WEBVTT - Jane Bigelow: “The Bigelow Terror”

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<v Speaker 1>Welcome to Criminalia, a production of Shonda Land Audio in

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<v Speaker 1>partnership with I Heart Radio. It was the best of times,

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<v Speaker 1>it was the worst of times. Hello, and welcome to

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<v Speaker 1>another episode of Criminalia. This season, we're exploring the lives

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<v Speaker 1>and motivations of some of the most notorious stalkers throughout history.

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<v Speaker 1>I'm Maria tram Marquis and I'm Holly Fry. So you

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<v Speaker 1>probably recognize that quote that Maria kicked things off with.

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<v Speaker 1>And if it sounds familiar but you can't quite place it,

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<v Speaker 1>I will help you out. It's from A Tale of

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<v Speaker 1>Two Cities, which was written by Charles Dickens. And of

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<v Speaker 1>course Dickens is considered one of the best known fiction

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<v Speaker 1>writers ever, certainly in the Western world, and with each

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<v Speaker 1>passing century he continues to be regarded as perhaps the

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<v Speaker 1>greatest novelist of the Victorian era, certainly probably the most famous,

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<v Speaker 1>at least for school children here in the US. He

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<v Speaker 1>is responsible for classic novels. You're going to know all

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<v Speaker 1>these names. Oliver Twist, a Christmas carol which everybody knows

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<v Speaker 1>because it inundates us from November through December, maybe October sometimes,

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<v Speaker 1>David Copperfield, a Tale of Two Cities, as we just mentioned,

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<v Speaker 1>and Great Expectations, among many other writings. And it's accurate

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<v Speaker 1>to say that because of this high level of output

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<v Speaker 1>and success over the years, Dickens attracted more than a

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<v Speaker 1>super fan or two. So it actually wasn't uncommon during

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<v Speaker 1>this time for writers to begin their careers as journalists,

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<v Speaker 1>and that's what Dickens did. He worked at The Mirror

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<v Speaker 1>of Parliament and The True Son until three and it

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<v Speaker 1>was because of his experiences as a journalist and the

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<v Speaker 1>number of influential people that he was able to meet

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<v Speaker 1>through those journals, that Dickens was able to do something

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<v Speaker 1>he really wanted to do as a writer, which was

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<v Speaker 1>published a book. He's climbing that ladder exactly. He did

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<v Speaker 1>get to publish his book, which happened in eighteen thirty three,

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<v Speaker 1>that was titled Sketches by Bass, and it was published

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<v Speaker 1>under the pseudonym Bass, that was his childhood nickname. And

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<v Speaker 1>we may know him best for his huge list of

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<v Speaker 1>novels that he wrote, but Dickens did a lot of

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<v Speaker 1>other work. He edited weekly periodicals, he wrote travel books,

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<v Speaker 1>and he was very involved with charitable organizations. Just three

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<v Speaker 1>years after the publication of sketches by Boss, so this

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<v Speaker 1>puts us in eighty six. Twenty four year old Dickens

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<v Speaker 1>married the twenty one year old daughter of a man

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<v Speaker 1>named George Hogarth, who was someone that Dickens had previous

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<v Speaker 1>business dealings with. They had worked quite closely, and that

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<v Speaker 1>woman was Catherine Hogarth, and she and Charles Dickens went

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<v Speaker 1>on to have a twenty two year marriage which produced

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<v Speaker 1>ten children. So the same month that he and Catherine married,

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<v Speaker 1>the first installment of The Pickwick Papers was published. Now,

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<v Speaker 1>this is one of the most pular novels of all

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<v Speaker 1>time in the Western world. This collection of loosely related

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<v Speaker 1>adventures was published in serial format, so came out a

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<v Speaker 1>little bit of a time between eighteen thirty six and

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<v Speaker 1>eight thirty seven, and it was wildly successful. And from

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<v Speaker 1>that point on there was really no looking back for

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<v Speaker 1>the famously private Dickens. Speaking of that marriage, yes, let's

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<v Speaker 1>talk about those children for just a moment. It is

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<v Speaker 1>pretty widely reported that Dickens really enjoyed being a father,

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<v Speaker 1>specifically to a young brood of children, and he wrote

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<v Speaker 1>and produced plays and other fairly elaborate holiday productions at

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<v Speaker 1>their home to entertain friends. And guests such as the

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<v Speaker 1>Tennyson's and the Thackeray's, also famous writers of the time.

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<v Speaker 1>This of course involved all those kids, right we have

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<v Speaker 1>a whole players group, right I have. I have a

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<v Speaker 1>stock cast of ten I could work with. But as

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<v Speaker 1>his kids got a little bit older, though, it said

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<v Speaker 1>that Dickens became much less interested in them. They kind

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<v Speaker 1>of aged out of the magic window for his his fascination.

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<v Speaker 1>Nobody wanted to do those little plays anymore. The second

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<v Speaker 1>they've become rebellious. I picture him being like, you're out

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<v Speaker 1>of the play exactly. They hit that age, and he's like, out,

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<v Speaker 1>your voice is changed. You cannot do this anymore. We're

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<v Speaker 1>going to cast your younger sister. So I am going

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<v Speaker 1>to actually keep talking about these kids for just another minute,

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<v Speaker 1>because there is something we should really address about their

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<v Speaker 1>names and their nicknames that their father gave to them.

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<v Speaker 1>And as you're about to hear, how could we not

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<v Speaker 1>talk about this? So Dickens is known for his unique

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<v Speaker 1>and often kind of hilarious character names in his novels.

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<v Speaker 1>There's Paul Sweedlepipe, I believe, Lord Lancaster still Stalking and

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<v Speaker 1>the pork and hams um All a favorite all come

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<v Speaker 1>to mind, and uh, things weren't really all that different

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<v Speaker 1>with his kids. So some of the children were actually

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<v Speaker 1>named for famous writers such as Alfred Tennyson Dickens and

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<v Speaker 1>Henry Fielding Dickens. But it wasn't just their real names, right,

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<v Speaker 1>they had nicknames. They all had nicknames. And you can tell,

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<v Speaker 1>like as he that he really did love having a

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<v Speaker 1>young group of children. Right. So there were nine living

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<v Speaker 1>children because their daughter Dora had died in infancy. So

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<v Speaker 1>we're gonna talk about each of these children, and they're

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<v Speaker 1>hilarious and adorable, question mark nicknames. It's going to take

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<v Speaker 1>a minute, though, because it's nine children. So first of all, Charlie,

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<v Speaker 1>who was the oldest son, was nicknamed the snodg ering blee.

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<v Speaker 1>It just what you want your dad to call you,

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<v Speaker 1>for sure, you're like dad, how kind You're not in

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<v Speaker 1>front of my friends. His eldest daughter, Mary was known

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<v Speaker 1>mostly as Many, but she also had a nickname, uh,

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<v Speaker 1>the mild Gloster. His son Henry was known as Harry

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<v Speaker 1>or just h most of the time, but he also

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<v Speaker 1>answered to a couple of other names, including the comic

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<v Speaker 1>Countryman and sometimes the jolly post Boy. There was also

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<v Speaker 1>Francis chicken Stalker Dickens Um, and the name honors a

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<v Speaker 1>character from a Dickens novel, which actually almost all of

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<v Speaker 1>these nicknames do. Right, then we have Walter young Skull Dickens.

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<v Speaker 1>I would kind of love if that's what my family

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<v Speaker 1>called me, young Skull. We can start calling you young

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<v Speaker 1>Sandwich is already young skull. Please come inside. That's how

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<v Speaker 1>I'll introduce you from now. This is young Skull. People

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<v Speaker 1>be like that skull is not young. Let's move on. Um.

