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Speaker 1: Did your time to get it off your chest, whether

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Speaker 1: you're mad or blast so, so you better have the

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Speaker 1: same minute. We want to hear from you on the

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Speaker 1: breakfast club. Hello, who's this? Hey? This Kisa, Hey Keisha,

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Speaker 1: get it up to Chessum in my lives, I don't

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Speaker 1: want to be live because I want to talk to

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Speaker 1: you about something. I'm being a victor from our apartment

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Speaker 1: and I don't want to be putting my business out

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Speaker 1: there over the era where you live. Um. I lived

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Speaker 1: in Jersey and I DM JU and I can provide

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Speaker 1: you all my documentation. Okay, hold on, hold on, hold on,

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Speaker 1: hold on. Hello, who's this Hey, good morning. It's Jermaine

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Speaker 1: out of Atlanta. How y'all doing this morning? What's going on? Ye? Hey?

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Speaker 1: Fam Um. I want to give a happy birthday shout

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Speaker 1: out to my grandma's man, she turned ninety three. Well, Um,

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Speaker 1: I also want to give a happy birthday shout out

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Speaker 1: to doing my sister, I love you, my big sister

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Speaker 1: out of Harlem. And another birthday shout out to my

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Speaker 1: other sister Shimika Walker. Love you too. Bo. You have

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Speaker 1: your family man, yeah, yeah, man, all only birthdays were

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Speaker 1: the same week, so I wanted to knock them all

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Speaker 1: out in one shot and send positive vibes. Is Friday,

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Speaker 1: God bless love the show. All right, thank you by vodka, Lemonade,

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Speaker 1: Vodka Love y'all. Hello, what's this? Hey? Who's this? Yeah?

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Speaker 1: This is Johnny. That's up, Johnny, get you off your chest. Yeah.

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Speaker 1: First things first, I want to talk about you, man, DJM.

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Speaker 1: Every time you introduced the breakfast Club, singing your name out,

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Speaker 1: d angry bro. Another thing, Charlotte Man, I'm glad you

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Speaker 1: stopped reaching baby. I'm glad you loving your skin back.

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Speaker 1: You know what I'm saying. I'm loving it, black fan. Baby.

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Speaker 1: So you think you think that you can reverse the

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Speaker 1: process of bleaching, you're also smart. I mean you never know, Dad,

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Speaker 1: you stopped bleaching. They go back to the almost Jamaica. Know,

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Speaker 1: they know they don't once you once you bleach and

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Speaker 1: you're rulling in pigments. In pigments is ruining forever, baby,

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Speaker 1: so you know. And another thing, the content. How y'all

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Speaker 1: been talking in the morning and all these kids they

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Speaker 1: get up for the morning before they go to school,

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Speaker 1: they listen to your program. Ya gotta stop your teenas talks. Man,

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Speaker 1: it's getting crazy between most of y'all. I know y'all married,

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Speaker 1: but come on, baby, the contake? What kind of hip

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Speaker 1: hop do you listen to in the car with your kids?

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Speaker 1: I actually want to come up to hip hop by

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Speaker 1: kind of changes like a cribbing station on news. You know.

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Speaker 1: I don't really try to get into the back can

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Speaker 1: I can't avoid it? That's what it is. I'm glad

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Speaker 1: you do that. You can't avoid it? Penis in us? Hello?

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Speaker 1: Who's this angel? Angel? What's up? Get it off your chest?

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Speaker 1: I'm just fake bad right now because when you guys

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Speaker 1: have hub with the breakfast club, I can never get through.

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Speaker 1: But Charlotte, man, you need to start getting to work

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Speaker 1: on time. Man, I look forward to that. Yo yo yo, yo,

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Speaker 1: yo yo. That's like my morning coffee. Man, what's up?

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Speaker 1: It's crazy? How no matter how many times I tell

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Speaker 1: y'all my contract, say six or five, y'all just won't

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Speaker 1: won't believe you, and we don't believe you. But please

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Speaker 1: all right, thank you, brother? Actually, actually thank you from

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Speaker 1: being on time every single day? Okay, thank you every day,

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Speaker 1: not every time, but you can do better. You're better

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Speaker 1: than Charlotte. Can I be late some time? Sure, you

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Speaker 1: happen barely. I think things happen, but it shouldn't be

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Speaker 1: every day a contract change six or five? Rachel, good morning,

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Speaker 1: what's up? Rachel? Get it off your chess, um, Charlotte Mane,

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Speaker 1: I definitely agree with you. My contract stars that six

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Speaker 1: so five too, I don't know. I don't age salute

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Speaker 1: to us six so five games um. So basically, I

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Speaker 1: just want to say good morning. I love you guys

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Speaker 1: to give a shout out to my boyfriend to man Um.

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Speaker 1: And I also want to ask you guys talk about

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Speaker 1: Nicki Minaj a lot in your rumor report, but you

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Speaker 1: guys don't play her music. Why don't you play her music? Well,

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Speaker 1: I have control of it what I talk about in

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Speaker 1: the rumor report, but we don't program the music on

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Speaker 1: the station. What song should we be playing? Well, I

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Speaker 1: don't play music needs. I'm just asking what songs your

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Speaker 1: radio will be playing. I mean, she has a lot

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Speaker 1: of loose songs. I would chance to wrap her um.

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Speaker 1: She remixed the Baby's song. I mean I just hear her,

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Speaker 1: hear her song in the mixes or anything. I would

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Speaker 1: just love to hear her more. All right, Hello, who's

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Speaker 1: this Hey? What's up getting off your chest? Hello? Good morning,

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Speaker 1: d J M. V Angela. Yeard morning guy, Good morning.

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Speaker 1: All right. So a couple of years ago I was

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Speaker 1: living with my egg boys friend and we had a

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Speaker 1: light door in my name, so he yeah, I don't

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Speaker 1: often promote out, but I kept in it just for

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Speaker 1: kind of my heart. I cheest it in my name,

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Speaker 1: can't pay the bill, so now I can't get the

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Speaker 1: lights in my name, so now here. Two years later

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Speaker 1: I ran down at him, and me and his first

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Speaker 1: friend had got to argument over the situation. Reminds you

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Speaker 1: of how you with him. But she wanted to jump

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Speaker 1: in first of all the people, why he only lives.

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Speaker 1: I wouldn't have sex with him while he was with her,

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Speaker 1: so for her to come at me, I'm like, my good,

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Speaker 1: you gotta thank me because it wasn't for me. You

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Speaker 1: want to have your bosom right now, and you want

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Speaker 1: to have no lights? He exactly like, thank you? Who

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Speaker 1: paying the light bill? Now? I don't. I don't have

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Speaker 1: I have life. I don't know how lightning and it's crazy,

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Speaker 1: they say, how do you want with this? To me?

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Speaker 1: I have just got a child, and know that as

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Speaker 1: much time I was gonna say nice too, And because

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Speaker 1: I want to have some because you had a girlfriend,

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Speaker 1: Can I give you some advice? Given you're gonna pay

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Speaker 1: for a light bill, now, I'm gonna give you some advice. Okay,

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Speaker 1: he's never gonna give you that money back. So no

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Speaker 1: matter how much you try to harass him about it,

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Speaker 1: all it's gonna do is be stressful for you. So

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Speaker 1: you just have to chalk that up as a loss

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Speaker 1: and figure out how we're gonna move on and move

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Speaker 1: forward past this, because all you're doing is putting some

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Speaker 1: more stress and burden on yourself. You have to chalk

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Speaker 1: it up and chalk him up as a loss, and

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Speaker 1: he's a loser. I have a go with mama. Get

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Speaker 1: it off your chest eight hundred five eight five one

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Speaker 1: on five one. If you need to vent, hit us

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Speaker 1: up right now. It's the break this club, Wake up,

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Speaker 1: wake up, your time to get it off your chest.

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Speaker 1: Whether your man or bless, we want to hear from

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Speaker 1: you on the breakfast. Black. Hello, who's this? It's up broke,

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Speaker 1: Get it off your chests. Man, don't just this morning man,

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Speaker 1: you and me both brother, yeah, man, you know, just

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Speaker 1: thinking the Lord and shouting out my family, my wife

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Speaker 1: and my kids. I was keep going on my way

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Speaker 1: to work. This one y'all have a blessing you have

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Speaker 1: going to my brother? Hello, who's this? This is Jules

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Speaker 1: Jails one hundred. Hello, I Jules Jim's one hundred. Hit

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Speaker 1: it off your chests, he said, like a cigarette. It's early,

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Speaker 1: it's earlier. Do we have tea yet? Well, what's up?

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Speaker 1: I'm gonna get you off your chest. You're having a

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Speaker 1: great day so far, so far, it's a great day.

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Speaker 1: So many blessings. Um, I do have a jury business.

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Speaker 1: It's called Jim Jail's one hundred. But every single day

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Speaker 1: I think about my brother that is in jail for

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Speaker 1: because of police book cality over for ten years and

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Speaker 1: in the morning, he's in jail because of police brutality.

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Speaker 1: How that happened? He was about fifteen years old and um,

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Speaker 1: he was jumped by police. They put him to jail.

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Speaker 1: They had a fun papers and even he didn't even

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Speaker 1: have a character with m dagn Oh my god, I'm

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Speaker 1: sorry him to confess to something that he didn't do.

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Speaker 1: Go it. God, I'm sorry about that, mama. And we

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Speaker 1: can see how that can happens if we've seen it

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Speaker 1: happen many times. That's awesome. I even want to go

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Speaker 1: visit him, and the police wouldn't let us visit him.

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Speaker 1: Is that illegal? And he's gonna jumped him here? And well,

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Speaker 1: I'm so sorry, mama. What was here? My story going

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Speaker 1: my brother's stories. So I'm very happy about that, okay,

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Speaker 1: But thank you for calling the event with us this morning.

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Speaker 1: Thank you so much. That was good day. You too. Hello?

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Speaker 1: Who's this which? Say? Hey, April, get it off her chest.

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Speaker 1: I want to split some positivity this morning. I wanted

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Speaker 1: to thank the Practice Club for getting me through my

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Speaker 1: parents three years. Um, I'm working Arkansas, Trump Country. Not

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Speaker 1: a lot of people look like me, so uh, just

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Speaker 1: want to thank you guys for getting me through the

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Speaker 1: past three years. So basically you're saying, we the only

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Speaker 1: black people you get to hear from every day. Basically

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Speaker 1: that's the reason why I barely Yeah. So like, I

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Speaker 1: decided that I needed to make a move to get

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Speaker 1: up out of there, and I songly found a way out.

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Speaker 1: It's a very topic workers it. So I'm still working

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Speaker 1: on my business until I can afford to move on. Okay, Mama,

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Speaker 1: We'll keep working all right, all right? So yo, you guys.

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Speaker 1: Vision my Instagram at s E n paspaq dot com.

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Speaker 1: Um and soon, Louie, I would love to sing you

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Speaker 1: some circles. Um. I created a feminine emergency kit for

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Speaker 1: manisturing people. You know, sometimes it's happened. Yeah, girl, I

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Speaker 1: I've had plenty of emergencies, so I was love love,

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Speaker 1: love love love to see you sustandful um. Check out

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Speaker 1: my instagram at sympat or my website at www dot

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Speaker 1: sympat se mtaq dot com. Thank you, mama. Hello, who's

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Speaker 1: this carn jack Jack calling from Detroit? What's up? Bro?

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Speaker 1: What I'm done? I'm mad at and that's my day.

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Speaker 1: My daughter came and going YouTube. Oh they cut the

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Speaker 1: internet off the internet working a little bit. I was

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Speaker 1: trying to you know, a black man no cheat, but

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Speaker 1: up traveling black men don't cheat. Hey, question, do you

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Speaker 1: love the D? Y'all love it D, But I don't

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Speaker 1: know about we talking about? What do you mean why

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Speaker 1: you gotta add something to it? Why I'm talking about Detroit?

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Speaker 1: Yeah player, Hey, I'll be trying to go on boarhoub.

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Speaker 1: You don't work either, so you know, I mean I've

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Speaker 1: got a herd for brother. You know what I'm saying.

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Speaker 1: You know you morecus are about paint Hub or your

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Speaker 1: daughter using the YouTube to watch our cartoons. Bro like

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Speaker 1: both like yeah, both of y'all got to be entertained.

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Speaker 1: I understand. Goodbye, man, all right, get it off your chest.

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Speaker 1: Eight hundred five eight five one on five one if

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Speaker 1: you need to vet hit this up right now. It

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Speaker 1: was the Breakfast Club. Come on, the Breakfast Club. Everybody

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Speaker 1: is DJ mvy Angela Yee, Charlomagne the guy. We are

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Speaker 1: the Breakfast Club. We got a special guest in the building,

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Speaker 1: one of the owners of Brooklyn chop House, a name

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Speaker 1: that rings bells in the music industry for a long time,

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Speaker 1: a friend of all hours. Dumb poo, what out? What out?

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Speaker 1: What up? You just mentioned in the camera so you

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Speaker 1: have the day camera was saying thank you because you

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Speaker 1: gave him some money when he needed it. Yeah. Yeah, yeah.

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Speaker 1: So back in the days when, um, you know, when

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Speaker 1: Cameron was first coming out, I recognized that talent and

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Speaker 1: I was actually trying to sign him, but you know

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Speaker 1: I was late to the game. Ye had already signed

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Speaker 1: his deal. So um, I say, you know what, I'm

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Speaker 1: developing another artist. You know, can you help me, you know,

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Speaker 1: do a few records in the studio, So he said,

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Speaker 1: I bet. So him and Jim Jones came through and

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Speaker 1: they helped me and developed this hot record. We did

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Speaker 1: this record, Baby Baby Baby, and a couple other joints,

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Speaker 1: and you know I recognized them first, So you know,

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Speaker 1: I was shocked when I heard. I was like, oh

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Speaker 1: that's nice. Yeah, he shot the video artist pretty boy.

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Speaker 1: It was actually turn onto the franchise in business too,

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Speaker 1: Yeah I heard. I mean he was inspired by a

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Speaker 1: lot of stuff that I was doing, so he was like,

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Speaker 1: you know, let me try a couple and do a

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Speaker 1: couple of things too. So that was dope. I feel

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Speaker 1: that because first of all, let's be clear down who

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Speaker 1: was from Brooklyn, absolutely brook to the fullest and has

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Speaker 1: a great musical background. Fine named Foxy Brown absolutely at

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Speaker 1: early age. Talk about Foxy because she was really young.

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Speaker 1: I remember when she first came on the scene with

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Speaker 1: LLL Cool j Absolutely so um shout out to Gavin

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Speaker 1: anton So. I used to have this barber shop called

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Speaker 1: Moods and Brooklyn and a lot of artists used to

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Speaker 1: come through. You. I just on the barber shop things

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Speaker 1: going on a few things sony years ago, years ago,

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Speaker 1: thirty years ago. So yeah, so you know what I'm trying. Yeah,

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Speaker 1: I'm here, down here now. So yeah, we had the

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Speaker 1: barbershop and BIGGI used to come through, and um Shine

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Speaker 1: used to come through, and then a lot of people

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Speaker 1: from the neighborhoods to get their haircut. So they recognized

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Speaker 1: I had this affiliation with a lot of artists and

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Speaker 1: that I was on the road with Biggie. Um really,

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Speaker 1: you know, cutting my teeth in the game, learning the

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Speaker 1: management game, you know, supporting the management team by running

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Speaker 1: with big and then became a friend with him, and

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Speaker 1: then um, you know, Anton Gab was like, yo, why

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Speaker 1: don't you check my sister out so you know, listen

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Speaker 1: to her, and I said, you know what, we're gonna rock.

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Speaker 1: So we you know, did some demos and then next thing,

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Speaker 1: you know, we got our break on ELO's record. I

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Speaker 1: shot you and then um, you know that blew up

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Speaker 1: and then you know, Ben and Walts began and then

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Speaker 1: she ended up getting the deal. We did this record

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Speaker 1: with Jay z Ain't no we toured for like we did.

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Speaker 1: We went on on a weekend tour. Every weekend. It

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Speaker 1: was Jay me her our Team Earth Gotti, Damon Dad

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Speaker 1: was just rocking. The record blew up and then she

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Speaker 1: put out an album and the rest was history. What

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Speaker 1: did it take to make a superstar back then compared

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Speaker 1: to like today's time, Well, it was a little different.

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Speaker 1: Back then. We didn't have the social media, so it

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Speaker 1: was a lot of mixtapes. It was a lot of

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Speaker 1: you know, doing verses on other people's records. We did

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Speaker 1: a couple of verses. We did this joint with Case Touchbets.

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Speaker 1: We did a couple of records, and then those records

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Speaker 1: turned into videos and then the next thing, you know,

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Speaker 1: you know, we were out there. You know, you know,

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Speaker 1: she could spit. She was different, she had that you

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Speaker 1: know tone, and then you know, next thing, you know,

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Speaker 1: we just blew up, put out the album and went platinums.

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Speaker 1: Whatever happened with Foxy though, like because you know she's

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Speaker 1: she had that. She had a great album, absolutely, and

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Speaker 1: she had another album that came out, and then it

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Speaker 1: just seemed like just things just bwindled off. Yeah, she

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Speaker 1: kind of you know, she was doing a thing for

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Speaker 1: a while. She did actually put out three albums and

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Speaker 1: then you know she's a mom now on shout out

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Speaker 1: to her and Babyca and you know, she just you know,

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Speaker 1: fell back a little bit, you know, and you know,

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Speaker 1: she had an issue with her hearing, so she just

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Speaker 1: kind of fell back. But you know, hopefully she's making

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Speaker 1: a you know, we're gonna see or hear from us soon.

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Speaker 1: I see her brothers still be at the restaurant too.

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Speaker 1: Oh yeah, yeah, shout out to Gather and then yeah,

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Speaker 1: they always come through and support, so they've been big

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Speaker 1: supporters as well. That means a lot. But you still

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Speaker 1: have great relationships with people I think who you came

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Speaker 1: up within the game, because we see people fall out

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Speaker 1: all the time over things, but I see you all

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Speaker 1: the time still rocking with the people that you've been

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Speaker 1: with for decades. Yeah. I think it's just a testament

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Speaker 1: to my relationship with different people in the game and

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Speaker 1: people that are not in the game. So you know,

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Speaker 1: it's it's just good to have those relationships because you

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Speaker 1: just never know when it's gonna parlay into something else,

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Speaker 1: you know what. You know, what I thought about this

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Speaker 1: notw even when it comes to artists like I think

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Speaker 1: the reason why a Foxy Brown will still be mentioning

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Speaker 1: today and people will still recognize her it's because of

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Speaker 1: all that hand in hand y'all did back in the day,

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Speaker 1: like actually going to meet people and touch me, touch people.

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Speaker 1: I don't think you can develop that connection with social media. Yeah,

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Speaker 1: you're right, You're right. It was a little different back

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Speaker 1: then because we actually had to go on a role

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Speaker 1: and touch everyone versus you're making a pulse and then

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Speaker 1: everyone's seeing it. You know, at the same time, you

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Speaker 1: reach a lot of people faster, but you write, the

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Speaker 1: connection and touching people and going to London and getting

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Speaker 1: on London radio and doing all those things was you know,

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Speaker 1: it was a more personal connect when when it came

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Speaker 1: to um you know artists and then you know individuals

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Speaker 1: in the music business. Now, you've always had an entrepreneurship spirit.

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Speaker 1: I want to know where that came from, because, like

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Speaker 1: you said, you had the barbershop. You also had the

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Speaker 1: club in Brooklyn, absolutely, Club Ring Club Rain, which was infamous.

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Speaker 1: I remember going there and I actually even dj there

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Speaker 1: when I used to halfway dj. Absolutely, I remember you're

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Speaker 1: coming through there. But you know, a lot of my

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Speaker 1: you know, you know a lot of my inspiration came

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Speaker 1: from my parents. You know, I watched you know, watched

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Speaker 1: them even though they weren't entrepreneurs, but you know, I

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Speaker 1: watched how they worked, you know, saved up and did

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Speaker 1: what they had to do for their family, for our family.

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Speaker 1: And then at the same time of the d age

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Speaker 1: or twelve, I was packing bags in the supermarket. So

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Speaker 1: I always wanted to make a little extra change, and

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Speaker 1: that's why I was making change technically back in the days.

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Speaker 1: And then you know, um, I watched Puff do his thing.

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Speaker 1: I had a lot of um inspirations and a lot

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Speaker 1: of images of you know, um business owners and entrepreneurs

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Speaker 1: earlier on, and I said to myself, you know what,

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Speaker 1: that's kind of what I want to do. Start my

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Speaker 1: own business through my own thing. You know, from what

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Speaker 1: I grew up with. I didn't have a lot of them,

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Speaker 1: but I had a few. You know, there was a

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Speaker 1: few business owners I knew. There was, you know, the

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Speaker 1: negative guys. It was the street guys that I kind

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Speaker 1: of identified with earlier on. But at the end of

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Speaker 1: the day, you know, it was you know, the business

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Speaker 1: people I respected and you know took that energy and

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Speaker 1: you know, always wanted to own my own business. So

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Speaker 1: what came first the musually go to the club. The

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00:17:01,920 --> 00:17:04,919
Speaker 1: music came first, So I had the barbershop first. Then

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Speaker 1: I got into the music business. Um after that, and

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Speaker 1: then I end up opening a club later on, like

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Speaker 1: five years after that. Um, and then to business. By

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Speaker 1: the way. The club oh very tough. UM. I got

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Speaker 1: out that I was in and then out. But we

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00:17:20,200 --> 00:17:21,880
Speaker 1: got a good We had a good run for about

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Speaker 1: a year. Shout out to my partner Diamond, rest in

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Speaker 1: peace to him. That was my partner in the club.

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Speaker 1: And this was two thousand and three to two thousand

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Speaker 1: and seven. And you can see anybody in there and

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Speaker 1: Brooklyn Joint Bill Kim Mayno y Quin random absolutely everybody

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Speaker 1: had come through show Love. So it was a good

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Speaker 1: it was a good, good little run. And then um,

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Speaker 1: after that I started to get into more of the

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Speaker 1: franchise in business. All right, we got more with John Pool.

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Speaker 1: When we come back, don't move. It's to Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. What up y'all? As DJ

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Speaker 1: Envy Angela Yee, Charlomagne the guy, we are the Breakfast Club.

