1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,480 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,520 --> 00:00:32,760 Speaker 1: a little thing we like to call the after Party. 6 00:00:32,760 --> 00:00:34,520 Speaker 1: This is the show after the show, the party after 7 00:00:34,560 --> 00:00:35,879 Speaker 1: the party, the bridge to get you from one full 8 00:00:35,880 --> 00:00:38,360 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:38,440 --> 00:00:41,320 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:41,360 --> 00:00:44,320 Speaker 1: confront the myth, to reclaim the story. Of this bonus episode, 11 00:00:44,440 --> 00:00:49,080 Speaker 1: we are discussing incredible stories of rock and roll redemption, 12 00:00:49,200 --> 00:00:52,279 Speaker 1: everybody from Tina Turner to Ozzy Osbourne, Frank Sinatra, and 13 00:00:52,360 --> 00:00:54,920 Speaker 1: you know everyone in between. In the exclusive portion of 14 00:00:54,960 --> 00:00:57,720 Speaker 1: this after Party, we dive into some of the weirdest 15 00:00:57,800 --> 00:01:02,279 Speaker 1: number one songs in New Year's music history, getting into 16 00:01:02,360 --> 00:01:06,000 Speaker 1: your emails, comments, dms, and as always a whole lot 17 00:01:06,000 --> 00:01:08,280 Speaker 1: of rosie. This is the podcast for the musically obsessed, 18 00:01:08,319 --> 00:01:10,560 Speaker 1: the outsiders, the independent thinkers who know that the best 19 00:01:10,640 --> 00:01:13,720 Speaker 1: history is the history that gets buried. Disgrace Land is 20 00:01:13,720 --> 00:01:15,480 Speaker 1: where I tell the stories they didn't want to told. 21 00:01:15,480 --> 00:01:17,360 Speaker 1: The kind you'll end up telling someone else. All right, 22 00:01:17,360 --> 00:01:31,920 Speaker 1: disc goes, let's get into it, all right, it's officially 23 00:01:31,959 --> 00:01:35,640 Speaker 1: the new year, so happy New Year. I hope twenty 24 00:01:35,720 --> 00:01:38,640 Speaker 1: twenty six is everything that you want it to be. 25 00:01:39,400 --> 00:01:41,880 Speaker 1: I love this time of year. For me, at least, 26 00:01:41,959 --> 00:01:45,720 Speaker 1: there's always so much hope and you can feel it. 27 00:01:45,760 --> 00:01:47,160 Speaker 1: You can feel it in the area, you can feel 28 00:01:47,200 --> 00:01:50,640 Speaker 1: it with your family hopefully, you can feel it with 29 00:01:51,120 --> 00:01:55,440 Speaker 1: the people you work with ideally, and you know, for me, 30 00:01:56,480 --> 00:01:59,040 Speaker 1: hope is it's like a drug. I mean, what else 31 00:01:59,040 --> 00:02:04,120 Speaker 1: are we doing here? Hoping for something, something more, something better, 32 00:02:05,040 --> 00:02:09,840 Speaker 1: hoping to become better versions of ourselves. And you know, 33 00:02:11,000 --> 00:02:13,639 Speaker 1: maybe I think that way because I'm creative and I'm 34 00:02:13,720 --> 00:02:16,880 Speaker 1: constantly trying to create something different and new and say 35 00:02:16,919 --> 00:02:22,000 Speaker 1: things and new and in different ways, say things that 36 00:02:22,120 --> 00:02:28,360 Speaker 1: with more clarity, say things above familiar subjects with unique 37 00:02:28,360 --> 00:02:32,640 Speaker 1: perspective that I haven't necessarily shared before. So I'm always 38 00:02:32,639 --> 00:02:34,160 Speaker 1: thinking about this type of stuff, and hope is a 39 00:02:34,160 --> 00:02:37,000 Speaker 1: big component to that thinking. And for artists, I feel like, 40 00:02:38,280 --> 00:02:41,360 Speaker 1: you know, if you know, hope is more than a drugs, 41 00:02:41,960 --> 00:02:45,960 Speaker 1: It's like oxygen. The hope that the new year brings 42 00:02:46,080 --> 00:02:49,120 Speaker 1: can be a catalyst for creative change, like I mentioned, 43 00:02:50,080 --> 00:02:53,760 Speaker 1: and as we look at music history, that change for 44 00:02:54,200 --> 00:02:59,079 Speaker 1: a lot of rock stars meant redemption, and that redemption 45 00:02:59,639 --> 00:03:06,639 Speaker 1: lends itself to incredible storytelling. Stories of redemption that are 46 00:03:06,760 --> 00:03:11,360 Speaker 1: so dramatic that if you handed them in as Hollywood scripts, 47 00:03:11,440 --> 00:03:16,200 Speaker 1: Hollywood be like, no, this is too fantastical. This goes 48 00:03:16,200 --> 00:03:19,160 Speaker 1: out of the bounds of reality. Let's look at Ozzy Osbourne. 49 00:03:19,200 --> 00:03:22,600 Speaker 1: April nineteen seventy nine, Ozzy Osbourne was kicked out of 50 00:03:22,600 --> 00:03:25,480 Speaker 1: the band that he co founded, Black Sabbath, and he 51 00:03:25,520 --> 00:03:30,040 Speaker 1: spent the next few months hold up in a hotel 52 00:03:30,080 --> 00:03:33,360 Speaker 1: room in Hollywood, spending I think he had like almost 53 00:03:33,400 --> 00:03:36,000 Speaker 1: one hundred thousand dollars as part of a buyout that 54 00:03:36,080 --> 00:03:38,680 Speaker 1: he got from the band, and he used it all 55 00:03:38,720 --> 00:03:40,960 Speaker 1: on drugs, and he just did a bunch of cocaine 56 00:03:41,600 --> 00:03:43,920 Speaker 1: while he was in that hotel room locking his wounds. 57 00:03:44,640 --> 00:03:46,360 Speaker 1: But by the end of the year, by the end 58 00:03:46,360 --> 00:03:51,240 Speaker 1: of nineteen seventy nine, for Ozzy Osbourne, hope had overcome despair. 59 00:03:51,960 --> 00:03:54,680 Speaker 1: Ozzie had a new band and a new album in 60 00:03:54,720 --> 00:03:59,240 Speaker 1: the works, Blizzard of Oz. Ozzie hoped that Blizzard of 61 00:03:59,240 --> 00:04:02,440 Speaker 1: Oz would launch his solo career in that next year, 62 00:04:02,480 --> 00:04:05,360 Speaker 1: in nineteen eighty, and that's exactly what happened. When nineteen 63 00:04:05,400 --> 00:04:08,600 Speaker 1: eighty rolled around. Blizzard of Oz went on to sell 64 00:04:09,320 --> 00:04:12,120 Speaker 1: well like Cocaine, which is to say it sold very well. 65 00:04:12,600 --> 00:04:15,240 Speaker 1: Blizzard of Oz went platinum without the help of a 66 00:04:15,320 --> 00:04:19,800 Speaker 1: radio single, but on the back of Ozzy Osbourne's hope 67 00:04:20,240 --> 00:04:22,040 Speaker 1: and all of a sudden, Ozzy Osborne wakes up in 68 00:04:22,080 --> 00:04:25,680 Speaker 1: a new decade and he's more popular than the band 69 00:04:25,760 --> 00:04:29,760 Speaker 1: that he was just kicked out of. Incredible story of 70 00:04:30,240 --> 00:04:33,279 Speaker 1: just you know, low's and highs and highs and lows 71 00:04:33,720 --> 00:04:37,960 Speaker 1: and ultimately redemption in the end. Then it doesn't end here, obviously, 72 00:04:37,960 --> 00:04:39,920 Speaker 1: Ozzy's story goes on and on and on, and there's 73 00:04:40,400 --> 00:04:43,760 Speaker 1: more highs and lows and including the point where he 74 00:04:43,800 --> 00:04:46,160 Speaker 1: almost murders his wife and he manages to somehow come 75 00:04:46,200 --> 00:04:50,280 Speaker 1: back from that fantastic storytelling, like I said, redemption. At 76 00:04:50,279 --> 00:04:52,440 Speaker 1: the end of nineteen eighty seven, here's another one. Red 77 00:04:52,440 --> 00:04:56,279 Speaker 1: Hot Chili Peppers Anthony Keiatis, their front man, decided that 78 00:04:56,560 --> 00:04:58,479 Speaker 1: by eighty seven it was time that he and his 79 00:04:58,600 --> 00:05:05,120 Speaker 1: band's guitarists Hello Slovak, face their addiction to Heroin because 80 00:05:05,360 --> 00:05:07,880 Speaker 1: their life's worked to this point. The band that they 81 00:05:08,200 --> 00:05:10,839 Speaker 1: were in, the band that they loved, the Chili Peppers. 