WEBVTT - Extra Frosting with Special Guest Host Drew Lachey

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<v Speaker 1>This is Frosted Tips with Lance Bats and iHeartRadio podcast

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<v Speaker 1>What's going on Everybody? I'mrew Liche, a member of ninety

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<v Speaker 1>eight degrees, the Season two Dancing with the Stars Champion.

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<v Speaker 1>It was only eighteen years ago, and I've done a

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<v Speaker 1>couple of Broadway shows. I have, you know, kind of

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<v Speaker 1>been on reality TV a little bit. And today I'm

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<v Speaker 1>hosting Frosted Tips, and I thought it would be only

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<v Speaker 1>appropriate if I interviewed the person who, back in nineteen

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<v Speaker 1>ninety six was responsible for giving me my first Frosted Tips. Yeah.

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<v Speaker 1>She This is my beautiful wife, Leah Lasha.

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<v Speaker 2>Thank you, Jill, thank you so much. Thank you. So.

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<v Speaker 1>How you doing today?

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<v Speaker 2>I'm great.

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<v Speaker 1>How are you? I'm doing great. I'm great. So I'm

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<v Speaker 1>going to ask you a couple of questions.

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<v Speaker 2>I'm slightly terrified.

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<v Speaker 1>Well, the reason I wanted to interview you today is

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<v Speaker 1>because there are certain times as married couples where you,

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<v Speaker 1>I'll say we, but married couples in general might not

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<v Speaker 1>necessarily be as open and honest with each other as

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<v Speaker 1>they possibly could be, and not necessarily in a negative way,

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<v Speaker 1>just more of a you know, maybe not give compliments

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<v Speaker 1>when compliments might be deserved or might not be like, oh,

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<v Speaker 1>you know, that really does get on my nerves, you know,

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<v Speaker 1>you know those kind of things. So I thought I

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<v Speaker 1>might be able to take this opportunity to get you

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<v Speaker 1>on the record talking about how awesome I am.

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<v Speaker 2>So this is why I'm here.

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<v Speaker 1>That is the only reason is to feed my ego

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<v Speaker 1>and make me feel great about myself.

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<v Speaker 2>You're not friend, I will be completely honest.

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<v Speaker 1>I'm sure you will be. So let's just not daily diet.

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<v Speaker 1>Let's just jump jump right into it. So what is

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<v Speaker 1>it that you remember about our meeting? How do you

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<v Speaker 1>how do you remember our meeting?

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<v Speaker 2>Like us? Yes? Like who else?

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<v Speaker 1>What do you remember about me and Lance's meeting? You

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<v Speaker 1>weren't there?

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<v Speaker 2>What?

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<v Speaker 1>No?

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<v Speaker 2>Me? Okay, well we were we were really young. I

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<v Speaker 2>mean so the first time I met you, I was

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<v Speaker 2>I was ten. We were ten? Yeah?

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<v Speaker 1>What grade?

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<v Speaker 2>Fifth grade?

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<v Speaker 1>Fifth grade?

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<v Speaker 2>Yeah?

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<v Speaker 1>Fifth grade?

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<v Speaker 2>Where I mean the the biggest visual that I have

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<v Speaker 2>is English class or that might have been seventh grade.

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<v Speaker 2>I can't I don't remember. I do know that what

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<v Speaker 2>Drew may want some people to know he was a

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<v Speaker 2>new Kids on the Black fan and would which I

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<v Speaker 2>was to listen? That was my first concert. But he

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<v Speaker 2>was a skateboarder, and he would skate in his driveway

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<v Speaker 2>listening hang in talk.

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<v Speaker 1>No, you weren't even that barely. You are telling a

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<v Speaker 1>story that Nick told me.

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<v Speaker 2>Well, I mean I remember, I remember you skateboarding. I

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<v Speaker 2>remember you like running down the hallway with like, you know,

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<v Speaker 2>your backpack on one.

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<v Speaker 1>Shoulder, very dashingly handsome.

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<v Speaker 2>Dashingly handsome. I mean like I have like bits and

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<v Speaker 2>pieces like memories from you know, ten eleven, twelve. But

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<v Speaker 2>then I think, I mean, I remember when we first

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<v Speaker 2>started dating, which was we were juniors in high school.

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<v Speaker 1>Okay, so I'll lead you a little bit.

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<v Speaker 2>Oh please lead me.

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<v Speaker 1>I'll try and do it subtly.

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<v Speaker 2>Okay.

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<v Speaker 1>When when was the first time that we went out?

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<v Speaker 1>So terrified? But do you not remember?

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<v Speaker 2>I mean, that's what I'm saying, is like junior in

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<v Speaker 2>high school.

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<v Speaker 1>No, the first time we went out.

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<v Speaker 2>Oh, oh, are you're talking about when I dumped you?

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<v Speaker 1>No, that was time we went out. The first time

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<v Speaker 1>we went out. I was in the sixth grade. Okay, jeez,

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<v Speaker 1>clearly not enough. So we were in the sixth grade,

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<v Speaker 1>and we were we were both part of the Cincinnai

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<v Speaker 1>Ballet Nutcracker, right.

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<v Speaker 2>And then I and then I broke up with you.

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<v Speaker 1>Yeah, but it was more like so she was going

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<v Speaker 1>out on the road to be a part of a

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<v Speaker 1>touring production of a theater show, and she left town

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<v Speaker 1>in the sixth grade, and so it was it was

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<v Speaker 1>more like, you know what, I can't do a long

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<v Speaker 1>distance relationship. You know, I think it is his best

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<v Speaker 1>if we take a break. That that wasn't really like

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<v Speaker 1>a dump. That was really like a breakup. That was

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<v Speaker 1>more just like, you know, I'm gonna be gone for Yeah,

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<v Speaker 1>you spread your wings, all spread mine and we'll see.

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<v Speaker 1>You know, if you love something, let it go and

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<v Speaker 1>if it returns to you. It was meant to be

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<v Speaker 1>kind of thing. So then that was the sixth grade.

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<v Speaker 1>Seventh grade, I banged up my knee and I was

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<v Speaker 1>on I was on crutches, and we had an in

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<v Speaker 1>school performance at the symphony. Like we were going to

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<v Speaker 1>go see the symphony, and I mean, you remember every

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<v Speaker 1>detail I do. And we were going to the symphony.

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<v Speaker 1>And before we went to the symphony, I said, hey, Leah,

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<v Speaker 1>you want to go out with me? She said, sure,

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<v Speaker 1>left you that'd be great. You're dationally handsome. Why wouldn't

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<v Speaker 1>I want to go out to you? Yes, And then

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<v Speaker 1>when we came back from the symphony back to school

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<v Speaker 1>two hours later, she told me that she didn't want

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<v Speaker 1>to go out with me anymore. And she just told me. So,

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<v Speaker 1>do you remember that? Yes, So that was where the

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<v Speaker 1>first two times we went out. Then the third time

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<v Speaker 1>we went out after you know, like.

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<v Speaker 2>I don't remember the third die.

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<v Speaker 1>The third time we went out was wed juniors. Oh okay, yeah, yeah, yeah, okay,

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<v Speaker 1>I do remember that. Yeah, so if she remembers that one,

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<v Speaker 1>that's well, because that we were together.

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<v Speaker 2>Yeah, you know, as the story goes.

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<v Speaker 1>Yeah, So you know, then from junior year on, we've

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<v Speaker 1>been on many many journeys together and you know, seeing

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<v Speaker 1>the world, and I had two beautiful children, and you know,

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<v Speaker 1>now they're grown up and you're just gonna be stuck

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<v Speaker 1>with me all over.

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<v Speaker 2>I like being stuck with the act, just the two

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<v Speaker 2>of us.

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<v Speaker 1>All right. So so we started dating as juniors in

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<v Speaker 1>high school. You started, you know, you went to college.

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<v Speaker 1>You quit college because you got hired, yes, as a

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<v Speaker 1>dancer by the Radio City Rockets.

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<v Speaker 2>Yes.

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<v Speaker 1>At that point, do you remember what I was doing?

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<v Speaker 2>Yeah, you were working on an ambulance in New York

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<v Speaker 2>gold Stars.

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<v Speaker 1>She remembers that she doesn't remember us going out, but

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<v Speaker 1>she remembers she remembers my job. All right, So when

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<v Speaker 1>once you started working for Radio City, and then I

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<v Speaker 1>started with driving the ambulance and I got the beep

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<v Speaker 1>on my beeper from Nick. He was in LA. I

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<v Speaker 1>was driving ambulance to New York. He beat me, and

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<v Speaker 1>I pulled the ambulance over. I went to a payper

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<v Speaker 1>and called him back and he said, hey, we're starting

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<v Speaker 1>this group. I want to join, And I said yes,

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<v Speaker 1>and I left New York where you were as well.

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<v Speaker 1>What what was that thought process like for you?

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<v Speaker 2>Like, I mean I think I've always been a big dreamer,

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<v Speaker 2>you know that. So for me at that age nineteen

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<v Speaker 2>twenty twenty one, I mean, the world is at your fingertips,

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<v Speaker 2>So what an amazing opportunity. I mean I don't even

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<v Speaker 2>I don't even think the thought and it shouldn't really

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<v Speaker 2>when you're young, like that like cross your mind of

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<v Speaker 2>like oh man, this is a big jump, Like what

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<v Speaker 2>if it doesn't work, I say, go all in. So

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<v Speaker 2>I was thrilled. I was excited for you. I mean

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<v Speaker 2>I was I was clearly sad that we weren't going

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<v Speaker 2>to be this is what he wants. I was trying

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<v Speaker 2>every night. No, I was. Of course I was sad,

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<v Speaker 2>and we were long distance for years.

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<v Speaker 1>But how sad?

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<v Speaker 2>So sad? Just one so so so so so.

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<v Speaker 1>Sad, so sad.

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<v Speaker 2>No, of course it's hard. And then we kind of

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<v Speaker 2>bounced from like coast to coast and I'd be working

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<v Speaker 2>in LA and you were in New York, and then

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<v Speaker 2>vice versa, and then you guys, we were in Asia all

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<v Speaker 2>the time. I feel like, so that was you know,

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<v Speaker 2>that was a little crazy. But then we got married

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<v Speaker 2>really young, like now I will get that, and I'm like,

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<v Speaker 2>I can't believe we I mean we were twenty four.

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<v Speaker 1>Yeah, but yes, we were twenty four, but we had

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<v Speaker 1>already been together for eight years absolutely, so yeah, all right.

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<v Speaker 1>So when I moved out to LA and I started,

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<v Speaker 1>you know, singing before we even got signed, did you

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<v Speaker 1>have any idea of kind of what you were like

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<v Speaker 1>signing up for? Like now, no, I does anybody? No,

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<v Speaker 1>I mean I had no idea what I was signing

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<v Speaker 1>up for.

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<v Speaker 2>So no, and I and I say this all the time,

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<v Speaker 2>like the world was the pop world. You know, boy

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<v Speaker 2>band and pop groups and all of that. I mean

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<v Speaker 2>it was. It was a wildly fun time and crazy.

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<v Speaker 2>But I can't imagine, like I always think, like we

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<v Speaker 2>didn't have social media, we didn't have that added stress.

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<v Speaker 2>So I just remember the time being fun. But you know,

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<v Speaker 2>did I like being on our honeymoon remember that?

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<v Speaker 1>Yeah?

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<v Speaker 2>And we had to come back like what like two

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<v Speaker 2>days early from our honeymoon. Yeah, because the guys had

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<v Speaker 2>a video that they needed to shoot. So I think

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<v Speaker 2>that it's, you know, it's a little give and take

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<v Speaker 2>when you're in the business. I mean, I think once

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<v Speaker 2>you get older, you can kind of, you know, be like, hey,

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<v Speaker 2>I'm gonna set some boundaries. Now. Obviously when we started

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<v Speaker 2>having kids, there were a lot more boundaries that we set.

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<v Speaker 2>But when you're young, you're kind of like you're jumping

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<v Speaker 2>at any opportunity, you know.

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<v Speaker 1>Yeah. So once once things started happening, like once we

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<v Speaker 1>got signed, once single started coming out, once you know,

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<v Speaker 1>people started adoring you. Adoring might be an understatement loving.

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<v Speaker 2>I mean with the fact tat with the one year out,

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<v Speaker 2>remember that.

