1
00:00:01,680 --> 00:00:07,520
Speaker 1: Ready are we rolling Clay? Okay here everybody amo, um

2
00:00:08,080 --> 00:00:11,200
Speaker 1: some everybody's telling me, hey, you should talk to people

3
00:00:11,640 --> 00:00:14,239
Speaker 1: that are also in the industry, might help you, even

4
00:00:14,240 --> 00:00:17,159
Speaker 1: though the industry could be so lame. Um. Anyway, I

5
00:00:17,160 --> 00:00:20,280
Speaker 1: guess I'm super honored because right now I'm gonna talk

6
00:00:20,320 --> 00:00:23,080
Speaker 1: to Um he's an l A legend where actually kind

7
00:00:23,079 --> 00:00:26,639
Speaker 1: of worldwide legend. Photographer's name is a Stellan Oreo and

8
00:00:26,680 --> 00:00:28,800
Speaker 1: he's sitting right here. He just took a sip of coffee,

9
00:00:28,840 --> 00:00:31,440
Speaker 1: so he's ready. He's ready to get down, I think,

10
00:00:31,640 --> 00:00:39,480
Speaker 1: or to get interviewed. Um. Um, Hi Stepan, what's up? Man? Um?

11
00:00:39,640 --> 00:00:41,880
Speaker 1: Thanks so much for coming. And I know it's lame

12
00:00:41,960 --> 00:00:43,920
Speaker 1: to be like, hey, you want to get interviewed for

13
00:00:43,920 --> 00:00:46,559
Speaker 1: another podcast, like pretty much everybody in l A has

14
00:00:46,560 --> 00:00:49,919
Speaker 1: a podcast, but um, I don't know. I figured I'll

15
00:00:49,960 --> 00:00:52,239
Speaker 1: just start my own. Hopefully it's not as lame as

16
00:00:52,280 --> 00:00:56,160
Speaker 1: the other ones. Um, but thanks for being here. I

17
00:00:56,200 --> 00:00:59,640
Speaker 1: always follow your photography and I love that you always

18
00:00:59,680 --> 00:01:02,000
Speaker 1: shooting black and white because that's pretty much how I

19
00:01:02,040 --> 00:01:05,280
Speaker 1: see the world anyway, just black and white, because everybody

20
00:01:05,319 --> 00:01:09,080
Speaker 1: wants to always put oh let me colorize and put

21
00:01:09,319 --> 00:01:14,399
Speaker 1: um um saturation so that you can think that um

22
00:01:14,520 --> 00:01:18,080
Speaker 1: um when better than what I really do. But you

23
00:01:18,160 --> 00:01:22,200
Speaker 1: just capture real, real stuff and I appreciate that. Sorry

24
00:01:22,200 --> 00:01:25,240
Speaker 1: I'm talking too much, um but thanks for being here.

25
00:01:26,400 --> 00:01:32,319
Speaker 1: Thank you. Um um. You mostly shoot on film, right,

26
00:01:32,640 --> 00:01:37,600
Speaker 1: that's correct. That's so cool because you know what I mean.

27
00:01:37,640 --> 00:01:41,120
Speaker 1: That's like real raw ship, you know, because you're in

28
00:01:41,120 --> 00:01:44,039
Speaker 1: there in the dark room try and find the best

29
00:01:44,040 --> 00:01:47,120
Speaker 1: ones when everybody's just going through their phone like, oh

30
00:01:47,440 --> 00:01:49,240
Speaker 1: I got so many which ones I pick? But you're

31
00:01:49,240 --> 00:01:52,480
Speaker 1: actually in the dark room. Um, with your you have

32
00:01:52,560 --> 00:01:54,720
Speaker 1: that little like magnifying thing that you put in your

33
00:01:54,720 --> 00:01:58,320
Speaker 1: eye like that, the loop. It's called what it's called

34
00:01:58,320 --> 00:02:03,840
Speaker 1: a loop? Um yeah, that's I think. It's so not

35
00:02:04,000 --> 00:02:06,919
Speaker 1: lamb when you use that, it just looks like super

36
00:02:06,960 --> 00:02:11,360
Speaker 1: old school. Um. So, sorry I'm talking too much. I

37
00:02:11,360 --> 00:02:14,239
Speaker 1: should have you talk more. No, it's fine, it's okay.

38
00:02:14,360 --> 00:02:17,360
Speaker 1: Is this your first one? Um? Well, I talked to

39
00:02:17,560 --> 00:02:22,639
Speaker 1: people sometimes your first podcast? Yeah, that's my first podcast. Sorry,

40
00:02:22,760 --> 00:02:27,359
Speaker 1: Oh keep talking. Okay, thanks to step on UM so

41
00:02:27,800 --> 00:02:31,320
Speaker 1: on four to not to be so on the nose.

42
00:02:31,400 --> 00:02:33,720
Speaker 1: But that's how they're gonna market it, I guess. But

43
00:02:34,040 --> 00:02:39,760
Speaker 1: there's a um Cypress Hill documentary coming out on showtime

44
00:02:40,560 --> 00:02:43,640
Speaker 1: and you're directed it. I mean you know that. Sorry,

45
00:02:43,800 --> 00:02:47,000
Speaker 1: you know that. Obviously I'm not um, but congratulations on

46
00:02:47,040 --> 00:02:50,160
Speaker 1: that because everybody thinks it's on, you know, in the

47
00:02:50,200 --> 00:02:53,600
Speaker 1: email stuff that that, Oh he doesn't like other genres

48
00:02:53,600 --> 00:02:56,680
Speaker 1: of music, like, dude, I'll fucking smoke sorry my language,

49
00:02:56,800 --> 00:02:59,280
Speaker 1: I'll smoke weed. Listen to Cyper's Hill. I did all

50
00:02:59,280 --> 00:03:01,919
Speaker 1: that ship. It doesn't mean I can't get emo. Also,

51
00:03:02,120 --> 00:03:03,680
Speaker 1: you know what I mean, Like people want to put

52
00:03:03,760 --> 00:03:06,160
Speaker 1: us in a little box. But anyways, a lot of

53
00:03:06,160 --> 00:03:11,200
Speaker 1: people don't know that you were like Cyper Shil's tour manager, right. Yeah,

54
00:03:11,320 --> 00:03:14,040
Speaker 1: most people don't because they've been hiding under a rock.