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Speaker 1: We got a special guest in the building, Dom pul

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Speaker 1: On a Brooklyn shop house. What happened with the firm

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Speaker 1: were you involved with? Did you create the firm group

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Speaker 1: was at your idea, Oh, it wasn't my idea, but

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Speaker 1: I end up um being a part of it. So

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Speaker 1: that was Na's Foxy a Z nature. They kind of

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Speaker 1: UM in Cormega. They kind of you know, got together

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Speaker 1: and formed it. We just so you know, with the

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Speaker 1: executives behind it, you know, Steve Stout the yeah, yeah, yeah, yeah,

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00:18:32,560 --> 00:18:35,440
Speaker 1: we helped put the whole thing together because every artist

365
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Speaker 1: was signed to a different label, so it was a

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00:18:37,240 --> 00:18:40,280
Speaker 1: little difficult to kind of you know, put the album together,

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Speaker 1: but end up being on Colombia and then we all

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Speaker 1: executive produced it and put it together and it came

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Speaker 1: out with the you know, under the tutelage of you know,

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Speaker 1: the great Doctor drefful I was. It was definitely definitely

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Speaker 1: UM a process navigating through all the politics of all

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Speaker 1: the labels because all those artists were hot, so I

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Speaker 1: think every artist, every label wanted to have that album

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Speaker 1: on there, you know, on the label, so you know,

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00:19:06,119 --> 00:19:08,159
Speaker 1: but Niles was kind of like you know, the you know,

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Speaker 1: the leader of the group, so you know, it ended

377
00:19:10,800 --> 00:19:12,840
Speaker 1: up kind of going through that had to screen your

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00:19:12,840 --> 00:19:14,920
Speaker 1: relationship with with Hove at the time too, right because

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00:19:14,920 --> 00:19:17,320
Speaker 1: of Hove and Foxy relationship has always heard that Hole

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00:19:17,359 --> 00:19:20,840
Speaker 1: didn't necessarily agree with Foxy being a part of the front. Yeah,

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00:19:20,880 --> 00:19:23,479
Speaker 1: because so so at first they were talking about when

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00:19:23,560 --> 00:19:25,800
Speaker 1: when at one point Foxy when she first came out,

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00:19:25,880 --> 00:19:28,200
Speaker 1: she was really hot. So there's talks of you know,

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00:19:28,640 --> 00:19:30,560
Speaker 1: like a bonding and Cloude album. You know, it never

385
00:19:30,840 --> 00:19:34,440
Speaker 1: really materialized. But then she also had a relationship with

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00:19:34,600 --> 00:19:38,400
Speaker 1: nas right from you know, earlier on, and they decided

387
00:19:38,440 --> 00:19:40,960
Speaker 1: to do this this they talked about doing this album,

388
00:19:41,080 --> 00:19:44,040
Speaker 1: but then it actually you know, came to light. So yeah,

389
00:19:44,080 --> 00:19:46,800
Speaker 1: and then you know, you know, Niles and Jay didn't

390
00:19:46,800 --> 00:19:48,760
Speaker 1: really see eye to eye, but you know it was

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Speaker 1: Foxy was um kind of like that hot artist that

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00:19:54,160 --> 00:19:56,399
Speaker 1: you know, both teams kind of you know wanted to

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00:19:56,800 --> 00:19:58,880
Speaker 1: you know, work with, and you know, she did big

394
00:19:58,960 --> 00:20:01,920
Speaker 1: records with both of them. What about your relationship with Mary,

395
00:20:02,040 --> 00:20:04,879
Speaker 1: you you helped Mary with her her Yeah, yeah, I actually,

396
00:20:05,040 --> 00:20:08,240
Speaker 1: I actually was an executive at MCA, and you know,

397
00:20:08,600 --> 00:20:11,239
Speaker 1: I formed a relationship with Mary through working with her

398
00:20:11,359 --> 00:20:13,639
Speaker 1: on a couple of albums while I was there, and

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00:20:13,760 --> 00:20:16,280
Speaker 1: we became great friends and even on the outside after

400
00:20:16,359 --> 00:20:18,680
Speaker 1: I left. Still to this day, we you know, we

401
00:20:19,080 --> 00:20:23,040
Speaker 1: two deals together and work together. Um. It was great

402
00:20:23,080 --> 00:20:27,600
Speaker 1: working with her co executive producers. The executive producer by

403
00:20:27,680 --> 00:20:30,920
Speaker 1: the way, great great legend, legend. So it was just

404
00:20:31,080 --> 00:20:32,760
Speaker 1: like a blessing to be able to work with her

405
00:20:33,040 --> 00:20:34,840
Speaker 1: and to be able to have some success with her

406
00:20:35,160 --> 00:20:37,240
Speaker 1: on that No More Drama album back in the days.

407
00:20:37,280 --> 00:20:41,320
Speaker 1: It was you know, took me to another level? Right, yeah? Yeah? Yeah.

408
00:20:41,359 --> 00:20:44,960
Speaker 1: So what happened was Shane was coming out of a

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00:20:45,040 --> 00:20:49,800
Speaker 1: barbershop and he was like, yo, you, um you foxy manager.

410
00:20:50,000 --> 00:20:52,600
Speaker 1: I'm like, yeah, who want to know? Like you know,

411
00:20:52,840 --> 00:20:55,280
Speaker 1: I'm shine And he was like and I'm nice. So

412
00:20:55,400 --> 00:20:58,399
Speaker 1: he pulled out this the black notebook and starts spit

413
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Speaker 1: like like just rhyming, and it like for two hours.

414
00:21:02,359 --> 00:21:04,400
Speaker 1: So I'm like, oh, yeah, well I need to sign

415
00:21:04,480 --> 00:21:06,160
Speaker 1: you right away. So you had nowhere to go? Huh

416
00:21:06,359 --> 00:21:08,040
Speaker 1: huh you had nowhere to go that day? Huh? No,

417
00:21:08,160 --> 00:21:11,040
Speaker 1: No I didn't. I didn't move like he had me

418
00:21:11,240 --> 00:21:13,440
Speaker 1: like stuck. Did you think he sounded like biggy because

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00:21:13,440 --> 00:21:15,080
Speaker 1: I remember and when he first came out, people used

420
00:21:15,080 --> 00:21:17,280
Speaker 1: to be like, who is this? Absolutely his tone was

421
00:21:17,600 --> 00:21:19,440
Speaker 1: you know, and it was right. It was a little

422
00:21:19,520 --> 00:21:22,040
Speaker 1: after um, you know, bigg had passed, so his tone

423
00:21:22,160 --> 00:21:24,920
Speaker 1: it was similar. His style is a little different, but

424
00:21:25,040 --> 00:21:29,040
Speaker 1: that tone he had that like that deep tone. So um,

425
00:21:29,800 --> 00:21:32,760
Speaker 1: I was like, bro, you're nice. So he was like, yo,

426
00:21:32,840 --> 00:21:34,720
Speaker 1: what we're doing? So I ended up, you know, signed

427
00:21:34,760 --> 00:21:36,440
Speaker 1: him to my production company, and then I did a

428
00:21:36,560 --> 00:21:39,160
Speaker 1: deal with Diddy with bad Boy and then the rest

429
00:21:39,240 --> 00:21:41,840
Speaker 1: is you know, that didn't he had no reservation being

430
00:21:41,840 --> 00:21:44,280
Speaker 1: that he sounded like big and big with your Manum

431
00:21:44,880 --> 00:21:47,159
Speaker 1: I did that first, you know I didn't, and everyone

432
00:21:47,280 --> 00:21:49,879
Speaker 1: did that first. But his style, I just knew he

433
00:21:50,040 --> 00:21:54,399
Speaker 1: wouldn't be like him, right, his whole style, his whole movement,

434
00:21:54,560 --> 00:21:57,960
Speaker 1: his whole you know, his swag was totally different than

435
00:21:58,040 --> 00:22:01,000
Speaker 1: what Biggie was. And you know, his stuff matter still was,

436
00:22:01,400 --> 00:22:04,119
Speaker 1: you know, and I felt that Brooklyn connection because just

437
00:22:04,240 --> 00:22:07,320
Speaker 1: like Big from Brooklyn, so his you know, that Brooklyn connection,

438
00:22:07,400 --> 00:22:09,879
Speaker 1: that whole thing, everything he was spitting was just I

439
00:22:10,000 --> 00:22:11,680
Speaker 1: just felt it. So I said, you know what we're

440
00:22:11,720 --> 00:22:13,480
Speaker 1: gonna wrong with this? How do you avoid having to

441
00:22:13,600 --> 00:22:16,960
Speaker 1: take aside in certain situations? Right? Because we talked about

442
00:22:17,000 --> 00:22:18,800
Speaker 1: the jay Z versus Nas and then it was Little

443
00:22:18,880 --> 00:22:22,359
Speaker 1: Kim versus Foxy. But you could navigate between those crews

444
00:22:22,400 --> 00:22:26,280
Speaker 1: of people. Did you ever feel pressured like I have to? No,

445
00:22:26,520 --> 00:22:28,960
Speaker 1: not really. I think there was a lot of that

446
00:22:29,359 --> 00:22:32,600
Speaker 1: and out there in the media. But for me, a

447
00:22:32,680 --> 00:22:34,600
Speaker 1: lot of these people are my friends. It's still my

448
00:22:34,680 --> 00:22:38,000
Speaker 1: friends today. So again, I don't know if it's my

449
00:22:38,160 --> 00:22:40,840
Speaker 1: relationships with everyone because I was on the road with

450
00:22:40,960 --> 00:22:43,600
Speaker 1: Big before I had Foxy, so I had a relationship

451
00:22:43,600 --> 00:22:46,280
Speaker 1: with Kim So and then Kim and Foxy were friends.

452
00:22:46,520 --> 00:22:50,200
Speaker 1: So after you know, you know, the hype and the

453
00:22:50,359 --> 00:22:53,360
Speaker 1: media and you know who's better in the competition, everybody

454
00:22:53,600 --> 00:22:57,000
Speaker 1: starts to pit people against each other. That's what happens

455
00:22:57,080 --> 00:23:00,240
Speaker 1: with those relationships. But you know, the relationships behind it

456
00:23:00,240 --> 00:23:03,399
Speaker 1: seems like I was never you know, beefing with you know,

457
00:23:03,880 --> 00:23:05,560
Speaker 1: their side. It was never beef for me. It was

458
00:23:05,640 --> 00:23:08,520
Speaker 1: it was all about for me, it's business, none personal.

459
00:23:08,560 --> 00:23:11,320
Speaker 1: It's all business. How didn't you initially like get through

460
00:23:11,680 --> 00:23:14,080
Speaker 1: finances to start all of this stuff. I mean it

461
00:23:14,240 --> 00:23:17,920
Speaker 1: was just me investing, working hard and putting you know,

462
00:23:18,080 --> 00:23:20,720
Speaker 1: putting my money, putting my money behind my name. You know,

463
00:23:20,800 --> 00:23:23,480
Speaker 1: I bet on myself, you know, so you know, the

464
00:23:23,560 --> 00:23:26,120
Speaker 1: barbershop wasn't hard, you know, it was doing a barbershop.

465
00:23:26,200 --> 00:23:28,080
Speaker 1: Then it was just getting on the road, and it

466
00:23:28,119 --> 00:23:30,159
Speaker 1: was the music business. Then I did really well in

467
00:23:30,200 --> 00:23:34,439
Speaker 1: the music business. Then I transitioned that into franchising, then

468
00:23:34,720 --> 00:23:37,760
Speaker 1: franchising into my own brand. So you know, yeah, let's

469
00:23:37,760 --> 00:23:40,760
Speaker 1: talk it. We didn't talk about the franchising, yeah, so,

470
00:23:41,160 --> 00:23:44,200
Speaker 1: so we want to really So what I did was

471
00:23:44,440 --> 00:23:47,960
Speaker 1: I got an opportunity after I had the club to do,

472
00:23:48,480 --> 00:23:52,040
Speaker 1: to franchise on Papa John's Pizza. So a friend of

473
00:23:52,119 --> 00:23:53,920
Speaker 1: mine came to me and said, I have this opportunity,

474
00:23:54,000 --> 00:23:56,600
Speaker 1: and I partned up with him with a sixteen store

475
00:23:56,680 --> 00:23:59,199
Speaker 1: deal in New York City. Dope, So we ended up

476
00:23:59,240 --> 00:24:02,520
Speaker 1: opening eight and then um, I got the opportunity from

477
00:24:02,640 --> 00:24:06,080
Speaker 1: there to open up I Hobs in Brooklyn and then

478
00:24:06,160 --> 00:24:08,960
Speaker 1: we end up opening those I Hobs end up today

479
00:24:09,000 --> 00:24:11,480
Speaker 1: we have three abs in Brooklyn. M So I took

480
00:24:11,520 --> 00:24:15,600
Speaker 1: the development deal for the whole territory and then from

481
00:24:15,680 --> 00:24:17,840
Speaker 1: there I had an opportunity to do check Its open

482
00:24:17,920 --> 00:24:20,520
Speaker 1: up a few few of those. So. M But I

483
00:24:20,640 --> 00:24:24,439
Speaker 1: want to say this, there's definitely a lack of participation

484
00:24:24,720 --> 00:24:28,280
Speaker 1: from on the minority side in the franchise community as

485
00:24:28,520 --> 00:24:31,520
Speaker 1: as a whole. So I'm getting together with a you know,

486
00:24:31,720 --> 00:24:34,800
Speaker 1: few Wallstreet guys I met through Brooklyn chop House down

487
00:24:34,880 --> 00:24:37,240
Speaker 1: the financial district to kind of put a fund together

488
00:24:37,760 --> 00:24:43,240
Speaker 1: to support and to invest in entrepreneurs and you know,

489
00:24:43,440 --> 00:24:46,560
Speaker 1: minority owned franchises for people to get into it because

490
00:24:46,560 --> 00:24:50,360
Speaker 1: it's hard to navigate through the people don't have the information.

491
00:24:50,720 --> 00:24:53,480
Speaker 1: It's the information, So people don't have the information, and

492
00:24:53,600 --> 00:24:55,800
Speaker 1: I have the information and people ask me all the time,

493
00:24:56,080 --> 00:24:57,760
Speaker 1: how do I start a franchise? How do I get in?

494
00:24:57,960 --> 00:25:01,080
Speaker 1: Because you know, it's everything from site cite selection to

495
00:25:01,800 --> 00:25:05,800
Speaker 1: being approved financially to having experience already, So it's a

496
00:25:05,880 --> 00:25:08,560
Speaker 1: cash twenty two sometimes because a lot of the franchise

497
00:25:08,640 --> 00:25:13,240
Speaker 1: ores want you to have the experience and the you know,

498
00:25:13,440 --> 00:25:16,200
Speaker 1: capital to do it correct, and the two usually don't mix.

499
00:25:16,400 --> 00:25:19,480
Speaker 1: Sometimes you have people a capital with no experience, and

500
00:25:19,600 --> 00:25:22,119
Speaker 1: some people with experience that's been in a food business

501
00:25:22,600 --> 00:25:25,080
Speaker 1: or the food and verners for a long time don't

502
00:25:25,119 --> 00:25:28,440
Speaker 1: have the capital or can't get access to capital and finances.

503
00:25:28,520 --> 00:25:30,720
Speaker 1: So we're trying to you know, create something that puts

504
00:25:30,760 --> 00:25:33,560
Speaker 1: all those things together and give them the information to

505
00:25:33,640 --> 00:25:36,240
Speaker 1: connect the dots to where to go from you know,

506
00:25:36,400 --> 00:25:40,320
Speaker 1: our business services accounting to lawyer services, to you know,

507
00:25:40,520 --> 00:25:44,200
Speaker 1: negotiating leases, to finding locations, to dealing with franchise oors,

508
00:25:44,200 --> 00:25:48,960
Speaker 1: to dealing with the with the franchise UM, the actual

509
00:25:49,040 --> 00:25:52,280
Speaker 1: franchise agreement, you know, to you know, to understand all

510
00:25:52,560 --> 00:25:55,520
Speaker 1: the parts and pieces that you need to navigate through

511
00:25:55,560 --> 00:25:59,520
Speaker 1: and to UM successfully you know, start a franchise, because

512
00:26:00,119 --> 00:26:02,840
Speaker 1: it's it's it's there. It's just having like you said,

513
00:26:02,920 --> 00:26:06,240
Speaker 1: having the information in the knowledge doing it similar to

514
00:26:06,720 --> 00:26:08,800
Speaker 1: you know, what you've been doing giving people the knowledge.

515
00:26:08,800 --> 00:26:10,200
Speaker 1: All right, we got more with Don Pool when we

516
00:26:10,240 --> 00:26:12,160
Speaker 1: come back, don't move. It's to breakfast club. Good morning,

517
00:26:12,200 --> 00:26:15,800
Speaker 1: what y'allas dj M v Angela yee Charlomagne the guy

518
00:26:15,880 --> 00:26:17,560
Speaker 1: we are to Breakfast Club. We got a special guest

519
00:26:17,600 --> 00:26:21,560
Speaker 1: in the building, Don Pool, owner a Brooklyn shop house Charlomagne.

520
00:26:21,760 --> 00:26:24,880
Speaker 1: How difficult is it to get into a franchise? UM,

521
00:26:25,560 --> 00:26:29,040
Speaker 1: it's a process. So it's not UM A one two

522
00:26:29,240 --> 00:26:32,199
Speaker 1: three like UM you just sign up in your end.

523
00:26:32,359 --> 00:26:35,439
Speaker 1: It's it's a process, so you have to get approved. UM.

524
00:26:35,840 --> 00:26:37,760
Speaker 1: You know, you have to qualify. So those are one

525
00:26:37,800 --> 00:26:39,880
Speaker 1: of those are some of the things that we want

526
00:26:40,359 --> 00:26:43,240
Speaker 1: to kind of share, get that information out and share

527
00:26:43,560 --> 00:26:45,920
Speaker 1: that the opportunity is there, give you the information on

528
00:26:46,080 --> 00:26:48,159
Speaker 1: how to do it. But it takes some time. You know,

529
00:26:48,240 --> 00:26:51,040
Speaker 1: it could take six months to a year to get qualified.

530
00:26:51,119 --> 00:26:53,920
Speaker 1: And then you know another you have to build your restaurant.

531
00:26:53,920 --> 00:26:55,439
Speaker 1: You have to find a restaurant, you have to negotiate

532
00:26:55,480 --> 00:26:56,840
Speaker 1: at least you have to build a restaurant. You got

533
00:26:56,920 --> 00:26:58,840
Speaker 1: to open a restaurant. You have to staff the restaurant,

534
00:26:59,080 --> 00:27:01,320
Speaker 1: you have to hire people. You know, It's just that's

535
00:27:01,359 --> 00:27:03,199
Speaker 1: the hardest part because a lot of these restaurants they

536
00:27:03,240 --> 00:27:05,760
Speaker 1: don't cost a lot to open, right, it's just getting

537
00:27:05,760 --> 00:27:07,959
Speaker 1: through all that paperwork, getting through the paperwork and then

538
00:27:08,040 --> 00:27:11,280
Speaker 1: have access to financing, you know, because you know that's

539
00:27:11,440 --> 00:27:15,359
Speaker 1: that's one that's that's the holdback a lot for you know,

540
00:27:15,440 --> 00:27:19,440
Speaker 1: a lot of entrepreneurs is finding the access to capital

541
00:27:19,560 --> 00:27:21,720
Speaker 1: as well. So you know, I want to try to

542
00:27:21,760 --> 00:27:24,560
Speaker 1: open up some doors. You know, anybody out there on

543
00:27:24,600 --> 00:27:27,960
Speaker 1: a holl at me at Downpool Music, well, and I

544
00:27:28,040 --> 00:27:30,359
Speaker 1: will say Downpool is very accessible. When I decided I

545
00:27:30,400 --> 00:27:32,040
Speaker 1: wanted to do the juice bar, the first thing I

546
00:27:32,119 --> 00:27:34,040
Speaker 1: did was called Downpool and be like, do you ask

547
00:27:34,080 --> 00:27:35,600
Speaker 1: some time to sit down with me. I just wanted

548
00:27:35,600 --> 00:27:37,600
Speaker 1: to talk to you about some things, and a lot

549
00:27:37,600 --> 00:27:38,960
Speaker 1: of things I said I was gonna do I did

550
00:27:39,119 --> 00:27:40,639
Speaker 1: end up doing it. One of the main things that

551
00:27:40,760 --> 00:27:42,879
Speaker 1: don Pool said was a lot of people will come

552
00:27:42,920 --> 00:27:45,199
Speaker 1: to him and ask him for advice, but then they

553
00:27:45,240 --> 00:27:48,600
Speaker 1: don't act on it. Absolutely, that's and that's that's been

554
00:27:48,640 --> 00:27:52,480
Speaker 1: the biggest thing. And you know, you reached out, you know,

555
00:27:52,560 --> 00:27:54,639
Speaker 1: you were opening up the juice bar and you reached

556
00:27:54,680 --> 00:27:57,000
Speaker 1: out like, hey, you know, what do you think. I'm like, oh, man,

557
00:27:57,080 --> 00:28:00,560
Speaker 1: your own doing your own business and that location in

558
00:28:00,680 --> 00:28:05,280
Speaker 1: that area and made total sense. So a lot of people,

559
00:28:05,920 --> 00:28:09,120
Speaker 1: you know, don't follow through after they you know, reach out,

560
00:28:09,200 --> 00:28:12,960
Speaker 1: which is you know, you know I can't. I don't

561
00:28:13,000 --> 00:28:16,520
Speaker 1: know why, but you know, it takes that determination. It's

562
00:28:16,520 --> 00:28:18,320
Speaker 1: hard to take that first step for yeah, and it's

563
00:28:18,320 --> 00:28:19,760
Speaker 1: hard to take that first step for a lot of

564
00:28:19,800 --> 00:28:21,320
Speaker 1: people because a lot of people are in that comfort

565
00:28:21,440 --> 00:28:24,960
Speaker 1: zone and you know, it takes you know, I applaud

566
00:28:25,000 --> 00:28:28,240
Speaker 1: all you guys for you know, diversifying and all of

567
00:28:28,320 --> 00:28:30,280
Speaker 1: the things that you guys are doing, and that's the key,

568
00:28:30,400 --> 00:28:32,399
Speaker 1: being diversified. You know, it's the biggest thing when I

569
00:28:32,480 --> 00:28:34,760
Speaker 1: talk to most people when I do the seminars, the

570
00:28:34,840 --> 00:28:37,120
Speaker 1: biggest thing is they're scared to take that first step.

