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Speaker 1: No, all right more, I figured for this episode. We

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Speaker 1: just we just we get a much needed break. Yeah,

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Speaker 1: and just io right over there, babyd what's up?

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Speaker 2: How you feeling?

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Speaker 3: I feel amazing.

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Speaker 4: You look amazing, Thank you so much. It's a different

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Speaker 4: glow to me, it is. I've been inspired.

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Speaker 5: Yeah.

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Speaker 6: I thought it was the light.

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Speaker 2: No, it's not me.

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Speaker 6: No, he didn't change the color on that light.

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Speaker 3: But so, I mean it's natural, god given.

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Speaker 2: No.

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Speaker 6: See, baby looked good.

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Speaker 2: Yeah, you know, thank you? Rap god giving?

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Speaker 3: Yeah, rap, god given.

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Speaker 2: How y'all feeling, Man, how was y'all weekend? It was good?

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Speaker 2: Did y'all watch the super Bowl? Most boring super Bowl

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Speaker 2: at all time?

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Speaker 6: Don't do that. See that's the problem.

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Speaker 2: People can't say it's the most boring because then if

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Speaker 2: it's a game where both teams score forty points and

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Speaker 2: you're like, yo, nobody plays defense, And because it's a

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Speaker 2: defensive super Bowl, people call it boring. No.

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Speaker 6: I like super bowls when everyone scores forty points.

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Speaker 2: Yeah, that's how it's what I love that shit. That

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Speaker 2: was a good game.

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Speaker 6: It was with twenty nine to thirteen final score.

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Speaker 1: When we can start there, that score doesn't reflect the

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Speaker 1: ass whooping.

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Speaker 2: That that happened to the new Pagero. It was.

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Speaker 4: It was.

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Speaker 1: It was an like if you saw that score and

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Speaker 1: didn't see the game, you would think like, oh, okay,

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Speaker 1: what if that was a royal ash?

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Speaker 2: I feel like if it was five quarters though the

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Speaker 2: pages are the one if it was five UK gave

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Speaker 2: you that idea. He just started, you know what I mean,

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Speaker 2: he started. He didn't realize that towards the end of

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Speaker 2: the fourth he was like, all right, niggas start warming up.

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Speaker 2: At the end of the games went away just it's

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Speaker 2: it's a little more intense the game, even though the

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Speaker 2: NFL game is already fast. Though most players will say,

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Speaker 2: you know, the Super Bowl, the game seems to be faster,

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Speaker 2: you know what I'm saying, because there's so much on

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Speaker 2: the line. Players are more intense. Everybody's even on the field.

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Speaker 2: Nobody cares about next week.

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Speaker 6: No, I hear you. There's definitely Super Bowl jitters.

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Speaker 1: But when you're left tackle and left guard decided not

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Speaker 1: to show up to the game, I don't care how nervous.

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Speaker 6: They're not nervous.

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Speaker 2: You the offensive line, y'all could offive line. Yall could

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Speaker 2: have stayed on the bus with that I don't y'all

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Speaker 2: didn't give Drake made a chance back there to do anything.

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Speaker 2: How many times you got sacked?

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Speaker 6: Every every time? Ten something like that. Every time they

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Speaker 6: hiked the ball, they were in his face.

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Speaker 2: Oh man, shout outs to the Seattle Seahawks though for

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Speaker 2: winning the Super Bowl.

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Speaker 1: Yeah, and then made a good point. Sorry to cut

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Speaker 1: you off there, And I just made a good point

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Speaker 1: with their defense. They had like the least nationally syndicated games,

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Speaker 1: myself included. I don't think the world knew how good

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Speaker 1: Seattle's defense was.

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Speaker 6: No.

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Speaker 2: I mean, well, people that watched the NFO all year,

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Speaker 2: they knew exactly how this was the number two offense

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Speaker 2: in the league versus the number one defense. So the

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Speaker 2: number one defense showed up on the biggest night they did.

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Speaker 1: Listen, Man, that I was arguing my pops before that

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Speaker 1: this doesn't even compare to the Richard Sermon years lead

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Speaker 1: you to doom this and that. I don't know, Man,

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Speaker 1: might been the best defense performance I've ever seen in

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Speaker 1: Super Bowl history.

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Speaker 6: But that's up there was that's like Raisings.

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Speaker 2: Type shit, like I don't the Patriots just that that Listen,

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Speaker 2: That's what I'm saying. I don't want to take nothing

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Speaker 2: away from the Seahawks defense, right because obviously they are

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Speaker 2: number one defense for a reason. But the Patriots offensive

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Speaker 2: line Man I and.

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Speaker 1: Then Vrabels Aaron shit out with nine minutes left in

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Speaker 1: the fourth like it was a terribly coached game, no

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Speaker 1: halftime adjustice. I was like, you know what Brady was

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Speaker 1: gonna get in his Belichick bag.

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Speaker 6: They'll be all right. They came out, same game plan. Yeah.

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Speaker 2: I thought they were gonna sneak Brady and Drake Maysy

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Speaker 2: uniform at halftime because they kind of built the same

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Speaker 2: you know what I'm saying, built the same kind of

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Speaker 2: you know, if you put the Brady in the jersey,

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Speaker 2: keep the helmet out, you wouldn't know that's that's Brady

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Speaker 2: out there. Once he started throwing thathit down the field,

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Speaker 2: you can be like, I don't know, something looks something

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Speaker 2: looks different quarterback. The Seahawks played so fucking good. I

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Speaker 2: was like, maybe the punter should get MVP.

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Speaker 6: Yeah it was bad, man, it was bad from start

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Speaker 6: to finish.

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Speaker 2: But shout out to the new the New England Patriots

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Speaker 2: for getting there.

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Speaker 6: I think Drake made and the Patriots will be back yeah, yeah,

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Speaker 6: I was young. I still like him.

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Speaker 2: I still like Drake May. I think they'll make some

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Speaker 2: adjustments this season. But take nothing away from Seattle Seahawks.

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Speaker 2: They came to do what they needed to do. They

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Speaker 2: took care of business. Shout out to the twelves. Yeah, man,

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Speaker 2: and you know it was it was a good game.

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Speaker 6: I enjoyed it.

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Speaker 2: I thought I thought that the Patriots had a chance

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Speaker 2: when it was still like twenty two, when they when

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Speaker 2: they when they caught that that uh that sack that

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Speaker 2: turned into a pick six.

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Speaker 6: Yeah, that was. That was That's when you know it

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Speaker 6: was at that point.

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Speaker 2: But shout out to Seattle Seahawks on redeeming redemption. This

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Speaker 2: was their redemption super Bowl against the Patriots.

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Speaker 1: Well, I mean the Patriots threw themselves. When Malcolm Butler

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Speaker 1: showed up before the game to ring the bell, yeah,

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Speaker 1: like that pissed off the whole like Pacific Coast.

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Speaker 6: Yeah, why could you do that, Malcolm Butler?

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Speaker 2: And it felt like a home game for the Seahawks

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Speaker 2: clost proximity being in San Francisco to Seattle, so they.

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Speaker 6: Felt like they was at home.

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Speaker 1: Yeah, but I mean, yeah, it was a very boring

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Speaker 1: Super Bowl but I still I still enjoyed the game.

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Speaker 2: Yeah, still had moments, still had still had a good

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Speaker 2: time watching the game. While still with a few of

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Speaker 2: my friends, we went to a zero Bond Okay, okay,

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Speaker 2: it was at zero bon watching the game. It was cool,

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Speaker 2: cool little vibes. We had the whole Super Bowl vibe

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Speaker 2: in there. It was cool. It was a cool night.

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Speaker 6: Excuse me, Yeah, I was at the crib Zero Bonds.

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Speaker 4: Yeah please, no no bottoms at all, Zero ban say.

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Speaker 1: It still the same zero ban But speaking of people

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Speaker 1: showing up, green Day did what they were supposed to do.

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Speaker 1: Absolutely did their job opening up the super Bowl.

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Speaker 2: It's always good to see Like some of my favorite

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Speaker 2: like I love TRL bands, green Day came out. It

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Speaker 2: was just like, oh man, this is this is like

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Speaker 2: nostalgia nostalgia. Yeah.

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Speaker 1: Yeah, if you don't like Green Day, you're like the

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Speaker 1: type people that like hate Forrest.

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Speaker 2: Gump or like just just you gotta love green Nobody

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Speaker 2: pays Green Day.

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Speaker 3: I'm sure there's someone out there hates.

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Speaker 2: If you hate Green Day, don't want to be around

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Speaker 2: the person you just hate life Like green Day is.

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Speaker 6: Just the energy is just like fun.

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Speaker 2: It's like, you know, let's just have a good time,

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Speaker 2: like nobody's trying to be too cool. It's a green day.

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Speaker 2: You gotta have a good time and rock out the

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Speaker 2: Green Day. Yeah, yeah, No, for sure. Coco Jones did

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Speaker 2: amazing as well. I like the beginning of shout out

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Speaker 2: to Coco Jones paid homage to the great late Whitney Houston.

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Speaker 6: Coco did what she had to do. You know, how

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Speaker 6: are you?

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Speaker 2: Yeah, you know how we feel about Coco, like Coco

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Speaker 2: is one of them. I know.

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Speaker 1: After the second quarter hit hit zero zero zero, I know,

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Speaker 1: I know you turned to the turning point, uh make

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Speaker 1: America great again halftime show?

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Speaker 6: So the marriage Do you want to cover the bad Bunny.

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Speaker 2: Thing with me? Because I think we were the only

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Speaker 2: ones that watched, and we're gonna get to Kid Rock

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Speaker 2: Bob with the bo the bang.

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Speaker 6: I'm sure. I'm sure Kid Rock did his thing as well.

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Speaker 2: I think you think I tuned in Tournament US A

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Speaker 2: halftime show. You think that's what I did all Americans?

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Speaker 4: I think I was like, Yo, switch it over, care Rock,

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Speaker 4: switch it over care Rock.

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Speaker 2: You though, that's what I yelled out at halftime. No, yeah,

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Speaker 2: I promise you I did not did not watch it.

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Speaker 1: Well, Yeah, for those that don't know. For some reason,

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Speaker 1: Bad Bunny performed and it's so odd that the last

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Speaker 1: two years have just like divided. It's a fucking halftime show.

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Speaker 1: It'supposed to be for entertainment. Yeah, why is this dividing

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Speaker 1: the world? I didn't understand the fucking word he said either.

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Speaker 1: But I like this set design and it was a

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Speaker 1: great performance.

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Speaker 6: It was like four minutes of my life.

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Speaker 2: It really wasn't well game changing for me before of

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Speaker 2: the world the way they're trying to do for both sides.

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Speaker 1: But I enjoyed the Bad Bunny performance. It's someone that

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Speaker 1: doesn't typically listen to his music very often. I thought

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Speaker 1: he covered all basis for people that don't listen to

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Speaker 1: his music.

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Speaker 6: Like it was entertaining to watch. The set design was incredible.

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Speaker 1: I like the Telephone poleshit and that's really as much

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Speaker 1: as I have on it. Like it was cool, just cool.

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Speaker 1: It was a great performance. Oh, don't try to foot now.

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Speaker 4: I'm gonna see you found in real white right now.

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Speaker 4: I don't know you've been doing it.

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Speaker 1: I'd be the white person that never listened to Bad

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Speaker 1: Bunny and now thinks he's the greatest artists of all time?

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Speaker 1: Should be that white person and lie to you. I

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Speaker 1: like this, like, should I be that guy?

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Speaker 2: Should I be? Honestly, yesterday I didn't now go you

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Speaker 2: know what, he's my favorite pop star of all time? Yeah, no, no, no,

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Speaker 2: nobody the cool it's crazy? All right? It was cool,

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Speaker 2: that's what you said. It was okay this way. Why

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Speaker 2: are you putting negative to cool? Right?

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Speaker 1: I thought it was incredible set design. It was agreed,

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Speaker 1: and I'm sure for the people that really listen to

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Speaker 1: his music and love his music, which is a huge

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Speaker 1: group of people, it was even better. But I was

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Speaker 1: focused on the bushes moving and shit. I thought that

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Speaker 1: was whoever put the set together is incredible.

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Speaker 6: I love the deli.

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Speaker 2: Shit found a way to shout out. I love you

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Speaker 2: just found a way to shout out the bushes. I

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Speaker 2: really like when they were cutting sugar cane. That's what

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Speaker 2: you want me to say?

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Speaker 6: Huh, Let me say this.

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Speaker 2: I do understand how some people would be kind of

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Speaker 2: upset at bad.

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Speaker 6: Bunny performing, So just see to me, that's weird.

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Speaker 2: No, I do understand it because it's like, you know,

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Speaker 2: if they this is quote unquote you know American football

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Speaker 2: some people saw a lot of the players, they interviewed

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Speaker 2: them before the game. Never heard of Bad Bunny, never

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Speaker 2: heard of his music. But we understand why Bad Bunny

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Speaker 2: was hired. It's it's to get, you know, the people

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Speaker 2: to tune in around the world. It's the Latin one

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Speaker 2: of the biggest, if not the biggest Latin artists in

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Speaker 2: the world, which means a lot of people from other

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Speaker 2: Latin countries will tune into the halftime show. It's all

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Speaker 2: about ratings, It's all about getting people to watch have

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Speaker 2: time show. Bad Bunny is an incredible artist. You know,

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Speaker 2: there's nothing He's an incredible performer. We know all of

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Speaker 2: these things about Bad Bunny. Me personally, I loved it,

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Speaker 2: but again, I'm from the Bronx, I'm Puerto Rican as

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Speaker 2: part of who I am like I you know, I

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Speaker 2: enjoyed it.

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Speaker 6: I enjoy Bad Bunny. I understand his music.

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Speaker 2: I may understand what he's saying, but the music is

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Speaker 2: I understand the emotion of feeling the behind his music.

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Speaker 6: So I was not mad at Bad Money.

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Speaker 2: But to be fair, I do understand how some people

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Speaker 2: that you know, watch football and don't know who Bad

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Speaker 2: Bunny is, or people that was at the super Bowl

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Speaker 2: and don't know who bad Money is. I could understand

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Speaker 2: how they was like, damn Dold, we don't even know

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Speaker 2: what he's saying. We've never heard of him, never heard

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Speaker 2: his music. I can understand. You can't please everybody, but

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Speaker 2: we know that the halftime show is about getting viewership,

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Speaker 2: getting the people to tune in. It's all about Spot

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Speaker 2: getting money for the sponsorships and all of that, and

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Speaker 2: who else to do it other than which I thought.

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Speaker 2: I haven't seen the numbers, but I'm pretty sure it's

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Speaker 2: probably the most.

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Speaker 6: It's gonna be the biggest artists it has. It has

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Speaker 6: to be.

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Speaker 1: I mean, it's the American football ball. I know you're

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Speaker 1: not saying that, and I see you're saying that. If

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Speaker 1: these bad this is the list of people that are

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Speaker 1: not started from America. The selfiees I told you he

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Speaker 1: was gonna do. My ship started with my ship.

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Speaker 4: Listen to yo when you when I found out that

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Speaker 4: that song was about being a whore, I was like, Yo,

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Speaker 4: that's why that ship hate, That's why I touch your

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Speaker 4: soul right.

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Speaker 2: To your nigga listen here.

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Speaker 4: Okay, cool, I'm not This is not an attack, baby,

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Speaker 4: this is me recognizing why I got so many girlfriends.

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Speaker 4: It's like I got a lot of them, Auntie, I

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Speaker 4: got a lot of them.

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Speaker 2: I can't. Yeah, listen to listen to your home, bro,

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Speaker 2: I'm gonna break your heart.

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Speaker 3: Listen to your home.

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Speaker 2: I understand, but I do understand.

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Speaker 1: So funny why most of those people were like, he

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Speaker 1: doesn't speak English, we want to hear it, but then

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Speaker 1: also say he talks about sex, so he shouldn't be there. Yeah,

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Speaker 1: I mean, listen, man, which one is it? You do

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Speaker 1: not understand him or you understand that he's talking about sex?

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Speaker 2: Is one?

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Speaker 6: Mic, I don't get it.

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Speaker 2: I understand, but I understand how some people, you know,

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Speaker 2: die hard football fans that go bad.

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Speaker 1: I get how they are, okay, but not American super

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Speaker 1: Bowl halftime performers Phil Collins and Rick ka Iglacia's YouTube

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Speaker 1: Shania Twaine. They stay English though, Okay, but you said

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Speaker 1: it's American football.

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Speaker 6: You want an American there? Okay, Well, at.

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Speaker 2: Least people in the audience, because if Shakira watched those

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Speaker 2: that didn't know Shakira also sings in English as well.

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Speaker 1: The Weekend anytimes anytime they start talking in that that Scarborough,

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Speaker 1: Toronto's slaying.

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Speaker 6: I don't know what the fuck they'd be talking about.

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Speaker 6: It's still English.

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Speaker 2: My thing is this is this is my thing. This

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Speaker 2: is that.

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Speaker 4: That one criticism I will take, not that bad Bunny

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Speaker 4: shouldn't have performed, But when I was watching it, when

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Speaker 4: I was watching it with my father, the one thing

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Speaker 4: he said was, Hey, I would really like if they

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Speaker 4: had subtitles up here. And I can understand people who

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Speaker 4: have that complaint that they wanted they would have wanted

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Speaker 4: subtitles for what to translate what he was saying. I

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Speaker 4: feel like that was a miss on productions part.

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Speaker 2: But but I don't know.

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Speaker 1: I guess I'd have to like watch that on YouTube

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Speaker 1: or something just to see what if that translates. I've

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Speaker 1: never like read subtitles to a song before, like a

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Speaker 1: movie I have, that would be hard to keep up.

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Speaker 1: I feel like, and like the way especially I'm sure

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Speaker 1: he speaks in a dialect that may not translate the

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Speaker 1: same way to English with what he's doing, so like he.

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Speaker 4: Speaks Puerto Rican slang. Yeah, but so it would be

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Speaker 4: so tough to but it would have helped.

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Speaker 1: They could have tried, Like even if you print it

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Speaker 1: out like vibes car tell lyrics, it'd be very confusing

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Speaker 1: to try to translate them into English, and that is

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Speaker 1: broken English. Yeah, so I just don't know if I

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Speaker 1: hear them. But I don't know if keep up with

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Speaker 1: the shit, I know, I wouldn't be able.

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Speaker 4: To I had a ball. But I also have to

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Speaker 4: realize because I'm just sitting up there. Like when I

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Speaker 4: was talking to my friends who don't live in New

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Speaker 4: York City, I'm like, how are y'all not excited about BENEATHO?

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Speaker 3: And then I remember that I live in New York City.

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Speaker 4: So I hear Bad Bundy without even playing him on

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Speaker 4: my phone, Like, if you outside, you're gonna hear bad Buddy.

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Speaker 3: And a lot of people just don't.

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Speaker 2: Yeah, people don't listen to listen. We get it because

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Speaker 2: we where we're from. You know where I grew up.

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Speaker 2: I mean, I understand it. It's part of my culture.

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Speaker 2: But I can also understand being faired on the other side,

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Speaker 2: people from the South, people from the West coast that

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Speaker 2: you know, people from you know, up way up, No,

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Speaker 2: they don't. They just that's just not their thing. They

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Speaker 2: don't know about Bad Bunny like that. So I understand it.

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Speaker 2: People from the Midwest. I understand that that's not part

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Speaker 2: of They don't list they've never heard of bad bunny

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Speaker 2: songs as much as we do because we go out

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Speaker 2: and move around in New York. Some of these songs,

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Speaker 2: even though we don't know what he's saying, we know

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Speaker 2: the song. That's our shit, you know what I'm saying. So,

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Speaker 2: but I understand how some people were like, damn, could

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Speaker 2: we get something that we can understand so we can

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Speaker 2: feel like we're included and we're a part of it.

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Speaker 2: But again, we understand what the super Bowl halftime show

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Speaker 2: is about. It's not so much about the people that's

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Speaker 2: at the game. It's most about the people tuning in.

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Speaker 1: And but even the people at the game, I mean,

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Speaker 1: obviously this year they were with Erka Kirk. But it's

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Speaker 1: not the good old boys going to the super Bowl,

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Speaker 1: like you have to have a lot of money. It's

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Speaker 1: a lot of connections. Like it's not like the good

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Speaker 1: old Americans that are at the road Tide games that

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Speaker 1: are going to the super Bowl like that, that's not

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Speaker 1: really the crowd.

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Speaker 4: And like, even so, who do you think is up

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Speaker 4: the fool rich people? It's not all just rich people,

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Speaker 4: but a lot of rich people.

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Speaker 6: Yeah, you think it was a lot of Puerto Ricans there,

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Speaker 6: I don't. I don't think all Puerto Ricans are pormo.

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Speaker 2: No, I don't keep in. Do you think a lot

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Speaker 2: of Puerto Ricans with it? I don't know.

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Speaker 1: I I'm sure a lot of Puerto Ricans went because

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Speaker 1: of Bad Bunny, But I mean even that. You say that, though,

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Speaker 1: but you isolate a whole, huge demographic of NFL fans

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Speaker 1: when you have the whole there in twenty ten.

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Speaker 6: Yeah, like so, I hear what you're saying. But that happens.

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Speaker 6: That's gonna happen no matter what, because football is so popular.

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Speaker 2: Listen, if Real Madrid was in the Championship, I mean

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Speaker 2: for their Premier league, that Bunny should do the couinting

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Speaker 2: usher came out and performing.

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Speaker 6: We don't think people over there like who the fuck

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Speaker 6: is this? It would be the same thing.

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Speaker 2: We know.

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Speaker 6: I sure would be a strange choice for the Real

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Speaker 6: Madrid game.

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Speaker 2: Some people feel like Bad Bunny it was a strange

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Speaker 2: choice for the Super Bowl. That's all I'm saying. No

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Speaker 2: matter where you're from in the New World, if if

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Speaker 2: an artist is not performing in your language of the country,

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Speaker 2: like people are you can understand how people can be

377
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Speaker 2: like yo, fam, we don't even understand what this artist

378
00:15:06,680 --> 00:15:10,640
Speaker 2: are saying. Again, I loved it because that's part of

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Speaker 2: my culture. So you got me there.

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Speaker 6: I love I think Bad Bunny is amazing.

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Speaker 2: I think his even if you don't understand what he's saying,

382
00:15:18,080 --> 00:15:21,440
Speaker 2: just looking at that performance and then understanding the attention

383
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Speaker 2: of detail, you know, having you know the lady who's

384
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Speaker 2: one of her last, she's one of the last, like uh,

385
00:15:29,240 --> 00:15:32,640
Speaker 2: Puerto Rican owned speakeasies or like bars, and I think

386
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Speaker 2: in the city he had her there, had her address

387
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Speaker 2: on it. This is you know how many you know

388
00:15:38,880 --> 00:15:41,560
Speaker 2: how many people like it? That's gonna just pull up

389
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Speaker 2: to be like yo, she was at it like because

390
00:15:45,640 --> 00:15:47,400
Speaker 2: that's what it's about. For me, It's about the attention

391
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Speaker 2: of detail. And I think that that's what Bad Bunny

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Speaker 2: and his team did. They paid attention to every detail.

393
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Speaker 2: It's very intentional. I thought the performance was dope.

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Speaker 4: And like when when Rory wrote in our group chat

395
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Speaker 4: and was joking around and was like, look at Bad

396
00:16:00,560 --> 00:16:03,200
Speaker 4: Bunny showing a nuclear family that the Republicans like claim

397
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Speaker 4: to live and but Puerto Ricans really do or that

398
00:16:05,320 --> 00:16:08,440
Speaker 4: Spanish people really do and it's not you aren't joking,

399
00:16:08,480 --> 00:16:10,840
Speaker 4: that's like, that's that ass like that's I love how

400
00:16:10,880 --> 00:16:15,360
Speaker 4: he showcased their culture of like family, like the little

401
00:16:15,360 --> 00:16:17,160
Speaker 4: boy laying on the chairs, yo, go to bed, get up,

402
00:16:17,280 --> 00:16:19,960
Speaker 4: like that's you know what I'm saying, Like that's that culture.

403
00:16:20,000 --> 00:16:21,520
Speaker 4: And I thought that that was so beautiful. The couple

404
00:16:21,600 --> 00:16:23,720
Speaker 4: that really got married, I actually got married, was fire.

405
00:16:23,880 --> 00:16:26,680
Speaker 4: That was That was amazing. And also I don't know

406
00:16:26,720 --> 00:16:29,240
Speaker 4: why people don't know how to just enjoy music they

407
00:16:29,280 --> 00:16:31,560
Speaker 4: don't have. You don't have to understand what's being said.

408
00:16:31,960 --> 00:16:35,240
Speaker 4: You can just enjoy the feel of the music, enjoy

409
00:16:35,320 --> 00:16:39,080
Speaker 4: the performance like I don't know, I've never known what

410
00:16:39,120 --> 00:16:39,560
Speaker 4: bad bundy.

411
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Speaker 2: A lot of people don't have rhythm though a lot

412
00:16:42,360 --> 00:16:43,120
Speaker 2: of people don't have soul.

413
00:16:45,040 --> 00:16:47,560
Speaker 3: I do not only care about lyrics, especially for music

414
00:16:47,640 --> 00:16:47,800
Speaker 3: like that.

415
00:16:47,960 --> 00:16:50,720
Speaker 4: I care about the I want to dances, were making

416
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Speaker 4: dance of music.

417
00:16:51,400 --> 00:16:54,760
Speaker 1: I want to say Spanish music is actually so because

418
00:16:54,800 --> 00:16:56,920
Speaker 1: white people we bop our head to the lyrics, not

419
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Speaker 1: the beat. That's like the difference besides the one and

420
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Speaker 1: the three and two in the four, we try to

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Speaker 1: dance to the to the cadence of the lyrics. That's

422
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Speaker 1: why we be off beat sometimes because different pocket Spanish

423
00:17:06,480 --> 00:17:09,480
Speaker 1: music does make it easier without rhythm to like, you know,

424
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Speaker 1: bop your head.

425
00:17:11,160 --> 00:17:13,879
Speaker 2: You would look crazy dancing anything bad Bunny is playing.

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Speaker 1: You don't think I've been in the hookah spot dancing

427
00:17:17,240 --> 00:17:20,040
Speaker 1: but looking crazy, nah, looking like he was about the robin.

428
00:17:20,320 --> 00:17:22,119
Speaker 6: I used to I used to, I used to cut

429
00:17:22,160 --> 00:17:23,240
Speaker 6: a rugged melody cut.

430
00:17:24,640 --> 00:17:32,359
Speaker 2: And get up here. I'm a clap off. Hey it's selfie.

431
00:17:32,480 --> 00:17:39,320
Speaker 2: So that's right there. That's more. You should have been

432
00:17:39,440 --> 00:17:41,880
Speaker 2: watching Turning Point in USA. I can't.

433
00:17:42,160 --> 00:17:42,919
Speaker 6: I can't just stand up.

434
00:17:43,000 --> 00:17:44,960
Speaker 2: No no, no, no, no no see that ain't that

435
00:17:45,040 --> 00:17:46,240
Speaker 2: ain't that an't beneath.

436
00:17:45,960 --> 00:17:46,919
Speaker 6: It was doing last night?

437
00:17:47,080 --> 00:17:49,520
Speaker 1: No, And now I see why you guys had a

438
00:17:49,720 --> 00:17:52,400
Speaker 1: reaction when I said it was cool. So I agree

439
00:17:52,400 --> 00:17:54,080
Speaker 1: with everything you guys said, down to the detail. I

440
00:17:54,119 --> 00:17:56,320
Speaker 1: thought it was amazing in every part of that.

441
00:17:56,720 --> 00:17:59,240
Speaker 6: It's just not music. I listened too often. That's that's

442
00:17:59,359 --> 00:18:01,280
Speaker 6: really saying. I understand both sides.

443
00:18:01,320 --> 00:18:04,200
Speaker 2: Like I said, if if if if ushould take his

444
00:18:04,280 --> 00:18:08,480
Speaker 2: ass to Spain for their championship soccer game, there's gonna

445
00:18:08,480 --> 00:18:10,360
Speaker 2: be a lot of people that's like, yo, who who

446
00:18:10,560 --> 00:18:13,080
Speaker 2: is this man? Because we in America, so we feel

447
00:18:13,119 --> 00:18:15,679
Speaker 2: like everybody's supposed to know how stars in the fucking run.

448
00:18:15,840 --> 00:18:16,200
Speaker 6: They don't.

449
00:18:17,960 --> 00:18:20,520
Speaker 2: I promise, I promise you they don't. Some of our

450
00:18:20,560 --> 00:18:22,480
Speaker 2: biggest athletes. You go to London right now, like you know,

451
00:18:22,600 --> 00:18:25,080
Speaker 2: Kevin Durant, they'd be like, you know who's that? You

452
00:18:25,119 --> 00:18:27,360
Speaker 2: show people I'm talking about the biggest thought where I'm

453
00:18:27,400 --> 00:18:31,359
Speaker 2: telling you they don't. London. I'm telling you they do not.

454
00:18:31,480 --> 00:18:33,760
Speaker 2: Bro A lot of people that in London. A lot

455
00:18:33,800 --> 00:18:37,439
Speaker 2: of people do not. I promise you would know who

456
00:18:37,480 --> 00:18:39,600
Speaker 2: he is. Like if you had just a Nike AD

457
00:18:39,800 --> 00:18:42,080
Speaker 2: and like no jersey or nothing with Katie just and

458
00:18:42,160 --> 00:18:43,879
Speaker 2: some Nike shims, like who is that a lot of

459
00:18:43,920 --> 00:18:45,520
Speaker 2: people from the UK would not know who that was.

460
00:18:45,560 --> 00:18:47,720
Speaker 1: I can't confirm this, but I feel like Katie's probably

461
00:18:47,760 --> 00:18:50,800
Speaker 1: had an AD in London before maybe fifteen.

462
00:18:51,200 --> 00:18:52,920
Speaker 2: The NBA has games in London now, so there's a

463
00:18:53,000 --> 00:18:55,760
Speaker 2: there's a there's people that follow I'm talking about in

464
00:18:55,960 --> 00:18:57,560
Speaker 2: general soccer.

465
00:18:57,600 --> 00:19:00,200
Speaker 6: I think there's places in your ice think London is

466
00:19:01,240 --> 00:19:02,840
Speaker 6: so much like America.

467
00:19:02,960 --> 00:19:04,680
Speaker 2: If I showed you a picture of the biggest soccer

468
00:19:04,720 --> 00:19:06,040
Speaker 2: player in the world right now. You wouldn't even know

469
00:19:06,040 --> 00:19:08,879
Speaker 2: who he was. You couldn't name him. He's a dadn't

470
00:19:08,880 --> 00:19:11,639
Speaker 2: Siana Trump? You could name him, you couldn't name him.

471
00:19:12,480 --> 00:19:14,040
Speaker 2: You couldn't. So that's what I'm saying to burn a

472
00:19:14,160 --> 00:19:16,840
Speaker 2: ware you from in the world. I understand how people

473
00:19:16,840 --> 00:19:20,080
Speaker 2: will feel away, like, listen, this is not really our culture. Yes,

474
00:19:20,200 --> 00:19:23,640
Speaker 2: we have a huge Puerto Rican culture in New York City, Okay,

475
00:19:24,600 --> 00:19:26,480
Speaker 2: other cities, but still it's a lot of people that

476
00:19:26,600 --> 00:19:29,080
Speaker 2: they don't know nothing about bad but never heard him before.

477
00:19:29,160 --> 00:19:31,960
Speaker 1: But a lot of Americans love soccer, Like, don't use me.

478
00:19:32,119 --> 00:19:34,560
Speaker 1: I shouldn't be the rule to not knowing the biggest

479
00:19:34,840 --> 00:19:38,159
Speaker 1: football soccer player. Like, there's plenty of people in America

480
00:19:38,280 --> 00:19:41,440
Speaker 1: that are like diehards for soccer fans for sure, And

481
00:19:41,640 --> 00:19:43,680
Speaker 1: I'm sure there's a lot of dieard NBA fans and

482
00:19:44,720 --> 00:19:45,680
Speaker 1: in London.

483
00:19:46,280 --> 00:19:47,240
Speaker 6: I don't know about die hard.

484
00:19:47,520 --> 00:19:51,560
Speaker 1: And basketball got basketball got so international, Like even if

485
00:19:51,600 --> 00:19:53,800
Speaker 1: you look at the league now, like they gentrified the

486
00:19:53,840 --> 00:19:58,240
Speaker 1: fuck out of us. I feel like globally it's different

487
00:19:58,280 --> 00:19:59,159
Speaker 1: with basketball.

