WEBVTT - Bon Bons

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<v Speaker 1>Anything you want to open. Um. You know, my credit

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<v Speaker 1>card is warm, so your credit card. I'm in the Meadow,

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<v Speaker 1>a tiny little shrine to craft chocolate in Lower Manhattan,

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<v Speaker 1>and I'm with Clay Gordon. So we have Syrene in Canada,

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<v Speaker 1>we have Ascos still might be the only from the

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<v Speaker 1>bean chocolate maker in Iceland, so their factory is in

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<v Speaker 1>reik Vick. I've been there. Clay is the chocolate expert

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<v Speaker 1>from Jafter four who took me through Whole Foods and

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<v Speaker 1>cluded me into the corporate powers behind almost every bar

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<v Speaker 1>on that shelf, and that experience left me longing for

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<v Speaker 1>the independence the small players who are crafting really good

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<v Speaker 1>stuff out of sustainably sourced beans. Up to now on

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<v Speaker 1>the show, we've been focusing on the handful of people

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<v Speaker 1>working with really wild cacao, which is kind of a

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<v Speaker 1>unique situation, and of course there are also hundreds of

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<v Speaker 1>producers around the world making amazing chocolate from the small

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<v Speaker 1>supply of high quality, farmed varieties, and as a professional journalist,

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<v Speaker 1>I felt it would be irresponsible of me not to,

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<v Speaker 1>you know, familiarize myself with those chocolates as well, So

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<v Speaker 1>Clay whisked me onto the subway and under the ease

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<v Speaker 1>driver did the meadow, which has about three hundred bars

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<v Speaker 1>on its shelves, displayed like fine art. And now he's

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<v Speaker 1>talking me through them as he grabs the greatest hits, mirrors,

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<v Speaker 1>date paste and fennel. O m g. It's like one

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<v Speaker 1>of my favorite bars. Insane. And soon there's a stack

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<v Speaker 1>of bars at the register and we've even sucked down

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<v Speaker 1>the woman running the store. All right, I'm opening amp Street.

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<v Speaker 1>Are you getting on? I haven't tried this one anyway,

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<v Speaker 1>so I'm curious. So you want to bite, because what

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<v Speaker 1>you want to do is you want to understand the chew,

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<v Speaker 1>how it feels as you bite down round. So this

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<v Speaker 1>is cold, and so it's sort of fractured when I

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<v Speaker 1>bit through it, but it usually started melting right, so

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<v Speaker 1>good thing. Sure m hm. We continue to chew a

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<v Speaker 1>few times to start them out. Rub some with the

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<v Speaker 1>tip of the tongue against the base of their teeth.

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<v Speaker 1>That will let us know about the greediness, the granularity,

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<v Speaker 1>how it's refined, so there's no grit, no grain, very

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<v Speaker 1>very clearly, very all right, there's um a little hint

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<v Speaker 1>of acidity that goes through the way through right, so

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<v Speaker 1>very bright, sort of up in the nose kind of thing.

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<v Speaker 1>There's yep, you want to let him in fun? Yeah, hey,

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<v Speaker 1>And then a pair of unsuspecting customers comes into the

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<v Speaker 1>Star and I can't help myself. Do you guys wanna

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<v Speaker 1>taste some chocolate? We just opened up a really good

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<v Speaker 1>barny go ahead? See yeah, so this is this is

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<v Speaker 1>a dark chocolate, so no added milk. It's made by

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<v Speaker 1>a small producer in the UK, the Chris Brennan, who's

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<v Speaker 1>the founder of the company Pump Street Bakery Chocolate. The

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<v Speaker 1>beans come from the Bachelor Hall Estates on the island

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<v Speaker 1>of Jamaica. Wow, there are some, and soon we've pretty

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<v Speaker 1>much taken over the whole store. There are open wrappers everywhere.

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<v Speaker 1>My credit card is smoking. We're making new friends and

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<v Speaker 1>I can say is god, damn this stuff is good.

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<v Speaker 1>It's it really feels like you're eating something special. It's

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<v Speaker 1>very magically because you are welcome to the final chapter

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<v Speaker 1>of Wild Chocolate. This week we dive into the actual

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<v Speaker 1>experience of eating real chocolate. Why does it have an

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<v Speaker 1>almost drug like effect so many of us, and what

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<v Speaker 1>kind of chocolate here due to make that experience pop?

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<v Speaker 1>And you know where can I get me something? For

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<v Speaker 1>seven weeks, we've dragged you past floods and jungles, electric

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<v Speaker 1>eels and nargo draftickers, and this week we're not going

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<v Speaker 1>to do any of that. No dangers, no scandals, just bliss.

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<v Speaker 1>So kick back and relax. This is dessert from Kaleidoscope

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<v Speaker 1>and I Heart Podcasts. This is Obsessions Wild Chocolate. I'm

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<v Speaker 1>Rowan Jacobson, Chapter eight, The bliss Factor. Here's off the

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<v Speaker 1>tast stop stop smart. Since the beginning of time, humanity

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<v Speaker 1>has kind of been on this quest for peak consciousness

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<v Speaker 1>and we're looking for all sorts of substances to achieve that.

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<v Speaker 1>And whether it's through something you know, nutritionally, or whether

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<v Speaker 1>it's through like performance with you know, athletics or meditation,

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<v Speaker 1>you name it, it's ongoing. That of course is Mark,

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<v Speaker 1>Christian philosopher of chocolate. Mark is here to help us

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<v Speaker 1>channel our bliss because the guy he's been around, he's

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<v Speaker 1>seen the big bond bond of chocolate culture from the

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<v Speaker 1>inside out, and he's convinced that this stuff has a

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<v Speaker 1>real power that hasn't been truly recognized outside of the

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<v Speaker 1>core believers. That is, these chocolate terians, you know, mad

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<v Speaker 1>for chocolate, chocolate maniacs. You go to their shows, but

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<v Speaker 1>there are across somewhere between a religious revival and a rave,

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<v Speaker 1>and they're they're really amped on it. And for them

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<v Speaker 1>it's so like, you know, when do you have chocolate?

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<v Speaker 1>I have chocolate, get up at chocolate for breakfast. I

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<v Speaker 1>had chocolate for you know, coffee break chocolate. You know,

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<v Speaker 1>after lunch, I have chocolate for tea with tea, bah

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<v Speaker 1>blah blah. And others they have chocolate hollars. Do they

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<v Speaker 1>know something that we don't? Are they on the golden path?

