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Speaker 1: And time time, time to wake up. Ens angel and

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Speaker 1: Charlottagne the Doctor to practice, club Bitches, the voice of

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Speaker 1: the culture. People watch the Records Club for like news

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Speaker 1: to really be tuned in. It's one of my favorite

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Speaker 1: shows to dude, just because y'all always keep you one hunting,

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Speaker 1: y'all keep your real. They might not watch the news,

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Speaker 1: but they're on Twitter, they're on Facebook, they're you know,

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Speaker 1: they're listening to the rest of the Brothers. It's your ass.

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Speaker 1: So good morning. You want to say yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo good morning. I just felt like

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Speaker 1: doing that. Take good morning, Oh good morning, she's all.

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Speaker 1: I mean, what's up? Past of the planet is Friday.

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Speaker 1: It's Friday. No, Angelie and I are out in Vegas

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Speaker 1: for the I Heart Radio Music Festival. I'm not I'm

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Speaker 1: hearing New York. You're hearing new y'all. Yeah, And we

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Speaker 1: got a special guest joining us this morning. We got

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Speaker 1: a couple of special couple, special guests. Yes, we have it.

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Speaker 1: Kevin Hart and Tiffany had it. He's off, folks right here.

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Speaker 1: You know what I'm saying I'm very biased to both

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Speaker 1: of them, especially Tiffany. Sorry, and also Luke will be

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Speaker 1: joining us, hey man, the og Uncle Luke. It wasn't

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Speaker 1: for Uncle Luke down South of hip hop would not

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Speaker 1: be what it is. A matter of fact, all explicit

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Speaker 1: rap music would not be what it is. You realize,

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Speaker 1: Uncle Luke is the reason that's parented advisory explicit content, yes,

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Speaker 1: stickers on albums. Absolutely, Uncle Luke did not get it.

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Speaker 1: Get it okay? And guess what if there's one person

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Speaker 1: that hasn't been me too that probably might be in

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Speaker 1: the futures, Uncle Luke's uncle. Absolutely, God damn it all right?

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Speaker 1: And also right now, get it off your chests eight

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Speaker 1: hundred five A five one oh five one. If you

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Speaker 1: need to vent, hit us up right now. Maybe you

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Speaker 1: had a bad night, horrible weekend, whatever it may be.

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Speaker 1: That's a horrible weekend, horrible morning. Get it off your chests.

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Speaker 1: Eight hundred five A five one oh five one, Hit

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Speaker 1: us up now. It's a breakfast club, come on it

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Speaker 1: what it's Angela from the breakfast class. And y'all know

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Speaker 1: the iHeartRadio Music Festival is the only place that you'll

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Speaker 1: see all the biggest superstars in the planet. All of

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Speaker 1: it is on one stage live from the Team Mobile

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Speaker 1: Arena and Las Vegas, Childish Gambino, Justin Timberlake, Ray Shermott

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Speaker 1: and Moore. Watch it live today and tomorrow at seven

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Speaker 1: pm Pacific, ten pm Eastern only on CWTV dot Com

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Speaker 1: and the CW app. Per moments that you have to

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Speaker 1: see to believe. Wake up, wake up. Wait, you're time

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Speaker 1: to get it off your chest of black. We want

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Speaker 1: to hear from you on the breakfast. Hey, who's this Victor? Victor?

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Speaker 1: Get it off your chests? Bro? Hey, I just want

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Speaker 1: to stay angel the yata here he Okay, that's huh.

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Speaker 1: That's all you got. No, no, no, no. Where are

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Speaker 1: you from. I'm from Miami? Okay, go ahead. Continue. So

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Speaker 1: let me ask you what what what do I want

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Speaker 1: to do? I'm having an issue baby mama. Hell, I

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Speaker 1: want see what She lets me see my song whenever

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Speaker 1: the hell I want. That's a good thing. Yeah, that

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Speaker 1: doesn't sound like a problem. No, no, it is a

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Speaker 1: problem because I want to see my song. You said,

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Speaker 1: she lets me see my son whenever. I No, no,

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Speaker 1: it doesn't let me see my song. But you got

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Speaker 1: to be it's a big day twenty dozen and does sir? No, No,

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Speaker 1: she doesn't. I said doesn't from the beginning. Okay, does

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Speaker 1: what y'all need to do is set up a schedule

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Speaker 1: and maybe you need to do that through the court

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Speaker 1: system so you can make sure that you see your

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Speaker 1: son at certain specific times that she can't interfere with. Yeah,

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Speaker 1: but I tried that and she won't sign the papers.

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Speaker 1: You know, I've gone through a lawyer. It's been an

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Speaker 1: issue for her to get even served. You can't even

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Speaker 1: serve her. Yeah, all right, and I mean in the meantime.

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Speaker 1: So what is your lawyer telling you have to do

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Speaker 1: in the meantime. Well, we're to wait until she's physically served.

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Speaker 1: So there's really nothing you can do until that happens. Well,

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Speaker 1: you better keep at it, and I would recommend that

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Speaker 1: you keep track up all your conversations with her when text, messages,

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Speaker 1: emails where you're trying to resolve the issue, so you

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Speaker 1: can present all of that in court when it's time. Yeah,

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Speaker 1: good luck, bro. Hello, who's is Hey? They ain't you know?

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Speaker 1: Get it off your chess? Bro? Hey listening man? I

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Speaker 1: was I was listening to you guys talking the other day,

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Speaker 1: and you guys are talking about Cat Williams, uh kind

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Speaker 1: of hating on your comics TI kind of hate it

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Speaker 1: was hate. Well okay, well then you also said that

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Speaker 1: one time when Tracey Williams was kind of hate. You know,

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Speaker 1: Tiffany had a tippy tifty hass. Okay, D'll never really

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Speaker 1: said anything about Mike Epps. When Mike Epps we're talking

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Speaker 1: about how Kevin hartes everybody's kept it funnier than Kevin Hart.

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Speaker 1: That was kind of hating to me. You know, No,

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Speaker 1: that's actually an opinion. I don't mind an opinion opinion.

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Speaker 1: If you say that somebody's funnier, are you saying you

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Speaker 1: don't think somebody's funny. That's actually an opinion. But when

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Speaker 1: you're just saying things like, oh, they're getting movies because

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Speaker 1: they're ugly? Are they people like them because they sleep

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Speaker 1: with white men, that's hate. It's different. I mean, like,

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Speaker 1: I can see what you're saying that, you know, but

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Speaker 1: de'sitely the first time Mike Epps has come at kept

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Speaker 1: had it always feels like he's saying that about Kevin Hart.

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Speaker 1: Because Kevin Hart's up there, he, like everybody else is

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Speaker 1: saying but you don't know. I mean, I think Mike

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Speaker 1: is being They're both funny personally, but you know, they

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Speaker 1: are kind of like taking a shot at Kevin for

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Speaker 1: being up there in my opinion. I mean, listen, you

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Speaker 1: probably right, but I can honestly say that every time

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Speaker 1: I hear Mike evs, it's always an opinion, you know

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Speaker 1: what I'm saying. Whether that opinion is hate or not,

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Speaker 1: it doesn't matter. As long as it's a valid opinion.

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Speaker 1: I can argue a valid opinion. You can't just state

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Speaker 1: things that are supposedly fact but they're incorrect. She's in

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Speaker 1: the movies because she sleeps with white men like that,

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Speaker 1: don't make it have nothing to do with nothing said

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Speaker 1: her ex husband is right, that's not even true. It's

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Speaker 1: not even true. Hello, who's this smart? Hey man, I'll

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Speaker 1: get it off your chest, Get off podcast. I think

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Speaker 1: Chris Brown is a sellout, right, It's the kind of

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Speaker 1: cause I like in the morning, say that. Well, recently

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Speaker 1: he posted, uh ka Kaepernick, right, Kaepernick man, Kaepernick. Sorry,

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Speaker 1: but he's doing a video with racist. Who's the racist?

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Speaker 1: He did a video Agne's mo chick, some Agian chick

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Speaker 1: keep kissing all over in the video. Her name is

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Speaker 1: agnes Mo. Agnes Mo. Yeah, I think that's what did

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Speaker 1: she do? Well? It went around, Um, I g that

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Speaker 1: he that she was in an Indonesian TV show and

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Speaker 1: they did black face and she was too entertained by

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Speaker 1: Oh she was laughing too hard. Oh hell yeah, Oh okay,

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Speaker 1: I don't know what to tell you. I don't have

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Speaker 1: enough information. Yeah, we don't know enough about that. We

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Speaker 1: don't know culturally, was you know what? Well? Yeah, Well,

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Speaker 1: what I keep hearing is the Indonesian people who get

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Speaker 1: mad at me because I said something about it, because

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Speaker 1: I tweeted the video, keeps telling me it's cultural to

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Speaker 1: make fun of black folks by wearing black face. Oh

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Speaker 1: that's the case, and that's definitely racist. Well that's what

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Speaker 1: I keep hearing. And why I said Chris to sell out,

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Speaker 1: that's because Chris knows. And actually he got my account

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Speaker 1: deleted because I tweeted the video. Really, yeah, he took

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Speaker 1: the time out to get your accounts deleted. I need

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Speaker 1: to hit Chris up and find out who is connection

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Speaker 1: is because I need to you meet some account you

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Speaker 1: mean who used to but get it off your chests

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Speaker 1: eight hundred and five eight five one on five one.

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Speaker 1: If you need to vent hit this up now. It

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Speaker 1: is the breakfast club. Good morning, the breakfast club. Pick

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Speaker 1: up the mother mother phone and down. This is your

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Speaker 1: time to get it off your chat nother, your manas

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Speaker 1: you wann't hear from you on the breakfast club, so

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Speaker 1: you better have the same energy. Hello, who's this dog?

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Speaker 1: Ain't get it up chess bro. Yeah, to talk about

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Speaker 1: my business. It was just burglar rising. The other thing.

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Speaker 1: I had ad T as a security servant and uh

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Speaker 1: these burglars were in my shop. So about fifteen minute

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Speaker 1: part of my long one off and uh ad didn't

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Speaker 1: notify you, They didn't call the police and nothing. Well,

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Speaker 1: this would have happened many they know tided missed fifteen

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Speaker 1: minutes Lake. I missed the call because I had just

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Speaker 1: got off a flight from Vegas. So they called me

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Speaker 1: at two thirty in the morning. I missed the call.

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Speaker 1: They called HPD h TD Songs to respond. Ten minutes

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Speaker 1: later after my long going off, they stand for a

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Speaker 1: loan and the criminals cut back into my shot finishing all.

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Speaker 1: If they called you when they were supposed to call

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Speaker 1: you because you were on the flight, that's not their problem.

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Speaker 1: That's your problem. But this would be an alternative number

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Speaker 1: that they also called. And shouldn't the police be notified

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Speaker 1: to come right away right away? Now that att calls

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Speaker 1: you first, and then if they and then they call

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Speaker 1: the police, they call a second number first, and then

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Speaker 1: it's the second number doesn't answer whatever it means, then

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Speaker 1: they call the police. We'll see we we were just

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Speaker 1: coming back from we were just coming back from ladies

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Speaker 1: and uh and they that's I got surrender to my

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Speaker 1: in my store. So they weren't in my store for

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Speaker 1: let us kind of my most of them am going off.

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Speaker 1: They called me a two tons five. I missed the

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Speaker 1: call then not the five police right away and police

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Speaker 1: never showed up. Yeah, that's not the that's not at

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Speaker 1: that's the police. Let me ask you a question. One,

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Speaker 1: do you have um? What you should do now is

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Speaker 1: you have in shurance? I'm sure I do, all right, sir,

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Speaker 1: be covered. But what you should do now is what

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Speaker 1: I stole to my house is I have motion senses.

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Speaker 1: So anytime a camera moves in the fires me on

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Speaker 1: my phone and then if you don't wait, it notifies

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Speaker 1: my pops. So no matter what happens, if it's a dear,

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Speaker 1: if it's a beer, if it's my dog, if it's

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Speaker 1: my kids. I got so many motion senses in the

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Speaker 1: house that it always notifies me so I can continue

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Speaker 1: to check. Yeah, I had all that, and all that

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Speaker 1: was a place, so my thing. This is what I

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Speaker 1: felt like. They didn't do everything enough power to try

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Speaker 1: to contact me, you know what I mean, because then

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Speaker 1: silence my alarm. After ten minutes this criminals came back

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Speaker 1: in and started cleaning the house. They were in my shop.

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Speaker 1: That's what they still without with percussing man. They still

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Speaker 1: a whole bunch of inventory from my black room. They

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Speaker 1: hit my register with half pettycash and what kind of shot, bro,

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Speaker 1: it's a man's street where Colden staring out here? Instance.

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Speaker 1: Sorry brother, that sucks. Yeah, I mean, it's just it's

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Speaker 1: just a service I got. You say, these people fired

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Speaker 1: about two thousand dollars a year and then one time

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Speaker 1: you needed it right and the one thing that I

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Speaker 1: needed it to make a count. They're trying to say

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Speaker 1: that they're not responsible after ninety days equipment, you know.

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Speaker 1: Then they try to give you a whole room on

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Speaker 1: just to get someone you have to come walk on.

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Speaker 1: I'm sorry for you, bro, Well, shout out your shot.

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Speaker 1: But Lisa, when you get it, when you get everything back,

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Speaker 1: people know where the coach shop. Yeah, straight up, man,

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Speaker 1: y'all come to the sud Urban. I saw Houston. We're

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Speaker 1: located on the southeast. Shout us Houston, y'all come mess

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Speaker 1: with us with Terry Babe, Supreme everything. Y'all come as

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Speaker 1: with us and that message when they're open. Damn it. Man,

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Speaker 1: all right, sorry for you brother there. It ain't gonna

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Speaker 1: be well. I ain't gonna lie. It's not too many

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Speaker 1: people wear suprem and Baby. That stuff is expensive. So

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Speaker 1: if you see people in Houston wearing that, you kind

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Speaker 1: of know where it came from. Oh yeah, you got it,

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Speaker 1: you got it. Couldn't just care, all right, brother, Yeah,

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Speaker 1: I appreciate your Breakfast Club. Damn get it off your chest.

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Speaker 1: Eight hundred five eight five one on five one, don't move.

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Speaker 1: It's to Breakfast Club. The Morning, the Breakfast Club. DJ

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Speaker 1: Envy Angela Yee, Charlomagne, the guy. We all the Breakfast Club.

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Speaker 1: Now we're out in Vegas for the I Heart Radio

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Speaker 1: Music Festival. Charlemagne is actually here. I'm here now. Who

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Speaker 1: are you looking forward to see you. I'm looking forward

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Speaker 1: to seeing Mariah Carey. Of course. I'm looking forward to

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Speaker 1: seeing Ray Shermann, Um logic. Who else do I want

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Speaker 1: to see? Justin timber Lag little UZI Vert. Yeah, I'm

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Speaker 1: looking forward to seeing Tiffany Addis and Kevin Hart. Oh

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Speaker 1: and chw does Gambino by the way, Okay, I want

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Speaker 1: to see Gambino. I actually saw his last show here

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Speaker 1: and New York City at the Garden. But he's gonna

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Speaker 1: be performing at the I Heeart Festival and his show

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Speaker 1: is amazing, just all of the effects that he has

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Speaker 1: and everything. He's very dramatic, so you guys will enjoy it,

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Speaker 1: and I can't wait to see what he does. Speaking

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Speaker 1: of drama, I'm looking forward to seeing Tiffany hash and

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Speaker 1: Kevin Hart. H they'll be here next time, they'll be

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Speaker 1: here next day. They've been a trending topic for the

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Speaker 1: past couple of weeks. We're gonna play some music and

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Speaker 1: then we're gonna get back with them, all right, So

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Speaker 1: when we come back, Tiffany Haddish, Kevin Hart. Of course,

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Speaker 1: Night School comes out next Friday. We're gonna talk to

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Speaker 1: them next. You don't move, It's to breakfast club. More,

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Speaker 1: what did everybody's d j Envy Angela Yee, Charlomagne the guy.

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Speaker 1: We are the breakfast club. We got some special guests

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Speaker 1: in the building. Yeah, yeah, yeah, you give He had

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Speaker 1: us in, Kevin, Why are you screaming? Man? I'm happy

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Speaker 1: to see them too. For dam energetic I to get

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Speaker 1: him tivin here complaining about chads that he bought, saying

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Speaker 1: if the chads won't go up, No, I'm complaining about

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Speaker 1: the chairs that I But I just don't understand. When

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Speaker 1: you guys know I'm coming. You should have my setting ready.

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Speaker 1: You know what you about what I bought us, about

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Speaker 1: what I need. I told you that this is I'm

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Speaker 1: not saying that you gotta make it a public thing.

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Speaker 1: But put all that's too late. Yeah. My torsos longer, Yeah,

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Speaker 1: tivity is taller. It's fine. Let's I'm making thing out

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Speaker 1: of it. I'm okay doing. I don't know. I don't

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Speaker 1: know where to start with, y'all. Let's start night school.

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Speaker 1: Let's let's start different business. Let's start there, night school

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Speaker 1: hitting theater September twenty eighth, excited, Why, I'll tell you why? Uh? First,

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Speaker 1: he got them right at Jaques, I can see the hell.

