WEBVTT - #41: Skeery and Erectile Dysfunction, Brody and Airplane Dysfunction! 

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<v Speaker 1>Start Up, Star Up, Brooklyn Buy Start Up, Brooklyn Buys Data.

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<v Speaker 1>They make a noise Data up episode number it's the

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<v Speaker 1>Brooklyn Boys podcast. Hello, Hello, Roan, I just threw that

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<v Speaker 1>out there, he said, Lloyd Lindsay Young. There was a

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<v Speaker 1>weather guy in New York City we way back in

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<v Speaker 1>the day, and he would cut his ear and scream

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<v Speaker 1>into the television camera Hello. And he would hold it

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<v Speaker 1>for an obnoxious scond, and then you'd wait for your

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<v Speaker 1>town to be shouted out. You would pick a random

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<v Speaker 1>like an arbitrary city or in neighborhood. Yeah. But and

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<v Speaker 1>he was the weather guy, Lloyd Lindsay Young. Him three names,

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<v Speaker 1>Lloyd Lindsay Young, he could have killed somebody. Yeah, right.

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<v Speaker 1>Isn't it true that they say that people with three

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<v Speaker 1>names they're always the mass murderers, the ones with three names.

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<v Speaker 1>You know why that is, right, Mark David Chapman, Lee

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<v Speaker 1>Harvey Oswald, you know why that is? Son of Sam?

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<v Speaker 1>Sorry what okay? It's not that people with three names

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<v Speaker 1>kill people. It's that when there's a killer, they identify

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<v Speaker 1>them by three names. So it's not to confuse them

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<v Speaker 1>with other John Smith's. They try to more define who

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<v Speaker 1>they are, so Mark Chapman. It could be a hundred

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<v Speaker 1>Mark Chapman's, but they refer to him as Mark David

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<v Speaker 1>Chapman so that they would narrow the list down of

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<v Speaker 1>who is the guilty guy. So people who know other

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<v Speaker 1>Mark Chapman's won't go They want to be so specific. Right,

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<v Speaker 1>It's not that three name people kill people. It's the

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<v Speaker 1>other way around. Do you know right now? People are going,

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<v Speaker 1>what mind blown? It's not three name people. Everyone like

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<v Speaker 1>most people that have killed someone do have to everyone

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<v Speaker 1>has almost everyone is a middle name. But I was

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<v Speaker 1>in my studio of the studio yesterday with three of

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<v Speaker 1>my interns and we're all talking about middle names or something,

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<v Speaker 1>and one of my interns says, I don't have a

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<v Speaker 1>middle name. My father was just annoyed by having to

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<v Speaker 1>give so many names, and he just I don't have

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<v Speaker 1>a middle name. Yeah, I don't have one either, You don't. Nope?

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<v Speaker 1>What okay? Hold that thought, because that leads into what

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<v Speaker 1>I'm gonna say. But before you do, okay, Because so

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<v Speaker 1>I said to another intern, what's your middle name? Whatever?

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<v Speaker 1>And so so one of the girls says to me,

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<v Speaker 1>what's your middle name? I said, I don't really want

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<v Speaker 1>to discuss it. So the other girl says. The other

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<v Speaker 1>intern says, oh, do not have a middle name? And

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<v Speaker 1>I said if I didn't have a middle name. When

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<v Speaker 1>the first intern said I don't have a middle name,

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<v Speaker 1>wouldn't I have then said neither do I. It wouldn't

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<v Speaker 1>have been my opportunity to say so. The fact that

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<v Speaker 1>I didn't say that means I have a middle name.

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<v Speaker 1>How do you not have a middle name. I don't

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<v Speaker 1>have a middle name. I was not born with the

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<v Speaker 1>middle name. Nobody's born with the middle name, you douche.

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<v Speaker 1>My parents never the NICO. Look at my birthtificate. Witment.

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<v Speaker 1>What's your brother's middle name? I don't think he has

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<v Speaker 1>one either. What about your sister and everybody's that's the

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<v Speaker 1>most used middle name? Or Marie Marie? You know I

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<v Speaker 1>I will say that nobody names your kid and but

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<v Speaker 1>everyone gets the middle name. I got confirmed because I'm Catholic,

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<v Speaker 1>so I have a confirmation. I was confirmed Jewish. Someone

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<v Speaker 1>looked at me and said, yep, Jewish, I'm confirmative. That

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<v Speaker 1>guy looks for a good bargain. He confirmed confirmed Um

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<v Speaker 1>Anthony Peter Skery. Peter is my confirmation name, but it's

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<v Speaker 1>not my birth certificate name. I've never heard Peter, never

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<v Speaker 1>associated with you ever, because it was only a conference.

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<v Speaker 1>I don't even know why that. When I when I

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<v Speaker 1>got my confirmation that I had to pick a middle name,

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<v Speaker 1>but I did. They're like, we want you to pick

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<v Speaker 1>a confirmation name, so everyone had to be given. Why

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<v Speaker 1>did you pick Peter? Because of my uncle Peter? Because

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<v Speaker 1>I love him. He's great, he's a good man. He

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<v Speaker 1>was the guy that got me into uh, early forms

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<v Speaker 1>of two way communication. I thought you're gonna have like

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<v Speaker 1>a disease right there, early forms of dementia. Yeah, well, um, Lepers,

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<v Speaker 1>I'm sorry my arm fell off. Yeah, uh no, I had.

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<v Speaker 1>He got me into CB radio. Hold on, Leper, we apologize.

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<v Speaker 1>Don't look. You don't even have to say that. Don't

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<v Speaker 1>even give that to mabe fell off. They didn't hear us.

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<v Speaker 1>Nobody's a lepers. No lepers listening. I know, I don't

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<v Speaker 1>think so okay, Well, well, uncle Peter got me my

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<v Speaker 1>first walkie talkie and he got me into that, and

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<v Speaker 1>then I got into CB Radiosta you're here now? Yeah,

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<v Speaker 1>communications communication, two way communication. It wasn't it weird not

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<v Speaker 1>having a middle name like your initials. You don't have

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<v Speaker 1>like a no. I was ayes they were gonna name

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<v Speaker 1>me Salvatore. Yeah, they say ss no, thanks, yes, good

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<v Speaker 1>enough for me, Luigi B A L S. That's not good.

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<v Speaker 1>That's bad. That's bad. What about you? What's your middle name?

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<v Speaker 1>My middle initials? L L, David L. Brody? How many

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<v Speaker 1>years I know you're twenty years at least you never

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<v Speaker 1>knew your middle name Ludwig? Is it? No, it's got

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<v Speaker 1>to be something Jewish? Really, why Larry? Well, Peter is

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<v Speaker 1>not Italian? Yes see it is. No, Peter is not Italian. Pietro.

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<v Speaker 1>That's not definitely a Tian. Come on, yes it is?

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<v Speaker 1>So so wait you're not what's your l what's your name? Brodie?

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<v Speaker 1>Figure it out when I have a contest. No, let's

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<v Speaker 1>do it, because then I have to answer people on Twitter,

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<v Speaker 1>like everybody guessing my little name. So back to middle

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<v Speaker 1>names and murderers and mass murder past. I'll tell my

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<v Speaker 1>middle name is fine. Oh good, So that's a great

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<v Speaker 1>way to listen longer or just scrub ahead to the end.

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<v Speaker 1>I will say this. When I went to get my

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<v Speaker 1>driver's license, my lack of a little of a middle

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<v Speaker 1>name screwed me because Anthony Skiery was the name of

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<v Speaker 1>a mass murderer. Aren't you on like a no fly list,

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<v Speaker 1>a no drive list? Dave. Dave said they could not

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<v Speaker 1>give me my driver's license in in uh my local

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<v Speaker 1>d m V because they're even d m V as

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<v Speaker 1>a middle initial. It does M what's the M stand

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<v Speaker 1>for motor motor? Okay, So I'm just saying that I

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<v Speaker 1>had to travel about forty miles to like the main

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<v Speaker 1>State of New Jersey driver's license commissioned place wherever it

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<v Speaker 1>was it was. I had to drive forever to get there.

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<v Speaker 1>I don't have someone drive me because my life if

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<v Speaker 1>it was if it wasn't motor vehicle, it would be

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<v Speaker 1>just Department of Vehicles. It would still work. Like you

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<v Speaker 1>don't need a license for a skateboard. In Jersey. It's

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<v Speaker 1>called MVS Motor Vehicle Service. The MV is like that's

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<v Speaker 1>people called the DMV. So um, yeah, so they had

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<v Speaker 1>to put yeah, I don't know, they had to put

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<v Speaker 1>a special number and my driver's license because of the

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<v Speaker 1>Anthony Skiery of the same name. You should tell your

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<v Speaker 1>father and see what you did to me like this.

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<v Speaker 1>This dude is in jail somewhere, and he killed while

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<v Speaker 1>he's a killer because his father didn't give the middle name.

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<v Speaker 1>Probably resented life, and anyone out the middle name was

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<v Speaker 1>the middle name killer. I was around killing people in

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<v Speaker 1>the middle name. So first, do we apologize. No, if

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<v Speaker 1>we apologize, this means then we're not sorry. We don't

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<v Speaker 1>hard on because if we apologize, that means we did

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<v Speaker 1>something wrong. We're not admitted to doing anything wrong. But

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<v Speaker 1>explain what happened in the past two weeks, Brodie. Okay,

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<v Speaker 1>we tried twice to do two podcasts. We said we

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<v Speaker 1>would do two podcasts. We tried to do two podcasts

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<v Speaker 1>in one week. We were not able to do two

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<v Speaker 1>podcasts in one week. We were the intention was there? Yes, uh,

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<v Speaker 1>one day we were going to do the second podcast,

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<v Speaker 1>and you guys squeeze lemons and buckets for the lemonade

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<v Speaker 1>Alex's lemonade stand Charity and Greg t was in one

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<v Speaker 1>bucket and you were in the other buckets, stopping st

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<v Speaker 1>and you won because you were doing like short little

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<v Speaker 1>bursts of kicking and squeezing, and he was like chugging

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<v Speaker 1>and jumping up and down his lemon juice and lemon

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<v Speaker 1>pulp went all over the studio. I know it fell

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<v Speaker 1>out of the bucket. So they had a shampoo the

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<v Speaker 1>carpet when we needed the studio in the studio when

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<v Speaker 1>at the top. Yeah, I love how the the mandatory

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<v Speaker 1>email goes out like noon on Wednesday, shampooing of the rugs.

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<v Speaker 1>Hello here, ye here yea, that's our podcast time, right?

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<v Speaker 1>What about us? Why don't they ask us? We could

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<v Speaker 1>have put up with the lemon smell, although the lemons

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<v Speaker 1>were right where I'm saying. So that was week one. Sorry,

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<v Speaker 1>so you didn't get that last week? Well, the week

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<v Speaker 1>before that we was supposed to give them. We had that,

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<v Speaker 1>We had our first appearance, didn't we What that was after?

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<v Speaker 1>I can't forget. I can't remember. It's actually very a

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<v Speaker 1>bit much more. Here's the thing, it's it's a lot

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<v Speaker 1>of time to do the podcast, so we have to

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<v Speaker 1>have the time. Do you want a seventy minute podcast

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<v Speaker 1>or do you want a seventeen minute podcast? We can

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<v Speaker 1>do two thirties, but that's cheating, um, if we could

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<v Speaker 1>sign it off right now and do the other one.

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<v Speaker 1>Sometimes times we don't have a studio to do the

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<v Speaker 1>podcast in or the time anyway, by the way, we

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<v Speaker 1>almost didn't have one today. Yeah. So here this thing here,

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<v Speaker 1>do you hear that? This thing that's a big light stand.

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<v Speaker 1>There's all there's cameras and uh, these arefessional, these lights

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<v Speaker 1>are reflectors. He's a professional Hollywood of lights. Big did

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<v Speaker 1>a big white bright lights right, Because you were supposed

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<v Speaker 1>to film something I was and we're like, oh, well

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<v Speaker 1>you'll film and then we'll uh, we'll do the podcast.

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<v Speaker 1>So we waited like an hour. They never filmed. And

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<v Speaker 1>then you get an email if the guy's like, oh,

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<v Speaker 1>the guy who was in charge of filming, he's out,

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<v Speaker 1>what what happened? Deck to me? His directed me? What's

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<v Speaker 1>he getting? Um? Fuck you act to me? Yeah? Yeah,

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<v Speaker 1>he's got one of the deck to me things. Yeah,

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<v Speaker 1>he was a deck to you. He didn't come in,

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<v Speaker 1>but he didn't tell me he was coming. So now

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<v Speaker 1>we have all this equipment in the way. I had

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<v Speaker 1>to move it to see you. I'm okay with it.

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<v Speaker 1>So we don't get and tomorrow, which is Thursday, Yeah,

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<v Speaker 1>we are doing We're having a two hour at least

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<v Speaker 1>minimum goodbye party for bald Freak Ranti. He wanted to

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<v Speaker 1>come in here and say goodbye by the way, I should. Yeah,

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<v Speaker 1>I mean we got to give him some. Yeah, well

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<v Speaker 1>we'll get we'll get a little bit later. Yeah, because

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<v Speaker 1>because you know, bald Freak has been you know, he's

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<v Speaker 1>been in our family for years, and he's been on

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<v Speaker 1>the show for twenty years in the background, producing great content.

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<v Speaker 1>And next week and listen to this podcast, Yes, next

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<v Speaker 1>week were is? The week of eighteen is way back

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<v Speaker 1>Ronnie Week. It's all Ronnie's phone taps where we tag

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<v Speaker 1>team know the people. You'll hear Ronnie phone taps all

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<v Speaker 1>week and he's great. So it's Ronnie and one of us,

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<v Speaker 1>although I think yours is gonna get cut Brodie. Russian

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<v Speaker 1>phone tap. No, not you and Russia did a phone tap.

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<v Speaker 1>Don't cut my phone tap, Ronnie. Yeah, hell out of here.

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<v Speaker 1>I'll tell you why. I'm gonna shut the mikes for

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<v Speaker 1>a lot. People are too sensitive. Bullshit, bullshit. I had

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<v Speaker 1>to tell Brodie with the mikes off. Okay, here's the thing.

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<v Speaker 1>I actually I asked for it. I put in order

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<v Speaker 1>it for it to be produced. We'll see if it

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<v Speaker 1>gets produced and if it gets by the sense. If not,

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<v Speaker 1>we'll have to post it and air it. I'm sorry. Start.

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<v Speaker 1>By the way, I'm just starting to think about a

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<v Speaker 1>new feature here being one of them being running phone

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<v Speaker 1>taps unedited with all the curses in it here on

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<v Speaker 1>our podcast we have no I have I have some

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<v Speaker 1>phone taps like these phone taps from years and years ago.

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<v Speaker 1>They're unedited with with all the raw cursing, and our

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<v Speaker 1>listeners have been asking, can we not sponsored? Can we

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<v Speaker 1>I'm not sponsored? Can we not highlight one? Here's why

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<v Speaker 1>I'm thinking, I'm not sure about that. Some of the

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<v Speaker 1>people that we phone tapped are really old ones. I

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<v Speaker 1>get it they but my point is those people we tapped,

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<v Speaker 1>I don't know, seven, eight years, three years, whatever it was,

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<v Speaker 1>I got old audio. Okay, those people didn't give permission

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<v Speaker 1>for us to hear them uncensored. So as long as

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<v Speaker 1>they don't get upset, I mean, I'm okay with it.

