WEBVTT - 111: Sex, Y2K & Videotapes

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<v Speaker 1>It's two thirty five AM, and you're huddled around bob

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<v Speaker 1>blob blobs desktop computer, and you're listening to Night Call. Hello,

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<v Speaker 1>and welcome back to Night Call, a call in show

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<v Speaker 1>for our dystopian reality. I am Tess Lynch in Los

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<v Speaker 1>Angeles and with me are Molly Lambert and Emily Yoshida.

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<v Speaker 1>How you guys doing good, doing amazing. I'm just gonna

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<v Speaker 1>say I'm doing great. I'm like, I'm very tired of

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<v Speaker 1>the dance of like, oh, you know, I just want

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<v Speaker 1>to be like I'm doing awesome. I'm gonna say like

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<v Speaker 1>I'm elevating. Yes. Um. We got a great night email

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<v Speaker 1>this week from a friend of the show, Brooke, a

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<v Speaker 1>gossip girl. We wanted to kick things off with it because, uh,

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<v Speaker 1>I feel like you guys might have a lot of

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<v Speaker 1>thoughts about this one. So this is what Brooke, she says.

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<v Speaker 1>Going off of the discussion of what counts as the decade,

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<v Speaker 1>I considered the ohs to be the decade of the

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<v Speaker 1>birth of the Internet. As such, I think the oh

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<v Speaker 1>sex tape craze starts with Pam Anderson in eight, followed

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<v Speaker 1>shortly by the Monica Lewinsky scandal, which was essentially lit erotica.

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<v Speaker 1>That's how I learned that blow jobs were a normal

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<v Speaker 1>part of adult sex lives. Onto Paris Hilton and Oh

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<v Speaker 1>Three Girls Gone Wild, the Kim Kardashian tape in earlier seven,

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<v Speaker 1>and pattering out with the Lauren Conrad sex tape rumors

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<v Speaker 1>that never produced an actual tape, but did give us

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<v Speaker 1>a good season of the hills. It seems to me

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<v Speaker 1>that sex tapes are a great manage point through which

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<v Speaker 1>to examine the stages of the Internet. At first, it

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<v Speaker 1>was kind of the wild West before social media. There

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<v Speaker 1>was no way for celebrities to spend their own narratives,

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<v Speaker 1>and they were subjected to outlets like TMZ and Perez

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<v Speaker 1>with no recourse. The next wave, the post Keeping Up

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<v Speaker 1>with the Kardashians era, celebrities had multiple ways to correct

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<v Speaker 1>the narrative. Now, people like Caroline Callaway proudly announced their

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<v Speaker 1>only fans on their Twitter dairy and people to say

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<v Speaker 1>something about it. A Perez couldn't find an audience now

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<v Speaker 1>when you can just go directly to the source. When

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<v Speaker 1>I think about that decade, my decade of high school

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<v Speaker 1>and college, it's inextricably linked to the sex tapes. And

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<v Speaker 1>reality shows birth from them. Do we get the Playboy

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<v Speaker 1>reality show The Girl's Nex Door in two thousand and

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<v Speaker 1>five without Pam and paris Is sex tapes? If Pam's

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<v Speaker 1>tape had come out a few years later, which she

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<v Speaker 1>and Tommy have had a reality show. Would love to

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<v Speaker 1>know your thoughts. XO XO Gossip Girl. What do you think, guys?

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<v Speaker 1>This is interesting? I mean, I definitely think that she

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<v Speaker 1>that Pam and Tommy would have been offered a reality show.

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<v Speaker 1>The question Pam and Tommy I think of as a

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<v Speaker 1>different scenario. Um. I actually did an episode about some

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<v Speaker 1>of the sex tapes Withnami Fry over at my Side

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<v Speaker 1>Pot Molly Sleusy Friends, where I learned a lot of

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<v Speaker 1>the details about the Pam and Tommy tape, which is

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<v Speaker 1>that it was stolen. It was not you know, released

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<v Speaker 1>by them. It was literally like stolen from a vault

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<v Speaker 1>in their house and released against their will. So that

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<v Speaker 1>to me makes it a very different thing than the

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<v Speaker 1>Paris and Kim tapes, which were at least the Paris

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<v Speaker 1>one that was not released, that was released against her will.

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<v Speaker 1>I think I don't know if that's true. I mean,

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<v Speaker 1>I feel like she see this is. My theory is

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<v Speaker 1>that Paris the tape was actually released against her will.

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<v Speaker 1>Like I believe her on that, and she just did

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<v Speaker 1>a good job of making lemonade out of lemons and

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<v Speaker 1>made a blueprint for it. That then Kim Kardashian, her

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<v Speaker 1>friend of me, could actually mimic um and you know,

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<v Speaker 1>possibly intentionally leak it hoping to follow in the same

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<v Speaker 1>like perfect the model. Basically, I'm gonna say I'm not

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<v Speaker 1>sure a on either Paris. I mean, I am a

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<v Speaker 1>percent sure on Kimp, but I don't think she's ever

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<v Speaker 1>publicly admitted that her mom was the one who was like,

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<v Speaker 1>you should make a sex tape and sell it even

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<v Speaker 1>though that or does she ever need to public The

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<v Speaker 1>thing about the Paris and Kim sex tapes is that

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<v Speaker 1>they're terrible. You know, they're like the sex doesn't look

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<v Speaker 1>fun and they're sort of just like depressing, especially the

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<v Speaker 1>Paris Helton one because it's shot all in night vision.

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<v Speaker 1>Everybody looks like an alien. Um. The Pam and Tommy one,

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<v Speaker 1>even though it was you know, stolen and leaked against

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<v Speaker 1>their will, it's like it's different because it's so romantic.

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<v Speaker 1>You know, they're so in love with each other. And

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<v Speaker 1>that's what makes it feel really intimate, not just that

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<v Speaker 1>you're like, we shouldn't be seeing this because like it's

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<v Speaker 1>their private thing, but that they're on their honeymoon and

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<v Speaker 1>they're super in love with each other, and it feels

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<v Speaker 1>like getting to see like JFK and Maryland together. You know,

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<v Speaker 1>you're just like, oh, yeah, like these people have a

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<v Speaker 1>private life, and it is interesting because like, obviously things

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<v Speaker 1>have changed so much out that nobody would ever like

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<v Speaker 1>make a sex tape. People would just be filming on

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<v Speaker 1>their yachts and streaming it publicly, is what I mean.

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<v Speaker 1>You might not see the sex, but you would see

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<v Speaker 1>all the other stuff. Well, I think also, I mean

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<v Speaker 1>that she she so she brings up Caroline Callaway, who's

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<v Speaker 1>been over the past month or so doing a lot

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<v Speaker 1>of kind of you know, releasing her own nudes and

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<v Speaker 1>stuff like that. I actually haven't totally caught up with

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<v Speaker 1>my Callaway, but I the last I saw was that

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<v Speaker 1>she had posted on Twitter like a picture of her

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<v Speaker 1>nipple or something. She's the point in quarantine where she

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<v Speaker 1>was like, I'm just gonna post nudes, which is like

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<v Speaker 1>a point everybody reaches in quarantine eventually, is it, Like

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<v Speaker 1>what does it matter? You know, just only connect? How

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<v Speaker 1>are you going to connect to people if you're by

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<v Speaker 1>yourself and only have the Internet as a pipeline, Like

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<v Speaker 1>that's a way to feel vulnerable and alive, don't you wonder?

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<v Speaker 1>I mean, I guess it is. It's an income source

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<v Speaker 1>and only fans, which I just learned about from you guys,

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<v Speaker 1>like no time ago. Because so she you know, people

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<v Speaker 1>are mad at her only fans because they're like, your

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<v Speaker 1>co opting sex work for like something else that's just

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<v Speaker 1>sort of like Instagram plus and like male sex workers

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<v Speaker 1>do stuff like this to make a living, and like

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<v Speaker 1>you're not doing it the right way. And then Caroline

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<v Speaker 1>is very like, who's you know? I just want to

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<v Speaker 1>be part of this, like we're all the same. But

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<v Speaker 1>she has charging a lot for her How much is

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<v Speaker 1>she charging fifty a month? I think? But then I

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<v Speaker 1>was a lot. Who am I to like tell people

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<v Speaker 1>not to use whatever they have to make money off

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<v Speaker 1>the internet? Right now? That's true. Also, I think if

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<v Speaker 1>Caroline Calloway thinks that people pay like fifty dollars a

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<v Speaker 1>month for an occasional nip slip, like she'll learn, she'll

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<v Speaker 1>it's better than that. It's better than that. Okay, she

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<v Speaker 1>does more. She's doing cause play as I mean female

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<v Speaker 1>characters of literate Sure, but like doesn't want to be

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<v Speaker 1>doing that with its smart for it's like perfect. She's

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<v Speaker 1>doing like Elizabeth Bennett gets naked. She was doing Miss

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<v Speaker 1>Honey from Matilda the other day. Is this really? Yeah?

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<v Speaker 1>I think that's I mean honestly, like I'm not mad,

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<v Speaker 1>like actually like only fans I feel like, I mean,

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<v Speaker 1>I'm not positive on this, but it appeared to me,

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<v Speaker 1>and I'm also like not feel free to correct me,

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<v Speaker 1>but it seemed to me the only Fans was kind

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<v Speaker 1>of invented, like in the way that, um, what was

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<v Speaker 1>that original platform for celebrities to put their stuff on

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<v Speaker 1>their photos that like lasted for maybe two years of

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<v Speaker 1>early Twitter? What was I don't know, do you know

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<v Speaker 1>what I'm talking about? That was like all these celebrities

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<v Speaker 1>had this place. It was like and it was just

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<v Speaker 1>like Peter down because nobody really felt like keeping up

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<v Speaker 1>this whole separate profile. But it's just like that like

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<v Speaker 1>somebody decided like, oh, you can monetize like your premium

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<v Speaker 1>content on so if you're like getting a lot of

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<v Speaker 1>hits for free on social and then obviously it gets

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<v Speaker 1>co opted by people in the adult sector and and

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<v Speaker 1>like very logically like that that makes sense. But I

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<v Speaker 1>don't feel like Only Fans was set up as an

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<v Speaker 1>adult site. It just very obviously lent itself to that.

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<v Speaker 1>So I don't think it's a co opting anything. I mean,

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<v Speaker 1>I think it's known best as an adult site. I

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<v Speaker 1>think that I don't know, the politics of the nude

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<v Speaker 1>trade market are difficult, you know, I think, well, I

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<v Speaker 1>think one thing that that's interesting is how, you know,

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<v Speaker 1>Only Fans and kind of giving the content creator full

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<v Speaker 1>creative control over who gets to see their nudes and

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<v Speaker 1>who benefits from that, being the creator not someone who

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<v Speaker 1>steals and leaks a tape or whatever? Is that? Now?

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<v Speaker 1>Can we agree that that's like somewhat empowering and better.

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<v Speaker 1>I mean, on the one hand, I think that it's

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<v Speaker 1>great to eliminate the market for like, you know, oh, look,

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<v Speaker 1>we have a sex tape that we stole from a

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<v Speaker 1>vault and we're going to release it. Like it kind

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<v Speaker 1>of negates the like blackmail aspect. And I know a

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<v Speaker 1>lot of people recently have been getting the spammy messages

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<v Speaker 1>of like, well, we saw what was on your laptop,

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<v Speaker 1>what your laptop captured, which of course is a it's

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<v Speaker 1>a great time to do horrible blackmail extortion like that

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<v Speaker 1>to people because we're all just sitting here in front

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<v Speaker 1>of our laptops constantly. Um. I was telling my husband,

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<v Speaker 1>I was like, wouldn't it be awful if they like

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<v Speaker 1>hacked my my laptop and they found like all of

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<v Speaker 1>the me setting up zoom meetings where I'm just like

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<v Speaker 1>like fumbling with my headphones. It's like worse than any

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<v Speaker 1>nude but it's I'm I'm happy that, like you know,

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<v Speaker 1>people have now creative control and they're able to be like, Okay,

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<v Speaker 1>I will totally benefit from releasing these only fans is

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<v Speaker 1>like positive. It's like it's needed because all of the

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<v Speaker 1>other social platforms have more or less banned nudes. Um

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<v Speaker 1>and Instagram will just sensor community or kick you off

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<v Speaker 1>for nudity. So for a lot of people who if

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<v Speaker 1>their job is in any way tied to like, yeah,

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<v Speaker 1>selling pictures of themselves, um, only fansism is a better

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<v Speaker 1>platform and like more of a direct way to get

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<v Speaker 1>money for doing it for the people that are doing

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<v Speaker 1>it themselves. So yeah, it's like you can put out

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<v Speaker 1>the middleman of the sun and whatever. I mean, there's

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<v Speaker 1>still a middleman. I'm sure you're still like paying a

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<v Speaker 1>you know, it's probably Patreon or whatever. Yeah, it is

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<v Speaker 1>like Patreon, That's what I'm saying. It's like I think

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<v Speaker 1>it's all content and like I really don't care if

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<v Speaker 1>somebody is selling like you know, their body or their podcasts,

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<v Speaker 1>Like it's all kind of the same thing to me,

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<v Speaker 1>you know. Yeah, And it's like it's certainly it's like

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<v Speaker 1>everything is more empowering than having a sex tape linked

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<v Speaker 1>against your will and you know, having to respond to

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<v Speaker 1>that either defensively or progressively. Most Yeah, like a lot

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<v Speaker 1>of sex workers can't make the living on just the nudes.

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<v Speaker 1>Like they also ate podcasts and you know, other other

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<v Speaker 1>jobs like yeah, everybody has five hustles and the idea

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<v Speaker 1>that some people, I mean, there's definitely just been an

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<v Speaker 1>argument overall since the virus started. Were all these like

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<v Speaker 1>I understand this, like a lot of just like regular

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<v Speaker 1>NORMI people were like, guess I'm going to start an

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<v Speaker 1>only fans to like make that sweet sweet only fans money.

