WEBVTT - Busy Philipps

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<v Speaker 1>And then she called me back and she was like,

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<v Speaker 1>you know, Judd is really insistent that they want to

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<v Speaker 1>make this character a series regular if the show gets

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<v Speaker 1>picked up. I think you should just do it. I

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<v Speaker 1>think it's brilliant. Had you read the script? Yeah, I

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<v Speaker 1>did not understand it at all. I'M NOT gonna lie.

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<v Speaker 1>I'M NOT gonna lie. Totally, Brian, totally. I was like,

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<v Speaker 1>don't get it, I don't get what the tone of

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<v Speaker 1>this is. I was so confused by it. Hi, my

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<v Speaker 1>name is busy Phillips and I'm a human person in

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<v Speaker 1>this world. I don't know what I am. Yeah. Well,

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<v Speaker 1>hello there everybody, and welcome friends to another episode of

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<v Speaker 1>off the beat. It's me, as always, your host, Brian Baumgartner, and,

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<v Speaker 1>as you just heard in that sneak peek, I have

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<v Speaker 1>my conversation today with a woman who makes me laugh,

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<v Speaker 1>busy Phillips, a woman who has been, well, busy get it,

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<v Speaker 1>winning hearts on screen since well, since she first appeared

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<v Speaker 1>as Kim on cult favorite freaks and Geeks, a show

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<v Speaker 1>whose legacy it only lasted one season, but some could

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<v Speaker 1>say it is the precursor, it is the the grand

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<v Speaker 1>parent to the office. Since then, she's been on everything,

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<v Speaker 1>Dawson's Creek, Cougar town, white chicks, and last year she

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<v Speaker 1>became an esteemed member of the incredible girls five. Ever,

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<v Speaker 1>she also had a late night television show, busy tonight,

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<v Speaker 1>that we talked about, and her podcast I was just on.

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<v Speaker 1>Busy Phillips is doing her best. She is one of

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<v Speaker 1>my favorites. We're going to deep dive into the brain

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<v Speaker 1>today of busy Phillips. Bubble and squeak. I love bubble

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<v Speaker 1>and SQUIG, bubble and squeaker cookie every moon looked over

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<v Speaker 1>from the nut people. What's up, busy? Hi Brian, how

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<v Speaker 1>are you doing? I'm good. How are you? I'm good.

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<v Speaker 1>It was my kid's first day of school today. Oh today,

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<v Speaker 1>I know, New York is weird. Wow, okay, a random Wednesday. Well,

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<v Speaker 1>yesterday it was like an open house kind of day

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<v Speaker 1>for the kids, so maybe it was sort of technically yesterday,

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<v Speaker 1>but not really, like they just went and saw their

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<v Speaker 1>classrooms and then today was like the real start. Well,

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<v Speaker 1>that's nice, I guess. Did you get emotional? No, I have.

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<v Speaker 1>My kids are old. Okay, what are they doing? Tours

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<v Speaker 1>of the room. Then my older one doesn't do like

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<v Speaker 1>my older one is in middle school but my little

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<v Speaker 1>one is in fourth grade and they still do it

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<v Speaker 1>in fourth grade so that they can like see their classroom,

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<v Speaker 1>know where they're going on the first day. Like New

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<v Speaker 1>York is just so different than Los Angeles. It's crazy

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<v Speaker 1>and obviously, obviously, but like I didn't realize that both

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<v Speaker 1>kids like get themselves, like they get themselves to school. Oh,

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<v Speaker 1>they walk or they well, my older kids walks and

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<v Speaker 1>then the little one takes a bus. Wow, I know,

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<v Speaker 1>big kids, big kids, big kids. I know, I know,

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<v Speaker 1>it's nuts. It's nuts. Um, well, we call this in

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<v Speaker 1>the business tip for TAT. I came on your podcast,

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<v Speaker 1>which was a delight. Thank you for doing that. No,

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<v Speaker 1>I heard I is the best, the best. That's what

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<v Speaker 1>people are saying. Yeah, the best guest ever on busy

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<v Speaker 1>Phillips is doing her best. Uh, and now I am

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<v Speaker 1>so excited to talk to you, but I want to

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<v Speaker 1>start back earlier than that. When did you when did

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<v Speaker 1>you start becoming involved in the arts or thinking you

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<v Speaker 1>might want to perform or be an actor? Well, I mean,

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<v Speaker 1>I think, like many of us, it was a thing

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<v Speaker 1>that I always had since I was a very, very

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<v Speaker 1>small person. You know, I've been a parent now for

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<v Speaker 1>a long time, but you know, it really is a

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<v Speaker 1>parent a parent, a parent as a parent. It's a

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<v Speaker 1>parent to a parent, a parent as a parent. Um that. Yeah,

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<v Speaker 1>some kids just gravitate towards being the center of attention,

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<v Speaker 1>wanting to perform, wanting to dress up, wanting to do

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<v Speaker 1>shows and things, and I was very much that kid.

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<v Speaker 1>I also had, uh, pretty intense lisp when I was little,

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<v Speaker 1>like little, little kid, and by the time I was

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<v Speaker 1>in second and third grade it was still hanging on

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<v Speaker 1>and that's when like speech therapists get involved and I

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<v Speaker 1>think my mom felt like it was a really good

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<v Speaker 1>opportunity to sort of combine a thing that she saw

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<v Speaker 1>that I had an interest in with, you know, making

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<v Speaker 1>sure that I could say my s is and my

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<v Speaker 1>th h s and my rs correctly. So, you know.

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<v Speaker 1>So so I got sort of you know, she put

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<v Speaker 1>me in some you know, little kid theater programs and

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<v Speaker 1>extracurricular stuff. I was never a kid that was very

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<v Speaker 1>sporty about you well, as I've gotten older I've become

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<v Speaker 1>way more athletic, but I was like not I didn't

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<v Speaker 1>want to move. I was like very happy to be

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<v Speaker 1>in a cold theater. I also grew up in Arizona.

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<v Speaker 1>Brand you don't want to play softball in a hunter

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<v Speaker 1>antent decree heat, and they do. I know, the golf

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<v Speaker 1>they're like yeah, let's go out, we'll tee, we'll tee

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<v Speaker 1>it off at six thirty and it's already a hundred

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<v Speaker 1>and two. No, I mean I like I played softball

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<v Speaker 1>for two years in elementary school and it was so

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<v Speaker 1>hot and I like all the pictures of me are

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<v Speaker 1>just like in the outfield laying down like trying to

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<v Speaker 1>not pass out from heat exhaustion. So I was very

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<v Speaker 1>happy to be in a cold, air conditioned black box

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<v Speaker 1>theater and I was really lucky because we found, through

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<v Speaker 1>my best friend emily bb, this very cool children's theater,

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<v Speaker 1>small children's theater school or whatever in in Scottsdale called

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<v Speaker 1>actors lab of Arizona, and they had their like kid

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<v Speaker 1>and teen program and the woman that ran it was

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<v Speaker 1>really cool, like she just didn't do the usual kid plays,

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<v Speaker 1>you know, like she had us write monologues about our

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<v Speaker 1>feelings and stuff. Like she really was like into it

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<v Speaker 1>and I just knew that I wanted to do it.

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<v Speaker 1>I like was very adamant from, I mean, I want

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<v Speaker 1>to say, like fourth or fifth grade, that I was

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<v Speaker 1>going to move to L A and be an actor

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<v Speaker 1>and be in movies and beyond TV shows. Fourth or

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<v Speaker 1>fifth grade, you were already there. Yes, yeah, yeah, that's cool.

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<v Speaker 1>I mean it's interesting that your mom had that insight,

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<v Speaker 1>that idea of like Oh, okay, so this is an

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<v Speaker 1>issue you're having. Well, let's dive into the pool, like

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<v Speaker 1>let's do this and and challenge you in that way,

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<v Speaker 1>knowing that you may have feelings about performing or whatever,

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<v Speaker 1>but that's very cool. Yeah, I mean my mom also

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<v Speaker 1>was a former. My mom wanted to be an actress

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<v Speaker 1>when she was young and was the star of all

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<v Speaker 1>the school plays. My older sister is four years older

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<v Speaker 1>than me and she also did like school plays in

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<v Speaker 1>theater and when she was in college was, you know,

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<v Speaker 1>in a bunch of shows in college. Um, so it

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<v Speaker 1>was like it's definitely like a thing in our in us,

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<v Speaker 1>in our family, you know. And just to be clear, though,

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<v Speaker 1>for your listeners who don't know me, maybe I'm not

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<v Speaker 1>related to anyone famous, but like sometimes a lot of

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<v Speaker 1>times people think that I'm part of like the famous

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<v Speaker 1>Phillips is from the Mamas and the Papas, like those Philips,

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<v Speaker 1>that Phillips Family. I'm not. My Mom's a realtor. She

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<v Speaker 1>ended up not being an actor. My Dad's an engineer,

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<v Speaker 1>but you know what I mean, like we were just

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<v Speaker 1>people who like to perform. Yeah, so she was. She

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<v Speaker 1>was always very encouraging and I think she felt like

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<v Speaker 1>her parents kind of put the Kai Bash on her

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<v Speaker 1>dreams of becoming an actor, and so she did not

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<v Speaker 1>want to do that to me or my sister and

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<v Speaker 1>she was always super encouraging and supportive, and both my parents.

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<v Speaker 1>But like really my mother was like, you know, my

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<v Speaker 1>friend Jenny jokes that my mom was like the ultimate

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<v Speaker 1>stage mom, and I would say, like that is true

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<v Speaker 1>in some respects, but honestly, like when my sister decided

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<v Speaker 1>to stop doing it, it wasn't a thing, like it

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<v Speaker 1>was just like okay, that you're doing something else now.

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<v Speaker 1>She really just wanted to support us in whatever was

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<v Speaker 1>making us happy. You know what I mean? Yeah, you know,

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<v Speaker 1>I've never talked about it or even thought about this before,

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<v Speaker 1>but there's going to be a call to my mom later.

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<v Speaker 1>I think my mom might be the same as your mom.

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<v Speaker 1>I mean she was a singer, and I think it

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<v Speaker 1>may have been her parents that discouraged her as well,

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<v Speaker 1>because I've never talked about this. My grandparents, who were

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<v Speaker 1>still alive at the time that I moved to Los Angeles,

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<v Speaker 1>told my mom that I shouldn't move to Los Angeles

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<v Speaker 1>because everyone does drugs out there. Sure. Well. Well, to

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<v Speaker 1>be fair, Brian, how how many parties have we been

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<v Speaker 1>at where we're just doing the drugs, you and me,

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<v Speaker 1>just in the corner? Um I. How did you get

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<v Speaker 1>the name busy? You have different answers. I want the

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<v Speaker 1>real answer here. The real answer is that it was

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<v Speaker 1>it was just like a very natural nickname from Elizabeth

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<v Speaker 1>because I was a very busy little baby and my

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<v Speaker 1>sister is like four years older than me. I have

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<v Speaker 1>a babysitter. I had a babysitter in Chicago, where I

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<v Speaker 1>was born and lived the first five years of my life,

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<v Speaker 1>who was always calling me busy bath. So then it

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<v Speaker 1>just became and it was like immediate. It was by

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<v Speaker 1>the time I was a year old old. In my

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<v Speaker 1>baby books, everywhere it just calls me busy. At first

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<v Speaker 1>it's like, well, busy Beth is learning how to crawl,

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<v Speaker 1>like busy Beth and then by the time or busy, busy, bath,

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<v Speaker 1>not busy, Lizzy, busy, Liz, busy Beth, and then by

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<v Speaker 1>the time I'm a year old, it's just busy, and

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<v Speaker 1>then it was busy ever since. So yeah, there you go.