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<v Speaker 1>But some of those people said some vile ship like

0:11:38.000 --> 0:11:40.719
<v Speaker 1>the the phone tap where I I call as the

0:11:40.800 --> 0:11:43.679
<v Speaker 1>Indian man calling the Irish guy. He said, some ship

0:11:43.760 --> 0:11:48.040
<v Speaker 1>we could never air anywhere anywhere like that one. You can't,

0:11:48.280 --> 0:11:50.240
<v Speaker 1>you can't, but we could do it on this podcast.

0:11:51.240 --> 0:11:53.400
<v Speaker 1>Why not? No? You know the things you took out

0:11:53.440 --> 0:11:58.439
<v Speaker 1>of that thing. No. No, there's also one where um,

0:11:58.920 --> 0:12:03.920
<v Speaker 1>a girl screaming and agonizing about not getting her limousine

0:12:03.960 --> 0:12:07.400
<v Speaker 1>for prom and it never it never aired on the radio.

0:12:07.600 --> 0:12:10.040
<v Speaker 1>I've got it aired in another format on a on

0:12:10.120 --> 0:12:12.640
<v Speaker 1>an old TV show, but I had the uniting audio

0:12:12.720 --> 0:12:17.760
<v Speaker 1>of her screaming at her father. I want a fucking level.

0:12:20.600 --> 0:12:23.679
<v Speaker 1>I took away her problems would be screaming like a

0:12:23.840 --> 0:12:27.160
<v Speaker 1>little The one that we aired on our TV show Phone.

0:12:27.280 --> 0:12:29.600
<v Speaker 1>We can tell people that's the well, yeah, that's the one.

0:12:29.679 --> 0:12:33.040
<v Speaker 1>But it's an unedited Okay, the unedited version of the

0:12:33.120 --> 0:12:36.160
<v Speaker 1>woman I phone tapped about the catering hole. Yeah. I

0:12:36.320 --> 0:12:38.920
<v Speaker 1>said things to that woman that are so horrific, Yeah,

0:12:39.120 --> 0:12:42.800
<v Speaker 1>so sexually disgusting. Yeah that we couldn't even feep it

0:12:43.480 --> 0:12:47.000
<v Speaker 1>if we aired that. It's unedited form is off the charts. Funny.

0:12:47.080 --> 0:12:48.679
<v Speaker 1>So one of our little secrets when we do these

0:12:48.720 --> 0:12:51.280
<v Speaker 1>phone taps, and I'm assuming everyone here listens to us

0:12:51.679 --> 0:12:54.400
<v Speaker 1>here and the big show, Yeah, but if you don't,

0:12:54.480 --> 0:12:57.079
<v Speaker 1>we do these practical joke phone phone calls called the

0:12:57.120 --> 0:13:00.400
<v Speaker 1>phone taps, every morning and they're highly edited, unvetted to

0:13:00.520 --> 0:13:01.880
<v Speaker 1>make sure they go on the radio. They have to

0:13:01.920 --> 0:13:03.679
<v Speaker 1>be radio but it is that would be beat the

0:13:03.720 --> 0:13:06.520
<v Speaker 1>profanity and the sexual and it's too sexually. But but

0:13:06.800 --> 0:13:09.599
<v Speaker 1>there were little little ways that Brody and I and

0:13:09.760 --> 0:13:12.679
<v Speaker 1>some of us who do these phone pranks how we

0:13:13.160 --> 0:13:15.400
<v Speaker 1>get to people that we needle people to get them

0:13:15.400 --> 0:13:18.280
<v Speaker 1>to the next level of anger and screaming. We would

0:13:18.320 --> 0:13:21.400
<v Speaker 1>say the most over the top vile things to them,

0:13:22.080 --> 0:13:24.679
<v Speaker 1>and then we would cut that out or make it

0:13:24.800 --> 0:13:26.880
<v Speaker 1>less vile when we put it on the radio. For

0:13:27.400 --> 0:13:29.240
<v Speaker 1>the stuff that we said on our side of it,

0:13:29.720 --> 0:13:31.880
<v Speaker 1>that's a little little behind the scenes, little breaking the

0:13:31.920 --> 0:13:35.160
<v Speaker 1>fourth wall. So so I might have I might have

0:13:35.200 --> 0:13:39.000
<v Speaker 1>actually come right out and I called somebody something that's

0:13:39.080 --> 0:13:41.360
<v Speaker 1>over the top, but when you hear on the radio,

0:13:41.559 --> 0:13:44.000
<v Speaker 1>it might have been maybe a little less time we

0:13:44.160 --> 0:13:46.760
<v Speaker 1>we aired a phone tap, were a tap. That's the

0:13:46.800 --> 0:13:48.679
<v Speaker 1>best way I could describe. Okay, So there was one

0:13:48.720 --> 0:13:51.280
<v Speaker 1>phone tap from the TV show The Sexual the Sex

0:13:51.679 --> 0:13:54.959
<v Speaker 1>Uh was it the sex Teacher? Yeah? Right? So I

0:13:55.080 --> 0:13:57.160
<v Speaker 1>I called that guy and told him that I was

0:13:57.200 --> 0:13:59.520
<v Speaker 1>having sex with his wife because she wanted to get

0:13:59.520 --> 0:14:01.440
<v Speaker 1>better at s with him because she was uptight about

0:14:01.480 --> 0:14:05.959
<v Speaker 1>certain things. And I I told him the crazy ship

0:14:06.080 --> 0:14:08.160
<v Speaker 1>I was doing to his wife but as a doctor,

0:14:08.240 --> 0:14:10.480
<v Speaker 1>very clinically, I said, oh yeah, your wife and I

0:14:10.559 --> 0:14:12.679
<v Speaker 1>are doing this and I'm doing that to horror and

0:14:12.720 --> 0:14:14.719
<v Speaker 1>I'm sticking it where and here we could say it.

0:14:14.840 --> 0:14:17.520
<v Speaker 1>This is a podcast, I know. I let them hear

0:14:17.520 --> 0:14:18.959
<v Speaker 1>it though, like if we're gonna air it, we should

0:14:18.960 --> 0:14:20.360
<v Speaker 1>air it. I don't want to give away anything can

0:14:20.800 --> 0:14:23.160
<v Speaker 1>And I said that woman, the paintering hole woman. She

0:14:23.320 --> 0:14:25.680
<v Speaker 1>was I think she was almost sixty and she was

0:14:25.680 --> 0:14:28.480
<v Speaker 1>getting remarried. And I said, so your honeymoon night are

0:14:28.480 --> 0:14:30.880
<v Speaker 1>you gonna do blank? Blank blank? I said, woman, your age?

0:14:30.920 --> 0:14:33.360
<v Speaker 1>Does that? You take it in the what? I said?

0:14:33.440 --> 0:14:37.960
<v Speaker 1>Some things? And she was Her response was hilarious. So

0:14:38.080 --> 0:14:39.880
<v Speaker 1>why can't we got to find the audio? It's on

0:14:39.960 --> 0:14:45.800
<v Speaker 1>an old sun legal No, we will. So we uh

0:14:45.920 --> 0:14:48.080
<v Speaker 1>we we did some things over the past week. We

0:14:48.200 --> 0:14:50.200
<v Speaker 1>got our first appearance under our belt. We went to

0:14:50.440 --> 0:14:53.120
<v Speaker 1>uh Brooklyn Bridge Park where we did a concert call

0:14:53.200 --> 0:14:55.400
<v Speaker 1>from Brooklyn with love and you know, thank you for

0:14:55.440 --> 0:14:57.560
<v Speaker 1>those who came out. It was kind of last minute notice,

0:14:57.640 --> 0:14:59.080
<v Speaker 1>so we had a lot of people from the who

0:14:59.160 --> 0:15:01.000
<v Speaker 1>listened to the podcast. We're coming up going I listen

0:15:01.040 --> 0:15:03.640
<v Speaker 1>in order. I love you guys. We love that you

0:15:03.720 --> 0:15:05.880
<v Speaker 1>listen in order. But it was our first the Brooklyn

0:15:05.960 --> 0:15:09.480
<v Speaker 1>Boys appearance. Yeah, and they had it wasn't it wasn't

0:15:09.520 --> 0:15:12.000
<v Speaker 1>a show that was created for the Brooklyn Boys, but

0:15:12.080 --> 0:15:15.120
<v Speaker 1>it was a show about Brooklyn for Brooklyn in Brooklyn,

0:15:15.200 --> 0:15:16.920
<v Speaker 1>and they said, you know what, let's get the Brooklyn

0:15:16.960 --> 0:15:19.440
<v Speaker 1>Boys to host it. So that to me counsel that

0:15:19.480 --> 0:15:23.520
<v Speaker 1>first appear. We had Daughtry and we had Jack Antonoff

0:15:23.680 --> 0:15:26.040
<v Speaker 1>from Bleachers, who, by the way, has moved up my

0:15:26.160 --> 0:15:28.160
<v Speaker 1>list to one of my favorite people on the planet.

0:15:28.400 --> 0:15:31.560
<v Speaker 1>But my favorite, he's not the favorite. So he wants

0:15:31.600 --> 0:15:37.120
<v Speaker 1>to get better. That's good. If you don't know Bleachers,

0:15:37.160 --> 0:15:38.560
<v Speaker 1>you didn't get that joke because that was but that

0:15:38.640 --> 0:15:40.320
<v Speaker 1>was fun. Okay, that was good. It's not fun, but

0:15:40.360 --> 0:15:42.720
<v Speaker 1>it was fun. So so yeah, that was a great time.

0:15:42.800 --> 0:15:46.720
<v Speaker 1>And then Daughtry. That was fun. Fun because we are young.

0:15:47.240 --> 0:15:50.960
<v Speaker 1>Jack Antonof wrote all of the music he's in. He's

0:15:51.000 --> 0:15:55.640
<v Speaker 1>one third of Fun. He's thirty fun yes anyway, but

0:15:55.720 --> 0:15:57.840
<v Speaker 1>he's great. We're gonna go see him at his big show,

0:15:58.840 --> 0:16:01.440
<v Speaker 1>the Jersey Short Stone Poem at the Stone Pony. He's

0:16:01.440 --> 0:16:03.200
<v Speaker 1>gonna be there. We're gonna host that one. No, but

0:16:03.280 --> 0:16:05.600
<v Speaker 1>we're going he has Very Boys, Yeah, because he said

0:16:05.640 --> 0:16:07.600
<v Speaker 1>that's his favorite show over year. So he said, he

0:16:07.680 --> 0:16:09.040
<v Speaker 1>told us we have to come to that. They're gonna

0:16:09.080 --> 0:16:13.000
<v Speaker 1>get that gig that has Very Boys podcast. Those guys suck.

0:16:13.160 --> 0:16:16.040
<v Speaker 1>So yeah, so it was a great time. We love.

0:16:16.080 --> 0:16:18.760
<v Speaker 1>They put our logo on the giant TV screen on

0:16:18.840 --> 0:16:21.680
<v Speaker 1>the stage and I put it up on our Instagram.

0:16:21.760 --> 0:16:24.160
<v Speaker 1>By the way, we need help on Instagram. You can

0:16:24.200 --> 0:16:27.360
<v Speaker 1>always follow us at the Brooklyn Boys at the Brooklyn

0:16:27.400 --> 0:16:31.640
<v Speaker 1>Boys on Instagram. We could also use you at at

0:16:31.680 --> 0:16:34.760
<v Speaker 1>the Brooklyn Boys um on Facebook our Facebook page, follow

0:16:34.840 --> 0:16:38.680
<v Speaker 1>that Brooklyn Boys WTF on Twitter? Okay, when is that

0:16:38.760 --> 0:16:41.760
<v Speaker 1>getting changed? Okay? Speaking of changed, I am now at

0:16:41.840 --> 0:16:43.640
<v Speaker 1>David Brodie on Twitter. I told you that last week.

0:16:43.880 --> 0:16:46.200
<v Speaker 1>I'm also now at David Brodie on Instagram. I got

0:16:46.280 --> 0:16:51.200
<v Speaker 1>him botham screw you other David Brody, screw you twelve

0:16:51.280 --> 0:16:53.720
<v Speaker 1>year old kid who had no posts and thirty two

0:16:53.800 --> 0:16:57.000
<v Speaker 1>followers that I'm sure we're people who thought he was me. Ye, well,

0:16:57.040 --> 0:16:59.440
<v Speaker 1>I'm not trying to get maybe thirty of them. And

0:16:59.520 --> 0:17:01.640
<v Speaker 1>speaking of podcasts, I want to give a big shout

0:17:01.680 --> 0:17:04.639
<v Speaker 1>out to Walkers and Talkers. Our new episode one Oh

0:17:04.760 --> 0:17:07.719
<v Speaker 1>nine is up the time you're hearing this. That's awesome.

0:17:07.920 --> 0:17:11.800
<v Speaker 1>Season mid season finale of Fear The Walking Dead, Season

0:17:11.880 --> 0:17:16.360
<v Speaker 1>four major events happened. What happens when the entire franchise

0:17:16.440 --> 0:17:18.960
<v Speaker 1>comes to an end? Then what the Brooklyn Boys? The

0:17:19.000 --> 0:17:21.000
<v Speaker 1>Walking Down? You know what happens to The Walking Dead.

0:17:21.080 --> 0:17:23.600
<v Speaker 1>First of all, the show is not gonna end anytime soon.

