WEBVTT - Open Mike Eagle on Life Beyond the Mainstream

0:00:17.424 --> 0:00:29.144
<v Speaker 1>Bushkin. Hey everybody, it's me W Cambell. Welcome back to

0:00:29.184 --> 0:00:33.704
<v Speaker 1>my podcast, Who's with Me? Episode twelve, featuring today's guest

0:00:34.024 --> 0:00:38.384
<v Speaker 1>open Mike Eagle, rapper and Twitch streamer and good talker.

0:00:39.024 --> 0:00:40.623
<v Speaker 1>I really admire people who know how to keep the

0:00:40.623 --> 0:00:43.544
<v Speaker 1>ball up in the air. Mike streams on Twitch. You'll

0:00:43.543 --> 0:00:45.543
<v Speaker 1>follow him on Twitch. I don't know what that is.

0:00:45.584 --> 0:00:46.583
<v Speaker 1>I mean, I know what it is, but I don't

0:00:46.584 --> 0:00:48.704
<v Speaker 1>know how to follow people there. But he's really good

0:00:48.704 --> 0:00:50.424
<v Speaker 1>at keeping the ball up in the air. This is

0:00:50.424 --> 0:00:53.263
<v Speaker 1>a great conversation. You might notice that I'm sort of

0:00:53.264 --> 0:00:55.184
<v Speaker 1>excited at the beginning because I hadn't really had a

0:00:55.224 --> 0:00:56.104
<v Speaker 1>conversation with Mike before.

0:00:56.104 --> 0:00:57.224
<v Speaker 2>I know, he said a lot.

0:00:57.424 --> 0:00:58.984
<v Speaker 1>But Mike and somebody I have just sort of known

0:00:59.024 --> 0:01:03.184
<v Speaker 1>perfetly through the years and always admired him. And also

0:01:03.224 --> 0:01:06.624
<v Speaker 1>whenever I'm around black men who I feel like we

0:01:06.744 --> 0:01:09.783
<v Speaker 1>have sort of a common background, don't you know. I

0:01:09.824 --> 0:01:11.424
<v Speaker 1>have not been around a ton of those types of

0:01:11.424 --> 0:01:13.544
<v Speaker 1>black dudes in my life, I mean more as an adult.

0:01:13.624 --> 0:01:15.464
<v Speaker 1>But whenever I'm around black dudes are I'm like, oh, yeah,

0:01:15.503 --> 0:01:17.264
<v Speaker 1>you kind of grew up like me not to be

0:01:17.344 --> 0:01:18.703
<v Speaker 1>in my group. The same way, but we do have

0:01:18.744 --> 0:01:21.664
<v Speaker 1>some common similarities In there, I get a little bit

0:01:21.704 --> 0:01:23.144
<v Speaker 1>too excited. So I was a little bit too excited

0:01:23.144 --> 0:01:25.423
<v Speaker 1>in this episode at someone. I had to be like,

0:01:25.744 --> 0:01:29.024
<v Speaker 1>calm down, Jamal. Jamal's what I call myself when I'm

0:01:29.344 --> 0:01:33.263
<v Speaker 1>criticizing myself. Nothing, there's anything wrong with the name Jamal.

0:01:33.264 --> 0:01:35.144
<v Speaker 1>I've really gone off the track. Anyway, Before we get

0:01:35.184 --> 0:01:37.344
<v Speaker 1>too deep into this stand up comedy dates, I'm gonna

0:01:37.344 --> 0:01:39.624
<v Speaker 1>do this off top of my head September twenty fifth

0:01:39.663 --> 0:01:43.464
<v Speaker 1>and twenty six in Stamford, Connecticut at the New York

0:01:43.464 --> 0:01:48.384
<v Speaker 1>Comedy Club. October first at Stanford University at the Stanford

0:01:48.383 --> 0:01:53.624
<v Speaker 1>Memorial Theater, and then November thirteenth in Bellingham, Washington at

0:01:53.624 --> 0:01:56.664
<v Speaker 1>the Mount Baker Theater. Get your tickets at wcmal Bell

0:01:56.744 --> 0:01:59.744
<v Speaker 1>dot com or Google however you want to do it.

0:02:00.104 --> 0:02:03.624
<v Speaker 1>Tickets still available. Please get your tickets so I can

0:02:03.663 --> 0:02:06.184
<v Speaker 1>still keep doing stand up comedy. Also hoping that people

0:02:06.184 --> 0:02:08.024
<v Speaker 1>who listen to the podcast also comes to me do

0:02:08.144 --> 0:02:10.104
<v Speaker 1>stand up. Maybe there's new people who were just meeting

0:02:10.104 --> 0:02:12.184
<v Speaker 1>me through this comes to me, you stand up. I

0:02:12.264 --> 0:02:16.584
<v Speaker 1>hope that's true. So here's the thing. Everybody my opinions

0:02:17.104 --> 0:02:20.864
<v Speaker 1>sometimes get me into a little bit of a Internet controversy,

0:02:20.864 --> 0:02:21.624
<v Speaker 1>as to say hot water.

0:02:21.703 --> 0:02:23.823
<v Speaker 2>It's not real hot water, it's just Internet controversy.

0:02:24.144 --> 0:02:25.784
<v Speaker 1>And you know, some of the stuff has happened through

0:02:25.784 --> 0:02:28.023
<v Speaker 1>the podcast, also through my substack, which is also named

0:02:28.024 --> 0:02:31.784
<v Speaker 1>pos with Me, you know, or just sometimes I get

0:02:32.144 --> 0:02:33.784
<v Speaker 1>you know, my opinions are what I do gets me

0:02:33.784 --> 0:02:35.543
<v Speaker 1>a lot of extra attention, Like through the podcast. That

0:02:35.624 --> 0:02:38.784
<v Speaker 1>Ted Danson interview that was the second episode got a

0:02:38.823 --> 0:02:41.423
<v Speaker 1>lot of attention, which means I had a lot of

0:02:41.464 --> 0:02:44.383
<v Speaker 1>people on my ig and my Instagram at w Combbell

0:02:44.504 --> 0:02:47.944
<v Speaker 1>with a lot of opinions about ted Danson apologizing for blackface.

0:02:48.584 --> 0:02:51.664
<v Speaker 2>So I, you know, stand by that episode.

0:02:51.663 --> 0:02:54.103
<v Speaker 1>But then also sort of around that same time, I

0:02:54.103 --> 0:02:55.784
<v Speaker 1>mean we've talked about a lot of the podcast, just

0:02:55.823 --> 0:03:00.263
<v Speaker 1>a lot of like uh, Kevin Hart Roast talk that

0:03:00.383 --> 0:03:02.663
<v Speaker 1>sort of just as we were recording the episodes that

0:03:02.703 --> 0:03:04.424
<v Speaker 1>was out in the out in the world. Then I

0:03:04.424 --> 0:03:07.584
<v Speaker 1>wrote a big substack about it. I declared that the

0:03:07.663 --> 0:03:10.024
<v Speaker 1>Roast was dead, and I just didn't know that that

0:03:10.184 --> 0:03:12.944
<v Speaker 1>was a big deal, but people maybe because I'm a comedian,

0:03:13.263 --> 0:03:15.703
<v Speaker 1>but you know, as many people pointed out Michael Harriet,

0:03:15.744 --> 0:03:17.824
<v Speaker 1>the great Michael Harriet, who you can also find on

0:03:17.904 --> 0:03:19.944
<v Speaker 1>substack and also out in the world, point out that

0:03:20.024 --> 0:03:23.104
<v Speaker 1>ross aren't really a significant part of stand up comedy.

0:03:23.103 --> 0:03:25.264
<v Speaker 1>They're just a thing that happens. But somehow stand up

0:03:25.263 --> 0:03:27.744
<v Speaker 1>comedians who do rosa acted like it's a part of

0:03:27.784 --> 0:03:31.823
<v Speaker 1>the tradition that we need. And so that got me

0:03:31.864 --> 0:03:35.104
<v Speaker 1>into a lot of like hot water with the Rogan sphere,

0:03:36.064 --> 0:03:38.024
<v Speaker 1>the comedians and the and the people who are fans

0:03:38.064 --> 0:03:40.064
<v Speaker 1>of that. I mean again, not hot water, because I

0:03:40.064 --> 0:03:41.743
<v Speaker 1>stand by what I said, so the water doesn't feel

0:03:41.744 --> 0:03:42.144
<v Speaker 1>that hot.

0:03:43.864 --> 0:03:44.624
<v Speaker 2>And then.

0:03:46.824 --> 0:03:48.544
<v Speaker 1>Look, I just thought it wasn't a good look for

0:03:49.664 --> 0:03:52.504
<v Speaker 1>Nate Barghetzi to be at the UFC event on the

0:03:52.544 --> 0:03:54.024
<v Speaker 1>White House lawn. I didn't think it was a good

0:03:54.024 --> 0:03:56.904
<v Speaker 1>look for anybody. But you know, it was my choice

0:03:56.944 --> 0:03:59.824
<v Speaker 1>to talk about Nate Barghesti, who's a comedian who, like

0:03:59.824 --> 0:04:01.064
<v Speaker 1>I think I've met him once or twice.

0:04:01.744 --> 0:04:02.944
<v Speaker 2>No, I know I've met him once or twice.

0:04:02.944 --> 0:04:07.064
<v Speaker 1>And again, it's not even about me criticizing him a

0:04:07.104 --> 0:04:08.704
<v Speaker 1>little bit. It's about that, but it's also just about,

0:04:08.704 --> 0:04:10.784
<v Speaker 1>hey man, that's not a good look, even if you

0:04:10.824 --> 0:04:14.264
<v Speaker 1>are if you're trying to sell you know, arenas what

0:04:14.424 --> 0:04:16.224
<v Speaker 1>you are and you're trying to open amusement parks.

0:04:16.264 --> 0:04:17.184
<v Speaker 2>Maybe you don't do that.

0:04:17.144 --> 0:04:19.824
<v Speaker 1>But people really took that to heart, and I don't know,

0:04:19.944 --> 0:04:22.384
<v Speaker 1>I felt like I turned on comedy. I've heard, you know,

0:04:22.424 --> 0:04:24.424
<v Speaker 1>I've heard some comedians we're not happy about me. Actually

0:04:24.424 --> 0:04:26.424
<v Speaker 1>stumbled across one the other day on Instagram. Who's like

0:04:26.504 --> 0:04:29.184
<v Speaker 1>calling Nate Barghetti a fascist is like calling w com

0:04:29.224 --> 0:04:34.264
<v Speaker 1>Out Bell a comedian. And I just thought, ah, you

0:04:34.344 --> 0:04:37.704
<v Speaker 1>need better writers. Yeah, I am a comedian, and we

0:04:37.744 --> 0:04:40.144
<v Speaker 1>come in all shapes and sizes and flavors. And I'm

0:04:40.224 --> 0:04:42.024
<v Speaker 1>very clear of the tradition of comedy. I walk in

0:04:42.064 --> 0:04:44.064
<v Speaker 1>and just because your comedian does't mean you're funny to everybody.

0:04:44.104 --> 0:04:45.784
<v Speaker 1>That's not That's just how it works. So I'm not

0:04:45.864 --> 0:04:48.664
<v Speaker 1>here trying to like act like I don't think it's

0:04:48.944 --> 0:04:51.744
<v Speaker 1>comedy is about just about how many tickets you sell,

0:04:52.944 --> 0:04:55.944
<v Speaker 1>you know, uh, And it'll be clear, do whatever kind

0:04:55.944 --> 0:04:56.824
<v Speaker 1>of comedy you want to do.

0:04:57.024 --> 0:04:59.784
<v Speaker 2>It's just, you know, and I have opinions about it. Anyway.

0:05:00.304 --> 0:05:03.144
<v Speaker 1>People had feeling especially again comics had feelings about it.

0:05:04.704 --> 0:05:07.424
<v Speaker 2>And then Leslie Jones was on the podcast.

0:05:07.464 --> 0:05:10.664
<v Speaker 1>A couple of weeks ago, and man, we put out

0:05:10.664 --> 0:05:12.984
<v Speaker 1>a clip that episode where she was really just she

0:05:13.144 --> 0:05:15.984
<v Speaker 1>was talking about Ghostbusters, but then she started preaching about

0:05:16.304 --> 0:05:18.064
<v Speaker 1>why are you so upset that women are in a

0:05:18.104 --> 0:05:20.743
<v Speaker 1>Ghostbusters movie? And then it went to don't you think

0:05:20.904 --> 0:05:24.064
<v Speaker 1>writers want their writings to be reinterpreted? Like Shakespeare and

0:05:24.144 --> 0:05:28.584
<v Speaker 1>Charles Dickens, And then it ended on God created a

0:05:28.624 --> 0:05:31.264
<v Speaker 1>little bit of everything, so we should just be prepared

0:05:31.264 --> 0:05:33.424
<v Speaker 1>for whatever the world has for us. And it was

0:05:33.504 --> 0:05:40.664
<v Speaker 1>just beautiful. It was a beautiful, like inspiring, well put

0:05:40.704 --> 0:05:44.224
<v Speaker 1>together rant that also just felt like, like I said,

0:05:44.224 --> 0:05:47.984
<v Speaker 1>it felt like she was preaching. And man, so many

0:05:47.984 --> 0:05:51.984
<v Speaker 1>people we posted that thing up on ig Ig seems

0:05:51.984 --> 0:05:53.344
<v Speaker 1>to be the new hub of the trolls.

0:05:53.384 --> 0:05:55.104
<v Speaker 2>I think they all left Twitter because Twitter got boring,

0:05:55.144 --> 0:05:55.624
<v Speaker 2>so they've.

0:05:55.464 --> 0:05:57.904
<v Speaker 1>Sort of moved to ig a little bit to threads too,

0:05:58.304 --> 0:06:02.944
<v Speaker 1>But so many internet trolls were just like Ghostbusters was bad,

0:06:02.784 --> 0:06:06.224
<v Speaker 1>the all women Ghostbusters was bad. And some people were

0:06:06.224 --> 0:06:09.984
<v Speaker 1>like it was like treated the original Ghostbuster movies like

0:06:10.024 --> 0:06:12.424
<v Speaker 1>it was somehow a sacred text, like it was like

0:06:12.464 --> 0:06:14.864
<v Speaker 1>she had somehow like she had her and the women

0:06:14.864 --> 0:06:17.184
<v Speaker 1>who are in Ghostbusters that somehow like mess with one

0:06:17.224 --> 0:06:21.624
<v Speaker 1>of the sacred texts of humanity. And you know, my

0:06:21.664 --> 0:06:24.624
<v Speaker 1>favorite response to someone's like, you know, Ghostbusters two sucked, right,

0:06:24.704 --> 0:06:27.904
<v Speaker 1>Like we all think that Ghostbusters too with the dudes

0:06:28.264 --> 0:06:30.384
<v Speaker 1>was not a good movie, Like it has the Bobby

0:06:30.384 --> 0:06:32.504
<v Speaker 1>Brown song, but that's about it.

0:06:33.024 --> 0:06:35.584
<v Speaker 2>So like and and here's the other part.

0:06:35.784 --> 0:06:38.944
<v Speaker 1>It was. My ig comvers section was also flooded with

0:06:39.024 --> 0:06:43.183
<v Speaker 1>people who were like, oh my god, the Ghostbusters all women.

0:06:43.224 --> 0:06:47.064
<v Speaker 1>Ghostbusters is my favorite, because of course, because that's how

0:06:47.104 --> 0:06:49.224
<v Speaker 1>it works. Parents were like I showed it to my daughter,

0:06:49.664 --> 0:06:51.504
<v Speaker 1>or people were like, I never got into the original.

0:06:51.544 --> 0:06:53.863
<v Speaker 1>Because of course people liked it. Just because the movie

0:06:53.944 --> 0:06:56.624
<v Speaker 1>again didn't make a ton of money and I don't

0:06:56.624 --> 0:06:58.384
<v Speaker 1>know how much money made or wasn't a critical hit

0:06:58.584 --> 0:07:01.024
<v Speaker 1>doesn't mean people are gonna like, aren't gonna like love

0:07:01.064 --> 0:07:04.464
<v Speaker 1>it or like it like it's so funny. I'm old

0:07:04.704 --> 0:07:08.224
<v Speaker 1>now to see things go from like eh to like oh,

0:07:08.264 --> 0:07:11.584
<v Speaker 1>like I hate to tell you all this, but like

0:07:11.904 --> 0:07:13.664
<v Speaker 1>lots of things I've seen in my life go from

0:07:13.664 --> 0:07:16.584
<v Speaker 1>like ah to like, oh we like that now, nostalgia

0:07:16.664 --> 0:07:19.304
<v Speaker 1>we like that, or oh we've had a chance to

0:07:19.304 --> 0:07:20.384
<v Speaker 1>sit with this and we like it.

0:07:20.384 --> 0:07:22.064
<v Speaker 2>That's the whole idea behind a cult movie.

0:07:22.064 --> 0:07:24.264
<v Speaker 1>It's a movie that like, originally was ignored and then

0:07:24.264 --> 0:07:27.184
<v Speaker 1>people really found value it and we all understand that

0:07:27.224 --> 0:07:31.304
<v Speaker 1>when it's our cult movie. You know, they just made

0:07:31.344 --> 0:07:33.384
<v Speaker 1>shout out to the Waynes brother Jes just made another

0:07:33.424 --> 0:07:38.664
<v Speaker 1>scary movie. And those those first scary movies, they weren't

0:07:38.744 --> 0:07:41.304
<v Speaker 1>like monster, huge mega hits. It's just the people who

0:07:41.424 --> 0:07:43.744
<v Speaker 1>liked them liked them, and they were never really reviewed

0:07:43.784 --> 0:07:44.264
<v Speaker 1>all that well.

0:07:44.264 --> 0:07:47.344
<v Speaker 2>And this is not me, this is about how things

0:07:47.344 --> 0:07:47.944
<v Speaker 2>are reviewed.

0:07:47.984 --> 0:07:50.344
<v Speaker 1>And guess what. Eventually, some people are like, we want

0:07:50.384 --> 0:07:51.984
<v Speaker 1>another scary movie, and the waves were like, would you

0:07:52.064 --> 0:07:53.984
<v Speaker 1>like another scary movie? And they're like, yeah, we would,

0:07:53.984 --> 0:07:56.104
<v Speaker 1>and they made another one and it was It's made

0:07:56.144 --> 0:07:58.464
<v Speaker 1>over one hundred million dollars, and guess what, it still

0:07:58.464 --> 0:08:03.504
<v Speaker 1>didn't get great reviews everywhere. Just because the culture has

0:08:03.544 --> 0:08:06.504
<v Speaker 1>scare culls doesn't like something doesn't mean that that are

0:08:06.624 --> 0:08:08.104
<v Speaker 1>there are people who like it. And I think you

0:08:08.144 --> 0:08:10.224
<v Speaker 1>see it with black stuff all the time. You see

0:08:10.224 --> 0:08:12.664
<v Speaker 1>it with anything that's not appealing to straight white men,

0:08:12.744 --> 0:08:16.544
<v Speaker 1>you know. And so the all women Ghostbusters just also

0:08:16.704 --> 0:08:19.944
<v Speaker 1>came out at a time when the alt right internet

0:08:20.264 --> 0:08:24.024
<v Speaker 1>that later became the Manisphere, and Maga was really starting

0:08:24.064 --> 0:08:27.224
<v Speaker 1>to like feel itself. So like the ben Shapiros and

0:08:27.264 --> 0:08:30.744
<v Speaker 1>the mileu Ianopolises really were like felt like they finally

0:08:30.744 --> 0:08:32.264
<v Speaker 1>were being black, see what would happen?

0:08:32.304 --> 0:08:33.503
<v Speaker 2>They were feeling themselves well, so.

0:08:33.463 --> 0:08:36.463
<v Speaker 1>They were being u astro tarrifted by billionaires so they

0:08:36.463 --> 0:08:38.264
<v Speaker 1>could take a lot of space on the internet. They

0:08:38.304 --> 0:08:41.184
<v Speaker 1>were really feeling themselves really, and so Miley the Anapolis

0:08:41.224 --> 0:08:44.864
<v Speaker 1>made it his point to like take down Leslie specifically,

0:08:45.184 --> 0:08:47.384
<v Speaker 1>like of course, because she was the one black person

0:08:47.424 --> 0:08:50.463
<v Speaker 1>in the movie The Black Woman, and really like like

0:08:50.463 --> 0:08:53.264
<v Speaker 1>like she was doxed, she was harassed, and there's a

0:08:53.343 --> 0:08:56.863
<v Speaker 1>version of Leslie Jones that never recovers from that, because

0:08:56.904 --> 0:08:58.584
<v Speaker 1>that happens to people when you go through some shit

0:08:58.703 --> 0:09:00.983
<v Speaker 1>on the you know, through in the public eye, where

0:09:01.024 --> 0:09:03.384
<v Speaker 1>you just are you are, You're never the same. But

0:09:03.544 --> 0:09:05.223
<v Speaker 1>the thing you could see from my interview with Leslie

0:09:05.264 --> 0:09:09.944
<v Speaker 1>Jones that she is just as loud and proud and abuliant.

0:09:10.103 --> 0:09:12.023
<v Speaker 1>I think I'm saying that, well, can somebody let me

0:09:12.064 --> 0:09:17.024
<v Speaker 1>know abuliant as she ever was? And she's not tripping.

0:09:17.103 --> 0:09:18.624
<v Speaker 1>But it was so funny to me that there's just

0:09:18.664 --> 0:09:21.703
<v Speaker 1>an aspect of kind of person mostly dudes who just

0:09:21.784 --> 0:09:23.824
<v Speaker 1>want to argue on the thing they care about, not

0:09:23.904 --> 0:09:26.784
<v Speaker 1>about like it's okay that a woman to go expressors exist,

0:09:26.944 --> 0:09:31.424
<v Speaker 1>it's about I didn't like it. Okay, a lot of

0:09:31.463 --> 0:09:35.023
<v Speaker 1>people did, but I didn't like it. Okay, a lot

0:09:35.024 --> 0:09:38.824
<v Speaker 1>of people did, but I didn't like it. Years ago,

0:09:40.103 --> 0:09:42.424
<v Speaker 1>I remember this was when the Vagina Monologues was big.

0:09:42.944 --> 0:09:45.343
<v Speaker 1>I went to see like a production of Vagina Monologues

0:09:45.384 --> 0:09:49.424
<v Speaker 1>with my then girlfriend future wife, and afterwards, I remember

0:09:49.424 --> 0:09:50.944
<v Speaker 1>she asked me my opinion and I was like, I

0:09:50.983 --> 0:09:56.544
<v Speaker 1>don't know that I'm supposed to have And at the time,

0:09:56.583 --> 0:09:58.304
<v Speaker 1>I don't think I phrased it well, but what I

0:09:58.304 --> 0:09:59.703
<v Speaker 1>was really saying was like, I don't think that was

0:09:59.743 --> 0:10:02.304
<v Speaker 1>for me, and I'm okay with that, Like because I

0:10:02.304 --> 0:10:03.983
<v Speaker 1>felt like I don't know what I would say about it.

0:10:03.983 --> 0:10:05.944
<v Speaker 1>It wouldn't sound like I was somehow trying to push

0:10:05.944 --> 0:10:08.424
<v Speaker 1>the Vagina logs through my man brain and make it

0:10:08.463 --> 0:10:10.024
<v Speaker 1>make sense in a way that it's like, I don't

0:10:10.064 --> 0:10:12.863
<v Speaker 1>think that that was written for me to understand it,

0:10:12.863 --> 0:10:14.583
<v Speaker 1>And that's fine, that's fine.