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Speaker 1: I want to talk about this movie too. Uh. Reason

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Speaker 1: why because it's the first movie underneath my production umbrella,

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Speaker 1: Heartbeat Productions. Uh. Taking it a step further, you know,

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Speaker 1: from just being the talent, turning the business the business

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Speaker 1: notch up and then doing so. I wanted to put

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Speaker 1: myself in a position to win. So I teamed up

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Speaker 1: with my guy Will power Packer again. Uh. This is

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Speaker 1: our seventh movie together. Four number one's, two number twos

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Speaker 1: hopefully we were talking about one more number one and

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Speaker 1: coming off of a number one success, I said, dude,

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Speaker 1: it makes no sense to not have Tiffany Hats be

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Speaker 1: a part of my first movie, especially understanding Historian where

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Speaker 1: she's coming from. So we cast to Tiffany in the movie,

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Speaker 1: along within another amazing group of actors and actresses. H

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Speaker 1: the list is too long the name and you know

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Speaker 1: right now we're talking about something that was built from

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Speaker 1: the ground up. How much money of you and Will

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Speaker 1: mean together so far? A lot of money, A lot

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Speaker 1: of money. Don't need to get into numbers. Okay, Now,

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Speaker 1: Whilight School have you have you ever been in school?

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Speaker 1: Either of you? I can tell you the whole story

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Speaker 1: behind night School and uh, and the reason behind it

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Speaker 1: is is something that I think people will be able

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Speaker 1: to relate to. Um. You know, it's a movie about

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Speaker 1: second chances in life. So many people do things the

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Speaker 1: first time around and may or may not get it right,

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Speaker 1: and they're doing so you feel like it's over. In

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Speaker 1: this particular case, education is the forefront of the story,

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Speaker 1: and so many people that don't embrace education properly end

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Speaker 1: up going back to have to do it again. And

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Speaker 1: what you find out is when you embrace it the

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Speaker 1: second time, you do it correctly, and the opportunities in

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Speaker 1: life are still there and it may even be more. Uh.

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Speaker 1: This is a movie that embraces that. This is a

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Speaker 1: movie that highlights that, and we do it from a

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Speaker 1: funny perspective, but that people can relate to improve that.

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Speaker 1: I got my diploma in night school. I'm so well spoken.

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Speaker 1: And as we go on, yes, so how were you

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Speaker 1: guys as students in school? In real life? I was okay,

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Speaker 1: I was all right, you know, I did, I did.

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Speaker 1: I had a two point five right, everything that's not

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Speaker 1: all right? I gradual. I graduated. I had a lot

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Speaker 1: of credits because I went to summer school every year. No,

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Speaker 1: because I didn't want to get in any trouble and

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Speaker 1: it was boys in summer School of Education. I celebrated

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Speaker 1: the two point five. I'm talking about exactly what I'm

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Speaker 1: talking about. Listen, we hate these conversations about equal pay

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Speaker 1: in Hollywood and tipping cab, y'all both are on the bill.

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Speaker 1: How does that work out? Look? I know what you know. Look,

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Speaker 1: I'm all about the female, the female growth, especially in entertainment.

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Speaker 1: You know. I think that that women and the voices

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Speaker 1: that are coming from these women should be heard. The

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Speaker 1: opportunities should be given that money. Though I don't think so,

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Speaker 1: but you know what he's producing on it and what

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Speaker 1: you know, but he we both just got houses. You know.

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Speaker 1: His house is in the hills somewhere. We can't find it.

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Speaker 1: My houses in South Central. No. Look, I think that

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Speaker 1: the conversation is one that needs to be had, and

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Speaker 1: now that it's being had, you're going to see more

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Speaker 1: opportunities for women to get what they've been requesting and

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Speaker 1: what they deserve. Um, I think it's all it's all

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Speaker 1: project dependant. It's all about U. The level of stars

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Speaker 1: that you're dealing with, and you know, you you have

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Speaker 1: to understand. How do you know what your level is?

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Speaker 1: All within box office draw What people ignore is that

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Speaker 1: within the talent, this box office drawing, this box office success,

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Speaker 1: this is the biggest start in the movie. So she

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Speaker 1: should be You know what, if that's what people personality

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Speaker 1: this week, I would bottle that my system. That was

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Speaker 1: the case, I'll tell you the difference in old ka

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Speaker 1: Hart and I use this as a segue. Okay, the difference,

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Speaker 1: the difference in me. If that was the case, there

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Speaker 1: is no reason to put a dimmer on that light.

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Speaker 1: The reason why I say that is because I've been there.

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Speaker 1: I'm there, I sit in the chair. I sat in

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Speaker 1: this chair for a long time. Naturally, there's other people

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Speaker 1: that will come behind and will surpass. Wherever you are

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Speaker 1: in this business, when that happens, you support it, especially

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Speaker 1: when you're coming from a position where there's been a

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Speaker 1: demand for people of color to get a shot. So

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Speaker 1: here's my frustration. Because I know you're gonna get into it,

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Speaker 1: let me tell you my frustration. Here's kind of frustration. Okay,

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Speaker 1: I'm gonna tell you it's been on my mind, what's

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Speaker 1: been on my heart? Heavy. I want to talk about

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Speaker 1: the movies sold the movie is gonna be out all right. Now,

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Speaker 1: I want to get to what's really bothering me. Okay,

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Speaker 1: I want to ask black people what we want? What

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Speaker 1: do we want? We complain that people of color weren't

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Speaker 1: getting opportunities in Hollywood. We were getting ignored for the Oscars.

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Speaker 1: For the end, it was a big thing. After that

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Speaker 1: big thing, people of color got recognized for their hard work,

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Speaker 1: for their efforts and run awards. People of color also

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Speaker 1: one Emmy's. People of color are now being giving opportunities

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Speaker 1: to start to lead in various projects. People according to something, Okay,

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Speaker 1: when the people have when the people of coloring in

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Speaker 1: these opportunities at why are the people of color the

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Speaker 1: ones that are tearing the people that are getting the

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Speaker 1: opportunities down. My frustration comes from you don't realize when

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Speaker 1: I preach about the crabs and the barrel mentality that

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Speaker 1: eventually we have to take responsibility for our actions. So

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Speaker 1: if I'm looking at people that share my craft, I'm

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Speaker 1: going to bring up the people that Kat William's name,

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Speaker 1: Little Rel, Gerard Carmichael, Hannibal Birds, myself, Tiffany Hattish correct

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Speaker 1: little Rel is seeing so much success after doing a

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Speaker 1: special relevant. He went on to get out. He now

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Speaker 1: has a show that he's producing and starting in on Fox.

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Speaker 1: Gerard Carmichael had his own show and he started wrote, produced.

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Speaker 1: Gerard Carmichael was on to a second special. Hannibal Burrs

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Speaker 1: saw success within comedy specialism is now doing various movies,

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Speaker 1: are getting the opportunity to have features into having presents.

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Speaker 1: Me Kevin Hart, the guy that sits on top right now,

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Speaker 1: have taken advantage of all the money that I have

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Speaker 1: a shot over fifty six specials for the upcoming generation

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Speaker 1: of comedy. Why because I'm trying to create opportunities for us.

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Speaker 1: We wasn't complaining about it. I'm fixing it. I'm putting

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Speaker 1: my money when months. I also take four responsibility for

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Speaker 1: any and everything that I've done in the business, good

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Speaker 1: or bad. All right, we have more with Kevin Hart

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Speaker 1: and Tiffany Hattis who don't move. It's to breakfast Club.

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Speaker 1: Good Morning, the breakfast Club Morning. Everybody is DJ Envy

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Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast Club.

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Speaker 1: We got special guests in the building. Tiffany Haddish and

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Speaker 1: Kevin Hart go off Cavi, they go off my frustration

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Speaker 1: with Kat Williams comes from you keep pointing at Hollywood, Hollywood, this,

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Speaker 1: the white man, this, this and this. When do you

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Speaker 1: take responsibility for your actions? You had the shot? Cat

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Speaker 1: was in that position. You were the guy, you were

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Speaker 1: set up to be the star. You didn't show up

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Speaker 1: to work, You've off promo shoots. You became a risk

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Speaker 1: to the studios, which is why the studio stopped. He

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Speaker 1: chose drugs. Take responsibility for what you chose and say,

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Speaker 1: you know what, I gotta fix me and I'm gonna

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Speaker 1: come back, and I'm a stand up for comedy. So

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Speaker 1: when you say Tiffany Hattish doesn't deserve or isn't really

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Speaker 1: a comedian and these other women have worked hard, which

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Speaker 1: they have shots out to Melanie Comancho, shots out to

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Speaker 1: Lou Now, shots out to Leslie Jones, who are all

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Speaker 1: beneath the umbrella of Kat Williams. Cat Williams, have you

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Speaker 1: ever used your platform to bring the people that were

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Speaker 1: under you up? You haven't, So because you haven't, don't

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Speaker 1: knows that now are I've used my platform and I've

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Speaker 1: brought my guys and girls. Oh. The brand of Kevin

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Speaker 1: Hard is a brand that's expanded so far far. Whether

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Speaker 1: you like me or not, My presidents a comedy will

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Speaker 1: forever be felt Because I'm a boss. I sit on

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Speaker 1: the top of it and the opportunities that I'm giving

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Speaker 1: all the ones that I'm creating. So take responsibility for

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Speaker 1: what you did. You've you nobody else did? You don't

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Speaker 1: hear Chris Rock, Dave Chappelle, The Kings of Comedy, Seinfeld,

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Speaker 1: You don't hear George Lopez, Eddie Griffin. Who else can

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Speaker 1: I go down? The road of other comedians? Steve Martin

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Speaker 1: Martin Short, you don't hear now. Guys that got on

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Speaker 1: time and that made it by doing what they love,

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Speaker 1: complain about the people that are coming under them. The

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Speaker 1: reason why it's because they're happy with themselves. Don't blame

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Speaker 1: everybody else for your don't show my Sister Light because

420
00:21:33,359 --> 00:21:36,320
Speaker 1: you're not happy with Sis. This has earned, it's not given.

421
00:21:36,320 --> 00:21:38,879
Speaker 1: I don't give you a Tiffany Hash fan. It's earned.

422
00:21:39,280 --> 00:21:41,479
Speaker 1: Tiffany has got years in the game. It's not an

423
00:21:41,480 --> 00:21:44,080
Speaker 1: accident that Tiffany Hash got an opportunity to start in

424
00:21:44,119 --> 00:21:46,679
Speaker 1: the movie. It's not an accident that that character popped

425
00:21:46,720 --> 00:21:49,679
Speaker 1: in the movie. Written or not written, a character has

426
00:21:49,720 --> 00:21:51,760
Speaker 1: to pop it, and he even acknowledged the years that

427
00:21:51,800 --> 00:21:53,720
Speaker 1: you've put in before that. Now I want to ask

428
00:21:53,760 --> 00:21:57,480
Speaker 1: you are very classy in your response in social media,

429
00:21:57,520 --> 00:22:00,119
Speaker 1: because the first thing I thought was, that's after, what's

430
00:22:00,119 --> 00:22:02,280
Speaker 1: Tiffany gonna say? Because it has to be hurtful when

431
00:22:02,320 --> 00:22:04,719
Speaker 1: somebody said something like that. Especially I'm sure you are

432
00:22:04,720 --> 00:22:07,040
Speaker 1: a fan of his, you know at some point I

433
00:22:07,080 --> 00:22:09,200
Speaker 1: still I'm a fan of his. I think he's hilarious.

434
00:22:09,359 --> 00:22:11,960
Speaker 1: So what did you think when you heard that? Before

435
00:22:12,000 --> 00:22:14,080
Speaker 1: you respond? Well, I thought I was like, damn, what

436
00:22:14,119 --> 00:22:15,760
Speaker 1: did I do to him? Did I? His? Man? And

437
00:22:15,880 --> 00:22:23,400
Speaker 1: then I was like, beautiful, That's what I thought. That's

438
00:22:23,440 --> 00:22:25,359
Speaker 1: what I always think when people say many things. I

439
00:22:25,440 --> 00:22:27,119
Speaker 1: always think that because I think they got to be

440
00:22:27,200 --> 00:22:29,440
Speaker 1: I must have tell me something, I must have did something.

441
00:22:30,359 --> 00:22:32,639
Speaker 1: And then I realized I never did nothing to that man. Then,

442
00:22:32,800 --> 00:22:34,680
Speaker 1: and then when I started like really listening to it,

443
00:22:34,760 --> 00:22:36,840
Speaker 1: I was like, oh, he got his facts wrong. He's

444
00:22:36,880 --> 00:22:39,200
Speaker 1: obviously not paying attention to me, and somebody must have

445
00:22:39,200 --> 00:22:41,920
Speaker 1: been complaining to him about me or whatever, and maybe

446
00:22:41,960 --> 00:22:43,639
Speaker 1: he felt some type of way. I don't know. I

447
00:22:43,960 --> 00:22:46,000
Speaker 1: just feel like, well, you know, it is what it is.

448
00:22:46,160 --> 00:22:49,160
Speaker 1: I don't I'm not tripping, I'm not mad, I'm not upset.

449
00:22:49,200 --> 00:22:50,959
Speaker 1: But did he apologize because we've seen a picture there.

450
00:22:51,160 --> 00:22:54,040
Speaker 1: The first thing he apologized, he said less and less

451
00:22:54,080 --> 00:22:56,600
Speaker 1: and less and let men explain what's going on, and

452
00:22:56,760 --> 00:22:59,080
Speaker 1: then he explained himself. And then I was just like, well,

453
00:22:59,160 --> 00:23:01,400
Speaker 1: you know what, did he explain it? Kind of explanation?

454
00:23:02,560 --> 00:23:04,680
Speaker 1: I want to step because I'm gonna let my sister

455
00:23:04,840 --> 00:23:07,680
Speaker 1: keep it classy. Yeah, he's just somebody kicked my sister

456
00:23:07,800 --> 00:23:10,119
Speaker 1: ball over the fence. I want it back. It doesn't

457
00:23:10,160 --> 00:23:13,760
Speaker 1: matter what he said. It doesn't matter what the apology was.

458
00:23:13,960 --> 00:23:15,960
Speaker 1: You didn't like. It's not about the apology. And I

459
00:23:16,040 --> 00:23:17,520
Speaker 1: want to get this very clear. I want to make

460
00:23:17,560 --> 00:23:20,760
Speaker 1: it very clear. Cat Williams is an amazing talented comedian,

461
00:23:20,960 --> 00:23:23,840
Speaker 1: which is why I'm so frustrated. I sit from afar

462
00:23:24,040 --> 00:23:27,359
Speaker 1: and I admired a man's talent. I don't like that

463
00:23:27,480 --> 00:23:31,239
Speaker 1: you said anything negative about a woman of color that's

464
00:23:31,280 --> 00:23:34,080
Speaker 1: getting her shot, saying to me, I'll take it all

465
00:23:34,480 --> 00:23:36,879
Speaker 1: hate me. You do seem to be more offensive about this.

466
00:23:37,640 --> 00:23:41,760
Speaker 1: I have said back, I have ever been the humble guy.

467
00:23:42,400 --> 00:23:45,080
Speaker 1: I have time to not be humble today, I have

468
00:23:45,200 --> 00:23:47,840
Speaker 1: time to fact check everything he said, because the world

469
00:23:47,880 --> 00:23:50,320
Speaker 1: of Kat Williams is a fictional world. Is he selling?

470
00:23:57,000 --> 00:23:58,880
Speaker 1: I was like, when was she married to a white man?

471
00:24:00,280 --> 00:24:02,639
Speaker 1: I was like, because I've not been proposed to buy

472
00:24:02,680 --> 00:24:04,760
Speaker 1: a white man before, and they found out he was

473
00:24:04,800 --> 00:24:07,000
Speaker 1: really black when we did that DNA test. But it

474
00:24:07,280 --> 00:24:08,840
Speaker 1: is what it is. So you weren't married to a

475
00:24:08,880 --> 00:24:12,920
Speaker 1: white man. No, No, I know that. But two point

476
00:24:12,960 --> 00:24:15,960
Speaker 1: four million tickets on his last tour. That's more than

477
00:24:16,040 --> 00:24:18,119
Speaker 1: beyond fan jay Z. That's more than Justin bieber and

478
00:24:18,200 --> 00:24:21,720
Speaker 1: Justin Timberlake. That's more than Billy Joe Eagle. That's one

479
00:24:21,840 --> 00:24:26,320
Speaker 1: Beyonce and Justin Timberlake combined. You understand how many tickets

480
00:24:26,400 --> 00:24:28,920
Speaker 1: two point four men and tickets are right now? You

481
00:24:29,000 --> 00:24:32,879
Speaker 1: can google it. It's all researchable information. I'm sitting on

482
00:24:32,960 --> 00:24:35,720
Speaker 1: one point three mini tickets sold. There is nobody close

483
00:24:35,800 --> 00:24:39,840
Speaker 1: to me in ticket sales and comedy, and I am worldwide.

484
00:24:40,200 --> 00:24:43,760
Speaker 1: I am on par with the likes of your Bruno Mars,

485
00:24:43,800 --> 00:24:46,919
Speaker 1: your jay Z and Beyonce. So in comedy it's unheard

486
00:24:46,960 --> 00:24:50,360
Speaker 1: of to get those numbers. Also, to say fifteen consecutive

487
00:24:50,400 --> 00:24:53,600
Speaker 1: one hundred city tours. It's false. Where did you do

488
00:24:53,760 --> 00:24:55,680
Speaker 1: the new stuff? When did you ever work on something?

489
00:24:55,760 --> 00:24:59,000
Speaker 1: Consecutive means in a row where there's a Forbes list

490
00:24:59,320 --> 00:25:01,560
Speaker 1: every year to come out. Go back to two thousand

491
00:25:01,600 --> 00:25:02,960
Speaker 1: and seven, Go back to two thousand and six. Cat

492
00:25:03,040 --> 00:25:04,879
Speaker 1: Williams has never been on it. Go back to my

493
00:25:05,000 --> 00:25:07,040
Speaker 1: last five years in comedy. I have one year where

494
00:25:07,040 --> 00:25:09,400
Speaker 1: I got number one. This year I'll be number one again.