571
00:28:37,600 --> 00:28:39,400
Speaker 1: So if there's a let's say a thousand people lay

572
00:28:39,440 --> 00:28:41,760
Speaker 1: or four thousand people are, you'll probably get five percent

573
00:28:41,880 --> 00:28:44,880
Speaker 1: that actually will go towards and try. The other just

574
00:28:45,000 --> 00:28:47,320
Speaker 1: hold that information and I'm hoping that one day they'll

575
00:28:47,320 --> 00:28:48,360
Speaker 1: get to be like, you know what, let me just

576
00:28:48,400 --> 00:28:50,000
Speaker 1: try because most people are just scared to take that

577
00:28:50,120 --> 00:28:51,880
Speaker 1: that first step. You know. The problem is too a

578
00:28:51,960 --> 00:28:54,560
Speaker 1: lot of times when people are having these conversations with

579
00:28:54,680 --> 00:28:57,680
Speaker 1: other people, it's the finished product talking to somebody who

580
00:28:57,720 --> 00:29:00,600
Speaker 1: hasn't even started the process correct, So they're looking they

581
00:29:00,800 --> 00:29:03,040
Speaker 1: I want that now, But it's a process to get

582
00:29:03,120 --> 00:29:05,720
Speaker 1: to the pool, to get the even you don't know

583
00:29:05,720 --> 00:29:08,880
Speaker 1: what you're talking about, to get the it's definitely definitely

584
00:29:08,960 --> 00:29:12,520
Speaker 1: a process. But I think if we give them an

585
00:29:12,640 --> 00:29:14,880
Speaker 1: example for them to look at. You bring the new

586
00:29:14,960 --> 00:29:17,720
Speaker 1: person that just did it right for them to look

587
00:29:17,800 --> 00:29:21,480
Speaker 1: at like and have them give them give their testimony

588
00:29:21,840 --> 00:29:25,000
Speaker 1: on what I what it took for them to take

589
00:29:25,080 --> 00:29:27,800
Speaker 1: that first step, then it feels like, oh, he's like

590
00:29:27,960 --> 00:29:30,240
Speaker 1: you know, he's like me, he's not envy. He's not

591
00:29:30,400 --> 00:29:33,200
Speaker 1: you know, like too far gone, like you know, that's

592
00:29:33,280 --> 00:29:36,120
Speaker 1: easy for him, like you know, he did it, so

593
00:29:36,480 --> 00:29:38,680
Speaker 1: like I'm hearing, but like he did it. But if

594
00:29:38,680 --> 00:29:43,080
Speaker 1: you get testimonies from people that's just that just signed up,

595
00:29:43,120 --> 00:29:49,320
Speaker 1: that just did their first first the first first one,

596
00:29:49,720 --> 00:29:52,320
Speaker 1: then it becomes a lot more and you know, it

597
00:29:52,440 --> 00:29:54,960
Speaker 1: connects connects a little a little better. So what's the

598
00:29:55,000 --> 00:29:57,440
Speaker 1: better hustle music of the food industry. Well, it gives

599
00:29:57,480 --> 00:30:01,800
Speaker 1: me a chance to diversify the the food and beverage,

600
00:30:01,840 --> 00:30:04,920
Speaker 1: in the in the hospitality business. But you know, my

601
00:30:05,160 --> 00:30:08,000
Speaker 1: my my, my heart is in music, so it could be.

602
00:30:08,280 --> 00:30:10,800
Speaker 1: But music music business for me has been like a

603
00:30:10,920 --> 00:30:13,640
Speaker 1: roller coaster. And for many people, you know, there's been

604
00:30:13,720 --> 00:30:16,760
Speaker 1: a few people that's mastered it, that's a few that's

605
00:30:16,800 --> 00:30:19,640
Speaker 1: been able to just you know, keep it, keep it there.

606
00:30:20,000 --> 00:30:22,520
Speaker 1: But for me, I just wanted to diversify. And I

607
00:30:22,600 --> 00:30:25,880
Speaker 1: think they're both depending on you know, the times, and

608
00:30:25,960 --> 00:30:28,800
Speaker 1: they're botho And you got a book coming out called

609
00:30:28,880 --> 00:30:32,880
Speaker 1: How I Hopped? Yeah yeah, yeah, yeah yeah yeah. So

610
00:30:33,360 --> 00:30:35,200
Speaker 1: so a lot of a lot of the businesses that

611
00:30:35,280 --> 00:30:37,520
Speaker 1: I've been in so from hip hop is basically based

612
00:30:37,560 --> 00:30:41,280
Speaker 1: on hip hop. Um, I hoped and chop which has

613
00:30:41,320 --> 00:30:44,280
Speaker 1: hopping it so so yeah. So it's basically how I

614
00:30:44,400 --> 00:30:48,200
Speaker 1: navigate my entrepreneurial journey through you know, these different industries

615
00:30:48,240 --> 00:30:51,000
Speaker 1: and how I've been able to navigate and really to

616
00:30:51,160 --> 00:30:55,280
Speaker 1: inspire and to actually give information on starting your own

617
00:30:55,320 --> 00:30:58,160
Speaker 1: business and taking that first step and you know, going

618
00:30:58,320 --> 00:31:02,320
Speaker 1: from you know, navigating end up versifying your portfolio into

619
00:31:02,400 --> 00:31:05,320
Speaker 1: having you know, seven streams of income which is what

620
00:31:05,440 --> 00:31:07,840
Speaker 1: we all kind of shoot for. Well, thank you so

621
00:31:07,960 --> 00:31:10,160
Speaker 1: much for joining us. We appreciate it so much. And

622
00:31:10,280 --> 00:31:12,240
Speaker 1: just no, Brooklyn Chop House is open for lunch too,

623
00:31:12,360 --> 00:31:14,960
Speaker 1: so yeah, figure out where do I go for lunch

624
00:31:15,400 --> 00:31:16,960
Speaker 1: or where do I come If I'm coming to visit

625
00:31:17,080 --> 00:31:18,800
Speaker 1: New York, Where's a good place to go hang out?

626
00:31:18,840 --> 00:31:21,480
Speaker 1: You never know who you might see at Brooklyn Chop House.

627
00:31:21,800 --> 00:31:24,720
Speaker 1: You guys on pay six all the time. Absolutely, thank

628
00:31:24,880 --> 00:31:27,600
Speaker 1: thank you. You definitely come through Brooklyn Chop House even

629
00:31:27,640 --> 00:31:32,640
Speaker 1: though it's called Brooklyn Chop House in the city right

630
00:31:32,720 --> 00:31:35,440
Speaker 1: out of Brooklyn Bridge, So definitely check it out. You

631
00:31:35,520 --> 00:31:39,080
Speaker 1: guys won't be disappointed. Um can't wait, can't wait to

632
00:31:39,160 --> 00:31:41,600
Speaker 1: have everybody thank you guys for having me. It's been

633
00:31:41,640 --> 00:31:44,400
Speaker 1: really dope. Man, it's don Pooh, thank you. It's the

634
00:31:44,440 --> 00:31:50,560
Speaker 1: Breakfast Local Morning, my man, the Breakfast Club. Yeah, it's

635
00:31:50,600 --> 00:31:52,800
Speaker 1: the world most dangerous morning show. To Breakfast Club or

636
00:31:52,920 --> 00:31:55,600
Speaker 1: Charlomagne and God Angela E. DJ Via is on vacation

637
00:31:55,640 --> 00:31:57,320
Speaker 1: and I can't think of nobody that I wanted to

638
00:31:57,360 --> 00:32:00,200
Speaker 1: talk to more this week. And this man at his

639
00:32:00,280 --> 00:32:07,480
Speaker 1: head right now, tank his head because there's an album out,

640
00:32:07,560 --> 00:32:13,400
Speaker 1: Elevation album out, Yes, Elevation. Oh was doing all lip

641
00:32:13,440 --> 00:32:15,960
Speaker 1: servers promoting. I was promot I was trying to promote

642
00:32:16,000 --> 00:32:20,480
Speaker 1: my album, touring them on with Fantas just her tour.

643
00:32:20,600 --> 00:32:23,080
Speaker 1: But I'm on tour with her. We're doing really well.

644
00:32:23,600 --> 00:32:26,440
Speaker 1: Robin Thick the Bonfire, it's going really well. Are you

645
00:32:26,480 --> 00:32:30,360
Speaker 1: always on tour You've been you have no shortage of money? No, No,

646
00:32:30,480 --> 00:32:33,000
Speaker 1: I do dates. But the tour is different, you know

647
00:32:33,040 --> 00:32:35,320
Speaker 1: what I'm saying, where we actually line it up, package

648
00:32:35,400 --> 00:32:38,320
Speaker 1: it um promoted, just a different kind of thing. You're

649
00:32:38,320 --> 00:32:39,800
Speaker 1: wanted a few R and B artists and stay on

650
00:32:39,840 --> 00:32:42,080
Speaker 1: the road. Yeah, I mean me and Genuine got your

651
00:32:42,160 --> 00:32:43,960
Speaker 1: Genuine is always on the road. I don't know how

652
00:32:44,040 --> 00:32:45,960
Speaker 1: he does it, but forget all that. How many do

653
00:32:46,080 --> 00:32:50,880
Speaker 1: you have to that's the problem this We got everything

654
00:32:52,080 --> 00:32:54,160
Speaker 1: the show. Now, how many do you have to? Sup

655
00:32:54,280 --> 00:32:56,680
Speaker 1: be I don't know. First of all, this is the problem.

656
00:32:57,320 --> 00:33:01,000
Speaker 1: She did this? Okay, tell me breaking down? We saw

657
00:33:01,040 --> 00:33:04,920
Speaker 1: the editive version. We were talking about lies, right, Laura,

658
00:33:05,000 --> 00:33:07,240
Speaker 1: y'all said that she was with this guy who was

659
00:33:07,280 --> 00:33:10,160
Speaker 1: a liar, right, and you said, if you tell two lies,

660
00:33:10,520 --> 00:33:12,120
Speaker 1: then you're not a liar. Well, I was saying that

661
00:33:12,600 --> 00:33:16,240
Speaker 1: he hasn't become a liar. He said he only lied

662
00:33:16,520 --> 00:33:19,160
Speaker 1: twice about those two things. I said, so I'm not

663
00:33:19,240 --> 00:33:21,600
Speaker 1: sure if he's a liar yet. He just felt a

664
00:33:21,680 --> 00:33:24,840
Speaker 1: need to lie about those two things and know And

665
00:33:24,920 --> 00:33:27,280
Speaker 1: then missus miss Angela says, well what about it? If?

666
00:33:28,000 --> 00:33:29,640
Speaker 1: I think, well, how did we get here? Like you

667
00:33:29,760 --> 00:33:33,560
Speaker 1: could see my disposition? I didn't like where this was going.

668
00:33:33,760 --> 00:33:35,680
Speaker 1: So why didn't you stop it? Tank? I don't know.

669
00:33:37,120 --> 00:33:39,560
Speaker 1: I just started talking the thing about tank is a

670
00:33:39,640 --> 00:33:42,720
Speaker 1: tank always want to prove his point. I didn't want

671
00:33:42,720 --> 00:33:45,760
Speaker 1: to back down. Yeah, yeah, I'm saying. So now I'm like,

672
00:33:46,000 --> 00:33:48,240
Speaker 1: now I'm trapped in between two right, I don't know

673
00:33:48,320 --> 00:33:50,720
Speaker 1: what's going on just right here in a hard place,

674
00:33:51,480 --> 00:33:53,520
Speaker 1: and that biggie said, you find yourself with two and

675
00:33:53,640 --> 00:33:56,520
Speaker 1: no chick. You're being some serious he was with three

676
00:33:56,600 --> 00:33:59,520
Speaker 1: chicks chicks, So I don't know, like I'm not, I'm

677
00:33:59,800 --> 00:34:05,800
Speaker 1: not on how many. So you were just talking. Well

678
00:34:06,080 --> 00:34:09,200
Speaker 1: also this too, I also was speaking from what I

679
00:34:09,280 --> 00:34:12,920
Speaker 1: feels a behavior standpoint. Right, Okay, if you participate in

680
00:34:13,000 --> 00:34:18,000
Speaker 1: an act, that doesn't necessarily make you part of that thing.

681
00:34:18,120 --> 00:34:20,680
Speaker 1: But if you become twice, if it becomes I don't

682
00:34:20,719 --> 00:34:23,640
Speaker 1: know if that's what you twice, I don't know. You said,

683
00:34:25,960 --> 00:34:28,319
Speaker 1: if you construction worker and you do it to times

684
00:34:28,560 --> 00:34:31,400
Speaker 1: construction a couple times construction worker, but you could be

685
00:34:31,960 --> 00:34:36,680
Speaker 1: but I'm not. But if you construction worker felt good.

686
00:34:38,680 --> 00:34:41,279
Speaker 1: If you commit murder twice, you're a murderer. You do

687
00:34:41,360 --> 00:34:43,680
Speaker 1: it once. Rob banks, you a bank robber. Well, but

688
00:34:43,800 --> 00:34:46,200
Speaker 1: but see this, we're talking about something different because we

689
00:34:46,280 --> 00:34:48,560
Speaker 1: were we were talking about or I'm talking about the

690
00:34:48,680 --> 00:34:52,920
Speaker 1: exploration process of trying to find yourself. Yes, sexually, if

691
00:34:52,960 --> 00:34:55,080
Speaker 1: you suck to in your life as a man, you

692
00:34:55,200 --> 00:34:57,320
Speaker 1: may not be gay, but at the least your bisexual,

693
00:34:57,560 --> 00:35:01,000
Speaker 1: at the least you were work at one point, because

694
00:35:01,040 --> 00:35:03,840
Speaker 1: that's how you don't continue that behavior. At one point

695
00:35:04,280 --> 00:35:06,799
Speaker 1: you were that. So being gay is a habit. Being

696
00:35:06,880 --> 00:35:10,160
Speaker 1: gay is not a choice, always a choice, But it's

697
00:35:10,239 --> 00:35:13,879
Speaker 1: like lifestyle. You don't get to, you know, de being

698
00:35:13,920 --> 00:35:16,920
Speaker 1: and like it's it's a real war going on in

699
00:35:17,160 --> 00:35:20,399
Speaker 1: terms of how people are born and how people live. Yeah, yeah,

700
00:35:20,520 --> 00:35:21,920
Speaker 1: you know what I mean. So you just don't get

701
00:35:21,960 --> 00:35:27,880
Speaker 1: to dibbling thatable either you are or your aren't. I

702
00:35:27,880 --> 00:35:30,279
Speaker 1: don't have a steady diet. Now what if you were?

703
00:35:30,600 --> 00:35:32,600
Speaker 1: What if that you are gay? But then you are,

704
00:35:32,960 --> 00:35:36,440
Speaker 1: then you engage in heterosexual life. That happens too, right,

705
00:35:36,680 --> 00:35:39,279
Speaker 1: because that means because I know, I know a lot

706
00:35:39,320 --> 00:35:43,480
Speaker 1: of gay men who kiss girls, they don't consider themselves heterosexual, Like, no,

707
00:35:43,600 --> 00:35:46,520
Speaker 1: I'm gay in that bottle? I don't know. So why

708
00:35:46,560 --> 00:35:50,000
Speaker 1: did you start the conversation always talking about thinking. I'm

709
00:35:50,000 --> 00:35:52,800
Speaker 1: not trying to defend my point. I'm trying not to

710
00:35:52,960 --> 00:35:56,080
Speaker 1: back down. It's four women against one man. I don't

711
00:35:56,160 --> 00:35:58,600
Speaker 1: want to lose. So for the record, I don't know

712
00:35:58,680 --> 00:36:01,239
Speaker 1: how many to take. You never what I learned, I

713
00:36:01,320 --> 00:36:03,880
Speaker 1: don't know. You gotta stop defending liars, and that's what

714
00:36:03,960 --> 00:36:07,200
Speaker 1: the whole moral of this story is. Stop defending liars.

715
00:36:07,280 --> 00:36:10,080
Speaker 1: No angela, when we're talking about some difference, you gotta

716
00:36:10,120 --> 00:36:16,440
Speaker 1: stop bringing up Oh yeah, that is true. You came

717
00:36:16,520 --> 00:36:18,879
Speaker 1: with two because the law I have to do with two.

718
00:36:19,320 --> 00:36:22,120
Speaker 1: I'm just trying to win the lion argument. You stop this.

719
00:36:25,480 --> 00:36:27,960
Speaker 1: I think that state should have a three suck law.

720
00:36:28,320 --> 00:36:30,360
Speaker 1: But I think if you suck three, just like you

721
00:36:30,400 --> 00:36:33,239
Speaker 1: got the three scrap law, now you gotta register this game.

722
00:36:33,360 --> 00:36:35,759
Speaker 1: What listen? I think as I go back to there's

723
00:36:35,800 --> 00:36:38,480
Speaker 1: an exploration process and here and this speaks to the

724
00:36:38,560 --> 00:36:42,759
Speaker 1: double standard. Women are allowed to explore and play and

725
00:36:42,880 --> 00:36:45,880
Speaker 1: do all of these things and they don't get boxed

726
00:36:45,960 --> 00:36:49,120
Speaker 1: into a thing. And I think for men, there's a

727
00:36:49,280 --> 00:36:52,920
Speaker 1: scary thing as it pertains to being gay. You know

728
00:36:52,960 --> 00:36:56,200
Speaker 1: what I'm saying. That's the scariest thing for a man

729
00:36:56,320 --> 00:36:58,640
Speaker 1: to feel like it's been put on him. I think

730
00:36:58,680 --> 00:37:00,120
Speaker 1: it's a lot of nuances to do. I don't think

731
00:37:00,160 --> 00:37:02,320
Speaker 1: that people were necessarily tripping off the fact that of

732
00:37:02,600 --> 00:37:04,480
Speaker 1: being gay. It's just the fact that your whole life

733
00:37:04,480 --> 00:37:07,879
Speaker 1: you've been taught same sex relationships mean that you're gay.

734
00:37:08,160 --> 00:37:11,040
Speaker 1: So you said somebody did it twice but said they're

735
00:37:11,120 --> 00:37:14,000
Speaker 1: not gay. So that's really just defying everything people I've

736
00:37:14,080 --> 00:37:15,360
Speaker 1: learned through our Life's like, what do you mean that

737
00:37:15,719 --> 00:37:18,760
Speaker 1: it dust stow you off? Right? But it still speaks

738
00:37:18,840 --> 00:37:23,440
Speaker 1: to an act versus in existence. Got you, got you,

739
00:37:23,480 --> 00:37:24,840
Speaker 1: you know what I'm saying. And maybe that was just

740
00:37:24,960 --> 00:37:28,879
Speaker 1: too much for the internet to you know what I'm saying,

741
00:37:28,920 --> 00:37:32,720
Speaker 1: to breakdown at one time because stopped and just to clarify,

742
00:37:32,800 --> 00:37:35,279
Speaker 1: you didn't say you were gay? People saying did you

743
00:37:35,400 --> 00:37:42,400
Speaker 1: say that? You twice? Like that got to me. The

744
00:37:42,520 --> 00:37:45,040
Speaker 1: information came to me like Tank was on Angel's pipe.

745
00:37:45,080 --> 00:37:46,520
Speaker 1: I had a group chat. It was like taking on

746
00:37:46,560 --> 00:37:48,640
Speaker 1: angrel Pop. I said he sucked too, because I'm like,

747
00:37:48,760 --> 00:37:53,399
Speaker 1: what I haven't. I just want to be clear. I'm

748
00:37:53,440 --> 00:37:55,840
Speaker 1: just telling you that's how. It's like a game of telephone.

749
00:37:56,080 --> 00:37:57,359
Speaker 1: So by the time I got a time I got

750
00:37:57,400 --> 00:38:00,120
Speaker 1: to you, I was like ten said what, Yeah, Like

751
00:38:00,120 --> 00:38:03,759
Speaker 1: why would you just randomly volunteered and informat it? I

752
00:38:03,800 --> 00:38:08,719
Speaker 1: don't like it. I don't like it, but no it's not.

753
00:38:08,880 --> 00:38:11,520
Speaker 1: And then you know I heard you say yesterday like

754
00:38:11,600 --> 00:38:13,680
Speaker 1: what does it have to do with homophobia? Right? Yeah?

755
00:38:13,719 --> 00:38:16,880
Speaker 1: And it's crazy because when people are in the comments

756
00:38:16,920 --> 00:38:20,120
Speaker 1: and everything and they're throwing gay at me. They're not

757
00:38:20,200 --> 00:38:22,000
Speaker 1: throwing gay at me in a sense oh oh he's

758
00:38:22,040 --> 00:38:25,120
Speaker 1: different but still special. No, they're throwing gay at me

759
00:38:25,520 --> 00:38:28,080
Speaker 1: like rocks in the Chinese protests. You know what I'm saying,

760
00:38:28,120 --> 00:38:30,560
Speaker 1: in an effort to try to tear me down. Right,

761
00:38:30,880 --> 00:38:33,480
Speaker 1: you know what I'm saying. I looked at it. They're

762
00:38:33,520 --> 00:38:35,880
Speaker 1: not speaking in a sense of oh he's it's just

763
00:38:36,040 --> 00:38:38,799
Speaker 1: not like us. They're like, no, he's damned. I hope

764
00:38:38,800 --> 00:38:41,080
Speaker 1: he chokes on it. Like that's what they're doing. And

765
00:38:41,239 --> 00:38:44,000
Speaker 1: so I think that part of if you're still choking

766
00:38:44,040 --> 00:38:51,880
Speaker 1: on you need something more have. I don understand why

767
00:38:51,920 --> 00:38:53,440
Speaker 1: you were choking it. If you only did it twice,

768
00:38:53,520 --> 00:38:56,799
Speaker 1: I don't understand. I'm not I don't understand Charlo Man,

769
00:38:57,320 --> 00:39:00,560
Speaker 1: I'm not throwing into it. I get all yea all

770
00:39:00,560 --> 00:39:02,640
Speaker 1: the time. I said some wild stuff in the middle

771
00:39:02,640 --> 00:39:05,359
Speaker 1: of just talking obversation, some wild things I've I've won

772
00:39:05,440 --> 00:39:08,640
Speaker 1: blouses before. I guess you ain't here with your legs up.

