,119 --> 00:18:30,560
Speaker 6: lack of parental advisory going on nowadays, so you know,

477
00:18:30,720 --> 00:18:34,080
Speaker 6: lack of church, God and everything, you know what I'm saying.

478
00:18:34,200 --> 00:18:36,960
Speaker 4: So that's where the idea for generation. So how do

479
00:18:37,000 --> 00:18:39,120
Speaker 4: you course correct that though? Or do you even try

480
00:18:39,160 --> 00:18:40,840
Speaker 4: to cause correct? Do you just acknowledge it a I

481
00:18:40,920 --> 00:18:41,520
Speaker 4: know we did that.

482
00:18:42,080 --> 00:18:43,800
Speaker 6: I think you just acknowledge it for me, you know,

483
00:18:44,880 --> 00:18:47,040
Speaker 6: you know, I know it takes more than one person

484
00:18:47,240 --> 00:18:49,560
Speaker 6: to try to save the world, you know what I mean,

485
00:18:49,720 --> 00:18:53,880
Speaker 6: And so trying to be, you know, a frontline soldier

486
00:18:54,040 --> 00:18:56,920
Speaker 6: was just not my idea for this. It was just

487
00:18:57,000 --> 00:19:02,000
Speaker 6: more like finding a creative way to say we started

488
00:19:02,040 --> 00:19:02,920
Speaker 6: a lot of what's.

489
00:19:02,720 --> 00:19:04,959
Speaker 5: Going on right And it could go both ways too.

490
00:19:05,119 --> 00:19:06,600
Speaker 9: That's why I thought the hook was dope because it

491
00:19:06,600 --> 00:19:09,280
Speaker 9: could be positive or negative like we the generation didn't,

492
00:19:09,359 --> 00:19:12,160
Speaker 9: or it could be like an admission of gilt and growth.

493
00:19:12,240 --> 00:19:17,160
Speaker 1: Yo, I'm sorry, Yeah, it's growth about where his kids

494
00:19:17,240 --> 00:19:18,320
Speaker 1: and his businesses too.

495
00:19:18,359 --> 00:19:19,960
Speaker 12: But he also let you know where he came from

496
00:19:20,040 --> 00:19:21,600
Speaker 12: and where he you know, his growth, but you know,

497
00:19:21,720 --> 00:19:24,600
Speaker 12: he young and that's the environment he was in, and uh,

498
00:19:25,119 --> 00:19:26,359
Speaker 12: he letting you know where he at now.

499
00:19:26,400 --> 00:19:28,240
Speaker 1: He talking about the LLCs and things like that.

500
00:19:28,359 --> 00:19:29,840
Speaker 12: So I see, I look at it as growth, like

501
00:19:29,920 --> 00:19:31,720
Speaker 12: you know what I mean, we the generation, but you

502
00:19:31,760 --> 00:19:33,000
Speaker 12: know what I'm saying, look at me now, like I

503
00:19:33,080 --> 00:19:35,520
Speaker 12: got multiple businesses, like I'm taking care of my kids

504
00:19:35,560 --> 00:19:37,359
Speaker 12: and my coaching, you know what I mean.

505
00:19:37,440 --> 00:19:38,560
Speaker 1: So I thought it was dope.

506
00:19:38,960 --> 00:19:41,359
Speaker 4: The next generation is more prone to listen to somebody

507
00:19:41,400 --> 00:19:43,879
Speaker 4: who went through it too and survived it than they

508
00:19:43,920 --> 00:19:45,680
Speaker 4: are to somebody who's just telling them they don't do

509
00:19:45,800 --> 00:19:47,480
Speaker 4: this and that. But you didn't go through none of that.

510
00:19:48,000 --> 00:19:52,000
Speaker 8: Yeah, it's back back in October, you had a I know,

511
00:19:52,000 --> 00:19:53,760
Speaker 8: I was saying, you wasn't with def jam no more.

512
00:19:53,800 --> 00:19:55,280
Speaker 8: He wasn't going to resign you a free agent?

513
00:19:55,640 --> 00:19:57,400
Speaker 5: Is that still? Yeah?

514
00:19:57,480 --> 00:20:01,000
Speaker 6: This was my first independent produ jack that I've dropped,

515
00:20:01,080 --> 00:20:05,840
Speaker 6: like I don't know, man, uh, twenty since twenty maybe

516
00:20:05,960 --> 00:20:09,880
Speaker 6: eleven or something, twenty ten, I'm not sure. Yeah, yeah, yeah,

517
00:20:09,880 --> 00:20:11,760
Speaker 6: tweeny twelve of my first boats, but I was signed

518
00:20:12,680 --> 00:20:14,399
Speaker 6: a couple of months before that. But yeah, this was

519
00:20:14,440 --> 00:20:16,560
Speaker 6: my first independent project. I just wanted to kind of

520
00:20:16,640 --> 00:20:18,920
Speaker 6: like test the waters. I don't have anything against step Jam.

521
00:20:19,000 --> 00:20:22,119
Speaker 6: I've been with them over a decade. Found you know.

522
00:20:22,280 --> 00:20:23,960
Speaker 6: It was it's ups and downs and everything, you know

523
00:20:24,000 --> 00:20:26,320
Speaker 6: what I'm saying. But at the same time, I built

524
00:20:26,359 --> 00:20:29,680
Speaker 6: a lot of relationships, you know. It was this was

525
00:20:29,960 --> 00:20:31,800
Speaker 6: just kind of stuff right here, it's just a phone call.

526
00:20:32,000 --> 00:20:34,120
Speaker 6: You can get up here and stuff like that. Don't

527
00:20:34,119 --> 00:20:37,359
Speaker 6: nobody have to set up my New York promo or

528
00:20:37,359 --> 00:20:38,760
Speaker 6: anything like that, you know what I mean. So it

529
00:20:38,880 --> 00:20:41,080
Speaker 6: was just about getting out here, you know. And it's

530
00:20:41,240 --> 00:20:43,600
Speaker 6: it's it's it's for me the best of both words.

531
00:20:43,640 --> 00:20:45,840
Speaker 6: I had some great things happening on the major side,

532
00:20:46,440 --> 00:20:49,960
Speaker 6: and now I'm learning how to operate in the independent space.

533
00:20:50,080 --> 00:20:52,120
Speaker 5: And it's it's freedom.

534
00:20:52,520 --> 00:20:53,720
Speaker 1: Do you like it? Yeah?

535
00:20:53,760 --> 00:20:56,000
Speaker 6: Because like they was like we need to drop this

536
00:20:56,080 --> 00:20:59,359
Speaker 6: next month. I was like, we can do it this

537
00:20:59,440 --> 00:21:01,000
Speaker 6: next week, Like we need to They was looking on

538
00:21:01,080 --> 00:21:04,359
Speaker 6: it was like Christmas. They was like we need to

539
00:21:04,400 --> 00:21:07,399
Speaker 6: come next the end of January. Then I started being like,

540
00:21:07,480 --> 00:21:09,440
Speaker 6: damn boy, this empire.

541
00:21:09,960 --> 00:21:13,480
Speaker 4: Yeah, but you also got money to change. Like everybody

542
00:21:13,560 --> 00:21:15,879
Speaker 4: can't be independent. That's the part of the independence. Folks

543
00:21:15,920 --> 00:21:17,760
Speaker 4: don't talk about. You got to have the paper.

544
00:21:19,320 --> 00:21:21,840
Speaker 5: The paper ain't no, yeah, you the budget. Now, you

545
00:21:21,840 --> 00:21:22,359
Speaker 5: know what I'm saying.

546
00:21:22,800 --> 00:21:24,720
Speaker 6: I ain't fully wrapped my head around need to take

547
00:21:24,760 --> 00:21:26,320
Speaker 6: what was calling me about the faults and.

548
00:21:26,400 --> 00:21:33,200
Speaker 5: Fifties and sixties. We just we just chilled.

549
00:21:33,800 --> 00:21:34,439
Speaker 7: They can't get.

550
00:21:39,359 --> 00:21:39,399
Speaker 1: It.

551
00:21:39,600 --> 00:21:41,760
Speaker 5: Is like it just be different when you plan. You

552
00:21:41,840 --> 00:21:43,000
Speaker 5: know how it is. I describe it.

553
00:21:43,359 --> 00:21:45,240
Speaker 6: You know, when you have somebody else money, I describe

554
00:21:45,240 --> 00:21:46,800
Speaker 6: it like this. I just I described like when you

555
00:21:46,840 --> 00:21:49,240
Speaker 6: get a run a car, you don't never like stop

556
00:21:49,320 --> 00:21:50,760
Speaker 6: up a speed marks, you just jump them.

557
00:21:51,680 --> 00:21:51,840
Speaker 1: Damn.

558
00:21:51,880 --> 00:21:53,760
Speaker 5: You get your own car, you do like a you

559
00:21:53,800 --> 00:21:55,040
Speaker 5: know what I'm saying, you do like a thing. So

560
00:21:55,119 --> 00:21:55,760
Speaker 5: when you got other.

561
00:21:55,680 --> 00:21:57,600
Speaker 6: People money, you're more reckless, you know what I'm saying.

562
00:21:57,600 --> 00:21:59,000
Speaker 6: That's what I'm trying to say. You got all people

563
00:21:59,040 --> 00:22:02,280
Speaker 6: money for me, I'm not gonna, you know, fuck up

564
00:22:02,320 --> 00:22:04,880
Speaker 6: the bag. But I might be a little bit more reckless.

565
00:22:04,880 --> 00:22:05,439
Speaker 1: But when it's my.

566
00:22:05,520 --> 00:22:07,560
Speaker 3: Money, you go over that speed mass low.

567
00:22:08,080 --> 00:22:11,520
Speaker 6: The difference between having your own studio and paying for

568
00:22:11,600 --> 00:22:14,120
Speaker 6: studio time. When you have your own studio, you can work,

569
00:22:14,280 --> 00:22:16,520
Speaker 6: go to sleep, come back when you're paying for studio time.

570
00:22:16,880 --> 00:22:18,840
Speaker 6: In my opinion, you ain't even got time to go pee.

571
00:22:19,160 --> 00:22:21,359
Speaker 6: You got the guy, damn this working you got you

572
00:22:21,400 --> 00:22:23,320
Speaker 6: know what I'm saying, came in here. So that just

573
00:22:23,400 --> 00:22:24,840
Speaker 6: been my mindset to be efficient.

574
00:22:25,000 --> 00:22:25,719
Speaker 7: So what do you like more?

575
00:22:25,960 --> 00:22:26,240
Speaker 3: Major?