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<v Speaker 1>Alfred Tennyson, he was known as Skittles, not the candy.

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<v Speaker 1>I know, I have questions. I'm like their connection betwixt

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<v Speaker 1>the two. Sydney Dickens had two nicknames. One was the

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<v Speaker 1>Ocean Specter, which sounds sort of dramatic and actually feel

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<v Speaker 1>like that one somehow related to Skittles because through me,

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<v Speaker 1>Skittles makes me think of like a little crab, you know,

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<v Speaker 1>sort of running around. Well. The other nickname that Sydney

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<v Speaker 1>had was also maritime in nature. It was the Admiral

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<v Speaker 1>Oh Yes. And then there was Kate, who was one

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<v Speaker 1>of the youngest children in the family, and Dickens gave

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<v Speaker 1>her her specific nickname because of her hot temper, Kate

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<v Speaker 1>was known as Lucifer Box. I just back away from

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<v Speaker 1>that one. And then there was the baby, which is

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<v Speaker 1>one of the nicknames I think most most large families

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<v Speaker 1>will sometimes called the youngest child the baby. Ye right,

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<v Speaker 1>do you have the baby? Even I, as an adult human,

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<v Speaker 1>people would be like, oh, you're the baby, and I'm like, sure, right, yeah,

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<v Speaker 1>the baby. That was his son, Edward. But Edward didn't

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<v Speaker 1>continue to be called the baby throughout his life because

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<v Speaker 1>he grew into a new nickname which stuck with him

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<v Speaker 1>for the rest of his life, and that was Plorn,

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<v Speaker 1>which actually began as Mr Plournish maroon teagooner. These are

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<v Speaker 1>like the things you would call a pet, right. I

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<v Speaker 1>was just thinking they're great like cat names. Who bless

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<v Speaker 1>Edward for putting up with that and somehow negotiating it

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<v Speaker 1>down to Plorn and now Ran he's like dropped the Mr. Please.

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<v Speaker 1>That's a long list of really great and funny nicknames.

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<v Speaker 1>So I'm going to take us to uh Dickens his

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<v Speaker 1>own childhood and life for a minute. And this is

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<v Speaker 1>before he became famous. So he was born in eighteen

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<v Speaker 1>twelve and it was into kind of a lower middle

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<v Speaker 1>class family and neighborhood. His father was a clerk in

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<v Speaker 1>the Navy payoffice, but ultimately he was sent to debtors prison,

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<v Speaker 1>and at age twelve, Dickens supported his family by taking

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<v Speaker 1>a factory job where he pasted labels on shoe polish bottles.

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<v Speaker 1>His novel David Copperfield is actually considered largely autobiographical, especially

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<v Speaker 1>this time, and it is also believed that Dickens likely

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<v Speaker 1>lived with epilepsy. Modern doctors have noted that the way

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<v Speaker 1>that Dickens described what he called quote the falling sickness

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<v Speaker 1>as it was known in the Victorian era, bears striking

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<v Speaker 1>medical accuracy when you compare it to descriptions of epilepsy,

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<v Speaker 1>and throughout his works, several of Dickens's fictional characters, including

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<v Speaker 1>monks in Oliver Twists, are described as also having symptoms

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<v Speaker 1>of what we today would diagnose his epilepsy. As an adult,

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<v Speaker 1>Dickens really liked being active. He was known to go

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<v Speaker 1>horseback riding. He was not going on a probably long

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<v Speaker 1>distance like twenty mile hikes. He frequently entertained his friends,

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<v Speaker 1>and it turns out he really enjoyed playing practical jokes.

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<v Speaker 1>He was a magician, and he practiced hypnotism, and it

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<v Speaker 1>said that he would hypnotize Catherine to help alleviate her headaches.

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<v Speaker 1>Although he read gularly practiced it on others, he always

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<v Speaker 1>refused to be put into a trance himself. Dickens also

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<v Speaker 1>loved and we got to repeat this, he loved all

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<v Speaker 1>things paranormal. He was at least allegedly a member of

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<v Speaker 1>London's famous Ghost Club. That's a group that investigates reported

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<v Speaker 1>ghosts and hauntings. We're using present tents because that club

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<v Speaker 1>is still around today, although if you look at its history,

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<v Speaker 1>some indicate that, like after Dickens died, it fell off

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<v Speaker 1>for a while but then was revived. But you can

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<v Speaker 1>look it up today. If you're just you know, looking

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<v Speaker 1>to join a paranormal investigation and research organization and you

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<v Speaker 1>happen to be in London, absolutely maybe Dickens behaunt you

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<v Speaker 1>fingers crossed, right. Yeah, So let's take a break for

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<v Speaker 1>a word from our sponsor right now, and when we

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<v Speaker 1>return we'll talk about Dickens Mania. Welcome back to Criminalia.

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<v Speaker 1>Dickens's career and life changed significantly when he went on tour.

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<v Speaker 1>It was in eighteen sixty seven that Dickens kicked off

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<v Speaker 1>a seventies six date tour across America which has since

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<v Speaker 1>been described as the Victorian version of the British Invasion,

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<v Speaker 1>including the arrival of the Beatles at John F. Kennedy

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<v Speaker 1>Airport in New York City in the nineteen sixties. Dickens

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<v Speaker 1>had toured the US once before, in two and his

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<v Speaker 1>fans gave him a very warm welcome, literally trying to

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<v Speaker 1>tear the shirt off his back to get themselves a souvenir.

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<v Speaker 1>I marvel at these things, but I know I marvel

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<v Speaker 1>at these things. That's the kind of behavior I think

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<v Speaker 1>people think of as very modern fair mania. But it

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<v Speaker 1>was going on them between Dickens and Liz Domenia, like

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<v Speaker 1>there was a lot in terms of being a fan

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<v Speaker 1>of someone in the nineteenth century. Dickens, by the end

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<v Speaker 1>of the tour described his experience as primarily disenchanting. He complained,

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<v Speaker 1>we quote, I can't drink a glass of water without

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<v Speaker 1>having one hundred people looking down my throat when I

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<v Speaker 1>opened my mouth to swallow. So this type of celebrity

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<v Speaker 1>or rock star status is pretty commonplace today, and that's

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<v Speaker 1>certainly augmented by the connectivity that we've achieved, but in

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<v Speaker 1>the mid eighteen hundreds it most certainly was not. And

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<v Speaker 1>he just was not prepared for this level of constant

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<v Speaker 1>gaze upon him. Absolutely not, And as we can see,

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<v Speaker 1>he had a really hard time adjusting to it as

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<v Speaker 1>most of us really, honestly it might And his quote

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<v Speaker 1>is how queer it is that I should be perpetually

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<v Speaker 1>having things happen to me with regard to people that

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<v Speaker 1>nobody else in the world can be made to believe.