495
00:25:09,680 --> 00:25:11,119
Speaker 1: I have one year while I was number three. The

496
00:25:11,200 --> 00:25:13,800
Speaker 1: other years i'm number six, I'm number seven. These lists

497
00:25:14,119 --> 00:25:18,320
Speaker 1: are researchable. Another fact, a hard fact. Kat Williams is

498
00:25:18,440 --> 00:25:21,600
Speaker 1: not owned all the specials. He trashes the white man.

499
00:25:22,040 --> 00:25:24,719
Speaker 1: The white man owns your content. So Cat Williams own

500
00:25:24,760 --> 00:25:30,680
Speaker 1: that false is false. I am now coming to get

501
00:25:30,840 --> 00:25:33,840
Speaker 1: my sister's ball that was over the fence. I think

502
00:25:33,840 --> 00:25:37,280
Speaker 1: you got it. I am only saying this because of

503
00:25:37,359 --> 00:25:40,919
Speaker 1: how you attack innocent people. Yes, Partiffity does have an

504
00:25:40,960 --> 00:25:43,720
Speaker 1: hour stand up special show tim From the Hood to Hollywood.

505
00:25:43,800 --> 00:25:47,119
Speaker 1: You got two. Also, Netflix specials are not given by

506
00:25:47,240 --> 00:25:49,240
Speaker 1: what you sell on the road. That's the most ridiculous

507
00:25:49,240 --> 00:25:51,520
Speaker 1: I've heard of my life. Another fact, So it's not

508
00:25:51,560 --> 00:25:55,240
Speaker 1: about tickets, No, what about about tickets. It's about your brand.

509
00:25:55,320 --> 00:25:58,320
Speaker 1: It's about your return. If I'm a business and I

510
00:25:58,400 --> 00:26:00,080
Speaker 1: want to invest a high amount of money in you,

511
00:26:00,440 --> 00:26:03,959
Speaker 1: how am I getting my money back? Everybody can't demand

512
00:26:04,040 --> 00:26:06,920
Speaker 1: the money if you can't justify how I'm getting my

513
00:26:07,000 --> 00:26:10,400
Speaker 1: money back. All these announcements came out for the specials.

514
00:26:10,440 --> 00:26:13,119
Speaker 1: I kept minding the wraps just because Nothings gave me

515
00:26:13,160 --> 00:26:26,240
Speaker 1: forty million dollars. This is a fact. Listen, like I

516
00:26:26,400 --> 00:26:33,159
Speaker 1: told you about it. The part that I'm making is

517
00:26:33,240 --> 00:26:36,840
Speaker 1: that that's information. This is all research for information if

518
00:26:36,880 --> 00:26:38,880
Speaker 1: you go look for it. I just told to keep

519
00:26:38,880 --> 00:26:41,200
Speaker 1: it to myself because I don't care. I'm only saying

520
00:26:41,240 --> 00:26:43,800
Speaker 1: this now because I'm fat checking what was put out

521
00:26:43,880 --> 00:26:46,680
Speaker 1: as fiction. That's not how they do deals with that

522
00:26:46,800 --> 00:26:50,000
Speaker 1: being said, once again, when you look at all the

523
00:26:50,080 --> 00:26:53,880
Speaker 1: comedians that are up and coming, young, old, whatever. As

524
00:26:53,920 --> 00:26:56,439
Speaker 1: a comedian that's sitting in a position of power, if

525
00:26:56,480 --> 00:26:59,520
Speaker 1: you've got any financial growth, put your money where your

526
00:26:59,560 --> 00:27:02,119
Speaker 1: mouth is and you changing so if you got a

527
00:27:02,160 --> 00:27:04,600
Speaker 1: team of people what she does, which are very funny.

528
00:27:04,880 --> 00:27:07,679
Speaker 1: Once again, shall out the red grit Man mancho lou

529
00:27:07,880 --> 00:27:10,159
Speaker 1: now Leslie Jones that was there for a minute and

530
00:27:10,320 --> 00:27:12,040
Speaker 1: knows them all. I love old people, but I can't

531
00:27:12,119 --> 00:27:14,040
Speaker 1: name one of these jokes. It doesn't matter. I would

532
00:27:14,160 --> 00:27:16,200
Speaker 1: never shut on them at West said, I would say,

533
00:27:16,480 --> 00:27:19,520
Speaker 1: take your money and create opportunities for them so they

534
00:27:19,560 --> 00:27:21,840
Speaker 1: can pop within your brand and make you better. All

535
00:27:21,840 --> 00:27:24,600
Speaker 1: the negativities that I receive from Kat Williams and Mic Ups.

536
00:27:24,960 --> 00:27:27,840
Speaker 1: Ask yourself, why those two people that themselves over the

537
00:27:28,359 --> 00:27:34,400
Speaker 1: same movie time to talk with all today? I said,

538
00:27:34,440 --> 00:27:36,439
Speaker 1: they both got their break in the same movie. They

539
00:27:36,520 --> 00:27:39,040
Speaker 1: both popped on the same movie Friday, Friday after next.

540
00:27:39,119 --> 00:27:40,720
Speaker 1: All right, we have more with Kevin Hart and Tiffany

541
00:27:40,760 --> 00:27:43,240
Speaker 1: Hadis who don't move. It's the Breakfast Club. Good Morning Morning.

542
00:27:43,320 --> 00:27:47,119
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

543
00:27:47,200 --> 00:27:50,320
Speaker 1: are the Breakfast Club. We got special guests in the building,

544
00:27:50,600 --> 00:27:53,800
Speaker 1: Tiffany Haddish and Kevin Hart. You get along with any

545
00:27:53,840 --> 00:27:56,439
Speaker 1: of your peers with everybody man Blacking and you had

546
00:27:56,480 --> 00:27:58,560
Speaker 1: a little thing but Mike Blacks and fine, that was

547
00:27:58,640 --> 00:28:01,880
Speaker 1: more about man Mike Blacks and knowing each other for real.

548
00:28:02,560 --> 00:28:07,040
Speaker 1: You let this fiction take you out of the realm

549
00:28:07,080 --> 00:28:09,880
Speaker 1: of saying you really know me, so at that moment, Mike,

550
00:28:10,240 --> 00:28:13,160
Speaker 1: I'm like, dude, you know me, like enough is enough.

551
00:28:13,440 --> 00:28:15,480
Speaker 1: You know that at this point when all it is

552
00:28:15,600 --> 00:28:19,399
Speaker 1: going down, you know how serious it is, and you

553
00:28:19,600 --> 00:28:22,200
Speaker 1: know me, like we're really are friends. I get it

554
00:28:22,280 --> 00:28:25,480
Speaker 1: from everybody else, but you different, you know me. That's

555
00:28:25,520 --> 00:28:27,560
Speaker 1: when me and Michael came in. But me and Michael, fine,

556
00:28:27,960 --> 00:28:32,720
Speaker 1: I'm saying negativity. I'm saying talk. I'm seeing the constant

557
00:28:32,800 --> 00:28:35,080
Speaker 1: downing of people that sit in the position of success,

558
00:28:35,160 --> 00:28:37,159
Speaker 1: that have worked hard for It comes from people that

559
00:28:37,280 --> 00:28:40,440
Speaker 1: have yet to realize they're fuck up. This is simply

560
00:28:40,880 --> 00:28:44,880
Speaker 1: me calling you out on your cups. Stop pointing other people.

561
00:28:44,920 --> 00:28:48,280
Speaker 1: Stop pointing Hollywood for your fuck up. It is changing.

562
00:28:49,040 --> 00:28:51,120
Speaker 1: It is the biggest comedy start in the world right

563
00:28:51,200 --> 00:28:55,160
Speaker 1: now on an international level, box office and goddamn touring.

564
00:28:55,560 --> 00:28:57,320
Speaker 1: Stop talking to me about the opportunities that we're not

565
00:28:57,320 --> 00:29:01,239
Speaker 1: getting because I'm creating them. Your fup take responsible for yo.

566
00:29:02,280 --> 00:29:04,160
Speaker 1: Don't kick my sister ball over the fence no more.

567
00:29:04,560 --> 00:29:10,200
Speaker 1: I can't talking to your cousin. I would never want

568
00:29:10,200 --> 00:29:14,600
Speaker 1: to get in trouble because I know this a girl's story.

569
00:29:14,680 --> 00:29:20,160
Speaker 1: Y'all don't understand where my frustration comes from. Homeless the

570
00:29:20,360 --> 00:29:22,160
Speaker 1: joke of the money that I gave her. I'm talking

571
00:29:22,200 --> 00:29:25,880
Speaker 1: about a real grind right homeless, no bed back seat,

572
00:29:26,200 --> 00:29:29,200
Speaker 1: watching your ass in bathroom sinks, and now you finally

573
00:29:29,240 --> 00:29:31,200
Speaker 1: get millions for moving. Now we want to go. You

574
00:29:31,280 --> 00:29:34,080
Speaker 1: ain't this and you ain't that? Applause first, And she

575
00:29:34,200 --> 00:29:36,400
Speaker 1: seems so grateful all the time. And you have nothing

576
00:29:36,480 --> 00:29:39,120
Speaker 1: bad to say about anybody. I've never seen Tiffany Hattish

577
00:29:39,520 --> 00:29:42,280
Speaker 1: come at anybody being negative. It seems like you're always

578
00:29:42,880 --> 00:29:45,280
Speaker 1: support him. Yeah, I'm supporting the fact. Got something bad

579
00:29:45,320 --> 00:29:46,760
Speaker 1: to say about somebody, I say it to them and

580
00:29:46,800 --> 00:29:54,880
Speaker 1: they face first straight up, Why are you so loving

581
00:29:54,880 --> 00:29:57,120
Speaker 1: and forgiving the people who try to discredit you, because

582
00:29:57,160 --> 00:29:59,600
Speaker 1: they obviously are hurting and they need something, they need

583
00:29:59,640 --> 00:30:02,200
Speaker 1: some There's there's something wrong with them for them to

584
00:30:02,280 --> 00:30:03,920
Speaker 1: even come at me. I never did that to them.

585
00:30:04,360 --> 00:30:06,560
Speaker 1: I never said anything bad about them, So that's something

586
00:30:06,800 --> 00:30:10,200
Speaker 1: that's personal. And obviously they're crying for help. So I'm

587
00:30:10,240 --> 00:30:12,240
Speaker 1: gonna be kind and I'm gonna keep it pushing and

588
00:30:12,600 --> 00:30:14,160
Speaker 1: now it's work. Whatever they're trying to put out. We

589
00:30:14,240 --> 00:30:15,840
Speaker 1: already reached out to you in the pilot, ask you too,

590
00:30:15,880 --> 00:30:21,640
Speaker 1: is that true? No? No, no, And I want to

591
00:30:21,680 --> 00:30:23,520
Speaker 1: make this. I want to make this perfectly clear. This

592
00:30:23,720 --> 00:30:26,240
Speaker 1: is not a Kevin Hart versus Cat thing. This is

593
00:30:26,280 --> 00:30:28,440
Speaker 1: not that I don't I don't give. I don't give

594
00:30:28,520 --> 00:30:30,280
Speaker 1: that much of a I don't I don't have time

595
00:30:30,360 --> 00:30:32,840
Speaker 1: to care that much. This is a I'm shining a

596
00:30:32,960 --> 00:30:36,760
Speaker 1: light on what we complain about. We complain that we

597
00:30:37,040 --> 00:30:40,320
Speaker 1: don't have, then we get, and now we tear down

598
00:30:40,440 --> 00:30:42,600
Speaker 1: those that are getting what we said we don't have.

599
00:30:43,240 --> 00:30:45,560
Speaker 1: Make a decision. I'm gonna ride with whatever decision we make.

600
00:30:45,640 --> 00:30:48,120
Speaker 1: Y'all want a platform, help me figure out so I

601
00:30:48,200 --> 00:30:50,640
Speaker 1: know what we're sticking to. Maybe I'm wrong, So if

602
00:30:50,640 --> 00:30:52,120
Speaker 1: I'm wrong, tell me now so I can take the

603
00:30:52,160 --> 00:30:54,080
Speaker 1: money out of my laugh out Loud network, so I

604
00:30:54,120 --> 00:30:56,760
Speaker 1: can stop trying to produce these movies and get diversity

605
00:30:57,080 --> 00:31:00,280
Speaker 1: looks and make a multicultural cast pop because I thought

606
00:31:00,280 --> 00:31:02,160
Speaker 1: that's what we want it. So it's not what we want.

607
00:31:02,240 --> 00:31:04,160
Speaker 1: Tell me, and I'll go back and I'll do what

608
00:31:04,560 --> 00:31:07,160
Speaker 1: was being done that we didn't want. So we're going

609
00:31:07,240 --> 00:31:10,680
Speaker 1: to fix the problem. Didn't help a problem become fixed

610
00:31:11,040 --> 00:31:13,120
Speaker 1: by being a part of the solution and not the problem.

611
00:31:13,480 --> 00:31:16,560
Speaker 1: When you are down and you attack those that are

612
00:31:16,640 --> 00:31:19,840
Speaker 1: now becoming a part of the solution get a problem.

613
00:31:20,240 --> 00:31:22,280
Speaker 1: It's interesting that they always say the white man gives

614
00:31:22,360 --> 00:31:24,680
Speaker 1: people in Hollywood stuff. At least we haven't been watching

615
00:31:24,760 --> 00:31:27,520
Speaker 1: y'all bust y'all asks for years. Absolutely, I can say

616
00:31:27,560 --> 00:31:31,600
Speaker 1: that there has been a heavy separation within races and

617
00:31:31,720 --> 00:31:34,640
Speaker 1: opportunity and the entertainment business. I can say all the

618
00:31:34,720 --> 00:31:37,640
Speaker 1: complaints that have been given over the past are not

619
00:31:37,800 --> 00:31:43,400
Speaker 1: only correct, but worthy of the attention that they got. Okay,

620
00:31:43,560 --> 00:31:46,360
Speaker 1: within all the movements, with all the conversation, but then

621
00:31:46,480 --> 00:31:49,960
Speaker 1: we need more, you goddamn right, I get it. I

622
00:31:50,080 --> 00:31:53,600
Speaker 1: was a person that was told movies can't translate overseas

623
00:31:53,680 --> 00:31:55,400
Speaker 1: with the black lead in the comedy. I was told

624
00:31:55,480 --> 00:31:58,760
Speaker 1: that's my face. I bade for those opportunities. I pushed

625
00:31:58,760 --> 00:32:01,160
Speaker 1: for him. I got them. And now you see more

626
00:32:01,840 --> 00:32:04,960
Speaker 1: movies with people of color in the lead position getting

627
00:32:05,000 --> 00:32:07,800
Speaker 1: those opportunities because we're pushing for it. They talk about

628
00:32:07,800 --> 00:32:09,720
Speaker 1: people giving people's stuff. You had to fight for an

629
00:32:09,760 --> 00:32:11,960
Speaker 1: audition for Girls Trip, right, Yeah, I fought for that.

630
00:32:12,920 --> 00:32:15,720
Speaker 1: For that, I was constantly on my agent about getting

631
00:32:15,720 --> 00:32:18,880
Speaker 1: me that audition, and I got it. And then I

632
00:32:18,960 --> 00:32:22,200
Speaker 1: went in like four times and then finally I got

633
00:32:22,240 --> 00:32:25,080
Speaker 1: the job. But I mean, I was just thinking about it,

634
00:32:25,160 --> 00:32:27,160
Speaker 1: like every person that's ever given me an opportunity in

635
00:32:27,200 --> 00:32:29,200
Speaker 1: this business, or fought for me, or fought with me

636
00:32:29,320 --> 00:32:31,840
Speaker 1: to get a job or put me on something has

637
00:32:31,920 --> 00:32:34,200
Speaker 1: been black. So to me, when they say the white

638
00:32:34,240 --> 00:32:36,480
Speaker 1: man whatever, to me, I don't. I don't see it

639
00:32:36,560 --> 00:32:39,440
Speaker 1: that way. I mean I have it's been black or Hispanic,

640
00:32:40,640 --> 00:32:43,520
Speaker 1: Middle Eastern, but mostly black people have helped me. And

641
00:32:43,640 --> 00:32:45,680
Speaker 1: then when it comes to stand up, it's it's like

642
00:32:45,840 --> 00:32:48,320
Speaker 1: everybody I feel like, and my job in this business,

643
00:32:48,400 --> 00:32:50,760
Speaker 1: I feel like, to me, my position I come from

644
00:32:50,800 --> 00:32:53,080
Speaker 1: bringing joy. And when people like, oh she's not funny,

645
00:32:53,080 --> 00:32:55,040
Speaker 1: you're not funny, I don't care. And my comedy not

646
00:32:55,200 --> 00:32:58,400
Speaker 1: for you. You know, I'm here to not make the

647
00:32:58,440 --> 00:33:00,560
Speaker 1: whole white world laugh. I'm here make the people that

648
00:33:00,640 --> 00:33:03,160
Speaker 1: buy tickets laugh. That's all I care about. And you know,

649
00:33:03,240 --> 00:33:06,760
Speaker 1: it's a perfect segue to go back. That's our reason

650
00:33:06,800 --> 00:33:15,480
Speaker 1: for being here. I want to say, director, when I

651
00:33:15,560 --> 00:33:19,480
Speaker 1: say perfect segue, I'm saying when I talk about second chances,

652
00:33:19,880 --> 00:33:21,720
Speaker 1: when I talk about the purpose of the movie, when

653
00:33:21,720 --> 00:33:24,240
Speaker 1: I talk about why the movie was created. When I

654
00:33:24,280 --> 00:33:27,280
Speaker 1: talk about the vision behind it, it's to motivate and inspire.