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<v Speaker 1>And because I'm a millionaire and I don't think you're

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<v Speaker 1>going to become a millionaire. You're not sure, but like

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<v Speaker 1>I think a lot of the other people that you know,

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<v Speaker 1>we're already doing that. We're like, we don't need more

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<v Speaker 1>people doing this. And also like nobody has money, so

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<v Speaker 1>it's not like everyone is going to become rich off

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<v Speaker 1>only fans. So like leave it to the press question

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<v Speaker 1>what would be your earnings floor for doing an only fans?

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<v Speaker 1>Like if if if you set up an only fans,

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<v Speaker 1>what would be the minimum amount of money it would

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<v Speaker 1>take for you to be like post intend on how much?

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<v Speaker 1>How much per picture? Like what it evens out to

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<v Speaker 1>for Well, that's my question per photo? What would be

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<v Speaker 1>your minimum? You know, you can think of like a

0:12:10.880 --> 0:12:13.480
<v Speaker 1>sex tape as like a great way to launch a

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<v Speaker 1>reality career if that's what you want. And that's clearly

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<v Speaker 1>been successful for a very small number of people, but

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<v Speaker 1>still they're there. But with only fans, I'm like, I mean,

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<v Speaker 1>especially this is coming we're recording on Friday, there were

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<v Speaker 1>there were just you know, a huge, massive number of

0:12:29.840 --> 0:12:32.800
<v Speaker 1>layoffs in media. Again today it's obviously it's just going

0:12:32.840 --> 0:12:35.640
<v Speaker 1>to keep going like this, So it is kind of

0:12:36.000 --> 0:12:39.200
<v Speaker 1>something to ponder not that I'm particularly I am not

0:12:39.360 --> 0:12:42.480
<v Speaker 1>pondering it, but I am a little just in terms

0:12:42.600 --> 0:12:46.520
<v Speaker 1>of like what what I mean it's like with cameo,

0:12:46.760 --> 0:12:50.480
<v Speaker 1>Like how much money could could and realistically make on cameo.

0:12:50.520 --> 0:12:53.520
<v Speaker 1>It is just I don't think most people are making

0:12:53.559 --> 0:12:58.360
<v Speaker 1>money on cameo or only fans to like actually support themselves.

0:12:58.440 --> 0:13:01.800
<v Speaker 1>It's supplemental. Yeah, Like like very few people on Patreon

0:13:01.800 --> 0:13:04.400
<v Speaker 1>are actually making the bulk of their living on Patreon.

0:13:04.520 --> 0:13:06.760
<v Speaker 1>It's like, and I've seen people treating about it that,

0:13:06.800 --> 0:13:09.000
<v Speaker 1>Like people have this fantasy of like, oh, I could

0:13:09.080 --> 0:13:11.640
<v Speaker 1>just like you know, post some feet picks and make

0:13:11.800 --> 0:13:15.800
<v Speaker 1>make some money. Uh, And like that's probably not how

0:13:15.800 --> 0:13:22.280
<v Speaker 1>it's gonna work for with these people haven't had a

0:13:22.320 --> 0:13:26.319
<v Speaker 1>blog called Wipe your feet for many years, I know everything.

0:13:27.600 --> 0:13:30.319
<v Speaker 1>I think Jamie Loft has got on some like uh

0:13:30.720 --> 0:13:35.600
<v Speaker 1>celeb feet you know website. That's the scarier thing actually

0:13:35.760 --> 0:13:38.800
<v Speaker 1>is like even if you don't post pictures of yourself,

0:13:38.840 --> 0:13:42.120
<v Speaker 1>people are looking for them. Yeah, Like definitely some semi

0:13:42.120 --> 0:13:44.680
<v Speaker 1>famous people that I know I've seen. It's like people

0:13:44.679 --> 0:13:47.959
<v Speaker 1>will take their photos from Instagram and Facebook and stuff

0:13:47.960 --> 0:13:50.400
<v Speaker 1>and be like, look, their feet are showing in this photo.

0:13:51.000 --> 0:13:53.720
<v Speaker 1>Here's a collection of all the like feet picks of

0:13:53.920 --> 0:13:58.760
<v Speaker 1>this person. The when you start realizing like the foot

0:13:58.800 --> 0:14:01.920
<v Speaker 1>pick market this and then you just fall into that

0:14:02.080 --> 0:14:05.200
<v Speaker 1>rabbit hole. It's astounding. It's like I would I don't

0:14:05.280 --> 0:14:08.000
<v Speaker 1>care who looks at my if I could make five

0:14:08.440 --> 0:14:10.760
<v Speaker 1>thousand dollars, Like you wouldn't believe the things I'd have

0:14:10.800 --> 0:14:13.720
<v Speaker 1>my feet be doing. Maybe the greatest shift in in

0:14:13.920 --> 0:14:18.719
<v Speaker 1>millennium era Internet is like the scales falling off our

0:14:18.840 --> 0:14:23.120
<v Speaker 1>eyes in regards to fill in the blank feet as

0:14:23.120 --> 0:14:30.200
<v Speaker 1>a search. That's just it's just for everyone, you know. Um,

0:14:30.200 --> 0:14:32.400
<v Speaker 1>we're going to take a quick break and when we

0:14:32.520 --> 0:14:49.040
<v Speaker 1>come back, some spooky quarantine times. Welcome back to night call.

0:14:49.480 --> 0:14:51.360
<v Speaker 1>I was just thinking about one thing that I talked

0:14:51.400 --> 0:14:53.640
<v Speaker 1>about a lot, is like the rubicon also of when

0:14:53.680 --> 0:14:55.920
<v Speaker 1>you could see nudity on the Internet versus when you

0:14:55.920 --> 0:14:58.200
<v Speaker 1>had to seek it out yourself, and how that is

0:14:58.240 --> 0:15:01.280
<v Speaker 1>like the big generation gap and my mom mind is

0:15:01.960 --> 0:15:05.240
<v Speaker 1>people who had to find sex scenes just watch sex

0:15:05.240 --> 0:15:08.520
<v Speaker 1>scenes in movies on like HBO. That was the best

0:15:08.560 --> 0:15:11.200
<v Speaker 1>you were going to get. Um. So there's a big

0:15:11.200 --> 0:15:13.840
<v Speaker 1>plotline on Real Houseves with Beverly Hills about Denise Richards

0:15:13.880 --> 0:15:16.440
<v Speaker 1>being upset that somebody was talking about how they had

0:15:16.440 --> 0:15:18.880
<v Speaker 1>a threesome at a party and she was worried or

0:15:18.920 --> 0:15:21.400
<v Speaker 1>kids could hear. And I was like, that is so

0:15:21.560 --> 0:15:24.440
<v Speaker 1>interesting because she is in one of the most famous

0:15:24.880 --> 0:15:28.680
<v Speaker 1>screen threesomes of all time. Like, have their kids never

0:15:28.720 --> 0:15:31.560
<v Speaker 1>looked up their mom and seen like wild things? Your

0:15:31.560 --> 0:15:35.320
<v Speaker 1>mom in a hot three kids? They're like young teens

0:15:35.320 --> 0:15:37.880
<v Speaker 1>and she's very protective of that because their dad is

0:15:37.960 --> 0:15:40.360
<v Speaker 1>Charlie Sheen and she's like, we don't want them to

0:15:40.400 --> 0:15:44.040
<v Speaker 1>know all the things their dad has done. Um. She's

0:15:44.080 --> 0:15:46.920
<v Speaker 1>married to this guy now who explained his job on

0:15:46.920 --> 0:15:49.600
<v Speaker 1>an episode last week and it was just like truly

0:15:49.680 --> 0:15:52.320
<v Speaker 1>sublime television because he talked for a full minute about

0:15:52.360 --> 0:15:54.600
<v Speaker 1>what he does for a living and nobody could understand

0:15:54.600 --> 0:15:57.720
<v Speaker 1>what it was because he was like everything science has

0:15:57.760 --> 0:16:01.239
<v Speaker 1>told you is a lie. They're vibrations in the universe.

0:16:01.800 --> 0:16:06.120
<v Speaker 1>Our bodies can heal themselves with sound. Um. And he

0:16:06.240 --> 0:16:08.160
<v Speaker 1>was sitting next to a very stoned person who kept

0:16:08.160 --> 0:16:12.000
<v Speaker 1>being like wow, yes, um. And the craziest part was

0:16:12.040 --> 0:16:14.360
<v Speaker 1>then Lisa Rinna jumped in to be like, wait, what

0:16:14.400 --> 0:16:17.240
<v Speaker 1>are you talking about? My husband, Harry Hamlin actually works

0:16:17.240 --> 0:16:20.200
<v Speaker 1>in the field of nuclear fusion, which it turns out

0:16:20.280 --> 0:16:23.920
<v Speaker 1>he does. What Um, She was like, nothing you're saying

0:16:23.960 --> 0:16:26.640
<v Speaker 1>makes any real scientific sense. And then Denny Churches and

0:16:26.680 --> 0:16:28.720
<v Speaker 1>her husband, we're like, we can't talk about it too much.

0:16:28.760 --> 0:16:32.960
<v Speaker 1>Sometimes we are followed for talking about it. So I

0:16:33.000 --> 0:16:36.680
<v Speaker 1>looked into what he does. Obviously, it is a healing

0:16:36.720 --> 0:16:40.760
<v Speaker 1>center in Malibu. Um it's called I think three sixty

0:16:40.800 --> 0:16:46.160
<v Speaker 1>Wellness and basically it's sound baths. It's like play vibrational

0:16:46.280 --> 0:16:51.840
<v Speaker 1>tones at you and sometimes do lights. Uh Yolanda Hadid

0:16:51.920 --> 0:16:55.680
<v Speaker 1>Foster is a famous visitor to This is the one

0:16:55.760 --> 0:16:58.320
<v Speaker 1>that Jane Marie went to on the last season of

0:16:59.080 --> 0:17:03.400
<v Speaker 1>the same same idea. It's healing, it's positive healing, vibrations stuff.

0:17:03.400 --> 0:17:06.320
<v Speaker 1>So Denise Richards was showing the other day in a

0:17:06.359 --> 0:17:09.359
<v Speaker 1>magazine for a whistle that she owns that is called

0:17:09.440 --> 0:17:13.919
<v Speaker 1>the love whistle that only blows at I believe it

0:17:14.000 --> 0:17:19.199
<v Speaker 1>is five hundred and forty eight hurts hurts, which is

0:17:19.240 --> 0:17:24.800
<v Speaker 1>the loving calm vibration. What does five h hurts sound like? Well?

0:17:24.840 --> 0:17:27.920
<v Speaker 1>I went to YouTube to find out and there's a

0:17:28.040 --> 0:17:32.000
<v Speaker 1>clip there's like, yeah, play play a little of the vibration.

0:17:32.200 --> 0:17:35.240
<v Speaker 1>It's just that just whistle foot. It's just like a no.

0:17:35.920 --> 0:17:38.320
<v Speaker 1>But when I looked it up on YouTube, there were

0:17:38.359 --> 0:17:43.240
<v Speaker 1>all these like five hour Hurts videos and they just

0:17:43.359 --> 0:17:45.160
<v Speaker 1>kind of are like new age music, and then every

0:17:45.160 --> 0:17:49.880
<v Speaker 1>once in a while it goes like that's higher pitch

0:17:49.960 --> 0:17:53.240
<v Speaker 1>than I would have thought. Um, But I got an

0:17:53.280 --> 0:17:57.399
<v Speaker 1>ad on the YouTube video from a super weird ad

0:17:57.440 --> 0:18:02.120
<v Speaker 1>that was super Nightcall that was something called the EPOC Times.

0:18:02.320 --> 0:18:04.280
<v Speaker 1>Oh I think I know about this? Is this like

0:18:04.320 --> 0:18:07.480
<v Speaker 1>a somewhat like religious or new age. Well, it was

0:18:07.520 --> 0:18:09.960
<v Speaker 1>an ad that was like two white people in a

0:18:10.080 --> 0:18:13.960
<v Speaker 1>kitchen being like, hey, what do you know about the coronavirus? Oh? Well,

0:18:14.000 --> 0:18:16.240
<v Speaker 1>I actually just read in this newspaper that it was

0:18:16.320 --> 0:18:19.640
<v Speaker 1>created by the Chinese Communist Party. And then they opened

0:18:19.640 --> 0:18:23.679
<v Speaker 1>this newspaper and they're like, check out this spread about

0:18:23.720 --> 0:18:27.840
<v Speaker 1>the CCP virus um and it was like it was

0:18:27.920 --> 0:18:29.919
<v Speaker 1>made in a lab by the CCP. So I like

0:18:30.000 --> 0:18:33.040
<v Speaker 1>looked into this and it turns out EPOC Times is

0:18:33.119 --> 0:18:38.520
<v Speaker 1>the media arm of uh Foulon Gong, which also puts

0:18:38.560 --> 0:18:43.000
<v Speaker 1>on chan Yon uh Um so Foulon Goong hate the

0:18:43.040 --> 0:18:47.960
<v Speaker 1>CCP because they were expelled from practicing in China because

0:18:48.000 --> 0:18:50.240
<v Speaker 1>they were getting too big, and also because they are

0:18:50.760 --> 0:18:55.240
<v Speaker 1>a cult sort of UM, so they hate so they're

0:18:55.320 --> 0:18:57.960
<v Speaker 1>just funding all this right wing propaganda, this anti anti

0:18:58.080 --> 0:19:00.639
<v Speaker 1>Chinese propaganda. UM. And then I treated about it and

0:19:00.640 --> 0:19:02.520
<v Speaker 1>everybody was like, oh, I got that in my in

0:19:02.600 --> 0:19:07.040
<v Speaker 1>my mailbox and I didn't know what it was. UM,

0:19:07.080 --> 0:19:10.320
<v Speaker 1>that's my story. That's very that's more nightcall than I

0:19:10.320 --> 0:19:13.040
<v Speaker 1>would have thought based on I was like Denise Richard's

0:19:13.440 --> 0:19:16.199
<v Speaker 1>love Well. I was like, I was like, am I

0:19:16.240 --> 0:19:18.000
<v Speaker 1>only getting this on? I was like, first of all,

0:19:18.000 --> 0:19:21.120
<v Speaker 1>YouTube is clearly just showing propaganda, like far right wing

0:19:21.160 --> 0:19:25.159
<v Speaker 1>propaganda and you know, misinformation, conspiracy theories that say the

0:19:25.240 --> 0:19:27.119
<v Speaker 1>lab was made in the virus is made in a

0:19:27.200 --> 0:19:30.920
<v Speaker 1>lab in China. Um. But then people who were saying

0:19:30.920 --> 0:19:32.800
<v Speaker 1>people told me they got it just on all kinds

0:19:32.800 --> 0:19:34.879
<v Speaker 1>of YouTube content. They were like, no, it wasn't just

0:19:34.920 --> 0:19:38.000
<v Speaker 1>because you looked at something new. AG. It came up

0:19:38.000 --> 0:19:41.240
<v Speaker 1>when I like looked up a recipe or something. They're

0:19:41.280 --> 0:19:43.639
<v Speaker 1>just buying all the ad time on YouTube because they

0:19:43.680 --> 0:19:47.840
<v Speaker 1>got banned from Facebook. I mean it seems like that

0:19:48.119 --> 0:19:52.840
<v Speaker 1>like that Epic Times and UM and Uh Shenyan are

0:19:52.880 --> 0:19:55.679
<v Speaker 1>both like for whatever reason, people are happy to like

0:19:56.119 --> 0:19:58.880
<v Speaker 1>let them advertise as much as their money can can

0:19:58.920 --> 0:20:02.880
<v Speaker 1>carry them. So I don't know what's up with that.

