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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo.

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Speaker 2: Yo yo yo Jess, hilarry ass that morning and it's Tuesday,

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Speaker 2: that's right. And hopefully you're having a happy holiday. You're

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Speaker 2: enjoying your break if you have a break. If not, well,

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Speaker 2: today's show it's all about the Kings of R and B.

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Speaker 3: That's right.

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Speaker 2: And when we talk about the Kings of R and B,

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Speaker 2: we're talking about our good brother Jack Quiz. We're talking

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Speaker 2: about Take and Death Rolls own October, London. All right,

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Speaker 2: that's that's the newest all to signed the Snoop Dogg's label,

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Speaker 2: Death Row Records. All right, we're gonna get that back

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Speaker 2: on this morning, so you don't go anywhere.

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Speaker 4: It's the breakfast club. Good morning to many.

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Speaker 3: This is your time to get it off your chest.

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Speaker 3: So you're man or blessed.

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Speaker 5: I hate the way that you walk, the way that

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Speaker 5: you talk, I hate the way that you dress.

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Speaker 4: Everything.

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Speaker 3: When me is best call up next eight hundred five

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Speaker 3: eighty five one five one.

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Speaker 6: That's just me.

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Speaker 7: I'm with the Coach of Phillis.

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Speaker 1: Hello, who's this.

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Speaker 8: Jesus, Jamal Jersey's.

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Speaker 4: Good from Jersey.

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Speaker 2: Take us off blue too for a speaker phote if

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Speaker 2: you got us on that brother, No dog, no dog.

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Speaker 8: I want to tell Tanya, Tanya, you know who you are?

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Speaker 8: You driving to work right now? I want you out

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Speaker 8: of my house. You ain't got a key. My wife's

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Speaker 8: got to come open the door for you. Retire the

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Speaker 8: door favors for you. Get out when you get off

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Speaker 8: of work tonight. Don't come here, Envy, please no, tell her,

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Speaker 8: don't come here.

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Speaker 2: I'm not gonna sound like you got a side chicken away.

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Speaker 2: It sounds like you the messed.

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Speaker 4: Up by the way.

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Speaker 8: Welcome back, Jess, Jess.

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Speaker 9: This is a mess.

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Speaker 8: She needs to go.

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Speaker 4: Oh, she gotta go. What's Tanya do, Broy.

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Speaker 8: She's only been here two weeks, it feels like two years.

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Speaker 3: I can't take it.

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Speaker 9: So I just don't want to see her face.

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Speaker 1: Tanya, you're not talking to you. You will go.

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Speaker 8: You go to work right now, and when you get off,

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Speaker 8: don't come here.

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Speaker 4: That's Tanya, your girlfriend or you and your wife's girlfriend.

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Speaker 4: Who is she?

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Speaker 8: Tanya is a friend of my wife from college. I

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Speaker 8: respect her, I like her. She cool, but she gotta

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Speaker 8: get her stuff together?

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Speaker 3: Right?

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Speaker 4: What does she do? She probably got his wife doing

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Speaker 4: some college.

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Speaker 8: I tell you what she didn't do. She didn't get

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Speaker 8: a man, she ain't get no support, she ain't got

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Speaker 8: nobody else to go to.

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Speaker 4: So why do you want her out?

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Speaker 2: What does she do so disrespectful that you're kicking tea

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Speaker 2: out of the house.

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Speaker 7: Bro Yo, it's not a respect, you know, it's just discomfort.

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Speaker 9: Isn't that enough?

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Speaker 5: You just want your house back to to yourself?

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Speaker 4: Can you give a little bit of time?

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Speaker 1: Yeah?

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Speaker 5: But now I love her in respect that she cool

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Speaker 5: after you just say you need to get your stuff

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Speaker 5: get out here and got nobody nothing?

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Speaker 2: And does your wife agreed, because you might say this

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Speaker 2: and your wife might you know.

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Speaker 1: Yeah, not agree with you. Brother.

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Speaker 10: That's our girl, my.

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Speaker 8: Wife said, Jamal, she's my friend.

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Speaker 9: Please just hold on.

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Speaker 8: She gonna find the place.

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Speaker 9: She's cool with it.

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Speaker 11: She don't.

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Speaker 4: She don't.

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Speaker 8: She respects that. I want to say, so she understands that.

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Speaker 9: I want a dard.

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Speaker 1: But he'll come on now.

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Speaker 12: I just I just don't want to hear no more.

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Speaker 9: M okay.

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Speaker 3: I like you.

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Speaker 9: I know you listening to right now.

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Speaker 8: I know you're probably laughing at me, but no, please

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Speaker 8: just find a man of something.

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Speaker 4: You know, damn you just wanted to find a man overnight.

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Speaker 3: Just all right? All right, well, thank you brother.

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Speaker 8: Every good day, y'all?

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Speaker 3: Yeah, good day.

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Speaker 10: That sounds like a movie. Hello.

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Speaker 4: Who's this?

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Speaker 12: Top of the morning, Top of the morning?

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Speaker 9: Heyyy he doing? How you doing? I just wanted to say.

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Speaker 9: I just wanted to say, man, it's reading out here.

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Speaker 9: I'm a truck driver. I just want everybody to be careful.

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Speaker 9: That's all I wanted to say. That was it.

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Speaker 4: Hey, all right, you're in the trump now.

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Speaker 3: Yes, sir, Yes, sir, you know what I mean.

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Speaker 11: Some more on, baby, come on, man, you already know man.

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Speaker 4: Have a good one, you too, man, Thank you? Hello.

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Speaker 9: Who's this?

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Speaker 12: It is Sheila? Good morning, Broakfast Club, Good morning.

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Speaker 13: I'm doing good.

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Speaker 10: Hey.

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Speaker 14: I wanted to tell you just I saw your movie

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Speaker 14: twice and I think you need a part two.

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Speaker 12: Don't you think it was really good?

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Speaker 14: I think anybody been calling talking about it.

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Speaker 11: I think you do because I need to know what

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Speaker 11: happened to Leah after she got slapped.

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Speaker 13: Girls.

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Speaker 10: Thank you so much for supporting.

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Speaker 4: I know right, I appreciate you. Bab I'm gonna watch

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Speaker 4: it this weekend.

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Speaker 2: I gotta watch that this weekend, and I gotta watch.

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Speaker 4: Penguin this weekend.

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Speaker 2: So I got it is my daughter's competition, so I

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Speaker 2: got a little time when they do when they in

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Speaker 2: between their little dance meets, I can watch all the movies.

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Speaker 4: I need to make sure you do.

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Speaker 14: Okay, okay, DJ and that I got one more thing.

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Speaker 6: I will ask you peop about things.

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Speaker 12: I want one of your books. I got char the

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Speaker 12: main book. Can I get one of your books?

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Speaker 3: Sure?

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Speaker 4: Absolutely? Real Life, Real Love.

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Speaker 2: It's a relationship book, and hopefully it can help people

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Speaker 2: out with their relationship.

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Speaker 4: Me and my wife being together thirty years.

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Speaker 2: We've been married twenty three and we talk about everything,

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Speaker 2: not just the good that everybody hears and season on

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Speaker 2: Instagram when you hear people's relationships. We talk about everything

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Speaker 2: that God is there, from insecurity and fidelity to everything,

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Speaker 2: but in how we made it through. So I will

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Speaker 2: definitely send it to you. If you hold on, I

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Speaker 2: can get your information and send it right to you.

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Speaker 14: One more thing, y'all no longer, but I want to

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Speaker 14: shout out to my mental poetry health grew for four years.

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Speaker 14: Galaxy of poets on Instagram, so shout out to them.

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Speaker 14: And we celebrated our fourth year in November, so I'm

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Speaker 14: shouting out to that group.

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Speaker 4: Okay, and your name is Sheil right s h E

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Speaker 4: l A.

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Speaker 14: It's she s h E l I A A.

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Speaker 2: Okay, I got you, Mama. Hold on, okay, okay, get

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Speaker 2: it off your chest. Eight hundred five eight five one

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Speaker 2: oh five one. If you need to vent phone lines

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Speaker 2: of wide open, it's the Breakfast Club.

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Speaker 3: Good morning, the Breakfast Club. This is your time to

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Speaker 3: get it off your chest, whether you're man or blast.

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Speaker 4: I hate the.

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Speaker 5: Way that you walk, the way that you talk, I

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Speaker 5: hate the way you dress.

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Speaker 15: Everything when nears best.

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Speaker 3: Call up new eight hundred five five five one.

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Speaker 7: Not just I'm what the coach of philing.

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Speaker 4: Hello, who's this?

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Speaker 7: Good morning?

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Speaker 11: Cool?

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Speaker 12: A line from Records Island.

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Speaker 4: Hey, good morning from Records Island. Get it off your chest.

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Speaker 12: First of all, I want to give a shout out

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Speaker 12: to everybody who work on Records Island. Is a very

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Speaker 12: tough job to be a law enforcement on Records Island.

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Speaker 9: Respect.

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Speaker 8: Get them respect.

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Speaker 12: I'm everything because I'm anonymously speaking, I don't want to

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Speaker 12: be retaliated on but I'm not an inmate. I'm currently

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Speaker 12: a staffer at DC, and I want to give a

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Speaker 12: shout out to everybody who does the job productively without

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Speaker 12: bringing contraband any authorized items and still giving an inmax

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Speaker 12: what they're supposed to have with respect. I do want

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Speaker 12: to recognize the people that do not acknowledge people with

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Speaker 12: the job that we do, which is a tough job,

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Speaker 12: and you know, shout out to people that do the

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Speaker 12: job correctly.

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Speaker 8: That's all.

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Speaker 1: Thank you very much, we appreciate your service.

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Speaker 9: Man.

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Speaker 1: I hope you're treating the New York Records Island, thank you.

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Speaker 1: Hope you're treating them inmates with respect, for not all

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Speaker 1: of them.

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Speaker 12: Know they treat they treat they treat staffords with respect

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Speaker 12: who give respect. But like I said, it's a skill

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Speaker 12: to work on records out It's definitely a skill.

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Speaker 4: I'm sure got Hello, who's this.

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Speaker 9: Dude from Carolina?

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Speaker 4: Dude from Carolina? Get it off your check?

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Speaker 1: What Carolina? North?

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Speaker 9: South South Carolina? Okay off South Carolina, Earnsboro County.

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Speaker 1: Old bird salute to Orangeburg.

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Speaker 9: That's hilarious. I got a on the pick with you.

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Speaker 10: Oh lord, what's that?

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Speaker 9: Why are you sleeping with your best friend's husband.

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Speaker 4: You might be talking about the movie.

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Speaker 9: Well, Chris, when when this was happening.

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Speaker 1: Don't tell us the plot of the movie.

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Speaker 7: Man.

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Speaker 16: We ain't get to watch it yet. What's the name

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Speaker 16: of the movie on peacock?

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Speaker 5: I Hate, I Love You?

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Speaker 10: Streaming now on Peacock.

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Speaker 9: Look at my old lady need the best friend. I

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Speaker 9: think you would be.

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Speaker 5: Uh oh, you got to get off this phone.

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Speaker 3: Is it good?

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Speaker 1: The movie good?

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Speaker 9: It is decent. I liked it and I watched it

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Speaker 9: all the way through.

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Speaker 1: I'm gonna watch it. I'm gonna watch it the name

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Speaker 1: I'm watching just on Peacock. I think I hate you.

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Speaker 7: No, I hate I love you.

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Speaker 1: I hate I love you, I love you.

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Speaker 4: Thank you, sir, Get it off your chest.

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Speaker 2: Eight hundred five five one five one. If you need

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Speaker 2: to be hit us up now. It's the Breakfast Club.

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Speaker 4: Good morning, the Breakfast Club.

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Speaker 3: Morning.

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Speaker 2: Everybody's stej NV just a real Charlamaine the guy.

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Speaker 4: We all the Breakfast Club.

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Speaker 2: You have special guests in the building.

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Speaker 4: Ladies and gentlemen there, John Quace, Yes, sir, what's up?

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Speaker 9: Brother?

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Speaker 4: What's are you feeling?

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Speaker 10: Feeling? Good man?

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Speaker 4: Slow much, congratulations on the baby.

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Speaker 1: Thank you like in general.

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Speaker 10: Doing a lot.

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Speaker 11: Yeah, yeah, it's a lot going in my world, man,

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Speaker 11: But I'm feeling good.

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Speaker 10: I'm blessed candle.

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Speaker 5: And the name of the album is Baby Making. Yeah,

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Speaker 5: so what's all about that night?

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Speaker 10: Exactly?

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Speaker 11: My first my first number one album for real now,

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Speaker 11: don't billbo but on Apple Music and stuff.

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Speaker 10: Feel good to have that, get a little accomplishment under

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Speaker 10: my belt.

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Speaker 1: What is baby Making music? Do you to me?

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Speaker 11: Baby making music just like you know, music that makes you,

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Speaker 11: that make you want to feel like you want to

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Speaker 11: have a baby, like you know, it's basically like a

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Speaker 11: sex playlist. I feel like this album is basically like

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Speaker 11: what people create when they put all their.

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Speaker 10: Music together for the text playlist, you know.

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Speaker 11: I feel like baby Making is that, you know, you

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Speaker 11: don't have to go put a bunch of songs together.

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Speaker 11: You could just really just play the album through and

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Speaker 11: it's just to get you where you need to go.

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Speaker 10: You said you're thirty now, yeah, thirty thirty. I'll be

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Speaker 10: thirty one that ship.

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Speaker 5: Yeah, congratulations on your engagement. Thank you, And this this

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Speaker 5: is the you are entering, well you already entered the

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Speaker 5: fourth decade of your life, right, so oh wow?

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Speaker 4: Yeah, yeah, I ain't know that how I go third decade?

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Speaker 5: No, it's not so from one to ten, this one,

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Speaker 5: ten to twenty ten.

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Speaker 10: Twenty to thirty, that's three.

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Speaker 11: So that's three now, Yeah, that you make sure three

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Speaker 11: decades walk.

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Speaker 5: Measuring your fourth okay, fat decade of like that talk

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Speaker 5: so that you already know what's up with me? So

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Speaker 5: when did you know it was time? Like how did

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Speaker 5: you when did you decide? Like because you're thirty now,

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Speaker 5: I think.

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Speaker 11: I'm just going with God in the motion, you know

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Speaker 11: what I'm saying. Honestly, that's honestly my my answer, Like

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Speaker 11: you know what I'm saying. I had a bunch of

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Speaker 11: different answers, but now just waking up today and just

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Speaker 11: seeing like, you know, just everything, like you know, I

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Speaker 11: just think like I'm just going with God, say, you

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Speaker 11: know what I'm saying, Like I know what men like,

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Speaker 11: it's always a time because I had started seeing like

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Speaker 11: different dudes in the game, like I'm like, okay, Bro,

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Speaker 11: Marri Bro, different things, and I just think for me,

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Speaker 11: like I've already had like a couple like experiences with

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Speaker 11: women and different things like that. So I think for me,

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Speaker 11: it's like, Okay, I'm not missing nothing on that side.

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Speaker 11: You know, she makes me feel good. You know what

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Speaker 11: I'm saying. So I be like how I live my

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Speaker 11: life is I don't want to have no regrets in

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Speaker 11: my life, you know what I'm saying. I want to

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Speaker 11: like do everything that I know I'm supposed to be doing.

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Speaker 11: Like I know, marriage is a part of life, you know,

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Speaker 11: So I don't want to keep guessing like, Okay, she

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Speaker 11: gonna be the one, she gonna be the one. I'm

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Speaker 11: just taking a chance, like I said, I'm just going

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Speaker 11: with God. I think she's it. She made me feel whole,

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Speaker 11: you know what I'm saying. She made me want to

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Speaker 11: be better than I was. Befolks, But how did we met?

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Speaker 11: Through Pat Man Jones?

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Speaker 10: You feel me? Pat Man Joone, you know that's like

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Speaker 10: my big brother.

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Speaker 1: He had.

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Speaker 11: He called me one day, facetimed me in like twenty

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Speaker 11: twenty one and he was in Jamaica with DeAndre and

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Speaker 11: her family. They you know, they they they've been tight.

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Speaker 11: Dean Sander's like his Godpops or whatever. He called me,

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Speaker 11: and he was like, Bro, I'm out here with DeAndre Sanders.

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Speaker 3: I'm like, bro, is it?

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Speaker 13: Like?

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Speaker 10: Man, Deane, I'm like no, I don't care about aut

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Speaker 10: that like, what's up?

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Speaker 11: He like, man sing for I'm like, bro, don't be sing.

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Speaker 11: I'm like, I'm like, bro, what sing like? Brian, ain't

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Speaker 11: finna be like, Bro, it's my birthday? Bright Like I'm

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Speaker 11: telling you, this is what you need to be doing singing.

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Speaker 11: I'm like Pat serious too, I'm like, bro, I'm not singing.

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Speaker 11: But he turned the camera when I seen her, I

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Speaker 11: started singing. Yeah, I started singing.

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Speaker 1: I'm like, what song was it? They got it?

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Speaker 11: I don't know if I started singing Happy birthday a

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Speaker 11: couple songs, you know, if I sung you. I think

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Speaker 11: I sung happy birthday though, because I think it was

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Speaker 11: her birthday and I think I just well, I know

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Speaker 11: it's her birthday.

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Speaker 10: It was her thirty first, and I remember I just

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Speaker 10: started singing. And after that.

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Speaker 11: Told Pat like, dang, she you know she's pretty, like

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Speaker 11: she dope, like you feel mean?

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Speaker 10: Like who that? I try to know? They like you

327
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Speaker 10: saying do white?

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Speaker 9: You know?

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Speaker 10: I'm like, oh, for real. I jumped in the DMS

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Speaker 10: and then after that I met her.

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Speaker 11: She met me in Miami. We met each other in

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Speaker 11: Miami and then we just hit it off from there.

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Speaker 11: But then we was just friends. Like you know, I

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Speaker 11: was in like I was like I was in a relationship,

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Speaker 11: but I was I would be off with my girl

336
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Speaker 11: for like two months, you know what I'm saying. All month,

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Speaker 11: me and my girl be going at it, you know

338
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Speaker 11: what I'm saying. And during those times, I would meet

339
00:12:04,080 --> 00:12:06,240
Speaker 11: people like this one. My relationship was just like you know,

340
00:12:06,320 --> 00:12:08,160
Speaker 11: I was just not the best man I am now,

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Speaker 11: you know what I'm saying. So I would just I

342
00:12:09,679 --> 00:12:11,880
Speaker 11: would meet people in those breaks, you know what I mean.

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Speaker 11: She was one of the people I met, but we

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Speaker 11: was friends. But I feel like it's so strong because

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Speaker 11: we was friends.

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Speaker 16: First I saw you sit down with our family a

347
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Speaker 16: Nihlis of Moon and you were talking about your fiance

348
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Speaker 16: and you said she helped play a role in You're

349
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Speaker 16: getting sober.

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Speaker 4: Yeah, hell yeah.

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Speaker 10: Show Like I even drunk the liquor since like March thirteenth.

352
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Speaker 10: You know what I'm saying.

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Speaker 11: I was a real drinker, Like you feel me, like

354
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Speaker 11: you know, a person that just would drinking to just

355
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Speaker 11: it had became a part of my life, you know.

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Speaker 10: What I'm saying.

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Speaker 11: When it become a part of your lifestyles, Like you

358
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Speaker 11: don't even notice when you slumping, people have to tell

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Speaker 11: you you know what I'm saying, But then I start

360
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Speaker 11: like just getting terrible. You know what I'm saying, Just

361
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Speaker 11: getting terrible, like like like not being Jack Queize that

362
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Speaker 11: people knew me to be, because people would meet me

363
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Speaker 11: and be like, damn, I messed with Jack Queize, Like

364
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Speaker 11: you know what I'm saying. But then you know, I

365
00:12:51,760 --> 00:12:53,640
Speaker 11: would have like some type of little stain on my

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Speaker 11: name for something that had something.

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Speaker 10: To do with alcohol.

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Speaker 11: Yeah, you know what I mean, And then it would

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Speaker 11: just like give people a reason to judge me.

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Speaker 10: You know what I'm saying.

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Speaker 11: It's like I'm one of them people where it's like

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Speaker 11: I ain't got no nothing, but it's like, oh, I

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Speaker 11: gave them a reason with alcohol. So I had to

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Speaker 11: like clean myself up and she really helped me. We

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Speaker 11: got back, I got back in church and just started

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Speaker 11: doing everything that I needed to do, you know what

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Speaker 11: I'm saying. And now I feel like like going in

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Speaker 11: the direction that I need to be.

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Speaker 10: You know what I'm saying. I like, I just had

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Speaker 10: to my first number one album.

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Speaker 11: Like I said, it wasn't Billboard, but it was still

382
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Speaker 11: like letting me know, like Okay, this is what you

383
00:13:23,720 --> 00:13:24,360
Speaker 11: can be doing.

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Speaker 10: You know what I'm saying, Like I'm getting a taste

385
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Speaker 10: of it. You know what I'm saying.

386
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Speaker 11: I know God always give you a little bit for

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Speaker 11: you a lot. So I'm like, okay, you feel me boomed,

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Speaker 11: like even on certain things in my career, Like you

389
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Speaker 11: know what I'm saying. I know, like, Okay, I probably

390
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Speaker 11: had the wrong people around me. You feel what I'm saying,

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Speaker 11: like even with certain things, I make a lot of money,

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Speaker 11: but I ain't made the most money I could make.

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Speaker 11: You know what I'm saying, Probably like God probably like okay,

394
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Speaker 11: you probably got some people around you that don't need

395
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Speaker 11: because I'm a giver. You know, it's a lot of

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Speaker 11: things that being like cleaned up in my life. But

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Speaker 11: I'm like slow rolling and I'm knowing, like okay, I

398
00:13:52,000 --> 00:13:53,680
Speaker 11: know what's coming on the other side. You feel me,

399
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Speaker 11: so it keeps me motivated, Like it was a time

400
00:13:55,520 --> 00:13:57,719
Speaker 11: where I couldn't even see my future. You feel me

401
00:13:57,760 --> 00:13:59,360
Speaker 11: like I would be in places but I can't even

402
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Speaker 11: tell you like I'm gonna do and like people ask

403
00:14:01,280 --> 00:14:03,520
Speaker 11: like what you seven five years, I couldn't tell you

404
00:14:03,520 --> 00:14:05,760
Speaker 11: what I'm gonna be doing next week because of the alcohol.

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Speaker 4: I just was blind, like I just had got cloudy.

406
00:14:08,400 --> 00:14:08,760
Speaker 10: You feel me.

407
00:14:08,760 --> 00:14:10,800
Speaker 11: I had just got like on some rebellion. You know

408
00:14:10,840 --> 00:14:12,640
Speaker 11: what I'm saying, Like I want where I want to

409
00:14:12,640 --> 00:14:15,080
Speaker 11: be in my career. Personally, it wasn't going right.

410
00:14:15,240 --> 00:14:15,800
Speaker 10: You know what I'm saying.

411
00:14:15,800 --> 00:14:17,360
Speaker 11: You know, when you get into bad, you're like, like,

412
00:14:17,640 --> 00:14:19,560
Speaker 11: we'll do some shows, we get some money. I had

413
00:14:19,600 --> 00:14:21,200
Speaker 11: lost my whole thing. Like I was looking back at

414
00:14:21,240 --> 00:14:22,880
Speaker 11: the picture, I'm like, damn, I had my shirt off,

415
00:14:23,120 --> 00:14:24,840
Speaker 11: my stomach was hanging over my pants.

416
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Speaker 10: Was that Jack?

417
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Speaker 11: This was last year when I went on to a team, Like,

418
00:14:29,440 --> 00:14:31,200
Speaker 11: I was like, damn, but then I end up losing

419
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Speaker 11: thirty pounds.

