WEBVTT - Breakfast Club Flashbacks Featuring Interviews From Don Pooh, Tank & 85 South

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<v Speaker 1>Did your time to get it off your chest, whether

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<v Speaker 1>you're mad or blast so, so you better have the

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<v Speaker 1>same minute. We want to hear from you on the

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<v Speaker 1>breakfast club. Hello, who's this? Hey? This Kisa, Hey Keisha,

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<v Speaker 1>get it up to Chessum in my lives, I don't

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<v Speaker 1>want to be live because I want to talk to

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<v Speaker 1>you about something. I'm being a victor from our apartment

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<v Speaker 1>and I don't want to be putting my business out

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<v Speaker 1>there over the era where you live. Um. I lived

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<v Speaker 1>in Jersey and I DM JU and I can provide

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<v Speaker 1>you all my documentation. Okay, hold on, hold on, hold on,

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<v Speaker 1>hold on. Hello, who's this Hey, good morning. It's Jermaine

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<v Speaker 1>out of Atlanta. How y'all doing this morning? What's going on? Ye? Hey?

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<v Speaker 1>Fam Um. I want to give a happy birthday shout

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<v Speaker 1>out to my grandma's man, she turned ninety three. Well, Um,

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<v Speaker 1>I also want to give a happy birthday shout out

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<v Speaker 1>to doing my sister, I love you, my big sister

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<v Speaker 1>out of Harlem. And another birthday shout out to my

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<v Speaker 1>other sister Shimika Walker. Love you too. Bo. You have

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<v Speaker 1>your family man, yeah, yeah, man, all only birthdays were

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<v Speaker 1>the same week, so I wanted to knock them all

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<v Speaker 1>out in one shot and send positive vibes. Is Friday,

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<v Speaker 1>God bless love the show. All right, thank you by vodka, Lemonade,

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<v Speaker 1>Vodka Love y'all. Hello, what's this? Hey? Who's this? Yeah?

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<v Speaker 1>This is Johnny. That's up, Johnny, get you off your chest. Yeah.

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<v Speaker 1>First things first, I want to talk about you, man, DJM.

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<v Speaker 1>Every time you introduced the breakfast Club, singing your name out,

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<v Speaker 1>d angry bro. Another thing, Charlotte Man, I'm glad you

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<v Speaker 1>stopped reaching baby. I'm glad you loving your skin back.

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<v Speaker 1>You know what I'm saying. I'm loving it, black fan. Baby.

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<v Speaker 1>So you think you think that you can reverse the

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<v Speaker 1>process of bleaching, you're also smart. I mean you never know, Dad,

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<v Speaker 1>you stopped bleaching. They go back to the almost Jamaica. Know,

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<v Speaker 1>they know they don't once you once you bleach and

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<v Speaker 1>you're rulling in pigments. In pigments is ruining forever, baby,

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<v Speaker 1>so you know. And another thing, the content. How y'all

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<v Speaker 1>been talking in the morning and all these kids they

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<v Speaker 1>get up for the morning before they go to school,

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<v Speaker 1>they listen to your program. Ya gotta stop your teenas talks. Man,

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<v Speaker 1>it's getting crazy between most of y'all. I know y'all married,

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<v Speaker 1>but come on, baby, the contake? What kind of hip

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<v Speaker 1>hop do you listen to in the car with your kids?

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<v Speaker 1>I actually want to come up to hip hop by

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<v Speaker 1>kind of changes like a cribbing station on news. You know.

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<v Speaker 1>I don't really try to get into the back can

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<v Speaker 1>I can't avoid it? That's what it is. I'm glad

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<v Speaker 1>you do that. You can't avoid it? Penis in us? Hello?

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<v Speaker 1>Who's this angel? Angel? What's up? Get it off your chest?

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<v Speaker 1>I'm just fake bad right now because when you guys

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<v Speaker 1>have hub with the breakfast club, I can never get through.

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<v Speaker 1>But Charlotte, man, you need to start getting to work

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<v Speaker 1>on time. Man, I look forward to that. Yo yo yo, yo,

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<v Speaker 1>yo yo. That's like my morning coffee. Man, what's up?

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<v Speaker 1>It's crazy? How no matter how many times I tell

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<v Speaker 1>y'all my contract, say six or five, y'all just won't

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<v Speaker 1>won't believe you, and we don't believe you. But please

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<v Speaker 1>all right, thank you, brother? Actually, actually thank you from

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<v Speaker 1>being on time every single day? Okay, thank you every day,

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<v Speaker 1>not every time, but you can do better. You're better

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<v Speaker 1>than Charlotte. Can I be late some time? Sure, you

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<v Speaker 1>happen barely. I think things happen, but it shouldn't be

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<v Speaker 1>every day a contract change six or five? Rachel, good morning,

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<v Speaker 1>what's up? Rachel? Get it off your chess, um, Charlotte Mane,

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<v Speaker 1>I definitely agree with you. My contract stars that six

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<v Speaker 1>so five too, I don't know. I don't age salute

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<v Speaker 1>to us six so five games um. So basically, I

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<v Speaker 1>just want to say good morning. I love you guys

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<v Speaker 1>to give a shout out to my boyfriend to man Um.

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<v Speaker 1>And I also want to ask you guys talk about

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<v Speaker 1>Nicki Minaj a lot in your rumor report, but you

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<v Speaker 1>guys don't play her music. Why don't you play her music? Well,

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<v Speaker 1>I have control of it what I talk about in

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<v Speaker 1>the rumor report, but we don't program the music on

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<v Speaker 1>the station. What song should we be playing? Well, I

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<v Speaker 1>don't play music needs. I'm just asking what songs your

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<v Speaker 1>radio will be playing. I mean, she has a lot

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<v Speaker 1>of loose songs. I would chance to wrap her um.

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<v Speaker 1>She remixed the Baby's song. I mean I just hear her,

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<v Speaker 1>hear her song in the mixes or anything. I would

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<v Speaker 1>just love to hear her more. All right, Hello, who's

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<v Speaker 1>this Hey? What's up getting off your chest? Hello? Good morning,

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<v Speaker 1>d J M. V Angela. Yeard morning guy, Good morning.

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<v Speaker 1>All right. So a couple of years ago I was

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<v Speaker 1>living with my egg boys friend and we had a

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<v Speaker 1>light door in my name, so he yeah, I don't

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<v Speaker 1>often promote out, but I kept in it just for

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<v Speaker 1>kind of my heart. I cheest it in my name,

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<v Speaker 1>can't pay the bill, so now I can't get the

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<v Speaker 1>lights in my name, so now here. Two years later

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<v Speaker 1>I ran down at him, and me and his first

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<v Speaker 1>friend had got to argument over the situation. Reminds you

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<v Speaker 1>of how you with him. But she wanted to jump

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<v Speaker 1>in first of all the people, why he only lives.

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<v Speaker 1>I wouldn't have sex with him while he was with her,

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<v Speaker 1>so for her to come at me, I'm like, my good,

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<v Speaker 1>you gotta thank me because it wasn't for me. You

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<v Speaker 1>want to have your bosom right now, and you want

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<v Speaker 1>to have no lights? He exactly like, thank you? Who

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<v Speaker 1>paying the light bill? Now? I don't. I don't have

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<v Speaker 1>I have life. I don't know how lightning and it's crazy,

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<v Speaker 1>they say, how do you want with this? To me?

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<v Speaker 1>I have just got a child, and know that as

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<v Speaker 1>much time I was gonna say nice too, And because

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<v Speaker 1>I want to have some because you had a girlfriend,

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<v Speaker 1>Can I give you some advice? Given you're gonna pay

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<v Speaker 1>for a light bill, now, I'm gonna give you some advice. Okay,

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<v Speaker 1>he's never gonna give you that money back. So no

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<v Speaker 1>matter how much you try to harass him about it,

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<v Speaker 1>all it's gonna do is be stressful for you. So

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<v Speaker 1>you just have to chalk that up as a loss

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<v Speaker 1>and figure out how we're gonna move on and move

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<v Speaker 1>forward past this, because all you're doing is putting some

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<v Speaker 1>more stress and burden on yourself. You have to chalk

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<v Speaker 1>it up and chalk him up as a loss, and

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<v Speaker 1>he's a loser. I have a go with mama. Get

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<v Speaker 1>it off your chest eight hundred five eight five one

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<v Speaker 1>on five one. If you need to vent, hit us

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<v Speaker 1>up right now. It's the break this club, Wake up,

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<v Speaker 1>wake up, your time to get it off your chest.

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<v Speaker 1>Whether your man or bless, we want to hear from

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<v Speaker 1>you on the breakfast. Black. Hello, who's this? It's up broke,

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<v Speaker 1>Get it off your chests. Man, don't just this morning man,

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<v Speaker 1>you and me both brother, yeah, man, you know, just

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<v Speaker 1>thinking the Lord and shouting out my family, my wife

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<v Speaker 1>and my kids. I was keep going on my way

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<v Speaker 1>to work. This one y'all have a blessing you have

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<v Speaker 1>going to my brother? Hello, who's this? This is Jules

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<v Speaker 1>Jails one hundred. Hello, I Jules Jim's one hundred. Hit

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<v Speaker 1>it off your chests, he said, like a cigarette. It's early,

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<v Speaker 1>it's earlier. Do we have tea yet? Well, what's up?

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<v Speaker 1>I'm gonna get you off your chest. You're having a

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<v Speaker 1>great day so far, so far, it's a great day.

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<v Speaker 1>So many blessings. Um, I do have a jury business.

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<v Speaker 1>It's called Jim Jail's one hundred. But every single day

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<v Speaker 1>I think about my brother that is in jail for

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<v Speaker 1>because of police book cality over for ten years and

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<v Speaker 1>in the morning, he's in jail because of police brutality.

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<v Speaker 1>How that happened? He was about fifteen years old and um,

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<v Speaker 1>he was jumped by police. They put him to jail.

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<v Speaker 1>They had a fun papers and even he didn't even

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<v Speaker 1>have a character with m dagn Oh my god, I'm

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<v Speaker 1>sorry him to confess to something that he didn't do.

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<v Speaker 1>Go it. God, I'm sorry about that, mama. And we

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<v Speaker 1>can see how that can happens if we've seen it

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<v Speaker 1>happen many times. That's awesome. I even want to go

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<v Speaker 1>visit him, and the police wouldn't let us visit him.

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<v Speaker 1>Is that illegal? And he's gonna jumped him here? And well,

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<v Speaker 1>I'm so sorry, mama. What was here? My story going

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<v Speaker 1>my brother's stories. So I'm very happy about that, okay,

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<v Speaker 1>But thank you for calling the event with us this morning.

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<v Speaker 1>Thank you so much. That was good day. You too. Hello?

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<v Speaker 1>Who's this which? Say? Hey, April, get it off her chest.

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<v Speaker 1>I want to split some positivity this morning. I wanted

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<v Speaker 1>to thank the Practice Club for getting me through my

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<v Speaker 1>parents three years. Um, I'm working Arkansas, Trump Country. Not

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<v Speaker 1>a lot of people look like me, so uh, just

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<v Speaker 1>want to thank you guys for getting me through the

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<v Speaker 1>past three years. So basically you're saying, we the only

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<v Speaker 1>black people you get to hear from every day. Basically

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<v Speaker 1>that's the reason why I barely Yeah. So like, I

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<v Speaker 1>decided that I needed to make a move to get

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<v Speaker 1>up out of there, and I songly found a way out.

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<v Speaker 1>It's a very topic workers it. So I'm still working

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<v Speaker 1>on my business until I can afford to move on. Okay, Mama,

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<v Speaker 1>We'll keep working all right, all right? So yo, you guys.

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<v Speaker 1>Vision my Instagram at s E n paspaq dot com.

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<v Speaker 1>Um and soon, Louie, I would love to sing you

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<v Speaker 1>some circles. Um. I created a feminine emergency kit for

0:08:55.640 --> 0:09:00.120
<v Speaker 1>manisturing people. You know, sometimes it's happened. Yeah, girl, I

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<v Speaker 1>I've had plenty of emergencies, so I was love love,

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<v Speaker 1>love love love to see you sustandful um. Check out

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<v Speaker 1>my instagram at sympat or my website at www dot

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<v Speaker 1>sympat se mtaq dot com. Thank you, mama. Hello, who's

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<v Speaker 1>this carn jack Jack calling from Detroit? What's up? Bro?

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<v Speaker 1>What I'm done? I'm mad at and that's my day.

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<v Speaker 1>My daughter came and going YouTube. Oh they cut the

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<v Speaker 1>internet off the internet working a little bit. I was

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<v Speaker 1>trying to you know, a black man no cheat, but

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<v Speaker 1>up traveling black men don't cheat. Hey, question, do you

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<v Speaker 1>love the D? Y'all love it D, But I don't

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<v Speaker 1>know about we talking about? What do you mean why

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<v Speaker 1>you gotta add something to it? Why I'm talking about Detroit?

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<v Speaker 1>Yeah player, Hey, I'll be trying to go on boarhoub.

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<v Speaker 1>You don't work either, so you know, I mean I've

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<v Speaker 1>got a herd for brother. You know what I'm saying.

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<v Speaker 1>You know you morecus are about paint Hub or your

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<v Speaker 1>daughter using the YouTube to watch our cartoons. Bro like

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<v Speaker 1>both like yeah, both of y'all got to be entertained.

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<v Speaker 1>I understand. Goodbye, man, all right, get it off your chest.

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<v Speaker 1>Eight hundred five eight five one on five one if

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<v Speaker 1>you need to vet hit this up right now. It

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<v Speaker 1>was the Breakfast Club. Come on, the Breakfast Club. Everybody

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<v Speaker 1>is DJ mvy Angela Yee, Charlomagne the guy. We are

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<v Speaker 1>the Breakfast Club. We got a special guest in the building,

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<v Speaker 1>one of the owners of Brooklyn chop House, a name

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<v Speaker 1>that rings bells in the music industry for a long time,

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<v Speaker 1>a friend of all hours. Dumb poo, what out? What out?

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<v Speaker 1>What up? You just mentioned in the camera so you

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<v Speaker 1>have the day camera was saying thank you because you

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<v Speaker 1>gave him some money when he needed it. Yeah. Yeah, yeah.

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<v Speaker 1>So back in the days when, um, you know, when

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<v Speaker 1>Cameron was first coming out, I recognized that talent and

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<v Speaker 1>I was actually trying to sign him, but you know

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<v Speaker 1>I was late to the game. Ye had already signed

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<v Speaker 1>his deal. So um, I say, you know what, I'm

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<v Speaker 1>developing another artist. You know, can you help me, you know,

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<v Speaker 1>do a few records in the studio, So he said,

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<v Speaker 1>I bet. So him and Jim Jones came through and

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<v Speaker 1>they helped me and developed this hot record. We did

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<v Speaker 1>this record, Baby Baby Baby, and a couple other joints,

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<v Speaker 1>and you know I recognized them first, So you know,

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<v Speaker 1>I was shocked when I heard. I was like, oh

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<v Speaker 1>that's nice. Yeah, he shot the video artist pretty boy.

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<v Speaker 1>It was actually turn onto the franchise in business too,

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<v Speaker 1>Yeah I heard. I mean he was inspired by a

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<v Speaker 1>lot of stuff that I was doing, so he was like,

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<v Speaker 1>you know, let me try a couple and do a

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<v Speaker 1>couple of things too. So that was dope. I feel

0:11:35.120 --> 0:11:36.960
<v Speaker 1>that because first of all, let's be clear down who

0:11:37.040 --> 0:11:40.400
<v Speaker 1>was from Brooklyn, absolutely brook to the fullest and has

0:11:40.480 --> 0:11:45.760
<v Speaker 1>a great musical background. Fine named Foxy Brown absolutely at

0:11:45.880 --> 0:11:48.120
<v Speaker 1>early age. Talk about Foxy because she was really young.

0:11:48.160 --> 0:11:49.719
<v Speaker 1>I remember when she first came on the scene with

0:11:49.960 --> 0:11:53.800
<v Speaker 1>LLL Cool j Absolutely so um shout out to Gavin

0:11:53.880 --> 0:11:56.200
<v Speaker 1>anton So. I used to have this barber shop called

0:11:56.280 --> 0:11:59.520
<v Speaker 1>Moods and Brooklyn and a lot of artists used to

0:11:59.600 --> 0:12:03.520
<v Speaker 1>come through. You. I just on the barber shop things

0:12:03.559 --> 0:12:15.040
<v Speaker 1>going on a few things sony years ago, years ago,

0:12:15.280 --> 0:12:18.600
<v Speaker 1>thirty years ago. So yeah, so you know what I'm trying. Yeah,

0:12:18.640 --> 0:12:21.160
<v Speaker 1>I'm here, down here now. So yeah, we had the

0:12:21.200 --> 0:12:25.400
<v Speaker 1>barbershop and BIGGI used to come through, and um Shine

0:12:25.480 --> 0:12:27.240
<v Speaker 1>used to come through, and then a lot of people

0:12:27.400 --> 0:12:29.679
<v Speaker 1>from the neighborhoods to get their haircut. So they recognized

0:12:29.880 --> 0:12:32.120
<v Speaker 1>I had this affiliation with a lot of artists and

0:12:32.200 --> 0:12:34.880
<v Speaker 1>that I was on the road with Biggie. Um really,

0:12:35.000 --> 0:12:36.920
<v Speaker 1>you know, cutting my teeth in the game, learning the

0:12:36.960 --> 0:12:41.080
<v Speaker 1>management game, you know, supporting the management team by running

0:12:41.080 --> 0:12:43.000
<v Speaker 1>with big and then became a friend with him, and

0:12:43.080 --> 0:12:46.760
<v Speaker 1>then um, you know, Anton Gab was like, yo, why

0:12:46.760 --> 0:12:49.280
<v Speaker 1>don't you check my sister out so you know, listen

0:12:49.360 --> 0:12:50.920
<v Speaker 1>to her, and I said, you know what, we're gonna rock.

0:12:51.280 --> 0:12:53.800
<v Speaker 1>So we you know, did some demos and then next thing,

0:12:53.840 --> 0:12:56.400
<v Speaker 1>you know, we got our break on ELO's record. I

0:12:56.520 --> 0:12:59.920
<v Speaker 1>shot you and then um, you know that blew up

0:13:00.040 --> 0:13:02.439
<v Speaker 1>and then you know, Ben and Walts began and then

0:13:02.520 --> 0:13:04.800
<v Speaker 1>she ended up getting the deal. We did this record

0:13:04.840 --> 0:13:07.640
<v Speaker 1>with Jay z Ain't no we toured for like we did.

0:13:07.760 --> 0:13:10.640
<v Speaker 1>We went on on a weekend tour. Every weekend. It

0:13:10.880 --> 0:13:16.120
<v Speaker 1>was Jay me her our Team Earth Gotti, Damon Dad

0:13:16.360 --> 0:13:18.920
<v Speaker 1>was just rocking. The record blew up and then she

0:13:19.040 --> 0:13:21.120
<v Speaker 1>put out an album and the rest was history. What

0:13:21.679 --> 0:13:23.600
<v Speaker 1>did it take to make a superstar back then compared

0:13:23.640 --> 0:13:26.760
<v Speaker 1>to like today's time, Well, it was a little different.

0:13:26.800 --> 0:13:28.719
<v Speaker 1>Back then. We didn't have the social media, so it

0:13:28.800 --> 0:13:30.640
<v Speaker 1>was a lot of mixtapes. It was a lot of

0:13:30.880 --> 0:13:34.760
<v Speaker 1>you know, doing verses on other people's records. We did

0:13:34.800 --> 0:13:37.760
<v Speaker 1>a couple of verses. We did this joint with Case Touchbets.

0:13:37.800 --> 0:13:39.959
<v Speaker 1>We did a couple of records, and then those records

0:13:40.000 --> 0:13:41.719
<v Speaker 1>turned into videos and then the next thing, you know,

0:13:42.240 --> 0:13:44.319
<v Speaker 1>you know, we were out there. You know, you know,

0:13:44.440 --> 0:13:46.559
<v Speaker 1>she could spit. She was different, she had that you

0:13:46.640 --> 0:13:48.719
<v Speaker 1>know tone, and then you know, next thing, you know,

0:13:48.840 --> 0:13:51.520
<v Speaker 1>we just blew up, put out the album and went platinums.

0:13:51.559 --> 0:13:53.839
<v Speaker 1>Whatever happened with Foxy though, like because you know she's

0:13:54.600 --> 0:13:57.280
<v Speaker 1>she had that. She had a great album, absolutely, and

0:13:58.120 --> 0:13:59.559
<v Speaker 1>she had another album that came out, and then it

0:13:59.640 --> 0:14:02.760
<v Speaker 1>just seemed like just things just bwindled off. Yeah, she

0:14:02.960 --> 0:14:04.800
<v Speaker 1>kind of you know, she was doing a thing for

0:14:04.840 --> 0:14:07.719
<v Speaker 1>a while. She did actually put out three albums and

0:14:07.840 --> 0:14:10.280
<v Speaker 1>then you know she's a mom now on shout out

0:14:10.320 --> 0:14:13.280
<v Speaker 1>to her and Babyca and you know, she just you know,

0:14:13.480 --> 0:14:15.679
<v Speaker 1>fell back a little bit, you know, and you know,

0:14:15.840 --> 0:14:18.520
<v Speaker 1>she had an issue with her hearing, so she just

0:14:18.640 --> 0:14:21.280
<v Speaker 1>kind of fell back. But you know, hopefully she's making

0:14:21.320 --> 0:14:23.360
<v Speaker 1>a you know, we're gonna see or hear from us soon.

0:14:25.440 --> 0:14:27.200
<v Speaker 1>I see her brothers still be at the restaurant too.

0:14:27.200 --> 0:14:29.240
<v Speaker 1>Oh yeah, yeah, shout out to Gather and then yeah,

0:14:29.280 --> 0:14:32.520
<v Speaker 1>they always come through and support, so they've been big

0:14:32.560 --> 0:14:34.560
<v Speaker 1>supporters as well. That means a lot. But you still

0:14:34.600 --> 0:14:36.680
<v Speaker 1>have great relationships with people I think who you came

0:14:36.800 --> 0:14:38.960
<v Speaker 1>up within the game, because we see people fall out

0:14:39.000 --> 0:14:41.640
<v Speaker 1>all the time over things, but I see you all

0:14:41.720 --> 0:14:43.800
<v Speaker 1>the time still rocking with the people that you've been

0:14:43.840 --> 0:14:47.280
<v Speaker 1>with for decades. Yeah. I think it's just a testament

0:14:47.400 --> 0:14:50.240
<v Speaker 1>to my relationship with different people in the game and

0:14:50.360 --> 0:14:52.640
<v Speaker 1>people that are not in the game. So you know,

0:14:52.840 --> 0:14:55.320
<v Speaker 1>it's it's just good to have those relationships because you

0:14:55.400 --> 0:14:58.160
<v Speaker 1>just never know when it's gonna parlay into something else,

0:14:58.440 --> 0:14:59.720
<v Speaker 1>you know what. You know, what I thought about this

0:14:59.840 --> 0:15:01.200
<v Speaker 1>notw even when it comes to artists like I think

0:15:01.200 --> 0:15:03.520
<v Speaker 1>the reason why a Foxy Brown will still be mentioning

0:15:03.560 --> 0:15:06.040
<v Speaker 1>today and people will still recognize her it's because of

0:15:06.080 --> 0:15:08.400
<v Speaker 1>all that hand in hand y'all did back in the day,

0:15:08.440 --> 0:15:11.040
<v Speaker 1>like actually going to meet people and touch me, touch people.

