WEBVTT - Hustlers: Strong & Scam

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<v Speaker 1>Toss Popcorn is a production of Iheartradiourder.

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<v Speaker 2>Happy New Year.

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<v Speaker 3>Hi.

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<v Speaker 2>I'm Leana Holsten and I'm Sienna Jacob and welcome to

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<v Speaker 2>Tossed Popcorn, the podcast where two idiots watched every film

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<v Speaker 2>Oh my God on the AFI's one hundred Greatest American

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<v Speaker 2>Movies of All Time, the very slightly less racist tenth

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<v Speaker 2>Anniversary Edition, and are now watching films directed by women

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<v Speaker 2>as Oh.

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<v Speaker 1>This podcast is a safe space for people who don't

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<v Speaker 1>know anything about movies. Today we're watching Hustlers.

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<v Speaker 4>We gotta start thinking like Dad wall Street.

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<v Speaker 1>Guys, you see what they did to this country. Warning

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<v Speaker 1>there will be spoilers about this resourceful of film, modern film.

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<v Speaker 2>Yah, Sienna, had you seen this before?

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<v Speaker 1>I had not? Had you me neither. No, I didn't

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<v Speaker 1>know what to expect.

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<v Speaker 2>Okay, well, hey, here's here's my prediction of what I

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<v Speaker 2>thought it was gonna be. Okay, I'd love to hear it. Hi, Sienna,

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<v Speaker 2>it's Leanna. I'm about to watch Hustlers, not gonna lie.

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<v Speaker 2>I have high hopes and expectations for this film. I

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<v Speaker 2>predict it's gonna be extremely slay. Oh baby, this is

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<v Speaker 2>Keithy Palmer. Love you. Bye.

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<v Speaker 1>I had no idea. I didn't know about like any

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<v Speaker 1>of the people in this movie. Oh except for j Lo.

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<v Speaker 1>I guess I knew, of course. Yeah, I don't know

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<v Speaker 1>what and you must. All right, well, let's listen to

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<v Speaker 1>my prediction and then I'll say more about what I thought,

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<v Speaker 1>because I guess I didn't.

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<v Speaker 2>Okay, put it all in there, all right.

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<v Speaker 4>Hi, Leanna, this is Sana. I'm about to watch Hustlers.

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<v Speaker 4>I remember. I think it's about stripping the art of

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<v Speaker 4>exotic dance. But as we know, it's directed by women,

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<v Speaker 4>so I'm looking forward to it. Maybe they'll hustle to

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<v Speaker 4>take people's money.

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<v Speaker 2>It sounds awesome.

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<v Speaker 1>Okay, I love you get back.

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<v Speaker 2>It's like a book report. Yeah.

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<v Speaker 1>I pictured it being more of like an ensemble film

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<v Speaker 1>with some like a yes, a bunch of a heist movie. Yeah,

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<v Speaker 1>a heist movie. But it was. It was different than

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<v Speaker 1>I thought, and I really enjoyed it. I didn't I

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<v Speaker 1>didn't have any expectations going in, but I don't think

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<v Speaker 1>I had high hopes because I just didn't. I didn't

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<v Speaker 1>know anything, and I was like, eh, we'll see it

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<v Speaker 1>was wonderful. Oh yay, God. I love when women make things.

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<v Speaker 1>I love women. I really love women. Yeah, well, Leonna,

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<v Speaker 1>before we get into the movie, Hey girl, hey girl,

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<v Speaker 1>it was just New Year's how's it going?

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<v Speaker 2>Oh good? We will have to discuss New Year's off,

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<v Speaker 2>Mike God. And other than that, I've submitted my visa

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<v Speaker 2>application again, okay, and I have not.

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<v Speaker 1>Slept since Okay, fantastic.

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<v Speaker 2>I'm so scared. I'm so stressed. This is unbelievable. Couldn't

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<v Speaker 2>be Hi, No, I don't know where I'm gonna live

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<v Speaker 2>in ten weeks.

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<v Speaker 1>On the bright side, you've done so much since then,

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<v Speaker 1>so there's another world in which you try to do

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<v Speaker 1>it and you just try to like work with what

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<v Speaker 1>you'd already done and try to make it work. But girl,

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<v Speaker 1>you put on a one woman show and you got

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<v Speaker 1>it reviewd mama.

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<v Speaker 2>So that's that's just in the eighth I'm still jet lagged.

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<v Speaker 2>I've been very publicly jet lagged, to the point that

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<v Speaker 2>my friend was like, oh, yeah, no, I've I saw,

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<v Speaker 2>I saw I saw about that online that you have jetlag,

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<v Speaker 2>and I was like, maybe I should take it down

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<v Speaker 2>a nuts. But it's because I still am living alone

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<v Speaker 2>and I just crave connection. Well, it also and I

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<v Speaker 2>want to talk to someone. So I talked to everybody

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<v Speaker 2>via my Instagram stories.

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<v Speaker 1>Ah, that's what they're for.

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<v Speaker 2>This is if Joe from Little Women's Sharona Addition had Instagram,

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<v Speaker 2>she'd be doing this.

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<v Speaker 1>That's what it is for. Though, when it's like, I

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<v Speaker 1>don't really saying I have jetlag to any of your friends,

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<v Speaker 1>even if you have friends that you can talk to

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<v Speaker 1>about other things, it's like to just say I have

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<v Speaker 1>jet lag, you know, we'll be like okay, okay, We're

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<v Speaker 1>like you want to tell me about it, and you're like,

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<v Speaker 1>I mean, I guess no, that's kind of it. So

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<v Speaker 1>I think there's some things that are supposed to are supposed.

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<v Speaker 2>To be to the ether, thank you. Yeah, so I've

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<v Speaker 2>been posting into the ether this week. Well.

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<v Speaker 1>Also then it was New Year's so you're supposed to

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<v Speaker 1>stay up late.

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<v Speaker 3>Yeah.

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<v Speaker 2>Well so I really forked it that way. I thought

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<v Speaker 2>I had one jet lag because I returned from America

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<v Speaker 2>on Sunday it's now Friday. On Sunday night, I slept

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<v Speaker 2>for ten hours straight because I took an American grade

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<v Speaker 2>sleeping pill and God bless and then on Monday I

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<v Speaker 2>was awake the whole day.

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<v Speaker 1>Is that true?

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<v Speaker 2>No, I took a.

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<v Speaker 1>Nap, is that true?

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<v Speaker 2>Maybe I was? I was, and I got so much

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<v Speaker 2>done and I submitted my visa application. And then Monday

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<v Speaker 2>night I couldn't fall asleep until I took a sleeping

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<v Speaker 2>pill again, but it didn't work, and I was awake

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<v Speaker 2>until like one thirty or two in the morning.

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<v Speaker 1>Uh huh.

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<v Speaker 2>And then Tuesday was New Year's Eve and I went

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<v Speaker 2>to bed at four thirty in the morning. No, no,

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<v Speaker 2>once you get paid, am I three eighteen? Yeah? Yeah?

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<v Speaker 1>Yeah?

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<v Speaker 2>Oh my. At that point, I was like, should I

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<v Speaker 2>just stay awake ye into the dawn? But it's the

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<v Speaker 2>UK in January, so the sunrise wasn't for another, you know,

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<v Speaker 2>ten hours, and then it lasted for like two hours,

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<v Speaker 2>and so I think I really forked myself. And now

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<v Speaker 2>I'm publicly online about having jet lag and that's okay,

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<v Speaker 2>thank you, thank you for your acceptance. Of course I

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<v Speaker 2>accept that often about my Instagram stories, I'm like, I'm

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<v Speaker 2>so annoying, and then I'm also like, I'm not gonna stop.

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<v Speaker 1>Oh I love your Instagram stories.

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<v Speaker 2>Thank god, Okay, thank you. I'm keeping that in mind.

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<v Speaker 1>I love them. What did you post you this day.

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<v Speaker 1>Oh my god, what you posted about those bow What

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<v Speaker 1>were they?

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<v Speaker 2>Oh? The bow buns. Sainsbury's did a party platter of

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<v Speaker 2>ice ice Bowbie penguin shaped bow buns and it was

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<v Speaker 2>the best, the best thing you've ever seen.

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<v Speaker 1>I love that so much? Are you kidding?

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<v Speaker 3>Oh?

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<v Speaker 2>Thank goodness? Okay, just for you, Bibby Bowbie. Hey girl,

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<v Speaker 2>Hey girl, Happy New Year, Happy New Year.

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<v Speaker 1>I was just thinking, I've been really into muting people's

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<v Speaker 1>instagrams recently. Oh, muting Instagram stories and things, and it

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<v Speaker 1>makes everything so much better.

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<v Speaker 2>It's so powerful.

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<v Speaker 1>I am. Let's see, uh yeah, who have you muted? I? Yeah, okay,

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<v Speaker 1>let's talk about the people read the handles. I'm so

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<v Speaker 1>grateful to Instagram for introducing the mute features. It's so

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<v Speaker 1>cause it's like, I want to support you in this way.

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<v Speaker 2>I want to support it, be a follower. Yeah, but

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<v Speaker 2>I don't. I don't want to hear about you. Oh okay.

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<v Speaker 1>The main thing I've been muting recently is I'm sorry

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<v Speaker 1>to my theater high school theater kid community. But with

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<v Speaker 1>oh no, when I know somebody who's like kind of

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<v Speaker 1>like a goofy goofster in real life and and this

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<v Speaker 1>is not to be shamey. I truly like think that

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<v Speaker 1>we all deserve to do a good portion of this.

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<v Speaker 1>But like when people are posting just like only thirst

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<v Speaker 1>traps and I know them as like a dorky person,

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<v Speaker 1>it it like it it makes me feel so weird

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<v Speaker 1>and intimate.

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<v Speaker 2>Oh my god.

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<v Speaker 1>I mean it's like one thing of like a sleigh

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<v Speaker 1>photo every now and then. But I'm talking like like

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<v Speaker 1>I'm talking, I'm talking like they're wearing like some costume

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<v Speaker 1>with a weird hat. And then they're like because it's

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<v Speaker 1>just that theater side of it, you know what I mean?

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<v Speaker 2>You know what I mean, I.

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<v Speaker 1>Do, I personally don't need to see this grind that

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<v Speaker 1>you're on. I support you, but I feel like I

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<v Speaker 1>shouldn't be seeing it. And you can't know what somebody's

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<v Speaker 1>Instagram feed is, you can't know that they're Yeah, because

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<v Speaker 1>some people are like I only want to post my beautiful,

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<v Speaker 1>cringey photos and like that's what my that's what my

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<v Speaker 1>Instagram is, and you deserve to do that. It's just

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<v Speaker 1>like we don't need to be participating in each.

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<v Speaker 2>Other's lives in that exact way.

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<v Speaker 1>Yeah, yeah, yes, especially when I don't know them. Well,

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<v Speaker 1>that's usually it is. It's like I know them as

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<v Speaker 1>like an acquaintance. Yeah, and I'm like, this is way

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<v Speaker 1>too much that I seeing all this whole.

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<v Speaker 2>Yeah. So yeah, it's so much. Hole.

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<v Speaker 1>I've been doing a lot of muting.

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<v Speaker 2>It's great.

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<v Speaker 1>Yes, I had a lovely.

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<v Speaker 2>Oh that's great. Yeah. I was gonna say a little

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<v Speaker 2>segue speaking of seeing things that you're not sure you're

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<v Speaker 2>supposed to be seeing.

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<v Speaker 1>It. Let's do it.

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<v Speaker 2>Yeah, Gerlinsta, could you please give us a synopsis of

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<v Speaker 2>the film. I almost at the film Hey Girl. The

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<v Speaker 2>film Hey Girl basically girl. I would love to film Mustlers. Yes,

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<v Speaker 2>where are we notes Hustlers alternate title hate Girl Okay.