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<v Speaker 1>Well Mark says maybe he actually sees a glimmer of

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<v Speaker 1>salvation in those chocolate raves, because in a world of

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<v Speaker 1>increasing disunity, of splintering factions and agendas, he thinks chocolate

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<v Speaker 1>can be a unifying force, a way to remind us

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<v Speaker 1>of our common delights and our shared interests. The rainforest

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<v Speaker 1>ambassador to humanity is chocolate because billions of people love it,

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<v Speaker 1>and so as that ambassador from the rainforest, it can

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<v Speaker 1>bring people to the rainforest, not physically, but in that

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<v Speaker 1>portable transport called chocolate. What's really interesting about that attraction

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<v Speaker 1>is that we don't just share it with other people

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<v Speaker 1>across the planet right now. It also connects us to

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<v Speaker 1>all those people who have been seeking the sublime through

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<v Speaker 1>chocolate for thousands of years, all the way back to

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<v Speaker 1>those first unknown people who were playing around some pods

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<v Speaker 1>somewhere in the jungle and stumbled onto revelation. Mark has

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<v Speaker 1>a theory about that Big Bang moment. Maybe it was

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<v Speaker 1>a lazy afternoon and they were picking some pods and

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<v Speaker 1>they didn't get into splitting them open and taking them

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<v Speaker 1>for their juice, that pulp inside, which is what you know,

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<v Speaker 1>humans and monkeys wanted for when they maybe split some

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<v Speaker 1>pods open or just just stored them away for an

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<v Speaker 1>afternoon or two. And it started for many naturally, and

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<v Speaker 1>then when a human came by and they spliced it

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<v Speaker 1>open and boom, a this stuff tastes a little different,

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<v Speaker 1>a little it's from men, a little sour and so

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<v Speaker 1>and and then a couple of hours later, I'm getting

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<v Speaker 1>a little effect here, you know. Interesting. And then you

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<v Speaker 1>can also speculate that maybe one night, while they're they're

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<v Speaker 1>cleaning the pulp off um and they're around the campfire,

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<v Speaker 1>maybe some you know, seeds or beans got stuck in

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<v Speaker 1>the camp fire, you know, and then the fire is

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<v Speaker 1>done for the night or the next morning, and they

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<v Speaker 1>still see some those beans, and maybe somebody just by accident,

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<v Speaker 1>you know, picked up a bean, said, hey, that tastes bad.

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<v Speaker 1>It doesn't taste too bad. Let's see what we can

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<v Speaker 1>do with these things, and in the process begins. Fast

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<v Speaker 1>forward to a few thousand years ago, and cacao is

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<v Speaker 1>helping the ancient peoples of the Americas to make their

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<v Speaker 1>evenings extra special. They have this ritualized use of cacao.

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<v Speaker 1>They're making beverages with it, and at the end of

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<v Speaker 1>these evenings they would take their vessels, their cups and

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<v Speaker 1>plates and smash them against the wall Hendrick style, you know,

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<v Speaker 1>like performative. It's it's we're at an end here. And

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<v Speaker 1>that was that. Okay, Today it's bad form to smash

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<v Speaker 1>the dishes against the wall after a little chocolate fix.

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<v Speaker 1>But you get the idea. Chocolate is performative. It gives

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<v Speaker 1>a little boost, makes that quest for peak consciousness a

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<v Speaker 1>little bit easier. But here's the thing. After spending months

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<v Speaker 1>in the land of washing cocaine in Ayahuasca, I've started

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<v Speaker 1>thinking about how there are different flavors of peak consciousness.

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<v Speaker 1>Sometimes you want to be a jaguar gliding through the

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<v Speaker 1>tropical night, and sometimes you just want to be reminded

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<v Speaker 1>of the joys of being a living, breathing, sensing human

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<v Speaker 1>being in a garden of earthly delights. For at least

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<v Speaker 1>five thousand years, chocolate has helped us get there. And

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<v Speaker 1>you'll know you're there because well, it might feel a

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<v Speaker 1>little bit like Mark Christian's experience after nibbling on one

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<v Speaker 1>of his favorite bars, a Tien Gong chocolate from Vietnam.

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<v Speaker 1>And I'm telling you, man, I was getting things like

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<v Speaker 1>sandal wood and fod yeah and clove, and then I

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<v Speaker 1>was getting things like opium. When a good chocolate hits you, man,

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<v Speaker 1>you're stoned. Like this bar is way off the charts.

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<v Speaker 1>You know, this thing was doing a gong on my head.

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<v Speaker 1>You know, I thought I was at the Apollo getting

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<v Speaker 1>taken off stage. This is going off and so like,

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<v Speaker 1>whoof And it just kept coming and coming in these

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<v Speaker 1>ways and so like, and then oh, here comes the

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<v Speaker 1>crow gives awesome saffron screeping in there. It wasn't stopped,

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<v Speaker 1>so like, there is no chocolate on earth like this Okay, everybody, relax,

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<v Speaker 1>don't panic. There's enough to go around. We've been working

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<v Speaker 1>on this for a while to make sure everybody can

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<v Speaker 1>get there fix and we'll give you the full scoop

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<v Speaker 1>after the break. Do you remember any formative memories when

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<v Speaker 1>you were a kid involving chocolate, the first time you

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<v Speaker 1>tasted it, or first time you tasted really good chocolate. Yeah,

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<v Speaker 1>I think when there was a kid. Uh, the first

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<v Speaker 1>chocolate I had was that's not a real chocolate, Sarah

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<v Speaker 1>got there was the first chocolate I was tried, and

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<v Speaker 1>that those was amazing. That is Chef's salvatory. Martoni sal

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<v Speaker 1>is a legendary pastry chef. He ran the pastry program

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<v Speaker 1>for the Joel Roberschon Restaurants, which have more Michelin stars

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<v Speaker 1>than any restaurant group in history, and he's also executive

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<v Speaker 1>pastry chef. First Statler Chocolate, which, as I'm sure you

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<v Speaker 1>figured out over the past seven episodes, is keeping up

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<v Speaker 1>with Kaleidoscope and Louisa Abram to bring a special box

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<v Speaker 1>of Louise's Wild Chocolates to the US. It includes three

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<v Speaker 1>different bars made with wild cocoo from three different rivers

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<v Speaker 1>in the Amazon Jurua Perus and token jeans, and they

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<v Speaker 1>are all incredibly rare and incredibly different from each other.