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Speaker 3: You feel me.

421
00:14:32,480 --> 00:14:34,040
Speaker 11: I got in a gym. I'm like, I changed the

422
00:14:34,080 --> 00:14:36,560
Speaker 11: way I started. I ate you feel me. I changed everything.

423
00:14:36,560 --> 00:14:39,120
Speaker 11: You feel me because I'm like, I owe it to myself.

424
00:14:39,200 --> 00:14:41,160
Speaker 11: You feel me. I was like, bro, if I don't

425
00:14:41,160 --> 00:14:42,920
Speaker 11: make it to where I need to make it too,

426
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Speaker 11: I can't even blame.

427
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Speaker 4: Like I can't be like, oh bird man, I can't.

428
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Speaker 11: I can't say that you feel what I'm saying. I

429
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Speaker 11: would have to say, like, man, God.

430
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Speaker 16: God, God will show you so many people can't see themselves. Yeah,

431
00:14:55,760 --> 00:14:57,400
Speaker 16: So for God to give you that self awareness and

432
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Speaker 16: let's give you a choice, like, look, I'm showing you

433
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Speaker 16: what you are and you got a choice to do

434
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Speaker 16: the right thing.

435
00:15:01,800 --> 00:15:02,840
Speaker 1: For you to do the right thing.

436
00:15:02,960 --> 00:15:03,160
Speaker 3: Yeah.

437
00:15:03,240 --> 00:15:05,880
Speaker 2: March thirteen, bro, I stopped drinking, especially your friends around you,

438
00:15:05,880 --> 00:15:07,520
Speaker 2: because you know some of your friends around you got

439
00:15:07,520 --> 00:15:08,680
Speaker 2: the rest of that or not here no more.

440
00:15:08,720 --> 00:15:10,240
Speaker 4: So you got to see it first hand.

441
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Speaker 11: Yeah, that's a lot, didn't bro. I was total in cars.

442
00:15:12,600 --> 00:15:14,600
Speaker 11: I told her three cars, I ain't getting no scratches.

443
00:15:15,640 --> 00:15:17,280
Speaker 11: And when I would go back into spots and look

444
00:15:17,280 --> 00:15:18,880
Speaker 11: at what I told the cars, there was always something

445
00:15:19,080 --> 00:15:19,880
Speaker 11: was supposed to be fatal.

446
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Speaker 10: I was always like damn.

447
00:15:21,440 --> 00:15:23,280
Speaker 11: I would total a car, jump out the car, run

448
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Speaker 11: straight to the house, full speed, no stopping that.

449
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Speaker 2: We got more with Joah Queis when we come back.

450
00:15:32,400 --> 00:15:35,080
Speaker 2: His album Baby Making is out now. It's the Breakfast Club,

451
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Speaker 2: Good morningj Envy, just Hilarius Charlamage, the guy we are

452
00:15:39,000 --> 00:15:41,760
Speaker 2: the Breakfast Club was still kicking it with yoall Queis Charlamagne.

453
00:15:41,840 --> 00:15:43,400
Speaker 16: You know one thing I love that your your girl

454
00:15:43,440 --> 00:15:45,560
Speaker 16: did she told you that you can't name it whether

455
00:15:45,600 --> 00:15:49,040
Speaker 16: you can't name the sun name Noah.

456
00:15:49,080 --> 00:15:50,840
Speaker 11: But y'all know that was that wasn't the truth. I'm

457
00:15:50,840 --> 00:15:53,520
Speaker 11: glad were talking about that. She didn't want him to

458
00:15:53,520 --> 00:15:55,480
Speaker 11: be a junior. The last name was.

459
00:15:55,400 --> 00:15:57,280
Speaker 10: Never a problem, you know what I'm saying.

460
00:15:57,320 --> 00:15:59,760
Speaker 11: So he was he was gonna be a broad Next regardless,

461
00:16:00,160 --> 00:16:01,600
Speaker 11: you know what I'm saying, Like the name was always

462
00:16:01,600 --> 00:16:04,040
Speaker 11: gonna be double regardless, like even when we finalized, like

463
00:16:04,080 --> 00:16:06,040
Speaker 11: when we go through it our marriage and everything, all

464
00:16:06,080 --> 00:16:08,320
Speaker 11: my kids will be Sanders broadn Necks. You know what

465
00:16:08,320 --> 00:16:10,080
Speaker 11: I'm saying, Like I'm not gonna make snow the only

466
00:16:10,560 --> 00:16:13,800
Speaker 11: Sanders broad Next, like his little sister be Sanders Broadnecks.

467
00:16:13,840 --> 00:16:17,120
Speaker 11: His little brother sat everybody. So yeah, it was. It

468
00:16:17,160 --> 00:16:18,760
Speaker 11: was more so I think I wanted his name to.

469
00:16:18,680 --> 00:16:21,240
Speaker 10: Be Rodriguez Joques broad Next junior at first.

470
00:16:21,480 --> 00:16:22,120
Speaker 1: You know what I'm saying.

471
00:16:22,240 --> 00:16:24,280
Speaker 4: She fought you on that one, because.

472
00:16:23,920 --> 00:16:24,960
Speaker 10: Now this is what it happens.

473
00:16:25,000 --> 00:16:27,360
Speaker 11: Because so when we wasn't married or whatever whatever the

474
00:16:27,400 --> 00:16:29,400
Speaker 11: case was, she had always told me like I want

475
00:16:29,440 --> 00:16:31,280
Speaker 11: to keep my last name and just add on like

476
00:16:31,440 --> 00:16:33,200
Speaker 11: but me, I was cool with that because I'm like,

477
00:16:33,240 --> 00:16:35,440
Speaker 11: well you are DeAndre Sanders. That's your brand.

478
00:16:35,600 --> 00:16:37,360
Speaker 10: I don't really in my father's legacy.

479
00:16:37,480 --> 00:16:39,680
Speaker 1: Yeah, when I got four daughters, I ain't got no

480
00:16:40,080 --> 00:16:40,640
Speaker 1: I want the same.

481
00:16:40,720 --> 00:16:42,280
Speaker 11: Yeah, it's like I'm cool with that, you know what

482
00:16:42,280 --> 00:16:44,000
Speaker 11: I'm saying, your brand. But it's like, but then when

483
00:16:44,000 --> 00:16:45,960
Speaker 11: we pull up someone, she's like, well, I miss brodn Negs.

484
00:16:46,000 --> 00:16:46,440
Speaker 1: You know what I'm saying.

485
00:16:46,440 --> 00:16:47,160
Speaker 10: That's my last name.

486
00:16:47,360 --> 00:16:49,120
Speaker 11: That always made me feel good too, because my son

487
00:16:49,400 --> 00:16:52,240
Speaker 11: is snow Sanders broad names, you know what I'm saying.

488
00:16:52,280 --> 00:16:54,000
Speaker 10: So it's like we made it work out.

489
00:16:54,040 --> 00:16:56,200
Speaker 11: I know everybody was like, man, he only married her

490
00:16:56,200 --> 00:16:58,120
Speaker 11: because of the last name, But it's like, nah, bruh,

491
00:16:58,160 --> 00:17:00,360
Speaker 11: she was the kid with have my last name regards anyway,

492
00:17:00,520 --> 00:17:01,680
Speaker 11: I wanted to marry shot It.

493
00:17:02,080 --> 00:17:04,520
Speaker 10: It wasn't about like for the baby.

494
00:17:04,560 --> 00:17:06,600
Speaker 11: That's like foolish, you know what I'm saying, Like I'm

495
00:17:06,640 --> 00:17:09,600
Speaker 11: not that typed out, but I'm not marrying you just

496
00:17:09,640 --> 00:17:12,080
Speaker 11: so this kid got my name. You fee what I'm saying,

497
00:17:12,119 --> 00:17:14,200
Speaker 11: Like I'm gonna sign a pirth certificate my name.

498
00:17:14,920 --> 00:17:15,560
Speaker 10: You know what I'm saying.

499
00:17:15,600 --> 00:17:17,760
Speaker 1: But that whole story was fake. It was cap bro.

500
00:17:17,800 --> 00:17:19,159
Speaker 10: I was just wanting to get on the right interview

501
00:17:19,160 --> 00:17:20,040
Speaker 10: to say something Wow.

502
00:17:20,280 --> 00:17:20,439
Speaker 3: You know.

503
00:17:20,480 --> 00:17:22,800
Speaker 10: That's why I'm glad I say allegedly about yeah.

504
00:17:24,760 --> 00:17:27,640
Speaker 11: To ask a lot of about me. I can't wait

505
00:17:27,640 --> 00:17:32,120
Speaker 11: to straight everything capt about jackueize the music. I mean,

506
00:17:32,880 --> 00:17:35,000
Speaker 11: they be trying your boy man ain't gotta pay attention.

507
00:17:35,119 --> 00:17:37,240
Speaker 5: I wanted to ask you this more specifically, because we

508
00:17:37,280 --> 00:17:39,919
Speaker 5: went past it a little quick, that that had to

509
00:17:39,920 --> 00:17:40,800
Speaker 5: be sacred for you.

510
00:17:40,920 --> 00:17:42,200
Speaker 10: Having a baby is sacred for you.

511
00:17:42,320 --> 00:17:45,479
Speaker 5: Having a baby is secret for a woman to especially

512
00:17:45,480 --> 00:17:48,000
Speaker 5: when it y'all first, and that's news that y'all want

513
00:17:48,040 --> 00:17:51,080
Speaker 5: to put out. But when Drezy put it out there first,

514
00:17:51,560 --> 00:17:54,080
Speaker 5: what was your initial reaction? And then what was Deandrei's

515
00:17:54,240 --> 00:17:56,520
Speaker 5: because she had told us how we found out you

516
00:17:56,760 --> 00:17:57,199
Speaker 5: was pregnant.

517
00:17:57,200 --> 00:17:59,359
Speaker 11: I was, I was, I was hot, and I'm gonna

518
00:17:59,359 --> 00:18:01,320
Speaker 11: tell you like the reason I did it, and I

519
00:18:01,359 --> 00:18:04,200
Speaker 11: and I know that I'm probably wrong or was wrong

520
00:18:04,320 --> 00:18:05,880
Speaker 11: or the way I was thinking, because of course it's

521
00:18:05,880 --> 00:18:06,480
Speaker 11: me and we grow up.

522
00:18:06,520 --> 00:18:06,880
Speaker 10: We learned.

523
00:18:07,720 --> 00:18:10,280
Speaker 11: I thought that I owed her something to tell her

524
00:18:10,320 --> 00:18:12,320
Speaker 11: because I had been with her for so long, you

525
00:18:12,359 --> 00:18:14,000
Speaker 11: know what I'm saying. So I was like, okay, as

526
00:18:14,040 --> 00:18:16,480
Speaker 11: a friend, you know, as a respectful dude, you know

527
00:18:16,480 --> 00:18:18,359
Speaker 11: what I'm saying, I was with Drees for a long time.

528
00:18:18,680 --> 00:18:21,440
Speaker 11: Let me tell her that I'm having a baby before

529
00:18:21,560 --> 00:18:23,280
Speaker 11: she just found out through the world.

530
00:18:23,400 --> 00:18:27,760
Speaker 5: Okay, so you you told Drea Dresey. I know DeAndre

531
00:18:27,880 --> 00:18:29,600
Speaker 5: that she was going to tell Drezna Na.

532
00:18:29,720 --> 00:18:30,159
Speaker 4: I told you.

533
00:18:30,600 --> 00:18:33,800
Speaker 10: I told yeah. I was like, look, I'm having a baby.

534
00:18:34,119 --> 00:18:35,560
Speaker 10: You know what I'm saying. I was like, DeAndre having

535
00:18:35,600 --> 00:18:36,760
Speaker 10: a baby. You know, I want to get.

536
00:18:36,600 --> 00:18:38,359
Speaker 11: Her respect to let you know, like I feel like

537
00:18:38,960 --> 00:18:40,920
Speaker 11: we had that type of relationship where I.

538
00:18:40,840 --> 00:18:42,200
Speaker 10: Could let you like, you know, I don't want you

539
00:18:42,240 --> 00:18:43,280
Speaker 10: to be blinded where you.

540
00:18:43,560 --> 00:18:46,680
Speaker 11: Embarrassed or you know what I'm saying, these type of things,

541
00:18:46,720 --> 00:18:47,280
Speaker 11: you know what I'm saying.

542
00:18:47,320 --> 00:18:48,680
Speaker 10: But she went out and put it out.

543
00:18:49,240 --> 00:18:50,960
Speaker 1: She said you were begging to get her pregnant too.

544
00:18:51,440 --> 00:18:51,720
Speaker 1: I was.

545
00:18:51,800 --> 00:18:53,760
Speaker 11: I was so lost, bro, Like I will tell you

546
00:18:53,800 --> 00:18:55,240
Speaker 11: the Trooper. I was one of them, Like I said,

547
00:18:55,240 --> 00:18:56,639
Speaker 11: I wanted my cake and eat it too. And I

548
00:18:56,680 --> 00:18:58,119
Speaker 11: was drinking. So you know, when you're drinking, you're not

549
00:18:58,160 --> 00:19:03,000
Speaker 11: making a proper decision. And you said you sent draws. Nah, Bro,

550
00:19:03,080 --> 00:19:07,040
Speaker 11: I didn't see no drib Yeah. I didn't say no draws.

551
00:19:07,119 --> 00:19:09,960
Speaker 11: It was it was probably something sent to me. But

552
00:19:10,080 --> 00:19:12,359
Speaker 11: I didn't get I didn't put my face on nothing.

553
00:19:12,400 --> 00:19:15,320
Speaker 11: Oh okay, you know what I'm saying. No, I don't

554
00:19:15,359 --> 00:19:16,040
Speaker 11: got the time to.

555
00:19:16,000 --> 00:19:16,399
Speaker 1: Do all that.

556
00:19:16,440 --> 00:19:19,040
Speaker 10: Bro All right, well did you allegedly.

557
00:19:18,840 --> 00:19:21,280
Speaker 11: No, I didn't send. No, I didn't send no underwear.

558
00:19:21,680 --> 00:19:23,960
Speaker 11: I ain't say no underwear. You feel me if someone

559
00:19:24,000 --> 00:19:24,520
Speaker 11: was sent to me.

560
00:19:24,680 --> 00:19:25,159
Speaker 10: I don't know.

561
00:19:25,320 --> 00:19:27,920
Speaker 5: Did they ever talk? Did dread?

562
00:19:27,680 --> 00:19:29,000
Speaker 10: They talked?

563
00:19:29,000 --> 00:19:31,360
Speaker 3: They talked. They talked. Yeah, they talked.

564
00:19:31,359 --> 00:19:32,800
Speaker 11: I don't know if it was the best conversation, but

565
00:19:32,840 --> 00:19:34,840
Speaker 11: I think they talked to the point where they don't

566
00:19:34,880 --> 00:19:35,600
Speaker 11: have to talk again.

567
00:19:36,400 --> 00:19:37,480
Speaker 1: It really wasn't lying.

568
00:19:37,480 --> 00:19:38,960
Speaker 16: When she said you was trying to get her, You

569
00:19:39,000 --> 00:19:40,560
Speaker 16: was hitting her up, saying you want to get her break.

570
00:19:40,680 --> 00:19:43,080
Speaker 11: She had texts, Yes, she had a text message. I

571
00:19:43,119 --> 00:19:44,320
Speaker 11: think the text is the proof.

572
00:19:44,359 --> 00:19:46,320
Speaker 5: And he said he always wanted kids. You said, you

573
00:19:46,320 --> 00:19:47,600
Speaker 5: always want the kids, You always want.

574
00:19:48,240 --> 00:19:48,879
Speaker 10: Want of the family.

575
00:19:48,920 --> 00:19:50,639
Speaker 11: And I think, and I think, like I said, like

576
00:19:50,720 --> 00:19:53,399
Speaker 11: with me, I was twenty eight, twenty nine, you know

577
00:19:53,400 --> 00:19:53,760
Speaker 11: what I'm saying.

578
00:19:53,880 --> 00:19:54,960
Speaker 10: Thirty nine, You know what I'm saying.

579
00:19:55,000 --> 00:19:57,879
Speaker 11: I was sometimes a man felt like a child can

580
00:19:57,960 --> 00:20:00,400
Speaker 11: solve all these problems too. Sometimes I was a man

581
00:20:00,400 --> 00:20:02,000
Speaker 11: I feel like, man, if we had this baby, like

582
00:20:02,040 --> 00:20:03,520
Speaker 11: that's gonna solve all our problems.

583
00:20:03,560 --> 00:20:06,200
Speaker 10: Like that's the answer we need. You know what I'm saying.

584
00:20:06,280 --> 00:20:08,120
Speaker 11: It's women to think like that, And that's what I

585
00:20:08,160 --> 00:20:09,959
Speaker 11: was thinking, you know what I'm saying, Like, that's what

586
00:20:10,000 --> 00:20:12,440
Speaker 11: I was thinking. You know, when I was in that mold,

587
00:20:12,520 --> 00:20:14,840
Speaker 11: I was thinking like, man, maybe if me and Dre

588
00:20:15,040 --> 00:20:16,919
Speaker 11: have a baby, like you know, this was before all

589
00:20:16,960 --> 00:20:17,520
Speaker 11: the younger stuff.

590
00:20:17,560 --> 00:20:18,000
Speaker 10: I was thinking.

591
00:20:18,040 --> 00:20:19,399
Speaker 11: I was like, man, we have a baby, you know,

592
00:20:20,040 --> 00:20:21,920
Speaker 11: all our problems to be fixed. You know what I'm saying,

593
00:20:22,000 --> 00:20:24,000
Speaker 11: Like you know what I'm saying. And she would always

594
00:20:24,000 --> 00:20:25,120
Speaker 11: tell me like I don't want a kid. I don't

595
00:20:25,119 --> 00:20:27,919
Speaker 11: want kid, you know what I'm saying. So when I

596
00:20:27,920 --> 00:20:30,439
Speaker 11: have my baby with when Deandreer got pregnant, I'm like, man,

597
00:20:30,480 --> 00:20:32,520
Speaker 11: this gotta be God. You feel what I'm saying. Like

598
00:20:32,560 --> 00:20:34,920
Speaker 11: I've been with Dres for years. She never got pregnant.

599
00:20:35,240 --> 00:20:35,720
Speaker 10: You know what I'm saying.

600
00:20:35,720 --> 00:20:38,120
Speaker 11: I was with her from I was twenty three till now.

601
00:20:38,640 --> 00:20:41,120
Speaker 11: You know what I'm saying, Like she never got pregnant.

602
00:20:42,000 --> 00:20:43,679
Speaker 11: I got loved for her. I'm not in love with her.

603
00:20:43,840 --> 00:20:45,760
Speaker 11: I always had loved for I think anybody that's been

604
00:20:45,760 --> 00:20:47,320
Speaker 11: with a person that say they got no love for

605
00:20:47,400 --> 00:20:49,040
Speaker 11: him at all, it's just like a terrible person.

606
00:20:49,520 --> 00:20:50,080
Speaker 10: You know what I'm saying.

607
00:20:50,080 --> 00:20:51,560
Speaker 11: It's like, damn you. I wouldn't let her get hit

608
00:20:51,600 --> 00:20:55,239
Speaker 11: by a car. I'll push out.

609
00:20:55,760 --> 00:21:00,240
Speaker 10: You know what I'm saying the street.

610
00:21:00,440 --> 00:21:00,919
Speaker 3: You know what I mean.

611
00:21:00,960 --> 00:21:04,720
Speaker 11: I'm not going out of that, you know what I'm saying.

612
00:21:06,800 --> 00:21:09,320
Speaker 11: But nah, I'm so in love with why I am now.

613
00:21:09,440 --> 00:21:11,800
Speaker 11: I feel so confident to talk about my past. Yeah,

614
00:21:12,119 --> 00:21:13,560
Speaker 11: you know what I'm saying, Like I can. I can

615
00:21:13,600 --> 00:21:15,400
Speaker 11: sit up here and talk about my past because I'm

616
00:21:15,440 --> 00:21:17,560
Speaker 11: not even saying nothing that's that's harmful.

617
00:21:17,560 --> 00:21:18,080
Speaker 3: Two trees.

618
00:21:18,280 --> 00:21:19,120
Speaker 10: Yeah, you know what I'm saying.

619
00:21:19,160 --> 00:21:20,680
Speaker 11: Like I got respect for her, Like I think she

620
00:21:20,760 --> 00:21:21,840
Speaker 11: wanted the dobest rappers out.

621
00:21:21,960 --> 00:21:22,880
Speaker 1: Yeah, you know what I'm saying.

622
00:21:22,880 --> 00:21:23,640
Speaker 10: She's definitely cold.

623
00:21:23,720 --> 00:21:23,880
Speaker 9: Yeah.

624
00:21:23,920 --> 00:21:25,640
Speaker 10: She sup wrote one of my records on my.

625
00:21:25,560 --> 00:21:28,440
Speaker 11: Album on the on Baby Making, the Last one, Last

626
00:21:28,440 --> 00:21:29,200
Speaker 11: time I drop.

627
00:21:29,720 --> 00:21:34,960
Speaker 16: From two Yeah silly, she wrote, start over, Okay the

628
00:21:35,000 --> 00:21:35,520
Speaker 16: whole record.

629
00:21:35,600 --> 00:21:38,879
Speaker 2: Wow, that's right, Baby Making is out right now, we'll

630
00:21:38,920 --> 00:21:39,240
Speaker 2: get it.

631
00:21:39,560 --> 00:21:41,720
Speaker 4: Number one hour joining us. It's the Breakfast Club is

632
00:21:41,840 --> 00:21:42,359
Speaker 4: Jack Quais.

633
00:21:42,560 --> 00:21:48,439
Speaker 3: Yeah, it's topic time.

634
00:21:49,920 --> 00:21:52,280
Speaker 2: Eight hundred five five five one to join into the

635
00:21:52,320 --> 00:21:53,880
Speaker 2: discussion with the Breakfast Club.

636
00:21:55,960 --> 00:21:56,320
Speaker 4: Morning.

637
00:21:56,320 --> 00:21:59,880
Speaker 2: Everybody's teen, j en Vy, Jess, Hilarry, Charlamagne, the guy.

638
00:22:00,040 --> 00:22:01,120
Speaker 4: We are to Breakfast Club.

639
00:22:01,160 --> 00:22:04,240
Speaker 2: If you're just joining us, We're talking about getting massages

640
00:22:04,280 --> 00:22:07,720
Speaker 2: from the opposite sex. Now, this conversation started from Mason

641
00:22:07,760 --> 00:22:11,680
Speaker 2: Cameron talking about having trainers and women using male trainers,

642
00:22:11,680 --> 00:22:14,440
Speaker 2: and then we heard Charlemagne said recently that you got

643
00:22:14,480 --> 00:22:15,800
Speaker 2: a massage.

644
00:22:15,359 --> 00:22:17,200
Speaker 4: From a mail and you said it was amazing, And

645
00:22:17,320 --> 00:22:18,639
Speaker 4: what did he say about He.

646
00:22:18,680 --> 00:22:20,800
Speaker 5: Said that the guy massage every part of his body,

647
00:22:20,840 --> 00:22:21,480
Speaker 5: even his mouth.

648
00:22:21,840 --> 00:22:23,880
Speaker 16: Not every part of the body, but he definitely gave

649
00:22:23,920 --> 00:22:25,680
Speaker 16: me a mouth massage, which is something I never had

650
00:22:25,720 --> 00:22:28,840
Speaker 16: before because apparently there's two muscles in your mouth. And

651
00:22:28,840 --> 00:22:31,600
Speaker 16: I'm the type person, you know, because of like anxiety

652
00:22:31,640 --> 00:22:34,399
Speaker 16: and stuff like that, Like I'm always like grinding my

653
00:22:34,480 --> 00:22:36,640
Speaker 16: teeth a little bit, or like I open my.