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<v Speaker 1>Yes, Hustlers. Destiny is the new girl at the club,

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<v Speaker 1>Ramona is the best. They team up and become two

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<v Speaker 1>best friends, breaking it in as strippers at this bougie nightclub.

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<v Speaker 1>And then the recession hits and all the Wall Street

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<v Speaker 1>guys who used to throw down for a lap dance

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<v Speaker 1>took off with everyone's money and let the luxury strip

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<v Speaker 1>club world to die. They have to get creative to

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<v Speaker 1>make a profit, and after trying to make ends meet

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<v Speaker 1>for a while, create a special ploy where they steal

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<v Speaker 1>Wall Street guy's money, using specifically a special drug mix

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<v Speaker 1>that they cook up to expedite the process of getting

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<v Speaker 1>into a client's wallet. Eventually they get sloppy and they

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<v Speaker 1>get caught. But most of the time, who are they hurting?

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<v Speaker 2>Really? The end slay.

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<v Speaker 1>This is of course a movie with j Lo who

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<v Speaker 1>I'm sorry she ate Oh my god. I feel like

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<v Speaker 1>I mostly am just making fun of her in the

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<v Speaker 1>not me. I feel like we're most like, mainly in

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<v Speaker 1>the ether these days. We're kind of making fun of

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<v Speaker 1>her personalities. She's a cringy celebrity and that is very fun.

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<v Speaker 2>Sure, but she was what a performance.

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<v Speaker 1>I loved her.

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<v Speaker 2>She's so strong, she.

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<v Speaker 1>Is so gorgeous and amazing. She looks incredible. And then

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<v Speaker 1>her performance, I think that they were trying to say

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<v Speaker 1>that Ramona was kind of like a polarizing figure, who was,

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<v Speaker 1>you know, trying to get control whatever.

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<v Speaker 2>I just really loved her.

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<v Speaker 1>I loved her so much. It's like she's slaves. She

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<v Speaker 1>loves her friends. She's so nice. She's so strong.

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<v Speaker 2>She's stills to tell her core strength alone could could

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<v Speaker 2>lift mountains. I don't know how.

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<v Speaker 1>I don't know how her body does any of what

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<v Speaker 1>it was doing anyway. Wow, Well, Leanna, I'd love to

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<v Speaker 1>get into our phone notes about this film and just

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<v Speaker 1>talk about it, because Wow, what a film.

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<v Speaker 2>Who this is?

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<v Speaker 1>Of course the segment of phone notes where we talk

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<v Speaker 1>about the notes we took on our phones while watching

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<v Speaker 1>the movies separately. Uh, Leanna, you said, Okay, omg, I

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<v Speaker 1>met the president of st Films once.

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<v Speaker 2>Lol. Lol. I don't think I signed an NDA about

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<v Speaker 2>this or anything, so I think I'm allowed to talk

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<v Speaker 2>about it. Let's hear it, but I'll keep it a

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<v Speaker 2>little vague. Basically, on a I was, I was, you

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<v Speaker 2>know what, I'll just tell you all the details. It

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<v Speaker 2>was a school trip. It was the Stanford spring break

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<v Speaker 2>trip to LA where you do meetings with like alums

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<v Speaker 2>in the industry. And somehow we got connected with somebody

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<v Speaker 2>at STX Entertainment who was like high up and shock

0:12:38.360 --> 0:12:43.400
<v Speaker 2>a man. And I think somebody asked him like, hey,

0:12:43.840 --> 0:12:46.200
<v Speaker 2>kind of all of the movies in your slate this

0:12:46.320 --> 0:12:53.720
<v Speaker 2>year are directed by men and about men, like it's

0:12:53.720 --> 0:12:57.920
<v Speaker 2>mainly men, And his answer was so garbage. I think

0:12:57.960 --> 0:13:03.080
<v Speaker 2>he literally said I have to daughters. At one point.

0:13:03.160 --> 0:13:07.160
<v Speaker 2>That was mentioned and oh, men aren't smart enough to

0:13:07.200 --> 0:13:10.240
<v Speaker 2>watch movies about women, so we have to make dumb

0:13:10.240 --> 0:13:11.080
<v Speaker 2>films for men.

0:13:12.559 --> 0:13:15.240
<v Speaker 1>Okay, I'm so glad that we watched this movie so

0:13:15.280 --> 0:13:16.760
<v Speaker 1>that I don't have to think about that too much.

0:13:16.920 --> 0:13:18.200
<v Speaker 1>Yep yep, yep, yep.

0:13:19.160 --> 0:13:21.080
<v Speaker 2>Is so up And maybe they've turned a new leaf,

0:13:21.240 --> 0:13:22.360
<v Speaker 2>you know, via that.

0:13:22.800 --> 0:13:25.040
<v Speaker 1>Was such a historically bad response that they're like, Okay,

0:13:25.160 --> 0:13:26.360
<v Speaker 1>maybe we should make this movie that.

0:13:26.480 --> 0:13:28.840
<v Speaker 2>Like, I guess we have to make hustlers now because

0:13:28.840 --> 0:13:30.880
<v Speaker 2>that guy flapped so hard in that group meeting.

0:13:31.280 --> 0:13:33.120
<v Speaker 1>You don't know what I was thinking. Again, I thought

0:13:33.120 --> 0:13:35.560
<v Speaker 1>it was gonna be like a fun heist movie. Yeah,

0:13:35.679 --> 0:13:37.920
<v Speaker 1>I didn't know it was about like the specific situation,

0:13:38.000 --> 0:13:43.640
<v Speaker 1>about some really I some really deep characters and everything.

0:13:43.679 --> 0:13:45.520
<v Speaker 1>I don't It's one of those things where I feel

0:13:45.559 --> 0:13:48.400
<v Speaker 1>like the advertising was probably about way more about the

0:13:48.520 --> 0:13:51.560
<v Speaker 1>stripping and everything, because that makes sense. It'll get people

0:13:51.559 --> 0:13:54.839
<v Speaker 1>in the scenes. But it wasn't all about that. I mean,

0:13:55.240 --> 0:13:56.960
<v Speaker 1>that was what they did, but like, it wasn't all

0:13:57.440 --> 0:13:58.920
<v Speaker 1>I thought it was gonna be more like I'll show

0:13:58.960 --> 0:14:01.000
<v Speaker 1>you the ropes of how to Pull Dance, which is

0:14:01.840 --> 0:14:02.840
<v Speaker 1>and was so fun.

0:14:03.120 --> 0:14:06.079
<v Speaker 2>Yeah, yeah, yeah, yeah, but it was.

0:14:07.640 --> 0:14:10.120
<v Speaker 1>Mainly just seeing these women's lives, and it was so

0:14:10.240 --> 0:14:12.800
<v Speaker 1>clearly directed by a woman. I I kind of I

0:14:12.840 --> 0:14:15.760
<v Speaker 1>could try to explain it, but watching it is the best.

0:14:16.000 --> 0:14:18.120
<v Speaker 2>Your first note does a good job. Your first note

0:14:18.200 --> 0:14:22.040
<v Speaker 2>is this is definition of necessary boob and somehow none

0:14:22.080 --> 0:14:25.600
<v Speaker 2>of it feels exploitative at all. So true. And then

0:14:25.680 --> 0:14:28.040
<v Speaker 2>you wrote there is something wrong with men.

0:14:28.800 --> 0:14:31.160
<v Speaker 1>There were certain times today where I was watching last night,

0:14:31.160 --> 0:14:33.200
<v Speaker 1>when I was watching it, where I was like, what

0:14:33.560 --> 0:14:37.720
<v Speaker 1>is wrong with them? Because this feels so good to watch.

0:14:37.760 --> 0:14:40.840
<v Speaker 1>There are women who are topless because that's their job.

0:14:40.920 --> 0:14:44.600
<v Speaker 1>But yeah, there's nothing about it that is that is

0:14:46.480 --> 0:14:49.119
<v Speaker 1>ogling them agling. Yeah, let me forget figure.

0:14:48.840 --> 0:14:52.520
<v Speaker 2>Out what I always saying. But I love when you say.

0:14:52.760 --> 0:14:59.520
<v Speaker 1>Think it's either but that's ogling them and them and uh,

0:14:59.760 --> 0:15:04.400
<v Speaker 1>you know, oh make presenting them like some object for

0:15:04.480 --> 0:15:07.520
<v Speaker 1>our viewing. It wasn't like that at all. And just

0:15:07.560 --> 0:15:10.000
<v Speaker 1>to see so easily just where you hold the camera,

0:15:10.040 --> 0:15:12.680
<v Speaker 1>making it feel completely different. I'm like, yeah, you go

0:15:12.760 --> 0:15:15.680
<v Speaker 1>to these like where you were where they were talking

0:15:15.680 --> 0:15:17.440
<v Speaker 1>to the STX man and he's like, it's really hard,

0:15:17.440 --> 0:15:20.080
<v Speaker 1>it's complex. It's hard to make movies blah, I have

0:15:20.080 --> 0:15:22.000
<v Speaker 1>two daughters. It's impossible to make. And then you just

0:15:22.040 --> 0:15:23.960
<v Speaker 1>see a woman take it, take the camera and take

0:15:24.000 --> 0:15:26.920
<v Speaker 1>two steps back, and it's a completely different movie. That

0:15:26.960 --> 0:15:30.160
<v Speaker 1>feels way yea, it's like you chose to do this.

0:15:30.200 --> 0:15:33.320
<v Speaker 1>Something is going on with your head very round, So

0:15:33.320 --> 0:15:36.640
<v Speaker 1>why do we just keep giving the cameras anyway, it was,

0:15:38.080 --> 0:15:41.200
<v Speaker 1>it was. I just had a great time watching this film.

0:15:41.560 --> 0:15:42.800
<v Speaker 1>It was sounding so much.

0:15:42.720 --> 0:15:46.280
<v Speaker 2>Fun, just like Wall Street in two thousand and eight.

0:15:46.360 --> 0:15:49.280
<v Speaker 2>We got a crash, but just for three minutes. They'll

0:15:49.320 --> 0:16:03.280
<v Speaker 2>be back very soon after these messages. Oh yeah, And

0:16:03.440 --> 0:16:03.960
<v Speaker 2>speaking of.

0:16:06.360 --> 0:16:09.320
<v Speaker 1>Men being awful, you said men are so scary.

0:16:11.680 --> 0:16:17.320
<v Speaker 2>All of the shots of men at the club and

0:16:17.360 --> 0:16:20.200
<v Speaker 2>like egging each other on, and just the way that

0:16:20.200 --> 0:16:23.240
<v Speaker 2>they felt like entitled two.

0:16:25.160 --> 0:16:31.960
<v Speaker 1>Women's Bodies was all very scary. This I'm sorry, guys,

0:16:32.000 --> 0:16:36.240
<v Speaker 1>this movie was so good. The I love movies that

0:16:36.280 --> 0:16:42.080
<v Speaker 1>portray men as gross little bugs because that is the

0:16:42.080 --> 0:16:42.920
<v Speaker 1>female gaze.

0:16:43.200 --> 0:16:45.600
<v Speaker 2>That is another genre on the list.

0:16:45.920 --> 0:16:47.560
<v Speaker 1>What's so funny We.

0:16:47.320 --> 0:16:50.280
<v Speaker 2>Had from the AFI list like this Guy is the

0:16:50.280 --> 0:16:53.360
<v Speaker 2>Best or White Boys in the Desert, And now with

0:16:53.440 --> 0:16:56.720
<v Speaker 2>films directed by non men, we have men as gross

0:16:56.760 --> 0:16:57.400
<v Speaker 2>little bugs.