655
00:33:27,360 --> 00:33:29,360
Speaker 1: Yes you're gonna laugh. But there's a message within it,

656
00:33:29,720 --> 00:33:33,680
Speaker 1: within everything that I'm saying, Yo, second chances are valuable.

657
00:33:34,440 --> 00:33:37,440
Speaker 1: Within everything that I said directed towards Kat and what

658
00:33:37,680 --> 00:33:40,480
Speaker 1: was said, Yo, you got a second chance. Yet people

659
00:33:40,520 --> 00:33:42,320
Speaker 1: still ride with you. They still what you They always

660
00:33:42,320 --> 00:33:45,160
Speaker 1: will because you're talented. Acknowledge that. Yo. You know what,

661
00:33:45,560 --> 00:33:47,800
Speaker 1: the first time I may have done something. Second time,

662
00:33:47,840 --> 00:33:50,240
Speaker 1: I'm coming back strong than other people. Watch the road

663
00:33:50,360 --> 00:33:52,480
Speaker 1: back to Kat Williams getting back to the top. You

664
00:33:52,520 --> 00:33:55,240
Speaker 1: mean like with him win an Emmy. Yes, that's like

665
00:33:55,360 --> 00:33:57,959
Speaker 1: that's your mom, that's hey man. He didn't write that role.

666
00:33:58,040 --> 00:34:02,320
Speaker 1: By the way though, just saying, whoever thinks I'm not

667
00:34:02,480 --> 00:34:05,760
Speaker 1: here to attack that, I'm saying as a fan, I

668
00:34:05,840 --> 00:34:09,840
Speaker 1: would embrace you, acknowledging whatever and going that's a second chance.

669
00:34:10,239 --> 00:34:14,080
Speaker 1: Within my movie, you'll see second chances become highlighted. You'll

670
00:34:14,120 --> 00:34:16,480
Speaker 1: see them be celebrated. Night School is bigger than the

671
00:34:16,560 --> 00:34:17,960
Speaker 1: last that you're going to get. There's a message in

672
00:34:18,080 --> 00:34:21,440
Speaker 1: any content. Any content being developed that comes from Heartbeat

673
00:34:21,480 --> 00:34:25,080
Speaker 1: Productions will have an underlying tone that you will be

674
00:34:25,120 --> 00:34:26,919
Speaker 1: able to take with you, because that's what I'm trying

675
00:34:27,000 --> 00:34:30,359
Speaker 1: to do from a production standpoint. So this script came

676
00:34:30,400 --> 00:34:32,880
Speaker 1: to you first, and then you script was developed by me.

677
00:34:33,360 --> 00:34:36,680
Speaker 1: I developed by every day you wrote it. Yes, ground up.

678
00:34:37,080 --> 00:34:40,960
Speaker 1: Ratri shouts out Harry Ratchrick, Joey Wells, Matt Kellard, Glenda Richardson,

679
00:34:41,640 --> 00:34:45,040
Speaker 1: John Hamburg, Nicolas Soler, all amazing talent writers that came

680
00:34:45,080 --> 00:34:46,960
Speaker 1: in had helped in within the development of the script

681
00:34:47,600 --> 00:34:50,040
Speaker 1: done underneath the Heartbeat Umbrella. Then after that, taking to

682
00:34:50,160 --> 00:34:52,520
Speaker 1: my guy wolf Packer, read it, loved it, took it

683
00:34:52,560 --> 00:34:55,360
Speaker 1: to Universal, sold it. Universal said let's do it. We

684
00:34:55,560 --> 00:34:58,920
Speaker 1: did it, and now we're releasing it. That's the steps

685
00:34:58,960 --> 00:35:01,360
Speaker 1: within the development. But what I love the most is

686
00:35:01,400 --> 00:35:04,279
Speaker 1: that you're seeing something that can be branded and that

687
00:35:04,360 --> 00:35:07,440
Speaker 1: can be underlined. Is what Kevin Hart content look like.

688
00:35:07,800 --> 00:35:09,520
Speaker 1: I want to be a partner. I've been to work

689
00:35:09,560 --> 00:35:11,399
Speaker 1: for hire for a long time. It's not it's about

690
00:35:11,400 --> 00:35:14,200
Speaker 1: becoming a partner. So when Universal looks at me and

691
00:35:14,239 --> 00:35:17,280
Speaker 1: they say we're developing with Kevin, it's because we're partners.

692
00:35:17,520 --> 00:35:19,080
Speaker 1: The world of being a work for hire was a

693
00:35:19,160 --> 00:35:21,360
Speaker 1: great one, but the business in me won't allow that

694
00:35:21,480 --> 00:35:24,359
Speaker 1: to last. The business is now about pulling other people up,

695
00:35:24,640 --> 00:35:28,799
Speaker 1: embracing the opportunities that can be given, opportunities that can

696
00:35:28,840 --> 00:35:34,279
Speaker 1: be given. The first learned, given, earned, given because I

697
00:35:34,400 --> 00:35:37,440
Speaker 1: earned it. I thought you've been doing that with your

698
00:35:37,480 --> 00:35:41,279
Speaker 1: stand up though you are. Yes, really really not just

699
00:35:41,320 --> 00:35:43,800
Speaker 1: for radios. It is not once again dissolved research ule information.

700
00:35:44,000 --> 00:35:47,120
Speaker 1: Well not the one of that just shot. Okay, that's Netflix.

701
00:35:47,200 --> 00:35:49,560
Speaker 1: That's why they cut that check so they can that's theirs,

702
00:35:50,800 --> 00:35:53,799
Speaker 1: and that was special. I know I'm doing too them

703
00:35:54,680 --> 00:35:57,200
Speaker 1: dollars specials. We don't need to get into the manis great.

704
00:36:00,000 --> 00:36:02,160
Speaker 1: I need to get into that. It was done along

705
00:36:02,200 --> 00:36:06,080
Speaker 1: at the same time when Rock Chapelle Ellen one, we

706
00:36:06,160 --> 00:36:08,799
Speaker 1: all we were all staring it out. Eddie Murphy, man,

707
00:36:08,920 --> 00:36:11,680
Speaker 1: he's up there that that fifty million number is a

708
00:36:12,160 --> 00:36:14,839
Speaker 1: crazy number. It's the highest grosser standard special of all time.

709
00:36:15,320 --> 00:36:18,279
Speaker 1: And you know I shot for it. I tried, I

710
00:36:18,360 --> 00:36:20,960
Speaker 1: gave my all, I made the listener. I have three

711
00:36:21,000 --> 00:36:22,719
Speaker 1: specials on there, but that man sits the top for

712
00:36:22,760 --> 00:36:26,960
Speaker 1: a reason. Highest one is thirty six or thirty two,

713
00:36:27,080 --> 00:36:29,719
Speaker 1: something like that, thirty eight, thirty eight when you have

714
00:36:29,800 --> 00:36:33,000
Speaker 1: for twenty three twenty three more than you because he

715
00:36:33,000 --> 00:36:37,640
Speaker 1: did twenty four with one of us. All right, we

716
00:36:37,719 --> 00:36:39,400
Speaker 1: have more with Kevin Hart and Tiffany had Its who

717
00:36:39,400 --> 00:36:42,320
Speaker 1: don't move. It's a breakfast club. Good morning, the breakfast

718
00:36:42,360 --> 00:36:48,759
Speaker 1: club Morning. Everybody is DJ, Envy, Angela Yee, Charlomagne, the guy.

719
00:36:48,840 --> 00:36:52,239
Speaker 1: We all the breakfast club. Now normally we do rooms here, yes,

720
00:36:52,320 --> 00:36:54,759
Speaker 1: but since Envy and Angela Ye are in Vegas. No,

721
00:36:55,120 --> 00:36:59,839
Speaker 1: since Tiffany had in Vegas. But Tiffany and keV are here.

722
00:37:00,000 --> 00:37:02,840
Speaker 1: But we're all together. Don't worry about it. It's radio magic.

723
00:37:03,000 --> 00:37:05,520
Speaker 1: That don't matter how it's getting done. It's just getting done.

724
00:37:05,600 --> 00:37:07,200
Speaker 1: Don't try to trick or fire me, bro, don't try

725
00:37:07,200 --> 00:37:08,879
Speaker 1: to trick and find me. But let's get back into

726
00:37:08,880 --> 00:37:12,440
Speaker 1: our interview with to. Doesn't it feel like as the

727
00:37:12,520 --> 00:37:14,960
Speaker 1: success comes and things get bigger for you, it's just

728
00:37:15,040 --> 00:37:17,319
Speaker 1: so much more. Hate comes with it at times as well,

729
00:37:17,920 --> 00:37:20,200
Speaker 1: especially because they seems like they love you on the

730
00:37:20,239 --> 00:37:22,200
Speaker 1: way up, and then when you get there it's like, oh,

731
00:37:22,320 --> 00:37:24,360
Speaker 1: she ain't funny, Oh she did all she's that, But

732
00:37:24,480 --> 00:37:25,920
Speaker 1: they love you when you're on your way up. Yeah,

733
00:37:25,960 --> 00:37:28,120
Speaker 1: Now all of a sudden, oh she reinforces the negative

734
00:37:28,120 --> 00:37:30,920
Speaker 1: stereotypes of black women. Well I expected. I mean that's

735
00:37:30,920 --> 00:37:33,240
Speaker 1: a part of the process. I've been researching and studying

736
00:37:33,480 --> 00:37:35,520
Speaker 1: in the entertainment business for a long time, and that's

737
00:37:35,600 --> 00:37:37,720
Speaker 1: part of the process. They love you for a minute,

738
00:37:37,760 --> 00:37:39,640
Speaker 1: then they hate on you. Then they love you again,

739
00:37:39,680 --> 00:37:42,640
Speaker 1: and they hate on you. It's like a dysfunctional relationship. Ever, bother,

740
00:37:42,760 --> 00:37:45,160
Speaker 1: you not really know because my check he is getting

741
00:37:45,200 --> 00:37:47,640
Speaker 1: bigger and bigger. So continue to continue to be a

742
00:37:47,719 --> 00:37:50,920
Speaker 1: publicist for free. I'll told me from my upbringing, I mean,

743
00:37:50,920 --> 00:37:52,480
Speaker 1: I grew up in foster care. One minute and I'm

744
00:37:52,480 --> 00:37:54,440
Speaker 1: in the most wonderful home. Next thing, I'm snatched out

745
00:37:54,440 --> 00:37:56,920
Speaker 1: to the next thing, thinking nobody, nobody there cared about me.

746
00:37:57,040 --> 00:37:59,080
Speaker 1: So I've been training and built for this. My mamma

747
00:37:59,160 --> 00:38:01,200
Speaker 1: used to talk mess about I mean, next second, eleven

748
00:38:01,280 --> 00:38:03,239
Speaker 1: kids on me. So to me, this is I was

749
00:38:03,360 --> 00:38:05,760
Speaker 1: made for this. I'm built for it. So y'all can talk, Artists,

750
00:38:05,880 --> 00:38:07,839
Speaker 1: y'all want to talk, I'm still gonna be smiling at

751
00:38:07,840 --> 00:38:09,520
Speaker 1: you because I know what a minute you're gonna be like. Dang,

752
00:38:09,560 --> 00:38:11,239
Speaker 1: I love what you said right there. That made me

753
00:38:11,360 --> 00:38:14,040
Speaker 1: feel good. Someone I'm gonna keep it pushing. I love

754
00:38:14,080 --> 00:38:16,160
Speaker 1: how you protecting, uh, you know, tipping in this situation.

755
00:38:16,280 --> 00:38:18,600
Speaker 1: But how do you protect you know, other artists, including

756
00:38:18,640 --> 00:38:22,560
Speaker 1: her just in the business period, protect him by giving

757
00:38:22,640 --> 00:38:25,560
Speaker 1: him the opportunity. I protect him by being an open

758
00:38:25,640 --> 00:38:29,040
Speaker 1: book and an example. You get to see the hard

759
00:38:29,120 --> 00:38:31,040
Speaker 1: work and effort that was put into my craft, and

760
00:38:31,160 --> 00:38:33,520
Speaker 1: in return, I take it and I say, hey man,

761
00:38:33,680 --> 00:38:35,360
Speaker 1: I can't wait to see the next version of what

762
00:38:35,560 --> 00:38:38,239
Speaker 1: I am, if not bigger, I can't wait to see

763
00:38:38,680 --> 00:38:41,799
Speaker 1: the next version of the next generation that surpasses all

764
00:38:41,880 --> 00:38:45,600
Speaker 1: this amazing that I'm doing, and that creates other opportunities

765
00:38:45,640 --> 00:38:48,000
Speaker 1: for others. I got to see a blueprint that so

766
00:38:48,120 --> 00:38:50,279
Speaker 1: many did before me, and I took what I saw

767
00:38:50,320 --> 00:38:52,600
Speaker 1: and I said, how can I be different? What impact

768
00:38:52,680 --> 00:38:54,600
Speaker 1: can I hear? So when you say how do I

769
00:38:54,840 --> 00:38:56,600
Speaker 1: change or how do I have an effect on them?

770
00:38:56,960 --> 00:38:59,839
Speaker 1: My effect is by saying, hey man, take this, use

771
00:39:00,120 --> 00:39:03,000
Speaker 1: this for whatever you feel you can, and when you

772
00:39:03,120 --> 00:39:05,359
Speaker 1: get the opportunity that you feel you're going to get

773
00:39:05,440 --> 00:39:07,759
Speaker 1: from this, don't get up be better than me. The

774
00:39:07,920 --> 00:39:11,160
Speaker 1: people in our craft of comedy, which is one of

775
00:39:11,239 --> 00:39:14,040
Speaker 1: the hardest god damned professions to make it in. So

776
00:39:14,160 --> 00:39:16,399
Speaker 1: when you're a person that SIPs in this chair, that's

777
00:39:16,440 --> 00:39:18,879
Speaker 1: in this field, come on, man, you got no choice

778
00:39:18,920 --> 00:39:21,280
Speaker 1: but to support the ones that made it out that gauntlet.

779
00:39:21,760 --> 00:39:24,440
Speaker 1: How y'all seal man, everybody all right? You come on now.

780
00:39:26,800 --> 00:39:28,520
Speaker 1: Even when people are hating, when they can name five

781
00:39:28,640 --> 00:39:31,319
Speaker 1: or six black comedians, that's big because usually there's only

782
00:39:31,400 --> 00:39:35,480
Speaker 1: one huge huge. That's why I was so taken back,

783
00:39:35,560 --> 00:39:38,320
Speaker 1: like it's the shot for real. I couldn't be prouder

784
00:39:38,760 --> 00:39:43,640
Speaker 1: of Rel. I couldn't be more happy, thin, great guy. Man,

785
00:39:44,000 --> 00:39:47,960
Speaker 1: that man don't bother nobody attractive though. Look man, that's

786
00:39:48,239 --> 00:39:55,440
Speaker 1: that's That's not to me to determine right's got he's

787
00:39:55,480 --> 00:40:05,560
Speaker 1: got killed. Somebody find somebody was okay, you don't. You

788
00:40:05,600 --> 00:40:07,400
Speaker 1: don't let that happen to something that you feel it

789
00:40:07,960 --> 00:40:12,520
Speaker 1: is disgusting. That's a mutual agreement, right, And you helped

790
00:40:12,560 --> 00:40:14,759
Speaker 1: you a lot early with the stand up special. I

791
00:40:14,920 --> 00:40:18,359
Speaker 1: was lucky enough for Real to allow me to help

792
00:40:18,440 --> 00:40:20,560
Speaker 1: him out. I came to Rel as a fan. Dude,

793
00:40:20,560 --> 00:40:22,560
Speaker 1: I'm a fan. I would love to produce your special.

794
00:40:22,800 --> 00:40:24,879
Speaker 1: Me and Rel had a conversation. I said, I want

795
00:40:24,880 --> 00:40:26,480
Speaker 1: you to do it. Your way, I just want to help.

796
00:40:26,760 --> 00:40:29,719
Speaker 1: I'm a fan. I'm a fan of the craft. I

797
00:40:30,080 --> 00:40:32,520
Speaker 1: love comedy. I love watching the ones that did it

798
00:40:32,600 --> 00:40:35,719
Speaker 1: before me, and I love watching the ones that are

799
00:40:35,719 --> 00:40:38,000
Speaker 1: coming up after me. If you take nothing else from

800
00:40:38,040 --> 00:40:41,000
Speaker 1: this interview and take the fact that I want to

801
00:40:41,040 --> 00:40:44,000
Speaker 1: see other people winning, I'm not selfish with my position.

802
00:40:44,480 --> 00:40:47,160
Speaker 1: So for all of our black people out there that

803
00:40:47,400 --> 00:40:49,960
Speaker 1: want to see more people of color in a position

804
00:40:50,040 --> 00:40:52,360
Speaker 1: where they're winning, ask yourself if you're part of the

805
00:40:52,400 --> 00:40:55,640
Speaker 1: solution of the problem. Is that simple? We love you

806
00:40:55,719 --> 00:40:57,160
Speaker 1: for being honest. Man. One of the things that you're

807
00:40:57,160 --> 00:41:00,200
Speaker 1: super honest about that's been like intriguing me lately, like

808
00:41:00,280 --> 00:41:01,840
Speaker 1: the fact that you be getting your head died and

809
00:41:01,920 --> 00:41:06,160
Speaker 1: your bided because I got grace problem up here. But

810
00:41:06,280 --> 00:41:11,399
Speaker 1: he has at least no. No, I definitely got to die.