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<v Speaker 1>So between the first and second tours he made of

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<v Speaker 1>North America, and despite the twenty two years and ten

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<v Speaker 1>children together, Charles and Catherine ended the relationship in eighteen

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<v Speaker 1>fifty eight. Dickens is on record stating that he was

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<v Speaker 1>quote totally incompatible with his wife. You would think he

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<v Speaker 1>might have figured that out more than two decades later,

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<v Speaker 1>but but he did. The pair separated, but they did

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<v Speaker 1>not ever divorce because at that point in time in

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<v Speaker 1>Victorian society, divorce would have been quite scandalous because of

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<v Speaker 1>how famous Dickens had become. Like if TMZ had existed them,

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<v Speaker 1>they would have been all over this. They would have

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<v Speaker 1>been following him. There would have been paparazzi in the bushes,

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<v Speaker 1>outside of his hotel, cameras everywhere. But the thing was,

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<v Speaker 1>he didn't really treat the situation with care. He slandered

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<v Speaker 1>his wife's name publicly. After ten children and some postpartum

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<v Speaker 1>issues that she had. He thought that she had grown fat, tired,

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<v Speaker 1>and dull. Um. I came up with a new use

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<v Speaker 1>for the time travel machine and it might need to deliver. Uh.

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<v Speaker 1>I'm not a fan of violence, but I would want

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<v Speaker 1>to perhaps just you know, jab him with a sharp

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<v Speaker 1>stick and be like, what is wrong with you? Um?

0:14:07.640 --> 0:14:11.480
<v Speaker 1>He also just just once? He also it does count.

0:14:12.000 --> 0:14:16.320
<v Speaker 1>He also characterized his wife as weak minded and by

0:14:16.360 --> 0:14:19.840
<v Speaker 1>and large embarrassing to him, and he also said that

0:14:19.920 --> 0:14:22.960
<v Speaker 1>she was an unloving mother. So clearly that divorce was

0:14:23.080 --> 0:14:26.960
<v Speaker 1>all bad blood. There was not much amicable about it. No, no,

0:14:27.200 --> 0:14:30.440
<v Speaker 1>And it's also around this time that Dickens, who was

0:14:30.440 --> 0:14:34.480
<v Speaker 1>then began an affair with an eighteen year old actress

0:14:34.480 --> 0:14:38.320
<v Speaker 1>who was named Ellen or Nellie turn in Um. It's

0:14:38.400 --> 0:14:41.480
<v Speaker 1>it's really not known if that relationship began before or

0:14:41.520 --> 0:14:45.160
<v Speaker 1>after he and Catherine separated, but it's known that he

0:14:45.240 --> 0:14:48.600
<v Speaker 1>did do his best to hide his new relationship. He

0:14:48.640 --> 0:14:51.360
<v Speaker 1>always maintained though, that Nelly was not his mistress and

0:14:51.400 --> 0:14:56.080
<v Speaker 1>they weren't having an affair, but everyone modern day knows

0:14:56.120 --> 0:14:59.200
<v Speaker 1>that that was just a lie, And because he feared

0:14:59.240 --> 0:15:02.120
<v Speaker 1>the press would discu cover them, he didn't really travel

0:15:02.200 --> 0:15:04.280
<v Speaker 1>with her at all, and he did not allow her

0:15:04.400 --> 0:15:07.840
<v Speaker 1>to accompany him on his second tour. And that second

0:15:07.840 --> 0:15:12.400
<v Speaker 1>tour was very big news because while the first tour

0:15:12.480 --> 0:15:16.120
<v Speaker 1>had been pretty intense, the second tour created one of

0:15:16.120 --> 0:15:20.840
<v Speaker 1>the first modern mass media celebrities. He inspired what's often

0:15:20.880 --> 0:15:26.200
<v Speaker 1>called Dickens Mania. So there's this wonderful description of how

0:15:26.240 --> 0:15:30.120
<v Speaker 1>Dickens looked while he was walking around Boston, which I

0:15:30.160 --> 0:15:32.280
<v Speaker 1>believe his tour began to either New York of Boston's.

0:15:32.280 --> 0:15:35.080
<v Speaker 1>This is fairly early on. And if ever there was

0:15:35.120 --> 0:15:37.880
<v Speaker 1>a great way to describe the style of what could

0:15:37.880 --> 0:15:43.360
<v Speaker 1>be a Victorian rock star, this might be it. So Dickens,

0:15:43.560 --> 0:15:47.200
<v Speaker 1>we quote, who had a gleefully gaudy fashion sense that

0:15:47.240 --> 0:15:52.760
<v Speaker 1>attracted attention and some revulsion, was a particularly striking celebrity

0:15:52.840 --> 0:15:55.880
<v Speaker 1>to encounter. He had fans who tore it his fur

0:15:55.960 --> 0:15:58.720
<v Speaker 1>coat and one took an impression of his money bootprint

0:15:58.800 --> 0:16:03.600
<v Speaker 1>from the gravel was really quite a scene. It's funny

0:16:03.640 --> 0:16:06.280
<v Speaker 1>because I didn't know until way late in life that

0:16:06.360 --> 0:16:10.640
<v Speaker 1>Dickens had been sort of this like crazy dandy Me too,

0:16:11.840 --> 0:16:15.040
<v Speaker 1>I think, because I associate him with his works, which

0:16:15.040 --> 0:16:17.200
<v Speaker 1>are by and large about you know, like I think

0:16:17.200 --> 0:16:20.360
<v Speaker 1>of Bob Cratchett, is like he's standing in that story

0:16:20.440 --> 0:16:23.080
<v Speaker 1>and somebody who's very you know, kind of clothed in

0:16:23.200 --> 0:16:26.480
<v Speaker 1>like these dark tattered No, that wasn't him at all,

0:16:26.720 --> 0:16:28.840
<v Speaker 1>not at all. And I had no idea. And you know,

0:16:28.920 --> 0:16:30.920
<v Speaker 1>when I when I was going through school, he certainly

0:16:30.960 --> 0:16:35.680
<v Speaker 1>didn't learn anything otherwise but that that description of him.

0:16:35.760 --> 0:16:37.440
<v Speaker 1>So I was telling Holly when I first saw that

0:16:37.440 --> 0:16:40.440
<v Speaker 1>description of him that he reminds me of a Victorian

0:16:40.480 --> 0:16:43.880
<v Speaker 1>age Keith Richards because he's very flamboyant and he's got

0:16:43.920 --> 0:16:46.240
<v Speaker 1>like what at the time was it was considered this

0:16:46.320 --> 0:16:48.560
<v Speaker 1>utterly cool sense of style. And yet you look at

0:16:48.600 --> 0:16:49.960
<v Speaker 1>it and you're like, none of that works, but it

0:16:50.000 --> 0:16:54.000
<v Speaker 1>totally all works. Yeah, Yeah, they don't teach you that,

0:16:54.120 --> 0:16:57.160
<v Speaker 1>and still you don't know nowhere in it, nowhere in

0:16:57.240 --> 0:16:59.400
<v Speaker 1>any of my my history or lit books was it

0:16:59.520 --> 0:17:03.560
<v Speaker 1>like he is a fancy pants He had a lot

0:17:03.600 --> 0:17:08.439
<v Speaker 1>of scarves hanging in his closet right, So that, of

0:17:08.480 --> 0:17:11.399
<v Speaker 1>course was reported in the press, and so were a

0:17:11.400 --> 0:17:14.960
<v Speaker 1>lot of other things because the American press fixated on

0:17:15.480 --> 0:17:19.199
<v Speaker 1>reporting things like his personal habits. Uh. They printed that

0:17:19.240 --> 0:17:22.080
<v Speaker 1>he did not use mustard in a particular restaurant in

0:17:22.119 --> 0:17:25.800
<v Speaker 1>New York City, as though that was newsworthy. We don't

0:17:25.800 --> 0:17:28.760
<v Speaker 1>know which restaurant, but in case you're wondering for our

0:17:28.800 --> 0:17:33.080
<v Speaker 1>New Yorker's uh, cats As Deli, which is famous for

0:17:33.160 --> 0:17:36.960
<v Speaker 1>its handmade mustard, did not open its doors until so

0:17:37.119 --> 0:17:38.879
<v Speaker 1>we know it. It was not that one, and he

0:17:38.960 --> 0:17:41.720
<v Speaker 1>was not slaighting cats right. He was about twenty years

0:17:41.720 --> 0:17:45.160
<v Speaker 1>too early for that one. Maybe it's because of him

0:17:45.200 --> 0:17:46.960
<v Speaker 1>that they were like, we gotta make our own mustard.

