1 00:00:00,120 --> 00:00:01,960 Speaker 1: So many reasons we should be thankful for our friend 2 00:00:02,080 --> 00:00:04,880 Speaker 1: Eric Bergin. First of all, he's a great guy. He 3 00:00:04,880 --> 00:00:06,559 Speaker 1: does great things for the community. We'll get into that 4 00:00:06,600 --> 00:00:07,760 Speaker 1: in a minute. Don't know, as he go to get 5 00:00:07,800 --> 00:00:12,080 Speaker 1: too big what There's an incredible organization here in New 6 00:00:12,160 --> 00:00:15,480 Speaker 1: York City called God's Love We Deliver, and Eric was 7 00:00:15,520 --> 00:00:18,040 Speaker 1: so gracious to invite us, all of us over to 8 00:00:18,239 --> 00:00:21,279 Speaker 1: help pack food get it ready to go out to 9 00:00:21,280 --> 00:00:23,800 Speaker 1: people who really need it. And we appreciate that very much. 10 00:00:23,840 --> 00:00:26,560 Speaker 1: I don't think we ever really thanks you properly. Thank 11 00:00:26,560 --> 00:00:27,920 Speaker 1: you for getting us involved. 12 00:00:27,800 --> 00:00:29,560 Speaker 2: Thank you for coming. It was an incredible day. You 13 00:00:30,280 --> 00:00:32,680 Speaker 2: guys were there putting in, putting in some hours in 14 00:00:32,720 --> 00:00:33,760 Speaker 2: there we did. 15 00:00:34,280 --> 00:00:36,320 Speaker 1: And I know that you have an event tonight for 16 00:00:36,400 --> 00:00:37,520 Speaker 1: God's Love, right, yeah. 17 00:00:37,600 --> 00:00:39,000 Speaker 2: I mean God's Love is one of the you know 18 00:00:39,080 --> 00:00:41,400 Speaker 2: institutions in New York City. I mean they what they 19 00:00:41,479 --> 00:00:45,120 Speaker 2: do is they cook and home deliver medically tailored meals 20 00:00:45,200 --> 00:00:47,680 Speaker 2: to people who are too sick to shop or cook 21 00:00:47,720 --> 00:00:50,680 Speaker 2: for themselves all over New York City. They do incredible 22 00:00:50,720 --> 00:00:53,519 Speaker 2: work and for so long, Joan Rivers was one of 23 00:00:53,560 --> 00:00:55,840 Speaker 2: their biggest champions, and she was on the board and 24 00:00:57,040 --> 00:00:59,320 Speaker 2: despite you know, not despite, but besides being one of 25 00:00:59,360 --> 00:01:01,840 Speaker 2: the funniest people in the world. She had an incredible heart. 26 00:01:02,240 --> 00:01:04,479 Speaker 2: And so tonight we are putting together something I think 27 00:01:04,520 --> 00:01:06,880 Speaker 2: she would have loved, which is called Dead Funny, an 28 00:01:06,920 --> 00:01:11,320 Speaker 2: all star tribute to Joan Rivers. You know, because she's well, 29 00:01:11,319 --> 00:01:14,839 Speaker 2: she's currently dead and she's so funny. Why is something 30 00:01:14,840 --> 00:01:17,399 Speaker 2: else gonna happen like she's just currently dead? Well, I 31 00:01:17,400 --> 00:01:19,680 Speaker 2: don't know, you know, everything is puzziled these days. So 32 00:01:19,720 --> 00:01:23,039 Speaker 2: we're doing it tonight at the Apollo Theater. It is 33 00:01:23,240 --> 00:01:25,280 Speaker 2: opening night of the New York Comedy Festival, and we're 34 00:01:25,319 --> 00:01:28,520 Speaker 2: raising money for God's Love and it's the lineup is 35 00:01:28,640 --> 