0:20:03.200 --> 0:20:07.800
<v Speaker 1>But there's still like shen Yan banners everywhere, because I

0:20:07.800 --> 0:20:10.159
<v Speaker 1>think there was supposed to be a show before in

0:20:10.200 --> 0:20:14.800
<v Speaker 1>the before times, and now there's still shen Yan posters. Yeah,

0:20:14.960 --> 0:20:18.520
<v Speaker 1>it's only for two thousand and six. Also, like chen

0:20:18.560 --> 0:20:21.080
<v Speaker 1>Yan hasn't been around that it hasn't been around for

0:20:21.080 --> 0:20:25.000
<v Speaker 1>a thousand years. Well, the ancient tradition of dance has

0:20:25.040 --> 0:20:28.119
<v Speaker 1>been around for a thing. But obviously they're doing a

0:20:28.200 --> 0:20:33.879
<v Speaker 1>kind of propaganda of like let's go back to ancient times. Um.

0:20:33.920 --> 0:20:37.920
<v Speaker 1>But also you know they're they're the belief by people

0:20:37.920 --> 0:20:42.520
<v Speaker 1>in Fouanong that their organs for being harvested is also

0:20:42.640 --> 0:20:46.040
<v Speaker 1>possibly true. I don't know for sure about that part.

0:20:46.760 --> 0:20:48.760
<v Speaker 1>I'm like not willing to pick a horse in this

0:20:48.840 --> 0:20:51.960
<v Speaker 1>race between the CCP and found gun to kind of

0:20:51.960 --> 0:20:55.880
<v Speaker 1>going to be honest, like I don't have I don't

0:20:55.920 --> 0:20:58.399
<v Speaker 1>have a horse in this time. Well, I mean my

0:20:58.480 --> 0:21:03.120
<v Speaker 1>horse is like not spreading misinformation about how the virus

0:21:03.240 --> 0:21:08.520
<v Speaker 1>was made, you know, a big, big public platform. It's

0:21:08.520 --> 0:21:10.199
<v Speaker 1>sucked up because a lot of dumb people are going

0:21:10.240 --> 0:21:12.240
<v Speaker 1>to see that and be like, oh, in a newspaper

0:21:12.840 --> 0:21:15.359
<v Speaker 1>speaking of that, an article about ghosts in the New

0:21:15.440 --> 0:21:20.040
<v Speaker 1>York Times. Oh God, okay, guys, So I'm forcing everyone

0:21:20.080 --> 0:21:22.960
<v Speaker 1>to talk about haunted houses this week. I found the

0:21:23.000 --> 0:21:25.880
<v Speaker 1>flimsiest connection to Y two K that I'm totally going

0:21:25.960 --> 0:21:29.440
<v Speaker 1>to exploit just to be able to talk about these things. Um.

0:21:30.080 --> 0:21:34.400
<v Speaker 1>So this started off because I saw that Chris Maloney

0:21:34.520 --> 0:21:39.200
<v Speaker 1>Um from Lawn Order Spew is selling his haunted house. Uh.

0:21:39.240 --> 0:21:41.879
<v Speaker 1>He bought it a few years ago. It originally belonged

0:21:41.920 --> 0:21:45.640
<v Speaker 1>to Ozzie and Harriet Nelson Um and also was used

0:21:45.680 --> 0:21:49.720
<v Speaker 1>as Ari Gold's house in Entourage. It's a very beautiful house,

0:21:49.800 --> 0:21:53.040
<v Speaker 1>so I was immediately quite taken by the taste of

0:21:53.040 --> 0:21:58.640
<v Speaker 1>the ghost who lives inside. Yes, yes, super trad It's

0:21:59.000 --> 0:22:01.120
<v Speaker 1>it's in the Hollywood Else kind of like Hollywood Hells

0:22:01.160 --> 0:22:03.680
<v Speaker 1>West um, and it it has like, yeah, like kind

0:22:03.680 --> 0:22:08.600
<v Speaker 1>of the nineteen forties or whatever, cape Coddish exterior. But

0:22:08.800 --> 0:22:13.159
<v Speaker 1>every person who's lived there since Azzie and Harriet have

0:22:13.359 --> 0:22:16.040
<v Speaker 1>claimed it's been haunted. And I think the same realtor

0:22:16.440 --> 0:22:19.240
<v Speaker 1>has handled every sale of this house and he's kind

0:22:19.240 --> 0:22:23.160
<v Speaker 1>of capitalizing on the reputation, which I honestly can't understand

0:22:23.200 --> 0:22:26.119
<v Speaker 1>because right now, at this moment in time, seems like

0:22:26.240 --> 0:22:29.400
<v Speaker 1>a time when even adventurous buyers who might think like, oh,

0:22:29.440 --> 0:22:32.159
<v Speaker 1>I'm you know, I don't mind a haunted house, Like

0:22:32.200 --> 0:22:34.960
<v Speaker 1>I'll just prove how brave I am. It's like, I

0:22:34.960 --> 0:22:38.040
<v Speaker 1>don't really see that happening now. Um, But it is

0:22:38.080 --> 0:22:42.120
<v Speaker 1>for sale. But apparently the people who have lived there

0:22:42.160 --> 0:22:46.080
<v Speaker 1>have complained that there's a model train that was Aussie's

0:22:46.240 --> 0:22:49.440
<v Speaker 1>train in what's called I think the pub room, which

0:22:49.480 --> 0:22:51.159
<v Speaker 1>I and I don't really know what that means. I

0:22:51.200 --> 0:22:52.919
<v Speaker 1>guess there's like a bar in this house with a

0:22:52.920 --> 0:22:55.480
<v Speaker 1>model train, which is creepy enough. But the model train

0:22:55.520 --> 0:22:57.080
<v Speaker 1>will run in the middle of the night and you'll

0:22:57.080 --> 0:23:00.680
<v Speaker 1>hear it your sheets fly off in the night. Um.

0:23:00.720 --> 0:23:03.080
<v Speaker 1>I think I read in one article, because I read

0:23:03.119 --> 0:23:07.080
<v Speaker 1>like about a thousand on this that Auzzy his greatest

0:23:07.160 --> 0:23:09.800
<v Speaker 1>vice was eating a ton of ice cream. And so

0:23:10.080 --> 0:23:12.440
<v Speaker 1>one one of the residents who lived there and moved

0:23:12.480 --> 0:23:15.119
<v Speaker 1>on said that there would be like open like as

0:23:15.160 --> 0:23:16.840
<v Speaker 1>if he were looking for ice cream in the middle

0:23:16.880 --> 0:23:19.919
<v Speaker 1>of the night. The ghost of Azzi. Um, and also

0:23:20.600 --> 0:23:22.720
<v Speaker 1>there was a family who lived there, and they would

0:23:22.760 --> 0:23:26.679
<v Speaker 1>hear like voices of other children from outside being like

0:23:26.800 --> 0:23:30.400
<v Speaker 1>come play, come play, But they were ghost children, so

0:23:30.880 --> 0:23:34.800
<v Speaker 1>they weren't real. Um. Separately, though, the New York Times

0:23:34.800 --> 0:23:39.200
<v Speaker 1>had reported that there were people who were quarantining in houses,

0:23:39.240 --> 0:23:42.440
<v Speaker 1>and then after quarantining in these houses either rental properties

0:23:42.520 --> 0:23:45.520
<v Speaker 1>or vacation homes or whatever, uh, they were complaining that

0:23:45.560 --> 0:23:49.480
<v Speaker 1>they were newly haunted. So one man said that his

0:23:49.560 --> 0:23:52.480
<v Speaker 1>window shades kept fluttering even though the window was closed

0:23:52.480 --> 0:23:55.640
<v Speaker 1>and there were no critters around. A couple in Massachusetts

0:23:55.680 --> 0:23:59.560
<v Speaker 1>described seeing a kitchen apparition, I quote, a white man

0:23:59.640 --> 0:24:02.240
<v Speaker 1>in his fifty is wearing a well worn World War

0:24:02.320 --> 0:24:05.879
<v Speaker 1>two era military uniform and caps, sitting at the table.

0:24:06.560 --> 0:24:09.000
<v Speaker 1>So the New York Times got ahold of a paranormal

0:24:09.080 --> 0:24:14.080
<v Speaker 1>researcher who said that the jump in haunting reports UM

0:24:14.280 --> 0:24:17.360
<v Speaker 1>and also I guess some UFO reports. He said, Oh

0:24:17.480 --> 0:24:19.840
<v Speaker 1>I I remember I saw this in during Y two

0:24:19.920 --> 0:24:23.280
<v Speaker 1>K and it's a reflection of you know, just like

0:24:23.320 --> 0:24:25.919
<v Speaker 1>the heightened anxiety. But I mean it makes sense that

0:24:25.960 --> 0:24:28.600
<v Speaker 1>it would be even more prevalent now because we're all

0:24:28.640 --> 0:24:31.399
<v Speaker 1>trapped in our houses that our houses our entire world.

0:24:31.440 --> 0:24:34.320
<v Speaker 1>So it's like any kind of anxiety you have about

0:24:34.600 --> 0:24:37.960
<v Speaker 1>the outside world kind of creeps in and manifests with

0:24:38.040 --> 0:24:41.959
<v Speaker 1>these visions and fascinating. It's like, I know, were they

0:24:42.000 --> 0:24:44.760
<v Speaker 1>all rental houses in the New York Times article? Or

0:24:45.280 --> 0:24:47.080
<v Speaker 1>I think one of them may have belonged to the

0:24:47.080 --> 0:24:49.200
<v Speaker 1>person It was just a house upstate. And then the

0:24:49.800 --> 0:24:52.720
<v Speaker 1>couple who saw the World War two guy, I think

0:24:52.720 --> 0:24:55.480
<v Speaker 1>that was an airbnb because I was just I was

0:24:55.600 --> 0:24:58.399
<v Speaker 1>just thinking, like, I feel like I've experienced this a

0:24:58.440 --> 0:25:01.720
<v Speaker 1>little bit, even though I moved the very beginning of lockdown.

0:25:02.320 --> 0:25:05.399
<v Speaker 1>Just the amount of time you spend at home makes

0:25:05.440 --> 0:25:08.480
<v Speaker 1>you so much more tuned to I feel like every

0:25:08.520 --> 0:25:12.360
<v Speaker 1>single vibration and creek and sound in your house. I've

0:25:12.400 --> 0:25:15.679
<v Speaker 1>definitely had nights where I'm trying to get to sleep

0:25:15.720 --> 0:25:19.440
<v Speaker 1>and I hear something in in out in the living room,

0:25:19.480 --> 0:25:21.640
<v Speaker 1>and I suddenly start to go into panic, like home

0:25:21.680 --> 0:25:25.600
<v Speaker 1>invasion mode, and it's just like it's like it's like

0:25:25.640 --> 0:25:28.720
<v Speaker 1>you've been in a in like a sealed environment, and

0:25:28.760 --> 0:25:32.840
<v Speaker 1>so you're you're so much more sensitized to everything. It's

0:25:32.840 --> 0:25:35.280
<v Speaker 1>like it feels like that kind of effect where that's

0:25:35.280 --> 0:25:38.119
<v Speaker 1>absolutely and and the the kind of ambient sounds have

0:25:38.240 --> 0:25:41.360
<v Speaker 1>changed so much because there's less traffic, there's less air traffic,

0:25:41.640 --> 0:25:45.200
<v Speaker 1>so everything is is heightened, like the quiet noises that

0:25:45.240 --> 0:25:47.800
<v Speaker 1>were drowned out before seemed louder. But yeah, also just

0:25:47.880 --> 0:25:51.280
<v Speaker 1>I think, you know, inhabiting your house as if it

0:25:51.320 --> 0:25:54.960
<v Speaker 1>were a whole universe. At this point, talk about why

0:25:55.000 --> 0:25:57.680
<v Speaker 1>the Aussie and Harriet house might be haunted. Generally though,

0:25:58.359 --> 0:26:01.240
<v Speaker 1>it's because he died Aussie died in the house. No,

0:26:01.359 --> 0:26:04.880
<v Speaker 1>it's because Ricky Nelson died in a plane crash tragically,

0:26:04.920 --> 0:26:08.359
<v Speaker 1>their son. But he wasn't they it's the ghost of

0:26:08.359 --> 0:26:11.440
<v Speaker 1>Azzie is the one that they claim as what I'm

0:26:11.520 --> 0:26:18.359
<v Speaker 1>learning is that apparently Azzie was a dictatorial personality who

0:26:18.760 --> 0:26:21.359
<v Speaker 1>robbed his sons of their childhood by making them go

0:26:21.400 --> 0:26:25.520
<v Speaker 1>into show business. Well, I mean, the whole family was

0:26:25.720 --> 0:26:28.879
<v Speaker 1>I cannot imagine. They were like basically the first reality

0:26:29.000 --> 0:26:33.159
<v Speaker 1>TV family, right because it wasn't really reality TV, but

0:26:33.320 --> 0:26:36.879
<v Speaker 1>well there was a whole inviting them into our living room.

