WEBVTT - Sophia Roe

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<v Speaker 1>I have to tell you my mother. My mother was

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<v Speaker 1>a great cook, and she used to go, your elbow

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<v Speaker 1>taste good if you're deep fried.

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<v Speaker 2>It, see's right.

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<v Speaker 1>So now we go when we're like at anywhere where

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<v Speaker 1>it's shit food, when it's deep fried and we're all

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<v Speaker 1>eating it, we're like deep fried elbow.

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<v Speaker 2>That's true. Now when all fails, you just drop into

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<v Speaker 2>deep fryer and it's all going to be fine.

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<v Speaker 1>Hello, I'm mini driver. I've always loved Preust's questionnaire. It

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<v Speaker 1>was originally in nineteenth century parlor game where players would

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<v Speaker 1>ask each other thirty five questions aimed at revealing.

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<v Speaker 3>The other player's true nature.

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<v Speaker 1>In asking different people the same set of questions, you

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<v Speaker 1>can make observations about which truths appear to be universal.

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<v Speaker 1>And it made me wonder, what if these questions were

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<v Speaker 1>just the jumping off point, what greater depths would be

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<v Speaker 1>revealed if I asked these questions as conversation starters. So

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<v Speaker 1>I adapted Prus' questionnaire and I wrote my own seven

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<v Speaker 1>questions that I personally think are pertinent to a person's story.

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<v Speaker 3>They are when and where were you happiest?

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<v Speaker 1>What is the quality you like least about yourself? What relationship,

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<v Speaker 1>real or fictionalized, defines.

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<v Speaker 2>Love for you?

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<v Speaker 3>What question would you most like answered, What person, place,

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<v Speaker 3>or experience has shaped you the most? What would be

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<v Speaker 3>your last meal? And can you tell me something in

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<v Speaker 3>your life that's grown out of a personal disaster? And

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<v Speaker 3>I've gathered a group of really remarkable people, ones that

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<v Speaker 3>I am honored and humbled to have had the chance

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<v Speaker 3>to engage with. You may not hear their answers to

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<v Speaker 3>all seven of these questions. We've whittled it down to

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<v Speaker 3>which questions felt closest to their experience or the most surprising,

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<v Speaker 3>or created the most fertile.

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<v Speaker 1>Ground to connect. My guest today is the James Beard

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<v Speaker 1>Award winning chef, writer, and TV host Sophia Row. Sophia

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<v Speaker 1>produced and hosted the Emmy nominated show Counterspace, where she

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<v Speaker 1>used food to explore a changing world world. She won

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<v Speaker 1>the James Beard Award as an Emerging Voice in Broadcast

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<v Speaker 1>Media and was notably the first black woman to be

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<v Speaker 1>nominated in that category. Her main mission is to demonstrate

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<v Speaker 1>how food is both political and artistic. She grew up

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<v Speaker 1>with food insecurity when she was a child. She's really

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<v Speaker 1>passionate about and really adept at raising awareness about people

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<v Speaker 1>who are going hungry. Sophia currently lives in New York

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<v Speaker 1>and works out of this extraordinary culinary studio called Apartment Miso,

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<v Speaker 1>where she cooks, makes films, and develops recipes. Her food

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<v Speaker 1>is playful, creative, and visually beautiful, and it was an

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<v Speaker 1>absolute pleasure to talk to her. I'm really so happy

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<v Speaker 1>to meet you and so happy to talk about food

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<v Speaker 1>with you, and thank you for coming on first and foremost.

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<v Speaker 2>Of course even of course, are you kiddie? This is like,

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<v Speaker 2>this is the best part of my month. So trust

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<v Speaker 2>I'm thrilled to be here. This is great, so nice

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<v Speaker 2>to talk to you.

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<v Speaker 1>So nice as you are you currently in Brooklyn? Are

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<v Speaker 1>you in your famous apartment?

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<v Speaker 2>So I'm in my apartment. But it's interesting A lot

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<v Speaker 2>of people don't know this, but my food content is

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<v Speaker 2>not shot in my physical home. I have a studio.

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<v Speaker 2>I have a culinary studio, so I keep it all separate,

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<v Speaker 2>mostly for my sanity.

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<v Speaker 1>That's very smart.

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<v Speaker 2>No, that's like my office. And I think a lot

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<v Speaker 2>of people have offices, but like in my office, I

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<v Speaker 2>cook in my office. So my studio is in an

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<v Speaker 2>area of Brooklyn called Bushwick, and I live in Williamsburg,

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<v Speaker 2>so I mean fifteen minutes. I could walk to my studio.

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<v Speaker 2>I could take the train, I could take a bike,

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<v Speaker 2>I could drive. It's so close. But I try to

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<v Speaker 2>keep my actual home very much just for me. I

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<v Speaker 2>do cook a lot in here, but everything you see

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<v Speaker 2>on the internet happens in my studio.

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<v Speaker 1>What quality do you like least about yourself?

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<v Speaker 2>Oh, I'm so critical. I want so so desperately to

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<v Speaker 2>be less. So I want to be less of a

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<v Speaker 2>perfectionist so much. I don't want to sit on concepts

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<v Speaker 2>or ideas for years because they're not perfect yet. I

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<v Speaker 2>just want to get it out there because I feel

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<v Speaker 2>like what's behind those ideas are just better ideas, So

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<v Speaker 2>I just need to push them out. Resist this consistent

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<v Speaker 2>temptation to just like tw tweak tweak, tweak, tweak, and

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<v Speaker 2>just know and trust that this is amazing, this is great,

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<v Speaker 2>and it's not going to be your only great thing.

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<v Speaker 2>There's going to be a million other great things.

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<v Speaker 1>I just wrote that down. What's behind the ideas are

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<v Speaker 1>better ideas. I could take that to be super positive,

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<v Speaker 1>or I could take that to also be super hypocritical.

