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Speaker 1: Hello, Hello to the Expert podcast with Sydney.

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Speaker 2: Feels so good.

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Speaker 3: It's so good right.

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Speaker 1: To be back, even though we were here last week.

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Speaker 1: Next week there was no break. No, it feels good

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Speaker 1: to be on the podcast with you, drinking us some

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Speaker 1: nice airbil tea.

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Speaker 2: Thank you.

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Speaker 3: Yeah, you're so fancy Marie. Yeah, it's like a basic

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Speaker 3: like it's not like, you know, like it's not like

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Speaker 3: I had a bunch of dry herbs. How when are

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Speaker 3: we going to get like that, like that kind.

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Speaker 1: Of rich where you like have to steam our own

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Speaker 1: herbs for tea. I don't know our friend Molly does that,

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Speaker 1: but Maley's.

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Speaker 3: Probably the person there. Yeah, he is.

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Speaker 1: Shout out to Madley Austin, a wealthy expert. She wants

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Speaker 1: to be something else, but we're trying to figure.

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Speaker 2: Out, we're really trying.

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Speaker 3: There has to be the wind expert. Can you tweet

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Speaker 3: us and let us know if you guys want to

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Speaker 3: hear about the winds?

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Speaker 1: The wind beneath my wings.

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Speaker 4: I don't know love Molly Elizabeth Austin, though she's she's

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Speaker 4: the best.

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Speaker 3: Sitting besides the tea.

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Speaker 2: How are you doing today?

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Speaker 3: So you have a little sweater vesta on? Oh, my gosh.

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Speaker 1: First of all, I have my turtleneck on, and it

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Speaker 1: just makes me feel so much better than everyone in here.

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Speaker 3: Okay, like, do not feel like don't not look professional

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Speaker 3: like I could be a professor.

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Speaker 1: You look like a teacher, like a teacher, because you

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Speaker 1: have one black.

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Speaker 3: Pants and aren't ripped Nope, a turtleneck and like a

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Speaker 3: cardigan swas sweater.

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Speaker 4: The sweater Vessels was taking it to like like educational.

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Speaker 1: Oh, I just need a chalkboard behind me, teach you uh.

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Speaker 3: Chain on them. Oh can you get me like the

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Speaker 3: lobbly like substitute teacher.

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Speaker 2: Under arms.

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Speaker 1: Definitely, I mean like when the old lady like, yeah,

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Speaker 1: I don't have the wings, the wings beneath her wings.

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Speaker 3: Wabble baby, wobble baby. Yeah, my arms don't do.

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Speaker 1: That so well they should have do that. You've got

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Speaker 1: skinny long arms right, very like a swan's nack. Thank you,

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Speaker 1: I heard you.

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Speaker 3: How are you doing? I'm mad? I today I did laundry.

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Speaker 3: Yesterday I didn't.

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Speaker 2: I just made my.

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Speaker 3: Bed this morning.

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Speaker 2: Oh I saw that.

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Speaker 3: You saw that, So I'm doing well. I'm really excited

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Speaker 3: to go to sleep because to me, there's nothing better.

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Speaker 1: Than like a freshly washed, like do they and like

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Speaker 1: the pillows are so I'm excited.

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Speaker 2: I'm going to bed right now.

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Speaker 3: One is there a space for me? Absolutely not. Hear

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Speaker 3: couch next to the day it's the communal couch. Yeah,

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Speaker 3: it's no longer my couch. It is. She getting out anyway,

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Speaker 3: So no matter did she listen to the podcast, she's here.

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Speaker 1: AnyWho, Marie, were you are an expert this week?

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Speaker 3: No, you know what city. I am going to defer

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Speaker 3: to you and see when you were when you think

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Speaker 3: about you're so slick. Thank you so much.

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Speaker 1: I was an expert in eavesdropping. I think I am

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Speaker 1: one of the nosiest people on this planet.

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Speaker 3: You are, I'm going to agree with you.

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Speaker 1: Want I find out all the tea. It can be hot, lukewarm,

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Speaker 1: chili tea, iced tea, no tea, like I that's true

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Speaker 1: because sometimes but I got tea for you and I'm like,

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Speaker 1: what happened, and then it'll be like a story that

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Speaker 1: like I don't care. You're so like this bored, You're

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Speaker 1: just like falling asleep. You're texting while I'm telling you

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Speaker 1: this joy.

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Speaker 3: Because you're you're rude.

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Speaker 1: Anyway, I was in a good old fashioned uber Pool

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Speaker 1: because it was only five dollars, because I just want

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Speaker 1: to let you guys know food I'm doing bad. No,

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Speaker 1: I just so, it's just so happened that it was

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Speaker 1: five dollars from mar I was going. I was like

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Speaker 1: going from a show to home or whatever.

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Speaker 2: And it was both in Brooklyn.

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Speaker 1: Okay, but I'm in the front and I usually have

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Speaker 1: my headphones on and I'm gonna listen. But I had

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Speaker 1: a little crack and this girl was in the back

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Speaker 1: and she was on the phone loud as hell.

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Speaker 2: Which is the only way he could be in an upol.

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Speaker 3: I mean, it's it's rude.

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Speaker 2: You shouldn't really be on the phone.

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Speaker 3: But I let her live because it sounds juicy.

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Speaker 1: She was on the phone where her boyfriend and she

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Speaker 1: I guess he was saying how he wants to quit

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Speaker 1: his job and he just feels like trapped and he

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Speaker 1: doesn't feel like it's doing anything for him. And she's like, no,

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Speaker 1: you cannot quit your job. I am not going through

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Speaker 1: this again. The last person I was quit their job

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Speaker 1: and then they didn't get another job for four years.

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Speaker 3: Four years for Lawrence from in security.

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Speaker 1: Oh my god, She's like, I'm not doing that, and

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Speaker 1: she's like, if you quit, who's going to pay for

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Speaker 1: the dates? I said, he's asking real question priorities my friends, who's.

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Speaker 3: Going who's gonna pick? I was like, she didn't talk

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Speaker 3: about anything else except the dates.

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Speaker 1: She's like, if we don't go out, how are we

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Speaker 1: going to like explore our relationship?

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Speaker 3: I said, wow, what kind of dates are they going on?

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Speaker 2: Going on?

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Speaker 3: Some like kinky ass? She's like, if you quit, how

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Speaker 3: are we going to go to the haunted house?

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Speaker 2: She said that she did, so I did it?

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Speaker 1: You know what I mean, Oh my gosh. She was

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Speaker 1: just letting this dude have it. And so me and

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Speaker 1: the driver are laughing so loud, and I felt bad

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Speaker 1: for the dude because I'm sure he's like, is she

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Speaker 1: like making fun of me? But I bet you he's

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Speaker 1: not gonna quick. He didn't go quick because like she

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Speaker 1: embarrassed him in a car full of strangers.

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Speaker 2: So how many people.

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Speaker 3: Were in the school?

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Speaker 1: It was me, the driver, someone else and her. Oh okay,

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Speaker 1: And she was wasted.

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Speaker 3: She's like, I was just at all work. I was

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Speaker 3: at a work dinner. All they had was pinutgrezio.

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Speaker 1: You know, I hate peanutgratia I was like, but she

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Speaker 1: was drinking it though. You was at the open bar,

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Speaker 1: like one more peanut, peanut?

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Speaker 2: Uh, bartender, pour me another guness, I like wine. Yeah.

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Speaker 1: So I was listening and I was laughing, and then

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Speaker 1: she got off the phone and I thought.

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Speaker 3: I was like, listen, it's okay for.

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Speaker 2: People to just be unemployed, unemployed for a little bit.

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Speaker 3: I'm anna employed. And she was like, yeah, that's why

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Speaker 3: you're in this. But so was she Yeah, but she

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Speaker 3: probably works a part time. I said, listen, me and

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Speaker 3: Micol friend right now. She understands that I'm an artist

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Speaker 3: and I'm working through it, and she knows that one

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Speaker 3: day all of this is gonna be worth it.

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Speaker 2: Yeah, and then you're gonna leave before a white No.

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Speaker 3: Never, thanks Mary. Okay, did you find your expertise yet?

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Speaker 3: I did?

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Speaker 2: I coming to me right now this week.

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Speaker 1: I was an expert at making white people uncomfortable.

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Speaker 3: I'm usually next for that, like three hundred sixty two

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Speaker 3: days out the year using new Jesse Williams.

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Speaker 1: Uh No, because jes C Williams left his wife for

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Speaker 1: Megga Kel Yeah.

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Speaker 4: And also, my eyes are too dark to be Jesse

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Speaker 4: Williams and Shanna Rymes don't know me.

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Speaker 1: Hey, Shanda, I don't listen to the podcast if you

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Speaker 1: want to. Yeah, I had to get in with murderers first.

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Speaker 3: Imagine if she came on the podcast, she would never

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Speaker 3: since you're.

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Speaker 1: On Sydney's Bend on the communal couch, ye on this

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Speaker 1: bedbug couch. Yeah, Shanda, tell your people to call me

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Speaker 1: because I ain't got no people yet.

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Speaker 3: But yeah, So I did a couple.

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Speaker 1: Of shows in Wait for It Yonkers, Oh young Girls,

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Speaker 1: we were the we were the queens and Youngers, well,

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Speaker 1: I mean Youngers is a bunch of serfs.

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Speaker 3: So we went to Youngers, home of people like DMX.

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Speaker 1: That's where he was born and raised and addicted to crack.

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Speaker 3: And uh no, I feel like he did crack outside

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Speaker 3: of Youngers.

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Speaker 2: No, no, no, no, no.

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Speaker 4: First time he smoked weed he was twelve and it

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Speaker 4: was laced with crack. I think he might have a

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Speaker 4: ten but he's been addicted to Greg ever since.

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Speaker 1: Anyways, sad story about DMX. That's like it was in

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Speaker 1: his like behind the music or whatever, and.

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Speaker 3: Why are you watching that?

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Speaker 1: I was cleaning my bathtub and it it was playing

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Speaker 1: in the background and I was like, oh my good

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Speaker 1: wild scrubbing this.

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Speaker 3: Bathroom is it's just a sad story.

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Speaker 2: No, I didn't crack quite dry.

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Speaker 3: Yeah haitian, so thank you so much, but the story

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Speaker 3: is still set anyway. City shut up.

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Speaker 2: So we did.

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Speaker 1: We had four shows scheduled this weekend UH to Friday

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Speaker 1: to Saturday, and we had to go to the artist

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Speaker 1: to do them. And this is exactly what.

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Speaker 3: Let me see she called me. She did not call

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Speaker 3: me so but Sydney. So it's not on the store.

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Speaker 1: Sorry, what's happening here? I'm sorry? As you know what

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Speaker 1: keep going. I was getting younger, telling jokes about being

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Speaker 1: a queen and calling a white women princesses.

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Speaker 3: And they don't like what you call them that even

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Speaker 3: know that's what they are. No, they loved it. I

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Speaker 3: was there, they were laughing. I don't know.

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Speaker 2: It was just weird.

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Speaker 3: And then there was this white man in the in

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Speaker 3: the car. Yes, this was the best, this white and

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Speaker 3: was so good. He told us that he was a doctor.

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Speaker 1: And his name was mister Walsh, so I called him

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Speaker 1: doctor Walsh. And when I was on stage, I was

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Speaker 1: wrapping up my set and was like, oh, well, I

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Speaker 1: don't know what.

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Speaker 4: I should say and what I should leave you guys

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Speaker 4: with And I was like, doctor Walsh, what should I

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Speaker 4: what should I do?

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Speaker 3: And he was like, I don't know, check your chopall.

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Speaker 3: He was legit seventy.

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Speaker 2: He was serious.

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Speaker 3: And his wife was sitting there and she was laughing.

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Speaker 2: Oh god.

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Speaker 3: She didn't even hush him.

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Speaker 1: She was like, I told you listen, these old dudes,

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Speaker 1: be ready your tall He's like doctor Walsh.

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Speaker 3: And that stripped on stage. So that's what I was

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Speaker 3: an expert at this week.

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Speaker 1: And then he kissed you on your cheek. Oh no,

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Speaker 1: no no, he gave me a little side hug and

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Speaker 1: then he went straight to your cheeks with his nolip ass.

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Speaker 3: But it smelled like butterscotch.

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Speaker 1: Anyway, there's originally speaking of butterscot Our guest today is

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Speaker 1: a comedian and a storyteller who performs all over New York.

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Speaker 3: He has a weekly show at the Paint.

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Speaker 1: He just headlined at the world famous Come Caroline, Caroline, Caroline.

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Speaker 3: He is our subway expert.

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Speaker 1: But you guys are gonna hear exactly what type of

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Speaker 1: expert this is.

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Speaker 3: He has done my radio show a couple of times.

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Speaker 2: Funny funny guy.

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Speaker 3: It's John Marco Saisi.

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Speaker 1: Helloay, hey, So your name.

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Speaker 2: Is spelled very Yes, it's very Italian, much more Jewish.

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Speaker 3: But it's with a G, G, I.

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Speaker 2: And Marco. But that's one name.

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Speaker 3: It's one name.

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Speaker 2: Everyone thinks of being very formal. When I introduced myself, Yeah.

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Speaker 1: Like you're saying, like your three names like Sarah, Michelle,

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Speaker 1: Geller or human.

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Speaker 2: But it's like, no, it's too It was like, can

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Speaker 2: I call you Joe? Can I call you John?

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Speaker 3: In high school, I went by G.

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Speaker 2: I was going through a golf phase and I was

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Speaker 2: doing all sorts of experimenting.

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Speaker 3: You wearing guyliner.

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Speaker 2: I was very bad at putting it on, so if

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Speaker 2: someone would do it for me. But I did do

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Speaker 2: the black nail polish topic exclusively.

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Speaker 3: Oh I love I look like.

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Speaker 1: Did you Your abs are very thick?

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Speaker 2: Yes, the very Italian and Jewish. It's all thick hair.

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Speaker 2: I don't know you could be Italian and.

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Speaker 3: Jewish at the same time. Manza pizza, Manza pizza crust.

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Speaker 3: It's real.

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Speaker 1: That's a that's a cracker with tomato, my favorite. That's

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Speaker 1: a four pizza for me.

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Speaker 2: My mom loves not too.

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Speaker 3: She's she's not at all Jewish or Italian. She just

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Speaker 3: likes maso.

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Speaker 2: Yeah, it's like it wasn't supposed to be a snack.

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Speaker 2: It was like they were running from the Pharaoh and

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Speaker 2: they couldn't make bread. Yeah, they saw it now, they'd

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Speaker 2: be like, who are you running from?

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Speaker 3: My mom? A cute story. She's not all she's watching

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Speaker 3: Kelly and.

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Speaker 1: Michael or whatever that's right now, watching Kelly Ripple and

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Speaker 1: like dipping it in janumbers.

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Speaker 2: She crazy.

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Speaker 3: So can you talk to us a little bit about

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Speaker 3: like where you're from? Okay, so I tell people d C.

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Speaker 2: But I'm from Potomac, Maryland.

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Speaker 3: Do you know our favorite show is Real Housewives from.

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Speaker 2: Well, tell me about it because I saw like a

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Speaker 2: trailer and I was like, that's not the Potomac.

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Speaker 3: I know. Like he's like, you know why this show?

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Speaker 3: Where's the white wish?

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Speaker 1: There's a white girl on the show. There's one the

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Speaker 1: one that her husband like is leaving her but they

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Speaker 1: still live together.

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Speaker 3: Wait, are you sure she's white? No?

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Speaker 1: I think it's all black women actually, and they have

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Speaker 1: blonde hair like white women. The show is like these

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Speaker 1: women think that they're so much more important than Oh man,

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Speaker 1: they act like they have so much money, but They're like,

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Speaker 1: since I see that countertop, that's not well, that's very kmart.

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Speaker 2: This doesn't sound like Potomac. Yeah, I don't think I

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Speaker 2: knew any black women with blonde hair.

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Speaker 1: But you grew up when in the nineties. Yeah, black

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Speaker 1: women have blond hair. Now it's very common. Beyonce used

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Speaker 1: to have brown hair.

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Speaker 2: Now is blonde? Okay, if you go back.

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Speaker 4: She started with she started with brown exactly, and then

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Speaker 4: she like did those corn.

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Speaker 3: Rolls with the blonde. And I was like, she's already,

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Speaker 3: don't get doing and then she was like, no, I'm not.

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Speaker 2: Okay.

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Speaker 3: So grew up in Potomac.

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Speaker 2: Yeah, parents, parents, we'll see. My mom is not Blate's teacher.