0:26:36.920 --> 0:26:41.280
<v Speaker 1>And Ricky Nelson also had a kid and then had

0:26:41.320 --> 0:26:43.680
<v Speaker 1>to have a shotgun wedding because he knocked up a

0:26:43.760 --> 0:26:47.080
<v Speaker 1>girlfriend and they were like, let's pretend they've already gotten

0:26:47.080 --> 0:26:51.639
<v Speaker 1>married and the babies being born prematurely. Now, well, I

0:26:51.640 --> 0:26:53.719
<v Speaker 1>don't know if it was the same grandchild, but one

0:26:53.760 --> 0:26:57.199
<v Speaker 1>of Ozzie and Harriett's grandchildren comments on articles about the

0:26:57.240 --> 0:27:00.360
<v Speaker 1>house um, and she says that when she would play

0:27:00.400 --> 0:27:03.200
<v Speaker 1>there as a child, that she felt that it was haunted,

0:27:03.280 --> 0:27:05.560
<v Speaker 1>and that like everyone in their family knows that house

0:27:05.640 --> 0:27:09.880
<v Speaker 1>is haunted and has witnessed it haunted by show business.

0:27:09.920 --> 0:27:15.840
<v Speaker 1>It is the ghosts of show Um. There's one less

0:27:15.880 --> 0:27:19.560
<v Speaker 1>scary thing related to quarantine but not ghosts, that I

0:27:19.640 --> 0:27:22.600
<v Speaker 1>wanted to make you guys talk about, which is um

0:27:22.640 --> 0:27:27.360
<v Speaker 1>the robotic dog Spot, who is known for being terrifying,

0:27:27.400 --> 0:27:29.399
<v Speaker 1>looking like he looks like he's from Black Mirror. He

0:27:29.520 --> 0:27:34.960
<v Speaker 1>has no head but robotic legs like why not put out? Yes,

0:27:36.600 --> 0:27:39.040
<v Speaker 1>we've talked about Spot before. It's the exact same one.

0:27:39.080 --> 0:27:43.480
<v Speaker 1>So he's being used in Singapore now to enforce social distancing.

0:27:44.000 --> 0:27:46.960
<v Speaker 1>So Um, he's remote controlled, but they want him to

0:27:47.000 --> 0:27:49.720
<v Speaker 1>be fully automated at some point and he roams around

0:27:49.800 --> 0:27:52.120
<v Speaker 1>he or she. I guess she had a female voice

0:27:52.119 --> 0:27:54.080
<v Speaker 1>in the Al Jazeera video that I watched, but I

0:27:54.640 --> 0:27:58.120
<v Speaker 1>think of him as a boy dog. They okay, so

0:27:58.400 --> 0:28:02.600
<v Speaker 1>Spot they wanders around parks and and admonishes people like

0:28:02.680 --> 0:28:05.280
<v Speaker 1>he's like a narc. He's like stern more. You know,

0:28:05.359 --> 0:28:08.480
<v Speaker 1>you need to leave six feet and stuff. There's something

0:28:08.520 --> 0:28:11.760
<v Speaker 1>about Spot that on They can't knock you over, or

0:28:11.800 --> 0:28:14.439
<v Speaker 1>can they? I don't think. I don't think Spot is

0:28:14.480 --> 0:28:17.320
<v Speaker 1>currently allowed to knock you over, But I'm saying the

0:28:17.320 --> 0:28:21.680
<v Speaker 1>capability like stalking people in the park though it's I

0:28:21.440 --> 0:28:25.480
<v Speaker 1>I find I find the slow creep so much more

0:28:25.560 --> 0:28:29.480
<v Speaker 1>unsettling than a full on chase. It's like, I mean,

0:28:29.520 --> 0:28:32.879
<v Speaker 1>I know that's why like twenty eight Days Later felt

0:28:32.920 --> 0:28:36.600
<v Speaker 1>different because the zombies ran, but the zombies who walk,

0:28:36.240 --> 0:28:40.160
<v Speaker 1>so it's still scary and and this has a very

0:28:40.200 --> 0:28:42.400
<v Speaker 1>slow zombie feel to it. It's just sort of like

0:28:42.880 --> 0:28:46.160
<v Speaker 1>trotting along after people in the park. Very and the

0:28:46.200 --> 0:28:48.960
<v Speaker 1>fact that doesn't have a head. Why don't you have

0:28:49.080 --> 0:28:51.680
<v Speaker 1>a head? It just seems like so stupid to me.

0:28:51.720 --> 0:28:53.560
<v Speaker 1>It's like you go to all this trouble to make like,

0:28:53.880 --> 0:28:57.400
<v Speaker 1>you know, to anthropomorphize your your narc robot, but you

0:28:57.480 --> 0:28:59.640
<v Speaker 1>forget to put eyes or a head or a face

0:28:59.720 --> 0:29:02.080
<v Speaker 1>on it. Like I think they're not really trying to

0:29:02.320 --> 0:29:05.280
<v Speaker 1>entropomorphize it. I think that the way that the legs

0:29:05.320 --> 0:29:07.560
<v Speaker 1>are are just like a way to make it the

0:29:07.560 --> 0:29:10.920
<v Speaker 1>most stable, Like it's just kind of taking it's from

0:29:10.960 --> 0:29:13.560
<v Speaker 1>the engineering of It looks like a coffee table that

0:29:13.600 --> 0:29:16.400
<v Speaker 1>can run. To me, it looks like like Linda Hamilton

0:29:16.440 --> 0:29:21.240
<v Speaker 1>and The Exorcist and she's like going down the stairs.

0:29:21.880 --> 0:29:23.960
<v Speaker 1>What about a fight club where we just take baseball

0:29:24.040 --> 0:29:26.640
<v Speaker 1>bats to those things? Well, no, no, This is the

0:29:26.680 --> 0:29:28.680
<v Speaker 1>thing that's the most upsetting is have you seen the

0:29:28.760 --> 0:29:31.760
<v Speaker 1>videos of people beating up and kicking those busts and

0:29:32.040 --> 0:29:38.920
<v Speaker 1>robotics robots. It's really scary because it makes you just think, oh,

0:29:38.960 --> 0:29:42.040
<v Speaker 1>when they get smart enough, they're going to fucking murder us.

0:29:42.880 --> 0:29:47.280
<v Speaker 1>It's so awful to them. I would like to just

0:29:47.320 --> 0:29:49.760
<v Speaker 1>have a fight club against the scooters because I know

0:29:50.200 --> 0:29:54.720
<v Speaker 1>we are no man, they're back. As of a few

0:29:54.760 --> 0:29:57.760
<v Speaker 1>days ago. They're fucking back, Mom, Yes they are. Uh huh.

0:29:57.880 --> 0:30:00.880
<v Speaker 1>I have clocked to scooters on my street. The other day,

0:30:00.920 --> 0:30:03.800
<v Speaker 1>I was driving around just to drive around, not to

0:30:03.800 --> 0:30:06.120
<v Speaker 1>go anywhere, say for at home, but I was driving

0:30:06.120 --> 0:30:08.480
<v Speaker 1>around and I saw like lines and lines of scooters

0:30:08.480 --> 0:30:11.800
<v Speaker 1>and I was like I d bring them. Yeah, they've

0:30:11.800 --> 0:30:15.800
<v Speaker 1>never gone away from you. Were talking on the bonus

0:30:15.840 --> 0:30:21.240
<v Speaker 1>episode about which of the Batman Row Gallery villains the

0:30:21.320 --> 0:30:24.000
<v Speaker 1>three of us are, and Emily said that I was

0:30:24.040 --> 0:30:25.960
<v Speaker 1>Harley Quinn, which I was like, no, no, because I

0:30:26.000 --> 0:30:28.040
<v Speaker 1>have red hair, must be poison ivy. But then thinking

0:30:28.040 --> 0:30:29.880
<v Speaker 1>about how much I want to use a baseball bat

0:30:29.920 --> 0:30:33.200
<v Speaker 1>to hit whever. You're truly and I mean that is

0:30:33.240 --> 0:30:36.280
<v Speaker 1>a great compliment. I think you fixate sometimes too much

0:30:36.320 --> 0:30:38.520
<v Speaker 1>on your ginger nous as you're defining trait, but you

0:30:38.560 --> 0:30:40.840
<v Speaker 1>have so much more to offer, Molly. You can sing

0:30:40.920 --> 0:30:43.479
<v Speaker 1>your baseball bat and destroy all sorts of things, right,

0:30:44.880 --> 0:30:49.200
<v Speaker 1>chaotic good um. But also Emily felt strongly test that

0:30:49.280 --> 0:30:52.720
<v Speaker 1>you were poison ivy because I grow a lot of

0:30:53.160 --> 0:30:55.960
<v Speaker 1>growing like crazy you guys I've been. I didn't argue

0:30:56.000 --> 0:30:59.240
<v Speaker 1>with that. For my husband's birthday, I like kind of

0:30:59.400 --> 0:31:02.040
<v Speaker 1>did like a mine trick to get him to agree

0:31:02.280 --> 0:31:05.800
<v Speaker 1>to have me buy him trees. I was like, what

0:31:05.960 --> 0:31:12.040
<v Speaker 1>you want trees? So he's getting trees that poison it is.

0:31:12.120 --> 0:31:14.240
<v Speaker 1>But I also was like, we have at this point,

0:31:14.280 --> 0:31:16.320
<v Speaker 1>we have like too many because I also go to

0:31:16.360 --> 0:31:18.840
<v Speaker 1>these like tree adoption events. Um. That they have like

0:31:18.920 --> 0:31:20.720
<v Speaker 1>once or twice a year in my neighborhood, and I

0:31:20.760 --> 0:31:24.280
<v Speaker 1>just adopt. What if you can like train train some

0:31:24.360 --> 0:31:26.959
<v Speaker 1>vines to curl around the scooters so they can't be

0:31:27.080 --> 0:31:31.480
<v Speaker 1>used to real quick poison ivy thing. Did you guys

0:31:31.520 --> 0:31:34.040
<v Speaker 1>know you're supposed to shake You're supposed to gently shake

0:31:34.080 --> 0:31:36.840
<v Speaker 1>your trees. No, I don't know what anything about trees.

0:31:37.120 --> 0:31:40.040
<v Speaker 1>I want to know everything. If you gently shake a tree,

0:31:40.400 --> 0:31:42.520
<v Speaker 1>it doesn't have to be your tree, but it makes

0:31:42.920 --> 0:31:45.520
<v Speaker 1>the trunk stronger because it thinks that it's wind, so

0:31:45.600 --> 0:31:51.440
<v Speaker 1>it adopts by making a stronger trunk. But that well,

0:31:51.480 --> 0:31:54.000
<v Speaker 1>if you have trees inside, it wouldn't. And also we're

0:31:54.040 --> 0:31:56.360
<v Speaker 1>now having some breezy times. But you can you can

0:31:56.400 --> 0:31:58.320
<v Speaker 1>do it as long as you kind of condition them.

0:31:58.360 --> 0:32:01.040
<v Speaker 1>You can use some force like mine seems stressed. I've

0:32:01.040 --> 0:32:03.960
<v Speaker 1>been shaking them a lot. I definitely think that just

0:32:04.160 --> 0:32:06.920
<v Speaker 1>being around trees. And maybe this is also because I've

0:32:06.920 --> 0:32:10.200
<v Speaker 1>been playing Final Fantasy seven, as our bonus up was about,

0:32:10.640 --> 0:32:14.280
<v Speaker 1>but I do feel like I need the life force

0:32:14.320 --> 0:32:20.480
<v Speaker 1>of plants in order to like sustain myself. A horrible

0:32:20.480 --> 0:32:22.800
<v Speaker 1>mood yesterday and I was just like super pent up

0:32:22.800 --> 0:32:24.880
<v Speaker 1>and yeah, my boyfriend was like, why don't you just

0:32:24.920 --> 0:32:27.760
<v Speaker 1>go for a walk like down the street, And just

0:32:27.840 --> 0:32:29.960
<v Speaker 1>like as soon as I went outside and saw like

0:32:30.080 --> 0:32:33.840
<v Speaker 1>one plant, I was like, oh life, it is a

0:32:33.960 --> 0:32:37.760
<v Speaker 1>live I forced myself to take like an hour long

0:32:37.800 --> 0:32:40.280
<v Speaker 1>walk every day, even when I really don't want to,

0:32:40.480 --> 0:32:43.800
<v Speaker 1>because there are some wonderful flowers and trees and stuff

0:32:43.800 --> 0:32:47.040
<v Speaker 1>in my neighborhood and if I just like immerse myself

0:32:47.080 --> 0:32:49.160
<v Speaker 1>in them for a while, it does need a lot

0:32:49.160 --> 0:32:52.880
<v Speaker 1>of good. Do you guys know about forest bathing? Oh? Yeah,

0:32:53.080 --> 0:32:55.960
<v Speaker 1>we talked about We've talked about it. Yeah. I feel

0:32:56.000 --> 0:32:59.800
<v Speaker 1>like forest bathing and self grandparenting have become one in

0:32:59.840 --> 0:33:02.720
<v Speaker 1>the same. That's true. We're going to take a quick

0:33:02.760 --> 0:33:05.720
<v Speaker 1>break and when we come back, let me get back

0:33:05.760 --> 0:33:21.720
<v Speaker 1>into Y two K. Welcome back tonight call. So we're

