1 00:00:01,720 --> 00:00:04,440 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,160 --> 00:00:12,479 Speaker 3: Welcome to and That's What You Really miss podcast. It's 4 00:00:12,520 --> 00:00:13,840 Speaker 3: recap time. 5 00:00:14,400 --> 00:00:17,800 Speaker 2: Yes, I'm very excited for this, Jenna. 6 00:00:18,480 --> 00:00:22,720 Speaker 3: So am I and you guys really wanted this one, 7 00:00:22,920 --> 00:00:27,040 Speaker 3: so we were very excited to bring this one. Put 8 00:00:27,040 --> 00:00:30,120 Speaker 3: this one on the list, bring it, Yes, added to 9 00:00:30,160 --> 00:00:31,480 Speaker 3: the added to the list. 10 00:00:31,600 --> 00:00:33,120 Speaker 2: She has a way with words ladies and gentlemen. 11 00:00:33,240 --> 00:00:35,360 Speaker 1: No really, I was like, what am I like? What 12 00:00:35,400 --> 00:00:35,839 Speaker 1: do I want to. 13 00:00:35,800 --> 00:00:39,480 Speaker 2: Say right now? Because in the world of Glee, this 14 00:00:39,680 --> 00:00:44,760 Speaker 2: is the closest thing yes in movie form. This is 15 00:00:45,080 --> 00:00:50,239 Speaker 2: pitch Perfect, which originally premiered October fifth, twenty twelve, right 16 00:00:50,280 --> 00:00:52,479 Speaker 2: in the middle of all the Glee madness. 17 00:00:53,040 --> 00:00:56,160 Speaker 3: Okay, we're going to talk about oh about it in 18 00:00:56,240 --> 00:00:57,120 Speaker 3: the news. 19 00:00:57,080 --> 00:00:57,680 Speaker 1: At this time. 20 00:00:58,480 --> 00:01:00,760 Speaker 3: The number the number one song was One More Night 21 00:01:00,800 --> 00:01:01,760 Speaker 3: by Maroon five. 22 00:01:03,600 --> 00:01:06,440 Speaker 2: The number one movie was Hotel Transylvania. 23 00:01:07,160 --> 00:01:11,919 Speaker 3: It opened at number three, behind Perfect, Yes, pitch Perfect, sorry, 24 00:01:12,000 --> 00:01:13,960 Speaker 3: behind that and Taken two. 25 00:01:14,160 --> 00:01:16,000 Speaker 1: I did not see Hotel Transylvania. 26 00:01:16,440 --> 00:01:18,800 Speaker 2: Neither did I taste it. Taken to no. 27 00:01:21,560 --> 00:01:24,720 Speaker 3: Ge News this week because there was Glee News Season four, 28 00:01:24,760 --> 00:01:29,039 Speaker 3: Episode four the break of what a big one, damn, 29 00:01:30,000 --> 00:01:33,399 Speaker 3: and then Glee then went on a month long hiatus. 30 00:01:33,640 --> 00:01:35,160 Speaker 1: I can't believe they did that to you, guys. 31 00:01:36,000 --> 00:01:39,200 Speaker 3: When the next episode, The Role You Were Born to Play, 32 00:01:39,200 --> 00:01:39,959 Speaker 3: airing on November. 33 00:01:40,840 --> 00:01:44,240 Speaker 2: This was just like a really gay, nerdy month for everyone, 34 00:01:44,480 --> 00:01:47,840 Speaker 2: the breakup happening and then Pitch Perfect coming out. Oh 35 00:01:48,000 --> 00:01:51,680 Speaker 2: my gosh, Like, how many people did we force to 36 00:01:51,720 --> 00:01:56,160 Speaker 2: be gay with this? Wow? This is wonderful? No, I 37 00:01:56,240 --> 00:01:59,240 Speaker 2: know the agenda is alive and well do. 38 00:01:59,200 --> 00:02:01,520 Speaker 1: You remember seeing this in the theater or for the 39 00:02:01,520 --> 00:02:02,760 Speaker 1: first time? Do you remember? 40 00:02:03,400 --> 00:02:09,200 Speaker 2: Look, I was not into it. I think I shared 41 00:02:09,240 --> 00:02:10,800 Speaker 2: a lot of the same sentiment that I did with 42 00:02:10,800 --> 00:02:12,280 Speaker 2: Smash as I did with Pitch. 43 00:02:12,240 --> 00:02:13,800 Speaker 1: Did you see it though? Or you didn't want to 44 00:02:13,800 --> 00:02:14,160 Speaker 1: see it? 45 00:02:14,560 --> 00:02:18,400 Speaker 2: I didn't want to see it interesting because I don't 46 00:02:18,400 --> 00:02:20,960 Speaker 2: know what that was like, I'm just being honest here. 47 00:02:21,440 --> 00:02:24,600 Speaker 1: Yeah, I added this like really a version. 48 00:02:24,560 --> 00:02:26,800 Speaker 2: In a version or like competitive spirit where I'm like, 49 00:02:26,960 --> 00:02:30,960 Speaker 2: you guys are benefiting off of like what Ryan and co. 50 00:02:31,120 --> 00:02:36,160 Speaker 2: Have created here, Like there's mashups, there's current music as 51 00:02:36,160 --> 00:02:39,040 Speaker 2: opposed to being like there is room for everybody and 52 00:02:39,120 --> 00:02:42,440 Speaker 2: like more and more and it's all great and positive. 53 00:02:43,000 --> 00:02:47,359 Speaker 2: So I was being a little Debbie downer about it 54 00:02:47,480 --> 00:02:47,800 Speaker 2: or something. 55 00:02:47,840 --> 00:02:49,200 Speaker 1: I don't know. That's fair, that's fair. 56 00:02:49,280 --> 00:02:51,560 Speaker 3: That makes total sense to me. I think the reason 57 00:02:51,560 --> 00:02:57,120 Speaker 3: I saw was partially because of Skylar. Yeah, and can 58 00:02:57,160 --> 00:03:00,880 Speaker 3: we talk about the hero Ben Platt, Tiny Blue Pat 59 00:03:01,280 --> 00:03:06,880 Speaker 3: Ben Platt before it was Ben Platt. But I remember 60 00:03:07,520 --> 00:03:09,160 Speaker 3: seeing this. I don't remember if it was in the 61 00:03:09,160 --> 00:03:12,480 Speaker 3: theater or if it was a screening or if it 62 00:03:12,639 --> 00:03:16,440 Speaker 3: was and I must have been because we weren't streaming 63 00:03:16,480 --> 00:03:18,120 Speaker 3: movies like that yet, so it must have been in 64 00:03:18,160 --> 00:03:23,600 Speaker 3: the theater, and I do remember, I don't know if 65 00:03:23,600 --> 00:03:25,359 Speaker 3: it was just TV then I had the version too, 66 00:03:25,360 --> 00:03:28,120 Speaker 3: because like I remember seeing this for the first time, 67 00:03:29,360 --> 00:03:31,240 Speaker 3: and as I was watching it last night, like it 68 00:03:31,320 --> 00:03:35,120 Speaker 3: jogged my memory like it was the first time I 69 00:03:35,160 --> 00:03:41,000 Speaker 3: had seen a musical on screen, a musical genre, you know, 70 00:03:41,240 --> 00:03:46,120 Speaker 3: piece of film, TV world again, she has a way 71 00:03:46,160 --> 00:03:51,880 Speaker 3: with words people, and thinking, this is the first time 72 00:03:52,200 --> 00:03:53,920 Speaker 3: I think that they've got it right. 73 00:03:54,440 --> 00:03:59,840 Speaker 1: Yeah. I was like the tone, the like they were 74 00:03:59,840 --> 00:04:02,520 Speaker 1: making fun of themselves. It was campy. 75 00:04:02,560 --> 00:04:07,760 Speaker 3: It was like it was slightly satirical in some ways. 76 00:04:07,960 --> 00:04:11,240 Speaker 3: I think it was like a little dark, and it 77 00:04:11,320 --> 00:04:14,000 Speaker 3: was like, in the context of the world in which 78 00:04:14,040 --> 00:04:17,080 Speaker 3: they were competing, like it was all ugly but not 79 00:04:18,279 --> 00:04:22,560 Speaker 3: it actually felt more realistic thingly in some ways with 80 00:04:22,640 --> 00:04:26,719 Speaker 3: the competitions and the things. But again like you come 81 00:04:26,720 --> 00:04:29,080 Speaker 3: out of the gate with somebody like vomiting on stage. 82 00:04:29,480 --> 00:04:32,640 Speaker 3: Like they set the tone for what this was right. 