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<v Speaker 1>It's so cute, that's how it works. Still got it, folks. No,

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<v Speaker 1>I mean like once once things start blowing up for us,

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<v Speaker 1>and and how did how did that affect.

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<v Speaker 2>I mean, to be honest, as a as a young girl,

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<v Speaker 2>it was hard. I mean it was hard. I'd be

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<v Speaker 2>lying if I said it wasn't hard. I mean, I

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<v Speaker 2>even though I mean it's crazy to see that. Like,

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<v Speaker 2>I think we had a really good relationship, like in

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<v Speaker 2>those early stages, which I think again about all of

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<v Speaker 2>the things that were added onto our plate where the

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<v Speaker 2>relationship could have just crumbled right the long distance, the

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<v Speaker 2>the fans, the girls, all of that. But I mean

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<v Speaker 2>I had some nasty things said to me, and I

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<v Speaker 2>think sometimes, you know, in those early stages, I apologize

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<v Speaker 2>for those things. I'm just kidding, no, But I mean

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<v Speaker 2>I also think, like me, No, I think that the

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<v Speaker 2>guys I mean ninety eight obviously is family, and so

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<v Speaker 2>I feel like, you know, I always felt safe in

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<v Speaker 2>that bubble. But yeah, you have to you have to

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<v Speaker 2>have thick skin. I hate that term, but you do.

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<v Speaker 1>I mean you do.

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<v Speaker 2>You have to be able to kind of, you know,

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<v Speaker 2>brush stuff off.

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<v Speaker 1>But you have great skin.

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<v Speaker 2>Thank you.

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<v Speaker 1>You were dancing, you were performing, you were living your dream,

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<v Speaker 1>and you were dancing for music videos and rockets and

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<v Speaker 1>radio sitting and all that stuff, and I was doing

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<v Speaker 1>my my very you know, sophisticated boy band dancing.

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<v Speaker 2>It's sophisticated because I choreographed it.

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<v Speaker 1>So yes, yes, So if you could put if you

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<v Speaker 1>could put your one of your other dance numbers from

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<v Speaker 1>your career on me and set it and set it

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<v Speaker 1>on me? Who are you laughing? Which one? Would it be?

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<v Speaker 2>Like? Anything?

0:12:23.960 --> 0:12:24.280
<v Speaker 1>Yes?

0:12:24.400 --> 0:12:26.680
<v Speaker 2>Okay, so definitely I would put you in a pair

0:12:26.720 --> 0:12:31.959
<v Speaker 2>of Laduca heels three inch I can do, and I

0:12:32.000 --> 0:12:35.280
<v Speaker 2>would have you do. I mean, name a combo that

0:12:35.280 --> 0:12:37.000
<v Speaker 2>that we do here at the studio. I would have

0:12:37.040 --> 0:12:37.439
<v Speaker 2>you do that.

0:12:37.559 --> 0:12:39.280
<v Speaker 1>But oh, you have me to do one of these,

0:12:39.360 --> 0:12:41.240
<v Speaker 1>not even like back like I thought you were going

0:12:41.280 --> 0:12:42.040
<v Speaker 1>to throw it like.

0:12:42.040 --> 0:12:44.160
<v Speaker 2>Oh no, I would have to do something now like

0:12:44.320 --> 0:12:46.960
<v Speaker 2>really current, throw yourself around on the floor, roll around,

0:12:47.040 --> 0:12:49.559
<v Speaker 2>kick your legs all that, because that would be we

0:12:49.600 --> 0:12:53.120
<v Speaker 2>should do that anyway, because that would be good. I

0:12:53.200 --> 0:12:55.439
<v Speaker 2>just want to see what it looks like. But I

0:12:55.480 --> 0:12:58.200
<v Speaker 2>also think if you're if you're talking back in the day,

0:12:58.640 --> 0:13:02.199
<v Speaker 2>I would put you one hundred percent in a Rockuet

0:13:02.320 --> 0:13:04.600
<v Speaker 2>kick line all right.

0:13:04.720 --> 0:13:08.280
<v Speaker 1>For the record, my leg would not go very high

0:13:08.640 --> 0:13:10.840
<v Speaker 1>you would you would be on the end. I fully,

0:13:10.880 --> 0:13:14.199
<v Speaker 1>fully yes, because the short so it's especially the same

0:13:14.240 --> 0:13:15.160
<v Speaker 1>because I'm short, i'd.

0:13:15.040 --> 0:13:15.400
<v Speaker 2>Be on the end.

0:13:15.480 --> 0:13:19.480
<v Speaker 1>I mean i'm too, but I will say that because

0:13:19.679 --> 0:13:23.680
<v Speaker 1>of my army experience, I can hold I can hold

0:13:23.679 --> 0:13:28.920
<v Speaker 1>a formation. I can I can if I can do

0:13:28.960 --> 0:13:31.160
<v Speaker 1>it in combat boots, I can do it in eels.

0:13:31.720 --> 0:13:33.840
<v Speaker 2>Come on, I feel like we're going to need to

0:13:33.840 --> 0:13:37.320
<v Speaker 2>try this, Okay, Okay, Well, that would be the challenge

0:13:37.320 --> 0:13:38.720
<v Speaker 2>I would have, because I think a lot of people

0:13:38.720 --> 0:13:42.880
<v Speaker 2>don't understand how incredibly difficult it is to work in

0:13:42.920 --> 0:13:43.680
<v Speaker 2>that line like that.

0:13:44.280 --> 0:13:47.440
<v Speaker 1>It's hard on shoulder to shoulder. I got this, gotta

0:13:47.520 --> 0:13:54.960
<v Speaker 1>use your peripher roll legs ninety oh, then higher, and

0:13:56.200 --> 0:13:58.679
<v Speaker 1>I know what that foot would look like. It would

0:13:58.679 --> 0:14:03.239
<v Speaker 1>probably be sickle turn it. It's okay, it would work out. Okay.

0:14:03.720 --> 0:14:05.920
<v Speaker 1>Now there's some people that will kind of say, all right,

0:14:05.960 --> 0:14:08.360
<v Speaker 1>you guys have had kind of like this this storybook,

0:14:09.000 --> 0:14:12.720
<v Speaker 1>you know, romance, and my response that would be like, yeah,

0:14:12.720 --> 0:14:16.240
<v Speaker 1>she's married to me. Of course it's been fantastic for her.

0:14:17.679 --> 0:14:20.760
<v Speaker 1>I mean people might even say it's like a movie,

0:14:21.200 --> 0:14:23.600
<v Speaker 1>like made for like movies, you know, the high school

0:14:23.600 --> 0:14:27.680
<v Speaker 1>sweetheart stuff, the boy that did good.

0:14:28.080 --> 0:14:31.400
<v Speaker 2>The boy that.

0:14:32.200 --> 0:14:34.240
<v Speaker 1>You know what I'm saying. All right, So if they

0:14:34.280 --> 0:14:41.080
<v Speaker 1>made a movie about us, who do you think would

0:14:41.080 --> 0:14:46.040
<v Speaker 1>play you? And in return? And in return, but even

0:14:46.040 --> 0:14:49.840
<v Speaker 1>more importantly, which dashing leading man would play me?

0:14:53.920 --> 0:14:55.400
<v Speaker 2>And it's like our life story.

0:14:56.440 --> 0:14:58.800
<v Speaker 1>I mean, you can pick an era, you know.

0:14:59.160 --> 0:15:03.160
<v Speaker 2>The Okay, Well, I mean I don't know. I honestly

0:15:03.320 --> 0:15:08.080
<v Speaker 2>never really thought thought about this, but I'm I'm kind

0:15:08.080 --> 0:15:11.640
<v Speaker 2>of I'm I'm obsessed with Pink, you know that, So

0:15:11.680 --> 0:15:14.120
<v Speaker 2>I can only hope that I'm as much of a

0:15:14.200 --> 0:15:17.800
<v Speaker 2>badass as she is. I also love Lady Gaga, so

0:15:17.880 --> 0:15:21.000
<v Speaker 2>that would be like right in there. So Pink, Lady Gaga,

0:15:21.040 --> 0:15:24.240
<v Speaker 2>if you want to play me, that'd be fantastic. You.

0:15:25.720 --> 0:15:27.320
<v Speaker 2>I don't.

0:15:29.440 --> 0:15:30.880
<v Speaker 1>Who would you have play you?

0:15:31.320 --> 0:15:33.000
<v Speaker 2>I want to hear, actually kind of want to hear

0:15:33.040 --> 0:15:34.240
<v Speaker 2>what you think?

0:15:36.400 --> 0:15:37.080
<v Speaker 1>He'll be good?

0:15:37.880 --> 0:15:38.240
<v Speaker 2>All right?

0:15:38.520 --> 0:15:43.600
<v Speaker 1>So if mm hmm for somebody to play you, I

0:15:43.600 --> 0:15:47.080
<v Speaker 1>would say, like, like like a Rachel mcaddam's kind of

0:15:48.520 --> 0:15:52.240
<v Speaker 1>but like I think that's like, okay, I think that

0:15:52.280 --> 0:15:56.120
<v Speaker 1>would be a good fit. So after we were married

0:15:56.120 --> 0:15:57.520
<v Speaker 1>for a while and we were living in La We

0:15:57.560 --> 0:16:02.720
<v Speaker 1>lived in La for how long we started having a

0:16:02.760 --> 0:16:06.160
<v Speaker 1>family and you know, Dance with the Stars. It happened,

0:16:06.240 --> 0:16:09.320
<v Speaker 1>and you know, I had already done Brent, and we

0:16:09.320 --> 0:16:12.760
<v Speaker 1>were like, all right, where's our where where's our life? Like,

0:16:12.800 --> 0:16:14.520
<v Speaker 1>what's our life? And we decided we were going to

0:16:14.560 --> 0:16:20.680
<v Speaker 1>move back here to Cincinnati, big back home. What do

0:16:20.720 --> 0:16:24.280
<v Speaker 1>you think was the main reason for you.

0:16:26.080 --> 0:16:32.160
<v Speaker 2>To makeamily being part of a community, like I love

0:16:32.200 --> 0:16:36.320
<v Speaker 2>our I love our community here, And I think that

0:16:36.320 --> 0:16:38.720
<v Speaker 2>that was probably not that we didn't like have our

0:16:38.760 --> 0:16:42.080
<v Speaker 2>tribe of people from the industry that that we adore

0:16:42.120 --> 0:16:45.680
<v Speaker 2>and still miss, you know, not living close to But

0:16:45.800 --> 0:16:49.680
<v Speaker 2>I think I was pregnant with Hudson and Izzy was

0:16:50.120 --> 0:16:52.400
<v Speaker 2>three and a half and so so and who is

0:16:52.400 --> 0:16:59.440
<v Speaker 2>Izzy our oldest daughter who is now yeah, in in college.

0:16:59.680 --> 0:17:03.400
<v Speaker 2>And then wis Hudson our son, our beloved son, who

0:17:03.440 --> 0:17:06.120
<v Speaker 2>was fourteen, our freshman in high school, freshman in high

0:17:06.119 --> 0:17:11.280
<v Speaker 2>school soccer and lacrosse player, which is crazy, No, I

0:17:11.320 --> 0:17:14.080
<v Speaker 2>think I think for me, we always said we were

0:17:14.119 --> 0:17:16.960
<v Speaker 2>super close to our grandparents, and it was weird to

0:17:17.119 --> 0:17:20.239
<v Speaker 2>even think about that we were going to be so

0:17:20.560 --> 0:17:23.639
<v Speaker 2>far and removed from them, and it was just going

0:17:23.680 --> 0:17:26.200
<v Speaker 2>to be kind of like oh here, you know, Grandma,

0:17:26.480 --> 0:17:32.200
<v Speaker 2>Grandpa visiting. You know, if we're lucky five times a year,

0:17:32.320 --> 0:17:35.600
<v Speaker 2>you know, I mean, whatever it is holiday wise. So yeah,

0:17:35.640 --> 0:17:39.280
<v Speaker 2>and I'm still like, I'm very very happy that we

0:17:39.359 --> 0:17:40.080
<v Speaker 2>made that decision.

