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Speaker 1: The I Am Rapp Reports stereoio podcast Live Get Down

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Speaker 1: with Rapp Report. Yes I am, I'm a Rapperport, Yes

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Speaker 1: I am. I am a Rapperport. Yes I am a Rapperport.

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Speaker 1: Yes i am. Better tune in. I Am Rapp Report

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Speaker 1: dot com is every single podcast you know, we drops bombs.

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Speaker 1: I've seen him on set a season vet with True Town,

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Speaker 1: catch him on his way to course fit rocking the

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Speaker 1: New Balance. He asked me to do the track because

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Speaker 1: you know I round the leak, But I'm just waiting

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Speaker 1: for the Robert the Nero line of the week reference

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Speaker 1: the champions host the Bagel, Cream, Cheese and Lock. This

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Speaker 1: is I Am Rapp Report. The show never stopped. You

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Speaker 1: might catch the Mountain Public stretching his knees. But if

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Speaker 1: you don't listen to the show, yo, we're gonna plead,

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Speaker 1: We're gonna podcast. What's up? This is Michael Rapport. You

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Speaker 1: are now listening to the I Am Rappaport Stereo podcast

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Speaker 1: in prime time exc Glusive Podcasting, Premium podcasting coming live

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Speaker 1: and direct. Today We're going deep, deep deep to celebrate

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Speaker 1: the great James Brown. James Brown's birthday, May three is

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Speaker 1: upon us, of course, how the Great James Brown passed,

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Speaker 1: but we will continue to celebrate him, celebrate his music,

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Speaker 1: celebrate his influence on on modern music, celebrate his influence

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Speaker 1: on disco, on and of course on hip hop. So

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Speaker 1: today on the Iron Rap Coort Stereo Podcast, two very

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Speaker 1: very special guests who I hand picked when I realized

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Speaker 1: it was James Brown's birthday. I thought of two people

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Speaker 1: who I know for a fact, who have been whose

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Speaker 1: lives have been inspired by James Brown, whose work has

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Speaker 1: been inspired by James Brown. We got the Chocolate Boy Wonder,

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Speaker 1: Soul Brother Number one, the great Pete Rock producer extraordina

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Speaker 1: there of course from Pete Rock and Seel Smooth and

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Speaker 1: all things he's done on his own, The Great Pete Rock,

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Speaker 1: the Chocolate Boy Wonder. It's coming on the Iron Wrap

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Speaker 1: Ports Stereo Podcast today to talk about James Brown, talk

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Speaker 1: about what James Brown means to him, talk about what

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Speaker 1: James Brown means to hip hop, and to try to

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Speaker 1: explain to me what the one is. A lot of

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Speaker 1: times people talk about James when they talk about the

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Speaker 1: ones and the two's, and he came in on the

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Speaker 1: ones or the two. I don't know. It's some musician function.

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Speaker 1: So the Chocolate Boy Wonder Pete Rock is joining me

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Speaker 1: on today's Iron Wrap Pors Stereo podcast and my main man,

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Speaker 1: original beat junkie DJ extraordina there, James Brown. I call

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Speaker 1: him that. I personally call him the James Brown Whisper.

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Speaker 1: This guy knows every single thing there is to know

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Speaker 1: about James Brown, the great Jay Rock from the beat junkies. Listen,

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Speaker 1: there's been a lot, a lot of great mixtapes done

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Speaker 1: with James Brown music, Um, Pete Rock, Primo Premier. I mean,

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Speaker 1: the list goes on and on. If you're a DJ,

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Speaker 1: you've done something with James Brown music. But in my opinion,

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Speaker 1: the two Jay Rock James Brown mixes Part one in

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Speaker 1: Part two are the very very very best of just

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Speaker 1: all original James flipping it, scratching it, looping it, doing

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Speaker 1: all kinds of shipped to it. So we have one

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Speaker 1: of the original beat junkies, my main man, Jay Rock,

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Speaker 1: to also come on and talk about James Brown, what

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Speaker 1: he means to him, break down his music, what funk

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Speaker 1: is um and just it's it's all James Brown. I

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Speaker 1: am Rappaport Stereo podcast. Plus we're in prime time Kanye

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Speaker 1: you're not gonna listen. I'm not fucking babysitting you anymore. Okay,

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Speaker 1: I'm not fucking babysitting you anymore. The world is not

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Speaker 1: going to fucking baby sit you anymore. See I Am

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Speaker 1: Rapports Stereo podcast in prime Time special guest Pete Rock,

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Speaker 1: the Chocolate Boy Wonder and Jay Rock, one of the

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Speaker 1: original beat junkies. All James Brown Everything talking Kanye, We're

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Speaker 1: talking Drake talking ship to Kendrick Perkins and Tom Arnold.

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Speaker 1: Where the fuck the tapes at? Duke? I heard him

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Speaker 1: on Howard Stern this morning sounding fucking loopy and out

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Speaker 1: of his fucking tree. Where the motherfucking tapes are doing?

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Speaker 1: All that and more Primetime podcasting Miles Jordan's let me

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Speaker 1: get something funky, all right, Sam Rapport Stereo Podcast. I'm

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Speaker 1: going solo on that ass. G Moody is in the

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Speaker 1: Boogie Down Bronx dealing with some school ending affairs with

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Speaker 1: his little daughter. Um, as I told you were talking

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Speaker 1: James round, it's his birthday. Would be the late great

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Speaker 1: James Brown birthday May three should be a national holiday.

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Speaker 1: Um seriously, James Brown, it should be some sort of

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Speaker 1: artistic national holiday. I'm not saying you gotta like shut

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Speaker 1: down schools and all that, but uh, the contribution to

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Speaker 1: American music is shit. I mean, no one has really

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Speaker 1: done more. Um. And we talked about artists and talk

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Speaker 1: about a crazy artist. I totally understand. I know I've

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Speaker 1: talked about this before, I think on the Iron Wrap

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Speaker 1: or stereo podcast, but never in primetime. We are in

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Speaker 1: primetime right now. Um. The thing about James Brown that

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Speaker 1: I always imagined, I mean, you know, he had a

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Speaker 1: crazy life, you know, struggle with drugs, crazy upbringing, dirt,

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Speaker 1: poor poverty. Um, the insanity that must have been in

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Speaker 1: his head, the chaos, the sounds that he heard in

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Speaker 1: his head. This is an untrained musician, um, but he

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Speaker 1: had these sounds, these thoughts, these ideas, these groundbreaking sounds,

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Speaker 1: thoughts and ideas in his head. And number one being

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Speaker 1: an untrained musician, um, and number two just sort of

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Speaker 1: being clogged with that sort of creativity. I could see

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Speaker 1: that making somebody crazy. Um. And the ramifications of that

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Speaker 1: sort of ultra super duper brilliance and creativity making nuts.

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Speaker 1: Imagine having those screams, those shrieks, those drums, those horns,

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Speaker 1: all that stuff in your brain and and and trying

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Speaker 1: to get it out. Um. This is pre Internet. I mean,

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Speaker 1: like he's not writing, he's trying to explain it. I

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Speaker 1: always I always imagine that with James Brown. UM. And

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Speaker 1: I've always loved his music. G Moody whose last same

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Speaker 1: rhymes with duty. Uh. That's something that we've always listened

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Speaker 1: and listened to. Um. And And you know, growing up

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Speaker 1: when I grew up in the seventies and the eighties,

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Speaker 1: you know you heard James Brown. Um, you heard his music,

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Speaker 1: you heard his name. I mean it was like something

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Speaker 1: he was just part of, you know, the music lexicon

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Speaker 1: if you're that age of my age. Obviously, people in

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Speaker 1: the fifties and sixties they were, you know, more exposed

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Speaker 1: to him, and he was sort of breaking and breaking

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Speaker 1: ground as a musician. But honestly, I started really really

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Speaker 1: being able to go back and appreciate specifically James Brown

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Speaker 1: after hip hop. He was sampled so much by so

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Speaker 1: many people. Um, and he was so talked about and

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Speaker 1: revered in hip hop. Um. And that's why I think

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Speaker 1: it's important to talk about uh and revere him and

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Speaker 1: celebrate him on his birthday uh, throughout the year. UM.

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Speaker 1: I know, for me, I go through periods of time.

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Speaker 1: I'll just do I'm going James Brown for the next

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Speaker 1: two days. All James Brown everything, not even the music

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Speaker 1: that was sample in the hip hop, just all James

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Speaker 1: Brown everything. I've made a bunch of playlists. In my opinion,

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Speaker 1: if you don't really know James Brown music, you should

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Speaker 1: start off with James Brown Funky People Parts one and two.

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Speaker 1: Is is a great way to start, um, learning loving

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Speaker 1: and appreciating James Brown. It's uh, you know, stuff that

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Speaker 1: that he's on, stuff that jbs other people that he produced. UM.

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Speaker 1: I highly recommend James Brown's Funky People Parts one and

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Speaker 1: Part two. Obviously you could listen to Live at the

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Speaker 1: Apollo UM and you really can't go wrong with with

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Speaker 1: any James Brown. There's like a James Brown All Ballads

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Speaker 1: record UM that I love. UM. If you if you

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Speaker 1: don't know James and you want to like just sort

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Speaker 1: of jump into it. Download those those records, by those records,

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Speaker 1: whether you're in Vinyl, whether you're on Spot of five,

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Speaker 1: whether you're on Title, whether you're on iTunes. Uh, and

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Speaker 1: then you could get the j B S records UM,

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Speaker 1: which are ridiculous. UM. And then when you want to

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Speaker 1: get a little a little bit more wild and a

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Speaker 1: little bit more exploratory with it. Uh, you could get

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Speaker 1: James Brown grits and soul. Um and just listen the

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Speaker 1: James Brown. Uh you're not gonna go wrong. But if

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Speaker 1: you really, if you really want to like start I

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Speaker 1: start a kid, I would start with James Brown's uh

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Speaker 1: funky people. Um. So, as I told you, we got

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Speaker 1: the great Pete Rock, producer, extraordinary, the chocolate boy wonder.

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Speaker 1: Uh friend known him for a while. I was in

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Speaker 1: the tribal called Quest documentary. I've just known him throughout

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Speaker 1: New York. Um. I remember I met him when we

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Speaker 1: were doing press for Higher Learning. I bumped into him.

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Speaker 1: Um and uh, you know we've always been cool ever since.

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Speaker 1: Just a very could dude fun, dude good since humor

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Speaker 1: loves the fucking Knicks, knows the pain and suffering it

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Speaker 1: is to be a Knicks fan. So we got Pete

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Speaker 1: Rock and then we got my man Jay Rock. Um

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Speaker 1: and Uh, as I told you earlier, yo, download find

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Speaker 1: his two um James Brown mixes, James Brown one and

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Speaker 1: James Brown two. They are fantastic. Uh download DJ Premiers mixes.

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Speaker 1: He's done an all hip hop mix of all all

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Speaker 1: the songs that James Brown UM has used and sampled

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Speaker 1: some of them. You can you can never do the

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Speaker 1: whole thing because it's been done good, bad, um and

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Speaker 1: and incredibly for so long. But Primo Premier has a

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Speaker 1: dope ass foundation of hip hop mix um and he's got,

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Speaker 1: like you know, due to James Fuck the Police, Uh

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Speaker 1: roll Big Daddy Kane. I ain't no joke, Eric being

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Speaker 1: rock him. I know you got soul also, Eric being

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Speaker 1: rock him. It's a demo. Set it off, Big Daddy. Can.

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Speaker 1: I mean listen, everybody and anybody has sampled James Brown.

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Speaker 1: We're gonna get into that Iron Wrap Pors Stereo podcast

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Speaker 1: in prime time. So for about the last week, Kanye

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Speaker 1: fucking West has been looking for a shoulder to cry

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Speaker 1: on and an ear to be listened to, to be

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Speaker 1: heard by. And I've had enough. Enough is enough. I

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Speaker 1: woke up today with a fucking Kanye West hangover. I've

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Speaker 1: had enough of this fucking guy. Um. Yesterday, friend of

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Speaker 1: the Iron Wrap Coors Stereo podcast, Charlemagne the God dropped

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Speaker 1: about a two hour interview with this fucking guy, and

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Speaker 1: it's it's it's interesting in parts. And it's not Charlemagne's fault. Um.

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Speaker 1: He was great, he was patient, he was challenging, he

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Speaker 1: was fair but firm. Um. His interview is great. One

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Speaker 1: of the things that he talks about, uh in his

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Speaker 1: interview kind the West, is that he's building a city

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Speaker 1: in his three hundred acres that he owns in Wyoming.

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Speaker 1: And I don't give a funk. I already saw this

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Speaker 1: documentary and we documented it here on the Iron Rapports

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Speaker 1: stereo podcast. It's called Wild Wild Country. You're not building

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Speaker 1: a fucking city, you fucking kock. You're not building amusement parks.

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Speaker 1: That's what he was on a couple of years ago.

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Speaker 1: You're not doing any of that ship. Okay. What you

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Speaker 1: need to do, Kanye West, is get yourself some fucking help,

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Speaker 1: settle the fuck down. Okay. And if you're building a

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Speaker 1: fucking city, why aren't you building it in Chicago? Your

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Speaker 1: Mr Chicago. You're always talking about Chicago, always wrapping about Chicago.

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Speaker 1: Why the funk do you want to build a city

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Speaker 1: in Wyoming? Why aren't you in Chicago? You publicly shifted

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Speaker 1: on Barack Obama because he didn't help the city of

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Speaker 1: Chicago that you're talking about building in the city in

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Speaker 1: Wyoming and not Chicago. Some motherfucker went up to t

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Speaker 1: MZ crashed TMZ. We probably told him he was coming

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Speaker 1: up there. They were probably elated. They were probably fucking elated.

