1 00:00:00,560 --> 00:00:04,760 Speaker 1: I listened to the black Car You Tips podcast because 2 00:00:05,080 --> 00:00:09,000 Speaker 1: Rod and Karen or hey, welcome to another episode of 3 00:00:09,039 --> 00:00:11,760 Speaker 1: the Blackout Tips podcast. I am your host. 4 00:00:12,440 --> 00:00:17,720 Speaker 2: Rod, joined us always by my co host Karen, and 5 00:00:17,840 --> 00:00:20,720 Speaker 2: we are ready to do some podcasting live on a 6 00:00:20,880 --> 00:00:25,640 Speaker 2: Monday night. Of course, sir, you can find the show wherever. 7 00:00:25,640 --> 00:00:27,360 Speaker 2: You just found this show. I mean you're listening to 8 00:00:27,360 --> 00:00:29,880 Speaker 2: the show. Okay, so you found it somehow on somebody 9 00:00:29,920 --> 00:00:34,159 Speaker 2: else's phone, on somebody's laptop. I don't know, but your 10 00:00:34,600 --> 00:00:39,520 Speaker 2: phone search the search, the Blackout Tips will come up. 11 00:00:39,840 --> 00:00:40,680 Speaker 1: We'll appreciate you. 12 00:00:41,640 --> 00:00:45,320 Speaker 2: The official weapon of the show is an undoficial sport 13 00:00:46,600 --> 00:00:50,159 Speaker 2: and bulletball extreme and I guess we can get right 14 00:00:50,200 --> 00:00:54,680 Speaker 2: into the show U as y'all may imagine. I had 15 00:00:54,760 --> 00:01:04,920 Speaker 2: quite a night last night, Yes you did. I feel 16 00:01:05,000 --> 00:01:08,679 Speaker 2: like I'm now it feels official. I've written a TV 17 00:01:08,760 --> 00:01:11,360 Speaker 2: show or for a TV show I've written. I'm a 18 00:01:11,400 --> 00:01:12,360 Speaker 2: TV show writer. 19 00:01:13,360 --> 00:01:16,360 Speaker 3: You were officially, I mean you've been writing, you know, 20 00:01:16,520 --> 00:01:19,840 Speaker 3: for a while, preparing it, but it is official. I 21 00:01:19,880 --> 00:01:22,199 Speaker 3: saw your name. I had to take a picture. 22 00:01:23,160 --> 00:01:28,600 Speaker 2: Yeah, so that was that was really cool, man. It 23 00:01:28,720 --> 00:01:32,360 Speaker 2: was a cool process. Like this whole thing is obviously 24 00:01:32,520 --> 00:01:35,840 Speaker 2: I can see I've been keeping the things I wanted 25 00:01:35,880 --> 00:01:37,840 Speaker 2: to just scream out to the world because it was 26 00:01:37,880 --> 00:01:40,240 Speaker 2: so cool what we got to do, and I just 27 00:01:40,240 --> 00:01:43,040 Speaker 2: wanted to share with everybody, like, look at this cool 28 00:01:43,080 --> 00:01:46,840 Speaker 2: ship that I'm a part of, and things were just 29 00:01:46,840 --> 00:01:50,680 Speaker 2: turning out even better than uh, they were conceived of 30 00:01:50,760 --> 00:01:55,040 Speaker 2: in my opinion from because the thing about a TV 31 00:01:55,080 --> 00:01:58,600 Speaker 2: show man. So many people contribute to this ship, and 32 00:01:59,800 --> 00:02:03,080 Speaker 2: it's it's very difficult, but these people are so fucking 33 00:02:03,160 --> 00:02:04,280 Speaker 2: good at their jobs. 34 00:02:04,680 --> 00:02:06,480 Speaker 1: And not that. 35 00:02:06,400 --> 00:02:10,600 Speaker 2: Writing isn't difficult, I'm sure, you know, depending on the person, 36 00:02:10,720 --> 00:02:11,480 Speaker 2: you may find. 37 00:02:11,280 --> 00:02:13,120 Speaker 1: It more difficult or less difficult. 38 00:02:13,360 --> 00:02:15,520 Speaker 2: And depending on what the topic is, you know, for 39 00:02:15,639 --> 00:02:19,880 Speaker 2: me making jokes about basketball and Duke and all that stuff, 40 00:02:20,040 --> 00:02:23,040 Speaker 2: that ain't that you know, like. 41 00:02:22,320 --> 00:02:26,480 Speaker 1: Like it's more about well, I just don't. I didn't 42 00:02:26,520 --> 00:02:29,040 Speaker 1: find that part to be that difficult. I think. 43 00:02:30,320 --> 00:02:34,880 Speaker 2: There's different stuff and different tactics and different ways that 44 00:02:34,919 --> 00:02:37,760 Speaker 2: things are set up for people to to to work, 45 00:02:38,160 --> 00:02:41,040 Speaker 2: and the way they have our workflow set up, and 46 00:02:41,120 --> 00:02:46,079 Speaker 2: the and the topics at hand, and the people I'm 47 00:02:46,080 --> 00:02:49,560 Speaker 2: working with, to me have made this not a difficult job. 48 00:02:49,840 --> 00:02:52,560 Speaker 2: I know, you know, it's a little taboo to say 49 00:02:52,600 --> 00:02:54,880 Speaker 2: it's supposed to be like it's so difficult, so hard, 50 00:02:54,960 --> 00:02:55,040 Speaker 2: you know. 51 00:02:55,080 --> 00:02:56,440 Speaker 1: I always hear people say that, but. 52 00:02:58,080 --> 00:03:01,840 Speaker 2: I think whether it's a just ay I can do 53 00:03:01,880 --> 00:03:04,360 Speaker 2: this type of thing, or whether it's a they have 54 00:03:04,440 --> 00:03:06,600 Speaker 2: put me in a position to do this and not 55 00:03:07,720 --> 00:03:10,880 Speaker 2: like killed me forgetting it wrong, which I think is 56 00:03:10,919 --> 00:03:13,760 Speaker 2: a big part of this thing, which is when you 57 00:03:13,800 --> 00:03:17,280 Speaker 2: do fuck up this. This hasn't been a harsh punishing environment. 58 00:03:17,320 --> 00:03:20,880 Speaker 2: It's been kind of like a Okay, maybe you didn't 59 00:03:20,919 --> 00:03:23,760 Speaker 2: understand our instructions, or maybe you can try it this way, 60 00:03:23,919 --> 00:03:26,440 Speaker 2: or you know, okay, let us go in and kind 61 00:03:26,440 --> 00:03:29,360 Speaker 2: of edit this thing so that it fits to the 62 00:03:29,400 --> 00:03:31,400 Speaker 2: format we want. And then a lot of times I 63 00:03:31,440 --> 00:03:32,920 Speaker 2: go look at that stuff to see if I can 64 00:03:32,919 --> 00:03:35,120 Speaker 2: get better and be like, oh, so this is what 65 00:03:35,160 --> 00:03:38,000 Speaker 2: they mean by those things, and you know, try to 66 00:03:38,040 --> 00:03:42,040 Speaker 2: ask questions, you know, to get clarity and stuff like that. 67 00:03:42,280 --> 00:03:44,160 Speaker 2: But you know, I got a little bit more of 68 00:03:44,160 --> 00:03:46,000 Speaker 2: a learning curve than most people. This my first show 69 00:03:46,040 --> 00:03:51,160 Speaker 2: I've ever written for, and when I don't understand stuff, 70 00:03:51,200 --> 00:03:52,840 Speaker 2: I don't like to just go into the room and 71 00:03:52,880 --> 00:03:56,840 Speaker 2: be frustrated and try to figure it out on my own. 72 00:03:57,160 --> 00:03:59,600 Speaker 2: You know, I like to ask people and sometimes maybe 73 00:03:59,600 --> 00:04:02,200 Speaker 2: someone else will have a question, which happens occasionally because 74 00:04:02,800 --> 00:04:04,800 Speaker 2: I'm not the only person that's this is the first 75 00:04:04,800 --> 00:04:05,800 Speaker 2: show writing for but. 76 00:04:07,360 --> 00:04:08,680 Speaker 1: You know, I'm forty three. 77 00:04:08,800 --> 00:04:13,960 Speaker 2: If people not not gonna like me for wanting clarity, 78 00:04:14,000 --> 00:04:16,080 Speaker 2: then they're just not gonna like me. But in general, 79 00:04:16,120 --> 00:04:18,640 Speaker 2: I feel like I'm working with cool people that that 80 00:04:18,720 --> 00:04:23,040 Speaker 2: fuck with me. And I feel like this episode. Man, 81 00:04:23,160 --> 00:04:25,080 Speaker 2: the response to it at least, and seeing a lot 82 00:04:25,120 --> 00:04:27,080 Speaker 2: of the response is like, Okay. 83 00:04:28,040 --> 00:04:30,440 Speaker 3: It wash, it trended. 84 00:04:30,760 --> 00:04:33,400 Speaker 1: Wow, dope. 85 00:04:33,560 --> 00:04:35,400 Speaker 2: I didn't even get to see like I wasn't even 86 00:04:35,440 --> 00:04:38,440 Speaker 2: in the hashtag I was only I was only in 87 00:04:38,480 --> 00:04:39,120 Speaker 2: my mentions. 88 00:04:39,400 --> 00:04:39,560 Speaker 3: Yeah. 89 00:04:41,000 --> 00:04:44,360 Speaker 2: Wow, that's that's that's so cool. That's so that's that's 90 00:04:44,400 --> 00:04:49,119 Speaker 2: even better than I imagine. Man, this is cool good 91 00:04:49,160 --> 00:04:51,159 Speaker 2: because you know, like the main thing for me was 92 00:04:51,200 --> 00:04:53,120 Speaker 2: like I wanted it to be good, and you really 93 00:04:53,120 --> 00:04:56,760 Speaker 2: don't know until some some people tell you, you know 94 00:04:56,760 --> 00:04:58,599 Speaker 2: what I mean, And so a lot of people was 95 00:04:58,680 --> 00:05:00,839 Speaker 2: like and then the people are I wanted to like it. 96 00:05:02,200 --> 00:05:04,440 Speaker 2: I believe in a large part of the same people 97 00:05:04,480 --> 00:05:06,560 Speaker 2: BO wanted to like it, which is the people that's 98 00:05:06,560 --> 00:05:10,680 Speaker 2: been riding with the Morning Jones family shit since the 99 00:05:10,680 --> 00:05:12,719 Speaker 2: three hours since before the Morning Jones people, that's been 100 00:05:12,800 --> 00:05:15,520 Speaker 2: riding since the three hour lunch break. And I think 101 00:05:15,520 --> 00:05:18,839 Speaker 2: people needed to make like it needed to sound like 102 00:05:18,920 --> 00:05:22,599 Speaker 2: it was Bo and not all of us talking through Bowl, 103 00:05:22,640 --> 00:05:27,440 Speaker 2: but like making Bowl like Bow making the points he 104 00:05:27,520 --> 00:05:30,680 Speaker 2: wanted to make as sharp and concise and funny as possible. 105 00:05:30,720 --> 00:05:34,000 Speaker 2: And you know, I think in a large part, especially 106 00:05:34,000 --> 00:05:38,640 Speaker 2: for a pilot episode, that's mission accomplished. And it's just 107 00:05:38,760 --> 00:05:40,560 Speaker 2: it's one of those things where it's almost like watching 108 00:05:40,560 --> 00:05:44,760 Speaker 2: a miracle happen, watching some shit go from jokes that 109 00:05:44,839 --> 00:05:50,159 Speaker 2: had us cracking up on Zoom and you know, and 110 00:05:50,279 --> 00:05:52,040 Speaker 2: ideas when we were like, we ain't gonna be able 111 00:05:52,040 --> 00:05:54,880 Speaker 2: to do this, but what if? And then watching there 112 00:05:54,880 --> 00:05:57,280 Speaker 2: are people that, well, we can make that happen and 113 00:05:58,360 --> 00:06:00,920 Speaker 2: making shit even better than we thoughts. I really think 114 00:06:00,920 --> 00:06:03,640 Speaker 2: we came out the box with a heavy hitter, with 115 00:06:03,120 --> 00:06:07,520 Speaker 2: a with a strong show, and U yeah, I like, 116 00:06:07,880 --> 00:06:10,680 Speaker 2: I couldn't be more pleased. And you know, I'm thankful 117 00:06:10,720 --> 00:06:14,320 Speaker 2: to Bowl and especially to other people on the show 118 00:06:14,520 --> 00:06:16,960 Speaker 2: that show show you the ropes, that let you know 119 00:06:16,960 --> 00:06:19,000 Speaker 2: when you you know, Okay, this is the cool thing 120 00:06:19,000 --> 00:06:21,240 Speaker 2: to do. This is how you don't do it that 121 00:06:21,400 --> 00:06:25,000 Speaker 2: kind of shit because all those people are so fucking 122 00:06:25,040 --> 00:06:30,880 Speaker 2: talented and uh and you know that, like now we're 123 00:06:30,880 --> 00:06:33,440 Speaker 2: getting to work together more, so we get to talk. 124 00:06:33,480 --> 00:06:36,760 Speaker 2: And so now I'm just because I don't google people, 125 00:06:36,800 --> 00:06:40,360 Speaker 2: and shit, if we talk, like if I don't hear 126 00:06:40,440 --> 00:06:43,120 Speaker 2: it come from that person, that's how I hear it, 127 00:06:43,120 --> 00:06:43,960 Speaker 2: because I just don't. 128 00:06:44,320 --> 00:06:48,159 Speaker 1: I prefer not to be like, oh I googled you, man, 129 00:06:48,240 --> 00:06:49,680 Speaker 1: you did this. You know what I'm saying. 130 00:06:49,680 --> 00:06:52,520 Speaker 2: It feels weird, I guess, but that's just a me thing. 131 00:06:52,680 --> 00:06:56,480 Speaker 2: But it feels weird to do that. So you know, 132 00:06:56,560 --> 00:06:58,520 Speaker 2: if they want to talk to me about the things 133 00:06:58,560 --> 00:07:01,839 Speaker 2: they've done, I love it. I love asking people questions 134 00:07:01,839 --> 00:07:04,640 Speaker 2: and hearing about their experiences and shit. 135 00:07:04,839 --> 00:07:07,800 Speaker 1: And so far people have been pretty open with me. 136 00:07:07,920 --> 00:07:13,480 Speaker 2: And it's like I said, I'm just picking up a 137 00:07:13,480 --> 00:07:16,120 Speaker 2: lot of stuff, just watching how everybody works and stuff, 138 00:07:16,160 --> 00:07:17,400 Speaker 2: and hopefully. 139 00:07:17,040 --> 00:07:18,160 Speaker 1: I'm getting better and better. 140 00:07:19,640 --> 00:07:21,920 Speaker 2: But you know, I'm definitely trying to make sure I 141 00:07:21,960 --> 00:07:24,920 Speaker 2: work hard as far as like like if they say 142 00:07:24,960 --> 00:07:28,040 Speaker 2: we need ten we need jokes for this segment, I'm 143 00:07:28,120 --> 00:07:29,880 Speaker 2: going to the office and coming up with as many 144 00:07:29,960 --> 00:07:32,960 Speaker 2: jokes as I can and hoping that some of them 145 00:07:32,960 --> 00:07:35,000 Speaker 2: are funny enough to make people go, Okay, yeah, we'll 146 00:07:35,080 --> 00:07:36,640 Speaker 2: get that in there, you know what I mean. And 147 00:07:37,040 --> 00:07:40,320 Speaker 2: it's a good feeling when you can do that. Man, like, okay, 148 00:07:40,360 --> 00:07:43,440 Speaker 2: they like this and all that stuff. So, yeah, it 149 00:07:44,040 --> 00:07:45,600 Speaker 2: was a cool, cool day yesterday. 150 00:07:47,440 --> 00:07:50,200 Speaker 3: I'm glad to hear that. I was happy and excited 151 00:07:50,440 --> 00:07:53,400 Speaker 3: and a lot of people was decided on the timeline 152 00:07:53,520 --> 00:07:54,840 Speaker 3: and a lot of people are now. A lot of 153 00:07:54,840 --> 00:07:58,440 Speaker 3: people didn't even know that you was associated with the 154 00:07:58,480 --> 00:08:00,680 Speaker 3: show and stuff like that. A lot of more people 155 00:08:00,720 --> 00:08:02,920 Speaker 3: will say, hey, right, didn't no good good for you 156 00:08:03,080 --> 00:08:06,880 Speaker 3: riding and stuff like that, and so it was really. 157 00:08:07,080 --> 00:08:10,920 Speaker 2: It's interesting because I think and it's just been something 158 00:08:10,920 --> 00:08:11,880 Speaker 2: that I think. 159 00:08:11,680 --> 00:08:13,760 Speaker 1: It's hard for people to understand. 160 00:08:13,800 --> 00:08:17,240 Speaker 2: I'm not upset by it or bitter about it or 161 00:08:17,240 --> 00:08:20,000 Speaker 2: something like that, but it's a point that I'm gonna 162 00:08:20,040 --> 00:08:23,520 Speaker 2: always make, which is, we've been doing our thing on 163 00:08:23,560 --> 00:08:27,160 Speaker 2: this podcast for our audience. You know, it might not 164 00:08:27,240 --> 00:08:32,920 Speaker 2: be the biggest audience, but we're not no slouches, you 165 00:08:32,920 --> 00:08:33,480 Speaker 2: know what I mean. 166 00:08:33,640 --> 00:08:35,160 Speaker 1: Like, whether whether. 167 00:08:34,920 --> 00:08:40,120 Speaker 2: It's comedy, interview, recap, whether it's the work ethic, whether 168 00:08:40,120 --> 00:08:45,359 Speaker 2: it's the money, whatever you do, like we not know slouches, 169 00:08:45,400 --> 00:08:50,800 Speaker 2: but unfortunately, because what we do is independent and black, 170 00:08:53,920 --> 00:08:57,600 Speaker 2: it's just no way around it. It's like every time 171 00:08:57,640 --> 00:09:01,120 Speaker 2: we get like a white co sign is when people 172 00:09:01,280 --> 00:09:06,000 Speaker 2: perk up, like, oh, y'all really doing something. So it's 173 00:09:06,040 --> 00:09:07,920 Speaker 2: just the nature of the game. It's like you need 174 00:09:07,960 --> 00:09:14,120 Speaker 2: to convince at least somebody with connection to like that TM, 175 00:09:14,240 --> 00:09:18,120 Speaker 2: you know, that that that that that whiteness TM and 176 00:09:18,160 --> 00:09:21,080 Speaker 2: then people recognize like, oh, you know what I'm saying, 177 00:09:21,120 --> 00:09:23,839 Speaker 2: Like now I'm getting people that are like hitting me 178 00:09:23,960 --> 00:09:26,199 Speaker 2: up where it's like they never talked to me, and it's. 179 00:09:26,080 --> 00:09:27,560 Speaker 1: Like, oh, man, could gratch men? 180 00:09:27,600 --> 00:09:32,920 Speaker 2: You know, And it's like yeah, because that HBO, you know. 181 00:09:33,080 --> 00:09:34,640 Speaker 2: But I guess that's just part of the game. I ain't, 182 00:09:34,760 --> 00:09:36,120 Speaker 2: like I said, I ain't bit or I ain't mad 183 00:09:36,240 --> 00:09:40,360 Speaker 2: or anything, but it's like, uh, at least and not 184 00:09:40,400 --> 00:09:44,439 Speaker 2: to sound arrogant, but I never felt like I couldn't hang. 185 00:09:44,559 --> 00:09:46,720 Speaker 2: I just felt like I didn't. This was not necessarily 186 00:09:46,720 --> 00:09:48,400 Speaker 2: something I saw as a path or something I. 187 00:09:48,440 --> 00:09:49,079 Speaker 1: Was gonna do. 188 00:09:51,240 --> 00:09:54,480 Speaker 2: But you know, I know, I'm funny and I know 189 00:09:54,520 --> 00:09:57,560 Speaker 2: I'm smart, and I know I know I can write. 