WEBVTT - S2E2 - A Door Into The Dark 0:00:34.360 --> 0:00:37.280 Good morning, Good morning, Tom, good morning. How are you? 0:00:37.680 --> 0:00:40.479 I am good, I'm good. Where are you today? We're 0:00:40.479 --> 0:00:43.200 still in Italy, but we just checked into a different 0:00:43.240 --> 0:00:47.160 hotel in Siena. We're doing like a little Italian talks 0:00:48.280 --> 0:00:52.280 in a different hotel, which is nice. That's so wonderful. Well, 0:00:52.360 --> 0:00:54.840 thank you for joining us again today, for making the 0:00:54.880 --> 0:00:57.960 time to do this on your vocation. And here we 0:00:58.000 --> 0:01:02.400 are to do the rewatch of season two, episode two, 0:01:02.480 --> 0:01:05.880 A Door into the Dark It's right a Day January nine, 0:01:06.000 --> 0:01:10.800 two thousand seventeen, Written by y Sharene Razac, director Andy Wolke, 0:01:11.200 --> 0:01:15.440 Starring Katherine mcmara, Dominic Sherwood, Alberta Rozenni, Matt Dadario, Emerald 0:01:15.520 --> 0:01:18.400 to be A, Isaaih Mustafa and Harry Sham Jr. Guest 0:01:18.440 --> 0:01:21.640 stars Allen van Sprang, David Castro, Welcome back to season two, 0:01:21.959 --> 0:01:24.800 Max and Roy, Nick Seagar, Stephanie Bennett, and of course 0:01:25.240 --> 0:01:30.560 Vanessa Matsui. Which is super exciting to have little spoiler 0:01:30.600 --> 0:01:34.920 that tell us what we're in for. So for this episode, 0:01:35.000 --> 0:01:37.640 Clari longs for the good old days. Clary struggles to 0:01:37.680 --> 0:01:40.840 find where she belongs, while Simon seeks Magnus's help. The 0:01:40.920 --> 0:01:43.600 hunt is on for Jace Whaland and Alecan. Isabel hoped 0:01:43.640 --> 0:01:45.720 to reach him before the rest of the shadow Hunters do. 0:01:46.240 --> 0:01:48.680 With orders from the Clave of Shoot to kill. Thank 0:01:48.720 --> 0:01:52.760 you very much to Jocelyn, the Lightwood siblings must act fast. 0:01:52.840 --> 0:01:55.600 Also on his own search, Simon turns to Magnus for 0:01:55.640 --> 0:01:58.080 help when he finds himself at odds with both Raphael 0:01:58.360 --> 0:02:01.919 and alder Tree. Meanwhile, Clary struggles fine where she belongs 0:02:01.960 --> 0:02:03.760 since she doesn't seem to fit into the shadow un 0:02:03.920 --> 0:02:07.720 world yet can't go back to her mundane life. Everybody's 0:02:07.720 --> 0:02:11.840 got a problem this episode. Problem. Yeah, this was filmed, 0:02:11.960 --> 0:02:15.040 as we will talk about later with the wonderful tone 0:02:15.120 --> 0:02:18.720 Torontonian unexpected whether in the last two weeks of August. 0:02:19.600 --> 0:02:23.359 A slight goof appears when a steam whistle advertisement appears 0:02:23.400 --> 0:02:26.360 in the episode, a brand that only existed in Canada 0:02:26.400 --> 0:02:29.079 at the time of filming. Oh, that's funny, I had 0:02:29.120 --> 0:02:32.680 no idea just that interesting. We'll have to keep an 0:02:32.720 --> 0:02:34.800 eye out. I wonder when that is. And once again 0:02:34.840 --> 0:02:38.120 we have Magnus's tendency to the book. Just screen reference 0:02:38.200 --> 0:02:41.840 in this is Magnus taking down Wolders under his wing, 0:02:41.880 --> 0:02:45.120 which I think is one of the my favorite story lines. 0:02:45.160 --> 0:02:48.040 At least the relationship between you know, Raphael and Magnus 0:02:48.120 --> 0:02:51.840 is always the verse sweet. It's maybe the one parent 0:02:51.919 --> 0:02:57.119 child relationship quote unquote that's not really massed up functional. Yeah. Yeah, 0:02:57.720 --> 0:03:01.560 in the show, we have a whole bunch of talking points. 0:03:01.560 --> 0:03:04.119 I was just running through this episode again, and there's 0:03:04.160 --> 0:03:06.000 a lot that happens in this episode. There's a lot 0:03:06.040 --> 0:03:08.519 of like it seems that everyone sort of has the 0:03:08.560 --> 0:03:13.399 same goal for whatever that reason is, except for Simon 0:03:14.120 --> 0:03:17.400 and Magnus, but everyone is going about in different ways 0:03:17.400 --> 0:03:20.200 and taking different avenues. There's a whole bunch that happens. 