0:10:14.664 --> 0:10:15.944
<v Speaker 2>You see it in music all the time.

0:10:15.983 --> 0:10:17.904
<v Speaker 1>I remember I used to be a young person who's like,

0:10:18.024 --> 0:10:20.824
<v Speaker 1>pop music is bad, boy bands are bad just because

0:10:21.064 --> 0:10:22.944
<v Speaker 1>they weren't the music I liked, And you realize, what

0:10:22.983 --> 0:10:23.504
<v Speaker 1>are you doing?

0:10:24.544 --> 0:10:25.664
<v Speaker 2>Let people enjoy their.

0:10:25.504 --> 0:10:27.703
<v Speaker 1>Thing unless you have something to say, like something to

0:10:27.703 --> 0:10:30.824
<v Speaker 1>say about like I don't like how Justin Timberlake treated

0:10:30.863 --> 0:10:33.784
<v Speaker 1>Janet Jackson after the super Bowl, and he also happens

0:10:33.824 --> 0:10:36.904
<v Speaker 1>to be in a boy band, but not like just

0:10:36.983 --> 0:10:40.503
<v Speaker 1>I don't like that whole thing. So men get caught

0:10:40.544 --> 0:10:42.264
<v Speaker 1>up in their opinions, and then they want to share

0:10:42.264 --> 0:10:44.463
<v Speaker 1>their opinions. And so I ended up fighting the comments

0:10:44.463 --> 0:10:47.264
<v Speaker 1>slot on ig go to my itg at Wombell, not fighting,

0:10:47.304 --> 0:10:49.503
<v Speaker 1>but just really like making it clear that like I'm

0:10:49.544 --> 0:10:51.583
<v Speaker 1>not gonna hear I'm not gonna let you just do that.

0:10:52.504 --> 0:10:55.703
<v Speaker 1>So anyway, having said that, I also spend more time

0:10:55.703 --> 0:10:57.983
<v Speaker 1>on the comments on YouTube. I'm reading them, but I'm

0:10:57.983 --> 0:11:00.783
<v Speaker 1>not engaging because I just I've been I've spent so

0:11:00.863 --> 0:11:02.663
<v Speaker 1>much in my life being a lurker on YouTube that

0:11:02.743 --> 0:11:04.424
<v Speaker 1>it's hard to like actually leave comments.

0:11:04.463 --> 0:11:06.863
<v Speaker 2>But I'll start leaving comments on these videos. I make that.

0:11:07.544 --> 0:11:09.583
<v Speaker 1>I claim that today, So look for me in the

0:11:09.583 --> 0:11:12.064
<v Speaker 1>comments on the YouTube videos. Also, I can subscribe and

0:11:12.144 --> 0:11:15.863
<v Speaker 1>hype do all the things and uh next my conversation

0:11:15.983 --> 0:11:18.343
<v Speaker 1>with open Mic Eagle. I just like to do it

0:11:18.343 --> 0:11:20.343
<v Speaker 1>a lot, and I enjoyed talking to him. Hope to

0:11:20.343 --> 0:11:22.784
<v Speaker 1>talk to him some more. We talked a little bit

0:11:22.784 --> 0:11:25.143
<v Speaker 1>about how he came and saw Fishbone with me in

0:11:25.264 --> 0:11:27.064
<v Speaker 1>La when they performed at the Garami Museum.

0:11:27.064 --> 0:11:29.463
<v Speaker 2>Shout out to Fishbone, Fishbone.

0:11:30.703 --> 0:11:32.544
<v Speaker 1>But that was the most we'd ever really hung out,

0:11:32.544 --> 0:11:34.944
<v Speaker 1>although he does remind me that I did his podcast

0:11:34.983 --> 0:11:37.104
<v Speaker 1>at one point, which I was like, I'd totally forgotten about,

0:11:37.103 --> 0:11:39.664
<v Speaker 1>because the we'll talk about why've forgotten about? Nothing against him,

0:11:39.743 --> 0:11:41.344
<v Speaker 1>just about mostly against where I was in my life

0:11:41.343 --> 0:11:43.944
<v Speaker 1>at that point. He is always on tour. You can

0:11:43.983 --> 0:11:46.463
<v Speaker 1>check him out his I didn't notice. He has a

0:11:46.463 --> 0:11:48.463
<v Speaker 1>new album coming out. His last album that is out now,

0:11:48.504 --> 0:11:52.783
<v Speaker 1>called Neighborhood Gods Unlimited is out right now, and then

0:11:52.824 --> 0:11:56.944
<v Speaker 1>his next album, which releases very shortly after you hear this,

0:11:57.064 --> 0:12:02.024
<v Speaker 1>is called Doomed and it releases on August thirteenth. So yeah,

0:12:02.784 --> 0:12:05.744
<v Speaker 1>great to have open Mic Eagle on. You can see

0:12:05.743 --> 0:12:07.304
<v Speaker 1>at the beginning I like him so much, I'm actually

0:12:07.304 --> 0:12:10.583
<v Speaker 1>acting weird, so I settled down eventually, But yeah, shout

0:12:10.583 --> 0:12:12.704
<v Speaker 1>out to Open My Eagle. Also check out his podcast

0:12:12.703 --> 0:12:15.743
<v Speaker 1>with Anna Marie Cox called Past Do. Check him out

0:12:15.784 --> 0:12:19.824
<v Speaker 1>on Twitch. He's on social media. He's on YouTube. Check

0:12:19.863 --> 0:12:22.624
<v Speaker 1>him out here. If you're on YouTube, he posts things

0:12:22.664 --> 0:12:24.264
<v Speaker 1>on YouTube where he just talks about things in the

0:12:24.264 --> 0:12:25.184
<v Speaker 1>culture's interested in.

0:12:25.504 --> 0:12:28.384
<v Speaker 2>He's just a one stop shop and he's great anyway. Enjoy.

0:12:29.304 --> 0:12:31.504
<v Speaker 3>Hey, thanks for watching an episode of Who's with Me.

0:12:31.664 --> 0:12:35.223
<v Speaker 3>If you're on YouTube, please like and subscribe, share, hit

0:12:35.264 --> 0:12:37.424
<v Speaker 3>the hype button. I hear it makes all the difference.

0:12:37.623 --> 0:12:48.024
<v Speaker 3>Please like, subscribe, share, hit the hype button. Thank you.

0:12:51.664 --> 0:12:55.824
<v Speaker 1>I'll tell you I'm five ten. Really, people you carry

0:12:55.824 --> 0:12:56.703
<v Speaker 1>yourself taller than that.

0:12:56.743 --> 0:13:01.264
<v Speaker 4>Oh that's good. That's the years of practice. Yeah, maybe

0:13:01.304 --> 0:13:02.743
<v Speaker 4>they got a big old I.

0:13:02.664 --> 0:13:03.264
<v Speaker 2>Was definitely like this.

0:13:03.583 --> 0:13:07.304
<v Speaker 1>I think also people carry themselves taller and shorter. That

0:13:07.343 --> 0:13:09.223
<v Speaker 1>has nothing to do with their height. Yeah, because I

0:13:09.264 --> 0:13:12.144
<v Speaker 1>will literally people have known for years will not see

0:13:12.184 --> 0:13:14.703
<v Speaker 1>me for a little while, and I will see them like, man,

0:13:14.703 --> 0:13:17.424
<v Speaker 1>come on, when'd you get so tall? Like you're still growing? Yeah,

0:13:18.264 --> 0:13:19.983
<v Speaker 1>I think it's just like I don't walk around like

0:13:20.824 --> 0:13:22.463
<v Speaker 1>you don't. People on top of the head a lot.

0:13:22.623 --> 0:13:25.263
<v Speaker 1>Now you should probably do it. Like once a year,

0:13:25.343 --> 0:13:26.984
<v Speaker 1>just to let people. Don't lift people up and go

0:13:27.024 --> 0:13:30.944
<v Speaker 1>look at you down there, look at you, hey, Tom Cruise,

0:13:31.664 --> 0:13:34.864
<v Speaker 1>put me down. It's not the way you get Movie

0:13:34.944 --> 0:13:38.544
<v Speaker 1>roles haven't done any of the Mission Impossible movies because

0:13:38.784 --> 0:13:40.624
<v Speaker 1>I picked him up the first time I met him.

0:13:40.944 --> 0:13:43.223
<v Speaker 1>Uh yeah, so I think. But anyway, so anyway, the

0:13:43.264 --> 0:13:45.264
<v Speaker 1>first thing I want to say is you are You're

0:13:45.304 --> 0:13:47.384
<v Speaker 1>not as tall as I thought you were. Okay, well

0:13:48.264 --> 0:13:48.583
<v Speaker 1>I don't.

0:13:48.623 --> 0:13:50.824
<v Speaker 4>I'm going to be spending the rest of our conversation

0:13:50.944 --> 0:13:51.703
<v Speaker 4>processing that.

0:13:52.064 --> 0:13:55.064
<v Speaker 1>It makes me feel so many ways. It once all

0:13:55.184 --> 0:13:57.703
<v Speaker 1>right for real though, thank you for doing this, Thank

0:13:57.743 --> 0:14:00.104
<v Speaker 1>you for having me. No, I appreciate thank you for.

0:14:00.904 --> 0:14:03.784
<v Speaker 4>Being willing to talk to people less famous than Ted Dancing.

0:14:04.384 --> 0:14:07.184
<v Speaker 4>That's really nice to you. You don't have to do that.

0:14:07.264 --> 0:14:08.504
<v Speaker 4>You could be Ted dancing.

0:14:08.824 --> 0:14:12.264
<v Speaker 1>Or that's the bar, that's the bar. Good. Yeah, I

0:14:12.264 --> 0:14:15.863
<v Speaker 1>appreciate it. Yeah, well, well I appreciate you appreciating that.

0:14:15.983 --> 0:14:17.424
<v Speaker 1>I have to say, it's not exactly what I thought

0:14:17.424 --> 0:14:20.424
<v Speaker 1>about this, like what's the bar? But I do like

0:14:20.464 --> 0:14:24.304
<v Speaker 1>thinking that, like it's it is it between you two? Well,

0:14:24.384 --> 0:14:24.744
<v Speaker 1>I don't.

0:14:24.784 --> 0:14:26.544
<v Speaker 4>I would not like to think of myself as the

0:14:26.544 --> 0:14:26.944
<v Speaker 4>low bar.

0:14:27.064 --> 0:14:29.383
<v Speaker 1>No, You're not the low bar. So then I'm just

0:14:29.424 --> 0:14:31.624
<v Speaker 1>saying that's the bar. I'm not saying. Yeah, No, I

0:14:31.624 --> 0:14:33.944
<v Speaker 1>will go lower than you. I promise over the course

0:14:33.984 --> 0:14:36.104
<v Speaker 1>of this podcast, I will go much lower than Mike.

0:14:36.304 --> 0:14:38.224
<v Speaker 1>I think I really love it if we change the subject.

0:14:39.904 --> 0:14:42.224
<v Speaker 1>Really cool, Do you do that? No? I do actually

0:14:42.224 --> 0:14:45.144
<v Speaker 1>want to start this with start every episode giving people

0:14:45.184 --> 0:14:47.344
<v Speaker 1>their flowers. Oh I like flowers, so let's do that,

0:14:47.344 --> 0:14:49.784
<v Speaker 1>because what we just did was not that. So that's

0:14:49.824 --> 0:14:51.864
<v Speaker 1>not what I meant to do. It's just I get

0:14:51.864 --> 0:14:55.864
<v Speaker 1>caught up in things. I so I don't remember. I

0:14:55.904 --> 0:14:58.504
<v Speaker 1>know we met around the time I was on Totally Biased,

0:14:58.704 --> 0:15:02.224
<v Speaker 1>that I visited you in the office while you guys

0:15:02.264 --> 0:15:03.024
<v Speaker 1>were in production.

0:15:03.864 --> 0:15:06.464
<v Speaker 2>I know, I don't remember it because I was crazy then.

0:15:06.624 --> 0:15:06.824
<v Speaker 1>Yeah.

0:15:06.824 --> 0:15:09.504
<v Speaker 4>It was a wild time. Yeah, it was a wild time.

0:15:09.504 --> 0:15:10.984
<v Speaker 4>I think I was friends with a lot of people

0:15:11.104 --> 0:15:12.424
<v Speaker 4>on your staff at that time too.

0:15:12.504 --> 0:15:14.184
<v Speaker 1>Yeah, and I think I can think also the connection

0:15:14.224 --> 0:15:16.464
<v Speaker 1>game through Hannibal maybe probably.

0:15:17.624 --> 0:15:19.824
<v Speaker 4>Oh my gosh, why can't I remember her name right now?

0:15:19.864 --> 0:15:22.064
<v Speaker 4>But she was a writer on your show who I

0:15:22.104 --> 0:15:24.304
<v Speaker 4>was working a lot with in LA at the time,

0:15:25.024 --> 0:15:27.944
<v Speaker 4>Eliza Skinner. Yes, yes, Yeah, shout out to Eliza Skinner,

0:15:27.984 --> 0:15:31.544
<v Speaker 4>She's yeah, I believe she was very instrumental in mean.

0:15:31.664 --> 0:15:34.864
<v Speaker 1>Yeah, Now, I remember like at the time being like, oh,

0:15:34.864 --> 0:15:38.744
<v Speaker 1>that guy's he seems good, and my whole thing was like,

0:15:38.904 --> 0:15:40.584
<v Speaker 1>how do I make the show better? Can that guy

0:15:40.584 --> 0:15:43.664
<v Speaker 1>be on the show, but then never being able to

0:15:43.704 --> 0:15:44.944
<v Speaker 1>grab all the pieces.

0:15:44.904 --> 0:15:46.464
<v Speaker 4>You want to You had a lot you were trying

0:15:46.504 --> 0:15:49.784
<v Speaker 4>to do. I think this was right after it went

0:15:49.904 --> 0:15:52.424
<v Speaker 4>like five nights a week or something, so it was

0:15:52.624 --> 0:15:54.744
<v Speaker 4>nutty in there. I remember it was nuts.

0:15:54.864 --> 0:15:55.304
<v Speaker 2>Yeah.

0:15:55.424 --> 0:15:57.304
<v Speaker 1>It is a defining part of my life of like,

0:15:57.704 --> 0:15:59.584
<v Speaker 1>I don't ever want to do show biz like that again.

0:15:59.744 --> 0:16:00.384
<v Speaker 1>I understand.

0:16:00.464 --> 0:16:03.984
<v Speaker 4>I also, so shortly after you had that show, I

0:16:04.024 --> 0:16:07.584
<v Speaker 4>had my show, The New Negroes, which is another experience

0:16:07.664 --> 0:16:09.744
<v Speaker 4>that I don't want to have another one like that again.

0:16:09.824 --> 0:16:13.344
<v Speaker 1>Yeah. So this brings me Pier two flowers. There's a

0:16:13.344 --> 0:16:16.944
<v Speaker 1>way in which I see you out in the world

0:16:17.584 --> 0:16:20.224
<v Speaker 1>very fiercely doing what you want to do the way

0:16:20.304 --> 0:16:23.864
<v Speaker 1>you want to do it. And I know, and I

0:16:24.304 --> 0:16:25.944
<v Speaker 1>think I told you this, I think I did it.

0:16:26.184 --> 0:16:28.784
<v Speaker 1>But like when I would and saw you live open

0:16:28.824 --> 0:16:32.424
<v Speaker 1>for clipping recently in Berkeley, and I was telling my wife,

0:16:32.464 --> 0:16:34.304
<v Speaker 1>and she wasn't familiar with your music, and I was like,

0:16:34.904 --> 0:16:36.104
<v Speaker 1>do you remember what I told you? I said to her,

0:16:36.104 --> 0:16:37.984
<v Speaker 1>I do remember what you said?

0:16:38.304 --> 0:16:41.064
<v Speaker 4>You said, He's like, if he's like me, if I

0:16:41.104 --> 0:16:43.104
<v Speaker 4>wrapped talking about yourself.

0:16:43.344 --> 0:16:45.224
<v Speaker 1>I mean as a way to sort of communicate what

0:16:45.344 --> 0:16:47.224
<v Speaker 1>kind of wrap she was getting into, that's a really

0:16:47.624 --> 0:16:49.784
<v Speaker 1>smart way to do it. Yeah, I mean it's you know,

0:16:49.784 --> 0:16:52.424
<v Speaker 1>even whether it's true or not, it certainly she was like, Okay,

0:16:52.464 --> 0:16:54.584
<v Speaker 1>I get it. And then I don't think I would

0:16:54.624 --> 0:16:55.904
<v Speaker 1>be like you if I was a rapper, but I

0:16:55.904 --> 0:16:58.704
<v Speaker 1>do think that I would be taking an alternate path.

0:16:58.784 --> 0:17:01.184
<v Speaker 1>Like yeah, so it wasn't about how you did, it

0:17:01.184 --> 0:17:03.023
<v Speaker 1>was about that's the path you take. Yeah.

0:17:03.064 --> 0:17:05.504
<v Speaker 4>I think it's about the spirit of the thing. Yeah, yeah,

0:17:05.544 --> 0:17:07.504
<v Speaker 4>you know, I think I think we approached things with

0:17:07.584 --> 0:17:08.584
<v Speaker 4>a similar spirit.

0:17:08.744 --> 0:17:09.023
<v Speaker 1>Yeah.

0:17:09.144 --> 0:17:09.704
<v Speaker 2>Yeah.

0:17:09.744 --> 0:17:12.744
<v Speaker 1>And so I really having seen you since Toty biased

0:17:13.224 --> 0:17:17.144
<v Speaker 1>and having seen you just clearly like I'm over here.

0:17:17.984 --> 0:17:20.584
<v Speaker 1>Think about that, like I'm over here, I know everything. No,

0:17:20.664 --> 0:17:22.704
<v Speaker 1>there's a lot over there, so much over There's so

0:17:22.824 --> 0:17:24.744
<v Speaker 1>much over there. It's like they're having so much fun.

0:17:25.504 --> 0:17:27.224
<v Speaker 2>They claim to have a lot of fun over there.

0:17:27.984 --> 0:17:31.424
<v Speaker 1>There's lots, but I'm over here, and I know being

0:17:31.424 --> 0:17:33.664
<v Speaker 1>a person who's also over here. You know, I live

0:17:33.704 --> 0:17:35.744
<v Speaker 1>in Oakland, which is even more like I'm over here,

0:17:35.744 --> 0:17:37.584
<v Speaker 1>which is a version of ib over here because I'm

0:17:37.624 --> 0:17:41.344
<v Speaker 1>not in LA or New York, but just the idea

0:17:41.344 --> 0:17:44.704
<v Speaker 1>of like how how hard that is to always be

0:17:44.784 --> 0:17:49.064
<v Speaker 1>over there, but also ultimately there's satisfaction in being over

0:17:49.104 --> 0:17:51.023
<v Speaker 1>there because you're very clear where you're supposed to be.

0:17:51.504 --> 0:17:55.104
<v Speaker 4>Yeah, And what I find about myself is, you know,

0:17:55.224 --> 0:17:57.744
<v Speaker 4>I live in LA, but I'm still over there. Exactly

0:17:57.864 --> 0:17:59.744
<v Speaker 4>when I go to New York, I'm still over there.

0:17:59.824 --> 0:18:00.303
<v Speaker 1>Yeah, you know.

0:18:00.544 --> 0:18:04.304
<v Speaker 4>So it's like it's it's it's a it's a sort

0:18:04.344 --> 0:18:07.304
<v Speaker 4>of spiritual geography that I take with me kind of

0:18:07.344 --> 0:18:09.944
<v Speaker 4>wherever I go. And you know, I might be at

0:18:09.944 --> 0:18:13.344
<v Speaker 4>a party with a bunch of people who are not

0:18:13.424 --> 0:18:16.464
<v Speaker 4>over there, but even when I'm over there, yeah, I'm

0:18:16.504 --> 0:18:16.984
<v Speaker 4>over there.

0:18:17.064 --> 0:18:19.664
<v Speaker 1>Yeah, even at that party, you're probably in the room

0:18:19.664 --> 0:18:22.464
<v Speaker 1>at that party that's the over there room. Yeah. Yeah, yeah,

0:18:22.504 --> 0:18:24.783
<v Speaker 1>I think I am the room in there.

0:18:25.024 --> 0:18:25.384
<v Speaker 2>I was.

0:18:25.544 --> 0:18:27.944
<v Speaker 1>I think I was born over there, and so I

0:18:28.024 --> 0:18:30.664
<v Speaker 1>sort of knew from a early age. I can't get

0:18:30.864 --> 0:18:34.584
<v Speaker 1>I can't get there. I'm over you know, I can't

0:18:34.624 --> 0:18:39.304
<v Speaker 1>get here. I'm mixing up the metaphors. But yeah, but anyway,

0:18:39.464 --> 0:18:41.424
<v Speaker 1>I knew that there was a place where everybody was

0:18:41.504 --> 0:18:45.384
<v Speaker 1>coagulating and assembling and I maybe get close, but I

0:18:45.424 --> 0:18:48.104
<v Speaker 1>knew that I don't belong with those people. Not that

0:18:48.144 --> 0:18:50.384
<v Speaker 1>I can't enjoy myself sometimes, not that I don't enjoy

0:18:50.504 --> 0:18:53.104
<v Speaker 1>some of what comes out of that, but like you know,

0:18:53.904 --> 0:18:57.024
<v Speaker 1>I was very aware that, like that's not for me,

0:18:57.304 --> 0:18:58.624
<v Speaker 1>and so early on I was like, so I got

0:18:58.624 --> 0:19:00.584
<v Speaker 1>to stop even pretending like I'm going that way.

0:19:00.704 --> 0:19:03.064
<v Speaker 2>You know, was it the same for you or were you?

0:19:03.184 --> 0:19:05.424
<v Speaker 1>Were you with all the people and then you left

0:19:05.544 --> 0:19:08.864
<v Speaker 1>or were you always like the outside the party?

0:19:08.984 --> 0:19:11.784
<v Speaker 4>I was with all of the people because there was

0:19:11.824 --> 0:19:15.104
<v Speaker 4>a point in my life where the people is all

0:19:15.144 --> 0:19:18.984
<v Speaker 4>I knew. So I knew, I knew how to speak people,

0:19:19.824 --> 0:19:22.543
<v Speaker 4>so so I could move around, okay, But I always

0:19:22.544 --> 0:19:26.624
<v Speaker 4>felt a little off right. It was really It wasn't

0:19:26.664 --> 0:19:32.064
<v Speaker 4>really until I discovered like the underground hip hop community

0:19:32.064 --> 0:19:35.864
<v Speaker 4>in Chicago, like the dudes who was breakdancing, graffiti and

0:19:36.064 --> 0:19:40.624
<v Speaker 4>DJing and freestyle. And when I found this group of

0:19:40.664 --> 0:19:47.344
<v Speaker 4>people and I found the the real meritocracy of that too.