82 00:05:10,880 --> 00:05:13,400 Speaker 1: The existence of that band was on the line. And 83 00:05:13,560 --> 00:05:17,159 Speaker 1: their latest album in nineteen eighty seven, Uplift Mofo Party Plan, 84 00:05:17,600 --> 00:05:20,159 Speaker 1: and it entered the Billboard two hundred. So now these 85 00:05:20,200 --> 00:05:23,719 Speaker 1: guys they've got some they've got stakes to their story. 86 00:05:23,960 --> 00:05:28,679 Speaker 1: They've got a real chance to break through as a band. 87 00:05:29,360 --> 00:05:32,680 Speaker 1: So Anthony in helll At the end of nineteen eighty seven, 88 00:05:32,960 --> 00:05:36,640 Speaker 1: they decided to give up Heroin together before touring Europe 89 00:05:37,040 --> 00:05:40,680 Speaker 1: in support of their new record, uplif Mofo Party Plan. 90 00:05:42,160 --> 00:05:44,919 Speaker 1: They're going to go on tour in January of nineteen 91 00:05:44,960 --> 00:05:48,200 Speaker 1: eighty eight, so you know, right in the new year, right, 92 00:05:48,480 --> 00:05:51,359 Speaker 1: giving up Heroin for the new year. That's the plan. Okay, Now, 93 00:05:51,440 --> 00:05:54,080 Speaker 1: giving up Heroin worked for Anthony Keatis, but it did 94 00:05:54,080 --> 00:05:57,640 Speaker 1: not work for Hello. He relapsed on the road in Europe, 95 00:05:57,720 --> 00:05:59,520 Speaker 1: was kicked out of the band briefly while they were 96 00:05:59,560 --> 00:06:02,599 Speaker 1: on tour, and then asked to rejoin to finish the tour. 97 00:06:03,440 --> 00:06:08,719 Speaker 1: And that's what happened. Chili Peppers returned to the States 98 00:06:08,760 --> 00:06:11,880 Speaker 1: and they were a mess and they all go their 99 00:06:11,960 --> 00:06:16,040 Speaker 1: separate ways, and then they start to resurface, but they 100 00:06:16,080 --> 00:06:21,720 Speaker 1: can't find Hello. Turns out his body was found in 101 00:06:21,800 --> 00:06:26,120 Speaker 1: his Hollywood apartment on June twenty fifth, nineteen eighty eight. 102 00:06:26,960 --> 00:06:30,479 Speaker 1: Now Here we are at the bottom, the lowest of 103 00:06:30,520 --> 00:06:33,640 Speaker 1: the low The thing that Anthony Keatis and the rest 104 00:06:33,680 --> 00:06:37,120 Speaker 1: of his band feared the most had happened. One of 105 00:06:37,160 --> 00:06:39,960 Speaker 1: the Red Hot Chili Peppers had died of a heroin overdose. 106 00:06:40,839 --> 00:06:46,040 Speaker 1: Now as nineteen eighty eight progressed, the loss of Hello Slovak, 107 00:06:46,120 --> 00:06:50,080 Speaker 1: their guitar player, proved almost to be too much for 108 00:06:50,120 --> 00:06:54,840 Speaker 1: their band. Drummer Jack Irons quit, saying that he didn't 109 00:06:54,839 --> 00:06:57,240 Speaker 1: want to be part of something that could kill him 110 00:06:57,360 --> 00:07:00,599 Speaker 1: or his friends. New drummer and a new gud Harris, 111 00:07:00,720 --> 00:07:02,799 Speaker 1: briefly joined the band, but by the end of nineteen 112 00:07:02,839 --> 00:07:06,080 Speaker 1: eighty eight, they were both replaced by Chad Smith and 113 00:07:06,200 --> 00:07:11,119 Speaker 1: John Frusciante. I was nineteen eighty eight became nineteen eighty nine. 114 00:07:11,920 --> 00:07:15,120 Speaker 1: The new Red Hot Chili Peppers were readying themselves to 115 00:07:15,200 --> 00:07:20,360 Speaker 1: start January pre production for what would become their classic album, 116 00:07:20,760 --> 00:07:26,679 Speaker 1: Mother's Milk. And they're starting this process with fifty percent 117 00:07:26,960 --> 00:07:30,360 Speaker 1: new band Okay, not an easy thing to do, not 118 00:07:30,480 --> 00:07:32,120 Speaker 1: at all. I don't care if your bass player is 119 00:07:32,160 --> 00:07:35,320 Speaker 1: named Flee. It's really hard to replace. They were my 120 00:07:35,400 --> 00:07:38,200 Speaker 1: one member, two members, especially a drummer and a lead 121 00:07:38,280 --> 00:07:39,760 Speaker 1: guitar player. I mean, come on, it's not like they're 122 00:07:39,760 --> 00:07:42,080 Speaker 1: just slotting in a well, not like you could replace. 123 00:07:42,160 --> 00:07:43,840 Speaker 1: I was gonna say slot in a bass player, but 124 00:07:44,880 --> 00:07:46,960 Speaker 1: I guess Flee is the one guy you absolutely could 125 00:07:46,960 --> 00:07:50,680 Speaker 1: not replace in the Chili Peppers. That's all beside the 126 00:07:50,720 --> 00:07:53,920 Speaker 1: point they're going in in January of nineteen eighty nine, 127 00:07:54,120 --> 00:07:58,600 Speaker 1: they're going into pre production for Mother's Milk. Whatever their 128 00:07:58,600 --> 00:08:02,040 Speaker 1: hopes were, you you have to think, first and foremost, 129 00:08:02,440 --> 00:08:04,800 Speaker 1: it was the hope that they didn't suck. Okay, you 130 00:08:04,920 --> 00:08:07,880 Speaker 1: have to think that anything beyond that was a win. 131 00:08:08,720 --> 00:08:12,520 Speaker 1: But now we have hindsight, and we have biographies, autobiographies, 132 00:08:12,560 --> 00:08:16,320 Speaker 1: excuse me, and we know that Anthony Quatus and the 133 00:08:16,360 --> 00:08:18,480 Speaker 1: rest of the Red Hot Chili Peppers were hoping for 134 00:08:18,520 --> 00:08:24,360 Speaker 1: more than to just not suck. Okay, Uplift MOFO Party 135 00:08:24,400 --> 00:08:28,640 Speaker 1: Plan was a Billboard charting album. They wanted their next record, 136 00:08:28,720 --> 00:08:33,120 Speaker 1: Mother's Milk, to be a mainstream breakthrough, which is not 137 00:08:33,240 --> 00:08:35,640 Speaker 1: easy for any band, never mind a band that's replacing 138 00:08:35,679 --> 00:08:38,840 Speaker 1: fifty percent of its members. And that's what they were 139 00:08:38,880 --> 00:08:44,120 Speaker 1: hoping for, and that's exactly what happened. Mother's Milk went 140 00:08:44,280 --> 00:08:47,400 Speaker 1: gold and set the stage for what would become the 141 00:08:47,480 --> 00:08:51,000 Speaker 1: band's not just a hit record, but a culture defining 142 00:08:51,040 --> 00:08:53,960 Speaker 1: moment when they released the follow up to Mother's Milk 143 00:08:54,080 --> 00:08:58,120 Speaker 1: a few years later with Blood Sugar, Sex Magic, an 144 00:08:58,160 --> 00:09:02,839 Speaker 1: album that it was everywhere when it was released, all 145 00:09:02,880 --> 00:09:06,079 Speaker 1: over MTV, all over the radio. It was the song 146 00:09:06,160 --> 00:09:09,480 Speaker 1: for my senior hop. It was just an explosive record. 147 00:09:09,559 --> 00:09:14,680 Speaker 1: People who had no idea about alternative music knew or 148 00:09:14,720 --> 00:09:17,720 Speaker 1: had heard at least of the Red Hot Chili Peppers. 149 00:09:18,000 --> 00:09:22,800 Speaker 1: They became a household name, and just a few years 150 00:09:22,880 --> 00:09:27,920 Speaker 1: prior to that, on the verge of nineteen eighty nine, 151 00:09:27,960 --> 00:09:31,520 Speaker 1: they were basically dead in the water. Hope went to work, 152 00:09:32,160 --> 00:09:35,760 Speaker 1: just like it did in July nineteen seventy six, when 153 00:09:35,800 --> 00:09:40,720 Speaker 1: Anime Bullock left her abusive husband after a final violent altercation. 