0:03:20.240 --> 0:03:22.520 We get in some mythology. I think i'll first mention 0:03:22.560 --> 0:03:26.760 of the Iron Sisters. Is this episode exciting? Well foreshadowing 0:03:26.800 --> 0:03:31.640 there a little foreshadowing, and with no more further ado, 0:03:31.639 --> 0:03:34.720 why don't we just dive in? Absolutely so. This episode 0:03:34.760 --> 0:03:37.760 starts with Clary hot on the heels of Jocelyn um well, 0:03:37.840 --> 0:03:40.240 Jocelyn hot on the heels of Clary as she finally 0:03:40.320 --> 0:03:43.320 confronts her mother about all of the secrets and all 0:03:43.360 --> 0:03:46.680 of the lies and all of the everything, including why 0:03:46.680 --> 0:03:48.600 did you just try and shoot your own son, slash 0:03:48.680 --> 0:03:51.320 my brother, slash someone who matters a whole lot to 0:03:51.360 --> 0:03:53.880 me and everyone in my life. We we start to 0:03:53.920 --> 0:03:56.040 see a little bit of Jocelyn's dilemma in this case, 0:03:56.160 --> 0:03:58.320 because you know, there's a lot we don't know about 0:03:58.400 --> 0:04:00.560 what happened, and there's a lot we don't know about 0:04:00.600 --> 0:04:04.000 the frame Morganstern family. We start to uncover just how 0:04:04.080 --> 0:04:07.000 dark and twisted it is, including the fact that Jason, 0:04:07.040 --> 0:04:10.760 Jonathan Claire's brother for lack of a better word, has 0:04:10.840 --> 0:04:15.600 demon blood in his veins thanks to Papa Valentine. Yeah, 0:04:15.960 --> 0:04:19.839 we the audience knew, but now Clary knows, and we 0:04:19.880 --> 0:04:21.520 can assume that the rest of the shadow Hunters know 0:04:21.560 --> 0:04:25.480 as well. Not great, not great, not great for anyone. 0:04:25.880 --> 0:04:29.440 Mama Dearest is not being quite so dear. To be honest, 0:04:30.800 --> 0:04:33.400 we did we did skip a scene. Did we start 0:04:33.440 --> 0:04:36.400 this episode? Yeah, we start this episode directly picking up 0:04:36.440 --> 0:04:39.560 from episode once. Jason Valentine have a oh that's right, 0:04:39.600 --> 0:04:43.160 Oh my god, a little cum flab but it just 0:04:43.200 --> 0:04:47.880 sort of adds to the confusion in Jason's mind of 0:04:47.960 --> 0:04:51.400 the effects of a rising down world and an ineffective 0:04:51.440 --> 0:04:55.960 clave at sort of controlling the criminalistic elements of the 0:04:55.960 --> 0:04:58.240 down world, as we just saw in the vampire tend 0:04:58.680 --> 0:05:01.160 which will be important later because this vampire didn't of 0:05:01.240 --> 0:05:03.800 ties in with Simon and all this, that and the other. 0:05:03.800 --> 0:05:06.360 But you're absolutely right. Then we have a whole mother 0:05:06.440 --> 0:05:13.000 daughter indeed, which which poor Simon is involved in. Bless him, 0:05:13.120 --> 0:05:15.560 he doesn't feel like this is why We're going to 0:05:15.640 --> 0:05:17.400 find this more and more as the series goes on, 0:05:17.480 --> 0:05:21.679 but he he is also very alienated from the place 0:05:21.760 --> 0:05:24.400 that he thought he was. Became a vampire and had 0:05:24.400 --> 0:05:26.520 to struggle with that and then got welcome sort of 0:05:26.520 --> 0:05:30.560 back into the Clary Simon thing, and then when Mom 0:05:30.600 --> 0:05:33.320 woke up, he was sort of no longer welcome as 0:05:33.360 --> 0:05:35.880 part of that group, which is which is actually really sad. 0:05:35.960 --> 0:05:38.560 I thought this was pretty rough to see when I 0:05:38.640 --> 0:05:41.080 just rewatched it. It is it is. I mean, we 0:05:41.120 --> 0:05:43.280 see Simon time and time again, Cotton middle of so 0:05:43.320 --> 0:05:46.680 many things, whether it's Jason Clary, or Isabelle and Alec 0:05:46.880 --> 0:05:50.039 or Camille and Ravel or whatever it may be. But 0:05:50.120 --> 0:05:52.679 now we see him caught in between Clary and Jocelyn, 0:05:53.160 --> 0:05:54.760 which is kind of an interesting place for him to 0:05:54.800 --> 0:05:58.040 be because obviously he understands Jocelyn said of things