1 00:00:18,200 --> 00:00:20,560 Speaker 1: Hey there, faner Ritos, welcome to part two of our 2 00:00:20,640 --> 00:00:24,319 Speaker 1: interview with Wesley Mann. With Wesley, you'll see one of 3 00:00:24,360 --> 00:00:28,000 Speaker 1: his characters performances and never forget it, He's just that 4 00:00:28,240 --> 00:00:31,920 Speaker 1: guy that is on every single show. From Wesley's time 5 00:00:31,960 --> 00:00:34,640 Speaker 1: on Golden Girls in Full House to his most recent 6 00:00:34,720 --> 00:00:38,279 Speaker 1: performance on Palm Royal. We can't wait to continue our 7 00:00:38,280 --> 00:00:41,559 Speaker 1: conversation with him, so please welcome back Wesley. 8 00:00:42,320 --> 00:00:47,120 Speaker 2: This season, especially of Palm Royal, is extremely fast paced, 9 00:00:47,159 --> 00:00:51,080 Speaker 2: with lots of plot complications and the regulars have a 10 00:00:51,200 --> 00:00:54,760 Speaker 2: lot to do. I know, I'm the Parsley on the 11 00:00:54,840 --> 00:00:57,280 Speaker 2: plate and I took full advantage of it, but that 12 00:00:57,920 --> 00:01:01,680 Speaker 2: one just didn't fly. But I did have some really 13 00:01:01,760 --> 00:01:06,160 Speaker 2: good stuff over the last couple of so yeah, they 14 00:01:06,760 --> 00:01:09,640 Speaker 2: they edited it all beautifully together. So it's very funny. 15 00:01:09,720 --> 00:01:12,040 Speaker 2: But that's the difference between you know, for camera and 16 00:01:12,080 --> 00:01:14,720 Speaker 2: one camera. You know, you pretty much know if you're 17 00:01:14,720 --> 00:01:16,399 Speaker 2: going to be in unfortunately, right. 18 00:01:16,280 --> 00:01:19,360 Speaker 3: Your chances are you're in the background of somebody's shot somewhere. 19 00:01:20,240 --> 00:01:23,920 Speaker 2: Yeah, exactly, you know, because there's not a wasted word. 20 00:01:24,080 --> 00:01:26,280 Speaker 3: No, no, You've got twenty two minutes to make the 21 00:01:26,360 --> 00:01:28,959 Speaker 3: joke work. Get to the get to the problem and 22 00:01:29,000 --> 00:01:32,600 Speaker 3: the solution and got got to move along quickly. 23 00:01:33,680 --> 00:01:36,399 Speaker 2: Really. Yeah, it's just so much fun. 24 00:01:37,560 --> 00:01:41,039 Speaker 1: Uh So do you get recognized more for being the 25 00:01:41,080 --> 00:01:44,600 Speaker 1: caterpillar or being the CPR kid on Back to the 26 00:01:44,600 --> 00:01:45,880 Speaker 1: Future Part two? 27 00:01:45,959 --> 00:01:50,320 Speaker 2: Yeah? Good, good question. Someone asked me recently, so have 28 00:01:50,400 --> 00:01:53,400 Speaker 2: you done anything that I would be unfamiliar with? I said, yeah, 29 00:01:53,400 --> 00:01:55,960 Speaker 2: have you seen Back to the Future too? Yeah? And 30 00:01:56,000 --> 00:01:58,240 Speaker 2: then I said, I think he took his wallet. I 31 00:01:58,240 --> 00:02:01,000 Speaker 2: think you took that guy's wallet, you know, And he 32 00:02:01,120 --> 00:02:04,960 Speaker 2: was like yeah. I said, well I looked a lot 33 00:02:05,000 --> 00:02:07,400 Speaker 2: different then. I was twenty four years old and I 34 00:02:07,440 --> 00:02:10,080 Speaker 2: weighed about one hundred and forty five pounds, and I 35 00:02:10,120 --> 00:02:13,120 Speaker 2: was running twenty five miles a week and probably smoking, right, 36 00:02:16,320 --> 00:02:22,640 Speaker 2: So I was just I was not the avuncular fellow, right. 37 00:02:23,480 --> 00:02:26,200 Speaker 2: But they do. What happens is then they'll go back 38 00:02:26,240 --> 00:02:30,160 Speaker 2: and they'll look it up on YouTube, you know, because 39 00:02:30,600 --> 00:02:33,960 Speaker 2: because there's a somebody put together a couple of videos 40 00:02:33,960 --> 00:02:36,720 Speaker 2: of me, call it, calling it the wallet the wallet Guy, 41 00:02:36,800 --> 00:02:41,880 Speaker 2: the wallet Guy, and one guy put together like a 42 00:02:42,000 --> 00:02:43,840 Speaker 2: backbeat to it, and it's. 43 00:02:43,760 --> 00:02:45,359 Speaker 1: Like a wallet guy guy. 44 00:02:45,400 --> 00:02:49,880 Speaker 2: Wallach's great. And then there was a guy in the 45 00:02:50,000 --> 00:02:53,360 Speaker 2: UK who called me the boss side guy, because apparently 46 00:02:53,480 --> 00:02:55,680 Speaker 2: that's a that's a thing if you're if if your 47 00:02:55,720 --> 00:02:58,000 Speaker 2: eyes are not straight, they call you boss side rather 48 00:02:58,080 --> 00:02:59,800 Speaker 2: than crossing the boss side. 49 00:03:00,080 --> 00:03:02,440 Speaker 1: That's great, oh man, So. 50 00:03:03,160 --> 00:03:07,800 Speaker 2: Yeah, it's that, and it's oftentimes it's night Court. Oh yeah, okay, okay, 51 00:03:08,639 --> 00:03:12,040 Speaker 2: because I was I was mister Lawler, you know, mister 52 00:03:12,760 --> 00:03:16,880 Speaker 2: Danielson who had Tortoise nervosa. And that was a really 53 00:03:16,960 --> 00:03:21,720 Speaker 2: great night too. That was also on