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Speaker 1: Kanye West is coming to us during the middle of

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Speaker 1: a manic outbreak. Get all the fucking cameras running, you

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Speaker 1: know at TMZ with Harvey Levin and all those motherfucker's

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Speaker 1: they got cameras all over them. Were like, run all

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Speaker 1: the cameras. Everybody gets your cell phones out. We're not

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Speaker 1: gonna miss a minute of this ship. So he went

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Speaker 1: up there talking all kinds of crazy shit. The thing

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Speaker 1: that's been discussed the most is him saying, uh, that

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Speaker 1: slavery is he is a choice for four hundred years.

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Speaker 1: That's a choice. There were a whole bunch of y'all

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Speaker 1: as if he would have done ship. He actually, he's

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Speaker 1: some sort of tough guy talking about slavery and it

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Speaker 1: was a choice, and there was a bunch of y'all

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Speaker 1: and it went down for four hundred years. What are

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Speaker 1: you fucking talking about? He didn't bring up the the

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Speaker 1: Armenium genocide. You know his wife is Armenian. He didn't

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Speaker 1: bring up that as a choice. He didn't bring up

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Speaker 1: the Holocaust. There's a choice. He brought up slavery being

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Speaker 1: a choice. Shut the funk up, nut job, and and

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Speaker 1: then a lot of this people are talking about mental health,

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Speaker 1: mental health, and he's obviously crazy. Listen. I ain't a doctor. Okay,

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Speaker 1: I'm not a doctor. I'm not a funk that. I

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Speaker 1: don't know if this guy is crazy. Seems fucking crazy.

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Speaker 1: But I'll tell you one thing. There's thousands upon thousands

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Speaker 1: upon thousands upon millions of people in the world that

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Speaker 1: are crazier than this fucking guy who don't have access

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Speaker 1: to Charlemagne the God, don't have Twitter accounts. They're so

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Speaker 1: fucking crazy. They don't have Twitter account they don't know

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Speaker 1: what Twitter is. They don't have carte blanche to go

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Speaker 1: in to TMZ whenever they want. I don't feel bad

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Speaker 1: for this fucking guy, Okay, I want him to shut

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Speaker 1: the funk up. Fat Enough. Me and G. Moody last

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Speaker 1: name rhymes with duty, we suggested three years ago t

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Speaker 1: MZ needs to hire people fresh out of jail and

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Speaker 1: gang members that want to get their life together. Tough

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Speaker 1: motherfucker's paparazzi hire some tough motherfucker's. So when Kanye West

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Speaker 1: comes up to your office talking all kinds of ship,

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Speaker 1: you got a guy with a deep voice, chest naked

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Speaker 1: in the office who could be like, Yo, shut the

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Speaker 1: funk up, man, Shut the funk up, Mass, shut the

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Speaker 1: funk down, and let Harvey conduct the motherfucking interview. Man.

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Speaker 1: Shut the funk up. You up here taking over the

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Speaker 1: whole fucking place talking all kind of bullshit, talking about

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Speaker 1: you had to get lightpo suction because you didn't want

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Speaker 1: to be called fat, so you got lpo suction. He

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Speaker 1: blames it on TMZ and the rest of the world

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Speaker 1: that that he didn't want to be called fat, so

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Speaker 1: he got light bo suction. I don't know if he

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Speaker 1: got the the family trademark fat ass put in like

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Speaker 1: his wife, his mother in law, and his sisters in law.

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Speaker 1: You know they all have the trademark Kardashian plastic surgery

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Speaker 1: given ass. I don't know if Kanye wanted to do

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Speaker 1: that or he just wanted some of the fats sucked

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Speaker 1: out of him. I have yet to get liposuction, but

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Speaker 1: if I got light bo suction, I would not be

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Speaker 1: blaming it on anybody else. It would be because I've

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Speaker 1: I've come to terms with the fact that I am

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Speaker 1: a lazy ice cream donut eating double fisting hamburger, fried chicken, pancake, waffle,

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Speaker 1: pursuedo eating motherfucker. That that that's what I have to

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Speaker 1: come to terms with. You love ice cream, you love lasagna,

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Speaker 1: you love pasta, You fat slob. You talking to myself here.

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Speaker 1: You've given up on CrossFit, on hot yoga, You've given

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Speaker 1: up on juice fasting. Blame yourself, you sloppy dog. This

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Speaker 1: is to myself. Now, I'm gonna get LiPo suction because

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Speaker 1: I'm a fat piece of shit. I wouldn't blame Harvey

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Speaker 1: Levin and the good people at TMZ. I just called

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Speaker 1: them good people. I don't really think all of them

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Speaker 1: are good people. I don't think they're bad people. But

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Speaker 1: if I got the LiPo suction, I know that it

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Speaker 1: would be a choice that I made simply because I

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Speaker 1: am a fat, sloppy chocolate ice cream eating pig, hot dog,

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Speaker 1: pizza eat and motherfucker. And I've given up, given up

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Speaker 1: on cross fit, on giving up on all of it.

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Speaker 1: But not Kanye. He blames the fucking world for going

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Speaker 1: to get plastic surgery. I don't know if it was

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Speaker 1: to fit into those skinny jeans that he was so

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Speaker 1: proud that he got the rest of the goddamn world

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Speaker 1: to weigh here. Maybe he didn't fit in your fucking

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Speaker 1: skinny jeans. I don't know what. Then he talked about

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Speaker 1: at t MZ how he how he got addicted to

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Speaker 1: opioids because he was got the LiPo suction and so on.

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Speaker 1: And I'm not babysitting this motherfucker. This has been going

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Speaker 1: on for a week. The entire world has been babysitting

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Speaker 1: Kanye West. I got my own fucking problems. Okay, I

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Speaker 1: got bills to be paid. I got my own fucking kids,

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Speaker 1: got my own fucking dog, got my wife, got my parents,

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Speaker 1: got my own concerns. I'm not babysitting. Is fucking cry

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Speaker 1: baby whining, narcissistic, self centered, egotistical, cry baby motherfucker talking

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Speaker 1: all this ship. All he does is sit around and

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Speaker 1: read inspirational quotes and then quotes the quotes that he

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Speaker 1: read from the quote book. Shut the funk up. None

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Speaker 1: of this would happen if TAMZ hired some gang members

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Speaker 1: that we're going to reform and reconstruct their life, some

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Speaker 1: some people out of jail that are looking for a

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Speaker 1: new start in life, and they were up there at

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Speaker 1: the TMZ offices, they would have been like, Yo, shut

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Speaker 1: the funk up and sit down, man, shut the funk

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00:19:19,880 --> 00:19:22,520
Speaker 1: up and sit the funk down. You and you are

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Speaker 1: a pete from Kanye West. It's up there bullying and

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Speaker 1: talking all his bullshit to the people like TMZ. Not

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Speaker 1: that they didn't love it. They loved it. They fucking

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Speaker 1: loved it. Don't blame the rest of the world. Don't

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Speaker 1: blame Harvey Levin and TMZ for you refusing to do

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Speaker 1: some squats and some crunches. Okay, you're blaming everyone, Okay,

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Speaker 1: but you're not blaming yourself. You're not blaming your family.

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Speaker 1: And pimping Chris Jenner, Where the funk are you? Where

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00:19:55,720 --> 00:19:59,240
Speaker 1: the fuck is pimping Chris Jenner? Whenever the ship hits

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00:19:59,280 --> 00:20:02,520
Speaker 1: the fan, hipping Chris Jenner is nowhere to be found

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Speaker 1: when things are great, when ship is sweet. Pimping Chris Jenner,

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Speaker 1: she's up there, She's at the red carpet, she's got

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Speaker 1: a show, She's on Ellen, she's on Good Morning America.

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Speaker 1: This guy's obviously fucking whacked out of his fucking treat pimping.

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Speaker 1: Chris Jenner is nowhere to be found. Kim, come get

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Speaker 1: your fucking man. One of the other things that he

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Speaker 1: talked about with Charlemagne is how at one of his

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Speaker 1: fashion shows he was forty five minutes late, and how

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Speaker 1: he felt like the fashion world lebron him, and how

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Speaker 1: they turned on him and they treated him like he

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Speaker 1: was an N word. And that's I thought that was

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Speaker 1: the mentality. I thought that was slave mentality. Just earlier

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Speaker 1: in the last few weeks, you were saying you need

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Speaker 1: to it's about a mentality and change in the mentality.

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Speaker 1: But when the fashion world turns on you, you, oh,

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Speaker 1: they're treating me like an N word. They're trying to

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Speaker 1: keep me in line and all that. Why do you

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Speaker 1: give a funk with the fashion world thinks about you?

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00:21:04,720 --> 00:21:07,240
Speaker 1: Worried about what the hip hop community thinks about you.

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Speaker 1: He's all upset about Oh, the fashion world, you know

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Speaker 1: they were, they were trying to marginalize. Shut the funk up. Okay,

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Speaker 1: shut the funk up, Kanye West. I've had enough. Give

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Speaker 1: this fucking guy some more milk, a blanket, and go

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Speaker 1: to funk to sleep. I know NAS is probably like

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Speaker 1: yo if he is in fact producing NAS's album, because

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Speaker 1: in my opinion, I think that this is just something

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00:21:33,240 --> 00:21:35,440
Speaker 1: he tweeted out, like maybe he did a song or

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Speaker 1: two with NAS and he's like, I'm doing his whole album.

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Speaker 1: I guarantee you, NAS right now is like Yo, Duke, Duke,

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Speaker 1: don't say my name out your mouth. I don't put

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Speaker 1: out that much music. I got my own problems. I

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Speaker 1: got my ex wife accused me of this, and that

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Speaker 1: I don't need to be tied up with you. NAS

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Speaker 1: might take the record from this fucking guy, be like

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Speaker 1: I don't. I don't give a fun how great and brilliant,

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Speaker 1: Uh these songs might be. I can't be associated with

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Speaker 1: this fucking case. I've had enough of this fucking guy.

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Speaker 1: I'm sure nos Escobar has had enough of them too.

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Speaker 1: Worrying about what the fucking fashion world things, worry about

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Speaker 1: what the hip hop community thinks about you. Get on Instagram, motherfucker.

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Speaker 1: Get off Twitter. Get on Instagram and look at some

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Speaker 1: of your comrades and hip hop What the funk they're

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00:22:20,200 --> 00:22:24,080
Speaker 1: saying about you? Because you sound nuts. You sound crazy

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Speaker 1: on the yard, and there's been some crazy motherfucker's in

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Speaker 1: the music industry. But you take the fucking cake, fucking

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Speaker 1: cucku Cucku Kanye Zame rapports Stereo podcast in prime time, okay,

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Speaker 1: prime time podcasting listen for people that have downloaded the

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Speaker 1: I Am Wrappaport Stereo app. All exclusive, exclusive for the

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Speaker 1: people that have downloaded the I Am Rappaport app. Off everything.

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00:22:57,760 --> 00:23:02,800
Speaker 1: We have beautiful but soft T shirts. We have the

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00:23:02,880 --> 00:23:08,280
Speaker 1: ME and G. Moody hand drawn Championship Podcasting T shirt,

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00:23:09,400 --> 00:23:12,159
Speaker 1: the Sucker Ship T shirt and white and in black,

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00:23:12,359 --> 00:23:15,320
Speaker 1: the Stickman thirty three shot out, the Pat Ewing T shirt,

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00:23:17,200 --> 00:23:22,560
Speaker 1: Georgetown colors, the Disruptive Behavior T shirt, the Disruptive Behavior hats.

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00:23:23,040 --> 00:23:29,680
Speaker 1: All all I Am Rappaport butter soft T shirts and hats.

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00:23:30,119 --> 00:23:34,240
Speaker 1: All merchandise available now for everybody who downloaded the app.

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00:23:35,520 --> 00:23:39,560
Speaker 1: We're practically giving it away. Shout out the Crazy Eddie,

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00:23:40,240 --> 00:23:44,000
Speaker 1: use the promo code champ and rest ashore. The more

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00:23:44,040 --> 00:23:45,840
Speaker 1: you wash the T shirts, the more you wear the

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00:23:45,840 --> 00:23:48,280
Speaker 1: T shirts, the better they get, the better they feel,

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Speaker 1: the soft that they get, the soft that they feel

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Speaker 1: because they're butter soft. What else is going on? What

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Speaker 1: else is going on in Primetime. So I heard Tom

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Speaker 1: Arnold was on Howard's during this Morning and Howard's the best,

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Speaker 1: He's the best. Is so much more patient then then

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Speaker 1: I know I would have been. Uh, he's so much

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00:24:08,440 --> 00:24:10,600
Speaker 1: more patient than most people would have been. Tom Arnold,

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Speaker 1: who I like. I know Tom. He's a nice guy.

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Speaker 1: We we we asked him before on this podcast. He's

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Speaker 1: been talking about his his Donald Trump tapes. Now he's

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Speaker 1: got some show on Viceland in search of the Donald

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00:24:23,040 --> 00:24:27,280
Speaker 1: Trump tapes. He was rambling the funk on with Howard.