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<v Speaker 1>You heard it here. That's the real story, that's the truth.

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<v Speaker 1>So you were doing theater very, very early on. What

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<v Speaker 1>what led you to L M U, Loyola Mary Mount,

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<v Speaker 1>Loyola Marymount University in Los Angeles, California? Well, a couple

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<v Speaker 1>of things. Number One, you know, all teenagers think they

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<v Speaker 1>know everything, which is the best and worst part of

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<v Speaker 1>being and having a teenager. Let me tell you, Um,

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<v Speaker 1>but I knew, but what I knew about being a

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<v Speaker 1>professional actor was that if you wanted to do TV

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<v Speaker 1>and film, you went to L A, and if you

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<v Speaker 1>wanted to do theater or musical theater, you went to

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<v Speaker 1>New York. L A was also very close to where

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<v Speaker 1>I grew up and went to hi Scottsdale. Yeah, so

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<v Speaker 1>I auditioned and got into CAL arts to their Conservatory

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<v Speaker 1>Theater Program. But I had a few friends from high

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<v Speaker 1>school who had graduated a couple of years earlier than

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<v Speaker 1>me who were in the Undergrad Film Department at Loyal

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<v Speaker 1>and Marymount University and at the time I graduated from

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<v Speaker 1>my school in at the time, elm you was like

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<v Speaker 1>quite small. It's not. Now it's like this huge school.

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<v Speaker 1>It's so crazy to me and my mom because my

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<v Speaker 1>family is like, historically speaking, Catholic. My mother like loves

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<v Speaker 1>the JESUITS FOR THE EDUCATION. So I was I was

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<v Speaker 1>auditioning for Cal Arts, which is where I thought I

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<v Speaker 1>was going to go. I had applied to a s

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<v Speaker 1>U as like a backup, and my mom was like

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<v Speaker 1>you really should just look at l m you. You

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<v Speaker 1>already have friends there. It's in L A. It's not

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<v Speaker 1>Kell Erts is like in Valencia. You're not gonna this

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<v Speaker 1>isn't what you want. My Mom's not wrong, by the way.

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<v Speaker 1>So I went from my audition. I flew out by myself.

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<v Speaker 1>My friend Eric, he picked me up, he drove me

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<v Speaker 1>to my audition and then we went back to L

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<v Speaker 1>M U and I turned in my application there and

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<v Speaker 1>like looked around the campus and spent the day there

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<v Speaker 1>and I met Gloria Calderon Kellett that day. I met

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<v Speaker 1>just a bunch of people and I I don't know

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<v Speaker 1>if I met Linda Cardellini that day. But I but

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<v Speaker 1>I met her as soon as I got there because

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<v Speaker 1>she was already a legend at that school. She was

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<v Speaker 1>already a legend. Yeah, for sure. Well, she was like

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<v Speaker 1>working like professionally, working before freaks, before even freaks and Geeks.

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<v Speaker 1>And so Linda's four years older than me, Um, but

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<v Speaker 1>she had taken a gap year to work, but she

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<v Speaker 1>was still like living with her college roommates off, like

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<v Speaker 1>right off campus, and everybody was in ALD in the

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<v Speaker 1>theater department. And so before I even met Linda, I

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<v Speaker 1>knew who Linda was because it was like, oh, well,

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<v Speaker 1>Linda Cardalini's working. She was on boy meets world. So

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<v Speaker 1>she was she was like sort of a legend already

0:14:12.520 --> 0:14:15.559
<v Speaker 1>by the time I got there. And then really she's

0:14:15.559 --> 0:14:18.160
<v Speaker 1>why I you know, she's why I did freaks and Geeks,

0:14:18.200 --> 0:14:20.520
<v Speaker 1>which is like a whole other crazy I'll tell you

0:14:20.640 --> 0:14:23.400
<v Speaker 1>that in two seconds. So, but but I just spent

0:14:23.480 --> 0:14:25.040
<v Speaker 1>the day there at l m U and then flew

0:14:25.120 --> 0:14:27.080
<v Speaker 1>back and I was like I really liked it. I

0:14:27.320 --> 0:14:29.960
<v Speaker 1>really liked it, and part of the deal with calerts

0:14:30.040 --> 0:14:33.360
<v Speaker 1>was that you sign up to be in this conservatory

0:14:33.480 --> 0:14:36.240
<v Speaker 1>acting program and you're not supposed to audition or work

0:14:36.840 --> 0:14:39.440
<v Speaker 1>for the four years that you're in that program, and

0:14:39.600 --> 0:14:42.600
<v Speaker 1>I just felt like I'd been waiting since fourth grade

0:14:42.920 --> 0:14:46.000
<v Speaker 1>to be an actor. I was like I can't do that,

0:14:46.280 --> 0:14:48.280
<v Speaker 1>like I need to be able to do it if

0:14:48.280 --> 0:14:51.480
<v Speaker 1>I'm gonna do it. And I'm so grateful that I

0:14:51.640 --> 0:14:55.080
<v Speaker 1>like thought that way and and I'm you know, and

0:14:55.160 --> 0:14:57.800
<v Speaker 1>my mom, I think, was happy that I was getting

0:14:57.840 --> 0:15:02.080
<v Speaker 1>that Jesuit Education. I don't for two years anyway. But yeah,

0:15:02.200 --> 0:15:03.800
<v Speaker 1>so then I got you know, so then I was

0:15:04.000 --> 0:15:06.160
<v Speaker 1>I was at l m U, and then I was

0:15:06.320 --> 0:15:11.120
<v Speaker 1>very focused on getting representation, figuring out how to do that.

0:15:11.720 --> 0:15:13.520
<v Speaker 1>So you were going to school, but you were also

0:15:14.320 --> 0:15:16.400
<v Speaker 1>in the business to like, yeah, you were trying to

0:15:16.440 --> 0:15:18.600
<v Speaker 1>find an agent and you were trying to work even

0:15:18.960 --> 0:15:21.840
<v Speaker 1>as you started school. Yeah, there were a few of

0:15:21.960 --> 0:15:23.960
<v Speaker 1>us in the theater department that were kind of like

0:15:24.600 --> 0:15:29.120
<v Speaker 1>savvy in that way, you know. And I felt like

0:15:29.160 --> 0:15:31.520
<v Speaker 1>it was already too late. I felt like I had

0:15:31.520 --> 0:15:33.960
<v Speaker 1>already like at eighteen and I was like I've already

0:15:33.960 --> 0:15:35.680
<v Speaker 1>missed the book, you know what I mean, like I'm

0:15:35.680 --> 0:15:39.040
<v Speaker 1>already it's already too I've already missed it. But you

0:15:39.120 --> 0:15:41.600
<v Speaker 1>know Colin Hanks? Yeah, I was gonna ask. Were you

0:15:41.720 --> 0:15:44.440
<v Speaker 1>friends with him as well or you guys was my boyfriend,

0:15:44.960 --> 0:15:48.280
<v Speaker 1>he was your boyfriend. Yeah, you didn't know that for years. Yeah,

0:15:48.320 --> 0:15:51.360
<v Speaker 1>we met my first semester, freshman. I don't read US weekly,

0:15:51.720 --> 0:15:56.080
<v Speaker 1>don't listen, but Brian, it also like so predates like

0:15:56.280 --> 0:15:59.200
<v Speaker 1>celebrity gossip. Yeah, it does kind of, because also we

0:15:59.240 --> 0:16:02.920
<v Speaker 1>weren't famous. We were just like two random lmu students

0:16:02.960 --> 0:16:06.520
<v Speaker 1>who like got on teen shows at the same time.

0:16:06.800 --> 0:16:11.800
<v Speaker 1>No one cared. There's nothing and we're really good friends

0:16:11.880 --> 0:16:16.360
<v Speaker 1>now as adults, which is the greatest twist of life

0:16:16.440 --> 0:16:20.200
<v Speaker 1>and faith. So that's fantastic. But yeah, we met freshman year,

0:16:20.360 --> 0:16:23.480
<v Speaker 1>like my first semester, and started going out. We were

0:16:23.520 --> 0:16:27.600
<v Speaker 1>really like we did noises off together. He was the director,

0:16:27.840 --> 0:16:33.960
<v Speaker 1>I was Vicky and I had done some like like

0:16:34.120 --> 0:16:36.640
<v Speaker 1>had tried to get an agent in Arizona, which was

0:16:37.560 --> 0:16:40.280
<v Speaker 1>you know, anytime you're like in one of those smaller

0:16:40.640 --> 0:16:43.080
<v Speaker 1>towns and markets, it's not that there's not stuff to

0:16:43.160 --> 0:16:45.760
<v Speaker 1>be done or work to be done, it's just it's

0:16:45.760 --> 0:16:50.000
<v Speaker 1>a little it's not comparable to what you do. Well, right,

0:16:50.400 --> 0:16:52.920
<v Speaker 1>any most of the most of the interesting stuff. They

0:16:53.000 --> 0:16:55.240
<v Speaker 1>end up casting out of L A or New York anyway.

0:16:55.480 --> 0:16:57.480
<v Speaker 1>So you have an agent that you can't get you

0:16:57.560 --> 0:17:01.840
<v Speaker 1>access to anything. That's that's I mean typically, typically, not always.

0:17:04.040 --> 0:17:09.359
<v Speaker 1>I had done this like industrial type job for Mattel

0:17:09.560 --> 0:17:13.240
<v Speaker 1>toy company, playing a live Barbie doll. Oh my God,

0:17:13.280 --> 0:17:19.160
<v Speaker 1>I want the footage. No, because it was like it's

0:17:19.200 --> 0:17:21.480
<v Speaker 1>the toy fair and you weren't allowed to film anything,

0:17:21.560 --> 0:17:25.440
<v Speaker 1>and also before cameras and phones and camera phones. But

0:17:26.160 --> 0:17:29.320
<v Speaker 1>I actually wasn't Barbie. I was they made a doll

0:17:29.520 --> 0:17:33.600
<v Speaker 1>from the TV show and movie clueless. They made a

0:17:33.680 --> 0:17:38.200
<v Speaker 1>share horrowitz doll. Yes, and so then they dressed me

0:17:38.280 --> 0:17:40.320
<v Speaker 1>up like that and then they would bring in the

0:17:40.520 --> 0:17:44.720
<v Speaker 1>toy buyers and I would do a whole fifteen pages

0:17:45.680 --> 0:17:49.160
<v Speaker 1>of like sales projections and stuff, but in character as

0:17:49.720 --> 0:17:53.680
<v Speaker 1>share horro wins, and I killed I was like I

0:17:53.840 --> 0:17:57.080
<v Speaker 1>was I really killed it. And I went to New

0:17:57.160 --> 0:18:00.919
<v Speaker 1>York twice to do the toy fair for Mattel and Um,

0:18:01.000 --> 0:18:05.119
<v Speaker 1>there were tons of Broadway actors because it was like

0:18:05.920 --> 0:18:09.560
<v Speaker 1>nine to four. The job was like nine to four

0:18:10.080 --> 0:18:12.800
<v Speaker 1>and you got paid. I mean I worked at California

0:18:12.800 --> 0:18:16.359
<v Speaker 1>Pizza Kitchen and those two weeks of being a Barbie

0:18:16.520 --> 0:18:20.480
<v Speaker 1>for Mattel, I think I made four thousand dollars. Like

0:18:21.400 --> 0:18:25.520
<v Speaker 1>as an seventeen year old, I was like that's nothing

0:18:25.600 --> 0:18:30.119
<v Speaker 1>to sneeze at. It was a lot of money. But

0:18:30.280 --> 0:18:34.440
<v Speaker 1>because of that I had become sort of friends with

0:18:34.560 --> 0:18:38.960
<v Speaker 1>this actress named Lisa Guerrero and then ended up being

0:18:39.520 --> 0:18:43.440
<v Speaker 1>like a sports like a football commentator. Yeah, okay, I

0:18:43.480 --> 0:18:45.439
<v Speaker 1>feel like you know who she is. I know who

0:18:45.520 --> 0:18:50.840
<v Speaker 1>that is. Yes, I was inside edition now or something. Okay,

0:18:50.880 --> 0:18:53.600
<v Speaker 1>I don't know. Again, I told you I don't read

0:18:53.840 --> 0:18:56.680
<v Speaker 1>US weekly, alright, and I literally don't think any of

0:18:56.760 --> 0:18:59.320
<v Speaker 1>these things would be in US weekly. I think that.