0:17:23.800 --> 0:17:26.879
<v Speaker 1>Sure spinoff isn't ending anytime soon. And they've already agreed

0:17:26.880 --> 0:17:29.040
<v Speaker 1>AMC owns the right, so they're gonna keep putting spinoffs

0:17:29.080 --> 0:17:31.480
<v Speaker 1>out like Law and Order. It will be a problem. Also,

0:17:31.680 --> 0:17:34.639
<v Speaker 1>we review other programs on AMC, like Preacher. We'll keep

0:17:34.680 --> 0:17:36.720
<v Speaker 1>doing an event if if all the Walking Dead shows

0:17:36.720 --> 0:17:39.960
<v Speaker 1>are gone, I got this to fall back on. So

0:17:40.040 --> 0:17:42.560
<v Speaker 1>before you check out that podcast, check out Speaking Volume

0:17:43.440 --> 0:17:46.800
<v Speaker 1>Everybody Going Order Speaking Volumes with Share and Scary. Uh

0:17:47.440 --> 0:17:50.919
<v Speaker 1>my friend Chary Cosenza, she's awesome. We're up to episode

0:17:51.000 --> 0:17:53.360
<v Speaker 1>number eleven, which should be out either today when you're

0:17:53.400 --> 0:17:56.560
<v Speaker 1>hearing this, or tomorrow. But the good news is where

0:17:56.600 --> 0:17:59.959
<v Speaker 1>can I hear that? As of today, you can hear

0:18:00.200 --> 0:18:03.119
<v Speaker 1>on iTunes. We've made our way to iTunes. You can

0:18:03.200 --> 0:18:05.920
<v Speaker 1>hear it on iTunes, Google Play, I Heart Radio and

0:18:06.119 --> 0:18:10.040
<v Speaker 1>speaker like the way you put on radio third. Well,

0:18:10.960 --> 0:18:14.240
<v Speaker 1>I'm it's a countdown three to one, Oh good, three

0:18:14.280 --> 0:18:18.040
<v Speaker 1>to one, and then you said speaker though one three

0:18:18.080 --> 0:18:21.560
<v Speaker 1>to one, you made I Heart Radio two. Okay? Company

0:18:21.600 --> 0:18:24.359
<v Speaker 1>we work for? Yeah, well anyway, and then we technically

0:18:24.400 --> 0:18:27.439
<v Speaker 1>work for I Heart Media. But I heard Speaking Volumes

0:18:27.480 --> 0:18:30.760
<v Speaker 1>podcast with Sharon Scary EPs. I would like say, Walkers

0:18:30.760 --> 0:18:33.080
<v Speaker 1>and Talkers available on I Heart Radio, and I don't

0:18:33.119 --> 0:18:34.719
<v Speaker 1>care after that? How about that? Because I'm a company man,

0:18:35.240 --> 0:18:38.840
<v Speaker 1>I see how it is. Yeah. Uh oh, episode nine

0:18:39.560 --> 0:18:43.320
<v Speaker 1>of Speaking Volumes with Scary Jones and Share I understand

0:18:43.320 --> 0:18:48.440
<v Speaker 1>you talk about dick planning scheduling nine or ten? It was, Yeah,

0:18:48.440 --> 0:18:51.520
<v Speaker 1>it was talking about the different seasons. There's the holding season,

0:18:51.600 --> 0:18:55.160
<v Speaker 1>coughing season, yeah, and the what's what's the other one?

0:18:55.320 --> 0:18:58.880
<v Speaker 1>It's coughing, fielding, fielding. There's a third one in there. Anyway,

0:18:59.000 --> 0:19:01.920
<v Speaker 1>girl apparently girls making d appointments right now? Uh so,

0:19:02.000 --> 0:19:03.760
<v Speaker 1>I don't remember what number was, but it's excellent. So

0:19:03.840 --> 0:19:06.639
<v Speaker 1>I'm recommending you go see it. You go listen to it. Yeah, well, anyway,

0:19:06.680 --> 0:19:08.280
<v Speaker 1>after you listen to Walkers and Talkers one or nine,

0:19:08.920 --> 0:19:11.879
<v Speaker 1>are you making your disappointment. I'm doing that right now.

0:19:12.040 --> 0:19:17.280
<v Speaker 1>You well that that are we supposed to elaborate on

0:19:17.320 --> 0:19:19.760
<v Speaker 1>that or what people need to know what that is? Well,

0:19:19.760 --> 0:19:22.600
<v Speaker 1>they need to go listen to the podcast. The girls

0:19:22.640 --> 0:19:25.760
<v Speaker 1>are scheduling like guys to sleep with. Yeah, different guys. Yeah,

0:19:26.359 --> 0:19:31.600
<v Speaker 1>I'm gonna have this guy on Thursday. Okay, why can't

0:19:31.640 --> 0:19:33.640
<v Speaker 1>I make a V appointment? Could you make a double

0:19:33.680 --> 0:19:35.920
<v Speaker 1>D appointment like in one day, like two d's. I

0:19:35.960 --> 0:19:39.160
<v Speaker 1>don't think in one day or in one one day? Yeah,

0:19:39.480 --> 0:19:43.200
<v Speaker 1>double if you double, triple D whatever, triple D. Yeah

0:19:43.720 --> 0:19:46.119
<v Speaker 1>you can have guy Fieria as part of this. Yeah, drivers,

0:19:46.160 --> 0:19:48.360
<v Speaker 1>din diners, drive ins and dives. Well anyway, but yeah,

0:19:48.480 --> 0:19:51.560
<v Speaker 1>people are doing horse sauce all over that. Women are

0:19:51.600 --> 0:19:54.440
<v Speaker 1>women are doing that. But guys don't make the appointment. No,

0:19:54.560 --> 0:19:58.280
<v Speaker 1>you can't know. I can't do that. It would be

0:19:58.280 --> 0:20:00.920
<v Speaker 1>pe appointments, p appointments. Oh, I don't call him PAS,

0:20:00.960 --> 0:20:04.680
<v Speaker 1>I call him VS. Really. Yeah, I'm trying to be

0:20:04.880 --> 0:20:08.680
<v Speaker 1>you know, clinical class and crazy Bill Night the science guys.

0:20:08.720 --> 0:20:12.040
<v Speaker 1>I wanna be classy as I scheduled my women like objects.

0:20:12.040 --> 0:20:18.400
<v Speaker 1>I'm gonna be yeah. Oh, speaking of speaking of d's,

0:20:18.560 --> 0:20:21.560
<v Speaker 1>I want to talk about where are we going with this?

0:20:21.720 --> 0:20:22.959
<v Speaker 1>So I want to talk about I want, I got,

0:20:23.000 --> 0:20:28.200
<v Speaker 1>I got a mini, I gotta by your wife. Yeah, okay,

0:20:28.520 --> 0:20:32.960
<v Speaker 1>all right, what did you want to say about that?

0:20:33.600 --> 0:20:36.399
<v Speaker 1>I think we're going for the erectile dysfunction commercial that

0:20:36.880 --> 0:20:38.000
<v Speaker 1>I first of all, I want to give a shout

0:20:38.040 --> 0:20:40.040
<v Speaker 1>out to a company that did the right thing. That's

0:20:40.080 --> 0:20:43.719
<v Speaker 1>not normal for me, That's not usual Andrew Carnegie moment. Yes,

0:20:43.960 --> 0:20:47.760
<v Speaker 1>Andrew Carnegie was known for catching someone doing something right. So, uh,

0:20:48.160 --> 0:20:50.240
<v Speaker 1>one of my kids decided she wanted to play with

0:20:50.400 --> 0:20:55.199
<v Speaker 1>the Xbox that's been gathering dust Xbox one a few

0:20:55.280 --> 0:20:58.800
<v Speaker 1>years old and playing a while, and the batteries had corroded.

0:20:58.840 --> 0:21:01.119
<v Speaker 1>There was acid in a little bad to repack, and

0:21:01.320 --> 0:21:03.520
<v Speaker 1>I cleaned it all out, but it still wouldn't work.

0:21:03.920 --> 0:21:06.440
<v Speaker 1>Put batteries in, tried, everything couldn't get to work. So

0:21:06.520 --> 0:21:07.840
<v Speaker 1>I didn't know if it was the control of that

0:21:07.920 --> 0:21:09.560
<v Speaker 1>has gone bad in the year and half since she

0:21:09.680 --> 0:21:12.160
<v Speaker 1>used it, or if the acid ruined the battery pack

0:21:12.200 --> 0:21:14.320
<v Speaker 1>which detaches. Oh my god, do I order a new

0:21:14.320 --> 0:21:16.159
<v Speaker 1>battery pack or do you have to replace the remote?

0:21:16.359 --> 0:21:21.280
<v Speaker 1>Because they're expensive? So I called up my local game stop, MHM,

0:21:21.800 --> 0:21:26.760
<v Speaker 1>game stop, game stop. Shout out Livingston Mall, New Jersey. Good.

0:21:26.880 --> 0:21:28.320
<v Speaker 1>So I went into. I called up and I said,

0:21:28.359 --> 0:21:31.840
<v Speaker 1>here's my situation. You have used controllers and battery packs. Yep,

0:21:31.880 --> 0:21:34.040
<v Speaker 1>we've got both. Come on in. So I go on

0:21:34.160 --> 0:21:37.160
<v Speaker 1>in and uh, there's one guy behind the register. He's

0:21:37.160 --> 0:21:40.280
<v Speaker 1>got a long line. Another guy kind of uh. I

0:21:40.320 --> 0:21:43.640
<v Speaker 1>think it was a beard, maybe long hair. And I said,

0:21:43.680 --> 0:21:45.280
<v Speaker 1>excuse me, can I get your assistance for a second

0:21:45.320 --> 0:21:47.680
<v Speaker 1>when you're finished helping the customer you're with now? And

0:21:47.760 --> 0:21:49.240
<v Speaker 1>he says, well, I was about to leave, but the

0:21:49.240 --> 0:21:51.680
<v Speaker 1>guy at the register is really busy, so yeah, absolutely,

0:21:51.720 --> 0:21:53.879
<v Speaker 1>what can I do for you? You'll be my last customer. So,

0:21:54.119 --> 0:21:56.760
<v Speaker 1>first of all, he wanted to leave. I think I

0:21:56.800 --> 0:21:59.760
<v Speaker 1>got there like let's say, four o'clock, like he should

0:21:59.800 --> 0:22:02.520
<v Speaker 1>have everything good, so he should have gone, but he

0:22:02.560 --> 0:22:06.600
<v Speaker 1>didn't leave. He helped me out. So he gives me

0:22:06.640 --> 0:22:08.560
<v Speaker 1>the battery pack. He said, try it out. He said,

0:22:08.600 --> 0:22:12.159
<v Speaker 1>it's not the battery pack for you. Oh tell me

0:22:12.320 --> 0:22:19.480
<v Speaker 1>something good, nice miss something? Yeah, very good? So wait,

0:22:19.560 --> 0:22:24.400
<v Speaker 1>wait for the course. Does keep going all right? Flour

0:22:24.400 --> 0:22:27.119
<v Speaker 1>a little bit? So he says, you know what I

0:22:27.200 --> 0:22:30.760
<v Speaker 1>have a cable. You can attach to the the the

0:22:31.000 --> 0:22:34.200
<v Speaker 1>controller because it's a wireless controller. If you want an adapter,

0:22:35.080 --> 0:22:38.840
<v Speaker 1>or you can buy the rechargeable battery pack, plug it in,

0:22:39.040 --> 0:22:40.679
<v Speaker 1>charge it. You don't have to worry about batteries anymore.

0:22:41.680 --> 0:22:43.800
<v Speaker 1>That's fantastic. I don't even know about that. He's but

0:22:43.880 --> 0:22:46.480
<v Speaker 1>here's a here's a battery pack. It's normally like four bucks.

0:22:46.760 --> 0:22:48.720
<v Speaker 1>It's used. I had a bunch of them. Put your

0:22:48.760 --> 0:22:50.520
<v Speaker 1>batteries in this and see if your remote works. I

0:22:50.600 --> 0:22:52.480
<v Speaker 1>put the road with me. I put the batteries in

0:22:53.640 --> 0:22:56.840
<v Speaker 1>and it works. Right. He goes, you know what, no charge,

0:22:56.920 --> 0:22:58.720
<v Speaker 1>take the battery pack, get out of here. Thanks for

0:22:58.760 --> 0:23:00.640
<v Speaker 1>a good day. Really, I'm like, what are you kidding?

0:23:00.640 --> 0:23:02.679
<v Speaker 1>I know a few dollars, no charge? No, I go, well,

0:23:02.720 --> 0:23:04.000
<v Speaker 1>don't you want me to buy the cable and then

0:23:04.000 --> 0:23:05.679
<v Speaker 1>were charging me? Because no, If you want to come

0:23:05.680 --> 0:23:07.760
<v Speaker 1>back and get tons of him, he wouldn't take your money.

0:23:08.240 --> 0:23:10.360
<v Speaker 1>Now he goes it, they're not worth anything. I think

0:23:10.400 --> 0:23:12.919
<v Speaker 1>he said, you know what I'm gonna do, tell us

0:23:12.960 --> 0:23:21.000
<v Speaker 1>bough stop. Well the guy didn't go home. Not a sponsor,

0:23:21.160 --> 0:23:23.560
<v Speaker 1>not sponsor. The guy didn't go home, even though he

0:23:23.640 --> 0:23:25.600
<v Speaker 1>was technically done for the day. Come on, Bertie. He

0:23:25.680 --> 0:23:31.960
<v Speaker 1>spent ten minutes with me game Stop, and he gave

0:23:32.000 --> 0:23:33.800
<v Speaker 1>me the piece of free because it wasn't worth selling.

0:23:33.840 --> 0:23:35.720
<v Speaker 1>He's like, it's like, what gonna charge you? We love you,

0:23:35.880 --> 0:23:39.359
<v Speaker 1>game Stop, so thank you. Games stopped living anymore. And

0:23:39.440 --> 0:23:43.040
<v Speaker 1>I tweeted the company and they said thanks for letting

0:23:43.119 --> 0:23:45.560
<v Speaker 1>us know. So I wrote back, and I go great.

0:23:46.040 --> 0:23:49.000
<v Speaker 1>Now someone needs to call and reward this guy, because

0:23:49.080 --> 0:23:52.840
<v Speaker 1>just letting you know, you know, guy doing social media

0:23:52.880 --> 0:23:56.880
<v Speaker 1>for games Stop. You're not gonna write it down here

0:23:56.880 --> 0:23:59.000
<v Speaker 1>just like thanks for the You know, this is an

0:23:59.040 --> 0:24:06.040
<v Speaker 1>anti rant. It's anti rant. It's a that's awesome. Now,

0:24:06.040 --> 0:24:08.280
<v Speaker 1>please don't tweet and ask me what a tanars. No,

0:24:08.400 --> 0:24:11.240
<v Speaker 1>it's backwards backward rant. But I do have I have

0:24:11.320 --> 0:24:13.560
<v Speaker 1>a car. I have rants. Today. I got two short

0:24:13.640 --> 0:24:15.080
<v Speaker 1>rants and I got one that's gonna take a while.

0:24:15.880 --> 0:24:17.919
<v Speaker 1>Al Right, well what if you want to do? Man? Well,

0:24:18.080 --> 0:24:19.240
<v Speaker 1>you know I'm not wait until the end when we

0:24:19.280 --> 0:24:21.159
<v Speaker 1>said we runt of time. No, no, we can get

0:24:21.200 --> 0:24:23.520
<v Speaker 1>to think. I do want to know about what's up

0:24:23.560 --> 0:24:27.960
<v Speaker 1>with your with your shoelace tying technique. You are obsessed.

0:24:28.160 --> 0:24:30.119
<v Speaker 1>I am so obsessed. I talked about this on the

0:24:30.200 --> 0:24:32.399
<v Speaker 1>radio slightly the other day, but then I noticed that

0:24:32.440 --> 0:24:35.040
<v Speaker 1>you have this habit. We talked about fat guy laces

0:24:35.680 --> 0:24:37.879
<v Speaker 1>one of our first podcasts that if the laces are

0:24:37.920 --> 0:24:40.160
<v Speaker 1>off to the side, it's because the guy crossed his legs.