811
00:41:11,480 --> 00:41:17,520
Speaker 1: He's the only no that's honest. No. But here's the thing, though,

812
00:41:17,719 --> 00:41:19,400
Speaker 1: I think I was using the wrong color for a

813
00:41:19,480 --> 00:41:24,120
Speaker 1: minute because of my no. I was going dark brown.

814
00:41:24,160 --> 00:41:26,640
Speaker 1: But when they go back, my turn like a dirty brown,

815
00:41:27,040 --> 00:41:33,120
Speaker 1: like you're washing your head, your head look dirty. I'm

816
00:41:33,160 --> 00:41:35,879
Speaker 1: talking about it. Didn't nobody, It's my natural color. Y'all

817
00:41:35,920 --> 00:41:38,080
Speaker 1: think about getting something for the bid, not the Beijing.

818
00:41:38,200 --> 00:41:41,480
Speaker 1: I don't I don't do that. Do that. You got

819
00:41:41,520 --> 00:41:43,560
Speaker 1: some rich even when you watch your forehead just now,

820
00:41:43,560 --> 00:41:45,480
Speaker 1: ain't nothing came up. You gotta go a good product.

821
00:41:45,560 --> 00:41:47,960
Speaker 1: The last thing you want to do, especially when you're married,

822
00:41:48,200 --> 00:41:53,160
Speaker 1: is get up from a pillowcase yourself. I don't know.

823
00:41:53,200 --> 00:41:58,319
Speaker 1: I washed my die the Beijing. The Beijing is coming out.

824
00:41:58,440 --> 00:42:01,640
Speaker 1: It was. I'm not gonna do that publicly because it's

825
00:42:01,680 --> 00:42:05,239
Speaker 1: my secret. I'll tell you'll hear them. I got a

826
00:42:05,320 --> 00:42:07,920
Speaker 1: nice product, man. And you know, here's the thing. You

827
00:42:08,000 --> 00:42:11,360
Speaker 1: can't overdo it. R do it when it's necessary sometimes

828
00:42:11,400 --> 00:42:13,759
Speaker 1: embrace the gray. Let that go out and just look

829
00:42:13,800 --> 00:42:16,160
Speaker 1: like look like Morgan Freeman for a good two weeks.

830
00:42:17,400 --> 00:42:20,480
Speaker 1: Accept it. And then and then after that, surprising everybody

831
00:42:20,480 --> 00:42:26,600
Speaker 1: about Yeah, who're trying to go dance? Right? School is

832
00:42:26,640 --> 00:42:29,160
Speaker 1: ever week? Make sure you go check it out and

833
00:42:29,200 --> 00:42:31,719
Speaker 1: make sure you support. So listen, if all these people apologize,

834
00:42:31,719 --> 00:42:34,839
Speaker 1: it'll be all good, right, Listen, I'm not here for drama, brothers.

835
00:42:35,360 --> 00:42:38,200
Speaker 1: It's not about the apology. It's not about like, man, Kat,

836
00:42:38,560 --> 00:42:40,000
Speaker 1: don't ever have to talk or we can't talk. It

837
00:42:40,080 --> 00:42:42,360
Speaker 1: doesn't it doesn't matter. It's not gonna affect me anyway.

838
00:42:42,800 --> 00:42:46,640
Speaker 1: I am about support. I said, I'm gonna support that man.

839
00:42:46,680 --> 00:42:49,000
Speaker 1: I'm gonna be a fan forever, whether I like, even

840
00:42:49,040 --> 00:42:50,799
Speaker 1: whether we don't like each other. I'm a fan. I'm

841
00:42:50,840 --> 00:42:52,279
Speaker 1: a fan of his talent. It has nothing to do

842
00:42:52,320 --> 00:42:53,840
Speaker 1: with that. I want to make that very clear. This

843
00:42:53,920 --> 00:42:55,719
Speaker 1: has nothing to do with that. This is not a thief.

844
00:42:56,080 --> 00:42:58,480
Speaker 1: This is correcting what you said that you know you

845
00:42:58,520 --> 00:43:01,080
Speaker 1: shouldn't have said. This is about are you embracing your

846
00:43:01,200 --> 00:43:05,480
Speaker 1: fails yours? And you acknowledging what you did and stop

847
00:43:05,640 --> 00:43:08,320
Speaker 1: pointing a finger to everybody else. Eventually you got to

848
00:43:08,360 --> 00:43:10,239
Speaker 1: point it back to you. Well, thank you for joining us.

849
00:43:11,120 --> 00:43:13,239
Speaker 1: I've got two more movies coming out this year. Yeah,

850
00:43:13,480 --> 00:43:15,839
Speaker 1: what movies tell them? I got The Old coming out

851
00:43:15,880 --> 00:43:18,160
Speaker 1: in October, and then I got another movie called Nobody's

852
00:43:18,200 --> 00:43:20,359
Speaker 1: Full coming out in November. Aren't you on TV? Two?

853
00:43:20,640 --> 00:43:22,640
Speaker 1: Oh yeah, I'm on TV on the show called The

854
00:43:22,719 --> 00:43:26,120
Speaker 1: Last Og. And I got some more group on commercials coming,

855
00:43:26,200 --> 00:43:30,320
Speaker 1: and I got some seeds and then saw my Netflix

856
00:43:30,440 --> 00:43:33,120
Speaker 1: specials coming, and then I'm also gonna bring up six

857
00:43:33,239 --> 00:43:36,400
Speaker 1: other comics in that special. I'm doing a Tiffany how

858
00:43:36,480 --> 00:43:39,200
Speaker 1: to presents my favorite comedians, and it's like comics that

859
00:43:39,320 --> 00:43:40,920
Speaker 1: have been doing comedy for more than ten years that

860
00:43:41,000 --> 00:43:42,800
Speaker 1: deserve a chance to shine. Oh so you mean to

861
00:43:42,800 --> 00:43:44,719
Speaker 1: tell me you got put putting a position to pause

862
00:43:44,760 --> 00:43:46,440
Speaker 1: and now you're putting other people on. Yeah, that's what

863
00:43:46,520 --> 00:43:49,640
Speaker 1: you're supposed to do. That's what my big brother taught me. Wow,

864
00:43:50,800 --> 00:43:53,040
Speaker 1: transferred down. Man, give me a second. I want to

865
00:43:53,080 --> 00:43:56,840
Speaker 1: run down stuff I got going on. You guys got

866
00:43:56,920 --> 00:44:00,040
Speaker 1: a second just before we get out. I just it

867
00:44:00,120 --> 00:44:04,160
Speaker 1: a good sixty seven seconds and times out earlier. Okay,

868
00:44:04,480 --> 00:44:07,200
Speaker 1: first and foremost night school. That's the priority. Guys. Please

869
00:44:07,239 --> 00:44:09,560
Speaker 1: go out and support this movie September twenty eight. Like

870
00:44:09,600 --> 00:44:12,000
Speaker 1: I said, it's a big meaning behind it. First movie

871
00:44:12,080 --> 00:44:15,640
Speaker 1: underneath the production company of mine, Heartbeat Production. So I

872
00:44:15,680 --> 00:44:18,000
Speaker 1: need you to support other than that. Got a drama

873
00:44:18,080 --> 00:44:20,840
Speaker 1: coming out. Let's call the Upside me Brian Cranton, the

874
00:44:20,920 --> 00:44:25,399
Speaker 1: cole Kitman that dropp of January drama. This is gonna

875
00:44:25,400 --> 00:44:27,120
Speaker 1: be It's a it's a great look. I can't wait

876
00:44:27,160 --> 00:44:29,120
Speaker 1: for people to sit it. Seek Life of Pets too,

877
00:44:29,239 --> 00:44:31,839
Speaker 1: Get ready for that one. I'm that is in that too.

878
00:44:31,880 --> 00:44:33,200
Speaker 1: That's why I brought it up because you forgot to

879
00:44:33,239 --> 00:44:35,759
Speaker 1: say it. I don't know when it's coming, well I do.

880
00:44:35,960 --> 00:44:41,200
Speaker 1: That's twenty nineteen. You'll get hit with that. The tour,

881
00:44:41,320 --> 00:44:43,640
Speaker 1: Irresponsible Tour. I'm on my last three months. We're rapping

882
00:44:43,680 --> 00:44:46,400
Speaker 1: that up strong. Uh, big cities coming up. If you

883
00:44:46,400 --> 00:44:48,480
Speaker 1: don't have your tickets, go get them. Kevin Heartnation dot Com.

884
00:44:48,960 --> 00:44:52,160
Speaker 1: Also filming Jumanji two at the Film of jumand You two.

885
00:44:52,760 --> 00:44:55,319
Speaker 1: Working on another animation. Working on a comedy called Little Kevin.

886
00:44:55,360 --> 00:44:57,680
Speaker 1: That's gonna be about my life but me being told

887
00:44:57,920 --> 00:45:00,520
Speaker 1: I'm telling this life to uh, the little version of

888
00:45:00,640 --> 00:45:02,680
Speaker 1: me with an adult voice. It's pretty dope. So it's

889
00:45:02,680 --> 00:45:05,919
Speaker 1: the same. It's it's you right now pretty much. Yeah

890
00:45:06,280 --> 00:45:08,520
Speaker 1: when you say like that, yes, exactly what it is.

891
00:45:08,800 --> 00:45:11,279
Speaker 1: I got a movie coming out with Melissa McCarthy as well.

892
00:45:12,040 --> 00:45:14,360
Speaker 1: Oh yeah, that's yeah The Kitchen. Yeah, and that's a

893
00:45:14,440 --> 00:45:17,560
Speaker 1: gangster movie. Go you. Yeah, I'm learning from you everyone more.

894
00:45:18,080 --> 00:45:20,359
Speaker 1: Also got a cart food coming out on Netflix. I'm

895
00:45:20,400 --> 00:45:30,960
Speaker 1: cooking Bertie. Yeah, I thought Rose Barn that's coming. Twenny's

896
00:45:31,160 --> 00:45:34,560
Speaker 1: seen as well. That's a comedy. I'm limited partners. I'm

897
00:45:34,600 --> 00:45:38,440
Speaker 1: producing that food yeah, did you get more for your

898
00:45:38,480 --> 00:45:42,120
Speaker 1: Netflix pression than Monique? Don't say that. Thank you guys

899
00:45:42,160 --> 00:45:46,080
Speaker 1: for the time you guys. Uh, this has been real.

900
00:45:46,239 --> 00:45:50,239
Speaker 1: You know, this is what it's about, and we got

901
00:45:50,880 --> 00:45:52,920
Speaker 1: and we do have to take congratulations about you guys

902
00:45:52,960 --> 00:45:54,640
Speaker 1: are both up here. Honestly, I know we're all cool

903
00:45:54,680 --> 00:45:56,160
Speaker 1: with each other and we joke around a lot. But

904
00:45:56,280 --> 00:45:58,600
Speaker 1: that's huge that you guys are doing so much, so

905
00:45:58,760 --> 00:46:05,600
Speaker 1: many big things. So congratulate to Tiffany appreciate It's the

906
00:46:05,680 --> 00:46:10,120
Speaker 1: Breakfast Club. Good morning, Sharla Mayne, say the game. Don't

907
00:46:10,120 --> 00:46:16,440
Speaker 1: get out the shape man you are, don't It's time today,

908
00:46:17,120 --> 00:46:19,840
Speaker 1: Donkey today. Just not discriminate. I might not have the

909
00:46:19,880 --> 00:46:22,160
Speaker 1: song of today, but I got to donkey that. If

910
00:46:22,160 --> 00:46:23,839
Speaker 1: you ever feel I need to be a Donkey man,

911
00:46:24,120 --> 00:46:29,080
Speaker 1: hit it with the Breakfast Club bitch. Don't give today today,

912
00:46:32,960 --> 00:46:36,040
Speaker 1: Dunkey Today. For Friday, September twenty first goes the twenty

913
00:46:36,120 --> 00:46:39,600
Speaker 1: year old Carlo Salvador of the state we know in love.

914
00:46:39,880 --> 00:46:44,160
Speaker 1: When Andrew Gillham is soon to be governor Florida. What

915
00:46:44,360 --> 00:46:47,279
Speaker 1: did your uncle Sharla always tell you about Florida kids?

916
00:46:47,680 --> 00:46:50,120
Speaker 1: The craziest people in America come from the Bronx and

917
00:46:50,160 --> 00:46:52,120
Speaker 1: all the Florida. Drop on the clues bomb for Florida,

918
00:46:52,160 --> 00:46:55,720
Speaker 1: real quick and the Bronx. Okay, that is a fact

919
00:46:56,120 --> 00:46:58,160
Speaker 1: that the craziest people in America come from the Bronx

920
00:46:58,200 --> 00:47:00,440
Speaker 1: and all the Florida. It's a fact. All the satistics

921
00:47:00,480 --> 00:47:02,399
Speaker 1: show us that. And I'm not going back and forth

922
00:47:02,480 --> 00:47:06,600
Speaker 1: with you and words about science. Okay. Now, Carlo Salvador

923
00:47:06,719 --> 00:47:09,680
Speaker 1: is a man who, according to him, suffers from anxiety.

924
00:47:10,040 --> 00:47:12,359
Speaker 1: I believe him. The reason I believe him is because

925
00:47:12,400 --> 00:47:14,839
Speaker 1: anxiety is the number one mental illness in the US.

926
00:47:14,960 --> 00:47:17,360
Speaker 1: I suffer from it. I mean, we truly are in

927
00:47:17,400 --> 00:47:19,520
Speaker 1: the United States of anxiety. And that's why I have

928
00:47:19,600 --> 00:47:22,640
Speaker 1: a book coming out about it next month. My second

929
00:47:22,680 --> 00:47:25,840
Speaker 1: book that releases October twenty third, is all about anxiety.

930
00:47:26,000 --> 00:47:28,520
Speaker 1: It's called Shook One. Anxiety playing tricks on me, and

931
00:47:28,560 --> 00:47:31,920
Speaker 1: I am discussing things that have made me historically anxious

932
00:47:32,120 --> 00:47:35,160
Speaker 1: and things that make me anxious now and how with

933
00:47:35,320 --> 00:47:38,200
Speaker 1: the help of therapy, I am dealing with it all. Okay.

934
00:47:38,280 --> 00:47:41,120
Speaker 1: You can pre order now wherever you buy books. By

935
00:47:41,200 --> 00:47:43,400
Speaker 1: the way, so anxiety is a real issue for me,

936
00:47:43,640 --> 00:47:45,080
Speaker 1: and I know it's a real issue for us, and

937
00:47:45,120 --> 00:47:47,040
Speaker 1: if you live in Florida, you have every right to

938
00:47:47,120 --> 00:47:50,120
Speaker 1: be anxious. But the reason my book is so important,

939
00:47:50,360 --> 00:47:52,400
Speaker 1: at least I think so, it's because I'm not just

940
00:47:52,560 --> 00:47:55,920
Speaker 1: discussing the problem of anxiety, but I am giving solutions.

941
00:47:56,239 --> 00:47:58,080
Speaker 1: And I have a doctor by the name of doctor

942
00:47:58,200 --> 00:48:01,080
Speaker 1: Ish Major who has also provided in clinical solutions to

943
00:48:01,200 --> 00:48:04,320
Speaker 1: anxiety in my book. And I'm pretty sure that the

944
00:48:04,440 --> 00:48:08,760
Speaker 1: remedy Carlos Salvador has for his anxiety wouldn't do anything

945
00:48:08,840 --> 00:48:11,600
Speaker 1: but create more anxiety for most of us. But keep

946
00:48:11,640 --> 00:48:15,960
Speaker 1: in mind, this is Florida. Let me tell you the story. Now,

947
00:48:16,040 --> 00:48:18,800
Speaker 1: around two thirty am, inside of twenty four hour laundry

948
00:48:18,840 --> 00:48:21,359
Speaker 1: Matt and clear Water, Florida, a nine one one call

949
00:48:21,560 --> 00:48:24,080
Speaker 1: was made and a witness reported that a male had

950
00:48:24,400 --> 00:48:28,319
Speaker 1: an erect penis and was masturbating out in the open. Yes,

951
00:48:28,440 --> 00:48:33,320
Speaker 1: Carlos was answering the bona phone, doing a little backstroke roulette. Okay,

952
00:48:33,360 --> 00:48:36,240
Speaker 1: a little assault on a friendly weapon, all right, cranking

953
00:48:36,320 --> 00:48:39,960
Speaker 1: the shank, a little five finger knuckles shuffle in the

954
00:48:40,080 --> 00:48:43,279
Speaker 1: laundry matt for everyone to see. Now, listen, many people

955
00:48:43,480 --> 00:48:47,560
Speaker 1: love the washing machine sex position. Okay, because it can

956
00:48:47,680 --> 00:48:50,560
Speaker 1: lead to some really powerful orgasms. I know you're sitting

957
00:48:50,600 --> 00:48:53,279
Speaker 1: there like uncle Shalah, what is you're talking about? The

958
00:48:53,400 --> 00:48:56,880
Speaker 1: the washing machine sex position? Okay, ask your mama, your daddy,

959
00:48:56,880 --> 00:48:59,120
Speaker 1: your uncle's in your aunts, all right, they know. Okay,

960
00:48:59,160 --> 00:49:01,200
Speaker 1: if you know nothing about this, let me school you.

961
00:49:01,600 --> 00:49:03,960
Speaker 1: You will need a washing machine and you start a

962
00:49:04,040 --> 00:49:07,560
Speaker 1: load of laundry of dishes, then lean over it while standing,

963
00:49:07,960 --> 00:49:11,799
Speaker 1: you know, behind your bay thrusting and that's it, all right.