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Speaker 1: Howard was like, what do you got? Every time he

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00:24:31,119 --> 00:24:33,840
Speaker 1: said what do you got? He's giving him side answers,

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00:24:33,920 --> 00:24:36,440
Speaker 1: and you know, Old Howard Stern would be like, what

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00:24:36,480 --> 00:24:38,600
Speaker 1: do you got? Motherfucker? And we're gonna kick you the

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00:24:38,600 --> 00:24:41,919
Speaker 1: funk out. You came on the show to promote a

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00:24:41,920 --> 00:24:44,720
Speaker 1: new show you have on Viceland, so called searching for

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Speaker 1: the Donald Trump tapes, and then you won't say if

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00:24:47,160 --> 00:24:49,080
Speaker 1: you have tapes or you don't have tapes. And it

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00:24:49,119 --> 00:24:51,359
Speaker 1: wasn't like he was trying to coerce you into watching

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Speaker 1: the show. He's just fucking double talking. I ask you again,

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Speaker 1: Tom Arnold, where the tape set? Not what you know exists,

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00:25:00,119 --> 00:25:03,800
Speaker 1: now what you think exists, not what could exist? Where

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00:25:03,800 --> 00:25:07,800
Speaker 1: the tapes? At says he knows about piss tapes, says

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00:25:07,800 --> 00:25:11,159
Speaker 1: he knows about tapes, him saying racial epithets, says he's

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00:25:11,160 --> 00:25:14,560
Speaker 1: got this that where the at, Duke, Where the fucking tapeset?

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Speaker 1: I tried to call into the Howard Sern Show while

399
00:25:19,680 --> 00:25:21,520
Speaker 1: was going on, and I wanted to say, right there

400
00:25:21,520 --> 00:25:27,440
Speaker 1: on Howard Show, where the fucking tapes set? We're deep

401
00:25:27,440 --> 00:25:30,760
Speaker 1: in the midst of the NBA playoffs, Lebron James. Somehow

402
00:25:30,840 --> 00:25:34,960
Speaker 1: Someway and his Cleveland Cavaliers pulled off the win Game

403
00:25:35,000 --> 00:25:39,159
Speaker 1: one in Toronto, and I'm torn. I'm torn watching Drake

404
00:25:39,520 --> 00:25:43,480
Speaker 1: and his bullshit. You know he's the number one Toronto

405
00:25:43,600 --> 00:25:46,040
Speaker 1: Rock Raptors fan. Watching his bullshit, I don't know what

406
00:25:46,119 --> 00:25:47,639
Speaker 1: bothers mean. Well, I didn't know who to who to

407
00:25:47,760 --> 00:25:51,080
Speaker 1: root for. Can I sit there and root for the

408
00:25:51,080 --> 00:25:54,919
Speaker 1: Toronto Raptors at home with Drake sitting on the sideline.

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00:25:56,880 --> 00:25:59,639
Speaker 1: I can't really support fucking Drake sitting on there. It

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00:25:59,760 --> 00:26:04,160
Speaker 1: just something about this fucking guy, Something about this fucking

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00:26:04,160 --> 00:26:07,879
Speaker 1: guy annoys me. The good guy, nice guy I know,

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00:26:08,080 --> 00:26:11,240
Speaker 1: blah blah, blahs, he makes a good songs and just

413
00:26:11,240 --> 00:26:13,440
Speaker 1: just set the funk down. You're not part of the game.

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00:26:14,200 --> 00:26:16,040
Speaker 1: As much as I like to talk shop, you never

415
00:26:16,080 --> 00:26:18,720
Speaker 1: see me at a game talking ship to the actual players,

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00:26:19,119 --> 00:26:21,240
Speaker 1: trying to immerse yourself in the game. You're not part

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Speaker 1: of the team. Okay, you're just Drake set the funk down.

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Speaker 1: He's always talking. So I said in a couple of

419
00:26:28,960 --> 00:26:31,920
Speaker 1: episodes on the Iron Rapport Stereo Pockets what I said.

420
00:26:31,960 --> 00:26:36,560
Speaker 1: I said, this fucking guy, somebody needs to tell him

421
00:26:36,560 --> 00:26:38,760
Speaker 1: to sit the funk down and shut the funk up.

422
00:26:39,000 --> 00:26:43,720
Speaker 1: So apparently at halftime, Kendrick Perkins of the Cleveland Cavaliers,

423
00:26:43,720 --> 00:26:46,160
Speaker 1: who wasn't even suited up, he said some slick ship

424
00:26:46,240 --> 00:26:49,200
Speaker 1: to Kendrick Perkins, and Kendrick Perkins, as we all know,

425
00:26:49,560 --> 00:26:54,679
Speaker 1: is about about it. He stepped to Drake and was like,

426
00:26:55,160 --> 00:26:57,840
Speaker 1: my man, sit the funk down and shut the funk up.

427
00:27:00,080 --> 00:27:02,480
Speaker 1: He said that from about five ten ft away, and

428
00:27:02,520 --> 00:27:05,119
Speaker 1: then Drake was wasn't saying anything. And then when Kendrick

429
00:27:05,160 --> 00:27:08,359
Speaker 1: Perkins walked away, Drake continued to talk like you like,

430
00:27:08,440 --> 00:27:11,480
Speaker 1: you want that smoke with Kendrick Perkins. You don't want

431
00:27:11,480 --> 00:27:14,919
Speaker 1: that smoke with Kay Perk. But I'm in a conundrum.

432
00:27:16,600 --> 00:27:18,399
Speaker 1: I'm in a conundrum. I might have to take this

433
00:27:18,480 --> 00:27:24,080
Speaker 1: series off, like fuck it. If Lebron wins, fine, Lebron loses, fine,

434
00:27:24,119 --> 00:27:26,800
Speaker 1: because it's the lesser of two evils. It's like Devil's pie.

435
00:27:28,080 --> 00:27:31,120
Speaker 1: Of course I want Lebron James to lose. But then

436
00:27:31,160 --> 00:27:34,119
Speaker 1: I have to sit there and have Drake win. I

437
00:27:34,119 --> 00:27:36,520
Speaker 1: don't know. I just have to mind my fucking business

438
00:27:36,520 --> 00:27:39,919
Speaker 1: with this one. I might have to mind my fucking

439
00:27:39,960 --> 00:27:42,119
Speaker 1: but I am so. I guarantee you Drake will not

440
00:27:42,160 --> 00:27:46,960
Speaker 1: say another word to Kendrick Perkins ever again. He may

441
00:27:47,000 --> 00:27:51,480
Speaker 1: never say the words Kendrick or Perkins ever again, because

442
00:27:51,560 --> 00:28:00,960
Speaker 1: Kendrick Perkins is uh, he's about about it. What else

443
00:28:01,040 --> 00:28:03,439
Speaker 1: is going on? I don't know what else is going on.

444
00:28:03,960 --> 00:28:06,879
Speaker 1: This really bothered me. The the the Boy Scouts of America.

445
00:28:07,720 --> 00:28:10,399
Speaker 1: I was a boy Scout about I don't know, a

446
00:28:10,440 --> 00:28:15,160
Speaker 1: month to kick me out. Boy Scouts have been around

447
00:28:15,160 --> 00:28:20,680
Speaker 1: for hundreds of years, the Boy Scouts of America, it's

448
00:28:20,720 --> 00:28:23,439
Speaker 1: been around a hundred year, hundreds of years, I don't know,

449
00:28:23,760 --> 00:28:30,440
Speaker 1: seventy nine years, eighty something years. Because of the woman's movement,

450
00:28:30,640 --> 00:28:38,360
Speaker 1: and all this bullshit. Granted, granted there's girl Scouts. There

451
00:28:38,360 --> 00:28:43,840
Speaker 1: are girl Scouts, but the Boy Scouts been around for

452
00:28:43,880 --> 00:28:46,320
Speaker 1: a hundred and eight years or ninety seven years, I

453
00:28:46,320 --> 00:28:52,840
Speaker 1: don't know, are dropping the word boy from their flag

454
00:28:53,400 --> 00:28:59,200
Speaker 1: ship program. They are dropping the word the Boy Scouts

455
00:28:59,200 --> 00:29:03,720
Speaker 1: have to drop the word boy from their flag ship program.

456
00:29:03,760 --> 00:29:10,120
Speaker 1: That is some bullshit. That is some bullshit. Listen, if

457
00:29:10,160 --> 00:29:12,960
Speaker 1: a little girl wants to be in the Boy Scouts,

458
00:29:13,320 --> 00:29:16,520
Speaker 1: you know what, you could say, No, you don't have

459
00:29:16,560 --> 00:29:19,560
Speaker 1: to give every little kid what they want. A little

460
00:29:19,600 --> 00:29:22,160
Speaker 1: girl wants to be in the Boy Scouts. Sorry, Becky,

461
00:29:22,760 --> 00:29:28,640
Speaker 1: Sorry Lauren, sorry Jamie. The boy Scouts are for little boys.

462
00:29:29,920 --> 00:29:33,600
Speaker 1: But because there's been so much uh you know, with

463
00:29:33,720 --> 00:29:37,120
Speaker 1: the women's moving and the girls this and the identity

464
00:29:37,200 --> 00:29:42,160
Speaker 1: and all, now the Boy Scouts have to be called

465
00:29:42,240 --> 00:29:45,000
Speaker 1: something else. The word boy is being taken out of

466
00:29:45,000 --> 00:29:48,520
Speaker 1: the Boy Scouts, but the name girl isn't being taken

467
00:29:48,520 --> 00:29:51,120
Speaker 1: out of the Girl Scouts. This is some bullshit. Let

468
00:29:51,200 --> 00:29:53,160
Speaker 1: me tell you something. I went to camp when I

469
00:29:53,200 --> 00:29:54,800
Speaker 1: was a kid. I went to sleepaway camp for when

470
00:29:54,840 --> 00:29:57,040
Speaker 1: I was six to thirteen. I finally got kicked out

471
00:29:57,040 --> 00:29:59,320
Speaker 1: of camp for the final time when I was thirteen,

472
00:30:00,040 --> 00:30:03,480
Speaker 1: went and spent the summer of the month of August

473
00:30:03,480 --> 00:30:06,640
Speaker 1: with my sister in Los Angeles, changing my life forever. Okay,

474
00:30:06,640 --> 00:30:12,400
Speaker 1: but I loved camp two months, sleepaway camp, all boys camp. Okay,

475
00:30:12,640 --> 00:30:14,920
Speaker 1: I had a great fucking time. There were no girls

476
00:30:14,920 --> 00:30:18,120
Speaker 1: in the camps, old boys. We had a quote unquote

477
00:30:18,120 --> 00:30:20,360
Speaker 1: sister camp that was old girls. And that's the way

478
00:30:20,400 --> 00:30:25,160
Speaker 1: it should fucking be. Okay, because for the majority of

479
00:30:25,240 --> 00:30:28,719
Speaker 1: the boys and the majority of the girls, particularly when

480
00:30:28,760 --> 00:30:31,000
Speaker 1: you're that age. I said majority. I didn't say, oh,

481
00:30:31,680 --> 00:30:35,680
Speaker 1: we're into different ship, okay. And if you're a girl

482
00:30:35,760 --> 00:30:38,440
Speaker 1: that's into ship that, you don't like it the girls camp,

483
00:30:38,640 --> 00:30:41,360
Speaker 1: So what, too bad? Don't go to the girls camp.

484
00:30:42,600 --> 00:30:45,520
Speaker 1: Everybody else shouldn't have to suffer because a few people

485
00:30:45,800 --> 00:30:50,120
Speaker 1: see things differently. Now, the boy Scouts can't be the

486
00:30:50,160 --> 00:30:54,200
Speaker 1: fucking boy scouts. Imagine me at eight years old, me,

487
00:30:54,320 --> 00:30:56,880
Speaker 1: Michael Rapper, I was fucking pain in the as a

488
00:30:57,000 --> 00:31:04,479
Speaker 1: disruptive lunatic. I was a disruptive lunatic. Nursery school. They

489
00:31:04,520 --> 00:31:06,200
Speaker 1: put me with the five year olds when I was

490
00:31:06,320 --> 00:31:09,960
Speaker 1: four because I was so disruptive. I got kicked out

491
00:31:10,000 --> 00:31:14,000
Speaker 1: of the third grade in public school, New York City,

492
00:31:14,240 --> 00:31:18,840
Speaker 1: because I was so disruptive. Imagine me in the third grade.

493
00:31:19,200 --> 00:31:21,320
Speaker 1: I don't know how old you or the eight n whatever,

494
00:31:21,360 --> 00:31:24,000
Speaker 1: the funk you are the pain in the ass that

495
00:31:24,080 --> 00:31:26,440
Speaker 1: I am. Say, Dad, you know I don't want to

496
00:31:26,440 --> 00:31:28,720
Speaker 1: be a boy Scout. I want to be a girl scout.

497
00:31:29,520 --> 00:31:31,960
Speaker 1: You know what, my father and my mother and the

498
00:31:32,040 --> 00:31:35,720
Speaker 1: girl Scout community would have told me, shut the funk up.

499
00:31:36,160 --> 00:31:40,080
Speaker 1: We don't want you and your fucking lunatic. Sorry. No

500
00:31:40,120 --> 00:31:44,200
Speaker 1: one would have felt bad for me. Not one person

501
00:31:44,360 --> 00:31:47,239
Speaker 1: would have been like, oh, what about his feelings. They

502
00:31:47,240 --> 00:31:49,920
Speaker 1: would have said, this fucking kid is a pain in

503
00:31:49,960 --> 00:31:53,040
Speaker 1: the ass. We don't want him in the boy Scouts.

504
00:31:53,120 --> 00:31:55,320
Speaker 1: We don't want him in the girl We don't want him.

505
00:31:55,400 --> 00:31:57,640
Speaker 1: That's what they told me, and and and that's good.