00:01:29,800 Speaker 2: just nuts. 36 00:01:30,000 --> 00:01:31,520 Speaker 1: Well give us the lineup. I know that your co 37 00:01:31,959 --> 00:01:35,360 Speaker 1: executive producing this with Melissa Rivers. I am, and who's 38 00:01:35,400 --> 00:01:37,080 Speaker 1: on stage being funny? First of all, are you doing 39 00:01:37,120 --> 00:01:38,480 Speaker 1: any stand up? Do you do stand up? 40 00:01:38,560 --> 00:01:42,080 Speaker 2: Eric? No? The the limits to my comedy are right now. 41 00:01:42,280 --> 00:01:44,720 Speaker 2: This is This is as about as funny as I get. 42 00:01:44,800 --> 00:01:48,960 Speaker 2: And boy, yeah, exactly, it's a rough crap. No, we 43 00:01:49,080 --> 00:01:53,640 Speaker 2: got Tiffany Hattish and oh is she here? No, she's 44 00:01:54,120 --> 00:01:55,480 Speaker 2: Oh she's been here. Oh I thought she I thought 45 00:01:55,520 --> 00:01:59,800 Speaker 2: she was one of those surprise moments. Yeah she is. Yeah, 46 00:01:59,840 --> 00:02:05,480 Speaker 2: we have Michelle Buteaux, Matteo Lane, Randy Rainbow, Joel McHale, 47 00:02:05,640 --> 00:02:11,640 Speaker 2: Jeff Ross, Rita Wilson. It's an incredible line up and 48 00:02:11,639 --> 00:02:14,480 Speaker 2: that we have a whole slew of surprise guests. So 49 00:02:14,520 --> 00:02:15,600 Speaker 2: it's quiet incredible. 50 00:02:16,000 --> 00:02:17,920 Speaker 1: Well, so far the line happen is great. We've had 51 00:02:17,960 --> 00:02:19,120 Speaker 1: most of those people here with us. 52 00:02:19,160 --> 00:02:21,200 Speaker 2: And you don't need to brag. I know you're very fantasy. 53 00:02:21,200 --> 00:02:23,760 Speaker 2: I don't know why the name the name. Yeah, I know, 54 00:02:24,080 --> 00:02:27,320 Speaker 2: we've all, we've met them all. Screw you, Eric, you 55 00:02:27,360 --> 00:02:28,400 Speaker 2: know Okay. 56 00:02:28,720 --> 00:02:31,320 Speaker 1: I want to talk to you on about something you 57 00:02:31,320 --> 00:02:33,840 Speaker 1: mentioned while the song was playing, you wanting to become 58 00:02:33,880 --> 00:02:35,959 Speaker 1: an actor again, even though you're always an actor. 59 00:02:36,440 --> 00:02:38,760 Speaker 2: Of course, Eric with huge roles. 60 00:02:38,440 --> 00:02:43,359 Speaker 1: In the musical drama film Jersey Boys. Also, you were 61 00:02:43,480 --> 00:02:45,919 Speaker 1: how many seasons in Madam's Secretary. 62 00:02:46,160 --> 00:02:48,359 Speaker 2: Big seasons on Madame Secretary. 63 00:02:47,880 --> 00:02:51,960 Speaker 1: Huge, huge show. But now here's what I noticed. Right 64 00:02:52,000 --> 00:02:56,080 Speaker 1: around pandemic time, Eric kept working, but he was in 65 00:02:56,200 --> 00:02:59,280 Speaker 1: a producer's role. You were producing a lot of things 66 00:02:59,320 --> 00:03:02,160 Speaker 1: for like people who work in Broadway who lost their jobs. 67 00:03:02,440 --> 00:03:04,320 Speaker 1: You did a lot of charity production. 