0:17:47.320 --> 0:17:53.040
<v Speaker 1>There you go, there's our next theory. So this tour,

0:17:53.280 --> 0:17:55.280
<v Speaker 1>the second tour to the U S. Dickens was a

0:17:55.359 --> 0:17:59.560
<v Speaker 1>hot ticket on the literary tour circuit here and there

0:17:59.640 --> 0:18:03.320
<v Speaker 1>was a I'm actually when Dickens considered a stage career

0:18:03.440 --> 0:18:05.800
<v Speaker 1>rather than a writing career, and it really showed in

0:18:05.880 --> 0:18:08.520
<v Speaker 1>his readings on tour and his readings anywhere. He was

0:18:08.600 --> 0:18:12.080
<v Speaker 1>known as a gifted performer, and he did tours. He

0:18:12.119 --> 0:18:14.920
<v Speaker 1>did public readings, and every time he would, he would

0:18:14.960 --> 0:18:17.480
<v Speaker 1>act out passages from his books as if he was

0:18:17.520 --> 0:18:20.640
<v Speaker 1>on stage. And as a writer too, he would act

0:18:20.640 --> 0:18:23.240
<v Speaker 1>out his characters before writing them into his novels. He

0:18:23.560 --> 0:18:27.680
<v Speaker 1>wrote plays, he performed before Queen Victoria, and uh from

0:18:27.720 --> 0:18:32.520
<v Speaker 1>time to time he also accepted rules in in amateur plays. Yeah,

0:18:32.520 --> 0:18:34.399
<v Speaker 1>so those cute little plays he was putting on with

0:18:34.440 --> 0:18:36.919
<v Speaker 1>the kids back home for his friends were not his

0:18:37.000 --> 0:18:41.440
<v Speaker 1>only theatrical moments. He wanted to do it for himself, right.

0:18:41.720 --> 0:18:43.679
<v Speaker 1>And here's the thing. He was a hot ticket like

0:18:43.760 --> 0:18:46.320
<v Speaker 1>people wanted to see him when he toured because he

0:18:46.400 --> 0:18:50.040
<v Speaker 1>was excellent at it. He was the master of ceremonies

0:18:50.080 --> 0:18:53.200
<v Speaker 1>that you would always hope to see. He has been

0:18:53.200 --> 0:18:56.959
<v Speaker 1>described as dynamic, quick and observant and just having an

0:18:57.000 --> 0:19:00.440
<v Speaker 1>amazing zest for life that kind of pulled his audience

0:19:00.560 --> 0:19:03.320
<v Speaker 1>right along with him. And maybe he just hypnotized them all.

0:19:06.960 --> 0:19:10.440
<v Speaker 1>Uh So, mainly what people saw was what Holly just described.

0:19:10.480 --> 0:19:12.640
<v Speaker 1>But there was a flip to that though, and he

0:19:12.640 --> 0:19:16.600
<v Speaker 1>he has also been described as being high strung, impatient,

0:19:16.800 --> 0:19:21.240
<v Speaker 1>and also prone to depression, commonly two sides of the

0:19:21.280 --> 0:19:24.280
<v Speaker 1>same coin for sure. So it was on this second

0:19:24.320 --> 0:19:28.520
<v Speaker 1>American tour. When Charles Dickens met the Big Allows, he

0:19:28.600 --> 0:19:31.760
<v Speaker 1>was staying at the Parker House hotel in Boston. He

0:19:32.240 --> 0:19:35.280
<v Speaker 1>usually dined there, he spent his evenings playing games like

0:19:35.400 --> 0:19:39.160
<v Speaker 1>charades there with his manager and his publisher, as well

0:19:39.200 --> 0:19:41.640
<v Speaker 1>as this couple, the Big Glows, who were visiting from

0:19:41.640 --> 0:19:44.639
<v Speaker 1>New York City, and they were also staying at Parker House.

0:19:44.880 --> 0:19:47.240
<v Speaker 1>So I'm actually going to interject something here right now.

0:19:47.359 --> 0:19:49.840
<v Speaker 1>This is the same Parker House that is famous for

0:19:49.880 --> 0:19:55.000
<v Speaker 1>Parker House roles, and they were invented in eighteen seventies,

0:19:55.280 --> 0:20:01.520
<v Speaker 1>so he missed those as well. But this is also

0:20:01.640 --> 0:20:03.960
<v Speaker 1>the part of the story where we don't talk about

0:20:03.960 --> 0:20:06.959
<v Speaker 1>delicious baked goods, but instead we move on to the

0:20:07.000 --> 0:20:10.760
<v Speaker 1>stokery portion of the story. So the Bigelows we have

0:20:10.920 --> 0:20:13.960
<v Speaker 1>Jane and John. And when Jane Tunis Poultney met the

0:20:14.000 --> 0:20:17.840
<v Speaker 1>author and attorney John Bigelow, they met in eighteen fifty

0:20:17.960 --> 0:20:22.080
<v Speaker 1>and he was immediately smitten by her. Four months later

0:20:22.119 --> 0:20:24.840
<v Speaker 1>they married and they went on to have nine children.

0:20:26.000 --> 0:20:29.000
<v Speaker 1>John Bigelow edited and co owned with the New York

0:20:29.080 --> 0:20:32.399
<v Speaker 1>Evening Post from eighteen forty nine to eighteen sixty one.

0:20:32.640 --> 0:20:34.879
<v Speaker 1>That was before he became involved in a career of

0:20:34.960 --> 0:20:39.680
<v Speaker 1>international diplomacy. In eighteen sixty one, so that is when

0:20:39.760 --> 0:20:42.399
<v Speaker 1>his his New York Evening post time ends, he was

0:20:42.440 --> 0:20:46.240
<v Speaker 1>appointed by Abraham Lincoln to the American consul in Paris,

0:20:47.000 --> 0:20:49.720
<v Speaker 1>And at this point his career really took off, because

0:20:49.760 --> 0:20:54.000
<v Speaker 1>from there he became Charge d'affaire before becoming Envoy Extraordinary

0:20:54.080 --> 0:20:57.840
<v Speaker 1>and Minister planet Potentiary. And in eighteen sixty five, so

0:20:58.000 --> 0:21:01.120
<v Speaker 1>just four years into this diplomatic career, he moved into

0:21:01.160 --> 0:21:05.680
<v Speaker 1>the position of American Ambassador to France. He became very

0:21:05.720 --> 0:21:09.439
<v Speaker 1>influential in France, in Napoleon the Third Court, in particular,

0:21:10.200 --> 0:21:13.399
<v Speaker 1>he was so influential that he is credited for helping

0:21:13.400 --> 0:21:17.400
<v Speaker 1>the Union win in the American Civil War by convincing

0:21:17.400 --> 0:21:22.199
<v Speaker 1>France not to provide aid to the Confederate States. And

0:21:22.240 --> 0:21:26.320
<v Speaker 1>then there's Jane. Jane Bigelow was known as Jenny to

0:21:26.440 --> 0:21:29.640
<v Speaker 1>her close friends, and she seems to have had a