0:17:40.840 --> 0:17:43.920
<v Speaker 1>And once we moved back to Cincinnati, you know things

0:17:44.359 --> 0:17:46.680
<v Speaker 1>I'm not going to say, it was like, oh.

0:17:46.520 --> 0:17:50.919
<v Speaker 2>No, it's a big, big decision, lots of adjustment.

0:17:51.359 --> 0:17:54.320
<v Speaker 1>Yeah, and we took our time, we talked to people,

0:17:54.400 --> 0:17:57.040
<v Speaker 1>we tried to figure it out loud. I you know,

0:17:57.960 --> 0:18:00.160
<v Speaker 1>every time I talked to Tumbrs around still, I'm like, hey,

0:18:00.720 --> 0:18:04.359
<v Speaker 1>you're the reason I felt good moving back home, because

0:18:04.359 --> 0:18:06.879
<v Speaker 1>he was basically like, you can work from anywhere, you know,

0:18:06.880 --> 0:18:08.159
<v Speaker 1>you got to take care of your family and make

0:18:08.200 --> 0:18:14.080
<v Speaker 1>sure that your your family is the priority. So thanks Tom.

0:18:14.240 --> 0:18:16.720
<v Speaker 1>And then on top of that, once we came back,

0:18:16.760 --> 0:18:18.320
<v Speaker 1>we were always trying to like, all right, how do

0:18:18.400 --> 0:18:21.560
<v Speaker 1>we how do we make a difference in Cincinnati? How

0:18:21.560 --> 0:18:25.400
<v Speaker 1>do we make a change. How do we find out

0:18:25.440 --> 0:18:28.360
<v Speaker 1>who we are in this in this community? Because LA

0:18:28.440 --> 0:18:31.560
<v Speaker 1>and Cincinnati they might sound like they're very very similar,

0:18:32.200 --> 0:18:35.960
<v Speaker 1>you know, but there there there are some differences. Feel

0:18:37.440 --> 0:18:40.920
<v Speaker 1>other than Cincinnati losing to LA in the Super Bowl,

0:18:40.920 --> 0:18:42.960
<v Speaker 1>which I'm still we can't talk about. I'm still bitter

0:18:43.000 --> 0:18:46.399
<v Speaker 1>about I can't talk about that. Yeah, So you know,

0:18:46.480 --> 0:18:49.560
<v Speaker 1>we moved back, we started Lache Arts, which is our

0:18:49.600 --> 0:18:54.480
<v Speaker 1>nonprofit which has been going for twelve plus years. Now,

0:18:55.800 --> 0:18:59.600
<v Speaker 1>what type of change and difference do you feel like

0:18:59.680 --> 0:19:02.959
<v Speaker 1>that has made in our lives?

0:19:03.440 --> 0:19:05.280
<v Speaker 2>Well, I think that I think the biggest change like

0:19:05.280 --> 0:19:07.000
<v Speaker 2>when you start out to do something like that and

0:19:07.080 --> 0:19:09.480
<v Speaker 2>just what you said like a like a give back mentality,

0:19:09.880 --> 0:19:12.359
<v Speaker 2>and it was more of like us getting involved with

0:19:12.640 --> 0:19:16.120
<v Speaker 2>the performing arts high school that you know, we graduated

0:19:16.200 --> 0:19:20.359
<v Speaker 2>from Nick and Justin graduated from and you know, it

0:19:20.400 --> 0:19:22.439
<v Speaker 2>starts like that and then all of a sudden you

0:19:22.560 --> 0:19:26.400
<v Speaker 2>realize that you're getting more than you could have ever

0:19:26.480 --> 0:19:29.400
<v Speaker 2>imagined out of something like this. And so I think

0:19:29.440 --> 0:19:31.800
<v Speaker 2>for us we kind of just not kind of we

0:19:32.520 --> 0:19:36.000
<v Speaker 2>still to this day pour our hearts and souls into

0:19:36.040 --> 0:19:40.119
<v Speaker 2>the share arts because we do we believe in this

0:19:40.240 --> 0:19:43.480
<v Speaker 2>next generation of artists. And so you know, when I

0:19:43.520 --> 0:19:46.439
<v Speaker 2>look back, I don't think that that's ultimately like I

0:19:46.480 --> 0:19:49.320
<v Speaker 2>didn't know at that time that that's what we would

0:19:49.359 --> 0:19:55.920
<v Speaker 2>be doing. So and then it's turned into our musical reveless.

0:19:56.119 --> 0:20:00.440
<v Speaker 1>Yeah. So in twenty eighteen, as part of a Lache

0:20:00.600 --> 0:20:04.560
<v Speaker 1>Art's theater class, you know, we wrote we had our

0:20:04.600 --> 0:20:07.800
<v Speaker 1>students right down on pieces of paper ways that they

0:20:07.800 --> 0:20:10.680
<v Speaker 1>felt like they weren't being seen, or they weren't valued,

0:20:10.840 --> 0:20:13.119
<v Speaker 1>or they were discriminating against and we were just going

0:20:13.200 --> 0:20:15.320
<v Speaker 1>to drop them on the hat and shake them up

0:20:15.359 --> 0:20:18.160
<v Speaker 1>and honymously and have people pull them out and then

0:20:18.320 --> 0:20:20.520
<v Speaker 1>they were going to have to put themselves in someone

0:20:20.520 --> 0:20:21.160
<v Speaker 1>else's shoes.

0:20:21.240 --> 0:20:22.640
<v Speaker 2>Yeah, was empathy exercise.

0:20:22.680 --> 0:20:27.880
<v Speaker 1>Yeah, so from there, how did labels come out of

0:20:28.000 --> 0:20:28.920
<v Speaker 1>that exercise?

0:20:29.119 --> 0:20:32.639
<v Speaker 2>Well, again, it was one of those things where we

0:20:33.480 --> 0:20:36.640
<v Speaker 2>had no idea what would come of it. And then

0:20:36.840 --> 0:20:40.080
<v Speaker 2>as we were reading those pieces of paper and crying

0:20:40.280 --> 0:20:44.000
<v Speaker 2>and for like, for me personally, I can one percent

0:20:44.119 --> 0:20:47.119
<v Speaker 2>say that the one that I read about my uncle

0:20:47.800 --> 0:20:51.120
<v Speaker 2>says that I belong in the kitchen and that's where

0:20:51.119 --> 0:20:54.919
<v Speaker 2>women belong. Is where I said, I'm sorry, like this

0:20:55.000 --> 0:20:58.879
<v Speaker 2>is actually this is actually happening. So I felt like

0:20:58.960 --> 0:21:01.199
<v Speaker 2>I was maybe a little out of touch with what

0:21:01.400 --> 0:21:05.360
<v Speaker 2>was going on. And so I don't know, I well,

0:21:05.720 --> 0:21:08.560
<v Speaker 2>you know how I think I think art moves people.

0:21:08.640 --> 0:21:11.679
<v Speaker 2>I think we can you know, learn from it. And

0:21:11.720 --> 0:21:14.879
<v Speaker 2>grow from it. And I think from that, with the

0:21:14.880 --> 0:21:17.879
<v Speaker 2>permission of that first class, which was the first cast

0:21:17.880 --> 0:21:22.120
<v Speaker 2>of label lists in twenty eighteen, we started to create

0:21:22.680 --> 0:21:25.480
<v Speaker 2>a show. And even then it wasn't like we didn't

0:21:25.560 --> 0:21:28.160
<v Speaker 2>set out to be like, oh, we're going to we're

0:21:28.160 --> 0:21:31.119
<v Speaker 2>gonna build a musical right and then it and I

0:21:31.160 --> 0:21:33.479
<v Speaker 2>say this all the time too, like the best stuff

0:21:33.520 --> 0:21:37.120
<v Speaker 2>happens organically and naturally and it just it just happened

0:21:37.600 --> 0:21:38.639
<v Speaker 2>and it makes sense.

0:21:39.080 --> 0:21:42.480
<v Speaker 1>Yeah. So in twenty eighteen, we had all covers. You know,

0:21:42.560 --> 0:21:46.520
<v Speaker 1>we had literally every every every song, every subject that

0:21:46.560 --> 0:21:48.880
<v Speaker 1>we were trying to tackle, we used a cover song

0:21:48.920 --> 0:21:52.040
<v Speaker 1>to try and highlight it. You know, we used like

0:21:52.119 --> 0:21:55.919
<v Speaker 1>a Rachel plattin fight song is like the closer, We

0:21:56.080 --> 0:22:00.920
<v Speaker 1>used who Said by Selena go Man he was Beautiful

0:22:01.040 --> 0:22:04.560
<v Speaker 1>by Christina Aguilera, And you know, there's just a variety

0:22:04.560 --> 0:22:09.480
<v Speaker 1>of different of different songs since then, you know, we

0:22:09.520 --> 0:22:15.320
<v Speaker 1>went from you know, fourteen sixteen covers to seventeen songs,

0:22:15.400 --> 0:22:21.560
<v Speaker 1>but over sixty percent of them now our originals, so and.

0:22:21.760 --> 0:22:26.640
<v Speaker 2>Written by our friends that are songwriters in the industry.

0:22:26.680 --> 0:22:28.800
<v Speaker 2>So it's actually also really cool because we get to

0:22:28.920 --> 0:22:29.719
<v Speaker 2>work with our friends.

0:22:29.800 --> 0:22:33.480
<v Speaker 1>Yeah, So Jamie Jones from Off for One wrote a song.

0:22:34.800 --> 0:22:37.359
<v Speaker 1>Paul Duncan, who is a very good friend of ours,

0:22:37.960 --> 0:22:43.480
<v Speaker 1>very successful songwriter, written for Yeah. He wrote I don't

0:22:43.480 --> 0:22:45.760
<v Speaker 1>even know what the count is now or co wrote

0:22:46.600 --> 0:22:50.680
<v Speaker 1>with me many songs. Aaron Space, who is another friend

0:22:50.720 --> 0:22:52.840
<v Speaker 1>of ours, wrote a song, and we still have a

0:22:52.880 --> 0:22:56.200
<v Speaker 1>couple of covers in there. But how do you feel

0:22:56.240 --> 0:22:59.440
<v Speaker 1>like putting the original music into the show has has

0:22:59.640 --> 0:23:01.320
<v Speaker 1>changed the trajectory of it.

0:23:01.800 --> 0:23:05.600
<v Speaker 2>Oh, I mean the show, and the show has grown

0:23:05.600 --> 0:23:08.480
<v Speaker 2>immensely from that. So I feel like because when you

0:23:08.560 --> 0:23:12.439
<v Speaker 2>start to write your own material, then you're actually really

0:23:12.520 --> 0:23:16.359
<v Speaker 2>locking into that story you're telling. So it's so great

0:23:16.440 --> 0:23:19.080
<v Speaker 2>right to match it up with covers, and that's exciting

0:23:19.160 --> 0:23:21.199
<v Speaker 2>because people know the songs, and like you said, we

0:23:21.240 --> 0:23:23.320
<v Speaker 2>still have some covers in there. But I think when

0:23:23.359 --> 0:23:28.400
<v Speaker 2>you start writing those original pieces, you're really tapping into

0:23:29.640 --> 0:23:32.679
<v Speaker 2>those stories. So each cast member has a story in

0:23:32.720 --> 0:23:40.200
<v Speaker 2>the show, and it's a wide variety of everything from classism, bullying, racism, homophobia,

0:23:41.040 --> 0:23:43.800
<v Speaker 2>the list goes on mental health. And so I think

0:23:43.840 --> 0:23:47.080
<v Speaker 2>that when you're really truly listening to that person's story

0:23:47.760 --> 0:23:50.080
<v Speaker 2>or monologue, if you want to say in the show

0:23:50.520 --> 0:23:53.720
<v Speaker 2>and then it goes into that original song. There's nothing

0:23:53.760 --> 0:24:00.280
<v Speaker 2>like it.

0:24:09.480 --> 0:24:11.639
<v Speaker 1>So as we go through all these different stories of

0:24:11.680 --> 0:24:14.480
<v Speaker 1>the cast, is there I mean, I know I have

0:24:15.359 --> 0:24:18.320
<v Speaker 1>ones that have that have hit me very, very hard.

0:24:18.720 --> 0:24:20.680
<v Speaker 1>Is there one one story that kind of stands out

0:24:20.720 --> 0:24:26.040
<v Speaker 1>to you as either like very moving or opened your eyes,

0:24:27.400 --> 0:24:28.280
<v Speaker 1>brought you something.