576
00:22:27,560 --> 00:22:30,240
Speaker 6: I haven't been independent, you said October, So not even

577
00:22:31,440 --> 00:22:35,240
Speaker 6: six months yet. But for this to be my first

578
00:22:35,280 --> 00:22:37,760
Speaker 6: independent project, I'm geek now, but this to be my

579
00:22:37,840 --> 00:22:39,840
Speaker 6: first and then you know me come this way, I'm

580
00:22:39,920 --> 00:22:43,639
Speaker 6: kind of it looks like a Rin benvention of Bantonio.

581
00:22:43,760 --> 00:22:44,800
Speaker 1: You know. You know.

582
00:22:46,320 --> 00:22:50,320
Speaker 11: When you spend other people's money, steal your money, they

583
00:22:50,400 --> 00:22:51,000
Speaker 11: gotta pay it back.

584
00:22:53,520 --> 00:22:55,480
Speaker 5: Yeah, that's probably why I'm so officient.

585
00:22:57,600 --> 00:22:59,639
Speaker 3: This time around. Them numbers matter because it's it's a

586
00:22:59,680 --> 00:23:01,359
Speaker 3: whole different game for me.

587
00:23:01,880 --> 00:23:04,160
Speaker 6: I kind of ain't been stunning numbers for a long

588
00:23:04,240 --> 00:23:07,920
Speaker 6: time because, like I'm gonna be real, I don't own

589
00:23:08,400 --> 00:23:11,680
Speaker 6: me or my team were not. We so late to

590
00:23:11,760 --> 00:23:15,480
Speaker 6: the back party and the streaming party. Once you hear

591
00:23:15,520 --> 00:23:17,680
Speaker 6: about it and who doing and all that stuff, you

592
00:23:17,880 --> 00:23:21,000
Speaker 6: kind of get discouraged. Like, man, you know a lot

593
00:23:21,040 --> 00:23:24,200
Speaker 6: of people are helping themselves or whatever you want to

594
00:23:24,240 --> 00:23:26,280
Speaker 6: call it, or cheating or whatever it's called. But then

595
00:23:26,359 --> 00:23:28,760
Speaker 6: I think about how I go in the studio nightly

596
00:23:28,840 --> 00:23:30,840
Speaker 6: I come up with this stuff. Nobody's beside me helping

597
00:23:30,880 --> 00:23:32,760
Speaker 6: me come up with the hood Nobody. I don't know

598
00:23:32,800 --> 00:23:34,360
Speaker 6: if this is smarter or not. No want has helped

599
00:23:34,359 --> 00:23:36,639
Speaker 6: me write something to I don't know what it is.

600
00:23:36,720 --> 00:23:38,240
Speaker 6: But I'm able to go in and still come up

601
00:23:38,280 --> 00:23:40,800
Speaker 6: with a dope idea every single night. That's what gives

602
00:23:40,840 --> 00:23:43,840
Speaker 6: me the life I got with this stuff, you know

603
00:23:43,880 --> 00:23:45,879
Speaker 6: what I'm saying. Other than that, I think, you know,

604
00:23:46,680 --> 00:23:48,960
Speaker 6: I'll probably be somewhere else with it. But me knowing

605
00:23:49,000 --> 00:23:51,480
Speaker 6: I can go tonight and make a make something incredible,

606
00:23:52,560 --> 00:23:53,200
Speaker 6: That's what got me.

607
00:23:54,680 --> 00:23:57,159
Speaker 7: You're a jone company right from the beginning.

608
00:23:58,119 --> 00:24:01,240
Speaker 12: I will Warner Brothers in like twenty seventeen for like

609
00:24:01,320 --> 00:24:02,960
Speaker 12: two years, did a couple of EPs with them, and

610
00:24:03,000 --> 00:24:06,760
Speaker 12: then I went like fully distro kid like a couple

611
00:24:06,800 --> 00:24:09,760
Speaker 12: of years, like just straight on the cell phone app.

612
00:24:10,240 --> 00:24:12,399
Speaker 1: And then my team Double Empire. Would you do you

613
00:24:12,440 --> 00:24:12,960
Speaker 1: like execution?

614
00:24:13,600 --> 00:24:13,719
Speaker 13: Uh?

615
00:24:14,200 --> 00:24:14,360
Speaker 1: Man?

616
00:24:14,400 --> 00:24:17,400
Speaker 12: I like independent. I can get to go drop sit

617
00:24:17,400 --> 00:24:18,639
Speaker 12: whenever I want to do it. I don't got to

618
00:24:18,640 --> 00:24:19,879
Speaker 12: think too much about it. I don't look at the

619
00:24:19,960 --> 00:24:21,440
Speaker 12: numbers at all. I might say it a lot, but

620
00:24:21,880 --> 00:24:24,080
Speaker 12: I just put it out. It's more like a long

621
00:24:24,240 --> 00:24:27,120
Speaker 12: term game for me. It's like like buying stocks in yourself.

622
00:24:27,200 --> 00:24:29,080
Speaker 12: Like we're putting the music out there. It's streaming. You know,

623
00:24:29,160 --> 00:24:31,200
Speaker 12: you're streaming that. You gotta just click that button. It's coming.

624
00:24:31,280 --> 00:24:33,000
Speaker 12: So it's like stocks. I'm putting that ship out.

625
00:24:33,359 --> 00:24:34,840
Speaker 1: Either go like it or you don't like it.

626
00:24:34,920 --> 00:24:36,879
Speaker 8: But it's not about acknowledge about your art.

627
00:24:37,080 --> 00:24:38,920
Speaker 1: You all gotta go platinum and and that I would

628
00:24:38,960 --> 00:24:39,879
Speaker 1: love to, you know what I mean.

629
00:24:40,000 --> 00:24:42,480
Speaker 12: But I'm just keeping it going, just keeping it going

630
00:24:42,560 --> 00:24:45,840
Speaker 12: and expressing my mind through through the music and people

631
00:24:45,920 --> 00:24:46,520
Speaker 12: relating to it.

632
00:24:46,600 --> 00:24:48,399
Speaker 1: And I don't think nothing of it, you know what

633
00:24:48,400 --> 00:24:48,680
Speaker 1: I mean.

634
00:24:48,960 --> 00:24:51,400
Speaker 8: And then tonight you'll performing Jimmy fallon show.

635
00:24:51,560 --> 00:24:54,199
Speaker 11: This is your first first time, my first time.

636
00:24:54,840 --> 00:24:55,920
Speaker 1: It's crazy legendary.

637
00:24:56,000 --> 00:24:56,119
Speaker 6: Man.

638
00:24:56,280 --> 00:24:58,040
Speaker 1: I'm over here looking around, like, damn.

639
00:25:00,160 --> 00:25:01,720
Speaker 4: The game, Larry, because I mean, you got such a

640
00:25:01,760 --> 00:25:03,200
Speaker 4: good head on your shoulders. Mar Like I said, you

641
00:25:03,200 --> 00:25:05,600
Speaker 4: talk about financial literacy, you talk about mindfulness. One of

642
00:25:05,640 --> 00:25:07,280
Speaker 4: the balls I love on this album. You say I

643
00:25:07,359 --> 00:25:09,479
Speaker 4: never had a bitch that was hard to keep found out,

644
00:25:09,560 --> 00:25:10,720
Speaker 4: found one solid hole.

645
00:25:10,640 --> 00:25:11,159
Speaker 1: Was all I need.

646
00:25:11,840 --> 00:25:14,200
Speaker 4: I'm like, for such a young man to understand that,

647
00:25:14,320 --> 00:25:18,080
Speaker 4: especially the lifestyle you live, it's found on that line for.

648
00:25:18,160 --> 00:25:22,080
Speaker 1: Me just from you know, you know, I have my

649
00:25:22,280 --> 00:25:24,159
Speaker 1: kid early nineteen, you know what I mean.

650
00:25:24,480 --> 00:25:26,040
Speaker 12: You know, I was forcing this to have been a

651
00:25:26,160 --> 00:25:28,879
Speaker 12: single father very early and now it just kind of

652
00:25:28,960 --> 00:25:32,000
Speaker 12: changed my mindset on even like having women around period. Like,

653
00:25:32,040 --> 00:25:34,280
Speaker 12: you know, my son ain't been around multiple women at all,

654
00:25:34,359 --> 00:25:36,960
Speaker 12: so it was like it just showing him like I'm

655
00:25:37,000 --> 00:25:38,159
Speaker 12: not married and nothing like that.

656
00:25:38,400 --> 00:25:40,520
Speaker 1: So he never really got to see see that.

657
00:25:40,640 --> 00:25:42,280
Speaker 12: So I have to always like let him know that, look,

658
00:25:42,320 --> 00:25:43,960
Speaker 12: I'm not married like this, but it's it's good to

659
00:25:44,000 --> 00:25:44,480
Speaker 12: get married.

660
00:25:44,560 --> 00:25:46,480
Speaker 1: You know, I have one person that you're dealing with.

661
00:25:46,600 --> 00:25:49,520
Speaker 12: And I wouldn't always like that, But as I got older,

662
00:25:49,520 --> 00:25:53,160
Speaker 12: I started understanding, like, man, one solid woman can change everything.

663
00:25:53,240 --> 00:25:56,560
Speaker 7: You know, you say older, you're thirty three, Yeah I'm you.

664
00:25:56,640 --> 00:26:05,240
Speaker 1: Know, but yeah, I'm still doing numbers. Man. I feel

665
00:26:05,280 --> 00:26:06,840
Speaker 1: like I feel like I don't leave this ship. Like

666
00:26:06,880 --> 00:26:08,560
Speaker 1: a couple of times I ain't go hold you.

667
00:26:08,600 --> 00:26:11,040
Speaker 12: I feel like I'm way older and I feel like

668
00:26:11,160 --> 00:26:14,560
Speaker 12: they know peace peace like having one solid woman's peace,

669
00:26:14,600 --> 00:26:15,680
Speaker 12: you know what I mean. I feel like, you know,

670
00:26:16,000 --> 00:26:18,280
Speaker 12: I haven't really experienced that fully yet, you know what

671
00:26:18,320 --> 00:26:19,960
Speaker 12: I mean. But I'm getting there, you know what I mean.

672
00:26:20,040 --> 00:26:21,800
Speaker 12: But uh, I think it brings a lot of peace.

673
00:26:21,840 --> 00:26:24,560
Speaker 12: It can help you work more. And I realized that

674
00:26:24,720 --> 00:26:25,880
Speaker 12: when I was recording that song.

675
00:26:26,320 --> 00:26:29,800
Speaker 7: It wasn't your father, your uncle, just life like it

676
00:26:29,920 --> 00:26:30,639
Speaker 7: was more life.

677
00:26:30,480 --> 00:26:32,200
Speaker 12: Because I had I used to have a multiple you know,

678
00:26:32,280 --> 00:26:33,920
Speaker 12: I was a multiple kind of guy, like you know,

679
00:26:34,320 --> 00:26:35,360
Speaker 12: I had honeycomb high.