154 00:09:41,640 --> 00:09:46,040 Speaker 1: Anime had only thirty six cents to her name when 155 00:09:46,040 --> 00:09:48,920 Speaker 1: she left her husband. She didn't seek money in the 156 00:09:48,920 --> 00:09:51,520 Speaker 1: divorce from her rock star husband, just the right to 157 00:09:51,600 --> 00:09:56,160 Speaker 1: continue to use her stage name Tina Turner, and she 158 00:09:56,280 --> 00:09:59,920 Speaker 1: won that right, and for the next six New Year's eves, 159 00:10:00,480 --> 00:10:04,720 Speaker 1: Tina Turner plied her craft on crummy stages in third 160 00:10:04,880 --> 00:10:08,840 Speaker 1: and fourth rate nightclubs, lounges and cabarets, fighting her way 161 00:10:08,880 --> 00:10:12,000 Speaker 1: back to what she hoped would be a respectable career 162 00:10:12,040 --> 00:10:16,200 Speaker 1: in entertainment. And on December thirty first, nineteen eighty three, 163 00:10:16,640 --> 00:10:20,400 Speaker 1: Tina Turner watched herself in a pre taped performance on 164 00:10:20,440 --> 00:10:25,480 Speaker 1: Barcelona television, performing with a new look, heavily teased hair bangs, 165 00:10:25,720 --> 00:10:29,760 Speaker 1: big hoop earrings, trademark legs for days, and she thought 166 00:10:29,800 --> 00:10:32,720 Speaker 1: about the future. She thought about the hope that she 167 00:10:32,960 --> 00:10:36,040 Speaker 1: had for a new album that she'd begun production on 168 00:10:36,240 --> 00:10:40,120 Speaker 1: for Capitol Records, a new record that she hoped would 169 00:10:40,120 --> 00:10:43,880 Speaker 1: re establish her as an entertaining force in her own right, 170 00:10:44,160 --> 00:10:49,440 Speaker 1: without her abusive husband, like Turner, backing her. Tina Turner 171 00:10:49,760 --> 00:10:53,319 Speaker 1: hoped that this record would make her own name Tina 172 00:10:53,600 --> 00:10:57,240 Speaker 1: ring out. Private Dancer was released in the spring of 173 00:10:57,280 --> 00:11:01,120 Speaker 1: nineteen eighty four. The album was instantly a doored by critics, 174 00:11:01,360 --> 00:11:06,199 Speaker 1: its singles played endlessly by FM radio, It's videos rotated 175 00:11:06,240 --> 00:11:11,559 Speaker 1: heavily by MTV, and it sold millions and millions of copies. 176 00:11:12,400 --> 00:11:17,000 Speaker 1: Tina Turner, like the Red Hot Chili Peppers, like Ozzy Osbourne, 177 00:11:17,559 --> 00:11:20,439 Speaker 1: and like so many other artists we've covered in disgrace 178 00:11:20,480 --> 00:11:26,160 Speaker 1: that Johnny Cash, Iggy Pop, Ac, DC, Frank Sinatra. They 179 00:11:26,200 --> 00:11:31,440 Speaker 1: were down and nearly out, their careers seemingly over, but 180 00:11:31,559 --> 00:11:36,000 Speaker 1: we're not. For this crucial ingredient that seems to be 181 00:11:36,240 --> 00:11:42,560 Speaker 1: in abundance this time of year. Hope. Hope makes for 182 00:11:43,400 --> 00:11:49,200 Speaker 1: great storytelling. Hope makes for a lot of great things. 183 00:11:49,240 --> 00:11:52,600 Speaker 1: It's hard, it's hard to lift them all without sounding 184 00:11:52,640 --> 00:11:57,640 Speaker 1: like a total fucking cheese ball, but it's part of 185 00:11:57,800 --> 00:12:00,000 Speaker 1: what gets us up in the morning and gets us going, 186 00:12:00,320 --> 00:12:03,120 Speaker 1: and it comes into focus for me at least, and 187 00:12:03,200 --> 00:12:04,920 Speaker 1: you know, for a lot of the artists we cover 188 00:12:05,440 --> 00:12:07,480 Speaker 1: around this time of year. I hope it does for 189 00:12:07,559 --> 00:12:09,960 Speaker 1: you as well. I hope you guys are having a 190 00:12:10,000 --> 00:12:13,200 Speaker 1: great holiday season. I hope you're all gearing up to 191 00:12:13,280 --> 00:12:15,719 Speaker 1: achieve whatever it is you want to achieve this year, 192 00:12:15,760 --> 00:12:19,160 Speaker 1: whether it's global superstardom like Tina Turner, or perhaps something 193 00:12:19,160 --> 00:12:21,640 Speaker 1: more modest, like a few more quiet nights at home 194 00:12:21,679 --> 00:12:24,840 Speaker 1: with your family, perhaps some peace of mind. Whatever it is, 195 00:12:25,040 --> 00:12:26,800 Speaker 1: I hope you get it, and I hope to keep 196 00:12:26,800 --> 00:12:30,320 Speaker 1: talking to you here in Disgraceland every week. We had 197 00:12:30,360 --> 00:12:31,839 Speaker 1: a lot of great stories planned for you guys in 198 00:12:31,880 --> 00:12:36,160 Speaker 1: twenty twenty six, in addition to these weekly after party episodes. 199 00:12:36,679 --> 00:12:38,880 Speaker 1: One thing that we're going to start doing beginning next 200 00:12:38,920 --> 00:12:43,440 Speaker 1: week here in Disgraceland is laying out our new full 201 00:12:43,520 --> 00:12:47,319 Speaker 1: episodes for you guys with a little bit more information 202 00:12:47,600 --> 00:12:51,720 Speaker 1: and a little bit more intentionality. Now, one of the 203 00:12:51,720 --> 00:12:55,640 Speaker 1: things that's changed in Disgraceland over the last few years 204 00:12:55,760 --> 00:12:59,520 Speaker 1: is that Disgraceland the show used to be much more 205 00:12:59,679 --> 00:13:04,720 Speaker 1: of a seasonal show, where we release twelve weekly episodes 206 00:13:04,800 --> 00:13:07,800 Speaker 1: seasonally and then take a bunch of weeks off before 207 00:13:07,840 --> 00:13:12,760 Speaker 1: releasing a new season. Now, the cool thing about this was, 208 00:13:13,640 --> 00:13:16,000 Speaker 1: you know, in addition to having you know, a whole 209 00:13:16,040 --> 00:13:18,120 Speaker 1: lot less work to do, but that's you know, I'm 210 00:13:18,120 --> 00:13:20,679 Speaker 1: only kidding about that. The cool thing was as a 211 00:13:20,760 --> 00:13:26,079 Speaker 1: result of this schedule where we were sort of releasing 212 00:13:26,280 --> 00:13:31,760 Speaker 1: seasons in batches. When these batched releases would happen, it 213 00:13:31,800 --> 00:13:36,080 Speaker 1: would create these moments of excitement around discovering which artists 214 00:13:36,240 --> 00:13:38,960 Speaker 1: we'd all be digging into at the same time, and 215 00:13:39,000 --> 00:13:42,520 Speaker 1: now that we've published episodes every week, we've lost those 216 00:13:42,559 --> 00:13:46,040 Speaker 1: big reveals. So what I'm gonna start doing is once 217 00:13:46,120 --> 00:13:49,040 Speaker 1: every three or four months, I'm gonna pop into the 218 00:13:49,080 --> 00:13:52,440 Speaker 1: feed with a reveal episode, so to speak, a behind 219 00:13:52,480 --> 00:13:55,360 Speaker 1: the scenes episode. We're gonna talk about what artists are 220 00:13:55,400 --> 00:13:59,239 Speaker 1: coming over the next twelve or so weeks, like coming immediately, 221 00:13:59,360 --> 00:14:01,679 Speaker 1: and we're gonna give you guys insight into those stories, 222 00:14:01,720 --> 00:14:05,440 Speaker 1: the crimes, the myths, the transgressions, all of it. And 223 00:14:05,480 --> 00:14:07,199 Speaker 1: we're gonna give, like I said, a bit of behind 224 00:14:07,240 --> 00:14:11,360 Speaker 1: the scenes peak at how these stories are chosen and 225 00:14:11,440 --> 00:14:15,120 Speaker 1: how they're being put together in real time. What we're 226 00:14:15,160 --> 00:14:17,880 Speaker 1: doing for research, what we're planning on doing for music, 227 00:14:17,960 --> 00:14:20,560 Speaker 1: Which parts of the stories we're leaning into, Which parts 228 00:14:20,560 --> 00:14:23,520 Speaker 1: of the stories we're leaving on the table. I'm also 229 00:14:23,560 --> 00:14:25,920 Speaker 1: doing this in part because what we've got going on 230 00:14:25,960 --> 00:14:30,000 Speaker 1: in Patreon for twenty twenty six. If you're in on 231 00:14:30,720 --> 00:14:33,400 Speaker 1: the ten dollars tier, if you're a ten dollars tier 232 00:14:33,480 --> 00:14:38,040 Speaker 1: all access member in Patreon, you're gonna have the ability 233 00:14:38,080 --> 00:14:40,960 Speaker 1: to meet with Zeth and I perhaps Matt as well, 234 00:14:41,000 --> 00:14:44,360 Speaker 1: to help determine and choose which artists that we're going 235 00:14:44,440 --> 00:14:47,440 Speaker 1: to cover, and these new behind the scenes episodes like 236 00:14:47,440 --> 00:14:49,840 Speaker 1: the one you're gonna get next week, they're going to 237 00:14:49,920 --> 00:14:52,120 Speaker 1: take on more weight in relevance. You're gonna get to hear. 238 00:14:52,200 --> 00:14:54,200 Speaker 1: If you're a ten dollars