0:16:59.200 --> 0:17:02.200
<v Speaker 1>Which is like the subsys like that you know in

0:17:02.320 --> 0:17:06.480
<v Speaker 1>a show when they will portray something, when there'll be

0:17:06.520 --> 0:17:08.960
<v Speaker 1>a scene where a character is imagining something in a

0:17:09.000 --> 0:17:11.040
<v Speaker 1>really cinematic way, and then we kind of zoom out

0:17:11.040 --> 0:17:13.159
<v Speaker 1>and we see that they're actually just in real life

0:17:14.400 --> 0:17:18.840
<v Speaker 1>being completely not cinematic and maybe just like staring at

0:17:18.840 --> 0:17:21.000
<v Speaker 1>something and they look like a gross person. I feel

0:17:21.000 --> 0:17:23.880
<v Speaker 1>like that's the difference between men making movies and women

0:17:23.920 --> 0:17:28.240
<v Speaker 1>making movies is especially when it's about something sexual. Yeah,

0:17:28.280 --> 0:17:31.760
<v Speaker 1>these sex sex scenes that really popular sex scenes that

0:17:31.760 --> 0:17:38.080
<v Speaker 1>men will make will be like, you know, really sexy

0:17:38.680 --> 0:17:43.120
<v Speaker 1>working towards a climax, gross like close ups on whatever

0:17:43.320 --> 0:17:47.440
<v Speaker 1>following the ladies boobs, and then the movie made by

0:17:47.560 --> 0:17:51.399
<v Speaker 1>a woman about the same sexual interaction is like a

0:17:51.480 --> 0:17:55.680
<v Speaker 1>zoom out where you just see the guys going, which

0:17:55.720 --> 0:17:56.640
<v Speaker 1>is what movies.

0:17:56.359 --> 0:17:56.840
<v Speaker 2>Like this are.

0:17:57.640 --> 0:18:00.520
<v Speaker 1>Yeah, where it's just they show some to the guys

0:18:00.560 --> 0:18:07.639
<v Speaker 1>just staring yes or having trying to uh, trying to

0:18:07.800 --> 0:18:10.240
<v Speaker 1>pay for these women trying to buy them stuff even

0:18:10.240 --> 0:18:16.040
<v Speaker 1>though they're like knocked out, just like anyway, It's so

0:18:16.119 --> 0:18:18.399
<v Speaker 1>refreshing and I love it so much. Yeah, that's the

0:18:18.400 --> 0:18:21.480
<v Speaker 1>female gays right there, is seeing men be incredibly embarrassing.

0:18:22.600 --> 0:18:26.720
<v Speaker 2>They're so Oh Sienna, you wrote, O MG, she's doing pilates.

0:18:27.119 --> 0:18:30.080
<v Speaker 1>Okay, did this make you want to learn the art

0:18:30.200 --> 0:18:31.600
<v Speaker 1>of pole at all?

0:18:32.720 --> 0:18:37.080
<v Speaker 2>No, because I bruise so easily and I'm not that

0:18:37.160 --> 0:18:39.760
<v Speaker 2>comfortable seeing my that much of my body.

0:18:40.119 --> 0:18:42.760
<v Speaker 1>I it's it's tough because I completely understand why you

0:18:42.800 --> 0:18:45.560
<v Speaker 1>would never ever do that. But also, at the same time,

0:18:45.840 --> 0:18:48.879
<v Speaker 1>I think you'd be amazing at it because you both

0:18:48.920 --> 0:18:52.800
<v Speaker 1>have dancer training and you're incredibly.

0:18:52.320 --> 0:18:53.080
<v Speaker 2>Strong and fit.

0:18:54.640 --> 0:18:58.080
<v Speaker 1>Don't you think you might actually be incredible at it.

0:18:58.080 --> 0:19:04.040
<v Speaker 2>It's one of those things where God has gifted me

0:19:04.119 --> 0:19:07.920
<v Speaker 2>the skills, the ability to do something I will never do.

0:19:12.800 --> 0:19:13.200
<v Speaker 1>Totally.

0:19:14.680 --> 0:19:15.240
<v Speaker 2>It's funny.

0:19:15.480 --> 0:19:19.560
<v Speaker 1>So hard, it looks so hard. It looks so hard hard.

0:19:19.680 --> 0:19:21.720
<v Speaker 1>I think you could do it, though, I do, I

0:19:21.720 --> 0:19:25.600
<v Speaker 1>think you could do it. You're the strongest person I know.

0:19:26.960 --> 0:19:32.520
<v Speaker 2>Oh my God, thank you. That almost means a lot.

0:19:33.320 --> 0:19:38.320
<v Speaker 2>But I know the people that you know. I guess kel.

0:19:39.960 --> 0:19:43.840
<v Speaker 1>Oh, not that you're freakishly strong.

0:19:45.880 --> 0:19:47.880
<v Speaker 2>No, I love it. I don't think would you if

0:19:47.920 --> 0:19:51.600
<v Speaker 2>you could? Would you? Would you?

0:19:51.680 --> 0:19:53.960
<v Speaker 1>The reason I would you would because that that would

0:19:53.960 --> 0:19:55.320
<v Speaker 1>mean that I was so strong.

0:19:56.280 --> 0:19:59.480
<v Speaker 2>I would love that. But what I would really love

0:19:59.560 --> 0:20:03.000
<v Speaker 2>to do is that the one where she goes flat. Yes,

0:20:04.040 --> 0:20:06.480
<v Speaker 2>it's like called table or something. This movie is she's

0:20:07.000 --> 0:20:10.840
<v Speaker 2>completely horizontal. She was being so supportive that scene. There

0:20:10.840 --> 0:20:11.679
<v Speaker 2>are so many scenes.

0:20:12.680 --> 0:20:14.200
<v Speaker 1>Some scenes that I loved so much that I didn't

0:20:14.200 --> 0:20:18.040
<v Speaker 1>even process as being unique. Were, for example, Jaylo teaching

0:20:18.080 --> 0:20:19.800
<v Speaker 1>her to pole dance and she kept just going like

0:20:20.440 --> 0:20:22.560
<v Speaker 1>Destiny kept going, I don't think I can do that,

0:20:22.920 --> 0:20:23.720
<v Speaker 1>and Jaylo's like.

0:20:23.680 --> 0:20:26.000
<v Speaker 2>You can't. You can totally do it. Yeah, oh, you

0:20:26.040 --> 0:20:27.320
<v Speaker 2>can totally do it. You're gonna do this, you.

0:20:27.280 --> 0:20:29.399
<v Speaker 1>Can do it. It was just supportive.

0:20:30.080 --> 0:20:32.320
<v Speaker 2>This is really a movie about female friendship.

0:20:32.520 --> 0:20:34.320
<v Speaker 1>It that's what I wrote. Later, I was like, I

0:20:34.359 --> 0:20:37.680
<v Speaker 1>had no idea, this was just the best friends movie. Yeah,

0:20:38.359 --> 0:20:44.320
<v Speaker 1>oh my god, Yeah.

0:20:42.200 --> 0:20:46.359
<v Speaker 2>This is so true, Siena. You wrote this movie is

0:20:46.400 --> 0:20:51.760
<v Speaker 2>so of the time. It's like the Big Short plus Lizzo. Yeah,

0:20:51.320 --> 0:20:53.280
<v Speaker 2>oh my god, that's literally what it is.

0:20:55.920 --> 0:20:58.119
<v Speaker 1>I thought that was really funny. It took me a

0:20:58.119 --> 0:21:00.640
<v Speaker 1>while to realize also that they were playing songs from

0:21:00.640 --> 0:21:03.560
<v Speaker 1>the era that it was supposed to be in the world, like,

0:21:03.600 --> 0:21:05.639
<v Speaker 1>for example, this is kind of unrelated, but when they

0:21:05.640 --> 0:21:10.120
<v Speaker 1>were playing that Fiona Apple song right when Criminal, right

0:21:10.160 --> 0:21:12.639
<v Speaker 1>when Jalo came out. I thought that was so funny

0:21:12.680 --> 0:21:15.360
<v Speaker 1>to do to strip to Fiona Apple. But I guess

0:21:15.400 --> 0:21:16.080
<v Speaker 1>that makes sense.

0:21:16.240 --> 0:21:18.560
<v Speaker 2>I did not know that was Fiona Apple. Do you

0:21:18.600 --> 0:21:20.840
<v Speaker 2>want to hear the only thing I know about Fiona Apple?

0:21:20.920 --> 0:21:21.120
<v Speaker 4>Yeah?

0:21:21.800 --> 0:21:23.920
<v Speaker 2>Oh my gosh. I don't know how you're gonna feel

0:21:23.920 --> 0:21:26.080
<v Speaker 2>about this. This is for actualy friend of the pod.

0:21:26.560 --> 0:21:28.919
<v Speaker 2>We watched the entirety of the Lord of the Rings

0:21:29.359 --> 0:21:32.240
<v Speaker 2>cinematic universe together and one of what we were watching

0:21:32.280 --> 0:21:33.760
<v Speaker 2>was The Lord of the Rings The Rings of Power

0:21:33.800 --> 0:21:37.080
<v Speaker 2>on Amazon Prime, of course, and at the end of

0:21:37.560 --> 0:21:40.320
<v Speaker 2>one of the episodes of season two or maybe season one,

0:21:40.640 --> 0:21:42.359
<v Speaker 2>at the end of one of the episodes in the show,

0:21:43.560 --> 0:21:45.639
<v Speaker 2>for some reason, he pressed play one day and it

0:21:45.680 --> 0:21:48.080
<v Speaker 2>started at the credits instead of at the beginning of

0:21:48.119 --> 0:21:57.480
<v Speaker 2>the episode, and the credits were playing a Fiona Apple

0:21:57.960 --> 0:22:03.800
<v Speaker 2>song where she turned the poem from The Lord of

0:22:03.840 --> 0:22:07.080
<v Speaker 2>the Rings into a song. So it went.

0:22:08.080 --> 0:22:16.959
<v Speaker 5>Threeing for the Elven Kings and we were thrown back

0:22:17.480 --> 0:22:19.720
<v Speaker 5>into the count and it's an entire tune.

0:22:19.880 --> 0:22:27.440
<v Speaker 2>It's on Spotify to rule them all. This is how

0:22:27.440 --> 0:22:27.800
<v Speaker 2>it goes.

0:22:28.080 --> 0:22:33.960
<v Speaker 5>One Ring too fine and bind.

0:22:34.000 --> 0:22:38.240
<v Speaker 2>There your express I'm gonna keep go. Okay, one ring

0:22:39.040 --> 0:22:42.359
<v Speaker 2>to this is the exact pace of I can completely imagining.

0:22:42.400 --> 0:22:53.520
<v Speaker 3>Them all and in the darkness, bind them.

0:22:53.800 --> 0:22:55.040
<v Speaker 2>That's all I know about Fila Apple.

0:22:55.160 --> 0:22:58.280
<v Speaker 1>That is so funny, Leanna, you said it is so

0:22:58.440 --> 0:22:59.639
<v Speaker 1>funny that Usher is in this.

0:23:00.240 --> 0:23:03.879
<v Speaker 2>Oh my god, I was laughing so much. I couldn't

0:23:03.880 --> 0:23:04.520
<v Speaker 2>stop laughing.

0:23:04.680 --> 0:23:07.879
<v Speaker 1>I just so many good things happen in this movie.

0:23:07.920 --> 0:23:11.840
<v Speaker 1>I know things were hard, but like also like they've

0:23:11.840 --> 0:23:13.080
<v Speaker 1>just had a good time, Like Usher was having a

0:23:13.080 --> 0:23:13.359
<v Speaker 1>good time.

0:23:13.400 --> 0:23:16.679
<v Speaker 2>They were having girls, they had the which it was

0:23:16.720 --> 0:23:19.280
<v Speaker 2>so much fun. When Usher was there, what's your name

0:23:20.200 --> 0:23:25.679
<v Speaker 2>to Usher? He goes, Usher baby, and everyone laughs, including me.

0:23:27.480 --> 0:23:30.760
<v Speaker 2>For a one split second at the beginning of that,

0:23:30.800 --> 0:23:32.639
<v Speaker 2>I was like, why did Usher agree to be in this?