55
00:03:15,200 --> 00:03:18,400
Speaker 1: But I pretty much stayed in every single interview, so

56
00:03:19,160 --> 00:03:21,480
Speaker 1: you know. But there's always new fans, you know, there's

57
00:03:21,480 --> 00:03:25,880
Speaker 1: always new people listening to another podcast or seeing an

58
00:03:25,880 --> 00:03:29,600
Speaker 1: interview for the first time, so you gotta kinda catch

59
00:03:29,680 --> 00:03:33,320
Speaker 1: them up to date. Yeah, rocks are lane. I don't

60
00:03:33,320 --> 00:03:35,720
Speaker 1: know why people hide on them. Sometimes it's like, oh, cool,

61
00:03:35,720 --> 00:03:37,880
Speaker 1: you're a rock. Oh I was here before you were born.

62
00:03:38,560 --> 00:03:41,960
Speaker 1: Who gives a ship? You know? Um, so you like

63
00:03:42,040 --> 00:03:44,800
Speaker 1: toward the world with Cyper Shil for how many years?

64
00:03:45,840 --> 00:03:49,200
Speaker 1: About thirteen years straight and went h to forty four

65
00:03:49,280 --> 00:03:53,200
Speaker 1: countries and uh, you know most of that multiple times

66
00:03:53,200 --> 00:03:56,680
Speaker 1: because you always go back like every year too, pretty

67
00:03:56,720 --> 00:03:58,880
Speaker 1: much do the States, and then you do Europe and

68
00:03:58,880 --> 00:04:02,400
Speaker 1: then South America and in Asia. So we did that

69
00:04:02,440 --> 00:04:04,240
Speaker 1: for a lot of years, and then at one point

70
00:04:04,320 --> 00:04:06,880
Speaker 1: we told the booking agent we want to go to

71
00:04:06,920 --> 00:04:09,880
Speaker 1: other places, so they sent us to like Australia, to

72
00:04:10,000 --> 00:04:14,160
Speaker 1: New Zealand, South Africa. So we've seen a lot of places.

73
00:04:15,480 --> 00:04:22,279
Speaker 1: Whoa thirteen years, Yeah, from ninety four to two thousand five.

74
00:04:22,320 --> 00:04:24,280
Speaker 1: When I was with House of Pain from ninety two

75
00:04:24,360 --> 00:04:28,880
Speaker 1: to ninety four, whoa, how's it pain? Yeah? I remember

76
00:04:28,880 --> 00:04:32,320
Speaker 1: that one jump around? Of course? You know how did

77
00:04:32,320 --> 00:04:35,200
Speaker 1: it go? Every wedding, even the weddings are named Okay,

78
00:04:35,200 --> 00:04:37,400
Speaker 1: well how did it go? Jump around? Jump up, jump

79
00:04:37,480 --> 00:04:40,960
Speaker 1: up and get down jump jump yeah yeah, yeah, yeah,

80
00:04:41,000 --> 00:04:46,640
Speaker 1: there you go. That's right. Yeah, uh huh yeah, hell wow.

81
00:04:47,080 --> 00:04:49,560
Speaker 1: So you did that around the world. Yeah. Did you

82
00:04:49,600 --> 00:04:55,920
Speaker 1: ever go to Norway? Yep? With the all over Scandinavia, Finland, Sweden, Norway, Denmark.

83
00:04:56,960 --> 00:05:00,360
Speaker 1: She hit it all, isn't that where Vikings are from Yeah,

84
00:05:00,720 --> 00:05:03,839
Speaker 1: we got a couple of fis are not lean, they're

85
00:05:03,839 --> 00:05:06,680
Speaker 1: about real ship who are horns on their head for

86
00:05:06,920 --> 00:05:09,000
Speaker 1: the bullshit, I want to get on a big gas

87
00:05:09,360 --> 00:05:15,919
Speaker 1: Viking canoe swim across the ocean with horns on my head.

88
00:05:16,400 --> 00:05:19,000
Speaker 1: We got that laughter for your soul and now too.

89
00:05:19,120 --> 00:05:33,279
Speaker 1: Then to the freaky on this show. Alas that would

90
00:05:33,400 --> 00:05:36,599
Speaker 1: marry my daughter, But that was just a knave, poor

91
00:05:36,720 --> 00:05:41,440
Speaker 1: jor Dan King. I don't know that medieval talker what

92
00:05:41,520 --> 00:05:43,839
Speaker 1: her food, um, but all I know it's food that

93
00:05:43,920 --> 00:05:46,520
Speaker 1: your daughter like, she's off fine and everything, and I

94
00:05:46,560 --> 00:05:49,440
Speaker 1: really like her everything and get a long food. So yeah,

95
00:05:49,480 --> 00:05:51,840
Speaker 1: I'm just trying to do that. You know that w

96
00:05:52,080 --> 00:05:55,400
Speaker 1: was young and naive junior, But don't they want us

97
00:05:55,520 --> 00:06:00,640
Speaker 1: to be a prince? Day was true to be a

98
00:06:00,800 --> 00:06:04,080
Speaker 1: prince food, so like princess bride or kind of like

99
00:06:04,120 --> 00:06:07,080
Speaker 1: on that ship or what Why not? Damn that'd be

100
00:06:07,120 --> 00:06:10,160
Speaker 1: a trip only to go from servant to prince, you know.

101
00:06:10,960 --> 00:06:12,520
Speaker 1: I mean I used to work at a pet boys

102
00:06:12,600 --> 00:06:15,479
Speaker 1: king and my homie Leonard food, he was like working

103
00:06:15,520 --> 00:06:18,000
Speaker 1: the cash or shirt just like me. Food, like kind

104
00:06:18,000 --> 00:06:21,480
Speaker 1: of like entry level status or whatever. But then like

105
00:06:21,520 --> 00:06:23,880
Speaker 1: two much eater food wasn't even that much longer. He

106
00:06:24,000 --> 00:06:27,960
Speaker 1: became an engine performance technician who and we were all

107
00:06:28,000 --> 00:06:31,159
Speaker 1: supresed like that trip. I look at Leonard looking on like, um,

108
00:06:31,200 --> 00:06:34,800
Speaker 1: like knowledgeable or everything, and so we were all tripping out.