654
00:22:36,600 --> 00:22:37,880
Speaker 1: Mouth real wide.

655
00:22:37,880 --> 00:22:40,680
Speaker 16: I don't know why, and so it's like he he

656
00:22:40,680 --> 00:22:43,160
Speaker 16: he massage these two muscles in my mind, and that hurt,

657
00:22:43,400 --> 00:22:45,679
Speaker 16: Like hell, how do he massage with his hands?

658
00:22:46,040 --> 00:22:48,600
Speaker 1: Like he was like he likes it's like a technique.

659
00:22:48,600 --> 00:22:51,160
Speaker 16: Anybody out there that does this massage thing I'm talking about,

660
00:22:51,200 --> 00:22:52,360
Speaker 16: I know you know what I'm talking about. But it's

661
00:22:52,359 --> 00:22:54,680
Speaker 16: like these two corners right here, and he just put

662
00:22:54,720 --> 00:22:56,520
Speaker 16: him in and he kind of like hugs on it a.

663
00:22:56,440 --> 00:23:00,400
Speaker 1: Little bit and it's painful. But man, it's very very

664
00:23:00,400 --> 00:23:01,080
Speaker 1: stretch rey leading.

665
00:23:01,400 --> 00:23:03,240
Speaker 5: So you're a you were able to open your mouth

666
00:23:03,280 --> 00:23:05,280
Speaker 5: wider after, Like what type of effects that.

667
00:23:05,560 --> 00:23:09,280
Speaker 16: I haven't I haven't been grinding my teeth since that. Yeah,

668
00:23:09,440 --> 00:23:12,040
Speaker 16: I haven't been grinding my teeth that much instance, But

669
00:23:12,240 --> 00:23:14,840
Speaker 16: I mean I've never had a male messuse until that time,

670
00:23:14,880 --> 00:23:17,359
Speaker 16: and he did a fantastic job. But it's just like

671
00:23:17,680 --> 00:23:20,119
Speaker 16: football players and basketball players who got male trainers who

672
00:23:20,160 --> 00:23:22,000
Speaker 16: you think is massaging them and rubbing on they.

673
00:23:22,520 --> 00:23:25,200
Speaker 5: Absolutely, but I just never heard of a mouth massage.

674
00:23:25,560 --> 00:23:27,040
Speaker 1: Yeah, it's out there, a matter of fact, I'm a

675
00:23:27,040 --> 00:23:27,639
Speaker 1: google it right now.

676
00:23:27,880 --> 00:23:28,320
Speaker 10: Matter of fact.

677
00:23:29,080 --> 00:23:31,320
Speaker 2: Yeah, when I go when I go to physical therapy

678
00:23:31,520 --> 00:23:34,600
Speaker 2: and there's a male messuse, that's that's different. But when

679
00:23:34,600 --> 00:23:36,280
Speaker 2: you go to a massage place and the lights are

680
00:23:36,359 --> 00:23:39,000
Speaker 2: low and it's intimate and the candles are burning, yeah,

681
00:23:39,119 --> 00:23:40,119
Speaker 2: I would just prefer.

682
00:23:39,840 --> 00:23:41,320
Speaker 4: A woman to massage me. That is just me.

683
00:23:41,640 --> 00:23:45,639
Speaker 5: But you did, you did have a male meuse before

684
00:23:46,480 --> 00:23:46,920
Speaker 5: and you.

685
00:23:46,920 --> 00:23:49,160
Speaker 2: Listen to everything. Absolutely, But it wasn't that. It was

686
00:23:49,280 --> 00:23:50,720
Speaker 2: it was me and my wife together. It was a

687
00:23:50,760 --> 00:23:52,359
Speaker 2: couple of massage and it was was the teachers how

688
00:23:52,359 --> 00:23:57,920
Speaker 2: to give a massage. And the dude came in Diesel dreads,

689
00:23:58,359 --> 00:24:00,200
Speaker 2: brownskin brother very see.

690
00:24:00,240 --> 00:24:02,280
Speaker 16: The fact that you described him makes me think that

691
00:24:02,320 --> 00:24:07,359
Speaker 16: this was a free co case, got a free but.

692
00:24:06,760 --> 00:24:07,199
Speaker 4: You know what I mean.

693
00:24:07,240 --> 00:24:10,040
Speaker 2: But during the massage, I couldn't enjoy the massage because

694
00:24:10,320 --> 00:24:15,480
Speaker 2: this big brother Diesel with dreads that massages security.

695
00:24:15,680 --> 00:24:17,800
Speaker 4: It was I don't want it again.

696
00:24:17,840 --> 00:24:19,600
Speaker 16: I don't know why you're so insecure if you ain't

697
00:24:19,600 --> 00:24:22,640
Speaker 16: never had your butt touch like I don't have those insecurities.

698
00:24:22,680 --> 00:24:24,159
Speaker 16: Like I ain't think of nothing when that man was

699
00:24:24,200 --> 00:24:25,960
Speaker 16: besides me, I didn't think about nothing except for this was.

700
00:24:25,960 --> 00:24:28,600
Speaker 1: A good massage in no way shape before that.

701
00:24:29,040 --> 00:24:32,760
Speaker 16: But this is a real thing. Clinical oral facial massage, that's.

702
00:24:32,640 --> 00:24:33,120
Speaker 1: What it's called.

703
00:24:33,160 --> 00:24:34,640
Speaker 2: Get I get that all the time. And the woman

704
00:24:34,680 --> 00:24:36,919
Speaker 2: that does it is dope. She does an amazing job.

705
00:24:38,240 --> 00:24:42,639
Speaker 16: Or popping up the jaw, clinching lockjaw and limited mouth,

706
00:24:42,720 --> 00:24:46,200
Speaker 16: open range and it releases muscles. And I've never seen

707
00:24:46,200 --> 00:24:49,200
Speaker 16: this word fascia involved with chewing and jaw clinching.

708
00:24:49,280 --> 00:24:50,240
Speaker 1: So this is a thing.

709
00:24:50,440 --> 00:24:52,760
Speaker 4: So when he when he massages you, does he reach

710
00:24:52,920 --> 00:24:53,320
Speaker 4: over you?

711
00:24:53,440 --> 00:24:57,239
Speaker 5: Like, yeah, you know you have to lay y'all? Did

712
00:24:57,240 --> 00:24:57,680
Speaker 5: it from the side?

713
00:24:57,680 --> 00:24:58,280
Speaker 4: What'd you say?

714
00:24:58,400 --> 00:24:59,440
Speaker 1: He was on the side.

715
00:25:01,080 --> 00:25:02,880
Speaker 16: When he was on one side, I had to turn

716
00:25:02,960 --> 00:25:05,159
Speaker 16: this way. He was on this side, I had to

717
00:25:05,160 --> 00:25:06,000
Speaker 16: turn that way.

718
00:25:06,280 --> 00:25:06,760
Speaker 1: Wait, listen.

719
00:25:06,800 --> 00:25:10,399
Speaker 16: If you've never had a clinical oral facial massage, trust me,

720
00:25:10,800 --> 00:25:11,520
Speaker 16: it is worth it.

721
00:25:11,680 --> 00:25:13,000
Speaker 4: Okay, what about you.

722
00:25:13,400 --> 00:25:17,840
Speaker 5: I enjoy massages from the same sex, although I have

723
00:25:18,119 --> 00:25:22,760
Speaker 5: had massages from a male and I like the pressure more.

724
00:25:23,080 --> 00:25:23,600
Speaker 7: I'm a guy.

725
00:25:24,720 --> 00:25:27,960
Speaker 5: However, I ain't gonna lie. I do get excited, like

726
00:25:28,040 --> 00:25:30,359
Speaker 5: especially when they be like turnover and you massage in

727
00:25:30,440 --> 00:25:32,199
Speaker 5: my stomach and under my breasts and all that, and

728
00:25:32,200 --> 00:25:32,560
Speaker 5: I just.

729
00:25:32,520 --> 00:25:39,240
Speaker 6: Be like, so, I'm not gonna lie, yo, I don't.

730
00:25:39,359 --> 00:25:39,840
Speaker 4: I don't know.

731
00:25:40,119 --> 00:25:41,399
Speaker 10: I just I can't.

732
00:25:42,400 --> 00:25:44,760
Speaker 4: Let's go to the full line. Hello, who's this? This

733
00:25:44,840 --> 00:25:47,120
Speaker 4: is from Brooklyn Kevin for Brooklyn?

734
00:25:47,400 --> 00:25:48,080
Speaker 9: What's going on?

735
00:25:48,200 --> 00:25:49,160
Speaker 8: And be how you doing?

736
00:25:49,320 --> 00:25:50,160
Speaker 4: I'm doing the man?

737
00:25:50,880 --> 00:25:51,320
Speaker 9: I love you.

738
00:25:51,960 --> 00:25:53,000
Speaker 4: I love you too, baby.

739
00:25:53,520 --> 00:25:57,360
Speaker 2: We're talking about massages from the same sex, opposite sex.

740
00:25:57,400 --> 00:25:58,320
Speaker 4: Brother talk to us.

741
00:25:58,680 --> 00:26:02,080
Speaker 7: Yeah, I have to dip out on a massage other

742
00:26:02,160 --> 00:26:04,360
Speaker 7: day because it was same sex.

743
00:26:04,400 --> 00:26:06,760
Speaker 12: I'm not gonna call him a company me. Yeah, it

744
00:26:06,880 --> 00:26:07,480
Speaker 12: was same section.

745
00:26:07,640 --> 00:26:10,840
Speaker 8: I wasn't killing that one. I can't have an mather me.

746
00:26:11,440 --> 00:26:12,720
Speaker 12: I just I can't do that.

747
00:26:12,800 --> 00:26:14,840
Speaker 1: You never played any type of sports in high school

748
00:26:14,880 --> 00:26:15,479
Speaker 1: or anything like that.

749
00:26:15,520 --> 00:26:16,200
Speaker 4: It's different.

750
00:26:16,440 --> 00:26:19,240
Speaker 2: Yeah, it's different when you're laying on the thing and

751
00:26:19,280 --> 00:26:22,919
Speaker 2: it's a candle leg and the music is playing locker room.

752
00:26:22,960 --> 00:26:26,879
Speaker 1: Yeah, it's the move is different, y'all. I think, y'all it's.

753
00:26:26,760 --> 00:26:30,119
Speaker 8: Something about a man, because my little back hurt and it's.

754
00:26:29,960 --> 00:26:30,920
Speaker 12: Something about a man.

755
00:26:31,000 --> 00:26:35,240
Speaker 8: Brother down here, I can't you know, yeah, right with me?

756
00:26:35,480 --> 00:26:38,080
Speaker 5: Yeah, Well, Charlemagne is upset because not a lot of

757
00:26:38,160 --> 00:26:40,320
Speaker 5: men are not all men are open up to other

758
00:26:40,400 --> 00:26:41,800
Speaker 5: men are open to other men.

759
00:26:42,320 --> 00:26:44,360
Speaker 1: Don't know why everybody's so insecure.

760
00:26:44,600 --> 00:26:44,919
Speaker 15: It's not.

761
00:26:44,960 --> 00:26:46,280
Speaker 4: It has nothing to do with insecurity.

762
00:26:46,359 --> 00:26:47,879
Speaker 16: This is very much got to do the security. I

763
00:26:47,920 --> 00:26:49,960
Speaker 16: be in your mind, you're thinking, man, I might get

764
00:26:50,000 --> 00:26:51,760
Speaker 16: turned on by this guy. Man, I don't want this

765
00:26:51,760 --> 00:26:53,239
Speaker 16: guy touching me because I might like it.

766
00:26:53,600 --> 00:26:56,359
Speaker 4: That's that's your problem. That's what problem.

767
00:26:57,440 --> 00:26:59,760
Speaker 16: Everybody the same thing you said, he said, when the

768
00:26:59,760 --> 00:27:01,520
Speaker 16: god me turn around. I towed it up a little bit.

769
00:27:02,960 --> 00:27:03,640
Speaker 15: Can't make up.

770
00:27:06,760 --> 00:27:07,560
Speaker 4: Get mixed up up?

771
00:27:07,560 --> 00:27:07,760
Speaker 3: Hello?

772
00:27:07,880 --> 00:27:09,720
Speaker 12: Who's this Monica?

773
00:27:10,720 --> 00:27:11,080
Speaker 4: Morning?

774
00:27:11,440 --> 00:27:12,000
Speaker 5: Good morning?

775
00:27:12,359 --> 00:27:15,760
Speaker 2: Now that says you're uncomfortable receiving massage from other men.

776
00:27:16,280 --> 00:27:17,000
Speaker 10: Yes, I am.

777
00:27:17,320 --> 00:27:23,679
Speaker 5: Why because I feel like I make noises that if

778
00:27:23,920 --> 00:27:24,800
Speaker 5: I'm enjoying it.

779
00:27:25,080 --> 00:27:27,800
Speaker 12: Yes, so it sounds well even though it may not

780
00:27:27,880 --> 00:27:28,560
Speaker 12: be sexual.

781
00:27:28,800 --> 00:27:32,080
Speaker 16: Girl, and I usually to make the guy think, oh well,

782
00:27:32,320 --> 00:27:35,080
Speaker 16: she might be into me, and they may go somewhere that.

783
00:27:35,080 --> 00:27:38,879
Speaker 4: It's not like what kind of noises were freaky?

784
00:27:39,040 --> 00:27:40,920
Speaker 1: You're a yellow freaky boy?

785
00:27:41,040 --> 00:27:41,240
Speaker 9: Man?

786
00:27:41,920 --> 00:27:43,120
Speaker 1: What's your problem?

787
00:27:42,960 --> 00:27:47,520
Speaker 5: I never I never got myself like yeah, yeah, but

788
00:27:47,560 --> 00:27:49,240
Speaker 5: I get what you're saying though. Yeah, girl, come with

789
00:27:49,240 --> 00:27:51,080
Speaker 5: the whole soundtrack, especially when they.

790
00:27:50,960 --> 00:27:53,679
Speaker 14: Tell you yeah, And that's just how I am, and

791
00:27:53,760 --> 00:27:55,040
Speaker 14: I do that.

792
00:27:55,640 --> 00:27:57,720
Speaker 12: I'd just rather get from a woman because I'm not

793
00:27:57,760 --> 00:27:58,560
Speaker 12: interested in them.

794
00:27:58,640 --> 00:28:00,359
Speaker 16: You know, you bring up you bring up a good point,

795
00:28:00,480 --> 00:28:03,119
Speaker 16: Like every single time I get a massage, you know

796
00:28:03,240 --> 00:28:03,879
Speaker 16: from a woman.

797
00:28:04,320 --> 00:28:06,960
Speaker 1: You know you do tend to get a little direct.

798
00:28:07,119 --> 00:28:07,840
Speaker 4: You know what I'm saying.

799
00:28:07,960 --> 00:28:11,040
Speaker 1: You do, But I've never when I had it with

800
00:28:11,080 --> 00:28:12,119
Speaker 1: the guy that didn't happen at all.

801
00:28:12,160 --> 00:28:14,200
Speaker 4: Did you make it sound did you make sounds.

802
00:28:13,960 --> 00:28:16,720
Speaker 12: Like because there's no interest and it's them making you

803
00:28:16,760 --> 00:28:20,200
Speaker 12: feel good, like you don't sound like it feels good.

804
00:28:20,640 --> 00:28:22,240
Speaker 1: And by the way, the guy made me feel good,

805
00:28:22,240 --> 00:28:24,240
Speaker 1: but I didn't get a wrect because you're not.

806
00:28:27,040 --> 00:28:29,680
Speaker 5: Yeah, because when they hit your lower back, I'm telling you,

807
00:28:29,680 --> 00:28:32,840
Speaker 5: like sometimes it's like like oh my.

808
00:28:32,760 --> 00:28:35,600
Speaker 11: God, yes, like right there. And then when they turn

809
00:28:35,680 --> 00:28:38,080
Speaker 11: you over and they go book blow.

810
00:28:37,840 --> 00:28:38,960
Speaker 5: Your belly button, it's like.

811
00:28:39,040 --> 00:28:40,280
Speaker 3: Oh my god, like what you know.

812
00:28:42,360 --> 00:28:44,240
Speaker 1: You get on the third time?

813
00:28:44,320 --> 00:28:46,760
Speaker 5: She said, they turn you over so real, that's a

814
00:28:46,800 --> 00:28:48,840
Speaker 5: full body. They do your back and then they turn

815
00:28:48,880 --> 00:28:50,680
Speaker 5: you they turn you over and they do everything else.

816
00:28:51,560 --> 00:28:55,480
Speaker 4: We have a massage therapists on the line. Hello, Hey, yes, hey,

817
00:28:55,480 --> 00:28:56,000
Speaker 4: what's your name?

818
00:28:56,000 --> 00:28:56,160
Speaker 3: Bro?

819
00:28:56,520 --> 00:28:57,320
Speaker 9: My name is Chris.

820
00:28:57,440 --> 00:28:58,560
Speaker 4: Are you brown skin with dreads?

821
00:28:59,400 --> 00:29:02,240
Speaker 9: No? We just make stand with a ball ahead and

822
00:29:02,280 --> 00:29:08,640
Speaker 9: a bed. Oh. Yes, it's a pleasure. It's a pleasure

823
00:29:08,680 --> 00:29:11,600
Speaker 9: to be on here. So I've been a massage therapist

824
00:29:11,640 --> 00:29:15,400
Speaker 9: for twelve years and I have that problem majority of

825
00:29:15,440 --> 00:29:19,200
Speaker 9: the time where the husbands have a hard time working

826
00:29:19,280 --> 00:29:24,200
Speaker 9: with me. But it's not about that. It's the muscular

827
00:29:24,280 --> 00:29:27,880
Speaker 9: care that needs to be done for our society that

828
00:29:27,960 --> 00:29:34,160
Speaker 9: we're not addressing. Biometrical movement is the key to internal healing,

829
00:29:35,160 --> 00:29:38,760
Speaker 9: and so what's happening in our society now is we're

830
00:29:39,400 --> 00:29:43,800
Speaker 9: quick to biochemical things in our mouth, but we're not

831
00:29:44,360 --> 00:29:45,960
Speaker 9: doing the things that we need to do on a

832
00:29:46,040 --> 00:29:47,840
Speaker 9: muscular level to heal.

833
00:29:48,040 --> 00:29:50,160
Speaker 1: Yes, right, yeah, you got to move that trauma up

834
00:29:50,200 --> 00:29:50,920
Speaker 1: out of your body.

835
00:29:51,640 --> 00:29:54,520
Speaker 9: That's right. And so with that, there's six hundred and

836
00:29:54,520 --> 00:30:00,200
Speaker 9: fifty six individual muscles, three hundred and sixty joints in

837
00:30:00,240 --> 00:30:04,120
Speaker 9: two hundred and eight bones that nobody knows anything about.

838
00:30:04,880 --> 00:30:06,800
Speaker 1: Do you do the oral fishial massage?

839
00:30:07,280 --> 00:30:11,240
Speaker 9: Yes, it's called enter oral massages where you go into

840
00:30:11,360 --> 00:30:15,360
Speaker 9: the mandible, you release the massacre and it helps with

841
00:30:15,400 --> 00:30:15,960
Speaker 9: the TMJ.

842
00:30:16,400 --> 00:30:18,680
Speaker 1: That's right. It hurts, It hurts, but it feels so

843
00:30:18,800 --> 00:30:20,000
Speaker 1: good afterwards.

844
00:30:20,040 --> 00:30:23,960
Speaker 9: I do NORM muscular therapy. NORM muscular therapy is trigger

845
00:30:24,000 --> 00:30:27,959
Speaker 9: point release to the actual belly of the muscle, and

846
00:30:28,000 --> 00:30:33,120
Speaker 9: it actually helps elongate the individual muscle from the insertion

847
00:30:33,280 --> 00:30:33,720
Speaker 9: to order.

848
00:30:34,480 --> 00:30:36,280
Speaker 10: He couldn't do my massage, not that way, he's talking.

849
00:30:36,320 --> 00:30:38,360
Speaker 10: You gotta be quiet the whole time overhead.

850
00:30:41,080 --> 00:30:44,680
Speaker 4: I'm just like, oh, yes, kind of teaching men and I.

851
00:30:44,680 --> 00:30:50,760
Speaker 9: Do tennis, elbow, golfer, hip FLEXU rotator cuff. You guys

852
00:30:50,800 --> 00:30:54,160
Speaker 9: need to do yourself some research on norm muscular therapy.

853
00:30:54,480 --> 00:30:55,120
Speaker 1: Oh I love it.

854
00:30:55,160 --> 00:30:57,560
Speaker 16: I'm about to go get me a massage to day

855
00:30:57,600 --> 00:30:58,000
Speaker 16: because of you.

856
00:30:58,120 --> 00:31:01,160
Speaker 1: I'm going to Yes, I got someone points at massage inv.

857
00:31:05,480 --> 00:31:09,640
Speaker 9: If you ever want to check out massage Care out

858
00:31:09,680 --> 00:31:14,360
Speaker 9: of Conway, South Carolina. I opened up my business and

859
00:31:14,400 --> 00:31:15,520
Speaker 9: that's what I'm focusing on.

860
00:31:18,760 --> 00:31:23,200
Speaker 1: Okay, he's gonna fly do it. I can't let the

861
00:31:23,280 --> 00:31:24,600
Speaker 1: male touch me in South Carolina.

862
00:31:24,880 --> 00:31:32,080
Speaker 9: What hey, I'm from d C. See that's the perception. Okay, lie,

863
00:31:32,560 --> 00:31:36,600
Speaker 9: life trauma, childhood trauma causes us not to want to

864
00:31:36,640 --> 00:31:37,160
Speaker 9: be touched.

865
00:31:37,960 --> 00:31:38,360
Speaker 15: That's right.

866
00:31:38,440 --> 00:31:39,800
Speaker 9: I have to deal with that trauma.

867
00:31:40,360 --> 00:31:44,200
Speaker 1: Listen, he is not lying in no way, shape or

868
00:31:44,240 --> 00:31:44,520
Speaker 1: for him.

869
00:31:48,280 --> 00:31:48,400
Speaker 9: Yo.

870
00:31:48,600 --> 00:31:49,560
Speaker 1: Nah, I can't let him.

871
00:31:49,640 --> 00:31:51,120
Speaker 4: Another male touched me from South Carolina.

872
00:31:51,360 --> 00:31:54,719
Speaker 16: I say, touch me in South Carolina's different because of

873
00:31:54,800 --> 00:31:55,720
Speaker 16: the childhood trauma.

874
00:31:55,800 --> 00:31:56,000
Speaker 3: Life.

875
00:31:58,040 --> 00:32:00,440
Speaker 16: Sometimes I got touched in South Carolina, but I wasn't

876
00:32:00,440 --> 00:32:01,240
Speaker 16: suposed to be touching me.

877
00:32:01,400 --> 00:32:04,240
Speaker 1: Oh my god, now laugh at Thatt's see you get

878
00:32:04,240 --> 00:32:04,720
Speaker 1: out of this one.

879
00:32:05,200 --> 00:32:07,320
Speaker 4: Oh my god, the fun Police over here. It's the

880
00:32:07,320 --> 00:32:10,400
Speaker 4: Breakfast Cloa, Good morning, the Breakfast Club.