0:19:00.520 --> 0:19:02.640
<v Speaker 1>I don't think there is a publication that would come

0:19:02.680 --> 0:19:07.399
<v Speaker 1>to this. This is just for your podcast. Anyway, she

0:19:07.600 --> 0:19:09.480
<v Speaker 1>was very sweet and she took me out to lunch

0:19:10.040 --> 0:19:12.760
<v Speaker 1>and she was like, well, you'll need representation. She was

0:19:12.840 --> 0:19:16.240
<v Speaker 1>the one that told me what the steps were and

0:19:16.359 --> 0:19:20.879
<v Speaker 1>then she very sweetly introduced me to her manager at

0:19:20.920 --> 0:19:25.080
<v Speaker 1>the time, and this woman was like sure, well, let's see,

0:19:25.280 --> 0:19:29.359
<v Speaker 1>let's try, and from there, you know, I auditioned for

0:19:30.400 --> 0:19:35.480
<v Speaker 1>an agency and thankfully I had that Calart's audition in

0:19:35.640 --> 0:19:39.720
<v Speaker 1>my back pocket. Just went in and did my calarts

0:19:39.760 --> 0:19:42.840
<v Speaker 1>audition anyway and they've ended up signing me. And it's

0:19:42.880 --> 0:19:45.159
<v Speaker 1>like at every point when I was you know, I

0:19:45.320 --> 0:19:50.119
<v Speaker 1>was eighteen and then nineteen when I got freaks and Geeks,

0:19:51.640 --> 0:19:53.600
<v Speaker 1>but at every point it was very much like I

0:19:53.640 --> 0:19:55.640
<v Speaker 1>could tell the people around me were like well, let's see,

0:19:55.760 --> 0:19:59.120
<v Speaker 1>let's okay, sure, let's just see, and the whole time

0:19:59.200 --> 0:20:25.760
<v Speaker 1>I was like you'll see, oh, you're gonna see. How

0:20:25.840 --> 0:20:27.680
<v Speaker 1>did you meet the folks on Freaks and Geeks? Was

0:20:27.720 --> 0:20:30.560
<v Speaker 1>that through your agency? Did they do their job? Oh

0:20:30.680 --> 0:20:34.480
<v Speaker 1>my God. Well, what I'm failing to bring up to

0:20:34.640 --> 0:20:39.200
<v Speaker 1>you is that the pilot season of was like the

0:20:39.400 --> 0:20:43.680
<v Speaker 1>year after Dawson's Creek, was the hugest hit of all time,

0:20:44.480 --> 0:20:51.960
<v Speaker 1>and literally every network had seven teen shows that they

0:20:52.000 --> 0:20:56.320
<v Speaker 1>were trying to make. So the timing for someone my

0:20:56.560 --> 0:21:00.680
<v Speaker 1>age who could play sixteen, who didn't have been better.

0:21:01.200 --> 0:21:05.560
<v Speaker 1>I had ninety, something like nine five auditions and callbacks

0:21:06.000 --> 0:21:11.480
<v Speaker 1>in the span of three months. Unbelie unbelievable. And also, Brian,

0:21:12.040 --> 0:21:16.360
<v Speaker 1>this is before email and I had to drive from

0:21:16.560 --> 0:21:19.480
<v Speaker 1>L M U on the four or five to sunset

0:21:19.560 --> 0:21:22.440
<v Speaker 1>plaza to pick up my scripts and sides from my

0:21:22.600 --> 0:21:25.600
<v Speaker 1>agent's office. They would leave them downstairs in a giant

0:21:25.680 --> 0:21:28.320
<v Speaker 1>box for all of their actors and you would go

0:21:28.480 --> 0:21:30.840
<v Speaker 1>and you would flip through and find your name and

0:21:30.960 --> 0:21:34.760
<v Speaker 1>find your package. It was like I was nonstop living

0:21:34.880 --> 0:21:38.280
<v Speaker 1>in my car. I lived in my car. And so

0:21:38.480 --> 0:21:42.280
<v Speaker 1>I had auditioned for Alison Jones and had gotten pretty

0:21:42.320 --> 0:21:44.840
<v Speaker 1>far but hadn't tested, but had gotten like done a

0:21:45.240 --> 0:21:47.800
<v Speaker 1>good job for Roswell, which was the show that Colin

0:21:47.960 --> 0:21:51.280
<v Speaker 1>ended up getting, and she brought me in for freaks

0:21:51.320 --> 0:21:54.240
<v Speaker 1>and Geeks and I read right for the producers for that.

0:21:55.119 --> 0:21:57.320
<v Speaker 1>And so I went in and it was like Jake,

0:21:57.560 --> 0:22:03.560
<v Speaker 1>Paul Judd and Alison obviously, and I read the Lindsay

0:22:03.800 --> 0:22:08.639
<v Speaker 1>Audition sides. Kim Kelly wasn't a character. Yeah, then, right

0:22:08.680 --> 0:22:12.600
<v Speaker 1>before I was about to leave, Paul was like Hey, busy, uh,

0:22:12.920 --> 0:22:15.040
<v Speaker 1>you know, we have this other part. Would you mind

0:22:15.119 --> 0:22:17.240
<v Speaker 1>taking a look at this and just coming back in

0:22:17.440 --> 0:22:21.320
<v Speaker 1>and reading it for us? Uh, it might be interesting.

0:22:21.680 --> 0:22:23.400
<v Speaker 1>You know when they do that to you, and on audition,

0:22:23.440 --> 0:22:27.359
<v Speaker 1>I'm sure, and you're like a little bummed because you

0:22:27.560 --> 0:22:29.800
<v Speaker 1>read for the lead and they're like here's this other

0:22:29.920 --> 0:22:31.760
<v Speaker 1>part that we don't even know what it is, but

0:22:32.359 --> 0:22:36.080
<v Speaker 1>why don't you look at that? And they're like another

0:22:36.160 --> 0:22:39.399
<v Speaker 1>thing I'm not getting. And all I could think of,

0:22:39.480 --> 0:22:43.600
<v Speaker 1>because the audition was in the Palisades, was that I

0:22:43.680 --> 0:22:45.320
<v Speaker 1>was going to have to drive back on the four,

0:22:45.359 --> 0:22:48.000
<v Speaker 1>oh five to L M U, and I was and

0:22:48.040 --> 0:22:49.920
<v Speaker 1>it was getting like later and later, and at a

0:22:49.960 --> 0:22:52.119
<v Speaker 1>certain point I was like, Oh, fuck it, I'm ready.

0:22:52.160 --> 0:22:53.359
<v Speaker 1>I just want to go, like I need to go,

0:22:53.520 --> 0:22:56.639
<v Speaker 1>I gotta get out of here, and so it's like

0:22:56.840 --> 0:23:02.359
<v Speaker 1>essentially it was essentially a very cold read and that

0:23:02.520 --> 0:23:07.520
<v Speaker 1>was it. That was it. Amazing. Did wait. Well, you know, normally,

0:23:07.640 --> 0:23:12.439
<v Speaker 1>like when it's a series regular, you test at the network, right,

0:23:12.520 --> 0:23:15.040
<v Speaker 1>but they Kim Kelly was just a guest star for

0:23:15.119 --> 0:23:18.359
<v Speaker 1>the pilot. They didn't, they hadn't made it a series

0:23:18.400 --> 0:23:21.600
<v Speaker 1>regular part. And my agents were like, we don't want

0:23:21.640 --> 0:23:25.440
<v Speaker 1>you to do this because you're getting so much attention,

0:23:26.080 --> 0:23:28.480
<v Speaker 1>like and so much you're getting so close on things

0:23:28.600 --> 0:23:31.119
<v Speaker 1>that we want you to wait for a series regular role.

0:23:31.200 --> 0:23:34.480
<v Speaker 1>We think you could like land some really good series

0:23:34.520 --> 0:23:37.200
<v Speaker 1>regular role and you don't want to take yourself out

0:23:37.320 --> 0:23:39.200
<v Speaker 1>of the rest of pilot season because you're working on

0:23:39.280 --> 0:23:42.639
<v Speaker 1>a show, right. But then I went to Pick Up,

0:23:42.920 --> 0:23:45.880
<v Speaker 1>I think Colin at the airport and Linda was also there,

0:23:45.960 --> 0:23:50.280
<v Speaker 1>picking up her roommate actually, and she had just gotten

0:23:50.320 --> 0:23:53.600
<v Speaker 1>the part and she knew that they had they wanted

0:23:53.640 --> 0:23:56.360
<v Speaker 1>me for Kim Kelly, and she was like, Dude, can

0:23:56.400 --> 0:23:59.199
<v Speaker 1>you believe it? I'm I got freaks and GEEKS. I'm

0:23:59.200 --> 0:24:01.280
<v Speaker 1>gonna do it. You gotta be Kim Kelly, and I

0:24:01.400 --> 0:24:03.560
<v Speaker 1>was like, I know, I was just talking. I just

0:24:04.040 --> 0:24:07.560
<v Speaker 1>it's so exciting, like I just my agents were feeling like,

0:24:08.119 --> 0:24:09.840
<v Speaker 1>I don't know, and she's like no, no, no, do

0:24:10.000 --> 0:24:11.879
<v Speaker 1>this show. You gotta do this with me. It'll be

0:24:12.040 --> 0:24:16.080
<v Speaker 1>so much fun. We'll have so much fun. And I honestly,

0:24:16.119 --> 0:24:17.680
<v Speaker 1>in that moment I was like yeah, of course I'm

0:24:17.680 --> 0:24:21.639
<v Speaker 1>sucking doing it. Like why would I not do I

0:24:21.760 --> 0:24:25.400
<v Speaker 1>already know this girl who's Rad and like I want

0:24:25.400 --> 0:24:27.879
<v Speaker 1>to be best friends with anyway. Why would I not

0:24:28.080 --> 0:24:31.200
<v Speaker 1>do this? And so I called my manager, Lorraine, and

0:24:31.280 --> 0:24:33.399
<v Speaker 1>I was like I really want to do this, and

0:24:33.440 --> 0:24:35.680
<v Speaker 1>she's like, I'm gonna Call Judge, I'm gonna find out

0:24:35.720 --> 0:24:37.440
<v Speaker 1>what the deal is, and then she called me back

0:24:37.480 --> 0:24:40.040
<v Speaker 1>and she was like, you know, Judd is really insistent

0:24:40.160 --> 0:24:42.760
<v Speaker 1>that they want to make this character a series regular.

0:24:42.800 --> 0:24:44.879
<v Speaker 1>If the show gets picked up, I think you should

0:24:44.920 --> 0:24:47.920
<v Speaker 1>just do it. I think it's brilliant. And so, because

0:24:47.960 --> 0:24:51.760
<v Speaker 1>of like Lorraine, my manager at the time, and Linda Cardalini,

0:24:52.240 --> 0:24:54.120
<v Speaker 1>I was like, I had no idea what I was doing.