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Speaker 3: Oh, she's just doing something with her free time, right.

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Speaker 2: No, well, it's I could see him as the long thing.

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Speaker 2: So my dad did.

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Speaker 3: He used to clean up oil spills.

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Speaker 2: That used to be a big thing.

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Speaker 3: Oh, your dad used to like putting the soap on the.

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Speaker 2: Ducks the Yeah, he was really concerned about those ducks.

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Speaker 1: Well, when I think of oil spills, I think about

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Speaker 1: the ducks and when the doves soap that they like

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Speaker 1: a toothbrush to get filled.

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Speaker 3: Yeah.

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Speaker 2: Yeah, so he would do that like he wouldn't wasn't

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Speaker 2: he would hire the people who would do her the

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Speaker 2: company he wasn't out there.

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Speaker 3: Was captain planet.

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Speaker 2: Yeah, this is one of those things. If my mom

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Speaker 2: used to be a lawyer and then I think my

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Speaker 2: dad asked her to quit to raise me, and then

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Speaker 2: later she became a pilates teacher.

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Speaker 3: She's living her time right right now, she's doing what

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Speaker 3: she wants to do.

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Speaker 2: Yeah, it's good she's now she's getting into certified pilates

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Speaker 2: and how it helps your sex life because I know,

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Speaker 2: I know, Oh gosh, I'm not supposed to say. I've

317
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Speaker 2: been doing so much stand up and once you hear

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Speaker 2: I said her name and she was very tense.

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Speaker 3: Okay, okay, what's your first name? Irene? Irene? Okay, that's

320
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Speaker 3: all we need, don't You don't need her? You know,

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Speaker 3: maybe it's a calling card for her.

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Speaker 1: Honestly, Well, I actually want a class can Yeah, sure,

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Speaker 1: where is it?

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Speaker 2: I think she just got certified. So if you're a Potomac,

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Speaker 2: maybe she'll come here.

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Speaker 3: Potomac Marie, we're going You're going to visit.

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Speaker 2: The sites of real lives housewives of Potomas. Absolutely, because

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Speaker 2: pilans is like a lot of older people do a

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Speaker 2: lot of sixties seventies because like you're just lying down,

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Speaker 2: you're working.

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Speaker 1: Oh yeah, like everybody, it is.

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Speaker 2: But but it's one of the few things that when

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Speaker 2: you're seventy you can also do.

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Speaker 3: Well, that's more must feed. So I will be doing that.

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Speaker 2: Give me the best in class?

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Speaker 3: Yeah, showing off in Irene's class? Yeah, I like, have

337
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Speaker 3: you done it? You do blood? That's the Bolites class. Once,

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Speaker 3: I feel like I liked it more than a yoga.

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Speaker 3: You don't like it. I didn't like yoga on a

340
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Speaker 3: vid yoga?

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Speaker 4: Are you one of those people like walking through the

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Speaker 4: streets in New York with the world up Matt on

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Speaker 4: your arm?

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Speaker 2: No, I rented there. That's a lot of work. I

345
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Speaker 2: have Matt's at home.

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Speaker 4: But I do you wipe it down because you don't

347
00:16:11,840 --> 00:16:16,120
Speaker 4: have Yeah, yeah, I do, right, I know.

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Speaker 2: I do a cursory wife, you know, one long wife,

349
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Speaker 2: but that's not enough.

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Speaker 3: You are alive.

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Speaker 1: How did you end up from coming from Potomac and

352
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Speaker 1: ending up in New York?

353
00:16:28,120 --> 00:16:30,000
Speaker 2: Oh gosh, well, I came up here a lot with

354
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Speaker 2: my dad. My parents are divorced. They got divorced. Was

355
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Speaker 2: seven days old, Okay, so it might have been my fault.

356
00:16:37,680 --> 00:16:39,840
Speaker 3: So your dad really didn't want to change them divers

357
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Speaker 3: at all.

358
00:16:41,000 --> 00:16:43,120
Speaker 2: Well, but then he had to because you know, they

359
00:16:43,160 --> 00:16:45,520
Speaker 2: separated and he's the only one in the house to

360
00:16:45,640 --> 00:16:48,080
Speaker 2: change him. He can't drop me off of my mom's

361
00:16:48,360 --> 00:16:48,960
Speaker 2: trying to take a.

362
00:16:48,880 --> 00:16:52,840
Speaker 1: Show seven days old. And then so they get who

363
00:16:52,880 --> 00:16:54,440
Speaker 1: got you with like your dad got.

364
00:16:55,160 --> 00:16:58,400
Speaker 2: They had joint custody. So back and forth from the

365
00:16:58,480 --> 00:16:59,920
Speaker 2: time I can remember, that's a lot.

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Speaker 3: That's two cribs, two strollers, thof you live in the life.

367
00:17:03,600 --> 00:17:08,200
Speaker 2: That's to how's that I got two ribs?

368
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Speaker 3: Yeah?

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00:17:09,000 --> 00:17:12,919
Speaker 2: Twos said you celebrated, Well, my dad's was captain Mom's

370
00:17:12,960 --> 00:17:15,320
Speaker 2: Jewish but remarried another person.

371
00:17:15,320 --> 00:17:17,400
Speaker 3: Who's wait, you got best yo?

372
00:17:17,760 --> 00:17:23,320
Speaker 2: You had? Really, we're really only focusing on that one day.

373
00:17:23,480 --> 00:17:28,199
Speaker 3: That's what you look for that one day.

374
00:17:28,440 --> 00:17:30,120
Speaker 2: That's a let we care about.

375
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Speaker 3: Don't you get like eight gifts for amnica?

376
00:17:32,600 --> 00:17:34,359
Speaker 2: No, you got one of good gifts in the beginning,

377
00:17:34,359 --> 00:17:37,680
Speaker 2: and the rest are bullshit, the rest of socks, and like, yeah,

378
00:17:37,720 --> 00:17:38,440
Speaker 2: it's bullshit.

379
00:17:38,680 --> 00:17:40,000
Speaker 3: Really, Oh yeah I.

380
00:17:42,280 --> 00:17:44,360
Speaker 2: Thought the gifts were nice. No, it's like, oh, here's

381
00:17:44,359 --> 00:17:46,680
Speaker 2: a dreado, here's some chocolate points.

382
00:17:47,000 --> 00:17:50,639
Speaker 1: No, my friend she got a TV, she got a watch,

383
00:17:51,080 --> 00:17:51,920
Speaker 1: she got earring.

384
00:17:52,080 --> 00:17:53,719
Speaker 3: Like, that's the rich friend you were talking about.

385
00:17:54,520 --> 00:17:54,840
Speaker 2: It was.

386
00:17:54,920 --> 00:17:57,800
Speaker 3: It was in middle school. She was like killing it.

387
00:17:57,880 --> 00:17:59,040
Speaker 2: So what was your mother's like?

388
00:18:00,119 --> 00:18:02,760
Speaker 3: How did you know I wasn't her friend? I guess.

389
00:18:04,400 --> 00:18:05,120
Speaker 2: Because my mom.

390
00:18:05,359 --> 00:18:06,919
Speaker 3: She grew up in in Long Island.

391
00:18:07,240 --> 00:18:08,800
Speaker 2: Her parents told him when she was twelving another and

392
00:18:08,840 --> 00:18:11,320
Speaker 2: have a really big bat mitzva, a really big sweet sixteen.

393
00:18:11,800 --> 00:18:15,440
Speaker 2: She chose the latter, and that was sheriage. She's dumb.

394
00:18:15,440 --> 00:18:16,720
Speaker 3: She should have got that bat mitzva.

395
00:18:16,880 --> 00:18:19,840
Speaker 2: Now, ye, sweet sixteen, you're gonna have a good time,

396
00:18:20,040 --> 00:18:22,520
Speaker 2: but you get more money. Money You're supposed to it

397
00:18:22,520 --> 00:18:23,159
Speaker 2: when you're twelve.

398
00:18:24,880 --> 00:18:27,400
Speaker 1: And when I went to a barbazva, my mother gave

399
00:18:27,560 --> 00:18:29,320
Speaker 1: three hundred dollars.

400
00:18:29,720 --> 00:18:31,879
Speaker 2: Yeah, I was like, what about fifty?

401
00:18:32,040 --> 00:18:33,640
Speaker 3: Can call them fifty dollars?

402
00:18:33,640 --> 00:18:35,040
Speaker 2: You were asking aboue.

403
00:18:34,880 --> 00:18:36,960
Speaker 3: For fifty my mom. I went to a bunch of

404
00:18:37,000 --> 00:18:38,480
Speaker 3: bar mixexus.

405
00:18:39,040 --> 00:18:41,200
Speaker 1: I don't think I ever want to give I think

406
00:18:41,200 --> 00:18:43,560
Speaker 1: I'm just so which I still some coins and then

407
00:18:43,560 --> 00:18:45,160
Speaker 1: gave it to the next pert and I was steel

408
00:18:45,200 --> 00:18:49,480
Speaker 1: from one and I went to gold coins.

409
00:18:51,280 --> 00:18:53,639
Speaker 3: I but you some Uh, what are the chocolate with

410
00:18:53,680 --> 00:18:54,600
Speaker 3: the cherries in it?

411
00:18:55,040 --> 00:18:57,840
Speaker 1: Those things you don't know about the cherries the chocolate

412
00:18:57,920 --> 00:19:02,120
Speaker 1: and it has like the the cherries inside and has

413
00:19:02,160 --> 00:19:03,000
Speaker 1: like a little syrup.

414
00:19:03,080 --> 00:19:05,920
Speaker 3: Yeah good, you're terrible.

415
00:19:06,000 --> 00:19:09,760
Speaker 2: Wed. I wish I have have people my age and

416
00:19:09,760 --> 00:19:11,119
Speaker 2: they still like, they're like, well I still got that

417
00:19:11,200 --> 00:19:16,320
Speaker 2: barmental money backs up, planning people get funds, trust funds. Yeah.

418
00:19:16,840 --> 00:19:18,560
Speaker 3: Well, the thing is that I went in and it

419
00:19:18,640 --> 00:19:19,040
Speaker 3: was we.

420
00:19:19,000 --> 00:19:21,840
Speaker 1: Only had like maybe twenty kids, but then the rest

421
00:19:21,960 --> 00:19:26,440
Speaker 1: was all it was not the adults was getting lit.

422
00:19:26,800 --> 00:19:29,400
Speaker 1: We were having Shirley Temples and everybody else was having

423
00:19:29,480 --> 00:19:31,400
Speaker 1: like I don't know, Johnny Walker Black.

424
00:19:31,200 --> 00:19:33,320
Speaker 2: On the Rock. Yeah, well there's always for me. Like

425
00:19:33,320 --> 00:19:35,240
Speaker 2: with the guys, there was always the people at bars

426
00:19:35,520 --> 00:19:37,040
Speaker 2: and they hadn't got have the puberty, and so it

427
00:19:37,080 --> 00:19:39,240
Speaker 2: was just guys and I was like, hey, we're all boys.

428
00:19:39,280 --> 00:19:40,800
Speaker 2: And then they were the ones who had have the puberty,

429
00:19:40,880 --> 00:19:43,600
Speaker 2: and there are boys and girls. It was grinding. Baby

430
00:19:43,600 --> 00:19:45,200
Speaker 2: got back, having a good time.

431
00:19:45,280 --> 00:19:47,960
Speaker 3: Baby got back, and it's none of them is there

432
00:19:48,119 --> 00:19:49,600
Speaker 3: like a Jewish baby got back.

433
00:19:50,000 --> 00:19:55,200
Speaker 2: No baby got back.

434
00:19:58,640 --> 00:20:00,680
Speaker 3: I don't think that's not that matter. I gotta love

435
00:20:00,840 --> 00:20:05,280
Speaker 3: terrible girls in your parents, in your parents if you

436
00:20:05,320 --> 00:20:06,320
Speaker 3: have to see.

437
00:20:06,920 --> 00:20:11,240
Speaker 1: Okay, so you get to New York, Yeah, parents are

438
00:20:11,320 --> 00:20:14,520
Speaker 1: happy that you're here or naw uh.

439
00:20:15,040 --> 00:20:17,560
Speaker 2: They knew. They knew it wasn't going to work out

440
00:20:17,760 --> 00:20:20,159
Speaker 2: from early on, like they knew this is what was

441
00:20:20,400 --> 00:20:22,400
Speaker 2: going to do, stand up and acting. So I think

442
00:20:22,440 --> 00:20:25,160
Speaker 2: like they didn't have any high expectations. I didn't disappoint

443
00:20:25,200 --> 00:20:29,359
Speaker 2: disappointed them early, so so I think they were fine

444
00:20:29,359 --> 00:20:29,560
Speaker 2: with it.

445
00:20:29,920 --> 00:20:31,600
Speaker 3: I mean, you got to get the disappointment out of

446
00:20:31,640 --> 00:20:32,359
Speaker 3: the way early.

447
00:20:34,200 --> 00:20:39,520
Speaker 2: When what disappointing them? I don't think, Uh, I actually

448
00:20:39,560 --> 00:20:41,760
Speaker 2: just performing since I was in like the first grade,

449
00:20:42,000 --> 00:20:43,200
Speaker 2: and I think I was just one of those kids.

450
00:20:43,200 --> 00:20:44,800
Speaker 2: I was like, just what I want to do. I

451
00:20:44,880 --> 00:20:46,000
Speaker 2: knew what I want to go to. I want to

452
00:20:46,000 --> 00:20:48,560
Speaker 2: call it from musical theater. So you know, again, they

453
00:20:48,560 --> 00:20:50,919
Speaker 2: didn't were like maybe I'll become a doctor after this

454
00:20:51,080 --> 00:20:52,600
Speaker 2: BFA and musical theater.

455
00:20:52,800 --> 00:20:54,879
Speaker 3: You look like you could be adopted, like you I

456
00:20:54,880 --> 00:20:56,680
Speaker 3: could play a doctor, So that's right.

457
00:20:56,800 --> 00:20:57,320
Speaker 2: Right right.

458
00:20:57,359 --> 00:20:58,880
Speaker 3: Your glasses are very adoptive.

459
00:20:59,160 --> 00:21:01,840
Speaker 2: Yes, I wear them everything I've ever booked. They say,

460
00:21:01,920 --> 00:21:03,000
Speaker 2: make sure it breaks the glass.

461
00:21:03,040 --> 00:21:05,960
Speaker 3: Yeah, they're very great. Anatomy. Yeah again.

462
00:21:06,240 --> 00:21:11,120
Speaker 1: Second, Shanda Rhime's reference, she's coming, We're gonna, We're gonna.

463
00:21:11,040 --> 00:21:15,880
Speaker 2: Start a new show. Now she's on Netflix. Cheese on Netflix. No, Netflix,

464
00:21:15,960 --> 00:21:17,920
Speaker 2: just like she's moved to Netflix, right.

465
00:21:17,760 --> 00:21:20,119
Speaker 3: But but we don't know what it's going on pilot season.

466
00:21:20,400 --> 00:21:21,160
Speaker 3: We'll see your pilot.

467
00:21:24,800 --> 00:21:26,600
Speaker 1: Okay, So you get to New York, do you remember

468
00:21:26,600 --> 00:21:27,760
Speaker 1: your first subway experience?

469
00:21:28,320 --> 00:21:31,960
Speaker 2: Oh? Or you're what's your most Yeah? I mean so

470
00:21:32,600 --> 00:21:35,080
Speaker 2: there's just one guy. So, like you know, we all

471
00:21:35,440 --> 00:21:38,680
Speaker 2: have strong things about the performers. Yea, And but there's

472
00:21:38,720 --> 00:21:40,800
Speaker 2: one that I always really like to see and uh

473
00:21:40,920 --> 00:21:43,959
Speaker 2: because he's a stand up comic and I think he's

474
00:21:44,080 --> 00:21:45,720
Speaker 2: very What I like is he's like, you don't know

475
00:21:45,800 --> 00:21:47,840
Speaker 2: a lot of homeless stand up comedians.

476
00:21:47,359 --> 00:21:48,760
Speaker 3: So I've never met one.

477
00:21:48,800 --> 00:21:52,280
Speaker 2: I've never encountered anyone trying to do. They'd be funny

478
00:21:52,280 --> 00:21:54,040
Speaker 2: though when they tell their little stories on it, but

479
00:21:54,040 --> 00:21:55,800
Speaker 2: then they had the like perspectives that you don't like.