83 00:04:32,720 --> 00:04:36,640 Speaker 3: This was not going to be a serious musical show 84 00:04:36,839 --> 00:04:44,560 Speaker 3: or film. And the characters were developed and well it 85 00:04:44,640 --> 00:04:49,200 Speaker 3: stilled they needed to be and you know, I was like, oh, 86 00:04:49,360 --> 00:04:50,960 Speaker 3: you know, this is gonna be fun. And then has 87 00:04:51,000 --> 00:04:53,680 Speaker 3: got into it with the whole like breakfast coupling, and 88 00:04:53,720 --> 00:04:56,240 Speaker 3: like Skyler really just freaking selling it. 89 00:04:56,320 --> 00:04:58,880 Speaker 1: I mean, my god, he really sold it. 90 00:05:00,120 --> 00:05:03,480 Speaker 2: The whole time. I'm just like, Skyler, honestly is the best. 91 00:05:03,240 --> 00:05:05,560 Speaker 1: Part of this entire movie sold it for me. 92 00:05:06,000 --> 00:05:09,719 Speaker 2: I don't know what it is, but Skyler can straddle 93 00:05:09,760 --> 00:05:14,120 Speaker 2: that line of the campiness the pop ness of it, 94 00:05:14,200 --> 00:05:17,839 Speaker 2: but also just being genuine and grounded. Like every time 95 00:05:17,880 --> 00:05:20,440 Speaker 2: he was in a scene, I was like, oh this, 96 00:05:20,640 --> 00:05:23,479 Speaker 2: I feel like he and Brittany Snow especially like we're 97 00:05:23,560 --> 00:05:26,279 Speaker 2: really nailing this movie. 98 00:05:26,360 --> 00:05:30,160 Speaker 1: Yes, yes, yes, it was like grounded yet so elevated. 99 00:05:30,279 --> 00:05:33,159 Speaker 3: And and then you know, like of course at a 100 00:05:33,200 --> 00:05:36,200 Speaker 3: camp is her character is just kind of like beyond 101 00:05:36,520 --> 00:05:39,799 Speaker 3: oh yeah, but you have these other characters like Skyler 102 00:05:39,800 --> 00:05:43,600 Speaker 3: and especially Brittany, like they were really good. And then 103 00:05:43,680 --> 00:05:48,799 Speaker 3: Rebel Wilson also like one of her earlier films, right. 104 00:05:49,480 --> 00:05:51,360 Speaker 2: And they like you can tell like they're just letting 105 00:05:51,400 --> 00:05:54,800 Speaker 2: her play, Like there are so many takes where like 106 00:05:54,880 --> 00:05:57,480 Speaker 2: it just she just goes on and on and I'm like, oh, 107 00:05:57,480 --> 00:06:00,000 Speaker 2: they all they must have all been dying just filming. 108 00:06:00,400 --> 00:06:05,039 Speaker 1: Yeah, like a full party with her. She's so funny. 109 00:06:05,440 --> 00:06:06,719 Speaker 1: I feel like so funny. 110 00:06:06,960 --> 00:06:09,080 Speaker 2: What I really feel like that you can tell this 111 00:06:09,120 --> 00:06:12,360 Speaker 2: at the same time as Glee is like the things 112 00:06:12,400 --> 00:06:15,919 Speaker 2: that have not aged well are the exact same things, yes, 113 00:06:16,160 --> 00:06:23,320 Speaker 2: like the jokes and characterizations of stereotypes of certain people, 114 00:06:23,880 --> 00:06:26,279 Speaker 2: So are the exact same, for better or for worse 115 00:06:27,240 --> 00:06:30,839 Speaker 2: or for worse. And it's like, oh yeah, this is 116 00:06:30,880 --> 00:06:33,520 Speaker 2: definitely the same time as Glee, you know where. 117 00:06:34,880 --> 00:06:37,680 Speaker 3: But the music and the music too, I'm curious to 118 00:06:37,720 --> 00:06:40,120 Speaker 3: hear what you thought about What did you think about 119 00:06:40,160 --> 00:06:43,280 Speaker 3: like the production and the music, like given that it 120 00:06:43,320 --> 00:06:46,960 Speaker 3: was a cappella, Like I I really liked the sound, 121 00:06:47,120 --> 00:06:49,520 Speaker 3: and I thought it was it was done well, and 122 00:06:49,560 --> 00:06:53,560 Speaker 3: I thought it was They sounded good, especially Anna Kendric 123 00:06:53,640 --> 00:06:56,800 Speaker 3: sounded really good. Her tone sounded so good on all 124 00:06:56,839 --> 00:07:01,279 Speaker 3: these songs and of course klor But like I thought, 125 00:07:02,839 --> 00:07:07,040 Speaker 3: every time something came on this, like when they started 126 00:07:07,080 --> 00:07:08,919 Speaker 3: doing a song, like I started to get chills and 127 00:07:08,920 --> 00:07:11,200 Speaker 3: I was like, oh, they got me, Like the music 128 00:07:11,440 --> 00:07:14,880 Speaker 3: alone got me. Even if the story was like weaning 129 00:07:14,880 --> 00:07:16,920 Speaker 3: a little bit, like it brought me right back in. 130 00:07:17,360 --> 00:07:20,800 Speaker 2: Because they were not afraid. The whole movie in the 131 00:07:20,840 --> 00:07:25,600 Speaker 2: story is like anti cringe in the way of like 132 00:07:25,800 --> 00:07:29,480 Speaker 2: these kids unabashedly love what they're doing. 133 00:07:29,800 --> 00:07:30,760 Speaker 1: Yeah, And so like. 134 00:07:30,800 --> 00:07:33,080 Speaker 2: When you're on the bus and you just start singing 135 00:07:36,160 --> 00:07:38,800 Speaker 2: and you see Anna Kendrick sort of speaking for the 136 00:07:38,840 --> 00:07:42,000 Speaker 2: audience watching of like I can't believe this is happening, 137 00:07:42,120 --> 00:07:43,960 Speaker 2: and I kind of want to join in because it 138 00:07:44,040 --> 00:07:50,560 Speaker 2: is like kind of irresistible where that works every time 139 00:07:50,640 --> 00:07:54,040 Speaker 2: they start doing it, because like it doesn't seem forced, 140 00:07:54,080 --> 00:07:56,960 Speaker 2: like these kids are just dorks and the best way 141 00:07:57,000 --> 00:07:58,240 Speaker 2: possible and. 142 00:07:58,520 --> 00:08:02,840 Speaker 3: The iconic shower scene Brittany Snow like literally like hunting 143 00:08:03,000 --> 00:08:08,720 Speaker 3: and Kendrick is so funny and so quintessentially that movie like. 144 00:08:08,680 --> 00:08:12,440 Speaker 2: But also like another shower scene with somebody discovering somebody singing. 145 00:08:12,320 --> 00:08:16,040 Speaker 3: Well, yes, that's right, but insane. She looked insane doing it, 146 00:08:16,120 --> 00:08:20,160 Speaker 3: and it was so funny to me. I thought, it's 147 00:08:20,160 --> 00:08:22,000 Speaker 3: one of my favorite scenes in the whole film. 148 00:08:22,440 --> 00:08:25,440 Speaker 2: Brittany Snow, I feel like does not get enough credit 149 00:08:26,760 --> 00:08:28,400 Speaker 2: for I don't know what was going on the American 150 00:08:28,480 --> 00:08:31,720 Speaker 2: Dreams set, because her and Vanessa both have the same 151 00:08:31,760 --> 00:08:36,480 Speaker 2: ability to do like these really heightened things. Yes, like 152 00:08:36,720 --> 00:08:39,120 Speaker 2: her being completely naked in front of somebody else and 153 00:08:39,160 --> 00:08:44,599 Speaker 2: like going it is deadpan, it's serious like they but 154 00:08:44,760 --> 00:08:45,760 Speaker 2: they both can do it all. 155 00:08:46,320 --> 00:08:50,240 Speaker 3: Yes, yes, the versatile but yeah, I think they just 156 00:08:50,360 --> 00:08:54,640 Speaker 3: fully believe and are fully committed. Like Vanessa Lunjie's like 157 00:08:54,720 --> 00:08:59,200 Speaker 3: doesn't do anything in her whole life half ass, and 158 00:08:59,240 --> 00:09:02,400 Speaker 3: I think Brittany is probably long the same lines, like yeah, 159 00:09:02,600 --> 00:09:06,800 Speaker 3: it's like nothing is half It's always one hundred and 160 00:09:07,040 --> 00:09:07,840 Speaker 3: ninety percent. 