680
00:26:35,440 --> 00:26:37,080
Speaker 1: I was you know what I'm saying, spots like a cheetah,

681
00:26:37,160 --> 00:26:37,640
Speaker 1: you know what I mean.

682
00:26:38,000 --> 00:26:41,480
Speaker 12: You know, I was moving and grooving and it was

683
00:26:41,520 --> 00:26:43,399
Speaker 12: taking up too much of my time, you know what

684
00:26:43,440 --> 00:26:46,720
Speaker 12: I'm saying, from like working and being with my kid

685
00:26:46,920 --> 00:26:48,800
Speaker 12: and dealing with this situation.

686
00:26:48,960 --> 00:26:50,960
Speaker 1: And this happened now and got called.

687
00:26:50,800 --> 00:26:53,560
Speaker 12: Text too much extra ship like you know I'm talking about.

688
00:26:53,840 --> 00:26:55,800
Speaker 12: So yeah, that's that's kind of where the line came from.

689
00:26:56,040 --> 00:26:57,800
Speaker 4: How important is that change? Because you you know, you

690
00:26:57,920 --> 00:26:59,560
Speaker 4: you a married man yourself, you allays see you out

691
00:26:59,560 --> 00:26:59,960
Speaker 4: with your queen.

692
00:27:00,160 --> 00:27:01,320
Speaker 7: How important is that to have that?

693
00:27:02,560 --> 00:27:05,080
Speaker 6: Oh, It's very important for me, man, especially having somebody

694
00:27:05,400 --> 00:27:07,560
Speaker 6: that mature out to take care to make sure home straight,

695
00:27:07,720 --> 00:27:10,359
Speaker 6: make sure the little Michelaine and stuff straight, someone that

696
00:27:10,440 --> 00:27:13,600
Speaker 6: fully supports me, listens to my music critiques me. She

697
00:27:13,680 --> 00:27:16,760
Speaker 6: sent me a very very dope message the morning I

698
00:27:16,800 --> 00:27:19,440
Speaker 6: woke up. The first message I read was from was

699
00:27:19,480 --> 00:27:22,960
Speaker 6: from Keisha saying basically saying, I was a lyrical god.

700
00:27:23,200 --> 00:27:25,760
Speaker 6: JUSTI just doing what she's supposed to do my ego,

701
00:27:25,800 --> 00:27:29,000
Speaker 6: you know what I'm saying. Yeah, you know, And so

702
00:27:30,119 --> 00:27:32,680
Speaker 6: you know, me and her, we laugh every single day.

703
00:27:32,760 --> 00:27:32,920
Speaker 5: Man.

704
00:27:32,960 --> 00:27:34,840
Speaker 6: We got the same habits. You know what I'm saying.

705
00:27:34,920 --> 00:27:36,760
Speaker 6: We go out, you know what I'm saying. She come

706
00:27:36,800 --> 00:27:39,600
Speaker 6: to Candy Land with me. It's just like, you know

707
00:27:39,640 --> 00:27:41,560
Speaker 6: what I'm saying, when you find somebody like that. I

708
00:27:41,640 --> 00:27:43,280
Speaker 6: love that line as well, you know what I'm saying.

709
00:27:44,160 --> 00:27:46,520
Speaker 6: We shot the video for that. I thought I was like, Bob,

710
00:27:46,560 --> 00:27:49,040
Speaker 6: I'm saying one one, but I don't think they kept

711
00:27:49,080 --> 00:27:52,280
Speaker 6: my part in the video. But anyway, that's why it

712
00:27:52,400 --> 00:27:56,879
Speaker 6: was cool working with him, because even though the difference

713
00:27:56,920 --> 00:27:58,920
Speaker 6: between him and I think Wayne is Wayne is a

714
00:27:59,000 --> 00:28:01,720
Speaker 6: more metaphoric type of MC. You know what I'm saying,

715
00:28:01,800 --> 00:28:06,840
Speaker 6: style mc you know what I'm saying, and wordplay physics. Well, Larry,

716
00:28:06,920 --> 00:28:09,600
Speaker 6: he just like very direct, lifestyle driven, you know what

717
00:28:09,640 --> 00:28:11,200
Speaker 6: I'm saying. And so it was cool for me to

718
00:28:11,280 --> 00:28:13,520
Speaker 6: pop up my lifestyle like, bro, i'm having this going on,

719
00:28:13,680 --> 00:28:14,920
Speaker 6: let me talk, you know what I'm saying. It was

720
00:28:15,000 --> 00:28:17,720
Speaker 6: more like it was more like cool ways to express

721
00:28:18,280 --> 00:28:20,160
Speaker 6: that you're not done, you know what I'm saying. That's

722
00:28:20,160 --> 00:28:21,879
Speaker 6: what this project really it is just a cool way

723
00:28:21,920 --> 00:28:23,800
Speaker 6: to spread that. Like you know, man, ain't ain't no

724
00:28:23,880 --> 00:28:24,960
Speaker 6: dumb brothers right there.

725
00:28:25,119 --> 00:28:26,720
Speaker 12: You inspired me to saying you how you move with

726
00:28:26,760 --> 00:28:28,119
Speaker 12: your wife? I'm like, yeah, that's how you do it.

727
00:28:28,320 --> 00:28:30,520
Speaker 12: That's that's how you rocking, and you got your kids

728
00:28:30,600 --> 00:28:32,200
Speaker 12: and that's real, you know what I mean. I was

729
00:28:32,240 --> 00:28:33,080
Speaker 12: really inspired by that.

730
00:28:33,200 --> 00:28:33,679
Speaker 1: You know what I mean.

731
00:28:33,800 --> 00:28:36,200
Speaker 12: You mean you're talking about your wife all the time, Like, yes,

732
00:28:36,640 --> 00:28:38,480
Speaker 12: that's how you do it. You know that's real bullshit.

733
00:28:38,520 --> 00:28:41,360
Speaker 12: Every boss got they queen I'm talking about. So, oh

734
00:28:41,400 --> 00:28:44,000
Speaker 12: it is your son thirteen, You turned thirteen, he had

735
00:28:44,040 --> 00:28:44,880
Speaker 12: the hotel right now.

736
00:28:44,880 --> 00:28:46,440
Speaker 1: You have to have to bring in my school for

737
00:28:46,520 --> 00:28:46,840
Speaker 1: this man.

738
00:28:46,920 --> 00:28:48,800
Speaker 3: But see, okay, so how does that work?

739
00:28:48,880 --> 00:28:49,320
Speaker 1: You know what I mean?

740
00:28:49,360 --> 00:28:52,400
Speaker 8: Because you don't hear about a lot of single dads

741
00:28:52,720 --> 00:28:53,680
Speaker 8: with these careers.

742
00:28:54,960 --> 00:28:55,400
Speaker 1: It's tough.

743
00:28:55,440 --> 00:28:57,080
Speaker 12: How he was torn with me since he was little,

744
00:28:57,200 --> 00:28:58,719
Speaker 12: like you know what I mean, I probably trained him

745
00:28:58,720 --> 00:29:00,640
Speaker 12: on the spinner van, you know what I mean. So

746
00:29:00,800 --> 00:29:03,000
Speaker 12: like sometimes I can make it work, like my dad,

747
00:29:03,040 --> 00:29:05,440
Speaker 12: he'll help me on my my grandmother and my mama

748
00:29:05,560 --> 00:29:08,240
Speaker 12: fly in and help. But he get times like this

749
00:29:08,360 --> 00:29:11,640
Speaker 12: where it's like you got a slide, Come on, we

750
00:29:11,680 --> 00:29:14,360
Speaker 12: get the online working, you get to get him a room,

751
00:29:14,400 --> 00:29:15,800
Speaker 12: and we just try to just get it done now.

752
00:29:15,880 --> 00:29:18,400
Speaker 12: Just I'm just trying to make it happen that you

753
00:29:18,480 --> 00:29:22,080
Speaker 12: do get tough. It be on your conscious like damn,

754
00:29:22,080 --> 00:29:23,480
Speaker 12: I'm doing the right thing as a parent. You need

755
00:29:23,560 --> 00:29:25,360
Speaker 12: to be at school for these three days or whatever.

756
00:29:25,480 --> 00:29:28,800
Speaker 12: But he learned the other things to learn the other things,

757
00:29:28,840 --> 00:29:31,600
Speaker 12: so and he very like ahead of the game for that.

758
00:29:31,800 --> 00:29:34,040
Speaker 12: Just's some traveling with us and seeing different things, being

759
00:29:34,080 --> 00:29:36,080
Speaker 12: able to meet you know what I mean, artists and

760
00:29:36,280 --> 00:29:39,040
Speaker 12: and he you know, he a big inspirational.

761
00:29:39,360 --> 00:29:41,400
Speaker 4: Y'all talk about that thoughing life is beautiful, y'all talk

762
00:29:41,400 --> 00:29:43,920
Speaker 4: about trying to balance being a father, you know, and

763
00:29:44,120 --> 00:29:44,640
Speaker 4: your career.

764
00:29:44,760 --> 00:29:46,800
Speaker 7: So that's conversations you'll have off the mic.

765
00:29:48,040 --> 00:29:50,920
Speaker 5: I think it's just evident. It's just the energy he's

766
00:29:50,920 --> 00:29:51,320
Speaker 5: gonna talk.

767
00:29:51,480 --> 00:29:54,040
Speaker 6: You know, he spoke about Eli a couple of times,

768
00:29:54,080 --> 00:29:57,720
Speaker 6: and then you know, I'm I'm Halo, like the second

769
00:29:57,800 --> 00:29:59,600
Speaker 6: highest earner in my household.

770
00:29:59,600 --> 00:30:00,760
Speaker 1: You know what I'm I think.

771
00:30:02,200 --> 00:30:02,880
Speaker 5: He get money.

772
00:30:03,800 --> 00:30:05,320
Speaker 3: How do you do with your son? Because I see

773
00:30:05,360 --> 00:30:06,520
Speaker 3: your son hollering at women.

774
00:30:07,040 --> 00:30:09,120
Speaker 6: Now, Helo like that you chill out a little bit,

775
00:30:09,280 --> 00:30:11,600
Speaker 6: a little bit or I ain't never told Helo even

776
00:30:11,640 --> 00:30:18,040
Speaker 6: be humble, nod that you know what I'm Stay there,

777
00:30:18,080 --> 00:30:21,680
Speaker 6: you that confident cocky, don't even man humble, won't because

778
00:30:22,200 --> 00:30:22,600
Speaker 6: what do this mean?

779
00:30:22,640 --> 00:30:23,719
Speaker 5: What do this mean? If he ever asked me one

780
00:30:23,760 --> 00:30:25,960
Speaker 5: humble men? I'm like, I don't know, I don't know.

781
00:30:26,160 --> 00:30:28,600
Speaker 5: Stay like you are. And it's just about you installing confidence,

782
00:30:28,640 --> 00:30:30,720
Speaker 5: especially in you know, young black boys. You know what

783
00:30:30,760 --> 00:30:31,160
Speaker 5: I'm saying.