Warner Brothers. Yeah. Yeah, 54 00:03:22,000 --> 00:03:26,280 Speaker 2: so I spoke there and moved very slowly and that 55 00:03:26,480 --> 00:03:29,400 Speaker 2: scene worked out really well. And that's on YouTube too 56 00:03:29,520 --> 00:03:38,920 Speaker 2: and under the title come on spe Yeah. Yeah, yeah, 57 00:03:39,440 --> 00:03:41,840 Speaker 2: and they recently had me back to reprise that on 58 00:03:41,960 --> 00:03:42,920 Speaker 2: the second version of. 59 00:03:44,600 --> 00:03:44,640 Speaker 1: That. 60 00:03:45,520 --> 00:03:47,119 Speaker 3: I love watching Night Court with my mom. 61 00:03:48,320 --> 00:03:52,200 Speaker 2: Yeah. That's another show like yours that was so comforting 62 00:03:52,480 --> 00:03:56,240 Speaker 2: to watch, just stupid and funny and you never knew 63 00:03:56,280 --> 00:03:56,840 Speaker 2: what was going to. 64 00:03:57,200 --> 00:04:00,240 Speaker 3: I'm literally picturing this that set and the all of 65 00:04:00,320 --> 00:04:01,920 Speaker 3: the characters in my head right now, and I'm like, 66 00:04:01,920 --> 00:04:03,760 Speaker 3: I haven't watched that show in thirty years, but I 67 00:04:03,840 --> 00:04:05,960 Speaker 3: can know exactly every one of them. 68 00:04:06,160 --> 00:04:06,520 Speaker 1: Yeah, you know. 69 00:04:07,360 --> 00:04:10,240 Speaker 2: Yeah, And when I came back to do it. I 70 00:04:10,440 --> 00:04:14,840 Speaker 2: was like, oh, Richard mall Is gone. Yeah, he was 71 00:04:15,160 --> 00:04:19,400 Speaker 2: the real tall shaved head cop. Yeah. I worked with 72 00:04:19,480 --> 00:04:22,920 Speaker 2: him on that, and I subsequently worked with him very 73 00:04:23,000 --> 00:04:25,160 Speaker 2: closely with him on a picture called but I'm a 74 00:04:25,279 --> 00:04:28,160 Speaker 2: Cheerleader where we were a gay cop. 75 00:04:31,520 --> 00:04:31,680 Speaker 3: You know. 76 00:04:31,839 --> 00:04:33,719 Speaker 2: So I was thinking about when I was thinking about 77 00:04:35,040 --> 00:04:39,320 Speaker 2: Harry Anderson, and they've all on that same set. They 78 00:04:39,400 --> 00:04:41,880 Speaker 2: had changed the color of it, but it was a 79 00:04:41,960 --> 00:04:45,159 Speaker 2: little like walking into you know, a. 80 00:04:45,160 --> 00:04:48,920 Speaker 3: House that you That's exactly what we said, like walking 81 00:04:49,000 --> 00:04:51,000 Speaker 3: back into a house you grew up in, and you're like, oh, 82 00:04:51,040 --> 00:04:53,159 Speaker 3: but there's a few little changes. 83 00:04:53,279 --> 00:04:57,159 Speaker 1: I see they've added this, or you know, yeah. 84 00:04:57,320 --> 00:05:02,440 Speaker 2: Yeah, so yeah, anyway, there's that Well, Wesley, you've. 85 00:05:02,279 --> 00:05:06,360 Speaker 1: Had such an iconic career as a character actor, and 86 00:05:06,560 --> 00:05:09,000 Speaker 1: so you have such a recognizable face, but you're also 87 00:05:09,480 --> 00:05:12,640 Speaker 1: like this chameleon that can just blend into whatever character 88 00:05:13,200 --> 00:05:16,719 Speaker 1: you've created, which is so admirable. But the character actors 89 00:05:16,839 --> 00:05:20,160 Speaker 1: usually aren't, like their names aren't as recognizable as their 90 00:05:20,279 --> 00:05:24,640 Speaker 1: faces are. So what is that like having that type 91 00:05:24,640 --> 00:05:26,920 Speaker 1: of recognition or being known, like being known as that guy, 92 00:05:27,120 --> 00:05:29,520 Speaker 1: like that guy on you know, Back to the Future 93 00:05:29,560 --> 00:05:32,120 Speaker 1: Part two, or like, what is that flattering? Do you 94 00:05:32,320 --> 00:05:33,120 Speaker 1: wish it was different? 95 00:05:33,360 --> 00:05:35,480 Speaker 2: How does that feel? I think it's the best of 96 00:05:35,560 --> 00:05:42,160 Speaker 2: both worlds because people are gracious and sometimes it's like 97 00:05:42,839 --> 00:05:52,479 Speaker 2: do I know you? Well yeah, maybe, oh okay, because 98 00:05:53,400 --> 00:05:56,520 Speaker 2: it's not like at this level of I guess you 99 00:05:56,560 --> 00:06:00,719 Speaker 2: would call it celebrity. You're not mob, right, yeah, yeah, 100 00:06:01,120 --> 00:06:02,320 Speaker 2: I can still go somewhere. 