964
00:49:11,840 --> 00:49:14,000
Speaker 1: The thing that gets your lady off is the extra

965
00:49:14,080 --> 00:49:17,560
Speaker 1: vibrations the washing machine gives off. Now, Carlos is twenty

966
00:49:18,400 --> 00:49:22,200
Speaker 1: twenty year olds and this generation's comprehension scales be all

967
00:49:22,320 --> 00:49:25,120
Speaker 1: the way off. So Carlos probably heard about the washing

968
00:49:25,200 --> 00:49:28,319
Speaker 1: machine position but didn't pay attention to the details, meaning

969
00:49:28,400 --> 00:49:30,600
Speaker 1: you have to have a sexual partner to put on

970
00:49:30,719 --> 00:49:33,040
Speaker 1: the washing machine in order to get the most out

971
00:49:33,120 --> 00:49:36,800
Speaker 1: of the washing machine position. I feel like a combination

972
00:49:36,840 --> 00:49:40,480
Speaker 1: of Carlos being twenty and being from Florida led him

973
00:49:40,520 --> 00:49:43,480
Speaker 1: to take in this information all wrong. All he probably

974
00:49:43,600 --> 00:49:46,600
Speaker 1: heard or skim through was the washing machine can make

975
00:49:46,640 --> 00:49:48,600
Speaker 1: you have the best orgasm of your life. So he

976
00:49:48,719 --> 00:49:50,840
Speaker 1: decided to go in a twenty four hour laundry mat

977
00:49:51,120 --> 00:49:53,680
Speaker 1: and sit there and watch and listen to the washing

978
00:49:53,760 --> 00:49:56,920
Speaker 1: machines as he made stomach pancakes for breakfast. Ye have

979
00:49:57,080 --> 00:49:59,480
Speaker 1: old Carlos had to jack the bean stalk to those

980
00:49:59,560 --> 00:50:03,360
Speaker 1: washing machine Can you imagine treating a washing machine like

981
00:50:03,440 --> 00:50:07,680
Speaker 1: a point on? Why is the LG top load washer

982
00:50:07,760 --> 00:50:10,440
Speaker 1: and dryer set in your spank bank. It's a lot

983
00:50:10,520 --> 00:50:12,440
Speaker 1: of images that should be in your spank bank to

984
00:50:12,560 --> 00:50:15,800
Speaker 1: help you leak the main drain, massage your purple headed warrior,

985
00:50:16,000 --> 00:50:19,680
Speaker 1: but the Samsung Platinum front load steam washer shouldn't be

986
00:50:19,800 --> 00:50:23,360
Speaker 1: any of those images. Imagine watching someone paddled a pickle

987
00:50:23,560 --> 00:50:28,320
Speaker 1: to the Kenmore top load washer with the porcelain basket. Famam,

988
00:50:29,280 --> 00:50:32,520
Speaker 1: how you treating the Whirlpool load washer with a stainless

989
00:50:32,520 --> 00:50:35,880
Speaker 1: steel wash basket like it's Tiana Taylor's fade video. Now,

990
00:50:35,920 --> 00:50:38,200
Speaker 1: I'm not here to shame the man from masturbating, because

991
00:50:38,200 --> 00:50:40,239
Speaker 1: we all play a little pocket pool from time to time,

992
00:50:40,440 --> 00:50:43,319
Speaker 1: just not in public and a laundrymack. But that's only

993
00:50:43,440 --> 00:50:45,359
Speaker 1: part of the reason I'm giving them donkey of today.

994
00:50:45,480 --> 00:50:48,200
Speaker 1: The reason he's getting donkey of today is because during

995
00:50:48,360 --> 00:50:54,120
Speaker 1: police questioning he admitted the polishing his chrome dome in

996
00:50:54,280 --> 00:50:57,279
Speaker 1: public before, and the reason he said he likes to

997
00:50:57,440 --> 00:51:00,360
Speaker 1: roll flesh blunts in public it's because of the helps

998
00:51:00,600 --> 00:51:05,000
Speaker 1: with his anxiety. I agree basturbation does help take the

999
00:51:05,120 --> 00:51:07,320
Speaker 1: edge off when it comes to being anxious. But he

1000
00:51:07,440 --> 00:51:09,440
Speaker 1: is a double damn lie if he's gonna make me

1001
00:51:09,560 --> 00:51:12,240
Speaker 1: believe that shooting putty at the moon in a public

1002
00:51:12,320 --> 00:51:14,680
Speaker 1: place will not make your anxiety go through the roof?

1003
00:51:14,719 --> 00:51:17,200
Speaker 1: Are you kidding me? In a twenty four hour laundry matt,

1004
00:51:17,239 --> 00:51:19,799
Speaker 1: people walking in and out, you're not worried about people

1005
00:51:19,840 --> 00:51:22,200
Speaker 1: calling the police on you. You're not getting the anxious

1006
00:51:22,200 --> 00:51:24,600
Speaker 1: because you're thinking about being recorded. That is not an

1007
00:51:24,640 --> 00:51:29,160
Speaker 1: anxiety free situation. Somebody please get this man a therapist

1008
00:51:29,760 --> 00:51:32,879
Speaker 1: or a fidget spinner or a gym membership. It's all

1009
00:51:33,080 --> 00:51:36,239
Speaker 1: kinds of ways to ease your anxiety that are better

1010
00:51:36,520 --> 00:51:40,080
Speaker 1: than you teasing the weasel in public. We don't want

1011
00:51:40,120 --> 00:51:42,440
Speaker 1: you in jail, my brother. Trust me when I tell

1012
00:51:42,480 --> 00:51:44,480
Speaker 1: you it's a lot of remedies in my upcoming book

1013
00:51:44,680 --> 00:51:47,840
Speaker 1: to deal with anxiety, and the sticky page rumble, the

1014
00:51:48,040 --> 00:51:51,080
Speaker 1: urky jerky in public is not one of them. Please

1015
00:51:51,160 --> 00:51:53,879
Speaker 1: let remy ma give Carlos Salvador the biggest he hall

1016
00:51:54,040 --> 00:51:58,200
Speaker 1: he ha he ha, you stupid mother? Are you dumb?

1017
00:51:58,400 --> 00:52:00,400
Speaker 1: All right? Charlemagne, thank you for that dunk. The day

1018
00:52:00,480 --> 00:52:02,920
Speaker 1: when we come back, Uncle Luca being the building, we'll

1019
00:52:02,960 --> 00:52:04,919
Speaker 1: kick it with Lukes and don't move. It's the Breakfast Club.

1020
00:52:04,960 --> 00:52:08,960
Speaker 1: Go morning. Nobody is dj Envy Angela yee, Charlomagne and God,

1021
00:52:09,000 --> 00:52:11,520
Speaker 1: we all the Breakfast Club. We have a special guest

1022
00:52:11,560 --> 00:52:14,400
Speaker 1: in the building, a legend in the building, Lucy Campbell,

1023
00:52:14,480 --> 00:52:16,680
Speaker 1: Uncle Luke, what's happening in my brother? I'm good man,

1024
00:52:16,760 --> 00:52:19,200
Speaker 1: What about yourself? I'm blessed man you are. You're a

1025
00:52:19,320 --> 00:52:21,799
Speaker 1: leader of men out here. Hey hey, hey, I'm trying

1026
00:52:21,840 --> 00:52:25,719
Speaker 1: to be a leader of people, not just men but everybody.

1027
00:52:26,000 --> 00:52:27,680
Speaker 1: I mean, with the Warriors of Liberty City, man, you're

1028
00:52:27,719 --> 00:52:30,960
Speaker 1: responsible for a lot of successful brothers out here. Oh yeah,

1029
00:52:31,080 --> 00:52:33,040
Speaker 1: no doubt, no doubt. I mean it started the program

1030
00:52:33,440 --> 00:52:37,240
Speaker 1: twenty nine years ago with me and my other co founder,

1031
00:52:37,280 --> 00:52:39,759
Speaker 1: coach Sam. I mean when we started, we don't think

1032
00:52:39,840 --> 00:52:42,400
Speaker 1: that it would be around for twenty nine years. But uh,

1033
00:52:42,840 --> 00:52:46,120
Speaker 1: you know, we're just happy of all the kids and

1034
00:52:46,200 --> 00:52:48,600
Speaker 1: all the people that came out of the program, especially

1035
00:52:48,640 --> 00:52:50,600
Speaker 1: the ones who are now adults, the ones who are

1036
00:52:50,640 --> 00:52:52,799
Speaker 1: doing great things in the community as well as around

1037
00:52:52,840 --> 00:52:54,719
Speaker 1: the world. Let's talk about the program for people that

1038
00:52:54,800 --> 00:52:57,440
Speaker 1: aren't informed about what the program is. But it does

1039
00:52:57,520 --> 00:52:59,440
Speaker 1: and while you started it and so passionate about it,

1040
00:53:00,000 --> 00:53:02,839
Speaker 1: we started, you know, like I said, twenty nine years ago,

1041
00:53:02,880 --> 00:53:05,320
Speaker 1: and uh, you know, I was busting South Beast to

1042
00:53:05,360 --> 00:53:08,600
Speaker 1: play organized football, you know sports. And when I got

1043
00:53:08,640 --> 00:53:11,759
Speaker 1: to South Beach, you know, twenty nine years ago before that,

1044
00:53:12,160 --> 00:53:13,759
Speaker 1: you know, blacks had to be off the beach at

1045
00:53:13,960 --> 00:53:16,879
Speaker 1: after six o'clocks. If you didn't, if you were in white,

1046
00:53:17,000 --> 00:53:19,200
Speaker 1: you'll go to jail, you know. So I didn't want

1047
00:53:19,239 --> 00:53:21,040
Speaker 1: no other kids to have to go through that. So,

1048
00:53:21,239 --> 00:53:23,759
Speaker 1: you know, I started the program in my community. I

1049
00:53:23,880 --> 00:53:26,359
Speaker 1: said myself, when I get to center my lunch money,

1050
00:53:26,360 --> 00:53:28,960
Speaker 1: I started, you know, get my obviously get my mom

1051
00:53:29,040 --> 00:53:32,399
Speaker 1: my house, but then started youth football program. What kids

1052
00:53:32,480 --> 00:53:34,400
Speaker 1: don't have to be subjected to that? I read that

1053
00:53:34,480 --> 00:53:36,399
Speaker 1: in your book. How did that make y'all feel? Being

1054
00:53:36,520 --> 00:53:38,520
Speaker 1: black and being told that y'all can't be here after

1055
00:53:38,600 --> 00:53:40,920
Speaker 1: six pm? Oh? That was that was rough? I mean,

1056
00:53:41,080 --> 00:53:43,640
Speaker 1: you know, unfortunately, that was the only way we could

1057
00:53:43,640 --> 00:53:46,480
Speaker 1: play organized sports, you know, because it wasn't any in

1058
00:53:46,560 --> 00:53:49,560
Speaker 1: my neighborhood. There was never no rebellion against the white people. Oh,

1059
00:53:50,200 --> 00:53:52,239
Speaker 1: you know, we just left as kids. You know, you

1060
00:53:52,280 --> 00:53:54,640
Speaker 1: don't really think about it. You just go over there,

1061
00:53:54,719 --> 00:53:56,800
Speaker 1: you go have fun, you go play. You know, the

1062
00:53:56,880 --> 00:53:59,680
Speaker 1: coaches and everybody that's involved, they take care of you.

1063
00:53:59,840 --> 00:54:01,759
Speaker 1: You know, you end up coming back home and your

1064
00:54:01,800 --> 00:54:03,600
Speaker 1: parents are privately don't you get out there and get

1065
00:54:03,680 --> 00:54:06,200
Speaker 1: in trouble, like come home like you're supposed to. Yeah,

1066
00:54:06,320 --> 00:54:10,240
Speaker 1: And I always stayed in trouble. What I love about

1067
00:54:10,280 --> 00:54:13,040
Speaker 1: watching this docu series, The Warriors Liberty City is a

1068
00:54:13,080 --> 00:54:15,560
Speaker 1: six part docuseries, yes, is that you get to see

1069
00:54:15,560 --> 00:54:17,200
Speaker 1: a lot of what goes on behind the scenes, because

1070
00:54:17,200 --> 00:54:18,680
Speaker 1: it is true a lot of times, these kids are

1071
00:54:18,719 --> 00:54:21,360
Speaker 1: coming into school, they're coming into their athletics, and they

1072
00:54:21,440 --> 00:54:23,480
Speaker 1: have all kinds of baggage that's going on at home

1073
00:54:23,880 --> 00:54:26,040
Speaker 1: that we don't even know about, right right, I mean,

1074
00:54:26,200 --> 00:54:28,719
Speaker 1: you know, as a coach, you know, once my career

1075
00:54:28,840 --> 00:54:31,000
Speaker 1: kind of died down, I started going back out and coaching,

1076
00:54:31,360 --> 00:54:33,480
Speaker 1: And that was one of the first things that you've noticed.

1077
00:54:33,840 --> 00:54:36,279
Speaker 1: You go with a kid, when the kids not functioning right.

1078
00:54:36,400 --> 00:54:39,359
Speaker 1: With this doctor series, what we did unlike any other thing.

1079
00:54:39,440 --> 00:54:42,480
Speaker 1: You know, you see these blind side stories where some

1080
00:54:42,920 --> 00:54:46,600
Speaker 1: white person coming grab a black kid like a Scottie Pippen,

1081
00:54:47,000 --> 00:54:49,960
Speaker 1: move them to the suburbs and they just saved us life.

1082
00:54:50,320 --> 00:54:52,320
Speaker 1: You know, we wanted to show these black men and

1083
00:54:52,400 --> 00:54:54,520
Speaker 1: the things that these kids have to go through at home,

1084
00:54:54,600 --> 00:54:56,719
Speaker 1: and the things that the kids have to go through

1085
00:54:56,840 --> 00:54:59,680
Speaker 1: when one of the other kids are shot by drive by,

1086
00:55:00,080 --> 00:55:02,279
Speaker 1: which you see in the document series, or if your

1087
00:55:02,320 --> 00:55:05,200
Speaker 1: father's in jail, your father, Yeah, we have all that.

1088
00:55:05,440 --> 00:55:07,120
Speaker 1: I mean, this is real Miami. I don't know what

1089
00:55:07,200 --> 00:55:09,879
Speaker 1: y'all been seeing on TV, you know, whether it's loving

1090
00:55:09,960 --> 00:55:12,360
Speaker 1: hip hop Miami. Oh that's not me. Yeah. Do you

1091
00:55:12,440 --> 00:55:14,759
Speaker 1: think Miami has been documented right? No? Who he is? No,

1092
00:55:15,080 --> 00:55:17,840
Speaker 1: not at all. No, especially right now. And I was

1093
00:55:17,920 --> 00:55:20,680
Speaker 1: watching Robert that really made me tearr eye. Like he

1094
00:55:20,880 --> 00:55:23,359
Speaker 1: was thirteen years old and he talks about how all

1095
00:55:23,400 --> 00:55:25,359
Speaker 1: the other kids' dads are coming to see them place

1096
00:55:26,200 --> 00:55:28,799
Speaker 1: and his dad isn't there and he gets angry about it. Yeah,

1097
00:55:28,880 --> 00:55:31,319
Speaker 1: and parents have to think about that, like his dad

1098
00:55:31,440 --> 00:55:33,200
Speaker 1: is in and out of jail, and how is that

1099
00:55:33,280 --> 00:55:34,920
Speaker 1: affecting my son and how he's growing up in the

1100
00:55:34,960 --> 00:55:37,279
Speaker 1: anger issues he's having and feeling like left out and

1101
00:55:37,400 --> 00:55:40,359
Speaker 1: not having his father right and those those and that's

1102
00:55:40,400 --> 00:55:42,600
Speaker 1: what we tried to do. We tried to document those

1103
00:55:42,920 --> 00:55:46,080
Speaker 1: backstories so candid about it. Yeah, yeah, people to really

1104
00:55:46,120 --> 00:55:48,719
Speaker 1: express himself. Yeah, you normally see you don't really see

1105
00:55:48,719 --> 00:55:51,640
Speaker 1: shows whereas where you see the over a old good

1106
00:55:51,680 --> 00:55:54,080
Speaker 1: football player, great football player, came out of program, but

1107
00:55:54,160 --> 00:55:58,200
Speaker 1: you don't see that parent, that mother sitting there trying

1108
00:55:58,239 --> 00:56:00,640
Speaker 1: to be able to cope with her son, you know,

1109
00:56:00,719 --> 00:56:03,320
Speaker 1: And we showed it. I mean, you can't script that

1110
00:56:03,480 --> 00:56:06,160
Speaker 1: when the dad is in the federal printer tuntry and

1111
00:56:06,600 --> 00:56:09,719
Speaker 1: unfortunately at that time when they're shooting, uh, this kid

1112
00:56:09,840 --> 00:56:12,520
Speaker 1: in interviewing him and now the dad calls up, you know,

1113
00:56:12,600 --> 00:56:14,919
Speaker 1: and he's talking to him about still the dads still

1114
00:56:14,960 --> 00:56:17,480
Speaker 1: trying to be a dad even in that situation, and

1115
00:56:17,600 --> 00:56:20,240
Speaker 1: the kid, you know, the kid just you know, rebelling

1116
00:56:20,280 --> 00:56:23,120
Speaker 1: in some situations because his dad is not there. And

1117
00:56:23,239 --> 00:56:25,520
Speaker 1: that you don't don't really see those kind of stories

1118
00:56:26,040 --> 00:56:28,320
Speaker 1: you got. Lebron James is the ep that relationship that

1119
00:56:28,520 --> 00:56:31,239
Speaker 1: got established when he were playing Man yeah, yeah, yeah,

1120
00:56:31,440 --> 00:56:34,719
Speaker 1: you know, you know Maverick and Lebron them, you know,

1121
00:56:34,840 --> 00:56:37,680
Speaker 1: we met on a few cages and you know, with

1122
00:56:37,920 --> 00:56:40,839
Speaker 1: him having kids and his kids running around hanging out

1123
00:56:40,880 --> 00:56:43,400
Speaker 1: with the same kids from the program in an area,

1124
00:56:43,760 --> 00:56:46,359
Speaker 1: you know, it made it much more more more sense

1125
00:56:46,560 --> 00:56:51,000
Speaker 1: because he understood, you know, how important football is in Miami.

