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Speaker 1: So yeah, what's something y'all was going on? Brother Drinks

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Speaker 1: Chance Radio. He's a legendary Queen's rapper. Hey Hanks agreed

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Speaker 1: as your boy you O, He's a Miami hip hop pioneer.

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Speaker 1: What Up is dj EFN? Together?

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Speaker 2: They drink it up with some of the biggest players

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Speaker 2: in music and sports.

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Speaker 1: You know what I mean?

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Speaker 3: The most professional, unprofessional podcast and your number one source

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Speaker 3: for drunk facts.

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Speaker 1: This is Drinks Champ Radio. Every day is New Year's Eating.

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Speaker 1: That's right, Hanking.

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Speaker 4: Sangree Hope, It's Sound be An, it's your boy and

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Speaker 4: r What Up is dj e FN?

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Speaker 1: And this Drink Chance motherfucking podcast? Right now? Right now,

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Speaker 1: I gotta do the introduction. This is not only my brother.

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Speaker 4: There's not only a person I knew for twenty years.

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Speaker 4: Kendric real Me and him never changed, always see each other,

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Speaker 4: always smile, always proud of each other. But not only that.

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Speaker 4: Top five producer all times, all times. I'm talking about

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Speaker 4: from the and I'm talking from the beginning.

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Speaker 1: Of the hip hop damn till right now maybe top

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Speaker 1: three damn ship.

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Speaker 4: He's been here, he's been he's made albums, he's made artists,

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Speaker 4: he took artists from people he's an exhausted to all

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Speaker 4: over the world. With the sound that he made. He

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Speaker 4: continuously changed the sound of music, change the sound of

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Speaker 4: music with me.

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Speaker 1: When he made a record for me and were gonna

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Speaker 1: get into that labe and people started following our sound. Literally,

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Speaker 1: this man has kept.

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Speaker 4: Continuing going from the highest up. He's worked with them

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Speaker 4: all tonight. We have my brother, my.

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Speaker 5: Good friend, top five, top maybe top three, best producer

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Speaker 5: of all time, pressure music, mogul, beautiful life, beautiful wife,

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Speaker 5: beautiful children.

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Speaker 1: Think he should. You should look at his instagram and

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Speaker 1: inspire to.

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Speaker 4: Be that good with your kids. This is a fact.

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Speaker 4: Make some lawse for my brother, Twist me.

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Speaker 6: Time drinks champions the dj EFN with the beach that's

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Speaker 6: understund listen.

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Speaker 1: So like juvenile shaped bro. Yeah, we would keep it

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Speaker 1: real hip hop over here.

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Speaker 4: So as you know, we salute, we salute our legends.

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Speaker 1: We give our people.

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Speaker 4: They flowers when they can smell them, and they trees

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Speaker 4: when they can hell them.

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Speaker 1: This is a show that we celebrate our legends. You know,

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Speaker 1: so many people that was me. So many people are busy, busy.

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Speaker 4: You know, once you get ten years in this game,

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Speaker 4: people say it's over for you and things like that.

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Speaker 1: That's not what we do here. So I just want

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Speaker 1: to explain that.

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Speaker 4: But I want to let you know that tonight we

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Speaker 4: are celebrating the legacy of Swiss motherfucking beach.

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Speaker 1: I want to take it from the beginning. I want

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Speaker 1: to take it in the beginning, very early on.

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Speaker 4: Because I believe the first time, what was it rough Rider.

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Speaker 1: Anthem was that the first time.

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Speaker 7: What was the first time people heard the first time

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Speaker 7: I think was this group called the Reps right and

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Speaker 7: and the reps was signed whose they signed to? They

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Speaker 7: were signed to? What's our brother that that that manages

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Speaker 7: he managed Ussia, big, big, big exec.

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Speaker 1: I'm forgetting his name. Brother that had the stroke Stewart. Okay,

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Speaker 1: he's gonna kill me for not y'all got to excuse me.

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Speaker 1: I'm straight. I'm from Shanghai for Dubai Texas. Mark What's Mark?

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Speaker 7: I got this Mark bie too right.

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Speaker 1: Mark Pitts legendary and Mark.

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Speaker 7: Pitts had stop drop beat before everybody for about three thousand.

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Speaker 7: He wanted to get it to fifteen. I was like,

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Speaker 7: I'm cool, Thank god I said that. But I get

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Speaker 7: I did the Reaps and then I did flip mode squads.

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Speaker 1: Run for cover, and then I met this fly dude

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Speaker 1: and yeah, I know you that's right, and it was

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Speaker 1: we we we we we we uh disrespected a couple

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Speaker 1: of things.

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Speaker 7: And was banned from TV and then at that same

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Speaker 7: time Cameron Glory with my brother in the and then

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Speaker 7: tear Ruffo came after that, and then my rough Ride

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Speaker 7: of family that before.

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Speaker 1: That's crazy. I always thought Roughrider Anthem came out first,

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Speaker 1: so you was before that this, this is this is fun,

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Speaker 1: sleeping on the couch telling.

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Speaker 4: To Okay, so now your uncle is actually because people

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Speaker 4: people don't understand that that's your real uncle. Like people

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Speaker 4: think when you say uncle, they think that you're saying

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Speaker 4: like uncle, like who raised you, but not really, this

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Speaker 4: is your mother's.

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Speaker 1: Brother, correct, my father's brother, your father's brother. Yeah, and

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Speaker 1: he is d and why over those and found it?

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Speaker 1: Yeah yeah, so hard art tatter.

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Speaker 7: On my mom is real life for real, right, And

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Speaker 7: one thing that people don't understand it probably in twenty

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Speaker 7: seventeen is you know, rough Riders was in the streets

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Speaker 7: before music, you know, from the bikes two hundred three

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Speaker 7: hundred thousand bikers street respected, you know, before a lot

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Speaker 7: of different names with logos and letters in front of them.

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Speaker 7: You know, my family was literally in the streets, the

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Speaker 7: street movement, and it.

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Speaker 1: Was my grandfather that.

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Speaker 7: Was running Harlem at that time, building up the buildings,

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Speaker 7: you know, e man at that time, running the fo

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Speaker 7: at that time, and you know the movement that we

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Speaker 7: had going was was was going against what my grandfather

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Speaker 7: movement was. And so he made us make a choice.

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Speaker 7: Y'all gonna do that If y'all going to do the

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Speaker 7: street vibe and and and take away from the positivity

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Speaker 7: that I'm putting in the community, y'all gotta leave or

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Speaker 7: y'all gonna have a problem with us.

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Speaker 1: And those are the trip ogs, right. And so.

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Speaker 7: My uncle wy you know, he uh, I had this

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Speaker 7: artist that he was talking about, d MX, Harlem Nights,

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Speaker 7: a couple of other artists and then we just you know,

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Speaker 7: changed the whole direction into a positive way.

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Speaker 1: Still keep it street now. DMX was like the.

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Speaker 4: First artist that brought signed correct, Yes, I mean that

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Speaker 4: got signed to a major label.

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Speaker 1: Yeah. And the Locks yeah yeah, no, no, no, was

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Speaker 1: it Locks first? Actual d before that who was first

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Speaker 1: with Rough Riders X has been first.

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Speaker 7: Locks was X pops, you understand that's how I exceded

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Speaker 7: on him to Yeah, that's that's that's how that went.

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Speaker 7: But I can say they was concurrent. I can say

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Speaker 7: that my uncle Why had them in the studio at

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Speaker 7: the same time.

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Speaker 1: You know, I remember hearing more songs from the locks

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Speaker 1: Uh studio done than X. X was more mixtape vibe

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Speaker 1: at that particular time. And I love both of them.

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Speaker 7: I wish I could get those beginning mixtapes that I

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Speaker 7: heard from them, because it's just it was just they

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Speaker 7: was in a very authentic space at that time.

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Speaker 4: XB is so authentic and X being like he's like

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Speaker 4: this never be another X.

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Speaker 1: But what I'm asking you is, did you know that

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Speaker 1: from the beginning? Yes, I did from the beginning, like

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Speaker 1: even before like he met with Leo with the jaw.

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Speaker 7: Calling right there, who got their phone onto?

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Speaker 1: You've been killing that on Instagram.

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Speaker 4: But so from the beginning, you knew that this guy

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Speaker 4: would change hip hop.

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Speaker 1: And let me tell you how much I knew that.

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Speaker 7: I knew it so much that I got kicked out

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Speaker 7: of New York schools and I had to move to Atlanta.

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Speaker 4: I had that written down by the way out of school.

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Speaker 7: And you know, after I got past all the different

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Speaker 7: things I wasn't used to, the gang activity and all

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Speaker 7: those different things.

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Speaker 1: I eventually landed back on my on my music.

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Speaker 7: Right and the way that I survived, and that music

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Speaker 7: ring was reciting X Versus that nobody never knew about.

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Speaker 1: X was out of the time. He wasn't out, he

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Speaker 1: wasn't out nobody, but I.

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Speaker 7: Just knew so much of his lyrics that I was

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Speaker 7: living even through him, even in high school, and people

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Speaker 7: were like, damn like, and I'm like, shit, they ain't

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Speaker 7: gonna never know who xcit, so let me do my

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Speaker 7: thing a little.

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Speaker 1: Bit, I know, And I just he was really living

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Speaker 1: in that street. That's why you said that, no, because

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Speaker 1: I just never thought that we would ever be as

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Speaker 1: far as we got, you know, I never I never

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Speaker 1: knew that we.

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Speaker 7: Can get out that backyard that we was in. I

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Speaker 7: never knew that we can get out that box that we.

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Speaker 1: Was in, that mentality that we was in. So I

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Speaker 1: was just having fun.

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Speaker 7: And kind of paying homage to X and freestyling because

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Speaker 7: I'm like, he not here to say it, so I'm

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Speaker 7: gonna say it right. And to this day, that's my

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Speaker 7: dog and I got a lot of great news for

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Speaker 7: him this year.

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Speaker 1: His album is crazy, and.

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Speaker 7: I promise you it's going to it's going to change

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Speaker 7: the game. And I don't say that light right, you

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Speaker 7: know what I'm saying, Like I downplay everything, but I'm

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Speaker 7: gonna tell you, like what Dog got to say on this,

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Speaker 7: it's going to go.

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Speaker 1: From the streets to the Grammys in Charlotte. Like that's

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Speaker 1: you know, because like I go home perfect time right now.

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Speaker 1: I go home.

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Speaker 7: I go home to a very comfortable lifestyle that I

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Speaker 7: worked hard for, slept on studio floors, everything, And to

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Speaker 7: see my brother that I started with not be where

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Speaker 7: he should be.

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Speaker 1: It foxed me every night.

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Speaker 7: So I didn't use all the excuses that I could

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Speaker 7: have used not to.

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Speaker 4: Now we heard Room was a rock nation at first,

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Speaker 4: but now we're hearing epic, epic, epic things are going on.

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Speaker 7: I mean, what the dog is, She's epic, He's an

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Speaker 7: epic energy, he's an epic vibe, he's an epic inspiration.

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Speaker 7: There's none before, none to come after. And we got

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Speaker 7: to protect that by any means necessary. But I think

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Speaker 7: the most important part is a relationship with two brothers.

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Speaker 1: It's like the music the music. The music comes later.

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Speaker 1: You know.

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Speaker 7: The fact that you can reach and pull your brother

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Speaker 7: up with you and walk that same wall, to me.

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Speaker 1: Is more than the money, more than the deal, more

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Speaker 1: than music.

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Speaker 7: Like I fuck with X right now because he's spiritually

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Speaker 7: and mentally ready. He's always been lyrically ready. But if

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Speaker 7: you're not spiritually and mentally ready to go out to

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Speaker 7: the world and waste it's a waste of time. Everybody

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Speaker 7: can want the return of him, but he got to

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Speaker 7: want the return for himself.

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Speaker 4: But it's like, it's like you're just saying because like

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Speaker 4: everybody you know, we see you on the ground and

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Speaker 4: you have a luxurious life, Like you don't really have

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Speaker 4: to do a DMX album.

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Speaker 1: So what really drives you? I think I do.

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Speaker 7: I think I do that now because like money doesn't

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Speaker 7: define you or your lifestyle. It's like, you know, when

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Speaker 7: you go back and you look at the things that

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Speaker 7: really makes sense.

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Speaker 1: It's brotherhood. You know.

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Speaker 7: I know a lot of rich billionaires and I call

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Speaker 7: them poor kings. They got big boats, hookers on them,

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Speaker 7: no family, no nothing.

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Speaker 1: Is that really living life? Happy at all? Thing? Not happy?

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Speaker 7: I don't care about your money, like I never even

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Speaker 7: did music for money. I did music for a feeling,

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Speaker 7: for an expression, for an outlet that I couldn't express

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Speaker 7: in an academic way.

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Speaker 1: You know that I figured out how to do in

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Speaker 1: a creative way.

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Speaker 7: You know, and I never and I understood. I'm like, wow,

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Speaker 7: you know, this kid that's being quiet.

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Speaker 1: In class is smarter than all of us. You understanding.

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Speaker 7: We just got to give that person a chance to

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Speaker 7: identify that. You know, X has a long history of

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Speaker 7: a lot of different things that a lot of people

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Speaker 7: are going to understand in this album, and you understand.

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Speaker 1: Like why he's who he is. There's a reason from

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Speaker 1: that from birth, right.

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Speaker 7: From the way he was treated, from the way he

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Speaker 7: was handled, from the way he was delivered. That's the

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Speaker 7: reason why X seing like the way he is. It's

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Speaker 7: not because he's just uh portraying a certain style. People

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Speaker 7: like to say, your ex is the closest thing in

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Speaker 7: the pot. I said, ex is the closest thing to nobody.

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Speaker 1: Nobody. Yeah, because man with.

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Speaker 7: Thirty million in the bank right and in the abandoned

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Speaker 7: buildings with with with candles where we had to find

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Speaker 7: X gave his money away. He didn't blow his money.

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Speaker 7: He gave his money away to homeless people. I see

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Speaker 7: this man take shoes off his feet, sit down like this,

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Speaker 7: and people in this room singing this part of this man.

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Speaker 1: I can't leave that stranded.

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Speaker 8: Let's make some noise that got that? Are we ready

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Speaker 8: for that? Put some ice in my ship.

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Speaker 7: You don't need you don't need ice with it is

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Speaker 7: the new ship.

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Speaker 4: People.

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Speaker 1: Let me tell you some about macadiate and three and three.

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Speaker 7: You know I gotta I got an activation called no commissions,

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Speaker 7: and no commissions.

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Speaker 1: For the artists, for the artists are people.

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Speaker 7: We give one hundred percent back to the artists of

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Speaker 7: what they say. And let me give you a number.

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Speaker 7: And the last three shows we gave back to the

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Speaker 7: artists three million dollars.

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Speaker 1: So that's why we're gonna.

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Speaker 7: Take this shot, you understand, for giving back to the

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Speaker 7: artists and the people in their pocket.

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Speaker 1: Chair to that. Let's not gonna lie. Shout out to Kundo.

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Speaker 1: It tastes like Puerto Rico. Respect Remember Puerto Rico by

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Speaker 1: a Cuba. Remember to come on, man, I told him

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Speaker 1: you wouldn't believe me when we first met. I believe you.

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Speaker 1: I've been believed you. I can't I.

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Speaker 7: Can't believe that I'm sitting in front of my brother,

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Speaker 7: you know, at this table artist fucking show, just like.

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Speaker 1: You know, me and my partner.

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Speaker 4: Here we celebrate hip hop man and one of the

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Speaker 4: craziest beasts of all time to me was Jay Good.

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Speaker 1: What's my mother? Buck? And I can't curse on this show?

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Speaker 9: You whatever you want to. I'm like, you know, but listen.

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Speaker 9: When I heard that, I want to say, I thought

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Speaker 9: you played it for me once it said Norri.

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Speaker 4: But I'm bugging right, I'm bugging but in my mind joke,

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Speaker 4: but Yo died. Do you remember your originally wrong cafe?

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Speaker 4: Go ahead, Jimmy's cafe? I remember the first like it

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Speaker 4: came out. Flex had dropped it. Boom right, Flex had it.

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Speaker 4: And this is this is this time if flex player record,

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Speaker 4: which New York City should go back to a flex

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Speaker 4: player record?

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Speaker 1: Flex on that right now. But let me just say something.

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Speaker 1: He played it. We ain't never heard it. Flex played it, and.

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Speaker 4: It was like the whole city knew the record already,

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Speaker 4: did They dropped it?

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Speaker 1: At seven o'clock We went to the club. Everywhere was

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Speaker 1: like we knew the l you know who's singing the jagger?

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Speaker 1: I have no idea Eve No, I never listened.

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Speaker 7: To the record close, but the regular original record was Jada.

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Speaker 4: Wow was it wasn't it was Jada and he didn't

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Speaker 4: want it.

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Speaker 1: He didn't want it. Nigga came out and we got

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Speaker 1: into some words. Shout out to Jada, Yo, did he

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Speaker 1: ever drop a verse?

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Speaker 10: Yeah?

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Speaker 1: I feel like you want to finish that. He didn't

303
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Speaker 1: drop a verse on that.

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Speaker 7: But you know what, that's what I shout out to

305
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Speaker 7: Jada for giving back those clothes to the homeless.

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Speaker 1: When I get back to New York.

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Speaker 7: They're gonna give out like and even everybody just seen them,

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Speaker 7: all this stuff that you got in your closet, pull

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Speaker 7: up the truck, like. I shout out to Jada for

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Speaker 7: that initiatives for that.

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Speaker 1: Jada had jigger first. That's what it was. I think

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Speaker 1: you played me, Jada. I think that's what it was.

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Speaker 7: And you know, most of that record, Most of my records,

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Speaker 7: when they come out, they're not who they were for right,

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Speaker 7: Like bringing them out was when Beanie Sgull got out

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Speaker 7: of jail.

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Speaker 1: Bring right makes sense, you know what I'm saying sense?

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Speaker 1: But Touch it was for Eve. I know. I heard

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Speaker 1: Buster told me that was in touch. It was for

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Speaker 1: eve DMX didn't like stop drive.

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Speaker 7: You know what I'm saying, Like so you know, none

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Speaker 7: of my records really went to the people.

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Speaker 1: That but do you know that impact of that?

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Speaker 4: But what it did to the city that was like

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Speaker 4: that was it? It was like Swiss is it if

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Speaker 4: you ain't got a Swiss beat?

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Speaker 1: Like for real? Like it was like at that moment,

328
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Speaker 1: like and I'm trust me. I want to claim it

329
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Speaker 1: because I worked with them earlier, big time. You see

330
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Speaker 1: what I'm saying. I want to but I remember that

331
00:18:18,760 --> 00:18:21,840
Speaker 1: record was just say like NOORI discovered me in the Neptune. Oh,

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Speaker 1: let's make it like let's not playing around. W had

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Speaker 1: the table. Thank you Swiss when I say this amazing.

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Speaker 7: Like I was, I was producing other people, but Nori

335
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Speaker 7: was spreading the word about who I was and away

336
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Speaker 7: I never I never, I never seen an artist at

337
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Speaker 7: his level doing that for me. He was the first

338
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Speaker 7: artist that people came out and like yo, Noid said

339
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Speaker 7: we should be in the studio with you know who

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Speaker 7: we're doing.

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Speaker 4: I'm like he was like, no, let me just tell

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Speaker 4: you something about that. Let me let me just go

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Speaker 4: back to bigger him because it was like eighteen seventeen

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Speaker 4: because I'm thirty nine.

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Speaker 7: Now seventeen Okay, so yeah, so I didn't even.

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Speaker 1: Know that close. Yeah, yeah, I'm thirty nine. I looked

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Speaker 1: and it was like, you know, young.

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Speaker 4: Nigga, but everybody thought I was older anyway, So this

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Speaker 4: nigga paid me. Never gonna get in the Bathroom TV

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Speaker 4: before nothing, but why like, and I'm talking about that.

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Speaker 1: You know, I'm gonna get into a story.

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Speaker 4: It's gonna sound crazy, but look, I developed what what

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Speaker 4: because think about.

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Speaker 1: NA style at that time, he was cool.

355
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Speaker 4: Think about Prodigy style at the time, he was cool,

356
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Speaker 4: Havoc style cool, Capone my own partner.

357
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Speaker 1: They were cool. And I was like, I'm not.

358
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Speaker 4: Really cool, Like I mean, I'm cool, but I'm not

359
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Speaker 4: like I'm like a hyper god.

360
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Speaker 1: I developed or what.

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Speaker 4: So I needed somebody to compliment that with the energy.

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Speaker 1: So I went there. We don't know. Bathroom TV was

363
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Speaker 1: original record. It was supposed to be me and Nature,

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Speaker 1: remember and Nature?

365
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Speaker 4: I mean I had later verse and Nature couldn't get

366
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Speaker 4: with the with the he had like.

367
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Speaker 1: Wrote to some other song and he couldn't write the verse.

368
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Speaker 1: So is he on it? No? No, no, no, he's but

369
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Speaker 1: I'm saying this is the record. It wasn't bad from TV.

370
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Speaker 1: It was some guy got another man.

371
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Speaker 4: Then yeah, this is unless you're late.

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Speaker 1: This is all you.

373
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Speaker 11: And then like the last hour, I was like, yo, late,

374
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Speaker 11: I can't just stay here.

375
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Speaker 4: He was like, let me try another beat, and he

376
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Speaker 4: threw on band from TV. And from that moment on,

377
00:20:29,240 --> 00:20:31,479
Speaker 4: I never seen a person write a verse so fast.

378
00:20:32,040 --> 00:20:35,480
Speaker 4: Nature wrote that ship, he said, he said, he I

379
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Speaker 4: talked about that ship was electric like I'm like, and

380
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Speaker 4: I mind you the murderer.

381
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Speaker 7: I was mad at all of them because they didn't

382
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Speaker 7: even let the beat play.

383
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Speaker 12: It was get to the intro like the band from TV.

384
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Speaker 12: The beach I heard from the bathroom. TV is just

385
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Speaker 12: the intro with me, They're not going to be this

386
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Speaker 12: is it?

387
00:21:04,240 --> 00:21:05,439
Speaker 1: Right? I just got.

388
00:21:05,320 --> 00:21:08,440
Speaker 7: Looped and the intro got looped. That's Mann from TV.

389
00:21:08,720 --> 00:21:10,719
Speaker 7: It was a beat that came after that.

390
00:21:11,160 --> 00:21:18,280
Speaker 1: Right, you understand like I never understood, like hurt my heart.

391
00:21:18,359 --> 00:21:20,320
Speaker 1: Let me tell you how I remember it? Right, that's

392
00:21:20,359 --> 00:21:23,560
Speaker 1: funny called pun because I figured let me finish. I

393
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Speaker 1: had already lay the verse for Nature on a different

394
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Speaker 1: Swiss beat, so I had called Pun just to hang out,

395
00:21:29,480 --> 00:21:31,800
Speaker 1: like come hang out because I never asked to get

396
00:21:31,880 --> 00:21:34,080
Speaker 1: on correctly, by the way. But we'll get to that, right.

397
00:21:34,960 --> 00:21:37,239
Speaker 1: So I just called him just to hang out. What's up?

398
00:21:38,520 --> 00:21:40,239
Speaker 1: So I called him just to hang out. So when

399
00:21:40,320 --> 00:21:43,800
Speaker 1: Nature came around to the beat, we Swiss swished it.

400
00:21:44,240 --> 00:21:47,959
Speaker 4: Nature go to it real fast. Pun is in the

401
00:21:47,960 --> 00:21:50,400
Speaker 4: the lounge. She's like, I'm gonna use the bathroom.

402
00:21:50,160 --> 00:21:52,920
Speaker 7: The lounge, laying on the couch with a oozy next time.

403
00:21:55,720 --> 00:21:58,480
Speaker 1: That was in the beginning. That's why Nature is laying first.

404
00:21:58,920 --> 00:22:01,919
Speaker 4: His Nature finished like his verse, pun winning and snuck

405
00:22:02,040 --> 00:22:06,480
Speaker 4: in and.

406
00:22:06,359 --> 00:22:08,359
Speaker 1: This is motest guy in the world. He just kept

407
00:22:08,359 --> 00:22:14,280
Speaker 1: looking at me. And when they raced that, I'm like

408
00:22:16,440 --> 00:22:18,000
Speaker 1: some pieces of puny body that thing.

409
00:22:18,920 --> 00:22:19,480
Speaker 11: Who's next?

410
00:22:19,560 --> 00:22:20,040
Speaker 1: It's fun?

411
00:22:20,240 --> 00:22:24,520
Speaker 4: Cam cam didn't come back, Jada Styles, No cam did

412
00:22:24,560 --> 00:22:29,320
Speaker 4: come that night. I got Jada Styles and Jada and Styles, yeah.

413
00:22:30,640 --> 00:22:33,880
Speaker 1: Must it came in. The only people that didn't get

414
00:22:34,080 --> 00:22:34,800
Speaker 1: was Jada.

415
00:22:36,000 --> 00:22:40,280
Speaker 4: Jada and Styles play that song that that that's that

416
00:22:40,400 --> 00:22:43,119
Speaker 4: was so do you remember what that record did to

417
00:22:43,160 --> 00:22:43,680
Speaker 4: the tunnel?

418
00:22:44,160 --> 00:22:46,679
Speaker 7: It was it was dangerous, you know, you know I

419
00:22:46,680 --> 00:22:50,000
Speaker 7: had raising the mouth order of protection from.

420
00:22:49,800 --> 00:22:52,840
Speaker 1: You from the tongue because of the from TV. Seriously,

421
00:22:53,119 --> 00:22:57,800
Speaker 1: he was blown protection the order of protection. The tunnel

422
00:22:57,840 --> 00:22:59,760
Speaker 1: took an order of protection. No, no, you don't have

423
00:22:59,880 --> 00:23:01,560
Speaker 1: to stand. That's how crazy it was.

424
00:23:01,560 --> 00:23:05,040
Speaker 7: Blowing record that raised the game was man from TV.

425
00:23:05,800 --> 00:23:08,560
Speaker 7: I was, I was, I was with the Bronx at

426
00:23:08,560 --> 00:23:08,960
Speaker 7: that time.

427
00:23:09,000 --> 00:23:13,840
Speaker 1: And then and it was dancing, you know, it was dancing.

428
00:23:13,760 --> 00:23:24,080
Speaker 13: And listen, Pun, whoa, whoa, that's Pun.

429
00:23:28,800 --> 00:23:31,760
Speaker 1: That what was the closest memories.

430
00:23:31,440 --> 00:23:35,680
Speaker 7: Of Pun just being on that couching Sony Studio was

431
00:23:35,720 --> 00:23:38,040
Speaker 7: elected Lady Electric Lady.

432
00:23:38,960 --> 00:23:42,320
Speaker 1: But mine's last one.

433
00:23:41,200 --> 00:23:44,880
Speaker 7: Was in Sony Studio in the East studio where it

434
00:23:44,920 --> 00:23:47,720
Speaker 7: was because I remember he was the only person I

435
00:23:47,720 --> 00:23:48,920
Speaker 7: would let music.

436
00:23:50,680 --> 00:23:53,119
Speaker 1: Because it was easy to get to. You owned Sony

437
00:23:53,119 --> 00:23:56,320
Speaker 1: Studio one time. That was they built me a room

438
00:23:56,520 --> 00:24:01,159
Speaker 1: like you know they It was good. You had the

439
00:24:01,240 --> 00:24:04,320
Speaker 1: room under the ground. That wasn't work room. That was

440
00:24:04,359 --> 00:24:07,040
Speaker 1: the rooms don't work. That was that was good. That

441
00:24:07,160 --> 00:24:10,080
Speaker 1: was twis kidnapping. You're gonna do it my head.

442
00:24:10,280 --> 00:24:14,000
Speaker 7: When you came downstairs upstairs, I put the voodoo on.

443
00:24:14,119 --> 00:24:24,040
Speaker 4: You walked in there.

444
00:24:21,240 --> 00:24:23,160
Speaker 7: You had the dust do one you coming that room.

445
00:24:23,240 --> 00:24:25,240
Speaker 7: I was selling you the track. I was charging you

446
00:24:25,359 --> 00:24:30,080
Speaker 7: crazy money and happy with a crazy head. That was

447
00:24:30,119 --> 00:24:32,000
Speaker 7: attraction three hundred thousand attracts.

448
00:24:35,880 --> 00:24:36,960
Speaker 1: I just want to tell you.

449
00:24:36,840 --> 00:24:39,199
Speaker 4: Man, I'm just so proud of you. I've seen you

450
00:24:39,240 --> 00:24:39,879
Speaker 4: from the beginning.

451
00:24:39,960 --> 00:24:40,520
Speaker 1: I see now.

452
00:24:40,520 --> 00:24:42,639
Speaker 4: This is a question I wanted to ask you because,

453
00:24:43,119 --> 00:24:45,760
Speaker 4: like you said, your uncles with these guys in the streets,

454
00:24:45,920 --> 00:24:49,000
Speaker 4: they start this music business. How was your first approach

455
00:24:49,160 --> 00:24:51,520
Speaker 4: coming to them and saying, you know what I want

456
00:24:51,560 --> 00:24:52,880
Speaker 4: to I'm a producer.

457
00:24:53,680 --> 00:24:54,919
Speaker 1: Well, it did. I didn't come to them.

458
00:24:54,960 --> 00:24:58,080
Speaker 7: They came to me because they was doing something they wanted.

459
00:24:58,119 --> 00:24:59,920
Speaker 7: They were doing something positive and they knew I was

460
00:25:00,119 --> 00:25:02,679
Speaker 7: on music and it was like, Yo. My aunt was like,

461
00:25:03,359 --> 00:25:07,160
Speaker 7: your uncles are starting this positive movement called rough Riders,

462
00:25:07,920 --> 00:25:10,600
Speaker 7: and you should come up for the summer and be

463
00:25:10,680 --> 00:25:13,040
Speaker 7: a part of it. And I went up that summer

464
00:25:13,080 --> 00:25:15,239
Speaker 7: and never went back to where act and I never

465
00:25:15,280 --> 00:25:17,520
Speaker 7: went back to Atlanta from that point.

466
00:25:17,560 --> 00:25:19,520
Speaker 1: Before it was a record like music movement.

467
00:25:19,520 --> 00:25:22,359
Speaker 7: This is now, this is when it was becoming a label.

468
00:25:22,960 --> 00:25:24,880
Speaker 7: And my aunt Chavaughn was like, Yo, you know you're

469
00:25:24,880 --> 00:25:27,639
Speaker 7: the only one in the family taking music serious. You

470
00:25:27,680 --> 00:25:31,240
Speaker 7: should come up for the summer and see what it's about.

471
00:25:31,359 --> 00:25:32,439
Speaker 7: I went up for that summer.

472
00:25:32,960 --> 00:25:35,879
Speaker 1: That's is a road was over. I'm still I'm still

473
00:25:35,920 --> 00:25:38,080
Speaker 1: I'm still I'm still moving.

474
00:25:37,840 --> 00:25:40,320
Speaker 7: Off that plane ticket from me from to New York

475
00:25:40,400 --> 00:25:43,359
Speaker 7: right now, you know what I'm saying. Like, you know,

476
00:25:43,560 --> 00:25:46,639
Speaker 7: like at the end of the day, we all got opportunities,

477
00:25:47,440 --> 00:25:50,560
Speaker 7: we all got chances, we all got chances.

478
00:25:50,600 --> 00:25:51,760
Speaker 1: We all got opportunities.

479
00:25:52,119 --> 00:25:54,760
Speaker 7: It's what we do with it, right You understand, like

480
00:25:55,040 --> 00:25:58,399
Speaker 7: we could take opportunities for granted, or we can understand

481
00:25:58,440 --> 00:26:05,120
Speaker 7: that it's once in a lifetime chance to be great.

482
00:26:05,560 --> 00:26:08,480
Speaker 7: Are you willing to take that chance? Are you willing

483
00:26:08,520 --> 00:26:10,720
Speaker 7: to go that far? I was sleeping on floors. I

484
00:26:10,760 --> 00:26:14,120
Speaker 7: have bruises on my face, my shoulders, my elbows because

485
00:26:14,480 --> 00:26:16,639
Speaker 7: I was down hungry to get to where I'm at today.

486
00:26:16,800 --> 00:26:20,000
Speaker 7: And I still work like I have nothing today. You know,

487
00:26:20,119 --> 00:26:22,840
Speaker 7: it's like I've been to me since nine am, which

488
00:26:22,920 --> 00:26:24,840
Speaker 7: is the reason why I got my shades on in

489
00:26:24,880 --> 00:26:29,040
Speaker 7: another business. I'm in Harvard Business School right now, accelerating

490
00:26:29,080 --> 00:26:32,800
Speaker 7: my craft and accelerating you know, my mental capacity because

491
00:26:33,200 --> 00:26:36,080
Speaker 7: you know this this all came to me early. You know,

492
00:26:36,520 --> 00:26:38,840
Speaker 7: I didn't know what I was doing back then. So

493
00:26:38,880 --> 00:26:41,439
Speaker 7: I'm like, I'm just starting now because I know what

494
00:26:41,480 --> 00:26:45,199
Speaker 7: I'm doing now. So I gave y'all three hundred and

495
00:26:45,240 --> 00:26:49,520
Speaker 7: fifty million records so worth for not knowing what I'm doing.

496
00:26:49,840 --> 00:26:51,840
Speaker 7: So imagine what you imagine what I'm ready to do

497
00:26:51,960 --> 00:26:55,399
Speaker 7: right now. And I tell people like Skyt's not the limits,

498
00:26:55,480 --> 00:26:57,239
Speaker 7: is just the view. And you know, the thing is

499
00:26:57,280 --> 00:27:01,000
Speaker 7: like the hood we always wanted uses of like why

500
00:27:01,119 --> 00:27:02,000
Speaker 7: we're not in position?

501
00:27:02,840 --> 00:27:05,880
Speaker 1: They got me like this, They got me like that,

502
00:27:06,320 --> 00:27:09,479
Speaker 1: and they want me like this. Don't like man, figure

503
00:27:09,520 --> 00:27:09,840
Speaker 1: it out.

504
00:27:10,560 --> 00:27:13,320
Speaker 7: That same person complaining about something didn't look for a

505
00:27:13,400 --> 00:27:15,840
Speaker 7: job that day, didn't pick up a book that day,

506
00:27:16,040 --> 00:27:18,440
Speaker 7: didn't look for no inspiration that day. They want to

507
00:27:18,480 --> 00:27:20,920
Speaker 7: sit on that stoop like the pot of gold on falling,

508
00:27:21,000 --> 00:27:23,560
Speaker 7: they lap. I'm not messing with none of those type

509
00:27:23,600 --> 00:27:27,000
Speaker 7: of people. Anybody that's around me. They better have vision,

510
00:27:27,320 --> 00:27:29,639
Speaker 7: they better have a goal. And it's not just a

511
00:27:29,760 --> 00:27:31,760
Speaker 7: lean on me because I'm not. I'm not We're not

512
00:27:31,840 --> 00:27:34,240
Speaker 7: doing it. I'm a grown ass man. You're a grown man.

513
00:27:34,320 --> 00:27:36,880
Speaker 1: You're healthy. Get out there and feed your family on

514
00:27:36,920 --> 00:27:37,399
Speaker 1: your own.

515
00:27:37,480 --> 00:27:45,040
Speaker 4: Goddamn Now we can see you in Cassidy. Y'all, y'all

516
00:27:45,240 --> 00:27:47,080
Speaker 4: back together that is dope.

517
00:27:47,400 --> 00:27:52,320
Speaker 7: Explain that well, you know, I put Cassidy on punishment

518
00:27:52,320 --> 00:27:54,800
Speaker 7: for a little bit because you know, I come from

519
00:27:54,840 --> 00:27:58,959
Speaker 7: a place where there's protocol and you know, there's consequences

520
00:27:59,280 --> 00:28:04,160
Speaker 7: and there's different things that you know, uh, you can

521
00:28:04,280 --> 00:28:07,040
Speaker 7: fly and can't fly. You know, I don't act tough

522
00:28:07,040 --> 00:28:10,040
Speaker 7: in this music thing. I never came off as a threat,

523
00:28:11,240 --> 00:28:14,440
Speaker 7: but I but we could be a serious problem understanding.

524
00:28:14,480 --> 00:28:16,359
Speaker 7: I'm in here with you. I'm in here with my

525
00:28:16,359 --> 00:28:17,120
Speaker 7: Bacardi fan.

526
00:28:17,119 --> 00:28:24,520
Speaker 1: Like you know what I'm saying. Like, I'm not in

527
00:28:24,560 --> 00:28:26,320
Speaker 1: here with a bunch of goons, a bunch of nothing.

528
00:28:26,320 --> 00:28:28,959
Speaker 7: Like I'm comfortable on my skin and I come with

529
00:28:29,000 --> 00:28:32,120
Speaker 7: great energy. I come with positive intentions. I don't come

530
00:28:32,119 --> 00:28:33,960
Speaker 7: in here the frontel, nobody, stunt.

531
00:28:33,760 --> 00:28:34,320
Speaker 1: On, nobody.

532
00:28:34,720 --> 00:28:37,720
Speaker 7: I'm in here dress just like everybody in here, because like,

533
00:28:37,800 --> 00:28:38,640
Speaker 7: you know what, we.

534
00:28:38,560 --> 00:28:41,480
Speaker 1: Always got a Haitian hat. We respect that. I caught

535
00:28:41,600 --> 00:28:44,040
Speaker 1: the Haitian hat right.

536
00:28:43,040 --> 00:28:48,040
Speaker 7: Right now, I say, you know what I'm saying, shout

537
00:28:48,040 --> 00:28:50,040
Speaker 7: out to my Haitian crow. Went out there to Haiti.

538
00:28:50,520 --> 00:28:52,800
Speaker 7: You know, I did a great initiative there. I did

539
00:28:52,840 --> 00:28:56,200
Speaker 7: the biggest event there for free for the people, three

540
00:28:56,280 --> 00:28:59,000
Speaker 7: hundred thousand people showed up and I noticed didn't make

541
00:28:59,000 --> 00:29:02,800
Speaker 7: the news. But there wasn't one stabbing, one shooting, one fight,

542
00:29:03,040 --> 00:29:05,840
Speaker 7: all love and I just hate that that didn't make

543
00:29:05,840 --> 00:29:06,320
Speaker 7: the news.

544
00:29:07,120 --> 00:29:25,160
Speaker 1: One person making drink. I'm not gonna lie. I'm a

545
00:29:25,240 --> 00:29:28,760
Speaker 1: cold shot guy. Okay, let's get some Okay, let's get

546
00:29:30,280 --> 00:29:35,520
Speaker 1: on his business. That is good man. Hit me later,

547
00:29:36,080 --> 00:29:36,240
Speaker 1: you know.

548
00:29:36,320 --> 00:29:39,040
Speaker 7: But like for me, one thing about Bacarty is, like,

549
00:29:39,760 --> 00:29:42,760
Speaker 7: you know, running all three hundred brands in the company

550
00:29:42,760 --> 00:29:46,360
Speaker 7: as the global creator director, I'm not paying nobody to

551
00:29:46,400 --> 00:29:48,960
Speaker 7: hold up no bottles. I don't even like that for

552
00:29:49,000 --> 00:29:52,239
Speaker 7: our culture, you know, in no disrespect.

553
00:29:51,680 --> 00:29:53,400
Speaker 1: To no other brand. Everybody got to do it how

554
00:29:53,440 --> 00:29:53,880
Speaker 1: they do it.

555
00:29:54,160 --> 00:29:56,080
Speaker 7: But one thing that we're doing that Bacardi is we're

556
00:29:56,120 --> 00:30:01,360
Speaker 7: investing directly into the people, buy the artists, for the artists,

557
00:30:01,360 --> 00:30:01,920
Speaker 7: with the people.

558
00:30:02,320 --> 00:30:02,600
Speaker 1: You know.

559
00:30:02,920 --> 00:30:05,280
Speaker 7: The fact that we can say in three shows we

560
00:30:05,320 --> 00:30:09,480
Speaker 7: gave back three million dollars, that's like, that's.

561
00:30:09,280 --> 00:30:12,760
Speaker 1: For real paper. It makes a difference, Like, let's make.

562
00:30:12,720 --> 00:30:17,000
Speaker 7: A difference paper, the fact that we're interacting in EFN

563
00:30:17,040 --> 00:30:26,720
Speaker 7: with But like you know, this is an educational platform

564
00:30:26,840 --> 00:30:32,320
Speaker 7: as well, and I never thought that, Excuse me, the

565
00:30:32,360 --> 00:30:36,320
Speaker 7: creatives and a brand can mix together because they're two

566
00:30:36,320 --> 00:30:39,520
Speaker 7: selfish things. The artists want to be selfish on that

567
00:30:39,720 --> 00:30:42,560
Speaker 7: side and the brand want to be selfish on that side.

568
00:30:42,880 --> 00:30:45,440
Speaker 7: But the thing that we created with my partnership with

569
00:30:45,480 --> 00:30:51,160
Speaker 7: Bacatia is an equal agenda of just doing great things.

570
00:30:51,280 --> 00:30:54,480
Speaker 4: And this is artists based, so like like this like

571
00:30:54,520 --> 00:30:56,560
Speaker 4: what I mean like paintings like and things like.

572
00:30:56,480 --> 00:30:58,000
Speaker 1: That, and no commissions is global.

573
00:30:58,040 --> 00:31:01,280
Speaker 7: You know, we just show London and then yeah, yeah, yeah,

574
00:31:01,280 --> 00:31:05,280
Speaker 7: we got Berlin this year, Dubai. You know, we're going

575
00:31:05,360 --> 00:31:09,000
Speaker 7: to la you know, we're coming back to Miami. You know,

576
00:31:09,160 --> 00:31:11,560
Speaker 7: we're looking at Shanghai. You know this this is this

577
00:31:11,600 --> 00:31:13,600
Speaker 7: is a global tribute to that.

578
00:31:13,800 --> 00:31:16,160
Speaker 1: Let me ask you something, right, if I want to

579
00:31:16,200 --> 00:31:19,840
Speaker 1: buy art there we go, how do I go about

580
00:31:19,880 --> 00:31:21,720
Speaker 1: buying art? Calling your brother?

581
00:31:22,000 --> 00:31:24,680
Speaker 4: Like, I'm just saying to like the people, not not

582
00:31:24,800 --> 00:31:27,200
Speaker 4: me per se, but but me per se. But not now,

583
00:31:27,240 --> 00:31:30,760
Speaker 4: but like like like, let's as a dude wants to

584
00:31:30,840 --> 00:31:33,680
Speaker 4: invest into some art, what should he look for?

585
00:31:33,720 --> 00:31:36,040
Speaker 1: What should he do first? And foremost?

586
00:31:36,120 --> 00:31:38,400
Speaker 7: You know a lot of people think that art is

587
00:31:38,440 --> 00:31:42,320
Speaker 7: just for rich people, and that's why no commissions is

588
00:31:42,600 --> 00:31:45,200
Speaker 7: great because we created the entry point. You know, there

589
00:31:45,280 --> 00:31:47,800
Speaker 7: was people that was able to come to no commissions

590
00:31:47,800 --> 00:31:51,080
Speaker 7: and get things for a couple of hundred dollars, a

591
00:31:51,080 --> 00:31:54,600
Speaker 7: couple of thousand, a couple of hundred thousand, you understanding,

592
00:31:54,680 --> 00:31:57,880
Speaker 7: So you know we created the entry point. So you

593
00:31:57,920 --> 00:32:01,760
Speaker 7: know the miscommunication with artists. How am I part of that?

594
00:32:01,800 --> 00:32:04,800
Speaker 7: If I go into gallery and everything's twenty thousand, but

595
00:32:04,880 --> 00:32:08,160
Speaker 7: I got four thousand, So being at I don't got

596
00:32:08,200 --> 00:32:10,320
Speaker 7: that twenty thousand. You don't want to talk to me.