773
00:39:08,760 --> 00:39:10,480
Speaker 1: I was in here with my legs up. We've had

774
00:39:10,560 --> 00:39:13,040
Speaker 1: this moment, right, But talk about back to the blocks.

775
00:39:13,080 --> 00:39:15,040
Speaker 1: When you wear a blouse, I'm saying, some shirts just

776
00:39:15,239 --> 00:39:17,479
Speaker 1: don't always come out to mid sects. That's not the point,

777
00:39:21,560 --> 00:39:23,319
Speaker 1: thank you. I was about to throw somebody Hills under

778
00:39:23,320 --> 00:39:25,360
Speaker 1: the bus. They're doing too, but that's not I'm gonna do.

779
00:39:26,880 --> 00:39:28,839
Speaker 1: I'm not saying a blouse. I'm just saying a silk

780
00:39:28,880 --> 00:39:31,440
Speaker 1: shirt that's open kind of shows your breast area up here,

781
00:39:32,000 --> 00:39:37,600
Speaker 1: chest area, tank, breast sectionals. Men don't have breast Thank you.

782
00:39:37,719 --> 00:39:50,160
Speaker 1: Not helping yourself. Very different. But I don't think it

783
00:39:50,200 --> 00:39:53,440
Speaker 1: was homophobia, though, Brow. I do think you how is

784
00:39:53,520 --> 00:39:55,560
Speaker 1: it now? I do think you received some homophobia, but

785
00:39:55,640 --> 00:39:58,839
Speaker 1: I don't know not some aling. I think a lot

786
00:39:58,880 --> 00:40:01,120
Speaker 1: of us just wanted to know, well, what is considered.

787
00:40:01,120 --> 00:40:04,760
Speaker 1: They didn't want to know what's considered gay. They wanted

788
00:40:04,800 --> 00:40:10,200
Speaker 1: to consider me gay because because you even said that,

789
00:40:10,480 --> 00:40:14,840
Speaker 1: because you even thought that, yeah, you're gay. Yeah, I

790
00:40:14,920 --> 00:40:18,600
Speaker 1: can see how people would think that it's not true.

791
00:40:18,640 --> 00:40:21,880
Speaker 1: It's not a fair assessment of me having an opinion

792
00:40:21,960 --> 00:40:24,480
Speaker 1: not to clip. Now, people who did their due diligence

793
00:40:24,920 --> 00:40:28,359
Speaker 1: and went and watched the video, there was clarity for them.

794
00:40:28,400 --> 00:40:30,759
Speaker 1: It's like, oh, I get what he's saying. Not that

795
00:40:30,880 --> 00:40:33,160
Speaker 1: I have to agree with it, but I do get

796
00:40:33,239 --> 00:40:34,960
Speaker 1: what he's saying. All right, we got more with take

797
00:40:35,040 --> 00:40:37,120
Speaker 1: when we come back, don't move. It's to breakfast club.

798
00:40:37,200 --> 00:40:42,080
Speaker 1: Good morning, holding everybody is DJ Envy Angela Ye, Charlomagne

799
00:40:42,080 --> 00:40:44,440
Speaker 1: the guy. We are the breakfast club. Now, yesterday Tink

800
00:40:44,480 --> 00:40:47,040
Speaker 1: stopped through. I was on Vaka and Charlemagne and you

801
00:40:47,120 --> 00:40:48,640
Speaker 1: got a chance to talk with him. Let's get back

802
00:40:48,640 --> 00:40:51,560
Speaker 1: into that interview, Charlemagne, call game more now with this

803
00:40:51,760 --> 00:40:53,040
Speaker 1: h when you was up here talking, you'd like to

804
00:40:53,080 --> 00:40:55,120
Speaker 1: get your jazz eaten. WHI y'all agreed with you on

805
00:40:55,520 --> 00:40:58,239
Speaker 1: I think I think this might have been This might

806
00:40:58,280 --> 00:41:01,239
Speaker 1: have took the cake. This might have took the cake

807
00:41:01,520 --> 00:41:04,520
Speaker 1: because at least with the salad tossing thing, you know

808
00:41:04,560 --> 00:41:08,320
Speaker 1: what I'm saying, like hadn't gotten involved. You know what

809
00:41:08,360 --> 00:41:11,480
Speaker 1: I'm saying. I think once that got involved, then it

810
00:41:11,600 --> 00:41:15,439
Speaker 1: became it became a whole different level. Man. I can't

811
00:41:15,480 --> 00:41:17,800
Speaker 1: wait to see how much didn't tweet, how he chopped

812
00:41:17,840 --> 00:41:21,560
Speaker 1: this up. This is gonna be so good, bad and

813
00:41:21,800 --> 00:41:25,840
Speaker 1: good at the same time. An album out. One more question,

814
00:41:25,960 --> 00:41:27,759
Speaker 1: if you have sex with a man's I don't know,

815
00:41:29,080 --> 00:41:37,920
Speaker 1: I don't know. I'm gonna mann, I don't know. You

816
00:41:38,000 --> 00:41:39,719
Speaker 1: know he's gonna be yelling tes at you in the

817
00:41:39,760 --> 00:41:46,759
Speaker 1: street right to know that's coming right. Its albums out

818
00:41:46,840 --> 00:41:53,360
Speaker 1: right now. My album is out Man Elevation, Elevation, Elevation,

819
00:41:55,280 --> 00:41:59,400
Speaker 1: this man here for me. Man, I was with you.

820
00:41:59,760 --> 00:42:02,120
Speaker 1: But I'm gonna tell you something. That was a good conversation.

821
00:42:02,680 --> 00:42:05,800
Speaker 1: But it sparked a lot of good dialogue. Well if people,

822
00:42:05,960 --> 00:42:08,839
Speaker 1: if people listen to both sides, it'll spark good dialogue. Yes,

823
00:42:09,080 --> 00:42:10,960
Speaker 1: And I like it because I think it does expose

824
00:42:11,040 --> 00:42:13,759
Speaker 1: a lot of people's fragile masculinity. Because I mean, like,

825
00:42:13,840 --> 00:42:16,080
Speaker 1: if you're sitting around with four women, why can't you

826
00:42:16,200 --> 00:42:18,160
Speaker 1: have that conversation, You're sitting around with some guys, Why

827
00:42:18,160 --> 00:42:19,799
Speaker 1: couldn't you have that conversation? Well, I mean then they

828
00:42:19,880 --> 00:42:21,480
Speaker 1: then they bring up a bunch of things like, oh,

829
00:42:21,600 --> 00:42:24,040
Speaker 1: so it makes sense that he performed a gay pride

830
00:42:24,080 --> 00:42:28,120
Speaker 1: and all of these things. I'm like, you got that. Well,

831
00:42:28,160 --> 00:42:30,040
Speaker 1: I meant Laurent made it in this color? I mean,

832
00:42:30,040 --> 00:42:33,880
Speaker 1: which one? Yeah. Um, I'm I'm just a fan of humanity,

833
00:42:34,560 --> 00:42:36,399
Speaker 1: you know what I mean. I feel like we all

834
00:42:37,000 --> 00:42:41,160
Speaker 1: are different for a reason, and those differences shouldn't separate

835
00:42:41,280 --> 00:42:43,799
Speaker 1: us and shouldn't shouldn't make us hate each other. You'd

836
00:42:43,920 --> 00:42:47,200
Speaker 1: you'd be amazed at the things you're teaching our black men,

837
00:42:47,760 --> 00:42:52,520
Speaker 1: and you're you're helping with this white supremacist agenda. Like

838
00:42:52,640 --> 00:42:55,479
Speaker 1: what are y'all yea too? Like you guys are pushing

839
00:42:55,560 --> 00:42:59,000
Speaker 1: this agenda, pushing this No, I've I made a joke

840
00:42:59,200 --> 00:43:02,000
Speaker 1: about right, what's the best joke you saw about yourself

841
00:43:02,280 --> 00:43:05,680
Speaker 1: this week? I saw a picture with me and a

842
00:43:05,760 --> 00:43:10,400
Speaker 1: bag of sugar. I love sugar. Sugar in the should

843
00:43:10,400 --> 00:43:12,400
Speaker 1: play off that it was it was I'm not gonna

844
00:43:12,440 --> 00:43:14,480
Speaker 1: do it. You should play off that, No, I'm not

845
00:43:14,560 --> 00:43:18,520
Speaker 1: gonna write a whole record about fragile falinity and to masculine.

846
00:43:19,320 --> 00:43:25,560
Speaker 1: I am not here advocating for anything. My album and

847
00:43:25,840 --> 00:43:28,879
Speaker 1: love each other but one another. That's part of the love.

848
00:43:28,920 --> 00:43:31,040
Speaker 1: I could listen to your music. Your music, jar Yes,

849
00:43:31,080 --> 00:43:34,280
Speaker 1: has always been about embracing the hook the divine feminine

850
00:43:34,360 --> 00:43:37,440
Speaker 1: on the toxic masculinity song what's the hood? Divine feminine

851
00:43:37,480 --> 00:43:40,000
Speaker 1: is the sweetness, right, and you're in tune with your

852
00:43:40,040 --> 00:43:44,800
Speaker 1: divine feminine energy. The sweetness is the sugar, the sugar

853
00:43:44,920 --> 00:43:49,120
Speaker 1: and the team. Come on, bro, no, you see I

854
00:43:49,200 --> 00:43:52,040
Speaker 1: gotta be in somebody's marketing men. No, you do not

855
00:43:52,280 --> 00:43:57,320
Speaker 1: need to be done done. Did you write Slave for Life? Jennings,

856
00:43:57,760 --> 00:43:59,920
Speaker 1: I think you wrote that. I did not write that record.

857
00:44:01,080 --> 00:44:04,719
Speaker 1: I knew because you defended that you defended No. No,

858
00:44:05,080 --> 00:44:08,719
Speaker 1: I didn't defend his lyrics. I defended his creativity right,

859
00:44:09,080 --> 00:44:10,840
Speaker 1: the right to be creative. I have a right to

860
00:44:11,000 --> 00:44:13,560
Speaker 1: be creative. That is true. I didn't defend his lyrics.

861
00:44:14,080 --> 00:44:18,040
Speaker 1: There have been slave references and all of these things

862
00:44:18,520 --> 00:44:21,040
Speaker 1: since in the hip hop world, all of these things,

863
00:44:21,080 --> 00:44:23,840
Speaker 1: and nobody was mad until the guy actually put melody

864
00:44:23,920 --> 00:44:27,160
Speaker 1: to it. That's not true because little Wayne when he's

865
00:44:27,200 --> 00:44:29,239
Speaker 1: not necessarily a slave reference. But when he said, beat that,

866
00:44:29,400 --> 00:44:32,080
Speaker 1: beat that ass up like emmontail, I beat that like mtail.

867
00:44:32,719 --> 00:44:35,640
Speaker 1: Radioat like top they played the record. No radio beat

868
00:44:35,680 --> 00:44:37,799
Speaker 1: that line the top ten record. Yeah, but radio took

869
00:44:37,840 --> 00:44:40,640
Speaker 1: that line on and on screen, that line. Even if

870
00:44:40,680 --> 00:44:43,239
Speaker 1: they took the line out, the line is in the song.

871
00:44:43,440 --> 00:44:46,320
Speaker 1: There was no outrage, There was no that was it

872
00:44:46,400 --> 00:44:48,560
Speaker 1: just wasn't no social media back to stop the record

873
00:44:48,680 --> 00:44:50,719
Speaker 1: from doing anything dumb. But they took it out. They

874
00:44:50,760 --> 00:44:53,040
Speaker 1: took that line. They didn't replace it with another line.

875
00:44:53,440 --> 00:44:56,279
Speaker 1: Split it right here. Right here goes the other line.

876
00:44:56,920 --> 00:44:59,239
Speaker 1: And when people and when people sang along with the song,

877
00:44:59,480 --> 00:45:02,360
Speaker 1: they sang stop singing right there. They set the line,

878
00:45:02,520 --> 00:45:04,759
Speaker 1: but they still took it out. It didn't stop the

879
00:45:04,880 --> 00:45:07,440
Speaker 1: record from performing well in all of these outlets. But

880
00:45:07,520 --> 00:45:09,800
Speaker 1: it was a good record. If anything, if that record

881
00:45:09,920 --> 00:45:12,160
Speaker 1: was if there was out so much outrace around it,

882
00:45:12,200 --> 00:45:13,880
Speaker 1: around the record, they shouldn't have played the record. But

883
00:45:13,920 --> 00:45:17,480
Speaker 1: it was a good record. Say it's not a good record.

884
00:45:17,880 --> 00:45:19,600
Speaker 1: Why not? Why it's not a record? Not a good record?

885
00:45:19,600 --> 00:45:20,719
Speaker 1: I told Life that when he was say it's just

886
00:45:20,760 --> 00:45:24,640
Speaker 1: not a good record. Whatever you want in it? Are you?

887
00:45:24,680 --> 00:45:26,800
Speaker 1: Are you saying that if it's the reason Life's not

888
00:45:26,840 --> 00:45:29,000
Speaker 1: playing it because of the content, I'm saying it's not

889
00:45:29,040 --> 00:45:32,200
Speaker 1: playing It's not think that. If the problem is content overall,

890
00:45:32,320 --> 00:45:34,680
Speaker 1: then whether the record is good or bad, it shouldn't

891
00:45:34,680 --> 00:45:36,840
Speaker 1: be played. If we're gonna set a bar, got you

892
00:45:36,960 --> 00:45:38,479
Speaker 1: you know what I'm saying. At the time Little Wayne

893
00:45:38,600 --> 00:45:41,239
Speaker 1: was burning on Fire is not gonna be a little

894
00:45:41,400 --> 00:45:44,160
Speaker 1: Little Wayne record that nobody's not gonna play. But as

895
00:45:44,239 --> 00:45:46,400
Speaker 1: we speak to the to the content side of it,

896
00:45:46,719 --> 00:45:49,120
Speaker 1: if we're measuring content on the same bar on the

897
00:45:49,200 --> 00:45:52,239
Speaker 1: same level. Then if it's damaging, if it's you know

898
00:45:52,239 --> 00:45:54,040
Speaker 1: what I'm saying, if it's in that space, you can't

899
00:45:54,080 --> 00:45:55,800
Speaker 1: play it. You like that Life record? Life is a

900
00:45:55,880 --> 00:45:58,479
Speaker 1: great artist. He's made great music. Let's be honest. Take

901
00:45:59,239 --> 00:46:02,480
Speaker 1: do you like that record? Just sonically? Get the content

902
00:46:02,560 --> 00:46:04,439
Speaker 1: just when you hear I am not going to say

903
00:46:04,600 --> 00:46:07,279
Speaker 1: that that is the Life's best record. Okay, I'm not

904
00:46:07,360 --> 00:46:09,440
Speaker 1: going to ave you know, when Pantagia was up here,

905
00:46:09,520 --> 00:46:13,080
Speaker 1: she was talking about getting married and what made her decide, Okay,

906
00:46:13,200 --> 00:46:14,560
Speaker 1: this is what I need to do with myself in

907
00:46:14,719 --> 00:46:16,759
Speaker 1: order for me to accept this love. What did you

908
00:46:16,840 --> 00:46:18,800
Speaker 1: need to do for you to be able to accept

909
00:46:18,840 --> 00:46:21,400
Speaker 1: the love? To get married? I had to accept myself,

910
00:46:21,960 --> 00:46:24,200
Speaker 1: you know what I mean, because I had been married

911
00:46:24,239 --> 00:46:28,000
Speaker 1: before and I didn't want to make the same mistakes.

912
00:46:28,719 --> 00:46:31,560
Speaker 1: And so a lot of me getting to the point

913
00:46:31,680 --> 00:46:36,160
Speaker 1: of finally saying that I'm ready was getting over the

914
00:46:36,280 --> 00:46:39,160
Speaker 1: fact that I had failed. And when I finally came

915
00:46:39,239 --> 00:46:41,840
Speaker 1: to terms with, you know, the idea of that I

916
00:46:41,920 --> 00:46:43,919
Speaker 1: can do it, I can do it, I can be better,

917
00:46:43,960 --> 00:46:47,000
Speaker 1: I can do better, I owe her better or that's

918
00:46:47,040 --> 00:46:49,200
Speaker 1: when it, you know, came full circle. That's interesting because

919
00:46:49,200 --> 00:46:50,800
Speaker 1: I learned that lesson from my father's and my uncles,

920
00:46:51,080 --> 00:46:53,080
Speaker 1: you know what I'm saying, Like watching all of their

921
00:46:53,160 --> 00:46:55,880
Speaker 1: relationships not work out, like their marriages end in divorce

922
00:46:55,920 --> 00:46:57,560
Speaker 1: and stuff like that. So when you you're a man

923
00:46:57,920 --> 00:47:00,040
Speaker 1: and you're wiling and engaging in that kind of it

924
00:47:00,120 --> 00:47:02,160
Speaker 1: with your significant other, you're like, yeah, I don't want

925
00:47:02,160 --> 00:47:03,800
Speaker 1: it to end like that, but you actually went I

926
00:47:03,880 --> 00:47:06,440
Speaker 1: went through it because I'm a I'm a first generation

927
00:47:06,920 --> 00:47:09,520
Speaker 1: of everything that I am. So there was no blueprint

928
00:47:09,600 --> 00:47:11,760
Speaker 1: for me. Like I was just throwing into the fire.

929
00:47:12,120 --> 00:47:13,680
Speaker 1: You know what I'm saying. I'm twenty four years old

930
00:47:13,760 --> 00:47:17,280
Speaker 1: with a hit record, touring the country, newly married, new baby,

931
00:47:17,400 --> 00:47:22,040
Speaker 1: you know what I'm saying, so throwing everything on stage. Yeah,

932
00:47:22,239 --> 00:47:24,680
Speaker 1: you know what I'm saying. And so I just wasn't

933
00:47:24,760 --> 00:47:28,239
Speaker 1: equipped mentally orphans I was a kid, that's I mean,

934
00:47:28,400 --> 00:47:30,279
Speaker 1: that's smart though, Yeah I did. I didn't have it,

935
00:47:30,360 --> 00:47:33,000
Speaker 1: and I just you know, like I said, I wanted

936
00:47:33,040 --> 00:47:35,600
Speaker 1: to be better for this, for this moment. Did you

937
00:47:35,680 --> 00:47:37,640
Speaker 1: know that then? Was your did your emotional Like you

938
00:47:37,760 --> 00:47:39,600
Speaker 1: get hired as you got older, got hired as I

939
00:47:39,640 --> 00:47:41,640
Speaker 1: got older. The more I went through Now, I was.

940
00:47:41,800 --> 00:47:43,640
Speaker 1: I was young and dumb, So back then you probably

941
00:47:43,719 --> 00:47:46,680
Speaker 1: was cheating a whole lot and then telling your wife

942
00:47:46,719 --> 00:47:49,320
Speaker 1: what whatever I could tell her, you know what I

943
00:47:49,400 --> 00:47:52,640
Speaker 1: mean with what? No, No, I've never been that guy.

944
00:47:53,360 --> 00:47:55,040
Speaker 1: You know what I'm saying. I was always the I

945
00:47:55,080 --> 00:47:58,359
Speaker 1: gotta hide it, you know what I'm saying. You know, yeah,

946
00:47:58,480 --> 00:48:03,400
Speaker 1: I was well to that. I was a liar. How

947
00:48:03,440 --> 00:48:10,120
Speaker 1: many how many lies? One or two? How many? Take?

948
00:48:11,560 --> 00:48:16,880
Speaker 1: It was lying at that point was the lifestyle. Um.

949
00:48:17,719 --> 00:48:19,759
Speaker 1: But you know, like I said, you gotta you gotta learn,

950
00:48:19,800 --> 00:48:22,000
Speaker 1: and you gotta grow, and you gotta do better. You

951
00:48:22,080 --> 00:48:23,840
Speaker 1: know what I mean. You you just have to or

952
00:48:24,000 --> 00:48:25,880
Speaker 1: you won't, or you won't get the most out of

953
00:48:25,960 --> 00:48:27,960
Speaker 1: what's supposed to be yours. All Right, we got more

954
00:48:28,040 --> 00:48:29,800
Speaker 1: with take when we come back, don't move. It's to

955
00:48:29,880 --> 00:48:33,360
Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ M v

956
00:48:33,719 --> 00:48:36,719
Speaker 1: Angela yee. Charlomagne, the guy we are the Breakfast Club

957
00:48:36,880 --> 00:48:39,280
Speaker 1: was still kicking it with Tank. He was here yesterday.

958
00:48:39,320 --> 00:48:41,440
Speaker 1: I was on Vaca. So Charlemagne he got to kick

959
00:48:41,440 --> 00:48:42,759
Speaker 1: it with him. Charlemagne. So you got a song on

960
00:48:42,800 --> 00:48:44,960
Speaker 1: an album called w W j D. I'm assuming that's

961
00:48:45,000 --> 00:48:47,160
Speaker 1: what would Jesus do? What would Joe to see do?

962
00:48:47,560 --> 00:48:49,600
Speaker 1: What would Joe to See do? Yeah, Kanye is doing

963
00:48:49,640 --> 00:48:52,400
Speaker 1: a gospel Yeah I'm doing I'm doing an R and

964
00:48:52,440 --> 00:48:57,239
Speaker 1: P album. You feel what I'm saying? What dough see

965
00:48:57,280 --> 00:49:00,680
Speaker 1: that intrigues me? Yeah? Yes? Yeah? So that's the song. Yeah,

966
00:49:01,480 --> 00:49:05,680
Speaker 1: produced by Harmony, Uh, written by uh you know music?

967
00:49:05,680 --> 00:49:08,960
Speaker 1: Talk about Dan music. No, I write most of my music,

968
00:49:09,040 --> 00:49:12,400
Speaker 1: but I don't mind getting a song from somebody who's

969
00:49:12,400 --> 00:49:14,000
Speaker 1: written the dopes. It's my guy. He's gonna be so

970
00:49:14,120 --> 00:49:18,080
Speaker 1: mad watching this interview. He newly ripped now. He probably

971
00:49:18,080 --> 00:49:19,359
Speaker 1: don't want you to shout him. Might have to hand

972
00:49:19,360 --> 00:49:26,360
Speaker 1: about them two this week. So City High. Oh, Ryan Toby,

973
00:49:26,440 --> 00:49:29,799
Speaker 1: that's my guy. That's like my bro. Forgive me right now.