0:15:11.160 --> 0:15:13.520
<v Speaker 1>I don't think you can develop that connection with social media. Yeah,

0:15:13.560 --> 0:15:15.400
<v Speaker 1>you're right, You're right. It was a little different back

0:15:15.440 --> 0:15:17.240
<v Speaker 1>then because we actually had to go on a role

0:15:17.600 --> 0:15:20.640
<v Speaker 1>and touch everyone versus you're making a pulse and then

0:15:20.720 --> 0:15:22.760
<v Speaker 1>everyone's seeing it. You know, at the same time, you

0:15:22.880 --> 0:15:25.360
<v Speaker 1>reach a lot of people faster, but you write, the

0:15:25.440 --> 0:15:28.480
<v Speaker 1>connection and touching people and going to London and getting

0:15:28.520 --> 0:15:31.240
<v Speaker 1>on London radio and doing all those things was you know,

0:15:31.840 --> 0:15:34.400
<v Speaker 1>it was a more personal connect when when it came

0:15:34.480 --> 0:15:38.680
<v Speaker 1>to um you know artists and then you know individuals

0:15:38.760 --> 0:15:41.840
<v Speaker 1>in the music business. Now, you've always had an entrepreneurship spirit.

0:15:41.880 --> 0:15:43.600
<v Speaker 1>I want to know where that came from, because, like

0:15:43.640 --> 0:15:45.600
<v Speaker 1>you said, you had the barbershop. You also had the

0:15:45.680 --> 0:15:49.160
<v Speaker 1>club in Brooklyn, absolutely, Club Ring Club Rain, which was infamous.

0:15:49.200 --> 0:15:51.560
<v Speaker 1>I remember going there and I actually even dj there

0:15:51.600 --> 0:15:55.080
<v Speaker 1>when I used to halfway dj. Absolutely, I remember you're

0:15:55.120 --> 0:15:56.760
<v Speaker 1>coming through there. But you know, a lot of my

0:15:57.320 --> 0:15:59.760
<v Speaker 1>you know, you know a lot of my inspiration came

0:15:59.800 --> 0:16:01.920
<v Speaker 1>from my parents. You know, I watched you know, watched

0:16:01.960 --> 0:16:05.760
<v Speaker 1>them even though they weren't entrepreneurs, but you know, I

0:16:05.840 --> 0:16:08.240
<v Speaker 1>watched how they worked, you know, saved up and did

0:16:08.320 --> 0:16:10.640
<v Speaker 1>what they had to do for their family, for our family.

0:16:11.040 --> 0:16:13.040
<v Speaker 1>And then at the same time of the d age

0:16:13.080 --> 0:16:15.040
<v Speaker 1>or twelve, I was packing bags in the supermarket. So

0:16:15.120 --> 0:16:17.480
<v Speaker 1>I always wanted to make a little extra change, and

0:16:17.560 --> 0:16:20.680
<v Speaker 1>that's why I was making change technically back in the days.

0:16:20.720 --> 0:16:24.120
<v Speaker 1>And then you know, um, I watched Puff do his thing.

0:16:24.400 --> 0:16:27.760
<v Speaker 1>I had a lot of um inspirations and a lot

0:16:27.800 --> 0:16:32.360
<v Speaker 1>of images of you know, um business owners and entrepreneurs

0:16:32.520 --> 0:16:34.600
<v Speaker 1>earlier on, and I said to myself, you know what,

0:16:34.800 --> 0:16:36.760
<v Speaker 1>that's kind of what I want to do. Start my

0:16:36.800 --> 0:16:39.160
<v Speaker 1>own business through my own thing. You know, from what

0:16:39.280 --> 0:16:41.280
<v Speaker 1>I grew up with. I didn't have a lot of them,

0:16:41.600 --> 0:16:43.320
<v Speaker 1>but I had a few. You know, there was a

0:16:43.360 --> 0:16:45.160
<v Speaker 1>few business owners I knew. There was, you know, the

0:16:45.240 --> 0:16:47.680
<v Speaker 1>negative guys. It was the street guys that I kind

0:16:47.720 --> 0:16:50.680
<v Speaker 1>of identified with earlier on. But at the end of

0:16:50.720 --> 0:16:52.440
<v Speaker 1>the day, you know, it was you know, the business

0:16:52.480 --> 0:16:57.040
<v Speaker 1>people I respected and you know took that energy and

0:16:57.160 --> 0:16:58.960
<v Speaker 1>you know, always wanted to own my own business. So

0:16:59.120 --> 0:17:01.120
<v Speaker 1>what came first the musually go to the club. The

0:17:01.920 --> 0:17:04.919
<v Speaker 1>music came first, So I had the barbershop first. Then

0:17:05.000 --> 0:17:08.040
<v Speaker 1>I got into the music business. Um after that, and

0:17:08.160 --> 0:17:11.359
<v Speaker 1>then I end up opening a club later on, like

0:17:11.600 --> 0:17:15.439
<v Speaker 1>five years after that. Um, and then to business. By

0:17:15.480 --> 0:17:18.080
<v Speaker 1>the way. The club oh very tough. UM. I got

0:17:18.160 --> 0:17:20.119
<v Speaker 1>out that I was in and then out. But we

0:17:20.200 --> 0:17:21.880
<v Speaker 1>got a good We had a good run for about

0:17:21.920 --> 0:17:24.399
<v Speaker 1>a year. Shout out to my partner Diamond, rest in

0:17:24.480 --> 0:17:26.399
<v Speaker 1>peace to him. That was my partner in the club.

0:17:26.840 --> 0:17:31.840
<v Speaker 1>And this was two thousand and three to two thousand

0:17:32.320 --> 0:17:35.680
<v Speaker 1>and seven. And you can see anybody in there and

0:17:37.760 --> 0:17:43.679
<v Speaker 1>Brooklyn Joint Bill Kim Mayno y Quin random absolutely everybody

0:17:43.680 --> 0:17:45.720
<v Speaker 1>had come through show Love. So it was a good

0:17:45.760 --> 0:17:47.840
<v Speaker 1>it was a good, good little run. And then um,

0:17:48.040 --> 0:17:50.480
<v Speaker 1>after that I started to get into more of the

0:17:50.680 --> 0:17:53.400
<v Speaker 1>franchise in business. All right, we got more with John Pool.

0:17:53.400 --> 0:17:55.120
<v Speaker 1>When we come back, don't move. It's to Breakfast Club.

0:17:55.200 --> 0:18:00.960
<v Speaker 1>Good morning, the Breakfast Club. What up y'all? As DJ

0:18:01.440 --> 0:18:04.440
<v Speaker 1>Envy Angela Yee, Charlomagne the guy, we are the Breakfast Club.

0:18:04.440 --> 0:18:07.040
<v Speaker 1>We got a special guest in the building, Dom pul

0:18:07.240 --> 0:18:09.680
<v Speaker 1>On a Brooklyn shop house. What happened with the firm

0:18:09.720 --> 0:18:12.200
<v Speaker 1>were you involved with? Did you create the firm group

0:18:12.280 --> 0:18:14.359
<v Speaker 1>was at your idea, Oh, it wasn't my idea, but

0:18:14.480 --> 0:18:17.240
<v Speaker 1>I end up um being a part of it. So

0:18:17.440 --> 0:18:21.320
<v Speaker 1>that was Na's Foxy a Z nature. They kind of

0:18:21.880 --> 0:18:24.479
<v Speaker 1>UM in Cormega. They kind of you know, got together

0:18:25.000 --> 0:18:26.920
<v Speaker 1>and formed it. We just so you know, with the

0:18:26.960 --> 0:18:32.560
<v Speaker 1>executives behind it, you know, Steve Stout the yeah, yeah, yeah, yeah,

0:18:32.560 --> 0:18:35.440
<v Speaker 1>we helped put the whole thing together because every artist

0:18:35.520 --> 0:18:37.200
<v Speaker 1>was signed to a different label, so it was a

0:18:37.240 --> 0:18:40.280
<v Speaker 1>little difficult to kind of you know, put the album together,

0:18:40.320 --> 0:18:42.320
<v Speaker 1>but end up being on Colombia and then we all

0:18:42.640 --> 0:18:45.120
<v Speaker 1>executive produced it and put it together and it came

0:18:45.160 --> 0:18:48.159
<v Speaker 1>out with the you know, under the tutelage of you know,

0:18:48.320 --> 0:18:52.960
<v Speaker 1>the great Doctor drefful I was. It was definitely definitely

0:18:53.119 --> 0:18:56.720
<v Speaker 1>UM a process navigating through all the politics of all

0:18:56.800 --> 0:18:59.119
<v Speaker 1>the labels because all those artists were hot, so I

0:18:59.200 --> 0:19:02.720
<v Speaker 1>think every artist, every label wanted to have that album

0:19:02.880 --> 0:19:05.760
<v Speaker 1>on there, you know, on the label, so you know,

0:19:06.119 --> 0:19:08.159
<v Speaker 1>but Niles was kind of like you know, the you know,

0:19:08.280 --> 0:19:10.760
<v Speaker 1>the leader of the group, so you know, it ended

0:19:10.800 --> 0:19:12.840
<v Speaker 1>up kind of going through that had to screen your

0:19:12.840 --> 0:19:14.920
<v Speaker 1>relationship with with Hove at the time too, right because

0:19:14.920 --> 0:19:17.320
<v Speaker 1>of Hove and Foxy relationship has always heard that Hole

0:19:17.359 --> 0:19:20.840
<v Speaker 1>didn't necessarily agree with Foxy being a part of the front. Yeah,

0:19:20.880 --> 0:19:23.479
<v Speaker 1>because so so at first they were talking about when

0:19:23.560 --> 0:19:25.800
<v Speaker 1>when at one point Foxy when she first came out,

0:19:25.880 --> 0:19:28.200
<v Speaker 1>she was really hot. So there's talks of you know,

0:19:28.640 --> 0:19:30.560
<v Speaker 1>like a bonding and Cloude album. You know, it never

0:19:30.840 --> 0:19:34.440
<v Speaker 1>really materialized. But then she also had a relationship with

0:19:34.600 --> 0:19:38.400
<v Speaker 1>nas right from you know, earlier on, and they decided

0:19:38.440 --> 0:19:40.960
<v Speaker 1>to do this this they talked about doing this album,

0:19:41.080 --> 0:19:44.040
<v Speaker 1>but then it actually you know, came to light. So yeah,

0:19:44.080 --> 0:19:46.800
<v Speaker 1>and then you know, you know, Niles and Jay didn't

0:19:46.800 --> 0:19:48.760
<v Speaker 1>really see eye to eye, but you know it was

0:19:49.240 --> 0:19:53.480
<v Speaker 1>Foxy was um kind of like that hot artist that

0:19:54.160 --> 0:19:56.399
<v Speaker 1>you know, both teams kind of you know wanted to

0:19:56.800 --> 0:19:58.880
<v Speaker 1>you know, work with, and you know, she did big

0:19:58.960 --> 0:20:01.920
<v Speaker 1>records with both of them. What about your relationship with Mary,

0:20:02.040 --> 0:20:04.879
<v Speaker 1>you you helped Mary with her her Yeah, yeah, I actually,

0:20:05.040 --> 0:20:08.240
<v Speaker 1>I actually was an executive at MCA, and you know,

0:20:08.600 --> 0:20:11.239
<v Speaker 1>I formed a relationship with Mary through working with her

0:20:11.359 --> 0:20:13.639
<v Speaker 1>on a couple of albums while I was there, and

0:20:13.760 --> 0:20:16.280
<v Speaker 1>we became great friends and even on the outside after

0:20:16.359 --> 0:20:18.680
<v Speaker 1>I left. Still to this day, we you know, we

0:20:19.080 --> 0:20:23.040
<v Speaker 1>two deals together and work together. Um. It was great

0:20:23.080 --> 0:20:27.600
<v Speaker 1>working with her co executive producers. The executive producer by

0:20:27.680 --> 0:20:30.920
<v Speaker 1>the way, great great legend, legend. So it was just

0:20:31.080 --> 0:20:32.760
<v Speaker 1>like a blessing to be able to work with her

0:20:33.040 --> 0:20:34.840
<v Speaker 1>and to be able to have some success with her

0:20:35.160 --> 0:20:37.240
<v Speaker 1>on that No More Drama album back in the days.

0:20:37.280 --> 0:20:41.320
<v Speaker 1>It was you know, took me to another level? Right, yeah? Yeah? Yeah.

0:20:41.359 --> 0:20:44.960
<v Speaker 1>So what happened was Shane was coming out of a

0:20:45.040 --> 0:20:49.800
<v Speaker 1>barbershop and he was like, yo, you, um you foxy manager.

0:20:50.000 --> 0:20:52.600
<v Speaker 1>I'm like, yeah, who want to know? Like you know,

0:20:52.840 --> 0:20:55.280
<v Speaker 1>I'm shine And he was like and I'm nice. So

0:20:55.400 --> 0:20:58.399
<v Speaker 1>he pulled out this the black notebook and starts spit

0:20:58.560 --> 0:21:01.720
<v Speaker 1>like like just rhyming, and it like for two hours.

0:21:02.359 --> 0:21:04.400
<v Speaker 1>So I'm like, oh, yeah, well I need to sign

0:21:04.480 --> 0:21:06.160
<v Speaker 1>you right away. So you had nowhere to go? Huh

0:21:06.359 --> 0:21:08.040
<v Speaker 1>huh you had nowhere to go that day? Huh? No,

0:21:08.160 --> 0:21:11.040
<v Speaker 1>No I didn't. I didn't move like he had me

0:21:11.240 --> 0:21:13.440
<v Speaker 1>like stuck. Did you think he sounded like biggy because

0:21:13.440 --> 0:21:15.080
<v Speaker 1>I remember and when he first came out, people used

0:21:15.080 --> 0:21:17.280
<v Speaker 1>to be like, who is this? Absolutely his tone was

0:21:17.600 --> 0:21:19.440
<v Speaker 1>you know, and it was right. It was a little

0:21:19.520 --> 0:21:22.040
<v Speaker 1>after um, you know, bigg had passed, so his tone

0:21:22.160 --> 0:21:24.920
<v Speaker 1>it was similar. His style is a little different, but

0:21:25.040 --> 0:21:29.040
<v Speaker 1>that tone he had that like that deep tone. So um,

0:21:29.800 --> 0:21:32.760
<v Speaker 1>I was like, bro, you're nice. So he was like, yo,

0:21:32.840 --> 0:21:34.720
<v Speaker 1>what we're doing? So I ended up, you know, signed

0:21:34.760 --> 0:21:36.440
<v Speaker 1>him to my production company, and then I did a

0:21:36.560 --> 0:21:39.160
<v Speaker 1>deal with Diddy with bad Boy and then the rest

0:21:39.240 --> 0:21:41.840
<v Speaker 1>is you know, that didn't he had no reservation being

0:21:41.840 --> 0:21:44.280
<v Speaker 1>that he sounded like big and big with your Manum

0:21:44.880 --> 0:21:47.159
<v Speaker 1>I did that first, you know I didn't, and everyone

0:21:47.280 --> 0:21:49.879
<v Speaker 1>did that first. But his style, I just knew he

0:21:50.040 --> 0:21:54.399
<v Speaker 1>wouldn't be like him, right, his whole style, his whole movement,

0:21:54.560 --> 0:21:57.960
<v Speaker 1>his whole you know, his swag was totally different than

0:21:58.040 --> 0:22:01.000
<v Speaker 1>what Biggie was. And you know, his stuff matter still was,

0:22:01.400 --> 0:22:04.119
<v Speaker 1>you know, and I felt that Brooklyn connection because just

0:22:04.240 --> 0:22:07.320
<v Speaker 1>like Big from Brooklyn, so his you know, that Brooklyn connection,

0:22:07.400 --> 0:22:09.879
<v Speaker 1>that whole thing, everything he was spitting was just I

0:22:10.000 --> 0:22:11.680
<v Speaker 1>just felt it. So I said, you know what we're

0:22:11.720 --> 0:22:13.480
<v Speaker 1>gonna wrong with this? How do you avoid having to

0:22:13.600 --> 0:22:16.960
<v Speaker 1>take aside in certain situations? Right? Because we talked about

0:22:17.000 --> 0:22:18.800
<v Speaker 1>the jay Z versus Nas and then it was Little

0:22:18.880 --> 0:22:22.359
<v Speaker 1>Kim versus Foxy. But you could navigate between those crews

0:22:22.400 --> 0:22:26.280
<v Speaker 1>of people. Did you ever feel pressured like I have to? No,

0:22:26.520 --> 0:22:28.960
<v Speaker 1>not really. I think there was a lot of that

0:22:29.359 --> 0:22:32.600
<v Speaker 1>and out there in the media. But for me, a

0:22:32.680 --> 0:22:34.600
<v Speaker 1>lot of these people are my friends. It's still my

0:22:34.680 --> 0:22:38.000
<v Speaker 1>friends today. So again, I don't know if it's my

0:22:38.160 --> 0:22:40.840
<v Speaker 1>relationships with everyone because I was on the road with

0:22:40.960 --> 0:22:43.600
<v Speaker 1>Big before I had Foxy, so I had a relationship

0:22:43.600 --> 0:22:46.280
<v Speaker 1>with Kim So and then Kim and Foxy were friends.

0:22:46.520 --> 0:22:50.200
<v Speaker 1>So after you know, you know, the hype and the

0:22:50.359 --> 0:22:53.360
<v Speaker 1>media and you know who's better in the competition, everybody

0:22:53.600 --> 0:22:57.000
<v Speaker 1>starts to pit people against each other. That's what happens

0:22:57.080 --> 0:23:00.240
<v Speaker 1>with those relationships. But you know, the relationships behind it

0:23:00.240 --> 0:23:03.399
<v Speaker 1>seems like I was never you know, beefing with you know,

0:23:03.880 --> 0:23:05.560
<v Speaker 1>their side. It was never beef for me. It was

0:23:05.640 --> 0:23:08.520
<v Speaker 1>it was all about for me, it's business, none personal.

0:23:08.560 --> 0:23:11.320
<v Speaker 1>It's all business. How didn't you initially like get through

0:23:11.680 --> 0:23:14.080
<v Speaker 1>finances to start all of this stuff. I mean it

0:23:14.240 --> 0:23:17.920
<v Speaker 1>was just me investing, working hard and putting you know,

0:23:18.080 --> 0:23:20.720
<v Speaker 1>putting my money, putting my money behind my name. You know,

0:23:20.800 --> 0:23:23.480
<v Speaker 1>I bet on myself, you know, so you know, the

0:23:23.560 --> 0:23:26.120
<v Speaker 1>barbershop wasn't hard, you know, it was doing a barbershop.

0:23:26.200 --> 0:23:28.080
<v Speaker 1>Then it was just getting on the road, and it

0:23:28.119 --> 0:23:30.159
<v Speaker 1>was the music business. Then I did really well in

0:23:30.200 --> 0:23:34.439
<v Speaker 1>the music business. Then I transitioned that into franchising, then

0:23:34.720 --> 0:23:37.760
<v Speaker 1>franchising into my own brand. So you know, yeah, let's

0:23:37.760 --> 0:23:40.760
<v Speaker 1>talk it. We didn't talk about the franchising, yeah, so,

0:23:41.160 --> 0:23:44.200
<v Speaker 1>so we want to really So what I did was

0:23:44.440 --> 0:23:47.960
<v Speaker 1>I got an opportunity after I had the club to do,

0:23:48.480 --> 0:23:52.040
<v Speaker 1>to franchise on Papa John's Pizza. So a friend of

0:23:52.119 --> 0:23:53.920
<v Speaker 1>mine came to me and said, I have this opportunity,

0:23:54.000 --> 0:23:56.600
<v Speaker 1>and I partned up with him with a sixteen store

0:23:56.680 --> 0:23:59.199
<v Speaker 1>deal in New York City. Dope, So we ended up

0:23:59.240 --> 0:24:02.520
<v Speaker 1>opening eight and then um, I got the opportunity from

0:24:02.640 --> 0:24:06.080
<v Speaker 1>there to open up I Hobs in Brooklyn and then

0:24:06.160 --> 0:24:08.960
<v Speaker 1>we end up opening those I Hobs end up today

0:24:09.000 --> 0:24:11.480
<v Speaker 1>we have three abs in Brooklyn. M So I took

0:24:11.520 --> 0:24:15.600
<v Speaker 1>the development deal for the whole territory and then from

0:24:15.680 --> 0:24:17.840
<v Speaker 1>there I had an opportunity to do check Its open

0:24:17.920 --> 0:24:20.520
<v Speaker 1>up a few few of those. So. M But I

0:24:20.640 --> 0:24:24.439
<v Speaker 1>want to say this, there's definitely a lack of participation

0:24:24.720 --> 0:24:28.280
<v Speaker 1>from on the minority side in the franchise community as

0:24:28.520 --> 0:24:31.520
<v Speaker 1>as a whole. So I'm getting together with a you know,

0:24:31.720 --> 0:24:34.800
<v Speaker 1>few Wallstreet guys I met through Brooklyn chop House down

0:24:34.880 --> 0:24:37.240
<v Speaker 1>the financial district to kind of put a fund together

0:24:37.760 --> 0:24:43.240
<v Speaker 1>to support and to invest in entrepreneurs and you know,

0:24:43.440 --> 0:24:46.560
<v Speaker 1>minority owned franchises for people to get into it because

0:24:46.560 --> 0:24:50.360
<v Speaker 1>it's hard to navigate through the people don't have the information.

0:24:50.720 --> 0:24:53.480
<v Speaker 1>It's the information, So people don't have the information, and

0:24:53.600 --> 0:24:55.800
<v Speaker 1>I have the information and people ask me all the time,

0:24:56.080 --> 0:24:57.760
<v Speaker 1>how do I start a franchise? How do I get in?

0:24:57.960 --> 0:25:01.080
<v Speaker 1>Because you know, it's everything from site cite selection to

0:25:01.800 --> 0:25:05.800
<v Speaker 1>being approved financially to having experience already, So it's a

0:25:05.880 --> 0:25:08.560
<v Speaker 1>cash twenty two sometimes because a lot of the franchise

0:25:08.640 --> 0:25:13.240
<v Speaker 1>ores want you to have the experience and the you know,

0:25:13.440 --> 0:25:16.200
<v Speaker 1>capital to do it correct, and the two usually don't mix.

0:25:16.400 --> 0:25:19.480
<v Speaker 1>Sometimes you have people a capital with no experience, and

0:25:19.600 --> 0:25:22.119
<v Speaker 1>some people with experience that's been in a food business

0:25:22.600 --> 0:25:25.080
<v Speaker 1>or the food and verners for a long time don't

0:25:25.119 --> 0:25:28.440
<v Speaker 1>have the capital or can't get access to capital and finances.