0:23:32.840 --> 0:23:36.520
<v Speaker 2>And then they made the world look like the happiest

0:23:36.560 --> 0:23:40.359
<v Speaker 2>place on earth because Usher was there, and I was like,

0:23:40.440 --> 0:23:44.159
<v Speaker 2>I understand why Usher wanted to why Usher agreed to

0:23:44.200 --> 0:23:49.040
<v Speaker 2>do this. It was like the sun shone out of

0:23:49.080 --> 0:23:52.239
<v Speaker 2>his hole, you know, and maybe it does you know why.

0:23:52.320 --> 0:23:53.440
<v Speaker 2>That's the magic of Usher.

0:23:53.520 --> 0:23:56.159
<v Speaker 1>And in that moment, I was like, yeah, she's a

0:23:56.280 --> 0:23:57.120
<v Speaker 1>talented boy.

0:23:57.280 --> 0:24:00.240
<v Speaker 2>Is it is? The end of you wrote, I'm a

0:24:00.240 --> 0:24:03.360
<v Speaker 2>great time, as was everybody else with Usher.

0:24:03.520 --> 0:24:05.160
<v Speaker 1>I was having a great time watching.

0:24:05.240 --> 0:24:07.119
<v Speaker 2>I still can't believe Usher was in this. It was

0:24:07.160 --> 0:24:12.359
<v Speaker 2>so great, what a dream role, so fun. The role

0:24:12.400 --> 0:24:16.240
<v Speaker 2>that they gave Usher was you enter a space and

0:24:16.440 --> 0:24:20.840
<v Speaker 2>what makes everyone's day. It is the best moment of

0:24:20.920 --> 0:24:23.600
<v Speaker 2>everyone's life. Everybody were there is happy.

0:24:23.640 --> 0:24:25.879
<v Speaker 1>They need to show what the opposite of the recession was,

0:24:25.960 --> 0:24:29.120
<v Speaker 1>and the opposite was when Usher is Usher one day.

0:24:29.920 --> 0:24:32.600
<v Speaker 2>Usher is the opposite of the two thousand and eight

0:24:32.840 --> 0:24:34.080
<v Speaker 2>stock market crash.

0:24:35.280 --> 0:24:39.159
<v Speaker 1>Leanna, you said, I personally would not have had that baby.

0:24:39.800 --> 0:24:44.280
<v Speaker 1>Oh I would not have had the baby.

0:24:44.560 --> 0:24:49.240
<v Speaker 2>Yeah, yeah, just me personally, I wouldn't have. But you know,

0:24:50.400 --> 0:24:53.920
<v Speaker 2>to each their own is what we hope the law

0:24:53.960 --> 0:24:54.560
<v Speaker 2>would remain.

0:24:55.160 --> 0:24:57.480
<v Speaker 1>Again, another wonderful thing about this movie. The man who

0:24:57.520 --> 0:25:01.399
<v Speaker 1>she's with we only see for like two seconds.

0:25:01.720 --> 0:25:06.480
<v Speaker 2>Yeah, yeah, Okay, let's get into this. Because Sianna, you

0:25:06.560 --> 0:25:13.679
<v Speaker 2>wrote hurts No one builds the economy. I knew that

0:25:13.760 --> 0:25:18.520
<v Speaker 2>this was about scamming. I did not know this movie

0:25:18.600 --> 0:25:27.080
<v Speaker 2>was also about drugging them. And I was like, oh,

0:25:28.800 --> 0:25:33.320
<v Speaker 2>I slay, I know, I know, which is kind of

0:25:33.320 --> 0:25:35.960
<v Speaker 2>what the movie is saying they're kind of like they're

0:25:36.000 --> 0:25:38.919
<v Speaker 2>kind of like, sorry, you were drugging them, and they're like,

0:25:39.359 --> 0:25:42.359
<v Speaker 2>it's not a big deal. Yeah, everybody is doing that.

0:25:43.160 --> 0:25:46.399
<v Speaker 1>But I think they did a good job of not

0:25:48.480 --> 0:25:50.840
<v Speaker 1>saying that that was a good thing and also not

0:25:50.960 --> 0:25:55.720
<v Speaker 1>saying it was, uh, the most condemnable thing in the world, because,

0:25:56.000 --> 0:25:58.040
<v Speaker 1>for example, when they were later, like some of these

0:25:58.080 --> 0:26:02.040
<v Speaker 1>guys kept going back yes, because they just were like, yeah,

0:26:02.080 --> 0:26:03.400
<v Speaker 1>I was having a good time. I'm used to getting

0:26:03.400 --> 0:26:05.440
<v Speaker 1>black out drunk, and I really like feel powerful when

0:26:05.440 --> 0:26:07.719
<v Speaker 1>I spend a lot of money on yeah, people who

0:26:07.760 --> 0:26:08.639
<v Speaker 1>are at my wife.

0:26:08.440 --> 0:26:11.040
<v Speaker 2>Right, And it is the thing of like they didn't

0:26:11.080 --> 0:26:16.080
<v Speaker 2>harm them physically, They simply ran up their credit cards

0:26:16.160 --> 0:26:19.440
<v Speaker 2>a lot. Yeah, they I think I think what unsettled

0:26:19.440 --> 0:26:21.520
<v Speaker 2>me so much about it is that that concept of

0:26:21.560 --> 0:26:24.760
<v Speaker 2>like drugging someone and like taking taking power from them

0:26:24.840 --> 0:26:28.639
<v Speaker 2>totally in terms of like bodily autonomy. Totally rob a

0:26:28.760 --> 0:26:34.320
<v Speaker 2>rich man from Wall Street any day, any any morning

0:26:34.440 --> 0:26:36.440
<v Speaker 2>you wake up, you you rob a rich man from

0:26:36.480 --> 0:26:39.879
<v Speaker 2>Wall Street, Absolutely go ahead and do that. It was

0:26:39.920 --> 0:26:44.520
<v Speaker 2>more the uh yeah, yeah, the drugging part was Yeah, that.

0:26:44.560 --> 0:26:47.080
<v Speaker 1>Was crazy, and there was a lot of nuance they

0:26:47.080 --> 0:26:49.720
<v Speaker 1>were uncomfortable with it, and or some of them were

0:26:49.800 --> 0:26:50.439
<v Speaker 1>uncomfortable with it.

0:26:50.440 --> 0:26:53.119
<v Speaker 2>And oh my god, Leie Beinhardt's characters thing of she

0:26:53.240 --> 0:26:55.480
<v Speaker 2>just always throws up was so funny.

0:26:56.200 --> 0:26:59.920
<v Speaker 1>Sorry, I'm sorry, I don't know why that happens. Yeah,

0:27:00.040 --> 0:27:01.840
<v Speaker 1>I think they did an effective job of sort of

0:27:02.480 --> 0:27:07.040
<v Speaker 1>hmm making us think about the nuance there, because definitely

0:27:07.359 --> 0:27:13.080
<v Speaker 1>it was wrong and it's weird because it I don't know,

0:27:13.240 --> 0:27:16.440
<v Speaker 1>not to get dark, but they were like drugging these

0:27:16.440 --> 0:27:19.200
<v Speaker 1>people so as not to have to do sexual things

0:27:19.240 --> 0:27:21.920
<v Speaker 1>with them, right, which I'm not saying is right. It's

0:27:21.960 --> 0:27:24.639
<v Speaker 1>just like so it's like the difference. It's like the

0:27:25.480 --> 0:27:30.320
<v Speaker 1>women's side, you know, of trying to get you know,

0:27:30.640 --> 0:27:35.359
<v Speaker 1>but yeah, they were. And that guy who's like, please

0:27:35.440 --> 0:27:40.040
<v Speaker 1>you you took everything from me, Please don't do that, Leanna,

0:27:40.119 --> 0:27:43.600
<v Speaker 1>you said my fiance became my wife. Men forgetting to

0:27:43.600 --> 0:27:45.560
<v Speaker 1>tell you that they have a girlfriend during an hour

0:27:45.640 --> 0:27:50.639
<v Speaker 1>long intimate conversation. My god, that is so funny. That

0:27:50.760 --> 0:27:55.440
<v Speaker 1>is so funny. That was completely that vibe.

0:27:55.000 --> 0:27:59.320
<v Speaker 2>Became my wife is the most unhinged way of saying

0:28:00.000 --> 0:28:06.760
<v Speaker 2>were married. Why can't they just be upfront about it?

0:28:07.320 --> 0:28:09.760
<v Speaker 1>I uh, the thing about my fiance is the.

0:28:09.640 --> 0:28:13.720
<v Speaker 2>Matter with them. I will never I will never forget

0:28:14.000 --> 0:28:17.439
<v Speaker 2>the Halloween party. Oh no, the birthday party where I

0:28:17.480 --> 0:28:20.120
<v Speaker 2>spoke intimately with a man for thirty minutes and then

0:28:20.160 --> 0:28:22.119
<v Speaker 2>he stood up and kissed a woman on the mouth

0:28:22.880 --> 0:28:29.800
<v Speaker 2>and said, nice to see you. I said, what where

0:28:29.840 --> 0:28:31.760
<v Speaker 2>am I? And why is it? In hell?

0:28:33.840 --> 0:28:38.959
<v Speaker 1>Kissed her all the mouth? Wow, Lehanna, you said an

0:28:38.960 --> 0:28:40.520
<v Speaker 1>iPhone four s omg.

0:28:42.000 --> 0:28:45.000
<v Speaker 2>Wait, this was a period piece. It was a period piece,

0:28:45.360 --> 0:28:48.600
<v Speaker 2>but also not that long ago. There is no reason

0:28:48.640 --> 0:28:52.000
<v Speaker 2>we need to be on the iPhone sixteen when the

0:28:52.040 --> 0:28:55.800
<v Speaker 2>iPhone four S was coming out like twenty thirteen perfectly.

0:28:55.960 --> 0:28:57.520
<v Speaker 1>Yeah, why are we? It's too much?

0:28:57.560 --> 0:29:02.920
<v Speaker 2>What the f planned? Obsolescence gets me so riled up.

0:29:03.440 --> 0:29:06.640
<v Speaker 2>I get so bad just thinking about it. Oh my gosh,

0:29:06.680 --> 0:29:09.720
<v Speaker 2>I had no idea. Oh it pisses me up so much.

0:29:10.600 --> 0:29:13.680
<v Speaker 2>Just make things that last, not that we have to

0:29:13.720 --> 0:29:16.640
<v Speaker 2>throw away in two years. It kills the planet, it

0:29:16.720 --> 0:29:21.040
<v Speaker 2>kills our wallets. It's horrendous for humanity. Stop doing it.

0:29:21.240 --> 0:29:23.440
<v Speaker 1>Stop it. It really is, it really is.

0:29:25.480 --> 0:29:25.920
<v Speaker 2>It's sad.

0:29:25.960 --> 0:29:31.240
<v Speaker 1>Anyway, Leanna, you said, I love this chihuahua who has

0:29:31.240 --> 0:29:35.240
<v Speaker 1>one foot in the grave. That dog was so.

0:29:35.440 --> 0:29:39.640
<v Speaker 2>Small, Yeah, I like potato.

0:29:39.280 --> 0:29:42.360
<v Speaker 1>Wanting to hold it in my hands. You do look

0:29:42.360 --> 0:29:44.840
<v Speaker 1>because it looks like the size of a hamster. Yeah,

0:29:44.960 --> 0:29:47.360
<v Speaker 1>it was amazing, and it was so dead in the eyes.

0:29:47.440 --> 0:29:52.120
<v Speaker 1>It was just clinging to life, and I loved it.

0:29:53.520 --> 0:29:56.000
<v Speaker 1>If you'll excuse me, Jalo needs to go show me

0:29:56.080 --> 0:29:58.120
<v Speaker 1>some moves on the pole and I kind of just

0:29:58.160 --> 0:29:59.680
<v Speaker 1>need to kind of spend the rest of the day

0:29:59.680 --> 0:30:00.520
<v Speaker 1>doing that because I think.