881
00:32:12,400 --> 00:32:15,960
Speaker 2: Wanting everybody and team Jake n V, Jesse Lari Chellam

882
00:32:16,000 --> 00:32:18,080
Speaker 2: and the guy. We are the Breakfast Club. We got

883
00:32:18,080 --> 00:32:21,000
Speaker 2: a special guest in the balance. Indeed, the brother take

884
00:32:21,720 --> 00:32:25,320
Speaker 2: something here, man, look young every.

885
00:32:25,120 --> 00:32:27,880
Speaker 3: Time we see Yeah, yeah, that's I use a good expoliant.

886
00:32:28,960 --> 00:32:31,160
Speaker 1: You know what I'm saying. Eutine in the morning. You

887
00:32:31,160 --> 00:32:32,840
Speaker 1: got a face routine in the morning.

888
00:32:32,680 --> 00:32:35,240
Speaker 3: Well, I use my my wife's you know, beauty tools

889
00:32:35,240 --> 00:32:37,680
Speaker 3: and stuff. You know what I'm saying, Xena Foster beauty.

890
00:32:38,120 --> 00:32:39,600
Speaker 3: Get over there. Got to get you, gotta get you

891
00:32:39,600 --> 00:32:43,320
Speaker 3: a Yeah, I get you right. But that's about it.

892
00:32:43,400 --> 00:32:43,960
Speaker 3: You know what I'm saying.

893
00:32:43,960 --> 00:32:45,080
Speaker 1: A little dove there you go.

894
00:32:45,280 --> 00:32:47,120
Speaker 3: You know what I'm saying. I keep it clean.

895
00:32:47,200 --> 00:32:48,000
Speaker 1: Take always happy.

896
00:32:48,000 --> 00:32:51,520
Speaker 2: Every time you see Okay, wherever you see take if

897
00:32:51,520 --> 00:32:55,120
Speaker 2: it's a club, if it's out in the street.

898
00:32:53,960 --> 00:32:57,480
Speaker 3: Half like a good move. Listen, she's apparently been listening

899
00:32:57,520 --> 00:32:59,400
Speaker 3: to my music. So I feel good about that.

900
00:33:01,960 --> 00:33:03,520
Speaker 1: Just somebody been in there.

901
00:33:05,560 --> 00:33:11,320
Speaker 4: And didn't get out.

902
00:33:11,720 --> 00:33:18,760
Speaker 3: You know this is serious. That's really awesome. I'm really

903
00:33:18,800 --> 00:33:19,400
Speaker 3: happy for you.

904
00:33:19,440 --> 00:33:20,959
Speaker 1: Do you make your movie, I mean, you make your

905
00:33:21,000 --> 00:33:22,479
Speaker 1: music for those those moments.

906
00:33:24,280 --> 00:33:27,120
Speaker 3: Yeah, that's I mean that was kind of a point

907
00:33:28,000 --> 00:33:31,000
Speaker 3: in the beginning. You know, like everything we do is

908
00:33:31,280 --> 00:33:35,520
Speaker 3: for the attention of a woman or women for that matter,

909
00:33:35,560 --> 00:33:37,360
Speaker 3: depending on how you plan it, you know what I'm saying.

910
00:33:37,400 --> 00:33:40,200
Speaker 3: So for me musically, like, I want to be connected

911
00:33:40,240 --> 00:33:43,840
Speaker 3: to as many of those moments as humanly possible. I

912
00:33:43,880 --> 00:33:47,800
Speaker 3: want to be responsible for bringing life into the universe.

913
00:33:47,920 --> 00:33:50,560
Speaker 1: People come and shot the club.

914
00:33:50,640 --> 00:33:55,800
Speaker 3: I've met the kids. Yeah, no, I was born because

915
00:33:56,080 --> 00:33:58,120
Speaker 3: I've met I'm that old now, you know what I'm

916
00:33:58,120 --> 00:34:02,720
Speaker 3: saying to where I've met the chill dread the offspring

917
00:34:02,760 --> 00:34:05,400
Speaker 3: of my music. So I'm really proud of that.

918
00:34:05,440 --> 00:34:08,719
Speaker 2: Absolutely, I see it feels like R and B, especially

919
00:34:08,760 --> 00:34:11,759
Speaker 2: the nineties two thousands, R and B has picked up

920
00:34:11,800 --> 00:34:12,319
Speaker 2: a lot more.

921
00:34:12,360 --> 00:34:13,359
Speaker 4: Have you noticed that as well?

922
00:34:13,520 --> 00:34:19,360
Speaker 3: Absolutely, the feeling, right, it's the feeling of it is

923
00:34:20,040 --> 00:34:23,719
Speaker 3: what's back people want to and it's what's crazy is that.

924
00:34:23,960 --> 00:34:26,280
Speaker 3: Of course, I give credit to the women for keeping

925
00:34:26,400 --> 00:34:29,960
Speaker 3: R and B in the mainstream conversation, right. They have

926
00:34:30,080 --> 00:34:33,640
Speaker 3: been kicking ass and taking names, right, But I gotta

927
00:34:33,680 --> 00:34:37,759
Speaker 3: give some credit to hip hop, to the sampling of

928
00:34:37,880 --> 00:34:42,480
Speaker 3: all of this old R and B that they've been

929
00:34:42,560 --> 00:34:45,120
Speaker 3: bringing back to the forefront and making people take a

930
00:34:45,120 --> 00:34:49,400
Speaker 3: deep dive into what those samples are and rediscovering the

931
00:34:49,480 --> 00:34:52,760
Speaker 3: original feelings and now desiring those things. Give me some example,

932
00:34:53,560 --> 00:34:56,560
Speaker 3: I was just listening to Dojah Cat did she just

933
00:34:56,600 --> 00:34:59,920
Speaker 3: had the record record with the True record I mean,

934
00:35:00,000 --> 00:35:04,840
Speaker 3: and it originally Michael Jackson five, but I was like,

935
00:35:06,000 --> 00:35:08,160
Speaker 3: remember the first time you heard True shout out to

936
00:35:08,200 --> 00:35:11,480
Speaker 3: Little Steven and like Chucky Booker and them, like the

937
00:35:11,680 --> 00:35:14,319
Speaker 3: type of production you don't even do that no more.

938
00:35:14,400 --> 00:35:17,320
Speaker 3: So you have to actually outsource it by going to

939
00:35:17,440 --> 00:35:20,040
Speaker 3: the crates you know what I'm saying, and bringing that

940
00:35:20,160 --> 00:35:22,880
Speaker 3: feeling back and and they don't know why it's connecting.

941
00:35:23,000 --> 00:35:26,359
Speaker 3: We know because we were there, right, But it's it's

942
00:35:26,440 --> 00:35:30,359
Speaker 3: something about that frequency that just makes you feel.

943
00:35:30,120 --> 00:35:33,680
Speaker 11: Good, even when you like, like your first you did

944
00:35:33,719 --> 00:35:36,960
Speaker 11: it with yourself, with your own music, you recreated I

945
00:35:37,120 --> 00:35:41,000
Speaker 11: Deserve And was it you recreated?

946
00:35:41,760 --> 00:35:44,520
Speaker 3: I did a well one of my own I Deserve.

947
00:35:44,640 --> 00:35:46,239
Speaker 3: I was like, let me sample it for somebody else,

948
00:35:46,280 --> 00:35:48,200
Speaker 3: samplet because they're gonna take all the money.

949
00:35:49,480 --> 00:35:51,759
Speaker 5: And then I know it was night one that you did.

950
00:35:53,400 --> 00:35:56,360
Speaker 3: It was Brian originally Michelle and Deckchello. Okay, you know

951
00:35:56,360 --> 00:35:59,320
Speaker 3: what I'm saying. So there there was that, and I

952
00:35:59,440 --> 00:36:00,799
Speaker 3: was like, you know what, I might as well get

953
00:36:00,840 --> 00:36:03,279
Speaker 3: in on this too, because we rarely do that. And

954
00:36:03,360 --> 00:36:05,120
Speaker 3: I was like, let me just tap into some old

955
00:36:05,239 --> 00:36:06,719
Speaker 3: and of course bribe me and I you know, one

956
00:36:06,760 --> 00:36:09,479
Speaker 3: of my inspirations growing up, and Michelle and dego Cello

957
00:36:09,520 --> 00:36:12,080
Speaker 3: is absolutely one of my favorites. So I just had

958
00:36:12,120 --> 00:36:12,640
Speaker 3: to get some of that.

959
00:36:12,920 --> 00:36:14,160
Speaker 1: I'll go ask you man. That was one of my

960
00:36:14,239 --> 00:36:16,320
Speaker 1: questions I have for you. Is R and B music

961
00:36:16,520 --> 00:36:18,040
Speaker 1: a sound or a feeling?

962
00:36:18,680 --> 00:36:23,640
Speaker 3: It's both. It's both because it's like the feeling is

963
00:36:23,800 --> 00:36:27,400
Speaker 3: express through the sounds, you know what I mean? Like

964
00:36:27,600 --> 00:36:31,759
Speaker 3: you like think about like Davante, like how was he

965
00:36:32,040 --> 00:36:35,239
Speaker 3: feeling when he made that when they were making Joe

966
00:36:35,320 --> 00:36:38,239
Speaker 3: to Sy music? Like what was he on? You know

967
00:36:38,280 --> 00:36:41,080
Speaker 3: what I'm saying? He when when Casey says, take my

968
00:36:41,560 --> 00:36:45,960
Speaker 3: mother Jesus Christ, my house and my house and my car.

969
00:36:48,640 --> 00:36:52,440
Speaker 1: You okay, let him work, let him work.

970
00:36:52,560 --> 00:36:56,520
Speaker 3: You gotta you gotta mean that in order for it

971
00:36:56,640 --> 00:37:01,479
Speaker 3: to resonate, Like I like, you can take my money,

972
00:37:01,600 --> 00:37:04,360
Speaker 3: my house, in my car for one hit of you.

973
00:37:04,520 --> 00:37:08,360
Speaker 16: I mean them to this day, to this day. I

974
00:37:08,560 --> 00:37:11,040
Speaker 16: mean that, But you don't hear that now out of

975
00:37:11,200 --> 00:37:14,279
Speaker 16: that soul and that feeling. That's a slick way you're

976
00:37:14,280 --> 00:37:15,399
Speaker 16: telling somebody. I'll give you the word.

977
00:37:15,680 --> 00:37:19,640
Speaker 3: Yeah yeah, but we moved into this, you know, kind

978
00:37:19,719 --> 00:37:22,960
Speaker 3: of you know, samp and all of these things. When

979
00:37:23,040 --> 00:37:27,880
Speaker 3: it comes to taking care of women express I just

980
00:37:28,000 --> 00:37:30,880
Speaker 3: think that men are just they've they've been programmed to

981
00:37:31,040 --> 00:37:33,480
Speaker 3: not be vulnerable, you know what I'm saying. They've been

982
00:37:33,600 --> 00:37:37,799
Speaker 3: programmed to not to not cater. I don't know who

983
00:37:37,960 --> 00:37:40,440
Speaker 3: started that. You know what I'm saying. It ain't pimping,

984
00:37:40,480 --> 00:37:42,520
Speaker 3: it ain't playing, you know what I'm saying, because all

985
00:37:42,520 --> 00:37:45,480
Speaker 3: the pems on the players. I grew up watching taking

986
00:37:45,520 --> 00:37:46,640
Speaker 3: care that they went.

987
00:37:47,000 --> 00:37:49,880
Speaker 4: But when did it end? Like what era did it end?

988
00:37:49,920 --> 00:37:53,560
Speaker 2: Because even early trade songs was singing his ass off

989
00:37:53,600 --> 00:37:55,040
Speaker 2: to the women too, were expressing his love.

990
00:37:55,120 --> 00:37:57,760
Speaker 16: I think when the RB singers started wanting to be rappers,

991
00:37:58,360 --> 00:38:01,760
Speaker 16: and when a lot of these RB singers probably started

992
00:38:01,800 --> 00:38:02,320
Speaker 16: having sex.

993
00:38:02,200 --> 00:38:05,359
Speaker 3: With director, I don't even know what that means.

994
00:38:05,400 --> 00:38:07,520
Speaker 1: But not saying that a man can't.

995
00:38:07,360 --> 00:38:09,200
Speaker 16: Make songs about another man and it's still be a

996
00:38:09,239 --> 00:38:12,200
Speaker 16: love song, just saying. I think that they started loving

997
00:38:12,239 --> 00:38:13,960
Speaker 16: on each other so much that they really was on

998
00:38:14,400 --> 00:38:14,960
Speaker 16: the women's though.

999
00:38:15,320 --> 00:38:17,920
Speaker 3: Yeah, and I think I could have seen face like no.

1000
00:38:18,160 --> 00:38:20,719
Speaker 3: But I also think that, you know, you know, with

1001
00:38:20,960 --> 00:38:24,880
Speaker 3: with the with the wanting to be, with hip hop's emergence, right,

1002
00:38:25,560 --> 00:38:29,200
Speaker 3: it became this really cool thing that was taking over everything,

1003
00:38:29,640 --> 00:38:32,040
Speaker 3: the airwaves and radio, the clubs and all of that.

1004
00:38:32,600 --> 00:38:36,280
Speaker 3: And so as R and B artists getting left behind,

1005
00:38:36,320 --> 00:38:39,320
Speaker 3: we're trying to figure out how to compete and stay relevant.

1006
00:38:39,680 --> 00:38:42,239
Speaker 3: And so you and the club and you, you know,

1007
00:38:42,320 --> 00:38:45,200
Speaker 3: you're decently hot artist, but none of your songs are

1008
00:38:45,239 --> 00:38:48,240
Speaker 3: being played in here. And all the songs are about bottles,

1009
00:38:48,320 --> 00:38:51,359
Speaker 3: and they're about cars, and they're about money, and it's

1010
00:38:51,360 --> 00:38:54,120
Speaker 3: about it's not about women, it's about bitches. And so

1011
00:38:54,239 --> 00:38:57,120
Speaker 3: it's like, shit, I got to incorporate some of this

1012
00:38:57,280 --> 00:39:00,880
Speaker 3: into my music if I'm going to survive life in

1013
00:39:01,040 --> 00:39:05,680
Speaker 3: this new landscape. And so as we took that turn,

1014
00:39:05,800 --> 00:39:07,520
Speaker 3: or as R and B took that turn and never

1015
00:39:07,560 --> 00:39:08,799
Speaker 3: found its balance.

1016
00:39:09,040 --> 00:39:10,319
Speaker 1: I think it's the DJ's fault.

1017
00:39:10,800 --> 00:39:12,440
Speaker 16: And I tell you why, because there used to be

1018
00:39:12,480 --> 00:39:14,880
Speaker 16: a time when we was growing up in the clubs,

1019
00:39:15,120 --> 00:39:17,560
Speaker 16: there would be a moment where the slow songs played. Yeah,

1020
00:39:17,600 --> 00:39:20,239
Speaker 16: absolutely regardless, y'all don't turn down there everybody be on

1021
00:39:20,280 --> 00:39:20,960
Speaker 16: too much drugs.

1022
00:39:21,160 --> 00:39:23,800
Speaker 2: Well yeah, I mean there was a time, and usually

1023
00:39:23,800 --> 00:39:24,960
Speaker 2: it was at the end of the party. But now

1024
00:39:25,200 --> 00:39:26,480
Speaker 2: it comes back. Now I have a set in the

1025
00:39:26,480 --> 00:39:29,080
Speaker 2: middle of my party where I play R and B

1026
00:39:29,200 --> 00:39:31,279
Speaker 2: music in this set, and that's usually the biggest part

1027
00:39:31,280 --> 00:39:33,880
Speaker 2: of it because people are singing. They feel that how

1028
00:39:33,920 --> 00:39:36,480
Speaker 2: it felt to be during that time, So it does

1029
00:39:36,560 --> 00:39:38,680
Speaker 2: go back. I would say that, but I just feel

1030
00:39:38,719 --> 00:39:41,200
Speaker 2: like it doesn't make it cool anymore. Somebody talks about

1031
00:39:41,320 --> 00:39:43,520
Speaker 2: singing in the rain anymore, or talking about the girl

1032
00:39:43,600 --> 00:39:45,520
Speaker 2: hurt their feelings. Like I was listening to the Boys

1033
00:39:45,600 --> 00:39:47,960
Speaker 2: the Men record and he was telling this girl cheated.

1034
00:39:48,040 --> 00:39:49,839
Speaker 2: He was like, it's okay, baby, I just want you back.

1035
00:39:50,000 --> 00:39:51,279
Speaker 10: I just didn't care. I just didn't.

1036
00:39:52,400 --> 00:39:53,960
Speaker 4: But if somebody did that now, they'd.

1037
00:39:53,840 --> 00:39:55,239
Speaker 3: Be like, look at this simple ass. You know what

1038
00:39:55,239 --> 00:39:58,160
Speaker 3: I mean. I listen, I still do it. I don't

1039
00:39:58,239 --> 00:40:03,200
Speaker 3: care what simple If that's what they want to call it. Married,

1040
00:40:04,960 --> 00:40:07,279
Speaker 3: If I wasn't married, that's that's still what I'm gonna

1041
00:40:07,320 --> 00:40:08,520
Speaker 3: be on showing that you.

1042
00:40:08,560 --> 00:40:10,560
Speaker 5: Can be vulnerable as a man, like you know, you

1043
00:40:10,680 --> 00:40:12,839
Speaker 5: open it up and then I'm telling you I don't care.

1044
00:40:13,000 --> 00:40:13,839
Speaker 10: That's what I guess.

1045
00:40:13,840 --> 00:40:15,120
Speaker 5: I can speak for me, but I can speak for

1046
00:40:15,160 --> 00:40:17,480
Speaker 5: a lot of women too, Like that is attractive when

1047
00:40:17,520 --> 00:40:21,320
Speaker 5: a man is not only just thinking bottles bitches.

1048
00:40:21,400 --> 00:40:22,279
Speaker 10: Yeah, that's what I'm gonna do.

1049
00:40:22,800 --> 00:40:25,120
Speaker 5: No, it's you guys speak to my soul and music

1050
00:40:25,200 --> 00:40:28,360
Speaker 5: and some like a lot of older R and B

1051
00:40:28,560 --> 00:40:29,680
Speaker 5: does that for me.

1052
00:40:30,120 --> 00:40:30,839
Speaker 4: I don't hear today.

1053
00:40:31,080 --> 00:40:33,440
Speaker 3: Yeah, but yeah, I don't subscribe to any of that stuff.

1054
00:40:33,800 --> 00:40:36,279
Speaker 3: I don't care. I don't care what they do or

1055
00:40:36,600 --> 00:40:40,120
Speaker 3: how the tables turn. I do the R and B

1056
00:40:40,239 --> 00:40:41,960
Speaker 3: that I love that I fell in love with. You

1057
00:40:42,000 --> 00:40:45,120
Speaker 3: know what I'm saying. I watched my my older uncles

1058
00:40:45,239 --> 00:40:48,520
Speaker 3: and everybody. I still follow their model and I and

1059
00:40:48,640 --> 00:40:54,319
Speaker 3: my job. I'm responsible for maintaining the line to where

1060
00:40:54,600 --> 00:40:57,560
Speaker 3: we treasure and we cater and we take care of

1061
00:40:57,640 --> 00:40:58,040
Speaker 3: our women.

1062
00:40:58,160 --> 00:40:59,960
Speaker 4: All right, we got more with take when we come back,

1063
00:41:00,080 --> 00:41:01,239
Speaker 4: don't move. It's to Breakfast Club.

1064
00:41:01,320 --> 00:41:05,520
Speaker 2: Good morning, Everybody's DJ nd Jesse, Hilarian Charlamagne the guy.

1065
00:41:05,600 --> 00:41:07,480
Speaker 4: We are to Breakfast Club is still kicking it with

1066
00:41:07,560 --> 00:41:09,120
Speaker 4: Tank Charlamagne.

1067
00:41:08,880 --> 00:41:10,600
Speaker 1: And the other thing too. I think the art of

1068
00:41:10,840 --> 00:41:12,000
Speaker 1: love making is gone.

1069
00:41:12,320 --> 00:41:13,960
Speaker 16: Like if you listen to your if you listen to

1070
00:41:14,040 --> 00:41:15,880
Speaker 16: like that that you and Jay Valentine did and that

1071
00:41:16,000 --> 00:41:19,600
Speaker 16: song slow, Yeah, you have had to have made.

1072
00:41:19,760 --> 00:41:25,960
Speaker 1: Love in order to truly appreciate that record. You sit, no,

1073
00:41:26,160 --> 00:41:28,080
Speaker 1: my face, that's my type of view.

1074
00:41:34,719 --> 00:41:39,120
Speaker 3: You have to be listen men, I want to say this,

1075
00:41:39,280 --> 00:41:41,439
Speaker 3: I want to put this out there and I'm gonna

1076
00:41:41,440 --> 00:41:43,879
Speaker 3: say this. I'm gonna say this this way and then

1077
00:41:43,920 --> 00:41:46,440
Speaker 3: we'll and then we'll fix it up later. You have

1078
00:41:46,640 --> 00:41:52,320
Speaker 3: to fall back in love with hmm. You have to

1079
00:41:52,520 --> 00:41:55,200
Speaker 3: fall back in love with the idea. Now, let's clean

1080
00:41:55,239 --> 00:41:59,520
Speaker 3: it up of making love to a woman talk that talk.

1081
00:42:02,280 --> 00:42:06,120
Speaker 1: And and doing it at a high level.

1082
00:42:06,960 --> 00:42:11,000
Speaker 3: You have to listen. You have to study a woman.

1083
00:42:12,200 --> 00:42:15,719
Speaker 3: You have to ask questions, you have to learn her

1084
00:42:16,000 --> 00:42:20,439
Speaker 3: body in order to do this thing the right way.

1085
00:42:21,600 --> 00:42:25,160
Speaker 3: Every key does not start one key doesn't started your

1086
00:42:25,239 --> 00:42:29,640
Speaker 3: cards right. You have to be you have to be

1087
00:42:29,920 --> 00:42:35,520
Speaker 3: curious about that thing right. And outside of the curiosity,

1088
00:42:35,760 --> 00:42:38,560
Speaker 3: you have to have an infinity for it. You have

1089
00:42:38,680 --> 00:42:41,759
Speaker 3: to have a love for it. Just sit it on

1090
00:42:42,000 --> 00:42:42,720
Speaker 3: my face.

1091
00:42:43,320 --> 00:42:49,200
Speaker 4: That's my type of yes, can I.

1092
00:42:51,760 --> 00:42:59,839
Speaker 3: Come on? Don't do what to finish doing it? Because

1093
00:42:59,840 --> 00:43:04,960
Speaker 3: you listen, listen, my wife will tell you just indeeded

1094
00:43:09,760 --> 00:43:11,560
Speaker 3: talk had a high left.

1095
00:43:12,800 --> 00:43:12,960
Speaker 9: Right.

1096
00:43:14,080 --> 00:43:19,839
Speaker 16: I treat her like she knew talk about it, talk

1097
00:43:19,880 --> 00:43:20,200
Speaker 16: about it.

1098
00:43:20,440 --> 00:43:23,799
Speaker 3: That ain't no we were facing each other.

1099
00:43:29,239 --> 00:43:30,080
Speaker 15: I don't share.

1100
00:43:30,600 --> 00:43:32,960
Speaker 3: When I'm you in the club, I don't care what

1101
00:43:33,400 --> 00:43:37,279
Speaker 3: because it's doing right. It's listen when we used to

1102
00:43:37,360 --> 00:43:39,560
Speaker 3: be in the club with Jamie Fox, and Fox will

1103
00:43:39,600 --> 00:43:41,920
Speaker 3: look around in in sex way. It's too many dudes

1104
00:43:41,960 --> 00:43:47,480
Speaker 3: in here. Y'all gotta move. That's where I'm from. What

1105
00:43:47,640 --> 00:43:48,319
Speaker 3: are women at?