0:25:28.520 --> 0:25:30.720
<v Speaker 1>So we're trying to you know, create something that puts

0:25:30.760 --> 0:25:33.560
<v Speaker 1>all those things together and give them the information to

0:25:33.640 --> 0:25:36.240
<v Speaker 1>connect the dots to where to go from you know,

0:25:36.400 --> 0:25:40.320
<v Speaker 1>our business services accounting to lawyer services, to you know,

0:25:40.520 --> 0:25:44.200
<v Speaker 1>negotiating leases, to finding locations, to dealing with franchise oors,

0:25:44.200 --> 0:25:48.960
<v Speaker 1>to dealing with the with the franchise UM, the actual

0:25:49.040 --> 0:25:52.280
<v Speaker 1>franchise agreement, you know, to you know, to understand all

0:25:52.560 --> 0:25:55.520
<v Speaker 1>the parts and pieces that you need to navigate through

0:25:55.560 --> 0:25:59.520
<v Speaker 1>and to UM successfully you know, start a franchise, because

0:26:00.119 --> 0:26:02.840
<v Speaker 1>it's it's it's there. It's just having like you said,

0:26:02.920 --> 0:26:06.240
<v Speaker 1>having the information in the knowledge doing it similar to

0:26:06.720 --> 0:26:08.800
<v Speaker 1>you know, what you've been doing giving people the knowledge.

0:26:08.800 --> 0:26:10.200
<v Speaker 1>All right, we got more with Don Pool when we

0:26:10.240 --> 0:26:12.160
<v Speaker 1>come back, don't move. It's to breakfast club. Good morning,

0:26:12.200 --> 0:26:15.800
<v Speaker 1>what y'allas dj M v Angela yee Charlomagne the guy

0:26:15.880 --> 0:26:17.560
<v Speaker 1>we are to Breakfast Club. We got a special guest

0:26:17.600 --> 0:26:21.560
<v Speaker 1>in the building, Don Pool, owner a Brooklyn shop house Charlomagne.

0:26:21.760 --> 0:26:24.880
<v Speaker 1>How difficult is it to get into a franchise? UM,

0:26:25.560 --> 0:26:29.040
<v Speaker 1>it's a process. So it's not UM A one two

0:26:29.240 --> 0:26:32.199
<v Speaker 1>three like UM you just sign up in your end.

0:26:32.359 --> 0:26:35.439
<v Speaker 1>It's it's a process, so you have to get approved. UM.

0:26:35.840 --> 0:26:37.760
<v Speaker 1>You know, you have to qualify. So those are one

0:26:37.800 --> 0:26:39.880
<v Speaker 1>of those are some of the things that we want

0:26:40.359 --> 0:26:43.240
<v Speaker 1>to kind of share, get that information out and share

0:26:43.560 --> 0:26:45.920
<v Speaker 1>that the opportunity is there, give you the information on

0:26:46.080 --> 0:26:48.159
<v Speaker 1>how to do it. But it takes some time. You know,

0:26:48.240 --> 0:26:51.040
<v Speaker 1>it could take six months to a year to get qualified.

0:26:51.119 --> 0:26:53.920
<v Speaker 1>And then you know another you have to build your restaurant.

0:26:53.920 --> 0:26:55.439
<v Speaker 1>You have to find a restaurant, you have to negotiate

0:26:55.480 --> 0:26:56.840
<v Speaker 1>at least you have to build a restaurant. You got

0:26:56.920 --> 0:26:58.840
<v Speaker 1>to open a restaurant. You have to staff the restaurant,

0:26:59.080 --> 0:27:01.320
<v Speaker 1>you have to hire people. You know, It's just that's

0:27:01.359 --> 0:27:03.199
<v Speaker 1>the hardest part because a lot of these restaurants they

0:27:03.240 --> 0:27:05.760
<v Speaker 1>don't cost a lot to open, right, it's just getting

0:27:05.760 --> 0:27:07.959
<v Speaker 1>through all that paperwork, getting through the paperwork and then

0:27:08.040 --> 0:27:11.280
<v Speaker 1>have access to financing, you know, because you know that's

0:27:11.440 --> 0:27:15.359
<v Speaker 1>that's one that's that's the holdback a lot for you know,

0:27:15.440 --> 0:27:19.440
<v Speaker 1>a lot of entrepreneurs is finding the access to capital

0:27:19.560 --> 0:27:21.720
<v Speaker 1>as well. So you know, I want to try to

0:27:21.760 --> 0:27:24.560
<v Speaker 1>open up some doors. You know, anybody out there on

0:27:24.600 --> 0:27:27.960
<v Speaker 1>a holl at me at Downpool Music, well, and I

0:27:28.040 --> 0:27:30.359
<v Speaker 1>will say Downpool is very accessible. When I decided I

0:27:30.400 --> 0:27:32.040
<v Speaker 1>wanted to do the juice bar, the first thing I

0:27:32.119 --> 0:27:34.040
<v Speaker 1>did was called Downpool and be like, do you ask

0:27:34.080 --> 0:27:35.600
<v Speaker 1>some time to sit down with me. I just wanted

0:27:35.600 --> 0:27:37.600
<v Speaker 1>to talk to you about some things, and a lot

0:27:37.600 --> 0:27:38.960
<v Speaker 1>of things I said I was gonna do I did

0:27:39.119 --> 0:27:40.639
<v Speaker 1>end up doing it. One of the main things that

0:27:40.760 --> 0:27:42.879
<v Speaker 1>don Pool said was a lot of people will come

0:27:42.920 --> 0:27:45.199
<v Speaker 1>to him and ask him for advice, but then they

0:27:45.240 --> 0:27:48.600
<v Speaker 1>don't act on it. Absolutely, that's and that's that's been

0:27:48.640 --> 0:27:52.480
<v Speaker 1>the biggest thing. And you know, you reached out, you know,

0:27:52.560 --> 0:27:54.639
<v Speaker 1>you were opening up the juice bar and you reached

0:27:54.680 --> 0:27:57.000
<v Speaker 1>out like, hey, you know, what do you think. I'm like, oh, man,

0:27:57.080 --> 0:28:00.560
<v Speaker 1>your own doing your own business and that location in

0:28:00.680 --> 0:28:05.280
<v Speaker 1>that area and made total sense. So a lot of people,

0:28:05.920 --> 0:28:09.120
<v Speaker 1>you know, don't follow through after they you know, reach out,

0:28:09.200 --> 0:28:12.960
<v Speaker 1>which is you know, you know I can't. I don't

0:28:13.000 --> 0:28:16.520
<v Speaker 1>know why, but you know, it takes that determination. It's

0:28:16.520 --> 0:28:18.320
<v Speaker 1>hard to take that first step for yeah, and it's

0:28:18.320 --> 0:28:19.760
<v Speaker 1>hard to take that first step for a lot of

0:28:19.800 --> 0:28:21.320
<v Speaker 1>people because a lot of people are in that comfort

0:28:21.440 --> 0:28:24.960
<v Speaker 1>zone and you know, it takes you know, I applaud

0:28:25.000 --> 0:28:28.240
<v Speaker 1>all you guys for you know, diversifying and all of

0:28:28.320 --> 0:28:30.280
<v Speaker 1>the things that you guys are doing, and that's the key,

0:28:30.400 --> 0:28:32.399
<v Speaker 1>being diversified. You know, it's the biggest thing when I

0:28:32.480 --> 0:28:34.760
<v Speaker 1>talk to most people when I do the seminars, the

0:28:34.840 --> 0:28:37.120
<v Speaker 1>biggest thing is they're scared to take that first step.

0:28:37.600 --> 0:28:39.400
<v Speaker 1>So if there's a let's say a thousand people lay

0:28:39.440 --> 0:28:41.760
<v Speaker 1>or four thousand people are, you'll probably get five percent

0:28:41.880 --> 0:28:44.880
<v Speaker 1>that actually will go towards and try. The other just

0:28:45.000 --> 0:28:47.320
<v Speaker 1>hold that information and I'm hoping that one day they'll

0:28:47.320 --> 0:28:48.360
<v Speaker 1>get to be like, you know what, let me just

0:28:48.400 --> 0:28:50.000
<v Speaker 1>try because most people are just scared to take that

0:28:50.120 --> 0:28:51.880
<v Speaker 1>that first step. You know. The problem is too a

0:28:51.960 --> 0:28:54.560
<v Speaker 1>lot of times when people are having these conversations with

0:28:54.680 --> 0:28:57.680
<v Speaker 1>other people, it's the finished product talking to somebody who

0:28:57.720 --> 0:29:00.600
<v Speaker 1>hasn't even started the process correct, So they're looking they

0:29:00.800 --> 0:29:03.040
<v Speaker 1>I want that now, But it's a process to get

0:29:03.120 --> 0:29:05.720
<v Speaker 1>to the pool, to get the even you don't know

0:29:05.720 --> 0:29:08.880
<v Speaker 1>what you're talking about, to get the it's definitely definitely

0:29:08.960 --> 0:29:12.520
<v Speaker 1>a process. But I think if we give them an

0:29:12.640 --> 0:29:14.880
<v Speaker 1>example for them to look at. You bring the new

0:29:14.960 --> 0:29:17.720
<v Speaker 1>person that just did it right for them to look

0:29:17.800 --> 0:29:21.480
<v Speaker 1>at like and have them give them give their testimony

0:29:21.840 --> 0:29:25.000
<v Speaker 1>on what I what it took for them to take

0:29:25.080 --> 0:29:27.800
<v Speaker 1>that first step, then it feels like, oh, he's like

0:29:27.960 --> 0:29:30.240
<v Speaker 1>you know, he's like me, he's not envy. He's not

0:29:30.400 --> 0:29:33.200
<v Speaker 1>you know, like too far gone, like you know, that's

0:29:33.280 --> 0:29:36.120
<v Speaker 1>easy for him, like you know, he did it, so

0:29:36.480 --> 0:29:38.680
<v Speaker 1>like I'm hearing, but like he did it. But if

0:29:38.680 --> 0:29:43.080
<v Speaker 1>you get testimonies from people that's just that just signed up,

0:29:43.120 --> 0:29:49.320
<v Speaker 1>that just did their first first the first first one,

0:29:49.720 --> 0:29:52.320
<v Speaker 1>then it becomes a lot more and you know, it

0:29:52.440 --> 0:29:54.960
<v Speaker 1>connects connects a little a little better. So what's the

0:29:55.000 --> 0:29:57.440
<v Speaker 1>better hustle music of the food industry. Well, it gives

0:29:57.480 --> 0:30:01.800
<v Speaker 1>me a chance to diversify the the food and beverage,

0:30:01.840 --> 0:30:04.920
<v Speaker 1>in the in the hospitality business. But you know, my

0:30:05.160 --> 0:30:08.000
<v Speaker 1>my my, my heart is in music, so it could be.

0:30:08.280 --> 0:30:10.800
<v Speaker 1>But music music business for me has been like a

0:30:10.920 --> 0:30:13.640
<v Speaker 1>roller coaster. And for many people, you know, there's been

0:30:13.720 --> 0:30:16.760
<v Speaker 1>a few people that's mastered it, that's a few that's

0:30:16.800 --> 0:30:19.640
<v Speaker 1>been able to just you know, keep it, keep it there.

0:30:20.000 --> 0:30:22.520
<v Speaker 1>But for me, I just wanted to diversify. And I

0:30:22.600 --> 0:30:25.880
<v Speaker 1>think they're both depending on you know, the times, and

0:30:25.960 --> 0:30:28.800
<v Speaker 1>they're botho And you got a book coming out called

0:30:28.880 --> 0:30:32.880
<v Speaker 1>How I Hopped? Yeah yeah, yeah, yeah yeah yeah. So

0:30:33.360 --> 0:30:35.200
<v Speaker 1>so a lot of a lot of the businesses that

0:30:35.280 --> 0:30:37.520
<v Speaker 1>I've been in so from hip hop is basically based

0:30:37.560 --> 0:30:41.280
<v Speaker 1>on hip hop. Um, I hoped and chop which has

0:30:41.320 --> 0:30:44.280
<v Speaker 1>hopping it so so yeah. So it's basically how I

0:30:44.400 --> 0:30:48.200
<v Speaker 1>navigate my entrepreneurial journey through you know, these different industries

0:30:48.240 --> 0:30:51.000
<v Speaker 1>and how I've been able to navigate and really to

0:30:51.160 --> 0:30:55.280
<v Speaker 1>inspire and to actually give information on starting your own

0:30:55.320 --> 0:30:58.160
<v Speaker 1>business and taking that first step and you know, going

0:30:58.320 --> 0:31:02.320
<v Speaker 1>from you know, navigating end up versifying your portfolio into

0:31:02.400 --> 0:31:05.320
<v Speaker 1>having you know, seven streams of income which is what

0:31:05.440 --> 0:31:07.840
<v Speaker 1>we all kind of shoot for. Well, thank you so

0:31:07.960 --> 0:31:10.160
<v Speaker 1>much for joining us. We appreciate it so much. And

0:31:10.280 --> 0:31:12.240
<v Speaker 1>just no, Brooklyn Chop House is open for lunch too,

0:31:12.360 --> 0:31:14.960
<v Speaker 1>so yeah, figure out where do I go for lunch

0:31:15.400 --> 0:31:16.960
<v Speaker 1>or where do I come If I'm coming to visit

0:31:17.080 --> 0:31:18.800
<v Speaker 1>New York, Where's a good place to go hang out?

0:31:18.840 --> 0:31:21.480
<v Speaker 1>You never know who you might see at Brooklyn Chop House.

0:31:21.800 --> 0:31:24.720
<v Speaker 1>You guys on pay six all the time. Absolutely, thank

0:31:24.880 --> 0:31:27.600
<v Speaker 1>thank you. You definitely come through Brooklyn Chop House even

0:31:27.640 --> 0:31:32.640
<v Speaker 1>though it's called Brooklyn Chop House in the city right

0:31:32.720 --> 0:31:35.440
<v Speaker 1>out of Brooklyn Bridge, So definitely check it out. You

0:31:35.520 --> 0:31:39.080
<v Speaker 1>guys won't be disappointed. Um can't wait, can't wait to

0:31:39.160 --> 0:31:41.600
<v Speaker 1>have everybody thank you guys for having me. It's been

0:31:41.640 --> 0:31:44.400
<v Speaker 1>really dope. Man, it's don Pooh, thank you. It's the

0:31:44.440 --> 0:31:50.560
<v Speaker 1>Breakfast Local Morning, my man, the Breakfast Club. Yeah, it's

0:31:50.600 --> 0:31:52.800
<v Speaker 1>the world most dangerous morning show. To Breakfast Club or

0:31:52.920 --> 0:31:55.600
<v Speaker 1>Charlomagne and God Angela E. DJ Via is on vacation

0:31:55.640 --> 0:31:57.320
<v Speaker 1>and I can't think of nobody that I wanted to

0:31:57.360 --> 0:32:00.200
<v Speaker 1>talk to more this week. And this man at his

0:32:00.280 --> 0:32:07.480
<v Speaker 1>head right now, tank his head because there's an album out,

0:32:07.560 --> 0:32:13.400
<v Speaker 1>Elevation album out, Yes, Elevation. Oh was doing all lip

0:32:13.440 --> 0:32:15.960
<v Speaker 1>servers promoting. I was promot I was trying to promote

0:32:16.000 --> 0:32:20.480
<v Speaker 1>my album, touring them on with Fantas just her tour.

0:32:20.600 --> 0:32:23.080
<v Speaker 1>But I'm on tour with her. We're doing really well.

0:32:23.600 --> 0:32:26.440
<v Speaker 1>Robin Thick the Bonfire, it's going really well. Are you

0:32:26.480 --> 0:32:30.360
<v Speaker 1>always on tour You've been you have no shortage of money? No, No,

0:32:30.480 --> 0:32:33.000
<v Speaker 1>I do dates. But the tour is different, you know

0:32:33.040 --> 0:32:35.320
<v Speaker 1>what I'm saying, where we actually line it up, package

0:32:35.400 --> 0:32:38.320
<v Speaker 1>it um promoted, just a different kind of thing. You're

0:32:38.320 --> 0:32:39.800
<v Speaker 1>wanted a few R and B artists and stay on

0:32:39.840 --> 0:32:42.080
<v Speaker 1>the road. Yeah, I mean me and Genuine got your

0:32:42.160 --> 0:32:43.960
<v Speaker 1>Genuine is always on the road. I don't know how

0:32:44.040 --> 0:32:45.960
<v Speaker 1>he does it, but forget all that. How many do

0:32:46.080 --> 0:32:50.880
<v Speaker 1>you have to that's the problem this We got everything

0:32:52.080 --> 0:32:54.160
<v Speaker 1>the show. Now, how many do you have to? Sup

0:32:54.280 --> 0:32:56.680
<v Speaker 1>be I don't know. First of all, this is the problem.

0:32:57.320 --> 0:33:01.000
<v Speaker 1>She did this? Okay, tell me breaking down? We saw

0:33:01.040 --> 0:33:04.920
<v Speaker 1>the editive version. We were talking about lies, right, Laura,

0:33:05.000 --> 0:33:07.240
<v Speaker 1>y'all said that she was with this guy who was

0:33:07.280 --> 0:33:10.160
<v Speaker 1>a liar, right, and you said, if you tell two lies,

0:33:10.520 --> 0:33:12.120
<v Speaker 1>then you're not a liar. Well, I was saying that

0:33:12.600 --> 0:33:16.240
<v Speaker 1>he hasn't become a liar. He said he only lied

0:33:16.520 --> 0:33:19.160
<v Speaker 1>twice about those two things. I said, so I'm not

0:33:19.240 --> 0:33:21.600
<v Speaker 1>sure if he's a liar yet. He just felt a

0:33:21.680 --> 0:33:24.840
<v Speaker 1>need to lie about those two things and know And

0:33:24.920 --> 0:33:27.280
<v Speaker 1>then missus miss Angela says, well what about it? If?

0:33:28.000 --> 0:33:29.640
<v Speaker 1>I think, well, how did we get here? Like you

0:33:29.760 --> 0:33:33.560
<v Speaker 1>could see my disposition? I didn't like where this was going.

0:33:33.760 --> 0:33:35.680
<v Speaker 1>So why didn't you stop it? Tank? I don't know.

0:33:37.120 --> 0:33:39.560
<v Speaker 1>I just started talking the thing about tank is a

0:33:39.640 --> 0:33:42.720
<v Speaker 1>tank always want to prove his point. I didn't want

0:33:42.720 --> 0:33:45.760
<v Speaker 1>to back down. Yeah, yeah, I'm saying. So now I'm like,

0:33:46.000 --> 0:33:48.240
<v Speaker 1>now I'm trapped in between two right, I don't know

0:33:48.320 --> 0:33:50.720
<v Speaker 1>what's going on just right here in a hard place,

0:33:51.480 --> 0:33:53.520
<v Speaker 1>and that biggie said, you find yourself with two and

0:33:53.640 --> 0:33:56.520
<v Speaker 1>no chick. You're being some serious he was with three

0:33:56.600 --> 0:33:59.520
<v Speaker 1>chicks chicks, So I don't know, like I'm not, I'm

0:33:59.800 --> 0:34:05.800
<v Speaker 1>not on how many. So you were just talking. Well

0:34:06.080 --> 0:34:09.200
<v Speaker 1>also this too, I also was speaking from what I

0:34:09.280 --> 0:34:12.920
<v Speaker 1>feels a behavior standpoint. Right, Okay, if you participate in

0:34:13.000 --> 0:34:18.000
<v Speaker 1>an act, that doesn't necessarily make you part of that thing.

0:34:18.120 --> 0:34:20.680
<v Speaker 1>But if you become twice, if it becomes I don't

0:34:20.719 --> 0:34:23.640
<v Speaker 1>know if that's what you twice, I don't know. You said,

0:34:25.960 --> 0:34:28.319
<v Speaker 1>if you construction worker and you do it to times

0:34:28.560 --> 0:34:31.400
<v Speaker 1>construction a couple times construction worker, but you could be

0:34:31.960 --> 0:34:36.680
<v Speaker 1>but I'm not. But if you construction worker felt good.

0:34:38.680 --> 0:34:41.279
<v Speaker 1>If you commit murder twice, you're a murderer. You do

0:34:41.360 --> 0:34:43.680
<v Speaker 1>it once. Rob banks, you a bank robber. Well, but

0:34:43.800 --> 0:34:46.200
<v Speaker 1>but see this, we're talking about something different because we

0:34:46.280 --> 0:34:48.560
<v Speaker 1>were we were talking about or I'm talking about the

0:34:48.680 --> 0:34:52.920
<v Speaker 1>exploration process of trying to find yourself. Yes, sexually, if

0:34:52.960 --> 0:34:55.080
<v Speaker 1>you suck to in your life as a man, you

0:34:55.200 --> 0:34:57.320
<v Speaker 1>may not be gay, but at the least your bisexual,

0:34:57.560 --> 0:35:01.000
<v Speaker 1>at the least you were work at one point, because

0:35:01.040 --> 0:35:03.840
<v Speaker 1>that's how you don't continue that behavior. At one point

0:35:04.280 --> 0:35:06.799
<v Speaker 1>you were that. So being gay is a habit. Being

0:35:06.880 --> 0:35:10.160
<v Speaker 1>gay is not a choice, always a choice, But it's

0:35:10.239 --> 0:35:13.879
<v Speaker 1>like lifestyle. You don't get to, you know, de being

0:35:13.920 --> 0:35:16.920
<v Speaker 1>and like it's it's a real war going on in

0:35:17.160 --> 0:35:20.399
<v Speaker 1>terms of how people are born and how people live. Yeah, yeah,

0:35:20.520 --> 0:35:21.920
<v Speaker 1>you know what I mean. So you just don't get

0:35:21.960 --> 0:35:27.880
<v Speaker 1>to dibbling thatable either you are or your aren't. I

0:35:27.880 --> 0:35:30.279
<v Speaker 1>don't have a steady diet. Now what if you were?

0:35:30.600 --> 0:35:32.600
<v Speaker 1>What if that you are gay? But then you are,

0:35:32.960 --> 0:35:36.440
<v Speaker 1>then you engage in heterosexual life. That happens too, right,

0:35:36.680 --> 0:35:39.279
<v Speaker 1>because that means because I know, I know a lot

0:35:39.320 --> 0:35:43.480
<v Speaker 1>of gay men who kiss girls, they don't consider themselves heterosexual, Like, no,

0:35:43.600 --> 0:35:46.520
<v Speaker 1>I'm gay in that bottle? I don't know. So why

0:35:46.560 --> 0:35:50.000
<v Speaker 1>did you start the conversation always talking about thinking. I'm

0:35:50.000 --> 0:35:52.800
<v Speaker 1>not trying to defend my point. I'm trying not to

0:35:52.960 --> 0:35:56.080
<v Speaker 1>back down. It's four women against one man. I don't

0:35:56.160 --> 0:35:58.600
<v Speaker 1>want to lose. So for the record, I don't know

0:35:58.680 --> 0:36:01.239
<v Speaker 1>how many to take. You never what I learned, I

0:36:01.320 --> 0:36:03.880
<v Speaker 1>don't know. You gotta stop defending liars, and that's what

0:36:03.960 --> 0:36:07.200
<v Speaker 1>the whole moral of this story is. Stop defending liars.