0:24:29.440 --> 0:24:31.639
<v Speaker 2>I think that they I mean, I have to say this,

0:24:31.760 --> 0:24:35.119
<v Speaker 2>that they've They've all taught me lessons in different ways.

0:24:35.720 --> 0:24:39.159
<v Speaker 2>And each new cast member that comes in and you know,

0:24:39.520 --> 0:24:42.479
<v Speaker 2>tells their story and the show, you know, you you

0:24:42.560 --> 0:24:45.040
<v Speaker 2>start to look at the world differently, and that's the

0:24:45.040 --> 0:24:47.120
<v Speaker 2>whole point of the show, right is to put yourself

0:24:47.160 --> 0:24:51.520
<v Speaker 2>in their position and walk in their shoes. So obviously,

0:24:51.600 --> 0:24:58.399
<v Speaker 2>I I mean sexism self worth is huge for me

0:24:58.400 --> 0:25:02.920
<v Speaker 2>mental health. But I I think learning so much over

0:25:02.960 --> 0:25:07.480
<v Speaker 2>the years would be Alyssa's story. And Alyssa is in

0:25:07.520 --> 0:25:14.200
<v Speaker 2>a wheelchair and just really I think dives in to

0:25:14.600 --> 0:25:18.880
<v Speaker 2>her story of you know, see me for who I am.

0:25:19.200 --> 0:25:23.439
<v Speaker 2>I'm I'm I'm a person. But then the well I

0:25:23.480 --> 0:25:27.080
<v Speaker 2>adore her, but the day to day learning from her

0:25:27.400 --> 0:25:31.560
<v Speaker 2>in the rehearsal process of I mean, I was guilty

0:25:31.680 --> 0:25:33.560
<v Speaker 2>at the very beginning. And I will say, and this

0:25:33.640 --> 0:25:35.480
<v Speaker 2>is how you learn and grow of you know, people

0:25:35.520 --> 0:25:39.840
<v Speaker 2>are moving set pieces around and Alyssa said, what about me?

0:25:40.520 --> 0:25:42.840
<v Speaker 2>I can do that, and so it just kind of

0:25:42.920 --> 0:25:45.479
<v Speaker 2>it changes your mindset and it changes the way you know,

0:25:45.640 --> 0:25:47.480
<v Speaker 2>you view things. So I would say, I would say

0:25:47.560 --> 0:25:51.400
<v Speaker 2>Lissa's story, Yeah, yeah, I would agree she's a badast.

0:25:51.520 --> 0:25:56.480
<v Speaker 1>Yeah. I mean I think there's like I catch myself

0:25:56.680 --> 0:26:00.520
<v Speaker 1>still like there's certain things that I think as society

0:26:00.520 --> 0:26:03.800
<v Speaker 1>we're all kind of still learning and you know, adjusting

0:26:03.840 --> 0:26:08.600
<v Speaker 1>to and you know, saying all right, male cast members

0:26:08.720 --> 0:26:12.240
<v Speaker 1>or female cast members, and you know, so just being like, oh,

0:26:12.840 --> 0:26:16.960
<v Speaker 1>you know, making it more inclusive to you know, a

0:26:17.040 --> 0:26:21.360
<v Speaker 1>non binary or people that might not identify with one

0:26:21.440 --> 0:26:25.160
<v Speaker 1>or the other, or just male presenting female presenting pronouns,

0:26:25.200 --> 0:26:27.480
<v Speaker 1>being more aware of that, and.

0:26:27.480 --> 0:26:30.200
<v Speaker 2>Also just asking a question. I feel like I've learned

0:26:30.240 --> 0:26:33.240
<v Speaker 2>so much from the cast and this you know generation

0:26:33.320 --> 0:26:35.359
<v Speaker 2>of artists where they're just like, if you have a

0:26:35.480 --> 0:26:38.040
<v Speaker 2>question and you don't know how to address something, or

0:26:38.040 --> 0:26:42.520
<v Speaker 2>you don't know how to ask it, just calmly, just

0:26:42.520 --> 0:26:45.439
<v Speaker 2>just ask how how would you how would you like

0:26:45.480 --> 0:26:48.439
<v Speaker 2>me to address you. It's that simple. And I think

0:26:49.119 --> 0:26:53.280
<v Speaker 2>I think people when they start being fearful of things, right,

0:26:53.320 --> 0:26:56.919
<v Speaker 2>they shut down. And well, that's why I love the

0:26:56.920 --> 0:27:00.440
<v Speaker 2>show is I feel like it brings topics to light

0:27:01.000 --> 0:27:04.760
<v Speaker 2>in a very creative way and you leave the theater

0:27:04.960 --> 0:27:07.520
<v Speaker 2>going I can do that. I can, I can have

0:27:07.600 --> 0:27:09.159
<v Speaker 2>more empathy and it can be a better person.

0:27:09.480 --> 0:27:13.040
<v Speaker 1>Yeah, and I mean I think, yeah, there's definitely stories

0:27:14.080 --> 0:27:18.000
<v Speaker 1>that have hit me, you know, harder than others, but

0:27:18.320 --> 0:27:21.359
<v Speaker 1>like just musically, like coming from like a song, a

0:27:21.440 --> 0:27:24.840
<v Speaker 1>song point of view, Clearly, the finale together is better.

0:27:25.119 --> 0:27:29.440
<v Speaker 1>I mean every time I he cries every time I do.

0:27:31.000 --> 0:27:34.880
<v Speaker 1>There's something about that song and when the cast comes

0:27:34.880 --> 0:27:37.800
<v Speaker 1>together and they sing it, there is such a sense

0:27:37.840 --> 0:27:42.240
<v Speaker 1>of community and love that it. Yeah, it makes me

0:27:42.240 --> 0:27:44.879
<v Speaker 1>cry every time. And I've seen the show hundreds and

0:27:45.040 --> 0:27:47.280
<v Speaker 1>I could, I could, I think about it hundreds and

0:27:47.359 --> 0:27:50.160
<v Speaker 1>hundreds of times. But then if I look at at

0:27:50.200 --> 0:27:52.720
<v Speaker 1>the you know, the show as a whole. I mean

0:27:52.800 --> 0:27:55.120
<v Speaker 1>you Are Seen, which is a song that kind of

0:27:55.240 --> 0:27:57.439
<v Speaker 1>that kind of goes with with a list of story.

0:27:58.920 --> 0:28:01.679
<v Speaker 1>I'm really proud of that one. I love the message

0:28:01.680 --> 0:28:05.160
<v Speaker 1>of that one. But there's the song Hands, which talks

0:28:05.200 --> 0:28:08.240
<v Speaker 1>about how you know, we're all making it's in our hands.

0:28:08.280 --> 0:28:11.199
<v Speaker 1>We have we have a choice, like we can, you know,

0:28:11.240 --> 0:28:14.560
<v Speaker 1>we have two options. And so that song to me always,

0:28:15.160 --> 0:28:19.720
<v Speaker 1>you know, makes me makes me think and feel because musically,

0:28:20.000 --> 0:28:24.280
<v Speaker 1>I feel like the arrangement is very beautiful and that

0:28:24.280 --> 0:28:26.159
<v Speaker 1>the lyrics are great, but I feel like just the

0:28:26.160 --> 0:28:30.080
<v Speaker 1>way the cast comes together and sings it together, that

0:28:30.119 --> 0:28:32.560
<v Speaker 1>one always always gets me emotional too.

0:28:32.760 --> 0:28:35.679
<v Speaker 2>I love hearing that you get emotional too from it,

0:28:35.720 --> 0:28:40.480
<v Speaker 2>because there's nothing better than, you know, working and giving

0:28:40.480 --> 0:28:43.000
<v Speaker 2>your heart and soul again to the writing and the

0:28:43.120 --> 0:28:45.920
<v Speaker 2>music and the choreography and then feeling super proud of it.

0:28:46.480 --> 0:28:49.320
<v Speaker 1>And when we were talking about songwriters, there's we love

0:28:49.800 --> 0:28:53.680
<v Speaker 1>you know one out and that's Yeah, a former student

0:28:53.680 --> 0:28:57.600
<v Speaker 1>of ours at Lache Arts who is an aspiring songwriter

0:28:57.800 --> 0:29:01.880
<v Speaker 1>kind of a prodigy. We we were looking for a

0:29:01.880 --> 0:29:06.880
<v Speaker 1>song to replace Beautiful by Christian Aguilera in the show,

0:29:07.080 --> 0:29:11.320
<v Speaker 1>and we went to her and she was eighteen at

0:29:11.320 --> 0:29:16.760
<v Speaker 1>the time, senior in high school. And the whole tead, Yeah,

0:29:16.760 --> 0:29:19.160
<v Speaker 1>the whole song is about you know, self worth and

0:29:19.160 --> 0:29:20.640
<v Speaker 1>when you look in the mirror, what do you see?

0:29:20.640 --> 0:29:23.239
<v Speaker 1>How do you feel? How do you feel about like

0:29:23.280 --> 0:29:27.520
<v Speaker 1>the pressures of you know, society and having to do

0:29:27.560 --> 0:29:30.120
<v Speaker 1>with beauty and what is what is the right size?

0:29:30.160 --> 0:29:32.960
<v Speaker 1>What is the right number? What is you know? All

0:29:33.000 --> 0:29:35.360
<v Speaker 1>that stuff? And she wrote a song that is so

0:29:36.400 --> 0:29:41.160
<v Speaker 1>moving and inspirational. Yeah, well, well, well beyond her years,

0:29:41.520 --> 0:29:45.000
<v Speaker 1>that song is so Yeah, so I hope she's as

0:29:45.000 --> 0:29:48.760
<v Speaker 1>proud of that song as she should be. All Right,

0:29:48.880 --> 0:29:51.600
<v Speaker 1>So we've been working on labels for over six years now.

0:29:52.360 --> 0:29:55.640
<v Speaker 1>Is there one moment that stands out to you as

0:29:56.040 --> 0:29:59.840
<v Speaker 1>like that is that is that moment of pride, that

0:29:59.880 --> 0:30:04.400
<v Speaker 1>is where yeah, something something happened where you just one

0:30:04.640 --> 0:30:06.640
<v Speaker 1>I mean, yeah, what what is? What is that that

0:30:06.680 --> 0:30:07.400
<v Speaker 1>biggest moment?

0:30:09.560 --> 0:30:12.800
<v Speaker 2>I mean it's so hard to answer because again when

0:30:12.840 --> 0:30:16.000
<v Speaker 2>we started, never knew how much work. I mean, I

0:30:16.040 --> 0:30:18.000
<v Speaker 2>knew it would be hard, don't get me wrong, but

0:30:18.200 --> 0:30:20.920
<v Speaker 2>just all the ins and outs of like producing and

0:30:20.960 --> 0:30:24.840
<v Speaker 2>directing and choreographing and songs come in and out and

0:30:24.920 --> 0:30:32.360
<v Speaker 2>what works and what doesn't, and proud moments each each phase.

0:30:32.640 --> 0:30:36.320
<v Speaker 2>I'm proud because you know, catapultsy to the next level.

0:30:36.520 --> 0:30:41.040
<v Speaker 2>I think performing the show in New York and an

0:30:41.040 --> 0:30:45.800
<v Speaker 2>off Roaway theater in November was one of those moments

0:30:46.000 --> 0:30:50.000
<v Speaker 2>where deep down while I was crying and like hugging

0:30:50.080 --> 0:30:53.200
<v Speaker 2>our team, and you know, the audience just kind of

0:30:53.200 --> 0:30:55.840
<v Speaker 2>like leapt to their feet and there's nothing better than that,

0:30:56.200 --> 0:30:59.760
<v Speaker 2>and the energy in that room was incredible. But to

0:30:59.840 --> 0:31:03.040
<v Speaker 2>have just that little tiny dream, little tiny tiny dream,

0:31:03.360 --> 0:31:06.719
<v Speaker 2>and then to push push, push, push, and then to

0:31:06.840 --> 0:31:10.240
<v Speaker 2>get it to that that point is I will remember

0:31:10.240 --> 0:31:11.760
<v Speaker 2>that moment for the rest of my life.