Patreon, you're gonna get to hear. 239 00:14:55,040 --> 00:14:57,840 Speaker 1: So the results of your thinking and your choices coming 240 00:14:57,840 --> 00:15:02,520 Speaker 1: to life right alongside are thinking. So that's all that's 241 00:15:02,560 --> 00:15:05,320 Speaker 1: all happening. It's all happening in twenty twenty six. That 242 00:15:05,400 --> 00:15:08,560 Speaker 1: behind the scenes episode that the seasonal reveal is coming 243 00:15:08,560 --> 00:15:11,600 Speaker 1: your way next week, and then right after that we 244 00:15:11,640 --> 00:15:15,240 Speaker 1: start the new year with our brand new episode on 245 00:15:15,480 --> 00:15:18,880 Speaker 1: Johnny Thunders of the New York Dolls and the mystery 246 00:15:19,160 --> 00:15:23,080 Speaker 1: surrounding his death. And from there we're going to get 247 00:15:23,080 --> 00:15:26,800 Speaker 1: into brand new episodes. I'm not going to burn them 248 00:15:26,800 --> 00:15:28,480 Speaker 1: all now, you're gonna have to wait till next week 249 00:15:28,480 --> 00:15:30,520 Speaker 1: to hear which ones we're coming at you with. But 250 00:15:30,560 --> 00:15:35,280 Speaker 1: I'm very very excited. You know, we did rely heavily 251 00:15:35,600 --> 00:15:38,760 Speaker 1: on the suggestions that you guys have made over the 252 00:15:38,800 --> 00:15:43,320 Speaker 1: past few months just throughout the year. Really here in 253 00:15:43,360 --> 00:15:46,400 Speaker 1: the after party, with your your voicemails and your texts, 254 00:15:46,760 --> 00:15:50,240 Speaker 1: emails of course, DMS, we listen. We try to incorporate 255 00:15:50,760 --> 00:15:53,000 Speaker 1: a bunch of your suggestions, a bunch of new female 256 00:15:53,080 --> 00:15:56,080 Speaker 1: artists as well that I'm really excited about. So that's 257 00:15:56,120 --> 00:15:57,680 Speaker 1: all coming. It's all coming next week. You're going to 258 00:15:57,760 --> 00:16:00,920 Speaker 1: hear all about that. In the meantime, we are rewinding 259 00:16:01,080 --> 00:16:05,000 Speaker 1: this week for New Year's with Hank Williams, who famously 260 00:16:05,080 --> 00:16:08,600 Speaker 1: died on New Year's Day nineteen fifty three, so obviously 261 00:16:09,120 --> 00:16:13,920 Speaker 1: there's some relevance there. More on New Year's related music 262 00:16:13,920 --> 00:16:16,080 Speaker 1: in the exclusive section of this after party, where I'm 263 00:16:16,080 --> 00:16:18,200 Speaker 1: going to be reviewing some of the stranger number one 264 00:16:18,320 --> 00:16:21,120 Speaker 1: songs from New Year's Day, going back through music history. 265 00:16:21,480 --> 00:16:23,280 Speaker 1: Got to be an all access member to cop that, though, 266 00:16:23,280 --> 00:16:25,440 Speaker 1: go to disgrace lampod dot com to sign up in 267 00:16:25,720 --> 00:16:28,640 Speaker 1: unlock exclusive content like the content you're going to get 268 00:16:28,720 --> 00:16:31,760 Speaker 1: later in the after party here, like our mini episodes, 269 00:16:31,960 --> 00:16:34,080 Speaker 1: and you're also going to get add free listening and 270 00:16:34,200 --> 00:16:37,680 Speaker 1: access to our disgrace and community chat on Patreon. Membership 271 00:16:37,720 --> 00:16:41,360 Speaker 1: start for as little as a dollar per month. That's 272 00:16:41,440 --> 00:16:44,080 Speaker 1: all at disgracelampod dot com to sign up. 273 00:16:44,120 --> 00:16:45,000 Speaker 2: I'll be back right. 274 00:16:44,920 --> 00:17:05,960 Speaker 1: After this with your voicemails, text, dms and more. All right, 275 00:17:06,000 --> 00:17:10,959 Speaker 1: we are back, Happy New Year again, Happy holidays, Merry Christmas. 276 00:17:11,800 --> 00:17:15,280 Speaker 1: Speaking of Christmas, I got some incredible gifts from my 277 00:17:15,320 --> 00:17:20,880 Speaker 1: family this year. Small gifts, really, but if you looked 278 00:17:20,920 --> 00:17:23,600 Speaker 1: at the books that I received, and this will sort 279 00:17:23,600 --> 00:17:27,760 Speaker 1: of serve as a recommendation section here impromptu, you can 280 00:17:27,800 --> 00:17:34,119 Speaker 1: tell my family really gets me, as they should. I 281 00:17:34,160 --> 00:17:36,600 Speaker 1: got the Once Upon a Time in Hollywood book by 282 00:17:36,680 --> 00:17:42,160 Speaker 1: Jay Glenny, which is just fantastic. It's a tome of 283 00:17:42,240 --> 00:17:49,119 Speaker 1: these incredible images and stories from the making of Quentin 284 00:17:49,160 --> 00:17:53,960 Speaker 1: Tarantino's ninth and what looks like to be his final film. 285 00:17:54,600 --> 00:17:56,919 Speaker 1: I know what I just said here. If you're a 286 00:17:56,920 --> 00:17:59,840 Speaker 1: fan of Tarantino, you're a fan of that movie, it says, 287 00:18:00,560 --> 00:18:03,240 Speaker 1: and that should be enough. But I can't put into 288 00:18:03,240 --> 00:18:07,800 Speaker 1: words how exhilarating this book is. The stories are incredible 289 00:18:08,800 --> 00:18:14,200 Speaker 1: and the pictures are equally incredible. Just just a wonderful, 290 00:18:14,200 --> 00:18:16,000 Speaker 1: wonderful gift. It was the only thing I asked for 291 00:18:16,160 --> 00:18:18,920 Speaker 1: my wife came through Jay glennies Once Upon a Time 292 00:18:18,960 --> 00:18:25,080 Speaker 1: in Hollywood. I also received a collection of Joan Didion books. 293 00:18:25,680 --> 00:18:29,480 Speaker 1: Very cool, very cool. As I start to consider you know, 294 00:18:29,720 --> 00:18:32,440 Speaker 1: how do I? You know, how do I? 295 00:18:32,480 --> 00:18:32,800 Speaker 3: What if? 296 00:18:32,840 --> 00:18:34,720 Speaker 1: I want to do some music history essays? You know 297 00:18:35,520 --> 00:18:38,760 Speaker 1: what about that? And the Joan Didion stuff is sort 298 00:18:38,800 --> 00:18:43,680 Speaker 1: of a perfect guide. Bread of Angels by Patti Smith, 299 00:18:43,920 --> 00:18:48,959 Speaker 1: Dirtbag Massachusetts by Isaac Fitzgerald. My son got me The 300 00:18:49,000 --> 00:18:52,159 Speaker 1: Fall of Egypt in the Rise of Rome, and he 301 00:18:52,280 --> 00:18:55,560 Speaker 1: also got me Blood and Thunder, which is a book 302 00:18:55,640 --> 00:18:58,360 Speaker 1: on the settling of the American West, which has been 303 00:18:58,440 --> 00:19:02,720 Speaker 1: a recent fascination of mine. My wife got me Evan 304 00:19:02,840 --> 00:19:06,320 Speaker 1: Dando's Rumors of my Demise, so I guess there's going 305 00:19:06,359 --> 00:19:08,359 Speaker 1: to be an Evan Dando episode coming to you in 306 00:19:08,400 --> 00:19:11,479 Speaker 1: twenty twenty six. And I get a book on the 307 00:19:11,520 --> 00:19:15,199 Speaker 1: Eucharist as well, which I'm pretty excited to read. So 308 00:19:15,280 --> 00:19:19,280 Speaker 1: some great books there for records. Let's see what I got. 309 00:19:19,400 --> 00:19:25,360 Speaker 1: This is stack here. My aunt Tracy got me Rufus 310 00:19:25,359 --> 00:19:30,200 Speaker 1: and Chaka Khan Live, which I didn't know I needed, 311 00:19:30,359 --> 00:19:32,879 Speaker 1: but I have it, and I'm excited. I got my 312 00:19:32,880 --> 00:19:35,320 Speaker 1: wife Jimmy World's Bleed American on vinyl. That's here in 313 00:19:35,359 --> 00:19:39,919 Speaker 1: the stack. I also found this fantastic French pressing of 314 00:19:39,960 --> 00:19:43,880 Speaker 1: a Florida punk rock compilation from the sixties, so it's 315 00:19:43,920 --> 00:19:47,760 Speaker 1: like proto punk, pre punk, but it's called Florida Punk 316 00:19:48,080 --> 00:19:53,960 Speaker 1: and it is the Mods, Esquires, Shy Guys, Tasmanians, Tallula Babies, 317 00:19:54,080 --> 00:19:58,120 Speaker 1: Palace Guards, Mark Markham and the Plastic Blues Band. This 318 00:19:58,560 --> 