597
00:32:10,480 --> 00:32:13,120
Speaker 7: I can't be a part of this. I don't like

598
00:32:13,240 --> 00:32:16,040
Speaker 7: that story. So we created a new story to where

599
00:32:16,480 --> 00:32:18,640
Speaker 7: you could be living with your mother and participating in

600
00:32:18,680 --> 00:32:21,160
Speaker 7: no commissions. You can be on your way up and

601
00:32:21,240 --> 00:32:23,160
Speaker 7: just trying to figure it out and participate.

602
00:32:23,720 --> 00:32:26,040
Speaker 1: You can be the biggest of the biggest and participate.

603
00:32:26,360 --> 00:32:29,040
Speaker 7: And the key thing is the entry point for the

604
00:32:29,120 --> 00:32:33,440
Speaker 7: millennials because art is something that saved people lives. Art

605
00:32:33,480 --> 00:32:37,000
Speaker 7: is a different type of communication, you understand, Like everybody

606
00:32:37,040 --> 00:32:39,840
Speaker 7: can't communicate on an academic level, but you might have

607
00:32:39,920 --> 00:32:43,280
Speaker 7: that person right there that can paint something so amazing,

608
00:32:43,320 --> 00:32:47,600
Speaker 7: that can be a videographer, a photographer, you know, and

609
00:32:47,720 --> 00:32:48,520
Speaker 7: just create.

610
00:32:48,240 --> 00:32:50,960
Speaker 1: Someone and bring some extra to the world.

611
00:32:51,400 --> 00:32:55,360
Speaker 7: And that's the platform that I built that made me

612
00:32:55,600 --> 00:32:57,920
Speaker 7: very dangerous to the art business and the galleries and

613
00:32:58,000 --> 00:32:58,880
Speaker 7: different things like that.

614
00:32:58,960 --> 00:33:03,680
Speaker 1: Because I mad the entry point. I took away the stigmatism.

615
00:33:03,040 --> 00:33:06,320
Speaker 4: Of so you're saying, because I remember Kanye just sort

616
00:33:06,320 --> 00:33:09,480
Speaker 4: of saying like he was trying to, you know, migrate

617
00:33:09,520 --> 00:33:13,120
Speaker 4: from being like just the artists like to this clothing field,

618
00:33:13,640 --> 00:33:15,640
Speaker 4: like he felt like he wasn't being respect you're saying,

619
00:33:15,680 --> 00:33:17,800
Speaker 4: that's the opposite with you when you go into the

620
00:33:17,920 --> 00:33:20,400
Speaker 4: art field, because you're just basically given.

621
00:33:21,440 --> 00:33:24,520
Speaker 1: You know, when you look at art and artists.

622
00:33:24,680 --> 00:33:29,600
Speaker 7: We come from an industry called music, right, which is art,

623
00:33:30,520 --> 00:33:32,560
Speaker 7: and we just bring it down to the basic levels.

624
00:33:33,200 --> 00:33:36,280
Speaker 7: When everybody deal with us, no matter how good the

625
00:33:36,360 --> 00:33:40,920
Speaker 7: deal seems, there's always somebody hand in our pockets. That's

626
00:33:41,080 --> 00:33:44,760
Speaker 7: left right backside, there's a hand in our pockets. So

627
00:33:44,880 --> 00:33:46,720
Speaker 7: we might feel that we have the freedom, you know,

628
00:33:46,840 --> 00:33:52,520
Speaker 7: in Harvard, the professor said, the illest I was like,

629
00:33:52,600 --> 00:33:55,640
Speaker 7: I couldn't believe that the way we're being the way

630
00:33:55,680 --> 00:33:58,400
Speaker 7: that the art the industry is being dealt.

631
00:33:58,160 --> 00:34:01,280
Speaker 1: With, they was actually to do that.

632
00:34:03,520 --> 00:34:07,240
Speaker 7: The professor said, if you want them to work harder,

633
00:34:07,560 --> 00:34:09,080
Speaker 7: make them feel like they own something.

634
00:34:09,800 --> 00:34:10,720
Speaker 1: I was like, hmmm.

635
00:34:11,760 --> 00:34:16,440
Speaker 7: He said, example, you know you have two dollars, give

636
00:34:16,480 --> 00:34:19,759
Speaker 7: him one dollar. But you know you got two dollars

637
00:34:19,800 --> 00:34:22,880
Speaker 7: in your budget. Give him one dollar first. He'll go

638
00:34:23,000 --> 00:34:26,920
Speaker 7: you one dollar, do your job. Let him work for

639
00:34:26,960 --> 00:34:30,080
Speaker 7: a week. After that week, you.

640
00:34:30,080 --> 00:34:32,120
Speaker 1: Walk up to him. He's walking in the yard or

641
00:34:32,120 --> 00:34:35,319
Speaker 1: whatever he's walking. You walk up and say, man, I've

642
00:34:35,320 --> 00:34:39,520
Speaker 1: been doing a great job. He goes another dollar. What

643
00:34:39,600 --> 00:34:42,279
Speaker 1: do you already owned? I was supposed to be giving

644
00:34:42,560 --> 00:34:43,920
Speaker 1: the second dollar was in the budget.

645
00:34:44,080 --> 00:34:47,400
Speaker 7: But what are you gonna do after the boss tell.

646
00:34:47,239 --> 00:34:50,600
Speaker 1: You you was on your a game, Hey go another dollar?

647
00:34:51,000 --> 00:34:53,839
Speaker 1: Work what you work harder? You're gonna be like, oh,

648
00:34:53,880 --> 00:34:56,400
Speaker 1: I'm on my grind, I'm on my grind, I'm ready

649
00:34:56,440 --> 00:34:59,040
Speaker 1: to go. The boss came up to me, he told me,

650
00:34:59,400 --> 00:35:00,680
Speaker 1: I'm running.

651
00:35:00,400 --> 00:35:05,120
Speaker 7: This company, so you're gonna go harder just because the

652
00:35:05,160 --> 00:35:08,360
Speaker 7: way that was done. And I was like, damn, that

653
00:35:08,480 --> 00:35:13,200
Speaker 7: sounds like the label deal. Give them a label, bringing

654
00:35:13,200 --> 00:35:16,000
Speaker 7: the artists cheaper, make them feel like they own something,

655
00:35:16,640 --> 00:35:19,120
Speaker 7: because if you own something, you're gonna say I got

656
00:35:19,160 --> 00:35:21,680
Speaker 7: this artist here, but he can't charge me too much

657
00:35:21,920 --> 00:35:24,800
Speaker 7: because I'm a partner in this and this is my label.

658
00:35:24,800 --> 00:35:27,200
Speaker 1: But are you a partner? Do you have veto rights?

659
00:35:27,360 --> 00:35:29,799
Speaker 1: Are you on the board meetings? Are you really a

660
00:35:29,800 --> 00:35:30,800
Speaker 1: part of this industry?

661
00:35:31,120 --> 00:35:31,200
Speaker 4: No?

662
00:35:31,640 --> 00:35:35,359
Speaker 7: The fuck out of here. Those are faith, those are facts.

663
00:35:35,400 --> 00:35:38,520
Speaker 7: Those are smoking marrits. They tell me a person that

664
00:35:38,560 --> 00:35:41,560
Speaker 7: had a label, did that been to a major label

665
00:35:42,680 --> 00:35:46,680
Speaker 7: board meeting? If you're learning a board meeting, then we're

666
00:35:46,719 --> 00:35:48,120
Speaker 7: talking about ownership.

667
00:35:48,760 --> 00:35:50,560
Speaker 4: And when you're talking about that, are you saying like

668
00:35:50,600 --> 00:35:54,040
Speaker 4: the Rockefellers there of the living those type.

669
00:35:53,840 --> 00:35:55,040
Speaker 1: Of talking about everybody?

670
00:35:56,160 --> 00:35:58,799
Speaker 7: I'm talking about everybody I'm talking about. You know, if

671
00:35:58,800 --> 00:36:00,520
Speaker 7: you're a universe, who are you at the board?

672
00:36:00,520 --> 00:36:03,719
Speaker 1: Meaning out of a vendee with the distributors?

673
00:36:04,280 --> 00:36:08,320
Speaker 4: The board meetings today, the board meetings the people would have.

674
00:36:08,400 --> 00:36:11,759
Speaker 7: That's who you agree with this say? I are you

675
00:36:11,840 --> 00:36:13,879
Speaker 7: a part of those meetings. I'm a part of those

676
00:36:13,880 --> 00:36:16,759
Speaker 7: meetings now, so I know how they go. But if

677
00:36:16,760 --> 00:36:18,840
Speaker 7: we're not a part of those meetings and the ownership

678
00:36:18,880 --> 00:36:22,080
Speaker 7: doesn't mean anything, it's a smoking mirror. Make them feel

679
00:36:22,080 --> 00:36:25,280
Speaker 7: like they owned something and they'll work harder, you understand.

680
00:36:25,440 --> 00:36:29,000
Speaker 1: I don't why no musicians have their.

681
00:36:28,920 --> 00:36:32,200
Speaker 7: Own yachts or they owned seven fifty sevens, And then

682
00:36:32,239 --> 00:36:34,919
Speaker 7: you look at other industries of people that's doing five

683
00:36:34,960 --> 00:36:37,440
Speaker 7: percent of the work that they're doing. Because this business

684
00:36:37,560 --> 00:36:40,399
Speaker 7: is not set up for artists to win. So you

685
00:36:40,480 --> 00:36:43,040
Speaker 7: have to understand when it's your time to get off

686
00:36:43,080 --> 00:36:45,719
Speaker 7: the titty and go live your own dream. Like we

687
00:36:45,760 --> 00:36:48,640
Speaker 7: want to be pacified and want to be rewarded at

688
00:36:48,680 --> 00:36:52,280
Speaker 7: the same time, it doesn't work like that. I retired

689
00:36:52,280 --> 00:36:55,239
Speaker 7: from music when I made Onto the Next One. I

690
00:36:55,280 --> 00:36:57,840
Speaker 7: wrote that song as my retirement song, which was my

691
00:36:57,960 --> 00:37:03,360
Speaker 7: last Grammy, because I was mentally onto a next platform.

692
00:37:07,800 --> 00:37:10,200
Speaker 1: He said, God damn it continue.

693
00:37:11,520 --> 00:37:13,280
Speaker 7: And I just think that we got to be mentally

694
00:37:13,360 --> 00:37:16,560
Speaker 7: ready to make any step that we feel is life

695
00:37:16,640 --> 00:37:19,520
Speaker 7: changing to ourselves without I don't.

696
00:37:19,280 --> 00:37:20,280
Speaker 1: Care about the fear.

697
00:37:20,880 --> 00:37:24,399
Speaker 7: I don't care about the politics because like, look, man,

698
00:37:24,719 --> 00:37:27,080
Speaker 7: life is full of politics. Look who our president is,

699
00:37:27,320 --> 00:37:30,160
Speaker 7: Look who we're dealing with right now. But the truth

700
00:37:30,160 --> 00:37:33,040
Speaker 7: of the matter is we had to deal with something

701
00:37:33,120 --> 00:37:38,680
Speaker 7: with every president since Reagan, like since Reaganomics, Like this

702
00:37:38,719 --> 00:37:42,120
Speaker 7: ain't nothing new, This ain't nothing but the recycling of

703
00:37:42,760 --> 00:37:46,920
Speaker 7: the system. But how you treat your own system mentally

704
00:37:47,400 --> 00:37:48,759
Speaker 7: and spiritually.

705
00:37:48,360 --> 00:37:50,680
Speaker 1: Is on you. We prepare for any war.

706
00:37:51,600 --> 00:37:53,680
Speaker 7: That's why we're still around to even talk about this

707
00:37:53,719 --> 00:37:55,600
Speaker 7: ship we've been supposed.

708
00:37:55,239 --> 00:37:57,120
Speaker 1: To be going. Everybody in this room.

709
00:37:57,880 --> 00:38:00,520
Speaker 2: Understand you think you think that did you little age,

710
00:38:00,560 --> 00:38:02,520
Speaker 2: little level of the playing field as far as you're

711
00:38:02,560 --> 00:38:06,000
Speaker 2: talking about, that just didn't in general, just like artists,

712
00:38:06,200 --> 00:38:10,160
Speaker 2: I think, circum the labels and just straight to consumer.

713
00:38:11,440 --> 00:38:16,280
Speaker 7: Well, the reason why I like the digital aspect of

714
00:38:16,280 --> 00:38:20,320
Speaker 7: of of where we're at today is because it gives

715
00:38:20,320 --> 00:38:23,440
Speaker 7: the independent life life.

716
00:38:23,920 --> 00:38:28,360
Speaker 1: And before we was trapped into one way or nothing.

717
00:38:29,560 --> 00:38:31,520
Speaker 7: You know, now if you really got your hustle on,

718
00:38:31,760 --> 00:38:34,719
Speaker 7: like my brother and you guys here, you can go

719
00:38:34,840 --> 00:38:39,319
Speaker 7: viral and start something. Imagine if this form that we're

720
00:38:39,360 --> 00:38:40,640
Speaker 7: on right now didn't exist.

721
00:38:41,120 --> 00:38:44,200
Speaker 4: Let me God stop you for one second, because I

722
00:38:44,280 --> 00:38:45,640
Speaker 4: understand exactly where you're going.

723
00:38:45,800 --> 00:38:47,840
Speaker 1: But if you're older.

724
00:38:47,600 --> 00:38:51,240
Speaker 4: Artists I'm talking about with just music, does the stream

725
00:38:51,320 --> 00:38:54,000
Speaker 4: and level the playing field because just think about it,

726
00:38:54,160 --> 00:38:56,080
Speaker 4: Like when you're a new artist, you can.

727
00:38:56,080 --> 00:38:57,000
Speaker 1: You could you could.

728
00:38:56,880 --> 00:39:00,080
Speaker 4: Drop a record and not pay for radio, not pay

729
00:39:00,120 --> 00:39:02,440
Speaker 4: for nothing, and the new artist buzz is going to

730
00:39:02,480 --> 00:39:04,680
Speaker 4: get people to play at record because they don't want

731
00:39:04,680 --> 00:39:06,439
Speaker 4: to be late on the new shit.

732
00:39:06,960 --> 00:39:07,640
Speaker 1: But when you're an.

733
00:39:07,560 --> 00:39:10,799
Speaker 4: Artist that been around for fifteen twenty years and you

734
00:39:11,000 --> 00:39:12,799
Speaker 4: drop something, you.

735
00:39:12,840 --> 00:39:15,440
Speaker 1: Might not get the same you know what I'm saying.

736
00:39:15,440 --> 00:39:18,440
Speaker 4: So does streaming on the radio, I'm saying, to the

737
00:39:18,480 --> 00:39:22,600
Speaker 4: streaming level the playing field or does it flatlining?

738
00:39:22,719 --> 00:39:26,960
Speaker 7: You know that depends on the artists straight up. You

739
00:39:27,040 --> 00:39:31,319
Speaker 7: understand a lot of artists are not real with themselves.

740
00:39:32,280 --> 00:39:34,000
Speaker 7: You understand they're.

741
00:39:33,840 --> 00:39:36,839
Speaker 1: Gonna put something out.

742
00:39:36,400 --> 00:39:38,839
Speaker 7: That's just not that time to put what they putting out.

743
00:39:39,200 --> 00:39:41,960
Speaker 7: So the results that they're getting out is what it is.

744
00:39:42,520 --> 00:39:44,880
Speaker 7: I don't care who you are, where you're from. You

745
00:39:44,960 --> 00:39:45,800
Speaker 7: got a hot show.

746
00:39:46,000 --> 00:39:48,719
Speaker 1: It's popping. It's on right decisions.

747
00:39:49,239 --> 00:39:52,239
Speaker 7: If you an artist, no matter who you are, if

748
00:39:52,320 --> 00:39:55,280
Speaker 7: you got that record and you got that right direction.

749
00:39:55,200 --> 00:39:57,960
Speaker 1: You don't have to do no work. A hitch song

750
00:39:58,239 --> 00:39:59,440
Speaker 1: requires no work.

751
00:40:00,040 --> 00:40:04,080
Speaker 7: It goes organically and the people feel that, and that

752
00:40:04,200 --> 00:40:11,799
Speaker 7: resurgent of that spreads. But if you're disgrunt to and

753
00:40:12,360 --> 00:40:15,880
Speaker 7: jealous and living in a time that we know in

754
00:40:16,040 --> 00:40:19,239
Speaker 7: not in, and you're not gauging your views and and

755
00:40:19,280 --> 00:40:21,640
Speaker 7: your vibes are right, then and you don't get the

756
00:40:21,680 --> 00:40:22,359
Speaker 7: results you want.

757
00:40:22,400 --> 00:40:22,880
Speaker 1: Who fault?

758
00:40:22,960 --> 00:40:27,040
Speaker 7: Is that yours, not the people, because the people just

759
00:40:27,040 --> 00:40:29,560
Speaker 7: want to have fun. They're not even caring who's saying

760
00:40:29,600 --> 00:40:33,839
Speaker 7: what and what it could be. Whoever, right now, as

761
00:40:33,880 --> 00:40:36,279
Speaker 7: long as yes who say boat could put out a

762
00:40:36,280 --> 00:40:39,000
Speaker 7: song with the right dance and the right beat and

763
00:40:39,040 --> 00:40:40,000
Speaker 7: it could go, that's all.

764
00:40:40,120 --> 00:40:43,359
Speaker 1: So nobody has any sound. Drink chap in case you're

765
00:40:43,360 --> 00:40:46,480
Speaker 1: thinking about that, CI you know, I think.

766
00:40:46,560 --> 00:40:48,600
Speaker 2: I think also the definition of a hit record is

767
00:40:48,680 --> 00:40:51,480
Speaker 2: changing because there's there's artists that you will never you

768
00:40:51,560 --> 00:40:54,440
Speaker 2: might not even know they have successful careers because they're

769
00:40:54,440 --> 00:40:55,440
Speaker 2: going to direct the consumer.

770
00:40:55,640 --> 00:40:59,680
Speaker 4: Because right now, right you know, you've worked with the

771
00:40:59,719 --> 00:41:05,279
Speaker 4: great eminem jay Z d MX Norry, I can't.

772
00:41:05,280 --> 00:41:08,920
Speaker 1: I can't even like Kanye Kanye five hundred and fifty songs,

773
00:41:08,960 --> 00:41:09,200
Speaker 1: you know.

774
00:41:09,480 --> 00:41:14,640
Speaker 4: So, and now a new guy comes on your beat, Boss,

775
00:41:15,080 --> 00:41:15,520
Speaker 4: the way I.

776
00:41:15,440 --> 00:41:27,359
Speaker 11: Said that, that was definitely your own of my own

777
00:41:27,400 --> 00:41:27,759
Speaker 11: some one.

778
00:41:28,320 --> 00:41:32,880
Speaker 4: Now, God, you know, somebody calls you he gets from

779
00:41:32,920 --> 00:41:33,239
Speaker 4: your beat.

780
00:41:33,280 --> 00:41:36,279
Speaker 1: He like it was a bit of that. That's a verse.

781
00:41:39,680 --> 00:41:42,480
Speaker 1: But he's killing it. But you you don't even know

782
00:41:42,520 --> 00:41:44,200
Speaker 1: what he's saying. How the funk is he killing? And

783
00:41:44,200 --> 00:41:46,640
Speaker 1: you can't understand what he's he's killing it. But this

784
00:41:46,719 --> 00:41:48,640
Speaker 1: niggas out there that's killing it. I don't understand what

785
00:41:48,640 --> 00:41:54,280
Speaker 1: they're saying, but to me, they still killing what they're saying.

786
00:41:55,480 --> 00:41:58,719
Speaker 1: I dig someone. I can tell you something. I got it.

787
00:41:58,719 --> 00:41:59,840
Speaker 1: When you hear my record.

788
00:42:00,960 --> 00:42:04,680
Speaker 7: Those people you're talking about, watch how I check their

789
00:42:04,680 --> 00:42:09,440
Speaker 7: passports at the dark And it was a breath of

790
00:42:09,520 --> 00:42:13,759
Speaker 7: fresh air because I witnessed that people are doing what

791
00:42:13,800 --> 00:42:18,000
Speaker 7: they're doing because of a fad. I'm like, you're hiding

792
00:42:18,080 --> 00:42:21,640
Speaker 7: all of this talent because you think that's what they

793
00:42:21,640 --> 00:42:22,160
Speaker 7: want to hear.

794
00:42:22,719 --> 00:42:25,759
Speaker 1: I couldn't when you hear these verses clearly that you're

795
00:42:25,800 --> 00:42:30,319
Speaker 1: gonna hear, I was like, Bro, you mean you could

796
00:42:30,320 --> 00:42:32,000
Speaker 1: have this this the whole time you're.

797
00:42:31,880 --> 00:42:37,960
Speaker 7: Going there's really talented people in that space of what

798
00:42:38,040 --> 00:42:42,160
Speaker 7: we feel that's not talent. I've witnessed it, and you're

799
00:42:42,160 --> 00:42:43,200
Speaker 7: gonna witness it too.

800
00:42:43,320 --> 00:42:43,759
Speaker 1: Very soon.

801
00:42:44,520 --> 00:42:49,399
Speaker 7: You're going to be like, that's who, Yeah, that's him,

802
00:42:49,400 --> 00:42:54,279
Speaker 7: and that's who, Yeah, that's him too. Because I just

803
00:42:54,320 --> 00:42:58,040
Speaker 7: wanted to challenge people to do something different because what

804
00:42:58,200 --> 00:43:01,800
Speaker 7: they applying their life is great, but the challenge that

805
00:43:01,840 --> 00:43:04,920
Speaker 7: I'm an, I want to challenge them to apply just

806
00:43:05,000 --> 00:43:07,360
Speaker 7: in the atmosphere is differently, I don't want what you

807
00:43:07,440 --> 00:43:10,719
Speaker 7: have already I did you to do this, and when

808
00:43:10,760 --> 00:43:13,440
Speaker 7: I dared them to do that, a hundred points on

809
00:43:13,480 --> 00:43:13,880
Speaker 7: the boards.

810
00:43:14,080 --> 00:43:18,239
Speaker 1: You know what tager bone is. Look, you know how long,

811
00:43:18,560 --> 00:43:20,440
Speaker 1: you know how much time I spent in Jamaica. I

812
00:43:20,480 --> 00:43:25,719
Speaker 1: just feel like, you know, you know, I just don't

813
00:43:25,760 --> 00:43:30,560
Speaker 1: need it, Like I got five kids, bro, when I already.

814
00:43:30,360 --> 00:43:34,560
Speaker 4: Drink that because we're celebrating you tonight, tonight, got twenty

815
00:43:34,640 --> 00:43:35,520
Speaker 4: years work here.

816
00:43:35,360 --> 00:43:39,160
Speaker 1: Come on, you do the honest motherfucker. Yeah, we got

817
00:43:39,160 --> 00:43:42,279
Speaker 1: to deal with Tiger. What we're doing because our own

818
00:43:42,360 --> 00:43:45,840
Speaker 1: joint is they done. Listen what we do because you

819
00:43:45,840 --> 00:43:48,319
Speaker 1: don't know. I got to change Bacardi. Right now, we're

820
00:43:48,320 --> 00:43:48,879
Speaker 1: gonna dance.

821
00:43:49,800 --> 00:43:50,760
Speaker 10: It's a home.

822
00:43:50,680 --> 00:43:54,000
Speaker 1: Bacardi and this is not competition, and no one, no

823
00:43:54,120 --> 00:43:56,480
Speaker 1: it's not, it's not. It's not. There's nobody's calling.

824
00:43:56,480 --> 00:43:58,640
Speaker 7: But I notice you be tag of boning this thing

825
00:43:58,680 --> 00:44:00,040
Speaker 7: out in there because it's.

826
00:43:59,880 --> 00:44:03,360
Speaker 1: A beautiful thing. How because it levels go back? Was

827
00:44:03,400 --> 00:44:07,760
Speaker 1: his level? You got to balance it? What kind of earth?

828
00:44:08,800 --> 00:44:14,279
Speaker 1: Where's the Google? I gotta bring Google. I'm gonna take

829
00:44:14,320 --> 00:44:17,800
Speaker 1: all that big up to Benjie I always take my

830
00:44:17,840 --> 00:44:21,080
Speaker 1: jacket for THETT. If you ain't get the Locks album,

831
00:44:21,160 --> 00:44:25,640
Speaker 1: get the Locks album right now. Yeah, the lockdown fine poem.

832
00:44:25,920 --> 00:44:32,279
Speaker 14: I mean Jada kids shoot under knock.

833
00:44:33,280 --> 00:44:37,120
Speaker 7: Don't want another Locks, another Locks coming.

834
00:44:37,120 --> 00:44:41,240
Speaker 4: But because I heard when you said the Locks album

835
00:44:41,280 --> 00:44:44,319
Speaker 4: came out on Rock Nation, you was cool with you

836
00:44:44,480 --> 00:44:45,840
Speaker 4: just didn't want to copy.

837
00:44:46,360 --> 00:44:48,000
Speaker 1: You just didn't want to see them throwing up the

838
00:44:48,120 --> 00:44:51,680
Speaker 1: Rocks sign. I got a lot of trouble for that. Wow,

839
00:44:51,840 --> 00:44:52,440
Speaker 1: what happened?

840
00:44:52,760 --> 00:44:53,000
Speaker 15: You know?

841
00:44:53,680 --> 00:44:54,000
Speaker 4: I was?

842
00:44:54,320 --> 00:44:58,840
Speaker 1: I was no, no, no, I was, honestly, with all due respect,

843
00:44:58,960 --> 00:45:01,879
Speaker 1: I was. I was. I was wrong. I was wrong

844
00:45:01,960 --> 00:45:02,880
Speaker 1: for saying that.

845
00:45:04,520 --> 00:45:08,440
Speaker 7: On the national broadcast about my about my brothers.

846
00:45:08,200 --> 00:45:09,319
Speaker 1: And why would you say that?

847
00:45:09,960 --> 00:45:10,120
Speaker 16: No?

848
00:45:10,360 --> 00:45:11,880
Speaker 1: I was, I was a little I was talking a

849
00:45:11,880 --> 00:45:12,600
Speaker 1: little reckless.

850
00:45:12,920 --> 00:45:15,399
Speaker 7: But where did it was on Shave four five from

851
00:45:15,440 --> 00:45:18,160
Speaker 7: Shaved four let's toast coming in and you know.

852
00:45:18,840 --> 00:45:23,279
Speaker 2: Hold hold take off your glasses for that.

853
00:45:26,440 --> 00:45:40,840
Speaker 1: Happen today? This guy damn change the big permon in Miami.

854
00:45:40,920 --> 00:45:44,960
Speaker 1: Test But I like you in Miami and you look good. Bro.

855
00:45:45,360 --> 00:45:48,120
Speaker 1: You went to Kindle. I remember the videos to you off

856
00:45:48,320 --> 00:45:52,839
Speaker 1: and kendle my studio. What was it off? Set it off?

857
00:45:53,160 --> 00:46:03,160
Speaker 7: Up when Laurid hed this new thing I made for hims.

858
00:46:01,120 --> 00:46:08,360
Speaker 4: What I'm talking about goddamn.

859
00:46:08,000 --> 00:46:10,760
Speaker 1: So so yeah, I got in trouble.

860
00:46:13,520 --> 00:46:16,600
Speaker 7: Styles Peak called me because you know he's the savage

861
00:46:16,640 --> 00:46:17,120
Speaker 7: of the group.

862
00:46:18,680 --> 00:46:22,080
Speaker 1: Don't ever talk our name like that. Wait when you said,

863
00:46:22,160 --> 00:46:22,880
Speaker 1: oh wait.

864
00:46:23,920 --> 00:46:30,360
Speaker 9: Damne, in my mind my hand was up there like

865
00:46:30,960 --> 00:46:31,719
Speaker 9: I don't know why.

866
00:46:31,840 --> 00:46:35,080
Speaker 1: I felt like I just violated myself. I'm sorry, continued

867
00:46:35,120 --> 00:46:37,840
Speaker 1: to because I was.

868
00:46:38,200 --> 00:46:42,560
Speaker 7: As a man, I can admit when I'm wrong, and

869
00:46:43,120 --> 00:46:46,120
Speaker 7: out of twenty some years with the locks, it was the.

870
00:46:46,040 --> 00:46:48,680
Speaker 1: First time I was wrong.

871
00:46:49,880 --> 00:46:51,160
Speaker 15: I was.

872
00:46:53,040 --> 00:46:55,920
Speaker 7: I spoke about I spoke about the incident on Shape

873
00:46:55,920 --> 00:47:01,680
Speaker 7: for five, spoke well, what Vincent out, and I spoke

874
00:47:01,719 --> 00:47:03,760
Speaker 7: about how I felt about Kiss.

875
00:47:03,560 --> 00:47:07,040
Speaker 1: Throwing up the rock sign and why you saw I

876
00:47:07,040 --> 00:47:10,080
Speaker 1: witness and thought up, Oh, I never knew that I've

877
00:47:10,080 --> 00:47:12,320
Speaker 1: seen him throw it up. It's public information.

878
00:47:12,880 --> 00:47:14,480
Speaker 7: And the reason and the reason why I had a

879
00:47:14,520 --> 00:47:18,000
Speaker 7: problem with it was because you know, I was around for.

880
00:47:20,480 --> 00:47:22,719
Speaker 1: I was around for everything, and I knew.

881
00:47:22,520 --> 00:47:26,160
Speaker 7: That how hard it was to fight for for what

882
00:47:26,239 --> 00:47:31,000
Speaker 7: we had, and I knew that my great friend Jay

883
00:47:31,200 --> 00:47:32,840
Speaker 7: would never throw of a rough out of sign no

884
00:47:32,880 --> 00:47:37,080
Speaker 7: matter what deal he would ever do early on, just

885
00:47:37,120 --> 00:47:42,080
Speaker 7: because like you know, you know, my uncles in them

886
00:47:42,080 --> 00:47:45,920
Speaker 7: put a lot of time into changing people's lives. They

887
00:47:45,960 --> 00:47:48,560
Speaker 7: put a lot of times and in the changing people's lives,

888
00:47:48,600 --> 00:47:52,000
Speaker 7: and they put their lives on the line for changing

889
00:47:52,000 --> 00:47:52,680
Speaker 7: people's lives.

890
00:47:52,719 --> 00:47:57,280
Speaker 1: So naturally, I'm gonna be emotional when I see.

891
00:47:57,080 --> 00:48:02,760
Speaker 7: Something that's other than where it all comes from, naturally.

892
00:48:02,960 --> 00:48:06,600
Speaker 7: So naturally I overreacted when that question was brought up

893
00:48:06,600 --> 00:48:09,680
Speaker 7: to me. I was like, what was the question asked

894
00:48:09,680 --> 00:48:16,480
Speaker 7: of you? When you think about the locks with with Rockefeller?

895
00:48:16,480 --> 00:48:18,919
Speaker 7: And I said, I think that is a great deal,

896
00:48:19,880 --> 00:48:23,279
Speaker 7: which I do, because they work hard to even have

897
00:48:24,239 --> 00:48:24,799
Speaker 7: this type of.

898
00:48:24,719 --> 00:48:30,520
Speaker 1: Outlet, and like, is they doing it? Yeah, what's up,

899
00:48:30,880 --> 00:48:33,399
Speaker 1: mister Lee? You got no control. That's not even mister Lee,

900
00:48:33,480 --> 00:48:37,400
Speaker 1: that's mister Chi. Yeah, you know what I'm saying, but

901
00:48:37,880 --> 00:48:39,840
Speaker 1: the Masters, because.

902
00:48:41,440 --> 00:48:44,600
Speaker 7: They worked hard to even be able to put out

903
00:48:44,600 --> 00:48:48,719
Speaker 7: that type of album in twenty sixteen Slash seventeen, And

904
00:48:48,960 --> 00:48:53,040
Speaker 7: I was I was wrong for expressing that on that

905
00:48:53,080 --> 00:48:56,160
Speaker 7: public outlet, even though I called a couple of group

906
00:48:56,200 --> 00:48:58,640
Speaker 7: members a couple of times. If I couldn't reach them,

907
00:48:58,640 --> 00:49:01,680
Speaker 7: I should have debdited it I was a little nice

908
00:49:02,520 --> 00:49:02,960
Speaker 7: like I am.

909
00:49:03,040 --> 00:49:07,880
Speaker 1: Now we got you. But I'm the most honest when

910
00:49:07,920 --> 00:49:09,920
Speaker 1: I'm nice, which is what it is.

911
00:49:10,719 --> 00:49:13,759
Speaker 4: And fIF TV told me that wall paint on your

912
00:49:13,760 --> 00:49:15,640
Speaker 4: face when they try to get averse from you.

913
00:49:15,880 --> 00:49:17,719
Speaker 7: Because I don't really be on that other ship or

914
00:49:17,880 --> 00:49:22,200
Speaker 7: you know, I'm not scared to express it. I'm into

915
00:49:22,239 --> 00:49:24,920
Speaker 7: the art life, so sometimes I paint my face and

916
00:49:24,960 --> 00:49:26,520
Speaker 7: sometimes I just throw the shades.

917
00:49:26,239 --> 00:49:28,960
Speaker 1: On it, just be on my cooliage. You know, you

918
00:49:29,040 --> 00:49:33,000
Speaker 1: see that had I said, and you worked it out.

919
00:49:33,160 --> 00:49:36,239
Speaker 7: But of course we worked it out because you know,

920
00:49:36,320 --> 00:49:39,080
Speaker 7: at the end of the day, Styles had every right

921
00:49:39,120 --> 00:49:41,560
Speaker 7: to call me and be on that vibe.

922
00:49:41,840 --> 00:49:42,799
Speaker 1: And I listened to him.

923
00:49:42,880 --> 00:49:46,040
Speaker 7: I was in in the airport in Shanghai and he

924
00:49:46,160 --> 00:49:53,040
Speaker 7: texts me the fireless message in I was laughing me

925
00:49:53,160 --> 00:49:56,080
Speaker 7: not making a joke because it's just something serious. And

926
00:49:56,160 --> 00:49:57,200
Speaker 7: I listened to what he said.

927
00:49:57,600 --> 00:49:59,480
Speaker 1: Yes, and he had good points.

928
00:49:59,760 --> 00:50:03,799
Speaker 7: And as a man, anybody watching this, as a man,

929
00:50:04,239 --> 00:50:07,200
Speaker 7: if you're in the wrong, you gotta take that charge,

930
00:50:08,239 --> 00:50:11,440
Speaker 7: take that charge, apologize I was wrong.

931
00:50:12,719 --> 00:50:15,680
Speaker 1: I won't do that again. My bad. You know, a

932
00:50:15,719 --> 00:50:17,200
Speaker 1: lot of the ego is the killer.

933
00:50:18,320 --> 00:50:22,120
Speaker 7: A lot of people let the ego mislead them in life.

934
00:50:22,760 --> 00:50:25,040
Speaker 7: I know that I could never go to war with

935
00:50:25,080 --> 00:50:28,720
Speaker 7: the Locks, even though their first name was the Warlocks.

936
00:50:29,239 --> 00:50:32,080
Speaker 1: Right, those are my brothers.

937
00:50:32,280 --> 00:50:35,160
Speaker 7: Were never going to have a confrontation for the industry

938
00:50:35,200 --> 00:50:36,520
Speaker 7: to sit back and watch.

939
00:50:36,239 --> 00:50:38,080
Speaker 1: A legacy that we.

940
00:50:38,080 --> 00:50:42,040
Speaker 7: Worked hard for burn because of some small time thing.

941
00:50:42,239 --> 00:50:46,600
Speaker 1: We really was in these streets for real. I love them.

942
00:50:46,880 --> 00:50:49,319
Speaker 1: We are the streets was the first like I put

943
00:50:49,360 --> 00:50:50,920
Speaker 1: my life. It just turned seventeen.

944
00:50:51,480 --> 00:50:51,799
Speaker 17: I know.

945
00:50:52,160 --> 00:51:00,480
Speaker 8: On see, let's make some lays for goddamn.

946
00:50:59,400 --> 00:51:12,560
Speaker 1: Birthday. You have to put the head. Yeah it was.

947
00:51:13,440 --> 00:51:17,680
Speaker 1: It was second seconds later I said, that's not you know,

948
00:51:17,719 --> 00:51:18,520
Speaker 1: I'm so used to it.

949
00:51:20,239 --> 00:51:24,920
Speaker 7: Listen, shout out to Styles, t Jady kiss She Luiano.

950
00:51:25,400 --> 00:51:29,239
Speaker 1: I love y'all. That's why I never go no problems never.

951
00:51:29,520 --> 00:51:35,920
Speaker 2: Some of the realistics we had on Drink Champs as well.

952
00:51:35,960 --> 00:51:38,840
Speaker 1: Ask me some real questions. Let's get into some real

953
00:51:39,120 --> 00:51:42,480
Speaker 1: like you right here, Let's turn the question what we

954
00:51:42,480 --> 00:51:42,880
Speaker 1: want to do.

955
00:51:43,000 --> 00:51:45,359
Speaker 18: Let's go, man, I'm here to make the ratings go up.

956
00:51:45,719 --> 00:51:48,440
Speaker 18: I'm gonna is they talking? So when you and Kanye

957
00:51:48,520 --> 00:51:55,000
Speaker 18: West battle on Save Summer, Yeah, I love that moment.

958
00:51:56,960 --> 00:52:01,000
Speaker 4: Described that moment was that put together? What was that

959
00:52:01,080 --> 00:52:02,640
Speaker 4: like spirit a moment?

960
00:52:03,000 --> 00:52:05,960
Speaker 1: You and Kanye. This is the craziest nigga in life,

961
00:52:07,400 --> 00:52:10,719
Speaker 1: in his in his life, but this before he got crazy.

962
00:52:11,400 --> 00:52:13,280
Speaker 1: He was like saying, at this time.

963
00:52:13,800 --> 00:52:17,239
Speaker 7: I respect Kanye for taking that battle because you know

964
00:52:18,080 --> 00:52:20,239
Speaker 7: a lot of producers I turned down that.

965
00:52:20,480 --> 00:52:26,120
Speaker 1: Wait wait, wait, so you're saying this was your whole idea?

966
00:52:26,719 --> 00:52:31,040
Speaker 4: Yeah, in New York City, I was the leading Summer

967
00:52:31,160 --> 00:52:33,800
Speaker 4: Jam of course orchestrated this.

968
00:52:34,160 --> 00:52:34,319
Speaker 18: Yeah.

969
00:52:34,360 --> 00:52:37,000
Speaker 1: I never knew this. I've never knew this.

970
00:52:37,320 --> 00:52:41,719
Speaker 4: I called you've you've been You've asked people to do

971
00:52:41,760 --> 00:52:43,000
Speaker 4: this before.

972
00:52:44,320 --> 00:52:46,680
Speaker 3: There were Time is running out because we don't have

973
00:52:46,760 --> 00:52:49,440
Speaker 3: time radio whatever.

974
00:52:49,120 --> 00:52:54,240
Speaker 1: We just started. I'm gonna make this.

975
00:52:54,160 --> 00:52:57,680
Speaker 7: Goccardy Now, I got my cup right here.

976
00:52:57,719 --> 00:53:01,320
Speaker 1: This is Macardi eight great right here too. Let's do shots.

977
00:53:01,800 --> 00:53:04,799
Speaker 1: I don't do like drinking like us man, what weed?

978
00:53:04,960 --> 00:53:10,800
Speaker 1: Bro like? I mean? Did that party? Niggas doubled number me?

979
00:53:11,600 --> 00:53:16,400
Speaker 1: So okay? So you had this idea for a producer.

980
00:53:16,719 --> 00:53:19,880
Speaker 7: You know, because when I look at Summer Jam, I

981
00:53:19,920 --> 00:53:23,680
Speaker 7: noticed that a lot of the performing artists musicallygue got

982
00:53:23,680 --> 00:53:28,000
Speaker 7: to shine and the producers was always behind those big

983
00:53:28,360 --> 00:53:30,799
Speaker 7: hit records. That these artists was able to go on

984
00:53:30,880 --> 00:53:33,040
Speaker 7: stage and do their thing too. So I said, you

985
00:53:33,080 --> 00:53:37,000
Speaker 7: know what, let's play homage to the producers. And Summer

986
00:53:37,080 --> 00:53:39,879
Speaker 7: Jam is very controversial, so I said, you know what,

987
00:53:40,400 --> 00:53:45,640
Speaker 7: let's make it a battle where I'm talking ship and

988
00:53:45,680 --> 00:53:49,719
Speaker 7: then whoever come out and challenge me to me talking.

989
00:53:49,400 --> 00:53:52,319
Speaker 1: Ship with their greatest couple of hits, and I give

990
00:53:52,360 --> 00:53:53,560
Speaker 1: him my greatest couple of hits.

991
00:53:54,160 --> 00:53:57,600
Speaker 7: And we gave the people a show that was respectable

992
00:53:57,680 --> 00:53:59,920
Speaker 7: and and and they paid homage to the producer.

993
00:54:00,920 --> 00:54:04,680
Speaker 1: Everybody turned down the requests except for Kanye, And I

994
00:54:04,800 --> 00:54:06,960
Speaker 1: give him no names that you could say that turned down?

995
00:54:07,320 --> 00:54:10,879
Speaker 1: Who else would you name him? The premiere turned down?

996
00:54:11,160 --> 00:54:12,400
Speaker 1: I'm not challenging permission.

997
00:54:21,160 --> 00:54:26,040
Speaker 7: He dropped that New York state of mind.

998
00:54:26,239 --> 00:54:29,360
Speaker 1: Like one track man, just Blaze.

999
00:54:29,680 --> 00:54:32,920
Speaker 4: He's in there, Pete Rock, but but just just bla.

1000
00:54:33,200 --> 00:54:35,920
Speaker 1: You know, you know you're going way too far, way

1001
00:54:35,960 --> 00:54:39,640
Speaker 1: too far. He dropped reminisces on me. What then am

1002
00:54:39,640 --> 00:54:43,320
Speaker 1: I going to do? Stop driving? Who said just blazing?

1003
00:54:43,680 --> 00:54:46,600
Speaker 1: He said? He said, just blazing. Just reached out to

1004
00:54:46,800 --> 00:54:48,160
Speaker 1: just Blaze, not not he didn't.

1005
00:54:48,200 --> 00:54:50,840
Speaker 7: Definitely just Blaze is talented. I think I think just

1006
00:54:50,920 --> 00:54:53,759
Speaker 7: Bladze could probably beat me today in the battle because

1007
00:54:53,800 --> 00:54:55,799
Speaker 7: I'm not really thinking about it. But if I thought

1008
00:54:55,800 --> 00:54:57,319
Speaker 7: about it, I'd probably give him a little bit of

1009
00:54:57,680 --> 00:54:58,640
Speaker 7: run for his money.

1010
00:54:59,239 --> 00:55:02,680
Speaker 4: When you're saying battle, When you're saying battle, are you

1011
00:55:02,800 --> 00:55:04,320
Speaker 4: saying hits?

1012
00:55:05,480 --> 00:55:09,400
Speaker 1: Y'all? At that time it was hits, right, So imagine

1013
00:55:09,440 --> 00:55:10,600
Speaker 1: he came with the crowd.

1014
00:55:10,480 --> 00:55:14,160
Speaker 9: Helped me to read introduce like the whole stay.

1015
00:55:16,640 --> 00:55:19,279
Speaker 7: But I got something for that too. I got something

1016
00:55:19,320 --> 00:55:23,080
Speaker 7: for that. People gotta understand, like I used to make.