161 00:09:08,559 --> 00:09:11,080 Speaker 2: So if you haven't seen this movie, here's a little 162 00:09:11,080 --> 00:09:15,960 Speaker 2: recap of Like the official universal summary is college freshman 163 00:09:16,160 --> 00:09:19,880 Speaker 2: Becca with one Si joins the bard In bellas the 164 00:09:19,920 --> 00:09:22,480 Speaker 2: school's all girl a cappella singing group, as Becca leads 165 00:09:22,480 --> 00:09:26,720 Speaker 2: them out of their traditional arrangements and perfect harmonies into 166 00:09:26,760 --> 00:09:28,840 Speaker 2: all new mashups they fight to climb their way to 167 00:09:28,880 --> 00:09:34,000 Speaker 2: the top of the college music competitions. That was the 168 00:09:34,000 --> 00:09:35,800 Speaker 2: other thing, like they you know, you brought up how 169 00:09:35,840 --> 00:09:39,520 Speaker 2: good the music is utilized. I thought the arrangements were 170 00:09:39,600 --> 00:09:42,720 Speaker 2: really special. Everyone sounds great, Like how it was recorded 171 00:09:43,320 --> 00:09:47,040 Speaker 2: was really wonderful. The transitions from speaking into music was 172 00:09:47,080 --> 00:09:52,560 Speaker 2: all really good. And they used so much music so much, 173 00:09:52,640 --> 00:09:55,960 Speaker 2: and it's all hits, like huge songs. 174 00:09:55,920 --> 00:09:58,560 Speaker 1: And just like snippets and things in the right amount. 175 00:09:58,720 --> 00:09:59,560 Speaker 1: Like I think with the. 176 00:09:59,600 --> 00:10:04,880 Speaker 3: Akapa element to it, you don't have to do full songs. 177 00:10:04,960 --> 00:10:06,480 Speaker 1: You can do these little pieces. 178 00:10:06,520 --> 00:10:09,120 Speaker 3: They can they do the riff off like in the 179 00:10:09,240 --> 00:10:13,760 Speaker 3: in the pool, just touch points of like oh, just 180 00:10:13,840 --> 00:10:15,880 Speaker 3: let me bring this person in and this person who 181 00:10:15,920 --> 00:10:18,920 Speaker 3: likes this eighties music and this person who likes you know, 182 00:10:19,920 --> 00:10:22,760 Speaker 3: I don't know, Like it was just it ran the 183 00:10:22,800 --> 00:10:23,640 Speaker 3: gap and it was so. 184 00:10:25,320 --> 00:10:30,040 Speaker 1: Something for everybody. Yeah, and different. So we did have 185 00:10:30,120 --> 00:10:31,120 Speaker 1: Anna Camp. 186 00:10:30,880 --> 00:10:34,400 Speaker 3: On Glee very early on as the guest star, I 187 00:10:34,440 --> 00:10:37,520 Speaker 3: do remember, and ironically she didn't sing on it. She 188 00:10:37,679 --> 00:10:41,920 Speaker 3: was the judge for sectionals. But I remember us meeting 189 00:10:41,920 --> 00:10:44,960 Speaker 3: her very briefly and you being like true Blood. 190 00:10:45,000 --> 00:10:48,800 Speaker 2: Yes, because she had just been she showed up on 191 00:10:48,800 --> 00:10:53,200 Speaker 2: true Wood and just like was incredible, so so good, 192 00:10:53,440 --> 00:10:55,079 Speaker 2: insane and so good. 193 00:10:55,679 --> 00:10:57,480 Speaker 3: And then of course we have Skylar Aston, who is 194 00:10:57,480 --> 00:11:02,800 Speaker 3: also on Glee. Yes, our friend, and he was a 195 00:11:02,840 --> 00:11:03,720 Speaker 3: speller recently. 196 00:11:03,840 --> 00:11:04,040 Speaker 1: Right. 197 00:11:04,720 --> 00:11:09,400 Speaker 2: Also, I know we talked about Zoe's a shordinary playlist. 198 00:11:09,880 --> 00:11:14,120 Speaker 2: Anybody who can show up in a scene that is 199 00:11:14,120 --> 00:11:17,280 Speaker 2: as awkward as singing in the backseat of a car, 200 00:11:17,960 --> 00:11:22,280 Speaker 2: you know, of breaking into song like that and have 201 00:11:22,480 --> 00:11:28,120 Speaker 2: it not be uncomfortable to watch is so impressive. I 202 00:11:28,160 --> 00:11:30,840 Speaker 2: will never know that feeling of this skill to be 203 00:11:30,880 --> 00:11:33,720 Speaker 2: able to do that. And also him just like you know, 204 00:11:33,760 --> 00:11:35,520 Speaker 2: in a scene with Ben when they see the acapella 205 00:11:35,559 --> 00:11:38,040 Speaker 2: group for the first time and Ben's like, oh, can 206 00:11:38,080 --> 00:11:41,160 Speaker 2: you sing? And he just starts singing and he's wonderful. 207 00:11:41,240 --> 00:11:43,880 Speaker 2: And by the way, so Skyler came to see spelling me. 208 00:11:43,960 --> 00:11:45,520 Speaker 1: The other day. Yeah, he was a speller. 209 00:11:46,080 --> 00:11:47,880 Speaker 2: Yeah, but I was just like talking to him about 210 00:11:47,880 --> 00:11:51,440 Speaker 2: his voice and like I was saying, how he's a 211 00:11:51,480 --> 00:11:54,360 Speaker 2: tenor and he's like, no, no, I'm not a tenor. 212 00:11:54,600 --> 00:11:57,160 Speaker 2: I'm sorry. Every time he opens his mouth to sing 213 00:11:57,200 --> 00:12:01,440 Speaker 2: in this movie, he has this beautifully puer voice. 214 00:12:01,600 --> 00:12:04,200 Speaker 1: I do love that when he was like since you began, 215 00:12:04,280 --> 00:12:05,520 Speaker 1: he was like in the middle of it. 216 00:12:05,559 --> 00:12:07,240 Speaker 3: I don't know if that was Skyler or if that 217 00:12:07,360 --> 00:12:09,280 Speaker 3: was the character, but he was like, wow, this is 218 00:12:09,360 --> 00:12:10,760 Speaker 3: high yeah. 219 00:12:10,760 --> 00:12:13,280 Speaker 2: Like so I was one of my favorite bits of 220 00:12:13,320 --> 00:12:13,960 Speaker 2: the whole movie. 221 00:12:14,400 --> 00:12:15,600 Speaker 1: He's a tenor, but are you kidding? 222 00:12:15,960 --> 00:12:19,839 Speaker 2: I don't know, but I love his voice. There was 223 00:12:19,880 --> 00:12:24,600 Speaker 2: also John Michael Higgins was one of the commentators, which 224 00:12:24,600 --> 00:12:30,079 Speaker 2: is also just oh great. He was also in Glee. 225 00:12:30,160 --> 00:12:32,560 Speaker 2: He was in season one episode nineteen dream On. He 226 00:12:32,600 --> 00:12:36,520 Speaker 2: played Russell, who was part of Brian Ryan choqueer conversion. 227 00:12:36,000 --> 00:12:38,920 Speaker 3: Group We Love We Love Yeah. 228 00:12:39,040 --> 00:12:41,719 Speaker 2: Also fun fact, during the riff off scene, one of 229 00:12:41,760 --> 00:12:43,920 Speaker 2: the categories on the wheel was songs ruined by Glee. 230 00:12:46,280 --> 00:12:49,679 Speaker 1: I want to like make the you know what I mean. 231 00:12:49,920 --> 00:12:51,880 Speaker 2: I wish. I think it's probably like you know, we 232 00:12:51,880 --> 00:12:53,720 Speaker 2: were filming all the time and didn't have time to 233 00:12:53,760 --> 00:12:55,640 Speaker 2: like go do things, But I do wish we like 234 00:12:55,760 --> 00:13:01,439 Speaker 2: embraced pitch perfect more like if this happened in twenty 235 00:13:01,480 --> 00:13:04,320 Speaker 2: twenty six, there would have been like a concerted effort 236 00:13:04,400 --> 00:13:08,600 Speaker 2: to like do things together, you know, like put us 237 00:13:08,600 --> 00:13:11,240 Speaker 2: together in some ways. And I do wish because like 238 00:13:12,000 --> 00:13:17,600 Speaker 2: it's great that this really niche thing like was being 239 00:13:17,640 --> 00:13:21,320 Speaker 2: produced on Fox TV and by Universal as a movie. 240 00:13:22,520 --> 00:13:23,960 Speaker 2: Like that's just wonderful. 