WEBVTT - Episode 453 | THE MAL-OFF

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<v Speaker 1>No, all right more, I figured for this episode. We

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<v Speaker 1>just we just we get a much needed break. Yeah,

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<v Speaker 1>and just io right over there, babyd what's up?

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<v Speaker 2>How you feeling?

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<v Speaker 3>I feel amazing.

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<v Speaker 4>You look amazing, Thank you so much. It's a different

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<v Speaker 4>glow to me, it is. I've been inspired.

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<v Speaker 5>Yeah.

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<v Speaker 6>I thought it was the light.

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<v Speaker 2>No, it's not me.

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<v Speaker 6>No, he didn't change the color on that light.

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<v Speaker 3>But so, I mean it's natural, god given.

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<v Speaker 2>No.

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<v Speaker 6>See, baby looked good.

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<v Speaker 2>Yeah, you know, thank you? Rap god giving?

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<v Speaker 3>Yeah, rap, god given.

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<v Speaker 2>How y'all feeling, Man, how was y'all weekend? It was good?

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<v Speaker 2>Did y'all watch the super Bowl? Most boring super Bowl

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<v Speaker 2>at all time?

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<v Speaker 6>Don't do that. See that's the problem.

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<v Speaker 2>People can't say it's the most boring because then if

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<v Speaker 2>it's a game where both teams score forty points and

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<v Speaker 2>you're like, yo, nobody plays defense, And because it's a

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<v Speaker 2>defensive super Bowl, people call it boring. No.

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<v Speaker 6>I like super bowls when everyone scores forty points.

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<v Speaker 2>Yeah, that's how it's what I love that shit. That

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<v Speaker 2>was a good game.

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<v Speaker 6>It was with twenty nine to thirteen final score.

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<v Speaker 1>When we can start there, that score doesn't reflect the

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<v Speaker 1>ass whooping.

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<v Speaker 2>That that happened to the new Pagero. It was.

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<v Speaker 4>It was.

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<v Speaker 1>It was an like if you saw that score and

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<v Speaker 1>didn't see the game, you would think like, oh, okay,

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<v Speaker 1>what if that was a royal ash?

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<v Speaker 2>I feel like if it was five quarters though the

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<v Speaker 2>pages are the one if it was five UK gave

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<v Speaker 2>you that idea. He just started, you know what I mean,

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<v Speaker 2>he started. He didn't realize that towards the end of

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<v Speaker 2>the fourth he was like, all right, niggas start warming up.

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<v Speaker 2>At the end of the games went away just it's

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<v Speaker 2>it's a little more intense the game, even though the

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<v Speaker 2>NFL game is already fast. Though most players will say,

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<v Speaker 2>you know, the Super Bowl, the game seems to be faster,

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<v Speaker 2>you know what I'm saying, because there's so much on

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<v Speaker 2>the line. Players are more intense. Everybody's even on the field.

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<v Speaker 2>Nobody cares about next week.

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<v Speaker 6>No, I hear you. There's definitely Super Bowl jitters.

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<v Speaker 1>But when you're left tackle and left guard decided not

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<v Speaker 1>to show up to the game, I don't care how nervous.

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<v Speaker 6>They're not nervous.

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<v Speaker 2>You the offensive line, y'all could offive line. Yall could

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<v Speaker 2>have stayed on the bus with that I don't y'all

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<v Speaker 2>didn't give Drake made a chance back there to do anything.

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<v Speaker 2>How many times you got sacked?

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<v Speaker 6>Every every time? Ten something like that. Every time they

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<v Speaker 6>hiked the ball, they were in his face.

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<v Speaker 2>Oh man, shout outs to the Seattle Seahawks though for

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<v Speaker 2>winning the Super Bowl.

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<v Speaker 1>Yeah, and then made a good point. Sorry to cut

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<v Speaker 1>you off there, And I just made a good point

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<v Speaker 1>with their defense. They had like the least nationally syndicated games,

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<v Speaker 1>myself included. I don't think the world knew how good

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<v Speaker 1>Seattle's defense was.

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<v Speaker 6>No.

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<v Speaker 2>I mean, well, people that watched the NFO all year,

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<v Speaker 2>they knew exactly how this was the number two offense

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<v Speaker 2>in the league versus the number one defense. So the

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<v Speaker 2>number one defense showed up on the biggest night they did.

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<v Speaker 1>Listen, Man, that I was arguing my pops before that

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<v Speaker 1>this doesn't even compare to the Richard Sermon years lead

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<v Speaker 1>you to doom this and that. I don't know, Man,

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<v Speaker 1>might been the best defense performance I've ever seen in

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<v Speaker 1>Super Bowl history.

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<v Speaker 6>But that's up there was that's like Raisings.

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<v Speaker 2>Type shit, like I don't the Patriots just that that Listen,

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<v Speaker 2>That's what I'm saying. I don't want to take nothing

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<v Speaker 2>away from the Seahawks defense, right because obviously they are

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<v Speaker 2>number one defense for a reason. But the Patriots offensive

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<v Speaker 2>line Man I and.

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<v Speaker 1>Then Vrabels Aaron shit out with nine minutes left in

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<v Speaker 1>the fourth like it was a terribly coached game, no

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<v Speaker 1>halftime adjustice. I was like, you know what Brady was

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<v Speaker 1>gonna get in his Belichick bag.

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<v Speaker 6>They'll be all right. They came out, same game plan. Yeah.

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<v Speaker 2>I thought they were gonna sneak Brady and Drake Maysy

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<v Speaker 2>uniform at halftime because they kind of built the same

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<v Speaker 2>you know what I'm saying, built the same kind of

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<v Speaker 2>you know, if you put the Brady in the jersey,

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<v Speaker 2>keep the helmet out, you wouldn't know that's that's Brady

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<v Speaker 2>out there. Once he started throwing thathit down the field,

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<v Speaker 2>you can be like, I don't know, something looks something

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<v Speaker 2>looks different quarterback. The Seahawks played so fucking good. I

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<v Speaker 2>was like, maybe the punter should get MVP.

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<v Speaker 6>Yeah it was bad, man, it was bad from start

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<v Speaker 6>to finish.

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<v Speaker 2>But shout out to the new the New England Patriots

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<v Speaker 2>for getting there.

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<v Speaker 6>I think Drake made and the Patriots will be back yeah, yeah,

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<v Speaker 6>I was young. I still like him.

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<v Speaker 2>I still like Drake May. I think they'll make some

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<v Speaker 2>adjustments this season. But take nothing away from Seattle Seahawks.

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<v Speaker 2>They came to do what they needed to do. They

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<v Speaker 2>took care of business. Shout out to the twelves. Yeah, man,

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<v Speaker 2>and you know it was it was a good game.

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<v Speaker 6>I enjoyed it.

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<v Speaker 2>I thought I thought that the Patriots had a chance

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<v Speaker 2>when it was still like twenty two, when they when

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<v Speaker 2>they when they caught that that uh that sack that

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<v Speaker 2>turned into a pick six.

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<v Speaker 6>Yeah, that was. That was That's when you know it

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<v Speaker 6>was at that point.

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<v Speaker 2>But shout out to Seattle Seahawks on redeeming redemption. This

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<v Speaker 2>was their redemption super Bowl against the Patriots.

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<v Speaker 1>Well, I mean the Patriots threw themselves. When Malcolm Butler

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<v Speaker 1>showed up before the game to ring the bell, yeah,

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<v Speaker 1>like that pissed off the whole like Pacific Coast.

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<v Speaker 6>Yeah, why could you do that, Malcolm Butler?

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<v Speaker 2>And it felt like a home game for the Seahawks

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<v Speaker 2>clost proximity being in San Francisco to Seattle, so they.

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<v Speaker 6>Felt like they was at home.

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<v Speaker 1>Yeah, but I mean, yeah, it was a very boring

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<v Speaker 1>Super Bowl but I still I still enjoyed the game.

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<v Speaker 2>Yeah, still had moments, still had still had a good

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<v Speaker 2>time watching the game. While still with a few of

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<v Speaker 2>my friends, we went to a zero Bond Okay, okay,

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<v Speaker 2>it was at zero bon watching the game. It was cool,

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<v Speaker 2>cool little vibes. We had the whole Super Bowl vibe

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<v Speaker 2>in there. It was cool. It was a cool night.

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<v Speaker 6>Excuse me, Yeah, I was at the crib Zero Bonds.

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<v Speaker 4>Yeah please, no no bottoms at all, Zero ban say.

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<v Speaker 1>It still the same zero ban But speaking of people

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<v Speaker 1>showing up, green Day did what they were supposed to do.

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<v Speaker 1>Absolutely did their job opening up the super Bowl.

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<v Speaker 2>It's always good to see Like some of my favorite

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<v Speaker 2>like I love TRL bands, green Day came out. It

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<v Speaker 2>was just like, oh man, this is this is like

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<v Speaker 2>nostalgia nostalgia. Yeah.

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<v Speaker 1>Yeah, if you don't like Green Day, you're like the

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<v Speaker 1>type people that like hate Forrest.

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<v Speaker 2>Gump or like just just you gotta love green Nobody

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<v Speaker 2>pays Green Day.

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<v Speaker 3>I'm sure there's someone out there hates.

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<v Speaker 2>If you hate Green Day, don't want to be around

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<v Speaker 2>the person you just hate life Like green Day is.

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<v Speaker 6>Just the energy is just like fun.

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<v Speaker 2>It's like, you know, let's just have a good time,

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<v Speaker 2>like nobody's trying to be too cool. It's a green day.

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<v Speaker 2>You gotta have a good time and rock out the

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<v Speaker 2>Green Day. Yeah, yeah, No, for sure. Coco Jones did

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<v Speaker 2>amazing as well. I like the beginning of shout out

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<v Speaker 2>to Coco Jones paid homage to the great late Whitney Houston.

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<v Speaker 6>Coco did what she had to do. You know, how

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<v Speaker 6>are you?

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<v Speaker 2>Yeah, you know how we feel about Coco, like Coco

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<v Speaker 2>is one of them. I know.

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<v Speaker 1>After the second quarter hit hit zero zero zero, I know,

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<v Speaker 1>I know you turned to the turning point, uh make

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<v Speaker 1>America great again halftime show?

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<v Speaker 6>So the marriage Do you want to cover the bad Bunny.

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<v Speaker 2>Thing with me? Because I think we were the only

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<v Speaker 2>ones that watched, and we're gonna get to Kid Rock

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<v Speaker 2>Bob with the bo the bang.

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<v Speaker 6>I'm sure. I'm sure Kid Rock did his thing as well.

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<v Speaker 2>I think you think I tuned in Tournament US A

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<v Speaker 2>halftime show. You think that's what I did all Americans?

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<v Speaker 4>I think I was like, Yo, switch it over, care Rock,

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<v Speaker 4>switch it over care Rock.

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<v Speaker 2>You though, that's what I yelled out at halftime. No, yeah,

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<v Speaker 2>I promise you I did not did not watch it.

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<v Speaker 1>Well, Yeah, for those that don't know. For some reason,

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<v Speaker 1>Bad Bunny performed and it's so odd that the last

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<v Speaker 1>two years have just like divided. It's a fucking halftime show.

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<v Speaker 1>It'supposed to be for entertainment. Yeah, why is this dividing

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<v Speaker 1>the world? I didn't understand the fucking word he said either.

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<v Speaker 1>But I like this set design and it was a

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<v Speaker 1>great performance.

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<v Speaker 6>It was like four minutes of my life.

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<v Speaker 2>It really wasn't well game changing for me before of

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<v Speaker 2>the world the way they're trying to do for both sides.

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<v Speaker 1>But I enjoyed the Bad Bunny performance. It's someone that

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<v Speaker 1>doesn't typically listen to his music very often. I thought

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<v Speaker 1>he covered all basis for people that don't listen to

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<v Speaker 1>his music.

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<v Speaker 6>Like it was entertaining to watch. The set design was incredible.

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<v Speaker 1>I like the Telephone poleshit and that's really as much

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<v Speaker 1>as I have on it. Like it was cool, just cool.

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<v Speaker 1>It was a great performance. Oh, don't try to foot now.

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<v Speaker 4>I'm gonna see you found in real white right now.

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<v Speaker 4>I don't know you've been doing it.

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<v Speaker 1>I'd be the white person that never listened to Bad

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<v Speaker 1>Bunny and now thinks he's the greatest artists of all time?

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<v Speaker 1>Should be that white person and lie to you. I

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<v Speaker 1>like this, like, should I be that guy?

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<v Speaker 2>Should I be? Honestly, yesterday I didn't now go you

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<v Speaker 2>know what, he's my favorite pop star of all time? Yeah, no, no, no,

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<v Speaker 2>nobody the cool it's crazy? All right? It was cool,

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<v Speaker 2>that's what you said. It was okay this way. Why

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<v Speaker 2>are you putting negative to cool? Right?

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<v Speaker 1>I thought it was incredible set design. It was agreed,

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<v Speaker 1>and I'm sure for the people that really listen to

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<v Speaker 1>his music and love his music, which is a huge

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<v Speaker 1>group of people, it was even better. But I was

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<v Speaker 1>focused on the bushes moving and shit. I thought that

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<v Speaker 1>was whoever put the set together is incredible.

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<v Speaker 6>I love the deli.

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<v Speaker 2>Shit found a way to shout out. I love you

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<v Speaker 2>just found a way to shout out the bushes. I

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<v Speaker 2>really like when they were cutting sugar cane. That's what

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<v Speaker 2>you want me to say?

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<v Speaker 6>Huh, Let me say this.

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<v Speaker 2>I do understand how some people would be kind of

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<v Speaker 2>upset at bad.

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<v Speaker 6>Bunny performing, So just see to me, that's weird.

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<v Speaker 2>No, I do understand it because it's like, you know,

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<v Speaker 2>if they this is quote unquote you know American football

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<v Speaker 2>some people saw a lot of the players, they interviewed

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<v Speaker 2>them before the game. Never heard of Bad Bunny, never

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<v Speaker 2>heard of his music. But we understand why Bad Bunny

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<v Speaker 2>was hired. It's it's to get, you know, the people

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<v Speaker 2>to tune in around the world. It's the Latin one

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<v Speaker 2>of the biggest, if not the biggest Latin artists in

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<v Speaker 2>the world, which means a lot of people from other

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<v Speaker 2>Latin countries will tune into the halftime show. It's all

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<v Speaker 2>about ratings, It's all about getting people to watch have

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<v Speaker 2>time show. Bad Bunny is an incredible artist. You know,

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<v Speaker 2>there's nothing He's an incredible performer. We know all of

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<v Speaker 2>these things about Bad Bunny. Me personally, I loved it,

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<v Speaker 2>but again, I'm from the Bronx, I'm Puerto Rican as

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<v Speaker 2>part of who I am like I you know, I

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<v Speaker 2>enjoyed it.

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<v Speaker 6>I enjoy Bad Bunny. I understand his music.

0:09:17.000 --> 0:09:19.000
<v Speaker 2>I may understand what he's saying, but the music is

0:09:19.040 --> 0:09:22.520
<v Speaker 2>I understand the emotion of feeling the behind his music.

0:09:22.600 --> 0:09:23.920
<v Speaker 6>So I was not mad at Bad Money.

0:09:23.960 --> 0:09:27.720
<v Speaker 2>But to be fair, I do understand how some people

0:09:28.160 --> 0:09:30.600
<v Speaker 2>that you know, watch football and don't know who Bad

0:09:30.640 --> 0:09:33.240
<v Speaker 2>Bunny is, or people that was at the super Bowl

0:09:33.320 --> 0:09:35.800
<v Speaker 2>and don't know who bad Money is. I could understand

0:09:35.800 --> 0:09:37.679
<v Speaker 2>how they was like, damn Dold, we don't even know

0:09:37.760 --> 0:09:39.559
<v Speaker 2>what he's saying. We've never heard of him, never heard

0:09:39.600 --> 0:09:42.160
<v Speaker 2>his music. I can understand. You can't please everybody, but

0:09:42.240 --> 0:09:45.160
<v Speaker 2>we know that the halftime show is about getting viewership,

0:09:45.240 --> 0:09:47.760
<v Speaker 2>getting the people to tune in. It's all about Spot

0:09:48.040 --> 0:09:50.800
<v Speaker 2>getting money for the sponsorships and all of that, and

0:09:50.880 --> 0:09:52.920
<v Speaker 2>who else to do it other than which I thought.

0:09:52.920 --> 0:09:55.040
<v Speaker 2>I haven't seen the numbers, but I'm pretty sure it's

0:09:55.080 --> 0:09:55.960
<v Speaker 2>probably the most.

0:09:56.160 --> 0:09:58.800
<v Speaker 6>It's gonna be the biggest artists it has. It has

0:09:58.880 --> 0:09:59.040
<v Speaker 6>to be.

0:09:59.120 --> 0:10:01.319
<v Speaker 1>I mean, it's the American football ball. I know you're

0:10:01.400 --> 0:10:04.440
<v Speaker 1>not saying that, and I see you're saying that. If

0:10:04.840 --> 0:10:06.800
<v Speaker 1>these bad this is the list of people that are

0:10:06.880 --> 0:10:14.280
<v Speaker 1>not started from America. The selfiees I told you he

0:10:14.360 --> 0:10:16.360
<v Speaker 1>was gonna do. My ship started with my ship.

0:10:17.840 --> 0:10:20.040
<v Speaker 4>Listen to yo when you when I found out that

0:10:20.120 --> 0:10:22.000
<v Speaker 4>that song was about being a whore, I was like, Yo,

0:10:22.120 --> 0:10:24.080
<v Speaker 4>that's why that ship hate, That's why I touch your

0:10:24.120 --> 0:10:24.600
<v Speaker 4>soul right.

0:10:25.120 --> 0:10:27.319
<v Speaker 2>To your nigga listen here.

0:10:27.559 --> 0:10:29.680
<v Speaker 4>Okay, cool, I'm not This is not an attack, baby,

0:10:30.320 --> 0:10:36.200
<v Speaker 4>this is me recognizing why I got so many girlfriends.

0:10:36.240 --> 0:10:37.679
<v Speaker 4>It's like I got a lot of them, Auntie, I

0:10:37.720 --> 0:10:38.520
<v Speaker 4>got a lot of them.

0:10:39.040 --> 0:10:42.440
<v Speaker 2>I can't. Yeah, listen to listen to your home, bro,

0:10:42.480 --> 0:10:43.280
<v Speaker 2>I'm gonna break your heart.

0:10:43.360 --> 0:10:44.000
<v Speaker 3>Listen to your home.

0:10:44.600 --> 0:10:45.840
<v Speaker 2>I understand, but I do understand.

0:10:46.000 --> 0:10:48.400
<v Speaker 1>So funny why most of those people were like, he

0:10:48.559 --> 0:10:50.760
<v Speaker 1>doesn't speak English, we want to hear it, but then

0:10:50.800 --> 0:10:54.080
<v Speaker 1>also say he talks about sex, so he shouldn't be there. Yeah,

0:10:54.080 --> 0:10:55.679
<v Speaker 1>I mean, listen, man, which one is it? You do

0:10:55.800 --> 0:10:57.800
<v Speaker 1>not understand him or you understand that he's talking about sex?

0:10:57.960 --> 0:10:59.320
<v Speaker 2>Is one?

0:10:59.360 --> 0:10:59.920
<v Speaker 6>Mic, I don't get it.

0:11:00.000 --> 0:11:01.880
<v Speaker 2>I understand, but I understand how some people, you know,

0:11:02.040 --> 0:11:04.319
<v Speaker 2>die hard football fans that go bad.

0:11:04.320 --> 0:11:06.760
<v Speaker 1>I get how they are, okay, but not American super

0:11:06.800 --> 0:11:10.000
<v Speaker 1>Bowl halftime performers Phil Collins and Rick ka Iglacia's YouTube

0:11:10.200 --> 0:11:13.760
<v Speaker 1>Shania Twaine. They stay English though, Okay, but you said

0:11:13.760 --> 0:11:14.680
<v Speaker 1>it's American football.

0:11:14.720 --> 0:11:17.240
<v Speaker 6>You want an American there? Okay, Well, at.

0:11:17.200 --> 0:11:19.439
<v Speaker 2>Least people in the audience, because if Shakira watched those

0:11:19.520 --> 0:11:22.520
<v Speaker 2>that didn't know Shakira also sings in English as well.

0:11:23.160 --> 0:11:26.600
<v Speaker 1>The Weekend anytimes anytime they start talking in that that Scarborough,

0:11:26.679 --> 0:11:27.280
<v Speaker 1>Toronto's slaying.

0:11:27.280 --> 0:11:28.440
<v Speaker 6>I don't know what the fuck they'd be talking about.

0:11:28.440 --> 0:11:29.120
<v Speaker 6>It's still English.

0:11:30.360 --> 0:11:33.319
<v Speaker 2>My thing is this is this is my thing. This

0:11:33.440 --> 0:11:33.599
<v Speaker 2>is that.

0:11:33.720 --> 0:11:36.760
<v Speaker 4>That one criticism I will take, not that bad Bunny

0:11:36.800 --> 0:11:39.240
<v Speaker 4>shouldn't have performed, But when I was watching it, when

0:11:39.240 --> 0:11:41.480
<v Speaker 4>I was watching it with my father, the one thing

0:11:41.559 --> 0:11:44.040
<v Speaker 4>he said was, Hey, I would really like if they

0:11:44.120 --> 0:11:47.040
<v Speaker 4>had subtitles up here. And I can understand people who

0:11:47.080 --> 0:11:49.120
<v Speaker 4>have that complaint that they wanted they would have wanted

0:11:49.160 --> 0:11:52.319
<v Speaker 4>subtitles for what to translate what he was saying. I

0:11:52.400 --> 0:11:54.520
<v Speaker 4>feel like that was a miss on productions part.

0:11:54.800 --> 0:11:56.120
<v Speaker 2>But but I don't know.

0:11:56.720 --> 0:11:58.920
<v Speaker 1>I guess I'd have to like watch that on YouTube

0:11:59.000 --> 0:12:00.960
<v Speaker 1>or something just to see what if that translates. I've

0:12:01.000 --> 0:12:05.079
<v Speaker 1>never like read subtitles to a song before, like a

0:12:05.200 --> 0:12:07.240
<v Speaker 1>movie I have, that would be hard to keep up.

0:12:07.280 --> 0:12:10.240
<v Speaker 1>I feel like, and like the way especially I'm sure

0:12:10.320 --> 0:12:13.400
<v Speaker 1>he speaks in a dialect that may not translate the

0:12:13.440 --> 0:12:16.640
<v Speaker 1>same way to English with what he's doing, so like he.

0:12:16.640 --> 0:12:18.839
<v Speaker 4>Speaks Puerto Rican slang. Yeah, but so it would be

0:12:19.000 --> 0:12:20.640
<v Speaker 4>so tough to but it would have helped.

0:12:21.000 --> 0:12:22.719
<v Speaker 1>They could have tried, Like even if you print it

0:12:22.760 --> 0:12:25.080
<v Speaker 1>out like vibes car tell lyrics, it'd be very confusing

0:12:25.200 --> 0:12:28.640
<v Speaker 1>to try to translate them into English, and that is

0:12:28.720 --> 0:12:31.120
<v Speaker 1>broken English. Yeah, so I just don't know if I

0:12:31.280 --> 0:12:33.319
<v Speaker 1>hear them. But I don't know if keep up with

0:12:33.360 --> 0:12:34.520
<v Speaker 1>the shit, I know, I wouldn't be able.

0:12:34.400 --> 0:12:37.480
<v Speaker 4>To I had a ball. But I also have to

0:12:37.679 --> 0:12:39.160
<v Speaker 4>realize because I'm just sitting up there. Like when I

0:12:39.200 --> 0:12:40.680
<v Speaker 4>was talking to my friends who don't live in New

0:12:40.760 --> 0:12:43.600
<v Speaker 4>York City, I'm like, how are y'all not excited about BENEATHO?

0:12:43.720 --> 0:12:45.680
<v Speaker 3>And then I remember that I live in New York City.

0:12:45.760 --> 0:12:48.360
<v Speaker 4>So I hear Bad Bundy without even playing him on

0:12:48.400 --> 0:12:50.720
<v Speaker 4>my phone, Like, if you outside, you're gonna hear bad Buddy.

0:12:51.559 --> 0:12:53.000
<v Speaker 3>And a lot of people just don't.

0:12:53.559 --> 0:12:55.720
<v Speaker 2>Yeah, people don't listen to listen. We get it because

0:12:55.720 --> 0:12:57.840
<v Speaker 2>we where we're from. You know where I grew up.

0:12:57.880 --> 0:13:00.400
<v Speaker 2>I mean, I understand it. It's part of my culture.

0:13:00.440 --> 0:13:02.920
<v Speaker 2>But I can also understand being faired on the other side,

0:13:03.200 --> 0:13:06.079
<v Speaker 2>people from the South, people from the West coast that

0:13:06.200 --> 0:13:08.920
<v Speaker 2>you know, people from you know, up way up, No,

0:13:09.000 --> 0:13:11.280
<v Speaker 2>they don't. They just that's just not their thing. They

0:13:11.280 --> 0:13:14.040
<v Speaker 2>don't know about Bad Bunny like that. So I understand it.

0:13:14.120 --> 0:13:16.400
<v Speaker 2>People from the Midwest. I understand that that's not part

0:13:16.480 --> 0:13:18.600
<v Speaker 2>of They don't list they've never heard of bad bunny

0:13:18.640 --> 0:13:20.000
<v Speaker 2>songs as much as we do because we go out

0:13:20.040 --> 0:13:22.800
<v Speaker 2>and move around in New York. Some of these songs,

0:13:22.840 --> 0:13:24.880
<v Speaker 2>even though we don't know what he's saying, we know

0:13:25.040 --> 0:13:27.160
<v Speaker 2>the song. That's our shit, you know what I'm saying. So,

0:13:27.760 --> 0:13:29.880
<v Speaker 2>but I understand how some people were like, damn, could

0:13:29.920 --> 0:13:33.240
<v Speaker 2>we get something that we can understand so we can

0:13:33.440 --> 0:13:35.199
<v Speaker 2>feel like we're included and we're a part of it.

0:13:35.280 --> 0:13:38.280
<v Speaker 2>But again, we understand what the super Bowl halftime show

0:13:38.440 --> 0:13:41.000
<v Speaker 2>is about. It's not so much about the people that's

0:13:41.080 --> 0:13:43.400
<v Speaker 2>at the game. It's most about the people tuning in.

0:13:44.080 --> 0:13:46.360
<v Speaker 1>And but even the people at the game, I mean,

0:13:46.400 --> 0:13:48.559
<v Speaker 1>obviously this year they were with Erka Kirk. But it's

0:13:48.600 --> 0:13:50.800
<v Speaker 1>not the good old boys going to the super Bowl,

0:13:50.960 --> 0:13:52.839
<v Speaker 1>like you have to have a lot of money. It's

0:13:53.280 --> 0:13:55.640
<v Speaker 1>a lot of connections. Like it's not like the good

0:13:55.679 --> 0:13:57.839
<v Speaker 1>old Americans that are at the road Tide games that

0:13:57.880 --> 0:13:59.880
<v Speaker 1>are going to the super Bowl like that, that's not

0:14:00.120 --> 0:14:00.679
<v Speaker 1>really the crowd.

0:14:01.000 --> 0:14:02.600
<v Speaker 4>And like, even so, who do you think is up

0:14:02.600 --> 0:14:06.600
<v Speaker 4>the fool rich people? It's not all just rich people,

0:14:06.640 --> 0:14:07.680
<v Speaker 4>but a lot of rich people.

0:14:07.800 --> 0:14:09.680
<v Speaker 6>Yeah, you think it was a lot of Puerto Ricans there,

0:14:11.040 --> 0:14:12.679
<v Speaker 6>I don't. I don't think all Puerto Ricans are pormo.

0:14:12.800 --> 0:14:14.440
<v Speaker 2>No, I don't keep in. Do you think a lot

0:14:14.440 --> 0:14:15.719
<v Speaker 2>of Puerto Ricans with it? I don't know.

0:14:16.360 --> 0:14:19.280
<v Speaker 1>I I'm sure a lot of Puerto Ricans went because

0:14:19.280 --> 0:14:23.080
<v Speaker 1>of Bad Bunny, But I mean even that. You say that, though,

0:14:23.120 --> 0:14:27.520
<v Speaker 1>but you isolate a whole, huge demographic of NFL fans

0:14:27.560 --> 0:14:29.600
<v Speaker 1>when you have the whole there in twenty ten.

0:14:30.440 --> 0:14:33.520
<v Speaker 6>Yeah, like so, I hear what you're saying. But that happens.

0:14:33.640 --> 0:14:36.000
<v Speaker 6>That's gonna happen no matter what, because football is so popular.

0:14:36.120 --> 0:14:39.400
<v Speaker 2>Listen, if Real Madrid was in the Championship, I mean

0:14:39.520 --> 0:14:42.720
<v Speaker 2>for their Premier league, that Bunny should do the couinting

0:14:42.840 --> 0:14:43.720
<v Speaker 2>usher came out and performing.

0:14:43.720 --> 0:14:45.760
<v Speaker 6>We don't think people over there like who the fuck

0:14:45.880 --> 0:14:47.760
<v Speaker 6>is this? It would be the same thing.

0:14:48.600 --> 0:14:48.840
<v Speaker 2>We know.

0:14:48.920 --> 0:14:50.600
<v Speaker 6>I sure would be a strange choice for the Real

0:14:50.680 --> 0:14:51.240
<v Speaker 6>Madrid game.

0:14:51.440 --> 0:14:53.320
<v Speaker 2>Some people feel like Bad Bunny it was a strange

0:14:53.400 --> 0:14:55.880
<v Speaker 2>choice for the Super Bowl. That's all I'm saying. No

0:14:55.960 --> 0:14:58.240
<v Speaker 2>matter where you're from in the New World, if if

0:14:58.240 --> 0:15:02.720
<v Speaker 2>an artist is not performing in your language of the country,

0:15:03.000 --> 0:15:05.000
<v Speaker 2>like people are you can understand how people can be

0:15:05.000 --> 0:15:06.640
<v Speaker 2>like yo, fam, we don't even understand what this artist

0:15:06.680 --> 0:15:10.640
<v Speaker 2>are saying. Again, I loved it because that's part of

0:15:10.680 --> 0:15:12.880
<v Speaker 2>my culture. So you got me there.

0:15:12.960 --> 0:15:14.640
<v Speaker 6>I love I think Bad Bunny is amazing.

0:15:14.680 --> 0:15:16.960
<v Speaker 2>I think his even if you don't understand what he's saying,

0:15:18.080 --> 0:15:21.440
<v Speaker 2>just looking at that performance and then understanding the attention

0:15:21.520 --> 0:15:24.960
<v Speaker 2>of detail, you know, having you know the lady who's

0:15:25.600 --> 0:15:28.760
<v Speaker 2>one of her last, she's one of the last, like uh,

0:15:29.240 --> 0:15:32.640
<v Speaker 2>Puerto Rican owned speakeasies or like bars, and I think

0:15:32.760 --> 0:15:36.440
<v Speaker 2>in the city he had her there, had her address

0:15:36.480 --> 0:15:38.880
<v Speaker 2>on it. This is you know how many you know

0:15:38.880 --> 0:15:41.560
<v Speaker 2>how many people like it? That's gonna just pull up

0:15:41.600 --> 0:15:45.120
<v Speaker 2>to be like yo, she was at it like because

0:15:45.640 --> 0:15:47.400
<v Speaker 2>that's what it's about. For me, It's about the attention

0:15:47.520 --> 0:15:49.400
<v Speaker 2>of detail. And I think that that's what Bad Bunny

0:15:49.440 --> 0:15:52.520
<v Speaker 2>and his team did. They paid attention to every detail.

0:15:52.920 --> 0:15:56.160
<v Speaker 2>It's very intentional. I thought the performance was dope.

0:15:56.000 --> 0:15:58.280
<v Speaker 4>And like when when Rory wrote in our group chat

0:15:58.320 --> 0:16:00.520
<v Speaker 4>and was joking around and was like, look at Bad

0:16:00.560 --> 0:16:03.200
<v Speaker 4>Bunny showing a nuclear family that the Republicans like claim

0:16:03.280 --> 0:16:05.160
<v Speaker 4>to live and but Puerto Ricans really do or that

0:16:05.320 --> 0:16:08.440
<v Speaker 4>Spanish people really do and it's not you aren't joking,

0:16:08.480 --> 0:16:10.840
<v Speaker 4>that's like, that's that ass like that's I love how

0:16:10.880 --> 0:16:15.360
<v Speaker 4>he showcased their culture of like family, like the little

0:16:15.360 --> 0:16:17.160
<v Speaker 4>boy laying on the chairs, yo, go to bed, get up,

0:16:17.280 --> 0:16:19.960
<v Speaker 4>like that's you know what I'm saying, Like that's that culture.

0:16:20.000 --> 0:16:21.520
<v Speaker 4>And I thought that that was so beautiful. The couple

0:16:21.600 --> 0:16:23.720
<v Speaker 4>that really got married, I actually got married, was fire.