101 00:06:02,520 --> 00:06:05,440 Speaker 3: And that's what I like said, that's the dream of 102 00:06:05,480 --> 00:06:08,720 Speaker 3: any actor. Keep me consistently working, but like let me 103 00:06:08,960 --> 00:06:11,680 Speaker 3: still kind of have a normal life, Like. 104 00:06:12,040 --> 00:06:15,160 Speaker 2: That's great, you know, that's right, you know. I mean, 105 00:06:17,120 --> 00:06:19,920 Speaker 2: I think it was lu Costello who said they'll love you, 106 00:06:20,120 --> 00:06:23,039 Speaker 2: but they'll never respect you when you're doing comedy. Yeah, 107 00:06:23,960 --> 00:06:31,520 Speaker 2: and that's fine because comedy is service. So and just 108 00:06:31,600 --> 00:06:35,000 Speaker 2: as a side note, I've always done multiple characters, like 109 00:06:35,160 --> 00:06:38,839 Speaker 2: I've done seventeen of Shakespeare's plays, and I'm often playing 110 00:06:38,960 --> 00:06:44,120 Speaker 2: three or four. That's incredible, WHOA because I like to 111 00:06:44,240 --> 00:06:49,839 Speaker 2: experiment with postures and voices and which way they walk 112 00:06:50,000 --> 00:06:52,880 Speaker 2: and all of that. When I was at Conservatory, I 113 00:06:53,000 --> 00:06:55,440 Speaker 2: was a second second years student and I was in 114 00:06:55,520 --> 00:06:58,159 Speaker 2: a main stage production of a play called Greater Two 115 00:07:00,120 --> 00:07:04,280 Speaker 2: Characters as a two person play very well. This is 116 00:07:04,760 --> 00:07:09,039 Speaker 2: back in nineteen eighty seven, and so I was kind 117 00:07:09,080 --> 00:07:12,160 Speaker 2: of versed in that. And then you know, subsequently, many 118 00:07:12,240 --> 00:07:15,360 Speaker 2: years later, I did thirty nine Steps and I played 119 00:07:15,360 --> 00:07:17,840 Speaker 2: one of the two clowns in that, and that's many 120 00:07:18,000 --> 00:07:22,560 Speaker 2: characters as well. Wow, It's just something I've always loved 121 00:07:23,320 --> 00:07:28,280 Speaker 2: being a character man, because who wants to play the leads? 122 00:07:28,400 --> 00:07:31,160 Speaker 1: You know, those are like lovers and stuff exactly. 123 00:07:31,320 --> 00:07:33,960 Speaker 3: You don't get to be as weird, as fun, as 124 00:07:34,080 --> 00:07:36,200 Speaker 3: quirky as something. 125 00:07:36,320 --> 00:07:40,280 Speaker 2: Yeah, yeah, yeah, you know there's something you can get 126 00:07:40,320 --> 00:07:44,400 Speaker 2: your teeth into, you know, like I have. I'll have 127 00:07:44,560 --> 00:07:47,480 Speaker 2: something really interesting to do in the last three episodes 128 00:07:47,520 --> 00:07:56,000 Speaker 2: of Royalities, Okay, so yeah, besides playing Benny Barnhill. So yeah, 129 00:07:56,160 --> 00:07:59,880 Speaker 2: it's something that just gets me excited to do those things. 130 00:08:00,040 --> 00:08:03,240 Speaker 2: And if I can disappear in enough to not recognize 131 00:08:03,280 --> 00:08:04,160 Speaker 2: down the street. 132 00:08:04,240 --> 00:08:06,280 Speaker 1: That's kind of huge compliment. 133 00:08:06,560 --> 00:08:09,720 Speaker 2: Like my hero is Lune Chaney Senior, you know, the 134 00:08:09,800 --> 00:08:15,120 Speaker 2: man you know, and all those all those old Universe 135 00:08:15,360 --> 00:08:18,160 Speaker 2: versal horror actors like Carla. 136 00:08:18,560 --> 00:08:21,760 Speaker 3: Yeah, you're right where they just it was they did 137 00:08:22,200 --> 00:08:24,320 Speaker 3: so many things and you you know, they would lose 138 00:08:24,400 --> 00:08:26,000 Speaker 3: themselves completely and whatever it was. 139 00:08:27,040 --> 00:08:30,080 Speaker 2: Yeah, exactly. And they were all really marvelous actors too. 140 00:08:30,480 --> 00:08:33,959 Speaker 2: I mean Vincent Price, you know, could do anything I could. 141 00:08:34,080 --> 00:08:35,760 Speaker 2: I just like to listen to him talk. 142 00:08:37,360 --> 00:08:37,600 Speaker 1: Again. 143 00:08:38,120 --> 00:08:41,360 Speaker 2: Yeah, even though I had this slight little list, it 144 00:08:41,440 --> 00:08:42,760 Speaker 2: was Yeah, it was fine. It was. 145 00:08:43,360 --> 00:08:47,319 Speaker 3: And again an interesting voice, give me an interesting voice, 146 00:08:47,440 --> 00:08:51,400 Speaker 3: something raspy, quirky, you know, just something. 147 00:08:51,520 --> 00:08:56,599 Speaker 2: Him and carlofft Yeah, every every every Christmas, I have 148 00:08:56,800 --> 00:08:58,680 Speaker 2: to watch the original Grid. 149 00:08:58,840 --> 00:09:03,520 Speaker 1: Oh yes, original grand classic, so good classic. Well, thank 150 00:09:03,559 --> 00:09:06,160 Speaker 1: you so much for joining us today. Wait, we got 151 00:09:06,280 --> 00:09:09,319 Speaker 1: to talk about Full House. We could talk all day 152 00:09:09,360 --> 00:09:10,520 Speaker 1: about your career, but we. 153 00:09:10,600 --> 00:09:13,120 Speaker 2: Have to talk about an interesting time. 154 00:09:13,640 --> 00:09:14,280 Speaker 1: Oh that's right. 155 00:09:14,360 --> 00:09:16,720 Speaker 3: Yeah, yeah, our show that we completely forgot. 