506
00:31:57,800 --> 00:32:00,640
Speaker 1: I deserved it. We gotta stop. I don't win these

507
00:32:00,680 --> 00:32:04,440
Speaker 1: fucking kids. We gotta change all the fucking rules. And

508
00:32:04,480 --> 00:32:08,080
Speaker 1: it's not the kids, it's the fucking parents. No means no,

509
00:32:08,360 --> 00:32:11,200
Speaker 1: you fuck you. That doesn't just mean no means no

510
00:32:11,600 --> 00:32:15,080
Speaker 1: to men when they're trying to touch grown up women's

511
00:32:15,280 --> 00:32:18,800
Speaker 1: no means no to little kids. No means fucking no,

512
00:32:19,120 --> 00:32:21,720
Speaker 1: sit the funk down, Shut the funk up, and eat

513
00:32:21,760 --> 00:32:25,360
Speaker 1: your apple sauce. Crisscross apple sauce. You're lucky. You gotta

514
00:32:25,400 --> 00:32:30,080
Speaker 1: fucking juice box. Your little shit. If I had been

515
00:32:30,080 --> 00:32:31,760
Speaker 1: told that more when I was a kid, who the

516
00:32:31,760 --> 00:32:33,680
Speaker 1: hell knows what I'd be, I wouldn't be as disruptive

517
00:32:33,720 --> 00:32:39,080
Speaker 1: as I am. The world would not have primetime podcasting

518
00:32:39,880 --> 00:32:43,120
Speaker 1: as it does now. But I slipped through the cracks

519
00:32:43,240 --> 00:32:49,320
Speaker 1: in general with these little fucking kids. No, little nine

520
00:32:49,360 --> 00:32:52,240
Speaker 1: year old Deborah, she's a girl. She doesn't want to

521
00:32:52,280 --> 00:32:57,040
Speaker 1: be a girl scout. She wants to be a boy scout. Sorry, Charlie, Sorry,

522
00:32:57,080 --> 00:32:59,160
Speaker 1: we'll figure this ship out later. You don't get what

523
00:32:59,200 --> 00:33:02,120
Speaker 1: you want. Roll Scouts to the girl Scouts, boy scouts

524
00:33:02,120 --> 00:33:06,120
Speaker 1: of the boy scouts. Okay, because I don't see it

525
00:33:06,160 --> 00:33:08,520
Speaker 1: working both ways. I just see the boy scouts. Now,

526
00:33:08,520 --> 00:33:10,560
Speaker 1: I have to call himself something else. I don't fact

527
00:33:10,640 --> 00:33:12,720
Speaker 1: check at the Iron rapp Port Stereo podcast. I was

528
00:33:12,720 --> 00:33:15,160
Speaker 1: too offended and uppolled by the fact that we have

529
00:33:15,200 --> 00:33:22,240
Speaker 1: to do this bullshit. Listen James Brown's birthday. Okay, this

530
00:33:22,280 --> 00:33:30,360
Speaker 1: podcast is dedicated to John Jabbo Starks, the second of

531
00:33:30,480 --> 00:33:34,960
Speaker 1: James Brown's drummers. The other funky drummer as they called him,

532
00:33:35,080 --> 00:33:39,640
Speaker 1: Clyde Stubblefield was the first James Brown drummer. Uh. He

533
00:33:39,840 --> 00:33:43,400
Speaker 1: just passed, just passed a couple of days ago. Um

534
00:33:43,440 --> 00:33:46,040
Speaker 1: at seventy nine years old. Obviously got to live a

535
00:33:46,040 --> 00:33:50,440
Speaker 1: long life. Um. But we are are celebrating James Brown.

536
00:33:50,520 --> 00:33:55,640
Speaker 1: We are dedicating this podcast James Jabbo Starks. Coming up

537
00:33:55,680 --> 00:33:58,280
Speaker 1: next on the I m Rapp Reports Stereo podcast, My

538
00:33:58,480 --> 00:34:03,680
Speaker 1: Man Pete Rock, the Chocolate Boy Wonder we're talking all

539
00:34:03,840 --> 00:34:08,160
Speaker 1: James Brown. Then I'm gonna follow that up with my

540
00:34:08,239 --> 00:34:12,560
Speaker 1: man Jay Rock, original beat Junkie, and then I Am

541
00:34:12,560 --> 00:34:16,560
Speaker 1: going to close the show with five very sick fucks

542
00:34:17,000 --> 00:34:19,640
Speaker 1: of the week coming up next, Miles, let me get

543
00:34:19,680 --> 00:34:22,960
Speaker 1: something funky, all right, because we got a true true

544
00:34:23,120 --> 00:34:26,160
Speaker 1: soul brother coming up next. Let me get something funky

545
00:34:26,239 --> 00:34:28,600
Speaker 1: for Pete Rock. And they were going right into my

546
00:34:28,680 --> 00:34:41,239
Speaker 1: main man, Jay Rock. Let's go do not feel good.

547
00:34:41,840 --> 00:34:44,440
Speaker 1: I know the job field good too. We come through

548
00:34:44,440 --> 00:34:46,840
Speaker 1: it our things. Ud Go's fady to get down right there.

549
00:34:47,760 --> 00:34:52,080
Speaker 1: Let me look like man, I'm saving I gotta kick

550
00:34:52,120 --> 00:35:00,600
Speaker 1: this thing up. Can I get up Pete Rocker up? Ha?

551
00:35:01,440 --> 00:35:07,960
Speaker 1: I'm chilling, my man. How are you feeling, bro, I'm

552
00:35:08,000 --> 00:35:11,320
Speaker 1: good man, I'm just you know, uh, you know, working

553
00:35:11,360 --> 00:35:14,840
Speaker 1: on some stuff. You know, I got something coming out soon.

554
00:35:16,360 --> 00:35:18,440
Speaker 1: All right, Well, I want to stay focused because I

555
00:35:18,440 --> 00:35:22,719
Speaker 1: need a full Pete Rock podcast at some point. But

556
00:35:22,840 --> 00:35:25,319
Speaker 1: I promise you was gonna be short and sweet and

557
00:35:25,360 --> 00:35:32,319
Speaker 1: focus on James Brown. I can't even imagine what he

558
00:35:32,480 --> 00:35:36,120
Speaker 1: means to you, um, and how you know, Like, I

559
00:35:36,120 --> 00:35:38,960
Speaker 1: don't expect you to be able to articulate everything that

560
00:35:39,000 --> 00:35:42,319
Speaker 1: he means to you. But I'll just ask you a

561
00:35:42,320 --> 00:35:44,400
Speaker 1: few questions and then you could just veer off however

562
00:35:44,440 --> 00:35:47,279
Speaker 1: you want, because I'm sure he just means so much.

563
00:35:47,520 --> 00:35:50,120
Speaker 1: So so my first question is, like, just as a

564
00:35:50,120 --> 00:35:54,560
Speaker 1: fan for you, Pete Rock, what does James Brown mean

565
00:35:54,600 --> 00:36:01,840
Speaker 1: to you? Um? Number one, James Brown means to be, um,

566
00:36:01,880 --> 00:36:06,440
Speaker 1: everything you want to be, as far as ambitious and

567
00:36:08,080 --> 00:36:15,640
Speaker 1: being a musician. You understand. He covered every aspect, all corners,

568
00:36:15,719 --> 00:36:18,280
Speaker 1: all holes were filled, like you know what I'm saying,

569
00:36:18,360 --> 00:36:24,240
Speaker 1: like and he was easy to learn from and to

570
00:36:24,280 --> 00:36:26,640
Speaker 1: be inspired by, you know what I'm saying, because he

571
00:36:27,080 --> 00:36:30,279
Speaker 1: just had the power. And when I met him, the

572
00:36:30,440 --> 00:36:33,359
Speaker 1: surge went through my body as I shook his head.

573
00:36:34,080 --> 00:36:36,200
Speaker 1: I didn't know you met him? Yeah, when I was

574
00:36:36,239 --> 00:36:40,479
Speaker 1: seven years old? Man, Holy ship, where'd you meet him? Uh?

575
00:36:40,520 --> 00:36:43,440
Speaker 1: And my fronton in my hood? He came and performed

576
00:36:44,040 --> 00:36:47,320
Speaker 1: with the j B s in my hood man, Me

577
00:36:47,480 --> 00:36:50,480
Speaker 1: and my younger brother and my mom's took us. You

578
00:36:50,520 --> 00:36:54,239
Speaker 1: know what I'm saying. That's fucking crazy. That's nuts, right,

579
00:36:54,440 --> 00:36:57,480
Speaker 1: that's nuts. I would always tell people that's how I

580
00:36:57,520 --> 00:37:01,320
Speaker 1: think I became people when I was touched by him.

581
00:37:01,400 --> 00:37:06,799
Speaker 1: That's fucking dope. Yeah. And as a producer, you know,

582
00:37:06,920 --> 00:37:11,480
Speaker 1: specifically for you as a producer, James Brown's music, what

583
00:37:11,480 --> 00:37:14,920
Speaker 1: what is it about the the music, the slap, the sounds,

584
00:37:15,000 --> 00:37:19,040
Speaker 1: the funk that you hear that you know gets your

585
00:37:19,040 --> 00:37:23,040
Speaker 1: ears tingling, that gets you excited. I think it's James

586
00:37:23,120 --> 00:37:26,120
Speaker 1: Brown's air for musicians, you know what I'm saying. And

587
00:37:26,160 --> 00:37:28,759
Speaker 1: then what was going on inside of his head, you know,

588
00:37:28,920 --> 00:37:33,520
Speaker 1: like trying to get music out and that's playing inside

589
00:37:33,560 --> 00:37:36,319
Speaker 1: of his head and finding the right band members to

590
00:37:36,440 --> 00:37:40,239
Speaker 1: to to play what's going on in his head? That

591
00:37:40,320 --> 00:37:43,920
Speaker 1: to me, it's very very very very interesting. You know,

592
00:37:44,040 --> 00:37:48,840
Speaker 1: to know that this man thinks about music seven You

593
00:37:48,840 --> 00:37:53,279
Speaker 1: know what I'm saying. So you know, um, it's only

594
00:37:53,360 --> 00:37:56,200
Speaker 1: natural for him to find what he needs soon or later,

595
00:37:56,320 --> 00:37:59,680
Speaker 1: you know, because at the time, you know, when he started,

596
00:37:59,719 --> 00:38:03,360
Speaker 1: like in the late fifties early sixties, the music was

597
00:38:03,520 --> 00:38:07,520
Speaker 1: being played differently than you know that he actually was

598
00:38:07,560 --> 00:38:12,960
Speaker 1: the man who actually made the first funk soul record

599
00:38:13,280 --> 00:38:16,040
Speaker 1: pop has got a brand new bag, Like that's what

600
00:38:16,120 --> 00:38:17,719
Speaker 1: he meant, Like, you know, I got a brand new

601
00:38:17,760 --> 00:38:24,600
Speaker 1: bag and it's called funk, saying. So, so he was titling.

602
00:38:25,000 --> 00:38:28,680
Speaker 1: He was coming up with these like fantastic titles for

603
00:38:28,680 --> 00:38:32,080
Speaker 1: for for records, you know, and and you know, with

604
00:38:32,200 --> 00:38:35,920
Speaker 1: the music to follow. So I think that's what it was.

605
00:38:35,719 --> 00:38:39,240
Speaker 1: It was his heir to me was was the most

606
00:38:39,760 --> 00:38:42,919
Speaker 1: was the biggest thing I was attracted to. Why. I mean,

607
00:38:43,080 --> 00:38:45,800
Speaker 1: obviously it was you know, it was just the music

608
00:38:45,880 --> 00:38:48,520
Speaker 1: was so young, but hip hop if if you know,

609
00:38:49,160 --> 00:38:51,480
Speaker 1: it was formed, so, I mean, I don't even know

610
00:38:51,520 --> 00:38:54,080
Speaker 1: how Like somebody I'm sure has a list of all

611
00:38:54,200 --> 00:38:56,080
Speaker 1: the people. I mean, you guys have all all of

612
00:38:56,120 --> 00:39:03,920
Speaker 1: you everybody good bad, great version, museum quality versions, you know, Africa, Bambada,

613
00:39:04,960 --> 00:39:07,680
Speaker 1: I mean, everybody all you all you, all the producers,

614
00:39:07,880 --> 00:39:11,200
Speaker 1: what it is about, Uh, James Brown and hip hop

615
00:39:11,280 --> 00:39:13,960
Speaker 1: that we're just so synonymous. Why was he like to

616
00:39:14,080 --> 00:39:18,320
Speaker 1: go to treasure Chest endlessly? I mean samples have been used,

617
00:39:18,880 --> 00:39:21,239
Speaker 1: the same samples from the same songs have been used

618
00:39:21,239 --> 00:39:23,759
Speaker 1: and flipped and and you know, to the most obscure,

619
00:39:23,880 --> 00:39:26,239
Speaker 1: to the most basic. What is it about his music

620
00:39:26,520 --> 00:39:29,319
Speaker 1: with hip hop that makes so much sense? I think

621
00:39:29,680 --> 00:39:32,920
Speaker 1: because of how he made his music. It's like he

622
00:39:33,040 --> 00:39:35,799
Speaker 1: made it. It's like it was hip hop and we

623
00:39:35,800 --> 00:39:40,120
Speaker 1: didn't know it was hipop. His music was exciting and

624
00:39:40,160 --> 00:39:44,919
Speaker 1: just soul full and funky and just you know, had

625
00:39:44,960 --> 00:39:48,239
Speaker 1: the baddest drumas and would you know do breakdowns and

626
00:39:48,480 --> 00:39:51,160
Speaker 1: you know it was just sick and have the guitar

627
00:39:51,320 --> 00:39:55,080
Speaker 1: player going crazy and the drump ups wilding out. You

628
00:39:55,080 --> 00:39:58,680
Speaker 1: know what I'm saying. Like hip hop was so attracted

629
00:39:59,640 --> 00:40:03,000
Speaker 1: or made him the first go to guy, it's because

630
00:40:03,040 --> 00:40:06,239
Speaker 1: he was ready made um. All right? So Pete, can

631
00:40:06,239 --> 00:40:10,680
Speaker 1: you explain to me what the one is? James Brown

632
00:40:10,760 --> 00:40:12,719
Speaker 1: talks about coming in on the one. When you hear

633
00:40:13,160 --> 00:40:16,120
Speaker 1: people talk about James Brown music, Uh, there's the ones,

634
00:40:16,200 --> 00:40:19,319
Speaker 1: there's the twos. This is some real musician ships. Can

635
00:40:19,360 --> 00:40:22,040
Speaker 1: you explain to me what the ones meaning coming in

636
00:40:22,120 --> 00:40:26,279
Speaker 1: on a beat at the ones actually means when the

637
00:40:26,480 --> 00:40:28,800
Speaker 1: when the beat first drops, you know what I'm saying,

638
00:40:29,360 --> 00:40:33,160
Speaker 1: it's like, okay, I know you got sold right, Bobby Birds.