974
00:49:30,160 --> 00:49:32,040
Speaker 1: Ryan Tolby wrote that record. He brought it to mess

975
00:49:32,080 --> 00:49:34,759
Speaker 1: If this is a smash? What Joe does he do though?

976
00:49:34,800 --> 00:49:36,960
Speaker 1: And what situation? Like? What is this the song? The

977
00:49:37,040 --> 00:49:39,480
Speaker 1: song is constructed with a bunch of Joe to see

978
00:49:39,719 --> 00:49:43,000
Speaker 1: Joe to See moments and you know what I'm saying.

979
00:49:43,120 --> 00:49:46,239
Speaker 1: So it's it's a lot of lyrical and melodic tie ins.

980
00:49:46,480 --> 00:49:49,000
Speaker 1: Can we Playeah, of course you can play absolutely let's

981
00:49:49,000 --> 00:49:52,640
Speaker 1: play It's Freaky Friday album and played the whole album.

982
00:49:52,719 --> 00:49:56,480
Speaker 1: It's Freaky Friday. That's the only rule. That's why I'm here. Okay,

983
00:49:56,920 --> 00:50:00,680
Speaker 1: what's dirty about Dirty? It is a out being dirty?

984
00:50:00,840 --> 00:50:03,440
Speaker 1: Yeah yeah, yeah. After when we I felt like we

985
00:50:03,520 --> 00:50:09,520
Speaker 1: could go one more level without without completely you know

986
00:50:09,560 --> 00:50:11,640
Speaker 1: what I'm saying, being all the way out of pocket,

987
00:50:12,040 --> 00:50:14,320
Speaker 1: There's one more level we can get to after Dirty

988
00:50:14,400 --> 00:50:15,880
Speaker 1: that week, there's nowhere else we can go. You know,

989
00:50:15,920 --> 00:50:18,120
Speaker 1: I heard I heard a dope song that I don't

990
00:50:18,160 --> 00:50:20,440
Speaker 1: think it's released It as you and Duvall and Jack

991
00:50:20,520 --> 00:50:24,560
Speaker 1: Queis Yeah, called Nasty. Yeah. This should They should have

992
00:50:24,600 --> 00:50:34,799
Speaker 1: put that out this week. Come on, drop drop, It's

993
00:50:34,840 --> 00:50:37,480
Speaker 1: a dope song. Like I'm a fan of dude. I

994
00:50:37,560 --> 00:50:39,479
Speaker 1: love what he's doing, like you know what I'm saying,

995
00:50:39,520 --> 00:50:42,160
Speaker 1: Like like the idea of him throwing on some slacks,

996
00:50:42,239 --> 00:50:45,120
Speaker 1: tucking the shirt in and singing, you know, and singing

997
00:50:45,200 --> 00:50:47,160
Speaker 1: some growing R and B. Yeah. Have you heard his

998
00:50:47,280 --> 00:50:50,120
Speaker 1: RMB song dropping Cuff? Yeah? You should jump on that too,

999
00:50:50,239 --> 00:50:52,440
Speaker 1: right now. I'm okay, Yeah, I don't want to be

1000
00:50:52,520 --> 00:50:55,640
Speaker 1: associated with anything. I don't want to be a social

1001
00:50:55,880 --> 00:50:58,799
Speaker 1: anything with that word in it. I'm not saying that word.

1002
00:50:58,880 --> 00:51:01,120
Speaker 1: No more so. If Dick Sport Good Company right now

1003
00:51:01,440 --> 00:51:03,200
Speaker 1: and Dick Barton Good say we want to give you

1004
00:51:03,280 --> 00:51:06,279
Speaker 1: an endorsement deal, you're not gonna take it. No, I

1005
00:51:06,360 --> 00:51:10,480
Speaker 1: don't believe no, not right now. Now you have fragile masculinity.

1006
00:51:10,920 --> 00:51:15,200
Speaker 1: Now you're going through in the last not my fault

1007
00:51:15,560 --> 00:51:19,880
Speaker 1: stand on him? No, No, why are you doing this?

1008
00:51:20,640 --> 00:51:24,040
Speaker 1: What is your from? What is he? What does she

1009
00:51:24,120 --> 00:51:25,880
Speaker 1: have to say about all this? She doesn't like it?

1010
00:51:28,840 --> 00:51:30,880
Speaker 1: What does she say she doesn't like it? What does

1011
00:51:30,880 --> 00:51:34,759
Speaker 1: she say? Because her dms are filled with your man

1012
00:51:34,920 --> 00:51:37,560
Speaker 1: is sucking? Like that's what That's what's going on. That's

1013
00:51:37,600 --> 00:51:40,160
Speaker 1: what she has to deal with. Are you sucking them

1014
00:51:40,200 --> 00:51:42,279
Speaker 1: with him? Like? That's what she's going Oh my god,

1015
00:51:42,400 --> 00:51:47,040
Speaker 1: that no disrespectful. It's really it's really hard out here, man.

1016
00:51:49,360 --> 00:51:51,320
Speaker 1: No need to say that in a conversation about it.

1017
00:51:52,440 --> 00:51:55,440
Speaker 1: We know what's hard. I just took my sea boss

1018
00:51:56,239 --> 00:51:58,399
Speaker 1: all right, man. And Amary Hart was on the album

1019
00:51:58,440 --> 00:52:01,240
Speaker 1: a couple of times. What's their affiliation with a Mari Hardwick?

1020
00:52:01,360 --> 00:52:03,440
Speaker 1: That's my brother, man. M y'all look like y'a could

1021
00:52:03,440 --> 00:52:05,480
Speaker 1: be brothers for real? Every Yeah, yeah, I've even taken

1022
00:52:05,520 --> 00:52:08,120
Speaker 1: pictures as ghost. You know what I'm saying. Wow, like girls,

1023
00:52:08,160 --> 00:52:10,959
Speaker 1: but oh my god, you Mari and Michael Joy White,

1024
00:52:11,320 --> 00:52:13,320
Speaker 1: Michael Jo get that too. I get that too. And

1025
00:52:13,400 --> 00:52:16,080
Speaker 1: I the girls. Yea, your girls. I'm like, yeah, they're

1026
00:52:16,120 --> 00:52:18,280
Speaker 1: gonna take a picture. Sure, let me take a picture.

1027
00:52:18,280 --> 00:52:21,120
Speaker 1: And hopefully later she'll find out that. I'm think, but um,

1028
00:52:21,800 --> 00:52:24,200
Speaker 1: he's he's I think he's just extremely gifted man. His

1029
00:52:24,800 --> 00:52:28,759
Speaker 1: his his mixture of spoken word, the poetry, the rap,

1030
00:52:29,200 --> 00:52:31,560
Speaker 1: the way he does that, I think it's really really dope.

1031
00:52:31,880 --> 00:52:33,839
Speaker 1: It's interesting when you hear him because we know him,

1032
00:52:34,280 --> 00:52:36,840
Speaker 1: you know so much from seeing him on Power, and

1033
00:52:36,960 --> 00:52:39,400
Speaker 1: then you see him doing the spoken word and the

1034
00:52:39,480 --> 00:52:41,400
Speaker 1: music and you're like, oh, because at first it's like

1035
00:52:41,480 --> 00:52:44,960
Speaker 1: a hard transition in your head. I think for Jamie Fox,

1036
00:52:45,080 --> 00:52:47,080
Speaker 1: at first as a comedian and as an actor, and

1037
00:52:47,120 --> 00:52:49,000
Speaker 1: then seeing him saying I feel like they have it

1038
00:52:49,040 --> 00:52:51,080
Speaker 1: a little harder to break down. Oh yeah, because I

1039
00:52:51,160 --> 00:52:53,320
Speaker 1: take him serious. Yeah, because people are people are just

1040
00:52:53,480 --> 00:52:56,920
Speaker 1: locked into a thing, and that's you know, people get selfish,

1041
00:52:57,000 --> 00:52:58,440
Speaker 1: like that's the only time they want to take you

1042
00:52:58,520 --> 00:53:00,040
Speaker 1: out of the box. You know what I'm saying. And

1043
00:53:00,080 --> 00:53:01,560
Speaker 1: then use you is when they when you're doing that thing,

1044
00:53:01,640 --> 00:53:02,920
Speaker 1: and when you're done with that, they want to put

1045
00:53:02,960 --> 00:53:05,960
Speaker 1: you back in the box, you know. But um, you know,

1046
00:53:06,040 --> 00:53:08,400
Speaker 1: I just wanted to use my platform to give him

1047
00:53:08,440 --> 00:53:12,560
Speaker 1: the space and freedom to be all that he is. Right, Yeah, all,

1048
00:53:12,640 --> 00:53:14,719
Speaker 1: hey that's tank man. Um. I think we got enough

1049
00:53:14,760 --> 00:53:18,960
Speaker 1: for much dank to make a great video. Um. And yeah, yeah,

1050
00:53:18,960 --> 00:53:21,319
Speaker 1: I'm out say something nice about my album I haven't

1051
00:53:21,360 --> 00:53:23,480
Speaker 1: heard of yet. If this is entertaining, it's a conversation

1052
00:53:23,520 --> 00:53:26,279
Speaker 1: you had on Live Service though about them too. It's

1053
00:53:26,320 --> 00:53:29,600
Speaker 1: a really man, it's a really good album. It's my

1054
00:53:29,719 --> 00:53:32,000
Speaker 1: best work yet. No, that's important and you have so

1055
00:53:32,160 --> 00:53:34,200
Speaker 1: much great work. So that's that's something to live up

1056
00:53:34,239 --> 00:53:35,680
Speaker 1: to tell you. Now. You know people are going to

1057
00:53:35,680 --> 00:53:38,879
Speaker 1: be listening. I'm very happy about this, and yeah, I'm

1058
00:53:38,920 --> 00:53:41,600
Speaker 1: extremely happy about this. Very You can't tell me nothing. Definitely.

1059
00:53:41,600 --> 00:53:42,960
Speaker 1: We're about to play what would joy to Ce Do?

1060
00:53:43,080 --> 00:53:45,200
Speaker 1: Right now, so you could introduce that. Oh, let's play that, Yeah,

1061
00:53:45,200 --> 00:53:48,480
Speaker 1: what would Yo to See Do? Harmony, Ryan Toby, I'm

1062
00:53:48,520 --> 00:53:51,160
Speaker 1: just a singer on this one man. Very inspirational. Joy

1063
00:53:51,160 --> 00:53:53,919
Speaker 1: to See was one of my favorite groups. Helped shape

1064
00:53:53,960 --> 00:53:58,160
Speaker 1: the fabric of everything that I am musically. Um, it's like,

1065
00:53:58,280 --> 00:54:00,440
Speaker 1: let's that, let's locked that in. What would we do

1066
00:54:00,520 --> 00:54:02,640
Speaker 1: if they will approach with a question like they got

1067
00:54:02,680 --> 00:54:06,279
Speaker 1: on lip service about Jodase is probably getting up and leaving.

1068
00:54:08,560 --> 00:54:12,239
Speaker 1: Jodase is getting up and leaving man. Yeah, yeah we

1069
00:54:12,320 --> 00:54:15,120
Speaker 1: do because those times, in those times, you weren't didn't

1070
00:54:15,120 --> 00:54:17,759
Speaker 1: talk about that. Yeah, this is twenty nineteen. Now you

1071
00:54:17,880 --> 00:54:21,040
Speaker 1: talk about anything. Now you can, you can and you

1072
00:54:21,120 --> 00:54:24,120
Speaker 1: should be able to. Yeah. Yeah, it's take it's the

1073
00:54:24,160 --> 00:54:28,759
Speaker 1: breakfast looking at me. I was born to do. This

1074
00:54:28,880 --> 00:54:45,200
Speaker 1: is a donkey of the Death Devil Breakfast Club. Yes,

1075
00:54:45,640 --> 00:54:47,720
Speaker 1: Don't get a Day goes to a man named Hansel

1076
00:54:47,920 --> 00:54:50,359
Speaker 1: the bar Tolo the Third. He's thirty seven years old,

1077
00:54:50,560 --> 00:54:53,839
Speaker 1: and he legally changed his name the Sexy Vegan. I'm

1078
00:54:53,880 --> 00:54:55,960
Speaker 1: not making this up. This young man named Handled the

1079
00:54:56,000 --> 00:54:59,319
Speaker 1: bar Tolo the Third legally changed his name the Sexy Vegan.

1080
00:54:59,360 --> 00:55:01,719
Speaker 1: If you're watching Revote, you can see Sexy Vegan on

1081
00:55:01,800 --> 00:55:04,239
Speaker 1: the TV. Now I can make this the shortest donkey

1082
00:55:04,360 --> 00:55:06,040
Speaker 1: the day ever and give him the biggest he heart

1083
00:55:06,120 --> 00:55:09,040
Speaker 1: right now for legally changing his name and sexy Vegan.

1084
00:55:09,080 --> 00:55:11,040
Speaker 1: But it gets worse. Well, in the case of Donkey

1085
00:55:11,080 --> 00:55:12,759
Speaker 1: of the Day, it gets better. Now. Two things you

1086
00:55:12,880 --> 00:55:15,360
Speaker 1: need to know. Number one, you may know who Sexy

1087
00:55:15,520 --> 00:55:17,799
Speaker 1: Vegan is. He got slightly infamous back in the day

1088
00:55:17,960 --> 00:55:19,920
Speaker 1: when he appeared on The Doctor Still Show and it

1089
00:55:20,000 --> 00:55:25,640
Speaker 1: turned out like this, Yeah, the beautiful Vegan massa. Yah,

1090
00:55:26,239 --> 00:55:28,200
Speaker 1: it's a song. I didn't say it was, and she

1091
00:55:28,719 --> 00:55:32,360
Speaker 1: knows it. I was just like my dad ten luxury cars.

1092
00:55:32,640 --> 00:55:34,600
Speaker 1: My dad told me I had the same name as

1093
00:55:34,680 --> 00:55:36,600
Speaker 1: him until I legally changed it. My mom did not

1094
00:55:36,760 --> 00:55:38,720
Speaker 1: fail me out jem when she knew I was innocent.

1095
00:55:39,000 --> 00:55:42,480
Speaker 1: I'm liberating over seventy billion pigs and cage is so

1096
00:55:42,600 --> 00:55:45,440
Speaker 1: small that cannot move for years. Okay, my mom's a

1097
00:55:45,600 --> 00:55:48,480
Speaker 1: sociopathic piece of I have the high score in hyder

1098
00:55:48,520 --> 00:55:50,680
Speaker 1: knot history. I got nine point nine out of ten

1099
00:55:50,719 --> 00:55:53,200
Speaker 1: after three hundred and twenty seven women raiding me. Let's

1100
00:55:53,200 --> 00:55:56,080
Speaker 1: see your talent? A right, what's your talent, you ugly

1101
00:55:56,160 --> 00:56:00,239
Speaker 1: piece of Okay, stop, hey, hey look at me. Let's

1102
00:56:00,239 --> 00:56:03,600
Speaker 1: look at me. No, hey, hey, hey, no, you need

1103
00:56:03,680 --> 00:56:06,200
Speaker 1: to look at me. I don't have to do Okay,

1104
00:56:06,200 --> 00:56:09,080
Speaker 1: they take them out, all right. Sexy Vegan ladies and gentlemen,

1105
00:56:09,400 --> 00:56:12,040
Speaker 1: Sexy Vegan now number two. We all know what the

1106
00:56:12,080 --> 00:56:14,799
Speaker 1: word dog means in our culture, right. You have had

1107
00:56:14,880 --> 00:56:17,040
Speaker 1: tons of rappers with dog in their name, most famous

1108
00:56:17,040 --> 00:56:19,640
Speaker 1: snoop dog people used to turn down southful lots. Still,

1109
00:56:19,680 --> 00:56:22,239
Speaker 1: in reference to your homies, your friends, your partners, you'd

1110
00:56:22,239 --> 00:56:24,040
Speaker 1: be like, that's my dog, all right. I don't use

1111
00:56:24,040 --> 00:56:25,880
Speaker 1: the word dog because I think it's just God backwards.

1112
00:56:25,880 --> 00:56:27,799
Speaker 1: I would rather say peace God to my brothers as

1113
00:56:27,840 --> 00:56:29,960
Speaker 1: opposed to what's up? Dog? But I don't knock anyone

1114
00:56:30,000 --> 00:56:32,399
Speaker 1: who does it, Do you dog? Okay? I also don't

1115
00:56:32,440 --> 00:56:34,640
Speaker 1: think anyone immortalized it as much as DMX did when

1116
00:56:34,640 --> 00:56:37,080
Speaker 1: he made the classic tune get at Me Dog? All right?

1117
00:56:37,400 --> 00:56:39,080
Speaker 1: Turn that up a little bit, me of that? Okay.

1118
00:56:39,600 --> 00:56:42,120
Speaker 1: The Urban Dictionary says dog is your best friend, your

1119
00:56:42,160 --> 00:56:45,480
Speaker 1: friend to lean on, your companion. So all my slinging

1120
00:56:45,520 --> 00:56:47,840
Speaker 1: pad people out there understand what I mean when I

1121
00:56:47,920 --> 00:56:49,840
Speaker 1: say my dog. Okay, it's safe to say that you

1122
00:56:49,880 --> 00:56:52,799
Speaker 1: would never hurt your dog. Right, You wouldn't hurt your dog?

1123
00:56:52,880 --> 00:56:54,560
Speaker 1: Right in me? You know you would't hurt your dog.

1124
00:56:56,200 --> 00:56:58,239
Speaker 1: What you want for your dog, you want for yourself. Right.

1125
00:56:58,280 --> 00:57:00,320
Speaker 1: You can't call someone. You're a dog if you and

1126
00:57:00,360 --> 00:57:02,640
Speaker 1: flict pain on them in any way. So what if

1127
00:57:03,040 --> 00:57:06,880
Speaker 1: you know I told you this is sexually sexual sexy Vegan,

1128
00:57:07,080 --> 00:57:10,160
Speaker 1: which I told you to the Sexy Vegan sexually assaulted

1129
00:57:10,239 --> 00:57:13,240
Speaker 1: his dog clear me? Well that's the allegation. The Sexy

1130
00:57:13,280 --> 00:57:15,399
Speaker 1: Vegan is accused of assault in his partner He's dog.

1131
00:57:15,640 --> 00:57:18,280
Speaker 1: Let's go to YouTuber Isaac Butterfield Peace for the report. Please.

1132
00:57:18,520 --> 00:57:21,640
Speaker 1: A face tattooed man who legally changed his name to

1133
00:57:21,800 --> 00:57:25,560
Speaker 1: Sexy Vegan has been charged with sexually assaulting his dog.

1134
00:57:25,760 --> 00:57:30,880
Speaker 1: Sexy Vegan, whose real name is Handsel Marion D. Bartolo

1135
00:57:31,080 --> 00:57:33,760
Speaker 1: the Third. Can I just say this is all allegedly.

1136
00:57:33,800 --> 00:57:35,720
Speaker 1: I don't want to get sued by his very rich parents.

1137
00:57:36,040 --> 00:57:39,560
Speaker 1: Hansel redall but Sexy Vegan was busted West Hollywood on

1138
00:57:39,640 --> 00:57:42,720
Speaker 1: Thursday over a video he allegedly posted on social media

1139
00:57:42,960 --> 00:57:47,560
Speaker 1: showing inappropriate behavior with a pitbull. Prosecutor said detectives found

1140
00:57:47,600 --> 00:57:51,200
Speaker 1: a video on social media of the suspect performing an

1141
00:57:51,280 --> 00:57:54,280
Speaker 1: act of bestiality and he's taking up to one year

1142
00:57:54,360 --> 00:57:57,480
Speaker 1: in county jail if convicted. The attorney Offers said, stressing

1143
00:57:57,520 --> 00:58:01,640
Speaker 1: the case was still being investigated. They met an actual dog.

1144
00:58:02,720 --> 00:58:05,080
Speaker 1: How did I miss that? I read this in the

1145
00:58:05,160 --> 00:58:07,320
Speaker 1: New York Daily News this morning, and I didn't think

1146
00:58:07,360 --> 00:58:10,400
Speaker 1: anything of it. I just profound the guy. He's whiting,

1147
00:58:10,440 --> 00:58:13,800
Speaker 1: he had tapsole all over his face, he had an

1148
00:58:13,880 --> 00:58:18,200
Speaker 1: urban glare. Okay, I saw it say he's sexually assaulted

1149
00:58:18,240 --> 00:58:19,960
Speaker 1: his dog, and then I got busy doing other things.

1150
00:58:20,040 --> 00:58:22,720
Speaker 1: I didn't realize the guy was literally penetrating pit bulls

1151
00:58:23,120 --> 00:58:26,000
Speaker 1: all right. Sexy Vegan was hound humping all right, mating

1152
00:58:26,000 --> 00:58:30,959
Speaker 1: with mongrels, loving a last hee's keating on Scooby? Where

1153
00:58:31,160 --> 00:58:34,120
Speaker 1: are you? My first thought when I heard this story

1154
00:58:34,520 --> 00:58:36,600
Speaker 1: is this is exactly why I don't eat meat. I

1155
00:58:36,680 --> 00:58:40,560
Speaker 1: mean why I eat meat? This is exactly why I

1156
00:58:40,640 --> 00:58:42,400
Speaker 1: eat meat? All right? Did you stopped eating animals just

1157
00:58:42,480 --> 00:58:44,640
Speaker 1: to fornicate with them? What kind of logic is that?

1158
00:58:44,760 --> 00:58:47,120
Speaker 1: It said it takes a different level of consciousness and

1159
00:58:47,240 --> 00:58:50,120
Speaker 1: compassion to stop consuming dead animals, So what level of

1160
00:58:50,200 --> 00:58:53,120
Speaker 1: consciousness and compassion does it take to fornicate with one?

1161
00:58:53,400 --> 00:58:56,640
Speaker 1: I have so many questions their relationship between Sexy Vegan

1162
00:58:56,680 --> 00:58:59,280
Speaker 1: and the dog. Were he a couple? Did he at

1163
00:58:59,320 --> 00:59:02,040
Speaker 1: least give us some happy how he's doggy treats before

1164
00:59:02,080 --> 00:59:04,040
Speaker 1: he gave the dog his bone. All right, I was

1165
00:59:04,080 --> 00:59:06,520
Speaker 1: told the Sexy Vegan loved this animal and it wasn't

1166
00:59:06,600 --> 00:59:09,080
Speaker 1: just sex bohing. We reached out to the dogful comment.