and 0:05:58.120 --> 0:06:00.120 wanting to protect Clary and wanting to do this, but 0:06:00.200 --> 0:06:04.080 also he's been through this with Clary, and he's seen 0:06:04.120 --> 0:06:06.159 and he's met Jason. He knows that he's, you know, 0:06:06.360 --> 0:06:11.240 not not an evil dude inherently. Yeah. Yeah, well who 0:06:11.320 --> 0:06:14.440 knows is the real is the real thing? Like you know, this, 0:06:14.600 --> 0:06:17.160 I think is sort of one of the interesting dichotomy 0:06:17.200 --> 0:06:19.640 is that that everyone was playing with and again, you know, 0:06:19.680 --> 0:06:21.400 this was one of those episodes where I wasn't really 0:06:21.400 --> 0:06:23.160 with anyone until the end, so I get to see 0:06:23.279 --> 0:06:28.240 these little Idiosynchristie's in everyone's performances post date after with 0:06:28.279 --> 0:06:30.800 the audience, and I think one of the interesting dynamics 0:06:30.800 --> 0:06:32.480 here is like he is the best soldier, he is 0:06:32.520 --> 0:06:36.599 the fastest, he is the strongest. But the difference, I 0:06:36.640 --> 0:06:41.760 guess in psychology between being a hero and being a 0:06:41.839 --> 0:06:44.880 villain would be if you were doing your job because 0:06:45.120 --> 0:06:47.200 it was your duty, or if you're doing your job 0:06:47.320 --> 0:06:50.640 because you enjoyed it. Yeah, And we don't know the 0:06:50.680 --> 0:06:53.520 answer to that. We don't at this point, or you don't. 0:06:53.720 --> 0:06:56.760 I do, but you don't. And I think what Valentine 0:06:56.880 --> 0:06:59.679 is trying to convince Jay's to do is to enjoy 0:06:59.720 --> 0:07:03.359 it exactly, which is dangerous anyway, And there is because 0:07:03.360 --> 0:07:07.520 of Jas's and Clary's childhood slash lineage, slash, whatever you 0:07:07.560 --> 0:07:10.160 wanna call it. There is a little bit of that 0:07:10.240 --> 0:07:13.920 Morgenstern in them. There's a little bit of Valentine in 0:07:13.920 --> 0:07:15.800 both of them in a way, and a little bit 0:07:15.840 --> 0:07:19.360 of that maybe sadistic is the wrong word, but that 0:07:19.360 --> 0:07:23.880 that vengeance and that kind of rage that exists, and 0:07:23.880 --> 0:07:29.000 and it's it's dangerous. But you know, I digress, because 0:07:29.120 --> 0:07:32.800 now we end up back at the Institute with alder 0:07:32.880 --> 0:07:36.720 Tree and Clary and all of the folks getting their orders. 0:07:37.040 --> 0:07:38.960 We did get to see in the scene that you 0:07:38.960 --> 0:07:40.800 were just talking about before we skip over it. We 0:07:40.840 --> 0:07:45.240 did get to see potentially baby Jays. Oh yeah, no, 0:07:45.400 --> 0:07:51.000 I know. That's again. That's which which interestingly, we don't 0:07:51.080 --> 0:07:53.160 use that room very much. It's again, it's only in 0:07:53.200 --> 0:07:56.559 this episode particularly that the sort of memory transference power 0:07:56.680 --> 0:07:59.440 is used. And I'm trying to remember if it's ever 0:07:59.520 --> 0:08:02.200 used again, and I I think the only time is 0:08:02.320 --> 0:08:05.880 Jonathan uses it once later on, or maybe he just 0:08:05.960 --> 0:08:09.080 tells I can't remember, Maybe he just tells clearly about it, 0:08:09.680 --> 0:08:12.160 possibly disuse the demonic. I don't know there's a memory 0:08:12.200 --> 0:08:14.240 shared later, but I will have to we'll have to 0:08:14.240 --> 0:08:19.080 wait and see how it's actually done. Um, but back 0:08:19.200 --> 0:08:21.080 back to when we're you know, when we're in the 0:08:21.080 --> 0:08:22.760 middle of this episode, we do get to see baby 0:08:22.800 --> 0:08:25.760 Jay's who is very adorable. I would have heard you say, 0:08:25.800 --> 0:08:30.840 even when his eyes are black and demonic. But although 0:08:30.960 --> 0:08:32.880 we were just talking about it, Deco was just here 0:08:33.160 --> 0:08:35.480 before She's scooted off to the pool so I could 0:08:35.600 --> 0:08:38.040 do so I can work, and she was so we 0:08:38.040 --> 0:08:40.000 were a bit like, it's a bit