480
00:21:55,840 --> 00:21:58,680
Speaker 2: He has a joke world say, say that man over

481
00:21:58,720 --> 00:22:00,719
Speaker 2: there in that car told me I got old already clothes,

482
00:22:00,960 --> 00:22:02,639
Speaker 2: and I said, I might be homeless Jack, but these

483
00:22:02,640 --> 00:22:04,560
Speaker 2: are name brand clothes there, name brand, look at that

484
00:22:04,920 --> 00:22:08,919
Speaker 2: Central Park, Van Cortland Park, Washington Square Park, and like

485
00:22:09,680 --> 00:22:11,640
Speaker 2: all his jokes, it's like, oh yeah, I've never heard

486
00:22:11,680 --> 00:22:14,240
Speaker 2: anyone make that joke before. So I always like to

487
00:22:14,280 --> 00:22:15,760
Speaker 2: see him. And I don't know his name. I called

488
00:22:15,800 --> 00:22:19,320
Speaker 2: him the subway Seinfeld Subway Seinfeld.

489
00:22:20,000 --> 00:22:22,639
Speaker 3: That is honestly a character. He could be in a

490
00:22:22,800 --> 00:22:24,560
Speaker 3: he could be in a movie or I know.

491
00:22:24,960 --> 00:22:28,160
Speaker 2: But the thing is like he does the same four

492
00:22:28,200 --> 00:22:29,680
Speaker 2: minutes set every single time.

493
00:22:29,960 --> 00:22:32,320
Speaker 3: Let me tell you if you know a lot of comedians.

494
00:22:33,160 --> 00:22:35,000
Speaker 2: Of course we know that, but like they get to

495
00:22:35,040 --> 00:22:37,080
Speaker 2: like go from place to place, like he's always playing

496
00:22:37,080 --> 00:22:39,720
Speaker 2: the red line and so like I've seen him do

497
00:22:39,840 --> 00:22:42,600
Speaker 2: really well before, like if there's Taurus, if there's Taurus,

498
00:22:42,720 --> 00:22:44,520
Speaker 2: I've seen him a slave. I've seen him slick.

499
00:22:44,800 --> 00:22:51,040
Speaker 3: You've seen oh no, he's slow, he's slave. I feel

500
00:22:51,040 --> 00:22:54,040
Speaker 3: like doing comedy on public transportation is rough.

501
00:22:54,440 --> 00:22:58,639
Speaker 4: Like I agreed for some reason to do a for

502
00:22:58,680 --> 00:23:02,280
Speaker 4: some reason, he get paid Sidney on the Roosevelt the

503
00:23:02,359 --> 00:23:03,840
Speaker 4: Roosevelt Island tram.

504
00:23:05,960 --> 00:23:07,600
Speaker 3: I don't know the person who asked me to do it.

505
00:23:07,920 --> 00:23:10,960
Speaker 1: So I had to do comedy the tram ride from

506
00:23:11,040 --> 00:23:13,600
Speaker 1: Psyche Aside, I think it's like four minutes, right, So

507
00:23:13,640 --> 00:23:15,359
Speaker 1: it takes you to this little island and then it

508
00:23:15,400 --> 00:23:17,399
Speaker 1: takes you back for another four minutes.

509
00:23:17,640 --> 00:23:19,840
Speaker 3: And I did do stand up for these tourists who

510
00:23:19,920 --> 00:23:22,760
Speaker 3: don't speak English, who didn't know who the hell I was,

511
00:23:23,040 --> 00:23:26,320
Speaker 3: people who like just didn't get it. And with the

512
00:23:26,440 --> 00:23:29,400
Speaker 3: camera crew, it was awful. They had a camera crew.

513
00:23:29,560 --> 00:23:31,359
Speaker 2: Yeah, They're like, we're gonna try to sell this and

514
00:23:31,400 --> 00:23:31,920
Speaker 2: I was like.

515
00:23:31,880 --> 00:23:35,040
Speaker 1: Wait, what why would they do that? That was the

516
00:23:35,080 --> 00:23:37,160
Speaker 1: whole reason why they were doing it.

517
00:23:37,160 --> 00:23:38,040
Speaker 2: It was awful.

518
00:23:38,080 --> 00:23:39,679
Speaker 3: But so they didn't speak English.

519
00:23:40,040 --> 00:23:42,560
Speaker 2: Yeah, I say those hospital shows where you do a

520
00:23:42,560 --> 00:23:45,800
Speaker 2: hospital and there's always but there's always like you have references.

521
00:23:45,800 --> 00:23:47,920
Speaker 2: You're like, do they know what lunch is? Like you

522
00:23:47,960 --> 00:23:50,840
Speaker 2: don't know what you're knowing about, but you always like

523
00:23:51,040 --> 00:23:53,960
Speaker 2: you always over clarify. You're always like it's a thing.

524
00:23:53,880 --> 00:23:57,000
Speaker 1: Here where, But they laugh because they're like do they

525
00:23:57,119 --> 00:23:58,280
Speaker 1: not know we know about food?

526
00:24:00,320 --> 00:24:03,360
Speaker 3: So crazy though, because the last ride.

527
00:24:03,119 --> 00:24:05,600
Speaker 1: That I took, nobody was laughing at anything I'm saying, right,

528
00:24:05,920 --> 00:24:08,520
Speaker 1: And this little boy said something and people were.

529
00:24:08,400 --> 00:24:10,600
Speaker 2: Like, oh, I was like, oh.

530
00:24:10,480 --> 00:24:12,000
Speaker 3: You're trying to you think it funny now?

531
00:24:12,040 --> 00:24:13,520
Speaker 1: And he was like mm hmmm, and I was like,

532
00:24:13,680 --> 00:24:15,520
Speaker 1: tell the chop and he was like, what do you

533
00:24:15,560 --> 00:24:18,040
Speaker 1: call a cow with no legs? And everybody was like

534
00:24:18,359 --> 00:24:20,359
Speaker 1: waiting to hear. And he was like grown beef and

535
00:24:20,400 --> 00:24:24,679
Speaker 1: everyone was like oh my, and I was like yeahay

536
00:24:25,000 --> 00:24:26,479
Speaker 1: and ground beef.

537
00:24:27,080 --> 00:24:32,800
Speaker 3: Wait, I can come up with that damn joke. That's

538
00:24:32,840 --> 00:24:35,399
Speaker 3: fucking rude. Anyway, a little wood. He looked like he

539
00:24:35,480 --> 00:24:39,080
Speaker 3: was maybe like six. Get kicked and I don't know

540
00:24:39,080 --> 00:24:39,919
Speaker 3: what to.

541
00:24:39,880 --> 00:24:45,120
Speaker 2: Get kicked on the train, So I tryst's get back

542
00:24:45,160 --> 00:24:48,360
Speaker 2: to subway, okay. So so so he does the same

543
00:24:48,400 --> 00:24:50,920
Speaker 2: stuff the same severy time. And it was just one time.

544
00:24:51,040 --> 00:24:53,119
Speaker 2: I was coming from a I take a weekly hip

545
00:24:53,160 --> 00:24:58,320
Speaker 2: hop class and actually going to Y thirty four. It's

546
00:24:58,359 --> 00:25:01,520
Speaker 2: advanced beginner, so nothing beginning.

547
00:25:01,160 --> 00:25:05,480
Speaker 3: We're born at Van's beginning. Oh my god, you don't

548
00:25:05,520 --> 00:25:06,440
Speaker 3: need a class.

549
00:25:06,480 --> 00:25:13,080
Speaker 2: It was really fun and that was a really good class.

550
00:25:13,560 --> 00:25:15,439
Speaker 2: And as I was coming, I was going home from that.

551
00:25:15,480 --> 00:25:17,960
Speaker 2: I live in Harlem, and uh so I got on

552
00:25:18,000 --> 00:25:20,640
Speaker 2: the train. It was around four o'clock, the two three

553
00:25:20,720 --> 00:25:23,760
Speaker 2: uptown and who was headlining? But the subway sign felt

554
00:25:23,800 --> 00:25:27,000
Speaker 2: himself and uh so he started into a set and

555
00:25:27,040 --> 00:25:28,600
Speaker 2: things were going to find. But then on the other

556
00:25:28,720 --> 00:25:31,640
Speaker 2: end of the car he had a heckler. So there's

557
00:25:31,680 --> 00:25:33,720
Speaker 2: a guy and he just, I mean, he was effusive.

558
00:25:34,080 --> 00:25:37,280
Speaker 2: He started, he goes, shut the fuck up. We already

559
00:25:37,320 --> 00:25:40,239
Speaker 2: heard this. Shut the fuck up. It was, I mean,

560
00:25:40,240 --> 00:25:45,920
Speaker 2: he vicious. But like the comedian we'll call Jerry Subway

561
00:25:45,920 --> 00:25:48,240
Speaker 2: simples name is Jerry. Now Jerry Jerry like kind of

562
00:25:48,240 --> 00:25:50,040
Speaker 2: ignored and he knows the set that he just kind

563
00:25:50,040 --> 00:25:54,960
Speaker 2: of plowed through. But then the hecklers started anticipating his punchlines.

564
00:25:55,440 --> 00:25:57,840
Speaker 2: That's how well we all know his set. So he'd

565
00:25:57,840 --> 00:26:00,440
Speaker 2: be like a name brand close picked him myself, and

566
00:26:00,440 --> 00:26:02,240
Speaker 2: then the heck would come and be like Central Park,

567
00:26:02,520 --> 00:26:09,920
Speaker 2: carling apart, Washington Square, shot the fuck And so that's

568
00:26:09,960 --> 00:26:11,919
Speaker 2: when like Jerry decided to switch it up to some

569
00:26:12,000 --> 00:26:14,159
Speaker 2: crowd work. So he turned in the heck and he

570
00:26:14,240 --> 00:26:15,080
Speaker 2: was like, it's all.

571
00:26:15,000 --> 00:26:17,960
Speaker 1: Miss man into a crowd work he's doing, Like he's

572
00:26:17,960 --> 00:26:20,840
Speaker 1: already got why you gotta do the crowd work?

573
00:26:21,960 --> 00:26:24,240
Speaker 2: You turn He said to me, how about that shut

574
00:26:24,320 --> 00:26:26,600
Speaker 2: the fuck up? I fuck your mother up the ass.

575
00:26:26,840 --> 00:26:29,200
Speaker 2: And then it was just like cast people started screaming

576
00:26:29,400 --> 00:26:32,399
Speaker 2: filming on the arm Jerry said that to the heckler,

577
00:26:33,200 --> 00:26:36,440
Speaker 2: the someone's filming, someone's shouted world Star.

578
00:26:36,600 --> 00:26:38,399
Speaker 1: It was like it was a crazy that's not you

579
00:26:38,520 --> 00:26:40,720
Speaker 1: know real if somebody was being world star and nothing.

580
00:26:41,080 --> 00:26:45,520
Speaker 2: Yeah, and uh so, like I wanted to say something

581
00:26:45,800 --> 00:26:49,399
Speaker 2: because you know, I'm a performer, and I felt bad,

582
00:26:49,560 --> 00:26:51,320
Speaker 2: but you know I didn't because it was a coward.

583
00:26:51,760 --> 00:26:55,320
Speaker 2: And so we got to seventy second Street and the

584
00:26:55,400 --> 00:26:57,879
Speaker 2: doors opened and Jerry got off the train, but he

585
00:26:57,960 --> 00:27:00,359
Speaker 2: looked like shaken. You know, we've all had bad shows

586
00:27:00,520 --> 00:27:04,840
Speaker 2: and not on not on the train, but on your home.

587
00:27:04,880 --> 00:27:09,480
Speaker 3: And you're on the two train home at home is

588
00:27:09,520 --> 00:27:12,640
Speaker 3: the train home on the train.

589
00:27:14,440 --> 00:27:17,439
Speaker 2: So I felt bad, and so Jerry left. The doors closed.

590
00:27:17,480 --> 00:27:19,840
Speaker 2: We kept going, but the heckler kept it was still

591
00:27:19,960 --> 00:27:22,520
Speaker 2: like he kept be like stupid bullshit. I don't have

592
00:27:22,560 --> 00:27:24,840
Speaker 2: to hear the ship. I were three fucking jobs, unfunny

593
00:27:24,880 --> 00:27:27,480
Speaker 2: ass motherfucker. And like when you know, when he called

594
00:27:27,560 --> 00:27:30,880
Speaker 2: him unfunny, like something something in me, I felt even

595
00:27:30,960 --> 00:27:33,119
Speaker 2: worse and I just I couldn't help, but it came

596
00:27:33,119 --> 00:27:35,399
Speaker 2: out of me. I screamed back and said, hey, he left,

597
00:27:35,600 --> 00:27:38,119
Speaker 2: so why don't you shut the fuck up? And it

598
00:27:38,200 --> 00:27:40,000
Speaker 2: was like the first time in the whole ride that

599
00:27:40,160 --> 00:27:44,360
Speaker 2: everyone shut the fuck up until the heckler yelled back,

600
00:27:45,359 --> 00:27:51,400
Speaker 2: who the fuck said that? Were you ready? Well, that's

601
00:27:51,400 --> 00:27:52,840
Speaker 2: not really because I was a reminder. I was coming

602
00:27:52,880 --> 00:27:55,440
Speaker 2: from hip hop. So what I was wearing at the time,

603
00:27:55,520 --> 00:27:58,480
Speaker 2: I was wearing a beige American apparel tank. You can't

604
00:27:58,480 --> 00:28:01,159
Speaker 2: be a white man in it was sale. It was

605
00:28:01,200 --> 00:28:02,840
Speaker 2: not sale while they were closing down.

606
00:28:03,480 --> 00:28:05,520
Speaker 3: You didn't have like a little track jacket over door.

607
00:28:06,000 --> 00:28:07,440
Speaker 2: I don't go to hip hop to look good. I

608
00:28:07,520 --> 00:28:09,160
Speaker 2: look feel good.

609
00:28:10,280 --> 00:28:13,360
Speaker 3: That's not what hip hop's You gotta have a look

610
00:28:13,440 --> 00:28:16,439
Speaker 3: as well. You can't just be on what else? Did

611
00:28:16,520 --> 00:28:18,200
Speaker 3: you have a backwards baseball?

612
00:28:18,280 --> 00:28:23,639
Speaker 2: No that I did, though, have juicy sweatpants, blue Juicy sweatpants,

613
00:28:23,720 --> 00:28:24,520
Speaker 2: juicy on the butt.

614
00:28:25,520 --> 00:28:27,959
Speaker 3: They make those pants for men. I don't know if

615
00:28:28,000 --> 00:28:28,920
Speaker 3: it was, but they fit.

616
00:28:29,240 --> 00:28:30,480
Speaker 2: I mean I think they do.

617
00:28:30,800 --> 00:28:32,560
Speaker 3: Man, did you get it from a consignment shop? I

618
00:28:32,680 --> 00:28:33,760
Speaker 3: feel like I had on.

619
00:28:35,440 --> 00:28:35,640
Speaker 2: Women.

620
00:28:35,720 --> 00:28:37,840
Speaker 3: I feel like you is tall.

621
00:28:38,000 --> 00:28:40,080
Speaker 2: This must have been men's How tall are you a

622
00:28:40,280 --> 00:28:41,120
Speaker 2: six three and a half?

623
00:28:41,160 --> 00:28:44,800
Speaker 3: Sick? Tare women? Lisa Lobo or whatever?

624
00:28:45,000 --> 00:28:45,560
Speaker 2: Is that tall?

625
00:28:46,160 --> 00:28:46,360
Speaker 3: Wait?

626
00:28:46,600 --> 00:28:47,800
Speaker 2: So you had some.

627
00:28:48,000 --> 00:28:50,520
Speaker 4: Juicy pants that say, juicy crusher butt, a beige tank

628
00:28:50,600 --> 00:28:53,920
Speaker 4: top and crocs, and you were doing hip hop and

629
00:28:53,960 --> 00:28:57,640
Speaker 4: cross I changed, and then we have to end up.

630
00:28:57,920 --> 00:29:01,000
Speaker 3: No, no, no, you will not desecrate my hip hop.

631
00:29:02,320 --> 00:29:05,680
Speaker 2: I changed after class. I were very cool sneaks for

632
00:29:05,840 --> 00:29:06,280
Speaker 2: the class.

633
00:29:06,800 --> 00:29:07,920
Speaker 3: What cool sneaks you have them?

634
00:29:08,760 --> 00:29:13,120
Speaker 2: I have the Nikes? What do they call Nikes that

635
00:29:13,280 --> 00:29:14,200
Speaker 2: make all different colors?

636
00:29:15,520 --> 00:29:21,720
Speaker 3: You made new balance Balha like Nike. It has the

637
00:29:21,880 --> 00:29:28,200
Speaker 3: end for Nike, new balance for Nike. And so here

638
00:29:28,280 --> 00:29:29,880
Speaker 3: you are, I'm looking leg a target.