00:20:01,840 Speaker 1: looks incredible. Got this for my wife, but you know, hey, 319 00:20:01,920 --> 00:20:04,840 Speaker 1: kind of for me as well. Also got my wife 320 00:20:05,200 --> 00:20:11,440 Speaker 1: the Phoenix album Wolfgang Amedeis Phoenix on Vinyl. My son 321 00:20:11,480 --> 00:20:15,600 Speaker 1: got her Fashion Nugget by Cake on Vinyl. I received 322 00:20:15,600 --> 00:20:18,639 Speaker 1: the new Lemonheads record Love Chant, which I like the 323 00:20:18,680 --> 00:20:21,280 Speaker 1: singles I've heard of this album. My friends aren't so 324 00:20:21,320 --> 00:20:23,800 Speaker 1: psyched on this, at least some of my friends that 325 00:20:23,800 --> 00:20:26,320 Speaker 1: I've spoken to about this, but I think that song 326 00:20:26,400 --> 00:20:30,320 Speaker 1: deep End is incredible one with jam Maskis, said Julian Hetfield. Anyways, 327 00:20:30,440 --> 00:20:33,119 Speaker 1: happy to have that on record. I also received the 328 00:20:33,160 --> 00:20:38,760 Speaker 1: original Spinal Tap album are Ip rob Reiner. I got 329 00:20:38,760 --> 00:20:41,600 Speaker 1: the Ricky Lee Jones record Chuck E's in Love Pumped 330 00:20:41,600 --> 00:20:46,760 Speaker 1: about that great song. And a Susan Tedesky album, which 331 00:20:46,800 --> 00:20:49,359 Speaker 1: I don't know if that's for me or for my son. 332 00:20:49,400 --> 00:20:54,160 Speaker 1: I think it's for my son. Oh E Pete by 333 00:20:54,280 --> 00:20:58,119 Speaker 1: Richard Rosenblatt, who I know, by the way, Rosie, what up? Rosie? 334 00:20:58,119 --> 00:21:02,520 Speaker 1: Hope you're well? Okay, that was my record hall and 335 00:21:02,640 --> 00:21:05,359 Speaker 1: book haull. I guess it was a collective family record 336 00:21:05,400 --> 00:21:08,520 Speaker 1: hall for the year, but my book hall for the 337 00:21:08,600 --> 00:21:10,800 Speaker 1: year at Christmas, which I'm pretty stoked on. What'd you 338 00:21:10,800 --> 00:21:14,919 Speaker 1: guys get? Let me know, be a little impromptu recommendations 339 00:21:16,040 --> 00:21:19,240 Speaker 1: back and forth between us. Speaking of back and forth 340 00:21:19,359 --> 00:21:22,200 Speaker 1: between us, I want to get into some voicemails, texts 341 00:21:22,200 --> 00:21:26,679 Speaker 1: and emails from you guys, just sort of clear the 342 00:21:26,760 --> 00:21:31,800 Speaker 1: deck here, no real focus, but just to talk oftentimes. 343 00:21:32,040 --> 00:21:35,280 Speaker 1: I'm calling through these responses from you guys in relation 344 00:21:35,359 --> 00:21:38,200 Speaker 1: to the question of the week. We really have a 345 00:21:38,280 --> 00:21:39,840 Speaker 1: question of the week because we're kind of free wheel 346 00:21:39,880 --> 00:21:44,320 Speaker 1: on it here through the New Year's Okay, this one here, 347 00:21:44,440 --> 00:21:49,280 Speaker 1: everybody has to listen to this. Okay, this is from 348 00:21:49,320 --> 00:21:52,560 Speaker 1: the nine to seventy and nine to seventy eight. I 349 00:21:52,600 --> 00:21:56,200 Speaker 1: apologize a ton of text here, and I haven't responded 350 00:21:57,560 --> 00:22:03,080 Speaker 1: to any of these texts in text form. I'm guessing 351 00:22:03,080 --> 00:22:06,639 Speaker 1: I've read some of them, but I don't know how 352 00:22:06,640 --> 00:22:08,560 Speaker 1: I missed a bunch of these if I didn't. But 353 00:22:08,640 --> 00:22:12,800 Speaker 1: anyways nine to seven eight, Mark writes in hey, check 354 00:22:12,840 --> 00:22:15,960 Speaker 1: it out the beginnings of a playlist containing every song 355 00:22:16,040 --> 00:22:19,960 Speaker 1: you mentioned, specifically from Disgrace Sand not the album, that 356 00:22:19,960 --> 00:22:22,720 Speaker 1: would be crazy, and not references. I'd probably miss a bunch, 357 00:22:22,760 --> 00:22:26,159 Speaker 1: but actual song titles in every episode up to The 358 00:22:26,200 --> 00:22:31,879 Speaker 1: Grateful Dead. So far, it's fucking awesome. From Mark in 359 00:22:31,960 --> 00:22:35,320 Speaker 1: the nine to seven eight Helltown Baby, Where's helltoun? In 360 00:22:35,359 --> 00:22:37,000 Speaker 1: the nine seven eight I feel like I've been there. 361 00:22:37,400 --> 00:22:39,159 Speaker 1: But you click on the link and it takes you 362 00:22:39,200 --> 00:22:45,679 Speaker 1: to this Apple Music playlist and it is as advertised. 363 00:22:46,119 --> 00:22:49,080 Speaker 1: It's I thought this is going to be the number 364 00:22:49,119 --> 00:22:54,000 Speaker 1: one songs mentioned. It is more psychotic than that. This 365 00:22:54,160 --> 00:23:00,320 Speaker 1: is literally every song mentioned in our episodes. Like when 366 00:23:00,359 --> 00:23:02,680 Speaker 1: I'm referencing Hey Jude in a Beatles episode, it's got 367 00:23:02,680 --> 00:23:07,320 Speaker 1: hey Jude. When I'm mentioning uh, far Away Eyes by 368 00:23:07,359 --> 00:23:11,240 Speaker 1: the Rolling Stones in the Keith Richards episode. That's not 369 00:23:11,280 --> 00:23:13,280 Speaker 1: a number one song, but that's in here. Shape of 370 00:23:13,320 --> 00:23:15,440 Speaker 1: You by Ed Shearing. That wasn't number one song. That's 371 00:23:15,480 --> 00:23:19,000 Speaker 1: in here Straight out of Compton, The Race by Take 372 00:23:20,200 --> 00:23:22,560 Speaker 1: Rat Race by Bob Marley and the Whaler say, oh 373 00:23:22,600 --> 00:23:26,600 Speaker 1: my god, this is amazing. He stopped loving her today. 374 00:23:26,720 --> 00:23:30,760 Speaker 1: George Jones, the old violin, Johnny Paychack, pardon me, I've 375 00:23:30,760 --> 00:23:35,080 Speaker 1: got someone to kill Johnny paycheck Yo. Mark, Keep going, dude, 376 00:23:35,680 --> 00:23:39,240 Speaker 1: this thing needs to be a living, breathing list. Keep 377 00:23:39,280 --> 00:23:43,199 Speaker 1: going with this. I see that you're up to looks 378 00:23:43,480 --> 00:23:47,720 Speaker 1: like you've made it to well. You said grateful dead. 379 00:23:48,000 --> 00:23:50,440 Speaker 1: I'm not seeing evidence of that. I could be wrong. 380 00:23:50,800 --> 00:23:55,240 Speaker 1: Definitely into season four here with Icontina Turner, which damn man, 381 00:23:56,520 --> 00:23:57,200 Speaker 1: nice work. 382 00:23:57,960 --> 00:23:58,760 Speaker 3: Keep going, Mark. 383 00:23:58,840 --> 00:24:02,720 Speaker 1: I'm gonna put this in ya in the Patreon, in 384 00:24:02,760 --> 00:24:05,119 Speaker 1: the Patreon chat for everybody, and I'll also put it 385 00:24:05,119 --> 00:24:07,800 Speaker 1: out on Instagram when I get a minute. Mark. I 386 00:24:07,840 --> 00:24:10,920 Speaker 1: love this. If you guys want to search Mark McKellar 387 00:24:11,040 --> 00:24:13,160 Speaker 1: on Apple Music, you'll be able to find this again. 388 00:24:13,160 --> 00:24:15,200 Speaker 1: Like I said, I'll share the link. And I hope 389 00:24:15,200 --> 00:24:19,159 Speaker 1: that this list of songs mentioned in Disgraceland continues to 390 00:24:19,200 --> 00:24:21,840 Speaker 1: grow because it will be a hell of a playlist. 391 00:24:21,880 --> 00:24:24,720 Speaker 1: Thank you, Mark. I want to give a special shout 392 00:24:24,720 --> 00:24:27,240 Speaker 1: out back to the six one five who last week 393 00:24:27,320 --> 00:24:31,760 Speaker 1: texted in and brought up Beautiful Girls as a fantastic 394 00:24:31,800 --> 00:24:36,200 Speaker 1: Christmas movie and I can't believe I space on talking 395 00:24:36,200 --> 00:24:37,960 Speaker 1: about this over the last few weeks. I went back 396 00:24:37,960 --> 00:24:43,320 Speaker 1: and I watched it over the weekend and Beautiful Girls. 397 00:24:43,359 --> 00:24:45,760 Speaker 1: Not only is it a great Christmas movie, it has 398 00:24:45,800 --> 00:24:49,840 Speaker 1: a fantastic soundtrack. Afghan Whigs are actually in the movie. 