639
00:40:33,200 --> 00:40:37,200
Speaker 1: It starts off just it comes straight on, it just goes.

640
00:40:41,040 --> 00:40:46,480
Speaker 1: And the one is the part that goes. Any time

641
00:40:46,520 --> 00:40:49,919
Speaker 1: you hear any time you hear me say it's the one.

642
00:40:50,120 --> 00:40:56,320
Speaker 1: You know what I'm saying, Like, you know what I'm saying,

643
00:40:55,640 --> 00:40:59,000
Speaker 1: that's the one, and that's what he was teaching his

644
00:40:59,160 --> 00:41:01,839
Speaker 1: band and that's what we're going on in his head.

645
00:41:02,360 --> 00:41:04,520
Speaker 1: So it was like the you know, the one, and

646
00:41:04,560 --> 00:41:07,560
Speaker 1: then the snare you know, came right after. And then

647
00:41:07,560 --> 00:41:11,120
Speaker 1: he just kind of repetitive, you know, made it repetitive

648
00:41:12,160 --> 00:41:15,040
Speaker 1: and which would be a drum pattern that he would,

649
00:41:15,280 --> 00:41:17,640
Speaker 1: you know, you know, tell his man and I want

650
00:41:17,680 --> 00:41:21,000
Speaker 1: this who I want you to play like this? And

651
00:41:21,000 --> 00:41:24,239
Speaker 1: then you know, he was amazing that magic you know

652
00:41:24,280 --> 00:41:27,680
Speaker 1: what I'm saying, Like he was magical and this is

653
00:41:27,680 --> 00:41:29,880
Speaker 1: all dope. Ship Pete. And my last question as far

654
00:41:29,920 --> 00:41:33,000
Speaker 1: as the relevance of James Brown today and can his

655
00:41:33,200 --> 00:41:37,479
Speaker 1: music and should his music still be inspiring uh young

656
00:41:37,560 --> 00:41:41,479
Speaker 1: producers in hip hop today. I think James Brow's music

657
00:41:41,480 --> 00:41:45,000
Speaker 1: should be inspiring to the new younger generation. Is very

658
00:41:45,040 --> 00:41:50,440
Speaker 1: important that that they learned who that man was, because um,

659
00:41:50,560 --> 00:41:53,080
Speaker 1: he's the reason why all of this is happening. Even

660
00:41:53,560 --> 00:41:56,839
Speaker 1: at least learned who the great musicians worse since they

661
00:41:56,880 --> 00:42:00,279
Speaker 1: all pass it away, you know what I mean? Us

662
00:42:00,360 --> 00:42:04,680
Speaker 1: Michael Jackson, James Brown as the Hayes, Barry White, but

663
00:42:04,840 --> 00:42:07,200
Speaker 1: James Brown's at the top of the list as far

664
00:42:07,280 --> 00:42:12,600
Speaker 1: as um being having the funkiest band and making the

665
00:42:12,640 --> 00:42:16,920
Speaker 1: funkiest you know. Then you know I always battle the

666
00:42:17,000 --> 00:42:20,279
Speaker 1: JBS withing the Gang. Okay, in terms of like the

667
00:42:20,440 --> 00:42:25,279
Speaker 1: Lles band, Yes, because cool the Gang is like one

668
00:42:25,280 --> 00:42:28,480
Speaker 1: of the best underrated to like sort of undappreciated because

669
00:42:28,480 --> 00:42:30,600
Speaker 1: of all the pop they made. I mean they were

670
00:42:30,640 --> 00:42:33,959
Speaker 1: pop hits, right, yep, yep, ye, my house, You're gonna

671
00:42:33,960 --> 00:42:36,280
Speaker 1: survive in the eighties because a lot of motherfuckers couldn't

672
00:42:36,280 --> 00:42:40,319
Speaker 1: survive in the eighties, you know what I'm saying. So

673
00:42:40,680 --> 00:42:44,200
Speaker 1: I commend. I commend because they had hits. They had

674
00:42:44,200 --> 00:42:47,960
Speaker 1: a lot of hits, and the eighties came. They just

675
00:42:48,040 --> 00:42:51,880
Speaker 1: killed the eighties. Yeah, they killed that ship. They killed

676
00:42:52,120 --> 00:42:55,480
Speaker 1: and they adjusted with the times. Yep, they sure that

677
00:42:55,480 --> 00:43:00,239
Speaker 1: that's what happened. They adjusted, And the JBS like to

678
00:43:00,320 --> 00:43:03,160
Speaker 1: me because you had young boots, you know, as the

679
00:43:03,200 --> 00:43:07,680
Speaker 1: bass player and all those experienced musicians down with the

680
00:43:07,800 --> 00:43:13,759
Speaker 1: j V. Al right, Pete Rock, listen, when I get

681
00:43:13,800 --> 00:43:16,440
Speaker 1: back to New York, we gotta do the full Chocolate

682
00:43:16,480 --> 00:43:20,359
Speaker 1: Boy Wonder sit down podcast to do all your ship

683
00:43:20,560 --> 00:43:22,680
Speaker 1: because you know I was sucking rocket with your ship

684
00:43:22,760 --> 00:43:26,480
Speaker 1: from Pete Rocket seal smooth to your I mean to

685
00:43:26,560 --> 00:43:29,239
Speaker 1: the shut us all your ship man. You resume. Your

686
00:43:29,239 --> 00:43:31,120
Speaker 1: resume is too long to even go into. So I

687
00:43:31,160 --> 00:43:34,239
Speaker 1: just wanted to celebrate James. It's his birthday coming up,

688
00:43:34,640 --> 00:43:36,600
Speaker 1: and and you know he always gets me hype when

689
00:43:36,600 --> 00:43:38,719
Speaker 1: I think about his music, and I just wanted to

690
00:43:38,719 --> 00:43:40,359
Speaker 1: come right to the source of someone whose youth has

691
00:43:40,360 --> 00:43:43,200
Speaker 1: been inspired by it. And I appreciate you Rock and

692
00:43:43,280 --> 00:43:47,359
Speaker 1: we pistol Pete all day. Brother, let me know what's up. Alright, cool, Pete,

693
00:43:47,360 --> 00:43:50,279
Speaker 1: I appreciate I'll talk to you all right, all right,

694
00:43:53,000 --> 00:43:56,600
Speaker 1: all right, that man, Pete Rock, appreciate that we're gonna

695
00:43:56,600 --> 00:44:00,080
Speaker 1: continue this. James Brown All James Brown Iron Wrap for

696
00:44:00,239 --> 00:44:05,600
Speaker 1: stereo podcasts when of the original world famous beat junkies.

697
00:44:06,560 --> 00:44:10,920
Speaker 1: You don't know. It's like a hip hop crew DJs.

698
00:44:11,640 --> 00:44:16,040
Speaker 1: They tear shipped down my man Baboo styles DJ, what

699
00:44:17,040 --> 00:44:18,960
Speaker 1: d J Mello d I. I don't know him all

700
00:44:19,040 --> 00:44:20,719
Speaker 1: off the top of the head, but they've been rocking

701
00:44:20,760 --> 00:44:23,840
Speaker 1: since the nineties. World famous beat chunks. This is one

702
00:44:23,880 --> 00:44:26,680
Speaker 1: of the original beat chunkies. My man Jay Rock I

703
00:44:26,760 --> 00:44:30,480
Speaker 1: call him the James Brown whispers produced a whole bunch

704
00:44:30,480 --> 00:44:32,840
Speaker 1: of ship for a whole bunch of other people. But

705
00:44:32,960 --> 00:44:36,840
Speaker 1: he really really could get inside James Brown. Let's go

706
00:44:37,000 --> 00:44:46,000
Speaker 1: with my man Jay Rock, Jay Rock It. Ha It's

707
00:44:46,040 --> 00:44:50,399
Speaker 1: Michael Rappaport, my man, Yes, sir, Mike Rap. How you doing, man,

708
00:44:50,680 --> 00:44:52,440
Speaker 1: I'm good man, I'm good man. How are you doing.

709
00:44:53,120 --> 00:44:55,640
Speaker 1: I'm good. I'm good over here, just making little James

710
00:44:55,719 --> 00:45:00,000
Speaker 1: Brown mix. Well you're you know, no disrespect to anybody

711
00:45:00,000 --> 00:45:02,040
Speaker 1: the offside. I said this before. I mean, you know,

712
00:45:02,120 --> 00:45:04,879
Speaker 1: if you're if you're a real DJ, everybody is has

713
00:45:05,000 --> 00:45:09,799
Speaker 1: done something with James Brown. But your Funky President Part

714
00:45:09,920 --> 00:45:12,520
Speaker 1: one in Part two. In my opinion, those are my

715
00:45:12,600 --> 00:45:14,439
Speaker 1: favorite ones. I don't say it's the best one because,

716
00:45:14,440 --> 00:45:16,919
Speaker 1: like I said, there's some some there's some good ones

717
00:45:16,960 --> 00:45:21,160
Speaker 1: out there. There's some good Yeah, Preams is dope. I

718
00:45:21,200 --> 00:45:23,560
Speaker 1: mean there's who were some other people that have done

719
00:45:23,560 --> 00:45:25,680
Speaker 1: some mixes that that James Brown Joints had stuck out

720
00:45:25,719 --> 00:45:29,800
Speaker 1: to you man, only I have to say that Cream

721
00:45:29,880 --> 00:45:32,480
Speaker 1: really that's the one. I remember. Pete Rocks Tho. He

722
00:45:32,560 --> 00:45:35,440
Speaker 1: gets busy on the personal with the James Brown like

723
00:45:36,040 --> 00:45:38,759
Speaker 1: that's his warm up records. Every time I've ever caught

724
00:45:38,840 --> 00:45:42,400
Speaker 1: Pete and and he gets into James Brown, mo, he

725
00:45:42,600 --> 00:45:47,160
Speaker 1: kills it. Definitely, He's definitely one one of the cats.

726
00:45:48,320 --> 00:45:52,279
Speaker 1: So it's coming up on James Brown birthday. Yeah, and uh,

727
00:45:53,000 --> 00:45:55,800
Speaker 1: I mean I'll just you know, throw throw some stuff

728
00:45:55,840 --> 00:45:57,840
Speaker 1: at you, man, because you know, as far as you know,

729
00:45:58,640 --> 00:46:00,960
Speaker 1: based on like the stuff that I've heard you do

730
00:46:01,120 --> 00:46:04,120
Speaker 1: it and the mixes, you just have such an understanding

731
00:46:04,239 --> 00:46:08,600
Speaker 1: of his music and his music in regards to hip hop,

732
00:46:09,200 --> 00:46:12,720
Speaker 1: and and you you're able to catch the breaks so lovely.

733
00:46:13,320 --> 00:46:15,560
Speaker 1: So So I mean my first question is, like, what

734
00:46:15,840 --> 00:46:19,000
Speaker 1: does James Brown music mean to you? If you could

735
00:46:19,040 --> 00:46:24,360
Speaker 1: sum it up in words? Oh? Man, Um, it's just

736
00:46:24,719 --> 00:46:28,200
Speaker 1: it's just it's just the funk, the life in it,

737
00:46:28,560 --> 00:46:30,880
Speaker 1: the fun you can hear the fun in it and

738
00:46:31,040 --> 00:46:34,640
Speaker 1: just know it's so good. But then as I learned

739
00:46:35,360 --> 00:46:39,480
Speaker 1: more about the music itself, like learned the musicians, and

740
00:46:40,440 --> 00:46:43,439
Speaker 1: and then notice that he's talking to the cats while

741
00:46:43,480 --> 00:46:48,000
Speaker 1: he's playing and they're actually doing what he says. At

742
00:46:48,040 --> 00:46:50,040
Speaker 1: the time, it's just because he was just the best,

743
00:46:50,200 --> 00:46:52,960
Speaker 1: Like his band was the best, and he was. It

744
00:46:53,080 --> 00:46:55,759
Speaker 1: was just so funky the way it was. I don't

745
00:46:55,760 --> 00:46:58,120
Speaker 1: know how to explain it, but it's just it's just

746
00:46:58,280 --> 00:47:01,560
Speaker 1: every day I always experienced something, even the disco stuff

747
00:47:01,600 --> 00:47:04,120
Speaker 1: I like. I like even the when he got with

748
00:47:04,280 --> 00:47:07,000
Speaker 1: the thick mustache. All them years too are good. He's

749
00:47:07,000 --> 00:47:10,560
Speaker 1: still trying to be funky. I like it. Just it's

750
00:47:10,600 --> 00:47:13,239
Speaker 1: just James is as James to mean, James is the best.

751
00:47:14,040 --> 00:47:18,560
Speaker 1: No one beats James, Prance, Michael, Nobody's James Brown because

752
00:47:18,600 --> 00:47:22,360
Speaker 1: without them, without him, there is no them for Sheriff,

753
00:47:22,400 --> 00:47:26,440
Speaker 1: for Shire. So James Brown is the man. To you

754
00:47:27,560 --> 00:47:30,960
Speaker 1: the word funk if what what what does that word mean?