639
00:29:30,080 --> 00:29:32,800
Speaker 2: You screamed, shut up show. So he said, who the

640
00:29:32,840 --> 00:29:35,240
Speaker 2: fuck said that? And I saw across from me, like

641
00:29:35,400 --> 00:29:38,000
Speaker 2: there was this guy like across it was a person

642
00:29:38,040 --> 00:29:40,080
Speaker 2: that would have been the sky Like he's filling out

643
00:29:40,120 --> 00:29:42,920
Speaker 2: his tank top a lot better than me, And I thought, oh,

644
00:29:43,000 --> 00:29:46,080
Speaker 2: this is the moment that all those muscles are for this,

645
00:29:46,400 --> 00:29:48,120
Speaker 2: this kind of fight. So gave him a look kind

646
00:29:48,160 --> 00:29:51,400
Speaker 2: of like, hey man, I'm in a pickle. If she

647
00:29:51,560 --> 00:29:53,360
Speaker 2: goes down, you'll take care of it, right, And he

648
00:29:53,400 --> 00:29:56,840
Speaker 2: gave me a look back. And so so the guy

649
00:29:57,000 --> 00:29:58,400
Speaker 2: the head was stoo up at this point, said who

650
00:29:58,440 --> 00:30:00,600
Speaker 2: the fuck said that? I and tell the way he's

651
00:30:00,600 --> 00:30:04,040
Speaker 2: saying that he really doesn't know who said it until

652
00:30:04,120 --> 00:30:06,960
Speaker 2: that CrossFit guy points directly at me.

653
00:30:08,000 --> 00:30:11,920
Speaker 1: You should wait the CrossFit you got Connor in the

654
00:30:12,000 --> 00:30:17,480
Speaker 1: same field, tank top cross the guys.

655
00:30:18,160 --> 00:30:19,360
Speaker 3: He was like, that's not pop.

656
00:30:24,040 --> 00:30:28,240
Speaker 1: And so so this when he points to you in no, like,

657
00:30:28,400 --> 00:30:30,120
Speaker 1: at no point did you feel like, oh, I should

658
00:30:30,160 --> 00:30:30,600
Speaker 1: just point to him.

659
00:30:30,640 --> 00:30:32,200
Speaker 3: We should have just all keep pointing after going back

660
00:30:32,240 --> 00:30:32,520
Speaker 3: and forth.

661
00:30:32,640 --> 00:30:33,600
Speaker 2: Yeah, no, I think I was too.

662
00:30:33,680 --> 00:30:33,840
Speaker 3: I was.

663
00:30:34,080 --> 00:30:37,640
Speaker 2: I was so stunned throw trail of who I thought

664
00:30:37,760 --> 00:30:38,600
Speaker 2: was my friend.

665
00:30:39,680 --> 00:30:44,480
Speaker 3: This stranger brother if on the train, I don't want

666
00:30:44,480 --> 00:30:46,960
Speaker 3: to be involved. I'm not pointing at nobody because what

667
00:30:47,080 --> 00:30:49,160
Speaker 3: if you did? But I think it was one of

668
00:30:49,240 --> 00:30:49,560
Speaker 3: these things.

669
00:30:49,600 --> 00:30:52,040
Speaker 2: I think we were the only if I remember created,

670
00:30:52,080 --> 00:30:54,840
Speaker 2: we're the only two men on that side of the train.

671
00:30:55,200 --> 00:30:56,880
Speaker 2: So he probably was like, I don't want to deal

672
00:30:56,960 --> 00:30:59,880
Speaker 2: with this. This is the guy who opened his goddamn mouth.

673
00:31:00,200 --> 00:31:03,400
Speaker 3: But the girl's bit guy was probably bigger than the heckler.

674
00:31:03,280 --> 00:31:05,960
Speaker 2: Right, but he didn't want to fight it sounding for

675
00:31:06,040 --> 00:31:07,880
Speaker 2: a fight. Maybe he came he's tired.

676
00:31:08,000 --> 00:31:09,120
Speaker 3: He should have just been like, not mean.

677
00:31:10,000 --> 00:31:11,440
Speaker 2: If the guy came to his face.

678
00:31:11,520 --> 00:31:13,960
Speaker 5: I wouldn't say anywhere I could have just been quiet. Yeah,

679
00:31:14,120 --> 00:31:15,760
Speaker 5: what are you pointing to say anything?

680
00:31:16,080 --> 00:31:17,960
Speaker 3: Did he maybe went on headless side? And he was

681
00:31:18,000 --> 00:31:19,920
Speaker 3: like yeah, did he point with Claire, like did he

682
00:31:20,000 --> 00:31:21,520
Speaker 3: throw his whole hand up or did he just like

683
00:31:21,800 --> 00:31:22,760
Speaker 3: do like a little flickering.

684
00:31:22,920 --> 00:31:26,120
Speaker 1: It was just it was just like or or maybe

685
00:31:26,360 --> 00:31:28,320
Speaker 1: they did that on purpose. They set it up like

686
00:31:28,400 --> 00:31:31,560
Speaker 1: that's maybe their thing where that that he like yells

687
00:31:31,600 --> 00:31:33,560
Speaker 1: at this he's a heckler. And then his friend like

688
00:31:33,640 --> 00:31:37,800
Speaker 1: sets it up for somebody like Sam Sam anyway.

689
00:31:37,680 --> 00:31:42,440
Speaker 2: So yes, maybe maybe that conspiracy theory. Wait, people listening

690
00:31:42,480 --> 00:31:44,280
Speaker 2: want to know what happened. So he points to you,

691
00:31:44,480 --> 00:31:46,440
Speaker 2: so it points to me. So now a headless kind

692
00:31:46,480 --> 00:31:48,280
Speaker 2: of me, he says, you saying that, and he's walking

693
00:31:48,360 --> 00:31:50,560
Speaker 2: towards me. And this was just as we got to

694
00:31:50,720 --> 00:31:53,040
Speaker 2: the ninety six street stop, and so I saw that

695
00:31:53,160 --> 00:31:56,680
Speaker 2: across there was a train one going uptown and the

696
00:31:56,760 --> 00:31:59,160
Speaker 2: doors were open. So I'm like, I got too oft

697
00:32:00,040 --> 00:32:01,600
Speaker 2: when this train gets up, I got to like try

698
00:32:01,640 --> 00:32:03,400
Speaker 2: to run the street level, try to find a police,

699
00:32:03,840 --> 00:32:06,000
Speaker 2: but you know he'll probably catch makes the cross.

700
00:32:07,720 --> 00:32:14,760
Speaker 3: I can't slow you down, cracked out, cracked out.

701
00:32:17,000 --> 00:32:18,920
Speaker 2: You, So I go, okay, I'm gonna go over the

702
00:32:18,960 --> 00:32:21,240
Speaker 2: option too. I'm gonna try to get another train and

703
00:32:21,400 --> 00:32:25,120
Speaker 2: just hope for the best. So the cross, what do

704
00:32:25,200 --> 00:32:25,440
Speaker 2: you mean?

705
00:32:26,160 --> 00:32:29,080
Speaker 3: The cross behind? Like Cinderella, you gotta just crocerella. You

706
00:32:29,160 --> 00:32:32,800
Speaker 3: gotta come back at midnight or whatever time.

707
00:32:34,200 --> 00:32:36,800
Speaker 2: But it's a shorter distance. I can make it. So,

708
00:32:37,120 --> 00:32:39,360
Speaker 2: so the door is open. I swear I like pivot

709
00:32:39,520 --> 00:32:40,360
Speaker 2: past the heckler.

710
00:32:40,920 --> 00:32:45,520
Speaker 3: Pivot, pivot before you hit us. I did basketball middle school.

711
00:32:45,520 --> 00:32:46,680
Speaker 2: I did basketball in middle school.

712
00:32:47,040 --> 00:32:49,040
Speaker 3: So what did the heckler look like?

713
00:32:50,760 --> 00:32:54,200
Speaker 2: He looked He looked like he was a construction worker

714
00:32:54,320 --> 00:32:56,720
Speaker 2: some kind like he was wearing jeans and he was

715
00:32:56,760 --> 00:33:00,560
Speaker 2: wearing I mean, Dusty, we're talking about the race. Oh,

716
00:33:00,600 --> 00:33:02,880
Speaker 2: I wanted to know everything, Okay, I wanted to know

717
00:33:03,200 --> 00:33:03,720
Speaker 2: a black man.

718
00:33:03,920 --> 00:33:07,040
Speaker 3: Oh man, Mark, you're gonna kept that to yourself. Yeah,

719
00:33:09,560 --> 00:33:10,280
Speaker 3: you could have been.

720
00:33:10,760 --> 00:33:11,520
Speaker 2: I don't recall.

721
00:33:12,920 --> 00:33:16,080
Speaker 3: They don't look at races, seacuttertor. That's why I got

722
00:33:16,080 --> 00:33:19,720
Speaker 3: that beige take out. So the black du black dude

723
00:33:19,760 --> 00:33:20,880
Speaker 3: in the construction boots.

724
00:33:21,360 --> 00:33:24,600
Speaker 1: Uh, you pivot passed it with those bee ball moves

725
00:33:24,720 --> 00:33:26,800
Speaker 1: and you run across the run across.

726
00:33:27,160 --> 00:33:29,320
Speaker 2: I swear to God, I get onto the one and

727
00:33:29,440 --> 00:33:32,960
Speaker 2: the doors closed before he's able to reach me. So

728
00:33:33,040 --> 00:33:34,880
Speaker 2: he falls back. When he's banging on the glass, he's like,

729
00:33:35,600 --> 00:33:37,760
Speaker 2: I'm gonna kill you. And I was feeling little cocky.

730
00:33:38,120 --> 00:33:41,000
Speaker 2: I made it up, saved and so he's like too slow, motherfucker,

731
00:33:41,280 --> 00:33:43,800
Speaker 2: A slow talking all that ship.

732
00:33:44,040 --> 00:33:45,720
Speaker 6: Yeah yeah, and that's.

733
00:33:45,560 --> 00:33:46,959
Speaker 3: When the doors reopened.

734
00:33:47,560 --> 00:33:49,840
Speaker 2: See this is I knew the door was going to go. Yep,

735
00:33:49,920 --> 00:33:52,200
Speaker 2: that's what happened. That it's always happened.

736
00:33:52,440 --> 00:33:55,480
Speaker 3: And I got punched in the face. Now, what kind

737
00:33:55,480 --> 00:33:57,840
Speaker 3: of punch was it? It was It was not the

738
00:33:57,960 --> 00:33:59,720
Speaker 3: bad it was not the worst punch. It was like,

739
00:33:59,840 --> 00:34:03,600
Speaker 3: I kind of I found duck hunting, nipped my nicked.

740
00:34:03,400 --> 00:34:06,800
Speaker 2: My chin, and then I cowered. I mean he coward.

741
00:34:07,520 --> 00:34:09,800
Speaker 2: I'm sorry. I'm so sorry, and he left. Did you

742
00:34:10,280 --> 00:34:17,839
Speaker 2: fall down? I liked it into the seat pedal. Did

743
00:34:17,920 --> 00:34:21,239
Speaker 2: you drop your things? Uh no, I had a backpack on.

744
00:34:21,640 --> 00:34:25,560
Speaker 3: Did you Did you have your glasses on? Yeah?

745
00:34:25,640 --> 00:34:27,640
Speaker 2: I probably because I have to do hip hop with

746
00:34:27,719 --> 00:34:28,919
Speaker 2: my glasses off, so I can see.

747
00:34:29,400 --> 00:34:31,320
Speaker 3: Did hip hop so wrong?

748
00:34:32,280 --> 00:34:35,000
Speaker 2: You're not doing it right? Again? It's about feeling.

749
00:34:37,480 --> 00:34:39,239
Speaker 3: So then he gets off the trainer, But you say

750
00:34:39,280 --> 00:34:40,359
Speaker 3: you're so sorry.

751
00:34:41,040 --> 00:34:43,279
Speaker 2: Yeah, because he's got to get back. He was able

752
00:34:43,320 --> 00:34:44,960
Speaker 2: to get back on his way.

753
00:34:45,080 --> 00:34:47,319
Speaker 3: He was able to punch you and then get back

754
00:34:47,360 --> 00:34:48,280
Speaker 3: on those.

755
00:34:48,160 --> 00:34:51,920
Speaker 2: Trains the very slow. They're slow when you don't need them.

756
00:34:52,040 --> 00:34:56,239
Speaker 3: The devil was on his side. Oh god, so wait

757
00:34:56,400 --> 00:34:57,360
Speaker 3: did you were you bleeding?

758
00:34:57,520 --> 00:34:58,239
Speaker 2: Like, were you hurt?

759
00:34:58,320 --> 00:34:58,360
Speaker 3: No?

760
00:34:58,680 --> 00:35:01,080
Speaker 2: It just like stung little bit and I was like,

761
00:35:01,160 --> 00:35:02,920
Speaker 2: you know, I was like, oh my god, my jaws broken.

762
00:35:03,000 --> 00:35:03,879
Speaker 3: We're other people there?

763
00:35:04,000 --> 00:35:04,759
Speaker 2: Yeah, that's the question.

764
00:35:04,840 --> 00:35:05,839
Speaker 3: Where the people in the tree.

765
00:35:06,120 --> 00:35:08,520
Speaker 2: It was not a very crowded train. But again, people,

766
00:35:08,760 --> 00:35:11,960
Speaker 2: I'm not messing with this ship. Must have done something.

767
00:35:12,360 --> 00:35:13,520
Speaker 2: Someone shouted world star.

768
00:35:14,280 --> 00:35:16,279
Speaker 3: Somebody sounds crops and like he deserved it.

769
00:35:16,560 --> 00:35:25,120
Speaker 2: He deserved It was like, that's gay bashing on the train.

770
00:35:25,239 --> 00:35:27,120
Speaker 3: What's what else has happened to you on the subway?

771
00:35:27,800 --> 00:35:29,840
Speaker 3: Because I feel like you probably didn't learn your listen.

772
00:35:29,960 --> 00:35:31,560
Speaker 2: You know, I've had a couple of things happened on

773
00:35:31,600 --> 00:35:35,040
Speaker 2: the subway once. Uh more recently, I was on it.

774
00:35:35,160 --> 00:35:37,200
Speaker 2: I was on a date at a girl a bar

775
00:35:37,840 --> 00:35:40,120
Speaker 2: and she was coming back to my place in Horrorm.

776
00:35:40,160 --> 00:35:41,759
Speaker 2: I was very excited. Wait you wait, where do you

777
00:35:41,880 --> 00:35:43,960
Speaker 2: learn her lenox?

778
00:35:44,080 --> 00:35:47,880
Speaker 1: Okay, that's that's the main. Yeah, the new Whole Foods.

779
00:35:47,920 --> 00:35:49,880
Speaker 1: To see it from my win, No, don't say it

780
00:35:49,960 --> 00:35:52,640
Speaker 1: like that. That's gentrification. We don't give a damn about

781
00:35:52,640 --> 00:35:53,239
Speaker 1: the Whole food And.

782
00:35:53,280 --> 00:35:55,680
Speaker 2: I'm worried they saw me move in and all right,

783
00:35:55,760 --> 00:35:58,719
Speaker 2: we got a marketing place. I set up the Whole

784
00:35:58,760 --> 00:36:01,600
Speaker 2: Foods on Malcolm X of our It won't be a

785
00:36:01,640 --> 00:36:06,040
Speaker 2: Malcolm Mexican exactly.

786
00:36:06,200 --> 00:36:06,719
Speaker 3: You get it.

787
00:36:07,239 --> 00:36:09,600
Speaker 2: So you meet this bar, what are you wearing? Because

788
00:36:09,600 --> 00:36:11,440
Speaker 2: we just needed I was not coming from hip hop,

789
00:36:11,480 --> 00:36:12,600
Speaker 2: so I was probably world.

790
00:36:12,719 --> 00:36:13,879
Speaker 3: No, that's your date.

791
00:36:13,960 --> 00:36:16,719
Speaker 2: Look, oh man, he made me feel bad?

792
00:36:18,719 --> 00:36:23,640
Speaker 3: Wow? What well? What night was it? If it's a Tuesday,

793
00:36:23,680 --> 00:36:25,640
Speaker 3: then you're fine. If it's a Friday, Saturday, that's a no.