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<v Speaker 1>I think that's a very creative person's quandary because you

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<v Speaker 1>really can argue it both ways. It's difficult to know

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<v Speaker 1>when to say when and go na, na, No, we've

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<v Speaker 1>arrived at a good iteration of this. I need to

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<v Speaker 1>commit to that and not keep probing or questioning.

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<v Speaker 2>Yes, because what can happen is you can confuse yourself

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<v Speaker 2>and make it feel like, oh, I'm just reevaluating. But

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<v Speaker 2>before you know it, the thing that you're that's so great,

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<v Speaker 2>that's so beautiful, just becomes something else. So at what point,

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<v Speaker 2>like instead of turning it into something else, let's put

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<v Speaker 2>it out and then work on something else. And so

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<v Speaker 2>I'm always trying to kind of I don't want to

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<v Speaker 2>say pull back, just step back, like for what this is,

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<v Speaker 2>this is great, and this other thing that you want

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<v Speaker 2>to change about it, Let's just create something new after

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<v Speaker 2>we put this out. Let's just put this out and

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<v Speaker 2>then like make a new project. Like us chefs get

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<v Speaker 2>kind of wrapped up and like we want to do

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<v Speaker 2>all the ideas that we have at once, because there's

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<v Speaker 2>so many ideas, and I think it's really important to

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<v Speaker 2>remember that that's what new projects are for, exactly, you know,

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<v Speaker 2>other ideas and other moments.

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<v Speaker 1>When you feel that you are being hypocritical of yourself

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<v Speaker 1>or your work. Do you have like a ritual or

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<v Speaker 1>a protocol that will help you get out of that? Oh?

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<v Speaker 2>Yeah, there's things I say to myself, like, Sophia, we're

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<v Speaker 2>going to stop here. This is me loving you, like

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<v Speaker 2>loving myself, like me loving myself right now is like

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<v Speaker 2>we're actually just going to put this away. Oh what

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<v Speaker 2>a terrible joy it is to be in a situation

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<v Speaker 2>where you feel like you need to just like keep

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<v Speaker 2>shifting it. This is it's like not even a real problem.

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<v Speaker 2>This is not a real problem. You're taking a really

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<v Speaker 2>great thing and asking yourself how you can make it better?

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<v Speaker 2>Why is that important? Why is better important? In this moment? Right?

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<v Speaker 2>This is already great, you know. And that always leads

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<v Speaker 2>me to like, oh, you're trying to be perfect.

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<v Speaker 1>Hmmm, that's interesting.

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<v Speaker 2>You're trying to be perfect, and that's actually not what

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<v Speaker 2>people are asking for, you know what I mean. No

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<v Speaker 2>one's asking for perfect.

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<v Speaker 1>Appslutely, that's a very good thing to remember. No one

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<v Speaker 1>is asking for perfect. Okay, I'm now I'm writing that

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<v Speaker 1>down to That would make my day so much easier

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<v Speaker 1>and shorter. If I could do that, I'm literally going

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<v Speaker 1>to put that on a tent card on my desk.

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<v Speaker 1>No one is asking for perfect and because it's like

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<v Speaker 1>but oh yeah, no they're not. No one's asking for it.

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<v Speaker 1>Where and when were you happiest?

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<v Speaker 2>For the time I read that question, where and when

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<v Speaker 2>was I happiest? I'm like happy recently happy in my life.

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<v Speaker 2>Happy is also a thing I'm consistently chasing what that

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<v Speaker 2>feels like. I think I'm probably the happiest one. I'm

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<v Speaker 2>not really thinking about anybody else's opinion, Like, I think

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<v Speaker 2>I'm probably the most happy when I wake up and

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<v Speaker 2>I just decide what I'm going to do about my day,

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<v Speaker 2>and I'm not worried about what my manager thinks I

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<v Speaker 2>should be doing, or what a friend thinks I should

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<v Speaker 2>be doing, or what a person around me thinks I

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<v Speaker 2>should be doing. I'm most happy when I wake up

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<v Speaker 2>and I have all the conviction in the world to

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<v Speaker 2>just do exactly what I want to do.

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<v Speaker 1>That's so interesting because what is excuse the pun, quite

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<v Speaker 1>literally baked into what you do is the approbation of

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<v Speaker 1>other people and them finding what you do quite literally delicious.

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<v Speaker 1>So is that part of your personality. You find something

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<v Speaker 1>like that kind of the hard iteration of something, but

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<v Speaker 1>you lean into it by finding moments that you do

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<v Speaker 1>just make yourself happy rather than everybody else.

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<v Speaker 2>I mean, I think there's this deep need for me

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<v Speaker 2>to make other people happy, but I wouldn't say that

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<v Speaker 2>that's the thing that makes me happiest. You know, it

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<v Speaker 2>makes me very happy to feed people. It makes me

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<v Speaker 2>very happy to give people exactly what they want. I

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<v Speaker 2>think I'm kind of like the anti chef in a

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<v Speaker 2>lot of ways, Whereas like you go to a restaurant

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<v Speaker 2>and the restaurant's very much like no substitutions, and this

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<v Speaker 2>is chef's menu for me. I'm the kind of person

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<v Speaker 2>who's like, I actually want to make what you want

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<v Speaker 2>to eat, So like I'm down for substitutions, Like I'm

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<v Speaker 2>down for someone to walk in and say, can we

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<v Speaker 2>do this with no tomatoes? Like I really enjoy that

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<v Speaker 2>about people. I enjoy people's preferences Like that makes me happy.

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<v Speaker 2>But in that I'm kind of like doing what I want.

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<v Speaker 2>But there's freedom in that, you know, to like try

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<v Speaker 2>something new, Like actually, I've never made this the way

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<v Speaker 2>this person wants it, so let me try that out, Like,

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<v Speaker 2>that's fun. You know, I've never made sushi without fish before.

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<v Speaker 2>Let's do that.