0:21:29.680 --> 0:21:33.440
<v Speaker 1>profound impact on her distinguished husband. He wrote of her,

0:21:33.560 --> 0:21:36.679
<v Speaker 1>and we quote she was a woman of notable beauty

0:21:36.760 --> 0:21:39.840
<v Speaker 1>and social charm. Her family deemed our courtship rather brief,

0:21:39.920 --> 0:21:42.840
<v Speaker 1>but there seemed to be no occasion on my part,

0:21:42.880 --> 0:21:46.920
<v Speaker 1>at least for prolonging it. Years after her death, he wrote, quote,

0:21:47.400 --> 0:21:49.960
<v Speaker 1>without her, my career in the world would not only

0:21:50.000 --> 0:21:52.440
<v Speaker 1>have been very different from what it was, but far

0:21:52.560 --> 0:21:56.560
<v Speaker 1>less satisfactory to myself and to others. Okay, so let's

0:21:56.560 --> 0:22:00.240
<v Speaker 1>get real. John may have been a very influential diplo meant,

0:22:00.400 --> 0:22:04.119
<v Speaker 1>and he may have credited Jenny with his success, but

0:22:04.240 --> 0:22:08.000
<v Speaker 1>his wife was actually not exactly what most people would

0:22:08.000 --> 0:22:12.200
<v Speaker 1>have expected of the spouse of someone in his position.

0:22:12.760 --> 0:22:15.440
<v Speaker 1>There is a story at one point of her slapping

0:22:15.480 --> 0:22:19.439
<v Speaker 1>the Prince of Wales on the back. I'm sure he

0:22:19.520 --> 0:22:23.000
<v Speaker 1>was surprised by that, a silly gesture, but at the

0:22:23.080 --> 0:22:27.200
<v Speaker 1>time that but I mean even now that would be horrifying.

0:22:27.359 --> 0:22:31.800
<v Speaker 1>So subtract a hundred and sixty years off of it,

0:22:31.880 --> 0:22:35.080
<v Speaker 1>and it's really horrifying. There are a lot of other

0:22:35.280 --> 0:22:39.320
<v Speaker 1>similar stories of poor or inappropriate behavior on her part,

0:22:39.920 --> 0:22:42.800
<v Speaker 1>and it was actually rumored that John's career was really

0:22:42.880 --> 0:22:46.280
<v Speaker 1>stifled because of her behavior, and that he lost out

0:22:46.359 --> 0:22:50.040
<v Speaker 1>on the coveted position as American Minister to London because

0:22:50.040 --> 0:22:54.080
<v Speaker 1>not everyone adored her as he did. So Jane, I'm

0:22:54.080 --> 0:22:56.720
<v Speaker 1>going to call her Jane not Jenny, we're not friends. UM.

0:22:59.640 --> 0:23:04.520
<v Speaker 1>Jane to socialite in Baltimore. UM. And she was about

0:23:04.600 --> 0:23:06.920
<v Speaker 1>forty years old at the time she met Dickens, who

0:23:06.960 --> 0:23:09.080
<v Speaker 1>was probably also in his maybe his late forties at

0:23:09.080 --> 0:23:12.800
<v Speaker 1>this point. UM. She was well known in political circles

0:23:12.840 --> 0:23:16.040
<v Speaker 1>because of what her husband did as his career, and yes,

0:23:16.200 --> 0:23:20.159
<v Speaker 1>also because of that whole slap thing. UM. So she

0:23:20.320 --> 0:23:23.240
<v Speaker 1>was also really well known in both New York's social

0:23:23.359 --> 0:23:26.840
<v Speaker 1>and literary circles. And that's because of her patronage to

0:23:27.520 --> 0:23:31.920
<v Speaker 1>emerging writers and artists. She quite literally opened her home

0:23:32.200 --> 0:23:34.879
<v Speaker 1>to important and influential writers when they were in New

0:23:34.960 --> 0:23:38.359
<v Speaker 1>York City. For instance, several times she hosted Oscar Wilde.

0:23:38.560 --> 0:23:42.399
<v Speaker 1>She also notably hosted Charles Dickens. And it's when she

0:23:42.520 --> 0:23:45.840
<v Speaker 1>met Dickens that things really began to change for Jane.

0:23:47.320 --> 0:23:49.680
<v Speaker 1>So we're gonna take a quick break here, but when

0:23:49.720 --> 0:23:52.439
<v Speaker 1>we return, we will talk about what came to be

0:23:52.520 --> 0:24:09.680
<v Speaker 1>known as the Bigelow terror. Welcome back to Criminalia. Let's

0:24:09.680 --> 0:24:13.720
<v Speaker 1>talk about how someone might go from being stay insufferable

0:24:13.840 --> 0:24:18.320
<v Speaker 1>company to being a stalker. So much of what we

0:24:18.400 --> 0:24:21.720
<v Speaker 1>know about Jane's obsession with Dickens actually comes from the

0:24:21.760 --> 0:24:25.080
<v Speaker 1>diary of another woman, that is Annie Fields, who was

0:24:25.440 --> 0:24:28.720
<v Speaker 1>a Boston Society hostess and she was the wife of

0:24:28.800 --> 0:24:33.520
<v Speaker 1>Dickens's publisher. Annie was present for many of the games

0:24:33.560 --> 0:24:36.159
<v Speaker 1>and dinners that were held while Dickens was in town,

0:24:36.840 --> 0:24:40.040
<v Speaker 1>so she witnessed a lot of things, and her descriptions

0:24:40.040 --> 0:24:42.719
<v Speaker 1>are a good peek into how Jane went from quote

0:24:42.760 --> 0:24:48.440
<v Speaker 1>obnoxious to stalker behavior. It's interesting that she quotes that tool.

0:24:48.600 --> 0:24:52.240
<v Speaker 1>She very specifically calls her behavior stalker stalker ish. So

0:24:52.960 --> 0:24:59.159
<v Speaker 1>Annie also described Jane and her behavior as the Bigelow terror,

0:24:59.560 --> 0:25:03.000
<v Speaker 1>which I'm quoting because who could make that out um.

0:25:03.240 --> 0:25:06.480
<v Speaker 1>Things really began to stour when Jane began to regard

0:25:06.640 --> 0:25:10.960
<v Speaker 1>Dickens as sort of her own personal property. She began

0:25:11.000 --> 0:25:14.840
<v Speaker 1>to threaten any woman who even vaguely expressed interest in him,

0:25:14.880 --> 0:25:18.160
<v Speaker 1>and that was whether they were flirtatious or not. And

0:25:18.280 --> 0:25:21.560
<v Speaker 1>she harassed anyone who used their connections as a way

0:25:21.600 --> 0:25:25.159
<v Speaker 1>to meet him. And for the cherry on top, yes,

0:25:25.200 --> 0:25:29.520
<v Speaker 1>it keeps going. She verbally and physically attacked an elderly

0:25:29.560 --> 0:25:33.320
<v Speaker 1>widow named mus Hurts who had come to call on Dickens.