156 00:09:16,920 --> 00:09:18,679 Speaker 2: Yeah. So I was a waiter on Full House. I 157 00:09:18,720 --> 00:09:21,719 Speaker 2: think I had maybe one or two scenes, and it 158 00:09:21,800 --> 00:09:25,760 Speaker 2: might have even been an under five. We got to 159 00:09:26,880 --> 00:09:31,600 Speaker 2: when we get to Wednesday, and a producer's run one 160 00:09:31,679 --> 00:09:35,120 Speaker 2: of the actors on that's it. He's the funniest thing 161 00:09:35,200 --> 00:09:35,680 Speaker 2: in the show. 162 00:09:36,160 --> 00:09:39,640 Speaker 1: Yes, correct, they're right, yes, And. 163 00:09:39,720 --> 00:09:43,280 Speaker 2: The director came to me and said, okay, so you're 164 00:09:43,320 --> 00:09:47,680 Speaker 2: gonna have to tone it down. Oh really, oh man, silly? Okay, 165 00:09:48,720 --> 00:09:50,600 Speaker 2: I think I still got my last. Yeah, yeah, I'm 166 00:09:50,600 --> 00:09:51,080 Speaker 2: sure you did. 167 00:09:51,480 --> 00:09:51,760 Speaker 1: You did. 168 00:09:52,000 --> 00:09:53,920 Speaker 3: I've never yeah, I never understood that. 169 00:09:54,679 --> 00:09:56,640 Speaker 1: Well, so and so for people we haven't we're doing 170 00:09:56,720 --> 00:09:58,880 Speaker 1: a rewatch of all of Full House, and we haven't 171 00:09:58,920 --> 00:10:03,559 Speaker 1: reached season eight yet. So for our fans who haven't 172 00:10:03,600 --> 00:10:06,520 Speaker 1: also not reached season eight yet. You played the waiter 173 00:10:06,880 --> 00:10:09,800 Speaker 1: in the fancy restaurant where the whole family was going 174 00:10:09,880 --> 00:10:13,080 Speaker 1: out to dinner and Nicki and Alex, the baby twins 175 00:10:13,160 --> 00:10:16,760 Speaker 1: or the toddler twins, are misbehaving and Jesse distresses, Jesse 176 00:10:16,840 --> 00:10:18,320 Speaker 1: out and he's got to remove them from the restaurant, 177 00:10:18,320 --> 00:10:20,959 Speaker 1: and you're the waiter that's just like judging them the 178 00:10:21,280 --> 00:10:24,959 Speaker 1: entire time, which is fantastic and it's so funny. Was 179 00:10:25,080 --> 00:10:28,040 Speaker 1: this What was it like working with all these child actors, 180 00:10:28,160 --> 00:10:30,719 Speaker 1: Like they say, never worked with children or animals and 181 00:10:30,800 --> 00:10:32,720 Speaker 1: we had all of the above on Full House? 182 00:10:32,840 --> 00:10:37,559 Speaker 2: Well, yes, of course, you know I grew up doing 183 00:10:37,720 --> 00:10:43,760 Speaker 2: children's theater, okay, so it wasn't anything familiar. 184 00:10:43,480 --> 00:10:46,320 Speaker 1: So it wasn't torturous for you waiting for the babies 185 00:10:46,360 --> 00:10:48,160 Speaker 1: to perform, okay exactly. 186 00:10:48,200 --> 00:10:50,079 Speaker 2: And I was allowed to be a cerviic, so it 187 00:10:50,360 --> 00:10:55,120 Speaker 2: just fueled my eye rolling and you know, direct roof. Yeah, okay, 188 00:10:56,840 --> 00:11:00,800 Speaker 2: I think it worked really well. As I recall that 189 00:11:00,840 --> 00:11:03,000 Speaker 2: dinner scene was a little bit complicated because we had 190 00:11:03,160 --> 00:11:06,520 Speaker 2: extras and we had four or five different tables of extra. 191 00:11:06,760 --> 00:11:09,440 Speaker 3: Yeah, the second you would say more and art show 192 00:11:09,520 --> 00:11:12,360 Speaker 3: had you know, nineteen billion people in it. Anyway, on 193 00:11:12,440 --> 00:11:15,599 Speaker 3: a regular day, we had a very large guest and 194 00:11:15,760 --> 00:11:18,040 Speaker 3: when we were all in a scene together out somewhere 195 00:11:18,200 --> 00:11:20,520 Speaker 3: with extras, it was Yeah, that was usually a monster 196 00:11:20,800 --> 00:11:21,280 Speaker 3: of a scene. 197 00:11:21,400 --> 00:11:25,000 Speaker 2: You have a big deal. Yeah, yeah, yeah, but I 198 00:11:25,120 --> 00:11:25,439 Speaker 2: had fun. 199 00:11:25,559 --> 00:11:29,080 Speaker 1: Did you know did you know Bob Saggott or John 200 00:11:29,120 --> 00:11:31,760 Speaker 1: Stamos before this or was this your first time meeting? 201 00:11:32,320 --> 00:11:34,280 Speaker 2: No, that was the first time I met those guys. 202 00:11:34,679 --> 00:11:39,760 Speaker 2: And Dave Cooleier too, was really really he's the best. 203 00:11:40,760 --> 00:11:43,800 Speaker 2: They made me feel welcome, you know. Good. 204 00:11:43,880 --> 00:11:44,640 Speaker 1: Yeah, glad to hear that. 205 00:11:44,960 --> 00:11:47,679 Speaker 2: Other than other than I was too funny, right, we 206 00:11:47,800 --> 00:11:48,040 Speaker 2: love you. 207 00:11:48,200 --> 00:11:52,439 Speaker 1: Don't be too funny, a little less fun Yeah? What 208 00:11:52,600 --> 00:11:55,320 Speaker 1: then I said, Yeah, that's why you were invited back 209 00:11:55,360 --> 00:11:57,240 Speaker 1: for fuller houses. Were too damn funny. 210 00:11:57,240 --> 00:11:59,800 Speaker 3: You were too good, Leslie, just suck a little more. 211 00:12:00,760 --> 00:12:02,160 Speaker 2: I have to remember that. 212 00:12:04,160 --> 00:12:10,920 Speaker 1: Be funny, right, yeah, did you have to audition for 213 00:12:11,000 --> 00:12:12,880 Speaker 1: this role or was did you know? Did you know 214 00:12:13,080 --> 00:12:15,560 Speaker 1: somebody on the on the staff and you got in. 215 00:12:16,640 --> 00:12:20,440 Speaker 2: Which which full house? Oh? Yes, I auditioned, you did, Okay? 216 00:12:20,679 --> 00:12:21,960 Speaker 2: I auditioned for everything. 