488
00:19:58,800 --> 00:20:01,639
Speaker 2: Now it's nice, it's still not They're still trying to

489
00:20:01,640 --> 00:20:03,639
Speaker 2: push this growing but it's still not what you think

490
00:20:03,680 --> 00:20:03,840
Speaker 2: it is.

491
00:20:04,280 --> 00:20:06,760
Speaker 4: I'm happy that the we always talk about America being

492
00:20:07,040 --> 00:20:09,959
Speaker 4: such a huge, like melting pot in America.

493
00:20:10,040 --> 00:20:11,240
Speaker 6: Get there, because I see where you're going.

494
00:20:11,480 --> 00:20:13,440
Speaker 2: I like that. I like that. Segue. I'm not segue

495
00:20:13,520 --> 00:20:15,120
Speaker 2: and I was still talking about the super Bowl.

496
00:20:16,080 --> 00:20:18,000
Speaker 4: I was talking about Yeah, it's a melting pot, and

497
00:20:18,200 --> 00:20:22,280
Speaker 4: I'm happy that a large percentage of America got to

498
00:20:22,440 --> 00:20:25,080
Speaker 4: see their star on the screen.

499
00:20:25,400 --> 00:20:27,840
Speaker 6: It's a lot percentage of America got to see their star.

500
00:20:28,080 --> 00:20:31,960
Speaker 4: Yes, there's a lot of Hispanic speaking people in our country,

501
00:20:32,160 --> 00:20:34,520
Speaker 4: a lot of them, like a huge percentage of America.

502
00:20:34,760 --> 00:20:36,199
Speaker 2: So it's not just like, oh, they're trying to get

503
00:20:36,240 --> 00:20:38,880
Speaker 2: people from other All Mexicans love Bad Bunny just because

504
00:20:38,880 --> 00:20:41,520
Speaker 2: they also Yeah, it's a little but I understand what

505
00:20:41,560 --> 00:20:44,560
Speaker 2: you're saying though, a lot of people do love Bad Yeah,

506
00:20:45,000 --> 00:20:45,400
Speaker 2: all right.

507
00:20:45,600 --> 00:20:47,359
Speaker 6: I'm trying to make a progressive point in it actually

508
00:20:47,359 --> 00:20:47,879
Speaker 6: being racist.

509
00:20:48,400 --> 00:20:51,480
Speaker 2: It wasn't. It wasn't racist. Bad Bunny is the biggest

510
00:20:51,600 --> 00:20:53,280
Speaker 2: Spanish speaking star in America.

511
00:20:53,480 --> 00:20:55,840
Speaker 6: He's one of the biggest stars in America period.

512
00:20:56,040 --> 00:20:58,480
Speaker 4: Okay, of course that's fine, But when you're talking about

513
00:20:58,600 --> 00:21:01,679
Speaker 4: regular Americans might not know want maybe not knowing who

514
00:21:01,720 --> 00:21:04,440
Speaker 4: he is. The Americans, where their first English, their first

515
00:21:04,520 --> 00:21:07,080
Speaker 4: language is Spanish, they know who the fuck Bad Bunny is.

516
00:21:07,160 --> 00:21:07,960
Speaker 2: He is their star.

517
00:21:08,400 --> 00:21:10,600
Speaker 4: That's like, even if you don't like Beyonce, Beyonce is

518
00:21:10,640 --> 00:21:12,720
Speaker 4: still your star. Like it's not you can't escape it.

519
00:21:13,440 --> 00:21:14,920
Speaker 4: Y'all stepped on my point for no reason. What was

520
00:21:15,000 --> 00:21:15,600
Speaker 4: y'all about to say?

521
00:21:15,760 --> 00:21:17,800
Speaker 2: Like, I was just gonna say, we're back sponsored by

522
00:21:17,840 --> 00:21:20,360
Speaker 2: Boost Mobile on under their talk text and data. That's

523
00:21:20,400 --> 00:21:22,040
Speaker 2: all I was about to say, Baby diannadn't mean to

524
00:21:22,080 --> 00:21:25,480
Speaker 2: cut you off. It's fine, but overall, shout out to

525
00:21:26,280 --> 00:21:31,200
Speaker 2: Bad Bunny again. The production attention to detail everything was

526
00:21:31,240 --> 00:21:33,480
Speaker 2: spot on again. But we knew that Bad Bunny is

527
00:21:33,480 --> 00:21:35,320
Speaker 2: one of the greatest performers that we have, so we

528
00:21:35,400 --> 00:21:37,240
Speaker 2: knew that he was going to do what he was supposed.

529
00:21:36,880 --> 00:21:37,639
Speaker 6: To do well.

530
00:21:37,720 --> 00:21:40,159
Speaker 1: I did see in English that Chris Brown commented in

531
00:21:40,280 --> 00:21:43,359
Speaker 1: English because he could have could have gave y'all. He

532
00:21:43,440 --> 00:21:45,919
Speaker 1: could have he could have gave y'all it's a very

533
00:21:45,960 --> 00:21:49,320
Speaker 1: talented guy. Sure he could get one hundred translate somehow. Absolutely,

534
00:21:49,520 --> 00:21:51,280
Speaker 1: And I'm sure Chris Brown has been around enough Spanish

535
00:21:51,280 --> 00:21:53,440
Speaker 1: woman that he can pick up on a few words.

536
00:21:53,480 --> 00:21:55,359
Speaker 2: They could a past his phone and one of them like, yo, listen,

537
00:21:55,480 --> 00:21:58,359
Speaker 2: just one to just just to send that out for me.

538
00:21:58,800 --> 00:21:59,000
Speaker 4: He did.

539
00:21:59,080 --> 00:22:01,800
Speaker 6: He did post that looks like y'all needed me in

540
00:22:01,920 --> 00:22:05,359
Speaker 6: so many words. All right, Can I say this? How

541
00:22:05,440 --> 00:22:07,120
Speaker 6: we know he was talking about the Super Bowl show?

542
00:22:08,240 --> 00:22:10,719
Speaker 2: We don't know. We can only the name of its

543
00:22:10,760 --> 00:22:12,919
Speaker 2: tour was the Chris Brown Bowl. That's the only thing

544
00:22:13,000 --> 00:22:15,680
Speaker 2: that I'm just crazy bowl. To be fair, I get it.

545
00:22:15,720 --> 00:22:17,919
Speaker 2: I understand how people was like, yo, that's crazy. How

546
00:22:18,000 --> 00:22:20,720
Speaker 2: he throwing shots at you know, bad bunnies, saying I

547
00:22:20,760 --> 00:22:23,520
Speaker 2: see y'all needed me, like bad Bunny's performance was whack

548
00:22:23,600 --> 00:22:24,120
Speaker 2: or whatever.

549
00:22:24,000 --> 00:22:26,359
Speaker 6: Like you're doing the shota right now. This is dancing dancing.

550
00:22:26,359 --> 00:22:29,639
Speaker 2: I'm just saying, how do we know that he was

551
00:22:29,720 --> 00:22:32,600
Speaker 2: talking about the Super Bowl halftime show? How do we

552
00:22:32,680 --> 00:22:32,840
Speaker 2: know that?

553
00:22:32,920 --> 00:22:35,639
Speaker 4: We don't know anything, but we're on this podcast, and

554
00:22:35,720 --> 00:22:38,480
Speaker 4: we assume all day, every day, any other day, so.

555
00:22:38,560 --> 00:22:41,000
Speaker 6: We just like kicking the shits. I'm not talking matter

556
00:22:41,040 --> 00:22:42,399
Speaker 6: of factly, well, of course not.

557
00:22:42,800 --> 00:22:44,680
Speaker 2: Because I Wasn't you ever talked matter of factly on

558
00:22:44,720 --> 00:22:46,680
Speaker 2: this podcast? Oh give me ten more minutes I'm gonna

559
00:22:46,680 --> 00:22:48,359
Speaker 2: talk matter of factly in ten minutes old.

560
00:22:48,280 --> 00:22:51,240
Speaker 6: On, We're gonna run down.

561
00:22:51,359 --> 00:22:53,600
Speaker 2: We're gonna run down a few more topics, and then

562
00:22:53,640 --> 00:22:54,640
Speaker 2: I'm gonna talk matter of fact.

563
00:22:54,800 --> 00:22:57,639
Speaker 1: He's gonna hit this go ahead, I can I can

564
00:22:57,760 --> 00:23:03,359
Speaker 1: safely assume in these walls that Chris Brown posting that

565
00:23:03,640 --> 00:23:07,440
Speaker 1: right after the Super Bowl halpen after I didn't see.

566
00:23:08,160 --> 00:23:10,480
Speaker 1: I don't even think they got halfway through the third quarter. Okay,

567
00:23:12,240 --> 00:23:16,040
Speaker 1: to do the Breezy Bowl, to do the Breezy Ball,

568
00:23:17,119 --> 00:23:18,480
Speaker 1: which wee can safety.

569
00:23:18,240 --> 00:23:20,200
Speaker 6: At put your case together.

570
00:23:20,480 --> 00:23:22,359
Speaker 1: I was, I was at MetLife. He did it in

571
00:23:22,440 --> 00:23:25,719
Speaker 1: a stadium where one could do a halftime. There's been

572
00:23:25,720 --> 00:23:31,520
Speaker 1: a halftime show there as play football, and you called

573
00:23:31,520 --> 00:23:35,359
Speaker 1: it Breezy Bowl because we can safely assume you have

574
00:23:35,480 --> 00:23:38,080
Speaker 1: been snubbed for doing so, and you wanted to prove

575
00:23:38,200 --> 00:23:40,679
Speaker 1: to the world that's why you do four hour shows

576
00:23:40,680 --> 00:23:43,240
Speaker 1: a night for three hundred and sixty five days straight

577
00:23:43,680 --> 00:23:47,439
Speaker 1: like a psychopath at the highest level of singing and dancing.

578
00:23:48,720 --> 00:23:52,080
Speaker 1: Then Bad Bunny performs and then you tweet out instagram

579
00:23:52,160 --> 00:23:53,000
Speaker 1: out whatever the fuck it was.

580
00:23:53,400 --> 00:23:55,080
Speaker 2: Looks like y'all needed me. I don't.

581
00:23:55,119 --> 00:23:58,040
Speaker 1: I don't think it's hmmm, do you think maybe it

582
00:23:58,119 --> 00:24:02,160
Speaker 1: was a sub to some of his like inner family again, man,

583
00:24:02,359 --> 00:24:05,840
Speaker 1: you know, I'm just I'm madd didn't say on Piru

584
00:24:05,960 --> 00:24:07,720
Speaker 1: after that's like the only thing I thought.

585
00:24:08,200 --> 00:24:09,400
Speaker 6: You put together a great case.

586
00:24:09,480 --> 00:24:12,760
Speaker 2: The timing of it, everything that Chris has done in

587
00:24:12,840 --> 00:24:15,920
Speaker 2: the last year with his own, you know, massive tour,

588
00:24:16,880 --> 00:24:18,880
Speaker 2: and we speak to it every year. We say, because

589
00:24:18,880 --> 00:24:20,960
Speaker 2: we're probably gonna throw some names and that right after

590
00:24:21,000 --> 00:24:24,880
Speaker 2: we finished this about who we think is next. He's

591
00:24:24,920 --> 00:24:27,840
Speaker 2: one of the ones that we say easily could do

592
00:24:27,920 --> 00:24:30,520
Speaker 2: a Super Bowl. Halter basically has done his own I

593
00:24:30,640 --> 00:24:33,160
Speaker 2: have time show on this tour. I can say after

594
00:24:33,480 --> 00:24:36,480
Speaker 2: going to the tour, not that I had doubts or anything,

595
00:24:36,520 --> 00:24:39,520
Speaker 2: but it was just like, yeah, he could, he could

596
00:24:39,560 --> 00:24:42,280
Speaker 2: do that easily. It would be the easiest production set

597
00:24:42,320 --> 00:24:43,680
Speaker 2: up of all time.

598
00:24:43,800 --> 00:24:48,880
Speaker 6: He was flying around. That was literally easy. I just again,

599
00:24:48,960 --> 00:24:49,600
Speaker 6: the timing of it.

600
00:24:51,119 --> 00:24:54,720
Speaker 1: Then it was corny. Yeah, it was fucking corny. Like

601
00:24:54,800 --> 00:24:56,600
Speaker 1: he didn't have Christian we love you, but you didn't

602
00:24:56,600 --> 00:24:58,080
Speaker 1: have to do it like that. You didn't have to

603
00:24:58,520 --> 00:25:00,880
Speaker 1: taking down that bunny for some ship. Like he put

604
00:25:00,920 --> 00:25:02,960
Speaker 1: on a good performance, Yes, great performance.

605
00:25:03,160 --> 00:25:05,200
Speaker 2: It looks like y'all needed me as shade right, that's

606
00:25:05,200 --> 00:25:06,359
Speaker 2: what the girl say to that shaite.

607
00:25:06,400 --> 00:25:09,639
Speaker 3: Nobody needed him. It was a great performance, Like, I don't,

608
00:25:10,600 --> 00:25:11,000
Speaker 3: it was great.

609
00:25:11,040 --> 00:25:11,359
Speaker 2: I'm with you.

610
00:25:11,440 --> 00:25:13,399
Speaker 6: It was a great performance. I enjoyed it. If it

611
00:25:13,520 --> 00:25:15,040
Speaker 6: was trash, I could like.

612
00:25:16,520 --> 00:25:19,040
Speaker 1: Actively support Chris Brown in that, like you keep snubbing

613
00:25:19,119 --> 00:25:21,560
Speaker 1: me for this bullshit. I could see if it was bad,

614
00:25:21,640 --> 00:25:24,840
Speaker 1: but it was great, So I don't. It was unnecessary

615
00:25:24,840 --> 00:25:27,440
Speaker 1: to me. Unnecessary is the word. That's the word I like.

616
00:25:27,520 --> 00:25:28,080
Speaker 6: I like that word.

617
00:25:28,119 --> 00:25:32,240
Speaker 2: I want to start using the correct words. It was unnecessary,

618
00:25:32,920 --> 00:25:35,199
Speaker 2: like that's all if it was, if it was how

619
00:25:35,240 --> 00:25:37,600
Speaker 2: he felt. We can't be mad at how Chris Brown feels.

620
00:25:38,200 --> 00:25:40,920
Speaker 2: But it was just unnecessary. It was unnecessary. You could

621
00:25:40,960 --> 00:25:43,000
Speaker 2: say that in the crib LIKEO they needed me because

622
00:25:43,000 --> 00:25:44,080
Speaker 2: like I was, send that out.

623
00:25:45,400 --> 00:25:46,960
Speaker 6: Now, we're in your business. You' putting us upright.

624
00:25:47,119 --> 00:25:48,720
Speaker 2: You wanted us to talk about it. You wanted us

625
00:25:48,760 --> 00:25:51,840
Speaker 2: to see what you see how you felt. You know,

626
00:25:52,480 --> 00:25:56,080
Speaker 2: obviously Chris is a is a superstar, amazing performer, and

627
00:25:56,200 --> 00:25:58,720
Speaker 2: will kill to have time show if he's ever given

628
00:25:58,720 --> 00:26:00,119
Speaker 2: the opportunity to perform. We know that.

629
00:26:00,720 --> 00:26:02,520
Speaker 6: But let's not take away from bad Bunny's moment.

630
00:26:02,880 --> 00:26:05,119
Speaker 2: Yeah. I think that's where the unnecessary part comes in.

631
00:26:05,200 --> 00:26:06,880
Speaker 2: We kind of take away from his moment. You kind

632
00:26:06,880 --> 00:26:09,280
Speaker 2: of diminish his moment and kind of throw shade on

633
00:26:09,400 --> 00:26:13,200
Speaker 2: his moment again. Unnecessary. I just I just thought that

634
00:26:13,240 --> 00:26:14,480
Speaker 2: was a little necessary from Chris. No.

635
00:26:14,480 --> 00:26:16,080
Speaker 1: I agree, And I mean, if he's petty and ends

636
00:26:16,119 --> 00:26:17,440
Speaker 1: up getting it next year, he should do the whole

637
00:26:17,440 --> 00:26:19,359
Speaker 1: show in Spanish, just just to.

638
00:26:19,359 --> 00:26:20,080
Speaker 6: Show the Lakers.

639
00:26:20,119 --> 00:26:21,800
Speaker 2: You want to really show the level if you want

640
00:26:21,800 --> 00:26:25,440
Speaker 2: to really turn the country understand you next year in Spanish.

641
00:26:26,119 --> 00:26:32,360
Speaker 1: L Breezy Bowl, L Breezy L Chili Bowl, all righted

642
00:26:32,400 --> 00:26:33,960
Speaker 1: by Chili El Chile.

643
00:26:35,080 --> 00:26:35,680
Speaker 2: Chili Bowl.

644
00:26:37,160 --> 00:26:42,280
Speaker 4: Get the fuck yeah myself, not breezy. It's not breezy,

645
00:26:42,320 --> 00:26:50,320
Speaker 4: it's chilly. This country is going as ship. Just why

646
00:26:50,359 --> 00:26:51,800
Speaker 4: do you say I say yo in Spanish?

647
00:26:52,040 --> 00:26:53,919
Speaker 2: Huh? How do you say I say yo in Spanish?

648
00:26:54,440 --> 00:26:56,240
Speaker 6: How do you say yo? I'm asking how you said

649
00:26:56,400 --> 00:26:57,119
Speaker 6: how do I say yo?

650
00:26:57,440 --> 00:26:57,560
Speaker 1: Well?

651
00:26:57,600 --> 00:26:58,480
Speaker 6: Here querto Rican yo?

652
00:26:59,240 --> 00:27:00,119
Speaker 2: No I said you.

653
00:27:01,000 --> 00:27:02,840
Speaker 6: I said yo? Yeah, he tho.

654
00:27:02,920 --> 00:27:03,280
Speaker 2: I don't know.

655
00:27:04,880 --> 00:27:05,920
Speaker 6: Singing in the Chris Brown.

656
00:27:05,760 --> 00:27:13,320
Speaker 2: Casey to yo. Oh jesus, oh my God, oh man,

657
00:27:13,520 --> 00:27:15,959
Speaker 2: that's funny as fun We will get the commercial.

658
00:27:16,040 --> 00:27:17,000
Speaker 6: Not ready for the chili bowl?

659
00:27:17,040 --> 00:27:17,200
Speaker 2: Baby?

660
00:27:17,240 --> 00:27:18,200
Speaker 6: Do youre not ready for the chili?

661
00:27:18,440 --> 00:27:18,640
Speaker 2: God?

662
00:27:19,400 --> 00:27:19,639
Speaker 3: I'm not.

663
00:27:21,280 --> 00:27:22,960
Speaker 2: Is there already like the toasty this bowl or some

664
00:27:23,040 --> 00:27:24,920
Speaker 2: ship now? But chili? You know, breezy chill, but you

665
00:27:25,040 --> 00:27:26,520
Speaker 2: need no beating.

666
00:27:26,400 --> 00:27:29,040
Speaker 1: Chili did Before we get into commercials, I do want

667
00:27:29,040 --> 00:27:32,280
Speaker 1: to salute the loyal king twenty one savage doing what

668
00:27:32,359 --> 00:27:33,639
Speaker 1: he needed to do, just trying to get home to

669
00:27:33,720 --> 00:27:36,640
Speaker 1: his queen. I know what it's like when you moved

670
00:27:36,640 --> 00:27:38,720
Speaker 1: in a room full of vultures and you're just trying

671
00:27:38,760 --> 00:27:42,119
Speaker 1: to stay faithful and get back to your queen. Did

672
00:27:42,240 --> 00:27:44,160
Speaker 1: sometimes you just got to lean up against the wall

673
00:27:44,160 --> 00:27:47,520
Speaker 1: when the camera's coming. What he was walking out with

674
00:27:47,600 --> 00:27:49,840
Speaker 1: Kendall Jenner and like a bunch of people, it didn't

675
00:27:49,880 --> 00:27:52,480
Speaker 1: look suspicious, but he moved. He he wanted to make

676
00:27:52,520 --> 00:27:54,840
Speaker 1: sure the cameras was he was not with that girl.

677
00:27:55,200 --> 00:27:57,520
Speaker 2: He hugging the wall. Oh, that's how Isaiah walked past

678
00:27:57,560 --> 00:27:59,200
Speaker 2: the bulls when the bulls beat the pistons. It's that

679
00:27:59,320 --> 00:28:02,639
Speaker 2: same little he walked past Mike just like that.

680
00:28:04,280 --> 00:28:05,960
Speaker 1: People say that, but they don't realize that he's smoking,

681
00:28:06,000 --> 00:28:08,360
Speaker 1: and he's really just trying to hide the weed he has.

682
00:28:09,760 --> 00:28:11,359
Speaker 1: I give him the credit, let's give him the faithful

683
00:28:11,440 --> 00:28:12,760
Speaker 1: king credit, but he's really just trying to.

684
00:28:12,760 --> 00:28:13,960
Speaker 2: Hide what he's spoken. Yeah.

685
00:28:14,400 --> 00:28:17,800
Speaker 1: But with that said, good good man. And I saw

686
00:28:17,840 --> 00:28:20,080
Speaker 1: your queen post a sub as well in a good way.

687
00:28:20,520 --> 00:28:21,920
Speaker 2: My queen his queen.

688
00:28:22,080 --> 00:28:24,040
Speaker 6: Oh whene, he made it home faithfully back to Yeah,

689
00:28:24,080 --> 00:28:25,119
Speaker 6: come on, that's twenty one second.

690
00:28:25,119 --> 00:28:25,800
Speaker 2: He's never gonna do that.

691
00:28:26,200 --> 00:28:28,520
Speaker 6: He was at the SlutWalk. Yeah, nobody's more faithful than

692
00:28:28,560 --> 00:28:30,000
Speaker 6: twenty one. He's a pretty loyal guy.

693
00:28:30,040 --> 00:28:32,240
Speaker 2: If you do, like, if you go to a track record, Yeah,

694
00:28:32,640 --> 00:28:34,280
Speaker 2: twenty one Savage, I'll try to pay him.

695
00:28:34,800 --> 00:28:36,120
Speaker 6: Is a pretty loyal fucking person.

696
00:28:36,240 --> 00:28:38,280
Speaker 2: Man, don't try to pay him like that. Come on, man,

697
00:28:38,280 --> 00:28:40,120
Speaker 2: don't do twenty one like that. Not super Bowl son,

698
00:28:40,160 --> 00:28:40,600
Speaker 2: They don't do.

699
00:28:40,640 --> 00:28:46,960
Speaker 1: That maul that appears to be the iPhone sixteen it is.

700
00:28:47,720 --> 00:28:50,560
Speaker 1: That's nasty, man, it is. Come on, do you love yourself?

701
00:28:50,840 --> 00:28:51,040
Speaker 2: I do.

702
00:28:51,680 --> 00:28:53,360
Speaker 1: If you loved yourself, you would get the all new

703
00:28:53,440 --> 00:28:57,080
Speaker 1: iPhone seventeen Pro with boost Mobile, the most powerful iPhone

704
00:28:57,160 --> 00:28:59,720
Speaker 1: of all time. And even if you're about to say

705
00:29:00,040 --> 00:29:02,360
Speaker 1: what about traffic or trying to go to the store

706
00:29:02,400 --> 00:29:04,800
Speaker 1: and transfer the data. That's probably what that's why you

707
00:29:04,880 --> 00:29:08,080
Speaker 1: got this this saxteen. That's nasty, exactly get your sweet

708
00:29:08,120 --> 00:29:12,400
Speaker 1: sixteen out of here, traffic. But I have good news.

709
00:29:12,760 --> 00:29:15,440
Speaker 1: When you order a new phone online with boost Mobile,

710
00:29:15,440 --> 00:29:17,560
Speaker 1: they'll send an expert to your home or your work

711
00:29:17,880 --> 00:29:21,200
Speaker 1: and deliver you that brand new iPhone seventeen and set

712
00:29:21,320 --> 00:29:23,959
Speaker 1: everything up with boost Mobile within minutes, no hassle.

713
00:29:24,280 --> 00:29:27,080
Speaker 2: Visit boostsmobile dot com to get started. Delivery available for

714
00:29:27,120 --> 00:29:30,520
Speaker 2: select devices purchase at boostmobile dot com. Terms apply.

715
00:29:36,560 --> 00:29:39,120
Speaker 1: Commercial wise. Fifty cent is the pettiest human being of

716
00:29:39,200 --> 00:29:39,600
Speaker 1: all time.

717
00:29:39,800 --> 00:29:43,560
Speaker 2: I shout out fifty man. I commend, I commend Ordan.

718
00:29:43,600 --> 00:29:45,400
Speaker 4: He took your petty all the way to the super Bowl.

719
00:29:45,840 --> 00:29:48,240
Speaker 4: He took his No matter what you say about fifty,

720
00:29:48,560 --> 00:29:49,960
Speaker 4: he took his petty all the way.

721
00:29:49,880 --> 00:29:51,640
Speaker 6: To the ball. You take my baby, mother, I'm taking

722
00:29:51,680 --> 00:29:53,280
Speaker 6: it to the super Bowl, taking it to the super Bowl.

723
00:29:53,320 --> 00:29:55,320
Speaker 6: When they go low, we go to the boat.

724
00:29:58,280 --> 00:29:58,760
Speaker 4: I was good.

725
00:30:00,920 --> 00:30:01,920
Speaker 6: We go to the Bowl.

726
00:30:01,960 --> 00:30:06,080
Speaker 4: We don't take door Dash absolutely commend Dash giggling, and.

727
00:30:06,760 --> 00:30:09,480
Speaker 1: I commend door Dash for letting that fly to Yeah,

728
00:30:09,600 --> 00:30:11,760
Speaker 1: they leaned into it. They know, because even if that

729
00:30:11,960 --> 00:30:14,920
Speaker 1: was scripted, not scripted, like even the way they shot

730
00:30:14,960 --> 00:30:16,920
Speaker 1: it where it looked like it wasn't scripted and everyone

731
00:30:17,040 --> 00:30:19,479
Speaker 1: was laughing, they smoked that commercial.

732
00:30:19,520 --> 00:30:20,880
Speaker 2: I'm pretty sure a lot of that was ad lib.

733
00:30:21,000 --> 00:30:22,480
Speaker 2: I'm pretty sure fifty ad lib a lot of that.

734
00:30:23,480 --> 00:30:26,440
Speaker 2: You can't they didn't write that four years on. No,

735
00:30:26,560 --> 00:30:27,520
Speaker 2: that was fifty months.

736
00:30:27,560 --> 00:30:30,040
Speaker 1: The scheme at the end with the months to year,

737
00:30:30,080 --> 00:30:32,680
Speaker 1: that's old fifty Like to me, that's that's guess who's

738
00:30:32,720 --> 00:30:36,720
Speaker 1: back era of level metaphor, that's back when fifty could

739
00:30:36,760 --> 00:30:37,120
Speaker 1: rap rap.

740
00:30:37,280 --> 00:30:37,480
Speaker 2: Yeah.

741
00:30:37,960 --> 00:30:42,240
Speaker 1: For those that haven't seen it, it's fifty cent talking

742
00:30:42,240 --> 00:30:45,880
Speaker 1: about door Dash and somehow twist that into how many

743
00:30:46,560 --> 00:30:49,520
Speaker 1: months versus years and it just happens to add up

744
00:30:49,520 --> 00:30:52,280
Speaker 1: to exactly what Puff was sentenced to. But who's counting?

745
00:30:53,200 --> 00:30:53,640
Speaker 3: Mm hmm.

746
00:30:55,480 --> 00:30:58,320
Speaker 2: I like it, pluck it. Take it to the bowl,

747
00:30:58,400 --> 00:31:01,160
Speaker 2: fifty take it to the don't get that door dash

748
00:31:01,280 --> 00:31:03,280
Speaker 2: bag be petty on the Super Bowl stage.

749
00:31:04,240 --> 00:31:04,920
Speaker 4: It is what it is.

750
00:31:05,080 --> 00:31:06,800
Speaker 2: This is what it is. I like it.

751
00:31:06,920 --> 00:31:08,720
Speaker 4: I would to fight door Dash though, because I ordered

752
00:31:08,880 --> 00:31:10,320
Speaker 4: wings stop. Okay, you're in it.

753
00:31:10,440 --> 00:31:13,560
Speaker 2: I did order it. In the middle. It's like I

754
00:31:13,720 --> 00:31:15,520
Speaker 2: ordered it after kickoff. It never came.

755
00:31:15,920 --> 00:31:19,440
Speaker 6: Yeah, yeah, maybe what I was that is a fucking

756
00:31:20,200 --> 00:31:20,840
Speaker 6: me because.

757
00:31:20,640 --> 00:31:22,560
Speaker 4: I was supposed to be cooking and then like mid

758
00:31:22,640 --> 00:31:24,520
Speaker 4: cook I just got lazy as fucking I was like, man, i'

759
00:31:24,560 --> 00:31:26,200
Speaker 4: about to order some wings and I just didn't.

760
00:31:26,400 --> 00:31:28,520
Speaker 2: You got to make that decision like three hours before kickoff.

761
00:31:28,520 --> 00:31:31,480
Speaker 2: But I was gonna say in January you got to

762
00:31:31,520 --> 00:31:34,040
Speaker 2: make that decision January fifth. Yeah, you were supposed to

763
00:31:34,080 --> 00:31:36,280
Speaker 2: know what you were doing on Super Bowl Sunday. Yeah,

764
00:31:36,280 --> 00:31:39,160
Speaker 2: you can't call during the game. That was the sickest

765
00:31:39,200 --> 00:31:40,920
Speaker 2: audible in the world. You just call right there.

766
00:31:41,160 --> 00:31:43,480
Speaker 4: I know my beer came though I ordered beer through

767
00:31:43,520 --> 00:31:45,120
Speaker 4: door Dash. My Blue Moons came, but.

768
00:31:45,200 --> 00:31:48,080
Speaker 2: My wings never came. Wings never got this. They probably

769
00:31:48,120 --> 00:31:50,720
Speaker 2: was sold out. I saw a video there was like

770
00:31:50,800 --> 00:31:51,560
Speaker 2: a thousand, Like.

771
00:31:54,280 --> 00:31:56,520
Speaker 6: Yeah, about to say, they probably sold They probably had

772
00:31:56,560 --> 00:31:58,000
Speaker 6: no more wings. That's why they probably couldn't send it.

773
00:31:58,280 --> 00:31:59,680
Speaker 4: But then they should have just canceled my order. Why

774
00:31:59,720 --> 00:32:01,040
Speaker 4: ya can saying y'all preparing it.

775
00:32:01,400 --> 00:32:03,280
Speaker 2: They were trying to send HOMEI to the store to

776
00:32:03,320 --> 00:32:06,120
Speaker 2: get a bag of wing things. What I'm saying when

777
00:32:06,120 --> 00:32:07,920
Speaker 2: wing things were sold out, they can't even get nothing

778
00:32:08,000 --> 00:32:11,240
Speaker 2: to the supermarket. They had some turkey legs. You go,

779
00:32:11,400 --> 00:32:14,360
Speaker 2: some turkey turkey legs would have showed up for show,

780
00:32:14,680 --> 00:32:17,120
Speaker 2: some big ass turkey legs. They would have showed right up.

781
00:32:17,160 --> 00:32:20,120
Speaker 2: They had from six Flags. They got turkey legs. Nobody

782
00:32:20,160 --> 00:32:21,280
Speaker 2: want that on Super Bowl Sunday.

783
00:32:21,320 --> 00:32:22,880
Speaker 6: We need turkey legs on super Bowl.

784
00:32:23,080 --> 00:32:25,360
Speaker 2: I'm just saying, now, have you smothered them bitches with

785
00:32:25,440 --> 00:32:25,959
Speaker 2: some gravy.

786
00:32:26,320 --> 00:32:28,840
Speaker 1: I love especially smothering one day is give it to me.

787
00:32:29,440 --> 00:32:32,800
Speaker 1: But just ordering big ass, like medieval times turkey leg

788
00:32:32,920 --> 00:32:35,320
Speaker 1: on the super Bowl. Then you're watching turning on it

789
00:32:35,560 --> 00:32:39,320
Speaker 1: for sure. Why did you put Leelo and stitch? There

790
00:32:39,480 --> 00:32:43,680
Speaker 1: was that like a message my son, I'm not some

791
00:32:43,800 --> 00:32:45,239
Speaker 1: camera time. You didn't have to call him out.