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<v Speaker 1>That's cool, you know what I'm saying. I do. I

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<v Speaker 1>like it because it's the same thing with a director,

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<v Speaker 1>Like a director wants you to do something a certain way,

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<v Speaker 1>and you can get all esteemed and I've spent months

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<v Speaker 1>thinking about this and I want to do it this way,

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<v Speaker 1>or you can kind of go, well, I got the

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<v Speaker 1>bones of that, like that's there anyway, So trying it

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<v Speaker 1>another way is invariably interesting. But you kind of have

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<v Speaker 1>to consciously lean into that and not push up against it.

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<v Speaker 1>And I do think a lot of actors and I

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<v Speaker 1>think probably a lot of chefs that you said, they

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<v Speaker 1>do push up against that notion of I don't want

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<v Speaker 1>to do it another way. It's my way. But you're right,

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<v Speaker 1>this freedom and happiness and letting go of that, I guess.

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<v Speaker 2>I just when I think about waking up and kind

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<v Speaker 2>of doing what I want to do, like really it's discovery,

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<v Speaker 2>you know, Like I'm really into fried deserts right now,

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<v Speaker 2>so I just want to go in my studio and

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<v Speaker 2>just like do fried desserts and what will happen? Sort

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<v Speaker 2>of by proxy is I'll end up in this place

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<v Speaker 2>that is a really good place, and that's the editable place.

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<v Speaker 2>I post something about funnel cake, and I get messages

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<v Speaker 2>on like can we make this vegan? Can we make

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<v Speaker 2>this with nuts? Can we do this with this kind

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<v Speaker 2>of curd?

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<v Speaker 1>You know?

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<v Speaker 2>And then it becomes collaborative and it becomes free, and

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<v Speaker 2>like that's another level of happy. But I think the

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<v Speaker 2>core of the happiness is waking up and deciding on

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<v Speaker 2>we're doing fried desserts. Like that's the juice that I

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<v Speaker 2>need to get to instead of waking up and having

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<v Speaker 2>per as. So much of my life is parameters. You know,

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<v Speaker 2>so much is like feeding this many people, but you

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<v Speaker 2>have this much heat, you have this much counter space,

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<v Speaker 2>you have this much refrigeration. I just think it's nice

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<v Speaker 2>to wake up and be like, you know what, I'm

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<v Speaker 2>just gonna go in my space and like feel it out.

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<v Speaker 2>Like that is a really happy place for me.

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<v Speaker 1>I love that. I love that. I love that it's

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<v Speaker 1>connected with what you do. This is a good question

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<v Speaker 1>for you. What would be your last meal?

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<v Speaker 2>So I know I was thinking about this. I'm like,

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<v Speaker 2>is this a good question? Is this like the hardest question? Ever, Okay,

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<v Speaker 2>I the best meal for me would be something so

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<v Speaker 2>hearty and just so rich and something that sticks to

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<v Speaker 2>my bones because I'm about to just not even be

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<v Speaker 2>aware of my bones anymore. Like I just want to

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<v Speaker 2>feel so stuffed. I want like a stew. I want

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<v Speaker 2>something that's been in the oven for three days. I

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<v Speaker 2>want like short rib falling off the bone. I want

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<v Speaker 2>potatoes just over like rice. I want car rice, like

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<v Speaker 2>like potatoes on.

0:11:04.440 --> 0:11:06.719
<v Speaker 1>Rice or palenta.

0:11:07.000 --> 0:11:11.440
<v Speaker 2>Yes's like fakacha on the side, you know, Like, I

0:11:11.679 --> 0:11:14.520
<v Speaker 2>just want something that is going to just like be

0:11:14.679 --> 0:11:19.600
<v Speaker 2>the perfect, most filling, delicious bite I've ever had. I'm

0:11:19.640 --> 0:11:22.360
<v Speaker 2>not concerned with it being healthy. I'm not concerned with

0:11:22.400 --> 0:11:24.000
<v Speaker 2>what it's going to do to me. It's my last meal,

0:11:24.200 --> 0:11:26.480
<v Speaker 2>you know, Like I just want it to just a

0:11:26.520 --> 0:11:28.840
<v Speaker 2>bite that will spiritually take my shirt off.

0:11:30.120 --> 0:11:32.959
<v Speaker 1>Because I'm going to eat and get naked. That's how

0:11:33.000 --> 0:11:36.960
<v Speaker 1>I'm going out. That's it.

0:11:37.160 --> 0:11:39.200
<v Speaker 2>Like a bite that says so like be in a

0:11:39.240 --> 0:11:41.680
<v Speaker 2>circle with me, and whatever that is. I don't know

0:11:41.760 --> 0:11:43.319
<v Speaker 2>many like I'm reaching.

0:11:43.160 --> 0:11:45.800
<v Speaker 1>No, no, no, I'm so with you in the circle

0:11:45.840 --> 0:11:49.040
<v Speaker 1>of death with your short rim and your potatoes over rice.

0:11:49.080 --> 0:11:52.680
<v Speaker 1>Are joking I'm there. I'm starving. I can't wait to

0:11:52.679 --> 0:11:55.480
<v Speaker 1>eat that. I just love it. Now, what am I

0:11:55.480 --> 0:11:57.240
<v Speaker 1>going to cook on Instagram that's going to want to

0:11:57.240 --> 0:11:58.720
<v Speaker 1>make them all take their shirts off?

0:11:59.040 --> 0:12:00.760
<v Speaker 2>Listen? I asked my questions.

0:12:01.000 --> 0:12:03.079
<v Speaker 1>Knows, it's a whole new question. I'm just going to

0:12:03.160 --> 0:12:05.800
<v Speaker 1>be thinking about that. It's a very good barometer.

0:12:05.400 --> 0:12:08.760
<v Speaker 2>Like what's going to make my unled life really get going?