217 00:12:22,040 --> 00:12:22,319 Speaker 1: Okay. 218 00:12:22,559 --> 00:12:23,760 Speaker 2: Yeah, yeah, good for you. 219 00:12:24,000 --> 00:12:25,680 Speaker 1: Just working your way through all the sitcoms. 220 00:12:26,559 --> 00:12:33,720 Speaker 2: Yeah, I mean I was Murphy Brown's sixty ninth sec. Yeah, 221 00:12:34,040 --> 00:12:37,280 Speaker 2: the amazing Escape O. Yeah, I was an Escape Artist secretary. 222 00:12:37,320 --> 00:12:43,880 Speaker 3: Oh yeah, I remember. Yeah, her ongoing uh Secretaries was hilarious. 223 00:12:43,960 --> 00:12:48,319 Speaker 2: Yeah. I could never get on Seinfeld because Ben Stein would. 224 00:12:48,120 --> 00:12:51,119 Speaker 3: Always go to part yeah, very similar voice. 225 00:12:52,360 --> 00:12:55,520 Speaker 2: Yeah yeah, and mannerism, and you know, he was semi famous, 226 00:12:56,080 --> 00:12:58,280 Speaker 2: you know, and he eventually had his own show, you know. 227 00:12:58,520 --> 00:13:02,760 Speaker 2: So and I never got on Cheers either. I really 228 00:13:02,960 --> 00:13:14,240 Speaker 2: wanted to be on that show about Night Court. April Webster, 229 00:13:14,520 --> 00:13:19,280 Speaker 2: God bless her casting director had me in nine times 230 00:13:20,000 --> 00:13:24,839 Speaker 2: to see the folks on Night Court before they finally 231 00:13:24,920 --> 00:13:26,119 Speaker 2: cat that's excessive. 232 00:13:26,720 --> 00:13:28,400 Speaker 1: That's a lot of callbacks. Dan. 233 00:13:29,280 --> 00:13:31,559 Speaker 2: I went in for this role of mister Danielson, and 234 00:13:32,360 --> 00:13:36,080 Speaker 2: I was in a waiting room outside of a conference room, 235 00:13:36,120 --> 00:13:38,280 Speaker 2: and I glanced over and there was a sheet of 236 00:13:38,360 --> 00:13:42,880 Speaker 2: paper and the title was actors the producers like and 237 00:13:43,040 --> 00:13:46,040 Speaker 2: I was in a list of like nine or ten actors, 238 00:13:46,240 --> 00:13:50,200 Speaker 2: which gave me a little bit of a boost. Yeah, 239 00:13:50,400 --> 00:13:53,960 Speaker 2: and then you know, I went in and I did 240 00:13:54,040 --> 00:13:59,839 Speaker 2: an impersonation of my grandmother's second husband. His name was 241 00:14:00,120 --> 00:14:13,480 Speaker 2: Slold and he was Norwegian, and he'd talk while he 242 00:14:13,640 --> 00:14:15,960 Speaker 2: was rolling a cigarette, so he would take a lot 243 00:14:16,040 --> 00:14:27,800 Speaker 2: of pauses. Amazing. We were spraying for bugs out there 244 00:14:28,280 --> 00:14:36,240 Speaker 2: in the orchid, you know. And so that's eventually what 245 00:14:36,360 --> 00:14:42,160 Speaker 2: became mister Danielson. So I auditioned a lot for every sitcom, 246 00:14:42,920 --> 00:14:45,880 Speaker 2: and you know, fortunately I was able to put together. 247 00:14:45,680 --> 00:14:50,960 Speaker 3: A reelmer remember yeah, reel not the kind that's on 248 00:14:51,040 --> 00:14:56,880 Speaker 3: Instagram guys, but but actually editing the piece of work. 249 00:14:57,440 --> 00:15:00,320 Speaker 2: Three quarter into video and you got it's not a viral. 250 00:15:00,400 --> 00:15:02,200 Speaker 3: D Do you get to pay somebody to do it, 251 00:15:02,240 --> 00:15:05,280 Speaker 3: because chances are you didn't have editing equipment at your house. Yeah, 252 00:15:05,280 --> 00:15:07,880 Speaker 3: it was. It's been back in the day, the ancient days. 253 00:15:08,360 --> 00:15:15,000 Speaker 2: You have to order an air that's all that's right 254 00:15:15,080 --> 00:15:17,560 Speaker 2: here in your phone, it is. 255 00:15:17,720 --> 00:15:20,360 Speaker 1: So was Night Court your favorite sitcom to appear on? 256 00:15:20,480 --> 00:15:23,560 Speaker 2: Or do you have that was a really good night 257 00:15:23,960 --> 00:15:28,840 Speaker 2: Murphy Brown was a really good night. Uh yeah, Full 258 00:15:28,920 --> 00:15:32,520 Speaker 2: House was a good night. Actually they all make you. 259 00:15:32,640 --> 00:15:35,120 Speaker 2: Oh and and Home Improvement was a good. 260 00:15:35,120 --> 00:15:36,680 Speaker 1: Night, another great show. 261 00:15:37,000 --> 00:15:42,320 Speaker 2: They it's a little like theater where you have an 262 00:15:42,320 --> 00:15:44,480 Speaker 2: audience and you get oh and of course we have 263 00:15:44,560 --> 00:15:47,680 Speaker 2: a curtain call in those shows too, really really nice 264 00:15:47,760 --> 00:15:56,480 Speaker 2: and then everybody disperses and you're like, what's yep? You know, 265 00:15:56,760 --> 00:15:59,400 Speaker 2: I just wanted to do it again. You know. That's 266 00:15:59,440 --> 00:16:03,400 Speaker 2: the thing that I'm was jealous about having a network 267 00:16:03,960 --> 00:16:08,040 Speaker 2: sitcom regular role. Is I know I'm going to work 268 00:16:08,080 --> 00:16:08,680 Speaker 2: for three weeks. 