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<v Speaker 1>I can't remember how this idea got started. It was

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<v Speaker 1>just an idle comment like, hey, we should actually give

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<v Speaker 1>people a chance to taste this stuff. But the next

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<v Speaker 1>thing I knew it was real, and Jeff stal was

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<v Speaker 1>one of the people responsible for that. He was into it.

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<v Speaker 1>So I was truly curious to hear why he was

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<v Speaker 1>interested and what he thought of it, not to mention

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<v Speaker 1>why he thinks chocolate has such power over us in general.

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<v Speaker 1>And to start, we have to go back to his

0:12:31.760 --> 0:12:37.199
<v Speaker 1>son drenched childhood in southern Italy. I remember, like on Sunday,

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<v Speaker 1>my grandmother used to give me like who was at

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<v Speaker 1>the time equivalent to dollars today, and I would go

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<v Speaker 1>straight to the to the this candy store and spend

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<v Speaker 1>all my money and finish it before I even get home.

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<v Speaker 1>My mom would say, like, what happened? I bought some chocolates?

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<v Speaker 1>Say what is it? It's going on? And little did

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<v Speaker 1>you know that you're going to be a professional. That

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<v Speaker 1>was that was going to be your field. Um. And

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<v Speaker 1>one of the things I've really learned a lot as

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<v Speaker 1>I've been working on this show. Is the amazing range

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<v Speaker 1>of flavors that different chocolates can have, different chocolates from

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<v Speaker 1>different places, different cocoa beans. Are there certain qualities you

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<v Speaker 1>look for in a chocolate, Yes, the origin of the

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<v Speaker 1>chocolate is the most important thing, you know, it's the

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<v Speaker 1>origin and the fermentation. In the beginning, you know, I

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<v Speaker 1>never would have told that chocolate was a fermented product

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<v Speaker 1>like like a wine like beer, you know, it is.

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<v Speaker 1>It is kind of strange that if there is no fermentation,

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<v Speaker 1>there is no chocolate flavor. The difference in flavor is

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<v Speaker 1>it's all depends from the where the beans is grown

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<v Speaker 1>and how it's fermented, and then how it's roasted. You know,

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<v Speaker 1>chocolate meg it's a little bit of a combination of

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<v Speaker 1>wine making and coffee making. Grape when you make wine,

0:14:05.480 --> 0:14:09.960
<v Speaker 1>it's everything, right. A cabernea savignon is the same method,

0:14:10.280 --> 0:14:14.280
<v Speaker 1>just different grades. And that's the fermentation part of the chocolate.

0:14:14.920 --> 0:14:18.760
<v Speaker 1>But coffee beans you have origin. That's very important. But

0:14:18.880 --> 0:14:23.120
<v Speaker 1>also roasting is super important. You know, some people roasting

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<v Speaker 1>very slow and delicate. Some people are more aggressive on

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<v Speaker 1>the roasting, dark roasting, and and the chocolate you have

0:14:31.920 --> 0:14:36.800
<v Speaker 1>both processed. You have fermentation, origin, and roasting all in

0:14:36.880 --> 0:14:40.960
<v Speaker 1>one product. There is one chocolate in particular that Lisa

0:14:41.120 --> 0:14:45.840
<v Speaker 1>was producing. It's called the Jewra River. Probably I'm not

0:14:45.920 --> 0:14:49.720
<v Speaker 1>pronouncing right, No, I think that's right. Yeah, I mean

0:14:49.840 --> 0:14:53.520
<v Speaker 1>pretty class. The things that she done is like she

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<v Speaker 1>understood from the beginning and this was like a different

0:14:57.320 --> 0:15:01.840
<v Speaker 1>kind of plant. And after there is roasted, it doesn't

0:15:01.840 --> 0:15:07.320
<v Speaker 1>never any basidity. And as this like very flower notes

0:15:07.480 --> 0:15:11.680
<v Speaker 1>that regular chocolate doesn't have. It's very different from other chocolates.

0:15:11.680 --> 0:15:14.280
<v Speaker 1>So that was very interesting too to work on this

0:15:14.360 --> 0:15:17.480
<v Speaker 1>project because of that. So you've got the three three

0:15:17.480 --> 0:15:21.880
<v Speaker 1>bars together in one box. So when people get the box,

0:15:21.920 --> 0:15:24.080
<v Speaker 1>they get the three bars and they can taste side

0:15:24.080 --> 0:15:27.240
<v Speaker 1>by side. Yes, they are all from different parts of

0:15:27.280 --> 0:15:31.120
<v Speaker 1>the Amazon River. So we have the Dua that is

0:15:31.160 --> 0:15:36.280
<v Speaker 1>the upper river, the Purus that's the middle, and the

0:15:36.320 --> 0:15:41.800
<v Speaker 1>Token Teens it's the lower river on Amazon. Each one

0:15:42.200 --> 0:15:44.680
<v Speaker 1>is as as different that could be from the other one.

0:15:45.320 --> 0:15:50.440
<v Speaker 1>The upper river is like leechy and flowery and no acidity.

0:15:50.520 --> 0:15:53.800
<v Speaker 1>And then we go to the middle of the Purus

0:15:53.960 --> 0:16:01.000
<v Speaker 1>River that's more like notes of banana and molasses and chestnut.

0:16:01.560 --> 0:16:05.680
<v Speaker 1>So very hearty flavor, and then the lower part it's

0:16:05.760 --> 0:16:11.440
<v Speaker 1>like orange zest and lemon zest and very like creamy

0:16:11.520 --> 0:16:17.440
<v Speaker 1>and honey flavors. So as humans, we always understand things

0:16:17.480 --> 0:16:21.480
<v Speaker 1>by comparison. Yeah, and there is nothing better to understand

0:16:21.520 --> 0:16:25.280
<v Speaker 1>the flavor of one by comparing to the others. Right

0:16:25.480 --> 0:16:28.280
<v Speaker 1>and same factory, So the only difference is the beings

0:16:28.280 --> 0:16:33.920
<v Speaker 1>themselves itself. Chef, you must have seen this a million times.