0:25:33.359 --> 0:25:36.600
<v Speaker 1>She considered Dickens one of her favorite writers, and after

0:25:36.680 --> 0:25:39.120
<v Speaker 1>his reading at the Westminster Hotel in New York City,

0:25:39.200 --> 0:25:43.840
<v Speaker 1>wanted to meet him. So while Charles Dickens seemed to

0:25:43.880 --> 0:25:47.320
<v Speaker 1>get along just fine with John Bigelow, he didn't really

0:25:47.320 --> 0:25:52.720
<v Speaker 1>seem to enjoy Jane's company, surprisingly enough. Uh. Recorded by

0:25:52.800 --> 0:25:56.120
<v Speaker 1>Annie in her diary, we quote, he has the deepest

0:25:56.160 --> 0:25:59.800
<v Speaker 1>sympathy for men who are unfitly married and has really

0:26:00.119 --> 0:26:03.720
<v Speaker 1>can a special fancy I think to John Bigelow because

0:26:03.760 --> 0:26:08.080
<v Speaker 1>his wife is such an incubus. Uh, that's correct. She

0:26:08.400 --> 0:26:13.320
<v Speaker 1>called Jane Bigelow an incubus. That probably should have been succubus, right,

0:26:13.520 --> 0:26:16.800
<v Speaker 1>which is the female iteration of an incubator. But we

0:26:16.880 --> 0:26:20.440
<v Speaker 1>know what she meant, right, But there's really no question

0:26:20.840 --> 0:26:23.359
<v Speaker 1>about her intent in describing her this way, and it

0:26:23.480 --> 0:26:29.400
<v Speaker 1>is certainly not exactly a favorable opinion of Mrs b. Yeah. So,

0:26:30.720 --> 0:26:35.480
<v Speaker 1>based on his experiences during his first American tour, I

0:26:35.560 --> 0:26:38.440
<v Speaker 1>was the one in the eighteen forties, Dickens had already

0:26:38.520 --> 0:26:42.639
<v Speaker 1>installed security guards outside his door seven to prevent fans

0:26:42.680 --> 0:26:46.480
<v Speaker 1>from entering or just in general bothering him. Throughout his

0:26:46.520 --> 0:26:52.240
<v Speaker 1>second tour, and after the Hurts situation, he didn't really

0:26:52.760 --> 0:26:57.199
<v Speaker 1>change his security much except for one key thing. The

0:26:57.240 --> 0:26:59.960
<v Speaker 1>security guards were to keep Jane Bigelow away from his

0:27:00.119 --> 0:27:04.960
<v Speaker 1>room at all times. Yes, it's keep anyone who might

0:27:05.000 --> 0:27:08.040
<v Speaker 1>want to come see me away, but especially this person.

0:27:09.560 --> 0:27:11.520
<v Speaker 1>I have this image where he's like holding her picture up.

0:27:11.520 --> 0:27:14.639
<v Speaker 1>He's like this, right. They all have a sketch of

0:27:14.680 --> 0:27:20.640
<v Speaker 1>her in their right. Despite this obstacle of constant security

0:27:20.880 --> 0:27:25.639
<v Speaker 1>trying to block the room from her, Jane continued to

0:27:25.680 --> 0:27:28.560
<v Speaker 1>try to see Charles Dickens several times while he was

0:27:28.640 --> 0:27:32.080
<v Speaker 1>in New York City. Each time she approached his room,

0:27:32.240 --> 0:27:37.480
<v Speaker 1>she was as requested, whisked away by security. So, now

0:27:37.800 --> 0:27:41.600
<v Speaker 1>banished from dickens social circle, she started to hang around

0:27:41.640 --> 0:27:45.439
<v Speaker 1>the hotel just kind of hoping to bump into him

0:27:45.520 --> 0:27:48.520
<v Speaker 1>or see him, like to orchestrate an accidental Oh you're here,

0:27:48.640 --> 0:27:52.800
<v Speaker 1>I'm also here. In response, Dickens started to ask his

0:27:52.960 --> 0:27:56.360
<v Speaker 1>friends to kind of run defense for him and give

0:27:56.440 --> 0:27:59.480
<v Speaker 1>him a warning if they saw her anyway, so he

0:27:59.480 --> 0:28:04.199
<v Speaker 1>could sense carry you down to the lobby, right. I know.

0:28:04.480 --> 0:28:09.320
<v Speaker 1>She was persistent, uh so with his return across the pond. Actually,

0:28:09.400 --> 0:28:13.159
<v Speaker 1>Dickens had little contact with Jane after the tour, but

0:28:13.200 --> 0:28:16.000
<v Speaker 1>they found in her papers after she had passed away

0:28:16.440 --> 0:28:21.439
<v Speaker 1>some correspondence with several prominent people. Among them was the

0:28:21.480 --> 0:28:26.800
<v Speaker 1>writer Wilkie Collins and the poet William Cullen Bryant. Also

0:28:26.960 --> 0:28:30.639
<v Speaker 1>long in that correspondence were political leaders, civil activists, and

0:28:30.760 --> 0:28:34.960
<v Speaker 1>her mother. Uh. It doesn't appear though that Jane correspondent

0:28:35.040 --> 0:28:37.720
<v Speaker 1>or otherwise interfered at all with Dickens once the tour

0:28:37.920 --> 0:28:41.280
<v Speaker 1>ended and he went back to London. And we mentioned

0:28:41.360 --> 0:28:45.160
<v Speaker 1>these papers because contained within those letters is a twist

0:28:45.480 --> 0:28:48.680
<v Speaker 1>that kind of takes this story to another level. So

0:28:48.920 --> 0:28:52.240
<v Speaker 1>William Wilkie Collins was an English novelist and a playwright.

0:28:52.320 --> 0:28:55.760
<v Speaker 1>He was known for writing The Moonstone, that is widely

0:28:55.800 --> 0:28:59.640
<v Speaker 1>considered to be the first modern English detective novel. And

0:28:59.680 --> 0:29:05.440
<v Speaker 1>will Key was obsessed with Jane no way listen. Clearly

0:29:05.520 --> 0:29:09.280
<v Speaker 1>she had something that certain people responded to positively. Her

0:29:09.360 --> 0:29:12.640
<v Speaker 1>husband loved her. Her husband and Wilkie both thought she

0:29:12.760 --> 0:29:17.040
<v Speaker 1>was amazing. And Jane and Wilkie corresponded and it was

0:29:17.120 --> 0:29:20.200
<v Speaker 1>quite a flirtatious correspondence that actually went on for about

0:29:20.240 --> 0:29:23.440
<v Speaker 1>two decades. Yeah, and um, we're not sure when it ended.

0:29:23.440 --> 0:29:24.960
<v Speaker 1>It may have ended around the time of Dickens. It

0:29:25.000 --> 0:29:26.520
<v Speaker 1>may have ended around the time that one of them

0:29:26.520 --> 0:29:29.959
<v Speaker 1>just got older and sicker. But Jane did pass away

0:29:30.200 --> 0:29:34.720
<v Speaker 1>in February nine after she had a long illness. In

0:29:34.760 --> 0:29:37.000
<v Speaker 1>the New York Times they ran her obituary, and she

0:29:37.120 --> 0:29:40.960
<v Speaker 1>was noted that even in her girlhood, I'm quoting for

0:29:41.040 --> 0:29:45.320
<v Speaker 1>her bright and witty conversational powers and her charming manners,

0:29:46.640 --> 0:29:49.440
<v Speaker 1>they didn't mention anything about the Prince of Wales like no,

0:29:50.200 --> 0:29:53.440
<v Speaker 1>and some people could not stand her. Was not ever

0:29:53.560 --> 0:29:57.160
<v Speaker 1>in an obituary. It never will be. Dickens passed away

0:29:57.240 --> 0:30:01.720
<v Speaker 1>nearly twenty years before Jane did. Despite the scandalous age

0:30:01.720 --> 0:30:05.680
<v Speaker 1>difference and timing of their affair, Nellie Dickens as much

0:30:05.800 --> 0:30:09.200
<v Speaker 1>younger paramore. As you'll recall, She and Dickens remained together

0:30:09.320 --> 0:30:12.520
<v Speaker 1>until he died of a stroke in eighteen seventy at

0:30:12.520 --> 0:30:15.320
<v Speaker 1>the age of fifty eight, and when he died, the

0:30:15.360 --> 0:30:18.720
<v Speaker 1>New York Times wrote, quote, death of the great novelist

0:30:19.160 --> 0:30:22.920
<v Speaker 1>mourned by the people of two continents. So you may

0:30:22.960 --> 0:30:27.600
<v Speaker 1>not recognize Dickens's influence in our contemporary lives unless you

0:30:27.640 --> 0:30:30.440
<v Speaker 1>see a remake of, say, a Christmas Carol every year.