0:19:47.464 --> 0:19:50.384
<v Speaker 4>It was like, Oh, I can just be over here

0:19:50.424 --> 0:19:52.504
<v Speaker 4>with people who like music that I like, and if

0:19:52.544 --> 0:19:55.504
<v Speaker 4>I practice and apply myself to getting good at these

0:19:55.584 --> 0:19:58.744
<v Speaker 4>weird activities that we all seem to love doing, then

0:19:58.784 --> 0:20:00.664
<v Speaker 4>I got a little thing for myself and I can

0:20:00.704 --> 0:20:04.224
<v Speaker 4>feel I can build a sense of selfhood based on

0:20:04.784 --> 0:20:10.664
<v Speaker 4>my accomplishments and my dedication to these arts. And that's

0:20:10.664 --> 0:20:13.424
<v Speaker 4>when my my over thereness felt really complete.

0:20:13.624 --> 0:20:16.424
<v Speaker 1>Okay, so it sounds like you weren't kid who grew

0:20:16.504 --> 0:20:18.144
<v Speaker 1>up saying I Am going to grow up and be

0:20:18.144 --> 0:20:18.624
<v Speaker 1>a rapper.

0:20:18.864 --> 0:20:21.024
<v Speaker 4>No, Okay, I was. I used to be kind of

0:20:21.064 --> 0:20:22.864
<v Speaker 4>scared of rap music when I was a little kid.

0:20:22.944 --> 0:20:25.023
<v Speaker 1>I mean, so I'm a little bit older than you,

0:20:25.104 --> 0:20:28.064
<v Speaker 1>so I have I have the entire like rap from

0:20:28.104 --> 0:20:31.224
<v Speaker 1>like the no rap, a little bit of rap, a

0:20:31.224 --> 0:20:32.384
<v Speaker 1>few rap, you know what I mean. So I had

0:20:32.384 --> 0:20:35.104
<v Speaker 1>the whole soul, so I can understand. I was born

0:20:35.184 --> 0:20:37.864
<v Speaker 1>and was around yeah see yeah, no, I was. I'm

0:20:37.864 --> 0:20:41.224
<v Speaker 1>like seven years older than you. So I remember like

0:20:41.504 --> 0:20:43.984
<v Speaker 1>the radio and being like I said hip hop and

0:20:43.984 --> 0:20:47.184
<v Speaker 1>I was like, wait, what did he say? A hip hop?

0:20:47.664 --> 0:20:49.263
<v Speaker 1>Heady to the heavy to hip hop? Is that what

0:20:49.304 --> 0:20:52.024
<v Speaker 1>he that seems different? You know, Like I remember that

0:20:52.104 --> 0:20:54.704
<v Speaker 1>moment when that was like a like a like a

0:20:54.744 --> 0:20:58.664
<v Speaker 1>sea change, and I remember like, oh, Curtis Plow was

0:20:58.704 --> 0:21:01.944
<v Speaker 1>fun and run DMC is fun. And then slowly but

0:21:02.024 --> 0:21:04.584
<v Speaker 1>surely I was, I was. I was thinking about this

0:21:04.584 --> 0:21:06.144
<v Speaker 1>as I was going to talk to you, Like I

0:21:06.224 --> 0:21:09.624
<v Speaker 1>remember when rap was a fad, and when rap was

0:21:09.664 --> 0:21:12.384
<v Speaker 1>like rap is for for musicians who don't know how

0:21:12.384 --> 0:21:14.784
<v Speaker 1>to sing. That was a famous Like a lot of

0:21:14.824 --> 0:21:19.224
<v Speaker 1>people still feel that way. Sure, I think they're probably

0:21:19.264 --> 0:21:22.744
<v Speaker 1>they're they're not. They're not They're not at either party.

0:21:22.624 --> 0:21:28.584
<v Speaker 1>They're the manisphere. But like, so what, so talk about

0:21:28.584 --> 0:21:30.624
<v Speaker 1>your version of what you when you grew up.

0:21:30.864 --> 0:21:33.464
<v Speaker 4>So the first rap song I ever heard in my life,

0:21:34.544 --> 0:21:37.704
<v Speaker 4>I got in the car with my mom and she

0:21:37.864 --> 0:21:43.624
<v Speaker 4>was playing easy so I had to I couldn't have

0:21:43.624 --> 0:21:46.024
<v Speaker 4>been older than eight. That was seven or eight years ye,

0:21:46.304 --> 0:21:50.024
<v Speaker 4>that's late eighties. Yeah, and I guess I must have

0:21:50.104 --> 0:21:52.824
<v Speaker 4>heard some rap, but like, this is the first time

0:21:52.904 --> 0:21:57.064
<v Speaker 4>I remember like listening to what a rapper was saying

0:21:57.464 --> 0:22:00.384
<v Speaker 4>and I was so confused, Yeah, because it was like

0:22:00.664 --> 0:22:01.944
<v Speaker 4>he's saying these words, am.

0:22:01.864 --> 0:22:03.944
<v Speaker 1>I supposed to be hearing these words, Why is my

0:22:03.984 --> 0:22:04.864
<v Speaker 1>mother playing this?

0:22:04.904 --> 0:22:05.704
<v Speaker 2>Is this a test?

0:22:06.104 --> 0:22:09.504
<v Speaker 4>Like, I no no way to wrap my head around it.

0:22:09.544 --> 0:22:13.904
<v Speaker 4>And he sounded so interesting to me. He sounded like

0:22:13.904 --> 0:22:18.624
<v Speaker 4>a little cartoon character talking about doing violent crimes. It

0:22:18.704 --> 0:22:23.064
<v Speaker 4>really was something and the theater of the mind that

0:22:23.184 --> 0:22:26.624
<v Speaker 4>started happening. I was like, Wow, this is really something else.

0:22:26.664 --> 0:22:27.104
<v Speaker 1>And then.

0:22:28.504 --> 0:22:35.064
<v Speaker 4>I have an older step sibling who was four or

0:22:35.064 --> 0:22:38.384
<v Speaker 4>five years older than me but a huge hip hop head,

0:22:39.184 --> 0:22:44.064
<v Speaker 4>so coming and spending summers with her, coming to visit.

0:22:44.104 --> 0:22:49.064
<v Speaker 4>My dad just just had every tape you could think of,

0:22:50.184 --> 0:22:50.984
<v Speaker 4>had everything.

0:22:51.064 --> 0:22:56.304
<v Speaker 1>And so this is eighty seven, eighty eight, I mean

0:22:56.304 --> 0:22:59.464
<v Speaker 1>this is still like there's still debate about is rap

0:22:59.464 --> 0:23:01.224
<v Speaker 1>a real thing? What we're like ello cool j.

0:23:02.104 --> 0:23:06.784
<v Speaker 4>Yeah, I mean we're into slick Rick, Rockham, Big Daddy Kane,

0:23:07.584 --> 0:23:09.744
<v Speaker 4>Like that's the stuff that's really popping at the time.

0:23:09.904 --> 0:23:14.504
<v Speaker 4>You know, bismarcky is uh is big, and n w

0:23:14.544 --> 0:23:18.624
<v Speaker 4>A is huge public enemy. So like that's the world

0:23:18.664 --> 0:23:21.344
<v Speaker 4>around me. And I found a lot of it really scary.

0:23:21.984 --> 0:23:24.744
<v Speaker 4>Like I like slick Rick, I like Kwame, you know,

0:23:25.264 --> 0:23:26.104
<v Speaker 4>like that was cute.

0:23:26.184 --> 0:23:28.104
<v Speaker 1>Yeah, Like I liked the little.

0:23:27.864 --> 0:23:30.624
<v Speaker 4>Story raps and all that stuff, but even slick Rick,

0:23:30.704 --> 0:23:35.224
<v Speaker 4>slick Rick used to say some disgusting things grabs with

0:23:35.344 --> 0:23:40.184
<v Speaker 4>spears and Indian drums. What what to put that visual

0:23:40.224 --> 0:23:41.024
<v Speaker 4>in my mind?

0:23:41.504 --> 0:23:43.104
<v Speaker 2>I was not years old.

0:23:43.424 --> 0:23:43.744
<v Speaker 1>God.

0:23:44.584 --> 0:23:46.344
<v Speaker 2>The one thing I know from that story is we

0:23:46.384 --> 0:23:48.304
<v Speaker 2>had different momsh.

0:23:47.704 --> 0:23:50.064
<v Speaker 4>Yeah, I did not have I had a very different

0:23:50.144 --> 0:23:51.584
<v Speaker 4>type of mom than most people.

0:23:51.784 --> 0:23:52.864
<v Speaker 2>Yeah, for sure.

0:23:53.224 --> 0:23:58.824
<v Speaker 1>And when she's playing easy in the car, is she like, oh,

0:23:58.944 --> 0:24:01.303
<v Speaker 1>is there any awareness in her mind? Is like this

0:24:01.424 --> 0:24:03.744
<v Speaker 1>he shouldn't be hearing this and none, just just I

0:24:03.784 --> 0:24:05.184
<v Speaker 1>want to hear this song. I want to hear the

0:24:05.224 --> 0:24:08.904
<v Speaker 1>song in the Nissan. Yeah. And if he needs to

0:24:08.944 --> 0:24:12.224
<v Speaker 1>go to school, so these things will happen simultaneous, yes,

0:24:12.264 --> 0:24:13.704
<v Speaker 1>without Nia's second thought.

0:24:13.784 --> 0:24:15.344
<v Speaker 2>Okay, okay, okay.

0:24:15.904 --> 0:24:19.904
<v Speaker 1>So that's interesting because again, sort of just to talk

0:24:19.944 --> 0:24:25.064
<v Speaker 1>about By the time NWA comes around, I'm very clear

0:24:25.064 --> 0:24:27.584
<v Speaker 1>that like, I like rap music, but it's not speaking

0:24:27.624 --> 0:24:30.224
<v Speaker 1>to me. I'm not I don't have anything against it,

0:24:30.304 --> 0:24:32.504
<v Speaker 1>especially because I feel like, and I would love to

0:24:32.504 --> 0:24:33.904
<v Speaker 1>hear your talk about this because you were still young.

0:24:33.944 --> 0:24:35.304
<v Speaker 2>But I'm sure you've looked back in this time.

0:24:35.664 --> 0:24:39.984
<v Speaker 1>I remember seeing arrested development and concert like I remember

0:24:40.184 --> 0:24:42.984
<v Speaker 1>diggable planets to be like, oh I like this this version,

0:24:43.544 --> 0:24:46.544
<v Speaker 1>and then at some point the Red Company said that's

0:24:46.624 --> 0:24:49.664
<v Speaker 1>enough of that. Well I think about that a lot.

0:24:50.064 --> 0:24:51.984
<v Speaker 1>Like so I felt like there was rap that I

0:24:52.024 --> 0:24:54.344
<v Speaker 1>was responding to, and the and the main streets like

0:24:54.344 --> 0:24:54.904
<v Speaker 1>we don't like the.

0:24:54.864 --> 0:24:56.024
<v Speaker 2>Fact that come out like this wrap.

0:24:56.184 --> 0:24:58.944
<v Speaker 1>No, that's not what happened. It wasn't okay, everything's not

0:24:59.024 --> 0:24:59.384
<v Speaker 1>about you.

0:24:59.664 --> 0:25:00.944
<v Speaker 2>It was a very personal attack.

0:25:02.144 --> 0:25:05.904
<v Speaker 4>But so I had that awakening when I first heard

0:25:06.064 --> 0:25:08.424
<v Speaker 4>you know, Tribe, Yeah, I mean know like Dita Apple

0:25:08.424 --> 0:25:10.984
<v Speaker 4>Bom was big. Seeing a video for Buddy from Day last,

0:25:11.104 --> 0:25:13.744
<v Speaker 4>so that was huge. It's like all of these.

0:25:15.144 --> 0:25:21.263
<v Speaker 1>Afrocentric clothing wearing people. It seemed to be really like

0:25:21.344 --> 0:25:26.744
<v Speaker 1>getting along and having fun and quirky, yeah, like weird,

0:25:26.824 --> 0:25:29.664
<v Speaker 1>and they were putting that forward in a way that

0:25:29.904 --> 0:25:32.504
<v Speaker 1>like when I first heard that music and saw that

0:25:32.824 --> 0:25:35.704
<v Speaker 1>esthetic in that atmosphere, that was the first time I

0:25:35.704 --> 0:25:37.944
<v Speaker 1>felt like I had a seat at the table. So

0:25:38.544 --> 0:25:42.864
<v Speaker 1>by the time I'm getting into rap as a as

0:25:42.864 --> 0:25:45.064
<v Speaker 1>a teenager, I feel like I'm fruit from that tree.

0:25:45.064 --> 0:25:46.544
<v Speaker 1>I'm fruit from the native tongue's tree.

0:25:46.664 --> 0:25:50.944
<v Speaker 4>So tried Daylight. Leaders of the New school like that

0:25:51.024 --> 0:25:55.304
<v Speaker 4>whole energy. And so what ended up happening, though, is

0:25:55.344 --> 0:25:59.584
<v Speaker 4>that those of us who were over there, and especially

0:25:59.624 --> 0:26:04.144
<v Speaker 4>those of us who like me, discovered wrap and breaking

0:26:04.184 --> 0:26:09.464
<v Speaker 4>graffiti DJ, and around the time when we were laid

0:26:09.504 --> 0:26:13.224
<v Speaker 4>into our high school years, a thing called the Internet happened.

0:26:13.744 --> 0:26:14.304
<v Speaker 1>And.

0:26:15.744 --> 0:26:19.504
<v Speaker 4>There became yeah, you got it, it's very important, it's

0:26:19.584 --> 0:26:26.384
<v Speaker 4>very important. There became this this easy way to get music.

0:26:27.144 --> 0:26:29.263
<v Speaker 4>I remember we were crate diggers. We used to go

0:26:29.304 --> 0:26:31.624
<v Speaker 4>to the dusty record shops and try to find the

0:26:31.664 --> 0:26:35.224
<v Speaker 4>second hand But all of a sudden, wait a minute,

0:26:35.904 --> 0:26:39.064
<v Speaker 4>you mean there's this application I can put on And

0:26:39.104 --> 0:26:41.424
<v Speaker 4>I don't have a personal computer, but I know one guy,

0:26:41.664 --> 0:26:45.263
<v Speaker 4>one guy in the dorn does. Under one guy, he

0:26:45.424 --> 0:26:49.024
<v Speaker 4>wasn't afraid to have his hard drive compromise with all

0:26:49.024 --> 0:26:55.783
<v Speaker 4>of this potentially virus filled music. So the reason that

0:26:55.824 --> 0:26:58.824
<v Speaker 4>there used to beat music that we liked was that

0:26:59.024 --> 0:27:03.144
<v Speaker 4>there were enough of us buying that music that the

0:27:03.224 --> 0:27:05.664
<v Speaker 4>major labels were able to put a line in the

0:27:05.704 --> 0:27:11.303
<v Speaker 4>budget to make this alternative bohemian rap music and give

0:27:11.384 --> 0:27:13.344
<v Speaker 4>them big videos and put them in Tower Records next

0:27:13.384 --> 0:27:15.624
<v Speaker 4>to everything else. But we were the first ones to

0:27:15.624 --> 0:27:19.984
<v Speaker 4>stop buying and when we stopped buying it, that whole

0:27:20.064 --> 0:27:23.543
<v Speaker 4>thing collapse and it no longer it was no longer

0:27:24.224 --> 0:27:27.824
<v Speaker 4>a good idea for the record labels to have that

0:27:28.344 --> 0:27:30.184
<v Speaker 4>because we weren't paying for it.

0:27:30.664 --> 0:27:32.864
<v Speaker 1>I mean, I've heard those stories about like about like

0:27:32.904 --> 0:27:36.464
<v Speaker 1>trib Call Quests first album went platinum on the streets

0:27:36.864 --> 0:27:40.744
<v Speaker 1>but not in the record stores, like leg yeah, yeah,

0:27:41.064 --> 0:27:43.864
<v Speaker 1>I guess, yeah, there was a legacy of that anyway. Yeah, yeah, yeah,

0:27:43.904 --> 0:27:47.184
<v Speaker 1>that there was like everybody had that album, but not

0:27:47.264 --> 0:27:49.464
<v Speaker 1>everybody got it from going to the record store. You

0:27:49.464 --> 0:27:49.664
<v Speaker 1>know what.

0:27:49.704 --> 0:27:51.624
<v Speaker 4>That makes a lot of sense. And again, you know,

0:27:51.664 --> 0:27:55.664
<v Speaker 4>when you're speaking to a particular population that is not

0:27:55.744 --> 0:27:57.824
<v Speaker 4>always the best about following the rules.

0:27:58.664 --> 0:28:01.744
<v Speaker 1>Well also has been like it's like feels like the

0:28:01.784 --> 0:28:04.184
<v Speaker 1>rules aren't for them anyway, you know.

0:28:04.224 --> 0:28:05.904
<v Speaker 4>But that's sort of how we don't understand our own

0:28:05.904 --> 0:28:09.543
<v Speaker 4>place in the economy by following that logic that way.

0:28:09.584 --> 0:28:12.104
<v Speaker 4>And I you know, and I'm it's guilty as anyone else.

0:28:12.344 --> 0:28:15.384
<v Speaker 4>It's just that when I got into the business of it,

0:28:16.144 --> 0:28:19.184
<v Speaker 4>Oh now I can kind of see it, like, oh right,

0:28:19.464 --> 0:28:23.504
<v Speaker 4>like if me and my friends had kept paying for

0:28:23.584 --> 0:28:26.024
<v Speaker 4>those you know, the Daylight sol albums that came out

0:28:26.064 --> 0:28:28.664
<v Speaker 4>after stakes was high, then maybe we're in a different place.

0:28:28.904 --> 0:28:32.504
<v Speaker 1>Yeah, I'm so loath to blame us.

0:28:35.264 --> 0:28:37.904
<v Speaker 4>I just you know, I the way that my mind

0:28:38.184 --> 0:28:42.384
<v Speaker 4>is operating lately is that most of the boogeymen are

0:28:42.504 --> 0:28:45.704
<v Speaker 4>just you know, capitalism and a cheap Scooby Doo villain suit. Yes,

0:28:45.864 --> 0:28:47.984
<v Speaker 4>so so you know, looking at it through that lens,

0:28:47.984 --> 0:28:51.624
<v Speaker 4>it's like, oh, yeah, okay, our money comes out, we

0:28:51.744 --> 0:28:52.664
<v Speaker 4>stop having the thing.

0:28:52.864 --> 0:28:55.304
<v Speaker 1>Yeah yeah, yeah, yeah, yeah, no, it is. I agree,

0:28:55.344 --> 0:28:58.384
<v Speaker 1>that's how the ultimate villain. I used that with United Shades, like,

0:28:58.384 --> 0:29:01.584
<v Speaker 1>no matter what issue we were covering, racism, it just

0:29:01.584 --> 0:29:05.064
<v Speaker 1>just rights, immigration, rights at the border. The ultimate villain

0:29:05.064 --> 0:29:05.584
<v Speaker 1>was capitalist.

0:29:05.664 --> 0:29:07.184
<v Speaker 2>Yeah, it was American capitalist usually.

0:29:07.424 --> 0:29:10.424
<v Speaker 1>Yeah. Yeah. So you said, like you said, you didn't

0:29:10.424 --> 0:29:11.984
<v Speaker 1>grow up on Sally want to be a rapper. But

0:29:12.024 --> 0:29:13.664
<v Speaker 1>then you're like hanging out in the scene and be like,

0:29:13.704 --> 0:29:15.424
<v Speaker 1>oh I think I could actually be a do something

0:29:15.464 --> 0:29:18.784
<v Speaker 1>in the scene and creating the scene. Are you always

0:29:18.824 --> 0:29:19.424
<v Speaker 1>headed down?

0:29:20.504 --> 0:29:22.304
<v Speaker 2>You know? And I please, I want to know what

0:29:22.384 --> 0:29:23.664
<v Speaker 2>you call what you do?

0:29:24.304 --> 0:29:26.824
<v Speaker 1>You know, I called it art wrap in twenty ten

0:29:27.024 --> 0:29:29.344
<v Speaker 1>and I still get asked about that all the time.

0:29:29.424 --> 0:29:32.224
<v Speaker 1>It was in the it's in the it's in the

0:29:32.264 --> 0:29:34.864
<v Speaker 1>DOSSI And I was like, is that really? I mean,

0:29:35.584 --> 0:29:37.584
<v Speaker 1>I don't know, sure, baby, but I know I didn't

0:29:37.584 --> 0:29:38.784
<v Speaker 1>say it for it. I would ask you.

0:29:38.824 --> 0:29:42.824
<v Speaker 4>I know, my first album it's called Unapologetic art Rap.

0:29:43.224 --> 0:29:44.224
<v Speaker 1>So you did to yourself?

0:29:44.264 --> 0:29:46.904
<v Speaker 2>I did? I did you put it in the system?

0:29:46.984 --> 0:29:47.384
<v Speaker 1>I did?

0:29:47.584 --> 0:29:50.064
<v Speaker 4>But you know that was a different time. It felt

0:29:50.144 --> 0:29:52.344
<v Speaker 4>necessary to say something like that at that time.

0:29:52.424 --> 0:29:54.944
<v Speaker 1>Well sure, it's like it's yeah, it's like the idea

0:29:54.944 --> 0:29:56.784
<v Speaker 1>of like there's a time where I was calling myself

0:29:56.824 --> 0:30:00.784
<v Speaker 1>a blurred every ten minutes. You actually around time totally bias.

0:30:00.824 --> 0:30:02.264
<v Speaker 1>When somebody called me a blurred, I was like, oh,

0:30:02.304 --> 0:30:04.664
<v Speaker 1>is that what I am? Right, I'm glad there's a

0:30:04.784 --> 0:30:05.144
<v Speaker 1>name for it.

0:30:05.344 --> 0:30:10.024
<v Speaker 4>Right before, there are important. I feel like they're important

0:30:10.064 --> 0:30:13.464
<v Speaker 4>for the marketplace, important to have distinctions. So you know,

0:30:13.704 --> 0:30:18.504
<v Speaker 4>I went with that because I feel like, you know.

0:30:18.744 --> 0:30:22.264
<v Speaker 1>Rockets to have all these different sub genres. I really

0:30:22.464 --> 0:30:26.504
<v Speaker 1>agree with what you're saying, Like, yeah, like that it

0:30:26.544 --> 0:30:29.384
<v Speaker 1>is helpful to the marketplace, and it's helpful to the consumer.

0:30:29.424 --> 0:30:30.304
<v Speaker 1>You know, what am I going to?

0:30:30.584 --> 0:30:32.704
<v Speaker 2>What am I? Where do I look for it? Where's

0:30:32.744 --> 0:30:33.264
<v Speaker 2>my section?

0:30:33.464 --> 0:30:35.384
<v Speaker 1>Right? Like the people like me and you who would

0:30:35.384 --> 0:30:37.744
<v Speaker 1>have been looking for the Diggaboo Planets record, Like it

0:30:37.744 --> 0:30:42.984
<v Speaker 1>would be nice if there was a separate Bend Nerds.

0:30:46.824 --> 0:30:51.144
<v Speaker 4>Now, I feel like the distinction, like Indy seems cool

0:30:51.784 --> 0:30:56.744
<v Speaker 4>because Indye speaks to both the economics of it and my.

0:30:58.824 --> 0:31:01.544
<v Speaker 1>The fact I don't have to answer to anybody really creatively.

0:31:01.584 --> 0:31:03.824
<v Speaker 1>I feel like, so Indy feels good.

0:31:03.864 --> 0:31:07.064
<v Speaker 4>It doesn't feel quite specific enough, yeah, but it feels

0:31:07.064 --> 0:31:07.824
<v Speaker 4>like it's on the way.