755
00:47:31,040 --> 00:47:33,279
Speaker 1: To you? Like? What what? What what does funk mean?

756
00:47:33,360 --> 00:47:36,719
Speaker 1: Like if somebody said to you, if a little kid said,

757
00:47:37,320 --> 00:47:40,080
Speaker 1: Jay Rock, what is funk? And you would trying to

758
00:47:40,120 --> 00:47:42,520
Speaker 1: explain it in the most basic terms. Could you explain

759
00:47:42,600 --> 00:47:44,080
Speaker 1: it in words or is this something that it has

760
00:47:44,120 --> 00:47:47,760
Speaker 1: to be only articulated musically. No, it's just a failing.

761
00:47:48,360 --> 00:47:51,480
Speaker 1: I asked George Clinton the same question and he didn't

762
00:47:51,520 --> 00:47:53,760
Speaker 1: have the answer for me either. It's just a failing.

763
00:47:54,600 --> 00:47:58,200
Speaker 1: It's just That's what it just boils down to. It's

764
00:47:58,280 --> 00:48:00,759
Speaker 1: just it's just that that feel when you get when

765
00:48:00,800 --> 00:48:04,799
Speaker 1: you listen to something funk and being anything. Though there's

766
00:48:04,840 --> 00:48:07,359
Speaker 1: some funky, and there's some funk and some rock, there's

767
00:48:07,400 --> 00:48:11,399
Speaker 1: some funking, some some uh, of course there's funking hip hop,

768
00:48:12,000 --> 00:48:14,920
Speaker 1: but this funk a little bit everywhere, even Bruno Mars

769
00:48:15,000 --> 00:48:20,360
Speaker 1: trying to be funky. Everybody. Everybody likes the funk. Everybody

770
00:48:20,480 --> 00:48:23,920
Speaker 1: likes the fund. Funk is this feeling and when you

771
00:48:24,040 --> 00:48:28,080
Speaker 1: feel it, you just know, like that's funky. Doun funk.

772
00:48:28,320 --> 00:48:31,359
Speaker 1: Funky makes you want to say, oh, that's funky, right.

773
00:48:32,000 --> 00:48:33,839
Speaker 1: It's just a feeling. It's just it's just it does

774
00:48:33,920 --> 00:48:35,719
Speaker 1: something to your face. It does something to your body,

775
00:48:35,800 --> 00:48:38,640
Speaker 1: does something to get you, gets you hyped, you know,

776
00:48:39,440 --> 00:48:43,800
Speaker 1: does something to your face. That's the funk. What is

777
00:48:43,880 --> 00:48:46,759
Speaker 1: your face scrunch up? What is it about James and

778
00:48:46,920 --> 00:48:49,040
Speaker 1: hip hop that that that just it was like the

779
00:48:49,160 --> 00:48:54,200
Speaker 1: perfect marriage. Um for so long. Um you know, I

780
00:48:54,239 --> 00:48:56,719
Speaker 1: mean his music still gets sampled from time to time,

781
00:48:57,320 --> 00:49:01,640
Speaker 1: um and sort of mainstream uh hip hop. But but

782
00:49:01,960 --> 00:49:04,680
Speaker 1: you know through through the late seventies, the eighties and

783
00:49:04,800 --> 00:49:06,840
Speaker 1: in the nineties and and and again. You know, like

784
00:49:07,400 --> 00:49:10,000
Speaker 1: even you know Kanye on the Watch the Throne, he was,

785
00:49:10,520 --> 00:49:14,000
Speaker 1: you know, messing with samples with James samples. But in

786
00:49:14,080 --> 00:49:16,200
Speaker 1: the early years in the in the eighties and nineties,

787
00:49:16,280 --> 00:49:19,120
Speaker 1: what is it about James that was just an unn

788
00:49:19,920 --> 00:49:22,320
Speaker 1: Like it was like a full tank always like you

789
00:49:22,400 --> 00:49:26,440
Speaker 1: could never get enough James. People would sample, uh you know,

790
00:49:26,680 --> 00:49:30,840
Speaker 1: use the same sample, flip it a thousand times, no

791
00:49:31,000 --> 00:49:33,520
Speaker 1: matter that they used the same sample to the whole album.

792
00:49:33,600 --> 00:49:37,080
Speaker 1: Look at Public Endemy funky drummers, like on probably every

793
00:49:37,120 --> 00:49:44,800
Speaker 1: other song. It was just it was just those beats.

794
00:49:45,160 --> 00:49:48,440
Speaker 1: It had the beats. That was just That's what hip

795
00:49:48,480 --> 00:49:51,719
Speaker 1: hop was, was those beats, and that's what made like,

796
00:49:52,000 --> 00:49:54,279
Speaker 1: that's just just what made it. No one was I mean,

797
00:49:54,360 --> 00:49:56,600
Speaker 1: they rocked over a disco for a minute, but once

798
00:49:56,680 --> 00:49:59,520
Speaker 1: they opened them them keys to them James Brown Votes,

799
00:50:00,360 --> 00:50:05,960
Speaker 1: everybody was on the James Brown, funky drummer, payback, get up,

800
00:50:06,040 --> 00:50:09,120
Speaker 1: get into it, get involved, all those they just have

801
00:50:09,320 --> 00:50:14,000
Speaker 1: the funk. Yeah, it's just the funk, back to the funk.

802
00:50:14,160 --> 00:50:17,279
Speaker 1: It's just that feeling and hip hop. He had that

803
00:50:17,440 --> 00:50:20,440
Speaker 1: feeling for hip hop. Hip hop is just so street,

804
00:50:20,960 --> 00:50:23,520
Speaker 1: and they just took whatever they could get, and he

805
00:50:23,680 --> 00:50:26,880
Speaker 1: had the most stuff and he was probably played in

806
00:50:26,960 --> 00:50:31,160
Speaker 1: the household anyway, so everybody already knew new Payback and

807
00:50:31,280 --> 00:50:34,560
Speaker 1: all the other stuff, but they probably dug deeper and

808
00:50:34,719 --> 00:50:39,320
Speaker 1: got that funky drummer out. That's what it only was

809
00:50:39,480 --> 00:50:43,120
Speaker 1: until you've got ultimate breaks and beats. But other than that,

810
00:50:44,320 --> 00:50:48,919
Speaker 1: it was just James but the grunt. Everything James Brown

811
00:50:49,080 --> 00:50:52,880
Speaker 1: was just the foundation is so much and there was

812
00:50:52,960 --> 00:50:56,160
Speaker 1: nothing else. I mean until a trib car Quest came

813
00:50:56,200 --> 00:51:00,520
Speaker 1: out with jazz samples and gang Star sample sample and jazz.

814
00:51:01,160 --> 00:51:06,360
Speaker 1: Everybody was on James Brown, Molly Mall, everybody, Pete Rocky

815
00:51:06,400 --> 00:51:10,239
Speaker 1: even was awesome James. Everybody was on James. People still

816
00:51:10,320 --> 00:51:13,600
Speaker 1: on James, like you said, like got when Pete Rocky's

817
00:51:13,600 --> 00:51:17,040
Speaker 1: still sample and James Brown mad live. He still makes

818
00:51:17,160 --> 00:51:21,680
Speaker 1: James Brown loops. Like there's still stuff out there. And

819
00:51:21,800 --> 00:51:25,080
Speaker 1: he's just so, He's just the foundation of their pop anyway,

820
00:51:26,000 --> 00:51:29,040
Speaker 1: there's no there's no dispute about that. Everybody will say

821
00:51:29,120 --> 00:51:32,800
Speaker 1: that he's a found one of the foundations. You know.

822
00:51:33,280 --> 00:51:36,320
Speaker 1: I don't know how many James Brown records BAM was rocking,

823
00:51:36,440 --> 00:51:41,000
Speaker 1: but I mean James Brown was the man and when

824
00:51:41,080 --> 00:51:44,360
Speaker 1: it came to getting down. So like, if you have

825
00:51:44,520 --> 00:51:47,840
Speaker 1: free reign and money's not an issue for sampling, James

826
00:51:47,920 --> 00:51:53,040
Speaker 1: Brown can still be used, uh flipped it. He's still

827
00:51:53,080 --> 00:51:58,239
Speaker 1: a viable resource to make banging beats correct. Like you

828
00:51:58,320 --> 00:52:02,160
Speaker 1: said Kanye earlier, he found up them, you know, and

829
00:52:02,280 --> 00:52:04,960
Speaker 1: I mean there's even new there's newer cast the sample them.

830
00:52:05,280 --> 00:52:08,520
Speaker 1: I'm sure j Cole might have touched a little. I'm

831
00:52:08,600 --> 00:52:13,879
Speaker 1: sure Kendricks touching James Brown. You know, everybody's touched James

832
00:52:13,920 --> 00:52:17,120
Speaker 1: Brown at one point in their career. There's no there's

833
00:52:17,120 --> 00:52:22,200
Speaker 1: no escape from James There's no escape a scream. You

834
00:52:22,200 --> 00:52:26,120
Speaker 1: don't even have to sample a loop. People just sample

835
00:52:26,200 --> 00:52:29,759
Speaker 1: the scream or something. They won't even you know, this

836
00:52:29,960 --> 00:52:33,560
Speaker 1: is his And his voice was so powerful. You had

837
00:52:33,600 --> 00:52:38,879
Speaker 1: that grimy gutter voice, South voice voice from the South.

838
00:52:39,040 --> 00:52:41,160
Speaker 1: It was just so Yeah, James Brown was just a

839
00:52:41,280 --> 00:52:44,839
Speaker 1: man period. So you you made these two, these two

840
00:52:44,920 --> 00:52:47,160
Speaker 1: mixes with the two mixes that I love that the

841
00:52:47,239 --> 00:52:49,839
Speaker 1: Funky Press Volume oneing Volume two. Where can people find

842
00:52:49,920 --> 00:52:54,400
Speaker 1: them on? Probably mixed cloud or just I would just

843
00:52:54,520 --> 00:52:56,799
Speaker 1: do the good old Google search and put Jay Rock

844
00:52:57,440 --> 00:53:01,000
Speaker 1: James Brown mix I don't I know, I didn't put

845
00:53:01,080 --> 00:53:03,840
Speaker 1: them up, but I know people have, and I know

846
00:53:03,960 --> 00:53:06,200
Speaker 1: they're up there for people's pleasures. I know they're on

847
00:53:06,280 --> 00:53:09,759
Speaker 1: my mixed cloud maybe Volume one and the volume two

848
00:53:09,880 --> 00:53:12,359
Speaker 1: is probably out there somewhere. I haven't listened to those

849
00:53:12,600 --> 00:53:15,600
Speaker 1: so long. You bring you bring them back. Every time

850
00:53:15,680 --> 00:53:18,120
Speaker 1: I see you bring, you bring my memories back, and

851
00:53:18,239 --> 00:53:21,480
Speaker 1: I'm like, man, I remember making those. I made all

852
00:53:21,560 --> 00:53:26,640
Speaker 1: those off of vinyl two, so them ships Vinyl Yo Rock.

853
00:53:26,920 --> 00:53:29,400
Speaker 1: I don't know how it works or if you have

854
00:53:29,600 --> 00:53:32,520
Speaker 1: like the masters of when you first did them, but

855
00:53:32,880 --> 00:53:36,160
Speaker 1: but you should. You should drop that ship because as

856
00:53:36,200 --> 00:53:39,080
Speaker 1: a fan, like I said, you know, Primo killed it,

857
00:53:39,120 --> 00:53:41,160
Speaker 1: pe Rockets killed it. Like I think if you're a DJ,

858
00:53:41,680 --> 00:53:44,200
Speaker 1: that you've done some sort of James Brown, whether it's

859
00:53:44,280 --> 00:53:47,200
Speaker 1: Jane Brown, you but but you should you should put

860
00:53:47,239 --> 00:53:50,080
Speaker 1: those out. You know his birthdays coming up, and like

861
00:53:50,200 --> 00:53:52,799
Speaker 1: I said, actually I want to dig him up. I'm

862
00:53:52,800 --> 00:53:55,960
Speaker 1: gonna dig him up and put those up man, fans,

863
00:53:57,000 --> 00:53:59,640
Speaker 1: they're so fucking good and and like you, the thing

864
00:53:59,680 --> 00:54:02,840
Speaker 1: about those mixes that are so stupid and and that

865
00:54:02,960 --> 00:54:04,960
Speaker 1: are so good is that you stay in the loop.

866
00:54:05,360 --> 00:54:08,000
Speaker 1: Like you'll go to the loop, you'll almost go past

867
00:54:08,040 --> 00:54:09,680
Speaker 1: the loop, and then you'll go back to the to

868
00:54:10,320 --> 00:54:12,800
Speaker 1: the break. You'll stay in the break, and like you

869
00:54:12,960 --> 00:54:14,920
Speaker 1: just a lot of times like I'm like, just let

870
00:54:15,000 --> 00:54:16,920
Speaker 1: the ship rock, Like I could just keep hearing this

871
00:54:17,000 --> 00:54:19,640
Speaker 1: funky drummer like this this break, like it could just

872
00:54:20,239 --> 00:54:22,400
Speaker 1: I could just here for twenty minutes, you know what

873
00:54:22,440 --> 00:54:24,560
Speaker 1: I mean. And you did such a good job of

874
00:54:24,680 --> 00:54:26,680
Speaker 1: doing it on those two mixes, and what so what

875
00:54:26,840 --> 00:54:28,640
Speaker 1: what do you got in store with this newest mix?