1017
00:55:24,600 --> 00:55:27,959
Speaker 1: Everybody, what were we doing? All right? Okay, okay, okay, okay, okay,

1018
00:55:28,400 --> 00:55:31,560
Speaker 1: let me tell you something. It's good. It's good man.

1019
00:55:32,000 --> 00:55:35,080
Speaker 7: Love love, love love.

1020
00:55:42,400 --> 00:55:43,040
Speaker 19: You know what I'm saying.

1021
00:55:44,719 --> 00:55:48,359
Speaker 1: Twin got that fade. I need your bottle's number something.

1022
00:55:48,560 --> 00:55:51,800
Speaker 1: Come in here with this pretty boy ship, you know

1023
00:55:51,800 --> 00:55:53,799
Speaker 1: what I'm saying, Moving in on us, off, we tell

1024
00:55:53,840 --> 00:55:57,040
Speaker 1: you something. Twin was the star, one of the stars

1025
00:55:57,080 --> 00:56:04,680
Speaker 1: of this show. You know, something happened. Unfortunately, accident happens.

1026
00:56:04,880 --> 00:56:06,320
Speaker 1: I want to talk about today.

1027
00:56:06,400 --> 00:56:10,279
Speaker 4: So you know what, we are so proud to see

1028
00:56:10,360 --> 00:56:14,200
Speaker 4: Twin here right now, Yo, somebody give Twin a mic,

1029
00:56:14,360 --> 00:56:15,319
Speaker 4: please and.

1030
00:56:15,280 --> 00:56:21,919
Speaker 1: Just let them give him a shot.

1031
00:56:22,320 --> 00:56:28,839
Speaker 20: Yeah, two weeks ago. Drink Champ's family arm me. Thank

1032
00:56:28,880 --> 00:56:31,600
Speaker 20: you for the praise. I appreciate it, man, I appreciate

1033
00:56:31,640 --> 00:56:34,960
Speaker 20: all the love other support have been working because I'm

1034
00:56:34,960 --> 00:56:36,200
Speaker 20: getting better and I'm alive.

1035
00:56:37,000 --> 00:56:37,560
Speaker 21: I'm here.

1036
00:56:37,880 --> 00:56:39,680
Speaker 20: I could have been six feet under it, but I'm

1037
00:56:39,719 --> 00:56:44,080
Speaker 20: here and I can keep moving forward. And even though

1038
00:56:44,120 --> 00:56:46,239
Speaker 20: if I don't walk again, I'm still living. You know

1039
00:56:46,239 --> 00:56:47,959
Speaker 20: what I mean, They still hope.

1040
00:56:48,000 --> 00:56:48,200
Speaker 11: Man.

1041
00:56:48,600 --> 00:56:52,040
Speaker 1: You know I'm here, going to walk here walk, I'm here?

1042
00:56:53,200 --> 00:56:58,120
Speaker 1: Are you crazy hands and give a little blessings.

1043
00:56:58,160 --> 00:57:01,880
Speaker 7: We we thank you for Twin being here with us

1044
00:57:01,920 --> 00:57:02,360
Speaker 7: today and.

1045
00:57:04,000 --> 00:57:05,840
Speaker 1: Life farming and real farming.

1046
00:57:06,680 --> 00:57:09,440
Speaker 7: We thank you for protecting him and guiding him and

1047
00:57:09,440 --> 00:57:13,120
Speaker 7: getting him to this level of being conscious and being love.

1048
00:57:13,800 --> 00:57:15,400
Speaker 1: And we never forget.

1049
00:57:15,040 --> 00:57:19,360
Speaker 7: All the prayers, all the deeds that has been done today.

1050
00:57:19,800 --> 00:57:22,320
Speaker 1: Him waking up this morning is just a plus. And

1051
00:57:22,680 --> 00:57:23,880
Speaker 1: ame you pray ay man.

1052
00:57:30,680 --> 00:57:36,560
Speaker 4: That's that was real ship right there. Emotional because that's

1053
00:57:36,680 --> 00:57:37,480
Speaker 4: that's Twins all.

1054
00:57:37,600 --> 00:57:40,560
Speaker 1: That's our little brother, right brother.

1055
00:57:41,640 --> 00:57:46,439
Speaker 4: But listen, because we're very scared. We don't you sure

1056
00:57:46,560 --> 00:57:47,560
Speaker 4: you want to stay right there?

1057
00:57:48,920 --> 00:57:52,240
Speaker 1: He's good, he's good, but you know, usually I asked

1058
00:57:52,240 --> 00:57:59,840
Speaker 1: you to take a shot. We love, here's a shot,

1059
00:58:00,040 --> 00:58:04,480
Speaker 1: and yeah that's right. Okay, So now Sis, I'm ready.

1060
00:58:04,520 --> 00:58:07,320
Speaker 1: What's up? So we're gonna take it because you was

1061
00:58:07,360 --> 00:58:10,000
Speaker 1: getting into the battles and you was talking about the battle.

1062
00:58:10,200 --> 00:58:13,520
Speaker 1: We we got to complete that story. So he said,

1063
00:58:13,760 --> 00:58:15,760
Speaker 1: we don't want to find out who he is? He said,

1064
00:58:15,920 --> 00:58:22,120
Speaker 1: just blaze me. Yeah, Timberland. Actually, okay, I battled any

1065
00:58:22,120 --> 00:58:25,560
Speaker 1: one of them today too. That's work, you know, Let's dance.

1066
00:58:26,480 --> 00:58:30,080
Speaker 1: So Kanye stepped up. Kanye stepped up to the plate. Okay,

1067
00:58:30,160 --> 00:58:35,480
Speaker 1: he was a game this moment, you know. Uh. She

1068
00:58:35,680 --> 00:58:39,800
Speaker 1: was like, Kanye is this now? Definitely don't got blond hair.

1069
00:58:39,920 --> 00:58:42,960
Speaker 1: Let's keep the backpack on him? He had a backpack.

1070
00:58:43,240 --> 00:58:46,720
Speaker 1: The backpack backpack? Kanye know, like what was what was

1071
00:58:46,880 --> 00:58:49,200
Speaker 1: Jesus big Jesus piece? Uh?

1072
00:58:49,640 --> 00:58:55,400
Speaker 7: Okay, Red Tan Lou Theitan sneaker Kanye.

1073
00:58:55,440 --> 00:59:00,160
Speaker 1: Jesus walks college drop. That's before Jesus is it on

1074
00:59:00,200 --> 00:59:02,200
Speaker 1: that he was hot?

1075
00:59:02,280 --> 00:59:12,640
Speaker 22: Kanye was pepper Kanye, but I respect that.

1076
00:59:13,440 --> 00:59:14,920
Speaker 1: I gave him the concept and.

1077
00:59:17,280 --> 00:59:19,840
Speaker 7: He was just like, all right, let's make it fresh.

1078
00:59:19,880 --> 00:59:22,120
Speaker 7: And the craziest probably was like he came. I told

1079
00:59:22,160 --> 00:59:25,400
Speaker 7: him my playlist. He told me his playlist. I kept

1080
00:59:25,440 --> 00:59:28,960
Speaker 7: my playlist and he changed his place. I was like,

1081
00:59:29,720 --> 00:59:32,640
Speaker 7: you sure you don't want to because like I didn't,

1082
00:59:32,680 --> 00:59:34,200
Speaker 7: it wasn't about no big eyes.

1083
00:59:34,000 --> 00:59:38,600
Speaker 1: On little youth. But what what point changed his playlist? Oh?

1084
00:59:38,680 --> 00:59:39,680
Speaker 1: When it was showtime.

1085
00:59:40,320 --> 00:59:45,480
Speaker 7: Before the showtime, I heard songs that that he didn't present.

1086
00:59:45,600 --> 00:59:49,080
Speaker 2: I was like, so, y'all both knew what songs y'all

1087
00:59:49,160 --> 00:59:50,320
Speaker 2: was going to play.

1088
00:59:50,480 --> 00:59:52,280
Speaker 7: I told him I never changed I was going to

1089
00:59:52,320 --> 00:59:54,800
Speaker 7: play because I just wanted to play what I was

1090
00:59:54,800 --> 00:59:57,959
Speaker 7: going to play. And the songs that he picked before

1091
00:59:58,000 --> 01:00:00,560
Speaker 7: I thought was stronger, you know, because I didn't want

1092
01:00:00,560 --> 01:00:02,880
Speaker 7: it to be like a big eye.

1093
01:00:02,800 --> 01:00:03,720
Speaker 1: Little youth thing I wanted.

1094
01:00:03,720 --> 01:00:05,760
Speaker 7: I wanted him to be great, and I wanted me

1095
01:00:05,840 --> 01:00:07,920
Speaker 7: to be great, and he was great. But you know,

1096
01:00:08,040 --> 01:00:13,040
Speaker 7: I think the selection that we first had was better,

1097
01:00:13,680 --> 01:00:14,320
Speaker 7: you know, right.

1098
01:00:14,680 --> 01:00:18,600
Speaker 1: Because it's not like you know, me, me going on.

1099
01:00:18,560 --> 01:00:21,000
Speaker 7: The summer Jam stage and showing off on another person.

1100
01:00:21,320 --> 01:00:22,680
Speaker 1: Because that man is talented.

1101
01:00:23,040 --> 01:00:27,040
Speaker 7: He's a genius, you know, he a master of his craft,

1102
01:00:27,800 --> 01:00:32,480
Speaker 7: just like Timberland, doctor dre Corell just blaze all the

1103
01:00:32,480 --> 01:00:35,520
Speaker 7: producers the mass of their own crafts and the one

1104
01:00:35,560 --> 01:00:38,000
Speaker 7: thing I do miss about music is that, you know,

1105
01:00:39,480 --> 01:00:41,760
Speaker 7: we all had different things to bring to the table.

1106
01:00:42,880 --> 01:00:44,640
Speaker 7: You know, when you heard that sign it was a

1107
01:00:44,680 --> 01:00:49,480
Speaker 7: different sound, totally not about a bounce right.

1108
01:00:49,640 --> 01:00:52,440
Speaker 1: We came. We felt like we wanted to come with,

1109
01:00:52,960 --> 01:00:53,200
Speaker 1: you know.

1110
01:00:53,280 --> 01:00:55,600
Speaker 7: And there's a couple of new producers that's doing that

1111
01:00:55,800 --> 01:00:58,560
Speaker 7: and I respect them all. Like a signature sound, yeah,

1112
01:00:58,600 --> 01:01:00,560
Speaker 7: there's a couple of producers owning it, and there's a

1113
01:01:00,600 --> 01:01:03,120
Speaker 7: couple of people that's taking advantage of the technology.

1114
01:01:03,640 --> 01:01:06,600
Speaker 4: But Swiss Beast is about to make an album right now,

1115
01:01:06,640 --> 01:01:07,480
Speaker 4: tomorrow it's done.

1116
01:01:07,680 --> 01:01:09,800
Speaker 1: I'm asking that's done.

1117
01:01:09,800 --> 01:01:13,200
Speaker 4: And then and the label says, we'll go hire some

1118
01:01:13,280 --> 01:01:17,440
Speaker 4: new new dudes. Who is Swiss Beasts going high produce

1119
01:01:17,480 --> 01:01:18,240
Speaker 4: A wise.

1120
01:01:17,960 --> 01:01:20,320
Speaker 7: I'm not scared of new dudes. I got new dudes

1121
01:01:20,320 --> 01:01:22,640
Speaker 7: on my team. I respect new dudes.

1122
01:01:23,200 --> 01:01:25,439
Speaker 4: You know what I'm saying, Like when I say my bad,

1123
01:01:25,520 --> 01:01:29,760
Speaker 4: let me rephrase the question. They're saying, go get some

1124
01:01:30,440 --> 01:01:34,480
Speaker 4: like the the the producers.

1125
01:01:34,520 --> 01:01:39,200
Speaker 1: That's trending because who is Swiss gonna say?

1126
01:01:39,200 --> 01:01:39,680
Speaker 4: You know what.

1127
01:01:41,440 --> 01:01:41,560
Speaker 18: Now?

1128
01:01:43,760 --> 01:01:45,840
Speaker 1: But if you're making an album, because you know, let's

1129
01:01:45,920 --> 01:01:47,320
Speaker 1: be honest, you're artist.

1130
01:01:47,480 --> 01:01:49,320
Speaker 7: There's a lot of there's a lot of new producers

1131
01:01:49,320 --> 01:01:53,240
Speaker 7: that I like. You know, I'm not stuck in my past.

1132
01:01:54,000 --> 01:01:55,760
Speaker 7: You know, a lot of producers get stuck in. They

1133
01:01:55,800 --> 01:01:59,800
Speaker 7: pass and they don't really respect. Somebody need a goddamn vix.

1134
01:02:01,680 --> 01:02:04,480
Speaker 1: La that day. This is the.

1135
01:02:07,360 --> 01:02:11,560
Speaker 4: Smoking in the background, but my headphones don't blocked them out.

1136
01:02:14,560 --> 01:02:17,200
Speaker 1: We're building who is? Who is?

1137
01:02:17,360 --> 01:02:23,160
Speaker 4: If they say now, we say you you got three people? No, no, no,

1138
01:02:23,280 --> 01:02:26,360
Speaker 4: let's say five. So you got five people to to

1139
01:02:28,120 --> 01:02:32,000
Speaker 4: pay other than you to finish your album right.

1140
01:02:31,920 --> 01:02:34,840
Speaker 7: Now, I gotta love you. I'm bad with names, bro,

1141
01:02:35,840 --> 01:02:39,840
Speaker 7: That's just I admit to it. I'm bad with names.

1142
01:02:40,120 --> 01:02:42,640
Speaker 7: I like well, I like Metro Booman.

1143
01:02:43,320 --> 01:02:46,960
Speaker 2: You know, you can say the song that you like.

1144
01:02:47,000 --> 01:02:49,320
Speaker 1: I like Mike Will, I like Metro Woman, I like

1145
01:02:49,400 --> 01:02:50,080
Speaker 1: boy Wonder.

1146
01:02:50,840 --> 01:02:54,440
Speaker 7: You know what I'm saying, you know, Avery, You know,

1147
01:02:55,160 --> 01:02:57,520
Speaker 7: it's a lot of you know, tie snags.

1148
01:02:58,920 --> 01:03:01,920
Speaker 1: I like everybody that's being creative. This is you know,

1149
01:03:01,960 --> 01:03:02,680
Speaker 1: you gotta think.

1150
01:03:02,520 --> 01:03:05,560
Speaker 7: About this, Like right, there's a lot of people that's

1151
01:03:05,600 --> 01:03:07,800
Speaker 7: doing music that could have been robbing our kids and

1152
01:03:07,840 --> 01:03:09,920
Speaker 7: our mothers and brothers and our cousins.

1153
01:03:10,400 --> 01:03:12,680
Speaker 1: As long as people doing something positive kind of like

1154
01:03:12,680 --> 01:03:14,760
Speaker 1: with DMX said too, He's kind of said the same thing.

1155
01:03:15,280 --> 01:03:17,720
Speaker 1: Shout out to the dog. But so you're not gonna

1156
01:03:17,800 --> 01:03:22,080
Speaker 1: you're not gonna call doctor Dre. That's not a new

1157
01:03:22,120 --> 01:03:24,680
Speaker 1: producer man. You just kind of just switch it up.

1158
01:03:26,040 --> 01:03:28,200
Speaker 1: I'm calling doctor just out.

1159
01:03:29,240 --> 01:03:33,400
Speaker 23: Might as well call premiere to I'm out of line

1160
01:03:33,440 --> 01:03:34,160
Speaker 23: with my questions.

1161
01:03:34,240 --> 01:03:39,120
Speaker 1: Yeah right, I'm sorry.

1162
01:03:39,800 --> 01:03:46,440
Speaker 7: Lookerspect anybody that's doing something positive with music. It's just like,

1163
01:03:46,520 --> 01:03:50,280
Speaker 7: all right, it's an expression. You can relate to it

1164
01:03:50,400 --> 01:03:53,120
Speaker 7: or you can't. That's why there's different genres and music,

1165
01:03:53,520 --> 01:03:56,360
Speaker 7: different genres and art and different genres and everything that

1166
01:03:56,400 --> 01:03:58,640
Speaker 7: we uh facing this world.

1167
01:03:59,800 --> 01:04:00,680
Speaker 1: You know, I'm not going.

1168
01:04:00,680 --> 01:04:03,840
Speaker 7: To sit here and play around with none of those

1169
01:04:03,840 --> 01:04:07,880
Speaker 7: producers because you know, they all got a little bit

1170
01:04:07,880 --> 01:04:12,240
Speaker 7: of influence and myself, Timberland, whoever you want to name,

1171
01:04:13,360 --> 01:04:15,320
Speaker 7: We are a part of their DNA, whether we like

1172
01:04:15,360 --> 01:04:17,560
Speaker 7: it or not. They took a part of what we

1173
01:04:17,600 --> 01:04:20,680
Speaker 7: did and created themselves a foundation. If I them, I'm

1174
01:04:20,720 --> 01:04:25,160
Speaker 7: technically dising myself. They just they're just on another platform

1175
01:04:25,600 --> 01:04:28,120
Speaker 7: and see another stage that they got to perform on.

1176
01:04:28,400 --> 01:04:30,040
Speaker 1: That doesn't deplete my stage.

1177
01:04:31,000 --> 01:04:34,960
Speaker 7: That just like it's a compliment of each other, you understand,

1178
01:04:35,000 --> 01:04:35,920
Speaker 7: and what I have to do.

1179
01:04:36,360 --> 01:04:38,120
Speaker 1: The things that I don't like, I have to fix.

1180
01:04:39,280 --> 01:04:41,160
Speaker 1: So on my album, I'm like.

1181
01:04:41,920 --> 01:04:45,919
Speaker 4: Bars the album, let's make a public.

1182
01:04:46,920 --> 01:04:48,120
Speaker 1: I don't know the name of the album.

1183
01:04:48,120 --> 01:04:49,880
Speaker 7: I don't even think that. I didn't even think about

1184
01:04:49,960 --> 01:04:52,880
Speaker 7: no name. I just thought about like fucking up everything.

1185
01:04:53,520 --> 01:04:58,120
Speaker 1: That's the album.

1186
01:04:58,160 --> 01:05:03,480
Speaker 4: But now let's take it to the first rough Ride album, the.

1187
01:05:03,440 --> 01:05:08,480
Speaker 1: First rough rid Of compilation. Yeah, okay, it was hard that.

1188
01:05:08,560 --> 01:05:12,400
Speaker 4: It's the difference between the compilation and the album.

1189
01:05:12,600 --> 01:05:17,600
Speaker 1: That's because it was the first rough Ouders was a compilation.

1190
01:05:18,080 --> 01:05:20,800
Speaker 7: The first rough out Of album was the DMX so

1191
01:05:21,320 --> 01:05:25,720
Speaker 7: the first rough rid Of album, multiple conglomerate of multiple

1192
01:05:25,800 --> 01:05:28,720
Speaker 7: artists up and coming, known, not known, and you know,

1193
01:05:28,800 --> 01:05:31,640
Speaker 7: that's that's when people heard Beanie's first hard Verse.

1194
01:05:32,000 --> 01:05:33,040
Speaker 1: It was on that album.

1195
01:05:33,320 --> 01:05:36,440
Speaker 7: That's when people heard Infrared and Cross. That's when people

1196
01:05:36,480 --> 01:05:40,160
Speaker 7: heard you know, Eve, That's when people heard Dragon. That's

1197
01:05:40,160 --> 01:05:43,280
Speaker 7: when people got exposed to a lot of things that

1198
01:05:44,080 --> 01:05:46,040
Speaker 7: wasn't really out there yet. You know what I'm saying.

1199
01:05:46,080 --> 01:05:51,840
Speaker 7: And so you know which your niggas won that first album? What?

1200
01:05:51,840 --> 01:05:53,080
Speaker 1: What was? What was it?

1201
01:05:53,120 --> 01:05:56,439
Speaker 4: Because ye were all separate entities you had all these

1202
01:05:56,480 --> 01:05:57,320
Speaker 4: separate groups.

1203
01:05:57,840 --> 01:06:00,040
Speaker 1: Now they're saying the compilation.

1204
01:05:59,600 --> 01:06:03,480
Speaker 7: Album, Well, we had no separate groups. And I never

1205
01:06:03,480 --> 01:06:06,320
Speaker 7: even knew what the compilation was before I did that album.

1206
01:06:06,600 --> 01:06:08,320
Speaker 7: I just knew that we was making an album with

1207
01:06:08,400 --> 01:06:12,280
Speaker 7: the family, and we was taking everybody's verses and putting

1208
01:06:12,320 --> 01:06:15,920
Speaker 7: outsiders on them to fill up the space. You know,

1209
01:06:15,960 --> 01:06:18,160
Speaker 7: I was too young to understand what was a compilation

1210
01:06:18,320 --> 01:06:20,360
Speaker 7: not a compilation. I didn't give a fuck what it was.

1211
01:06:20,640 --> 01:06:23,760
Speaker 7: I just wanted to produce the best shit and make

1212
01:06:23,800 --> 01:06:27,080
Speaker 7: the people feel good. And I was hungry. I was thirsty.

1213
01:06:27,120 --> 01:06:29,480
Speaker 7: I was going up against Greece, I was going up

1214
01:06:29,480 --> 01:06:32,000
Speaker 7: against Pete K, I was going up against you know,

1215
01:06:33,280 --> 01:06:35,320
Speaker 7: young lord. I was going up against a lot of

1216
01:06:35,320 --> 01:06:38,600
Speaker 7: producers at that time that you know, Spunk bigger, a

1217
01:06:38,640 --> 01:06:40,720
Speaker 7: lot of producers that had like a lot of recognition.

1218
01:06:41,480 --> 01:06:44,120
Speaker 7: And I just wanted to make make the best music

1219
01:06:44,160 --> 01:06:46,120
Speaker 7: I can make. And then when I looked up, I

1220
01:06:46,160 --> 01:06:47,800
Speaker 7: had like ninety percent of that done.

1221
01:06:48,520 --> 01:06:50,480
Speaker 1: And then I seen I looked up, I had.

1222
01:06:50,480 --> 01:06:53,040
Speaker 7: Ninety percent of the Locks album done, ninety percent of

1223
01:06:53,120 --> 01:06:56,400
Speaker 7: E done, X next album done.

1224
01:06:57,080 --> 01:07:00,240
Speaker 1: And you know, I just wanted to go hard. You

1225
01:07:00,320 --> 01:07:02,120
Speaker 1: know what I'm saying, now, why you and Greece ain't

1226
01:07:02,120 --> 01:07:06,440
Speaker 1: that would like work together? Work together. That's a touchy situation.

1227
01:07:06,560 --> 01:07:09,320
Speaker 1: You know, we're grown men now.

1228
01:07:11,360 --> 01:07:13,360
Speaker 7: I never knew why Greece had a problem with me,

1229
01:07:14,520 --> 01:07:18,040
Speaker 7: because you know, my uncle when I was when I

1230
01:07:18,080 --> 01:07:21,400
Speaker 7: went to Atlanta, my uncle was like, you know, I

1231
01:07:21,440 --> 01:07:23,480
Speaker 7: got a couple of producers that I wanted. I want

1232
01:07:23,520 --> 01:07:27,480
Speaker 7: to continue the movement while you're gone. And he took

1233
01:07:27,520 --> 01:07:29,120
Speaker 7: me to Young Lord's house, and he took me to

1234
01:07:29,160 --> 01:07:31,480
Speaker 7: greece house and we took me the Young Lawd's house.

1235
01:07:32,480 --> 01:07:36,640
Speaker 7: I seem like a real stable environment. And I was like, no,

1236
01:07:37,080 --> 01:07:39,760
Speaker 7: Young Al got like a great he got a great foundation.

1237
01:07:40,320 --> 01:07:43,680
Speaker 1: I went to Greece, we end this bandon building. I'm like, damn,

1238
01:07:43,880 --> 01:07:45,360
Speaker 1: he might need it more than Young Lord.

1239
01:07:45,920 --> 01:07:49,080
Speaker 7: So I picked Greece to be the producer at that

1240
01:07:49,120 --> 01:07:55,880
Speaker 7: time when I wasn't available. And competition naturally turns into

1241
01:07:55,920 --> 01:07:59,240
Speaker 7: what it turns into, you know what I'm saying. But

1242
01:07:59,400 --> 01:08:03,640
Speaker 7: you know, I'm gonna just keep it positive. I did

1243
01:08:03,640 --> 01:08:05,280
Speaker 7: a lot of things, him did a lot of things.

1244
01:08:06,120 --> 01:08:08,560
Speaker 7: You know, he hadn't spoken about my name since I

1245
01:08:08,600 --> 01:08:12,960
Speaker 7: handled the last situation. And I'm gonna just say blessings

1246
01:08:12,960 --> 01:08:15,000
Speaker 7: to him and thank you for what he contributed to

1247
01:08:15,000 --> 01:08:15,920
Speaker 7: the brough of the family.

1248
01:08:17,640 --> 01:08:19,920
Speaker 1: No sucking ship, you know what I'm saying. You know

1249
01:08:20,000 --> 01:08:24,000
Speaker 1: his block. No let me start easy. I don't know,

1250
01:08:24,680 --> 01:08:29,040
Speaker 1: let's keep it positive. I'm gonna keep it positive. That's positive.

1251
01:08:29,040 --> 01:08:33,040
Speaker 1: It's all positive. I just always, you know, I always

1252
01:08:33,640 --> 01:08:39,080
Speaker 1: just just notice that, you know, he brothers was there

1253
01:08:39,160 --> 01:08:42,040
Speaker 1: for the very very we get it. That's all. That's all.

1254
01:08:42,200 --> 01:08:48,400
Speaker 1: I'm always we uh. I kind of like the Me

1255
01:08:48,520 --> 01:08:52,840
Speaker 1: and Greece back and forth, you know, because that's competition.

1256
01:08:53,160 --> 01:08:56,880
Speaker 1: It just felt good production. Was you talking about every whatever? Whatever?

1257
01:08:57,320 --> 01:09:01,719
Speaker 7: My dog had a fight with his dog a real dogs.

1258
01:09:01,800 --> 01:09:04,280
Speaker 7: Now we really have we really have, we really have powers.

1259
01:09:05,840 --> 01:09:10,479
Speaker 1: You talk about real people, I think people are pit bulls.

1260
01:09:12,240 --> 01:09:14,479
Speaker 1: Me and me and me and Greece went back to

1261
01:09:14,640 --> 01:09:20,200
Speaker 1: like his dog had a dogs problem. Goddam, they don't

1262
01:09:20,240 --> 01:09:21,120
Speaker 1: get no red than that.

1263
01:09:21,600 --> 01:09:25,679
Speaker 4: And you know, we were talking about people.

1264
01:09:28,000 --> 01:09:29,200
Speaker 1: Unless I'm wrong, I'm talking.

1265
01:09:29,320 --> 01:09:34,519
Speaker 7: He let him tell you, you know, let.

1266
01:09:34,479 --> 01:09:35,840
Speaker 1: Me let him tell you.

1267
01:09:35,880 --> 01:09:38,240
Speaker 7: And then we we and we eventually got into it

1268
01:09:38,280 --> 01:09:42,519
Speaker 7: and we had to handle with like men and whatever.

1269
01:09:42,640 --> 01:09:43,000
Speaker 1: Do that.

1270
01:09:43,400 --> 01:09:48,559
Speaker 7: I respect him as a man, and I respect him

1271
01:09:48,560 --> 01:09:50,840
Speaker 7: and respect me as a man. I agree to never

1272
01:09:50,960 --> 01:09:54,040
Speaker 7: talk to talk on his name negative, and he agreed

1273
01:09:54,080 --> 01:09:57,639
Speaker 7: never to talk on my name negative. And uh, if

1274
01:09:57,640 --> 01:09:59,880
Speaker 7: that was done, then we just did with the consequences.

1275
01:10:00,200 --> 01:10:02,040
Speaker 7: But that was the deal that we made. So I

1276
01:10:02,080 --> 01:10:04,599
Speaker 7: can't be even here on this show today to talk

1277
01:10:04,640 --> 01:10:05,200
Speaker 7: about that man.

1278
01:10:05,280 --> 01:10:05,559
Speaker 1: Nigga.

1279
01:10:05,640 --> 01:10:07,960
Speaker 7: I respect him. He made a lot of hits for dogs.

1280
01:10:08,360 --> 01:10:09,480
Speaker 7: He's a great producer.

1281
01:10:09,960 --> 01:10:11,200
Speaker 1: He put Hollow on the map.

1282
01:10:11,479 --> 01:10:14,040
Speaker 7: He puts a lot of people as well. Right, all that,

1283
01:10:14,320 --> 01:10:16,240
Speaker 7: you know, my dad managed big al he.

1284
01:10:16,280 --> 01:10:21,679
Speaker 1: Understand my favorite my dad. My dad is serious. Wow.

1285
01:10:22,240 --> 01:10:25,200
Speaker 7: My dad was a part of with my with Cool

1286
01:10:25,280 --> 01:10:29,960
Speaker 7: hurt him and Cool hert was neighbors upstairs downstairs, So

1287
01:10:30,040 --> 01:10:32,479
Speaker 7: those beginning parties, my dad was a part of those parties.

1288
01:10:32,520 --> 01:10:34,400
Speaker 1: I never even said that ship publicly.

1289
01:10:34,800 --> 01:10:40,120
Speaker 2: You did serious, you're leading that.

1290
01:10:41,000 --> 01:10:47,960
Speaker 1: Let's just make some noise for that slam, Louie.

1291
01:10:48,880 --> 01:10:53,240
Speaker 4: So now, so now when is the moment with Swiss

1292
01:10:53,320 --> 01:10:58,360
Speaker 4: is like, I'm that nigga because we all went crazy.

1293
01:10:58,400 --> 01:10:59,120
Speaker 1: I went crazy.

1294
01:10:59,640 --> 01:11:03,320
Speaker 4: Mine's is nineteen eight. I think it's probably because of

1295
01:11:03,360 --> 01:11:05,920
Speaker 4: bad TV. But I'm not gonna save my hands because

1296
01:11:06,320 --> 01:11:07,920
Speaker 4: it's your interview.

1297
01:11:08,000 --> 01:11:10,720
Speaker 1: Like what is like? What is the like?

1298
01:11:10,920 --> 01:11:13,400
Speaker 4: I mean, not crazy, I'm just saying, when is the

1299
01:11:13,439 --> 01:11:17,280
Speaker 4: part where you said, damn, I made it? Because the

1300
01:11:17,360 --> 01:11:20,439
Speaker 4: thing about exactly when that was tell us, tell us,

1301
01:11:20,439 --> 01:11:20,840
Speaker 4: tell us.

1302
01:11:22,760 --> 01:11:26,639
Speaker 7: You know, when I got into music, I never understood

1303
01:11:26,680 --> 01:11:27,880
Speaker 7: that it was a business.

1304
01:11:28,439 --> 01:11:30,600
Speaker 1: I never understood that it made billions.

1305
01:11:30,880 --> 01:11:33,160
Speaker 7: I never understand that it saved so many people from

1306
01:11:33,160 --> 01:11:36,000
Speaker 7: the street life that we was living. It was just

1307
01:11:36,080 --> 01:11:39,080
Speaker 7: something that I lived and seen every day growing up

1308
01:11:39,120 --> 01:11:41,880
Speaker 7: in the South Bronx and then migrating back and forth

1309
01:11:41,920 --> 01:11:42,880
Speaker 7: to Harlem.

1310
01:11:43,360 --> 01:11:43,559
Speaker 19: You know.

1311
01:11:44,120 --> 01:11:47,680
Speaker 7: It was something that we were playing our MPVs land cruisers,

1312
01:11:48,200 --> 01:11:51,200
Speaker 7: you know, in Orderica vans. It was just it was

1313
01:11:51,280 --> 01:11:55,479
Speaker 7: just the way of life naturally. And you know, when

1314
01:11:55,520 --> 01:11:58,719
Speaker 7: I was doing music, you know, I was already counting

1315
01:11:58,800 --> 01:12:03,360
Speaker 7: millions and on the weekends, you know, and I hated

1316
01:12:03,400 --> 01:12:05,680
Speaker 7: money because it was it was it was, it was

1317
01:12:05,720 --> 01:12:09,839
Speaker 7: messing up my funnel. I was counting money on the weekends,

1318
01:12:09,840 --> 01:12:13,799
Speaker 7: millions of dollars because of that, because of the business

1319
01:12:13,840 --> 01:12:17,639
Speaker 7: that half my team was in, and so I never

1320
01:12:17,680 --> 01:12:20,400
Speaker 7: really cared about the money thing like that. All the

1321
01:12:20,439 --> 01:12:24,280
Speaker 7: Iceberg Jacobi Jaw Nordica all those things.

1322
01:12:24,040 --> 01:12:25,120
Speaker 1: That was being passed down.

1323
01:12:25,200 --> 01:12:27,959
Speaker 4: Man, I never had to really buy those things.

1324
01:12:28,040 --> 01:12:33,240
Speaker 1: Yeah, all of that speaking all that, so you know

1325
01:12:34,920 --> 01:12:38,360
Speaker 1: I was I was brought up fresh. I grew up

1326
01:12:38,400 --> 01:12:39,200
Speaker 1: in the hood.

1327
01:12:39,200 --> 01:12:44,800
Speaker 7: Jackson Avenue seven hundred department to E. I can't say

1328
01:12:44,800 --> 01:12:47,320
Speaker 7: that I had a bad you know what, I can't.

1329
01:12:47,360 --> 01:12:49,880
Speaker 15: I can't what borough is this. I'm not from. I'm

1330
01:12:49,960 --> 01:12:58,360
Speaker 15: to five, Okay, I know where you're from. I can't

1331
01:12:58,439 --> 01:13:00,320
Speaker 15: say that I had a bad time in the hood.

1332
01:13:01,000 --> 01:13:03,080
Speaker 15: As bad as the hood was, like, I never had

1333
01:13:03,160 --> 01:13:05,760
Speaker 15: a bad time, like I really, I really had like

1334
01:13:05,800 --> 01:13:06,479
Speaker 15: a lot of fun.

1335
01:13:07,200 --> 01:13:10,200
Speaker 7: I really, I really miss all my friends that uh

1336
01:13:10,680 --> 01:13:14,640
Speaker 7: not here that celebrate drink Champs with us today or

1337
01:13:14,760 --> 01:13:16,120
Speaker 7: not able to see their free.

1338
01:13:17,080 --> 01:13:21,120
Speaker 1: I feel like it. Yeah, let's celebrate all the niggas.

1339
01:13:21,840 --> 01:13:24,920
Speaker 7: Great shouts everybody that's not here to celebrate tonight.

1340
01:13:25,600 --> 01:13:28,840
Speaker 1: I can't believe Bacardi. Listen, I drink the whole bottle

1341
01:13:28,880 --> 01:13:29,280
Speaker 1: with y'all.

1342
01:13:29,960 --> 01:13:32,960
Speaker 7: We're gonna go, Lizzy, I're supposed to go to eleven

1343
01:13:33,000 --> 01:13:39,679
Speaker 7: after this turn out, back to it here, gonna put

1344
01:13:39,680 --> 01:13:40,000
Speaker 7: it down.

1345
01:13:41,960 --> 01:13:53,880
Speaker 24: I love them, you know great, that's the remix of

1346
01:13:53,920 --> 01:13:54,400
Speaker 24: mychel Hand.

1347
01:13:57,520 --> 01:14:00,720
Speaker 1: I'm gonna be honest. This is the problem. Right now,

1348
01:14:00,760 --> 01:14:06,760
Speaker 1: You're gonna be honest. Itast like Puerto Rico. Somebody from

1349
01:14:06,800 --> 01:14:11,599
Speaker 1: cool use your tan match. It is from Puerto Rico.

1350
01:14:11,680 --> 01:14:14,000
Speaker 4: Now I'm gonna tell you why, because every time I

1351
01:14:14,000 --> 01:14:16,240
Speaker 4: eat French fries and Puerto Rico is a little birds.

1352
01:14:16,320 --> 01:14:18,120
Speaker 1: Come on, you know what's some of French fries in

1353
01:14:18,120 --> 01:14:21,000
Speaker 1: Puerto Rico? I want to talk about they have French

1354
01:14:21,000 --> 01:14:24,400
Speaker 1: fries and you never talking about.

1355
01:14:25,479 --> 01:14:25,719
Speaker 11: Prother.

1356
01:14:28,880 --> 01:14:31,200
Speaker 1: Of course, everybody tell them not to go to talk

1357
01:14:31,240 --> 01:14:34,360
Speaker 1: about where we go. I'm nice and port. I ain't

1358
01:14:34,479 --> 01:14:38,160
Speaker 1: eat no fries in Puerto Rico. We got no man

1359
01:14:39,439 --> 01:14:41,760
Speaker 1: in Puerto Rico. This is little black birds. You know,

1360
01:14:41,840 --> 01:14:44,200
Speaker 1: these little birds. They're fucking nuisance. I know we were

1361
01:14:44,240 --> 01:14:50,200
Speaker 1: talking about them and ye right next to you like

1362
01:14:51,479 --> 01:14:52,799
Speaker 1: you ain't fucking with that.

1363
01:14:52,800 --> 01:14:57,360
Speaker 7: But we was, yeah, where did we end off?

1364
01:14:58,320 --> 01:15:00,920
Speaker 1: I was really I was really about the getting. You was, man,

1365
01:15:01,000 --> 01:15:04,439
Speaker 1: get where drink chances up a drink chance. This is

1366
01:15:04,479 --> 01:15:06,559
Speaker 1: this is our downfallward. This is you know why, because

1367
01:15:06,560 --> 01:15:09,920
Speaker 1: we should the legends, we should look what we gotta do.

1368
01:15:10,920 --> 01:15:13,479
Speaker 2: So now now you were talking about where you grew

1369
01:15:13,600 --> 01:15:18,360
Speaker 2: up the apartment because we were going off of CARDI

1370
01:15:18,600 --> 01:15:20,920
Speaker 2: your family and cool Hurd and all that. That's were

1371
01:15:21,600 --> 01:15:22,559
Speaker 2: I just broke some ship.

1372
01:15:22,640 --> 01:15:26,639
Speaker 1: I was like, that's able card. If it's a CARDI

1373
01:15:26,720 --> 01:15:30,000
Speaker 1: broke card. It was great. Your breath was amazing right now,

1374
01:15:30,120 --> 01:15:31,840
Speaker 1: came from my birthday. Smell good.

1375
01:15:31,880 --> 01:15:40,479
Speaker 25: When I listen, I said, I like it. Just shout

1376
01:15:40,560 --> 01:15:43,519
Speaker 25: the bust around, bust arounds and hit me like, are

1377
01:15:43,560 --> 01:15:46,280
Speaker 25: you yes? Shout the bust around.

1378
01:15:46,360 --> 01:15:48,000
Speaker 1: Bust the black Man we got it for two point

1379
01:15:48,040 --> 01:15:51,439
Speaker 1: five seconds. Yeah, he was that quick. Was it was

1380
01:15:51,479 --> 01:15:56,000
Speaker 1: quite as long as album got hit number one. So

1381
01:15:56,439 --> 01:15:59,880
Speaker 1: we need just bust one. You know what I'm saying. Yeah,

1382
01:16:00,200 --> 01:16:02,640
Speaker 1: you're ready to go, and you know, and that's what

1383
01:16:02,800 --> 01:16:03,759
Speaker 1: we want to do, Swiss.

1384
01:16:04,040 --> 01:16:07,160
Speaker 4: We want to kick continue to salute the people that's

1385
01:16:07,200 --> 01:16:10,400
Speaker 4: been out here doing it. And a lot of people

1386
01:16:10,479 --> 01:16:12,679
Speaker 4: criticize us sometimes and they say, why you don't interview

1387
01:16:12,760 --> 01:16:14,360
Speaker 4: the new niggas, And I say, I got love for

1388
01:16:14,439 --> 01:16:16,680
Speaker 4: the new niggas. I listen to this ship, but I

1389
01:16:16,680 --> 01:16:19,200
Speaker 4: don't got new stories. Like when I sait here and

1390
01:16:19,280 --> 01:16:21,439
Speaker 4: we talked about bath Froom TV. Right now, you you

1391
01:16:21,600 --> 01:16:24,400
Speaker 4: told me your own perspective of bad from TV or

1392
01:16:24,479 --> 01:16:27,720
Speaker 4: did you. Did you fully get into your own perspective.

1393
01:16:27,240 --> 01:16:30,400
Speaker 7: Of I'm gonna say something on that. You know, we

1394
01:16:30,560 --> 01:16:34,280
Speaker 7: gotta always be students. I'm student. I would love to

1395
01:16:34,320 --> 01:16:37,559
Speaker 7: see you challenge the new people at this show.

1396
01:16:38,479 --> 01:16:45,280
Speaker 4: I would start March when we reknew the contract man quick,

1397
01:16:49,280 --> 01:16:54,920
Speaker 4: the trouble after Mark like the new niggas for this

1398
01:16:55,040 --> 01:16:58,200
Speaker 4: man trying to have a secret conversation about me. Tomorrow

1399
01:16:58,240 --> 01:16:58,559
Speaker 4: they got.

1400
01:16:58,560 --> 01:17:00,800
Speaker 1: To interview the new niggas continue Swiss and so I

1401
01:17:01,200 --> 01:17:01,640
Speaker 1: just like that.

1402
01:17:02,880 --> 01:17:05,640
Speaker 7: You know what, it's not about new old this and

1403
01:17:05,760 --> 01:17:11,799
Speaker 7: that it's about content, about content, kings those good content.

1404
01:17:11,920 --> 01:17:13,120
Speaker 1: It's about content.

1405
01:17:13,240 --> 01:17:15,280
Speaker 7: Yeah, but it's curated, so when they come here, you're

1406
01:17:15,360 --> 01:17:19,080
Speaker 7: going to make the good content. So with this platform

1407
01:17:19,160 --> 01:17:22,040
Speaker 7: you have, yall can change everything that you might disagree with.

1408
01:17:22,520 --> 01:17:25,639
Speaker 1: But you just called us curated. Are we curated? Curating?

1409
01:17:31,520 --> 01:17:36,160
Speaker 1: That's the flash. When you curated, that means you put together.

1410
01:17:36,640 --> 01:17:40,240
Speaker 1: You know what I'm saying, slo c in my mind,

1411
01:17:41,040 --> 01:17:43,599
Speaker 1: that means right, what do that mean? Do you stren

1412
01:17:43,720 --> 01:17:46,080
Speaker 1: chant sports? Come over here? What does that mean to you?

1413
01:17:46,240 --> 01:17:52,800
Speaker 1: When you sport? You think about it on your own mind.

1414
01:17:53,560 --> 01:17:57,720
Speaker 1: I definitely don't believe. Let me ask you sound how

1415
01:17:57,920 --> 01:17:59,599
Speaker 1: much of this interview is going to be shown?

1416
01:17:59,720 --> 01:18:03,960
Speaker 7: Every everything, everything yours.

1417
01:18:04,160 --> 01:18:08,080
Speaker 1: We do like this style, don't don't, don't hold nothing out.

1418
01:18:08,160 --> 01:18:12,679
Speaker 1: We don't know nothing nothing, It's just go, let's go everything.

1419
01:18:14,439 --> 01:18:16,479
Speaker 1: So where's I hate wasting my time?

1420
01:18:16,560 --> 01:18:16,600
Speaker 2: No?

1421
01:18:16,720 --> 01:18:18,759
Speaker 1: No, no, none of this will be wasted.

1422
01:18:18,840 --> 01:18:19,040
Speaker 11: None.

1423
01:18:19,080 --> 01:18:21,360
Speaker 1: I hate wasting you know. Absolutely, tell you something about

1424
01:18:21,760 --> 01:18:29,040
Speaker 1: about Swiss. I see Swiss is crazy. He is one percent.