109
00:06:34,800 --> 00:06:40,240
Speaker 1: But you know what he deserved it food pet boys delightful. Well,

110
00:06:40,240 --> 00:06:43,200
Speaker 1: if thou wish to challenge another suitor for my daughter's hand,

111
00:06:43,640 --> 00:06:55,720
Speaker 1: I can't arrange a friendly competition. Competition food. Oh damn.

112
00:06:56,720 --> 00:06:59,279
Speaker 1: I've never been like jousting before. We have seen it

113
00:06:59,320 --> 00:07:02,719
Speaker 1: on am combatigators, but not like for reals in my life.

114
00:07:03,040 --> 00:07:06,760
Speaker 1: Are not one time like theo food he worked, um

115
00:07:06,960 --> 00:07:08,960
Speaker 1: you worked for I don't know. It's like a construction

116
00:07:08,960 --> 00:07:12,040
Speaker 1: company or something. And they took a company trip to

117
00:07:12,200 --> 00:07:14,920
Speaker 1: medieval times food right there by Knoxbury Farm. So I

118
00:07:14,920 --> 00:07:16,960
Speaker 1: got excited food because I was like, oh, he's taking

119
00:07:16,960 --> 00:07:18,720
Speaker 1: me to the Knoxbury far him. You know, I wanted

120
00:07:18,760 --> 00:07:21,680
Speaker 1: to get some jams with the snookies and every day.

121
00:07:22,080 --> 00:07:23,640
Speaker 1: But he's like, now if we're not going all the

122
00:07:23,640 --> 00:07:25,280
Speaker 1: way down the street, we're just going right here to

123
00:07:25,360 --> 00:07:28,520
Speaker 1: Medio Times. So I just say, fucking food. Just be grateful,

124
00:07:28,520 --> 00:07:30,960
Speaker 1: you know. So that's the only time I've seen Joustein.

125
00:07:31,040 --> 00:07:33,559
Speaker 1: But now we're doing it for real right now. And

126
00:07:33,680 --> 00:07:35,600
Speaker 1: then it's kind of a trip food because this horse

127
00:07:35,640 --> 00:07:39,280
Speaker 1: is all big and everything. Oh, day, trip out. There's

128
00:07:39,280 --> 00:07:42,640
Speaker 1: another Loto the other anywhere that way, that food looks

129
00:07:42,640 --> 00:07:45,720
Speaker 1: for real your food. Oh look at his long hairing

130
00:07:45,840 --> 00:07:48,720
Speaker 1: he's all muscular and everything. Oh, can't think it's Jason

131
00:07:48,760 --> 00:07:56,880
Speaker 1: Momosa's only Jay Jason momosas look on your helmet, Jr. Oh. Okay,

132
00:08:02,720 --> 00:08:05,600
Speaker 1: day with this horse is too big for me food

133
00:08:06,160 --> 00:08:09,960
Speaker 1: because I'm a little homely along all right, I don't

134
00:08:09,960 --> 00:08:12,960
Speaker 1: know if I could do with this food. I sounded scared.

135
00:08:13,560 --> 00:08:17,240
Speaker 1: Look at the princess food. She's looking happy. Come on, Junior,

136
00:08:17,600 --> 00:08:20,480
Speaker 1: we gotta do this on me. Come on, Paul, No,

137
00:08:20,680 --> 00:08:26,440
Speaker 1: she's looking like eg what's up? Yeah, she's pay attention. Alright,

138
00:08:26,520 --> 00:08:28,560
Speaker 1: make sure that you ain't all right? You know what

139
00:08:28,680 --> 00:08:30,760
Speaker 1: I'm doing this for you, alright, So I'm being all

140
00:08:30,840 --> 00:08:34,400
Speaker 1: brave and everything like American gladiators. Okay, food, be doing

141
00:08:34,400 --> 00:08:36,240
Speaker 1: what time is right third by nice, very far and down,

142
00:08:37,120 --> 00:08:39,199
Speaker 1: all right, because I want to be with you forever

143
00:08:39,600 --> 00:08:54,240
Speaker 1: and I want to be your everything. Okay, Okay, Okay,

144
00:08:55,240 --> 00:08:59,480
Speaker 1: scorch to crushing my way, get you back to getting

145
00:08:59,520 --> 00:09:09,880
Speaker 1: bolster amos support people I had done, Jason, mimosas that

146
00:09:10,000 --> 00:09:14,920
Speaker 1: missed me food? So did I win? Or what? Love

147
00:09:17,160 --> 00:09:20,920
Speaker 1: a fool? Not even with your movies Aquaman, you couldn't

148
00:09:20,920 --> 00:09:23,199
Speaker 1: even get me home because hey, we're not under water food.

149
00:09:23,240 --> 00:09:26,280
Speaker 1: So yeah, ridn't mean this, you know, um, but yeah,

150
00:09:26,360 --> 00:09:29,439
Speaker 1: that princess hanging up there, there's some mimosas. That's my

151
00:09:29,640 --> 00:09:32,400
Speaker 1: natives when we know the same food. So sorry that

152
00:09:32,440 --> 00:09:36,120
Speaker 1: your aquaman status couldn't like achieved you or that feat

153
00:09:36,200 --> 00:09:38,959
Speaker 1: behind that because that's my lady now, okay food, so

154
00:09:39,120 --> 00:09:41,320
Speaker 1: just recognize it and don't need your trip food because

155
00:09:41,320 --> 00:09:45,320
Speaker 1: we'll still support me, all right. Okay, that's what something hey,

156
00:09:45,600 --> 00:09:48,839
Speaker 1: jun your you want when you got it out and

157
00:09:49,000 --> 00:09:52,599
Speaker 1: I have believed it in my heart. Hey, you know

158
00:09:52,640 --> 00:09:55,199
Speaker 1: what that is a triple aquaman? Like I took the

159
00:09:55,320 --> 00:09:58,800
Speaker 1: princess food to see your movie and like the special

160
00:09:58,880 --> 00:10:01,000
Speaker 1: effects and all that, and it was pretty cool on me.