792
00:32:45,280 --> 00:32:45,640
Speaker 2: He's shy.

793
00:32:46,400 --> 00:32:47,760
Speaker 6: Okay, is this a voodoo doll?

794
00:32:48,120 --> 00:32:49,400
Speaker 2: No, it's not a voodoo dolls.

795
00:32:49,560 --> 00:32:51,560
Speaker 6: I can't tell. Sometimes baby is Haitian or not, so

796
00:32:51,600 --> 00:32:51,880
Speaker 6: I don't know.

797
00:32:52,160 --> 00:32:52,560
Speaker 5: I am not.

798
00:32:52,800 --> 00:32:58,360
Speaker 4: I'm not Haitian. I don't practice Haitian Tennessee. What the

799
00:32:58,400 --> 00:32:59,920
Speaker 4: fuck does that even mean? That's racist?

800
00:33:00,240 --> 00:33:00,560
Speaker 2: That is.

801
00:33:02,080 --> 00:33:07,360
Speaker 4: I have Hatian tendencies. Your strongest, your strongest qualities, you're resilience,

802
00:33:07,640 --> 00:33:13,040
Speaker 4: you I hate white people, how much you hate the

803
00:33:13,080 --> 00:33:15,800
Speaker 4: French are such resilient people.

804
00:33:15,840 --> 00:33:16,080
Speaker 2: They are.

805
00:33:16,200 --> 00:33:19,000
Speaker 7: You're resilience, baby, through the French, your son fell. I

806
00:33:19,880 --> 00:33:25,720
Speaker 7: see them, Yeah, you're see you. You don't know history

807
00:33:25,720 --> 00:33:27,560
Speaker 7: of Haiti. You don't know the history of Haiti, like

808
00:33:27,680 --> 00:33:28,960
Speaker 7: get the I can't even I can't.

809
00:33:29,480 --> 00:33:30,040
Speaker 6: You're not a history.

810
00:33:30,040 --> 00:33:36,360
Speaker 2: But to tell, baby, are resilience? Oh man?

811
00:33:36,440 --> 00:33:40,240
Speaker 6: All right, listen man, Yeah, I know. I love y'all.

812
00:33:40,560 --> 00:33:43,120
Speaker 2: So we're gonna have this moment and we're gonna give

813
00:33:43,120 --> 00:33:46,480
Speaker 2: each other the space to speak. You're not gonna over talk, baby,

814
00:33:46,520 --> 00:33:48,040
Speaker 2: d You and I are not gonna yell at each

815
00:33:48,080 --> 00:33:49,479
Speaker 2: other because you know, I love you. I don't want

816
00:33:49,480 --> 00:33:51,240
Speaker 2: people to think I'm being here beating on you, so

817
00:33:51,320 --> 00:33:53,920
Speaker 2: you don't know.

818
00:33:55,280 --> 00:33:57,680
Speaker 6: So we're gonna have this moment. We're gonna give each

819
00:33:57,720 --> 00:33:58,400
Speaker 6: other the floor.

820
00:33:58,720 --> 00:34:02,920
Speaker 2: Right. I'm going last only because I feel like since

821
00:34:03,000 --> 00:34:04,560
Speaker 2: y'all are such cold fan, I'm a cold fan too,

822
00:34:04,600 --> 00:34:07,000
Speaker 2: but y'all are like really cold fans. We've been anticipating

823
00:34:07,040 --> 00:34:10,440
Speaker 2: this album for years. We finally got it. We got

824
00:34:10,480 --> 00:34:12,200
Speaker 2: a weekend to live with it, we got some time

825
00:34:12,280 --> 00:34:14,400
Speaker 2: to live with it, and we are here today to

826
00:34:14,440 --> 00:34:20,560
Speaker 2: give our breakdown, our personal point of view, our personal feelings,

827
00:34:20,600 --> 00:34:26,400
Speaker 2: our personal opinions, our subjective opinions, objective objective. Excuse me,

828
00:34:27,000 --> 00:34:28,760
Speaker 2: thank you baby for that? See how we starting already

829
00:34:28,800 --> 00:34:32,400
Speaker 2: on correct that I felt felt good? Right, I give

830
00:34:32,440 --> 00:34:38,279
Speaker 2: it five minutes. Opinions on the fall Off by Jermaine Cole.

831
00:34:39,000 --> 00:34:43,359
Speaker 2: So between you and baby d y'all pick who goes first.

832
00:34:43,600 --> 00:34:44,480
Speaker 2: I will go last.

833
00:34:46,080 --> 00:34:47,600
Speaker 1: Wait, now we gotta do a coin toss. No, no,

834
00:34:47,719 --> 00:34:51,080
Speaker 1: I'm going I'm going to last because I need to

835
00:34:51,120 --> 00:34:53,680
Speaker 1: get okay. Well, I want I want to I don't

836
00:34:53,719 --> 00:34:56,520
Speaker 1: have like a monologue review. I didn't want to go

837
00:34:56,719 --> 00:34:59,680
Speaker 1: through certain records and you know, make it more of

838
00:34:59,680 --> 00:35:04,080
Speaker 1: a power. That's platform. Whatever you want to do with

839
00:35:04,239 --> 00:35:08,160
Speaker 1: your time right now, you do it. I may yield

840
00:35:08,239 --> 00:35:11,880
Speaker 1: my time, yield your time, yield my time. Sure, go No,

841
00:35:12,000 --> 00:35:14,359
Speaker 1: I'm going to last. I'm definitely gonna last.

842
00:35:15,160 --> 00:35:19,200
Speaker 6: I did wear sunglasses today purposely because you don't want

843
00:35:19,200 --> 00:35:20,200
Speaker 6: me to see lives behind y'all.

844
00:35:20,400 --> 00:35:23,680
Speaker 2: Exactly, if I say something, I want you to be

845
00:35:23,719 --> 00:35:25,000
Speaker 2: able to call me out because you can see me.

846
00:35:26,840 --> 00:35:28,400
Speaker 3: This is all I ask of you, niggas.

847
00:35:28,480 --> 00:35:30,480
Speaker 6: This is all I ask you, niggas, is hilarious.

848
00:35:30,560 --> 00:35:31,600
Speaker 2: It's all I ask.

849
00:35:33,400 --> 00:35:36,239
Speaker 4: Is when you give your review, or you give your

850
00:35:36,239 --> 00:35:39,319
Speaker 4: little comments or whatever, do not make it condescending.

851
00:35:39,400 --> 00:35:41,279
Speaker 3: That's all I ask. If you don't like something, you.

852
00:35:41,280 --> 00:35:46,680
Speaker 4: Don't like something condescending, you can you can dislike something.

853
00:35:46,719 --> 00:35:48,479
Speaker 2: You could do whatever. We're not putting. We're not telling

854
00:35:48,480 --> 00:35:52,960
Speaker 2: you how to give your review. Yeah, the same thing.

855
00:35:53,000 --> 00:35:55,200
Speaker 6: I'm going to come in here with a bunch of negativity.

856
00:35:55,560 --> 00:35:59,480
Speaker 2: Yeah. I want to hear baby's breakdown, because I know

857
00:35:59,560 --> 00:36:01,160
Speaker 2: she was living all weekend with this shit.

858
00:36:01,600 --> 00:36:05,800
Speaker 4: I do not have a breakdown. I don't have a breakdown.

859
00:36:05,880 --> 00:36:09,880
Speaker 4: What I will say is I enjoyed the album. I

860
00:36:10,000 --> 00:36:12,000
Speaker 4: didn't think that I would like the fact that it

861
00:36:12,200 --> 00:36:14,800
Speaker 4: was too you know a double disc. Usually what happens

862
00:36:14,840 --> 00:36:16,799
Speaker 4: with double discs, we say, yo, if you take off

863
00:36:16,840 --> 00:36:18,600
Speaker 4: half of one disc, it'd be a classic. That's what

864
00:36:18,920 --> 00:36:21,000
Speaker 4: people usually say when it comes to double disk. With this,

865
00:36:21,200 --> 00:36:23,600
Speaker 4: I did feel like I was listening to two separate albums.

866
00:36:24,480 --> 00:36:26,719
Speaker 4: I have favorites on both. I will say that I

867
00:36:26,840 --> 00:36:28,920
Speaker 4: like this twenty nine more than I like this thirty nine.

868
00:36:29,000 --> 00:36:31,200
Speaker 4: I will say that I am not disappointed in the album.

869
00:36:31,480 --> 00:36:32,080
Speaker 2: I enjoyed it.

870
00:36:32,120 --> 00:36:33,520
Speaker 3: Do I think it's the best in his catalog?

871
00:36:33,600 --> 00:36:33,640
Speaker 2: No?

872
00:36:33,719 --> 00:36:35,120
Speaker 4: Do I think it's the worst. No, I think it's

873
00:36:35,239 --> 00:36:38,720
Speaker 4: a great, great album. I really really enjoyed the album.

874
00:36:39,400 --> 00:36:43,560
Speaker 4: The standouts for me would be who the fuck is You?

875
00:36:45,080 --> 00:36:49,560
Speaker 4: Hit the gas, quick Stop, Life, Sentence, Old Dog. Those

876
00:36:49,640 --> 00:36:52,640
Speaker 4: are the standouts. If I had to pick a favorite,

877
00:36:53,239 --> 00:36:55,600
Speaker 4: it would be who the fuck is You? Legacy? I

878
00:36:55,640 --> 00:36:57,840
Speaker 4: think that the run from Poor Thing, which would be

879
00:36:57,960 --> 00:37:00,200
Speaker 4: number five on this twenty nine all the way wait

880
00:37:00,320 --> 00:37:03,759
Speaker 4: until it stops right before the letout at drumming bass,

881
00:37:03,800 --> 00:37:06,200
Speaker 4: So you got poor Thing, Legacy, bunks, roll blues, who

882
00:37:06,239 --> 00:37:09,120
Speaker 4: the fuck is you? Drumming bass, crazy, crazy run.

883
00:37:09,200 --> 00:37:09,719
Speaker 3: I think it went.

884
00:37:10,160 --> 00:37:11,920
Speaker 4: I think it was amazing. I think Cold it amazing.

885
00:37:11,960 --> 00:37:13,520
Speaker 4: I'm very proud of him. I'm very proud to be

886
00:37:13,560 --> 00:37:16,040
Speaker 4: a Cold fan. And I was not disappointed at all

887
00:37:16,360 --> 00:37:16,600
Speaker 4: with this.

888
00:37:17,000 --> 00:37:21,840
Speaker 2: That is my breakdown. Mm hmm, thank you, Peach.

889
00:37:28,360 --> 00:37:30,840
Speaker 4: Seeing ship like this that makes me start saying no, no, no, no,

890
00:37:31,160 --> 00:37:35,399
Speaker 4: because literally funny. Then when I Thursday and blow the grip,

891
00:37:35,440 --> 00:37:36,120
Speaker 4: I'm crazy, right.

892
00:37:36,200 --> 00:37:37,880
Speaker 2: I didn't want to go. I didn't want to scream,

893
00:37:38,440 --> 00:37:41,160
Speaker 2: literally was trying to. But you'll be a funny. That's

894
00:37:41,239 --> 00:37:43,759
Speaker 2: the thing. You'll trying to antagonize me. You niggas want

895
00:37:43,760 --> 00:37:47,359
Speaker 2: me to get out. I'm sorry, thank you the way

896
00:37:47,400 --> 00:37:49,319
Speaker 2: you broke that down. I didn't expect you to break

897
00:37:49,360 --> 00:37:50,640
Speaker 2: it down that way, but you did a great job.

898
00:37:50,680 --> 00:37:55,640
Speaker 6: Thank you so much for that. What man is your

899
00:37:55,760 --> 00:37:58,120
Speaker 6: old federal Stop laughing on the goddamn time.

900
00:37:58,239 --> 00:38:02,480
Speaker 1: Let me start by saying I was extremely excited and

901
00:38:02,680 --> 00:38:05,520
Speaker 1: exhausted on Thursday evening.

902
00:38:06,360 --> 00:38:07,200
Speaker 6: Only Cole could get me.

903
00:38:07,200 --> 00:38:08,880
Speaker 1: To stay up past midnight at this point, So I

904
00:38:08,960 --> 00:38:10,439
Speaker 1: want to say I was very excited to get twenty

905
00:38:10,480 --> 00:38:15,720
Speaker 1: four records from Ja Cole on Thursday. When he started

906
00:38:15,760 --> 00:38:18,239
Speaker 1: with the remember the Titan shit on the intro, I

907
00:38:18,280 --> 00:38:19,200
Speaker 1: saw he about to take us.

908
00:38:19,239 --> 00:38:23,440
Speaker 2: There you getting You're giving us a little Gary Birtier

909
00:38:23,560 --> 00:38:26,439
Speaker 2: to start the shit. I'm on board.

910
00:38:27,440 --> 00:38:30,960
Speaker 1: Then we get to two six. Absolutely loved it. Safety

911
00:38:32,719 --> 00:38:38,480
Speaker 1: one of my favorite versions of coal rapping. Now it's

912
00:38:38,520 --> 00:38:40,359
Speaker 1: going to get to my overall point way later when

913
00:38:40,400 --> 00:38:43,560
Speaker 1: we start having a real pow wow. I hate when

914
00:38:43,600 --> 00:38:46,040
Speaker 1: Cole feels the need to have to do everything. I

915
00:38:46,080 --> 00:38:48,440
Speaker 1: don't need coal pretending to cry like a baby, just

916
00:38:48,480 --> 00:38:53,160
Speaker 1: get a baby to cry. Still absolutely love the record.

917
00:38:53,800 --> 00:38:56,640
Speaker 1: Run a train. I actually thought that was Cole on

918
00:38:56,800 --> 00:38:58,960
Speaker 1: that that hook bridge part. I guess it was future.

919
00:38:59,000 --> 00:39:00,720
Speaker 1: It sounds like cold trying to do a future impression.

920
00:39:00,920 --> 00:39:02,520
Speaker 1: But that was gonna be one of my cases of

921
00:39:02,719 --> 00:39:04,600
Speaker 1: you should get someone else to do it, maybe a

922
00:39:04,719 --> 00:39:07,080
Speaker 1: high pitch. If Thug would have done that that hook

923
00:39:07,760 --> 00:39:11,160
Speaker 1: flawless outside run a Train. Outside of that one part,

924
00:39:11,719 --> 00:39:14,000
Speaker 1: because he's saying some shit on there, I think that

925
00:39:14,080 --> 00:39:16,000
Speaker 1: was on it. I know, but it sounds like cold.

926
00:39:16,000 --> 00:39:19,360
Speaker 1: It's weird, and even says Jermaine until I checked the credits,

927
00:39:19,360 --> 00:39:21,160
Speaker 1: I really thought it was cold, just.

928
00:39:21,200 --> 00:39:23,120
Speaker 6: Trying to do like a demo for somebody. But I

929
00:39:23,160 --> 00:39:23,839
Speaker 6: love what he was saying.

930
00:39:23,840 --> 00:39:25,480
Speaker 1: I was like, yo, Thug, even though he pitched it down,

931
00:39:25,480 --> 00:39:28,680
Speaker 1: Thug would have sounded great on that. Besides just those

932
00:39:28,719 --> 00:39:31,920
Speaker 1: four bars, Run a Train is fucking fire. Absolutely love it.

933
00:39:32,360 --> 00:39:37,959
Speaker 1: Poor thing is great. He lost me with the punk

934
00:39:38,000 --> 00:39:41,640
Speaker 1: bitch part. I thought he was rapping really well in between.

935
00:39:41,719 --> 00:39:43,520
Speaker 1: But the punk bitch, if you would have done like

936
00:39:43,560 --> 00:39:45,799
Speaker 1: two punk bitches, I would have been fine. Forty five

937
00:39:45,840 --> 00:39:48,120
Speaker 1: punk bitches like that's where I go was like, it's

938
00:39:48,160 --> 00:39:49,880
Speaker 1: a lot of punk bitches, many punk bitches. It's a

939
00:39:49,920 --> 00:39:53,640
Speaker 1: lot of punk in every syllable too. But I still

940
00:39:53,680 --> 00:39:55,200
Speaker 1: love poor thing and I still play It's not a

941
00:39:55,239 --> 00:39:57,359
Speaker 1: skip just because of the punk pitch a part. I'm

942
00:39:57,360 --> 00:40:01,200
Speaker 1: already still on board with this entire album. LEGACYE Fire,

943
00:40:03,080 --> 00:40:07,000
Speaker 1: Bunch Road Blues. Cole, what a beautiful fucking way to

944
00:40:07,080 --> 00:40:10,080
Speaker 1: use TAMS. Not an obvious fucking beat. That's an alchemist

945
00:40:10,120 --> 00:40:12,560
Speaker 1: be right, Alchemist be You put Thames in future on it.

946
00:40:12,920 --> 00:40:15,560
Speaker 1: What an awesome way to use Tams on your album.

947
00:40:15,560 --> 00:40:17,719
Speaker 3: Shout out to Boss who wrote that part.

948
00:40:18,400 --> 00:40:21,160
Speaker 2: Oh Boss, Boss wrote that shit had.

949
00:40:21,120 --> 00:40:23,440
Speaker 6: Me damn it ready to cry. We gotta talk.

950
00:40:23,480 --> 00:40:25,359
Speaker 2: Maybe you and I have something common currently in our lives.

951
00:40:26,120 --> 00:40:30,640
Speaker 6: Who the fuck is you? Fire? That's what that has?

952
00:40:30,680 --> 00:40:33,000
Speaker 1: The beat change right, yep, stand back to one of

953
00:40:33,040 --> 00:40:35,040
Speaker 1: my points. The beat change is really cool. This is

954
00:40:35,080 --> 00:40:37,440
Speaker 1: where I wish Cole maybe didn't want to just I

955
00:40:37,560 --> 00:40:39,520
Speaker 1: understand t minus Vinyls and a lot of people are

956
00:40:39,560 --> 00:40:42,879
Speaker 1: on that Coleman as well. I think Mike Will would

957
00:40:42,880 --> 00:40:45,200
Speaker 1: have walked that beat change. I think you guys go

958
00:40:45,360 --> 00:40:48,000
Speaker 1: with this to Mike Will like, hey, this is our idea,

959
00:40:48,560 --> 00:40:51,279
Speaker 1: can you tune this up a bit? And you're looking

960
00:40:51,320 --> 00:40:54,279
Speaker 1: at a way different beach change. I still fuck with that,

961
00:40:54,440 --> 00:40:56,080
Speaker 1: like me and Damarius jamming out to that. I think

962
00:40:56,080 --> 00:40:58,879
Speaker 1: it's great. But that's something that I feel like, maybe

963
00:40:58,960 --> 00:41:01,600
Speaker 1: we don't use our internal This is a moment, and

964
00:41:01,680 --> 00:41:03,360
Speaker 1: this is something Mike Will specializes in it.

965
00:41:03,560 --> 00:41:04,399
Speaker 6: Take that to Mike Will.

966
00:41:04,560 --> 00:41:08,839
Speaker 1: But I'm still on board track eight, still on board nine, drumming, bass,

967
00:41:09,280 --> 00:41:14,120
Speaker 1: fucking I think it's great. I'm already ready to text

968
00:41:14,200 --> 00:41:16,640
Speaker 1: you because at this point, I don't know, maybe it's

969
00:41:16,680 --> 00:41:20,279
Speaker 1: like twelve forty five. When I get to track nine,

970
00:41:20,520 --> 00:41:22,400
Speaker 1: I'm ready to FaceTime you to tell you that Cole's

971
00:41:22,400 --> 00:41:25,040
Speaker 1: greatest rapper of all time. It's just I don't even

972
00:41:25,040 --> 00:41:27,560
Speaker 1: want to hear you say a word about Jermaine Cole

973
00:41:27,600 --> 00:41:30,280
Speaker 1: for the rest of your motherfucking life. Then the Letout played,

974
00:41:30,320 --> 00:41:31,600
Speaker 1: and I didn't survive the letout.

975
00:41:32,360 --> 00:41:37,080
Speaker 2: Well, we survived the let up, survive let Out.

976
00:41:37,480 --> 00:41:41,480
Speaker 6: I didn't survive the Letout. What a concept and what

977
00:41:41,600 --> 00:41:42,239
Speaker 6: a way to kill it.

978
00:41:43,600 --> 00:41:47,440
Speaker 1: So the highs are so high on this album and

979
00:41:47,560 --> 00:41:51,080
Speaker 1: the lows are some of the lowest Coal has ever had.

980
00:41:53,000 --> 00:41:55,200
Speaker 1: And I don't want anyone that's a dream Go fan

981
00:41:55,360 --> 00:41:57,640
Speaker 1: or part of that click to take that as a

982
00:41:57,719 --> 00:41:58,359
Speaker 1: personal thing.

983
00:41:58,560 --> 00:41:59,200
Speaker 6: I am a fan.

984
00:41:59,800 --> 00:42:01,960
Speaker 1: You guys love to talk about your fans. I'm one

985
00:42:02,040 --> 00:42:03,759
Speaker 1: of them, and I can be objective because I've been

986
00:42:03,760 --> 00:42:06,480
Speaker 1: a supporter since he was at fucking Saint John's with

987
00:42:06,520 --> 00:42:10,479
Speaker 1: Aristotle and my cousin Harley. It's one of the worst

988
00:42:10,520 --> 00:42:12,239
Speaker 1: songs Cole has made, but I don't even to highlight

989
00:42:12,280 --> 00:42:13,520
Speaker 1: that because there's so much good going on.

990
00:42:13,640 --> 00:42:15,760
Speaker 6: But we have to be objective in what's.

991
00:42:15,640 --> 00:42:18,040
Speaker 2: Going on that and then the.

992
00:42:19,560 --> 00:42:21,080
Speaker 6: Electric is never mind.

993
00:42:21,120 --> 00:42:23,279
Speaker 2: You know what I hate? I hate throle that out too.

994
00:42:23,360 --> 00:42:24,160
Speaker 2: I hate the Letout too.

995
00:42:24,200 --> 00:42:26,439
Speaker 4: But what I will say is from what I've seen

996
00:42:26,480 --> 00:42:28,680
Speaker 4: on the Internet and what people have responded to me,

997
00:42:29,239 --> 00:42:32,000
Speaker 4: so many people love the Letout, which lets me know

998
00:42:32,120 --> 00:42:34,960
Speaker 4: that it might be like like kind of like laughy Taffy,

999
00:42:35,160 --> 00:42:36,360
Speaker 4: Like I hate it, Laughy Taffy.

1000
00:42:36,400 --> 00:42:39,000
Speaker 2: That's a wild comparison to No, I hate it, Laughy Taffy.

1001
00:42:39,080 --> 00:42:41,160
Speaker 4: But it's so catchy and so many people love it,

1002
00:42:41,239 --> 00:42:44,080
Speaker 4: then maybe maybe maybe I'm wrong because a lot of

1003
00:42:44,239 --> 00:42:45,719
Speaker 4: people seem to either love it or hate it. It

1004
00:42:45,800 --> 00:42:48,480
Speaker 4: garners a strong reception from people. It's the one song

1005
00:42:48,560 --> 00:42:50,520
Speaker 4: from the album that's stuck in my fucking head, even

1006
00:42:50,560 --> 00:42:51,200
Speaker 4: though I hate the.

1007
00:42:51,239 --> 00:42:52,120
Speaker 2: Song, so let Out?

1008
00:42:52,360 --> 00:42:53,400
Speaker 6: Yes, what's the hook on that?

1009
00:42:53,760 --> 00:42:59,640
Speaker 2: Well? We survived, let up, yield your time, it's not

1010
00:42:59,719 --> 00:43:03,320
Speaker 2: your I'm just I'm not good with titles.

1011
00:43:03,360 --> 00:43:05,040
Speaker 6: But what you say start saying it. I'm like, okay,

1012
00:43:05,040 --> 00:43:07,880
Speaker 6: all right, okay. What disappointed me the most with that?

1013
00:43:07,960 --> 00:43:08,120
Speaker 2: Though?

1014
00:43:09,040 --> 00:43:11,480
Speaker 1: Sure, I'm sure people love the song. I'm speaking for

1015
00:43:11,600 --> 00:43:14,480
Speaker 1: me and me only if a majority of people love

1016
00:43:14,520 --> 00:43:16,400
Speaker 1: it and I hate it. Cole did his job with

1017
00:43:16,480 --> 00:43:19,759
Speaker 1: the record as an artist. That concept is too good

1018
00:43:19,840 --> 00:43:21,760
Speaker 1: of what he was trying to do with that record

1019
00:43:21,840 --> 00:43:24,400
Speaker 1: to make it sound like how it sounds like I

1020
00:43:24,440 --> 00:43:28,200
Speaker 1: would love a cold Letout record, but not that one.

1021
00:43:29,520 --> 00:43:29,719
Speaker 6: It was.

1022
00:43:29,880 --> 00:43:31,759
Speaker 2: It was just a lot. It was a lot going on,

1023
00:43:33,280 --> 00:43:33,719
Speaker 2: like a lot.

1024
00:43:35,000 --> 00:43:36,959
Speaker 6: Then we get to bombs in the vill hit the Gas.

1025
00:43:37,920 --> 00:43:40,560
Speaker 1: I'm with demeris that hit the gas, that flip that's

1026
00:43:40,560 --> 00:43:42,680
Speaker 1: one of my favorite parts in the in the double

1027
00:43:42,719 --> 00:43:46,279
Speaker 1: disc period and Lonely at the Top I love. At

1028
00:43:46,320 --> 00:43:50,319
Speaker 1: this point, I'm pretty fucking confident everything, and I'm very

1029
00:43:50,560 --> 00:43:54,640
Speaker 1: pleased and happy off my first listen with dis twenty nine.

1030
00:43:55,120 --> 00:43:57,520
Speaker 1: The Letout throw me off a little bit, but it's cool.

1031
00:43:57,960 --> 00:43:59,800
Speaker 1: Maybe maybe that one will grow on me. I'm just

1032
00:44:00,000 --> 00:44:06,800
Speaker 1: seaking for my first listening the letout grower not sure.

1033
00:44:07,920 --> 00:44:08,400
Speaker 2: M hmm.

1034
00:44:09,520 --> 00:44:12,640
Speaker 5: Sometimes that's me at the lightout, like yo, let me

1035
00:44:12,640 --> 00:44:15,920
Speaker 5: get comfortable, all right, let me take this honey pack,

1036
00:44:20,200 --> 00:44:22,040
Speaker 5: all right, said I was going to bed.

1037
00:44:22,800 --> 00:44:24,239
Speaker 2: I prefer this time. I'm sorry.

1038
00:44:24,520 --> 00:44:26,920
Speaker 1: Thirty nine intro comes in and I said, oh, this

1039
00:44:26,960 --> 00:44:29,439
Speaker 1: is this about to be the classic disc? I said

1040
00:44:30,120 --> 00:44:31,799
Speaker 1: this when he not, I really fuck with But Cole

1041
00:44:31,880 --> 00:44:33,640
Speaker 1: is about to take us to a whole new level.

1042
00:44:33,680 --> 00:44:34,520
Speaker 1: This is his perspective.

1043
00:44:34,600 --> 00:44:39,400
Speaker 6: Right now that beat switch you start rapping.

1044
00:44:39,440 --> 00:44:42,279
Speaker 1: Shout out to Coleman thirty nine intro one of the

1045
00:44:42,400 --> 00:44:46,000
Speaker 1: highest highs on this entire thing. And then the next record,

1046
00:44:46,120 --> 00:44:48,719
Speaker 1: which we've gotten already. The fall off is inevitable, is

1047
00:44:48,760 --> 00:44:51,080
Speaker 1: what it was called track to Now it's called the

1048
00:44:51,160 --> 00:44:53,800
Speaker 1: fall is inevitable. I don't know if that he's just

1049
00:44:53,880 --> 00:44:56,920
Speaker 1: that much of a profit, but the fall off for

1050
00:44:57,040 --> 00:45:01,560
Speaker 1: the double disc was inevitable. After Oh please, okay, not

1051
00:45:01,680 --> 00:45:04,759
Speaker 1: out the gate. Though the Villains is cool? Do you

1052
00:45:04,880 --> 00:45:06,560
Speaker 1: think I ever don't want to hear J cole rap

1053
00:45:06,680 --> 00:45:11,239
Speaker 1: over the Realist. This is where he starts adding in

1054
00:45:12,239 --> 00:45:18,640
Speaker 1: all the unnecessary hooks, classic hooks that meet me nothing

1055
00:45:18,760 --> 00:45:22,200
Speaker 1: to the song and make no sense with Erica Abad

1056
00:45:22,239 --> 00:45:26,120
Speaker 1: doing the Alchemist just redid the realness. So if you're

1057
00:45:26,120 --> 00:45:28,160
Speaker 1: getting Rikabad due to go back on the realness after

1058
00:45:28,200 --> 00:45:30,359
Speaker 1: she just put out a single, just get at erkabaddu hook.

1059
00:45:30,960 --> 00:45:33,480
Speaker 1: Don't take one of the greatest hooks of all time,

1060
00:45:33,520 --> 00:45:35,319
Speaker 1: which I'm fine if you want to sample this part

1061
00:45:35,360 --> 00:45:39,520
Speaker 1: of your your concept. I'm not mad at sampling that,

1062
00:45:39,760 --> 00:45:42,560
Speaker 1: but why me and you just have Rikabad to make

1063
00:45:42,600 --> 00:45:46,239
Speaker 1: a new hook. If you're gonna get Rikabaddu, just get

1064
00:45:46,520 --> 00:45:46,799
Speaker 1: her to.

1065
00:45:46,880 --> 00:45:47,399
Speaker 2: Do the hook.

1066
00:45:47,600 --> 00:45:49,800
Speaker 1: Don't just take outcast hook that has nothing to do

1067
00:45:49,840 --> 00:45:51,560
Speaker 1: with what the fuck we're really talking about. Riding around

1068
00:45:51,560 --> 00:45:52,680
Speaker 1: on the villa is the only thing you switched.

1069
00:45:52,920 --> 00:45:53,400
Speaker 2: It just was.

1070
00:45:54,400 --> 00:45:55,000
Speaker 6: It was weird.

1071
00:45:55,520 --> 00:45:58,480
Speaker 1: I didn't understand why placing that hook there, but still

1072
00:45:58,800 --> 00:46:01,360
Speaker 1: didn't kill the song for me. I still love the verses.

1073
00:46:01,360 --> 00:46:02,160
Speaker 6: I love Cole on that.

1074
00:46:03,000 --> 00:46:07,760
Speaker 1: Then you get to old Dog. I love T minus,

1075
00:46:08,040 --> 00:46:10,160
Speaker 1: so I want to make sure this is not a shot,

1076
00:46:10,320 --> 00:46:14,399
Speaker 1: But I think T minus should collab with somebody else

1077
00:46:14,440 --> 00:46:15,359
Speaker 1: on the beat except for Cole.

1078
00:46:16,719 --> 00:46:19,879
Speaker 6: T minus should collab with somebody else like T minus

1079
00:46:19,960 --> 00:46:23,720
Speaker 6: and Wonder should go in on that beat. Okay, okay,

1080
00:46:25,200 --> 00:46:25,960
Speaker 6: the idea is there.

1081
00:46:26,120 --> 00:46:27,759
Speaker 1: I even funk with the Pet Poplo shit, even with

1082
00:46:27,800 --> 00:46:29,799
Speaker 1: the flip of what you was doing after I hated

1083
00:46:29,840 --> 00:46:33,560
Speaker 1: the the Elevator's flip that you just did. I wasn't

1084
00:46:33,560 --> 00:46:35,040
Speaker 1: even mad at the Pet Poplo shit, And matter of fact,

1085
00:46:35,040 --> 00:46:36,560
Speaker 1: I thought it was funny with our predictions. I was like,

1086
00:46:37,040 --> 00:46:38,759
Speaker 1: nobody was there for pet Pablo. He shows up on

1087
00:46:38,800 --> 00:46:42,680
Speaker 1: the fucking album. I like PD's part. That beat just

1088
00:46:42,760 --> 00:46:46,480
Speaker 1: needed it needed the A list feel that Cole has.

1089
00:46:48,920 --> 00:46:52,640
Speaker 1: I just felt like it was a weird choice life sentence.