1425
01:18:29,680 --> 01:18:33,439
Speaker 1: Let me tell you something. He was probably one of

1426
01:18:33,520 --> 01:18:34,280
Speaker 1: the first producers.

1427
01:18:34,320 --> 01:18:37,640
Speaker 4: I said I want to do I want something like this,

1428
01:18:37,960 --> 01:18:41,680
Speaker 4: and he just makes it like that, like Premier will

1429
01:18:41,720 --> 01:18:43,559
Speaker 4: make it, but you gotta give Premiere a rhyme.

1430
01:18:44,400 --> 01:18:45,640
Speaker 1: PREMI do the same thing.

1431
01:18:47,000 --> 01:18:49,120
Speaker 4: I want to be like this and like give me

1432
01:18:49,160 --> 01:18:52,680
Speaker 4: the rod, but I'll be like it's Swiss. I want

1433
01:18:52,720 --> 01:18:58,320
Speaker 4: to like this Swiss be like like that. You're looking

1434
01:18:58,360 --> 01:19:08,920
Speaker 4: at you, yo, like are you still like that? Like

1435
01:19:10,080 --> 01:19:12,760
Speaker 4: like I remember I used to beat boxing.

1436
01:19:12,400 --> 01:19:13,760
Speaker 1: It to you where you used to be like what

1437
01:19:14,520 --> 01:19:14,880
Speaker 1: you know what?

1438
01:19:17,200 --> 01:19:19,240
Speaker 7: I just I just I just have fun doing what

1439
01:19:19,320 --> 01:19:27,120
Speaker 7: I'm doing. Anybody want a problem, come dance. When I

1440
01:19:27,280 --> 01:19:33,040
Speaker 7: was making fifty beats tonight and keeping sick literally deleted

1441
01:19:33,080 --> 01:19:36,560
Speaker 7: the you know, it's all about your work ethics, and

1442
01:19:36,680 --> 01:19:40,160
Speaker 7: it's all about your dedication. Don't play around with something

1443
01:19:40,200 --> 01:19:43,400
Speaker 7: that you don't feel. Don't worry about what nobody else feel.

1444
01:19:43,400 --> 01:19:46,280
Speaker 7: If you don't feel it, it don't go You understand.

1445
01:19:46,840 --> 01:19:48,439
Speaker 7: And when I was making those beats for you and

1446
01:19:48,560 --> 01:19:51,240
Speaker 7: everybody else in the world, which I was blessed to

1447
01:19:51,280 --> 01:19:53,720
Speaker 7: get out my hood from and by my family and

1448
01:19:53,840 --> 01:20:00,200
Speaker 7: lifestyle from, it came from a non fair you understand, Like,

1449
01:20:01,040 --> 01:20:04,519
Speaker 7: I don't know what that means. A nonfair meaning not

1450
01:20:04,840 --> 01:20:08,639
Speaker 7: fearing the results of failing. Like a lot of people

1451
01:20:08,720 --> 01:20:11,759
Speaker 7: are scared and with this one thinks that that one thinks.

1452
01:20:12,520 --> 01:20:14,479
Speaker 7: But it's like, you know what, I give a fuck

1453
01:20:14,520 --> 01:20:17,280
Speaker 7: about what my family think. A lot of those people

1454
01:20:17,360 --> 01:20:21,320
Speaker 7: that want to judge you on what they think, they

1455
01:20:21,520 --> 01:20:24,920
Speaker 7: just with you for the fake ride, Like let something

1456
01:20:25,000 --> 01:20:28,759
Speaker 7: not go down, right, they're going to be gone. Fake friends.

1457
01:20:30,120 --> 01:20:33,400
Speaker 7: Family is important. If you don't got family around you,

1458
01:20:33,760 --> 01:20:36,919
Speaker 7: you might be in trouble. Families everything I was protected

1459
01:20:37,360 --> 01:20:39,600
Speaker 7: to own my rights and publishing and things like that

1460
01:20:39,720 --> 01:20:42,920
Speaker 7: because the rough ride of family was literally my family.

1461
01:20:43,640 --> 01:20:46,559
Speaker 1: And I watched a lot of people come up.

1462
01:20:48,160 --> 01:20:51,639
Speaker 7: And do the biggest things that history can never repeat again.

1463
01:20:53,840 --> 01:20:58,519
Speaker 7: Roman noodles might be their meal just because of that

1464
01:20:58,720 --> 01:21:03,240
Speaker 7: false trust and just because of that that that false judgment,

1465
01:21:03,320 --> 01:21:03,720
Speaker 7: and and and.

1466
01:21:05,439 --> 01:21:07,640
Speaker 1: Listen, man, you know, Sky's not the limits is just

1467
01:21:07,720 --> 01:21:12,320
Speaker 1: a view this song. I said that on the I

1468
01:21:12,520 --> 01:21:15,599
Speaker 1: texted him, I told him my bits. I remember, yeah,

1469
01:21:16,520 --> 01:21:20,439
Speaker 1: what Scott's limit? Just why should skuys be on limits?

1470
01:21:20,800 --> 01:21:25,639
Speaker 7: That's why there's there's billions every every star we see,

1471
01:21:26,560 --> 01:21:31,000
Speaker 7: there's millions of gallery gall around that definitely just because we.

1472
01:21:31,040 --> 01:21:33,960
Speaker 1: Can't see passing sky, why is that? Why should the

1473
01:21:34,000 --> 01:21:37,760
Speaker 1: skies be eye limits when there's footprints on Mars? Don't

1474
01:21:37,960 --> 01:21:40,800
Speaker 1: box us in. Sky's not the limits is just our

1475
01:21:41,080 --> 01:21:43,799
Speaker 1: view because we know that there's life and the billions

1476
01:21:43,920 --> 01:21:45,439
Speaker 1: of falls beyond that.

1477
01:21:46,200 --> 01:21:49,040
Speaker 7: And once you start getting that mentality, you just got

1478
01:21:49,160 --> 01:21:54,000
Speaker 7: to go and you understand, like you know, I'd rather

1479
01:21:54,120 --> 01:21:55,280
Speaker 7: help people than hurt people.

1480
01:21:55,960 --> 01:21:59,800
Speaker 1: Let me ask you to do this. Nineteen ninety eight

1481
01:22:00,120 --> 01:22:03,280
Speaker 1: the best year of my life. Damn. I think twenty

1482
01:22:03,439 --> 01:22:05,840
Speaker 1: seventeen is the no, no, no, This is the best

1483
01:22:05,920 --> 01:22:08,479
Speaker 1: year of my new life. Okay, guy, I like that.

1484
01:22:08,920 --> 01:22:09,720
Speaker 1: That's a clean life.

1485
01:22:09,760 --> 01:22:10,120
Speaker 2: I like that.

1486
01:22:10,600 --> 01:22:12,720
Speaker 4: But the best year of my first life, like I

1487
01:22:12,840 --> 01:22:16,679
Speaker 4: had ninety seven because of the war couple the warport,

1488
01:22:16,760 --> 01:22:19,120
Speaker 4: but I'm still selling drugs during the warport and it

1489
01:22:19,240 --> 01:22:22,360
Speaker 4: was terrible because people told me about albums classic, but I'm.

1490
01:22:22,320 --> 01:22:28,320
Speaker 1: Selling three for five, so it was like it did

1491
01:22:28,439 --> 01:22:30,320
Speaker 1: not identify with me.

1492
01:22:31,680 --> 01:22:36,120
Speaker 4: But nineteen ninety eight best year of my life because

1493
01:22:36,200 --> 01:22:43,640
Speaker 4: of we had the prasiest records and you described.

1494
01:22:43,200 --> 01:22:43,960
Speaker 1: That year for you.

1495
01:22:44,200 --> 01:22:47,600
Speaker 7: I mean, that's the best year of nineteen ninety eight. Me,

1496
01:22:47,720 --> 01:22:52,640
Speaker 7: nineteen ninety eight was the beginning of my madness. I

1497
01:22:52,800 --> 01:22:54,760
Speaker 7: was young, no facial hairs, no.

1498
01:22:55,720 --> 01:22:59,960
Speaker 1: You know, no hope, no guiding and drink back then neither.

1499
01:23:00,320 --> 01:23:04,200
Speaker 7: I started drinking at thirty and smoking at thirty. Cigars weed,

1500
01:23:04,320 --> 01:23:08,960
Speaker 7: that is I've been the whole time. I didn't want to.

1501
01:23:10,560 --> 01:23:13,080
Speaker 1: I don't swow weed every day. I weed and cigars

1502
01:23:13,160 --> 01:23:14,520
Speaker 1: on occasional vacations.

1503
01:23:14,600 --> 01:23:18,240
Speaker 7: This is to be a very He's got goldad boat

1504
01:23:18,360 --> 01:23:21,000
Speaker 7: with water and jet skis in front of me.

1505
01:23:22,240 --> 01:23:26,240
Speaker 1: It's a goal, Togard. I'm good. I'm good to you.

1506
01:23:28,200 --> 01:23:29,040
Speaker 1: As a matter of fact, give me.

1507
01:23:33,360 --> 01:23:36,040
Speaker 26: Before I'm never smoking on the FORO. This makes it

1508
01:23:36,120 --> 01:23:43,280
Speaker 26: look what is his what's his gold papers? What is

1509
01:23:43,320 --> 01:23:44,000
Speaker 26: the gold paper.

1510
01:23:45,560 --> 01:23:45,920
Speaker 1: What is it?

1511
01:23:46,520 --> 01:23:49,720
Speaker 7: Shine first and foremost, shout out to LEI.

1512
01:23:50,280 --> 01:23:55,040
Speaker 1: Let me tell you somebody, it's easy. He's a conscious guy.

1513
01:23:55,880 --> 01:24:01,879
Speaker 7: I watched him protect the dog in a way nobody

1514
01:24:02,000 --> 01:24:05,880
Speaker 7: might not ever do that again, right. I watched him

1515
01:24:05,920 --> 01:24:09,519
Speaker 7: put in his hard work, dedication. I watched him support Nori.

1516
01:24:10,400 --> 01:24:13,599
Speaker 7: That's what that man is anointed in a way. That's

1517
01:24:13,760 --> 01:24:17,200
Speaker 7: just different. Ali is just different, and they don't make him.

1518
01:24:17,720 --> 01:24:19,840
Speaker 7: If you don't understand him, you could look past him,

1519
01:24:20,040 --> 01:24:21,720
Speaker 7: but you need to look at him.

1520
01:24:22,760 --> 01:24:31,200
Speaker 1: Shout out to that was a beautiful that's truth. So

1521
01:24:31,400 --> 01:24:33,360
Speaker 1: now let's go. I want to fuck. Let's go.

1522
01:24:33,760 --> 01:24:36,320
Speaker 4: Let's make it d Let's take us through this rough

1523
01:24:36,439 --> 01:24:39,719
Speaker 4: rider era. I remember hearing stories that you and Jabbar

1524
01:24:40,000 --> 01:24:41,080
Speaker 4: just beat cleaning us up.

1525
01:24:42,720 --> 01:24:51,479
Speaker 1: The barge. I like the bars though he was just

1526
01:24:52,280 --> 01:24:56,960
Speaker 1: But you I've remembered, like, like you be fighting to Swiss,

1527
01:24:57,080 --> 01:25:01,320
Speaker 1: what's going on back? This is your past? I still

1528
01:25:01,400 --> 01:25:14,160
Speaker 1: fight a fight for was right? Was right? Anybody?

1529
01:25:15,080 --> 01:25:19,879
Speaker 7: A dummy could be physical. A dummy could be physical.

1530
01:25:19,960 --> 01:25:25,280
Speaker 7: A genius can be mental, strategic. So my my fight

1531
01:25:25,479 --> 01:25:31,240
Speaker 7: now is with greatness, Like let's kill him with positivity.

1532
01:25:32,120 --> 01:25:34,880
Speaker 7: Let's kill him with great ideas. Let's kill him with

1533
01:25:35,000 --> 01:25:39,360
Speaker 7: Let's kill him with culture movement. You understand, Like you know,

1534
01:25:41,040 --> 01:25:44,560
Speaker 7: I used to can't take words. Like a lot of

1535
01:25:44,600 --> 01:25:45,879
Speaker 7: people talk a lot of words.

1536
01:25:45,680 --> 01:25:48,000
Speaker 1: When they're in the influence all these things on the table.

1537
01:25:48,560 --> 01:25:51,559
Speaker 1: But I'm like, you know what, I know, you don't

1538
01:25:51,560 --> 01:25:52,400
Speaker 1: even know what you're doing.

1539
01:25:53,160 --> 01:25:55,160
Speaker 7: I got I got people that call me every day

1540
01:25:55,280 --> 01:25:56,920
Speaker 7: wishing I had a problem with other people.

1541
01:25:58,600 --> 01:26:03,880
Speaker 1: I know somebody's bothering you. Let's go nobody bothering me.

1542
01:26:05,120 --> 01:26:08,680
Speaker 1: Let's enjoy us. Like you know what, there's enough of

1543
01:26:08,880 --> 01:26:11,760
Speaker 1: us hurting us going on today. We gotta stop it.

1544
01:26:12,720 --> 01:26:15,120
Speaker 1: We have to stop it. But it's like we got

1545
01:26:15,240 --> 01:26:19,879
Speaker 1: to develop a patience within our own circle. Understand.

1546
01:26:22,720 --> 01:26:26,559
Speaker 7: We might think that a person know better, but based

1547
01:26:26,600 --> 01:26:28,760
Speaker 7: on that person's upbringing, they might not know better.

1548
01:26:29,800 --> 01:26:32,280
Speaker 1: You might be an og, you might be a general.

1549
01:26:32,520 --> 01:26:35,840
Speaker 1: He might be a pawn, and the pawn is gonna

1550
01:26:35,880 --> 01:26:39,280
Speaker 1: make the most mistakes. We got to guide that pawn

1551
01:26:39,320 --> 01:26:43,200
Speaker 1: into being a future general or og. It's our job

1552
01:26:43,320 --> 01:26:45,519
Speaker 1: if we know better. Understand.

1553
01:26:46,040 --> 01:26:48,519
Speaker 7: So it's like, there could have been I could have

1554
01:26:48,760 --> 01:26:52,680
Speaker 7: abused my power, and twenty of my homies could have

1555
01:26:52,720 --> 01:26:54,760
Speaker 7: been doing a bunch of time, and I would have

1556
01:26:54,760 --> 01:26:58,160
Speaker 7: took care of their family just because that was the protocol.

1557
01:26:58,840 --> 01:27:02,200
Speaker 7: But it's like, if we can help people more than

1558
01:27:02,240 --> 01:27:05,479
Speaker 7: we can hurt people, that we're doing we're doing it,

1559
01:27:05,600 --> 01:27:06,320
Speaker 7: and we're doing a.

1560
01:27:06,560 --> 01:27:10,519
Speaker 1: Justice and our and our ecosystem. You know what I'm saying.

1561
01:27:10,520 --> 01:27:13,600
Speaker 1: The easiest thing for me to do is to do

1562
01:27:13,760 --> 01:27:14,880
Speaker 1: something disrespectful.

1563
01:27:15,840 --> 01:27:19,200
Speaker 7: It don't take no thinking to do something disrespectful, But

1564
01:27:19,320 --> 01:27:22,400
Speaker 7: the most respectful thing to do is something respectful.

1565
01:27:24,120 --> 01:27:27,479
Speaker 1: Listen, bro let me talk to you right now. It's hard.

1566
01:27:27,800 --> 01:27:28,840
Speaker 1: I know you feel like this.

1567
01:27:29,600 --> 01:27:33,280
Speaker 7: Why you really have a problem with me, because well,

1568
01:27:33,680 --> 01:27:35,880
Speaker 7: I ain't never even really say that. Most of the

1569
01:27:36,000 --> 01:27:39,439
Speaker 7: beef and depths are over miscommunication. If you really listen

1570
01:27:39,479 --> 01:27:42,760
Speaker 7: to the conversation, it's miscommunication.

1571
01:27:42,920 --> 01:27:43,599
Speaker 1: You understand.

1572
01:27:44,040 --> 01:27:46,680
Speaker 7: And we got to have a tolerance to understand the

1573
01:27:46,800 --> 01:27:50,840
Speaker 7: dialogue of the communication to indicate if it's a.

1574
01:27:50,960 --> 01:27:52,880
Speaker 1: Violation or miscommunication.

1575
01:27:54,200 --> 01:27:57,639
Speaker 7: A violation we got to deal with accordingly miscommunication, which

1576
01:27:57,680 --> 01:27:58,120
Speaker 7: is most.

1577
01:27:58,000 --> 01:28:01,240
Speaker 1: Of the times. But you on home to your family,

1578
01:28:01,320 --> 01:28:03,920
Speaker 1: had gone to my family. I give you a husb man.

1579
01:28:04,000 --> 01:28:05,639
Speaker 1: I'm happy to meet you. If you ever need something

1580
01:28:05,720 --> 01:28:07,880
Speaker 1: on you in the side, let me know if I'm

1581
01:28:07,920 --> 01:28:09,240
Speaker 1: on that, so I'm I call you to let you know.

1582
01:28:10,200 --> 01:28:12,920
Speaker 7: I met a lot of olg's real official, authentic ol

1583
01:28:13,000 --> 01:28:19,600
Speaker 7: g's or for miscommunication, but the intentions of non violation,

1584
01:28:20,000 --> 01:28:20,599
Speaker 7: you know what I'm saying.

1585
01:28:21,240 --> 01:28:23,519
Speaker 1: It's a difference. Like a lot of people I came,

1586
01:28:23,800 --> 01:28:24,320
Speaker 1: I came in.

1587
01:28:25,960 --> 01:28:29,120
Speaker 7: They don't even know the cold, they don't know the codes,

1588
01:28:30,080 --> 01:28:32,840
Speaker 7: and it takes a lot of ogs to explain the codes.

1589
01:28:33,000 --> 01:28:35,679
Speaker 2: You know what I'm saying, Like there's not many OG's anymore.

1590
01:28:36,520 --> 01:28:39,880
Speaker 2: There is, but not that, but hold on being examples.

1591
01:28:40,320 --> 01:28:44,480
Speaker 1: A Swiss favorite error and hip hop period.

1592
01:28:44,160 --> 01:28:46,120
Speaker 7: And my favorite era in hip hop is the nineties.

1593
01:28:47,040 --> 01:28:49,080
Speaker 7: And the reason I'm gonna say that is because.

1594
01:28:49,120 --> 01:28:51,080
Speaker 1: Nineties period night, because that's bulls.

1595
01:28:51,200 --> 01:28:54,880
Speaker 2: Yeah, because that's ten years, all nineties, the whole decad,

1596
01:28:54,960 --> 01:28:55,880
Speaker 2: and because.

1597
01:28:57,040 --> 01:29:04,680
Speaker 1: Cardy eight Break. You know, I just feel like we

1598
01:29:04,800 --> 01:29:10,200
Speaker 1: were very experimental, were very experimental. Everybody wanted to sound different.

1599
01:29:10,320 --> 01:29:13,800
Speaker 7: Everybody's the goal was to be as far left as

1600
01:29:13,920 --> 01:29:21,640
Speaker 7: right as possible. Nowadays it sounds like one producer in

1601
01:29:21,760 --> 01:29:25,920
Speaker 7: respect to all those producers. But nowadays it's an easy fix.

1602
01:29:26,000 --> 01:29:30,439
Speaker 7: It's like when before we had to like this table

1603
01:29:30,640 --> 01:29:34,519
Speaker 7: right to get the fix. You understand there was a process.

1604
01:29:35,560 --> 01:29:39,040
Speaker 7: Now it's like a program process. And no disrespect to

1605
01:29:39,120 --> 01:29:41,720
Speaker 7: the technology or to the people using technology. I use

1606
01:29:41,760 --> 01:29:48,960
Speaker 7: the technology, but you know, be as diverse as you can.

1607
01:29:50,520 --> 01:29:53,160
Speaker 7: How are you going to be the producer that you

1608
01:29:53,280 --> 01:29:56,120
Speaker 7: want to be if people think you of three people.

1609
01:29:57,439 --> 01:29:59,120
Speaker 1: When I was Swiss, I was only Swiss.

1610
01:29:59,400 --> 01:30:02,240
Speaker 7: The only thing I can say was I was so

1611
01:30:02,439 --> 01:30:06,280
Speaker 7: Swiss that they thought it was Swiss Beats was a group.

1612
01:30:07,560 --> 01:30:09,120
Speaker 1: I used to be in the like, yo, where's the

1613
01:30:09,160 --> 01:30:10,760
Speaker 1: rest of the Swiss Beats day over here? And I

1614
01:30:10,800 --> 01:30:12,320
Speaker 1: used to around.

1615
01:30:13,560 --> 01:30:16,439
Speaker 7: Over here, this one's coming in here being later It

1616
01:30:16,560 --> 01:30:18,560
Speaker 7: was like you know us that you was making it

1617
01:30:18,720 --> 01:30:21,600
Speaker 7: was so big that they thought you was You was

1618
01:30:21,720 --> 01:30:24,960
Speaker 7: like many of people, you know. And my thing that

1619
01:30:25,000 --> 01:30:28,000
Speaker 7: I sat the producers is like, yo, that was you know,

1620
01:30:28,280 --> 01:30:32,360
Speaker 7: challenge yourself to be uh greater than the radio?

1621
01:30:33,479 --> 01:30:33,639
Speaker 1: Right?

1622
01:30:34,880 --> 01:30:38,400
Speaker 4: And I'm sorry this is crazy, but is there any

1623
01:30:38,479 --> 01:30:43,719
Speaker 4: producer that you hate? Like you know this nigga gotta stop.

1624
01:30:47,280 --> 01:30:50,000
Speaker 1: There's a lot of producers that's fake. But I can't

1625
01:30:50,040 --> 01:30:52,320
Speaker 1: say that. You know, hate is a is a big word,

1626
01:30:53,200 --> 01:30:56,120
Speaker 1: not not hate, like you you don't want him to succeed,

1627
01:30:56,240 --> 01:31:00,479
Speaker 1: but like, damn this this thing is it's.

1628
01:31:00,400 --> 01:31:04,120
Speaker 7: Not correct, Like you don't need to get those people

1629
01:31:04,120 --> 01:31:06,439
Speaker 7: at the time of day and over there. You know

1630
01:31:06,479 --> 01:31:08,960
Speaker 7: what I'm saying, Like my as authent you to culture

1631
01:31:09,479 --> 01:31:12,160
Speaker 7: and to what's right. I listened to feel like Cookie.

1632
01:31:11,880 --> 01:31:16,760
Speaker 1: Bob Monley, shot Day, Noriega different different things that you know,

1633
01:31:16,800 --> 01:31:17,519
Speaker 1: I gotta, I gotta.

1634
01:31:17,840 --> 01:31:20,000
Speaker 7: I got a variety of the sound cloud in my

1635
01:31:20,120 --> 01:31:25,240
Speaker 7: own brain. Even uh, you know somebody that's like being

1636
01:31:25,280 --> 01:31:26,600
Speaker 7: on those lines of.

1637
01:31:28,160 --> 01:31:31,040
Speaker 1: Faking this and that. Did you ever were you ever

1638
01:31:31,240 --> 01:31:34,679
Speaker 1: sample like heavy, like sampling old records? Because I don't

1639
01:31:35,320 --> 01:31:38,080
Speaker 1: hate when people sample band from TV. Let's just go on.

1640
01:31:38,439 --> 01:31:39,439
Speaker 9: You don't change something.

1641
01:31:40,200 --> 01:31:41,120
Speaker 1: People keep trying to.

1642
01:31:42,720 --> 01:31:46,360
Speaker 2: Let this right here right now asking that's why I'm

1643
01:31:46,400 --> 01:31:49,080
Speaker 2: asking him this, and you just changed the whole subject.

1644
01:31:49,160 --> 01:31:52,400
Speaker 1: Please go back right to your subject. Back them up.

1645
01:31:52,400 --> 01:31:55,559
Speaker 1: I like when people trying to rhyme with TV telling

1646
01:31:55,680 --> 01:31:59,800
Speaker 1: this man from TV. Please please everybody, I say that

1647
01:32:00,080 --> 01:32:03,080
Speaker 1: right now, sample from TVs valation We're coming to see

1648
01:32:03,120 --> 01:32:13,720
Speaker 1: foot please, udio. I'm sorry what you were saying. You

1649
01:32:13,880 --> 01:32:17,160
Speaker 1: got me that time, but were you ever did you

1650
01:32:17,240 --> 01:32:19,479
Speaker 1: ever sample? Were you ever sample? Heaving on old records.

1651
01:32:20,200 --> 01:32:22,840
Speaker 1: I never was sampled heavy if either of the five

1652
01:32:22,960 --> 01:32:24,040
Speaker 1: hundred and fifty songs.

1653
01:32:24,000 --> 01:32:26,479
Speaker 2: Produce no, I know you that for a fact, as

1654
01:32:26,479 --> 01:32:28,840
Speaker 2: I'm asking if you ever did it, So, I like,

1655
01:32:28,960 --> 01:32:32,200
Speaker 2: I like samples my ignorance. I'm a DJ, he's a producer,

1656
01:32:32,240 --> 01:32:34,559
Speaker 2: So this is this might be ignorant question on my hand.

1657
01:32:35,280 --> 01:32:38,240
Speaker 2: But you do you think that you ushered in the

1658
01:32:38,640 --> 01:32:43,759
Speaker 2: production wave of not sampling because it changed the game.

1659
01:32:44,040 --> 01:32:47,240
Speaker 7: You know, you know, Pharrell thanked me and Jess Blaze

1660
01:32:47,280 --> 01:32:49,640
Speaker 7: thank me because you know, I imagine like before I

1661
01:32:49,720 --> 01:32:53,240
Speaker 7: started that sample and Puff Daddy had the James Brown

1662
01:32:53,320 --> 01:32:56,600
Speaker 7: samples total and all these different groups on Smash, and

1663
01:32:57,439 --> 01:33:00,400
Speaker 7: I came with these non samples. And the reason why

1664
01:33:00,400 --> 01:33:02,720
Speaker 7: I came with the non sample was because everything I

1665
01:33:02,840 --> 01:33:05,040
Speaker 7: was sampling, I felt like somebody was stealing something from me.

1666
01:33:05,760 --> 01:33:08,720
Speaker 1: I'm like, I just sampled. It's like how you and

1667
01:33:09,040 --> 01:33:11,960
Speaker 1: he stole my sound? Like, no, that's not your sound.

1668
01:33:12,400 --> 01:33:15,640
Speaker 7: And then I got a U Yamaha and one or

1669
01:33:15,680 --> 01:33:20,719
Speaker 7: whatever the cord and one one and I just started

1670
01:33:20,760 --> 01:33:23,360
Speaker 7: playing playing what I felt was good, and you know

1671
01:33:23,479 --> 01:33:28,120
Speaker 7: recipes Calf you know, and hallerm no know him kept

1672
01:33:28,240 --> 01:33:30,599
Speaker 7: cars you know kept cause you know what I'm saying,

1673
01:33:30,680 --> 01:33:31,680
Speaker 7: and I.

1674
01:33:31,840 --> 01:33:36,599
Speaker 1: Just was using the call one and doing my thing.

1675
01:33:36,720 --> 01:33:40,120
Speaker 7: And the reason why I liked it was because what

1676
01:33:40,240 --> 01:33:43,320
Speaker 7: I what I came with was unpredictable, and so I

1677
01:33:43,400 --> 01:33:45,519
Speaker 7: knew that nobody can come out with it. And I

1678
01:33:45,640 --> 01:33:48,839
Speaker 7: also knew that they can clear that there's no samples

1679
01:33:48,960 --> 01:33:51,519
Speaker 7: good so which you heard right now, you can put

1680
01:33:51,560 --> 01:33:52,080
Speaker 7: out tomorrow.

1681
01:33:52,400 --> 01:33:56,479
Speaker 1: And that was like my marketing, marketing plan at that time.

1682
01:33:56,600 --> 01:33:59,479
Speaker 1: Plus you don't have to share the publishing at all.

1683
01:34:00,400 --> 01:34:03,280
Speaker 1: Gained a lot of publishing off of you know. That's

1684
01:34:03,320 --> 01:34:04,679
Speaker 1: what I'm saying. It changed the game.

1685
01:34:04,880 --> 01:34:07,240
Speaker 7: Yeah, I never even knew about publishing until I got

1686
01:34:07,280 --> 01:34:12,000
Speaker 7: the checks. I never knew the process of a publishing check.

1687
01:34:12,280 --> 01:34:15,559
Speaker 7: And then we knew a process of royal tees mechanic.

1688
01:34:15,640 --> 01:34:17,720
Speaker 7: Who's all those things? Where do we learn that?

1689
01:34:18,160 --> 01:34:20,680
Speaker 1: Who teach us that? What are we going to ask

1690
01:34:20,720 --> 01:34:23,360
Speaker 1: AAP school? They don't teach us shit. Nobody don't teach

1691
01:34:23,400 --> 01:34:24,519
Speaker 1: us anything. You know.

1692
01:34:24,640 --> 01:34:29,040
Speaker 7: We just a part of this environment and we're creative

1693
01:34:29,080 --> 01:34:31,280
Speaker 7: beans and we do what we feel that's right. Nobody

1694
01:34:31,360 --> 01:34:33,599
Speaker 7: never talked to us about the business. And that's why

1695
01:34:34,800 --> 01:34:38,439
Speaker 7: in twenty seventeen on forward. I'm going to teach the business.

1696
01:34:38,479 --> 01:34:41,280
Speaker 7: I went to Harvard just because, just so I can

1697
01:34:41,400 --> 01:34:44,120
Speaker 7: teach the people the business. I want to teach you

1698
01:34:44,280 --> 01:34:47,479
Speaker 7: our I want to teach you business for free. Education

1699
01:34:47,600 --> 01:34:50,600
Speaker 7: should be free, knowledge should be free. You understand they

1700
01:34:50,640 --> 01:34:52,760
Speaker 7: hold these things back from us. And then how are

1701
01:34:52,760 --> 01:34:54,080
Speaker 7: we going to get to the next level? How we

1702
01:34:54,200 --> 01:34:56,240
Speaker 7: going to secee to the next level. We don't know

1703
01:34:56,280 --> 01:34:58,519
Speaker 7: what we're doing. We're just happy to make a sound.

1704
01:34:59,160 --> 01:35:01,479
Speaker 7: We understand what's the parameters of that sound to make

1705
01:35:01,560 --> 01:35:04,240
Speaker 7: our families live in a better life other than the

1706
01:35:04,280 --> 01:35:05,640
Speaker 7: ghetto that we was brought up in.

1707
01:35:06,160 --> 01:35:09,200
Speaker 1: You understand, like my whole hood is dead. I don't

1708
01:35:09,200 --> 01:35:10,559
Speaker 1: know nobody in my hood right now.

1709
01:35:11,479 --> 01:35:13,479
Speaker 7: You know what I'm saying. It's just like, damn, I

1710
01:35:13,600 --> 01:35:15,960
Speaker 7: go back to my streets. I want to build parks

1711
01:35:16,280 --> 01:35:18,800
Speaker 7: all these different things. I don't know these motherfuckers.

1712
01:35:18,960 --> 01:35:20,719
Speaker 1: You know what I'm saying. It's like you wasn't around.

1713
01:35:21,000 --> 01:35:21,400
Speaker 27: Who is this?

1714
01:35:22,040 --> 01:35:24,479
Speaker 1: He might dance on me? You know what I'm saying,

1715
01:35:24,560 --> 01:35:25,960
Speaker 1: In man, who with a bunch of things?

1716
01:35:26,040 --> 01:35:27,960
Speaker 7: Like you know what I'm saying, Like I shouldn't be

1717
01:35:28,000 --> 01:35:31,360
Speaker 7: over here like this, But it's the reality of reality,

1718
01:35:32,160 --> 01:35:33,880
Speaker 7: and we gotta face it and we gotta change it.

1719
01:35:34,400 --> 01:35:37,960
Speaker 7: Everybody want to talk about change, but the only change

1720
01:35:37,960 --> 01:35:39,040
Speaker 7: that we're gonna have is within.

1721
01:35:39,760 --> 01:35:43,479
Speaker 1: We gotta change with each other. You understand what's going on.

1722
01:35:43,479 --> 01:35:45,920
Speaker 7: In Chicago, gotta change, what's going on in New York,

1723
01:35:46,120 --> 01:35:47,599
Speaker 7: gotta change going on in the world.

1724
01:35:47,680 --> 01:35:50,639
Speaker 1: Gotta change, and that's gonna come within. And we gotta

1725
01:35:50,680 --> 01:35:51,559
Speaker 1: be smart enough.

1726
01:35:51,600 --> 01:35:54,479
Speaker 7: To change those barriers and those rules, put them guns

1727
01:35:54,520 --> 01:35:55,479
Speaker 7: aways and think more.

1728
01:35:55,720 --> 01:35:59,800
Speaker 1: That's why women's mom saying, my white woman's she got

1729
01:36:03,320 --> 01:36:03,920
Speaker 1: I was crying.

1730
01:36:04,360 --> 01:36:06,639
Speaker 7: Got my wife got up aout seven am in the morning,

1731
01:36:06,800 --> 01:36:08,719
Speaker 7: was like, I'm going to the women's march.

1732
01:36:09,160 --> 01:36:13,360
Speaker 1: I'll be back at three o'clock. I'm like, seriously, she

1733
01:36:13,600 --> 01:36:15,519
Speaker 1: just she just she an't even tell me about it.

1734
01:36:15,560 --> 01:36:19,240
Speaker 1: She just did it. And we gotta be as men.

1735
01:36:20,720 --> 01:36:22,920
Speaker 1: The women is more powerful than us, I.

1736
01:36:23,000 --> 01:36:25,840
Speaker 7: Believe so, no, I know so when they stick together,

1737
01:36:26,160 --> 01:36:30,080
Speaker 7: no period, the women is more powerful than us because

1738
01:36:30,520 --> 01:36:37,360
Speaker 7: with the devotion to realism is different. Like we we're

1739
01:36:37,560 --> 01:36:40,800
Speaker 7: like we're trapped in a lot of different things.

1740
01:36:41,200 --> 01:36:46,519
Speaker 1: Ego, this man power, that shit don't mean nothing like

1741
01:36:46,640 --> 01:36:48,360
Speaker 1: the women. If your wife tell you.

1742
01:36:48,479 --> 01:36:51,080
Speaker 7: She don't mess with nobody. Don't mess with that person.

1743
01:36:51,640 --> 01:36:54,920
Speaker 7: She gonna see something that you don't see. And we

1744
01:36:55,000 --> 01:36:56,720
Speaker 7: think we got all the answer, but she was like, yo,

1745
01:36:57,000 --> 01:36:59,840
Speaker 7: I don't like him in the house. Don't let him

1746
01:37:00,080 --> 01:37:02,559
Speaker 7: that house because the reason why you let him.

1747
01:37:02,439 --> 01:37:04,559
Speaker 1: In that house. She's saying why she don't like him

1748
01:37:04,600 --> 01:37:07,840
Speaker 1: in that house. He went to the bathroom, went to

1749
01:37:07,880 --> 01:37:10,960
Speaker 1: the taller and washed hand to flush your tailers. That's

1750
01:37:11,040 --> 01:37:15,680
Speaker 1: disrespectful ship. She's gonna tell you that, I'm gonna go

1751
01:37:15,720 --> 01:37:18,720
Speaker 1: to your house, wash my hands, flush your taillert. Make

1752
01:37:18,760 --> 01:37:23,800
Speaker 1: sure to seat down, respectful ship. The enemy gonna come

1753
01:37:23,840 --> 01:37:25,400
Speaker 1: in and disrespect your home.

1754
01:37:25,600 --> 01:37:31,160
Speaker 4: Pissed on the toll see on your floor, and he's

1755
01:37:31,160 --> 01:37:40,400
Speaker 4: gonna wiggle protect he gonnagle on the rock. You're telling

1756
01:37:40,479 --> 01:37:41,240
Speaker 4: me gonna take.

1757
01:37:41,120 --> 01:37:47,400
Speaker 1: My rocks now until you can piss on my road.

1758
01:37:47,960 --> 01:37:51,080
Speaker 1: You're gonna make dog going down. You ain't been there

1759
01:37:51,080 --> 01:37:51,559
Speaker 1: a long time.

1760
01:37:51,640 --> 01:37:56,599
Speaker 4: As you don't come outside, I want to get into

1761
01:37:56,720 --> 01:37:59,120
Speaker 4: the rough. Friday Rockefeller Beef.

1762
01:37:59,240 --> 01:38:02,680
Speaker 1: What happened? Everybody pussying him? No? What I got that

1763
01:38:04,560 --> 01:38:10,200
Speaker 1: left right left right? You know it wasn't really enough beef.

1764
01:38:10,400 --> 01:38:13,840
Speaker 1: I know, like be honest beef for something you don't

1765
01:38:13,920 --> 01:38:15,920
Speaker 1: talk about now you don't want to get into, because

1766
01:38:16,160 --> 01:38:17,000
Speaker 1: that's what that was.

1767
01:38:17,040 --> 01:38:21,720
Speaker 4: Why the freeway Cassidy, guys, I like that was that

1768
01:38:22,680 --> 01:38:23,920
Speaker 4: when you signcast?

1769
01:38:24,280 --> 01:38:27,400
Speaker 1: I had cast for my dad's signcast. Because what happened,

1770
01:38:27,439 --> 01:38:31,240
Speaker 1: like Hole called you and said, I got freaking I

1771
01:38:31,320 --> 01:38:35,280
Speaker 1: remember the conversation. Let's talk about it. I hit Hole.

1772
01:38:36,240 --> 01:38:40,880
Speaker 1: You knew about Cassidy. They just they just Rockefellers just

1773
01:38:40,960 --> 01:38:44,639
Speaker 1: went crazy on ninety seven. And I was like, yo,

1774
01:38:45,479 --> 01:38:47,640
Speaker 1: I got cast in the studio. He was like, you

1775
01:38:47,680 --> 01:38:50,400
Speaker 1: ain't hear what you're doing on the radio. I was like, yeah,

1776
01:38:51,040 --> 01:38:54,120
Speaker 1: this is whole talking to ring and h O. I said, yeah,

1777
01:38:54,120 --> 01:38:56,639
Speaker 1: I had done on the radio. He's like your name,

1778
01:38:56,800 --> 01:39:00,760
Speaker 1: he was like that was Aho still in that HM.

1779
01:39:01,200 --> 01:39:04,680
Speaker 1: He was like yeah, I me at the studio. Bring them.

1780
01:39:05,200 --> 01:39:07,800
Speaker 1: I was like all right. I was like, I'm in

1781
01:39:07,880 --> 01:39:10,000
Speaker 1: the studio with Cassidy. I heard what you did.

1782
01:39:10,680 --> 01:39:12,080
Speaker 7: I heard what you did, but I'm in the studio

1783
01:39:12,120 --> 01:39:14,920
Speaker 7: with Cassie about that life. He's like, all right, bring him.

1784
01:39:15,479 --> 01:39:19,720
Speaker 1: I bring him to the studio. We go upstairs. A

1785
01:39:19,800 --> 01:39:22,240
Speaker 1: lot of them, a lot of them in it. But

1786
01:39:22,360 --> 01:39:24,320
Speaker 1: I got a bunch of goons on me a Sony.

1787
01:39:24,800 --> 01:39:27,640
Speaker 1: So I'm like, yeah, and just had this is.

1788
01:39:27,680 --> 01:39:32,000
Speaker 4: The d m X battle against Rock and Fuller. That's

1789
01:39:32,000 --> 01:39:34,600
Speaker 4: a long time ago, you know what I'm saying. But like,

1790
01:39:35,280 --> 01:39:37,000
Speaker 4: are you thinking about that battle?

1791
01:39:38,439 --> 01:39:41,719
Speaker 1: Nothing but Cassie biting these niggas heads off. I forgot

1792
01:39:41,840 --> 01:39:43,080
Speaker 1: we did all that up. But you don't.

1793
01:39:43,120 --> 01:39:45,240
Speaker 7: You don't know Freeway at this time. No, I don't

1794
01:39:45,240 --> 01:39:48,960
Speaker 7: know if you were at this time. I heard of him,

1795
01:39:49,520 --> 01:39:52,920
Speaker 7: but I don't. I didn't physically get me a seat,

1796
01:39:53,000 --> 01:39:57,519
Speaker 7: sit down. This is historical, you know. I didn't know

1797
01:39:57,560 --> 01:39:58,360
Speaker 7: I Freu at the time.

1798
01:39:58,439 --> 01:40:01,120
Speaker 1: I heard of him. I heard it was nice and

1799
01:40:01,479 --> 01:40:03,280
Speaker 1: I respect that. Hope. It's like, yoah, I got we

1800
01:40:03,360 --> 01:40:04,160
Speaker 1: over here. We're ready.

1801
01:40:04,920 --> 01:40:08,400
Speaker 7: Yeah we didn't radio Okay, on my way, I come

1802
01:40:08,479 --> 01:40:11,320
Speaker 7: up with they really like me and Cassidy. I see

1803
01:40:11,360 --> 01:40:13,560
Speaker 7: the room, it's like this right here. I make a

1804
01:40:13,640 --> 01:40:17,680
Speaker 7: phone called the Sony studio. Yeah, we're in here, showtime.

1805
01:40:19,120 --> 01:40:22,200
Speaker 7: So we got the equal, made the room equal, right

1806
01:40:22,400 --> 01:40:23,800
Speaker 7: and coming there too.

1807
01:40:24,160 --> 01:40:28,200
Speaker 1: Rough riders invade the studio. Rough riders coming in. Let's

1808
01:40:28,240 --> 01:40:30,240
Speaker 1: think it's on our fans are stupid being part of

1809
01:40:30,280 --> 01:40:37,200
Speaker 1: the It was an equal balance, balance that nigga for

1810
01:40:37,320 --> 01:40:41,559
Speaker 1: our fans, so ego balance.

1811
01:40:41,640 --> 01:40:42,080
Speaker 11: So now.

1812
01:40:43,880 --> 01:40:46,040
Speaker 7: We got gouals on deck heavy. They want to cut

1813
01:40:46,080 --> 01:40:49,080
Speaker 7: it whatever we was meant for whatever, you know, we

1814
01:40:49,200 --> 01:40:50,679
Speaker 7: could fight rap ball.

1815
01:40:50,600 --> 01:40:56,799
Speaker 1: Heaven whatever. But it was good vibes catching. Freeway started

1816
01:40:56,840 --> 01:41:02,559
Speaker 1: battling because who was this? Said put on the beat?

1817
01:41:03,160 --> 01:41:03,680
Speaker 10: Who was it is?

1818
01:41:03,760 --> 01:41:06,360
Speaker 1: Said put on the beat? I like free You know what,

1819
01:41:07,240 --> 01:41:10,600
Speaker 1: Freeway turned out to be a good person. He was

1820
01:41:10,640 --> 01:41:14,080
Speaker 1: on his he's on his d everybody's good persons. We're

1821
01:41:14,080 --> 01:41:17,280
Speaker 1: not talking about the good person part. Talk about this

1822
01:41:17,520 --> 01:41:20,240
Speaker 1: part right here. Freeway said, put on the beat. I

1823
01:41:20,320 --> 01:41:22,960
Speaker 1: mean Freeway. You know you said put on the beat?

1824
01:41:22,960 --> 01:41:32,519
Speaker 1: God damn it. So I didn't say I ain't even

1825
01:41:32,560 --> 01:41:36,240
Speaker 1: have to be ready. So but because I forget, I

1826
01:41:36,360 --> 01:41:37,360
Speaker 1: remember what I forget.

1827
01:41:38,080 --> 01:41:42,240
Speaker 4: So was there bars that was acapella at first and

1828
01:41:42,360 --> 01:41:45,960
Speaker 4: then after like you know, acapella, the whole beat for

1829
01:41:46,080 --> 01:41:49,479
Speaker 4: the acapella, and then and then put in.