241 00:13:24,240 --> 00:13:27,360 Speaker 3: Everything we had said in all of our it's just 242 00:13:27,400 --> 00:13:30,560 Speaker 3: like bringing more music to people, more artists to people, 243 00:13:31,000 --> 00:13:35,960 Speaker 3: more exposure for these artists. It was just it's I 244 00:13:35,960 --> 00:13:37,480 Speaker 3: don't know, it's all it's all good. 245 00:13:37,640 --> 00:13:41,079 Speaker 2: It's all show I show Elizabeth Banks, because like this 246 00:13:41,320 --> 00:13:51,440 Speaker 2: was the second production that her production company she produced, 247 00:13:51,960 --> 00:13:55,040 Speaker 2: picks them well, and she you know, she said in 248 00:13:55,040 --> 00:13:57,559 Speaker 2: interviews that, like there was very little room for error 249 00:13:57,600 --> 00:14:01,080 Speaker 2: because this was made for a relatively small budget seventeen million, 250 00:14:01,160 --> 00:14:04,120 Speaker 2: which I do find really shocking because to get some 251 00:14:04,200 --> 00:14:08,040 Speaker 2: music rights alone is very very expensive. But on a 252 00:14:08,040 --> 00:14:10,280 Speaker 2: seventeen million dollar budget, this made one hundred and fifteen 253 00:14:10,280 --> 00:14:13,920 Speaker 2: million dollars. And then she went on to direct the sequels, 254 00:14:14,000 --> 00:14:17,679 Speaker 2: which is just amazing. Get a girl, Yeah, And like 255 00:14:18,160 --> 00:14:21,000 Speaker 2: her type of comedy obviously is all over this, and 256 00:14:21,040 --> 00:14:27,120 Speaker 2: it's like she really, I don't know, fought for it 257 00:14:27,160 --> 00:14:30,040 Speaker 2: and found a home for it, which is also just great. 258 00:14:30,880 --> 00:14:34,960 Speaker 2: Like love that she's using her power to do something. 259 00:14:35,240 --> 00:14:41,080 Speaker 3: They like, Yeah, they're the two of them together. And 260 00:14:41,200 --> 00:14:48,240 Speaker 3: the quipie lines that they had crazy very Glee, very Glee. 261 00:14:48,360 --> 00:14:50,880 Speaker 1: It felt like Ian. No, it just felt like Ian 262 00:14:51,800 --> 00:14:52,400 Speaker 1: wrote those. 263 00:14:53,000 --> 00:14:56,920 Speaker 3: But yet like it was, they were so clever and 264 00:14:57,000 --> 00:15:09,880 Speaker 3: so well, I don't know, it was just really well executed. Okay, 265 00:15:09,920 --> 00:15:13,280 Speaker 3: so just an overview like a pitch perfect premiere. In 266 00:15:13,320 --> 00:15:16,560 Speaker 3: twenty twelve, it became a hit. It was the first 267 00:15:16,600 --> 00:15:22,040 Speaker 3: feature for director Jason Moore. Wow, very good, the big 268 00:15:22,480 --> 00:15:24,760 Speaker 3: it's a it's a different kind of film to take 269 00:15:24,800 --> 00:15:28,680 Speaker 3: on for your victorial debut, and. 270 00:15:28,640 --> 00:15:30,120 Speaker 1: A screenwriter k Canon as well. 271 00:15:30,360 --> 00:15:34,000 Speaker 2: The soundtracks went platinum. Oh it was the best selling 272 00:15:33,960 --> 00:15:35,160 Speaker 2: soundtrack of twenty thirteen. 273 00:15:37,480 --> 00:15:38,720 Speaker 1: Wow. Wow. 274 00:15:39,800 --> 00:15:42,200 Speaker 3: And I will say, like, I think that was also 275 00:15:42,440 --> 00:15:46,640 Speaker 3: like people were getting Glee, right, we were. They were 276 00:15:46,720 --> 00:15:49,760 Speaker 3: being they're like used to getting that kind of music. Yes, 277 00:15:50,160 --> 00:15:51,160 Speaker 3: it was on the charts. 278 00:15:51,560 --> 00:15:53,200 Speaker 2: I mean they said some of the casts even said that. 279 00:15:53,360 --> 00:15:55,960 Speaker 2: I think the success of Glee helped to show the 280 00:15:56,000 --> 00:15:57,520 Speaker 2: movie at Greenlit totally. 281 00:15:57,720 --> 00:16:02,440 Speaker 1: But like that's great, Yes, that's where we're here for. Yeah, 282 00:16:02,520 --> 00:16:03,840 Speaker 1: well let's open some more doors. 283 00:16:03,960 --> 00:16:06,080 Speaker 2: Well that's what's crazy to me is like I just 284 00:16:06,160 --> 00:16:09,720 Speaker 2: kept being reminded not to toot or on horn, but 285 00:16:09,800 --> 00:16:16,840 Speaker 2: I just kept being reminded of like how how like 286 00:16:18,600 --> 00:16:22,280 Speaker 2: Odds defying Glee wasn't so many ways, and like how 287 00:16:22,440 --> 00:16:28,000 Speaker 2: Ryan was able to create this very specific type of 288 00:16:28,040 --> 00:16:32,720 Speaker 2: show with mashups with popular music, yes, and get the 289 00:16:32,760 --> 00:16:35,400 Speaker 2: general public to be really into it. It's like, I mean, 290 00:16:36,120 --> 00:16:38,960 Speaker 2: like we sold something like fifty million singles or something 291 00:16:39,000 --> 00:16:47,040 Speaker 2: like that, and like that's absurd and then to you know, 292 00:16:47,120 --> 00:16:50,480 Speaker 2: get the public's appetite wet for that and be able 293 00:16:50,520 --> 00:16:53,680 Speaker 2: to thent A movie franchise like this, three movies about 294 00:16:53,720 --> 00:16:59,840 Speaker 2: a cappella singing. It's just it's wonderful, really, I think. 295 00:17:00,200 --> 00:17:03,120 Speaker 2: And I think the thing that really makes it work 296 00:17:03,280 --> 00:17:08,000 Speaker 2: is that they're both, you know, self referential and self deprecating. Yeah, 297 00:17:08,040 --> 00:17:10,960 Speaker 2: because it is such like a silly I wonder if, 298 00:17:11,040 --> 00:17:11,280 Speaker 2: like you. 299 00:17:11,600 --> 00:17:13,560 Speaker 3: If today, if somebody was trying to create something like 300 00:17:13,600 --> 00:17:16,359 Speaker 3: this again, if this would be the time. I don't 301 00:17:16,359 --> 00:17:18,720 Speaker 3: think it is, and I don't think people would. I mean, 302 00:17:18,840 --> 00:17:21,240 Speaker 3: it always is the time for me, but I just 303 00:17:21,320 --> 00:17:24,720 Speaker 3: don't think that in the time of what's being put 304 00:17:24,760 --> 00:17:26,760 Speaker 3: out there and what's being made and what kind of 305 00:17:26,840 --> 00:17:29,400 Speaker 3: risks are being taken, Like, I don't think right now, 306 00:17:29,480 --> 00:17:32,200 Speaker 3: if this were to be made like it would be like. 307 00:17:32,160 --> 00:17:33,840 Speaker 1: I don't know that anybody would green light it right 308 00:17:34,119 --> 00:17:34,679 Speaker 1: right now. 309 00:17:35,000 --> 00:17:39,320 Speaker 2: I don't know. In terms of like how music is consumed. Well, 310 00:17:39,440 --> 00:17:42,399 Speaker 2: back then, yes, the sales were hotter because it was 311 00:17:42,400 --> 00:17:45,879 Speaker 2: more concentrated. Yes, Like streaming wasn't as big as it 312 00:17:45,920 --> 00:17:50,760 Speaker 2: is now. Yes, and like when people get desensitized to like, 313 00:17:51,000 --> 00:17:54,520 Speaker 2: oh yeah they're doing accapila, like they're doing mashups. We 314 00:17:54,600 --> 00:17:56,639 Speaker 2: know what this is sort of going to be. But 315 00:17:56,760 --> 00:18:00,679 Speaker 2: like cups for example, was like a runaway because that 316 00:18:00,760 --> 00:18:01,560 Speaker 2: was a little different. 317 00:18:01,960 --> 00:18:05,280 Speaker 3: Yes, and that was actually based on her audition. So 318 00:18:05,480 --> 00:18:08,879 Speaker 3: instead of a typical pop song, she's saying a folk 319 00:18:08,960 --> 00:18:11,879 Speaker 3: tune while creating a rhythm using a plastic cup in 320 00:18:11,920 --> 00:18:14,600 Speaker 3: her audition genius something she learned on YouTube. 321 00:18:14,680 --> 00:18:15,280 Speaker 1: So genius. 