0:16:34.360 --> 0:16:38.560
<v Speaker 1>When people eat chocolate, they sort of get very focused, right.

0:16:38.600 --> 0:16:41.520
<v Speaker 1>They things that might be distracting them go away, and

0:16:42.120 --> 0:16:45.800
<v Speaker 1>they are very present in the moment with their chocolate.

0:16:45.960 --> 0:16:50.720
<v Speaker 1>So especially Um, as you're describing the three tasting the

0:16:50.800 --> 0:16:54.120
<v Speaker 1>three different kinds side by side, it seems like almost

0:16:54.200 --> 0:16:58.080
<v Speaker 1>like a form of meditation where people can be totally

0:16:58.120 --> 0:17:00.880
<v Speaker 1>present with their senses, their small sent to smells and

0:17:01.000 --> 0:17:05.320
<v Speaker 1>to taste and come to some sort of connection with

0:17:05.359 --> 0:17:09.600
<v Speaker 1>the chocolate. Um. And you must see this in restaurants

0:17:09.600 --> 0:17:14.760
<v Speaker 1>all the time, where people are taking your your creations

0:17:15.240 --> 0:17:18.399
<v Speaker 1>and having sort of like a moment of peak experience

0:17:18.480 --> 0:17:24.000
<v Speaker 1>with them. Yeah. Um. Obviously like chocolate. You know, it's

0:17:24.000 --> 0:17:27.800
<v Speaker 1>a bigger list of dopamine. But at the same time,

0:17:29.000 --> 0:17:31.720
<v Speaker 1>at the same time, like if you're really tasting chocolate,

0:17:31.800 --> 0:17:35.240
<v Speaker 1>you know, like you were, you were like like melting

0:17:35.400 --> 0:17:38.480
<v Speaker 1>slowly in your mouth and filling all the notes of

0:17:38.480 --> 0:17:42.639
<v Speaker 1>the chocolate. And as you breed, you can also the

0:17:43.280 --> 0:17:47.000
<v Speaker 1>smell of the chocolate as an effect on you. When

0:17:47.000 --> 0:17:50.000
<v Speaker 1>you're eating it and the chocolates start to melt, because

0:17:50.000 --> 0:17:52.879
<v Speaker 1>it melts a body of temperature, the only thing you

0:17:52.880 --> 0:17:58.080
<v Speaker 1>can feel is like this silk smooth texture and it

0:17:58.320 --> 0:18:01.760
<v Speaker 1>is a little bit of of meditation, and like you said,

0:18:02.160 --> 0:18:06.280
<v Speaker 1>I give you this sense of peace and enjoy. It's

0:18:06.320 --> 0:18:12.600
<v Speaker 1>a very special product. Last pitch, I swear to order

0:18:12.640 --> 0:18:15.280
<v Speaker 1>the tasting box and try those chocolates. Just find the

0:18:15.320 --> 0:18:20.600
<v Speaker 1>link on the show notes bon appte. After the break

0:18:21.119 --> 0:18:48.840
<v Speaker 1>we go beyond the Bar. I have loved chocolate since

0:18:48.880 --> 0:18:50.920
<v Speaker 1>I was a little girl. I wrote a cookbook called

0:18:50.920 --> 0:18:54.360
<v Speaker 1>Desserts around the World for my first ever independence whole projects.

0:18:55.320 --> 0:18:57.080
<v Speaker 1>Like most of the people you've heard from on this show,

0:18:57.480 --> 0:18:59.800
<v Speaker 1>one of the things that brought uncommon to cow founder

0:18:59.840 --> 0:19:02.800
<v Speaker 1>and only stoned to chocolate was lovely interesting. And then

0:19:03.040 --> 0:19:06.200
<v Speaker 1>in seventh grade, I did my science project on cupcakes.

0:19:06.840 --> 0:19:09.280
<v Speaker 1>It is a called one is a cupcake not a cupcake?

0:19:11.320 --> 0:19:14.040
<v Speaker 1>That's a great title. It was really fun. I also

0:19:14.080 --> 0:19:16.920
<v Speaker 1>got to make many batches of cupcakes, and I basically

0:19:16.920 --> 0:19:19.520
<v Speaker 1>took one ingredient. I would each time to see like

0:19:20.000 --> 0:19:22.120
<v Speaker 1>how far I could get from it being a cupcake.

0:19:22.600 --> 0:19:25.280
<v Speaker 1>That's so scientific. I took out the flour, would still

0:19:25.280 --> 0:19:31.440
<v Speaker 1>be a cupcake? Answer? No, not really, um, not really frostable.

0:19:33.680 --> 0:19:36.639
<v Speaker 1>But let's hold on that cupcake for a moment. Because

0:19:36.640 --> 0:19:39.200
<v Speaker 1>one of the things Emily got me thinking about is

0:19:39.720 --> 0:19:43.239
<v Speaker 1>what is the best form for ultimate chocolate delivery. Up

0:19:43.280 --> 0:19:46.680
<v Speaker 1>to now, we've been talking about chocolates, piers form the bar,

0:19:47.320 --> 0:19:49.600
<v Speaker 1>but of course that's just one of many ways people

0:19:49.640 --> 0:19:51.840
<v Speaker 1>get their chocolate fix, and Emily is not even sure

0:19:51.880 --> 0:19:54.480
<v Speaker 1>it's the best way. We actually wound up chatting about

0:19:54.480 --> 0:19:57.000
<v Speaker 1>this one night over beers at a Belize Reay Gay bar.

0:19:57.600 --> 0:20:02.960
<v Speaker 1>Sometimes I wonder if chocolate bars are the totally yes, yes,

0:20:03.800 --> 0:20:06.280
<v Speaker 1>oh my gosh, we've got to get behind beyond the bar.

0:20:06.680 --> 0:20:09.080
<v Speaker 1>Beyond the bar definitely, And I think some of the

0:20:09.119 --> 0:20:11.359
<v Speaker 1>companies that we've seen grow the fastest in the craft

0:20:11.440 --> 0:20:14.399
<v Speaker 1>chocolate space, you know, our bean to bon bon and

0:20:14.440 --> 0:20:16.879
<v Speaker 1>being too cookie and being too brownie and being too

0:20:16.960 --> 0:20:20.120
<v Speaker 1>hot chocolate I couldn't get that idea out of my head.