0:30:00.400 --> 0:30:02.080
<v Speaker 2>It's going to be kind of life changing for me.

0:30:02.320 --> 0:30:03.000
<v Speaker 2>We'll be right.

0:30:02.880 --> 0:30:12.480
<v Speaker 1>Back, Leanna, you said you said what a boob?

0:30:15.080 --> 0:30:18.640
<v Speaker 2>Who said what a boob? I love a stereotypical New

0:30:18.800 --> 0:30:21.600
<v Speaker 2>York cop going what a boob?

0:30:22.160 --> 0:30:22.880
<v Speaker 1>What a boob?

0:30:23.560 --> 0:30:26.280
<v Speaker 2>What a boob? A boob?

0:30:26.400 --> 0:30:29.240
<v Speaker 1>I really like the end of the movie when they

0:30:29.240 --> 0:30:32.600
<v Speaker 1>both were like, this is really wrong what you've been doing.

0:30:34.320 --> 0:30:36.720
<v Speaker 1>You know, I'm really The journalist is like, yeah, I'm

0:30:36.720 --> 0:30:40.000
<v Speaker 1>really focused on the drugging part because that's crazy, and

0:30:40.080 --> 0:30:42.600
<v Speaker 1>all the cops are like, I can't believe these guys

0:30:42.600 --> 0:30:43.080
<v Speaker 1>fell for that.

0:30:43.240 --> 0:30:45.080
<v Speaker 2>Oh my god, what a boob?

0:30:45.320 --> 0:30:47.920
<v Speaker 1>Like they had less and even Destiny is like I

0:30:47.960 --> 0:30:50.880
<v Speaker 1>feel horrible about this, Like, yeah, it felt like nothing

0:30:50.920 --> 0:30:51.760
<v Speaker 1>but now I feel like.

0:30:52.040 --> 0:30:55.800
<v Speaker 2>A lot of regret and whatever what a boob said.

0:30:55.800 --> 0:30:56.960
<v Speaker 1>The policemen are just like.

0:30:58.440 --> 0:30:59.880
<v Speaker 2>Lol boob.

0:31:00.160 --> 0:31:01.960
<v Speaker 1>No guys would even tell us that it happened to

0:31:02.000 --> 0:31:04.000
<v Speaker 1>them because they were too embarrassed.

0:31:03.680 --> 0:31:06.000
<v Speaker 2>Or a bunch of boobs, bunch of booms. I just

0:31:06.440 --> 0:31:08.920
<v Speaker 2>I love boob as an insult. I think it's so funny.

0:31:09.720 --> 0:31:12.960
<v Speaker 2>I wish it wasn't tied to boobs. I wonder which

0:31:13.040 --> 0:31:15.880
<v Speaker 2>came first, the boob or.

0:31:15.800 --> 0:31:19.480
<v Speaker 1>The boobs boo probably boom boom. But you know that boners,

0:31:20.880 --> 0:31:24.800
<v Speaker 1>you know that. You know that boner used to mean

0:31:24.840 --> 0:31:27.960
<v Speaker 1>like a mistake, like a mistake.

0:31:27.680 --> 0:31:29.560
<v Speaker 2>Still does am I right, ladies?

0:31:30.640 --> 0:31:33.760
<v Speaker 1>Yeah, and I love that that became. I got a boner,

0:31:34.440 --> 0:31:42.600
<v Speaker 1>I got a mistake, mistake, my body made a mistake.

0:31:44.440 --> 0:31:48.000
<v Speaker 1>I have a huge mistake. Leona, you've said a cab

0:31:48.080 --> 0:31:48.640
<v Speaker 1>as hell.

0:31:49.960 --> 0:31:52.640
<v Speaker 2>Oh my god, when they were like, think of your daughter,

0:31:52.840 --> 0:31:55.280
<v Speaker 2>like when the cops were pressuring her into taking a deal.

0:31:57.040 --> 0:32:03.040
<v Speaker 2>M yes, they broke the law, but also.

0:32:04.520 --> 0:32:08.320
<v Speaker 1>A camp a caab. Yeah, there's a lot of things

0:32:08.320 --> 0:32:09.080
<v Speaker 1>going on at once.

0:32:09.840 --> 0:32:11.920
<v Speaker 2>This movie was kind of nailing it across the board

0:32:11.920 --> 0:32:13.720
<v Speaker 2>in terms of its portrayals of everybody.

0:32:13.800 --> 0:32:20.480
<v Speaker 1>I completely agree. I completely agree, Leanna. You've said, who

0:32:20.560 --> 0:32:21.120
<v Speaker 1>is Dorothy?

0:32:22.160 --> 0:32:25.680
<v Speaker 2>Who's Dorothy? Had a photo in her wallet at the

0:32:25.760 --> 0:32:27.720
<v Speaker 2>end where she was like, oh that's Dorothy. Who could

0:32:27.840 --> 0:32:30.280
<v Speaker 2>who could ever? Leave her? And I was like, is

0:32:30.280 --> 0:32:31.440
<v Speaker 2>she talking about destiny?

0:32:31.520 --> 0:32:33.600
<v Speaker 1>I guess it's destiny. But I didn't know her. Yeah,

0:32:33.640 --> 0:32:36.240
<v Speaker 1>I didn't realize. I didn't get that either.

0:32:36.320 --> 0:32:39.240
<v Speaker 2>Yeah, me neither. She literally never called her that because

0:32:39.240 --> 0:32:41.880
<v Speaker 2>then she responded to it as if it was a

0:32:41.920 --> 0:32:44.000
<v Speaker 2>photo of her like that. Her emotional response was such

0:32:44.000 --> 0:32:46.960
<v Speaker 2>a high level, So I was like, well, I think

0:32:46.960 --> 0:32:49.160
<v Speaker 2>it's about her. Yeah, I don't think it's just like

0:32:49.200 --> 0:32:51.680
<v Speaker 2>somebody else for me a while too, But who is that?

0:32:51.720 --> 0:32:57.600
<v Speaker 2>Who is that? Yeah? Oh?

0:32:57.600 --> 0:32:58.800
<v Speaker 1>Well, do you want to move on to badgis and

0:32:58.880 --> 0:33:00.920
<v Speaker 1>trages because I have a lot of things to say,

0:33:00.960 --> 0:33:01.440
<v Speaker 1>but a lot of them.

0:33:01.520 --> 0:33:05.680
<v Speaker 2>I have gosh, so many. Yes, Hello everyone, This is

0:33:05.720 --> 0:33:09.920
<v Speaker 2>our segment Badges and Tradges, where we award badges for

0:33:10.320 --> 0:33:21.400
<v Speaker 2>bodying these numbers, these dance numbers, and tradges for tricking people.

0:33:22.480 --> 0:33:28.840
<v Speaker 1>Yeah, for tricking people without their consent. Yeah you don't

0:33:28.880 --> 0:33:29.200
<v Speaker 1>like that.

0:33:29.640 --> 0:33:34.200
<v Speaker 2>Okay, you may trick me, but you must tell me.

0:33:34.280 --> 0:33:39.640
<v Speaker 1>First, you must tell me.

0:33:39.560 --> 0:33:42.040
<v Speaker 2>You have to I have to, and then you can

0:33:42.040 --> 0:33:45.160
<v Speaker 2>trick me. I am willing to be tricked.

0:33:45.280 --> 0:33:48.040
<v Speaker 1>I have a badge for eyeshadow. Oh, my gosh, don't

0:33:48.080 --> 0:33:50.479
<v Speaker 1>get me started. I make this.

0:33:51.320 --> 0:33:51.480
<v Speaker 5>Oh.

0:33:51.840 --> 0:33:55.240
<v Speaker 2>I have a badge for body glitter. I love body

0:33:55.240 --> 0:33:58.080
<v Speaker 2>glitter when you put a lotion on it and it's glittery.

0:33:58.480 --> 0:34:04.840
<v Speaker 2>I usually there's never a circumstance in my life where

0:34:04.840 --> 0:34:05.680
<v Speaker 2>that's applicable.

0:34:07.080 --> 0:34:07.360
<v Speaker 6>This is it.

0:34:07.320 --> 0:34:07.960
<v Speaker 2>It'd be fun.

0:34:09.360 --> 0:34:11.920
<v Speaker 1>Well, maybe if you start the dancing like I suggested,

0:34:13.719 --> 0:34:15.560
<v Speaker 1>Well when you pole dance, which I know you will,

0:34:18.200 --> 0:34:20.480
<v Speaker 1>there are inevitable there are moments in movies like that,

0:34:20.600 --> 0:34:21.120
<v Speaker 1>so pale.

0:34:21.600 --> 0:34:24.400
<v Speaker 2>Imagine me under those lights. You would be brighter than

0:34:24.400 --> 0:34:27.080
<v Speaker 2>people would go blind, brighter than ever. You're like, they

0:34:27.080 --> 0:34:29.320
<v Speaker 2>wouldn't be able to tip because they can't see anything.

0:34:31.480 --> 0:34:34.440
<v Speaker 1>She's like a new color. She's the absence of.

0:34:36.040 --> 0:34:36.640
<v Speaker 2>Where is she?

0:34:40.480 --> 0:34:42.560
<v Speaker 1>There are some things in movies like this that are

0:34:42.600 --> 0:34:44.719
<v Speaker 1>made by women where there are just lines where I'm like,

0:34:44.840 --> 0:34:47.239
<v Speaker 1>I never have heard a line like that in my

0:34:47.440 --> 0:34:50.840
<v Speaker 1>entire life of watching movies, even if it's just completely simple,

0:34:50.920 --> 0:34:54.000
<v Speaker 1>like for example, they said at one point, she said,

0:34:54.560 --> 0:34:57.640
<v Speaker 1>you know I loved this time basically what you're saying

0:34:57.680 --> 0:35:00.160
<v Speaker 1>before the recession hit. I loved this time dancing. It

0:35:00.280 --> 0:35:04.600
<v Speaker 1>was so glamorous and cool. Yeah, and like I'm sure

0:35:04.600 --> 0:35:06.560
<v Speaker 1>that is exactly what it felt like, you know, like

0:35:07.120 --> 0:35:10.000
<v Speaker 1>as simple as that, we're just girls out here. It

0:35:10.080 --> 0:35:13.439
<v Speaker 1>was so glamorous and cool. It felt great. I'd never

0:35:13.520 --> 0:35:15.960
<v Speaker 1>hear that in a sex movie by a man.

0:35:17.080 --> 0:35:21.000
<v Speaker 2>You know what I mean? Yes, totally, like they're like,

0:35:21.040 --> 0:35:24.480
<v Speaker 2>we were banging broads right and left. We had a

0:35:24.480 --> 0:35:28.200
<v Speaker 2>boner every day.

0:35:28.200 --> 0:35:30.680
<v Speaker 1>I had a boner every day.

0:35:31.760 --> 0:35:35.680
<v Speaker 2>Badge for the line I'm really blown away by your penmanship. Seriously,

0:35:35.760 --> 0:35:38.800
<v Speaker 2>you could be a fond. I loved a that line

0:35:38.840 --> 0:35:43.120
<v Speaker 2>and b that concept turning your own handwriting into a fond.

0:35:43.560 --> 0:35:44.160
<v Speaker 2>I want to do that.

0:35:44.239 --> 0:35:45.160
<v Speaker 1>I've never heard of that before.

0:35:45.200 --> 0:35:46.759
<v Speaker 2>Why aren't we doing That's a new thing.

0:35:46.800 --> 0:35:52.480
<v Speaker 1>I learned. Badge for the dances some of the Jalob

0:35:52.560 --> 0:35:55.360
<v Speaker 1>does her dance My job, My god, my mouth was

0:35:55.560 --> 0:35:56.280
<v Speaker 1>I was a gape.

0:35:56.320 --> 0:35:57.920
<v Speaker 2>My mouth was a gap. I couldn't believe it. I

0:35:58.000 --> 0:36:01.399
<v Speaker 2>just couldn't believe it. A badge for the stock market crash.