0:31:08.064 --> 0:31:09.824
<v Speaker 1>Yeah, It's like I mean, it's sort of in that

0:31:09.904 --> 0:31:13.144
<v Speaker 1>sense like punk rock covers a lot of different sort

0:31:13.144 --> 0:31:16.824
<v Speaker 1>of like sounds in that genre of music that you

0:31:16.824 --> 0:31:18.984
<v Speaker 1>can get the clash which has some very like pop

0:31:19.104 --> 0:31:22.344
<v Speaker 1>forward music, but the ethos is punk.

0:31:22.784 --> 0:31:22.984
<v Speaker 2>Yeah.

0:31:23.104 --> 0:31:25.824
<v Speaker 1>Yeah, so I get that indie rap. So were you

0:31:25.864 --> 0:31:29.104
<v Speaker 1>always on an indie rap path or was there are

0:31:29.104 --> 0:31:32.144
<v Speaker 1>there polaroids of you, like you know.

0:31:33.784 --> 0:31:34.384
<v Speaker 2>Where you were?

0:31:34.424 --> 0:31:39.224
<v Speaker 1>Like, No, I never had a doukie rope like where

0:31:39.264 --> 0:31:43.064
<v Speaker 1>you're like, this is what we do? You know? No, man,

0:31:43.744 --> 0:31:45.184
<v Speaker 1>you were always in the indie rap path. I mean

0:31:45.224 --> 0:31:49.464
<v Speaker 1>when when we say you know about you or about me,

0:31:49.544 --> 0:31:51.984
<v Speaker 1>that I always knew I was over there, Like that's

0:31:52.064 --> 0:31:54.744
<v Speaker 1>really what I mean, Like there was never a thought

0:31:54.744 --> 0:31:58.904
<v Speaker 1>in my mind of doing anything even close to mainstream.

0:31:59.384 --> 0:32:05.944
<v Speaker 1>It just has never been interesting to me, and I

0:32:05.984 --> 0:32:08.584
<v Speaker 1>don't I don't think I'm wired in a way where

0:32:08.664 --> 0:32:09.264
<v Speaker 1>i'd be.

0:32:09.224 --> 0:32:12.344
<v Speaker 4>Even if I really tried really hard, I think it

0:32:12.744 --> 0:32:16.344
<v Speaker 4>would be difficult for me to make a mass market product.

0:32:16.744 --> 0:32:21.784
<v Speaker 1>That's that's that's that's hard. It's like, you could give

0:32:21.824 --> 0:32:23.944
<v Speaker 1>me the pieces to make a mask mark you get

0:32:24.064 --> 0:32:26.144
<v Speaker 1>like it's like legos. You could give me the pieces,

0:32:26.344 --> 0:32:28.784
<v Speaker 1>you give me instructions. It's not gonna look like gonna

0:32:28.784 --> 0:32:29.264
<v Speaker 1>look like that.

0:32:29.384 --> 0:32:31.544
<v Speaker 4>I'm gonna look the gonna be on the bottom, you

0:32:31.584 --> 0:32:33.344
<v Speaker 4>know what I'm saying, It's gonna have some jelly smeared

0:32:33.344 --> 0:32:33.864
<v Speaker 4>on it or something.

0:32:34.104 --> 0:32:34.704
<v Speaker 2>It's not.

0:32:34.904 --> 0:32:38.184
<v Speaker 1>It's just not gonna and and accepting that, I think,

0:32:38.304 --> 0:32:41.384
<v Speaker 1>especially when you're there's something scared about, especially a black person,

0:32:41.424 --> 0:32:43.384
<v Speaker 1>when you accept that, cause it's like you're just getting in,

0:32:43.384 --> 0:32:46.104
<v Speaker 1>You're putting yourself in a smaller and smaller corner that

0:32:46.784 --> 0:32:50.304
<v Speaker 1>you know as a white person. Oh you're the quirky

0:32:50.344 --> 0:32:51.864
<v Speaker 1>white you know what I mean. There's just like, oh,

0:32:51.904 --> 0:32:53.824
<v Speaker 1>that's a whole we can market to that, you know

0:32:53.824 --> 0:32:55.704
<v Speaker 1>what I mean? Like like there's a whole there's a

0:32:55.704 --> 0:32:59.144
<v Speaker 1>whole genre like what you're Wes Anderson, right, oh.

0:32:59.384 --> 0:33:02.344
<v Speaker 2>Okay, okay, well we just got out here, you know,

0:33:02.424 --> 0:33:04.744
<v Speaker 2>over here with that. But it was a black person.

0:33:05.024 --> 0:33:06.024
<v Speaker 2>Especially when I was coming up.

0:33:06.024 --> 0:33:08.464
<v Speaker 1>I always say that the thing that you had, which

0:33:08.464 --> 0:33:11.864
<v Speaker 1>I'm gonna look into the internet, I was very aware that, like,

0:33:11.984 --> 0:33:14.744
<v Speaker 1>if I had only had the Internet, I thought I

0:33:14.784 --> 0:33:16.104
<v Speaker 1>was the only one on the planet.

0:33:16.864 --> 0:33:19.104
<v Speaker 2>I thought I was the like I would go to

0:33:19.184 --> 0:33:19.824
<v Speaker 2>And we've talked.

0:33:19.624 --> 0:33:22.064
<v Speaker 1>About this, because you came to the Fishbone show that

0:33:22.144 --> 0:33:25.264
<v Speaker 1>I got to moderate the thing, and I would know

0:33:25.304 --> 0:33:28.064
<v Speaker 1>the Fishbone concert there'd be more black people on stage

0:33:28.744 --> 0:33:30.824
<v Speaker 1>than in the in the in the play, in the theater,

0:33:31.224 --> 0:33:33.224
<v Speaker 1>and you'd see another black guy cross the room and

0:33:33.264 --> 0:33:34.744
<v Speaker 1>there'd be that moment and I wonder if you've had

0:33:34.744 --> 0:33:36.864
<v Speaker 1>this where you're like, is he my best friend? Or

0:33:36.904 --> 0:33:40.904
<v Speaker 1>do I have to fight it? You know what's funny.

0:33:41.184 --> 0:33:43.344
<v Speaker 1>You know my favorite band is they might be giants?

0:33:43.664 --> 0:33:45.904
<v Speaker 2>Yes, you made that clear at the show, the Clippic Show.

0:33:45.984 --> 0:33:49.744
<v Speaker 1>Yeah, oh god, I did. I thought that was great.

0:33:49.864 --> 0:33:52.104
<v Speaker 1>Oh man, it was for for the people who are

0:33:52.104 --> 0:33:54.464
<v Speaker 1>watching this every you said for somehow you had that

0:33:54.504 --> 0:33:57.024
<v Speaker 1>they might be giants stuck in your head somehow, I

0:33:57.024 --> 0:34:00.744
<v Speaker 1>can't remember how we got to this moment, came out

0:34:00.744 --> 0:34:03.424
<v Speaker 1>and said, well, this is this is what happened because

0:34:03.904 --> 0:34:07.784
<v Speaker 1>every show on that tour, and this was legitimate. I

0:34:07.824 --> 0:34:10.504
<v Speaker 1>had created a set, but I could not decide on

0:34:10.544 --> 0:34:13.344
<v Speaker 1>the first song. So I was letting the crowd in

0:34:13.424 --> 0:34:15.743
<v Speaker 1>each show just like, you know, yell something you like

0:34:15.784 --> 0:34:17.663
<v Speaker 1>that I do, and I might do that as my

0:34:17.704 --> 0:34:20.743
<v Speaker 1>first song. And that night it.

0:34:20.703 --> 0:34:23.064
<v Speaker 4>Went on a little too long with people sort of

0:34:23.064 --> 0:34:24.743
<v Speaker 4>shouting out things that I couldn't quite hear.

0:34:24.824 --> 0:34:27.504
<v Speaker 1>Yeah, and then somebody said saying they might be giants,

0:34:27.743 --> 0:34:29.584
<v Speaker 1>and I was like, wait a minute, I can do that.

0:34:32.384 --> 0:34:34.743
<v Speaker 1>I mean, it was I sort of knew that it

0:34:34.783 --> 0:34:37.064
<v Speaker 1>wasn't a bit, but I felt like he should really

0:34:37.143 --> 0:34:39.263
<v Speaker 1>do that. He should really like, yeah, there's a day

0:34:39.344 --> 0:34:41.903
<v Speaker 1>might be giants cover album in you? Oh God? Yes,

0:34:42.183 --> 0:34:44.143
<v Speaker 1>that like that? To me, it was like and it

0:34:44.223 --> 0:34:46.423
<v Speaker 1>was so satisfying to me because they might look they

0:34:46.504 --> 0:34:48.623
<v Speaker 1>might be giants, great, but I feel like it's like

0:34:49.783 --> 0:34:52.024
<v Speaker 1>my like, there's things like that that are that it's

0:34:52.064 --> 0:34:55.024
<v Speaker 1>ostensibly to some people are super white, but I'm like, no,

0:34:55.183 --> 0:34:58.223
<v Speaker 1>I'm that's mine too. Yeah, yeah, absolutely, Yeah.

0:34:58.223 --> 0:35:00.504
<v Speaker 4>But I've had that experience at they might be giant

0:35:00.544 --> 0:35:02.343
<v Speaker 4>shows where I see another black person. I feel like

0:35:02.344 --> 0:35:06.384
<v Speaker 4>I've had both sides of that spectrum, both like, Hey,

0:35:06.663 --> 0:35:11.303
<v Speaker 4>that's dope and the others like if.

0:35:11.223 --> 0:35:13.623
<v Speaker 1>We're allowed to be close to each other, does the

0:35:13.703 --> 0:35:17.024
<v Speaker 1>venue explode? So the two indie black guys get too

0:35:17.024 --> 0:35:19.143
<v Speaker 1>close to each other. I mean there's literally a black guy.

0:35:19.424 --> 0:35:23.504
<v Speaker 1>There's Billy Tuggle, who I've never had a conversation with

0:35:23.623 --> 0:35:26.263
<v Speaker 1>longer than like ten minutes, and he's just a black guy.

0:35:26.344 --> 0:35:28.104
<v Speaker 1>Used to see it all the Fishbonel Living Color shows

0:35:28.104 --> 0:35:30.743
<v Speaker 1>in Chicago, and we're like he just commented on an

0:35:30.743 --> 0:35:33.944
<v Speaker 1>Instagram post I had recently. I was like, ah, like

0:35:34.223 --> 0:35:36.183
<v Speaker 1>I've never had a long conversation with the guy because

0:35:36.223 --> 0:35:38.543
<v Speaker 1>at the time when I would see him, I would be.

0:35:38.464 --> 0:35:40.064
<v Speaker 2>Like, that guy's here again.

0:35:40.223 --> 0:35:42.584
<v Speaker 1>Yeah, I hope he's okay. Hope he's okay that I'm

0:35:42.663 --> 0:35:45.504
<v Speaker 1>you know what I mean, instead of like if the

0:35:45.504 --> 0:35:49.544
<v Speaker 1>internet existed, we would have found each other on the internet. Hey,

0:35:49.584 --> 0:35:52.344
<v Speaker 1>who here in Chicago's going to see Living Color tonight

0:35:52.584 --> 0:35:54.984
<v Speaker 1>and I am, and we would have gone together and

0:35:54.984 --> 0:35:57.143
<v Speaker 1>we would have hung out together. It's so cute. I know,

0:35:57.223 --> 0:36:02.183
<v Speaker 1>it's just so I do envy you Internet negroes, you

0:36:02.303 --> 0:36:08.064
<v Speaker 1>Internet al negroes. I really my altness was grounded in like,

0:36:08.504 --> 0:36:14.424
<v Speaker 1>you know, giant hip hop crew meetings in Chicago, and

0:36:14.504 --> 0:36:17.343
<v Speaker 1>I mean big ones, like hundreds of people, hundreds of

0:36:17.663 --> 0:36:19.303
<v Speaker 1>hundreds for a meeting about hip hop.

0:36:19.504 --> 0:36:21.783
<v Speaker 4>Well, okay, because we had cruise that you know, they

0:36:21.824 --> 0:36:25.183
<v Speaker 4>were basically like legal gangs, like like the Graffiti Cruise

0:36:25.223 --> 0:36:28.263
<v Speaker 4>in Chicago, the hip hop Cruise, and sometimes they group.

0:36:28.344 --> 0:36:30.464
<v Speaker 4>There would be all city hip hop meetings and we

0:36:30.504 --> 0:36:33.263
<v Speaker 4>would descend on the hair Washington Library, of course, and

0:36:33.303 --> 0:36:34.544
<v Speaker 4>there would be hundreds of us.

0:36:34.663 --> 0:36:36.623
<v Speaker 2>Wow.

0:36:53.504 --> 0:36:55.903
<v Speaker 1>So I guess my question is where did if your

0:36:55.944 --> 0:37:01.104
<v Speaker 1>mom is playing uh easy E in the car, like,

0:37:01.143 --> 0:37:04.464
<v Speaker 1>I feel like I can trace my alternative blackness to

0:37:04.544 --> 0:37:09.104
<v Speaker 1>where it started from. I'm then only child, My mommus

0:37:09.143 --> 0:37:11.544
<v Speaker 1>take me around, didn't spend didn't always want babysitter. So

0:37:11.544 --> 0:37:13.904
<v Speaker 1>I was running adults a lot, and I got to

0:37:13.904 --> 0:37:15.343
<v Speaker 1>because when we talk, I spent a lot of time

0:37:15.344 --> 0:37:17.423
<v Speaker 1>by myself sort of creating my own version of what

0:37:17.584 --> 0:37:20.383
<v Speaker 1>culture was same here in my room, and then I'd

0:37:20.384 --> 0:37:22.944
<v Speaker 1>go outside and be like that we're not that's not

0:37:23.024 --> 0:37:24.783
<v Speaker 1>we're not all doing Oh okay, I'll go I'll just

0:37:24.864 --> 0:37:27.663
<v Speaker 1>go back in my room. Where does your so, Yeah,

0:37:27.703 --> 0:37:29.663
<v Speaker 1>give me your the blueprint of how you got to

0:37:29.703 --> 0:37:33.104
<v Speaker 1>be so South Side of Chicago late eighties, early nineties.

0:37:33.743 --> 0:37:37.143
<v Speaker 4>It is not nice outside. It is not nice outside.

0:37:37.183 --> 0:37:40.464
<v Speaker 4>And because my mom was living in life, she was

0:37:40.504 --> 0:37:44.464
<v Speaker 4>living my grandparents raised me and my sister.

0:37:44.663 --> 0:37:46.503
<v Speaker 1>Oh that will make you all if you're being raised

0:37:46.504 --> 0:37:48.424
<v Speaker 1>by people who are a lot of your grandparents.

0:37:48.504 --> 0:37:53.783
<v Speaker 4>And and a lot of that time was spent in

0:37:53.824 --> 0:37:57.544
<v Speaker 4>front of the television. Yeah, so latch key kid in

0:37:57.544 --> 0:38:00.263
<v Speaker 4>front of the TV. I wasn't allowed to go outside

0:38:00.263 --> 0:38:02.784
<v Speaker 4>a lot, like literally because it was shooting outside.

0:38:03.024 --> 0:38:05.423
<v Speaker 1>It's not like they're not mad, They're like, oh good,

0:38:05.424 --> 0:38:06.463
<v Speaker 1>he's watching TV all day.

0:38:06.623 --> 0:38:11.664
<v Speaker 4>Yeah, we know it has something to do exactly. And

0:38:11.824 --> 0:38:16.104
<v Speaker 4>we had cable, which was a rare ny We had cable,

0:38:16.263 --> 0:38:20.024
<v Speaker 4>so so a lot a lot of my alt identity,

0:38:20.263 --> 0:38:23.183
<v Speaker 4>a lot of a lot of the original information that

0:38:23.384 --> 0:38:32.384
<v Speaker 4>isolated me socially was watching like hours and hours of MTV. Gosh,

0:38:32.424 --> 0:38:34.544
<v Speaker 4>hours and hours of like the Comedy Channel.

0:38:34.703 --> 0:38:37.464
<v Speaker 1>Oh yeah before Comedy Central, Comedy Central.

0:38:38.504 --> 0:38:40.783
<v Speaker 4>Like I was just sort of kid that you know,

0:38:40.864 --> 0:38:45.663
<v Speaker 4>once cartoons were because cartoons were such a uh some

0:38:45.944 --> 0:38:47.223
<v Speaker 4>small segment of programming.

0:38:47.263 --> 0:38:49.183
<v Speaker 2>And back then it was like they start at this

0:38:49.263 --> 0:38:50.303
<v Speaker 2>time and they end at this time.

0:38:50.344 --> 0:38:53.504
<v Speaker 1>And I was I had asthma real bad too. We

0:38:53.584 --> 0:38:56.504
<v Speaker 1>both had. Okay, it's maybe asthma's the secret. Maybe asthma.

0:38:56.824 --> 0:38:58.463
<v Speaker 1>So you're not you're not at the you're not at

0:38:58.464 --> 0:39:02.783
<v Speaker 1>the at the court learning how to dunk. You're the

0:39:02.824 --> 0:39:04.383
<v Speaker 1>kid who And back then, if you put out an

0:39:04.384 --> 0:39:07.663
<v Speaker 1>asthma hailer, everybody would just like nobody knew what they were.

0:39:07.864 --> 0:39:10.024
<v Speaker 1>I mean, so many kids I was around had asthma.

0:39:10.143 --> 0:39:12.703
<v Speaker 1>Well black kids, yeah, exactly. It's one of our hidden

0:39:12.783 --> 0:39:14.703
<v Speaker 1>talents as black people is being born in areas that

0:39:14.743 --> 0:39:15.264
<v Speaker 1>give you asthma.

0:39:15.384 --> 0:39:19.664
<v Speaker 4>It's terrible, but I you know, I had been hospitalized

0:39:19.703 --> 0:39:23.263
<v Speaker 4>for asthma a few times as a kid. So I

0:39:23.303 --> 0:39:27.143
<v Speaker 4>spent like a lot of time at home, you know,

0:39:27.384 --> 0:39:32.024
<v Speaker 4>on school days, watching TV. And so that's when you

0:39:32.064 --> 0:39:35.944
<v Speaker 4>would see the cartoons end at like nine am, and

0:39:35.984 --> 0:39:39.623
<v Speaker 4>then from like nine am to three something when cartoons

0:39:39.623 --> 0:39:43.183
<v Speaker 4>come back on, I'm looking for anything funny on television.

0:39:43.464 --> 0:39:46.743
<v Speaker 4>So I'm like learning about the world through reruns of

0:39:46.783 --> 0:39:49.663
<v Speaker 4>shows that happened in the seventies earlier in the eighties,

0:39:50.024 --> 0:39:52.623
<v Speaker 4>and like all that stuff is like informing my worldview,

0:39:53.143 --> 0:39:55.863
<v Speaker 4>you know. And I watched a lot of like I

0:39:55.904 --> 0:40:00.024
<v Speaker 4>watched a lot of late eighties and early nineties stand

0:40:00.104 --> 0:40:02.903
<v Speaker 4>up comedy because that was all over cable and you'd

0:40:02.904 --> 0:40:06.104
<v Speaker 4>have like Evening at the Empire and a half hour

0:40:06.223 --> 0:40:10.984
<v Speaker 4>Comedy Our all of that stuff. And so I'm learning

0:40:11.584 --> 0:40:17.864
<v Speaker 4>how the world works through people telling jokes. The comedy

0:40:17.904 --> 0:40:20.743
<v Speaker 4>specials used to come on like HBO and Showtime, like

0:40:20.944 --> 0:40:23.743
<v Speaker 4>all of that stuff. Like you know what, I used

0:40:23.743 --> 0:40:30.104
<v Speaker 4>to love watching Gallagher specials. I mean he loved watching

0:40:30.504 --> 0:40:31.784
<v Speaker 4>a Gallagher special.

0:40:32.783 --> 0:40:34.183
<v Speaker 1>People like this is definitely you have to be a

0:40:34.223 --> 0:40:36.064
<v Speaker 1>certain as there was a time when v H one

0:40:36.143 --> 0:40:40.104
<v Speaker 1>probably showed more Gallagher comedy than they showed music. And

0:40:40.104 --> 0:40:43.544
<v Speaker 1>Gallagher had like I don't know, legitimately, like ten specials,

0:40:43.544 --> 0:40:45.703
<v Speaker 1>a lot of specials. He had a lot of specials.

0:40:45.904 --> 0:40:48.784
<v Speaker 1>And while we know them for ending with the Sledge

0:40:48.783 --> 0:40:52.064
<v Speaker 1>of Maatic, he also was like sort of like a

0:40:52.183 --> 0:40:55.504
<v Speaker 1>bargain basement George Carlin. He was like a word nerd. Yeah,

0:40:55.544 --> 0:40:57.464
<v Speaker 1>he was like this sort of like wordplay and like

0:40:57.824 --> 0:41:00.623
<v Speaker 1>had some sort of like these idiots in Congress had

0:41:00.623 --> 0:41:02.064
<v Speaker 1>a little bit of that.

0:41:02.703 --> 0:41:06.024
<v Speaker 4>I always thought it was fascinating. It was just a

0:41:06.104 --> 0:41:11.024
<v Speaker 4>person giving me this weird old perspective on life and language,

0:41:11.303 --> 0:41:12.344
<v Speaker 4>and yeah.

0:41:12.143 --> 0:41:14.783
<v Speaker 1>I ate all this stuff up. Yeah, okay, gallaghers, I

0:41:14.783 --> 0:41:20.544
<v Speaker 1>think asthma, Asthma and Gallagher. I'll do it to you together,

0:41:20.904 --> 0:41:24.584
<v Speaker 1>old old old people raising older people, raising you asthma

0:41:24.584 --> 0:41:28.064
<v Speaker 1>and Gallagher that I need to we've we've diagnosed the patient.

0:41:28.104 --> 0:41:30.704
<v Speaker 1>That's a special is a special gumbo. Because I definitely

0:41:30.743 --> 0:41:34.543
<v Speaker 1>was like like I like, I very proudly say people

0:41:34.544 --> 0:41:36.704
<v Speaker 1>told me I watched too much TV, but I actually

0:41:36.743 --> 0:41:38.863
<v Speaker 1>turned it into a career, so I knew what I

0:41:38.904 --> 0:41:41.464
<v Speaker 1>was doing. But yes, so that you're taking it all

0:41:41.464 --> 0:41:45.183
<v Speaker 1>that stuff. So so I remember as a young black

0:41:45.223 --> 0:41:48.024
<v Speaker 1>person being shunned by other black people because there's all

0:41:48.064 --> 0:41:50.064
<v Speaker 1>another reason why you're some of us are over there

0:41:50.183 --> 0:41:52.024
<v Speaker 1>is because you try to walk to eereverybody they know

0:41:52.104 --> 0:41:54.024
<v Speaker 1>you're over there, you know what I mean. And I

0:41:54.024 --> 0:41:56.104
<v Speaker 1>remember being sure just because people could black folks in

0:41:56.183 --> 0:41:58.024
<v Speaker 1>Chicago I was in Chicago to at the same time

0:41:58.464 --> 0:42:03.863
<v Speaker 1>could smell that like he's not It was I got

0:42:03.864 --> 0:42:07.623
<v Speaker 1>the they out like us earlier, not for the same reason,

0:42:08.344 --> 0:42:10.543
<v Speaker 1>for the same reasons, but just because it's like you're

0:42:10.544 --> 0:42:13.064
<v Speaker 1>not just I can just smell it on you. You

0:42:13.064 --> 0:42:15.464
<v Speaker 1>weren't like going to Atlanta and stealing people's rap styles.