1090
00:46:53,719 --> 00:46:56,200
Speaker 1: I'm never gonna sit here and shit on someone loving

1091
00:46:56,239 --> 00:46:59,560
Speaker 1: their wife. What the fuck were doing though?

1092
00:47:00,880 --> 00:47:02,399
Speaker 2: What are you talking about? What? Okay?

1093
00:47:02,520 --> 00:47:03,399
Speaker 3: I uld the floor.

1094
00:47:03,440 --> 00:47:07,520
Speaker 2: I'm sorry each other, okay, okay, we gave each other's

1095
00:47:07,520 --> 00:47:11,080
Speaker 2: space to speak, all right, correct me every wrong.

1096
00:47:11,120 --> 00:47:12,759
Speaker 6: This is the one that has the DMX. How's it

1097
00:47:12,840 --> 00:47:13,160
Speaker 6: going down?

1098
00:47:13,200 --> 00:47:14,040
Speaker 2: Hook on it? Right?

1099
00:47:14,320 --> 00:47:15,040
Speaker 3: Yeah, that's the one.

1100
00:47:15,760 --> 00:47:15,960
Speaker 6: Yeah.

1101
00:47:17,280 --> 00:47:18,640
Speaker 1: When the beat came in, it was cool. I was like,

1102
00:47:18,680 --> 00:47:23,239
Speaker 1: all right, little uh chipmunks soundclick era. I'm not mad

1103
00:47:23,280 --> 00:47:24,640
Speaker 1: at this year Cold told about his wife.

1104
00:47:24,640 --> 00:47:26,960
Speaker 2: I'm never gonna hit on that. Just why.

1105
00:47:28,680 --> 00:47:31,279
Speaker 6: Why randomly just throw in the DMX How's It Going Down?

1106
00:47:31,680 --> 00:47:32,560
Speaker 6: Hook into that song?

1107
00:47:34,200 --> 00:47:38,239
Speaker 1: Like, just why I get sampling the hooks and this

1108
00:47:38,280 --> 00:47:39,879
Speaker 1: and that, but you're just placing them in the most

1109
00:47:40,000 --> 00:47:41,960
Speaker 1: random fucking places.

1110
00:47:42,080 --> 00:47:42,400
Speaker 5: I was that.

1111
00:47:42,480 --> 00:47:44,200
Speaker 1: I don't want to use the words lazy, but it's

1112
00:47:44,280 --> 00:47:47,680
Speaker 1: just late, Like, I don't think there's anything wrong when

1113
00:47:47,840 --> 00:47:50,279
Speaker 1: artists do that. I defend everything Jay does when he

1114
00:47:50,320 --> 00:47:52,759
Speaker 1: takes bigs lyrics and flips them. I'm not mad at

1115
00:47:52,840 --> 00:47:54,279
Speaker 1: artists doing that at all, and I'm never mad at

1116
00:47:54,480 --> 00:47:56,520
Speaker 1: Cold doing with DMX. But that song, why are we

1117
00:47:56,600 --> 00:47:58,239
Speaker 1: just throwing the How's it Going Down?

1118
00:47:58,440 --> 00:47:58,680
Speaker 2: Hook?

1119
00:47:58,719 --> 00:47:58,879
Speaker 7: There?

1120
00:47:59,200 --> 00:48:00,920
Speaker 2: What do you you said it does? It's just what

1121
00:48:01,200 --> 00:48:01,440
Speaker 2: you think.

1122
00:48:01,480 --> 00:48:03,319
Speaker 4: It doesn't apply to the song that what the song

1123
00:48:03,440 --> 00:48:05,520
Speaker 4: is about. The song is about being down with him

1124
00:48:05,560 --> 00:48:06,920
Speaker 4: from when he was younger.

1125
00:48:07,000 --> 00:48:08,080
Speaker 3: How does it not what.

1126
00:48:08,160 --> 00:48:10,640
Speaker 2: Types of games be a play? Like is you with me?

1127
00:48:10,719 --> 00:48:12,680
Speaker 4: Or what? It's literally about his wife being with him

1128
00:48:12,719 --> 00:48:14,600
Speaker 4: from the very beginning of his career. How does it

1129
00:48:14,760 --> 00:48:15,480
Speaker 4: not correlate?

1130
00:48:16,239 --> 00:48:17,080
Speaker 2: You could not like this song?

1131
00:48:17,160 --> 00:48:17,640
Speaker 3: I just don't know.

1132
00:48:17,760 --> 00:48:21,640
Speaker 6: No, it's cool, cool, all right, you just said it.

1133
00:48:21,680 --> 00:48:22,200
Speaker 6: I'm not gonna ar.

1134
00:48:22,400 --> 00:48:24,640
Speaker 1: I'm just not gonna I'm not I feel like anyone

1135
00:48:25,480 --> 00:48:28,680
Speaker 1: that feels the same way as me understands what I'm saying,

1136
00:48:29,280 --> 00:48:32,320
Speaker 1: and I'm not here to argue down why that just

1137
00:48:32,400 --> 00:48:34,800
Speaker 1: felt weird and lazy in there, the same way I

1138
00:48:34,840 --> 00:48:38,320
Speaker 1: felt like the Elevator's hook felt a little lazy in

1139
00:48:38,719 --> 00:48:43,320
Speaker 1: that song. I understand it's the concept, but how the

1140
00:48:43,360 --> 00:48:46,840
Speaker 1: concept is working is you're just like plastering classic hooks

1141
00:48:47,360 --> 00:48:50,160
Speaker 1: in these songs and it just doesn't fit with them

1142
00:48:50,360 --> 00:48:53,480
Speaker 1: to me, Okay, and who the fuck am I Like,

1143
00:48:54,239 --> 00:48:56,880
Speaker 1: it doesn't matter how I feel as far as J

1144
00:48:57,040 --> 00:48:59,160
Speaker 1: Cole and putting an album out, That's just how I

1145
00:48:59,280 --> 00:49:03,880
Speaker 1: felt on that part. Only You absolutely fucking love it.

1146
00:49:04,200 --> 00:49:07,120
Speaker 1: Love how he used burna boy. Only You was fucking fire.

1147
00:49:09,000 --> 00:49:09,479
Speaker 6: Man above.

1148
00:49:11,239 --> 00:49:13,319
Speaker 2: I don't know, man, maybe I just spent too much

1149
00:49:13,360 --> 00:49:18,760
Speaker 2: time in church. Excuse me, just too just take.

1150
00:49:19,880 --> 00:49:20,400
Speaker 6: Just take the never.

1151
00:49:20,560 --> 00:49:22,160
Speaker 1: I'm sure there's a bunch of people that are Cole

1152
00:49:22,200 --> 00:49:25,600
Speaker 1: fans that have never heard Marvis Sap never would have

1153
00:49:25,640 --> 00:49:29,040
Speaker 1: made it, but like it's just it's just like pasted

1154
00:49:29,120 --> 00:49:32,000
Speaker 1: into the song randomly because I liked the song and

1155
00:49:32,360 --> 00:49:34,000
Speaker 1: never would have made it. Comes on and I'm like, wait,

1156
00:49:34,160 --> 00:49:35,279
Speaker 1: does someone change the record?

1157
00:49:36,000 --> 00:49:36,800
Speaker 6: They trying to blend this.

1158
00:49:38,280 --> 00:49:42,600
Speaker 1: It's it's just pasted there. It's weird, but I like

1159
00:49:42,840 --> 00:49:44,959
Speaker 1: the song. He already has the Jenny from the Block

1160
00:49:45,080 --> 00:49:48,120
Speaker 1: hook in there. That's cool, Like it wasn't even necessary

1161
00:49:48,200 --> 00:49:50,279
Speaker 1: to me because the record is fire and I'm not

1162
00:49:50,320 --> 00:49:51,960
Speaker 1: even mad at the Jenny from the Block. That's a

1163
00:49:52,040 --> 00:49:54,920
Speaker 1: hook that actually made sense and how he used it

1164
00:49:55,120 --> 00:49:56,759
Speaker 1: like it didn't feel weird.

1165
00:49:58,400 --> 00:50:01,840
Speaker 6: But still right rapping I Love Her again, fucking flawless.

1166
00:50:02,200 --> 00:50:06,359
Speaker 1: Shout out to Jake one if there's anyone that's gonna

1167
00:50:06,400 --> 00:50:08,480
Speaker 1: continue on the legacy of I Used to Love Her

1168
00:50:08,560 --> 00:50:11,319
Speaker 1: and tell us about to continue that story. The next

1169
00:50:11,400 --> 00:50:14,200
Speaker 1: chapter I Used to Love Her came out with ninety something.

1170
00:50:14,880 --> 00:50:16,760
Speaker 1: So much has happened to hip hop so much as shifted.

1171
00:50:16,800 --> 00:50:19,000
Speaker 1: I thought Cole was the perfect person to then tell

1172
00:50:19,040 --> 00:50:21,640
Speaker 1: the rest of that story. I absolutely love I Love

1173
00:50:21,680 --> 00:50:24,960
Speaker 1: Her again. I liked that he used the light instead.

1174
00:50:24,960 --> 00:50:27,040
Speaker 1: I'm glad he didn't just use I used to love

1175
00:50:27,080 --> 00:50:31,799
Speaker 1: Her like randomly in there. I'm gonna save what if

1176
00:50:32,000 --> 00:50:38,960
Speaker 1: for for Moll's time quick stop fire. The whole world

1177
00:50:39,080 --> 00:50:42,719
Speaker 1: is the vill is cool to me. I think I

1178
00:50:42,960 --> 00:50:46,719
Speaker 1: overly judged that one because if we're believing Cole that

1179
00:50:46,800 --> 00:50:48,080
Speaker 1: this is his last album ever.

1180
00:50:49,160 --> 00:50:50,279
Speaker 6: That wasn't a h.

1181
00:50:51,800 --> 00:50:55,279
Speaker 1: My first song, Like when Jay lied about the Black

1182
00:50:55,320 --> 00:50:57,520
Speaker 1: Album being his last album, we got my first song

1183
00:50:58,040 --> 00:51:00,279
Speaker 1: to me. That's this is me saying I hold j

1184
00:51:00,480 --> 00:51:04,480
Speaker 1: Cole to hove being a peer, Like Cole is a

1185
00:51:04,560 --> 00:51:06,279
Speaker 1: legend now, so I hold him to that status as

1186
00:51:06,280 --> 00:51:10,480
Speaker 1: a fan. It was it just didn't hit for like

1187
00:51:10,560 --> 00:51:14,520
Speaker 1: the last song of your career. I don't dislike it.

1188
00:51:14,600 --> 00:51:19,440
Speaker 1: I think out of the second album, it's it's like,

1189
00:51:19,600 --> 00:51:22,000
Speaker 1: you know, maybe my third favorite on there. It's just

1190
00:51:22,120 --> 00:51:24,840
Speaker 1: a weird way to end it. And ocean Way you

1191
00:51:24,960 --> 00:51:26,400
Speaker 1: call it a bonus track, so I'm not calling it

1192
00:51:26,440 --> 00:51:29,800
Speaker 1: the outro. I like ocean Way, but I mean, I

1193
00:51:29,840 --> 00:51:31,320
Speaker 1: don't consider that your last song because you said it

1194
00:51:31,320 --> 00:51:34,239
Speaker 1: was a bonus track, right, So that's I don't know

1195
00:51:34,280 --> 00:51:37,040
Speaker 1: if that's unfair, but I think as hip hop fans

1196
00:51:37,080 --> 00:51:39,080
Speaker 1: were allowed to judge things in that way. If you're

1197
00:51:39,080 --> 00:51:42,239
Speaker 1: telling me it's your last album, I got to know

1198
00:51:42,320 --> 00:51:44,440
Speaker 1: what your last song is going to be, right, Like

1199
00:51:44,600 --> 00:51:47,160
Speaker 1: that's important to me, even when when he lied to

1200
00:51:47,280 --> 00:51:50,719
Speaker 1: us my first song off the concept of like I

1201
00:51:50,800 --> 00:51:52,800
Speaker 1: treat everything as if it's my first song, it's my

1202
00:51:52,880 --> 00:51:56,239
Speaker 1: last song. And like listen, man hopping how a seat

1203
00:51:56,280 --> 00:51:59,919
Speaker 1: on his fucking bicycle. Now he's the head of black music.

1204
00:52:02,840 --> 00:52:04,120
Speaker 1: The whole world's not the vill.

1205
00:52:06,440 --> 00:52:09,800
Speaker 4: Yeah, So what I'm hearing from you is that on

1206
00:52:09,960 --> 00:52:13,560
Speaker 4: this thirty nine you did not like the Villist, you

1207
00:52:13,719 --> 00:52:16,000
Speaker 4: didn't like old Dog, you didn't like.

1208
00:52:16,520 --> 00:52:20,920
Speaker 6: You're misrepresenting me. I like the records.

1209
00:52:20,960 --> 00:52:23,160
Speaker 1: I think they were ruined by the concept of trying

1210
00:52:23,200 --> 00:52:28,000
Speaker 1: to crudely paste classic hooks into them. I think the

1211
00:52:28,200 --> 00:52:32,640
Speaker 1: songs themselves, the raps are amazing, and I wish somebody

1212
00:52:32,719 --> 00:52:39,960
Speaker 1: else would have stepped in to make those hooks. Okay,

1213
00:52:40,480 --> 00:52:43,880
Speaker 1: I think, well, I'll save one point because it's a

1214
00:52:43,920 --> 00:52:46,080
Speaker 1: conversation Maul and I've had about the hook thing, So

1215
00:52:46,440 --> 00:52:47,920
Speaker 1: I'll save that part so we can have that full

1216
00:52:47,960 --> 00:52:56,960
Speaker 1: conversation after Maul speaks. I feel like Cole, you know,

1217
00:52:57,680 --> 00:53:00,200
Speaker 1: the very few faults that he has is and he

1218
00:53:00,320 --> 00:53:03,879
Speaker 1: just tries to do everything. And I think that's worked

1219
00:53:03,920 --> 00:53:05,719
Speaker 1: out okay with him, because he is a genius in

1220
00:53:05,760 --> 00:53:10,200
Speaker 1: his own right. But when you're making twenty four records, nah, man,

1221
00:53:10,280 --> 00:53:13,320
Speaker 1: we need some hope, Yeah, we need some help. And

1222
00:53:13,440 --> 00:53:15,600
Speaker 1: I don't think there's anything wrong with that, but I

1223
00:53:15,680 --> 00:53:19,960
Speaker 1: can even hear it as a cold fan that I

1224
00:53:20,080 --> 00:53:23,160
Speaker 1: know I wasn't really joking when I'm hearing Cole cry

1225
00:53:23,280 --> 00:53:28,560
Speaker 1: like a baby, like just get a baby, Like if

1226
00:53:28,600 --> 00:53:31,719
Speaker 1: you're going that like that length, that length to make

1227
00:53:31,800 --> 00:53:34,960
Speaker 1: sure you're doing everything. I think when you're trying to

1228
00:53:35,000 --> 00:53:38,120
Speaker 1: do a double disc, that may hinder you a bit

1229
00:53:39,480 --> 00:53:44,440
Speaker 1: like this. Also shit if you go through Cole's last

1230
00:53:44,520 --> 00:53:47,719
Speaker 1: three albums, like has he been the main producer.

1231
00:53:49,160 --> 00:53:49,680
Speaker 2: Off season?

1232
00:53:49,800 --> 00:53:51,879
Speaker 1: Was he don't quote me, but there was a time

1233
00:53:52,239 --> 00:53:56,200
Speaker 1: that was always an early critique of J Cole was, Cole,

1234
00:53:56,239 --> 00:53:57,839
Speaker 1: You're the one of the greatest rappers we've ever heard.

1235
00:53:58,160 --> 00:54:00,360
Speaker 1: I know you're trying to do the Kanye thing, but

1236
00:54:00,840 --> 00:54:02,520
Speaker 1: maybe let other people do the beats. And I think

1237
00:54:02,560 --> 00:54:05,480
Speaker 1: he listened to that for a long time. And I'm

1238
00:54:05,520 --> 00:54:08,279
Speaker 1: not mad at anyone wanting to go betch your career

1239
00:54:08,280 --> 00:54:09,800
Speaker 1: if you want to go back to your passion of

1240
00:54:09,880 --> 00:54:12,000
Speaker 1: making beats. He did say that in that clip from

1241
00:54:12,040 --> 00:54:14,640
Speaker 1: the Doctor came out like he saw T Minus cooking

1242
00:54:14,719 --> 00:54:16,319
Speaker 1: up on the road. He's like, y'all forgot how much

1243
00:54:16,320 --> 00:54:18,320
Speaker 1: I used to love making beats. I want to focus

1244
00:54:18,400 --> 00:54:21,960
Speaker 1: on that. I respect that dog, but twenty four records,

1245
00:54:23,880 --> 00:54:26,960
Speaker 1: even Big and Puff needed to hit man like, you're

1246
00:54:27,000 --> 00:54:28,759
Speaker 1: gonna need help.

1247
00:54:29,560 --> 00:54:31,399
Speaker 6: Yeah, we all eyes.

1248
00:54:31,440 --> 00:54:33,319
Speaker 1: I mean, we're gonna need Daz, We're gonna need Drey,

1249
00:54:33,560 --> 00:54:35,360
Speaker 1: We're gonna need Nate, We're gonna need a lot of

1250
00:54:35,400 --> 00:54:38,680
Speaker 1: people to really bring this to life because it's it's

1251
00:54:39,360 --> 00:54:42,040
Speaker 1: that's a task though. Yeah, ten records is a task.

1252
00:54:43,800 --> 00:54:47,440
Speaker 1: I think that's where the second dist to me was

1253
00:54:47,480 --> 00:54:50,080
Speaker 1: a little off. You try and do everything and it's like,

1254
00:54:50,080 --> 00:54:51,680
Speaker 1: all right, well then I'll just pay this this hook

1255
00:54:51,719 --> 00:54:54,800
Speaker 1: here that's already proven, and I just think Cole is

1256
00:54:54,840 --> 00:54:56,560
Speaker 1: better than that.

1257
00:54:57,120 --> 00:54:57,480
Speaker 2: That's all.

1258
00:54:58,280 --> 00:55:02,000
Speaker 1: But this twenty nine I love Outside of the letout,

1259
00:55:02,239 --> 00:55:04,319
Speaker 1: I fucking love this twenty nine.

1260
00:55:05,040 --> 00:55:06,520
Speaker 2: So are you thirty nine?

1261
00:55:06,520 --> 00:55:10,160
Speaker 1: There's a few records and again old dog like, I'm

1262
00:55:10,200 --> 00:55:11,760
Speaker 1: not mad at the like, I don't skip that record.

1263
00:55:12,120 --> 00:55:14,960
Speaker 1: I just feel like it could have been better with

1264
00:55:15,080 --> 00:55:18,200
Speaker 1: the resources that Jay Cole has and the resources that

1265
00:55:18,239 --> 00:55:20,040
Speaker 1: Tim Mayus has as well, because I don't want to

1266
00:55:20,040 --> 00:55:21,319
Speaker 1: take I think T minus is one of the best

1267
00:55:21,560 --> 00:55:27,640
Speaker 1: underrated producers. We said that last episode. I Yeah, I

1268
00:55:27,800 --> 00:55:30,080
Speaker 1: just think so were you disappointed as a Cole fan.

1269
00:55:31,680 --> 00:55:34,280
Speaker 1: It's too much to digest in one weekend and say disappointed.

1270
00:55:34,360 --> 00:55:36,920
Speaker 1: Let me say no, no, I'm not disappointed. I just

1271
00:55:37,000 --> 00:55:43,640
Speaker 1: don't know if two discs for me was necessary. Okay,

1272
00:55:44,920 --> 00:55:48,360
Speaker 1: I can't speak obviously for Ja Cole. It's his decision

1273
00:55:49,239 --> 00:55:51,279
Speaker 1: for all the dream though listeners out there. I'm not

1274
00:55:51,400 --> 00:55:54,000
Speaker 1: saying what he should have done, telling him as a

1275
00:55:54,080 --> 00:55:56,400
Speaker 1: consumer how I felt. You don't have to two step, Yes,

1276
00:55:56,760 --> 00:55:58,680
Speaker 1: who's two stepping? It's okay just to give your opinion.

1277
00:55:58,800 --> 00:56:00,520
Speaker 1: You don't have to since one is okay to just

1278
00:56:00,520 --> 00:56:03,480
Speaker 1: give you up. They put my mother's address on the internet.

1279
00:56:04,960 --> 00:56:10,160
Speaker 1: What you wait, what are you talking about? Just give

1280
00:56:10,200 --> 00:56:14,560
Speaker 1: your opinion. See what they've done with this man. You

1281
00:56:14,640 --> 00:56:15,760
Speaker 1: could just give your opinion.

1282
00:56:15,880 --> 00:56:18,200
Speaker 6: Yeah right, Oh my god, that's funny.

1283
00:56:19,400 --> 00:56:23,840
Speaker 4: Well J Cole fan storage because I gave a music opinion.

1284
00:56:23,960 --> 00:56:26,560
Speaker 4: J Cole doesn't really have the lunatic fans like that.

1285
00:56:26,719 --> 00:56:28,759
Speaker 4: I don't think his fans are that lunatic like. I

1286
00:56:28,800 --> 00:56:30,439
Speaker 4: don't think they're as crazy as the rest of them.

1287
00:56:31,360 --> 00:56:34,040
Speaker 2: That's because they didn't need to be. And now, if

1288
00:56:34,080 --> 00:56:36,840
Speaker 2: you've seen what the stand game is different now, and

1289
00:56:36,920 --> 00:56:41,160
Speaker 2: I think Cole fans are competitive enough to compete. They're

1290
00:56:41,160 --> 00:56:43,920
Speaker 2: gonna show out. This is what y'all doing now, all right? Bet?

1291
00:56:44,719 --> 00:56:46,640
Speaker 6: And they claim to be more intelligence, so they're gonna

1292
00:56:46,640 --> 00:56:48,359
Speaker 6: haveck you like eye clouds. They're gonna go nuts.

1293
00:56:49,719 --> 00:56:53,319
Speaker 3: Okay, ma, don't piss me off.

1294
00:56:53,400 --> 00:56:56,040
Speaker 6: Please wait before he goes. Did I piss you off?

1295
00:56:56,320 --> 00:56:58,120
Speaker 2: Was that? Did I feel like an honest review from

1296
00:56:58,120 --> 00:56:59,680
Speaker 2: someone you know very well? That was?

1297
00:57:00,600 --> 00:57:02,480
Speaker 4: I actually feel like you're being nicer than you want

1298
00:57:02,520 --> 00:57:05,080
Speaker 4: to be. The only reason why I stopped you was

1299
00:57:05,239 --> 00:57:07,160
Speaker 4: when I just I was trying to get you to

1300
00:57:08,000 --> 00:57:10,160
Speaker 4: I just was confused. Now how life sentence and that

1301
00:57:10,480 --> 00:57:12,839
Speaker 4: how those two songs didn correlate. That's the things why

1302
00:57:12,880 --> 00:57:14,400
Speaker 4: I stopped you. Your opinion is your opinion.

1303
00:57:14,400 --> 00:57:18,360
Speaker 3: You could like or not like just a lazy Okay,

1304
00:57:18,400 --> 00:57:20,080
Speaker 3: it could be lazy, but I just didn't.

1305
00:57:21,200 --> 00:57:23,720
Speaker 1: Is rapped about the beautiful relationship he has with his

1306
00:57:23,880 --> 00:57:27,880
Speaker 1: his wife in the past compared to that was lazy.

1307
00:57:28,120 --> 00:57:31,200
Speaker 4: You didn't feel him when he said I'm doing you dirty,

1308
00:57:31,240 --> 00:57:32,720
Speaker 4: but like not as bad as I could be, and

1309
00:57:32,800 --> 00:57:33,800
Speaker 4: that that made me feel better.

1310
00:57:33,880 --> 00:57:37,440
Speaker 2: You me feel him when I was just twenty nine.

1311
00:57:37,640 --> 00:57:41,000
Speaker 2: I may have felt him, but I'm a change man.

1312
00:57:41,120 --> 00:57:41,840
Speaker 2: Look at the range.

1313
00:57:42,320 --> 00:57:43,439
Speaker 3: You got a whole new game plan.

1314
00:57:45,400 --> 00:57:48,040
Speaker 2: Jamal, Damn, Jamal was crazy.

1315
00:57:48,640 --> 00:57:51,720
Speaker 6: That's my name, but damn both jays Ja and Jamal.

1316
00:57:53,840 --> 00:57:54,040
Speaker 2: Well.

1317
00:57:54,160 --> 00:57:55,400
Speaker 6: I love I love both of y'all said.

1318
00:57:55,400 --> 00:57:57,560
Speaker 2: Because I kind of echoed a lot of y'all sentiments

1319
00:57:57,560 --> 00:58:02,560
Speaker 2: as well, I will say this, I think j Cole

1320
00:58:02,800 --> 00:58:05,720
Speaker 2: is a phenomenal rapper, phenomenal MC, one of the best

1321
00:58:05,760 --> 00:58:11,800
Speaker 2: that I've ever heard. I think that this album because

1322
00:58:11,840 --> 00:58:14,160
Speaker 2: we've been anticipating this is probably what eight years now,

1323
00:58:14,400 --> 00:58:19,360
Speaker 2: we're almost ten. Right after having a weekend to live

1324
00:58:19,400 --> 00:58:21,480
Speaker 2: with it, and I did listen to it a lot

1325
00:58:21,520 --> 00:58:24,240
Speaker 2: over the weekend. Just let it play, Let it run.

1326
00:58:26,400 --> 00:58:32,040
Speaker 2: I was underwhelmed, so many years of anticipation for this project,

1327
00:58:32,080 --> 00:58:36,640
Speaker 2: for this album, I was underwhelmed. Again. I'm not an MC,

1328
00:58:36,720 --> 00:58:38,280
Speaker 2: I'm not a rapper. I can never do what Jake

1329
00:58:38,320 --> 00:58:40,360
Speaker 2: Cole does, so I don't want to disrespect.

1330
00:58:41,360 --> 00:58:44,520
Speaker 6: Sorry, that's he was quiet during your time.

1331
00:58:44,600 --> 00:58:45,120
Speaker 3: I'm sorry.

1332
00:58:45,320 --> 00:58:46,960
Speaker 4: I'm so sorry that I was trying to play the

1333
00:58:47,000 --> 00:58:48,960
Speaker 4: song to figure out if Roy was right.

1334
00:58:49,000 --> 00:58:51,160
Speaker 1: But that's that's unfair. He showed a lot of respect team.

1335
00:58:51,160 --> 00:58:51,600
Speaker 2: I'm sorry.

1336
00:58:52,000 --> 00:58:54,320
Speaker 4: I'm literally sorry. I accidentally pressed play on my phone.

1337
00:58:54,360 --> 00:58:59,960
Speaker 4: I'm sorry, it's okay, you were saying, I was saying underwhelm.

1338
00:59:00,640 --> 00:59:02,000
Speaker 4: That was underwhelm. Uh.

1339
00:59:03,000 --> 00:59:07,080
Speaker 2: I think that I overlooked a lot of j Cole's flaws.

1340
00:59:06,720 --> 00:59:07,600
Speaker 6: Over the years.

1341
00:59:09,040 --> 00:59:11,880
Speaker 2: When it comes to song making, when it comes to

1342
00:59:13,000 --> 00:59:17,320
Speaker 2: album making, I think a lot of these hooks were uh,

1343
00:59:17,520 --> 00:59:22,760
Speaker 2: Like Worrey said, lazy, I'm never questioning Ja Cole's ability

1344
00:59:22,800 --> 00:59:25,200
Speaker 2: to rap and to bar you down. He's one of

1345
00:59:25,240 --> 00:59:27,680
Speaker 2: the best to do that. But when you say album time,

1346
00:59:27,720 --> 00:59:29,400
Speaker 2: this is an album mode. Now, we got to get

1347
00:59:29,400 --> 00:59:31,520
Speaker 2: into song making. We got to get into replay value,

1348
00:59:31,560 --> 00:59:33,800
Speaker 2: we got to get into you know, those type of

1349
00:59:33,880 --> 00:59:36,160
Speaker 2: things when it's an album. I think a lot of

1350
00:59:36,200 --> 00:59:41,400
Speaker 2: these songs the hooks were we're not holding up the bars,

1351
00:59:44,080 --> 00:59:47,439
Speaker 2: used a lot of sample hooks. Even the Bunch rolled.

1352
00:59:47,520 --> 00:59:49,160
Speaker 2: I think that's the one with Tims in Future. I

1353
00:59:49,240 --> 00:59:52,440
Speaker 2: love that record. Why do you have future singing? The

1354
00:59:52,480 --> 00:59:55,560
Speaker 2: usher like song on there? Like I just just gave it.

1355
00:59:55,680 --> 00:59:57,080
Speaker 6: He gave a bar in the beginning, right, it was

1356
00:59:57,120 --> 00:59:57,320
Speaker 6: just like.

1357
00:59:57,600 --> 01:00:01,600
Speaker 4: It was and then he switched. Yeah, all he said

1358
01:00:01,720 --> 01:00:03,120
Speaker 4: was the seven o'clock on the dot, and then he

1359
01:00:03,160 --> 01:00:04,479
Speaker 4: switched it yeah, but I just didn't.

1360
01:00:04,480 --> 01:00:06,200
Speaker 2: I didn't like that. I think, if you're gonna use

1361
01:00:06,240 --> 01:00:07,640
Speaker 2: to treat on the record, let it just be a

1362
01:00:07,720 --> 01:00:10,160
Speaker 2: whole different. Like we never heard a lot of this

1363
01:00:10,280 --> 01:00:12,840
Speaker 2: just felt like we heard the parts. Because there's some

1364
01:00:12,880 --> 01:00:14,960
Speaker 2: good moments on this album. It's some good moments. What

1365
01:00:15,960 --> 01:00:17,600
Speaker 2: would the what would the good moments be for you?

1366
01:00:17,720 --> 01:00:19,640
Speaker 2: What do you think? I think Bunch Road is dope?

1367
01:00:20,320 --> 01:00:21,040
Speaker 2: Who the fuck is You?

1368
01:00:21,160 --> 01:00:21,439
Speaker 6: Is cool?

1369
01:00:21,440 --> 01:00:22,680
Speaker 2: I just don't want to keep saying who the fuck

1370
01:00:22,760 --> 01:00:24,960
Speaker 2: is you? I think it's rapping on there. Which one

1371
01:00:25,040 --> 01:00:25,440
Speaker 2: is the uh?

1372
01:00:27,040 --> 01:00:27,480
Speaker 6: I can't you know?

1373
01:00:27,520 --> 01:00:30,520
Speaker 2: I'm terrible to sing it a little bit? The Dude,

1374
01:00:30,560 --> 01:00:34,680
Speaker 2: the Ride of Me and the Jolly, I mean whatever

1375
01:00:34,800 --> 01:00:37,800
Speaker 2: song that was his flowing That was crazy.

1376
01:00:37,800 --> 01:00:38,560
Speaker 6: He was baring you down.

1377
01:00:38,640 --> 01:00:41,520
Speaker 2: I didn't like the hook. Like I said, I'm never

1378
01:00:41,640 --> 01:00:43,920
Speaker 2: expecting j Cole to not wrap his ass off. You

1379
01:00:44,000 --> 01:00:46,760
Speaker 2: could do that. It's always when it comes time to

1380
01:00:47,040 --> 01:00:49,840
Speaker 2: song making and is the hook strong as the bars?

1381
01:00:50,600 --> 01:00:53,600
Speaker 2: And to me, it's like Wor said, who's in the

1382
01:00:53,640 --> 01:00:56,080
Speaker 2: studio with you in you're creating? Because I think if

1383
01:00:56,120 --> 01:00:57,960
Speaker 2: you listen to one of his arts, like a J

1384
01:00:58,120 --> 01:01:00,360
Speaker 2: I d why wasn't j I D. I think Jid

1385
01:01:00,400 --> 01:01:02,960
Speaker 2: should have been used more in this album making process

1386
01:01:03,000 --> 01:01:06,440
Speaker 2: with strict not bars, because Jay Colder need that just songmaking,

1387
01:01:06,680 --> 01:01:10,400
Speaker 2: because Jid is does very a very well rounded artist,

1388
01:01:10,520 --> 01:01:12,080
Speaker 2: as he could rap his ass off, but even his

1389
01:01:12,200 --> 01:01:15,520
Speaker 2: hooks are strong. I just think you need to have

1390
01:01:15,720 --> 01:01:18,760
Speaker 2: certain inspiration to certain artists that you have in close

1391
01:01:18,840 --> 01:01:22,120
Speaker 2: proximity two when you're making these projects. Like again, I

1392
01:01:22,160 --> 01:01:25,720
Speaker 2: don't know what Cole's songmaking and album making process looks like.