0:24:54.200 --> 0:24:58.200
<v Speaker 1>Who knows what anything is, you know, they're like Judd

0:24:58.240 --> 0:25:00.600
<v Speaker 1>apataw from sick in the head. I'm like, I don't

0:25:00.600 --> 0:25:05.920
<v Speaker 1>know what the funk that is like. Had you read

0:25:05.960 --> 0:25:09.800
<v Speaker 1>the script? Yeah, I did not understand it at all.

0:25:10.040 --> 0:25:14.280
<v Speaker 1>I'M NOT gonna lie. I'M NOT gonna lie. Totally, Brian, totally.

0:25:14.520 --> 0:25:16.800
<v Speaker 1>I was like don't get it, I don't get what

0:25:16.920 --> 0:25:20.879
<v Speaker 1>the tone of this is. I was so confused by it.

0:25:21.040 --> 0:25:24.040
<v Speaker 1>And then I remember they cut together. We had a

0:25:24.080 --> 0:25:26.520
<v Speaker 1>pretty long shoot for the pilot. I mean it's a

0:25:26.640 --> 0:25:29.960
<v Speaker 1>period piece and it's involved and those were the those

0:25:30.000 --> 0:25:34.119
<v Speaker 1>were the olden days of Hollywood where they really spent

0:25:34.280 --> 0:25:37.760
<v Speaker 1>a ton of money and like they were shooting on film,

0:25:38.160 --> 0:25:44.080
<v Speaker 1>you know. And after we wrapped the pilot that evening,

0:25:44.560 --> 0:25:47.640
<v Speaker 1>in the cafeteria of the school we were shooting at,

0:25:48.119 --> 0:25:50.960
<v Speaker 1>they rolled out like a little a v Cart and

0:25:51.040 --> 0:25:53.680
<v Speaker 1>they had cut together. The editors had just put together

0:25:53.800 --> 0:25:57.520
<v Speaker 1>like a tiny little mishmash of the show for all

0:25:57.600 --> 0:26:00.840
<v Speaker 1>of us to see what we've been working on, which, honestly,

0:26:01.000 --> 0:26:05.520
<v Speaker 1>also in retrospect, is so special because so yeah, I

0:26:05.560 --> 0:26:07.280
<v Speaker 1>mean if your show doesn't get picked up, the crew

0:26:07.480 --> 0:26:11.680
<v Speaker 1>literally never sees the show. I mean, I don't know

0:26:11.680 --> 0:26:15.840
<v Speaker 1>about you, I've done pilots that I still haven't seen, right, right,

0:26:16.920 --> 0:26:18.920
<v Speaker 1>I mean I've done shows that I've never seen, but

0:26:18.960 --> 0:26:21.080
<v Speaker 1>that's a different issue. That is a different issue, I

0:26:21.080 --> 0:26:22.840
<v Speaker 1>would say. But anyway, it was so special and I

0:26:23.000 --> 0:26:26.800
<v Speaker 1>remember watching this thing that they put together and they

0:26:26.880 --> 0:26:30.320
<v Speaker 1>had the come sale away song, you know, like Crescendo, Ng,

0:26:30.840 --> 0:26:33.280
<v Speaker 1>and I got full chills and I was like this

0:26:33.520 --> 0:26:39.280
<v Speaker 1>is what we've been doing. Oh my God, this is real.

0:26:40.000 --> 0:26:43.879
<v Speaker 1>Like my mind, I'M gonna start crying, but like my

0:26:44.160 --> 0:26:48.560
<v Speaker 1>little brain was blown like this is what I've wanted

0:26:48.600 --> 0:26:51.760
<v Speaker 1>to do since I was a baby, and there I

0:26:51.880 --> 0:26:53.680
<v Speaker 1>am and I don't even look like me and I

0:26:53.720 --> 0:26:57.560
<v Speaker 1>don't sound like me and it's real. Yeah, that was

0:26:57.640 --> 0:27:01.520
<v Speaker 1>that wow. Were you away are at that moment that

0:27:01.680 --> 0:27:04.159
<v Speaker 1>the show was special or doing something new, or did

0:27:04.240 --> 0:27:07.720
<v Speaker 1>your little brain not comprehend that at the at the time?

0:27:08.080 --> 0:27:11.200
<v Speaker 1>I mean that whole experience is so has had so

0:27:11.400 --> 0:27:15.840
<v Speaker 1>many different incarnations of what it was and what it

0:27:16.040 --> 0:27:19.560
<v Speaker 1>is and what it continues to be. So it's funny,

0:27:19.720 --> 0:27:23.160
<v Speaker 1>you know, like we had such an amazing time while

0:27:23.200 --> 0:27:26.960
<v Speaker 1>we were doing it and the freedom that Judd and

0:27:27.840 --> 0:27:31.760
<v Speaker 1>Paul and Leslie Gladder, like all of our directors, they

0:27:31.800 --> 0:27:34.280
<v Speaker 1>gave us such a gift that we were all way

0:27:34.359 --> 0:27:39.399
<v Speaker 1>too inexperienced and young to understand at the in the moment,

0:27:39.880 --> 0:27:44.960
<v Speaker 1>I think. But we all enjoyed it very much. I

0:27:45.000 --> 0:27:49.840
<v Speaker 1>mean I don't remember, aside from like my personality conflict

0:27:49.920 --> 0:27:54.680
<v Speaker 1>with Franco, like I don't remember ever having like a

0:27:54.800 --> 0:27:58.640
<v Speaker 1>complaint about anything having to do with it. Late nights

0:27:58.680 --> 0:28:02.640
<v Speaker 1>were Super Fun. Early Mornings were Super Fun. We would

0:28:02.680 --> 0:28:05.560
<v Speaker 1>hang out, we would go to swingers and get food

0:28:05.720 --> 0:28:08.800
<v Speaker 1>at midnight. After we wrapped like together, we would go

0:28:08.880 --> 0:28:15.040
<v Speaker 1>to birds on Franklin where segull convinced me that the

0:28:15.119 --> 0:28:18.200
<v Speaker 1>scientology building had a tower of terror ride inside of it,

0:28:19.119 --> 0:28:23.440
<v Speaker 1>and I believed him for like ten minutes. I really

0:28:23.520 --> 0:28:26.920
<v Speaker 1>thought it was true, and south was like come on,

0:28:27.960 --> 0:28:30.440
<v Speaker 1>it's not true and I was like, I don't know,

0:28:30.560 --> 0:28:32.600
<v Speaker 1>it looks like it has one of those rides in it,

0:28:32.840 --> 0:28:36.040
<v Speaker 1>you know, like a drum. I was like what, we

0:28:36.160 --> 0:28:40.600
<v Speaker 1>don't know anyway. Um, so it's really fun, you know.

0:28:40.920 --> 0:28:43.720
<v Speaker 1>And I think and when the show was over and

0:28:43.800 --> 0:28:46.920
<v Speaker 1>it became clear like that it was going to be over, over,

0:28:48.320 --> 0:28:51.200
<v Speaker 1>I wasn't ready for it to be and I wanted

0:28:51.240 --> 0:28:55.800
<v Speaker 1>it to continue. I was really, really sad and really

0:28:55.920 --> 0:29:00.480
<v Speaker 1>disheartened and and and I did feel in a moment

0:29:00.640 --> 0:29:04.760
<v Speaker 1>already like, but we made something so good. Why is

0:29:04.920 --> 0:29:07.400
<v Speaker 1>this hat why is this fair? I mean, and again

0:29:07.520 --> 0:29:09.600
<v Speaker 1>that's the best lesson you can learn as an actor.

0:29:10.120 --> 0:29:15.920
<v Speaker 1>It's like, actually doesn't matter, Babe. Right, Paul said it

0:29:16.280 --> 0:29:18.760
<v Speaker 1>was ahead of its time a little bit. I mean

0:29:18.800 --> 0:29:22.000
<v Speaker 1>in terms of the cringe comedy. I mean, you know,

0:29:22.400 --> 0:29:27.880
<v Speaker 1>Judd's now made a career out of very similar toned things.

0:29:28.640 --> 0:29:35.920
<v Speaker 1>It launched so many careers and and really pioneered a

0:29:36.080 --> 0:29:39.720
<v Speaker 1>new way of doing television. That is uh, you know,

0:29:39.800 --> 0:29:42.000
<v Speaker 1>I think a lot of shows, including the office. Oh,

0:29:42.080 --> 0:29:47.680
<v Speaker 1>a great debt of gratitude too. Um. Yeah, I remember

0:29:47.840 --> 0:29:52.000
<v Speaker 1>feeling that it was ahead of its time, like I said,

0:29:52.080 --> 0:29:55.360
<v Speaker 1>like I read it and didn't understand it. You know,

0:29:55.960 --> 0:29:58.200
<v Speaker 1>I didn't understand tonally what it was supposed to be.

0:29:58.280 --> 0:30:00.400
<v Speaker 1>It wasn't until I actually saw it that I was like,

0:30:00.960 --> 0:30:05.840
<v Speaker 1>Oh shit, this is awesome and I think it's really

0:30:05.880 --> 0:30:10.160
<v Speaker 1>a testament to how the people in charge treated us

0:30:11.160 --> 0:30:15.720
<v Speaker 1>with so much respect. And we were kids and maybe

0:30:15.960 --> 0:30:23.000
<v Speaker 1>at moments didn't deserve it, but they really treated us

0:30:23.720 --> 0:30:30.000
<v Speaker 1>like experts in our field and real collaborators in making

0:30:30.760 --> 0:30:36.640
<v Speaker 1>this thing, and it changes everything when you get to

0:30:36.720 --> 0:30:41.200
<v Speaker 1>work with people who respect you. Yeah, I've been on

0:30:41.280 --> 0:30:44.600
<v Speaker 1>both sides of that like line, where I've worked for

0:30:44.680 --> 0:30:48.480
<v Speaker 1>people who just definitely don't respect me and I'm there

0:30:48.640 --> 0:30:51.560
<v Speaker 1>to like service what they want to be done or

0:30:51.680 --> 0:30:54.840
<v Speaker 1>how they want it said. And I have no joke

0:30:55.280 --> 0:30:59.320
<v Speaker 1>heard actors like that I was working with being referenced

0:30:59.360 --> 0:31:04.440
<v Speaker 1>as talking props. Yeah, that's a Bummer, you know, that

0:31:04.840 --> 0:31:06.720
<v Speaker 1>really takes the fun out of it. But like for

0:31:06.880 --> 0:31:12.520
<v Speaker 1>me to go from doing really fun creative theater programs

0:31:12.680 --> 0:31:15.720
<v Speaker 1>and then getting to be a part of a show,

0:31:15.880 --> 0:31:20.920
<v Speaker 1>a network television show, were these adults in charge. And,

0:31:21.040 --> 0:31:22.760
<v Speaker 1>by the way, that is the funniest thing to me,

0:31:23.160 --> 0:31:26.000
<v Speaker 1>which is that I thought that Judd and Leslie were

0:31:27.160 --> 0:31:34.320
<v Speaker 1>literally fifty years old. Leslie is like three years older

0:31:34.320 --> 0:31:40.960
<v Speaker 1>than me. Were like essentially the same age, but she

0:31:41.160 --> 0:31:45.080
<v Speaker 1>was like they were like married, they had a baby,

0:31:45.960 --> 0:31:50.160
<v Speaker 1>they were like old people and and then like cut

0:31:50.200 --> 0:31:52.640
<v Speaker 1>to five years later, we're like hanging out with each

0:31:52.640 --> 0:31:55.120
<v Speaker 1>other in Hawaii and I'm like wait, what's happening? We're

0:31:55.200 --> 0:31:58.560
<v Speaker 1>they say, Oh my God, you were like my dad

0:31:58.720 --> 0:32:01.880
<v Speaker 1>and mom and no, but isn't that so weird? Like

0:32:02.000 --> 0:32:04.400
<v Speaker 1>when you're a kid, when you're a teenager, people who

0:32:04.440 --> 0:32:07.200
<v Speaker 1>are twenty five seem like grown up, and then when

0:32:07.240 --> 0:32:10.239
<v Speaker 1>you were eight you're like hanging out with fifty year

0:32:10.240 --> 0:32:12.840
<v Speaker 1>olds and you're like, we're all the same age, just fine, anyway.