794
00:36:25,719 --> 00:36:27,719
Speaker 2: I will let you know that I almost wore cargo

795
00:36:27,800 --> 00:36:29,960
Speaker 2: shirts at this time. That's how something you posted yesterday,

796
00:36:30,760 --> 00:36:34,040
Speaker 2: Oh I better not wear cargo shirts inc. That's my

797
00:36:34,200 --> 00:36:38,959
Speaker 2: podcast outfit shorts and tank top. That's how you post

798
00:36:39,000 --> 00:36:41,000
Speaker 2: some of our guys who wear cargo shirts and fall

799
00:36:41,040 --> 00:36:44,480
Speaker 2: and I said better my guys who wear cargo shirts,

800
00:36:44,520 --> 00:36:46,640
Speaker 2: and oh I was I was going off.

801
00:36:46,719 --> 00:36:47,160
Speaker 1: I wasna.

802
00:36:48,280 --> 00:36:49,759
Speaker 3: It was one of those things where you're like city

803
00:36:49,840 --> 00:36:52,560
Speaker 3: you're being mean. Like people were in my ds like

804
00:36:52,920 --> 00:36:55,600
Speaker 3: what's wrong with the what's wrong with a man whole?

805
00:36:55,719 --> 00:36:57,120
Speaker 1: Like they were saying all the time. I was like,

806
00:36:57,239 --> 00:37:00,960
Speaker 1: oh yeah, that's what I was, Like a season you're doing?

807
00:37:01,560 --> 00:37:03,279
Speaker 2: She can for the community. It's my dating.

808
00:37:03,840 --> 00:37:05,040
Speaker 3: What do you what a suit?

809
00:37:05,719 --> 00:37:06,320
Speaker 7: What do you know?

810
00:37:06,520 --> 00:37:09,640
Speaker 3: Like maybe a nice bird, but like maybe not flannel.

811
00:37:10,120 --> 00:37:12,319
Speaker 3: I went to a bar. It was someone at a bar.

812
00:37:12,680 --> 00:37:15,279
Speaker 2: We were going on. They met at the bar. Okay,

813
00:37:15,680 --> 00:37:18,320
Speaker 2: whatever I was wearing. She she decides she wants to

814
00:37:18,400 --> 00:37:18,759
Speaker 2: come back.

815
00:37:18,840 --> 00:37:19,319
Speaker 1: So it was good.

816
00:37:20,120 --> 00:37:22,000
Speaker 3: Oh whatever it was. It was like there was it

817
00:37:22,120 --> 00:37:25,560
Speaker 3: was was getting up, like let me see the house,

818
00:37:25,719 --> 00:37:30,440
Speaker 3: let me see the dick. So when she approached you,

819
00:37:30,520 --> 00:37:31,319
Speaker 3: or did you approach her?

820
00:37:31,800 --> 00:37:33,120
Speaker 2: I just want to know what your game is.

821
00:37:33,600 --> 00:37:38,120
Speaker 3: There's no game. She must have. You probably bumped into

822
00:37:38,200 --> 00:37:38,560
Speaker 3: each other.

823
00:37:38,680 --> 00:37:40,879
Speaker 2: There's no way I saw and made a move. I'm

824
00:37:40,920 --> 00:37:42,640
Speaker 2: not bad, But.

825
00:37:42,719 --> 00:37:45,279
Speaker 3: You're the type to scream as somebody on the train.

826
00:37:47,160 --> 00:37:50,200
Speaker 2: I just have like bursts of and also like a potomac,

827
00:37:50,320 --> 00:37:53,520
Speaker 2: you yell and no one's fighting each other, Like it's

828
00:37:53,600 --> 00:37:54,480
Speaker 2: kind of a thing where you're like.

829
00:37:54,520 --> 00:37:57,239
Speaker 3: Oh yeah, you can't just yell things at people. In

830
00:37:57,320 --> 00:37:57,640
Speaker 3: New York.

831
00:37:58,600 --> 00:38:01,080
Speaker 2: In New York, yell at the wrong person. So uh,

832
00:38:01,840 --> 00:38:03,880
Speaker 2: so we've got on the train. I'm going back to

833
00:38:03,960 --> 00:38:06,600
Speaker 2: my place and he's going well, and then that's seventy

834
00:38:06,680 --> 00:38:11,200
Speaker 2: second Street. Who should get on but Mandy Patinkin. Yeah no,

835
00:38:11,400 --> 00:38:14,800
Speaker 2: so Mandy patinking he was uh in the Princess Bride.

836
00:38:15,160 --> 00:38:19,240
Speaker 2: He was Ego Nigo Montoya. He's killed my father, prepared

837
00:38:19,280 --> 00:38:22,160
Speaker 2: to die. I'm Homeland, Homeland. But I went to.

838
00:38:22,160 --> 00:38:24,239
Speaker 3: School for musical theater, so he's a big He's a

839
00:38:24,280 --> 00:38:26,040
Speaker 3: big deal, big, huge.

840
00:38:25,920 --> 00:38:28,400
Speaker 2: Musical theater star. So like the cool the Near I've

841
00:38:28,440 --> 00:38:31,160
Speaker 2: been cultivating all night, just like Disappear.

842
00:38:34,840 --> 00:38:35,200
Speaker 3: Harlem.

843
00:38:35,320 --> 00:38:37,319
Speaker 2: I was so excited. Yeah that's your voice.

844
00:38:38,360 --> 00:38:39,759
Speaker 3: Yeah, I was so.

845
00:38:40,280 --> 00:38:43,120
Speaker 1: You know, if something who would get on their subway

846
00:38:43,160 --> 00:38:45,719
Speaker 1: to make you freak out like that, like make your voice.

847
00:38:45,520 --> 00:38:53,399
Speaker 2: Go Oprah taking the train, But if she's taking the plane.

848
00:38:55,080 --> 00:38:57,959
Speaker 1: In Harlem, if she took the train, I would freak

849
00:38:58,040 --> 00:38:59,760
Speaker 1: out because it was fucking never.

850
00:38:59,680 --> 00:39:01,799
Speaker 4: Thought on the train. I feel like, there's no way

851
00:39:01,800 --> 00:39:04,320
Speaker 4: that's her. And I would just be like Grandma, and

852
00:39:04,360 --> 00:39:06,439
Speaker 4: I wouldn't give her my seat because I wouldn't believe

853
00:39:06,480 --> 00:39:06,759
Speaker 4: that it was.

854
00:39:06,760 --> 00:39:07,359
Speaker 3: Oprah on the train.

855
00:39:07,480 --> 00:39:08,120
Speaker 2: It was Oprah.

856
00:39:08,160 --> 00:39:09,560
Speaker 3: I'm like, she lost it all.

857
00:39:10,320 --> 00:39:14,960
Speaker 2: Yeah, just assume everything never made a series of horrible sessions.

858
00:39:15,360 --> 00:39:17,880
Speaker 3: She's like a billion she is a billionaire.

859
00:39:18,000 --> 00:39:19,840
Speaker 2: If you're gone and she's like I get a swipe

860
00:39:19,880 --> 00:39:20,479
Speaker 2: and you're like, oh.

861
00:39:20,680 --> 00:39:24,120
Speaker 3: What you oper should do that? That should be segment.

862
00:39:24,400 --> 00:39:25,040
Speaker 3: But it's like that.

863
00:39:25,200 --> 00:39:26,680
Speaker 2: It's like the thing where like if you help her,

864
00:39:26,760 --> 00:39:28,880
Speaker 2: she's like, I'm Oprah and you want a car now?

865
00:39:30,440 --> 00:39:30,640
Speaker 3: Yeah?

866
00:39:31,920 --> 00:39:33,920
Speaker 4: Now, she'd probably give anybody like a monthly mentorc card.

867
00:39:33,920 --> 00:39:35,719
Speaker 4: I don't want a car, yo, that's a segment right

868
00:39:35,760 --> 00:39:36,200
Speaker 4: in New York.

869
00:39:36,200 --> 00:39:38,759
Speaker 2: I i't need a car. I don't know the year.

870
00:39:40,880 --> 00:39:43,080
Speaker 2: Let me get my debit card and link it to

871
00:39:43,200 --> 00:39:43,759
Speaker 2: your her.

872
00:39:43,800 --> 00:39:47,880
Speaker 3: Debit card, yes, or give me unlimited mentor card and ubers.

873
00:39:49,120 --> 00:39:51,560
Speaker 2: She's a billionaire. Yeah, she could.

874
00:39:51,360 --> 00:39:54,080
Speaker 3: Definitely give me the unlimited Ubers. She didn't even go there.

875
00:39:54,080 --> 00:39:56,200
Speaker 3: And she's not going to ever marry Stanman.

876
00:39:59,000 --> 00:40:02,120
Speaker 1: Together for like fifty the years years she says she

877
00:40:02,120 --> 00:40:03,920
Speaker 1: doesn't want to get married, and he's like most.

878
00:40:03,800 --> 00:40:05,960
Speaker 3: Long, He's like, I don't want to get married either.

879
00:40:06,000 --> 00:40:08,360
Speaker 2: I just want to be your man. Do you live together?

880
00:40:08,760 --> 00:40:11,080
Speaker 3: Probably he probably lives at the other end of the

881
00:40:11,160 --> 00:40:13,240
Speaker 3: house together.

882
00:40:13,400 --> 00:40:14,319
Speaker 2: He lived in the West Way.

883
00:40:14,440 --> 00:40:19,399
Speaker 3: He lives in the guest house near the pool. And okay, wait,

884
00:40:19,400 --> 00:40:19,959
Speaker 3: go ahead and finish.

885
00:40:20,000 --> 00:40:22,440
Speaker 2: Okay, so so many Potaka gets a big deal for

886
00:40:22,560 --> 00:40:26,960
Speaker 2: me personally, and and he gets off a ninety six

887
00:40:27,080 --> 00:40:28,719
Speaker 2: or two is not going to home. But like I

888
00:40:28,760 --> 00:40:30,600
Speaker 2: had had a couple of Margarita's that night, or I

889
00:40:30,640 --> 00:40:31,239
Speaker 2: never would have done.

890
00:40:31,360 --> 00:40:32,960
Speaker 3: He felt like you needed to chat.

891
00:40:33,239 --> 00:40:36,720
Speaker 2: Yeah, I mean, but also because he's not like he's famous,

892
00:40:36,840 --> 00:40:40,440
Speaker 2: but it's like famous, like he doesn't necessarily take a

893
00:40:40,520 --> 00:40:41,960
Speaker 2: selfie every day with the family.

894
00:40:42,040 --> 00:40:42,960
Speaker 3: Yeah, he's like, I'm.

895
00:40:42,840 --> 00:40:46,919
Speaker 1: Actually doing your favor, So you that you're somebody because

896
00:40:46,960 --> 00:40:47,719
Speaker 1: nobody else would know.

897
00:40:47,800 --> 00:40:49,800
Speaker 2: I've had those shows where like I own the player

898
00:40:49,920 --> 00:40:51,480
Speaker 2: is something, and people like offer me to side a

899
00:40:51,560 --> 00:40:53,840
Speaker 2: play bill like they're doing me a favor. Do you

900
00:40:53,880 --> 00:41:00,239
Speaker 2: want to sign my flavor? Yeah, I guess that. So

901
00:41:00,320 --> 00:41:01,839
Speaker 2: I went up to Mandy in ninety six feet as

902
00:41:01,880 --> 00:41:06,600
Speaker 2: he's getting off, and that the face. Yeah, it's not

903
00:41:06,719 --> 00:41:14,359
Speaker 2: like I just should chriss, So I I follow him

904
00:41:14,360 --> 00:41:17,200
Speaker 2: off really quick and a miss pretinking I'm so sorry

905
00:41:17,200 --> 00:41:17,920
Speaker 2: to interrupted night, but.

906
00:41:18,600 --> 00:41:20,880
Speaker 3: Followed him off. So you got off the train with

907
00:41:21,040 --> 00:41:23,040
Speaker 3: your date. No, so she's she's there.

908
00:41:23,200 --> 00:41:25,120
Speaker 2: So so I'm just like, I'm like in the doorway

909
00:41:25,160 --> 00:41:28,120
Speaker 2: and basically likes is in the doorway. I'm like, I

910
00:41:28,200 --> 00:41:30,200
Speaker 2: see mister pretating your You're an inspiration of me every

911
00:41:30,320 --> 00:41:32,600
Speaker 2: day and your your musical theater is just so amazing,

912
00:41:32,600 --> 00:41:33,640
Speaker 2: and thank you for everything you've done.

913
00:41:33,760 --> 00:41:36,320
Speaker 3: Did he was he like trying to be in disguise,

914
00:41:36,360 --> 00:41:39,279
Speaker 3: and you just were like, mister pen he.

915
00:41:39,360 --> 00:41:40,960
Speaker 2: Might have been with his mom, like he was a

916
00:41:41,160 --> 00:41:49,880
Speaker 2: much older woman. What that might be his peace, But

917
00:41:50,000 --> 00:41:51,840
Speaker 2: he's got a big bushy beer. He always looks like

918
00:41:51,920 --> 00:41:55,200
Speaker 2: he's very He's an intense He isn't like he doesn't

919
00:41:55,239 --> 00:41:58,160
Speaker 2: want you to talk to him. Yeah, sure, but he

920
00:41:58,200 --> 00:42:02,120
Speaker 2: don't care. But he he she shook my hand. They

921
00:42:02,160 --> 00:42:04,880
Speaker 2: said see you down the road, kid, and I was

922
00:42:05,000 --> 00:42:07,680
Speaker 2: like I was, I mean, I was so elated.

923
00:42:08,120 --> 00:42:11,320
Speaker 1: They walked away and yeah, that was an afterward that

924
00:42:11,480 --> 00:42:13,319
Speaker 1: was like after turn get the fuck out.

925
00:42:13,200 --> 00:42:13,640
Speaker 3: Of my face.

926
00:42:13,800 --> 00:42:16,600
Speaker 2: No, it was like it was like, maybe you'll be

927
00:42:16,680 --> 00:42:19,160
Speaker 2: on Homeland one day, kid, We'll have a scene. That's

928
00:42:19,160 --> 00:42:19,719
Speaker 2: how I took it.

929
00:42:19,800 --> 00:42:22,320
Speaker 3: I flipping a queen. That was like a cool like

930
00:42:22,560 --> 00:42:23,799
Speaker 3: nineteen twenties, like.

931
00:42:23,800 --> 00:42:25,320
Speaker 2: I'll see you around, okay, and you're.

932
00:42:25,239 --> 00:42:29,920
Speaker 3: Like, oh man, gee, mister no storm that would.

933
00:42:29,760 --> 00:42:31,800
Speaker 1: Say that after he like banged the woman out, and

934
00:42:31,800 --> 00:42:34,879
Speaker 1: he's like, I'm believing never seen sea around, see around, kid.

935
00:42:35,040 --> 00:42:40,680
Speaker 2: Yeah, well I took him very meaningfully at this moment.

936
00:42:41,200 --> 00:42:44,440
Speaker 2: Never I feel low and so then so I shook

937
00:42:44,480 --> 00:42:47,000
Speaker 2: his hand. The doors closed, and that's when I realized

938
00:42:47,000 --> 00:42:48,560
Speaker 2: that as I was shaking his hand, I had left

939
00:42:48,640 --> 00:42:49,640
Speaker 2: the train and my.

940
00:42:49,760 --> 00:42:52,480
Speaker 3: Date was still on the train. And now the thing

941
00:42:52,719 --> 00:42:56,479
Speaker 3: is that wow, thing is that all I knew.

942
00:42:56,760 --> 00:42:59,600
Speaker 2: All I knew about this woman was that her name

943
00:43:00,120 --> 00:43:00,480
Speaker 2: is Beth.

944
00:43:01,520 --> 00:43:02,200
Speaker 3: But you did.

945
00:43:03,840 --> 00:43:05,719
Speaker 2: No phone nerves. So we're looking at each other through

946
00:43:05,719 --> 00:43:08,319
Speaker 2: the windows and the doors did not reopen this time.

947
00:43:08,760 --> 00:43:11,400
Speaker 3: Train started a mood and so we're looking and she's like,

948
00:43:11,640 --> 00:43:14,160
Speaker 3: she's like Facebook. Man. I was like, what's your last name?

949
00:43:14,239 --> 00:43:17,640
Speaker 3: And she was like god, she went to the wait

950
00:43:17,719 --> 00:43:19,960
Speaker 3: did you chase the train a little.

951
00:43:19,719 --> 00:43:21,720
Speaker 2: Bit a little bit? But then I went into the tunnel.

952
00:43:21,760 --> 00:43:23,560
Speaker 2: We were closer to the tunnel than far away.