161
00:10:01,440 --> 00:10:03,599
Speaker 1: We're like, oh damn trapo, like that food could just

162
00:10:03,679 --> 00:10:07,000
Speaker 1: go in the water whenever and swim on fashion everything. Um,

163
00:10:07,080 --> 00:10:09,199
Speaker 1: we didn't see the ending nofore and not even the

164
00:10:09,280 --> 00:10:11,240
Speaker 1: middle actually because you know, white food, because we were

165
00:10:13,400 --> 00:10:17,000
Speaker 1: we were making crazy you know what I mean. And

166
00:10:17,120 --> 00:10:19,160
Speaker 1: she wasn't even like, oh it's because aquamand it was

167
00:10:19,160 --> 00:10:21,839
Speaker 1: because of meaning food and we're I was eating was

168
00:10:21,880 --> 00:10:24,880
Speaker 1: like right there in the movie school, watching your movie food.

169
00:10:25,400 --> 00:10:27,079
Speaker 1: You were all in the water. But I was like

170
00:10:27,600 --> 00:10:31,200
Speaker 1: creating moisture food, my tone, food in the princess's mouth

171
00:10:31,320 --> 00:10:33,560
Speaker 1: and it was all crazy food. So yeah, that's how

172
00:10:33,640 --> 00:10:36,599
Speaker 1: we were doing it. Hey, when you're stupid telling of

173
00:10:36,720 --> 00:10:41,560
Speaker 1: our life like that, let's go get salents. Oh yeah, yeah, yeah,

174
00:10:41,559 --> 00:10:44,800
Speaker 1: I'm hungry too. Let's let's split the cheese steak. How

175
00:10:44,880 --> 00:10:47,520
Speaker 1: we do We're doing like Lady and like tramp, but

176
00:10:47,679 --> 00:10:51,000
Speaker 1: I guess seven five percent take out. Yeah, that's what

177
00:10:51,600 --> 00:10:54,600
Speaker 1: you know how we do it. Yeah, you're right, Media,

178
00:10:54,600 --> 00:10:56,800
Speaker 1: more times, don't have ship on this hut right out.

179
00:10:57,400 --> 00:10:59,880
Speaker 1: Let's get a turkey legtime. Yeah, so it's gonna be

180
00:11:00,040 --> 00:11:09,480
Speaker 1: like needed it. I know what's got into him, he

181
00:11:09,640 --> 00:11:12,079
Speaker 1: just said, A box of Duke Bookies from ram City.

182
00:11:12,440 --> 00:11:15,480
Speaker 1: It's the chocolate cookie with a creamy marshmallow center. You'll

183
00:11:15,559 --> 00:11:18,319
Speaker 1: love Duke Bookies. Chop your way through the fruity sprinkles

184
00:11:18,360 --> 00:11:21,079
Speaker 1: and peppermint shell then enjoy it. Then they're honey glazed

185
00:11:21,080 --> 00:11:25,320
Speaker 1: cashows and a cinnamon frosted pop tart. A yummy sour

186
00:11:25,440 --> 00:11:27,959
Speaker 1: apple starburs sits starboard on each Duke Bookie well a

187
00:11:28,040 --> 00:11:30,559
Speaker 1: pinch of pop rocks and fixie sticks packet in port side.

188
00:11:30,880 --> 00:11:33,120
Speaker 1: Our Duke Bookies are lowered in a bat of melted

189
00:11:33,200 --> 00:11:35,719
Speaker 1: jelly beans that are placed over a compt belt, while

190
00:11:35,720 --> 00:11:39,200
Speaker 1: our team of Duke Bookie technicians, exclusively made of little homies,

191
00:11:39,320 --> 00:11:43,599
Speaker 1: blow on it very gently. What are you waiting for

192
00:11:44,040 --> 00:11:45,600
Speaker 1: till your mom to get you a box of Duke

193
00:11:45,640 --> 00:11:48,480
Speaker 1: Bookies or show regretted, or just reach into her purse

194
00:11:48,679 --> 00:11:50,640
Speaker 1: rapper credit cards at Carkis and pick up a box

195
00:11:50,679 --> 00:11:53,480
Speaker 1: of Duke Bookies, or for ram city cops trying to

196
00:11:53,480 --> 00:11:56,040
Speaker 1: pull you over. That's step on it, little buddy. It's

197
00:11:56,080 --> 00:12:04,520
Speaker 1: the long pedal on the right. It's Stoke Bookie. M

198
00:12:04,760 --> 00:12:10,840
Speaker 1: m m m m m m m whom we got

199
00:12:10,920 --> 00:12:13,560
Speaker 1: that laughter for your soul and now too the into

200
00:12:13,640 --> 00:12:20,600
Speaker 1: the breaking on this show. Um, So, how many years

201
00:12:20,679 --> 00:12:27,559
Speaker 1: have you been taking photos? About thirty thirty years from

202
00:12:27,600 --> 00:12:33,760
Speaker 1: the early nineties till now pretty much. Yeah. I never

203
00:12:33,840 --> 00:12:35,760
Speaker 1: put it down and never took a break or anything

204
00:12:35,840 --> 00:12:37,720
Speaker 1: like that. I've been doing it right thirty or straight.

205
00:12:39,040 --> 00:12:41,480
Speaker 1: One thing I know about Stellun Royal, it definitely does

206
00:12:41,559 --> 00:12:45,280
Speaker 1: not take breaks. Yeah, you stay on. Um. Sorry, I'm

207
00:12:45,320 --> 00:12:48,280
Speaker 1: gonna get all tracket, all hit, but you stay on

208
00:12:48,559 --> 00:12:56,880
Speaker 1: the grind. Yeah yeah, uh huh um? Are you kind

209
00:12:56,880 --> 00:12:59,599
Speaker 1: of a road of we're gonna you know what I

210
00:12:59,679 --> 00:13:04,280
Speaker 1: do music? But I wrote I'm working on a song.