190 00:09:57,679 --> 00:10:01,400 Speaker 2: It just wasn't you know, Like it's not a matter 191 00:10:01,440 --> 00:10:04,840 Speaker 2: of like, and I'm not disrespecting the difficulty of it. 192 00:10:04,880 --> 00:10:07,520 Speaker 2: If I would have submitted to twelve shows, I might 193 00:10:07,520 --> 00:10:11,120 Speaker 2: not have made any of them, but it wouldn't necessarily 194 00:10:11,120 --> 00:10:14,760 Speaker 2: be because I have no fucking business submitting, Like I 195 00:10:14,760 --> 00:10:16,560 Speaker 2: I don't know. It's like when you see somebody that 196 00:10:16,800 --> 00:10:18,679 Speaker 2: is really good at a sport, and or like when 197 00:10:18,720 --> 00:10:20,920 Speaker 2: you see a tall person that don't play basketball or 198 00:10:20,920 --> 00:10:24,920 Speaker 2: something ain't so most of us assume you probably must 199 00:10:24,960 --> 00:10:27,480 Speaker 2: suck at basketball, but it's like maybe they just don't 200 00:10:27,600 --> 00:10:29,280 Speaker 2: want to be a basketball player. 201 00:10:30,000 --> 00:10:32,880 Speaker 1: You know what I'm saying. Like sports. 202 00:10:32,960 --> 00:10:35,240 Speaker 2: Yeah, so I definitely feel like I can hang man, 203 00:10:35,280 --> 00:10:38,679 Speaker 2: and I think at least doing that that episode of 204 00:10:38,720 --> 00:10:41,720 Speaker 2: that show with all the you know, with this whole 205 00:10:41,760 --> 00:10:47,000 Speaker 2: team involved, you know, but singing my stuff on the screen, 206 00:10:47,320 --> 00:10:50,200 Speaker 2: like when I got to see my parts, because you know, 207 00:10:50,800 --> 00:10:53,079 Speaker 2: it's not like I wrote the whole show. Is every 208 00:10:53,200 --> 00:10:56,319 Speaker 2: part is there's all kinds of even in stuff I 209 00:10:56,360 --> 00:10:59,560 Speaker 2: would have even in segments written by me, there is 210 00:11:00,080 --> 00:11:01,760 Speaker 2: everybody is contributing. 211 00:11:02,160 --> 00:11:02,800 Speaker 1: It's a team. 212 00:11:03,040 --> 00:11:06,240 Speaker 2: So you might get a punchline in there, but it 213 00:11:06,320 --> 00:11:09,079 Speaker 2: might be because somebody else worded the line before that 214 00:11:09,160 --> 00:11:12,280 Speaker 2: the right way to set up your punchline. Like it's 215 00:11:12,400 --> 00:11:15,520 Speaker 2: that intricate, so you can't really like nope, I don't 216 00:11:15,520 --> 00:11:19,840 Speaker 2: think nobody's gonna submit something to the team of writers 217 00:11:19,840 --> 00:11:23,760 Speaker 2: and the producers and just be like check mark it's done, 218 00:11:23,840 --> 00:11:26,320 Speaker 2: thank you. It's gonna always be like, let's look at 219 00:11:26,320 --> 00:11:29,800 Speaker 2: this this way, Okay, think about this, what if this happens? 220 00:11:29,840 --> 00:11:31,280 Speaker 2: And a lot of times it's just me learning. 221 00:11:31,320 --> 00:11:31,680 Speaker 1: I'm glad. 222 00:11:31,720 --> 00:11:33,520 Speaker 2: I'm always glad when they asked me to do something, 223 00:11:33,520 --> 00:11:34,959 Speaker 2: even when I don't know how to do it, because 224 00:11:36,080 --> 00:11:39,400 Speaker 2: the attempt and then watching the correction teaches me every 225 00:11:39,440 --> 00:11:41,840 Speaker 2: single time, like, oh, so that's how you write an 226 00:11:41,880 --> 00:11:43,760 Speaker 2: introduction for a guest. I didn't know how to do 227 00:11:43,800 --> 00:11:46,959 Speaker 2: that to y'all asked me to do it, and then I, 228 00:11:47,040 --> 00:11:48,880 Speaker 2: you know, didn't do it right, and then y'all show 229 00:11:49,080 --> 00:11:50,800 Speaker 2: did someone corrected it, and then I was like, oh, 230 00:11:50,840 --> 00:11:51,800 Speaker 2: so that's all you need to do. 231 00:11:51,920 --> 00:11:52,199 Speaker 1: Cool. 232 00:11:52,760 --> 00:11:55,400 Speaker 2: I was overthinking it, or I was trying to get 233 00:11:55,400 --> 00:11:57,280 Speaker 2: a joke in. It doesn't have to be funny, or 234 00:11:57,400 --> 00:11:58,720 Speaker 2: you know, like learning. 235 00:11:58,360 --> 00:12:03,040 Speaker 1: That kind of stuff. But uh, but yeah, it's so 236 00:12:03,080 --> 00:12:07,920 Speaker 1: it's it's that was cool watching it and watching their reaction. 237 00:12:08,040 --> 00:12:10,040 Speaker 2: I'll made sure to respond to everybody I could on 238 00:12:10,080 --> 00:12:14,120 Speaker 2: Twitter because I was like, I normally don't like I 239 00:12:14,640 --> 00:12:18,640 Speaker 2: you know, I not I normally don't do too much 240 00:12:18,760 --> 00:12:23,319 Speaker 2: like responding to every thing, especially since I like kind 241 00:12:23,320 --> 00:12:27,000 Speaker 2: of made my mentions more like do you need to 242 00:12:27,160 --> 00:12:29,400 Speaker 2: pass all these litmus tests before I can even see 243 00:12:29,840 --> 00:12:33,440 Speaker 2: your post? But last night I was responding to everybody 244 00:12:33,480 --> 00:12:36,680 Speaker 2: because it felt like a moment man, like, damn did. 245 00:12:36,640 --> 00:12:38,600 Speaker 3: It and I'm glad you did it. Mean, it was 246 00:12:38,640 --> 00:12:41,480 Speaker 3: also one of those things that you're being so active 247 00:12:42,000 --> 00:12:44,960 Speaker 3: and retweeting and posting and talking about it and live 248 00:12:44,960 --> 00:12:48,160 Speaker 3: tweeted it. A lot of that U bought people. A 249 00:12:48,200 --> 00:12:51,040 Speaker 3: lot of people probably started watching because they seen it trending, 250 00:12:51,720 --> 00:12:54,280 Speaker 3: like oh what if everybody's talking about and then they 251 00:12:54,400 --> 00:12:57,120 Speaker 3: then they jumped over and started watching it. So you know, 252 00:12:57,200 --> 00:12:59,600 Speaker 3: it's one of those things where as the days go by, 253 00:13:00,280 --> 00:13:01,960 Speaker 3: more people will continue to watch. 254 00:13:02,559 --> 00:13:04,240 Speaker 2: Yeah, because I think a lot of those people don't 255 00:13:04,280 --> 00:13:07,640 Speaker 2: even know because I mean, it's Twitter, I tweet a lot. 256 00:13:07,920 --> 00:13:09,600 Speaker 1: That's a lot of people that haven't muted for years. 257 00:13:09,640 --> 00:13:11,800 Speaker 1: I don't know. And there's also just people that don't know. 258 00:13:12,720 --> 00:13:14,800 Speaker 2: They don't listen to the show, or they don't even 259 00:13:14,840 --> 00:13:17,520 Speaker 2: know I'm They think I'm funny because of some tweets 260 00:13:17,800 --> 00:13:20,400 Speaker 2: or something. They don't even know that I'm funny in 261 00:13:20,440 --> 00:13:23,200 Speaker 2: real life in a way and all that stuff. 262 00:13:23,240 --> 00:13:28,120 Speaker 1: So I think a lot of people was pleasantly surprised. 263 00:13:28,120 --> 00:13:30,440 Speaker 2: And then also this a different muscle, you know, and 264 00:13:30,559 --> 00:13:33,200 Speaker 2: also people be lying, like I could have been telling 265 00:13:33,200 --> 00:13:34,760 Speaker 2: them Mark, this is gonna be the shit, and then 266 00:13:34,760 --> 00:13:36,440 Speaker 2: when you see it, you'd be like that shit was 267 00:13:36,520 --> 00:13:37,199 Speaker 2: super whack. 268 00:13:37,280 --> 00:13:39,400 Speaker 1: What the fuck was he talking about? You know? 269 00:13:39,679 --> 00:13:41,400 Speaker 2: I mean, it happens all the time. There's so many 270 00:13:41,400 --> 00:13:44,240 Speaker 2: decisions that's outside of your hands. Like that's one thing 271 00:13:44,280 --> 00:13:47,680 Speaker 2: I definitely see now. I'm glad I never was the 272 00:13:47,720 --> 00:13:49,760 Speaker 2: kind of person to be shitting on people's writing and 273 00:13:49,840 --> 00:13:52,520 Speaker 2: all that stuff is because there's so much shit that 274 00:13:52,600 --> 00:13:56,400 Speaker 2: happens in a writer's room and production wise, Nigga, you 275 00:13:56,520 --> 00:13:57,400 Speaker 2: don't know what the. 276 00:13:57,360 --> 00:13:59,520 Speaker 3: Fuck just beyond your control. 277 00:13:59,679 --> 00:14:01,480 Speaker 1: Yeah, you don't know what started any of it. 278 00:14:01,600 --> 00:14:05,000 Speaker 2: You you judging people, calling them all kinds of names 279 00:14:05,040 --> 00:14:08,240 Speaker 2: and questioning the shit and then it's like that had 280 00:14:08,280 --> 00:14:10,960 Speaker 2: to go through five levels of something by the time 281 00:14:11,000 --> 00:14:14,559 Speaker 2: it became a TV show or a movie, it wasn't 282 00:14:14,600 --> 00:14:16,800 Speaker 2: what they wrote. I guarantee you that you know, and 283 00:14:16,840 --> 00:14:19,640 Speaker 2: I don't even mean that in a bad way. Sometimes 284 00:14:20,200 --> 00:14:22,400 Speaker 2: sometimes it might be what make you look good, Like 285 00:14:22,440 --> 00:14:24,280 Speaker 2: it might be people out here that's whack as fuck, 286 00:14:25,160 --> 00:14:29,000 Speaker 2: but enough people in the process kind of fix fix 287 00:14:29,080 --> 00:14:31,960 Speaker 2: the thing to where it's like a good product. But 288 00:14:33,720 --> 00:14:37,760 Speaker 2: you know, and then Bow's such a dynamic host. There's 289 00:14:37,800 --> 00:14:39,680 Speaker 2: a lot of stuff we can kind of get away 290 00:14:39,720 --> 00:14:42,880 Speaker 2: with or we can write like there's stuff that I 291 00:14:43,080 --> 00:14:45,720 Speaker 2: realize now, and you can only realize that after seeing 292 00:14:45,760 --> 00:14:48,640 Speaker 2: him in the studio. Honestly, you really it's not the 293 00:14:48,680 --> 00:14:51,000 Speaker 2: same as reading the table read. It's not the same 294 00:14:51,080 --> 00:14:53,400 Speaker 2: as a read down any of this shit. It's not 295 00:14:53,440 --> 00:14:56,720 Speaker 2: the same. You have to see him turn on they 296 00:14:56,720 --> 00:14:59,520 Speaker 2: turn on the camera, turn on the BOWMONI charm and 297 00:14:59,560 --> 00:15:02,680 Speaker 2: then do and then it's like, fuck, we can check 298 00:15:02,760 --> 00:15:03,200 Speaker 2: this out. 299 00:15:03,280 --> 00:15:04,440 Speaker 1: We can move this around. 300 00:15:04,960 --> 00:15:06,760 Speaker 2: He could say a sentence this way and then we 301 00:15:06,840 --> 00:15:10,560 Speaker 2: don't need this other sentence, Like shit like that was 302 00:15:10,640 --> 00:15:11,160 Speaker 2: real cool? 303 00:15:11,200 --> 00:15:14,880 Speaker 1: You okay, okay, just moving back towards me. 304 00:15:15,160 --> 00:15:18,360 Speaker 2: Okay, but yeah, shit like that was was something that 305 00:15:18,440 --> 00:15:22,280 Speaker 2: was a cool experience. So, like I was thinking, because 306 00:15:22,280 --> 00:15:24,000 Speaker 2: of COVID and stuff, we probably wouldn't get to go 307 00:15:24,040 --> 00:15:27,880 Speaker 2: over there. But they basically said, like, you know, I 308 00:15:27,920 --> 00:15:30,320 Speaker 2: get the numbers are down, everybody has the protocol with 309 00:15:30,360 --> 00:15:33,200 Speaker 2: the mask. But they basically said, like, yo, y'all can 310 00:15:33,240 --> 00:15:37,800 Speaker 2: go over there and watch it. And you know, I'm 311 00:15:38,040 --> 00:15:40,440 Speaker 2: I ain't been in this game. I'm of course I 312 00:15:40,560 --> 00:15:43,320 Speaker 2: was going like I was like, hell fucking yes. 313 00:15:44,240 --> 00:15:49,680 Speaker 3: And what was hilarious that periodically when bo was talking, 314 00:15:49,720 --> 00:15:53,680 Speaker 3: you would hear like like this abrupt laughter in the background. 315 00:15:53,680 --> 00:15:56,280 Speaker 3: I said, Oh, that must be y'all in the room laughing, 316 00:15:56,400 --> 00:15:59,360 Speaker 3: which was actually fucking hilarious. Yeah. 317 00:15:59,440 --> 00:16:02,120 Speaker 2: Some people say even thought they heard my specific laugh, 318 00:16:02,120 --> 00:16:04,800 Speaker 2: which they probably did because huh. 319 00:16:04,600 --> 00:16:09,840 Speaker 3: Yeah, because it's such a distinct it's such a distinctive laugh, yes. 320 00:16:09,800 --> 00:16:12,840 Speaker 1: Which is which is interesting because it's a fine line. 321 00:16:12,840 --> 00:16:16,120 Speaker 2: Like I wasn't trying to like yuck it up because 322 00:16:16,320 --> 00:16:20,840 Speaker 2: to me, it's almost distracting. And then also I wasn't 323 00:16:21,240 --> 00:16:23,320 Speaker 2: yucking it up too hard because. 324 00:16:24,600 --> 00:16:27,640 Speaker 1: I have seen those jokes for weeks. 325 00:16:27,520 --> 00:16:31,240 Speaker 2: So to me, like some of the new jokes and 326 00:16:31,240 --> 00:16:33,400 Speaker 2: the arts people put in there were funny to me 327 00:16:33,520 --> 00:16:37,680 Speaker 2: because I hadn't seen the bow delivering before. But you know, 328 00:16:37,800 --> 00:16:42,040 Speaker 2: some of them jokes was like funny, but I wasn't 329 00:16:42,400 --> 00:16:45,800 Speaker 2: gonna be able to like like it was funny and 330 00:16:45,880 --> 00:16:48,920 Speaker 2: like a scientific like in the way a scientist would. 331 00:16:48,680 --> 00:16:52,080 Speaker 1: Be like, this is a positive charge. Like That's how 332 00:16:52,120 --> 00:16:52,440 Speaker 1: it felt. 333 00:16:52,600 --> 00:16:56,560 Speaker 2: It was like, ah, like enough people have seen this joke, 334 00:16:56,640 --> 00:16:58,600 Speaker 2: and I've seen enough people laugh at this joke for 335 00:16:58,640 --> 00:17:01,440 Speaker 2: six weeks that I know this joke is funny as 336 00:17:01,480 --> 00:17:05,639 Speaker 2: a scientific fact, but as far as a if you 337 00:17:05,760 --> 00:17:07,840 Speaker 2: come up to me and tell me that joke, I 338 00:17:07,840 --> 00:17:10,040 Speaker 2: would probably not laugh because I'm like, yes, I remember 339 00:17:10,040 --> 00:17:13,199 Speaker 2: that joke. I wrote it and changed the words twelve times, 340 00:17:13,200 --> 00:17:15,680 Speaker 2: and so I know the joke back was the force now, 341 00:17:17,080 --> 00:17:20,000 Speaker 2: but it was still but his delivery was so good. 342 00:17:20,920 --> 00:17:22,879 Speaker 2: Some of the jokes still made me laugh, and they 343 00:17:22,920 --> 00:17:25,879 Speaker 2: were my jokes, and it felt weird laughing hard at 344 00:17:25,960 --> 00:17:28,200 Speaker 2: my jokes and then being like I almost felt embarrassed. 345 00:17:28,280 --> 00:17:31,520 Speaker 2: I was like, oh, oh wait, that's not that's for 346 00:17:31,600 --> 00:17:32,840 Speaker 2: y'all to laugh at, not for me. 347 00:17:33,119 --> 00:17:38,320 Speaker 3: You know, Yeah, at least you can laugh and stuff 348 00:17:38,359 --> 00:17:41,200 Speaker 3: like that, because one thing funny about it, comedians did 349 00:17:41,240 --> 00:17:44,359 Speaker 3: actually hilarious when they just say that's hilarious. 350 00:17:44,840 --> 00:17:47,280 Speaker 2: Yeah, I mean and not kind of the room kind 351 00:17:47,280 --> 00:17:50,720 Speaker 2: of can be that sometimes because everyone's so funny. And 352 00:17:50,800 --> 00:17:54,080 Speaker 2: also our brains are kind of like in math, it's 353 00:17:54,160 --> 00:17:56,320 Speaker 2: like trying to make a math equation work sometimes, so 354 00:17:56,640 --> 00:18:00,520 Speaker 2: people's brains aren't. In studio artists, I'm sitting down ready 355 00:18:00,520 --> 00:18:03,719 Speaker 2: to laugh because we're working. When we're in those rooms 356 00:18:03,800 --> 00:18:05,400 Speaker 2: making jokes, we're working. 