269 00:16:09,720 --> 00:16:12,880 Speaker 3: We always say the sitcom life, man, that is that's 270 00:16:13,040 --> 00:16:17,480 Speaker 3: the the goal, and it doesn't exist very much anymore, 271 00:16:18,240 --> 00:16:19,320 Speaker 3: but that's. 272 00:16:20,920 --> 00:16:21,120 Speaker 2: It was. 273 00:16:21,240 --> 00:16:22,880 Speaker 3: It was the closest thing you could get to, like 274 00:16:22,960 --> 00:16:26,640 Speaker 3: a nine to five, uh you know job in this business. 275 00:16:27,720 --> 00:16:30,360 Speaker 1: Well and as moms really been. 276 00:16:31,240 --> 00:16:33,960 Speaker 2: When I do recur like I did on that so Raven, 277 00:16:34,160 --> 00:16:37,560 Speaker 2: I would be, there will often be no audience. It 278 00:16:37,600 --> 00:16:40,400 Speaker 2: would be a four camera show audience, not the same. 279 00:16:43,880 --> 00:16:47,200 Speaker 2: So oh, I lost my train of thought. 280 00:16:47,280 --> 00:16:51,760 Speaker 1: Oh that's okay, mind you real cameras sitcom, Yeah, welcome this. 281 00:16:51,960 --> 00:16:54,320 Speaker 1: We call this like our menopause shows. I'm like, I 282 00:16:54,440 --> 00:16:55,960 Speaker 1: have very menopausal women. 283 00:16:56,080 --> 00:16:59,640 Speaker 3: Most At this point, I just had a. 284 00:17:05,800 --> 00:17:11,960 Speaker 2: Oh, recurring, Like, where else did I recur? 285 00:17:12,080 --> 00:17:13,320 Speaker 3: You're saying that's so raven? 286 00:17:13,600 --> 00:17:14,480 Speaker 1: Yeah, just what I was. 287 00:17:14,920 --> 00:17:16,399 Speaker 2: What I was going to say is that when we 288 00:17:16,480 --> 00:17:20,919 Speaker 2: did Adventures in Wonderland, that was great. We did our 289 00:17:20,960 --> 00:17:24,840 Speaker 2: first six months in Orlando, you know at the MGM 290 00:17:24,920 --> 00:17:28,600 Speaker 2: Studios lot. It's all gone, but we could be an 291 00:17:28,600 --> 00:17:31,240 Speaker 2: attraction as well as doing it right. So there was 292 00:17:31,359 --> 00:17:36,439 Speaker 2: an open wall that the folks could watch us film. 293 00:17:38,640 --> 00:17:40,280 Speaker 2: So that was and then the rest of it we 294 00:17:40,359 --> 00:17:45,240 Speaker 2: did it red Okay, Okay, I mean we made a 295 00:17:45,400 --> 00:17:47,600 Speaker 2: hundred of them, but only ninety nine of them are 296 00:17:47,840 --> 00:17:50,120 Speaker 2: are in the hopper. Do you know why? 297 00:17:50,680 --> 00:17:53,919 Speaker 3: What's from what I was wrong with the hundredths? What happened? 298 00:17:53,920 --> 00:17:54,439 Speaker 3: What happened? 299 00:17:54,800 --> 00:17:57,880 Speaker 2: It was a little episode called White Rabbits Can't Jump, 300 00:17:59,000 --> 00:18:01,680 Speaker 2: and there was a sport Tiro who was a sort 301 00:18:01,720 --> 00:18:05,439 Speaker 2: of hologram and that was played by I was going 302 00:18:05,520 --> 00:18:11,600 Speaker 2: to say, wow, that's not in the rod. 303 00:18:11,920 --> 00:18:14,240 Speaker 1: Okay, I can I can't imagine why. 304 00:18:15,640 --> 00:18:18,520 Speaker 3: But also I love the title white Rabbits Can't Jump. 305 00:18:18,560 --> 00:18:21,320 Speaker 3: That's hilarious very much. Yeah, white men can't jump from 306 00:18:21,359 --> 00:18:23,200 Speaker 3: the time hilarious. 307 00:18:23,200 --> 00:18:30,040 Speaker 2: Always that that uh network sitcom regular. But I've yet 308 00:18:30,160 --> 00:18:32,800 Speaker 2: to achieve that that role. I've worked with all of 309 00:18:33,600 --> 00:18:37,399 Speaker 2: you know, you know, two Broke Girls in full uh 310 00:18:38,000 --> 00:18:43,920 Speaker 2: Full House and Improvement and Murphy Brown and Family Man. 311 00:18:44,040 --> 00:18:45,159 Speaker 3: I was going to say, did you make it to 312 00:18:45,160 --> 00:18:47,720 Speaker 3: any other t g I F shows and family Matters? 313 00:18:48,480 --> 00:18:52,600 Speaker 2: Yeah? Yeah, So my career has had a resurgent with 314 00:18:52,720 --> 00:18:57,399 Speaker 2: all those late night you know, yeah type networks that 315 00:18:57,480 --> 00:18:57,960 Speaker 2: are happening. 316 00:18:58,040 --> 00:19:00,640 Speaker 1: Now, do you approach your bigger role in the same 317 00:19:00,680 --> 00:19:04,360 Speaker 1: way you approach the smaller bit roles? Is the process 318 00:19:04,480 --> 00:19:08,120 Speaker 1: the same or to talk me through that a little. 319 00:19:07,920 --> 00:19:11,440 Speaker 2: Bit, Yeah, absolutely, because every role is a character, So 320 00:19:11,680 --> 00:19:16,760 Speaker 2: every role has a past, you know, and I build characters. 321 00:19:16,880 --> 00:19:21,080 Speaker 2: It's what's fun about the whole thing. So the only 322 00:19:21,160 --> 00:19:24,600 Speaker 2: difference being that, you know, when you have a larger role, 323 00:19:24,720 --> 00:19:27,600 Speaker 2: you get to invest more time in it on camera, 324 00:19:27,800 --> 00:19:30,560 Speaker 2: but you invest just as much time preparing for the 325 00:19:30,640 --> 00:19:35,040 Speaker 2: smaller roles because when you have a line or two, 326 00:19:35,160 --> 00:19:38,440 Speaker 2: it's like jumping onto a moving train. You have to, yeah, 327 00:19:38,480 --> 00:19:42,760 Speaker 2: to show up and produce and then get the heck 328 00:19:42,840 --> 00:19:43,360 Speaker 2: out of the way. 329 00:19:43,880 --> 00:19:44,679 Speaker 1: Yeah, totally. 