0:32:12.960 --> 0:32:15.240
<v Speaker 1>I just it was just but the fact that they

0:32:16.040 --> 0:32:20.720
<v Speaker 1>trusted us and took us seriously and took our ideas

0:32:20.840 --> 0:32:25.680
<v Speaker 1>seriously and never made us feel less than for being

0:32:28.040 --> 0:32:34.800
<v Speaker 1>actors or teenagers an incredible gift and a thing that

0:32:35.320 --> 0:32:39.080
<v Speaker 1>honestly shaped the way that we all have turned out. Like,

0:32:39.240 --> 0:32:42.360
<v Speaker 1>I think for most of us that was our first

0:32:42.480 --> 0:32:46.560
<v Speaker 1>experience professionally, like even in the case of like Linda

0:32:47.120 --> 0:32:51.480
<v Speaker 1>Jason and Franco, who had worked a little bit before that,

0:32:52.160 --> 0:32:54.920
<v Speaker 1>this was like their biggest thing that they had done,

0:32:54.960 --> 0:32:57.320
<v Speaker 1>you know what I mean? And I think just having

0:32:57.440 --> 0:33:02.840
<v Speaker 1>that environment really shifted the way that we approached the

0:33:02.960 --> 0:33:06.120
<v Speaker 1>rest of our careers and what we wanted for ourselves

0:33:06.200 --> 0:33:08.480
<v Speaker 1>and like what we were how we were going to

0:33:08.560 --> 0:33:12.360
<v Speaker 1>do it. That's awesome. That's so great to hear and

0:33:12.520 --> 0:33:18.280
<v Speaker 1>makes so much sense that having that nurturing and creative

0:33:18.360 --> 0:33:22.800
<v Speaker 1>environment early on doesn't make you in a way Um

0:33:23.280 --> 0:33:26.200
<v Speaker 1>over it. Yeah, I mean, well, I think I look,

0:33:26.400 --> 0:33:29.280
<v Speaker 1>like I said, that year was where were you were?

0:33:29.320 --> 0:33:33.920
<v Speaker 1>You already in L A in shortly after. I did

0:33:33.960 --> 0:33:36.320
<v Speaker 1>theater for a long time, so I was I didn't

0:33:36.360 --> 0:33:39.960
<v Speaker 1>get here until two thous so, like there were a

0:33:40.080 --> 0:33:44.160
<v Speaker 1>lot of people my age that we all started out

0:33:44.280 --> 0:33:47.120
<v Speaker 1>at the same time, and I do think that what

0:33:47.320 --> 0:33:51.360
<v Speaker 1>happens after, you know, is a reflection of how you

0:33:51.480 --> 0:33:55.280
<v Speaker 1>were treated when you first enter this business. It's hard

0:33:55.320 --> 0:33:58.680
<v Speaker 1>for me when especially young actors deserves so much better

0:33:59.320 --> 0:34:03.520
<v Speaker 1>than the treatment that they receive. Even if you don't

0:34:03.640 --> 0:34:06.000
<v Speaker 1>end up, like pursuing for the rest of your life

0:34:06.880 --> 0:34:11.520
<v Speaker 1>this thing, I think it really shapes you fundamentally and

0:34:11.600 --> 0:34:13.840
<v Speaker 1>I think there's just been, there just has been so

0:34:14.000 --> 0:34:20.879
<v Speaker 1>much mistreatment of kids and teen and young adult performers,

0:34:21.840 --> 0:34:25.400
<v Speaker 1>you know, but I got lucky, boy, did I get lucky.

0:34:26.120 --> 0:34:29.080
<v Speaker 1>You did and you know, we got to talk about

0:34:29.560 --> 0:34:31.960
<v Speaker 1>immediately transitioning off of this show. You have a great

0:34:32.040 --> 0:34:35.960
<v Speaker 1>experience and and very shortly you get on like the

0:34:36.040 --> 0:34:41.279
<v Speaker 1>biggest show of all time for kids, Dawson's Creek. How

0:34:41.440 --> 0:34:46.600
<v Speaker 1>was that experience? It was different. It's different. It was

0:34:46.719 --> 0:34:51.520
<v Speaker 1>different and I you know, like again directly after freaks

0:34:51.560 --> 0:34:55.440
<v Speaker 1>and GEEKS was tough. I didn't work a ton and

0:34:56.360 --> 0:35:00.640
<v Speaker 1>I was out there like puffing it, you know, and

0:35:01.520 --> 0:35:04.960
<v Speaker 1>that pilot sea, the next pilot season, was one of

0:35:05.000 --> 0:35:09.719
<v Speaker 1>those years. I tested and didn't get, I think, like

0:35:09.960 --> 0:35:15.120
<v Speaker 1>Nine Network TV shows and I was like, well, I

0:35:15.200 --> 0:35:17.759
<v Speaker 1>guess this ship is over, like and then, and you know,

0:35:17.880 --> 0:35:19.799
<v Speaker 1>and then you're looking. I'm looking at my friends from

0:35:19.840 --> 0:35:23.719
<v Speaker 1>freaks and GEEKS and it's like Franco is, James Dean, seagulls,

0:35:23.840 --> 0:35:27.360
<v Speaker 1>like the lead of some fucking thing. Linda's Da Da,

0:35:27.440 --> 0:35:29.719
<v Speaker 1>Dada Da, like it just was like I felt like

0:35:30.480 --> 0:35:33.960
<v Speaker 1>a failure. I felt like such a failure. And John Kasten,

0:35:34.120 --> 0:35:37.360
<v Speaker 1>Jake Kasden's younger brother, who was a writer on freaks

0:35:37.440 --> 0:35:41.880
<v Speaker 1>and Geeks, he went to Dawson's creek and it was

0:35:41.920 --> 0:35:45.080
<v Speaker 1>that transitional time for a teen show where they're going

0:35:45.160 --> 0:35:49.200
<v Speaker 1>to college, and so he was like I have the

0:35:49.320 --> 0:35:52.880
<v Speaker 1>best idea. I think you need to be on Dawson's Creek,

0:35:53.680 --> 0:35:55.200
<v Speaker 1>and I was like that's a little bit like when

0:35:55.239 --> 0:35:58.160
<v Speaker 1>your mom calls you and tells you like I think

0:35:58.200 --> 0:36:01.399
<v Speaker 1>you should be on seven rents, and I'm like, Oh,

0:36:01.520 --> 0:36:04.360
<v Speaker 1>you do. Yeah, that's a great idea, mom. Maybe I

0:36:04.400 --> 0:36:09.839
<v Speaker 1>should be on severance. Okay, you know what I mean.

0:36:10.200 --> 0:36:12.720
<v Speaker 1>Like it's like your parents like, or like your friends

0:36:12.800 --> 0:36:15.319
<v Speaker 1>from back home like pick like the biggest show ever

0:36:15.520 --> 0:36:18.160
<v Speaker 1>and they're like it's so, why aren't you on hacks?

0:36:18.440 --> 0:36:21.080
<v Speaker 1>I'm like, I don't I actually don't know. I don't

0:36:21.080 --> 0:36:23.239
<v Speaker 1>know why I'm not on hacks. I'm sorry to tell you,

0:36:24.000 --> 0:36:29.239
<v Speaker 1>just not not on hacks. Um. So I was like okay,

0:36:29.320 --> 0:36:33.720
<v Speaker 1>John Whatever. And sure enough, like a month later or something,

0:36:34.480 --> 0:36:35.759
<v Speaker 1>I got a call and they're like they want you

0:36:35.800 --> 0:36:38.240
<v Speaker 1>to be Katie Holmes, whom May I was like, Kasden,

0:36:38.560 --> 0:36:43.000
<v Speaker 1>you've really fucking done it, and I went and I

0:36:43.080 --> 0:36:45.560
<v Speaker 1>went to the WB, the former W B, and I

0:36:45.719 --> 0:36:50.480
<v Speaker 1>tested for it and then I went to Wilmington's, North Carolina.

0:36:51.520 --> 0:36:54.279
<v Speaker 1>I Love Wilmington's, by the way, I shot something there.

0:36:54.680 --> 0:36:59.080
<v Speaker 1>Did like it? No, but but I was at a

0:36:59.160 --> 0:37:01.680
<v Speaker 1>different point. I it now, I would probably love it.

0:37:01.719 --> 0:37:03.400
<v Speaker 1>Are you kidding? It was at a different point in

0:37:03.440 --> 0:37:05.360
<v Speaker 1>my life. I just started dating this guy that I

0:37:05.440 --> 0:37:09.040
<v Speaker 1>was like really into in L A. I was twenty one.

0:37:10.239 --> 0:37:12.800
<v Speaker 1>I didn't want to leave. No, I wanted to be

0:37:12.920 --> 0:37:15.800
<v Speaker 1>with my friends. I was like this sucks, like I

0:37:16.560 --> 0:37:20.120
<v Speaker 1>didn't know anyone in Wilmington's the cast. Like I got

0:37:20.239 --> 0:37:22.759
<v Speaker 1>to the show and like they all seemed so over it.

0:37:23.360 --> 0:37:25.759
<v Speaker 1>Oh did they? Yeah, I was gonna ask. Did you

0:37:25.840 --> 0:37:28.360
<v Speaker 1>watch the show? No, that's the other thing. I had

0:37:28.400 --> 0:37:32.400
<v Speaker 1>never seen it and it probably was difficult to stream

0:37:32.440 --> 0:37:34.719
<v Speaker 1>it at that point in time. You know it was.

0:37:35.040 --> 0:37:43.680
<v Speaker 1>You couldn't. I think somebody sent me literal VHS tapes

0:37:43.880 --> 0:37:46.480
<v Speaker 1>to watch. Did you watch them or no, I didn't.

0:37:46.560 --> 0:37:48.680
<v Speaker 1>I didn't. And you know what is crazy, Brian, I

0:37:48.760 --> 0:37:52.319
<v Speaker 1>haven't even watched the ones I'm in. I didn't watch

0:37:52.400 --> 0:37:55.040
<v Speaker 1>any of it. Really. Here's the thing. Michelle and I

0:37:55.160 --> 0:37:58.879
<v Speaker 1>became very, very good friends on that show. That's where

0:37:58.960 --> 0:38:01.279
<v Speaker 1>we fell in love with each other. But the cast

0:38:01.440 --> 0:38:03.719
<v Speaker 1>was like on that show they were definitely they had

0:38:03.760 --> 0:38:07.520
<v Speaker 1>been through the whole roller coaster ride. Of being on

0:38:07.600 --> 0:38:11.320
<v Speaker 1>the cover of rolling stone and, you know, getting huge, paid,

0:38:11.480 --> 0:38:15.200
<v Speaker 1>paid days for giant movies and then coming back to

0:38:15.280 --> 0:38:21.560
<v Speaker 1>their twenty three episode seasons and being like exhausted. They

0:38:21.600 --> 0:38:25.080
<v Speaker 1>were exhausted, I think, and I come in like all

0:38:25.160 --> 0:38:28.279
<v Speaker 1>full of like so fucking happy a bit here let

0:38:30.440 --> 0:38:32.279
<v Speaker 1>and everybody was like, all right, we're gonna need you

0:38:32.400 --> 0:38:34.759
<v Speaker 1>to slow it down, a little bit, you know, and

0:38:34.800 --> 0:38:37.280
<v Speaker 1>then I was like these guys suck, but they didn't.