68 00:03:04,880 --> 00:03:07,720 Speaker 2: Yeah, it almost you still do it is I started 69 00:03:07,760 --> 00:03:10,040 Speaker 2: with that very first that the week that COVID shut 70 00:03:10,080 --> 00:03:12,880 Speaker 2: down Broadway, I called Rosi O'Donnell and said, will you 71 00:03:13,000 --> 00:03:14,800 Speaker 2: do a one night reboot of your show as a 72 00:03:14,840 --> 00:03:17,240 Speaker 2: fundraiser for the Actors Fund. We raised like eight hundred 73 00:03:17,240 --> 00:03:19,720 Speaker 2: thousand dollars in one night that that very first week 74 00:03:19,720 --> 00:03:23,040 Speaker 2: of cod Wow, and then it was off to the races. 75 00:03:23,080 --> 00:03:24,960 Speaker 2: The next day. I got all these phone calls from 76 00:03:24,960 --> 00:03:27,160 Speaker 2: other charities saying, can you please do that same thing 77 00:03:27,160 --> 00:03:30,720 Speaker 2: for us? And I said, no, that's not what I mean. 78 00:03:31,000 --> 00:03:32,960 Speaker 2: You're very nice, but that's not what I do. As 79 00:03:32,960 --> 00:03:35,400 Speaker 2: it turns out, is what I do. So the Jon 80 00:03:35,480 --> 00:03:38,120 Speaker 2: event tonight is something like the three hundred and forty 81 00:03:38,200 --> 00:03:41,600 Speaker 2: fifth event I've produced since that time, which is crazy. 82 00:03:41,640 --> 00:03:45,119 Speaker 2: It's crazy. I don't sleep. I don't well. I do eat, 83 00:03:45,160 --> 00:03:47,800 Speaker 2: but I don't sleep. It's yeah, it's wild. I mean, 84 00:03:47,800 --> 00:03:50,440 Speaker 2: it's been a wild, wild time. I'm I'm so I 85 00:03:50,480 --> 00:03:52,240 Speaker 2: have this. I have a group of people that I 86 00:03:52,280 --> 00:03:56,520 Speaker 2: work with who we produce great things for great causes, 87 00:03:56,800 --> 00:03:59,120 Speaker 2: and tonight is certainly one of them. And Elvis, you 88 00:03:59,160 --> 00:04:01,640 Speaker 2: did you did a few with with ours. I got Yeah. 89 00:04:01,720 --> 00:04:04,920 Speaker 1: Yeah, but you did you rub card and it worked. 90 00:04:05,120 --> 00:04:07,120 Speaker 1: The thing is is, you know over three hundred of 91 00:04:07,120 --> 00:04:09,600 Speaker 1: these events you have produced, and you've done a lot 92 00:04:09,600 --> 00:04:10,840 Speaker 1: of great things and raise a lot of money and 93 00:04:10,840 --> 00:04:14,160 Speaker 1: awareness for incredible organizations. But what about you? What about 94 00:04:14,160 --> 00:04:16,920 Speaker 1: that acting itch? Are you acting like well, I want 95 00:04:17,000 --> 00:04:17,560 Speaker 1: to act again. 96 00:04:17,640 --> 00:04:19,400 Speaker 2: I do have an itch. I am seeing my doctor 97 00:04:19,560 --> 00:04:21,640 Speaker 2: about that right after I leave here. 98 00:04:21,800 --> 00:04:24,160 Speaker 1: Good idea. Yeah, this is part of the stand up road. 99 00:04:24,279 --> 00:04:26,680 Speaker 2: This is well, I'm trying some material out, you know, 100 00:04:27,120 --> 00:04:33,640 Speaker 2: before we go live. The material? Yeah, my a material. Yeah, yes, 101 00:04:33,720 --> 00:04:35,800 Speaker 2: I did. I did a few episodes of Bowl. I 102 00:04:35,880 --> 00:04:38,280 Speaker 2: went to Broadway and I did Chicago. But the thing 103 00:04:38,279 --> 00:04:41,280 Speaker 2: I'm most excited about is in the spring. In April, 104 00:04:41,320 --> 00:04:43,960 Speaker 2: i am back to Broadway as a performer and I'll 105 00:04:43,960 --> 00:04:47,479 