0:24:40.240 --> 0:24:42.800
<v Speaker 1>He can't go over the knee. That's fact. That's not

0:24:42.960 --> 0:24:45.680
<v Speaker 1>my I can do that. I can. But Brody, we're

0:24:45.720 --> 0:24:50.400
<v Speaker 1>taught as kids to tire shoelaces double bunny. Double. You're

0:24:50.440 --> 0:24:52.879
<v Speaker 1>taught as a double bunny. Where you want a bunny

0:24:53.040 --> 0:24:58.000
<v Speaker 1>is the bow, So one cross them, one underneath the

0:24:58.040 --> 0:25:02.760
<v Speaker 1>hole and you pull them. That that's double bunny. Not perfect, Okay,

0:25:02.920 --> 0:25:05.840
<v Speaker 1>why reinvent the wheel? All right, that's great when we're

0:25:05.840 --> 0:25:08.560
<v Speaker 1>taught to tie our shoelaces, but at some point you

0:25:08.640 --> 0:25:11.920
<v Speaker 1>got to give that up. Why Because that's for twelve

0:25:12.040 --> 0:25:14.000
<v Speaker 1>year olds. I think you're done. As a teenager. You

0:25:14.080 --> 0:25:17.399
<v Speaker 1>gotta learn how to tie your shoes using the single

0:25:17.480 --> 0:25:20.280
<v Speaker 1>bunny method. The single bunny you got it. I don't

0:25:20.280 --> 0:25:22.000
<v Speaker 1>even know how that. I just you make a loop,

0:25:22.080 --> 0:25:23.520
<v Speaker 1>you tell a string around that. I don't know what

0:25:23.640 --> 0:25:26.800
<v Speaker 1>that is. No, you take the two ends, you tie

0:25:26.880 --> 0:25:29.240
<v Speaker 1>them and you pull. Yeah. Everyone does that. Everyone. That's

0:25:29.240 --> 0:25:31.080
<v Speaker 1>the first staff, that the cross. And then you make

0:25:31.200 --> 0:25:33.600
<v Speaker 1>one ball, one ball, and then with your other hand

0:25:33.680 --> 0:25:36.480
<v Speaker 1>and the other string the other lace right, you take

0:25:36.920 --> 0:25:40.440
<v Speaker 1>you take it and you you tie it around a

0:25:40.640 --> 0:25:46.040
<v Speaker 1>full around the base of around once around the base

0:25:46.160 --> 0:25:48.440
<v Speaker 1>of the first b and then you do the pull

0:25:48.520 --> 0:25:51.199
<v Speaker 1>through and the second bow appears. And now you've got

0:25:51.280 --> 0:25:55.240
<v Speaker 1>two bows. But you're saying to take two bows while

0:25:55.800 --> 0:25:57.720
<v Speaker 1>the bows together, while you pulling a rabbit out of

0:25:57.720 --> 0:25:59.920
<v Speaker 1>a hat. And why is that cooler? Why is that bad?

0:26:00.320 --> 0:26:04.440
<v Speaker 1>It's just that's the more why you can't do double

0:26:04.480 --> 0:26:06.119
<v Speaker 1>bunny because it's too hard for you know, it's not

0:26:06.800 --> 0:26:10.359
<v Speaker 1>it takes more time. No, it doesn't double bow done. No,

0:26:11.040 --> 0:26:14.800
<v Speaker 1>I make bows with two fingers, both hands. But don't

0:26:14.840 --> 0:26:17.520
<v Speaker 1>you think that it's the guy. This is the guy

0:26:17.560 --> 0:26:19.480
<v Speaker 1>who told me I shouldn't use a bluetooth piece a

0:26:19.520 --> 0:26:22.800
<v Speaker 1>few weeks ago. And with hold on. But every time

0:26:23.000 --> 0:26:25.840
<v Speaker 1>you text me to call you, you say, call me

0:26:25.920 --> 0:26:28.520
<v Speaker 1>on my home phone, call me on my home phone. Well,

0:26:28.560 --> 0:26:32.240
<v Speaker 1>guess what, grumpy Grandpa, you'll use a landline in your house.

0:26:32.640 --> 0:26:35.120
<v Speaker 1>Nobody does that because I don't get service on myself.

0:26:35.280 --> 0:26:37.399
<v Speaker 1>I don't have service in my apartment. Okay, you know

0:26:37.480 --> 0:26:39.480
<v Speaker 1>what it sucks. That's why I use a bluetooth. I

0:26:39.560 --> 0:26:41.080
<v Speaker 1>want to hear people when I'm on the phone and

0:26:41.119 --> 0:26:42.720
<v Speaker 1>they call my hands on the wheel. I got stick

0:26:42.760 --> 0:26:45.359
<v Speaker 1>of sick of standing on my fucking balcony with my

0:26:45.440 --> 0:26:49.399
<v Speaker 1>cell phone to get a goddamn cell service. So my

0:26:49.440 --> 0:26:51.800
<v Speaker 1>shoelaces with single bunny when you move and switch to

0:26:51.880 --> 0:26:54.200
<v Speaker 1>a mobile phone, because every damn time I call you back,

0:26:54.240 --> 0:26:56.160
<v Speaker 1>you text me right. So I take out my tech

0:26:56.200 --> 0:26:58.240
<v Speaker 1>stapp It opens right, and your little a little bubble

0:26:58.280 --> 0:27:00.280
<v Speaker 1>pops up and says scary has a message me. When

0:27:00.280 --> 0:27:03.399
<v Speaker 1>you get a chance, I can hit the little phone icon. Boom,

0:27:03.680 --> 0:27:05.639
<v Speaker 1>it goes right to your cell phone. But no, I

0:27:05.760 --> 0:27:07.879
<v Speaker 1>gotta go into your contact and I gotta look for

0:27:07.960 --> 0:27:10.359
<v Speaker 1>your home number again and then hit the button. What's

0:27:10.520 --> 0:27:13.800
<v Speaker 1>four extra buttons? What's wrong with that? Us? Your damn

0:27:13.800 --> 0:27:15.479
<v Speaker 1>MO and I'm gonna call your mobile phone. I get

0:27:15.520 --> 0:27:17.639
<v Speaker 1>old man crotch and you get off my lawn, Rody.

0:27:17.720 --> 0:27:19.280
<v Speaker 1>I told you to call me all my host phone.

0:27:19.560 --> 0:27:21.920
<v Speaker 1>You always complain that I try to control people when

0:27:21.920 --> 0:27:24.160
<v Speaker 1>I say, don't text me back, and it text me back,

0:27:24.240 --> 0:27:26.080
<v Speaker 1>and you get you yelled at me on the fifteen

0:27:26.080 --> 0:27:28.959
<v Speaker 1>Minute Morning Show. By the way, episode two sixty two

0:27:29.000 --> 0:27:31.560
<v Speaker 1>with Elvis Duran fifte Minute Morning Show. Holy sh it,

0:27:31.720 --> 0:27:34.040
<v Speaker 1>that's funny. No, it's not funny. It's at my expense.

0:27:34.200 --> 0:27:36.280
<v Speaker 1>That's why it's funny, because all your motherfucker's are doing

0:27:36.320 --> 0:27:38.520
<v Speaker 1>is sitting there telling me that I'm an idiot for

0:27:38.920 --> 0:27:43.840
<v Speaker 1>for accepting the business rectile dysfunction. Scary, You're gonna scary

0:27:43.840 --> 0:27:46.680
<v Speaker 1>as he's most likely doing the rectile dysfunction commercials and

0:27:46.760 --> 0:27:49.320
<v Speaker 1>he claims he didn't have rectile dysfunction. Well, I don't

0:27:49.359 --> 0:27:52.520
<v Speaker 1>have a rectile this function. I'm just allegedly Okay. All

0:27:52.600 --> 0:27:54.920
<v Speaker 1>I said on the product works all I said on

0:27:54.960 --> 0:27:57.040
<v Speaker 1>that episode. And maybe we should play a little bit

0:27:57.080 --> 0:27:59.639
<v Speaker 1>it next time. I don't know, but think back and

0:27:59.720 --> 0:28:02.680
<v Speaker 1>listen episode two sixty two of the Fifteen Minute Morning Show.

0:28:02.760 --> 0:28:07.040
<v Speaker 1>It's from it's from June twelfth. Here's what I'll say

0:28:07.080 --> 0:28:10.120
<v Speaker 1>on that hilarious And it's hilarious. But I'm not gonna

0:28:10.160 --> 0:28:12.080
<v Speaker 1>get into it here too much. I just want to

0:28:12.119 --> 0:28:16.080
<v Speaker 1>clear my good name, okay, but I'm not saying no.

0:28:17.240 --> 0:28:20.240
<v Speaker 1>First of all, to people write to people who have E.

0:28:20.359 --> 0:28:22.760
<v Speaker 1>D Alaric tell this function. We'll call E D from

0:28:22.800 --> 0:28:27.639
<v Speaker 1>here on out. Thanks to people who have that. That's okay,

0:28:28.040 --> 0:28:32.920
<v Speaker 1>it's fine. A lot a lot of people have it,

0:28:33.320 --> 0:28:36.480
<v Speaker 1>and there's something wrong with it. No, about a second,

0:28:36.720 --> 0:28:40.320
<v Speaker 1>I don't have it, right, I don't. But allegedly I

0:28:40.400 --> 0:28:43.760
<v Speaker 1>don't mind talking about this because, as Elvis said, it

0:28:43.840 --> 0:28:46.840
<v Speaker 1>shouldn't be a taboo top not taboo. There's too many taboos.

0:28:46.840 --> 0:28:49.480
<v Speaker 1>Why you should just come out admitted. No, No, I

0:28:49.600 --> 0:28:51.440
<v Speaker 1>never said I'm gonna admit it because I don't have it.

0:28:51.680 --> 0:28:54.520
<v Speaker 1>I'm just saying that it's for some reason it's not

0:28:54.680 --> 0:28:57.080
<v Speaker 1>talked about, and maybe we should bring it out into

0:28:57.120 --> 0:28:59.640
<v Speaker 1>the open, like so many other topics that we've done

0:29:00.040 --> 0:29:03.240
<v Speaker 1>with for women's issues and guys. But if you function,

0:29:03.280 --> 0:29:05.200
<v Speaker 1>don't be a dick about it. I'm not saying I'm

0:29:05.240 --> 0:29:08.400
<v Speaker 1>a dick about it. I'm just saying I'm gonna I'm

0:29:08.400 --> 0:29:10.960
<v Speaker 1>gonna give you a hand. I'm gonna help you. Yeah. No,

0:29:11.520 --> 0:29:16.640
<v Speaker 1>I'm gonna give you advice from a neutual standpoint. My

0:29:16.800 --> 0:29:20.840
<v Speaker 1>standpoint is give me the message. The company is UH

0:29:21.000 --> 0:29:22.840
<v Speaker 1>is Roman Health. If you want to if you want

0:29:22.880 --> 0:29:26.520
<v Speaker 1>to standpoint, Roman Health yeah, Jetro They told me to

0:29:26.560 --> 0:29:32.960
<v Speaker 1>go to the website Jetro Man. That No, not Jetro

0:29:33.360 --> 0:29:42.800
<v Speaker 1>hit that jangle. Nobody had to mention this. Stop talking

0:29:42.840 --> 0:29:46.040
<v Speaker 1>about that. What I'm saying is this, I can provide

0:29:46.040 --> 0:29:49.240
<v Speaker 1>a service. Oh really, what kind of all men? Oh?

0:29:49.720 --> 0:29:52.480
<v Speaker 1>Sign me up? Who might be going through this? You

0:29:52.560 --> 0:29:55.240
<v Speaker 1>can get them hard. I could shed some light on

0:29:55.440 --> 0:29:59.320
<v Speaker 1>this situation on the topic of rectile dysfunction. He'll help

0:29:59.400 --> 0:30:01.920
<v Speaker 1>them stand up for himself by being a brave enough

0:30:02.040 --> 0:30:04.440
<v Speaker 1>man to do a commercial. Read for it. Now. I'm

0:30:04.480 --> 0:30:06.719
<v Speaker 1>not gonna lie and say I take took take the products,

0:30:06.760 --> 0:30:09.440
<v Speaker 1>because I don't and I'm not going to. I'm just

0:30:09.520 --> 0:30:13.480
<v Speaker 1>gonna read their message and I'm going to be let's

0:30:13.520 --> 0:30:17.920
<v Speaker 1>just say informative about it. Say hey, look, guys, if

0:30:17.960 --> 0:30:20.600
<v Speaker 1>you're going through this, I know people who might be

0:30:20.640 --> 0:30:23.520
<v Speaker 1>going through the same thing. Not me, but you might

0:30:23.600 --> 0:30:26.360
<v Speaker 1>want to try Jetro Man. That's it. That's what I'm

0:30:26.360 --> 0:30:28.520
<v Speaker 1>gonna do. What's wrong with you? Like Dr Phil? But

0:30:28.560 --> 0:30:31.440
<v Speaker 1>you're like Dr Phil me with blood? Yeah, you just

0:30:31.560 --> 0:30:34.520
<v Speaker 1>keep making those dick jokes. What what dick jokes? But

0:30:34.640 --> 0:30:39.400
<v Speaker 1>I'm saying what I'm telling you is that it shouldn't

0:30:39.600 --> 0:30:44.400
<v Speaker 1>you really, we really, we really should be able to

0:30:44.480 --> 0:30:47.480
<v Speaker 1>get the message out there without laughing. Understand that. But

0:30:47.520 --> 0:30:49.040
<v Speaker 1>they didn't ask me to help you with the commercial.

0:30:49.120 --> 0:30:51.320
<v Speaker 1>And I feel like the game of the Shaft Hill.

0:30:52.560 --> 0:30:54.320
<v Speaker 1>All right, listen, it was too hard for you to

0:30:54.400 --> 0:30:59.640
<v Speaker 1>read it? Uh yeah, not in your case though. All right,

0:30:59.680 --> 0:31:02.080
<v Speaker 1>So to sixty two, I think is the number yesterday,

0:31:02.160 --> 0:31:04.560
<v Speaker 1>and then Nate it gets involved because he's he admits

0:31:04.600 --> 0:31:07.520
<v Speaker 1>to taking the product, and then he decided should two

0:31:07.560 --> 0:31:09.480
<v Speaker 1>guys do it? And the two of us are nothing

0:31:09.480 --> 0:31:11.280
<v Speaker 1>wrong with that. It's Pride month, God bless you, whatever

0:31:11.280 --> 0:31:12.920
<v Speaker 1>you're into. The two of us were gonna read for it,

0:31:12.960 --> 0:31:14.520
<v Speaker 1>and two of us were gonna And then I said,

0:31:15.080 --> 0:31:17.960
<v Speaker 1>where would two men talk about this in a non

0:31:18.040 --> 0:31:20.920
<v Speaker 1>awkward fashion. Would we talk about it on a subway,

0:31:21.080 --> 0:31:22.640
<v Speaker 1>would we be in a studio, would we be in

0:31:22.680 --> 0:31:24.160
<v Speaker 1>a bath? Would you talk about it in a chair?

0:31:24.240 --> 0:31:26.840
<v Speaker 1>Would you talk about it in your underwear? I don't

0:31:26.840 --> 0:31:29.280
<v Speaker 1>know so so anyway, so we don't even know if

0:31:29.280 --> 0:31:32.800
<v Speaker 1>it's gonna happen until you take your pills. And then

0:31:32.840 --> 0:31:35.960
<v Speaker 1>you'll know, by the way, if you're if you're endorsement

0:31:36.000 --> 0:31:38.240
<v Speaker 1>commercial less more than four hours to your doctor. Yeah,

0:31:38.360 --> 0:31:40.200
<v Speaker 1>that's all I'm gonna say. Let me talk to about

0:31:40.240 --> 0:31:42.960
<v Speaker 1>that Beth and Beyond for a second. They redid their stores.