1393
01:01:25,760 --> 01:01:27,720
Speaker 2: I don't know who's in there with them. I'm just

1394
01:01:27,760 --> 01:01:30,680
Speaker 2: saying it's okay, like what we said to just the

1395
01:01:30,760 --> 01:01:33,440
Speaker 2: guys that again your camp still somebody like j I

1396
01:01:33,520 --> 01:01:35,520
Speaker 2: D have him in there just to listen to some

1397
01:01:35,640 --> 01:01:38,360
Speaker 2: songs and some records and give his opinion here and there.

1398
01:01:38,920 --> 01:01:40,720
Speaker 6: We saw that with Boss on the off season.

1399
01:01:40,840 --> 01:01:43,120
Speaker 1: Yeah, Boss did like seven hooks on the off season,

1400
01:01:43,320 --> 01:01:45,400
Speaker 1: and that's I thought incredible.

1401
01:01:45,880 --> 01:01:49,080
Speaker 2: I'm not mad at that when it's gonna make songmaking again, Bars,

1402
01:01:49,240 --> 01:01:52,840
Speaker 2: I'm never questioning Jermaine Cole's ability to bar you down, but.

1403
01:01:52,920 --> 01:01:54,720
Speaker 1: He never This is the first time I think that

1404
01:01:54,880 --> 01:01:58,439
Speaker 1: flawed kind of came back because I think it sideline story,

1405
01:01:58,440 --> 01:01:58,720
Speaker 1: which I.

1406
01:01:58,680 --> 01:01:59,920
Speaker 6: Don't put all on him.

1407
01:02:00,080 --> 01:02:02,880
Speaker 1: I think he was pressured a lot with rock and

1408
01:02:02,920 --> 01:02:05,040
Speaker 1: it just being in that era where you needed to

1409
01:02:05,160 --> 01:02:08,240
Speaker 1: have this smash R and B singer, and I don't

1410
01:02:08,280 --> 01:02:10,880
Speaker 1: put too much on him for that. But then for

1411
01:02:11,080 --> 01:02:14,160
Speaker 1: Still Drive, I think he started to get it correct

1412
01:02:14,240 --> 01:02:16,400
Speaker 1: on how he could balance that not making it too

1413
01:02:16,480 --> 01:02:18,720
Speaker 1: much him On on Hooks even when there wasn't a

1414
01:02:18,760 --> 01:02:22,480
Speaker 1: feature kod I thought he got it right, and offseason

1415
01:02:22,560 --> 01:02:25,680
Speaker 1: I thought he got it right. It's it felt more

1416
01:02:25,720 --> 01:02:29,720
Speaker 1: born center and sideline story with the hooks on this one,

1417
01:02:31,400 --> 01:02:32,920
Speaker 1: I mean again.

1418
01:02:34,440 --> 01:02:35,000
Speaker 6: Didn't love it.

1419
01:02:35,840 --> 01:02:37,560
Speaker 2: There was some good moments on the album here and there.

1420
01:02:38,680 --> 01:02:39,680
Speaker 6: Do we need two discs?

1421
01:02:39,800 --> 01:02:42,320
Speaker 2: No, I think we could have took We could have

1422
01:02:42,400 --> 01:02:46,360
Speaker 2: taken this down and you know, made one disc, take

1423
01:02:46,400 --> 01:02:48,240
Speaker 2: the best off each disc. Because again we talked about

1424
01:02:48,600 --> 01:02:51,040
Speaker 2: you get into that that that space where it gets dangerous.

1425
01:02:51,040 --> 01:02:53,600
Speaker 2: He talking about two discs. You got to be able

1426
01:02:53,680 --> 01:02:56,840
Speaker 2: to your song your song making, not your rapping ability

1427
01:02:57,440 --> 01:02:59,680
Speaker 2: to have two discs. Your song making ability has to

1428
01:02:59,720 --> 01:03:04,040
Speaker 2: be incredible, especially hooks. I agree, your bridges, that has

1429
01:03:04,080 --> 01:03:05,920
Speaker 2: to be in credible. You have to be able to

1430
01:03:05,960 --> 01:03:07,960
Speaker 2: do that at an incredible volume.

1431
01:03:08,240 --> 01:03:13,200
Speaker 1: Especially I'm sorry to cut you off, especially when you're

1432
01:03:13,280 --> 01:03:15,520
Speaker 1: someone like Cole And that's not a slight y'all be

1433
01:03:15,600 --> 01:03:20,600
Speaker 1: clowning Kendrick on the funny voice shit. That does help

1434
01:03:20,680 --> 01:03:25,080
Speaker 1: break things up sonically, like NICKI is really great at

1435
01:03:25,120 --> 01:03:27,120
Speaker 1: that as well. Like when you can wrap that, well,

1436
01:03:27,200 --> 01:03:30,840
Speaker 1: you do need to give the person's ear a break

1437
01:03:30,960 --> 01:03:31,520
Speaker 1: for a second.

1438
01:03:31,960 --> 01:03:33,120
Speaker 6: Like tone does matter.

1439
01:03:34,240 --> 01:03:38,480
Speaker 1: And I think twenty four Records Big was was very

1440
01:03:38,560 --> 01:03:41,760
Speaker 1: much one of the greatest rap voices ever, obviously at

1441
01:03:41,760 --> 01:03:43,240
Speaker 1: a bunch of different flows, but he knew how to

1442
01:03:43,320 --> 01:03:45,640
Speaker 1: break up the records where you would get a break

1443
01:03:45,680 --> 01:03:48,760
Speaker 1: from Big. It's a lot to digest when you're that

1444
01:03:48,880 --> 01:03:52,800
Speaker 1: good at rapping, and twenty four Records is just too much.

1445
01:03:53,400 --> 01:03:54,440
Speaker 6: Yeah, it was just that way.

1446
01:03:54,520 --> 01:03:56,120
Speaker 2: It was too much for the for the hooks and

1447
01:03:56,120 --> 01:03:58,560
Speaker 2: the songs not to be, you know, as strong as

1448
01:03:58,600 --> 01:04:02,960
Speaker 2: they should have been for twenty four tracks. The what

1449
01:04:03,080 --> 01:04:03,520
Speaker 2: If song?

1450
01:04:05,640 --> 01:04:08,400
Speaker 4: Can I take a bathroom break? Y'all can keep talking?

1451
01:04:10,440 --> 01:04:12,040
Speaker 4: I left that one alone because I wanted to have

1452
01:04:12,120 --> 01:04:15,240
Speaker 4: this as a group talk. Well, well, let me let

1453
01:04:15,280 --> 01:04:19,800
Speaker 4: me let me continue before get into what If. Compliments

1454
01:04:21,200 --> 01:04:27,640
Speaker 4: Listen Jaco, phenomenal MC, incredible MC, and is incredible raps ad.

1455
01:04:27,560 --> 01:04:31,120
Speaker 2: So I just it's just the hooks, man, the hooks.

1456
01:04:31,120 --> 01:04:34,240
Speaker 2: For me, it was just it was it was way

1457
01:04:34,520 --> 01:04:37,720
Speaker 2: too many moments of just like where the hooks felt lazy.

1458
01:04:38,600 --> 01:04:40,760
Speaker 2: It felt like, Okay, let me just lean on this this, this,

1459
01:04:41,720 --> 01:04:45,280
Speaker 2: this hook that people know that they already love to

1460
01:04:45,440 --> 01:04:48,040
Speaker 2: fill in here. It felt like a lot of references,

1461
01:04:48,120 --> 01:04:49,840
Speaker 2: like a lot of reference hooks. Like it felt like,

1462
01:04:50,040 --> 01:04:51,320
Speaker 2: let me put this here, but I'll go back and

1463
01:04:51,480 --> 01:04:55,040
Speaker 2: change it. We do know that Jaco had to change

1464
01:04:55,040 --> 01:04:57,600
Speaker 2: some things on the album because of things that happened.

1465
01:04:58,520 --> 01:05:00,800
Speaker 2: He had to change some things around. What he had

1466
01:05:00,840 --> 01:05:05,640
Speaker 2: to change, we don't know, but I feel like gaps

1467
01:05:05,680 --> 01:05:07,880
Speaker 2: are there. We can kind of feel like where he

1468
01:05:08,040 --> 01:05:12,280
Speaker 2: was going to have bigger songs with bigger hooks, had

1469
01:05:12,320 --> 01:05:14,280
Speaker 2: he had certain individuals on this album.

1470
01:05:14,680 --> 01:05:15,800
Speaker 6: I think that that was blatant.

1471
01:05:15,880 --> 01:05:17,640
Speaker 2: It was like because there's no to me, there's no

1472
01:05:18,040 --> 01:05:20,760
Speaker 2: I remember Damara saying he gonna have a bop. I

1473
01:05:20,800 --> 01:05:23,120
Speaker 2: don't know if I hear a bop on here? Who

1474
01:05:23,200 --> 01:05:23,600
Speaker 2: the fuck is?

1475
01:05:23,640 --> 01:05:24,120
Speaker 6: You as cool?

1476
01:05:25,240 --> 01:05:26,600
Speaker 2: But it's just too much who the fuck is just

1477
01:05:26,680 --> 01:05:29,560
Speaker 2: the same repetitive. It's like again to me, that stat

1478
01:05:30,240 --> 01:05:32,200
Speaker 2: when you have a pin like j Cole to repeat

1479
01:05:32,360 --> 01:05:34,160
Speaker 2: who the fuck is you? As many times as a hook?

1480
01:05:35,160 --> 01:05:37,240
Speaker 2: To me, again, I can't do what Jay Cole does,

1481
01:05:37,280 --> 01:05:39,320
Speaker 2: but to me as a listener, that just feels lazy.

1482
01:05:39,320 --> 01:05:41,400
Speaker 2: It feels like, oh, let me just repeat this over

1483
01:05:41,480 --> 01:05:45,120
Speaker 2: and over as the hook. I don't know if I

1484
01:05:45,200 --> 01:05:46,360
Speaker 2: hear a bop on it. I don't know if I

1485
01:05:46,440 --> 01:05:49,640
Speaker 2: hear something that I'm gonna want to hear and ride to.

1486
01:05:49,920 --> 01:05:53,760
Speaker 2: And I don't know if I hear that again. The

1487
01:05:53,920 --> 01:05:55,680
Speaker 2: music on is, like I said, there's some moments on

1488
01:05:55,720 --> 01:05:57,880
Speaker 2: It's some good moments on this, on this, on this project,

1489
01:05:58,880 --> 01:06:00,960
Speaker 2: but I don't think it's nothing that sustains and nothing

1490
01:06:01,040 --> 01:06:02,880
Speaker 2: that I'm gonna want to keep going back to.

1491
01:06:04,400 --> 01:06:07,360
Speaker 6: Not one song of songs I'm going back to that.

1492
01:06:08,000 --> 01:06:08,920
Speaker 6: I like Monce wrote a lot.

1493
01:06:09,400 --> 01:06:10,800
Speaker 2: How do you feel about drum and bass?

1494
01:06:11,440 --> 01:06:12,040
Speaker 6: Which one is that?

1495
01:06:12,200 --> 01:06:14,160
Speaker 3: Well, we talked that drumming bass, Fuck you Tom, I.

1496
01:06:16,200 --> 01:06:19,760
Speaker 6: That's cool, that's cool, but again I'm just not I'm

1497
01:06:19,800 --> 01:06:20,440
Speaker 6: not in love with it.

1498
01:06:20,560 --> 01:06:21,120
Speaker 2: But it's cool.

1499
01:06:21,360 --> 01:06:21,880
Speaker 6: It's cool.

1500
01:06:25,120 --> 01:06:30,640
Speaker 2: So you're disappointed as well, not disappointed, underwhelmed for me

1501
01:06:30,760 --> 01:06:37,200
Speaker 2: to be anticipating this project for almost ten years. I

1502
01:06:37,360 --> 01:06:39,720
Speaker 2: just feel like we've gotten albums from other artists in

1503
01:06:39,800 --> 01:06:43,280
Speaker 2: the past year that was better than this, And I

1504
01:06:43,280 --> 01:06:45,320
Speaker 2: don't think any of those guys could probably raps because

1505
01:06:45,320 --> 01:06:47,640
Speaker 2: it's J Cole, you know what I'm saying. So again

1506
01:06:47,720 --> 01:06:51,160
Speaker 2: that just leads to song making ability and album making ability.

1507
01:06:52,320 --> 01:06:53,080
Speaker 6: Too much cold.

1508
01:06:53,160 --> 01:06:55,840
Speaker 2: I think again, to double this thing. We talked about

1509
01:06:55,880 --> 01:06:57,760
Speaker 2: that when we first heard It's Gonna bedub. That's tricky

1510
01:06:58,360 --> 01:07:01,160
Speaker 2: in dangerous waters when you start talking about twenty plush tracks,

1511
01:07:01,400 --> 01:07:04,880
Speaker 2: breaking it up into two different you know, albums or whatever.

1512
01:07:06,200 --> 01:07:07,080
Speaker 6: Not many can do that.

1513
01:07:08,000 --> 01:07:10,080
Speaker 2: But again, good moments. I don't want to seem like

1514
01:07:10,120 --> 01:07:11,680
Speaker 2: I'm just shitting on the album, because I'm not. There's

1515
01:07:11,680 --> 01:07:14,520
Speaker 2: some good moments on there, obviously, good rapping, great rapping.

1516
01:07:15,520 --> 01:07:18,640
Speaker 2: Just the songs don't really you know, not enough songs

1517
01:07:18,720 --> 01:07:22,600
Speaker 2: hold me and sustained my listening to it. I'm like, nah,

1518
01:07:22,640 --> 01:07:24,560
Speaker 2: this shit is crazy. But there was some good moments

1519
01:07:24,600 --> 01:07:28,040
Speaker 2: on there. There was some good moments. Now to what if,

1520
01:07:29,280 --> 01:07:31,440
Speaker 2: because I spoke, I spoke about it. I said, I

1521
01:07:31,600 --> 01:07:35,959
Speaker 2: felt like J Cole should address the situation and debt

1522
01:07:36,320 --> 01:07:38,080
Speaker 2: that he went through because obviously it was a big

1523
01:07:38,160 --> 01:07:41,040
Speaker 2: moment and you know his role in it. I felt like,

1524
01:07:41,720 --> 01:07:44,200
Speaker 2: you know, he gave us, you know, kind of glimpses

1525
01:07:44,240 --> 01:07:46,240
Speaker 2: into it, or was it poort Antonio or something like

1526
01:07:46,320 --> 01:07:48,600
Speaker 2: that gave us glimpses into it. But I felt like

1527
01:07:48,640 --> 01:07:52,160
Speaker 2: he should have used this album to really get into

1528
01:07:52,200 --> 01:07:54,960
Speaker 2: his emotion around that whole thing, is thinking around that

1529
01:07:55,040 --> 01:07:57,520
Speaker 2: whole moment, things he may feel.

1530
01:07:57,320 --> 01:07:59,480
Speaker 6: Towards both of those gentlemen.

1531
01:07:59,680 --> 01:08:02,680
Speaker 2: Even day, I felt like he should have used some

1532
01:08:02,840 --> 01:08:03,720
Speaker 2: of this album on that.

1533
01:08:05,800 --> 01:08:06,440
Speaker 6: The what if thing.

1534
01:08:06,520 --> 01:08:13,920
Speaker 2: I didn't like it only because again we apologizing and

1535
01:08:14,000 --> 01:08:15,760
Speaker 2: it's like why, Like, first of all, that's not even

1536
01:08:15,800 --> 01:08:18,920
Speaker 2: your error. You didn't know packin Big. I gounnderstand if

1537
01:08:18,960 --> 01:08:21,200
Speaker 2: jay Z made a song like this, NAS made we

1538
01:08:21,280 --> 01:08:23,080
Speaker 2: will survive. I can understand if Navs made a song

1539
01:08:23,160 --> 01:08:26,640
Speaker 2: like this, it was right j Cole, I get it.

1540
01:08:26,960 --> 01:08:29,880
Speaker 2: Fans of both of those MC's probably has real feelings

1541
01:08:29,920 --> 01:08:31,800
Speaker 2: like damn, I wish that didn't happen, because obviously we

1542
01:08:31,880 --> 01:08:35,080
Speaker 2: lost two of the best around some shit. But then

1543
01:08:35,120 --> 01:08:36,639
Speaker 2: try to cure it in a way where he kind

1544
01:08:36,680 --> 01:08:39,439
Speaker 2: of was talking about how he felt in his moment

1545
01:08:40,040 --> 01:08:43,519
Speaker 2: of battling one of his brothers or one of his

1546
01:08:43,760 --> 01:08:46,479
Speaker 2: friends and things like that, and I felt like that

1547
01:08:46,760 --> 01:08:50,000
Speaker 2: was just kind of again, that was a lazy attempt

1548
01:08:50,040 --> 01:08:54,839
Speaker 2: at addressing, you know, his own situation in the industry

1549
01:08:54,920 --> 01:08:57,920
Speaker 2: and then rapping and battling and how it could turn

1550
01:08:58,200 --> 01:09:01,080
Speaker 2: negative and ugly and you know it could go away

1551
01:09:01,160 --> 01:09:05,160
Speaker 2: that you don't want it to go again. Jake Cole

1552
01:09:05,280 --> 01:09:07,920
Speaker 2: is a great MC, great writer. I just felt like

1553
01:09:08,040 --> 01:09:09,400
Speaker 2: he used that moment the wrong way.

1554
01:09:09,560 --> 01:09:13,240
Speaker 4: Where did you feel like he was using his own

1555
01:09:14,640 --> 01:09:17,080
Speaker 4: well when things where he said, like, you know, uh,

1556
01:09:18,240 --> 01:09:20,480
Speaker 4: they're so uncomparable, I would apologize.

1557
01:09:21,000 --> 01:09:23,360
Speaker 2: I should have apologized. You know, you're still mid some

1558
01:09:23,479 --> 01:09:25,400
Speaker 2: shit he said. Well, I kind of felt like that

1559
01:09:25,600 --> 01:09:31,040
Speaker 2: was him talking to uh Drake, like that was like

1560
01:09:31,120 --> 01:09:33,120
Speaker 2: a bar like, you know, obviously, I know he's gonna

1561
01:09:33,160 --> 01:09:35,519
Speaker 2: hear this again. I understand he's talking has Pot and

1562
01:09:35,600 --> 01:09:37,800
Speaker 2: talking as big, but again, we know the moment that

1563
01:09:37,880 --> 01:09:41,560
Speaker 2: he was in in his own battle and rap. I

1564
01:09:41,640 --> 01:09:44,639
Speaker 2: feel like that was kind of like a little you know, Okay,

1565
01:09:44,720 --> 01:09:47,080
Speaker 2: that's you talking. I understand you talking as Big in POC,

1566
01:09:47,600 --> 01:09:50,439
Speaker 2: but that's Jake Cole talking to Drake right there. Just

1567
01:09:50,600 --> 01:09:52,320
Speaker 2: which part exactly I missed my dog? I ain't got

1568
01:09:52,400 --> 01:09:52,680
Speaker 2: to hide.

1569
01:09:52,680 --> 01:09:54,960
Speaker 3: If I hurt you, I apologize that party.

1570
01:09:56,240 --> 01:09:59,040
Speaker 1: You get what I'm saying, Like, obviously, I don't know

1571
01:09:59,080 --> 01:10:02,479
Speaker 1: if that's case. I still would have been mad at

1572
01:10:02,520 --> 01:10:04,760
Speaker 1: this song, but I would have understood it more if

1573
01:10:04,800 --> 01:10:07,880
Speaker 1: he did a third verse, speaking as Ja Cole in

1574
01:10:08,040 --> 01:10:10,000
Speaker 1: the situation he went through, if we're going to address

1575
01:10:10,040 --> 01:10:13,200
Speaker 1: people apologizing to each other, like, I would have still

1576
01:10:13,240 --> 01:10:16,040
Speaker 1: hated that you did the big perspective in POC perspective,

1577
01:10:16,080 --> 01:10:18,320
Speaker 1: but if you did the third verse as Jake Cole

1578
01:10:18,840 --> 01:10:20,800
Speaker 1: to show like, Okay, this is what if they would

1579
01:10:20,840 --> 01:10:24,160
Speaker 1: have apologized and then gave your perspective, everything look all right.

1580
01:10:24,160 --> 01:10:27,360
Speaker 1: At least he tied it all together. This is a

1581
01:10:27,479 --> 01:10:28,560
Speaker 1: cop out to me.

1582
01:10:28,680 --> 01:10:29,360
Speaker 6: I actually do.

1583
01:10:29,439 --> 01:10:32,360
Speaker 1: Feel and I'm speculating called me an idiot.

1584
01:10:33,280 --> 01:10:33,920
Speaker 6: I'm fine with that.

1585
01:10:34,160 --> 01:10:37,439
Speaker 1: I think at some point in the studio Jake Cole

1586
01:10:37,520 --> 01:10:40,880
Speaker 1: had an idea of doing a song like this from

1587
01:10:40,920 --> 01:10:43,760
Speaker 1: the perspective of Drake and the perspective of Kendrick, and

1588
01:10:43,840 --> 01:10:46,680
Speaker 1: then his third verse would be his perspective in the

1589
01:10:46,720 --> 01:10:49,080
Speaker 1: same concept of what if they apologize to each other?

1590
01:10:49,120 --> 01:10:52,120
Speaker 6: What if that she didn't happen and I don't even worse.

1591
01:10:53,240 --> 01:10:55,800
Speaker 1: I agree, and I think somebody said, bro, don't do that,

1592
01:10:57,560 --> 01:10:59,479
Speaker 1: and he liked the concept so much that he was like,

1593
01:10:59,520 --> 01:11:00,599
Speaker 1: I'll do it his pocket bit.

1594
01:11:01,400 --> 01:11:03,360
Speaker 2: And I think it even came out ten times yea,

1595
01:11:03,360 --> 01:11:05,240
Speaker 2: because it's not there's no coincidence that he did this,

1596
01:11:05,960 --> 01:11:08,320
Speaker 2: Like we know that I could be one thousand percent wrong.

1597
01:11:08,360 --> 01:11:10,800
Speaker 2: I'm just speculating what this is.

1598
01:11:11,000 --> 01:11:14,120
Speaker 6: But I'm just just the climate and how it looks.

1599
01:11:14,240 --> 01:11:18,080
Speaker 2: Obviously we lost these to cs over what people think

1600
01:11:18,200 --> 01:11:20,320
Speaker 2: it was because of the battle. It was a lot

1601
01:11:20,400 --> 01:11:23,200
Speaker 2: deeper than just the battle. But I understand what Cole

1602
01:11:23,320 --> 01:11:25,519
Speaker 2: was doing with this. Again, I just think that his

1603
01:11:25,840 --> 01:11:29,800
Speaker 2: he had such a huge moment that he could have

1604
01:11:29,840 --> 01:11:32,640
Speaker 2: spoken about more in depth on this album, and he

1605
01:11:32,760 --> 01:11:34,320
Speaker 2: didn't do that to me, Like, I just felt like,

1606
01:11:34,400 --> 01:11:35,920
Speaker 2: you know, even on the other one, what's the one

1607
01:11:35,960 --> 01:11:39,599
Speaker 2: where he sampled the common joint her I love her again?

1608
01:11:39,760 --> 01:11:41,639
Speaker 2: Do you think that that was more of a dress

1609
01:11:41,680 --> 01:11:42,639
Speaker 2: than anything else?

1610
01:11:44,120 --> 01:11:46,240
Speaker 6: He quoted? He quoted he said to my friends, would

1611
01:11:46,240 --> 01:11:47,439
Speaker 6: be beef and whatever whatever.

1612
01:11:47,479 --> 01:11:50,960
Speaker 2: With that, Like, again, you could have used more, you

1613
01:11:51,040 --> 01:11:54,080
Speaker 2: could have went into depth more. We get it. She

1614
01:11:54,240 --> 01:11:56,760
Speaker 2: told me. Wasn't mad at just a quick quick mention

1615
01:11:56,880 --> 01:11:58,559
Speaker 2: of that in that record, I wouldn't want to fold.

1616
01:11:58,880 --> 01:12:01,160
Speaker 1: I'd rather what If, I am because I think that

1617
01:12:01,280 --> 01:12:03,280
Speaker 1: he needs to speak to that more. I'm saying I'd

1618
01:12:03,360 --> 01:12:06,720
Speaker 1: rather that than what If. Then when he said hip

1619
01:12:06,720 --> 01:12:08,200
Speaker 1: hop not she was the best I ever had.

1620
01:12:08,320 --> 01:12:09,680
Speaker 4: Yeah, the type of games is why too of my

1621
01:12:09,760 --> 01:12:11,240
Speaker 4: homie started to beef to both of them. She said,

1622
01:12:11,240 --> 01:12:12,760
Speaker 4: you're the best I ever had. And the whole time

1623
01:12:12,800 --> 01:12:14,240
Speaker 4: that bitch was saying that type of shit to me,

1624
01:12:14,360 --> 01:12:17,679
Speaker 4: fuck exactly. I like that he just left it at that. Yeah,

1625
01:12:17,680 --> 01:12:20,280
Speaker 4: I got mind that. I thought that was perfectly when

1626
01:12:20,320 --> 01:12:23,800
Speaker 4: it comes to what If, So I listened. I only

1627
01:12:23,880 --> 01:12:27,000
Speaker 4: listened to the first disc first because I wanted to

1628
01:12:27,120 --> 01:12:29,760
Speaker 4: digest them as two differentness. Listen to the first this

1629
01:12:30,400 --> 01:12:32,759
Speaker 4: and then I went on the internet and people started

1630
01:12:32,800 --> 01:12:34,560
Speaker 4: talking about what the concept.

1631
01:12:34,200 --> 01:12:34,639
Speaker 2: Of what if.

1632
01:12:35,040 --> 01:12:38,240
Speaker 4: So when I got to the second disc, I skipped

1633
01:12:38,280 --> 01:12:40,559
Speaker 4: what If. I didn't hear what If till damn near

1634
01:12:40,680 --> 01:12:43,479
Speaker 4: Sunday and I was talking to somebody and they were like,

1635
01:12:43,520 --> 01:12:45,200
Speaker 4: why you haven't heard it yet? And I was like no,

1636
01:12:45,439 --> 01:12:49,160
Speaker 4: and they were like why. I'm like, because no matter

1637
01:12:49,240 --> 01:12:52,360
Speaker 4: how well he executes this, it's going to be bad,

1638
01:12:52,520 --> 01:12:54,479
Speaker 4: Like there's no it's gonna be bad no matter how.

1639
01:12:54,520 --> 01:12:57,920
Speaker 4: And I think that he executed executed it better than

1640
01:12:58,160 --> 01:12:59,760
Speaker 4: other people who have done it, just because of his

1641
01:13:00,160 --> 01:13:02,360
Speaker 4: and ability. But you're not the person who does this

1642
01:13:02,600 --> 01:13:04,160
Speaker 4: like you're making it. I literally said to the person

1643
01:13:04,200 --> 01:13:05,920
Speaker 4: who told me that he's making it hard for me

1644
01:13:06,000 --> 01:13:07,400
Speaker 4: to go in the work on Monday as a J.

1645
01:13:07,560 --> 01:13:10,200
Speaker 4: Cole fan, because it's like, I've been through enough. I

1646
01:13:10,320 --> 01:13:13,280
Speaker 4: don't need you know what I've been through enough, Like

1647
01:13:13,400 --> 01:13:16,000
Speaker 4: I don't need to have to go into work a J.

1648
01:13:16,160 --> 01:13:18,080
Speaker 2: Cole fan because and again I'm a fan too, but

1649
01:13:18,160 --> 01:13:21,960
Speaker 2: you like really love Cole? Are you do you love

1650
01:13:22,040 --> 01:13:24,479
Speaker 2: this album? Give me one second, let me finish, and

1651
01:13:24,600 --> 01:13:25,400
Speaker 2: I have one more thing.

1652
01:13:25,920 --> 01:13:28,479
Speaker 4: Yeah, But I was just gonna say, well, what if

1653
01:13:28,479 --> 01:13:31,000
Speaker 4: it gives to me or not even what it gives

1654
01:13:31,000 --> 01:13:33,040
Speaker 4: to me, just what it gives generally that I have

1655
01:13:33,160 --> 01:13:35,880
Speaker 4: to come in here and fucking defend is See, guys,

1656
01:13:36,400 --> 01:13:39,000
Speaker 4: if they would apologize like I did, they still be alive.

1657
01:13:39,320 --> 01:13:40,800
Speaker 4: That's what it gives to me, And it makes me

1658
01:13:40,880 --> 01:13:43,400
Speaker 4: want to choke myself. So it's like why, why, why

1659
01:13:43,600 --> 01:13:45,680
Speaker 4: that's nasty? Why you know what I'm saying like you're

1660
01:13:45,680 --> 01:13:46,479
Speaker 4: making my job hard.

1661
01:13:48,160 --> 01:13:50,760
Speaker 1: That's that's a perfect way I wanted to get with

1662
01:13:50,920 --> 01:13:55,000
Speaker 1: with with my point because even if that wasn't Cole's intentions, that's.

1663
01:13:54,840 --> 01:13:55,639
Speaker 2: How I came across.

1664
01:13:55,720 --> 01:13:59,519
Speaker 1: I'm sure listening, but it came across that way. Yeah,

1665
01:13:59,680 --> 01:14:02,040
Speaker 1: even if there's plenty of things I say on here

1666
01:14:02,120 --> 01:14:04,320
Speaker 1: that come across so blatantly and I'm like in mi head,

1667
01:14:04,360 --> 01:14:05,759
Speaker 1: I'm like, I didn't mean it that way, and everyone,

1668
01:14:05,840 --> 01:14:07,559
Speaker 1: including you guys, are like, that's how you sound.

1669
01:14:07,760 --> 01:14:08,839
Speaker 6: Yeah, that happens.

1670
01:14:09,439 --> 01:14:12,519
Speaker 1: I'm saying this came across nasty and weird, and it

1671
01:14:12,680 --> 01:14:15,720
Speaker 1: feels like you're trying to compare it like you took

1672
01:14:15,760 --> 01:14:17,800
Speaker 1: the higher road and look what could have become. And

1673
01:14:17,960 --> 01:14:21,280
Speaker 1: the difference is it's apples and bowling balls. This shit

1674
01:14:21,400 --> 01:14:25,679
Speaker 1: started deep, when people were dying, people were being shot.

1675
01:14:26,479 --> 01:14:29,760
Speaker 1: It wasn't somebody teasing you on a metro beat Like.

1676
01:14:29,880 --> 01:14:33,960
Speaker 1: It's a drastically different scenario that can't be comparable. Cole

1677
01:14:34,040 --> 01:14:37,320
Speaker 1: even saying that first line as Big to me was

1678
01:14:37,400 --> 01:14:39,240
Speaker 1: like the most offensive thing that all of a sudden,

1679
01:14:39,479 --> 01:14:42,479
Speaker 1: Big would have been, like Big should have been, like, yo, man,

1680
01:14:42,560 --> 01:14:44,120
Speaker 1: I know you said you fucked my wife.

1681
01:14:44,240 --> 01:14:48,960
Speaker 2: But yo, we should end this right, like what we gotta.

1682
01:14:48,680 --> 01:14:50,559
Speaker 4: Stop speaking from the perspective of dead people.

1683
01:14:50,640 --> 01:14:54,280
Speaker 2: Like like that's what Big should have done is disrespectful

1684
01:14:55,320 --> 01:14:55,960
Speaker 2: and like it's.

1685
01:14:55,880 --> 01:14:58,680
Speaker 1: It's like offensive hindsight, like that Big should have been

1686
01:14:58,760 --> 01:15:03,000
Speaker 1: like you know what, you're right. A matter of fact,

1687
01:15:03,040 --> 01:15:05,439
Speaker 1: Big handle that better than any twenty four year old

1688
01:15:05,520 --> 01:15:10,120
Speaker 1: on earth would have handled that situation. Also, MA, I know,

1689
01:15:10,160 --> 01:15:12,240
Speaker 1: I thought, I just thought, what if it was one

1690
01:15:12,280 --> 01:15:14,840
Speaker 1: of the when I said some of the highest highs

1691
01:15:15,200 --> 01:15:17,719
Speaker 1: were cold and some of the lowest fucking low.