Speaker 2: be in Uh Boop, the Betty Boop musical that is 106 00:04:47,520 --> 00:04:51,039 Speaker 2: a while on Broadway that David Boss David Foster wrote 107 00:04:51,080 --> 00:04:54,680 Speaker 2: that wrote the score, and Jerry Mitchell, who did Kinky 108 00:04:54,720 --> 00:04:57,719 Speaker 2: Boots and Hairspray, is the director of and it's We 109 00:04:57,720 --> 00:04:59,680 Speaker 2: We We didn't out of town try out last year, 110 00:04:59,680 --> 00:05:02,320 Speaker 2: and it's it's just so much fun. It's just so 111 00:05:02,800 --> 00:05:05,680 Speaker 2: much fun, so I will go back to making less 112 00:05:05,720 --> 00:05:09,120 Speaker 2: money as an actor in just a few months. Good 113 00:05:09,120 --> 00:05:11,480 Speaker 2: for you. That's not a joke. That's real. By the way, 114 00:05:11,720 --> 00:05:14,080 Speaker 2: I wanted to get back to making less. 115 00:05:13,920 --> 00:05:18,640 Speaker 3: Money, of course, because obviously TV and Broadway are completely different. 116 00:05:18,640 --> 00:05:19,680 Speaker 3: Do you prefer one to the other? 117 00:05:20,960 --> 00:05:24,400 Speaker 2: Yeah, I mean it's there's nothing you get on stage 118 00:05:24,440 --> 00:05:27,560 Speaker 2: and there is nothing like that rush. I mean of well, 119 00:05:27,600 --> 00:05:29,159 Speaker 2: you know, if there's people in the audience, If there's 120 00:05:29,160 --> 00:05:30,880 Speaker 2: no one in the audience, it's a it's a bad thing. 121 00:05:30,960 --> 00:05:34,280 Speaker 2: But you know, when you do a killer show on Broadway, 122 00:05:34,520 --> 00:05:37,560 Speaker 2: it is a wild rush, that thing that people have 123 00:05:37,600 --> 00:05:40,960 Speaker 2: when they have stage fright. The opposite side of that, 124 00:05:40,960 --> 00:05:45,600 Speaker 2: that rush you get is it's so it's a rush, 125 00:05:45,640 --> 00:05:46,839 Speaker 2: is the best way to describe it. But you have 126 00:05:46,880 --> 00:05:51,880 Speaker 2: a dream show that you'd like to do. God, I 127 00:05:51,880 --> 00:05:53,640 Speaker 2: don't you know. I wish I was young enough to 128 00:05:53,640 --> 00:05:56,320 Speaker 2: do Jersey Boys again because and to play play a 129 00:05:56,360 --> 00:05:58,839 Speaker 2: sixteen year old again because it was it was great. 130 00:05:58,880 --> 00:06:02,440 Speaker 2: Excuse me, that's not funny. That wasn't a joke. 131 00:06:03,480 --> 00:06:06,120 Speaker 1: Oh man, it's that a material coming back. 132 00:06:07,920 --> 00:06:12,000 Speaker 2: I'm giving this to Tiffany Hattish tonight. By the way, Yeah, 133 00:06:12,000 --> 00:06:15,120 Speaker 2: that's right. You know, I think I'm always excited for 134 00:06:15,120 --> 00:06:16,960 Speaker 2: the next one. I'm always excited to see what's next. 135 00:06:17,000 --> 00:06:20,320 Speaker 2: And that's why I'm so excited for for Boop. But uh, yeah, 136 00:06:20,360 --> 00:06:22,240 Speaker 2: you know I love everything. I mean, I missed my 137 00:06:22,240 --> 00:06:24,400 Speaker 2: Madame Secretary guest. I love them all dearly, and I 138 00:06:24,400 --> 00:06:27,200 Speaker 2: love doing that show. And uh and my agent really 139 00:06:27,200 --> 00:06:29,280 