0:31:12.280 --> 0:31:16.080
<v Speaker 1>For me, there's you know, it was one moment during

0:31:16.200 --> 0:31:21.560
<v Speaker 1>one performance, and it was during the finale of this

0:31:22.720 --> 0:31:26.880
<v Speaker 1>last run Sinanta Plaus in the park and the finale

0:31:27.000 --> 0:31:29.160
<v Speaker 1>was going on, and it was getting like we were into

0:31:29.160 --> 0:31:30.760
<v Speaker 1>the It was in the bridge and then it was

0:31:30.760 --> 0:31:33.160
<v Speaker 1>building out of the bridge and and the whole cast

0:31:33.240 --> 0:31:37.240
<v Speaker 1>was coming forward, and this one lady that was kind

0:31:37.240 --> 0:31:40.560
<v Speaker 1>of sitting like a little bit house left and I

0:31:40.640 --> 0:31:43.320
<v Speaker 1>was at the sound booth and and Leah was Leah

0:31:43.360 --> 0:31:48.280
<v Speaker 1>was right there too. This one lady literally just jumped

0:31:48.520 --> 0:31:50.960
<v Speaker 1>out of her seats mid song, like the song was

0:31:51.000 --> 0:31:54.000
<v Speaker 1>still going on, and she literally just stood up and

0:31:54.040 --> 0:31:58.080
<v Speaker 1>put her hands towards towards the cast, like giving all

0:31:58.160 --> 0:32:01.160
<v Speaker 1>her love and energy back towards them. And then one

0:32:01.200 --> 0:32:05.120
<v Speaker 1>by one, the entire audience started popping up and literally

0:32:05.160 --> 0:32:08.640
<v Speaker 1>it was a standing ovation before the song song was

0:32:08.680 --> 0:32:11.520
<v Speaker 1>even over. Yeah, people were up out of their out

0:32:11.560 --> 0:32:15.200
<v Speaker 1>of their seats, like literally just giving so much love

0:32:15.240 --> 0:32:20.720
<v Speaker 1>and energy to the cast where it made me like like,

0:32:20.480 --> 0:32:22.200
<v Speaker 1>you're like, holy shit, and.

0:32:22.160 --> 0:32:23.680
<v Speaker 2>Then we I have to say this to you and

0:32:23.720 --> 0:32:27.000
<v Speaker 2>I have to interject that, like the cast is so

0:32:27.160 --> 0:32:33.320
<v Speaker 2>brave and courageous and so to see to see their

0:32:33.360 --> 0:32:37.360
<v Speaker 2>reaction when something like that happens too. I mean we've

0:32:37.400 --> 0:32:40.680
<v Speaker 2>both been on stage as well, and so I can't

0:32:40.720 --> 0:32:46.239
<v Speaker 2>imagine what that is like to receive that. And then

0:32:46.240 --> 0:32:48.120
<v Speaker 2>I don't know if you remember that the one woman

0:32:48.200 --> 0:32:51.640
<v Speaker 2>jumped up and grabbed in a in a you know,

0:32:51.840 --> 0:32:54.400
<v Speaker 2>polite way. I was like, do we need security, but

0:32:56.040 --> 0:32:59.360
<v Speaker 2>just was so moved needed to hug one of the

0:32:59.360 --> 0:33:03.440
<v Speaker 2>cast members, I mean stage like so yeah during the show.

0:33:03.520 --> 0:33:05.600
<v Speaker 2>So I was like, oh, we might need to bring

0:33:05.640 --> 0:33:10.760
<v Speaker 2>in security out, but that or yeah, it's it's yeah,

0:33:10.960 --> 0:33:13.680
<v Speaker 2>like we said, so proud, it's amazing, all right.

0:33:13.720 --> 0:33:17.680
<v Speaker 1>So we just finished up a run at the playoffs

0:33:17.720 --> 0:33:21.440
<v Speaker 1>in the Park. We just did a showcase in New

0:33:21.520 --> 0:33:24.640
<v Speaker 1>York City at Chelsea Table on stage Yeah, we have

0:33:24.760 --> 0:33:27.200
<v Speaker 1>a couple of things this fall. We're starting to book

0:33:27.240 --> 0:33:31.480
<v Speaker 1>out dates for a spring of twenty twenty five. If

0:33:31.520 --> 0:33:35.120
<v Speaker 1>there is one thing I love this question. There's one

0:33:35.160 --> 0:33:39.520
<v Speaker 1>thing that you want LABELSS to do, to accomplish, to

0:33:39.520 --> 0:33:43.840
<v Speaker 1>to be a place that you wanted to be performed, Oh,

0:33:43.840 --> 0:33:48.800
<v Speaker 1>be performed, be performed? Yes, Like where where is that dream?

0:33:48.960 --> 0:33:50.120
<v Speaker 1>What is that dream scenario?

0:33:50.720 --> 0:33:51.480
<v Speaker 2>World domination?

0:33:51.800 --> 0:33:55.120
<v Speaker 1>Okay, thank you, doctor Evil.

0:33:57.520 --> 0:34:01.840
<v Speaker 2>I just believe in the message so much so I'm torn,

0:34:01.880 --> 0:34:03.400
<v Speaker 2>And I know you're going to say one place. I

0:34:03.440 --> 0:34:06.720
<v Speaker 2>can't pick one place because the you know, Big Dream

0:34:06.800 --> 0:34:10.279
<v Speaker 2>obviously is Broadway. Why why wouldn't it be that would

0:34:10.320 --> 0:34:13.680
<v Speaker 2>be incredible to just have the show sit down in York.

0:34:14.719 --> 0:34:18.600
<v Speaker 2>There's just that's just pure magic. But I also think

0:34:18.719 --> 0:34:22.160
<v Speaker 2>touring it is so important because the whole point of

0:34:22.200 --> 0:34:24.640
<v Speaker 2>the show is to get people to think outside of

0:34:24.640 --> 0:34:26.640
<v Speaker 2>the box. So I think the best way to do

0:34:26.680 --> 0:34:28.680
<v Speaker 2>that is touring it all of the country, all over

0:34:28.680 --> 0:34:34.759
<v Speaker 2>the world, right, and then I and then third the

0:34:34.840 --> 0:34:39.920
<v Speaker 2>West End London. I would love that. I would love

0:34:40.040 --> 0:34:44.280
<v Speaker 2>love that so so so basically the answers everywhere.

0:34:44.120 --> 0:34:45.920
<v Speaker 1>So this is this is I think everybody's kind of

0:34:45.920 --> 0:34:48.080
<v Speaker 1>getting a glimpse into what I deal with on a

0:34:48.160 --> 0:34:52.040
<v Speaker 1>daily basis. So I ask a fairly simple question like

0:34:52.560 --> 0:34:54.520
<v Speaker 1>where would you where do you see the show going?

0:34:54.640 --> 0:34:55.680
<v Speaker 2>That's not a simple question.

0:34:56.239 --> 0:34:57.480
<v Speaker 1>That's simple.

0:34:57.760 --> 0:35:01.600
<v Speaker 2>No, it's not because if I answer just one place, like,

0:35:02.040 --> 0:35:02.879
<v Speaker 2>that's not what I want.

0:35:03.160 --> 0:35:05.879
<v Speaker 1>But it basically becomes oh, we're just going to take

0:35:06.200 --> 0:35:08.840
<v Speaker 1>over the world. That that is what? That is?

0:35:08.920 --> 0:35:09.120
<v Speaker 2>What?

0:35:09.440 --> 0:35:11.520
<v Speaker 1>Why not? I get? Yeah, So it's not just there's

0:35:11.560 --> 0:35:14.279
<v Speaker 1>never just a simple answer. And you know, people are

0:35:14.320 --> 0:35:18.080
<v Speaker 1>always asking, you know what what how do you guys

0:35:18.160 --> 0:35:22.279
<v Speaker 1>work together? So how do you how do you how

0:35:22.320 --> 0:35:27.120
<v Speaker 1>do you view our our our working relationship?

0:35:27.239 --> 0:35:30.080
<v Speaker 2>Okay, so I do think that we I think we

0:35:30.120 --> 0:35:31.080
<v Speaker 2>work well together.

0:35:32.320 --> 0:35:36.440
<v Speaker 1>Do you well, yes, no, I absolutely do. I think.

0:35:37.040 --> 0:35:38.520
<v Speaker 2>But you're like, how do how.

0:35:38.360 --> 0:35:39.000
<v Speaker 1>Do I view it?

0:35:39.080 --> 0:35:42.279
<v Speaker 2>Like in in the process, in the room and the Yeah.

0:35:42.360 --> 0:35:48.279
<v Speaker 1>Just so so everybody understands, we produce label less, we

0:35:48.480 --> 0:35:51.840
<v Speaker 1>direct label less. We produce it together. We directed together.

0:35:53.440 --> 0:35:59.560
<v Speaker 1>I write most of the the monologues. We have a

0:35:59.600 --> 0:36:02.799
<v Speaker 1>couple other writers on it, but mostly me. You do

0:36:03.400 --> 0:36:07.440
<v Speaker 1>all the choreography except for the racism section, which which

0:36:07.880 --> 0:36:12.400
<v Speaker 1>is my best friend. Yeah, we have multiple songwriters meeting

0:36:12.440 --> 0:36:19.040
<v Speaker 1>one of them. Then we also are the fundraisers, we

0:36:19.120 --> 0:36:22.319
<v Speaker 1>are the tech crew, We are whatever whatever has to

0:36:22.320 --> 0:36:23.080
<v Speaker 1>be done for the show.

0:36:23.200 --> 0:36:24.040
<v Speaker 2>Now that's the story.

0:36:24.160 --> 0:36:28.160
<v Speaker 1>We we do it. So it's not just like, oh,

0:36:28.200 --> 0:36:30.040
<v Speaker 1>we go to the office together and you.

0:36:30.040 --> 0:36:31.440
<v Speaker 2>Know, it gets it gets stressful.

0:36:31.520 --> 0:36:35.000
<v Speaker 1>Is that you're saying, Yes, I'm just trying to let

0:36:35.040 --> 0:36:37.359
<v Speaker 1>everybody know that it's not just like this, oh one

0:36:37.400 --> 0:36:41.200
<v Speaker 1>of us is in sales and the other one's distribution. No,

0:36:41.280 --> 0:36:44.480
<v Speaker 1>it is like and it's also the time.

0:36:44.400 --> 0:36:48.360
<v Speaker 3>We would be lying if we said that the time

0:36:48.640 --> 0:36:52.040
<v Speaker 3>we would be lying if we didn't say that. There

0:36:52.040 --> 0:36:53.200
<v Speaker 3>were times that we were.

0:36:53.080 --> 0:36:56.160
<v Speaker 2>Like like, right now.

0:36:56.600 --> 0:37:00.319
<v Speaker 3>Well I can sell when you're mad, and Mike, one

0:37:00.320 --> 0:37:03.560
<v Speaker 3>of our cast members, says, it actually does a really

0:37:03.600 --> 0:37:07.080
<v Speaker 3>great Yeah, we'll have.

0:37:07.040 --> 0:37:07.600
<v Speaker 1>To do it for you.

0:37:08.000 --> 0:37:12.239
<v Speaker 2>But like when Drew gets mad when we were on

0:37:12.360 --> 0:37:15.120
<v Speaker 2>tour in the fall, and there were there were sometimes

0:37:15.120 --> 0:37:17.680
<v Speaker 2>that were very stressful getting the set up, you know,

0:37:17.719 --> 0:37:21.319
<v Speaker 2>in time and all that fun stuff, and you would

0:37:21.320 --> 0:37:23.440
<v Speaker 2>put your hands on your waist and just do the

0:37:23.480 --> 0:37:27.440
<v Speaker 2>pacing during sound check and then the and then like

0:37:27.600 --> 0:37:31.040
<v Speaker 2>walk up stage and then do the I was like,

0:37:32.040 --> 0:37:35.160
<v Speaker 2>it's pissed, he's pissed, and so you have to, you know,

0:37:36.080 --> 0:37:39.680
<v Speaker 2>keep it calm, keep it gone. And then I got

0:37:39.719 --> 0:37:42.520
<v Speaker 2>him a snack. It didn't help.