1692
01:15:17,680 --> 01:15:19,160
Speaker 2: And it sucks because the rapping is so good.

1693
01:15:22,560 --> 01:15:24,559
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1698
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1723
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Speaker 6: No I saw some switch it to AI with the

1724
01:16:52,600 --> 01:16:53,439
Speaker 6: flow whatever.

1725
01:16:53,479 --> 01:16:55,320
Speaker 2: You know. The interesting part about the what If song

1726
01:16:55,680 --> 01:16:59,800
Speaker 2: is that is Cold talking what if what if I

1727
01:16:59,840 --> 01:17:02,040
Speaker 2: stayed in the battle, what if things were different in

1728
01:17:02,120 --> 01:17:06,720
Speaker 2: that moment and listening to a lot of Cold because

1729
01:17:06,760 --> 01:17:08,719
Speaker 2: I've been I've been waiting for this album only because

1730
01:17:08,800 --> 01:17:12,519
Speaker 2: I wanted to listen to literally everything Cole said and

1731
01:17:12,640 --> 01:17:16,479
Speaker 2: to me so much more makes it makes so much

1732
01:17:16,520 --> 01:17:18,840
Speaker 2: more sense to me now why Cold did what he did.

1733
01:17:21,680 --> 01:17:22,240
Speaker 6: On this album.

1734
01:17:22,240 --> 01:17:25,080
Speaker 2: He speaks to commitment issues, He speaks to being a

1735
01:17:25,120 --> 01:17:27,360
Speaker 2: sidewalk nigga mean and he never wanted to jump in traffic,

1736
01:17:27,520 --> 01:17:28,080
Speaker 2: never wanted.

1737
01:17:27,880 --> 01:17:28,479
Speaker 6: To be in the streets.

1738
01:17:28,560 --> 01:17:30,280
Speaker 2: He's always been there with though I don't mean that.

1739
01:17:30,640 --> 01:17:33,560
Speaker 2: He's always said they which I always appreciated Cold, But

1740
01:17:33,640 --> 01:17:36,519
Speaker 2: it makes it makes more sense now coming off of

1741
01:17:36,560 --> 01:17:40,120
Speaker 2: everything like there it is like, Okay, Cool, I have

1742
01:17:40,280 --> 01:17:42,439
Speaker 2: no problem with it. I just never paid attention to

1743
01:17:42,560 --> 01:17:46,120
Speaker 2: it that much before twenty twenty four because we didn't

1744
01:17:46,160 --> 01:17:49,800
Speaker 2: have that moment after twenty twenty four. Now he says that,

1745
01:17:50,320 --> 01:17:52,880
Speaker 2: I'm like, okay, I get it now, like that that

1746
01:17:53,120 --> 01:17:55,439
Speaker 2: was never you that was never who you are, and

1747
01:17:55,560 --> 01:17:57,479
Speaker 2: I can't be mad at that. Be your true self.

1748
01:17:57,479 --> 01:18:01,760
Speaker 2: If that's not who you are, no problem. My only

1749
01:18:01,880 --> 01:18:06,200
Speaker 2: issue is I feel like everything.

1750
01:18:05,960 --> 01:18:11,200
Speaker 6: Posts that it speaks to again. This is just my

1751
01:18:11,280 --> 01:18:12,760
Speaker 6: thoughts looking for the house I'm looking in.

1752
01:18:13,520 --> 01:18:17,160
Speaker 2: I think that Jake Cole's forever stuck in that dream

1753
01:18:17,320 --> 01:18:21,479
Speaker 2: Fest apology moment. Mentally, I don't never spoke to him,

1754
01:18:21,920 --> 01:18:24,679
Speaker 2: never had a personal but I think that that moment.

1755
01:18:24,800 --> 01:18:27,080
Speaker 2: I think if he had that moment to do over again,

1756
01:18:27,479 --> 01:18:32,720
Speaker 2: he would do it differently, only because only because all

1757
01:18:32,800 --> 01:18:36,360
Speaker 2: he had to do was what he's incredible at doing. Literally,

1758
01:18:36,560 --> 01:18:39,439
Speaker 2: I disagree because and I was gonna ask my flowers

1759
01:18:39,439 --> 01:18:42,080
Speaker 2: at the end from Demarius from the record she loves

1760
01:18:42,760 --> 01:18:45,000
Speaker 2: caught a lot of bodies, So my closet it got

1761
01:18:45,080 --> 01:18:46,240
Speaker 2: ston skeletons.

1762
01:18:46,280 --> 01:18:48,920
Speaker 6: Don't believe me. Call your favorite rapper for the evidence.

1763
01:18:50,240 --> 01:18:52,599
Speaker 2: I told you my theory two years ago on stage

1764
01:18:52,600 --> 01:18:54,040
Speaker 2: when he brought up his family and yeah, I'm not

1765
01:18:54,040 --> 01:18:56,320
Speaker 2: playing I'm not playing this mess. I've been on tour

1766
01:18:56,360 --> 01:18:59,280
Speaker 2: with everybody. They know all my shit.

1767
01:18:59,400 --> 01:19:01,559
Speaker 3: I think you mean, well, you know, we all interpret

1768
01:19:01,640 --> 01:19:03,679
Speaker 3: bars differently, but that's caught.

1769
01:19:03,560 --> 01:19:06,160
Speaker 1: A lot of bodies. So on my closet, it got skeletons.

1770
01:19:06,200 --> 01:19:08,559
Speaker 1: Don't believe me, Call your favorite rapper for the evidence.

1771
01:19:08,720 --> 01:19:10,880
Speaker 4: Caught a lot of bodies, as in like I cleaned

1772
01:19:10,920 --> 01:19:13,160
Speaker 4: a lot of niggas up. Don't believe me. Call your

1773
01:19:13,160 --> 01:19:15,080
Speaker 4: favorite rapper for the evidence, because I've been on songs

1774
01:19:15,120 --> 01:19:17,080
Speaker 4: with your favorite rappers and clean them up. But again,

1775
01:19:17,120 --> 01:19:20,800
Speaker 4: we all interpret bars differently, go both ways. I said

1776
01:19:20,840 --> 01:19:23,120
Speaker 4: he had he had a combo with Kendrick. Combo, Drake,

1777
01:19:23,120 --> 01:19:26,000
Speaker 4: there's a I have no fucking idea had a combo

1778
01:19:26,200 --> 01:19:29,439
Speaker 4: with them. Saw where ship was going, and so oh nah,

1779
01:19:31,439 --> 01:19:33,280
Speaker 4: He's talked about Infidel, He's talked about all this. I'm

1780
01:19:33,280 --> 01:19:35,160
Speaker 4: not saying anything that he hasn't talked about in his music.

1781
01:19:35,200 --> 01:19:36,920
Speaker 4: And I'm not trying to bring up Oh everyone moves

1782
01:19:36,960 --> 01:19:38,920
Speaker 4: on and becomes better people. I'm not shipping on jac

1783
01:19:39,479 --> 01:19:44,760
Speaker 4: But I think that line is directly, directly, directly to

1784
01:19:44,880 --> 01:19:47,080
Speaker 4: the point I made after dream bill Fest when he said,

1785
01:19:47,400 --> 01:19:48,840
Speaker 4: y I got a family Now though I'm not even

1786
01:19:48,880 --> 01:19:50,880
Speaker 4: trying to do this type of ship, I want to Yeah,

1787
01:19:50,880 --> 01:19:52,280
Speaker 4: I know where you're about to take it. You're about

1788
01:19:52,280 --> 01:19:54,679
Speaker 4: to the personal sh If.

1789
01:19:54,600 --> 01:19:56,479
Speaker 2: That's the case, I even look at that, like that's

1790
01:19:56,520 --> 01:19:58,960
Speaker 2: a simple conversation, like that was before we got married

1791
01:19:59,000 --> 01:20:00,400
Speaker 2: and all that. Look, if a nigga's like, yo, you

1792
01:20:00,520 --> 01:20:03,080
Speaker 2: was fucking mad bitches that was before, Like that's not

1793
01:20:03,400 --> 01:20:05,760
Speaker 2: to me, that's lazy, that's a lazy excuse, Like I don't,

1794
01:20:05,960 --> 01:20:08,000
Speaker 2: I don't believe that. And if that was, that's crazy.

1795
01:20:08,000 --> 01:20:09,479
Speaker 2: If that was your reason for doing what she was doing,

1796
01:20:09,560 --> 01:20:11,080
Speaker 2: I don't want wife here to know. I be nigga.

1797
01:20:11,120 --> 01:20:13,320
Speaker 2: You j Cole, you think your wife don't know you

1798
01:20:13,439 --> 01:20:14,519
Speaker 2: got pussy from other women.

1799
01:20:15,439 --> 01:20:17,679
Speaker 6: Let's let us let's all relax on that personal part.

1800
01:20:17,760 --> 01:20:20,360
Speaker 2: I'm just I'm not saying it's true. I'm just saying,

1801
01:20:20,520 --> 01:20:22,760
Speaker 2: if Rapper says it, you think your wife can be

1802
01:20:22,880 --> 01:20:25,519
Speaker 2: like word, Okay, now you're one of the dumpest some

1803
01:20:25,640 --> 01:20:29,280
Speaker 2: scenes of your fucking generation. I'm pretty sure you got groupies.

1804
01:20:29,520 --> 01:20:31,200
Speaker 1: But let's let's let him, let's use let's use mister

1805
01:20:31,280 --> 01:20:35,519
Speaker 1: Morale as an example. Where As, yes, everyone thought that,

1806
01:20:35,960 --> 01:20:38,360
Speaker 1: and I'm sure that was tough conversations that Kendrick and

1807
01:20:38,400 --> 01:20:39,880
Speaker 1: Whitney had to have when he was about to tell

1808
01:20:39,920 --> 01:20:42,560
Speaker 1: the world that he had been cheated on our infidelities.

1809
01:20:43,520 --> 01:20:48,280
Speaker 1: Sex addicted the whole shit. I'm saying Kendrick got ahead

1810
01:20:48,320 --> 01:20:52,720
Speaker 1: of that, and he told us that we all look

1811
01:20:52,760 --> 01:20:56,280
Speaker 1: at Cole, especially Cole fans, as like this clean that

1812
01:20:56,479 --> 01:20:58,439
Speaker 1: you think I don't think it's about me.

1813
01:20:58,640 --> 01:21:01,160
Speaker 2: You think that was in the middle of interrupted me,

1814
01:21:02,479 --> 01:21:05,720
Speaker 2: interrupted me every day and I'm sorry, trying to get better. Man.

1815
01:21:06,000 --> 01:21:07,840
Speaker 4: You think that Kendrick didn't talk to his wife before

1816
01:21:07,880 --> 01:21:09,240
Speaker 4: he went in the move and told us what he

1817
01:21:09,280 --> 01:21:10,680
Speaker 4: told You think that was her first time?

1818
01:21:11,240 --> 01:21:13,680
Speaker 1: Literally just that's what he just said, literally, So how

1819
01:21:13,760 --> 01:21:15,360
Speaker 1: you know that Cole didn't do that with his And

1820
01:21:15,400 --> 01:21:17,960
Speaker 1: I finished my point. I'm saying that it has nothing.

1821
01:21:18,000 --> 01:21:21,240
Speaker 1: I'm sure Cole has talked to his wife about that stuff.

1822
01:21:21,280 --> 01:21:24,920
Speaker 1: I'm saying the perception of Coal has been this squeaky clean.

1823
01:21:25,320 --> 01:21:27,960
Speaker 1: It would devastate a lot of his fan base in

1824
01:21:28,040 --> 01:21:30,120
Speaker 1: the world if you angled it correctly in a rap

1825
01:21:30,160 --> 01:21:33,120
Speaker 1: beef to show the false prophet shit you've been saying.

1826
01:21:33,120 --> 01:21:36,240
Speaker 1: Everyone else is a false fucking prophet dog everything even

1827
01:21:36,240 --> 01:21:37,920
Speaker 1: saying on your albums is a fucking lie because you

1828
01:21:38,000 --> 01:21:39,320
Speaker 1: did this on tour. I'm not saying any of this

1829
01:21:39,400 --> 01:21:42,200
Speaker 1: is true, but and we clearly know that in this

1830
01:21:42,400 --> 01:21:44,799
Speaker 1: rap beef. Things were said that were not true whatsoever,

1831
01:21:44,960 --> 01:21:47,160
Speaker 1: and everything was on the table. We can lie and

1832
01:21:47,160 --> 01:21:50,000
Speaker 1: make up anything. You don't think somebody could angle coal

1833
01:21:50,240 --> 01:21:52,320
Speaker 1: based off one little thing maybe they saw on tour

1834
01:21:52,479 --> 01:21:54,360
Speaker 1: that he already talked to his wife about that could

1835
01:21:54,400 --> 01:21:57,000
Speaker 1: not skew the perception of the world of how they

1836
01:21:57,080 --> 01:21:57,439
Speaker 1: view him.

1837
01:21:58,200 --> 01:22:00,800
Speaker 6: They just half the world did the same thing that differently.

1838
01:22:00,880 --> 01:22:02,519
Speaker 2: Now, you're right, you're absolutely right.

1839
01:22:02,520 --> 01:22:04,960
Speaker 6: So I think Cole is like, there, I'm getting the

1840
01:22:05,000 --> 01:22:05,559
Speaker 6: fuck out.

1841
01:22:05,400 --> 01:22:07,720
Speaker 2: Of here though. That's to me, that's Corney. Well we've

1842
01:22:07,720 --> 01:22:10,519
Speaker 2: had that is the angle, right, say what he's saying

1843
01:22:10,600 --> 01:22:15,240
Speaker 2: is true. That means I don't battle. That means like, nah, choice,

1844
01:22:15,240 --> 01:22:17,720
Speaker 2: I don't want nobody hearing that about me. What are

1845
01:22:17,760 --> 01:22:20,280
Speaker 2: we talking about? You want of the illness? Like and

1846
01:22:20,439 --> 01:22:24,040
Speaker 2: again back to my original point, people, and listen, and

1847
01:22:24,080 --> 01:22:28,120
Speaker 2: he ain't got no squeaky clean nothing. He's right now. Okay, Well,

1848
01:22:28,160 --> 01:22:31,040
Speaker 2: back back to back to my original point. Yes, I

1849
01:22:31,160 --> 01:22:34,240
Speaker 2: think that Jay Cole mentally will never get over his

1850
01:22:34,320 --> 01:22:35,360
Speaker 2: decision he made that day.

1851
01:22:35,960 --> 01:22:36,680
Speaker 6: I don't think he will.

1852
01:22:37,280 --> 01:22:38,800
Speaker 2: And when I said what I said the twenty four

1853
01:22:38,840 --> 01:22:41,880
Speaker 2: about career suicide, and everybody's like Nah, you're bugging. I'm

1854
01:22:41,920 --> 01:22:45,679
Speaker 2: not talking about album sales and selling tickets. I'm talking

1855
01:22:45,720 --> 01:22:50,360
Speaker 2: about the meaning behind his words now, the validity behind

1856
01:22:50,439 --> 01:22:54,360
Speaker 2: his pen, how other MC's view him. I don't think

1857
01:22:54,400 --> 01:22:55,920
Speaker 2: that none of that. I think all of that is

1858
01:22:56,040 --> 01:22:59,760
Speaker 2: over with. He talked about killing his own self, his

1859
01:23:00,040 --> 01:23:02,240
Speaker 2: yourself on on the album. I don't do that because

1860
01:23:02,240 --> 01:23:05,680
Speaker 2: that was about killing his old self. It's like to

1861
01:23:05,840 --> 01:23:08,240
Speaker 2: kill j z Intro, Like, I understand what he was

1862
01:23:08,240 --> 01:23:09,880
Speaker 2: saying about killing his old self as old.

1863
01:23:10,040 --> 01:23:11,600
Speaker 1: He doesn't even like this to be part of this

1864
01:23:11,720 --> 01:23:13,720
Speaker 1: whole thing, Like I don't, so why are we here?

1865
01:23:15,439 --> 01:23:17,320
Speaker 6: You're allowed to feel that way at this point in

1866
01:23:17,360 --> 01:23:17,719
Speaker 6: your career?

1867
01:23:17,800 --> 01:23:20,760
Speaker 2: Like, but but that's that's again that leads to his

1868
01:23:20,880 --> 01:23:24,599
Speaker 2: decision in the battle. It's too much of this, I respond,

1869
01:23:24,840 --> 01:23:27,000
Speaker 2: I take it back. I want to be a part

1870
01:23:27,040 --> 01:23:28,120
Speaker 2: of the shit. Nah, I don't want to be a

1871
01:23:28,160 --> 01:23:31,040
Speaker 2: part of the shit. Like, Bro, what we just talking

1872
01:23:31,080 --> 01:23:32,439
Speaker 2: about rapping and making music here?

1873
01:23:32,479 --> 01:23:34,479
Speaker 4: Bro, Like, I don't understand why were putting all of

1874
01:23:34,520 --> 01:23:38,120
Speaker 4: this extra, Like it's not that deep with whatever battle

1875
01:23:38,200 --> 01:23:41,680
Speaker 4: y'all was about to have, whatever conversation you had with Kendrick, Like,

1876
01:23:42,600 --> 01:23:43,200
Speaker 4: nothing to me.

1877
01:23:43,400 --> 01:23:45,680
Speaker 2: Was that deep to where Cole couldn't just be who

1878
01:23:45,720 --> 01:23:48,160
Speaker 2: cold is a phenomenal MC through all of that shit,

1879
01:23:48,320 --> 01:23:49,280
Speaker 2: and I hear you.

1880
01:23:49,439 --> 01:23:53,040
Speaker 1: But where the contradiction would come is the hindsight being

1881
01:23:53,080 --> 01:23:56,080
Speaker 1: twenty twenty. And I don't think Cole, is that so

1882
01:23:56,280 --> 01:24:00,400
Speaker 1: raven and fucking predicted all that? But you rightfully so

1883
01:24:00,439 --> 01:24:03,320
Speaker 1: I have come up here that this ship has crossed

1884
01:24:03,360 --> 01:24:06,439
Speaker 1: a fucking line. No, it's not just rapping anymore. Somebody

1885
01:24:06,680 --> 01:24:10,080
Speaker 1: was called something that is inexcusable in the world, like

1886
01:24:10,960 --> 01:24:14,120
Speaker 1: you come up here and said was crossed instead said

1887
01:24:14,160 --> 01:24:16,960
Speaker 1: all that else to me was cool. So you're saying, no,

1888
01:24:17,240 --> 01:24:19,160
Speaker 1: it's just line. No it wasn't because you just came

1889
01:24:19,200 --> 01:24:20,240
Speaker 1: in here and said that with drinking.

1890
01:24:20,560 --> 01:24:22,639
Speaker 6: But that to me was the only line that was crossed.

1891
01:24:23,080 --> 01:24:24,479
Speaker 2: That to me, it was only line. Like what I

1892
01:24:24,640 --> 01:24:26,519
Speaker 2: f am, Now you're just saying anything if that's what

1893
01:24:26,600 --> 01:24:29,040
Speaker 2: you're doing, like man to me that again, I said

1894
01:24:29,080 --> 01:24:31,640
Speaker 2: that through the whole thing, but just battling. And then

1895
01:24:31,720 --> 01:24:33,760
Speaker 2: now I think forever like your words, like you even

1896
01:24:33,800 --> 01:24:36,160
Speaker 2: you hear it in them, the confidence don't even it's

1897
01:24:36,200 --> 01:24:39,040
Speaker 2: not even there no more. Everything is like it's almost

1898
01:24:39,160 --> 01:24:42,760
Speaker 2: victim mentality honestly, like he's almost rapping as from the

1899
01:24:42,800 --> 01:24:45,120
Speaker 2: perspective of a victim, I don't. I don't even want

1900
01:24:45,160 --> 01:24:47,120
Speaker 2: this success. I don't even want this ship. I don't

1901
01:24:47,160 --> 01:24:47,599
Speaker 2: even want them.

1902
01:24:47,640 --> 01:24:51,160
Speaker 4: But that's not But this isn't Cole's first Yes it's not.

1903
01:24:51,400 --> 01:24:54,160
Speaker 4: But coming off of what he did, it means and

1904
01:24:54,240 --> 01:24:55,360
Speaker 4: it feels different now.

1905
01:24:55,479 --> 01:24:58,599
Speaker 2: So and that was my point everything from that moment,

1906
01:24:58,880 --> 01:25:00,360
Speaker 2: which is why I said, if he had to do

1907
01:25:00,439 --> 01:25:04,040
Speaker 2: it over again, it's a different it's a different decision

1908
01:25:04,080 --> 01:25:08,600
Speaker 2: he makes because again I think mentally, mentally, because he

1909
01:25:08,760 --> 01:25:11,320
Speaker 2: knows how dope he is. He's stuck in at a

1910
01:25:11,400 --> 01:25:13,600
Speaker 2: moment like I should have just bowed. I should have

1911
01:25:13,680 --> 01:25:15,439
Speaker 2: just jumped in there and just got my shit up,

1912
01:25:15,560 --> 01:25:17,240
Speaker 2: because that's this is what you do. This is the

1913
01:25:17,320 --> 01:25:19,720
Speaker 2: easies shit in the world for you to rap. No,

1914
01:25:19,880 --> 01:25:21,800
Speaker 2: a lot of niggas can't rap with ja code. We're

1915
01:25:21,800 --> 01:25:24,799
Speaker 2: talking about just fuck a hook, fucking up, just bars.

1916
01:25:25,360 --> 01:25:28,559
Speaker 2: Are you kidding me? Are you kidding me? And that's

1917
01:25:28,600 --> 01:25:32,960
Speaker 2: why I was so disappointed, because I was looking at

1918
01:25:33,000 --> 01:25:34,960
Speaker 2: it like, no, this is what you do.

1919
01:25:35,880 --> 01:25:37,479
Speaker 6: This we ain't talking about who make a better song,

1920
01:25:37,520 --> 01:25:40,280
Speaker 6: who make a better hook. We're talking about who could

1921
01:25:40,320 --> 01:25:41,920
Speaker 6: put pin the paper and whoop.

1922
01:25:41,680 --> 01:25:44,679
Speaker 2: Ass, well we're moving, I mean a chance.

1923
01:25:44,800 --> 01:25:46,800
Speaker 1: And that's kind of why I hate what If being

1924
01:25:46,880 --> 01:25:49,560
Speaker 1: on here completely And sorry, I know I cut you

1925
01:25:49,640 --> 01:25:53,920
Speaker 1: off because we're talking about this right now, like just

1926
01:25:54,160 --> 01:25:56,439
Speaker 1: you should have just left the ship off the album

1927
01:25:56,520 --> 01:25:58,840
Speaker 1: so we wouldn't even be having this conversation. Kend Or

1928
01:25:58,880 --> 01:26:01,160
Speaker 1: Drake would not have been brought up on less on

1929
01:26:01,320 --> 01:26:04,680
Speaker 1: this podcast unless you did the what if?

1930
01:26:04,800 --> 01:26:06,479
Speaker 2: What if? What What song?

1931
01:26:06,600 --> 01:26:06,800
Speaker 4: If? What?

1932
01:26:06,920 --> 01:26:07,240
Speaker 3: What song?

1933
01:26:07,280 --> 01:26:09,240
Speaker 6: Would I brought up drink on any of MA.

1934
01:26:09,320 --> 01:26:10,880
Speaker 2: Would have brought it up with the I Love You again?

1935
01:26:11,280 --> 01:26:12,320
Speaker 3: That would have got. It would have gotten.

1936
01:26:12,640 --> 01:26:14,560
Speaker 1: But I thought, I don't think he'd be talking the

1937
01:26:14,640 --> 01:26:18,240
Speaker 1: way he's talking again in here with this apology what

1938
01:26:18,320 --> 01:26:20,639
Speaker 1: if ship, and it's not. It's again apples and bowling balls,

1939
01:26:20,680 --> 01:26:21,639
Speaker 1: not even the same comparison.

1940
01:26:21,680 --> 01:26:22,080
Speaker 6: It's weird.

1941
01:26:22,280 --> 01:26:24,280
Speaker 1: You know, you know what you're doing because this is

1942
01:26:24,320 --> 01:26:27,040
Speaker 1: gonna make everyone want to focus on that, and I

1943
01:26:27,120 --> 01:26:27,760
Speaker 1: just thought it was done.

1944
01:26:28,000 --> 01:26:28,960
Speaker 2: Oh that was a bad way.

1945
01:26:29,240 --> 01:26:31,080
Speaker 4: If you're trying to get away from it, if you're

1946
01:26:31,120 --> 01:26:34,320
Speaker 4: not really gonna openly address it, I had to. If

1947
01:26:34,400 --> 01:26:36,640
Speaker 4: you if you're not gonna address it then leave what

1948
01:26:36,840 --> 01:26:38,519
Speaker 4: if off so that we don't I.

1949
01:26:38,600 --> 01:26:41,280
Speaker 6: Love you again. I thought what he addressed there was perfect.

1950
01:26:40,960 --> 01:26:44,479
Speaker 2: Because he's mentally never gonna get over that moment. I'm

1951
01:26:44,520 --> 01:26:47,479
Speaker 2: telling you, I can hear it in them, and I

1952
01:26:47,600 --> 01:26:49,519
Speaker 2: knew that was gonna I'm like, when this all in

1953
01:26:49,640 --> 01:26:51,920
Speaker 2: my mind, I'm saying, when this all blows over, Cole

1954
01:26:52,000 --> 01:26:53,920
Speaker 2: is gonna look back on day be like n I

1955
01:26:54,000 --> 01:26:56,760
Speaker 2: fumbled that one. That was my opportunity to whoop ass

1956
01:26:57,920 --> 01:27:01,320
Speaker 2: and then and then and then right because this was

1957
01:27:01,360 --> 01:27:02,960
Speaker 2: something I noticed, because I was waiting to see this

1958
01:27:03,040 --> 01:27:05,000
Speaker 2: because everybody was like, nah, that's his man, No da

1959
01:27:05,040 --> 01:27:07,160
Speaker 2: da If Kendrick is his man, why he ain't got

1960
01:27:07,160 --> 01:27:08,120
Speaker 2: the Kendrick songs on the album?

1961
01:27:09,960 --> 01:27:11,600
Speaker 4: Oh I don't know if that's is Well what we

1962
01:27:11,680 --> 01:27:14,720
Speaker 4: all said that that would look corny. It would look corny,

1963
01:27:14,960 --> 01:27:18,840
Speaker 4: it would, But so what where I will agree backing

1964
01:27:18,880 --> 01:27:19,880
Speaker 4: out of the battle look corny?

1965
01:27:20,080 --> 01:27:23,720
Speaker 2: He did it. Who gives a fuck? Because people were saying, nah,

1966
01:27:23,760 --> 01:27:25,400
Speaker 2: that's his man. He ain't really want to go there

1967
01:27:25,439 --> 01:27:28,240
Speaker 2: with his men like that. Okay, no problem, that's his man,

1968
01:27:28,479 --> 01:27:30,639
Speaker 2: No problem, right, I understand, no problem. You don't want

1969
01:27:30,640 --> 01:27:34,000
Speaker 2: to get into it with your boy. Cool? Right, But

1970
01:27:34,080 --> 01:27:37,240
Speaker 2: how come them songs in on the album? Did Kendrick

1971
01:27:37,320 --> 01:27:38,120
Speaker 2: not clear the songs?

1972
01:27:39,240 --> 01:27:41,000
Speaker 1: I don't think hold one of them. I think he

1973
01:27:41,080 --> 01:27:43,040
Speaker 1: just we just we just we're just sitting here kicking

1974
01:27:43,080 --> 01:27:46,439
Speaker 1: the shit. Or maybe there's those songs maybe on there,

1975
01:27:46,479 --> 01:27:48,640
Speaker 1: but they just took Kendrick verse off.

1976
01:27:48,840 --> 01:27:49,760
Speaker 2: That could be okay.

1977
01:27:50,080 --> 01:27:51,559
Speaker 6: Why Kendrick Versus ain't on the album?

1978
01:27:52,320 --> 01:27:52,880
Speaker 2: I think I don't.

1979
01:27:52,920 --> 01:27:54,280
Speaker 1: I think the points that you brought up to me

1980
01:27:54,360 --> 01:27:57,000
Speaker 1: when I was arguing I would be fine with hearing

1981
01:27:57,040 --> 01:27:59,600
Speaker 1: them is the answer. I'm actually agreeing with what you

1982
01:27:59,640 --> 01:28:02,240
Speaker 1: said to me at that time. It was how crazy

1983
01:28:02,280 --> 01:28:02,680
Speaker 1: it would look.

1984
01:28:03,160 --> 01:28:05,040
Speaker 2: It would just it will probably sound dated too. It

1985
01:28:05,080 --> 01:28:05,719
Speaker 2: will sounddated.

1986
01:28:05,800 --> 01:28:08,479
Speaker 1: Here's my thing where I will agree with Maul is.

1987
01:28:08,880 --> 01:28:13,880
Speaker 1: I think this twenty nine was recorded more in off

1988
01:28:13,960 --> 01:28:17,960
Speaker 1: season cold time. That feels like off season cold to me.

1989
01:28:18,240 --> 01:28:23,200
Speaker 1: This thirty nine sounds like cold now, a little uninspired

1990
01:28:23,439 --> 01:28:27,720
Speaker 1: and maybe maybe a little timid, like I do see

1991
01:28:27,760 --> 01:28:29,720
Speaker 1: what maul is saying. And again I could be wrong

1992
01:28:29,800 --> 01:28:31,400
Speaker 1: and this could have been recorded yesterday for all I

1993
01:28:31,439 --> 01:28:34,200
Speaker 1: fucking know, but I can see the sheer difference between

1994
01:28:34,280 --> 01:28:36,879
Speaker 1: this twenty nine and this thirty nine with an inspired

1995
01:28:36,920 --> 01:28:39,040
Speaker 1: fucking rapper. I'm been a fan of this shit my

1996
01:28:39,240 --> 01:28:40,280
Speaker 1: entire life. I can hear that.

1997
01:28:40,600 --> 01:28:44,320
Speaker 6: Oh shit, all right, come on, that was funny. He

1998
01:28:44,400 --> 01:28:44,840
Speaker 6: almost sad.

1999
01:28:44,880 --> 01:28:51,120
Speaker 2: Damn word right there. He don't make this clay. He

2000
01:28:51,280 --> 01:28:55,519
Speaker 2: almost baby d We almost called him, hey, almost the

2001
01:28:55,560 --> 01:29:02,000
Speaker 2: greatest white mama. What he said on there, I felt seen. No,

2002
01:29:02,720 --> 01:29:06,160
Speaker 2: I feel like my personal ears. I can hear the

2003
01:29:06,200 --> 01:29:07,880
Speaker 2: difference on it too, And I feel like this twenty

2004
01:29:07,960 --> 01:29:10,680
Speaker 2: nine was the stuff that was when he was in

2005
01:29:10,760 --> 01:29:12,920
Speaker 2: a little different space, exactly what I was afraid that

2006
01:29:13,680 --> 01:29:16,400
Speaker 2: happened though? Did you like it? Did you like it

2007
01:29:16,439 --> 01:29:19,680
Speaker 2: more than you thought you would? No? Oh wow, I

2008
01:29:19,760 --> 01:29:22,000
Speaker 2: don't like it more than I thought I Wouldn't you

2009
01:29:22,080 --> 01:29:24,280
Speaker 2: don't like it at all? Not at all. There's some

2010
01:29:24,400 --> 01:29:27,200
Speaker 2: good moments on this album. It's some good moments. I'm

2011
01:29:27,200 --> 01:29:29,560
Speaker 2: not I'm not saying the album is trash.

2012
01:29:30,800 --> 01:29:33,439
Speaker 6: Too much. Could have condensed it.

2013
01:29:33,560 --> 01:29:35,639
Speaker 3: You say that we'll all double this. That aren't drinks,

2014
01:29:35,720 --> 01:29:36,599
Speaker 3: So that's not it's.

2015
01:29:36,479 --> 01:29:37,240
Speaker 6: That's tough to do.

2016
01:29:37,720 --> 01:29:40,640
Speaker 2: You gotta be a different your song making ability has

2017
01:29:40,680 --> 01:29:44,040
Speaker 2: to be different to carry double dish like that's just

2018
01:29:44,520 --> 01:29:45,400
Speaker 2: we can put that over there.