1106
00:43:49,520 --> 00:43:52,720
Speaker 16: That's my focus and that's not a disc that's the truth.

1107
00:43:53,400 --> 00:43:56,040
Speaker 16: That's why I got all this nice man R and

1108
00:43:56,160 --> 00:43:59,359
Speaker 16: B singers. I would assume them muse is women at

1109
00:43:59,440 --> 00:43:59,919
Speaker 16: all time.

1110
00:44:00,160 --> 00:44:04,080
Speaker 3: That's the point. That is the point to to to

1111
00:44:04,239 --> 00:44:08,520
Speaker 3: have some type of spiritual or physical connection with a woman.

1112
00:44:09,320 --> 00:44:10,600
Speaker 10: So that's what we're getting in the vault.

1113
00:44:11,440 --> 00:44:15,000
Speaker 1: That's what getting more of that, more.

1114
00:44:14,840 --> 00:44:18,080
Speaker 3: Of that feeling. The shout out. The fab fabulous is

1115
00:44:18,520 --> 00:44:21,920
Speaker 3: when I say stand up, brother, absolutely man, I mean

1116
00:44:22,000 --> 00:44:25,120
Speaker 3: pulled up for me, not just on the song. And

1117
00:44:25,239 --> 00:44:28,360
Speaker 3: you know sometimes you know, when you're dealing with an artist,

1118
00:44:28,760 --> 00:44:31,719
Speaker 3: you know, of the magnitude of fab like, it can

1119
00:44:31,800 --> 00:44:33,560
Speaker 3: take you a good four to six months to get

1120
00:44:33,600 --> 00:44:37,000
Speaker 3: that feature. He's moving, he's a dobby, he's you know,

1121
00:44:37,280 --> 00:44:39,719
Speaker 3: he's moving around this man said, I got you. As

1122
00:44:39,760 --> 00:44:41,160
Speaker 3: soon as I get back, I'll be back in the

1123
00:44:41,200 --> 00:44:42,960
Speaker 3: week and a half, two weeks. I got you not

1124
00:44:43,120 --> 00:44:45,719
Speaker 3: only knocked that out, said when's the video when we shoot? Cool?

1125
00:44:45,760 --> 00:44:48,080
Speaker 3: I'm on the way. Then said man, we're the assets,

1126
00:44:48,080 --> 00:44:49,080
Speaker 3: so I can promote.

1127
00:44:49,239 --> 00:44:52,320
Speaker 16: Likes come from a different generation.

1128
00:44:52,920 --> 00:44:55,759
Speaker 3: Yeah, but he's still fab you know what I'm saying.

1129
00:44:55,760 --> 00:44:58,239
Speaker 3: And so your access to him, regardless of how cool

1130
00:44:58,280 --> 00:45:01,040
Speaker 3: you are, still limited, right because he's doing what he does,

1131
00:45:01,719 --> 00:45:05,239
Speaker 3: and so for him to make himself available to me

1132
00:45:05,320 --> 00:45:08,320
Speaker 3: and for this record man, which just really really started

1133
00:45:08,520 --> 00:45:11,720
Speaker 3: before we get started this Racers. In terms of climbing,

1134
00:45:11,760 --> 00:45:15,440
Speaker 3: the charge is my fastest record. You say that is tempo.

1135
00:45:16,520 --> 00:45:20,040
Speaker 3: People have been people have been waiting for tempo from me.

1136
00:45:20,120 --> 00:45:22,239
Speaker 3: I got the slow in the mid I got that,

1137
00:45:23,160 --> 00:45:25,799
Speaker 3: but now they don't let me get some temple. Now

1138
00:45:25,840 --> 00:45:26,160
Speaker 3: you don't.

1139
00:45:26,560 --> 00:45:28,160
Speaker 4: So you did this on purpose? You wanted a temple?

1140
00:45:28,440 --> 00:45:32,160
Speaker 3: Absolutely? Yeah, this is calculated, this is on purpose. I

1141
00:45:32,239 --> 00:45:34,800
Speaker 3: needed the right one. My guy Dirk sent me this record.

1142
00:45:34,840 --> 00:45:37,160
Speaker 3: I said, you do not know what you have just done.

1143
00:45:37,840 --> 00:45:38,880
Speaker 3: You get Tank tempo.

1144
00:45:39,520 --> 00:45:41,480
Speaker 16: It's crazy that you're still trying to make new records

1145
00:45:41,520 --> 00:45:43,360
Speaker 16: at this point. I'm not saying that you can't have

1146
00:45:43,440 --> 00:45:45,880
Speaker 16: such a catalog. You really don't even have to if

1147
00:45:45,880 --> 00:45:46,400
Speaker 16: you don't want to.

1148
00:45:46,719 --> 00:45:50,120
Speaker 3: I do because I don't remember that last hit record.

1149
00:45:51,640 --> 00:45:54,640
Speaker 3: I don't remember it. I don't I don't live in it.

1150
00:45:54,840 --> 00:45:57,520
Speaker 3: I don't live in that last outfit that I wore.

1151
00:45:58,000 --> 00:46:00,319
Speaker 3: You know what I'm saying every day is Okay, what's next?

1152
00:46:00,719 --> 00:46:01,520
Speaker 3: How can I beat that?

1153
00:46:02,120 --> 00:46:02,640
Speaker 9: That was cool?

1154
00:46:02,680 --> 00:46:05,560
Speaker 3: Because I'm I'm watching around me. You know what I'm saying.

1155
00:46:06,280 --> 00:46:09,520
Speaker 3: If need be, I'll I'll drive up to CB's house,

1156
00:46:09,880 --> 00:46:11,800
Speaker 3: you know what I'm saying and let him play me

1157
00:46:11,880 --> 00:46:14,400
Speaker 3: a thousand songs. Like I got more work to do,

1158
00:46:15,719 --> 00:46:17,640
Speaker 3: you know what I'm saying. I'll look at the charts

1159
00:46:17,640 --> 00:46:20,319
Speaker 3: and see who's on there. I'm not okay, I got

1160
00:46:20,400 --> 00:46:23,840
Speaker 3: work to do. Yeah, Like that's what drives me. Like

1161
00:46:24,080 --> 00:46:27,759
Speaker 3: it's so many new things happening every day that I'm

1162
00:46:27,800 --> 00:46:29,680
Speaker 3: like this, Oh, I got to compete with that. I

1163
00:46:29,719 --> 00:46:31,719
Speaker 3: gotta fight with that, you know what I'm saying, And

1164
00:46:32,160 --> 00:46:33,120
Speaker 3: it gets me ap for game.

1165
00:46:33,680 --> 00:46:36,680
Speaker 2: Now, your health and how you are as far as

1166
00:46:37,480 --> 00:46:39,120
Speaker 2: not drinking it and all the things that you do.

1167
00:46:39,280 --> 00:46:41,439
Speaker 2: Is that from what place? Is that from a place

1168
00:46:41,520 --> 00:46:43,920
Speaker 2: of you seeing people your age doing it and you're like,

1169
00:46:44,120 --> 00:46:45,600
Speaker 2: damn it'll look as good?

1170
00:46:45,719 --> 00:46:47,320
Speaker 4: Or is it from a I just want to be

1171
00:46:47,400 --> 00:46:48,160
Speaker 4: healthy type of place?

1172
00:46:48,440 --> 00:46:51,120
Speaker 3: It's really healthy. I mean it's it's really like. I'm

1173
00:46:51,160 --> 00:46:55,600
Speaker 3: an athlete first, so for me, it's very important. You

1174
00:46:55,680 --> 00:46:57,520
Speaker 3: know what goes into my body because what goes in

1175
00:46:57,640 --> 00:46:59,800
Speaker 3: is what comes out. You know what I'm saying. I've

1176
00:47:00,040 --> 00:47:03,960
Speaker 3: I've often I've often been in the gym and and

1177
00:47:04,160 --> 00:47:07,880
Speaker 3: my model to myself is what will Floyd do? What

1178
00:47:08,000 --> 00:47:08,600
Speaker 3: we mayweather?

1179
00:47:08,680 --> 00:47:08,719
Speaker 9: Do?

1180
00:47:09,320 --> 00:47:11,680
Speaker 3: You know what I'm saying. Because I've watched him by

1181
00:47:12,120 --> 00:47:14,520
Speaker 3: thirty bottles. You know what I'm saying. I've watched the

1182
00:47:14,600 --> 00:47:17,360
Speaker 3: people around him rolling up smoke, and I've watched the

1183
00:47:17,440 --> 00:47:20,839
Speaker 3: people around him just indulge. I watched him do none

1184
00:47:20,880 --> 00:47:23,719
Speaker 3: of it and then grab his stuff out the back

1185
00:47:23,719 --> 00:47:26,399
Speaker 3: of the truck when we leave the club and run home.

1186
00:47:27,719 --> 00:47:30,600
Speaker 3: I said, that's what a billion dollars, looks like I

1187
00:47:30,760 --> 00:47:33,160
Speaker 3: want that. So when me and my guy games get

1188
00:47:33,200 --> 00:47:35,920
Speaker 3: in there, like, it's not a game. This part of

1189
00:47:36,040 --> 00:47:38,880
Speaker 3: what I do, as it correlates to who I am

1190
00:47:38,960 --> 00:47:41,560
Speaker 3: as an artist. It's not why I do it. I

1191
00:47:41,640 --> 00:47:43,960
Speaker 3: would be doing this anyway, you know what I'm saying,

1192
00:47:44,040 --> 00:47:46,000
Speaker 3: Like I want to be one hundred and fifty. You

1193
00:47:46,040 --> 00:47:48,040
Speaker 3: know what I'm saying. Still pulling up to the breakfast club?

1194
00:47:49,160 --> 00:47:53,319
Speaker 3: Yeah yeah, I pray y'all are still here. But if

1195
00:47:53,400 --> 00:47:55,600
Speaker 3: y'all know, I'm still I got one hundred and one,

1196
00:47:55,640 --> 00:48:01,680
Speaker 3: You got one hundred and one. I why can't we fifty?

1197
00:48:01,880 --> 00:48:04,200
Speaker 3: Why not? Why not?

1198
00:48:04,560 --> 00:48:06,000
Speaker 16: I'm not gonna put I'm not gonna say we can.

1199
00:48:06,040 --> 00:48:07,440
Speaker 16: I'm not gonna put a limitation on it, you know

1200
00:48:07,480 --> 00:48:07,719
Speaker 16: what I mean.

1201
00:48:08,000 --> 00:48:09,160
Speaker 3: It's all what you're putting in.

1202
00:48:09,560 --> 00:48:11,680
Speaker 1: Did what happened with Jamie there?

1203
00:48:11,760 --> 00:48:17,080
Speaker 3: You yeah, absolutely, and you know you just it just

1204
00:48:17,200 --> 00:48:20,480
Speaker 3: goes back to the idea of you just never know,

1205
00:48:21,680 --> 00:48:25,200
Speaker 3: You just never know, and it's not something you can predict,

1206
00:48:25,400 --> 00:48:29,239
Speaker 3: not something you can for his situation prevent, you know

1207
00:48:29,280 --> 00:48:32,960
Speaker 3: what I mean? Sometimes your body will just you know,

1208
00:48:33,719 --> 00:48:39,200
Speaker 3: the alert is is detrimental, right, your body telling you

1209
00:48:39,320 --> 00:48:43,800
Speaker 3: something is wrong is sometimes you know, the alarm is

1210
00:48:44,920 --> 00:48:47,640
Speaker 3: damn near fatal, you know what I mean. And that's

1211
00:48:47,760 --> 00:48:50,320
Speaker 3: just that's just life. And so yeah, it's scary. I

1212
00:48:50,400 --> 00:48:52,480
Speaker 3: mean just not just because he's you know, one of

1213
00:48:52,520 --> 00:48:55,319
Speaker 3: my best friends, but just like it could have easily

1214
00:48:55,360 --> 00:48:56,120
Speaker 3: been either one of us.

1215
00:48:56,280 --> 00:48:58,120
Speaker 2: All Right, let's get to text do a single before

1216
00:48:58,160 --> 00:49:00,399
Speaker 2: we get started, featuring Fab is the break This Club,

1217
00:49:00,440 --> 00:49:04,160
Speaker 2: Good Morning Morning, Everybody is DJ n V Jesse Larrin

1218
00:49:04,239 --> 00:49:06,200
Speaker 2: Charlamage the God We Are the Breakfast Club.

1219
00:49:06,520 --> 00:49:09,359
Speaker 4: That was Tank's newest single feature in Fab and Tank

1220
00:49:09,480 --> 00:49:10,600
Speaker 4: is in the building, Jess.

1221
00:49:10,440 --> 00:49:11,879
Speaker 10: What about to go on to it? With another og

1222
00:49:12,440 --> 00:49:13,120
Speaker 10: Carl Thomas.

1223
00:49:13,480 --> 00:49:16,160
Speaker 16: Carl Thomas one of the greatest R and B albums

1224
00:49:16,200 --> 00:49:19,080
Speaker 16: of all time, not even close.

1225
00:49:19,480 --> 00:49:22,560
Speaker 3: And people I've seen people ask me, you know, people

1226
00:49:22,640 --> 00:49:25,239
Speaker 3: ask me why you know, why you choose Carl Thomas,

1227
00:49:25,239 --> 00:49:27,440
Speaker 3: why you choose Carry Hilson. I'm like, you don't hear it?

1228
00:49:28,320 --> 00:49:30,560
Speaker 16: Emotional is literally one of the greatest RMB albums. Like

1229
00:49:30,680 --> 00:49:33,319
Speaker 16: you don't you don't top your bottom? Love making music,

1230
00:49:33,400 --> 00:49:33,560
Speaker 16: you know.

1231
00:49:33,560 --> 00:49:34,840
Speaker 3: What I'm saying? Like when we down at them do

1232
00:49:34,960 --> 00:49:36,719
Speaker 3: ops with my girl are down and down in uh

1233
00:49:36,840 --> 00:49:39,799
Speaker 3: In Miami and then Carl Thomas records. Come on, it's

1234
00:49:39,880 --> 00:49:44,560
Speaker 3: a thing, really happens play some of them carry Hilson

1235
00:49:44,680 --> 00:49:45,920
Speaker 3: records like things happen.

1236
00:49:46,200 --> 00:49:46,399
Speaker 4: Yeah.

1237
00:49:46,600 --> 00:49:47,640
Speaker 3: I was like, first of all, I want to go

1238
00:49:47,719 --> 00:49:48,719
Speaker 3: into it with my friends. I want to go in

1239
00:49:48,719 --> 00:49:51,040
Speaker 3: toward people I like. But then too, I want to

1240
00:49:51,160 --> 00:49:52,560
Speaker 3: I want to be out there. It's the R and

1241
00:49:52,640 --> 00:49:54,760
Speaker 3: B money Tour. I want the catalog to be expensive.

1242
00:49:55,360 --> 00:49:59,000
Speaker 3: For some expensive catalogs, you know, carry got Hot one hundreds.

1243
00:49:59,440 --> 00:50:02,640
Speaker 3: Carl Thomas has timeless R and.

1244
00:50:02,719 --> 00:50:08,239
Speaker 5: B parties today right now with Summer Raine. They play

1245
00:50:08,320 --> 00:50:10,560
Speaker 5: that at the top, in the middle of the party

1246
00:50:10,600 --> 00:50:12,560
Speaker 5: at the end like they bring what And I grabbed

1247
00:50:12,600 --> 00:50:14,000
Speaker 5: him like I don't care where I'm at, no karaoke

1248
00:50:14,160 --> 00:50:15,160
Speaker 5: even playing.

1249
00:50:16,440 --> 00:50:19,719
Speaker 3: Let me give me a little come on tan, you

1250
00:50:19,800 --> 00:50:22,840
Speaker 3: gotta pay for that Charlamagne has given us. He's blessed

1251
00:50:22,920 --> 00:50:23,120
Speaker 3: us with.

1252
00:50:23,200 --> 00:50:30,359
Speaker 5: His stormy come on outside when she keeps me home?

1253
00:50:31,040 --> 00:50:31,600
Speaker 10: That's my song.

1254
00:50:34,840 --> 00:50:35,600
Speaker 9: That was. That was.

1255
00:50:38,000 --> 00:50:41,360
Speaker 16: My wife and Colin rocking with Carl time, Carl Thomas

1256
00:50:41,360 --> 00:50:43,719
Speaker 16: emotional and Joe my name is Joe.

1257
00:50:47,120 --> 00:50:50,120
Speaker 3: I gotta I gotta do a tour with Joe too. Yeah, man,

1258
00:50:50,200 --> 00:50:52,400
Speaker 3: the tour and a song. I love that people have

1259
00:50:52,520 --> 00:50:54,799
Speaker 3: been wanting that quite some time. You know what I'm saying,

1260
00:50:55,239 --> 00:50:57,879
Speaker 3: I get you. You know, Joe likes to hide until

1261
00:50:57,920 --> 00:50:59,719
Speaker 3: it's time. You know what I'm saying, Like what you know,

1262
00:51:00,440 --> 00:51:01,880
Speaker 3: I'll be out Playboy. You know what I'm saying. I'm

1263
00:51:01,880 --> 00:51:02,520
Speaker 3: gonna pop out.

1264
00:51:02,400 --> 00:51:07,239
Speaker 16: Of You mentioned everybody with TGT. I ain't no tire

1265
00:51:07,280 --> 00:51:11,680
Speaker 16: reason genuine deck. Yeah, you was in the studio where

1266
00:51:12,040 --> 00:51:13,960
Speaker 16: I saw you in the studio working on my Beautiful Pain.

1267
00:51:15,040 --> 00:51:20,960
Speaker 3: Yeah, I think you know, I think we we're at

1268
00:51:20,960 --> 00:51:24,120
Speaker 3: a great place, man, We're at a great place where

1269
00:51:24,160 --> 00:51:29,680
Speaker 3: I think now we all everybody collectively sees the value

1270
00:51:30,480 --> 00:51:34,839
Speaker 3: in what we are, in what we created. And it's again,

1271
00:51:34,960 --> 00:51:38,360
Speaker 3: it's this resurgence of just that feeling of R and B.

1272
00:51:38,480 --> 00:51:40,759
Speaker 3: And so you got you got two guys from the

1273
00:51:40,880 --> 00:51:44,640
Speaker 3: nineties who got classic catalogs. You got me coming in

1274
00:51:44,719 --> 00:51:47,600
Speaker 3: from the two thousand, who came came up under these guys,

1275
00:51:48,360 --> 00:51:52,239
Speaker 3: and and people are hungry and thirsty for that. And

1276
00:51:52,320 --> 00:51:55,800
Speaker 3: so you're gonna see You're gonna see some TGT.

1277
00:51:56,840 --> 00:51:57,000
Speaker 9: You know.

1278
00:51:58,120 --> 00:52:02,200
Speaker 3: Fortunately, thank god, you gonna get that album. No, I

1279
00:52:02,239 --> 00:52:04,640
Speaker 3: don't know if we have an album but we do

1280
00:52:04,840 --> 00:52:07,400
Speaker 3: have we do have a couple of moments, yeah, that

1281
00:52:07,480 --> 00:52:09,960
Speaker 3: we're lining up that are gonna be very special. So

1282
00:52:10,080 --> 00:52:13,040
Speaker 3: that's all. That's all I can really really say about that.

1283
00:52:13,400 --> 00:52:15,279
Speaker 1: And I saw you the other night. Man, I forgot.

1284
00:52:15,280 --> 00:52:17,080
Speaker 16: I don't know where y'all was at, but Flavor flav

1285
00:52:17,280 --> 00:52:20,520
Speaker 16: was singing. He was what was so I forgot what

1286
00:52:20,600 --> 00:52:23,160
Speaker 16: he was singing. Was it we were honoring, they were honoring.

1287
00:52:24,040 --> 00:52:25,560
Speaker 16: I don't want to get this wrong to be.

1288
00:52:27,280 --> 00:52:29,800
Speaker 3: I don't remember be there. I can't, I don't I

1289
00:52:29,840 --> 00:52:31,440
Speaker 3: don't want to mess up the name of the organization.

1290
00:52:32,000 --> 00:52:34,560
Speaker 3: Seana hit me. It was like, we're honoring Jimmy jam

1291
00:52:34,600 --> 00:52:38,080
Speaker 3: and Terry Lewis and we need you to do what

1292
00:52:38,200 --> 00:52:40,040
Speaker 3: you do. And I was like, cool, a man, you

1293
00:52:40,080 --> 00:52:41,920
Speaker 3: say Jimmy Jam and Terry Lewis. I'm in I don't.

1294
00:52:41,920 --> 00:52:44,160
Speaker 3: I don't care what it is. And so we're honoring

1295
00:52:44,239 --> 00:52:47,920
Speaker 3: them and and and Babyface is there, and you know,

1296
00:52:47,960 --> 00:52:50,320
Speaker 3: I don't want to pressure baby Face to sing, but

1297
00:52:50,960 --> 00:52:54,319
Speaker 3: he's there, and I'm like, Babyface, if you want to sing,

1298
00:52:55,200 --> 00:52:57,839
Speaker 3: you can, you don't have to. And they started playing

1299
00:52:57,880 --> 00:53:00,280
Speaker 3: one of his songs and we were singing and Faces like, now,

1300
00:53:00,360 --> 00:53:03,480
Speaker 3: let me let me handle that. He started singing. Just

1301
00:53:03,520 --> 00:53:06,200
Speaker 3: Flavor Flame just came out of nowhere and just started

1302
00:53:06,360 --> 00:53:08,440
Speaker 3: and just started singing. You look surprised that you could

1303
00:53:08,480 --> 00:53:12,040
Speaker 3: hold a note. No, if that wasn't surprise, it was

1304
00:53:12,160 --> 00:53:13,120
Speaker 3: just like they think about it.

1305
00:53:13,400 --> 00:53:14,839
Speaker 1: Why did you take the mic from Babyface to give

1306
00:53:14,840 --> 00:53:15,200
Speaker 1: it a flavor?

1307
00:53:17,600 --> 00:53:22,120
Speaker 3: My thing is, Babyface is singing all right, and and

1308
00:53:22,400 --> 00:53:27,600
Speaker 3: Flavor flav has the gall and audacity to take the

1309
00:53:27,680 --> 00:53:32,759
Speaker 3: micro to run up and started singing against the baby face.

1310
00:53:36,000 --> 00:53:38,080
Speaker 1: Why didn't you stop it? That's why the game need referees.

1311
00:53:38,239 --> 00:53:40,359
Speaker 1: You're supposed to stop that, right then you're big enough

1312
00:53:40,360 --> 00:53:42,440
Speaker 1: to stopping pulls at that moment.

1313
00:53:43,680 --> 00:53:47,880
Speaker 3: Right, It only goes one way. It only looks like

1314
00:53:48,080 --> 00:53:52,400
Speaker 3: disrespect in front of that many people. You know what

1315
00:53:52,440 --> 00:53:55,800
Speaker 3: I'm saying, Like now it's now it's Flavor Flair. He

1316
00:53:55,920 --> 00:53:59,319
Speaker 3: is Flavor Flake. Let's not discredit him. He is who

1317
00:53:59,400 --> 00:54:01,680
Speaker 3: he is. And then I run up on him saying,

1318
00:54:01,880 --> 00:54:03,759
Speaker 3: baby Face singing, hold on right now, hold on, hold

1319
00:54:03,800 --> 00:54:14,200
Speaker 3: one baby facing away. Baby Face has to fight that battle. Listen,

1320
00:54:14,480 --> 00:54:17,160
Speaker 3: and don't think that if Babyface felt the way, he

1321
00:54:17,280 --> 00:54:22,239
Speaker 3: wouldn't have handled it. Baby Faces listen. The songs are

1322
00:54:22,400 --> 00:54:26,200
Speaker 3: nice and soft, and meek baby Face is not. He's

1323
00:54:26,239 --> 00:54:29,520
Speaker 3: a nice guy, but he's nobody sucking. I promise you.