0:38:37.360 --> 0:38:40.000
<v Speaker 1>They were just I get it now, you know, I

0:38:40.080 --> 0:38:42.400
<v Speaker 1>don't know. I have that thing like I wish I

0:38:42.520 --> 0:38:45.960
<v Speaker 1>had spent less time, sad I wasn't with my boyfriend,

0:38:46.200 --> 0:38:49.040
<v Speaker 1>you know, like I wish I had enjoyed the experience

0:38:49.120 --> 0:39:12.680
<v Speaker 1>more a little bit. But whatever. stylistically, do you consider

0:39:12.719 --> 0:39:16.200
<v Speaker 1>yourself a comedian? Um, I don't know, I don't I

0:39:16.280 --> 0:39:19.080
<v Speaker 1>don't know. I don't know if I consider myself anything

0:39:19.360 --> 0:39:25.520
<v Speaker 1>at this point. Brand okay, all right, I feel like

0:39:25.840 --> 0:39:27.600
<v Speaker 1>I get the reason I asked is I feel like

0:39:27.680 --> 0:39:30.759
<v Speaker 1>I get people refer to me as that sometimes. I

0:39:30.800 --> 0:39:35.239
<v Speaker 1>don't know. You're a man. Is that right at least? So, yeah,

0:39:35.239 --> 0:39:37.080
<v Speaker 1>I think so. I don't know. I think there is

0:39:37.160 --> 0:39:42.000
<v Speaker 1>something about that that men get referred funny men. I

0:39:42.080 --> 0:39:46.200
<v Speaker 1>mean with all humility. I say funny men, get referred

0:39:46.200 --> 0:39:50.200
<v Speaker 1>to as a comedian. Is that a compliment? I think so,

0:39:51.160 --> 0:39:54.520
<v Speaker 1>is it? It makes it like a job, like it's

0:39:54.560 --> 0:39:56.960
<v Speaker 1>like you're like, you're good, you know, it's like your profession.

0:39:57.000 --> 0:40:01.520
<v Speaker 1>You're good at it, your comedian interest thing. Okay, all right,

0:40:01.560 --> 0:40:03.960
<v Speaker 1>you just taught me something. I don't know. Kind of

0:40:04.000 --> 0:40:08.120
<v Speaker 1>take offense really well, like I'm like, well, but I'm

0:40:08.120 --> 0:40:10.960
<v Speaker 1>an actor and I can be funny, but I can

0:40:11.000 --> 0:40:14.640
<v Speaker 1>also be not. So you're going to win an Oscar. Remember?

0:40:14.760 --> 0:40:16.920
<v Speaker 1>We told you that? No, I know, I'm waiting. I'm

0:40:16.960 --> 0:40:19.759
<v Speaker 1>waiting for the call. Listen, we're gonna do it's I'M

0:40:19.800 --> 0:40:22.120
<v Speaker 1>gonna slow burn you. I think we go. I think

0:40:22.280 --> 0:40:26.120
<v Speaker 1>how it happens is it's an independent spirit award into

0:40:26.200 --> 0:40:31.239
<v Speaker 1>an Oscar nom I like it. I'M NOT gonna I'm

0:40:31.239 --> 0:40:37.160
<v Speaker 1>not gonna argue. It's you. It's your trajectory Um. After

0:40:37.520 --> 0:40:42.680
<v Speaker 1>Dawson's Creek, you do a bunch of movies, mostly comedies,

0:40:42.840 --> 0:40:49.080
<v Speaker 1>which was where that beautiful transition that went nowhere. White chicks. Yeah,

0:40:49.680 --> 0:40:53.040
<v Speaker 1>very funny, maid of honor. He's just not that into

0:40:53.120 --> 0:40:59.640
<v Speaker 1>you and many many more, uh, film versus television. I

0:40:59.800 --> 0:41:03.480
<v Speaker 1>FOR FOR TV. Yeah, me too. Actually. Yeah, I prefer

0:41:03.600 --> 0:41:06.719
<v Speaker 1>TV because I mean from a from an acting standpoint,

0:41:06.960 --> 0:41:10.560
<v Speaker 1>in character development, like the payoffs are better and you're

0:41:10.600 --> 0:41:15.560
<v Speaker 1>able to have bigger ARCS. I mean your chilly moment

0:41:15.880 --> 0:41:21.319
<v Speaker 1>doesn't land in the movie version. You know, like if

0:41:21.400 --> 0:41:25.960
<v Speaker 1>you're living with characters for an extended period of time,

0:41:27.120 --> 0:41:29.040
<v Speaker 1>I mean hours and hour. Even if a show is

0:41:29.120 --> 0:41:31.880
<v Speaker 1>only one season, it's still hours and hours and hours

0:41:32.040 --> 0:41:36.160
<v Speaker 1>that you're spending with these people, you're able to just

0:41:36.640 --> 0:41:40.920
<v Speaker 1>pull out different sides of the humanity and so I

0:41:41.120 --> 0:41:45.719
<v Speaker 1>find I don't feel stuck playing types because I really

0:41:45.800 --> 0:41:49.200
<v Speaker 1>feel like I get to dig into the people. And

0:41:49.320 --> 0:41:52.160
<v Speaker 1>then in films you are sort of relegated to like

0:41:52.880 --> 0:41:56.560
<v Speaker 1>what it is, you know. Yeah, you're like the funny

0:41:56.640 --> 0:42:00.279
<v Speaker 1>best friend who like says three funny things in every

0:42:00.360 --> 0:42:03.279
<v Speaker 1>scene and it's like then gives her the idea to

0:42:03.360 --> 0:42:07.040
<v Speaker 1>do the thing and that's it. You know, like it's

0:42:07.120 --> 0:42:12.160
<v Speaker 1>just it's not, as an actor, for me, not as fulfilling.

0:42:12.520 --> 0:42:16.759
<v Speaker 1>I do love TV. Yeah, it's interesting and I got

0:42:16.840 --> 0:42:21.120
<v Speaker 1>kind of like bombed when the movie stars realized that

0:42:21.239 --> 0:42:23.399
<v Speaker 1>TV was where I was at I got a little

0:42:23.400 --> 0:42:26.080
<v Speaker 1>bit like it was about the same time when I

0:42:26.200 --> 0:42:28.920
<v Speaker 1>was when I decided and like publicly declared that I

0:42:29.080 --> 0:42:35.000
<v Speaker 1>quit acting, which was, of course, bullshit, but I just

0:42:35.200 --> 0:42:38.600
<v Speaker 1>was like, I mean, I can't fucking I'm now I'm

0:42:38.640 --> 0:42:42.520
<v Speaker 1>up against reese witherspoon, ate Hudson. It was like, honestly,

0:42:42.680 --> 0:42:46.080
<v Speaker 1>it was like there were a couple shows in like pilots,

0:42:46.640 --> 0:42:50.759
<v Speaker 1>where I was like super interested in the pilot. This

0:42:50.920 --> 0:42:53.319
<v Speaker 1>was right around when Cougar town was ending, and they're like, well,

0:42:53.360 --> 0:42:55.440
<v Speaker 1>they're going to offer it to Kate Hudson and and

0:42:55.520 --> 0:42:58.200
<v Speaker 1>I was like, okay, well, that's now we're out. I'm

0:42:58.239 --> 0:43:04.080
<v Speaker 1>sucking out. I can't do this game because I you know,

0:43:04.239 --> 0:43:08.680
<v Speaker 1>I can't compete on that level. Yeah, but listen, good

0:43:08.719 --> 0:43:10.799
<v Speaker 1>news is there's lots of TV to go around. There's

0:43:10.840 --> 0:43:13.439
<v Speaker 1>a lot of TV to go around. Uh, Cougar town

0:43:14.200 --> 0:43:20.680
<v Speaker 1>critics choice television award winner. I won an award. I

0:43:20.800 --> 0:43:24.600
<v Speaker 1>know you did. I'm just I know, but I'm still

0:43:24.640 --> 0:43:28.520
<v Speaker 1>shocked by it. How was your experience on Cougar town?

0:43:28.719 --> 0:43:31.440
<v Speaker 1>Do you have a good time? You loved it. I

0:43:31.520 --> 0:43:36.040
<v Speaker 1>loved it. I loved it. I loved it. It was

0:43:36.120 --> 0:43:38.440
<v Speaker 1>the perfect job at the perfect moment in my life.

0:43:39.280 --> 0:43:43.680
<v Speaker 1>I had had my first kid. I really wanted to

0:43:43.800 --> 0:43:46.360
<v Speaker 1>do something where I was going to be funny but

0:43:46.760 --> 0:43:50.320
<v Speaker 1>where I wasn't carrying anything, because I had an infant

0:43:52.160 --> 0:43:55.800
<v Speaker 1>right and I was a new mom and like twenty

0:43:55.920 --> 0:44:01.080
<v Speaker 1>nine and felt literally insane. But I needed money and

0:44:01.160 --> 0:44:03.839
<v Speaker 1>I wanted to work, and that was the thing too.

0:44:03.960 --> 0:44:06.239
<v Speaker 1>Like I think there was a part of me that

0:44:06.360 --> 0:44:09.440
<v Speaker 1>fought into that weird narrative that I think people have

0:44:09.560 --> 0:44:11.440
<v Speaker 1>kind of stopped with, which was, like I had heard

0:44:11.480 --> 0:44:14.959
<v Speaker 1>a lot from people, like once I became a mother,

0:44:15.239 --> 0:44:19.120
<v Speaker 1>like it all just fell away. I didn't care about it.

0:44:19.200 --> 0:44:22.040
<v Speaker 1>Went on my first audition one week after giving birth.