Speaker 2: misses it, my business manager really misses it. 140 00:06:29,800 --> 00:06:32,960 Speaker 1: Yeah, we'll just talk about tonight because just in case 141 00:06:33,000 --> 00:06:34,560 Speaker 1: you have a couple of chairs left, we do. 142 00:06:34,680 --> 00:06:36,080 Speaker 2: In fact, I was on the way down here. They 143 00:06:36,200 --> 00:06:37,919 Speaker 2: just we we took out one row of seats. We 144 00:06:37,960 --> 00:06:39,480 Speaker 2: put it back in for the cameras, so we have 145 00:06:39,520 --> 00:06:43,400 Speaker 2: like one row seats. This is not a line all 146 00:06:43,400 --> 00:06:51,600 Speaker 2: the wrong things performing tonight. Nate being so rude to 147 00:06:51,640 --> 00:06:55,920 Speaker 2: our guests. No, we love Nate, but he just told us. 148 00:06:55,760 --> 00:06:57,440 Speaker 1: He said they took a row out and now they 149 00:06:57,440 --> 00:06:58,800 Speaker 1: put the roe back and now we got to sell 150 00:06:58,839 --> 00:07:00,080 Speaker 1: out that road for tonight. 151 00:07:03,680 --> 00:07:07,680 Speaker 2: And take a row. Here's the thing we've been figuring. 152 00:07:07,720 --> 00:07:10,640 Speaker 2: Oh so, so, oh, here's what you don't know. Teeth. No, no, no, no, 153 00:07:10,680 --> 00:07:12,520 Speaker 2: I realized I left something out. We're filming it for TV, 154 00:07:12,960 --> 00:07:14,960 Speaker 2: so it's it's gonna be TV special next year. So 155 00:07:14,960 --> 00:07:16,560 Speaker 2: we put a rode back in and there are a 156 00:07:16,560 --> 00:07:19,760 Speaker 2: few seats left for tonight all on Ticketmaster. Oh yeah, 157 00:07:19,880 --> 00:07:20,400 Speaker 2: take a master. 158 00:07:20,480 --> 00:07:23,400 Speaker 1: It's called Dead Funny and all star tribute to Joan Rivers, 159 00:07:23,440 --> 00:07:25,800 Speaker 1: of course benefiting Gaunt Love. We delivered it at the 160 00:07:25,800 --> 00:07:29,360 Speaker 1: world famous Apollo. I mean, it's gigwi. What's so funny? 161 00:07:29,440 --> 00:07:32,880 Speaker 2: I forgot? I forgot. You can see us right now. No, 162 00:07:33,000 --> 00:07:35,280 Speaker 2: it's fine. We're just making this and making gestures over here. 163 00:07:35,280 --> 00:07:35,720 Speaker 2: It's fine. 164 00:07:35,880 --> 00:07:36,840 Speaker 1: It's gone a thought. 165 00:07:36,880 --> 00:07:37,520 Speaker 2: What's that Gandhi? 166 00:07:37,600 --> 00:07:38,960 Speaker 3: Well, you said you wish you were young enough to 167 00:07:39,040 --> 00:07:41,600 Speaker 3: sil bey in Jersey voice? Yeah, how so how does 168 00:07:41,600 --> 00:07:43,280 Speaker 3: that work with Broadway? Like at what age do you 169 00:07:43,320 --> 00:07:44,960 Speaker 3: age out of that role? Because on TV they have 170 00:07:44,960 --> 00:07:47,640 Speaker 3: thirty five year olds playing seventeen year old that's right. 