1324
00:54:30,000 --> 00:54:32,480
Speaker 3: If he felt the way, and he would have and

1325
00:54:32,880 --> 00:54:35,399
Speaker 3: I was kind of following his lead, the baby Face

1326
00:54:35,440 --> 00:54:38,000
Speaker 3: would have looked like he wasn't feeling it, then we

1327
00:54:38,040 --> 00:54:40,000
Speaker 3: would have handled that way. But he was. It was

1328
00:54:40,040 --> 00:54:40,719
Speaker 3: all in good fun.

1329
00:54:42,360 --> 00:54:44,000
Speaker 4: R and B Money. The Vault is out.

1330
00:54:44,120 --> 00:54:45,120
Speaker 3: Vault say it again.

1331
00:54:45,360 --> 00:54:47,840
Speaker 4: The Vault is out right now. And we appreciate you

1332
00:54:47,880 --> 00:54:49,480
Speaker 4: for doing twenty six that's right.

1333
00:54:50,000 --> 00:54:54,080
Speaker 3: Yeah, that's what's out right now right now. Are you

1334
00:54:54,160 --> 00:54:55,719
Speaker 3: gonna what do you? What are you gonna do with

1335
00:54:55,800 --> 00:54:56,279
Speaker 3: this music?

1336
00:54:56,600 --> 00:54:57,400
Speaker 10: You already know what I'm doing.

1337
00:54:57,440 --> 00:54:57,919
Speaker 4: I got wait.

1338
00:54:58,160 --> 00:54:59,640
Speaker 5: I can't ain't too much I could do right now

1339
00:54:59,719 --> 00:55:01,640
Speaker 5: because I can't get pregnant twice and one.

1340
00:55:01,760 --> 00:55:03,400
Speaker 3: You know, how far along are you?

1341
00:55:04,400 --> 00:55:06,279
Speaker 10: Five months? I'm going to be six five months.

1342
00:55:06,440 --> 00:55:07,520
Speaker 3: Yeah, that's a good time.

1343
00:55:07,840 --> 00:55:10,840
Speaker 5: Yeah, I'm still I'm still with Army Money.

1344
00:55:12,200 --> 00:55:12,680
Speaker 9: Having room.

1345
00:55:14,040 --> 00:55:15,760
Speaker 6: I'm still moving herds.

1346
00:55:15,920 --> 00:55:16,160
Speaker 16: Believe.

1347
00:55:16,600 --> 00:55:17,439
Speaker 3: Let me tell you something.

1348
00:55:18,120 --> 00:55:20,000
Speaker 1: My wife was pregnant. Some of the best, the best time,

1349
00:55:20,360 --> 00:55:21,120
Speaker 1: some of the best.

1350
00:55:22,640 --> 00:55:23,000
Speaker 9: Crazy.

1351
00:55:25,800 --> 00:55:29,640
Speaker 3: Oh my god, it's something extra in there.

1352
00:55:30,000 --> 00:55:31,440
Speaker 1: It is can I swim in your ocean?

1353
00:55:35,400 --> 00:55:35,799
Speaker 9: That's right.

1354
00:55:36,040 --> 00:55:40,040
Speaker 10: I put on money.

1355
00:55:40,080 --> 00:55:40,839
Speaker 7: It's a not skip.

1356
00:55:41,080 --> 00:55:41,440
Speaker 6: It's like.

1357
00:55:43,760 --> 00:55:47,520
Speaker 4: Take more about right now, it's take It's the practice

1358
00:55:47,840 --> 00:55:48,279
Speaker 4: in the morning.

1359
00:55:48,400 --> 00:55:50,080
Speaker 7: It's gonna be a dunk because right now you want

1360
00:55:50,160 --> 00:55:50,439
Speaker 7: some bread.

1361
00:55:52,880 --> 00:55:56,080
Speaker 1: It's time for donkey before I need to be a

1362
00:55:56,520 --> 00:55:57,680
Speaker 1: man with the heat.

1363
00:55:59,160 --> 00:56:00,399
Speaker 3: She get it please.

1364
00:56:01,200 --> 00:56:04,879
Speaker 5: I had to come donkey of to day the practice club.

1365
00:56:04,960 --> 00:56:05,320
Speaker 1: Bitch you.

1366
00:56:06,960 --> 00:56:09,600
Speaker 16: Yes, donkey today goes to a forty five year old

1367
00:56:09,680 --> 00:56:14,319
Speaker 16: Texas mother named Jennifer Lynn Rossi. Salute to Jennifer Lynn Rossi.

1368
00:56:14,440 --> 00:56:17,400
Speaker 16: She's a mother and I understand going above and beyond

1369
00:56:17,440 --> 00:56:19,480
Speaker 16: for our kids. Okay, we all should, all right, don't

1370
00:56:19,560 --> 00:56:21,360
Speaker 16: let nobody play with your churn. You have to be

1371
00:56:21,440 --> 00:56:23,320
Speaker 16: willing to go squorshed earthf You have to be willing

1372
00:56:23,360 --> 00:56:25,839
Speaker 16: to burn everything to the ground to protect your child.

1373
00:56:26,040 --> 00:56:28,400
Speaker 16: But you don't want to put yourself in a position

1374
00:56:28,480 --> 00:56:30,799
Speaker 16: where you go too hard and end up in jail.

1375
00:56:31,000 --> 00:56:31,719
Speaker 1: Okay, because if.

1376
00:56:31,680 --> 00:56:33,279
Speaker 16: You do something to protect your child and it causes

1377
00:56:33,320 --> 00:56:35,319
Speaker 16: you to lose your freedom, then you won't be here

1378
00:56:35,360 --> 00:56:36,680
Speaker 16: to protect your child anyway.

1379
00:56:36,440 --> 00:56:37,560
Speaker 1: So it defeats the whole purpose.

1380
00:56:37,560 --> 00:56:39,440
Speaker 16: All right, It's so easy to get tricked off the

1381
00:56:39,480 --> 00:56:42,200
Speaker 16: street as a parent, because if somebody messages with your child,

1382
00:56:42,320 --> 00:56:44,839
Speaker 16: God forbid, somebody hurts your child, that is a good

1383
00:56:44,960 --> 00:56:47,440
Speaker 16: enough justification to knock always.

1384
00:56:47,920 --> 00:56:49,839
Speaker 1: But the law is still the law.

1385
00:56:49,960 --> 00:56:53,600
Speaker 16: So if you go to seek parental revenge because somebody

1386
00:56:53,719 --> 00:56:55,600
Speaker 16: mess with your child and you break the law, then

1387
00:56:56,120 --> 00:56:59,120
Speaker 16: well you going to jail. That's what happened to Jennifer Rossi. See,

1388
00:56:59,120 --> 00:57:03,080
Speaker 16: her son was getting slightly bully, meaning somebody was stealing

1389
00:57:03,120 --> 00:57:06,400
Speaker 16: from him at school. Okay, stealing his drink to be

1390
00:57:06,480 --> 00:57:09,200
Speaker 16: more specific. So Jennifer decided to take madis in her

1391
00:57:09,200 --> 00:57:11,520
Speaker 16: own hands and teach this defa lesson. Let's call it

1392
00:57:11,560 --> 00:57:12,759
Speaker 16: ABC seven News for the report.

1393
00:57:12,800 --> 00:57:13,880
Speaker 1: Please you know also.

1394
00:57:13,760 --> 00:57:15,879
Speaker 13: Knew this morning a mother from San Antonio is behind

1395
00:57:15,960 --> 00:57:19,720
Speaker 13: bars after she allegedly tainted a gatorade for her son's classmate.

1396
00:57:20,040 --> 00:57:22,280
Speaker 13: Core records say that the forty five year old mixed

1397
00:57:22,320 --> 00:57:25,360
Speaker 13: to lemon juice, vinegar, salt, and gatorade together in a

1398
00:57:25,400 --> 00:57:28,240
Speaker 13: sports bottle before instructing her ten year old to give

1399
00:57:28,240 --> 00:57:30,360
Speaker 13: it to his classmate, who had stolen his drink the

1400
00:57:30,400 --> 00:57:33,600
Speaker 13: day before. But shortly after the child consumed the drink,

1401
00:57:33,680 --> 00:57:36,520
Speaker 13: he became sick and was taken to the hospital. Now,

1402
00:57:36,560 --> 00:57:39,560
Speaker 13: though the drink was non toxic, Jennifer Rossi was still

1403
00:57:39,680 --> 00:57:42,600
Speaker 13: charged with injury to a child causing bodily injury.

1404
00:57:43,280 --> 00:57:45,160
Speaker 16: Now, let me tell you something. It was non toxic though, right,

1405
00:57:45,640 --> 00:57:47,680
Speaker 16: it was non toxic. But let me tell you that

1406
00:57:47,680 --> 00:57:50,120
Speaker 16: a young man sometime you could have swallowed a lot worse.

1407
00:57:50,440 --> 00:57:50,760
Speaker 1: Pause.

1408
00:57:51,160 --> 00:57:54,760
Speaker 16: Okay, lemon salt, vinegar, gatorade. That ain't nothing but ingredients

1409
00:57:54,800 --> 00:57:56,920
Speaker 16: to clean a sink. Okay, you chased that down with

1410
00:57:56,960 --> 00:57:58,480
Speaker 16: a shot at apple side of vinegar. Now you have

1411
00:57:58,560 --> 00:58:01,440
Speaker 16: created a concoction eddy and healthy weight loss. But think

1412
00:58:01,480 --> 00:58:02,960
Speaker 16: of all the other things that could have been in

1413
00:58:03,000 --> 00:58:06,120
Speaker 16: that drink, like bodily fluids. Okay, it could have been urine,

1414
00:58:06,280 --> 00:58:08,480
Speaker 16: could have been vaginal discharge, could have been the seeming

1415
00:58:08,520 --> 00:58:10,720
Speaker 16: of an eight month old Siberian husky. There's a lot

1416
00:58:10,800 --> 00:58:12,919
Speaker 16: of different things Mama could have put in that drink.

1417
00:58:13,040 --> 00:58:14,760
Speaker 16: You're lucky she didn't hit you with some good old

1418
00:58:14,800 --> 00:58:18,160
Speaker 16: fashioned roots. Yes, voodoo, say voodoo.

1419
00:58:18,240 --> 00:58:22,439
Speaker 1: Jes See, I know some women. I know some women

1420
00:58:22,520 --> 00:58:23,760
Speaker 1: you play with their kids.

1421
00:58:24,000 --> 00:58:26,240
Speaker 16: They gonna give you something to drink that will make

1422
00:58:26,280 --> 00:58:29,880
Speaker 16: you fought uncontrollably for duration to set spell. Okay, not

1423
00:58:30,000 --> 00:58:33,080
Speaker 16: no normal farts either, the kind that are never silent, loud, aggressive,

1424
00:58:33,160 --> 00:58:35,680
Speaker 16: probably even burn a little when it passed through your ainus.

1425
00:58:35,800 --> 00:58:39,280
Speaker 16: Can you imagine never being able to silently fart ever again,

1426
00:58:39,360 --> 00:58:41,479
Speaker 16: and every time you fought it hurts. That's what would

1427
00:58:41,480 --> 00:58:44,680
Speaker 16: happened to you if you play with the wrong person's kids.

1428
00:58:44,720 --> 00:58:47,640
Speaker 16: So you kind of got off easy, Okay. Lemon salt

1429
00:58:47,680 --> 00:58:49,640
Speaker 16: and vinegar. That ain't nothing but a douche douce.

1430
00:58:49,760 --> 00:58:50,440
Speaker 1: Right, excuse me?

1431
00:58:50,640 --> 00:58:51,040
Speaker 10: Notice that.

1432
00:58:51,920 --> 00:58:54,120
Speaker 5: No, it's not you put some salt and get yeah, right,

1433
00:58:54,960 --> 00:58:58,480
Speaker 5: be on fire. Okay, No, it's just vinegar. It's vinegar

1434
00:58:58,520 --> 00:58:59,880
Speaker 5: and something else. But it ain't no salt.

1435
00:59:00,120 --> 00:59:00,400
Speaker 1: Okay.

1436
00:59:00,880 --> 00:59:04,280
Speaker 16: Now, Jennifer is a nurse, and she, like you just

1437
00:59:04,320 --> 00:59:06,120
Speaker 16: said in me, she says she knows the mixture to

1438
00:59:06,200 --> 00:59:07,040
Speaker 16: be non toxic.

1439
00:59:07,320 --> 00:59:07,600
Speaker 1: Correct.

1440
00:59:07,680 --> 00:59:09,840
Speaker 16: What the victim still got sick? Okay, you know why

1441
00:59:09,880 --> 00:59:12,600
Speaker 16: the victim got sick. Probably dehydrated. Little boy probably didn't

1442
00:59:12,600 --> 00:59:14,120
Speaker 16: have enough water in the system. That's starting bening to

1443
00:59:14,240 --> 00:59:16,479
Speaker 16: drive his ass right up. But once again, you're lucky

1444
00:59:16,600 --> 00:59:18,800
Speaker 16: you didn't end up somewhere coughing up a frog.

1445
00:59:18,880 --> 00:59:19,280
Speaker 1: Young man.

1446
00:59:19,360 --> 00:59:21,960
Speaker 16: Okay, stop stealing from people, young man. But that's not

1447
00:59:22,240 --> 00:59:24,320
Speaker 16: why we are here. We are here because his parents.

1448
00:59:24,400 --> 00:59:26,960
Speaker 16: As adults, we must make better decisions. We must make

1449
00:59:27,040 --> 00:59:30,360
Speaker 16: better choices, because we must believe in the golden rule. Yes,

1450
00:59:30,480 --> 00:59:32,760
Speaker 16: what you do to someone will ultimately come back to you.

1451
00:59:33,080 --> 00:59:35,920
Speaker 16: You shouldn't do to someone else's child what you wouldn't

1452
00:59:35,960 --> 00:59:38,640
Speaker 16: want done to yours. But that said, there was other

1453
00:59:38,680 --> 00:59:40,680
Speaker 16: ways to hands of the situation. A phone call to

1454
00:59:40,760 --> 00:59:42,840
Speaker 16: the principal, p one call to the teachers, a phone

1455
00:59:42,920 --> 00:59:45,040
Speaker 16: call to the child's parents. Better yet, pull up to

1456
00:59:45,080 --> 00:59:47,920
Speaker 16: the school and complain, see the child's parents, see the

1457
00:59:48,000 --> 00:59:50,720
Speaker 16: child's parents face to face, and figure it out.

1458
00:59:51,000 --> 00:59:53,000
Speaker 1: I know that sometimes you can't wait for others to

1459
00:59:53,080 --> 00:59:54,919
Speaker 1: do it. You want to take things into your own hands.

1460
00:59:55,080 --> 00:59:57,680
Speaker 16: I agree with that, unless that thing you're taking into

1461
00:59:57,760 --> 00:59:59,880
Speaker 16: your own hands is somebody else's child.

1462
01:00:00,120 --> 01:00:02,439
Speaker 1: Because now you got to smoke with me as a parent.

1463
01:00:02,720 --> 01:00:04,840
Speaker 16: Okay, I know that my son was the dad and

1464
01:00:04,920 --> 01:00:07,120
Speaker 16: he had no business stealing your child's drink, But you

1465
01:00:07,200 --> 01:00:10,320
Speaker 16: don't have no business doing something that could potentially hurt

1466
01:00:10,400 --> 01:00:10,800
Speaker 16: my child.

1467
01:00:11,200 --> 01:00:13,640
Speaker 1: Now I need a piece of your hair. Okay, I

1468
01:00:13,760 --> 01:00:15,520
Speaker 1: need a piece of your hair to take it to

1469
01:00:15,680 --> 01:00:18,680
Speaker 1: my doctor, you know, and one little mix, one little

1470
01:00:18,720 --> 01:00:22,400
Speaker 1: mix walk up to you right after schooling. Now I'm

1471
01:00:22,440 --> 01:00:24,800
Speaker 1: gonna have you sexually attracted the Golden Retrievers for the

1472
01:00:24,840 --> 01:00:25,520
Speaker 1: rest of your life.

1473
01:00:25,840 --> 01:00:29,320
Speaker 16: Ah, the duration of such spell. Please give Jennifer lin

1474
01:00:29,480 --> 01:00:31,400
Speaker 16: Rossi the sweet sounds of the Hamilton's fleece.

1475
01:00:31,520 --> 01:00:46,760
Speaker 15: Oh, you.

1476
01:00:51,240 --> 01:00:52,800
Speaker 1: Got that stupid look on your face in me, You

1477
01:00:52,880 --> 01:00:55,200
Speaker 1: are totally wrong. Okay, okay, thank you.

1478
01:00:55,320 --> 01:00:58,840
Speaker 11: You gave the little boy who was hospitalized too much smoke.

1479
01:00:59,320 --> 01:01:01,480
Speaker 11: First of all, what should be what if he was

1480
01:01:01,560 --> 01:01:03,320
Speaker 11: poor and didn't have his own juice?

1481
01:01:03,560 --> 01:01:04,200
Speaker 10: You don't even know.

1482
01:01:04,720 --> 01:01:06,480
Speaker 2: You're stealing from my kid and bullying my kid though,

1483
01:01:06,480 --> 01:01:08,360
Speaker 2: But he can't steal from my kid. Ain't got no

1484
01:01:08,440 --> 01:01:09,880
Speaker 2: gatorad He thirsty all day long.

1485
01:01:10,800 --> 01:01:11,600
Speaker 4: We said bullying.

1486
01:01:12,000 --> 01:01:14,400
Speaker 1: Bullying, that's what they call it. Slightly bullying.

1487
01:01:14,440 --> 01:01:15,439
Speaker 10: Oh, because he stole the gator.

1488
01:01:16,120 --> 01:01:18,000
Speaker 1: I guess he had been harassed. He always harassed. The

1489
01:01:18,040 --> 01:01:21,080
Speaker 1: little harassed my son. He always harassed my son.

1490
01:01:21,120 --> 01:01:23,320
Speaker 4: A little short, little kid can't fight back, can't do

1491
01:01:23,400 --> 01:01:23,880
Speaker 4: anything back.

1492
01:01:24,000 --> 01:01:25,520
Speaker 1: I don't know. I don't know if the little boy

1493
01:01:25,560 --> 01:01:26,080
Speaker 1: is short all.

1494
01:01:26,200 --> 01:01:29,360
Speaker 2: And if he said harassed, that means they probably complained

1495
01:01:29,440 --> 01:01:32,000
Speaker 2: before he was harassed, and now I complain, they don't

1496
01:01:32,040 --> 01:01:33,880
Speaker 2: do nothing, and this little kid, your.

1497
01:01:33,760 --> 01:01:35,520
Speaker 4: Little son, is still bullying myself.

1498
01:01:35,560 --> 01:01:37,200
Speaker 1: I'm stealing from I got something for you.

1499
01:01:37,800 --> 01:01:39,040
Speaker 4: Now you're going diarrhea all day.

1500
01:01:39,200 --> 01:01:42,240
Speaker 5: So this is built up, yes from okay, the sort

1501
01:01:42,240 --> 01:01:42,960
Speaker 5: of little concoction.

1502
01:01:43,240 --> 01:01:45,320
Speaker 4: She probably complained and then they did nothing.

1503
01:01:45,960 --> 01:01:47,640
Speaker 1: By the way, you shouldn't do stuff like that anyway.

1504
01:01:47,880 --> 01:01:50,040
Speaker 5: Anyway, what if he was allergic the vinegar? What if

1505
01:01:50,080 --> 01:01:53,120
Speaker 5: he was allergic to like what if stealing from my

1506
01:01:53,240 --> 01:01:54,360
Speaker 5: son and bullying my son.

1507
01:01:54,520 --> 01:01:56,400
Speaker 16: But she shouldn't be trying to hurt the other little

1508
01:01:56,440 --> 01:01:57,640
Speaker 16: boy too. There the other way, in the hand of

1509
01:01:57,680 --> 01:01:59,400
Speaker 16: that Jesus, she's a forty five year old woan, this

1510
01:01:59,520 --> 01:02:00,400
Speaker 16: ten year odd as we're.

1511
01:02:00,280 --> 01:02:02,320
Speaker 10: Talking about teach his son how to kick him and

1512
01:02:02,760 --> 01:02:04,600
Speaker 10: the donuts that.

1513
01:02:04,840 --> 01:02:08,000
Speaker 1: That could work to teach kids stick up for themself.

1514
01:02:08,080 --> 01:02:10,800
Speaker 5: He's trying to raise a little scientist serial.

1515
01:02:10,680 --> 01:02:14,120
Speaker 2: Kill little short little sons and they're just big ass

1516
01:02:14,160 --> 01:02:16,120
Speaker 2: football player. Now I got kick him in the us

1517
01:02:16,120 --> 01:02:18,040
Speaker 2: and then and then he dragged my son off through

1518
01:02:18,080 --> 01:02:18,760
Speaker 2: the playground.

1519
01:02:18,800 --> 01:02:19,240
Speaker 4: Make it worse.

1520
01:02:20,840 --> 01:02:23,680
Speaker 10: We are you bullied as a kid? I was okay, Okay,

1521
01:02:25,320 --> 01:02:29,760
Speaker 10: I can now, Lord, somebody's store his juice.

1522
01:02:30,680 --> 01:02:31,040
Speaker 1: All right.

1523
01:02:32,520 --> 01:02:34,160
Speaker 2: The mom messed up. The mom shouldn't said give the

1524
01:02:34,200 --> 01:02:35,840
Speaker 2: boy his mom should have said nothing. Mom should have just.

1525
01:02:39,000 --> 01:02:39,040
Speaker 9: That.

1526
01:02:39,040 --> 01:02:42,640
Speaker 16: You shouldn't said nothing. The mom shouldn't have did that

1527
01:02:42,760 --> 01:02:45,160
Speaker 16: to the little boy at all, little child. The boy

1528
01:02:45,200 --> 01:02:46,320
Speaker 16: shouldn't be bullying my child.

1529
01:02:46,400 --> 01:02:47,840
Speaker 1: Sure, but there's other ways to handle that.

1530
01:02:48,480 --> 01:02:48,840
Speaker 3: Mmmm.

1531
01:02:49,320 --> 01:02:52,240
Speaker 4: All right, Well, thank you for that donkey. Today the

1532
01:02:52,480 --> 01:02:57,160
Speaker 4: Breakfast Club what everybody is d.

1533
01:02:57,520 --> 01:03:01,360
Speaker 2: J en Vy Jesse hilarious, Charlamage. We are the Breakfast Club.

1534
01:03:01,520 --> 01:03:03,880
Speaker 2: Justice on maternity leave. So Laura La Rose is filling in,

1535
01:03:04,240 --> 01:03:06,680
Speaker 2: and we got our niece with us today, Nyla.

1536
01:03:06,520 --> 01:03:07,720
Speaker 15: Big Nyla all right.

1537
01:03:07,760 --> 01:03:09,800
Speaker 4: And we got a special guest in the building. We

1538
01:03:09,920 --> 01:03:11,400
Speaker 4: have October London. Welcome brother.

1539
01:03:11,480 --> 01:03:12,720
Speaker 1: What's good morning, sir?

1540
01:03:12,840 --> 01:03:13,280
Speaker 3: Good morning.

1541
01:03:13,320 --> 01:03:14,680
Speaker 1: How do you feeling? I feel good?

1542
01:03:14,840 --> 01:03:15,240
Speaker 7: Feel good?

1543
01:03:15,320 --> 01:03:15,440
Speaker 5: Man?