0:20:20.640 --> 0:20:22.760
<v Speaker 1>So when I was back in the States, I searched around.

0:20:23.600 --> 0:20:26.800
<v Speaker 1>Like I've said, most chocolate makers just make bars, and

0:20:26.880 --> 0:20:30.480
<v Speaker 1>most chocolate tears just use ready made chocolate. But was

0:20:30.520 --> 0:20:33.040
<v Speaker 1>there some culinary artists out there who knew the ins

0:20:33.040 --> 0:20:35.560
<v Speaker 1>and outs of rare de cows and worked with them

0:20:35.600 --> 0:20:38.399
<v Speaker 1>to go beyond the bar? Could I find me a

0:20:38.400 --> 0:20:41.280
<v Speaker 1>bean to bon bon master who could help me understand

0:20:41.320 --> 0:20:44.280
<v Speaker 1>why chocolate is such a bomb for our brains, our bodies,

0:20:44.560 --> 0:20:48.600
<v Speaker 1>and our souls. Honestly, the same name kept coming up,

0:20:49.840 --> 0:20:53.040
<v Speaker 1>So everything here is a moment's beaten. We try to

0:20:53.040 --> 0:20:55.440
<v Speaker 1>have a sculpture in here at all times, usually last

0:20:55.480 --> 0:20:58.720
<v Speaker 1>about three months before something bars and eats it. And

0:20:58.760 --> 0:21:01.440
<v Speaker 1>from his website I could tell this was my guru.

0:21:02.080 --> 0:21:04.720
<v Speaker 1>So on a cold, gray winter day, I got in

0:21:04.720 --> 0:21:07.719
<v Speaker 1>my car and made the drive to a lonely temple

0:21:07.720 --> 0:21:13.080
<v Speaker 1>of chocolate in Manchester, New Hampshire. Everything is arn't we

0:21:13.119 --> 0:21:16.280
<v Speaker 1>Usually you're too busy to pay attention. It's like, well,

0:21:16.280 --> 0:21:19.280
<v Speaker 1>look at you think about old cultures like the Maya

0:21:19.560 --> 0:21:22.720
<v Speaker 1>and Japan before the West, right, there was no such

0:21:22.760 --> 0:21:26.080
<v Speaker 1>thing as art. You painted the screen you made things beautiful,

0:21:26.119 --> 0:21:28.800
<v Speaker 1>but that was an art. You just take that right.

0:21:29.640 --> 0:21:33.080
<v Speaker 1>In downtown Manchester, there's this little postage stamp shop called

0:21:33.160 --> 0:21:37.119
<v Speaker 1>Dancing Lion. It's part chocolate shop, part Wonka's factory, and

0:21:37.160 --> 0:21:40.760
<v Speaker 1>I'm standing inside with its proprietor why Dancing Lion before

0:21:40.760 --> 0:21:42.720
<v Speaker 1>I forget? Oh, my name is Tango LOWI. Tango is

0:21:42.720 --> 0:21:47.080
<v Speaker 1>a dance Lois Remainian from Lion. Richard Tango Low is

0:21:47.119 --> 0:21:49.120
<v Speaker 1>a middle aged guy with a bandana on his head.

0:21:49.359 --> 0:21:51.919
<v Speaker 1>He talks fast. You might be tempted to chocolate up

0:21:51.920 --> 0:21:55.280
<v Speaker 1>to caffeine, but actually most chocolate is very little. The

0:21:55.320 --> 0:21:58.600
<v Speaker 1>real source of Richard's excitement is inspiration. He reminds me

0:21:58.640 --> 0:22:01.439
<v Speaker 1>of a combination between a mad scientist and a master painter.

0:22:02.000 --> 0:22:06.040
<v Speaker 1>He's just possessed by his subject. The perception that everything

0:22:06.200 --> 0:22:09.840
<v Speaker 1>is just art kind of started to infuse everything here

0:22:10.080 --> 0:22:14.159
<v Speaker 1>became kind of unavoidable. Then you know bars bon bonds,

0:22:14.280 --> 0:22:17.680
<v Speaker 1>how we served drinks. He's definitely got the art gene.

0:22:18.040 --> 0:22:21.320
<v Speaker 1>But in his former life, before he answered the siren

0:22:21.400 --> 0:22:24.240
<v Speaker 1>song of chocolate, he was a physicist. And you can

0:22:24.240 --> 0:22:27.879
<v Speaker 1>tell it's for chocolate tier the fact that it is

0:22:28.080 --> 0:22:31.520
<v Speaker 1>a non Newtonian fluid becomes that big deal with different Wisconsin.

0:22:32.000 --> 0:22:34.600
<v Speaker 1>When you start moving in different viscousins wants, it's moving,

0:22:35.080 --> 0:22:37.359
<v Speaker 1>see what I mean. We're a little unusual. When the

0:22:37.400 --> 0:22:39.680
<v Speaker 1>most chocolate tears worked with like a chocolate or two,

0:22:40.359 --> 0:22:44.960
<v Speaker 1>we have twenty. Maybe Rich was my guy, the cocao

0:22:45.000 --> 0:22:47.959
<v Speaker 1>whisper who's listening to the beans, asking them what they

0:22:47.960 --> 0:22:51.119
<v Speaker 1>wanted to be, and then taking them all the way there.