1167
00:59:09,120 --> 00:59:11,680
Speaker 1: He said this, you know, love me, just love my dog.

1168
00:59:11,920 --> 00:59:15,240
Speaker 1: Staff not. Sexy Vegan is pleaded not guilty. His bail

1169
00:59:15,320 --> 00:59:17,280
Speaker 1: is set at thirty five thousand and he could face

1170
00:59:17,320 --> 00:59:19,320
Speaker 1: a year in county jail. I have nothing else to

1171
00:59:19,400 --> 00:59:21,320
Speaker 1: say about this, all right, some donkey the days just

1172
00:59:21,360 --> 00:59:24,480
Speaker 1: sell themselves. If Sexy Vegan is listening, I just want

1173
00:59:24,520 --> 00:59:26,360
Speaker 1: to tell you keep your head up and I would

1174
00:59:26,400 --> 00:59:28,200
Speaker 1: like to play a song for you and your barking

1175
00:59:28,240 --> 00:59:30,080
Speaker 1: ass bay. All right, I'm gonna flash back to my

1176
00:59:30,200 --> 00:59:32,480
Speaker 1: Quiet Storm days. I like to do the Quiet Storm

1177
00:59:32,520 --> 00:59:34,920
Speaker 1: and Chalton, South Carolina at twelve am to five am

1178
00:59:35,000 --> 00:59:38,120
Speaker 1: on Zerny three Jams and Hot ninety eight nine introducing

1179
00:59:38,240 --> 00:59:41,200
Speaker 1: love songs. This is Charlomagne the God Doug Love Status.

1180
00:59:41,320 --> 00:59:45,560
Speaker 1: I know this is Charlemagne, the God Doug Love Status,

1181
00:59:46,040 --> 00:59:49,240
Speaker 1: and this joint is from me, the Sexy Vegan, and

1182
00:59:49,320 --> 00:59:53,400
Speaker 1: it's barking ass Bay. It's Paul Answer with Puppy Love.

1183
01:00:00,000 --> 01:00:13,440
Speaker 1: I called it. Please give hands with the bar Tolo

1184
01:00:13,720 --> 01:00:21,320
Speaker 1: aka Sexy Vegan, the biggest. He hall somebody as a vegan.

1185
01:00:21,400 --> 01:00:23,240
Speaker 1: There's somebody in this room who likes canine comfort. But

1186
01:00:23,280 --> 01:00:27,440
Speaker 1: I'm not gonna say no names. Oh does he have

1187
01:00:27,480 --> 01:00:29,760
Speaker 1: a labradoodle? I don't know what kind of dog? Yes,

1188
01:00:32,120 --> 01:00:35,040
Speaker 1: he grabbed the microphone. I didn't say nothing. Dog will

1189
01:00:35,360 --> 01:00:37,440
Speaker 1: I love my dog? Man? I know not that much. Yea.

1190
01:00:37,520 --> 01:00:39,160
Speaker 1: They said that they wish they would have never created

1191
01:00:39,200 --> 01:00:43,080
Speaker 1: the labradoodle. And it was bullish and they called it

1192
01:00:43,160 --> 01:00:45,680
Speaker 1: a frank and that's the craziest thing you do with

1193
01:00:45,760 --> 01:00:49,360
Speaker 1: your dogs. I just that's we go to the parking stuff.

1194
01:00:49,440 --> 01:00:51,600
Speaker 1: But he's right now. I just want to get my

1195
01:00:51,680 --> 01:00:56,439
Speaker 1: dog out. Hey, friends, if you're listening right now, I'll

1196
01:00:56,480 --> 01:01:03,160
Speaker 1: be honest roof all right, I don't have guys, man,

1197
01:01:03,280 --> 01:01:05,920
Speaker 1: what are you doing to that labradodle doodo? Love with

1198
01:01:05,960 --> 01:01:10,440
Speaker 1: the labradudo? All right? All right? Will thank you for

1199
01:01:10,480 --> 01:01:12,400
Speaker 1: that dog to day time, for this level of whiteness,

1200
01:01:12,440 --> 01:01:13,960
Speaker 1: and make sure you follow Steve so you can see

1201
01:01:14,040 --> 01:01:17,080
Speaker 1: him in his labor doodle. Yeah, all right, we got

1202
01:01:17,160 --> 01:01:20,400
Speaker 1: more coming up next with a breakfast Club. The Breakfast

1203
01:01:20,480 --> 01:01:27,440
Speaker 1: Club Morning. Everybody is DJ Envy Angela, Yee, Charlomagne the guy.

1204
01:01:27,480 --> 01:01:29,800
Speaker 1: We are the breakfast club. Yeah, we got some special

1205
01:01:29,880 --> 01:01:32,960
Speaker 1: guests in the build. Boy now d CEO fly oh,

1206
01:01:33,800 --> 01:01:40,160
Speaker 1: Carlos Miller, we didn't made it to the breakfast club.

1207
01:01:40,680 --> 01:01:44,440
Speaker 1: Y'all have y'all moment, go ahead. Man, weren't focus with you.

1208
01:01:44,560 --> 01:01:47,360
Speaker 1: I did not realize ain't never been here before. I

1209
01:01:47,480 --> 01:01:49,720
Speaker 1: really did, just the same that. Y'all both keep telling

1210
01:01:49,800 --> 01:01:52,919
Speaker 1: him he's been here. He keeps telling you he hasn't. Dog,

1211
01:01:53,080 --> 01:02:00,120
Speaker 1: I love mother, that is queen. And nine times you

1212
01:02:00,160 --> 01:02:02,920
Speaker 1: ain't content at least the stand in the window like that.

1213
01:02:03,120 --> 01:02:08,240
Speaker 1: Man Like now, what made y'all want to do the

1214
01:02:08,320 --> 01:02:10,120
Speaker 1: eighty five soft thing? Because of course y'all met on

1215
01:02:10,240 --> 01:02:12,800
Speaker 1: wilding Out, I'm sure, but made y'all decide this is

1216
01:02:12,880 --> 01:02:16,800
Speaker 1: the threesome that could do eighty five soft? Three? Watch

1217
01:02:16,880 --> 01:02:26,160
Speaker 1: your mouth shot all of these windows. You ain't writing

1218
01:02:26,200 --> 01:02:35,000
Speaker 1: nook right now, Trio trio. This is a brotherhood, exactly,

1219
01:02:35,240 --> 01:02:39,560
Speaker 1: you go. Brotherhood, brotherhood. I want to get on this train.

1220
01:02:41,040 --> 01:02:44,560
Speaker 1: I know I'll start like we met on wilding Out,

1221
01:02:44,680 --> 01:02:46,360
Speaker 1: You know what I mean? We knew each other, man

1222
01:02:46,480 --> 01:02:48,680
Speaker 1: lows knew each other prior to wilding out. But you know,

1223
01:02:48,720 --> 01:02:50,680
Speaker 1: it was just an idea that Los always had. We

1224
01:02:50,760 --> 01:02:52,920
Speaker 1: always scheming about things that we can do to kind of,

1225
01:02:53,040 --> 01:02:55,439
Speaker 1: you know, further our talent and just show the world

1226
01:02:55,520 --> 01:02:57,120
Speaker 1: more about, you know, what it is that we do

1227
01:02:57,600 --> 01:03:00,120
Speaker 1: individually and as a unit. So Lows was just like, man,

1228
01:03:00,160 --> 01:03:03,040
Speaker 1: I'm great, make a podcast and we're gonna make this

1229
01:03:03,160 --> 01:03:04,920
Speaker 1: thing go. So you know, he wanted us to be

1230
01:03:05,040 --> 01:03:06,840
Speaker 1: a part of it. And that's just the way it went.

1231
01:03:06,920 --> 01:03:08,200
Speaker 1: And they say, y'all don't plan in the show. When

1232
01:03:08,280 --> 01:03:10,120
Speaker 1: y'all go on on toy, y'all just go out there

1233
01:03:10,200 --> 01:03:12,360
Speaker 1: and whatever feeling y'all got, y'all gonna tell you how

1234
01:03:12,400 --> 01:03:14,880
Speaker 1: we used to do it right. We used to have instruction,

1235
01:03:15,120 --> 01:03:20,840
Speaker 1: you know, like how y'all used to Yeah, it's a struction,

1236
01:03:20,880 --> 01:03:22,440
Speaker 1: you know how y'all have a paper you know exactly

1237
01:03:22,480 --> 01:03:24,440
Speaker 1: what you're gonna say, you know, you key topics, what

1238
01:03:24,520 --> 01:03:26,680
Speaker 1: you were gonna do. We just had to figure each

1239
01:03:26,720 --> 01:03:28,680
Speaker 1: other out first, and then we used to have a

1240
01:03:28,720 --> 01:03:30,400
Speaker 1: piece of paper. You know what I'm saying. The first

1241
01:03:30,440 --> 01:03:32,440
Speaker 1: two three show, you know what I'm saying. Even with

1242
01:03:32,560 --> 01:03:35,280
Speaker 1: the podcast podcast, when we just go out of now

1243
01:03:35,400 --> 01:03:38,640
Speaker 1: we don't have no paper. We're going off each other's comedy,

1244
01:03:38,840 --> 01:03:40,520
Speaker 1: and we're going off the vibe because we know each

1245
01:03:40,560 --> 01:03:42,680
Speaker 1: other's scrumps are already. All we gotta do is press

1246
01:03:42,760 --> 01:03:44,880
Speaker 1: record and we'd be like, what you do today? And

1247
01:03:45,880 --> 01:03:48,480
Speaker 1: what did you see? Tailler in to the show right,

1248
01:03:48,520 --> 01:03:50,600
Speaker 1: and Teller said, there's one of y'all that has no filter,

1249
01:03:51,040 --> 01:03:58,720
Speaker 1: doesn't care about anything. We will go left. It's it's

1250
01:03:58,920 --> 01:04:00,720
Speaker 1: you get the levels of you know what I'm saying,

1251
01:04:00,800 --> 01:04:05,600
Speaker 1: of just of stupid, That's what it is. It's just stupidited.

1252
01:04:05,880 --> 01:04:08,720
Speaker 1: You got the you got me the young wold ain't

1253
01:04:08,760 --> 01:04:11,040
Speaker 1: no telling. You got to watch him Chico here in

1254
01:04:11,080 --> 01:04:13,520
Speaker 1: the middle between the young and the widow. So he'd

1255
01:04:13,560 --> 01:04:15,200
Speaker 1: be like, I want to go to DC, but I can't.

1256
01:04:15,240 --> 01:04:18,000
Speaker 1: I got under changed my life around. You know what

1257
01:04:18,040 --> 01:04:21,160
Speaker 1: I'm saying. You know what I'm saying. And then he

1258
01:04:21,240 --> 01:04:24,000
Speaker 1: intelligent like a mom we need. Then you got the og,

1259
01:04:24,560 --> 01:04:27,400
Speaker 1: the widsom who, the myth who everything all up and

1260
01:04:27,520 --> 01:04:30,640
Speaker 1: he still tell you that your grandma's still a freak.

1261
01:04:32,280 --> 01:04:34,720
Speaker 1: How do you think your uncle got hit? Mom and

1262
01:04:34,800 --> 01:04:36,920
Speaker 1: Daddy feel about you talking about the sex like, well,

1263
01:04:37,000 --> 01:04:39,560
Speaker 1: my mother passed away. So she don't get damn uh.

1264
01:04:39,840 --> 01:04:42,240
Speaker 1: My father ain't having much sex, so he just living

1265
01:04:42,360 --> 01:04:44,800
Speaker 1: vicariously through me. I mean, I was talking about my

1266
01:04:44,920 --> 01:04:47,200
Speaker 1: father last night. He comes to the show drink up

1267
01:04:47,240 --> 01:04:49,560
Speaker 1: two hundred dollars worth for henness. But I just got

1268
01:04:49,640 --> 01:04:51,520
Speaker 1: one of those fathers. It's like, it don't matter how

1269
01:04:51,560 --> 01:04:53,760
Speaker 1: successful I get, he's still gonna be a He's gonna

1270
01:04:53,760 --> 01:04:55,720
Speaker 1: try to hilst him. I gotta kick him out of

1271
01:04:55,760 --> 01:04:59,480
Speaker 1: every show. That's just that's the cloth that I can't night. Definitely,

1272
01:04:59,560 --> 01:05:01,920
Speaker 1: definitely he could then enjoy this help before we put

1273
01:05:01,920 --> 01:05:04,760
Speaker 1: put out. So you got him traveling with you sometime.

1274
01:05:04,800 --> 01:05:07,040
Speaker 1: I've take him place, okay, but he has to leave

1275
01:05:07,160 --> 01:05:09,760
Speaker 1: early because he had he had food. What do you say?

1276
01:05:09,960 --> 01:05:12,040
Speaker 1: What do you say? The girl was taking a picture

1277
01:05:12,080 --> 01:05:14,280
Speaker 1: on the phone. She was like, your camera smugs. Youre

1278
01:05:14,320 --> 01:05:18,040
Speaker 1: like smuggs. You're talking about my phone? Like is nasty?

1279
01:05:18,200 --> 01:05:28,840
Speaker 1: Young lady? I said, man, this is an old player word.

1280
01:05:29,480 --> 01:05:31,520
Speaker 1: Which what's the biggest transition y'all had to make sense

1281
01:05:31,560 --> 01:05:34,560
Speaker 1: getting some some celebrity. I think for me, it's just

1282
01:05:35,000 --> 01:05:39,240
Speaker 1: understanding that the reach is greater now. So the decisions

1283
01:05:39,280 --> 01:05:41,360
Speaker 1: that you have to make don't just affect you anymore,

1284
01:05:41,760 --> 01:05:43,280
Speaker 1: so you know what I mean. Like, But now you

1285
01:05:43,400 --> 01:05:46,160
Speaker 1: gotta understand that your reaction is going to cause a

1286
01:05:46,520 --> 01:05:49,439
Speaker 1: shock wave throughout everything that you got going on, because

1287
01:05:49,440 --> 01:05:51,360
Speaker 1: people are looking at you to either try to get

1288
01:05:51,400 --> 01:05:53,920
Speaker 1: something from you or either fans or whatever it may be.

1289
01:05:54,120 --> 01:05:56,320
Speaker 1: So you have to be real selective about who and

1290
01:05:56,400 --> 01:06:00,919
Speaker 1: what you get your energy and time. Smartest you said

1291
01:06:00,960 --> 01:06:02,800
Speaker 1: you want to damn who I represent them slapping the

1292
01:06:02,880 --> 01:06:06,640
Speaker 1: as well that you got a cute to being mean spirited,

1293
01:06:07,480 --> 01:06:15,680
Speaker 1: don't you crazy? True? Dancy? You found your man? Yes,

1294
01:06:15,800 --> 01:06:19,560
Speaker 1: I have a boyfriend. That's why you're so nice. What

1295
01:06:19,800 --> 01:06:26,520
Speaker 1: is this boyfriend? I've just been yes, yes, what is it? Plus?

1296
01:06:29,840 --> 01:06:34,640
Speaker 1: I have a boyfriend? Yo? Can you know? That's what

1297
01:06:34,760 --> 01:06:41,480
Speaker 1: we were talking about. It gave me all that mother

1298
01:06:41,840 --> 01:06:46,479
Speaker 1: ready your mother, damn just be bush. Don't nobody saying

1299
01:06:46,600 --> 01:06:57,360
Speaker 1: angel name like webbing Angel Angelotte name Chotte, you keep

1300
01:06:57,440 --> 01:07:02,360
Speaker 1: all that over there, Charlotte MC guy my favorite breakfast

1301
01:07:02,400 --> 01:07:05,280
Speaker 1: club interview because he don't answer no question. What you're

1302
01:07:05,320 --> 01:07:08,280
Speaker 1: doing mine? We're just doing it mi, No kid, No

1303
01:07:08,440 --> 01:07:11,400
Speaker 1: kids might not rum smell like yeah, but the album

1304
01:07:11,480 --> 01:07:17,240
Speaker 1: coming out Booth gonna be straight boots coming to the

1305
01:07:17,320 --> 01:07:20,160
Speaker 1: question like you said smell, but tell me a little

1306
01:07:20,160 --> 01:07:21,960
Speaker 1: bit more about the room, like how did you guys

1307
01:07:21,960 --> 01:07:25,040
Speaker 1: set it up? And everything has to come on? All right?

1308
01:07:25,080 --> 01:07:28,040
Speaker 1: We got more with Carlos Miller, Chico Bean, and DC

1309
01:07:28,160 --> 01:07:30,560
Speaker 1: young Fly from MTV's Wilding Out. So don't move. It's

1310
01:07:30,600 --> 01:07:33,640
Speaker 1: to Breakfast Club. Good morning morning. Everybody is DJ M

1311
01:07:33,720 --> 01:07:36,800
Speaker 1: v Angela Yee, Charlomagne the guy. We are the Breakfast

1312
01:07:36,960 --> 01:07:40,040
Speaker 1: Club now from MTV's Wilding Out. We have DC young Fly,

1313
01:07:40,280 --> 01:07:43,920
Speaker 1: Chico Bean, and Carlos Miller in the building. Now, when

1314
01:07:43,960 --> 01:07:48,680
Speaker 1: you guys are rope to somebody, are there rules to Italy?

1315
01:07:50,760 --> 01:07:58,000
Speaker 1: I would say get kids only get it. We're they're

1316
01:07:58,080 --> 01:08:01,640
Speaker 1: walking to it. Say if I roast you, if I'm

1317
01:08:01,680 --> 01:08:03,960
Speaker 1: broth you right, and your child to come out of nowhere.

1318
01:08:04,040 --> 01:08:07,520
Speaker 1: You got a little walter, You got a little stupid

1319
01:08:07,560 --> 01:08:23,400
Speaker 1: as walk. You're like, like, what I get you? Until

1320
01:08:23,439 --> 01:08:24,840
Speaker 1: he walked through. He got to walk in the light

1321
01:08:24,920 --> 01:08:28,120
Speaker 1: of five. He's so happy. How do y'all feel when

1322
01:08:28,120 --> 01:08:30,040
Speaker 1: people come at your kids, because I'll be seeing your

1323
01:08:30,040 --> 01:08:32,000
Speaker 1: little girl inline, Dc, you put your little girl online.

1324
01:08:32,080 --> 01:08:35,040
Speaker 1: Know you're trying to get I said, first you ain't

1325
01:08:35,040 --> 01:08:38,120
Speaker 1: seen my son. I don't seen you put yourself you

1326
01:08:38,200 --> 01:08:41,800
Speaker 1: got yeah, because I don't like that. He but he'd

1327
01:08:41,800 --> 01:08:44,680
Speaker 1: be like, don't do that, don't post that. Yeah, I

1328
01:08:44,680 --> 01:08:46,360
Speaker 1: don't want to be on I posted a picture up

1329
01:08:46,360 --> 01:08:48,519
Speaker 1: in one day and it got like ten thousand lights.

1330
01:08:48,560 --> 01:08:54,080
Speaker 1: He was like, at it, I got you all them lights, Like,

1331
01:08:54,520 --> 01:08:57,280
Speaker 1: chill out. My son ain't about to be ten. Really,

1332
01:08:57,320 --> 01:08:58,880
Speaker 1: he don't want to do like. He don't want to

1333
01:08:58,920 --> 01:09:00,920
Speaker 1: be popular, none of that. He just like the chill.

1334
01:09:03,600 --> 01:09:06,560
Speaker 1: I think that posting her now and being able to

1335
01:09:06,640 --> 01:09:08,720
Speaker 1: navigate that energy with her while she with me a

1336
01:09:08,800 --> 01:09:10,880
Speaker 1: helper when she gets older, and you know, because social

1337
01:09:10,920 --> 01:09:12,800
Speaker 1: media and all that gonna change, it's gonna be old

1338
01:09:12,840 --> 01:09:15,000
Speaker 1: by the time she grow up. So I want her

1339
01:09:15,040 --> 01:09:17,720
Speaker 1: to be, you know, trained to not pay attention to

1340
01:09:17,840 --> 01:09:20,320
Speaker 1: opinions of people and it's not real. You need to

1341
01:09:20,360 --> 01:09:22,880
Speaker 1: go up under your comments and somebody can say anything

1342
01:09:22,960 --> 01:09:25,080
Speaker 1: to you, but it's all what you decide to dedicate

1343
01:09:25,160 --> 01:09:27,080
Speaker 1: your energy too. So I'm just teaching her that you

1344
01:09:27,160 --> 01:09:29,439
Speaker 1: got the power to, you know, let people affect you

1345
01:09:29,520 --> 01:09:32,599
Speaker 1: on a day to day basis your sketches Chico brother knowledge,

1346
01:09:32,640 --> 01:09:36,519
Speaker 1: Oh yeah, definitely because it's fun, like like she into it.

1347
01:09:36,640 --> 01:09:39,519
Speaker 1: That's what she wants to do. Like she expressed, like I, daddy,

1348
01:09:39,560 --> 01:09:41,400
Speaker 1: I want to you know, being a player. I want

1349
01:09:41,439 --> 01:09:42,840
Speaker 1: to do this. So I'm like, we do it with

1350
01:09:42,960 --> 01:09:45,160
Speaker 1: me so you can get all the you know, nervous

1351
01:09:45,280 --> 01:09:46,960
Speaker 1: energy that you may have and all of that. Because

1352
01:09:47,000 --> 01:09:50,120
Speaker 1: when she's doing something with me, she don't feel any Yeah,

1353
01:09:50,160 --> 01:09:52,000
Speaker 1: and she just like, I'm with my daddy, so I'm

1354
01:09:52,000 --> 01:09:54,120
Speaker 1: gonna do whatever. So I just think that me being

1355
01:09:54,200 --> 01:09:55,960
Speaker 1: in her life and allowing her to be able to

1356
01:09:56,280 --> 01:09:58,320
Speaker 1: get all her dreams off and do whatever she want

1357
01:09:58,360 --> 01:09:59,800
Speaker 1: to do while she with me is gonna make it

1358
01:10:00,000 --> 01:10:01,840
Speaker 1: easier when she get out here a much strangers. She

1359
01:10:01,920 --> 01:10:09,960
Speaker 1: watched the podcast and stuff. The podcast nahad was a

1360
01:10:10,040 --> 01:10:13,679
Speaker 1: kind oh nah that that's a light question for my daughter.