357 00:18:05,160 --> 00:18:08,040 Speaker 1: And so. 358 00:18:08,200 --> 00:18:11,040 Speaker 2: You know, and so it's man, these people are so 359 00:18:11,280 --> 00:18:15,800 Speaker 2: the writers are so fucking talented. I haven't felt any 360 00:18:15,880 --> 00:18:19,880 Speaker 2: imposture syndrome, though, partially because I think people have been 361 00:18:20,080 --> 00:18:25,080 Speaker 2: mostly welcoming and and I think I've been doing a 362 00:18:25,080 --> 00:18:27,639 Speaker 2: good enough job to hang like people like. It hasn't 363 00:18:27,640 --> 00:18:30,560 Speaker 2: been like I'm some weak link or and you know, 364 00:18:30,600 --> 00:18:33,720 Speaker 2: I'm thankful for the process that Bo put me through 365 00:18:33,760 --> 00:18:37,320 Speaker 2: to get the job, because it wasn't like a nepotism 366 00:18:37,440 --> 00:18:40,879 Speaker 2: higher like I actually had to. You know, both said 367 00:18:40,920 --> 00:18:42,880 Speaker 2: you had to beat out hundreds of people to get here, 368 00:18:43,880 --> 00:18:47,800 Speaker 2: and them people was writers like they weren't like I 369 00:18:47,800 --> 00:18:51,200 Speaker 2: didn't beat out hundreds of people by writing in Hey, 370 00:18:51,240 --> 00:18:53,760 Speaker 2: it's Rod, I'm Bowl's boy. Can I have a job? 371 00:18:53,920 --> 00:18:58,200 Speaker 2: Like I beat them by writing yeah, and you know 372 00:18:58,400 --> 00:19:00,840 Speaker 2: some of that shit. They was like, and you had 373 00:19:00,840 --> 00:19:04,240 Speaker 2: the only joke like this out of hundreds of people, 374 00:19:04,400 --> 00:19:07,960 Speaker 2: Like that's to me, that's like a major thing. And 375 00:19:08,280 --> 00:19:10,520 Speaker 2: it and they didn't have my name on the on 376 00:19:10,560 --> 00:19:14,240 Speaker 2: any of myself, so like it wasn't like you're listening 377 00:19:14,280 --> 00:19:17,359 Speaker 2: to it and it's just like, oh, yeah, that's my boy, 378 00:19:17,440 --> 00:19:18,720 Speaker 2: So just go ahead and give him. 379 00:19:18,560 --> 00:19:19,960 Speaker 1: A thumbs up next. 380 00:19:20,200 --> 00:19:23,840 Speaker 2: So but I'm thankful because one, it gave me the 381 00:19:23,880 --> 00:19:28,240 Speaker 2: confidence to feel like, Okay, I earned my spot, I'm 382 00:19:28,280 --> 00:19:34,919 Speaker 2: here to do some work. And then two, whether or 383 00:19:35,040 --> 00:19:39,400 Speaker 2: not other people think that's how it worked, it don't 384 00:19:39,480 --> 00:19:42,240 Speaker 2: matter to me because I had a confidence of knowing it. 385 00:19:42,320 --> 00:19:45,200 Speaker 2: So even if a motherfucker was like, I don't think 386 00:19:45,200 --> 00:19:47,440 Speaker 2: he's funny, I'd be fine. I'd be like, that's well, 387 00:19:47,480 --> 00:19:49,560 Speaker 2: that's not. The people that need to think I'm funny 388 00:19:49,560 --> 00:19:52,160 Speaker 2: are the people that put the jokes in the script. 389 00:19:52,280 --> 00:19:54,920 Speaker 2: And at the end of the day, the joke's going 390 00:19:54,960 --> 00:19:59,359 Speaker 2: in the script is the proof. And I can't speak 391 00:19:59,359 --> 00:20:01,199 Speaker 2: for any other episode of the show because you know 392 00:20:01,240 --> 00:20:03,880 Speaker 2: they haven't been written yet. And this this Duke thing 393 00:20:04,040 --> 00:20:07,720 Speaker 2: was like me and my man Zach's baby and Sydney 394 00:20:08,000 --> 00:20:10,840 Speaker 2: with the museum that was that was our baby. But 395 00:20:10,880 --> 00:20:13,680 Speaker 2: my jokes was making it, you know, like a lot 396 00:20:13,680 --> 00:20:15,800 Speaker 2: of them jokes was was my joke. So it was 397 00:20:16,160 --> 00:20:19,159 Speaker 2: so to me, It's like I don't have that vibe 398 00:20:19,160 --> 00:20:22,920 Speaker 2: of like like I don't think there's no niceness in this, 399 00:20:22,920 --> 00:20:25,840 Speaker 2: this isn't a blessed heart. Let's give them some jokes 400 00:20:26,080 --> 00:20:30,280 Speaker 2: like this is them jokes was winning the race. 401 00:20:30,359 --> 00:20:32,359 Speaker 1: You know what I'm saying. We all submitting and my 402 00:20:32,440 --> 00:20:33,160 Speaker 1: jokes won a few. 403 00:20:33,240 --> 00:20:35,320 Speaker 2: They didn't win it all, but they want a bunch 404 00:20:35,359 --> 00:20:38,560 Speaker 2: of them, and especially for this topic. 405 00:20:38,640 --> 00:20:39,879 Speaker 1: We'll see about the other ones. 406 00:20:39,920 --> 00:20:44,080 Speaker 2: But like that, if people was laughing, they was laughing, 407 00:20:44,080 --> 00:20:46,199 Speaker 2: and shit, I was writing for a large part of 408 00:20:46,240 --> 00:20:49,040 Speaker 2: that stuff, like you know, it's and not all. 409 00:20:48,880 --> 00:20:50,040 Speaker 1: Of them are the ones you think. 410 00:20:51,280 --> 00:20:56,920 Speaker 2: I don't know the protocol about writers rooms and telling 411 00:20:56,920 --> 00:20:59,000 Speaker 2: people like so and so upe this joke. So I'm 412 00:20:59,000 --> 00:21:02,800 Speaker 2: not gonna do that because I feel like because if 413 00:21:02,840 --> 00:21:04,520 Speaker 2: it would have been shitty, I wouldn't want the people 414 00:21:04,560 --> 00:21:06,200 Speaker 2: be like Rod wrote the shitty joke you know what 415 00:21:06,240 --> 00:21:11,040 Speaker 2: I'm saying. So I'll just say like for this, this 416 00:21:11,080 --> 00:21:14,919 Speaker 2: one was like my like they really trusted me a 417 00:21:14,920 --> 00:21:18,359 Speaker 2: lot on this as a first, first time writer for 418 00:21:18,680 --> 00:21:19,359 Speaker 2: TV show. 419 00:21:19,960 --> 00:21:23,080 Speaker 1: This is a hell of a debut, you know what 420 00:21:23,160 --> 00:21:23,600 Speaker 1: I'm saying. 421 00:21:23,640 --> 00:21:26,480 Speaker 2: Like I've been seeing people writing about it all day 422 00:21:26,520 --> 00:21:29,320 Speaker 2: and it's like, you know, I have so much pride, 423 00:21:29,440 --> 00:21:32,800 Speaker 2: and then there's so much stuff that is outside of 424 00:21:32,840 --> 00:21:38,040 Speaker 2: the jokes, Like when we filmed the Duke segment, James 425 00:21:38,080 --> 00:21:41,960 Speaker 2: the tour God, James Davis, he's one of the executive producers, 426 00:21:43,040 --> 00:21:46,920 Speaker 2: Like he was bringing shit I didn't even think about 427 00:21:46,960 --> 00:21:50,520 Speaker 2: because I'm not an actor, and none of that shit 428 00:21:50,600 --> 00:21:52,439 Speaker 2: had crossed my mind to me. I just thought, we 429 00:21:52,520 --> 00:21:57,480 Speaker 2: write the lines, James performs the lines, they record the lines, 430 00:21:57,680 --> 00:21:59,280 Speaker 2: they chop it up and they make a piece. 431 00:22:00,080 --> 00:22:01,880 Speaker 3: Yeah, like you said, it's one of those things too, 432 00:22:01,920 --> 00:22:05,600 Speaker 3: where you know that's that's his work mode. So he 433 00:22:05,760 --> 00:22:08,520 Speaker 3: was like, Okay, I see what y'all give me. What 434 00:22:08,600 --> 00:22:11,760 Speaker 3: can I do or how can I deliver this in 435 00:22:11,840 --> 00:22:14,480 Speaker 3: a way that is also going to be comedic. 436 00:22:15,080 --> 00:22:18,359 Speaker 2: Yeah, And and honestly, you need that energy because it 437 00:22:18,400 --> 00:22:21,480 Speaker 2: breaks up things, It keeps it from feeling like it's 438 00:22:21,480 --> 00:22:25,080 Speaker 2: so scripted, and I mean he was right. 439 00:22:25,160 --> 00:22:26,920 Speaker 1: His instincts were right most of the time. 440 00:22:27,000 --> 00:22:30,240 Speaker 2: And you need somebody to be taking chances like cause 441 00:22:30,280 --> 00:22:31,960 Speaker 2: you got you know, you might take you might catch 442 00:22:31,960 --> 00:22:35,080 Speaker 2: something two three times, like it might be the one 443 00:22:35,080 --> 00:22:39,840 Speaker 2: where he calls somebody a goose looking motherfucker. That's gonna 444 00:22:39,840 --> 00:22:42,000 Speaker 2: make the cut. And it did cause he was right. 445 00:22:42,119 --> 00:22:44,359 Speaker 2: It was a better fucking joke than we had, you 446 00:22:44,400 --> 00:22:44,960 Speaker 2: know what I mean? 447 00:22:45,119 --> 00:22:49,720 Speaker 1: Or did I add? So like James, James was really 448 00:22:49,720 --> 00:22:50,520 Speaker 1: cool to work with. 449 00:22:51,520 --> 00:22:54,480 Speaker 2: He just like, uh, he's already had a TV show, 450 00:22:54,520 --> 00:22:58,679 Speaker 2: so he's been through this before as on camera and 451 00:22:58,880 --> 00:23:01,520 Speaker 2: you know, now's an ep he like is he's just 452 00:23:01,560 --> 00:23:05,840 Speaker 2: got the complete tool set and you know when it 453 00:23:05,880 --> 00:23:08,560 Speaker 2: comes to like riding, setting the move for the room 454 00:23:08,600 --> 00:23:13,520 Speaker 2: and stuff. And most importantly, man, he's a dear friend 455 00:23:13,560 --> 00:23:17,040 Speaker 2: of BO. So you know, one of the main things 456 00:23:17,040 --> 00:23:19,000 Speaker 2: for me would even taking this job was like, I 457 00:23:19,040 --> 00:23:22,960 Speaker 2: just want to make sure that it's as successful as possible. 458 00:23:23,000 --> 00:23:26,840 Speaker 2: And then it feels like BO and as long as 459 00:23:26,920 --> 00:23:29,359 Speaker 2: James Derek, I feel like I don't even have to 460 00:23:29,359 --> 00:23:31,240 Speaker 2: worry about that shit because he not gonna let it 461 00:23:31,280 --> 00:23:34,200 Speaker 2: be whacked, you know what I mean, like like there's 462 00:23:34,240 --> 00:23:38,119 Speaker 2: absolutely no way. So that's a good feeling to be 463 00:23:38,240 --> 00:23:42,160 Speaker 2: like cool, you know, like because sometimes it's shit where 464 00:23:42,160 --> 00:23:43,920 Speaker 2: it's like they'll ask me, like you think bo would 465 00:23:43,960 --> 00:23:46,280 Speaker 2: be this said or other, and I'm you know most 466 00:23:46,280 --> 00:23:49,000 Speaker 2: of the time, you know, if it's just having followed 467 00:23:49,040 --> 00:23:52,440 Speaker 2: Bow over years and like, oh, like you know that, 468 00:23:52,680 --> 00:23:55,240 Speaker 2: like maybe the question you think boul would. 469 00:23:56,320 --> 00:23:57,800 Speaker 1: Wear a wacky suit. 470 00:23:57,800 --> 00:24:02,439 Speaker 2: Or something, I'm like, no, why what, like you know 471 00:24:02,440 --> 00:24:05,399 Speaker 2: what I'm saying, like like and we probably shouldn't even 472 00:24:05,440 --> 00:24:07,760 Speaker 2: ask that shit, like it's probably not gonna happen, so 473 00:24:08,640 --> 00:24:11,200 Speaker 2: you know what I mean, let's just let's just let 474 00:24:11,440 --> 00:24:14,520 Speaker 2: we probably better off just writing, you know, writing some funny, 475 00:24:14,520 --> 00:24:16,720 Speaker 2: smart shit like he won't and just leave it at that. 476 00:24:17,440 --> 00:24:20,560 Speaker 2: But you know, it's stuff like that where I'm like, 477 00:24:20,720 --> 00:24:24,280 Speaker 2: I'm glad James is here cuz I don't have enough 478 00:24:24,320 --> 00:24:27,360 Speaker 2: full to be somebody tell anybody some like I don't 479 00:24:27,359 --> 00:24:29,199 Speaker 2: think he'll do that because who the fuck him out? 480 00:24:29,200 --> 00:24:31,080 Speaker 2: They could just easily be like, fuck you, nigga, you 481 00:24:31,560 --> 00:24:32,440 Speaker 2: you just got here. 482 00:24:32,480 --> 00:24:33,720 Speaker 1: We gonna give him a clown suit. 483 00:24:35,040 --> 00:24:38,919 Speaker 2: So James's James was cool and he was so funny 484 00:24:38,920 --> 00:24:42,239 Speaker 2: in that fucking like when they finished that. That was 485 00:24:42,280 --> 00:24:45,480 Speaker 2: my first time seeing the full cut of the Duke 486 00:24:45,560 --> 00:24:48,520 Speaker 2: thing this weekend, and it was just like, god damn man, 487 00:24:48,640 --> 00:24:51,639 Speaker 2: Like if you understood that, it almost felt like chaos 488 00:24:51,720 --> 00:24:55,520 Speaker 2: when you're recording, cause it's like go over here to 489 00:24:55,560 --> 00:24:58,240 Speaker 2: this exhibit, get this many minutes, this many takes. 490 00:24:58,000 --> 00:24:58,720 Speaker 1: This many jokes. 491 00:24:58,760 --> 00:25:02,440 Speaker 2: As a field producer, he's he's got to set it up, 492 00:25:02,600 --> 00:25:05,919 Speaker 2: the shot the right way. And I mean you're watching 493 00:25:06,840 --> 00:25:10,080 Speaker 2: like it's not chaos, but to somebody like me, it 494 00:25:10,160 --> 00:25:13,720 Speaker 2: looks like chaos. It's like control chaos because it's like 495 00:25:13,760 --> 00:25:16,399 Speaker 2: their own language, just like a zoom tight on this 496 00:25:16,480 --> 00:25:18,120 Speaker 2: and then I need this, and you know, a bunch 497 00:25:18,160 --> 00:25:21,280 Speaker 2: of fucking jargon like give me a I don't know, 498 00:25:21,560 --> 00:25:23,480 Speaker 2: L seven on fifty two or whatever. 499 00:25:23,760 --> 00:25:25,360 Speaker 1: I'm like, I don't know, Hey, man, can I get 500 00:25:25,359 --> 00:25:28,720 Speaker 1: a ninety five? You got a ninety five on such 501 00:25:28,720 --> 00:25:30,800 Speaker 1: and such? And then you know they do all that 502 00:25:30,840 --> 00:25:33,320 Speaker 1: and then it's action and everybody has to stay still. 503 00:25:33,640 --> 00:25:35,480 Speaker 1: You know, my shoes are squeaking and ship. 504 00:25:35,960 --> 00:25:39,040 Speaker 3: I didn't know about that. 505 00:25:39,800 --> 00:25:43,040 Speaker 2: I had I had like I had the headphones on 506 00:25:43,119 --> 00:25:45,040 Speaker 2: this stuff. I didn't know my shoes was making loud 507 00:25:45,040 --> 00:25:47,240 Speaker 2: as squeaking sounds. I should have just took him off. 508 00:25:47,280 --> 00:25:50,280 Speaker 2: But at one point the director was like, it's got moving. 509 00:25:50,320 --> 00:25:53,080 Speaker 2: I was like, oh shit, like like what if? 510 00:25:52,840 --> 00:25:52,879 Speaker 3: What? 511 00:25:53,400 --> 00:25:54,840 Speaker 1: Like I didn't know my shoes are squeaking. I just 512 00:25:54,840 --> 00:25:56,680 Speaker 1: stopped moving. I was like, what the fuck did I 513 00:25:56,720 --> 00:26:00,280 Speaker 1: walk in the shot? And then yeah, they talk me 514 00:26:00,640 --> 00:26:01,760 Speaker 1: your shoes we are squeaking out. 515 00:26:01,840 --> 00:26:04,320 Speaker 2: So then I had to make sure anytime we were recording, 516 00:26:04,840 --> 00:26:09,000 Speaker 2: I was either sitting or standing completely still. It's like 517 00:26:09,040 --> 00:26:11,800 Speaker 2: it's a whole thing, and you know, you get tired, 518 00:26:11,800 --> 00:26:14,520 Speaker 2: and then you were about continued continuity and all this shit. 519 00:26:14,600 --> 00:26:16,080 Speaker 1: That stuff that's not my job, you know. 520 00:26:18,440 --> 00:26:18,600 Speaker 4: Tea. 521 00:26:19,119 --> 00:26:22,920 Speaker 2: Yeah, I didn't even know on set protocol like it's 522 00:26:23,000 --> 00:26:26,959 Speaker 2: certain situations the director so to feel in the direct 523 00:26:27,080 --> 00:26:30,000 Speaker 2: in the field, the person the field director is the 524 00:26:30,000 --> 00:26:34,639 Speaker 2: person in charge. So like even if I need to 525 00:26:34,680 --> 00:26:37,720 Speaker 2: tell somebody something like the actor, like hey you need 526 00:26:37,760 --> 00:26:41,399 Speaker 2: to do this, you gotta completely wait for that moment. 