0:36:01.760 --> 0:36:07.759
<v Speaker 2>Hear me out, Okay. I was excited because it was

0:36:07.840 --> 0:36:11.360
<v Speaker 2>a historical context. This suddenly became a work of historical fiction,

0:36:12.239 --> 0:36:15.640
<v Speaker 2>and I said, oh my god, that's right. Of course

0:36:15.680 --> 0:36:18.880
<v Speaker 2>this will have massive ramifications for the plot of this film,

0:36:19.520 --> 0:36:20.600
<v Speaker 2>this historical event.

0:36:20.719 --> 0:36:21.640
<v Speaker 1>I had no idea that's what this.

0:36:21.880 --> 0:36:23.359
<v Speaker 2>Yeah, when that happened, I didn't know what was going

0:36:23.640 --> 0:36:24.080
<v Speaker 2>at all.

0:36:24.360 --> 0:36:26.759
<v Speaker 1>And then I was like, oh, go learn something. Love

0:36:27.360 --> 0:36:29.960
<v Speaker 1>Badge for all the microphone stuff they did because it

0:36:30.000 --> 0:36:32.000
<v Speaker 1>was a reporter and a magazine.

0:36:32.320 --> 0:36:35.440
<v Speaker 2>L yeah, yeah, that was cool, like sound design.

0:36:35.239 --> 0:36:37.960
<v Speaker 1>And stuff like when they turn off the mic you

0:36:38.000 --> 0:36:39.439
<v Speaker 1>can't hear it for a while, or when she's wearing

0:36:39.440 --> 0:36:39.840
<v Speaker 1>the wire.

0:36:40.000 --> 0:36:44.839
<v Speaker 2>Oh yes, yes, Oh could you bring the drugs? Shut up?

0:36:45.840 --> 0:36:47.840
<v Speaker 2>Oh a badge for do you need to get that?

0:36:48.480 --> 0:36:54.200
<v Speaker 2>About a baby? Is so funny, that's so you. Yeah

0:36:54.239 --> 0:36:57.640
<v Speaker 2>it is. There's a baby making sounds. Do you need

0:36:57.719 --> 0:36:58.799
<v Speaker 2>to do? You need to get that.

0:36:59.000 --> 0:37:02.960
<v Speaker 1>Badge for a Besties movie? This is my next.

0:37:02.719 --> 0:37:05.320
<v Speaker 2>Badge is female friendship is so important.

0:37:05.840 --> 0:37:10.560
<v Speaker 1>It's like you can always stay with us because I

0:37:10.600 --> 0:37:10.960
<v Speaker 1>loved her.

0:37:12.840 --> 0:37:16.200
<v Speaker 2>There was so much care being taken of others. Yep.

0:37:17.080 --> 0:37:19.319
<v Speaker 1>Yeah, their family photo when they're all doing Christmas together.

0:37:19.360 --> 0:37:22.839
<v Speaker 1>Come on, stop Badge for I loved the last line

0:37:22.840 --> 0:37:23.440
<v Speaker 1>of this movie.

0:37:23.680 --> 0:37:25.640
<v Speaker 2>Oh, yes, did you write it down? Because I know

0:37:25.680 --> 0:37:27.160
<v Speaker 2>I loved it and I can't remember it at all.

0:37:27.440 --> 0:37:29.800
<v Speaker 1>Let's see Jayla's talking about how the world is like

0:37:29.800 --> 0:37:32.040
<v Speaker 1>a strip club. Strip club. She said, it's all a

0:37:32.040 --> 0:37:34.560
<v Speaker 1>strip club. You have people tossing the money and the

0:37:34.560 --> 0:37:39.279
<v Speaker 1>people doing the dance. That is so true. That is

0:37:39.320 --> 0:37:42.480
<v Speaker 1>so true. M Oh my gosh. Right now when nobody

0:37:42.480 --> 0:37:45.480
<v Speaker 1>can figure out how to make money and get a

0:37:45.560 --> 0:37:48.600
<v Speaker 1>job and economy, and there's this weird attention culture and

0:37:48.640 --> 0:37:50.160
<v Speaker 1>we can't figure out if art is just to get

0:37:50.560 --> 0:37:52.400
<v Speaker 1>to distract people or if it's supposed to move you.

0:37:53.360 --> 0:37:56.160
<v Speaker 2>Yes, I should just send you a song. I have

0:37:56.160 --> 0:37:57.399
<v Speaker 2>to send you a song I've heard this week.

0:37:57.400 --> 0:37:59.480
<v Speaker 1>Oh my gosh, I want to hear it.

0:37:59.680 --> 0:38:02.640
<v Speaker 2>My next badge is Constance wu Is doing a really

0:38:02.719 --> 0:38:07.319
<v Speaker 2>good job. Yes, oh my gosh. The acting, especially in

0:38:07.360 --> 0:38:09.080
<v Speaker 2>these interview scenes, she was so good.

0:38:09.320 --> 0:38:14.480
<v Speaker 1>Yeah. I loved her. I loved her. Everybody in this

0:38:14.560 --> 0:38:20.880
<v Speaker 1>movie was so gorgeous. Oh, I guess my final badge

0:38:20.920 --> 0:38:25.120
<v Speaker 1>is for the end dance at the very end. This

0:38:25.160 --> 0:38:26.600
<v Speaker 1>is also how you can tell it's me about a girl.

0:38:26.640 --> 0:38:31.000
<v Speaker 1>At the very end, they're like okay girls, and they

0:38:31.040 --> 0:38:32.440
<v Speaker 1>just all do a dance together at the very end

0:38:32.440 --> 0:38:34.000
<v Speaker 1>because they were friends that movie.

0:38:34.040 --> 0:38:36.080
<v Speaker 2>I thought it was gonna be them at the club,

0:38:36.800 --> 0:38:39.239
<v Speaker 2>like dancing in their club costume.

0:38:39.360 --> 0:38:41.160
<v Speaker 1>Me too, but they were just at home. They're at

0:38:41.160 --> 0:38:43.320
<v Speaker 1>home in their clothes.

0:38:44.280 --> 0:38:45.000
<v Speaker 2>Oh my god. Women.

0:38:45.239 --> 0:38:48.759
<v Speaker 1>The movie ends with first, you know, they're thinking about like, yeah,

0:38:48.760 --> 0:38:50.560
<v Speaker 1>these women got punished, but then it shows like it

0:38:50.560 --> 0:38:53.040
<v Speaker 1>does a whole pan across all these men just watching

0:38:53.080 --> 0:38:55.560
<v Speaker 1>these women dance and just like makes you think about

0:38:55.600 --> 0:38:58.080
<v Speaker 1>like what but what is this and all the power

0:38:58.120 --> 0:39:02.440
<v Speaker 1>that men have or think they have for power dynamics

0:39:02.440 --> 0:39:05.160
<v Speaker 1>in our in our world. And then and then Jaylo

0:39:05.239 --> 0:39:07.359
<v Speaker 1>hits it with the best last line ever and then

0:39:07.440 --> 0:39:11.680
<v Speaker 1>they do a dance together. I'm sorry, Triple Threat perfect.

0:39:13.120 --> 0:39:15.279
<v Speaker 2>Yeah, my last badge is Jlo is so good in.

0:39:15.239 --> 0:39:18.799
<v Speaker 1>This I'm sorry. She was amazing. I oh my god,

0:39:18.960 --> 0:39:23.879
<v Speaker 1>had no idea. I completely get the hype and I

0:39:23.960 --> 0:39:24.319
<v Speaker 1>love her.

0:39:24.960 --> 0:39:26.799
<v Speaker 2>Mm hmmm mm hmm.

0:39:28.560 --> 0:39:29.040
<v Speaker 1>Trages.

0:39:30.040 --> 0:39:33.759
<v Speaker 2>Trag is a trage for people with penises. Must be

0:39:33.840 --> 0:39:39.400
<v Speaker 2>so embarrassed, please say more. Oh my god.

0:39:39.760 --> 0:39:40.200
<v Speaker 4>I just.

0:39:42.120 --> 0:39:47.200
<v Speaker 2>Men having the world built for and by and around

0:39:47.280 --> 0:39:54.759
<v Speaker 2>them and creating this culture, like yes, people have reclaimed

0:39:55.760 --> 0:40:00.520
<v Speaker 2>dancing at clubs and pole dancing. Yeah, but but also

0:40:00.960 --> 0:40:04.879
<v Speaker 2>it is an invention of the patriarchy so very much,

0:40:05.000 --> 0:40:06.880
<v Speaker 2>and it's the biggest boner of all.

0:40:07.520 --> 0:40:11.520
<v Speaker 1>The biggest boner the patriarchy.

0:40:12.360 --> 0:40:17.400
<v Speaker 2>And just yeah, and I know that men, like the

0:40:17.440 --> 0:40:20.360
<v Speaker 2>behavior of men that was exhibited in this movie still

0:40:20.920 --> 0:40:24.799
<v Speaker 2>rampantly exists totally in real life. And see why are

0:40:24.880 --> 0:40:25.720
<v Speaker 2>you not in bars?

0:40:25.840 --> 0:40:29.040
<v Speaker 1>At some point you get mad because you're like before

0:40:29.080 --> 0:40:34.480
<v Speaker 1>there was at least this like contract between the dancers

0:40:34.520 --> 0:40:36.360
<v Speaker 1>and the people there, and like they'll give money for

0:40:36.400 --> 0:40:38.480
<v Speaker 1>you dancing for them in this way, but there was

0:40:38.520 --> 0:40:41.120
<v Speaker 1>like that boundary and then that those boundaries kind of

0:40:41.120 --> 0:40:45.880
<v Speaker 1>crashed down when people were desperate in the recession. And yeah,

0:40:46.560 --> 0:40:48.560
<v Speaker 1>I don't know, but yeah, exactly like you said, like

0:40:48.560 --> 0:40:53.040
<v Speaker 1>people have reclaimed it, but it's catering to this disgusting Yeah,

0:40:53.080 --> 0:40:55.719
<v Speaker 1>Like it's because it's meeting a need and it's powerfully

0:40:55.760 --> 0:40:58.520
<v Speaker 1>meeting a need, but that not in need a demand

0:40:58.920 --> 0:41:03.520
<v Speaker 1>that and that demand is something that is like disrespectful and.

0:41:05.280 --> 0:41:06.440
<v Speaker 2>Yeah, very patriarchal.

0:41:06.800 --> 0:41:12.040
<v Speaker 1>Anyway, trage for saying nothing as a response, I hate

0:41:12.040 --> 0:41:13.880
<v Speaker 1>this in any movie, and every movie does it because

0:41:13.920 --> 0:41:16.600
<v Speaker 1>movies are trying to save time. But there were at

0:41:16.680 --> 0:41:19.720
<v Speaker 1>least one moment. There's at least one moment where somebody

0:41:19.760 --> 0:41:22.120
<v Speaker 1>asks something and the response is just like not to

0:41:22.200 --> 0:41:25.160
<v Speaker 1>respond and they figure out what they mean. But never

0:41:25.160 --> 0:41:27.120
<v Speaker 1>have I been talking to a friend and I'm like, so,

0:41:27.560 --> 0:41:29.319
<v Speaker 1>how did it go? And they say nothing and look

0:41:29.320 --> 0:41:29.960
<v Speaker 1>at me, and I go.

0:41:30.160 --> 0:41:31.680
<v Speaker 2>No, why did they tell me?

0:41:35.600 --> 0:41:37.480
<v Speaker 1>I would be like, I would be.

0:41:37.440 --> 0:41:40.240
<v Speaker 2>Like, what huh what happened?

0:41:40.920 --> 0:41:41.160
<v Speaker 5>Wait?

0:41:41.200 --> 0:41:43.160
<v Speaker 2>What tell me specifically what happened?

0:41:44.200 --> 0:41:45.719
<v Speaker 1>But anyway, it's a movie, so you know.