0:33:21.920 --> 0:33:25.760
<v Speaker 1>in the middle of Y to May, and we still

0:33:25.800 --> 0:33:30.960
<v Speaker 1>haven't really talked that much about why two K itself,

0:33:31.320 --> 0:33:35.160
<v Speaker 1>or the year two thousand problem as it is I

0:33:35.200 --> 0:33:38.960
<v Speaker 1>think properly known, and I kind of spent the last

0:33:39.000 --> 0:33:41.960
<v Speaker 1>couple of weeks digging into it and trying to learn

0:33:42.040 --> 0:33:46.160
<v Speaker 1>things that I did not know. I didn't know about

0:33:46.280 --> 0:33:50.320
<v Speaker 1>Y two K because as as we've discussed, we're all

0:33:50.360 --> 0:33:53.800
<v Speaker 1>like teens and not really in charge of things, and

0:33:53.960 --> 0:33:56.040
<v Speaker 1>maybe not the person in the house or at the

0:33:56.080 --> 0:33:58.600
<v Speaker 1>school who needs to worry about things being hy two

0:33:58.680 --> 0:34:02.880
<v Speaker 1>K compliant. But this was like a big thing for

0:34:02.920 --> 0:34:06.040
<v Speaker 1>several years. It was a big marketing thing. It was

0:34:07.280 --> 0:34:11.200
<v Speaker 1>kind of many feel, a big con that was pulled

0:34:11.480 --> 0:34:14.200
<v Speaker 1>on the public to make a buck. So, yeah, I

0:34:14.280 --> 0:34:17.720
<v Speaker 1>wanted to talk about the Y two K not bug

0:34:17.920 --> 0:34:20.839
<v Speaker 1>because it wasn't a bug. It turns out it was

0:34:21.080 --> 0:34:25.480
<v Speaker 1>just a piece of engineering that was not a mistake. Uh,

0:34:25.680 --> 0:34:29.360
<v Speaker 1>because I guess that's what a bug is technically. Um yeah,

0:34:29.400 --> 0:34:34.480
<v Speaker 1>I learned there's another one coming up apparently one. Yeah,

0:34:34.640 --> 0:34:38.400
<v Speaker 1>there's a problem as well in computing like this is

0:34:38.440 --> 0:34:42.120
<v Speaker 1>where our background and being hot and catch fire enthusiasts

0:34:42.160 --> 0:34:46.680
<v Speaker 1>really comes to serve thing. It's a similar thing. It's

0:34:46.680 --> 0:34:52.160
<v Speaker 1>like computers, like older computers just weren't aren't prepared to

0:34:52.200 --> 0:34:57.360
<v Speaker 1>handle the number because of Roman numerals or something very

0:34:57.400 --> 0:35:00.920
<v Speaker 1>simple seeming. I couldn't follow why thirty eight was it

0:35:01.000 --> 0:35:03.600
<v Speaker 1>like I I can, I can grasp why that your

0:35:03.600 --> 0:35:07.600
<v Speaker 1>two thousand was a trouble spot, But don't either it's

0:35:07.640 --> 0:35:11.880
<v Speaker 1>like some something. Yeah, it's just the highest number you

0:35:11.880 --> 0:35:14.800
<v Speaker 1>could program two or something. If you are a computer

0:35:14.920 --> 0:35:18.360
<v Speaker 1>expert who understands this, please give us a night call.

0:35:18.760 --> 0:35:26.160
<v Speaker 1>If you're a computer experiencing, if you're a watchdog robot, um,

0:35:26.400 --> 0:35:29.359
<v Speaker 1>please give us a call, give us a text. Um.

0:35:29.920 --> 0:35:32.840
<v Speaker 1>So I spent the last week or so doing a

0:35:32.920 --> 0:35:35.400
<v Speaker 1>little bit of a speedlessen of Surviving Y two K,

0:35:35.600 --> 0:35:39.600
<v Speaker 1>which was a mini series podcast by damp To Birski,

0:35:39.840 --> 0:35:41.920
<v Speaker 1>who was the guy who did the Richard Simmons podcast,

0:35:41.920 --> 0:35:43.360
<v Speaker 1>which I didn't listen to, and I know a lot

0:35:43.400 --> 0:35:47.320
<v Speaker 1>of people said it was very exploititive. I didn't. I

0:35:47.360 --> 0:35:49.240
<v Speaker 1>didn't get into it because it didn't sound like my

0:35:49.239 --> 0:35:54.279
<v Speaker 1>my my bag necessarily. But he did this one as

0:35:54.280 --> 0:35:59.480
<v Speaker 1>a follow up with topic, and I really dug it.

0:36:00.080 --> 0:36:03.919
<v Speaker 1>I thought it was really lovely. But and it's kind

0:36:03.920 --> 0:36:06.960
<v Speaker 1>of most of it doesn't have that much to do

0:36:07.120 --> 0:36:11.799
<v Speaker 1>with the Y two K problem itself, but um, it's

0:36:11.800 --> 0:36:15.000
<v Speaker 1>sort of book ended by him talking to these programmers

0:36:15.040 --> 0:36:17.480
<v Speaker 1>who were sort of there and started to recognize that

0:36:17.520 --> 0:36:19.720
<v Speaker 1>there was there was an issue. And the thing about

0:36:20.320 --> 0:36:22.799
<v Speaker 1>Y two K is that and I think this makes

0:36:22.800 --> 0:36:26.480
<v Speaker 1>it feel very relevant to talk about now is that

0:36:26.600 --> 0:36:28.960
<v Speaker 1>it was a problem, and it was something that was

0:36:29.040 --> 0:36:31.160
<v Speaker 1>recognized kind of in the mid eighties, mid to late

0:36:31.200 --> 0:36:36.800
<v Speaker 1>eighties UM. First with people's mortgages and stuff. UM. Some

0:36:36.800 --> 0:36:40.480
<v Speaker 1>some like I think some expiration dates on canned meats

0:36:41.040 --> 0:36:44.040
<v Speaker 1>started getting rejected because people thought that the meat was

0:36:44.080 --> 0:36:47.439
<v Speaker 1>like eighty eight years old or something UM, or the

0:36:47.480 --> 0:36:50.239
<v Speaker 1>expiration date was like an eighty eight years or something UM.

0:36:51.320 --> 0:36:59.200
<v Speaker 1>And it did kind of get resolved by about there's

0:36:59.239 --> 0:37:02.399
<v Speaker 1>an article we can link to in the Guardian UM.

0:37:02.480 --> 0:37:06.200
<v Speaker 1>But by the New York Stock Exchange had completed a

0:37:06.239 --> 0:37:08.880
<v Speaker 1>seven year project to correct all its system at a

0:37:08.960 --> 0:37:11.920
<v Speaker 1>cost of thirty million dollars, and a lot a lot

0:37:11.960 --> 0:37:14.160
<v Speaker 1>of them hadn't yet, but like the big ones that

0:37:14.200 --> 0:37:16.560
<v Speaker 1>we're going to cause problems with people's credits and loans

0:37:16.560 --> 0:37:18.520
<v Speaker 1>and stuff in the banking system and stuff like that,

0:37:18.760 --> 0:37:20.920
<v Speaker 1>which you know, we've we've talked at length on this

0:37:20.960 --> 0:37:24.360
<v Speaker 1>podcast about whether all that work was necessarily worth it.

0:37:24.480 --> 0:37:30.440
<v Speaker 1>But that was largely already figured out by the time

0:37:31.160 --> 0:37:36.279
<v Speaker 1>the greater public knew about Y two K. By the

0:37:36.320 --> 0:37:40.920
<v Speaker 1>time the idea of why two K had entered popular discourse,

0:37:41.320 --> 0:37:45.279
<v Speaker 1>and so the people who were kind of sounding. The

0:37:45.360 --> 0:37:50.440
<v Speaker 1>warning bell ended up looking kind of silly in hindsight,

0:37:50.600 --> 0:37:54.239
<v Speaker 1>but it is this sort of um as, as Diversity

0:37:54.280 --> 0:37:56.400
<v Speaker 1>points out on the podcast, is sort of this idea

0:37:56.440 --> 0:38:00.480
<v Speaker 1>of the profits dilemma, where it's like, if you say

0:38:00.480 --> 0:38:03.440
<v Speaker 1>that there's a problem and you get people to fix it,

0:38:03.680 --> 0:38:06.719
<v Speaker 1>then the problem doesn't happen, and then you look like

0:38:06.800 --> 0:38:10.080
<v Speaker 1>somebody who was you know, running around like it's a

0:38:10.160 --> 0:38:13.680
<v Speaker 1>chicken with your head cut off because nothing ended up happening, Like,

0:38:13.760 --> 0:38:17.279
<v Speaker 1>as we know, nothing really went haywire on Y two K.

0:38:17.520 --> 0:38:20.840
<v Speaker 1>So I just thought like that, thinking about that it

0:38:20.920 --> 0:38:24.200
<v Speaker 1>was super interesting and learning that it actually was potentially

0:38:24.239 --> 0:38:26.759
<v Speaker 1>a big problem, like it could have been the thing

0:38:26.800 --> 0:38:28.360
<v Speaker 1>that everybody was afraid of. It was just by the

0:38:28.400 --> 0:38:30.520
<v Speaker 1>time we heard about it, it was fixed for the

0:38:30.520 --> 0:38:34.240
<v Speaker 1>most part. I mean, I I feel as though living

0:38:34.880 --> 0:38:37.880
<v Speaker 1>being in a time when we're having an actually like

0:38:38.000 --> 0:38:42.520
<v Speaker 1>extremely horrible disaster play out that was totally not predicted

0:38:42.560 --> 0:38:46.400
<v Speaker 1>at all has kind of shaped my my perception of

0:38:46.520 --> 0:38:49.200
<v Speaker 1>Y two K a little bit, because, I mean, this

0:38:49.280 --> 0:38:51.239
<v Speaker 1>is all fascinating and it's weird how you can have

0:38:51.280 --> 0:38:53.360
<v Speaker 1>a memory of how Y two K played out and

0:38:53.520 --> 0:38:57.440
<v Speaker 1>a vague recollection of what the fear was. But because

0:38:57.520 --> 0:39:01.000
<v Speaker 1>nothing actually because it was fixed in advance of playing out,

0:39:01.440 --> 0:39:04.400
<v Speaker 1>it's so vague now, and like you were scared, Like

0:39:04.480 --> 0:39:06.800
<v Speaker 1>I was really scared, as I mentioned about my emails,

0:39:06.840 --> 0:39:10.120
<v Speaker 1>but my you know, instant messenger, like that was kind

0:39:10.120 --> 0:39:13.120
<v Speaker 1>of the extent of it for me because I was

0:39:13.160 --> 0:39:16.239
<v Speaker 1>a kid. But my dad was super freaked out. And

0:39:16.320 --> 0:39:18.239
<v Speaker 1>I mean, I think it was also the kind of

0:39:18.239 --> 0:39:21.440
<v Speaker 1>thing where when people started started to really conjecture, and

0:39:21.480 --> 0:39:25.879
<v Speaker 1>when those pieces started to gain steam, where people were saying, like, oh, well,

0:39:25.880 --> 0:39:28.440
<v Speaker 1>here's a worst case scenario, someone could come up with

0:39:28.560 --> 0:39:31.600
<v Speaker 1>a new worst case scenario, and eventually you could probably

0:39:31.640 --> 0:39:34.799
<v Speaker 1>find people who actually believe that our country's entire infrastructure

0:39:34.840 --> 0:39:37.799
<v Speaker 1>was going to crumble because of this computer. But especially now,

0:39:37.840 --> 0:39:43.000
<v Speaker 1>if you think about what conspiracy five G Twitter, what

0:39:43.120 --> 0:39:46.080
<v Speaker 1>I've done with something like why two k oh, yeah, well,

0:39:46.120 --> 0:39:48.200
<v Speaker 1>I mean it was it was already out there. I mean,

0:39:48.239 --> 0:39:51.239
<v Speaker 1>this is the environment in which Alex Jones started his

0:39:51.360 --> 0:39:54.799
<v Speaker 1>radio show. Like that's that's a kind of a through

0:39:54.840 --> 0:39:58.000
<v Speaker 1>line of the podcast. It's just that that alternative radio

0:39:58.080 --> 0:40:00.960
<v Speaker 1>was really starting to become a big thing around the

0:40:01.000 --> 0:40:04.439
<v Speaker 1>turn of the millennium and and you know, panic about

0:40:04.520 --> 0:40:06.799
<v Speaker 1>this and then prepping and all that really started to

0:40:06.880 --> 0:40:10.680
<v Speaker 1>become it's not a mainstream concerned at least something that

0:40:10.719 --> 0:40:13.640
<v Speaker 1>more people have thought about and encountered, because there was

0:40:13.680 --> 0:40:17.160
<v Speaker 1>all this millennialism of like, you know, the new World,

0:40:17.600 --> 0:40:19.880
<v Speaker 1>but then that stuff didn't happen on two thousand, but

0:40:19.880 --> 0:40:24.239
<v Speaker 1>that it did happen like a little bit after that. Yeah,

0:40:25.040 --> 0:40:27.560
<v Speaker 1>but I've been hearing a lot about how actually preppers

0:40:27.719 --> 0:40:31.400
<v Speaker 1>are really unhappy now and a lot of the people

0:40:31.520 --> 0:40:34.719
<v Speaker 1>leading the like let us go back to the hairdresser,

0:40:34.840 --> 0:40:37.560
<v Speaker 1>the right wing, let us go back to work protests

0:40:37.840 --> 0:40:41.040
<v Speaker 1>or being not leading because they're actually like funded by corporation.