0:12:09.160 --> 0:12:10.880
<v Speaker 2>I think about my unled lives a lot, like I

0:12:10.880 --> 0:12:12.880
<v Speaker 2>could have ended up doing that. I could have ended

0:12:12.960 --> 0:12:14.680
<v Speaker 2>up doing that, like what would they want to eat?

0:12:15.080 --> 0:12:17.480
<v Speaker 2>You know, so like different versions of myself. But I'm

0:12:17.480 --> 0:12:19.960
<v Speaker 2>constantly thinking and questioning about who I want to feed

0:12:20.080 --> 0:12:20.480
<v Speaker 2>and why.

0:12:20.960 --> 0:12:23.559
<v Speaker 1>Hmmm. But I think that's good questions. I think that's

0:12:23.600 --> 0:12:26.319
<v Speaker 1>a very interesting question for a chef to have, not

0:12:26.640 --> 0:12:28.440
<v Speaker 1>like what am I cooking to impress? But like who

0:12:28.440 --> 0:12:30.000
<v Speaker 1>do I want to cook for? What am I giving?

0:12:30.120 --> 0:12:34.240
<v Speaker 1>What am I feeding? Quite literally? Yes? Good good questions.

0:12:48.920 --> 0:12:53.080
<v Speaker 1>What relationship, real or fictionalized, defines love for you?

0:12:54.160 --> 0:12:57.800
<v Speaker 2>Okay, so a fictional one. I have this idea. So

0:12:57.840 --> 0:13:00.280
<v Speaker 2>I grew up really food and secure, and my mom

0:13:00.360 --> 0:13:02.640
<v Speaker 2>is a substance abuser and my real dad never met

0:13:02.720 --> 0:13:04.520
<v Speaker 2>him before he died, I have no idea who he is.

0:13:04.679 --> 0:13:07.840
<v Speaker 2>So I had this idea in my head from like

0:13:07.920 --> 0:13:10.840
<v Speaker 2>kind of a younger age for whatever reason, that Freddie

0:13:10.840 --> 0:13:13.880
<v Speaker 2>Mercury was my dad and Donna Summer was my mom.

0:13:14.400 --> 0:13:16.920
<v Speaker 2>I don't know why, but like to me, those felt

0:13:17.040 --> 0:13:20.520
<v Speaker 2>like the best parents I could have ever imagined, Donna

0:13:20.559 --> 0:13:23.120
<v Speaker 2>with this hair and Freddy with this voice. So for me,

0:13:23.400 --> 0:13:26.240
<v Speaker 2>like that relationship, like those are just my dream parents.

0:13:26.360 --> 0:13:29.760
<v Speaker 2>Many I can't describe it to you like I sometimes

0:13:29.800 --> 0:13:33.520
<v Speaker 2>I imagine feeding them or talking to them, or like

0:13:33.920 --> 0:13:36.680
<v Speaker 2>I just you know, it's so strange and it's star

0:13:36.960 --> 0:13:39.280
<v Speaker 2>both of them are no longer with us, but I

0:13:39.440 --> 0:13:42.360
<v Speaker 2>just imagine that they would have loved each other a

0:13:42.400 --> 0:13:45.199
<v Speaker 2>lot and coincidentally loved me too, you.

0:13:45.160 --> 0:13:48.520
<v Speaker 1>Know, honestly, in three years of doing this, that is

0:13:48.840 --> 0:13:53.840
<v Speaker 1>hands down my favorite answer. Like it's so arresting that

0:13:53.840 --> 0:13:57.320
<v Speaker 1>that's what defines love for you, like that they exist,

0:13:57.600 --> 0:13:59.520
<v Speaker 1>these people that I can also tune into, like my

0:13:59.600 --> 0:14:01.559
<v Speaker 1>love of friend Emocury, in my love of Donna Sama,

0:14:01.679 --> 0:14:03.400
<v Speaker 1>and the idea of them as a carful is now

0:14:03.559 --> 0:14:04.359
<v Speaker 1>so delightful.

0:14:04.880 --> 0:14:08.040
<v Speaker 2>I know, I know, is it gorgeous.

0:14:07.679 --> 0:14:10.680
<v Speaker 1>But also like so interesting because you know, you dropped

0:14:10.679 --> 0:14:13.960
<v Speaker 1>a lot of information in that, Like there's a huge

0:14:13.960 --> 0:14:17.360
<v Speaker 1>amount of what I suppose it's probably deemed really painful

0:14:17.520 --> 0:14:21.200
<v Speaker 1>history and to go, there's this joyful reimagining of what

0:14:21.360 --> 0:14:24.000
<v Speaker 1>is very painful, which I feel like we could do

0:14:24.280 --> 0:14:27.080
<v Speaker 1>that a lot more in our lives. Go yeah, this happened,

0:14:27.120 --> 0:14:29.720
<v Speaker 1>this is this thing, But here is this other definition.

0:14:29.760 --> 0:14:32.480
<v Speaker 1>And not only that you can say it's unlikely, but

0:14:32.560 --> 0:14:36.040
<v Speaker 1>it's not. This is my definition of what love would

0:14:36.040 --> 0:14:37.280
<v Speaker 1>look like or what love looks like.