rough to sort 0:08:40.000 --> 0:08:43.080 of cool your your baby evil just because he didn't 0:08:43.120 --> 0:08:46.400 like the magnolias, like taking bush, Maybe that was was 0:08:46.440 --> 0:08:48.560 all the issue. Maybe had analogy. There also was a 0:08:48.600 --> 0:08:50.640 bee in that flower. I don't know if anyone noticed 0:08:50.720 --> 0:08:53.959 there was a bee in that flower, Like you don't 0:08:53.960 --> 0:08:55.960 putting a bee next year, newborn. Of course it's gonna 0:08:56.000 --> 0:08:58.640 be piste. I understand that. I'm honestly just based on 0:08:58.640 --> 0:09:02.120 that footage. I'm on on a side. I mean, look, 0:09:02.160 --> 0:09:04.319 maybe he was just trying to protect mom. Maybe Jocelyn 0:09:04.400 --> 0:09:06.040 is allergic to bees and he's like Oh my god, 0:09:06.200 --> 0:09:10.760 be exact. Kill it exactly. I agree. I agree. Plus 0:09:10.760 --> 0:09:12.600 he's a baby, you know, he can't he can't be 0:09:12.600 --> 0:09:16.760 faulted and he just doesn't have a baby. Isn't that 0:09:16.760 --> 0:09:20.360 a TikTok? I don't know. I don't know TikTok. Somebody 0:09:20.360 --> 0:09:22.080 showed me yesterday and I was like, oh, baby, I 0:09:22.080 --> 0:09:26.320 don't know. Anyway, Now we have Clary trying every avenue 0:09:26.400 --> 0:09:28.280 she can to figure out who's going to help her 0:09:28.280 --> 0:09:31.040 get James back. If her mom won't, it goes to Alec, 0:09:31.840 --> 0:09:34.080 who we see in a real spot. He was not 0:09:34.120 --> 0:09:36.360 the guy to go to. He was not happy with 0:09:36.360 --> 0:09:41.520 Clary at all. You have a telescope. I have a 0:09:41.520 --> 0:09:46.480 little telescope. Can you see Alex? Uh animal say Clary 0:09:46.679 --> 0:09:51.720 the telescope? Oh there it is, I got it. Yeah, 0:09:51.760 --> 0:09:56.640 there is yet a little closer device that is cool. 0:09:56.960 --> 0:09:59.720 But you know, we we try Clary, Claire tries to 0:09:59.720 --> 0:10:01.959 apeel to Alec. And this is one of the first 0:10:02.000 --> 0:10:03.480 times I got to work one on one with Matt 0:10:03.800 --> 0:10:08.120 since season one, and he's just great. You know, I 0:10:08.200 --> 0:10:11.440 gotta love some Matt Dadaria gotta loves hi Matt Daria 0:10:11.920 --> 0:10:14.679 Stoody Bassing Magidaria. We know the folks love that at home, Well, 0:10:14.720 --> 0:10:18.160 he loves, he loves, he's good at he's good at 0:10:18.200 --> 0:10:20.800 all of it. But he's what I noticed later on 0:10:20.920 --> 0:10:24.520 is those sort of moments of Catharsis as an actor 0:10:24.520 --> 0:10:27.360 where you get to unleash a little of, maybe some 0:10:27.440 --> 0:10:31.040 of your animosity as a human being throughout something very 0:10:31.040 --> 0:10:33.560 good at those, very very good at those. And also, 0:10:33.600 --> 0:10:35.760 if you haven't seen it, go and watch Why Women Kill, 0:10:35.800 --> 0:10:38.520 because it turns out he's very he's very funny. He 0:10:38.600 --> 0:10:41.360 has been amazing comedic talent as well. So if you 0:10:41.360 --> 0:10:44.200 haven't seen Why Women Kill season two, go and watch 0:10:44.200 --> 0:10:46.800 Why Wold and Kill season two because the Scoots, his Scooter, 0:10:47.000 --> 0:10:50.280 his character Scooter is fantastic. Well, we got to see 0:10:50.320 --> 0:10:53.120 firsthand how funny Magdario is pretty much at any hour 0:10:53.120 --> 0:10:55.000 of the day. But if you'd like to experience it 0:10:55.000 --> 0:10:58.160 yourself at home, check it out. And now we're into 0:10:58.160 --> 0:11:02.600 an interesting part of the show where we get the 0:11:02.679 --> 0:11:06.720 dojo dojo for the first time. He's casting. Valentine is 0:11:06.760 --> 0:11:10.200 casting for new people, kind of have you ever been 0:11:10.240 --> 0:11:12.520 to a dance pool that's just like this, whether everyone 0:11:12.559 --> 0:11:14.200 stands around and they're just like go in the middle 0:11:14.240 --> 0:11:16.960 and do some stuff for us, and it's like horrifying. Yes, 0:11:17.520 --> 0:11:20.480 that's