171 00:07:47,640 --> 00:07:50,000 Speaker 2: Why can't that apply to Broadway? Well, no, it's not 172 00:07:50,040 --> 00:07:52,480 Speaker 2: that it can't apply to Broadway. It's that my knees 173 00:07:52,560 --> 00:07:54,520 Speaker 2: gave out at a certain point, and I said The 174 00:07:54,600 --> 00:07:57,120 Speaker 2: Jersey Boys was a double decker set. No, it's just 175 00:07:57,200 --> 00:07:59,760 Speaker 2: I mean that show. You know, I ran my course 176 00:07:59,800 --> 00:08:02,960 Speaker 2: in that show. But that show was so great, the 177 00:08:03,000 --> 00:08:06,000 Speaker 2: way that it made the audience feel every night. I mean, 178 00:08:06,080 --> 00:08:09,680 Speaker 2: it's it's it's uh, what point do people age out 179 00:08:09,680 --> 00:08:11,120 Speaker 2: of Broadway? I don't know if you ever age out 180 00:08:11,120 --> 00:08:13,640 Speaker 2: of Broadway. I think it's possibly the the It's the 181 00:08:13,760 --> 00:08:15,720 Speaker 2: art form for the oldest people in the world. That's 182 00:08:15,720 --> 00:08:19,160 Speaker 2: what you just get. Different roles you just keep, you know. Yeah, 183 00:08:19,160 --> 00:08:20,880 Speaker 2: I'll go back to Drop. I'm gonna go back Jersey 184 00:08:20,880 --> 00:08:23,760 Speaker 2: Boys and play the the the the old mobster that's 185 00:08:24,120 --> 00:08:26,720 Speaker 2: you know, lending the boys money. I'll go back and 186 00:08:26,720 --> 00:08:28,520 Speaker 2: play that role when they bring it back. So what 187 00:08:28,560 --> 00:08:30,000 Speaker 2: are you excited about these days? I mean, have you 188 00:08:30,040 --> 00:08:33,160 Speaker 2: seen Sunset Boulevard? I saw Sense of Boulevard in London. 189 00:08:33,600 --> 00:08:36,600 Speaker 2: That was the most wild thing I've ever seen in 190 00:08:36,600 --> 00:08:40,600 Speaker 2: my life. There's there's I mean, there's lots of incredible 191 00:08:40,600 --> 00:08:44,040 Speaker 2: things right now. Sunset's amazing. The Cabaret with Adam Lambert. 192 00:08:44,160 --> 00:08:46,000 Speaker 2: I saw it with Eddie Redmain. I haven't seen it 193 00:08:46,040 --> 00:08:47,800 Speaker 2: with Adam yet. So good. There's a great show on 194 00:08:47,840 --> 00:08:49,760 Speaker 2: Broadway right now called Water for Elephants that has a 195 00:08:49,760 --> 00:08:52,640 Speaker 2: few more weeks. Uh. My, my, one of my oldest 196 00:08:52,640 --> 00:08:54,680 Speaker 2: friends in the world, Shanna Tao, broke the show called 197 00:08:54,760 --> 00:08:58,800 Speaker 2: stuffs that's on Broadway, which is just incredible, especially right now, 198 00:08:59,320 --> 00:09:01,760 Speaker 2: but it's kind of the beginning of the the the 199 00:09:01,840 --> 00:09:05,560 Speaker 2: women's rights movement, and that has a few more months 200 00:09:05,600 --> 00:09:07,840 Speaker 2: on Broadway. There's incredible stuff. I mean, my feeling about 201 00:09:07,840 --> 00:09:10,600 Speaker 2: Broadway is buy a ticket, don't research what you're going into. 202 00:09:10,880 --> 00:09:12,640 Speaker 2: Just buy a ticket to the thing that looks great, 203 00:09:13,040 --> 00:09:16,560 Speaker 2: and off your phone and just go away for two hours. 204 00:09:16,640 --> 00:09:18,720 Speaker 2: I mean, it's that that's the best thing in the world. 