0:22:51.760 --> 0:22:54.000
<v Speaker 1>The front half of Dancing Lion holds a few tables

0:22:54.400 --> 0:22:57.560
<v Speaker 1>stacks of Japanese style pottery by a local artisan, and

0:22:57.600 --> 0:23:02.439
<v Speaker 1>a glass case filled with crazy z creations, chocolate goddess

0:23:02.480 --> 0:23:08.159
<v Speaker 1>sculptures and bounce side trees, edible raccou teacups, chocolate hearts,

0:23:08.880 --> 0:23:13.040
<v Speaker 1>and I mean hearts like a yordas. The back half

0:23:13.040 --> 0:23:16.119
<v Speaker 1>of Dancing Lion is the mad scientist part, a pile

0:23:16.160 --> 0:23:19.520
<v Speaker 1>of churning machines, turning all those different beings into non

0:23:19.520 --> 0:23:22.800
<v Speaker 1>Newtonian fluids to serve as the clay for Rich and

0:23:22.800 --> 0:23:26.240
<v Speaker 1>as co chocolate your Rachel's creations. But they don't simply

0:23:26.240 --> 0:23:29.120
<v Speaker 1>turn each chocolate into its own thing. They use them

0:23:29.160 --> 0:23:32.119
<v Speaker 1>like a conductor might use a string section from a

0:23:32.200 --> 0:23:36.520
<v Speaker 1>flavor perception standpoint, your moods, your perceptions, what you've eaten,

0:23:36.560 --> 0:23:38.240
<v Speaker 1>how do you feel, what's going on in your life

0:23:38.240 --> 0:23:41.280
<v Speaker 1>that week? All those effect what you taste. And so

0:23:41.400 --> 0:23:42.600
<v Speaker 1>we need to do is we need to kind of

0:23:42.600 --> 0:23:45.880
<v Speaker 1>get an overall flavor model in our brains, so we'll

0:23:45.880 --> 0:23:50.320
<v Speaker 1>taste formally and casually over weeks. Because red chocolates have

0:23:50.359 --> 0:23:52.480
<v Speaker 1>different moods. Some are spiky and some are soft, and

0:23:52.520 --> 0:23:55.840
<v Speaker 1>some are cylindrical, and some evolve in different ways in

0:23:55.840 --> 0:23:58.200
<v Speaker 1>your mouth. And you have to really learn what a

0:23:58.320 --> 0:24:01.760
<v Speaker 1>chocolate looks like know how to use it. If you're

0:24:01.760 --> 0:24:05.679
<v Speaker 1>a fan of the super shiny, overly gilded sopranos style

0:24:05.760 --> 0:24:08.160
<v Speaker 1>of bond bond you find in every other chocolate shop,

0:24:08.640 --> 0:24:10.520
<v Speaker 1>you're not going to know what to make of dancing

0:24:10.560 --> 0:24:13.960
<v Speaker 1>lions bond bonds. Rich is the disciple of Wabi sabi,

0:24:14.400 --> 0:24:18.480
<v Speaker 1>the Japanese aesthetic that finds a sort of heartbreaking beauty

0:24:18.800 --> 0:24:23.080
<v Speaker 1>and the fleeting nature of existence for for the times

0:24:23.160 --> 0:24:25.680
<v Speaker 1>this year, we always feel a limited edition, like twelve

0:24:25.720 --> 0:24:27.960
<v Speaker 1>things and Rachel I made these hearts and they were beautiful,

0:24:28.040 --> 0:24:30.960
<v Speaker 1>and we just I can tell with her she wasn't happy,

0:24:30.960 --> 0:24:32.720
<v Speaker 1>and I wasn't happy, and I mean, they were gorgeous,

0:24:32.720 --> 0:24:34.600
<v Speaker 1>but they weren't right. And we're sitting there having to

0:24:34.880 --> 0:24:38.359
<v Speaker 1>one Monday morning, so we're just chatting, and she said,

0:24:38.400 --> 0:24:40.840
<v Speaker 1>we need to break the hearts and I said, so

0:24:40.880 --> 0:24:42.400
<v Speaker 1>we take a girl in there, We take all the SARTs,

0:24:42.400 --> 0:24:44.800
<v Speaker 1>we just smash and include them back together and they

0:24:44.800 --> 0:24:48.840
<v Speaker 1>were beautiful. Okay, that's that. Aesthetics shows in all his chocolates,

0:24:49.040 --> 0:24:52.000
<v Speaker 1>which have the palette of a late fall day, all

0:24:52.080 --> 0:24:56.680
<v Speaker 1>bronzes and dusky skies and copper patina. You can't help

0:24:56.680 --> 0:24:59.320
<v Speaker 1>but think about the incredible beauty of the world, even

0:24:59.359 --> 0:25:02.120
<v Speaker 1>as it slips a ay from you. Rich plunks two

0:25:02.119 --> 0:25:04.800
<v Speaker 1>plates on one of the tables, each holding a rustic truffle.

0:25:05.480 --> 0:25:07.480
<v Speaker 1>He wants to teach me how to taste, how to

0:25:07.560 --> 0:25:11.919
<v Speaker 1>be in the experience, however fleeting it is, or maybe

0:25:12.000 --> 0:25:15.399
<v Speaker 1>because it's cleaning. This is This is a straight up

0:25:15.400 --> 0:25:17.800
<v Speaker 1>ghana ganash for a little bit of honey. It's a

0:25:18.000 --> 0:25:20.359
<v Speaker 1>fluffy but nelts really beautiful in your mouth. It's gonna

0:25:20.440 --> 0:25:22.879
<v Speaker 1>have a really high sort of bike. Continue structure to it.

0:25:23.520 --> 0:25:25.960
<v Speaker 1>And then I dusted it with in robed it, dusted

0:25:26.000 --> 0:25:28.119
<v Speaker 1>it with chie spice and tie teeth, and we ground

0:25:28.160 --> 0:25:31.280
<v Speaker 1>and then in robed it again. Um. The robe is

0:25:31.320 --> 0:25:35.440
<v Speaker 1>a blend of Tanzania and met ness. Just so you

0:25:35.520 --> 0:25:38.560
<v Speaker 1>got that. It's a truffle with a fluffy center, made

0:25:38.560 --> 0:25:42.280
<v Speaker 1>from Ghana chocolate, enrobed in a mix of two other chocolates,

0:25:42.320 --> 0:25:45.360
<v Speaker 1>some from Tanzania and some from Vulkan, Lehman and Bolivia,

0:25:45.840 --> 0:25:50.080
<v Speaker 1>then rolled in Chinese spices and powdered Thi tea. We

0:25:50.119 --> 0:25:52.480
<v Speaker 1>popped them in our mouths and my teeth break through

0:25:52.480 --> 0:25:55.440
<v Speaker 1>the crispy shell into the creamy center, and a symphony

0:25:55.480 --> 0:26:02.760
<v Speaker 1>of chocolate notes cascades over me. Thank you so for

0:26:02.840 --> 0:26:09.640
<v Speaker 1>you that you have probably have questions, Yeah, like why

0:26:09.720 --> 0:26:12.640
<v Speaker 1>is that truffle so good? So we take it very much.