what they've seen reminded me of so true. And 0:11:20.480 --> 0:11:22.600 then it's just the rapture in the middle of it. Yeah, 0:11:22.720 --> 0:11:25.840 And which is how it works in casting. If they 0:11:25.920 --> 0:11:27.760 just like you get at the end of your little 0:11:27.800 --> 0:11:29.679 like moment, they either give you like a nod or 0:11:29.720 --> 0:11:31.440 a shake of the head and you're like, let's either 0:11:31.520 --> 0:11:32.760 lights are on, all the lights are off, and you 0:11:32.840 --> 0:11:36.320 just leave and that's the end of it. Although I 0:11:36.400 --> 0:11:38.560 find that, you know, folks that practice martial arts are 0:11:38.600 --> 0:11:40.960 usually very aware of their surroundings. And the fact that 0:11:41.000 --> 0:11:44.240 these people can't figure out what happened. It's a bit perplexing, 0:11:44.760 --> 0:11:47.600 but you know, it is supernatural. I guess it is supernatural. 0:11:47.679 --> 0:11:49.520 It would have My assumption is the lights went off 0:11:49.520 --> 0:11:51.640 on a portal would have happened, and when he's in 0:11:51.640 --> 0:11:54.400 the portal, that would be my assumption. I don't know. Rewatching, 0:11:54.520 --> 0:11:56.880 now we're back at the institute, with Lydia giving orders 0:11:56.960 --> 0:12:01.240 and Clary being purposely excluded from all this. I couldn't 0:12:01.240 --> 0:12:04.520 help but have flashbacks to like those times in middle 0:12:04.520 --> 0:12:07.320 school and high school when you know you find yourself 0:12:07.360 --> 0:12:13.280 excluded from certain things. It hurt a little bit to rewatch. Yeah, 0:12:13.520 --> 0:12:15.959 nobody wants to be excluded. I was like, I know this, 0:12:16.559 --> 0:12:19.760 although in this case, nobody wants to be excluded. But 0:12:19.840 --> 0:12:25.160 Clary has caused some trouble. They don't know if this 0:12:25.280 --> 0:12:28.360 is the right avenue for her. The same fact, we 0:12:28.400 --> 0:12:31.599 know it's not because we I just got to the 0:12:31.679 --> 0:12:33.120 end of the episode and I know what happens, and 0:12:33.160 --> 0:12:34.520 we know that it's not a good idea for you 0:12:34.559 --> 0:12:37.360 to go on this mission. I mean true, you know 0:12:37.480 --> 0:12:40.319 there's a lot of bias and emotions clouding judgment and 0:12:40.360 --> 0:12:42.600 all those things that Shadow hunder Stock about all the time. 0:12:42.840 --> 0:12:45.440 But you know, you really want to put alder Tree 0:12:45.440 --> 0:12:47.320 in charge of this. Alder Tree is all, you know, 0:12:47.360 --> 0:12:50.160 shoot to kill and Lydia's still you got her own trauma. 0:12:50.240 --> 0:12:53.000 It was Lydia's cool to not send you no I know, 0:12:53.600 --> 0:12:56.480 or invite you to the briefing. It was Lydia's cool. Yeah, 0:12:56.559 --> 0:13:00.199 trust Lydia. We were so just by the way knock 0:13:00.240 --> 0:13:03.040 on effects of you, of you taking your own actions, 0:13:03.120 --> 0:13:05.600 accidentally getting kidnapped by dot spoiler alert should have said 0:13:05.600 --> 0:13:07.120 that first. But a bunch of spoilers are coming out 0:13:07.160 --> 0:13:08.480 here because it's all coming to me all at once. 0:13:08.760 --> 0:13:12.760 Not effect kidnapped by Dot you get hypnotized. Jas ends 0:13:12.800 --> 0:13:15.880 up going on the werewolf hunting mission. Werewolf dies because 0:13:15.920 --> 0:13:20.439 of it. Jas gets blamed Episode three, gets the ship 0:13:20.520 --> 0:13:23.440 kicked out of him by werewolves. I know we're not 0:13:23.480 --> 0:13:27.880 supposed to, but like throwing through a window, okay, okay, okay, 0:13:27.960 --> 0:13:29.680 I get it. I get it. Look, Claire's a baby 0:13:29.679 --> 0:13:32.200 shadow Hunter. She's got she's got some lessons to learn. 