322 00:18:15,520 --> 00:18:21,160 Speaker 2: Yeah, yeah, well I see. I still think I don't 323 00:18:21,160 --> 00:18:23,960 Speaker 2: think you're going to get you know, like a soundtrack 324 00:18:24,000 --> 00:18:26,720 Speaker 2: to sell a million copies or like we were selling 325 00:18:26,760 --> 00:18:30,320 Speaker 2: millions of singles. I don't think you're going to get 326 00:18:30,560 --> 00:18:33,120 Speaker 2: that type of response anymore. I don't think that's possible 327 00:18:34,000 --> 00:18:36,960 Speaker 2: because of the landscape. But I think something like this 328 00:18:37,000 --> 00:18:41,560 Speaker 2: already at Greenlit today, there's absolutely like room for something 329 00:18:41,600 --> 00:18:46,960 Speaker 2: to have an unexpected like runaway hit like cups, like 330 00:18:47,040 --> 00:18:47,600 Speaker 2: something can go. 331 00:18:47,560 --> 00:18:49,600 Speaker 1: Big on TikTok or right. 332 00:18:49,680 --> 00:18:51,479 Speaker 2: I just think it's just a different way of us 333 00:18:51,480 --> 00:18:55,120 Speaker 2: consuming media. So I don't know. I think it would 334 00:18:55,119 --> 00:18:56,919 Speaker 2: still work today. I think we don't. We don't know 335 00:18:57,000 --> 00:19:00,320 Speaker 2: these things are going to work until they do. Like 336 00:19:00,480 --> 00:19:02,520 Speaker 2: it was a risk for this movie at green Lit. 337 00:19:02,560 --> 00:19:05,439 Speaker 2: It was a risk for gleating at green Lit. So 338 00:19:05,960 --> 00:19:07,920 Speaker 2: until you see it, you don't know that it's possible. 339 00:19:08,480 --> 00:19:10,120 Speaker 2: You know, now there's just going to be a billion 340 00:19:10,240 --> 00:19:14,240 Speaker 2: gay hockey shows because pat rivalry. Literally I have a friend, 341 00:19:14,280 --> 00:19:16,320 Speaker 2: by the way, this is how it's so cliche, how 342 00:19:16,320 --> 00:19:16,840 Speaker 2: this works. 343 00:19:18,200 --> 00:19:19,000 Speaker 1: What but. 344 00:19:21,400 --> 00:19:23,080 Speaker 2: These two friends of mine are a gay couple who 345 00:19:23,160 --> 00:19:26,040 Speaker 2: make excellent movies. The writers and directors, like they were 346 00:19:26,080 --> 00:19:29,520 Speaker 2: saying there, studios are going around now being like, what's 347 00:19:29,560 --> 00:19:32,159 Speaker 2: the next book that's like eat a rivalry with a 348 00:19:32,200 --> 00:19:35,560 Speaker 2: secret gay love story in sports. So this is like 349 00:19:35,600 --> 00:19:38,159 Speaker 2: how that works. So it's like proof of concept, Glee works, 350 00:19:38,280 --> 00:19:40,520 Speaker 2: pitch perfect. You know there's an audience for it. 351 00:19:40,880 --> 00:19:44,520 Speaker 3: Yeah, ye, So here we go yes, So okay, so 352 00:19:45,119 --> 00:19:46,440 Speaker 3: had you not seen this at all? 353 00:19:46,760 --> 00:19:49,040 Speaker 2: I had. I've seen it once before, okay. 354 00:19:48,800 --> 00:19:50,600 Speaker 1: Just not around the time that it came out. 355 00:19:50,720 --> 00:19:55,680 Speaker 2: No, eventually I got over myself during the pandemic. I'm 356 00:19:55,680 --> 00:19:57,200 Speaker 2: not sure, but it wasn't. 357 00:19:57,800 --> 00:19:59,640 Speaker 1: I haven't seen two or three. 358 00:19:59,680 --> 00:20:02,360 Speaker 2: Saying but this again makes me watch? 359 00:20:06,200 --> 00:20:11,200 Speaker 1: Yes? What what did? What did you think? 360 00:20:12,920 --> 00:20:15,600 Speaker 2: I really liked it, Like, okay, something's bummed me out, 361 00:20:16,359 --> 00:20:19,400 Speaker 2: Like what like the treatment of Asian characters. 362 00:20:20,960 --> 00:20:24,600 Speaker 1: I mean, you know, it's just like that they knew. 363 00:20:25,000 --> 00:20:28,960 Speaker 2: No, it's not fat Amy being called fat Amy like 364 00:20:28,960 --> 00:20:30,399 Speaker 2: that having to be the butt of the joke. I 365 00:20:30,400 --> 00:20:32,720 Speaker 2: get a different time. Trust me, I. 366 00:20:32,640 --> 00:20:40,280 Speaker 3: Understand, you know, I do like it's not appropriate and 367 00:20:40,359 --> 00:20:42,960 Speaker 3: it wasn't appropriate, and it still isn't. But the fact 368 00:20:42,960 --> 00:20:45,920 Speaker 3: that Anna Camp had said, did they do you call 369 00:20:46,000 --> 00:20:49,840 Speaker 3: yourself that? Like a lot of the time in this movie, 370 00:20:49,840 --> 00:20:52,400 Speaker 3: at least in this particular movie, like they call. 371 00:20:52,320 --> 00:20:55,160 Speaker 1: Themselves on it, which I was like, okay, we are 372 00:20:55,520 --> 00:20:57,959 Speaker 1: aware and we are well. 373 00:20:58,000 --> 00:20:59,560 Speaker 2: I was just like, how are you going to introduce 374 00:21:00,280 --> 00:21:03,680 Speaker 2: another Asian female character and also have her not speak? 375 00:21:07,280 --> 00:21:10,040 Speaker 2: I'm like, so so they they're not allowed to talk? 376 00:21:11,160 --> 00:21:17,520 Speaker 4: I know, it felt weirdly familiar, uh huh, and it's 377 00:21:17,560 --> 00:21:19,679 Speaker 4: like as if they didn't quite know what to do 378 00:21:19,760 --> 00:21:21,880 Speaker 4: with her, but they had to have her there. 379 00:21:24,400 --> 00:21:26,760 Speaker 2: And it was like the two tropes of like ones, 380 00:21:26,800 --> 00:21:31,080 Speaker 2: like presumably a good student, she's always doing homework, she 381 00:21:31,359 --> 00:21:34,399 Speaker 2: only hang out with Asian people, yep. And then you 382 00:21:34,400 --> 00:21:37,760 Speaker 2: have the other one who is like silent and like quirky, 383 00:21:37,920 --> 00:21:38,480 Speaker 2: cool girl. 384 00:21:38,920 --> 00:21:42,240 Speaker 1: Yes, yes, like gudies. 385 00:21:45,160 --> 00:21:48,280 Speaker 3: But these girls were very fun and I liked the 386 00:21:48,359 --> 00:21:52,879 Speaker 3: chemistry and the dynamic of the new you know group 387 00:21:52,920 --> 00:21:56,120 Speaker 3: and then also your favorite you mentioned your favorite little 388 00:21:56,200 --> 00:21:59,040 Speaker 3: bit with the auditions. 389 00:21:58,680 --> 00:22:02,240 Speaker 1: They get to pick the song and they that really good. 390 00:22:02,359 --> 00:22:07,320 Speaker 2: The audition sequence was phenomenal, really good, phenomenal. I also 391 00:22:07,359 --> 00:22:12,119 Speaker 2: shout out to Esterdeine, who was like the lesbian in it. Esterdeine, 392 00:22:12,359 --> 00:22:19,360 Speaker 2: by the way, is like an incredibly incredibly successful songwriter. 393 00:22:19,960 --> 00:22:21,879 Speaker 1: Oh really oh. 394 00:22:21,400 --> 00:22:23,719 Speaker 2: Like I kept thinking any of those songs that they 395 00:22:23,720 --> 00:22:25,720 Speaker 2: were singing could have been hers. She has written entire 396 00:22:25,760 --> 00:22:30,600 Speaker 2: albums for Rihanna, Chris Brown, Nicki Minaj, Like Superbass, that's 397 00:22:30,640 --> 00:22:32,479 Speaker 2: her singing the hook she wrote super Bass. 398 00:22:32,560 --> 00:22:33,320 Speaker 1: I didn't know that. 399 00:22:33,400 --> 00:22:37,520 Speaker 2: Oh she's gigantic and so like wow, I love that 400 00:22:37,560 --> 00:22:39,840 Speaker 2: she was in this and also doing like Rihanna songs 401 00:22:39,880 --> 00:22:40,760 Speaker 2: that she didn't write. 402 00:22:41,240 --> 00:22:42,600 Speaker 1: Wow, like she's doing all. 403 00:22:42,520 --> 00:22:45,200 Speaker 2: These gigantic pop songs like girl, the songs you've written 404 00:22:45,240 --> 00:22:46,560 Speaker 2: are bigger than these songs. 405 00:22:47,040 --> 00:22:52,840 Speaker 1: Cuckuck cuckoo, like if you just go look up Esterdean. Yes, okay, 406 00:22:52,880 --> 00:22:55,359 Speaker 1: this is crazy, which I was doing. 