0:16:23.880 --> 0:16:26.680
<v Speaker 4>That was That was amazing. And also I don't know

0:16:26.720 --> 0:16:29.240
<v Speaker 4>why people don't know how to just enjoy music they

0:16:29.280 --> 0:16:31.560
<v Speaker 4>don't have. You don't have to understand what's being said.

0:16:31.960 --> 0:16:35.240
<v Speaker 4>You can just enjoy the feel of the music, enjoy

0:16:35.320 --> 0:16:39.080
<v Speaker 4>the performance like I don't know, I've never known what

0:16:39.120 --> 0:16:39.560
<v Speaker 4>bad bundy.

0:16:39.600 --> 0:16:42.320
<v Speaker 2>A lot of people don't have rhythm though a lot

0:16:42.360 --> 0:16:43.120
<v Speaker 2>of people don't have soul.

0:16:45.040 --> 0:16:47.560
<v Speaker 3>I do not only care about lyrics, especially for music

0:16:47.640 --> 0:16:47.800
<v Speaker 3>like that.

0:16:47.960 --> 0:16:50.720
<v Speaker 4>I care about the I want to dances, were making

0:16:50.800 --> 0:16:51.320
<v Speaker 4>dance of music.

0:16:51.400 --> 0:16:54.760
<v Speaker 1>I want to say Spanish music is actually so because

0:16:54.800 --> 0:16:56.920
<v Speaker 1>white people we bop our head to the lyrics, not

0:16:57.000 --> 0:16:59.600
<v Speaker 1>the beat. That's like the difference besides the one and

0:16:59.640 --> 0:17:01.480
<v Speaker 1>the three and two in the four, we try to

0:17:01.560 --> 0:17:03.640
<v Speaker 1>dance to the to the cadence of the lyrics. That's

0:17:03.680 --> 0:17:06.400
<v Speaker 1>why we be off beat sometimes because different pocket Spanish

0:17:06.480 --> 0:17:09.480
<v Speaker 1>music does make it easier without rhythm to like, you know,

0:17:09.680 --> 0:17:10.439
<v Speaker 1>bop your head.

0:17:11.160 --> 0:17:13.879
<v Speaker 2>You would look crazy dancing anything bad Bunny is playing.

0:17:14.600 --> 0:17:17.200
<v Speaker 1>You don't think I've been in the hookah spot dancing

0:17:17.240 --> 0:17:20.040
<v Speaker 1>but looking crazy, nah, looking like he was about the robin.

0:17:20.320 --> 0:17:22.119
<v Speaker 6>I used to I used to, I used to cut

0:17:22.160 --> 0:17:23.240
<v Speaker 6>a rugged melody cut.

0:17:24.640 --> 0:17:32.359
<v Speaker 2>And get up here. I'm a clap off. Hey it's selfie.

0:17:32.480 --> 0:17:39.320
<v Speaker 2>So that's right there. That's more. You should have been

0:17:39.440 --> 0:17:41.880
<v Speaker 2>watching Turning Point in USA. I can't.

0:17:42.160 --> 0:17:42.919
<v Speaker 6>I can't just stand up.

0:17:43.000 --> 0:17:44.960
<v Speaker 2>No no, no, no, no no see that ain't that

0:17:45.040 --> 0:17:46.240
<v Speaker 2>ain't that an't beneath.

0:17:45.960 --> 0:17:46.919
<v Speaker 6>It was doing last night?

0:17:47.080 --> 0:17:49.520
<v Speaker 1>No, And now I see why you guys had a

0:17:49.720 --> 0:17:52.400
<v Speaker 1>reaction when I said it was cool. So I agree

0:17:52.400 --> 0:17:54.080
<v Speaker 1>with everything you guys said, down to the detail. I

0:17:54.119 --> 0:17:56.320
<v Speaker 1>thought it was amazing in every part of that.

0:17:56.720 --> 0:17:59.240
<v Speaker 6>It's just not music. I listened too often. That's that's

0:17:59.359 --> 0:18:01.280
<v Speaker 6>really saying. I understand both sides.

0:18:01.320 --> 0:18:04.200
<v Speaker 2>Like I said, if if if if ushould take his

0:18:04.280 --> 0:18:08.480
<v Speaker 2>ass to Spain for their championship soccer game, there's gonna

0:18:08.480 --> 0:18:10.360
<v Speaker 2>be a lot of people that's like, yo, who who

0:18:10.560 --> 0:18:13.080
<v Speaker 2>is this man? Because we in America, so we feel

0:18:13.119 --> 0:18:15.679
<v Speaker 2>like everybody's supposed to know how stars in the fucking run.

0:18:15.840 --> 0:18:16.200
<v Speaker 6>They don't.

0:18:17.960 --> 0:18:20.520
<v Speaker 2>I promise, I promise you they don't. Some of our

0:18:20.560 --> 0:18:22.480
<v Speaker 2>biggest athletes. You go to London right now, like you know,

0:18:22.600 --> 0:18:25.080
<v Speaker 2>Kevin Durant, they'd be like, you know who's that? You

0:18:25.119 --> 0:18:27.360
<v Speaker 2>show people I'm talking about the biggest thought where I'm

0:18:27.400 --> 0:18:31.359
<v Speaker 2>telling you they don't. London. I'm telling you they do not.

0:18:31.480 --> 0:18:33.760
<v Speaker 2>Bro A lot of people that in London. A lot

0:18:33.800 --> 0:18:37.439
<v Speaker 2>of people do not. I promise you would know who

0:18:37.480 --> 0:18:39.600
<v Speaker 2>he is. Like if you had just a Nike AD

0:18:39.800 --> 0:18:42.080
<v Speaker 2>and like no jersey or nothing with Katie just and

0:18:42.160 --> 0:18:43.879
<v Speaker 2>some Nike shims, like who is that a lot of

0:18:43.920 --> 0:18:45.520
<v Speaker 2>people from the UK would not know who that was.

0:18:45.560 --> 0:18:47.720
<v Speaker 1>I can't confirm this, but I feel like Katie's probably

0:18:47.760 --> 0:18:50.800
<v Speaker 1>had an AD in London before maybe fifteen.

0:18:51.200 --> 0:18:52.920
<v Speaker 2>The NBA has games in London now, so there's a

0:18:53.000 --> 0:18:55.760
<v Speaker 2>there's a there's people that follow I'm talking about in

0:18:55.960 --> 0:18:57.560
<v Speaker 2>general soccer.

0:18:57.600 --> 0:19:00.200
<v Speaker 6>I think there's places in your ice think London is

0:19:01.240 --> 0:19:02.840
<v Speaker 6>so much like America.

0:19:02.960 --> 0:19:04.680
<v Speaker 2>If I showed you a picture of the biggest soccer

0:19:04.720 --> 0:19:06.040
<v Speaker 2>player in the world right now. You wouldn't even know

0:19:06.040 --> 0:19:08.879
<v Speaker 2>who he was. You couldn't name him. He's a dadn't

0:19:08.880 --> 0:19:11.639
<v Speaker 2>Siana Trump? You could name him, you couldn't name him.

0:19:12.480 --> 0:19:14.040
<v Speaker 2>You couldn't. So that's what I'm saying to burn a

0:19:14.160 --> 0:19:16.840
<v Speaker 2>ware you from in the world. I understand how people

0:19:16.840 --> 0:19:20.080
<v Speaker 2>will feel away, like, listen, this is not really our culture. Yes,

0:19:20.200 --> 0:19:23.640
<v Speaker 2>we have a huge Puerto Rican culture in New York City, Okay,

0:19:24.600 --> 0:19:26.480
<v Speaker 2>other cities, but still it's a lot of people that

0:19:26.600 --> 0:19:29.080
<v Speaker 2>they don't know nothing about bad but never heard him before.

0:19:29.160 --> 0:19:31.960
<v Speaker 1>But a lot of Americans love soccer, Like, don't use me.

0:19:32.119 --> 0:19:34.560
<v Speaker 1>I shouldn't be the rule to not knowing the biggest

0:19:34.840 --> 0:19:38.159
<v Speaker 1>football soccer player. Like, there's plenty of people in America

0:19:38.280 --> 0:19:41.440
<v Speaker 1>that are like diehards for soccer fans for sure, And

0:19:41.640 --> 0:19:43.680
<v Speaker 1>I'm sure there's a lot of dieard NBA fans and

0:19:44.720 --> 0:19:45.680
<v Speaker 1>in London.

0:19:46.280 --> 0:19:47.240
<v Speaker 6>I don't know about die hard.

0:19:47.520 --> 0:19:51.560
<v Speaker 1>And basketball got basketball got so international, Like even if

0:19:51.600 --> 0:19:53.800
<v Speaker 1>you look at the league now, like they gentrified the

0:19:53.840 --> 0:19:58.240
<v Speaker 1>fuck out of us. I feel like globally it's different

0:19:58.280 --> 0:19:59.159
<v Speaker 1>with basketball.

0:19:58.800 --> 0:20:01.639
<v Speaker 2>Now it's nice, it's still not They're still trying to

0:20:01.640 --> 0:20:03.639
<v Speaker 2>push this growing but it's still not what you think

0:20:03.680 --> 0:20:03.840
<v Speaker 2>it is.

0:20:04.280 --> 0:20:06.760
<v Speaker 4>I'm happy that the we always talk about America being

0:20:07.040 --> 0:20:09.959
<v Speaker 4>such a huge, like melting pot in America.

0:20:10.040 --> 0:20:11.240
<v Speaker 6>Get there, because I see where you're going.

0:20:11.480 --> 0:20:13.440
<v Speaker 2>I like that. I like that. Segue. I'm not segue

0:20:13.520 --> 0:20:15.120
<v Speaker 2>and I was still talking about the super Bowl.

0:20:16.080 --> 0:20:18.000
<v Speaker 4>I was talking about Yeah, it's a melting pot, and

0:20:18.200 --> 0:20:22.280
<v Speaker 4>I'm happy that a large percentage of America got to

0:20:22.440 --> 0:20:25.080
<v Speaker 4>see their star on the screen.

0:20:25.400 --> 0:20:27.840
<v Speaker 6>It's a lot percentage of America got to see their star.

0:20:28.080 --> 0:20:31.960
<v Speaker 4>Yes, there's a lot of Hispanic speaking people in our country,

0:20:32.160 --> 0:20:34.520
<v Speaker 4>a lot of them, like a huge percentage of America.

0:20:34.760 --> 0:20:36.199
<v Speaker 2>So it's not just like, oh, they're trying to get

0:20:36.240 --> 0:20:38.880
<v Speaker 2>people from other All Mexicans love Bad Bunny just because

0:20:38.880 --> 0:20:41.520
<v Speaker 2>they also Yeah, it's a little but I understand what

0:20:41.560 --> 0:20:44.560
<v Speaker 2>you're saying though, a lot of people do love Bad Yeah,

0:20:45.000 --> 0:20:45.400
<v Speaker 2>all right.

0:20:45.600 --> 0:20:47.359
<v Speaker 6>I'm trying to make a progressive point in it actually

0:20:47.359 --> 0:20:47.879
<v Speaker 6>being racist.

0:20:48.400 --> 0:20:51.480
<v Speaker 2>It wasn't. It wasn't racist. Bad Bunny is the biggest

0:20:51.600 --> 0:20:53.280
<v Speaker 2>Spanish speaking star in America.

0:20:53.480 --> 0:20:55.840
<v Speaker 6>He's one of the biggest stars in America period.

0:20:56.040 --> 0:20:58.480
<v Speaker 4>Okay, of course that's fine, But when you're talking about

0:20:58.600 --> 0:21:01.679
<v Speaker 4>regular Americans might not know want maybe not knowing who

0:21:01.720 --> 0:21:04.440
<v Speaker 4>he is. The Americans, where their first English, their first

0:21:04.520 --> 0:21:07.080
<v Speaker 4>language is Spanish, they know who the fuck Bad Bunny is.

0:21:07.160 --> 0:21:07.960
<v Speaker 2>He is their star.

0:21:08.400 --> 0:21:10.600
<v Speaker 4>That's like, even if you don't like Beyonce, Beyonce is

0:21:10.640 --> 0:21:12.720
<v Speaker 4>still your star. Like it's not you can't escape it.

0:21:13.440 --> 0:21:14.920
<v Speaker 4>Y'all stepped on my point for no reason. What was

0:21:15.000 --> 0:21:15.600
<v Speaker 4>y'all about to say?

0:21:15.760 --> 0:21:17.800
<v Speaker 2>Like, I was just gonna say, we're back sponsored by

0:21:17.840 --> 0:21:20.360
<v Speaker 2>Boost Mobile on under their talk text and data. That's

0:21:20.400 --> 0:21:22.040
<v Speaker 2>all I was about to say, Baby diannadn't mean to

0:21:22.080 --> 0:21:25.480
<v Speaker 2>cut you off. It's fine, but overall, shout out to

0:21:26.280 --> 0:21:31.200
<v Speaker 2>Bad Bunny again. The production attention to detail everything was

0:21:31.240 --> 0:21:33.480
<v Speaker 2>spot on again. But we knew that Bad Bunny is

0:21:33.480 --> 0:21:35.320
<v Speaker 2>one of the greatest performers that we have, so we

0:21:35.400 --> 0:21:37.240
<v Speaker 2>knew that he was going to do what he was supposed.

0:21:36.880 --> 0:21:37.639
<v Speaker 6>To do well.

0:21:37.720 --> 0:21:40.159
<v Speaker 1>I did see in English that Chris Brown commented in

0:21:40.280 --> 0:21:43.359
<v Speaker 1>English because he could have could have gave y'all. He

0:21:43.440 --> 0:21:45.919
<v Speaker 1>could have he could have gave y'all it's a very

0:21:45.960 --> 0:21:49.320
<v Speaker 1>talented guy. Sure he could get one hundred translate somehow. Absolutely,

0:21:49.520 --> 0:21:51.280
<v Speaker 1>And I'm sure Chris Brown has been around enough Spanish

0:21:51.280 --> 0:21:53.440
<v Speaker 1>woman that he can pick up on a few words.

0:21:53.480 --> 0:21:55.359
<v Speaker 2>They could a past his phone and one of them like, yo, listen,

0:21:55.480 --> 0:21:58.359
<v Speaker 2>just one to just just to send that out for me.

0:21:58.800 --> 0:21:59.000
<v Speaker 4>He did.

0:21:59.080 --> 0:22:01.800
<v Speaker 6>He did post that looks like y'all needed me in

0:22:01.920 --> 0:22:05.359
<v Speaker 6>so many words. All right, Can I say this? How

0:22:05.440 --> 0:22:07.120
<v Speaker 6>we know he was talking about the Super Bowl show?

0:22:08.240 --> 0:22:10.719
<v Speaker 2>We don't know. We can only the name of its

0:22:10.760 --> 0:22:12.919
<v Speaker 2>tour was the Chris Brown Bowl. That's the only thing

0:22:13.000 --> 0:22:15.680
<v Speaker 2>that I'm just crazy bowl. To be fair, I get it.

0:22:15.720 --> 0:22:17.919
<v Speaker 2>I understand how people was like, yo, that's crazy. How

0:22:18.000 --> 0:22:20.720
<v Speaker 2>he throwing shots at you know, bad bunnies, saying I

0:22:20.760 --> 0:22:23.520
<v Speaker 2>see y'all needed me, like bad Bunny's performance was whack

0:22:23.600 --> 0:22:24.120
<v Speaker 2>or whatever.

0:22:24.000 --> 0:22:26.359
<v Speaker 6>Like you're doing the shota right now. This is dancing dancing.

0:22:26.359 --> 0:22:29.639
<v Speaker 2>I'm just saying, how do we know that he was

0:22:29.720 --> 0:22:32.600
<v Speaker 2>talking about the Super Bowl halftime show? How do we

0:22:32.680 --> 0:22:32.840
<v Speaker 2>know that?

0:22:32.920 --> 0:22:35.639
<v Speaker 4>We don't know anything, but we're on this podcast, and

0:22:35.720 --> 0:22:38.480
<v Speaker 4>we assume all day, every day, any other day, so.

0:22:38.560 --> 0:22:41.000
<v Speaker 6>We just like kicking the shits. I'm not talking matter

0:22:41.040 --> 0:22:42.399
<v Speaker 6>of factly, well, of course not.

0:22:42.800 --> 0:22:44.680
<v Speaker 2>Because I Wasn't you ever talked matter of factly on

0:22:44.720 --> 0:22:46.680
<v Speaker 2>this podcast? Oh give me ten more minutes I'm gonna

0:22:46.680 --> 0:22:48.359
<v Speaker 2>talk matter of factly in ten minutes old.

0:22:48.280 --> 0:22:51.240
<v Speaker 6>On, We're gonna run down.

0:22:51.359 --> 0:22:53.600
<v Speaker 2>We're gonna run down a few more topics, and then

0:22:53.640 --> 0:22:54.640
<v Speaker 2>I'm gonna talk matter of fact.

0:22:54.800 --> 0:22:57.639
<v Speaker 1>He's gonna hit this go ahead, I can I can

0:22:57.760 --> 0:23:03.359
<v Speaker 1>safely assume in these walls that Chris Brown posting that

0:23:03.640 --> 0:23:07.440
<v Speaker 1>right after the Super Bowl halpen after I didn't see.

0:23:08.160 --> 0:23:10.480
<v Speaker 1>I don't even think they got halfway through the third quarter. Okay,

0:23:12.240 --> 0:23:16.040
<v Speaker 1>to do the Breezy Bowl, to do the Breezy Ball,

0:23:17.119 --> 0:23:18.480
<v Speaker 1>which wee can safety.

0:23:18.240 --> 0:23:20.200
<v Speaker 6>At put your case together.

0:23:20.480 --> 0:23:22.359
<v Speaker 1>I was, I was at MetLife. He did it in

0:23:22.440 --> 0:23:25.719
<v Speaker 1>a stadium where one could do a halftime. There's been

0:23:25.720 --> 0:23:31.520
<v Speaker 1>a halftime show there as play football, and you called

0:23:31.520 --> 0:23:35.359
<v Speaker 1>it Breezy Bowl because we can safely assume you have

0:23:35.480 --> 0:23:38.080
<v Speaker 1>been snubbed for doing so, and you wanted to prove

0:23:38.200 --> 0:23:40.679
<v Speaker 1>to the world that's why you do four hour shows

0:23:40.680 --> 0:23:43.240
<v Speaker 1>a night for three hundred and sixty five days straight

0:23:43.680 --> 0:23:47.439
<v Speaker 1>like a psychopath at the highest level of singing and dancing.

0:23:48.720 --> 0:23:52.080
<v Speaker 1>Then Bad Bunny performs and then you tweet out instagram

0:23:52.160 --> 0:23:53.000
<v Speaker 1>out whatever the fuck it was.

0:23:53.400 --> 0:23:55.080
<v Speaker 2>Looks like y'all needed me. I don't.

0:23:55.119 --> 0:23:58.040
<v Speaker 1>I don't think it's hmmm, do you think maybe it

0:23:58.119 --> 0:24:02.160
<v Speaker 1>was a sub to some of his like inner family again, man,

0:24:02.359 --> 0:24:05.840
<v Speaker 1>you know, I'm just I'm madd didn't say on Piru

0:24:05.960 --> 0:24:07.720
<v Speaker 1>after that's like the only thing I thought.

0:24:08.200 --> 0:24:09.400
<v Speaker 6>You put together a great case.

0:24:09.480 --> 0:24:12.760
<v Speaker 2>The timing of it, everything that Chris has done in

0:24:12.840 --> 0:24:15.920
<v Speaker 2>the last year with his own, you know, massive tour,

0:24:16.880 --> 0:24:18.880
<v Speaker 2>and we speak to it every year. We say, because

0:24:18.880 --> 0:24:20.960
<v Speaker 2>we're probably gonna throw some names and that right after

0:24:21.000 --> 0:24:24.880
<v Speaker 2>we finished this about who we think is next. He's

0:24:24.920 --> 0:24:27.840
<v Speaker 2>one of the ones that we say easily could do

0:24:27.920 --> 0:24:30.520
<v Speaker 2>a Super Bowl. Halter basically has done his own I

0:24:30.640 --> 0:24:33.160
<v Speaker 2>have time show on this tour. I can say after

0:24:33.480 --> 0:24:36.480
<v Speaker 2>going to the tour, not that I had doubts or anything,

0:24:36.520 --> 0:24:39.520
<v Speaker 2>but it was just like, yeah, he could, he could

0:24:39.560 --> 0:24:42.280
<v Speaker 2>do that easily. It would be the easiest production set

0:24:42.320 --> 0:24:43.680
<v Speaker 2>up of all time.

0:24:43.800 --> 0:24:48.880
<v Speaker 6>He was flying around. That was literally easy. I just again,

0:24:48.960 --> 0:24:49.600
<v Speaker 6>the timing of it.

0:24:51.119 --> 0:24:54.720
<v Speaker 1>Then it was corny. Yeah, it was fucking corny. Like

0:24:54.800 --> 0:24:56.600
<v Speaker 1>he didn't have Christian we love you, but you didn't

0:24:56.600 --> 0:24:58.080
<v Speaker 1>have to do it like that. You didn't have to

0:24:58.520 --> 0:25:00.880
<v Speaker 1>taking down that bunny for some ship. Like he put

0:25:00.920 --> 0:25:02.960
<v Speaker 1>on a good performance, Yes, great performance.

0:25:03.160 --> 0:25:05.200
<v Speaker 2>It looks like y'all needed me as shade right, that's

0:25:05.200 --> 0:25:06.359
<v Speaker 2>what the girl say to that shaite.

0:25:06.400 --> 0:25:09.639
<v Speaker 3>Nobody needed him. It was a great performance, Like, I don't,

0:25:10.600 --> 0:25:11.000
<v Speaker 3>it was great.

0:25:11.040 --> 0:25:11.359
<v Speaker 2>I'm with you.

0:25:11.440 --> 0:25:13.399
<v Speaker 6>It was a great performance. I enjoyed it. If it

0:25:13.520 --> 0:25:15.040
<v Speaker 6>was trash, I could like.

0:25:16.520 --> 0:25:19.040
<v Speaker 1>Actively support Chris Brown in that, like you keep snubbing

0:25:19.119 --> 0:25:21.560
<v Speaker 1>me for this bullshit. I could see if it was bad,

0:25:21.640 --> 0:25:24.840
<v Speaker 1>but it was great, So I don't. It was unnecessary

0:25:24.840 --> 0:25:27.440
<v Speaker 1>to me. Unnecessary is the word. That's the word I like.

0:25:27.520 --> 0:25:28.080
<v Speaker 6>I like that word.

0:25:28.119 --> 0:25:32.240
<v Speaker 2>I want to start using the correct words. It was unnecessary,

0:25:32.920 --> 0:25:35.199
<v Speaker 2>like that's all if it was, if it was how

0:25:35.240 --> 0:25:37.600
<v Speaker 2>he felt. We can't be mad at how Chris Brown feels.

0:25:38.200 --> 0:25:40.920
<v Speaker 2>But it was just unnecessary. It was unnecessary. You could

0:25:40.960 --> 0:25:43.000
<v Speaker 2>say that in the crib LIKEO they needed me because

0:25:43.000 --> 0:25:44.080
<v Speaker 2>like I was, send that out.

0:25:45.400 --> 0:25:46.960
<v Speaker 6>Now, we're in your business. You' putting us upright.

0:25:47.119 --> 0:25:48.720
<v Speaker 2>You wanted us to talk about it. You wanted us

0:25:48.760 --> 0:25:51.840
<v Speaker 2>to see what you see how you felt. You know,

0:25:52.480 --> 0:25:56.080
<v Speaker 2>obviously Chris is a is a superstar, amazing performer, and

0:25:56.200 --> 0:25:58.720
<v Speaker 2>will kill to have time show if he's ever given

0:25:58.720 --> 0:26:00.119
<v Speaker 2>the opportunity to perform. We know that.

0:26:00.720 --> 0:26:02.520
<v Speaker 6>But let's not take away from bad Bunny's moment.

0:26:02.880 --> 0:26:05.119
<v Speaker 2>Yeah. I think that's where the unnecessary part comes in.

0:26:05.200 --> 0:26:06.880
<v Speaker 2>We kind of take away from his moment. You kind

0:26:06.880 --> 0:26:09.280
<v Speaker 2>of diminish his moment and kind of throw shade on

0:26:09.400 --> 0:26:13.200
<v Speaker 2>his moment again. Unnecessary. I just I just thought that

0:26:13.240 --> 0:26:14.480
<v Speaker 2>was a little necessary from Chris. No.

0:26:14.480 --> 0:26:16.080
<v Speaker 1>I agree, And I mean, if he's petty and ends

0:26:16.119 --> 0:26:17.440
<v Speaker 1>up getting it next year, he should do the whole

0:26:17.440 --> 0:26:19.359
<v Speaker 1>show in Spanish, just just to.

0:26:19.359 --> 0:26:20.080
<v Speaker 6>Show the Lakers.

0:26:20.119 --> 0:26:21.800
<v Speaker 2>You want to really show the level if you want

0:26:21.800 --> 0:26:25.440
<v Speaker 2>to really turn the country understand you next year in Spanish.

0:26:26.119 --> 0:26:32.360
<v Speaker 1>L Breezy Bowl, L Breezy L Chili Bowl, all righted

0:26:32.400 --> 0:26:33.960
<v Speaker 1>by Chili El Chile.

0:26:35.080 --> 0:26:35.680
<v Speaker 2>Chili Bowl.

0:26:37.160 --> 0:26:42.280
<v Speaker 4>Get the fuck yeah myself, not breezy. It's not breezy,

0:26:42.320 --> 0:26:50.320
<v Speaker 4>it's chilly. This country is going as ship. Just why

0:26:50.359 --> 0:26:51.800
<v Speaker 4>do you say I say yo in Spanish?

0:26:52.040 --> 0:26:53.919
<v Speaker 2>Huh? How do you say I say yo in Spanish?

0:26:54.440 --> 0:26:56.240
<v Speaker 6>How do you say yo? I'm asking how you said

0:26:56.400 --> 0:26:57.119
<v Speaker 6>how do I say yo?

0:26:57.440 --> 0:26:57.560
<v Speaker 1>Well?

0:26:57.600 --> 0:26:58.480
<v Speaker 6>Here querto Rican yo?

0:26:59.240 --> 0:27:00.119
<v Speaker 2>No I said you.

0:27:01.000 --> 0:27:02.840
<v Speaker 6>I said yo? Yeah, he tho.

0:27:02.920 --> 0:27:03.280
<v Speaker 2>I don't know.

0:27:04.880 --> 0:27:05.920
<v Speaker 6>Singing in the Chris Brown.

0:27:05.760 --> 0:27:13.320
<v Speaker 2>Casey to yo. Oh jesus, oh my God, oh man,

0:27:13.520 --> 0:27:15.959
<v Speaker 2>that's funny as fun We will get the commercial.

0:27:16.040 --> 0:27:17.000
<v Speaker 6>Not ready for the chili bowl?

0:27:17.040 --> 0:27:17.200
<v Speaker 2>Baby?

0:27:17.240 --> 0:27:18.200
<v Speaker 6>Do youre not ready for the chili?

0:27:18.440 --> 0:27:18.640
<v Speaker 2>God?

0:27:19.400 --> 0:27:19.639
<v Speaker 3>I'm not.

0:27:21.280 --> 0:27:22.960
<v Speaker 2>Is there already like the toasty this bowl or some

0:27:23.040 --> 0:27:24.920
<v Speaker 2>ship now? But chili? You know, breezy chill, but you

0:27:25.040 --> 0:27:26.520
<v Speaker 2>need no beating.

0:27:26.400 --> 0:27:29.040
<v Speaker 1>Chili did Before we get into commercials, I do want

0:27:29.040 --> 0:27:32.280
<v Speaker 1>to salute the loyal king twenty one savage doing what

0:27:32.359 --> 0:27:33.639
<v Speaker 1>he needed to do, just trying to get home to

0:27:33.720 --> 0:27:36.640
<v Speaker 1>his queen. I know what it's like when you moved

0:27:36.640 --> 0:27:38.720
<v Speaker 1>in a room full of vultures and you're just trying

0:27:38.760 --> 0:27:42.119
<v Speaker 1>to stay faithful and get back to your queen. Did

0:27:42.240 --> 0:27:44.160
<v Speaker 1>sometimes you just got to lean up against the wall

0:27:44.160 --> 0:27:47.520
<v Speaker 1>when the camera's coming. What he was walking out with

0:27:47.600 --> 0:27:49.840
<v Speaker 1>Kendall Jenner and like a bunch of people, it didn't

0:27:49.880 --> 0:27:52.480
<v Speaker 1>look suspicious, but he moved. He he wanted to make

0:27:52.520 --> 0:27:54.840
<v Speaker 1>sure the cameras was he was not with that girl.

0:27:55.200 --> 0:27:57.520
<v Speaker 2>He hugging the wall. Oh, that's how Isaiah walked past

0:27:57.560 --> 0:27:59.200
<v Speaker 2>the bulls when the bulls beat the pistons. It's that

0:27:59.320 --> 0:28:02.639
<v Speaker 2>same little he walked past Mike just like that.

0:28:04.280 --> 0:28:05.960
<v Speaker 1>People say that, but they don't realize that he's smoking,

0:28:06.000 --> 0:28:08.360
<v Speaker 1>and he's really just trying to hide the weed he has.

0:28:09.760 --> 0:28:11.359
<v Speaker 1>I give him the credit, let's give him the faithful

0:28:11.440 --> 0:28:12.760
<v Speaker 1>king credit, but he's really just trying to.

0:28:12.760 --> 0:28:13.960
<v Speaker 2>Hide what he's spoken. Yeah.

0:28:14.400 --> 0:28:17.800
<v Speaker 1>But with that said, good good man. And I saw

0:28:17.840 --> 0:28:20.080
<v Speaker 1>your queen post a sub as well in a good way.

0:28:20.520 --> 0:28:21.920
<v Speaker 2>My queen his queen.

0:28:22.080 --> 0:28:24.040
<v Speaker 6>Oh whene, he made it home faithfully back to Yeah,

0:28:24.080 --> 0:28:25.119
<v Speaker 6>come on, that's twenty one second.

0:28:25.119 --> 0:28:25.800
<v Speaker 2>He's never gonna do that.

0:28:26.200 --> 0:28:28.520
<v Speaker 6>He was at the SlutWalk. Yeah, nobody's more faithful than

0:28:28.560 --> 0:28:30.000
<v Speaker 6>twenty one. He's a pretty loyal guy.

0:28:30.040 --> 0:28:32.240
<v Speaker 2>If you do, like, if you go to a track record, Yeah,

0:28:32.640 --> 0:28:34.280
<v Speaker 2>twenty one Savage, I'll try to pay him.

0:28:34.800 --> 0:28:36.120
<v Speaker 6>Is a pretty loyal fucking person.

0:28:36.240 --> 0:28:38.280
<v Speaker 2>Man, don't try to pay him like that. Come on, man,

0:28:38.280 --> 0:28:40.120
<v Speaker 2>don't do twenty one like that. Not super Bowl son,

0:28:40.160 --> 0:28:40.600
<v Speaker 2>They don't do.

0:28:40.640 --> 0:28:46.960
<v Speaker 1>That maul that appears to be the iPhone sixteen it is.

0:28:47.720 --> 0:28:50.560
<v Speaker 1>That's nasty, man, it is. Come on, do you love yourself?

0:28:50.840 --> 0:28:51.040
<v Speaker 2>I do.

0:28:51.680 --> 0:28:53.360
<v Speaker 1>If you loved yourself, you would get the all new

0:28:53.440 --> 0:28:57.080
<v Speaker 1>iPhone seventeen Pro with boost Mobile, the most powerful iPhone

0:28:57.160 --> 0:28:59.720
<v Speaker 1>of all time. And even if you're about to say

0:29:00.040 --> 0:29:02.360
<v Speaker 1>what about traffic or trying to go to the store

0:29:02.400 --> 0:29:04.800
<v Speaker 1>and transfer the data. That's probably what that's why you

0:29:04.880 --> 0:29:08.080
<v Speaker 1>got this this saxteen. That's nasty, exactly get your sweet

0:29:08.120 --> 0:29:12.400
<v Speaker 1>sixteen out of here, traffic. But I have good news.

0:29:12.760 --> 0:29:15.440
<v Speaker 1>When you order a new phone online with boost Mobile,

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<v Speaker 1>everything up with boost Mobile within minutes, no hassle.

0:29:24.280 --> 0:29:27.080
<v Speaker 2>Visit boostsmobile dot com to get started. Delivery available for

0:29:27.120 --> 0:29:30.520
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0:29:36.560 --> 0:29:39.120
<v Speaker 1>Commercial wise. Fifty cent is the pettiest human being of

0:29:39.200 --> 0:29:39.600
<v Speaker 1>all time.

0:29:39.800 --> 0:29:43.560
<v Speaker 2>I shout out fifty man. I commend, I commend Ordan.

0:29:43.600 --> 0:29:45.400
<v Speaker 4>He took your petty all the way to the super Bowl.