0:31:43.000 --> 0:31:46.240
<v Speaker 1>Not a sponsor, they completely revamped their image. The look

0:31:46.320 --> 0:31:49.160
<v Speaker 1>outside looking and really nice. You'll walk into the local

0:31:49.200 --> 0:31:51.200
<v Speaker 1>Bedbeth and Beyond if they've redone it, you won't recognize it.

0:31:51.560 --> 0:31:53.120
<v Speaker 1>But one of the things they did was they redid

0:31:53.240 --> 0:31:57.480
<v Speaker 1>the the whole cashier area. So it used to be

0:31:58.080 --> 0:31:59.800
<v Speaker 1>you walk down the aisle and it was like it

0:31:59.800 --> 0:32:02.400
<v Speaker 1>look like a grocery, like a supermarket, like a checkout counter,

0:32:02.480 --> 0:32:05.120
<v Speaker 1>checkout counter, check acount. Now that they did was it's

0:32:05.160 --> 0:32:07.840
<v Speaker 1>one long wall of registers with numbers on them like

0:32:07.960 --> 0:32:11.600
<v Speaker 1>one through fifteen, and the announcer comes and goes, please

0:32:11.680 --> 0:32:14.040
<v Speaker 1>walk down to the register four. Like they don't yell

0:32:14.160 --> 0:32:18.000
<v Speaker 1>next customer, right, No, it's all computer. Does that something

0:32:18.080 --> 0:32:21.280
<v Speaker 1>similar to that? Yeah, yeah, all right, that's the new

0:32:21.880 --> 0:32:25.400
<v Speaker 1>tign Okay, So what happen the news style. Here's how

0:32:25.440 --> 0:32:26.880
<v Speaker 1>it is. Trying to picture this if you can in

0:32:26.920 --> 0:32:29.719
<v Speaker 1>your mind. There's this long aisle of let's say fifteen

0:32:29.720 --> 0:32:33.160
<v Speaker 1>registers one through fifteen, fifteen being at the where the

0:32:33.240 --> 0:32:36.480
<v Speaker 1>line is right at the end of the wall. There's

0:32:36.480 --> 0:32:40.280
<v Speaker 1>a wall. You you go into the tunnel. It's like

0:32:40.320 --> 0:32:43.160
<v Speaker 1>a tunnel, right like ah like um what it's like

0:32:43.240 --> 0:32:45.760
<v Speaker 1>a stable, like like an amusement park when you go

0:32:45.880 --> 0:32:48.320
<v Speaker 1>into the stock going into his pipes. But but in

0:32:48.400 --> 0:32:51.240
<v Speaker 1>bed Beth and beyond you go into the lanes where

0:32:51.240 --> 0:32:53.800
<v Speaker 1>it wraps around one wall and then goes to the registers.

0:32:54.240 --> 0:32:58.200
<v Speaker 1>So that wall is all like impulse stuff, gum and

0:32:58.480 --> 0:33:01.440
<v Speaker 1>candy and like a little mirrors ship. You don't need,

0:33:01.480 --> 0:33:03.000
<v Speaker 1>but you're standing on the lines, so you grab it.

0:33:03.040 --> 0:33:06.240
<v Speaker 1>They call those impulse pulse bies. Oh raisinets like that.

0:33:06.320 --> 0:33:08.320
<v Speaker 1>Don't need raisints. I needed a bath mat? Why am

0:33:08.360 --> 0:33:11.479
<v Speaker 1>I buying a Companies pay big money to be at

0:33:11.480 --> 0:33:14.600
<v Speaker 1>the exactly in that sta to t J Max. You're online,

0:33:14.640 --> 0:33:18.200
<v Speaker 1>you're buying a vase. You're buying some discounted clothing. You're like, oh,

0:33:18.520 --> 0:33:21.080
<v Speaker 1>I I cant use some chicklets and some wrinkle sprite.

0:33:21.400 --> 0:33:23.320
<v Speaker 1>That's why. That's why they make the most of their business.

0:33:23.320 --> 0:33:27.320
<v Speaker 1>You believe it, right, That's why you needs in the supermarket. Oh,

0:33:27.440 --> 0:33:31.840
<v Speaker 1>I'm checking out the registers too. The cash just too slow. Uh. Oh,

0:33:31.920 --> 0:33:33.760
<v Speaker 1>by the way, fuck you Ainsley, I didn't forget about you,

0:33:33.800 --> 0:33:37.080
<v Speaker 1>your bitch, all right? That was my from the supermarket. Uh.

0:33:37.240 --> 0:33:38.920
<v Speaker 1>And so you're like, oh, I'll take some gum and

0:33:38.960 --> 0:33:41.160
<v Speaker 1>I'll take the National Enquired with Kimkudashon on the cover.

0:33:41.480 --> 0:33:44.959
<v Speaker 1>Done right. So bed Bath has this long aisle. When

0:33:45.000 --> 0:33:46.400
<v Speaker 1>you get to the end of the aisle where the

0:33:46.440 --> 0:33:49.320
<v Speaker 1>wall ends, you can then wrap around to the registers.

0:33:49.800 --> 0:33:51.840
<v Speaker 1>At that end of the wall, there's a sign that

0:33:51.880 --> 0:33:53.600
<v Speaker 1>says wait here for the catch you to call you

0:33:53.880 --> 0:33:56.240
<v Speaker 1>is that where the impulse byes are No up to

0:33:56.320 --> 0:33:59.840
<v Speaker 1>that sign? Right? Is all impulse bies and there should

0:33:59.880 --> 0:34:01.920
<v Speaker 1>be right that's where you placed him. Now you're at

0:34:01.960 --> 0:34:03.840
<v Speaker 1>the the end of the wall where it says please

0:34:03.880 --> 0:34:06.360
<v Speaker 1>wait here for the line, and then you're staring down

0:34:06.600 --> 0:34:12.200
<v Speaker 1>register row. Okay, if all fifteen registers are working, then

0:34:12.360 --> 0:34:15.360
<v Speaker 1>you have to wait there. But if only three registers

0:34:15.400 --> 0:34:18.280
<v Speaker 1>are open in the afternoon, it's like a football field

0:34:18.320 --> 0:34:20.919
<v Speaker 1>to get from that sign to any of the three

0:34:20.960 --> 0:34:25.360
<v Speaker 1>registers one, two, and three. Okay, Well, if you know

0:34:25.560 --> 0:34:29.160
<v Speaker 1>that registers fourteen and fifteen aren't open, why can't I

0:34:29.280 --> 0:34:31.120
<v Speaker 1>walk all the way up to Register four and then

0:34:31.200 --> 0:34:34.680
<v Speaker 1>wait so that when they say register two it doesn't

0:34:34.680 --> 0:34:36.640
<v Speaker 1>take the person in front of me a minute and

0:34:36.640 --> 0:34:39.120
<v Speaker 1>a half to walk down the football field to register.

0:34:39.480 --> 0:34:42.600
<v Speaker 1>I see what's happening here. They're losing. Yeah, they're they're less.

0:34:42.800 --> 0:34:46.120
<v Speaker 1>They're they're less checkouts per minute because of that. Right,

0:34:46.760 --> 0:34:49.240
<v Speaker 1>So I'm behind this guy. He's one of these guys

0:34:49.480 --> 0:34:51.359
<v Speaker 1>who looks like he's from a state that doesn't care

0:34:51.400 --> 0:34:56.200
<v Speaker 1>about fashion. He's got his plane, no pocket. Uh, he

0:34:56.520 --> 0:35:00.759
<v Speaker 1>like light blue powder blue shorts with his polo shirt

0:35:00.800 --> 0:35:04.200
<v Speaker 1>tucked into his shorts with a belt. No, you don't talk,

0:35:04.239 --> 0:35:07.040
<v Speaker 1>you polo shirt with a belt into the shorts. No, okay.

0:35:07.719 --> 0:35:09.560
<v Speaker 1>This guy is staring like he's looked like he's like

0:35:09.640 --> 0:35:13.719
<v Speaker 1>he's just got off the boat from from wherever. He's like, So,

0:35:13.840 --> 0:35:17.320
<v Speaker 1>I say, excuse me, could you could you I'm holding

0:35:17.360 --> 0:35:20.279
<v Speaker 1>a bunch of stuff I bought garment bag some of

0:35:20.320 --> 0:35:23.040
<v Speaker 1>the things I didn't need a cart. I excuse me?

0:35:23.440 --> 0:35:29.640
<v Speaker 1>Can you walk up to Register four? He goes, So,

0:35:29.760 --> 0:35:35.600
<v Speaker 1>I said, there's nothing between you and register three? Could

0:35:35.640 --> 0:35:38.879
<v Speaker 1>you just please move up? He says, No, I'm gonna

0:35:38.880 --> 0:35:41.600
<v Speaker 1>wait here. No, they're gonna they're gonna they're gonna call

0:35:41.640 --> 0:35:43.879
<v Speaker 1>the shopping the supermarket police. On me. So the first

0:35:43.880 --> 0:35:46.200
<v Speaker 1>thing that comes into my head is what am I

0:35:46.239 --> 0:35:48.719
<v Speaker 1>gonna name this guy? When I rant about him? And

0:35:48.840 --> 0:35:53.160
<v Speaker 1>before I could say anything, his girl, woman, partner whatever

0:35:53.320 --> 0:35:57.000
<v Speaker 1>goes around the wall of multi of Impulse purchases and

0:35:57.080 --> 0:35:59.680
<v Speaker 1>she goes, oh, Todd, I picked out something, So fuck

0:35:59.800 --> 0:36:02.680
<v Speaker 1>you Todd. Right, his name is Todd. So he won't

0:36:02.719 --> 0:36:06.400
<v Speaker 1>move up, So I move up. I walked right past him,

0:36:06.560 --> 0:36:09.560
<v Speaker 1>and I tell the person behind me, let's roll and

0:36:09.960 --> 0:36:12.239
<v Speaker 1>and and so I and a couple of people behind us.

0:36:13.000 --> 0:36:15.239
<v Speaker 1>I went right past him, right up to Register four,

0:36:15.480 --> 0:36:18.239
<v Speaker 1>and they went to Register one. I was right there.

0:36:18.719 --> 0:36:21.239
<v Speaker 1>Fuck you Todd. You don't want to move up. That's

0:36:21.280 --> 0:36:23.160
<v Speaker 1>like the red light is a half a block up

0:36:23.200 --> 0:36:25.239
<v Speaker 1>and you wait back in the corner because there was

0:36:25.280 --> 0:36:27.160
<v Speaker 1>a yield sign and you don't want to pass you. Well,

0:36:27.280 --> 0:36:30.239
<v Speaker 1>well I did something similar. You're not gonna get a ticket,

0:36:30.280 --> 0:36:32.800
<v Speaker 1>Todd for passing the police wait here sign. They're not

0:36:32.840 --> 0:36:34.879
<v Speaker 1>gonna charge you more money. This guy is a goody

0:36:34.960 --> 0:36:37.759
<v Speaker 1>two shoes. It's like no cars are coming and it says,

0:36:37.760 --> 0:36:41.440
<v Speaker 1>don't walk, I'm crossing the street. You actually, you actually

0:36:41.520 --> 0:36:44.240
<v Speaker 1>faulted me for doing something similar when we were getting

0:36:44.280 --> 0:36:49.680
<v Speaker 1>on our plane. There was a sign that said wait

0:36:49.800 --> 0:36:52.640
<v Speaker 1>here at the gate groups one to four, and then

0:36:52.680 --> 0:36:55.680
<v Speaker 1>there was groups five to nine. Now if I'm in

0:36:55.760 --> 0:36:59.480
<v Speaker 1>group five, and I get to be the first in

0:36:59.600 --> 0:37:02.600
<v Speaker 1>that line, if I want to, Because so I went

0:37:02.760 --> 0:37:05.279
<v Speaker 1>up to that line and I stood by the rope

0:37:05.800 --> 0:37:07.959
<v Speaker 1>because I know that groups one to four are gonna

0:37:08.000 --> 0:37:09.920
<v Speaker 1>be in the line to the left of me. They

0:37:10.000 --> 0:37:12.719
<v Speaker 1>get to go. That's a already seating if I didn't

0:37:12.719 --> 0:37:14.800
<v Speaker 1>have that chip. But I'm like, but I am no

0:37:15.000 --> 0:37:17.919
<v Speaker 1>way I'm going to be the last. I'm not gonna

0:37:18.120 --> 0:37:20.359
<v Speaker 1>let some the group six or grow go in front

0:37:20.400 --> 0:37:23.120
<v Speaker 1>of me a group seven or I am gonna stand there.

0:37:23.360 --> 0:37:25.000
<v Speaker 1>And I had every right to go to the front

0:37:25.040 --> 0:37:27.399
<v Speaker 1>of the rope of the second row because I knew

0:37:27.680 --> 0:37:29.920
<v Speaker 1>that when one to four went, they were going to

0:37:30.000 --> 0:37:31.400
<v Speaker 1>close the rope and they were gonna come to my

0:37:31.560 --> 0:37:34.440
<v Speaker 1>rope open it up, and then there was no one

0:37:34.520 --> 0:37:37.200
<v Speaker 1>that could possibly then I could possibly be cutting in

0:37:37.280 --> 0:37:40.120
<v Speaker 1>front of I am the first man in group five.

0:37:40.640 --> 0:37:42.000
<v Speaker 1>So why did you tell me that I did the

0:37:42.040 --> 0:37:48.000
<v Speaker 1>wrong thing? You totally you. I remember this. We were

0:37:48.040 --> 0:37:50.799
<v Speaker 1>in we were at JFK, and we were getting because

0:37:50.800 --> 0:37:53.320
<v Speaker 1>I vaguely remember you being in group six and not

0:37:53.480 --> 0:37:57.480
<v Speaker 1>group five. Really, yes, you were in group six. Well,

0:37:57.520 --> 0:37:59.560
<v Speaker 1>then I would have been a dick. That's why. That's

0:37:59.560 --> 0:38:01.719
<v Speaker 1>why I say something. But I was in five. No,

0:38:02.000 --> 0:38:04.040
<v Speaker 1>I know you're in six because I said, funk, I'm

0:38:04.080 --> 0:38:06.399
<v Speaker 1>in I'm in eight. You're like, bad dick, I'm in six.

0:38:06.960 --> 0:38:09.200
<v Speaker 1>And I remember Dick rhyming with six. That's I remember it.

0:38:09.440 --> 0:38:10.880
<v Speaker 1>And I said to you, you're not You're not in

0:38:10.960 --> 0:38:13.200
<v Speaker 1>the front. You're like, I'm like in the first group.

0:38:13.520 --> 0:38:15.879
<v Speaker 1>What's the difference? You were like, they're gonna call five

0:38:15.920 --> 0:38:18.840
<v Speaker 1>and six together, they always do. I know this stuff.