0:36:07.280 --> 0:36:10.080
<v Speaker 1>No angela, when we're talking about some difference, you gotta

0:36:10.120 --> 0:36:16.440
<v Speaker 1>stop bringing up Oh yeah, that is true. You came

0:36:16.520 --> 0:36:18.879
<v Speaker 1>with two because the law I have to do with two.

0:36:19.320 --> 0:36:22.120
<v Speaker 1>I'm just trying to win the lion argument. You stop this.

0:36:25.480 --> 0:36:27.960
<v Speaker 1>I think that state should have a three suck law.

0:36:28.320 --> 0:36:30.360
<v Speaker 1>But I think if you suck three, just like you

0:36:30.400 --> 0:36:33.239
<v Speaker 1>got the three scrap law, now you gotta register this game.

0:36:33.360 --> 0:36:35.759
<v Speaker 1>What listen? I think as I go back to there's

0:36:35.800 --> 0:36:38.480
<v Speaker 1>an exploration process and here and this speaks to the

0:36:38.560 --> 0:36:42.759
<v Speaker 1>double standard. Women are allowed to explore and play and

0:36:42.880 --> 0:36:45.880
<v Speaker 1>do all of these things and they don't get boxed

0:36:45.960 --> 0:36:49.120
<v Speaker 1>into a thing. And I think for men, there's a

0:36:49.280 --> 0:36:52.920
<v Speaker 1>scary thing as it pertains to being gay. You know

0:36:52.960 --> 0:36:56.200
<v Speaker 1>what I'm saying. That's the scariest thing for a man

0:36:56.320 --> 0:36:58.640
<v Speaker 1>to feel like it's been put on him. I think

0:36:58.680 --> 0:37:00.120
<v Speaker 1>it's a lot of nuances to do. I don't think

0:37:00.160 --> 0:37:02.320
<v Speaker 1>that people were necessarily tripping off the fact that of

0:37:02.600 --> 0:37:04.480
<v Speaker 1>being gay. It's just the fact that your whole life

0:37:04.480 --> 0:37:07.879
<v Speaker 1>you've been taught same sex relationships mean that you're gay.

0:37:08.160 --> 0:37:11.040
<v Speaker 1>So you said somebody did it twice but said they're

0:37:11.120 --> 0:37:14.000
<v Speaker 1>not gay. So that's really just defying everything people I've

0:37:14.080 --> 0:37:15.360
<v Speaker 1>learned through our Life's like, what do you mean that

0:37:15.719 --> 0:37:18.760
<v Speaker 1>it dust stow you off? Right? But it still speaks

0:37:18.840 --> 0:37:23.440
<v Speaker 1>to an act versus in existence. Got you, got you,

0:37:23.480 --> 0:37:24.840
<v Speaker 1>you know what I'm saying. And maybe that was just

0:37:24.960 --> 0:37:28.879
<v Speaker 1>too much for the internet to you know what I'm saying,

0:37:28.920 --> 0:37:32.720
<v Speaker 1>to breakdown at one time because stopped and just to clarify,

0:37:32.800 --> 0:37:35.279
<v Speaker 1>you didn't say you were gay? People saying did you

0:37:35.400 --> 0:37:42.400
<v Speaker 1>say that? You twice? Like that got to me. The

0:37:42.520 --> 0:37:45.040
<v Speaker 1>information came to me like Tank was on Angel's pipe.

0:37:45.080 --> 0:37:46.520
<v Speaker 1>I had a group chat. It was like taking on

0:37:46.560 --> 0:37:48.640
<v Speaker 1>angrel Pop. I said he sucked too, because I'm like,

0:37:48.760 --> 0:37:53.399
<v Speaker 1>what I haven't. I just want to be clear. I'm

0:37:53.440 --> 0:37:55.840
<v Speaker 1>just telling you that's how. It's like a game of telephone.

0:37:56.080 --> 0:37:57.359
<v Speaker 1>So by the time I got a time I got

0:37:57.400 --> 0:38:00.120
<v Speaker 1>to you, I was like ten said what, Yeah, Like

0:38:00.120 --> 0:38:03.759
<v Speaker 1>why would you just randomly volunteered and informat it? I

0:38:03.800 --> 0:38:08.719
<v Speaker 1>don't like it. I don't like it, but no it's not.

0:38:08.880 --> 0:38:11.520
<v Speaker 1>And then you know I heard you say yesterday like

0:38:11.600 --> 0:38:13.680
<v Speaker 1>what does it have to do with homophobia? Right? Yeah?

0:38:13.719 --> 0:38:16.880
<v Speaker 1>And it's crazy because when people are in the comments

0:38:16.920 --> 0:38:20.120
<v Speaker 1>and everything and they're throwing gay at me. They're not

0:38:20.200 --> 0:38:22.000
<v Speaker 1>throwing gay at me in a sense oh oh he's

0:38:22.040 --> 0:38:25.120
<v Speaker 1>different but still special. No, they're throwing gay at me

0:38:25.520 --> 0:38:28.080
<v Speaker 1>like rocks in the Chinese protests. You know what I'm saying,

0:38:28.120 --> 0:38:30.560
<v Speaker 1>in an effort to try to tear me down. Right,

0:38:30.880 --> 0:38:33.480
<v Speaker 1>you know what I'm saying. I looked at it. They're

0:38:33.520 --> 0:38:35.880
<v Speaker 1>not speaking in a sense of oh he's it's just

0:38:36.040 --> 0:38:38.799
<v Speaker 1>not like us. They're like, no, he's damned. I hope

0:38:38.800 --> 0:38:41.080
<v Speaker 1>he chokes on it. Like that's what they're doing. And

0:38:41.239 --> 0:38:44.000
<v Speaker 1>so I think that part of if you're still choking

0:38:44.040 --> 0:38:51.880
<v Speaker 1>on you need something more have. I don understand why

0:38:51.920 --> 0:38:53.440
<v Speaker 1>you were choking it. If you only did it twice,

0:38:53.520 --> 0:38:56.799
<v Speaker 1>I don't understand. I'm not I don't understand Charlo Man,

0:38:57.320 --> 0:39:00.560
<v Speaker 1>I'm not throwing into it. I get all yea all

0:39:00.560 --> 0:39:02.640
<v Speaker 1>the time. I said some wild stuff in the middle

0:39:02.640 --> 0:39:05.359
<v Speaker 1>of just talking obversation, some wild things I've I've won

0:39:05.440 --> 0:39:08.640
<v Speaker 1>blouses before. I guess you ain't here with your legs up.

0:39:08.760 --> 0:39:10.480
<v Speaker 1>I was in here with my legs up. We've had

0:39:10.560 --> 0:39:13.040
<v Speaker 1>this moment, right, But talk about back to the blocks.

0:39:13.080 --> 0:39:15.040
<v Speaker 1>When you wear a blouse, I'm saying, some shirts just

0:39:15.239 --> 0:39:17.479
<v Speaker 1>don't always come out to mid sects. That's not the point,

0:39:21.560 --> 0:39:23.319
<v Speaker 1>thank you. I was about to throw somebody Hills under

0:39:23.320 --> 0:39:25.360
<v Speaker 1>the bus. They're doing too, but that's not I'm gonna do.

0:39:26.880 --> 0:39:28.839
<v Speaker 1>I'm not saying a blouse. I'm just saying a silk

0:39:28.880 --> 0:39:31.440
<v Speaker 1>shirt that's open kind of shows your breast area up here,

0:39:32.000 --> 0:39:37.600
<v Speaker 1>chest area, tank, breast sectionals. Men don't have breast Thank you.

0:39:37.719 --> 0:39:50.160
<v Speaker 1>Not helping yourself. Very different. But I don't think it

0:39:50.200 --> 0:39:53.440
<v Speaker 1>was homophobia, though, Brow. I do think you how is

0:39:53.520 --> 0:39:55.560
<v Speaker 1>it now? I do think you received some homophobia, but

0:39:55.640 --> 0:39:58.839
<v Speaker 1>I don't know not some aling. I think a lot

0:39:58.880 --> 0:40:01.120
<v Speaker 1>of us just wanted to know, well, what is considered.

0:40:01.120 --> 0:40:04.760
<v Speaker 1>They didn't want to know what's considered gay. They wanted

0:40:04.800 --> 0:40:10.200
<v Speaker 1>to consider me gay because because you even said that,

0:40:10.480 --> 0:40:14.840
<v Speaker 1>because you even thought that, yeah, you're gay. Yeah, I

0:40:14.920 --> 0:40:18.600
<v Speaker 1>can see how people would think that it's not true.

0:40:18.640 --> 0:40:21.880
<v Speaker 1>It's not a fair assessment of me having an opinion

0:40:21.960 --> 0:40:24.480
<v Speaker 1>not to clip. Now, people who did their due diligence

0:40:24.920 --> 0:40:28.359
<v Speaker 1>and went and watched the video, there was clarity for them.

0:40:28.400 --> 0:40:30.759
<v Speaker 1>It's like, oh, I get what he's saying. Not that

0:40:30.880 --> 0:40:33.160
<v Speaker 1>I have to agree with it, but I do get

0:40:33.239 --> 0:40:34.960
<v Speaker 1>what he's saying. All right, we got more with take

0:40:35.040 --> 0:40:37.120
<v Speaker 1>when we come back, don't move. It's to breakfast club.

0:40:37.200 --> 0:40:42.080
<v Speaker 1>Good morning, holding everybody is DJ Envy Angela Ye, Charlomagne

0:40:42.080 --> 0:40:44.440
<v Speaker 1>the guy. We are the breakfast club. Now, yesterday Tink

0:40:44.480 --> 0:40:47.040
<v Speaker 1>stopped through. I was on Vaka and Charlemagne and you

0:40:47.120 --> 0:40:48.640
<v Speaker 1>got a chance to talk with him. Let's get back

0:40:48.640 --> 0:40:51.560
<v Speaker 1>into that interview, Charlemagne, call game more now with this

0:40:51.760 --> 0:40:53.040
<v Speaker 1>h when you was up here talking, you'd like to

0:40:53.080 --> 0:40:55.120
<v Speaker 1>get your jazz eaten. WHI y'all agreed with you on

0:40:55.520 --> 0:40:58.239
<v Speaker 1>I think I think this might have been This might

0:40:58.280 --> 0:41:01.239
<v Speaker 1>have took the cake. This might have took the cake

0:41:01.520 --> 0:41:04.520
<v Speaker 1>because at least with the salad tossing thing, you know

0:41:04.560 --> 0:41:08.320
<v Speaker 1>what I'm saying, like hadn't gotten involved. You know what

0:41:08.360 --> 0:41:11.480
<v Speaker 1>I'm saying. I think once that got involved, then it

0:41:11.600 --> 0:41:15.439
<v Speaker 1>became it became a whole different level. Man. I can't

0:41:15.480 --> 0:41:17.800
<v Speaker 1>wait to see how much didn't tweet, how he chopped

0:41:17.840 --> 0:41:21.560
<v Speaker 1>this up. This is gonna be so good, bad and

0:41:21.800 --> 0:41:25.840
<v Speaker 1>good at the same time. An album out. One more question,

0:41:25.960 --> 0:41:27.759
<v Speaker 1>if you have sex with a man's I don't know,

0:41:29.080 --> 0:41:37.920
<v Speaker 1>I don't know. I'm gonna mann, I don't know. You

0:41:38.000 --> 0:41:39.719
<v Speaker 1>know he's gonna be yelling tes at you in the

0:41:39.760 --> 0:41:46.759
<v Speaker 1>street right to know that's coming right. Its albums out

0:41:46.840 --> 0:41:53.360
<v Speaker 1>right now. My album is out Man Elevation, Elevation, Elevation,

0:41:55.280 --> 0:41:59.400
<v Speaker 1>this man here for me. Man, I was with you.

0:41:59.760 --> 0:42:02.120
<v Speaker 1>But I'm gonna tell you something. That was a good conversation.

0:42:02.680 --> 0:42:05.800
<v Speaker 1>But it sparked a lot of good dialogue. Well if people,

0:42:05.960 --> 0:42:08.839
<v Speaker 1>if people listen to both sides, it'll spark good dialogue. Yes,

0:42:09.080 --> 0:42:10.960
<v Speaker 1>And I like it because I think it does expose

0:42:11.040 --> 0:42:13.759
<v Speaker 1>a lot of people's fragile masculinity. Because I mean, like,

0:42:13.840 --> 0:42:16.080
<v Speaker 1>if you're sitting around with four women, why can't you

0:42:16.200 --> 0:42:18.160
<v Speaker 1>have that conversation, You're sitting around with some guys, Why

0:42:18.160 --> 0:42:19.799
<v Speaker 1>couldn't you have that conversation? Well, I mean then they

0:42:19.880 --> 0:42:21.480
<v Speaker 1>then they bring up a bunch of things like, oh,

0:42:21.600 --> 0:42:24.040
<v Speaker 1>so it makes sense that he performed a gay pride

0:42:24.080 --> 0:42:28.120
<v Speaker 1>and all of these things. I'm like, you got that. Well,

0:42:28.160 --> 0:42:30.040
<v Speaker 1>I meant Laurent made it in this color? I mean,

0:42:30.040 --> 0:42:33.880
<v Speaker 1>which one? Yeah. Um, I'm I'm just a fan of humanity,

0:42:34.560 --> 0:42:36.399
<v Speaker 1>you know what I mean. I feel like we all

0:42:37.000 --> 0:42:41.160
<v Speaker 1>are different for a reason, and those differences shouldn't separate

0:42:41.280 --> 0:42:43.799
<v Speaker 1>us and shouldn't shouldn't make us hate each other. You'd

0:42:43.920 --> 0:42:47.200
<v Speaker 1>you'd be amazed at the things you're teaching our black men,

0:42:47.760 --> 0:42:52.520
<v Speaker 1>and you're you're helping with this white supremacist agenda. Like

0:42:52.640 --> 0:42:55.479
<v Speaker 1>what are y'all yea too? Like you guys are pushing

0:42:55.560 --> 0:42:59.000
<v Speaker 1>this agenda, pushing this No, I've I made a joke

0:42:59.200 --> 0:43:02.000
<v Speaker 1>about right, what's the best joke you saw about yourself

0:43:02.280 --> 0:43:05.680
<v Speaker 1>this week? I saw a picture with me and a

0:43:05.760 --> 0:43:10.400
<v Speaker 1>bag of sugar. I love sugar. Sugar in the should

0:43:10.400 --> 0:43:12.400
<v Speaker 1>play off that it was it was I'm not gonna

0:43:12.440 --> 0:43:14.480
<v Speaker 1>do it. You should play off that, No, I'm not

0:43:14.560 --> 0:43:18.520
<v Speaker 1>gonna write a whole record about fragile falinity and to masculine.

0:43:19.320 --> 0:43:25.560
<v Speaker 1>I am not here advocating for anything. My album and

0:43:25.840 --> 0:43:28.879
<v Speaker 1>love each other but one another. That's part of the love.

0:43:28.920 --> 0:43:31.040
<v Speaker 1>I could listen to your music. Your music, jar Yes,

0:43:31.080 --> 0:43:34.280
<v Speaker 1>has always been about embracing the hook the divine feminine

0:43:34.360 --> 0:43:37.440
<v Speaker 1>on the toxic masculinity song what's the hood? Divine feminine

0:43:37.480 --> 0:43:40.000
<v Speaker 1>is the sweetness, right, and you're in tune with your

0:43:40.040 --> 0:43:44.800
<v Speaker 1>divine feminine energy. The sweetness is the sugar, the sugar

0:43:44.920 --> 0:43:49.120
<v Speaker 1>and the team. Come on, bro, no, you see I

0:43:49.200 --> 0:43:52.040
<v Speaker 1>gotta be in somebody's marketing men. No, you do not

0:43:52.280 --> 0:43:57.320
<v Speaker 1>need to be done done. Did you write Slave for Life? Jennings,

0:43:57.760 --> 0:43:59.920
<v Speaker 1>I think you wrote that. I did not write that record.

0:44:01.080 --> 0:44:04.719
<v Speaker 1>I knew because you defended that you defended No. No,

0:44:05.080 --> 0:44:08.719
<v Speaker 1>I didn't defend his lyrics. I defended his creativity right,

0:44:09.080 --> 0:44:10.840
<v Speaker 1>the right to be creative. I have a right to

0:44:11.000 --> 0:44:13.560
<v Speaker 1>be creative. That is true. I didn't defend his lyrics.

0:44:14.080 --> 0:44:18.040
<v Speaker 1>There have been slave references and all of these things

0:44:18.520 --> 0:44:21.040
<v Speaker 1>since in the hip hop world, all of these things,

0:44:21.080 --> 0:44:23.840
<v Speaker 1>and nobody was mad until the guy actually put melody

0:44:23.920 --> 0:44:27.160
<v Speaker 1>to it. That's not true because little Wayne when he's

0:44:27.200 --> 0:44:29.239
<v Speaker 1>not necessarily a slave reference. But when he said, beat that,

0:44:29.400 --> 0:44:32.080
<v Speaker 1>beat that ass up like emmontail, I beat that like mtail.

0:44:32.719 --> 0:44:35.640
<v Speaker 1>Radioat like top they played the record. No radio beat

0:44:35.680 --> 0:44:37.799
<v Speaker 1>that line the top ten record. Yeah, but radio took

0:44:37.840 --> 0:44:40.640
<v Speaker 1>that line on and on screen, that line. Even if

0:44:40.680 --> 0:44:43.239
<v Speaker 1>they took the line out, the line is in the song.

0:44:43.440 --> 0:44:46.320
<v Speaker 1>There was no outrage, There was no that was it

0:44:46.400 --> 0:44:48.560
<v Speaker 1>just wasn't no social media back to stop the record

0:44:48.680 --> 0:44:50.719
<v Speaker 1>from doing anything dumb. But they took it out. They

0:44:50.760 --> 0:44:53.040
<v Speaker 1>took that line. They didn't replace it with another line.

0:44:53.440 --> 0:44:56.279
<v Speaker 1>Split it right here. Right here goes the other line.

0:44:56.920 --> 0:44:59.239
<v Speaker 1>And when people and when people sang along with the song,

0:44:59.480 --> 0:45:02.360
<v Speaker 1>they sang stop singing right there. They set the line,

0:45:02.520 --> 0:45:04.759
<v Speaker 1>but they still took it out. It didn't stop the

0:45:04.880 --> 0:45:07.440
<v Speaker 1>record from performing well in all of these outlets. But

0:45:07.520 --> 0:45:09.800
<v Speaker 1>it was a good record. If anything, if that record

0:45:09.920 --> 0:45:12.160
<v Speaker 1>was if there was out so much outrace around it,

0:45:12.200 --> 0:45:13.880
<v Speaker 1>around the record, they shouldn't have played the record. But

0:45:13.920 --> 0:45:17.480
<v Speaker 1>it was a good record. Say it's not a good record.

0:45:17.880 --> 0:45:19.600
<v Speaker 1>Why not? Why it's not a record? Not a good record?

0:45:19.600 --> 0:45:20.719
<v Speaker 1>I told Life that when he was say it's just

0:45:20.760 --> 0:45:24.640
<v Speaker 1>not a good record. Whatever you want in it? Are you?

0:45:24.680 --> 0:45:26.800
<v Speaker 1>Are you saying that if it's the reason Life's not

0:45:26.840 --> 0:45:29.000
<v Speaker 1>playing it because of the content, I'm saying it's not

0:45:29.040 --> 0:45:32.200
<v Speaker 1>playing It's not think that. If the problem is content overall,

0:45:32.320 --> 0:45:34.680
<v Speaker 1>then whether the record is good or bad, it shouldn't

0:45:34.680 --> 0:45:36.840
<v Speaker 1>be played. If we're gonna set a bar, got you

0:45:36.960 --> 0:45:38.479
<v Speaker 1>you know what I'm saying. At the time Little Wayne

0:45:38.600 --> 0:45:41.239
<v Speaker 1>was burning on Fire is not gonna be a little

0:45:41.400 --> 0:45:44.160
<v Speaker 1>Little Wayne record that nobody's not gonna play. But as

0:45:44.239 --> 0:45:46.400
<v Speaker 1>we speak to the to the content side of it,

0:45:46.719 --> 0:45:49.120
<v Speaker 1>if we're measuring content on the same bar on the

0:45:49.200 --> 0:45:52.239
<v Speaker 1>same level. Then if it's damaging, if it's you know

0:45:52.239 --> 0:45:54.040
<v Speaker 1>what I'm saying, if it's in that space, you can't

0:45:54.080 --> 0:45:55.800
<v Speaker 1>play it. You like that Life record? Life is a

0:45:55.880 --> 0:45:58.479
<v Speaker 1>great artist. He's made great music. Let's be honest. Take

0:45:59.239 --> 0:46:02.480
<v Speaker 1>do you like that record? Just sonically? Get the content

0:46:02.560 --> 0:46:04.439
<v Speaker 1>just when you hear I am not going to say

0:46:04.600 --> 0:46:07.279
<v Speaker 1>that that is the Life's best record. Okay, I'm not

0:46:07.360 --> 0:46:09.440
<v Speaker 1>going to ave you know, when Pantagia was up here,

0:46:09.520 --> 0:46:13.080
<v Speaker 1>she was talking about getting married and what made her decide, Okay,

0:46:13.200 --> 0:46:14.560
<v Speaker 1>this is what I need to do with myself in

0:46:14.719 --> 0:46:16.759
<v Speaker 1>order for me to accept this love. What did you

0:46:16.840 --> 0:46:18.800
<v Speaker 1>need to do for you to be able to accept

0:46:18.840 --> 0:46:21.400
<v Speaker 1>the love? To get married? I had to accept myself,

0:46:21.960 --> 0:46:24.200
<v Speaker 1>you know what I mean, because I had been married

0:46:24.239 --> 0:46:28.000
<v Speaker 1>before and I didn't want to make the same mistakes.

0:46:28.719 --> 0:46:31.560
<v Speaker 1>And so a lot of me getting to the point

0:46:31.680 --> 0:46:36.160
<v Speaker 1>of finally saying that I'm ready was getting over the

0:46:36.280 --> 0:46:39.160
<v Speaker 1>fact that I had failed. And when I finally came

0:46:39.239 --> 0:46:41.840
<v Speaker 1>to terms with, you know, the idea of that I

0:46:41.920 --> 0:46:43.919
<v Speaker 1>can do it, I can do it, I can be better,

0:46:43.960 --> 0:46:47.000
<v Speaker 1>I can do better, I owe her better or that's

0:46:47.040 --> 0:46:49.200
<v Speaker 1>when it, you know, came full circle. That's interesting because

0:46:49.200 --> 0:46:50.800
<v Speaker 1>I learned that lesson from my father's and my uncles,

0:46:51.080 --> 0:46:53.080
<v Speaker 1>you know what I'm saying, Like watching all of their

0:46:53.160 --> 0:46:55.880
<v Speaker 1>relationships not work out, like their marriages end in divorce

0:46:55.920 --> 0:46:57.560
<v Speaker 1>and stuff like that. So when you you're a man

0:46:57.920 --> 0:47:00.040
<v Speaker 1>and you're wiling and engaging in that kind of it

0:47:00.120 --> 0:47:02.160
<v Speaker 1>with your significant other, you're like, yeah, I don't want

0:47:02.160 --> 0:47:03.800
<v Speaker 1>it to end like that, but you actually went I

0:47:03.880 --> 0:47:06.440
<v Speaker 1>went through it because I'm a I'm a first generation

0:47:06.920 --> 0:47:09.520
<v Speaker 1>of everything that I am. So there was no blueprint

0:47:09.600 --> 0:47:11.760
<v Speaker 1>for me. Like I was just throwing into the fire.