330 00:19:44,880 --> 00:19:48,879 Speaker 2: So it does require the same amount of prep and 331 00:19:49,320 --> 00:19:55,560 Speaker 2: daydreaming and you know, knowing the elements of comedy like 332 00:19:55,720 --> 00:19:59,760 Speaker 2: contrast and surprise and the rule of three. And there 333 00:19:59,800 --> 00:20:01,840 Speaker 2: are seven or eight of them that I teach when 334 00:20:01,880 --> 00:20:02,679 Speaker 2: I teach comedy. 335 00:20:04,040 --> 00:20:06,760 Speaker 1: This is this has been like a masterclass, right acting. 336 00:20:06,960 --> 00:20:12,040 Speaker 1: This has been such a fun conversation. No, not all 337 00:20:12,400 --> 00:20:15,960 Speaker 1: talented and uh yeah and just and still working. 338 00:20:16,200 --> 00:20:23,200 Speaker 3: Most importantly fantastic, thank you, right, thank you after God's yeah. 339 00:20:24,480 --> 00:20:26,600 Speaker 2: As we know, so few of us are working here 340 00:20:26,880 --> 00:20:32,800 Speaker 2: right because production is run away to other states and countries, countries, 341 00:20:33,760 --> 00:20:37,720 Speaker 2: and hopefully with the new tax and centives will get 342 00:20:37,800 --> 00:20:39,040 Speaker 2: some more, I hope. 343 00:20:39,080 --> 00:20:41,720 Speaker 3: So every time I'm driving in l A And I 344 00:20:41,960 --> 00:20:47,359 Speaker 3: see like crew out, I like, if I'm passing by, 345 00:20:47,440 --> 00:20:49,199 Speaker 3: like the grip trucks or whatever, I like rolled down 346 00:20:49,200 --> 00:20:49,800 Speaker 3: the window and I'm. 347 00:20:49,760 --> 00:20:57,240 Speaker 2: Like, yeah, let's shoot in LA you know. Yeah, Like 348 00:20:57,400 --> 00:21:00,200 Speaker 2: you know, we're we are just once we just to 349 00:21:00,200 --> 00:21:00,679 Speaker 2: do what we love. 350 00:21:00,840 --> 00:21:02,960 Speaker 3: We love working, we really do. 351 00:21:03,400 --> 00:21:05,880 Speaker 2: You know, there's a whole lot of us here bring 352 00:21:05,960 --> 00:21:09,359 Speaker 2: it back, bring it back. And you know I've been 353 00:21:09,400 --> 00:21:12,919 Speaker 2: to other states making pictures, like I did a picture 354 00:21:12,960 --> 00:21:17,840 Speaker 2: in Atlanta. Oh yeah, yeah, there's no crews like California crews. 355 00:21:18,440 --> 00:21:22,919 Speaker 2: Really we know how to make pictures interesting, more efficient, and. 356 00:21:24,119 --> 00:21:26,280 Speaker 3: It's a yeah, I will say this is I mean, 357 00:21:26,359 --> 00:21:30,879 Speaker 3: this is the land of career crew people that have 358 00:21:30,960 --> 00:21:32,920 Speaker 3: been in this business for decades, you know, and that 359 00:21:33,040 --> 00:21:33,639 Speaker 3: makes a difference. 360 00:21:35,520 --> 00:21:37,640 Speaker 2: So it's true why so many of us moved here. 361 00:21:37,720 --> 00:21:40,320 Speaker 2: I mean, I grew up in northern California, but that's 362 00:21:40,359 --> 00:21:41,120 Speaker 2: why I came down. 363 00:21:41,960 --> 00:21:44,359 Speaker 1: It was it's it's the place to be. 364 00:21:44,560 --> 00:21:47,680 Speaker 3: I have faith maybe that we're gonna we're gonna bring 365 00:21:47,760 --> 00:21:50,080 Speaker 3: it back and and uh, you know, get some more 366 00:21:50,240 --> 00:21:58,400 Speaker 3: production here and hopefully more well written, character interesting, real 367 00:21:58,560 --> 00:21:59,439 Speaker 3: human stuff. 368 00:21:59,600 --> 00:22:02,480 Speaker 2: That's what the goal is, absolutely, and I think there's 369 00:22:02,520 --> 00:22:05,440 Speaker 2: an avenue for that now that everything is screaming, you know, 370 00:22:05,800 --> 00:22:09,640 Speaker 2: you don't have to pay attention to those guidelines and network. Yeah, 371 00:22:09,760 --> 00:22:12,280 Speaker 2: and you know you can be a little more edgy 372 00:22:12,520 --> 00:22:16,879 Speaker 2: as everything is now. Yeah on Apple, on Hulu on. 373 00:22:19,119 --> 00:22:24,040 Speaker 3: Right, yeah, on Prancer and HBO and Parallem whatever. 374 00:22:24,200 --> 00:22:25,199 Speaker 1: But really it's just going to. 375 00:22:25,200 --> 00:22:27,639 Speaker 3: Pretty soon it's going to be just on Netflix and 376 00:22:27,760 --> 00:22:28,040 Speaker 3: that's it. 377 00:22:30,160 --> 00:22:30,360 Speaker 1: Yeah. 378 00:22:31,760 --> 00:22:33,679 Speaker 2: Each one will cost you sixteen and. 379 00:22:33,720 --> 00:22:37,280 Speaker 3: There's forty eight of them, so best of luck. Yeah, 380 00:22:38,040 --> 00:22:40,520 Speaker 3: just rotating those thirty day free trials. 381 00:22:40,600 --> 00:22:44,280 Speaker 2: Guys, there you go keep those residions. 