1126
00:56:51,239 --> 00:56:53,200
Speaker 1: And what I saw in the beginning of the first

1127
00:56:53,239 --> 00:56:56,520
Speaker 1: episode two was the NFL players that come from Florida. Right,

1128
00:56:56,560 --> 00:56:59,640
Speaker 1: there's a large majority of NFL players. What about Florida,

1129
00:56:59,719 --> 00:57:04,600
Speaker 1: you can players, Well, it's more in Miami. Miami. I

1130
00:57:04,680 --> 00:57:08,319
Speaker 1: mean we have at our program, we probably have about

1131
00:57:08,360 --> 00:57:13,279
Speaker 1: twenty five NFL stars right now, and in the five

1132
00:57:13,360 --> 00:57:16,200
Speaker 1: square miles away from the park, we have more NFL

1133
00:57:16,280 --> 00:57:19,400
Speaker 1: players than any other city in the United States of American. Well,

1134
00:57:19,440 --> 00:57:22,440
Speaker 1: you ain't never open the sports anacy, man. My wife

1135
00:57:22,520 --> 00:57:26,200
Speaker 1: actually is an agent, you know. Uh. She represents Duke

1136
00:57:26,320 --> 00:57:29,200
Speaker 1: Johnson DeVante Freeman, two guys that you see on the

1137
00:57:29,520 --> 00:57:34,040
Speaker 1: Doctor series, and she would have represented more, but unfortunately

1138
00:57:34,040 --> 00:57:35,880
Speaker 1: a lot of these other kids, you know, go in

1139
00:57:35,920 --> 00:57:38,800
Speaker 1: a different direction. I mean fortunately, you know she's a lawyer,

1140
00:57:38,800 --> 00:57:41,880
Speaker 1: and uh, we we talked about it because a lot

1141
00:57:41,920 --> 00:57:45,000
Speaker 1: of kids come back broke through this same situation right here.

1142
00:57:45,040 --> 00:57:46,880
Speaker 1: If you look when you look at the Doctor series

1143
00:57:47,160 --> 00:57:49,560
Speaker 1: and you see why kids go to college and then

1144
00:57:49,600 --> 00:57:52,240
Speaker 1: the little agent comes by and he gives a kid

1145
00:57:52,320 --> 00:57:53,880
Speaker 1: the money, and they said, well, why these kids are

1146
00:57:53,920 --> 00:57:56,000
Speaker 1: taking this money because they got to sending the money

1147
00:57:56,040 --> 00:57:58,080
Speaker 1: back home because mom and Dad's get ready to get

1148
00:57:58,120 --> 00:58:00,520
Speaker 1: throwed out. You know, in nine there on the hook

1149
00:58:00,800 --> 00:58:04,120
Speaker 1: with some of these unscrupulous agents who are not educating

1150
00:58:04,160 --> 00:58:06,640
Speaker 1: them on how to take care of your money. And

1151
00:58:06,760 --> 00:58:10,080
Speaker 1: so unfortunately we're able to help the ones that want

1152
00:58:10,120 --> 00:58:12,320
Speaker 1: to be helped. Ain't nobody running around after no player.

1153
00:58:12,520 --> 00:58:15,520
Speaker 1: How important is it instilling these kids and when y'all

1154
00:58:15,560 --> 00:58:17,440
Speaker 1: do make it to the NFL, bring it back to

1155
00:58:17,520 --> 00:58:20,120
Speaker 1: your city. It's very it's very important. I mean, you know,

1156
00:58:20,240 --> 00:58:23,439
Speaker 1: like with Dude Get Davonte, you know, that's the first

1157
00:58:23,480 --> 00:58:25,640
Speaker 1: thing they do. They're back on the park. You know,

1158
00:58:25,800 --> 00:58:28,200
Speaker 1: they're back in the building. You know they you know,

1159
00:58:28,280 --> 00:58:31,680
Speaker 1: instead of lifting weights at some beautiful facility you know,

1160
00:58:31,760 --> 00:58:33,640
Speaker 1: are working out in the off season. You see them

1161
00:58:33,720 --> 00:58:36,080
Speaker 1: right out there with those kids. And that's very, very

1162
00:58:36,160 --> 00:58:38,880
Speaker 1: inspiring because those kids get to see them on TV

1163
00:58:39,080 --> 00:58:41,200
Speaker 1: every Sunday and they look up to them. But you know,

1164
00:58:41,320 --> 00:58:43,400
Speaker 1: for them to be able to have a relationship with them,

1165
00:58:43,720 --> 00:58:46,080
Speaker 1: it's very, very important. I feel like you're more passionate

1166
00:58:46,120 --> 00:58:48,120
Speaker 1: about this than you worry about music. Oh, no doubt

1167
00:58:48,120 --> 00:58:51,240
Speaker 1: about it. This saves lives, you know what I'm saying music,

1168
00:58:51,600 --> 00:58:53,880
Speaker 1: You know, I get to save some lives, you know.

1169
00:58:54,560 --> 00:58:57,560
Speaker 1: You know Trick Daddio in jail, and I'll discover him

1170
00:58:57,600 --> 00:58:59,800
Speaker 1: and help his life out and put them on in

1171
00:59:00,080 --> 00:59:03,320
Speaker 1: pit bullers out there, you know, selling drugs. You know.

1172
00:59:03,520 --> 00:59:06,240
Speaker 1: You see, we changed lives in the music industry. But

1173
00:59:06,320 --> 00:59:09,800
Speaker 1: at the same time, this changing lives on a massive scale,

1174
00:59:09,840 --> 00:59:12,240
Speaker 1: and I love it. I mean, that's what we set

1175
00:59:12,280 --> 00:59:13,720
Speaker 1: out to do, and we're doing it all right. We

1176
00:59:13,800 --> 00:59:15,800
Speaker 1: got more with Luca. We come back, don't move. It's

1177
00:59:15,800 --> 00:59:19,160
Speaker 1: a breakfast club. Good morning, pointing. Everybody is DJ Envy,

1178
00:59:19,360 --> 00:59:22,240
Speaker 1: Angel La Yee Shlominea God. We all the breakfast club.

1179
00:59:22,320 --> 00:59:24,760
Speaker 1: We have a Luke in the building. Yea. So now

1180
00:59:24,840 --> 00:59:27,680
Speaker 1: I see you're on a team, Andrew Gillam, because your

1181
00:59:27,760 --> 00:59:30,760
Speaker 1: candidate didn't actually be Andrew Gillim Why more, and Andrew

1182
00:59:30,760 --> 00:59:33,880
Speaker 1: from the beginning, Uncle Luke, why my friend my friend

1183
00:59:34,200 --> 00:59:36,760
Speaker 1: is Philip Levine. You know what I'm saying. You know,

1184
00:59:36,920 --> 00:59:40,080
Speaker 1: so do I support somebody that I don't know because

1185
00:59:40,160 --> 00:59:42,680
Speaker 1: of the color of the skin. It bothered me for

1186
00:59:42,720 --> 00:59:44,360
Speaker 1: a little while, but I was like, no, I gotta

1187
00:59:44,360 --> 00:59:46,960
Speaker 1: be real about this. This guy's not my friend. This

1188
00:59:47,080 --> 00:59:50,400
Speaker 1: guy's my friend, you know. You know, I want Andrew

1189
00:59:50,480 --> 00:59:52,240
Speaker 1: to do well, you know what I'm saying, But this

1190
00:59:52,400 --> 00:59:55,240
Speaker 1: guy is my genuine friend. Now if I didn't know him,

1191
00:59:55,560 --> 00:59:58,480
Speaker 1: I'm m gillam. Were you ever torn about supporting the

1192
00:59:58,560 --> 01:00:01,200
Speaker 1: NFL with everything that happened with recapping it? You know,

1193
01:00:01,920 --> 01:00:05,560
Speaker 1: the NFL is obviously a slave mentality, you know, I

1194
01:00:06,720 --> 01:00:09,480
Speaker 1: mean the owners, they're confused as to what they're trying

1195
01:00:09,480 --> 01:00:10,960
Speaker 1: to do, you know what I'm saying. When you look

1196
01:00:11,000 --> 01:00:13,040
Speaker 1: at it there in all these liberal cities, you would

1197
01:00:13,120 --> 01:00:16,400
Speaker 1: think they would have a liberal mindset, unlike the NCAA.

1198
01:00:16,920 --> 01:00:19,880
Speaker 1: You know, they're in the backwoods where, you know, next

1199
01:00:19,880 --> 01:00:23,720
Speaker 1: to crocodiles, so they can you know, then they can

1200
01:00:23,800 --> 01:00:26,280
Speaker 1: ask racist you know, in the nca But then when

1201
01:00:26,280 --> 01:00:29,800
Speaker 1: it comes to the NFL, they're in liberal cities. You know,

1202
01:00:29,880 --> 01:00:32,640
Speaker 1: they're in blue cities, so you would think that they

1203
01:00:32,680 --> 01:00:35,240
Speaker 1: would think you know, more down the lines of the players.

1204
01:00:35,320 --> 01:00:37,760
Speaker 1: But then at the same time they're looking at the

1205
01:00:37,800 --> 01:00:40,960
Speaker 1: bottom line, which is bad because you know a lot

1206
01:00:41,040 --> 01:00:43,920
Speaker 1: of those you know, they're not supporting there. They're players

1207
01:00:43,960 --> 01:00:46,680
Speaker 1: the way they should support them. Man, you know, I

1208
01:00:46,840 --> 01:00:49,160
Speaker 1: just have a real problem with that. They can't figure

1209
01:00:49,160 --> 01:00:51,480
Speaker 1: it out. And then when you have you know, racist

1210
01:00:51,560 --> 01:00:54,200
Speaker 1: owners like you know, Jerry Jones and some of these

1211
01:00:54,240 --> 01:00:56,800
Speaker 1: other people, then you got Craft running up the neat

1212
01:00:56,880 --> 01:00:59,640
Speaker 1: Mills jail house and I'm like, come on, man, you

1213
01:00:59,720 --> 01:01:02,840
Speaker 1: know that's that's all ps. You know, what are you doing.

1214
01:01:02,920 --> 01:01:05,200
Speaker 1: You're trying to save your brand in one of the

1215
01:01:05,280 --> 01:01:08,560
Speaker 1: most racist cities, Boston in America. And I'm a cowboy

1216
01:01:08,640 --> 01:01:17,280
Speaker 1: fan me too, the Dolpin fan. Sometimes when you're like, man,

1217
01:01:18,240 --> 01:01:21,440
Speaker 1: a cowboy fan, what am I supposed to do? Hurt?

1218
01:01:21,520 --> 01:01:24,400
Speaker 1: It kills me. I'm like, bring back tex Stram, bring

1219
01:01:24,480 --> 01:01:28,720
Speaker 1: back Tom Landry, Jesus Christ? Why do yeah? Why does

1220
01:01:28,800 --> 01:01:31,200
Speaker 1: this guy by the team? You know it's the worst.

1221
01:01:31,320 --> 01:01:33,040
Speaker 1: I'm lame it all my daddy. I'm like, look, man's

1222
01:01:33,040 --> 01:01:34,840
Speaker 1: in my blood. My daddy was a Cowboy fan. He

1223
01:01:34,880 --> 01:01:35,960
Speaker 1: put it on me. What you want me to do?

1224
01:01:36,080 --> 01:01:41,080
Speaker 1: Just put Cowan my whole life. He's like the worst

1225
01:01:41,120 --> 01:01:44,240
Speaker 1: one out of all of them. Yeah, oh no, Jerry Jones,

1226
01:01:44,640 --> 01:01:48,080
Speaker 1: I mean just publicly like the things. He's Horrible's crazy.

1227
01:01:48,280 --> 01:01:50,880
Speaker 1: Do you ever think about it? He gets all the

1228
01:01:51,000 --> 01:01:55,080
Speaker 1: players with sketchy backgrounds, so those players don't have no

1229
01:01:55,440 --> 01:01:59,360
Speaker 1: they don't get no no money, no sponsorship money. Everybody

1230
01:01:59,400 --> 01:02:02,600
Speaker 1: has a sketch background that's on his team. If you've

1231
01:02:02,920 --> 01:02:05,200
Speaker 1: robbed somebody, you could play for the Cowboys. And easy

1232
01:02:05,240 --> 01:02:07,880
Speaker 1: to control. It's easy to control. So that's why when

1233
01:02:08,000 --> 01:02:12,240
Speaker 1: Dan's Brian turns into a smart, intelligent black man, then

1234
01:02:12,320 --> 01:02:14,440
Speaker 1: he loses his man. Oh you got you got a

1235
01:02:14,480 --> 01:02:16,480
Speaker 1: different agent. Oh you don't supposed to do that. I

1236
01:02:16,640 --> 01:02:18,800
Speaker 1: was like, okay, this Brian's gonna Yeah, you got rock

1237
01:02:18,880 --> 01:02:22,120
Speaker 1: Nation and getting represents represented by black people. I can't

1238
01:02:22,160 --> 01:02:24,320
Speaker 1: control that. You gotta go. A matter of fact, I'm

1239
01:02:24,320 --> 01:02:26,280
Speaker 1: a black ball. You're out of the NFL because you

1240
01:02:26,640 --> 01:02:28,600
Speaker 1: turned into a black man. I said, you talking about

1241
01:02:28,680 --> 01:02:31,880
Speaker 1: that in our own league potentially, Yeah, you think that's

1242
01:02:31,880 --> 01:02:34,720
Speaker 1: something that could happen, like sometime soon. I think it

1243
01:02:34,840 --> 01:02:38,120
Speaker 1: can happen. I mean especially right now. I think you know,

1244
01:02:38,200 --> 01:02:41,240
Speaker 1: I think you gotta start off about eight teams. You know,

1245
01:02:41,400 --> 01:02:44,160
Speaker 1: you get some, get a few billionaires, you know, get

1246
01:02:44,200 --> 01:02:46,280
Speaker 1: your own TV contracts, and you can start your own

1247
01:02:46,520 --> 01:02:49,680
Speaker 1: NFL league. I think it's really simple. I had a

1248
01:02:49,720 --> 01:02:51,439
Speaker 1: couple of models and talk to a couple of people,

1249
01:02:51,480 --> 01:02:54,360
Speaker 1: and I think, you know, it can happen. So what's

1250
01:02:54,360 --> 01:02:57,480
Speaker 1: something on the two Live crew bio pick Man, Well,

1251
01:02:57,560 --> 01:03:00,240
Speaker 1: I just did a deal with Lions Kate. You know,

1252
01:03:00,400 --> 01:03:04,440
Speaker 1: we obviously own the stars, and uh, you know we're

1253
01:03:04,560 --> 01:03:08,760
Speaker 1: right now. We probably two drafts into the actual script

1254
01:03:09,720 --> 01:03:12,000
Speaker 1: got to be X rated, man, like, it can't be. No,

1255
01:03:14,000 --> 01:03:16,640
Speaker 1: it got to be. I think, hold on, I don't

1256
01:03:16,640 --> 01:03:18,560
Speaker 1: know about that, but maybe they could be an uncut version.

1257
01:03:19,880 --> 01:03:22,520
Speaker 1: You need to be able to have, be able to see.

1258
01:03:22,720 --> 01:03:25,080
Speaker 1: I don't realize that I literally talking somebody. This is

1259
01:03:25,120 --> 01:03:28,160
Speaker 1: this week, Uncle lucas the reason they have parental advisory

1260
01:03:28,280 --> 01:03:32,880
Speaker 1: stickers on CDs. I'm talking about that, not wrong, you

1261
01:03:33,040 --> 01:03:35,200
Speaker 1: you're right, You're right, And that's why I was struggling

1262
01:03:35,280 --> 01:03:38,280
Speaker 1: with the scriptup. But hey man, personal advisory is still

1263
01:03:38,400 --> 01:03:40,240
Speaker 1: rated art and they're probably telling you all in this

1264
01:03:40,560 --> 01:03:43,200
Speaker 1: in this era, with this climate, that you can't show

1265
01:03:43,320 --> 01:03:46,520
Speaker 1: women like this. But that was that era. Yeah yeah,

1266
01:03:46,560 --> 01:03:51,040
Speaker 1: but now we're to meet you were to meet too movements,

1267
01:03:51,040 --> 01:03:54,280
Speaker 1: so you gotta got slow down having mercy. It's like,

1268
01:03:54,440 --> 01:03:56,640
Speaker 1: oh man, but what's crazy is you never hear no

1269
01:03:56,760 --> 01:03:59,320
Speaker 1: stories like the perception of what you would be like

1270
01:03:59,400 --> 01:04:02,200
Speaker 1: in real life. It's not like what you really are like,

1271
01:04:02,600 --> 01:04:04,760
Speaker 1: you know what I'm saying, Like you've always been just

1272
01:04:04,920 --> 01:04:07,880
Speaker 1: a real chill, cool person, never trying to take like

1273
01:04:08,000 --> 01:04:10,120
Speaker 1: We've never heard no stories about you doing anything out

1274
01:04:10,160 --> 01:04:12,720
Speaker 1: of pocket. Well, you know, I was, you know, I was.