876
00:54:28,680 --> 00:54:31,520
Speaker 1: Like how are you going to continue to flip it? Man?

877
00:54:31,640 --> 00:54:34,880
Speaker 1: I just get it. Just listening to him, you get inspired.

878
00:54:35,880 --> 00:54:38,600
Speaker 1: I can't even It's just that's how good it is.

879
00:54:39,160 --> 00:54:41,839
Speaker 1: You find something new every time I listen. Every time

880
00:54:41,880 --> 00:54:44,520
Speaker 1: I listen to him, I'll find something new and be like,

881
00:54:44,640 --> 00:54:47,839
Speaker 1: oh man, I haven't did that mix yet. I haven't

882
00:54:47,880 --> 00:54:50,800
Speaker 1: done that mix yet. Oh man, I didn't even you know,

883
00:54:51,040 --> 00:54:54,120
Speaker 1: things will just come to me as I'm playing it. Well,

884
00:54:54,160 --> 00:54:56,440
Speaker 1: I don't really I don't really map that out. I'll

885
00:54:56,480 --> 00:54:59,319
Speaker 1: just go in there and make a mix and then

886
00:55:00,160 --> 00:55:02,759
Speaker 1: go back and then cleaning up a little and ask

887
00:55:02,840 --> 00:55:05,960
Speaker 1: some overdubs if I need to. But for the most part,

888
00:55:06,000 --> 00:55:08,279
Speaker 1: I just try to knock it out and just get

889
00:55:08,360 --> 00:55:11,879
Speaker 1: the vibe because James, Yeah, there's just so much. There's

890
00:55:11,880 --> 00:55:14,239
Speaker 1: still a lot, you know, even there's people that he

891
00:55:14,400 --> 00:55:18,279
Speaker 1: produced that there's so much. I'm a James Brown nerd.

892
00:55:18,320 --> 00:55:23,320
Speaker 1: I even there's a book called The King Labels and

893
00:55:24,080 --> 00:55:28,960
Speaker 1: it's basically a guy just breaking down the label of

894
00:55:29,160 --> 00:55:33,720
Speaker 1: kinging and he tells you the band of every record released.

895
00:55:33,760 --> 00:55:37,560
Speaker 1: But it had every James Brown record in the book,

896
00:55:38,960 --> 00:55:44,239
Speaker 1: and like everything stuff that's not released. Stuff that man,

897
00:55:44,360 --> 00:55:46,520
Speaker 1: there's so much. I mean, there's still James Brown that

898
00:55:47,000 --> 00:55:51,920
Speaker 1: we haven't heard. If you've if that's even he's like Tupac,

899
00:55:52,040 --> 00:55:56,000
Speaker 1: there's some stuff they just they just haven't been able to, uh,

900
00:55:56,560 --> 00:55:58,759
Speaker 1: to get the volts open. But every once in a while,

901
00:55:58,840 --> 00:56:03,800
Speaker 1: those sprinkles, let's sprinkle the taste of something unreleased. You know,

902
00:56:03,920 --> 00:56:07,040
Speaker 1: who makes a good two people that make great James

903
00:56:07,080 --> 00:56:12,320
Speaker 1: Brown mixes also Eaton. He made a dope one called

904
00:56:12,560 --> 00:56:15,600
Speaker 1: Funky Drummer and he just played all funky drummer records

905
00:56:17,120 --> 00:56:22,720
Speaker 1: and actually quest Love he's too because he has keys

906
00:56:22,800 --> 00:56:26,439
Speaker 1: to the actual vault. So he'll play some ship where

907
00:56:26,480 --> 00:56:29,120
Speaker 1: you'll be like, oh my fall, what's the what's the

908
00:56:29,760 --> 00:56:34,000
Speaker 1: because he's he's man, he's right hands man with Alan

909
00:56:34,120 --> 00:56:37,680
Speaker 1: Leeds and that's his tour managers. So crush Love got

910
00:56:37,760 --> 00:56:40,719
Speaker 1: the link already. So he Yeah, I've heard crush Love

911
00:56:40,800 --> 00:56:43,440
Speaker 1: play a set and I was like, I need all

912
00:56:43,520 --> 00:56:46,239
Speaker 1: of that. I never got it. But he has some

913
00:56:46,640 --> 00:56:50,080
Speaker 1: unreleased gems for sure, quest Love I never heard eat

914
00:56:50,120 --> 00:56:52,200
Speaker 1: On ship, but he he always comes with good ship

915
00:56:52,280 --> 00:56:55,600
Speaker 1: and quest Love is he's a motherfucker too, of course. Yeah,

916
00:56:55,760 --> 00:56:57,759
Speaker 1: you got people eat On know he just did all

917
00:56:57,960 --> 00:57:00,840
Speaker 1: funky drummers called Thinks Funky Ryan Me or something like that.

918
00:57:01,440 --> 00:57:04,520
Speaker 1: But everything that used funky germmand that's all it is,

919
00:57:05,320 --> 00:57:07,960
Speaker 1: all right, listen, I appreciate it. We we we still

920
00:57:08,080 --> 00:57:11,319
Speaker 1: have to organize this all James Brown Jay rock party

921
00:57:11,400 --> 00:57:14,799
Speaker 1: in l A. That would be fucking dumb. That would

922
00:57:14,840 --> 00:57:17,120
Speaker 1: be fucking dumb. I know, I brought this up before.

923
00:57:17,120 --> 00:57:19,280
Speaker 1: We gotta like just meet up for a coffee and

924
00:57:19,440 --> 00:57:22,080
Speaker 1: organize that ship because people would like for me, it's like,

925
00:57:22,160 --> 00:57:25,000
Speaker 1: I just want people to like get, just to never

926
00:57:25,160 --> 00:57:28,880
Speaker 1: forget and to never stop appreciating how dope it is.

927
00:57:29,000 --> 00:57:30,760
Speaker 1: And like I said, when you're at the helms with

928
00:57:30,840 --> 00:57:34,400
Speaker 1: the James Brown ship specifically, I mean whenever you're DJ

929
00:57:34,560 --> 00:57:36,560
Speaker 1: and you're killing it. But with that James Brown ship,

930
00:57:37,160 --> 00:57:39,880
Speaker 1: you just have like you have an understanding of it,

931
00:57:40,000 --> 00:57:43,040
Speaker 1: like you have a complete understanding and complete control of it.

932
00:57:43,120 --> 00:57:45,760
Speaker 1: So we we gotta double down and make that happen.

933
00:57:45,840 --> 00:57:47,320
Speaker 1: It would be such a a moment for me to

934
00:57:47,400 --> 00:57:50,920
Speaker 1: make that happen. Man, anytime, Mike, come on, thank you

935
00:57:51,040 --> 00:57:52,960
Speaker 1: for the compliment, but yeah, let's do it. Come on.

936
00:57:53,160 --> 00:57:57,120
Speaker 1: James Brown's king, and I'm I'm James Brown all day

937
00:57:57,360 --> 00:57:59,760
Speaker 1: over here. All right now, I'm gonna stay on your text.

938
00:58:00,160 --> 00:58:03,240
Speaker 1: You're getting your your quote unquote masters for those first

939
00:58:03,280 --> 00:58:05,720
Speaker 1: two mixes. No, I'm gonna dig him up. I'm gonna

940
00:58:05,760 --> 00:58:07,640
Speaker 1: dig as soon as I've finished this mix. I'm gonna

941
00:58:07,680 --> 00:58:10,680
Speaker 1: dig those up, all right. I'm gonna get those up.

942
00:58:10,720 --> 00:58:13,040
Speaker 1: I'm gonna get those available for the people, all right,

943
00:58:13,120 --> 00:58:14,960
Speaker 1: bet Jay Rock, Well, I appreciate I wanted to I

944
00:58:15,040 --> 00:58:17,200
Speaker 1: definitely wanted to have you on this all James Brown

945
00:58:17,400 --> 00:58:20,640
Speaker 1: UH podcast to celebrate his birthday and obviously the passing

946
00:58:20,720 --> 00:58:23,000
Speaker 1: of Jabbo. So you know, we gotta make it, make

947
00:58:23,040 --> 00:58:25,680
Speaker 1: it extra funky. Thank you Mike for having me. Man.

948
00:58:25,760 --> 00:58:27,320
Speaker 1: All right, Rock, I'll talk to you soon, my man.

949
00:58:27,960 --> 00:58:38,640
Speaker 1: All right, Mikey, I told you it was gonna be funky. Okay,

950
00:58:38,800 --> 00:58:41,800
Speaker 1: I told you the Iron Wrap Coors Stereo podcast was

951
00:58:41,840 --> 00:58:44,680
Speaker 1: gonna be funky. How could it not be funky? All right,

952
00:58:45,360 --> 00:58:47,920
Speaker 1: we're talking James Brown. I want to thank Chuckole Boy

953
00:58:47,960 --> 00:58:50,280
Speaker 1: wonder my man, Pete Rock. I want to thank Uh

954
00:58:50,720 --> 00:58:54,200
Speaker 1: Jay Rocket. Just coincidence. By the way, if you're unfamiliar

955
00:58:54,640 --> 00:58:58,320
Speaker 1: with two of these people, UM, just coincidence. There's no relation.

956
00:58:59,680 --> 00:59:03,600
Speaker 1: I just realized Pete Rock, Jay Rock, Um, and uh,

957
00:59:03,720 --> 00:59:07,600
Speaker 1: you know, thanks for rockinging me. Thanks for breaking it down, uh,

958
00:59:07,760 --> 00:59:10,680
Speaker 1: continuing to educate me, continuing to educate the people, and

959
00:59:10,760 --> 00:59:14,360
Speaker 1: celebrating the great James Brown and everything he was associated with.

960
00:59:14,960 --> 00:59:19,240
Speaker 1: UH music, soul music, funk music, and of course hip hop.

961
00:59:20,120 --> 00:59:24,360
Speaker 1: Miles Jordan's I need to end this show here. On

962
00:59:26,160 --> 00:59:29,120
Speaker 1: five fantastic sick Funks of the week. Let me get

963
00:59:29,120 --> 00:59:31,280
Speaker 1: the sick Funk of the Week theme music. Let's go rock.

964
00:59:32,280 --> 00:59:36,080
Speaker 1: This award is earned, not giving. It's called the sick

965
00:59:36,440 --> 00:59:39,520
Speaker 1: Fucking a Week. This guy is really sick. Lock him up?

966
00:59:39,880 --> 00:59:42,960
Speaker 1: How could you do it? Don't let him out? Damn

967
00:59:43,440 --> 00:59:46,160
Speaker 1: who you fuck the door? You want? You fuck the door?

968
00:59:46,280 --> 00:59:49,160
Speaker 1: Why would you fuck the dog? Why would you fuck

969
00:59:49,280 --> 00:59:53,760
Speaker 1: your girlfriend's dog? Sick fuck the sick Funk of the week.

970
00:59:54,200 --> 01:00:06,120
Speaker 1: It's earned and not giving. You did what? No? No, no, yes, yes,

971
01:00:06,240 --> 01:00:08,400
Speaker 1: that is the sick Funk of the Week theme music.

972
01:00:09,120 --> 01:00:11,040
Speaker 1: This is an award that has earned, not given. It

973
01:00:11,240 --> 01:00:13,680
Speaker 1: is an award that is earned, not given. I want

974
01:00:13,720 --> 01:00:16,000
Speaker 1: to give a shout out to my man, Mike Shaffer,

975
01:00:16,120 --> 01:00:20,360
Speaker 1: the sick fuck Whisperer. I don't know where you get

976
01:00:20,400 --> 01:00:24,600
Speaker 1: your information, Mike, but this guy has. He's gotta he's

977
01:00:24,600 --> 01:00:27,880
Speaker 1: got a nose, he's gotta paying, he's gotta he's gotta

978
01:00:27,960 --> 01:00:30,600
Speaker 1: see sniffs him out, Sky sends me. I got too

979
01:00:30,640 --> 01:00:32,680
Speaker 1: many sick funks. I can't even keep up with next

980
01:00:32,760 --> 01:00:35,880
Speaker 1: week or the next couple of days. We're doing. Uh

981
01:00:36,040 --> 01:00:38,720
Speaker 1: and Iron Rapports Stereo podcast sick Funk of the Week

982
01:00:38,800 --> 01:00:41,480
Speaker 1: emergency podcast because there's there been so many sick funs

983
01:00:41,600 --> 01:00:44,840
Speaker 1: I can't even get them all into one podcast. I

984
01:00:44,880 --> 01:00:51,280
Speaker 1: got like, listen listen list of fantastic, brain boggling sick fox.

985
01:00:51,720 --> 01:00:54,240
Speaker 1: So all the fans out there please continue to send

986
01:00:54,280 --> 01:00:57,280
Speaker 1: them to me. I am being inundated with sick fuck

987
01:00:57,720 --> 01:01:01,080
Speaker 1: after sick fuck after sick fuck, but I have to

988
01:01:01,520 --> 01:01:04,120
Speaker 1: I have to say, Mike Shaffer, you, my friend, right

989
01:01:04,160 --> 01:01:07,520
Speaker 1: now are the sick fuck whisper. You might be the

990
01:01:07,600 --> 01:01:09,760
Speaker 1: actual sick funk of the year because you are sending

991
01:01:09,840 --> 01:01:14,040
Speaker 1: me so many options and opportunities to choose from. In

992
01:01:14,200 --> 01:01:19,200
Speaker 1: North Texas, this sick fuck, a mother twenty five sort

993
01:01:19,240 --> 01:01:23,000
Speaker 1: of attractive, doesn't look like your everyday sick funk of

994
01:01:23,040 --> 01:01:30,919
Speaker 1: the week who's toddlers sadly unfortunately died in a hot car.