784
00:30:31,200 --> 00:30:33,640
Speaker 6: I'm on them about you know, getting his books done,

785
00:30:33,640 --> 00:30:35,440
Speaker 6: whether he reading on the way to train or whatever.

786
00:30:35,560 --> 00:30:37,240
Speaker 6: But it's just, you know, it's a blessing to have

787
00:30:38,000 --> 00:30:41,480
Speaker 6: because I honestly feel like he is a direct reflection

788
00:30:41,640 --> 00:30:43,720
Speaker 6: of my father, who passed in twenty twelve.

789
00:30:44,160 --> 00:30:44,920
Speaker 1: I felt like Helo.

790
00:30:45,000 --> 00:30:48,040
Speaker 5: He just too mature to be nine years old, certainly. Yeah,

791
00:30:48,080 --> 00:30:50,160
Speaker 5: so I'd be like man and he started casting just

792
00:30:50,240 --> 00:30:51,200
Speaker 5: like my dad was.

793
00:30:51,360 --> 00:30:55,800
Speaker 6: So I really I'm into you know, I'm a spiritual

794
00:30:55,840 --> 00:30:57,800
Speaker 6: type of person, so I'm kind of into that. And

795
00:30:57,840 --> 00:31:01,080
Speaker 6: then my two girls they growing up driving. My oldest

796
00:31:01,160 --> 00:31:04,000
Speaker 6: is driving to school. So it's just like you look

797
00:31:04,120 --> 00:31:06,960
Speaker 6: up man, next thing, you know, you know, the house

798
00:31:06,960 --> 00:31:08,920
Speaker 6: is gonna be empty and a little bit or whatever

799
00:31:09,040 --> 00:31:10,680
Speaker 6: that is, you know what I'm saying. But it was

800
00:31:10,760 --> 00:31:13,320
Speaker 6: cool to kind of pop about it over these type

801
00:31:13,320 --> 00:31:16,280
Speaker 6: of vibes, you know what I'm saying. And that's that's

802
00:31:16,400 --> 00:31:18,920
Speaker 6: that's what it is. I don't think it's about what

803
00:31:19,080 --> 00:31:21,120
Speaker 6: the numbers we're gonna do. I think if we thought

804
00:31:21,120 --> 00:31:22,520
Speaker 6: about that, we want to drop the week of the

805
00:31:22,560 --> 00:31:25,520
Speaker 6: super Bowl, knowing that that's gonna HiPE Kendrick's numbers, you

806
00:31:25,520 --> 00:31:27,920
Speaker 6: know what I'm saying. I think it was about putting

807
00:31:27,960 --> 00:31:32,800
Speaker 6: out a project that has replay value. I haven't heard

808
00:31:32,880 --> 00:31:35,520
Speaker 6: one person that just played it one time. I keep saying,

809
00:31:35,640 --> 00:31:37,760
Speaker 6: I can't take it out, I can't stop playing.

810
00:31:37,520 --> 00:31:39,880
Speaker 4: It, and I can sleep good at night knowing that

811
00:31:40,880 --> 00:31:42,720
Speaker 4: what do you want Halo to do, man, because God's

812
00:31:42,720 --> 00:31:45,040
Speaker 4: the limit for a young Halo. What do you want

813
00:31:45,120 --> 00:31:46,800
Speaker 4: him to do? Like you personally as a father, what

814
00:31:46,840 --> 00:31:48,400
Speaker 4: would you want to say, You're going to the league.

815
00:31:48,520 --> 00:31:51,760
Speaker 6: Okay, you're going to league, so you want them here

816
00:31:51,840 --> 00:31:56,760
Speaker 6: going to the league. I just really say, you know, no,

817
00:31:56,880 --> 00:31:58,680
Speaker 6: I didn't go. I didn't go to the Super Bowl.

818
00:31:58,680 --> 00:32:00,400
Speaker 6: I watched it at my studio back in Atlanta with

819
00:32:00,440 --> 00:32:02,760
Speaker 6: a couple other guys. I had the chef cook and

820
00:32:02,840 --> 00:32:05,520
Speaker 6: I just actually had a show in Chicago on Saturday

821
00:32:05,600 --> 00:32:08,640
Speaker 6: with Jeezy, and so I came back to Atlanta Sunday

822
00:32:09,400 --> 00:32:12,360
Speaker 6: because I wasn't sure how it was some question marks

823
00:32:12,400 --> 00:32:14,480
Speaker 6: about the New Orleans trip, and I just came home

824
00:32:14,520 --> 00:32:16,520
Speaker 6: and chill like that, and then I came back out

825
00:32:16,560 --> 00:32:19,200
Speaker 6: here yesterday. We shot a video last night. And that's

826
00:32:19,200 --> 00:32:21,680
Speaker 6: another thing he got. He got an awesome team. That's

827
00:32:21,720 --> 00:32:23,160
Speaker 6: why I like working with Larry too. He got a

828
00:32:23,240 --> 00:32:26,040
Speaker 6: really really awesome team. And they would they would this

829
00:32:26,160 --> 00:32:28,720
Speaker 6: stuff on all like let's shoot listen, let's do that.

830
00:32:29,520 --> 00:32:33,040
Speaker 6: Love that? I love that, And so I landed at elaughing.

831
00:32:33,160 --> 00:32:36,240
Speaker 6: We shot the video like one. You know what I'm saying,

832
00:32:37,520 --> 00:32:39,400
Speaker 6: He up up we came and you know.

833
00:32:39,520 --> 00:32:41,280
Speaker 12: So, and I'm coming trap from Vegas. I had the

834
00:32:41,760 --> 00:32:44,880
Speaker 12: club live right before like some we got the airplane

835
00:32:44,920 --> 00:32:47,440
Speaker 12: was straight to the the video. But it'd be hard.

836
00:32:48,080 --> 00:32:49,960
Speaker 12: We're getting it done. We looked back like happy we

837
00:32:50,040 --> 00:32:52,160
Speaker 12: did all that. Kind of tired, but like, look back

838
00:32:52,320 --> 00:32:53,920
Speaker 12: we did that ship coming.

839
00:32:53,760 --> 00:32:55,600
Speaker 3: From the Bay Area. How difficult is it to get

840
00:32:55,640 --> 00:32:56,640
Speaker 3: that sound out right?

841
00:32:56,640 --> 00:32:58,680
Speaker 2: Because a lot of times when people think of the

842
00:32:58,720 --> 00:33:00,320
Speaker 2: Bay Area artist, they put them in a box.

843
00:33:01,080 --> 00:33:02,200
Speaker 1: How difficulty was that for you?

844
00:33:02,480 --> 00:33:04,000
Speaker 12: You know, you got to jump over the loops and

845
00:33:04,160 --> 00:33:06,760
Speaker 12: come from different angles, and you gotta be first.

846
00:33:06,800 --> 00:33:07,720
Speaker 1: You gotta be respected.

847
00:33:08,160 --> 00:33:09,960
Speaker 12: You know, they gotta know something about you, like know

848
00:33:10,040 --> 00:33:13,200
Speaker 12: that you ain't like just a random dude talking about

849
00:33:13,280 --> 00:33:15,360
Speaker 12: this and that you got to jump over them loops

850
00:33:15,440 --> 00:33:16,760
Speaker 12: like I was. I was blessed to be able to

851
00:33:16,840 --> 00:33:19,560
Speaker 12: have connections in atl you know, living in atl when

852
00:33:19,560 --> 00:33:21,920
Speaker 12: I was a kid and coming from a different angle

853
00:33:22,000 --> 00:33:24,320
Speaker 12: and working with people over there. Like one of my

854
00:33:24,400 --> 00:33:27,120
Speaker 12: first mixtapes with tm AD eight the way Mafield, he

855
00:33:27,160 --> 00:33:29,520
Speaker 12: gave me a b pack. That was my neighbor, you

856
00:33:29,600 --> 00:33:30,920
Speaker 12: know what I mean. They thought me and him was

857
00:33:30,960 --> 00:33:32,800
Speaker 12: brothers growing up, so when I still trying to get

858
00:33:32,840 --> 00:33:33,080
Speaker 12: into it.

859
00:33:33,160 --> 00:33:35,320
Speaker 1: I hit him. I hit a few beats. That's the dope.

860
00:33:35,360 --> 00:33:36,080
Speaker 3: Think about Atlanta.

861
00:33:36,200 --> 00:33:41,080
Speaker 5: Just everybody, just like you do the mood to Atlanta

862
00:33:41,080 --> 00:33:46,080
Speaker 5: if you want to. And just my first the way

863
00:33:46,160 --> 00:33:47,640
Speaker 5: I met Wayne was just like this.

864
00:33:47,880 --> 00:33:51,040
Speaker 6: I was I was obviously selling weed, and but I

865
00:33:51,160 --> 00:33:54,600
Speaker 6: was I was selling weed, but I was using the

866
00:33:54,800 --> 00:33:57,640
Speaker 6: money to book studio time and Patchwork, which is like

867
00:33:57,880 --> 00:34:00,680
Speaker 6: a renowned studio on Atlanta. This by one of the

868
00:34:00,840 --> 00:34:03,280
Speaker 6: X Falcons players. Everybody would be in there, you know,

869
00:34:03,320 --> 00:34:05,040
Speaker 6: that's where people went. And so I was in like

870
00:34:05,120 --> 00:34:08,399
Speaker 6: a little b room and baby them from cash Money

871
00:34:08,520 --> 00:34:11,359
Speaker 6: was in the a room, thirty cash money dudes whatever.

872
00:34:11,360 --> 00:34:11,600
Speaker 1: Whatever.

873
00:34:11,719 --> 00:34:13,880
Speaker 6: So somebody came to in and say, hey, them boys,

874
00:34:14,480 --> 00:34:16,600
Speaker 6: them boys next door need some weeds. So I was like,

875
00:34:16,640 --> 00:34:18,040
Speaker 6: sh I come over there. You know what I'm saying,

876
00:34:18,080 --> 00:34:19,759
Speaker 6: it's like the number ones. You know what I'm saying.

877
00:34:19,920 --> 00:34:22,680
Speaker 6: I'm being cool, but like he wasn't smoking that time,

878
00:34:22,760 --> 00:34:24,680
Speaker 6: but he had some other guys. They take my weed.

879
00:34:24,719 --> 00:34:27,000
Speaker 5: I'm telling them. I think this was like four fifty

880
00:34:27,000 --> 00:34:27,480
Speaker 5: at the time.

881
00:34:27,640 --> 00:34:27,800
Speaker 1: You know.