0:42:15.703 --> 0:42:18.864
<v Speaker 1>No that I'm not. I've never been called a colonizer.

0:42:19.143 --> 0:42:23.503
<v Speaker 1>Good but uh and also all the other things. There's

0:42:23.504 --> 0:42:28.863
<v Speaker 1>no pens over my house but uh so, but I

0:42:28.904 --> 0:42:31.343
<v Speaker 1>know that, like I just knew that, like those there's

0:42:31.344 --> 0:42:33.064
<v Speaker 1>a second there's a segment of black people who don't

0:42:33.064 --> 0:42:35.263
<v Speaker 1>think I belong with them. They can smell it on me.

0:42:35.303 --> 0:42:35.863
<v Speaker 1>Did you have that?

0:42:37.104 --> 0:42:39.383
<v Speaker 2>I mean, you're also in the hip hop crew of hundreds.

0:42:39.944 --> 0:42:43.863
<v Speaker 4>Okay, but we would be talking about my life before then, okay, right,

0:42:43.904 --> 0:42:48.904
<v Speaker 4>because I discovered that community when I was like sixteen, okay, okay,

0:42:48.984 --> 0:42:51.823
<v Speaker 4>and you know before that, I can say I felt

0:42:51.864 --> 0:42:54.263
<v Speaker 4>like I didn't have much of a social identity at all.

0:42:55.544 --> 0:42:59.464
<v Speaker 4>So I always felt like I was learning how to

0:42:59.584 --> 0:43:02.183
<v Speaker 4>wear a socializing costume. That's why I say I could

0:43:02.183 --> 0:43:03.423
<v Speaker 4>speak people, because.

0:43:03.544 --> 0:43:04.263
<v Speaker 1>You know I could.

0:43:04.303 --> 0:43:06.743
<v Speaker 4>I think I could appear to be comfortable like I

0:43:06.783 --> 0:43:09.064
<v Speaker 4>could I could go to my cousin's house and lived

0:43:09.064 --> 0:43:10.264
<v Speaker 4>in the projects and be chilling.

0:43:10.464 --> 0:43:11.544
<v Speaker 1>Yeah you know.

0:43:11.783 --> 0:43:15.864
<v Speaker 4>Now I used to get roasted because I was legitimately

0:43:15.984 --> 0:43:20.104
<v Speaker 4>and visually a nerd, like it was undeniable, Like my

0:43:20.183 --> 0:43:25.303
<v Speaker 4>grandmother worked at kmart, okay, and so my clothes were

0:43:25.384 --> 0:43:26.823
<v Speaker 4>just whatever they were selling.

0:43:26.623 --> 0:43:30.544
<v Speaker 1>Yeah discount. Yeah. So I was just in nice sweaters

0:43:30.544 --> 0:43:36.824
<v Speaker 1>and corduroils all the time, all the business casual at eleven,

0:43:37.424 --> 0:43:39.984
<v Speaker 1>with a little glasses and a little shag. I was

0:43:40.024 --> 0:43:45.143
<v Speaker 1>not beating no nerd allegation. So I didn't. It wasn't

0:43:45.424 --> 0:43:50.104
<v Speaker 1>so much you're not black, but it was certainly you're

0:43:50.183 --> 0:43:54.384
<v Speaker 1>not cool, which that which also there's different ways to

0:43:54.464 --> 0:43:56.863
<v Speaker 1>roast where you're kicking somebody out, but you're also seeing

0:43:56.864 --> 0:43:58.263
<v Speaker 1>if you can roast them, see if they can take it.

0:43:58.263 --> 0:43:59.143
<v Speaker 2>Then they're letting them in.

0:43:59.223 --> 0:44:03.463
<v Speaker 1>Yeah, so I just saw you're so when does at

0:44:03.464 --> 0:44:06.544
<v Speaker 1>what point is is hip hop becoming a career?

0:44:07.824 --> 0:44:11.544
<v Speaker 4>So okay, I get in and I start freestyling. And

0:44:11.944 --> 0:44:15.104
<v Speaker 4>I would say I didn't record a verse until I

0:44:15.183 --> 0:44:18.623
<v Speaker 4>was eighteen for a song, and then I didn't write

0:44:18.663 --> 0:44:20.944
<v Speaker 4>a song until I was in college. I had to

0:44:20.944 --> 0:44:25.863
<v Speaker 4>be like twenty or twenty one, and but that entire

0:44:25.944 --> 0:44:29.784
<v Speaker 4>time freestyle and battling, like street corner rapping, like really

0:44:30.183 --> 0:44:33.144
<v Speaker 4>for real, for real, like battling, battling, battling.

0:44:32.864 --> 0:44:35.263
<v Speaker 1>Like you're not the guy who's like all in his bedroom.

0:44:35.743 --> 0:44:40.623
<v Speaker 4>No, I was there because there there wasn't a bedroom

0:44:40.743 --> 0:44:43.464
<v Speaker 4>thing at that time, because nobody had recording equipment. So

0:44:43.504 --> 0:44:47.784
<v Speaker 4>we didn't even none of us even thought of ever

0:44:47.984 --> 0:44:51.464
<v Speaker 4>like trying to make it. You know, we were just

0:44:51.663 --> 0:44:53.623
<v Speaker 4>doing the arts because that's what we were supposed to do.

0:44:53.703 --> 0:44:55.783
<v Speaker 4>We were supposed to get out there and do the graffiti.

0:44:55.864 --> 0:44:58.423
<v Speaker 4>We're supposed to learn to break dance, were supposed to rap,

0:44:58.424 --> 0:45:01.383
<v Speaker 4>We're supposed to battle. So that's what we were doing,

0:45:01.384 --> 0:45:03.384
<v Speaker 4>and we were getting sharp and getting good and whatever.

0:45:03.504 --> 0:45:04.504
<v Speaker 1>You know, I was. I was.

0:45:05.623 --> 0:45:08.303
<v Speaker 4>I achieved a lot of success in rap, like it

0:45:08.384 --> 0:45:11.584
<v Speaker 4>was something that people could see I was good, and

0:45:11.663 --> 0:45:14.383
<v Speaker 4>so I just did that, just freestyle for years and.

0:45:14.424 --> 0:45:15.703
<v Speaker 1>Years and years and years.

0:45:15.743 --> 0:45:19.504
<v Speaker 4>This band that I used to freestyle with in undergrad

0:45:20.663 --> 0:45:23.984
<v Speaker 4>booked a show at the local spot where people performed,

0:45:23.984 --> 0:45:25.223
<v Speaker 4>and they were like, we want to put you on

0:45:25.263 --> 0:45:27.823
<v Speaker 4>a bill. I'm like cool, and they were like you

0:45:27.864 --> 0:45:28.623
<v Speaker 4>need some songs.

0:45:31.024 --> 0:45:33.823
<v Speaker 2>They're like, oh yeah, you're oh cool. No no, no,

0:45:36.024 --> 0:45:36.783
<v Speaker 2>so I had to.

0:45:36.824 --> 0:45:41.384
<v Speaker 4>I went home and I wrote and memorized five songs

0:45:41.544 --> 0:45:45.904
<v Speaker 4>Jesus and that was my set, and I performed and

0:45:45.944 --> 0:45:47.984
<v Speaker 4>it felt so cool. And then at the end of

0:45:48.024 --> 0:45:53.064
<v Speaker 4>that show, they put two hundred dollars in my hand.

0:45:53.183 --> 0:45:58.064
<v Speaker 4>And when I tell you, I've never had a better

0:45:58.183 --> 0:46:03.344
<v Speaker 4>feeling in my whole life. And that was the beginning.

0:46:03.544 --> 0:46:07.743
<v Speaker 4>It was, oh, like the thing I like to do,

0:46:07.944 --> 0:46:08.984
<v Speaker 4>but for money.

0:46:09.223 --> 0:46:12.463
<v Speaker 1>And also I just wrote these like, yeah, these songs

0:46:12.464 --> 0:46:16.143
<v Speaker 1>didn't exist a we could go and now exactly exactly.

0:46:16.223 --> 0:46:16.743
<v Speaker 2>So it was.

0:46:16.783 --> 0:46:23.104
<v Speaker 4>It was all very encouraging toward Huh, maybe I could

0:46:23.143 --> 0:46:25.223
<v Speaker 4>try this one day. So when I moved. I ended

0:46:25.263 --> 0:46:28.944
<v Speaker 4>up moving to LA in two thousand and four, just

0:46:28.944 --> 0:46:32.143
<v Speaker 4>a couple of years after I finished undergrad, and I

0:46:32.183 --> 0:46:34.104
<v Speaker 4>was only supposed to be here a year because I

0:46:34.143 --> 0:46:36.343
<v Speaker 4>was supposed to go to grad school, but I didn't

0:46:36.424 --> 0:46:38.263
<v Speaker 4>end up doing that. But in the back of my

0:46:38.303 --> 0:46:41.743
<v Speaker 4>head when I moved out here was the thought of

0:46:43.384 --> 0:46:45.984
<v Speaker 4>maybe I could, Maybe I could try it, because I

0:46:46.064 --> 0:46:50.343
<v Speaker 4>knew I knew the project Blowed guys. Now, I had

0:46:50.504 --> 0:46:53.424
<v Speaker 4>visited a couple of times out here in LA visiting

0:46:53.464 --> 0:46:54.904
<v Speaker 4>my dad, and I had gone to the Blow and

0:46:54.944 --> 0:46:56.783
<v Speaker 4>I was a freestyle, so they took me. Actually, the

0:46:56.783 --> 0:46:58.784
<v Speaker 4>first time I wrapped at the Blow, I got booed

0:46:58.783 --> 0:46:59.304
<v Speaker 4>off stage.

0:47:01.384 --> 0:47:05.504
<v Speaker 1>The first time that boot off stage. And when you

0:47:05.504 --> 0:47:07.623
<v Speaker 1>look back on getting boot off stage, there's times you

0:47:07.663 --> 0:47:09.463
<v Speaker 1>get boot off when it's your fault, in times where

0:47:09.464 --> 0:47:11.104
<v Speaker 1>you go they sucked, which.

0:47:10.904 --> 0:47:14.183
<v Speaker 4>Was I don't I think it's always your fault if

0:47:14.223 --> 0:47:18.504
<v Speaker 4>you get booed off stage personally, Okay, okay, So I

0:47:18.504 --> 0:47:22.383
<v Speaker 4>mean I certainly was not. When I first got on

0:47:22.424 --> 0:47:27.143
<v Speaker 4>that stage. I had never rapped to a room full

0:47:27.143 --> 0:47:31.664
<v Speaker 4>of rappers really, not like that, Like I had wrapped

0:47:31.703 --> 0:47:35.544
<v Speaker 4>around rappers in like cipher settings. I had wrapped on stage,

0:47:35.703 --> 0:47:36.344
<v Speaker 4>not like.

0:47:36.143 --> 0:47:39.823
<v Speaker 1>We don't know me. I'm stepping on stage. I'm going

0:47:39.824 --> 0:47:42.464
<v Speaker 1>to impress you with my with my lyrical ability, and

0:47:42.584 --> 0:47:46.864
<v Speaker 1>everyone there just wants their time to be on stage.

0:47:47.064 --> 0:47:49.663
<v Speaker 1>So if you're not being amazing, not using the topic,

0:47:49.824 --> 0:47:51.743
<v Speaker 1>well yeah, they're getting you about it.

0:47:53.424 --> 0:47:53.783
<v Speaker 2>So it was.

0:47:53.824 --> 0:47:56.263
<v Speaker 4>It was a hard lesson, but you know, I came back.

0:47:56.344 --> 0:47:59.344
<v Speaker 4>I had to sort of acclimate to what they were doing.

0:47:59.663 --> 0:48:02.544
<v Speaker 4>It was a different approach, but I learned that approach too.

0:48:02.584 --> 0:48:04.143
<v Speaker 1>It's funny that the same with comedy like if you

0:48:04.223 --> 0:48:06.024
<v Speaker 1>do comedy in Chicago when you come to LA and

0:48:06.064 --> 0:48:07.944
<v Speaker 1>it's like, oh, this is a different vibe.

0:48:08.104 --> 0:48:11.423
<v Speaker 4>Yeah, in Chicago and LA specifically, when it came rap,

0:48:11.544 --> 0:48:15.703
<v Speaker 4>it was two distinct different styles and I had to Yeah,

0:48:15.703 --> 0:48:17.303
<v Speaker 4>I had to learn how to you know, I had

0:48:17.303 --> 0:48:19.823
<v Speaker 4>to learn how to rap out here and put that

0:48:19.864 --> 0:48:20.544
<v Speaker 4>into my tool bell.

0:48:20.584 --> 0:48:23.143
<v Speaker 1>But at that point, how would you to layman like

0:48:23.223 --> 0:48:25.544
<v Speaker 1>myself say, this is the difference in the styles.

0:48:26.584 --> 0:48:30.903
<v Speaker 4>At the time, the Chicago was split into south Side

0:48:30.904 --> 0:48:31.503
<v Speaker 4>and west Side.

0:48:31.783 --> 0:48:33.263
<v Speaker 1>The south Side style was very it.

0:48:33.223 --> 0:48:36.183
<v Speaker 4>Was very much a punchline style. It was like a

0:48:36.223 --> 0:48:39.223
<v Speaker 4>lot of bars. I mean a lot of verses were constructed,

0:48:39.824 --> 0:48:42.424
<v Speaker 4>set up punchline, set up punchline, a lot of big

0:48:42.623 --> 0:48:46.223
<v Speaker 4>metaphors that that people would try to impress people with.

0:48:47.904 --> 0:48:53.183
<v Speaker 4>In LA, it was about different cadences.

0:48:54.183 --> 0:48:59.344
<v Speaker 1>It was about the percussive sound, being able to freestyle

0:48:59.464 --> 0:49:03.104
<v Speaker 1>like that. And so when I came on that stage

0:49:04.584 --> 0:49:09.623
<v Speaker 1>doing my setup punchline, it was like, get out, we

0:49:09.703 --> 0:49:15.064
<v Speaker 1>do it up there. That is what it sounded like

0:49:15.104 --> 0:49:17.104
<v Speaker 1>to them. That's what it sounded like to them. They

0:49:17.143 --> 0:49:19.383
<v Speaker 1>weren't they weren't interested in watching me.

0:49:19.424 --> 0:49:26.584
<v Speaker 4>Think, But because I knew some of those people, and

0:49:26.663 --> 0:49:31.223
<v Speaker 4>some of those people had careers such that when I

0:49:31.344 --> 0:49:34.464
<v Speaker 4>was in Chicago, I would hear some of their records.

0:49:34.944 --> 0:49:38.504
<v Speaker 4>So ac alone Abstract ruled Micah nine a freestyle fellowship.

0:49:38.504 --> 0:49:41.343
<v Speaker 4>These are guys who would be at Project Blow but

0:49:41.504 --> 0:49:44.743
<v Speaker 4>have music that was going around the nation. So when

0:49:44.783 --> 0:49:48.944
<v Speaker 4>I came out here, I was like, I'm gonna go

0:49:48.984 --> 0:49:52.544
<v Speaker 4>over there and not leave, and I learned how to

0:49:52.544 --> 0:49:53.504
<v Speaker 4>have a career over there.

0:49:55.104 --> 0:49:58.064
<v Speaker 1>So you know, you're surrounded by rappers. Everybody's in it

0:49:58.104 --> 0:50:00.263
<v Speaker 1>for different reasons, had different ideas what their career is

0:50:00.303 --> 0:50:04.143
<v Speaker 1>going to be. You're and there's also been moments when

0:50:04.183 --> 0:50:09.383
<v Speaker 1>it's like so called all black rappers have been sort

0:50:09.384 --> 0:50:12.424
<v Speaker 1>of like have sort of entered the mainstream. Are you

0:50:12.544 --> 0:50:18.104
<v Speaker 1>ever sort of like I say, this is a comedian.

0:50:18.424 --> 0:50:20.183
<v Speaker 1>There were times in my career I thought I can

0:50:20.223 --> 0:50:22.503
<v Speaker 1>be Eddie Murphy and there's then I realized I can't

0:50:22.504 --> 0:50:24.823
<v Speaker 1>be it, you know what I mean, like like and

0:50:24.864 --> 0:50:26.664
<v Speaker 1>looking back, I don't know what I was thinking about,

0:50:26.783 --> 0:50:28.663
<v Speaker 1>but like and then so but I think, but then

0:50:28.703 --> 0:50:31.064
<v Speaker 1>there's like I can see a path forward that's not that,

0:50:31.223 --> 0:50:32.863
<v Speaker 1>but it is going to put me in a place

0:50:32.864 --> 0:50:34.663
<v Speaker 1>where I can provide for my family and do what

0:50:34.703 --> 0:50:36.944
<v Speaker 1>I want to do totally. Are you ever being like

0:50:36.984 --> 0:50:41.223
<v Speaker 1>looking at a little Wayne and going like I'm next? No? Absolutely,

0:50:41.303 --> 0:50:43.383
<v Speaker 1>See that's the thing because every rap most rappers would

0:50:43.384 --> 0:50:45.783
<v Speaker 1>tell you if I don't think I'm you know, well

0:50:45.824 --> 0:50:48.823
<v Speaker 1>that's the thing. I think great, But I think that

0:50:48.904 --> 0:50:53.024
<v Speaker 1>what it's again, I think that what people at the

0:50:53.143 --> 0:50:56.224
<v Speaker 1>very very top of the genre are doing are making

0:50:56.263 --> 0:50:59.663
<v Speaker 1>something that's easily mass market digestible. And I'm not the

0:50:59.703 --> 0:51:02.263
<v Speaker 1>best at that. In fact, I'll be terrible at that,

0:51:03.104 --> 0:51:04.663
<v Speaker 1>you know what I'm saying, But like.

0:51:04.783 --> 0:51:07.663
<v Speaker 4>There's nobody better than me doing what I do, and

0:51:07.703 --> 0:51:08.944
<v Speaker 4>that's what I always stand on.

0:51:09.584 --> 0:51:14.143
<v Speaker 1>So the highest heights I had, you know, I had

0:51:14.183 --> 0:51:19.623
<v Speaker 1>reached was having a television show, right and and you know,

0:51:19.743 --> 0:51:21.983
<v Speaker 1>being able to do my thing next to method Man,

0:51:22.143 --> 0:51:23.464
<v Speaker 1>next to lizz O, next.

0:51:23.263 --> 0:51:23.703
<v Speaker 2>To M F.

0:51:23.783 --> 0:51:30.183
<v Speaker 1>Doom like this. That that was like my dreams realized.

0:51:30.263 --> 0:51:32.263
<v Speaker 1>That was the New Negroes. Negroes.

0:51:32.384 --> 0:51:33.863
<v Speaker 2>Yeah, yeah, so.

0:51:33.824 --> 0:51:37.464
<v Speaker 4>That was you know, as far as the level of

0:51:37.464 --> 0:51:39.984
<v Speaker 4>cultural penetration that I was ever hoping for.

0:51:40.064 --> 0:51:42.383
<v Speaker 1>That was it. So we talked about that, you had

0:51:42.424 --> 0:51:45.344
<v Speaker 1>the show of the New Negroes, which I remember Baron

0:51:45.384 --> 0:51:47.423
<v Speaker 1>Vaughn's a part of that. And there was just this

0:51:47.504 --> 0:51:48.823
<v Speaker 1>I remember hearing about it for a long time, like

0:51:48.864 --> 0:51:51.623
<v Speaker 1>it just seemed like it was like the Comedy Central

0:51:51.663 --> 0:51:53.703
<v Speaker 1>was trying to figure like had it and didn't been

0:51:53.743 --> 0:51:55.743
<v Speaker 1>put it out for a while, and yeah, it was.

0:51:55.783 --> 0:51:57.264
<v Speaker 1>It was a weird situ It was easy.

0:51:57.303 --> 0:51:58.904
<v Speaker 2>Here's the thing I knew of somebody from the outside.

0:51:58.904 --> 0:52:02.263
<v Speaker 1>Also Kevin's my friend that like, oh, that's to know

0:52:02.303 --> 0:52:05.143
<v Speaker 1>that you have a show and to know that it's

0:52:05.183 --> 0:52:07.064
<v Speaker 1>not like it's not doing the thing you thought I

0:52:07.183 --> 0:52:09.143
<v Speaker 1>was gonna do, or to know that it's taken a

0:52:09.183 --> 0:52:12.383
<v Speaker 1>while and to know that, like and then to know

0:52:12.424 --> 0:52:14.183
<v Speaker 1>that it's out and you go, I thought the dream

0:52:14.263 --> 0:52:16.584
<v Speaker 1>was having a show, and now I have a show,

0:52:16.623 --> 0:52:19.663
<v Speaker 1>and I sort of maybe I know. I'll speak for myself,

0:52:19.703 --> 0:52:21.263
<v Speaker 1>I kind of can't wait for this to be over.

0:52:22.504 --> 0:52:26.303
<v Speaker 4>I can't say that I was of the mind that

0:52:26.344 --> 0:52:28.544
<v Speaker 4>I couldn't wait for it to be over. But after

0:52:28.584 --> 0:52:30.863
<v Speaker 4>the first season ended, and you know, when we were

0:52:30.864 --> 0:52:34.464
<v Speaker 4>having conversations about potentially doing a second, my thought was,

0:52:34.504 --> 0:52:38.303
<v Speaker 4>I do want it to happen, but I have to

0:52:38.384 --> 0:52:42.064
<v Speaker 4>find a way to do it where this network is

0:52:42.104 --> 0:52:45.663
<v Speaker 4>not shitting in my heart. I have to find a

0:52:45.703 --> 0:52:48.383
<v Speaker 4>way to do it where they are not chewing on

0:52:48.544 --> 0:52:52.304
<v Speaker 4>my soul for this because what I can tell after

0:52:52.344 --> 0:52:56.183
<v Speaker 4>having this one season's worth of experience is that these

0:52:56.263 --> 0:53:01.024
<v Speaker 4>people don't much care what happens to my mind, and

0:53:01.064 --> 0:53:03.464
<v Speaker 4>so I can't keep feeding them the best part of me.

0:53:03.743 --> 0:53:06.703
<v Speaker 4>That's yeah, So that that was my thought, Like I

0:53:06.743 --> 0:53:09.463
<v Speaker 4>definitely wanted to do it again. Yeah, but I had

0:53:09.464 --> 0:53:10.703
<v Speaker 4>to find a different way to do it.

0:53:11.584 --> 0:53:14.863
<v Speaker 1>And season two didn't happen. Season two didn't happen, you know,

0:53:14.944 --> 0:53:17.864
<v Speaker 1>and even that was it. It was like we really

0:53:17.944 --> 0:53:20.104
<v Speaker 1>like sing in your Heart, Yeah, but that was the

0:53:20.183 --> 0:53:23.863
<v Speaker 1>final turn. That's not you really need to do that part.

0:53:25.183 --> 0:53:26.584
<v Speaker 1>We'd love to do a season two, but we got

0:53:26.623 --> 0:53:28.944
<v Speaker 1>to ship in your Heart. No, man, I interest you

0:53:29.024 --> 0:53:30.024
<v Speaker 1>in shitting in your heart?

0:53:30.743 --> 0:53:33.464
<v Speaker 2>No, So where does that take you after that? Is that?