0:37:45.560 --> 0:37:52.480
<v Speaker 1>How simple minded am I? It's like it's like like

0:37:52.600 --> 0:37:56.320
<v Speaker 1>Mango from Blazing Saddles, Mango bad unless you give like Mongo.

0:37:56.480 --> 0:37:59.200
<v Speaker 2>Like well, diet cokes sometimes help.

0:37:59.440 --> 0:38:01.560
<v Speaker 1>Yeah, some times, but not always.

0:38:02.360 --> 0:38:04.520
<v Speaker 2>Pissed and rightfully, so you were pissed.

0:38:04.560 --> 0:38:06.040
<v Speaker 1>We don't even need to go into all that things

0:38:06.080 --> 0:38:10.279
<v Speaker 1>were happening. Yeah, yeah, But honestly, I feel like we

0:38:10.360 --> 0:38:15.480
<v Speaker 1>work well together because we there's a mutual respect for

0:38:15.560 --> 0:38:19.319
<v Speaker 1>each other's contributions and skill set and what we bring

0:38:19.360 --> 0:38:23.160
<v Speaker 1>to the table. But I think also we are complimentary

0:38:23.239 --> 0:38:28.080
<v Speaker 1>to each other in the way that we approach situations.

0:38:28.120 --> 0:38:32.399
<v Speaker 1>Like you are very much a big idea person. That's

0:38:32.400 --> 0:38:34.839
<v Speaker 1>why you were like, oh, what how do you want

0:38:34.880 --> 0:38:38.480
<v Speaker 1>the show World Domination, Broadway, West End Boom. You know,

0:38:39.000 --> 0:38:43.440
<v Speaker 1>I am much more of a You're more macro in

0:38:43.480 --> 0:38:47.799
<v Speaker 1>your thinking like big, and I'm more micro, like, all right,

0:38:49.200 --> 0:38:51.319
<v Speaker 1>what are the fifteen steps that have to happen to

0:38:51.400 --> 0:38:55.600
<v Speaker 1>get to you know this first this first goal? And

0:38:55.640 --> 0:38:58.960
<v Speaker 1>I feel like because we were not both just dreaming big,

0:38:59.440 --> 0:39:02.480
<v Speaker 1>I mean, yes, we are, but we're able to compliment

0:39:02.480 --> 0:39:04.319
<v Speaker 1>each other because if I was, if it was just

0:39:04.400 --> 0:39:06.880
<v Speaker 1>on me, I would just literally be so caught up

0:39:06.920 --> 0:39:09.920
<v Speaker 1>in all the little details just to get to the

0:39:09.920 --> 0:39:13.040
<v Speaker 1>next show that I couldn't be focusing on what the

0:39:13.080 --> 0:39:16.359
<v Speaker 1>long term goal is. And you we are more long

0:39:16.440 --> 0:39:19.600
<v Speaker 1>term goal and you know, so you know, some of

0:39:19.600 --> 0:39:23.560
<v Speaker 1>the details might not be quite as important, you know.

0:39:23.600 --> 0:39:27.120
<v Speaker 1>So I feel like because we're kind of ying and yang,

0:39:27.480 --> 0:39:44.640
<v Speaker 1>it works. So a lot of our cast members in

0:39:44.719 --> 0:39:48.799
<v Speaker 1>labels started off in the Lache Arts program, so we've

0:39:48.840 --> 0:39:52.799
<v Speaker 1>been working with them and training them. Clearly, now the

0:39:52.800 --> 0:39:55.680
<v Speaker 1>cast has expanded. We got people from literally all over

0:39:55.680 --> 0:39:59.239
<v Speaker 1>the globe at this point. But if you had to

0:39:59.320 --> 0:40:04.480
<v Speaker 1>give those young performers, those young cast members one bit

0:40:04.480 --> 0:40:09.000
<v Speaker 1>of advice for you know, kind of taking on this

0:40:10.000 --> 0:40:14.120
<v Speaker 1>industry and their life in this industry, what would be.

0:40:14.560 --> 0:40:16.759
<v Speaker 2>Again, I don't have just one answer, So I'll go

0:40:18.520 --> 0:40:21.759
<v Speaker 2>listen more. I mean, I think that's that's advice for

0:40:21.800 --> 0:40:25.040
<v Speaker 2>myself too. I think when you when you listen, you

0:40:25.040 --> 0:40:30.400
<v Speaker 2>you learn so much. But also to take every opportunity

0:40:30.480 --> 0:40:33.920
<v Speaker 2>you know and put your best foot forward so you know,

0:40:34.000 --> 0:40:38.920
<v Speaker 2>you never know how you leave one job, how it's

0:40:38.960 --> 0:40:43.320
<v Speaker 2>going to affect that next job because this industry is

0:40:43.480 --> 0:40:49.239
<v Speaker 2>so very small and we all know each other pretty much,

0:40:49.760 --> 0:40:52.239
<v Speaker 2>I mean, just right, I mean I think and then

0:40:52.800 --> 0:40:55.640
<v Speaker 2>and the third thing is, and I didn't do this

0:40:55.880 --> 0:40:58.200
<v Speaker 2>at nineteen or twenty because you know, it was probably

0:40:58.239 --> 0:41:05.239
<v Speaker 2>too nervous or scared or whatever. But that networking matters, right, Yeah,

0:41:05.560 --> 0:41:06.160
<v Speaker 2>I think.

0:41:06.160 --> 0:41:07.600
<v Speaker 1>As long as you don't do it in a douchey way.

0:41:07.680 --> 0:41:09.239
<v Speaker 2>Yeah, yeah, not in it, not not in that.

0:41:09.400 --> 0:41:09.600
<v Speaker 1>God.

0:41:09.719 --> 0:41:13.280
<v Speaker 2>No, I just think that, like, you know, if you're

0:41:13.560 --> 0:41:16.080
<v Speaker 2>if you're in that work environment, you're doing not only

0:41:16.120 --> 0:41:18.759
<v Speaker 2>good work, but and you also treat people the way

0:41:18.760 --> 0:41:21.160
<v Speaker 2>you want to be treated, you know. I think I

0:41:21.160 --> 0:41:24.040
<v Speaker 2>think we've been lucky in that for the most part.

0:41:24.040 --> 0:41:27.920
<v Speaker 2>That you know, we have for the most part cast

0:41:27.920 --> 0:41:31.080
<v Speaker 2>members that want to be in the room and want

0:41:31.160 --> 0:41:33.080
<v Speaker 2>to be a part of something that is, you know,

0:41:33.120 --> 0:41:34.839
<v Speaker 2>an original musical. Yeah.

0:41:34.840 --> 0:41:37.760
<v Speaker 1>I think for me it would be you know, don't

0:41:38.239 --> 0:41:43.800
<v Speaker 1>don't tie your own self worth two? Which what job?

0:41:44.480 --> 0:41:47.040
<v Speaker 1>Oh god, you're working, you know, I mean I think

0:41:47.080 --> 0:41:47.480
<v Speaker 1>that's like.

0:41:48.480 --> 0:41:49.960
<v Speaker 2>That's what you do, that is what you do in

0:41:50.000 --> 0:41:50.520
<v Speaker 2>your twenties.

0:41:50.520 --> 0:41:53.000
<v Speaker 1>So let's be real, honestly, yeah. I mean I think

0:41:53.040 --> 0:41:54.279
<v Speaker 1>back in all the time, I was like, all right,

0:41:54.360 --> 0:41:57.080
<v Speaker 1>so you know it is you know Bastery and Sync

0:41:57.120 --> 0:42:00.000
<v Speaker 1>in US and you know, oh, they sold this many.

0:42:00.040 --> 0:42:02.200
<v Speaker 1>I'm like, oh man, we gotta we got to sell

0:42:02.239 --> 0:42:04.160
<v Speaker 1>that many now. And then it's like all right, there's

0:42:04.280 --> 0:42:05.879
<v Speaker 1>there was that. And then if you didn't get there,

0:42:05.920 --> 0:42:08.440
<v Speaker 1>you're like, oh man, or if your song didn't go

0:42:08.600 --> 0:42:11.719
<v Speaker 1>number one, your song went you know, broke top ten,

0:42:11.800 --> 0:42:14.640
<v Speaker 1>but you know somebody else it didn't. It didn't achieve

0:42:14.680 --> 0:42:17.279
<v Speaker 1>what you would initially hope to would achieve, you know,

0:42:17.480 --> 0:42:21.680
<v Speaker 1>not carrying that that weight of like yeah, it just

0:42:21.800 --> 0:42:23.960
<v Speaker 1>wasn't good enough, I'm not good enough, or you know,

0:42:24.920 --> 0:42:28.600
<v Speaker 1>take it one step further, like auditioning. You know, it's

0:42:28.960 --> 0:42:32.520
<v Speaker 1>there's so many different reasons why things can work or

0:42:32.560 --> 0:42:35.160
<v Speaker 1>not work. And so if you just train and you

0:42:35.239 --> 0:42:38.359
<v Speaker 1>work hard and you you do your best you can

0:42:38.560 --> 0:42:42.640
<v Speaker 1>in that room or whatever job, whatever job, interview, you know,

0:42:43.600 --> 0:42:47.520
<v Speaker 1>if you don't get it, you you have to be

0:42:47.600 --> 0:42:49.799
<v Speaker 1>okay with all right, I did everything I could. It

0:42:49.880 --> 0:42:52.520
<v Speaker 1>just didn't work out this time. As opposed to carrying that.

0:42:52.880 --> 0:42:56.640
<v Speaker 2>Yes, that weight, I just think in your twenties, it's

0:42:56.680 --> 0:42:57.879
<v Speaker 2>so hard to hear that.

0:42:58.239 --> 0:42:59.920
<v Speaker 1>Well, I'm staying I'm still in my twenties.

0:43:00.239 --> 0:43:05.000
<v Speaker 2>M M. Yeah, yeah, you just reminded me of and

0:43:05.400 --> 0:43:07.480
<v Speaker 2>he I don't even know if he remembers saying this

0:43:07.560 --> 0:43:09.279
<v Speaker 2>to us because it was years ago, but I say

0:43:09.320 --> 0:43:12.879
<v Speaker 2>it all the time Donald Baison when he said stay

0:43:12.880 --> 0:43:15.719
<v Speaker 2>in your lane, and at the time, I don't even

0:43:15.760 --> 0:43:19.200
<v Speaker 2>nobody was referencing, but I say it all the time.

0:43:19.520 --> 0:43:22.000
<v Speaker 2>I'm like, just stay in your line, just stay in

0:43:22.000 --> 0:43:24.920
<v Speaker 2>your line. Do you work on you right?

0:43:25.360 --> 0:43:27.200
<v Speaker 1>Yeah? Yeah, yeah, I agree.

0:43:27.320 --> 0:43:29.839
<v Speaker 2>Mind your business. Now.

0:43:30.440 --> 0:43:33.680
<v Speaker 1>When we when we started this interview, I said, one

0:43:33.680 --> 0:43:36.640
<v Speaker 1>of the reasons why I wanted to interview you was

0:43:36.719 --> 0:43:41.440
<v Speaker 1>because there might be some some opportunity to get straight

0:43:42.920 --> 0:43:45.920
<v Speaker 1>no bs answers to to some things.

0:43:46.719 --> 0:43:48.040
<v Speaker 2>No, did I succeed?

0:43:48.280 --> 0:43:50.160
<v Speaker 1>No, not really. You kind of danced around a couple

0:43:50.200 --> 0:43:57.400
<v Speaker 1>of things. But there is there's one question that I'm

0:43:57.520 --> 0:44:00.600
<v Speaker 1>kind of curious because we've been together for geez, how

0:44:00.640 --> 0:44:05.120
<v Speaker 1>long we've been married for twenty four years? Been together

0:44:05.320 --> 0:44:09.839
<v Speaker 1>for well, it'll be twenty four it'll be twenty four years. Yeah,

0:44:10.320 --> 0:44:11.959
<v Speaker 1>we've been so that means we've been together for thirty

0:44:12.000 --> 0:44:13.879
<v Speaker 1>two years.

0:44:14.880 --> 0:44:18.480
<v Speaker 2>Good Lord, all mine together for seventy five years.