882
00:34:28,600 --> 00:34:30,200
Speaker 6: You know what I'm saying, I take I give them

883
00:34:30,239 --> 00:34:35,680
Speaker 6: the zips they don't no money come. You know, I'm like,

884
00:34:36,040 --> 00:34:37,879
Speaker 6: I don't know, I can't give nobody. No, we ain't

885
00:34:37,920 --> 00:34:41,960
Speaker 6: in that position. So I ain't up going to New

886
00:34:42,080 --> 00:34:49,040
Speaker 6: Orleans with them following them about this, now follow them

887
00:34:49,040 --> 00:34:53,320
Speaker 6: about this nine hundred and so this was this was

888
00:34:53,400 --> 00:34:56,040
Speaker 6: before Katrina or you know, they had all these mansions.

889
00:34:56,120 --> 00:34:58,240
Speaker 6: Everybody had a match. They had a matching for everybody.

890
00:34:58,320 --> 00:35:02,080
Speaker 6: Then everybody had their own mansion, right and I'm standing

891
00:35:02,080 --> 00:35:03,480
Speaker 6: in the match, and for everybody they got a big

892
00:35:03,560 --> 00:35:07,239
Speaker 6: jacuzie as a living room sofa. Its many years ago.

893
00:35:07,680 --> 00:35:09,440
Speaker 6: And at this point, I'm not a full raper. I'm

894
00:35:09,560 --> 00:35:15,279
Speaker 6: a traveler. And one day Wayne comes over and we

895
00:35:15,680 --> 00:35:17,960
Speaker 6: go out in like the indoor pool and we smoked

896
00:35:17,960 --> 00:35:19,719
Speaker 6: some gas together, you know what I'm saying. And that

897
00:35:20,200 --> 00:35:23,359
Speaker 6: that's how I met Wayne, following baby to New Orleans

898
00:35:23,360 --> 00:35:25,560
Speaker 6: about these nine hundred dollars that he eventually did you

899
00:35:25,600 --> 00:35:28,799
Speaker 6: ever get do I got? I got the money When

900
00:35:28,880 --> 00:35:30,120
Speaker 6: he came in with a new car and he was like,

901
00:35:30,200 --> 00:35:32,560
Speaker 6: y'all something about the car came up there. I said, hey, man, hey,

902
00:35:32,640 --> 00:35:38,239
Speaker 6: o G I really I'm really going to I'm waiting really,

903
00:35:38,320 --> 00:35:39,799
Speaker 6: He like say, he goes Slim.

904
00:35:40,280 --> 00:35:41,400
Speaker 5: He did it, so yeah, I just.

905
00:35:41,480 --> 00:35:42,239
Speaker 3: Never collected it.

906
00:35:42,360 --> 00:35:43,759
Speaker 11: So every time you see him, you could be like,

907
00:35:45,560 --> 00:35:46,120
Speaker 11: that would have been.

908
00:35:46,160 --> 00:35:50,080
Speaker 5: More valuable I needed. Then I looked up. I was

909
00:35:50,160 --> 00:35:51,960
Speaker 5: on the way to New Orleans about that. I'm like,

910
00:35:53,160 --> 00:35:55,200
Speaker 5: they go to my Slim. We out here, we are

911
00:35:55,560 --> 00:35:56,040
Speaker 5: what we're going.

912
00:35:56,760 --> 00:35:57,840
Speaker 1: I'm going. I ain't got nothing to do.

913
00:35:58,440 --> 00:35:59,560
Speaker 5: I go to New Orlean but I'm not.

914
00:36:00,040 --> 00:36:02,040
Speaker 7: But you know, you ever thought about changing your name again?

915
00:36:02,040 --> 00:36:03,719
Speaker 7: Because you went from teddy boy to to change and

916
00:36:03,800 --> 00:36:05,040
Speaker 7: now you you know you're a mogul.

917
00:36:05,080 --> 00:36:10,719
Speaker 6: You ever thought about I go by Tony? Okay, I

918
00:36:10,800 --> 00:36:14,279
Speaker 6: ain't say to change the whole album. I didn't even

919
00:36:14,320 --> 00:36:18,400
Speaker 6: think about that. I did, but that was intentional.

920
00:36:18,760 --> 00:36:19,280
Speaker 5: Absolutely.

921
00:36:19,920 --> 00:36:20,120
Speaker 1: Wow.

922
00:36:20,640 --> 00:36:24,280
Speaker 2: Now the one I asked a hip hop question, favorite

923
00:36:24,400 --> 00:36:26,879
Speaker 2: production on the beat? Mine is always shook ones my deep.

924
00:36:27,440 --> 00:36:29,520
Speaker 2: That's how I start with your alchemists favorite production of

925
00:36:29,600 --> 00:36:30,560
Speaker 2: all time, all time?

926
00:36:31,160 --> 00:36:33,560
Speaker 9: I mean that's so I'll just say maybe what you're saying,

927
00:36:33,760 --> 00:36:37,560
Speaker 9: E P M days, I ain't ready for that.

928
00:36:37,680 --> 00:36:39,080
Speaker 1: You are ready for that? Shoot one?

929
00:36:39,120 --> 00:36:39,279
Speaker 6: You know?

930
00:36:39,320 --> 00:36:40,040
Speaker 1: I just picked one.

931
00:36:40,360 --> 00:36:42,719
Speaker 6: If we're talking about favorite, like ow, you know we

932
00:36:42,800 --> 00:36:45,000
Speaker 6: had to be a certain producer. I can't just say

933
00:36:45,040 --> 00:36:46,600
Speaker 6: favorite beat of all time.

934
00:36:46,719 --> 00:36:51,839
Speaker 11: I don't think too bright, that's too wow, how many

935
00:36:51,920 --> 00:36:52,479
Speaker 11: damn songs?

936
00:36:52,480 --> 00:36:54,120
Speaker 2: Because it's that one soe that you always hear that

937
00:36:54,160 --> 00:36:56,600
Speaker 2: beat just like h and that's always shook ones for

938
00:36:56,719 --> 00:36:58,400
Speaker 2: me every time I heard ship.

939
00:36:58,239 --> 00:37:00,719
Speaker 5: Wasn't just set it off in the party, he says out.

940
00:37:01,120 --> 00:37:02,160
Speaker 5: You know what I'm saying, you got.

941
00:37:03,760 --> 00:37:06,319
Speaker 6: Pocket plan it just I think for me, it's moved.

942
00:37:06,400 --> 00:37:11,040
Speaker 6: I'm I'm mood moody, yeah, mouy. So this morning when

943
00:37:11,040 --> 00:37:13,440
Speaker 6: I woke up, I listened to Life's Beautiful because that's.

944
00:37:13,320 --> 00:37:20,160
Speaker 1: What mood I was in, right, I went, I heard

945
00:37:20,239 --> 00:37:22,759
Speaker 1: that beat me that thing. It was stupid. It just

946
00:37:22,880 --> 00:37:24,640
Speaker 1: came on as like a movie when I can see it,

947
00:37:25,280 --> 00:37:26,719
Speaker 1: you know what I mean. I saw it like that.

948
00:37:26,800 --> 00:37:27,799
Speaker 1: When the beat came on, it.

949
00:37:27,920 --> 00:37:30,120
Speaker 3: Was like that was the last song we did too.

950
00:37:30,360 --> 00:37:32,160
Speaker 5: That was the intro, was the last one.

951
00:37:32,239 --> 00:37:32,439
Speaker 1: Last.

952
00:37:32,800 --> 00:37:33,720
Speaker 11: We did that in Atlanta.

953
00:37:34,200 --> 00:37:37,120
Speaker 14: And when we did it, we did that that boy

954
00:37:37,360 --> 00:37:39,239
Speaker 14: now we did that. No, we did that in l

955
00:37:39,280 --> 00:37:42,960
Speaker 14: A l A four in the morning. Remember, Oh yeah,

956
00:37:42,960 --> 00:37:44,239
Speaker 14: that's right, But it.

957
00:37:44,320 --> 00:37:45,160
Speaker 1: Was the last song we did.

958
00:37:45,520 --> 00:37:48,840
Speaker 7: That's right, watch your name now, Life is Beautiful.

959
00:37:50,320 --> 00:37:52,959
Speaker 1: That's how we was feeling at the time, life feeling change.

960
00:37:53,040 --> 00:37:54,000
Speaker 1: Change came up with that one.

961
00:37:54,600 --> 00:37:59,520
Speaker 6: Yeah, because honestly, the song that Larry did, Life is Beautiful.

962
00:37:59,560 --> 00:38:02,440
Speaker 6: I really love that song. I really love that song.

963
00:38:02,440 --> 00:38:05,560
Speaker 6: I love that the context, the content of it. And

964
00:38:05,680 --> 00:38:08,399
Speaker 6: then when I thought about it, and obviously I thought

965
00:38:08,440 --> 00:38:12,359
Speaker 6: about it before the because I thought about the La

966
00:38:12,440 --> 00:38:14,640
Speaker 6: fires as well, because I got homes in l A.

967
00:38:15,320 --> 00:38:17,640
Speaker 3: And so I was like, but any of them affected?

968
00:38:18,840 --> 00:38:22,239
Speaker 6: Nah? Man, God, that's good. I'm trying to sell one y'all,

969
00:38:22,320 --> 00:38:27,160
Speaker 6: so I'll let me. But but I said to say that,

970
00:38:29,040 --> 00:38:31,200
Speaker 6: I didn't want to be offensive to somebody whose life

971
00:38:31,320 --> 00:38:32,360
Speaker 6: wasn't beautiful.

972
00:38:32,000 --> 00:38:32,439
Speaker 5: At the time.

973
00:38:32,600 --> 00:38:36,760
Speaker 6: But I kind of just overall I overrode my opinion

974
00:38:36,880 --> 00:38:38,600
Speaker 6: on that and I just brought it to the guys.

975
00:38:38,640 --> 00:38:40,719
Speaker 6: I think we should call life is beautiful because I

976
00:38:40,840 --> 00:38:44,279
Speaker 6: think if you just got life period, you know what

977
00:38:44,320 --> 00:38:46,680
Speaker 6: I'm saying, you just got life at a period. That's

978
00:38:46,880 --> 00:38:48,800
Speaker 6: that's what I was trying to like, you know what

979
00:38:48,880 --> 00:38:50,839
Speaker 6: I'm saying, pinpoint right there?

980
00:38:51,280 --> 00:38:52,799
Speaker 4: One line I love when the records too, you said

981
00:38:53,239 --> 00:38:55,320
Speaker 4: I don't gate keeper on want everybody to eat, and

982
00:38:55,400 --> 00:38:57,400
Speaker 4: that that's very true about you. Has there been a

983
00:38:57,480 --> 00:39:00,359
Speaker 4: time when a gatekeeper trying to keep you up all

984
00:39:00,440 --> 00:39:00,839
Speaker 4: the time.