0:44:23.600 --> 0:44:28.400
<v Speaker 1>I was like immediately wanted what I wanted before. I

0:44:28.520 --> 0:44:32.239
<v Speaker 1>was like, where are my jobs? That's so funny. I

0:44:32.400 --> 0:44:35.719
<v Speaker 1>have never, I have never told this story, but you

0:44:35.880 --> 0:44:38.320
<v Speaker 1>just brought it up and it's the perfect transition. I

0:44:38.640 --> 0:44:41.040
<v Speaker 1>now I didn't give birth, and let me say I

0:44:41.160 --> 0:44:46.400
<v Speaker 1>understand it's not the same. Sleeping on a cot at

0:44:46.440 --> 0:44:50.560
<v Speaker 1>Cedar Sign I, however, is no joke for a large man. Okay,

0:44:50.680 --> 0:44:53.239
<v Speaker 1>let's just be very clear about that. I am not

0:44:53.440 --> 0:44:57.920
<v Speaker 1>comparing the two experiences. I'm simply saying that is laying

0:44:58.040 --> 0:45:01.640
<v Speaker 1>on a cot sleep, attempting to sleep on a cot,

0:45:02.520 --> 0:45:09.240
<v Speaker 1>and I left the hospital and I think I had

0:45:09.800 --> 0:45:14.520
<v Speaker 1>an animated show recording at nine in the morning that

0:45:14.719 --> 0:45:20.000
<v Speaker 1>next day. So, yes, I get what you're saying. Doesn't

0:45:20.200 --> 0:45:25.279
<v Speaker 1>it doesn't stop, it doesn't stop. Oh, Mark, my kid's Dad, mark,

0:45:25.480 --> 0:45:28.759
<v Speaker 1>left me at the hospital to go have a meeting

0:45:28.800 --> 0:45:32.280
<v Speaker 1>with Vince Vaughan about some movie that he and abby

0:45:32.400 --> 0:45:35.800
<v Speaker 1>were writing for him. Like had no choice. was like

0:45:36.520 --> 0:45:38.880
<v Speaker 1>you guys, good, you got it, I'M gonna I'll be

0:45:38.960 --> 0:45:43.160
<v Speaker 1>back in like an hour and a half. Okay, sure, sure, no, no, no,

0:45:43.320 --> 0:45:46.040
<v Speaker 1>do you think? Do you thing? Dude? Um. But so

0:45:46.200 --> 0:45:50.239
<v Speaker 1>cougartown came around just in a perfect moment and it

0:45:50.360 --> 0:45:54.919
<v Speaker 1>was the perfect show for me and I can't yeah,

0:45:54.920 --> 0:45:57.080
<v Speaker 1>and I can't say enough nice things about Courtney Cox

0:45:57.360 --> 0:46:01.280
<v Speaker 1>and also Bill Lawrence and Krista mill and Josh Hopkins

0:46:01.600 --> 0:46:04.719
<v Speaker 1>and Um Ian Gomez and Dan Bird, I mean like

0:46:04.960 --> 0:46:10.960
<v Speaker 1>Brian Van Holt, like everyone was incredible and we really

0:46:11.520 --> 0:46:16.279
<v Speaker 1>had such an amazing time, but especially Courtney Cox is

0:46:17.000 --> 0:46:19.960
<v Speaker 1>just the greatest. Exactly what you want as the star

0:46:20.080 --> 0:46:23.640
<v Speaker 1>of a show, because you know we've all experienced other things,

0:46:24.480 --> 0:46:28.360
<v Speaker 1>and she doesn't have to be as magnanimous and generous

0:46:28.480 --> 0:46:33.960
<v Speaker 1>and lovely and hard working and nonstop as she is.

0:46:34.120 --> 0:46:38.719
<v Speaker 1>She could just go live on her friends money. You know,

0:46:38.920 --> 0:46:42.480
<v Speaker 1>I mean truly. You know, I thought you were going

0:46:42.520 --> 0:46:47.840
<v Speaker 1>to say island or something more subtle. You were like, no,

0:46:48.160 --> 0:46:50.960
<v Speaker 1>live on her friends money. No, the friends money, but

0:46:51.080 --> 0:46:53.160
<v Speaker 1>I'm just you know, but she could be any version

0:46:53.239 --> 0:46:57.560
<v Speaker 1>of anything and but she's literally the great she was

0:46:57.600 --> 0:47:01.799
<v Speaker 1>the greatest boss, the best sort of mentor in terms

0:47:01.840 --> 0:47:05.920
<v Speaker 1>of what that kind of leadership should look like, and

0:47:06.160 --> 0:47:08.120
<v Speaker 1>I learned a lot just by like watching her and

0:47:08.239 --> 0:47:12.160
<v Speaker 1>how she treated everyone around her with such respect all

0:47:12.239 --> 0:47:16.520
<v Speaker 1>the time. That's awesome. That's that's so great to hear. Actually,

0:47:16.760 --> 0:47:18.799
<v Speaker 1>I don't know her. I've met her, but I don't

0:47:18.840 --> 0:47:20.880
<v Speaker 1>know her at all. So that's she also, it doesn't

0:47:20.920 --> 0:47:23.040
<v Speaker 1>she doesn't pull any punches, like if it's you know,

0:47:23.280 --> 0:47:26.120
<v Speaker 1>if there's an issue, like she is like, we need

0:47:26.200 --> 0:47:29.080
<v Speaker 1>to discuss this and figure out how to solve it,

0:47:29.239 --> 0:47:33.280
<v Speaker 1>like she's very much she's a boss. She's a boss,

0:47:34.040 --> 0:47:37.080
<v Speaker 1>she's a great boss. She's a great boss. That's awesome.

0:47:37.600 --> 0:47:41.320
<v Speaker 1>I mean, we could talk forever about all of your projects.

0:47:41.360 --> 0:47:44.480
<v Speaker 1>I do want to get too busy tonight. What was

0:47:44.520 --> 0:47:49.239
<v Speaker 1>your idea behind that? Wanting to adjust your career path

0:47:49.400 --> 0:47:52.080
<v Speaker 1>a bit? and well, it's it was a huge change

0:47:52.120 --> 0:47:54.680
<v Speaker 1>for you. What what was the impetus for that? Well,

0:47:54.760 --> 0:47:58.040
<v Speaker 1>a bit it was burnout with the industry, part of

0:47:58.080 --> 0:48:01.400
<v Speaker 1>the industry, and you know, I had done this pilot

0:48:02.360 --> 0:48:07.520
<v Speaker 1>for Tina fey and it was so great. It was

0:48:07.600 --> 0:48:10.839
<v Speaker 1>like me and Casey Wilson and Bradley Whitford Played Our

0:48:10.920 --> 0:48:15.840
<v Speaker 1>dad and Luke Deltredici was the writer and was going

0:48:15.920 --> 0:48:18.600
<v Speaker 1>to show run it, and Tina and Robert Carlack we're

0:48:18.719 --> 0:48:21.080
<v Speaker 1>producing it, and the show was so funny and I

0:48:21.760 --> 0:48:24.080
<v Speaker 1>was like this is it, like I this is it,

0:48:24.239 --> 0:48:27.160
<v Speaker 1>like I'm so happy that I got the thing finally,

0:48:27.239 --> 0:48:29.480
<v Speaker 1>like this is my thing, like I'm so grateful for this.

0:48:30.320 --> 0:48:32.399
<v Speaker 1>And then it didn't get picked up in the most

0:48:32.480 --> 0:48:40.239
<v Speaker 1>like unceremonious, weird fizzle of like they never it wasn't

0:48:40.320 --> 0:48:42.719
<v Speaker 1>like one of those things where they were like it's

0:48:42.760 --> 0:48:44.960
<v Speaker 1>not getting picked up, it's just they just kept holding

0:48:45.000 --> 0:48:51.400
<v Speaker 1>onto it's so weird and heartbreaking, you know, and I

0:48:51.560 --> 0:48:57.080
<v Speaker 1>was so heartbroken and I have been so heartbroken Brian

0:48:57.239 --> 0:49:01.960
<v Speaker 1>for so many years over so many different projects, and

0:49:02.080 --> 0:49:04.120
<v Speaker 1>I just was like why am I doing this to myself?

0:49:04.320 --> 0:49:09.320
<v Speaker 1>This is like torture. And around that time, or a

0:49:09.360 --> 0:49:14.080
<v Speaker 1>little bit earlier, I had started doing instagram stories and

0:49:14.200 --> 0:49:17.759
<v Speaker 1>that had become this whole thing, like people were like

0:49:17.800 --> 0:49:19.800
<v Speaker 1>all of a sudden, taking all this interest in me

0:49:19.960 --> 0:49:22.200
<v Speaker 1>and there were articles. The New Yorker wanted to write

0:49:22.200 --> 0:49:24.920
<v Speaker 1>an article about me and you know, there was all

0:49:25.000 --> 0:49:29.480
<v Speaker 1>of this attention on that. And Eric Gurian, who produced

0:49:29.520 --> 0:49:33.400
<v Speaker 1>this with Tina fe, called me and asked if I

0:49:33.440 --> 0:49:36.480
<v Speaker 1>wanted to have lunch when they were like the Emmy's weekend.

0:49:37.040 --> 0:49:39.239
<v Speaker 1>After that, pilot didn't get picked up. So a couple

0:49:39.239 --> 0:49:40.520
<v Speaker 1>of months later and he was like we want to

0:49:40.560 --> 0:49:42.200
<v Speaker 1>do something with you, like what do you want to do?

0:49:42.560 --> 0:49:43.840
<v Speaker 1>What kind of show do you want to do? Like

0:49:43.920 --> 0:49:46.160
<v Speaker 1>we want to figure something out, and I was like, Eric,

0:49:46.200 --> 0:49:48.280
<v Speaker 1>I'm not doing it. I can't be an actor anymore.

0:49:48.400 --> 0:49:52.239
<v Speaker 1>It's too much heartbreak. And he's like, well, you're obviously

0:49:52.400 --> 0:49:55.799
<v Speaker 1>entertaining and you're super watchable. How many People Watch your

0:49:55.840 --> 0:49:59.120
<v Speaker 1>stories every day? And I was like at the time,

0:49:59.200 --> 0:50:01.880
<v Speaker 1>I mean this is fucking crazy. At the time it

0:50:02.080 --> 0:50:05.440
<v Speaker 1>was like two and fifty thousand people a day. We're

0:50:05.480 --> 0:50:08.680
<v Speaker 1>watching my fucking stories, which is nuts. Now it's like,

0:50:09.120 --> 0:50:11.040
<v Speaker 1>I want to say it's like sixty five or something

0:50:11.160 --> 0:50:13.759
<v Speaker 1>like that. You know so, but like no one was

0:50:13.840 --> 0:50:16.560
<v Speaker 1>doing them and I just whatever. I got in on it.

0:50:16.800 --> 0:50:20.400
<v Speaker 1>You pioneered it, pioneered it. I pioneered the way that

0:50:20.480 --> 0:50:22.719
<v Speaker 1>everybody does it. I know it's so exciting that I

0:50:22.840 --> 0:50:28.160
<v Speaker 1>did that. Um, thank you, thank you, and I'm sorry,

0:50:28.719 --> 0:50:31.040
<v Speaker 1>but I was like, I don't know, but I'll let

0:50:31.080 --> 0:50:32.640
<v Speaker 1>you know. Like I don't know what I'm doing, I

0:50:32.680 --> 0:50:34.239
<v Speaker 1>don't know what the funk is that going to happen,

0:50:34.280 --> 0:50:37.120
<v Speaker 1>but I'll let you know. And then I went to

0:50:38.200 --> 0:50:40.640
<v Speaker 1>my manager at the time's birthday party. That was at

0:50:40.680 --> 0:50:45.680
<v Speaker 1>the MERV Griffin estate in Palm Springs, and I got

0:50:45.800 --> 0:50:50.000
<v Speaker 1>stoned and was like sitting out looking up at the stars,

0:50:50.120 --> 0:50:53.520
<v Speaker 1>like and I turned to mark and I was like

0:50:54.520 --> 0:50:56.600
<v Speaker 1>I have to have a late night talk show. That's

0:50:56.640 --> 0:50:58.279
<v Speaker 1>what it is. I have to have a late night

0:50:58.320 --> 0:51:02.960
<v Speaker 1>talk show, and he was like uh, okay, and I'm

0:51:03.000 --> 0:51:05.719
<v Speaker 1>like no, it's like the perfect confluence of things. I

0:51:05.840 --> 0:51:10.400
<v Speaker 1>love talking. I love having conversations with people about things.