399 00:24:50,359 --> 00:24:54,080 Speaker 1: It's just filled with great classic rock and really, you 400 00:24:54,119 --> 00:24:58,040 Speaker 1: know this, this movie reminds me so much of my hometown, 401 00:24:58,119 --> 00:25:01,080 Speaker 1: of my upbringing, of my friends from home. I just 402 00:25:01,080 --> 00:25:04,480 Speaker 1: feel like this in a weird way, the movies about us. 403 00:25:04,600 --> 00:25:07,920 Speaker 1: It's set in a fictional town in Massachusetts. It looks 404 00:25:08,000 --> 00:25:11,160 Speaker 1: exactly like the town I grew up in, so again 405 00:25:11,280 --> 00:25:13,600 Speaker 1: six one five. Thank you so much for that, and 406 00:25:13,880 --> 00:25:16,560 Speaker 1: I got Zeth's watching it and talking about it as well. 407 00:25:17,280 --> 00:25:21,000 Speaker 1: Cynthia over on Instagram rights in, Hey Jake, Happy twenty 408 00:25:21,080 --> 00:25:23,919 Speaker 1: twenty six, twenty seven, twenty nine. Do as the Egyptians 409 00:25:23,960 --> 00:25:26,000 Speaker 1: do and put your right feet forward on the thirty 410 00:25:26,040 --> 00:25:28,399 Speaker 1: first look up, take a deep breath, and connect yourself 411 00:25:28,440 --> 00:25:31,200 Speaker 1: with the divine energy of the cosmos. May the force 412 00:25:31,280 --> 00:25:34,200 Speaker 1: be with you moving forward always. All the best, Cynthia, 413 00:25:34,240 --> 00:25:38,200 Speaker 1: thank you, Happy New Year to you as well. Jeanette 414 00:25:38,200 --> 00:25:40,480 Speaker 1: Ward rights in, thank you all for being my number 415 00:25:40,480 --> 00:25:44,199 Speaker 1: one podcast of twenty twenty five Spotify told me so. 416 00:25:44,359 --> 00:25:48,760 Speaker 1: Looking forward to twenty twenty six, Jeannette from Perth, Australia, Jeanette, 417 00:25:48,760 --> 00:25:52,000 Speaker 1: you got it. Thank you. Don McPherson writes in Hey, 418 00:25:52,080 --> 00:25:55,280 Speaker 1: Iron Butterfly bassist, have you ever covered the subject of 419 00:25:55,320 --> 00:25:57,840 Speaker 1: the basis from Iron Butterfly who went missing and was 420 00:25:57,880 --> 00:26:01,199 Speaker 1: found years later love your show? No, we have not, 421 00:26:01,359 --> 00:26:03,560 Speaker 1: but we've had many people mention it and it sounds 422 00:26:03,600 --> 00:26:07,080 Speaker 1: like something Don that we need to get into. So 423 00:26:07,200 --> 00:26:11,080 Speaker 1: perhaps this is the year. Hope, Hope, Don, Let's hope. 424 00:26:11,640 --> 00:26:15,080 Speaker 1: Over on Patreon, Eric writes in Hey, can't figure out 425 00:26:15,080 --> 00:26:16,480 Speaker 1: how to post a pick on here, but I finally 426 00:26:16,520 --> 00:26:19,560 Speaker 1: came across the interview with Angus Young that I'd read 427 00:26:19,800 --> 00:26:22,960 Speaker 1: years ago. Now I'm reading this to you because Eric 428 00:26:23,040 --> 00:26:27,680 Speaker 1: is commenting on the ACDC mini episode that we released 429 00:26:27,720 --> 00:26:29,960 Speaker 1: a couple weeks back, but a month back, a month 430 00:26:30,040 --> 00:26:32,720 Speaker 1: or so, a couple months actually, one of our first 431 00:26:32,760 --> 00:26:36,359 Speaker 1: mini episodes about who wrote the lyrics to back in 432 00:26:36,440 --> 00:26:39,399 Speaker 1: Black Right? Seems like a cut and dry answered question, 433 00:26:39,480 --> 00:26:42,720 Speaker 1: cut and dry answer. This. This is the quote that 434 00:26:42,880 --> 00:26:45,720 Speaker 1: I'm pretty sure I referenced, I might have referenced in 435 00:26:45,880 --> 00:26:49,359 Speaker 1: my in our episode, but Eric dug this up. This 436 00:26:49,440 --> 00:26:51,960 Speaker 1: is the quote from Angus Young. Have you ever thought 437 00:26:51,960 --> 00:26:55,040 Speaker 1: about quitting? Was the question to Angus, and Angus response, 438 00:26:55,200 --> 00:26:57,760 Speaker 1: The only time I did was when Bond Scott died. 439 00:26:57,800 --> 00:27:00,320 Speaker 1: We were in doubt about what to do. We had 440 00:27:00,440 --> 00:27:03,719 Speaker 1: songs that he had written and we wanted to finish 441 00:27:03,760 --> 00:27:07,000 Speaker 1: the songs. We thought it would be a tribute to Bond, 442 00:27:07,040 --> 00:27:10,800 Speaker 1: and that album became Back in Black. Come on, man, 443 00:27:11,040 --> 00:27:13,480 Speaker 1: I think the evidence is pretty clear. Eric, thank you 444 00:27:13,520 --> 00:27:17,720 Speaker 1: for writing in. I missed that a couple days ago 445 00:27:17,760 --> 00:27:20,639 Speaker 1: when you posted it, h and I just wanted to 446 00:27:20,640 --> 00:27:22,919 Speaker 1: get it in here on record. Guys, you can hit 447 00:27:23,000 --> 00:27:26,280 Speaker 1: us up so many different places six point seven nine 448 00:27:26,359 --> 00:27:30,600 Speaker 1: oh six six' six three, eight voicemail and text At 449 00:27:30,640 --> 00:27:35,320 Speaker 1: Disgrace lampod on the, socials get in The patreon Check 450 00:27:35,320 --> 00:27:37,879 Speaker 1: goddisgrace lampod dot com to sign out to become a. 451 00:27:37,880 --> 00:27:40,159 Speaker 1: Member you can do so for as little as a. 452 00:27:40,440 --> 00:27:44,119 Speaker 1: Dollar get in, there in on the conversation with. Us All, 453 00:27:44,200 --> 00:27:46,360 Speaker 1: Right i'm gonna take a quick break AND i will 454 00:27:46,400 --> 00:28:03,560 Speaker 1: be back right after. This all, Right Happy New. Year once, 455 00:28:03,600 --> 00:28:06,480 Speaker 1: again we are back here in the after. Party listen 456 00:28:06,520 --> 00:28:09,639 Speaker 1: if you want more New year's. Content zeth AND i 457 00:28:09,720 --> 00:28:15,360 Speaker 1: did this recap of our Favorite New year's, movies which 458 00:28:15,440 --> 00:28:17,480 Speaker 1: is a fantastic category when you think about. It there's 459 00:28:17,480 --> 00:28:20,960 Speaker 1: some really stellar movies that are centered in and Around 460 00:28:21,000 --> 00:28:23,879 Speaker 1: New Year's Eve New Year's, day And i'm not talking 461 00:28:23,880 --> 00:28:27,680 Speaker 1: about The Julia roberts movie. Anyways deth AND i get 462 00:28:27,720 --> 00:28:31,720 Speaker 1: into all that in a special episode Of Hollywood. Land 463 00:28:32,720 --> 00:28:34,800 Speaker 1: it's a great, conversation and here's a. 464 00:28:34,800 --> 00:28:39,640 Speaker 4: Peak what's your history with this quote unquote? Holiday are 465 00:28:39,640 --> 00:28:41,320 Speaker 4: you a fan Of New Year's? Eve did you like 466 00:28:41,880 --> 00:28:43,280 Speaker 4: used to go out a? Lot did you used to 467 00:28:43,280 --> 00:28:45,440 Speaker 4: Play New Year's eve a lot when you were playing? 468 00:28:45,480 --> 00:28:45,800 Speaker 2: Music? 469 00:28:46,320 --> 00:28:49,360 Speaker 1: YES i. Did and the great thing about being a 470 00:28:49,640 --> 00:28:54,000 Speaker 1: young struggling musician is that you get paid On New 471 00:28:54,080 --> 00:28:57,720 Speaker 1: year's and we would you get? Paid, LIKE i don't, 472 00:28:57,800 --> 00:29:00,000 Speaker 1: REALLY i still don't really understand the economics of, it 473 00:29:00,080 --> 00:29:01,960 Speaker 1: but YOU i think it's just because it becomes so 474 00:29:02,040 --> 00:29:06,080 Speaker 1: competitive and clubs and bars need to have something going. 475 00:29:06,120 --> 00:29:10,800 Speaker 1: On SO i would always, play which means EVENTUALLY i 476 00:29:10,840 --> 00:29:15,320 Speaker 1: would always hate playing because it was really amateur hour 477 00:29:16,040 --> 00:29:18,240 Speaker 1: and you, know everyone's, out everyone's getting. 