1830
01:41:51,760 --> 01:41:53,559
Speaker 7: I don't know what you thought of his mind because

1831
01:41:53,560 --> 01:41:56,360
Speaker 7: it was acapella. You can hear every verse, every line,

1832
01:41:56,360 --> 01:41:58,840
Speaker 7: every punchline. It was very it was it was very

1833
01:41:59,000 --> 01:42:04,120
Speaker 7: uh serious, and that man thought of whatever he thought

1834
01:42:04,160 --> 01:42:05,760
Speaker 7: of his hand and he said, put on the beat.

1835
01:42:05,960 --> 01:42:08,920
Speaker 1: I said, nah, straight, bars, we ain't putting on the beat.

1836
01:42:09,400 --> 01:42:11,960
Speaker 1: Put some beat on that joint. Nah, we ain't putting

1837
01:42:11,960 --> 01:42:14,960
Speaker 1: no beat on it. Always there as well. Everybody's there.

1838
01:42:15,080 --> 01:42:18,720
Speaker 1: Leave in the room, very silent. Leave in the fucking room.

1839
01:42:19,680 --> 01:42:22,800
Speaker 1: He's left the room. I would left the room too.

1840
01:42:23,240 --> 01:42:28,760
Speaker 28: I'm sorry we went way too fast. Everybody, a lot

1841
01:42:28,840 --> 01:42:33,280
Speaker 28: of people was leaving the room. Beanie seal Hole and

1842
01:42:33,439 --> 01:42:34,280
Speaker 28: everybody else.

1843
01:42:34,360 --> 01:42:38,360
Speaker 1: That place bets on the table is what it is.

1844
01:42:39,520 --> 01:42:48,200
Speaker 1: This is there, hip hop. I ain't gonna lie. See

1845
01:42:48,479 --> 01:42:52,439
Speaker 1: this is drink camp. Sometimes like I sit back and think,

1846
01:42:52,479 --> 01:42:58,000
Speaker 1: I told tonight, give me some more. I'm going in.

1847
01:42:58,320 --> 01:42:58,600
Speaker 1: I'm not.

1848
01:43:00,080 --> 01:43:02,640
Speaker 4: Sit back and think I know a story. I know

1849
01:43:02,800 --> 01:43:06,080
Speaker 4: a story because I'm close to everybody. And then, you know,

1850
01:43:06,240 --> 01:43:08,320
Speaker 4: I realized that I don't really know ship.

1851
01:43:08,640 --> 01:43:18,240
Speaker 1: That's the reason why we started this. God damn great visits.

1852
01:43:18,280 --> 01:43:22,559
Speaker 1: By the way, I'm drinking some rock in between shot

1853
01:43:22,640 --> 01:43:25,200
Speaker 1: give me a shot. Okay, this is my shotguns.

1854
01:43:25,720 --> 01:43:27,639
Speaker 4: Come on, I ain't gonna finn I just I felt

1855
01:43:27,680 --> 01:43:29,200
Speaker 4: like it was gonna take it in our minds, you know,

1856
01:43:29,920 --> 01:43:30,160
Speaker 4: take it.

1857
01:43:30,240 --> 01:43:31,840
Speaker 1: No, I'm gonna take it I'm gonna take it. I'll

1858
01:43:31,920 --> 01:43:35,000
Speaker 1: never pretend to take no shot my life. I got

1859
01:43:35,040 --> 01:43:39,880
Speaker 1: you though. Bacardi team selling here to night, Bacardi team.

1860
01:43:41,800 --> 01:43:45,360
Speaker 1: They ain't never been Look, we're taking shots. Okay, you

1861
01:43:45,439 --> 01:43:48,960
Speaker 1: may God damn okay, one by one, one by one.

1862
01:43:49,400 --> 01:43:52,680
Speaker 4: Go has Mike come over here and and introduce you

1863
01:43:53,400 --> 01:43:55,400
Speaker 4: to let you from queens the boiler room.

1864
01:43:59,560 --> 01:44:04,040
Speaker 1: Then this you live downstairs from North Yeah, yeah, you

1865
01:44:04,439 --> 01:44:09,280
Speaker 1: he knows you. No, no, that was victim. Yeah, nobody

1866
01:44:09,320 --> 01:44:12,280
Speaker 1: told me. You definitely don't know me. But you're still

1867
01:44:12,320 --> 01:44:15,160
Speaker 1: my friend. And then we've been caught. But go ahead,

1868
01:44:15,560 --> 01:44:20,320
Speaker 1: So where you're from? From Miami? Actually Miami. Let's make

1869
01:44:20,400 --> 01:44:25,240
Speaker 1: some loose for Miami. Got there, welcome, where's the back fromatic?

1870
01:44:25,360 --> 01:44:25,519
Speaker 23: Yeah?

1871
01:44:33,800 --> 01:44:42,320
Speaker 1: List recording again, but it's a black man, get old back.

1872
01:44:42,880 --> 01:44:45,880
Speaker 1: We recorded back. We got gifts. We got gifts from

1873
01:44:45,920 --> 01:44:50,960
Speaker 1: the Drink Champs ship right here, drink Champs dot com

1874
01:44:51,600 --> 01:44:54,040
Speaker 1: dot com. This is like three bags.

1875
01:44:54,080 --> 01:44:56,640
Speaker 23: Yeah yeah, yeah, because it's it's it's Drink Champs and

1876
01:44:56,800 --> 01:44:58,040
Speaker 23: eight and nine where we're at right now.

1877
01:44:58,120 --> 01:45:07,479
Speaker 2: The people who host us different and I'm.

1878
01:45:04,360 --> 01:45:08,800
Speaker 1: Going to take this and yes, now I can't believe

1879
01:45:08,840 --> 01:45:16,680
Speaker 1: I'm want this show. Okay, Ellia Wilson train now is

1880
01:45:16,720 --> 01:45:17,160
Speaker 1: that straight?

1881
01:45:17,479 --> 01:45:17,679
Speaker 19: Yeah?

1882
01:45:17,800 --> 01:45:28,000
Speaker 1: This is yeah. I want to dance. I want to dance,

1883
01:45:30,280 --> 01:45:39,760
Speaker 1: so I'm young. He freeze down, let's go.

1884
01:45:40,360 --> 01:45:44,439
Speaker 4: I not going anywhere, you know tillye West.

1885
01:45:44,479 --> 01:45:49,880
Speaker 1: So but he said, teacher, getting what's the what's the song?

1886
01:45:52,800 --> 01:45:54,360
Speaker 19: It was for bro you.

1887
01:45:56,760 --> 01:45:59,840
Speaker 1: Little mixes and I Live My Life but a little mixed. Yeah, yeah,

1888
01:46:02,520 --> 01:46:05,040
Speaker 1: saying he a video.

1889
01:46:07,439 --> 01:46:12,160
Speaker 7: Famous six mm nomination this ship for no reason?

1890
01:46:12,360 --> 01:46:20,560
Speaker 1: Okay, season season? Are we sampling that I'm yelling about.

1891
01:46:27,600 --> 01:46:27,880
Speaker 19: Right there?

1892
01:46:29,080 --> 01:46:32,000
Speaker 1: What was that session? Like, this is crazy? I did

1893
01:46:32,120 --> 01:46:35,240
Speaker 1: forty beats in that session with forty beats in the

1894
01:46:35,640 --> 01:46:38,160
Speaker 1: forty beats and that he was back to ninety eight West.

1895
01:46:38,560 --> 01:46:39,920
Speaker 7: Yeah, I did, I did. I did a lot of

1896
01:46:39,960 --> 01:46:44,080
Speaker 7: songs on that album. Famous was one of them, and

1897
01:46:44,240 --> 01:46:46,320
Speaker 7: four more other songs than that album was one.

1898
01:46:46,200 --> 01:46:49,080
Speaker 1: Of the sick we're famous for right now? Famous.

1899
01:46:49,200 --> 01:46:51,759
Speaker 7: Out of that, he shout the Prodigy, you know prodigy.

1900
01:46:52,800 --> 01:46:55,439
Speaker 7: He laid out the drum vibes, he laid out have

1901
01:46:55,600 --> 01:46:56,280
Speaker 7: it habit.

1902
01:46:56,760 --> 01:47:01,240
Speaker 4: I was, yeah, I got confused, Hidy eight and but

1903
01:47:01,360 --> 01:47:03,559
Speaker 4: Cardier high and me so I'm keeping it straight.

1904
01:47:04,080 --> 01:47:08,519
Speaker 1: I got but he was in the right path though Havoc.

1905
01:47:10,080 --> 01:47:12,680
Speaker 1: He talked about it on our podcast. He was a

1906
01:47:12,760 --> 01:47:13,400
Speaker 1: big part of that.

1907
01:47:14,240 --> 01:47:16,040
Speaker 7: All I did was just like I felt in the

1908
01:47:16,080 --> 01:47:19,840
Speaker 7: ice cream on you know, I just feeling the you know,

1909
01:47:20,240 --> 01:47:25,360
Speaker 7: the icing, to be honest, and she was already fresh.

1910
01:47:26,040 --> 01:47:28,040
Speaker 1: I didn't want me to do my vocals. I had

1911
01:47:28,160 --> 01:47:30,840
Speaker 1: a couple of sounds of different things to it, and

1912
01:47:31,439 --> 01:47:35,599
Speaker 1: we made famous, which is famous, and it was already

1913
01:47:35,680 --> 01:47:41,240
Speaker 1: famous top of famous. Now, who's your favorite CEO you

1914
01:47:41,320 --> 01:47:44,160
Speaker 1: ever work with? Clive Davis? Wow?

1915
01:47:45,160 --> 01:47:45,400
Speaker 4: Wow?

1916
01:47:45,560 --> 01:47:48,760
Speaker 1: It was fellow fast Clive Davis and Jimmy I Bean

1917
01:47:51,040 --> 01:47:53,559
Speaker 1: because they both invested in my ear scope.

1918
01:47:54,400 --> 01:47:54,599
Speaker 2: Yeah.

1919
01:47:56,040 --> 01:47:59,240
Speaker 7: You know when I did all that first Ruffian music,

1920
01:48:00,280 --> 01:48:03,280
Speaker 7: that was Jimmy Ivean. You know, he was already following

1921
01:48:03,360 --> 01:48:05,479
Speaker 7: up from Death Row, and so the closest thing to

1922
01:48:05,560 --> 01:48:08,280
Speaker 7: Death Row was Rough Riders, understand me.

1923
01:48:08,439 --> 01:48:11,040
Speaker 1: You know, we might have been a little bit dangerous

1924
01:48:11,040 --> 01:48:12,599
Speaker 1: to death Row, but uh.

1925
01:48:14,120 --> 01:48:18,240
Speaker 7: M, the music spoke for itself. And then Clyde Davis

1926
01:48:18,360 --> 01:48:22,760
Speaker 7: gave me my first label. So Full Surface was with

1927
01:48:22,960 --> 01:48:27,240
Speaker 7: Casting on some Bone and everybody was at Clyde David

1928
01:48:27,320 --> 01:48:30,800
Speaker 7: j Records. You know, both of those my mentors, you know,

1929
01:48:31,360 --> 01:48:31,880
Speaker 7: lessens to.

1930
01:48:31,920 --> 01:48:39,160
Speaker 1: Them pay some motherfucker nooy. Then I got different Swiss.

1931
01:48:39,200 --> 01:48:49,679
Speaker 1: I got sas that's for you definitely in this shout

1932
01:48:51,479 --> 01:49:10,160
Speaker 1: death off you know me, that's just the m this

1933
01:49:10,320 --> 01:49:13,920
Speaker 1: out that's wrong. If you told me so, they came on.

1934
01:49:25,200 --> 01:49:32,960
Speaker 1: So I will go to act. Swiss gonna do. I

1935
01:49:33,080 --> 01:49:35,280
Speaker 1: booking that studio in the Circle House. So I'm booking

1936
01:49:35,320 --> 01:49:38,280
Speaker 1: the Hazard. ISSU. The Hazard it sounds I got the guns.

1937
01:49:38,320 --> 01:49:39,240
Speaker 1: Don't we gonna do the Hazard?

1938
01:49:40,240 --> 01:49:42,640
Speaker 4: It's a little rock, a little what no no, no, no, no,

1939
01:49:42,920 --> 01:49:45,519
Speaker 4: I'm just playing because it is a Haiti for real.

1940
01:49:45,800 --> 01:49:49,840
Speaker 1: It's like, what's my hat exactly? So the Hazard, it

1941
01:49:49,920 --> 01:49:52,760
Speaker 1: sounds you're gonna have it. I walked to the city

1942
01:49:52,880 --> 01:49:53,280
Speaker 1: so late.

1943
01:49:56,880 --> 01:49:57,280
Speaker 19: I want to.

1944
01:49:59,120 --> 01:50:01,960
Speaker 29: Somebody says, us walk through city so late four hours

1945
01:50:02,000 --> 01:50:07,640
Speaker 29: in a day and no, true, no, no, I was

1946
01:50:07,720 --> 01:50:10,519
Speaker 29: really you know. I went there to how many people

1947
01:50:10,560 --> 01:50:15,320
Speaker 29: got to see was over bol TV.

1948
01:50:15,520 --> 01:50:18,040
Speaker 1: Yeah he's seen it. I made a documentary. I went

1949
01:50:18,120 --> 01:50:21,360
Speaker 1: there saying saying, saying, saying, yeah, yeah, yeah, so Swift,

1950
01:50:22,880 --> 01:50:27,519
Speaker 1: you've done everything you had to do in the music business.

1951
01:50:28,560 --> 01:50:32,120
Speaker 1: And then I recently seen you put up the hot sauce.

1952
01:50:32,200 --> 01:50:34,760
Speaker 1: You opened up the dream Champs Hot Sauce with the

1953
01:50:34,800 --> 01:50:38,800
Speaker 1: Hot Sauce box, give me some wings eight and nine.

1954
01:50:39,200 --> 01:50:48,240
Speaker 1: We got to invest. He had everything else. The website

1955
01:50:48,479 --> 01:50:53,760
Speaker 1: was the website. That's good man. I like, yeah, are

1956
01:50:53,880 --> 01:50:54,320
Speaker 1: you ready?

1957
01:50:55,920 --> 01:50:56,080
Speaker 2: Yeah?

1958
01:50:56,120 --> 01:51:00,360
Speaker 1: I wasn't ready. This home can't take his home. Yeah.

1959
01:51:01,960 --> 01:51:06,920
Speaker 4: All the flavors swist. How can you remain so humble

1960
01:51:07,479 --> 01:51:11,040
Speaker 4: with all the accolades you made? I ain't gonna front earlier.

1961
01:51:11,160 --> 01:51:14,000
Speaker 4: You said you had art. I've seen art that's bigger

1962
01:51:14,040 --> 01:51:19,280
Speaker 4: than that tree in your house. You got nicky sculpture.

1963
01:51:19,160 --> 01:51:24,320
Speaker 1: Because book at museum. But you're still humble. You still

1964
01:51:24,479 --> 01:51:27,799
Speaker 1: came here as a humble person.

1965
01:51:28,880 --> 01:51:32,280
Speaker 4: How can how can a person succeed so much and

1966
01:51:32,400 --> 01:51:35,640
Speaker 4: then still be as humble as as that?

1967
01:51:37,560 --> 01:51:40,600
Speaker 7: Just knowing where you come from, just knowing that, you know,

1968
01:51:41,320 --> 01:51:44,439
Speaker 7: Roman Nudas used to be my dinner every day, you know,

1969
01:51:44,640 --> 01:51:48,040
Speaker 7: just knowing the studio Rahmens, you know, you know, just

1970
01:51:48,160 --> 01:51:51,320
Speaker 7: knowing that a dollar of French fries was was you

1971
01:51:51,520 --> 01:51:52,040
Speaker 7: was famous?

1972
01:51:55,080 --> 01:51:57,679
Speaker 1: Some ribs from the Chinese store you was extra famous.

1973
01:51:58,520 --> 01:52:02,560
Speaker 1: Cheese pizza with sh cheese use extra extra famous.

1974
01:52:02,840 --> 01:52:05,200
Speaker 7: You understand, And just knowing that we all come from

1975
01:52:05,240 --> 01:52:08,600
Speaker 7: the bottom and you know, it's a blessing for us

1976
01:52:08,680 --> 01:52:09,559
Speaker 7: to be here today.

1977
01:52:10,040 --> 01:52:12,000
Speaker 1: That's us just waking up this morning. You know, we

1978
01:52:12,200 --> 01:52:15,680
Speaker 1: dying that sleep. How do we know what life is?

1979
01:52:16,160 --> 01:52:20,920
Speaker 1: Recip I'm saying recipes Q.

1980
01:52:21,800 --> 01:52:24,760
Speaker 7: But you know what, you know what's interesting about life?

1981
01:52:25,680 --> 01:52:28,280
Speaker 7: Before they finish this ship that they're doing in the background,

1982
01:52:30,080 --> 01:52:30,960
Speaker 7: that's right here.

1983
01:52:34,240 --> 01:52:34,400
Speaker 1: You know.

1984
01:52:35,120 --> 01:52:37,519
Speaker 7: You know, in your dream you can use one hundred

1985
01:52:37,520 --> 01:52:40,680
Speaker 7: percent of your brain, but in life you can use

1986
01:52:40,800 --> 01:52:43,840
Speaker 7: five percent of your brain. You understand, Like in your

1987
01:52:43,960 --> 01:52:48,760
Speaker 7: dream you can overcome every obstacle, you could fly everything right,

1988
01:52:49,080 --> 01:52:51,960
Speaker 7: but in life right here, you just so bounding and

1989
01:52:52,040 --> 01:52:54,800
Speaker 7: strapped down. So is this your dream or is this life?

1990
01:52:56,040 --> 01:52:57,680
Speaker 7: And that's one thing that we got to battle with

1991
01:52:57,760 --> 01:53:00,559
Speaker 7: every day. And I wake up in the morning, I'm like, man,

1992
01:53:01,439 --> 01:53:04,040
Speaker 7: I just had a dream of me flying and I'm

1993
01:53:04,120 --> 01:53:06,599
Speaker 7: in earth and life and I can't fly.

1994
01:53:07,560 --> 01:53:10,040
Speaker 1: So is that a dreamer? Is that reality? You know

1995
01:53:10,080 --> 01:53:11,559
Speaker 1: what I'm saying. So we got to figure out which

1996
01:53:11,560 --> 01:53:13,280
Speaker 1: side of the defence we on it. You know, this

1997
01:53:13,479 --> 01:53:17,400
Speaker 1: is a movie. We're not the directors.

1998
01:53:18,080 --> 01:53:21,600
Speaker 4: Before we get up out of here whatever, like you know,

1999
01:53:21,720 --> 01:53:25,880
Speaker 4: because I just remember ten hard years of Swiss just

2000
01:53:26,000 --> 01:53:26,640
Speaker 4: controlling it.

2001
01:53:27,040 --> 01:53:31,200
Speaker 1: But whatever producer that you said, Damn, this.

2002
01:53:31,400 --> 01:53:34,360
Speaker 4: Guy might got me or this guys might come in

2003
01:53:34,520 --> 01:53:38,240
Speaker 4: for the next year, whatever docer youse like, Yo, I'm

2004
01:53:38,280 --> 01:53:40,080
Speaker 4: a stepmo game.

2005
01:53:39,920 --> 01:53:41,559
Speaker 1: Up a lot of songs.

2006
01:53:41,640 --> 01:53:45,080
Speaker 7: You know, I wish I produced the Benjamins and about

2007
01:53:45,080 --> 01:53:47,679
Speaker 7: the Benjamin's who produced that? That's the that's the Derek

2008
01:53:48,320 --> 01:53:51,640
Speaker 7: And know what I'm saying, You know, I wish I

2009
01:53:51,720 --> 01:53:53,800
Speaker 7: produced her. They want to fact that fact.

2010
01:53:54,920 --> 01:53:59,240
Speaker 1: They want to flex because put it back that intro.

2011
01:54:00,160 --> 01:54:02,080
Speaker 1: I was like, damn, you know, this is before I

2012
01:54:02,160 --> 01:54:05,320
Speaker 1: became on. I was like, damn, imagine if I did

2013
01:54:05,439 --> 01:54:10,040
Speaker 1: something like that, where would I be, you know, just

2014
01:54:10,120 --> 01:54:11,240
Speaker 1: to get a rep gang star.

2015
01:54:11,720 --> 01:54:15,640
Speaker 2: So so with the same mind frame, what producers influenced

2016
01:54:15,720 --> 01:54:17,680
Speaker 2: you the ones I'm talking about right right?

2017
01:54:17,800 --> 01:54:20,200
Speaker 1: But is it specifically like you're saying, the songs, but

2018
01:54:20,360 --> 01:54:25,720
Speaker 1: is there a star right right? You know, I don't.

2019
01:54:25,920 --> 01:54:28,280
Speaker 7: I don't know who the producer was for that effect

2020
01:54:28,280 --> 01:54:32,560
Speaker 7: at that time. Yeah, you know, you know, but I

2021
01:54:32,680 --> 01:54:35,840
Speaker 7: wasn't inspired by producers you unders saying. I never I

2022
01:54:35,960 --> 01:54:39,120
Speaker 7: never even knew what the producers sound. I was inspired

2023
01:54:39,160 --> 01:54:41,960
Speaker 7: by DJs. I was inspired by Ron G. I was

2024
01:54:42,040 --> 01:54:44,960
Speaker 7: inspired by Cack Capri. I was inspired by do Wop.

2025
01:54:45,360 --> 01:54:48,920
Speaker 7: I was inspired by Assassin, Surprising, by.

2026
01:54:49,280 --> 01:54:52,200
Speaker 1: You know, U, S N S. You know what I'm saying.

2027
01:54:52,480 --> 01:55:02,080
Speaker 7: I was inspired by h DJ, Read Alert, Tony Touch Flex,

2028
01:55:02,680 --> 01:55:06,520
Speaker 7: you know all these DJ's clue you know. I was

2029
01:55:06,600 --> 01:55:10,080
Speaker 7: inspired by DJs. And I became a producer by default.

2030
01:55:10,880 --> 01:55:14,000
Speaker 7: I became a producer by just making instruments.

2031
01:55:14,960 --> 01:55:18,960
Speaker 1: DJ yeah, and then DJ to the West Indies or

2032
01:55:19,000 --> 01:55:20,720
Speaker 1: something like that. It was like I went to Atlanta.

2033
01:55:21,600 --> 01:55:23,400
Speaker 4: I thought, I thought, you went to Atlanta and the

2034
01:55:23,480 --> 01:55:25,920
Speaker 4: West Indies and he came back or something like that.

2035
01:55:26,480 --> 01:55:29,320
Speaker 7: I grew up in the Bronx and I grew up.

2036
01:55:29,600 --> 01:55:31,520
Speaker 7: I grew up in Boston Road, which was like the

2037
01:55:31,600 --> 01:55:34,440
Speaker 7: West Indies. I was the first youngest producer DS and

2038
01:55:34,480 --> 01:55:38,520
Speaker 7: at the start, as you know, Slickrick had his incident outside.

2039
01:55:39,040 --> 01:55:39,600
Speaker 1: You know what I'm saying.

2040
01:55:39,800 --> 01:55:42,280
Speaker 7: I was there for those different things, and the super

2041
01:55:42,360 --> 01:55:45,600
Speaker 7: Cat had his incident side right. I was there for

2042
01:55:45,680 --> 01:55:49,560
Speaker 7: those incidents, and I was a producer. I used to

2043
01:55:49,640 --> 01:55:56,640
Speaker 7: DJ with Renaissance, Waggy T, you know, Stone Love All.

2044
01:55:56,880 --> 01:56:00,120
Speaker 1: I was the hip hop producer for the for those DJs.

2045
01:56:00,080 --> 01:56:04,480
Speaker 7: At that particular time, young in the club at that time, understand,

2046
01:56:04,600 --> 01:56:06,080
Speaker 7: And I was just out there thuking it.

2047
01:56:06,160 --> 01:56:08,960
Speaker 1: You know what I'm saying, Well, well, well what what what?

2048
01:56:09,880 --> 01:56:12,320
Speaker 1: You know what I'm saying like n R you know

2049
01:56:12,360 --> 01:56:12,680
Speaker 1: what I mean?

2050
01:56:12,840 --> 01:56:13,040
Speaker 2: Wow?

2051
01:56:14,280 --> 01:56:20,120
Speaker 30: And your favorite average hip hop is a musician, no period,

2052
01:56:20,440 --> 01:56:24,880
Speaker 30: just just my favorite hip hop and just keep it real,

2053
01:56:24,960 --> 01:56:26,320
Speaker 30: clean and simple as DMX.

2054
01:56:27,360 --> 01:56:29,600
Speaker 1: Because I was able to witness that movie in a

2055
01:56:29,720 --> 01:56:33,320
Speaker 1: front row seat. Put these different eras of d MX.

2056
01:56:33,880 --> 01:56:36,400
Speaker 7: So can we label it down my era of DMX,

2057
01:56:37,080 --> 01:56:40,440
Speaker 7: the era of DMX, and then the return of DMX,

2058
01:56:40,480 --> 01:56:42,720
Speaker 7: which we haven't been able to see yet.

2059
01:56:42,560 --> 01:56:43,560
Speaker 1: Because unwritten yet.

2060
01:56:44,160 --> 01:56:49,200
Speaker 7: It's written, but it's unpublished yet. It might be perfectly expressed,

2061
01:56:49,240 --> 01:56:52,640
Speaker 7: you understand. And so you know, I might have been

2062
01:56:52,680 --> 01:56:55,000
Speaker 7: a fan of a lot of other people, but you

2063
01:56:55,120 --> 01:56:57,280
Speaker 7: know what I wasn't able to You know a lot

2064
01:56:57,320 --> 01:56:59,520
Speaker 7: of people that we think that's real, it's not really real,

2065
01:57:00,720 --> 01:57:03,600
Speaker 7: you understand. Like their music might be real, but they

2066
01:57:03,720 --> 01:57:06,400
Speaker 7: might curR under that pressure. They tell might tuck under

2067
01:57:06,440 --> 01:57:08,640
Speaker 7: their ass under that pressure.

2068
01:57:08,560 --> 01:57:09,160
Speaker 1: You understand.

2069
01:57:09,200 --> 01:57:12,160
Speaker 7: And like you know with the dog, you ain't never

2070
01:57:12,320 --> 01:57:16,640
Speaker 7: ever seen the dog talking about no other labels than

2071
01:57:17,040 --> 01:57:18,040
Speaker 7: my family label.

2072
01:57:20,160 --> 01:57:27,160
Speaker 1: Yeah, excuse me your what say it again?

2073
01:57:28,960 --> 01:57:29,120
Speaker 18: Right?

2074
01:57:30,600 --> 01:57:33,800
Speaker 7: The thing the thing that I respect, the thing that

2075
01:57:33,880 --> 01:57:37,080
Speaker 7: I respect about dogs is you never seen him flipping

2076
01:57:37,160 --> 01:57:41,960
Speaker 7: flopping through labels since he started. He might have had bloodline,

2077
01:57:42,520 --> 01:57:45,880
Speaker 7: but it was always a rough lad somewhere around him.

2078
01:57:47,480 --> 01:57:51,320
Speaker 1: Like people tried to buy him out from way.

2079
01:57:51,200 --> 01:57:54,080
Speaker 7: More money than we could afford at those times, and

2080
01:57:54,200 --> 01:57:57,040
Speaker 7: the dog always kept in one thousand. And that's why

2081
01:57:57,640 --> 01:58:00,760
Speaker 7: in this current time people going to be able to

2082
01:58:00,840 --> 01:58:02,720
Speaker 7: see his movement.

2083
01:58:03,600 --> 01:58:06,640
Speaker 1: Can God speak? You know what I'm saying, Make some

2084
01:58:06,760 --> 01:58:07,240
Speaker 1: lowise for that.

2085
01:58:11,680 --> 01:58:12,040
Speaker 31: Swiss.

2086
01:58:12,800 --> 01:58:18,440
Speaker 4: It's good the host Wow, yeah, yeah, yeah, closed the

2087
01:58:18,480 --> 01:58:21,240
Speaker 4: deal already. Swiss took two shots of I sauce.

2088
01:58:23,520 --> 01:58:28,440
Speaker 2: Drink dot com coming soon clos over there.

2089
01:58:29,600 --> 01:58:31,760
Speaker 1: The hostile she Swiss to two shots.

2090
01:58:31,840 --> 01:58:38,480
Speaker 27: Yeah, let him know where they can find the drink

2091
01:58:39,320 --> 01:58:42,520
Speaker 27: drink Champs dot com, Drink Champs dot com.

2092
01:58:43,400 --> 01:58:44,880
Speaker 1: Drunk all locations.

2093
01:58:46,000 --> 01:58:49,280
Speaker 4: Ain't just talking about doing talking about the shot they

2094
01:58:49,400 --> 01:58:55,320
Speaker 4: doing the Swiss shot drunk shot shouts get I'm.

2095
01:58:55,200 --> 01:59:00,440
Speaker 1: Thinking this, this was not even know but yeah, yeah.

2096
01:59:04,080 --> 01:59:04,440
Speaker 11: You so.

2097
01:59:04,600 --> 01:59:10,720
Speaker 4: How does a kid from the Bronx right, you speak

2098
01:59:10,720 --> 01:59:14,800
Speaker 4: to your uncle, they may or may not believe you.

2099
01:59:14,800 --> 01:59:20,480
Speaker 4: You come to the studio with me, we make a classic.

2100
01:59:20,560 --> 01:59:23,840
Speaker 4: But at that moment, remember remember he took them to

2101
01:59:23,920 --> 01:59:26,200
Speaker 4: the shot that he likes.

2102
01:59:26,680 --> 01:59:27,920
Speaker 1: I don't know he remember.

2103
01:59:29,720 --> 01:59:32,800
Speaker 4: But back then we recorded the record in ninety seven.

2104
01:59:33,000 --> 01:59:38,200
Speaker 4: It don't drop to ninety eight, right, How do you

2105
01:59:38,480 --> 01:59:43,240
Speaker 4: maintain to say, Yo, I'm the god these records that

2106
01:59:43,360 --> 01:59:45,760
Speaker 4: come out that next year because we had to record

2107
01:59:45,800 --> 01:59:48,560
Speaker 4: it in ninety seven, because I mean, that's just how

2108
01:59:48,640 --> 01:59:53,560
Speaker 4: the climate matched up my corrector maybe you know what

2109
01:59:53,560 --> 01:59:56,080
Speaker 4: I'm saying, because you had to record it a year early.

2110
01:59:56,240 --> 01:59:59,400
Speaker 1: Everything, you know what I'm saying. I mean I might

2111
01:59:59,440 --> 02:00:06,120
Speaker 1: be fucked up me too, But so but how do

2112
02:00:06,200 --> 02:00:11,880
Speaker 1: you say I know what I did is this? And

2113
02:00:12,040 --> 02:00:14,840
Speaker 1: let me continue to go. You know, the blessing that

2114
02:00:14,920 --> 02:00:17,919
Speaker 1: I had was I was always in control of my destiny.

2115
02:00:18,880 --> 02:00:21,520
Speaker 7: You know, I never had somebody predict or tell me

2116
02:00:21,640 --> 02:00:25,200
Speaker 7: what I need to do from a creative standpoint. Now,

2117
02:00:25,240 --> 02:00:27,600
Speaker 7: I did have to answer to my uncle's on an

2118
02:00:27,920 --> 02:00:32,520
Speaker 7: ethnical standpoint, and that's respect protocol standpoint. Well, you know

2119
02:00:32,760 --> 02:00:35,720
Speaker 7: I can never to this day still I got to

2120
02:00:35,720 --> 02:00:39,080
Speaker 7: answer those questions respect, I can never be in a

2121
02:00:39,200 --> 02:00:45,840
Speaker 7: problem today. And then presented, uh presented in front of

2122
02:00:45,920 --> 02:00:46,280
Speaker 7: the board.

2123
02:00:47,680 --> 02:00:50,120
Speaker 1: He might have a problem with me and I might

2124
02:00:50,240 --> 02:00:51,080
Speaker 1: feel type of way.

2125
02:00:52,000 --> 02:00:56,440
Speaker 7: I can't move on him until the team say we

2126
02:00:56,560 --> 02:01:00,640
Speaker 7: have another choice or you know what that because of this,

2127
02:01:00,840 --> 02:01:03,400
Speaker 7: this and this, let's help him.

2128
02:01:03,280 --> 02:01:05,720
Speaker 1: Instead of that, you know, hurting him.

2129
02:01:06,400 --> 02:01:09,040
Speaker 7: There's rules to this, and I think like a lot

2130
02:01:09,120 --> 02:01:12,200
Speaker 7: of these uf out here, they don't understand the protocols

2131
02:01:12,280 --> 02:01:16,160
Speaker 7: and in different ways that you got to go about

2132
02:01:16,200 --> 02:01:20,320
Speaker 7: handling things. I understand because a lot of people talk

2133
02:01:20,320 --> 02:01:23,880
Speaker 7: about a lot of colors, blood, cribs, race, this, that,

2134
02:01:23,920 --> 02:01:27,080
Speaker 7: and the third that thing we bleed is the same color.

2135
02:01:28,360 --> 02:01:29,800
Speaker 7: It's literally the same color.

2136
02:01:30,400 --> 02:01:35,080
Speaker 1: And so you know, I don't go to the clubs.

2137
02:01:35,120 --> 02:01:37,760
Speaker 7: You ain't never seen me in those clubs popping bottles,

2138
02:01:38,320 --> 02:01:41,400
Speaker 7: stunting on people doing this in the third people might

2139
02:01:41,480 --> 02:01:43,880
Speaker 7: think I'm stunning, but I like nice things that I work.

2140
02:01:44,200 --> 02:01:46,480
Speaker 1: You did you testing the record I've been seeing in

2141
02:01:46,560 --> 02:01:47,600
Speaker 1: the club. That's it.

2142
02:01:48,080 --> 02:01:49,760
Speaker 4: That's hard, you know what I'm saying, Like, I don't,

2143
02:01:49,960 --> 02:01:51,800
Speaker 4: I don't I seen you do that with me early,

2144
02:01:52,600 --> 02:01:53,720
Speaker 4: I went to the studio with you.

2145
02:01:53,920 --> 02:01:55,680
Speaker 1: You went to this, You went to the club and

2146
02:01:55,800 --> 02:02:03,240
Speaker 1: played that with the club. I shure up good everywhere

2147
02:02:03,280 --> 02:02:07,400
Speaker 1: were crazy, you know, before talking about that, listen.

2148
02:02:08,960 --> 02:02:13,680
Speaker 4: If you notice he knew every story for every artist.

2149
02:02:14,320 --> 02:02:16,760
Speaker 4: So he's been doing that since then. He was a

2150
02:02:16,920 --> 02:02:20,640
Speaker 4: d He took back from TV and I went to

2151
02:02:20,720 --> 02:02:22,920
Speaker 4: the club and I was saying, I'm not sure this

2152
02:02:23,120 --> 02:02:26,120
Speaker 4: ninety dainty, but.

2153
02:02:28,120 --> 02:02:31,240
Speaker 7: That was all I felt that the people in the club,

2154
02:02:31,600 --> 02:02:34,960
Speaker 7: if you can play a noise record after the biggest

2155
02:02:35,000 --> 02:02:38,520
Speaker 7: record at that time, we had something, you know, I'm staying.

2156
02:02:38,640 --> 02:02:42,600
Speaker 7: I remember bringing Doctor dra to the club and he

2157
02:02:42,640 --> 02:02:44,680
Speaker 7: ain't been in the club in a long time, and he.

2158
02:02:44,720 --> 02:02:48,160
Speaker 1: Had a hard time being in that club. But when

2159
02:02:48,200 --> 02:02:51,600
Speaker 1: he heard his music, I've seen his life because that's

2160
02:02:51,600 --> 02:02:55,080
Speaker 1: what he does. I've seen his life like embracing love.

2161
02:02:55,240 --> 02:02:58,280
Speaker 7: You know what I'm saying, you know. And then all

2162
02:02:58,360 --> 02:03:00,440
Speaker 7: my records. I remember when I brought host club for

2163
02:03:01,160 --> 02:03:03,800
Speaker 7: uh Onto the next one. He was like, Yo, you

2164
02:03:04,360 --> 02:03:07,160
Speaker 7: lead that ship. I want mama ship. He was over

2165
02:03:07,240 --> 02:03:09,200
Speaker 7: there in the VIP, I was in the DJ booth

2166
02:03:09,600 --> 02:03:11,600
Speaker 7: and that motherfucking Onto the next one came on and

2167
02:03:11,720 --> 02:03:12,760
Speaker 7: people felt some type of.

2168
02:03:12,760 --> 02:03:14,840
Speaker 1: Way and Nigga looked at me and through that drinking

2169
02:03:15,080 --> 02:03:19,560
Speaker 1: he ordered all this type of sh we was onto

2170
02:03:19,600 --> 02:03:20,080
Speaker 1: the next one.

2171
02:03:21,000 --> 02:03:22,600
Speaker 7: You know what I'm saying, But it's like, you know what,

2172
02:03:23,240 --> 02:03:29,640
Speaker 7: in life, it's what we got to celebrate. There's no

2173
02:03:29,800 --> 02:03:32,000
Speaker 7: big eyes in lily used. Like a lot of people

2174
02:03:32,120 --> 02:03:34,560
Speaker 7: like to make a lot of categories of who's who

2175
02:03:34,640 --> 02:03:39,480
Speaker 7: and what's what. The war and this well is between

2176
02:03:39,680 --> 02:03:42,920
Speaker 7: good and bad, good and evil, You even a good

2177
02:03:43,040 --> 02:03:43,960
Speaker 7: person or not.

2178
02:03:45,000 --> 02:03:48,080
Speaker 1: It ain't about no race, religion, and about none of

2179
02:03:48,160 --> 02:03:51,840
Speaker 1: that politics, political politics, shit that they put in front

2180
02:03:51,840 --> 02:03:52,120
Speaker 1: of us.

2181
02:03:52,840 --> 02:03:55,600
Speaker 7: You either real or you fake. You're even good or

2182
02:03:55,680 --> 02:03:58,160
Speaker 7: you bad. That's the word that we're fighting in this

2183
02:03:58,320 --> 02:03:58,920
Speaker 7: world today.

2184
02:04:00,120 --> 02:04:04,080
Speaker 1: Get side. You're a really fake. A lot of fake niggas,

2185
02:04:04,240 --> 02:04:05,320
Speaker 1: a lot of real niggas.

2186
02:04:05,560 --> 02:04:07,960
Speaker 7: You either good or you bad. A lot of good motherfuckers,

2187
02:04:08,200 --> 02:04:09,480
Speaker 7: a lot of bad motherfuckers.

2188
02:04:10,120 --> 02:04:11,480
Speaker 1: And that's what the war is about.

2189
02:04:11,920 --> 02:04:15,840
Speaker 7: From our presidency, to our streets, to our politics, to

2190
02:04:15,920 --> 02:04:17,400
Speaker 7: our brotherhood to everything.

2191
02:04:17,720 --> 02:04:19,760
Speaker 1: You've got a good cousin or a good brother or

2192
02:04:19,760 --> 02:04:21,400
Speaker 1: a bad brother or fuck you brother.

2193
02:04:21,680 --> 02:04:23,200
Speaker 7: Like you know what I'm saying, Like a lot of

2194
02:04:23,240 --> 02:04:26,880
Speaker 7: people in our family, they might can get it too,

2195
02:04:28,600 --> 02:04:33,000
Speaker 7: you know what I'm saying, Because like can't nobody get

2196
02:04:33,080 --> 02:04:35,720
Speaker 7: you except for a person that's close to you.

2197
02:04:36,160 --> 02:04:37,400
Speaker 1: A stranger can't get you.

2198
02:04:38,440 --> 02:04:43,240
Speaker 7: A stranger gotta be his intel, gotta be so precise

2199
02:04:43,400 --> 02:04:46,680
Speaker 7: to get to you that it's still personal.

2200
02:04:47,480 --> 02:04:50,560
Speaker 1: Let me ask you a question, right, because you.

2201
02:04:52,240 --> 02:04:56,000
Speaker 4: You like I know you from the hood, I know

2202
02:04:56,120 --> 02:04:58,920
Speaker 4: you from if you woman to follow you up because

2203
02:04:58,960 --> 02:05:05,160
Speaker 4: it's for your all right, cool, But now you're a

2204
02:05:05,320 --> 02:05:07,480
Speaker 4: part of this Kanye West record.

2205
02:05:09,240 --> 02:05:09,800
Speaker 1: Back all right?

2206
02:05:10,520 --> 02:05:14,040
Speaker 4: No, no, no, because this record is very controversy because

2207
02:05:14,720 --> 02:05:17,600
Speaker 4: the famous record because when he did you know, the

2208
02:05:18,080 --> 02:05:20,280
Speaker 4: video with the naked people.

2209
02:05:21,640 --> 02:05:24,400
Speaker 1: Nigga fucking way. I know he made him look good

2210
02:05:24,440 --> 02:05:38,320
Speaker 1: and nasty mother, but but from all the time, everybody

2211
02:05:38,800 --> 02:05:45,000
Speaker 1: no so but and then now this Taylor Swift controversy comes.

2212
02:05:44,840 --> 02:05:48,720
Speaker 4: Out, and because it was you know, let's just be honest,

2213
02:05:48,880 --> 02:05:51,160
Speaker 4: like I know you as a hood nigga, like you're

2214
02:05:51,160 --> 02:05:51,680
Speaker 4: my nigga.

2215
02:05:51,960 --> 02:05:54,080
Speaker 1: But at the end of the day, your wife is

2216
02:05:54,160 --> 02:06:00,200
Speaker 1: a very prominent Taylor Swift. Yeah, that's that's not my wife. No,

2217
02:06:00,240 --> 02:06:01,080
Speaker 1: I'm not tell Swift.

2218
02:06:01,760 --> 02:06:03,840
Speaker 4: I don't know what you know what I'm saying, but

2219
02:06:04,040 --> 02:06:08,000
Speaker 4: I'm saying, like, how do you stand Like did you

2220
02:06:08,160 --> 02:06:11,120
Speaker 4: heard the vocals where he was like, well like me

2221
02:06:11,200 --> 02:06:11,960
Speaker 4: and Tela.

2222
02:06:12,040 --> 02:06:12,960
Speaker 1: Like kind of had suck.

2223
02:06:13,400 --> 02:06:16,200
Speaker 7: You know, I didn't really go into this thing about

2224
02:06:16,320 --> 02:06:19,360
Speaker 7: any artists, you know, I went and I went into

2225
02:06:19,440 --> 02:06:21,000
Speaker 7: this because.

2226
02:06:20,800 --> 02:06:23,160
Speaker 1: I got an invite from my brother Yay, and he

2227
02:06:23,240 --> 02:06:26,360
Speaker 1: wanted to be creative. And we spent.

2228
02:06:27,720 --> 02:06:30,280
Speaker 7: More than forty eight hours with no sleep in the studio,

2229
02:06:30,520 --> 02:06:33,000
Speaker 7: just doing everything that we felt was good.

2230
02:06:34,080 --> 02:06:37,640
Speaker 1: And whatever he kept, I was good with it because.

2231
02:06:37,600 --> 02:06:39,760
Speaker 7: I know that we spent that time in that studio,

2232
02:06:40,120 --> 02:06:42,640
Speaker 7: and I even posted pictures of us sleeping on the couch,

2233
02:06:43,280 --> 02:06:44,920
Speaker 7: you know, for a couple of hours that we did

2234
02:06:45,080 --> 02:06:46,560
Speaker 7: sleep at nine.

2235
02:06:46,440 --> 02:06:47,000
Speaker 1: In the morning.