211
00:13:04,360 --> 00:13:08,319
Speaker 1: It's a dedicid well to photography in general, but also

212
00:13:08,520 --> 00:13:12,079
Speaker 1: it's dedicated to you. How's it go? Can you give

213
00:13:12,120 --> 00:13:14,120
Speaker 1: me a little bit of a like a sample or

214
00:13:15,960 --> 00:13:18,600
Speaker 1: a little nervous. I'm gonna do it for you. I'm

215
00:13:18,679 --> 00:13:25,079
Speaker 1: doing for you. I'm a little nervous. Yeah. Um, but

216
00:13:25,600 --> 00:13:27,720
Speaker 1: are you gonna do with the with the music behind there?

217
00:13:27,720 --> 00:13:30,080
Speaker 1: Are you're just gonna freestyle that? I'm gonna I'm gonna

218
00:13:30,160 --> 00:13:34,280
Speaker 1: do the music. It's just like a little something I

219
00:13:34,360 --> 00:13:49,800
Speaker 1: have here. Okay, Oh sorry that was the end. Oh

220
00:13:58,200 --> 00:14:05,040
Speaker 1: my life lives in dark room developing into nothing just

221
00:14:05,280 --> 00:14:11,920
Speaker 1: SNAKETI phrase, So what do you say? I said, my

222
00:14:12,280 --> 00:14:18,760
Speaker 1: life lives in a dark room developing into nothing, just

223
00:14:19,040 --> 00:14:27,040
Speaker 1: naked a phrase so ly oh oh, capture rip before

224
00:14:27,240 --> 00:14:32,400
Speaker 1: it's gone behind the lance like a stand by, or

225
00:14:32,960 --> 00:14:39,480
Speaker 1: that's a legend, so true. And not lave. Oh long

226
00:14:39,680 --> 00:14:44,760
Speaker 1: you stays on the grind, never stops. Defoe, not hiding

227
00:14:44,920 --> 00:14:53,040
Speaker 1: under the rock, because that motherfucker's definitely not lave. My

228
00:14:53,400 --> 00:15:01,240
Speaker 1: life lives in a dark room developing into nothing expectative phrase.

229
00:15:02,240 --> 00:15:13,120
Speaker 1: So that's pretty good man, Thank you brother? You like it? Yeah? Sorry,

230
00:15:13,120 --> 00:15:15,720
Speaker 1: I mean, is that a mixing master or that's still

231
00:15:15,800 --> 00:15:17,920
Speaker 1: a rough or what I'm still rough? I was just

232
00:15:18,000 --> 00:15:20,840
Speaker 1: seeing how you felt about it, because I say your name,

233
00:15:20,880 --> 00:15:23,120
Speaker 1: I don't want you to be like, put that out,

234
00:15:24,560 --> 00:15:27,040
Speaker 1: put that on and then uh, you know it sounds lame,

235
00:15:27,120 --> 00:15:29,440
Speaker 1: but put it out on all platforms, how they say,

236
00:15:29,520 --> 00:15:33,600
Speaker 1: you know, yeah, streaming on all platforms. Don't put it

237
00:15:33,680 --> 00:15:43,720
Speaker 1: under a rock. Yeah, yeah, this is Jeter. Oh and

238
00:15:43,800 --> 00:15:47,960
Speaker 1: this is j Z. Okay, your woman just kidding anxious?

239
00:15:48,600 --> 00:15:50,880
Speaker 1: Oh so you got jokes now, Okay, Well I'm a

240
00:15:50,920 --> 00:15:53,080
Speaker 1: little bit upset. Okay. I had to step into the

241
00:15:53,160 --> 00:15:55,920
Speaker 1: back office that because I didn't want to be tripping

242
00:15:56,000 --> 00:15:59,120
Speaker 1: in front of my clients. But I was just at

243
00:15:59,160 --> 00:16:01,200
Speaker 1: work and I had a little time and between, and

244
00:16:01,320 --> 00:16:03,160
Speaker 1: I was looking on the Instagram, cout On, and you

245
00:16:03,240 --> 00:16:07,800
Speaker 1: have posted that picture without my approval? Oh yeah, oh

246
00:16:08,960 --> 00:16:15,200
Speaker 1: oh oh, and did I not say you know, you

247
00:16:15,240 --> 00:16:17,720
Speaker 1: didn't get my approval out on? Okay? And it's from

248
00:16:17,760 --> 00:16:21,000
Speaker 1: the wrong angle, okay, because my my neck area looks

249
00:16:21,000 --> 00:16:23,560
Speaker 1: a little bit more chubbier than it is in real life. Okay,

250
00:16:23,800 --> 00:16:25,320
Speaker 1: And you know that I hate that, caut On, You

251
00:16:25,440 --> 00:16:29,880
Speaker 1: know that I hate that angle. And then your cousin, Oh,

252
00:16:29,920 --> 00:16:34,880
Speaker 1: how convenient. Your prima what's her name, Jessica Cindy la Corona.

253
00:16:35,200 --> 00:16:37,840
Speaker 1: She looks better than I do, even though everybody knows.

254
00:16:38,240 --> 00:16:41,360
Speaker 1: Everybody that knows me knows that I obviously I look

255
00:16:41,400 --> 00:16:45,960
Speaker 1: better than her in real life consistently, cout On, I

256
00:16:46,120 --> 00:16:48,240
Speaker 1: know obviously. But people that don't know me and see

257
00:16:48,280 --> 00:16:50,600
Speaker 1: that photo, they're gonna be like, oh, that's the other

258
00:16:50,720 --> 00:16:53,360
Speaker 1: hand in the photo. When I'm when everybody knows something

259
00:16:53,440 --> 00:16:56,960
Speaker 1: main event, I'm not a main event in your life

260
00:16:57,040 --> 00:17:02,840
Speaker 1: or not? Perhaps okay, oh her personal proper, start being

261
00:17:02,880 --> 00:17:05,040
Speaker 1: like it. Okay, don't just be posting this and that

262
00:17:05,160 --> 00:17:08,200
Speaker 1: all I'm emotional because might Nana have passed away? And

263
00:17:08,280 --> 00:17:13,879
Speaker 1: I get it. The family, and yeah, I just I

264
00:17:13,960 --> 00:17:16,040
Speaker 1: wanted to include you in the family photo. Of course,

265
00:17:17,119 --> 00:17:23,200
Speaker 1: ye me I Peters. So you're telling me that that

266
00:17:23,400 --> 00:17:29,000
Speaker 1: you see me as part of that Emily, you're kidding.