0:30:30.560 --> 0:30:34.280
<v Speaker 1>But his stories aren't the only thing that we rehash,

0:30:34.400 --> 0:30:37.560
<v Speaker 1>we we even get to see Dickens himself as a

0:30:37.560 --> 0:30:40.920
<v Speaker 1>fictional character haunt the things that we watch and the

0:30:40.920 --> 0:30:44.000
<v Speaker 1>things that we play, and some of these examples they

0:30:44.000 --> 0:30:47.880
<v Speaker 1>may surprise you. Right, So Dickens shows up in the

0:30:47.920 --> 0:30:52.040
<v Speaker 1>fictional worlds of our TV shows, movies, and novels as

0:30:52.120 --> 0:30:56.600
<v Speaker 1>everything from a mesmerist to a character who himself stalks women.

0:30:57.280 --> 0:31:00.480
<v Speaker 1>And he's also alive in video games. The Assassin Freed

0:31:00.560 --> 0:31:05.240
<v Speaker 1>video games, for example, are influenced by him, including Charles

0:31:05.240 --> 0:31:09.000
<v Speaker 1>Dickens's London stories missions. And it is not just his

0:31:09.080 --> 0:31:12.880
<v Speaker 1>works that have lived on. His celebrity has to certainly, yes,

0:31:13.960 --> 0:31:18.800
<v Speaker 1>and his style. Oh, Charles Dickens used zazzi zazzy thing.

0:31:19.160 --> 0:31:21.240
<v Speaker 1>That's right. He knows how to work as security team

0:31:21.320 --> 0:31:28.520
<v Speaker 1>let me tell you and pick out a cravat apparently. Yes,

0:31:32.200 --> 0:31:34.520
<v Speaker 1>So you know Dickens had a bit of a chaser.

0:31:34.520 --> 0:31:37.280
<v Speaker 1>Do you have one for us today? Yes? So the

0:31:37.400 --> 0:31:40.800
<v Speaker 1>chaser on this is actually because while we were prepping

0:31:40.840 --> 0:31:43.720
<v Speaker 1>this episode, Maria actually texted me and said, hey, did

0:31:43.760 --> 0:31:47.680
<v Speaker 1>you know that he liked sweet alcoholic punches? And I

0:31:47.720 --> 0:31:51.600
<v Speaker 1>did not, but I did some research. Not either. One

0:31:51.640 --> 0:31:54.440
<v Speaker 1>of the things that he was particularly fond of, and

0:31:54.480 --> 0:31:56.800
<v Speaker 1>it actually shows up in a Christmas Carol. It's part

0:31:56.800 --> 0:32:00.360
<v Speaker 1>of a passage near the end when Ebenezer is a

0:32:00.480 --> 0:32:04.320
<v Speaker 1>changed man and he mentions that they will discuss important

0:32:04.360 --> 0:32:07.520
<v Speaker 1>matters over a smoking bishop. And that is a punch,

0:32:07.800 --> 0:32:11.720
<v Speaker 1>a sweet alcoholic punch. That's a very wintertime treat. So

0:32:11.760 --> 0:32:13.040
<v Speaker 1>of course I was like, how do you make a

0:32:13.040 --> 0:32:15.880
<v Speaker 1>smoking bishop? I don't want to make a smoking bishop.

0:32:17.680 --> 0:32:20.280
<v Speaker 1>It's just a prolonged as you're really into it, I

0:32:20.320 --> 0:32:22.000
<v Speaker 1>could see where it might be fun, but it's one

0:32:22.040 --> 0:32:24.440
<v Speaker 1>of those things like you gotta plan a couple of

0:32:24.520 --> 0:32:27.800
<v Speaker 1>days ahead. This is a muld muld wine right right.

0:32:27.840 --> 0:32:31.360
<v Speaker 1>You have to roast oranges that are you know, pierced

0:32:31.360 --> 0:32:34.200
<v Speaker 1>with clothes, and then you have to boil red wine

0:32:34.520 --> 0:32:37.440
<v Speaker 1>and then soak the clove pierced roasted oranges in it,

0:32:37.520 --> 0:32:40.280
<v Speaker 1>and then you add ruby port. And I'm too lazy

0:32:40.320 --> 0:32:45.440
<v Speaker 1>for all this business, says the woman who made the mushroom. Right.

0:32:45.520 --> 0:32:48.720
<v Speaker 1>But here's the thing, right, like, not only is it

0:32:48.800 --> 0:32:50.800
<v Speaker 1>all of this effort, but then you have a terrain

0:32:51.080 --> 0:32:53.920
<v Speaker 1>of like a drink that you may or may not like.

0:32:54.000 --> 0:32:55.880
<v Speaker 1>And keep in mind, I will confess up from I'm

0:32:55.880 --> 0:32:58.440
<v Speaker 1>not a big wine drinker. I'm definitely a spirits lady.

0:32:59.040 --> 0:33:02.040
<v Speaker 1>So I thought it might be fun to try to

0:33:02.080 --> 0:33:05.920
<v Speaker 1>come up with a cocktail that kind of is inspired

0:33:05.960 --> 0:33:10.640
<v Speaker 1>by and too small extent mimics the Smoking Bishop, which

0:33:10.680 --> 0:33:18.320
<v Speaker 1>I am calling the Sloppy Bishop. It's pretty easy, and

0:33:18.400 --> 0:33:21.560
<v Speaker 1>it's surprised me in one of the aspects of it

0:33:21.600 --> 0:33:23.560
<v Speaker 1>that I will tell you about. So the Sloppy Bishop

0:33:23.600 --> 0:33:27.400
<v Speaker 1>is very easy. Um. It's three ounces of ruby port,

0:33:28.560 --> 0:33:32.080
<v Speaker 1>two ounces of cranberry juice. UM. I use a low

0:33:32.120 --> 0:33:35.080
<v Speaker 1>sugar cranberry juice because I don't like how sweet they

0:33:35.080 --> 0:33:38.200
<v Speaker 1>can get, one ounce of triple Sex so you get

0:33:38.200 --> 0:33:43.680
<v Speaker 1>that orange flavor in there, one ounce of gin Oh,

0:33:44.040 --> 0:33:48.440
<v Speaker 1>a half ounce of black cherry puree, and then if

0:33:48.480 --> 0:33:50.520
<v Speaker 1>you want just a dash of bitters. I like to

0:33:50.600 --> 0:33:53.080
<v Speaker 1>use the Bidders that has some cinnamon in it for

0:33:53.160 --> 0:33:55.760
<v Speaker 1>something like this and just give it a little stir.