953
00:43:24,440 --> 00:43:28,560
Speaker 3: See this happening, not just.

954
00:43:28,640 --> 00:43:32,120
Speaker 2: Walk away from me as quick as possible. Yeah, man,

955
00:43:32,600 --> 00:43:33,600
Speaker 2: my night just cleared up.

956
00:43:33,640 --> 00:43:35,440
Speaker 3: You want to chill you when I want to hang

957
00:43:35,480 --> 00:43:37,040
Speaker 3: out with you and your wife or your mom or

958
00:43:37,080 --> 00:43:42,880
Speaker 3: whoever is to you waste. So I feel like like

959
00:43:43,000 --> 00:43:45,160
Speaker 3: it sounds like, first of all, ninety sixth Street is

960
00:43:45,200 --> 00:43:45,600
Speaker 3: not your.

961
00:43:45,520 --> 00:43:49,120
Speaker 2: Friend some boys in general, I just don't think.

962
00:43:50,040 --> 00:43:51,160
Speaker 3: What is do you have?

963
00:43:51,800 --> 00:43:55,240
Speaker 7: Do you have tips for people who take this away

964
00:43:55,239 --> 00:43:56,680
Speaker 7: in New York who maybe you are listening to this

965
00:43:56,800 --> 00:43:59,200
Speaker 7: and I've never been on the train, Like, is there

966
00:43:59,200 --> 00:44:00,560
Speaker 7: anything that you could do?

967
00:44:00,680 --> 00:44:01,480
Speaker 3: Words of wisdom?

968
00:44:02,200 --> 00:44:04,520
Speaker 1: Well, one I would say, if you're meeting a girl

969
00:44:04,560 --> 00:44:05,960
Speaker 1: at the bar and you are going back to your

970
00:44:06,000 --> 00:44:08,239
Speaker 1: please get your fucking number. Ye get that.

971
00:44:09,719 --> 00:44:12,360
Speaker 4: When you like leaving the bar with somebody and you

972
00:44:12,480 --> 00:44:14,080
Speaker 4: know they're going to your house and they're coming to

973
00:44:14,120 --> 00:44:16,839
Speaker 4: your there you're going to their house, you're not exchanging numbers.

974
00:44:17,719 --> 00:44:20,520
Speaker 3: Always exchange numbers if we're leaving together.

975
00:44:21,000 --> 00:44:22,400
Speaker 2: I feel like that's saying.

976
00:44:22,719 --> 00:44:26,279
Speaker 3: Give my number just in case, Like, well, I feel like.

977
00:44:26,719 --> 00:44:28,920
Speaker 2: That that'd be like, Okay, we've already got something going.

978
00:44:29,480 --> 00:44:31,680
Speaker 2: Let's make this more intense before we hook up.

979
00:44:31,840 --> 00:44:35,279
Speaker 1: Let's make it so that I have cont you wait,

980
00:44:35,400 --> 00:44:37,600
Speaker 1: hold on, You're like you're good enough to like, let's

981
00:44:37,640 --> 00:44:39,080
Speaker 1: hook up or you're not good enough to have my

982
00:44:39,400 --> 00:44:43,120
Speaker 1: I feel like most people don't exchange numbers until after No,

983
00:44:43,520 --> 00:44:44,680
Speaker 1: if it's.

984
00:44:44,560 --> 00:44:46,440
Speaker 3: Going to be a one night stand, they won't exchange

985
00:44:46,480 --> 00:44:47,359
Speaker 3: sometimes numbers at all.

986
00:44:47,360 --> 00:44:47,759
Speaker 2: I'm sorry.

987
00:44:47,840 --> 00:44:50,160
Speaker 3: I don't just have one night stand, so I mean.

988
00:44:50,080 --> 00:45:00,719
Speaker 5: I wouldn't know either exactly exactly, Okay, there is a

989
00:45:00,840 --> 00:45:01,960
Speaker 5: velvet rope outside.

990
00:45:02,560 --> 00:45:04,719
Speaker 1: If you guys connect and you make plans to link

991
00:45:04,800 --> 00:45:06,960
Speaker 1: up later, then you exchange numbers.

992
00:45:07,000 --> 00:45:09,640
Speaker 3: But if they're going back to your place, you should

993
00:45:09,719 --> 00:45:11,040
Speaker 3: definitely get their number.

994
00:45:11,480 --> 00:45:15,160
Speaker 2: What you don't expect to be separated in the journey

995
00:45:15,239 --> 00:45:16,560
Speaker 2: home in New York.

996
00:45:16,800 --> 00:45:21,160
Speaker 3: My phone is always fucking dying, always dying. It's my phone.

997
00:45:21,200 --> 00:45:24,160
Speaker 3: It's something always happens. We're like, I don't know, I'll

998
00:45:24,239 --> 00:45:25,400
Speaker 3: drop it in water. I don't know.

999
00:45:25,560 --> 00:45:28,000
Speaker 1: I need to get the number, or at least the name,

1000
00:45:28,160 --> 00:45:31,480
Speaker 1: the last name of what if you're listening to this boom.

1001
00:45:32,440 --> 00:45:36,680
Speaker 4: I tell this everywhere just in case one day there's nothing. Yeah,

1002
00:45:36,719 --> 00:45:40,320
Speaker 4: I should go the wait, were you guys making out before.

1003
00:45:40,120 --> 00:45:41,920
Speaker 2: You got on the train, Like I think we have

1004
00:45:42,080 --> 00:45:45,320
Speaker 2: like a little smooch, little little that's what's so.

1005
00:45:45,480 --> 00:45:46,200
Speaker 3: I mean, that's the thing.

1006
00:45:46,239 --> 00:45:48,600
Speaker 2: If you're when I stand, don't take the train because

1007
00:45:48,640 --> 00:45:50,520
Speaker 2: then you got to like keep things like turned up

1008
00:45:50,640 --> 00:45:52,600
Speaker 2: for an hour and a half on the dirty train,

1009
00:45:52,719 --> 00:45:55,000
Speaker 2: and that's true. I've never done that.

1010
00:45:55,239 --> 00:45:57,799
Speaker 3: You're on the train under those terrible fluorescent nights. Oh

1011
00:45:57,920 --> 00:46:01,560
Speaker 3: so you get to see every nook and c You're like, they.

1012
00:46:01,440 --> 00:46:03,320
Speaker 2: Say you what you're born with?

1013
00:46:03,920 --> 00:46:06,279
Speaker 3: And then by this, by the lady seven, by the

1014
00:46:06,400 --> 00:46:08,719
Speaker 3: seventh stop, you're like, I don't think I really want

1015
00:46:08,760 --> 00:46:09,600
Speaker 3: to fuck you anymore.

1016
00:46:10,160 --> 00:46:12,720
Speaker 1: Well, Calvin who was at a Walk of Shame expert

1017
00:46:13,000 --> 00:46:14,200
Speaker 1: Yeah Get Our Love.

1018
00:46:14,120 --> 00:46:17,200
Speaker 7: Show in October, and he was saying that he got

1019
00:46:17,280 --> 00:46:20,720
Speaker 7: on a bus with a guy that he met.

1020
00:46:20,719 --> 00:46:23,600
Speaker 3: He went to Jersey. He Jersey right on the bus

1021
00:46:23,680 --> 00:46:28,040
Speaker 3: for an hour. That's too long. That would definitely my

1022
00:46:28,160 --> 00:46:29,640
Speaker 3: mind would be going back and forth like should I

1023
00:46:29,680 --> 00:46:29,840
Speaker 3: do this?

1024
00:46:29,920 --> 00:46:30,279
Speaker 2: Should I not?

1025
00:46:30,360 --> 00:46:32,640
Speaker 3: Should I should? Like I would be thinking too much.

1026
00:46:32,840 --> 00:46:36,120
Speaker 1: When you're in a cab, it's quick, you're making out,

1027
00:46:36,400 --> 00:46:39,680
Speaker 1: you're yeah, a little touching, and then you're there, so

1028
00:46:39,760 --> 00:46:42,200
Speaker 1: you're not even thinking about is this a bad decision?

1029
00:46:42,280 --> 00:46:44,480
Speaker 1: But if you're on a fucking bus, you can hear

1030
00:46:44,560 --> 00:46:48,400
Speaker 1: the engine, there's other people there. There's always gotta.

1031
00:46:48,200 --> 00:46:52,080
Speaker 3: Doing do you guys, do do you make out in

1032
00:46:52,160 --> 00:46:56,600
Speaker 3: the car? Just no, no, no. When I was this

1033
00:46:56,800 --> 00:47:03,120
Speaker 3: uber driving all these fool customers, you make I've never

1034
00:47:03,200 --> 00:47:05,320
Speaker 3: done that. I've never done that.

1035
00:47:05,360 --> 00:47:08,719
Speaker 1: I've seen people do that, but I've never before I

1036
00:47:08,800 --> 00:47:11,960
Speaker 1: got in a relationship the like two people before that.

1037
00:47:12,560 --> 00:47:15,279
Speaker 3: I met the person at the club, didn't even know him.

1038
00:47:15,840 --> 00:47:20,120
Speaker 3: We're I'm wasted, I have a day drinking. Drinking is

1039
00:47:20,200 --> 00:47:22,040
Speaker 3: fun but also dangerous. It is fun.

1040
00:47:22,280 --> 00:47:24,920
Speaker 1: So I'm dancing, He's trying to talk. I don't even

1041
00:47:24,960 --> 00:47:26,200
Speaker 1: want to talk. And then all of a sudden, I

1042
00:47:26,320 --> 00:47:28,719
Speaker 1: like fall into him. We start making out, and we're

1043
00:47:28,880 --> 00:47:32,839
Speaker 1: making out, make it out, making him Mason and yeah,

1044
00:47:32,880 --> 00:47:35,280
Speaker 1: like my tongue is in his nose, flicking.

1045
00:47:37,239 --> 00:47:39,920
Speaker 3: I was like contouring his face with my tongue. It

1046
00:47:40,040 --> 00:47:41,960
Speaker 3: was crazy this, I know.

1047
00:47:42,280 --> 00:47:44,799
Speaker 1: And then he's like, well, let's go. And so we're

1048
00:47:45,120 --> 00:47:47,200
Speaker 1: about to walk out the club and he's like, wait,

1049
00:47:47,440 --> 00:47:48,200
Speaker 1: got to get something.

1050
00:47:48,320 --> 00:47:49,239
Speaker 2: I was like, oh, he's got to go.

1051
00:47:49,280 --> 00:47:50,120
Speaker 3: Get some kindos.

1052
00:47:50,600 --> 00:47:53,560
Speaker 1: No, he gets his skateboard and he said, yeah, my

1053
00:47:53,680 --> 00:47:55,720
Speaker 1: place is not that far, so I'm just gonna skate

1054
00:47:56,040 --> 00:47:58,040
Speaker 1: and you're gonna walk beside.

1055
00:48:00,080 --> 00:48:02,680
Speaker 3: Hitting me. Dude, I am not no way we're getting

1056
00:48:02,719 --> 00:48:03,279
Speaker 3: in a cab.

1057
00:48:03,560 --> 00:48:04,239
Speaker 2: There's I am.

1058
00:48:04,440 --> 00:48:07,040
Speaker 3: I'm first of all to wasted to walk beside you.

1059
00:48:09,719 --> 00:48:11,800
Speaker 3: So we get in the cab. I make out with

1060
00:48:11,920 --> 00:48:13,880
Speaker 3: him til we get to his apartment, which was actually

1061
00:48:13,960 --> 00:48:15,360
Speaker 3: not that far. He was right about that, but there

1062
00:48:15,440 --> 00:48:18,200
Speaker 3: was no way I was get in his place is

1063
00:48:18,400 --> 00:48:21,080
Speaker 3: peach black. I can't see ship.

1064
00:48:21,560 --> 00:48:21,880
Speaker 2: Oh I know.

1065
00:48:21,960 --> 00:48:23,680
Speaker 3: We get to his room, I take my clothes out.

1066
00:48:23,680 --> 00:48:26,600
Speaker 1: I'm like, yeah, I'm up, like I was being aggressive

1067
00:48:26,640 --> 00:48:29,000
Speaker 1: and stuff, and then we hook up.

1068
00:48:29,440 --> 00:48:33,319
Speaker 3: I probably was it so dark, bitch, hold on, wake up.

1069
00:48:33,920 --> 00:48:37,719
Speaker 1: Fucking ceiling is missing, He's got barely any sheets on

1070
00:48:37,800 --> 00:48:38,280
Speaker 1: the mattress.

1071
00:48:38,560 --> 00:48:42,200
Speaker 3: Fucking place is a disasters. There's roaches in the bathroom.

1072
00:48:42,680 --> 00:48:45,440
Speaker 3: It is. It's a scene from that movie Candy Man.

1073
00:48:45,680 --> 00:48:47,880
Speaker 3: It is what. I don't know.

1074
00:48:48,000 --> 00:48:51,239
Speaker 2: Maybe that taking the skateboard home should yeah, I am

1075
00:48:51,400 --> 00:48:57,000
Speaker 2: a skateboard home now said His sheets are probably not

1076
00:48:57,200 --> 00:48:59,840
Speaker 2: freshly washed, sheets were smushed, roaches.

1077
00:49:00,040 --> 00:49:04,360
Speaker 1: Hold on, listen, the skateboard had Supreme one, and.

1078
00:49:04,360 --> 00:49:07,000
Speaker 3: So I was like, oh, he's somebody. He's got some points,

1079
00:49:07,120 --> 00:49:09,640
Speaker 3: you know, and we're in listen.

1080
00:49:09,840 --> 00:49:11,759
Speaker 2: I wasted. I'm so fucked up.

1081
00:49:11,760 --> 00:49:13,040
Speaker 3: I wake up and I was like, this is a

1082
00:49:13,080 --> 00:49:16,520
Speaker 3: bad dream. Hold ceiling was missing.

1083
00:49:16,680 --> 00:49:19,399
Speaker 1: Yeah, there was parts of the ceiling missing because they

1084
00:49:19,440 --> 00:49:21,200
Speaker 1: were about to tear that whole building down.

1085
00:49:21,280 --> 00:49:26,680
Speaker 3: You were in a condemned house. Condemn Oh my god.

1086
00:49:26,840 --> 00:49:29,000
Speaker 2: I loved up. I said, this is a dream. This

1087
00:49:29,200 --> 00:49:29,640
Speaker 2: is a dream.

1088
00:49:29,840 --> 00:49:35,040
Speaker 3: Close my eyes. Wake up an hour after fucking steal.

1089
00:49:35,120 --> 00:49:35,520
Speaker 3: Now like.

1090
00:49:39,000 --> 00:49:41,879
Speaker 2: But I'm so drunk. I'm like, oh, I'm so sick.

1091
00:49:42,040 --> 00:49:46,480
Speaker 3: I can't light Let's keep them all. I don't have

1092
00:49:46,560 --> 00:49:49,800
Speaker 3: a light bulbs. That's a little canopy bed right, so

1093
00:49:49,880 --> 00:49:50,719
Speaker 3: you can't see this.

1094
00:49:50,840 --> 00:49:51,680
Speaker 2: Oh my god.

1095
00:49:51,840 --> 00:49:53,920
Speaker 3: And then I was like I need to leave. He's like, no,

1096
00:49:54,160 --> 00:49:55,360
Speaker 3: stay or order pizza.

1097
00:49:55,360 --> 00:50:00,560
Speaker 1: And I was like, okay, I said, I guess stay

1098
00:50:00,600 --> 00:50:06,239
Speaker 1: away to see me. Elizabeth Washington's heart. You ain't even

1099
00:50:06,280 --> 00:50:07,800
Speaker 1: got to have a ceiling.

1100
00:50:07,600 --> 00:50:12,839
Speaker 2: Bro, You know I have you have a ceiling. Though

1101
00:50:13,000 --> 00:50:15,440
Speaker 2: I do have a ceiling, it rains from it sometimes

1102
00:50:16,000 --> 00:50:17,160
Speaker 2: leaks a little cad.

1103
00:50:17,120 --> 00:50:19,879
Speaker 3: That little like bowles all over your room to catch

1104
00:50:19,960 --> 00:50:23,240
Speaker 3: the But I have roommates, city of roommates.

1105
00:50:24,880 --> 00:50:31,319
Speaker 8: No, the rumors were, you know, he did roommates one

1106
00:50:31,440 --> 00:50:34,600
Speaker 8: his brother, his brother, so his he was going to

1107
00:50:34,640 --> 00:50:38,000
Speaker 8: be moving into another apartment because that plate that place was.