0:40:41.120 --> 0:40:44.080
<v Speaker 1>But the people participating in them are the people you

0:40:44.120 --> 0:40:46.160
<v Speaker 1>would have thought would have been like stoked for the

0:40:46.239 --> 0:40:52.600
<v Speaker 1>prepper moment to come. But in their prepper fantasy, basically

0:40:52.600 --> 0:40:54.239
<v Speaker 1>they thought it was going to be just like a

0:40:54.400 --> 0:40:57.680
<v Speaker 1>lawless that it was gonna be mad Max. Talk to

0:40:57.680 --> 0:40:59.040
<v Speaker 1>me about at Max, and they were going to get

0:40:59.080 --> 0:41:00.919
<v Speaker 1>to shoot and kill a lot people and they would

0:41:00.920 --> 0:41:02.719
<v Speaker 1>be in charge. And the fact that it's like an

0:41:02.760 --> 0:41:07.120
<v Speaker 1>invisible enemy that they can't shoot a gun at is

0:41:08.360 --> 0:41:12.080
<v Speaker 1>like they're like Okay, enough of eating beans. They actually

0:41:12.080 --> 0:41:14.520
<v Speaker 1>want to do this. There's like a couple of characters

0:41:14.560 --> 0:41:17.239
<v Speaker 1>in the podcasts that are um are this couple in

0:41:17.280 --> 0:41:20.880
<v Speaker 1>San Diego, These like total hippie you know, libertarian hippie

0:41:20.880 --> 0:41:25.160
<v Speaker 1>types who are preppers completely from a like a left

0:41:25.400 --> 0:41:30.400
<v Speaker 1>leftist side of things, and this is Prepper podcast. Yeah,

0:41:30.480 --> 0:41:35.400
<v Speaker 1>and they're very adorable and uh and and they are

0:41:35.440 --> 0:41:37.440
<v Speaker 1>you know, in ways we've talked about. I think a

0:41:37.440 --> 0:41:39.320
<v Speaker 1>lot on this podcast, like the idea of being a

0:41:39.400 --> 0:41:42.360
<v Speaker 1>prepper is sort of wrapped up in there somewhere is

0:41:42.400 --> 0:41:45.080
<v Speaker 1>the idea that you're looking forward to the end, whatever

0:41:45.239 --> 0:41:49.160
<v Speaker 1>the end is, because there's some kind of opportunity in there,

0:41:49.200 --> 0:41:51.719
<v Speaker 1>whether it's just to be able to like live out

0:41:51.719 --> 0:41:54.480
<v Speaker 1>the purge and do whatever you want. But like for them,

0:41:54.520 --> 0:41:56.600
<v Speaker 1>it's like, oh, we can start over. We can have

0:41:56.680 --> 0:42:00.040
<v Speaker 1>like a world where we're not on this grid in

0:42:00.080 --> 0:42:01.960
<v Speaker 1>a part of this credit system and everything. You know,

0:42:02.000 --> 0:42:04.359
<v Speaker 1>I'll fight club type ship. Like they're they're just like

0:42:04.760 --> 0:42:07.200
<v Speaker 1>really stoked for that. And she seemed really sweet and

0:42:07.200 --> 0:42:11.240
<v Speaker 1>like started a whole survivalist school that like Navy seals

0:42:11.239 --> 0:42:14.200
<v Speaker 1>were going to and stuff. I mean, I think a

0:42:14.200 --> 0:42:16.680
<v Speaker 1>lot of us also do have that fantasy on the

0:42:16.719 --> 0:42:20.560
<v Speaker 1>commune side, which is like you know, twin to not

0:42:20.680 --> 0:42:22.759
<v Speaker 1>test us to shaking her head, no she doesn't like.

0:42:24.640 --> 0:42:28.000
<v Speaker 1>But I mean you live and you live with a family,

0:42:28.120 --> 0:42:30.400
<v Speaker 1>You live in an environment where like everyone has to

0:42:30.400 --> 0:42:33.320
<v Speaker 1>work together and like do things together as a unit,

0:42:33.560 --> 0:42:38.799
<v Speaker 1>and you like tell kids that, Molly. But yeah, I

0:42:38.840 --> 0:42:42.480
<v Speaker 1>think that is like the to me, the positive inverse

0:42:42.520 --> 0:42:45.560
<v Speaker 1>of preppers, which are very into like just me against

0:42:45.560 --> 0:42:48.160
<v Speaker 1>the world and my family and maybe my neighbors who

0:42:48.200 --> 0:42:53.080
<v Speaker 1>have more guns. Yeah, there's something I think that It

0:42:53.200 --> 0:42:56.000
<v Speaker 1>was very It's it's very unusual to hear prepper types

0:42:56.040 --> 0:43:01.319
<v Speaker 1>talking about this idea of it's not it's self sufficience

0:43:01.360 --> 0:43:03.520
<v Speaker 1>and that like yes, I can like now they still

0:43:03.560 --> 0:43:06.560
<v Speaker 1>teach from survival schools and it's sort of it's a

0:43:06.600 --> 0:43:09.319
<v Speaker 1>nonprofit and it's it's kind of as a form of

0:43:09.400 --> 0:43:13.160
<v Speaker 1>therapy to help people, um, you know, like troubled youths

0:43:13.200 --> 0:43:15.560
<v Speaker 1>and stuff, be able to feel like the sense of

0:43:15.840 --> 0:43:18.279
<v Speaker 1>self sufficience if they can they feel like they can

0:43:18.280 --> 0:43:21.640
<v Speaker 1>survive in the wild, like they're they're still doing this stuff. Um,

0:43:22.440 --> 0:43:25.160
<v Speaker 1>but it's not this thing of like I'm a lone

0:43:25.239 --> 0:43:28.200
<v Speaker 1>wolf fuck everybody else. I'm out for myself. It's this

0:43:28.239 --> 0:43:30.120
<v Speaker 1>idea of like, no, I want to be like a

0:43:30.120 --> 0:43:32.000
<v Speaker 1>part of the world. I want to be in tune

0:43:32.040 --> 0:43:35.279
<v Speaker 1>with the world and what's going on with it and UM,

0:43:35.320 --> 0:43:38.440
<v Speaker 1>which just feels like a very different direction to come

0:43:38.480 --> 0:43:42.520
<v Speaker 1>at it from UM on on the on the kind

0:43:42.520 --> 0:43:46.239
<v Speaker 1>of relevant to today's side of things too. It's really

0:43:46.239 --> 0:43:48.520
<v Speaker 1>funny if you go through if you go to Cora,

0:43:48.920 --> 0:43:52.759
<v Speaker 1>there is a page on Cora for who who solved

0:43:53.000 --> 0:43:56.960
<v Speaker 1>Y two K And it's really fascinating because like the

0:43:57.040 --> 0:44:01.840
<v Speaker 1>answer is that all these people, just every I T

0:44:02.080 --> 0:44:05.359
<v Speaker 1>person at every company and in you know, in every

0:44:05.360 --> 0:44:08.839
<v Speaker 1>school system and stuff, had to just go in and

0:44:08.880 --> 0:44:12.200
<v Speaker 1>buy a hand and stall patches onto everything. It wasn't

0:44:12.200 --> 0:44:14.440
<v Speaker 1>a big deal. I was just laborious, but everybody had

0:44:14.480 --> 0:44:18.279
<v Speaker 1>to do it. And like thinking about that kind of

0:44:18.320 --> 0:44:23.799
<v Speaker 1>global cooperation to stave off an oncoming problem and how

0:44:23.920 --> 0:44:27.319
<v Speaker 1>little fanfare there is about that. Now nobody knows about that,

0:44:27.360 --> 0:44:31.920
<v Speaker 1>but all these people did that. UM is like kind

0:44:32.000 --> 0:44:38.640
<v Speaker 1>it's both inspiring and totally depressing. Oh absolutely. I know

0:44:38.800 --> 0:44:41.040
<v Speaker 1>it's weird though too, because I I think I was

0:44:41.160 --> 0:44:45.160
<v Speaker 1>just reading an article about a college student who was

0:44:45.200 --> 0:44:50.120
<v Speaker 1>working on UM like security patches for website. Like I mean,

0:44:50.160 --> 0:44:53.520
<v Speaker 1>it's still it's amazing how many people are always kind

0:44:53.520 --> 0:44:56.840
<v Speaker 1>of working for the greater good and like coding capacities

0:44:56.920 --> 0:44:59.960
<v Speaker 1>or I T capacities, And it's just I think maybe

0:45:00.120 --> 0:45:02.640
<v Speaker 1>because that kind of stuff can be so dense, or

0:45:02.680 --> 0:45:04.879
<v Speaker 1>there's like an element of that kind of work that's

0:45:04.920 --> 0:45:07.000
<v Speaker 1>so hard for the average person to wrap their mind,

0:45:07.239 --> 0:45:10.480
<v Speaker 1>Like I certainly can't understand half and when it starts

0:45:10.520 --> 0:45:13.200
<v Speaker 1>to go real deep into like the coding and the

0:45:13.239 --> 0:45:15.440
<v Speaker 1>patching and the work it takes, I'm like, I don't

0:45:15.440 --> 0:45:19.960
<v Speaker 1>know what it is, Like I can't really conceptualize it UM.

0:45:20.000 --> 0:45:21.920
<v Speaker 1>And so maybe that's why it's just like not a

0:45:21.920 --> 0:45:25.200
<v Speaker 1>glamorous thing to talk about how important that work is

0:45:25.280 --> 0:45:27.319
<v Speaker 1>and how important that work was that it saved us

0:45:27.320 --> 0:45:30.919
<v Speaker 1>from whatever would happened if Y two K had played out. Yeah,

0:45:30.920 --> 0:45:33.279
<v Speaker 1>because it's from this era. Also, I feel like it's

0:45:33.360 --> 0:45:35.600
<v Speaker 1>very tied up with this era where nobody knew how

0:45:35.640 --> 0:45:40.520
<v Speaker 1>to like show computer business on screen and movies, so

0:45:40.560 --> 0:45:43.399
<v Speaker 1>we didn't know how to valorize it or like how

0:45:43.440 --> 0:45:47.000
<v Speaker 1>to even make a narrative out of it UM until

0:45:47.200 --> 0:45:51.279
<v Speaker 1>the Matrix basically even then, did nerds have all the

0:45:51.320 --> 0:45:56.120
<v Speaker 1>money yet no, they pre nerds takeover and this was

0:45:56.239 --> 0:45:59.200
<v Speaker 1>I remember like we I mean in a self deprecating way,

0:45:59.239 --> 0:46:01.759
<v Speaker 1>like being people. Well, I think I assume all of

0:46:01.840 --> 0:46:04.040
<v Speaker 1>us were on the internet more than like we had

0:46:04.080 --> 0:46:07.680
<v Speaker 1>admitted to our friends back in the whatever like nineties

0:46:07.680 --> 0:46:09.919
<v Speaker 1>and early odds. But it's funny because like we Molly

0:46:09.960 --> 0:46:11.160
<v Speaker 1>and I would call it like we'd be like, oh,

0:46:11.200 --> 0:46:13.440
<v Speaker 1>we should get on the nerd phone. But like I

0:46:13.480 --> 0:46:16.680
<v Speaker 1>truly believed that there was nothing less cool than the

0:46:16.719 --> 0:46:19.200
<v Speaker 1>amount of time I spent on the computer, which was

0:46:19.239 --> 0:46:22.840
<v Speaker 1>probably like one one thousand of the time I currently

0:46:22.880 --> 0:46:25.120
<v Speaker 1>spend on the computer. That I'm like, well, that's normal,

0:46:25.200 --> 0:46:28.600
<v Speaker 1>That's that's life, right, you know. I think being forced

0:46:28.640 --> 0:46:33.600
<v Speaker 1>into uh quarantine has made a lot of people be like, oh,

0:46:33.960 --> 0:46:36.600
<v Speaker 1>I'll just like turn it on. There's no if there's

0:46:36.640 --> 0:46:41.200
<v Speaker 1>no limitations in place for your screen time of activities

0:46:41.480 --> 0:46:44.239
<v Speaker 1>or things you have to go do, then yeah, well

0:46:44.280 --> 0:46:47.080
<v Speaker 1>it's also that everything else is off the table. Everything

0:46:47.120 --> 0:46:49.600
<v Speaker 1>else is off the table. It just feels like you

0:46:49.600 --> 0:46:52.799
<v Speaker 1>you reach a wall so fast in screens you know

0:46:53.040 --> 0:46:55.040
<v Speaker 1>where it's like the thing of like, oh I can

0:46:55.080 --> 0:46:57.400
<v Speaker 1>eat all this candy for dinner and then you're like,

0:46:57.520 --> 0:47:00.920
<v Speaker 1>now I feel sick and bad. It's like not candy,

0:47:01.160 --> 0:47:06.600
<v Speaker 1>it's like it's like sugar free, uh, like sweet tarts

0:47:06.719 --> 0:47:12.280
<v Speaker 1>or something. It's like tab. It's drinking tab. Yeah, getting

0:47:12.280 --> 0:47:15.799
<v Speaker 1>a naspar team headache, like I gotta go out and

0:47:15.880 --> 0:47:20.280
<v Speaker 1>just guzzled at Chlorophyll've going outside a lot, but it's

0:47:20.320 --> 0:47:23.719
<v Speaker 1>since the mandatory mass anytime you're outside your house thing,

0:47:23.760 --> 0:47:26.480
<v Speaker 1>which I which I feel is a response to people

0:47:26.760 --> 0:47:29.120
<v Speaker 1>who were just really irresponsible about it. I mean, I

0:47:29.120 --> 0:47:31.880
<v Speaker 1>went for a walk a couple like maybe a week ago,

0:47:32.320 --> 0:47:35.440
<v Speaker 1>and there were so many people without MASS, which I

0:47:35.560 --> 0:47:38.280
<v Speaker 1>was fine with because they were just walking or running,

0:47:38.360 --> 0:47:40.799
<v Speaker 1>but they just wouldn't stay away from other people. And

0:47:40.840 --> 0:47:42.520
<v Speaker 1>I was like, all right, it's over. You know, we're

0:47:42.560 --> 0:47:44.200
<v Speaker 1>going to have to wear a mask. And I think

0:47:44.239 --> 0:47:47.200
<v Speaker 1>it's it's just it's it's hard because I can do

0:47:47.239 --> 0:47:51.280
<v Speaker 1>it and it's fine, but I cannot. I physically cannot

0:47:51.360 --> 0:47:53.800
<v Speaker 1>make my children wear MASS. And I know I have