2236
02:06:47,400 --> 02:06:51,040
Speaker 7: You know, I respected every part of that craft, and

2237
02:06:51,640 --> 02:06:53,320
Speaker 7: you know, I was happy to have fun with him

2238
02:06:53,320 --> 02:06:56,280
Speaker 7: because you know, yeah, it's in the space where you know,

2239
02:06:56,560 --> 02:06:58,880
Speaker 7: are you really there for the fun or the fame

2240
02:06:59,480 --> 02:07:03,800
Speaker 7: or the four or the pain. Understand, I ain't never

2241
02:07:03,880 --> 02:07:05,600
Speaker 7: asked that man for I don't even get it. I

2242
02:07:05,640 --> 02:07:07,120
Speaker 7: don't even get yeasy for free.

2243
02:07:09,200 --> 02:07:11,320
Speaker 1: We gotta stop this right now. We got all start

2244
02:07:11,360 --> 02:07:18,200
Speaker 1: getting easy for free. Let's make some I paid my son.

2245
02:07:19,200 --> 02:07:19,720
Speaker 11: My son.

2246
02:07:22,040 --> 02:07:23,640
Speaker 1: Was really into this fashion ship.

2247
02:07:23,680 --> 02:07:25,919
Speaker 4: I paid like fifteen hundred for a pair of sniggers

2248
02:07:26,440 --> 02:07:28,040
Speaker 4: that we gotta stop this right now.

2249
02:07:28,760 --> 02:07:31,040
Speaker 7: I could violate niggas like, don't make me get out,

2250
02:07:31,080 --> 02:07:32,440
Speaker 7: don't make me feel funny about it.

2251
02:07:32,920 --> 02:07:34,800
Speaker 1: I was like, you know what, I'm gonna support him.

2252
02:07:35,480 --> 02:07:39,280
Speaker 1: You got the rebox hit too, yeahback, Reback is a fan.

2253
02:07:39,840 --> 02:07:41,120
Speaker 1: We need some drunk box.

2254
02:07:42,040 --> 02:07:46,240
Speaker 7: But listen, everybody got to get their mind right. Readbox, this,

2255
02:07:46,440 --> 02:07:49,880
Speaker 7: that and the third. You're about the culture or you're

2256
02:07:49,960 --> 02:07:52,440
Speaker 7: not about the culture. I don't care about no position

2257
02:07:52,560 --> 02:07:56,560
Speaker 7: and this, that and the third for like you, I'm

2258
02:07:56,600 --> 02:07:57,760
Speaker 7: not shutting nobody.

2259
02:07:57,520 --> 02:08:00,200
Speaker 1: Down and I ain't shot no no fires as I

2260
02:08:00,280 --> 02:08:02,240
Speaker 1: walk in the building. We'll do that and you'll read

2261
02:08:02,280 --> 02:08:05,240
Speaker 1: about it. Understand. I'm just saying it is like that

2262
02:08:05,480 --> 02:08:08,440
Speaker 1: ball star. It is what it is, either with us

2263
02:08:08,560 --> 02:08:14,720
Speaker 1: or you not. Don't don't huh. That's my nigga snaves

2264
02:08:14,800 --> 02:08:15,080
Speaker 1: right there.

2265
02:08:15,200 --> 02:08:18,320
Speaker 4: That's my Nametbo has been my fence over.

2266
02:08:19,000 --> 02:08:21,240
Speaker 1: I haven't had a pair. I haven wore a pair

2267
02:08:21,240 --> 02:08:24,360
Speaker 1: of Nikes on my feet in nine years. I don't

2268
02:08:24,400 --> 02:08:27,640
Speaker 1: need to know what a Nike you feel like. But

2269
02:08:27,760 --> 02:08:31,960
Speaker 1: if Reebok is going to embrace the culture, embrace the culture.

2270
02:08:32,560 --> 02:08:34,880
Speaker 1: I said, did this something with cam right the pink

2271
02:08:36,480 --> 02:08:40,480
Speaker 1: Embrace the culture, Embrace the culture all the way quick.

2272
02:08:40,680 --> 02:08:44,040
Speaker 1: We don't want it's question.

2273
02:08:44,680 --> 02:08:46,480
Speaker 7: Whatever I say here, I tell it to them too,

2274
02:08:46,560 --> 02:08:48,400
Speaker 7: in front of the boardroom, in front of in front

2275
02:08:48,440 --> 02:08:49,560
Speaker 7: of whoever they want to talk to.

2276
02:08:50,160 --> 02:08:52,400
Speaker 1: Because I gave my all. I give them my all.

2277
02:08:53,760 --> 02:08:56,040
Speaker 1: I remember, I couldn't meddle with a person a pair

2278
02:08:56,040 --> 02:08:59,240
Speaker 1: of reebox. It would come back to me. You have

2279
02:08:59,320 --> 02:09:02,240
Speaker 1: to be for New Orleans. If you swimming Orleans, they'll

2280
02:09:02,280 --> 02:09:06,080
Speaker 1: love your we box. You know what.

2281
02:09:06,720 --> 02:09:06,880
Speaker 32: You know.

2282
02:09:08,800 --> 02:09:13,920
Speaker 7: The reason if you look at UFC. If you look

2283
02:09:13,960 --> 02:09:16,520
Speaker 7: at the UFC right now, you see a Rebok in

2284
02:09:16,600 --> 02:09:22,440
Speaker 7: that ring. Swiss beats ain't a white. Lorenzo fa Tita

2285
02:09:22,720 --> 02:09:25,040
Speaker 7: signed that deal. I brought that deal to the table too.

2286
02:09:25,600 --> 02:09:32,400
Speaker 7: And I'm the reason why Redbok is in UFC. Every uniform,

2287
02:09:32,480 --> 02:09:33,240
Speaker 7: our uniform.

2288
02:09:33,840 --> 02:09:34,160
Speaker 1: U f C.

2289
02:09:36,480 --> 02:09:38,880
Speaker 7: They was having slim gym and all these brands on

2290
02:09:38,960 --> 02:09:42,760
Speaker 7: these uniforms. I said, you know, football and NBA don't

2291
02:09:42,800 --> 02:09:46,879
Speaker 7: do this. Let's come in the sport. I brought Readbouck

2292
02:09:46,920 --> 02:09:49,040
Speaker 7: to the table. They was going to another brand.

2293
02:09:50,280 --> 02:09:51,440
Speaker 1: You got you got.

2294
02:09:53,440 --> 02:10:00,720
Speaker 32: Shut up, shout up to all that right there. I like,

2295
02:10:01,280 --> 02:10:04,760
Speaker 32: right right now, this is the tax I do like

2296
02:10:04,840 --> 02:10:09,400
Speaker 32: Eliah Wilson. The content that he spoke about. This is

2297
02:10:09,440 --> 02:10:11,200
Speaker 32: another typified.

2298
02:10:13,200 --> 02:10:22,879
Speaker 1: Wait you know, I never I never did this on three.

2299
02:10:24,640 --> 02:10:28,800
Speaker 19: On the chance kids and you talk it out to

2300
02:10:32,640 --> 02:10:37,840
Speaker 19: Oh yeah, thats why the kids?

2301
02:10:40,920 --> 02:10:44,960
Speaker 1: How many kids need this? You can we ain't the

2302
02:10:45,040 --> 02:10:55,840
Speaker 1: problems for the kids. So what was what was your

2303
02:10:55,920 --> 02:10:57,160
Speaker 1: most amazing session?

2304
02:10:57,840 --> 02:11:02,160
Speaker 4: Like, I know, you gotta have Michael Jackson's stories, you

2305
02:11:02,280 --> 02:11:03,560
Speaker 4: gotta have Maria.

2306
02:11:07,080 --> 02:11:16,080
Speaker 1: What's that? That's the pickball? You switched it up without

2307
02:11:16,120 --> 02:11:21,520
Speaker 1: telling me. We order the question the weed. Nigga, you

2308
02:11:21,600 --> 02:11:23,280
Speaker 1: ain't telling me that was about.

2309
02:11:24,720 --> 02:11:26,480
Speaker 10: That journey.

2310
02:11:26,680 --> 02:11:33,280
Speaker 1: Let me know. So what was your most amazing session

2311
02:11:33,360 --> 02:11:41,560
Speaker 1: where you was like, damn this nigga. She called the

2312
02:11:41,680 --> 02:11:47,960
Speaker 1: ball the son the son, but you my nigga. He

2313
02:11:48,080 --> 02:11:48,800
Speaker 1: was on n R E.

2314
02:11:50,200 --> 02:11:53,240
Speaker 7: And my most amazing session was and had ship to

2315
02:11:53,360 --> 02:11:57,680
Speaker 7: do with me. It was Michael Jackson and Sony Studios.

2316
02:11:58,720 --> 02:12:04,000
Speaker 7: We had that motherfucker looking like Playland toys legos. I

2317
02:12:04,080 --> 02:12:06,240
Speaker 7: went to the studio him and tell you around in

2318
02:12:06,360 --> 02:12:10,440
Speaker 7: there laughing and uh, what's to produce?

2319
02:12:10,560 --> 02:12:18,840
Speaker 1: Uh? You know, Rodney Jerkins, I was about to say

2320
02:12:18,920 --> 02:12:25,560
Speaker 1: some ship you could say, well don't don't because people

2321
02:12:25,760 --> 02:12:29,360
Speaker 1: here you know it is what it is. This is Ronnie.

2322
02:12:29,840 --> 02:12:32,800
Speaker 7: They don't even know this, but you know, New York

2323
02:12:32,840 --> 02:12:35,320
Speaker 7: City is our town. That's right, talk about You know

2324
02:12:35,360 --> 02:12:37,480
Speaker 7: a lot of people can play around with it, but

2325
02:12:37,840 --> 02:12:40,480
Speaker 7: you ain't. Never had nobody disrespect our family in our town.

2326
02:12:41,640 --> 02:12:45,120
Speaker 7: Breath riders who were how I went and when you

2327
02:12:45,240 --> 02:12:49,520
Speaker 7: heard about it, we carried it out all the way, Uh, blessings.

2328
02:12:49,560 --> 02:12:53,120
Speaker 7: So all unfortunates, right, But I used to I had

2329
02:12:53,160 --> 02:12:55,320
Speaker 7: a rule that none of the producers can get robbed.

2330
02:12:57,280 --> 02:13:00,640
Speaker 7: So Ronnie Jerkins would pull up amateur read this one

2331
02:13:00,760 --> 02:13:03,720
Speaker 7: for real, this one that one, and I usual to

2332
02:13:03,760 --> 02:13:07,240
Speaker 7: see people like really planning on them, and I was like,

2333
02:13:08,280 --> 02:13:10,560
Speaker 7: if y'all, if y'all do that to them, that's a violation.

2334
02:13:10,920 --> 02:13:13,240
Speaker 7: That means that's the open season for me. Ya might

2335
02:13:13,320 --> 02:13:16,000
Speaker 7: not be around me, y'are might not be around me

2336
02:13:16,040 --> 02:13:18,760
Speaker 7: all these different days. I might be in another space

2337
02:13:19,360 --> 02:13:21,960
Speaker 7: and somebody might feel like the producers open seasons.

2338
02:13:22,920 --> 02:13:24,840
Speaker 1: I can't be a part of that, you know what

2339
02:13:24,880 --> 02:13:25,240
Speaker 1: I'm saying.

2340
02:13:25,360 --> 02:13:29,360
Speaker 7: So my own fellow membership couldn't violate those those traits.

2341
02:13:29,800 --> 02:13:31,840
Speaker 7: So if a producer came in, I don't care what

2342
02:13:32,000 --> 02:13:34,240
Speaker 7: he had on. He was protected by the law of

2343
02:13:37,000 --> 02:13:40,680
Speaker 7: kind of what I created out of respect, you know,

2344
02:13:40,840 --> 02:13:44,960
Speaker 7: and and and and save their lives. Like literally, like

2345
02:13:45,560 --> 02:13:49,280
Speaker 7: I'm listening to people and I'm like, y'all can't do

2346
02:13:49,520 --> 02:13:53,800
Speaker 7: that to him. That's like if I'm over here, they're

2347
02:13:53,800 --> 02:13:57,320
Speaker 7: gonna feel like they could do that to me, I'm saying.

2348
02:13:57,400 --> 02:14:01,120
Speaker 7: And they don't even like those producers, they don't even.

2349
02:14:01,080 --> 02:14:08,520
Speaker 1: Know how you definitely they don't know. Trust me, it

2350
02:14:08,640 --> 02:14:11,560
Speaker 1: was a heights. It was too easy. Your security not

2351
02:14:11,720 --> 02:14:14,480
Speaker 1: cut like that. You're not cut like that, and your

2352
02:14:14,520 --> 02:14:17,600
Speaker 1: manager's not cut like that. It's whatever.

2353
02:14:17,840 --> 02:14:20,960
Speaker 7: Like it was, it was food, and I wouldn't let

2354
02:14:21,000 --> 02:14:25,000
Speaker 7: nobody eat off the producer's plate. I just wonn't let

2355
02:14:25,120 --> 02:14:25,600
Speaker 7: nobody do that.

2356
02:14:25,840 --> 02:14:33,680
Speaker 1: Make some sweats. What do you love about the New School?

2357
02:14:35,880 --> 02:14:39,280
Speaker 1: Let's praise what's happening now. Well, I love about the

2358
02:14:39,360 --> 02:14:42,600
Speaker 1: New School is that we can't relate to it. That's

2359
02:14:42,640 --> 02:14:43,920
Speaker 1: what you love about You can't.

2360
02:14:44,120 --> 02:14:47,800
Speaker 7: You can't, That's what you love about I love that

2361
02:14:47,920 --> 02:14:49,720
Speaker 7: about that because because it's evolved.

2362
02:14:49,440 --> 02:14:53,160
Speaker 1: Me, that wed.

2363
02:14:53,840 --> 02:14:58,160
Speaker 7: How many people's comfortable in their ways can relate to

2364
02:14:58,360 --> 02:15:02,880
Speaker 7: And absolutely, at that particular time, they couldn't relate to it.

2365
02:15:02,920 --> 02:15:05,040
Speaker 1: They couldn't relate to damn they can relate to whole.

2366
02:15:05,360 --> 02:15:06,800
Speaker 1: They were stuck in their old ways.

2367
02:15:07,600 --> 02:15:09,880
Speaker 7: I love that I can't relate to him, and it's

2368
02:15:09,920 --> 02:15:15,600
Speaker 7: a constant reminder and builder of what we need to

2369
02:15:15,640 --> 02:15:16,320
Speaker 7: have a little bit.

2370
02:15:16,240 --> 02:15:16,920
Speaker 1: More patience with.

2371
02:15:17,760 --> 02:15:21,000
Speaker 7: We might not understand, but the youth might understand. And

2372
02:15:21,120 --> 02:15:23,600
Speaker 7: at that time when Noor was coming, the youth understood that,

2373
02:15:24,440 --> 02:15:27,879
Speaker 7: and then the ol gs at that time, this particular

2374
02:15:27,960 --> 02:15:29,160
Speaker 7: team couldn't understand him.

2375
02:15:29,680 --> 02:15:31,200
Speaker 1: I remember when they couldn't understand me.

2376
02:15:31,640 --> 02:15:33,760
Speaker 7: I did money cash hold that's slipping my hand across

2377
02:15:33,800 --> 02:15:34,360
Speaker 7: the keyboard.

2378
02:15:34,760 --> 02:15:37,080
Speaker 1: They thought it was a sin. It turned up to

2379
02:15:37,160 --> 02:15:40,880
Speaker 1: be a win. You understand. Jigger is the same thing

2380
02:15:41,320 --> 02:15:42,080
Speaker 1: bad Froom TV.

2381
02:15:42,160 --> 02:15:45,560
Speaker 31: The same cast Hole said that one time had across

2382
02:15:45,680 --> 02:15:50,600
Speaker 31: the creeks the cboard crazy.

2383
02:15:51,000 --> 02:15:52,240
Speaker 1: They didn't think I was winning.

2384
02:15:52,360 --> 02:15:54,640
Speaker 7: They think they didn't think I was win. They didn't

2385
02:15:54,680 --> 02:15:56,800
Speaker 7: think I would win. They thought it was a sin

2386
02:15:57,120 --> 02:15:57,879
Speaker 7: because this ship.

2387
02:15:57,800 --> 02:16:07,600
Speaker 1: Was too easy to begin. You know what I'm saying,

2388
02:16:15,120 --> 02:16:23,760
Speaker 1: make me make a beat out. Yeah that was all swiss.

2389
02:16:24,560 --> 02:16:25,880
Speaker 19: That was all so.

2390
02:16:28,320 --> 02:16:35,520
Speaker 4: Because so now, because this is what I've said, I've

2391
02:16:35,640 --> 02:16:38,480
Speaker 4: never been disappointed in hair hip hop, even.

2392
02:16:38,360 --> 02:16:41,440
Speaker 1: When I'm hip hop. That's a big statement. All right.

2393
02:16:41,520 --> 02:16:45,640
Speaker 33: Let me let me I've been. I've been, I've been,

2394
02:16:47,000 --> 02:16:50,600
Speaker 33: like you're saying, I never heard that one. I needn't

2395
02:16:50,640 --> 02:16:52,440
Speaker 33: be very clear on what you mean. You ain't never

2396
02:16:52,520 --> 02:16:54,119
Speaker 33: been disappointed in the hand hip hop.

2397
02:16:54,400 --> 02:16:57,960
Speaker 1: No. If I said rap both y'all, no, no, no,

2398
02:16:58,000 --> 02:17:01,680
Speaker 1: no rappers, hip hop, hip hop. I'm talking about rap too.

2399
02:17:02,440 --> 02:17:05,400
Speaker 1: You ain't never been disappointed in hand rapping. No, no, no,

2400
02:17:05,640 --> 02:17:08,080
Speaker 1: I've been disappointed in head rapped a long time. Rap

2401
02:17:08,160 --> 02:17:10,160
Speaker 1: could be bad, hip hop don't matter a long time.

2402
02:17:10,320 --> 02:17:14,240
Speaker 4: But I'm saying hip hop. I think that hip hop

2403
02:17:14,360 --> 02:17:19,320
Speaker 4: can can continue to exist, right as I think streaming

2404
02:17:20,320 --> 02:17:22,160
Speaker 4: lowered the playing field.

2405
02:17:22,440 --> 02:17:24,160
Speaker 1: And that's what you need to get into. Let's get

2406
02:17:24,200 --> 02:17:27,120
Speaker 1: into that, because what I'm trying to.

2407
02:17:27,120 --> 02:17:31,400
Speaker 4: Say is it's streaming list mold, whatever whoever you are.

2408
02:17:32,320 --> 02:17:36,960
Speaker 4: But as long as you're promoting your streaming ship, right,

2409
02:17:37,120 --> 02:17:40,600
Speaker 4: you could level the playing field for whoever who has

2410
02:17:40,720 --> 02:17:44,760
Speaker 4: people who are spending millions of dollars and it's promotional dollars.

2411
02:17:45,080 --> 02:17:49,360
Speaker 1: Oh no, I'm my bugget. Now you know what's changing.

2412
02:17:49,480 --> 02:17:51,680
Speaker 7: Now, you know what the origonal why I like streaming

2413
02:17:52,040 --> 02:17:56,640
Speaker 7: is because the streamers are getting their props. You know,

2414
02:17:56,800 --> 02:18:01,320
Speaker 7: they might not have the hundreds of thousands in the

2415
02:18:01,400 --> 02:18:06,199
Speaker 7: first week, but the streaming accounts for those different votes

2416
02:18:06,840 --> 02:18:08,480
Speaker 7: that that wouldn't.

2417
02:18:08,120 --> 02:18:10,560
Speaker 1: Be accounted for. So it's like, you know what if

2418
02:18:10,600 --> 02:18:11,920
Speaker 1: you independent.

2419
02:18:13,240 --> 02:18:17,800
Speaker 7: Excuse me, and you and your streaming in your digital

2420
02:18:18,320 --> 02:18:20,280
Speaker 7: components connected, you win it.

2421
02:18:20,879 --> 02:18:22,600
Speaker 1: You know, if you look at if you look at

2422
02:18:22,920 --> 02:18:26,600
Speaker 1: Drake and all of the batteries that he broke this year.

2423
02:18:27,640 --> 02:18:32,400
Speaker 7: It wasn't really based on physical It's like, let's talk

2424
02:18:32,440 --> 02:18:38,000
Speaker 7: about physical. What was a fancy video?

2425
02:18:38,720 --> 02:18:42,720
Speaker 1: Oh, there was a fancy video I shot that we

2426
02:18:42,840 --> 02:18:45,680
Speaker 1: shot that I was in that. The reason why I

2427
02:18:45,800 --> 02:18:48,920
Speaker 1: wasn't approved is unknown. Let me get my hands on it.

2428
02:18:49,000 --> 02:18:51,120
Speaker 1: I will leak it. It was fun.

2429
02:18:51,280 --> 02:18:54,480
Speaker 7: We had a good time. Same thing was t I

2430
02:18:55,080 --> 02:18:58,240
Speaker 7: swing your rags, I know, because Gucci didn't want to.

2431
02:18:58,360 --> 02:19:00,320
Speaker 7: We had swinging Gucci right they were. You want to

2432
02:19:00,320 --> 02:19:01,879
Speaker 7: play all them rags in that fucking video?

2433
02:19:03,280 --> 02:19:06,800
Speaker 1: You know what I'm saying, Like I got started. We

2434
02:19:07,000 --> 02:19:10,760
Speaker 1: never know, let's go. I'm here to talk. That talk

2435
02:19:11,879 --> 02:19:14,800
Speaker 1: and you and Drake, you have never really worked together since.

2436
02:19:14,600 --> 02:19:17,920
Speaker 7: Then, right, we worked together on my on my wife's album.

2437
02:19:18,680 --> 02:19:22,520
Speaker 7: You know, I think Drake is a creative guy. And

2438
02:19:22,560 --> 02:19:25,400
Speaker 7: I'm gonna just leave that at that because you don't

2439
02:19:25,440 --> 02:19:25,800
Speaker 7: want me to.

2440
02:19:27,400 --> 02:19:29,760
Speaker 1: I mean, we're here to talk like I got a

2441
02:19:29,800 --> 02:19:33,080
Speaker 1: little wed I'm sorry. No, no, no, no, I'm not.

2442
02:19:33,760 --> 02:19:38,440
Speaker 1: I'm not a weird guy neither. Both you guys have

2443
02:19:38,520 --> 02:19:46,840
Speaker 1: been weird right now? All right? You know what, you

2444
02:19:46,920 --> 02:19:49,840
Speaker 1: know what, you know what, you know what you know.

2445
02:19:51,840 --> 02:19:55,280
Speaker 1: Let's talk Swiss. Nobody listens to us anyway. I think,

2446
02:19:55,400 --> 02:19:59,120
Speaker 1: like you know, there's no rules to fame. There's no

2447
02:19:59,280 --> 02:20:01,560
Speaker 1: rules to that. When you came in this game.

2448
02:20:01,640 --> 02:20:04,160
Speaker 7: Anybody that you know that's famous, let me know the

2449
02:20:04,200 --> 02:20:07,920
Speaker 7: guy that they had to lead into it, understand, especially

2450
02:20:08,080 --> 02:20:10,680
Speaker 7: coming from the streets. We coming from the streets, we

2451
02:20:10,720 --> 02:20:14,480
Speaker 7: ain't even know we could be amongst the name of famous.

2452
02:20:15,920 --> 02:20:20,840
Speaker 7: We was nameless. You understand, people look past us. Ain't

2453
02:20:20,840 --> 02:20:23,560
Speaker 7: nobody look at us. Ain't nobody look at and ain't

2454
02:20:23,560 --> 02:20:26,200
Speaker 7: nobody look at nobody in this room, or better yet,

2455
02:20:26,240 --> 02:20:28,520
Speaker 7: any artist that's playing on this radio that came from

2456
02:20:28,560 --> 02:20:34,039
Speaker 7: the bottom into something, you understand. So you know, when

2457
02:20:34,080 --> 02:20:36,640
Speaker 7: I look at different things, I got to gauge it

2458
02:20:36,680 --> 02:20:37,480
Speaker 7: on a different level.

2459
02:20:38,280 --> 02:20:40,240
Speaker 1: And I have to gauge on where we come from,

2460
02:20:41,680 --> 02:20:44,520
Speaker 1: disappointed you that he was going to say something.

2461
02:20:44,560 --> 02:20:49,640
Speaker 7: You just Drake come from a different He come from

2462
02:20:49,680 --> 02:20:53,320
Speaker 7: a different lineage of where we come from. This is

2463
02:20:53,400 --> 02:20:57,800
Speaker 7: a person that is our biggest fan turned into his

2464
02:20:57,959 --> 02:21:03,760
Speaker 7: biggest man, came from our biggest fan, turned into his

2465
02:21:03,920 --> 02:21:07,040
Speaker 7: biggest man. He knows about more about us than we

2466
02:21:07,200 --> 02:21:11,680
Speaker 7: know about us because he's just tapped into that different

2467
02:21:12,400 --> 02:21:14,920
Speaker 7: He just tapped into a different zone and.

2468
02:21:14,959 --> 02:21:16,720
Speaker 1: Then he forgured out how to make great music.

2469
02:21:17,360 --> 02:21:22,200
Speaker 7: You know, I just I'm not even like, for real,

2470
02:21:22,760 --> 02:21:24,400
Speaker 7: I don't even want to play with these people because

2471
02:21:25,080 --> 02:21:26,840
Speaker 7: one of their mans want to jump out of line.

2472
02:21:27,200 --> 02:21:30,920
Speaker 7: I'm you know, I just respect all the blessings that

2473
02:21:31,560 --> 02:21:33,520
Speaker 7: came to a person from from being creative.

2474
02:21:34,800 --> 02:21:41,640
Speaker 1: Makes the noise through that goddamnit, mist the whipping nigga

2475
02:21:41,640 --> 02:21:47,760
Speaker 1: off is fucking private player? Are we taking I feel

2476
02:21:47,800 --> 02:21:49,920
Speaker 1: like we take him to the shot you want?

2477
02:21:50,160 --> 02:21:50,480
Speaker 7: Shut up?

2478
02:21:54,680 --> 02:22:00,200
Speaker 4: Cars has been on that my friend employers you.

2479
02:22:01,240 --> 02:22:02,400
Speaker 1: I really say that ship.

2480
02:22:03,600 --> 02:22:05,800
Speaker 7: I'm not even scared of these niggas like that. Like

2481
02:22:05,920 --> 02:22:08,680
Speaker 7: to be honest, however, they want to cut the cake.

2482
02:22:08,720 --> 02:22:10,800
Speaker 7: It's my birthday. Every day is your birthday.

2483
02:22:11,040 --> 02:22:13,400
Speaker 1: Every day your birthday. Every day is your birthday when

2484
02:22:13,440 --> 02:22:16,680
Speaker 1: you wake, when you wake up, and New Year's Eve

2485
02:22:17,480 --> 02:22:19,440
Speaker 1: birthday and New Year's Evil drink champs.

2486
02:22:19,520 --> 02:22:23,280
Speaker 16: Every every night you died in your sleep, when God,

2487
02:22:23,400 --> 02:22:27,320
Speaker 16: when God woke, when whoever you believe in you got

2488
02:22:28,360 --> 02:22:29,520
Speaker 16: woke you up that morning.

2489
02:22:30,600 --> 02:22:34,720
Speaker 7: It's your blessing. That's your new start. The fact that

2490
02:22:34,800 --> 02:22:37,080
Speaker 7: you're breathing and seeing life is a plus.

2491
02:22:37,680 --> 02:22:42,000
Speaker 1: Who's that bathroom back there?

2492
02:22:42,600 --> 02:22:44,640
Speaker 4: Come on, Swiss, don't worry about it, Okay, they never

2493
02:22:44,680 --> 02:22:46,279
Speaker 4: they never pick up on the mic anyway.

2494
02:22:46,920 --> 02:22:51,120
Speaker 1: Yeah, I hear it everything. I'm gonna keep it. You

2495
02:22:51,240 --> 02:22:54,879
Speaker 1: flirted on the shop. Definitely hear things out here. I'm

2496
02:22:54,959 --> 02:22:58,680
Speaker 1: tuning the don't hear everything that's up the dar. Now

2497
02:22:59,360 --> 02:23:01,360
Speaker 1: I'm here. I'll be for us, Here for us. There's

2498
02:23:01,480 --> 02:23:06,160
Speaker 1: d m X and jay Z Ball. Yeah, happened back

2499
02:23:06,440 --> 02:23:10,280
Speaker 1: like now we're getting to that. You were you were there? No,

2500
02:23:10,480 --> 02:23:13,480
Speaker 1: I wasn't, Okay, I was late, all right, we like

2501
02:23:13,959 --> 02:23:17,160
Speaker 1: I've been late. He was late today. I slept. They

2502
02:23:17,240 --> 02:23:19,320
Speaker 1: called me shows beast the monsica, and I never slept.

2503
02:23:19,920 --> 02:23:21,560
Speaker 1: So that's how I got them. You were late today?

2504
02:23:22,240 --> 02:23:29,280
Speaker 34: But here your mind? What time I got you gonna

2505
02:23:29,320 --> 02:23:33,199
Speaker 34: hear you gotta here like forty five minutes later. Thirty

2506
02:23:33,240 --> 02:23:34,360
Speaker 34: What time that I was?

2507
02:23:34,480 --> 02:23:39,360
Speaker 1: He had nine? They said nine, nine, they said nine

2508
02:23:39,440 --> 02:23:41,840
Speaker 1: thirty lates. What time did I get here? Nine forty

2509
02:23:41,879 --> 02:23:44,280
Speaker 1: five and a half. You gotta hit ten forty five.

2510
02:23:44,360 --> 02:23:48,040
Speaker 1: In my mind, it's like one of the fucking show. Okay,

2511
02:23:48,200 --> 02:23:50,920
Speaker 1: so you got you gotta show up because he got

2512
02:23:51,040 --> 02:23:53,640
Speaker 1: a dance. You gotta you want him to dance that.

2513
02:23:55,080 --> 02:23:55,520
Speaker 11: Is coming.

2514
02:23:56,920 --> 02:23:59,880
Speaker 1: Is coming out later. But so now you hear about

2515
02:24:00,080 --> 02:24:00,480
Speaker 1: a second.

2516
02:24:01,000 --> 02:24:04,920
Speaker 7: Let me tell you something. I've been in meetings globally

2517
02:24:05,640 --> 02:24:08,160
Speaker 7: with a lot of people don't know my position at

2518
02:24:08,200 --> 02:24:11,480
Speaker 7: this brand that we're drinking. They don't know where it

2519
02:24:11,560 --> 02:24:13,760
Speaker 7: comes from, they don't know how it happened. I never

2520
02:24:13,840 --> 02:24:17,880
Speaker 7: even talked about it. I'm in control of three hundred

2521
02:24:18,680 --> 02:24:22,000
Speaker 7: brands that people drink from.

2522
02:24:22,080 --> 02:24:28,400
Speaker 1: Bay Too do sing it's I.

2523
02:24:29,879 --> 02:24:35,360
Speaker 7: Can't sell Bacardi Great Goose, Baccardi eight, all of the Bacardi's,

2524
02:24:37,760 --> 02:24:38,480
Speaker 7: Can I get it on?

2525
02:24:38,760 --> 02:24:45,680
Speaker 1: Half of all of this ship? And I flew from Thailand,

2526
02:24:47,000 --> 02:24:47,440
Speaker 1: New York.

2527
02:24:48,000 --> 02:24:57,879
Speaker 7: Stop cupping Dubai, dow y'all, stop cupping Texas, Atlanta, Miami.

2528
02:25:01,320 --> 02:25:05,920
Speaker 1: Those are all of this and landon land in Miami

2529
02:25:06,080 --> 02:25:18,879
Speaker 1: and being a meeting at nine and let's make I'm

2530
02:25:18,920 --> 02:25:21,080
Speaker 1: not gonna lie. I'm trying to get all these bottles.

2531
02:25:21,120 --> 02:25:22,800
Speaker 1: Bacadia on the table with a chick.

2532
02:25:23,600 --> 02:25:27,880
Speaker 4: Yeah, I'm not gonna allow my passport, like if my

2533
02:25:28,000 --> 02:25:31,440
Speaker 4: passport stepped up, and then he said, like more customers, my.

2534
02:25:31,560 --> 02:25:36,440
Speaker 1: Passport just said it's old my passport. You've really been

2535
02:25:36,520 --> 02:25:38,080
Speaker 1: in all these many countries.

2536
02:25:38,520 --> 02:25:41,760
Speaker 2: Listens, go back to what he said. Bacardi on the table,

2537
02:25:42,480 --> 02:25:51,600
Speaker 2: all Bocardi, let's go. He said, you know, you know

2538
02:25:52,680 --> 02:25:54,360
Speaker 2: running m S.

2539
02:25:54,600 --> 02:25:57,720
Speaker 7: I was posting, you know, Puff hit me, right, That's

2540
02:25:58,200 --> 02:26:00,920
Speaker 7: that's my old g The reason I started adding it

2541
02:26:01,080 --> 02:26:01,920
Speaker 7: was because of Puff.

2542
02:26:02,959 --> 02:26:06,080
Speaker 1: The reason why you got showtime. God damaged. All those

2543
02:26:06,160 --> 02:26:11,080
Speaker 1: hypes came from Puff Daddy. I didn't know about that.

2544
02:26:11,200 --> 02:26:15,959
Speaker 7: Shiit nuttell Puff Daddy just for my niggas though special delivery.

2545
02:26:16,040 --> 02:26:21,760
Speaker 1: God damn yeah, ladies and gentlemen, that's Puff Daddy, factual

2546
02:26:24,440 --> 02:26:29,480
Speaker 1: build TV. Puff hit me and was like.

2547
02:26:31,000 --> 02:26:37,440
Speaker 7: Swiss, God damn it. Whoa you really like? Great goose

2548
02:26:37,600 --> 02:26:40,800
Speaker 7: like that? I said, it's under the umbroll. I run

2549
02:26:40,879 --> 02:26:43,680
Speaker 7: three hundreds of the brands. He said, get your money, nigga,

2550
02:26:45,160 --> 02:26:48,920
Speaker 7: I said, as I will. I said, but we're going

2551
02:26:49,000 --> 02:26:53,680
Speaker 7: with rum Cardy eate. And the fact that like he

2552
02:26:53,800 --> 02:26:56,600
Speaker 7: didn't downplay me, he didn't diss me, He didn't even

2553
02:26:56,640 --> 02:26:57,080
Speaker 7: put me in.

2554
02:26:57,240 --> 02:27:00,520
Speaker 1: Like a compromising situation. He didn't.

2555
02:27:00,600 --> 02:27:03,760
Speaker 7: He just didn't know that we owned all those different

2556
02:27:03,800 --> 02:27:07,200
Speaker 7: particular brands. So he he was like, you know, uh,

2557
02:27:08,680 --> 02:27:11,680
Speaker 7: I'm si Rah, what are you talking about?

2558
02:27:11,680 --> 02:27:15,920
Speaker 1: Great? Like you like great goose like that you sleep

2559
02:27:15,959 --> 02:27:21,240
Speaker 1: in my house, my brother. This is not personally, this

2560
02:27:21,360 --> 02:27:23,760
Speaker 1: is business. And he said, get your money.

2561
02:27:24,440 --> 02:27:27,800
Speaker 7: That's that's that's a real hustler talk to another hustle,

2562
02:27:28,520 --> 02:27:31,200
Speaker 7: because we have to encourage each other to go to

2563
02:27:31,280 --> 02:27:35,000
Speaker 7: the next level. I would never talk down to Baccardi

2564
02:27:35,280 --> 02:27:38,520
Speaker 7: about I drink rock right now.

2565
02:27:40,640 --> 02:27:59,600
Speaker 1: Let's go like like you know, said right him and

2566
02:28:00,480 --> 02:28:01,560
Speaker 1: they do. Man, pull up.

2567
02:28:03,160 --> 02:28:07,800
Speaker 7: That niggas a bottles Hirak is my and I'm so

2568
02:28:08,000 --> 02:28:09,120
Speaker 7: bad to drink.

2569
02:28:09,200 --> 02:28:12,440
Speaker 1: I'm not firing. Yeah, let's go, buddy, can shut me,

2570
02:28:12,600 --> 02:28:18,119
Speaker 1: fire me whatever, twitch DOWNCARDI fired me. I'm drinking sk

2571
02:28:18,920 --> 02:28:21,920
Speaker 1: do what you want to do. Damn you want to dot.

2572
02:28:22,560 --> 02:28:25,800
Speaker 1: We don't go against you know what I'm saying. I

2573
02:28:25,920 --> 02:28:28,600
Speaker 1: have puff with a Bacardi eight bottle in his hand

2574
02:28:29,360 --> 02:28:30,000
Speaker 1: doing his bad.

2575
02:28:30,480 --> 02:28:34,120
Speaker 7: I've seen the puffy now, because you know what, there's

2576
02:28:34,200 --> 02:28:35,560
Speaker 7: no big eyes in little youth.

2577
02:28:36,000 --> 02:28:38,119
Speaker 1: A lot of people want to put us against.

2578
02:28:37,840 --> 02:28:41,640
Speaker 7: Each other, but we all when you talk about music,

2579
02:28:41,720 --> 02:28:46,680
Speaker 7: we all under that category big high, little low rap.

2580
02:28:47,520 --> 02:28:51,440
Speaker 7: No Rea is under the same umbrella as whole Hole

2581
02:28:51,560 --> 02:28:55,280
Speaker 7: is under the same armbrolla. It's little bootsy, I mean,

2582
02:28:55,600 --> 02:28:59,320
Speaker 7: like it or not, whoever, we all fall under these

2583
02:28:59,400 --> 02:29:00,480
Speaker 7: genres of music.

2584
02:29:00,800 --> 02:29:04,720
Speaker 1: Nobody like the way that we think that they separated, separated.

2585
02:29:04,920 --> 02:29:05,480
Speaker 1: They don't.

2586
02:29:06,760 --> 02:29:10,760
Speaker 7: They're gonna put Nelly with whoever's out right now because

2587
02:29:10,800 --> 02:29:12,879
Speaker 7: it's mainstream in the last form that.

2588
02:29:12,920 --> 02:29:16,360
Speaker 1: They that they understood. That's why there and go out

2589
02:29:16,800 --> 02:29:18,879
Speaker 1: to fashion.

2590
02:29:18,560 --> 02:29:21,720
Speaker 35: Week literally this week and perform and to be a

2591
02:29:21,800 --> 02:29:28,640
Speaker 35: smash hit, smash hit Nelly bang Fashion Week pirates Nelly.

2592
02:29:29,200 --> 02:29:32,840
Speaker 1: Nelly. Drake right now, did you see that? I didn't

2593
02:29:32,879 --> 02:29:37,800
Speaker 1: see that? Yeah, Drake, right now, I'm the one that

2594
02:29:37,920 --> 02:29:42,960
Speaker 1: what right you drink? Drake? Drake?

2595
02:29:50,000 --> 02:30:01,400
Speaker 17: Literally you're going sure is that pp in the cup?

2596
02:30:01,760 --> 02:30:01,920
Speaker 18: Is that?

2597
02:30:02,400 --> 02:30:06,880
Speaker 1: Come on? Bro? That was rocket n good? I like

2598
02:30:07,000 --> 02:30:08,760
Speaker 1: that one man. This is where I goes. I like

2599
02:30:08,840 --> 02:30:19,000
Speaker 1: that one brother, remember McCarty ate whatever CARDI brou up

2600
02:30:35,840 --> 02:30:38,720
Speaker 1: that makes meet? Did I tell you the story?

2601
02:30:39,240 --> 02:30:39,280
Speaker 4: No?

2602
02:30:39,400 --> 02:30:44,080
Speaker 1: No, give me the realist. What you guys say your body?

2603
02:30:44,200 --> 02:30:48,440
Speaker 1: Him and his friends shared a condom. This fucking guy.

2604
02:30:49,280 --> 02:30:52,840
Speaker 1: First of all, wasn't my friend number one? Number one?

2605
02:30:53,200 --> 02:30:56,760
Speaker 1: You didn't feel me way to funk up? I was

2606
02:30:56,800 --> 02:30:58,960
Speaker 1: about to give you the You're gonna give you the

2607
02:30:59,000 --> 02:31:03,480
Speaker 1: real shit? Ever you came with a drunk fact hold

2608
02:31:04,120 --> 02:31:09,680
Speaker 1: you really ship to come ya ya? That's like you

2609
02:31:09,760 --> 02:31:16,800
Speaker 1: know what you know where you live? One time, at

2610
02:31:16,879 --> 02:31:23,400
Speaker 1: least it was halfway protected. That's went down. Either you

2611
02:31:23,480 --> 02:31:24,960
Speaker 1: want to get out because we didn't get out of

2612
02:31:24,959 --> 02:31:30,160
Speaker 1: the pup episode. That's what damn these niggas is sharing things.

2613
02:31:31,360 --> 02:31:33,560
Speaker 1: We got get out of the pumpepisode, but he got

2614
02:31:33,720 --> 02:31:37,720
Speaker 1: edited out. The hold up, they're gonna edit me. No, no, no,

2615
02:31:38,200 --> 02:31:41,800
Speaker 1: we don't know ed. He's just playing because I'm saying

2616
02:31:41,959 --> 02:31:45,720
Speaker 1: it's you. Just say you say something, bro, I wouldn't

2617
02:31:45,760 --> 02:31:46,879
Speaker 1: know you be.

2618
02:31:47,000 --> 02:31:50,640
Speaker 6: Able to come at you say something.

2619
02:31:50,760 --> 02:31:55,640
Speaker 1: No, no, come at me. I'm the guest. Let me

2620
02:31:55,720 --> 02:31:58,720
Speaker 1: tell you son asked me to really ship. You want

2621
02:31:58,760 --> 02:32:04,440
Speaker 1: to fucking know tonight you were talking about whoever, whatever,

2622
02:32:04,920 --> 02:32:12,080
Speaker 1: it's hope everybody's food. I'll be going for as about

2623
02:32:12,600 --> 02:32:15,480
Speaker 1: twin we want to do? What when? Talk to me

2624
02:32:15,520 --> 02:32:19,320
Speaker 1: about whatever? You want to tell you whoever whatever. Let's

2625
02:32:19,360 --> 02:32:22,720
Speaker 1: go some producers, no producers.

2626
02:32:23,000 --> 02:32:27,480
Speaker 2: Producers is pussy what obviously you know there's things that

2627
02:32:27,600 --> 02:32:28,720
Speaker 2: we don't know what to ask you.

2628
02:32:29,440 --> 02:32:32,600
Speaker 1: Please tell us what to ask me? Ye tell us

2629
02:32:32,680 --> 02:32:37,240
Speaker 1: something obviously, you know, because you know there's a lot

2630
02:32:37,440 --> 02:32:39,840
Speaker 1: left something. You know, I can't tell you what to

2631
02:32:39,920 --> 02:32:44,480
Speaker 1: ask me. I'm doing it.

2632
02:32:44,520 --> 02:32:51,320
Speaker 36: Sounds gonna have something that's our producer right product the

2633
02:32:51,600 --> 02:32:55,480
Speaker 36: ship now. But the producer thing is easy. That's you know,

2634
02:32:56,760 --> 02:32:57,400
Speaker 36: we we didn't.

2635
02:32:57,560 --> 02:32:57,959
Speaker 1: We didn't.

2636
02:32:58,280 --> 02:33:01,640
Speaker 7: If I recap on what we did, we didn't shed

2637
02:33:01,760 --> 02:33:03,120
Speaker 7: light on a lot of different things.