0:47:12.120 --> 0:47:13.680
<v Speaker 1>You know what I'm saying. I'm twenty four years old

0:47:13.760 --> 0:47:17.280
<v Speaker 1>with a hit record, touring the country, newly married, new baby,

0:47:17.400 --> 0:47:22.040
<v Speaker 1>you know what I'm saying, so throwing everything on stage. Yeah,

0:47:22.239 --> 0:47:24.680
<v Speaker 1>you know what I'm saying. And so I just wasn't

0:47:24.760 --> 0:47:28.239
<v Speaker 1>equipped mentally orphans I was a kid, that's I mean,

0:47:28.400 --> 0:47:30.279
<v Speaker 1>that's smart though, Yeah I did. I didn't have it,

0:47:30.360 --> 0:47:33.000
<v Speaker 1>and I just you know, like I said, I wanted

0:47:33.040 --> 0:47:35.600
<v Speaker 1>to be better for this, for this moment. Did you

0:47:35.680 --> 0:47:37.640
<v Speaker 1>know that then? Was your did your emotional Like you

0:47:37.760 --> 0:47:39.600
<v Speaker 1>get hired as you got older, got hired as I

0:47:39.640 --> 0:47:41.640
<v Speaker 1>got older. The more I went through Now, I was.

0:47:41.800 --> 0:47:43.640
<v Speaker 1>I was young and dumb, So back then you probably

0:47:43.719 --> 0:47:46.680
<v Speaker 1>was cheating a whole lot and then telling your wife

0:47:46.719 --> 0:47:49.320
<v Speaker 1>what whatever I could tell her, you know what I

0:47:49.400 --> 0:47:52.640
<v Speaker 1>mean with what? No, No, I've never been that guy.

0:47:53.360 --> 0:47:55.040
<v Speaker 1>You know what I'm saying. I was always the I

0:47:55.080 --> 0:47:58.359
<v Speaker 1>gotta hide it, you know what I'm saying. You know, yeah,

0:47:58.480 --> 0:48:03.400
<v Speaker 1>I was well to that. I was a liar. How

0:48:03.440 --> 0:48:10.120
<v Speaker 1>many how many lies? One or two? How many? Take?

0:48:11.560 --> 0:48:16.880
<v Speaker 1>It was lying at that point was the lifestyle. Um.

0:48:17.719 --> 0:48:19.759
<v Speaker 1>But you know, like I said, you gotta you gotta learn,

0:48:19.800 --> 0:48:22.000
<v Speaker 1>and you gotta grow, and you gotta do better. You

0:48:22.080 --> 0:48:23.840
<v Speaker 1>know what I mean. You you just have to or

0:48:24.000 --> 0:48:25.880
<v Speaker 1>you won't, or you won't get the most out of

0:48:25.960 --> 0:48:27.960
<v Speaker 1>what's supposed to be yours. All Right, we got more

0:48:28.040 --> 0:48:29.800
<v Speaker 1>with take when we come back, don't move. It's to

0:48:29.880 --> 0:48:33.360
<v Speaker 1>Breakfast Club. Good morning morning. Everybody is DJ M v

0:48:33.719 --> 0:48:36.719
<v Speaker 1>Angela yee. Charlomagne, the guy we are the Breakfast Club

0:48:36.880 --> 0:48:39.280
<v Speaker 1>was still kicking it with Tank. He was here yesterday.

0:48:39.320 --> 0:48:41.440
<v Speaker 1>I was on Vaca. So Charlemagne he got to kick

0:48:41.440 --> 0:48:42.759
<v Speaker 1>it with him. Charlemagne. So you got a song on

0:48:42.800 --> 0:48:44.960
<v Speaker 1>an album called w W j D. I'm assuming that's

0:48:45.000 --> 0:48:47.160
<v Speaker 1>what would Jesus do? What would Joe to see do?

0:48:47.560 --> 0:48:49.600
<v Speaker 1>What would Joe to See do? Yeah, Kanye is doing

0:48:49.640 --> 0:48:52.400
<v Speaker 1>a gospel Yeah I'm doing I'm doing an R and

0:48:52.440 --> 0:48:57.239
<v Speaker 1>P album. You feel what I'm saying? What dough see

0:48:57.280 --> 0:49:00.680
<v Speaker 1>that intrigues me? Yeah? Yes? Yeah? So that's the song. Yeah,

0:49:01.480 --> 0:49:05.680
<v Speaker 1>produced by Harmony, Uh, written by uh you know music?

0:49:05.680 --> 0:49:08.960
<v Speaker 1>Talk about Dan music. No, I write most of my music,

0:49:09.040 --> 0:49:12.400
<v Speaker 1>but I don't mind getting a song from somebody who's

0:49:12.400 --> 0:49:14.000
<v Speaker 1>written the dopes. It's my guy. He's gonna be so

0:49:14.120 --> 0:49:18.080
<v Speaker 1>mad watching this interview. He newly ripped now. He probably

0:49:18.080 --> 0:49:19.359
<v Speaker 1>don't want you to shout him. Might have to hand

0:49:19.360 --> 0:49:26.360
<v Speaker 1>about them two this week. So City High. Oh, Ryan Toby,

0:49:26.440 --> 0:49:29.799
<v Speaker 1>that's my guy. That's like my bro. Forgive me right now.

0:49:30.160 --> 0:49:32.040
<v Speaker 1>Ryan Tolby wrote that record. He brought it to mess

0:49:32.080 --> 0:49:34.759
<v Speaker 1>If this is a smash? What Joe does he do though?

0:49:34.800 --> 0:49:36.960
<v Speaker 1>And what situation? Like? What is this the song? The

0:49:37.040 --> 0:49:39.480
<v Speaker 1>song is constructed with a bunch of Joe to see

0:49:39.719 --> 0:49:43.000
<v Speaker 1>Joe to See moments and you know what I'm saying.

0:49:43.120 --> 0:49:46.239
<v Speaker 1>So it's it's a lot of lyrical and melodic tie ins.

0:49:46.480 --> 0:49:49.000
<v Speaker 1>Can we Playeah, of course you can play absolutely let's

0:49:49.000 --> 0:49:52.640
<v Speaker 1>play It's Freaky Friday album and played the whole album.

0:49:52.719 --> 0:49:56.480
<v Speaker 1>It's Freaky Friday. That's the only rule. That's why I'm here. Okay,

0:49:56.920 --> 0:50:00.680
<v Speaker 1>what's dirty about Dirty? It is a out being dirty?

0:50:00.840 --> 0:50:03.440
<v Speaker 1>Yeah yeah, yeah. After when we I felt like we

0:50:03.520 --> 0:50:09.520
<v Speaker 1>could go one more level without without completely you know

0:50:09.560 --> 0:50:11.640
<v Speaker 1>what I'm saying, being all the way out of pocket,

0:50:12.040 --> 0:50:14.320
<v Speaker 1>There's one more level we can get to after Dirty

0:50:14.400 --> 0:50:15.880
<v Speaker 1>that week, there's nowhere else we can go. You know,

0:50:15.920 --> 0:50:18.120
<v Speaker 1>I heard I heard a dope song that I don't

0:50:18.160 --> 0:50:20.440
<v Speaker 1>think it's released It as you and Duvall and Jack

0:50:20.520 --> 0:50:24.560
<v Speaker 1>Queis Yeah, called Nasty. Yeah. This should They should have

0:50:24.600 --> 0:50:34.799
<v Speaker 1>put that out this week. Come on, drop drop, It's

0:50:34.840 --> 0:50:37.480
<v Speaker 1>a dope song. Like I'm a fan of dude. I

0:50:37.560 --> 0:50:39.479
<v Speaker 1>love what he's doing, like you know what I'm saying,

0:50:39.520 --> 0:50:42.160
<v Speaker 1>Like like the idea of him throwing on some slacks,

0:50:42.239 --> 0:50:45.120
<v Speaker 1>tucking the shirt in and singing, you know, and singing

0:50:45.200 --> 0:50:47.160
<v Speaker 1>some growing R and B. Yeah. Have you heard his

0:50:47.280 --> 0:50:50.120
<v Speaker 1>RMB song dropping Cuff? Yeah? You should jump on that too,

0:50:50.239 --> 0:50:52.440
<v Speaker 1>right now. I'm okay, Yeah, I don't want to be

0:50:52.520 --> 0:50:55.640
<v Speaker 1>associated with anything. I don't want to be a social

0:50:55.880 --> 0:50:58.799
<v Speaker 1>anything with that word in it. I'm not saying that word.

0:50:58.880 --> 0:51:01.120
<v Speaker 1>No more so. If Dick Sport Good Company right now

0:51:01.440 --> 0:51:03.200
<v Speaker 1>and Dick Barton Good say we want to give you

0:51:03.280 --> 0:51:06.279
<v Speaker 1>an endorsement deal, you're not gonna take it. No, I

0:51:06.360 --> 0:51:10.480
<v Speaker 1>don't believe no, not right now. Now you have fragile masculinity.

0:51:10.920 --> 0:51:15.200
<v Speaker 1>Now you're going through in the last not my fault

0:51:15.560 --> 0:51:19.880
<v Speaker 1>stand on him? No, No, why are you doing this?

0:51:20.640 --> 0:51:24.040
<v Speaker 1>What is your from? What is he? What does she

0:51:24.120 --> 0:51:25.880
<v Speaker 1>have to say about all this? She doesn't like it?

0:51:28.840 --> 0:51:30.880
<v Speaker 1>What does she say she doesn't like it? What does

0:51:30.880 --> 0:51:34.759
<v Speaker 1>she say? Because her dms are filled with your man

0:51:34.920 --> 0:51:37.560
<v Speaker 1>is sucking? Like that's what That's what's going on. That's

0:51:37.600 --> 0:51:40.160
<v Speaker 1>what she has to deal with. Are you sucking them

0:51:40.200 --> 0:51:42.279
<v Speaker 1>with him? Like? That's what she's going Oh my god,

0:51:42.400 --> 0:51:47.040
<v Speaker 1>that no disrespectful. It's really it's really hard out here, man.

0:51:49.360 --> 0:51:51.320
<v Speaker 1>No need to say that in a conversation about it.

0:51:52.440 --> 0:51:55.440
<v Speaker 1>We know what's hard. I just took my sea boss

0:51:56.239 --> 0:51:58.399
<v Speaker 1>all right, man. And Amary Hart was on the album

0:51:58.440 --> 0:52:01.240
<v Speaker 1>a couple of times. What's their affiliation with a Mari Hardwick?

0:52:01.360 --> 0:52:03.440
<v Speaker 1>That's my brother, man. M y'all look like y'a could

0:52:03.440 --> 0:52:05.480
<v Speaker 1>be brothers for real? Every Yeah, yeah, I've even taken

0:52:05.520 --> 0:52:08.120
<v Speaker 1>pictures as ghost. You know what I'm saying. Wow, like girls,

0:52:08.160 --> 0:52:10.959
<v Speaker 1>but oh my god, you Mari and Michael Joy White,

0:52:11.320 --> 0:52:13.320
<v Speaker 1>Michael Jo get that too. I get that too. And

0:52:13.400 --> 0:52:16.080
<v Speaker 1>I the girls. Yea, your girls. I'm like, yeah, they're

0:52:16.120 --> 0:52:18.280
<v Speaker 1>gonna take a picture. Sure, let me take a picture.

0:52:18.280 --> 0:52:21.120
<v Speaker 1>And hopefully later she'll find out that. I'm think, but um,

0:52:21.800 --> 0:52:24.200
<v Speaker 1>he's he's I think he's just extremely gifted man. His

0:52:24.800 --> 0:52:28.759
<v Speaker 1>his his mixture of spoken word, the poetry, the rap,

0:52:29.200 --> 0:52:31.560
<v Speaker 1>the way he does that, I think it's really really dope.

0:52:31.880 --> 0:52:33.839
<v Speaker 1>It's interesting when you hear him because we know him,

0:52:34.280 --> 0:52:36.840
<v Speaker 1>you know so much from seeing him on Power, and

0:52:36.960 --> 0:52:39.400
<v Speaker 1>then you see him doing the spoken word and the

0:52:39.480 --> 0:52:41.400
<v Speaker 1>music and you're like, oh, because at first it's like

0:52:41.480 --> 0:52:44.960
<v Speaker 1>a hard transition in your head. I think for Jamie Fox,

0:52:45.080 --> 0:52:47.080
<v Speaker 1>at first as a comedian and as an actor, and

0:52:47.120 --> 0:52:49.000
<v Speaker 1>then seeing him saying I feel like they have it

0:52:49.040 --> 0:52:51.080
<v Speaker 1>a little harder to break down. Oh yeah, because I

0:52:51.160 --> 0:52:53.320
<v Speaker 1>take him serious. Yeah, because people are people are just

0:52:53.480 --> 0:52:56.920
<v Speaker 1>locked into a thing, and that's you know, people get selfish,

0:52:57.000 --> 0:52:58.440
<v Speaker 1>like that's the only time they want to take you

0:52:58.520 --> 0:53:00.040
<v Speaker 1>out of the box. You know what I'm saying. And

0:53:00.080 --> 0:53:01.560
<v Speaker 1>then use you is when they when you're doing that thing,

0:53:01.640 --> 0:53:02.920
<v Speaker 1>and when you're done with that, they want to put

0:53:02.960 --> 0:53:05.960
<v Speaker 1>you back in the box, you know. But um, you know,

0:53:06.040 --> 0:53:08.400
<v Speaker 1>I just wanted to use my platform to give him

0:53:08.440 --> 0:53:12.560
<v Speaker 1>the space and freedom to be all that he is. Right, Yeah, all,

0:53:12.640 --> 0:53:14.719
<v Speaker 1>hey that's tank man. Um. I think we got enough

0:53:14.760 --> 0:53:18.960
<v Speaker 1>for much dank to make a great video. Um. And yeah, yeah,

0:53:18.960 --> 0:53:21.319
<v Speaker 1>I'm out say something nice about my album I haven't

0:53:21.360 --> 0:53:23.480
<v Speaker 1>heard of yet. If this is entertaining, it's a conversation

0:53:23.520 --> 0:53:26.279
<v Speaker 1>you had on Live Service though about them too. It's

0:53:26.320 --> 0:53:29.600
<v Speaker 1>a really man, it's a really good album. It's my

0:53:29.719 --> 0:53:32.000
<v Speaker 1>best work yet. No, that's important and you have so

0:53:32.160 --> 0:53:34.200
<v Speaker 1>much great work. So that's that's something to live up

0:53:34.239 --> 0:53:35.680
<v Speaker 1>to tell you. Now. You know people are going to

0:53:35.680 --> 0:53:38.879
<v Speaker 1>be listening. I'm very happy about this, and yeah, I'm

0:53:38.920 --> 0:53:41.600
<v Speaker 1>extremely happy about this. Very You can't tell me nothing. Definitely.

0:53:41.600 --> 0:53:42.960
<v Speaker 1>We're about to play what would joy to Ce Do?

0:53:43.080 --> 0:53:45.200
<v Speaker 1>Right now, so you could introduce that. Oh, let's play that, Yeah,

0:53:45.200 --> 0:53:48.480
<v Speaker 1>what would Yo to See Do? Harmony, Ryan Toby, I'm

0:53:48.520 --> 0:53:51.160
<v Speaker 1>just a singer on this one man. Very inspirational. Joy

0:53:51.160 --> 0:53:53.919
<v Speaker 1>to See was one of my favorite groups. Helped shape

0:53:53.960 --> 0:53:58.160
<v Speaker 1>the fabric of everything that I am musically. Um, it's like,

0:53:58.280 --> 0:54:00.440
<v Speaker 1>let's that, let's locked that in. What would we do

0:54:00.520 --> 0:54:02.640
<v Speaker 1>if they will approach with a question like they got

0:54:02.680 --> 0:54:06.279
<v Speaker 1>on lip service about Jodase is probably getting up and leaving.

0:54:08.560 --> 0:54:12.239
<v Speaker 1>Jodase is getting up and leaving man. Yeah, yeah we

0:54:12.320 --> 0:54:15.120
<v Speaker 1>do because those times, in those times, you weren't didn't

0:54:15.120 --> 0:54:17.759
<v Speaker 1>talk about that. Yeah, this is twenty nineteen. Now you

0:54:17.880 --> 0:54:21.040
<v Speaker 1>talk about anything. Now you can, you can and you

0:54:21.120 --> 0:54:24.120
<v Speaker 1>should be able to. Yeah. Yeah, it's take it's the

0:54:24.160 --> 0:54:28.759
<v Speaker 1>breakfast looking at me. I was born to do. This

0:54:28.880 --> 0:54:45.200
<v Speaker 1>is a donkey of the Death Devil Breakfast Club. Yes,

0:54:45.640 --> 0:54:47.720
<v Speaker 1>Don't get a Day goes to a man named Hansel

0:54:47.920 --> 0:54:50.359
<v Speaker 1>the bar Tolo the Third. He's thirty seven years old,

0:54:50.560 --> 0:54:53.839
<v Speaker 1>and he legally changed his name the Sexy Vegan. I'm

0:54:53.880 --> 0:54:55.960
<v Speaker 1>not making this up. This young man named Handled the

0:54:56.000 --> 0:54:59.319
<v Speaker 1>bar Tolo the Third legally changed his name the Sexy Vegan.

0:54:59.360 --> 0:55:01.719
<v Speaker 1>If you're watching Revote, you can see Sexy Vegan on

0:55:01.800 --> 0:55:04.239
<v Speaker 1>the TV. Now I can make this the shortest donkey

0:55:04.360 --> 0:55:06.040
<v Speaker 1>the day ever and give him the biggest he heart

0:55:06.120 --> 0:55:09.040
<v Speaker 1>right now for legally changing his name and sexy Vegan.

0:55:09.080 --> 0:55:11.040
<v Speaker 1>But it gets worse. Well, in the case of Donkey

0:55:11.080 --> 0:55:12.759
<v Speaker 1>of the Day, it gets better. Now. Two things you

0:55:12.880 --> 0:55:15.360
<v Speaker 1>need to know. Number one, you may know who Sexy

0:55:15.520 --> 0:55:17.799
<v Speaker 1>Vegan is. He got slightly infamous back in the day

0:55:17.960 --> 0:55:19.920
<v Speaker 1>when he appeared on The Doctor Still Show and it

0:55:20.000 --> 0:55:25.640
<v Speaker 1>turned out like this, Yeah, the beautiful Vegan massa. Yah,

0:55:26.239 --> 0:55:28.200
<v Speaker 1>it's a song. I didn't say it was, and she

0:55:28.719 --> 0:55:32.360
<v Speaker 1>knows it. I was just like my dad ten luxury cars.

0:55:32.640 --> 0:55:34.600
<v Speaker 1>My dad told me I had the same name as

0:55:34.680 --> 0:55:36.600
<v Speaker 1>him until I legally changed it. My mom did not

0:55:36.760 --> 0:55:38.720
<v Speaker 1>fail me out jem when she knew I was innocent.

0:55:39.000 --> 0:55:42.480
<v Speaker 1>I'm liberating over seventy billion pigs and cage is so

0:55:42.600 --> 0:55:45.440
<v Speaker 1>small that cannot move for years. Okay, my mom's a

0:55:45.600 --> 0:55:48.480
<v Speaker 1>sociopathic piece of I have the high score in hyder

0:55:48.520 --> 0:55:50.680
<v Speaker 1>knot history. I got nine point nine out of ten

0:55:50.719 --> 0:55:53.200
<v Speaker 1>after three hundred and twenty seven women raiding me. Let's

0:55:53.200 --> 0:55:56.080
<v Speaker 1>see your talent? A right, what's your talent, you ugly

0:55:56.160 --> 0:56:00.239
<v Speaker 1>piece of Okay, stop, hey, hey look at me. Let's

0:56:00.239 --> 0:56:03.600
<v Speaker 1>look at me. No, hey, hey, hey, no, you need

0:56:03.680 --> 0:56:06.200
<v Speaker 1>to look at me. I don't have to do Okay,

0:56:06.200 --> 0:56:09.080
<v Speaker 1>they take them out, all right. Sexy Vegan ladies and gentlemen,

0:56:09.400 --> 0:56:12.040
<v Speaker 1>Sexy Vegan now number two. We all know what the

0:56:12.080 --> 0:56:14.799
<v Speaker 1>word dog means in our culture, right. You have had

0:56:14.880 --> 0:56:17.040
<v Speaker 1>tons of rappers with dog in their name, most famous

0:56:17.040 --> 0:56:19.640
<v Speaker 1>snoop dog people used to turn down southful lots. Still,

0:56:19.680 --> 0:56:22.239
<v Speaker 1>in reference to your homies, your friends, your partners, you'd

0:56:22.239 --> 0:56:24.040
<v Speaker 1>be like, that's my dog, all right. I don't use

0:56:24.040 --> 0:56:25.880
<v Speaker 1>the word dog because I think it's just God backwards.

0:56:25.880 --> 0:56:27.799
<v Speaker 1>I would rather say peace God to my brothers as

0:56:27.840 --> 0:56:29.960
<v Speaker 1>opposed to what's up? Dog? But I don't knock anyone

0:56:30.000 --> 0:56:32.399
<v Speaker 1>who does it, Do you dog? Okay? I also don't

0:56:32.440 --> 0:56:34.640
<v Speaker 1>think anyone immortalized it as much as DMX did when

0:56:34.640 --> 0:56:37.080
<v Speaker 1>he made the classic tune get at Me Dog? All right?

0:56:37.400 --> 0:56:39.080
<v Speaker 1>Turn that up a little bit, me of that? Okay.

0:56:39.600 --> 0:56:42.120
<v Speaker 1>The Urban Dictionary says dog is your best friend, your

0:56:42.160 --> 0:56:45.480
<v Speaker 1>friend to lean on, your companion. So all my slinging

0:56:45.520 --> 0:56:47.840
<v Speaker 1>pad people out there understand what I mean when I

0:56:47.920 --> 0:56:49.840
<v Speaker 1>say my dog. Okay, it's safe to say that you

0:56:49.880 --> 0:56:52.799
<v Speaker 1>would never hurt your dog. Right, You wouldn't hurt your dog?

0:56:52.880 --> 0:56:54.560
<v Speaker 1>Right in me? You know you would't hurt your dog.

0:56:56.200 --> 0:56:58.239
<v Speaker 1>What you want for your dog, you want for yourself. Right.

0:56:58.280 --> 0:57:00.320
<v Speaker 1>You can't call someone. You're a dog if you and

0:57:00.360 --> 0:57:02.640
<v Speaker 1>flict pain on them in any way. So what if

0:57:03.040 --> 0:57:06.880
<v Speaker 1>you know I told you this is sexually sexual sexy Vegan,

0:57:07.080 --> 0:57:10.160
<v Speaker 1>which I told you to the Sexy Vegan sexually assaulted

0:57:10.239 --> 0:57:13.240
<v Speaker 1>his dog clear me? Well that's the allegation. The Sexy

0:57:13.280 --> 0:57:15.399
<v Speaker 1>Vegan is accused of assault in his partner He's dog.