0:53:33.504 --> 0:53:35.504
<v Speaker 1>Like, Well, I'm just going my own way.

0:53:35.904 --> 0:53:37.984
<v Speaker 4>I mean I have I've had a I've had a

0:53:38.024 --> 0:53:41.223
<v Speaker 4>few TV projects in the works, I had things in development,

0:53:41.223 --> 0:53:43.904
<v Speaker 4>I had things get shelved, i have shows I've written for.

0:53:45.183 --> 0:53:48.263
<v Speaker 4>I haven't had another look like that. But it's like

0:53:49.143 --> 0:53:53.024
<v Speaker 4>I feel like where we are now. That was a

0:53:53.143 --> 0:53:56.984
<v Speaker 4>stand up comedy, hip hop variety show, which on paper

0:53:58.743 --> 0:54:00.024
<v Speaker 4>miraculous that it ever.

0:53:59.864 --> 0:54:02.824
<v Speaker 2>Existed, to the air miraculous.

0:54:03.424 --> 0:54:04.983
<v Speaker 4>So I mean, it's not the sort of thing where

0:54:04.984 --> 0:54:07.223
<v Speaker 4>I behold in my breath looking to do that, that

0:54:07.623 --> 0:54:11.024
<v Speaker 4>type of thing again, trying to reboot it, right, I think,

0:54:11.263 --> 0:54:14.223
<v Speaker 4>I mean, we did try to, but we gave up

0:54:14.223 --> 0:54:16.743
<v Speaker 4>on that dream. But the things that I try to

0:54:16.783 --> 0:54:19.623
<v Speaker 4>do in TV now more just like scripted, like more

0:54:19.703 --> 0:54:24.463
<v Speaker 4>trying to translate my ideas into, you know, what what

0:54:24.504 --> 0:54:27.984
<v Speaker 4>the market is looking for, rather than trying to shoehorn

0:54:28.064 --> 0:54:31.703
<v Speaker 4>what I do into platforms that are that maybe it's

0:54:31.743 --> 0:54:33.143
<v Speaker 4>not studied for well.

0:54:32.984 --> 0:54:35.064
<v Speaker 1>And that and and that brings me to how I

0:54:35.223 --> 0:54:37.183
<v Speaker 1>discovered you in the last I don't know how long

0:54:37.183 --> 0:54:38.424
<v Speaker 1>you've been doing it, but when I discovered you in

0:54:38.464 --> 0:54:42.504
<v Speaker 1>the last several months of you now on YouTube just

0:54:42.544 --> 0:54:45.784
<v Speaker 1>sort of like speaking to the culture directly and putting

0:54:45.783 --> 0:54:51.223
<v Speaker 1>you're putting your opinions out there and sort of you know,

0:54:51.223 --> 0:54:53.104
<v Speaker 1>certainly you've always been the first with opinions, and you've

0:54:53.104 --> 0:54:55.423
<v Speaker 1>always you're on Twitter, you've certainly weren't shy about sharing

0:54:55.424 --> 0:54:58.024
<v Speaker 1>your opinions. But what makes you decide to go and

0:54:58.024 --> 0:54:59.584
<v Speaker 1>I don't know if I've caught up late, Like I

0:54:59.584 --> 0:55:00.903
<v Speaker 1>don't know how long it has been going on, but

0:55:00.984 --> 0:55:03.183
<v Speaker 1>like it talks about what this project is.

0:55:03.183 --> 0:55:06.183
<v Speaker 4>It hasn't been that long. So I started streaming on

0:55:06.263 --> 0:55:09.584
<v Speaker 4>twitch I think like three years ago. Okay, uh, And

0:55:10.223 --> 0:55:13.944
<v Speaker 4>that's a that's a fun thing that can pay a

0:55:13.984 --> 0:55:17.823
<v Speaker 4>decent amount of money if you got the right level

0:55:17.824 --> 0:55:21.104
<v Speaker 4>of engagement. And you know, my show on there has

0:55:21.263 --> 0:55:24.383
<v Speaker 4>gotten to a decent place. But it occurred to me

0:55:24.504 --> 0:55:27.623
<v Speaker 4>that the state of YouTube was such that I was

0:55:27.663 --> 0:55:32.263
<v Speaker 4>seeing a lot of people who were repurposing clips from

0:55:32.303 --> 0:55:39.703
<v Speaker 4>their live streams into YouTube content, and I dabbled in that.

0:55:40.064 --> 0:55:44.904
<v Speaker 4>Especially around the time of the Kendrick and Drake battle.

0:55:44.984 --> 0:55:49.623
<v Speaker 4>Was this huge sort of open door where everybody had

0:55:49.623 --> 0:55:54.824
<v Speaker 4>a voracious appetite for discourse around that beef and them songs.

0:55:54.944 --> 0:55:57.584
<v Speaker 1>That was me, I was everybody. Yeah, I wanted to

0:55:57.584 --> 0:55:59.984
<v Speaker 1>hear everybody's opinion on it. I wanted to know everybody

0:56:00.424 --> 0:56:00.823
<v Speaker 1>that was me.

0:56:01.064 --> 0:56:04.823
<v Speaker 4>And that's sort of how I got into it, right.

0:56:05.464 --> 0:56:06.823
<v Speaker 4>I had made a couple of clips and put a

0:56:06.864 --> 0:56:08.263
<v Speaker 4>couple of things up and was short of trying to

0:56:08.263 --> 0:56:09.863
<v Speaker 4>figure out my way through it. But I saw in

0:56:09.904 --> 0:56:13.384
<v Speaker 4>that that it was exactly that attitude that everybody wanted

0:56:13.384 --> 0:56:14.943
<v Speaker 4>to hear what everybody had to say.

0:56:15.024 --> 0:56:16.383
<v Speaker 1>I don't care if I grew, I don't care if

0:56:16.384 --> 0:56:19.943
<v Speaker 1>I like what you voted for. I don't care if

0:56:19.944 --> 0:56:22.263
<v Speaker 1>you were by bullying high school. If you have an

0:56:22.263 --> 0:56:24.623
<v Speaker 1>opinion on Drake versus Kendrick, I would I would like

0:56:24.663 --> 0:56:27.864
<v Speaker 1>to hear it. So between that and Diddy getting arrested,

0:56:28.504 --> 0:56:32.863
<v Speaker 1>and because my biggest clip was me or one of

0:56:32.864 --> 0:56:35.904
<v Speaker 1>my biggest early clips was speaking to that because I

0:56:35.984 --> 0:56:44.104
<v Speaker 1>remember being especially sort of upset about the Diddy revelations

0:56:44.223 --> 0:56:47.584
<v Speaker 1>because that hip hop community that I'm telling you I've

0:56:47.623 --> 0:56:50.183
<v Speaker 1>been a part of thirty years, I feel like we

0:56:50.263 --> 0:56:53.223
<v Speaker 1>have been trying to warn people about Diddy for the

0:56:53.384 --> 0:56:56.143
<v Speaker 1>entire time. Oh you know, like I feel like you

0:56:56.183 --> 0:56:58.904
<v Speaker 1>have about your specific hip hop community, like the greater

0:56:58.984 --> 0:57:00.663
<v Speaker 1>hip hop well, I mean, I mean the greater hip

0:57:00.703 --> 0:57:03.783
<v Speaker 1>hop community in terms of the bee boy side of it,

0:57:04.024 --> 0:57:06.143
<v Speaker 1>you know, the underground hip hop side of it. Like

0:57:06.504 --> 0:57:10.983
<v Speaker 1>so where sometimes our messaging comes across as mainstream bad,

0:57:11.143 --> 0:57:14.503
<v Speaker 1>underground good, I think that there's an underlying thing where

0:57:14.504 --> 0:57:19.383
<v Speaker 1>we're like, hey, that guy, and where he's trying to

0:57:19.424 --> 0:57:23.144
<v Speaker 1>take things. It's got this weird thing too, Like it's

0:57:23.224 --> 0:57:25.744
<v Speaker 1>it seems sort of antithetical to this thing that we're

0:57:25.744 --> 0:57:29.184
<v Speaker 1>trying to preserve. And if you follow his career, like

0:57:29.224 --> 0:57:32.023
<v Speaker 1>it opened the door to all of this weirdness, right,

0:57:33.824 --> 0:57:35.584
<v Speaker 1>And I feel like that's something that we were ahead on.

0:57:35.784 --> 0:57:39.184
<v Speaker 1>And and and I had a lot to say about

0:57:39.264 --> 0:57:41.944
<v Speaker 1>trying to understand why it is that people don't listen

0:57:42.424 --> 0:57:45.744
<v Speaker 1>to that sort of warning. And that was that was

0:57:45.784 --> 0:57:48.424
<v Speaker 1>an early successful clip. And that was one of the

0:57:48.424 --> 0:57:51.823
<v Speaker 1>ones I was just like, I was just talking. I

0:57:51.864 --> 0:57:52.383
<v Speaker 1>didn't edit.

0:57:53.784 --> 0:57:57.424
<v Speaker 4>I talked for like half an hour, and people liked it.

0:57:57.464 --> 0:58:00.624
<v Speaker 4>And I was like, oh, okay, so this is and.

0:58:00.544 --> 0:58:02.824
<v Speaker 1>It's like it's like when you did the five songs

0:58:02.824 --> 0:58:04.903
<v Speaker 1>at the club and you got two hundred dollars, You're like, oh,

0:58:04.984 --> 0:58:07.423
<v Speaker 1>is that I just talked for half hour?

0:58:07.464 --> 0:58:08.624
<v Speaker 2>By the thing I care a lot about?

0:58:08.824 --> 0:58:13.464
<v Speaker 1>Yeah, And and and that's the that's the balancing acto.

0:58:13.544 --> 0:58:17.224
<v Speaker 1>Was that last part you said, because and this is

0:58:17.224 --> 0:58:20.144
<v Speaker 1>what I ran into early on, was that, Oh, the

0:58:20.184 --> 0:58:22.744
<v Speaker 1>way that this works as a thing to make money

0:58:22.744 --> 0:58:25.184
<v Speaker 1>on is that you have to talk about the things

0:58:25.224 --> 0:58:26.024
<v Speaker 1>people care about.

0:58:27.104 --> 0:58:27.823
<v Speaker 2>But do.

0:58:28.064 --> 0:58:31.584
<v Speaker 1>I always care about what people care about. That's That's

0:58:31.664 --> 0:58:34.184
<v Speaker 1>the thing I see happen to people that I follow

0:58:34.264 --> 0:58:36.984
<v Speaker 1>on YouTube is you can tell when they're like paying

0:58:37.024 --> 0:58:40.064
<v Speaker 1>more too much attention to the algorithm, and I'm like,

0:58:40.144 --> 0:58:43.943
<v Speaker 1>do you really want to talk about or actually, maybe

0:58:43.984 --> 0:58:45.184
<v Speaker 1>you'd like talking about it, but I don't think you

0:58:45.264 --> 0:58:49.264
<v Speaker 1>having like a real Yeah, I think you need to

0:58:49.304 --> 0:58:51.983
<v Speaker 1>say about it. You're talking about it. But I think

0:58:52.024 --> 0:58:54.304
<v Speaker 1>there's that's the thing. I think there's an invitation just

0:58:54.304 --> 0:58:56.064
<v Speaker 1>sort of like, oh, this is trending in the news.

0:58:56.624 --> 0:58:58.704
<v Speaker 1>I should probably got I got a way in. And

0:58:58.744 --> 0:59:00.863
<v Speaker 1>I see people sometimes like y'all have been begging me

0:59:00.944 --> 0:59:04.264
<v Speaker 1>to make a video, Like recently everybody who I follow

0:59:04.304 --> 0:59:05.983
<v Speaker 1>is like, I know, y'all want me to talk about

0:59:06.064 --> 0:59:09.944
<v Speaker 1>Jack Harlow, Jack Hart, Yes, And it just feels like

0:59:10.344 --> 0:59:13.184
<v Speaker 1>that becomes like and believe me, when did Jack Harlow

0:59:13.224 --> 0:59:15.184
<v Speaker 1>think broke? And as we take this, it's not that

0:59:15.264 --> 0:59:17.744
<v Speaker 1>long ago. I was like, let me go to what

0:59:17.784 --> 0:59:20.024
<v Speaker 1>Mike's talking about. Like I definitely was like, I want

0:59:20.024 --> 0:59:21.664
<v Speaker 1>to see he's got something to say. Oh good, he does,

0:59:21.944 --> 0:59:22.824
<v Speaker 1>and it's a long video.

0:59:24.104 --> 0:59:29.184
<v Speaker 4>Oh yeah, that was like Christmas. I mean but but

0:59:29.264 --> 0:59:31.863
<v Speaker 4>that is, you know, that is the difference, right, Like

0:59:32.264 --> 0:59:35.744
<v Speaker 4>that is something that I genuinely had thoughts about, right

0:59:37.464 --> 0:59:40.744
<v Speaker 4>where there was other stuff I found myself talking about

0:59:41.064 --> 0:59:43.704
<v Speaker 4>when this journey first started, where I was like, eh,

0:59:43.824 --> 0:59:45.744
<v Speaker 4>I'd kind of rather I didn't make a video on

0:59:45.784 --> 0:59:48.863
<v Speaker 4>that because I I don't actually care about it, you know,

0:59:50.024 --> 0:59:52.624
<v Speaker 4>but it's it's it's just it's it's that just learning

0:59:52.664 --> 0:59:55.984
<v Speaker 4>to you kind of listen to myself and and know

0:59:56.104 --> 0:59:59.184
<v Speaker 4>this some some discussions I'll I'd rather stay out.

0:59:59.064 --> 1:00:01.224
<v Speaker 1>Of, which is which is I have that same thing.

1:00:01.264 --> 1:00:03.144
<v Speaker 1>It's like I don't actually need to weigh in on this.

1:00:03.224 --> 1:00:23.224
<v Speaker 1>I can share somebody else's opinion, right. But so there's

1:00:23.264 --> 1:00:24.784
<v Speaker 1>two things I want to talk about. One is just

1:00:24.864 --> 1:00:27.343
<v Speaker 1>the how you came to be this sort of like

1:00:27.464 --> 1:00:29.744
<v Speaker 1>version of yourself that you are and exists inside the

1:00:29.784 --> 1:00:33.903
<v Speaker 1>greater Black umbrella that we that we live under, and

1:00:34.104 --> 1:00:38.744
<v Speaker 1>you know, indie indie rap, indie black, you know over there,

1:00:39.064 --> 1:00:42.864
<v Speaker 1>all the different ways to do over there over there.

1:00:43.904 --> 1:00:46.024
<v Speaker 1>The other thing I'm talking about is, and this is

1:00:46.024 --> 1:00:50.544
<v Speaker 1>something I deal with, is like how to maintain the

1:00:50.624 --> 1:00:55.383
<v Speaker 1>independence without one sort of going like maybe you know

1:00:55.384 --> 1:00:57.624
<v Speaker 1>there's ways you go maybe I will lean into the mainstream.

1:00:58.024 --> 1:00:59.584
<v Speaker 1>Or there's sometimes it's like maybe I'll go get a

1:00:59.664 --> 1:01:03.264
<v Speaker 1>job at the post office to quote Hollywood shuffle, like

1:01:03.304 --> 1:01:05.224
<v Speaker 1>maybe I'll go, maybe I'll do some things I didn't

1:01:05.264 --> 1:01:06.944
<v Speaker 1>think I was gonna do. Like with me, it's like

1:01:06.984 --> 1:01:09.463
<v Speaker 1>I go three kids, nine jobs. I have to sort

1:01:09.464 --> 1:01:11.064
<v Speaker 1>of like have a lot of things up in the air.

1:01:11.184 --> 1:01:13.744
<v Speaker 1>Same because I still got to feed these people. Yep,

1:01:14.024 --> 1:01:17.624
<v Speaker 1>and I mean literally these people. Yeah, not like feed

1:01:17.664 --> 1:01:20.464
<v Speaker 1>the people my truth bombs. I mean, so how do

1:01:20.544 --> 1:01:22.664
<v Speaker 1>you and I even the way? You and I don't

1:01:22.704 --> 1:01:25.423
<v Speaker 1>need any money, God's gonna clear. But like I hear

1:01:25.464 --> 1:01:29.664
<v Speaker 1>you like, oh this twitch thing okay, yeah, YouTube you're monetizing.

1:01:29.704 --> 1:01:32.264
<v Speaker 2>Oh the video does well. And then also I'm going

1:01:32.304 --> 1:01:32.744
<v Speaker 2>on tour.

1:01:32.864 --> 1:01:34.704
<v Speaker 1>Yeah. Also I'm trying to do writing projects.

1:01:34.784 --> 1:01:35.104
<v Speaker 2>How do you?

1:01:35.144 --> 1:01:37.304
<v Speaker 1>How do you do all that? I mean, it's it

1:01:37.384 --> 1:01:39.144
<v Speaker 1>is exactly what you said. I do it all because

1:01:39.144 --> 1:01:39.544
<v Speaker 1>I have to.

1:01:40.704 --> 1:01:43.944
<v Speaker 4>I got into a space at the end of twenty

1:01:43.984 --> 1:01:45.584
<v Speaker 4>twenty four where.

1:01:45.384 --> 1:01:46.424
<v Speaker 1>The outlook was bad.

1:01:46.504 --> 1:01:51.464
<v Speaker 4>I had a I had a show that got bought

1:01:51.824 --> 1:01:54.584
<v Speaker 4>and developed by Peacock.

1:01:54.944 --> 1:01:57.664
<v Speaker 1>Okay, and you know.

1:01:57.664 --> 1:02:02.184
<v Speaker 4>They sort of they sort of let us around by

1:02:02.224 --> 1:02:07.384
<v Speaker 4>the nose for six seven months and then ultimately shelved

1:02:07.384 --> 1:02:14.664
<v Speaker 4>the project. And that was that was like my last

1:02:15.024 --> 1:02:17.784
<v Speaker 4>the last thing that my chips were on. Yeah, you know,

1:02:18.024 --> 1:02:21.184
<v Speaker 4>the last big project that my chips were on. And

1:02:21.544 --> 1:02:24.464
<v Speaker 4>I sort of looked around and was like, oh, yeah,

1:02:24.504 --> 1:02:26.744
<v Speaker 4>this is this is not this doesn't look good.

1:02:27.184 --> 1:02:29.584
<v Speaker 1>It looks bad when that when that's when the when

1:02:29.624 --> 1:02:32.863
<v Speaker 1>those chips go off the table, like wait a minute, Mike,

1:02:32.904 --> 1:02:37.383
<v Speaker 1>I'm missing some chip. Yeah, and your family looking over like, man,

1:02:37.384 --> 1:02:38.624
<v Speaker 1>we're hungry. Yeah.

1:02:38.824 --> 1:02:41.664
<v Speaker 4>I got to have a big son, he's very big.

1:02:43.344 --> 1:02:47.024
<v Speaker 4>And I looked around and I was.

1:02:46.984 --> 1:02:50.304
<v Speaker 1>Like, I need to get a job. Probably I need

1:02:50.304 --> 1:02:54.984
<v Speaker 1>to probably not be waiting for some email. It's going

1:02:55.064 --> 1:02:57.624
<v Speaker 1>to change my life at this point. Oh man, this

1:02:57.784 --> 1:03:03.903
<v Speaker 1>is so like exactly. Yeah. So I spent I would say,

1:03:03.904 --> 1:03:07.504
<v Speaker 1>like the last quarter of twenty twenty four applying the

1:03:07.624 --> 1:03:12.744
<v Speaker 1>jobs in the music industry and you know, and production

1:03:12.904 --> 1:03:17.984
<v Speaker 1>houses in nonprofits because a lot of my work before

1:03:18.304 --> 1:03:22.464
<v Speaker 1>being in entertainment was working in nonprofits. And when I

1:03:22.504 --> 1:03:26.064
<v Speaker 1>tell you, I didn't even get an email back. I

1:03:26.064 --> 1:03:31.784
<v Speaker 1>didn't even get any e mail back. I was like, oh,

1:03:31.984 --> 1:03:33.904
<v Speaker 1>not even like oh, it'd be fun to we're not

1:03:33.904 --> 1:03:35.064
<v Speaker 1>gonna hire him, let's meet him.

1:03:37.664 --> 1:03:37.823
<v Speaker 2>Yeah.

1:03:38.224 --> 1:03:46.544
<v Speaker 4>So, like I came away from that time having learned, oh,

1:03:46.584 --> 1:03:50.704
<v Speaker 4>I'm unhirable, Like I can't really get a job because

1:03:51.224 --> 1:03:55.863
<v Speaker 4>like there's no way to organize my resume that makes

1:03:55.864 --> 1:03:58.584
<v Speaker 4>it look like I sincerely want to work at a place.

1:03:58.704 --> 1:04:02.784
<v Speaker 1>That I'm This resume doesn't say nine to five minute breaks.

1:04:03.064 --> 1:04:06.024
<v Speaker 1>It says it is much right. Yeah, it says it

1:04:06.104 --> 1:04:09.544
<v Speaker 1>says needs a paycheck, and we'll leave here as soon

1:04:09.624 --> 1:04:15.423
<v Speaker 1>as soon anything slightly better comes along with even a

1:04:15.464 --> 1:04:17.943
<v Speaker 1>promise of something slightly better, I'm not showing up.

1:04:18.224 --> 1:04:23.823
<v Speaker 4>So uh, with that knowledge, I sort of looked around

1:04:23.824 --> 1:04:25.823
<v Speaker 4>at the landscape and I said, Okay, the only way

1:04:25.944 --> 1:04:32.504
<v Speaker 4>through this is to work harder. You know, that was

1:04:32.544 --> 1:04:35.904
<v Speaker 4>the only way through. So, you know, if it's streaming,

1:04:36.104 --> 1:04:39.863
<v Speaker 4>if it's youtubing, uh, if it's TV writing, if it's

1:04:39.904 --> 1:04:42.904
<v Speaker 4>doing shows, if it's putting you know, putting out albums.

1:04:42.864 --> 1:04:48.184
<v Speaker 1>Merg sales, which I helped you with exactly exactly. Yeah, Uh,

1:04:48.624 --> 1:04:49.144
<v Speaker 1>y'all don't know.

1:04:49.344 --> 1:04:53.944
<v Speaker 4>Now, he's a he's a great, excellent uh merch second

1:04:53.984 --> 1:04:54.544
<v Speaker 4>in command.

1:04:54.624 --> 1:04:56.823
<v Speaker 1>There's proof. There's a picture of me holding up a

1:04:56.864 --> 1:04:59.464
<v Speaker 1>T shirt like this that's proves no, we're yeah. I

1:04:59.504 --> 1:05:02.064
<v Speaker 1>was happy to help. It was great. No, No, So

1:05:02.704 --> 1:05:04.984
<v Speaker 1>I mean I I resonate so much with this because

1:05:05.664 --> 1:05:09.064
<v Speaker 1>he sort of like and you know you sort of

1:05:09.104 --> 1:05:11.383
<v Speaker 1>like every now and again, I get paralyzed sometime just

1:05:11.424 --> 1:05:13.664
<v Speaker 1>like by like if I don't if it doesn't come

1:05:13.704 --> 1:05:18.584
<v Speaker 1>out of my head and generate income, then the whole

1:05:18.624 --> 1:05:21.264
<v Speaker 1>thing falls apart, like it's the whole house of cards.