267
00:17:29,040 --> 00:17:31,320
Speaker 1: I mean, of course I do. I mean I should

268
00:17:31,320 --> 00:17:34,000
Speaker 1: have shot the photo from a higher angle, of course,

269
00:17:34,240 --> 00:17:41,040
Speaker 1: to protect the nets. Oh my god, Peter, you're so

270
00:17:41,280 --> 00:17:45,960
Speaker 1: sweet baby, but you're should note out from the anywhere

271
00:17:46,040 --> 00:17:50,159
Speaker 1: from below the horizon upwards starts my anybody's neck. You know,

272
00:17:50,280 --> 00:17:53,520
Speaker 1: obviously my neck is perfect in person, but oh you

273
00:17:53,560 --> 00:17:58,680
Speaker 1: know with the technologies that it loses its essence. And

274
00:17:58,800 --> 00:18:01,600
Speaker 1: you know everybody knows I'm more fetimate or I look

275
00:18:01,640 --> 00:18:09,040
Speaker 1: way better than your cousin, you know. H next time

276
00:18:09,080 --> 00:18:12,680
Speaker 1: I'll get approval. Okay, So that way you learn. Okay,

277
00:18:12,760 --> 00:18:15,560
Speaker 1: So write it down, do it, get it into your method. Okay,

278
00:18:15,640 --> 00:18:18,800
Speaker 1: so you don't make this mistake again. Okay, writing it

279
00:18:18,960 --> 00:18:20,359
Speaker 1: down right now. I don't take a photo of it

280
00:18:20,480 --> 00:18:22,120
Speaker 1: to pack it up. But I must say a little

281
00:18:22,160 --> 00:18:24,399
Speaker 1: prefer you're not. I know you're still that processing that

282
00:18:24,560 --> 00:18:27,280
Speaker 1: and we're still mourning her. But just you know, get

283
00:18:27,359 --> 00:18:29,080
Speaker 1: my approval next time you want to get all trigger

284
00:18:29,119 --> 00:18:32,359
Speaker 1: happy on Instagram. Okay, okay, okay, I gotta go up

285
00:18:32,400 --> 00:18:36,280
Speaker 1: to my next appointment. Okay, I love you, baby, Okay,

286
00:18:38,840 --> 00:18:41,399
Speaker 1: I'm sorry I don't have a girlfriend. Not just why not,

287
00:18:42,440 --> 00:18:47,640
Speaker 1: Um they're lame. Well most I'm just having a girlfriend.

288
00:18:47,760 --> 00:18:51,760
Speaker 1: Lame people in general and pretty limb. But yeah, I

289
00:18:51,800 --> 00:18:54,000
Speaker 1: don't know. I just feel every time I like a girl,

290
00:18:54,160 --> 00:18:57,480
Speaker 1: it's just blow it somehow, or I don't even every

291
00:18:57,520 --> 00:18:59,720
Speaker 1: time I try to go up and talk to him,

292
00:18:59,760 --> 00:19:02,680
Speaker 1: I'm just like this is lame, you know, Like what

293
00:19:02,800 --> 00:19:05,440
Speaker 1: am I gonna do? Oh? So you'd like to travel?

294
00:19:06,119 --> 00:19:08,760
Speaker 1: Oh you'd like read? You know, what's the last book

295
00:19:08,800 --> 00:19:13,600
Speaker 1: you read? And all that are all that lame? Ship?

296
00:19:13,960 --> 00:19:19,359
Speaker 1: Are you still a virgin? Um? Um? Every time that

297
00:19:19,840 --> 00:19:25,680
Speaker 1: I tried to in my life and approach um the girls,

298
00:19:26,680 --> 00:19:32,280
Speaker 1: they always turn away from me. Um. Okay, so I'll

299
00:19:32,320 --> 00:19:36,920
Speaker 1: take that as a yes. Um Um. Every time I

300
00:19:37,800 --> 00:19:41,159
Speaker 1: I just get real nervous and then I always end

301
00:19:41,280 --> 00:19:48,320
Speaker 1: up saying something dumb like um, hey, oh so you

302
00:19:50,080 --> 00:19:54,920
Speaker 1: um you come here to this place and they're like yeah,

303
00:19:54,960 --> 00:19:59,239
Speaker 1: I'm here, and then I just my butthole clinches up

304
00:20:01,560 --> 00:20:11,920
Speaker 1: and then I turned around and just leave and go home. Okay, Well, yeah. Sorry.

305
00:20:14,000 --> 00:20:15,320
Speaker 1: M m m m m m m m m m

306
00:20:15,520 --> 00:20:21,720
Speaker 1: m m m. We got that laughter for your soul

307
00:20:22,040 --> 00:20:24,320
Speaker 1: and now tuned into the breaking game. You're on this

308
00:20:24,480 --> 00:20:39,960
Speaker 1: show and we're bad. We're back with the world's Smartest man,

309
00:20:40,160 --> 00:20:43,479
Speaker 1: Frankie Camillis. During the break, you were telling me an

310
00:20:43,560 --> 00:20:48,360
Speaker 1: interesting tidket about how you perceived numbers. Yes, yes, uh, well,

311
00:20:49,119 --> 00:20:51,560
Speaker 1: you know most people when they think of numbers, they

312
00:20:51,600 --> 00:20:55,280
Speaker 1: think in terms of some kind of numeric value. Uh.