0:47:53.840 --> 0:47:56.279
<v Speaker 1>a lot of friends who are neurodivergent or their kids

0:47:56.320 --> 0:48:00.480
<v Speaker 1>are nerro divergent. It's really difficult to wear a mask

0:48:00.560 --> 0:48:03.520
<v Speaker 1>if you have sensory problems or whatever. So it's just

0:48:03.719 --> 0:48:06.520
<v Speaker 1>for so many people, even going outside is now like

0:48:06.840 --> 0:48:11.319
<v Speaker 1>a very fraud process. And and I I'm so over

0:48:11.360 --> 0:48:14.520
<v Speaker 1>the screens. I've really reached my limit. But at the

0:48:14.560 --> 0:48:17.719
<v Speaker 1>same time, it's like, I just you know, everything is

0:48:17.760 --> 0:48:25.719
<v Speaker 1>so fraught when you invent Calvinball. Yeah. Um. One other

0:48:25.880 --> 0:48:28.480
<v Speaker 1>thing I linked to you guys to on the on

0:48:28.640 --> 0:48:34.960
<v Speaker 1>our show notes, uh, was this website created by At

0:48:35.000 --> 0:48:39.160
<v Speaker 1>first it was an anonymous creator who was later later

0:48:39.200 --> 0:48:44.040
<v Speaker 1>revealed himself to be Robert blah Blah. Yes, I can't

0:48:44.120 --> 0:48:49.000
<v Speaker 1>deal this is Bob blah Blah had a y t

0:48:49.120 --> 0:48:54.920
<v Speaker 1>K blog. Uh. He was like, he's also in this podcast,

0:48:54.960 --> 0:48:57.759
<v Speaker 1>but he was this um. He was sort of like

0:48:57.800 --> 0:49:01.360
<v Speaker 1>an anti scare monk. Heer about why two K He

0:49:01.480 --> 0:49:04.399
<v Speaker 1>was like trying to get because because Canada, I guess,

0:49:04.520 --> 0:49:07.520
<v Speaker 1>was spending gobs and gobs of money on there, like

0:49:07.880 --> 0:49:10.799
<v Speaker 1>Y two K operations. He was a programmer for the

0:49:10.800 --> 0:49:13.560
<v Speaker 1>Canadian government and soon his entire like job had been

0:49:13.600 --> 0:49:16.560
<v Speaker 1>completely circumvented into Y two K prep and he thought

0:49:16.560 --> 0:49:18.839
<v Speaker 1>it was really silly. So he was like, he had

0:49:18.880 --> 0:49:23.640
<v Speaker 1>this anonymous blog on angel Fire, which is still up. Um.

0:49:23.680 --> 0:49:26.759
<v Speaker 1>An archived. It's not even archives. It's just there. It's

0:49:26.800 --> 0:49:29.680
<v Speaker 1>not you don't have to go to to uh the

0:49:29.800 --> 0:49:34.319
<v Speaker 1>Internet archives. But and it's incredible because it has all

0:49:34.360 --> 0:49:36.880
<v Speaker 1>these emails, both from people who agree with them and

0:49:36.920 --> 0:49:40.000
<v Speaker 1>people who are like furious at him for trying to

0:49:40.040 --> 0:49:44.239
<v Speaker 1>say that why two K isn't happening, And it's just

0:49:44.280 --> 0:49:49.240
<v Speaker 1>this incredible time capsule. But I think like there's basically

0:49:49.280 --> 0:49:54.760
<v Speaker 1>this whole thing where he's really reacting to this guy, Um,

0:49:54.920 --> 0:49:57.719
<v Speaker 1>Dave Eddie, who was sort of the main one of

0:49:57.719 --> 0:50:00.800
<v Speaker 1>these main people who came out claiming there's this problem,

0:50:00.880 --> 0:50:03.279
<v Speaker 1>this this y t K problem and then offering the

0:50:03.320 --> 0:50:07.279
<v Speaker 1>solution like the classic con And so they were kind

0:50:07.280 --> 0:50:11.120
<v Speaker 1>of in this like battle against each other via the Internet.

0:50:11.200 --> 0:50:16.680
<v Speaker 1>It was like a very early angel fire fueled Internet

0:50:16.719 --> 0:50:21.480
<v Speaker 1>battle between these two nerds. Whether um yeah, but I

0:50:21.520 --> 0:50:25.040
<v Speaker 1>would really recommend going to this website and just sorting

0:50:25.080 --> 0:50:28.120
<v Speaker 1>through all the emails, um they I think they go

0:50:28.200 --> 0:50:33.160
<v Speaker 1>from nine seven to nine um, and just seeing what

0:50:33.239 --> 0:50:36.759
<v Speaker 1>people say like uh like such. I'm just like on

0:50:36.800 --> 0:50:40.480
<v Speaker 1>the January, Um, you are not God. You do not

0:50:40.600 --> 0:50:44.720
<v Speaker 1>know what's going to happen. But I appreciate your opinions. Yeah,

0:50:44.760 --> 0:50:48.200
<v Speaker 1>it just fed into people's millennialism so much. It was

0:50:48.239 --> 0:50:50.120
<v Speaker 1>like there were a lot of people who thought something

0:50:50.200 --> 0:50:52.840
<v Speaker 1>was going to happen in the year two thousand and

0:50:52.880 --> 0:50:56.080
<v Speaker 1>then the fact that there was something that might happen

0:50:57.000 --> 0:51:00.920
<v Speaker 1>was something to latch onto as a sign that, you know,

0:51:01.719 --> 0:51:04.880
<v Speaker 1>Beau Jesus would come back or something. Maybe that's what

0:51:04.880 --> 0:51:07.439
<v Speaker 1>why two K was the idea. You know, it's all

0:51:07.520 --> 0:51:10.760
<v Speaker 1>these made up numbers because at one point we decided

0:51:10.800 --> 0:51:14.520
<v Speaker 1>to just started counting revolutions around the sun. But still

0:51:14.680 --> 0:51:18.920
<v Speaker 1>people just kind of put so much. It's it's really

0:51:18.960 --> 0:51:23.200
<v Speaker 1>interesting how much humans even now in a time it

0:51:23.239 --> 0:51:26.960
<v Speaker 1>feels so unmistical because it's just like two thousand years

0:51:27.400 --> 0:51:32.040
<v Speaker 1>after the apocryphal birth of Christ, right or death after

0:51:32.080 --> 0:51:35.560
<v Speaker 1>the death? Isn't it funny? Sometimes I say things authoritatively

0:51:35.680 --> 0:51:37.080
<v Speaker 1>like I'm like, I know that, and then I'm like,

0:51:37.200 --> 0:51:39.800
<v Speaker 1>that's what a podcast is for. It is the birth,

0:51:39.800 --> 0:51:42.000
<v Speaker 1>though I will I will correct you and say it's

0:51:42.080 --> 0:51:45.160
<v Speaker 1>the birth. But but isn't it it doesn't ad a

0:51:45.320 --> 0:51:47.400
<v Speaker 1>D not stand for after death. You know, it's on

0:51:47.520 --> 0:51:54.000
<v Speaker 1>a dominate by the way, we're gonna put this obviously

0:51:54.040 --> 0:51:56.200
<v Speaker 1>in the in the show notes. But if you want

0:51:56.280 --> 0:51:59.160
<v Speaker 1>to look at this why two K blog, it is amazing.

0:51:59.200 --> 0:52:01.920
<v Speaker 1>It's angel fired dot com. Forward slash, oh h forward

0:52:01.960 --> 0:52:04.839
<v Speaker 1>slash just a number just so that you can just

0:52:04.880 --> 0:52:06.640
<v Speaker 1>do it right now, because I know you're sitting at

0:52:06.640 --> 0:52:10.480
<v Speaker 1>your device. It's just a number, but it is. It's

0:52:10.520 --> 0:52:14.120
<v Speaker 1>I find this aesthetic so beautiful, the angel Fire. Yeah,

0:52:14.640 --> 0:52:17.200
<v Speaker 1>that's why we talked about Molly Soda before being a

0:52:17.280 --> 0:52:20.640
<v Speaker 1>yea artist who works with the angel Fire aesthetics sometimes.

0:52:20.800 --> 0:52:25.080
<v Speaker 1>But I love it. It really feels like the Internet

0:52:25.080 --> 0:52:27.759
<v Speaker 1>where still anything could happen, which I guess is why

0:52:27.800 --> 0:52:30.440
<v Speaker 1>everybody thought that the Internet could just like melt down

0:52:31.120 --> 0:52:34.719
<v Speaker 1>the whole world because it felt new and magical. On

0:52:34.920 --> 0:52:41.319
<v Speaker 1>bob blah blaws blog, it does say that. It says PostScript,

0:52:41.360 --> 0:52:46.120
<v Speaker 1>this website was frozen on December as a permanent document

0:52:46.440 --> 0:52:48.719
<v Speaker 1>on how all of us acted and reacted to the

0:52:48.880 --> 0:52:53.239
<v Speaker 1>Y two K myth from But Emily, you're you're right

0:52:53.280 --> 0:52:55.319
<v Speaker 1>when you point out it was not a myth, like

0:52:55.480 --> 0:52:58.400
<v Speaker 1>it was something real that was going It was pre emptive.

0:52:58.600 --> 0:53:01.200
<v Speaker 1>He's saying. The myth was that it yeah, and then

0:53:01.960 --> 0:53:04.800
<v Speaker 1>that date that it was still like nothing had been resolved,

0:53:04.800 --> 0:53:07.240
<v Speaker 1>and that like nobody knew it was going to happen

0:53:07.719 --> 0:53:11.000
<v Speaker 1>like that. Shocking that they only reported on the disaster

0:53:11.160 --> 0:53:17.840
<v Speaker 1>mongering mongering part and not the quietly responsibly fixing things. Um, Emily,

0:53:18.400 --> 0:53:21.239
<v Speaker 1>you asked us to go find like a t K

0:53:21.440 --> 0:53:24.400
<v Speaker 1>artifact to watch, so I obviously just typed y t

0:53:24.520 --> 0:53:28.279
<v Speaker 1>K into YouTube to see what would happen. And I

0:53:28.320 --> 0:53:30.960
<v Speaker 1>found out that it was really hard to find actual stuff.

0:53:31.000 --> 0:53:34.920
<v Speaker 1>Because there is a rapper named Y two K. Is

0:53:35.120 --> 0:53:38.720
<v Speaker 1>he or she good? I didn't listen to their music.

0:53:39.080 --> 0:53:43.040
<v Speaker 1>They looked kind of in the post malon category. I'm

0:53:43.040 --> 0:53:47.000
<v Speaker 1>gonna say the name is K not the postmlon's rapper,

0:53:47.040 --> 0:53:49.480
<v Speaker 1>but you hear what I'm saying. Maybe a white guy

0:53:49.520 --> 0:53:54.399
<v Speaker 1>with face tattoos, I think. Um. But I also found

0:53:54.440 --> 0:53:56.239
<v Speaker 1>a video that was like how to do the Y

0:53:56.280 --> 0:53:58.640
<v Speaker 1>two K aesthetic that was like this girl had made

0:53:58.760 --> 0:54:04.000
<v Speaker 1>that was just um copying art basically like art in

0:54:04.320 --> 0:54:07.960
<v Speaker 1>bubble frames of like here's how you dress, here's what

0:54:08.080 --> 0:54:10.480
<v Speaker 1>you listen to. And it was a lot of like

0:54:10.520 --> 0:54:16.520
<v Speaker 1>we were talking about, sort of like shiny, sparkly vinyl fabrics,

0:54:17.000 --> 0:54:21.000
<v Speaker 1>things like that. Um, which is what I think zoomers

0:54:21.080 --> 0:54:23.960
<v Speaker 1>think of the Y two K aesthetic as being there's

0:54:24.000 --> 0:54:26.520
<v Speaker 1>also like a good Y two K filter on Instagram

0:54:27.040 --> 0:54:31.640
<v Speaker 1>that is very that. But I I just a search

0:54:31.719 --> 0:54:33.640
<v Speaker 1>for Y t K on the Instagram filters and one

0:54:33.719 --> 0:54:36.440
<v Speaker 1>came up, and it's like, I'll post it so you

0:54:36.440 --> 0:54:38.360
<v Speaker 1>guys can post it to it gives you a couple

0:54:38.400 --> 0:54:40.799
<v Speaker 1>of options, but they're they're both very like j Lo

0:54:41.520 --> 0:54:46.600
<v Speaker 1>Year two thousand style, like sparkly ear rings and like

0:54:47.360 --> 0:54:52.839
<v Speaker 1>shiny sunglasses, glower shots or something or just like very

0:54:52.920 --> 0:54:56.240
<v Speaker 1>like like Total Request Live, just like like glossy pop

0:54:56.320 --> 0:55:00.439
<v Speaker 1>video aesthetic. UM. And I also watched a Sports Center

0:55:00.480 --> 0:55:05.359
<v Speaker 1>commercial that was apparently very famous UM that I did

0:55:05.360 --> 0:55:08.960
<v Speaker 1>not really remember except maybe in some ancient way. UM.

0:55:08.960 --> 0:55:10.880
<v Speaker 1>But it was a commercial for Sports Center about Y

0:55:10.920 --> 0:55:13.839
<v Speaker 1>two K that's like Y t K happens like they're

0:55:13.880 --> 0:55:15.799
<v Speaker 1>they're running test runs for Y two K at the

0:55:15.800 --> 0:55:18.359
<v Speaker 1>Sports Center office. And it was just one of those

0:55:18.360 --> 0:55:20.040
<v Speaker 1>ads about like how fun it is to work at

0:55:20.040 --> 0:55:22.640
<v Speaker 1>Sports Center, like all the Sports Center ads, but this

0:55:22.680 --> 0:55:26.040
<v Speaker 1>one is like chaos just rains in the Sports Center office.