0:57:15.640 --> 0:57:18.280
<v Speaker 1>Let's go to YouTuber Isaac Butterfield Peace for the report. Please.

0:57:18.520 --> 0:57:21.640
<v Speaker 1>A face tattooed man who legally changed his name to

0:57:21.800 --> 0:57:25.560
<v Speaker 1>Sexy Vegan has been charged with sexually assaulting his dog.

0:57:25.760 --> 0:57:30.880
<v Speaker 1>Sexy Vegan, whose real name is Handsel Marion D. Bartolo

0:57:31.080 --> 0:57:33.760
<v Speaker 1>the Third. Can I just say this is all allegedly.

0:57:33.800 --> 0:57:35.720
<v Speaker 1>I don't want to get sued by his very rich parents.

0:57:36.040 --> 0:57:39.560
<v Speaker 1>Hansel redall but Sexy Vegan was busted West Hollywood on

0:57:39.640 --> 0:57:42.720
<v Speaker 1>Thursday over a video he allegedly posted on social media

0:57:42.960 --> 0:57:47.560
<v Speaker 1>showing inappropriate behavior with a pitbull. Prosecutor said detectives found

0:57:47.600 --> 0:57:51.200
<v Speaker 1>a video on social media of the suspect performing an

0:57:51.280 --> 0:57:54.280
<v Speaker 1>act of bestiality and he's taking up to one year

0:57:54.360 --> 0:57:57.480
<v Speaker 1>in county jail if convicted. The attorney Offers said, stressing

0:57:57.520 --> 0:58:01.640
<v Speaker 1>the case was still being investigated. They met an actual dog.

0:58:02.720 --> 0:58:05.080
<v Speaker 1>How did I miss that? I read this in the

0:58:05.160 --> 0:58:07.320
<v Speaker 1>New York Daily News this morning, and I didn't think

0:58:07.360 --> 0:58:10.400
<v Speaker 1>anything of it. I just profound the guy. He's whiting,

0:58:10.440 --> 0:58:13.800
<v Speaker 1>he had tapsole all over his face, he had an

0:58:13.880 --> 0:58:18.200
<v Speaker 1>urban glare. Okay, I saw it say he's sexually assaulted

0:58:18.240 --> 0:58:19.960
<v Speaker 1>his dog, and then I got busy doing other things.

0:58:20.040 --> 0:58:22.720
<v Speaker 1>I didn't realize the guy was literally penetrating pit bulls

0:58:23.120 --> 0:58:26.000
<v Speaker 1>all right. Sexy Vegan was hound humping all right, mating

0:58:26.000 --> 0:58:30.959
<v Speaker 1>with mongrels, loving a last hee's keating on Scooby? Where

0:58:31.160 --> 0:58:34.120
<v Speaker 1>are you? My first thought when I heard this story

0:58:34.520 --> 0:58:36.600
<v Speaker 1>is this is exactly why I don't eat meat. I

0:58:36.680 --> 0:58:40.560
<v Speaker 1>mean why I eat meat? This is exactly why I

0:58:40.640 --> 0:58:42.400
<v Speaker 1>eat meat? All right? Did you stopped eating animals just

0:58:42.480 --> 0:58:44.640
<v Speaker 1>to fornicate with them? What kind of logic is that?

0:58:44.760 --> 0:58:47.120
<v Speaker 1>It said it takes a different level of consciousness and

0:58:47.240 --> 0:58:50.120
<v Speaker 1>compassion to stop consuming dead animals, So what level of

0:58:50.200 --> 0:58:53.120
<v Speaker 1>consciousness and compassion does it take to fornicate with one?

0:58:53.400 --> 0:58:56.640
<v Speaker 1>I have so many questions their relationship between Sexy Vegan

0:58:56.680 --> 0:58:59.280
<v Speaker 1>and the dog. Were he a couple? Did he at

0:58:59.320 --> 0:59:02.040
<v Speaker 1>least give us some happy how he's doggy treats before

0:59:02.080 --> 0:59:04.040
<v Speaker 1>he gave the dog his bone. All right, I was

0:59:04.080 --> 0:59:06.520
<v Speaker 1>told the Sexy Vegan loved this animal and it wasn't

0:59:06.600 --> 0:59:09.080
<v Speaker 1>just sex bohing. We reached out to the dogful comment.

0:59:09.120 --> 0:59:11.680
<v Speaker 1>He said this, you know, love me, just love my dog.

0:59:11.920 --> 0:59:15.240
<v Speaker 1>Staff not. Sexy Vegan is pleaded not guilty. His bail

0:59:15.320 --> 0:59:17.280
<v Speaker 1>is set at thirty five thousand and he could face

0:59:17.320 --> 0:59:19.320
<v Speaker 1>a year in county jail. I have nothing else to

0:59:19.400 --> 0:59:21.320
<v Speaker 1>say about this, all right, some donkey the days just

0:59:21.360 --> 0:59:24.480
<v Speaker 1>sell themselves. If Sexy Vegan is listening, I just want

0:59:24.520 --> 0:59:26.360
<v Speaker 1>to tell you keep your head up and I would

0:59:26.400 --> 0:59:28.200
<v Speaker 1>like to play a song for you and your barking

0:59:28.240 --> 0:59:30.080
<v Speaker 1>ass bay. All right, I'm gonna flash back to my

0:59:30.200 --> 0:59:32.480
<v Speaker 1>Quiet Storm days. I like to do the Quiet Storm

0:59:32.520 --> 0:59:34.920
<v Speaker 1>and Chalton, South Carolina at twelve am to five am

0:59:35.000 --> 0:59:38.120
<v Speaker 1>on Zerny three Jams and Hot ninety eight nine introducing

0:59:38.240 --> 0:59:41.200
<v Speaker 1>love songs. This is Charlomagne the God Doug Love Status.

0:59:41.320 --> 0:59:45.560
<v Speaker 1>I know this is Charlemagne, the God Doug Love Status,

0:59:46.040 --> 0:59:49.240
<v Speaker 1>and this joint is from me, the Sexy Vegan, and

0:59:49.320 --> 0:59:53.400
<v Speaker 1>it's barking ass Bay. It's Paul Answer with Puppy Love.

1:00:00.000 --> 1:00:13.440
<v Speaker 1>I called it. Please give hands with the bar Tolo

1:00:13.720 --> 1:00:21.320
<v Speaker 1>aka Sexy Vegan, the biggest. He hall somebody as a vegan.

1:00:21.400 --> 1:00:23.240
<v Speaker 1>There's somebody in this room who likes canine comfort. But

1:00:23.280 --> 1:00:27.440
<v Speaker 1>I'm not gonna say no names. Oh does he have

1:00:27.480 --> 1:00:29.760
<v Speaker 1>a labradoodle? I don't know what kind of dog? Yes,

1:00:32.120 --> 1:00:35.040
<v Speaker 1>he grabbed the microphone. I didn't say nothing. Dog will

1:00:35.360 --> 1:00:37.440
<v Speaker 1>I love my dog? Man? I know not that much. Yea.

1:00:37.520 --> 1:00:39.160
<v Speaker 1>They said that they wish they would have never created

1:00:39.200 --> 1:00:43.080
<v Speaker 1>the labradoodle. And it was bullish and they called it

1:00:43.160 --> 1:00:45.680
<v Speaker 1>a frank and that's the craziest thing you do with

1:00:45.760 --> 1:00:49.360
<v Speaker 1>your dogs. I just that's we go to the parking stuff.

1:00:49.440 --> 1:00:51.600
<v Speaker 1>But he's right now. I just want to get my

1:00:51.680 --> 1:00:56.439
<v Speaker 1>dog out. Hey, friends, if you're listening right now, I'll

1:00:56.480 --> 1:01:03.160
<v Speaker 1>be honest roof all right, I don't have guys, man,

1:01:03.280 --> 1:01:05.920
<v Speaker 1>what are you doing to that labradodle doodo? Love with

1:01:05.960 --> 1:01:10.440
<v Speaker 1>the labradudo? All right? All right? Will thank you for

1:01:10.480 --> 1:01:12.400
<v Speaker 1>that dog to day time, for this level of whiteness,

1:01:12.440 --> 1:01:13.960
<v Speaker 1>and make sure you follow Steve so you can see

1:01:14.040 --> 1:01:17.080
<v Speaker 1>him in his labor doodle. Yeah, all right, we got

1:01:17.160 --> 1:01:20.400
<v Speaker 1>more coming up next with a breakfast Club. The Breakfast

1:01:20.480 --> 1:01:27.440
<v Speaker 1>Club Morning. Everybody is DJ Envy Angela, Yee, Charlomagne the guy.

1:01:27.480 --> 1:01:29.800
<v Speaker 1>We are the breakfast club. Yeah, we got some special

1:01:29.880 --> 1:01:32.960
<v Speaker 1>guests in the build. Boy now d CEO fly oh,

1:01:33.800 --> 1:01:40.160
<v Speaker 1>Carlos Miller, we didn't made it to the breakfast club.

1:01:40.680 --> 1:01:44.440
<v Speaker 1>Y'all have y'all moment, go ahead. Man, weren't focus with you.

1:01:44.560 --> 1:01:47.360
<v Speaker 1>I did not realize ain't never been here before. I

1:01:47.480 --> 1:01:49.720
<v Speaker 1>really did, just the same that. Y'all both keep telling

1:01:49.800 --> 1:01:52.919
<v Speaker 1>him he's been here. He keeps telling you he hasn't. Dog,

1:01:53.080 --> 1:02:00.120
<v Speaker 1>I love mother, that is queen. And nine times you

1:02:00.160 --> 1:02:02.920
<v Speaker 1>ain't content at least the stand in the window like that.

1:02:03.120 --> 1:02:08.240
<v Speaker 1>Man Like now, what made y'all want to do the

1:02:08.320 --> 1:02:10.120
<v Speaker 1>eighty five soft thing? Because of course y'all met on

1:02:10.240 --> 1:02:12.800
<v Speaker 1>wilding Out, I'm sure, but made y'all decide this is

1:02:12.880 --> 1:02:16.800
<v Speaker 1>the threesome that could do eighty five soft? Three? Watch

1:02:16.880 --> 1:02:26.160
<v Speaker 1>your mouth shot all of these windows. You ain't writing

1:02:26.200 --> 1:02:35.000
<v Speaker 1>nook right now, Trio trio. This is a brotherhood, exactly,

1:02:35.240 --> 1:02:39.560
<v Speaker 1>you go. Brotherhood, brotherhood. I want to get on this train.

1:02:41.040 --> 1:02:44.560
<v Speaker 1>I know I'll start like we met on wilding Out,

1:02:44.680 --> 1:02:46.360
<v Speaker 1>You know what I mean? We knew each other, man

1:02:46.480 --> 1:02:48.680
<v Speaker 1>lows knew each other prior to wilding out. But you know,

1:02:48.720 --> 1:02:50.680
<v Speaker 1>it was just an idea that Los always had. We

1:02:50.760 --> 1:02:52.920
<v Speaker 1>always scheming about things that we can do to kind of,

1:02:53.040 --> 1:02:55.439
<v Speaker 1>you know, further our talent and just show the world

1:02:55.520 --> 1:02:57.120
<v Speaker 1>more about, you know, what it is that we do

1:02:57.600 --> 1:03:00.120
<v Speaker 1>individually and as a unit. So Lows was just like, man,

1:03:00.160 --> 1:03:03.040
<v Speaker 1>I'm great, make a podcast and we're gonna make this

1:03:03.160 --> 1:03:04.920
<v Speaker 1>thing go. So you know, he wanted us to be

1:03:05.040 --> 1:03:06.840
<v Speaker 1>a part of it. And that's just the way it went.

1:03:06.920 --> 1:03:08.200
<v Speaker 1>And they say, y'all don't plan in the show. When

1:03:08.280 --> 1:03:10.120
<v Speaker 1>y'all go on on toy, y'all just go out there

1:03:10.200 --> 1:03:12.360
<v Speaker 1>and whatever feeling y'all got, y'all gonna tell you how

1:03:12.400 --> 1:03:14.880
<v Speaker 1>we used to do it right. We used to have instruction,

1:03:15.120 --> 1:03:20.840
<v Speaker 1>you know, like how y'all used to Yeah, it's a struction,

1:03:20.880 --> 1:03:22.440
<v Speaker 1>you know how y'all have a paper you know exactly

1:03:22.480 --> 1:03:24.440
<v Speaker 1>what you're gonna say, you know, you key topics, what

1:03:24.520 --> 1:03:26.680
<v Speaker 1>you were gonna do. We just had to figure each

1:03:26.720 --> 1:03:28.680
<v Speaker 1>other out first, and then we used to have a

1:03:28.720 --> 1:03:30.400
<v Speaker 1>piece of paper. You know what I'm saying. The first

1:03:30.440 --> 1:03:32.440
<v Speaker 1>two three show, you know what I'm saying. Even with

1:03:32.560 --> 1:03:35.280
<v Speaker 1>the podcast podcast, when we just go out of now

1:03:35.400 --> 1:03:38.640
<v Speaker 1>we don't have no paper. We're going off each other's comedy,

1:03:38.840 --> 1:03:40.520
<v Speaker 1>and we're going off the vibe because we know each

1:03:40.560 --> 1:03:42.680
<v Speaker 1>other's scrumps are already. All we gotta do is press

1:03:42.760 --> 1:03:44.880
<v Speaker 1>record and we'd be like, what you do today? And

1:03:45.880 --> 1:03:48.480
<v Speaker 1>what did you see? Tailler in to the show right,

1:03:48.520 --> 1:03:50.600
<v Speaker 1>and Teller said, there's one of y'all that has no filter,

1:03:51.040 --> 1:03:58.720
<v Speaker 1>doesn't care about anything. We will go left. It's it's

1:03:58.920 --> 1:04:00.720
<v Speaker 1>you get the levels of you know what I'm saying,

1:04:00.800 --> 1:04:05.600
<v Speaker 1>of just of stupid, That's what it is. It's just stupidited.

1:04:05.880 --> 1:04:08.720
<v Speaker 1>You got the you got me the young wold ain't

1:04:08.760 --> 1:04:11.040
<v Speaker 1>no telling. You got to watch him Chico here in

1:04:11.080 --> 1:04:13.520
<v Speaker 1>the middle between the young and the widow. So he'd

1:04:13.560 --> 1:04:15.200
<v Speaker 1>be like, I want to go to DC, but I can't.

1:04:15.240 --> 1:04:18.000
<v Speaker 1>I got under changed my life around. You know what

1:04:18.040 --> 1:04:21.160
<v Speaker 1>I'm saying. You know what I'm saying. And then he

1:04:21.240 --> 1:04:24.000
<v Speaker 1>intelligent like a mom we need. Then you got the og,

1:04:24.560 --> 1:04:27.400
<v Speaker 1>the widsom who, the myth who everything all up and

1:04:27.520 --> 1:04:30.640
<v Speaker 1>he still tell you that your grandma's still a freak.

1:04:32.280 --> 1:04:34.720
<v Speaker 1>How do you think your uncle got hit? Mom and

1:04:34.800 --> 1:04:36.920
<v Speaker 1>Daddy feel about you talking about the sex like, well,

1:04:37.000 --> 1:04:39.560
<v Speaker 1>my mother passed away. So she don't get damn uh.

1:04:39.840 --> 1:04:42.240
<v Speaker 1>My father ain't having much sex, so he just living

1:04:42.360 --> 1:04:44.800
<v Speaker 1>vicariously through me. I mean, I was talking about my

1:04:44.920 --> 1:04:47.200
<v Speaker 1>father last night. He comes to the show drink up

1:04:47.240 --> 1:04:49.560
<v Speaker 1>two hundred dollars worth for henness. But I just got

1:04:49.640 --> 1:04:51.520
<v Speaker 1>one of those fathers. It's like, it don't matter how

1:04:51.560 --> 1:04:53.760
<v Speaker 1>successful I get, he's still gonna be a He's gonna

1:04:53.760 --> 1:04:55.720
<v Speaker 1>try to hilst him. I gotta kick him out of

1:04:55.760 --> 1:04:59.480
<v Speaker 1>every show. That's just that's the cloth that I can't night. Definitely,

1:04:59.560 --> 1:05:01.920
<v Speaker 1>definitely he could then enjoy this help before we put

1:05:01.920 --> 1:05:04.760
<v Speaker 1>put out. So you got him traveling with you sometime.

1:05:04.800 --> 1:05:07.040
<v Speaker 1>I've take him place, okay, but he has to leave

1:05:07.160 --> 1:05:09.760
<v Speaker 1>early because he had he had food. What do you say?

1:05:09.960 --> 1:05:12.040
<v Speaker 1>What do you say? The girl was taking a picture

1:05:12.080 --> 1:05:14.280
<v Speaker 1>on the phone. She was like, your camera smugs. Youre

1:05:14.320 --> 1:05:18.040
<v Speaker 1>like smuggs. You're talking about my phone? Like is nasty?

1:05:18.200 --> 1:05:28.840
<v Speaker 1>Young lady? I said, man, this is an old player word.

1:05:29.480 --> 1:05:31.520
<v Speaker 1>Which what's the biggest transition y'all had to make sense

1:05:31.560 --> 1:05:34.560
<v Speaker 1>getting some some celebrity. I think for me, it's just

1:05:35.000 --> 1:05:39.240
<v Speaker 1>understanding that the reach is greater now. So the decisions

1:05:39.280 --> 1:05:41.360
<v Speaker 1>that you have to make don't just affect you anymore,

1:05:41.760 --> 1:05:43.280
<v Speaker 1>so you know what I mean. Like, But now you

1:05:43.400 --> 1:05:46.160
<v Speaker 1>gotta understand that your reaction is going to cause a

1:05:46.520 --> 1:05:49.439
<v Speaker 1>shock wave throughout everything that you got going on, because

1:05:49.440 --> 1:05:51.360
<v Speaker 1>people are looking at you to either try to get

1:05:51.400 --> 1:05:53.920
<v Speaker 1>something from you or either fans or whatever it may be.

1:05:54.120 --> 1:05:56.320
<v Speaker 1>So you have to be real selective about who and

1:05:56.400 --> 1:06:00.919
<v Speaker 1>what you get your energy and time. Smartest you said

1:06:00.960 --> 1:06:02.800
<v Speaker 1>you want to damn who I represent them slapping the

1:06:02.880 --> 1:06:06.640
<v Speaker 1>as well that you got a cute to being mean spirited,

1:06:07.480 --> 1:06:15.680
<v Speaker 1>don't you crazy? True? Dancy? You found your man? Yes,

1:06:15.800 --> 1:06:19.560
<v Speaker 1>I have a boyfriend. That's why you're so nice. What

1:06:19.800 --> 1:06:26.520
<v Speaker 1>is this boyfriend? I've just been yes, yes, what is it? Plus?

1:06:29.840 --> 1:06:34.640
<v Speaker 1>I have a boyfriend? Yo? Can you know? That's what

1:06:34.760 --> 1:06:41.480
<v Speaker 1>we were talking about. It gave me all that mother

1:06:41.840 --> 1:06:46.479
<v Speaker 1>ready your mother, damn just be bush. Don't nobody saying

1:06:46.600 --> 1:06:57.360
<v Speaker 1>angel name like webbing Angel Angelotte name Chotte, you keep

1:06:57.440 --> 1:07:02.360
<v Speaker 1>all that over there, Charlotte MC guy my favorite breakfast

1:07:02.400 --> 1:07:05.280
<v Speaker 1>club interview because he don't answer no question. What you're

1:07:05.320 --> 1:07:08.280
<v Speaker 1>doing mine? We're just doing it mi, No kid, No

1:07:08.440 --> 1:07:11.400
<v Speaker 1>kids might not rum smell like yeah, but the album

1:07:11.480 --> 1:07:17.240
<v Speaker 1>coming out Booth gonna be straight boots coming to the

1:07:17.320 --> 1:07:20.160
<v Speaker 1>question like you said smell, but tell me a little

1:07:20.160 --> 1:07:21.960
<v Speaker 1>bit more about the room, like how did you guys

1:07:21.960 --> 1:07:25.040
<v Speaker 1>set it up? And everything has to come on? All right?

1:07:25.080 --> 1:07:28.040
<v Speaker 1>We got more with Carlos Miller, Chico Bean, and DC

1:07:28.160 --> 1:07:30.560
<v Speaker 1>young Fly from MTV's Wilding Out. So don't move. It's

1:07:30.600 --> 1:07:33.640
<v Speaker 1>to Breakfast Club. Good morning morning. Everybody is DJ M

1:07:33.720 --> 1:07:36.800
<v Speaker 1>v Angela Yee, Charlomagne the guy. We are the Breakfast

1:07:36.960 --> 1:07:40.040
<v Speaker 1>Club now from MTV's Wilding Out. We have DC young Fly,

1:07:40.280 --> 1:07:43.920
<v Speaker 1>Chico Bean, and Carlos Miller in the building. Now, when

1:07:43.960 --> 1:07:48.680
<v Speaker 1>you guys are rope to somebody, are there rules to Italy?

1:07:50.760 --> 1:07:58.000
<v Speaker 1>I would say get kids only get it. We're they're

1:07:58.080 --> 1:08:01.640
<v Speaker 1>walking to it. Say if I roast you, if I'm

1:08:01.680 --> 1:08:03.960
<v Speaker 1>broth you right, and your child to come out of nowhere.

1:08:04.040 --> 1:08:07.520
<v Speaker 1>You got a little walter, You got a little stupid

1:08:07.560 --> 1:08:23.400
<v Speaker 1>as walk. You're like, like, what I get you? Until

1:08:23.439 --> 1:08:24.840
<v Speaker 1>he walked through. He got to walk in the light

1:08:24.920 --> 1:08:28.120
<v Speaker 1>of five. He's so happy. How do y'all feel when

1:08:28.120 --> 1:08:30.040
<v Speaker 1>people come at your kids, because I'll be seeing your

1:08:30.040 --> 1:08:32.000
<v Speaker 1>little girl inline, Dc, you put your little girl online.

1:08:32.080 --> 1:08:35.040
<v Speaker 1>Know you're trying to get I said, first you ain't

1:08:35.040 --> 1:08:38.120
<v Speaker 1>seen my son. I don't seen you put yourself you

1:08:38.200 --> 1:08:41.800
<v Speaker 1>got yeah, because I don't like that. He but he'd

1:08:41.800 --> 1:08:44.680
<v Speaker 1>be like, don't do that, don't post that. Yeah, I

1:08:44.680 --> 1:08:46.360
<v Speaker 1>don't want to be on I posted a picture up

1:08:46.360 --> 1:08:48.519
<v Speaker 1>in one day and it got like ten thousand lights.

1:08:48.560 --> 1:08:54.080
<v Speaker 1>He was like, at it, I got you all them lights, Like,

1:08:54.520 --> 1:08:57.280
<v Speaker 1>chill out. My son ain't about to be ten. Really,

1:08:57.320 --> 1:08:58.880
<v Speaker 1>he don't want to do like. He don't want to

1:08:58.920 --> 1:09:00.920
<v Speaker 1>be popular, none of that. He just like the chill.