0:29:45.840 --> 0:29:48.240
<v Speaker 4>He took his No matter what you say about fifty,

0:29:48.560 --> 0:29:49.960
<v Speaker 4>he took his petty all the way.

0:29:49.880 --> 0:29:51.640
<v Speaker 6>To the ball. You take my baby, mother, I'm taking

0:29:51.680 --> 0:29:53.280
<v Speaker 6>it to the super Bowl, taking it to the super Bowl.

0:29:53.320 --> 0:29:55.320
<v Speaker 6>When they go low, we go to the boat.

0:29:58.280 --> 0:29:58.760
<v Speaker 4>I was good.

0:30:00.920 --> 0:30:01.920
<v Speaker 6>We go to the Bowl.

0:30:01.960 --> 0:30:06.080
<v Speaker 4>We don't take door Dash absolutely commend Dash giggling, and.

0:30:06.760 --> 0:30:09.480
<v Speaker 1>I commend door Dash for letting that fly to Yeah,

0:30:09.600 --> 0:30:11.760
<v Speaker 1>they leaned into it. They know, because even if that

0:30:11.960 --> 0:30:14.920
<v Speaker 1>was scripted, not scripted, like even the way they shot

0:30:14.960 --> 0:30:16.920
<v Speaker 1>it where it looked like it wasn't scripted and everyone

0:30:17.040 --> 0:30:19.479
<v Speaker 1>was laughing, they smoked that commercial.

0:30:19.520 --> 0:30:20.880
<v Speaker 2>I'm pretty sure a lot of that was ad lib.

0:30:21.000 --> 0:30:22.480
<v Speaker 2>I'm pretty sure fifty ad lib a lot of that.

0:30:23.480 --> 0:30:26.440
<v Speaker 2>You can't they didn't write that four years on. No,

0:30:26.560 --> 0:30:27.520
<v Speaker 2>that was fifty months.

0:30:27.560 --> 0:30:30.040
<v Speaker 1>The scheme at the end with the months to year,

0:30:30.080 --> 0:30:32.680
<v Speaker 1>that's old fifty Like to me, that's that's guess who's

0:30:32.720 --> 0:30:36.720
<v Speaker 1>back era of level metaphor, that's back when fifty could

0:30:36.760 --> 0:30:37.120
<v Speaker 1>rap rap.

0:30:37.280 --> 0:30:37.480
<v Speaker 2>Yeah.

0:30:37.960 --> 0:30:42.240
<v Speaker 1>For those that haven't seen it, it's fifty cent talking

0:30:42.240 --> 0:30:45.880
<v Speaker 1>about door Dash and somehow twist that into how many

0:30:46.560 --> 0:30:49.520
<v Speaker 1>months versus years and it just happens to add up

0:30:49.520 --> 0:30:52.280
<v Speaker 1>to exactly what Puff was sentenced to. But who's counting?

0:30:53.200 --> 0:30:53.640
<v Speaker 3>Mm hmm.

0:30:55.480 --> 0:30:58.320
<v Speaker 2>I like it, pluck it. Take it to the bowl,

0:30:58.400 --> 0:31:01.160
<v Speaker 2>fifty take it to the don't get that door dash

0:31:01.280 --> 0:31:03.280
<v Speaker 2>bag be petty on the Super Bowl stage.

0:31:04.240 --> 0:31:04.920
<v Speaker 4>It is what it is.

0:31:05.080 --> 0:31:06.800
<v Speaker 2>This is what it is. I like it.

0:31:06.920 --> 0:31:08.720
<v Speaker 4>I would to fight door Dash though, because I ordered

0:31:08.880 --> 0:31:10.320
<v Speaker 4>wings stop. Okay, you're in it.

0:31:10.440 --> 0:31:13.560
<v Speaker 2>I did order it. In the middle. It's like I

0:31:13.720 --> 0:31:15.520
<v Speaker 2>ordered it after kickoff. It never came.

0:31:15.920 --> 0:31:19.440
<v Speaker 6>Yeah, yeah, maybe what I was that is a fucking

0:31:20.200 --> 0:31:20.840
<v Speaker 6>me because.

0:31:20.640 --> 0:31:22.560
<v Speaker 4>I was supposed to be cooking and then like mid

0:31:22.640 --> 0:31:24.520
<v Speaker 4>cook I just got lazy as fucking I was like, man, i'

0:31:24.560 --> 0:31:26.200
<v Speaker 4>about to order some wings and I just didn't.

0:31:26.400 --> 0:31:28.520
<v Speaker 2>You got to make that decision like three hours before kickoff.

0:31:28.520 --> 0:31:31.480
<v Speaker 2>But I was gonna say in January you got to

0:31:31.520 --> 0:31:34.040
<v Speaker 2>make that decision January fifth. Yeah, you were supposed to

0:31:34.080 --> 0:31:36.280
<v Speaker 2>know what you were doing on Super Bowl Sunday. Yeah,

0:31:36.280 --> 0:31:39.160
<v Speaker 2>you can't call during the game. That was the sickest

0:31:39.200 --> 0:31:40.920
<v Speaker 2>audible in the world. You just call right there.

0:31:41.160 --> 0:31:43.480
<v Speaker 4>I know my beer came though I ordered beer through

0:31:43.520 --> 0:31:45.120
<v Speaker 4>door Dash. My Blue Moons came, but.

0:31:45.200 --> 0:31:48.080
<v Speaker 2>My wings never came. Wings never got this. They probably

0:31:48.120 --> 0:31:50.720
<v Speaker 2>was sold out. I saw a video there was like

0:31:50.800 --> 0:31:51.560
<v Speaker 2>a thousand, Like.

0:31:54.280 --> 0:31:56.520
<v Speaker 6>Yeah, about to say, they probably sold They probably had

0:31:56.560 --> 0:31:58.000
<v Speaker 6>no more wings. That's why they probably couldn't send it.

0:31:58.280 --> 0:31:59.680
<v Speaker 4>But then they should have just canceled my order. Why

0:31:59.720 --> 0:32:01.040
<v Speaker 4>ya can saying y'all preparing it.

0:32:01.400 --> 0:32:03.280
<v Speaker 2>They were trying to send HOMEI to the store to

0:32:03.320 --> 0:32:06.120
<v Speaker 2>get a bag of wing things. What I'm saying when

0:32:06.120 --> 0:32:07.920
<v Speaker 2>wing things were sold out, they can't even get nothing

0:32:08.000 --> 0:32:11.240
<v Speaker 2>to the supermarket. They had some turkey legs. You go,

0:32:11.400 --> 0:32:14.360
<v Speaker 2>some turkey turkey legs would have showed up for show,

0:32:14.680 --> 0:32:17.120
<v Speaker 2>some big ass turkey legs. They would have showed right up.

0:32:17.160 --> 0:32:20.120
<v Speaker 2>They had from six Flags. They got turkey legs. Nobody

0:32:20.160 --> 0:32:21.280
<v Speaker 2>want that on Super Bowl Sunday.

0:32:21.320 --> 0:32:22.880
<v Speaker 6>We need turkey legs on super Bowl.

0:32:23.080 --> 0:32:25.360
<v Speaker 2>I'm just saying, now, have you smothered them bitches with

0:32:25.440 --> 0:32:25.959
<v Speaker 2>some gravy.

0:32:26.320 --> 0:32:28.840
<v Speaker 1>I love especially smothering one day is give it to me.

0:32:29.440 --> 0:32:32.800
<v Speaker 1>But just ordering big ass, like medieval times turkey leg

0:32:32.920 --> 0:32:35.320
<v Speaker 1>on the super Bowl. Then you're watching turning on it

0:32:35.560 --> 0:32:39.320
<v Speaker 1>for sure. Why did you put Leelo and stitch? There

0:32:39.480 --> 0:32:43.680
<v Speaker 1>was that like a message my son, I'm not some

0:32:43.800 --> 0:32:45.239
<v Speaker 1>camera time. You didn't have to call him out.

0:32:45.280 --> 0:32:45.640
<v Speaker 2>He's shy.

0:32:46.400 --> 0:32:47.760
<v Speaker 6>Okay, is this a voodoo doll?

0:32:48.120 --> 0:32:49.400
<v Speaker 2>No, it's not a voodoo dolls.

0:32:49.560 --> 0:32:51.560
<v Speaker 6>I can't tell. Sometimes baby is Haitian or not, so

0:32:51.600 --> 0:32:51.880
<v Speaker 6>I don't know.

0:32:52.160 --> 0:32:52.560
<v Speaker 5>I am not.

0:32:52.800 --> 0:32:58.360
<v Speaker 4>I'm not Haitian. I don't practice Haitian Tennessee. What the

0:32:58.400 --> 0:32:59.920
<v Speaker 4>fuck does that even mean? That's racist?

0:33:00.240 --> 0:33:00.560
<v Speaker 2>That is.

0:33:02.080 --> 0:33:07.360
<v Speaker 4>I have Hatian tendencies. Your strongest, your strongest qualities, you're resilience,

0:33:07.640 --> 0:33:13.040
<v Speaker 4>you I hate white people, how much you hate the

0:33:13.080 --> 0:33:15.800
<v Speaker 4>French are such resilient people.

0:33:15.840 --> 0:33:16.080
<v Speaker 2>They are.

0:33:16.200 --> 0:33:19.000
<v Speaker 7>You're resilience, baby, through the French, your son fell. I

0:33:19.880 --> 0:33:25.720
<v Speaker 7>see them, Yeah, you're see you. You don't know history

0:33:25.720 --> 0:33:27.560
<v Speaker 7>of Haiti. You don't know the history of Haiti, like

0:33:27.680 --> 0:33:28.960
<v Speaker 7>get the I can't even I can't.

0:33:29.480 --> 0:33:30.040
<v Speaker 6>You're not a history.

0:33:30.040 --> 0:33:36.360
<v Speaker 2>But to tell, baby, are resilience? Oh man?

0:33:36.440 --> 0:33:40.240
<v Speaker 6>All right, listen man, Yeah, I know. I love y'all.

0:33:40.560 --> 0:33:43.120
<v Speaker 2>So we're gonna have this moment and we're gonna give

0:33:43.120 --> 0:33:46.480
<v Speaker 2>each other the space to speak. You're not gonna over talk, baby,

0:33:46.520 --> 0:33:48.040
<v Speaker 2>d You and I are not gonna yell at each

0:33:48.080 --> 0:33:49.479
<v Speaker 2>other because you know, I love you. I don't want

0:33:49.480 --> 0:33:51.240
<v Speaker 2>people to think I'm being here beating on you, so

0:33:51.320 --> 0:33:53.920
<v Speaker 2>you don't know.

0:33:55.280 --> 0:33:57.680
<v Speaker 6>So we're gonna have this moment. We're gonna give each

0:33:57.720 --> 0:33:58.400
<v Speaker 6>other the floor.

0:33:58.720 --> 0:34:02.920
<v Speaker 2>Right. I'm going last only because I feel like since

0:34:03.000 --> 0:34:04.560
<v Speaker 2>y'all are such cold fan, I'm a cold fan too,

0:34:04.600 --> 0:34:07.000
<v Speaker 2>but y'all are like really cold fans. We've been anticipating

0:34:07.040 --> 0:34:10.440
<v Speaker 2>this album for years. We finally got it. We got

0:34:10.480 --> 0:34:12.200
<v Speaker 2>a weekend to live with it, we got some time

0:34:12.280 --> 0:34:14.400
<v Speaker 2>to live with it, and we are here today to

0:34:14.440 --> 0:34:20.560
<v Speaker 2>give our breakdown, our personal point of view, our personal feelings,

0:34:20.600 --> 0:34:26.400
<v Speaker 2>our personal opinions, our subjective opinions, objective objective. Excuse me,

0:34:27.000 --> 0:34:28.760
<v Speaker 2>thank you baby for that? See how we starting already

0:34:28.800 --> 0:34:32.400
<v Speaker 2>on correct that I felt felt good? Right, I give

0:34:32.440 --> 0:34:38.279
<v Speaker 2>it five minutes. Opinions on the fall Off by Jermaine Cole.

0:34:39.000 --> 0:34:43.359
<v Speaker 2>So between you and baby d y'all pick who goes first.

0:34:43.600 --> 0:34:44.480
<v Speaker 2>I will go last.

0:34:46.080 --> 0:34:47.600
<v Speaker 1>Wait, now we gotta do a coin toss. No, no,

0:34:47.719 --> 0:34:51.080
<v Speaker 1>I'm going I'm going to last because I need to

0:34:51.120 --> 0:34:53.680
<v Speaker 1>get okay. Well, I want I want to I don't

0:34:53.719 --> 0:34:56.520
<v Speaker 1>have like a monologue review. I didn't want to go

0:34:56.719 --> 0:34:59.680
<v Speaker 1>through certain records and you know, make it more of

0:34:59.680 --> 0:35:04.080
<v Speaker 1>a power. That's platform. Whatever you want to do with

0:35:04.239 --> 0:35:08.160
<v Speaker 1>your time right now, you do it. I may yield

0:35:08.239 --> 0:35:11.880
<v Speaker 1>my time, yield your time, yield my time. Sure, go No,

0:35:12.000 --> 0:35:14.359
<v Speaker 1>I'm going to last. I'm definitely gonna last.

0:35:15.160 --> 0:35:19.200
<v Speaker 6>I did wear sunglasses today purposely because you don't want

0:35:19.200 --> 0:35:20.200
<v Speaker 6>me to see lives behind y'all.

0:35:20.400 --> 0:35:23.680
<v Speaker 2>Exactly, if I say something, I want you to be

0:35:23.719 --> 0:35:25.000
<v Speaker 2>able to call me out because you can see me.

0:35:26.840 --> 0:35:28.400
<v Speaker 3>This is all I ask of you, niggas.

0:35:28.480 --> 0:35:30.480
<v Speaker 6>This is all I ask you, niggas, is hilarious.

0:35:30.560 --> 0:35:31.600
<v Speaker 2>It's all I ask.

0:35:33.400 --> 0:35:36.239
<v Speaker 4>Is when you give your review, or you give your

0:35:36.239 --> 0:35:39.319
<v Speaker 4>little comments or whatever, do not make it condescending.

0:35:39.400 --> 0:35:41.279
<v Speaker 3>That's all I ask. If you don't like something, you.

0:35:41.280 --> 0:35:46.680
<v Speaker 4>Don't like something condescending, you can you can dislike something.

0:35:46.719 --> 0:35:48.479
<v Speaker 2>You could do whatever. We're not putting. We're not telling

0:35:48.480 --> 0:35:52.960
<v Speaker 2>you how to give your review. Yeah, the same thing.

0:35:53.000 --> 0:35:55.200
<v Speaker 6>I'm going to come in here with a bunch of negativity.

0:35:55.560 --> 0:35:59.480
<v Speaker 2>Yeah. I want to hear baby's breakdown, because I know

0:35:59.560 --> 0:36:01.160
<v Speaker 2>she was living all weekend with this shit.

0:36:01.600 --> 0:36:05.800
<v Speaker 4>I do not have a breakdown. I don't have a breakdown.

0:36:05.880 --> 0:36:09.880
<v Speaker 4>What I will say is I enjoyed the album. I

0:36:10.000 --> 0:36:12.000
<v Speaker 4>didn't think that I would like the fact that it

0:36:12.200 --> 0:36:14.800
<v Speaker 4>was too you know a double disc. Usually what happens

0:36:14.840 --> 0:36:16.799
<v Speaker 4>with double discs, we say, yo, if you take off

0:36:16.840 --> 0:36:18.600
<v Speaker 4>half of one disc, it'd be a classic. That's what

0:36:18.920 --> 0:36:21.000
<v Speaker 4>people usually say when it comes to double disk. With this,

0:36:21.200 --> 0:36:23.600
<v Speaker 4>I did feel like I was listening to two separate albums.

0:36:24.480 --> 0:36:26.719
<v Speaker 4>I have favorites on both. I will say that I

0:36:26.840 --> 0:36:28.920
<v Speaker 4>like this twenty nine more than I like this thirty nine.

0:36:29.000 --> 0:36:31.200
<v Speaker 4>I will say that I am not disappointed in the album.

0:36:31.480 --> 0:36:32.080
<v Speaker 2>I enjoyed it.

0:36:32.120 --> 0:36:33.520
<v Speaker 3>Do I think it's the best in his catalog?

0:36:33.600 --> 0:36:33.640
<v Speaker 2>No?

0:36:33.719 --> 0:36:35.120
<v Speaker 4>Do I think it's the worst. No, I think it's

0:36:35.239 --> 0:36:38.720
<v Speaker 4>a great, great album. I really really enjoyed the album.

0:36:39.400 --> 0:36:43.560
<v Speaker 4>The standouts for me would be who the fuck is You?

0:36:45.080 --> 0:36:49.560
<v Speaker 4>Hit the gas, quick Stop, Life, Sentence, Old Dog. Those

0:36:49.640 --> 0:36:52.640
<v Speaker 4>are the standouts. If I had to pick a favorite,

0:36:53.239 --> 0:36:55.600
<v Speaker 4>it would be who the fuck is You? Legacy? I

0:36:55.640 --> 0:36:57.840
<v Speaker 4>think that the run from Poor Thing, which would be

0:36:57.960 --> 0:37:00.200
<v Speaker 4>number five on this twenty nine all the way wait

0:37:00.320 --> 0:37:03.759
<v Speaker 4>until it stops right before the letout at drumming bass,

0:37:03.800 --> 0:37:06.200
<v Speaker 4>So you got poor Thing, Legacy, bunks, roll blues, who

0:37:06.239 --> 0:37:09.120
<v Speaker 4>the fuck is you? Drumming bass, crazy, crazy run.

0:37:09.200 --> 0:37:09.719
<v Speaker 3>I think it went.

0:37:10.160 --> 0:37:11.920
<v Speaker 4>I think it was amazing. I think Cold it amazing.

0:37:11.960 --> 0:37:13.520
<v Speaker 4>I'm very proud of him. I'm very proud to be

0:37:13.560 --> 0:37:16.040
<v Speaker 4>a Cold fan. And I was not disappointed at all

0:37:16.360 --> 0:37:16.600
<v Speaker 4>with this.

0:37:17.000 --> 0:37:21.840
<v Speaker 2>That is my breakdown. Mm hmm, thank you, Peach.

0:37:28.360 --> 0:37:30.840
<v Speaker 4>Seeing ship like this that makes me start saying no, no, no, no,

0:37:31.160 --> 0:37:35.399
<v Speaker 4>because literally funny. Then when I Thursday and blow the grip,

0:37:35.440 --> 0:37:36.120
<v Speaker 4>I'm crazy, right.

0:37:36.200 --> 0:37:37.880
<v Speaker 2>I didn't want to go. I didn't want to scream,

0:37:38.440 --> 0:37:41.160
<v Speaker 2>literally was trying to. But you'll be a funny. That's

0:37:41.239 --> 0:37:43.759
<v Speaker 2>the thing. You'll trying to antagonize me. You niggas want

0:37:43.760 --> 0:37:47.359
<v Speaker 2>me to get out. I'm sorry, thank you the way

0:37:47.400 --> 0:37:49.319
<v Speaker 2>you broke that down. I didn't expect you to break

0:37:49.360 --> 0:37:50.640
<v Speaker 2>it down that way, but you did a great job.

0:37:50.680 --> 0:37:55.640
<v Speaker 6>Thank you so much for that. What man is your

0:37:55.760 --> 0:37:58.120
<v Speaker 6>old federal Stop laughing on the goddamn time.

0:37:58.239 --> 0:38:02.480
<v Speaker 1>Let me start by saying I was extremely excited and

0:38:02.680 --> 0:38:05.520
<v Speaker 1>exhausted on Thursday evening.

0:38:06.360 --> 0:38:07.200
<v Speaker 6>Only Cole could get me.

0:38:07.200 --> 0:38:08.880
<v Speaker 1>To stay up past midnight at this point, So I

0:38:08.960 --> 0:38:10.439
<v Speaker 1>want to say I was very excited to get twenty

0:38:10.480 --> 0:38:15.720
<v Speaker 1>four records from Ja Cole on Thursday. When he started

0:38:15.760 --> 0:38:18.239
<v Speaker 1>with the remember the Titan shit on the intro, I

0:38:18.280 --> 0:38:19.200
<v Speaker 1>saw he about to take us.

0:38:19.239 --> 0:38:23.440
<v Speaker 2>There you getting You're giving us a little Gary Birtier

0:38:23.560 --> 0:38:26.439
<v Speaker 2>to start the shit. I'm on board.

0:38:27.440 --> 0:38:30.960
<v Speaker 1>Then we get to two six. Absolutely loved it. Safety

0:38:32.719 --> 0:38:38.480
<v Speaker 1>one of my favorite versions of coal rapping. Now it's

0:38:38.520 --> 0:38:40.359
<v Speaker 1>going to get to my overall point way later when

0:38:40.400 --> 0:38:43.560
<v Speaker 1>we start having a real pow wow. I hate when

0:38:43.600 --> 0:38:46.040
<v Speaker 1>Cole feels the need to have to do everything. I

0:38:46.080 --> 0:38:48.440
<v Speaker 1>don't need coal pretending to cry like a baby, just

0:38:48.480 --> 0:38:53.160
<v Speaker 1>get a baby to cry. Still absolutely love the record.

0:38:53.800 --> 0:38:56.640
<v Speaker 1>Run a train. I actually thought that was Cole on

0:38:56.800 --> 0:38:58.960
<v Speaker 1>that that hook bridge part. I guess it was future.

0:38:59.000 --> 0:39:00.720
<v Speaker 1>It sounds like cold trying to do a future impression.

0:39:00.920 --> 0:39:02.520
<v Speaker 1>But that was gonna be one of my cases of

0:39:02.719 --> 0:39:04.600
<v Speaker 1>you should get someone else to do it, maybe a

0:39:04.719 --> 0:39:07.080
<v Speaker 1>high pitch. If Thug would have done that that hook

0:39:07.760 --> 0:39:11.160
<v Speaker 1>flawless outside run a Train. Outside of that one part,

0:39:11.719 --> 0:39:14.000
<v Speaker 1>because he's saying some shit on there, I think that

0:39:14.080 --> 0:39:16.000
<v Speaker 1>was on it. I know, but it sounds like cold.

0:39:16.000 --> 0:39:19.360
<v Speaker 1>It's weird, and even says Jermaine until I checked the credits,

0:39:19.360 --> 0:39:21.160
<v Speaker 1>I really thought it was cold, just.

0:39:21.200 --> 0:39:23.120
<v Speaker 6>Trying to do like a demo for somebody. But I

0:39:23.160 --> 0:39:23.839
<v Speaker 6>love what he was saying.

0:39:23.840 --> 0:39:25.480
<v Speaker 1>I was like, yo, Thug, even though he pitched it down,

0:39:25.480 --> 0:39:28.680
<v Speaker 1>Thug would have sounded great on that. Besides just those

0:39:28.719 --> 0:39:31.920
<v Speaker 1>four bars, Run a Train is fucking fire. Absolutely love it.

0:39:32.360 --> 0:39:37.959
<v Speaker 1>Poor thing is great. He lost me with the punk

0:39:38.000 --> 0:39:41.640
<v Speaker 1>bitch part. I thought he was rapping really well in between.

0:39:41.719 --> 0:39:43.520
<v Speaker 1>But the punk bitch, if you would have done like

0:39:43.560 --> 0:39:45.799
<v Speaker 1>two punk bitches, I would have been fine. Forty five

0:39:45.840 --> 0:39:48.120
<v Speaker 1>punk bitches like that's where I go was like, it's

0:39:48.160 --> 0:39:49.880
<v Speaker 1>a lot of punk bitches, many punk bitches. It's a

0:39:49.920 --> 0:39:53.640
<v Speaker 1>lot of punk in every syllable too. But I still

0:39:53.680 --> 0:39:55.200
<v Speaker 1>love poor thing and I still play It's not a

0:39:55.239 --> 0:39:57.359
<v Speaker 1>skip just because of the punk pitch a part. I'm

0:39:57.360 --> 0:40:01.200
<v Speaker 1>already still on board with this entire album. LEGACYE Fire,

0:40:03.080 --> 0:40:07.000
<v Speaker 1>Bunch Road Blues. Cole, what a beautiful fucking way to

0:40:07.080 --> 0:40:10.080
<v Speaker 1>use TAMS. Not an obvious fucking beat. That's an alchemist

0:40:10.120 --> 0:40:12.560
<v Speaker 1>be right, Alchemist be You put Thames in future on it.

0:40:12.920 --> 0:40:15.560
<v Speaker 1>What an awesome way to use Tams on your album.

0:40:15.560 --> 0:40:17.719
<v Speaker 3>Shout out to Boss who wrote that part.

0:40:18.400 --> 0:40:21.160
<v Speaker 2>Oh Boss, Boss wrote that shit had.

0:40:21.120 --> 0:40:23.440
<v Speaker 6>Me damn it ready to cry. We gotta talk.

0:40:23.480 --> 0:40:25.359
<v Speaker 2>Maybe you and I have something common currently in our lives.

0:40:26.120 --> 0:40:30.640
<v Speaker 6>Who the fuck is you? Fire? That's what that has?

0:40:30.680 --> 0:40:33.000
<v Speaker 1>The beat change right, yep, stand back to one of

0:40:33.040 --> 0:40:35.040
<v Speaker 1>my points. The beat change is really cool. This is

0:40:35.080 --> 0:40:37.440
<v Speaker 1>where I wish Cole maybe didn't want to just I

0:40:37.560 --> 0:40:39.520
<v Speaker 1>understand t minus Vinyls and a lot of people are

0:40:39.560 --> 0:40:42.879
<v Speaker 1>on that Coleman as well. I think Mike Will would

0:40:42.880 --> 0:40:45.200
<v Speaker 1>have walked that beat change. I think you guys go

0:40:45.360 --> 0:40:48.000
<v Speaker 1>with this to Mike Will like, hey, this is our idea,

0:40:48.560 --> 0:40:51.279
<v Speaker 1>can you tune this up a bit? And you're looking

0:40:51.320 --> 0:40:54.279
<v Speaker 1>at a way different beach change. I still fuck with that,

0:40:54.440 --> 0:40:56.080
<v Speaker 1>like me and Damarius jamming out to that. I think

0:40:56.080 --> 0:40:58.879
<v Speaker 1>it's great. But that's something that I feel like, maybe

0:40:58.960 --> 0:41:01.600
<v Speaker 1>we don't use our internal This is a moment, and

0:41:01.680 --> 0:41:03.360
<v Speaker 1>this is something Mike Will specializes in it.

0:41:03.560 --> 0:41:04.399
<v Speaker 6>Take that to Mike Will.

0:41:04.560 --> 0:41:08.839
<v Speaker 1>But I'm still on board track eight, still on board nine, drumming, bass,

0:41:09.280 --> 0:41:14.120
<v Speaker 1>fucking I think it's great. I'm already ready to text

0:41:14.200 --> 0:41:16.640
<v Speaker 1>you because at this point, I don't know, maybe it's

0:41:16.680 --> 0:41:20.279
<v Speaker 1>like twelve forty five. When I get to track nine,

0:41:20.520 --> 0:41:22.400
<v Speaker 1>I'm ready to FaceTime you to tell you that Cole's

0:41:22.400 --> 0:41:25.040
<v Speaker 1>greatest rapper of all time. It's just I don't even

0:41:25.040 --> 0:41:27.560
<v Speaker 1>want to hear you say a word about Jermaine Cole

0:41:27.600 --> 0:41:30.280
<v Speaker 1>for the rest of your motherfucking life. Then the Letout played,

0:41:30.320 --> 0:41:31.600
<v Speaker 1>and I didn't survive the letout.

0:41:32.360 --> 0:41:37.080
<v Speaker 2>Well, we survived the let up, survive let Out.

0:41:37.480 --> 0:41:41.480
<v Speaker 6>I didn't survive the Letout. What a concept and what

0:41:41.600 --> 0:41:42.239
<v Speaker 6>a way to kill it.

0:41:43.600 --> 0:41:47.440
<v Speaker 1>So the highs are so high on this album and

0:41:47.560 --> 0:41:51.080
<v Speaker 1>the lows are some of the lowest Coal has ever had.

0:41:53.000 --> 0:41:55.200
<v Speaker 1>And I don't want anyone that's a dream Go fan

0:41:55.360 --> 0:41:57.640
<v Speaker 1>or part of that click to take that as a

0:41:57.719 --> 0:41:58.359
<v Speaker 1>personal thing.

0:41:58.560 --> 0:41:59.200
<v Speaker 6>I am a fan.

0:41:59.800 --> 0:42:01.960
<v Speaker 1>You guys love to talk about your fans. I'm one

0:42:02.040 --> 0:42:03.759
<v Speaker 1>of them, and I can be objective because I've been

0:42:03.760 --> 0:42:06.480
<v Speaker 1>a supporter since he was at fucking Saint John's with

0:42:06.520 --> 0:42:10.479
<v Speaker 1>Aristotle and my cousin Harley. It's one of the worst

0:42:10.520 --> 0:42:12.239
<v Speaker 1>songs Cole has made, but I don't even to highlight

0:42:12.280 --> 0:42:13.520
<v Speaker 1>that because there's so much good going on.

0:42:13.640 --> 0:42:15.760
<v Speaker 6>But we have to be objective in what's.

0:42:15.640 --> 0:42:18.040
<v Speaker 2>Going on that and then the.

0:42:19.560 --> 0:42:21.080
<v Speaker 6>Electric is never mind.

0:42:21.120 --> 0:42:23.279
<v Speaker 2>You know what I hate? I hate throle that out too.

0:42:23.360 --> 0:42:24.160
<v Speaker 2>I hate the Letout too.

0:42:24.200 --> 0:42:26.439
<v Speaker 4>But what I will say is from what I've seen

0:42:26.480 --> 0:42:28.680
<v Speaker 4>on the Internet and what people have responded to me,

0:42:29.239 --> 0:42:32.000
<v Speaker 4>so many people love the Letout, which lets me know

0:42:32.120 --> 0:42:34.960
<v Speaker 4>that it might be like like kind of like laughy Taffy,

0:42:35.160 --> 0:42:36.360
<v Speaker 4>Like I hate it, Laughy Taffy.

0:42:36.400 --> 0:42:39.000
<v Speaker 2>That's a wild comparison to No, I hate it, Laughy Taffy.

0:42:39.080 --> 0:42:41.160
<v Speaker 4>But it's so catchy and so many people love it,

0:42:41.239 --> 0:42:44.080
<v Speaker 4>then maybe maybe maybe I'm wrong because a lot of

0:42:44.239 --> 0:42:45.719
<v Speaker 4>people seem to either love it or hate it. It

0:42:45.800 --> 0:42:48.480
<v Speaker 4>garners a strong reception from people. It's the one song

0:42:48.560 --> 0:42:50.520
<v Speaker 4>from the album that's stuck in my fucking head, even

0:42:50.560 --> 0:42:51.200
<v Speaker 4>though I hate the.

0:42:51.239 --> 0:42:52.120
<v Speaker 2>Song, so let Out?

0:42:52.360 --> 0:42:53.400
<v Speaker 6>Yes, what's the hook on that?

0:42:53.760 --> 0:42:59.640
<v Speaker 2>Well? We survived, let up, yield your time, it's not

0:42:59.719 --> 0:43:03.320
<v Speaker 2>your I'm just I'm not good with titles.

0:43:03.360 --> 0:43:05.040
<v Speaker 6>But what you say start saying it. I'm like, okay,

0:43:05.040 --> 0:43:07.880
<v Speaker 6>all right, okay. What disappointed me the most with that?

0:43:07.960 --> 0:43:08.120
<v Speaker 2>Though?

0:43:09.040 --> 0:43:11.480
<v Speaker 1>Sure, I'm sure people love the song. I'm speaking for

0:43:11.600 --> 0:43:14.480
<v Speaker 1>me and me only if a majority of people love

0:43:14.520 --> 0:43:16.400
<v Speaker 1>it and I hate it. Cole did his job with

0:43:16.480 --> 0:43:19.759
<v Speaker 1>the record as an artist. That concept is too good

0:43:19.840 --> 0:43:21.760
<v Speaker 1>of what he was trying to do with that record

0:43:21.840 --> 0:43:24.400
<v Speaker 1>to make it sound like how it sounds like I

0:43:24.440 --> 0:43:28.200
<v Speaker 1>would love a cold Letout record, but not that one.

0:43:29.520 --> 0:43:29.719
<v Speaker 6>It was.

0:43:29.880 --> 0:43:31.759
<v Speaker 2>It was just a lot. It was a lot going on,

0:43:33.280 --> 0:43:33.719
<v Speaker 2>like a lot.

0:43:35.000 --> 0:43:36.959
<v Speaker 6>Then we get to bombs in the vill hit the Gas.

0:43:37.920 --> 0:43:40.560
<v Speaker 1>I'm with demeris that hit the gas, that flip that's

0:43:40.560 --> 0:43:42.680
<v Speaker 1>one of my favorite parts in the in the double

0:43:42.719 --> 0:43:46.279
<v Speaker 1>disc period and Lonely at the Top I love. At

0:43:46.320 --> 0:43:50.319
<v Speaker 1>this point, I'm pretty fucking confident everything, and I'm very

0:43:50.560 --> 0:43:54.640
<v Speaker 1>pleased and happy off my first listen with dis twenty nine.