205 00:09:19,400 --> 00:09:20,640 Speaker 1: Nate had a question, what's that name? 206 00:09:20,679 --> 00:09:22,679 Speaker 2: Okay as an actor? Oh my god, it's a two 207 00:09:22,720 --> 00:09:26,320 Speaker 2: part question. Have you ever had to use a and 208 00:09:26,400 --> 00:09:29,480 Speaker 2: how large is your privacy sock? Have you ever had 209 00:09:33,040 --> 00:09:37,160 Speaker 2: for one? Yeah? Yeah, this is a great this is 210 00:09:37,360 --> 00:09:39,960 Speaker 2: now the world. No, now that we're off the air, 211 00:09:40,000 --> 00:09:42,080 Speaker 2: this is a really good question to talk about. And 212 00:09:42,120 --> 00:09:43,640 Speaker 2: I would like to I have a whole I have 213 00:09:43,640 --> 00:09:47,079 Speaker 2: a whole diagram. Actually what I thought will answer the question. 214 00:09:47,160 --> 00:09:50,040 Speaker 2: You'd answer the question. Yeah, Well, I was on CBS 215 00:09:50,920 --> 00:09:53,240 Speaker 2: and I and the thing about CBS is if there 216 00:09:53,320 --> 00:09:56,040 Speaker 2: was a privacy sock involved, I think most of the 217 00:09:56,120 --> 00:10:00,440 Speaker 2: viewership for CBS would have a stroke. I I think so. 218 00:10:00,520 --> 00:10:03,760 Speaker 2: I don't think that's it's not it's not what you're 219 00:10:04,080 --> 00:10:06,640 Speaker 2: it's not what you're thinking it would be if we 220 00:10:06,640 --> 00:10:13,360 Speaker 2: were on AH at home. Nate is so intrigued your 221 00:10:13,400 --> 00:10:18,640 Speaker 2: second half. How big the sock? Yeah, it's uh, it's adjustable, 222 00:10:20,000 --> 00:10:24,160 Speaker 2: depending depending on what what temperature the shower is, like 223 00:10:25,160 --> 00:10:28,760 Speaker 2: soccer sock. Well, I actually it's a compression sock. 224 00:10:32,600 --> 00:10:38,120 Speaker 1: I'm sorry the material to be fair, To be fair, 225 00:10:38,280 --> 00:10:40,320 Speaker 1: Eric and I have had this conversation and his word 226 00:10:40,440 --> 00:10:40,880 Speaker 1: was epic. 227 00:10:40,920 --> 00:10:44,160 Speaker 2: That's what I heard. That's true. Yeah, that's right. 228 00:10:44,200 --> 00:10:46,920 Speaker 1: Okay, So tonight I am. 229 00:10:46,840 --> 00:10:48,720 Speaker 2: So happy I didn't tell my mother to listen in 230 00:10:48,920 --> 00:10:53,240 Speaker 2: this morning. This is horrifying. I'm sure she'd be very 231 00:10:53,280 --> 00:10:53,680 Speaker 2: proud of you. 232 00:10:53,880 --> 00:10:58,760 Speaker 1: Yeah, Eric, Eric Bergan of course, uh co executive producing 233 00:10:58,880 --> 00:11:02,440 Speaker 1: with Melissa Rivers. Tonight It's Dead Funny, an all star 234 00:11:02,480 --> 00:11:05,400 Speaker 1: tribute to John Rivers. Of course, we're raising some money 235 00:11:05,400 --> 00:11:07,040 Speaker 1: for our friends at God's Love we deliver at the 236 00:11:07,080 --> 00:11:10,480 Speaker 1: Apollo Theater. Go to ticketmaster dot com. Is that where 237 00:11:10,480 --> 00:11:10,880 Speaker 1: we're going? 238 00:11:10,920 --> 00:11:11,360 Speaker 2: That's right? 239 00:11:11,440 --> 00:11:14,640 Speaker 1: Yes, okay, yeah, or you can go to g l 240 00:11:14,840 --> 00:11:17,360 Speaker 1: w D dot org to donate money. 241 00:11:17,400 --> 00:11:20,080 Speaker 2: Anyway. You're the best, Eric, And next time I want 242 00:11:20,080 --> 00:11:21,040 Speaker 2: have my boy, thank you. 243 00:11:21,760 --> 00:11:21,960 Speaker 3: I'll