1:09:03.600 --> 1:09:06.560
<v Speaker 1>I think that posting her now and being able to

1:09:06.640 --> 1:09:08.720
<v Speaker 1>navigate that energy with her while she with me a

1:09:08.800 --> 1:09:10.880
<v Speaker 1>helper when she gets older, and you know, because social

1:09:10.920 --> 1:09:12.800
<v Speaker 1>media and all that gonna change, it's gonna be old

1:09:12.840 --> 1:09:15.000
<v Speaker 1>by the time she grow up. So I want her

1:09:15.040 --> 1:09:17.720
<v Speaker 1>to be, you know, trained to not pay attention to

1:09:17.840 --> 1:09:20.320
<v Speaker 1>opinions of people and it's not real. You need to

1:09:20.360 --> 1:09:22.880
<v Speaker 1>go up under your comments and somebody can say anything

1:09:22.960 --> 1:09:25.080
<v Speaker 1>to you, but it's all what you decide to dedicate

1:09:25.160 --> 1:09:27.080
<v Speaker 1>your energy too. So I'm just teaching her that you

1:09:27.160 --> 1:09:29.439
<v Speaker 1>got the power to, you know, let people affect you

1:09:29.520 --> 1:09:32.599
<v Speaker 1>on a day to day basis your sketches Chico brother knowledge,

1:09:32.640 --> 1:09:36.519
<v Speaker 1>Oh yeah, definitely because it's fun, like like she into it.

1:09:36.640 --> 1:09:39.519
<v Speaker 1>That's what she wants to do. Like she expressed, like I, daddy,

1:09:39.560 --> 1:09:41.400
<v Speaker 1>I want to you know, being a player. I want

1:09:41.439 --> 1:09:42.840
<v Speaker 1>to do this. So I'm like, we do it with

1:09:42.960 --> 1:09:45.160
<v Speaker 1>me so you can get all the you know, nervous

1:09:45.280 --> 1:09:46.960
<v Speaker 1>energy that you may have and all of that. Because

1:09:47.000 --> 1:09:50.120
<v Speaker 1>when she's doing something with me, she don't feel any Yeah,

1:09:50.160 --> 1:09:52.000
<v Speaker 1>and she just like, I'm with my daddy, so I'm

1:09:52.000 --> 1:09:54.120
<v Speaker 1>gonna do whatever. So I just think that me being

1:09:54.200 --> 1:09:55.960
<v Speaker 1>in her life and allowing her to be able to

1:09:56.280 --> 1:09:58.320
<v Speaker 1>get all her dreams off and do whatever she want

1:09:58.360 --> 1:09:59.800
<v Speaker 1>to do while she with me is gonna make it

1:10:00.000 --> 1:10:01.840
<v Speaker 1>easier when she get out here a much strangers. She

1:10:01.920 --> 1:10:09.960
<v Speaker 1>watched the podcast and stuff. The podcast nahad was a

1:10:10.040 --> 1:10:13.679
<v Speaker 1>kind oh nah that that's a light question for my daughter.

1:10:15.320 --> 1:10:23.479
<v Speaker 1>Question man just coming grow some hall about here. Girl.

1:10:24.880 --> 1:10:32.040
<v Speaker 1>Man too old to be ball head? Times you wake up,

1:10:32.080 --> 1:10:34.600
<v Speaker 1>I like, big little girl, hat ain't wrong? You go

1:10:34.640 --> 1:10:38.719
<v Speaker 1>back to sleep? What kind of kids out? What kids asking?

1:10:39.120 --> 1:10:42.160
<v Speaker 1>It's so much because they don't line all the it's

1:10:42.200 --> 1:10:45.880
<v Speaker 1>not like not nothing to to graphics. You got to

1:10:45.920 --> 1:10:48.680
<v Speaker 1>really explain. Like my son he a boy, so he

1:10:48.880 --> 1:10:50.920
<v Speaker 1>sees stuff and he just act like he don't see it.

1:10:51.600 --> 1:10:53.679
<v Speaker 1>I know I'm doing a good job as a father

1:10:53.840 --> 1:10:55.599
<v Speaker 1>because he told me one day he was like, daddy,

1:10:55.920 --> 1:11:03.480
<v Speaker 1>boys don't kiss. I was like, equal opportunity, Equal opportunity.

1:11:03.960 --> 1:11:13.280
<v Speaker 1>I heart media were about to switch it back up?

1:11:15.240 --> 1:11:23.760
<v Speaker 1>Lad welcome breakfast club started talking like the white man

1:11:24.439 --> 1:11:28.640
<v Speaker 1>that happens. Why hasn't wilding out worked for y'all? But

1:11:28.760 --> 1:11:31.320
<v Speaker 1>not necessarily other people who may be funny, like somebody

1:11:31.400 --> 1:11:33.760
<v Speaker 1>like just a liar? She didn't necessarily shine on the show.

1:11:33.840 --> 1:11:36.479
<v Speaker 1>How did y'all figure it out? What you mean she show?

1:11:36.920 --> 1:11:39.200
<v Speaker 1>You know, everybody just took today own today own. You

1:11:39.240 --> 1:11:40.840
<v Speaker 1>know what I'm saying. Opportunity and need it. You know

1:11:40.840 --> 1:11:42.200
<v Speaker 1>what I'm saying? How they ever want to do? Because

1:11:42.200 --> 1:11:45.040
<v Speaker 1>work like this, bro, It's like you got to be

1:11:45.120 --> 1:11:48.080
<v Speaker 1>a part of a team. It's it's different when you're

1:11:48.080 --> 1:11:50.799
<v Speaker 1>a comedian and you can get your lambs by yourself

1:11:51.240 --> 1:11:53.040
<v Speaker 1>and you used to do on your own thing, But like,

1:11:53.200 --> 1:11:55.080
<v Speaker 1>can you be part of a team? Can you set

1:11:55.200 --> 1:11:57.800
<v Speaker 1>up a joke for somebody else? Can you be the joke?

1:11:58.000 --> 1:12:00.280
<v Speaker 1>Can you can you do you know how to play

1:12:00.320 --> 1:12:02.600
<v Speaker 1>off somebody getting a jump off on you, So a

1:12:02.680 --> 1:12:04.559
<v Speaker 1>lot of that, a lot of those things come into

1:12:04.600 --> 1:12:06.960
<v Speaker 1>play with wild and now and then you know, it's

1:12:06.960 --> 1:12:08.880
<v Speaker 1>a lot of people on that so a lot of

1:12:08.920 --> 1:12:11.240
<v Speaker 1>people are just looking for that niche and they want

1:12:11.280 --> 1:12:12.400
<v Speaker 1>to be and they just they just want to be

1:12:12.479 --> 1:12:15.759
<v Speaker 1>funny all the time. And I just I just told myself,

1:12:15.880 --> 1:12:18.320
<v Speaker 1>like after my first season, I just told myself, really

1:12:18.360 --> 1:12:20.760
<v Speaker 1>I learned after my second season, because my second season one,

1:12:20.840 --> 1:12:23.679
<v Speaker 1>it wasn't probably my best season out of all my season,

1:12:23.720 --> 1:12:25.800
<v Speaker 1>you feel me, it was kind of more so I've

1:12:25.800 --> 1:12:28.000
<v Speaker 1>seen what they tried to cut me up, make me

1:12:28.120 --> 1:12:30.240
<v Speaker 1>look like I feel like I'm getting clean. But I

1:12:30.360 --> 1:12:32.160
<v Speaker 1>was like, oh, wait a minute, you know what I mean.

1:12:32.320 --> 1:12:35.000
<v Speaker 1>That ain't me going there rough my helf a little bit.

1:12:35.040 --> 1:12:41.720
<v Speaker 1>You know what I'm saying. People trying to change this.

1:12:42.800 --> 1:12:45.920
<v Speaker 1>But it was just more so like I I felt

1:12:45.920 --> 1:12:48.640
<v Speaker 1>like the game tried to change me too fast for me.

1:12:48.760 --> 1:12:50.680
<v Speaker 1>You're like, hold up, let me find my place in

1:12:50.760 --> 1:12:52.519
<v Speaker 1>the industry, you know what I'm saying. And I'm like, okay,

1:12:52.600 --> 1:12:55.040
<v Speaker 1>me just being me. It's where I'm man, instead of

1:12:55.120 --> 1:12:57.280
<v Speaker 1>me just trying to elevate. Learn with the game. Don't

1:12:57.360 --> 1:13:00.160
<v Speaker 1>let the game outroll you just yet you know what

1:13:00.160 --> 1:13:02.000
<v Speaker 1>I'm saying. So I'm learning with the game. And then

1:13:02.120 --> 1:13:04.000
<v Speaker 1>after my second season it was back to actually you

1:13:04.040 --> 1:13:05.680
<v Speaker 1>know what I mean. It's just like how you said, like,

1:13:05.720 --> 1:13:08.479
<v Speaker 1>don't really care about getting the laugh all the time?

1:13:08.600 --> 1:13:11.760
<v Speaker 1>Can't you be the jew make fun of me every show?

1:13:11.840 --> 1:13:14.040
<v Speaker 1>So I can be on TV? Right? And the platform

1:13:15.040 --> 1:13:17.960
<v Speaker 1>people don't realize about wid is you don't always have

1:13:18.120 --> 1:13:23.600
<v Speaker 1>to be talking to be funny so many ways the

1:13:23.760 --> 1:13:31.920
<v Speaker 1>platform wide open. Like that's the thing about the show.

1:13:31.960 --> 1:13:34.840
<v Speaker 1>It's that it's there's no structure to what you can

1:13:34.880 --> 1:13:37.040
<v Speaker 1>do in regards to the comedy that you want to present,

1:13:37.160 --> 1:13:39.200
<v Speaker 1>Like for example, the old school battles that me and

1:13:39.360 --> 1:13:42.000
<v Speaker 1>him do, like that was just something that was organically

1:13:42.280 --> 1:13:44.360
<v Speaker 1>that we just did, Like hey man, you bet you

1:13:44.439 --> 1:13:45.920
<v Speaker 1>don't want to do this, And that's the thing. You

1:13:46.000 --> 1:13:47.439
<v Speaker 1>can do whatever you want to do. You just have

1:13:47.560 --> 1:13:49.719
<v Speaker 1>to find a way to make it work within that system.

1:13:50.000 --> 1:13:51.960
<v Speaker 1>I've been on there with a whole bunch of other

1:13:52.000 --> 1:13:53.960
<v Speaker 1>people because everybody want to get on there and become

1:13:54.040 --> 1:13:56.640
<v Speaker 1>the star, but it's not really structured for there to

1:13:56.760 --> 1:13:59.680
<v Speaker 1>be one star, and that the big star is Nick Cannon, say,

1:13:59.760 --> 1:14:02.760
<v Speaker 1>Nick Cannon presents after that. Everything else is you know,

1:14:02.920 --> 1:14:07.720
<v Speaker 1>team oriented. So your A is an employee, Yeah, I

1:14:08.000 --> 1:14:12.000
<v Speaker 1>can present, Nick can present. Practice, Yeah, practice, rehearse what rehearse?

1:14:12.280 --> 1:14:15.040
<v Speaker 1>As far as on bottom out, No, y'all just go

1:14:15.160 --> 1:14:17.200
<v Speaker 1>there and just But how do you rehearse it? How

1:14:17.240 --> 1:14:20.040
<v Speaker 1>can you rehearse comedy? It's improv right because unless unless

1:14:20.080 --> 1:14:23.439
<v Speaker 1>it's unless to stand up, it's crazy. You can't. You know,

1:14:23.560 --> 1:14:26.320
<v Speaker 1>we don't rehearse. I think you know our section, But

1:14:26.360 --> 1:14:28.240
<v Speaker 1>I thought maybe y'all rehearse like y'all do the the

1:14:28.320 --> 1:14:32.320
<v Speaker 1>Family Union. Some people some people need that, you know

1:14:32.360 --> 1:14:34.200
<v Speaker 1>what I mean? Some people. And that's another thing about

1:14:34.200 --> 1:14:36.320
<v Speaker 1>wilding out. A lot of people come in and don't

1:14:36.360 --> 1:14:39.360
<v Speaker 1>get the structure and try to do comedy like they're

1:14:39.400 --> 1:14:41.120
<v Speaker 1>doing on their phone and all that. But there is

1:14:41.200 --> 1:14:44.600
<v Speaker 1>no editing delete when you shooting lives. We understand that

1:14:44.680 --> 1:14:47.320
<v Speaker 1>that wilding lot is TV, you know what I'm saying, Like, yeah,

1:14:47.360 --> 1:14:49.720
<v Speaker 1>they they go getting people and then they put them

1:14:49.720 --> 1:14:51.320
<v Speaker 1>on the show. But you gotta understand when that thing

1:14:51.439 --> 1:14:58.080
<v Speaker 1>say action get people being there? WI why little pool

1:14:58.120 --> 1:15:02.320
<v Speaker 1>being there? Oh? Get real? Did TV? All right? We

1:15:02.439 --> 1:15:05.080
<v Speaker 1>got more with the cast of MTV's Wilding Out and

1:15:05.200 --> 1:15:09.200
<v Speaker 1>also the eighty five South podcast Carlos Miller Chico being

1:15:09.240 --> 1:15:11.360
<v Speaker 1>a DC Young Flier, So don't move. It's the Breakfast Club,

1:15:11.400 --> 1:15:18.200
<v Speaker 1>Good morning, the Breakfast Club Porty. Everybody is DJ Envy

1:15:18.439 --> 1:15:21.559
<v Speaker 1>Angela Yee, Sholoman the guy. We are the Breakfast Club

1:15:21.640 --> 1:15:25.400
<v Speaker 1>from MTV's Wilding Out. We have Chico being, Carlos Miller

1:15:25.479 --> 1:15:28.040
<v Speaker 1>and DC Young Fly Charloman. How do y'all feel about

1:15:28.120 --> 1:15:32.559
<v Speaker 1>Nick Cannon? Stand up? Say what I feel about Nick Cannon?

1:15:32.600 --> 1:15:37.439
<v Speaker 1>Stand what you mean his comedy? What you mean he's great? Yeah,

1:15:40.800 --> 1:15:54.040
<v Speaker 1>We're gonna say nothing bad Nick Cannon, ain't talking about Okay,

1:15:54.920 --> 1:15:57.680
<v Speaker 1>Rich bro Okay, Nick Okay. I thought I thought I'm

1:15:57.680 --> 1:16:00.599
<v Speaker 1>about to say burn ain't gonna up the clip coat

1:16:00.680 --> 1:16:07.720
<v Speaker 1>on my skin? Charlottagne ruin up? What you say? What

1:16:07.800 --> 1:16:11.280
<v Speaker 1>about it? What about his music? Yeah? If the Beatles'

1:16:14.240 --> 1:16:22.360
<v Speaker 1>priss alright, than what ain't great? Exactly? And that's the thing,

1:16:22.479 --> 1:16:24.840
<v Speaker 1>like he's cold. We do, you know, we make the

1:16:24.960 --> 1:16:27.840
<v Speaker 1>jokes about Nick. But that's what makes Nick so great

1:16:28.040 --> 1:16:32.680
<v Speaker 1>is that that he can't he'd be like cut it out,

1:16:34.240 --> 1:16:38.960
<v Speaker 1>like a lot of money off that music. But Nick

1:16:39.080 --> 1:16:40.880
<v Speaker 1>is the type of dude that he got all of

1:16:40.920 --> 1:16:43.040
<v Speaker 1>the jokes that we tell about him. But that's the

1:16:43.120 --> 1:16:45.360
<v Speaker 1>thing to make me, you know, so appreciative of him.

1:16:45.360 --> 1:16:47.960
<v Speaker 1>It's like, if you're a bass you can put somebody on,

1:16:48.400 --> 1:16:50.120
<v Speaker 1>but it's a difference to put them on and stand

1:16:50.200 --> 1:16:52.160
<v Speaker 1>next to him while they're figuring out the process. And

1:16:52.240 --> 1:16:54.280
<v Speaker 1>that's what and not only that be the brun of

1:16:54.360 --> 1:16:56.840
<v Speaker 1>the joke when they figured out the process. Like man,

1:16:57.160 --> 1:16:59.920
<v Speaker 1>over the years, how many times do we cook Nick

1:17:00.200 --> 1:17:02.519
<v Speaker 1>on the show? I think I didn't cooked them too much.

1:17:03.000 --> 1:17:04.960
<v Speaker 1>It's white. They didn't kick me off. They editing you

1:17:05.040 --> 1:17:08.360
<v Speaker 1>out now, kicking me up. I don't even come back,

1:17:08.360 --> 1:17:17.960
<v Speaker 1>and he's laughing, but I'm dead. I was saving kick

1:17:18.040 --> 1:17:20.600
<v Speaker 1>me out. I got news. They called me. It was

1:17:20.640 --> 1:17:25.960
<v Speaker 1>like we love you call a guy called no. No,

1:17:26.520 --> 1:17:30.280
<v Speaker 1>you're not tell them the show was about to end.

1:17:30.800 --> 1:17:33.840
<v Speaker 1>Many kick you kick me off? You said that thing

1:17:33.880 --> 1:17:38.000
<v Speaker 1>about boy. They picked you up and say, look, it

1:17:38.120 --> 1:17:39.880
<v Speaker 1>was when I told Nick he was laming his hell

1:17:39.960 --> 1:17:42.320
<v Speaker 1>for going on a date with Marian, her new dude,

1:17:42.520 --> 1:17:44.439
<v Speaker 1>and then I feel it was all downhill. And after

1:17:44.520 --> 1:17:46.960
<v Speaker 1>that I said it, and then it was just I

1:17:47.080 --> 1:17:51.880
<v Speaker 1>was just the vibe change. He was like, it was

1:17:51.960 --> 1:17:56.439
<v Speaker 1>that you can't just kick call It was the white people.

1:17:56.880 --> 1:17:59.120
<v Speaker 1>The white people never I never really they never really

1:17:59.240 --> 1:18:01.200
<v Speaker 1>loved me like that over there, I feel like it's

1:18:01.240 --> 1:18:02.960
<v Speaker 1>too much to have that. Grown men need to have

1:18:03.040 --> 1:18:06.160
<v Speaker 1>to sit down because that I went to the source.

1:18:06.280 --> 1:18:09.240
<v Speaker 1>You feel any problem in a solution, I'm confrontation. You

1:18:09.320 --> 1:18:10.720
<v Speaker 1>know what I'm saying. I go, look what are you

1:18:11.520 --> 1:18:13.640
<v Speaker 1>when you ask him? Basically, you need to have a

1:18:13.720 --> 1:18:18.400
<v Speaker 1>sit down. Man, That's all that the phone mania bick

1:18:18.479 --> 1:18:20.680
<v Speaker 1>on the phone so I can watch this. Hold on,

1:18:20.800 --> 1:18:22.519
<v Speaker 1>hold on, you got to call Yeah, we're gonna call

1:18:22.600 --> 1:18:29.160
<v Speaker 1>him right now. Is this is the breakfast wait until

1:18:29.160 --> 1:18:33.120
<v Speaker 1>the breathfat He was up me away? I just what

1:18:33.320 --> 1:18:39.800
<v Speaker 1>you out here? Nigga? Yo? What's up? Yo? Now listen,

1:18:39.880 --> 1:18:41.720
<v Speaker 1>we got you, we got your We got all our

1:18:41.760 --> 1:18:43.920
<v Speaker 1>partners in here right now. We got DC young Fly,

1:18:44.160 --> 1:18:47.479
<v Speaker 1>that's rights being and Carlos Miller, like I said, my

1:18:47.600 --> 1:18:49.840
<v Speaker 1>name laugh Now niggas did an issue between you and

1:18:49.960 --> 1:18:52.400
<v Speaker 1>Carlos callers and told me you don't fight them. Yep,

1:18:54.160 --> 1:18:57.200
<v Speaker 1>not happen. I'm a man for life. I'm fir. He

1:18:57.320 --> 1:19:00.920
<v Speaker 1>got on the show. No us he line nothing. It's

1:19:00.920 --> 1:19:02.880
<v Speaker 1>a bunch of it's a bunch of people that ain't

1:19:02.920 --> 1:19:04.320
<v Speaker 1>on the show. No more. Y'all know how to you

1:19:04.400 --> 1:19:10.559
<v Speaker 1>white folks work. Blame it on the white cars. It's

1:19:10.600 --> 1:19:12.599
<v Speaker 1>your show that Carlos is one of the main people

1:19:12.680 --> 1:19:15.560
<v Speaker 1>on that that I tuned in for Carlos. I love Carlos.

1:19:15.680 --> 1:19:18.080
<v Speaker 1>I think I don't know how the negotiations work, but

1:19:18.280 --> 1:19:20.760
<v Speaker 1>how much people get paid and how many episodes and

1:19:20.840 --> 1:19:24.000
<v Speaker 1>all of that. I'm talking about that. But if y'all

1:19:24.040 --> 1:19:26.439
<v Speaker 1>want to talk about the money on the air, now

1:19:26.520 --> 1:19:28.800
<v Speaker 1>we ain't talking about the money. We're not talking about

1:19:31.040 --> 1:19:33.240
<v Speaker 1>to get the job, then talk about the money. He

1:19:33.280 --> 1:19:35.280
<v Speaker 1>said you fired them and replaced them with Cat Williams

1:19:35.320 --> 1:19:37.160
<v Speaker 1>on the on the Wild and Our took. You can't

1:19:37.160 --> 1:19:39.560
<v Speaker 1>say that. I'm understand that one though. I didn't say that,

1:19:39.680 --> 1:19:42.040
<v Speaker 1>But Carlos said, you ain't never want to be on

1:19:42.160 --> 1:19:44.960
<v Speaker 1>the show. You ain't never heard me say that? Who

1:19:45.040 --> 1:19:48.000
<v Speaker 1>you had answering the phone called me one day about

1:19:48.040 --> 1:19:50.160
<v Speaker 1>a flight and was like, well, you need to find

1:19:50.320 --> 1:19:54.080
<v Speaker 1>something else to do. And I ain't heard from y'all. Sins. Yeah,

1:19:54.520 --> 1:19:56.960
<v Speaker 1>I heard you say you ain't messing with that tool.