0:43:55.120 --> 0:43:57.520
<v Speaker 1>The Letout throw me off a little bit, but it's cool.

0:43:57.960 --> 0:43:59.800
<v Speaker 1>Maybe maybe that one will grow on me. I'm just

0:44:00.000 --> 0:44:06.800
<v Speaker 1>seaking for my first listening the letout grower not sure.

0:44:07.920 --> 0:44:08.400
<v Speaker 2>M hmm.

0:44:09.520 --> 0:44:12.640
<v Speaker 5>Sometimes that's me at the lightout, like yo, let me

0:44:12.640 --> 0:44:15.920
<v Speaker 5>get comfortable, all right, let me take this honey pack,

0:44:20.200 --> 0:44:22.040
<v Speaker 5>all right, said I was going to bed.

0:44:22.800 --> 0:44:24.239
<v Speaker 2>I prefer this time. I'm sorry.

0:44:24.520 --> 0:44:26.920
<v Speaker 1>Thirty nine intro comes in and I said, oh, this

0:44:26.960 --> 0:44:29.439
<v Speaker 1>is this about to be the classic disc? I said

0:44:30.120 --> 0:44:31.799
<v Speaker 1>this when he not, I really fuck with But Cole

0:44:31.880 --> 0:44:33.640
<v Speaker 1>is about to take us to a whole new level.

0:44:33.680 --> 0:44:34.520
<v Speaker 1>This is his perspective.

0:44:34.600 --> 0:44:39.400
<v Speaker 6>Right now that beat switch you start rapping.

0:44:39.440 --> 0:44:42.279
<v Speaker 1>Shout out to Coleman thirty nine intro one of the

0:44:42.400 --> 0:44:46.000
<v Speaker 1>highest highs on this entire thing. And then the next record,

0:44:46.120 --> 0:44:48.719
<v Speaker 1>which we've gotten already. The fall off is inevitable, is

0:44:48.760 --> 0:44:51.080
<v Speaker 1>what it was called track to Now it's called the

0:44:51.160 --> 0:44:53.800
<v Speaker 1>fall is inevitable. I don't know if that he's just

0:44:53.880 --> 0:44:56.920
<v Speaker 1>that much of a profit, but the fall off for

0:44:57.040 --> 0:45:01.560
<v Speaker 1>the double disc was inevitable. After Oh please, okay, not

0:45:01.680 --> 0:45:04.759
<v Speaker 1>out the gate. Though the Villains is cool? Do you

0:45:04.880 --> 0:45:06.560
<v Speaker 1>think I ever don't want to hear J cole rap

0:45:06.680 --> 0:45:11.239
<v Speaker 1>over the Realist. This is where he starts adding in

0:45:12.239 --> 0:45:18.640
<v Speaker 1>all the unnecessary hooks, classic hooks that meet me nothing

0:45:18.760 --> 0:45:22.200
<v Speaker 1>to the song and make no sense with Erica Abad

0:45:22.239 --> 0:45:26.120
<v Speaker 1>doing the Alchemist just redid the realness. So if you're

0:45:26.120 --> 0:45:28.160
<v Speaker 1>getting Rikabad due to go back on the realness after

0:45:28.200 --> 0:45:30.359
<v Speaker 1>she just put out a single, just get at erkabaddu hook.

0:45:30.960 --> 0:45:33.480
<v Speaker 1>Don't take one of the greatest hooks of all time,

0:45:33.520 --> 0:45:35.319
<v Speaker 1>which I'm fine if you want to sample this part

0:45:35.360 --> 0:45:39.520
<v Speaker 1>of your your concept. I'm not mad at sampling that,

0:45:39.760 --> 0:45:42.560
<v Speaker 1>but why me and you just have Rikabad to make

0:45:42.600 --> 0:45:46.239
<v Speaker 1>a new hook. If you're gonna get Rikabaddu, just get

0:45:46.520 --> 0:45:46.799
<v Speaker 1>her to.

0:45:46.880 --> 0:45:47.399
<v Speaker 2>Do the hook.

0:45:47.600 --> 0:45:49.800
<v Speaker 1>Don't just take outcast hook that has nothing to do

0:45:49.840 --> 0:45:51.560
<v Speaker 1>with what the fuck we're really talking about. Riding around

0:45:51.560 --> 0:45:52.680
<v Speaker 1>on the villa is the only thing you switched.

0:45:52.920 --> 0:45:53.400
<v Speaker 2>It just was.

0:45:54.400 --> 0:45:55.000
<v Speaker 6>It was weird.

0:45:55.520 --> 0:45:58.480
<v Speaker 1>I didn't understand why placing that hook there, but still

0:45:58.800 --> 0:46:01.360
<v Speaker 1>didn't kill the song for me. I still love the verses.

0:46:01.360 --> 0:46:02.160
<v Speaker 6>I love Cole on that.

0:46:03.000 --> 0:46:07.760
<v Speaker 1>Then you get to old Dog. I love T minus,

0:46:08.040 --> 0:46:10.160
<v Speaker 1>so I want to make sure this is not a shot,

0:46:10.320 --> 0:46:14.399
<v Speaker 1>But I think T minus should collab with somebody else

0:46:14.440 --> 0:46:15.359
<v Speaker 1>on the beat except for Cole.

0:46:16.719 --> 0:46:19.879
<v Speaker 6>T minus should collab with somebody else like T minus

0:46:19.960 --> 0:46:23.720
<v Speaker 6>and Wonder should go in on that beat. Okay, okay,

0:46:25.200 --> 0:46:25.960
<v Speaker 6>the idea is there.

0:46:26.120 --> 0:46:27.759
<v Speaker 1>I even funk with the Pet Poplo shit, even with

0:46:27.800 --> 0:46:29.799
<v Speaker 1>the flip of what you was doing after I hated

0:46:29.840 --> 0:46:33.560
<v Speaker 1>the the Elevator's flip that you just did. I wasn't

0:46:33.560 --> 0:46:35.040
<v Speaker 1>even mad at the Pet Poplo shit, And matter of fact,

0:46:35.040 --> 0:46:36.560
<v Speaker 1>I thought it was funny with our predictions. I was like,

0:46:37.040 --> 0:46:38.759
<v Speaker 1>nobody was there for pet Pablo. He shows up on

0:46:38.800 --> 0:46:42.680
<v Speaker 1>the fucking album. I like PD's part. That beat just

0:46:42.760 --> 0:46:46.480
<v Speaker 1>needed it needed the A list feel that Cole has.

0:46:48.920 --> 0:46:52.640
<v Speaker 1>I just felt like it was a weird choice life sentence.

0:46:53.719 --> 0:46:56.200
<v Speaker 1>I'm never gonna sit here and shit on someone loving

0:46:56.239 --> 0:46:59.560
<v Speaker 1>their wife. What the fuck were doing though?

0:47:00.880 --> 0:47:02.399
<v Speaker 2>What are you talking about? What? Okay?

0:47:02.520 --> 0:47:03.399
<v Speaker 3>I uld the floor.

0:47:03.440 --> 0:47:07.520
<v Speaker 2>I'm sorry each other, okay, okay, we gave each other's

0:47:07.520 --> 0:47:11.080
<v Speaker 2>space to speak, all right, correct me every wrong.

0:47:11.120 --> 0:47:12.759
<v Speaker 6>This is the one that has the DMX. How's it

0:47:12.840 --> 0:47:13.160
<v Speaker 6>going down?

0:47:13.200 --> 0:47:14.040
<v Speaker 2>Hook on it? Right?

0:47:14.320 --> 0:47:15.040
<v Speaker 3>Yeah, that's the one.

0:47:15.760 --> 0:47:15.960
<v Speaker 6>Yeah.

0:47:17.280 --> 0:47:18.640
<v Speaker 1>When the beat came in, it was cool. I was like,

0:47:18.680 --> 0:47:23.239
<v Speaker 1>all right, little uh chipmunks soundclick era. I'm not mad

0:47:23.280 --> 0:47:24.640
<v Speaker 1>at this year Cold told about his wife.

0:47:24.640 --> 0:47:26.960
<v Speaker 2>I'm never gonna hit on that. Just why.

0:47:28.680 --> 0:47:31.279
<v Speaker 6>Why randomly just throw in the DMX How's It Going Down?

0:47:31.680 --> 0:47:32.560
<v Speaker 6>Hook into that song?

0:47:34.200 --> 0:47:38.239
<v Speaker 1>Like, just why I get sampling the hooks and this

0:47:38.280 --> 0:47:39.879
<v Speaker 1>and that, but you're just placing them in the most

0:47:40.000 --> 0:47:41.960
<v Speaker 1>random fucking places.

0:47:42.080 --> 0:47:42.400
<v Speaker 5>I was that.

0:47:42.480 --> 0:47:44.200
<v Speaker 1>I don't want to use the words lazy, but it's

0:47:44.280 --> 0:47:47.680
<v Speaker 1>just late, Like, I don't think there's anything wrong when

0:47:47.840 --> 0:47:50.279
<v Speaker 1>artists do that. I defend everything Jay does when he

0:47:50.320 --> 0:47:52.759
<v Speaker 1>takes bigs lyrics and flips them. I'm not mad at

0:47:52.840 --> 0:47:54.279
<v Speaker 1>artists doing that at all, and I'm never mad at

0:47:54.480 --> 0:47:56.520
<v Speaker 1>Cold doing with DMX. But that song, why are we

0:47:56.600 --> 0:47:58.239
<v Speaker 1>just throwing the How's it Going Down?

0:47:58.440 --> 0:47:58.680
<v Speaker 2>Hook?

0:47:58.719 --> 0:47:58.879
<v Speaker 7>There?

0:47:59.200 --> 0:48:00.920
<v Speaker 2>What do you you said it does? It's just what

0:48:01.200 --> 0:48:01.440
<v Speaker 2>you think.

0:48:01.480 --> 0:48:03.319
<v Speaker 4>It doesn't apply to the song that what the song

0:48:03.440 --> 0:48:05.520
<v Speaker 4>is about. The song is about being down with him

0:48:05.560 --> 0:48:06.920
<v Speaker 4>from when he was younger.

0:48:07.000 --> 0:48:08.080
<v Speaker 3>How does it not what.

0:48:08.160 --> 0:48:10.640
<v Speaker 2>Types of games be a play? Like is you with me?

0:48:10.719 --> 0:48:12.680
<v Speaker 4>Or what? It's literally about his wife being with him

0:48:12.719 --> 0:48:14.600
<v Speaker 4>from the very beginning of his career. How does it

0:48:14.760 --> 0:48:15.480
<v Speaker 4>not correlate?

0:48:16.239 --> 0:48:17.080
<v Speaker 2>You could not like this song?

0:48:17.160 --> 0:48:17.640
<v Speaker 3>I just don't know.

0:48:17.760 --> 0:48:21.640
<v Speaker 6>No, it's cool, cool, all right, you just said it.

0:48:21.680 --> 0:48:22.200
<v Speaker 6>I'm not gonna ar.

0:48:22.400 --> 0:48:24.640
<v Speaker 1>I'm just not gonna I'm not I feel like anyone

0:48:25.480 --> 0:48:28.680
<v Speaker 1>that feels the same way as me understands what I'm saying,

0:48:29.280 --> 0:48:32.320
<v Speaker 1>and I'm not here to argue down why that just

0:48:32.400 --> 0:48:34.800
<v Speaker 1>felt weird and lazy in there, the same way I

0:48:34.840 --> 0:48:38.320
<v Speaker 1>felt like the Elevator's hook felt a little lazy in

0:48:38.719 --> 0:48:43.320
<v Speaker 1>that song. I understand it's the concept, but how the

0:48:43.360 --> 0:48:46.840
<v Speaker 1>concept is working is you're just like plastering classic hooks

0:48:47.360 --> 0:48:50.160
<v Speaker 1>in these songs and it just doesn't fit with them

0:48:50.360 --> 0:48:53.480
<v Speaker 1>to me, Okay, and who the fuck am I Like,

0:48:54.239 --> 0:48:56.880
<v Speaker 1>it doesn't matter how I feel as far as J

0:48:57.040 --> 0:48:59.160
<v Speaker 1>Cole and putting an album out, That's just how I

0:48:59.280 --> 0:49:03.880
<v Speaker 1>felt on that part. Only You absolutely fucking love it.

0:49:04.200 --> 0:49:07.120
<v Speaker 1>Love how he used burna boy. Only You was fucking fire.

0:49:09.000 --> 0:49:09.479
<v Speaker 6>Man above.

0:49:11.239 --> 0:49:13.319
<v Speaker 2>I don't know, man, maybe I just spent too much

0:49:13.360 --> 0:49:18.760
<v Speaker 2>time in church. Excuse me, just too just take.

0:49:19.880 --> 0:49:20.400
<v Speaker 6>Just take the never.

0:49:20.560 --> 0:49:22.160
<v Speaker 1>I'm sure there's a bunch of people that are Cole

0:49:22.200 --> 0:49:25.600
<v Speaker 1>fans that have never heard Marvis Sap never would have

0:49:25.640 --> 0:49:29.040
<v Speaker 1>made it, but like it's just it's just like pasted

0:49:29.120 --> 0:49:32.000
<v Speaker 1>into the song randomly because I liked the song and

0:49:32.360 --> 0:49:34.000
<v Speaker 1>never would have made it. Comes on and I'm like, wait,

0:49:34.160 --> 0:49:35.279
<v Speaker 1>does someone change the record?

0:49:36.000 --> 0:49:36.800
<v Speaker 6>They trying to blend this.

0:49:38.280 --> 0:49:42.600
<v Speaker 1>It's it's just pasted there. It's weird, but I like

0:49:42.840 --> 0:49:44.959
<v Speaker 1>the song. He already has the Jenny from the Block

0:49:45.080 --> 0:49:48.120
<v Speaker 1>hook in there. That's cool, Like it wasn't even necessary

0:49:48.200 --> 0:49:50.279
<v Speaker 1>to me because the record is fire and I'm not

0:49:50.320 --> 0:49:51.960
<v Speaker 1>even mad at the Jenny from the Block. That's a

0:49:52.040 --> 0:49:54.920
<v Speaker 1>hook that actually made sense and how he used it

0:49:55.120 --> 0:49:56.759
<v Speaker 1>like it didn't feel weird.

0:49:58.400 --> 0:50:01.840
<v Speaker 6>But still right rapping I Love Her again, fucking flawless.

0:50:02.200 --> 0:50:06.359
<v Speaker 1>Shout out to Jake one if there's anyone that's gonna

0:50:06.400 --> 0:50:08.480
<v Speaker 1>continue on the legacy of I Used to Love Her

0:50:08.560 --> 0:50:11.319
<v Speaker 1>and tell us about to continue that story. The next

0:50:11.400 --> 0:50:14.200
<v Speaker 1>chapter I Used to Love Her came out with ninety something.

0:50:14.880 --> 0:50:16.760
<v Speaker 1>So much has happened to hip hop so much as shifted.

0:50:16.800 --> 0:50:19.000
<v Speaker 1>I thought Cole was the perfect person to then tell

0:50:19.040 --> 0:50:21.640
<v Speaker 1>the rest of that story. I absolutely love I Love

0:50:21.680 --> 0:50:24.960
<v Speaker 1>Her again. I liked that he used the light instead.

0:50:24.960 --> 0:50:27.040
<v Speaker 1>I'm glad he didn't just use I used to love

0:50:27.080 --> 0:50:31.799
<v Speaker 1>Her like randomly in there. I'm gonna save what if

0:50:32.000 --> 0:50:38.960
<v Speaker 1>for for Moll's time quick stop fire. The whole world

0:50:39.080 --> 0:50:42.719
<v Speaker 1>is the vill is cool to me. I think I

0:50:42.960 --> 0:50:46.719
<v Speaker 1>overly judged that one because if we're believing Cole that

0:50:46.800 --> 0:50:48.080
<v Speaker 1>this is his last album ever.

0:50:49.160 --> 0:50:50.279
<v Speaker 6>That wasn't a h.

0:50:51.800 --> 0:50:55.279
<v Speaker 1>My first song, Like when Jay lied about the Black

0:50:55.320 --> 0:50:57.520
<v Speaker 1>Album being his last album, we got my first song

0:50:58.040 --> 0:51:00.279
<v Speaker 1>to me. That's this is me saying I hold j

0:51:00.480 --> 0:51:04.480
<v Speaker 1>Cole to hove being a peer, Like Cole is a

0:51:04.560 --> 0:51:06.279
<v Speaker 1>legend now, so I hold him to that status as

0:51:06.280 --> 0:51:10.480
<v Speaker 1>a fan. It was it just didn't hit for like

0:51:10.560 --> 0:51:14.520
<v Speaker 1>the last song of your career. I don't dislike it.

0:51:14.600 --> 0:51:19.440
<v Speaker 1>I think out of the second album, it's it's like,

0:51:19.600 --> 0:51:22.000
<v Speaker 1>you know, maybe my third favorite on there. It's just

0:51:22.120 --> 0:51:24.840
<v Speaker 1>a weird way to end it. And ocean Way you

0:51:24.960 --> 0:51:26.400
<v Speaker 1>call it a bonus track, so I'm not calling it

0:51:26.440 --> 0:51:29.800
<v Speaker 1>the outro. I like ocean Way, but I mean, I

0:51:29.840 --> 0:51:31.320
<v Speaker 1>don't consider that your last song because you said it

0:51:31.320 --> 0:51:34.239
<v Speaker 1>was a bonus track, right, So that's I don't know

0:51:34.280 --> 0:51:37.040
<v Speaker 1>if that's unfair, but I think as hip hop fans

0:51:37.080 --> 0:51:39.080
<v Speaker 1>were allowed to judge things in that way. If you're

0:51:39.080 --> 0:51:42.239
<v Speaker 1>telling me it's your last album, I got to know

0:51:42.320 --> 0:51:44.440
<v Speaker 1>what your last song is going to be, right, Like

0:51:44.600 --> 0:51:47.160
<v Speaker 1>that's important to me, even when when he lied to

0:51:47.280 --> 0:51:50.719
<v Speaker 1>us my first song off the concept of like I

0:51:50.800 --> 0:51:52.800
<v Speaker 1>treat everything as if it's my first song, it's my

0:51:52.880 --> 0:51:56.239
<v Speaker 1>last song. And like listen, man hopping how a seat

0:51:56.280 --> 0:51:59.919
<v Speaker 1>on his fucking bicycle. Now he's the head of black music.

0:52:02.840 --> 0:52:04.120
<v Speaker 1>The whole world's not the vill.

0:52:06.440 --> 0:52:09.800
<v Speaker 4>Yeah, So what I'm hearing from you is that on

0:52:09.960 --> 0:52:13.560
<v Speaker 4>this thirty nine you did not like the Villist, you

0:52:13.719 --> 0:52:16.000
<v Speaker 4>didn't like old Dog, you didn't like.

0:52:16.520 --> 0:52:20.920
<v Speaker 6>You're misrepresenting me. I like the records.

0:52:20.960 --> 0:52:23.160
<v Speaker 1>I think they were ruined by the concept of trying

0:52:23.200 --> 0:52:28.000
<v Speaker 1>to crudely paste classic hooks into them. I think the

0:52:28.200 --> 0:52:32.640
<v Speaker 1>songs themselves, the raps are amazing, and I wish somebody

0:52:32.719 --> 0:52:39.960
<v Speaker 1>else would have stepped in to make those hooks. Okay,

0:52:40.480 --> 0:52:43.880
<v Speaker 1>I think, well, I'll save one point because it's a

0:52:43.920 --> 0:52:46.080
<v Speaker 1>conversation Maul and I've had about the hook thing, So

0:52:46.440 --> 0:52:47.920
<v Speaker 1>I'll save that part so we can have that full

0:52:47.960 --> 0:52:56.960
<v Speaker 1>conversation after Maul speaks. I feel like Cole, you know,

0:52:57.680 --> 0:53:00.200
<v Speaker 1>the very few faults that he has is and he

0:53:00.320 --> 0:53:03.879
<v Speaker 1>just tries to do everything. And I think that's worked

0:53:03.920 --> 0:53:05.719
<v Speaker 1>out okay with him, because he is a genius in

0:53:05.760 --> 0:53:10.200
<v Speaker 1>his own right. But when you're making twenty four records, nah, man,

0:53:10.280 --> 0:53:13.320
<v Speaker 1>we need some hope, Yeah, we need some help. And

0:53:13.440 --> 0:53:15.600
<v Speaker 1>I don't think there's anything wrong with that, but I

0:53:15.680 --> 0:53:19.960
<v Speaker 1>can even hear it as a cold fan that I

0:53:20.080 --> 0:53:23.160
<v Speaker 1>know I wasn't really joking when I'm hearing Cole cry

0:53:23.280 --> 0:53:28.560
<v Speaker 1>like a baby, like just get a baby, Like if

0:53:28.600 --> 0:53:31.719
<v Speaker 1>you're going that like that length, that length to make

0:53:31.800 --> 0:53:34.960
<v Speaker 1>sure you're doing everything. I think when you're trying to

0:53:35.000 --> 0:53:38.120
<v Speaker 1>do a double disc, that may hinder you a bit

0:53:39.480 --> 0:53:44.440
<v Speaker 1>like this. Also shit if you go through Cole's last

0:53:44.520 --> 0:53:47.719
<v Speaker 1>three albums, like has he been the main producer.

0:53:49.160 --> 0:53:49.680
<v Speaker 2>Off season?

0:53:49.800 --> 0:53:51.879
<v Speaker 1>Was he don't quote me, but there was a time

0:53:52.239 --> 0:53:56.200
<v Speaker 1>that was always an early critique of J Cole was, Cole,

0:53:56.239 --> 0:53:57.839
<v Speaker 1>You're the one of the greatest rappers we've ever heard.

0:53:58.160 --> 0:54:00.360
<v Speaker 1>I know you're trying to do the Kanye thing, but

0:54:00.840 --> 0:54:02.520
<v Speaker 1>maybe let other people do the beats. And I think

0:54:02.560 --> 0:54:05.480
<v Speaker 1>he listened to that for a long time. And I'm

0:54:05.520 --> 0:54:08.279
<v Speaker 1>not mad at anyone wanting to go betch your career

0:54:08.280 --> 0:54:09.800
<v Speaker 1>if you want to go back to your passion of

0:54:09.880 --> 0:54:12.000
<v Speaker 1>making beats. He did say that in that clip from

0:54:12.040 --> 0:54:14.640
<v Speaker 1>the Doctor came out like he saw T Minus cooking

0:54:14.719 --> 0:54:16.319
<v Speaker 1>up on the road. He's like, y'all forgot how much

0:54:16.320 --> 0:54:18.320
<v Speaker 1>I used to love making beats. I want to focus

0:54:18.400 --> 0:54:21.960
<v Speaker 1>on that. I respect that dog, but twenty four records,

0:54:23.880 --> 0:54:26.960
<v Speaker 1>even Big and Puff needed to hit man like, you're

0:54:27.000 --> 0:54:28.759
<v Speaker 1>gonna need help.

0:54:29.560 --> 0:54:31.399
<v Speaker 6>Yeah, we all eyes.

0:54:31.440 --> 0:54:33.319
<v Speaker 1>I mean, we're gonna need Daz, We're gonna need Drey,

0:54:33.560 --> 0:54:35.360
<v Speaker 1>We're gonna need Nate, We're gonna need a lot of

0:54:35.400 --> 0:54:38.680
<v Speaker 1>people to really bring this to life because it's it's

0:54:39.360 --> 0:54:42.040
<v Speaker 1>that's a task though. Yeah, ten records is a task.

0:54:43.800 --> 0:54:47.440
<v Speaker 1>I think that's where the second dist to me was

0:54:47.480 --> 0:54:50.080
<v Speaker 1>a little off. You try and do everything and it's like,

0:54:50.080 --> 0:54:51.680
<v Speaker 1>all right, well then I'll just pay this this hook

0:54:51.719 --> 0:54:54.800
<v Speaker 1>here that's already proven, and I just think Cole is

0:54:54.840 --> 0:54:56.560
<v Speaker 1>better than that.

0:54:57.120 --> 0:54:57.480
<v Speaker 2>That's all.

0:54:58.280 --> 0:55:02.000
<v Speaker 1>But this twenty nine I love Outside of the letout,

0:55:02.239 --> 0:55:04.319
<v Speaker 1>I fucking love this twenty nine.

0:55:05.040 --> 0:55:06.520
<v Speaker 2>So are you thirty nine?

0:55:06.520 --> 0:55:10.160
<v Speaker 1>There's a few records and again old dog like, I'm

0:55:10.200 --> 0:55:11.760
<v Speaker 1>not mad at the like, I don't skip that record.

0:55:12.120 --> 0:55:14.960
<v Speaker 1>I just feel like it could have been better with

0:55:15.080 --> 0:55:18.200
<v Speaker 1>the resources that Jay Cole has and the resources that

0:55:18.239 --> 0:55:20.040
<v Speaker 1>Tim Mayus has as well, because I don't want to

0:55:20.040 --> 0:55:21.319
<v Speaker 1>take I think T minus is one of the best

0:55:21.560 --> 0:55:27.640
<v Speaker 1>underrated producers. We said that last episode. I Yeah, I

0:55:27.800 --> 0:55:30.080
<v Speaker 1>just think so were you disappointed as a Cole fan.

0:55:31.680 --> 0:55:34.280
<v Speaker 1>It's too much to digest in one weekend and say disappointed.

0:55:34.360 --> 0:55:36.920
<v Speaker 1>Let me say no, no, I'm not disappointed. I just

0:55:37.000 --> 0:55:43.640
<v Speaker 1>don't know if two discs for me was necessary. Okay,

0:55:44.920 --> 0:55:48.360
<v Speaker 1>I can't speak obviously for Ja Cole. It's his decision

0:55:49.239 --> 0:55:51.279
<v Speaker 1>for all the dream though listeners out there. I'm not

0:55:51.400 --> 0:55:54.000
<v Speaker 1>saying what he should have done, telling him as a

0:55:54.080 --> 0:55:56.400
<v Speaker 1>consumer how I felt. You don't have to two step, Yes,

0:55:56.760 --> 0:55:58.680
<v Speaker 1>who's two stepping? It's okay just to give your opinion.

0:55:58.800 --> 0:56:00.520
<v Speaker 1>You don't have to since one is okay to just

0:56:00.520 --> 0:56:03.480
<v Speaker 1>give you up. They put my mother's address on the internet.

0:56:04.960 --> 0:56:10.160
<v Speaker 1>What you wait, what are you talking about? Just give

0:56:10.200 --> 0:56:14.560
<v Speaker 1>your opinion. See what they've done with this man. You

0:56:14.640 --> 0:56:15.760
<v Speaker 1>could just give your opinion.

0:56:15.880 --> 0:56:18.200
<v Speaker 6>Yeah right, Oh my god, that's funny.

0:56:19.400 --> 0:56:23.840
<v Speaker 4>Well J Cole fan storage because I gave a music opinion.

0:56:23.960 --> 0:56:26.560
<v Speaker 4>J Cole doesn't really have the lunatic fans like that.

0:56:26.719 --> 0:56:28.759
<v Speaker 4>I don't think his fans are that lunatic like. I

0:56:28.800 --> 0:56:30.439
<v Speaker 4>don't think they're as crazy as the rest of them.

0:56:31.360 --> 0:56:34.040
<v Speaker 2>That's because they didn't need to be. And now, if

0:56:34.080 --> 0:56:36.840
<v Speaker 2>you've seen what the stand game is different now, and

0:56:36.920 --> 0:56:41.160
<v Speaker 2>I think Cole fans are competitive enough to compete. They're

0:56:41.160 --> 0:56:43.920
<v Speaker 2>gonna show out. This is what y'all doing now, all right? Bet?

0:56:44.719 --> 0:56:46.640
<v Speaker 6>And they claim to be more intelligence, so they're gonna

0:56:46.640 --> 0:56:48.359
<v Speaker 6>haveck you like eye clouds. They're gonna go nuts.

0:56:49.719 --> 0:56:53.319
<v Speaker 3>Okay, ma, don't piss me off.

0:56:53.400 --> 0:56:56.040
<v Speaker 6>Please wait before he goes. Did I piss you off?

0:56:56.320 --> 0:56:58.120
<v Speaker 2>Was that? Did I feel like an honest review from

0:56:58.120 --> 0:56:59.680
<v Speaker 2>someone you know very well? That was?

0:57:00.600 --> 0:57:02.480
<v Speaker 4>I actually feel like you're being nicer than you want

0:57:02.520 --> 0:57:05.080
<v Speaker 4>to be. The only reason why I stopped you was

0:57:05.239 --> 0:57:07.160
<v Speaker 4>when I just I was trying to get you to

0:57:08.000 --> 0:57:10.160
<v Speaker 4>I just was confused. Now how life sentence and that

0:57:10.480 --> 0:57:12.839
<v Speaker 4>how those two songs didn correlate. That's the things why

0:57:12.880 --> 0:57:14.400
<v Speaker 4>I stopped you. Your opinion is your opinion.

0:57:14.400 --> 0:57:18.360
<v Speaker 3>You could like or not like just a lazy Okay,

0:57:18.400 --> 0:57:20.080
<v Speaker 3>it could be lazy, but I just didn't.

0:57:21.200 --> 0:57:23.720
<v Speaker 1>Is rapped about the beautiful relationship he has with his

0:57:23.880 --> 0:57:27.880
<v Speaker 1>his wife in the past compared to that was lazy.

0:57:28.120 --> 0:57:31.200
<v Speaker 4>You didn't feel him when he said I'm doing you dirty,

0:57:31.240 --> 0:57:32.720
<v Speaker 4>but like not as bad as I could be, and

0:57:32.800 --> 0:57:33.800
<v Speaker 4>that that made me feel better.

0:57:33.880 --> 0:57:37.440
<v Speaker 2>You me feel him when I was just twenty nine.

0:57:37.640 --> 0:57:41.000
<v Speaker 2>I may have felt him, but I'm a change man.

0:57:41.120 --> 0:57:41.840
<v Speaker 2>Look at the range.

0:57:42.320 --> 0:57:43.439
<v Speaker 3>You got a whole new game plan.

0:57:45.400 --> 0:57:48.040
<v Speaker 2>Jamal, Damn, Jamal was crazy.

0:57:48.640 --> 0:57:51.720
<v Speaker 6>That's my name, but damn both jays Ja and Jamal.

0:57:53.840 --> 0:57:54.040
<v Speaker 2>Well.

0:57:54.160 --> 0:57:55.400
<v Speaker 6>I love I love both of y'all said.

0:57:55.400 --> 0:57:57.560
<v Speaker 2>Because I kind of echoed a lot of y'all sentiments

0:57:57.560 --> 0:58:02.560
<v Speaker 2>as well, I will say this, I think j Cole

0:58:02.800 --> 0:58:05.720
<v Speaker 2>is a phenomenal rapper, phenomenal MC, one of the best

0:58:05.760 --> 0:58:11.800
<v Speaker 2>that I've ever heard. I think that this album because

0:58:11.840 --> 0:58:14.160
<v Speaker 2>we've been anticipating this is probably what eight years now,

0:58:14.400 --> 0:58:19.360
<v Speaker 2>we're almost ten. Right after having a weekend to live

0:58:19.400 --> 0:58:21.480
<v Speaker 2>with it, and I did listen to it a lot

0:58:21.520 --> 0:58:24.240
<v Speaker 2>over the weekend. Just let it play, Let it run.

0:58:26.400 --> 0:58:32.040
<v Speaker 2>I was underwhelmed, so many years of anticipation for this project,

0:58:32.080 --> 0:58:36.640
<v Speaker 2>for this album, I was underwhelmed. Again. I'm not an MC,

0:58:36.720 --> 0:58:38.280
<v Speaker 2>I'm not a rapper. I can never do what Jake

0:58:38.320 --> 0:58:40.360
<v Speaker 2>Cole does, so I don't want to disrespect.

0:58:41.360 --> 0:58:44.520
<v Speaker 6>Sorry, that's he was quiet during your time.

0:58:44.600 --> 0:58:45.120
<v Speaker 3>I'm sorry.

0:58:45.320 --> 0:58:46.960
<v Speaker 4>I'm so sorry that I was trying to play the

0:58:47.000 --> 0:58:48.960
<v Speaker 4>song to figure out if Roy was right.

0:58:49.000 --> 0:58:51.160
<v Speaker 1>But that's that's unfair. He showed a lot of respect team.

0:58:51.160 --> 0:58:51.600
<v Speaker 2>I'm sorry.

0:58:52.000 --> 0:58:54.320
<v Speaker 4>I'm literally sorry. I accidentally pressed play on my phone.

0:58:54.360 --> 0:58:59.960
<v Speaker 4>I'm sorry, it's okay, you were saying, I was saying underwhelm.

0:59:00.640 --> 0:59:02.000
<v Speaker 4>That was underwhelm. Uh.