313
00:20:55,400 --> 00:20:58,960
Speaker 1: It's explained as integral. Uh, you know, whole numbers, positive

314
00:20:59,040 --> 00:21:03,800
Speaker 1: or negative, and non integral numbers. That includes fractions and

315
00:21:03,920 --> 00:21:07,040
Speaker 1: numbers with decimal points. But but but you view numbers

316
00:21:07,200 --> 00:21:12,439
Speaker 1: quite differently. I understand. Yeah, I guess I do. Uh.

317
00:21:12,600 --> 00:21:15,920
Speaker 1: You know, when I say or here numbers, I also

318
00:21:16,000 --> 00:21:20,639
Speaker 1: see color. I'm sorry, I bet your partner. Can you

319
00:21:21,040 --> 00:21:24,600
Speaker 1: can you explain that? Well? You know, as there are

320
00:21:24,680 --> 00:21:29,320
Speaker 1: infinite numbers, there are also infinite colors. If you understand

321
00:21:29,400 --> 00:21:31,960
Speaker 1: that light is both particles and waves, and that each

322
00:21:32,080 --> 00:21:35,760
Speaker 1: part of this wavelength corresponds to a color. As most

323
00:21:35,800 --> 00:21:39,639
Speaker 1: people know it, people don't realize that, you know, because

324
00:21:39,680 --> 00:21:44,479
Speaker 1: the spectrum is actually quite larger because waves are also

325
00:21:45,119 --> 00:21:48,840
Speaker 1: gamma raised and radio waves. So what you're saying is

326
00:21:49,000 --> 00:21:54,160
Speaker 1: is you can see you can see these invisible waves. Well,

327
00:21:54,320 --> 00:21:58,120
Speaker 1: if you want to try me, have at it. Okay, Okay, okay, okay,

328
00:21:58,680 --> 00:22:02,720
Speaker 1: uh this is incredible. What would you like me to do? Uh?

329
00:22:03,040 --> 00:22:04,800
Speaker 1: I can just say a random number and I'll tell

330
00:22:04,800 --> 00:22:10,280
Speaker 1: you what color I see. Okay, okay, audience, are you

331
00:22:10,359 --> 00:22:17,720
Speaker 1: ready for this? Okay? All right, let's say four thirty

332
00:22:17,760 --> 00:22:25,600
Speaker 1: five Cambridge blue seventeen honey, dude, okay U two thousand

333
00:22:25,720 --> 00:22:30,400
Speaker 1: fifty one pistachio. Come on, Charles, you can do better

334
00:22:30,440 --> 00:22:37,000
Speaker 1: than that. I'm shaking here. You can imagine, okay, negative

335
00:22:37,080 --> 00:22:44,600
Speaker 1: four thousand two d Sonics over eleven million eight foight,

336
00:22:45,240 --> 00:22:52,359
Speaker 1: that's dark seven point one seven eight to six, my favorite, Charles,

337
00:22:52,480 --> 00:22:57,440
Speaker 1: that's a metallic seaweed. Wow, that is incredible. Okay, it

338
00:22:57,480 --> 00:23:00,639
Speaker 1: looks like we're running out of time past one If

339
00:23:00,680 --> 00:23:07,520
Speaker 1: that's okay? Yeah, go ahead, okay, um eight thousand eight hue? Uh,

340
00:23:09,160 --> 00:23:13,360
Speaker 1: I'm sorry, Charles? Can you repeat that? Eight thousand eight

341
00:23:13,440 --> 00:23:18,680
Speaker 1: h one? Yeah? I'm sorry, Charles? What are you doing?

342
00:23:19,160 --> 00:23:23,200
Speaker 1: Did I stump you? Come on? You know you can't

343
00:23:23,200 --> 00:23:25,359
Speaker 1: stop me. But if you want me to say it

344
00:23:25,920 --> 00:23:28,800
Speaker 1: eight thousand, eight hundred eighty one. All right, that's Duke Bookie.

345
00:23:31,240 --> 00:23:37,320
Speaker 1: Oh god, your your nose is bleeding. Okay, someone called

346
00:23:37,359 --> 00:23:43,679
Speaker 1: the medic. You'll be hearing from my lawyer's asshole, fucking

347
00:23:43,760 --> 00:23:53,120
Speaker 1: Duke Booky. Too high, don't freak out. Introducing one nine

348
00:23:53,240 --> 00:23:57,000
Speaker 1: hundred cool Out, a phone service that talks you down

349
00:23:57,200 --> 00:24:02,000
Speaker 1: when you're two high. We are not law enforcement. We're

350
00:24:02,080 --> 00:24:05,240
Speaker 1: just chill guys and gals who want you to enjoy

351
00:24:05,359 --> 00:24:10,040
Speaker 1: your journey. Our competent staff of highly trained, laid back

352
00:24:10,160 --> 00:24:13,520
Speaker 1: individuals are waiting on your call. If you feel you've

353
00:24:13,560 --> 00:24:19,360
Speaker 1: gotten too high, smoke the wrong stream, taken too many edibles, whatever,

354
00:24:21,880 --> 00:24:25,959
Speaker 1: You're going to be just fine. Think about it. If

355
00:24:26,000 --> 00:24:29,120
Speaker 1: your friends didn't like you, they wouldn't be your friends.

356
00:24:30,240 --> 00:24:35,159
Speaker 1: Drink some water and it's not just we'ed. If you

357
00:24:35,240 --> 00:24:39,640
Speaker 1: are on acid, press star Star Star, that's star three

358
00:24:39,720 --> 00:24:42,840
Speaker 1: times to speak to our elite squad of Shamans and

359
00:24:43,119 --> 00:24:47,440
Speaker 1: X rock stars from the seventies. It's all gravy. Brother,

360
00:24:48,160 --> 00:24:52,199
Speaker 1: I got you, man, You're gonna get through this. Trust him.