527 00:26:41,480 --> 00:26:43,720 Speaker 1: You gotta wait for that time out. Basically, it's like 528 00:26:43,720 --> 00:26:44,400 Speaker 1: a football game. 529 00:26:44,440 --> 00:26:46,120 Speaker 2: You gotta wait for that time out before you could 530 00:26:46,119 --> 00:26:48,760 Speaker 2: be like, hey, don't forget this is the line or 531 00:26:48,760 --> 00:26:51,520 Speaker 2: whatever or else. They'll call you over if they need to, 532 00:26:51,520 --> 00:26:53,880 Speaker 2: you know, like hey, Roy, what was the line for that? 533 00:26:54,000 --> 00:26:56,120 Speaker 2: You know, and so you can just play your part, 534 00:26:56,200 --> 00:26:59,800 Speaker 2: you know. Like like I said, I feel like as 535 00:26:59,800 --> 00:27:02,919 Speaker 2: a writer, you like Megatron, your job is to shoot 536 00:27:03,920 --> 00:27:06,119 Speaker 2: and it's somebody else's job to pick you up and 537 00:27:06,200 --> 00:27:09,720 Speaker 2: aim you at the target that's supposed to get shot, 538 00:27:09,920 --> 00:27:12,920 Speaker 2: so you know, other you know, I don't know enough 539 00:27:12,960 --> 00:27:17,760 Speaker 2: about filming and stuff to be given too much of 540 00:27:17,800 --> 00:27:20,240 Speaker 2: my opinion. Like sometimes they'll ask me for my opinion, 541 00:27:20,320 --> 00:27:29,600 Speaker 2: but it don't really count, like nah, it's no, it's 542 00:27:30,040 --> 00:27:32,359 Speaker 2: It's been a lot of situations where they're like, what 543 00:27:32,480 --> 00:27:33,280 Speaker 2: you think we should do? 544 00:27:33,520 --> 00:27:35,960 Speaker 1: And you could tell as I'm saying it, I'm just like. 545 00:27:35,920 --> 00:27:38,160 Speaker 2: No one really gives a fuck about this part because 546 00:27:38,160 --> 00:27:40,359 Speaker 2: it's you know, because I don't know, you know what 547 00:27:40,400 --> 00:27:43,080 Speaker 2: I'm saying, like you need some experience. I might know 548 00:27:43,280 --> 00:27:46,800 Speaker 2: after we finished this season, I might know, but asking 549 00:27:46,880 --> 00:27:49,040 Speaker 2: my opinion is kind of just some vibe shit because 550 00:27:49,040 --> 00:27:51,800 Speaker 2: I'm you know, it's like, so should we have people 551 00:27:51,840 --> 00:27:54,199 Speaker 2: do this? And I'll be like, I mean when I 552 00:27:54,240 --> 00:27:56,919 Speaker 2: wrote it, in my mind, they would be doing blank 553 00:27:58,040 --> 00:28:00,760 Speaker 2: but I don't know that that's right, you know, because 554 00:28:01,280 --> 00:28:03,960 Speaker 2: someone that's actually done that job will be like, the 555 00:28:04,080 --> 00:28:06,200 Speaker 2: reason that won't work is because if we have them 556 00:28:06,280 --> 00:28:09,280 Speaker 2: do blank, the punchline won't work or something. 557 00:28:09,800 --> 00:28:11,840 Speaker 1: And I haven't even conceived of that because I ain't 558 00:28:11,880 --> 00:28:14,760 Speaker 1: never did this shit, so you know, you know. 559 00:28:14,920 --> 00:28:17,520 Speaker 2: So sometimes it's just like I'm really just there to 560 00:28:18,119 --> 00:28:20,480 Speaker 2: like they'll ask, and it's very nice of them to ask, 561 00:28:20,520 --> 00:28:22,320 Speaker 2: but I'm really there to be like, I don't know 562 00:28:22,320 --> 00:28:24,159 Speaker 2: if the shit gonna work, y'all let me know, you know, 563 00:28:24,320 --> 00:28:28,239 Speaker 2: and they'll they'll, you know, And that's how that's how 564 00:28:28,240 --> 00:28:31,480 Speaker 2: I learned, you know, Like they made a call on 565 00:28:31,520 --> 00:28:33,679 Speaker 2: the set of that do thing that I didn't know. 566 00:28:33,880 --> 00:28:36,280 Speaker 2: I was like, I don't, I don't know, y'all tell 567 00:28:36,280 --> 00:28:38,120 Speaker 2: me if it works, you know, maybe they can film 568 00:28:38,160 --> 00:28:40,720 Speaker 2: it both ways. And nope, that was right, was do 569 00:28:40,800 --> 00:28:41,360 Speaker 2: it this way? 570 00:28:42,040 --> 00:28:46,560 Speaker 1: So so yeah, that was that was that was so 571 00:28:46,960 --> 00:28:47,960 Speaker 1: that part was fun. 572 00:28:49,400 --> 00:28:53,920 Speaker 2: There's is uh just like the shout out the other writers. Uh, 573 00:28:55,040 --> 00:28:55,360 Speaker 2: Like I. 574 00:28:55,280 --> 00:29:00,920 Speaker 1: Said, James Sidney is is Sydney is funny Instagram and Twitter. 575 00:29:01,800 --> 00:29:02,840 Speaker 1: He's so fucking funny. 576 00:29:02,880 --> 00:29:05,200 Speaker 2: He's the black dudes y'all see in the wide wide 577 00:29:05,200 --> 00:29:09,000 Speaker 2: worlds of sports, the one that that reacts to the 578 00:29:09,000 --> 00:29:11,600 Speaker 2: the the he reacts to the to the stuff. 579 00:29:12,360 --> 00:29:14,520 Speaker 1: Like God, that dude is so fucking funny. 580 00:29:14,640 --> 00:29:17,600 Speaker 2: And he like really sat in the room and like 581 00:29:17,880 --> 00:29:22,000 Speaker 2: gave all those lines, many of them extemporaneous, had the 582 00:29:22,080 --> 00:29:22,840 Speaker 2: timing down. 583 00:29:23,040 --> 00:29:25,560 Speaker 1: And it's what you can't see is that he just 584 00:29:25,960 --> 00:29:29,400 Speaker 1: in a room. None of that's happening, Like he don't 585 00:29:29,480 --> 00:29:31,680 Speaker 1: like that stuff we see on TV is all put 586 00:29:31,720 --> 00:29:35,240 Speaker 1: that afterwards, So like he really had to like act out. 587 00:29:36,800 --> 00:29:39,959 Speaker 2: Yeah, man, Like he's a stand up. He's he's blowing up. 588 00:29:39,960 --> 00:29:42,040 Speaker 2: I think he's gonna be doing something with keV on 589 00:29:42,160 --> 00:29:45,360 Speaker 2: stage soon. Like when I tell you these people are talented, 590 00:29:45,400 --> 00:29:48,000 Speaker 2: it's crazy and like, see me is so strong that 591 00:29:48,240 --> 00:29:53,080 Speaker 2: like coming up with like an alt or joke on 592 00:29:53,120 --> 00:29:56,880 Speaker 2: the like like as we're filming something, you know what 593 00:29:56,920 --> 00:29:59,200 Speaker 2: I'm saying, Like he'll see like because see that's the 594 00:29:59,280 --> 00:30:02,480 Speaker 2: other part when they need something to clock it, Like 595 00:30:02,520 --> 00:30:03,400 Speaker 2: everyone's on the clock. 596 00:30:03,440 --> 00:30:05,800 Speaker 1: It's a different part of your brain. It's not the same. 597 00:30:05,920 --> 00:30:07,320 Speaker 2: Like if you go to a room and you got 598 00:30:07,320 --> 00:30:09,560 Speaker 2: twenty minutes to come on with something, it's easier to 599 00:30:09,600 --> 00:30:12,600 Speaker 2: me anyway, to be like cool, I got twenty minutes, 600 00:30:12,720 --> 00:30:13,840 Speaker 2: I got an hour or whatever. 601 00:30:14,480 --> 00:30:16,520 Speaker 1: I can kind of put it together in my head, 602 00:30:16,600 --> 00:30:18,600 Speaker 1: put boom boom on the spot. 603 00:30:18,600 --> 00:30:23,000 Speaker 3: It's a little different. You gotta instantly be just your head. 604 00:30:22,920 --> 00:30:26,080 Speaker 2: Right because I overthink shit sometimes and go to a 605 00:30:26,120 --> 00:30:29,880 Speaker 2: point where it's almost it'll be not funny because you 606 00:30:29,920 --> 00:30:32,560 Speaker 2: need to think about it a little longer, and that 607 00:30:32,560 --> 00:30:33,920 Speaker 2: that little second is you just. 608 00:30:33,880 --> 00:30:36,200 Speaker 1: Lost the audience. You know, you just lost somebody. 609 00:30:36,920 --> 00:30:39,560 Speaker 2: But he's good at seeing all the angles and being 610 00:30:39,560 --> 00:30:43,280 Speaker 2: like damn you know, and he good at like, yes. 611 00:30:43,160 --> 00:30:45,400 Speaker 1: That he been in this game seventeen years. Yeah, exactly 612 00:30:45,560 --> 00:30:48,080 Speaker 1: Like I said, it's not even though I have no 613 00:30:48,160 --> 00:30:51,160 Speaker 1: imposter syndrome. Shit, I just look at it like everybody 614 00:30:51,240 --> 00:30:52,200 Speaker 1: that's ever written. 615 00:30:51,880 --> 00:30:53,600 Speaker 2: For a TV show, you know what they had in 616 00:30:53,640 --> 00:30:58,000 Speaker 2: common at one point they hadn't written for a TV show? 617 00:30:57,480 --> 00:31:00,400 Speaker 1: So how much you know what I'm saying? I feel 618 00:31:00,480 --> 00:31:03,240 Speaker 1: no day one exactly. 619 00:31:03,280 --> 00:31:05,720 Speaker 2: So I just feel like maybe they growing Pains was 620 00:31:05,800 --> 00:31:09,560 Speaker 2: year one and mine is, you know, like you're seventeen, 621 00:31:09,640 --> 00:31:13,320 Speaker 2: and they got confidence and experience that I don't have yet. 622 00:31:14,000 --> 00:31:19,600 Speaker 2: But it's funny too because he's also good at he 623 00:31:19,720 --> 00:31:22,959 Speaker 2: pitches a lot, Like he's like he's always come up 624 00:31:23,000 --> 00:31:27,160 Speaker 2: with an idea, but he'll shut well, he'll shut down 625 00:31:27,160 --> 00:31:29,480 Speaker 2: his own idea. I don't even know how you get 626 00:31:29,480 --> 00:31:32,240 Speaker 2: to that point. Like he like he'll be like, what 627 00:31:32,360 --> 00:31:34,920 Speaker 2: about this blah blah blah, or here's a pitch blah 628 00:31:34,960 --> 00:31:37,240 Speaker 2: blah blah, And then before anybody can react, he'd be like, no, 629 00:31:37,360 --> 00:31:38,959 Speaker 2: that's not good, don't worry about it. 630 00:31:40,160 --> 00:31:42,400 Speaker 1: I'm like, I didn't even get to consider what made 631 00:31:42,440 --> 00:31:44,479 Speaker 1: it good or bad. It's already already took it off 632 00:31:44,520 --> 00:31:47,440 Speaker 1: the table before you could even say something. But you know, 633 00:31:47,560 --> 00:31:48,560 Speaker 1: I think he kind of have to. 634 00:31:48,520 --> 00:31:51,160 Speaker 2: Be willing to in these rooms, you have to be 635 00:31:51,200 --> 00:31:55,000 Speaker 2: willing to say shit to pitch and fail, which you know, 636 00:31:55,200 --> 00:31:56,800 Speaker 2: it's just part of part of the thing. 637 00:31:56,880 --> 00:32:02,959 Speaker 1: And and sometimes you pick like uh Morgan h Morgan 638 00:32:03,040 --> 00:32:07,120 Speaker 1: Murphy's party team too. She'll sometimes she'll. 639 00:32:06,920 --> 00:32:11,040 Speaker 2: Pitch a joke and I feel like it just takes 640 00:32:11,040 --> 00:32:14,320 Speaker 2: time for the room to catch up, cause her shit 641 00:32:14,400 --> 00:32:16,360 Speaker 2: be good, you know what I mean. But it just 642 00:32:16,600 --> 00:32:18,600 Speaker 2: like a lot of times it's like she'll say something 643 00:32:19,320 --> 00:32:21,920 Speaker 2: and people be kind of like, I don't know when 644 00:32:21,960 --> 00:32:24,520 Speaker 2: you have and I'll just be sitting there like watching 645 00:32:24,520 --> 00:32:29,880 Speaker 2: a bomb, like okay and ten nine, and then everybody 646 00:32:29,920 --> 00:32:32,120 Speaker 2: catches and they be like, oh, because this, yeah, we 647 00:32:32,160 --> 00:32:35,000 Speaker 2: should put that in there, and I'm like, damn, Like 648 00:32:35,120 --> 00:32:38,920 Speaker 2: she's really good at that and always a little bit 649 00:32:38,960 --> 00:32:41,920 Speaker 2: ahead of everybody, you know, when it comes to like. 650 00:32:41,920 --> 00:32:43,640 Speaker 1: Those type of like arts and stuff. 651 00:32:43,680 --> 00:32:47,000 Speaker 2: Because you know, that's another thing I'm trying to learn too, 652 00:32:47,120 --> 00:32:51,880 Speaker 2: is sometimes they want you to pitch and like you 653 00:32:51,880 --> 00:32:53,640 Speaker 2: can kind of say something to fill the space, but 654 00:32:53,800 --> 00:32:57,680 Speaker 2: you really like and sometimes that works. Like you know, 655 00:32:57,720 --> 00:32:59,640 Speaker 2: sometimes I have an idea right away and I'm like, 656 00:33:00,080 --> 00:33:02,840 Speaker 2: think this would fix it, and maybe they buy into it, 657 00:33:02,880 --> 00:33:06,360 Speaker 2: maybe they don't, or you know, if if they don't, 658 00:33:06,440 --> 00:33:08,760 Speaker 2: they at least maybe explain to you, like why it 659 00:33:08,800 --> 00:33:12,640 Speaker 2: won't work. But sometimes it's like you can sit back 660 00:33:12,680 --> 00:33:15,280 Speaker 2: and think of something and be like, boom, this is it. 661 00:33:15,400 --> 00:33:18,320 Speaker 2: And if you if you can, if you can do 662 00:33:18,400 --> 00:33:20,560 Speaker 2: that and then get people to understand it, that's kind 663 00:33:20,560 --> 00:33:25,200 Speaker 2: of the key. But and then Zach Rice he's the 664 00:33:25,320 --> 00:33:29,600 Speaker 2: dude that co wrote The Duke Deep Dive with me, and. 665 00:33:29,920 --> 00:33:32,000 Speaker 1: He's so he's just so funny. 666 00:33:32,120 --> 00:33:36,120 Speaker 2: He's like twenty seven he's already written for several TV 667 00:33:36,200 --> 00:33:40,200 Speaker 2: shows like he's a beast, Like he's a beast, and 668 00:33:40,240 --> 00:33:43,400 Speaker 2: he's kind of it's almost unassuming because he just seems 669 00:33:43,440 --> 00:33:45,760 Speaker 2: like a like a like a like a like a dude, 670 00:33:45,880 --> 00:33:49,000 Speaker 2: you know, like oh man. But then he'll just he 671 00:33:49,480 --> 00:33:52,080 Speaker 2: kills me with some of his lines, like just some 672 00:33:52,160 --> 00:33:56,080 Speaker 2: of the silly shit he says. So he's he's funny 673 00:33:56,080 --> 00:34:00,600 Speaker 2: and shit too. He's uh and most importantly, like because 674 00:34:00,600 --> 00:34:03,680 Speaker 2: he's written so many of these like late night deep 675 00:34:03,720 --> 00:34:05,040 Speaker 2: dive type things. 676 00:34:05,680 --> 00:34:08,080 Speaker 1: He's real good at just being like this. 677 00:34:08,160 --> 00:34:11,640 Speaker 2: Will work too, because sometimes, like I said, I start 678 00:34:11,680 --> 00:34:14,160 Speaker 2: overthinking da da da, and he'll just be like and 679 00:34:14,440 --> 00:34:16,080 Speaker 2: so I'll ask him, like, what are you thinking? We 680 00:34:16,120 --> 00:34:18,040 Speaker 2: say this, he'd be like, yep, that works, and I'm like, 681 00:34:18,600 --> 00:34:22,480 Speaker 2: oh okay, So I'm starting to see this is how 682 00:34:22,480 --> 00:34:23,840 Speaker 2: you put this in here, and this is how you 683 00:34:23,880 --> 00:34:27,279 Speaker 2: flow to this, and this is and he was he's 684 00:34:27,360 --> 00:34:30,200 Speaker 2: been so helpful with the deep doc because sometimes you know, 685 00:34:31,560 --> 00:34:33,560 Speaker 2: the job of everybody else is to kind of tear 686 00:34:33,600 --> 00:34:36,520 Speaker 2: what you wrote down and to add to it, to 687 00:34:36,560 --> 00:34:41,359 Speaker 2: add back to it, and so he is really good at, 688 00:34:41,400 --> 00:34:45,000 Speaker 2: like we take all the critiques and the notes, and 689 00:34:45,160 --> 00:34:50,359 Speaker 2: to me, in my head, you know, my fucking uh what. 690 00:34:50,320 --> 00:34:50,880 Speaker 1: Do you call it? 691 00:34:51,040 --> 00:34:55,640 Speaker 2: Uh A type brain will kick on and be like, oh, no, 692 00:34:55,719 --> 00:34:58,080 Speaker 2: we're feeling we did a bad job. They have ten 693 00:34:58,160 --> 00:34:59,960 Speaker 2: things to say about the thing we wrote, and we 694 00:35:00,000 --> 00:35:02,480 Speaker 2: I thought it was good already. Why would there if 695 00:35:02,520 --> 00:35:04,840 Speaker 2: it was If it's good, why is there ten things 696 00:35:04,840 --> 00:35:07,360 Speaker 2: that aren't good? You know, because I'm thinking like some 697 00:35:07,440 --> 00:35:11,800 Speaker 2: type of weird perfectionists in that moment, and he'll just 698 00:35:11,840 --> 00:35:13,200 Speaker 2: kind of be like, Oh, it's no big deal and 699 00:35:13,239 --> 00:35:15,480 Speaker 2: we'll go back, and really working with him feels like 700 00:35:16,239 --> 00:35:17,200 Speaker 2: it isn't a big deal. 701 00:35:17,239 --> 00:35:18,839 Speaker 1: We just need to make a few changes and they'll 702 00:35:18,880 --> 00:35:19,280 Speaker 1: be fine. 703 00:35:19,840 --> 00:35:23,920 Speaker 2: And that's such a like I'm grateful for his mentality 704 00:35:23,960 --> 00:35:26,080 Speaker 2: in that way, because I think the process would have 705 00:35:26,160 --> 00:35:31,919 Speaker 2: been more daunting and it would have felt more intimidating 706 00:35:31,960 --> 00:35:34,680 Speaker 2: to me if I didn't know, if I didn't have 707 00:35:34,719 --> 00:35:36,799 Speaker 2: somebody to be like, this is natural as part of 708 00:35:36,800 --> 00:35:40,279 Speaker 2: the process. Don't worry about it. It doesn't have to 709 00:35:40,320 --> 00:35:42,920 Speaker 2: be frustrating. This is how we're gonna get it to work. 710 00:35:43,080 --> 00:35:46,200 Speaker 2: And boom, and sometimes we sit literally for ten twenty 711 00:35:46,280 --> 00:35:48,120 Speaker 2: minutes after a meet. One of those meetings where I'm 712 00:35:48,120 --> 00:35:51,479 Speaker 2: thinking this is hours of work and ten twenty minutes 713 00:35:51,520 --> 00:35:52,640 Speaker 2: later we like we got everything. 