0:44:18.560 --> 0:44:22.640
<v Speaker 1>All right, now in those thirty two years, you know

0:44:22.680 --> 0:44:25.880
<v Speaker 1>me fairly well. Is there is there anything? And I

0:44:25.920 --> 0:44:28.960
<v Speaker 1>know probably not, but is there anything I do that

0:44:29.680 --> 0:44:32.120
<v Speaker 1>just really annoys you?

0:44:35.040 --> 0:44:35.160
<v Speaker 3>Like?

0:44:35.280 --> 0:44:37.279
<v Speaker 1>Is there is there one? Is there one thing?

0:44:37.360 --> 0:44:39.200
<v Speaker 2>That? There are two things that's like and you're not

0:44:39.239 --> 0:44:40.959
<v Speaker 2>going to say what? No, I get the two things

0:44:41.040 --> 0:44:45.680
<v Speaker 2>right now. The you know this, and so do all

0:44:45.680 --> 0:44:52.239
<v Speaker 2>the guys. Drew whistles and it is like I want

0:44:52.239 --> 0:44:53.560
<v Speaker 2>to claw his face off.

0:44:54.200 --> 0:44:57.320
<v Speaker 1>I'm a really good whistler. I'm just I'm just saying no.

0:44:57.600 --> 0:45:01.560
<v Speaker 2>See it actually makes me. I get so annoyed because

0:45:01.600 --> 0:45:05.759
<v Speaker 2>it's like a yodel whistle no like no, it's bad.

0:45:06.000 --> 0:45:08.920
<v Speaker 1>As Billy Joe. Billy Joe's got a whole intro. You know,

0:45:09.040 --> 0:45:10.480
<v Speaker 1>it's all whistling, but it's.

0:45:10.320 --> 0:45:13.399
<v Speaker 2>Always in the car. He's also started to add this

0:45:13.480 --> 0:45:17.040
<v Speaker 2>weird like foot tap with the yodel.

0:45:17.080 --> 0:45:18.760
<v Speaker 1>You don't even know you do that with the yodel.

0:45:19.719 --> 0:45:23.680
<v Speaker 2>Yoda whistle whistle, yoda, a yoda whistle with a foot

0:45:23.800 --> 0:45:26.960
<v Speaker 2>a strong foot tap while we're driving. I literally I

0:45:27.200 --> 0:45:29.480
<v Speaker 2>want to I see red. So that's the first thing.

0:45:30.360 --> 0:45:31.880
<v Speaker 2>The other thing, and I bet you there are other

0:45:31.920 --> 0:45:34.680
<v Speaker 2>people out there that are in relationships with people and

0:45:34.719 --> 0:45:39.879
<v Speaker 2>they do this Drew somehow. It's always at night, will

0:45:39.920 --> 0:45:45.759
<v Speaker 2>take like his socks off and leave them right by

0:45:45.880 --> 0:45:50.239
<v Speaker 2>the door of the bedroom. That is odd to me.

0:45:50.800 --> 0:45:54.359
<v Speaker 2>I'm like, can't you take those socks and put them

0:45:54.400 --> 0:45:56.640
<v Speaker 2>in the hamper? But I mean, I get on our

0:45:56.680 --> 0:45:58.960
<v Speaker 2>son about that song. I don't put it in the hamper.

0:45:59.080 --> 0:46:01.680
<v Speaker 2>I don't understand. It's like and so in the morning,

0:46:01.719 --> 0:46:04.719
<v Speaker 2>I'm like, what are the socks for? Are they no?

0:46:04.719 --> 0:46:04.919
<v Speaker 1>No?

0:46:05.160 --> 0:46:06.680
<v Speaker 2>Are the sock are you can put them on again?

0:46:07.040 --> 0:46:07.160
<v Speaker 1>Like?

0:46:07.239 --> 0:46:08.879
<v Speaker 2>Are they're dirty? Or you can put them on again?

0:46:08.920 --> 0:46:10.040
<v Speaker 2>Are you saving them? No?

0:46:10.160 --> 0:46:13.719
<v Speaker 1>I probably wore the socks into the bedroom and as

0:46:13.719 --> 0:46:16.560
<v Speaker 1>opposed to walking like down back down to the hamper,

0:46:16.600 --> 0:46:18.520
<v Speaker 1>I just took them off there. Okay, So and in

0:46:18.560 --> 0:46:21.520
<v Speaker 1>the morning you walk past them and leave them. Well,

0:46:22.640 --> 0:46:25.560
<v Speaker 1>I was planning on coming back and getting them. I'm

0:46:25.600 --> 0:46:29.799
<v Speaker 1>sure just my eyes. It was dark in the room.

0:46:29.840 --> 0:46:30.680
<v Speaker 1>I didn't see them.

0:46:30.760 --> 0:46:32.600
<v Speaker 2>This is not a one time occurrence. I'm this is

0:46:32.760 --> 0:46:36.480
<v Speaker 2>this is easily three or four times a week, easily,

0:46:36.760 --> 0:46:38.200
<v Speaker 2>And so I'm like, I just want to know.

0:46:38.280 --> 0:46:39.759
<v Speaker 1>I don't know if I changed my socks three or

0:46:39.800 --> 0:46:40.520
<v Speaker 1>four times a week.

0:46:40.719 --> 0:46:44.640
<v Speaker 2>So you take them off, you put them right there

0:46:44.680 --> 0:46:46.880
<v Speaker 2>by the door, you get in bed, you wake up

0:46:46.880 --> 0:46:50.040
<v Speaker 2>in the morning, you walk past them. So then when

0:46:50.040 --> 0:46:51.719
<v Speaker 2>I go back in the morning, because I always make

0:46:51.719 --> 0:46:54.560
<v Speaker 2>the bed every morning, I'm like, what do I do

0:46:54.640 --> 0:46:56.640
<v Speaker 2>with these? What I do with these socks?

0:46:57.080 --> 0:46:57.920
<v Speaker 1>And what do you do with them?

0:46:57.960 --> 0:47:01.480
<v Speaker 2>Put him in the hamper? But why there it is?

0:47:02.080 --> 0:47:03.960
<v Speaker 1>You know what to do with it. I don't know.

0:47:04.360 --> 0:47:04.879
<v Speaker 2>There it is.

0:47:05.000 --> 0:47:07.799
<v Speaker 1>They don't bother me, sitting right there bother me. I

0:47:07.840 --> 0:47:10.279
<v Speaker 1>don't know. I don't know what to tell you. I

0:47:10.320 --> 0:47:15.080
<v Speaker 1>don't know. And there there is one conversation that we've.

0:47:15.239 --> 0:47:18.640
<v Speaker 2>Try and get the industry under the with the socks.

0:47:21.600 --> 0:47:24.920
<v Speaker 1>Damn you, Drew, you can't put your socks in the hamper.

0:47:25.640 --> 0:47:30.000
<v Speaker 1>Curse you to hell. No, We've had this conversation for

0:47:31.480 --> 0:47:36.280
<v Speaker 1>a long long time, and it's it's a common conversation

0:47:36.360 --> 0:47:38.880
<v Speaker 1>that a lot of married couples have. And you know,

0:47:39.040 --> 0:47:42.920
<v Speaker 1>it's the whole toilet seed thing. And so my I

0:47:42.960 --> 0:47:45.120
<v Speaker 1>get it. Why can't you put the toilet seat down?

0:47:45.160 --> 0:47:48.240
<v Speaker 1>I get it. You don't feel like that's because because

0:47:48.360 --> 0:47:54.239
<v Speaker 1>the toilet seats always down. So my question is, if

0:47:54.239 --> 0:47:58.400
<v Speaker 1>it is up to me to always put the toilet

0:47:58.400 --> 0:48:03.480
<v Speaker 1>seat down when you're done, why can't you put it up?

0:48:03.560 --> 0:48:04.399
<v Speaker 2>I'm not doing that?

0:48:05.160 --> 0:48:05.560
<v Speaker 1>Why not?

0:48:06.120 --> 0:48:08.239
<v Speaker 2>It's just it feels wrong.

0:48:08.400 --> 0:48:12.800
<v Speaker 1>So if I'm saving saving you from from either having

0:48:12.800 --> 0:48:17.040
<v Speaker 1>to touch the toilet sea or not looking and falling

0:48:17.040 --> 0:48:17.560
<v Speaker 1>into the.

0:48:17.440 --> 0:48:19.759
<v Speaker 2>Toilet, but who's to say that if I do that

0:48:19.880 --> 0:48:21.560
<v Speaker 2>and I put it up and get it ready for you,

0:48:21.640 --> 0:48:22.879
<v Speaker 2>how do I know that you're in the next one?

0:48:22.880 --> 0:48:23.520
<v Speaker 2>But what if it's not me?

0:48:23.760 --> 0:48:25.160
<v Speaker 1>How do I know you're going to be the next one?

0:48:25.200 --> 0:48:26.640
<v Speaker 1>But yet I still have to put the thing down.

0:48:27.239 --> 0:48:28.520
<v Speaker 2>You're ridiculous.

0:48:28.680 --> 0:48:32.040
<v Speaker 1>I'm just saying it. If it's a partnership, if it's

0:48:32.080 --> 0:48:34.200
<v Speaker 1>fifty to fifty, if I got to put it down,

0:48:34.239 --> 0:48:35.359
<v Speaker 1>why can't you put it up?

0:48:36.160 --> 0:48:39.000
<v Speaker 2>I can get down with other things. But that to

0:48:39.080 --> 0:48:42.120
<v Speaker 2>me just sounds I mean, I get what you're saying,

0:48:42.160 --> 0:48:43.640
<v Speaker 2>but it's not it's just not gonna happen.

0:48:44.800 --> 0:48:48.560
<v Speaker 1>See, it's not fair. This is this is not this

0:48:48.680 --> 0:48:51.520
<v Speaker 1>is not right. But you love me, I do. I'd

0:48:51.520 --> 0:48:53.719
<v Speaker 1>love you more if you put the toilet set up,

0:48:56.320 --> 0:48:59.279
<v Speaker 1>all right. So, a lot of a lot of our

0:49:00.719 --> 0:49:05.800
<v Speaker 1>experiences in the industry have have kind of been around

0:49:06.000 --> 0:49:11.479
<v Speaker 1>different reality shows, you know. So there was there was one.

0:49:12.040 --> 0:49:15.719
<v Speaker 1>There was one reality show that we were on, were on.

0:49:16.040 --> 0:49:19.960
<v Speaker 1>There was one that I was on dancing, you know.

0:49:20.280 --> 0:49:23.640
<v Speaker 1>There were been other ones that we participated in. Our

0:49:23.719 --> 0:49:27.920
<v Speaker 1>families done a ton of them, you know. There was

0:49:28.040 --> 0:49:31.319
<v Speaker 1>Nick and I did one about, you know, building a barn. Right,

0:49:31.920 --> 0:49:37.040
<v Speaker 1>So if you and I as a as a married couple,

0:49:38.280 --> 0:49:44.960
<v Speaker 1>we're competing on a reality show, which one do you

0:49:44.960 --> 0:49:45.520
<v Speaker 1>think it would be?

0:49:46.800 --> 0:49:50.080
<v Speaker 2>Can you do? Can you do the one you've done before?

0:49:50.320 --> 0:49:52.400
<v Speaker 2>Because I feel like we'd crushed Dancing with the Stars?

0:49:53.600 --> 0:49:54.279
<v Speaker 1>Okay?

0:49:54.480 --> 0:49:55.600
<v Speaker 2>Is that? Yeah?

0:49:55.719 --> 0:49:59.120
<v Speaker 1>Yeah, no, we we we would except for neither of

0:49:59.200 --> 0:50:01.440
<v Speaker 1>us a ballroom dan, So we would just be like

0:50:01.680 --> 0:50:04.239
<v Speaker 1>doing us but we wouldn't be like, oh and doing

0:50:04.280 --> 0:50:06.680
<v Speaker 1>the chowhaw, you know. It would be like, yeah, we

0:50:06.719 --> 0:50:09.239
<v Speaker 1>would just be out there, you know, kicking ass and

0:50:09.280 --> 0:50:12.440
<v Speaker 1>taking names. Okay, but so a different way. Let's take

0:50:12.440 --> 0:50:14.960
<v Speaker 1>that one off the table. What is there another one?

0:50:15.680 --> 0:50:21.040
<v Speaker 2>I feel Okay, I love the like amazing race stuff,

0:50:21.960 --> 0:50:23.759
<v Speaker 2>but I know that I would be.