0:51:10.840 --> 0:51:14.880
<v Speaker 1>I have so many friends. There aren't enough women that

0:51:15.040 --> 0:51:17.839
<v Speaker 1>have these shows. Like this is just stupid and it's

0:51:17.960 --> 0:51:20.600
<v Speaker 1>you know. So from that perspective, from a feminist perspective,

0:51:21.080 --> 0:51:24.319
<v Speaker 1>I was like, let's even the playing field. Since Chelsea left,

0:51:24.480 --> 0:51:27.960
<v Speaker 1>like no one has a nightly show. So I called

0:51:28.040 --> 0:51:30.080
<v Speaker 1>Gurian and I told him that's what I wanted to

0:51:30.120 --> 0:51:31.680
<v Speaker 1>do and he's like, well, I don't I don't know

0:51:31.680 --> 0:51:33.560
<v Speaker 1>if Tina and I are going to be I don't

0:51:33.560 --> 0:51:35.440
<v Speaker 1>know if we're the fit for that. We've never done that.

0:51:35.520 --> 0:51:36.719
<v Speaker 1>I don't know if that's what we want to do

0:51:36.880 --> 0:51:38.200
<v Speaker 1>right now. And I was like, okay, we'll just bring

0:51:38.239 --> 0:51:40.560
<v Speaker 1>it up to her. Let her know. He's like okay.

0:51:41.200 --> 0:51:43.160
<v Speaker 1>Then I went and took a meeting at my agents

0:51:43.200 --> 0:51:46.040
<v Speaker 1>at the time and they brought in like the brows

0:51:46.160 --> 0:51:49.920
<v Speaker 1>that do the talk show part of the agency. I

0:51:49.920 --> 0:51:54.080
<v Speaker 1>don't even know what that's called, hosting and hosting probably,

0:51:54.960 --> 0:51:58.160
<v Speaker 1>and they were very, I don't know, non committal, I

0:51:58.200 --> 0:52:03.440
<v Speaker 1>would say, like Christian. They were disinterested. They were like like,

0:52:03.600 --> 0:52:06.959
<v Speaker 1>they were like, I mean, we could try to set

0:52:07.000 --> 0:52:09.719
<v Speaker 1>you up with like maybe like a season showrunner that

0:52:09.880 --> 0:52:11.560
<v Speaker 1>does this, and then we could like come up with

0:52:11.640 --> 0:52:13.759
<v Speaker 1>a concept and then we could go pitch it. I

0:52:13.800 --> 0:52:15.719
<v Speaker 1>don't I don't know when. I was like you guys

0:52:15.800 --> 0:52:17.920
<v Speaker 1>really are not listening to me. I'm going to do

0:52:18.080 --> 0:52:20.560
<v Speaker 1>a late night talk show because the ghost of Merv

0:52:20.640 --> 0:52:23.480
<v Speaker 1>Griffin told me when I was stoned that that's what

0:52:23.600 --> 0:52:30.640
<v Speaker 1>I'm doing. And they were like okay, and no joke.

0:52:31.400 --> 0:52:34.440
<v Speaker 1>Four days later the phone rang and it was Eric

0:52:34.520 --> 0:52:36.560
<v Speaker 1>Gurrey and and he's like, well, I've got some news

0:52:37.120 --> 0:52:39.440
<v Speaker 1>and I was like what and he's like, I think

0:52:39.520 --> 0:52:43.160
<v Speaker 1>Tina and Dave miner just sold your late night talk

0:52:43.200 --> 0:52:47.840
<v Speaker 1>show to e over the phone. Amazing and literally, like

0:52:48.320 --> 0:52:51.440
<v Speaker 1>that's how it fucking happened like that. Tina had some

0:52:51.520 --> 0:52:55.320
<v Speaker 1>because her general, you know, her overall deal, is at universal,

0:52:55.840 --> 0:52:58.560
<v Speaker 1>and she had some call with e and they said, well,

0:52:58.600 --> 0:53:00.440
<v Speaker 1>we really want to get back into like a late

0:53:00.520 --> 0:53:02.360
<v Speaker 1>night talk show space and Tina was like, well, have

0:53:02.440 --> 0:53:06.319
<v Speaker 1>I got the show for you? and that was it, ma'am.

0:53:06.800 --> 0:53:09.160
<v Speaker 1>Within I would say like a month and a half,

0:53:09.280 --> 0:53:14.520
<v Speaker 1>like the deal was done and then within four months

0:53:15.040 --> 0:53:18.400
<v Speaker 1>we started like developing it and then we were greenlit

0:53:19.080 --> 0:53:22.040
<v Speaker 1>in August, I think, and then it premiered in October,

0:53:22.440 --> 0:53:25.319
<v Speaker 1>like almost exactly one year after the merv Griffin thing.

0:53:26.520 --> 0:53:31.000
<v Speaker 1>Crazy good experience. Oh, I loved doing the show. Yeah,

0:53:31.239 --> 0:53:34.560
<v Speaker 1>we had the best time. It was fantastic. We had

0:53:34.600 --> 0:53:38.239
<v Speaker 1>a real casey stange, and I, who we do our

0:53:38.320 --> 0:53:41.719
<v Speaker 1>podcast together and she was my showrunner for the show and,

0:53:42.560 --> 0:53:45.920
<v Speaker 1>you know, we really had a vision for what we

0:53:46.040 --> 0:53:49.360
<v Speaker 1>wanted it to be and we wanted it to be

0:53:50.360 --> 0:53:54.879
<v Speaker 1>different and for different a different audience than what other

0:53:55.040 --> 0:53:57.200
<v Speaker 1>late night shows have been. I didn't want to like

0:53:57.600 --> 0:54:01.960
<v Speaker 1>parent anyone else's style and I wanted to make it

0:54:02.160 --> 0:54:04.360
<v Speaker 1>for I literally wanted to make a show for me,

0:54:06.040 --> 0:54:09.279
<v Speaker 1>like something I would enjoy watching, you know. And I

0:54:09.400 --> 0:54:12.319
<v Speaker 1>felt really strongly about doing it multiple nights a week

0:54:13.440 --> 0:54:16.160
<v Speaker 1>because I think that it was like a little bit

0:54:16.440 --> 0:54:20.640
<v Speaker 1>of a challenge and a trial by fire and but

0:54:20.760 --> 0:54:23.440
<v Speaker 1>I think we got the show up and going really

0:54:24.239 --> 0:54:27.560
<v Speaker 1>so much faster than we would have if we were

0:54:27.640 --> 0:54:31.160
<v Speaker 1>doing it like once a week, you know. Um, and

0:54:31.239 --> 0:54:33.160
<v Speaker 1>I was, I'm really proud of it. I really am

0:54:33.200 --> 0:54:35.320
<v Speaker 1>proud of it. I love like loved it and I

0:54:35.440 --> 0:54:37.719
<v Speaker 1>loved our guests and everybody who came on the show

0:54:37.800 --> 0:54:42.160
<v Speaker 1>would leave and say something incredible like, honestly, this is

0:54:42.239 --> 0:54:45.120
<v Speaker 1>the best experience I've had on a talk show ever.

0:54:45.800 --> 0:54:48.120
<v Speaker 1>You know, like it was just Super Fun and we

0:54:48.200 --> 0:54:51.200
<v Speaker 1>were really sad. I was really, again, really sad, really

0:54:51.239 --> 0:54:54.399
<v Speaker 1>heartbroken when it was over, because I thought that by

0:54:54.560 --> 0:54:59.800
<v Speaker 1>taking control of it and being creatively in control and

0:55:00.000 --> 0:55:03.400
<v Speaker 1>an executive producer and like I was very involved with

0:55:03.640 --> 0:55:08.800
<v Speaker 1>every aspect of it, for some reason I thought I

0:55:08.840 --> 0:55:18.680
<v Speaker 1>would be better prepared for like, yeah, I was not. No. Yeah, well,

0:55:18.920 --> 0:55:24.839
<v Speaker 1>I'm so happy for you that you had the experience. Yeah,

0:55:25.680 --> 0:55:29.560
<v Speaker 1>and maybe again. Is that done? I mean, sure, I didn't.

0:55:29.600 --> 0:55:31.960
<v Speaker 1>I'm at this point now where I'm like, I'll do it,

0:55:32.000 --> 0:55:35.520
<v Speaker 1>I don't know, whatever what may, I'll do anything. Who knows? Again,

0:55:35.640 --> 0:55:37.480
<v Speaker 1>like you said, am I a comedian? Like, I don't

0:55:37.480 --> 0:55:40.319
<v Speaker 1>know what I am, Dude. I'm just like, I'm here,

0:55:42.280 --> 0:55:46.120
<v Speaker 1>I'm here. You're well, you're I don't know if you're

0:55:46.120 --> 0:55:48.439
<v Speaker 1>a comedian or not. Like I said, I don't even

0:55:48.640 --> 0:55:51.920
<v Speaker 1>I struggle with like those types of labels. But do

0:55:52.000 --> 0:55:55.759
<v Speaker 1>you do stand up? No, that's the thing to meet

0:55:55.800 --> 0:56:01.719
<v Speaker 1>comedian means stand up. I agree. Yeah, now you're changing story. Okay, fine,

0:56:02.080 --> 0:56:06.080
<v Speaker 1>I am changing my story. I know you are. That's

0:56:06.080 --> 0:56:10.360
<v Speaker 1>what I just I just called you out on it, busy,

0:56:10.800 --> 0:56:15.920
<v Speaker 1>God bless it. I uh so enjoy talking to you.

0:56:16.560 --> 0:56:19.720
<v Speaker 1>You really make me laugh. So, comedian or not, that's

0:56:20.160 --> 0:56:23.840
<v Speaker 1>that's that's really all I'm looking for. Good luck figuring

0:56:23.880 --> 0:56:26.560
<v Speaker 1>out what you want to do next. I know it

0:56:26.600 --> 0:56:29.640
<v Speaker 1>will be incredible and I appreciate so much you're coming

0:56:29.680 --> 0:56:32.200
<v Speaker 1>to talk to me. I'm so happy too. I love

0:56:32.239 --> 0:56:35.240
<v Speaker 1>talking to you, I love seeing you. Thank you. Thanks,

0:56:35.360 --> 0:56:52.319
<v Speaker 1>Brian Busy. That was incredible. Yeah, I'm still laughing. Thank

0:56:52.360 --> 0:56:55.240
<v Speaker 1>you for stopping by. To those of you out there listening,

0:56:55.320 --> 0:56:59.520
<v Speaker 1>it has been a pleasure hanging with you this beautiful Tuesday,

0:56:59.840 --> 0:57:01.719
<v Speaker 1>or or whatever day it is that you're listening. I'M

0:57:01.719 --> 0:57:05.560
<v Speaker 1>gonna be back next week, on Tuesday, same time, same place,

0:57:06.040 --> 0:57:10.319
<v Speaker 1>with another amazing guest, a guest who, by the way,

0:57:10.560 --> 0:57:17.160
<v Speaker 1>stars in one of my recent favorite television shows. Can

0:57:17.240 --> 0:57:19.720
<v Speaker 1>you guess what it is? I'll give you a hint.

0:57:20.440 --> 0:57:25.520
<v Speaker 1>He is a bad, bad man. We'll see you next week.

0:57:32.480 --> 0:57:35.400
<v Speaker 1>Off The beat is hosted an executive produced by me,

0:57:35.800 --> 0:57:41.000
<v Speaker 1>Brian Baumgartner, alongside our executive producer Langley. Our producers are

0:57:41.160 --> 0:57:45.760
<v Speaker 1>Diego Tapia, Liz Hayes, Hannah Harris and Emily Carr our

0:57:45.840 --> 0:57:50.200
<v Speaker 1>talent producer is Ryan Papa Zachary, and our intern is

0:57:50.320 --> 0:57:54.560
<v Speaker 1>Sammy Katz. Our theme song bubble and squeak, performed by

0:57:54.640 --> 0:58:00.360
<v Speaker 1>my great friend Creed Bratton Mumm