1361
01:10:15,320 --> 01:10:23,479
Speaker 1: Question man just coming grow some hall about here. Girl.

1362
01:10:24,880 --> 01:10:32,040
Speaker 1: Man too old to be ball head? Times you wake up,

1363
01:10:32,080 --> 01:10:34,600
Speaker 1: I like, big little girl, hat ain't wrong? You go

1364
01:10:34,640 --> 01:10:38,719
Speaker 1: back to sleep? What kind of kids out? What kids asking?

1365
01:10:39,120 --> 01:10:42,160
Speaker 1: It's so much because they don't line all the it's

1366
01:10:42,200 --> 01:10:45,880
Speaker 1: not like not nothing to to graphics. You got to

1367
01:10:45,920 --> 01:10:48,680
Speaker 1: really explain. Like my son he a boy, so he

1368
01:10:48,880 --> 01:10:50,920
Speaker 1: sees stuff and he just act like he don't see it.

1369
01:10:51,600 --> 01:10:53,679
Speaker 1: I know I'm doing a good job as a father

1370
01:10:53,840 --> 01:10:55,599
Speaker 1: because he told me one day he was like, daddy,

1371
01:10:55,920 --> 01:11:03,480
Speaker 1: boys don't kiss. I was like, equal opportunity, Equal opportunity.

1372
01:11:03,960 --> 01:11:13,280
Speaker 1: I heart media were about to switch it back up?

1373
01:11:15,240 --> 01:11:23,760
Speaker 1: Lad welcome breakfast club started talking like the white man

1374
01:11:24,439 --> 01:11:28,640
Speaker 1: that happens. Why hasn't wilding out worked for y'all? But

1375
01:11:28,760 --> 01:11:31,320
Speaker 1: not necessarily other people who may be funny, like somebody

1376
01:11:31,400 --> 01:11:33,760
Speaker 1: like just a liar? She didn't necessarily shine on the show.

1377
01:11:33,840 --> 01:11:36,479
Speaker 1: How did y'all figure it out? What you mean she show?

1378
01:11:36,920 --> 01:11:39,200
Speaker 1: You know, everybody just took today own today own. You

1379
01:11:39,240 --> 01:11:40,840
Speaker 1: know what I'm saying. Opportunity and need it. You know

1380
01:11:40,840 --> 01:11:42,200
Speaker 1: what I'm saying? How they ever want to do? Because

1381
01:11:42,200 --> 01:11:45,040
Speaker 1: work like this, bro, It's like you got to be

1382
01:11:45,120 --> 01:11:48,080
Speaker 1: a part of a team. It's it's different when you're

1383
01:11:48,080 --> 01:11:50,799
Speaker 1: a comedian and you can get your lambs by yourself

1384
01:11:51,240 --> 01:11:53,040
Speaker 1: and you used to do on your own thing, But like,

1385
01:11:53,200 --> 01:11:55,080
Speaker 1: can you be part of a team? Can you set

1386
01:11:55,200 --> 01:11:57,800
Speaker 1: up a joke for somebody else? Can you be the joke?

1387
01:11:58,000 --> 01:12:00,280
Speaker 1: Can you can you do you know how to play

1388
01:12:00,320 --> 01:12:02,600
Speaker 1: off somebody getting a jump off on you, So a

1389
01:12:02,680 --> 01:12:04,559
Speaker 1: lot of that, a lot of those things come into

1390
01:12:04,600 --> 01:12:06,960
Speaker 1: play with wild and now and then you know, it's

1391
01:12:06,960 --> 01:12:08,880
Speaker 1: a lot of people on that so a lot of

1392
01:12:08,920 --> 01:12:11,240
Speaker 1: people are just looking for that niche and they want

1393
01:12:11,280 --> 01:12:12,400
Speaker 1: to be and they just they just want to be

1394
01:12:12,479 --> 01:12:15,759
Speaker 1: funny all the time. And I just I just told myself,

1395
01:12:15,880 --> 01:12:18,320
Speaker 1: like after my first season, I just told myself, really

1396
01:12:18,360 --> 01:12:20,760
Speaker 1: I learned after my second season, because my second season one,

1397
01:12:20,840 --> 01:12:23,679
Speaker 1: it wasn't probably my best season out of all my season,

1398
01:12:23,720 --> 01:12:25,800
Speaker 1: you feel me, it was kind of more so I've

1399
01:12:25,800 --> 01:12:28,000
Speaker 1: seen what they tried to cut me up, make me

1400
01:12:28,120 --> 01:12:30,240
Speaker 1: look like I feel like I'm getting clean. But I

1401
01:12:30,360 --> 01:12:32,160
Speaker 1: was like, oh, wait a minute, you know what I mean.

1402
01:12:32,320 --> 01:12:35,000
Speaker 1: That ain't me going there rough my helf a little bit.

1403
01:12:35,040 --> 01:12:41,720
Speaker 1: You know what I'm saying. People trying to change this.

1404
01:12:42,800 --> 01:12:45,920
Speaker 1: But it was just more so like I I felt

1405
01:12:45,920 --> 01:12:48,640
Speaker 1: like the game tried to change me too fast for me.

1406
01:12:48,760 --> 01:12:50,680
Speaker 1: You're like, hold up, let me find my place in

1407
01:12:50,760 --> 01:12:52,519
Speaker 1: the industry, you know what I'm saying. And I'm like, okay,

1408
01:12:52,600 --> 01:12:55,040
Speaker 1: me just being me. It's where I'm man, instead of

1409
01:12:55,120 --> 01:12:57,280
Speaker 1: me just trying to elevate. Learn with the game. Don't

1410
01:12:57,360 --> 01:13:00,160
Speaker 1: let the game outroll you just yet you know what

1411
01:13:00,160 --> 01:13:02,000
Speaker 1: I'm saying. So I'm learning with the game. And then

1412
01:13:02,120 --> 01:13:04,000
Speaker 1: after my second season it was back to actually you

1413
01:13:04,040 --> 01:13:05,680
Speaker 1: know what I mean. It's just like how you said, like,

1414
01:13:05,720 --> 01:13:08,479
Speaker 1: don't really care about getting the laugh all the time?

1415
01:13:08,600 --> 01:13:11,760
Speaker 1: Can't you be the jew make fun of me every show?

1416
01:13:11,840 --> 01:13:14,040
Speaker 1: So I can be on TV? Right? And the platform

1417
01:13:15,040 --> 01:13:17,960
Speaker 1: people don't realize about wid is you don't always have

1418
01:13:18,120 --> 01:13:23,600
Speaker 1: to be talking to be funny so many ways the

1419
01:13:23,760 --> 01:13:31,920
Speaker 1: platform wide open. Like that's the thing about the show.

1420
01:13:31,960 --> 01:13:34,840
Speaker 1: It's that it's there's no structure to what you can

1421
01:13:34,880 --> 01:13:37,040
Speaker 1: do in regards to the comedy that you want to present,

1422
01:13:37,160 --> 01:13:39,200
Speaker 1: Like for example, the old school battles that me and

1423
01:13:39,360 --> 01:13:42,000
Speaker 1: him do, like that was just something that was organically

1424
01:13:42,280 --> 01:13:44,360
Speaker 1: that we just did, Like hey man, you bet you

1425
01:13:44,439 --> 01:13:45,920
Speaker 1: don't want to do this, And that's the thing. You

1426
01:13:46,000 --> 01:13:47,439
Speaker 1: can do whatever you want to do. You just have

1427
01:13:47,560 --> 01:13:49,719
Speaker 1: to find a way to make it work within that system.

1428
01:13:50,000 --> 01:13:51,960
Speaker 1: I've been on there with a whole bunch of other

1429
01:13:52,000 --> 01:13:53,960
Speaker 1: people because everybody want to get on there and become

1430
01:13:54,040 --> 01:13:56,640
Speaker 1: the star, but it's not really structured for there to

1431
01:13:56,760 --> 01:13:59,680
Speaker 1: be one star, and that the big star is Nick Cannon, say,

1432
01:13:59,760 --> 01:14:02,760
Speaker 1: Nick Cannon presents after that. Everything else is you know,

1433
01:14:02,920 --> 01:14:07,720
Speaker 1: team oriented. So your A is an employee, Yeah, I

1434
01:14:08,000 --> 01:14:12,000
Speaker 1: can present, Nick can present. Practice, Yeah, practice, rehearse what rehearse?

1435
01:14:12,280 --> 01:14:15,040
Speaker 1: As far as on bottom out, No, y'all just go

1436
01:14:15,160 --> 01:14:17,200
Speaker 1: there and just But how do you rehearse it? How

1437
01:14:17,240 --> 01:14:20,040
Speaker 1: can you rehearse comedy? It's improv right because unless unless

1438
01:14:20,080 --> 01:14:23,439
Speaker 1: it's unless to stand up, it's crazy. You can't. You know,

1439
01:14:23,560 --> 01:14:26,320
Speaker 1: we don't rehearse. I think you know our section, But

1440
01:14:26,360 --> 01:14:28,240
Speaker 1: I thought maybe y'all rehearse like y'all do the the

1441
01:14:28,320 --> 01:14:32,320
Speaker 1: Family Union. Some people some people need that, you know

1442
01:14:32,360 --> 01:14:34,200
Speaker 1: what I mean? Some people. And that's another thing about

1443
01:14:34,200 --> 01:14:36,320
Speaker 1: wilding out. A lot of people come in and don't

1444
01:14:36,360 --> 01:14:39,360
Speaker 1: get the structure and try to do comedy like they're

1445
01:14:39,400 --> 01:14:41,120
Speaker 1: doing on their phone and all that. But there is

1446
01:14:41,200 --> 01:14:44,600
Speaker 1: no editing delete when you shooting lives. We understand that

1447
01:14:44,680 --> 01:14:47,320
Speaker 1: that wilding lot is TV, you know what I'm saying, Like, yeah,

1448
01:14:47,360 --> 01:14:49,720
Speaker 1: they they go getting people and then they put them

1449
01:14:49,720 --> 01:14:51,320
Speaker 1: on the show. But you gotta understand when that thing

1450
01:14:51,439 --> 01:14:58,080
Speaker 1: say action get people being there? WI why little pool

1451
01:14:58,120 --> 01:15:02,320
Speaker 1: being there? Oh? Get real? Did TV? All right? We

1452
01:15:02,439 --> 01:15:05,080
Speaker 1: got more with the cast of MTV's Wilding Out and

1453
01:15:05,200 --> 01:15:09,200
Speaker 1: also the eighty five South podcast Carlos Miller Chico being

1454
01:15:09,240 --> 01:15:11,360
Speaker 1: a DC Young Flier, So don't move. It's the Breakfast Club,

1455
01:15:11,400 --> 01:15:18,200
Speaker 1: Good morning, the Breakfast Club Porty. Everybody is DJ Envy

1456
01:15:18,439 --> 01:15:21,559
Speaker 1: Angela Yee, Sholoman the guy. We are the Breakfast Club

1457
01:15:21,640 --> 01:15:25,400
Speaker 1: from MTV's Wilding Out. We have Chico being, Carlos Miller

1458
01:15:25,479 --> 01:15:28,040
Speaker 1: and DC Young Fly Charloman. How do y'all feel about

1459
01:15:28,120 --> 01:15:32,559
Speaker 1: Nick Cannon? Stand up? Say what I feel about Nick Cannon?

1460
01:15:32,600 --> 01:15:37,439
Speaker 1: Stand what you mean his comedy? What you mean he's great? Yeah,

1461
01:15:40,800 --> 01:15:54,040
Speaker 1: We're gonna say nothing bad Nick Cannon, ain't talking about Okay,

1462
01:15:54,920 --> 01:15:57,680
Speaker 1: Rich bro Okay, Nick Okay. I thought I thought I'm

1463
01:15:57,680 --> 01:16:00,599
Speaker 1: about to say burn ain't gonna up the clip coat

1464
01:16:00,680 --> 01:16:07,720
Speaker 1: on my skin? Charlottagne ruin up? What you say? What

1465
01:16:07,800 --> 01:16:11,280
Speaker 1: about it? What about his music? Yeah? If the Beatles'

1466
01:16:14,240 --> 01:16:22,360
Speaker 1: priss alright, than what ain't great? Exactly? And that's the thing,

1467
01:16:22,479 --> 01:16:24,840
Speaker 1: like he's cold. We do, you know, we make the

1468
01:16:24,960 --> 01:16:27,840
Speaker 1: jokes about Nick. But that's what makes Nick so great

1469
01:16:28,040 --> 01:16:32,680
Speaker 1: is that that he can't he'd be like cut it out,

1470
01:16:34,240 --> 01:16:38,960
Speaker 1: like a lot of money off that music. But Nick

1471
01:16:39,080 --> 01:16:40,880
Speaker 1: is the type of dude that he got all of

1472
01:16:40,920 --> 01:16:43,040
Speaker 1: the jokes that we tell about him. But that's the

1473
01:16:43,120 --> 01:16:45,360
Speaker 1: thing to make me, you know, so appreciative of him.

1474
01:16:45,360 --> 01:16:47,960
Speaker 1: It's like, if you're a bass you can put somebody on,

1475
01:16:48,400 --> 01:16:50,120
Speaker 1: but it's a difference to put them on and stand

1476
01:16:50,200 --> 01:16:52,160
Speaker 1: next to him while they're figuring out the process. And

1477
01:16:52,240 --> 01:16:54,280
Speaker 1: that's what and not only that be the brun of

1478
01:16:54,360 --> 01:16:56,840
Speaker 1: the joke when they figured out the process. Like man,

1479
01:16:57,160 --> 01:16:59,920
Speaker 1: over the years, how many times do we cook Nick

1480
01:17:00,200 --> 01:17:02,519
Speaker 1: on the show? I think I didn't cooked them too much.

1481
01:17:03,000 --> 01:17:04,960
Speaker 1: It's white. They didn't kick me off. They editing you

1482
01:17:05,040 --> 01:17:08,360
Speaker 1: out now, kicking me up. I don't even come back,

1483
01:17:08,360 --> 01:17:17,960
Speaker 1: and he's laughing, but I'm dead. I was saving kick

1484
01:17:18,040 --> 01:17:20,600
Speaker 1: me out. I got news. They called me. It was

1485
01:17:20,640 --> 01:17:25,960
Speaker 1: like we love you call a guy called no. No,

1486
01:17:26,520 --> 01:17:30,280
Speaker 1: you're not tell them the show was about to end.

1487
01:17:30,800 --> 01:17:33,840
Speaker 1: Many kick you kick me off? You said that thing

1488
01:17:33,880 --> 01:17:38,000
Speaker 1: about boy. They picked you up and say, look, it

1489
01:17:38,120 --> 01:17:39,880
Speaker 1: was when I told Nick he was laming his hell

1490
01:17:39,960 --> 01:17:42,320
Speaker 1: for going on a date with Marian, her new dude,

1491
01:17:42,520 --> 01:17:44,439
Speaker 1: and then I feel it was all downhill. And after

1492
01:17:44,520 --> 01:17:46,960
Speaker 1: that I said it, and then it was just I

1493
01:17:47,080 --> 01:17:51,880
Speaker 1: was just the vibe change. He was like, it was

1494
01:17:51,960 --> 01:17:56,439
Speaker 1: that you can't just kick call It was the white people.

1495
01:17:56,880 --> 01:17:59,120
Speaker 1: The white people never I never really they never really

1496
01:17:59,240 --> 01:18:01,200
Speaker 1: loved me like that over there, I feel like it's

1497
01:18:01,240 --> 01:18:02,960
Speaker 1: too much to have that. Grown men need to have

1498
01:18:03,040 --> 01:18:06,160
Speaker 1: to sit down because that I went to the source.

1499
01:18:06,280 --> 01:18:09,240
Speaker 1: You feel any problem in a solution, I'm confrontation. You

1500
01:18:09,320 --> 01:18:10,720
Speaker 1: know what I'm saying. I go, look what are you

1501
01:18:11,520 --> 01:18:13,640
Speaker 1: when you ask him? Basically, you need to have a

1502
01:18:13,720 --> 01:18:18,400
Speaker 1: sit down. Man, That's all that the phone mania bick

1503
01:18:18,479 --> 01:18:20,680
Speaker 1: on the phone so I can watch this. Hold on,

1504
01:18:20,800 --> 01:18:22,519
Speaker 1: hold on, you got to call Yeah, we're gonna call

1505
01:18:22,600 --> 01:18:29,160
Speaker 1: him right now. Is this is the breakfast wait until

1506
01:18:29,160 --> 01:18:33,120
Speaker 1: the breathfat He was up me away? I just what

1507
01:18:33,320 --> 01:18:39,800
Speaker 1: you out here? Nigga? Yo? What's up? Yo? Now listen,

1508
01:18:39,880 --> 01:18:41,720
Speaker 1: we got you, we got your We got all our

1509
01:18:41,760 --> 01:18:43,920
Speaker 1: partners in here right now. We got DC young Fly,

1510
01:18:44,160 --> 01:18:47,479
Speaker 1: that's rights being and Carlos Miller, like I said, my

1511
01:18:47,600 --> 01:18:49,840
Speaker 1: name laugh Now niggas did an issue between you and

1512
01:18:49,960 --> 01:18:52,400
Speaker 1: Carlos callers and told me you don't fight them. Yep,

1513
01:18:54,160 --> 01:18:57,200
Speaker 1: not happen. I'm a man for life. I'm fir. He

1514
01:18:57,320 --> 01:19:00,920
Speaker 1: got on the show. No us he line nothing. It's

1515
01:19:00,920 --> 01:19:02,880
Speaker 1: a bunch of it's a bunch of people that ain't

1516
01:19:02,920 --> 01:19:04,320
Speaker 1: on the show. No more. Y'all know how to you

1517
01:19:04,400 --> 01:19:10,559
Speaker 1: white folks work. Blame it on the white cars. It's

1518
01:19:10,600 --> 01:19:12,599
Speaker 1: your show that Carlos is one of the main people

1519
01:19:12,680 --> 01:19:15,560
Speaker 1: on that that I tuned in for Carlos. I love Carlos.

1520
01:19:15,680 --> 01:19:18,080
Speaker 1: I think I don't know how the negotiations work, but

1521
01:19:18,280 --> 01:19:20,760
Speaker 1: how much people get paid and how many episodes and

1522
01:19:20,840 --> 01:19:24,000
Speaker 1: all of that. I'm talking about that. But if y'all

1523
01:19:24,040 --> 01:19:26,439
Speaker 1: want to talk about the money on the air, now

1524
01:19:26,520 --> 01:19:28,800
Speaker 1: we ain't talking about the money. We're not talking about

1525
01:19:31,040 --> 01:19:33,240
Speaker 1: to get the job, then talk about the money. He

1526
01:19:33,280 --> 01:19:35,280
Speaker 1: said you fired them and replaced them with Cat Williams

1527
01:19:35,320 --> 01:19:37,160
Speaker 1: on the on the Wild and Our took. You can't

1528
01:19:37,160 --> 01:19:39,560
Speaker 1: say that. I'm understand that one though. I didn't say that,

1529
01:19:39,680 --> 01:19:42,040
Speaker 1: But Carlos said, you ain't never want to be on

1530
01:19:42,160 --> 01:19:44,960
Speaker 1: the show. You ain't never heard me say that? Who

1531
01:19:45,040 --> 01:19:48,000
Speaker 1: you had answering the phone called me one day about

1532
01:19:48,040 --> 01:19:50,160
Speaker 1: a flight and was like, well, you need to find

1533
01:19:50,320 --> 01:19:54,080
Speaker 1: something else to do. And I ain't heard from y'all. Sins. Yeah,

1534
01:19:54,520 --> 01:19:56,960
Speaker 1: I heard you say you ain't messing with that tool.

1535
01:19:57,200 --> 01:20:01,880
Speaker 1: That is some bulls you told that that's somebody or

1536
01:20:02,040 --> 01:20:04,800
Speaker 1: just miscommunication. I ain't never say that. I don't because

1537
01:20:04,800 --> 01:20:06,439
Speaker 1: I don't handle the money and all I long if

1538
01:20:06,520 --> 01:20:08,439
Speaker 1: my money is right, I get to it. You know

1539
01:20:08,640 --> 01:20:11,360
Speaker 1: the thing would happened or all I know is they

1540
01:20:11,439 --> 01:20:14,559
Speaker 1: said callous. But let's winter like all, Nick, We love

1541
01:20:14,640 --> 01:20:16,760
Speaker 1: both of y'all. I think that we need. I think

1542
01:20:16,800 --> 01:20:18,560
Speaker 1: you need to have a conversation with Callous on the

1543
01:20:18,600 --> 01:20:20,439
Speaker 1: low because here a little hurt. I couldn't believe what

1544
01:20:20,520 --> 01:20:22,519
Speaker 1: he was saying on the breakfast club this morning. Shut out,

1545
01:20:26,280 --> 01:20:29,519
Speaker 1: shout man. You want to be back on wild Out? Yeah,

1546
01:20:31,720 --> 01:20:39,880
Speaker 1: come on, situation Nick? Nick? Did I tell you I

1547
01:20:40,120 --> 01:20:41,720
Speaker 1: take a pay cut for my dough to be back

1548
01:20:41,760 --> 01:20:43,640
Speaker 1: on the show? He did? He pulled me to the

1549
01:20:49,880 --> 01:20:53,720
Speaker 1: n callos say something homophobic? Joke too far? Nah, not

1550
01:20:53,880 --> 01:20:56,120
Speaker 1: at all? Told you ain't man, I got playing at

1551
01:20:56,160 --> 01:21:03,120
Speaker 1: home Boys tentlement o peak community. Nick didn't work community, Nick, Hey,

1552
01:21:03,400 --> 01:21:12,160
Speaker 1: Carla's what's wrong with you? Man? That breakfast Thank you

1553
01:21:12,200 --> 01:21:14,080
Speaker 1: for answering the phone, nigga. We don't mean to bother

1554
01:21:14,200 --> 01:21:15,519
Speaker 1: you this morning, nigga, but we just want to get

1555
01:21:15,520 --> 01:21:17,640
Speaker 1: to the bottom of the Carlo situation. I know, I

1556
01:21:17,720 --> 01:21:22,280
Speaker 1: mean school, y'all calling me Howard, ain't Nick before you

1557
01:21:22,400 --> 01:21:27,200
Speaker 1: wake up? Slad on me? Bro, I love you. They

1558
01:21:27,280 --> 01:21:29,519
Speaker 1: just needed to have a sit down. It wasn't never

1559
01:21:29,560 --> 01:21:32,040
Speaker 1: a prime. It wasn't a joke that you made about

1560
01:21:32,120 --> 01:21:34,479
Speaker 1: him being on it. I didn't know. I never knew.