478 00:29:18,040 --> 00:29:20,720 Speaker 2: Hammered everyone's yelling for. Requests probably too. 479 00:29:20,680 --> 00:29:24,280 Speaker 1: Everybody's, yelling yelling for requests and that that nen't really 480 00:29:24,280 --> 00:29:26,640 Speaker 1: bothered me that, much but you, know there WAS i 481 00:29:26,640 --> 00:29:28,479 Speaker 1: do have. This one of the last TIMES i did 482 00:29:28,560 --> 00:29:30,280 Speaker 1: it was probably the last TIME i did it was 483 00:29:30,360 --> 00:29:32,640 Speaker 1: with a BAND i was in Called Bodega. Girls it 484 00:29:32,720 --> 00:29:35,800 Speaker 1: might have been around two thousand and, eight two thousand and, 485 00:29:36,480 --> 00:29:38,560 Speaker 1: nine something like. That this is a band that was 486 00:29:38,640 --> 00:29:40,920 Speaker 1: never supposed to play, live and we find ourselves playing 487 00:29:40,920 --> 00:29:44,000 Speaker 1: A New Year's eve a real party, band, right, yeah 488 00:29:44,000 --> 00:29:46,240 Speaker 1: it's a party. Band we played parties like lofts And 489 00:29:46,320 --> 00:29:49,680 Speaker 1: bushwick and like oh like literal, parties, okay, yeah, Yeah 490 00:29:49,720 --> 00:29:51,040 Speaker 1: and the whole thing was like we're just going to 491 00:29:51,120 --> 00:29:53,840 Speaker 1: record and then we'll play like. Parties we won't play. 492 00:29:53,840 --> 00:29:55,920 Speaker 1: Clubs but now we're playing this club and it was 493 00:29:55,920 --> 00:29:59,400 Speaker 1: like one of these. Clubs it was the club right 494 00:29:59,400 --> 00:30:02,680 Speaker 1: across the street From folies and like Downtown, boston like way, 495 00:30:02,720 --> 00:30:06,320 Speaker 1: downtown and there was somebody famous DJing i can't remember, 496 00:30:06,320 --> 00:30:09,400 Speaker 1: who and we were playing like it was like you, 497 00:30:09,440 --> 00:30:11,920 Speaker 1: know three two, one and then we're gonna like start 498 00:30:11,920 --> 00:30:14,360 Speaker 1: playing and it's like it's like pat you cannot move 499 00:30:14,440 --> 00:30:14,680 Speaker 1: type of. 500 00:30:14,760 --> 00:30:16,480 Speaker 2: Thing no, stage we're in. 501 00:30:16,440 --> 00:30:21,320 Speaker 1: This like dance dance, cave and this this like college 502 00:30:21,720 --> 00:30:24,000 Speaker 1: towny kid. WAS i had my pedal board at the 503 00:30:24,120 --> 00:30:26,520 Speaker 1: edge of the stage quote unquote stage and he comes 504 00:30:26,560 --> 00:30:28,960 Speaker 1: up with his beer and he's like it's a full 505 00:30:29,040 --> 00:30:33,160 Speaker 1: pint glass and he's like he's like, pantomiming like pouring 506 00:30:33,200 --> 00:30:37,480 Speaker 1: it over my. Pedals this is before we even, start and. 507 00:30:37,600 --> 00:30:39,720 Speaker 2: You throttle them right then and There i'm like setting 508 00:30:39,800 --> 00:30:40,120 Speaker 2: my ship. 509 00:30:40,280 --> 00:30:41,760 Speaker 1: Up AND i got up AND i got in his, 510 00:30:41,880 --> 00:30:44,720 Speaker 1: face and this is like Pure i'm not a tough. 511 00:30:44,720 --> 00:30:47,200 Speaker 1: GUY i don't prevent pretend to be a tough, guy 512 00:30:47,600 --> 00:30:51,160 Speaker 1: BUT i have had moments of just like pure aggression 513 00:30:51,360 --> 00:30:54,720 Speaker 1: where the testosterone takes over AND i JUST i got 514 00:30:54,800 --> 00:30:56,600 Speaker 1: up AND i got in his, face AND i very seriously, 515 00:30:56,640 --> 00:30:59,640 Speaker 1: said if you do, That i'm going to hit you 516 00:30:59,680 --> 00:31:02,360 Speaker 1: in the head with my. Guitar AND i had a 517 00:31:02,480 --> 00:31:07,000 Speaker 1: solid Body Mexican paisley, telecaster which is a beast of 518 00:31:07,040 --> 00:31:08,200 Speaker 1: a weapon if you had no. 519 00:31:08,520 --> 00:31:10,960 Speaker 2: Holibody, baby, yes solid despite The. 520 00:31:11,000 --> 00:31:14,240 Speaker 1: Paisleys so he just kind of laughs and walks, away 521 00:31:14,400 --> 00:31:16,720 Speaker 1: And i'm. Furious i'm mad at myself for playing the 522 00:31:16,760 --> 00:31:20,040 Speaker 1: gig first of. All and sure enough we. Start it's, 523 00:31:20,120 --> 00:31:22,400 Speaker 1: chaos and he comes right up with his pint glass 524 00:31:22,440 --> 00:31:24,680 Speaker 1: and it's like now it's like spilling all over because 525 00:31:24,720 --> 00:31:25,120 Speaker 1: people are. 526 00:31:25,200 --> 00:31:26,560 Speaker 2: Dancing AND i did. 527 00:31:26,640 --> 00:31:30,600 Speaker 1: IT i took my guitar AND I pete townsend. Him 528 00:31:31,000 --> 00:31:33,440 Speaker 1: and THEN i got. Scared i'm, Like i'm gonna, die 529 00:31:33,600 --> 00:31:37,120 Speaker 1: like they're gonna come. Back AND i Remember, Evan Evan, 530 00:31:37,200 --> 00:31:40,720 Speaker 1: kennedy my good friend who's in the, band the singer 531 00:31:40,760 --> 00:31:42,880 Speaker 1: he like went at the guy for extra, measure and 532 00:31:42,920 --> 00:31:45,240 Speaker 1: it was like three seconds into the first. Song we're 533 00:31:45,240 --> 00:31:49,640 Speaker 1: in a full fledged. Fight but we finished the set 534 00:31:49,720 --> 00:31:52,160 Speaker 1: and everything was. Fine no one got, arrested no one got, 535 00:31:52,240 --> 00:31:54,320 Speaker 1: hurt except that. Guy he never came. BACK i never 536 00:31:54,520 --> 00:31:56,120 Speaker 1: didn't see. HIM i was waiting for him AFTER i 537 00:31:56,120 --> 00:31:58,600 Speaker 1: figured something bad was gonna. Happen never did So i'm 538 00:31:58,600 --> 00:32:00,200 Speaker 1: pretty sure it is the last TIME i Played New 539 00:32:00,240 --> 00:32:05,000 Speaker 1: Year's all, right, guys that Is zeth AND i diving 540 00:32:05,040 --> 00:32:08,200 Speaker 1: into our Favorite New Year's eve content over in the 541 00:32:08,280 --> 00:32:13,280 Speaker 1: Hollywood land podcast, feed got some interesting developments happening In 542 00:32:13,320 --> 00:32:15,520 Speaker 1: Hollywood land for The New. Year you're not gonna want 543 00:32:15,520 --> 00:32:17,800 Speaker 1: to miss out on. That adding a new bell and 544 00:32:17,880 --> 00:32:21,560 Speaker 1: a new, whistle so to. Speak so make sure you're 545 00:32:21,640 --> 00:32:24,480 Speaker 1: subscribed to Hollywood. Land go to the Hollywood land podcast 546 00:32:24,640 --> 00:32:29,400 Speaker 1: and subscribe to Hollywood land your new favorite or maybe 547 00:32:29,440 --> 00:32:33,840 Speaker 1: your old Favorite hollywood and true crime podcast helmed now 548 00:32:33,920 --> 00:32:38,080 Speaker 1: of course by mister excuse, me Doctor Zeth. Lundy subscribe 549 00:32:38,080 --> 00:32:44,200 Speaker 1: to Hollywood land wherever podcasts are. Available, guys it's that 550 00:32:44,280 --> 00:32:48,120 Speaker 1: week Between christmas And New year's And i'm trying to. 551 00:32:48,160 --> 00:32:52,400 Speaker 1: Relax i'm trying to, chill BUT i gotta tell, you, 552 00:32:52,480 --> 00:32:57,560 Speaker 1: man it's not really. HAPPENING i had a drum set 553 00:32:57,600 --> 00:33:01,680 Speaker 1: to put. TOGETHER i. Did, okay it took me about six, 554 00:33:01,720 --> 00:33:04,640 Speaker 1: hours longer THAN i wanted it. To i'm, exaggerating didn't 555 00:33:04,640 --> 00:33:07,200 Speaker 1: take that. Long BUT i never put a drum kit together. 