382 00:22:44,440 --> 00:22:47,840 Speaker 3: Yes, indeed, Well, thank you so much, Weslie. This was 383 00:22:47,920 --> 00:22:49,520 Speaker 3: like such a pleasure to have you on. 384 00:22:50,640 --> 00:22:53,359 Speaker 2: Yes, well, I'm absolutely delighted and I love to come 385 00:22:53,440 --> 00:22:55,080 Speaker 2: back if you want to talk to me in Oh 386 00:22:55,119 --> 00:22:55,480 Speaker 2: my gosh. 387 00:22:55,600 --> 00:22:58,159 Speaker 1: Yes, like you're just a wealth of knowledge and so 388 00:22:58,320 --> 00:23:00,640 Speaker 1: much talent. This has been delightful. Thank you for making 389 00:23:00,720 --> 00:23:02,680 Speaker 1: time for us. We really appreciate it. 390 00:23:02,840 --> 00:23:06,399 Speaker 2: Yeah, I'm glad to do it. Get an actor to 391 00:23:06,440 --> 00:23:07,280 Speaker 2: talk about himself. 392 00:23:08,160 --> 00:23:09,520 Speaker 3: Would you want to come on and like, you know, 393 00:23:09,680 --> 00:23:13,440 Speaker 3: talk about you, I mean, let me clear my schedule. 394 00:23:17,160 --> 00:23:19,520 Speaker 1: Well, we can't wait to watch Palm Royal and see 395 00:23:19,560 --> 00:23:21,600 Speaker 1: what happens and these uh we're going to catch up 396 00:23:21,600 --> 00:23:23,640 Speaker 1: and then see what happens in the last three episode. 397 00:23:24,280 --> 00:23:25,400 Speaker 1: You've preaked my curiosity. 398 00:23:26,080 --> 00:23:29,680 Speaker 3: TV Plus guys, I'm TV Plus. Go check out Palm 399 00:23:29,800 --> 00:23:33,880 Speaker 3: Royale Plus. Uh, you know, Uncle Jay's on there. John 400 00:23:33,960 --> 00:23:35,480 Speaker 3: Stamos has some episodes, so. 401 00:23:38,320 --> 00:23:39,080 Speaker 2: The man. 402 00:23:39,600 --> 00:23:44,760 Speaker 3: Yeah, thank you so much, Wesley. We really appreciate it. 403 00:23:45,640 --> 00:23:48,280 Speaker 1: Yeah, thanks, best of luck to you. 404 00:23:48,560 --> 00:23:50,840 Speaker 2: Thanks by thanks bye. 405 00:23:51,240 --> 00:23:55,000 Speaker 3: Dude. We have like him cool and we say, is 406 00:23:55,000 --> 00:23:57,560 Speaker 3: there a time, we find out that we've worked with 407 00:23:57,760 --> 00:24:01,000 Speaker 3: like such pillars of this business who have done and 408 00:24:01,720 --> 00:24:02,840 Speaker 3: know so much. 409 00:24:03,760 --> 00:24:06,439 Speaker 1: It's so good, no idea. Growing up like this has 410 00:24:06,560 --> 00:24:08,440 Speaker 1: just been What a trip. What a cool thing that 411 00:24:08,480 --> 00:24:11,920 Speaker 1: we get to do now is interview these iconic actors 412 00:24:12,040 --> 00:24:14,960 Speaker 1: and learn so much from them. And now that age 413 00:24:15,000 --> 00:24:15,480 Speaker 1: when you're. 414 00:24:15,440 --> 00:24:17,960 Speaker 3: Like, oh, I'm paying attention to think, you know, like 415 00:24:18,040 --> 00:24:19,800 Speaker 3: when you're a kid anyway. 416 00:24:20,400 --> 00:24:22,960 Speaker 1: Yeah, when you're occasually what's for lunch today? And do 417 00:24:23,080 --> 00:24:24,000 Speaker 1: I have to do my homework? 418 00:24:24,320 --> 00:24:25,240 Speaker 2: I don't want to go to school? 419 00:24:25,520 --> 00:24:25,680 Speaker 3: Right? 420 00:24:26,560 --> 00:24:26,760 Speaker 1: Yes? 421 00:24:27,200 --> 00:24:31,320 Speaker 3: Well that was Thank you so much Weslie for for 422 00:24:31,440 --> 00:24:36,600 Speaker 3: joining us. He you know, really wow, I can't believe 423 00:24:36,640 --> 00:24:39,240 Speaker 3: all the things that he's done. It's incredible. Thank you 424 00:24:39,320 --> 00:24:40,439 Speaker 3: guys so much for joining us. 425 00:24:40,720 --> 00:24:41,440 Speaker 1: You know the drill. 426 00:24:41,640 --> 00:24:43,760 Speaker 3: If you want to follow us on Instagram at how 427 00:24:43,880 --> 00:24:47,760 Speaker 3: Rude Podcast, email us at how Rude, Tanerito's gmail dot com, 428 00:24:49,200 --> 00:24:51,560 Speaker 3: check out our merch store how rudemerch dot com. And 429 00:24:53,320 --> 00:24:54,120 Speaker 3: and that's it, y'all. 430 00:24:54,760 --> 00:24:55,000 Speaker 2: That's it. 431 00:24:55,160 --> 00:24:58,840 Speaker 1: That's it. So remember the world is small, but the 432 00:24:58,920 --> 00:24:59,880 Speaker 1: house is full. 433 00:25:01,320 --> 00:25:05,240 Speaker 3: Of the alice in Wonderland. Caterpillar just it's just one caterpillar, 434 00:25:05,320 --> 00:25:07,240 Speaker 3: but like snaked all through the house. 435 00:25:07,400 --> 00:25:08,640 Speaker 2: Just yeah, because it's. 436 00:25:08,520 --> 00:25:11,240 Speaker 1: A very large cat. Takes up the whole house and 437 00:25:11,320 --> 00:25:11,639 Speaker 1: he's like. 438 00:25:11,680 --> 00:25:13,600 Speaker 3: Alice, like popping out of the house. You know what 439 00:25:13,640 --> 00:25:15,119 Speaker 3: I mean. It's so cool. 440 00:25:15,280 --> 00:25:16,119 Speaker 2: I love it. 441 00:25:16,480 --> 00:25:18,000 Speaker 3: I guess you looks on hi