0:14:37.760 --> 0:14:40.280
<v Speaker 2>Yes, I don't really know anything about my dad, and

0:14:40.320 --> 0:14:42.120
<v Speaker 2>instead of just being sad about it, I could just

0:14:42.400 --> 0:14:44.640
<v Speaker 2>imagine what we would have shared and what we would

0:14:44.680 --> 0:14:46.920
<v Speaker 2>have talked about, and what a dream dad looks like

0:14:46.960 --> 0:14:49.600
<v Speaker 2>for me? Is Freddy Like that is my dream dad,

0:14:49.960 --> 0:14:52.120
<v Speaker 2>Like in all the ways, that's like my dream voice,

0:14:52.200 --> 0:14:55.080
<v Speaker 2>the way that he looks at the work that he does,

0:14:55.120 --> 0:14:57.600
<v Speaker 2>and that kind of work ethic and the creativity and

0:14:57.640 --> 0:15:00.720
<v Speaker 2>the artistry, but also the fun and the glamor. I

0:15:00.720 --> 0:15:02.720
<v Speaker 2>would have loved to have a dad like that. And

0:15:02.760 --> 0:15:04.920
<v Speaker 2>the same with Donna. She struggled a lot with her

0:15:04.920 --> 0:15:07.520
<v Speaker 2>mental health and same and I think that it just

0:15:07.800 --> 0:15:11.440
<v Speaker 2>I imagine that they would have understood the struggles that

0:15:11.480 --> 0:15:13.200
<v Speaker 2>I went through. And also I feel like a fair

0:15:13.240 --> 0:15:15.360
<v Speaker 2>bit of even just the way they look even could

0:15:15.400 --> 0:15:17.920
<v Speaker 2>have maybe looked like me. Like there's something in them

0:15:18.000 --> 0:15:21.800
<v Speaker 2>that I really see myself in. And they just made

0:15:21.800 --> 0:15:25.400
<v Speaker 2>me feel really loved when I listen to their work.

0:15:25.720 --> 0:15:28.840
<v Speaker 2>And again, it's a totally fictional relationship in all the

0:15:28.840 --> 0:15:30.880
<v Speaker 2>ways it could be. They are not my parents, they

0:15:30.880 --> 0:15:31.680
<v Speaker 2>were not married.

0:15:31.760 --> 0:15:35.680
<v Speaker 1>But yeah, but that's very literally the notion of telling

0:15:35.680 --> 0:15:41.120
<v Speaker 1>a different story. I'm a big believer in re fictionalizing

0:15:41.520 --> 0:15:44.120
<v Speaker 1>hardshit in our lives. Yes, I write a memoir and

0:15:44.160 --> 0:15:46.880
<v Speaker 1>I'm writing a novel. And what's so interesting is that

0:15:47.120 --> 0:15:50.160
<v Speaker 1>you totally cannibalize your life and your stories. It's not

0:15:50.240 --> 0:15:52.160
<v Speaker 1>those people, but it is. And then I can shave

0:15:52.240 --> 0:15:54.640
<v Speaker 1>off the harsh corners that I wish weren't there, and

0:15:54.680 --> 0:15:56.440
<v Speaker 1>I can reimagine what the story would be with a

0:15:56.520 --> 0:15:58.600
<v Speaker 1>character who absolutely existed in my life, but I can

0:15:58.640 --> 0:16:01.840
<v Speaker 1>put them in. I think ecologically it's an incredibly healthy

0:16:01.840 --> 0:16:04.640
<v Speaker 1>thing to do. You read all the lines of your story, right,

0:16:05.160 --> 0:16:05.520
<v Speaker 1>why not?

0:16:05.840 --> 0:16:08.680
<v Speaker 2>Yeah, Like they're perfect people, and I guess I'm just thinking,

0:16:08.760 --> 0:16:11.240
<v Speaker 2>like I don't know like an alley is dark and

0:16:11.240 --> 0:16:13.840
<v Speaker 2>still without weather if you want it to be, but

0:16:14.280 --> 0:16:15.840
<v Speaker 2>the alley at the other end of it can be

0:16:15.920 --> 0:16:19.720
<v Speaker 2>like bright and rainbows and whatever. And I think I

0:16:19.760 --> 0:16:22.400
<v Speaker 2>already know the childhood that I had, and it was

0:16:22.400 --> 0:16:25.880
<v Speaker 2>pretty dark and stormy and not great. And so I

0:16:25.960 --> 0:16:32.040
<v Speaker 2>think when I imagine my dream, it looks big and joyful

0:16:32.240 --> 0:16:36.480
<v Speaker 2>and intense and just has everything that I just didn't have.

0:16:36.800 --> 0:16:39.480
<v Speaker 2>And I don't know. There are definitely times where even

0:16:39.480 --> 0:16:41.400
<v Speaker 2>in my mind, I convinced myself like that's what you

0:16:41.480 --> 0:16:44.040
<v Speaker 2>got going on, like those are the dream parents. Let's

0:16:44.160 --> 0:16:46.960
<v Speaker 2>lead with that energy even though they weren't real, and agree,

0:16:47.160 --> 0:16:49.440
<v Speaker 2>it's very much helps me in my work. It helps

0:16:49.440 --> 0:16:53.320
<v Speaker 2>my work, helps me sleep, you know, so all.

0:16:53.520 --> 0:16:56.120
<v Speaker 1>Of the most important things and that idea, by the

0:16:56.200 --> 0:16:59.160
<v Speaker 1>way of leading with that energy, of choosing what that

0:16:59.280 --> 0:17:10.080
<v Speaker 1>is yourself, that's amazing. I love it. What question which

0:17:10.119 --> 0:17:11.320
<v Speaker 1>you most like answered?

0:17:11.800 --> 0:17:13.480
<v Speaker 2>I mean I think about this in like two camps.

0:17:13.520 --> 0:17:17.000
<v Speaker 2>It's like my personal questions in my life. And then

0:17:17.000 --> 0:17:20.640
<v Speaker 2>there's like these like big existential questions like why does

0:17:20.680 --> 0:17:23.560
<v Speaker 2>death exist? Why can't we live forever? There's those things.

0:17:23.600 --> 0:17:25.320
<v Speaker 2>But I think in my own life It's like I

0:17:25.359 --> 0:17:27.920
<v Speaker 2>wish I understood, like why my childhood was the way

0:17:27.920 --> 0:17:29.640
<v Speaker 2>that it was. I wish I knew if my dad

0:17:29.680 --> 0:17:34.439
<v Speaker 2>really cared about me. I wish I knew if he didn't.