0:13:32.320 --> 0:13:35.760 I understand. I know when is she going? Although it 0:13:35.840 --> 0:13:38.880 is sad, It is sad. This is sad, but but 0:13:38.920 --> 0:13:40.480 the one good thing we do get out of it 0:13:40.600 --> 0:13:44.280 is this lovely moment between Clara and Isabelle, and I 0:13:44.320 --> 0:13:46.400 do I do love the beginning of this scene as well, 0:13:46.440 --> 0:13:48.320 because it's been a while since we've seen Clary go 0:13:48.400 --> 0:13:51.200 back to Art's one of those things that's kind of 0:13:51.200 --> 0:13:55.600 the root of who she is and later on becomes 0:13:55.600 --> 0:13:59.560 the root of what her special skill, and you know 0:13:59.720 --> 0:14:01.680 a lot of who who she is as a shadow 0:14:01.720 --> 0:14:04.079 Hunter and who she is as a person. But this 0:14:04.120 --> 0:14:06.600 notebook I always loved, and it was in Clary's room 0:14:06.880 --> 0:14:09.160 for most of the time that we shot the show 0:14:09.360 --> 0:14:13.600 and it they're the amazing lady from our department who 0:14:13.640 --> 0:14:16.840 did all of Clary's drawings, had sketched so many different 0:14:16.880 --> 0:14:19.200 things in this notebook and I would just flip through 0:14:19.200 --> 0:14:21.240 it and find something new every time. And we use 0:14:21.360 --> 0:14:23.560 so many of them in different scenes for different reasons. 0:14:23.600 --> 0:14:25.520 And I'm not even sure if half of it was 0:14:25.520 --> 0:14:29.000 pre planned or if we got there and it just 0:14:29.120 --> 0:14:32.840 ended up exactly. But it's the Institute, and it's Jason, 0:14:32.880 --> 0:14:35.440 it's Simon, it's all of these elements. But you know, 0:14:35.480 --> 0:14:37.160 this is another one of those moments in the show 0:14:37.240 --> 0:14:41.880 where Clary's lost. She has nothing to ground her, Her mother, Jason, Simon, 0:14:41.920 --> 0:14:45.880 they're all kind of gone or against her or in 0:14:46.160 --> 0:14:48.760 a place that she can't reach or doesn't understand. And 0:14:48.760 --> 0:14:52.160 then to have Isabel come in there's another woman in 0:14:52.160 --> 0:14:55.000 this world who could very easily be another one to 0:14:55.040 --> 0:14:58.120 alienate her, and to have this moment of Izzy and 0:14:58.160 --> 0:15:00.680 Clary where they get to bond and we get to 0:15:00.680 --> 0:15:03.840 see this little bit of sisterhood come out, and you know, 0:15:04.000 --> 0:15:06.120 potential for those who have seen the show for the 0:15:06.160 --> 0:15:09.960 future is uh. It's a really lovely moment it is. Yeah, 0:15:10.440 --> 0:15:14.080 little little clues, little sprinklings of clues. This was our 0:15:14.160 --> 0:15:16.920 utility bedroom at this point. I think it's this this 0:15:17.000 --> 0:15:20.360 set actually was. I don't think we had them yet. 0:15:20.400 --> 0:15:23.360 I don't think we had our personal bedrooms that was 0:15:23.400 --> 0:15:26.320 like mid either towards the end. Although we don't spend 0:15:26.320 --> 0:15:28.840 a whole lot of time, especially you and I in 0:15:28.960 --> 0:15:32.040 either of our bedrooms. In the first half season two, 0:15:32.080 --> 0:15:34.840 it's a lot of like in the Woods dying, Yeah, 0:15:35.000 --> 0:15:37.640 where that that happens, a lot of spoiler alert, but this, 0:15:37.640 --> 0:15:41.240 this bedroom I think was Dizzy's, Alex and Clary's throughout 0:15:41.400 --> 0:15:45.120 at least this part of season two. Yeah, poor Simon's 0:15:45.160 --> 0:15:48.040 at loss again. We find Simon. We have a little 0:15:48.040 --> 0:15:56.120 bit of Aler. We do, we do. We're gonna get 0:15:56.160 --> 0:15:58.960 him on the show. Joel is fun. We like Joel. Yeah, 0:15:59.000 --> 0:16:01.400 but we we see the even there's a lot of 0:16:01.400 --> 0:16:04.120 people in the middle of being pulled in different directions 0:16:04.160 --> 0:16:07.040 in this episode, including Luke because he's you know, trying 0:16:07.040 --> 0:16:09.560 to deal with Jason, Simon and Clary all of his 0:16:09.680 --> 0:16:12.240 kids that are all over the place, but also you know, 0:16:12.760 --> 0:16:17.920 Aleric reminds him, hey, guess what back. Yeah, the other responsibilities. Yeah, 0:16:17.960 --> 0:16:21.160 you still got stuff going on. Yeah, Poor Simon then 0:16:21.280 --> 0:16:23.920 is getting bullied by