985
00:39:01,000 --> 00:39:06,360
Speaker 6: Man, I'm impressionable. Man, I'm you know, I'm somebody that

986
00:39:07,280 --> 00:39:09,320
Speaker 6: somebody probably try to set a screen or try to

987
00:39:09,360 --> 00:39:11,520
Speaker 6: block on. But man, I'm someone that truly believed that

988
00:39:11,600 --> 00:39:13,839
Speaker 6: if it's for you, it's for you. So but yeah,

989
00:39:13,840 --> 00:39:16,000
Speaker 6: I've been in that. I'm saying, now we talk about

990
00:39:16,120 --> 00:39:17,840
Speaker 6: numbers and all that. This is a big secret, been

991
00:39:17,920 --> 00:39:20,239
Speaker 6: going on for years. How people been manipulating the game.

992
00:39:20,239 --> 00:39:22,400
Speaker 6: Ain't nobody came and say, shorty, I just seen a

993
00:39:22,440 --> 00:39:26,479
Speaker 6: little dude in my in Kindland, in my club. He said,

994
00:39:26,480 --> 00:39:29,360
Speaker 6: I do the billboard stuff. I said, bill what I

995
00:39:29,440 --> 00:39:31,319
Speaker 6: do the bill boy? He said, artist name? I ain't

996
00:39:31,320 --> 00:39:33,880
Speaker 6: even gonna say. He said, he tried to show me page.

997
00:39:34,000 --> 00:39:36,200
Speaker 6: I say, ship showy, if this is what you do,

998
00:39:36,840 --> 00:39:39,040
Speaker 6: you know, you know cause everybody asked for my number,

999
00:39:39,040 --> 00:39:40,640
Speaker 6: I said, I see you again if it's meant to

1000
00:39:40,680 --> 00:39:42,440
Speaker 6: be the next night he and my club with the

1001
00:39:42,520 --> 00:39:43,320
Speaker 6: same job.

1002
00:39:44,719 --> 00:39:45,279
Speaker 5: In my set.

1003
00:39:45,320 --> 00:39:48,680
Speaker 6: So then when I seen that, my intendency, I don't

1004
00:39:48,760 --> 00:39:51,400
Speaker 6: know if you really about business because you got the

1005
00:39:51,560 --> 00:39:52,240
Speaker 6: same stuff.

1006
00:39:52,560 --> 00:39:56,839
Speaker 5: Yes, they just I shouldn't even have been judging, because boy,

1007
00:39:56,920 --> 00:40:02,840
Speaker 5: when he showed me popping up like little bitty measles.

1008
00:40:03,000 --> 00:40:05,200
Speaker 7: But he can make you what he can do.

1009
00:40:05,360 --> 00:40:07,600
Speaker 5: He show he just was like, I do this. I

1010
00:40:07,680 --> 00:40:10,120
Speaker 5: make sure. And we was in the club. That's another thing.

1011
00:40:10,160 --> 00:40:12,400
Speaker 5: I hate talking in the club to y'all. Man. I

1012
00:40:12,480 --> 00:40:13,640
Speaker 5: can't get y'all, and then I.

1013
00:40:13,640 --> 00:40:17,680
Speaker 6: Don't want to get too clock if you spit on him,

1014
00:40:17,760 --> 00:40:18,280
Speaker 6: go crazy.

1015
00:40:18,560 --> 00:40:20,319
Speaker 5: So that's why I kind of be y'all might think

1016
00:40:20,360 --> 00:40:20,800
Speaker 5: I'm funny.

1017
00:40:20,840 --> 00:40:20,920
Speaker 14: Man.

1018
00:40:21,000 --> 00:40:24,880
Speaker 6: Let's clear this up now. Let's let's just write a

1019
00:40:25,080 --> 00:40:28,120
Speaker 6: letter or something. Write a letter, maybe write a I

1020
00:40:28,120 --> 00:40:30,080
Speaker 6: don't know how we should communicate in the club. If

1021
00:40:30,080 --> 00:40:31,640
Speaker 6: I don't give you my number, let me think on him.

1022
00:40:31,640 --> 00:40:33,919
Speaker 6: But just getting really close to me. If I'm sitting

1023
00:40:33,960 --> 00:40:36,920
Speaker 6: down over me, I hate that, so I'm gonna stand up.

1024
00:40:37,080 --> 00:40:39,800
Speaker 6: And if you am my ear, I don't like too loud.

1025
00:40:40,000 --> 00:40:41,920
Speaker 5: It's too loud. Then I got to.

1026
00:40:43,480 --> 00:40:44,480
Speaker 1: I got to see what you want?

1027
00:40:45,239 --> 00:40:50,600
Speaker 5: Is the unclalled this. I got headphones all the time,

1028
00:40:50,760 --> 00:40:53,239
Speaker 5: so I don't know. You know, that's just the part.

1029
00:40:53,280 --> 00:40:55,200
Speaker 6: But I did see some stuff and then it popped

1030
00:40:55,280 --> 00:40:57,319
Speaker 6: up a couple of weeks later, so I probably need

1031
00:40:57,360 --> 00:40:59,040
Speaker 6: to find a little buddy, what about.

1032
00:40:58,760 --> 00:41:05,360
Speaker 3: You the same ship? Like I heard you in the

1033
00:41:05,400 --> 00:41:06,040
Speaker 3: breakfast club.

1034
00:41:07,160 --> 00:41:10,000
Speaker 5: He got the he got the recipe. We're gonna We're

1035
00:41:10,040 --> 00:41:12,080
Speaker 5: gonna outstream Kindred this week. I'm gonna.

1036
00:41:15,680 --> 00:41:22,560
Speaker 1: That's just about you and you. Yeah, I think a

1037
00:41:22,640 --> 00:41:26,919
Speaker 1: few times, you know what I mean, but I don't

1038
00:41:26,960 --> 00:41:27,759
Speaker 1: really see it as much.

1039
00:41:27,880 --> 00:41:29,680
Speaker 12: I'm not gonna lie be in my own bubble, but

1040
00:41:29,880 --> 00:41:32,840
Speaker 12: I think people do try to gay keep, But I

1041
00:41:32,920 --> 00:41:35,040
Speaker 12: try to do my thing so much that I can

1042
00:41:35,160 --> 00:41:37,440
Speaker 12: avoid that as much as possible. When I'm focused on

1043
00:41:37,520 --> 00:41:40,560
Speaker 12: the I'm more like fan driven, like for the people.

1044
00:41:40,600 --> 00:41:42,560
Speaker 12: So you can try to get keep with the people,

1045
00:41:42,680 --> 00:41:45,120
Speaker 12: rocking with me all the haze, it don't even matter.

1046
00:41:45,239 --> 00:41:47,440
Speaker 12: Like the people is the people. I'm still doing digits,

1047
00:41:47,440 --> 00:41:49,239
Speaker 12: you know what I mean. I'm still pulling up, hopping out,

1048
00:41:49,600 --> 00:41:53,560
Speaker 12: drinking orange juice and ship you know I'm talking about.

1049
00:41:53,840 --> 00:41:55,240
Speaker 12: That's because I'm focused on the people.

1050
00:41:55,520 --> 00:41:56,040
Speaker 1: You know what I mean?

1051
00:41:56,080 --> 00:41:58,640
Speaker 12: That the fans like listen to all the outside and ship,

1052
00:41:58,719 --> 00:42:01,080
Speaker 12: don't you know? They shouldn't do that. I can't get

1053
00:42:01,120 --> 00:42:03,640
Speaker 12: him on that show, then fuck it. We go keep

1054
00:42:03,680 --> 00:42:05,960
Speaker 12: going outside. We'll keep hopping that trunk, and we'll keep

1055
00:42:06,000 --> 00:42:06,560
Speaker 12: doing numbers.

1056
00:42:06,600 --> 00:42:07,440
Speaker 1: You know what I mean about you?

1057
00:42:07,640 --> 00:42:09,279
Speaker 9: They try to keep you away from certain artists, and

1058
00:42:09,520 --> 00:42:12,680
Speaker 9: I mean just straight up gatekeeping is corny.

1059
00:42:13,080 --> 00:42:13,640
Speaker 1: It's laying.

1060
00:42:14,239 --> 00:42:16,279
Speaker 9: Anybody who does that is like a sucker to me,

1061
00:42:16,719 --> 00:42:19,000
Speaker 9: Like you're insecure, you know what I'm saying to me,

1062
00:42:19,160 --> 00:42:21,399
Speaker 9: gatekeeper has got to be some of the dumbest shit.

1063
00:42:21,920 --> 00:42:24,440
Speaker 9: Like there was some stuff I encountered over the years,

1064
00:42:24,480 --> 00:42:28,080
Speaker 9: but more than that, I encountered the opposite, like DJ Premiere,

1065
00:42:28,560 --> 00:42:30,480
Speaker 9: Like when I first met him and was around him,

1066
00:42:30,960 --> 00:42:32,960
Speaker 9: Like I met jay Z my first time with Premiere,

1067
00:42:33,000 --> 00:42:33,360
Speaker 9: and he was.

1068
00:42:33,400 --> 00:42:36,560
Speaker 3: Like, Yo, this is al He's dope, he got beats.

1069
00:42:36,760 --> 00:42:38,960
Speaker 11: And what I took from that was like Premiere is

1070
00:42:39,000 --> 00:42:40,680
Speaker 11: the utmost level of secure.

1071
00:42:41,320 --> 00:42:42,080
Speaker 1: He's not afraid.

1072
00:42:42,160 --> 00:42:45,000
Speaker 9: If you gatekeeping, you must be afraid that this next

1073
00:42:45,040 --> 00:42:46,279
Speaker 9: guy is gonna come take your spot.

1074
00:42:46,640 --> 00:42:47,279
Speaker 1: Get up out of there.

1075
00:42:47,360 --> 00:42:50,480
Speaker 11: That's nasty. I don't I don't approve of gatekeeping, Like

1076
00:42:50,960 --> 00:42:52,239
Speaker 11: we stand against that, you.

1077
00:42:52,239 --> 00:42:52,640
Speaker 1: Know what I mean?

1078
00:42:52,960 --> 00:42:54,080
Speaker 3: Now, you just meet the grams.

1079
00:42:54,760 --> 00:42:57,120
Speaker 9: Originally was that a gospel record supposed to be a

1080
00:42:57,120 --> 00:42:59,759
Speaker 9: gospel samples is from a gospel gospel record?

1081
00:42:59,800 --> 00:43:01,640
Speaker 7: Yeah, what gospel loawgs? You made that dog shit?

1082
00:43:01,719 --> 00:43:03,560
Speaker 1: For you know, I didn't.

1083
00:43:05,440 --> 00:43:09,840
Speaker 11: Like yeah, and I you know, yeah, that's that's the

1084
00:43:09,920 --> 00:43:11,040
Speaker 11: gospel record here.

1085
00:43:11,080 --> 00:43:13,200
Speaker 7: The sample was how do you feel wh people make

1086
00:43:13,239 --> 00:43:15,080
Speaker 7: your beat like this record?