1:05:21.344 --> 1:05:23.264
<v Speaker 4>It is a lot of pressure, and I think what

1:05:23.344 --> 1:05:30.824
<v Speaker 4>a lot of people underestimate is like how much time

1:05:30.944 --> 1:05:33.823
<v Speaker 4>that takes, not even doing other things, but thinking of

1:05:33.864 --> 1:05:34.584
<v Speaker 4>the things that the.

1:05:34.744 --> 1:05:37.704
<v Speaker 1>Yeah, that's sort of like the gurgling of the thing

1:05:37.744 --> 1:05:39.904
<v Speaker 1>to get it out of your mouth or your fingers.

1:05:39.904 --> 1:05:43.544
<v Speaker 4>So you gotta you gotta imagine it, you gotta you know,

1:05:43.984 --> 1:05:46.024
<v Speaker 4>try to get it in a place to be produced,

1:05:46.184 --> 1:05:48.383
<v Speaker 4>and you gotta do these things like it's it's it

1:05:48.464 --> 1:05:50.224
<v Speaker 4>is a lot, and I think I think a lot

1:05:50.264 --> 1:05:53.704
<v Speaker 4>of times people underestimate how much free time that leaves

1:05:53.704 --> 1:05:55.224
<v Speaker 4>a person with because it's not much.

1:05:56.984 --> 1:05:58.704
<v Speaker 1>Yeah, And I was just how hard it is on

1:05:58.744 --> 1:06:02.224
<v Speaker 1>your family right when it's like sometimes I know I'll

1:06:02.224 --> 1:06:04.544
<v Speaker 1>speak for myself, I'm just like almost like like this

1:06:04.664 --> 1:06:05.504
<v Speaker 1>in a corner.

1:06:07.424 --> 1:06:13.104
<v Speaker 2>Gotta you wanna Yeah, you know what I mean? Huh?

1:06:13.664 --> 1:06:15.584
<v Speaker 1>Or you know when my kids say, put your phone down, data,

1:06:15.624 --> 1:06:18.464
<v Speaker 1>I need to get this on Instagram. Yeah. Yeah, they

1:06:18.464 --> 1:06:20.664
<v Speaker 1>don't understand. It's not you know, it's not it's not

1:06:20.744 --> 1:06:23.784
<v Speaker 1>happy fun time all I've Actually my kids are now

1:06:23.824 --> 1:06:26.264
<v Speaker 1>like fourteen, Like my oldest one. I talked to her

1:06:26.264 --> 1:06:30.144
<v Speaker 1>recently and we had she great, kid, doesn't hate me.

1:06:30.344 --> 1:06:32.903
<v Speaker 1>Really hated the trope of teenagers hating their parents. So

1:06:32.944 --> 1:06:34.344
<v Speaker 1>she's rebelling against that.

1:06:34.344 --> 1:06:34.823
<v Speaker 2>That's nice.

1:06:34.904 --> 1:06:37.863
<v Speaker 1>Yeah, No, she's rebelling against because everything you watch as

1:06:37.864 --> 1:06:39.944
<v Speaker 1>a kid is about teenagers hating their parents. And she

1:06:40.064 --> 1:06:42.024
<v Speaker 1>was like resolved at like ten, I'm not going to

1:06:42.104 --> 1:06:46.064
<v Speaker 1>do that. Love, that's fantastic. We've had we've definitely, She's

1:06:46.104 --> 1:06:49.304
<v Speaker 1>like we've had like beefs and screens, but none about

1:06:49.344 --> 1:06:50.943
<v Speaker 1>like I just hate you over all. And the one

1:06:50.944 --> 1:06:52.504
<v Speaker 1>time I was like, look she was she was upsetting

1:06:52.504 --> 1:06:53.584
<v Speaker 1>me with something. I was like, you're on a hundred

1:06:53.584 --> 1:06:56.264
<v Speaker 1>percent right, dah. Also, I think you're old enough to

1:06:56.264 --> 1:06:59.064
<v Speaker 1>know it takes work to keep this afloat. That's ru

1:07:00.264 --> 1:07:02.744
<v Speaker 1>It's not like you're old enough to know. I'm not

1:07:02.784 --> 1:07:05.664
<v Speaker 1>asking you to participate, I'm not asking you to stress

1:07:05.664 --> 1:07:08.704
<v Speaker 1>about it, but just understand that, like you are old

1:07:08.784 --> 1:07:10.584
<v Speaker 1>enough to know that this is a lot of work,

1:07:11.184 --> 1:07:13.984
<v Speaker 1>know and and I am happy to do it for you,

1:07:14.024 --> 1:07:16.504
<v Speaker 1>and I'm gonna and sometimes that means I'm not going

1:07:16.584 --> 1:07:20.744
<v Speaker 1>to be my best self. It does call something like

1:07:20.824 --> 1:07:23.224
<v Speaker 1>and I don't it doesn't justify it, right, but just

1:07:23.304 --> 1:07:25.984
<v Speaker 1>you're old enough to know that, Like you know, this

1:07:26.064 --> 1:07:27.383
<v Speaker 1>is a lot and it's draining, and.

1:07:28.184 --> 1:07:31.744
<v Speaker 4>It's just I think it just comes down to maths,

1:07:31.784 --> 1:07:34.304
<v Speaker 4>Like it's just like the time and the energy that

1:07:34.384 --> 1:07:37.864
<v Speaker 4>it takes. It's like, yeah, you're not always going to

1:07:37.944 --> 1:07:40.184
<v Speaker 4>have your best I think that's that's a real fair

1:07:40.224 --> 1:07:44.464
<v Speaker 4>way to do it. My son's seventeen, so you know,

1:07:44.984 --> 1:07:48.744
<v Speaker 4>his his desire to connect. It's very regimented, you know

1:07:48.784 --> 1:07:51.983
<v Speaker 4>what I'm saying. So I can manage my resources enough

1:07:52.024 --> 1:07:54.144
<v Speaker 4>to kind of Yeah, he's not, Yeah, he's you know,

1:07:54.184 --> 1:07:56.224
<v Speaker 4>he's not a little kid that needs a lot.

1:07:56.344 --> 1:07:59.144
<v Speaker 1>Come and climb climb into your lab at the end

1:07:59.184 --> 1:08:01.664
<v Speaker 1>of every day. Yeah he's not. I don't think.

1:08:02.264 --> 1:08:04.543
<v Speaker 4>Well, he doesn't ask me to put my phone down,

1:08:04.584 --> 1:08:07.744
<v Speaker 4>but sometimes I can tell that he wants me to

1:08:07.784 --> 1:08:09.423
<v Speaker 4>be watching what he's watching on TV.

1:08:09.744 --> 1:08:11.343
<v Speaker 1>And I'm like, you know what, you're right, you're a

1:08:11.504 --> 1:08:14.264
<v Speaker 1>era you're at. So I guess my last guys, we

1:08:14.344 --> 1:08:16.624
<v Speaker 1>bring this into the clothes. A couple of the questions one,

1:08:17.344 --> 1:08:21.664
<v Speaker 1>what is your what? How is your son's uh, how's

1:08:21.664 --> 1:08:26.023
<v Speaker 1>your son's blackness? Like, how's your son's It seems very

1:08:26.744 --> 1:08:31.224
<v Speaker 1>uh stable, he he it's a different era now, it

1:08:31.304 --> 1:08:33.984
<v Speaker 1>is a different era. Yeah, black people allowed to have

1:08:34.024 --> 1:08:37.744
<v Speaker 1>like tattoos, and I mean black men. You know, the

1:08:38.184 --> 1:08:42.824
<v Speaker 1>expression uh, you know, the expression spectrum is all over

1:08:42.864 --> 1:08:48.824
<v Speaker 1>the place. He goes to a mostly white school, though,

1:08:48.864 --> 1:08:51.744
<v Speaker 1>like there are you know, it's it's a it's a

1:08:51.824 --> 1:08:55.904
<v Speaker 1>it's a neighborhood school, so there's a good amount of

1:08:55.944 --> 1:09:01.184
<v Speaker 1>black kids, but they are the minority. So I don't

1:09:01.224 --> 1:09:06.664
<v Speaker 1>think there's anyone around there challenging his blackness, but it

1:09:06.744 --> 1:09:12.144
<v Speaker 1>is his identity seems very very grounded, very grounded.

1:09:13.664 --> 1:09:15.024
<v Speaker 2>Good job, good job parents.

1:09:15.144 --> 1:09:17.424
<v Speaker 4>Well you know it's it's I feel like I just

1:09:17.504 --> 1:09:21.304
<v Speaker 4>have to uh uh fight the manisphere off of them

1:09:21.304 --> 1:09:23.424
<v Speaker 4>all the time. I just gotta constantly, I gotta throw

1:09:23.504 --> 1:09:26.424
<v Speaker 4>hands with the manispheres. It's just all the time, just

1:09:26.544 --> 1:09:27.544
<v Speaker 4>all the time fighting.

1:09:27.704 --> 1:09:30.504
<v Speaker 1>Yeah. No, I said this last night, like I feel

1:09:30.504 --> 1:09:32.304
<v Speaker 1>really lucky that I had three daughters because I can

1:09:32.344 --> 1:09:34.823
<v Speaker 1>just sort of like give away all the men's state secrets.

1:09:34.824 --> 1:09:36.744
<v Speaker 2>I can just be like I'm a double agent, like

1:09:37.024 --> 1:09:37.784
<v Speaker 2>here's what men do.

1:09:38.504 --> 1:09:40.744
<v Speaker 1>Yeah, Whereas you have to be like, as I said

1:09:40.744 --> 1:09:42.944
<v Speaker 1>in my daughter one point, the problem with being a

1:09:42.984 --> 1:09:45.384
<v Speaker 1>boy is that you can be a really good person,

1:09:46.064 --> 1:09:47.544
<v Speaker 1>but at some point you're gonna be in a room

1:09:47.544 --> 1:09:51.943
<v Speaker 1>with a bunch of bad boys and you're gonna feel pressure.

1:09:52.584 --> 1:09:55.584
<v Speaker 1>Even if you're totally like sweetheart teddy Bear, you're gonna

1:09:55.584 --> 1:09:58.704
<v Speaker 1>feel pressure to sort of like be one of them,

1:09:59.184 --> 1:10:00.704
<v Speaker 1>or you're gonna go to them for counsel and they're

1:10:00.704 --> 1:10:01.824
<v Speaker 1>gonna tell you the wrong thing.

1:10:01.984 --> 1:10:06.224
<v Speaker 4>Yeah, and and and with the way social media is,

1:10:06.264 --> 1:10:07.264
<v Speaker 4>of course, yeah.

1:10:07.344 --> 1:10:09.504
<v Speaker 1>They don't. They don't have to be asking, they're just

1:10:09.664 --> 1:10:12.904
<v Speaker 1>not Andrew Hates just showing up all the time, Yeah,

1:10:13.024 --> 1:10:15.224
<v Speaker 1>just with some with some unsolicited Like my son.

1:10:15.064 --> 1:10:18.504
<v Speaker 4>Has been exposed to Andrew Tate for like seven years,

1:10:19.504 --> 1:10:22.664
<v Speaker 4>you know, like and and I'm like, he's not even

1:10:22.704 --> 1:10:25.064
<v Speaker 4>the one I'm really worried about, Like I'm I'm more

1:10:25.104 --> 1:10:27.464
<v Speaker 4>worried about the ones where it's like I can tell

1:10:28.064 --> 1:10:30.823
<v Speaker 4>that it's like that, but it's not as immediately as parent.

1:10:30.944 --> 1:10:34.544
<v Speaker 1>Yes, it's not as obvious, you know that like that.

1:10:34.304 --> 1:10:38.184
<v Speaker 4>That those are the the values informing the takes. And

1:10:38.184 --> 1:10:41.384
<v Speaker 4>I got to be like, hey, hey, but yeah, that

1:10:41.504 --> 1:10:43.264
<v Speaker 4>guy he hates women.

1:10:44.704 --> 1:10:47.264
<v Speaker 2>I have to say that a lot. Yeah, he's on

1:10:47.304 --> 1:10:49.144
<v Speaker 2>the internet. Yeah, good for you for saying that.

1:10:49.184 --> 1:10:52.824
<v Speaker 1>You gotta say it. He hates women, hate swimming, hate women. Yeah,

1:10:53.104 --> 1:10:56.304
<v Speaker 1>like everything that he just said he translated, Yeah, I

1:10:56.424 --> 1:10:58.304
<v Speaker 1>don't like women. And then and then there's this weird

1:10:58.344 --> 1:11:00.584
<v Speaker 1>thing about like I understand, I mean I feel like this,

1:11:00.824 --> 1:11:04.784
<v Speaker 1>like I understand that you're watching it for this, like

1:11:05.144 --> 1:11:08.504
<v Speaker 1>maybe he's talking about hip hop, but also he hates swimming. Right,

1:11:08.744 --> 1:11:10.984
<v Speaker 1>so just if you need to separate out the hip

1:11:11.784 --> 1:11:15.024
<v Speaker 1>or the football top or the NBA talk, but understanding,

1:11:15.264 --> 1:11:16.304
<v Speaker 1>leave the hate, don't take.

1:11:16.224 --> 1:11:16.544
<v Speaker 2>All of it.

1:11:16.864 --> 1:11:19.504
<v Speaker 4>Yeah, and you know, he plays me a lot of

1:11:19.824 --> 1:11:21.944
<v Speaker 4>artists that he likes, because you know, the hip hop

1:11:22.024 --> 1:11:23.904
<v Speaker 4>he's into its very hit different than the hip hop.

1:11:23.984 --> 1:11:25.224
<v Speaker 1>That's wonder I'm into.

1:11:26.424 --> 1:11:27.624
<v Speaker 2>And he liked the hip hop he's into.

1:11:27.744 --> 1:11:29.864
<v Speaker 1>I like some of it, and I can appreciate a

1:11:29.904 --> 1:11:31.464
<v Speaker 1>lot of it even if I don't like it. What

1:11:31.584 --> 1:11:32.544
<v Speaker 1>kind of hip hop does he like?

1:11:32.664 --> 1:11:36.584
<v Speaker 4>I mean, it's it's funny because it is called underground

1:11:36.664 --> 1:11:38.984
<v Speaker 4>hip hop, but it's got nothing to do. It's not

1:11:39.064 --> 1:11:39.704
<v Speaker 4>your underground.

1:11:39.744 --> 1:11:42.224
<v Speaker 1>It's not nothing. It's not underground. As a kid, it's

1:11:42.264 --> 1:11:43.064
<v Speaker 1>not my underground.

1:11:43.144 --> 1:11:47.384
<v Speaker 2>Now, son, I'm in the underground. I would know if it's.

1:11:47.904 --> 1:11:47.944
<v Speaker 3>No.

1:11:48.104 --> 1:11:49.904
<v Speaker 2>I don't see that guy any of the underground hip

1:11:49.904 --> 1:11:50.424
<v Speaker 2>hop meetings.

1:11:50.784 --> 1:11:53.424
<v Speaker 4>No, this is a whole new crop that does a

1:11:53.544 --> 1:11:56.464
<v Speaker 4>whole different sound. It is way it's kind of way out,

1:11:56.464 --> 1:11:57.984
<v Speaker 4>but that's what I appreciate about it is that it's

1:11:58.024 --> 1:12:01.104
<v Speaker 4>way out, but it's like way out through a hood lens.

1:12:01.304 --> 1:12:04.104
<v Speaker 4>It's it's really different kind of stuff. But you know,

1:12:04.344 --> 1:12:06.944
<v Speaker 4>he asked me my opinion of these artists a lot,

1:12:06.984 --> 1:12:09.704
<v Speaker 4>and I always have to tell him, Like this guy, right,

1:12:10.064 --> 1:12:12.264
<v Speaker 4>I like, I like what he does. I think his

1:12:12.384 --> 1:12:14.504
<v Speaker 4>flow is interesting. I think his approach is cool. I

1:12:14.504 --> 1:12:17.823
<v Speaker 4>think he's a good songwriter. Yeah, but he hates women.

1:12:18.184 --> 1:12:20.824
<v Speaker 1>But he hates women like I don't know if you

1:12:20.864 --> 1:12:23.864
<v Speaker 1>can hear this, he actually hates with me, you know,

1:12:24.064 --> 1:12:24.664
<v Speaker 1>And and so.

1:12:26.544 --> 1:12:28.664
<v Speaker 4>You know, we we We have tough conversations like that

1:12:28.784 --> 1:12:31.544
<v Speaker 4>a lot. But yeah, I gotta you know, I gotta,

1:12:31.624 --> 1:12:32.823
<v Speaker 4>I gotta fight the manisphere.

1:12:32.864 --> 1:12:34.184
<v Speaker 1>That's the only way I can do it. My other

1:12:34.344 --> 1:12:36.624
<v Speaker 1>liberated to the manisphere because I've been affected, my cris

1:12:36.624 --> 1:12:37.264
<v Speaker 1>been affected by this.

1:12:37.304 --> 1:12:37.664
<v Speaker 2>Definitely.

1:12:37.864 --> 1:12:40.424
<v Speaker 1>Have you been affected by the trumpification of the like

1:12:40.664 --> 1:12:43.104
<v Speaker 1>just the industry and the trumplification of like And I

1:12:43.144 --> 1:12:46.304
<v Speaker 1>don't mean as a human like the DEI like, you

1:12:46.344 --> 1:12:48.024
<v Speaker 1>know what I mean, sort of like the sort of

1:12:48.104 --> 1:12:50.424
<v Speaker 1>the like we're not interested in blackness in the way

1:12:50.464 --> 1:12:53.024
<v Speaker 1>that we used to pretend to be. And so there's

1:12:53.064 --> 1:12:55.544
<v Speaker 1>a time when New Negroes is being green white. New

1:12:55.624 --> 1:12:58.104
<v Speaker 1>Negroes is not getting greenlit now. But you know, so

1:12:58.304 --> 1:13:00.384
<v Speaker 1>like are you have you been does that affect you

1:13:00.464 --> 1:13:04.784
<v Speaker 1>in the music industry? And not really Okay, there's you.

1:13:04.824 --> 1:13:10.184
<v Speaker 4>Know, anybody who's talking about buying me as a performer,

1:13:10.464 --> 1:13:13.983
<v Speaker 4>as a you know, as a as a musician anything

1:13:14.144 --> 1:13:19.784
<v Speaker 4>like they know what I bring and it's it's it

1:13:19.864 --> 1:13:21.784
<v Speaker 4>would be very different if I was trying to sell

1:13:21.824 --> 1:13:24.264
<v Speaker 4>a TV show now, it would be very different. But

1:13:24.424 --> 1:13:26.344
<v Speaker 4>that's a that's a corporate buyer, and I don't usually

1:13:26.384 --> 1:13:28.744
<v Speaker 4>deal with I don't have to deal with you actively.

1:13:28.504 --> 1:13:29.824
<v Speaker 2>Are not dealing with the corporate buyers.

1:13:29.824 --> 1:13:31.424
<v Speaker 1>See, I still am like every now and again, like

1:13:31.784 --> 1:13:34.584
<v Speaker 1>because I also because I direct documentaries, I get I

1:13:34.624 --> 1:13:36.864
<v Speaker 1>get sort of put before the corporate buyers and in

1:13:36.944 --> 1:13:40.384
<v Speaker 1>those ways have to be like, hey, which I you know,

1:13:40.664 --> 1:13:43.184
<v Speaker 1>to me, that's like almost the equivalent of getting a

1:13:43.264 --> 1:13:45.624
<v Speaker 1>day job, like of like I will direct this thing

1:13:46.504 --> 1:13:48.064
<v Speaker 1>and I'll put my I'll try to put my spin

1:13:48.144 --> 1:13:50.144
<v Speaker 1>on it, but this but it's you know, and I'll

1:13:50.384 --> 1:13:51.704
<v Speaker 1>try to enjoy the work, but it's.

1:13:51.544 --> 1:13:56.184
<v Speaker 4>Not necessarily your top ten most interested in personally topics.

1:13:55.984 --> 1:13:57.944
<v Speaker 1>Not things that I would do left to my own device.

1:13:58.264 --> 1:14:00.544
<v Speaker 1>Like this podcast is me being like I want something

1:14:00.584 --> 1:14:03.024
<v Speaker 1>that's for me. I want something that's like I couldn't

1:14:03.704 --> 1:14:05.184
<v Speaker 1>I could probably call you and be like, let's talk

1:14:05.224 --> 1:14:07.104
<v Speaker 1>for an hour, but that'd be weird, you know, I

1:14:07.104 --> 1:14:10.064
<v Speaker 1>wouldn't hate it. Yeah no, yeah, but I mean maybe

1:14:10.104 --> 1:14:12.184
<v Speaker 1>we can do it now. But I really this podcast

1:14:12.304 --> 1:14:14.704
<v Speaker 1>is about me saying like I want to have conversations people.

1:14:14.704 --> 1:14:16.024
<v Speaker 1>I want to talk about it and talk to people

1:14:16.024 --> 1:14:18.664
<v Speaker 1>about things I wanted to talk to them about in

1:14:18.744 --> 1:14:20.064
<v Speaker 1>a way that is like I'm just going to talk

1:14:20.064 --> 1:14:21.624
<v Speaker 1>to you about this thing. You know, so in a

1:14:21.664 --> 1:14:23.384
<v Speaker 1>way that like being able to phone get back to

1:14:23.424 --> 1:14:26.864
<v Speaker 1>your indie struggle might be weird. I'm very curious what

1:14:26.984 --> 1:14:28.744
<v Speaker 1>you and Ted dance and talked about.

1:14:30.264 --> 1:14:31.024
<v Speaker 2>Talk about afterwards.

1:14:31.064 --> 1:14:33.184
<v Speaker 1>I hope, I hope it's not the same. It's the

1:14:33.304 --> 1:14:35.584
<v Speaker 1>exact same conversation. That would be really weird.

1:14:35.664 --> 1:14:38.424
<v Speaker 2>Now it's not. It's but they're all related to blackness.

1:14:39.584 --> 1:14:41.184
<v Speaker 2>So a couple of fun questions.

1:14:41.224 --> 1:14:43.264
<v Speaker 1>Then we'll get to the it's all fun, but anyway,

1:14:43.344 --> 1:14:45.704
<v Speaker 1>just want I just want to know I've had moments

1:14:45.784 --> 1:14:47.144
<v Speaker 1>like this, and I want to know what is it

1:14:47.264 --> 1:14:50.704
<v Speaker 1>like when when somebody like James Gun is like this, like,

1:14:50.784 --> 1:14:53.784
<v Speaker 1>did you have any connection to James Gun? So James

1:14:53.864 --> 1:14:56.344
<v Speaker 1>Gun director of like I guess he's in charge of

1:14:56.424 --> 1:15:00.104
<v Speaker 1>DC Movies now and was also director of many Marvel movies.

1:15:00.424 --> 1:15:01.944
<v Speaker 1>Just it was like, this is what I'm listening to

1:15:02.024 --> 1:15:04.424
<v Speaker 1>as I write Superman, Yeah, and you were on the

1:15:04.584 --> 1:15:05.584
<v Speaker 1>this is what I listened to the.

1:15:05.624 --> 1:15:08.744
<v Speaker 4>Playlist put out his I don't know why James Gun

1:15:08.864 --> 1:15:10.584
<v Speaker 4>is sitting around listening to indie rap.

1:15:10.664 --> 1:15:16.064
<v Speaker 1>I don't know why. I had heard whispers of that

1:15:16.184 --> 1:15:16.903
<v Speaker 1>and I guess.