the werewolves. He's got no place 0:16:23.960 --> 0:16:28.800 to be except for the boat. Lesson m persons. The 0:16:28.040 --> 0:16:31.240 basin is what I was trying to say, I think, 0:16:34.320 --> 0:16:37.960 in which we find in said soon we find out 0:16:38.080 --> 0:16:41.000 that Simon sucked up, so I'm sucked up talking to 0:16:41.040 --> 0:16:45.360 older Tree accidentally blamed Raphael for something, and we do 0:16:45.440 --> 0:16:49.880 get this little hint about how like against the Geneva 0:16:49.920 --> 0:16:54.000 connnched convention, the Clave can be like they like this 0:16:54.120 --> 0:16:59.480 active torturing thing, which I think we see later, don't 0:16:59.520 --> 0:17:01.680 we do, but not by the Clays. It's not by 0:17:01.720 --> 0:17:03.880 the Clay, but we do see it happen, right, see 0:17:03.920 --> 0:17:07.399 it happen. Yeah, But the concept of this still happening, 0:17:07.520 --> 0:17:13.280 still continuing, this sort of archaic procedural is horrific and 0:17:13.600 --> 0:17:15.800 sort of you can't help but kind of feel for Rafael, 0:17:15.880 --> 0:17:18.960 or at least I did in this, like sort this out. 0:17:19.200 --> 0:17:21.679 I don't want to get nailed to across and have 0:17:21.960 --> 0:17:24.680 beams of sunlight burn off my this that or the other, 0:17:24.800 --> 0:17:26.240 you know what I mean? Yeah, I mean, at this 0:17:26.240 --> 0:17:29.560 point we've seen that the Raphael isn't you know, the 0:17:29.560 --> 0:17:33.919 the the evil masterminded that we've seen in other episodes. 0:17:34.040 --> 0:17:37.680 He's just a person who is trying to row a vampire, 0:17:37.800 --> 0:17:39.520 a creature who's trying to make his way in the 0:17:39.560 --> 0:17:42.040 world and trying to to do right by his people. 0:17:42.800 --> 0:17:45.800 And Simon doesn't quite understand how the world works yet, 0:17:45.840 --> 0:17:47.480 and very much in the same way that Clary doesn't 0:17:47.560 --> 0:17:51.200 understand how the world works yet. And you know, everybody, 0:17:51.200 --> 0:17:53.720 everybody makes mistakes sometimes, and then we found out that, 0:17:53.840 --> 0:17:56.640 you know, the shadow world has some serious consequences here. 0:17:57.520 --> 0:18:00.840 I love watching these two work together. Though they're great, 0:18:01.160 --> 0:18:03.879 they're just great. They've got such a good chemistry that 0:18:03.960 --> 0:18:08.560 there's always this undertone of humor, but it's usually gallows humor, 0:18:08.680 --> 0:18:12.840 which I appreciate. Well, they're both dead, so that makes sense. 0:18:15.160 --> 0:18:19.560 I'm back on the boat, back in Valentine's Den of Horrors, 0:18:19.600 --> 0:18:22.040 back in the boat with young Jeremy, very handsome young 0:18:22.119 --> 0:18:26.320 Jeremy here who lost his father, lost his father to 0:18:26.400 --> 0:18:30.080 a werewolf and is seeking revenge. And this was a 0:18:30.160 --> 0:18:34.480 cool scene because again fees into that sort of difficult dichotomy, 0:18:34.800 --> 0:18:37.960 because that for a large part of season one was 0:18:38.000 --> 0:18:40.400 sort of Jason's motivation was revenge. In fact, the first 0:18:40.440 --> 0:18:46.480 time we see him kill human or shadowante, that's what 0:18:46.520 --> 0:18:48.680 he says, this is from my father, from my father. 0:18:49.480 --> 0:18:51.200 But then we found out Tricky because you like kind 0:18:51.240 --> 0:18:53.560 of get it, these like young prodigies that have been 0:18:53.640 --> 0:18:58.679 like hurt and want to fix that hurt. Sort of 0:18:58.760 --> 0:19:04.440 understand when just Trick, Hey, you have corrected trauma. Let 0:19:04.440 --> 0:19:07.560 me utilize that and turn your auto weapon. Yeah, and 0:19:07.600 --> 0:19:10.160 that's where we're at. Jason is still unsure, but that's 0:19:10.280 --> 0:19:14.159 the crux of that scene. Jeremy's going on mission, MoMA's 0:19:14.200 --> 0:19:17.000 coming searching for Clary Ferry. Where are you. I've got 0:19:17.000 --> 0:19:19.880 black coffee with lots of sugar, a little bit of callback. Yeah, 0:19:19.920 --> 0:19:23.240 well that's just Clarry. That's black coffee, black with sugar. 