1544
01:03:15,960 --> 01:03:18,120
Speaker 4: You're signed to death row Yeah with Snoop.

1545
01:03:18,360 --> 01:03:18,560
Speaker 7: Yeah.

1546
01:03:18,680 --> 01:03:21,080
Speaker 4: I talk about how you got the deal and how

1547
01:03:21,120 --> 01:03:23,240
Speaker 4: he heard you and had it all came together. I

1548
01:03:23,280 --> 01:03:23,920
Speaker 4: don't know yea.

1549
01:03:23,960 --> 01:03:24,160
Speaker 9: Yeah.

1550
01:03:24,320 --> 01:03:27,640
Speaker 7: So I was actually on my way to graduating truck

1551
01:03:27,720 --> 01:03:29,320
Speaker 7: driving school truck and school truck and school.

1552
01:03:30,760 --> 01:03:30,800
Speaker 9: No.

1553
01:03:31,000 --> 01:03:32,120
Speaker 7: I quit right before.

1554
01:03:34,560 --> 01:03:34,919
Speaker 4: Some times.

1555
01:03:35,720 --> 01:03:37,760
Speaker 1: Yeah, I was about I just don't like how they drive.

1556
01:03:37,920 --> 01:03:40,240
Speaker 7: Yeah, it's a lot to it. But I was about to.

1557
01:03:40,360 --> 01:03:40,680
Speaker 3: I didn't.

1558
01:03:40,680 --> 01:03:43,200
Speaker 7: I didn't do it because I end up linking up

1559
01:03:43,240 --> 01:03:45,440
Speaker 7: with Jazzy Fay. I ended up linking up with him

1560
01:03:45,480 --> 01:03:47,600
Speaker 7: through a friend of a friend and I got his

1561
01:03:47,760 --> 01:03:50,120
Speaker 7: number and I texted him like, Yo, I got these records,

1562
01:03:50,240 --> 01:03:52,080
Speaker 7: you know, blah blah blah blah. But I was sending

1563
01:03:52,080 --> 01:03:54,160
Speaker 7: them records. They were wrap records or records for future

1564
01:03:54,200 --> 01:03:55,200
Speaker 7: there records for all these.

1565
01:03:55,240 --> 01:03:56,520
Speaker 4: Other artists you were producing.

1566
01:03:56,800 --> 01:03:58,760
Speaker 7: Yeah, yeah, I was producing, you know, I was writing

1567
01:03:58,800 --> 01:03:59,040
Speaker 7: them all.

1568
01:03:59,080 --> 01:04:00,240
Speaker 3: So yeah, yeah.

1569
01:04:00,360 --> 01:04:03,000
Speaker 7: Putting hooks on him, and I happened to just kind

1570
01:04:03,000 --> 01:04:04,560
Speaker 7: of sneak in one of my songs that I did

1571
01:04:04,680 --> 01:04:07,200
Speaker 7: call color Blind and had that kind of Marvin lane,

1572
01:04:07,440 --> 01:04:09,600
Speaker 7: and I sent it to him. I just waited and

1573
01:04:09,880 --> 01:04:11,480
Speaker 7: he hit me back and was like, Yo, you got

1574
01:04:11,520 --> 01:04:14,360
Speaker 7: some you got some heat. You know, I'm looking over somebody,

1575
01:04:14,440 --> 01:04:17,160
Speaker 7: like really important legend in the game. I might play

1576
01:04:17,160 --> 01:04:19,120
Speaker 7: it for him. I was like, oh, so fast forward.

1577
01:04:19,200 --> 01:04:20,760
Speaker 7: He hit me up and he was like, Yo, you

1578
01:04:20,800 --> 01:04:22,360
Speaker 7: remember I told you I was gonna play your records

1579
01:04:22,400 --> 01:04:23,640
Speaker 7: for someone. I was like, yeah, he was like, I'm

1580
01:04:23,640 --> 01:04:26,240
Speaker 7: gonna have him call you or we're gonna call you together.

1581
01:04:26,440 --> 01:04:28,800
Speaker 7: And the night before the Super Bowl he hit me

1582
01:04:28,920 --> 01:04:30,919
Speaker 7: up and was like, yo, I got that person online.

1583
01:04:30,920 --> 01:04:32,480
Speaker 7: Hold on just a second, and he was with him

1584
01:04:32,680 --> 01:04:34,280
Speaker 7: and he was like, Yo, it's the big Homy Snoop

1585
01:04:34,320 --> 01:04:35,920
Speaker 7: dog Man. I'm a big fan. I was like, oh,

1586
01:04:36,120 --> 01:04:38,560
Speaker 7: how did you feel? Honestly, I was like this, this

1587
01:04:38,600 --> 01:04:42,600
Speaker 7: has got to be a joke, you know. At that point,

1588
01:04:42,640 --> 01:04:45,600
Speaker 7: I'm like, Na, this can't be real, and yeah it was.

1589
01:04:45,720 --> 01:04:46,120
Speaker 1: It was real.

1590
01:04:46,160 --> 01:04:47,400
Speaker 7: And he was like, yo, I'm gonna fly you out.

1591
01:04:47,480 --> 01:04:47,640
Speaker 9: You know.

1592
01:04:47,680 --> 01:04:49,720
Speaker 7: I got there March sixteen, twenty sixteen, and that was

1593
01:04:49,760 --> 01:04:50,760
Speaker 7: a wrap. That's when I met him.

1594
01:04:50,760 --> 01:04:53,640
Speaker 17: How did your family feel about you being like, Okay,

1595
01:04:53,680 --> 01:04:55,200
Speaker 17: I was this close, but I'm gonna just go over

1596
01:04:55,200 --> 01:04:56,680
Speaker 17: here and do this thing because they've been riding.

1597
01:04:56,520 --> 01:04:57,200
Speaker 10: The ways with you, right.

1598
01:04:57,360 --> 01:04:58,920
Speaker 7: Yeah. Yeah, they've been riding and raised with me for

1599
01:04:59,000 --> 01:05:02,840
Speaker 7: a long time. They've been really supportive. Family, friends, everybody's

1600
01:05:02,840 --> 01:05:04,400
Speaker 7: been supportive. I don't know how many times I've called

1601
01:05:04,440 --> 01:05:05,360
Speaker 7: my boy Jamie, but.

1602
01:05:05,360 --> 01:05:06,880
Speaker 4: They in the business. Though your mom's the singer of

1603
01:05:06,920 --> 01:05:07,320
Speaker 4: your dad.

1604
01:05:07,520 --> 01:05:07,960
Speaker 3: My dad was.

1605
01:05:08,000 --> 01:05:09,600
Speaker 7: My dad was in the business. Yeah, my dad was

1606
01:05:09,760 --> 01:05:12,160
Speaker 7: in the business. He toured and you know toward with

1607
01:05:12,200 --> 01:05:14,200
Speaker 7: earth wind and fire and all that probably opening up

1608
01:05:14,240 --> 01:05:16,160
Speaker 7: for him something like that, but it never really reached

1609
01:05:16,200 --> 01:05:17,840
Speaker 7: this level. So he's a static.

1610
01:05:18,200 --> 01:05:20,520
Speaker 2: Now you signed to death Row. Was were you nervous

1611
01:05:20,560 --> 01:05:22,160
Speaker 2: to sign the death Row? Because this was the relaunch

1612
01:05:22,200 --> 01:05:24,480
Speaker 2: of death Row. I'm sure people were assuming the first

1613
01:05:24,480 --> 01:05:27,240
Speaker 2: one was gonna be a rapper, right, a hardcore rapper.

1614
01:05:27,320 --> 01:05:28,080
Speaker 3: But it was it was you.

1615
01:05:28,280 --> 01:05:29,160
Speaker 4: Was you nervous at all?

1616
01:05:29,400 --> 01:05:32,200
Speaker 7: Absolutely? Yeah, I just knew. I was in the room

1617
01:05:32,240 --> 01:05:35,200
Speaker 7: when he was finishing the call, like deals done, okay, cool.

1618
01:05:35,480 --> 01:05:37,080
Speaker 7: I was like, Dad, Oh, this is gonna be dope

1619
01:05:37,120 --> 01:05:37,240
Speaker 7: for you.

1620
01:05:37,400 --> 01:05:37,520
Speaker 17: Man.

1621
01:05:37,600 --> 01:05:40,160
Speaker 7: You know you're gonna find some dope rapper out of

1622
01:05:40,400 --> 01:05:43,000
Speaker 7: la or somewhere like that. And he was like, no, no, no,

1623
01:05:43,160 --> 01:05:44,600
Speaker 7: You're gonna be the flagship for death Row.

1624
01:05:46,240 --> 01:05:46,479
Speaker 3: Crazy.

1625
01:05:46,480 --> 01:05:47,240
Speaker 4: I bet to learn how to crib.

1626
01:05:47,320 --> 01:05:49,640
Speaker 7: Well yeah like that. You know, I'm working on it,

1627
01:05:49,720 --> 01:05:51,520
Speaker 7: but I'm just like, man, I don't know if that's

1628
01:05:51,560 --> 01:05:53,760
Speaker 7: gonna work out, but it's snoop. You kind of roll

1629
01:05:53,840 --> 01:05:55,520
Speaker 7: with that and it worked out.

1630
01:05:56,040 --> 01:06:01,360
Speaker 18: The death Row like legacy, like doctor dre or like commented.

1631
01:06:01,040 --> 01:06:03,520
Speaker 7: On your work. Yeah, Doctor Dre has for sure.

1632
01:06:03,640 --> 01:06:03,840
Speaker 3: Yeah.

1633
01:06:03,880 --> 01:06:06,040
Speaker 7: Yeah, I've been in the studio with doctor Dre several times.

1634
01:06:06,520 --> 01:06:09,160
Speaker 7: I'm actually on the new h Drean Snoop album that's

1635
01:06:09,200 --> 01:06:12,320
Speaker 7: coming out this year Missionary, Yeah, missionary crazy title.

1636
01:06:12,360 --> 01:06:12,680
Speaker 3: I love it.

1637
01:06:12,800 --> 01:06:13,120
Speaker 9: I love it.

1638
01:06:13,200 --> 01:06:16,400
Speaker 7: So I've been able to hear that whole album in full,

1639
01:06:16,480 --> 01:06:18,600
Speaker 7: and that album sounds incredible, by the way, So shout

1640
01:06:18,600 --> 01:06:19,800
Speaker 7: out to dreams on that level?

1641
01:06:19,880 --> 01:06:22,800
Speaker 16: Is it because you know, a lot of expectation Drean Snoop.

1642
01:06:23,000 --> 01:06:24,680
Speaker 16: He's saying it is to follow up the Doggie starts,

1643
01:06:24,680 --> 01:06:25,560
Speaker 16: a lot of expectation.

1644
01:06:25,720 --> 01:06:26,600
Speaker 7: It's it's amazing.

1645
01:06:26,920 --> 01:06:27,560
Speaker 1: It meets the mark.

1646
01:06:28,040 --> 01:06:30,360
Speaker 7: Yeah, it hits the mark definitely. So you know, Dre

1647
01:06:30,560 --> 01:06:32,680
Speaker 7: Dre definitely loves my music. I've played the other stuff too,

1648
01:06:32,760 --> 01:06:35,240
Speaker 7: but he really loves And even that track that I'm

1649
01:06:35,280 --> 01:06:38,640
Speaker 7: on is very Marvin gay esque because he you know,

1650
01:06:38,680 --> 01:06:39,240
Speaker 7: he loves Marvel.

1651
01:06:39,320 --> 01:06:40,960
Speaker 1: When you put out the Rebirth of Marvin, I thought

1652
01:06:41,000 --> 01:06:41,440
Speaker 1: you was a bug.

1653
01:06:41,880 --> 01:06:42,880
Speaker 3: I know, I saw.

1654
01:06:43,120 --> 01:06:44,760
Speaker 16: I saw it because I felt like you were putting

1655
01:06:44,800 --> 01:06:47,320
Speaker 16: too much pressure on yourself. Because when you compare yourself

1656
01:06:47,760 --> 01:06:52,080
Speaker 16: the mythical iconic ghosts like Marvin, that's an impossible bar

1657
01:06:52,200 --> 01:06:52,520
Speaker 16: to reach.

1658
01:06:52,720 --> 01:06:53,680
Speaker 1: What was your mindset?

1659
01:06:53,840 --> 01:06:54,760
Speaker 3: I know you put that up.

1660
01:06:54,920 --> 01:06:57,080
Speaker 7: I didn't. That album was not supposed to come out.

1661
01:06:57,520 --> 01:06:59,840
Speaker 7: I wasn't trying to be Marvin, not trying to fill

1662
01:06:59,880 --> 01:07:01,480
Speaker 7: the shoes? Am I trying to do any of that?

1663
01:07:01,680 --> 01:07:03,520
Speaker 7: As not what I was trying to do. Like I said,

1664
01:07:03,560 --> 01:07:06,320
Speaker 7: I'm a multi genre artists. I just go off of vibes.

1665
01:07:06,480 --> 01:07:09,440
Speaker 7: So if I'm feeling, oh today, I'm gonna do pop today,

1666
01:07:09,880 --> 01:07:11,600
Speaker 7: then I'm gonna go in the studio probably knock out

1667
01:07:11,600 --> 01:07:13,320
Speaker 7: a whole pop album real quick, and I'm gonna go

1668
01:07:13,320 --> 01:07:14,840
Speaker 7: ahead and set the side because that's what I'm feeling.

1669
01:07:15,160 --> 01:07:16,720
Speaker 7: So I go off of feeling, you know, feeling the

1670
01:07:16,800 --> 01:07:19,120
Speaker 7: music and what I'm you know, what I'm feeling at

1671
01:07:19,160 --> 01:07:22,320
Speaker 7: that time. So I was in the studio and if

1672
01:07:22,360 --> 01:07:24,840
Speaker 7: you've been to Snoops Compound, he plays music twenty four

1673
01:07:24,840 --> 01:07:26,800
Speaker 7: hours a day, seven days a week through the hallways.

1674
01:07:26,960 --> 01:07:28,520
Speaker 7: And at that time, I was in the studio just

1675
01:07:28,680 --> 01:07:30,640
Speaker 7: going through stuff and trying to figure out what track

1676
01:07:30,680 --> 01:07:33,480
Speaker 7: I was gonna do next, and Marvin played like three

1677
01:07:33,560 --> 01:07:36,960
Speaker 7: four times, so then instantly in my head, I'm already

1678
01:07:37,000 --> 01:07:40,040
Speaker 7: in that zone. So I was like okay cool. Then

1679
01:07:40,200 --> 01:07:42,480
Speaker 7: Snoop sent over a track and I was like, oh,

1680
01:07:42,560 --> 01:07:45,360
Speaker 7: this is dope. And then I started doing it and

1681
01:07:45,440 --> 01:07:47,040
Speaker 7: I was like, oh, it sounds a little bit Marvin,

1682
01:07:47,080 --> 01:07:49,560
Speaker 7: but I'm just gonna keep doing it whatever. Liked it

1683
01:07:49,640 --> 01:07:51,439
Speaker 7: so much, I was like, I'm gonna do another track.

1684
01:07:52,000 --> 01:07:53,840
Speaker 7: And then Snoop came in and was like, Yo, this

1685
01:07:54,080 --> 01:07:56,200
Speaker 7: is really dope. Let me know when you, you know,

1686
01:07:56,280 --> 01:07:57,960
Speaker 7: finished with it, cause he knows I like to work,

1687
01:07:58,560 --> 01:08:00,320
Speaker 7: and like I like to work in spurts, I don't

1688
01:08:00,320 --> 01:08:02,040
Speaker 7: do just one track and go to next. Like I'm like, well,

1689
01:08:02,080 --> 01:08:03,960
Speaker 7: if I've done too, I might as well do eight

1690
01:08:04,040 --> 01:08:06,000
Speaker 7: more and make it an album. And I just put

1691
01:08:06,040 --> 01:08:08,200
Speaker 7: it up a bunch of records, just put up. I

1692
01:08:08,360 --> 01:08:10,560
Speaker 7: finished the record in like a week. Rebirth of Marvin

1693
01:08:10,680 --> 01:08:12,840
Speaker 7: was done the week. I pretty much freestyled the whole

1694
01:08:12,880 --> 01:08:14,560
Speaker 7: thing as far as freestyle, and I know it's different,

1695
01:08:14,600 --> 01:08:15,920
Speaker 7: but it's like going up to the mic and just

1696
01:08:16,040 --> 01:08:18,840
Speaker 7: kind of saying what I feel. Did that like Back

1697
01:08:18,880 --> 01:08:21,320
Speaker 7: to Your Place was done in an hour. Holland Drive

1698
01:08:21,400 --> 01:08:23,200
Speaker 7: was done the hour. Both of those went number one.

1699
01:08:23,800 --> 01:08:25,479
Speaker 7: So that's how I do all of my music. So

1700
01:08:25,920 --> 01:08:27,200
Speaker 7: I put it away I was like, all right, that

1701
01:08:27,360 --> 01:08:29,160
Speaker 7: was fun. I was in that Marvin lane Gray. Let

1702
01:08:29,200 --> 01:08:30,360
Speaker 7: me put it aside. Now, let me get on this

1703
01:08:30,400 --> 01:08:32,160
Speaker 7: bryceon Tiller lane real quick, because that's what I wanted

1704
01:08:32,160 --> 01:08:34,080
Speaker 7: to put out. That's what I thought Dog wanted me

1705
01:08:34,160 --> 01:08:36,519
Speaker 7: to do, and that's not what happened. Dog came in

1706
01:08:36,560 --> 01:08:37,800
Speaker 7: and was like, what you're doing. I'm like, I'm just

1707
01:08:37,800 --> 01:08:39,280
Speaker 7: putting it up. I'm gonna start on this. He was

1708
01:08:39,320 --> 01:08:41,000
Speaker 7: like no, no, no, no, no, no no, we're putting

1709
01:08:41,040 --> 01:08:43,080
Speaker 7: this out and I was like, no, nobody want to

1710
01:08:43,080 --> 01:08:45,320
Speaker 7: hear old school right now. He's like, trust me, this

1711
01:08:45,479 --> 01:08:48,599
Speaker 7: is the lane is open, nobody's doing it right now.

1712
01:08:48,960 --> 01:08:51,200
Speaker 7: Let's just do it all right? Cool, but it sounds

1713
01:08:51,240 --> 01:08:52,920
Speaker 7: a little bit like Marvin. He's like, no, I don't

1714
01:08:52,920 --> 01:08:54,840
Speaker 7: worry about that. I'm like, Ye're gonna chew my ass up.

1715
01:08:55,000 --> 01:08:56,240
Speaker 5: Some people did have things to say, but a lot

1716
01:08:56,280 --> 01:08:57,960
Speaker 5: of people love the music because it sounds good.

1717
01:08:58,280 --> 01:08:58,880
Speaker 3: But I know that.

1718
01:08:59,200 --> 01:09:01,880
Speaker 17: Ziola gay who Marvion Gaye's sister, she had made some

1719
01:09:01,960 --> 01:09:04,320
Speaker 17: comments that she liked the music, but she did say

1720
01:09:04,320 --> 01:09:05,960
Speaker 17: that she was just confused why you would want to

1721
01:09:06,040 --> 01:09:08,160
Speaker 17: sound like another person and not do original songs.

1722
01:09:08,200 --> 01:09:09,000
Speaker 10: Like, what do you get out of it?

1723
01:09:09,439 --> 01:09:12,439
Speaker 5: Did you get to have a conversation with her family

1724
01:09:12,560 --> 01:09:13,280
Speaker 5: or yeah, I did?

1725
01:09:13,439 --> 01:09:13,600
Speaker 9: You know?

1726
01:09:13,720 --> 01:09:16,000
Speaker 7: She was seemed like she was mad as hell at me,

1727
01:09:16,120 --> 01:09:18,120
Speaker 7: which I knew that was going to happen. I was like,

1728
01:09:18,439 --> 01:09:20,599
Speaker 7: you know, and Dog wanted to name it rebirth and Marvin.

1729
01:09:20,680 --> 01:09:22,080
Speaker 7: I did not. I was like, let's just call it

1730
01:09:22,160 --> 01:09:24,880
Speaker 7: the rebirth. I tried to push towards that, but you know,

1731
01:09:25,120 --> 01:09:27,960
Speaker 7: I'm I'm following, you know, at this point, I'm like, okay,

1732
01:09:28,080 --> 01:09:30,800
Speaker 7: all right, you know, Dog has a plan. I'm just

1733
01:09:30,880 --> 01:09:32,639
Speaker 7: gonna go with it. He's been right this whole time.

1734
01:09:32,680 --> 01:09:33,920
Speaker 7: I've been with him for a long time.

1735
01:09:33,960 --> 01:09:34,439
Speaker 10: I know him.

1736
01:09:34,960 --> 01:09:37,320
Speaker 7: Let's just do that. We called it rebirth and Marvin

1737
01:09:37,360 --> 01:09:39,240
Speaker 7: because that's what he wanted to Tyler and then yeah,

1738
01:09:39,479 --> 01:09:42,200
Speaker 7: she was not happy about that because she was like, yeah,

1739
01:09:42,360 --> 01:09:46,360
Speaker 7: you can sing, that's great, but you sound like my

1740
01:09:46,400 --> 01:09:47,880
Speaker 7: brother a little bit, and it's freaking me out. And

1741
01:09:47,960 --> 01:09:50,080
Speaker 7: I was like, that's cool. I just wish she at

1742
01:09:50,120 --> 01:09:52,600
Speaker 7: that point she didn't go you know, on wax and

1743
01:09:52,720 --> 01:09:55,320
Speaker 7: say also, yeah, and just I wish he just would

1744
01:09:55,320 --> 01:09:57,280
Speaker 7: have called me or called Dog or somebody like that,

1745
01:09:57,680 --> 01:10:00,559
Speaker 7: because then people got on her that love my music,

1746
01:10:00,600 --> 01:10:02,479
Speaker 7: that love back to your place. So then they attacked

1747
01:10:02,520 --> 01:10:05,080
Speaker 7: her and I'm like, we have to stop this. But then,

1748
01:10:05,439 --> 01:10:07,360
Speaker 7: you know, we end up getting on a call together,

1749
01:10:07,520 --> 01:10:09,439
Speaker 7: me and a few of the other family members and

1750
01:10:09,479 --> 01:10:12,720
Speaker 7: they were like, we completely support you. We understand now

1751
01:10:12,800 --> 01:10:14,960
Speaker 7: that you're not trying to be Marvin. You don't even

1752
01:10:14,960 --> 01:10:16,840
Speaker 7: want to fill his shoes or anything like that. You

1753
01:10:16,960 --> 01:10:18,240
Speaker 7: were just in a vibe and I was like, that's

1754
01:10:18,280 --> 01:10:20,519
Speaker 7: what I've been trying to tell everyone, Like, that's not me.

1755
01:10:20,680 --> 01:10:21,840
Speaker 7: I was just feeling something.

1756
01:10:22,400 --> 01:10:25,080
Speaker 4: We got more with October London when we come back.

1757
01:10:25,439 --> 01:10:27,479
Speaker 4: Keep it locked. This to Breakfast Club, Good Morning morning.

1758
01:10:27,520 --> 01:10:31,240
Speaker 2: Everybody is DJ Envy, Jesse, Larry Isshella mean the guy.

1759
01:10:31,360 --> 01:10:33,800
Speaker 2: We are the Breakfast Club law La Rosa is filling

1760
01:10:33,840 --> 01:10:36,360
Speaker 2: in for Jess and our niece Nalla is with us

1761
01:10:36,439 --> 01:10:38,960
Speaker 2: this morning. Now we can't get in with October London.