2638
02:33:04,040 --> 02:33:09,320
Speaker 1: Now let's get into like personal life things you want

2639
02:33:09,360 --> 02:33:12,320
Speaker 1: to go right now. I'm gonna respect you. The first

2640
02:33:12,320 --> 02:33:15,760
Speaker 1: thing I'm gonna say is that I've seen.

2641
02:33:17,840 --> 02:33:20,680
Speaker 4: And like New Year's Eve, you had your ex wife

2642
02:33:20,760 --> 02:33:24,440
Speaker 4: and your new wife absolutely gathered in the crib with

2643
02:33:24,600 --> 02:33:26,600
Speaker 4: the big statue.

2644
02:33:26,240 --> 02:33:32,400
Speaker 1: The Mickey Mouse with the car. Because that that that's hard.

2645
02:33:32,520 --> 02:33:37,360
Speaker 1: You had your ex wife, Yeah, yeah, thats good relationships there. No,

2646
02:33:38,160 --> 02:33:40,840
Speaker 1: I can't that, but it wasn't. It's not.

2647
02:33:43,040 --> 02:33:49,880
Speaker 4: Mouse, It's really good. And she could talk to my

2648
02:33:49,959 --> 02:33:53,200
Speaker 4: ex wife. But you know both your ex wife is

2649
02:33:53,280 --> 02:33:59,879
Speaker 4: like fucking people on TV. My ex wife and wife

2650
02:34:00,360 --> 02:34:03,920
Speaker 4: both beautiful people, but they just wasn't on TV.

2651
02:34:04,600 --> 02:34:07,840
Speaker 7: And you all like at the end of the day,

2652
02:34:09,360 --> 02:34:13,039
Speaker 7: we got on my marriage currently in my ex marriage.

2653
02:34:14,760 --> 02:34:17,240
Speaker 7: Me and my ex wife, we were young when we

2654
02:34:17,320 --> 02:34:20,000
Speaker 7: were dealing what we was dealing with. I went to

2655
02:34:20,120 --> 02:34:21,760
Speaker 7: that wed Yes, I do.

2656
02:34:22,360 --> 02:34:25,400
Speaker 1: Wow, I was late as the month. Remember you did

2657
02:34:26,040 --> 02:34:29,800
Speaker 1: you know what I'm saying? And smoking years ago? When

2658
02:34:29,959 --> 02:34:39,280
Speaker 1: when uh smoking years ago? To face his throat, go

2659
02:34:39,640 --> 02:34:47,440
Speaker 1: for it, keep going on. We understand the language. People.

2660
02:34:47,640 --> 02:34:56,600
Speaker 1: People could plot and plan, but people complied. Sorry, sorry about.

2661
02:34:58,320 --> 02:35:00,040
Speaker 7: People could plot and plan, but God is the the

2662
02:35:00,080 --> 02:35:04,080
Speaker 7: best of planners, a lot of the best of planners, right,

2663
02:35:05,440 --> 02:35:06,840
Speaker 7: And are you.

2664
02:35:07,720 --> 02:35:10,880
Speaker 1: Not sorry to cut you off? Are you active Muslim? No,

2665
02:35:10,959 --> 02:35:11,240
Speaker 1: I'm not.

2666
02:35:11,720 --> 02:35:15,120
Speaker 7: But I believe in the most high I believe in

2667
02:35:15,440 --> 02:35:18,640
Speaker 7: multiple religions. I believe in things that relate to me.

2668
02:35:19,600 --> 02:35:24,200
Speaker 1: I just say Muslim things. So I go on on

2669
02:35:24,360 --> 02:35:27,800
Speaker 1: and off a couple of times, just because it's just

2670
02:35:28,000 --> 02:35:32,160
Speaker 1: my grandfather. I grew up in. Oh, that's right. My

2671
02:35:32,320 --> 02:35:35,280
Speaker 1: name is Cassim Dalin, like I have a full of

2672
02:35:35,360 --> 02:35:36,680
Speaker 1: slim name. Right.

2673
02:35:38,480 --> 02:35:40,720
Speaker 7: I went to some school. I speak to them of

2674
02:35:40,800 --> 02:35:43,959
Speaker 7: some language. That's that's what I grew up with. None

2675
02:35:44,000 --> 02:35:46,520
Speaker 7: of my uncles smoke or drink to this date today,

2676
02:35:46,680 --> 02:35:48,119
Speaker 7: in twenty seventeen.

2677
02:35:47,800 --> 02:35:50,560
Speaker 1: Which we should actually none of them ever had here.

2678
02:35:52,920 --> 02:35:56,720
Speaker 1: They never did, no, we never. The thing that made

2679
02:35:56,800 --> 02:36:00,520
Speaker 1: rough strong was did you hear this? They never, They

2680
02:36:00,640 --> 02:36:04,360
Speaker 1: never smoked, and they never messed up as women. You

2681
02:36:04,360 --> 02:36:05,879
Speaker 1: know what I'm saying, No nobody.

2682
02:36:05,600 --> 02:36:09,800
Speaker 7: Ever, you know, so a female couldn't interject into the system, drugs,

2683
02:36:09,840 --> 02:36:14,400
Speaker 7: couldn't interject in the system, couldn't interject into wow wow say.

2684
02:36:14,680 --> 02:36:18,680
Speaker 1: It was real protocol then, and I'm bred from that.

2685
02:36:19,120 --> 02:36:22,800
Speaker 7: I started drinking and smoking at thirty later in life,

2686
02:36:22,920 --> 02:36:23,360
Speaker 7: know what I'm saying.

2687
02:36:23,879 --> 02:36:30,920
Speaker 1: I'm thirty eight right now. I had to think about that. Yeah, years,

2688
02:36:30,959 --> 02:36:32,560
Speaker 1: why and all the type of pages.

2689
02:36:32,640 --> 02:36:36,039
Speaker 7: Right, I'm thirty eight right now and I don't even

2690
02:36:36,040 --> 02:36:38,040
Speaker 7: been drinking and smoking for eight years because it was

2691
02:36:38,080 --> 02:36:38,640
Speaker 7: a violation.

2692
02:36:40,400 --> 02:36:44,240
Speaker 1: What made you start drinking and smoking? When I say

2693
02:36:44,360 --> 02:36:46,560
Speaker 1: drinking and smoking, I don't mean like I have to

2694
02:36:46,680 --> 02:36:49,320
Speaker 1: have it. No, no, but what I just triggered. You

2695
02:36:49,360 --> 02:36:51,600
Speaker 1: know what, at the end of the day, I just

2696
02:36:51,680 --> 02:36:54,480
Speaker 1: wanted to be rebellious. You know what I'm saying. I

2697
02:36:54,600 --> 02:36:55,039
Speaker 1: was thirty.

2698
02:36:55,240 --> 02:36:58,360
Speaker 7: I mean, I'm just saying because I was trapped and

2699
02:36:59,040 --> 02:37:01,720
Speaker 7: all of the ages, my twenties and my teens before that,

2700
02:37:02,160 --> 02:37:05,199
Speaker 7: I was trapped into this thing that was very militant.

2701
02:37:05,959 --> 02:37:07,720
Speaker 7: Understand So when I had my freedom and I have

2702
02:37:07,800 --> 02:37:09,959
Speaker 7: my money, and I had a little bit of fame,

2703
02:37:10,160 --> 02:37:11,880
Speaker 7: like I do what I want, I wanted to be grown.

2704
02:37:12,480 --> 02:37:14,800
Speaker 7: So I smoked a little weed, I smoked a cigar,

2705
02:37:14,920 --> 02:37:19,240
Speaker 7: I drink a little drink, and I literally started that

2706
02:37:19,320 --> 02:37:24,200
Speaker 7: life at thirty, I understand. And you know, I can't

2707
02:37:24,240 --> 02:37:27,080
Speaker 7: say it was the best decisions that I made. I

2708
02:37:27,160 --> 02:37:29,760
Speaker 7: can't say it was the worst decision. And what it is,

2709
02:37:29,920 --> 02:37:31,520
Speaker 7: it is like you gotta do what the fuck.

2710
02:37:31,440 --> 02:37:34,720
Speaker 1: You want to do and live your life. I don't like,

2711
02:37:35,360 --> 02:37:38,640
Speaker 1: I never been like a scared person. I could have

2712
02:37:38,680 --> 02:37:41,240
Speaker 1: been dead ten times. Understand.

2713
02:37:41,280 --> 02:37:43,480
Speaker 7: Like, I've been shot at a bunch of times. I've

2714
02:37:43,520 --> 02:37:46,840
Speaker 7: been in situations a bunch of times, you know, But

2715
02:37:47,000 --> 02:37:50,160
Speaker 7: one thing that I knew was honor and protocol. And

2716
02:37:50,280 --> 02:37:52,080
Speaker 7: I know that a lot of people in this industry

2717
02:37:52,840 --> 02:37:57,199
Speaker 7: that we come from, they don't know the basics, they

2718
02:37:57,240 --> 02:37:59,840
Speaker 7: don't know the math, they don't know the knowledge, so

2719
02:38:00,480 --> 02:38:04,800
Speaker 7: they do different things. That's like temperamental, right, They don't

2720
02:38:04,840 --> 02:38:10,520
Speaker 7: do different things that represent the culture or themselves or

2721
02:38:10,560 --> 02:38:13,480
Speaker 7: their families. You know, you look at how many rats

2722
02:38:13,520 --> 02:38:16,200
Speaker 7: that we got today. I ain't never been an extermination

2723
02:38:16,360 --> 02:38:21,080
Speaker 7: plan like we need today. Understand, back then, you knew

2724
02:38:21,080 --> 02:38:23,240
Speaker 7: what you're doing and you knew what not to do.

2725
02:38:24,040 --> 02:38:27,760
Speaker 7: Nowadays people don't even know what not to do. And

2726
02:38:27,840 --> 02:38:29,920
Speaker 7: you know why, I say, you know what, I can't

2727
02:38:29,920 --> 02:38:32,440
Speaker 7: even blame them because they ain't had a knowledge or

2728
02:38:32,520 --> 02:38:35,040
Speaker 7: the influence or the team or the structure that we

2729
02:38:35,240 --> 02:38:36,760
Speaker 7: had for that guidance.

2730
02:38:37,000 --> 02:38:42,920
Speaker 1: So they lost they lost ones. Understand we wasn't lost ones.

2731
02:38:43,080 --> 02:38:48,200
Speaker 7: You know, we came up with protocol, obedience, discipline, repercussions

2732
02:38:48,760 --> 02:38:51,199
Speaker 7: and different things that went against that violation.

2733
02:38:51,800 --> 02:38:55,720
Speaker 1: So let me ask yourself before you good about it.

2734
02:38:56,040 --> 02:39:01,000
Speaker 1: I'm not going nowhere. I'm cold. I read to write

2735
02:39:01,040 --> 02:39:03,959
Speaker 1: my book in this mother side because there was two

2736
02:39:04,040 --> 02:39:04,800
Speaker 1: different eras.

2737
02:39:04,920 --> 02:39:05,040
Speaker 18: Right.

2738
02:39:06,000 --> 02:39:10,360
Speaker 4: When you say when you speak about we speak about jay,

2739
02:39:11,120 --> 02:39:12,680
Speaker 4: then you speak about acts, right.

2740
02:39:13,200 --> 02:39:14,519
Speaker 1: There's two different conversations.

2741
02:39:14,600 --> 02:39:17,120
Speaker 4: We got exactly this is what I'm trying to say,

2742
02:39:18,440 --> 02:39:24,960
Speaker 4: and then we speak about else acts that was a

2743
02:39:25,040 --> 02:39:31,119
Speaker 4: certain era, well, that was a certain either behind or before.

2744
02:39:31,879 --> 02:39:35,960
Speaker 1: Yeah what what? What? What did you visualize?

2745
02:39:36,520 --> 02:39:41,160
Speaker 7: What the vageli was that you know, X put his

2746
02:39:41,840 --> 02:39:47,959
Speaker 7: drug habits, his hard times, his inconvenience to life.

2747
02:39:49,320 --> 02:39:49,400
Speaker 15: His.

2748
02:39:51,120 --> 02:39:55,680
Speaker 7: Unchosen parts of life on his front sleeve, and no

2749
02:39:55,840 --> 02:39:56,760
Speaker 7: disrespect the whole.

2750
02:39:57,240 --> 02:39:59,040
Speaker 1: I'm working on him in his music right now.

2751
02:40:00,040 --> 02:40:03,160
Speaker 7: But he put all those things under the mansion xun

2752
02:40:03,280 --> 02:40:07,000
Speaker 7: the sleeve, which is the reason why XO pray with

2753
02:40:07,080 --> 02:40:12,440
Speaker 7: people on their stage blood crips, bloods, gang bangers, drug dealers,

2754
02:40:12,840 --> 02:40:16,959
Speaker 7: whoever you named it the crown stage for X. It's

2755
02:40:17,000 --> 02:40:20,760
Speaker 7: hard to follow X with can I Get a or

2756
02:40:20,800 --> 02:40:24,520
Speaker 7: whatever them songs were, understand. So that's why that uh

2757
02:40:25,879 --> 02:40:29,640
Speaker 7: tas had to reverse on that on that physical stage.

2758
02:40:30,640 --> 02:40:33,040
Speaker 7: But you know, Jova's a genius. He's a smart guy,

2759
02:40:33,840 --> 02:40:40,800
Speaker 7: and he might have and he I have no doubt

2760
02:40:40,840 --> 02:40:42,760
Speaker 7: that he's going to have like the long term effect

2761
02:40:44,120 --> 02:40:49,920
Speaker 7: that might outlaw outlast a DMX. But he know what

2762
02:40:50,040 --> 02:40:54,920
Speaker 7: his uh, he know what his best challenges was nas DMX.

2763
02:40:55,440 --> 02:40:58,120
Speaker 7: Maybe the two out of a few, you know what

2764
02:40:58,120 --> 02:41:01,800
Speaker 7: I'm saying. And he respects those things. He respect DMX,

2765
02:41:02,080 --> 02:41:05,560
Speaker 7: he respect NIZE, and respect hisself, and I've never ever

2766
02:41:05,640 --> 02:41:08,080
Speaker 7: seen him disrespect those things, you know what I'm saying,

2767
02:41:08,080 --> 02:41:11,040
Speaker 7: as much as those people felt disrespected in those times.

2768
02:41:11,520 --> 02:41:15,240
Speaker 7: I've been with hop and a lot of real personal moments,

2769
02:41:15,560 --> 02:41:19,320
Speaker 7: and I witnessed him listening to NICs. I witnessed him

2770
02:41:19,959 --> 02:41:23,039
Speaker 7: giving perhaps some respect to DMX, which is the reason

2771
02:41:23,160 --> 02:41:24,240
Speaker 7: why I'm happy.

2772
02:41:24,280 --> 02:41:26,920
Speaker 1: Why him in DMX communicate on the phone right now?

2773
02:41:27,000 --> 02:41:27,160
Speaker 18: You know?

2774
02:41:28,160 --> 02:41:37,560
Speaker 4: Uh now if DMX, what of no to rock Nation recently?

2775
02:41:40,280 --> 02:41:42,480
Speaker 1: Why you want to do that to me? Go ahead, No,

2776
02:41:42,760 --> 02:41:44,119
Speaker 1: I'm asking you all the way.

2777
02:41:46,560 --> 02:41:46,920
Speaker 10: You could.

2778
02:41:47,120 --> 02:41:50,720
Speaker 4: But I've seen your statement. I've personally seen your statement.

2779
02:41:51,400 --> 02:41:54,680
Speaker 4: He was like, Yo, I don't mind that the locks

2780
02:41:55,320 --> 02:41:58,840
Speaker 4: is that rock Nation in box? I never do you

2781
02:41:58,920 --> 02:42:05,160
Speaker 4: know thought that that rock soide? Okay, would you have

2782
02:42:05,480 --> 02:42:09,360
Speaker 4: the same way about if I don't think the dog

2783
02:42:09,400 --> 02:42:10,000
Speaker 4: ain't throwing.

2784
02:42:09,840 --> 02:42:11,720
Speaker 1: The north side at least? You know?

2785
02:42:12,760 --> 02:42:14,280
Speaker 4: But you know what, let me tell you something. I've

2786
02:42:14,280 --> 02:42:17,600
Speaker 4: seen the dog in Vegas. I said, your dog? He said, yo,

2787
02:42:18,400 --> 02:42:21,960
Speaker 4: podcast school right, I said, yeah, I need you more

2788
02:42:22,040 --> 02:42:32,600
Speaker 4: time what I forgot too, the dog.

2789
02:42:37,840 --> 02:42:43,800
Speaker 7: The dog is you know, if the dog was to

2790
02:42:43,879 --> 02:42:47,680
Speaker 7: do a deal with ragnation and was taking his kids

2791
02:42:47,840 --> 02:42:50,240
Speaker 7: to the next level, because that's our main focus on

2792
02:42:50,360 --> 02:42:53,760
Speaker 7: this new album, and even about him me, it's about

2793
02:42:53,800 --> 02:42:57,000
Speaker 7: his kids and his family because that's what we worked

2794
02:42:57,000 --> 02:42:57,360
Speaker 7: hard for.

2795
02:42:57,840 --> 02:43:00,600
Speaker 1: We don't have all the fun. Oh we had fun

2796
02:43:00,680 --> 02:43:01,840
Speaker 1: since ninety eight.

2797
02:43:02,360 --> 02:43:05,720
Speaker 7: You understand, it's twenty seventeen, and so it's bigger than

2798
02:43:05,959 --> 02:43:10,480
Speaker 7: me him. It's about our kids. That's twenty years hum

2799
02:43:10,600 --> 02:43:11,039
Speaker 7: your lot.

2800
02:43:11,320 --> 02:43:14,160
Speaker 1: You know what I'm saying. You know, it's about dogs,

2801
02:43:14,320 --> 02:43:14,760
Speaker 1: kids and.

2802
02:43:16,520 --> 02:43:19,960
Speaker 7: I really feel the type of way about that, and

2803
02:43:20,040 --> 02:43:21,720
Speaker 7: I know that he feel the type of way about that.

2804
02:43:22,160 --> 02:43:25,080
Speaker 7: And we can't elevate the kids, then what we was

2805
02:43:25,160 --> 02:43:28,640
Speaker 7: put on here on earth to do was wasted, you

2806
02:43:28,680 --> 02:43:31,560
Speaker 7: know what I'm saying. And I believe in no wasted time.

2807
02:43:32,240 --> 02:43:35,120
Speaker 7: On this limited time that we call life. There's only

2808
02:43:35,160 --> 02:43:38,400
Speaker 7: twenty eight thousand days to this thing that we call life.

2809
02:43:38,920 --> 02:43:39,560
Speaker 1: I don't live.

2810
02:43:39,480 --> 02:43:42,320
Speaker 7: Fourteen thousand of my days and I'm thirty eight, So

2811
02:43:42,400 --> 02:43:45,200
Speaker 7: imagine where everybody else standing in this world by the time.

2812
02:43:45,320 --> 02:43:47,480
Speaker 7: You know, the time that you spend on this world.

2813
02:43:47,800 --> 02:43:50,520
Speaker 7: This shit is almost fucking over, and then they can

2814
02:43:50,640 --> 02:43:51,200
Speaker 7: hit you with some.

2815
02:43:51,280 --> 02:43:55,720
Speaker 1: More other shit, you understand. So I just admire.

2816
02:43:56,760 --> 02:44:00,200
Speaker 7: The protocols and the factor is that that that with,

2817
02:44:00,480 --> 02:44:04,480
Speaker 7: that's that's within. You know, as far as dogs, you

2818
02:44:04,560 --> 02:44:06,960
Speaker 7: know you've ready or you're not ready, you know what

2819
02:44:06,959 --> 02:44:10,440
Speaker 7: I'm saying. I look at him in his eyes, I'll

2820
02:44:10,520 --> 02:44:11,000
Speaker 7: fight him.

2821
02:44:11,879 --> 02:44:13,160
Speaker 1: We get into it. We didn't.

2822
02:44:13,200 --> 02:44:18,280
Speaker 7: We didn't scrap many of times. Awful love, yes, and

2823
02:44:18,959 --> 02:44:24,000
Speaker 7: me and dogs scrapped many of times. We fight physical hands, knuckles,

2824
02:44:26,040 --> 02:44:30,960
Speaker 7: black eyes, and then we shoot out for each other

2825
02:44:31,120 --> 02:44:34,760
Speaker 7: for survival too. That's in this book. I protected his

2826
02:44:34,920 --> 02:44:36,600
Speaker 7: life many of times, you know what I'm saying, Like

2827
02:44:38,200 --> 02:44:39,080
Speaker 7: it was just nature.

2828
02:44:39,680 --> 02:44:40,000
Speaker 1: M hm.

2829
02:44:41,040 --> 02:44:44,400
Speaker 7: You're not gonna do nothing to him. That's my brother,

2830
02:44:45,000 --> 02:44:47,000
Speaker 7: you know what I'm saying. And one thing I gotta

2831
02:44:47,040 --> 02:44:50,200
Speaker 7: tell you about Dog, he's the most genuous person I met.

2832
02:44:50,879 --> 02:44:52,920
Speaker 7: If you look at all his crimes that they talk about,

2833
02:44:53,200 --> 02:44:55,760
Speaker 7: it ain't never been about no real crimes and been

2834
02:44:55,800 --> 02:45:01,080
Speaker 7: abound governmental crime crime him Joe with police this that,

2835
02:45:01,120 --> 02:45:04,520
Speaker 7: and you ain't never seen no news about him hurting

2836
02:45:04,560 --> 02:45:07,760
Speaker 7: the person or doing bodily harm or doing something really

2837
02:45:07,840 --> 02:45:12,640
Speaker 7: disrespectful to anybody. It's been about small things, you understanding,

2838
02:45:12,640 --> 02:45:16,359
Speaker 7: and for him to be able to maintain his capabilities

2839
02:45:16,480 --> 02:45:19,400
Speaker 7: and his music industry to be small things, but the

2840
02:45:19,560 --> 02:45:22,560
Speaker 7: media want to backlash on them for big things, and

2841
02:45:22,920 --> 02:45:26,160
Speaker 7: for him to have his stride and to be folks today.

2842
02:45:26,840 --> 02:45:30,280
Speaker 1: Man that man. He got a song called Cancer Survivors.

2843
02:45:32,000 --> 02:45:34,640
Speaker 4: Right, it's about saving way niggas because I'm about the

2844
02:45:34,640 --> 02:45:35,160
Speaker 4: smoke siver.

2845
02:45:36,320 --> 02:45:39,560
Speaker 7: No, this is about this is about not smoking fucking saarettes,

2846
02:45:40,680 --> 02:45:46,280
Speaker 7: cancer survivors, cancer, and he's talking about he's talking about

2847
02:45:46,280 --> 02:45:50,160
Speaker 7: his grandmother that died from cancer. And the cancer survivors

2848
02:45:50,240 --> 02:45:53,280
Speaker 7: really are the people that survived from people that lost

2849
02:45:53,360 --> 02:45:57,640
Speaker 7: ones to cancer, but also the people that survived cancer

2850
02:45:58,720 --> 02:46:01,840
Speaker 7: that's still living and regrets of cancer.

2851
02:46:02,840 --> 02:46:03,200
Speaker 1: Understand.

2852
02:46:03,280 --> 02:46:06,640
Speaker 7: He got a song called Fool's Gold. Were many of

2853
02:46:06,680 --> 02:46:09,880
Speaker 7: these guys are poor King's big mansions, yachts, this, that,

2854
02:46:09,959 --> 02:46:12,240
Speaker 7: and the third if they have everything but have nothing.

2855
02:46:12,600 --> 02:46:13,440
Speaker 7: He talks about that.

2856
02:46:13,840 --> 02:46:14,520
Speaker 1: And he got a letter.

2857
02:46:14,720 --> 02:46:17,640
Speaker 7: He got a song called Letter to My Son that's

2858
02:46:17,680 --> 02:46:22,000
Speaker 7: gonna make every father in the industry change their life,

2859
02:46:23,160 --> 02:46:28,000
Speaker 7: I promise you. And we're gonna go gutter, We're gonna

2860
02:46:28,040 --> 02:46:30,680
Speaker 7: go bang this back. We're gonna go all that ship,

2861
02:46:31,480 --> 02:46:33,440
Speaker 7: but that granty that he's gonna get on that stage.

2862
02:46:33,480 --> 02:46:36,520
Speaker 7: And I promise you everybody in this room, it's gonna

2863
02:46:36,560 --> 02:46:40,480
Speaker 7: be because of these songs with substance that's gonna be

2864
02:46:40,520 --> 02:46:41,800
Speaker 7: able to connect back to culture.

2865
02:46:42,160 --> 02:46:57,600
Speaker 1: We make some noise for that. Are we thinking of

2866
02:46:57,680 --> 02:46:59,760
Speaker 1: this show? Let's go. I like that to you nice.

2867
02:47:00,120 --> 02:47:04,400
Speaker 1: I like that you not even have, but you had hope.

2868
02:47:05,959 --> 02:47:09,400
Speaker 1: I've been here for a long time. You're here in

2869
02:47:09,480 --> 02:47:24,440
Speaker 1: the physical, but in the mentor you are. We are

2870
02:47:24,480 --> 02:47:31,240
Speaker 1: we taking one more shot? Say one more shot. You

2871
02:47:31,320 --> 02:47:34,680
Speaker 1: hear the shot? I can't believe you had. Twin twenty time,

2872
02:47:34,879 --> 02:47:37,880
Speaker 1: twin twin twin. Let me tell you something. I was

2873
02:47:37,959 --> 02:47:40,360
Speaker 1: just beating with your freest time. Tell you something.

2874
02:47:41,080 --> 02:47:45,600
Speaker 4: The lovest guy right here right is twe love. We're

2875
02:47:45,640 --> 02:47:47,640
Speaker 4: not gonna talk about what happened. Will happen when I

2876
02:47:48,280 --> 02:47:50,920
Speaker 4: but we love this guy. He didn't believe he's here.

2877
02:47:50,840 --> 02:47:53,600
Speaker 1: And handsome guy, your shot, but he swagged out on

2878
02:47:53,680 --> 02:48:01,400
Speaker 1: me my purple. It's your fault, bros. My fault is

2879
02:48:02,440 --> 02:48:07,680
Speaker 1: your fault. Broad That's what happened. That's what happens. Bro

2880
02:48:08,000 --> 02:48:11,000
Speaker 1: drink chants, Bro drink Chat drink chat that makes a

2881
02:48:11,440 --> 02:48:18,039
Speaker 1: drink Champs. You just gave you that one more time,

2882
02:48:18,080 --> 02:48:21,240
Speaker 1: so we'll get sample that, ri Listen, one time. We're

2883
02:48:21,240 --> 02:48:38,720
Speaker 1: gonna do that for drink champshop. I needed us to

2884
02:48:38,800 --> 02:48:41,280
Speaker 1: be the it was fucking interview. Do not let me

2885
02:48:41,520 --> 02:48:44,959
Speaker 1: leave unless you've already hands down.

2886
02:48:46,360 --> 02:48:49,800
Speaker 36: Do not trust us, trust us, bro, trust bro, like seriously,

2887
02:48:50,240 --> 02:48:51,119
Speaker 36: trust my all.

2888
02:48:51,600 --> 02:48:56,000
Speaker 1: Whoever you're doing this listen, truing us to be the

2889
02:48:56,160 --> 02:48:59,000
Speaker 1: best fucking interview on Drink Champs.

2890
02:49:03,120 --> 02:49:03,280
Speaker 4: Him.

2891
02:49:03,640 --> 02:49:04,360
Speaker 1: I love him.

2892
02:49:05,120 --> 02:49:08,320
Speaker 7: I love him man, and I love y'all because you

2893
02:49:08,440 --> 02:49:11,280
Speaker 7: love y'all, but I started off loving him.

2894
02:49:11,920 --> 02:49:15,000
Speaker 1: I want this to be the most rated, actually going

2895
02:49:15,080 --> 02:49:17,600
Speaker 1: to be like the gold Blood. This this is how,

2896
02:49:17,800 --> 02:49:20,680
Speaker 1: this is how you start. Seriously, that's me like the

2897
02:49:20,720 --> 02:49:22,840
Speaker 1: gold Blood. Whatever y'all want to get it is tragic

2898
02:49:22,959 --> 02:49:23,800
Speaker 1: to me. Whatever.

2899
02:49:23,879 --> 02:49:28,080
Speaker 7: Yeah, whatever y'all want to get, Hero, give the Hero's

2900
02:49:28,440 --> 02:49:30,480
Speaker 7: most controversial ship tonight.

2901
02:49:32,400 --> 02:49:35,800
Speaker 1: I'm ready right away from me. It's the first episode.

2902
02:49:35,879 --> 02:49:39,960
Speaker 1: Came back to the Swiss and my lord, Yo, this

2903
02:49:40,080 --> 02:49:43,360
Speaker 1: is that. Now you're your soul. Bro. Let me tell

2904
02:49:43,360 --> 02:49:48,119
Speaker 1: you something, don't you did? Try to stand down? Relax?

2905
02:49:50,800 --> 02:49:55,920
Speaker 1: It's moving forward, right Listen, listen. So let's brother right here.

2906
02:49:56,800 --> 02:50:02,320
Speaker 1: Let me let me keep man. G I'm gonna keep bro.

2907
02:50:03,600 --> 02:50:04,920
Speaker 1: I didn't mean to get emotional.

2908
02:50:05,400 --> 02:50:08,280
Speaker 4: I'm emotional, all right. Let me let me break it down.

2909
02:50:08,840 --> 02:50:13,160
Speaker 4: Since the beginning, we started this show. Twin came with me.

2910
02:50:13,879 --> 02:50:16,400
Speaker 1: That's my little man. When you started the show. Since

2911
02:50:16,560 --> 02:50:19,880
Speaker 1: started this show. We started this show, not me, We

2912
02:50:20,160 --> 02:50:20,840
Speaker 1: started the show.

2913
02:50:20,879 --> 02:50:23,560
Speaker 3: I'm gonna tell you something. You let me finish, let

2914
02:50:23,600 --> 02:50:32,240
Speaker 3: me finish. And what was it downtown? Yeah?

2915
02:50:32,480 --> 02:50:39,320
Speaker 31: In my office it was yeah, all right, but I

2916
02:50:39,400 --> 02:50:44,400
Speaker 31: can't finish. We did the first two shows, Kenny Anderson

2917
02:50:44,480 --> 02:50:47,400
Speaker 31: and Fat Joe. Kenny and Some were first, Fat Joe

2918
02:50:47,520 --> 02:50:49,680
Speaker 31: was second. Fat Joe came out.

2919
02:50:49,640 --> 02:50:53,520
Speaker 1: First ahead and my man was there the whole time.

2920
02:50:53,640 --> 02:50:58,160
Speaker 1: So I'm gonna tell you something. From this night on,

2921
02:50:59,560 --> 02:51:02,320
Speaker 1: we did it k five percent of the show to

2922
02:51:02,480 --> 02:51:03,800
Speaker 1: this brother. Let's do it.

2923
02:51:10,680 --> 02:51:14,400
Speaker 7: Like like like if he meant that to us, and

2924
02:51:14,480 --> 02:51:17,279
Speaker 7: I know who he is. In two point one second,

2925
02:51:17,600 --> 02:51:19,280
Speaker 7: I knew that before we even did that. What we

2926
02:51:19,360 --> 02:51:25,760
Speaker 7: did over there, you know, we all we got what

2927
02:51:25,760 --> 02:51:29,800
Speaker 7: I'm saying. We all we got and and we can't

2928
02:51:29,879 --> 02:51:31,680
Speaker 7: expect for somebody to recognize us.

2929
02:51:32,560 --> 02:51:37,039
Speaker 4: Yeah, let me tell you ourselves can see they started

2930
02:51:37,080 --> 02:51:44,840
Speaker 4: to go fund me. That's relax. Some I got my niggas,

2931
02:51:45,600 --> 02:51:46,879
Speaker 4: I got my nigga.

2932
02:51:48,080 --> 02:51:54,920
Speaker 1: Relax. I don't know, but some want to go fund me.

2933
02:51:55,480 --> 02:51:59,480
Speaker 1: You could call me. You ain't got no fucking god guy, exactly,

2934
02:51:59,640 --> 02:52:03,120
Speaker 1: give me five. We don't do to go funny. You

2935
02:52:03,160 --> 02:52:09,520
Speaker 1: know what I'm saying, Slim, you will be Slim. We

2936
02:52:09,680 --> 02:52:14,520
Speaker 1: don't do that. Wake up. We got the recovery, the wall.

2937
02:52:15,440 --> 02:52:20,080
Speaker 4: It doesn't matter if I go broke, It's okay together,

2938
02:52:20,680 --> 02:52:22,680
Speaker 4: Goddamn RelA.

2939
02:52:25,160 --> 02:52:32,080
Speaker 1: I didn't like you what you would me forever because

2940
02:52:32,080 --> 02:52:41,199
Speaker 1: you're doing chance fucking army black right, Ali?

2941
02:52:41,440 --> 02:52:45,320
Speaker 4: Ali, I mean when I say we're gonna make sure

2942
02:52:46,000 --> 02:52:50,800
Speaker 4: everything is taking care, we're like you, not because because listen,

2943
02:52:51,360 --> 02:52:54,160
Speaker 4: if I, if I, if I, if I be too nice.

2944
02:52:54,000 --> 02:52:58,560
Speaker 1: To you, the fans not gonna like it. Come on,

2945
02:52:58,720 --> 02:53:02,400
Speaker 1: say so you know you know you know we got

2946
02:53:02,520 --> 02:53:08,039
Speaker 1: you doing we don't. I believe in this.

2947
02:53:08,120 --> 02:53:11,280
Speaker 20: Show since day one, and I told Slim there's gonna

2948
02:53:11,320 --> 02:53:14,600
Speaker 20: be millions of subscribers, and I said it an episode eleven,

2949
02:53:15,600 --> 02:53:19,280
Speaker 20: and as an outside of perspective, I knew this when

2950
02:53:19,320 --> 02:53:21,480
Speaker 20: I saw Slim talking to fact. Joe I was like, Yo,

2951
02:53:21,640 --> 02:53:26,200
Speaker 20: this is not an interview. This is a conversation of

2952
02:53:26,360 --> 02:53:29,360
Speaker 20: hip hop. Like this is inside, this is deep, this

2953
02:53:29,560 --> 02:53:33,560
Speaker 20: is raw until people really want to know facts. So

2954
02:53:33,760 --> 02:53:37,520
Speaker 20: that's why I was snapchating the whole. Shipla was like, yo,

2955
02:53:37,640 --> 02:53:41,519
Speaker 20: do snapchat. I got them in trouble. You have SNAPCHATD

2956
02:53:44,120 --> 02:53:46,240
Speaker 20: was like, yo, I bully my little man or whatever.

2957
02:53:47,959 --> 02:53:50,120
Speaker 20: And it's crazy that it came on on Revolt and

2958
02:53:51,600 --> 02:53:56,440
Speaker 20: I just knew where you from. I'm from Dominican Republican

2959
02:53:56,520 --> 02:53:59,920
Speaker 20: my nationality, but my parents are My dad's from you know,

2960
02:54:00,160 --> 02:54:03,600
Speaker 20: Washington Heights, and my mother like, okay, my mother's from something,

2961
02:54:04,360 --> 02:54:05,680
Speaker 20: you know, Santiago and the.

2962
02:54:06,520 --> 02:54:07,959
Speaker 1: Family miss you. That's right.

2963
02:54:08,760 --> 02:54:11,240
Speaker 4: He's been here from the day one since we started this,

2964
02:54:12,080 --> 02:54:15,440
Speaker 4: and and and the fans they missed you.

2965
02:54:15,560 --> 02:54:16,879
Speaker 1: So keep talking to him for it.

2966
02:54:17,400 --> 02:54:18,320
Speaker 37: Is my pride and enjoyed.

2967
02:54:18,400 --> 02:54:18,560
Speaker 7: Man.

2968
02:54:19,000 --> 02:54:21,200
Speaker 20: I've seen I did this out of heart, you know

2969
02:54:21,240 --> 02:54:24,240
Speaker 20: what I mean, like just the whole supporting and I've

2970
02:54:24,280 --> 02:54:25,880
Speaker 20: seen I've seen the bigger picture.

2971
02:54:27,160 --> 02:54:29,280
Speaker 1: I saw the episode one.

2972
02:54:30,400 --> 02:54:31,800
Speaker 37: I saw the bigger picture.

2973
02:54:32,840 --> 02:54:35,800
Speaker 1: See it. It's still more to come. You about to make.

2974
02:54:39,480 --> 02:54:42,040
Speaker 4: Let's talk about somebody. Let's talk about your cousins. Thick

2975
02:54:42,160 --> 02:54:43,400
Speaker 4: your finger and your ass.

2976
02:54:49,520 --> 02:54:53,880
Speaker 1: Shoot up to cousin.

2977
02:54:53,920 --> 02:55:01,360
Speaker 38: That was your daughter's called digital stimulation, little girl, as

2978
02:55:01,640 --> 02:55:07,560
Speaker 38: called digital no because you know when keep it when

2979
02:55:07,600 --> 02:55:10,879
Speaker 38: you up, when you're paraplegic, paralyzed, waist.

2980
02:55:10,680 --> 02:55:12,360
Speaker 1: Down, you know you do.

2981
02:55:12,480 --> 02:55:14,960
Speaker 37: You have no controls over your your ship or your pits.

2982
02:55:15,160 --> 02:55:17,440
Speaker 20: So when I got to take out my pee every

2983
02:55:17,640 --> 02:55:20,920
Speaker 20: certain amount of hours and I gotta put you know,

2984
02:55:20,920 --> 02:55:22,520
Speaker 20: I got a ship a certain amount of days. So

2985
02:55:23,640 --> 02:55:26,200
Speaker 20: you know, since your body's not moving as much, you know,

2986
02:55:26,400 --> 02:55:27,520
Speaker 20: you get constipated.

2987
02:55:27,600 --> 02:55:30,439
Speaker 37: So it's called digital stimulation because.

2988
02:55:34,760 --> 02:55:38,560
Speaker 1: You feeling ship as.

2989
02:55:38,480 --> 02:55:40,280
Speaker 20: Long as when I start feeling that shot, do not

2990
02:55:40,400 --> 02:55:41,480
Speaker 20: want none of that ship.

2991
02:55:42,160 --> 02:55:48,080
Speaker 4: Listen, listen, little we got you drink, can know, but

2992
02:55:48,240 --> 02:55:52,000
Speaker 4: we got n and if people are listening and in

2993
02:55:52,640 --> 02:55:56,640
Speaker 4: and you want to you know whatever, but listen when

2994
02:55:56,720 --> 02:56:01,040
Speaker 4: I you're you're my family. And I told him, I said,

2995
02:56:01,080 --> 02:56:05,840
Speaker 4: don't start, no gun, no funning, none of that dumb ship.

2996
02:56:06,400 --> 02:56:07,120
Speaker 1: I told him.

2997
02:56:07,200 --> 02:56:09,440
Speaker 4: I said I don't because because you know why I

2998
02:56:09,640 --> 02:56:13,520
Speaker 4: got you. Yeah, and I could care less.

2999
02:56:15,560 --> 02:56:30,720
Speaker 37: Oh conversation, Yeah, I understand what he said.

3000
02:56:30,760 --> 02:56:32,360
Speaker 1: But then then then.

3001
02:56:38,400 --> 02:56:43,800
Speaker 37: But laugh, I'm relaxed, man, this is it's a blessing.

3002
02:56:43,879 --> 02:56:45,120
Speaker 1: You know, you know why.

3003
02:56:46,120 --> 02:56:50,119
Speaker 4: There's nobody else in this world that I see. Everybody

3004
02:56:50,360 --> 02:56:53,440
Speaker 4: love as much as they love you, Twin, and we're

3005
02:56:53,480 --> 02:56:55,720
Speaker 4: going to continue trying to support that.

3006
02:56:57,000 --> 02:56:58,520
Speaker 1: You know why you're.

3007
02:56:58,440 --> 02:57:02,440
Speaker 4: Fucking ship and I don't give before I'll go, I'm

3008
02:57:02,520 --> 02:57:03,520
Speaker 4: gonna go broke.

3009
02:57:05,920 --> 02:57:06,000
Speaker 1: Now.

3010
02:57:06,040 --> 02:57:13,680
Speaker 4: I'm gonna make sure my family is okay, everything, everything

3011
02:57:13,760 --> 02:57:14,119
Speaker 4: you live.

3012
02:57:14,600 --> 02:57:16,760
Speaker 1: I'm gonna make sure Twin is okay.

3013
02:57:17,720 --> 02:57:20,279
Speaker 19: Yeah, and we as.

3014
02:57:21,760 --> 02:57:25,599
Speaker 1: We're all but we're gonna make sure DC Twin is okay.

3015
02:57:26,840 --> 02:57:30,480
Speaker 4: Because you started with us and you're gonna end with us,

3016
02:57:31,000 --> 02:57:33,000
Speaker 4: and we see you stand up. What is it?

3017
02:57:33,560 --> 02:57:35,800
Speaker 1: The guy eighteen month tell.

3018
02:57:35,800 --> 02:57:48,320
Speaker 4: Niggas relax, telling niggaslve months already made sure because we're

3019
02:57:48,320 --> 02:57:51,840
Speaker 4: gonna make sure you continue to walk. So you want

3020
02:57:51,879 --> 02:57:54,800
Speaker 4: to talk to the mic, say something to the people.

3021
02:57:55,520 --> 02:57:58,800
Speaker 37: No, man, I do everything out of heart. When you do,

3022
02:57:58,959 --> 02:57:59,920
Speaker 37: everything's out of heart.

3023
02:58:00,480 --> 02:58:04,200
Speaker 20: Everything plays all right, and sometimes things happen, But you

3024
02:58:04,320 --> 02:58:07,680
Speaker 20: can't question the man upstairs at the end of the days.

3025
02:58:07,800 --> 02:58:11,360
Speaker 20: Just so there's a reason behind it. And his faith

3026
02:58:11,720 --> 02:58:16,440
Speaker 20: is energy and God is a creative science. That's why

3027
02:58:16,440 --> 02:58:19,400
Speaker 20: I'm going to fuck with them. Doctors told me, you

3028
02:58:19,440 --> 02:58:22,960
Speaker 20: know what I'm saying. Whatever, Yeah, And like I said,

3029
02:58:22,959 --> 02:58:25,480
Speaker 20: I'm prepared for whatever. But I know I got a

3030
02:58:25,520 --> 02:58:28,200
Speaker 20: good team behind me. You know, I got a great family,

3031
02:58:29,120 --> 02:58:32,160
Speaker 20: like you know my Drink Chance family, Like you know your.

3032
02:58:32,160 --> 02:58:36,400
Speaker 4: Fan because every time you see how many fans you got,

3033
02:58:36,560 --> 02:58:38,600
Speaker 4: man niggas.

3034
02:58:38,360 --> 02:58:45,800
Speaker 21: From Pakistan, New Zealand niggas Man shout out, London, man UK,

3035
02:58:46,520 --> 02:58:50,240
Speaker 21: everybody's loyal dogs, West Coast Man just everybody.

3036
02:58:50,360 --> 02:58:54,240
Speaker 1: Man just swist, want to break it down. You know,

3037
02:58:54,400 --> 02:58:57,160
Speaker 1: when we started this ship, we just wanted to We

3038
02:58:57,360 --> 02:59:02,000
Speaker 1: just it was just cool, just with tardedly because you know,

3039
02:59:02,080 --> 02:59:08,120
Speaker 1: we're tarted, and it just kept bloom, blowing, blowing, and

3040
02:59:08,320 --> 02:59:09,359
Speaker 1: Twin was a part.

3041
02:59:09,200 --> 02:59:13,440
Speaker 4: Of the first episode. In fact, Joe called me, this

3042
02:59:13,520 --> 02:59:17,200
Speaker 4: is how I knew it. Retarded that fact, Joe called

3043
02:59:17,240 --> 02:59:17,400
Speaker 4: me and.