0:38:18.880 --> 0:38:22.239
<v Speaker 1>I fly all the time. Well, even I saw, I

0:38:22.520 --> 0:38:24.799
<v Speaker 1>forget who it was, and I forget if it was, um,

0:38:25.480 --> 0:38:28.640
<v Speaker 1>a late night show or uh maybe maybe been Jim

0:38:29.160 --> 0:38:32.600
<v Speaker 1>Jim Jeffries bo I love on Comedy Central. I think he.

0:38:32.719 --> 0:38:34.280
<v Speaker 1>I think it was him. I don't want to miss quote,

0:38:34.640 --> 0:38:37.520
<v Speaker 1>but the but the line was when they call your group,

0:38:37.920 --> 0:38:40.359
<v Speaker 1>if you're not in that group, sit the funk down.

0:38:41.040 --> 0:38:43.439
<v Speaker 1>If they say, you know, don't like, don't lurk off

0:38:43.480 --> 0:38:45.799
<v Speaker 1>to the side so you can swoop in at seven.

0:38:45.920 --> 0:38:48.040
<v Speaker 1>Because what happens is they call four or five and

0:38:48.080 --> 0:38:50.040
<v Speaker 1>six right, so four or five and six and moving

0:38:50.080 --> 0:38:52.840
<v Speaker 1>along nicely. But then seven eight nine are just standing

0:38:52.880 --> 0:38:54.719
<v Speaker 1>there right there, off to the side. And then what

0:38:54.840 --> 0:38:57.120
<v Speaker 1>happens is when they go at seven eight nine, seven

0:38:57.200 --> 0:38:59.040
<v Speaker 1>eight nine go right into the middle of that line

0:38:59.239 --> 0:39:02.400
<v Speaker 1>instead of the end of a line. Yes, seven eight nine, listen,

0:39:02.920 --> 0:39:05.239
<v Speaker 1>don't put the line. We're all going on the same

0:39:05.320 --> 0:39:07.960
<v Speaker 1>plane next time. Book your ticket earlier. What have you

0:39:08.040 --> 0:39:10.000
<v Speaker 1>done to be in seven eight and nine? By the way,

0:39:10.320 --> 0:39:11.960
<v Speaker 1>do you notice that? And I don't know if we've

0:39:11.960 --> 0:39:14.800
<v Speaker 1>talked about it on this podcast, what we've mentioned it

0:39:14.880 --> 0:39:18.680
<v Speaker 1>before on the Big Show? And it's so true when

0:39:18.920 --> 0:39:22.279
<v Speaker 1>when they call the wheelchair people, they always call them first, right,

0:39:22.320 --> 0:39:24.440
<v Speaker 1>they get they get priority. Talked about this, haven't we

0:39:24.520 --> 0:39:26.880
<v Speaker 1>the miracle flights that have we talked about it in

0:39:26.920 --> 0:39:29.520
<v Speaker 1>the podcast? Who can do I can't keep track well anyway?

0:39:29.600 --> 0:39:31.920
<v Speaker 1>In a word, if you notice it is like ten

0:39:31.960 --> 0:39:35.920
<v Speaker 1>wheelchair people that get on first, but when the flight lands,

0:39:36.239 --> 0:39:38.920
<v Speaker 1>those wheelchair people have to wait to the very end.

0:39:39.280 --> 0:39:41.319
<v Speaker 1>Do you notice they only need like two wheelchairs at

0:39:41.360 --> 0:39:43.239
<v Speaker 1>the end because everybody gets right off the walk off

0:39:43.280 --> 0:39:47.200
<v Speaker 1>the plane. Yeah, because people are bucking the system. They're

0:39:47.200 --> 0:39:49.520
<v Speaker 1>trying to beat it, and I don't like it. I'm

0:39:49.560 --> 0:39:51.959
<v Speaker 1>not a system beater. I'm not sure where I okay,

0:39:52.000 --> 0:39:55.160
<v Speaker 1>you don't know where you stand. I said, no, okay,

0:39:55.600 --> 0:39:58.000
<v Speaker 1>I'm gonna leave handicap people out of this discussion. But

0:39:58.080 --> 0:40:00.600
<v Speaker 1>you know how I feel about injured people. If you

0:40:00.640 --> 0:40:03.960
<v Speaker 1>have a broken leg and you're in a wheelchair, I

0:40:04.040 --> 0:40:06.600
<v Speaker 1>feel bad for you, but you shouldn't get to cut

0:40:06.680 --> 0:40:09.520
<v Speaker 1>the line. If we've done this on this podcast, I apologize.

0:40:09.640 --> 0:40:11.239
<v Speaker 1>I'll make this quick. No we did, we have done it.

0:40:11.280 --> 0:40:15.200
<v Speaker 1>You're already sitting down. You don't need to go first,

0:40:16.080 --> 0:40:19.319
<v Speaker 1>you're ready. I'm still enough. I'm tired, you're relaxing, you're

0:40:19.360 --> 0:40:23.560
<v Speaker 1>in the chair. Someone's pushing you. I can wait talked about.

0:40:23.960 --> 0:40:26.560
<v Speaker 1>But you do have a problem with your window seat

0:40:26.719 --> 0:40:28.960
<v Speaker 1>versus your aisles. Okay, all right, that's my big rant.

0:40:29.160 --> 0:40:30.840
<v Speaker 1>That's my big rant. Well let's go right into it,

0:40:30.880 --> 0:40:32.680
<v Speaker 1>all right, because we're gonna wrap this up. We do

0:40:33.080 --> 0:40:37.320
<v Speaker 1>know we haven't done any unused jokes ground police. I

0:40:37.520 --> 0:40:40.239
<v Speaker 1>told you guy, we get started late. Oh my god. Right,

0:40:40.280 --> 0:40:42.160
<v Speaker 1>So you know I need the window seat. You're I

0:40:42.239 --> 0:40:44.279
<v Speaker 1>need to look out the window seat. It comforts me

0:40:44.320 --> 0:40:46.359
<v Speaker 1>as a flyer. I like to look out. I see

0:40:46.400 --> 0:40:48.080
<v Speaker 1>that the ground is far away. It reminds me the

0:40:48.120 --> 0:40:50.960
<v Speaker 1>plane is up. I see that it's ascending. During takeoff,

0:40:51.239 --> 0:40:53.919
<v Speaker 1>I get to see it's casually coming down. I need

0:40:54.000 --> 0:40:55.560
<v Speaker 1>the plus. To be honest with you, I don't really

0:40:55.560 --> 0:40:59.239
<v Speaker 1>go to the bathroom usually during the fly camel and

0:40:59.280 --> 0:41:02.160
<v Speaker 1>I like to lean again. It's the wall. Nobody makes

0:41:02.200 --> 0:41:06.040
<v Speaker 1>me get up. It's fine. So I had to wait

0:41:06.160 --> 0:41:08.520
<v Speaker 1>because they didn't assign my seat coming back from Seattle,

0:41:08.760 --> 0:41:10.759
<v Speaker 1>so I waited. I waited at the gate till the

0:41:10.800 --> 0:41:12.759
<v Speaker 1>gay person got there, and I begged here. I said, please,

0:41:12.800 --> 0:41:15.400
<v Speaker 1>please give me a window seat. So she does some funagling,

0:41:15.480 --> 0:41:17.399
<v Speaker 1>she moves people around whatever gives me a window seat.

0:41:17.719 --> 0:41:19.440
<v Speaker 1>So I get my window seat and next to me

0:41:19.600 --> 0:41:22.000
<v Speaker 1>is a father and son in the isle in the middle.

0:41:22.680 --> 0:41:26.239
<v Speaker 1>So as I'm putting my stuff down, they come over

0:41:26.840 --> 0:41:28.440
<v Speaker 1>and they're like, oh, those are our seats middle and

0:41:28.520 --> 0:41:30.920
<v Speaker 1>and middle and aisle. So I said, hey, you know what,

0:41:31.760 --> 0:41:34.520
<v Speaker 1>before we take off, I'm just gonna run to the bathroom.

0:41:35.280 --> 0:41:38.680
<v Speaker 1>Right we're in like one so the bathrooms like six

0:41:39.040 --> 0:41:42.120
<v Speaker 1>six miles back, not that far. So I go to

0:41:42.200 --> 0:41:47.080
<v Speaker 1>the bathroom. I figured, I'll say right back with that.

0:41:47.400 --> 0:41:50.520
<v Speaker 1>I see, uh, Danielle used in the bathroom, Danielle from

0:41:50.560 --> 0:41:53.400
<v Speaker 1>our show, And she comes out and I go in.

0:41:53.960 --> 0:41:56.560
<v Speaker 1>The First of all, she didn't flush, because when I

0:41:56.600 --> 0:41:59.320
<v Speaker 1>get in there, she had she peed and she toilet

0:41:59.360 --> 0:42:02.600
<v Speaker 1>paper peedd you know girls stop and she left the

0:42:02.640 --> 0:42:05.600
<v Speaker 1>t pay but she didn't do the boosh on the flight.

0:42:06.120 --> 0:42:09.600
<v Speaker 1>That's gross number one, number two. So I come back. Now,

0:42:09.920 --> 0:42:12.359
<v Speaker 1>I did the guy p I paid a little hand

0:42:12.400 --> 0:42:16.279
<v Speaker 1>washed quick. I come back. These two guys, father and son, right,

0:42:16.760 --> 0:42:19.600
<v Speaker 1>I said, I'll be right back. What would you do?

0:42:20.000 --> 0:42:23.040
<v Speaker 1>You'd probably stand for two minutes. When I come back.

0:42:23.719 --> 0:42:27.120
<v Speaker 1>I come back, their trays are out, they're watching videos

0:42:27.160 --> 0:42:30.680
<v Speaker 1>on their iPads, and they've got drinks open. They're in

0:42:30.800 --> 0:42:34.440
<v Speaker 1>for the long haul. They're already setting up. So I

0:42:34.600 --> 0:42:37.520
<v Speaker 1>come back and I gotta go excuse me, and they

0:42:37.560 --> 0:42:40.600
<v Speaker 1>give me a look like, oh, I gotta move everything again.

0:42:41.480 --> 0:42:44.919
<v Speaker 1>Fuck you. I told you'll be right back. Why would

0:42:44.960 --> 0:42:46.960
<v Speaker 1>you set up like you're in your living room? You

0:42:47.000 --> 0:42:49.680
<v Speaker 1>couldn't wait to get you my pad movies going and

0:42:49.880 --> 0:42:53.040
<v Speaker 1>and your drinks out. So they that's fine. So I

0:42:53.080 --> 0:42:55.719
<v Speaker 1>get back to my seat. And I like to look

0:42:55.719 --> 0:42:57.520
<v Speaker 1>at the window during takeoff. I like to have a

0:42:57.520 --> 0:42:59.800
<v Speaker 1>little snack during take off, like drinking soda. Keep my

0:43:00.000 --> 0:43:02.879
<v Speaker 1>of calm. Don't tell me somebody from another seat told

0:43:02.920 --> 0:43:05.160
<v Speaker 1>you to close the window. No, no, it gets worse.

0:43:05.800 --> 0:43:07.560
<v Speaker 1>I like to look at the window. So you know

0:43:07.600 --> 0:43:09.880
<v Speaker 1>how because by by the way it pause for one second.

0:43:10.440 --> 0:43:13.080
<v Speaker 1>When you're in the window seat, you are in control

0:43:13.200 --> 0:43:15.279
<v Speaker 1>of the shade of the right you bring it up

0:43:15.320 --> 0:43:18.200
<v Speaker 1>and down. That's one of the privileges and advantages something

0:43:18.239 --> 0:43:19.919
<v Speaker 1>in the window seats. You can't have a center sheet.

0:43:19.960 --> 0:43:22.920
<v Speaker 1>Person you're sitting bitch, Fuck you you get you don't

0:43:22.920 --> 0:43:25.799
<v Speaker 1>get the and I control the air and the light

0:43:25.880 --> 0:43:29.520
<v Speaker 1>above me. That's my space. No, it is more wait,

0:43:29.560 --> 0:43:32.719
<v Speaker 1>well wait, this guy took knows no rules. Where was

0:43:32.760 --> 0:43:35.080
<v Speaker 1>this guy saying? Kid is next to me in the middle. Yeah,

0:43:35.120 --> 0:43:37.880
<v Speaker 1>he's he's like eighteen, old enough to know you're sitting.

0:43:37.920 --> 0:43:40.759
<v Speaker 1>Bitch's sitting bitch right, So you know something is the

0:43:40.760 --> 0:43:43.160
<v Speaker 1>windows seat The windows don't line up with the seat. Yes,

0:43:43.400 --> 0:43:46.800
<v Speaker 1>not always exact. So sometimes often sometimes the windows a

0:43:46.800 --> 0:43:48.239
<v Speaker 1>little bit behind you, a little bit ahead of you.

0:43:48.320 --> 0:43:51.839
<v Speaker 1>Sometimes you get two winds. The pus so the way

0:43:51.920 --> 0:43:54.239
<v Speaker 1>this worked out, the window was a little bit ahead

0:43:54.280 --> 0:43:56.600
<v Speaker 1>of me, so I had to lean forward to look

0:43:56.640 --> 0:43:58.920
<v Speaker 1>out the window. So when we take off from Seattle,

0:43:59.080 --> 0:44:01.680
<v Speaker 1>I'm gonna look at the land marks, the stadiums. I

0:44:01.719 --> 0:44:03.399
<v Speaker 1>want to get a nice view of seeing the city

0:44:03.440 --> 0:44:05.160
<v Speaker 1>that I've only seen once in my whole life. And

0:44:05.239 --> 0:44:07.240
<v Speaker 1>i want to get that calm feeling of us taken

0:44:07.280 --> 0:44:12.040
<v Speaker 1>off and everything's going smoothly the planes taken off, I

0:44:12.120 --> 0:44:15.200
<v Speaker 1>start leaning forward. You're a nervous traveler. To begin traveler,

0:44:15.880 --> 0:44:20.200
<v Speaker 1>this motherfucker, well, you know what what? You call me? Andy?

0:44:20.920 --> 0:44:25.680
<v Speaker 1>Handy Andy? Andy decides to take his phone out. He

0:44:25.800 --> 0:44:29.600
<v Speaker 1>wants to film the takeoffed in about two minutes. He

0:44:29.719 --> 0:44:33.400
<v Speaker 1>wants to film the takeoff. So now I'm in the shot.

0:44:34.560 --> 0:44:38.920
<v Speaker 1>He's filming me because I'm leaning forward looking out my window.

0:44:40.040 --> 0:44:41.560
<v Speaker 1>So I'm like, I don't want to be in his shot.

0:44:42.000 --> 0:44:44.000
<v Speaker 1>So I kind of leaned back for a second and

0:44:44.080 --> 0:44:45.840
<v Speaker 1>I'm like, I maybe wants to take a picture. I

0:44:45.880 --> 0:44:48.600
<v Speaker 1>don't know what he's doing. He's filming the whole takeoff,

0:44:48.640 --> 0:44:50.840
<v Speaker 1>the whole like minute and a half. So I'm like,

0:44:51.280 --> 0:44:52.759
<v Speaker 1>I want to look out the window. I'm getting like

0:44:52.840 --> 0:44:55.040
<v Speaker 1>flight nervous, so stick ahead in the middle of the shot.