1:15:16.744 --> 1:15:21.184
<v Speaker 4>His brother, Sean Gunn Yeah, is a real big Indie fan,

1:15:21.504 --> 1:15:24.704
<v Speaker 4>Anie Rap fans who. So you know, I'm not sure

1:15:24.744 --> 1:15:27.104
<v Speaker 4>how the flow is going to who thisss a hold

1:15:27.184 --> 1:15:30.264
<v Speaker 4>or what first or whatever, but I had no idea

1:15:30.384 --> 1:15:31.944
<v Speaker 4>something like that was coming down the pint, and it

1:15:32.024 --> 1:15:33.584
<v Speaker 4>was amazing. I feel like there was a time in

1:15:33.624 --> 1:15:39.104
<v Speaker 4>my career when that used to happen more. Yeah, you know,

1:15:39.184 --> 1:15:42.864
<v Speaker 4>I think my work was newer on the scene, so

1:15:43.104 --> 1:15:45.744
<v Speaker 4>more people we were discovering it, I guess at the time,

1:15:45.784 --> 1:15:47.624
<v Speaker 4>and so I hadn't had nothing like that happened in

1:15:47.704 --> 1:15:49.544
<v Speaker 4>a minute, So I thought that was real cool.

1:15:49.784 --> 1:15:54.904
<v Speaker 1>Yeah, yeah, yeah, you're like, oh, like people people, my

1:15:54.984 --> 1:15:59.464
<v Speaker 1>work's out there, right, Okay, I can be liked by

1:15:59.544 --> 1:16:03.864
<v Speaker 1>people who were in the mainstream. Uh do you remember

1:16:03.944 --> 1:16:07.864
<v Speaker 1>doing my podcast? You remember this? Do you? Was this

1:16:07.944 --> 1:16:11.344
<v Speaker 1>during to you by us? I believe so, yes, I don't.

1:16:11.544 --> 1:16:13.744
<v Speaker 4>Yeah, wow, yeah we listened to We went to a

1:16:13.984 --> 1:16:19.903
<v Speaker 4>restaurant I believe in Berkeley, and I was after totally biased.

1:16:20.144 --> 1:16:22.184
<v Speaker 4>We didn't even have I didn't even have microphones. I

1:16:22.304 --> 1:16:23.984
<v Speaker 4>just had like a tape recorder on the table, I

1:16:24.024 --> 1:16:27.144
<v Speaker 4>don't remember, and you heard everybody conversation in a room,

1:16:27.184 --> 1:16:29.304
<v Speaker 4>including nods wow is.

1:16:29.304 --> 1:16:30.224
<v Speaker 1>That still up somewhere?

1:16:30.864 --> 1:16:31.344
<v Speaker 2>Probably?

1:16:32.224 --> 1:16:36.744
<v Speaker 1>Wow, It's funny if you ask, I'm like it was

1:16:36.744 --> 1:16:38.224
<v Speaker 1>so maybe it was after I moved back to Berkeley.

1:16:38.264 --> 1:16:39.984
<v Speaker 1>There was like about a three or four year period

1:16:39.984 --> 1:16:42.744
<v Speaker 1>where I was like, like it was the totally bias.

1:16:43.144 --> 1:16:46.024
<v Speaker 1>It was like I felt like that period was like

1:16:46.184 --> 1:16:47.944
<v Speaker 1>that period of my life was like the end of

1:16:47.984 --> 1:16:50.904
<v Speaker 1>a Vietnam War movie where the survivors are just like

1:16:53.104 --> 1:16:54.864
<v Speaker 1>and it took me a while to climb out and

1:16:54.904 --> 1:16:57.984
<v Speaker 1>sort of like resettle into myself for a couple of years.

1:16:58.384 --> 1:17:00.104
<v Speaker 1>Because also it was like I thought I was gonna

1:17:00.104 --> 1:17:01.264
<v Speaker 1>have this show where I thought I was gonna have

1:17:01.264 --> 1:17:02.664
<v Speaker 1>the show for twenty years, and then I had it

1:17:02.704 --> 1:17:04.664
<v Speaker 1>for a year and then something I had to go

1:17:04.824 --> 1:17:07.104
<v Speaker 1>like again, I think you said, like, oh my twenty

1:17:07.144 --> 1:17:09.224
<v Speaker 1>twenty four is not doing what I thought I was

1:17:09.264 --> 1:17:11.864
<v Speaker 1>gonna do. And my wife's pregnant with our second kid,

1:17:12.624 --> 1:17:14.864
<v Speaker 1>so that's like a real like this is the It's

1:17:14.904 --> 1:17:16.544
<v Speaker 1>funny you say that, because right now is the closest

1:17:16.544 --> 1:17:18.184
<v Speaker 1>I've ever felt to that, just because it's like it's

1:17:18.344 --> 1:17:21.704
<v Speaker 1>I feel like it's all on me, nobody's out there like,

1:17:21.984 --> 1:17:24.224
<v Speaker 1>like you said, nobody's no emails coming in and going.

1:17:24.824 --> 1:17:28.944
<v Speaker 1>We found like two million dollars. It has your name

1:17:29.024 --> 1:17:31.064
<v Speaker 1>on it, so just just want to get it to you.

1:17:31.104 --> 1:17:34.184
<v Speaker 1>Just send us the VENMO. That's not gonna happen. So

1:17:34.544 --> 1:17:38.384
<v Speaker 1>my kingdom for two million exactly. So Wow, that's things.

1:17:38.464 --> 1:17:40.264
<v Speaker 2>That's a that took me. That took me back to

1:17:40.304 --> 1:17:42.863
<v Speaker 2>a thing I don't remember, but I have like fleeting

1:17:42.984 --> 1:17:44.464
<v Speaker 2>memories of but it's not.

1:17:44.704 --> 1:17:46.344
<v Speaker 1>Well you you were, you were, You were doing me

1:17:46.424 --> 1:17:49.144
<v Speaker 1>a great kindness and that's why I bring it up. Okay,

1:17:49.264 --> 1:17:51.744
<v Speaker 1>well great kindness. Well I was happy to do it

1:17:51.784 --> 1:17:53.224
<v Speaker 1>then I'm happy to do it now. I feel honored

1:17:53.224 --> 1:17:55.624
<v Speaker 1>that you sat down with me. Uh. Two things before

1:17:55.664 --> 1:18:00.064
<v Speaker 1>we leave. One, give me the mic the open Mic

1:18:00.104 --> 1:18:03.344
<v Speaker 1>Eagle starter kit. The five songs that you would tell

1:18:03.424 --> 1:18:07.024
<v Speaker 1>somebody if they're like, let's hey, what's this? Like, I

1:18:07.584 --> 1:18:09.064
<v Speaker 1>think I'm ready to get it into open Mike Eagle.

1:18:09.104 --> 1:18:12.304
<v Speaker 1>What are the five five of my song your songs? Yeah,

1:18:13.664 --> 1:18:19.504
<v Speaker 1>dishes off of my second album, Rappers Die Natural Causes, uh,

1:18:20.784 --> 1:18:23.744
<v Speaker 1>Ziggy Starfish because that's the song people like the most.

1:18:23.904 --> 1:18:24.704
<v Speaker 2>Okay, it's good, it's good.

1:18:24.944 --> 1:18:26.104
<v Speaker 1>Now you want to put the hit in there. You

1:18:26.184 --> 1:18:34.664
<v Speaker 1>want to put give them the hit. Yeah, happy Wasteland day.

1:18:35.744 --> 1:18:41.304
<v Speaker 1>To give people a sense of my uh social commentary. Uh,

1:18:42.264 --> 1:18:48.664
<v Speaker 1>I'd say, okay, but I'm the phone screen to give

1:18:48.704 --> 1:18:54.224
<v Speaker 1>people a sense of how fascinated I am with the mundane. Okay,

1:18:57.024 --> 1:19:00.904
<v Speaker 1>one more, one more would be I think I would go,

1:19:03.384 --> 1:19:09.304
<v Speaker 1>oh man, that's tough. One more.

1:19:10.064 --> 1:19:17.344
<v Speaker 4>I'm gonna a dark comedy late show because I'm I'm

1:19:18.224 --> 1:19:21.304
<v Speaker 4>I'm doing self deprecation, I'm doing social commentary, but I'm

1:19:21.344 --> 1:19:22.544
<v Speaker 4>also just killing you a bar.

1:19:23.824 --> 1:19:25.224
<v Speaker 1>Killing you today.

1:19:25.904 --> 1:19:27.904
<v Speaker 2>Yeah, okay, good we need It's funny.

1:19:27.904 --> 1:19:30.104
<v Speaker 1>Even for those titles I think you you you, sort

1:19:30.104 --> 1:19:32.784
<v Speaker 1>of you go to sort of you exude all black,

1:19:34.024 --> 1:19:39.584
<v Speaker 1>Indie black. None of those were like uh Maserati on

1:19:39.744 --> 1:19:43.344
<v Speaker 1>my YACHTI like, none of those were like yeah, none

1:19:43.384 --> 1:19:47.224
<v Speaker 1>of those were like bullet holes for my soul, you know, no, no,

1:19:47.424 --> 1:19:51.624
<v Speaker 1>no bottle service, no bottles. And then is there a

1:19:51.784 --> 1:19:54.024
<v Speaker 1>lesson from your life or something that you think about

1:19:54.064 --> 1:19:55.664
<v Speaker 1>that you're like, this is like a thing to get

1:19:55.744 --> 1:19:57.464
<v Speaker 1>you through or a thing that you feel like it's true,

1:19:57.944 --> 1:19:59.544
<v Speaker 1>like sort of a thing that you like think about

1:19:59.584 --> 1:20:01.824
<v Speaker 1>like or sort of things of things that are like

1:20:01.984 --> 1:20:03.864
<v Speaker 1>that you sort of like this is a this helps

1:20:03.904 --> 1:20:04.744
<v Speaker 1>to find who I am.

1:20:04.864 --> 1:20:07.624
<v Speaker 2>To me, I just you know, I I.

1:20:12.064 --> 1:20:13.784
<v Speaker 1>What's the word I do?

1:20:14.064 --> 1:20:18.943
<v Speaker 4>I have this deep, deep sense of gratitude for everything

1:20:19.024 --> 1:20:21.344
<v Speaker 4>that I've been able to do, and a lot of

1:20:21.384 --> 1:20:25.944
<v Speaker 4>it really goes back to like, I've.

1:20:25.984 --> 1:20:30.824
<v Speaker 1>Done things that I dreamed of doing when I was

1:20:30.944 --> 1:20:37.344
<v Speaker 1>fifteen or sixteen years old, dreamed of And you know,

1:20:38.144 --> 1:20:41.984
<v Speaker 1>the big lesson for me is that you know, whether

1:20:42.024 --> 1:20:43.944
<v Speaker 1>it's twenty twenty four and I got no money left

1:20:43.984 --> 1:20:46.584
<v Speaker 1>and I'm trying to get a job or I'm I'm

1:20:46.664 --> 1:20:48.944
<v Speaker 1>hustling the way I'm hustling right now, or if it's

1:20:49.984 --> 1:20:56.264
<v Speaker 1>twenty there was a time in twenty eighteen when the

1:20:56.344 --> 1:21:02.664
<v Speaker 1>New Negroes was on TV and being actively marketed. In

1:21:02.744 --> 1:21:05.624
<v Speaker 1>the house I was living at the time, when I

1:21:05.864 --> 1:21:10.504
<v Speaker 1>opened my bedroom window, there was a billboard with my

1:21:10.704 --> 1:21:14.984
<v Speaker 1>face on it right on the next block that I

1:21:15.024 --> 1:21:21.384
<v Speaker 1>could see through my bedroom window, and I just I never,

1:21:21.784 --> 1:21:24.264
<v Speaker 1>like the worst of times, I never lose sight of

1:21:24.464 --> 1:21:31.544
<v Speaker 1>of the the improbable things. M h. I've been able

1:21:31.704 --> 1:21:33.664
<v Speaker 1>I've been able to do, and I just I just

1:21:33.744 --> 1:21:36.864
<v Speaker 1>hold on to that gratitude a lot that gratitude is

1:21:36.944 --> 1:21:39.584
<v Speaker 1>a big thing for me with my kids, like we

1:21:39.664 --> 1:21:42.104
<v Speaker 1>talk about because I feel like the life they're living,

1:21:42.344 --> 1:21:44.064
<v Speaker 1>they're sort of things that are happening because they sort

1:21:44.064 --> 1:21:45.904
<v Speaker 1>of were born after my career started happening that they're

1:21:45.904 --> 1:21:47.544
<v Speaker 1>sort of like, oh yeah, we just sort of like

1:21:47.784 --> 1:21:49.664
<v Speaker 1>and so very early on I was like, I'm happy

1:21:49.744 --> 1:21:52.024
<v Speaker 1>that they have this great life, that they're getting to

1:21:52.104 --> 1:21:54.424
<v Speaker 1>do these things and meet people and like, but also

1:21:54.464 --> 1:21:56.264
<v Speaker 1>I want you to be grateful. So at the end

1:21:56.264 --> 1:21:58.144
<v Speaker 1>of the night, I would say when they were young,

1:21:58.264 --> 1:22:00.104
<v Speaker 1>I still do with my youngest, tell me three things

1:22:00.104 --> 1:22:01.384
<v Speaker 1>you're grateful for from today.

1:22:01.584 --> 1:22:03.824
<v Speaker 2>Yes, this is the way to sort of reminds me like,

1:22:04.344 --> 1:22:05.903
<v Speaker 2>this is not all supposed to happen.

1:22:05.664 --> 1:22:07.504
<v Speaker 1>For really, and it seemsy to take it for granted,

1:22:07.504 --> 1:22:09.784
<v Speaker 1>like you said, when they're born into it. Yeah, Like

1:22:09.984 --> 1:22:12.304
<v Speaker 1>when I was jally biased, my oldest daughter was one

1:22:12.864 --> 1:22:15.264
<v Speaker 1>and she's like, I have a picture somewhere of her

1:22:15.344 --> 1:22:19.864
<v Speaker 1>and her little friend blowing bubbles with don Cheedle. I

1:22:19.904 --> 1:22:23.544
<v Speaker 1>don't know that being on my show, but I have

1:22:23.664 --> 1:22:26.304
<v Speaker 1>this picture of her blowing Yeah, no photo, and it's

1:22:26.384 --> 1:22:28.944
<v Speaker 1>like one day you're looking at me like what Wow,

1:22:29.264 --> 1:22:32.464
<v Speaker 1>you know, and so gratitude. That is a great lesson.

1:22:32.504 --> 1:22:32.664
<v Speaker 2>Man.

1:22:32.744 --> 1:22:34.464
<v Speaker 1>I'm so happy that we were able to sit down

1:22:34.544 --> 1:22:36.784
<v Speaker 1>and talk. And I really do feel like we were

1:22:36.784 --> 1:22:39.264
<v Speaker 1>sort of of a kind and not like that. I

1:22:39.304 --> 1:22:41.144
<v Speaker 1>think that like I would not be the rapper you

1:22:41.224 --> 1:22:42.584
<v Speaker 1>were if I was a rapper. But that's how I

1:22:42.624 --> 1:22:44.784
<v Speaker 1>explained it to my wife. You know, me, you and

1:22:44.864 --> 1:22:49.144
<v Speaker 1>quest Love. Oh yeah, all the same guy. It's a different,

1:22:49.184 --> 1:22:51.984
<v Speaker 1>different shuffle. The last thing I asked you from homework,

1:22:52.024 --> 1:22:53.664
<v Speaker 1>what is a cause that you want people to know

1:22:53.704 --> 1:22:56.504
<v Speaker 1>more about her, pay attention to or support. I would

1:22:56.624 --> 1:23:00.344
<v Speaker 1>love people if they're able to to support the Inglewood

1:23:00.824 --> 1:23:05.184
<v Speaker 1>Mutual Aid Fund. There you go. I've tasked myself with

1:23:05.464 --> 1:23:08.904
<v Speaker 1>with getting more involved in the in the mutual aid.

1:23:08.944 --> 1:23:12.184
<v Speaker 1>It's a local to me, especially.

1:23:12.664 --> 1:23:15.304
<v Speaker 4>Coming out of the pandemic, coming out of the fires,

1:23:15.424 --> 1:23:18.064
<v Speaker 4>coming you know, just with with all into Trump, Yeah,

1:23:18.224 --> 1:23:20.224
<v Speaker 4>coming into Trump especially.

1:23:21.904 --> 1:23:22.104
<v Speaker 1>You know.

1:23:23.904 --> 1:23:24.064
<v Speaker 2>I do.

1:23:24.304 --> 1:23:27.744
<v Speaker 1>I do a podcast called past Do Uh. That podcast

1:23:27.864 --> 1:23:30.144
<v Speaker 1>is where earlier we were, you know, we were lightweight,

1:23:30.184 --> 1:23:32.504
<v Speaker 1>getting into numbers. We really talked members because.

1:23:32.544 --> 1:23:34.904
<v Speaker 4>Like the whole podcast is about how tough it is

1:23:34.984 --> 1:23:40.624
<v Speaker 4>to navigate this current economy as creatives and you know,

1:23:40.744 --> 1:23:42.744
<v Speaker 4>one thing that just comes up over and over again

1:23:42.784 --> 1:23:46.344
<v Speaker 4>in these conversations is how important it is that we're active.

1:23:46.104 --> 1:23:49.544
<v Speaker 1>In the communities that we live around. And you know,

1:23:50.184 --> 1:23:54.704
<v Speaker 1>the community I live in is Anglewood, and you know

1:23:54.824 --> 1:23:57.384
<v Speaker 1>that's that's the mutual ay that I would love people

1:23:57.504 --> 1:24:00.424
<v Speaker 1>to support again. And so I just talked to my

1:24:00.544 --> 1:24:03.104
<v Speaker 1>previous podcast guests. We talked about mutual aid and I

1:24:03.224 --> 1:24:06.144
<v Speaker 1>was introducing it to him as like mutually He was like,

1:24:06.184 --> 1:24:07.784
<v Speaker 1>what is that? And so to hear you then shout

1:24:07.784 --> 1:24:09.424
<v Speaker 1>that out, I'm going to send that link to him,

1:24:09.984 --> 1:24:12.064
<v Speaker 1>just sort of like because I think mutual aid is

1:24:12.424 --> 1:24:15.384
<v Speaker 1>if America is going to survive. Mutual aid is how

1:24:15.464 --> 1:24:16.904
<v Speaker 1>we're gonna is one of the ways we're gonna be

1:24:16.904 --> 1:24:18.624
<v Speaker 1>able to survive. The only way we can is to

1:24:18.864 --> 1:24:21.944
<v Speaker 1>is to help each other out and just put the

1:24:22.384 --> 1:24:25.184
<v Speaker 1>resources and money or goods directly in the hands of

1:24:25.224 --> 1:24:31.704
<v Speaker 1>people who need them without navigating through traditional foundational institutional

1:24:31.824 --> 1:24:35.104
<v Speaker 1>grifters grifterscripts like let me, let me get a taste,

1:24:35.144 --> 1:24:37.064
<v Speaker 1>let me for you before you give the before you

1:24:37.144 --> 1:24:38.384
<v Speaker 1>give her that blanket. I'm gonna need to have a

1:24:38.424 --> 1:24:40.624
<v Speaker 1>blanket corner.

1:24:40.704 --> 1:24:44.344
<v Speaker 2>The blanket all right man the last So you're with me? Yeah,

1:24:44.544 --> 1:24:46.224
<v Speaker 2>all right, I knew you were. Thanks brother.

1:24:48.344 --> 1:24:50.184
<v Speaker 1>I don't know why I ended that way because felt

1:24:50.184 --> 1:24:52.744
<v Speaker 1>like we need enough way to end it. We can

1:24:52.824 --> 1:24:54.624
<v Speaker 1>leave this in with me awkwardly feeling bad about the

1:24:54.624 --> 1:25:00.464
<v Speaker 1>fist bump. Thank you for listening to my interview with

1:25:00.664 --> 1:25:03.464
<v Speaker 1>open Mic Eagle conversation why to say interview. Thank you

1:25:03.544 --> 1:25:07.704
<v Speaker 1>for listening again. O Mike eagles new album, Doom comes

1:25:07.744 --> 1:25:10.504
<v Speaker 1>out August thirteenth. His last album is out now from

1:25:10.624 --> 1:25:13.344
<v Speaker 1>last year, Neighborhood Gods Unlimited. He can't be stopped. His

1:25:13.504 --> 1:25:16.544
<v Speaker 1>podcast is past due. You can watch them stream on Twitch.

1:25:16.864 --> 1:25:21.144
<v Speaker 1>You can also see he puts clips up on YouTube

1:25:21.944 --> 1:25:23.584
<v Speaker 1>and he's just a good dude. So check out open

1:25:23.584 --> 1:25:27.704
<v Speaker 1>Mike Eagle and open Mic Eagle shouted out Inglewood Mutual Aid.

1:25:27.784 --> 1:25:30.504
<v Speaker 1>You can find them best on Instagram. Go on Instagram

1:25:30.664 --> 1:25:33.944
<v Speaker 1>at Inglewood Mutual Aid. You can find them there and

1:25:34.184 --> 1:25:36.224
<v Speaker 1>support mutual Aid. It's the one that we're going to

1:25:36.304 --> 1:25:39.664
<v Speaker 1>save the universe, I think is through putting money in

1:25:39.824 --> 1:25:42.024
<v Speaker 1>the hands of people who need it or putting resources

1:25:42.064 --> 1:25:43.224
<v Speaker 1>in the hands of the people who need it. So

1:25:43.744 --> 1:25:46.424
<v Speaker 1>Inglewood Mutual Aid. Even if you don't live in Inglewood,

1:25:46.504 --> 1:25:49.863
<v Speaker 1>you can help people there. Thank you to Rabagrant Productions

1:25:49.864 --> 1:25:53.264
<v Speaker 1>for helping me produce this. Thank you to Pushkin Industries

1:25:53.344 --> 1:25:56.064
<v Speaker 1>for letting me host the podcast on their site on

1:25:56.144 --> 1:25:59.144
<v Speaker 1>their network, and also thank you to who knows Best.

1:25:58.944 --> 1:26:01.904
<v Speaker 2>Production, which is me and my wife. But you haven't

1:26:01.904 --> 1:26:04.224
<v Speaker 2>seen her yet, so me yeah.

1:26:04.304 --> 1:26:07.224
<v Speaker 1>And also shout out to Chris Dowd from Fishbone for

1:26:07.344 --> 1:26:10.104
<v Speaker 1>the theme song. Check out the Who's with Me substack,

1:26:10.144 --> 1:26:11.863
<v Speaker 1>which is the best place to keep up with everything

1:26:12.104 --> 1:26:16.344
<v Speaker 1>against Santum Comedy dates September twenty fifth and twenty sixth, Stanford, Connecticut,

1:26:16.624 --> 1:26:23.024
<v Speaker 1>October first, Stanford University, and November thirteenth, Bellingham, Washington. Thank

1:26:23.064 --> 1:26:25.544
<v Speaker 1>you for tuning in and let's say what this week?

1:26:25.544 --> 1:26:29.144
<v Speaker 1>Why don't you do something good for yourself, for your neighborhood,

1:26:29.424 --> 1:26:31.784
<v Speaker 1>for your community, and you know, for the world.

1:26:32.464 --> 1:26:32.784
<v Speaker 2>Thanks