0:33:55.920 --> 0:33:59.760
<v Speaker 1>I also like most of these things to be chilled beforehand,

0:33:59.800 --> 0:34:02.720
<v Speaker 1>so while the original one would be a warm punch,

0:34:02.880 --> 0:34:05.320
<v Speaker 1>this is definitely not. I think we need to get

0:34:05.320 --> 0:34:06.680
<v Speaker 1>to you a T shirt that says and if you

0:34:06.680 --> 0:34:10.200
<v Speaker 1>want to add bitters, if you want to add bitters. Well,

0:34:10.239 --> 0:34:12.920
<v Speaker 1>you know, bidders change the profile of your drink, so

0:34:13.040 --> 0:34:15.360
<v Speaker 1>not everyone loves them. I didn't drink them for a

0:34:15.400 --> 0:34:17.600
<v Speaker 1>long time. I mean I've really only gotten into bitters

0:34:17.600 --> 0:34:21.399
<v Speaker 1>in the last six months to a year, and even

0:34:21.440 --> 0:34:25.640
<v Speaker 1>so I'm like barely tiptoeing around them. But um, it

0:34:25.680 --> 0:34:27.759
<v Speaker 1>didn't taste quite right to me without the bidders. It

0:34:27.760 --> 0:34:30.160
<v Speaker 1>needed something to kind of like bring out some of

0:34:30.160 --> 0:34:32.839
<v Speaker 1>the other flavors. Here was the part that surprised me.

0:34:33.760 --> 0:34:39.120
<v Speaker 1>I made this without the gin at first, and I

0:34:39.160 --> 0:34:43.600
<v Speaker 1>was just like, something isn't right, It's missing something, And

0:34:43.760 --> 0:34:46.280
<v Speaker 1>my first thought was to put vodka in it. But then,

0:34:46.360 --> 0:34:50.040
<v Speaker 1>for some reason, as I went to my stash and

0:34:50.080 --> 0:34:54.080
<v Speaker 1>I was like, which vodka should I pick, I saw

0:34:54.120 --> 0:34:55.799
<v Speaker 1>a bottle of gin and I was like, maybe gin

0:34:55.920 --> 0:34:58.719
<v Speaker 1>would actually work in this, and so I made one

0:34:58.760 --> 0:35:00.680
<v Speaker 1>that was with gin and one the was with vodka.

0:35:00.719 --> 0:35:03.000
<v Speaker 1>Into my shock, I preferred the gin version because you know,

0:35:03.040 --> 0:35:06.400
<v Speaker 1>I'm a vodka girl. I know, I'm one not surprised

0:35:06.440 --> 0:35:09.960
<v Speaker 1>that your first thought was vodka. That's your go too,

0:35:10.239 --> 0:35:13.719
<v Speaker 1>but too. I actually, when you were reading off the ingredients,

0:35:13.840 --> 0:35:16.239
<v Speaker 1>was really surprised to hear jin so I I like

0:35:16.320 --> 0:35:19.000
<v Speaker 1>the little story of how it came to be. Yes,

0:35:19.120 --> 0:35:20.880
<v Speaker 1>we love a little experiment. We love a little A

0:35:20.960 --> 0:35:23.799
<v Speaker 1>b testing at our house where they're also has to

0:35:23.840 --> 0:35:27.400
<v Speaker 1>be like very careful selection of the bar wear so

0:35:27.440 --> 0:35:29.719
<v Speaker 1>that you don't get confused which has which in it? Right?

0:35:30.880 --> 0:35:33.480
<v Speaker 1>So I have some bar where that has ghosts etched

0:35:33.520 --> 0:35:35.640
<v Speaker 1>on it, and ghosts are for Gin because they both

0:35:35.680 --> 0:35:39.640
<v Speaker 1>start with G. That's how I remembered that one. Whatever works,

0:35:41.080 --> 0:35:43.279
<v Speaker 1>I didn't want to become confused to give out the

0:35:43.360 --> 0:35:47.759
<v Speaker 1>wrong recipe. But that is the Sloppy Bishop, which to

0:35:47.880 --> 0:35:50.680
<v Speaker 1>my surprise, I really really enjoyed. It's another one too.

0:35:50.760 --> 0:35:53.920
<v Speaker 1>I know I always say this, but for anybody who

0:35:54.520 --> 0:35:57.520
<v Speaker 1>likes to play around with these, but maybe finds any

0:35:57.600 --> 0:36:01.560
<v Speaker 1>cocktail a little too much of the flavor too intense,

0:36:01.960 --> 0:36:05.040
<v Speaker 1>you can always dilute that with your a sparkling water,

0:36:05.560 --> 0:36:08.560
<v Speaker 1>a ginger ale, a lemon lime soda like a soft

0:36:08.600 --> 0:36:13.319
<v Speaker 1>lemon lime soda. Anything in that space great to mix

0:36:13.360 --> 0:36:17.279
<v Speaker 1>in and just s still yummy. It gets sometimes a

0:36:17.320 --> 0:36:20.239
<v Speaker 1>little more crisp because of bubbles. You could throw some

0:36:20.320 --> 0:36:24.200
<v Speaker 1>champagne in there and really take off. Um. I can

0:36:24.239 --> 0:36:25.839
<v Speaker 1>see what you're gonna be doing this evening. You're like,

0:36:25.880 --> 0:36:28.600
<v Speaker 1>I can throw in these five other and well there

0:36:28.640 --> 0:36:32.439
<v Speaker 1>were there were. In researching the Smoking Bishop, I found

0:36:32.440 --> 0:36:34.840
<v Speaker 1>out that there were other punches called like the Smoking

0:36:34.880 --> 0:36:37.600
<v Speaker 1>Pope and other things, and I forget which one it

0:36:37.719 --> 0:36:40.600
<v Speaker 1>was that did involve Champagne in it, and I was like, hmm,

0:36:40.680 --> 0:36:43.920
<v Speaker 1>I will have to pursue that later. Uh, I feel

0:36:43.920 --> 0:36:47.960
<v Speaker 1>like Jane might approve of that. She probably go with Champagne. Yeah, maybe,

0:36:48.040 --> 0:36:49.440
<v Speaker 1>I bet she would have. She would have had a

0:36:49.440 --> 0:36:52.799
<v Speaker 1>sloppy Bishop with me and started, you know, smacking high

0:36:52.880 --> 0:36:56.160
<v Speaker 1>level royals on the back like they're old pub friends.

0:36:58.480 --> 0:37:03.719
<v Speaker 1>Isn't that how it works? Later and Charlie, oh, I'd

0:37:03.760 --> 0:37:06.520
<v Speaker 1>be terrified. I'm pretty brazen him. I would be terrified

0:37:06.600 --> 0:37:09.760
<v Speaker 1>to do that. So we hope you are not terrified,

0:37:09.760 --> 0:37:11.800
<v Speaker 1>and that this has been a fun little adventure and

0:37:11.880 --> 0:37:15.320
<v Speaker 1>an eye opener regarding the nature of Charles Dickens and

0:37:15.480 --> 0:37:18.000
<v Speaker 1>his us tors. And we hope we will see you

0:37:18.080 --> 0:37:20.960
<v Speaker 1>right back here next week with Criminaliam. We'll have more

0:37:21.000 --> 0:37:29.760
<v Speaker 1>stocking and Criminalia is a production of Shonda Land Audio

0:37:29.840 --> 0:37:33.160
<v Speaker 1>in partnership with I Heart Radio. For more podcasts from

0:37:33.160 --> 0:37:36.120
<v Speaker 1>Shonda Land, audio, Please visit the I Heart Radio app,

0:37:36.320 --> 0:37:39.520
<v Speaker 1>Apple podcasts, or wherever you listen to your favorite shows.