0:59:03.000 --> 0:59:07.080
<v Speaker 2>I think that I overlooked a lot of j Cole's flaws.

0:59:06.720 --> 0:59:07.600
<v Speaker 6>Over the years.

0:59:09.040 --> 0:59:11.880
<v Speaker 2>When it comes to song making, when it comes to

0:59:13.000 --> 0:59:17.320
<v Speaker 2>album making, I think a lot of these hooks were uh,

0:59:17.520 --> 0:59:22.760
<v Speaker 2>Like Worrey said, lazy, I'm never questioning Ja Cole's ability

0:59:22.800 --> 0:59:25.200
<v Speaker 2>to rap and to bar you down. He's one of

0:59:25.240 --> 0:59:27.680
<v Speaker 2>the best to do that. But when you say album time,

0:59:27.720 --> 0:59:29.400
<v Speaker 2>this is an album mode. Now, we got to get

0:59:29.400 --> 0:59:31.520
<v Speaker 2>into song making. We got to get into replay value,

0:59:31.560 --> 0:59:33.800
<v Speaker 2>we got to get into you know, those type of

0:59:33.880 --> 0:59:36.160
<v Speaker 2>things when it's an album. I think a lot of

0:59:36.200 --> 0:59:41.400
<v Speaker 2>these songs the hooks were we're not holding up the bars,

0:59:44.080 --> 0:59:47.439
<v Speaker 2>used a lot of sample hooks. Even the Bunch rolled.

0:59:47.520 --> 0:59:49.160
<v Speaker 2>I think that's the one with Tims in Future. I

0:59:49.240 --> 0:59:52.440
<v Speaker 2>love that record. Why do you have future singing? The

0:59:52.480 --> 0:59:55.560
<v Speaker 2>usher like song on there? Like I just just gave it.

0:59:55.680 --> 0:59:57.080
<v Speaker 6>He gave a bar in the beginning, right, it was

0:59:57.120 --> 0:59:57.320
<v Speaker 6>just like.

0:59:57.600 --> 1:00:01.600
<v Speaker 4>It was and then he switched. Yeah, all he said

1:00:01.720 --> 1:00:03.120
<v Speaker 4>was the seven o'clock on the dot, and then he

1:00:03.160 --> 1:00:04.479
<v Speaker 4>switched it yeah, but I just didn't.

1:00:04.480 --> 1:00:06.200
<v Speaker 2>I didn't like that. I think, if you're gonna use

1:00:06.240 --> 1:00:07.640
<v Speaker 2>to treat on the record, let it just be a

1:00:07.720 --> 1:00:10.160
<v Speaker 2>whole different. Like we never heard a lot of this

1:00:10.280 --> 1:00:12.840
<v Speaker 2>just felt like we heard the parts. Because there's some

1:00:12.880 --> 1:00:14.960
<v Speaker 2>good moments on this album. It's some good moments. What

1:00:15.960 --> 1:00:17.600
<v Speaker 2>would the what would the good moments be for you?

1:00:17.720 --> 1:00:19.640
<v Speaker 2>What do you think? I think Bunch Road is dope?

1:00:20.320 --> 1:00:21.040
<v Speaker 2>Who the fuck is You?

1:00:21.160 --> 1:00:21.439
<v Speaker 6>Is cool?

1:00:21.440 --> 1:00:22.680
<v Speaker 2>I just don't want to keep saying who the fuck

1:00:22.760 --> 1:00:24.960
<v Speaker 2>is you? I think it's rapping on there. Which one

1:00:25.040 --> 1:00:25.440
<v Speaker 2>is the uh?

1:00:27.040 --> 1:00:27.480
<v Speaker 6>I can't you know?

1:00:27.520 --> 1:00:30.520
<v Speaker 2>I'm terrible to sing it a little bit? The Dude,

1:00:30.560 --> 1:00:34.680
<v Speaker 2>the Ride of Me and the Jolly, I mean whatever

1:00:34.800 --> 1:00:37.800
<v Speaker 2>song that was his flowing That was crazy.

1:00:37.800 --> 1:00:38.560
<v Speaker 6>He was baring you down.

1:00:38.640 --> 1:00:41.520
<v Speaker 2>I didn't like the hook. Like I said, I'm never

1:00:41.640 --> 1:00:43.920
<v Speaker 2>expecting j Cole to not wrap his ass off. You

1:00:44.000 --> 1:00:46.760
<v Speaker 2>could do that. It's always when it comes time to

1:00:47.040 --> 1:00:49.840
<v Speaker 2>song making and is the hook strong as the bars?

1:00:50.600 --> 1:00:53.600
<v Speaker 2>And to me, it's like Wor said, who's in the

1:00:53.640 --> 1:00:56.080
<v Speaker 2>studio with you in you're creating? Because I think if

1:00:56.120 --> 1:00:57.960
<v Speaker 2>you listen to one of his arts, like a J

1:00:58.120 --> 1:01:00.360
<v Speaker 2>I d why wasn't j I D. I think Jid

1:01:00.400 --> 1:01:02.960
<v Speaker 2>should have been used more in this album making process

1:01:03.000 --> 1:01:06.440
<v Speaker 2>with strict not bars, because Jay Colder need that just songmaking,

1:01:06.680 --> 1:01:10.400
<v Speaker 2>because Jid is does very a very well rounded artist,

1:01:10.520 --> 1:01:12.080
<v Speaker 2>as he could rap his ass off, but even his

1:01:12.200 --> 1:01:15.520
<v Speaker 2>hooks are strong. I just think you need to have

1:01:15.720 --> 1:01:18.760
<v Speaker 2>certain inspiration to certain artists that you have in close

1:01:18.840 --> 1:01:22.120
<v Speaker 2>proximity two when you're making these projects. Like again, I

1:01:22.160 --> 1:01:25.720
<v Speaker 2>don't know what Cole's songmaking and album making process looks like.

1:01:25.760 --> 1:01:27.720
<v Speaker 2>I don't know who's in there with them. I'm just

1:01:27.760 --> 1:01:30.680
<v Speaker 2>saying it's okay, like what we said to just the

1:01:30.760 --> 1:01:33.440
<v Speaker 2>guys that again your camp still somebody like j I

1:01:33.520 --> 1:01:35.520
<v Speaker 2>D have him in there just to listen to some

1:01:35.640 --> 1:01:38.360
<v Speaker 2>songs and some records and give his opinion here and there.

1:01:38.920 --> 1:01:40.720
<v Speaker 6>We saw that with Boss on the off season.

1:01:40.840 --> 1:01:43.120
<v Speaker 1>Yeah, Boss did like seven hooks on the off season,

1:01:43.320 --> 1:01:45.400
<v Speaker 1>and that's I thought incredible.

1:01:45.880 --> 1:01:49.080
<v Speaker 2>I'm not mad at that when it's gonna make songmaking again, Bars,

1:01:49.240 --> 1:01:52.840
<v Speaker 2>I'm never questioning Jermaine Cole's ability to bar you down, but.

1:01:52.920 --> 1:01:54.720
<v Speaker 1>He never This is the first time I think that

1:01:54.880 --> 1:01:58.439
<v Speaker 1>flawed kind of came back because I think it sideline story,

1:01:58.440 --> 1:01:58.720
<v Speaker 1>which I.

1:01:58.680 --> 1:01:59.920
<v Speaker 6>Don't put all on him.

1:02:00.080 --> 1:02:02.880
<v Speaker 1>I think he was pressured a lot with rock and

1:02:02.920 --> 1:02:05.040
<v Speaker 1>it just being in that era where you needed to

1:02:05.160 --> 1:02:08.240
<v Speaker 1>have this smash R and B singer, and I don't

1:02:08.280 --> 1:02:10.880
<v Speaker 1>put too much on him for that. But then for

1:02:11.080 --> 1:02:14.160
<v Speaker 1>Still Drive, I think he started to get it correct

1:02:14.240 --> 1:02:16.400
<v Speaker 1>on how he could balance that not making it too

1:02:16.480 --> 1:02:18.720
<v Speaker 1>much him On on Hooks even when there wasn't a

1:02:18.760 --> 1:02:22.480
<v Speaker 1>feature kod I thought he got it right, and offseason

1:02:22.560 --> 1:02:25.680
<v Speaker 1>I thought he got it right. It's it felt more

1:02:25.720 --> 1:02:29.720
<v Speaker 1>born center and sideline story with the hooks on this one,

1:02:31.400 --> 1:02:32.920
<v Speaker 1>I mean again.

1:02:34.440 --> 1:02:35.000
<v Speaker 6>Didn't love it.

1:02:35.840 --> 1:02:37.560
<v Speaker 2>There was some good moments on the album here and there.

1:02:38.680 --> 1:02:39.680
<v Speaker 6>Do we need two discs?

1:02:39.800 --> 1:02:42.320
<v Speaker 2>No, I think we could have took We could have

1:02:42.400 --> 1:02:46.360
<v Speaker 2>taken this down and you know, made one disc, take

1:02:46.400 --> 1:02:48.240
<v Speaker 2>the best off each disc. Because again we talked about

1:02:48.600 --> 1:02:51.040
<v Speaker 2>you get into that that that space where it gets dangerous.

1:02:51.040 --> 1:02:53.600
<v Speaker 2>He talking about two discs. You got to be able

1:02:53.680 --> 1:02:56.840
<v Speaker 2>to your song your song making, not your rapping ability

1:02:57.440 --> 1:02:59.680
<v Speaker 2>to have two discs. Your song making ability has to

1:02:59.720 --> 1:03:04.040
<v Speaker 2>be incredible, especially hooks. I agree, your bridges, that has

1:03:04.080 --> 1:03:05.920
<v Speaker 2>to be in credible. You have to be able to

1:03:05.960 --> 1:03:07.960
<v Speaker 2>do that at an incredible volume.

1:03:08.240 --> 1:03:13.200
<v Speaker 1>Especially I'm sorry to cut you off, especially when you're

1:03:13.280 --> 1:03:15.520
<v Speaker 1>someone like Cole And that's not a slight y'all be

1:03:15.600 --> 1:03:20.600
<v Speaker 1>clowning Kendrick on the funny voice shit. That does help

1:03:20.680 --> 1:03:25.080
<v Speaker 1>break things up sonically, like NICKI is really great at

1:03:25.120 --> 1:03:27.120
<v Speaker 1>that as well. Like when you can wrap that, well,

1:03:27.200 --> 1:03:30.840
<v Speaker 1>you do need to give the person's ear a break

1:03:30.960 --> 1:03:31.520
<v Speaker 1>for a second.

1:03:31.960 --> 1:03:33.120
<v Speaker 6>Like tone does matter.

1:03:34.240 --> 1:03:38.480
<v Speaker 1>And I think twenty four Records Big was was very

1:03:38.560 --> 1:03:41.760
<v Speaker 1>much one of the greatest rap voices ever, obviously at

1:03:41.760 --> 1:03:43.240
<v Speaker 1>a bunch of different flows, but he knew how to

1:03:43.320 --> 1:03:45.640
<v Speaker 1>break up the records where you would get a break

1:03:45.680 --> 1:03:48.760
<v Speaker 1>from Big. It's a lot to digest when you're that

1:03:48.880 --> 1:03:52.800
<v Speaker 1>good at rapping, and twenty four Records is just too much.

1:03:53.400 --> 1:03:54.440
<v Speaker 6>Yeah, it was just that way.

1:03:54.520 --> 1:03:56.120
<v Speaker 2>It was too much for the for the hooks and

1:03:56.120 --> 1:03:58.560
<v Speaker 2>the songs not to be, you know, as strong as

1:03:58.600 --> 1:04:02.960
<v Speaker 2>they should have been for twenty four tracks. The what

1:04:03.080 --> 1:04:03.520
<v Speaker 2>If song?

1:04:05.640 --> 1:04:08.400
<v Speaker 4>Can I take a bathroom break? Y'all can keep talking?

1:04:10.440 --> 1:04:12.040
<v Speaker 4>I left that one alone because I wanted to have

1:04:12.120 --> 1:04:15.240
<v Speaker 4>this as a group talk. Well, well, let me let

1:04:15.280 --> 1:04:19.800
<v Speaker 4>me let me continue before get into what If. Compliments

1:04:21.200 --> 1:04:27.640
<v Speaker 4>Listen Jaco, phenomenal MC, incredible MC, and is incredible raps ad.

1:04:27.560 --> 1:04:31.120
<v Speaker 2>So I just it's just the hooks, man, the hooks.

1:04:31.120 --> 1:04:34.240
<v Speaker 2>For me, it was just it was it was way

1:04:34.520 --> 1:04:37.720
<v Speaker 2>too many moments of just like where the hooks felt lazy.

1:04:38.600 --> 1:04:40.760
<v Speaker 2>It felt like, Okay, let me just lean on this this, this,

1:04:41.720 --> 1:04:45.280
<v Speaker 2>this hook that people know that they already love to

1:04:45.440 --> 1:04:48.040
<v Speaker 2>fill in here. It felt like a lot of references,

1:04:48.120 --> 1:04:49.840
<v Speaker 2>like a lot of reference hooks. Like it felt like,

1:04:50.040 --> 1:04:51.320
<v Speaker 2>let me put this here, but I'll go back and

1:04:51.480 --> 1:04:55.040
<v Speaker 2>change it. We do know that Jaco had to change

1:04:55.040 --> 1:04:57.600
<v Speaker 2>some things on the album because of things that happened.

1:04:58.520 --> 1:05:00.800
<v Speaker 2>He had to change some things around. What he had

1:05:00.840 --> 1:05:05.640
<v Speaker 2>to change, we don't know, but I feel like gaps

1:05:05.680 --> 1:05:07.880
<v Speaker 2>are there. We can kind of feel like where he

1:05:08.040 --> 1:05:12.280
<v Speaker 2>was going to have bigger songs with bigger hooks, had

1:05:12.320 --> 1:05:14.280
<v Speaker 2>he had certain individuals on this album.

1:05:14.680 --> 1:05:15.800
<v Speaker 6>I think that that was blatant.

1:05:15.880 --> 1:05:17.640
<v Speaker 2>It was like because there's no to me, there's no

1:05:18.040 --> 1:05:20.760
<v Speaker 2>I remember Damara saying he gonna have a bop. I

1:05:20.800 --> 1:05:23.120
<v Speaker 2>don't know if I hear a bop on here? Who

1:05:23.200 --> 1:05:23.600
<v Speaker 2>the fuck is?

1:05:23.640 --> 1:05:24.120
<v Speaker 6>You as cool?

1:05:25.240 --> 1:05:26.600
<v Speaker 2>But it's just too much who the fuck is just

1:05:26.680 --> 1:05:29.560
<v Speaker 2>the same repetitive. It's like again to me, that stat

1:05:30.240 --> 1:05:32.200
<v Speaker 2>when you have a pin like j Cole to repeat

1:05:32.360 --> 1:05:34.160
<v Speaker 2>who the fuck is you? As many times as a hook?

1:05:35.160 --> 1:05:37.240
<v Speaker 2>To me, again, I can't do what Jay Cole does,

1:05:37.280 --> 1:05:39.320
<v Speaker 2>but to me as a listener, that just feels lazy.

1:05:39.320 --> 1:05:41.400
<v Speaker 2>It feels like, oh, let me just repeat this over

1:05:41.480 --> 1:05:45.120
<v Speaker 2>and over as the hook. I don't know if I

1:05:45.200 --> 1:05:46.360
<v Speaker 2>hear a bop on it. I don't know if I

1:05:46.440 --> 1:05:49.640
<v Speaker 2>hear something that I'm gonna want to hear and ride to.

1:05:49.920 --> 1:05:53.760
<v Speaker 2>And I don't know if I hear that again. The

1:05:53.920 --> 1:05:55.680
<v Speaker 2>music on is, like I said, there's some moments on

1:05:55.720 --> 1:05:57.880
<v Speaker 2>It's some good moments on this, on this, on this project,

1:05:58.880 --> 1:06:00.960
<v Speaker 2>but I don't think it's nothing that sustains and nothing

1:06:01.040 --> 1:06:02.880
<v Speaker 2>that I'm gonna want to keep going back to.

1:06:04.400 --> 1:06:07.360
<v Speaker 6>Not one song of songs I'm going back to that.

1:06:08.000 --> 1:06:08.920
<v Speaker 6>I like Monce wrote a lot.

1:06:09.400 --> 1:06:10.800
<v Speaker 2>How do you feel about drum and bass?

1:06:11.440 --> 1:06:12.040
<v Speaker 6>Which one is that?

1:06:12.200 --> 1:06:14.160
<v Speaker 3>Well, we talked that drumming bass, Fuck you Tom, I.

1:06:16.200 --> 1:06:19.760
<v Speaker 6>That's cool, that's cool, but again I'm just not I'm

1:06:19.800 --> 1:06:20.440
<v Speaker 6>not in love with it.

1:06:20.560 --> 1:06:21.120
<v Speaker 2>But it's cool.

1:06:21.360 --> 1:06:21.880
<v Speaker 6>It's cool.

1:06:25.120 --> 1:06:30.640
<v Speaker 2>So you're disappointed as well, not disappointed, underwhelmed for me

1:06:30.760 --> 1:06:37.200
<v Speaker 2>to be anticipating this project for almost ten years. I

1:06:37.360 --> 1:06:39.720
<v Speaker 2>just feel like we've gotten albums from other artists in

1:06:39.800 --> 1:06:43.280
<v Speaker 2>the past year that was better than this, And I

1:06:43.280 --> 1:06:45.320
<v Speaker 2>don't think any of those guys could probably raps because

1:06:45.320 --> 1:06:47.640
<v Speaker 2>it's J Cole, you know what I'm saying. So again

1:06:47.720 --> 1:06:51.160
<v Speaker 2>that just leads to song making ability and album making ability.

1:06:52.320 --> 1:06:53.080
<v Speaker 6>Too much cold.

1:06:53.160 --> 1:06:55.840
<v Speaker 2>I think again, to double this thing. We talked about

1:06:55.880 --> 1:06:57.760
<v Speaker 2>that when we first heard It's Gonna bedub. That's tricky

1:06:58.360 --> 1:07:01.160
<v Speaker 2>in dangerous waters when you start talking about twenty plush tracks,

1:07:01.400 --> 1:07:04.880
<v Speaker 2>breaking it up into two different you know, albums or whatever.

1:07:06.200 --> 1:07:07.080
<v Speaker 6>Not many can do that.

1:07:08.000 --> 1:07:10.080
<v Speaker 2>But again, good moments. I don't want to seem like

1:07:10.120 --> 1:07:11.680
<v Speaker 2>I'm just shitting on the album, because I'm not. There's

1:07:11.680 --> 1:07:14.520
<v Speaker 2>some good moments on there, obviously, good rapping, great rapping.

1:07:15.520 --> 1:07:18.640
<v Speaker 2>Just the songs don't really you know, not enough songs

1:07:18.720 --> 1:07:22.600
<v Speaker 2>hold me and sustained my listening to it. I'm like, nah,

1:07:22.640 --> 1:07:24.560
<v Speaker 2>this shit is crazy. But there was some good moments

1:07:24.600 --> 1:07:28.040
<v Speaker 2>on there. There was some good moments. Now to what if,

1:07:29.280 --> 1:07:31.440
<v Speaker 2>because I spoke, I spoke about it. I said, I

1:07:31.600 --> 1:07:35.959
<v Speaker 2>felt like J Cole should address the situation and debt

1:07:36.320 --> 1:07:38.080
<v Speaker 2>that he went through because obviously it was a big

1:07:38.160 --> 1:07:41.040
<v Speaker 2>moment and you know his role in it. I felt like,

1:07:41.720 --> 1:07:44.200
<v Speaker 2>you know, he gave us, you know, kind of glimpses

1:07:44.240 --> 1:07:46.240
<v Speaker 2>into it, or was it poort Antonio or something like

1:07:46.320 --> 1:07:48.600
<v Speaker 2>that gave us glimpses into it. But I felt like

1:07:48.640 --> 1:07:52.160
<v Speaker 2>he should have used this album to really get into

1:07:52.200 --> 1:07:54.960
<v Speaker 2>his emotion around that whole thing, is thinking around that

1:07:55.040 --> 1:07:57.520
<v Speaker 2>whole moment, things he may feel.

1:07:57.320 --> 1:07:59.480
<v Speaker 6>Towards both of those gentlemen.

1:07:59.680 --> 1:08:02.680
<v Speaker 2>Even day, I felt like he should have used some

1:08:02.840 --> 1:08:03.720
<v Speaker 2>of this album on that.

1:08:05.800 --> 1:08:06.440
<v Speaker 6>The what if thing.

1:08:06.520 --> 1:08:13.920
<v Speaker 2>I didn't like it only because again we apologizing and

1:08:14.000 --> 1:08:15.760
<v Speaker 2>it's like why, Like, first of all, that's not even

1:08:15.800 --> 1:08:18.920
<v Speaker 2>your error. You didn't know packin Big. I gounnderstand if

1:08:18.960 --> 1:08:21.200
<v Speaker 2>jay Z made a song like this, NAS made we

1:08:21.280 --> 1:08:23.080
<v Speaker 2>will survive. I can understand if Navs made a song

1:08:23.160 --> 1:08:26.640
<v Speaker 2>like this, it was right j Cole, I get it.

1:08:26.960 --> 1:08:29.880
<v Speaker 2>Fans of both of those MC's probably has real feelings

1:08:29.920 --> 1:08:31.800
<v Speaker 2>like damn, I wish that didn't happen, because obviously we

1:08:31.880 --> 1:08:35.080
<v Speaker 2>lost two of the best around some shit. But then

1:08:35.120 --> 1:08:36.639
<v Speaker 2>try to cure it in a way where he kind

1:08:36.680 --> 1:08:39.439
<v Speaker 2>of was talking about how he felt in his moment

1:08:40.040 --> 1:08:43.519
<v Speaker 2>of battling one of his brothers or one of his

1:08:43.760 --> 1:08:46.479
<v Speaker 2>friends and things like that, and I felt like that

1:08:46.760 --> 1:08:50.000
<v Speaker 2>was just kind of again, that was a lazy attempt

1:08:50.040 --> 1:08:54.839
<v Speaker 2>at addressing, you know, his own situation in the industry

1:08:54.920 --> 1:08:57.920
<v Speaker 2>and then rapping and battling and how it could turn

1:08:58.200 --> 1:09:01.080
<v Speaker 2>negative and ugly and you know it could go away

1:09:01.160 --> 1:09:05.160
<v Speaker 2>that you don't want it to go again. Jake Cole

1:09:05.280 --> 1:09:07.920
<v Speaker 2>is a great MC, great writer. I just felt like

1:09:08.040 --> 1:09:09.400
<v Speaker 2>he used that moment the wrong way.

1:09:09.560 --> 1:09:13.240
<v Speaker 4>Where did you feel like he was using his own

1:09:14.640 --> 1:09:17.080
<v Speaker 4>well when things where he said, like, you know, uh,

1:09:18.240 --> 1:09:20.480
<v Speaker 4>they're so uncomparable, I would apologize.

1:09:21.000 --> 1:09:23.360
<v Speaker 2>I should have apologized. You know, you're still mid some

1:09:23.479 --> 1:09:25.400
<v Speaker 2>shit he said. Well, I kind of felt like that

1:09:25.600 --> 1:09:31.040
<v Speaker 2>was him talking to uh Drake, like that was like

1:09:31.120 --> 1:09:33.120
<v Speaker 2>a bar like, you know, obviously, I know he's gonna

1:09:33.160 --> 1:09:35.519
<v Speaker 2>hear this again. I understand he's talking has Pot and

1:09:35.600 --> 1:09:37.800
<v Speaker 2>talking as big, but again, we know the moment that

1:09:37.880 --> 1:09:41.560
<v Speaker 2>he was in in his own battle and rap. I

1:09:41.640 --> 1:09:44.639
<v Speaker 2>feel like that was kind of like a little you know, Okay,

1:09:44.720 --> 1:09:47.080
<v Speaker 2>that's you talking. I understand you talking as Big in POC,

1:09:47.600 --> 1:09:50.439
<v Speaker 2>but that's Jake Cole talking to Drake right there. Just

1:09:50.600 --> 1:09:52.320
<v Speaker 2>which part exactly I missed my dog? I ain't got

1:09:52.400 --> 1:09:52.680
<v Speaker 2>to hide.

1:09:52.680 --> 1:09:54.960
<v Speaker 3>If I hurt you, I apologize that party.

1:09:56.240 --> 1:09:59.040
<v Speaker 1>You get what I'm saying, Like, obviously, I don't know

1:09:59.080 --> 1:10:02.479
<v Speaker 1>if that's case. I still would have been mad at

1:10:02.520 --> 1:10:04.760
<v Speaker 1>this song, but I would have understood it more if

1:10:04.800 --> 1:10:07.880
<v Speaker 1>he did a third verse, speaking as Ja Cole in

1:10:08.040 --> 1:10:10.000
<v Speaker 1>the situation he went through, if we're going to address

1:10:10.040 --> 1:10:13.200
<v Speaker 1>people apologizing to each other, like, I would have still

1:10:13.240 --> 1:10:16.040
<v Speaker 1>hated that you did the big perspective in POC perspective,

1:10:16.080 --> 1:10:18.320
<v Speaker 1>but if you did the third verse as Jake Cole

1:10:18.840 --> 1:10:20.800
<v Speaker 1>to show like, Okay, this is what if they would

1:10:20.840 --> 1:10:24.160
<v Speaker 1>have apologized and then gave your perspective, everything look all right.

1:10:24.160 --> 1:10:27.360
<v Speaker 1>At least he tied it all together. This is a

1:10:27.479 --> 1:10:28.560
<v Speaker 1>cop out to me.

1:10:28.680 --> 1:10:29.360
<v Speaker 6>I actually do.

1:10:29.439 --> 1:10:32.360
<v Speaker 1>Feel and I'm speculating called me an idiot.

1:10:33.280 --> 1:10:33.920
<v Speaker 6>I'm fine with that.

1:10:34.160 --> 1:10:37.439
<v Speaker 1>I think at some point in the studio Jake Cole

1:10:37.520 --> 1:10:40.880
<v Speaker 1>had an idea of doing a song like this from

1:10:40.920 --> 1:10:43.760
<v Speaker 1>the perspective of Drake and the perspective of Kendrick, and

1:10:43.840 --> 1:10:46.680
<v Speaker 1>then his third verse would be his perspective in the

1:10:46.720 --> 1:10:49.080
<v Speaker 1>same concept of what if they apologize to each other?

1:10:49.120 --> 1:10:52.120
<v Speaker 6>What if that she didn't happen and I don't even worse.

1:10:53.240 --> 1:10:55.800
<v Speaker 1>I agree, and I think somebody said, bro, don't do that,

1:10:57.560 --> 1:10:59.479
<v Speaker 1>and he liked the concept so much that he was like,

1:10:59.520 --> 1:11:00.599
<v Speaker 1>I'll do it his pocket bit.

1:11:01.400 --> 1:11:03.360
<v Speaker 2>And I think it even came out ten times yea,

1:11:03.360 --> 1:11:05.240
<v Speaker 2>because it's not there's no coincidence that he did this,

1:11:05.960 --> 1:11:08.320
<v Speaker 2>Like we know that I could be one thousand percent wrong.

1:11:08.360 --> 1:11:10.800
<v Speaker 2>I'm just speculating what this is.

1:11:11.000 --> 1:11:14.120
<v Speaker 6>But I'm just just the climate and how it looks.

1:11:14.240 --> 1:11:18.080
<v Speaker 2>Obviously we lost these to cs over what people think

1:11:18.200 --> 1:11:20.320
<v Speaker 2>it was because of the battle. It was a lot

1:11:20.400 --> 1:11:23.200
<v Speaker 2>deeper than just the battle. But I understand what Cole

1:11:23.320 --> 1:11:25.519
<v Speaker 2>was doing with this. Again, I just think that his

1:11:25.840 --> 1:11:29.800
<v Speaker 2>he had such a huge moment that he could have

1:11:29.840 --> 1:11:32.640
<v Speaker 2>spoken about more in depth on this album, and he

1:11:32.760 --> 1:11:34.320
<v Speaker 2>didn't do that to me, Like, I just felt like,

1:11:34.400 --> 1:11:35.920
<v Speaker 2>you know, even on the other one, what's the one

1:11:35.960 --> 1:11:39.599
<v Speaker 2>where he sampled the common joint her I love her again?

1:11:39.760 --> 1:11:41.639
<v Speaker 2>Do you think that that was more of a dress

1:11:41.680 --> 1:11:42.639
<v Speaker 2>than anything else?

1:11:44.120 --> 1:11:46.240
<v Speaker 6>He quoted? He quoted he said to my friends, would

1:11:46.240 --> 1:11:47.439
<v Speaker 6>be beef and whatever whatever.

1:11:47.479 --> 1:11:50.960
<v Speaker 2>With that, Like, again, you could have used more, you

1:11:51.040 --> 1:11:54.080
<v Speaker 2>could have went into depth more. We get it. She

1:11:54.240 --> 1:11:56.760
<v Speaker 2>told me. Wasn't mad at just a quick quick mention

1:11:56.880 --> 1:11:58.559
<v Speaker 2>of that in that record, I wouldn't want to fold.

1:11:58.880 --> 1:12:01.160
<v Speaker 1>I'd rather what If, I am because I think that

1:12:01.280 --> 1:12:03.280
<v Speaker 1>he needs to speak to that more. I'm saying I'd

1:12:03.360 --> 1:12:06.720
<v Speaker 1>rather that than what If. Then when he said hip

1:12:06.720 --> 1:12:08.200
<v Speaker 1>hop not she was the best I ever had.

1:12:08.320 --> 1:12:09.680
<v Speaker 4>Yeah, the type of games is why too of my

1:12:09.760 --> 1:12:11.240
<v Speaker 4>homie started to beef to both of them. She said,

1:12:11.240 --> 1:12:12.760
<v Speaker 4>you're the best I ever had. And the whole time

1:12:12.800 --> 1:12:14.240
<v Speaker 4>that bitch was saying that type of shit to me,

1:12:14.360 --> 1:12:17.679
<v Speaker 4>fuck exactly. I like that he just left it at that. Yeah,

1:12:17.680 --> 1:12:20.280
<v Speaker 4>I got mind that. I thought that was perfectly when

1:12:20.320 --> 1:12:23.800
<v Speaker 4>it comes to what If, So I listened. I only

1:12:23.880 --> 1:12:27.000
<v Speaker 4>listened to the first disc first because I wanted to

1:12:27.120 --> 1:12:29.760
<v Speaker 4>digest them as two differentness. Listen to the first this

1:12:30.400 --> 1:12:32.759
<v Speaker 4>and then I went on the internet and people started

1:12:32.800 --> 1:12:34.560
<v Speaker 4>talking about what the concept.

1:12:34.200 --> 1:12:34.639
<v Speaker 2>Of what if.

1:12:35.040 --> 1:12:38.240
<v Speaker 4>So when I got to the second disc, I skipped

1:12:38.280 --> 1:12:40.559
<v Speaker 4>what If. I didn't hear what If till damn near

1:12:40.680 --> 1:12:43.479
<v Speaker 4>Sunday and I was talking to somebody and they were like,

1:12:43.520 --> 1:12:45.200
<v Speaker 4>why you haven't heard it yet? And I was like no,

1:12:45.439 --> 1:12:49.160
<v Speaker 4>and they were like why. I'm like, because no matter

1:12:49.240 --> 1:12:52.360
<v Speaker 4>how well he executes this, it's going to be bad,

1:12:52.520 --> 1:12:54.479
<v Speaker 4>Like there's no it's gonna be bad no matter how.

1:12:54.520 --> 1:12:57.920
<v Speaker 4>And I think that he executed executed it better than

1:12:58.160 --> 1:12:59.760
<v Speaker 4>other people who have done it, just because of his

1:13:00.160 --> 1:13:02.360
<v Speaker 4>and ability. But you're not the person who does this

1:13:02.600 --> 1:13:04.160
<v Speaker 4>like you're making it. I literally said to the person

1:13:04.200 --> 1:13:05.920
<v Speaker 4>who told me that he's making it hard for me

1:13:06.000 --> 1:13:07.400
<v Speaker 4>to go in the work on Monday as a J.

1:13:07.560 --> 1:13:10.200
<v Speaker 4>Cole fan, because it's like, I've been through enough. I

1:13:10.320 --> 1:13:13.280
<v Speaker 4>don't need you know what I've been through enough, Like

1:13:13.400 --> 1:13:16.000
<v Speaker 4>I don't need to have to go into work a J.

1:13:16.160 --> 1:13:18.080
<v Speaker 2>Cole fan because and again I'm a fan too, but

1:13:18.160 --> 1:13:21.960
<v Speaker 2>you like really love Cole? Are you do you love

1:13:22.040 --> 1:13:24.479
<v Speaker 2>this album? Give me one second, let me finish, and

1:13:24.600 --> 1:13:25.400
<v Speaker 2>I have one more thing.