0:17:35.359 --> 0:17:39.000
<v Speaker 1>Why do you think the why? What do you think

0:17:39.040 --> 0:17:41.199
<v Speaker 1>the why would do? Like, what do you think it

0:17:41.280 --> 0:17:43.439
<v Speaker 1>would do if you got the answer to that?

0:17:43.800 --> 0:17:46.240
<v Speaker 2>It's interesting many because like I know that it really

0:17:46.280 --> 0:17:48.199
<v Speaker 2>it wouldn't. I mean, I'm here, here, I am, It

0:17:48.200 --> 0:17:50.840
<v Speaker 2>wouldn't make a difference. It wouldn't make my life any different, right, Like,

0:17:51.000 --> 0:17:53.600
<v Speaker 2>I think it's just the knowing of it. I think

0:17:53.640 --> 0:17:57.560
<v Speaker 2>that would be really nice to just know. Thinking about

0:17:57.720 --> 0:17:59.760
<v Speaker 2>if my dad actually cared about me does not keep

0:17:59.760 --> 0:18:03.240
<v Speaker 2>me up night. I'm fine, I'm okay, I'm an adult,

0:18:03.320 --> 0:18:05.880
<v Speaker 2>I'm here. I'm happy with Freddy being my imaginary father.

0:18:06.320 --> 0:18:08.280
<v Speaker 2>But I think it would just kind of help me

0:18:08.520 --> 0:18:11.480
<v Speaker 2>understand and like maybe rationalize or maybe like a younger person,

0:18:11.560 --> 0:18:14.879
<v Speaker 2>rationalize myself. I also understand it's like a really selfish question,

0:18:15.000 --> 0:18:18.200
<v Speaker 2>like of all the questions that you could possibly ask, No,

0:18:18.720 --> 0:18:20.320
<v Speaker 2>that's the question. It's so selfish.

0:18:20.400 --> 0:18:22.080
<v Speaker 1>It's not I don't think it is. First of all,

0:18:22.119 --> 0:18:24.399
<v Speaker 1>it's your answer and I think when you've lived so

0:18:24.520 --> 0:18:27.399
<v Speaker 1>long with a why that feels like a missing piece,

0:18:27.680 --> 0:18:30.520
<v Speaker 1>it's totally natural that that would be the question. The

0:18:30.560 --> 0:18:34.280
<v Speaker 1>only reason I ask is because I remember when, in

0:18:34.600 --> 0:18:37.879
<v Speaker 1>the depths of just profound heartbreak and the dissolution of

0:18:38.040 --> 0:18:41.080
<v Speaker 1>a really long relationship with someone that I loved who

0:18:41.320 --> 0:18:44.399
<v Speaker 1>just turn out to be an absolute ass, I asked

0:18:44.440 --> 0:18:49.479
<v Speaker 1>the therapist why, like why why why? As like clutching

0:18:49.520 --> 0:18:51.840
<v Speaker 1>at straws, and I remember her saying, if I could

0:18:51.880 --> 0:18:54.320
<v Speaker 1>answer that for you, it wouldn't change anything at all.

0:18:54.560 --> 0:18:56.359
<v Speaker 1>And I sort of held on to that like a

0:18:56.400 --> 0:18:59.600
<v Speaker 1>life raft because it wasn't ultimately satisfying, because I did

0:18:59.640 --> 0:19:02.840
<v Speaker 1>want to know why. But there was something about letting

0:19:02.880 --> 0:19:05.560
<v Speaker 1>go of the mental anguish of that why and actually

0:19:05.600 --> 0:19:08.600
<v Speaker 1>embracing the isness, which was super painful, but that did

0:19:08.640 --> 0:19:11.840
<v Speaker 1>actually evolve. The why never evolved, but the isness of

0:19:11.920 --> 0:19:14.960
<v Speaker 1>my life did, which was interesting. And I feel like,

0:19:15.440 --> 0:19:19.879
<v Speaker 1>quite clearly yoursiness is Donna and Freddy. It does feel

0:19:19.880 --> 0:19:21.119
<v Speaker 1>like you lead with their energy.

0:19:21.600 --> 0:19:23.399
<v Speaker 2>I do. I mean, I guess maybe it's like this

0:19:23.520 --> 0:19:26.960
<v Speaker 2>ecstasy of expectation. What is the answer I'm expecting. There's

0:19:27.000 --> 0:19:29.480
<v Speaker 2>something alluring about a question I can't get answered, and

0:19:29.520 --> 0:19:31.000
<v Speaker 2>so that's maybe why I can't let it go.

0:19:31.560 --> 0:19:32.400
<v Speaker 1>That's interesting.

0:19:32.720 --> 0:19:36.000
<v Speaker 2>Yeah, there's something primordial about a question you know you'll

0:19:36.040 --> 0:19:38.800
<v Speaker 2>never get answered. There's something about it that gets me

0:19:38.920 --> 0:19:41.159
<v Speaker 2>kind of fired up. And so that's why it's like

0:19:41.520 --> 0:19:44.080
<v Speaker 2>hard to let go of. I know the answer won't

0:19:44.080 --> 0:19:45.399
<v Speaker 2>make a difference, and I know I'll never.

0:19:45.320 --> 0:19:48.639
<v Speaker 1>Know because you have to radically live in acceptance. You

0:19:48.680 --> 0:19:54.280
<v Speaker 1>have to radically surrender, yes, and that's really hard. But also, ultimately,

0:19:55.040 --> 0:19:57.919
<v Speaker 1>clearly what I don't know whatever one calls the universe,

0:19:57.960 --> 0:20:01.440
<v Speaker 1>God's source, whatever, that's clearly the we're here in our

0:20:01.440 --> 0:20:05.040
<v Speaker 1>little biospheres of existence, and then that's over. I like

0:20:05.119 --> 0:20:07.840
<v Speaker 1>the idea of living in that the weird, vastness of

0:20:07.880 --> 0:20:11.800
<v Speaker 1>our ignorance me too, which is something a neuroscientist came

0:20:11.840 --> 0:20:13.359
<v Speaker 1>on this show and said, and I haven't been able

0:20:13.400 --> 0:20:14.960
<v Speaker 1>to forget it, so I'll share that with you.