2019
01:29:45,439 --> 01:29:49,839
Speaker 6: Your song making ability has to be different. But good moments.

2020
01:29:50,200 --> 01:29:52,000
Speaker 2: Again, I'm never We don't even have to talk about

2021
01:29:52,000 --> 01:29:57,000
Speaker 2: bars and rapping. That's cemented just the production on some

2022
01:29:58,280 --> 01:30:01,320
Speaker 2: The hooks were lackless for me on most of the songs.

2023
01:30:03,479 --> 01:30:07,479
Speaker 2: And whatever hooks are good, it's a flip. It's a sample,

2024
01:30:07,720 --> 01:30:10,240
Speaker 2: it's a playoff of other songs that we already know

2025
01:30:10,320 --> 01:30:13,280
Speaker 2: and love. That's a cheat code, you know what I'm saying.

2026
01:30:13,280 --> 01:30:15,759
Speaker 2: It's like, of course we loved that song. Of course niggas,

2027
01:30:15,760 --> 01:30:17,599
Speaker 2: we ain't gonna hate this hook. We love that fucking record.

2028
01:30:17,680 --> 01:30:18,840
Speaker 2: Did you feel excited when.

2029
01:30:18,680 --> 01:30:20,080
Speaker 3: You heard six Nicks Wild?

2030
01:30:20,520 --> 01:30:21,360
Speaker 2: Six Niggas Wild?

2031
01:30:21,600 --> 01:30:23,240
Speaker 4: Did you hear like did you get excited? Because that

2032
01:30:23,320 --> 01:30:24,600
Speaker 4: hyped me up? And when I first heard that, I

2033
01:30:24,640 --> 01:30:26,479
Speaker 4: actually thought the album was gonna sound a lot different

2034
01:30:26,479 --> 01:30:28,040
Speaker 4: than it did. I thought I was going to get

2035
01:30:28,040 --> 01:30:30,200
Speaker 4: about when I heard when the album opened like that.

2036
01:30:30,479 --> 01:30:33,080
Speaker 1: Again, apologies to all of vill I wasn't aware of

2037
01:30:33,080 --> 01:30:35,080
Speaker 1: with two six men because Cole has not really said

2038
01:30:35,120 --> 01:30:37,680
Speaker 1: two six I was confused when Drake said use six

2039
01:30:37,760 --> 01:30:40,880
Speaker 1: the first time, my man, I wouldn't want them to

2040
01:30:40,880 --> 01:30:42,880
Speaker 1: do the to do a forest steel things. Isn't Drake

2041
01:30:42,880 --> 01:30:46,120
Speaker 1: from Forest Hiels and he's from Forest Hills Drive make

2042
01:30:46,160 --> 01:30:48,080
Speaker 1: a Forest Hills record, and then added the action bronze

2043
01:30:48,080 --> 01:30:52,040
Speaker 1: into it, like I don't want to all the numbers

2044
01:30:52,080 --> 01:30:54,920
Speaker 1: to six, everyone just naming their city random shit out.

2045
01:30:54,800 --> 01:31:01,120
Speaker 6: Of nowhere, shout out to the three one five, y'all

2046
01:31:01,120 --> 01:31:01,759
Speaker 6: are the orangeman.

2047
01:31:01,920 --> 01:31:04,559
Speaker 4: I'm out in three one five real guys, seven real

2048
01:31:04,680 --> 01:31:06,559
Speaker 4: pies and all right, my bad.

2049
01:31:06,400 --> 01:31:08,240
Speaker 2: I want it, my bad. I'm sorry.

2050
01:31:08,400 --> 01:31:09,200
Speaker 6: Was that you were still good?

2051
01:31:09,280 --> 01:31:09,600
Speaker 2: That was me?

2052
01:31:10,160 --> 01:31:11,479
Speaker 4: That was off the bat, like I was just off

2053
01:31:11,520 --> 01:31:13,120
Speaker 4: the top. Well, you asked me if I like the

2054
01:31:13,160 --> 01:31:14,719
Speaker 4: album as a whole fan. I do like the album

2055
01:31:14,720 --> 01:31:17,479
Speaker 4: as a cole fan. There are a lot of songs

2056
01:31:17,520 --> 01:31:21,120
Speaker 4: that I could do without, but the songs that I

2057
01:31:21,400 --> 01:31:23,800
Speaker 4: can do with I love, So that makes a good

2058
01:31:23,840 --> 01:31:25,280
Speaker 4: album for me. If there's a couple of songs I

2059
01:31:25,360 --> 01:31:27,600
Speaker 4: can do without, maybe like five of them on a

2060
01:31:27,680 --> 01:31:30,280
Speaker 4: twenty twenty four album, I'm cool with that. I can

2061
01:31:30,360 --> 01:31:32,040
Speaker 4: do without five on an album full of twenty four,

2062
01:31:32,360 --> 01:31:34,360
Speaker 4: only five, only five, and.

2063
01:31:34,439 --> 01:31:34,960
Speaker 2: They would be.

2064
01:31:36,680 --> 01:31:39,120
Speaker 4: Yeah, yeah, we'll got do that, but yeah I can.

2065
01:31:39,280 --> 01:31:40,559
Speaker 4: I can do it out about five of them.

2066
01:31:40,600 --> 01:31:41,320
Speaker 2: But I love it.

2067
01:31:41,760 --> 01:31:44,120
Speaker 4: I absolutely love this twenty nine. The five that I

2068
01:31:44,240 --> 01:31:47,639
Speaker 4: don't like the majority of them are on this thirty nine.

2069
01:31:47,840 --> 01:31:51,280
Speaker 4: But yeah, like I'm Rory said, he doesn't really fuck

2070
01:31:51,280 --> 01:31:53,559
Speaker 4: with Old Dog in life since I absolutely fucking love

2071
01:31:53,600 --> 01:31:54,920
Speaker 4: them absolutely, I don't.

2072
01:31:54,720 --> 01:31:56,680
Speaker 1: Skip an old Dog. I just I just think that

2073
01:31:57,439 --> 01:31:59,080
Speaker 1: that one could have been more of a bop. I

2074
01:31:59,120 --> 01:32:02,040
Speaker 1: think that shit could have hit a little different. He

2075
01:32:02,040 --> 01:32:03,200
Speaker 1: should have took some of your beats.

2076
01:32:03,800 --> 01:32:05,320
Speaker 2: No, I'm not saying that whatsoever.

2077
01:32:05,640 --> 01:32:09,680
Speaker 1: I said Cole t minds and these guys are geniuses

2078
01:32:09,720 --> 01:32:12,920
Speaker 1: with resources I don't have or deserve.

2079
01:32:13,960 --> 01:32:15,920
Speaker 2: Go go use I don't.

2080
01:32:15,920 --> 01:32:17,479
Speaker 1: I don't have a line on Mike Will when I

2081
01:32:17,520 --> 01:32:21,160
Speaker 1: need a base. Sometimes you just need some Mike Will shit.

2082
01:32:21,760 --> 01:32:23,400
Speaker 2: But that is my like.

2083
01:32:24,479 --> 01:32:26,320
Speaker 1: So sometimes you could make a beat and be like,

2084
01:32:27,479 --> 01:32:29,280
Speaker 1: which I've done him my shit. If you want to

2085
01:32:29,280 --> 01:32:31,920
Speaker 1: make that joke, I'll make a b Can someone redo this?

2086
01:32:32,000 --> 01:32:34,920
Speaker 1: That's way better at this than me. We're here trying

2087
01:32:34,920 --> 01:32:36,280
Speaker 1: to we're trying to get the best product, not to

2088
01:32:36,360 --> 01:32:37,559
Speaker 1: prove that I could do it by myself.

2089
01:32:37,880 --> 01:32:40,240
Speaker 3: Okay, I respect that. You know what this album is like,

2090
01:32:41,400 --> 01:32:42,160
Speaker 3: don't piss me off.

2091
01:32:42,439 --> 01:32:44,120
Speaker 2: It's like when the girl make you wait like eight

2092
01:32:44,200 --> 01:32:45,360
Speaker 2: summers to give you some pussy.

2093
01:32:45,439 --> 01:32:46,559
Speaker 3: I knew he was gonna piss me off.

2094
01:32:46,840 --> 01:32:51,200
Speaker 2: And then like they stink a little bit, but like

2095
01:32:51,280 --> 01:32:53,120
Speaker 2: it's not bad, it's not like you gotta let's just

2096
01:32:53,120 --> 01:32:54,920
Speaker 2: a little like and you found out she hit twenty

2097
01:32:54,960 --> 01:32:57,000
Speaker 2: four men that summer, Like that's what this is. Like

2098
01:32:57,680 --> 01:32:58,280
Speaker 2: you still hit.

2099
01:32:58,880 --> 01:32:59,680
Speaker 6: I'm still gonna hit.

2100
01:33:00,000 --> 01:33:01,519
Speaker 3: And it was on fire, but it just happened.

2101
01:33:01,880 --> 01:33:03,400
Speaker 2: It got a little, it got a little sense to it.

2102
01:33:03,439 --> 01:33:06,160
Speaker 2: Though it sounds like much red meat, Like she got

2103
01:33:06,200 --> 01:33:07,920
Speaker 2: too much red meat on our diet. You need to

2104
01:33:08,000 --> 01:33:09,880
Speaker 2: up the veggies, you know what I'm saying.

2105
01:33:09,880 --> 01:33:13,880
Speaker 6: To hit again, everyone deserves second chances.

2106
01:33:15,200 --> 01:33:17,559
Speaker 2: I hit again, Everyone deserves another day.

2107
01:33:17,600 --> 01:33:19,479
Speaker 6: I would hit again. But but if it's if it's

2108
01:33:19,479 --> 01:33:21,599
Speaker 6: still at that same I'm cool.

2109
01:33:21,640 --> 01:33:24,800
Speaker 2: I'm off it. We ain't gonna keep doing that because

2110
01:33:24,800 --> 01:33:27,640
Speaker 2: I give you the past, like you know we was, you.

2111
01:33:27,640 --> 01:33:28,000
Speaker 4: Know what I mean.

2112
01:33:28,160 --> 01:33:30,080
Speaker 2: Maybe she didn't know we was gonna get into the moment.

2113
01:33:30,120 --> 01:33:31,840
Speaker 2: You know what I'm saying, it's a little offer. Period

2114
01:33:32,000 --> 01:33:33,840
Speaker 2: might be coming fresh off of something, I don't know,

2115
01:33:34,160 --> 01:33:35,760
Speaker 2: spotting again diet.

2116
01:33:35,880 --> 01:33:38,080
Speaker 6: Might she might just you know, mean too much red meat.

2117
01:33:38,080 --> 01:33:41,000
Speaker 2: This month, but we're gonna give us some time to

2118
01:33:41,760 --> 01:33:46,400
Speaker 2: you know, up a water intake, veggie intake, fresh fruit intake,

2119
01:33:47,120 --> 01:33:51,040
Speaker 2: spin back and hopefully you know what I mean. Do

2120
01:33:51,160 --> 01:33:54,640
Speaker 2: you think this takes him out of.

2121
01:33:56,240 --> 01:33:58,920
Speaker 4: No, no to whatever you're about to say, Okay, take

2122
01:33:59,000 --> 01:34:01,240
Speaker 4: No matter what, the commonation of some of.

2123
01:34:01,240 --> 01:34:04,519
Speaker 1: The best, one of the greatest rappers that's ever lived,

2124
01:34:04,600 --> 01:34:08,400
Speaker 1: he's one of the businessocracy is still organizing making sure

2125
01:34:08,520 --> 01:34:09,479
Speaker 1: that changes nothing.

2126
01:34:09,600 --> 01:34:12,520
Speaker 2: I just again, Cole is one of them. Once personally,

2127
01:34:13,280 --> 01:34:16,400
Speaker 2: I'm just underwhelmed for a project that we waited for

2128
01:34:16,560 --> 01:34:17,639
Speaker 2: for almost ten years.

2129
01:34:18,479 --> 01:34:22,200
Speaker 4: And it's like, I also think I get you, and

2130
01:34:22,320 --> 01:34:25,080
Speaker 4: I also think that, Like I said this before it

2131
01:34:25,120 --> 01:34:26,320
Speaker 4: came out, I was talking to somebody.

2132
01:34:26,360 --> 01:34:27,920
Speaker 3: I was like, he was like, are you excited about that?

2133
01:34:27,920 --> 01:34:30,080
Speaker 4: I might say yeah, But at the same time, I

2134
01:34:30,320 --> 01:34:33,280
Speaker 4: know that no matter what, I'll be disappointed. And what

2135
01:34:33,400 --> 01:34:36,960
Speaker 4: I mean by that is when the anticipation is that tie,

2136
01:34:37,920 --> 01:34:40,839
Speaker 4: there's no way you need it. Very rarely does anybody

2137
01:34:40,960 --> 01:34:44,639
Speaker 4: meet when the anticipation is that tie, no matter who

2138
01:34:44,760 --> 01:34:45,360
Speaker 4: the artist is.

2139
01:34:46,479 --> 01:34:48,280
Speaker 2: I mean, I guess it was not I give what

2140
01:34:48,320 --> 01:34:50,439
Speaker 2: you said. Sometimes that if you'll fall short end of

2141
01:34:50,560 --> 01:34:55,080
Speaker 2: the anticipation, but to me, he felt way short of

2142
01:34:55,120 --> 01:35:00,800
Speaker 2: the anticipation. Who's ever been in this anticipation scenario? Yeah, this,

2143
01:35:00,960 --> 01:35:03,960
Speaker 2: like this is one of the most anticipated albums probably

2144
01:35:04,040 --> 01:35:04,880
Speaker 2: ever in rap.

2145
01:35:04,800 --> 01:35:08,920
Speaker 1: Because even with like off season was anticipated and the

2146
01:35:09,000 --> 01:35:11,799
Speaker 1: surprise and this and that, but like, it's a drastically

2147
01:35:11,840 --> 01:35:14,600
Speaker 1: different anticipation with everything that happened. So I don't even know,

2148
01:35:15,040 --> 01:35:18,240
Speaker 1: because he delivered on all the anticipation of his last album,

2149
01:35:19,400 --> 01:35:21,360
Speaker 1: but this is different as any other rapper been in.

2150
01:35:22,960 --> 01:35:23,000
Speaker 2: This.

2151
01:35:23,479 --> 01:35:28,120
Speaker 1: Like I thought Jay delivered on anticipation after Lemonade and

2152
01:35:28,520 --> 01:35:30,240
Speaker 1: Solange beating him up in the elevator and we got

2153
01:35:30,280 --> 01:35:33,640
Speaker 1: four forty four. I thought he delivered there, But I

2154
01:35:33,720 --> 01:35:35,400
Speaker 1: still don't think the stakes were as as.

2155
01:35:35,320 --> 01:35:38,040
Speaker 6: High as this. Oh this this again, This was again.

2156
01:35:38,240 --> 01:35:40,680
Speaker 1: I think it's this and this is an Iceman where

2157
01:35:40,720 --> 01:35:43,560
Speaker 1: the I can't think of another scenario where this.

2158
01:35:43,640 --> 01:35:45,920
Speaker 4: I don't even think that people are anticipating Iceman the

2159
01:35:45,960 --> 01:35:47,320
Speaker 4: way that people were anticipating this.

2160
01:35:47,680 --> 01:35:48,200
Speaker 2: I don't think. So.

2161
01:35:48,400 --> 01:35:50,720
Speaker 1: I think you're not think I think you're wrong, But

2162
01:35:51,760 --> 01:35:53,960
Speaker 1: they're anticipating in a different way. It's different, it's a

2163
01:35:54,000 --> 01:35:57,360
Speaker 1: different it's the same anticipation in a different way. Some

2164
01:35:57,479 --> 01:35:59,800
Speaker 1: people are a lot of people going in there can't

2165
01:35:59,800 --> 01:36:01,280
Speaker 1: wait to hate Iceman.

2166
01:36:01,360 --> 01:36:01,720
Speaker 2: Can wait.

2167
01:36:01,960 --> 01:36:04,400
Speaker 6: They're gonna set their alarm clock to make sure.

2168
01:36:04,280 --> 01:36:05,720
Speaker 2: They get the same. In a lot of ways, it's

2169
01:36:05,720 --> 01:36:07,599
Speaker 2: a lot of people that was anticipating this to hate

2170
01:36:08,080 --> 01:36:11,479
Speaker 2: or to love it again. He's giving us this title

2171
01:36:11,520 --> 01:36:12,479
Speaker 2: eight nine years ago.

2172
01:36:12,840 --> 01:36:15,560
Speaker 4: That's why I think that's where I say the anticipation

2173
01:36:15,680 --> 01:36:20,280
Speaker 4: because even before the moment of like the apology, people

2174
01:36:20,360 --> 01:36:22,799
Speaker 4: were anticipating in the fall off because it's been teased

2175
01:36:22,840 --> 01:36:24,559
Speaker 4: for so many years. That's why I'm like not comparing

2176
01:36:24,600 --> 01:36:26,160
Speaker 4: it to the Iceman because it's like, we get so

2177
01:36:26,320 --> 01:36:30,320
Speaker 4: much music from Drake, nobody's really anticipating a Drake album.

2178
01:36:30,360 --> 01:36:32,600
Speaker 4: We get a Drake album, dimn there every year. You

2179
01:36:32,600 --> 01:36:34,680
Speaker 4: see what I'm saying, Like this album' been waiting for

2180
01:36:34,720 --> 01:36:35,280
Speaker 4: for free you again?

2181
01:36:35,920 --> 01:36:39,000
Speaker 2: Everything after that though, coming off of twenty four, that's

2182
01:36:39,080 --> 01:36:42,760
Speaker 2: why anticipation for Iceman is where it's at because coming

2183
01:36:42,840 --> 01:36:45,160
Speaker 2: off of that, you know, whatever people want to say

2184
01:36:45,200 --> 01:36:49,320
Speaker 2: he lost that battle, knocked the creativity out of him,

2185
01:36:49,479 --> 01:36:51,040
Speaker 2: but that doesn't make sense because we got some sexy

2186
01:36:51,080 --> 01:36:53,960
Speaker 2: songs for you, and everybody loved that that's not rapped though, Okay,

2187
01:36:54,240 --> 01:36:55,679
Speaker 2: you know what I'm saying, Like, we know Drake could

2188
01:36:55,680 --> 01:36:57,960
Speaker 2: do that, and you can give us an R and

2189
01:36:58,080 --> 01:37:01,080
Speaker 2: B vibe a bop and his sleep. Now people want

2190
01:37:01,120 --> 01:37:03,200
Speaker 2: to hear him rap. They want to hear what he

2191
01:37:03,280 --> 01:37:06,920
Speaker 2: sounds like rapping coming out of that moment. So that's

2192
01:37:06,960 --> 01:37:10,080
Speaker 2: what that that why that anticipation is hot. But obviously, yeah,

2193
01:37:10,160 --> 01:37:12,519
Speaker 2: this the fall off. We've been hearing this.

2194
01:37:12,880 --> 01:37:19,080
Speaker 6: It's almost like the detox. This this little pump on

2195
01:37:19,200 --> 01:37:21,599
Speaker 6: kod and ended the album with the fall off.

2196
01:37:22,080 --> 01:37:23,920
Speaker 2: Yeah, like this is this is this was on that

2197
01:37:24,080 --> 01:37:27,400
Speaker 2: level of anticipation and again to me, it just fell short.

2198
01:37:27,520 --> 01:37:31,680
Speaker 2: But again, good moments on there, but overall it was

2199
01:37:31,800 --> 01:37:34,080
Speaker 2: just like I was under Like, I so a.

2200
01:37:34,080 --> 01:37:36,120
Speaker 6: Lot to digestment. It's a lot of rapids, it's a lot,

2201
01:37:36,600 --> 01:37:38,640
Speaker 6: that's a lot of rapping. But again, this is what

2202
01:37:38,760 --> 01:37:40,200
Speaker 6: he gave us. So this is what we gotta listen to.

2203
01:37:40,280 --> 01:37:41,760
Speaker 2: This is what we gotta dissect, this is what we

2204
01:37:41,840 --> 01:37:44,360
Speaker 2: gotta digest, this is what we gotta talk about because

2205
01:37:44,400 --> 01:37:46,920
Speaker 2: this is the product that he gave us. I'm just

2206
01:37:47,080 --> 01:37:53,760
Speaker 2: again underwhelmed because I was anticipating a much better overall project.

2207
01:37:53,720 --> 01:37:55,760
Speaker 1: And even to that point and we can close. But

2208
01:37:56,640 --> 01:37:59,280
Speaker 1: what he said at the end of I Love Her Again,

2209
01:38:00,320 --> 01:38:05,280
Speaker 1: of which I thought was like brilliantly brought together towards

2210
01:38:05,320 --> 01:38:08,040
Speaker 1: the end of hip Hop's i'thing like, Bro, you don't

2211
01:38:08,040 --> 01:38:10,400
Speaker 1: even listen to me anymore, Like what are you talking about?

2212
01:38:10,439 --> 01:38:11,720
Speaker 1: It's like I got kids, I got shit going on.

2213
01:38:11,840 --> 01:38:15,400
Speaker 1: I can't That is also how hard this has been

2214
01:38:15,439 --> 01:38:19,360
Speaker 1: a digest this weekend. It's twenty four record. At this age,

2215
01:38:19,520 --> 01:38:22,560
Speaker 1: I don't have the time to live and breathe it

2216
01:38:22,640 --> 01:38:26,599
Speaker 1: the way I did at discs twenty nine, Like it's funny.

2217
01:38:26,640 --> 01:38:28,080
Speaker 1: He even said that and put out a double disc

2218
01:38:28,160 --> 01:38:30,599
Speaker 1: like he's the same way he said, Bri got kids,

2219
01:38:30,600 --> 01:38:32,559
Speaker 1: I'm not. I don't listen to hip hop as much

2220
01:38:32,600 --> 01:38:34,680
Speaker 1: as I used to. He's got other shit going on.

2221
01:38:34,920 --> 01:38:36,840
Speaker 1: He'd just sit here for the whole weekend and.

2222
01:38:36,960 --> 01:38:37,439
Speaker 2: Do this shit.

2223
01:38:37,600 --> 01:38:38,400
Speaker 3: Yeah, he said.

2224
01:38:40,640 --> 01:38:42,320
Speaker 1: I thought that was because I felt that way too,

2225
01:38:42,400 --> 01:38:44,679
Speaker 1: Like all all I used to do twenty four hours

2226
01:38:44,680 --> 01:38:46,360
Speaker 1: out of the fucking day is listen to music.

2227
01:38:46,560 --> 01:38:48,360
Speaker 6: I just don't do that as much as I used

2228
01:38:48,360 --> 01:38:48,479
Speaker 6: to do.

2229
01:38:48,600 --> 01:38:50,439
Speaker 4: When he said at first, I was defensive, bitch, listen,

2230
01:38:50,520 --> 01:38:52,120
Speaker 4: how you sound so many niggas fucked you now your

2231
01:38:52,160 --> 01:38:54,040
Speaker 4: pussy water down. But the more I thought about her cult,

2232
01:38:54,120 --> 01:38:55,479
Speaker 4: she was right. There was a time when she was

2233
01:38:55,520 --> 01:38:57,240
Speaker 4: on my phone day and night, singing songs to me

2234
01:38:57,280 --> 01:38:59,360
Speaker 4: that I had time or two. Some were kind of

2235
01:38:59,439 --> 01:39:01,599
Speaker 4: old and some we're kind of new. But you'll see

2236
01:39:01,640 --> 01:39:03,640
Speaker 4: how it's getting older, raising kids all that. Spending time

2237
01:39:03,720 --> 01:39:05,000
Speaker 4: and listening to her is hard to do.

2238
01:39:05,680 --> 01:39:08,920
Speaker 1: Yeah, So, like, even though I did give this as

2239
01:39:09,000 --> 01:39:12,720
Speaker 1: much time as I could outside of us having the podcast, yes,

2240
01:39:13,200 --> 01:39:15,719
Speaker 1: it's tough to listen to a double disc at thirty

2241
01:39:17,240 --> 01:39:20,120
Speaker 1: with this level of rapping, Like, yeah, you have to

2242
01:39:20,240 --> 01:39:23,000
Speaker 1: digest this. It could take a month with my schedule.

2243
01:39:24,080 --> 01:39:27,479
Speaker 2: All right, So now is one as far as post

2244
01:39:27,560 --> 01:39:32,160
Speaker 2: beef album that we've didn't get? What do you mean, oh,

2245
01:39:32,280 --> 01:39:33,320
Speaker 2: just Drake, you're saying left?

2246
01:39:33,439 --> 01:39:34,840
Speaker 6: Yeah, we got the Cold album?

2247
01:39:34,960 --> 01:39:35,600
Speaker 2: Got gn X?

2248
01:39:35,760 --> 01:39:38,320
Speaker 3: Yeah, So are do you do you think GNX is

2249
01:39:38,400 --> 01:39:38,680
Speaker 3: better than?

2250
01:39:38,760 --> 01:39:39,960
Speaker 2: Well? Which one? Do you guys? Prefer?

2251
01:39:40,080 --> 01:39:40,720
Speaker 3: Gn X or this?

2252
01:39:40,960 --> 01:39:46,160
Speaker 2: They're not even this terrible? This one? It's better? Absolutely, okay,

2253
01:39:46,760 --> 01:39:51,920
Speaker 2: absolutely one thousand. I could listen to this way more, opinions,

2254
01:39:52,000 --> 01:39:53,400
Speaker 2: I could listen to this way more than I can

2255
01:39:53,439 --> 01:39:54,200
Speaker 2: listen to G and X.

2256
01:39:55,439 --> 01:39:58,160
Speaker 1: I've had over a year with gn X, so I mean, yeah,

2257
01:39:58,720 --> 01:40:02,439
Speaker 1: and they're completely different, and they just both happen to.

2258
01:40:02,479 --> 01:40:04,280
Speaker 2: Have people rapping on them. They're completely different.

2259
01:40:04,920 --> 01:40:07,840
Speaker 4: I'm saying I could listen to this your preference, I

2260
01:40:08,080 --> 01:40:10,240
Speaker 4: would have to. I would have to agree. But that's

2261
01:40:10,320 --> 01:40:13,439
Speaker 4: just because gn X is very CALLI, very CALLI.

2262
01:40:13,560 --> 01:40:14,120
Speaker 6: That could be a two.

2263
01:40:14,360 --> 01:40:15,320
Speaker 3: Yeah, it's very cally.

2264
01:40:16,200 --> 01:40:17,920
Speaker 6: But yeah, oh me, I could listen to this.

2265
01:40:18,040 --> 01:40:20,360
Speaker 1: But I do think even though you're right, there's we

2266
01:40:20,439 --> 01:40:23,880
Speaker 1: had G and X, we had this, I do think Kendrick's.

2267
01:40:24,280 --> 01:40:27,080
Speaker 2: Next album will roll over into this.

2268
01:40:27,680 --> 01:40:31,320
Speaker 1: Yes, gn X falls in that timeline, but everyone's still

2269
01:40:31,320 --> 01:40:33,320
Speaker 1: going to be looking at fall Off Iceman and then

2270
01:40:33,360 --> 01:40:35,320
Speaker 1: whatever Kendrick is dropping after that.

2271
01:40:35,520 --> 01:40:38,920
Speaker 6: Yes, so not gn X fall Off Iceman. I don't

2272
01:40:38,920 --> 01:40:40,360
Speaker 6: think that's how it's really going to be viewed by

2273
01:40:40,400 --> 01:40:41,599
Speaker 6: the anticipation with fans.

2274
01:40:42,200 --> 01:40:43,960
Speaker 4: Yeah, I get what Ory's saying. I think I think

2275
01:40:44,080 --> 01:40:46,280
Speaker 4: Kendrick's album after this is the one that people are

2276
01:40:46,360 --> 01:40:47,080
Speaker 4: really going, like.

2277
01:40:47,160 --> 01:40:50,120
Speaker 2: Really going to be focused because Cole and Drake dropped

2278
01:40:50,600 --> 01:40:53,200
Speaker 2: and then yeah, we want to see what Kendrick does

2279
01:40:53,960 --> 01:40:55,479
Speaker 2: and then after that, I mean, if we're still on

2280
01:40:55,520 --> 01:40:57,280
Speaker 2: the ship dog, I don't really know what still.

2281
01:40:57,200 --> 01:40:58,720
Speaker 4: Ye, people are going to be honest it to the

2282
01:40:58,800 --> 01:41:00,560
Speaker 4: end of time. But yeah, I do agree with you.

2283
01:41:00,640 --> 01:41:04,120
Speaker 4: Got Cole has always kind of had a song making ability.

2284
01:41:06,760 --> 01:41:10,080
Speaker 4: It is has always been his achilles if he because

2285
01:41:10,120 --> 01:41:13,439
Speaker 4: if he could make a song as good as like

2286
01:41:13,920 --> 01:41:16,080
Speaker 4: he can't make a song, don't get me wrong, but

2287
01:41:16,200 --> 01:41:20,280
Speaker 4: I mean if he had that that hook hit hook ability,

2288
01:41:20,320 --> 01:41:21,840
Speaker 4: Like how we said that Cole don't get played in

2289
01:41:21,880 --> 01:41:24,400
Speaker 4: the clubs. Like if he had that hook hit ability

2290
01:41:24,640 --> 01:41:29,479
Speaker 4: the way the other two had, I would it wouldn't

2291
01:41:29,520 --> 01:41:32,439
Speaker 4: be no conversation. I'm just being honest, it wouldn't be

2292
01:41:32,520 --> 01:41:33,720
Speaker 4: no conversation.

2293
01:41:34,680 --> 01:41:37,280
Speaker 1: Listeners and being objective here, Drake is over here when

2294
01:41:37,320 --> 01:41:39,040
Speaker 1: it comes to hooks, Like I don't even want to

2295
01:41:39,120 --> 01:41:42,439
Speaker 1: that's unfair to even put him in this conversation. I

2296
01:41:42,560 --> 01:41:46,760
Speaker 1: think Cole can rival Kendrick in hooks. I think y'all

2297
01:41:46,800 --> 01:41:48,559
Speaker 1: are forgetting some of Cole's catalog.

2298
01:41:48,640 --> 01:41:49,320
Speaker 3: I'm not forgetting.

2299
01:41:49,479 --> 01:41:50,600
Speaker 2: I don't know.

2300
01:41:50,680 --> 01:41:51,880
Speaker 6: I don't know if if.

2301
01:41:51,840 --> 01:41:54,920
Speaker 2: Kendrick is light gears above Jake Cole items like making

2302
01:41:55,000 --> 01:41:56,200
Speaker 2: solo hooks.

2303
01:41:56,000 --> 01:41:56,600
Speaker 6: I think he is.

2304
01:41:57,000 --> 01:42:00,040
Speaker 3: I didn't say, light years, but he is significantly.

2305
01:41:59,439 --> 01:42:00,280
Speaker 6: Better at years.

2306
01:42:00,320 --> 01:42:02,439
Speaker 2: But I think I think Kendrick makes better songs he does.

2307
01:42:02,880 --> 01:42:03,400
Speaker 6: Oh no, no, I'm so.

2308
01:42:03,600 --> 01:42:06,240
Speaker 1: I thought we're having the hook conversation songs. Oh yeah, yeah,

2309
01:42:06,240 --> 01:42:08,920
Speaker 1: I mean Kendrick is one of the better songs hookers. Yes,

2310
01:42:09,000 --> 01:42:10,959
Speaker 1: that's what I thought. We were talking just about specifically

2311
01:42:11,000 --> 01:42:13,560
Speaker 1: the hook, because we're not talking about the verses. I

2312
01:42:13,640 --> 01:42:15,479
Speaker 1: promise you we never talked about the verses. Well, versus

2313
01:42:16,080 --> 01:42:18,360
Speaker 1: verses don't have to do with the song. But what

2314
01:42:18,479 --> 01:42:21,599
Speaker 1: I'm saying is water down there lyrics to make better

2315
01:42:21,680 --> 01:42:23,680
Speaker 1: songs like that, Yeah, that happens, they do.

2316
01:42:23,920 --> 01:42:26,760
Speaker 4: But what I'm saying is when it comes to like

2317
01:42:26,880 --> 01:42:29,479
Speaker 4: hook and like the song, the ability to make a hit,

2318
01:42:30,000 --> 01:42:31,800
Speaker 4: a commercial hit, something that you're going to hear in

2319
01:42:31,800 --> 01:42:33,320
Speaker 4: the club, something that you're gonna hear in see or

2320
01:42:33,439 --> 01:42:37,880
Speaker 4: something that all of that, Kendrick is better at that

2321
01:42:38,040 --> 01:42:40,120
Speaker 4: than Called, significantly better at that than Called.