1:13:25.920 --> 1:13:28.479
<v Speaker 4>Yeah, But I was just gonna say, well, what if

1:13:28.479 --> 1:13:31.000
<v Speaker 4>it gives to me or not even what it gives

1:13:31.000 --> 1:13:33.040
<v Speaker 4>to me, just what it gives generally that I have

1:13:33.160 --> 1:13:35.880
<v Speaker 4>to come in here and fucking defend is See, guys,

1:13:36.400 --> 1:13:39.000
<v Speaker 4>if they would apologize like I did, they still be alive.

1:13:39.320 --> 1:13:40.800
<v Speaker 4>That's what it gives to me, And it makes me

1:13:40.880 --> 1:13:43.400
<v Speaker 4>want to choke myself. So it's like why, why, why

1:13:43.600 --> 1:13:45.680
<v Speaker 4>that's nasty? Why you know what I'm saying like you're

1:13:45.680 --> 1:13:46.479
<v Speaker 4>making my job hard.

1:13:48.160 --> 1:13:50.760
<v Speaker 1>That's that's a perfect way I wanted to get with

1:13:50.920 --> 1:13:55.000
<v Speaker 1>with with my point because even if that wasn't Cole's intentions, that's.

1:13:54.840 --> 1:13:55.639
<v Speaker 2>How I came across.

1:13:55.720 --> 1:13:59.519
<v Speaker 1>I'm sure listening, but it came across that way. Yeah,

1:13:59.680 --> 1:14:02.040
<v Speaker 1>even if there's plenty of things I say on here

1:14:02.120 --> 1:14:04.320
<v Speaker 1>that come across so blatantly and I'm like in mi head,

1:14:04.360 --> 1:14:05.759
<v Speaker 1>I'm like, I didn't mean it that way, and everyone,

1:14:05.840 --> 1:14:07.559
<v Speaker 1>including you guys, are like, that's how you sound.

1:14:07.760 --> 1:14:08.839
<v Speaker 6>Yeah, that happens.

1:14:09.439 --> 1:14:12.519
<v Speaker 1>I'm saying this came across nasty and weird, and it

1:14:12.680 --> 1:14:15.720
<v Speaker 1>feels like you're trying to compare it like you took

1:14:15.760 --> 1:14:17.800
<v Speaker 1>the higher road and look what could have become. And

1:14:17.960 --> 1:14:21.280
<v Speaker 1>the difference is it's apples and bowling balls. This shit

1:14:21.400 --> 1:14:25.679
<v Speaker 1>started deep, when people were dying, people were being shot.

1:14:26.479 --> 1:14:29.760
<v Speaker 1>It wasn't somebody teasing you on a metro beat Like.

1:14:29.880 --> 1:14:33.960
<v Speaker 1>It's a drastically different scenario that can't be comparable. Cole

1:14:34.040 --> 1:14:37.320
<v Speaker 1>even saying that first line as Big to me was

1:14:37.400 --> 1:14:39.240
<v Speaker 1>like the most offensive thing that all of a sudden,

1:14:39.479 --> 1:14:42.479
<v Speaker 1>Big would have been, like Big should have been, like, yo, man,

1:14:42.560 --> 1:14:44.120
<v Speaker 1>I know you said you fucked my wife.

1:14:44.240 --> 1:14:48.960
<v Speaker 2>But yo, we should end this right, like what we gotta.

1:14:48.680 --> 1:14:50.559
<v Speaker 4>Stop speaking from the perspective of dead people.

1:14:50.640 --> 1:14:54.280
<v Speaker 2>Like like that's what Big should have done is disrespectful

1:14:55.320 --> 1:14:55.960
<v Speaker 2>and like it's.

1:14:55.880 --> 1:14:58.680
<v Speaker 1>It's like offensive hindsight, like that Big should have been

1:14:58.760 --> 1:15:03.000
<v Speaker 1>like you know what, you're right. A matter of fact,

1:15:03.040 --> 1:15:05.439
<v Speaker 1>Big handle that better than any twenty four year old

1:15:05.520 --> 1:15:10.120
<v Speaker 1>on earth would have handled that situation. Also, MA, I know,

1:15:10.160 --> 1:15:12.240
<v Speaker 1>I thought, I just thought, what if it was one

1:15:12.280 --> 1:15:14.840
<v Speaker 1>of the when I said some of the highest highs

1:15:15.200 --> 1:15:17.719
<v Speaker 1>were cold and some of the lowest fucking low.

1:15:17.680 --> 1:15:19.160
<v Speaker 2>And it sucks because the rapping is so good.

1:15:22.560 --> 1:15:24.559
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<v Speaker 6>No I saw some switch it to AI with the

1:16:52.600 --> 1:16:53.439
<v Speaker 6>flow whatever.

1:16:53.479 --> 1:16:55.320
<v Speaker 2>You know. The interesting part about the what If song

1:16:55.680 --> 1:16:59.800
<v Speaker 2>is that is Cold talking what if what if I

1:16:59.840 --> 1:17:02.040
<v Speaker 2>stayed in the battle, what if things were different in

1:17:02.120 --> 1:17:06.720
<v Speaker 2>that moment and listening to a lot of Cold because

1:17:06.760 --> 1:17:08.719
<v Speaker 2>I've been I've been waiting for this album only because

1:17:08.800 --> 1:17:12.519
<v Speaker 2>I wanted to listen to literally everything Cole said and

1:17:12.640 --> 1:17:16.479
<v Speaker 2>to me so much more makes it makes so much

1:17:16.520 --> 1:17:18.840
<v Speaker 2>more sense to me now why Cold did what he did.

1:17:21.680 --> 1:17:22.240
<v Speaker 6>On this album.

1:17:22.240 --> 1:17:25.080
<v Speaker 2>He speaks to commitment issues, He speaks to being a

1:17:25.120 --> 1:17:27.360
<v Speaker 2>sidewalk nigga mean and he never wanted to jump in traffic,

1:17:27.520 --> 1:17:28.080
<v Speaker 2>never wanted.

1:17:27.880 --> 1:17:28.479
<v Speaker 6>To be in the streets.

1:17:28.560 --> 1:17:30.280
<v Speaker 2>He's always been there with though I don't mean that.

1:17:30.640 --> 1:17:33.560
<v Speaker 2>He's always said they which I always appreciated Cold, But

1:17:33.640 --> 1:17:36.519
<v Speaker 2>it makes it makes more sense now coming off of

1:17:36.560 --> 1:17:40.120
<v Speaker 2>everything like there it is like, Okay, Cool, I have

1:17:40.280 --> 1:17:42.439
<v Speaker 2>no problem with it. I just never paid attention to

1:17:42.560 --> 1:17:46.120
<v Speaker 2>it that much before twenty twenty four because we didn't

1:17:46.160 --> 1:17:49.800
<v Speaker 2>have that moment after twenty twenty four. Now he says that,

1:17:50.320 --> 1:17:52.880
<v Speaker 2>I'm like, okay, I get it now, like that that

1:17:53.120 --> 1:17:55.439
<v Speaker 2>was never you that was never who you are, and

1:17:55.560 --> 1:17:57.479
<v Speaker 2>I can't be mad at that. Be your true self.

1:17:57.479 --> 1:18:01.760
<v Speaker 2>If that's not who you are, no problem. My only

1:18:01.880 --> 1:18:06.200
<v Speaker 2>issue is I feel like everything.

1:18:05.960 --> 1:18:11.200
<v Speaker 6>Posts that it speaks to again. This is just my

1:18:11.280 --> 1:18:12.760
<v Speaker 6>thoughts looking for the house I'm looking in.

1:18:13.520 --> 1:18:17.160
<v Speaker 2>I think that Jake Cole's forever stuck in that dream

1:18:17.320 --> 1:18:21.479
<v Speaker 2>Fest apology moment. Mentally, I don't never spoke to him,

1:18:21.920 --> 1:18:24.679
<v Speaker 2>never had a personal but I think that that moment.

1:18:24.800 --> 1:18:27.080
<v Speaker 2>I think if he had that moment to do over again,

1:18:27.479 --> 1:18:32.720
<v Speaker 2>he would do it differently, only because only because all

1:18:32.800 --> 1:18:36.360
<v Speaker 2>he had to do was what he's incredible at doing. Literally,

1:18:36.560 --> 1:18:39.439
<v Speaker 2>I disagree because and I was gonna ask my flowers

1:18:39.439 --> 1:18:42.080
<v Speaker 2>at the end from Demarius from the record she loves

1:18:42.760 --> 1:18:45.000
<v Speaker 2>caught a lot of bodies, So my closet it got

1:18:45.080 --> 1:18:46.240
<v Speaker 2>ston skeletons.

1:18:46.280 --> 1:18:48.920
<v Speaker 6>Don't believe me. Call your favorite rapper for the evidence.

1:18:50.240 --> 1:18:52.599
<v Speaker 2>I told you my theory two years ago on stage

1:18:52.600 --> 1:18:54.040
<v Speaker 2>when he brought up his family and yeah, I'm not

1:18:54.040 --> 1:18:56.320
<v Speaker 2>playing I'm not playing this mess. I've been on tour

1:18:56.360 --> 1:18:59.280
<v Speaker 2>with everybody. They know all my shit.

1:18:59.400 --> 1:19:01.559
<v Speaker 3>I think you mean, well, you know, we all interpret

1:19:01.640 --> 1:19:03.679
<v Speaker 3>bars differently, but that's caught.

1:19:03.560 --> 1:19:06.160
<v Speaker 1>A lot of bodies. So on my closet, it got skeletons.

1:19:06.200 --> 1:19:08.559
<v Speaker 1>Don't believe me, Call your favorite rapper for the evidence.

1:19:08.720 --> 1:19:10.880
<v Speaker 4>Caught a lot of bodies, as in like I cleaned

1:19:10.920 --> 1:19:13.160
<v Speaker 4>a lot of niggas up. Don't believe me. Call your

1:19:13.160 --> 1:19:15.080
<v Speaker 4>favorite rapper for the evidence, because I've been on songs

1:19:15.120 --> 1:19:17.080
<v Speaker 4>with your favorite rappers and clean them up. But again,

1:19:17.120 --> 1:19:20.800
<v Speaker 4>we all interpret bars differently, go both ways. I said

1:19:20.840 --> 1:19:23.120
<v Speaker 4>he had he had a combo with Kendrick. Combo, Drake,

1:19:23.120 --> 1:19:26.000
<v Speaker 4>there's a I have no fucking idea had a combo

1:19:26.200 --> 1:19:29.439
<v Speaker 4>with them. Saw where ship was going, and so oh nah,

1:19:31.439 --> 1:19:33.280
<v Speaker 4>He's talked about Infidel, He's talked about all this. I'm

1:19:33.280 --> 1:19:35.160
<v Speaker 4>not saying anything that he hasn't talked about in his music.

1:19:35.200 --> 1:19:36.920
<v Speaker 4>And I'm not trying to bring up Oh everyone moves

1:19:36.960 --> 1:19:38.920
<v Speaker 4>on and becomes better people. I'm not shipping on jac

1:19:39.479 --> 1:19:44.760
<v Speaker 4>But I think that line is directly, directly, directly to

1:19:44.880 --> 1:19:47.080
<v Speaker 4>the point I made after dream bill Fest when he said,

1:19:47.400 --> 1:19:48.840
<v Speaker 4>y I got a family Now though I'm not even

1:19:48.880 --> 1:19:50.880
<v Speaker 4>trying to do this type of ship, I want to Yeah,

1:19:50.880 --> 1:19:52.280
<v Speaker 4>I know where you're about to take it. You're about

1:19:52.280 --> 1:19:54.679
<v Speaker 4>to the personal sh If.

1:19:54.600 --> 1:19:56.479
<v Speaker 2>That's the case, I even look at that, like that's

1:19:56.520 --> 1:19:58.960
<v Speaker 2>a simple conversation, like that was before we got married

1:19:59.000 --> 1:20:00.400
<v Speaker 2>and all that. Look, if a nigga's like, yo, you

1:20:00.520 --> 1:20:03.080
<v Speaker 2>was fucking mad bitches that was before, Like that's not

1:20:03.400 --> 1:20:05.760
<v Speaker 2>to me, that's lazy, that's a lazy excuse, Like I don't,

1:20:05.960 --> 1:20:08.000
<v Speaker 2>I don't believe that. And if that was, that's crazy.

1:20:08.000 --> 1:20:09.479
<v Speaker 2>If that was your reason for doing what she was doing,

1:20:09.560 --> 1:20:11.080
<v Speaker 2>I don't want wife here to know. I be nigga.

1:20:11.120 --> 1:20:13.320
<v Speaker 2>You j Cole, you think your wife don't know you

1:20:13.439 --> 1:20:14.519
<v Speaker 2>got pussy from other women.

1:20:15.439 --> 1:20:17.679
<v Speaker 6>Let's let us let's all relax on that personal part.

1:20:17.760 --> 1:20:20.360
<v Speaker 2>I'm just I'm not saying it's true. I'm just saying,

1:20:20.520 --> 1:20:22.760
<v Speaker 2>if Rapper says it, you think your wife can be

1:20:22.880 --> 1:20:25.519
<v Speaker 2>like word, Okay, now you're one of the dumpest some

1:20:25.640 --> 1:20:29.280
<v Speaker 2>scenes of your fucking generation. I'm pretty sure you got groupies.

1:20:29.520 --> 1:20:31.200
<v Speaker 1>But let's let's let him, let's use let's use mister

1:20:31.280 --> 1:20:35.519
<v Speaker 1>Morale as an example. Where As, yes, everyone thought that,

1:20:35.960 --> 1:20:38.360
<v Speaker 1>and I'm sure that was tough conversations that Kendrick and

1:20:38.400 --> 1:20:39.880
<v Speaker 1>Whitney had to have when he was about to tell

1:20:39.920 --> 1:20:42.560
<v Speaker 1>the world that he had been cheated on our infidelities.

1:20:43.520 --> 1:20:48.280
<v Speaker 1>Sex addicted the whole shit. I'm saying Kendrick got ahead

1:20:48.320 --> 1:20:52.720
<v Speaker 1>of that, and he told us that we all look

1:20:52.760 --> 1:20:56.280
<v Speaker 1>at Cole, especially Cole fans, as like this clean that

1:20:56.479 --> 1:20:58.439
<v Speaker 1>you think I don't think it's about me.

1:20:58.640 --> 1:21:01.160
<v Speaker 2>You think that was in the middle of interrupted me,

1:21:02.479 --> 1:21:05.720
<v Speaker 2>interrupted me every day and I'm sorry, trying to get better. Man.

1:21:06.000 --> 1:21:07.840
<v Speaker 4>You think that Kendrick didn't talk to his wife before

1:21:07.880 --> 1:21:09.240
<v Speaker 4>he went in the move and told us what he

1:21:09.280 --> 1:21:10.680
<v Speaker 4>told You think that was her first time?

1:21:11.240 --> 1:21:13.680
<v Speaker 1>Literally just that's what he just said, literally, So how

1:21:13.760 --> 1:21:15.360
<v Speaker 1>you know that Cole didn't do that with his And

1:21:15.400 --> 1:21:17.960
<v Speaker 1>I finished my point. I'm saying that it has nothing.

1:21:18.000 --> 1:21:21.240
<v Speaker 1>I'm sure Cole has talked to his wife about that stuff.

1:21:21.280 --> 1:21:24.920
<v Speaker 1>I'm saying the perception of Coal has been this squeaky clean.

1:21:25.320 --> 1:21:27.960
<v Speaker 1>It would devastate a lot of his fan base in

1:21:28.040 --> 1:21:30.120
<v Speaker 1>the world if you angled it correctly in a rap

1:21:30.160 --> 1:21:33.120
<v Speaker 1>beef to show the false prophet shit you've been saying.

1:21:33.120 --> 1:21:36.240
<v Speaker 1>Everyone else is a false fucking prophet dog everything even

1:21:36.240 --> 1:21:37.920
<v Speaker 1>saying on your albums is a fucking lie because you

1:21:38.000 --> 1:21:39.320
<v Speaker 1>did this on tour. I'm not saying any of this

1:21:39.400 --> 1:21:42.200
<v Speaker 1>is true, but and we clearly know that in this

1:21:42.400 --> 1:21:44.799
<v Speaker 1>rap beef. Things were said that were not true whatsoever,

1:21:44.960 --> 1:21:47.160
<v Speaker 1>and everything was on the table. We can lie and

1:21:47.160 --> 1:21:50.000
<v Speaker 1>make up anything. You don't think somebody could angle coal

1:21:50.240 --> 1:21:52.320
<v Speaker 1>based off one little thing maybe they saw on tour

1:21:52.479 --> 1:21:54.360
<v Speaker 1>that he already talked to his wife about that could

1:21:54.400 --> 1:21:57.000
<v Speaker 1>not skew the perception of the world of how they

1:21:57.080 --> 1:21:57.439
<v Speaker 1>view him.

1:21:58.200 --> 1:22:00.800
<v Speaker 6>They just half the world did the same thing that differently.

1:22:00.880 --> 1:22:02.519
<v Speaker 2>Now, you're right, you're absolutely right.

1:22:02.520 --> 1:22:04.960
<v Speaker 6>So I think Cole is like, there, I'm getting the

1:22:05.000 --> 1:22:05.559
<v Speaker 6>fuck out.

1:22:05.400 --> 1:22:07.720
<v Speaker 2>Of here though. That's to me, that's Corney. Well we've

1:22:07.720 --> 1:22:10.519
<v Speaker 2>had that is the angle, right, say what he's saying

1:22:10.600 --> 1:22:15.240
<v Speaker 2>is true. That means I don't battle. That means like, nah, choice,

1:22:15.240 --> 1:22:17.720
<v Speaker 2>I don't want nobody hearing that about me. What are

1:22:17.760 --> 1:22:20.280
<v Speaker 2>we talking about? You want of the illness? Like and

1:22:20.439 --> 1:22:24.040
<v Speaker 2>again back to my original point, people, and listen, and

1:22:24.080 --> 1:22:28.120
<v Speaker 2>he ain't got no squeaky clean nothing. He's right now. Okay, Well,

1:22:28.160 --> 1:22:31.040
<v Speaker 2>back back to back to my original point. Yes, I

1:22:31.160 --> 1:22:34.240
<v Speaker 2>think that Jay Cole mentally will never get over his

1:22:34.320 --> 1:22:35.360
<v Speaker 2>decision he made that day.

1:22:35.960 --> 1:22:36.680
<v Speaker 6>I don't think he will.

1:22:37.280 --> 1:22:38.800
<v Speaker 2>And when I said what I said the twenty four

1:22:38.840 --> 1:22:41.880
<v Speaker 2>about career suicide, and everybody's like Nah, you're bugging. I'm

1:22:41.920 --> 1:22:45.679
<v Speaker 2>not talking about album sales and selling tickets. I'm talking

1:22:45.720 --> 1:22:50.360
<v Speaker 2>about the meaning behind his words now, the validity behind

1:22:50.439 --> 1:22:54.360
<v Speaker 2>his pen, how other MC's view him. I don't think

1:22:54.400 --> 1:22:55.920
<v Speaker 2>that none of that. I think all of that is

1:22:56.040 --> 1:22:59.760
<v Speaker 2>over with. He talked about killing his own self, his

1:23:00.040 --> 1:23:02.240
<v Speaker 2>yourself on on the album. I don't do that because

1:23:02.240 --> 1:23:05.680
<v Speaker 2>that was about killing his old self. It's like to

1:23:05.840 --> 1:23:08.240
<v Speaker 2>kill j z Intro, Like, I understand what he was

1:23:08.240 --> 1:23:09.880
<v Speaker 2>saying about killing his old self as old.

1:23:10.040 --> 1:23:11.600
<v Speaker 1>He doesn't even like this to be part of this

1:23:11.720 --> 1:23:13.720
<v Speaker 1>whole thing, Like I don't, so why are we here?

1:23:15.439 --> 1:23:17.320
<v Speaker 6>You're allowed to feel that way at this point in

1:23:17.360 --> 1:23:17.719
<v Speaker 6>your career?

1:23:17.800 --> 1:23:20.760
<v Speaker 2>Like, but but that's that's again that leads to his

1:23:20.880 --> 1:23:24.599
<v Speaker 2>decision in the battle. It's too much of this, I respond,

1:23:24.840 --> 1:23:27.000
<v Speaker 2>I take it back. I want to be a part

1:23:27.040 --> 1:23:28.120
<v Speaker 2>of the shit. Nah, I don't want to be a

1:23:28.160 --> 1:23:31.040
<v Speaker 2>part of the shit. Like, Bro, what we just talking

1:23:31.080 --> 1:23:32.439
<v Speaker 2>about rapping and making music here?

1:23:32.479 --> 1:23:34.479
<v Speaker 4>Bro, Like, I don't understand why were putting all of

1:23:34.520 --> 1:23:38.120
<v Speaker 4>this extra, Like it's not that deep with whatever battle

1:23:38.200 --> 1:23:41.680
<v Speaker 4>y'all was about to have, whatever conversation you had with Kendrick, Like,

1:23:42.600 --> 1:23:43.200
<v Speaker 4>nothing to me.

1:23:43.400 --> 1:23:45.680
<v Speaker 2>Was that deep to where Cole couldn't just be who

1:23:45.720 --> 1:23:48.160
<v Speaker 2>cold is a phenomenal MC through all of that shit,

1:23:48.320 --> 1:23:49.280
<v Speaker 2>and I hear you.

1:23:49.439 --> 1:23:53.040
<v Speaker 1>But where the contradiction would come is the hindsight being

1:23:53.080 --> 1:23:56.080
<v Speaker 1>twenty twenty. And I don't think Cole, is that so

1:23:56.280 --> 1:24:00.400
<v Speaker 1>raven and fucking predicted all that? But you rightfully so

1:24:00.439 --> 1:24:03.320
<v Speaker 1>I have come up here that this ship has crossed

1:24:03.360 --> 1:24:06.439
<v Speaker 1>a fucking line. No, it's not just rapping anymore. Somebody

1:24:06.680 --> 1:24:10.080
<v Speaker 1>was called something that is inexcusable in the world, like

1:24:10.960 --> 1:24:14.120
<v Speaker 1>you come up here and said was crossed instead said

1:24:14.160 --> 1:24:16.960
<v Speaker 1>all that else to me was cool. So you're saying, no,

1:24:17.240 --> 1:24:19.160
<v Speaker 1>it's just line. No it wasn't because you just came

1:24:19.200 --> 1:24:20.240
<v Speaker 1>in here and said that with drinking.

1:24:20.560 --> 1:24:22.639
<v Speaker 6>But that to me was the only line that was crossed.

1:24:23.080 --> 1:24:24.479
<v Speaker 2>That to me, it was only line. Like what I

1:24:24.640 --> 1:24:26.519
<v Speaker 2>f am, Now you're just saying anything if that's what

1:24:26.600 --> 1:24:29.040
<v Speaker 2>you're doing, like man to me that again, I said

1:24:29.080 --> 1:24:31.640
<v Speaker 2>that through the whole thing, but just battling. And then

1:24:31.720 --> 1:24:33.760
<v Speaker 2>now I think forever like your words, like you even

1:24:33.800 --> 1:24:36.160
<v Speaker 2>you hear it in them, the confidence don't even it's

1:24:36.200 --> 1:24:39.040
<v Speaker 2>not even there no more. Everything is like it's almost

1:24:39.160 --> 1:24:42.760
<v Speaker 2>victim mentality honestly, like he's almost rapping as from the

1:24:42.800 --> 1:24:45.120
<v Speaker 2>perspective of a victim, I don't. I don't even want

1:24:45.160 --> 1:24:47.120
<v Speaker 2>this success. I don't even want this ship. I don't

1:24:47.160 --> 1:24:47.599
<v Speaker 2>even want them.

1:24:47.640 --> 1:24:51.160
<v Speaker 4>But that's not But this isn't Cole's first Yes it's not.

1:24:51.400 --> 1:24:54.160
<v Speaker 4>But coming off of what he did, it means and

1:24:54.240 --> 1:24:55.360
<v Speaker 4>it feels different now.

1:24:55.479 --> 1:24:58.599
<v Speaker 2>So and that was my point everything from that moment,

1:24:58.880 --> 1:25:00.360
<v Speaker 2>which is why I said, if he had to do

1:25:00.439 --> 1:25:04.040
<v Speaker 2>it over again, it's a different it's a different decision

1:25:04.080 --> 1:25:08.600
<v Speaker 2>he makes because again I think mentally, mentally, because he

1:25:08.760 --> 1:25:11.320
<v Speaker 2>knows how dope he is. He's stuck in at a

1:25:11.400 --> 1:25:13.600
<v Speaker 2>moment like I should have just bowed. I should have

1:25:13.680 --> 1:25:15.439
<v Speaker 2>just jumped in there and just got my shit up,

1:25:15.560 --> 1:25:17.240
<v Speaker 2>because that's this is what you do. This is the

1:25:17.320 --> 1:25:19.720
<v Speaker 2>easies shit in the world for you to rap. No,

1:25:19.880 --> 1:25:21.800
<v Speaker 2>a lot of niggas can't rap with ja code. We're

1:25:21.800 --> 1:25:24.799
<v Speaker 2>talking about just fuck a hook, fucking up, just bars.

1:25:25.360 --> 1:25:28.559
<v Speaker 2>Are you kidding me? Are you kidding me? And that's

1:25:28.600 --> 1:25:32.960
<v Speaker 2>why I was so disappointed, because I was looking at

1:25:33.000 --> 1:25:34.960
<v Speaker 2>it like, no, this is what you do.

1:25:35.880 --> 1:25:37.479
<v Speaker 6>This we ain't talking about who make a better song,

1:25:37.520 --> 1:25:40.280
<v Speaker 6>who make a better hook. We're talking about who could

1:25:40.320 --> 1:25:41.920
<v Speaker 6>put pin the paper and whoop.

1:25:41.680 --> 1:25:44.679
<v Speaker 2>Ass, well we're moving, I mean a chance.

1:25:44.800 --> 1:25:46.800
<v Speaker 1>And that's kind of why I hate what If being

1:25:46.880 --> 1:25:49.560
<v Speaker 1>on here completely And sorry, I know I cut you

1:25:49.640 --> 1:25:53.920
<v Speaker 1>off because we're talking about this right now, like just

1:25:54.160 --> 1:25:56.439
<v Speaker 1>you should have just left the ship off the album

1:25:56.520 --> 1:25:58.840
<v Speaker 1>so we wouldn't even be having this conversation. Kend Or

1:25:58.880 --> 1:26:01.160
<v Speaker 1>Drake would not have been brought up on less on

1:26:01.320 --> 1:26:04.680
<v Speaker 1>this podcast unless you did the what if?

1:26:04.800 --> 1:26:06.479
<v Speaker 2>What if? What What song?

1:26:06.600 --> 1:26:06.800
<v Speaker 4>If? What?

1:26:06.920 --> 1:26:07.240
<v Speaker 3>What song?

1:26:07.280 --> 1:26:09.240
<v Speaker 6>Would I brought up drink on any of MA.

1:26:09.320 --> 1:26:10.880
<v Speaker 2>Would have brought it up with the I Love You again?

1:26:11.280 --> 1:26:12.320
<v Speaker 3>That would have got. It would have gotten.

1:26:12.640 --> 1:26:14.560
<v Speaker 1>But I thought, I don't think he'd be talking the

1:26:14.640 --> 1:26:18.240
<v Speaker 1>way he's talking again in here with this apology what

1:26:18.320 --> 1:26:20.639
<v Speaker 1>if ship, and it's not. It's again apples and bowling balls,

1:26:20.680 --> 1:26:21.639
<v Speaker 1>not even the same comparison.

1:26:21.680 --> 1:26:22.080
<v Speaker 6>It's weird.

1:26:22.280 --> 1:26:24.280
<v Speaker 1>You know, you know what you're doing because this is

1:26:24.320 --> 1:26:27.040
<v Speaker 1>gonna make everyone want to focus on that, and I

1:26:27.120 --> 1:26:27.760
<v Speaker 1>just thought it was done.

1:26:28.000 --> 1:26:28.960
<v Speaker 2>Oh that was a bad way.

1:26:29.240 --> 1:26:31.080
<v Speaker 4>If you're trying to get away from it, if you're

1:26:31.120 --> 1:26:34.320
<v Speaker 4>not really gonna openly address it, I had to. If

1:26:34.400 --> 1:26:36.640
<v Speaker 4>you if you're not gonna address it then leave what

1:26:36.840 --> 1:26:38.519
<v Speaker 4>if off so that we don't I.

1:26:38.600 --> 1:26:41.280
<v Speaker 6>Love you again. I thought what he addressed there was perfect.

1:26:40.960 --> 1:26:44.479
<v Speaker 2>Because he's mentally never gonna get over that moment. I'm

1:26:44.520 --> 1:26:47.479
<v Speaker 2>telling you, I can hear it in them, and I

1:26:47.600 --> 1:26:49.519
<v Speaker 2>knew that was gonna I'm like, when this all in

1:26:49.640 --> 1:26:51.920
<v Speaker 2>my mind, I'm saying, when this all blows over, Cole

1:26:52.000 --> 1:26:53.920
<v Speaker 2>is gonna look back on day be like n I

1:26:54.000 --> 1:26:56.760
<v Speaker 2>fumbled that one. That was my opportunity to whoop ass

1:26:57.920 --> 1:27:01.320
<v Speaker 2>and then and then and then right because this was

1:27:01.360 --> 1:27:02.960
<v Speaker 2>something I noticed, because I was waiting to see this

1:27:03.040 --> 1:27:05.000
<v Speaker 2>because everybody was like, nah, that's his man, No da

1:27:05.040 --> 1:27:07.160
<v Speaker 2>da If Kendrick is his man, why he ain't got

1:27:07.160 --> 1:27:08.120
<v Speaker 2>the Kendrick songs on the album?

1:27:09.960 --> 1:27:11.600
<v Speaker 4>Oh I don't know if that's is Well what we

1:27:11.680 --> 1:27:14.720
<v Speaker 4>all said that that would look corny. It would look corny,

1:27:14.960 --> 1:27:18.840
<v Speaker 4>it would, But so what where I will agree backing

1:27:18.880 --> 1:27:19.880
<v Speaker 4>out of the battle look corny?

1:27:20.080 --> 1:27:23.720
<v Speaker 2>He did it. Who gives a fuck? Because people were saying, nah,

1:27:23.760 --> 1:27:25.400
<v Speaker 2>that's his man. He ain't really want to go there

1:27:25.439 --> 1:27:28.240
<v Speaker 2>with his men like that. Okay, no problem, that's his man,

1:27:28.479 --> 1:27:30.639
<v Speaker 2>No problem, right, I understand, no problem. You don't want

1:27:30.640 --> 1:27:34.000
<v Speaker 2>to get into it with your boy. Cool? Right, But

1:27:34.080 --> 1:27:37.240
<v Speaker 2>how come them songs in on the album? Did Kendrick

1:27:37.320 --> 1:27:38.120
<v Speaker 2>not clear the songs?

1:27:39.240 --> 1:27:41.000
<v Speaker 1>I don't think hold one of them. I think he

1:27:41.080 --> 1:27:43.040
<v Speaker 1>just we just we just we're just sitting here kicking

1:27:43.080 --> 1:27:46.439
<v Speaker 1>the shit. Or maybe there's those songs maybe on there,

1:27:46.479 --> 1:27:48.640
<v Speaker 1>but they just took Kendrick verse off.

1:27:48.840 --> 1:27:49.760
<v Speaker 2>That could be okay.

1:27:50.080 --> 1:27:51.559
<v Speaker 6>Why Kendrick Versus ain't on the album?

1:27:52.320 --> 1:27:52.880
<v Speaker 2>I think I don't.

1:27:52.920 --> 1:27:54.280
<v Speaker 1>I think the points that you brought up to me

1:27:54.360 --> 1:27:57.000
<v Speaker 1>when I was arguing I would be fine with hearing

1:27:57.040 --> 1:27:59.600
<v Speaker 1>them is the answer. I'm actually agreeing with what you

1:27:59.640 --> 1:28:02.240
<v Speaker 1>said to me at that time. It was how crazy

1:28:02.280 --> 1:28:02.680
<v Speaker 1>it would look.

1:28:03.160 --> 1:28:05.040
<v Speaker 2>It would just it will probably sound dated too. It

1:28:05.080 --> 1:28:05.719
<v Speaker 2>will sounddated.

1:28:05.800 --> 1:28:08.479
<v Speaker 1>Here's my thing where I will agree with Maul is.

1:28:08.880 --> 1:28:13.880
<v Speaker 1>I think this twenty nine was recorded more in off

1:28:13.960 --> 1:28:17.960
<v Speaker 1>season cold time. That feels like off season cold to me.

1:28:18.240 --> 1:28:23.200
<v Speaker 1>This thirty nine sounds like cold now, a little uninspired

1:28:23.439 --> 1:28:27.720
<v Speaker 1>and maybe maybe a little timid, like I do see

1:28:27.760 --> 1:28:29.720
<v Speaker 1>what maul is saying. And again I could be wrong

1:28:29.800 --> 1:28:31.400
<v Speaker 1>and this could have been recorded yesterday for all I

1:28:31.439 --> 1:28:34.200
<v Speaker 1>fucking know, but I can see the sheer difference between

1:28:34.280 --> 1:28:36.879
<v Speaker 1>this twenty nine and this thirty nine with an inspired

1:28:36.920 --> 1:28:39.040
<v Speaker 1>fucking rapper. I'm been a fan of this shit my

1:28:39.240 --> 1:28:40.280
<v Speaker 1>entire life. I can hear that.