714 00:35:53,880 --> 00:36:00,600 Speaker 1: So that like he's cool. Greg is this dude who 715 00:36:01,560 --> 00:36:06,560 Speaker 1: wrote for like Colbert, I believe, and I think maybe 716 00:36:06,640 --> 00:36:09,919 Speaker 1: John Oliver. Like he's a beast. He like he got 717 00:36:09,920 --> 00:36:10,759 Speaker 1: a fucking. 718 00:36:11,360 --> 00:36:15,239 Speaker 2: Emmy and shit like like and they not giving those 719 00:36:15,239 --> 00:36:16,880 Speaker 2: out like candy to black people, if you know what 720 00:36:16,920 --> 00:36:17,239 Speaker 2: I mean. 721 00:36:17,400 --> 00:36:20,560 Speaker 1: And so he he's a beast. 722 00:36:20,760 --> 00:36:23,640 Speaker 2: And that's another motherfucker that he's written so many of 723 00:36:23,640 --> 00:36:28,600 Speaker 2: these shows. He just knows like this goes here, move 724 00:36:28,719 --> 00:36:32,279 Speaker 2: is here, Like he's real good about getting that shit. 725 00:36:32,600 --> 00:36:35,680 Speaker 1: And and he's funny too, and like format. 726 00:36:35,239 --> 00:36:40,359 Speaker 2: Wise, joke wise is like you know, like I'll watch 727 00:36:40,400 --> 00:36:42,960 Speaker 2: him kind of go through something like oh man, like 728 00:36:43,040 --> 00:36:45,160 Speaker 2: he just wrote that cause he's like a formula. It's 729 00:36:45,200 --> 00:36:49,280 Speaker 2: like A plus B a square plus B squaredqals funny 730 00:36:49,880 --> 00:36:52,919 Speaker 2: and he just knows that fucking formula. So like it's 731 00:36:52,920 --> 00:36:58,680 Speaker 2: been cool to talk with him and to see like 732 00:36:58,680 --> 00:37:01,760 Speaker 2: like I said, these motherfuckers are beat like like it's 733 00:37:01,840 --> 00:37:05,239 Speaker 2: like low key. I'm just like, like I said, I 734 00:37:05,239 --> 00:37:10,080 Speaker 2: don't have any level of like, uh whatever, imposter syndrome 735 00:37:10,120 --> 00:37:13,960 Speaker 2: about it. But I'm constantly in all like nigga, you 736 00:37:14,000 --> 00:37:15,799 Speaker 2: did what? You know what I'm saying, because they just 737 00:37:15,840 --> 00:37:19,640 Speaker 2: casually be like, you know, yeah, you know when I 738 00:37:19,760 --> 00:37:21,560 Speaker 2: used to work on the Daily Show or whatever the fuck? 739 00:37:21,600 --> 00:37:24,600 Speaker 1: I'm like, you worked on a daily yall? You know 740 00:37:24,600 --> 00:37:26,640 Speaker 1: what I mean? Like they just bring up shit where 741 00:37:26,680 --> 00:37:28,920 Speaker 1: it's just like, you know, it's like. 742 00:37:28,880 --> 00:37:32,799 Speaker 2: I told my friend, I don't know John Oliver or 743 00:37:32,800 --> 00:37:34,600 Speaker 2: some shit, You're just like you used to work with 744 00:37:34,719 --> 00:37:35,320 Speaker 2: John Oliver. 745 00:37:35,560 --> 00:37:39,799 Speaker 1: So like a lot of that stuff is just just 746 00:37:39,920 --> 00:37:41,520 Speaker 1: like cool. 747 00:37:41,680 --> 00:37:44,239 Speaker 2: And then I think, because I would imagine I don't 748 00:37:44,280 --> 00:37:46,279 Speaker 2: think I don't hold it against anybody, but I would 749 00:37:46,320 --> 00:37:49,520 Speaker 2: imagine people had low expectations of my shit because I'm 750 00:37:49,560 --> 00:37:53,840 Speaker 2: new and I've never done it before, and probably people 751 00:37:53,840 --> 00:37:56,920 Speaker 2: think I'm just Bowl's boy, and who the fuck am I? 752 00:37:57,040 --> 00:37:58,799 Speaker 2: You know, if you google me, you're not gonna find 753 00:37:58,800 --> 00:38:01,719 Speaker 2: no credit. You have to really be a fan of 754 00:38:01,760 --> 00:38:02,480 Speaker 2: this show to even know. 755 00:38:03,760 --> 00:38:05,480 Speaker 3: And this is the motherfucking first one. 756 00:38:05,719 --> 00:38:07,759 Speaker 2: Yeah, and if you don't follow me on Twitter or 757 00:38:08,440 --> 00:38:10,520 Speaker 2: because I haven't tried to do stand up or anything, 758 00:38:10,840 --> 00:38:12,879 Speaker 2: so literally you don't follow me on Twitter or you're 759 00:38:12,920 --> 00:38:15,520 Speaker 2: not a fan of this podcast, you probably have no 760 00:38:15,600 --> 00:38:18,319 Speaker 2: fucking idea who I am or if I'm funny, which 761 00:38:18,400 --> 00:38:24,800 Speaker 2: is totally fine and acceptable because that, I mean, I 762 00:38:24,840 --> 00:38:26,960 Speaker 2: would feel that, you know, It's like when a comedian 763 00:38:27,000 --> 00:38:29,440 Speaker 2: starts a podcast, I'm never like I know this is 764 00:38:29,480 --> 00:38:30,000 Speaker 2: gonna be lit. 765 00:38:30,040 --> 00:38:32,600 Speaker 1: I'm like, I mean, podcast is different. 766 00:38:33,800 --> 00:38:36,319 Speaker 2: Yeah, it's a lot of comedians that are funny on 767 00:38:36,480 --> 00:38:39,640 Speaker 2: stage bad at podcasts. It's you know, and it's nothing 768 00:38:39,680 --> 00:38:43,040 Speaker 2: personal to them, and so to me, I just look 769 00:38:43,080 --> 00:38:47,239 Speaker 2: at it like, it's cool if people don't think I 770 00:38:47,280 --> 00:38:50,040 Speaker 2: can do this, but I know I can do it, 771 00:38:50,719 --> 00:38:56,080 Speaker 2: you know, And so I would say, like, especially after 772 00:38:56,120 --> 00:39:01,120 Speaker 2: that first episode, hopefully you know, people feel like cool, 773 00:39:01,200 --> 00:39:04,080 Speaker 2: he know, he's like not that I know what I'm doing, 774 00:39:04,080 --> 00:39:07,799 Speaker 2: but he can't. He has the ability to contribute in 775 00:39:07,840 --> 00:39:08,160 Speaker 2: that way. 776 00:39:08,200 --> 00:39:11,520 Speaker 3: Also, you're a very hard worker, and I know that 777 00:39:11,520 --> 00:39:14,919 Speaker 3: that's probably something that they're you know, because like you're 778 00:39:15,000 --> 00:39:18,400 Speaker 3: learning them, they're learning you too, and so it's, you know, 779 00:39:18,480 --> 00:39:23,120 Speaker 3: it's just one of those things where honestly, our work 780 00:39:23,160 --> 00:39:28,600 Speaker 3: ethic and I tell it funny, it's motherfucking hard to 781 00:39:28,640 --> 00:39:31,360 Speaker 3: compete against us when it comes to like work ethics. 782 00:39:31,400 --> 00:39:35,600 Speaker 3: All jokes aside. And so it's one of those things 783 00:39:35,640 --> 00:39:37,960 Speaker 3: where when we work, we work. We ain't bullshit and 784 00:39:37,960 --> 00:39:40,960 Speaker 3: we ain't messing around like oh oh oh, I come 785 00:39:41,000 --> 00:39:42,280 Speaker 3: to do this motherfucking work. 786 00:39:42,560 --> 00:39:43,120 Speaker 1: Yeah. 787 00:39:43,160 --> 00:39:47,000 Speaker 3: And years and years and years of you doing the podcast, 788 00:39:47,080 --> 00:39:49,640 Speaker 3: being consistent and working hard and things like that, it 789 00:39:49,800 --> 00:39:53,600 Speaker 3: kind of built you to a place where you're like, oh, 790 00:39:53,680 --> 00:39:56,040 Speaker 3: this is life work compared to you know, the the 791 00:39:57,040 --> 00:40:01,080 Speaker 3: you know, thousands of hours of podcast and not putting Yeah. 792 00:40:00,880 --> 00:40:05,480 Speaker 2: I think also because of that, like because like you know, 793 00:40:05,760 --> 00:40:07,160 Speaker 2: that's not my only job. 794 00:40:07,600 --> 00:40:08,880 Speaker 1: I have to do the podcast. 795 00:40:09,120 --> 00:40:12,439 Speaker 2: So a lot of this ship is like, uh, when 796 00:40:12,680 --> 00:40:15,920 Speaker 2: when it's time for everyone else to relax, go out 797 00:40:15,920 --> 00:40:17,520 Speaker 2: and do shit, I'm like I have to go to 798 00:40:17,560 --> 00:40:20,360 Speaker 2: the other job that I also need to make money 799 00:40:20,360 --> 00:40:25,000 Speaker 2: from because I'm not rich and this is this is 800 00:40:25,320 --> 00:40:28,040 Speaker 2: this is good money. I appreciate this money, and lord no, 801 00:40:28,080 --> 00:40:31,160 Speaker 2: I ain't giving nothing back, but this is like, but 802 00:40:31,239 --> 00:40:33,760 Speaker 2: I still need this podcast money, and so I can't 803 00:40:33,800 --> 00:40:36,279 Speaker 2: go back to like, guys, I'm in New York. We 804 00:40:36,280 --> 00:40:38,880 Speaker 2: ain't putting no episodes out, Like nah, we got to 805 00:40:38,880 --> 00:40:43,120 Speaker 2: put something out. We still have sponsors, Yeah, still got 806 00:40:43,120 --> 00:40:46,160 Speaker 2: sponsors advertised all that ship. So you know, for a 807 00:40:46,280 --> 00:40:49,840 Speaker 2: large part, it's like and I don't really come to 808 00:40:49,880 --> 00:40:52,319 Speaker 2: work to be like guys on the podcast, you know, 809 00:40:52,400 --> 00:40:53,440 Speaker 2: it has nothing to do with that. 810 00:40:53,560 --> 00:40:57,040 Speaker 3: So I don't talk about a lot of them, you know, 811 00:40:57,080 --> 00:40:59,640 Speaker 3: because it's one of things I'll say, I got a podcast, 812 00:40:59,680 --> 00:41:00,799 Speaker 3: so don't reject it. 813 00:41:00,840 --> 00:41:04,879 Speaker 2: Well, to a lot of my coworker's credit, man, they 814 00:41:05,160 --> 00:41:07,080 Speaker 2: listened to the show, or they'll check it out, you know, 815 00:41:07,320 --> 00:41:09,799 Speaker 2: which is which is cool, which is low key? Like 816 00:41:09,840 --> 00:41:11,919 Speaker 2: I said, glad, I've never got on here and talked 817 00:41:11,920 --> 00:41:15,800 Speaker 2: shit about nobody because you know, even like kind of jokingly, 818 00:41:15,880 --> 00:41:20,000 Speaker 2: because you don't you're working with people you don't necessarily 819 00:41:20,040 --> 00:41:21,799 Speaker 2: know them know them like that, and it takes a 820 00:41:21,800 --> 00:41:24,240 Speaker 2: while to build up to like I can make jokes 821 00:41:24,280 --> 00:41:25,880 Speaker 2: about you and you can make jokes about me, and 822 00:41:25,920 --> 00:41:27,279 Speaker 2: we're not gonna have our feelings hurt. 823 00:41:28,680 --> 00:41:29,520 Speaker 1: So I just. 824 00:41:29,560 --> 00:41:32,040 Speaker 2: Never really did that kind of shit, you know what 825 00:41:32,080 --> 00:41:34,080 Speaker 2: I mean, Like I was a bad mouth to people 826 00:41:34,080 --> 00:41:34,680 Speaker 2: and ship. 827 00:41:36,440 --> 00:41:36,879 Speaker 3: Our type. 828 00:41:38,040 --> 00:41:42,920 Speaker 1: Yeah. But but but but that's been like a rewarding 829 00:41:42,960 --> 00:41:47,600 Speaker 1: situation to be able to say like, Okay, uh, I 830 00:41:47,680 --> 00:41:53,000 Speaker 1: have this the podcast and I have this job, but 831 00:41:54,360 --> 00:41:59,080 Speaker 1: I'm not like and it's not a disc I'm not 832 00:41:59,320 --> 00:42:01,960 Speaker 1: really here to have a good time in that way. 833 00:42:02,360 --> 00:42:05,799 Speaker 2: I'm having a good time, yes, but the goal there's 834 00:42:05,840 --> 00:42:09,040 Speaker 2: not a vacation for me. And it's not like I'm 835 00:42:09,040 --> 00:42:11,200 Speaker 2: not a tourist in New York in the way that 836 00:42:11,239 --> 00:42:13,200 Speaker 2: people think. So many people keep hearing me up rod, 837 00:42:13,280 --> 00:42:15,719 Speaker 2: let's hang out, let's do this, and you know it's 838 00:42:15,960 --> 00:42:19,200 Speaker 2: it's no shade to them, but it's like, honestly, as 839 00:42:19,200 --> 00:42:23,520 Speaker 2: an introvert, work is already like I've been around people 840 00:42:23,560 --> 00:42:27,000 Speaker 2: all day before I'm even ready to do anything else. 841 00:42:27,080 --> 00:42:30,080 Speaker 1: I need to come back here and not be with anybody. 842 00:42:30,840 --> 00:42:34,120 Speaker 2: So then the next part is I also have this 843 00:42:34,239 --> 00:42:38,560 Speaker 2: other job that is that is also very serious to me. 844 00:42:39,360 --> 00:42:42,320 Speaker 2: And I don't know what will happen with this show, 845 00:42:42,440 --> 00:42:44,839 Speaker 2: but I do with the with the Game Theory, right, 846 00:42:44,880 --> 00:42:48,000 Speaker 2: because I can't control what happens with Game Theory. We 847 00:42:48,040 --> 00:42:50,040 Speaker 2: can only we can make the best show possible and 848 00:42:50,080 --> 00:42:52,200 Speaker 2: just hope that people fuck with it and hope that 849 00:42:52,239 --> 00:42:54,359 Speaker 2: the right people understand what the vision is. 850 00:42:55,200 --> 00:42:58,319 Speaker 1: But this podcast I've been doing for twelve years, al. 851 00:43:00,040 --> 00:43:04,480 Speaker 2: Yeah, twelve, twenty ten, right, this podcast, even though for 852 00:43:04,520 --> 00:43:10,480 Speaker 2: twelve years it cannot not exist right like, it can't. 853 00:43:10,560 --> 00:43:11,359 Speaker 1: It can't be. 854 00:43:11,400 --> 00:43:14,480 Speaker 2: That I came here, fucked around and then the podcast 855 00:43:14,480 --> 00:43:17,279 Speaker 2: went away somehow or oh, man, yeah, we didn't put 856 00:43:17,280 --> 00:43:19,640 Speaker 2: out the show for three months, but they'll understand it 857 00:43:19,680 --> 00:43:21,879 Speaker 2: don't work like that. And I know our listeners think 858 00:43:21,920 --> 00:43:27,000 Speaker 2: they understand. Nigga, that's that stretches the limits of anybody's understanding. 859 00:43:27,080 --> 00:43:27,600 Speaker 1: And I get it. 860 00:43:27,600 --> 00:43:30,120 Speaker 2: It's like if Netflix kept charging you but didn't put 861 00:43:30,120 --> 00:43:32,640 Speaker 2: out no new shows for three months. 862 00:43:32,400 --> 00:43:35,239 Speaker 1: It is content like that is the game. 863 00:43:35,320 --> 00:43:37,360 Speaker 2: I'm not saying we're gonna put out five shows a 864 00:43:37,400 --> 00:43:40,000 Speaker 2: week for the next six weeks, but you know, I'm 865 00:43:40,160 --> 00:43:44,080 Speaker 2: very proud of being able to do what we've done 866 00:43:44,200 --> 00:43:44,640 Speaker 2: so far. 867 00:43:44,800 --> 00:43:47,680 Speaker 1: While I've been here. This is this. This shit has 868 00:43:47,719 --> 00:43:49,120 Speaker 1: been a beast man. 869 00:43:49,160 --> 00:43:52,040 Speaker 2: Like this that first week, the couple of weeks, my 870 00:43:52,040 --> 00:43:56,240 Speaker 2: anxiety was through the roof. Having a routine has helped. 871 00:43:56,960 --> 00:43:59,840 Speaker 2: Having great coworkers has helped, Having a great working in 872 00:44:00,400 --> 00:44:04,239 Speaker 2: is helped. Having you has helped. Having the fans and 873 00:44:04,280 --> 00:44:07,040 Speaker 2: the podcast has helped a lot. But it's all been 874 00:44:07,080 --> 00:44:09,920 Speaker 2: because I had to establish routines. I couldn't I. 875 00:44:09,880 --> 00:44:13,600 Speaker 1: Couldn't have done this with the wild chaotic energy of 876 00:44:13,680 --> 00:44:16,000 Speaker 1: like going out every night and drinking and then showing 877 00:44:16,040 --> 00:44:19,319 Speaker 1: up to work tomorrow and fucking off the podcast. Shit 878 00:44:19,440 --> 00:44:21,880 Speaker 1: like it had to be this way, but. 879 00:44:24,040 --> 00:44:24,320 Speaker 3: Takes. 