0:55:26.120 --> 0:55:28.960
<v Speaker 1>It's like they start breaking down and they show like

0:55:29.040 --> 0:55:32.600
<v Speaker 1>two of the broadcasters doing like the the Sports Center

0:55:32.640 --> 0:55:35.080
<v Speaker 1>by Candle Light, and then there's a guy who you're

0:55:35.080 --> 0:55:37.680
<v Speaker 1>supposed to recognize from ESPN who's like, come with me

0:55:37.800 --> 0:55:41.799
<v Speaker 1>if you want to live. At the end, I I

0:55:41.880 --> 0:55:45.640
<v Speaker 1>admire your your relentless pursuit and making the sports Call

0:55:45.960 --> 0:55:49.560
<v Speaker 1>segment happened. Regardless of the topics that were, it reminded

0:55:49.560 --> 0:55:51.319
<v Speaker 1>me of all those Sports Center ads that I had

0:55:51.360 --> 0:55:54.040
<v Speaker 1>totally just forgotten about them all, Like they were normally

0:55:54.080 --> 0:55:56.719
<v Speaker 1>just about how zeny the Sports Center office was, and

0:55:56.719 --> 0:55:59.759
<v Speaker 1>then this one was like it's zany and also like

0:55:59.800 --> 0:56:04.000
<v Speaker 1>the apocalypse is happening here. I've never seen any of

0:56:04.000 --> 0:56:07.439
<v Speaker 1>those ads until I worked in Grantland and then like

0:56:07.719 --> 0:56:10.160
<v Speaker 1>when people were asking about like what's the office, Like

0:56:10.200 --> 0:56:12.879
<v Speaker 1>I didn't realize that's where people got the idea it's

0:56:13.000 --> 0:56:18.440
<v Speaker 1>really super fun. End. But um, now we are running

0:56:18.480 --> 0:56:23.000
<v Speaker 1>the Y two K drill, so we will we do?

0:56:23.040 --> 0:56:27.360
<v Speaker 1>We are doing this podcast by candle Light in a way,

0:56:27.680 --> 0:56:33.799
<v Speaker 1>you know, like it is pioneer time. Yeah, but I

0:56:33.840 --> 0:56:36.360
<v Speaker 1>was like, how you know you you do work around

0:56:36.640 --> 0:56:40.640
<v Speaker 1>a catastrophe to try and keep keep some of the

0:56:40.640 --> 0:56:44.239
<v Speaker 1>the pod trains coming. M H. The thing that I

0:56:44.280 --> 0:56:46.920
<v Speaker 1>found when I was looking into Y two k artifacts

0:56:47.000 --> 0:56:49.160
<v Speaker 1>is something I talked about all the time on this podcast,

0:56:49.200 --> 0:56:54.680
<v Speaker 1>which is Siphil and Ali, which ran from UM. But

0:56:54.960 --> 0:56:57.720
<v Speaker 1>as I was just I watched just all the clips

0:56:57.719 --> 0:57:00.319
<v Speaker 1>that were on YouTube because nothing brings me more joy

0:57:00.560 --> 0:57:03.680
<v Speaker 1>honestly than than watching the socks um. But it also

0:57:03.760 --> 0:57:07.560
<v Speaker 1>made me think. I was like, somebody needs to just

0:57:07.640 --> 0:57:10.919
<v Speaker 1>start doing basically simple and Ali right now, like all

0:57:10.960 --> 0:57:13.719
<v Speaker 1>of the content that's kind of being creating. I mean, look,

0:57:13.760 --> 0:57:15.920
<v Speaker 1>a lot of people aren't able to create content right now.

0:57:16.080 --> 0:57:18.680
<v Speaker 1>I every night I'm like I should write something. It's

0:57:18.720 --> 0:57:23.760
<v Speaker 1>like I just don't because I'm stressed. But I was like, man,

0:57:23.960 --> 0:57:26.840
<v Speaker 1>somebody should really maybe not do like an exact civil

0:57:26.920 --> 0:57:29.480
<v Speaker 1>and Ali thing, But that's like kind of the best

0:57:29.600 --> 0:57:34.920
<v Speaker 1>quarantine art would be either puppetry actually yeah, because I'm like,

0:57:35.240 --> 0:57:38.440
<v Speaker 1>animating is hard. I've seen late forever. I mean, I

0:57:38.440 --> 0:57:41.680
<v Speaker 1>think TikTok is the frontier at this point for things

0:57:41.720 --> 0:57:43.600
<v Speaker 1>like that, and I've seen it. I just don't watch.

0:57:43.960 --> 0:57:46.680
<v Speaker 1>I mean, it's like you see them, you see them aggregated.

0:57:46.720 --> 0:57:48.400
<v Speaker 1>Back on Twitter, there was a girl who went by

0:57:48.760 --> 0:57:51.040
<v Speaker 1>for doing like a fake Wes Anderson movie this week.

0:57:51.120 --> 0:57:55.000
<v Speaker 1>But stuff like that where that stuff is she's great. Yeah,

0:57:55.240 --> 0:57:58.640
<v Speaker 1>like guest stars, she's done show Girls. There's this girl

0:57:58.720 --> 0:58:00.920
<v Speaker 1>Marris Jones. I'm obsessed to I who did this thing

0:58:00.960 --> 0:58:02.960
<v Speaker 1>that was like the history of the Beatles where she

0:58:03.040 --> 0:58:05.720
<v Speaker 1>did all of the Beatles and like just perfectly got

0:58:05.760 --> 0:58:11.000
<v Speaker 1>all of their mannerisms in different years. That's amazing. Yeah,

0:58:11.160 --> 0:58:13.920
<v Speaker 1>made me wish I had my twee videos I made

0:58:13.960 --> 0:58:19.680
<v Speaker 1>in college. But also people doing like even less production

0:58:19.680 --> 0:58:22.720
<v Speaker 1>anyones that are just really incredibly edited where they play

0:58:22.760 --> 0:58:25.280
<v Speaker 1>all the characters. That to me has been like the

0:58:25.400 --> 0:58:29.480
<v Speaker 1>art form of that. These people doing those videos where

0:58:29.480 --> 0:58:32.960
<v Speaker 1>it's like one guy doing everything, which people were doing

0:58:33.040 --> 0:58:36.880
<v Speaker 1>before this, but now it's just like sort of how

0:58:36.960 --> 0:58:39.680
<v Speaker 1>much how much people can get out of just like

0:58:39.880 --> 0:58:43.080
<v Speaker 1>very few props and like no setup. Is really impressive

0:58:43.080 --> 0:58:46.080
<v Speaker 1>to me. But don't you sometimes get sick of seeing

0:58:46.640 --> 0:58:50.120
<v Speaker 1>like the human face on the computer screen? You know

0:58:50.160 --> 0:58:53.640
<v Speaker 1>what I like, isn't there? I have been I'm trying

0:58:53.680 --> 0:58:55.840
<v Speaker 1>to look up her name. You want to put like

0:58:55.960 --> 0:58:58.200
<v Speaker 1>you want to real sock. I know if I need

0:58:58.200 --> 0:59:01.200
<v Speaker 1>a sock puppet, I need the ability for someone to

0:59:01.360 --> 0:59:04.800
<v Speaker 1>convince me that there's like multiple people in a room

0:59:05.000 --> 0:59:08.240
<v Speaker 1>when in fact, there's one. I promise we'll do a

0:59:08.280 --> 0:59:11.040
<v Speaker 1>live stream sometime where you can be a sock the

0:59:11.040 --> 0:59:16.360
<v Speaker 1>whole time. No. Look, but actually, now that you're talking

0:59:16.360 --> 0:59:18.840
<v Speaker 1>about this, we've come full circle. We were talking about

0:59:18.880 --> 0:59:22.120
<v Speaker 1>like monetizing feet, and now we're talking about monetizing socks,

0:59:22.200 --> 0:59:25.600
<v Speaker 1>and maybe this is like a zeitgeistie thing right now.

0:59:25.680 --> 0:59:30.160
<v Speaker 1>Look down, you have looked down. That was my one

0:59:30.200 --> 0:59:33.960
<v Speaker 1>thought that I had on one particularly theater nerdy day

0:59:34.040 --> 0:59:35.880
<v Speaker 1>or it was like, what if I could do all

0:59:35.920 --> 0:59:39.920
<v Speaker 1>of lightness by myself? Emily, you should, That's what I'm saying.

0:59:39.920 --> 0:59:42.600
<v Speaker 1>Become the TikTok teens we want to see in the world.

0:59:42.680 --> 0:59:45.160
<v Speaker 1>I know. I was just like, how does any how

0:59:45.200 --> 0:59:47.680
<v Speaker 1>does any young person have the sort of confidence? Because

0:59:47.720 --> 0:59:50.400
<v Speaker 1>I started and then I was just like, oh no,

0:59:50.520 --> 0:59:52.960
<v Speaker 1>I can't look at my face for this long. Well

0:59:53.160 --> 0:59:56.600
<v Speaker 1>performing as someone who has not really performed into a

0:59:56.600 --> 0:59:59.000
<v Speaker 1>computer screen, but who may or may not be married

0:59:59.040 --> 1:00:03.240
<v Speaker 1>to someone who had you like act into the zoom uh,

1:00:03.360 --> 1:00:06.560
<v Speaker 1>it was like an out of horrible, out of body experience.

1:00:06.600 --> 1:00:09.040
<v Speaker 1>I mean, when we're podcasting, we're like staring at it.

1:00:09.080 --> 1:00:12.200
<v Speaker 1>We're just basically frescasting a conversation. But like when you

1:00:12.280 --> 1:00:16.840
<v Speaker 1>have to like commit to a role, maybe a dramatic one,

1:00:16.960 --> 1:00:19.960
<v Speaker 1>and you're staring at the light and you're you're acting

1:00:20.000 --> 1:00:22.280
<v Speaker 1>into the I mean I could. It's so different than

1:00:22.280 --> 1:00:26.000
<v Speaker 1>a camera regular camera's In this Roger Rabbit special I watched,

1:00:26.000 --> 1:00:28.160
<v Speaker 1>it had all this footage I had never seen before

1:00:28.360 --> 1:00:33.320
<v Speaker 1>of Bob Hoskins just acting against nothing. But also he

1:00:33.400 --> 1:00:36.320
<v Speaker 1>acted against the guy who does the voice of Roger

1:00:36.400 --> 1:00:39.600
<v Speaker 1>Rabbit because that guy insisted on being on set every time,

1:00:40.280 --> 1:00:45.440
<v Speaker 1>um to do the voice live, which is not traditional Zodiac.

1:00:45.520 --> 1:00:48.480
<v Speaker 1>He's very good at being scary um. But just yeah,

1:00:48.520 --> 1:00:51.400
<v Speaker 1>all this stuff of like people acting against nothing, which

1:00:51.400 --> 1:00:54.320
<v Speaker 1>is how so many movies are made now. It is

1:00:54.360 --> 1:00:57.120
<v Speaker 1>a skill. It is a skill, but it's like at

1:00:57.200 --> 1:00:59.520
<v Speaker 1>least I don't know, at least if there's someone else

1:00:59.560 --> 1:01:02.000
<v Speaker 1>in the room whom you could just be taught, like

1:01:02.040 --> 1:01:03.960
<v Speaker 1>you're looking at a face, like you could look at

1:01:03.960 --> 1:01:06.040
<v Speaker 1>the director or whatever. Again, this is like our only

1:01:06.080 --> 1:01:12.280
<v Speaker 1>fans will just be a continental you know, just like welcome, Oh,

1:01:12.360 --> 1:01:15.560
<v Speaker 1>why won't you come sit down if you would like

1:01:15.680 --> 1:01:20.920
<v Speaker 1>a nightcall only fans that's just start not even say

1:01:20.960 --> 1:01:24.439
<v Speaker 1>those words together, just kidding. If you have thoughts about

1:01:24.440 --> 1:01:26.880
<v Speaker 1>why two K as we continuere like, you're the one

1:01:26.880 --> 1:01:29.000
<v Speaker 1>who asked how much? I mean, let's see what the

1:01:29.040 --> 1:01:31.360
<v Speaker 1>market is saying. You know, I think I asked how much.

1:01:31.800 --> 1:01:34.440
<v Speaker 1>I'm just I'm just need a spitball and I'm not

1:01:34.520 --> 1:01:37.360
<v Speaker 1>committed to anything. Um. If you have thoughts on y

1:01:37.400 --> 1:01:39.400
<v Speaker 1>t K, please give us a night call it one

1:01:39.440 --> 1:01:41.400
<v Speaker 1>to four or four six night where you can also

1:01:41.520 --> 1:01:44.160
<v Speaker 1>email us at Nightcall Podcast at gmail dot com. We've

1:01:44.200 --> 1:01:47.000
<v Speaker 1>really enjoyed taking your calls and emails and we have

1:01:47.520 --> 1:01:50.360
<v Speaker 1>a couple lined up from for next week and we

1:01:50.400 --> 1:01:55.160
<v Speaker 1>want more, so send them. We're also on Patreon at

1:01:55.200 --> 1:01:57.880
<v Speaker 1>patreon dot com slash night Call. We just put up

1:01:57.880 --> 1:02:01.520
<v Speaker 1>a new bonus episode about Final Fantasy seven. Molly and

1:02:01.560 --> 1:02:06.280
<v Speaker 1>I are big time gamers just talking shop, so check

1:02:06.360 --> 1:02:10.040
<v Speaker 1>that out. You can subscribe at multiple different levels commodus

1:02:10.080 --> 1:02:12.880
<v Speaker 1>episodes or newsletter and merch and yeah, check us on

1:02:12.920 --> 1:02:16.000
<v Speaker 1>the social media. We're on Twitter at Nightcall Pod, Facebook

1:02:16.040 --> 1:02:19.240
<v Speaker 1>and Instagram and I called podcast and only fans at

1:02:19.360 --> 1:02:23.640
<v Speaker 1>t b D. Seriously, guys, think about it, think about it,

1:02:24.080 --> 1:02:26.680
<v Speaker 1>or you could watch this play like n B A K.

1:02:27.760 --> 1:02:31.480
<v Speaker 1>We will see everybody next week I'm good month back,