0:26:13.200 --> 0:26:15.560
<v Speaker 1>What do we want you to experience when when we're

0:26:15.600 --> 0:26:18.480
<v Speaker 1>making a bond bondy, So what's the first thing he

0:26:18.520 --> 0:26:21.800
<v Speaker 1>hits your tongue with a truffle the chocolate on the outside.

0:26:22.280 --> 0:26:24.640
<v Speaker 1>So if that would pure Tanzania, you would get berries

0:26:24.960 --> 0:26:27.280
<v Speaker 1>and you would lose everything else. And I didn't want that,

0:26:27.320 --> 0:26:29.919
<v Speaker 1>but I did want the acidity um to cut against

0:26:29.920 --> 0:26:34.480
<v Speaker 1>that really kind of rich fight in Ghana. Um, so

0:26:34.920 --> 0:26:38.679
<v Speaker 1>using enough, you know, maybe half Tanzania and half Bolivia

0:26:39.000 --> 0:26:42.400
<v Speaker 1>brings that tansonia down, softens it, olaws it's playing better,

0:26:42.440 --> 0:26:45.159
<v Speaker 1>but still brings up the acidity a little bit. I

0:26:45.160 --> 0:26:47.359
<v Speaker 1>asked him if that's the secret to chocolates appeal, the

0:26:47.359 --> 0:26:51.480
<v Speaker 1>intensity of flavor, and he says, well, yeah, but don't

0:26:51.480 --> 0:26:54.879
<v Speaker 1>forget the psychoactives. Chocolates feel good. It doesn't give you

0:26:54.840 --> 0:26:58.040
<v Speaker 1>a just gets your heart going a little bit. It

0:26:58.040 --> 0:27:01.159
<v Speaker 1>makes you feel good. Sixty and neuro transferters, they all

0:27:01.200 --> 0:27:04.320
<v Speaker 1>make you feel good. So it's a it's a dopamine

0:27:04.320 --> 0:27:08.520
<v Speaker 1>bad right the th and there. It's like you you

0:27:08.640 --> 0:27:11.280
<v Speaker 1>eat chocolate, you feel good. There's a reason that people

0:27:11.280 --> 0:27:15.520
<v Speaker 1>think that because it works. Neurotransmitters are just the molecules

0:27:15.560 --> 0:27:18.560
<v Speaker 1>that the neurons in your brain use to communicate to think,

0:27:19.119 --> 0:27:22.200
<v Speaker 1>and the ones in chocolate, like dopamine, just happened to

0:27:22.240 --> 0:27:25.359
<v Speaker 1>be the ones your brain uses to think deep happy thoughts.

0:27:26.200 --> 0:27:29.560
<v Speaker 1>And that brings me back to the ancient Maya and Aztec.

0:27:30.200 --> 0:27:33.280
<v Speaker 1>To them, chocolate was sacred. It wasn't just a latte

0:27:33.320 --> 0:27:35.600
<v Speaker 1>of the four hundreds. It was their way of coming

0:27:35.600 --> 0:27:39.040
<v Speaker 1>into harmony with the universe, with the cacao goddess, with

0:27:39.080 --> 0:27:44.520
<v Speaker 1>their own ancestors, and they always drank it. But why

0:27:44.880 --> 0:27:47.000
<v Speaker 1>that question had been kicking around my brain for months.

0:27:47.840 --> 0:27:50.479
<v Speaker 1>The Maya and Aztec were perfectly capable of eating their

0:27:50.520 --> 0:27:55.160
<v Speaker 1>chocolate in solid form, and yet they never did. Why

0:27:55.280 --> 0:27:58.320
<v Speaker 1>Is there something about drinking the stuff that changes the experience,

0:27:58.880 --> 0:28:01.639
<v Speaker 1>that maybe brings the god a little bit closer. I

0:28:01.720 --> 0:28:04.240
<v Speaker 1>knew Rich was the guy to ask, because that's his

0:28:04.320 --> 0:28:07.920
<v Speaker 1>other specialty. While one hand pursues chocolate in its most

0:28:08.000 --> 0:28:12.400
<v Speaker 1>artistic and impossible forms, the other is obsessed with chocolate

0:28:12.760 --> 0:28:15.520
<v Speaker 1>that has no form at all. I've done a lot

0:28:15.520 --> 0:28:18.680
<v Speaker 1>of research on how people basically help people originally made

0:28:18.800 --> 0:28:21.000
<v Speaker 1>drinking chocolate, you know, see all next, going back about

0:28:21.000 --> 0:28:24.920
<v Speaker 1>six thousand years probably, And so we serve it pretty

0:28:25.000 --> 0:28:27.879
<v Speaker 1>much the same way. This kind of similar spices a

0:28:27.920 --> 0:28:30.320
<v Speaker 1>little bit of you know, we use Central American chili's

0:28:31.000 --> 0:28:33.320
<v Speaker 1>um and we serve it very frothy, and then you're

0:28:33.359 --> 0:28:36.919
<v Speaker 1>pouring it from on high into bowls. So this is

0:28:36.920 --> 0:28:39.040
<v Speaker 1>about of authentics that can make this step no dary

0:28:39.080 --> 0:28:42.600
<v Speaker 1>in this It's hardly sweeten it, just it's a mostly

0:28:42.640 --> 0:28:49.000
<v Speaker 1>early chocolate. We use Karagua and Calabash. Bulls were pretty

0:28:49.000 --> 0:28:51.840
<v Speaker 1>traditional and that's not really patrical for us. Sorrow Bulls

0:28:51.920 --> 0:28:55.520
<v Speaker 1>have our logowner made by a local product. People like it.

0:28:56.200 --> 0:29:00.200
<v Speaker 1>The cool thing about the bowls. You can't drink a

0:29:00.200 --> 0:29:04.560
<v Speaker 1>bowl without paying attention. You're looking into the ball. So

0:29:05.120 --> 0:29:07.960
<v Speaker 1>Rich came to this inside after quietly observing people in

0:29:08.000 --> 0:29:11.320
<v Speaker 1>his cafe. But we learned early on here that people

0:29:11.320 --> 0:29:14.080
<v Speaker 1>would come in and they'd be busy. People have things undermined.

0:29:14.280 --> 0:29:17.000
<v Speaker 1>But when you pick up a ball, you have to stop.