0:41:46.560 --> 0:41:52.720
<v Speaker 2>Yeah, trage for this Little Purse seems inconvenient with Destiny

0:41:52.719 --> 0:41:55.760
<v Speaker 2>always has a tiny little purse with her at the club,

0:41:56.200 --> 0:41:58.040
<v Speaker 2>and I think it's where she keeps the cash that

0:41:58.080 --> 0:42:01.920
<v Speaker 2>she makes. Uh huh, but that's gonna fall off your shoulder.

0:42:02.719 --> 0:42:07.440
<v Speaker 1>Wow, I didn't notice that. God, I love her. Oh

0:42:07.480 --> 0:42:13.000
<v Speaker 1>my final trage. Yeah, though hopefully you covered trages about

0:42:13.000 --> 0:42:14.640
<v Speaker 1>the drugging and things, because I didn't write it down.

0:42:15.239 --> 0:42:23.279
<v Speaker 1>But trag for trage for Jlo's flat hair in the

0:42:23.320 --> 0:42:25.879
<v Speaker 1>final scene they do to make it look like time

0:42:25.920 --> 0:42:29.480
<v Speaker 1>has passed. This whole movie is so gorgeous, and then

0:42:29.480 --> 0:42:33.120
<v Speaker 1>they make it just so flat. On her head. She's

0:42:33.200 --> 0:42:36.839
<v Speaker 1>working in an office. Now, it was so cruel. Why

0:42:36.920 --> 0:42:37.520
<v Speaker 1>you gotta do that?

0:42:38.160 --> 0:42:41.960
<v Speaker 2>Offices do flatten your hair along with your spirit. It

0:42:42.080 --> 0:42:47.080
<v Speaker 2>is true, looks worse than after a day at the office.

0:42:47.200 --> 0:42:48.080
<v Speaker 1>It just does something.

0:42:48.120 --> 0:42:50.200
<v Speaker 2>I look so ugly there. I don't know what happens.

0:42:51.760 --> 0:42:54.680
<v Speaker 2>My final trag is trage for not as fun as

0:42:54.680 --> 0:42:58.359
<v Speaker 2>a heist movie, because I thought it was just gonna

0:42:58.400 --> 0:43:02.239
<v Speaker 2>be like Shenanigan, Yeah, and like getting one over on

0:43:02.880 --> 0:43:07.920
<v Speaker 2>these these powerful, yeah misogynists, and it was, but then

0:43:07.960 --> 0:43:12.920
<v Speaker 2>it also was drugging people and taking away their bodily autonomy,

0:43:12.960 --> 0:43:13.120
<v Speaker 2>and I.

0:43:13.200 --> 0:43:18.200
<v Speaker 1>Was like, ah yeah, and also yeah, it's hard to

0:43:18.200 --> 0:43:22.560
<v Speaker 1>watch them get sloppier and and go for people who

0:43:23.120 --> 0:43:25.680
<v Speaker 1>not deserve it less but are less like inclined to

0:43:25.719 --> 0:43:29.759
<v Speaker 1>even be partying with them in that way because before

0:43:29.760 --> 0:43:31.000
<v Speaker 1>they're like, these are the people who are going to

0:43:31.040 --> 0:43:33.040
<v Speaker 1>get like so drunk that it feels like it's basically

0:43:33.120 --> 0:43:35.719
<v Speaker 1>the same thing, which again is still completely wrong. But

0:43:37.040 --> 0:43:39.279
<v Speaker 1>the logic, I mean, it's like anything where you're making

0:43:39.280 --> 0:43:40.840
<v Speaker 1>money or you know you're doing something wrong, where it

0:43:40.960 --> 0:43:43.360
<v Speaker 1>just the boundaries, it the slope it.

0:43:43.440 --> 0:43:53.839
<v Speaker 2>Slips mm hm, oh, yes, let's let's dance into our

0:43:53.840 --> 0:43:56.920
<v Speaker 2>next segment. How to pretend you've seen this film? This

0:43:57.120 --> 0:44:09.319
<v Speaker 2>is for you are oh, you are seeing Usher uh

0:44:09.360 --> 0:44:14.120
<v Speaker 2>huh in concert and you are dancing and living, laughing

0:44:14.160 --> 0:44:20.399
<v Speaker 2>and loving it up. And and Doug was like nice, right?

0:44:22.920 --> 0:44:26.320
<v Speaker 2>Was there like a Brian or something? God another badge

0:44:26.360 --> 0:44:28.960
<v Speaker 2>that I can't remember a name of a single man

0:44:29.040 --> 0:44:29.640
<v Speaker 2>in the film.

0:44:29.880 --> 0:44:32.200
<v Speaker 1>I can't remember any of them.

0:44:32.480 --> 0:44:38.040
<v Speaker 2>I love that well. I guess Doug.

0:44:38.160 --> 0:44:43.279
<v Speaker 1>Sorry, Doug comes on you. You dance good, you could

0:44:43.320 --> 0:44:44.279
<v Speaker 1>strip you know you?

0:44:45.320 --> 0:44:46.840
<v Speaker 2>Oh okay?

0:44:49.080 --> 0:44:49.960
<v Speaker 1>And you say what.

0:44:54.400 --> 0:44:57.680
<v Speaker 2>And in order to kick Doug with a six inch heel,

0:44:58.160 --> 0:45:03.439
<v Speaker 2>a six inch platform stiletto right in the chest. We're

0:45:03.480 --> 0:45:05.680
<v Speaker 2>gonna give you He didn't even bring up the film,

0:45:05.800 --> 0:45:08.120
<v Speaker 2>but we're just we're going right to it because that

0:45:08.200 --> 0:45:10.840
<v Speaker 2>was crazy. We're gonna give you a few sentences you

0:45:10.880 --> 0:45:15.480
<v Speaker 2>can say to inform Doug. You have seen the film Hustlers.

0:45:16.960 --> 0:45:21.320
<v Speaker 2>Doug A, I've seen the film Hustlers and b my penship,

0:45:21.520 --> 0:45:23.960
<v Speaker 2>my penmanship is so good it could be a font.

0:45:24.280 --> 0:45:26.040
<v Speaker 2>So I don't need to be talking to you right

0:45:26.080 --> 0:45:28.759
<v Speaker 2>now or ever.

0:45:31.320 --> 0:45:34.560
<v Speaker 1>Yes, Doug, I have seen the film. I can never

0:45:34.600 --> 0:45:36.799
<v Speaker 1>remember the name of the movie would have said this. Yes, Doug,

0:45:36.880 --> 0:45:41.719
<v Speaker 1>I have seen the film Hustlers. Fun fact. Uh the

0:45:41.760 --> 0:45:46.839
<v Speaker 1>writer and director uh Loreen Skafaria. I think Lauren sure

0:45:47.000 --> 0:45:51.200
<v Speaker 1>Loraine Loraine Stafaria. She wrote Usher into the script but

0:45:51.280 --> 0:45:54.120
<v Speaker 1>wasn't sure to be interested. But happily he was interested

0:45:54.560 --> 0:45:57.439
<v Speaker 1>and even brought his own chain shades and jacket from

0:45:57.440 --> 0:45:58.799
<v Speaker 1>that era to the scene.

0:45:59.239 --> 0:45:59.960
<v Speaker 2>Isn't that cute?

0:46:00.440 --> 0:46:02.480
<v Speaker 1>I'm gonna bring a few thousand and seven clothes.

0:46:02.600 --> 0:46:08.320
<v Speaker 2>Oh my god, it's so cute. Oh Usher, ah Ussuerre.

0:46:09.360 --> 0:46:13.560
<v Speaker 2>I love that, Doug. I've seen Hustlers and there is

0:46:13.640 --> 0:46:17.319
<v Speaker 2>a scene in it that is so goddamn real, which

0:46:17.360 --> 0:46:20.560
<v Speaker 2>is when Destiny is at a job interview and she says,

0:46:21.239 --> 0:46:25.759
<v Speaker 2>how am I supposed to get experience without having experienced?

0:46:26.120 --> 0:46:28.560
<v Speaker 2>My god, because that was a free job in the world.

0:46:29.360 --> 0:46:31.799
<v Speaker 2>During the interview process, says well, have you done this

0:46:31.840 --> 0:46:34.919
<v Speaker 2>specific job before, because we're only looking for someone who's

0:46:34.960 --> 0:46:37.640
<v Speaker 2>done this specific job before. And you're like, how am

0:46:37.640 --> 0:46:40.960
<v Speaker 2>I supposed to have done this specific job before? If

0:46:41.000 --> 0:46:44.200
<v Speaker 2>you won't give me this specific job, that was because

0:46:44.239 --> 0:46:45.280
<v Speaker 2>I haven't done it before?

0:46:45.400 --> 0:46:52.480
<v Speaker 1>Triggering? Who that is so triggering? Yes, Doug, I have

0:46:52.600 --> 0:46:56.160
<v Speaker 1>seen the film Hustlers. This film was shot in only

0:46:56.200 --> 0:46:59.440
<v Speaker 1>twenty nine days and was a pretty low budget film. Whoa,

0:47:00.000 --> 0:47:01.560
<v Speaker 1>I didn't have known any of that. It was really

0:47:01.600 --> 0:47:04.480
<v Speaker 1>really good and like, oh my god, they did an

0:47:04.520 --> 0:47:05.240
<v Speaker 1>amazing job.

0:47:05.840 --> 0:47:07.680
<v Speaker 2>Wow, sleigh.

0:47:09.040 --> 0:47:11.120
<v Speaker 1>It seems like movies made by women are often really

0:47:11.120 --> 0:47:11.759
<v Speaker 1>fun to make.

0:47:13.600 --> 0:47:17.919
<v Speaker 2>Yeah, h Doug tries to sidle up to me during

0:47:17.960 --> 0:47:21.760
<v Speaker 2>the Usher Content concert, and I turned to my girly

0:47:21.840 --> 0:47:23.600
<v Speaker 2>pal next to me and I say, I look at

0:47:23.920 --> 0:47:26.560
<v Speaker 2>I gesture I not over to Doug, and I say, oh,

0:47:26.600 --> 0:47:36.920
<v Speaker 2>what a boob? What a boob? What a boob? What

0:47:37.080 --> 0:47:40.799
<v Speaker 2>a boob? In movies made by men, when they say that,

0:47:40.840 --> 0:47:45.439
<v Speaker 2>they're talking about a literal boob. But in movies made

0:47:45.440 --> 0:47:47.440
<v Speaker 2>by women, when they say what a boob, they're talking

0:47:47.480 --> 0:47:48.359
<v Speaker 2>about idiot men.

0:47:53.440 --> 0:48:01.160
<v Speaker 1>This is the funniest fact. This is such a fraught fact.

0:48:02.080 --> 0:48:08.560
<v Speaker 1>M Yes, yes, Doug, I have seen the film Hustlers.

0:48:09.040 --> 0:48:19.160
<v Speaker 1>Apparently Martin Scorsese passed on directing the film, okay. Lorene

0:48:19.160 --> 0:48:21.160
<v Speaker 1>Scafario wrote this movie though, and she also directed it,

0:48:21.160 --> 0:48:22.400
<v Speaker 1>so I don't know if she was like, maybe this

0:48:22.480 --> 0:48:24.960
<v Speaker 1>guy should direct it, right, I don't know how that happened,

0:48:24.960 --> 0:48:27.520
<v Speaker 1>but all I can say is, thank god, this is

0:48:27.560 --> 0:48:29.839
<v Speaker 1>not the movie for him.

0:48:30.160 --> 0:48:32.239
<v Speaker 2>I don't know. I'm trembling with the weight of that.