1087
00:43:16,680 --> 00:43:18,600
Speaker 9: It happens a lot to me, it does happen to

1088
00:43:18,640 --> 00:43:21,560
Speaker 9: you like fifty of the animal things back then, and

1089
00:43:21,680 --> 00:43:24,520
Speaker 9: it was the Bang Bang and I will come like

1090
00:43:24,680 --> 00:43:25,680
Speaker 9: I want to be switchering.

1091
00:43:25,760 --> 00:43:25,960
Speaker 1: Really.

1092
00:43:26,120 --> 00:43:28,040
Speaker 9: I tried to tell the rappers, hey, I'm switchering, like

1093
00:43:28,840 --> 00:43:31,160
Speaker 9: leave me out of it, you know, but they end

1094
00:43:31,239 --> 00:43:34,000
Speaker 9: up making me the battleground. I mean, I'm indifferent to it,

1095
00:43:34,160 --> 00:43:36,920
Speaker 9: just like I'm not. I don't have a dog, you know.

1096
00:43:37,200 --> 00:43:38,959
Speaker 9: So it's like I make I make beats.

1097
00:43:39,040 --> 00:43:40,080
Speaker 3: Do people get mad at you though?

1098
00:43:40,160 --> 00:43:42,960
Speaker 11: Cause sometimes I know you're like, but look, here's the beat.

1099
00:43:43,000 --> 00:43:44,239
Speaker 3: I'm not sure for.

1100
00:43:44,320 --> 00:43:46,560
Speaker 9: Sure, but you know, in that case, I had sent

1101
00:43:46,640 --> 00:43:49,520
Speaker 9: the record to dot like like excuse me months before

1102
00:43:49,680 --> 00:43:52,239
Speaker 9: that happened, and like I heard it when everyone else

1103
00:43:52,280 --> 00:43:55,000
Speaker 9: heard it, so it was like, yeah, that was one

1104
00:43:55,000 --> 00:43:56,759
Speaker 9: of them situations where it was like I don't like

1105
00:43:56,840 --> 00:43:59,239
Speaker 9: to get involved in stuff, but sometimes it happens, you know.

1106
00:43:59,320 --> 00:44:01,799
Speaker 11: It was you know, it was tricky during the time

1107
00:44:02,000 --> 00:44:05,360
Speaker 11: when p in Mall Deep and for J.

1108
00:44:05,520 --> 00:44:07,680
Speaker 9: It was always a weird thing and it probably stopped

1109
00:44:07,680 --> 00:44:09,080
Speaker 9: me from doing work with J back then.

1110
00:44:09,280 --> 00:44:09,839
Speaker 1: You know what I mean.

1111
00:44:10,600 --> 00:44:13,880
Speaker 11: But you know that's what you posted Which times we

1112
00:44:13,960 --> 00:44:15,200
Speaker 11: spoke for sure back then?

1113
00:44:15,239 --> 00:44:17,160
Speaker 9: You know what I mean, Like definitely you was so

1114
00:44:17,360 --> 00:44:19,880
Speaker 9: click with MOBP what I mean you remember back then

1115
00:44:19,960 --> 00:44:22,160
Speaker 9: it was kind of like it was like there are

1116
00:44:22,280 --> 00:44:24,879
Speaker 9: instances where they're like, damn their family and it would

1117
00:44:24,920 --> 00:44:25,680
Speaker 9: kind of be awkward.

1118
00:44:26,080 --> 00:44:29,160
Speaker 6: Listen, man, this is a crazy question because I asked

1119
00:44:29,239 --> 00:44:30,680
Speaker 6: my I said, do you feel more like an East

1120
00:44:30,760 --> 00:44:32,840
Speaker 6: Coast producer or a West Coast producer?

1121
00:44:33,760 --> 00:44:34,560
Speaker 1: He like, what coast?

1122
00:44:35,440 --> 00:44:37,400
Speaker 5: And then we walked into my piece of spot.

1123
00:44:37,120 --> 00:44:39,920
Speaker 4: And it was like to New York, Yo, yo, yo yo.

1124
00:44:43,640 --> 00:44:47,759
Speaker 4: I never thought about you with the West Coast are

1125
00:44:47,920 --> 00:44:55,080
Speaker 4: synonymous East Coast production? Nociper said, But no, I never never, right, Okay,

1126
00:44:55,680 --> 00:44:58,000
Speaker 4: we made my mark out here, like if somebody had

1127
00:44:58,000 --> 00:44:59,440
Speaker 4: to tell me to look like the top tenies go

1128
00:44:59,520 --> 00:45:01,319
Speaker 4: producers of all the time I'm putting documents on that.

1129
00:45:04,640 --> 00:45:04,960
Speaker 3: Queens.

1130
00:45:05,200 --> 00:45:06,520
Speaker 9: I mean, I put in a lot of work here,

1131
00:45:06,560 --> 00:45:08,600
Speaker 9: you know, So, I mean it's blessing in New York

1132
00:45:08,640 --> 00:45:10,680
Speaker 9: embraced me and I had an opportunity at the time

1133
00:45:10,800 --> 00:45:13,000
Speaker 9: to work with like think about that era, like I

1134
00:45:13,160 --> 00:45:16,040
Speaker 9: was working with Lives Mob Deep, you know.

1135
00:45:17,520 --> 00:45:23,080
Speaker 1: In the time when they was like aplan airplane.

1136
00:45:25,160 --> 00:45:26,400
Speaker 9: How'd I get And I went to school first, I

1137
00:45:26,440 --> 00:45:28,719
Speaker 9: went to YU and then I just stayed here. I

1138
00:45:28,800 --> 00:45:31,160
Speaker 9: was already tied in with Mugs. Long story short. He

1139
00:45:31,239 --> 00:45:34,480
Speaker 9: connected me with Mob Deep and that everything happened from there.

1140
00:45:34,600 --> 00:45:37,120
Speaker 9: That's why I love Mob Deep forever. Like I actually

1141
00:45:37,160 --> 00:45:39,200
Speaker 9: had to ask Pe when he was beefing with Knaves

1142
00:45:39,239 --> 00:45:41,960
Speaker 9: to go work with Knaves on god Son because that's

1143
00:45:41,960 --> 00:45:44,040
Speaker 9: what we go back to the beef thing. I respected

1144
00:45:44,080 --> 00:45:46,640
Speaker 9: P is that and P was during their beef and

1145
00:45:46,760 --> 00:45:49,040
Speaker 9: P was like, oh, I know you're gonna give him

1146
00:45:49,080 --> 00:45:51,279
Speaker 9: some heap of go out there, go out. He gave

1147
00:45:51,360 --> 00:45:53,960
Speaker 9: me the blessing and go do it, which was always

1148
00:45:53,960 --> 00:45:56,600
Speaker 9: appreciation for that. But yeah, I mean that's how it

1149
00:45:56,680 --> 00:45:57,600
Speaker 9: started from Mob Deep.

1150
00:45:57,680 --> 00:45:59,920
Speaker 7: It was like, what are we gonna make it for

1151
00:46:00,120 --> 00:46:00,320
Speaker 7: jay Z?

1152
00:46:00,880 --> 00:46:01,600
Speaker 11: It wasn't for him.

1153
00:46:01,600 --> 00:46:02,440
Speaker 1: I played it for him though.

1154
00:46:02,680 --> 00:46:05,680
Speaker 9: Yeah, you know hip hop, you know Campbell, it has

1155
00:46:05,719 --> 00:46:08,040
Speaker 9: been my brother for a long time, and I should

1156
00:46:08,080 --> 00:46:09,759
Speaker 9: go over there and play beach. And one time he

1157
00:46:09,840 --> 00:46:11,960
Speaker 9: popped his head and he just checked it out and

1158
00:46:12,280 --> 00:46:15,000
Speaker 9: it wasn't for him, I guess, but you know, yeah.

1159
00:46:15,560 --> 00:46:18,520
Speaker 4: Why did you lie to Drake about being good? Kendrick said, two,

1160
00:46:18,640 --> 00:46:19,400
Speaker 4: Chain said you good?

1161
00:46:19,480 --> 00:46:22,680
Speaker 1: But he lied? Why you do that?

1162
00:46:25,120 --> 00:46:25,279
Speaker 7: You know?

1163
00:46:28,280 --> 00:46:30,359
Speaker 6: I just think it was kind of like some word

1164
00:46:30,400 --> 00:46:32,600
Speaker 6: play because Drake and I got a song called no Lie,

1165
00:46:33,280 --> 00:46:35,320
Speaker 6: and so when he said he lied, I just felt like,

1166
00:46:35,680 --> 00:46:38,200
Speaker 6: I don't know, but I didn't take it as no

1167
00:46:38,440 --> 00:46:42,160
Speaker 6: kind of way. I don't think he was taking a

1168
00:46:42,200 --> 00:46:44,600
Speaker 6: shot at me. I've heard all type of instants when

1169
00:46:44,640 --> 00:46:47,759
Speaker 6: somebody wanted me to say something back. I just think

1170
00:46:47,880 --> 00:46:50,640
Speaker 6: it was a Mama where it was about Atlanta artists,

1171
00:46:50,680 --> 00:46:55,080
Speaker 6: and you know, I do have a couple of plaques

1172
00:46:55,120 --> 00:46:57,759
Speaker 6: with Drake, probably three or four plazes with Drake. I

1173
00:46:57,840 --> 00:47:00,600
Speaker 6: think a lot of that people in that Scott so

1174
00:47:00,800 --> 00:47:02,960
Speaker 6: with him. So that was just Kentrick, Well, just dialing

1175
00:47:03,040 --> 00:47:04,879
Speaker 6: in on some subject matter.

1176
00:47:05,520 --> 00:47:07,120
Speaker 7: When you first heard it, what was your reaction?

1177
00:47:09,200 --> 00:47:11,160
Speaker 6: Well, I can tell you that I can tell you

1178
00:47:11,280 --> 00:47:13,439
Speaker 6: that people who name me didn't say felt some type

1179
00:47:13,440 --> 00:47:14,319
Speaker 6: of way, you know what I'm saying.

1180
00:47:14,400 --> 00:47:16,239
Speaker 5: So I don't I was okay with it, you know

1181
00:47:16,280 --> 00:47:18,360
Speaker 5: what I'm saying. You got other line of art at homies.

1182
00:47:18,480 --> 00:47:20,959
Speaker 7: You know, I don't just a little babies a little

1183
00:47:20,960 --> 00:47:22,279
Speaker 7: basic and he said, keep me out of that.

1184
00:47:22,360 --> 00:47:22,680
Speaker 11: I want.