880 00:44:24,440 --> 00:44:28,360 Speaker 2: Yes, Yeah, you know, everybody wants to like meet up 881 00:44:28,400 --> 00:44:32,320 Speaker 2: and all this stuff. And I'm scheduling stuff out for 882 00:44:32,480 --> 00:44:35,080 Speaker 2: Mondays and tuesdays really because those days I have off 883 00:44:35,200 --> 00:44:38,000 Speaker 2: and it's the only days I really can know my hours. Cuz, 884 00:44:38,840 --> 00:44:42,280 Speaker 2: like this week, once the show started filming, a couple 885 00:44:42,239 --> 00:44:44,880 Speaker 2: of days, I was there till seven, you know, seven 886 00:44:44,920 --> 00:44:47,919 Speaker 2: something at night and having a good time, by the way, 887 00:44:47,960 --> 00:44:51,160 Speaker 2: and doing work, like not feeling like you know, and 888 00:44:51,200 --> 00:44:54,360 Speaker 2: sometimes because we were hanging out bonding, you know, people 889 00:44:54,360 --> 00:44:57,960 Speaker 2: start coming to your office and talking to you. It's like, 890 00:44:57,960 --> 00:44:59,840 Speaker 2: like I said, these people are so interesting. I'm a 891 00:45:00,080 --> 00:45:02,840 Speaker 2: talk to them, is right, you know? I like, I 892 00:45:02,920 --> 00:45:06,680 Speaker 2: still I don't know what people will, how people will 893 00:45:06,719 --> 00:45:08,560 Speaker 2: feel after the show, if they even want to do it. 894 00:45:08,600 --> 00:45:12,040 Speaker 2: But at some point in the slack, I'm an offer 895 00:45:12,160 --> 00:45:14,160 Speaker 2: to everybody, like if you would like to be a 896 00:45:14,160 --> 00:45:17,200 Speaker 2: guest on our podcast and let us interview you, we 897 00:45:17,440 --> 00:45:19,879 Speaker 2: you know, especially after we go home and we can 898 00:45:19,920 --> 00:45:23,640 Speaker 2: do zoom and shit, we should schedule something, because. 899 00:45:23,480 --> 00:45:25,960 Speaker 1: These motherfuckers are so goddamn interesting. 900 00:45:26,000 --> 00:45:30,680 Speaker 2: I'm talking about even the pa even the like people 901 00:45:30,719 --> 00:45:32,919 Speaker 2: that you don't really think. It's like you start talking 902 00:45:32,960 --> 00:45:35,640 Speaker 2: to these motherfuckers and it's like they've been in this 903 00:45:35,760 --> 00:45:39,960 Speaker 2: industry and doing shit for so long or you or 904 00:45:40,080 --> 00:45:42,560 Speaker 2: like they're young, but you know they gonna be somebody 905 00:45:42,560 --> 00:45:44,800 Speaker 2: because they already on a path where you're like, damn, 906 00:45:44,840 --> 00:45:48,000 Speaker 2: this motherfucker gonna be somebody. You know, like an old 907 00:45:48,040 --> 00:45:51,080 Speaker 2: black man talking to a kid that graduate from high school, 908 00:45:51,120 --> 00:45:56,520 Speaker 2: like you gonna be somebody, be somebody, right exactly, So 909 00:45:56,640 --> 00:45:59,799 Speaker 2: like all these people are somebody gonna be somebody by 910 00:46:00,120 --> 00:46:01,920 Speaker 2: come up already then came up. 911 00:46:01,880 --> 00:46:05,560 Speaker 3: So wonderful yet just kind of throw it out there. Yeah, 912 00:46:05,800 --> 00:46:08,319 Speaker 3: just just just still over like hey, y'all, you know, 913 00:46:08,560 --> 00:46:11,520 Speaker 3: y'all want to and we can do it either way 914 00:46:11,520 --> 00:46:13,000 Speaker 3: they want to, we can do you can do like 915 00:46:13,000 --> 00:46:14,560 Speaker 3: a medium talk with them or they guy should be 916 00:46:14,600 --> 00:46:15,360 Speaker 3: on the show show with them. 917 00:46:15,400 --> 00:46:17,560 Speaker 2: I think, just the show and we just have them 918 00:46:17,560 --> 00:46:19,680 Speaker 2: as guests and we interview on you know, I think 919 00:46:19,680 --> 00:46:21,839 Speaker 2: it would be cool. Like all these people are, like 920 00:46:21,840 --> 00:46:24,600 Speaker 2: I said, real funny, cool to talk to even I'm 921 00:46:24,640 --> 00:46:29,040 Speaker 2: telling you, in like every job, somebody is they funny 922 00:46:29,320 --> 00:46:34,120 Speaker 2: or they smart and whatever they contribute to the overall picture, 923 00:46:34,840 --> 00:46:39,279 Speaker 2: Like it's crazy. We had an interview for GQ where 924 00:46:39,280 --> 00:46:41,080 Speaker 2: they interview some people in the office. I got an 925 00:46:41,080 --> 00:46:43,439 Speaker 2: interviewed for part of that. For they were talking about 926 00:46:43,440 --> 00:46:48,920 Speaker 2: BOUMANI sit out, Yes out. Yeah it's a weird. So 927 00:46:49,200 --> 00:46:53,320 Speaker 2: it's out. It's a good read, but it's weird because 928 00:46:53,960 --> 00:46:57,200 Speaker 2: when I try to share it on Facebook, it just 929 00:46:57,239 --> 00:46:59,640 Speaker 2: says like twelve or some shit. It's it's like a 930 00:46:59,680 --> 00:47:02,759 Speaker 2: really weird I have no idea why this is this way, 931 00:47:02,800 --> 00:47:03,800 Speaker 2: but it's like a really. 932 00:47:03,600 --> 00:47:04,759 Speaker 1: Weird way to share it. 933 00:47:05,320 --> 00:47:09,040 Speaker 2: But I'm going to tell y'all how to see it yourself, 934 00:47:09,040 --> 00:47:10,400 Speaker 2: so you can like google it. 935 00:47:11,200 --> 00:47:12,520 Speaker 1: Or I'll put the link in the show notes. I'll 936 00:47:12,520 --> 00:47:13,560 Speaker 1: put the link in the show notes. 937 00:47:14,200 --> 00:47:17,799 Speaker 2: Yeah, it's twelve feet for some reason, which I don't 938 00:47:17,840 --> 00:47:21,000 Speaker 2: understand why it says that when you share it, but 939 00:47:21,080 --> 00:47:25,440 Speaker 2: when you actually click on it, it takes you to GQ. 940 00:47:26,120 --> 00:47:30,200 Speaker 2: And I'll put the link in the In the chat, 941 00:47:30,239 --> 00:47:32,400 Speaker 2: it's got bow in the corner office, feet up on 942 00:47:32,440 --> 00:47:33,239 Speaker 2: the desk, like. 943 00:47:36,320 --> 00:47:45,759 Speaker 1: Looking plush. So yeah, that's the that's the thing, the 944 00:47:45,800 --> 00:47:46,560 Speaker 1: link or whatever. 945 00:47:46,680 --> 00:47:50,200 Speaker 2: But yeah, this dude, Tyler came in and interviewed everybody 946 00:47:50,239 --> 00:47:53,399 Speaker 2: and he had some and it was like a cool 947 00:47:53,440 --> 00:47:59,680 Speaker 2: story because I think it was honest. It was a 948 00:47:59,680 --> 00:48:02,840 Speaker 2: little bit it was sassy, like a little bit sassy 949 00:48:02,920 --> 00:48:05,520 Speaker 2: quote unquote, but in a good way because I think 950 00:48:05,560 --> 00:48:07,600 Speaker 2: if it would have been too much of like a 951 00:48:07,600 --> 00:48:09,400 Speaker 2: puff piece, people probably wouldn't have read it. 952 00:48:11,600 --> 00:48:16,800 Speaker 1: So yeah, that was cool. Uh uh. 953 00:48:17,280 --> 00:48:20,040 Speaker 2: And and like I said, they came and interviewed all 954 00:48:20,080 --> 00:48:26,400 Speaker 2: of like well a few of us in the office and. 955 00:48:24,360 --> 00:48:26,960 Speaker 1: And so that that that was dope. Him and my 956 00:48:27,719 --> 00:48:30,000 Speaker 1: him and my co writer. Oh shit, I almost fucking 957 00:48:30,040 --> 00:48:34,120 Speaker 1: forgot him and my co my office mate Tommy. He's 958 00:48:34,160 --> 00:48:34,880 Speaker 1: also a writer. 959 00:48:35,200 --> 00:48:39,239 Speaker 2: And Tommy used to write for like fucking like Dead 960 00:48:39,280 --> 00:48:41,880 Speaker 2: Spinner and Ship like he used to write for like 961 00:48:41,880 --> 00:48:43,440 Speaker 2: like he a journalist. 962 00:48:44,200 --> 00:48:44,920 Speaker 1: You know what I mean. 963 00:48:45,200 --> 00:48:48,560 Speaker 2: Like and so because you know, I think people here 964 00:48:48,800 --> 00:48:52,279 Speaker 2: writer and they think comedy and funny and I'm not. 965 00:48:52,360 --> 00:48:58,360 Speaker 2: And Tommy is very funny. But Tommy is like he 966 00:48:58,360 --> 00:49:01,200 Speaker 2: he got the research. He do that like he know, 967 00:49:02,480 --> 00:49:04,759 Speaker 2: he he know the facts, like. 968 00:49:04,719 --> 00:49:08,120 Speaker 3: He he knows how to work with Yes. 969 00:49:08,360 --> 00:49:10,439 Speaker 2: He knows how to get the important ship in there 970 00:49:10,440 --> 00:49:13,160 Speaker 2: because like, to me a deep dive, I'm thinking to myself, 971 00:49:13,200 --> 00:49:14,400 Speaker 2: oh we about that clown. 972 00:49:15,120 --> 00:49:16,160 Speaker 1: And Tommy is. 973 00:49:16,200 --> 00:49:24,120 Speaker 2: Like, dude, people understand the economic impact of crypto and like, 974 00:49:24,160 --> 00:49:27,439 Speaker 2: I'm like, you know, and so I think, And he's 975 00:49:27,520 --> 00:49:34,080 Speaker 2: kind of like a naturally precocious dude and kind of 976 00:49:34,280 --> 00:49:38,880 Speaker 2: h like he's a little bit like he like he 977 00:49:38,920 --> 00:49:41,440 Speaker 2: doesn't want to read press about the show. He doesn't 978 00:49:41,600 --> 00:49:43,520 Speaker 2: like he's a little superstitious like that. 979 00:49:44,200 --> 00:49:46,440 Speaker 1: Uh so he'll ask me to read and tell him 980 00:49:46,440 --> 00:49:48,680 Speaker 1: about it, but I can't read it to him. I 981 00:49:48,760 --> 00:49:50,920 Speaker 1: just have to tell him like is it good or bad? 982 00:49:52,120 --> 00:49:54,480 Speaker 2: Which I feel bad because I you know, as I've 983 00:49:54,480 --> 00:49:57,920 Speaker 2: told Tommy, man, I like almost everything. So I feel 984 00:49:58,120 --> 00:49:59,759 Speaker 2: I feel like I'm letting him down a little bit 985 00:50:00,000 --> 00:50:05,120 Speaker 2: because I think his natural huh. 986 00:50:04,160 --> 00:50:06,800 Speaker 3: Because it kind of bias because you like, look like everything. 987 00:50:06,520 --> 00:50:08,719 Speaker 2: Yeah, his natural status to be a little bit more 988 00:50:08,800 --> 00:50:10,520 Speaker 2: questioning and cynical about ship. 989 00:50:10,640 --> 00:50:12,479 Speaker 1: And I'm like, no, I was good. 990 00:50:12,760 --> 00:50:16,040 Speaker 2: Like, Like, if he's gonna ask me, like, I guarantee 991 00:50:16,080 --> 00:50:18,200 Speaker 2: wednesdayin't gonna be like how was Twitter? And I'm gonna 992 00:50:18,239 --> 00:50:21,160 Speaker 2: be like, Nigga, it was great, we was trending. Everybody 993 00:50:21,239 --> 00:50:24,200 Speaker 2: loved it. They was in my mentions. And I'm sure 994 00:50:24,360 --> 00:50:25,960 Speaker 2: a little bit of him is gonna be like, yeah, 995 00:50:26,560 --> 00:50:27,920 Speaker 2: like this somebody like. 996 00:50:27,880 --> 00:50:30,600 Speaker 1: Who didn't like it? What was their problem? Because there's 997 00:50:30,640 --> 00:50:33,360 Speaker 1: always somebody. 998 00:50:32,800 --> 00:50:35,840 Speaker 2: Well he's my he's my roommate, so I'm paying attention. 999 00:50:36,120 --> 00:50:39,960 Speaker 2: But oh you mean the hater's no attention. Yeah, yeah, 1000 00:50:40,400 --> 00:50:41,400 Speaker 2: he can't help it though. 1001 00:50:41,719 --> 00:50:43,040 Speaker 3: But when I mean the people that don't like it, 1002 00:50:43,080 --> 00:50:44,400 Speaker 3: I'm not those people. 1003 00:50:44,880 --> 00:50:46,480 Speaker 1: Yeah, he can't help it. He can't help it. He's 1004 00:50:46,440 --> 00:50:51,000 Speaker 1: gonna pay him attention. So but yeah, so that was 1005 00:50:51,120 --> 00:50:53,399 Speaker 1: that was cool, just on the shoot of the day. 1006 00:50:53,880 --> 00:50:58,160 Speaker 1: But yeah, he's he's he's funny and ship like you know, 1007 00:50:58,480 --> 00:51:00,680 Speaker 1: he's one of those people that don't think they funny, 1008 00:51:00,920 --> 00:51:03,120 Speaker 1: but they funny, you know what I mean, or like 1009 00:51:03,200 --> 00:51:06,120 Speaker 1: they feel like I'm not this, I'm not that. I 1010 00:51:06,160 --> 00:51:07,279 Speaker 1: don't know. It must be some writer. 1011 00:51:07,400 --> 00:51:09,960 Speaker 3: Shit, do you get to talk to you like you're funny? 1012 00:51:10,040 --> 00:51:13,480 Speaker 3: Almost like Layla was when she was younger. I don't 1013 00:51:13,520 --> 00:51:15,600 Speaker 3: think she realized how funny she was. And she was 1014 00:51:16,160 --> 00:51:18,960 Speaker 3: dead paying and she would just be talking normally and 1015 00:51:19,000 --> 00:51:22,200 Speaker 3: like the room would be like abruptly laughing, and she 1016 00:51:22,239 --> 00:51:24,200 Speaker 3: would be like, why is everybody laughing? When she was 1017 00:51:24,239 --> 00:51:27,560 Speaker 3: younger and it was that baby funny you was just hilarious. 1018 00:51:27,960 --> 00:51:31,400 Speaker 2: Yeah, you know me, man, I will make you funny 1019 00:51:32,640 --> 00:51:34,920 Speaker 2: like it's not like to me, at least the way 1020 00:51:34,960 --> 00:51:37,080 Speaker 2: I view life. It ain't possible to hang around me 1021 00:51:37,160 --> 00:51:41,080 Speaker 2: all day and you're not gonna be funny like we like, 1022 00:51:41,160 --> 00:51:43,399 Speaker 2: we in there to have a good time. Man, I'm 1023 00:51:43,440 --> 00:51:45,600 Speaker 2: not there to do a bunch of bruden and all 1024 00:51:45,600 --> 00:51:47,759 Speaker 2: that shit. And maybe it's annoying. I can see that 1025 00:51:47,800 --> 00:51:49,200 Speaker 2: maybe you want to get up and leave every once 1026 00:51:49,200 --> 00:51:51,759 Speaker 2: in a while. But you know, I'm not gonna be 1027 00:51:51,840 --> 00:51:54,120 Speaker 2: all up in your space trying to make like yuck yuck. 1028 00:51:54,200 --> 00:51:57,000 Speaker 2: But if we having a conversation, it's gonna probably have 1029 00:51:57,080 --> 00:52:01,520 Speaker 2: some jokes in it somewhere, and you know, and that's okay, 1030 00:52:01,760 --> 00:52:05,040 Speaker 2: Like it's it doesn't belittle your point, doesn't mean you 1031 00:52:05,080 --> 00:52:06,200 Speaker 2: know anything. 1032 00:52:06,040 --> 00:52:06,840 Speaker 1: Derisive of you. 1033 00:52:06,960 --> 00:52:09,480 Speaker 2: But come on, man, we only here for a livited 1034 00:52:09,480 --> 00:52:11,200 Speaker 2: amount of time on this earth. Man, we gotta have 1035 00:52:11,239 --> 00:52:11,680 Speaker 2: some fun. 1036 00:52:12,480 --> 00:52:13,480 Speaker 3: I enjoy it. 1037 00:52:14,080 --> 00:52:16,960 Speaker 1: So yeah, I think I covered all the writers. 1038 00:52:17,480 --> 00:52:21,440 Speaker 2: But like the you know, people was giving me credit 1039 00:52:21,560 --> 00:52:23,720 Speaker 2: for like cause they've seen so many of these jokes 1040 00:52:23,719 --> 00:52:28,000 Speaker 2: and they know I hate dude, and they know, you know, 1041 00:52:28,080 --> 00:52:30,279 Speaker 2: they know I'm funny, and they could kind of you know, 1042 00:52:30,480 --> 00:52:32,360 Speaker 2: just little shit that they've heard over the years on 1043 00:52:32,360 --> 00:52:34,600 Speaker 2: the show. It's like, oh, I think I know Rod 1044 00:52:34,640 --> 00:52:38,719 Speaker 2: would have made this joke. And but the thing I 1045 00:52:38,800 --> 00:52:40,759 Speaker 2: want to point out is the. 1046 00:52:40,800 --> 00:52:42,560 Speaker 1: Process is so cohesive. 1047 00:52:43,520 --> 00:52:48,120 Speaker 2: Literally there's no joke that can just stand alone, right 1048 00:52:48,280 --> 00:52:50,600 Speaker 2: Like there's like there's jokes I wrote that I think 1049 00:52:50,640 --> 00:52:54,960 Speaker 2: are very fucking funny that made it. And listen when 1050 00:52:55,000 --> 00:52:59,000 Speaker 2: I say sweating bullets. Sweating bullets, because when you gotta 1051 00:52:59,040 --> 00:53:03,040 Speaker 2: cut shit, it's like like your whole shit could get cut? 1052 00:53:03,440 --> 00:53:03,719 Speaker 1: Is that? 1053 00:53:03,760 --> 00:53:05,359 Speaker 2: He like you know what I'm saying, Like when they 1054 00:53:05,400 --> 00:53:08,879 Speaker 2: need time because time is time, baby, Like I wrote 1055 00:53:08,920 --> 00:53:12,640 Speaker 2: this thing. Like and once again, when I say I 1056 00:53:12,680 --> 00:53:14,680 Speaker 2: wrote something, understand like when I say I wrote the 1057 00:53:14,719 --> 00:53:17,080 Speaker 2: Duke deep dive, that's me and Zach the main people, 1058 00:53:17,320 --> 00:53:23,080 Speaker 2: and then everybody both James Stu, the uh one of 1059 00:53:23,080 --> 00:53:26,640 Speaker 2: the lawyers came up with the forty acres line like 1060 00:53:26,640 --> 00:53:31,000 Speaker 2: like it's like everybody wrote it, right, Like maybe my 1061 00:53:31,040 --> 00:53:35,600 Speaker 2: shit is is is the metronome underneath? But then everybody 1062 00:53:36,160 --> 00:53:38,440 Speaker 2: like you might be playing the bass, but everybody is 1063 00:53:38,480 --> 00:53:41,600 Speaker 2: on the fucking guitar and symbols and all kinds of shit, 1064 00:53:42,640 --> 00:53:47,920 Speaker 2: so let's go. Yeah, and depending on what what segment, 1065 00:53:47,960 --> 00:53:50,160 Speaker 2: it could be somebody else, Like every time you hear 1066 00:53:50,200 --> 00:53:52,319 Speaker 2: a different topical, that's somebody else on the base, and 1067 00:53:52,320 --> 00:53:56,680 Speaker 2: then everybody else coming in jam with them and we 1068 00:53:57,000 --> 00:54:01,160 Speaker 2: so we Uh, there was a part I wrote about 1069 00:54:01,360 --> 00:54:06,359 Speaker 2: like with Kyrie Irving and yo that like I didn't 1070 00:54:06,360 --> 00:54:07,880 Speaker 2: know that it was gonna make the show because I 1071 00:54:07,880 --> 00:54:08,880 Speaker 2: don't make those decisions. 