1762
01:10:39,080 --> 01:10:41,360
Speaker 2: He is the first artist signed to death Row after

1763
01:10:41,400 --> 01:10:43,560
Speaker 2: Snoop a Quieted. Now, for people that haven't heard of

1764
01:10:43,600 --> 01:10:46,160
Speaker 2: you before listening, some people might think that you are

1765
01:10:46,320 --> 01:10:48,120
Speaker 2: mimicking artist right because you just said I was in

1766
01:10:48,200 --> 01:10:50,559
Speaker 2: a Marvin zone and then I was in a Brison zone.

1767
01:10:50,640 --> 01:10:52,360
Speaker 16: Yeah, yeah, yeah, So even on the new album, it's

1768
01:10:52,400 --> 01:10:54,960
Speaker 16: like old Kelly a little bit announcement.

1769
01:10:55,000 --> 01:10:57,000
Speaker 2: So who is October London and where what does the

1770
01:10:57,120 --> 01:10:58,880
Speaker 2: sound come from? Because when I when I first heard,

1771
01:10:58,880 --> 01:11:00,040
Speaker 2: I thought it was like, well, that's his voice. He

1772
01:11:00,080 --> 01:11:02,040
Speaker 2: can't change his voice. It sounds like marb.

1773
01:11:02,160 --> 01:11:04,679
Speaker 4: He sounds like marlby rhyme. But who is October London?

1774
01:11:04,720 --> 01:11:04,880
Speaker 3: Then?

1775
01:11:05,080 --> 01:11:08,479
Speaker 7: Yeah, October London is okay. So this new album, October Nights,

1776
01:11:08,920 --> 01:11:11,240
Speaker 7: it's more of a transitional album. It's getting out of

1777
01:11:11,320 --> 01:11:13,599
Speaker 7: that lane. I'm finally being like, okay, guys, let's get

1778
01:11:13,640 --> 01:11:15,479
Speaker 7: away from this. When it's when you start the album

1779
01:11:15,800 --> 01:11:17,960
Speaker 7: you have touch on Me and all those records like that,

1780
01:11:18,120 --> 01:11:20,960
Speaker 7: and then yeah, like you said, r Kelly's been you know,

1781
01:11:21,120 --> 01:11:24,120
Speaker 7: my top number one artist because I mean the writing style,

1782
01:11:24,120 --> 01:11:26,080
Speaker 7: I mean, come on, it's Kells. Then once you get

1783
01:11:26,080 --> 01:11:27,920
Speaker 7: towards the end of the album where you have a

1784
01:11:27,960 --> 01:11:31,200
Speaker 7: big record called time, that's me. You know what I'm saying,

1785
01:11:31,320 --> 01:11:34,479
Speaker 7: Like those records that's me, like enjoying myself. And then

1786
01:11:34,520 --> 01:11:36,960
Speaker 7: the third album obviously when whenever I do that, then

1787
01:11:37,000 --> 01:11:38,680
Speaker 7: you're gonna get all of people. Right now, it's just

1788
01:11:39,120 --> 01:11:41,360
Speaker 7: kind of showing people that I can do these waves,

1789
01:11:41,600 --> 01:11:44,760
Speaker 7: and I know that we're missing this sound. I'm not

1790
01:11:44,920 --> 01:11:48,200
Speaker 7: necessarily taken from everybody. I just have been listening to

1791
01:11:48,360 --> 01:11:51,519
Speaker 7: everybody so much like Kel's and Ronald Ezy and all that.

1792
01:11:51,600 --> 01:11:53,680
Speaker 7: I just take this a little bit, put it here,

1793
01:11:53,800 --> 01:11:55,840
Speaker 7: but I don't really take from them. I'm just taking

1794
01:11:55,920 --> 01:11:57,840
Speaker 7: that vibe to give you that vibe, give you that

1795
01:11:58,439 --> 01:12:01,599
Speaker 7: love and that pain, and that you know what you feel,

1796
01:12:01,680 --> 01:12:03,000
Speaker 7: what we've been feeling for years.

1797
01:12:03,160 --> 01:12:05,519
Speaker 5: So this is a transition project.

1798
01:12:05,600 --> 01:12:09,120
Speaker 18: I still feel like sonically production kind of sounds cohesive.

1799
01:12:09,240 --> 01:12:11,840
Speaker 18: Do you have like a built in team that you

1800
01:12:11,920 --> 01:12:13,720
Speaker 18: worked with or did you decide to work with new

1801
01:12:13,720 --> 01:12:14,719
Speaker 18: people for this project?

1802
01:12:14,920 --> 01:12:17,280
Speaker 7: I mean usually, and Snoop will tell you usually, I

1803
01:12:17,360 --> 01:12:22,000
Speaker 7: do everything myself, Like I I write, I produce a mix,

1804
01:12:22,280 --> 01:12:25,679
Speaker 7: I master, I engineer myself, because I'm like, I gotta

1805
01:12:25,680 --> 01:12:27,639
Speaker 7: get it done right now. Like if I feel something,

1806
01:12:27,640 --> 01:12:29,360
Speaker 7: I need to get done, I don't want to sit

1807
01:12:29,439 --> 01:12:31,680
Speaker 7: here and be like, oh, hey, engineer, what's up. I

1808
01:12:31,760 --> 01:12:33,360
Speaker 7: can be there at four o'clock. No, no, no, no,

1809
01:12:33,479 --> 01:12:35,720
Speaker 7: I gotta feel this now. So I learned to do

1810
01:12:35,800 --> 01:12:39,760
Speaker 7: all this stuff on my own, So I do on

1811
01:12:39,880 --> 01:12:42,759
Speaker 7: this album on October nights. I teamed up with producers

1812
01:12:42,800 --> 01:12:46,439
Speaker 7: like Jeff Giddy, who Bear. I got with baby Face,

1813
01:12:47,240 --> 01:12:49,720
Speaker 7: you know. Obviously Snoop executive produced the album as well,

1814
01:12:50,080 --> 01:12:53,280
Speaker 7: and I got with my homie Superfly. Also, I know Superfly,

1815
01:12:53,479 --> 01:12:55,720
Speaker 7: so yeah, legend in the game. So he came through

1816
01:12:56,040 --> 01:12:58,559
Speaker 7: put his spin on it as well, and it came out. Really,

1817
01:12:58,640 --> 01:13:00,320
Speaker 7: it came out really well because we had kind of

1818
01:13:00,360 --> 01:13:02,920
Speaker 7: went through a thing where I submitted, like this album.

1819
01:13:02,920 --> 01:13:05,000
Speaker 7: You're like, all right, let's change this, let's put horns here,

1820
01:13:05,080 --> 01:13:07,679
Speaker 7: let's do this, and it just turned out so beautiful.

1821
01:13:07,680 --> 01:13:08,000
Speaker 7: I love it.

1822
01:13:08,040 --> 01:13:10,439
Speaker 16: I would love to know what the Babyfath sessions were like,

1823
01:13:10,520 --> 01:13:12,840
Speaker 16: because I know Baby Faith, he didn't want you to

1824
01:13:12,920 --> 01:13:15,560
Speaker 16: come in on nothing except for you. I'm sure what

1825
01:13:15,760 --> 01:13:16,000
Speaker 16: was that in?

1826
01:13:16,160 --> 01:13:16,320
Speaker 9: Is you?

1827
01:13:16,479 --> 01:13:16,519
Speaker 8: Like?

1828
01:13:16,960 --> 01:13:17,960
Speaker 7: It was good energy, man.

1829
01:13:18,040 --> 01:13:18,559
Speaker 3: We pulled up.

1830
01:13:18,720 --> 01:13:20,200
Speaker 7: He was just ready to get down to business. Like

1831
01:13:20,560 --> 01:13:23,200
Speaker 7: immediately there was no oh, let's kick it in, chill,

1832
01:13:23,360 --> 01:13:25,240
Speaker 7: let's eat, let's have a little breakfast and all. He

1833
01:13:25,360 --> 01:13:27,280
Speaker 7: was just like are you ready. I'm like, yeah, let's

1834
01:13:27,320 --> 01:13:29,759
Speaker 7: go in there. And we did the session. We knocked

1835
01:13:29,760 --> 01:13:32,040
Speaker 7: it out. It didn't even take all day. Really, he

1836
01:13:32,160 --> 01:13:34,120
Speaker 7: went to writing it. I just let him do his thing,

1837
01:13:34,400 --> 01:13:36,120
Speaker 7: because you know, you're in front of a legend. I'm

1838
01:13:36,160 --> 01:13:37,880
Speaker 7: not trying to be like, well I do this and that.

1839
01:13:37,920 --> 01:13:39,200
Speaker 7: I'm not about to do I'm about to sit here

1840
01:13:39,240 --> 01:13:42,080
Speaker 7: and what you need me to do? Coaching Like yeah,

1841
01:13:42,200 --> 01:13:45,479
Speaker 7: I mean yeah he did Man in the lab. We actually, yeah,

1842
01:13:45,520 --> 01:13:47,519
Speaker 7: it was a lot. I'm not going to okay, I can't.

1843
01:13:47,640 --> 01:13:49,439
Speaker 7: I can't hold it was a lot, and he knows

1844
01:13:49,479 --> 01:13:50,880
Speaker 7: it was a lot because I was like, oh, it

1845
01:13:51,000 --> 01:13:53,679
Speaker 7: was funny because we were doing the takes. He was like, oh, okay,

1846
01:13:53,720 --> 01:13:55,280
Speaker 7: let's do this first take of this and I do

1847
01:13:55,360 --> 01:13:57,040
Speaker 7: the line. It was like card, let's do it again

1848
01:13:57,320 --> 01:13:59,519
Speaker 7: and not do the line. I'm like, okay, that second

1849
01:13:59,520 --> 01:14:01,880
Speaker 7: one's perfect. We're good. That's what I want to say.

1850
01:14:02,040 --> 01:14:02,599
Speaker 3: All right, we're good.

1851
01:14:02,680 --> 01:14:04,360
Speaker 7: Let's go. Let's go to the next line. He's like, nah,

1852
01:14:04,520 --> 01:14:08,760
Speaker 7: let's do it again and again. I'm like okay, all right, okay, cool,

1853
01:14:08,880 --> 01:14:10,160
Speaker 7: I will do it. And he's like all right, cool,

1854
01:14:10,200 --> 01:14:11,360
Speaker 7: now you're ready to really do it. I'm like, I

1855
01:14:11,400 --> 01:14:12,320
Speaker 7: thought we're just doing it.

1856
01:14:13,000 --> 01:14:13,720
Speaker 4: I thought that was it.

1857
01:14:13,880 --> 01:14:15,280
Speaker 7: He was like, oh no, I wasn't recording at all.

1858
01:14:15,320 --> 01:14:17,040
Speaker 3: I just making sure you were on top of it.

1859
01:14:17,240 --> 01:14:19,760
Speaker 7: I thought the classes get made though, I'm like, okay, cool,

1860
01:14:20,120 --> 01:14:22,479
Speaker 7: so see, and that's I'm not used to that. I'm

1861
01:14:22,560 --> 01:14:24,720
Speaker 7: used to, Like I said, back to your place one

1862
01:14:24,800 --> 01:14:27,120
Speaker 7: take boom the first line. It was just boom, boom boom.

1863
01:14:27,160 --> 01:14:28,639
Speaker 7: I just make it quickly. And even when I told

1864
01:14:28,680 --> 01:14:31,120
Speaker 7: him that, he was like, yeah, no, impossible, Like, no,

1865
01:14:31,479 --> 01:14:33,400
Speaker 7: that's how I do my record. So he was like, oh,

1866
01:14:33,479 --> 01:14:35,519
Speaker 7: so I'm really at this point putting you through it.

1867
01:14:35,600 --> 01:14:37,599
Speaker 7: I was like, yeah, but it's cool, man, it's all good.

1868
01:14:38,200 --> 01:14:39,320
Speaker 7: I'm ready to learn.

1869
01:14:39,439 --> 01:14:41,960
Speaker 5: It's all good being someone who has done it all

1870
01:14:42,120 --> 01:14:42,720
Speaker 5: for so long.

1871
01:14:42,880 --> 01:14:46,120
Speaker 18: Like for yourself, what was the transition like having to

1872
01:14:46,360 --> 01:14:49,599
Speaker 18: take the lead of like other people with your vision tough?

1873
01:14:50,280 --> 01:14:52,720
Speaker 7: Yeah, very because I've just been, like you said, I've

1874
01:14:52,760 --> 01:14:57,599
Speaker 7: been doing this for so long, learning, doing this engineering thing,

1875
01:14:57,800 --> 01:15:01,120
Speaker 7: doing the mixing, doing all this stuff, and I'm just like, Okay,

1876
01:15:01,160 --> 01:15:02,960
Speaker 7: I can get this done. Because I look at a

1877
01:15:02,960 --> 01:15:04,960
Speaker 7: lot of artists, it's like, oh yeah, I really want

1878
01:15:05,320 --> 01:15:07,559
Speaker 7: Shah Day to drop another album. It's like, oh, eight

1879
01:15:07,680 --> 01:15:11,360
Speaker 7: years later in my head because I've just taught myself.

1880
01:15:11,360 --> 01:15:12,920
Speaker 7: In my head, I'm like it doesn't take that much.

1881
01:15:13,479 --> 01:15:15,639
Speaker 7: And then I look at other artists too, and I'm like, well,

1882
01:15:15,680 --> 01:15:18,360
Speaker 7: you got all the resources, you have everybody's number in

1883
01:15:18,400 --> 01:15:21,040
Speaker 7: your phone. Why isn't your album getting done quicker? Like

1884
01:15:21,160 --> 01:15:23,280
Speaker 7: why aren't you? Maybe they're not in the zone, Maybe

1885
01:15:23,280 --> 01:15:24,080
Speaker 7: they're getting pressured.

1886
01:15:24,080 --> 01:15:24,439
Speaker 1: I don't know.

1887
01:15:24,600 --> 01:15:26,800
Speaker 7: I just like I said, I'm a happy artist, so

1888
01:15:26,840 --> 01:15:31,760
Speaker 7: I'm not pressured by anything. I'm financially stable, like I'm good,

1889
01:15:32,320 --> 01:15:33,720
Speaker 7: so I can go in the studio right now and

1890
01:15:33,800 --> 01:15:35,280
Speaker 7: be like, okay, cool, you need all right, I'll work

1891
01:15:35,320 --> 01:15:37,200
Speaker 7: on the third album right now, or I'll work on

1892
01:15:37,240 --> 01:15:39,320
Speaker 7: a country record, I work on a pot whatever, because

1893
01:15:39,800 --> 01:15:42,640
Speaker 7: that's what helps me make great R and B is

1894
01:15:42,720 --> 01:15:46,439
Speaker 7: by switching genres, taking a break because I don't want to.

1895
01:15:46,560 --> 01:15:48,160
Speaker 7: I don't want to be Marvin, so let me not

1896
01:15:48,240 --> 01:15:49,439
Speaker 7: get too heavy in that back. Let me go over

1897
01:15:49,479 --> 01:15:51,320
Speaker 7: here to country real quick and write this real quick

1898
01:15:51,640 --> 01:15:53,120
Speaker 7: and just take a break and then go over here

1899
01:15:53,160 --> 01:15:53,720
Speaker 7: to something else.

1900
01:15:53,800 --> 01:15:56,680
Speaker 4: I was toold with Maxwell and Jazzmie Cellivan.

1901
01:15:56,479 --> 01:16:00,320
Speaker 7: Amazing, amazing, two great artists. Me and Max world close. Man,

1902
01:16:00,760 --> 01:16:02,720
Speaker 7: He's just a really great dude, Like he's been making

1903
01:16:02,720 --> 01:16:06,720
Speaker 7: sure everybody's taken care of and just been amazing. The

1904
01:16:06,800 --> 01:16:10,760
Speaker 7: crowd is just absolutely just I mean like I'm in

1905
01:16:10,880 --> 01:16:14,080
Speaker 7: awe of they sing word for word even my stuff,

1906
01:16:14,600 --> 01:16:16,720
Speaker 7: you know, and me opening up for them like I

1907
01:16:16,800 --> 01:16:20,080
Speaker 7: did my first tour in January, which sold out majority

1908
01:16:20,120 --> 01:16:21,720
Speaker 7: of the tour and they were singing it. Then I

1909
01:16:21,800 --> 01:16:23,080
Speaker 7: was like, I don't know if they're gonna do it

1910
01:16:23,160 --> 01:16:26,120
Speaker 7: this time. They're doing it this time as well that

1911
01:16:26,200 --> 01:16:30,280
Speaker 7: you said even stuff, Yeah no, because I just in

1912
01:16:30,400 --> 01:16:33,040
Speaker 7: my head, I'm just still this dude in Soubin, Indiana

1913
01:16:33,080 --> 01:16:35,400
Speaker 7: that's trying to make it. I still feel like I'm

1914
01:16:35,760 --> 01:16:38,400
Speaker 7: going to the studio just trying to Oh man, I

1915
01:16:38,479 --> 01:16:39,320
Speaker 7: really hope they like it.

1916
01:16:39,439 --> 01:16:42,240
Speaker 1: I still have that slighting pocket syndrome.

1917
01:16:42,320 --> 01:16:42,840
Speaker 4: Come yeah.

1918
01:16:43,040 --> 01:16:45,320
Speaker 7: I'm just like I'm like, man, there's there's no way.

1919
01:16:45,360 --> 01:16:47,479
Speaker 7: I don't think they're gonna like this. I don't snoops

1920
01:16:47,479 --> 01:16:48,880
Speaker 7: heard me say. I don't think they're gonna like this

1921
01:16:49,000 --> 01:16:51,240
Speaker 7: one hundred times over. I did not think they're gonna

1922
01:16:51,240 --> 01:16:52,680
Speaker 7: like Rebirth of Marvin. I don't think they're going to

1923
01:16:52,720 --> 01:16:54,519
Speaker 7: like back to your place. What I was like, No,

1924
01:16:54,640 --> 01:16:56,720
Speaker 7: there's no way. I was like, this ain't hot right now,

1925
01:16:56,880 --> 01:16:58,720
Speaker 7: and they love it and I'm just like, okay, So

1926
01:16:58,760 --> 01:16:59,840
Speaker 7: that's why I like letting the people.

1927
01:17:00,439 --> 01:17:02,280
Speaker 10: This is really random. But you were on Empire.

1928
01:17:02,560 --> 01:17:05,040
Speaker 7: I was on Empire, yeah, and then you were so

1929
01:17:05,160 --> 01:17:05,439
Speaker 7: you did.

1930
01:17:05,640 --> 01:17:07,600
Speaker 17: I've read about it. You were doing really well. They

1931
01:17:07,640 --> 01:17:09,759
Speaker 17: were talking about making you a bigger character Empire.

1932
01:17:09,920 --> 01:17:12,559
Speaker 7: Yea and the Jesse, the Jesse smallest stuff happened.

1933
01:17:12,720 --> 01:17:24,880
Speaker 6: Pissed that we didn't know when you walk in. I'm like,

1934
01:17:24,960 --> 01:17:27,120
Speaker 6: I know. He was pissed that one is so perfect

1935
01:17:27,200 --> 01:17:27,360
Speaker 6: for you.

1936
01:17:28,240 --> 01:17:33,320
Speaker 7: Man, come home, man, No, I mean yeah, I thought

1937
01:17:33,360 --> 01:17:35,639
Speaker 7: it was. That was my first time doing any type

1938
01:17:35,680 --> 01:17:38,479
Speaker 7: of acting. Snoop was like, y'all, I'm gonna we're gonna

1939
01:17:38,479 --> 01:17:41,599
Speaker 7: add you to Empire. Like cannot He was like, yeah,

1940
01:17:41,600 --> 01:17:43,800
Speaker 7: you can't. I'm like, no, I can't, man, that's not

1941
01:17:43,920 --> 01:17:46,479
Speaker 7: my lane. I'm just come on man. And I went

1942
01:17:46,560 --> 01:17:48,560
Speaker 7: on come on, mane and I went on there and

1943
01:17:48,920 --> 01:17:50,599
Speaker 7: and did it. And the director was like, how long

1944
01:17:50,640 --> 01:17:52,280
Speaker 7: you've been acting? I was like today. He was like,

1945
01:17:52,600 --> 01:17:55,080
Speaker 7: I think we should sit down and talk. I'm like, okay,

1946
01:17:55,600 --> 01:17:57,240
Speaker 7: this is the thing. I still think I'm dreaming. So

1947
01:17:57,320 --> 01:18:00,200
Speaker 7: I'm like that there's no way even being on here.

1948
01:18:00,240 --> 01:18:02,280
Speaker 7: The breakfast I've been watching y'all for a long time.

1949
01:18:02,320 --> 01:18:04,240
Speaker 7: So it's like like, just as I was sitting in

1950
01:18:04,240 --> 01:18:06,920
Speaker 7: the background, I was just like, damn, this is really happening.

1951
01:18:07,120 --> 01:18:09,040
Speaker 7: So that's how I kind of felt on Empire. So

1952
01:18:09,120 --> 01:18:13,240
Speaker 7: then when Jesse mess it up for me, as soon

1953
01:18:13,280 --> 01:18:13,800
Speaker 7: as I got.

1954
01:18:13,760 --> 01:18:16,839
Speaker 15: The news, as soon as I journey on news, I'm like, god.

1955
01:18:18,520 --> 01:18:23,840
Speaker 7: Like, come on, come on, man, come on, man, don't

1956
01:18:23,880 --> 01:18:25,519
Speaker 7: do me like that, skinny. But what you want to

1957
01:18:25,560 --> 01:18:28,519
Speaker 7: hear down, well, might as well play third shift.

1958
01:18:28,920 --> 01:18:30,800
Speaker 4: We got more with October London. When we come back.

1959
01:18:30,840 --> 01:18:33,800
Speaker 4: Let's get into his joint. Third shift. It's the breakfast club.

1960
01:18:33,840 --> 01:18:37,719
Speaker 2: Good morning, everybody, get in there, envy Jesse Hilary showing

1961
01:18:37,760 --> 01:18:38,120
Speaker 2: me the guy.

1962
01:18:38,200 --> 01:18:39,840
Speaker 4: We are to breakfast club. All right, Well, you got

1963
01:18:39,880 --> 01:18:40,719
Speaker 4: a positive note.

1964
01:18:40,840 --> 01:18:41,479
Speaker 3: I do, man.

1965
01:18:41,560 --> 01:18:44,599
Speaker 16: The positive note comes from a late great coal and power.

1966
01:18:44,680 --> 01:18:46,559
Speaker 16: I love this because I lived this and I want

1967
01:18:46,600 --> 01:18:48,920
Speaker 16: everybody to apply this to their life. If you are

1968
01:18:49,000 --> 01:18:53,120
Speaker 16: going to achieve excellencing big things, you developed the habit

1969
01:18:53,280 --> 01:18:54,160
Speaker 16: in little matters.

1970
01:18:54,960 --> 01:18:55,880
Speaker 1: Listen to what I just said.

1971
01:18:55,880 --> 01:18:59,200
Speaker 16: If you're going to achieve excellencing big things, you developed

1972
01:18:59,240 --> 01:19:01,240
Speaker 16: the habit in little matters. You got to be excellent

1973
01:19:01,280 --> 01:19:03,000
Speaker 16: with the so called little things before you can be

1974
01:19:03,080 --> 01:19:05,920
Speaker 16: excellent with the so called big things, because excellence is

1975
01:19:05,960 --> 01:19:08,520
Speaker 16: not an exception, it is a prevailing attitude.

1976
01:19:08,760 --> 01:19:11,680
Speaker 1: Have a blessed day, breakfast card bitches, y'all finished or

1977
01:19:11,720 --> 01:19:12,160
Speaker 1: y'all done,