1185
00:47:23,280 --> 00:47:25,480
Speaker 6: Yeah, some people didn't want their name. Some people was like,

1186
00:47:25,520 --> 00:47:28,320
Speaker 6: why you didn't say my name? And it just no,

1187
00:47:28,480 --> 00:47:30,359
Speaker 6: like it's just a moment. It was just a moment

1188
00:47:30,400 --> 00:47:32,400
Speaker 6: that you know, but it didn't do nothing to me.

1189
00:47:32,480 --> 00:47:36,080
Speaker 6: I know, I think my my harmony, my my middle

1190
00:47:36,160 --> 00:47:40,520
Speaker 6: kid definitely says somebody asked at school, but it didn't

1191
00:47:40,520 --> 00:47:42,160
Speaker 6: get it didn't get hectic.

1192
00:47:42,400 --> 00:47:50,200
Speaker 1: It was it was yeah, not in here. I didn't

1193
00:47:50,200 --> 00:47:52,120
Speaker 1: hear no, he said.

1194
00:47:53,239 --> 00:47:54,279
Speaker 5: Line the last verse.

1195
00:47:55,280 --> 00:47:58,640
Speaker 1: I never heard that. But that song.

1196
00:48:00,120 --> 00:48:03,759
Speaker 7: Is on purpose, like you for the lights, like refuge.

1197
00:48:07,160 --> 00:48:07,600
Speaker 1: With everybody.

1198
00:48:07,680 --> 00:48:10,120
Speaker 12: I can particularly hear that that song. Fully, I heard

1199
00:48:10,160 --> 00:48:12,440
Speaker 12: a lot on Instagram and stuff like they need. I

1200
00:48:12,520 --> 00:48:13,840
Speaker 12: was doing the album with him at the time. I

1201
00:48:13,920 --> 00:48:16,160
Speaker 12: wasn't listening to too much ship though like that. But uh,

1202
00:48:16,840 --> 00:48:19,480
Speaker 12: you know, Kendrick, it's a little Kendrick. He hard respect

1203
00:48:19,520 --> 00:48:21,600
Speaker 12: the Kendred Sure. I just didn't know he brought you up.

1204
00:48:21,600 --> 00:48:22,120
Speaker 1: That's crazy.

1205
00:48:22,640 --> 00:48:23,440
Speaker 7: You never heard that.

1206
00:48:23,680 --> 00:48:26,480
Speaker 12: Last Verson, by the way, phenomenal last Verson coming on

1207
00:48:26,560 --> 00:48:29,200
Speaker 12: the picture, like kept saying like they're talking about.

1208
00:48:29,400 --> 00:48:31,320
Speaker 1: I didn't see that, but I never heard.

1209
00:48:32,239 --> 00:48:32,880
Speaker 7: You know what it is.

1210
00:48:32,960 --> 00:48:35,279
Speaker 6: You know, it's not a lot of songs with three verses.

1211
00:48:35,640 --> 00:48:38,240
Speaker 6: Three verses, so it's three verses the third.

1212
00:48:38,120 --> 00:48:40,399
Speaker 5: You know what I mean. That's my opinion. I don't

1213
00:48:40,400 --> 00:48:43,480
Speaker 5: think a lot of songs. I don't believe.

1214
00:48:46,800 --> 00:48:47,200
Speaker 1: On everything.

1215
00:48:47,280 --> 00:48:51,719
Speaker 5: I love He he in his own bubble. That's why

1216
00:48:51,760 --> 00:48:52,560
Speaker 5: I love Wayne.

1217
00:48:52,640 --> 00:48:53,840
Speaker 1: That's why I love him me.

1218
00:48:54,080 --> 00:48:54,840
Speaker 5: That's why I love me.

1219
00:48:55,120 --> 00:48:55,759
Speaker 11: You know what I'm saying.

1220
00:48:56,360 --> 00:48:57,240
Speaker 5: Be in my own bubble.

1221
00:48:57,280 --> 00:48:58,719
Speaker 6: I mean, of course I know some of the things

1222
00:48:58,719 --> 00:49:00,640
Speaker 6: I need to know, but I really be clueless to

1223
00:49:00,719 --> 00:49:01,280
Speaker 6: a lot of stuff.

1224
00:49:01,280 --> 00:49:02,000
Speaker 3: And I'm cool with that.

1225
00:49:02,600 --> 00:49:03,560
Speaker 5: I'm just cool with that.

1226
00:49:03,719 --> 00:49:05,359
Speaker 7: You ain't here with Kendrick. Did you on the four first?

1227
00:49:15,239 --> 00:49:15,799
Speaker 3: Oh God?

1228
00:49:16,800 --> 00:49:17,399
Speaker 7: One last question?

1229
00:49:17,560 --> 00:49:17,719
Speaker 1: Change?

1230
00:49:17,760 --> 00:49:19,120
Speaker 7: How does it make you feel when you hit gods?

1231
00:49:19,160 --> 00:49:22,000
Speaker 4: Like Tyler the Creator co signing this album Life is

1232
00:49:22,000 --> 00:49:24,840
Speaker 4: Beautiful and he actually said two chains you on this

1233
00:49:25,000 --> 00:49:25,920
Speaker 4: type of time.

1234
00:49:25,920 --> 00:49:28,000
Speaker 7: Is yes with a bunch of essays.

1235
00:49:29,200 --> 00:49:31,399
Speaker 5: It feels good. I have a great report with child.

1236
00:49:31,400 --> 00:49:32,279
Speaker 5: I don't think people know.

1237
00:49:32,600 --> 00:49:35,200
Speaker 6: You know what I'm saying, great port and he's booked

1238
00:49:35,239 --> 00:49:40,000
Speaker 6: me for it all before when I was in a wheelchair.

1239
00:49:40,160 --> 00:49:43,640
Speaker 6: He booked me and was in the front. So I've

1240
00:49:44,880 --> 00:49:48,040
Speaker 6: listened to his last couple of albums and supported what

1241
00:49:48,160 --> 00:49:50,680
Speaker 6: he has done. And then I guess this one just

1242
00:49:50,719 --> 00:49:53,799
Speaker 6: spoke to him. And he has a lot of influence,

1243
00:49:54,080 --> 00:49:56,360
Speaker 6: so it felt good for him to not hold his

1244
00:49:56,480 --> 00:49:59,560
Speaker 6: nuts on something that he thought was very tasteful, and

1245
00:49:59,640 --> 00:50:02,360
Speaker 6: he didn't. I didn't ask him to do anything, he

1246
00:50:02,600 --> 00:50:04,920
Speaker 6: just did it. So you know a lot of these

1247
00:50:05,040 --> 00:50:07,279
Speaker 6: artists a gate keeper.

1248
00:50:07,280 --> 00:50:09,200
Speaker 1: I don't know that's another version of gatekeeper.

1249
00:50:13,040 --> 00:50:14,920
Speaker 5: But I can't let nobody know what's hard like.

1250
00:50:16,960 --> 00:50:20,400
Speaker 1: That sometimes sometimes with no matter was the man.

1251
00:50:20,719 --> 00:50:21,400
Speaker 7: I appreciate that.

1252
00:50:21,520 --> 00:50:22,279
Speaker 1: I respect him.

1253
00:50:22,280 --> 00:50:26,359
Speaker 7: Crazy me too to yours, Like like, what's your class.

1254
00:50:27,880 --> 00:50:33,319
Speaker 1: Man? That's a good question, you know, maybe you know change, Yeah,

1255
00:50:33,360 --> 00:50:34,960
Speaker 1: you know, it's.

1256
00:50:34,800 --> 00:50:37,000
Speaker 4: A different generation I'm talking about, like your classic Like

1257
00:50:37,400 --> 00:50:39,120
Speaker 4: uh said, he don't hang with the young.

1258
00:50:39,040 --> 00:50:41,839
Speaker 5: Man really old?

1259
00:50:42,400 --> 00:50:45,239
Speaker 12: Yeah yeah, he really like what he really I grew

1260
00:50:45,360 --> 00:50:48,279
Speaker 12: up with, like you know, MESSI mar Juice, the jack

1261
00:50:48,360 --> 00:50:51,120
Speaker 12: at A lot of classic they was older. I always

1262
00:50:51,120 --> 00:50:52,920
Speaker 12: hanged with a lot of older people, you know what

1263
00:50:52,960 --> 00:50:56,600
Speaker 12: I mean. So I really didn't really know too many people.

1264
00:50:56,640 --> 00:50:59,200
Speaker 12: But when I was in the a I met, uh you.

1265
00:50:59,239 --> 00:51:00,200
Speaker 1: Know O G Mack go.

1266
00:51:01,719 --> 00:51:04,920
Speaker 12: Tmdiate a lot of them rappers like that that New Atlanta,

1267
00:51:05,040 --> 00:51:07,440
Speaker 12: like the Batman Keys and all that Curtis and all.

1268
00:51:07,760 --> 00:51:09,359
Speaker 1: I kind of all that, you know what I mean.

1269
00:51:09,480 --> 00:51:13,160
Speaker 1: So I seen that whole air and ship like that. Yeah,

1270
00:51:13,640 --> 00:51:13,880
Speaker 1: I was.

1271
00:51:13,960 --> 00:51:15,920
Speaker 12: I was at nineteen. I became a father, so like

1272
00:51:16,000 --> 00:51:18,200
Speaker 12: I wasn't really I was trying to get my bread up.

1273
00:51:18,200 --> 00:51:20,040
Speaker 12: I didn't have no whip. I was trying to really,

1274
00:51:20,239 --> 00:51:22,959
Speaker 12: I said, I got nine months to get my ship together,

1275
00:51:22,960 --> 00:51:25,440
Speaker 12: and I just put my head down and I just

1276
00:51:25,520 --> 00:51:28,399
Speaker 12: was trying to create this world for myself. So yeah,

1277
00:51:29,000 --> 00:51:30,320
Speaker 12: I kind of missed a lot. I didn't go to

1278
00:51:30,400 --> 00:51:32,600
Speaker 12: no proms, I didn't do none of that. I was

1279
00:51:32,840 --> 00:51:36,240
Speaker 12: strictly yeah, like the Beautiful Man.

1280
00:51:36,440 --> 00:51:39,040
Speaker 3: Let's let's get into a joint of that which I want.

1281
00:51:38,880 --> 00:51:39,200
Speaker 1: To hear.

1282
00:51:40,920 --> 00:51:44,360
Speaker 2: Life is Beautiful and text like the single Bad Choices,

1283
00:51:44,719 --> 00:51:49,879
Speaker 2: which I would hear Generation Generation. All right, let's get

1284
00:51:49,880 --> 00:51:52,520
Speaker 2: in the generation. Pick up the album streaming right now

1285
00:51:52,719 --> 00:51:55,440
Speaker 2: to Chaine, Larry You and The Alchemist. It's The Breakfast Club,

1286
00:51:55,480 --> 00:51:56,080
Speaker 2: Good Morning, so.

1287
00:51:57,040 --> 00:51:59,800
Speaker 1: Wake that ass up in the morning. The Breakfast