1072 00:54:09,160 --> 00:54:10,960 Speaker 1: You hope, Yeah, you don't. 1073 00:54:11,160 --> 00:54:13,759 Speaker 3: You just when they finished, you're seeing the final cut, 1074 00:54:13,800 --> 00:54:16,000 Speaker 3: like after all the editing and all like you like 1075 00:54:16,120 --> 00:54:19,080 Speaker 3: you're you're there and you see stuff, but you're watching 1076 00:54:19,080 --> 00:54:22,480 Speaker 3: the final cut like we are what maybe what didn't 1077 00:54:22,480 --> 00:54:22,799 Speaker 3: make it? 1078 00:54:22,880 --> 00:54:25,319 Speaker 1: Right to me? I thought, of course I wrote it. 1079 00:54:25,360 --> 00:54:27,240 Speaker 2: I thought it was funny, you know what I'm saying, 1080 00:54:27,360 --> 00:54:29,960 Speaker 2: Like if people laughed in the room, I thought it 1081 00:54:30,000 --> 00:54:31,640 Speaker 2: was funny. And then a bunch of people punch your 1082 00:54:31,640 --> 00:54:34,520 Speaker 2: stuff up, like we had this, man, we had such 1083 00:54:34,560 --> 00:54:37,319 Speaker 2: a cool ass thing this week where were like God, 1084 00:54:37,360 --> 00:54:40,000 Speaker 2: I got to just hang out and write and like 1085 00:54:40,120 --> 00:54:41,520 Speaker 2: punch up jokes and stuff. 1086 00:54:41,760 --> 00:54:43,120 Speaker 1: How we get to do it every week. 1087 00:54:43,200 --> 00:54:46,560 Speaker 2: Honestly, it felt the most like we're becoming a team 1088 00:54:46,600 --> 00:54:49,840 Speaker 2: of people that's trying to make something not you know, 1089 00:54:50,000 --> 00:54:51,240 Speaker 2: not just individuals going. 1090 00:54:51,120 --> 00:54:53,240 Speaker 1: Back to their room and then come have a meeting 1091 00:54:53,280 --> 00:54:54,439 Speaker 1: and then go back to your room. 1092 00:54:54,800 --> 00:54:56,640 Speaker 2: It felt the most like, all right, we just hanging 1093 00:54:56,680 --> 00:54:58,480 Speaker 2: out in this room. Let's see what we come up 1094 00:54:58,520 --> 00:55:02,120 Speaker 2: with right now, and no, no wrong answers. 1095 00:55:02,680 --> 00:55:05,480 Speaker 3: Just then you allow people to the mind to actually 1096 00:55:05,480 --> 00:55:08,880 Speaker 3: ticking all types of directions and you know, just people 1097 00:55:09,040 --> 00:55:12,359 Speaker 3: random thoughts could end up just transforming into something else. 1098 00:55:12,840 --> 00:55:17,040 Speaker 2: Your joke can make somebody else's joke, the joke you 1099 00:55:17,040 --> 00:55:20,600 Speaker 2: see like like, uh. 1100 00:55:20,040 --> 00:55:23,040 Speaker 1: I want to give an example. Uh. 1101 00:55:23,080 --> 00:55:25,840 Speaker 2: Like there's like there's they're just stuff like that, like 1102 00:55:25,960 --> 00:55:28,239 Speaker 2: y'all are here, Like you hear the finished form on 1103 00:55:28,320 --> 00:55:29,319 Speaker 2: TV where it's like. 1104 00:55:31,640 --> 00:55:31,920 Speaker 3: The the. 1105 00:55:34,040 --> 00:55:36,680 Speaker 2: I can't think of what, but I thought the cowboys, 1106 00:55:36,719 --> 00:55:40,399 Speaker 2: the cowboys, uh something that my Grandma big Mama calling 1107 00:55:40,440 --> 00:55:44,160 Speaker 2: them stories that like that started when we were sitting 1108 00:55:44,160 --> 00:55:47,080 Speaker 2: in the room trying to be like, oh man, the cowboys, cowboys, 1109 00:55:47,400 --> 00:55:50,839 Speaker 2: cowboys got so much drama. Uh, And I was like, 1110 00:55:51,000 --> 00:55:53,840 Speaker 2: you know, they got more drama than Dallas. Dallas the 1111 00:55:53,880 --> 00:55:56,319 Speaker 2: team got more drama than Dallas the TV show or something. 1112 00:55:56,400 --> 00:55:59,279 Speaker 2: It's like, that's an old ass reference is not as good. 1113 00:55:59,760 --> 00:56:00,239 Speaker 1: That's old. 1114 00:56:00,760 --> 00:56:04,040 Speaker 2: And then everybody starts talking about watching soap operas and 1115 00:56:04,080 --> 00:56:06,680 Speaker 2: hanging out with your grandmama. And then somebody's like, oh, 1116 00:56:06,880 --> 00:56:08,959 Speaker 2: they got so much drawing my grandmama calling their. 1117 00:56:08,880 --> 00:56:11,359 Speaker 1: Stories, and you're like, oh, yes, that's it, that's it. 1118 00:56:11,880 --> 00:56:16,760 Speaker 2: And then you know, you get into the meeting, somebody's like, uh, 1119 00:56:17,440 --> 00:56:20,920 Speaker 2: call a big mama, and so the final joke is 1120 00:56:20,960 --> 00:56:24,120 Speaker 2: really like a bunch of people touched that joke like 1121 00:56:24,160 --> 00:56:24,760 Speaker 2: a more. 1122 00:56:25,080 --> 00:56:29,520 Speaker 1: Yeah, so you can't yeah, Like is to meet us? 1123 00:56:29,680 --> 00:56:32,319 Speaker 2: The best feeling, Like you know, I think to a 1124 00:56:32,320 --> 00:56:34,120 Speaker 2: lot of people, they think the best feeling would be 1125 00:56:34,200 --> 00:56:37,200 Speaker 2: like I wrote this joke and it was so good 1126 00:56:37,239 --> 00:56:37,879 Speaker 2: it got in here. 1127 00:56:37,920 --> 00:56:38,840 Speaker 1: That is a good feeling. 1128 00:56:39,120 --> 00:56:41,680 Speaker 2: I think a doper feeling is like, we wrote this 1129 00:56:41,719 --> 00:56:44,480 Speaker 2: shit and it got in here because it took all 1130 00:56:44,640 --> 00:56:50,080 Speaker 2: everybody's unique perspective to make that. And underneath that is 1131 00:56:50,120 --> 00:56:52,000 Speaker 2: the fact that there was a writer who wrote the 1132 00:56:52,120 --> 00:56:56,200 Speaker 2: original piece and we're just changing one line and so 1133 00:56:56,480 --> 00:56:59,000 Speaker 2: you know, you took ten minutes to add that one line, 1134 00:56:59,040 --> 00:57:01,440 Speaker 2: that one line might be. He was set that this 1135 00:57:01,560 --> 00:57:04,120 Speaker 2: show apart from some other show that covers the same topic, 1136 00:57:04,239 --> 00:57:06,000 Speaker 2: Like that's the stuff I'm learning. 1137 00:57:06,040 --> 00:57:08,440 Speaker 1: I'm so grateful to be here learning this ship, you 1138 00:57:08,480 --> 00:57:13,080 Speaker 1: know what I mean? Like, uh, you know, so those 1139 00:57:13,080 --> 00:57:15,080 Speaker 1: are kind of some of the broad strokes with it. 1140 00:57:18,880 --> 00:57:21,959 Speaker 2: Something else I was gonna say. Oh, and then taping day, Yeah, 1141 00:57:22,120 --> 00:57:26,520 Speaker 2: so we got to go watch Bow do the rehearsal 1142 00:57:27,600 --> 00:57:32,280 Speaker 2: and shout out to Stu. He's the the showrunner and stuff. 1143 00:57:32,320 --> 00:57:35,720 Speaker 2: He I think he's showrunner or producer. 1144 00:57:35,960 --> 00:57:39,920 Speaker 1: He he the dude. He the guy that's like we're 1145 00:57:39,960 --> 00:57:42,080 Speaker 1: doing this, We're moving here, we're going there, you know 1146 00:57:42,160 --> 00:57:44,720 Speaker 1: that kind of shit. And man, he was so it 1147 00:57:44,840 --> 00:57:45,480 Speaker 1: was so dope. 1148 00:57:45,560 --> 00:57:47,680 Speaker 2: Like when I got there, he let me see the 1149 00:57:47,680 --> 00:57:52,440 Speaker 2: control room, like and like the control. 1150 00:57:52,120 --> 00:57:57,720 Speaker 1: Room looked like the Starship Enterprise. 1151 00:57:57,960 --> 00:58:01,560 Speaker 3: Kind of like a spaceship buttons. 1152 00:58:01,840 --> 00:58:05,080 Speaker 2: It looked like at once it looks like the most 1153 00:58:05,160 --> 00:58:08,240 Speaker 2: technologically advanced shit and at the same time it looked 1154 00:58:08,280 --> 00:58:12,840 Speaker 2: like the nineteen seventy technologically advanced Like it looked like 1155 00:58:12,960 --> 00:58:19,520 Speaker 2: Darth Vader's chest, you know where it's like this like 1156 00:58:19,720 --> 00:58:23,480 Speaker 2: because whatever, whenever they built that shit. I guarantee you 1157 00:58:23,520 --> 00:58:26,439 Speaker 2: everything they've built to upgrade the technologies if it's built 1158 00:58:26,480 --> 00:58:28,440 Speaker 2: on top of whatever the original shit was. 1159 00:58:29,120 --> 00:58:34,360 Speaker 1: But when you see these motherfuckers do their thing, Oh, 1160 00:58:34,480 --> 00:58:37,440 Speaker 1: there's so much shit they do from back there, and 1161 00:58:37,480 --> 00:58:41,240 Speaker 1: it's so coordinated and it's seamless. It's like people from 1162 00:58:41,280 --> 00:58:45,200 Speaker 1: fucking people that are out on the stage, be on 1163 00:58:45,280 --> 00:58:48,080 Speaker 1: the walkie talking. They just be like, guys, turn up 1164 00:58:48,120 --> 00:58:52,000 Speaker 1: the lights on the back wall by the cords. I 1165 00:58:52,040 --> 00:58:53,800 Speaker 1: need I need to be able to distinguish that. 1166 00:58:54,440 --> 00:58:57,160 Speaker 2: And you know, like somebody will just have a thought 1167 00:58:57,200 --> 00:59:00,400 Speaker 2: like hey, what if we uh zoom in and well 1168 00:59:00,400 --> 00:59:03,520 Speaker 2: we can only see this, and and they just make 1169 00:59:03,560 --> 00:59:06,440 Speaker 2: it happen like okay, guys, zoom in, start your move okay, 1170 00:59:06,600 --> 00:59:09,000 Speaker 2: three two one. They show us on the screen, they're 1171 00:59:09,000 --> 00:59:11,600 Speaker 2: like was that good, And it's like okay, yeah, but 1172 00:59:11,920 --> 00:59:16,880 Speaker 2: can we get can we lose this angle? Yep, no problem, 1173 00:59:16,920 --> 00:59:18,880 Speaker 2: boom boom, all right, gotsa start your move, do it. 1174 00:59:18,800 --> 00:59:19,960 Speaker 1: Again, blah blah blah. 1175 00:59:20,040 --> 00:59:23,720 Speaker 2: And it's like that, like they're so fucking good, Like 1176 00:59:24,640 --> 00:59:27,160 Speaker 2: oh my god, it was crazy. Like when you watching 1177 00:59:27,200 --> 00:59:31,600 Speaker 2: it be made, it's just you're watching like you're watching 1178 00:59:31,600 --> 00:59:35,320 Speaker 2: it like like I guess you would imagine watching a 1179 00:59:35,360 --> 00:59:38,640 Speaker 2: football team practice in the rehearsal. Were you like, damn, 1180 00:59:38,680 --> 00:59:40,600 Speaker 2: these motherfuckers really about to go do this for real? 1181 00:59:40,760 --> 00:59:44,080 Speaker 2: Like this is just the the walkthrough of the shit, 1182 00:59:44,240 --> 00:59:45,960 Speaker 2: and then when you go see them do it, you're like, 1183 00:59:45,960 --> 00:59:48,120 Speaker 2: oh my god, this is this is why they get 1184 00:59:48,160 --> 00:59:49,000 Speaker 2: paid all this money. 1185 00:59:49,080 --> 00:59:51,640 Speaker 3: You know, you as a writer, I remember you was 1186 00:59:51,720 --> 00:59:53,760 Speaker 3: talking about how y'all would write stuff down with the 1187 00:59:53,760 --> 00:59:55,640 Speaker 3: pictures and not that stuff. You're doing that for those 1188 00:59:55,720 --> 00:59:58,240 Speaker 3: people so that they could be more effective and efficient 1189 00:59:58,280 --> 01:00:00,600 Speaker 3: at their jobs too, by some y'all want. 1190 01:00:00,720 --> 01:00:03,440 Speaker 2: So it depends because that's not even the same people 1191 01:00:04,000 --> 01:00:06,840 Speaker 2: the people that do the studio shit, not necessarily your 1192 01:00:06,840 --> 01:00:11,760 Speaker 2: graphics department and your graphics department. One of the greatest 1193 01:00:11,880 --> 01:00:14,480 Speaker 2: thing blessings is this graphics department and the people that 1194 01:00:14,640 --> 01:00:17,880 Speaker 2: do all that work, the people that get videos. 1195 01:00:18,440 --> 01:00:20,440 Speaker 1: First of all, y'all, they're amazing. 1196 01:00:23,280 --> 01:00:27,560 Speaker 2: When we had to submit our package for this, part 1197 01:00:27,600 --> 01:00:31,120 Speaker 2: of it was you had to go find the side, 1198 01:00:31,640 --> 01:00:35,360 Speaker 2: which is what they call those videos, and a lot 1199 01:00:35,360 --> 01:00:37,920 Speaker 2: of the time was me being like, take five seconds 1200 01:00:37,920 --> 01:00:40,880 Speaker 2: from this, take ten seconds from this, take twelve seconds 1201 01:00:40,880 --> 01:00:44,320 Speaker 2: from this and then we go back to Bomani and 1202 01:00:44,400 --> 01:00:48,800 Speaker 2: so it's so refreshing to not have to do that shit. 1203 01:00:48,880 --> 01:00:50,560 Speaker 1: That being said, I can't imagine. 1204 01:00:50,280 --> 01:00:54,680 Speaker 2: How hard them motherfuckers must have to work, because literally 1205 01:00:54,680 --> 01:00:56,680 Speaker 2: on the day of that was like the same way 1206 01:00:56,680 --> 01:00:59,240 Speaker 2: they was changing righting at the end, like other day of, 1207 01:00:59,280 --> 01:01:01,200 Speaker 2: they'd be like, we can lose this clip, we can 1208 01:01:01,240 --> 01:01:03,160 Speaker 2: add this clip, We need to look for a clip 1209 01:01:03,160 --> 01:01:05,440 Speaker 2: that's better than this, and it's like, you got two 1210 01:01:05,480 --> 01:01:09,440 Speaker 2: hours to do that, Like, you know, we need a 1211 01:01:09,440 --> 01:01:10,440 Speaker 2: graphic mock up of this. 1212 01:01:11,400 --> 01:01:13,640 Speaker 1: You got two hours. You know what I'm saying. It's 1213 01:01:13,720 --> 01:01:15,880 Speaker 1: just crazy. It was crazy. 1214 01:01:15,920 --> 01:01:20,720 Speaker 2: And then the fucking timing of the ship cause it's 1215 01:01:20,760 --> 01:01:22,880 Speaker 2: not a live show, but it's live to tape, so 1216 01:01:22,920 --> 01:01:27,880 Speaker 2: basically we record the ship. It's it's a quote unquote 1217 01:01:27,880 --> 01:01:30,360 Speaker 2: tape delay of we just recorded this shit. It ain't 1218 01:01:30,440 --> 01:01:33,880 Speaker 2: it ain't no like this ain't no, like we've been 1219 01:01:33,960 --> 01:01:35,840 Speaker 2: recording it all week and then we need to make 1220 01:01:35,840 --> 01:01:38,800 Speaker 2: some changes on Sunday. No, it's like today we did 1221 01:01:38,840 --> 01:01:43,080 Speaker 2: the whole fucking show, and if the ship is whack, 1222 01:01:43,160 --> 01:01:45,320 Speaker 2: it's gonna be whack today. If it's great, it's gonna 1223 01:01:45,360 --> 01:01:49,959 Speaker 2: be great today. It's no fucking uh, it's no. There's 1224 01:01:50,000 --> 01:01:54,840 Speaker 2: no trial rehearsal, you know type shit, whereas oh, we 1225 01:01:54,880 --> 01:01:56,320 Speaker 2: can film this over a couple of days. 1226 01:01:56,360 --> 01:01:58,320 Speaker 1: No, nigga, today was it. And so. 1227 01:02:00,120 --> 01:02:03,880 Speaker 2: Seeing everybody work under pressure like that, and because you know, 1228 01:02:04,720 --> 01:02:06,960 Speaker 2: some shit is just I don't know how to explain it, 1229 01:02:07,000 --> 01:02:11,520 Speaker 2: but you just it sounds dope until you do it live. 1230 01:02:12,520 --> 01:02:15,080 Speaker 3: Yeah. Yeah, Once you do it live, you like, well, 1231 01:02:15,120 --> 01:02:18,960 Speaker 3: this don't work. That's why this rearrangement last second. Yeah, 1232 01:02:19,120 --> 01:02:20,600 Speaker 3: it's right. 1233 01:02:20,840 --> 01:02:21,800 Speaker 1: Ain't it live? 1234 01:02:22,280 --> 01:02:24,360 Speaker 3: What you had in your head and how it plays 1235 01:02:24,400 --> 01:02:26,560 Speaker 3: out don't ain't always on the same page. 1236 01:02:26,640 --> 01:02:30,240 Speaker 2: And it's just there's nothing that can replace that. I 1237 01:02:30,280 --> 01:02:32,800 Speaker 2: think I'm at least for me, I can't speak for 1238 01:02:32,840 --> 01:02:36,280 Speaker 2: other folks. I think I'll get better doing this because 1239 01:02:36,320 --> 01:02:39,800 Speaker 2: of that day, because now I'm like, wait, if I 1240 01:02:39,880 --> 01:02:43,200 Speaker 2: write this and both says this, and he has to 1241 01:02:43,240 --> 01:02:45,760 Speaker 2: say it as this is happening in the background, it 1242 01:02:45,800 --> 01:02:48,960 Speaker 2: won't work, you know what I'm saying, Because it's stuff 1243 01:02:49,080 --> 01:02:52,480 Speaker 2: like and then like I said, it's like a choreograph Dan, 1244 01:02:52,600 --> 01:02:57,040 Speaker 2: because like it's like he's talking, then a graphic comes 1245 01:02:57,120 --> 01:02:59,040 Speaker 2: up and it's gotta be right. It's got to be 1246 01:02:59,120 --> 01:02:59,920 Speaker 2: the right time. 1247 01:03:00,200 --> 01:03:04,360 Speaker 1: Like a second can fuck the whole thing up, Like 1248 01:03:04,400 --> 01:03:08,240 Speaker 1: it's jokes that people won't get if it's literally like 1249 01:03:08,520 --> 01:03:11,320 Speaker 1: a second off where you know, you go, hey, this 1250 01:03:11,360 --> 01:03:14,840 Speaker 1: team was called the Blackbirds. If that graphic. 