0:44:55.080 --> 0:44:57.920
<v Speaker 1>Who cares. I gave him a look like all right, man,

0:44:58.200 --> 0:45:03.239
<v Speaker 1>film the Yeah, so I go back, go fuck it.

0:45:03.360 --> 0:45:04.880
<v Speaker 1>I look out the window and I could hear him

0:45:04.920 --> 0:45:07.279
<v Speaker 1>going like like getting upset. I don't give a fuck.

0:45:07.640 --> 0:45:10.239
<v Speaker 1>All right, we take off. Now. If you're in the

0:45:10.400 --> 0:45:13.279
<v Speaker 1>left seat right, I'm in the left window seat. He's

0:45:13.320 --> 0:45:16.560
<v Speaker 1>to my right and his father. The rule is you

0:45:16.760 --> 0:45:19.719
<v Speaker 1>get the right armrest right. Whenever you sit in the

0:45:19.760 --> 0:45:22.840
<v Speaker 1>movie theater. Anyway you go, you get the right armrest.

0:45:23.080 --> 0:45:25.840
<v Speaker 1>You get one armrest it's to your right, but the

0:45:25.960 --> 0:45:28.680
<v Speaker 1>right armrest rule. When you're in that left window seat,

0:45:29.040 --> 0:45:31.080
<v Speaker 1>you get the left one because it's next to the window.

0:45:31.440 --> 0:45:33.480
<v Speaker 1>You get the right one. That's the best seat on

0:45:33.560 --> 0:45:37.239
<v Speaker 1>the plane. You get both of them right, it's like

0:45:37.360 --> 0:45:41.279
<v Speaker 1>the left I'll seat. Or if you're not aggressive, the

0:45:41.360 --> 0:45:44.560
<v Speaker 1>middle person gets fucked out of both armrests, and then

0:45:44.760 --> 0:45:47.960
<v Speaker 1>talk him to arm wrests. Go to the wind. I

0:45:48.040 --> 0:45:51.200
<v Speaker 1>get the left window double armrest. Bonus, you get that

0:45:51.920 --> 0:45:54.400
<v Speaker 1>he's on my armrest. He's banging into me. He's like

0:45:54.440 --> 0:45:57.360
<v Speaker 1>elbowing me, like like he doesn't know he's jockey for permission.

0:45:57.440 --> 0:45:59.120
<v Speaker 1>He's trying to box you out. You know, he's playing

0:45:59.120 --> 0:46:01.040
<v Speaker 1>a video game, so he like elbowing me as he's

0:46:01.080 --> 0:46:02.640
<v Speaker 1>trying to like whatever. He's trying to go for the

0:46:02.680 --> 0:46:06.160
<v Speaker 1>rebound and box you out. We're halfway through the flight now,

0:46:06.880 --> 0:46:10.600
<v Speaker 1>and he decides he wants to get up, so his

0:46:10.719 --> 0:46:13.399
<v Speaker 1>father lets him up. So I said, oh, I'll get

0:46:13.480 --> 0:46:16.240
<v Speaker 1>up too. Why you're at the window. But I figured

0:46:16.280 --> 0:46:19.600
<v Speaker 1>while he's up, I'll go pay. It's almost a six

0:46:19.680 --> 0:46:22.440
<v Speaker 1>hour flight. I'm like, if he's getting up, like, I

0:46:22.480 --> 0:46:23.799
<v Speaker 1>don't want to get up and make him get up,

0:46:23.800 --> 0:46:26.760
<v Speaker 1>But if he's gonna get up, he leaves his fucking

0:46:26.800 --> 0:46:30.200
<v Speaker 1>tray down. He gets up and leaves his trade down,

0:46:31.040 --> 0:46:33.360
<v Speaker 1>and his father doesn't like say anything to him. So

0:46:33.560 --> 0:46:35.279
<v Speaker 1>you know what I had to do, because he had

0:46:35.280 --> 0:46:38.080
<v Speaker 1>a soda out and his game. I had to climb

0:46:38.200 --> 0:46:41.359
<v Speaker 1>onto his seat and then down on his father's seat

0:46:41.480 --> 0:46:46.120
<v Speaker 1>to get out. So the bathrooms are in the back

0:46:46.160 --> 0:46:49.920
<v Speaker 1>of the plane. Behind the bathroom is the flight attendant

0:46:49.960 --> 0:46:52.600
<v Speaker 1>area where the food. They call that the galley, the galley.

0:46:53.200 --> 0:46:55.720
<v Speaker 1>So he and two people are waiting from the galley.

0:46:55.760 --> 0:46:59.400
<v Speaker 1>From the galley, he and two feet, he and two

0:46:59.480 --> 0:47:02.080
<v Speaker 1>people away eating in the aisle in front of me. Right,

0:47:02.520 --> 0:47:05.279
<v Speaker 1>So every time someone comes out of the bathroom, they

0:47:05.360 --> 0:47:07.680
<v Speaker 1>have to shimmy past us, and I have to lean

0:47:07.800 --> 0:47:09.800
<v Speaker 1>on the guy in the aisle to like on his

0:47:09.920 --> 0:47:12.200
<v Speaker 1>head so that the people who are who big to

0:47:12.239 --> 0:47:15.719
<v Speaker 1>shimmy can get by us. So I say to them,

0:47:15.920 --> 0:47:18.560
<v Speaker 1>like in bed bath and beyond, Hey, guys, could you

0:47:18.680 --> 0:47:21.080
<v Speaker 1>move beyond the doors and go stand in the galley

0:47:21.880 --> 0:47:24.600
<v Speaker 1>and this way people come out of the bathroom, it's

0:47:24.600 --> 0:47:28.719
<v Speaker 1>a straight shot back to the seat. No, they stand there.

0:47:30.080 --> 0:47:35.480
<v Speaker 1>So I go and I wait, right, and uh, I

0:47:35.719 --> 0:47:38.680
<v Speaker 1>go to the galley. I wait, and then uh, I

0:47:38.800 --> 0:47:41.480
<v Speaker 1>go into my to my bathroom. I go into the

0:47:41.560 --> 0:47:43.759
<v Speaker 1>second door because there's two doors on the right, one

0:47:43.800 --> 0:47:46.239
<v Speaker 1>on the left. I come out of the second door,

0:47:46.680 --> 0:47:49.239
<v Speaker 1>Dan yell again from my Morning show comes out of

0:47:49.320 --> 0:47:53.080
<v Speaker 1>the first door. Now, she wasn't online when I went in,

0:47:53.880 --> 0:47:56.320
<v Speaker 1>which means she was in there a long fucking time

0:47:57.120 --> 0:47:59.960
<v Speaker 1>because I was third in line. So three people went

0:48:00.000 --> 0:48:05.200
<v Speaker 1>into other bathrooms to people and me. Right, okay, So

0:48:05.960 --> 0:48:08.000
<v Speaker 1>Danielle then walks through the idiot line of all the

0:48:08.040 --> 0:48:10.839
<v Speaker 1>people that won't stand in the galley. I stayed by

0:48:10.880 --> 0:48:13.720
<v Speaker 1>my second door, and a woman who's on the idiot

0:48:13.800 --> 0:48:18.600
<v Speaker 1>line walks past Danielle's first door, and I'm now standing

0:48:18.640 --> 0:48:21.319
<v Speaker 1>in front of the second door, right, I just came

0:48:21.320 --> 0:48:24.279
<v Speaker 1>out of it. She walks up to me and says, oh,

0:48:24.360 --> 0:48:26.759
<v Speaker 1>can I go in there? She just saw Danielle get

0:48:26.760 --> 0:48:29.280
<v Speaker 1>out of the first door, So I say, that means

0:48:29.280 --> 0:48:31.200
<v Speaker 1>she'd be be cutting you, wouldn't it know? I was

0:48:31.280 --> 0:48:33.560
<v Speaker 1>coming out of the second door. So I say to heart,

0:48:33.719 --> 0:48:36.400
<v Speaker 1>excuse me. Wouldn't it make sense if you went in

0:48:36.480 --> 0:48:39.880
<v Speaker 1>the first bathroom you just walked past it and going

0:48:39.920 --> 0:48:46.480
<v Speaker 1>to laboratory one? And she goes, oh, why would you

0:48:46.520 --> 0:48:48.920
<v Speaker 1>walk past the open door one and then want me

0:48:49.000 --> 0:48:50.399
<v Speaker 1>to move out of your way to get into two?

0:48:51.440 --> 0:48:53.400
<v Speaker 1>I stopped so you could go in. I go up

0:48:53.440 --> 0:48:57.920
<v Speaker 1>past you, all right. Maybe she didn't. Maybe she smelled Danielle.

0:48:57.920 --> 0:49:01.000
<v Speaker 1>That's what I think. I come back to my seat

0:49:01.480 --> 0:49:04.400
<v Speaker 1>two minutes later. Two minutes I'm gone because the kid

0:49:04.520 --> 0:49:07.120
<v Speaker 1>was in the other stall. The dad and his son

0:49:07.160 --> 0:49:09.719
<v Speaker 1>had their video screens again hanging on the back of

0:49:09.760 --> 0:49:12.440
<v Speaker 1>the seats, trade tables down. They have new drinks out

0:49:12.480 --> 0:49:14.439
<v Speaker 1>of the way. The new drinks from the woman didn't

0:49:14.480 --> 0:49:19.040
<v Speaker 1>come around with drinks. Okay, after all that, he doesn't

0:49:19.080 --> 0:49:20.759
<v Speaker 1>want to get up, His father doesn't want to get up,

0:49:21.280 --> 0:49:24.200
<v Speaker 1>and they're they're texting. They're like, hold on, we gotta

0:49:24.239 --> 0:49:26.560
<v Speaker 1>send this text message. So I stand there like a

0:49:26.640 --> 0:49:29.680
<v Speaker 1>fucking idiot. That's not the worst part. I get back

0:49:29.719 --> 0:49:32.520
<v Speaker 1>to my seat. Finally. Right, we're landing in New York,

0:49:33.719 --> 0:49:35.839
<v Speaker 1>the planes coming in for a landing. I'm looking out

0:49:35.880 --> 0:49:37.520
<v Speaker 1>the window because I'm nervous. We had a long flight,

0:49:37.760 --> 0:49:41.399
<v Speaker 1>little turbulence. I'm exhausted. We're up since one in the morning.

0:49:44.280 --> 0:49:48.560
<v Speaker 1>Guess what fucking Andy wants to He wants to take

0:49:48.680 --> 0:49:52.040
<v Speaker 1>the landing. It wasn't bad enough. He wants to take

0:49:52.120 --> 0:49:57.279
<v Speaker 1>to take off. Now he's so ding. I want to

0:49:57.360 --> 0:50:03.399
<v Speaker 1>look out the window. Bad enough? You stud in the aisle. Yeah,

0:50:03.520 --> 0:50:05.839
<v Speaker 1>your trays down, You get up to go to the baths,

0:50:05.880 --> 0:50:08.719
<v Speaker 1>and we don't put your tray back up. Disrespect what

0:50:08.800 --> 0:50:10.239
<v Speaker 1>I want to go back to my seat. I gotta

0:50:10.239 --> 0:50:13.840
<v Speaker 1>get a dirty look. And now I got the comfort

0:50:13.880 --> 0:50:16.479
<v Speaker 1>seat to look out the window. You want to film

0:50:16.560 --> 0:50:22.480
<v Speaker 1>the landing? No, you're not filming the landing. Fuck you Andy,

0:50:22.840 --> 0:50:25.160
<v Speaker 1>and fuck you Andy's dad because he didn't help it

0:50:25.239 --> 0:50:28.040
<v Speaker 1>all either this kid shouldn't be on a plane. There

0:50:28.080 --> 0:50:31.839
<v Speaker 1>are rules in the air. He didn't understand them. Fuck him,

0:50:32.760 --> 0:50:36.280
<v Speaker 1>Fuck you Todd, Oh, and pre emptively fuck you lose.

0:50:36.640 --> 0:50:41.279
<v Speaker 1>That's coming up soon. Lose Yeah, l u z car

0:50:41.600 --> 0:50:44.959
<v Speaker 1>preemptively fuck you lose. The word loses in her name. Yeah,

0:50:45.080 --> 0:50:49.640
<v Speaker 1>she's um already UM did disadvantage. So all right, that's great,

0:50:50.120 --> 0:50:51.440
<v Speaker 1>that's it. That's all you want to do. No, I

0:50:51.480 --> 0:50:52.839
<v Speaker 1>got a lot more. We gotta do it next week.

0:50:53.160 --> 0:50:55.120
<v Speaker 1>We have unused jokes. I got doctor's ap pointment. I

0:50:55.160 --> 0:50:57.480
<v Speaker 1>give you one on you doctor. You always have a

0:50:57.560 --> 0:51:03.000
<v Speaker 1>doctor's appointment. Make him on Wednesday's today's Wednesday. I wanted

0:51:03.000 --> 0:51:07.200
<v Speaker 1>to do email and everything. No, by the way, here's

0:51:07.200 --> 0:51:08.680
<v Speaker 1>what I want to do. Hold on, here's that want

0:51:08.719 --> 0:51:10.560
<v Speaker 1>to do. I want to thank everyone that brought all

0:51:10.600 --> 0:51:13.040
<v Speaker 1>mos steaks. A lot of people sent the copies of

0:51:13.080 --> 0:51:16.320
<v Speaker 1>their invoice and their bill. They put pictures of the boxes.

0:51:16.920 --> 0:51:19.879
<v Speaker 1>Uh you guys, huge tremendous and thank you for Yeah.

0:51:19.920 --> 0:51:22.000
<v Speaker 1>We asked you if you could say, screenshot those and

0:51:22.080 --> 0:51:24.440
<v Speaker 1>we sent them to the people who made the purchase,

0:51:24.520 --> 0:51:27.880
<v Speaker 1>that made the account for us. Look, look, we're selling steaks.

0:51:27.920 --> 0:51:30.680
<v Speaker 1>We're selling steaks and more importantly, we're saving people money.

0:51:30.719 --> 0:51:33.120
<v Speaker 1>Seven sent off. Well, that's the main reason why we

0:51:33.239 --> 0:51:35.960
<v Speaker 1>enter enter keyword. Yeah, that's what that wasn't a commercial,

0:51:36.160 --> 0:51:38.799
<v Speaker 1>just saying that we we even know, but that's why

0:51:38.880 --> 0:51:41.680
<v Speaker 1>we actually took the took this commercial. I'm like, we wanted,

0:51:41.719 --> 0:51:43.799
<v Speaker 1>we wanted to pass some love on and they made

0:51:43.840 --> 0:51:47.240
<v Speaker 1>that deal for us. So we appreciate the seven. Kristin

0:51:47.280 --> 0:51:50.479
<v Speaker 1>Delgado at Fox thirty five. Kristen, she's on Fox thirty

0:51:50.520 --> 0:51:52.360
<v Speaker 1>five somewhere in the country. We love that she's a

0:51:52.360 --> 0:51:54.640
<v Speaker 1>famous person. That's cool. She put a pictures of all

0:51:54.640 --> 0:51:58.800
<v Speaker 1>her boxes that arrived. Oh and Shady jew Mobster on Twitter.