995
01:01:32,040 --> 01:01:36,520
Speaker 1: She left her two kids in a hot car to

996
01:01:36,680 --> 01:01:40,440
Speaker 1: teach them a lesson. This sick fuck got twenty years

997
01:01:40,520 --> 01:01:43,280
Speaker 1: for their death. Thank god, Locker the funk up. She

998
01:01:43,320 --> 01:01:46,120
Speaker 1: should never come the funk out. Twenty years is is

999
01:01:46,160 --> 01:01:49,720
Speaker 1: not enough time. What kind of sick funck would lock

1000
01:01:49,800 --> 01:01:52,920
Speaker 1: their two kids in their car to teach them a lesson.

1001
01:01:55,400 --> 01:01:57,920
Speaker 1: You don't have another another way of teaching them a lesson,

1002
01:01:58,640 --> 01:02:03,160
Speaker 1: again again with the bad parenting. No means no, you

1003
01:02:03,160 --> 01:02:04,880
Speaker 1: don't have to lock him in the fucking car. You

1004
01:02:05,040 --> 01:02:11,240
Speaker 1: sick fuck. Good riddance, you animal. You a guy named

1005
01:02:11,280 --> 01:02:15,200
Speaker 1: Brendan Withers. If you look up Brendan Withers, he actually

1006
01:02:15,320 --> 01:02:19,640
Speaker 1: does look like sick fuck um. And that's what I

1007
01:02:19,720 --> 01:02:22,720
Speaker 1: expect when you look up any sick funk of the week.

1008
01:02:22,880 --> 01:02:26,520
Speaker 1: Look up Brendan Withers. W I T H E R S.

1009
01:02:26,840 --> 01:02:32,440
Speaker 1: This sick fuck kidnapped and shot one of his co

1010
01:02:32,640 --> 01:02:37,640
Speaker 1: workers because they sent them nude photos of his wife. Listen,

1011
01:02:38,800 --> 01:02:41,640
Speaker 1: they were with his wife. They sent him pictures of

1012
01:02:41,760 --> 01:02:47,080
Speaker 1: his wife nude. Listen, that's your wife's problem. Okay. I

1013
01:02:47,120 --> 01:02:50,120
Speaker 1: don't know all the entire backstory, but none of them

1014
01:02:50,160 --> 01:02:53,240
Speaker 1: had sexual relations or relations with his wife. They just

1015
01:02:53,360 --> 01:02:55,080
Speaker 1: got mad because they sent them the pictures. You know,

1016
01:02:55,160 --> 01:02:57,040
Speaker 1: as far as I'm concerned, they're doing you a favor.

1017
01:02:59,200 --> 01:03:01,760
Speaker 1: They're doing you a fiver. He kidnapped him over the

1018
01:03:01,840 --> 01:03:08,160
Speaker 1: weekend and shot one of them. Okay, he's been arrested

1019
01:03:09,840 --> 01:03:14,800
Speaker 1: and been charged with kidnapping. Obviously attempted murder. The sick

1020
01:03:14,880 --> 01:03:19,360
Speaker 1: funk escaped into the woods, but they found them. Most

1021
01:03:19,400 --> 01:03:22,040
Speaker 1: sick funck said they're not good at hiding for some reason.

1022
01:03:23,160 --> 01:03:25,920
Speaker 1: But thank god they found this this sick fuck. Okay,

1023
01:03:26,400 --> 01:03:28,720
Speaker 1: it's not your co worker's fault, it's your wife's fault.

1024
01:03:28,720 --> 01:03:31,600
Speaker 1: Why is she taking nudies? Okay, I don't know if

1025
01:03:31,600 --> 01:03:34,000
Speaker 1: they sent her a little video she did a little

1026
01:03:34,040 --> 01:03:38,520
Speaker 1: no no. But they caught this fucking guy, Brendan Withers.

1027
01:03:38,720 --> 01:03:41,840
Speaker 1: He looked dusty, dirty and totally out of his fucking tree.

1028
01:03:44,360 --> 01:03:46,960
Speaker 1: This is definitely gonna be top ten sick funk of

1029
01:03:47,000 --> 01:03:50,520
Speaker 1: the year. Um. This is in New Zealand. I swear

1030
01:03:50,600 --> 01:03:54,240
Speaker 1: to god, this is real and it's shocking. Um, in

1031
01:03:54,320 --> 01:04:02,000
Speaker 1: New Zealand. Auckland, New Zealand, they gave out a drug

1032
01:04:02,360 --> 01:04:06,640
Speaker 1: education pamphlet. This is for real, on how to safely

1033
01:04:07,800 --> 01:04:12,080
Speaker 1: smoke meth. This is totally real. I I don't know

1034
01:04:12,240 --> 01:04:14,640
Speaker 1: what the fucking world is coming to. This is obviously

1035
01:04:14,960 --> 01:04:18,040
Speaker 1: in Australia. Uh, this is very far away, but this

1036
01:04:18,160 --> 01:04:20,800
Speaker 1: is the world we live in that they gave out

1037
01:04:20,800 --> 01:04:26,200
Speaker 1: a drug pamphlet in a school on what to do

1038
01:04:26,800 --> 01:04:30,320
Speaker 1: and how to do it correctly. If you're interested in

1039
01:04:30,440 --> 01:04:35,520
Speaker 1: smoking beth. Yo, nobody's interested in smoking myth. Okay, you

1040
01:04:35,560 --> 01:04:39,200
Speaker 1: ever see breaking bad? Everybody that's smoked smith things end

1041
01:04:39,400 --> 01:04:44,920
Speaker 1: a bad shout out to my man Jesse Pinkman. The

1042
01:04:45,040 --> 01:04:49,160
Speaker 1: students at this high school got a pamphlet outlining ten

1043
01:04:49,240 --> 01:04:52,800
Speaker 1: ways to quote unquote, keep well while using the class

1044
01:04:52,880 --> 01:04:56,800
Speaker 1: A drug. This is no bullshit. When taking meth, eat

1045
01:04:56,920 --> 01:05:00,160
Speaker 1: something every four to five hours. Drink more war order

1046
01:05:00,240 --> 01:05:05,600
Speaker 1: than normal. You think, brush your teeth before and after.

1047
01:05:07,760 --> 01:05:10,280
Speaker 1: You can't sleep on meth. If you want to sleep,

1048
01:05:10,520 --> 01:05:14,320
Speaker 1: sleep later. Don't use it after three pm. Avoid mixing

1049
01:05:14,640 --> 01:05:17,880
Speaker 1: with other drugs and medicaid. This is real. Protect yourself

1050
01:05:17,960 --> 01:05:22,400
Speaker 1: from HIVS while on meth. If using a glass pipe,

1051
01:05:22,720 --> 01:05:28,440
Speaker 1: clean the inside. Imagine you come home from work. You

1052
01:05:28,560 --> 01:05:30,840
Speaker 1: sent your fucking kids to school all day and they

1053
01:05:30,920 --> 01:05:34,200
Speaker 1: come home with a pamphlet given to them in school

1054
01:05:34,360 --> 01:05:39,280
Speaker 1: on how to properly smoke meth. The entire scholastic public

1055
01:05:39,360 --> 01:05:43,479
Speaker 1: school community in Auckland, New Zealand, is a sick funk

1056
01:05:43,520 --> 01:05:45,960
Speaker 1: in a week. This is way the funk out there.

1057
01:05:47,640 --> 01:05:50,760
Speaker 1: I mean, right now we're doing on the ground sick

1058
01:05:51,120 --> 01:05:54,280
Speaker 1: funck of the week reporting that's a real story that's

1059
01:05:54,320 --> 01:05:56,840
Speaker 1: so way out there. Look it up yourself. Look up

1060
01:05:56,920 --> 01:06:00,240
Speaker 1: pamphlet for smoking meth in New Zealand. I have a

1061
01:06:00,280 --> 01:06:02,200
Speaker 1: feeling a lot of listeners are like, this is bullshit.

1062
01:06:02,360 --> 01:06:06,400
Speaker 1: It ain't bullshit. Uh, this is another sick fucking Brooklyn

1063
01:06:06,600 --> 01:06:12,320
Speaker 1: and this is this is this is really really crazy.

1064
01:06:13,520 --> 01:06:17,120
Speaker 1: A veterinarian. Veterinarian, for those of you don't know, is

1065
01:06:17,320 --> 01:06:19,560
Speaker 1: someone who takes care of animals. It's like an animal doctor.

1066
01:06:21,000 --> 01:06:22,440
Speaker 1: I don't want to talk down to people. I don't

1067
01:06:22,440 --> 01:06:25,000
Speaker 1: want to assume anything. I'm not big with words. Okay,

1068
01:06:25,960 --> 01:06:28,640
Speaker 1: but a veterinarian in Brooklyn has been accused of turning

1069
01:06:28,920 --> 01:06:36,600
Speaker 1: puppies into drug mules. This sick fucking veterinarian got dogs

1070
01:06:37,080 --> 01:06:40,760
Speaker 1: from Spain. He brought back the dogs from Spain. But

1071
01:06:40,840 --> 01:06:43,760
Speaker 1: he didn't just bring back the dogs. This sick fuck

1072
01:06:45,640 --> 01:06:50,800
Speaker 1: surgically implanted liquid heroin into the bellies of puppies. You

1073
01:06:51,000 --> 01:06:59,840
Speaker 1: sick fuck you. Guy named Andre's el Rosa was arrested

1074
01:07:01,200 --> 01:07:06,480
Speaker 1: for his ghoulish procedures. I mean he's this is a

1075
01:07:06,600 --> 01:07:10,720
Speaker 1: veterinarian and he's using puppies as drug mules. You sick

1076
01:07:10,800 --> 01:07:12,480
Speaker 1: fucking animal you I don't even know if it's a

1077
01:07:12,520 --> 01:07:15,360
Speaker 1: guy or girl. I'm Today's Is that a girl's name

1078
01:07:15,440 --> 01:07:18,960
Speaker 1: or a guy's name? Excuse me my Spanish? She isn't good.

1079
01:07:19,160 --> 01:07:24,840
Speaker 1: Fortunately a lot of this the dogs were saved and rescued.

1080
01:07:25,560 --> 01:07:28,360
Speaker 1: People are fucking nuts, man, and hence the reason why

1081
01:07:28,480 --> 01:07:34,040
Speaker 1: we have the sick fuck of the Week segment. Final

1082
01:07:34,120 --> 01:07:39,919
Speaker 1: six Funk of the Week and Fairfax, Virginia, a sick

1083
01:07:40,040 --> 01:07:45,640
Speaker 1: mom was caught on camera injecting her five year old

1084
01:07:45,680 --> 01:07:50,720
Speaker 1: son with a potentially lethal substance well in a hospital

1085
01:07:51,280 --> 01:07:56,439
Speaker 1: in Virginia. Elizabeth Malone, you sick fuck you committed the crime.

1086
01:07:56,480 --> 01:07:58,920
Speaker 1: Now she's gonna do the fucking time injecting her own

1087
01:07:59,040 --> 01:08:03,200
Speaker 1: son with's something that could have killed him. Fortunately, the

1088
01:08:03,280 --> 01:08:07,440
Speaker 1: little boy has been saved. The mom, however, will be

1089
01:08:07,600 --> 01:08:11,280
Speaker 1: locked the funk up for a long time. Listen. I

1090
01:08:11,960 --> 01:08:14,480
Speaker 1: don't make these stories up. I'm just here to share them.

1091
01:08:14,720 --> 01:08:16,800
Speaker 1: Keep your head on a swivel. There's so many sick

1092
01:08:17,280 --> 01:08:20,840
Speaker 1: fox out there. See I Am Rapports stereo podcast in

1093
01:08:21,000 --> 01:08:23,799
Speaker 1: prime time Listen on Friday's episode of The Iron Rappers

1094
01:08:23,800 --> 01:08:30,400
Speaker 1: Stereo Podcast. Me and g Moody have watched the documentary

1095
01:08:30,439 --> 01:08:36,080
Speaker 1: on Netflix called The Rachel Divide. The Rachel Doze l

1096
01:08:36,560 --> 01:08:40,800
Speaker 1: documentary is out. It's on Netflix. I have watched it,

1097
01:08:41,160 --> 01:08:43,320
Speaker 1: I have dissected it. We are going to be giving

1098
01:08:43,439 --> 01:08:48,519
Speaker 1: a full review, a full review of what I am

1099
01:08:48,640 --> 01:08:53,400
Speaker 1: calling the greatest dark comedy of two thousand eighteen. This

1100
01:08:53,600 --> 01:08:58,800
Speaker 1: documentary is bugged the funk out. Okay, please watch The

1101
01:08:59,040 --> 01:09:03,440
Speaker 1: Rachel Did you get it? Like Racial Divide? Her documentary

1102
01:09:03,520 --> 01:09:07,200
Speaker 1: is called The Rachel Divide. The Iron Rap Coors Stereo

1103
01:09:07,280 --> 01:09:09,559
Speaker 1: Podcast in prime time. I want to thank one more

1104
01:09:09,640 --> 01:09:13,240
Speaker 1: time Pete Rock coming on the Iron Rap Pors Stereo podcast.

1105
01:09:13,360 --> 01:09:15,280
Speaker 1: I want to thank one more time my man Jay

1106
01:09:15,400 --> 01:09:17,960
Speaker 1: Rock for coming on the Iron Wrap Pors Stereo Podcast.

1107
01:09:18,200 --> 01:09:22,639
Speaker 1: It was a James Brown celebration. Listen to James celebrate,

1108
01:09:22,760 --> 01:09:25,960
Speaker 1: James past the peas like they used to say, Miles

1109
01:09:26,320 --> 01:09:28,799
Speaker 1: Jordan's take us out of here with something funky