1561
01:21:34,760 --> 01:21:38,960
Speaker 1: Carlo didn't get fired. Carlo elevated you lying. I ain't

1562
01:21:41,280 --> 01:21:44,920
Speaker 1: elevating you lying. A lot of these people. I feel

1563
01:21:44,920 --> 01:21:48,800
Speaker 1: on your shoe for nast seasons. That's all the elevation

1564
01:21:48,880 --> 01:21:51,360
Speaker 1: I was doing you older my phone called Nick could

1565
01:21:51,400 --> 01:21:53,800
Speaker 1: have hit me Nick. That's nast seasons. Bro, Hey you

1566
01:21:53,960 --> 01:22:00,840
Speaker 1: got my line. I tested you. You ain't me bab shot.

1567
01:22:03,400 --> 01:22:09,439
Speaker 1: I'm next week he enjoy enjoy school Nick barbecue. Nick,

1568
01:22:09,520 --> 01:22:14,559
Speaker 1: I still got my job right, I was? We all

1569
01:22:14,600 --> 01:22:17,280
Speaker 1: about to be out of this Sharin about to have

1570
01:22:17,439 --> 01:22:19,360
Speaker 1: everybody on the site. I'm about to be up, bean,

1571
01:22:19,760 --> 01:22:22,479
Speaker 1: I about to be up. Then, God damn typing up

1572
01:22:22,520 --> 01:22:26,840
Speaker 1: the donkey of the days. But we're about to be

1573
01:22:26,960 --> 01:22:29,439
Speaker 1: on that. I'm about to play DJ job. Yeah, it's

1574
01:22:29,479 --> 01:22:32,719
Speaker 1: the breakfast club. Good afternoon, not morning. We're doing an afternoon.

1575
01:22:32,880 --> 01:22:35,519
Speaker 1: Where can they see the eighty five show Man. Right now,

1576
01:22:35,600 --> 01:22:38,160
Speaker 1: we're living on YouTube. We just got crazy. We got

1577
01:22:38,240 --> 01:22:40,360
Speaker 1: a big YouTube place, just jumping out of the gym.

1578
01:22:41,080 --> 01:22:43,680
Speaker 1: Pull it up on the yell on SoundCloud too, right

1579
01:22:43,720 --> 01:22:50,200
Speaker 1: now Cloud. Then we got a couple of live shows

1580
01:22:50,280 --> 01:22:53,880
Speaker 1: coming up. We in Chicago November twenty first, and then

1581
01:22:53,920 --> 01:22:57,400
Speaker 1: we're in Mobile November eighteenth. Then no Mobile, Alabama November

1582
01:22:57,439 --> 01:23:00,560
Speaker 1: twenty fifth. Another side, No shoo Maine. Uh, I'd be

1583
01:23:00,640 --> 01:23:02,720
Speaker 1: seeing the pictures you'd be taking after the show with

1584
01:23:02,800 --> 01:23:06,680
Speaker 1: your timber Lands, mat, loosen up your tims. Stop when

1585
01:23:06,720 --> 01:23:09,680
Speaker 1: you make you make a pay timber Lands look like

1586
01:23:09,760 --> 01:23:11,960
Speaker 1: oh making sci fire pro bab boots like you got

1587
01:23:12,080 --> 01:23:15,920
Speaker 1: the chill, you got the untightening boots. Man, I'm like,

1588
01:23:16,040 --> 01:23:18,000
Speaker 1: why the shotler man, You're not supposed to get your

1589
01:23:18,080 --> 01:23:20,400
Speaker 1: size and tims. You're supposed to go a half size.

1590
01:23:21,280 --> 01:23:25,200
Speaker 1: You the tims's longer than DJ Mby's career. And it's like,

1591
01:23:25,400 --> 01:23:30,200
Speaker 1: don't make no sense, man, Okay, listen, Anthony John Carlos,

1592
01:23:30,640 --> 01:23:33,080
Speaker 1: are you gonna say, you're gonna say our real name

1593
01:23:33,240 --> 01:23:38,400
Speaker 1: Leonard told us that Leonard, and get your hands out

1594
01:23:38,439 --> 01:23:46,960
Speaker 1: of here. Isn't the real name leg You got no

1595
01:23:48,320 --> 01:23:55,240
Speaker 1: no no, don't got the ak you no more? Lenara

1596
01:23:56,400 --> 01:23:58,760
Speaker 1: still look like any tass boots up so tight, because

1597
01:23:58,760 --> 01:24:01,479
Speaker 1: that's what that's by the blacks and his angles. He'll

1598
01:24:01,520 --> 01:24:04,160
Speaker 1: want to creep back up inside. I'll be back on

1599
01:24:04,280 --> 01:24:09,640
Speaker 1: his face again, Lenardi cableman on the same exactly, Lenard,

1600
01:24:10,640 --> 01:24:15,680
Speaker 1: what's your lad name? Lenard McKelvin, because let me get

1601
01:24:15,760 --> 01:24:22,639
Speaker 1: your serial Leonard McKelvin was kelvin until he met John

1602
01:24:22,840 --> 01:24:34,320
Speaker 1: and then things went south. Serial killer man than name?

1603
01:24:37,840 --> 01:24:43,200
Speaker 1: Who y'all got great? Come in here? Who got y'all

1604
01:24:43,240 --> 01:24:45,880
Speaker 1: done for the name? Can stay? Ain'tbody gonna do number

1605
01:24:45,920 --> 01:24:48,120
Speaker 1: flip houses at the time? Who's up type? We can

1606
01:24:48,160 --> 01:24:53,000
Speaker 1: stay up in this club? We don't have no purpose

1607
01:24:53,080 --> 01:24:59,400
Speaker 1: to breakfast club. McKelvin hackled. It's really not it's really

1608
01:24:59,479 --> 01:25:01,760
Speaker 1: litter will be. But he couldn't tell them he had

1609
01:25:01,800 --> 01:25:07,120
Speaker 1: to put a spin on it. It's a leadclbe stop

1610
01:25:07,160 --> 01:25:10,080
Speaker 1: playing all right. We'll shout to Carlos Millichico being in DC.

1611
01:25:10,240 --> 01:25:12,920
Speaker 1: Young fly for joining us this morning. Now, yea, we

1612
01:25:13,000 --> 01:25:15,000
Speaker 1: got roomors on the way. Yes, this couple seemed like

1613
01:25:15,080 --> 01:25:17,320
Speaker 1: they would be together forever, but turns out they even

1614
01:25:17,400 --> 01:25:19,800
Speaker 1: had a divorce papers signed. Find out what they had

1615
01:25:19,840 --> 01:25:22,280
Speaker 1: to say. Looking back. Coming up on the Breakfast Club,

1616
01:25:23,360 --> 01:25:30,800
Speaker 1: it's topic time the phone call eight hundred five eight five,

1617
01:25:30,840 --> 01:25:32,679
Speaker 1: one oh five. Want to join it to the discussion

1618
01:25:32,720 --> 01:25:36,080
Speaker 1: with the Breakfast Club, talk about it more than everybody's

1619
01:25:36,160 --> 01:25:39,880
Speaker 1: DJ Envy Angela Yee, Charlomagne the guy we are the

1620
01:25:39,960 --> 01:25:42,880
Speaker 1: Breakfast Club. Good morning. Now if you just joined us,

1621
01:25:42,880 --> 01:25:45,200
Speaker 1: we're talking about some creative or strange things you've done

1622
01:25:45,200 --> 01:25:46,800
Speaker 1: to make money. Now, that story came from will Ye.

1623
01:25:47,280 --> 01:25:50,760
Speaker 1: Mister Sophia. She's a dominator. She's sixty eight years old,

1624
01:25:50,840 --> 01:25:52,639
Speaker 1: and she tried his men one hundred and fifty dollars

1625
01:25:52,680 --> 01:25:55,680
Speaker 1: to clean her apartment because she's a dominatrix. All right,

1626
01:25:55,760 --> 01:25:57,760
Speaker 1: So we're asking eight hundred five eighty five one oh

1627
01:25:57,840 --> 01:26:02,240
Speaker 1: five one chanique, Yes, good morning, good morning. Now, what

1628
01:26:02,360 --> 01:26:04,479
Speaker 1: are some creative extreme things you've done to make some money?

1629
01:26:04,760 --> 01:26:07,280
Speaker 1: Oh my god. Okay, So I had this old white

1630
01:26:07,360 --> 01:26:11,040
Speaker 1: man right and to like for me to do weird

1631
01:26:11,120 --> 01:26:15,519
Speaker 1: stuff like stand on his sting with my heels. Um,

1632
01:26:15,880 --> 01:26:19,320
Speaker 1: he paid me five hundred dollars on him. He would

1633
01:26:19,360 --> 01:26:22,360
Speaker 1: pay me for me to let him like ejaculate on

1634
01:26:22,520 --> 01:26:25,799
Speaker 1: my feet. I've had a man told me to collect

1635
01:26:25,920 --> 01:26:30,240
Speaker 1: some of my urine and he would drink it. So wow, Um,

1636
01:26:30,280 --> 01:26:33,280
Speaker 1: you want me to send this guy your way? No,

1637
01:26:33,760 --> 01:26:39,160
Speaker 1: I can't. I am married with a son. Now, market

1638
01:26:39,280 --> 01:26:42,519
Speaker 1: did you tell y'all stuff? How old is your son? Wow?

1639
01:26:42,560 --> 01:26:44,559
Speaker 1: What are you trying to do? Well, he's still old

1640
01:26:44,640 --> 01:26:48,240
Speaker 1: enough to pee on somebody. Let him do it. Chalmagne, challemagne.

1641
01:26:48,280 --> 01:26:50,040
Speaker 1: I love you so much. I just want to say

1642
01:26:50,080 --> 01:26:53,000
Speaker 1: that I love you. I love you more love y'all?

1643
01:26:53,560 --> 01:26:55,160
Speaker 1: Did you did you tell your husband any of this

1644
01:26:55,280 --> 01:26:58,040
Speaker 1: before you got married? Yeah? He knew. He knew that.

1645
01:26:58,240 --> 01:27:01,120
Speaker 1: Like man used to want me to dominate them. I

1646
01:27:01,320 --> 01:27:05,120
Speaker 1: was never a dominatrix, but I would do like for

1647
01:27:05,280 --> 01:27:08,040
Speaker 1: still fetishes. You kind of were, and you were standing

1648
01:27:08,120 --> 01:27:13,479
Speaker 1: on his privates with your heels. That's dominatris behavior. Yeah. Yeah,

1649
01:27:13,520 --> 01:27:16,280
Speaker 1: he would like want me to stick the pointiest heels

1650
01:27:16,520 --> 01:27:20,000
Speaker 1: into his Now, I will say crazy. Now you know

1651
01:27:20,040 --> 01:27:21,560
Speaker 1: it's crazy. I used to sleep with a little the

1652
01:27:21,600 --> 01:27:23,880
Speaker 1: woman and she would pay me, but I didn't ask

1653
01:27:23,920 --> 01:27:25,960
Speaker 1: her for money. She was just taking care of me

1654
01:27:26,000 --> 01:27:27,600
Speaker 1: because I was her young boy. And you made me

1655
01:27:27,680 --> 01:27:29,160
Speaker 1: think about that just now, because she used to like

1656
01:27:29,240 --> 01:27:33,040
Speaker 1: to wear heels and stepped on my lower back. Yes, yeah,

1657
01:27:33,160 --> 01:27:36,280
Speaker 1: I don't know. He used to tell me she stepped

1658
01:27:36,280 --> 01:27:38,800
Speaker 1: on your little back. Bro. She stepped lower than that. Bro. No,

1659
01:27:39,120 --> 01:27:42,080
Speaker 1: I stepped on my little back. Guy with high head, guy,

1660
01:27:42,520 --> 01:27:48,960
Speaker 1: I didn't hurt. He has even yet him. Y'all? Okay,

1661
01:27:49,160 --> 01:27:50,760
Speaker 1: how much did she pay the step on your little back?

1662
01:27:51,080 --> 01:27:52,439
Speaker 1: Most you have paid me? She give me like three

1663
01:27:52,479 --> 01:27:55,360
Speaker 1: thousand dollars the time she was I was her little food.

1664
01:27:56,000 --> 01:27:59,880
Speaker 1: You should give me food too. She twinkies and bags

1665
01:28:00,080 --> 01:28:04,960
Speaker 1: chicken and the ziplock back to take on chicken. Hello

1666
01:28:05,120 --> 01:28:08,640
Speaker 1: is this yeah the morning? Good morning, hey Marcus. Now

1667
01:28:08,680 --> 01:28:10,120
Speaker 1: what did you do to make some maketure money man?

1668
01:28:10,200 --> 01:28:13,200
Speaker 1: Some creative strange thing? Um? You know what? Um? I

1669
01:28:13,320 --> 01:28:16,160
Speaker 1: was telling top side of the clubs. That makes sense.

1670
01:28:16,280 --> 01:28:19,200
Speaker 1: That's actually a great hub range. I went. I went

1671
01:28:19,280 --> 01:28:21,080
Speaker 1: out with my home girls, and I'm like, yo, what

1672
01:28:21,240 --> 01:28:23,760
Speaker 1: y'are always therefore when you're coming to head her say so,

1673
01:28:24,040 --> 01:28:25,840
Speaker 1: I was like, you know what, you know, there's a

1674
01:28:25,880 --> 01:28:27,600
Speaker 1: lot of stuff out on the ground. I'm sorry, let

1675
01:28:27,640 --> 01:28:29,160
Speaker 1: me let me see where I come make. It happened

1676
01:28:29,640 --> 01:28:31,280
Speaker 1: and I just cut that. I went down to trying

1677
01:28:31,280 --> 01:28:33,120
Speaker 1: to tell, you know, caught the pack for like twenty

1678
01:28:33,400 --> 01:28:36,160
Speaker 1: saw popping for ten. Sorry, mom, make about like about

1679
01:28:36,160 --> 01:28:38,800
Speaker 1: one hundred and fifty for the night. Great shout out

1680
01:28:38,840 --> 01:28:41,200
Speaker 1: to Don Dixon. She ain't invented flat out hills for that?

1681
01:28:41,280 --> 01:28:45,559
Speaker 1: Bad John, John, what's what's what's some creative strange things

1682
01:28:45,560 --> 01:28:49,080
Speaker 1: you did to make money? Ready? Nine year old? Later

1683
01:28:49,120 --> 01:28:53,560
Speaker 1: before a nine year old lady, Once you pay you,

1684
01:28:54,520 --> 01:28:56,760
Speaker 1: I stayed like a hundred feet of huh. It was

1685
01:28:56,800 --> 01:28:59,560
Speaker 1: big when I was a little younger. Overnight fifty that's it.

1686
01:29:00,040 --> 01:29:02,280
Speaker 1: She convinced you at ninety? What did she say at ninety?

1687
01:29:02,360 --> 01:29:05,080
Speaker 1: What does she look like? Man? I didn't need the money.

1688
01:29:05,240 --> 01:29:08,080
Speaker 1: It wasn't as bad as you think, though. But how

1689
01:29:08,120 --> 01:29:09,960
Speaker 1: did she come to you? How does she approach you? Land?

1690
01:29:10,080 --> 01:29:12,000
Speaker 1: The man? But I needed a long family said she

1691
01:29:12,080 --> 01:29:14,519
Speaker 1: was hot where where it was I had when the

1692
01:29:14,600 --> 01:29:17,080
Speaker 1: plat for a job and a little temporary receive, you know,

1693
01:29:17,720 --> 01:29:19,720
Speaker 1: and she was up there work and she looked she

1694
01:29:19,840 --> 01:29:23,720
Speaker 1: looked at y'all to be there. How about I love

1695
01:29:23,760 --> 01:29:27,640
Speaker 1: How young did she look? Said? How how young did

1696
01:29:27,680 --> 01:29:32,479
Speaker 1: she look? Where she go for? Like? She? Uh, lady,

1697
01:29:32,600 --> 01:29:35,200
Speaker 1: So you're talking like like like Cincily Tyson beautiful because

1698
01:29:35,200 --> 01:29:37,400
Speaker 1: Cicily Tyson is up and since types of ninety four

1699
01:29:37,600 --> 01:29:39,599
Speaker 1: and she's a beautiful woman. So she was a knapman,

1700
01:29:39,640 --> 01:29:42,200
Speaker 1: it's what you're saying. Well, I wish she was black,

1701
01:29:42,280 --> 01:29:47,200
Speaker 1: but she wasn't black. What did you do? You just

1702
01:29:47,280 --> 01:29:52,000
Speaker 1: had vegular missionary sex. They just gave up. I ain't.

1703
01:29:52,120 --> 01:29:55,439
Speaker 1: I didn't. She couldn't where. She couldn't handle right there,

1704
01:29:55,520 --> 01:29:57,320
Speaker 1: So I just had to give her you know, didn't

1705
01:29:57,360 --> 01:29:59,280
Speaker 1: do that and it was old. She asked you to

1706
01:29:59,360 --> 01:30:02,680
Speaker 1: do it, Yes, she pace? What did she say? You

1707
01:30:02,760 --> 01:30:04,960
Speaker 1: gotta tell me her zack verbage? What did she say

1708
01:30:05,000 --> 01:30:07,320
Speaker 1: to you, young boy? Well, we got to talk and

1709
01:30:07,360 --> 01:30:09,000
Speaker 1: I really came in her because I was trying to

1710
01:30:09,000 --> 01:30:10,360
Speaker 1: get some money. I already know what she was on.

1711
01:30:10,760 --> 01:30:14,040
Speaker 1: How did you figure that out? Yeah? She did? She

1712
01:30:14,120 --> 01:30:16,240
Speaker 1: have on her teeth. That's a that's a guilt. I

1713
01:30:16,320 --> 01:30:19,320
Speaker 1: gut y'all. Y'all tried to have sex, but she couldn't

1714
01:30:19,400 --> 01:30:22,040
Speaker 1: handle it because you know, at ninety four don't work

1715
01:30:22,080 --> 01:30:25,040
Speaker 1: the same. Nah. Nah, she she just couldn't handle it.

1716
01:30:25,320 --> 01:30:28,920
Speaker 1: I was a little real four she did? Did she

1717
01:30:29,000 --> 01:30:32,200
Speaker 1: take out her teeth and perform earl on you? Oh mine?

1718
01:30:33,800 --> 01:30:39,719
Speaker 1: Oh disgusted? She dad? Now, yes, I'm sure. I'm pretty

1719
01:30:39,760 --> 01:30:42,800
Speaker 1: sure she is. I mean thirty two. Okay, how did

1720
01:30:42,840 --> 01:30:45,640
Speaker 1: it feel it with those gums rubbing on you? So

1721
01:30:45,800 --> 01:30:48,800
Speaker 1: don't talk about a dead woman like that? What he did?

1722
01:30:48,880 --> 01:30:53,080
Speaker 1: You did you? Yeah? But I ain't gonna though, I

1723
01:30:53,120 --> 01:30:55,200
Speaker 1: would like for you. I think she would do it

1724
01:30:55,240 --> 01:30:58,400
Speaker 1: before a little a lot. Yeah, she was ninety. I

1725
01:30:58,520 --> 01:31:01,920
Speaker 1: wasn't her first rodeo. So you disgusted, man, I think

1726
01:31:01,960 --> 01:31:04,439
Speaker 1: you're going to heaven. I think that after Loon got

1727
01:31:04,479 --> 01:31:07,479
Speaker 1: you into heaven. My brother, I'm not going to judgment guys. Yeah,

1728
01:31:07,520 --> 01:31:09,080
Speaker 1: I had to do a favor, you know, give us

1729
01:31:09,120 --> 01:31:11,679
Speaker 1: something great for out of here. You made somebody's great

1730
01:31:11,720 --> 01:31:15,320
Speaker 1: grandma's day, John John? Just last question? Did you eat

1731
01:31:15,320 --> 01:31:19,840
Speaker 1: the booty? John Joe? He don't know. That's a hell no? Right?

1732
01:31:19,960 --> 01:31:25,559
Speaker 1: But what anything else? Who do you think I am? Goodbye?

1733
01:31:25,680 --> 01:31:29,880
Speaker 1: John John? What's the more of the story, man? I

1734
01:31:29,960 --> 01:31:34,640
Speaker 1: don't know no more of the story. It's just that

1735
01:31:35,040 --> 01:31:37,800
Speaker 1: that's some people like they're doing some scream things, some

1736
01:31:38,000 --> 01:31:42,240
Speaker 1: change out here in the screech. They're trying to think

1737
01:31:42,240 --> 01:31:43,800
Speaker 1: of that ninety ye old poem poone would be like,

1738
01:31:44,640 --> 01:31:46,720
Speaker 1: that's what you still thinking about that? You gotta be

1739
01:31:46,800 --> 01:31:48,559
Speaker 1: guys out there with those kind of fetishes that only

1740
01:31:48,600 --> 01:31:52,559
Speaker 1: want to sleep category for it. What's that called. It's

1741
01:31:52,560 --> 01:31:55,559
Speaker 1: called golden something. I'm gonna tell you right now, golden

1742
01:31:56,200 --> 01:32:00,200
Speaker 1: what have mercy by man, keep it lock with up all.

1743
01:32:00,240 --> 01:32:03,280
Speaker 1: Coming up next, it's the Breakfast Club. Everybody is DJ

1744
01:32:03,840 --> 01:32:07,400
Speaker 1: Envy Angela Yee. Charlomagne the guy. We are the Breakfast

1745
01:32:07,560 --> 01:32:10,680
Speaker 1: Club and Charlomagne, you've got a positive note for the people. Yes, sir,

1746
01:32:11,200 --> 01:32:13,719
Speaker 1: Change your perceptions and your emotions will follow.