1108
00:50:39,520 --> 00:50:43,400
Speaker 3: Met. They were renovating. They were renovating this new place,

1109
00:50:43,920 --> 00:50:45,880
Speaker 3: but he was staying in this place. So he was like,

1110
00:50:45,960 --> 00:50:48,640
Speaker 3: I'm not gonna be here for a long squatting. I

1111
00:50:48,880 --> 00:50:51,520
Speaker 3: ended up I ended up buying him sheep.

1112
00:50:52,760 --> 00:50:56,440
Speaker 1: I bought him sheep because the sheets were that disgusted,

1113
00:50:56,920 --> 00:51:00,960
Speaker 1: like barely was they were thin, it was like paper mache.

1114
00:51:01,280 --> 00:51:05,680
Speaker 3: What size was the bed though he said it was

1115
00:51:05,760 --> 00:51:10,279
Speaker 3: a queen. I was like, this is a full about

1116
00:51:10,280 --> 00:51:13,080
Speaker 3: the size of his band? Why do people do that?

1117
00:51:13,440 --> 00:51:16,759
Speaker 3: Like we know when you're alive, guys are like just

1118
00:51:16,840 --> 00:51:18,080
Speaker 3: the size of your bed manner.

1119
00:51:20,560 --> 00:51:23,120
Speaker 2: I was like, I would more than the size of Europeans.

1120
00:51:23,360 --> 00:51:26,000
Speaker 2: I was like, I'll never have red bullavaka again. Ever,

1121
00:51:26,239 --> 00:51:27,440
Speaker 2: I was like cut it.

1122
00:51:27,560 --> 00:51:31,799
Speaker 3: The next day drinking red bull and blacklay in church.

1123
00:51:32,160 --> 00:51:37,680
Speaker 3: I'm drinking around so you're half a look like that.

1124
00:51:38,120 --> 00:51:40,040
Speaker 3: Did you give us some chips for the subway?

1125
00:51:40,520 --> 00:51:43,000
Speaker 2: Well we will learn take a cab and then on

1126
00:51:43,040 --> 00:51:46,480
Speaker 2: the other end, if if he's taking a skateboard, then no,

1127
00:51:49,680 --> 00:51:51,200
Speaker 2: I don't know. You gotta be aggressive.

1128
00:51:51,719 --> 00:51:52,600
Speaker 3: You can't. It's more about this.

1129
00:51:52,800 --> 00:51:54,719
Speaker 2: It's more about like mine is more like, please don't

1130
00:51:54,760 --> 00:51:56,759
Speaker 2: do this, envi. I'm on the subway. When people are

1131
00:51:56,800 --> 00:52:00,520
Speaker 2: coming in before you get off, oh boy, I yell,

1132
00:52:01,120 --> 00:52:03,080
Speaker 2: but it was always too late. It's always the people.

1133
00:52:03,200 --> 00:52:06,920
Speaker 2: I'm always yelling at the people who didn't. I'm like hello,

1134
00:52:07,440 --> 00:52:09,560
Speaker 2: and they're like, I know we were here. No I yell.

1135
00:52:09,640 --> 00:52:11,200
Speaker 1: And when people when the train is pulling up and

1136
00:52:11,239 --> 00:52:13,279
Speaker 1: people have their kids right in front of the door,

1137
00:52:13,680 --> 00:52:16,239
Speaker 1: I'd be like, move and.

1138
00:52:16,280 --> 00:52:18,360
Speaker 3: They'll see my eyes and they'll be like, they'll slander

1139
00:52:18,360 --> 00:52:18,880
Speaker 3: their baby to the.

1140
00:52:18,880 --> 00:52:21,360
Speaker 1: Side because the kids don't know the door's about to

1141
00:52:21,440 --> 00:52:23,880
Speaker 1: open and they're gonna get like ran over by a

1142
00:52:23,920 --> 00:52:25,279
Speaker 1: bunch of grown folks on the train.

1143
00:52:25,760 --> 00:52:27,040
Speaker 2: I will not looking down.

1144
00:52:27,080 --> 00:52:30,120
Speaker 3: I'm looking up. I will step on your baby shins,

1145
00:52:30,600 --> 00:52:31,400
Speaker 3: move your kids.

1146
00:52:32,000 --> 00:52:34,280
Speaker 1: Or when people try to put their strollers on before

1147
00:52:34,360 --> 00:52:37,200
Speaker 1: people get I personally think there should be a different

1148
00:52:37,239 --> 00:52:39,960
Speaker 1: train for people who got strollers and bikes. Honestly, I

1149
00:52:40,040 --> 00:52:42,879
Speaker 1: feel like there's not enough rooms. They need their own

1150
00:52:43,280 --> 00:52:46,080
Speaker 1: fucking train. Yeah, because it's like and then people be

1151
00:52:46,160 --> 00:52:48,320
Speaker 1: having the double decker stroller.

1152
00:52:48,440 --> 00:52:51,400
Speaker 3: I'm like, Mama bear, what are you doing?

1153
00:52:51,719 --> 00:52:51,839
Speaker 2: Yo?

1154
00:52:52,120 --> 00:52:55,880
Speaker 3: Jewish ladies, the double wade stroller it's.

1155
00:52:55,719 --> 00:52:58,719
Speaker 2: The sleeping, the sleeping on the bunches, especially if you're

1156
00:52:58,719 --> 00:53:00,080
Speaker 2: not holmoss and you're sleeping.

1157
00:52:59,760 --> 00:53:06,200
Speaker 3: On the laying down. I've never laid down on the subway.

1158
00:53:06,239 --> 00:53:08,759
Speaker 3: But do you know how wasted and comfortable you have

1159
00:53:08,880 --> 00:53:10,600
Speaker 3: to be to sleep on the train?

1160
00:53:12,239 --> 00:53:12,439
Speaker 1: Yes?

1161
00:53:13,800 --> 00:53:15,600
Speaker 3: Before, but I said an alarm so I don't miss

1162
00:53:15,640 --> 00:53:19,560
Speaker 3: my step. I know it's something something in my body

1163
00:53:19,680 --> 00:53:21,560
Speaker 3: wakes me up right before, or.

1164
00:53:23,080 --> 00:53:27,320
Speaker 1: Or or the conductors waking me up because I slept

1165
00:53:27,400 --> 00:53:28,320
Speaker 1: to the last stop.

1166
00:53:28,400 --> 00:53:30,160
Speaker 2: I had a friend that they hung over. They slept

1167
00:53:30,200 --> 00:53:32,120
Speaker 2: to the last stop. They're like, oh ship, and then

1168
00:53:32,160 --> 00:53:33,040
Speaker 2: they started going back.

1169
00:53:33,200 --> 00:53:35,520
Speaker 3: They fell asleep again, woke up on the other end

1170
00:53:35,680 --> 00:53:43,160
Speaker 3: of the train. Definitely was wasted and alone. It must

1171
00:53:43,200 --> 00:53:46,920
Speaker 3: have been a man, because a woman on the other

1172
00:53:47,000 --> 00:53:50,040
Speaker 3: end of someone's head. Wait, do you recommend people like

1173
00:53:50,400 --> 00:53:53,520
Speaker 3: meeting people on the train? Like you're giving somebody eye

1174
00:53:53,560 --> 00:53:56,800
Speaker 3: contact and they giving you eye contact. You know you

1175
00:53:56,840 --> 00:53:57,319
Speaker 3: want to get.

1176
00:53:59,200 --> 00:54:03,319
Speaker 2: Who wasn't No, oh god, you never make a move

1177
00:54:03,360 --> 00:54:05,080
Speaker 2: on the train. That is a zone where, like you,

1178
00:54:05,440 --> 00:54:07,600
Speaker 2: train is the place you have to go, like a bar,

1179
00:54:07,760 --> 00:54:08,520
Speaker 2: you're going.

1180
00:54:08,320 --> 00:54:09,839
Speaker 3: Because maybe you're checking it out of a train.

1181
00:54:09,920 --> 00:54:11,840
Speaker 2: You have to do it to get from A to B, right,

1182
00:54:11,960 --> 00:54:14,880
Speaker 2: So you shouldn't assume. So you should let people go

1183
00:54:15,040 --> 00:54:16,040
Speaker 2: somewhere without getting hit on.

1184
00:54:16,480 --> 00:54:18,600
Speaker 3: But you've never met somebody on the train that you

1185
00:54:18,640 --> 00:54:20,800
Speaker 3: were like, dam what are you doing on the sixth?

1186
00:54:21,600 --> 00:54:23,239
Speaker 2: You know that maybe you got to day what is

1187
00:54:23,320 --> 00:54:26,040
Speaker 2: this ten doing on the six live? In my life,

1188
00:54:26,120 --> 00:54:27,040
Speaker 2: I got the game.

1189
00:54:29,920 --> 00:54:30,759
Speaker 3: I do what I can.

1190
00:54:31,680 --> 00:54:34,839
Speaker 2: What's hey, baby, what you're doing on this city ten?

1191
00:54:35,200 --> 00:54:35,439
Speaker 3: Yeah?

1192
00:54:36,239 --> 00:54:38,120
Speaker 2: I see you on the D train. You want to

1193
00:54:38,120 --> 00:54:39,160
Speaker 2: get on this D train?

1194
00:54:39,800 --> 00:54:42,200
Speaker 3: Oh boy, listen, I mean I've done it. When I

1195
00:54:42,320 --> 00:54:47,640
Speaker 3: was twenty three, met a dude. It's so weird. Ninety

1196
00:54:47,760 --> 00:54:50,200
Speaker 3: sixth Street. I met him one ninety Street and I

1197
00:54:50,320 --> 00:54:52,719
Speaker 3: was going on the train and I thought that he

1198
00:54:52,840 --> 00:54:53,640
Speaker 3: was coming to Harlem.

1199
00:54:53,840 --> 00:54:56,680
Speaker 2: Dude was going to the Bronx. But I had already

1200
00:54:56,840 --> 00:54:58,279
Speaker 2: like gave him the.

1201
00:54:58,400 --> 00:55:01,759
Speaker 3: Ill hey, like we're talking fucking and then if you

1202
00:55:01,800 --> 00:55:04,440
Speaker 3: don't even just close your ends, yeah, you could be like,

1203
00:55:04,480 --> 00:55:07,400
Speaker 3: oh never mind. But he was like, can I get

1204
00:55:07,400 --> 00:55:11,680
Speaker 3: your number? And I'm like, yeah, he's going Bronx. But

1205
00:55:11,920 --> 00:55:13,640
Speaker 3: I mean we ended up having a relationship.

1206
00:55:13,719 --> 00:55:16,840
Speaker 2: And then she did like a chick or whatever. She

1207
00:55:16,880 --> 00:55:18,359
Speaker 2: didn't know one leg.

1208
00:55:20,560 --> 00:55:21,800
Speaker 3: I was like, what is it? I was like, what

1209
00:55:21,920 --> 00:55:22,839
Speaker 3: is that bitch doing?

1210
00:55:23,400 --> 00:55:25,000
Speaker 2: I was thought, she's hopping on that dude.

1211
00:55:25,640 --> 00:55:29,080
Speaker 4: I was on the train for New Years on New

1212
00:55:29,160 --> 00:55:32,160
Speaker 4: Year's Day and everybody was drunk coming back, right, all

1213
00:55:32,160 --> 00:55:33,600
Speaker 4: the people who were like, I'm not jumping in a.

1214
00:55:33,680 --> 00:55:36,640
Speaker 3: Cap like a train home. We have to it's inspected.

1215
00:55:36,719 --> 00:55:39,879
Speaker 2: It's crazy. That's crazy on New Year's Day.

1216
00:55:39,960 --> 00:55:42,359
Speaker 3: So we're on the train and there was this tall,

1217
00:55:42,480 --> 00:55:44,880
Speaker 3: like well dressed guy on here like a cane. I

1218
00:55:44,960 --> 00:55:47,200
Speaker 3: was like, what is this a professional brother over there?

1219
00:55:47,239 --> 00:55:49,439
Speaker 3: He must be a blacker, right, And then I looked

1220
00:55:49,440 --> 00:55:51,720
Speaker 3: and I was like, is he peeing down?

1221
00:55:53,239 --> 00:55:54,440
Speaker 1: Like he peed?

1222
00:55:55,640 --> 00:55:57,040
Speaker 3: And it was like I don't know what kind of

1223
00:55:57,160 --> 00:56:00,239
Speaker 3: like catheter or what he had?

1224
00:56:00,280 --> 00:56:02,640
Speaker 1: A gatherer did He had a go girl because the

1225
00:56:02,840 --> 00:56:04,759
Speaker 1: pants weren't with but it was coming out at the

1226
00:56:04,760 --> 00:56:05,880
Speaker 1: bottom of his pants.

1227
00:56:06,000 --> 00:56:08,040
Speaker 3: He had a go girl. He had a go girl,

1228
00:56:08,680 --> 00:56:09,520
Speaker 3: a portable peek.

1229
00:56:09,600 --> 00:56:14,560
Speaker 6: Things fell off like so but his clothes were dry,

1230
00:56:15,200 --> 00:56:17,839
Speaker 6: but the pea was coming down his leg like off

1231
00:56:17,880 --> 00:56:21,640
Speaker 6: his foot was like he was standing there cool as

1232
00:56:21,680 --> 00:56:24,080
Speaker 6: a cute number, cute, cool as you when you're juicy.

1233
00:56:24,160 --> 00:56:27,480
Speaker 3: Couture plants had hip hop glass and somebody and.

1234
00:56:27,520 --> 00:56:29,680
Speaker 1: The pea is like now because you know when the

1235
00:56:29,760 --> 00:56:34,480
Speaker 1: when Yeah was here and it was like going this,

1236
00:56:34,600 --> 00:56:38,880
Speaker 1: somebody was like did you just pee? Everybody like that

1237
00:56:39,120 --> 00:56:41,120
Speaker 1: was sleeping woke up and we're all like drunk and

1238
00:56:41,200 --> 00:56:42,280
Speaker 1: looking at the dude.

1239
00:56:42,560 --> 00:56:46,520
Speaker 3: And he just nodded, and I was like, you admitted

1240
00:56:46,640 --> 00:56:47,360
Speaker 3: to peep.

1241
00:56:48,040 --> 00:56:48,680
Speaker 2: What are you gonna do?

1242
00:56:48,840 --> 00:56:55,480
Speaker 1: You're not gonna fight A lie would have lied, I'd

1243
00:56:55,480 --> 00:56:57,319
Speaker 1: be like how dry my clothes are?

1244
00:56:57,440 --> 00:56:59,920
Speaker 3: I would have lied. I could have had peak coming

1245
00:57:00,080 --> 00:57:03,080
Speaker 3: out out of me still like no phone on, but

1246
00:57:03,239 --> 00:57:04,520
Speaker 3: like my Arizona.

1247
00:57:06,680 --> 00:57:09,200
Speaker 2: Was me but is coming out of your pants?

1248
00:57:09,360 --> 00:57:11,440
Speaker 1: Everyone just picking their legs up, their feet up every

1249
00:57:11,480 --> 00:57:14,759
Speaker 1: time the pea comes. This guy's like you almost got

1250
00:57:14,800 --> 00:57:16,160
Speaker 1: that on my wife's shoes and.

1251
00:57:16,280 --> 00:57:18,560
Speaker 4: We looked at you on some like dusty U like

1252
00:57:18,800 --> 00:57:21,760
Speaker 4: somebody should be though, somebody should pee into them right.

1253
00:57:22,760 --> 00:57:24,440
Speaker 2: All you need to know for the train you just

1254
00:57:24,520 --> 00:57:26,240
Speaker 2: have to know everyone's in a bad mood.

1255
00:57:26,960 --> 00:57:27,440
Speaker 3: Everybody.

1256
00:57:27,520 --> 00:57:30,040
Speaker 2: You have to know like everyone's miserable, Like everyone's on

1257
00:57:30,160 --> 00:57:33,120
Speaker 2: this train with me too. We're all not happy to

1258
00:57:33,200 --> 00:57:35,400
Speaker 2: be here. And I don't know when it comes to performers,

1259
00:57:35,600 --> 00:57:37,920
Speaker 2: the showtime dancers, it can be a lot, but do

1260
00:57:38,000 --> 00:57:40,520
Speaker 2: you give money to people on the train. Nobody give

1261
00:57:40,640 --> 00:57:41,600
Speaker 2: them any money.

1262
00:57:41,440 --> 00:57:44,160
Speaker 3: Anymore because she is like played out. Yeah.