0:19:23.320 --> 0:19:26.040 That's Clary's thing. That'sn't my thing, but that that's what's 0:19:26.040 --> 0:19:30.000 going to sort you out on Like brother's gone. You 0:19:30.080 --> 0:19:32.359 just tried to murder him, leave baggage, like I got 0:19:32.440 --> 0:19:36.440 a coffee, and I've got a coffee for you because 0:19:36.480 --> 0:19:39.640 I'm I'm leaving the shadow world behind. In a sense, 0:19:40.440 --> 0:19:42.679 that's this, this is what you're trying to do here. 0:19:42.720 --> 0:19:45.520 You're just like giving up on everything. Yeah, basically because 0:19:45.560 --> 0:19:48.280 nobody wants there's Clary is feeling a little sorry for herself. 0:19:48.440 --> 0:19:50.520 You know. Everybody's like, we don't want you, you don't 0:19:50.520 --> 0:19:53.840 belong to go away, what are you doing here? Just like, well, fine, 0:19:53.960 --> 0:19:57.000 I'll just take a hike them. Wow. I didn't. That's 0:19:57.119 --> 0:20:00.520 I didn't read that when I watched the episode. Probably 0:20:00.560 --> 0:20:03.080 should have because I read the scutch, so I should 0:20:03.119 --> 0:20:05.359 have remembered, but I didn't. I didn't at all. Wow. 0:20:05.400 --> 0:20:06.920 I just thought you were taking a break. I thought 0:20:06.920 --> 0:20:08.840 you were just off, like I just need a little 0:20:08.840 --> 0:20:11.400 me time, which even that I thought was a little selfish. 0:20:11.520 --> 0:20:15.160 But yeah, well whatever, she's a little selfish from time 0:20:15.200 --> 0:20:17.800 to time. We all need some me time. I get it. 0:20:38.280 --> 0:20:40.840 This scene with Clarie walking down the street I have 0:20:41.000 --> 0:20:44.680 very specific memories of because we really weren't supposed to 0:20:44.720 --> 0:20:47.360 be shooting on the street in Toronto, I'm not exactly sure, 0:20:47.720 --> 0:20:49.320 or at least on this part of the street, because 0:20:49.320 --> 0:20:51.719 it was it was near Union Station, it was rush hour, 0:20:52.359 --> 0:20:56.240 and it was me and Matt and I think Glenn 0:20:56.480 --> 0:20:59.040 with a little camp the little camera that we had, 0:20:59.600 --> 0:21:02.080 just just walking down the street back and forth. Right 0:21:02.080 --> 0:21:04.920 there by Union Station. Looks great, it looks great. We 0:21:04.960 --> 0:21:06.560 had a bunch of I think it was one of 0:21:06.560 --> 0:21:09.520 those times where, you know, as some folks may not know, 0:21:09.840 --> 0:21:12.320 when you're shooting in a city on a street, there's 0:21:12.320 --> 0:21:15.040 not often time to get releases from everyone who just 0:21:15.080 --> 0:21:17.240 happens to be there. So instead what they do is 0:21:17.240 --> 0:21:20.280 they put a little sandwich board near where we're shooting, going, hey, 0:21:20.280 --> 0:21:22.240 if you walk past this point, you consent to being 0:21:22.280 --> 0:21:25.359 on camera. And it was one of those times. But 0:21:25.400 --> 0:21:29.480 as rush hour it was they honestly, they all look 0:21:29.880 --> 0:21:34.439 like paid backgrounds. Like everyone behaves flawlessly, nobody's looking at 0:21:34.440 --> 0:21:37.480 the camera. It's incredible. I don't know how they pulled 0:21:37.480 --> 0:21:39.960 that off. They did a really good job. Great job. 0:21:40.040 --> 0:21:45.680 Thank you citizens of Toronto circa. Thank you citizens, so many, 0:21:45.720 --> 0:21:49.800 so many reasons over the course of true. Oh here's 0:21:49.800 --> 0:21:52.280 a little fun tidbit that I didn't catch until right now. 0:21:52.680 --> 0:21:56.280 When we see Alec and Izzy walking into this side door. 0:21:56.600 --> 0:21:58.800 This is the same door I think that we walked 0:21:58.840 --> 0:22:03.119 out of before YouTube Parabatie tracked in episode four because 0:22:03.119 --> 0:22:05.520 it used to be hard tail this side of the studio. 0:22:06.000 --> 0:22:09.040 See him, because do you see the little the little 0:22:09.119 --> 0:22:12.720