0:20:15.760 --> 0:20:16.640
<v Speaker 2>That's an amazing thing.

0:20:16.800 --> 0:20:38.800
<v Speaker 1>Yeah, it's good. What person, place, or experience most altered

0:20:38.840 --> 0:20:39.879
<v Speaker 1>your life?

0:20:40.200 --> 0:20:43.800
<v Speaker 2>Person? Oh my god, I mean my mom has definitely

0:20:43.800 --> 0:20:45.879
<v Speaker 2>altered my life in a really big way. I mean,

0:20:45.960 --> 0:20:49.480
<v Speaker 2>my mom is just a disaster, just a horrible mom

0:20:49.520 --> 0:20:52.960
<v Speaker 2>but also like my greatest inspiration at the same time

0:20:53.280 --> 0:20:56.680
<v Speaker 2>just inspires me to be absolutely not a thing like her,

0:20:56.880 --> 0:21:00.879
<v Speaker 2>but also in a way did her best, even the

0:21:00.960 --> 0:21:04.720
<v Speaker 2>struggles with substance abuse and the struggles with just her

0:21:04.760 --> 0:21:07.880
<v Speaker 2>own universe. I think hindsight is interesting when you look

0:21:07.920 --> 0:21:10.679
<v Speaker 2>back and you know she had multiple kids when she

0:21:10.720 --> 0:21:13.639
<v Speaker 2>was in her young twenties and struggling with substance abuse

0:21:13.640 --> 0:21:16.360
<v Speaker 2>and struggling with abuse from men, from physical abuse, It's like, yeah,

0:21:16.800 --> 0:21:18.520
<v Speaker 2>in a way, like my mom kind of did the

0:21:18.560 --> 0:21:21.400
<v Speaker 2>best that she could right and a time where there

0:21:21.520 --> 0:21:24.400
<v Speaker 2>was no the treatment. What was treatment? Did my mom

0:21:24.480 --> 0:21:26.600
<v Speaker 2>need to be like arrested for being a drug editor?

0:21:26.680 --> 0:21:28.320
<v Speaker 2>Did she need treatment? But no one was going to

0:21:28.359 --> 0:21:30.600
<v Speaker 2>provide that. She couldn't afford that, you know. So I

0:21:30.600 --> 0:21:33.920
<v Speaker 2>think my mom is definitely a person that's had an

0:21:33.920 --> 0:21:37.040
<v Speaker 2>incredible impact on who I try to be, who I

0:21:37.119 --> 0:21:39.840
<v Speaker 2>want to be. She is that crux of like be

0:21:39.960 --> 0:21:42.719
<v Speaker 2>anything but that learn from that, learn from her as

0:21:42.720 --> 0:21:44.640
<v Speaker 2>a mom, and in that way she's been a great mom.

0:21:45.040 --> 0:21:47.600
<v Speaker 1>So it's like by default, really, but how did you

0:21:47.680 --> 0:21:52.520
<v Speaker 1>emerge from that into a person who gets to explore

0:21:52.560 --> 0:21:55.719
<v Speaker 1>their creativity, who gets to bring something unique and different

0:21:55.760 --> 0:21:59.040
<v Speaker 1>and super articulate to a lot of people. How did

0:21:59.080 --> 0:21:59.760
<v Speaker 1>you come out of that?

0:22:00.400 --> 0:22:03.720
<v Speaker 2>I mean, I don't know. It didn't start out the plan.

0:22:03.840 --> 0:22:05.439
<v Speaker 2>I'll say that it's like I was a nineteen year

0:22:05.440 --> 0:22:07.480
<v Speaker 2>old who just needed a job. Someone please hire me.

0:22:07.680 --> 0:22:09.639
<v Speaker 2>I mean, listen, I was a cook back when it

0:22:09.680 --> 0:22:11.919
<v Speaker 2>wasn't cool to be a cook, right Like I remember

0:22:11.960 --> 0:22:13.560
<v Speaker 2>back at two thousand and nine telling people that I

0:22:13.560 --> 0:22:15.040
<v Speaker 2>worked in a restaurant and want to be a chef

0:22:15.040 --> 0:22:17.840
<v Speaker 2>and they were like why, Like it was not it

0:22:17.880 --> 0:22:20.200
<v Speaker 2>didn't have the allure. I think what keeps me going

0:22:20.240 --> 0:22:21.960
<v Speaker 2>now is like, I have siblings. I have a great

0:22:22.000 --> 0:22:24.960
<v Speaker 2>relationship with my little sister, and we share those mom wounds.

0:22:25.400 --> 0:22:27.680
<v Speaker 2>We both have been through a lot. I think talking

0:22:27.720 --> 0:22:29.919
<v Speaker 2>about it, being open about it, my mom is still alive.

0:22:30.000 --> 0:22:33.000
<v Speaker 2>My mom is here. She's got plenty of mental health issues,

0:22:33.040 --> 0:22:35.080
<v Speaker 2>and she's got plenty of things that she struggles with.