0:48:32.360 --> 0:48:38.000
<v Speaker 2>I need to find Wow, isn't it would be I

0:48:38.040 --> 0:48:42.680
<v Speaker 2>would watch a sketch, comedy sketch. I would watch a

0:48:42.719 --> 0:48:48.439
<v Speaker 2>comedy sketch that's Scorsese's cut of Hustlers, because it would

0:48:48.480 --> 0:48:54.160
<v Speaker 2>be so absurd. That is so fun and annoying. Yeah, okay,

0:48:54.120 --> 0:48:56.520
<v Speaker 2>but they'll just have like a giant Italian meal at

0:48:56.520 --> 0:48:56.960
<v Speaker 2>some point.

0:48:57.840 --> 0:49:01.239
<v Speaker 1>Uh huh. I think it was. That's so true. I

0:49:01.239 --> 0:49:03.920
<v Speaker 1>think it's because like it was one of those fast paced,

0:49:03.960 --> 0:49:06.600
<v Speaker 1>like trying to talk about a certain era. So they're

0:49:06.640 --> 0:49:08.319
<v Speaker 1>kind of doing yeah Fellas, They're like, what if.

0:49:08.239 --> 0:49:11.040
<v Speaker 2>We do that? Yeah, Goodfellas the Big Short plus Lizzo.

0:49:11.360 --> 0:49:13.799
<v Speaker 1>Yeah, and then that would have just been so much

0:49:13.840 --> 0:49:14.280
<v Speaker 1>more boob.

0:49:14.400 --> 0:49:17.799
<v Speaker 2>I'm so happy this didn't happen. Oh, thank god, I

0:49:17.800 --> 0:49:25.160
<v Speaker 2>don't want to kind that's huge glasses, Yeah, ogling with

0:49:25.239 --> 0:49:29.760
<v Speaker 2>those huge glasses. M well, Leanna.

0:49:30.360 --> 0:49:32.640
<v Speaker 1>Thankfully it was directed by a woman and we were

0:49:32.640 --> 0:49:35.399
<v Speaker 1>given this wonderful film. And for that reason, what would

0:49:35.440 --> 0:49:37.359
<v Speaker 1>you say? Would you say, Oh my god, for how

0:49:37.560 --> 0:49:39.520
<v Speaker 1>uh for should you watch this? Or do you think

0:49:39.520 --> 0:49:41.319
<v Speaker 1>we should watch this shelter. If you say something else

0:49:41.320 --> 0:49:41.640
<v Speaker 1>with your.

0:49:41.840 --> 0:49:46.600
<v Speaker 2>Yes, girlies, have a gander, you absolutely can watch the

0:49:46.600 --> 0:49:49.120
<v Speaker 2>film Hustlers. I would say, should you watch this and

0:49:49.840 --> 0:49:53.680
<v Speaker 2>watch the film Hustlers and read the New York magazine

0:49:53.719 --> 0:49:55.399
<v Speaker 2>piece that it's inspired by.

0:49:55.480 --> 0:49:56.120
<v Speaker 1>Did you read it?

0:49:56.640 --> 0:50:00.799
<v Speaker 2>I did? After watching the movie, I said, what? And

0:50:00.840 --> 0:50:06.720
<v Speaker 2>it's so much of it is like verbatim in that article.

0:50:07.200 --> 0:50:10.520
<v Speaker 2>Oh my gosh, so many lines that they say out

0:50:10.560 --> 0:50:14.440
<v Speaker 2>loud in the film came from real life things that

0:50:14.480 --> 0:50:17.279
<v Speaker 2>people real life said. Oh my gosh. It was really

0:50:17.320 --> 0:50:19.080
<v Speaker 2>it was very interesting. Wow. What would you say?

0:50:20.000 --> 0:50:22.960
<v Speaker 1>Yes? I would also say, go ahead and watch this film.

0:50:23.040 --> 0:50:25.719
<v Speaker 1>I really really enjoyed it. I learned so much. I

0:50:25.719 --> 0:50:30.600
<v Speaker 1>thought it was very respectfully directed, and there's a lot

0:50:30.640 --> 0:50:35.360
<v Speaker 1>of respectful thought put into it. You know, there's like

0:50:36.040 --> 0:50:40.160
<v Speaker 1>if you feel it's very nuanced and I don't know,

0:50:40.320 --> 0:50:42.320
<v Speaker 1>it struck an amazing tone.

0:50:42.480 --> 0:50:43.600
<v Speaker 2>Yeah, it was.

0:50:43.760 --> 0:50:45.640
<v Speaker 1>It was quite artful. I just it was really good

0:50:45.640 --> 0:50:47.919
<v Speaker 1>and it was really good. I loved it. You should

0:50:47.960 --> 0:50:50.040
<v Speaker 1>watch it. Yeah, I had no idea I would love

0:50:50.040 --> 0:50:52.359
<v Speaker 1>it so much. I thought it was gonna be sort

0:50:52.400 --> 0:50:56.799
<v Speaker 1>of more just like fun and unserious. Yeah, just based

0:50:56.800 --> 0:50:58.040
<v Speaker 1>on the promos I saw at the time. I knew

0:50:58.080 --> 0:51:02.080
<v Speaker 1>nothing about it. Hm, but it's it's it's like The

0:51:02.120 --> 0:51:06.920
<v Speaker 1>Big Short. It's like it's like The Big Short plus Lozzo.

0:51:07.400 --> 0:51:09.920
<v Speaker 2>And Cardi B and Kiki Palmer. Yeah, oh my god.

0:51:10.360 --> 0:51:13.719
<v Speaker 1>Jennifer Lopez, Leonna, what would you rate the film Hustlers?

0:51:14.800 --> 0:51:17.160
<v Speaker 2>You know, I think I'm gonna give this movie five

0:51:17.440 --> 0:51:22.120
<v Speaker 2>gross little bugs out of five. I think I am.

0:51:22.239 --> 0:51:24.480
<v Speaker 2>I was gonna do four point five because the drugging

0:51:24.600 --> 0:51:27.560
<v Speaker 2>makes me so uncomfortable. But that's literally part of the

0:51:27.600 --> 0:51:31.799
<v Speaker 2>story and it's what happened in real life, and they

0:51:31.840 --> 0:51:35.040
<v Speaker 2>don't they don't glorify it in the movie.

0:51:35.880 --> 0:51:38.520
<v Speaker 1>That's totally It's not like a heist movie where like,

0:51:38.560 --> 0:51:40.400
<v Speaker 1>hah ha, we drugged these silly boys.

0:51:40.800 --> 0:51:50.040
<v Speaker 2>Yeah, yeah, yeah, Sienna, how would you rate to the film?

0:51:50.400 --> 0:51:56.399
<v Speaker 1>I too would rate the film five j Lo's out

0:51:56.400 --> 0:51:58.400
<v Speaker 1>of five. I'm sorry she's laid.

0:51:59.040 --> 0:52:00.640
<v Speaker 2>Yes she I Yeah.

0:52:01.080 --> 0:52:02.920
<v Speaker 1>I had a great time. I thought it was a

0:52:03.000 --> 0:52:05.799
<v Speaker 1>kay lovely movie. I'm so happy we watched it. I

0:52:05.800 --> 0:52:10.359
<v Speaker 1>had no idea. Honestly, what a winner.

0:52:10.680 --> 0:52:12.359
<v Speaker 2>What a winner. I would watch it again.

0:52:12.560 --> 0:52:16.759
<v Speaker 1>I would watch it again too. Yeah. Easily when she

0:52:16.760 --> 0:52:18.279
<v Speaker 1>takes her kid to school and she has blood on

0:52:18.320 --> 0:52:18.960
<v Speaker 1>her shirt.

0:52:18.760 --> 0:52:23.120
<v Speaker 2>And my god, that's sequence. And did you notice how

0:52:23.160 --> 0:52:24.840
<v Speaker 2>there's no music that entire time.

0:52:24.920 --> 0:52:25.560
<v Speaker 1>I don't know why.

0:52:25.640 --> 0:52:27.560
<v Speaker 2>She was just going through like the stress of like

0:52:27.640 --> 0:52:28.560
<v Speaker 2>motherhood exactly.

0:52:28.640 --> 0:52:30.520
<v Speaker 1>It just felt like a stressful day of being a girl.

0:52:30.680 --> 0:52:31.400
<v Speaker 1>Just worked.

0:52:31.880 --> 0:52:37.319
<v Speaker 2>It worked so well. Scorse Goodfellas try it with his

0:52:37.440 --> 0:52:40.319
<v Speaker 2>chaotic last day, but it doesn't like this. Actually I

0:52:40.320 --> 0:52:41.280
<v Speaker 2>thought that did it better.

0:52:42.120 --> 0:52:43.520
<v Speaker 1>I absolutely think it was better.

0:52:45.040 --> 0:52:48.600
<v Speaker 2>But that specific sequence, you know, like because in Goodfellas

0:52:48.640 --> 0:52:50.360
<v Speaker 2>he's like, oh my god, this day like was non

0:52:50.400 --> 0:52:53.359
<v Speaker 2>stopping crazy. But they're doing it very like over the

0:52:53.400 --> 0:52:57.160
<v Speaker 2>top music, great narration whatever, whereas this is like there's

0:52:57.200 --> 0:52:59.279
<v Speaker 2>no narration, there's no music. You're just seeing her like

0:52:59.360 --> 0:53:01.560
<v Speaker 2>have to go. You can be a mom.

0:53:01.360 --> 0:53:03.719
<v Speaker 1>Feel her stress too, because you're like, yeah, there's her kid,

0:53:07.280 --> 0:53:09.359
<v Speaker 1>she has to get her kid to school after all this.

0:53:10.280 --> 0:53:14.600
<v Speaker 2>Oh my god. Anyway, what a great time. Thank you

0:53:14.800 --> 0:53:16.879
<v Speaker 2>for ya. I think you put it on here.

0:53:17.400 --> 0:53:20.279
<v Speaker 1>Okay, okay, join us next week. Oh no, we have

0:53:20.320 --> 0:53:21.840
<v Speaker 1>to do all our stuff. Well, thank you everybody so

0:53:21.920 --> 0:53:23.880
<v Speaker 1>much for listening to this episode of Toss Popcorn. We

0:53:23.880 --> 0:53:25.880
<v Speaker 1>were at toss Popcorn on Instagram. Please follow us there

0:53:25.920 --> 0:53:27.640
<v Speaker 1>we post lots of fun things. If you like fun

0:53:27.719 --> 0:53:30.360
<v Speaker 1>girly things. You can also check us out on Patreon.

0:53:30.680 --> 0:53:37.200
<v Speaker 1>We just recently posted and reposted today video of our

0:53:37.239 --> 0:53:40.480
<v Speaker 1>review of Wicked, which we know you want to hear.

0:53:40.640 --> 0:53:44.560
<v Speaker 2>Got one coming up this month about a very popular

0:53:44.840 --> 0:53:49.600
<v Speaker 2>movie that's out right now that's maybe spooky and maybe thempiric.

0:53:50.080 --> 0:53:55.160
<v Speaker 2>Mm hmmm. Blink blink blink blink, wink wink and join

0:53:55.280 --> 0:53:56.000
<v Speaker 2>us next week.

0:53:56.920 --> 0:53:59.760
<v Speaker 1>Join us next week when we will be watching Coda.

0:54:00.920 --> 0:54:12.839
<v Speaker 6>Yeah, yeah, thank you, We love you, Bye bye.

0:54:13.680 --> 0:54:16.160
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:54:16.280 --> 0:54:19.080
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:54:19.120 --> 0:54:22.280
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

0:54:22.320 --> 0:54:24.560
<v Speaker 1>so make sure to subscribe so that you don't miss

0:54:24.560 --> 0:54:28.080
<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

0:54:28.160 --> 0:54:31.160
<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app.

0:54:34.680 --> 0:54:36.760
<v Speaker 1>This movie features the perfect kind of boobs.

0:54:39.000 --> 0:54:42.240
<v Speaker 2>What a boobs? What is what a boobs?

0:54:42.719 --> 0:54:44.560
<v Speaker 1>My favorite kind of boob? What a boobs?

0:54:44.640 --> 0:54:46.160
<v Speaker 2>What a What a boob?