1275
01:04:13,160 --> 01:04:15,480
Speaker 1: I was a little hustling in my days when I

1276
01:04:15,640 --> 01:04:17,800
Speaker 1: was a kid, and they always brewed number one, never

1277
01:04:17,880 --> 01:04:20,400
Speaker 1: get high on your own supply. But even just treatment

1278
01:04:20,440 --> 01:04:23,040
Speaker 1: of women, yeah yeah, yeah, no, no, no, I mean

1279
01:04:23,200 --> 01:04:26,080
Speaker 1: all the girls, even the girls that travel with me.

1280
01:04:26,160 --> 01:04:28,680
Speaker 1: We always treated all the girls top of the line,

1281
01:04:28,680 --> 01:04:31,440
Speaker 1: whether it scripples or whether it were pon stars, if

1282
01:04:31,520 --> 01:04:33,880
Speaker 1: that's what they wanted to do. You know, I never

1283
01:04:33,960 --> 01:04:36,880
Speaker 1: got into into that. Somebody said something crazy about me

1284
01:04:36,960 --> 01:04:39,400
Speaker 1: on Twitter one day, and you responded and I appreciated it.

1285
01:04:39,960 --> 01:04:44,640
Speaker 1: Oh yeah, you know, more custom people something like they

1286
01:04:44,680 --> 01:04:47,520
Speaker 1: were like Angela then everybody dada da da da, and

1287
01:04:47,520 --> 01:04:49,600
Speaker 1: then they named Luke and he was like, first of all,

1288
01:04:49,680 --> 01:04:52,240
Speaker 1: Angela has always been a professional and all of that,

1289
01:04:52,360 --> 01:04:55,280
Speaker 1: and that absolutely not has never happened, Like you went

1290
01:04:55,360 --> 01:04:58,720
Speaker 1: in on them and house like, I appreciate somebody saying something, yeah, yeah,

1291
01:04:58,760 --> 01:05:01,040
Speaker 1: well when you know I'm loyal you, I mean, when

1292
01:05:01,160 --> 01:05:03,080
Speaker 1: when you know a person for so many years, like

1293
01:05:03,160 --> 01:05:05,440
Speaker 1: I know you, you know for I mean when you

1294
01:05:06,120 --> 01:05:09,000
Speaker 1: just doing a little reporting and I mean you ain't

1295
01:05:09,040 --> 01:05:10,880
Speaker 1: never you ain't never come off like that, you know,

1296
01:05:10,960 --> 01:05:13,960
Speaker 1: you ain't never had that kind of reputation and show

1297
01:05:14,120 --> 01:05:16,120
Speaker 1: somebody all that you like that in that way, then

1298
01:05:16,600 --> 01:05:18,600
Speaker 1: you know I'll jump on him and jump out the

1299
01:05:18,760 --> 01:05:21,160
Speaker 1: real quick. Well, thank you, I appreciate it, And don't

1300
01:05:21,200 --> 01:05:22,959
Speaker 1: do the Two Live Crew movie if they're not gonna

1301
01:05:23,000 --> 01:05:24,200
Speaker 1: let you do it the way they need to be done.

1302
01:05:24,200 --> 01:05:26,080
Speaker 1: You know why I hate because they wanted to naked? Yes,

1303
01:05:26,080 --> 01:05:27,720
Speaker 1: because you know why, because when white people want to

1304
01:05:27,760 --> 01:05:30,760
Speaker 1: tell the story about slavery, they don't mince that. You know,

1305
01:05:31,280 --> 01:05:34,480
Speaker 1: they give it to you. Ron Getting read Men getting

1306
01:05:34,560 --> 01:05:37,880
Speaker 1: home kind of limits. It limits the amount of people

1307
01:05:37,920 --> 01:05:39,520
Speaker 1: that can see it and where it can go. That's

1308
01:05:39,560 --> 01:05:43,040
Speaker 1: why I said, read the triple read it all. I

1309
01:05:48,400 --> 01:05:51,040
Speaker 1: want to see the real life situation how I went

1310
01:05:51,120 --> 01:05:52,840
Speaker 1: down though, So you want to see the part when

1311
01:05:52,880 --> 01:05:55,280
Speaker 1: I the girl, you know, jumped out of the band

1312
01:05:55,320 --> 01:05:57,280
Speaker 1: and went to the all that went to the desk

1313
01:05:57,400 --> 01:05:59,960
Speaker 1: at the hotel and like it and asked for our room.

1314
01:06:00,040 --> 01:06:01,840
Speaker 1: I read the book all that, Oh you want it,

1315
01:06:03,240 --> 01:06:05,120
Speaker 1: Let's get into a Luke Mini mix. Keep it locked

1316
01:06:05,160 --> 01:06:10,400
Speaker 1: as a breakfast club the morning, the breakfast club. Everybody

1317
01:06:10,520 --> 01:06:13,680
Speaker 1: is DJ Envy, Angela Yee, Charlomagne, and god, we are

1318
01:06:13,720 --> 01:06:16,920
Speaker 1: the breakfast club. We have a Luke in the building. Charlomagne.

1319
01:06:17,000 --> 01:06:19,840
Speaker 1: I realized, like a lot of artists from Miami didn't

1320
01:06:19,880 --> 01:06:22,160
Speaker 1: have that Luke sound for a while, and like I

1321
01:06:22,440 --> 01:06:24,919
Speaker 1: got recently put onto the City Girls. And I really

1322
01:06:25,000 --> 01:06:26,720
Speaker 1: liked the City Girl because they remind me of that

1323
01:06:26,880 --> 01:06:31,960
Speaker 1: old Miami sound, that Luke, that old Trina that yeah, no, no,

1324
01:06:32,120 --> 01:06:34,480
Speaker 1: no doubt about that. That's why I like it, you know,

1325
01:06:34,600 --> 01:06:37,720
Speaker 1: because so many people they started doing music, you know,

1326
01:06:37,840 --> 01:06:40,800
Speaker 1: they went away from what we do and we lost

1327
01:06:40,840 --> 01:06:44,480
Speaker 1: our identity for so long. You know, when we had identity,

1328
01:06:44,840 --> 01:06:48,200
Speaker 1: you know, you based music, just expand on it, you know,

1329
01:06:48,320 --> 01:06:51,040
Speaker 1: and keep the party going. But then everybody wanted to

1330
01:06:51,160 --> 01:06:53,960
Speaker 1: be you know, international for a little period of time.

1331
01:06:54,000 --> 01:06:56,360
Speaker 1: And just like you say, the music don't go away.

1332
01:06:56,840 --> 01:06:59,800
Speaker 1: You know, those kids in the neighborhood in Miami, they

1333
01:07:00,160 --> 01:07:02,720
Speaker 1: listen the same thing, whether they get it on underground

1334
01:07:02,840 --> 01:07:04,920
Speaker 1: radio or not. You know, so when you see a

1335
01:07:05,000 --> 01:07:07,640
Speaker 1: group like City Girls come around, you know that was

1336
01:07:07,680 --> 01:07:10,320
Speaker 1: a good thing. Or emotionally, how is it for you

1337
01:07:10,440 --> 01:07:13,320
Speaker 1: dealing with these kids who you know, they're bringing a

1338
01:07:13,360 --> 01:07:16,360
Speaker 1: lot of baggage and sometimes you have to feel like

1339
01:07:16,480 --> 01:07:18,400
Speaker 1: I just want to take care of everybody. But then

1340
01:07:18,600 --> 01:07:21,040
Speaker 1: at certain times you kind of have to, I guess,

1341
01:07:21,320 --> 01:07:25,760
Speaker 1: be more numb to certain things. It's it's it's difficult,

1342
01:07:26,040 --> 01:07:27,920
Speaker 1: you know. But at the same time, you know, when

1343
01:07:27,920 --> 01:07:30,680
Speaker 1: you're dealing with little boys and you know our girls,

1344
01:07:31,000 --> 01:07:34,760
Speaker 1: our lady, you know, Ambassador Chill Leader coaches, they do

1345
01:07:34,840 --> 01:07:36,920
Speaker 1: a great job with the girls, you know as well.

1346
01:07:37,280 --> 01:07:39,160
Speaker 1: But when when it comes to the boys, you you

1347
01:07:39,320 --> 01:07:41,960
Speaker 1: know the situation. You know, like I coach high school football,

1348
01:07:42,360 --> 01:07:44,560
Speaker 1: you know, and we have a lot of kids, whether

1349
01:07:44,600 --> 01:07:47,120
Speaker 1: they come out of my program or other places, they're

1350
01:07:47,240 --> 01:07:50,240
Speaker 1: in some difficult situations. And that's why it was important

1351
01:07:50,240 --> 01:07:53,000
Speaker 1: to do this Doctor Serious, because I mean, when you

1352
01:07:53,080 --> 01:07:56,000
Speaker 1: go to a house and you got you know, eight kid,

1353
01:07:56,080 --> 01:07:58,360
Speaker 1: eight people in the house and a bed, a bed

1354
01:07:58,480 --> 01:08:00,520
Speaker 1: in the living room. You don't kids to come in

1355
01:08:00,760 --> 01:08:03,360
Speaker 1: like I don't have any food. You know, are there

1356
01:08:03,480 --> 01:08:06,240
Speaker 1: an abusive situation? You know I got kids. You know

1357
01:08:06,360 --> 01:08:08,960
Speaker 1: that did make it to the league that mothers. You

1358
01:08:09,040 --> 01:08:11,240
Speaker 1: don't have to sleep in a car, you know at

1359
01:08:11,280 --> 01:08:13,600
Speaker 1: the park. You know what I mean? These are some

1360
01:08:13,800 --> 01:08:16,560
Speaker 1: real deep and you want to help everybody, if you

1361
01:08:16,600 --> 01:08:19,280
Speaker 1: want to help everybody, But the best thing that anybody

1362
01:08:19,320 --> 01:08:22,559
Speaker 1: could do, whether whether you're affiliated with a park anything

1363
01:08:22,680 --> 01:08:24,240
Speaker 1: like that, the best thing you do is give him

1364
01:08:24,280 --> 01:08:27,479
Speaker 1: some knowledge. You know, like Devonte Freeman, you know, he

1365
01:08:27,640 --> 01:08:29,320
Speaker 1: was with me since he was like eight years old,

1366
01:08:29,439 --> 01:08:31,680
Speaker 1: a part of the program. So it's like almost my

1367
01:08:31,840 --> 01:08:35,320
Speaker 1: adopted son, you know, just giving him knowledge. You know,

1368
01:08:35,720 --> 01:08:40,000
Speaker 1: he's living in the Pokemedian Projects, Scott Square house of projects.

1369
01:08:40,120 --> 01:08:42,479
Speaker 1: You know he has four or five brothers and sisters

1370
01:08:42,560 --> 01:08:45,559
Speaker 1: in the house. But then he wants better for itself.

1371
01:08:45,880 --> 01:08:47,680
Speaker 1: You know, they didn't go home to it. But then

1372
01:08:47,800 --> 01:08:50,040
Speaker 1: if you inspire him to be better, you know, if

1373
01:08:50,080 --> 01:08:52,519
Speaker 1: they listen, if they listen, the ones who listen, they

1374
01:08:52,600 --> 01:08:56,040
Speaker 1: get themself out of those situations. Have those artists that

1375
01:08:56,080 --> 01:08:58,560
Speaker 1: will come into Miami that you called out before, have

1376
01:08:58,680 --> 01:09:00,640
Speaker 1: they started giving back to the city. No, it's just

1377
01:09:00,720 --> 01:09:04,880
Speaker 1: don't come back. I mean Kiki does, Ki gives back.

1378
01:09:05,200 --> 01:09:06,960
Speaker 1: You know, Kali does a good job. You know, I

1379
01:09:07,000 --> 01:09:09,240
Speaker 1: had to call him out there. You know, that's my boy,

1380
01:09:09,640 --> 01:09:11,760
Speaker 1: you know. But at the same time, you know, at

1381
01:09:11,840 --> 01:09:14,519
Speaker 1: a lot of like Ross, Ross gives back. I mean,

1382
01:09:14,640 --> 01:09:17,320
Speaker 1: he's from Miami. But then for the most part, all

1383
01:09:17,360 --> 01:09:21,280
Speaker 1: those other ones who who became settlers of Miami, they

1384
01:09:21,439 --> 01:09:25,479
Speaker 1: eventually faded off, went away, went and settled somewhere else.

1385
01:09:25,720 --> 01:09:27,880
Speaker 1: So we're going to see you as mayor soon. Ah,

1386
01:09:28,479 --> 01:09:31,120
Speaker 1: I don't know this. Hey, after I finished a couple

1387
01:09:31,160 --> 01:09:33,720
Speaker 1: of these projects that I'm doing, I probably end up,

1388
01:09:34,040 --> 01:09:38,800
Speaker 1: you know, jumping back into problem. Okay, y'all gotta get

1389
01:09:38,880 --> 01:09:42,720
Speaker 1: him elected, y'all. I'm telling you. I'm telling y'all did that.

1390
01:09:42,840 --> 01:09:45,360
Speaker 1: He'll have a job with that, thank you. I'm telling

1391
01:09:45,400 --> 01:09:48,800
Speaker 1: I think I think when when when when he came

1392
01:09:48,880 --> 01:09:52,759
Speaker 1: to this show. No, seriously, I'm serious. I mean because

1393
01:09:53,240 --> 01:09:55,479
Speaker 1: even in the state of Florida, even in the state

1394
01:09:55,479 --> 01:09:58,640
Speaker 1: of Florida, he wasn't getting that much love, you know,

1395
01:09:58,840 --> 01:10:03,400
Speaker 1: from a state wife much money to spend, no, none, none,

1396
01:10:03,520 --> 01:10:05,760
Speaker 1: And so when but when I saw him appear on

1397
01:10:05,880 --> 01:10:08,559
Speaker 1: this show right here, and how he really he came

1398
01:10:08,600 --> 01:10:11,080
Speaker 1: across because you sometimes, you know, you have a lot

1399
01:10:11,080 --> 01:10:13,720
Speaker 1: of people that runs and then cornball, you know. But

1400
01:10:13,840 --> 01:10:15,920
Speaker 1: when I saw him sit on the show, you don't know,

1401
01:10:16,400 --> 01:10:17,720
Speaker 1: you know, I know he went to family and I

1402
01:10:17,800 --> 01:10:20,840
Speaker 1: know some of his friends. You know, it took that

1403
01:10:20,960 --> 01:10:24,639
Speaker 1: took him over the top. This show energized African Americans

1404
01:10:24,680 --> 01:10:27,080
Speaker 1: in the state of Florida to go out and seriously

1405
01:10:27,200 --> 01:10:30,280
Speaker 1: vote for him. And and you know, I commend y'all

1406
01:10:30,360 --> 01:10:35,120
Speaker 1: for that because his message, well, hey, oh, we definitely

1407
01:10:35,160 --> 01:10:36,760
Speaker 1: gonna do that because I'm the same way with you

1408
01:10:36,800 --> 01:10:38,880
Speaker 1: when it come to politicians, like about I gotta know

1409
01:10:39,000 --> 01:10:40,880
Speaker 1: you and like, you know, my good friend as Lari

1410
01:10:41,000 --> 01:10:42,360
Speaker 1: turned me on the Andrew and I'm like, well, it's

1411
01:10:42,360 --> 01:10:44,479
Speaker 1: a brother right here. You don't need to hear from him.

1412
01:10:44,520 --> 01:10:47,240
Speaker 1: So y'all, y'all definitely pushed him over the top. I'm

1413
01:10:47,280 --> 01:10:50,559
Speaker 1: telling you, you got you woke up every African American

1414
01:10:50,680 --> 01:10:54,519
Speaker 1: that had an Obama you know, voter registration car you know,

1415
01:10:54,600 --> 01:10:57,559
Speaker 1: and tell people you know, Obama got all us to vote.

1416
01:10:57,560 --> 01:10:59,880
Speaker 1: But then that's a lot of us not using the car,

1417
01:11:00,520 --> 01:11:02,320
Speaker 1: you know what I'm saying. So a lot of a

1418
01:11:02,360 --> 01:11:06,360
Speaker 1: lot of her problems with him. But then when you

1419
01:11:06,439 --> 01:11:08,720
Speaker 1: come on a show like this, you know, and y'all

1420
01:11:08,760 --> 01:11:10,640
Speaker 1: allow him to come on this platform, may have a

1421
01:11:11,040 --> 01:11:14,120
Speaker 1: serious conversation with him. Then all those you know, all

1422
01:11:14,160 --> 01:11:16,799
Speaker 1: the smokers with the cards who got the car? Oh okay,

1423
01:11:17,240 --> 01:11:19,240
Speaker 1: all right, you know, no, he's cool. That's funny you

1424
01:11:19,280 --> 01:11:21,439
Speaker 1: say that. My man Sam Sneak, Sam Sneak from Miami.

1425
01:11:21,520 --> 01:11:23,560
Speaker 1: Sam was like, man, I gotta find my vote the

1426
01:11:23,600 --> 01:11:30,000
Speaker 1: registration car. Man. Yeah, we got somebody to vote for. Well,

1427
01:11:30,040 --> 01:11:31,960
Speaker 1: make sure you guys chake out. Warriors a Liberty City

1428
01:11:32,040 --> 01:11:34,760
Speaker 1: that actually debuts Sundays on every Sunday. It's a six

1429
01:11:34,840 --> 01:11:37,240
Speaker 1: part series on Stars. So we'll be watching for that.

1430
01:11:37,360 --> 01:11:39,599
Speaker 1: We'll be waiting to hear more about this movie. My man,

1431
01:11:39,720 --> 01:11:41,160
Speaker 1: Uncle Luke Man, if you word the most Dame, you

1432
01:11:41,200 --> 01:11:42,320
Speaker 1: just want to show the Breakfast Club