361
00:24:52,840 --> 00:24:56,159
Speaker 1: I was in fog. If you're on ayahuasca, do not

362
00:24:56,400 --> 00:24:59,879
Speaker 1: use a telephone it's too late and the phone my

363
00:25:00,080 --> 00:25:02,720
Speaker 1: melt in your hand. You should not be anywhere in

364
00:25:02,760 --> 00:25:10,719
Speaker 1: there or calls are for the first minute. Traditional if

365
00:25:10,760 --> 00:25:13,280
Speaker 1: you get chatty when you're high, you sure to have

366
00:25:13,400 --> 00:25:19,200
Speaker 1: some money. Safe. Now cool out, that's cool, what to say,

367
00:25:20,119 --> 00:25:27,320
Speaker 1: and don't forget to breathe. I wanted to thank you for,

368
00:25:27,560 --> 00:25:30,240
Speaker 1: you know, having me be your first guest. You know

369
00:25:30,640 --> 00:25:35,120
Speaker 1: that's like later on in life that will be pretty cool.

370
00:25:35,160 --> 00:25:40,480
Speaker 1: Little fact, you know, fun fact. I was Emil Primo's

371
00:25:40,560 --> 00:25:43,240
Speaker 1: first guest on his podcast. I can't believe that you

372
00:25:43,280 --> 00:25:45,040
Speaker 1: actually agreed to be here. Thank you so much of

373
00:25:45,040 --> 00:25:48,000
Speaker 1: stuff on oriol. I'm definitely gonna hate myself a lot

374
00:25:48,160 --> 00:25:50,960
Speaker 1: less for the rest of today. Yeah, like when you're

375
00:25:51,000 --> 00:25:54,920
Speaker 1: big like Joe Robin, you're the number one podcast man.

376
00:25:55,600 --> 00:26:01,399
Speaker 1: That was his first one. I broke his Jerry that

377
00:26:01,560 --> 00:26:08,440
Speaker 1: podcast will I'm honored to say that Selinio broke my cherry. Yeah,

378
00:26:09,720 --> 00:26:14,880
Speaker 1: definitely not hiding under a rock. Yeah. Well, okay, sorry,

379
00:26:14,920 --> 00:26:16,800
Speaker 1: I already said there a bunch of times. Sorry for

380
00:26:16,880 --> 00:26:19,800
Speaker 1: being so lame, but um please watch the stell Ones

381
00:26:20,960 --> 00:26:24,399
Speaker 1: or Cyper Shills documentary directed by step Hon Orio is

382
00:26:24,400 --> 00:26:28,000
Speaker 1: sitting right here definitely not lame, definitely not hudding under

383
00:26:28,000 --> 00:26:32,400
Speaker 1: a rock, and definitely um down to get um techno

384
00:26:32,720 --> 00:26:39,080
Speaker 1: viking status on these Hollywood streets homies. Yeah, thank you,

385
00:26:40,680 --> 00:26:44,720
Speaker 1: thank you. You're gonna tell him the name of the

386
00:26:44,800 --> 00:26:50,400
Speaker 1: documentary or insane in saying the Brain? Yeah, sorry, say

387
00:26:50,440 --> 00:26:52,600
Speaker 1: it all at once, okay, just so when they go

388
00:26:52,720 --> 00:26:58,479
Speaker 1: to edit it. Sorry, is my first time in step one. Um,

389
00:26:58,560 --> 00:27:01,200
Speaker 1: everybody that my guest was a step On Oriol. He's

390
00:27:01,280 --> 00:27:05,360
Speaker 1: pop my cherry. Um, definitely not hiding under a rock.

391
00:27:05,520 --> 00:27:09,680
Speaker 1: He's l a legend photographer, and he directed a cypers

392
00:27:09,920 --> 00:27:16,480
Speaker 1: documentary dropping on four twenty UM on the network called Showtime.

393
00:27:16,640 --> 00:27:19,000
Speaker 1: It's available. I'm gonna be available on Showtime and on

394
00:27:19,080 --> 00:27:22,960
Speaker 1: the app Showtime anytime. And it's called Insane in the Brain.

395
00:27:24,000 --> 00:27:29,040
Speaker 1: It's a not lame that of right. Sorry, it's Insane

396
00:27:29,080 --> 00:27:32,399
Speaker 1: in the Brain, a not lame documentary directed by a

397
00:27:32,480 --> 00:27:36,320
Speaker 1: step On Orio. Yeah, thank you. And then I'm gonna

398
00:27:36,400 --> 00:27:38,120
Speaker 1: record that song and send it to you. That wrote

399
00:27:38,160 --> 00:27:40,040
Speaker 1: for you my life. It was in a dark room

400
00:27:40,320 --> 00:27:46,280
Speaker 1: and developing, developing to nothing and just negative frames. Sorry

401
00:27:46,800 --> 00:27:52,080
Speaker 1: if I was lame, but thank you for being here. Okay,

402
00:27:52,880 --> 00:27:59,800
Speaker 1: thank you everybody thanks to a step on oriole two

403
00:28:00,000 --> 00:28:02,800
Speaker 1: into another episode of The Frankie In Your Next Show,

404
00:28:02,920 --> 00:28:06,439
Speaker 1: presented by Will Ferrell's Big Funny Players Network. Shout out

405
00:28:06,480 --> 00:28:10,040
Speaker 1: to the homies hands Olivia, Nick, the Homie earned dog

406
00:28:10,080 --> 00:28:14,000
Speaker 1: here in the studio, James Fritz, Kevin Kamia, Bobby d

407
00:28:14,160 --> 00:28:18,000
Speaker 1: J Buzz, the legendary soul assassins by me. You know

408
00:28:18,119 --> 00:28:20,200
Speaker 1: how we do, Homie. Thank you for giving it. That's

409
00:28:20,240 --> 00:28:22,679
Speaker 1: an opportunity off the get down and if you get

410
00:28:22,720 --> 00:28:24,200
Speaker 1: a chance told me it's go ahead and rank and

411
00:28:24,280 --> 00:28:27,840
Speaker 1: review the podcast or continue living your life. We'll see

412
00:28:27,840 --> 00:28:30,440
Speaker 1: you on the next episode of The Frankie In Your

413
00:28:30,520 --> 00:28:32,320
Speaker 1: Next Show. That's what's soft right there.