556 00:33:07,240 --> 00:33:10,360 Speaker 1: BEFORE i never had to put skins on a drum 557 00:33:10,400 --> 00:33:14,040 Speaker 1: heads excuse, me whatever you call. Them and so that. 558 00:33:14,200 --> 00:33:18,520 Speaker 1: Happened and Now i'm in the midst my living. Room 559 00:33:18,920 --> 00:33:22,280 Speaker 1: there's like a gazillion parts to a basketball hoop that 560 00:33:22,360 --> 00:33:24,040 Speaker 1: are all over the living room That i'm trying to put. 561 00:33:24,040 --> 00:33:29,160 Speaker 1: TOGETHER i started it, yesterday stayed up, LATE i Watched 562 00:33:29,240 --> 00:33:31,960 Speaker 1: monday night football WHILE i was putting it. Together went 563 00:33:32,080 --> 00:33:35,280 Speaker 1: way longer THAN i wanted it, to And i'm probably 564 00:33:35,320 --> 00:33:37,240 Speaker 1: about fifty percent of the way, there AND i still 565 00:33:37,240 --> 00:33:39,160 Speaker 1: get to get it done BEFORE i take the kids 566 00:33:39,160 --> 00:33:43,680 Speaker 1: to See anaconda, tonight Which i'm very excited. About we, 567 00:33:44,280 --> 00:33:47,320 Speaker 1: rewatched not ALL i, rewatched BUT i showed them the 568 00:33:47,360 --> 00:33:53,400 Speaker 1: First anaconda yesterday AS i started the basketball hoop, assembly 569 00:33:54,320 --> 00:33:56,920 Speaker 1: AND i gotta, Say i'm really excited about the new. 570 00:33:56,920 --> 00:34:02,960 Speaker 1: One Paul, Rudd Jack, black big Scary. ANACONDA i don't 571 00:34:02,960 --> 00:34:04,760 Speaker 1: think there's An Eric stoltz in the new, one though 572 00:34:05,440 --> 00:34:08,840 Speaker 1: there should. Be What's Eric stoltz? Doing bring him, back you, 573 00:34:08,880 --> 00:34:11,279 Speaker 1: know for nothing? Else just feed him to the, anaconda you, 574 00:34:11,320 --> 00:34:13,439 Speaker 1: know get him in, there get him in the. GAME 575 00:34:13,920 --> 00:34:16,080 Speaker 1: i Know Cameron crow didn't direct, it but you, know 576 00:34:16,080 --> 00:34:18,480 Speaker 1: it doesn't Mean Eric stolts can't be in. It all. 577 00:34:18,600 --> 00:34:21,720 Speaker 1: Right it is as mentioned The New, year and, guys 578 00:34:22,640 --> 00:34:27,480 Speaker 1: a whole lot of Wackado New year's songs From New 579 00:34:27,560 --> 00:34:30,960 Speaker 1: Year's day that were number one over the course of music. 580 00:34:31,040 --> 00:34:34,600 Speaker 1: HISTORY i was gonna do something On bono and YouTube 581 00:34:35,560 --> 00:34:37,960 Speaker 1: THE u two Song New Year's, day BUT i just. 582 00:34:38,000 --> 00:34:40,239 Speaker 1: DON'T i don't feel like being that serious right. Now 583 00:34:40,840 --> 00:34:44,080 Speaker 1: so in the exclusive, section we're going to dive Into 584 00:34:44,400 --> 00:34:48,480 Speaker 1: gene C Rally's Harper, pta and just some songs that 585 00:34:48,520 --> 00:34:51,360 Speaker 1: are just gonna make you, go what the hell Was america? 586 00:34:51,560 --> 00:34:54,280 Speaker 1: Thinking how did these songs end up being number? One 587 00:34:54,760 --> 00:34:56,960 Speaker 1: that's coming? Up go To disgrace onpod dot com to 588 00:34:57,000 --> 00:34:57,759 Speaker 1: sign up to hear that. 589 00:34:57,840 --> 00:35:13,440 Speaker 3: Content all, right we are back. 590 00:35:13,520 --> 00:35:16,360 Speaker 1: Now. Listen you know about the. Archive gazillion episodes in. 591 00:35:16,360 --> 00:35:17,960 Speaker 1: There we talked about a few of. THEM a ton 592 00:35:18,000 --> 00:35:22,200 Speaker 1: actually are in this. Episode Ozzy, Osbourne Frank, Sinatra Tina, 593 00:35:22,239 --> 00:35:25,240 Speaker 1: turner so, many so many. More matt's gonna have episode 594 00:35:25,239 --> 00:35:27,160 Speaker 1: notes for you in the show notes section of this 595 00:35:27,480 --> 00:35:30,759 Speaker 1: here podcast for you to easily navigate the archive and 596 00:35:30,880 --> 00:35:34,520 Speaker 1: listen to one or many of the two hundred and 597 00:35:34,520 --> 00:35:37,280 Speaker 1: fifty five plus episodes that we have for you guys 598 00:35:37,280 --> 00:35:40,640 Speaker 1: and are adding to every. Month all, right let's recap this. 599 00:35:40,760 --> 00:35:44,960 Speaker 1: Week we are revisiting the loss and family murder that 600 00:35:45,080 --> 00:35:48,000 Speaker 1: happened On Christmas day back in the early part of 601 00:35:48,000 --> 00:35:51,960 Speaker 1: the twentieth, century and as an adjacent story to Our 602 00:35:52,040 --> 00:35:55,440 Speaker 1: derek in The Domino's tale that we are featuring in 603 00:35:55,600 --> 00:35:59,799 Speaker 1: this week's. Episode our rewind episode On Hank williams takes 604 00:35:59,840 --> 00:36:02,439 Speaker 1: us back To New Year's, day nineteen fifty. Three that's 605 00:36:02,480 --> 00:36:06,520 Speaker 1: coming at you. Tomorrow next, Week we've got a special announcement. 606 00:36:06,560 --> 00:36:09,960 Speaker 1: Episode we're taking you behind the scenes the selection of 607 00:36:10,000 --> 00:36:13,680 Speaker 1: our first tranch of episodes being released in twenty twenty. 608 00:36:13,719 --> 00:36:15,799 Speaker 1: Six you're not going to want to miss. That zeth 609 00:36:15,880 --> 00:36:18,040 Speaker 1: has all kinds of action for you over in the 610 00:36:18,040 --> 00:36:21,280 Speaker 1: Hollywood land. Feed make sure you're subscribed To hollywoodland wherever 611 00:36:21,320 --> 00:36:23,759 Speaker 1: you get your. PODCASTS i didn't mention, it but this 612 00:36:23,800 --> 00:36:26,680 Speaker 1: film should be played. Loud our new video podcast this 613 00:36:26,840 --> 00:36:30,320 Speaker 1: month Featuring goodfellows that's available for you over In. Patreon 614 00:36:30,400 --> 00:36:32,799 Speaker 1: go check that. Out six one, seven nine oh six 615 00:36:32,880 --> 00:36:35,640 Speaker 1: six six three. Eight, guys hit me, up give me a, 616 00:36:35,680 --> 00:36:39,120 Speaker 1: call leave me a, voicemail send me a. Text let's 617 00:36:39,160 --> 00:36:41,400 Speaker 1: all keep digging into the dark corners of music history. 618 00:36:41,400 --> 00:36:44,319 Speaker 1: Together and, lastly do not forget. Discos this isn't just. 619 00:36:44,360 --> 00:36:47,239 Speaker 1: Content it's a, community a community of the, obsessed and 620 00:36:47,280 --> 00:36:50,120 Speaker 1: no one cares about, music, books records in the crime and. 621 00:36:50,160 --> 00:36:52,359 Speaker 1: Grime it ties them all together like you. Do and 622 00:36:52,400 --> 00:36:57,360 Speaker 1: well that is a. Disgrace SO i teased out in 623 00:36:57,400 --> 00:37:01,480 Speaker 1: the exclusive section of The After. Party here the number 624 00:37:01,520 --> 00:37:06,040 Speaker 1: one song In america right Now i'm gonna give you 625 00:37:06,600 --> 00:37:08,920 Speaker 1: the full a full list of seven or eight or, 626 00:37:08,920 --> 00:37:11,719 Speaker 1: so AS i usually, do and let's just get into, 627 00:37:11,840 --> 00:37:13,759 Speaker 1: it all. RIGHT i can't believe this. LIST i love. 628 00:37:13,760 --> 00:37:17,120 Speaker 1: It number. One ALL i want For christmas Is. You 629 00:37:17,360 --> 00:37:21,600 Speaker 1: Mariah carey last week, one peak position one weeks On 630 00:37:21,719 --> 00:37:25,080 Speaker 1: chart seventy. Nine number Two Rocking around The Christmas Tree 631 00:37:25,160 --> 00:37:28,799 Speaker 1: Brenda lee last week, three peak position one weeks On 632 00:37:28,920 --> 00:37:32,640 Speaker 1: chart seventy. One number three Jingle Bell Rock Bobby helms 633 00:37:32,719 --> 00:37:35,640 Speaker 1: last week, two peak position two weeks on chart sixty. 634 00:37:35,680 --> 00:37:40,520 Speaker 1: Eight number Four Last Christmas wham last week, four peak 635 00:37:40,560 --> 00:37:44,120 Speaker 1: position two weeks On chart fifty. Three number Five Sama 636 00:37:44,200 --> 00:37:48,320 Speaker 1: Tell Me Sriana grande last week, five peak position five 637 00:37:48,560 --> 00:37:52,800 Speaker 1: weeks on chart thirty. Six number Six The Christmas Song 638 00:37:52,920 --> 00:37:56,080 Speaker 1: Merry christmas To You matt And King cole last week, 639 00:37:56,239 --> 00:38:01,480 Speaker 1: six peak position six weeks On chart six Seven, Minutes. 640 00:38:11,840 --> 00:38:13,600 Speaker 2: Quit talking and start. 641 00:38:13,880 --> 00:38:14,919 Speaker 3: Mixing cul