407 00:22:55,440 --> 00:22:57,400 Speaker 2: In on Wikipedia, it says that she wrote a song 408 00:22:57,440 --> 00:23:00,800 Speaker 2: for me that is a typo I wish. I believe 409 00:23:00,840 --> 00:23:03,640 Speaker 2: it was the artist Kevin McCall. Kevin McHale. 410 00:23:04,000 --> 00:23:05,160 Speaker 1: Wow, that's funny too. 411 00:23:06,080 --> 00:23:09,080 Speaker 2: When did this happened? I've never met her, but a 412 00:23:09,119 --> 00:23:13,440 Speaker 2: big fan of hers, and she has written You could 413 00:23:13,480 --> 00:23:15,880 Speaker 2: have just used Esther Dean songs in a Pitch Perfect 414 00:23:15,920 --> 00:23:18,400 Speaker 2: movie and you still would have known every single song. 415 00:23:19,359 --> 00:23:21,440 Speaker 1: Yes, yes, okay, okay, okay. 416 00:23:21,800 --> 00:23:24,399 Speaker 2: I love that she was in this. I also like 417 00:23:24,440 --> 00:23:27,200 Speaker 2: all of their chemistry. All these girls are so wonderful together. 418 00:23:28,119 --> 00:23:29,920 Speaker 2: I also think the choreography was really great. 419 00:23:30,320 --> 00:23:33,960 Speaker 1: Yeah, shout out to a J. 420 00:23:34,080 --> 00:23:40,439 Speaker 2: Jones, Like it all felt really cohesive and just like 421 00:23:40,480 --> 00:23:43,840 Speaker 2: they all everybody got it. Yes, I was trying to 422 00:23:43,920 --> 00:23:44,399 Speaker 2: do too. 423 00:23:44,320 --> 00:23:49,760 Speaker 3: Much, I know, and I think that's like that was 424 00:23:49,800 --> 00:23:55,040 Speaker 3: probably the direction and you know, setting the tone properly, 425 00:23:55,200 --> 00:23:58,719 Speaker 3: but also what's on the page and I don't know 426 00:23:58,720 --> 00:24:00,440 Speaker 3: it's it's a very but. 427 00:24:00,480 --> 00:24:02,119 Speaker 1: Yeah, it felt very cohesive. 428 00:24:02,840 --> 00:24:06,679 Speaker 3: However they set that for them, everybody did get it 429 00:24:06,720 --> 00:24:07,840 Speaker 3: and like dropped right in. 430 00:24:08,720 --> 00:24:13,800 Speaker 1: And that's casting too, right, finding these people I loved. 431 00:24:14,560 --> 00:24:17,960 Speaker 3: I remember watching this for the first time, not expecting 432 00:24:18,000 --> 00:24:20,760 Speaker 3: Ben Platt to come out and sing at the end 433 00:24:21,240 --> 00:24:26,040 Speaker 3: like that. Also, no, so I didn't know this was Ben. 434 00:24:26,160 --> 00:24:29,360 Speaker 3: I didn't know who Ben was. This was pre Evan 435 00:24:29,400 --> 00:24:33,640 Speaker 3: Hanson and I knew Jonah, I didn't know Ben. And 436 00:24:34,400 --> 00:24:41,840 Speaker 3: I I remember watching this and just falling in love 437 00:24:41,880 --> 00:24:46,640 Speaker 3: with this kid being like the hero of the film. Yeah, 438 00:24:47,200 --> 00:24:52,160 Speaker 3: it was adorable. And then his voice it's very minimal, 439 00:24:52,280 --> 00:24:55,520 Speaker 3: but yet is he and the other ones I don't know. 440 00:24:56,520 --> 00:24:58,399 Speaker 2: We're gonna have to watch to find out, because I 441 00:24:58,520 --> 00:25:05,560 Speaker 2: know we're them what we know about Ben Platt? I 442 00:25:05,600 --> 00:25:08,679 Speaker 2: was like, oh, God, that's all we're getting his voice? 443 00:25:09,880 --> 00:25:11,680 Speaker 1: No, give me everything? 444 00:25:13,160 --> 00:25:18,600 Speaker 3: Uh but yes, I I you know from the jump 445 00:25:18,640 --> 00:25:23,440 Speaker 3: loved this film. The music elements and then the comedy 446 00:25:23,640 --> 00:25:26,840 Speaker 3: and the timing of all of these people was impeccable. 447 00:25:26,880 --> 00:25:30,119 Speaker 3: And that's editing too, but like also just the performances 448 00:25:30,600 --> 00:25:39,919 Speaker 3: that the timing was perfect. Everybody was just dropped. It 449 00:25:40,040 --> 00:25:41,080 Speaker 3: was so funny. 450 00:25:41,200 --> 00:25:43,119 Speaker 2: I think we think, like what you said, casting was 451 00:25:43,200 --> 00:25:47,400 Speaker 2: just perfect. Knowing now what rebel is possible, like what 452 00:25:47,880 --> 00:25:51,400 Speaker 2: her career has been, like obviously she is perfect. Annae Kendrick, 453 00:25:52,119 --> 00:25:56,719 Speaker 2: Anna Kendrick Skyler, Anna camp Ben, and Adam Devine all 454 00:25:56,880 --> 00:26:00,280 Speaker 2: walked that line. These are all experts at walking that 455 00:26:00,320 --> 00:26:03,760 Speaker 2: line of sincerity and camp like that's what they do. 456 00:26:03,920 --> 00:26:06,560 Speaker 2: That's all of their like that is their bread and butter, 457 00:26:06,880 --> 00:26:09,679 Speaker 2: and you put all them in a movie together and like, 458 00:26:09,720 --> 00:26:10,960 Speaker 2: of course it's going to work. 459 00:26:11,440 --> 00:26:13,479 Speaker 1: Yes, I would have loved to be in Pitch Perfect. 460 00:26:13,720 --> 00:26:16,200 Speaker 2: Same the whole time, I was like, I'm furious this 461 00:26:16,240 --> 00:26:16,879 Speaker 2: is my movie. 462 00:26:17,280 --> 00:26:21,159 Speaker 3: Yeah, I would love to be in this, Like of 463 00:26:21,200 --> 00:26:22,040 Speaker 3: course we get this. 464 00:26:22,280 --> 00:26:29,080 Speaker 2: This is our brand. Like Christopher Min's boss who was 465 00:26:29,240 --> 00:26:30,760 Speaker 2: mclove it and super Bad, He's in it, and I'm 466 00:26:30,760 --> 00:26:31,919 Speaker 2: just like, damn it. 467 00:26:32,200 --> 00:26:34,960 Speaker 1: I know, yeah, well that's you. Yeah. 468 00:26:35,160 --> 00:26:37,760 Speaker 2: I was like, obviously none of us could have been 469 00:26:37,760 --> 00:26:41,560 Speaker 2: in this, but I'm actually surprised none of us are. 470 00:26:42,480 --> 00:26:45,040 Speaker 1: Somebody some Bad. 471 00:26:58,560 --> 00:27:03,639 Speaker 3: What was your favorite to mashup song from the movie. 472 00:27:03,840 --> 00:27:05,840 Speaker 2: You know what, I'm furious. I kept wanting them to 473 00:27:05,880 --> 00:27:07,920 Speaker 2: do the titanium mashup that we. 474 00:27:07,880 --> 00:27:13,160 Speaker 1: Heard Thank You. So my favorite part. 475 00:27:13,280 --> 00:27:19,760 Speaker 3: Was in the competition when Anna decides that she's going 476 00:27:19,840 --> 00:27:21,440 Speaker 3: to go ahead and put. 477 00:27:21,280 --> 00:27:21,919 Speaker 1: Her song in. 478 00:27:22,600 --> 00:27:27,000 Speaker 2: She sounds in her tone, her voice is stupid. 479 00:27:27,800 --> 00:27:29,639 Speaker 1: Is so good. 480 00:27:29,720 --> 00:27:32,760 Speaker 3: I had chills and I was like, do not end 481 00:27:32,760 --> 00:27:35,480 Speaker 3: this song right now, please keep going. It was so 482 00:27:35,520 --> 00:27:39,119 Speaker 3: good that the mashup was good. She sounded perfect, it fits. 483 00:27:39,240 --> 00:27:42,159 Speaker 3: She sounded so good thin with them. It was like, 484 00:27:42,480 --> 00:27:44,679 Speaker 3: I was like, that's that's my favorite thing. 485 00:27:44,720 --> 00:27:49,920 Speaker 2: The mashups in this movie are incredible, really like really 486 00:27:50,040 --> 00:27:53,399 Speaker 2: really really really good, really good. I mean I think 487 00:27:54,280 --> 00:27:59,119 Speaker 2: I think they're winning performance at the end, Don't you 488 00:27:59,160 --> 00:28:03,240 Speaker 2: forget about Me? They did price tag, don't you forget 489 00:28:03,240 --> 00:28:05,760 Speaker 2: about me? Give me everything, just the way you are 490 00:28:05,880 --> 00:28:09,200 Speaker 2: part of the USA. Turn the beat around. I have that, 491 00:28:09,440 --> 00:28:11,800 Speaker 2: and it is happening flawlessly. You know, like when we 492 00:28:11,840 --> 00:28:15,000 Speaker 2: had Adam Manderson, where like Ryan would be like making 493 00:28:15,040 --> 00:28:17,679 Speaker 2: mashup between these two songs and they just don't go together. 