3044
02:59:17,440 --> 02:59:21,200
Speaker 1: Said, why you bet? He said, you're mad, you be

3045
02:59:21,520 --> 02:59:28,200
Speaker 1: mean to this nigga word that out and I'm like that.

3046
02:59:29,320 --> 02:59:33,920
Speaker 1: But everybody and the crew has duties. That's what you said.

3047
02:59:34,879 --> 02:59:36,280
Speaker 37: Everybody in our crew has duties.

3048
02:59:36,320 --> 02:59:38,119
Speaker 7: But you big, everybody and our.

3049
02:59:38,160 --> 02:59:41,080
Speaker 1: Cool got duties in fact, and we all got to

3050
02:59:41,160 --> 02:59:46,320
Speaker 1: stick together. In fact and Swiss Beach. We're gonna let's

3051
02:59:46,360 --> 02:59:58,000
Speaker 1: all everybody, everybody bath from TV for life. You gotta

3052
02:59:58,120 --> 03:00:00,440
Speaker 1: we gotta big you up as a father right now.

3053
03:00:00,640 --> 03:00:02,840
Speaker 1: Thank you man. I love my father.

3054
03:00:03,320 --> 03:00:06,240
Speaker 7: My kids shame my life. You know, my kids made

3055
03:00:06,240 --> 03:00:08,520
Speaker 7: me put boundaries on what I would do and what

3056
03:00:08,640 --> 03:00:11,840
Speaker 7: I won't do. You know, our kids staying, none of

3057
03:00:11,920 --> 03:00:15,280
Speaker 7: them asked to be here. Understand we we might have

3058
03:00:15,360 --> 03:00:17,320
Speaker 7: been in our situation. We might be in our situations

3059
03:00:17,360 --> 03:00:20,320
Speaker 7: while we're here, but when them kids come, they ain't

3060
03:00:20,360 --> 03:00:22,360
Speaker 7: asked to be here. We got to protect them from

3061
03:00:22,920 --> 03:00:25,520
Speaker 7: all the different things that we ain't even prepare for.

3062
03:00:25,840 --> 03:00:28,440
Speaker 7: You know, I have fun with my kids. I'm a

3063
03:00:28,520 --> 03:00:31,280
Speaker 7: class clan with my kids. You know what I'm saying.

3064
03:00:31,720 --> 03:00:34,160
Speaker 7: My dad wasn't you know, most of our dads wasn't

3065
03:00:34,240 --> 03:00:36,520
Speaker 7: there for us. You know, we got to spend more

3066
03:00:36,600 --> 03:00:39,720
Speaker 7: time to come up with less excuses. What I'm saying,

3067
03:00:42,920 --> 03:00:47,320
Speaker 7: that's mickey Mickey mos that that's like I would.

3068
03:00:48,560 --> 03:00:51,520
Speaker 1: Yeah, yeah, you know that was that was.

3069
03:00:51,560 --> 03:00:56,200
Speaker 7: Purchased from the Brooklyn Museum's name cars. You know that

3070
03:00:56,360 --> 03:00:59,280
Speaker 7: that was his biggest uh sculpture he did at that

3071
03:00:59,320 --> 03:00:59,959
Speaker 7: particular time.

3072
03:01:00,680 --> 03:01:03,320
Speaker 1: I decided to drive the.

3073
03:01:03,360 --> 03:01:08,240
Speaker 4: Drink and neighborhood was that that wasn't Verna, No, I

3074
03:01:08,320 --> 03:01:12,520
Speaker 4: live in Jersey, noa New Jersey, Jersey.

3075
03:01:14,320 --> 03:01:20,440
Speaker 1: That Eddie Murphy, Eddie Murphy Old. That's not Yeah, that's

3076
03:01:20,520 --> 03:01:22,359
Speaker 1: not what neighborhood.

3077
03:01:22,360 --> 03:01:25,280
Speaker 7: That's not Promon, That's that's that's life after Promona. That's

3078
03:01:25,680 --> 03:01:29,320
Speaker 7: Eddie Murphy Old crib with the forty feet that's the

3079
03:01:29,360 --> 03:01:32,360
Speaker 7: forty feet sculpture in the house. And the reason why

3080
03:01:32,400 --> 03:01:35,000
Speaker 7: I bought that was because I've seen a lot of

3081
03:01:35,000 --> 03:01:39,200
Speaker 7: people in our culture not really giving it up.

3082
03:01:39,280 --> 03:01:41,640
Speaker 1: So, you know, the forty feet candy.

3083
03:01:41,400 --> 03:01:44,040
Speaker 7: Wildy ass in the house come from the book the Museum,

3084
03:01:44,800 --> 03:01:47,680
Speaker 7: and I just wanted to inspire people that come to

3085
03:01:47,800 --> 03:01:52,000
Speaker 7: the crib to understand the art is a blessing. And

3086
03:01:52,040 --> 03:01:53,920
Speaker 7: when they walk through the crib they see everything from

3087
03:01:53,959 --> 03:01:58,480
Speaker 7: that forty feet to twelve by twelve. You know, it's

3088
03:01:58,480 --> 03:02:01,200
Speaker 7: the entry point. You can afford this and you can

3089
03:02:01,280 --> 03:02:02,959
Speaker 7: work your way up to that, you know what I'm saying.

3090
03:02:03,600 --> 03:02:06,120
Speaker 7: But I seen a lot of my pairs they put

3091
03:02:06,560 --> 03:02:12,119
Speaker 7: you know, different uh high branded artists in their house

3092
03:02:12,640 --> 03:02:15,680
Speaker 7: that never connect to them. Everybody in the Dean collection,

3093
03:02:15,760 --> 03:02:19,920
Speaker 7: I know personally. I started a Dean collection as a

3094
03:02:20,040 --> 03:02:23,480
Speaker 7: personal gallery for my family. And then I seen how

3095
03:02:23,560 --> 03:02:25,800
Speaker 7: many lives I was changing from the things I was buying.

3096
03:02:26,240 --> 03:02:29,000
Speaker 7: Then I started, I gave my I gave my social

3097
03:02:29,080 --> 03:02:32,360
Speaker 7: media platform to those up and coming artists which started

3098
03:02:32,400 --> 03:02:33,120
Speaker 7: no commissions.

3099
03:02:35,000 --> 03:02:37,200
Speaker 1: Let me ask you one thing before you get about

3100
03:02:37,240 --> 03:02:38,360
Speaker 1: it going on.

3101
03:02:40,520 --> 03:02:43,720
Speaker 4: So on that Cash Money Tall, it was like it

3102
03:02:43,879 --> 03:02:49,119
Speaker 4: was like many freshett many fresh like I mean because

3103
03:02:49,360 --> 03:02:54,840
Speaker 4: I mean all the comparisons so on that cash Money

3104
03:02:54,920 --> 03:02:56,480
Speaker 4: Toll work fort of Toll.

3105
03:02:56,840 --> 03:03:02,760
Speaker 1: That was the first. So what happened ain't nothing to

3106
03:03:03,280 --> 03:03:10,600
Speaker 1: what was happening. No, no, I ain't gonna. I gotta

3107
03:03:10,600 --> 03:03:13,000
Speaker 1: take a piss, like seventeen hours.

3108
03:03:15,640 --> 03:03:17,920
Speaker 39: That's why I brought you the pampa that you have

3109
03:03:25,560 --> 03:03:31,640
Speaker 39: on the Cash on the Tour. Yeah, it's you guys.

3110
03:03:33,720 --> 03:03:35,720
Speaker 39: Mm hmm, it's you guys.

3111
03:03:35,840 --> 03:03:44,080
Speaker 1: I'm tuned in. It's day guys. Yeah uh x guys.

3112
03:03:44,959 --> 03:03:48,480
Speaker 1: The hottest record in the East Coast at that particular time.

3113
03:03:49,040 --> 03:03:50,880
Speaker 1: And then Juvenile.

3114
03:03:52,360 --> 03:03:57,280
Speaker 4: And Cast they got the hottest who was closing?

3115
03:03:58,720 --> 03:04:01,000
Speaker 1: Who was closed? This is a tour.

3116
03:04:03,240 --> 03:04:06,520
Speaker 7: Rough Cash Money Tour was very easy, some nice they

3117
03:04:06,600 --> 03:04:09,920
Speaker 7: had close out some nights we were close out depend

3118
03:04:10,000 --> 03:04:10,560
Speaker 7: on the region.

3119
03:04:11,280 --> 03:04:12,320
Speaker 1: Yeah, it wasn't.

3120
03:04:12,440 --> 03:04:16,880
Speaker 7: It wasn't like uh rough Riders Rockefeller Tour, you know

3121
03:04:16,879 --> 03:04:20,520
Speaker 7: what I'm saying. Rough Out of Cash Money Tour was different.

3122
03:04:20,920 --> 03:04:22,680
Speaker 7: The only thing is that, you know, we had to

3123
03:04:22,720 --> 03:04:27,680
Speaker 7: give a lot of chappings to them, the personal beefs choppers.

3124
03:04:28,360 --> 03:04:33,119
Speaker 1: Yeah, we had to give a lot of choppers. Yeah, yeah, okay,

3125
03:04:33,400 --> 03:04:35,959
Speaker 1: it went down sixteen plus and the all them things.

3126
03:04:36,320 --> 03:04:38,879
Speaker 7: We had to get choppings to them to get them

3127
03:04:39,120 --> 03:04:42,640
Speaker 7: the personal situation that they had because of the jealousy

3128
03:04:43,920 --> 03:04:47,120
Speaker 7: of the South that the South had between them at

3129
03:04:47,160 --> 03:04:50,680
Speaker 7: that particular time that we understand, you know what I'm saying.

3130
03:04:50,760 --> 03:04:56,160
Speaker 1: So we got tired of going out, going out after

3131
03:04:56,240 --> 03:04:58,760
Speaker 1: the show and dancing to like, you know what, hey,

3132
03:04:59,000 --> 03:05:01,440
Speaker 1: your work, We got at work, you know what I'm saying.

3133
03:05:01,520 --> 03:05:04,440
Speaker 7: Everybody man for they self and they just gotta go,

3134
03:05:05,360 --> 03:05:08,760
Speaker 7: you know, shout out to the entire Cash Money. I

3135
03:05:08,879 --> 03:05:10,840
Speaker 7: funk with them all and they are they are all

3136
03:05:11,000 --> 03:05:14,039
Speaker 7: very talented and we had a lot of fun.

3137
03:05:16,080 --> 03:05:26,120
Speaker 1: Uh huh. The just god damn it.

3138
03:05:28,120 --> 03:05:39,280
Speaker 10: Yeah, imagind that Yeah, alright, going there.

3139
03:05:41,600 --> 03:05:43,840
Speaker 1: I don't want to be because Swiss don't want to

3140
03:05:43,959 --> 03:05:47,600
Speaker 1: end time I'm so ready whatever you everyone I want

3141
03:05:47,640 --> 03:05:50,040
Speaker 1: to go? Still ready to go? Well, I got to

3142
03:05:50,040 --> 03:05:54,520
Speaker 1: take a piss pop right now? Bro? Ready what I'm

3143
03:05:54,560 --> 03:05:55,440
Speaker 1: going to the second one?

3144
03:05:57,120 --> 03:06:01,120
Speaker 4: Look at the look at the white people more. I

3145
03:06:01,280 --> 03:06:07,440
Speaker 4: respect it. You see the you see the poor more drunks?

3146
03:06:08,000 --> 03:06:14,840
Speaker 4: Who the white people? We Illuminati? You want to accept it? Traumma?

3147
03:06:15,480 --> 03:06:15,520
Speaker 11: No?

3148
03:06:15,720 --> 03:06:18,040
Speaker 19: Me and you what we do?

3149
03:06:20,280 --> 03:06:20,880
Speaker 1: Luminadi.

3150
03:06:22,640 --> 03:06:23,440
Speaker 23: Yeah, I'm definitely not.

3151
03:06:25,040 --> 03:06:28,800
Speaker 1: Funk out of here. That's that's the problem. I'm not

3152
03:06:28,959 --> 03:06:35,200
Speaker 1: accepting it. You want to be illuminati? You mean you

3153
03:06:35,360 --> 03:06:38,520
Speaker 1: mean you're stupid. You're talking the funk out of here.

3154
03:06:38,560 --> 03:06:43,800
Speaker 1: I'm not out here, dude. I've seen the checks you cash, bro,

3155
03:06:44,240 --> 03:06:50,959
Speaker 1: say checks you cash man? You did? What? Then? Are

3156
03:06:51,040 --> 03:06:54,160
Speaker 1: you talking about? Man? You get it, Curt, I get

3157
03:06:54,280 --> 03:06:56,240
Speaker 1: what first? The checks?

3158
03:06:57,560 --> 03:07:06,160
Speaker 23: Blaming me for that's crazy telling you a little hey

3159
03:07:06,200 --> 03:07:09,040
Speaker 23: you Manati, fuck you and fun? Where the funk you

3160
03:07:09,200 --> 03:07:09,720
Speaker 23: came from?

3161
03:07:09,879 --> 03:07:10,039
Speaker 1: Who?

3162
03:07:11,640 --> 03:07:11,840
Speaker 7: Whoa?

3163
03:07:13,080 --> 03:07:13,440
Speaker 15: That was he?

3164
03:07:13,520 --> 03:07:13,880
Speaker 4: A fan?

3165
03:07:14,400 --> 03:07:14,600
Speaker 19: Yes?

3166
03:07:17,120 --> 03:07:20,519
Speaker 1: About that ship from white people? I'm a Cuban motherfucker.

3167
03:07:20,600 --> 03:07:28,959
Speaker 1: Fuck y'all. Man, respect that. Respect that ship. Goddamn Swiss

3168
03:07:29,120 --> 03:07:33,400
Speaker 1: is like, what's going on last with that ship? This

3169
03:07:33,600 --> 03:07:36,520
Speaker 1: guy just came with some crazy ship. Don't don't blame

3170
03:07:36,560 --> 03:07:39,879
Speaker 1: it on Yeah, I'm blaming on you. Listen, dumb's wrong.

3171
03:07:41,720 --> 03:07:43,720
Speaker 1: I ain't got the check here, bro, you get mad

3172
03:07:43,800 --> 03:07:48,440
Speaker 1: at sixteen sing were talked about check. That's your fault.

3173
03:07:48,640 --> 03:07:56,400
Speaker 1: That's your fault that what's yo? Swis like that? This

3174
03:07:56,520 --> 03:08:03,600
Speaker 1: is hot sauce. I promise that's sas. That's your favorite twist?

3175
03:08:04,560 --> 03:08:07,720
Speaker 1: Dmn X d m X. What is your favorite CEO

3176
03:08:07,800 --> 03:08:12,480
Speaker 1: all time? Get man, you're you're in backwards.

3177
03:08:13,480 --> 03:08:19,400
Speaker 4: I'm gonna go six six degrees of Okay, who's your favorite.

3178
03:08:19,160 --> 03:08:22,800
Speaker 1: New nigga all time? And how a new niggas gonna

3179
03:08:22,800 --> 03:08:26,600
Speaker 1: be all time all time.

3180
03:08:28,080 --> 03:08:28,440
Speaker 19: Right now?

3181
03:08:28,720 --> 03:08:32,920
Speaker 1: That conna be Kendrick. That's gonna be Kendrick. I'm just saying, blas,

3182
03:08:33,160 --> 03:08:36,720
Speaker 1: Who's who's snorted like that? My favorite new person? Yeah?

3183
03:08:36,800 --> 03:08:39,080
Speaker 1: New person ain't I ain't meet him?

3184
03:08:39,080 --> 03:08:39,280
Speaker 17: Man?

3185
03:08:39,440 --> 03:08:53,080
Speaker 1: Okay, good one man. I wasn't ready then, okay, it

3186
03:08:53,200 --> 03:09:00,240
Speaker 1: was a new part. That's horrible black blacks from man.

3187
03:09:00,600 --> 03:09:04,720
Speaker 1: I sort of got we gotta twitter shot. Chinese are

3188
03:09:05,000 --> 03:09:12,000
Speaker 1: operation that's happening? Then you need me Chinese restaurant. I

3189
03:09:12,120 --> 03:09:14,880
Speaker 1: need some Chinese. I'm wanting wings right now because I'm

3190
03:09:14,920 --> 03:09:17,680
Speaker 1: gonna hear some dumplings going that ship your snacks.

3191
03:09:17,760 --> 03:09:20,200
Speaker 7: Find out with the wings that I'm going right Lemon pepper,

3192
03:09:20,879 --> 03:09:23,680
Speaker 7: lemon pepper Catankanka.

3193
03:09:27,480 --> 03:09:32,600
Speaker 1: Would asked me talk to me, Yeah right now I have,

3194
03:09:33,240 --> 03:09:36,800
Speaker 1: so I had to say. We wanted to do the shot.

3195
03:09:37,000 --> 03:09:44,280
Speaker 2: Boat shot I take No tiger boone is a shot

3196
03:09:44,360 --> 03:09:45,680
Speaker 2: that shot.

3197
03:09:47,680 --> 03:09:49,760
Speaker 1: Listen, I gotta go to bed. I can't be all

3198
03:09:49,920 --> 03:09:54,840
Speaker 1: past human being. I'm in the city by myself. Where

3199
03:09:55,640 --> 03:10:00,080
Speaker 1: you you made that pretty much? Give me your shot, buddy, No,

3200
03:10:00,240 --> 03:10:03,520
Speaker 1: I'll take you all. You take this one, give give

3201
03:10:03,560 --> 03:10:08,879
Speaker 1: me your give me a little each wing. Wait, wait, wait, last,

3202
03:10:09,000 --> 03:10:14,360
Speaker 1: but give me the fucking shot glass shotts for choc

3203
03:10:14,400 --> 03:10:17,640
Speaker 1: glass getting I could take it. You take a shot

3204
03:10:17,920 --> 03:10:25,600
Speaker 1: where your shot glass? Swiss? Swiss? He's good? Here, this

3205
03:10:25,760 --> 03:10:29,959
Speaker 1: is it? O. No, I'm not giving your door saying bro,

3206
03:10:31,680 --> 03:10:36,120
Speaker 1: what would you do the man? Are you good? No?

3207
03:10:36,280 --> 03:10:40,680
Speaker 1: That's good? Wait? Bro, hell on.

3208
03:10:45,120 --> 03:10:46,360
Speaker 9: You you're out here?

3209
03:10:49,879 --> 03:10:58,440
Speaker 1: Oh ship, I can that's Jackson damn post. You knows that, bitch?

3210
03:10:58,840 --> 03:11:07,119
Speaker 1: Oh ship? All right, I'm out here, bro la here yeah, peace,

3211
03:11:07,240 --> 03:11:11,160
Speaker 1: I'm gonna give me produce a question real quickly. This

3212
03:11:11,720 --> 03:11:12,640
Speaker 1: was one of the.

3213
03:11:14,680 --> 03:11:19,680
Speaker 4: Dopest instagrams I ever seen Instagram? Huh was when he

3214
03:11:19,879 --> 03:11:22,480
Speaker 4: was with your ex wife? And you know what, Yeah,

3215
03:11:23,959 --> 03:11:24,680
Speaker 4: that was dope.

3216
03:11:24,879 --> 03:11:29,320
Speaker 1: You know, progress is to keep in life. Well, you

3217
03:11:29,400 --> 03:11:30,800
Speaker 1: know a lot of people, it's.

3218
03:11:30,720 --> 03:11:34,640
Speaker 2: My fucking ships are excuse me, Swiss Tiger Bone just

3219
03:11:34,720 --> 03:11:35,320
Speaker 2: sucked me up.

3220
03:11:35,560 --> 03:11:36,160
Speaker 1: That's good.

3221
03:11:37,240 --> 03:11:38,640
Speaker 2: You know, my.

3222
03:11:40,120 --> 03:11:42,200
Speaker 1: Divorce was a very hard time in my life.

3223
03:11:43,160 --> 03:11:45,640
Speaker 7: And to be able to have my ex wife and

3224
03:11:45,720 --> 03:11:50,240
Speaker 7: my current wife and great standards, great phone due to

3225
03:11:50,360 --> 03:11:54,000
Speaker 7: our kids and our kids first, you know, I was

3226
03:11:54,080 --> 03:11:57,320
Speaker 7: like one of my biggest highlights ever in life.

3227
03:11:58,360 --> 03:12:03,720
Speaker 1: You know what I'm saying? Like serious, that realip. Like

3228
03:12:04,320 --> 03:12:06,240
Speaker 1: a lot of the gossip, A lot of people that

3229
03:12:06,440 --> 03:12:08,879
Speaker 1: they you know, the reason why I don't care about gossip.

3230
03:12:09,120 --> 03:12:10,160
Speaker 1: But let me tell you something.

3231
03:12:10,800 --> 03:12:13,520
Speaker 7: The reason why I was able to handle even gossip

3232
03:12:13,600 --> 03:12:16,440
Speaker 7: different was because I understood why people hate.

3233
03:12:17,400 --> 03:12:19,600
Speaker 1: People hate you. People hate.

3234
03:12:20,920 --> 03:12:24,680
Speaker 7: To use it as a cure for the insecurities, to

3235
03:12:24,879 --> 03:12:28,879
Speaker 7: use hate, to use it as a farm for them

3236
03:12:29,000 --> 03:12:31,880
Speaker 7: to lift up from their problems.

3237
03:12:32,800 --> 03:12:35,000
Speaker 1: I was like, that's why I hate. It's so popular.

3238
03:12:35,720 --> 03:12:39,280
Speaker 7: That's why negative news is it's better than good news

3239
03:12:39,959 --> 03:12:44,520
Speaker 7: because it's secure to people's insecurities that they got to

3240
03:12:44,560 --> 03:12:45,320
Speaker 7: deal with every day.

3241
03:12:45,640 --> 03:12:46,960
Speaker 1: So if you can look at a Swiss to be

3242
03:12:47,120 --> 03:12:48,920
Speaker 1: something least keys life and it's not.

3243
03:12:49,440 --> 03:12:52,840
Speaker 7: Uh perfect, and you could pull yourself up from that

3244
03:12:52,959 --> 03:12:58,200
Speaker 7: for two minutes, that's the view that you're inclined to

3245
03:12:58,360 --> 03:13:02,560
Speaker 7: have to feel better about yourself that day, even though

3246
03:13:02,600 --> 03:13:05,720
Speaker 7: you ain't this ship about yourself that day, you know

3247
03:13:05,720 --> 03:13:06,160
Speaker 7: what I'm saying.

3248
03:13:06,200 --> 03:13:10,080
Speaker 1: So for my ex wife and my current wife to come.

3249
03:13:09,959 --> 03:13:13,400
Speaker 7: To standards because of kids and forget about the fame

3250
03:13:13,520 --> 03:13:14,360
Speaker 7: and the publicity.

3251
03:13:15,120 --> 03:13:16,600
Speaker 1: You know what I'm saying, That was the greatest time

3252
03:13:16,640 --> 03:13:17,160
Speaker 1: in my life.

3253
03:13:17,680 --> 03:13:17,880
Speaker 15: You know what.

3254
03:13:24,000 --> 03:13:28,879
Speaker 1: We got chapters for outcoming that wasn't That was the beginning, you.

3255
03:13:28,920 --> 03:13:35,280
Speaker 4: Know, relax, I remember relaxing. I sit, mother, thank you,

3256
03:13:35,640 --> 03:13:41,280
Speaker 4: you know what? You know what, because reappreciate you for coming.

3257
03:13:41,400 --> 03:13:44,280
Speaker 1: I just wanted to give you the best interview ever.

3258
03:13:44,600 --> 03:13:49,040
Speaker 1: You gave way more than that because like I know him,

3259
03:13:50,879 --> 03:13:51,520
Speaker 1: I know him.

3260
03:13:52,200 --> 03:13:56,680
Speaker 7: I'm not here for no other reason but to contribute

3261
03:13:57,000 --> 03:14:00,840
Speaker 7: to what you guys have going on being great. So

3262
03:14:00,959 --> 03:14:04,520
Speaker 7: that's why I'm like asking me whatever, handle whatever, Like

3263
03:14:04,959 --> 03:14:06,600
Speaker 7: I don't, I don't feel like I got to talk

3264
03:14:06,680 --> 03:14:09,680
Speaker 7: to anybody. I don't owe I don't owe anybody an

3265
03:14:09,720 --> 03:14:13,200
Speaker 7: explanation of any of my past presents of what I'm

3266
03:14:13,240 --> 03:14:16,960
Speaker 7: about to do, because I grind really hard for that.

3267
03:14:17,640 --> 03:14:20,000
Speaker 7: But you know, I'm like, Yo, I'm on my brother's show,

3268
03:14:21,320 --> 03:14:22,960
Speaker 7: and whatever he wants from me, I'm gonna give it

3269
03:14:23,040 --> 03:14:27,360
Speaker 7: to him. Problems, no problems or whatever. After that, we

3270
03:14:27,560 --> 03:14:29,280
Speaker 7: just got to deal with We've been dealing with that

3271
03:14:29,360 --> 03:14:33,000
Speaker 7: shit all our life. There's nothing. This man then created

3272
03:14:33,040 --> 03:14:37,520
Speaker 7: a platform and figured that out as bigger than music,

3273
03:14:38,760 --> 03:14:42,080
Speaker 7: and I'm happy to see him shining in twenty seventeen

3274
03:14:42,120 --> 03:14:42,560
Speaker 7: and beyond.

3275
03:14:43,000 --> 03:14:43,440
Speaker 1: I'm happy.

3276
03:14:43,760 --> 03:14:46,240
Speaker 7: I'm really happy to be here, Like for real, I

3277
03:14:46,360 --> 03:14:49,360
Speaker 7: think I came here with a bunch of corporate people.

3278
03:14:50,160 --> 03:14:58,920
Speaker 24: We love thee this apartment, we have, Zoomer.

3279
03:14:59,200 --> 03:15:01,520
Speaker 1: We're going to nor show. Let's go. That's right, you

3280
03:15:01,600 --> 03:15:03,480
Speaker 1: know what I'm saying. We're going to zoom in the morning.

3281
03:15:03,520 --> 03:15:06,640
Speaker 4: Where's what's the We're going to eleven in the morning,

3282
03:15:07,200 --> 03:15:11,320
Speaker 4: eleven eleven from eleven eleven to eleven.

3283
03:15:12,480 --> 03:15:18,680
Speaker 1: Bed Nigga tired from the goddamn Texas do by Thailand life. Yeah,

3284
03:15:19,200 --> 03:15:23,720
Speaker 1: but Swiss, you think his tan? What the fuck you

3285
03:15:24,040 --> 03:15:29,440
Speaker 1: us on his tan? Almost Miami, whether they can do.

3286
03:15:31,560 --> 03:15:36,520
Speaker 6: What they using the time. That's a great time, great everybody.

3287
03:15:37,959 --> 03:15:45,480
Speaker 6: You know, come on, let me tell you something that

3288
03:15:45,600 --> 03:15:49,080
Speaker 6: went besides you. Fabi is a good guy.

3289
03:15:49,200 --> 03:15:53,200
Speaker 14: You know, I shave my bars clean hand on. I'm

3290
03:15:53,240 --> 03:15:56,160
Speaker 14: not just his you know those guys have a pepper appeal.

3291
03:15:58,800 --> 03:16:04,760
Speaker 14: Fail but but but but you know he's coming with

3292
03:16:04,840 --> 03:16:08,720
Speaker 14: a mink coat. We kill out the fucking no the a.

3293
03:16:12,360 --> 03:16:16,040
Speaker 7: Five years hard on the ground, Fabios gid he is

3294
03:16:16,120 --> 03:16:16,720
Speaker 7: on the ground.

3295
03:16:17,920 --> 03:16:21,040
Speaker 1: The show I got written for Fabio is disrespectful. Crazy,

3296
03:16:22,480 --> 03:16:26,240
Speaker 1: Fabio is a problem. Looking at show up man, we'd

3297
03:16:26,280 --> 03:16:31,320
Speaker 1: be like fat he's looking at her. It's looking like

3298
03:16:33,040 --> 03:16:37,000
Speaker 1: he went in on the fabulous Fatio five. You have

3299
03:16:37,160 --> 03:16:44,480
Speaker 1: audio fo fabo a fabo faudio that stressing up. Juice,

3300
03:16:44,520 --> 03:16:51,480
Speaker 1: press juice, press juice everybody, and we got the barley

3301
03:16:51,520 --> 03:16:53,760
Speaker 1: people look at it. Look at my man. Boiler on

3302
03:16:57,879 --> 03:17:00,840
Speaker 1: people don't fade out of the left. I'm like, he's

3303
03:17:00,840 --> 03:17:05,200
Speaker 1: a boiler room. Tell him, Tell tell Norrie, what's your

3304
03:17:05,280 --> 03:17:08,920
Speaker 1: love for hip hop? How you know him from boiler room?

3305
03:17:09,080 --> 03:17:09,560
Speaker 1: Tell him.

3306
03:17:12,480 --> 03:17:15,680
Speaker 7: Serious, tell him, tell him how you know boler room

3307
03:17:15,840 --> 03:17:18,400
Speaker 7: talk to tell him how you know Noega he's from

3308
03:17:18,480 --> 03:17:19,080
Speaker 7: boiler room.

3309
03:17:19,360 --> 03:17:25,360
Speaker 1: No talk to his baller room. Tell your microphone. I

3310
03:17:25,440 --> 03:17:33,119
Speaker 1: grew up in Miami in the eighties. Ship, Okay, I listen, listen,

3311
03:17:33,560 --> 03:17:35,640
Speaker 1: listen to him, Listen to him? What do you say?

3312
03:17:36,360 --> 03:17:39,480
Speaker 1: I grew up in Miami in the eighties? And how

3313
03:17:39,560 --> 03:17:44,680
Speaker 1: you know Noriega? And I was in the nineties when

3314
03:17:44,720 --> 03:17:46,840
Speaker 1: I really heard you. What was the first time you

3315
03:17:46,920 --> 03:17:51,160
Speaker 1: knew about him? Thanks mis for putting me on the spot. Well, well,

3316
03:17:51,240 --> 03:18:00,680
Speaker 1: what say, world, world? What super superna? Give you what

3317
03:18:00,800 --> 03:18:05,160
Speaker 1: you fail? I'm looking He's not can.

3318
03:18:08,320 --> 03:18:09,600
Speaker 7: To me too much?

3319
03:18:15,720 --> 03:18:17,640
Speaker 19: The best ever Let.

3320
03:18:20,760 --> 03:18:27,560
Speaker 1: You ask him? Okay, ask me the really fucking question

3321
03:18:27,680 --> 03:18:30,800
Speaker 1: you ever thought about. No, we're gonna end this show

3322
03:18:30,920 --> 03:18:34,959
Speaker 1: right now. In this show. Show never end the show.

3323
03:18:35,840 --> 03:18:38,800
Speaker 7: I want to I want asking me the realist question

3324
03:18:39,440 --> 03:18:41,640
Speaker 7: you ever wanted to ask me in your life.

3325
03:18:42,560 --> 03:18:46,960
Speaker 1: Let's go this is this is drink question. What's your question?

3326
03:18:47,240 --> 03:18:52,320
Speaker 1: That the real the realist question ever wanted me to

3327
03:18:52,440 --> 03:18:56,080
Speaker 1: answer in my life? Who wanted a bout between and DX?

3328
03:18:56,680 --> 03:18:57,720
Speaker 1: You got scared.

3329
03:18:59,680 --> 03:18:59,960
Speaker 11: To them?

3330
03:19:00,240 --> 03:19:04,640
Speaker 1: It's too easy, Ship and r E. I know your hair,

3331
03:19:04,800 --> 03:19:06,680
Speaker 1: know your hair, I know your nigga her when you

3332
03:19:06,800 --> 03:19:09,520
Speaker 1: did that video well, he told you what it was

3333
03:19:09,640 --> 03:19:12,400
Speaker 1: gonna be about. You know what you're gonna do it.

3334
03:19:16,840 --> 03:19:30,640
Speaker 7: You're right, mother, the realist question, it's just a drink.

3335
03:19:35,760 --> 03:19:38,800
Speaker 7: Ugh on, everybody, give me the realist question. You want

3336
03:19:38,840 --> 03:19:43,920
Speaker 7: to ask me tonight on deck, give me me. I

3337
03:19:44,000 --> 03:19:48,440
Speaker 7: gotta sap, I say hat on, let's go. Gud asked

3338
03:19:48,480 --> 03:19:50,400
Speaker 7: me the realist question tonight while.

3339
03:19:50,280 --> 03:19:52,680
Speaker 1: We're gonna drink champs so we can get these rings out.

3340
03:19:53,600 --> 03:20:04,199
Speaker 40: He asked, question, I got a question, you question, it's

3341
03:20:04,200 --> 03:20:05,119
Speaker 40: a normal question.

3342
03:20:05,640 --> 03:20:27,879
Speaker 41: Good do you my excuse me, bro, I'm completely confused

3343
03:20:28,800 --> 03:20:29,080
Speaker 41: at the.

3344
03:20:29,160 --> 03:20:35,320
Speaker 7: Migrant damn if why the funk would I eat?

3345
03:20:35,400 --> 03:20:46,400
Speaker 1: As even that law? That's a drunk.

3346
03:20:48,200 --> 03:20:53,080
Speaker 37: Talking about what my brother a few will be married

3347
03:20:53,080 --> 03:20:54,039
Speaker 37: to at Lasia keeps.

3348
03:20:55,800 --> 03:20:56,440
Speaker 1: That was your question?

3349
03:20:56,520 --> 03:20:59,360
Speaker 37: I know you yeah, do you forget some times?

3350
03:20:59,400 --> 03:20:59,760
Speaker 18: Like you.

3351
03:21:03,800 --> 03:21:14,640
Speaker 1: Know, my wife is a special person, beautiful, you know.

3352
03:21:14,800 --> 03:21:18,440
Speaker 7: She she woke up at seven six am in the morning,

3353
03:21:18,520 --> 03:21:20,760
Speaker 7: said she's going to the women's march.

3354
03:21:21,480 --> 03:21:24,480
Speaker 1: Wow, I was tired.

3355
03:21:25,680 --> 03:21:29,280
Speaker 7: It's the women's mark you come, she said, No, this

3356
03:21:29,320 --> 03:21:32,640
Speaker 7: is the women's march. Okay, go to the women's march. Hm,

3357
03:21:32,959 --> 03:21:35,360
Speaker 7: take them shooters with you, you know, take them back.

3358
03:21:36,120 --> 03:21:38,760
Speaker 7: As long as you're protect them, I'm good. But she

3359
03:21:38,920 --> 03:21:41,119
Speaker 7: really about that life, and she's been about that life

3360
03:21:42,240 --> 03:21:46,200
Speaker 7: way more than uh, way more than publicized.

3361
03:21:46,520 --> 03:21:47,080
Speaker 1: You know. I went.

3362
03:21:47,160 --> 03:21:50,160
Speaker 7: I remember going to Africa with her, wow, and going

3363
03:21:50,240 --> 03:21:53,720
Speaker 7: to like four hospitals and seeing her facing these hospitals,

3364
03:21:53,720 --> 03:21:57,360
Speaker 7: and the last time, I was like, Babe, why do

3365
03:21:57,400 --> 03:22:00,640
Speaker 7: they got your face in me in these hospitals? He said,

3366
03:22:02,480 --> 03:22:05,879
Speaker 7: these are my hospitals. I said, whoa you own these hospitals.

3367
03:22:06,240 --> 03:22:09,240
Speaker 7: I'm married to her. She ain't even tell me all

3368
03:22:09,280 --> 03:22:11,960
Speaker 7: these hospitals she went to, she built them ships, she

3369
03:22:12,160 --> 03:22:15,240
Speaker 7: owned them hospitals. She ain't even telling me, as her husband,

3370
03:22:15,440 --> 03:22:18,400
Speaker 7: that she owned those hospitals, like it didn't mean nothing

3371
03:22:18,480 --> 03:22:21,920
Speaker 7: to her because the gift that she was giving back

3372
03:22:22,040 --> 03:22:23,039
Speaker 7: meant so much more.

3373
03:22:23,680 --> 03:22:27,520
Speaker 1: I understand. That's what I'm dealing with. She's another zone.

3374
03:22:28,000 --> 03:22:29,039
Speaker 1: I ain't never seen.

3375
03:22:29,400 --> 03:22:35,720
Speaker 7: Uh nobody operating on this the angel from Seriously, we

3376
03:22:35,920 --> 03:22:38,840
Speaker 7: in Africa and the trenches.

3377
03:22:38,920 --> 03:22:43,000
Speaker 1: I'm not talking about halfway. I'm talking about half afric right.

3378
03:22:44,200 --> 03:22:50,520
Speaker 1: It's two different tones to that ship Manhattan, the Brons, Like,

3379
03:22:50,600 --> 03:22:51,960
Speaker 1: it's two different zones to that.

3380
03:22:52,440 --> 03:22:55,720
Speaker 7: So I'm going to Africa and I'm seeing like people

3381
03:22:56,640 --> 03:23:03,840
Speaker 7: living and making them off of being thirty pounds and

3382
03:23:03,959 --> 03:23:08,000
Speaker 7: surviving off a medicine that they're able to afford.

3383
03:23:08,800 --> 03:23:10,680
Speaker 1: And I never knew that my wife was affording them

3384
03:23:10,720 --> 03:23:12,879
Speaker 1: this medicine. You know what I'm saying that she never

3385
03:23:12,959 --> 03:23:15,520
Speaker 1: ever told me the story. I didn't even know why

3386
03:23:15,879 --> 03:23:18,720
Speaker 1: we was even in Africa. I just knew that we

3387
03:23:18,920 --> 03:23:20,480
Speaker 1: was going. Man, I was going with her.

3388
03:23:21,959 --> 03:23:25,440
Speaker 7: Wow, I've seen these people getting the antry viral metrics medicine,

3389
03:23:26,920 --> 03:23:29,119
Speaker 7: something that they couldn't afford. And I'm like, damn, were

3390
03:23:29,160 --> 03:23:32,040
Speaker 7: losing all these people for no reason. And I've seen

3391
03:23:32,040 --> 03:23:34,400
Speaker 7: all these people survive under her watch. You know what

3392
03:23:34,400 --> 03:23:36,800
Speaker 7: I'm saying, My wife feet over three hundred thousand people

3393
03:23:36,800 --> 03:23:40,039
Speaker 7: a year and never talk about it. Three hundred thousand

3394
03:23:40,160 --> 03:23:45,000
Speaker 7: over her own money, her own grind, her own things,

3395
03:23:45,560 --> 03:23:46,520
Speaker 7: never talk about it.

3396
03:23:47,080 --> 03:23:51,640
Speaker 1: I'm like, this is her to her own husband.

3397
03:23:51,720 --> 03:23:53,920
Speaker 7: You know what I'm saying, This is another type of

3398
03:23:54,040 --> 03:23:56,080
Speaker 7: SPORI I got a lot of work to do even

3399
03:23:56,120 --> 03:23:56,720
Speaker 7: still today.

3400
03:23:57,640 --> 03:23:59,680
Speaker 1: Wow, I had a lot of work to do. You

3401
03:23:59,680 --> 03:24:03,119
Speaker 1: know what I'm she put me on my ag Game's real.

3402
03:24:08,160 --> 03:24:08,440
Speaker 2: That was.

3403
03:24:10,520 --> 03:24:14,280
Speaker 1: Questions. Then give me the hard fucking question we know.

3404
03:24:15,600 --> 03:24:17,400
Speaker 1: I know you answer. I just wanted to add, I'm

3405
03:24:17,440 --> 03:24:25,720
Speaker 1: like it's going crazy. Yeah, realized that like changed or

3406
03:24:25,800 --> 03:24:35,320
Speaker 1: help out the us he's talking about no commission a

3407
03:24:35,360 --> 03:24:35,680
Speaker 1: little bit.

3408
03:24:37,600 --> 03:24:40,640
Speaker 7: I noticed that I can help out the visual arts

3409
03:24:40,680 --> 03:24:45,560
Speaker 7: when I just knew that the sonic art was was

3410
03:24:46,879 --> 03:24:49,959
Speaker 7: over exaggerated, and I could have came in the game

3411
03:24:50,040 --> 03:24:55,000
Speaker 7: with no commissions music and give the musician one hundred

3412
03:24:55,000 --> 03:24:57,200
Speaker 7: percent of what they sold. But I was so I

3413
03:24:57,360 --> 03:25:00,720
Speaker 7: was just so tired of even talking about music. It

3414
03:25:00,840 --> 03:25:03,400
Speaker 7: was just an old thing to me. And I seen

3415
03:25:03,520 --> 03:25:05,920
Speaker 7: that my way out was art because it was something

3416
03:25:05,959 --> 03:25:11,160
Speaker 7: that was still untapped, and it was something that hasn't

3417
03:25:11,200 --> 03:25:15,920
Speaker 7: been abused but abused. It hasn't been abused the way

3418
03:25:15,959 --> 03:25:19,800
Speaker 7: that we witness abuse. Still have been abused, but I

3419
03:25:19,920 --> 03:25:22,039
Speaker 7: seen that the abuse that they went through was still

3420
03:25:22,080 --> 03:25:25,240
Speaker 7: a capture and we can still capture that. It's like

3421
03:25:26,680 --> 03:25:30,480
Speaker 7: we got whipped, beats, stomped out, kicked us set on fire.

3422
03:25:30,959 --> 03:25:33,640
Speaker 1: They just got punched in their fucking face to talking stupid,

3423
03:25:34,080 --> 03:25:34,720
Speaker 1: you know what I'm saying.

3424
03:25:34,800 --> 03:25:39,320
Speaker 7: So I figured that the arts can be saved, and

3425
03:25:39,640 --> 03:25:42,000
Speaker 7: I had fun doing it because it was untapped territory

3426
03:25:42,080 --> 03:25:45,680
Speaker 7: for me. I was literally time talking about things that

3427
03:25:45,760 --> 03:25:48,040
Speaker 7: we can excel and doing the music industry because it

3428
03:25:48,120 --> 03:25:52,480
Speaker 7: was so jaded. Understand, we were so spoiled and it

3429
03:25:52,600 --> 03:25:56,200
Speaker 7: was driving so much traffic, and the music industries didn't

3430
03:25:56,240 --> 03:25:59,680
Speaker 7: want to invest in technology, they didn't want to invest

3431
03:25:59,760 --> 03:26:02,480
Speaker 7: in future living. And so you know, I've seen all

3432
03:26:02,480 --> 03:26:05,199
Speaker 7: those different things front row, and I've seen our ass

3433
03:26:05,640 --> 03:26:11,080
Speaker 7: something that was still on that rebellious line of whatever

3434
03:26:11,160 --> 03:26:15,240
Speaker 7: we want to do. And I've seen those lines of confidence.

3435
03:26:15,720 --> 03:26:18,600
Speaker 7: I've seen those lines of expression, and I say, like, yo,

3436
03:26:19,520 --> 03:26:22,879
Speaker 7: I want I want to get behind that. I'm saying

3437
03:26:22,920 --> 03:26:25,600
Speaker 7: that I know they don't want to problem over here.

3438
03:26:26,480 --> 03:26:26,640
Speaker 1: You know.

3439
03:26:26,760 --> 03:26:29,280
Speaker 7: So on the street level, I felt comfortable, on a

3440
03:26:29,520 --> 03:26:31,520
Speaker 7: on a on a visual level, I felt comfortable.

3441
03:26:31,560 --> 03:26:34,120
Speaker 1: On the artistic level, I felt comfortable. And that's and

3442
03:26:34,200 --> 03:26:34,840
Speaker 1: that's what I went with

3443
03:26:43,240 --> 03:26:43,520
Speaker 9: Time