1263
00:57:44,360 --> 00:57:47,040
Speaker 2: I saw a woman get her footsteps on by showtime

1264
00:57:47,160 --> 00:57:50,360
Speaker 2: dancer and I was like, don't know, did they say no?

1265
00:57:51,040 --> 00:57:52,960
Speaker 2: He was just dancing music and didn't even notice.

1266
00:57:53,680 --> 00:57:55,520
Speaker 1: So for people who have never been to New York,

1267
00:57:55,560 --> 00:57:58,480
Speaker 1: showtime dancers are like, there're these like little hood kids

1268
00:57:58,520 --> 00:58:01,600
Speaker 1: that get on the train and pull dance for a

1269
00:58:01,760 --> 00:58:02,240
Speaker 1: minute that.

1270
00:58:03,600 --> 00:58:06,680
Speaker 3: The very good. They think that they're doing starts to start,

1271
00:58:06,800 --> 00:58:09,840
Speaker 3: do the silet or whatever, but they're not. Some of

1272
00:58:09,880 --> 00:58:10,680
Speaker 3: them are pretty good.

1273
00:58:10,920 --> 00:58:13,120
Speaker 1: Yeah, but it's not that they're not good, it's that

1274
00:58:13,560 --> 00:58:16,480
Speaker 1: so we're like, we've seen it so much and it's

1275
00:58:16,600 --> 00:58:18,440
Speaker 1: likely it's a pack train.

1276
00:58:18,720 --> 00:58:20,520
Speaker 3: Yeah. Also I'm trying to like sit here in my.

1277
00:58:20,640 --> 00:58:23,520
Speaker 2: My be because though there's sometimes they started a train

1278
00:58:23,560 --> 00:58:26,360
Speaker 2: that's packed and you're like, oh, I don't think this is.

1279
00:58:26,400 --> 00:58:29,480
Speaker 3: The and they're like no, we're gonna make this work,

1280
00:58:29,520 --> 00:58:32,440
Speaker 3: and its sc scary, it's bad.

1281
00:58:33,320 --> 00:58:34,920
Speaker 2: And then the hat trips. I don't have the hat

1282
00:58:35,000 --> 00:58:37,480
Speaker 2: trips on like like oh look, and then it never

1283
00:58:37,640 --> 00:58:40,280
Speaker 2: works and it's like oh, it almost got on my head. Cool.

1284
00:58:40,440 --> 00:58:42,600
Speaker 3: They'll kick their hat from their foot to their head

1285
00:58:42,640 --> 00:58:43,520
Speaker 3: and they never make it.

1286
00:58:44,000 --> 00:58:46,640
Speaker 1: Somebody was telling me that there was a bunch of

1287
00:58:46,640 --> 00:58:48,800
Speaker 1: show Time kids out on the train ones and there

1288
00:58:48,920 --> 00:58:51,240
Speaker 1: was a man with a giinass tuba and you know

1289
00:58:51,320 --> 00:58:54,000
Speaker 1: a tuba is like bigger, like the biggest instrument in

1290
00:58:54,040 --> 00:58:57,200
Speaker 1: the world, right, and a very rude instrument.

1291
00:58:56,840 --> 00:58:57,480
Speaker 2: To be on the train.

1292
00:58:57,920 --> 00:58:59,760
Speaker 3: Rude, like dude put that in an uber XL.

1293
00:58:59,840 --> 00:59:06,280
Speaker 1: Yeah, And the show Time kids were like, excuse you, Like,

1294
00:59:06,400 --> 00:59:08,280
Speaker 1: we need to clear the area so we could do

1295
00:59:08,720 --> 00:59:09,640
Speaker 1: this annoying thing.

1296
00:59:09,560 --> 00:59:11,280
Speaker 2: That we're going to do and the two book.

1297
00:59:11,320 --> 00:59:13,840
Speaker 3: I was like, no, he refused to move, and so

1298
00:59:14,200 --> 00:59:20,160
Speaker 3: they got into him he should start playing and they

1299
00:59:20,240 --> 00:59:25,800
Speaker 3: were like, you don't want to get the door opened

1300
00:59:25,960 --> 00:59:27,600
Speaker 3: and all the time kids get off and they were

1301
00:59:27,680 --> 00:59:29,080
Speaker 3: yelling at this guy with tuba.

1302
00:59:28,960 --> 00:59:31,160
Speaker 1: And pushed him in the face and then the door

1303
00:59:32,200 --> 00:59:36,120
Speaker 1: what and everyone was looking at dude like my sorry

1304
00:59:36,320 --> 00:59:37,040
Speaker 1: for your d.

1305
00:59:40,120 --> 00:59:44,960
Speaker 3: People were like thoughts and prayers. So I pushed the face.

1306
00:59:45,080 --> 00:59:47,000
Speaker 2: It's hard. I've never seen I've heard there's some magicians.

1307
00:59:47,080 --> 00:59:49,120
Speaker 2: Sometimes I've never seen a magician. I've never seen him

1308
00:59:49,120 --> 00:59:50,960
Speaker 2: that's what I need. Some new that's what we just need,

1309
00:59:51,040 --> 00:59:51,560
Speaker 2: some of the fresh.

1310
00:59:51,680 --> 00:59:53,360
Speaker 3: No. There was a homeless man that got on and

1311
00:59:53,560 --> 00:59:55,200
Speaker 3: was like, I know y'all just want me to shut

1312
00:59:55,240 --> 00:59:55,960
Speaker 3: the fuck up.

1313
00:59:56,360 --> 00:59:58,280
Speaker 2: Y'all tied that aggressive tape.

1314
00:59:59,080 --> 01:00:00,720
Speaker 3: No, no, no, He's saying all the stuff.

1315
01:00:00,440 --> 01:00:05,360
Speaker 1: And people were like yeah and yeah, and keep gaving

1316
01:00:05,520 --> 01:00:07,200
Speaker 1: money because he was being so honest.

1317
01:00:07,240 --> 01:00:09,400
Speaker 3: He's like, you know, you know, damn well, I'm not

1318
01:00:09,440 --> 01:00:10,840
Speaker 3: gonna get no food with this money.

1319
01:00:12,040 --> 01:00:16,920
Speaker 1: You know about guy adapt him, This guy gave him

1320
01:00:16,960 --> 01:00:19,600
Speaker 1: my dad. I was like, you just touched a dirty

1321
01:00:19,640 --> 01:00:22,440
Speaker 1: man's hand because he was that good and tell him

1322
01:00:22,480 --> 01:00:22,920
Speaker 1: the truth.

1323
01:00:23,160 --> 01:00:25,520
Speaker 3: Yes, he's like. And then the guy was like, keep

1324
01:00:25,600 --> 01:00:27,320
Speaker 3: doing what you're doing, man, keep doing what you do.

1325
01:00:27,840 --> 01:00:30,720
Speaker 3: Do the homeless man, keep doing what you're doing.

1326
01:00:31,000 --> 01:00:32,240
Speaker 2: You're doing good stuff.

1327
01:00:33,000 --> 01:00:36,040
Speaker 3: I cried, that is crazy. You know. I gave him

1328
01:00:36,040 --> 01:00:36,400
Speaker 3: a double.

1329
01:00:38,360 --> 01:00:41,240
Speaker 2: I had a friend who once gave pisan has asked

1330
01:00:41,280 --> 01:00:44,200
Speaker 2: for food and once gave him those bagel bites, those

1331
01:00:44,240 --> 01:00:46,960
Speaker 2: like bagel chips, and the person was like, no.

1332
01:00:47,000 --> 01:00:54,640
Speaker 3: I don't like that, was just like embarrassed. Your friend

1333
01:00:54,760 --> 01:00:55,600
Speaker 3: was like, now your friend is.

1334
01:00:55,600 --> 01:00:56,720
Speaker 2: In bad or something.

1335
01:00:56,800 --> 01:00:57,439
Speaker 1: Oh my god.

1336
01:00:57,760 --> 01:00:59,040
Speaker 2: I gotta take these dirty.

1337
01:01:01,360 --> 01:01:03,760
Speaker 3: Like even homeless people don't want these, that's how bad

1338
01:01:03,840 --> 01:01:04,120
Speaker 3: they are.

1339
01:01:05,440 --> 01:01:06,160
Speaker 1: I know.

1340
01:01:06,400 --> 01:01:09,360
Speaker 3: I I feel like when people get on the train,

1341
01:01:09,400 --> 01:01:10,400
Speaker 3: I don't ever get the money.

1342
01:01:10,400 --> 01:01:12,760
Speaker 1: But there's this there's two groups that will come on

1343
01:01:12,840 --> 01:01:16,960
Speaker 1: and sing, oh, there's so good. There's like these old

1344
01:01:17,000 --> 01:01:20,600
Speaker 1: black dudes Ye Temptations and stuff. They do like old

1345
01:01:20,760 --> 01:01:23,200
Speaker 1: like motown, and they're all they're they're not even homeless.

1346
01:01:23,200 --> 01:01:24,760
Speaker 1: I think they're just doing it because they're bored because

1347
01:01:24,760 --> 01:01:25,280
Speaker 1: they're old, and.

1348
01:01:25,280 --> 01:01:27,080
Speaker 3: Their wives are like get us count the house and

1349
01:01:27,160 --> 01:01:31,439
Speaker 3: they're like yeah, but they're so good.

1350
01:01:31,880 --> 01:01:33,880
Speaker 4: And then these there's these like young black kids that

1351
01:01:33,960 --> 01:01:37,160
Speaker 4: have like a guitar and there's like a woman with

1352
01:01:37,320 --> 01:01:40,040
Speaker 4: them and they like harmonize like ADL and.

1353
01:01:40,120 --> 01:01:43,040
Speaker 3: Like other pop songs, but it's always really good. And

1354
01:01:43,080 --> 01:01:44,840
Speaker 3: then most recently, this Italian guy that comes on and

1355
01:01:44,920 --> 01:01:48,360
Speaker 3: does like opera in Italian. Yes, he's like, who know,

1356
01:01:50,120 --> 01:01:54,680
Speaker 3: people are like singing and he's like I want any money.

1357
01:01:54,720 --> 01:01:56,960
Speaker 3: He just wants you to like listen to him sing

1358
01:01:57,560 --> 01:01:59,160
Speaker 3: and come see it's his open mic.

1359
01:02:00,000 --> 01:02:02,360
Speaker 2: I think you have to audition to be a subway performer.

1360
01:02:03,400 --> 01:02:05,280
Speaker 2: They don't perform on the train but they in the.

1361
01:02:05,320 --> 01:02:07,920
Speaker 3: Platforms, you have to audition the hell I would be

1362
01:02:08,000 --> 01:02:09,920
Speaker 3: auditioning to be in a could.

1363
01:02:12,120 --> 01:02:14,080
Speaker 1: I just I feel like if the subway dancers with

1364
01:02:14,120 --> 01:02:17,640
Speaker 1: the Showtime Kings like had on like suits, like like

1365
01:02:17,960 --> 01:02:19,880
Speaker 1: duxedos and did it like it would take it to

1366
01:02:19,920 --> 01:02:21,600
Speaker 1: the next level because they'd be like, well look at these.

1367
01:02:21,840 --> 01:02:26,680
Speaker 3: Oh these like regular well dressed men. Also, no, I

1368
01:02:26,760 --> 01:02:29,280
Speaker 3: don't care if they look clean. If I don't want

1369
01:02:29,280 --> 01:02:30,479
Speaker 3: to see it, I don't.

1370
01:02:30,880 --> 01:02:33,440
Speaker 1: Nothing makes me happy on the train unless somebody gets

1371
01:02:33,480 --> 01:02:34,840
Speaker 1: in the fight, and then I'm like, what.

1372
01:02:37,080 --> 01:02:39,320
Speaker 3: Worlds are? Yeah? Okay, well I forgot.

1373
01:02:39,320 --> 01:02:40,360
Speaker 2: We learned a lot about the train.

1374
01:02:40,600 --> 01:02:43,320
Speaker 3: Look, I think we love the train talking about it.

1375
01:02:43,600 --> 01:02:46,720
Speaker 3: I mean, the time went by so fast. Do you

1376
01:02:46,760 --> 01:02:48,760
Speaker 3: have anything that you want to leave the people with

1377
01:02:49,960 --> 01:02:50,400
Speaker 3: about you?

1378
01:02:50,520 --> 01:02:54,520
Speaker 2: But yeah, well social media stuff, you know, shows and

1379
01:02:54,600 --> 01:02:58,560
Speaker 2: they it's actun Marcos SERRASI for everything. And as we

1380
01:02:58,600 --> 01:03:01,160
Speaker 2: said at the game, that's g I I A N

1381
01:03:01,440 --> 01:03:04,080
Speaker 2: M A R C O S O R E S I.

1382
01:03:04,960 --> 01:03:07,400
Speaker 2: I'm headlining Eastville on November eighteenth.

1383
01:03:08,520 --> 01:03:09,640
Speaker 3: I'm gonna be on the.

1384
01:03:10,000 --> 01:03:14,360
Speaker 2: Risk Storytelling Show November fourteen, and then I have a

1385
01:03:14,400 --> 01:03:17,120
Speaker 2: weekly show at the pit called the Last Laugh every Sunday,

1386
01:03:17,200 --> 01:03:19,560
Speaker 2: nine thirty two eleven. And my sketch team is an

1387
01:03:19,600 --> 01:03:20,480
Speaker 2: Uncle function.

1388
01:03:21,520 --> 01:03:24,160
Speaker 3: Uncle function, watch function.

1389
01:03:24,720 --> 01:03:25,640
Speaker 2: It's actually conjunction.

1390
01:03:25,880 --> 01:03:28,120
Speaker 9: Yeah, I saw what you did there, Murray, thank you

1391
01:03:28,200 --> 01:03:30,960
Speaker 9: so much. Spell your name one which G I A

1392
01:03:31,560 --> 01:03:34,400
Speaker 9: N M A R C O S O R E

1393
01:03:34,640 --> 01:03:36,360
Speaker 9: S I I still remember.

1394
01:03:38,400 --> 01:03:41,120
Speaker 2: Hag you Yeah, show to something.

1395
01:03:41,840 --> 01:03:44,760
Speaker 4: Make sure you keep listening to us here every Friday,

1396
01:03:45,000 --> 01:03:46,160
Speaker 4: literally any day of the week, because this.

1397
01:03:46,200 --> 01:03:47,320
Speaker 3: Podcast is not known anywhere.

1398
01:03:48,800 --> 01:03:53,200
Speaker 1: An official expert on iTunes and then unofficial expert on Facebook,

1399
01:03:53,280 --> 01:03:54,880
Speaker 1: and you can find me reezy r.

1400
01:03:54,920 --> 01:03:56,640
Speaker 2: E e e z y on.

1401
01:03:58,160 --> 01:04:03,320
Speaker 1: And you can form me just bw j usc syd BW.

1402
01:04:04,760 --> 01:04:09,840
Speaker 1: Please please please go on iTunes, rate review, please comment.

1403
01:04:10,080 --> 01:04:13,240
Speaker 3: I mean, we're doing great things. We're giving you nothing

1404
01:04:13,320 --> 01:04:14,800
Speaker 3: but last for a whole hour.

1405
01:04:15,360 --> 01:04:17,200
Speaker 1: The least you can do is just let everyone know

1406
01:04:17,280 --> 01:04:19,680
Speaker 1: how amazing we are so we can thrive, so we

1407
01:04:19,760 --> 01:04:22,000
Speaker 1: can be on magazine. Just do me a favorite and

1408
01:04:22,080 --> 01:04:24,680
Speaker 1: grab your dad's phone, or your poor friend's phone, or

1409
01:04:24,720 --> 01:04:27,400
Speaker 1: your mom's phone uh huh, or whoever your ploty instructor

1410
01:04:27,440 --> 01:04:28,360
Speaker 1: Irene's phone.

1411
01:04:28,200 --> 01:04:31,480
Speaker 3: And just subscribe to the podcast on their phone. All

1412
01:04:31,600 --> 01:04:34,959
Speaker 3: your friends know, so we can just be out here winning, winning, winning.

1413
01:04:35,560 --> 01:04:37,320
Speaker 2: You guys, this was amazing, much fun.

1414
01:04:37,360 --> 01:04:40,760
Speaker 3: See you for more Dope episodes and more amazing comedy

1415
01:04:41,320 --> 01:04:41,760
Speaker 3: next week.

1416
01:04:42,080 --> 01:04:43,360
Speaker 2: Yes, and shout out to.

1417
01:04:43,440 --> 01:04:45,600
Speaker 3: Comedy Hype, where you can get all your comedy news.

1418
01:04:46,080 --> 01:04:46,640
Speaker 3: Bye guy,