494 00:28:18,000 --> 00:28:21,080 Speaker 2: I know, when you pick songs that do go together. 495 00:28:22,359 --> 00:28:23,960 Speaker 1: It was winning combo. 496 00:28:24,119 --> 00:28:28,119 Speaker 2: Yeah, it was unbelievable. I really liked No Diggity in 497 00:28:28,160 --> 00:28:33,720 Speaker 2: the riff Off. I really loved that. Was like that 498 00:28:33,840 --> 00:28:36,160 Speaker 2: was like one of those moments in the movie We're like, oh, chills, 499 00:28:37,080 --> 00:28:40,080 Speaker 2: and this is what it can feel like. Yes, and 500 00:28:40,720 --> 00:28:42,560 Speaker 2: it's just so effective. And I love that they're in 501 00:28:42,560 --> 00:28:44,360 Speaker 2: this like abandoned pool. It's so silly. 502 00:28:45,320 --> 00:28:47,240 Speaker 1: I love the abandoned Pool. I thought it was brilliant. 503 00:28:50,440 --> 00:28:53,080 Speaker 2: I was just thinking about like the random sets when 504 00:28:53,080 --> 00:28:55,840 Speaker 2: Adam Devine comes in and saying he's gonna go be 505 00:28:56,000 --> 00:28:58,120 Speaker 2: John Mayer's background singer, and all the boys are in 506 00:28:58,120 --> 00:29:02,320 Speaker 2: a hot tub together inside these was like, cramp, what 507 00:29:02,480 --> 00:29:05,200 Speaker 2: is this stupid as movie? 508 00:29:05,240 --> 00:29:08,600 Speaker 1: The Boss, the bus, Oh my god, the bus. 509 00:29:08,560 --> 00:29:11,960 Speaker 3: The rebel Wilson when she gets hit by the sausage. 510 00:29:12,160 --> 00:29:12,880 Speaker 2: I've been shot. 511 00:29:13,040 --> 00:29:18,040 Speaker 1: I've just shot. I've been shot. It is really gold, 512 00:29:18,120 --> 00:29:18,719 Speaker 1: it's gold. 513 00:29:19,080 --> 00:29:22,160 Speaker 2: She has all my favorite lines in this movie. 514 00:29:23,480 --> 00:29:25,320 Speaker 3: David, I've never seen it, and we were watching halfway 515 00:29:25,360 --> 00:29:27,600 Speaker 3: through and I was like, you have to watch this movie. 516 00:29:27,640 --> 00:29:28,800 Speaker 1: You would love this movie. 517 00:29:30,560 --> 00:29:34,200 Speaker 2: What are some of your favorite like performances should be great. 518 00:29:34,200 --> 00:29:35,000 Speaker 2: Some of these performances. 519 00:29:35,040 --> 00:29:37,680 Speaker 3: Actually, yeah, let's go through a few of them and 520 00:29:38,760 --> 00:29:42,280 Speaker 3: talk about it so obviously, Uh, since You've been Gone 521 00:29:42,680 --> 00:29:46,280 Speaker 3: was one of the yes, my best moments. 522 00:29:46,160 --> 00:29:52,600 Speaker 2: And it's honestly because of the Skylart. Yes this is 523 00:29:52,840 --> 00:29:54,600 Speaker 2: I wish it was eight hours longer. 524 00:29:55,200 --> 00:29:58,840 Speaker 1: Oh my gosh, so good. Obviously we said the riff. 525 00:29:58,640 --> 00:30:06,240 Speaker 3: Off plus plus plus plus plus plus. The sign Eternal 526 00:30:06,240 --> 00:30:08,440 Speaker 3: Flame trying to be around is just very funny, like 527 00:30:08,480 --> 00:30:12,840 Speaker 3: it's it's so it's very anti created and they look 528 00:30:12,920 --> 00:30:17,720 Speaker 3: like flight attendants and it's just it's great. I didn't 529 00:30:17,720 --> 00:30:20,880 Speaker 3: love party in the essay, but I like the the 530 00:30:20,920 --> 00:30:22,320 Speaker 3: purpose that it needed to. 531 00:30:23,120 --> 00:30:23,360 Speaker 1: Yeah. 532 00:30:23,440 --> 00:30:25,960 Speaker 2: I think like the number itself was like I would 533 00:30:26,000 --> 00:30:26,480 Speaker 2: give it an A. 534 00:30:27,400 --> 00:30:30,720 Speaker 1: Yeah your hater all that much. 535 00:30:30,960 --> 00:30:31,200 Speaker 2: Yeah. 536 00:30:32,160 --> 00:30:37,080 Speaker 3: The trouble Makers also just had great numbers right round, 537 00:30:37,160 --> 00:30:41,920 Speaker 3: very good obviously. The sign Bulletproof A plus, give me, 538 00:30:42,360 --> 00:30:44,360 Speaker 3: give me the full I love just. 539 00:30:44,440 --> 00:30:47,000 Speaker 2: The way you are just a dream so good. That 540 00:30:47,080 --> 00:30:49,680 Speaker 2: was great's a plus for me. 541 00:30:50,280 --> 00:30:52,960 Speaker 3: And then the fun you know, the final, the finale 542 00:30:53,280 --> 00:30:57,440 Speaker 3: or the finals with the Troubles do the finals and 543 00:30:57,520 --> 00:31:00,280 Speaker 3: she does, don't you forget about me? As like it 544 00:31:00,320 --> 00:31:01,360 Speaker 3: doesn't get better than that. 545 00:31:01,680 --> 00:31:04,280 Speaker 2: I love I love the trouble Makers using each other's 546 00:31:04,280 --> 00:31:05,360 Speaker 2: bodies as instruments. 547 00:31:05,680 --> 00:31:12,680 Speaker 3: Was hilariously stupid, very clever plus plus very clever. Okay, 548 00:31:12,760 --> 00:31:18,360 Speaker 3: let's do some tarty takes. Okay, cringe moments, I mean, look. 549 00:31:19,600 --> 00:31:25,840 Speaker 1: Very much a uh glee glee time. 550 00:31:25,880 --> 00:31:30,959 Speaker 2: Fat Amy, the racist jokes, the racist characterization of the 551 00:31:30,960 --> 00:31:32,600 Speaker 2: Asian girls, it. 552 00:31:32,760 --> 00:31:37,000 Speaker 3: Just doesn't it doesn't work, the slutshaming, the deaf juice. 553 00:31:37,320 --> 00:31:39,440 Speaker 3: Oh no, no, no, that was wild. 554 00:31:39,920 --> 00:31:40,320 Speaker 1: No no. 555 00:31:40,560 --> 00:31:42,000 Speaker 2: I was like, oh, they're. 556 00:31:41,840 --> 00:31:48,200 Speaker 3: Really okay, different time, different times, best dance move. 557 00:31:49,840 --> 00:31:53,240 Speaker 2: Honestly, I think when the treble makers were using each 558 00:31:53,280 --> 00:31:54,760 Speaker 2: other's bodies as instruments. 559 00:31:54,840 --> 00:32:00,920 Speaker 3: I also think Amy's Amy's solo in terms of incredible circles. 560 00:32:01,040 --> 00:32:04,320 Speaker 2: Incredible stuff also hurt Mermaid dancing. 561 00:32:08,520 --> 00:32:11,680 Speaker 3: Like when you look back on your career as Rebel Wilson, 562 00:32:11,840 --> 00:32:14,320 Speaker 3: you go like, what the people thinking? 563 00:32:14,400 --> 00:32:17,240 Speaker 1: They let me do this? But it's so funny, Like 564 00:32:17,320 --> 00:32:19,680 Speaker 1: it's so good. 565 00:32:20,040 --> 00:32:22,520 Speaker 3: It right, that's the hope you have. And you go like, 566 00:32:22,680 --> 00:32:25,360 Speaker 3: they let me do that, and and it were and 567 00:32:25,400 --> 00:32:27,760 Speaker 3: you made people laugh around the world. You know, it's 568 00:32:27,840 --> 00:32:33,760 Speaker 3: so funny. Okay, best song. If Titanium were in. 569 00:32:33,640 --> 00:32:36,000 Speaker 1: The full form, that would be my favorite. 570 00:32:36,160 --> 00:32:40,840 Speaker 3: But I think the finale they're their final song is 571 00:32:41,000 --> 00:32:41,440 Speaker 3: my favorite? 572 00:32:41,480 --> 00:32:42,920 Speaker 2: Yeah that or just the way you are just a 573 00:32:43,000 --> 00:32:43,760 Speaker 2: dream mashup. 