1:28:40.600 --> 1:28:44.320
<v Speaker 6>Oh shit, all right, come on, that was funny. He

1:28:44.400 --> 1:28:44.840
<v Speaker 6>almost sad.

1:28:44.880 --> 1:28:51.120
<v Speaker 2>Damn word right there. He don't make this clay. He

1:28:51.280 --> 1:28:55.519
<v Speaker 2>almost baby d We almost called him, hey, almost the

1:28:55.560 --> 1:29:02.000
<v Speaker 2>greatest white mama. What he said on there, I felt seen. No,

1:29:02.720 --> 1:29:06.160
<v Speaker 2>I feel like my personal ears. I can hear the

1:29:06.200 --> 1:29:07.880
<v Speaker 2>difference on it too, And I feel like this twenty

1:29:07.960 --> 1:29:10.680
<v Speaker 2>nine was the stuff that was when he was in

1:29:10.760 --> 1:29:12.920
<v Speaker 2>a little different space, exactly what I was afraid that

1:29:13.680 --> 1:29:16.400
<v Speaker 2>happened though? Did you like it? Did you like it

1:29:16.439 --> 1:29:19.680
<v Speaker 2>more than you thought you would? No? Oh wow, I

1:29:19.760 --> 1:29:22.000
<v Speaker 2>don't like it more than I thought I Wouldn't you

1:29:22.080 --> 1:29:24.280
<v Speaker 2>don't like it at all? Not at all. There's some

1:29:24.400 --> 1:29:27.200
<v Speaker 2>good moments on this album. It's some good moments. I'm

1:29:27.200 --> 1:29:29.560
<v Speaker 2>not I'm not saying the album is trash.

1:29:30.800 --> 1:29:33.439
<v Speaker 6>Too much. Could have condensed it.

1:29:33.560 --> 1:29:35.639
<v Speaker 3>You say that we'll all double this. That aren't drinks,

1:29:35.720 --> 1:29:36.599
<v Speaker 3>So that's not it's.

1:29:36.479 --> 1:29:37.240
<v Speaker 6>That's tough to do.

1:29:37.720 --> 1:29:40.640
<v Speaker 2>You gotta be a different your song making ability has

1:29:40.680 --> 1:29:44.040
<v Speaker 2>to be different to carry double dish like that's just

1:29:44.520 --> 1:29:45.400
<v Speaker 2>we can put that over there.

1:29:45.439 --> 1:29:49.839
<v Speaker 6>Your song making ability has to be different. But good moments.

1:29:50.200 --> 1:29:52.000
<v Speaker 2>Again, I'm never We don't even have to talk about

1:29:52.000 --> 1:29:57.000
<v Speaker 2>bars and rapping. That's cemented just the production on some

1:29:58.280 --> 1:30:01.320
<v Speaker 2>The hooks were lackless for me on most of the songs.

1:30:03.479 --> 1:30:07.479
<v Speaker 2>And whatever hooks are good, it's a flip. It's a sample,

1:30:07.720 --> 1:30:10.240
<v Speaker 2>it's a playoff of other songs that we already know

1:30:10.320 --> 1:30:13.280
<v Speaker 2>and love. That's a cheat code, you know what I'm saying.

1:30:13.280 --> 1:30:15.759
<v Speaker 2>It's like, of course we loved that song. Of course niggas,

1:30:15.760 --> 1:30:17.599
<v Speaker 2>we ain't gonna hate this hook. We love that fucking record.

1:30:17.680 --> 1:30:18.840
<v Speaker 2>Did you feel excited when.

1:30:18.680 --> 1:30:20.080
<v Speaker 3>You heard six Nicks Wild?

1:30:20.520 --> 1:30:21.360
<v Speaker 2>Six Niggas Wild?

1:30:21.600 --> 1:30:23.240
<v Speaker 4>Did you hear like did you get excited? Because that

1:30:23.320 --> 1:30:24.600
<v Speaker 4>hyped me up? And when I first heard that, I

1:30:24.640 --> 1:30:26.479
<v Speaker 4>actually thought the album was gonna sound a lot different

1:30:26.479 --> 1:30:28.040
<v Speaker 4>than it did. I thought I was going to get

1:30:28.040 --> 1:30:30.200
<v Speaker 4>about when I heard when the album opened like that.

1:30:30.479 --> 1:30:33.080
<v Speaker 1>Again, apologies to all of vill I wasn't aware of

1:30:33.080 --> 1:30:35.080
<v Speaker 1>with two six men because Cole has not really said

1:30:35.120 --> 1:30:37.680
<v Speaker 1>two six I was confused when Drake said use six

1:30:37.760 --> 1:30:40.880
<v Speaker 1>the first time, my man, I wouldn't want them to

1:30:40.880 --> 1:30:42.880
<v Speaker 1>do the to do a forest steel things. Isn't Drake

1:30:42.880 --> 1:30:46.120
<v Speaker 1>from Forest Hiels and he's from Forest Hills Drive make

1:30:46.160 --> 1:30:48.080
<v Speaker 1>a Forest Hills record, and then added the action bronze

1:30:48.080 --> 1:30:52.040
<v Speaker 1>into it, like I don't want to all the numbers

1:30:52.080 --> 1:30:54.920
<v Speaker 1>to six, everyone just naming their city random shit out.

1:30:54.800 --> 1:31:01.120
<v Speaker 6>Of nowhere, shout out to the three one five, y'all

1:31:01.120 --> 1:31:01.759
<v Speaker 6>are the orangeman.

1:31:01.920 --> 1:31:04.559
<v Speaker 4>I'm out in three one five real guys, seven real

1:31:04.680 --> 1:31:06.559
<v Speaker 4>pies and all right, my bad.

1:31:06.400 --> 1:31:08.240
<v Speaker 2>I want it, my bad. I'm sorry.

1:31:08.400 --> 1:31:09.200
<v Speaker 6>Was that you were still good?

1:31:09.280 --> 1:31:09.600
<v Speaker 2>That was me?

1:31:10.160 --> 1:31:11.479
<v Speaker 4>That was off the bat, like I was just off

1:31:11.520 --> 1:31:13.120
<v Speaker 4>the top. Well, you asked me if I like the

1:31:13.160 --> 1:31:14.719
<v Speaker 4>album as a whole fan. I do like the album

1:31:14.720 --> 1:31:17.479
<v Speaker 4>as a cole fan. There are a lot of songs

1:31:17.520 --> 1:31:21.120
<v Speaker 4>that I could do without, but the songs that I

1:31:21.400 --> 1:31:23.800
<v Speaker 4>can do with I love, So that makes a good

1:31:23.840 --> 1:31:25.280
<v Speaker 4>album for me. If there's a couple of songs I

1:31:25.360 --> 1:31:27.600
<v Speaker 4>can do without, maybe like five of them on a

1:31:27.680 --> 1:31:30.280
<v Speaker 4>twenty twenty four album, I'm cool with that. I can

1:31:30.360 --> 1:31:32.040
<v Speaker 4>do without five on an album full of twenty four,

1:31:32.360 --> 1:31:34.360
<v Speaker 4>only five, only five, and.

1:31:34.439 --> 1:31:34.960
<v Speaker 2>They would be.

1:31:36.680 --> 1:31:39.120
<v Speaker 4>Yeah, yeah, we'll got do that, but yeah I can.

1:31:39.280 --> 1:31:40.559
<v Speaker 4>I can do it out about five of them.

1:31:40.600 --> 1:31:41.320
<v Speaker 2>But I love it.

1:31:41.760 --> 1:31:44.120
<v Speaker 4>I absolutely love this twenty nine. The five that I

1:31:44.240 --> 1:31:47.639
<v Speaker 4>don't like the majority of them are on this thirty nine.

1:31:47.840 --> 1:31:51.280
<v Speaker 4>But yeah, like I'm Rory said, he doesn't really fuck

1:31:51.280 --> 1:31:53.559
<v Speaker 4>with Old Dog in life since I absolutely fucking love

1:31:53.600 --> 1:31:54.920
<v Speaker 4>them absolutely, I don't.

1:31:54.720 --> 1:31:56.680
<v Speaker 1>Skip an old Dog. I just I just think that

1:31:57.439 --> 1:31:59.080
<v Speaker 1>that one could have been more of a bop. I

1:31:59.120 --> 1:32:02.040
<v Speaker 1>think that shit could have hit a little different. He

1:32:02.040 --> 1:32:03.200
<v Speaker 1>should have took some of your beats.

1:32:03.800 --> 1:32:05.320
<v Speaker 2>No, I'm not saying that whatsoever.

1:32:05.640 --> 1:32:09.680
<v Speaker 1>I said Cole t minds and these guys are geniuses

1:32:09.720 --> 1:32:12.920
<v Speaker 1>with resources I don't have or deserve.

1:32:13.960 --> 1:32:15.920
<v Speaker 2>Go go use I don't.

1:32:15.920 --> 1:32:17.479
<v Speaker 1>I don't have a line on Mike Will when I

1:32:17.520 --> 1:32:21.160
<v Speaker 1>need a base. Sometimes you just need some Mike Will shit.

1:32:21.760 --> 1:32:23.400
<v Speaker 2>But that is my like.

1:32:24.479 --> 1:32:26.320
<v Speaker 1>So sometimes you could make a beat and be like,

1:32:27.479 --> 1:32:29.280
<v Speaker 1>which I've done him my shit. If you want to

1:32:29.280 --> 1:32:31.920
<v Speaker 1>make that joke, I'll make a b Can someone redo this?

1:32:32.000 --> 1:32:34.920
<v Speaker 1>That's way better at this than me. We're here trying

1:32:34.920 --> 1:32:36.280
<v Speaker 1>to we're trying to get the best product, not to

1:32:36.360 --> 1:32:37.559
<v Speaker 1>prove that I could do it by myself.

1:32:37.880 --> 1:32:40.240
<v Speaker 3>Okay, I respect that. You know what this album is like,

1:32:41.400 --> 1:32:42.160
<v Speaker 3>don't piss me off.

1:32:42.439 --> 1:32:44.120
<v Speaker 2>It's like when the girl make you wait like eight

1:32:44.200 --> 1:32:45.360
<v Speaker 2>summers to give you some pussy.

1:32:45.439 --> 1:32:46.559
<v Speaker 3>I knew he was gonna piss me off.

1:32:46.840 --> 1:32:51.200
<v Speaker 2>And then like they stink a little bit, but like

1:32:51.280 --> 1:32:53.120
<v Speaker 2>it's not bad, it's not like you gotta let's just

1:32:53.120 --> 1:32:54.920
<v Speaker 2>a little like and you found out she hit twenty

1:32:54.960 --> 1:32:57.000
<v Speaker 2>four men that summer, Like that's what this is. Like

1:32:57.680 --> 1:32:58.280
<v Speaker 2>you still hit.

1:32:58.880 --> 1:32:59.680
<v Speaker 6>I'm still gonna hit.

1:33:00.000 --> 1:33:01.519
<v Speaker 3>And it was on fire, but it just happened.

1:33:01.880 --> 1:33:03.400
<v Speaker 2>It got a little, it got a little sense to it.

1:33:03.439 --> 1:33:06.160
<v Speaker 2>Though it sounds like much red meat, Like she got

1:33:06.200 --> 1:33:07.920
<v Speaker 2>too much red meat on our diet. You need to

1:33:08.000 --> 1:33:09.880
<v Speaker 2>up the veggies, you know what I'm saying.

1:33:09.880 --> 1:33:13.880
<v Speaker 6>To hit again, everyone deserves second chances.

1:33:15.200 --> 1:33:17.559
<v Speaker 2>I hit again, Everyone deserves another day.

1:33:17.600 --> 1:33:19.479
<v Speaker 6>I would hit again. But but if it's if it's

1:33:19.479 --> 1:33:21.599
<v Speaker 6>still at that same I'm cool.

1:33:21.640 --> 1:33:24.800
<v Speaker 2>I'm off it. We ain't gonna keep doing that because

1:33:24.800 --> 1:33:27.640
<v Speaker 2>I give you the past, like you know we was, you.

1:33:27.640 --> 1:33:28.000
<v Speaker 4>Know what I mean.

1:33:28.160 --> 1:33:30.080
<v Speaker 2>Maybe she didn't know we was gonna get into the moment.

1:33:30.120 --> 1:33:31.840
<v Speaker 2>You know what I'm saying, it's a little offer. Period

1:33:32.000 --> 1:33:33.840
<v Speaker 2>might be coming fresh off of something, I don't know,

1:33:34.160 --> 1:33:35.760
<v Speaker 2>spotting again diet.

1:33:35.880 --> 1:33:38.080
<v Speaker 6>Might she might just you know, mean too much red meat.

1:33:38.080 --> 1:33:41.000
<v Speaker 2>This month, but we're gonna give us some time to

1:33:41.760 --> 1:33:46.400
<v Speaker 2>you know, up a water intake, veggie intake, fresh fruit intake,

1:33:47.120 --> 1:33:51.040
<v Speaker 2>spin back and hopefully you know what I mean. Do

1:33:51.160 --> 1:33:54.640
<v Speaker 2>you think this takes him out of.

1:33:56.240 --> 1:33:58.920
<v Speaker 4>No, no to whatever you're about to say, Okay, take

1:33:59.000 --> 1:34:01.240
<v Speaker 4>No matter what, the commonation of some of.

1:34:01.240 --> 1:34:04.519
<v Speaker 1>The best, one of the greatest rappers that's ever lived,

1:34:04.600 --> 1:34:08.400
<v Speaker 1>he's one of the businessocracy is still organizing making sure

1:34:08.520 --> 1:34:09.479
<v Speaker 1>that changes nothing.

1:34:09.600 --> 1:34:12.520
<v Speaker 2>I just again, Cole is one of them. Once personally,

1:34:13.280 --> 1:34:16.400
<v Speaker 2>I'm just underwhelmed for a project that we waited for

1:34:16.560 --> 1:34:17.639
<v Speaker 2>for almost ten years.

1:34:18.479 --> 1:34:22.200
<v Speaker 4>And it's like, I also think I get you, and

1:34:22.320 --> 1:34:25.080
<v Speaker 4>I also think that, Like I said this before it

1:34:25.120 --> 1:34:26.320
<v Speaker 4>came out, I was talking to somebody.

1:34:26.360 --> 1:34:27.920
<v Speaker 3>I was like, he was like, are you excited about that?

1:34:27.920 --> 1:34:30.080
<v Speaker 4>I might say yeah, But at the same time, I

1:34:30.320 --> 1:34:33.280
<v Speaker 4>know that no matter what, I'll be disappointed. And what

1:34:33.400 --> 1:34:36.960
<v Speaker 4>I mean by that is when the anticipation is that tie,

1:34:37.920 --> 1:34:40.839
<v Speaker 4>there's no way you need it. Very rarely does anybody

1:34:40.960 --> 1:34:44.639
<v Speaker 4>meet when the anticipation is that tie, no matter who

1:34:44.760 --> 1:34:45.360
<v Speaker 4>the artist is.

1:34:46.479 --> 1:34:48.280
<v Speaker 2>I mean, I guess it was not I give what

1:34:48.320 --> 1:34:50.439
<v Speaker 2>you said. Sometimes that if you'll fall short end of

1:34:50.560 --> 1:34:55.080
<v Speaker 2>the anticipation, but to me, he felt way short of

1:34:55.120 --> 1:35:00.800
<v Speaker 2>the anticipation. Who's ever been in this anticipation scenario? Yeah, this,

1:35:00.960 --> 1:35:03.960
<v Speaker 2>like this is one of the most anticipated albums probably

1:35:04.040 --> 1:35:04.880
<v Speaker 2>ever in rap.

1:35:04.800 --> 1:35:08.920
<v Speaker 1>Because even with like off season was anticipated and the

1:35:09.000 --> 1:35:11.799
<v Speaker 1>surprise and this and that, but like, it's a drastically

1:35:11.840 --> 1:35:14.600
<v Speaker 1>different anticipation with everything that happened. So I don't even know,

1:35:15.040 --> 1:35:18.240
<v Speaker 1>because he delivered on all the anticipation of his last album,

1:35:19.400 --> 1:35:21.360
<v Speaker 1>but this is different as any other rapper been in.

1:35:22.960 --> 1:35:23.000
<v Speaker 2>This.

1:35:23.479 --> 1:35:28.120
<v Speaker 1>Like I thought Jay delivered on anticipation after Lemonade and

1:35:28.520 --> 1:35:30.240
<v Speaker 1>Solange beating him up in the elevator and we got

1:35:30.280 --> 1:35:33.640
<v Speaker 1>four forty four. I thought he delivered there, But I

1:35:33.720 --> 1:35:35.400
<v Speaker 1>still don't think the stakes were as as.

1:35:35.320 --> 1:35:38.040
<v Speaker 6>High as this. Oh this this again, This was again.

1:35:38.240 --> 1:35:40.680
<v Speaker 1>I think it's this and this is an Iceman where

1:35:40.720 --> 1:35:43.560
<v Speaker 1>the I can't think of another scenario where this.

1:35:43.640 --> 1:35:45.920
<v Speaker 4>I don't even think that people are anticipating Iceman the

1:35:45.960 --> 1:35:47.320
<v Speaker 4>way that people were anticipating this.

1:35:47.680 --> 1:35:48.200
<v Speaker 2>I don't think. So.

1:35:48.400 --> 1:35:50.720
<v Speaker 1>I think you're not think I think you're wrong, But

1:35:51.760 --> 1:35:53.960
<v Speaker 1>they're anticipating in a different way. It's different, it's a

1:35:54.000 --> 1:35:57.360
<v Speaker 1>different it's the same anticipation in a different way. Some

1:35:57.479 --> 1:35:59.800
<v Speaker 1>people are a lot of people going in there can't

1:35:59.800 --> 1:36:01.280
<v Speaker 1>wait to hate Iceman.

1:36:01.360 --> 1:36:01.720
<v Speaker 2>Can wait.

1:36:01.960 --> 1:36:04.400
<v Speaker 6>They're gonna set their alarm clock to make sure.

1:36:04.280 --> 1:36:05.720
<v Speaker 2>They get the same. In a lot of ways, it's

1:36:05.720 --> 1:36:07.599
<v Speaker 2>a lot of people that was anticipating this to hate

1:36:08.080 --> 1:36:11.479
<v Speaker 2>or to love it again. He's giving us this title

1:36:11.520 --> 1:36:12.479
<v Speaker 2>eight nine years ago.

1:36:12.840 --> 1:36:15.560
<v Speaker 4>That's why I think that's where I say the anticipation

1:36:15.680 --> 1:36:20.280
<v Speaker 4>because even before the moment of like the apology, people

1:36:20.360 --> 1:36:22.799
<v Speaker 4>were anticipating in the fall off because it's been teased

1:36:22.840 --> 1:36:24.559
<v Speaker 4>for so many years. That's why I'm like not comparing

1:36:24.600 --> 1:36:26.160
<v Speaker 4>it to the Iceman because it's like, we get so

1:36:26.320 --> 1:36:30.320
<v Speaker 4>much music from Drake, nobody's really anticipating a Drake album.

1:36:30.360 --> 1:36:32.600
<v Speaker 4>We get a Drake album, dimn there every year. You

1:36:32.600 --> 1:36:34.680
<v Speaker 4>see what I'm saying, Like this album' been waiting for

1:36:34.720 --> 1:36:35.280
<v Speaker 4>for free you again?

1:36:35.920 --> 1:36:39.000
<v Speaker 2>Everything after that though, coming off of twenty four, that's

1:36:39.080 --> 1:36:42.760
<v Speaker 2>why anticipation for Iceman is where it's at because coming

1:36:42.840 --> 1:36:45.160
<v Speaker 2>off of that, you know, whatever people want to say

1:36:45.200 --> 1:36:49.320
<v Speaker 2>he lost that battle, knocked the creativity out of him,

1:36:49.479 --> 1:36:51.040
<v Speaker 2>but that doesn't make sense because we got some sexy

1:36:51.080 --> 1:36:53.960
<v Speaker 2>songs for you, and everybody loved that that's not rapped though, Okay,

1:36:54.240 --> 1:36:55.679
<v Speaker 2>you know what I'm saying, Like, we know Drake could

1:36:55.680 --> 1:36:57.960
<v Speaker 2>do that, and you can give us an R and

1:36:58.080 --> 1:37:01.080
<v Speaker 2>B vibe a bop and his sleep. Now people want

1:37:01.120 --> 1:37:03.200
<v Speaker 2>to hear him rap. They want to hear what he

1:37:03.280 --> 1:37:06.920
<v Speaker 2>sounds like rapping coming out of that moment. So that's

1:37:06.960 --> 1:37:10.080
<v Speaker 2>what that that why that anticipation is hot. But obviously, yeah,

1:37:10.160 --> 1:37:12.519
<v Speaker 2>this the fall off. We've been hearing this.

1:37:12.880 --> 1:37:19.080
<v Speaker 6>It's almost like the detox. This this little pump on

1:37:19.200 --> 1:37:21.599
<v Speaker 6>kod and ended the album with the fall off.

1:37:22.080 --> 1:37:23.920
<v Speaker 2>Yeah, like this is this is this was on that

1:37:24.080 --> 1:37:27.400
<v Speaker 2>level of anticipation and again to me, it just fell short.

1:37:27.520 --> 1:37:31.680
<v Speaker 2>But again, good moments on there, but overall it was

1:37:31.800 --> 1:37:34.080
<v Speaker 2>just like I was under Like, I so a.

1:37:34.080 --> 1:37:36.120
<v Speaker 6>Lot to digestment. It's a lot of rapids, it's a lot,

1:37:36.600 --> 1:37:38.640
<v Speaker 6>that's a lot of rapping. But again, this is what

1:37:38.760 --> 1:37:40.200
<v Speaker 6>he gave us. So this is what we gotta listen to.

1:37:40.280 --> 1:37:41.760
<v Speaker 2>This is what we gotta dissect, this is what we

1:37:41.840 --> 1:37:44.360
<v Speaker 2>gotta digest, this is what we gotta talk about because

1:37:44.400 --> 1:37:46.920
<v Speaker 2>this is the product that he gave us. I'm just

1:37:47.080 --> 1:37:53.760
<v Speaker 2>again underwhelmed because I was anticipating a much better overall project.

1:37:53.720 --> 1:37:55.760
<v Speaker 1>And even to that point and we can close. But

1:37:56.640 --> 1:37:59.280
<v Speaker 1>what he said at the end of I Love Her Again,

1:38:00.320 --> 1:38:05.280
<v Speaker 1>of which I thought was like brilliantly brought together towards

1:38:05.320 --> 1:38:08.040
<v Speaker 1>the end of hip Hop's i'thing like, Bro, you don't

1:38:08.040 --> 1:38:10.400
<v Speaker 1>even listen to me anymore, Like what are you talking about?

1:38:10.439 --> 1:38:11.720
<v Speaker 1>It's like I got kids, I got shit going on.

1:38:11.840 --> 1:38:15.400
<v Speaker 1>I can't That is also how hard this has been

1:38:15.439 --> 1:38:19.360
<v Speaker 1>a digest this weekend. It's twenty four record. At this age,

1:38:19.520 --> 1:38:22.560
<v Speaker 1>I don't have the time to live and breathe it

1:38:22.640 --> 1:38:26.599
<v Speaker 1>the way I did at discs twenty nine, Like it's funny.

1:38:26.640 --> 1:38:28.080
<v Speaker 1>He even said that and put out a double disc

1:38:28.160 --> 1:38:30.599
<v Speaker 1>like he's the same way he said, Bri got kids,

1:38:30.600 --> 1:38:32.559
<v Speaker 1>I'm not. I don't listen to hip hop as much

1:38:32.600 --> 1:38:34.680
<v Speaker 1>as I used to. He's got other shit going on.

1:38:34.920 --> 1:38:36.840
<v Speaker 1>He'd just sit here for the whole weekend and.

1:38:36.960 --> 1:38:37.439
<v Speaker 2>Do this shit.

1:38:37.600 --> 1:38:38.400
<v Speaker 3>Yeah, he said.

1:38:40.640 --> 1:38:42.320
<v Speaker 1>I thought that was because I felt that way too,

1:38:42.400 --> 1:38:44.679
<v Speaker 1>Like all all I used to do twenty four hours

1:38:44.680 --> 1:38:46.360
<v Speaker 1>out of the fucking day is listen to music.

1:38:46.560 --> 1:38:48.360
<v Speaker 6>I just don't do that as much as I used

1:38:48.360 --> 1:38:48.479
<v Speaker 6>to do.

1:38:48.600 --> 1:38:50.439
<v Speaker 4>When he said at first, I was defensive, bitch, listen,

1:38:50.520 --> 1:38:52.120
<v Speaker 4>how you sound so many niggas fucked you now your

1:38:52.160 --> 1:38:54.040
<v Speaker 4>pussy water down. But the more I thought about her cult,

1:38:54.120 --> 1:38:55.479
<v Speaker 4>she was right. There was a time when she was

1:38:55.520 --> 1:38:57.240
<v Speaker 4>on my phone day and night, singing songs to me

1:38:57.280 --> 1:38:59.360
<v Speaker 4>that I had time or two. Some were kind of

1:38:59.439 --> 1:39:01.599
<v Speaker 4>old and some we're kind of new. But you'll see

1:39:01.640 --> 1:39:03.640
<v Speaker 4>how it's getting older, raising kids all that. Spending time

1:39:03.720 --> 1:39:05.000
<v Speaker 4>and listening to her is hard to do.

1:39:05.680 --> 1:39:08.920
<v Speaker 1>Yeah, So, like, even though I did give this as

1:39:09.000 --> 1:39:12.720
<v Speaker 1>much time as I could outside of us having the podcast, yes,

1:39:13.200 --> 1:39:15.719
<v Speaker 1>it's tough to listen to a double disc at thirty

1:39:17.240 --> 1:39:20.120
<v Speaker 1>with this level of rapping, Like, yeah, you have to

1:39:20.240 --> 1:39:23.000
<v Speaker 1>digest this. It could take a month with my schedule.

1:39:24.080 --> 1:39:27.479
<v Speaker 2>All right, So now is one as far as post

1:39:27.560 --> 1:39:32.160
<v Speaker 2>beef album that we've didn't get? What do you mean, oh,

1:39:32.280 --> 1:39:33.320
<v Speaker 2>just Drake, you're saying left?

1:39:33.439 --> 1:39:34.840
<v Speaker 6>Yeah, we got the Cold album?

1:39:34.960 --> 1:39:35.600
<v Speaker 2>Got gn X?

1:39:35.760 --> 1:39:38.320
<v Speaker 3>Yeah, So are do you do you think GNX is

1:39:38.400 --> 1:39:38.680
<v Speaker 3>better than?

1:39:38.760 --> 1:39:39.960
<v Speaker 2>Well? Which one? Do you guys? Prefer?

1:39:40.080 --> 1:39:40.720
<v Speaker 3>Gn X or this?

1:39:40.960 --> 1:39:46.160
<v Speaker 2>They're not even this terrible? This one? It's better? Absolutely, okay,

1:39:46.760 --> 1:39:51.920
<v Speaker 2>absolutely one thousand. I could listen to this way more, opinions,

1:39:52.000 --> 1:39:53.400
<v Speaker 2>I could listen to this way more than I can

1:39:53.439 --> 1:39:54.200
<v Speaker 2>listen to G and X.

1:39:55.439 --> 1:39:58.160
<v Speaker 1>I've had over a year with gn X, so I mean, yeah,

1:39:58.720 --> 1:40:02.439
<v Speaker 1>and they're completely different, and they just both happen to.

1:40:02.479 --> 1:40:04.280
<v Speaker 2>Have people rapping on them. They're completely different.

1:40:04.920 --> 1:40:07.840
<v Speaker 4>I'm saying I could listen to this your preference, I

1:40:08.080 --> 1:40:10.240
<v Speaker 4>would have to. I would have to agree. But that's

1:40:10.320 --> 1:40:13.439
<v Speaker 4>just because gn X is very CALLI, very CALLI.

1:40:13.560 --> 1:40:14.120
<v Speaker 6>That could be a two.

1:40:14.360 --> 1:40:15.320
<v Speaker 3>Yeah, it's very cally.

1:40:16.200 --> 1:40:17.920
<v Speaker 6>But yeah, oh me, I could listen to this.

1:40:18.040 --> 1:40:20.360
<v Speaker 1>But I do think even though you're right, there's we

1:40:20.439 --> 1:40:23.880
<v Speaker 1>had G and X, we had this, I do think Kendrick's.

1:40:24.280 --> 1:40:27.080
<v Speaker 2>Next album will roll over into this.

1:40:27.680 --> 1:40:31.320
<v Speaker 1>Yes, gn X falls in that timeline, but everyone's still

1:40:31.320 --> 1:40:33.320
<v Speaker 1>going to be looking at fall Off Iceman and then

1:40:33.360 --> 1:40:35.320
<v Speaker 1>whatever Kendrick is dropping after that.

1:40:35.520 --> 1:40:38.920
<v Speaker 6>Yes, so not gn X fall Off Iceman. I don't

1:40:38.920 --> 1:40:40.360
<v Speaker 6>think that's how it's really going to be viewed by

1:40:40.400 --> 1:40:41.599
<v Speaker 6>the anticipation with fans.

1:40:42.200 --> 1:40:43.960
<v Speaker 4>Yeah, I get what Ory's saying. I think I think

1:40:44.080 --> 1:40:46.280
<v Speaker 4>Kendrick's album after this is the one that people are

1:40:46.360 --> 1:40:47.080
<v Speaker 4>really going, like.

1:40:47.160 --> 1:40:50.120
<v Speaker 2>Really going to be focused because Cole and Drake dropped

1:40:50.600 --> 1:40:53.200
<v Speaker 2>and then yeah, we want to see what Kendrick does

1:40:53.960 --> 1:40:55.479
<v Speaker 2>and then after that, I mean, if we're still on

1:40:55.520 --> 1:40:57.280
<v Speaker 2>the ship dog, I don't really know what still.

1:40:57.200 --> 1:40:58.720
<v Speaker 4>Ye, people are going to be honest it to the

1:40:58.800 --> 1:41:00.560
<v Speaker 4>end of time. But yeah, I do agree with you.

1:41:00.640 --> 1:41:04.120
<v Speaker 4>Got Cole has always kind of had a song making ability.

1:41:06.760 --> 1:41:10.080
<v Speaker 4>It is has always been his achilles if he because

1:41:10.120 --> 1:41:13.439
<v Speaker 4>if he could make a song as good as like

1:41:13.920 --> 1:41:16.080
<v Speaker 4>he can't make a song, don't get me wrong, but

1:41:16.200 --> 1:41:20.280
<v Speaker 4>I mean if he had that that hook hit hook ability,

1:41:20.320 --> 1:41:21.840
<v Speaker 4>Like how we said that Cole don't get played in

1:41:21.880 --> 1:41:24.400
<v Speaker 4>the clubs. Like if he had that hook hit ability

1:41:24.640 --> 1:41:29.479
<v Speaker 4>the way the other two had, I would it wouldn't

1:41:29.520 --> 1:41:32.439
<v Speaker 4>be no conversation. I'm just being honest, it wouldn't be

1:41:32.520 --> 1:41:33.720
<v Speaker 4>no conversation.

1:41:34.680 --> 1:41:37.280
<v Speaker 1>Listeners and being objective here, Drake is over here when

1:41:37.320 --> 1:41:39.040
<v Speaker 1>it comes to hooks, Like I don't even want to

1:41:39.120 --> 1:41:42.439
<v Speaker 1>that's unfair to even put him in this conversation. I

1:41:42.560 --> 1:41:46.760
<v Speaker 1>think Cole can rival Kendrick in hooks. I think y'all

1:41:46.800 --> 1:41:48.559
<v Speaker 1>are forgetting some of Cole's catalog.

1:41:48.640 --> 1:41:49.320
<v Speaker 3>I'm not forgetting.

1:41:49.479 --> 1:41:50.600
<v Speaker 2>I don't know.

1:41:50.680 --> 1:41:51.880
<v Speaker 6>I don't know if if.

1:41:51.840 --> 1:41:54.920
<v Speaker 2>Kendrick is light gears above Jake Cole items like making

1:41:55.000 --> 1:41:56.200
<v Speaker 2>solo hooks.

1:41:56.000 --> 1:41:56.600
<v Speaker 6>I think he is.

1:41:57.000 --> 1:42:00.040
<v Speaker 3>I didn't say, light years, but he is significantly.

1:41:59.439 --> 1:42:00.280
<v Speaker 6>Better at years.

1:42:00.320 --> 1:42:02.439
<v Speaker 2>But I think I think Kendrick makes better songs he does.