0:22:35.119 --> 0:22:39.879
<v Speaker 2>And I think that it's acknowledging that my mom is

0:22:40.080 --> 0:22:42.080
<v Speaker 2>not a good mom and maybe in a lot of

0:22:42.080 --> 0:22:46.520
<v Speaker 2>times not a good person, but worthy of redemption. Has

0:22:46.760 --> 0:22:51.480
<v Speaker 2>been instrumental in my forgiving her and instrumental in my

0:22:52.040 --> 0:22:55.240
<v Speaker 2>loving her. My mom did horrific things to me and

0:22:55.280 --> 0:22:58.600
<v Speaker 2>my siblings, and I still love her. You know, she's

0:22:58.640 --> 0:23:02.080
<v Speaker 2>still my mom. She's so worthy of redemption just like

0:23:02.080 --> 0:23:04.359
<v Speaker 2>anyone else. None of us should be the sum of

0:23:04.400 --> 0:23:06.800
<v Speaker 2>our worst moments, even if our worst moments were literally

0:23:06.840 --> 0:23:09.320
<v Speaker 2>like thirty plus years of being a mom. My mom

0:23:09.359 --> 0:23:13.760
<v Speaker 2>teaches me about forgiveness. She teaches me about gratitude, and

0:23:14.240 --> 0:23:16.119
<v Speaker 2>so that's what I mean, Like, I have this fairly

0:23:16.160 --> 0:23:20.119
<v Speaker 2>complicated thing with her, Yeah, and with my gratitude. It's

0:23:20.119 --> 0:23:23.480
<v Speaker 2>like Michael J. Fox said, with gratitude, your optimism is sustainable, right,

0:23:23.480 --> 0:23:27.000
<v Speaker 2>That's how you keep those things sustainable. And I believe that,

0:23:27.080 --> 0:23:32.080
<v Speaker 2>you know, I try to be optimistic about the destructive,

0:23:32.200 --> 0:23:35.920
<v Speaker 2>toxic relationship that my mom has bestowed upon me. I'm

0:23:36.080 --> 0:23:39.160
<v Speaker 2>still trying to be optimistic about it and have gratitude

0:23:39.200 --> 0:23:42.199
<v Speaker 2>for it, because at the end of the day, what

0:23:42.280 --> 0:23:45.320
<v Speaker 2>else is there. My life is good now, my little

0:23:45.359 --> 0:23:47.640
<v Speaker 2>sisters were good. Now we're okay, we're on the other

0:23:47.800 --> 0:23:50.439
<v Speaker 2>side of that. But if given the relationship that had

0:23:50.480 --> 0:23:52.399
<v Speaker 2>the biggest impact on me, it's my mom's. Like that

0:23:52.480 --> 0:23:55.119
<v Speaker 2>relationship is the sinkhole that I was trying desperately to

0:23:55.160 --> 0:23:57.680
<v Speaker 2>swim out of and so instead of just running away

0:23:57.680 --> 0:23:59.040
<v Speaker 2>from it, I just acknowledge it's there, and then it

0:23:59.080 --> 0:23:59.879
<v Speaker 2>can't hurt me anymore.

0:24:00.200 --> 0:24:02.840
<v Speaker 1>Yeah, exactly. And you don't actively jump in it.

0:24:03.320 --> 0:24:06.320
<v Speaker 2>We don't jump in it. We definitely don't jump in

0:24:06.480 --> 0:24:08.480
<v Speaker 2>We don't jump in it. But I mean, if there's

0:24:08.520 --> 0:24:10.560
<v Speaker 2>a place that's had a big impact on me, it's

0:24:10.600 --> 0:24:12.640
<v Speaker 2>New York. New York has made me this person that's

0:24:12.680 --> 0:24:14.880
<v Speaker 2>comfortable to talk about where I came from. New York

0:24:15.000 --> 0:24:17.200
<v Speaker 2>is this place where every kind of person in the

0:24:17.240 --> 0:24:19.639
<v Speaker 2>world exists on top of one another. You have a

0:24:19.760 --> 0:24:22.520
<v Speaker 2>person that is experiencing homelessness sitting next to a woman

0:24:22.560 --> 0:24:25.040
<v Speaker 2>that's carrying a burkin. They're on the same train, headed

0:24:25.119 --> 0:24:28.240
<v Speaker 2>in the same direction, get off on the same stop. Right.

0:24:28.880 --> 0:24:31.720
<v Speaker 2>New York really teaches you that you are just one

0:24:31.920 --> 0:24:34.440
<v Speaker 2>of many. It taught me how to be part of

0:24:34.520 --> 0:24:37.280
<v Speaker 2>an organism again, and that had a really great impact

0:24:37.359 --> 0:24:39.000
<v Speaker 2>on me. You know, we all actually need each other,

0:24:39.080 --> 0:24:39.960
<v Speaker 2>whether we believe.

0:24:39.760 --> 0:24:42.719
<v Speaker 1>It or not. Amen, that's really good to be reminded

0:24:42.800 --> 0:24:44.720
<v Speaker 1>of that. I'm glad you got to feel part of

0:24:44.760 --> 0:24:47.520
<v Speaker 1>an organism again. That's really cool, Sophia. I can't thank

0:24:47.560 --> 0:24:50.440
<v Speaker 1>you enough. Thank you for just being so candid and

0:24:50.560 --> 0:24:54.480
<v Speaker 1>amazing and talking so beautifully about all of these hard

0:24:54.600 --> 0:24:55.520
<v Speaker 1>and wonderful things.

0:24:56.040 --> 0:25:00.040
<v Speaker 2>Thank you, of course, thank you for having me the

0:25:00.040 --> 0:25:00.800
<v Speaker 2>best part of my day.

0:25:03.880 --> 0:25:07.120
<v Speaker 1>Mini Questions is hosted and written by Me Mini Driver,

0:25:08.000 --> 0:25:12.159
<v Speaker 1>Executive produced by Me and Aaron Kaufman, with production support

0:25:12.240 --> 0:25:16.640
<v Speaker 1>from Jennifer Bassett, Zoey Denkler, and Ali Perry. The theme

0:25:16.720 --> 0:25:21.400
<v Speaker 1>music is also by Me and additional music by Aaron Kaufman.

0:25:22.040 --> 0:25:28.040
<v Speaker 1>Special thanks to Jim Nicolay Addison, O'Day, Henry Driver, Lisa Castella, a,

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<v Speaker 1>Nick Oppenheim, A, Nick Muller and Annette Wolfe at w kPr,

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