0:51:59.560 --> 0:52:01.120
<v Speaker 1>I got a lot of people sent but Shandy Jue

0:52:01.120 --> 0:52:02.960
<v Speaker 1>Mobster gotta do my boys a solid. Told my whole

0:52:03.000 --> 0:52:06.040
<v Speaker 1>office about Omaha Steaks, showed them pictures of all the

0:52:06.120 --> 0:52:08.640
<v Speaker 1>fine about the mighty fine meat I got, and at

0:52:08.719 --> 0:52:10.520
<v Speaker 1>least half of the people in my order in my

0:52:10.640 --> 0:52:12.839
<v Speaker 1>office or ordering or order the next day or two

0:52:13.360 --> 0:52:16.719
<v Speaker 1>saying the Brooklyn Boys code hashtag free dessert. Oh they

0:52:16.760 --> 0:52:19.479
<v Speaker 1>want free dessert. Well you gotta mention Shandy Jeu Mobster

0:52:19.680 --> 0:52:21.920
<v Speaker 1>and you got seven hit sent off. There's seventy eight

0:52:22.040 --> 0:52:26.000
<v Speaker 1>percent off and also, um who else somebody? There was

0:52:26.040 --> 0:52:27.360
<v Speaker 1>a couple other people that did too. You know, I

0:52:27.400 --> 0:52:30.320
<v Speaker 1>got I got with so many but his thing. I

0:52:30.400 --> 0:52:32.359
<v Speaker 1>want to want to play this song out. We're gonna

0:52:32.400 --> 0:52:34.400
<v Speaker 1>We're gonna end with the real Greg break. Okay, so

0:52:34.520 --> 0:52:36.879
<v Speaker 1>last last episode forty listen, I know you listen in order.

0:52:37.360 --> 0:52:39.239
<v Speaker 1>By the way, next week I got a new listen

0:52:39.320 --> 0:52:41.320
<v Speaker 1>in order song for you episode forty two. Before we

0:52:41.400 --> 0:52:43.040
<v Speaker 1>do go, I do have to give you the one

0:52:43.400 --> 0:52:46.839
<v Speaker 1>Grammar Police of the week because this is pretty bad.

0:52:47.520 --> 0:52:49.160
<v Speaker 1>Did you see that? Is this real? Or is his

0:52:49.280 --> 0:52:53.040
<v Speaker 1>doctor know this? Hold on a second, broudy Jesus Christ,

0:52:53.440 --> 0:52:57.880
<v Speaker 1>give me a second. Here the someone said that at

0:52:57.920 --> 0:53:02.560
<v Speaker 1>Eminem's at Eminem's World in Times Square, the ladies room

0:53:03.400 --> 0:53:07.839
<v Speaker 1>clearly is marked L A D I E apostrophe s room.

0:53:08.400 --> 0:53:12.160
<v Speaker 1>You cannot possibly be serious. That's first of all, somebody,

0:53:12.480 --> 0:53:15.719
<v Speaker 1>thank you, by the way to Leesel Guzman at Underscore

0:53:15.840 --> 0:53:19.279
<v Speaker 1>Lee's Land. This is not a hand sign. This isn't

0:53:19.280 --> 0:53:21.319
<v Speaker 1>a sign they ordered from a shop that spelled it wrong.

0:53:21.480 --> 0:53:24.160
<v Speaker 1>They fucking painted this is This is a giant yellow

0:53:24.400 --> 0:53:27.799
<v Speaker 1>chocolate covered peanut that was stencil which means corporate ordered

0:53:27.880 --> 0:53:30.959
<v Speaker 1>it when they designed the store, and they left it there.

0:53:31.280 --> 0:53:35.160
<v Speaker 1>He's how do you allow that? This is a triple

0:53:35.200 --> 0:53:43.960
<v Speaker 1>grammar mistake? And I'll tell you why, Lezelez l A

0:53:44.239 --> 0:53:49.040
<v Speaker 1>d I. That means the lady owns the bathroom. It's

0:53:49.080 --> 0:53:52.399
<v Speaker 1>hard bathroom. The problem. Yeah, it would it would be yeah,

0:53:52.440 --> 0:53:56.400
<v Speaker 1>it would have to be l A d Y. It

0:53:56.440 --> 0:53:59.239
<v Speaker 1>should have been l A d I e Sphe is

0:53:59.640 --> 0:54:04.680
<v Speaker 1>one the eminem's names Lady? No, No, it's it's Mrs Brown.

0:54:04.960 --> 0:54:07.919
<v Speaker 1>Do the eminem's have names? No, it's Mrs Brown. Sure

0:54:07.920 --> 0:54:10.400
<v Speaker 1>about that? Well, that brown is the brown one. But

0:54:10.560 --> 0:54:13.680
<v Speaker 1>what is the yellow one called? Mr? Yellow? Does the

0:54:13.719 --> 0:54:17.600
<v Speaker 1>red eminem have a name? Guest, you can figure out

0:54:17.640 --> 0:54:20.560
<v Speaker 1>the pattern the name. Nope. If the name of the

0:54:20.640 --> 0:54:25.320
<v Speaker 1>eminem is actually lady, then we're fucked. We are the

0:54:25.800 --> 0:54:30.040
<v Speaker 1>joke is on us. Hold on, I'm Brodie. I'm I'm

0:54:30.080 --> 0:54:32.640
<v Speaker 1>starting to I'm starting to think, Brodie, I'm starting to

0:54:32.719 --> 0:54:34.480
<v Speaker 1>think right now, and then I swear to God here

0:54:34.560 --> 0:54:37.680
<v Speaker 1>live on the podcast. I'm thinking that it was such

0:54:37.760 --> 0:54:40.960
<v Speaker 1>a bad he doesn't exist because lady is l A

0:54:41.080 --> 0:54:44.160
<v Speaker 1>d Y. Then then I can't I can't comprehend why

0:54:44.160 --> 0:54:45.960
<v Speaker 1>they would have left it that way. You're a major

0:54:46.120 --> 0:54:49.440
<v Speaker 1>corporate store at the flagship store in Time Square with

0:54:49.560 --> 0:54:52.000
<v Speaker 1>big letters. How the hell do you allow that to

0:54:52.160 --> 0:54:55.000
<v Speaker 1>stay that way and not correct it? And by the way,

0:54:55.040 --> 0:54:57.360
<v Speaker 1>it's not new, it's been apparently that sign has been

0:54:57.440 --> 0:55:01.239
<v Speaker 1>up for a while. That's this Austin. Lookay, there's there's

0:55:01.280 --> 0:55:05.840
<v Speaker 1>an article review on lady up on trip Advisor ladies

0:55:05.920 --> 0:55:07.800
<v Speaker 1>dorm room bathroom. They took a picture of it to

0:55:07.880 --> 0:55:09.880
<v Speaker 1>complain about it, and they said they spelled it l

0:55:09.920 --> 0:55:13.200
<v Speaker 1>a d i apostrophes cost but no, it's okay, So

0:55:13.320 --> 0:55:17.160
<v Speaker 1>the eminem is not named lady Okay, all right, then

0:55:17.200 --> 0:55:21.560
<v Speaker 1>you guys on Wembley Stadium frostily and short of ladies toilets.

0:55:21.840 --> 0:55:24.239
<v Speaker 1>Maybe it's a British thing, but it certainly doesn't belong

0:55:25.480 --> 0:55:30.120
<v Speaker 1>is the day is a long break Murica? Yeah, so

0:55:30.360 --> 0:55:32.160
<v Speaker 1>we're not going to read any of that ship all right,

0:55:32.239 --> 0:55:34.120
<v Speaker 1>let's get into the real Greg. I remember I wrote

0:55:34.160 --> 0:55:36.000
<v Speaker 1>most of this. He changed one word and put his

0:55:36.120 --> 0:55:37.640
<v Speaker 1>name on it. I didn't get a penny. This is

0:55:37.640 --> 0:55:40.000
<v Speaker 1>a parody of the real Slim Shady. You listen in

0:55:40.160 --> 0:55:41.960
<v Speaker 1>order as you heard episode four, and this is by

0:55:42.000 --> 0:55:45.319
<v Speaker 1>the way, Barry Williams, who played Greg, I gotta leave.

0:55:45.600 --> 0:55:48.759
<v Speaker 1>You're gonna play the Brooklyn Boys, uh song at the end?

0:55:49.120 --> 0:55:52.640
<v Speaker 1>I love you all see a forty two Everybody Brady

0:55:53.440 --> 0:56:00.400
<v Speaker 1>by great great great Marsha Marshall Marsha. I repeat, May

0:56:00.440 --> 0:56:03.760
<v Speaker 1>I have your attention? Please real, the real great Brady

0:56:03.840 --> 0:56:06.680
<v Speaker 1>please stand up. That's me, of course, Berry Williams, Great

0:56:06.719 --> 0:56:09.560
<v Speaker 1>great Berry Williams, Great Brady Berry Williams. Oh, we're gonna

0:56:09.600 --> 0:56:12.040
<v Speaker 1>have a problem here. Y'all act like you've ever seen

0:56:12.080 --> 0:56:15.000
<v Speaker 1>a real Brady before, Bell Bottles, Polly Yes, her head bands,

0:56:15.000 --> 0:56:18.080
<v Speaker 1>orange hair, wasn't perm was it real? Hay Hare's here's

0:56:18.080 --> 0:56:19.920
<v Speaker 1>a story. Here's the story of a guy named me,

0:56:20.120 --> 0:56:22.040
<v Speaker 1>Greg Brady, Berry william Don't you know we were the

0:56:22.080 --> 0:56:24.880
<v Speaker 1>real that seventies show? And Oh Alice, Oh prepared Sam's

0:56:24.920 --> 0:56:27.320
<v Speaker 1>meat for free. You know what I mean. It's the

0:56:27.400 --> 0:56:30.520
<v Speaker 1>return of Johnny Bravo. Wait, no, when you're kidding. He

0:56:30.600 --> 0:56:32.920
<v Speaker 1>didn't just say what I think? Did he? And Mike

0:56:33.000 --> 0:56:36.719
<v Speaker 1>Brady said nothing? You idiots like Tiger. He's been in

0:56:36.840 --> 0:56:39.520
<v Speaker 1>the head, a lisp in the head, a lisp, Greg Brave,

0:56:39.600 --> 0:56:42.160
<v Speaker 1>I'm sick at him. Look at him walking around whearing

0:56:42.239 --> 0:56:45.600
<v Speaker 1>his tecky god certain and wiping out. Yeah, but he's

0:56:45.640 --> 0:56:48.040
<v Speaker 1>so cute though he was cool for a while being

0:56:48.080 --> 0:56:51.040
<v Speaker 1>a teenage star. Another Brady name can only go so far.

0:56:51.120 --> 0:56:53.520
<v Speaker 1>I'm doing stuff that's new, But I'm Greg Brady too,

0:56:53.800 --> 0:56:57.279
<v Speaker 1>Football in the Marsha's nose, singacorus, and Greg Brady is

0:56:57.600 --> 0:57:00.560
<v Speaker 1>the real Brady, all the other great Bradies of justin retating.

0:57:00.719 --> 0:57:03.400
<v Speaker 1>So if you ain't Great Brady, please shut up, Please

0:57:03.440 --> 0:57:06.440
<v Speaker 1>shut up, Please shut up, cause I'm Great Brady and

0:57:06.560 --> 0:57:08.960
<v Speaker 1>I did ladies more than any big Bradies to stop,

0:57:09.080 --> 0:57:11.320
<v Speaker 1>and you're imitating. It's I'm the real Great Brady. I

0:57:11.520 --> 0:57:14.640
<v Speaker 1>grew up. I grew up. Please shut up. It was

0:57:14.760 --> 0:57:16.840
<v Speaker 1>so much fun making that show for you, and then

0:57:16.880 --> 0:57:18.800
<v Speaker 1>write my book to telling you who was dating you.

0:57:18.880 --> 0:57:21.320
<v Speaker 1>Because it was all TV. It wasn't real. Just play

0:57:21.400 --> 0:57:23.520
<v Speaker 1>back then we couldn't say that the dad was really gay,

0:57:23.600 --> 0:57:25.680
<v Speaker 1>or that my mom and TV was dating me. TV.

0:57:26.000 --> 0:57:27.920
<v Speaker 1>It was gruby, far out out of sight. But any

0:57:28.000 --> 0:57:29.640
<v Speaker 1>night you light up a TV and then you see

0:57:29.680 --> 0:57:31.360
<v Speaker 1>someone to be trying to be me great, Just be

0:57:31.400 --> 0:57:34.000
<v Speaker 1>sure you know the r't no show without me. Berry Williams,

0:57:34.040 --> 0:57:36.880
<v Speaker 1>Johnny brom Greg Brady, the Castle, Greg Brady Clinton, even

0:57:36.920 --> 0:57:40.320
<v Speaker 1>Greg Brady, Akies coming up the Wazoo and a dig

0:57:40.440 --> 0:57:43.040
<v Speaker 1>Eminem and Clark bars too. What was the oldest kid?

0:57:43.160 --> 0:57:45.040
<v Speaker 1>And I was young and cute. I would never do

0:57:45.200 --> 0:57:47.320
<v Speaker 1>too and I skill fit that suit. I'm here to

0:57:47.400 --> 0:57:49.439
<v Speaker 1>stay and if you're getting my way, you could grab

0:57:49.520 --> 0:57:52.120
<v Speaker 1>it where there hain't no sunshine day. Hey, I'm great

0:57:52.160 --> 0:57:54.160
<v Speaker 1>Brady is I'm the real Brady? All you are the

0:57:54.200 --> 0:57:57.320
<v Speaker 1>great Bradies are not sittingdicated. So if you ain't Great Brady,

0:57:57.400 --> 0:58:00.800
<v Speaker 1>please shut up, Please shut up, Please shut up, because

0:58:00.880 --> 0:58:03.560
<v Speaker 1>I'm Great Brady and I did ladies more than anything

0:58:03.680 --> 0:58:06.560
<v Speaker 1>Brady out swim and she. So if you ate Great Brady,

0:58:06.640 --> 0:58:10.760
<v Speaker 1>please shut up, don't suck up, Please grow up. I

0:58:10.960 --> 0:58:13.280
<v Speaker 1>gotta get out of this time more. How did I

0:58:13.360 --> 0:58:15.920
<v Speaker 1>get stuck in this box in the upper right hand corner? Anyway,

0:58:16.600 --> 0:58:19.280
<v Speaker 1>I was a teen idol before the Backstreet Boys were born.

0:58:20.040 --> 0:58:24.760
<v Speaker 1>I was a boy band by myself. I love to stay.

0:58:25.000 --> 0:58:33.800
<v Speaker 1>Gotta go because something suddenly came up. So boys Wrong

0:58:37.520 --> 0:58:46.400
<v Speaker 1>Brooklyn daw Boys, Brock brook Lay, Broolena Boys, Brock Broke

0:58:46.520 --> 0:58:46.680
<v Speaker 1>Lay