1:19:57.200 --> 1:20:01.880
<v Speaker 1>That is some bulls you told that that's somebody or

1:20:02.040 --> 1:20:04.800
<v Speaker 1>just miscommunication. I ain't never say that. I don't because

1:20:04.800 --> 1:20:06.439
<v Speaker 1>I don't handle the money and all I long if

1:20:06.520 --> 1:20:08.439
<v Speaker 1>my money is right, I get to it. You know

1:20:08.640 --> 1:20:11.360
<v Speaker 1>the thing would happened or all I know is they

1:20:11.439 --> 1:20:14.559
<v Speaker 1>said callous. But let's winter like all, Nick, We love

1:20:14.640 --> 1:20:16.760
<v Speaker 1>both of y'all. I think that we need. I think

1:20:16.800 --> 1:20:18.560
<v Speaker 1>you need to have a conversation with Callous on the

1:20:18.600 --> 1:20:20.439
<v Speaker 1>low because here a little hurt. I couldn't believe what

1:20:20.520 --> 1:20:22.519
<v Speaker 1>he was saying on the breakfast club this morning. Shut out,

1:20:26.280 --> 1:20:29.519
<v Speaker 1>shout man. You want to be back on wild Out? Yeah,

1:20:31.720 --> 1:20:39.880
<v Speaker 1>come on, situation Nick? Nick? Did I tell you I

1:20:40.120 --> 1:20:41.720
<v Speaker 1>take a pay cut for my dough to be back

1:20:41.760 --> 1:20:43.640
<v Speaker 1>on the show? He did? He pulled me to the

1:20:49.880 --> 1:20:53.720
<v Speaker 1>n callos say something homophobic? Joke too far? Nah, not

1:20:53.880 --> 1:20:56.120
<v Speaker 1>at all? Told you ain't man, I got playing at

1:20:56.160 --> 1:21:03.120
<v Speaker 1>home Boys tentlement o peak community. Nick didn't work community, Nick, Hey,

1:21:03.400 --> 1:21:12.160
<v Speaker 1>Carla's what's wrong with you? Man? That breakfast Thank you

1:21:12.200 --> 1:21:14.080
<v Speaker 1>for answering the phone, nigga. We don't mean to bother

1:21:14.200 --> 1:21:15.519
<v Speaker 1>you this morning, nigga, but we just want to get

1:21:15.520 --> 1:21:17.640
<v Speaker 1>to the bottom of the Carlo situation. I know, I

1:21:17.720 --> 1:21:22.280
<v Speaker 1>mean school, y'all calling me Howard, ain't Nick before you

1:21:22.400 --> 1:21:27.200
<v Speaker 1>wake up? Slad on me? Bro, I love you. They

1:21:27.280 --> 1:21:29.519
<v Speaker 1>just needed to have a sit down. It wasn't never

1:21:29.560 --> 1:21:32.040
<v Speaker 1>a prime. It wasn't a joke that you made about

1:21:32.120 --> 1:21:34.479
<v Speaker 1>him being on it. I didn't know. I never knew.

1:21:34.760 --> 1:21:38.960
<v Speaker 1>Carlo didn't get fired. Carlo elevated you lying. I ain't

1:21:41.280 --> 1:21:44.920
<v Speaker 1>elevating you lying. A lot of these people. I feel

1:21:44.920 --> 1:21:48.800
<v Speaker 1>on your shoe for nast seasons. That's all the elevation

1:21:48.880 --> 1:21:51.360
<v Speaker 1>I was doing you older my phone called Nick could

1:21:51.400 --> 1:21:53.800
<v Speaker 1>have hit me Nick. That's nast seasons. Bro, Hey you

1:21:53.960 --> 1:22:00.840
<v Speaker 1>got my line. I tested you. You ain't me bab shot.

1:22:03.400 --> 1:22:09.439
<v Speaker 1>I'm next week he enjoy enjoy school Nick barbecue. Nick,

1:22:09.520 --> 1:22:14.559
<v Speaker 1>I still got my job right, I was? We all

1:22:14.600 --> 1:22:17.280
<v Speaker 1>about to be out of this Sharin about to have

1:22:17.439 --> 1:22:19.360
<v Speaker 1>everybody on the site. I'm about to be up, bean,

1:22:19.760 --> 1:22:22.479
<v Speaker 1>I about to be up. Then, God damn typing up

1:22:22.520 --> 1:22:26.840
<v Speaker 1>the donkey of the days. But we're about to be

1:22:26.960 --> 1:22:29.439
<v Speaker 1>on that. I'm about to play DJ job. Yeah, it's

1:22:29.479 --> 1:22:32.719
<v Speaker 1>the breakfast club. Good afternoon, not morning. We're doing an afternoon.

1:22:32.880 --> 1:22:35.519
<v Speaker 1>Where can they see the eighty five show Man. Right now,

1:22:35.600 --> 1:22:38.160
<v Speaker 1>we're living on YouTube. We just got crazy. We got

1:22:38.240 --> 1:22:40.360
<v Speaker 1>a big YouTube place, just jumping out of the gym.

1:22:41.080 --> 1:22:43.680
<v Speaker 1>Pull it up on the yell on SoundCloud too, right

1:22:43.720 --> 1:22:50.200
<v Speaker 1>now Cloud. Then we got a couple of live shows

1:22:50.280 --> 1:22:53.880
<v Speaker 1>coming up. We in Chicago November twenty first, and then

1:22:53.920 --> 1:22:57.400
<v Speaker 1>we're in Mobile November eighteenth. Then no Mobile, Alabama November

1:22:57.439 --> 1:23:00.560
<v Speaker 1>twenty fifth. Another side, No shoo Maine. Uh, I'd be

1:23:00.640 --> 1:23:02.720
<v Speaker 1>seeing the pictures you'd be taking after the show with

1:23:02.800 --> 1:23:06.680
<v Speaker 1>your timber Lands, mat, loosen up your tims. Stop when

1:23:06.720 --> 1:23:09.680
<v Speaker 1>you make you make a pay timber Lands look like

1:23:09.760 --> 1:23:11.960
<v Speaker 1>oh making sci fire pro bab boots like you got

1:23:12.080 --> 1:23:15.920
<v Speaker 1>the chill, you got the untightening boots. Man, I'm like,

1:23:16.040 --> 1:23:18.000
<v Speaker 1>why the shotler man, You're not supposed to get your

1:23:18.080 --> 1:23:20.400
<v Speaker 1>size and tims. You're supposed to go a half size.

1:23:21.280 --> 1:23:25.200
<v Speaker 1>You the tims's longer than DJ Mby's career. And it's like,

1:23:25.400 --> 1:23:30.200
<v Speaker 1>don't make no sense, man, Okay, listen, Anthony John Carlos,

1:23:30.640 --> 1:23:33.080
<v Speaker 1>are you gonna say, you're gonna say our real name

1:23:33.240 --> 1:23:38.400
<v Speaker 1>Leonard told us that Leonard, and get your hands out

1:23:38.439 --> 1:23:46.960
<v Speaker 1>of here. Isn't the real name leg You got no

1:23:48.320 --> 1:23:55.240
<v Speaker 1>no no, don't got the ak you no more? Lenara

1:23:56.400 --> 1:23:58.760
<v Speaker 1>still look like any tass boots up so tight, because

1:23:58.760 --> 1:24:01.479
<v Speaker 1>that's what that's by the blacks and his angles. He'll

1:24:01.520 --> 1:24:04.160
<v Speaker 1>want to creep back up inside. I'll be back on

1:24:04.280 --> 1:24:09.640
<v Speaker 1>his face again, Lenardi cableman on the same exactly, Lenard,

1:24:10.640 --> 1:24:15.680
<v Speaker 1>what's your lad name? Lenard McKelvin, because let me get

1:24:15.760 --> 1:24:22.639
<v Speaker 1>your serial Leonard McKelvin was kelvin until he met John

1:24:22.840 --> 1:24:34.320
<v Speaker 1>and then things went south. Serial killer man than name?

1:24:37.840 --> 1:24:43.200
<v Speaker 1>Who y'all got great? Come in here? Who got y'all

1:24:43.240 --> 1:24:45.880
<v Speaker 1>done for the name? Can stay? Ain'tbody gonna do number

1:24:45.920 --> 1:24:48.120
<v Speaker 1>flip houses at the time? Who's up type? We can

1:24:48.160 --> 1:24:53.000
<v Speaker 1>stay up in this club? We don't have no purpose

1:24:53.080 --> 1:24:59.400
<v Speaker 1>to breakfast club. McKelvin hackled. It's really not it's really

1:24:59.479 --> 1:25:01.760
<v Speaker 1>litter will be. But he couldn't tell them he had

1:25:01.800 --> 1:25:07.120
<v Speaker 1>to put a spin on it. It's a leadclbe stop

1:25:07.160 --> 1:25:10.080
<v Speaker 1>playing all right. We'll shout to Carlos Millichico being in DC.

1:25:10.240 --> 1:25:12.920
<v Speaker 1>Young fly for joining us this morning. Now, yea, we

1:25:13.000 --> 1:25:15.000
<v Speaker 1>got roomors on the way. Yes, this couple seemed like

1:25:15.080 --> 1:25:17.320
<v Speaker 1>they would be together forever, but turns out they even

1:25:17.400 --> 1:25:19.800
<v Speaker 1>had a divorce papers signed. Find out what they had

1:25:19.840 --> 1:25:22.280
<v Speaker 1>to say. Looking back. Coming up on the Breakfast Club,

1:25:23.360 --> 1:25:30.800
<v Speaker 1>it's topic time the phone call eight hundred five eight five,

1:25:30.840 --> 1:25:32.679
<v Speaker 1>one oh five. Want to join it to the discussion

1:25:32.720 --> 1:25:36.080
<v Speaker 1>with the Breakfast Club, talk about it more than everybody's

1:25:36.160 --> 1:25:39.880
<v Speaker 1>DJ Envy Angela Yee, Charlomagne the guy we are the

1:25:39.960 --> 1:25:42.880
<v Speaker 1>Breakfast Club. Good morning. Now if you just joined us,

1:25:42.880 --> 1:25:45.200
<v Speaker 1>we're talking about some creative or strange things you've done

1:25:45.200 --> 1:25:46.800
<v Speaker 1>to make money. Now, that story came from will Ye.

1:25:47.280 --> 1:25:50.760
<v Speaker 1>Mister Sophia. She's a dominator. She's sixty eight years old,

1:25:50.840 --> 1:25:52.639
<v Speaker 1>and she tried his men one hundred and fifty dollars

1:25:52.680 --> 1:25:55.680
<v Speaker 1>to clean her apartment because she's a dominatrix. All right,

1:25:55.760 --> 1:25:57.760
<v Speaker 1>So we're asking eight hundred five eighty five one oh

1:25:57.840 --> 1:26:02.240
<v Speaker 1>five one chanique, Yes, good morning, good morning. Now, what

1:26:02.360 --> 1:26:04.479
<v Speaker 1>are some creative extreme things you've done to make some money?

1:26:04.760 --> 1:26:07.280
<v Speaker 1>Oh my god. Okay, So I had this old white

1:26:07.360 --> 1:26:11.040
<v Speaker 1>man right and to like for me to do weird

1:26:11.120 --> 1:26:15.519
<v Speaker 1>stuff like stand on his sting with my heels. Um,

1:26:15.880 --> 1:26:19.320
<v Speaker 1>he paid me five hundred dollars on him. He would

1:26:19.360 --> 1:26:22.360
<v Speaker 1>pay me for me to let him like ejaculate on

1:26:22.520 --> 1:26:25.799
<v Speaker 1>my feet. I've had a man told me to collect

1:26:25.920 --> 1:26:30.240
<v Speaker 1>some of my urine and he would drink it. So wow, Um,

1:26:30.280 --> 1:26:33.280
<v Speaker 1>you want me to send this guy your way? No,

1:26:33.760 --> 1:26:39.160
<v Speaker 1>I can't. I am married with a son. Now, market

1:26:39.280 --> 1:26:42.519
<v Speaker 1>did you tell y'all stuff? How old is your son? Wow?

1:26:42.560 --> 1:26:44.559
<v Speaker 1>What are you trying to do? Well, he's still old

1:26:44.640 --> 1:26:48.240
<v Speaker 1>enough to pee on somebody. Let him do it. Chalmagne, challemagne.

1:26:48.280 --> 1:26:50.040
<v Speaker 1>I love you so much. I just want to say

1:26:50.080 --> 1:26:53.000
<v Speaker 1>that I love you. I love you more love y'all?

1:26:53.560 --> 1:26:55.160
<v Speaker 1>Did you did you tell your husband any of this

1:26:55.280 --> 1:26:58.040
<v Speaker 1>before you got married? Yeah? He knew. He knew that.

1:26:58.240 --> 1:27:01.120
<v Speaker 1>Like man used to want me to dominate them. I

1:27:01.320 --> 1:27:05.120
<v Speaker 1>was never a dominatrix, but I would do like for

1:27:05.280 --> 1:27:08.040
<v Speaker 1>still fetishes. You kind of were, and you were standing

1:27:08.120 --> 1:27:13.479
<v Speaker 1>on his privates with your heels. That's dominatris behavior. Yeah. Yeah,

1:27:13.520 --> 1:27:16.280
<v Speaker 1>he would like want me to stick the pointiest heels

1:27:16.520 --> 1:27:20.000
<v Speaker 1>into his Now, I will say crazy. Now you know

1:27:20.040 --> 1:27:21.560
<v Speaker 1>it's crazy. I used to sleep with a little the

1:27:21.600 --> 1:27:23.880
<v Speaker 1>woman and she would pay me, but I didn't ask

1:27:23.920 --> 1:27:25.960
<v Speaker 1>her for money. She was just taking care of me

1:27:26.000 --> 1:27:27.600
<v Speaker 1>because I was her young boy. And you made me

1:27:27.680 --> 1:27:29.160
<v Speaker 1>think about that just now, because she used to like

1:27:29.240 --> 1:27:33.040
<v Speaker 1>to wear heels and stepped on my lower back. Yes, yeah,

1:27:33.160 --> 1:27:36.280
<v Speaker 1>I don't know. He used to tell me she stepped

1:27:36.280 --> 1:27:38.800
<v Speaker 1>on your little back. Bro. She stepped lower than that. Bro. No,

1:27:39.120 --> 1:27:42.080
<v Speaker 1>I stepped on my little back. Guy with high head, guy,

1:27:42.520 --> 1:27:48.960
<v Speaker 1>I didn't hurt. He has even yet him. Y'all? Okay,

1:27:49.160 --> 1:27:50.760
<v Speaker 1>how much did she pay the step on your little back?

1:27:51.080 --> 1:27:52.439
<v Speaker 1>Most you have paid me? She give me like three

1:27:52.479 --> 1:27:55.360
<v Speaker 1>thousand dollars the time she was I was her little food.

1:27:56.000 --> 1:27:59.880
<v Speaker 1>You should give me food too. She twinkies and bags

1:28:00.080 --> 1:28:04.960
<v Speaker 1>chicken and the ziplock back to take on chicken. Hello

1:28:05.120 --> 1:28:08.640
<v Speaker 1>is this yeah the morning? Good morning, hey Marcus. Now

1:28:08.680 --> 1:28:10.120
<v Speaker 1>what did you do to make some maketure money man?

1:28:10.200 --> 1:28:13.200
<v Speaker 1>Some creative strange thing? Um? You know what? Um? I

1:28:13.320 --> 1:28:16.160
<v Speaker 1>was telling top side of the clubs. That makes sense.

1:28:16.280 --> 1:28:19.200
<v Speaker 1>That's actually a great hub range. I went. I went

1:28:19.280 --> 1:28:21.080
<v Speaker 1>out with my home girls, and I'm like, yo, what

1:28:21.240 --> 1:28:23.760
<v Speaker 1>y'are always therefore when you're coming to head her say so,

1:28:24.040 --> 1:28:25.840
<v Speaker 1>I was like, you know what, you know, there's a

1:28:25.880 --> 1:28:27.600
<v Speaker 1>lot of stuff out on the ground. I'm sorry, let

1:28:27.640 --> 1:28:29.160
<v Speaker 1>me let me see where I come make. It happened

1:28:29.640 --> 1:28:31.280
<v Speaker 1>and I just cut that. I went down to trying

1:28:31.280 --> 1:28:33.120
<v Speaker 1>to tell, you know, caught the pack for like twenty

1:28:33.400 --> 1:28:36.160
<v Speaker 1>saw popping for ten. Sorry, mom, make about like about

1:28:36.160 --> 1:28:38.800
<v Speaker 1>one hundred and fifty for the night. Great shout out

1:28:38.840 --> 1:28:41.200
<v Speaker 1>to Don Dixon. She ain't invented flat out hills for that?

1:28:41.280 --> 1:28:45.559
<v Speaker 1>Bad John, John, what's what's what's some creative strange things

1:28:45.560 --> 1:28:49.080
<v Speaker 1>you did to make money? Ready? Nine year old? Later

1:28:49.120 --> 1:28:53.560
<v Speaker 1>before a nine year old lady, Once you pay you,

1:28:54.520 --> 1:28:56.760
<v Speaker 1>I stayed like a hundred feet of huh. It was

1:28:56.800 --> 1:28:59.560
<v Speaker 1>big when I was a little younger. Overnight fifty that's it.

1:29:00.040 --> 1:29:02.280
<v Speaker 1>She convinced you at ninety? What did she say at ninety?

1:29:02.360 --> 1:29:05.080
<v Speaker 1>What does she look like? Man? I didn't need the money.

1:29:05.240 --> 1:29:08.080
<v Speaker 1>It wasn't as bad as you think, though. But how

1:29:08.120 --> 1:29:09.960
<v Speaker 1>did she come to you? How does she approach you? Land?

1:29:10.080 --> 1:29:12.000
<v Speaker 1>The man? But I needed a long family said she

1:29:12.080 --> 1:29:14.519
<v Speaker 1>was hot where where it was I had when the

1:29:14.600 --> 1:29:17.080
<v Speaker 1>plat for a job and a little temporary receive, you know,

1:29:17.720 --> 1:29:19.720
<v Speaker 1>and she was up there work and she looked she

1:29:19.840 --> 1:29:23.720
<v Speaker 1>looked at y'all to be there. How about I love

1:29:23.760 --> 1:29:27.640
<v Speaker 1>How young did she look? Said? How how young did

1:29:27.680 --> 1:29:32.479
<v Speaker 1>she look? Where she go for? Like? She? Uh, lady,

1:29:32.600 --> 1:29:35.200
<v Speaker 1>So you're talking like like like Cincily Tyson beautiful because

1:29:35.200 --> 1:29:37.400
<v Speaker 1>Cicily Tyson is up and since types of ninety four

1:29:37.600 --> 1:29:39.599
<v Speaker 1>and she's a beautiful woman. So she was a knapman,

1:29:39.640 --> 1:29:42.200
<v Speaker 1>it's what you're saying. Well, I wish she was black,

1:29:42.280 --> 1:29:47.200
<v Speaker 1>but she wasn't black. What did you do? You just

1:29:47.280 --> 1:29:52.000
<v Speaker 1>had vegular missionary sex. They just gave up. I ain't.

1:29:52.120 --> 1:29:55.439
<v Speaker 1>I didn't. She couldn't where. She couldn't handle right there,

1:29:55.520 --> 1:29:57.320
<v Speaker 1>So I just had to give her you know, didn't

1:29:57.360 --> 1:29:59.280
<v Speaker 1>do that and it was old. She asked you to

1:29:59.360 --> 1:30:02.680
<v Speaker 1>do it, Yes, she pace? What did she say? You

1:30:02.760 --> 1:30:04.960
<v Speaker 1>gotta tell me her zack verbage? What did she say

1:30:05.000 --> 1:30:07.320
<v Speaker 1>to you, young boy? Well, we got to talk and

1:30:07.360 --> 1:30:09.000
<v Speaker 1>I really came in her because I was trying to

1:30:09.000 --> 1:30:10.360
<v Speaker 1>get some money. I already know what she was on.

1:30:10.760 --> 1:30:14.040
<v Speaker 1>How did you figure that out? Yeah? She did? She

1:30:14.120 --> 1:30:16.240
<v Speaker 1>have on her teeth. That's a that's a guilt. I

1:30:16.320 --> 1:30:19.320
<v Speaker 1>gut y'all. Y'all tried to have sex, but she couldn't

1:30:19.400 --> 1:30:22.040
<v Speaker 1>handle it because you know, at ninety four don't work

1:30:22.080 --> 1:30:25.040
<v Speaker 1>the same. Nah. Nah, she she just couldn't handle it.

1:30:25.320 --> 1:30:28.920
<v Speaker 1>I was a little real four she did? Did she

1:30:29.000 --> 1:30:32.200
<v Speaker 1>take out her teeth and perform earl on you? Oh mine?

1:30:33.800 --> 1:30:39.719
<v Speaker 1>Oh disgusted? She dad? Now, yes, I'm sure. I'm pretty

1:30:39.760 --> 1:30:42.800
<v Speaker 1>sure she is. I mean thirty two. Okay, how did

1:30:42.840 --> 1:30:45.640
<v Speaker 1>it feel it with those gums rubbing on you? So

1:30:45.800 --> 1:30:48.800
<v Speaker 1>don't talk about a dead woman like that? What he did?

1:30:48.880 --> 1:30:53.080
<v Speaker 1>You did you? Yeah? But I ain't gonna though, I

1:30:53.120 --> 1:30:55.200
<v Speaker 1>would like for you. I think she would do it

1:30:55.240 --> 1:30:58.400
<v Speaker 1>before a little a lot. Yeah, she was ninety. I

1:30:58.520 --> 1:31:01.920
<v Speaker 1>wasn't her first rodeo. So you disgusted, man, I think

1:31:01.960 --> 1:31:04.439
<v Speaker 1>you're going to heaven. I think that after Loon got

1:31:04.479 --> 1:31:07.479
<v Speaker 1>you into heaven. My brother, I'm not going to judgment guys. Yeah,

1:31:07.520 --> 1:31:09.080
<v Speaker 1>I had to do a favor, you know, give us

1:31:09.120 --> 1:31:11.679
<v Speaker 1>something great for out of here. You made somebody's great

1:31:11.720 --> 1:31:15.320
<v Speaker 1>grandma's day, John John? Just last question? Did you eat

1:31:15.320 --> 1:31:19.840
<v Speaker 1>the booty? John Joe? He don't know. That's a hell no? Right?

1:31:19.960 --> 1:31:25.559
<v Speaker 1>But what anything else? Who do you think I am? Goodbye?

1:31:25.680 --> 1:31:29.880
<v Speaker 1>John John? What's the more of the story, man? I

1:31:29.960 --> 1:31:34.640
<v Speaker 1>don't know no more of the story. It's just that

1:31:35.040 --> 1:31:37.800
<v Speaker 1>that's some people like they're doing some scream things, some

1:31:38.000 --> 1:31:42.240
<v Speaker 1>change out here in the screech. They're trying to think

1:31:42.240 --> 1:31:43.800
<v Speaker 1>of that ninety ye old poem poone would be like,

1:31:44.640 --> 1:31:46.720
<v Speaker 1>that's what you still thinking about that? You gotta be

1:31:46.800 --> 1:31:48.559
<v Speaker 1>guys out there with those kind of fetishes that only

1:31:48.600 --> 1:31:52.559
<v Speaker 1>want to sleep category for it. What's that called. It's

1:31:52.560 --> 1:31:55.559
<v Speaker 1>called golden something. I'm gonna tell you right now, golden

1:31:56.200 --> 1:32:00.200
<v Speaker 1>what have mercy by man, keep it lock with up all.

1:32:00.240 --> 1:32:03.280
<v Speaker 1>Coming up next, it's the Breakfast Club. Everybody is DJ

1:32:03.840 --> 1:32:07.400
<v Speaker 1>Envy Angela Yee. Charlomagne the guy. We are the Breakfast

1:32:07.560 --> 1:32:10.680
<v Speaker 1>Club and Charlomagne, you've got a positive note for the people. Yes, sir,

1:32:11.200 --> 1:32:13.719
<v Speaker 1>Change your perceptions and your emotions will follow.