574 00:32:44,080 --> 00:32:46,640 Speaker 1: Oh that's a good one too. Okay, that's a yeah. 575 00:32:46,520 --> 00:32:51,360 Speaker 3: Good point, good point, best performance, my prop so much. God, 576 00:32:58,040 --> 00:32:59,680 Speaker 3: Benji's magic pops. 577 00:33:00,040 --> 00:33:02,480 Speaker 2: O, God, poor Ben. 578 00:33:03,040 --> 00:33:05,480 Speaker 1: It's very I don't. 579 00:33:05,280 --> 00:33:07,680 Speaker 3: Know though, like there's just like college is a weird 580 00:33:07,760 --> 00:33:11,200 Speaker 3: hodgepodge of people and you'd be surprised. So I do 581 00:33:11,240 --> 00:33:15,800 Speaker 3: think there's like some fun reality in this like hodgepodge 582 00:33:15,800 --> 00:33:17,960 Speaker 3: of like all the different kinds of kids that were 583 00:33:18,040 --> 00:33:23,440 Speaker 3: went to school. But oh, definitely that or the pin. 584 00:33:24,640 --> 00:33:25,360 Speaker 2: The pitch pipe. 585 00:33:30,040 --> 00:33:32,400 Speaker 1: Oh god, best line. 586 00:33:34,440 --> 00:33:36,200 Speaker 2: As sometimes I have a feeling I can do crystal meth. 587 00:33:36,280 --> 00:33:37,720 Speaker 2: But then I think better. 588 00:33:37,520 --> 00:33:40,280 Speaker 1: Than I did not. 589 00:33:41,760 --> 00:33:45,640 Speaker 3: Oh God, even though some of you are pretty thin, 590 00:33:45,760 --> 00:33:49,640 Speaker 3: I think that you all have fat arts. 591 00:33:51,920 --> 00:33:53,600 Speaker 1: Amy Amy for the win. 592 00:33:53,920 --> 00:33:57,000 Speaker 2: So Freddy's Stroma who played the DJing this, I believe 593 00:33:57,200 --> 00:33:58,760 Speaker 2: a little bit of Glee lore. It was down to 594 00:33:58,800 --> 00:34:03,160 Speaker 2: Freddy strama in Cordo Sam. 595 00:34:03,320 --> 00:34:06,280 Speaker 3: Oh my gosh, he's you know, a lot of stuff. 596 00:34:06,760 --> 00:34:11,319 Speaker 3: He's so hot, he's so good, so good. He was 597 00:34:11,360 --> 00:34:13,600 Speaker 3: in the show Unreal. Did you ever watch that? Yes, 598 00:34:13,640 --> 00:34:18,000 Speaker 3: I watched unrel loved, unrel Okay performance MVP. 599 00:34:18,239 --> 00:34:21,239 Speaker 1: Oh my gosh, I mean I think I think I 600 00:34:21,280 --> 00:34:22,520 Speaker 1: gotta go with Skyler. 601 00:34:22,800 --> 00:34:30,440 Speaker 3: I think Skyler too, and then I mean everybody was 602 00:34:30,480 --> 00:34:36,280 Speaker 3: so good and Rebel Wilson. I think it's everyone Everybody ensemble. Yeah, yeah, 603 00:34:36,280 --> 00:34:37,879 Speaker 3: definitely like it was. 604 00:34:37,960 --> 00:34:42,960 Speaker 2: A Smash, Speaking of which, I'm halfway through season one 605 00:34:43,000 --> 00:34:43,840 Speaker 2: of Smash. 606 00:34:44,280 --> 00:34:49,400 Speaker 1: Oh, Kevin. 607 00:34:50,080 --> 00:34:51,880 Speaker 2: One show Austin and I now watched together. 608 00:34:53,640 --> 00:34:57,200 Speaker 1: Oh my gosh, that was so funny. 609 00:34:57,480 --> 00:35:01,839 Speaker 2: So there I am. I've been influenced by us. 610 00:35:03,280 --> 00:35:03,640 Speaker 1: Wow. 611 00:35:04,200 --> 00:35:08,279 Speaker 2: Okay, should we found on TikTok Jenna. Yeah, there is 612 00:35:08,320 --> 00:35:15,719 Speaker 2: a twenty three minute long tribute excuse me to Santana 613 00:35:15,800 --> 00:35:16,320 Speaker 2: and Brittany. 614 00:35:16,400 --> 00:35:21,640 Speaker 3: Oh literally, I'm scrubbing through this twenty. 615 00:35:21,320 --> 00:35:25,720 Speaker 2: Three somebody made a twenty three minute edit and honestly 616 00:35:26,040 --> 00:35:38,919 Speaker 2: not even long enough. It is so good. Wow Taysay, Yeah, yeah, 617 00:35:39,080 --> 00:35:40,960 Speaker 2: made a twenty three minute. 618 00:35:40,719 --> 00:35:45,520 Speaker 3: Oh my gosh, wow, absolutely insane. 619 00:35:46,080 --> 00:35:49,080 Speaker 2: I mean their whole account is dedicated. 620 00:35:48,560 --> 00:35:51,280 Speaker 1: To take the time, taking the time. 621 00:35:51,760 --> 00:35:54,879 Speaker 2: Yeah, but just I mean it has two point seven 622 00:35:54,920 --> 00:35:58,759 Speaker 2: million views, so you know, it's what the people want. 623 00:35:58,960 --> 00:36:00,000 Speaker 2: It's what the people to see. 624 00:36:00,239 --> 00:36:04,160 Speaker 1: No, I mean, that's definitely people need that and watch that. 625 00:36:04,480 --> 00:36:07,879 Speaker 2: You know, there's creative, dedicated people out there better than us. 626 00:36:09,360 --> 00:36:14,879 Speaker 2: And then there's reactions. There's reactions. There's people like where 627 00:36:14,880 --> 00:36:17,080 Speaker 2: my Gleek's at that just got their life change. For 628 00:36:17,160 --> 00:36:21,799 Speaker 2: the twenty three minute Brittany and Santana edit, this one said, 629 00:36:21,840 --> 00:36:23,719 Speaker 2: all my homies have been changed. You're reparably by the 630 00:36:23,719 --> 00:36:29,640 Speaker 2: twenty three minute Longly edit. Yeah, it's absolutely incredible. Thank 631 00:36:29,640 --> 00:36:30,279 Speaker 2: you for making that. 632 00:36:30,600 --> 00:36:33,160 Speaker 1: Yes, all of them, making all of your posts. 633 00:36:33,360 --> 00:36:34,640 Speaker 2: Jenna, what are we doing next week? 634 00:36:35,000 --> 00:36:41,320 Speaker 1: We're watching Hamilton. You get Hambledon and you get hobled 635 00:36:41,360 --> 00:36:43,799 Speaker 1: in and you get an Aremberg. We're doing it. 636 00:36:43,800 --> 00:36:48,439 Speaker 3: We're watching the pro shot and we're so excited. I 637 00:36:48,440 --> 00:36:49,720 Speaker 3: I'm very excited. 638 00:36:50,480 --> 00:36:52,560 Speaker 2: Lynn is coming to the show. 639 00:36:52,840 --> 00:36:55,520 Speaker 1: Is he going to be a speller? Yeah? 640 00:36:55,640 --> 00:36:57,040 Speaker 2: Yesterday on Sunday. 641 00:36:57,960 --> 00:37:00,920 Speaker 1: So jealous. He's going to be a special So that's 642 00:37:00,920 --> 00:37:03,720 Speaker 1: going to be huge. Your audience is going to go nuts. 643 00:37:03,719 --> 00:37:06,200 Speaker 1: So yeah, wow wow. 644 00:37:07,080 --> 00:37:11,839 Speaker 2: So I'll tell him we're watching Hamilton on Monday. Wow 645 00:37:11,960 --> 00:37:15,320 Speaker 2: wow wow wow. Okay, see if we see if we 646 00:37:15,360 --> 00:37:17,520 Speaker 2: can get him on here. I love but I'm just 647 00:37:17,520 --> 00:37:18,719 Speaker 2: so happy to the show. 648 00:37:18,840 --> 00:37:23,880 Speaker 1: He's so sweet, very well have fun. Yeah. 649 00:37:23,920 --> 00:37:27,480 Speaker 3: Thanks, Okay, everybody, go go do it and maybe take 650 00:37:27,520 --> 00:37:29,040 Speaker 3: some time to do it, because it may take more 651 00:37:29,080 --> 00:37:29,680 Speaker 3: than one sitting. 652 00:37:29,760 --> 00:37:34,280 Speaker 1: So go watch Hamilton come back, Go watch. 653 00:37:34,120 --> 00:37:36,319 Speaker 2: Pitch Perfect, Go watch your pitch Perfect too, because we're 654 00:37:36,320 --> 00:37:39,520 Speaker 2: going to do that soon. Thanks for joining us, and 655 00:37:39,520 --> 00:37:40,400 Speaker 2: that's what you really missed. 656 00:37:40,680 --> 00:37:41,440 Speaker 1: Bye. 657 00:37:41,719 --> 00:37:44,840 Speaker 2: Thanks for listening and follow us on Instagram at and 658 00:37:44,920 --> 00:37:47,160 Speaker 2: that's what you really miss pod. Make sure to write 659 00:37:47,239 --> 00:37:49,520 Speaker 2: us a review and leave us five stars. See you 660 00:37:49,520 --> 00:37:49,919 Speaker 2: next time.