1:42:02.880 --> 1:42:03.400
<v Speaker 6>Oh no, no, I'm so.

1:42:03.600 --> 1:42:06.240
<v Speaker 1>I thought we're having the hook conversation songs. Oh yeah, yeah,

1:42:06.240 --> 1:42:08.920
<v Speaker 1>I mean Kendrick is one of the better songs hookers. Yes,

1:42:09.000 --> 1:42:10.959
<v Speaker 1>that's what I thought. We were talking just about specifically

1:42:11.000 --> 1:42:13.560
<v Speaker 1>the hook, because we're not talking about the verses. I

1:42:13.640 --> 1:42:15.479
<v Speaker 1>promise you we never talked about the verses. Well, versus

1:42:16.080 --> 1:42:18.360
<v Speaker 1>verses don't have to do with the song. But what

1:42:18.479 --> 1:42:21.599
<v Speaker 1>I'm saying is water down there lyrics to make better

1:42:21.680 --> 1:42:23.680
<v Speaker 1>songs like that, Yeah, that happens, they do.

1:42:23.920 --> 1:42:26.760
<v Speaker 4>But what I'm saying is when it comes to like

1:42:26.880 --> 1:42:29.479
<v Speaker 4>hook and like the song, the ability to make a hit,

1:42:30.000 --> 1:42:31.800
<v Speaker 4>a commercial hit, something that you're going to hear in

1:42:31.800 --> 1:42:33.320
<v Speaker 4>the club, something that you're gonna hear in see or

1:42:33.439 --> 1:42:37.880
<v Speaker 4>something that all of that, Kendrick is better at that

1:42:38.040 --> 1:42:40.120
<v Speaker 4>than Called, significantly better at that than Called.

1:42:40.240 --> 1:42:41.519
<v Speaker 2>And it might not be because Cold.

1:42:41.960 --> 1:42:43.680
<v Speaker 4>It might because Cold just doesn't want to That might

1:42:43.720 --> 1:42:44.320
<v Speaker 4>not be his bot.

1:42:44.439 --> 1:42:48.240
<v Speaker 1>I'll be saying solo or like like, we cannot not

1:42:48.520 --> 1:42:52.800
<v Speaker 1>credit fell with It's all right m hm. So I

1:42:52.960 --> 1:42:56.080
<v Speaker 1>was saying solo solo. That's why I said leave Drake

1:42:56.120 --> 1:42:59.120
<v Speaker 1>out of this, Like by himself, it's clear that he

1:42:59.240 --> 1:43:02.720
<v Speaker 1>knows how to make fun can hooks and songs those

1:43:02.760 --> 1:43:06.280
<v Speaker 1>two solo by themselves, no other person on the hook.

1:43:06.800 --> 1:43:08.920
<v Speaker 1>I don't Again, I don't think it's that far apart

1:43:09.000 --> 1:43:10.799
<v Speaker 1>as you guys are making it seem.

1:43:12.320 --> 1:43:12.840
<v Speaker 6>Subjective.

1:43:13.680 --> 1:43:16.280
<v Speaker 3>I think I think, I think that Kendrick is significantly

1:43:16.320 --> 1:43:17.000
<v Speaker 3>I'm not saying.

1:43:18.640 --> 1:43:22.200
<v Speaker 1>Playing ship in target whatever, like it's all right, is

1:43:22.320 --> 1:43:27.439
<v Speaker 1>in a generational record, but let's not love the record.

1:43:27.520 --> 1:43:30.519
<v Speaker 6>Let's don't even do it, don't do that to Canada.

1:43:31.760 --> 1:43:33.920
<v Speaker 1>But let's not act like that's not Pharrell as well,

1:43:35.280 --> 1:43:37.639
<v Speaker 1>Like I'm sure Andrew put together this and that I'm

1:43:37.640 --> 1:43:39.600
<v Speaker 1>giving them all the credit, but that's also but what

1:43:39.880 --> 1:43:41.080
<v Speaker 1>are some what are some of both.

1:43:40.960 --> 1:43:43.439
<v Speaker 4>Of their big But okay, so so at the end

1:43:43.439 --> 1:43:46.320
<v Speaker 4>of the day, yes it's Pharrell, but the same.

1:43:47.360 --> 1:43:49.080
<v Speaker 6>Resource, don't save don't save her.

1:43:49.040 --> 1:43:52.000
<v Speaker 2>The same resources.

1:43:52.400 --> 1:43:56.760
<v Speaker 4>Let me talk the same resources that Kendrick has access to.

1:43:56.880 --> 1:43:58.519
<v Speaker 4>And I'm not doing this to compare them, but we're

1:43:58.520 --> 1:44:00.240
<v Speaker 4>talking about some of the greatest rappers. I'm only going

1:44:00.280 --> 1:44:01.720
<v Speaker 4>to compare him to people who are worthy of him

1:44:01.720 --> 1:44:03.800
<v Speaker 4>being compared to nothing has to do with the beef.

1:44:04.320 --> 1:44:07.560
<v Speaker 4>If you're going to talk about resources, the same resources

1:44:07.640 --> 1:44:10.479
<v Speaker 4>like Pharreal that Kendrick has access to, Cole has access

1:44:10.600 --> 1:44:14.160
<v Speaker 4>to those same resources. So the ability to have this

1:44:14.280 --> 1:44:17.120
<v Speaker 4>resource and know how to pick pick a beat, pick

1:44:17.160 --> 1:44:19.760
<v Speaker 4>a hit, are you use people that are close to you? Yes,

1:44:20.240 --> 1:44:22.560
<v Speaker 4>supercom So that is a talent thing. That's not a

1:44:22.840 --> 1:44:24.880
<v Speaker 4>I would never disagree with you that. Okay, that a

1:44:24.920 --> 1:44:25.599
<v Speaker 4>separate conversation.

1:44:25.680 --> 1:44:28.000
<v Speaker 1>Yeahuse at that point, I even think he's done great

1:44:28.040 --> 1:44:31.320
<v Speaker 1>with Cole's done great with Miguel and finally got that

1:44:31.439 --> 1:44:33.400
<v Speaker 1>Achilles Hill. Often when he started to figure out how

1:44:33.400 --> 1:44:35.920
<v Speaker 1>to make records with artists. I'm saying, just then, so.

1:44:36.040 --> 1:44:38.080
<v Speaker 4>That was save it don't want to be saved, yes,

1:44:38.160 --> 1:44:39.800
<v Speaker 4>but how long it is a fucking great hook?

1:44:39.880 --> 1:44:41.200
<v Speaker 3>How long ago was that?

1:44:42.240 --> 1:44:42.840
<v Speaker 2>Twenty fourteen?

1:44:44.120 --> 1:44:47.320
<v Speaker 6>But he his focus was not to make target serious

1:44:47.400 --> 1:44:48.880
<v Speaker 6>hits after Forest Hills.

1:44:49.800 --> 1:44:52.520
<v Speaker 2>Okay, that's fine, but it doesn't even have to be targets.

1:44:52.240 --> 1:44:54.519
<v Speaker 6>Nor was nor was I mean, mister Morale, Like, what

1:44:55.120 --> 1:44:55.639
<v Speaker 6>what played?

1:44:56.840 --> 1:44:57.080
<v Speaker 2>Mister?

1:44:57.920 --> 1:44:59.920
<v Speaker 6>I think all of them just stopped trying to do that.

1:45:02.800 --> 1:45:03.599
<v Speaker 2>Okay, my wrong.

1:45:04.400 --> 1:45:06.280
<v Speaker 6>Rory might have been right about the walle A Cold Thing.

1:45:08.840 --> 1:45:10.320
<v Speaker 3>You said that wile A is a better rapper than

1:45:10.400 --> 1:45:12.439
<v Speaker 3>j Cole. I do not agree with that that.

1:45:13.080 --> 1:45:15.439
<v Speaker 2>I do not agree with that, but I think A

1:45:15.640 --> 1:45:17.600
<v Speaker 2>specializes on that too. I think that I think I

1:45:17.640 --> 1:45:20.759
<v Speaker 2>think it's closer than I thought it was. Hm hm okay,

1:45:21.880 --> 1:45:24.120
<v Speaker 2>well things closer enough thought Everything is a Lot it's

1:45:24.160 --> 1:45:25.160
<v Speaker 2>better than this j co album.

1:45:25.560 --> 1:45:28.360
<v Speaker 4>But again, I think that's a song making yeah issue,

1:45:28.439 --> 1:45:31.000
<v Speaker 4>I think that's more about songs while is also rapping

1:45:31.040 --> 1:45:33.120
<v Speaker 4>to though for sure as always.

1:45:33.479 --> 1:45:34.920
<v Speaker 2>Because I thought about that when I listened to Like,

1:45:34.920 --> 1:45:36.280
<v Speaker 2>I thought about what Rory said, and I kind of

1:45:36.320 --> 1:45:38.719
<v Speaker 2>like my knee jerk reaction was like what I Sayen

1:45:38.760 --> 1:45:42.200
<v Speaker 2>a Lot, it might be closer than I thought it was.

1:45:42.920 --> 1:45:45.439
<v Speaker 2>Wile is different, bro, it might it might, it might

1:45:45.520 --> 1:45:46.280
<v Speaker 2>be closer than I thought.

1:45:46.320 --> 1:45:49.280
<v Speaker 6>I didn't want to do the comparison thing on Everything

1:45:49.320 --> 1:45:50.080
<v Speaker 6>a Lot is incredible.

1:45:50.080 --> 1:45:51.960
<v Speaker 2>Well yeah, I'm not. I hate to compare, but I'm

1:45:52.000 --> 1:45:54.439
<v Speaker 2>just saying, like albums that we got this year, I'm

1:45:54.439 --> 1:45:55.960
<v Speaker 2>just listening, yeah, for sure, you know what I mean.

1:45:56.600 --> 1:45:59.519
<v Speaker 2>I remember how much I enjoyed listening to Everything is

1:45:59.520 --> 1:46:02.720
<v Speaker 2>a Lot, and I'm just like he was rapping on

1:46:02.800 --> 1:46:06.600
<v Speaker 2>that songs was dope, production was dope. Wiley to me,

1:46:06.680 --> 1:46:08.880
<v Speaker 2>as far as lyricists is one of my favorite song

1:46:08.960 --> 1:46:11.600
<v Speaker 2>makers period. It's just a lot of close. I'm not

1:46:11.600 --> 1:46:13.360
<v Speaker 2>gonna say he raps better than Cold. It's a lot

1:46:13.560 --> 1:46:15.720
<v Speaker 2>closer than I thought it was, because I mean, by

1:46:15.760 --> 1:46:18.160
<v Speaker 2>gave Rory shit about that when he first said that,

1:46:18.400 --> 1:46:19.840
<v Speaker 2>I was kind of like, you trip, you're saying a

1:46:19.880 --> 1:46:20.920
<v Speaker 2>lot they're different.

1:46:22.080 --> 1:46:22.760
<v Speaker 6>It might be close.

1:46:22.800 --> 1:46:25.080
<v Speaker 4>While they can rap his ass, I wish more people

1:46:25.160 --> 1:46:26.680
<v Speaker 4>knew just how much he can rap his ass off.

1:46:26.720 --> 1:46:27.320
<v Speaker 2>I don't agree with you.

1:46:28.000 --> 1:46:30.120
<v Speaker 1>He can rap his as, he could make hooks, he

1:46:30.200 --> 1:46:32.280
<v Speaker 1>could make bridges, he could make melodies.

1:46:32.320 --> 1:46:33.720
<v Speaker 2>Well, we always knew while it was dope. But I'm

1:46:33.720 --> 1:46:35.519
<v Speaker 2>just saying like, and listening will tell you that he

1:46:35.560 --> 1:46:38.639
<v Speaker 2>could do Yeah, while they will not be shy about

1:46:38.680 --> 1:46:41.880
<v Speaker 2>telling you how dope if you didn't know, But yeah,

1:46:41.960 --> 1:46:44.040
<v Speaker 2>after listening to this cold joint and then you know

1:46:45.120 --> 1:46:48.960
<v Speaker 2>coming off everything is a lot. Yeah, it might be

1:46:49.040 --> 1:46:50.920
<v Speaker 2>closer than I thought. That's all so I got to

1:46:50.920 --> 1:46:52.519
<v Speaker 2>give you. I'm not gonna give you flowers, Roy, I'm

1:46:52.560 --> 1:46:54.720
<v Speaker 2>gonna just give you divis. That's what you said, one

1:46:54.800 --> 1:46:56.800
<v Speaker 2>day I'll give you the vase, and one day I'll get.

1:46:56.720 --> 1:47:02.960
<v Speaker 1>Some flowers die anyways, may be replaced to another flower

1:47:04.439 --> 1:47:07.240
<v Speaker 1>is vase of os It's it could be like data

1:47:07.280 --> 1:47:09.719
<v Speaker 1>and data. It's like it's either New England Versusary everga

1:47:09.920 --> 1:47:11.680
<v Speaker 1>got it, Yeah, however you put it there.

1:47:12.040 --> 1:47:14.280
<v Speaker 2>Well, I think we did a pretty fair breakdown. Honestly,

1:47:14.320 --> 1:47:16.000
<v Speaker 2>I was a little scared. I think that it's gonna

1:47:16.000 --> 1:47:16.280
<v Speaker 2>be working.

1:47:16.320 --> 1:47:18.320
<v Speaker 4>No, when I was, I was a little scared coming

1:47:18.360 --> 1:47:19.960
<v Speaker 4>into work because I thought I was. I literally thought

1:47:20.000 --> 1:47:21.240
<v Speaker 4>I was gonna have to fight more like I thought

1:47:21.320 --> 1:47:22.000
<v Speaker 4>I was gonna.

1:47:21.760 --> 1:47:23.639
<v Speaker 2>Have to give you. Why do you think you why

1:47:23.920 --> 1:47:26.000
<v Speaker 2>because you'd be making you'll be saying some ship sometimes.

1:47:26.080 --> 1:47:28.000
<v Speaker 4>But I think that your breakdown of the album was

1:47:28.200 --> 1:47:30.120
<v Speaker 4>very objective, very fair, and I think.

1:47:29.960 --> 1:47:32.040
<v Speaker 2>A lot of people with the ind then that says,

1:47:32.120 --> 1:47:34.120
<v Speaker 2>I do not hate J Cole. I know they try

1:47:34.200 --> 1:47:36.080
<v Speaker 2>to paint it like I hate Cole because I don't

1:47:36.560 --> 1:47:38.000
<v Speaker 2>man like only P does.

1:47:38.080 --> 1:47:40.320
<v Speaker 6>By the clips, I just I don't hate J Cole.

1:47:40.320 --> 1:47:40.840
<v Speaker 6>I'm a jake.

1:47:41.240 --> 1:47:43.519
<v Speaker 2>I argued with niggas in the barber shop about J

1:47:43.640 --> 1:47:45.800
<v Speaker 2>Cole before, like y'all bug it. This niggas nice. I

1:47:45.880 --> 1:47:47.879
<v Speaker 2>fucked with j Cole. I just didn't like his decision

1:47:48.160 --> 1:47:50.360
<v Speaker 2>and what happened. But that's you know whatever. But it

1:47:50.439 --> 1:47:51.320
<v Speaker 2>is water under the bridge.

1:47:51.400 --> 1:47:53.200
<v Speaker 4>But I think that I think that everybody gave an

1:47:53.360 --> 1:47:57.200
<v Speaker 4>objective fair and a lot I think a lot of

1:47:57.200 --> 1:47:59.400
<v Speaker 4>people echo our sentiment. So I want to say shout

1:47:59.400 --> 1:48:00.280
<v Speaker 4>out to us because and and.

1:48:00.400 --> 1:48:04.120
<v Speaker 1>To close, uh per usual Eve and call you guys

1:48:04.200 --> 1:48:06.200
<v Speaker 1>do the best marketing I've ever seen.

1:48:06.680 --> 1:48:10.320
<v Speaker 3>You know what, Cole, if you're listening, you're not listen

1:48:10.320 --> 1:48:11.120
<v Speaker 3>to listen.

1:48:11.200 --> 1:48:13.599
<v Speaker 6>Oh no, he listened. He listens to this. He listening.

1:48:16.640 --> 1:48:21.000
<v Speaker 2>I can't joke the problem. Nobody can't joke no more.

1:48:21.080 --> 1:48:23.800
<v Speaker 2>Man death.

1:48:23.800 --> 1:48:26.840
<v Speaker 1>The podcast was when we could, Cole, I love you.

1:48:27.080 --> 1:48:32.680
<v Speaker 1>Every word we say has to be around.

1:48:30.840 --> 1:48:32.080
<v Speaker 3>Appreciate, We appreciate.

1:48:32.200 --> 1:48:34.200
<v Speaker 6>We'll say, oh, thank you this podcast.

1:48:34.280 --> 1:48:37.920
<v Speaker 3>This if this was your last album, like hey, with.

1:48:38.000 --> 1:48:39.560
<v Speaker 2>My camera, Hey, Cole, let me tell you what this

1:48:39.640 --> 1:48:42.000
<v Speaker 2>better than not be it better not be your last album.

1:48:42.240 --> 1:48:45.080
<v Speaker 2>You cannot go out like this. Ain't no fucking way.

1:48:45.120 --> 1:48:45.439
<v Speaker 2>He can't.

1:48:45.479 --> 1:48:47.720
<v Speaker 1>This ain't his last album, no way. And he kind

1:48:47.760 --> 1:48:51.320
<v Speaker 1>of alluded to it, like my lawless twenty four tracks.

1:48:51.400 --> 1:48:53.240
<v Speaker 1>This still would not be his I don't believe this last.

1:48:53.400 --> 1:48:53.960
<v Speaker 6>This ain't his last.

1:48:54.160 --> 1:48:55.800
<v Speaker 3>If this is your last project, I just want to

1:48:55.800 --> 1:48:56.920
<v Speaker 3>say thank you for this is your.

1:48:56.920 --> 1:49:01.800
<v Speaker 2>Last album, lost you, I swept in the finals. You

1:49:01.880 --> 1:49:05.519
<v Speaker 2>cannot go out like this. Fuck it, I said it,

1:49:05.760 --> 1:49:07.080
<v Speaker 2>and I fuck with Cold. But that's why I can

1:49:07.120 --> 1:49:09.280
<v Speaker 2>say what I say because I funk with him. You

1:49:09.439 --> 1:49:11.599
<v Speaker 2>can't go out like this, he said, no, you don't

1:49:11.720 --> 1:49:13.559
<v Speaker 2>you think with Cold?

1:49:13.640 --> 1:49:13.760
<v Speaker 4>Right?

1:49:14.040 --> 1:49:15.760
<v Speaker 2>That's the problem. I feel like if you funk with somebody,

1:49:15.760 --> 1:49:17.760
<v Speaker 2>you can only say good things like why you can't

1:49:17.800 --> 1:49:18.280
<v Speaker 2>just be real?

1:49:18.560 --> 1:49:20.120
<v Speaker 4>I'm not friend. I'm gonna let you know, like, Bro,

1:49:20.240 --> 1:49:23.320
<v Speaker 4>that wasn't it? Go back in there, cook up that ship,

1:49:25.640 --> 1:49:25.960
<v Speaker 4>all right?

1:49:26.439 --> 1:49:26.679
<v Speaker 2>Cole?

1:49:27.000 --> 1:49:28.880
<v Speaker 4>If this, if this is your last album, I want

1:49:28.880 --> 1:49:30.320
<v Speaker 4>to say thank you so much for everything that you

1:49:30.439 --> 1:49:32.240
<v Speaker 4>have given us over the course of your.

1:49:33.240 --> 1:49:35.880
<v Speaker 2>Okay, But if it is, you're giving talk, give an obituary.

1:49:35.960 --> 1:49:38.920
<v Speaker 2>This is not his last album. I promise you, this

1:49:39.080 --> 1:49:41.240
<v Speaker 2>is not. I hate it here. He got way too

1:49:41.320 --> 1:49:43.120
<v Speaker 2>much more shit to talk about, way too much more

1:49:43.160 --> 1:49:44.559
<v Speaker 2>suit to talk about in his last album.

1:49:44.600 --> 1:49:47.280
<v Speaker 4>I would like for you to release more songs about

1:49:47.360 --> 1:49:54.280
<v Speaker 4>being an avoidant commitment fold because Legacy is perfect. Everyone

1:49:54.400 --> 1:49:56.639
<v Speaker 4>like to hear him talk about more being an avoidant

1:49:56.680 --> 1:49:59.560
<v Speaker 4>commitment fold like those songs like Legacy, like you know,

1:49:59.680 --> 1:50:01.080
<v Speaker 4>I really want to be in love with you, but

1:50:01.200 --> 1:50:03.120
<v Speaker 4>like the holes, but like I'm gonna hit you up

1:50:03.120 --> 1:50:06.080
<v Speaker 4>after the fall though like that. I need more more

1:50:06.120 --> 1:50:09.040
<v Speaker 4>cold songs like that. People to send me at three

1:50:09.040 --> 1:50:12.880
<v Speaker 4>o'clock in the morning. You know how that be type ship?

1:50:12.960 --> 1:50:15.160
<v Speaker 4>But thank you Cold, thank you so much, and you

1:50:15.280 --> 1:50:15.600
<v Speaker 4>say to.

1:50:15.640 --> 1:50:16.240
<v Speaker 6>What to cold?

1:50:17.160 --> 1:50:20.040
<v Speaker 2>I look forward to the next album. Same, I look

1:50:20.080 --> 1:50:21.519
<v Speaker 2>forward to the next one. This ain't the last one.

1:50:21.520 --> 1:50:23.240
<v Speaker 2>I would like a fall off hoodie. If anyone from

1:50:23.320 --> 1:50:25.040
<v Speaker 2>dream Ville is listening.

1:50:25.720 --> 1:50:27.080
<v Speaker 6>Why don't you going go on the website?

1:50:27.120 --> 1:50:29.559
<v Speaker 2>Dann got them? I don't.

1:50:29.560 --> 1:50:30.880
<v Speaker 4>I didn't know they were for sale. I just saw

1:50:30.960 --> 1:50:36.320
<v Speaker 4>the influencers getting a lot of the influencers got them

1:50:36.479 --> 1:50:38.320
<v Speaker 4>like they were sent. It was like special merch that

1:50:38.439 --> 1:50:38.639
<v Speaker 4>was sent.

1:50:38.720 --> 1:50:40.240
<v Speaker 2>That's what I was. They probably got it early, but

1:50:40.280 --> 1:50:41.800
<v Speaker 2>I'm sure that's they're gonna s I didn't know.

1:50:41.840 --> 1:50:43.120
<v Speaker 3>Okay, I'll go buy what never mine?

1:50:43.280 --> 1:50:45.679
<v Speaker 6>Yeah, all right, well.

1:50:47.120 --> 1:50:50.040
<v Speaker 2>Now we wait ride my bike to go get one

1:50:50.080 --> 1:50:50.320
<v Speaker 2>over there.

1:50:52.800 --> 1:50:54.679
<v Speaker 3>Almost started a fire as she has hands.

1:50:55.080 --> 1:50:56.960
<v Speaker 2>I'm just saying, man, do you have a release date

1:50:57.000 --> 1:50:58.479
<v Speaker 2>for us? Since you damned their guest this one?

1:51:02.680 --> 1:51:06.240
<v Speaker 1>I said the release date, I said, Iceman this Friday.

1:51:07.000 --> 1:51:09.040
<v Speaker 1>What mam said when you said he laughed at me?

1:51:09.240 --> 1:51:10.160
<v Speaker 6>Iceman this Friday.

1:51:10.840 --> 1:51:13.040
<v Speaker 4>Do you guys have any comments about the drake leak?

1:51:13.439 --> 1:51:14.800
<v Speaker 4>I didn't mean to do my hands like that about

1:51:14.840 --> 1:51:16.679
<v Speaker 4>the drake leak on the day of the fall Off release.

1:51:18.360 --> 1:51:20.200
<v Speaker 6>I didn't hear it. But whatever it is, it ain't

1:51:20.240 --> 1:51:23.000
<v Speaker 6>on Iceman. I can tell you that.

1:51:26.640 --> 1:51:29.000
<v Speaker 2>It's just the always he said. You heard it here first.

1:51:29.960 --> 1:51:32.040
<v Speaker 2>None of what y'all are hearing on the internet is

1:51:32.080 --> 1:51:36.120
<v Speaker 2>on Iceman. I can promise you that it's not none

1:51:36.160 --> 1:51:37.679
<v Speaker 2>of that ship and we'll find out on Friday.

1:51:39.479 --> 1:51:40.759
<v Speaker 3>The album is not coming on Friday.

1:51:40.880 --> 1:51:44.360
<v Speaker 2>Hell no, I don't think Iceman is coming on Friday.

1:51:45.560 --> 1:51:47.879
<v Speaker 2>All right, Well, we wait and see whole world Iceman.

1:51:48.720 --> 1:51:50.559
<v Speaker 2>How much? All right? How much time do you think

1:51:51.840 --> 1:51:55.320
<v Speaker 2>or what in between of the album that he's gonna

1:51:55.400 --> 1:51:56.680
<v Speaker 2>let the code shit breathe.

1:51:57.000 --> 1:51:58.960
<v Speaker 6>Or I know when the album is coming out? Of

1:51:59.040 --> 1:52:00.280
<v Speaker 6>course I'm not saying it, but I know.

1:52:00.320 --> 1:52:02.519
<v Speaker 1>You're not gonna say it, and you haven't told me anything.

1:52:02.800 --> 1:52:06.040
<v Speaker 1>I guess I'm trying to like get is it gonna

1:52:06.040 --> 1:52:08.400
<v Speaker 1>be a long time or is it gonna kind of

1:52:08.439 --> 1:52:15.080
<v Speaker 1>be a good time. It may cost you a little,

1:52:15.439 --> 1:52:17.679
<v Speaker 1>it may cost you a lot, but it will cost

1:52:17.760 --> 1:52:19.559
<v Speaker 1>you It's.

1:52:19.400 --> 1:52:20.240
<v Speaker 6>Gonna be a good time.

1:52:20.360 --> 1:52:22.479
<v Speaker 2>Rory. That's all. That's all we need to know. Man,

1:52:22.520 --> 1:52:24.120
<v Speaker 2>everybody listen, man, enjoy, do some.

1:52:24.200 --> 1:52:26.160
<v Speaker 6>Col shit and drive my mother's Masda up to Toronto

1:52:26.240 --> 1:52:26.679
<v Speaker 6>for the release.

1:52:27.920 --> 1:52:28.240
<v Speaker 2>I don't know.

1:52:28.680 --> 1:52:31.080
<v Speaker 6>It's a fun drive. I don't know if the Masia

1:52:31.200 --> 1:52:31.400
<v Speaker 6>make it.

1:52:31.479 --> 1:52:35.040
<v Speaker 1>You've never done the Toronto Drive? Have I ever done

1:52:35.560 --> 1:52:38.200
<v Speaker 1>the Montreal one? That's a different of course, I've done

1:52:38.200 --> 1:52:38.880
<v Speaker 1>in Toronto drive.

1:52:39.000 --> 1:52:41.000
<v Speaker 6>Toronto's this way. Montreal is straight up.

1:52:41.040 --> 1:52:42.000
<v Speaker 2>I've done the Toronto Drive.

1:52:42.280 --> 1:52:42.960
<v Speaker 6>That's a fun drive.

1:52:43.240 --> 1:52:43.439
<v Speaker 2>It is.

1:52:44.200 --> 1:52:44.479
<v Speaker 4>Drive up.

1:52:44.680 --> 1:52:50.160
<v Speaker 6>Doesn't want to pack up in the no But enjoy

1:52:50.200 --> 1:52:51.840
<v Speaker 6>the Cope album. Enjoyed that.

1:52:51.960 --> 1:52:55.759
<v Speaker 2>Let's enjoy that album. Shout out to Don Tolliver. Incredible project,

1:52:57.320 --> 1:52:59.519
<v Speaker 2>that octane album. Don Tolliver. Hey, listen, man, I'm a

1:52:59.520 --> 1:53:01.519
<v Speaker 2>go ahead and say it, Don Toliver us better than

1:53:01.560 --> 1:53:05.519
<v Speaker 2>Playboy CARDI you heard it here first speech clip it

1:53:05.800 --> 1:53:09.519
<v Speaker 2>I agree. I think are trying to tell me Playboy

1:53:09.600 --> 1:53:11.880
<v Speaker 2>Cartier is. I think that's who Dante push back here.

1:53:11.920 --> 1:53:14.840
<v Speaker 2>I've seen him go on and perform before Bad Bunny

1:53:15.960 --> 1:53:17.640
<v Speaker 2>in front of I don't know how many thousands of

1:53:17.680 --> 1:53:22.519
<v Speaker 2>people and tore that ship down. This octane album add

1:53:22.600 --> 1:53:25.320
<v Speaker 2>to the discography of Don Tolliver. I don't think he's

1:53:25.360 --> 1:53:29.360
<v Speaker 2>missing this discography yet. This album is just Don Tolliver

1:53:29.439 --> 1:53:30.360
<v Speaker 2>album is crazy.

1:53:30.520 --> 1:53:32.200
<v Speaker 6>I gotta listen. I also have to listen to the

1:53:32.320 --> 1:53:33.000
<v Speaker 6>Lama album.

1:53:33.120 --> 1:53:36.760
<v Speaker 2>Yesal no Shade to Playboy Cardi, but I think that

1:53:36.920 --> 1:53:38.760
<v Speaker 2>how they were trying to sell me on Cardi and

1:53:38.880 --> 1:53:41.400
<v Speaker 2>I can't really like get it, Like, I don't understand it.

1:53:41.720 --> 1:53:42.639
<v Speaker 6>I think that's who Donte.

1:53:42.960 --> 1:53:44.760
<v Speaker 2>I mean, I'll say shade like, I don't even think

1:53:44.800 --> 1:53:46.760
<v Speaker 2>it's comparable as far as talent level.

1:53:47.000 --> 1:53:48.800
<v Speaker 4>But that's just me and may be trying to say

1:53:48.800 --> 1:53:50.439
<v Speaker 4>this because we old niggas, but I don't think so,

1:53:50.560 --> 1:53:52.320
<v Speaker 4>because when they put me on the NBA Young Boy,

1:53:52.400 --> 1:53:55.000
<v Speaker 4>I'm like, nah, I get why y'all like this young boy.

1:53:55.400 --> 1:53:56.120
<v Speaker 4>I still don't get.

1:53:57.720 --> 1:53:59.360
<v Speaker 2>That Shorty sent me. I'll be in the I know

1:53:59.400 --> 1:54:01.640
<v Speaker 2>the neighbors is like, yo, who is who lived there?

1:54:02.479 --> 1:54:05.519
<v Speaker 2>Because I'll be in there playing that ship. I'll be

1:54:05.560 --> 1:54:07.320
<v Speaker 2>playing me a young boy, like I'm a young boy,

1:54:08.000 --> 1:54:09.519
<v Speaker 2>wouldn't be a younger. But yeah, that down to all

1:54:09.680 --> 1:54:13.240
<v Speaker 2>our teane. I'm right, that's that's That album is incredible.

1:54:13.280 --> 1:54:14.080
<v Speaker 6>I love that project.

1:54:14.840 --> 1:54:17.639
<v Speaker 1>And we can close shout out to Brittany Runner. She's

1:54:18.200 --> 1:54:22.280
<v Speaker 1>now a Christian. Yeah, but what episode?

1:54:26.439 --> 1:54:26.560
<v Speaker 2>You know?

1:54:26.640 --> 1:54:28.880
<v Speaker 4>I be liking my niggas too, Like if I had to,

1:54:29.040 --> 1:54:32.240
<v Speaker 4>if I sucked around ran into a Muslim, I might Moslim.

1:54:32.520 --> 1:54:32.880
<v Speaker 6>I love that.

1:54:33.120 --> 1:54:36.280
<v Speaker 4>I might you a Muslim, now I might, I might covert,

1:54:36.360 --> 1:54:37.840
<v Speaker 4>Like I'll be liking my niggas.

1:54:37.560 --> 1:54:39.600
<v Speaker 2>Too, So if you were a Muslim, you have to

1:54:40.520 --> 1:54:42.280
<v Speaker 2>you have to what she did and then she left

1:54:42.960 --> 1:54:46.080
<v Speaker 2>mm hmm a baton rouge legend and then became Christian.

1:54:46.160 --> 1:54:48.520
<v Speaker 2>Whatever the she's with. Yeah, I love it, man, Just

1:54:49.120 --> 1:54:51.640
<v Speaker 2>let love live. Let love Jesus.

1:54:52.000 --> 1:54:54.600
<v Speaker 3>I'm gonna let love die. Nah nah not, I I'm

1:54:54.600 --> 1:54:55.720
<v Speaker 3>staying around. Let love fly.

1:54:56.080 --> 1:54:58.960
<v Speaker 2>There you go, you know what I'm saying. That's it

1:54:59.120 --> 1:55:01.480
<v Speaker 2>right there, that's the clo. I'm not nigga, He's just

1:55:01.680 --> 1:55:04.760
<v Speaker 2>ginger peace. No Worrian no,