0:50:23.680 --> 0:50:25.960
<v Speaker 1>So stressed out. Yeah I don't really. I do necessarily

0:50:26.000 --> 0:50:31.680
<v Speaker 1>think like you're great at many things, almost everything.

0:50:32.040 --> 0:50:34.640
<v Speaker 2>That would be good at that. I feel like I would.

0:50:34.719 --> 0:50:37.640
<v Speaker 1>I would be dirty. I would playing in the mud

0:50:37.920 --> 0:50:39.239
<v Speaker 1>and doing all that.

0:50:40.840 --> 0:50:46.200
<v Speaker 2>That kind of episode where they're walking through Madrid, like

0:50:46.320 --> 0:50:48.839
<v Speaker 2>looking for a certain statue. Yeah, that's what I want

0:50:48.880 --> 0:50:49.040
<v Speaker 2>to do.

0:50:49.680 --> 0:50:50.839
<v Speaker 1>Okay, I don't know.

0:50:50.960 --> 0:50:53.040
<v Speaker 2>I like the traveling aspects and trying to figure out

0:50:53.040 --> 0:50:55.520
<v Speaker 2>like what plane, what train, what right? Like that I

0:50:55.560 --> 0:50:56.600
<v Speaker 2>think we would be good at.

0:50:57.600 --> 0:51:01.080
<v Speaker 1>Yeah. So no, I don't want to no naked and afraid.

0:51:02.080 --> 0:51:10.400
<v Speaker 2>Oh my god, no, please know that would no alone, No,

0:51:12.360 --> 0:51:13.400
<v Speaker 2>that would be horrible.

0:51:13.719 --> 0:51:15.400
<v Speaker 1>Homestead Rescue we could do.

0:51:15.560 --> 0:51:17.280
<v Speaker 2>Oh we do like Homestead Rescue.

0:51:17.520 --> 0:51:19.560
<v Speaker 1>I'd have to grow my mustache out more, you would,

0:51:20.200 --> 0:51:20.360
<v Speaker 1>I do?

0:51:20.360 --> 0:51:22.200
<v Speaker 2>You think that show's fascinating? But I don't know. That's

0:51:22.239 --> 0:51:24.480
<v Speaker 2>not like a it's not like competition. No, it's like

0:51:24.600 --> 0:51:27.520
<v Speaker 2>just like helping build, which I think is pretty cool. Yeah.

0:51:28.320 --> 0:51:33.120
<v Speaker 1>So this year we are celebrating twenty four years of marriage,

0:51:33.200 --> 0:51:39.280
<v Speaker 1>which means next year is twenty five. Now we're already

0:51:39.360 --> 0:51:41.400
<v Speaker 1>you know, talking about, Okay, what are we gonna do

0:51:41.400 --> 0:51:44.520
<v Speaker 1>for our twenty fifth anniversary? It's a big one. But

0:51:45.080 --> 0:51:48.799
<v Speaker 1>if we look back in the past, is there one

0:51:49.840 --> 0:51:51.800
<v Speaker 1>Is there one date.

0:51:51.680 --> 0:51:54.200
<v Speaker 2>You're gonna say one again. I hate doing just.

0:51:54.160 --> 0:51:59.960
<v Speaker 1>One trip or moment that you know, one one room,

0:52:00.040 --> 0:52:02.880
<v Speaker 1>antic moment that you can like, We've.

0:52:02.680 --> 0:52:04.600
<v Speaker 2>Had so many amazing trips. I don't know how to pick.

0:52:04.800 --> 0:52:06.440
<v Speaker 1>What is there one that is like your favorite, like

0:52:06.520 --> 0:52:11.360
<v Speaker 1>one scenario when setting one spot that you're.

0:52:11.239 --> 0:52:13.719
<v Speaker 2>Likerew, life is about me.

0:52:13.800 --> 0:52:14.319
<v Speaker 1>That is why.

0:52:15.000 --> 0:52:20.040
<v Speaker 2>That's why I married him. Okay, so we are going

0:52:20.120 --> 0:52:23.120
<v Speaker 2>to do something big twenty five. We will. We just

0:52:23.120 --> 0:52:23.799
<v Speaker 2>have to plan that.

0:52:23.840 --> 0:52:24.479
<v Speaker 1>We have to plan.

0:52:24.840 --> 0:52:28.880
<v Speaker 2>But I like when stuff is like loosely you know

0:52:28.920 --> 0:52:31.440
<v Speaker 2>what I mean, like a loose plan, like loosely scripted,

0:52:31.760 --> 0:52:35.960
<v Speaker 2>loosely scripted. And then I mean because I think because

0:52:35.960 --> 0:52:38.160
<v Speaker 2>we're always so busy and everything is so scheduled all

0:52:38.160 --> 0:52:42.000
<v Speaker 2>the time that when something is just like hey, we

0:52:42.120 --> 0:52:45.160
<v Speaker 2>got the whole day, like when we were in Dublin

0:52:45.440 --> 0:52:48.360
<v Speaker 2>comes to mind, like when it's like we only have

0:52:48.440 --> 0:52:50.759
<v Speaker 2>nowhere to be, we have no schedule to keep and

0:52:50.760 --> 0:52:53.680
<v Speaker 2>what are we in Dubling for? Okay, we were there

0:52:53.680 --> 0:52:56.240
<v Speaker 2>because he was working, but we were working.

0:52:56.400 --> 0:52:59.000
<v Speaker 1>I was doing name that too, Yeah, and I competed

0:52:59.040 --> 0:53:05.200
<v Speaker 1>against how from from Backstreet and I won. All right,

0:53:05.280 --> 0:53:06.080
<v Speaker 1>I'll continue with your.

0:53:05.960 --> 0:53:08.480
<v Speaker 2>Story, Okay, so.

0:53:10.320 --> 0:53:10.480
<v Speaker 1>No.

0:53:10.520 --> 0:53:12.560
<v Speaker 2>I mean, I just I like days where it's kind

0:53:12.560 --> 0:53:15.600
<v Speaker 2>of like it just just kind of flows right. Like

0:53:15.640 --> 0:53:17.680
<v Speaker 2>one of our favorite dates, and I know it's not

0:53:17.760 --> 0:53:21.520
<v Speaker 2>like this big, like you know, grandiose thing or travel thing,

0:53:21.560 --> 0:53:24.239
<v Speaker 2>because I don't think it needs to be is we

0:53:24.239 --> 0:53:29.200
<v Speaker 2>were downtown Cincinnati and it was snowing and it wasn't

0:53:29.239 --> 0:53:33.080
<v Speaker 2>planned and we had we had like a staycation kind

0:53:33.120 --> 0:53:34.600
<v Speaker 2>of thing planned downtown.

0:53:34.200 --> 0:53:36.600
<v Speaker 1>And it was Valentine's Day, I remember.

0:53:36.840 --> 0:53:40.160
<v Speaker 2>And one of our favorite restaurants here in Cincinnati Soto.

0:53:41.160 --> 0:53:43.479
<v Speaker 2>You know, every nobody could get to the restaurant because

0:53:43.480 --> 0:53:46.080
<v Speaker 2>it was like blizzard conditions, and so we were there

0:53:46.160 --> 0:53:47.720
<v Speaker 2>and we just kind of like walked past the street

0:53:47.960 --> 0:53:49.640
<v Speaker 2>and we had the whole place to ourselfs and we

0:53:49.760 --> 0:53:52.439
<v Speaker 2>just it's the it's the best restaurant. And we sat

0:53:52.480 --> 0:53:54.560
<v Speaker 2>there and just had a nice bottle of wine and

0:53:54.600 --> 0:53:57.839
<v Speaker 2>good food and just like nowhere to be And I think,

0:53:58.280 --> 0:54:00.840
<v Speaker 2>I don't know, connection like that is awesome.

0:54:01.920 --> 0:54:04.120
<v Speaker 1>That was actually my favorite date that I was going

0:54:04.160 --> 0:54:06.640
<v Speaker 1>to say that you didn't know that I did, But

0:54:06.680 --> 0:54:09.160
<v Speaker 1>it was just like that, like it was so romantic,

0:54:09.239 --> 0:54:11.160
<v Speaker 1>Like the city was so quiet, because anytime you're in

0:54:11.160 --> 0:54:14.400
<v Speaker 1>an urban area and it's snowing. It's just quiet. It's

0:54:14.480 --> 0:54:16.000
<v Speaker 1>you know, you look up at the street lights you

0:54:16.080 --> 0:54:18.680
<v Speaker 1>see like the snow falling. And then it was literally

0:54:18.760 --> 0:54:21.120
<v Speaker 1>right across the street from like the hotel where we

0:54:21.120 --> 0:54:24.120
<v Speaker 1>were staying for our staycation, and we literally walked in

0:54:24.480 --> 0:54:27.520
<v Speaker 1>and this place is impossible to get into. It's always crowded,

0:54:27.560 --> 0:54:29.799
<v Speaker 1>it's always packed. And we literally walked in there and

0:54:29.840 --> 0:54:32.279
<v Speaker 1>there was like nobody in there and we just sat down.

0:54:32.520 --> 0:54:34.560
<v Speaker 1>We sat at the bar and yeah, it was awesome.

0:54:34.640 --> 0:54:37.000
<v Speaker 1>We sat at the corner of the bar, so it

0:54:37.080 --> 0:54:39.319
<v Speaker 1>was like we were just sitting like this the whole time,

0:54:39.360 --> 0:54:42.960
<v Speaker 1>just like eating and drinking and just relaxing and just

0:54:43.160 --> 0:54:45.000
<v Speaker 1>and nowhere to be and know where to be. Yeah,

0:54:45.000 --> 0:54:47.040
<v Speaker 1>it's the best. I think that, I think that would be.

0:54:47.600 --> 0:54:50.440
<v Speaker 2>So what we're I think what we're getting to summing

0:54:50.440 --> 0:54:52.080
<v Speaker 2>it all up is the fact that we need to

0:54:52.080 --> 0:54:52.879
<v Speaker 2>do more of that.

0:54:52.960 --> 0:54:54.879
<v Speaker 1>But that's laughing, more vacation.

0:54:54.640 --> 0:54:58.480
<v Speaker 2>Because everything is so planned, not gonna happen for a second.

0:54:58.600 --> 0:54:59.440
<v Speaker 2>But maybe we need.

0:54:59.320 --> 0:55:02.160
<v Speaker 1>To make it and we'll make it a priority. I'll

0:55:02.160 --> 0:55:04.120
<v Speaker 1>make it a party. All right. Well, I want to

0:55:04.160 --> 0:55:06.440
<v Speaker 1>say thank you for letting.

0:55:06.160 --> 0:55:08.320
<v Speaker 2>Me interview you.

0:55:07.239 --> 0:55:13.120
<v Speaker 1>Thank you for for making your agent, you know, make

0:55:13.160 --> 0:55:19.080
<v Speaker 1>this happen. Leah Lache and agent I. I hope that

0:55:20.040 --> 0:55:23.839
<v Speaker 1>the interview was as insightful and riveting for you as

0:55:23.880 --> 0:55:27.000
<v Speaker 1>it was for me, and I wish you nothing but

0:55:27.040 --> 0:55:30.680
<v Speaker 1>the best in the years to come, and with LABELSS

0:55:30.719 --> 0:55:35.120
<v Speaker 1>because it sounds fantastic and because I benefit from it

0:55:35.160 --> 0:55:41.319
<v Speaker 1>as well. No, but I love you and uh yeah,

0:55:42.000 --> 0:55:44.960
<v Speaker 1>If any other time you need a guest host for

0:55:45.080 --> 0:55:50.719
<v Speaker 1>Frosted Tips, you know where to find her. I have

0:55:50.760 --> 0:55:55.239
<v Speaker 1>a go on everybody. Hey, thanks for listening. Follow us

0:55:55.280 --> 0:55:58.480
<v Speaker 1>on Instagram at frost the Tips with Lance and Michael

0:55:58.520 --> 0:56:01.960
<v Speaker 1>Turchin and it's best for all your pop culture needs.

0:56:02.239 --> 0:56:04.200
<v Speaker 2>And make sure to write his review and leave us

0:56:04.200 --> 0:56:06.640
<v Speaker 2>five stars six if you can see you next time.