2322
01:42:40,240 --> 01:42:41,519
Speaker 2: And it might not be because Cold.

2323
01:42:41,960 --> 01:42:43,680
Speaker 4: It might because Cold just doesn't want to That might

2324
01:42:43,720 --> 01:42:44,320
Speaker 4: not be his bot.

2325
01:42:44,439 --> 01:42:48,240
Speaker 1: I'll be saying solo or like like, we cannot not

2326
01:42:48,520 --> 01:42:52,800
Speaker 1: credit fell with It's all right m hm. So I

2327
01:42:52,960 --> 01:42:56,080
Speaker 1: was saying solo solo. That's why I said leave Drake

2328
01:42:56,120 --> 01:42:59,120
Speaker 1: out of this, Like by himself, it's clear that he

2329
01:42:59,240 --> 01:43:02,720
Speaker 1: knows how to make fun can hooks and songs those

2330
01:43:02,760 --> 01:43:06,280
Speaker 1: two solo by themselves, no other person on the hook.

2331
01:43:06,800 --> 01:43:08,920
Speaker 1: I don't Again, I don't think it's that far apart

2332
01:43:09,000 --> 01:43:10,799
Speaker 1: as you guys are making it seem.

2333
01:43:12,320 --> 01:43:12,840
Speaker 6: Subjective.

2334
01:43:13,680 --> 01:43:16,280
Speaker 3: I think I think, I think that Kendrick is significantly

2335
01:43:16,320 --> 01:43:17,000
Speaker 3: I'm not saying.

2336
01:43:18,640 --> 01:43:22,200
Speaker 1: Playing ship in target whatever, like it's all right, is

2337
01:43:22,320 --> 01:43:27,439
Speaker 1: in a generational record, but let's not love the record.

2338
01:43:27,520 --> 01:43:30,519
Speaker 6: Let's don't even do it, don't do that to Canada.

2339
01:43:31,760 --> 01:43:33,920
Speaker 1: But let's not act like that's not Pharrell as well,

2340
01:43:35,280 --> 01:43:37,639
Speaker 1: Like I'm sure Andrew put together this and that I'm

2341
01:43:37,640 --> 01:43:39,600
Speaker 1: giving them all the credit, but that's also but what

2342
01:43:39,880 --> 01:43:41,080
Speaker 1: are some what are some of both.

2343
01:43:40,960 --> 01:43:43,439
Speaker 4: Of their big But okay, so so at the end

2344
01:43:43,439 --> 01:43:46,320
Speaker 4: of the day, yes it's Pharrell, but the same.

2345
01:43:47,360 --> 01:43:49,080
Speaker 6: Resource, don't save don't save her.

2346
01:43:49,040 --> 01:43:52,000
Speaker 2: The same resources.

2347
01:43:52,400 --> 01:43:56,760
Speaker 4: Let me talk the same resources that Kendrick has access to.

2348
01:43:56,880 --> 01:43:58,519
Speaker 4: And I'm not doing this to compare them, but we're

2349
01:43:58,520 --> 01:44:00,240
Speaker 4: talking about some of the greatest rappers. I'm only going

2350
01:44:00,280 --> 01:44:01,720
Speaker 4: to compare him to people who are worthy of him

2351
01:44:01,720 --> 01:44:03,800
Speaker 4: being compared to nothing has to do with the beef.

2352
01:44:04,320 --> 01:44:07,560
Speaker 4: If you're going to talk about resources, the same resources

2353
01:44:07,640 --> 01:44:10,479
Speaker 4: like Pharreal that Kendrick has access to, Cole has access

2354
01:44:10,600 --> 01:44:14,160
Speaker 4: to those same resources. So the ability to have this

2355
01:44:14,280 --> 01:44:17,120
Speaker 4: resource and know how to pick pick a beat, pick

2356
01:44:17,160 --> 01:44:19,760
Speaker 4: a hit, are you use people that are close to you? Yes,

2357
01:44:20,240 --> 01:44:22,560
Speaker 4: supercom So that is a talent thing. That's not a

2358
01:44:22,840 --> 01:44:24,880
Speaker 4: I would never disagree with you that. Okay, that a

2359
01:44:24,920 --> 01:44:25,599
Speaker 4: separate conversation.

2360
01:44:25,680 --> 01:44:28,000
Speaker 1: Yeahuse at that point, I even think he's done great

2361
01:44:28,040 --> 01:44:31,320
Speaker 1: with Cole's done great with Miguel and finally got that

2362
01:44:31,439 --> 01:44:33,400
Speaker 1: Achilles Hill. Often when he started to figure out how

2363
01:44:33,400 --> 01:44:35,920
Speaker 1: to make records with artists. I'm saying, just then, so.

2364
01:44:36,040 --> 01:44:38,080
Speaker 4: That was save it don't want to be saved, yes,

2365
01:44:38,160 --> 01:44:39,800
Speaker 4: but how long it is a fucking great hook?

2366
01:44:39,880 --> 01:44:41,200
Speaker 3: How long ago was that?

2367
01:44:42,240 --> 01:44:42,840
Speaker 2: Twenty fourteen?

2368
01:44:44,120 --> 01:44:47,320
Speaker 6: But he his focus was not to make target serious

2369
01:44:47,400 --> 01:44:48,880
Speaker 6: hits after Forest Hills.

2370
01:44:49,800 --> 01:44:52,520
Speaker 2: Okay, that's fine, but it doesn't even have to be targets.

2371
01:44:52,240 --> 01:44:54,519
Speaker 6: Nor was nor was I mean, mister Morale, Like, what

2372
01:44:55,120 --> 01:44:55,639
Speaker 6: what played?

2373
01:44:56,840 --> 01:44:57,080
Speaker 2: Mister?

2374
01:44:57,920 --> 01:44:59,920
Speaker 6: I think all of them just stopped trying to do that.

2375
01:45:02,800 --> 01:45:03,599
Speaker 2: Okay, my wrong.

2376
01:45:04,400 --> 01:45:06,280
Speaker 6: Rory might have been right about the walle A Cold Thing.

2377
01:45:08,840 --> 01:45:10,320
Speaker 3: You said that wile A is a better rapper than

2378
01:45:10,400 --> 01:45:12,439
Speaker 3: j Cole. I do not agree with that that.

2379
01:45:13,080 --> 01:45:15,439
Speaker 2: I do not agree with that, but I think A

2380
01:45:15,640 --> 01:45:17,600
Speaker 2: specializes on that too. I think that I think I

2381
01:45:17,640 --> 01:45:20,759
Speaker 2: think it's closer than I thought it was. Hm hm okay,

2382
01:45:21,880 --> 01:45:24,120
Speaker 2: well things closer enough thought Everything is a Lot it's

2383
01:45:24,160 --> 01:45:25,160
Speaker 2: better than this j co album.

2384
01:45:25,560 --> 01:45:28,360
Speaker 4: But again, I think that's a song making yeah issue,

2385
01:45:28,439 --> 01:45:31,000
Speaker 4: I think that's more about songs while is also rapping

2386
01:45:31,040 --> 01:45:33,120
Speaker 4: to though for sure as always.

2387
01:45:33,479 --> 01:45:34,920
Speaker 2: Because I thought about that when I listened to Like,

2388
01:45:34,920 --> 01:45:36,280
Speaker 2: I thought about what Rory said, and I kind of

2389
01:45:36,320 --> 01:45:38,719
Speaker 2: like my knee jerk reaction was like what I Sayen

2390
01:45:38,760 --> 01:45:42,200
Speaker 2: a Lot, it might be closer than I thought it was.

2391
01:45:42,920 --> 01:45:45,439
Speaker 2: Wile is different, bro, it might it might, it might

2392
01:45:45,520 --> 01:45:46,280
Speaker 2: be closer than I thought.

2393
01:45:46,320 --> 01:45:49,280
Speaker 6: I didn't want to do the comparison thing on Everything

2394
01:45:49,320 --> 01:45:50,080
Speaker 6: a Lot is incredible.

2395
01:45:50,080 --> 01:45:51,960
Speaker 2: Well yeah, I'm not. I hate to compare, but I'm

2396
01:45:52,000 --> 01:45:54,439
Speaker 2: just saying, like albums that we got this year, I'm

2397
01:45:54,439 --> 01:45:55,960
Speaker 2: just listening, yeah, for sure, you know what I mean.

2398
01:45:56,600 --> 01:45:59,519
Speaker 2: I remember how much I enjoyed listening to Everything is

2399
01:45:59,520 --> 01:46:02,720
Speaker 2: a Lot, and I'm just like he was rapping on

2400
01:46:02,800 --> 01:46:06,600
Speaker 2: that songs was dope, production was dope. Wiley to me,

2401
01:46:06,680 --> 01:46:08,880
Speaker 2: as far as lyricists is one of my favorite song

2402
01:46:08,960 --> 01:46:11,600
Speaker 2: makers period. It's just a lot of close. I'm not

2403
01:46:11,600 --> 01:46:13,360
Speaker 2: gonna say he raps better than Cold. It's a lot

2404
01:46:13,560 --> 01:46:15,720
Speaker 2: closer than I thought it was, because I mean, by

2405
01:46:15,760 --> 01:46:18,160
Speaker 2: gave Rory shit about that when he first said that,

2406
01:46:18,400 --> 01:46:19,840
Speaker 2: I was kind of like, you trip, you're saying a

2407
01:46:19,880 --> 01:46:20,920
Speaker 2: lot they're different.

2408
01:46:22,080 --> 01:46:22,760
Speaker 6: It might be close.

2409
01:46:22,800 --> 01:46:25,080
Speaker 4: While they can rap his ass, I wish more people

2410
01:46:25,160 --> 01:46:26,680
Speaker 4: knew just how much he can rap his ass off.

2411
01:46:26,720 --> 01:46:27,320
Speaker 2: I don't agree with you.

2412
01:46:28,000 --> 01:46:30,120
Speaker 1: He can rap his as, he could make hooks, he

2413
01:46:30,200 --> 01:46:32,280
Speaker 1: could make bridges, he could make melodies.

2414
01:46:32,320 --> 01:46:33,720
Speaker 2: Well, we always knew while it was dope. But I'm

2415
01:46:33,720 --> 01:46:35,519
Speaker 2: just saying like, and listening will tell you that he

2416
01:46:35,560 --> 01:46:38,639
Speaker 2: could do Yeah, while they will not be shy about

2417
01:46:38,680 --> 01:46:41,880
Speaker 2: telling you how dope if you didn't know, But yeah,

2418
01:46:41,960 --> 01:46:44,040
Speaker 2: after listening to this cold joint and then you know

2419
01:46:45,120 --> 01:46:48,960
Speaker 2: coming off everything is a lot. Yeah, it might be

2420
01:46:49,040 --> 01:46:50,920
Speaker 2: closer than I thought. That's all so I got to

2421
01:46:50,920 --> 01:46:52,519
Speaker 2: give you. I'm not gonna give you flowers, Roy, I'm

2422
01:46:52,560 --> 01:46:54,720
Speaker 2: gonna just give you divis. That's what you said, one

2423
01:46:54,800 --> 01:46:56,800
Speaker 2: day I'll give you the vase, and one day I'll get.

2424
01:46:56,720 --> 01:47:02,960
Speaker 1: Some flowers die anyways, may be replaced to another flower

2425
01:47:04,439 --> 01:47:07,240
Speaker 1: is vase of os It's it could be like data

2426
01:47:07,280 --> 01:47:09,719
Speaker 1: and data. It's like it's either New England Versusary everga

2427
01:47:09,920 --> 01:47:11,680
Speaker 1: got it, Yeah, however you put it there.

2428
01:47:12,040 --> 01:47:14,280
Speaker 2: Well, I think we did a pretty fair breakdown. Honestly,

2429
01:47:14,320 --> 01:47:16,000
Speaker 2: I was a little scared. I think that it's gonna

2430
01:47:16,000 --> 01:47:16,280
Speaker 2: be working.

2431
01:47:16,320 --> 01:47:18,320
Speaker 4: No, when I was, I was a little scared coming

2432
01:47:18,360 --> 01:47:19,960
Speaker 4: into work because I thought I was. I literally thought

2433
01:47:20,000 --> 01:47:21,240
Speaker 4: I was gonna have to fight more like I thought

2434
01:47:21,320 --> 01:47:22,000
Speaker 4: I was gonna.

2435
01:47:21,760 --> 01:47:23,639
Speaker 2: Have to give you. Why do you think you why

2436
01:47:23,920 --> 01:47:26,000
Speaker 2: because you'd be making you'll be saying some ship sometimes.

2437
01:47:26,080 --> 01:47:28,000
Speaker 4: But I think that your breakdown of the album was

2438
01:47:28,200 --> 01:47:30,120
Speaker 4: very objective, very fair, and I think.

2439
01:47:29,960 --> 01:47:32,040
Speaker 2: A lot of people with the ind then that says,

2440
01:47:32,120 --> 01:47:34,120
Speaker 2: I do not hate J Cole. I know they try

2441
01:47:34,200 --> 01:47:36,080
Speaker 2: to paint it like I hate Cole because I don't

2442
01:47:36,560 --> 01:47:38,000
Speaker 2: man like only P does.

2443
01:47:38,080 --> 01:47:40,320
Speaker 6: By the clips, I just I don't hate J Cole.

2444
01:47:40,320 --> 01:47:40,840
Speaker 6: I'm a jake.

2445
01:47:41,240 --> 01:47:43,519
Speaker 2: I argued with niggas in the barber shop about J

2446
01:47:43,640 --> 01:47:45,800
Speaker 2: Cole before, like y'all bug it. This niggas nice. I

2447
01:47:45,880 --> 01:47:47,879
Speaker 2: fucked with j Cole. I just didn't like his decision

2448
01:47:48,160 --> 01:47:50,360
Speaker 2: and what happened. But that's you know whatever. But it

2449
01:47:50,439 --> 01:47:51,320
Speaker 2: is water under the bridge.

2450
01:47:51,400 --> 01:47:53,200
Speaker 4: But I think that I think that everybody gave an

2451
01:47:53,360 --> 01:47:57,200
Speaker 4: objective fair and a lot I think a lot of

2452
01:47:57,200 --> 01:47:59,400
Speaker 4: people echo our sentiment. So I want to say shout

2453
01:47:59,400 --> 01:48:00,280
Speaker 4: out to us because and and.

2454
01:48:00,400 --> 01:48:04,120
Speaker 1: To close, uh per usual Eve and call you guys

2455
01:48:04,200 --> 01:48:06,200
Speaker 1: do the best marketing I've ever seen.

2456
01:48:06,680 --> 01:48:10,320
Speaker 3: You know what, Cole, if you're listening, you're not listen

2457
01:48:10,320 --> 01:48:11,120
Speaker 3: to listen.

2458
01:48:11,200 --> 01:48:13,599
Speaker 6: Oh no, he listened. He listens to this. He listening.

2459
01:48:16,640 --> 01:48:21,000
Speaker 2: I can't joke the problem. Nobody can't joke no more.

2460
01:48:21,080 --> 01:48:23,800
Speaker 2: Man death.

2461
01:48:23,800 --> 01:48:26,840
Speaker 1: The podcast was when we could, Cole, I love you.

2462
01:48:27,080 --> 01:48:32,680
Speaker 1: Every word we say has to be around.

2463
01:48:30,840 --> 01:48:32,080
Speaker 3: Appreciate, We appreciate.

2464
01:48:32,200 --> 01:48:34,200
Speaker 6: We'll say, oh, thank you this podcast.

2465
01:48:34,280 --> 01:48:37,920
Speaker 3: This if this was your last album, like hey, with.

2466
01:48:38,000 --> 01:48:39,560
Speaker 2: My camera, Hey, Cole, let me tell you what this

2467
01:48:39,640 --> 01:48:42,000
Speaker 2: better than not be it better not be your last album.

2468
01:48:42,240 --> 01:48:45,080
Speaker 2: You cannot go out like this. Ain't no fucking way.

2469
01:48:45,120 --> 01:48:45,439
Speaker 2: He can't.

2470
01:48:45,479 --> 01:48:47,720
Speaker 1: This ain't his last album, no way. And he kind

2471
01:48:47,760 --> 01:48:51,320
Speaker 1: of alluded to it, like my lawless twenty four tracks.

2472
01:48:51,400 --> 01:48:53,240
Speaker 1: This still would not be his I don't believe this last.

2473
01:48:53,400 --> 01:48:53,960
Speaker 6: This ain't his last.

2474
01:48:54,160 --> 01:48:55,800
Speaker 3: If this is your last project, I just want to

2475
01:48:55,800 --> 01:48:56,920
Speaker 3: say thank you for this is your.

2476
01:48:56,920 --> 01:49:01,800
Speaker 2: Last album, lost you, I swept in the finals. You

2477
01:49:01,880 --> 01:49:05,519
Speaker 2: cannot go out like this. Fuck it, I said it,

2478
01:49:05,760 --> 01:49:07,080
Speaker 2: and I fuck with Cold. But that's why I can

2479
01:49:07,120 --> 01:49:09,280
Speaker 2: say what I say because I funk with him. You

2480
01:49:09,439 --> 01:49:11,599
Speaker 2: can't go out like this, he said, no, you don't

2481
01:49:11,720 --> 01:49:13,559
Speaker 2: you think with Cold?

2482
01:49:13,640 --> 01:49:13,760
Speaker 4: Right?

2483
01:49:14,040 --> 01:49:15,760
Speaker 2: That's the problem. I feel like if you funk with somebody,

2484
01:49:15,760 --> 01:49:17,760
Speaker 2: you can only say good things like why you can't

2485
01:49:17,800 --> 01:49:18,280
Speaker 2: just be real?

2486
01:49:18,560 --> 01:49:20,120
Speaker 4: I'm not friend. I'm gonna let you know, like, Bro,

2487
01:49:20,240 --> 01:49:23,320
Speaker 4: that wasn't it? Go back in there, cook up that ship,

2488
01:49:25,640 --> 01:49:25,960
Speaker 4: all right?

2489
01:49:26,439 --> 01:49:26,679
Speaker 2: Cole?

2490
01:49:27,000 --> 01:49:28,880
Speaker 4: If this, if this is your last album, I want

2491
01:49:28,880 --> 01:49:30,320
Speaker 4: to say thank you so much for everything that you

2492
01:49:30,439 --> 01:49:32,240
Speaker 4: have given us over the course of your.

2493
01:49:33,240 --> 01:49:35,880
Speaker 2: Okay, But if it is, you're giving talk, give an obituary.

2494
01:49:35,960 --> 01:49:38,920
Speaker 2: This is not his last album. I promise you, this

2495
01:49:39,080 --> 01:49:41,240
Speaker 2: is not. I hate it here. He got way too

2496
01:49:41,320 --> 01:49:43,120
Speaker 2: much more shit to talk about, way too much more

2497
01:49:43,160 --> 01:49:44,559
Speaker 2: suit to talk about in his last album.

2498
01:49:44,600 --> 01:49:47,280
Speaker 4: I would like for you to release more songs about

2499
01:49:47,360 --> 01:49:54,280
Speaker 4: being an avoidant commitment fold because Legacy is perfect. Everyone

2500
01:49:54,400 --> 01:49:56,639
Speaker 4: like to hear him talk about more being an avoidant

2501
01:49:56,680 --> 01:49:59,560
Speaker 4: commitment fold like those songs like Legacy, like you know,

2502
01:49:59,680 --> 01:50:01,080
Speaker 4: I really want to be in love with you, but

2503
01:50:01,200 --> 01:50:03,120
Speaker 4: like the holes, but like I'm gonna hit you up

2504
01:50:03,120 --> 01:50:06,080
Speaker 4: after the fall though like that. I need more more

2505
01:50:06,120 --> 01:50:09,040
Speaker 4: cold songs like that. People to send me at three

2506
01:50:09,040 --> 01:50:12,880
Speaker 4: o'clock in the morning. You know how that be type ship?

2507
01:50:12,960 --> 01:50:15,160
Speaker 4: But thank you Cold, thank you so much, and you

2508
01:50:15,280 --> 01:50:15,600
Speaker 4: say to.

2509
01:50:15,640 --> 01:50:16,240
Speaker 6: What to cold?

2510
01:50:17,160 --> 01:50:20,040
Speaker 2: I look forward to the next album. Same, I look

2511
01:50:20,080 --> 01:50:21,519
Speaker 2: forward to the next one. This ain't the last one.

2512
01:50:21,520 --> 01:50:23,240
Speaker 2: I would like a fall off hoodie. If anyone from

2513
01:50:23,320 --> 01:50:25,040
Speaker 2: dream Ville is listening.

2514
01:50:25,720 --> 01:50:27,080
Speaker 6: Why don't you going go on the website?

2515
01:50:27,120 --> 01:50:29,559
Speaker 2: Dann got them? I don't.

2516
01:50:29,560 --> 01:50:30,880
Speaker 4: I didn't know they were for sale. I just saw

2517
01:50:30,960 --> 01:50:36,320
Speaker 4: the influencers getting a lot of the influencers got them

2518
01:50:36,479 --> 01:50:38,320
Speaker 4: like they were sent. It was like special merch that

2519
01:50:38,439 --> 01:50:38,639
Speaker 4: was sent.

2520
01:50:38,720 --> 01:50:40,240
Speaker 2: That's what I was. They probably got it early, but

2521
01:50:40,280 --> 01:50:41,800
Speaker 2: I'm sure that's they're gonna s I didn't know.

2522
01:50:41,840 --> 01:50:43,120
Speaker 3: Okay, I'll go buy what never mine?

2523
01:50:43,280 --> 01:50:45,679
Speaker 6: Yeah, all right, well.

2524
01:50:47,120 --> 01:50:50,040
Speaker 2: Now we wait ride my bike to go get one

2525
01:50:50,080 --> 01:50:50,320
Speaker 2: over there.

2526
01:50:52,800 --> 01:50:54,679
Speaker 3: Almost started a fire as she has hands.

2527
01:50:55,080 --> 01:50:56,960
Speaker 2: I'm just saying, man, do you have a release date

2528
01:50:57,000 --> 01:50:58,479
Speaker 2: for us? Since you damned their guest this one?

2529
01:51:02,680 --> 01:51:06,240
Speaker 1: I said the release date, I said, Iceman this Friday.

2530
01:51:07,000 --> 01:51:09,040
Speaker 1: What mam said when you said he laughed at me?

2531
01:51:09,240 --> 01:51:10,160
Speaker 6: Iceman this Friday.

2532
01:51:10,840 --> 01:51:13,040
Speaker 4: Do you guys have any comments about the drake leak?

2533
01:51:13,439 --> 01:51:14,800
Speaker 4: I didn't mean to do my hands like that about

2534
01:51:14,840 --> 01:51:16,679
Speaker 4: the drake leak on the day of the fall Off release.

2535
01:51:18,360 --> 01:51:20,200
Speaker 6: I didn't hear it. But whatever it is, it ain't

2536
01:51:20,240 --> 01:51:23,000
Speaker 6: on Iceman. I can tell you that.

2537
01:51:26,640 --> 01:51:29,000
Speaker 2: It's just the always he said. You heard it here first.

2538
01:51:29,960 --> 01:51:32,040
Speaker 2: None of what y'all are hearing on the internet is

2539
01:51:32,080 --> 01:51:36,120
Speaker 2: on Iceman. I can promise you that it's not none

2540
01:51:36,160 --> 01:51:37,679
Speaker 2: of that ship and we'll find out on Friday.

2541
01:51:39,479 --> 01:51:40,759
Speaker 3: The album is not coming on Friday.

2542
01:51:40,880 --> 01:51:44,360
Speaker 2: Hell no, I don't think Iceman is coming on Friday.

2543
01:51:45,560 --> 01:51:47,879
Speaker 2: All right, Well, we wait and see whole world Iceman.

2544
01:51:48,720 --> 01:51:50,559
Speaker 2: How much? All right? How much time do you think

2545
01:51:51,840 --> 01:51:55,320
Speaker 2: or what in between of the album that he's gonna

2546
01:51:55,400 --> 01:51:56,680
Speaker 2: let the code shit breathe.

2547
01:51:57,000 --> 01:51:58,960
Speaker 6: Or I know when the album is coming out? Of

2548
01:51:59,040 --> 01:52:00,280
Speaker 6: course I'm not saying it, but I know.

2549
01:52:00,320 --> 01:52:02,519
Speaker 1: You're not gonna say it, and you haven't told me anything.

2550
01:52:02,800 --> 01:52:06,040
Speaker 1: I guess I'm trying to like get is it gonna

2551
01:52:06,040 --> 01:52:08,400
Speaker 1: be a long time or is it gonna kind of

2552
01:52:08,439 --> 01:52:15,080
Speaker 1: be a good time. It may cost you a little,

2553
01:52:15,439 --> 01:52:17,679
Speaker 1: it may cost you a lot, but it will cost

2554
01:52:17,760 --> 01:52:19,559
Speaker 1: you It's.

2555
01:52:19,400 --> 01:52:20,240
Speaker 6: Gonna be a good time.

2556
01:52:20,360 --> 01:52:22,479
Speaker 2: Rory. That's all. That's all we need to know. Man,

2557
01:52:22,520 --> 01:52:24,120
Speaker 2: everybody listen, man, enjoy, do some.

2558
01:52:24,200 --> 01:52:26,160
Speaker 6: Col shit and drive my mother's Masda up to Toronto

2559
01:52:26,240 --> 01:52:26,679
Speaker 6: for the release.

2560
01:52:27,920 --> 01:52:28,240
Speaker 2: I don't know.

2561
01:52:28,680 --> 01:52:31,080
Speaker 6: It's a fun drive. I don't know if the Masia

2562
01:52:31,200 --> 01:52:31,400
Speaker 6: make it.

2563
01:52:31,479 --> 01:52:35,040
Speaker 1: You've never done the Toronto Drive? Have I ever done

2564
01:52:35,560 --> 01:52:38,200
Speaker 1: the Montreal one? That's a different of course, I've done

2565
01:52:38,200 --> 01:52:38,880
Speaker 1: in Toronto drive.

2566
01:52:39,000 --> 01:52:41,000
Speaker 6: Toronto's this way. Montreal is straight up.

2567
01:52:41,040 --> 01:52:42,000
Speaker 2: I've done the Toronto Drive.

2568
01:52:42,280 --> 01:52:42,960
Speaker 6: That's a fun drive.

2569
01:52:43,240 --> 01:52:43,439
Speaker 2: It is.

2570
01:52:44,200 --> 01:52:44,479
Speaker 4: Drive up.

2571
01:52:44,680 --> 01:52:50,160
Speaker 6: Doesn't want to pack up in the no But enjoy

2572
01:52:50,200 --> 01:52:51,840
Speaker 6: the Cope album. Enjoyed that.

2573
01:52:51,960 --> 01:52:55,759
Speaker 2: Let's enjoy that album. Shout out to Don Tolliver. Incredible project,

2574
01:52:57,320 --> 01:52:59,519
Speaker 2: that octane album. Don Tolliver. Hey, listen, man, I'm a

2575
01:52:59,520 --> 01:53:01,519
Speaker 2: go ahead and say it, Don Toliver us better than

2576
01:53:01,560 --> 01:53:05,519
Speaker 2: Playboy CARDI you heard it here first speech clip it

2577
01:53:05,800 --> 01:53:09,519
Speaker 2: I agree. I think are trying to tell me Playboy

2578
01:53:09,600 --> 01:53:11,880
Speaker 2: Cartier is. I think that's who Dante push back here.

2579
01:53:11,920 --> 01:53:14,840
Speaker 2: I've seen him go on and perform before Bad Bunny

2580
01:53:15,960 --> 01:53:17,640
Speaker 2: in front of I don't know how many thousands of

2581
01:53:17,680 --> 01:53:22,519
Speaker 2: people and tore that ship down. This octane album add

2582
01:53:22,600 --> 01:53:25,320
Speaker 2: to the discography of Don Tolliver. I don't think he's

2583
01:53:25,360 --> 01:53:29,360
Speaker 2: missing this discography yet. This album is just Don Tolliver

2584
01:53:29,439 --> 01:53:30,360
Speaker 2: album is crazy.

2585
01:53:30,520 --> 01:53:32,200
Speaker 6: I gotta listen. I also have to listen to the

2586
01:53:32,320 --> 01:53:33,000
Speaker 6: Lama album.

2587
01:53:33,120 --> 01:53:36,760
Speaker 2: Yesal no Shade to Playboy Cardi, but I think that

2588
01:53:36,920 --> 01:53:38,760
Speaker 2: how they were trying to sell me on Cardi and

2589
01:53:38,880 --> 01:53:41,400
Speaker 2: I can't really like get it, Like, I don't understand it.

2590
01:53:41,720 --> 01:53:42,639
Speaker 6: I think that's who Donte.

2591
01:53:42,960 --> 01:53:44,760
Speaker 2: I mean, I'll say shade like, I don't even think

2592
01:53:44,800 --> 01:53:46,760
Speaker 2: it's comparable as far as talent level.

2593
01:53:47,000 --> 01:53:48,800
Speaker 4: But that's just me and may be trying to say

2594
01:53:48,800 --> 01:53:50,439
Speaker 4: this because we old niggas, but I don't think so,

2595
01:53:50,560 --> 01:53:52,320
Speaker 4: because when they put me on the NBA Young Boy,

2596
01:53:52,400 --> 01:53:55,000
Speaker 4: I'm like, nah, I get why y'all like this young boy.

2597
01:53:55,400 --> 01:53:56,120
Speaker 4: I still don't get.

2598
01:53:57,720 --> 01:53:59,360
Speaker 2: That Shorty sent me. I'll be in the I know

2599
01:53:59,400 --> 01:54:01,640
Speaker 2: the neighbors is like, yo, who is who lived there?

2600
01:54:02,479 --> 01:54:05,519
Speaker 2: Because I'll be in there playing that ship. I'll be

2601
01:54:05,560 --> 01:54:07,320
Speaker 2: playing me a young boy, like I'm a young boy,

2602
01:54:08,000 --> 01:54:09,519
Speaker 2: wouldn't be a younger. But yeah, that down to all

2603
01:54:09,680 --> 01:54:13,240
Speaker 2: our teane. I'm right, that's that's That album is incredible.

2604
01:54:13,280 --> 01:54:14,080
Speaker 6: I love that project.

2605
01:54:14,840 --> 01:54:17,639
Speaker 1: And we can close shout out to Brittany Runner. She's

2606
01:54:18,200 --> 01:54:22,280
Speaker 1: now a Christian. Yeah, but what episode?

2607
01:54:26,439 --> 01:54:26,560
Speaker 2: You know?

2608
01:54:26,640 --> 01:54:28,880
Speaker 4: I be liking my niggas too, Like if I had to,

2609
01:54:29,040 --> 01:54:32,240
Speaker 4: if I sucked around ran into a Muslim, I might Moslim.

2610
01:54:32,520 --> 01:54:32,880
Speaker 6: I love that.

2611
01:54:33,120 --> 01:54:36,280
Speaker 4: I might you a Muslim, now I might, I might covert,

2612
01:54:36,360 --> 01:54:37,840
Speaker 4: Like I'll be liking my niggas.

2613
01:54:37,560 --> 01:54:39,600
Speaker 2: Too, So if you were a Muslim, you have to

2614
01:54:40,520 --> 01:54:42,280
Speaker 2: you have to what she did and then she left

2615
01:54:42,960 --> 01:54:46,080
Speaker 2: mm hmm a baton rouge legend and then became Christian.

2616
01:54:46,160 --> 01:54:48,520
Speaker 2: Whatever the she's with. Yeah, I love it, man, Just

2617
01:54:49,120 --> 01:54:51,640
Speaker 2: let love live. Let love Jesus.

2618
01:54:52,000 --> 01:54:54,600
Speaker 3: I'm gonna let love die. Nah nah not, I I'm

2619
01:54:54,600 --> 01:54:55,720
Speaker 3: staying around. Let love fly.

2620
01:54:56,080 --> 01:54:58,960
Speaker 2: There you go, you know what I'm saying. That's it

2621
01:54:59,120 --> 01:55:01,480
Speaker 2: right there, that's the clo. I'm not nigga, He's just

2622
01:55:01,680 --> 01:55:04,760
Speaker 2: ginger peace. No Worrian no,