0:29:17.160 --> 0:29:19.120
<v Speaker 1>We had these two guys, they were obviously lawyers, and

0:29:19.120 --> 0:29:21.560
<v Speaker 1>they took over a table and they had papers everywhere.

0:29:21.640 --> 0:29:23.440
<v Speaker 1>They would be talking and talking, and then we get quiet.

0:29:23.480 --> 0:29:24.960
<v Speaker 1>You look and they both pick up their bulls and

0:29:25.000 --> 0:29:27.360
<v Speaker 1>they would drink and be like fifteen seconds of nothing,

0:29:27.880 --> 0:29:30.760
<v Speaker 1>and then you go back to work. And we realized that,

0:29:30.960 --> 0:29:32.960
<v Speaker 1>you know, that's the reason that works. We see our

0:29:32.960 --> 0:29:35.560
<v Speaker 1>tea now and you know we sort of coffee and

0:29:35.640 --> 0:29:38.920
<v Speaker 1>balls because you're part of One of our goals is

0:29:38.960 --> 0:29:41.280
<v Speaker 1>to take people out of their normal life to make

0:29:41.320 --> 0:29:47.080
<v Speaker 1>them pay attention. So I try it. Rich hands me

0:29:47.160 --> 0:29:50.120
<v Speaker 1>a simple pottery bowl filled with frothy chocolate, and I

0:29:50.160 --> 0:29:53.120
<v Speaker 1>retreat to a corner table. I blow a window into

0:29:53.120 --> 0:29:56.200
<v Speaker 1>the froth to reveal the thick, brown liquid, and for

0:29:56.240 --> 0:29:59.520
<v Speaker 1>the first time I realized that when they drink a

0:29:59.560 --> 0:30:05.360
<v Speaker 1>gourd of chocolate, every mine, every Amazonian must think, Hey,

0:30:05.720 --> 0:30:08.440
<v Speaker 1>this stuff looks just like my river. It's like they're

0:30:08.480 --> 0:30:11.800
<v Speaker 1>drinking the lifeblood of the rainforest, and in a sense

0:30:12.360 --> 0:30:15.600
<v Speaker 1>they are. I sipp the chocolate and let the aromatics

0:30:15.600 --> 0:30:19.120
<v Speaker 1>of the Amazon fill my sinuses, and for a moment,

0:30:19.640 --> 0:30:25.640
<v Speaker 1>I'm back there, the ancient trees, old trunks falling, new

0:30:25.680 --> 0:30:30.600
<v Speaker 1>ones rising, the thick rivers spilling over the land, the

0:30:30.680 --> 0:30:36.280
<v Speaker 1>frothing biology. I keep sipping now. The neurotransmitters are seeping

0:30:36.280 --> 0:30:39.160
<v Speaker 1>into my consciousness, softening the edges of the new England

0:30:39.160 --> 0:30:44.080
<v Speaker 1>winter outside. Just for a moment, time stands still, and

0:30:44.120 --> 0:30:47.160
<v Speaker 1>the hot jungle rises. Out of my bowl. There's an

0:30:47.160 --> 0:30:50.640
<v Speaker 1>echo of ayahuasca on the periphery, a sheen of colors

0:30:50.840 --> 0:30:54.840
<v Speaker 1>merging into a brown vortex of oneness, and I just

0:30:55.080 --> 0:30:57.640
<v Speaker 1>sit with it for a while. I don't know how long,

0:30:58.240 --> 0:31:07.320
<v Speaker 1>an hour, a second, and then of course time snaps back.

0:31:08.280 --> 0:31:26.120
<v Speaker 1>The bowl is empty, an existence flows on. Thank you

0:31:26.160 --> 0:31:28.720
<v Speaker 1>for listening to the show again. If you want to

0:31:28.760 --> 0:31:31.360
<v Speaker 1>get a taste of some Wild Chocolate. Head to Stetler

0:31:31.480 --> 0:31:45.200
<v Speaker 1>Dash Chocolate dot Com link in the show notes. Wild

0:31:45.240 --> 0:31:48.800
<v Speaker 1>Chocolate is a Kaleidoscope production with I Heart podcast hosted

0:31:48.800 --> 0:31:51.720
<v Speaker 1>and reported by me Rowan Jacobson and produced by Shane

0:31:51.760 --> 0:31:55.400
<v Speaker 1>McKeon at Nice Marmatt Media. Edited by Kate Osborne and

0:31:55.520 --> 0:31:58.720
<v Speaker 1>my Guest out of Kudor. Sound design and mixing by Soundboard.

0:31:59.280 --> 0:32:02.800
<v Speaker 1>Original music composition by Spencer Stevenson, a k a Botany

0:32:03.400 --> 0:32:06.880
<v Speaker 1>production help from Baheeny Shorty from My Heart. Our executive

0:32:06.880 --> 0:32:10.720
<v Speaker 1>producers are Katrina Norvelle and Nikki Etre. Special thanks to

0:32:10.800 --> 0:32:16.520
<v Speaker 1>Laura Mayor, Costaslinos Ozwalash and Aaron Kaufman, Will Pearson, codel Burn,

0:32:16.920 --> 0:32:20.000
<v Speaker 1>Bob Pittman, Daria Daniel and the team at Stetler who

0:32:20.000 --> 0:32:22.160
<v Speaker 1>are helping us make a very special chocolate of our own.

0:32:22.840 --> 0:32:25.760
<v Speaker 1>That's right, We're working with Louisa at Others to protect

0:32:25.800 --> 0:32:30.920
<v Speaker 1>the rainforest and make delicious Amazonian chocolate. Visit www Dot

0:32:30.960 --> 0:32:34.200
<v Speaker 1>Stetler Dash Chocolate dot com to taste it for yourself.

0:32:34.840 --> 0:32:40.000
<v Speaker 1>That's www Dot Stetler dash Chocolate dot com. And if

0:32:40.000 --> 0:32:41.560
<v Speaker 1>you want to hear more of this type of content,

0:32:41.880 --> 0:32:44.440
<v Speaker 1>Nothing is more important to the creators here at Kaleidoscope

0:32:44.680 --> 0:32:48.880
<v Speaker 1>than subscribers, ratings, and reviews. Please spread the love wherever

0:32:48.920 --> 0:32:49.320
<v Speaker 1>you listen.