1251 01:03:14,520 --> 01:03:16,760 Speaker 2: Doesn't stay on there for four or five seconds so 1252 01:03:16,840 --> 01:03:19,040 Speaker 2: a person can watch it register that that team only 1253 01:03:19,080 --> 01:03:21,640 Speaker 2: got fifty percent black people on it. When he comes 1254 01:03:21,640 --> 01:03:23,440 Speaker 2: out of that that thing and wants to make a 1255 01:03:23,520 --> 01:03:27,000 Speaker 2: joke to be like, and that team was only half 1256 01:03:27,080 --> 01:03:30,720 Speaker 2: black and got a racist name, it won't work unless 1257 01:03:31,760 --> 01:03:35,200 Speaker 2: unless it's the time is right. So like, that's not 1258 01:03:35,240 --> 01:03:37,520 Speaker 2: a writing thing. That's a bunch of people whose job 1259 01:03:37,680 --> 01:03:39,920 Speaker 2: is to be like, this is the thing we gonna 1260 01:03:39,920 --> 01:03:43,880 Speaker 2: get right. And man, it's like watching these people work, 1261 01:03:45,440 --> 01:03:48,920 Speaker 2: it's crazy. Man, it's crazy. And Mimi she's like a 1262 01:03:48,960 --> 01:03:53,120 Speaker 2: writing assistant. Uh, she's she's funny and shit too, and 1263 01:03:54,200 --> 01:03:57,840 Speaker 2: she is like I can't imagine the pressure because like 1264 01:03:57,880 --> 01:03:59,880 Speaker 2: there's times where she the only person that can fix that. 1265 01:04:00,520 --> 01:04:04,320 Speaker 1: We in a room ten people just yelling shit, you 1266 01:04:04,320 --> 01:04:06,480 Speaker 1: know what I mean, Hey, have you fixed this? Me? Me? Me? 1267 01:04:06,760 --> 01:04:07,160 Speaker 1: You did this? 1268 01:04:07,760 --> 01:04:10,480 Speaker 2: Like I like, I mean, she is a cool customer, 1269 01:04:10,480 --> 01:04:14,400 Speaker 2: and she like totally got the ship. Like like she's 1270 01:04:14,440 --> 01:04:16,520 Speaker 2: like she totally be knocking out the park. I like, 1271 01:04:17,160 --> 01:04:19,160 Speaker 2: just once, I'm expecting her to be like, God, damn. 1272 01:04:18,960 --> 01:04:21,040 Speaker 1: It, stop yelling at me. So you know, like if 1273 01:04:21,080 --> 01:04:22,800 Speaker 1: I shut the fuck up, you know, I was like 1274 01:04:22,840 --> 01:04:25,200 Speaker 1: I wouldn't be mad at it, cause I'm like everybody 1275 01:04:25,440 --> 01:04:29,920 Speaker 1: was trying to empt their thing in, you know. But 1276 01:04:30,000 --> 01:04:32,720 Speaker 1: she she's such a cool customer, so good at it. 1277 01:04:32,800 --> 01:04:34,560 Speaker 1: She just fucking like does it. 1278 01:04:34,600 --> 01:04:37,120 Speaker 2: Like she just like she'll go back okay, da da 1279 01:04:37,200 --> 01:04:38,880 Speaker 2: da da Okay, all right, So do I need to 1280 01:04:38,960 --> 01:04:39,440 Speaker 2: leave a note here? 1281 01:04:39,520 --> 01:04:41,400 Speaker 1: We're changing this bah la da. 1282 01:04:41,120 --> 01:04:45,520 Speaker 2: And like so and so like it's just like I said, 1283 01:04:45,520 --> 01:04:48,560 Speaker 2: it's so many talented people in this in this thing 1284 01:04:49,200 --> 01:04:53,640 Speaker 2: and uh even like people were giving me props for 1285 01:04:53,680 --> 01:04:56,919 Speaker 2: some of the Duke Museum exhibit shit, which a lot 1286 01:04:56,920 --> 01:04:59,440 Speaker 2: of the jokes and stuff I did write, like a 1287 01:04:59,480 --> 01:05:03,720 Speaker 2: lot of that stuff. But remember, I don't know if 1288 01:05:03,760 --> 01:05:05,640 Speaker 2: I talked about it on this show, but I remember 1289 01:05:05,640 --> 01:05:08,080 Speaker 2: when I was telling people how it's like a slack 1290 01:05:08,640 --> 01:05:11,240 Speaker 2: and the field producers that always asking questions and they're 1291 01:05:11,240 --> 01:05:13,560 Speaker 2: asking our opinions and they're trying to get ideas and 1292 01:05:13,920 --> 01:05:15,520 Speaker 2: you know, like, do y'all approve of this? What do 1293 01:05:15,560 --> 01:05:18,880 Speaker 2: you think about that? Man, them motherfuckers knew exactly what 1294 01:05:18,920 --> 01:05:20,800 Speaker 2: they was doing. I'm so glad they asked all them 1295 01:05:20,880 --> 01:05:23,360 Speaker 2: questions just so I could be in the loop number one. 1296 01:05:24,200 --> 01:05:26,320 Speaker 2: So I didn't show up and be surprised like I thought. 1297 01:05:26,360 --> 01:05:28,600 Speaker 2: We said, you know, because I was paying attention to 1298 01:05:28,640 --> 01:05:31,520 Speaker 2: all that shit. I was, I know it's probably you 1299 01:05:31,560 --> 01:05:33,800 Speaker 2: know it is. You're getting hit up all times of 1300 01:05:33,800 --> 01:05:34,080 Speaker 2: the night. 1301 01:05:34,160 --> 01:05:37,360 Speaker 1: We were in zoom different codes, so I can see 1302 01:05:37,400 --> 01:05:39,560 Speaker 1: how it would be kind of a little daunting to 1303 01:05:39,600 --> 01:05:41,520 Speaker 1: be like, damn, it's nine o'clock. This montherfucker asking me 1304 01:05:41,560 --> 01:05:42,280 Speaker 1: about some shorts. 1305 01:05:42,880 --> 01:05:48,240 Speaker 2: But all them little details mattered, And every time someone 1306 01:05:48,280 --> 01:05:50,880 Speaker 2: pointed out a joke that was like, thank god the 1307 01:05:50,880 --> 01:05:53,560 Speaker 2: field team did that shit like Bobby. 1308 01:05:53,280 --> 01:05:55,960 Speaker 1: Hurley's litt last shorts, Like that was a joke. 1309 01:05:56,920 --> 01:06:00,160 Speaker 2: But it was the field director that was like, like, 1310 01:06:00,840 --> 01:06:03,120 Speaker 2: can we get him to say that the shorts are 1311 01:06:03,200 --> 01:06:04,880 Speaker 2: a kids medium? 1312 01:06:05,480 --> 01:06:08,480 Speaker 1: And that shit was so it made it better. It 1313 01:06:08,560 --> 01:06:10,720 Speaker 1: was funnier than what we wrote, you know what I mean? 1314 01:06:10,800 --> 01:06:14,840 Speaker 3: And asked her. I was like, oh no, not the kids. 1315 01:06:14,640 --> 01:06:17,000 Speaker 2: Medium, and I'm glad it got in there because it 1316 01:06:17,080 --> 01:06:19,360 Speaker 2: made me laugh while we were filming. 1317 01:06:19,480 --> 01:06:21,080 Speaker 1: You know, I was trying not to laugh out loud, 1318 01:06:21,120 --> 01:06:22,440 Speaker 1: but it made me. 1319 01:06:22,440 --> 01:06:24,240 Speaker 2: Laugh while we were filming, and I was like, I 1320 01:06:24,240 --> 01:06:26,120 Speaker 2: hope this makes the cut because you got to consider 1321 01:06:26,160 --> 01:06:29,080 Speaker 2: we've got hours of footage, and so some jokes didn't. 1322 01:06:29,200 --> 01:06:31,120 Speaker 2: The Jalen Rose will of Rejection didn't even make it. 1323 01:06:31,120 --> 01:06:34,880 Speaker 2: I hope they put it on digital somewhere. But like, 1324 01:06:35,000 --> 01:06:37,880 Speaker 2: that's a that's not my joke. That's that's that's not 1325 01:06:37,960 --> 01:06:40,400 Speaker 2: even a writer's joke. You see what I'm saying. That's 1326 01:06:40,400 --> 01:06:42,560 Speaker 2: how funny these motherfuckers are and how good they are. 1327 01:06:44,040 --> 01:06:47,360 Speaker 2: We literally got the jersey with the footprint on it 1328 01:06:47,640 --> 01:06:50,240 Speaker 2: from like Amazon or some shit like literally at the 1329 01:06:50,360 --> 01:06:52,680 Speaker 2: last second before we could go to the like the 1330 01:06:52,800 --> 01:06:53,440 Speaker 2: day before. 1331 01:06:54,240 --> 01:06:55,720 Speaker 1: It was maybe. 1332 01:06:55,440 --> 01:06:58,120 Speaker 2: The friday before it's trying to set up the museum. 1333 01:06:58,160 --> 01:07:00,640 Speaker 2: We literally got it that and it was like me 1334 01:07:00,720 --> 01:07:02,959 Speaker 2: and a Laine and we was in there high five 1335 01:07:03,000 --> 01:07:06,200 Speaker 2: and the shit like that's my dog, Like she she's 1336 01:07:06,240 --> 01:07:07,640 Speaker 2: so fucking funny. 1337 01:07:07,320 --> 01:07:12,760 Speaker 3: And uh, that hilarious. See that shoe print? I hollered, yeah, 1338 01:07:12,880 --> 01:07:16,520 Speaker 3: and she, like I said, because the graphics department did 1339 01:07:16,560 --> 01:07:19,240 Speaker 3: their job and they actually showed that was oh that 1340 01:07:19,400 --> 01:07:22,200 Speaker 3: was years ago in nineteen eighty something. Yeah, but you 1341 01:07:22,280 --> 01:07:25,320 Speaker 3: see you've seen it, and then you've seen that print. 1342 01:07:25,320 --> 01:07:27,120 Speaker 3: It was like, oh, it made a hit more. And 1343 01:07:27,840 --> 01:07:29,640 Speaker 3: I really do love it because the thing is you 1344 01:07:29,640 --> 01:07:33,440 Speaker 3: don't really have to understand everything that's going on to 1345 01:07:33,480 --> 01:07:34,480 Speaker 3: get the jokes. 1346 01:07:34,760 --> 01:07:38,520 Speaker 2: Yeah, and and Lena and marw like they were so 1347 01:07:38,960 --> 01:07:42,800 Speaker 2: funny and down with just like roasting Coach k and 1348 01:07:42,840 --> 01:07:45,920 Speaker 2: finding good pictures of Duke if you go to the office, 1349 01:07:46,080 --> 01:07:48,680 Speaker 2: I'll send pictures at some point. But in the office, 1350 01:07:48,800 --> 01:07:51,160 Speaker 2: all that Duke Museum shit is all throughout the office. 1351 01:07:52,200 --> 01:07:54,400 Speaker 2: Like my dask got got one of the got one 1352 01:07:54,400 --> 01:07:58,040 Speaker 2: of the one of the unimpressive whites on it. 1353 01:08:01,960 --> 01:08:03,680 Speaker 1: I don't know we get to take this ship home 1354 01:08:03,800 --> 01:08:05,360 Speaker 1: or not, but like. 1355 01:08:07,920 --> 01:08:12,200 Speaker 2: Raw, yeah we got like the oh man, Like, I'm 1356 01:08:12,240 --> 01:08:14,480 Speaker 2: just so proud of some of these the jokes that 1357 01:08:14,560 --> 01:08:21,000 Speaker 2: got in there. Trailer sneers, uh. 1358 01:08:19,800 --> 01:08:24,639 Speaker 1: Unimpressive whites. Was was Zach the dude, the twenty seven. 1359 01:08:24,520 --> 01:08:25,880 Speaker 2: Year old, So I don't even know if he'd been 1360 01:08:25,880 --> 01:08:29,519 Speaker 2: throughout this Duke shit, but he but that that ship 1361 01:08:29,800 --> 01:08:31,800 Speaker 2: was like people like. 1362 01:08:31,840 --> 01:08:33,599 Speaker 1: As soon as he said that, I was like, that's 1363 01:08:33,640 --> 01:08:37,000 Speaker 1: the funniest shit I've ever heard in my life, you 1364 01:08:37,040 --> 01:08:39,280 Speaker 1: know what I mean. There's jokes that got cut. Man, 1365 01:08:39,400 --> 01:08:42,639 Speaker 1: Sidney had this fucking great joke. I think it might 1366 01:08:42,680 --> 01:08:43,080 Speaker 1: have got cut. 1367 01:08:43,120 --> 01:08:45,439 Speaker 2: I don't know if it got cut, but it was 1368 01:08:45,520 --> 01:08:49,160 Speaker 2: like all the black couples that got divorced because people 1369 01:08:49,200 --> 01:08:54,400 Speaker 2: bet on the duke game. There's a stack of divorce papers. 1370 01:08:54,520 --> 01:08:56,200 Speaker 2: It's I mean, they had to cut it for time, 1371 01:08:56,720 --> 01:08:59,720 Speaker 2: but god damn, that ship was funny, you know what 1372 01:08:59,760 --> 01:09:03,519 Speaker 2: I mean. I mean, like it's honestly, man, this is 1373 01:09:03,560 --> 01:09:05,400 Speaker 2: a good problem to have. I'd rather the show be 1374 01:09:05,520 --> 01:09:07,360 Speaker 2: too funny and sh it has to get cut that 1375 01:09:07,360 --> 01:09:09,920 Speaker 2: that's just as good as ship that made it in 1376 01:09:10,040 --> 01:09:11,840 Speaker 2: than us being like, man, I don't know how we're 1377 01:09:11,840 --> 01:09:16,559 Speaker 2: gonna get two more minutes. This shit ain't good, But man, 1378 01:09:16,680 --> 01:09:18,800 Speaker 2: it's it was. It was beautiful to be a part 1379 01:09:18,800 --> 01:09:22,519 Speaker 2: of this thing, and you know, it was a it 1380 01:09:22,560 --> 01:09:24,320 Speaker 2: was a challenge, man, it was a thing where I 1381 01:09:24,360 --> 01:09:27,960 Speaker 2: didn't know that I would do this, and uh, there 1382 01:09:28,040 --> 01:09:30,400 Speaker 2: was a time when you know, when bowl, you know, 1383 01:09:30,520 --> 01:09:32,800 Speaker 2: after I made it through the process and did the 1384 01:09:32,840 --> 01:09:35,320 Speaker 2: first interview. 1385 01:09:35,640 --> 01:09:40,240 Speaker 1: I mean my interview with everybody, and uh, James made 1386 01:09:40,280 --> 01:09:42,920 Speaker 1: a joke here because I did ask how much am 1387 01:09:42,920 --> 01:09:46,440 Speaker 1: I gonna make in this interview because I didn't, I know, 1388 01:09:46,479 --> 01:09:48,720 Speaker 1: I was like how much? How much y'all paying? You 1389 01:09:48,760 --> 01:09:49,320 Speaker 1: know what I mean? 1390 01:09:50,040 --> 01:09:51,760 Speaker 2: Like I could have said yes and then turned around 1391 01:09:51,800 --> 01:09:53,479 Speaker 2: and they called me on Monday and be like, yees, 1392 01:09:53,560 --> 01:09:55,439 Speaker 2: so it's five hundred dollars a week off, Like nigga, 1393 01:09:55,439 --> 01:09:58,080 Speaker 2: I'm not moving to New York for five hundred dollars. 1394 01:09:58,160 --> 01:10:02,240 Speaker 2: Y'all can kiss my ass, you know, like, like the. 1395 01:10:02,200 --> 01:10:04,519 Speaker 1: Fuck how much y'all think I'm made? I can't afford that? 1396 01:10:04,560 --> 01:10:08,599 Speaker 2: But but I did ask him that in the interview. 1397 01:10:08,640 --> 01:10:13,479 Speaker 2: But honestly, man, like in that interview, I'm like, so 1398 01:10:13,600 --> 01:10:16,000 Speaker 2: this is a move to New York thing, like I 1399 01:10:16,040 --> 01:10:21,280 Speaker 2: have to be there for however much this is. And 1400 01:10:21,320 --> 01:10:24,080 Speaker 2: you know, I've been intimidated by the idea of New 1401 01:10:24,160 --> 01:10:28,280 Speaker 2: York for a long time, just even to like visiting shit, 1402 01:10:28,360 --> 01:10:31,960 Speaker 2: It's just like, I don't know, it seems overwhelming, you know, 1403 01:10:32,160 --> 01:10:35,400 Speaker 2: and not And at the same time, I was going 1404 01:10:35,479 --> 01:10:38,920 Speaker 2: to go because you know, the Twitter thing and just 1405 01:10:38,960 --> 01:10:40,680 Speaker 2: to visit Keith and him that and stuff for like 1406 01:10:40,800 --> 01:10:41,920 Speaker 2: Keith and the Girl Weekend shit. 1407 01:10:42,000 --> 01:10:45,720 Speaker 1: It was like, you know what, man, fucking I'll go because. 1408 01:10:47,520 --> 01:10:50,920 Speaker 2: So much stuff has been kind of calling me here 1409 01:10:51,040 --> 01:10:54,679 Speaker 2: when it comes to just you know shit, Spotify wanted 1410 01:10:54,760 --> 01:10:57,880 Speaker 2: to have us up here like so it's just every 1411 01:10:57,960 --> 01:11:00,559 Speaker 2: so much shit is just like you gotta come here 1412 01:11:00,680 --> 01:11:03,679 Speaker 2: or you gotta go to la and with people fucking 1413 01:11:03,720 --> 01:11:04,200 Speaker 2: with your ship. 1414 01:11:04,600 --> 01:11:09,400 Speaker 1: That's kind of what it is. And it's been a 1415 01:11:09,439 --> 01:11:11,760 Speaker 1: thing where I've been a bit apprehensive about it cause 1416 01:11:11,800 --> 01:11:13,960 Speaker 1: I'm like, that's a big change. I don't even know 1417 01:11:13,960 --> 01:11:16,599 Speaker 1: if I would like to live there, And to be honest, 1418 01:11:16,680 --> 01:11:18,360 Speaker 1: I don't think I would like to live here to 1419 01:11:18,360 --> 01:11:21,360 Speaker 1: be you know, no no shade to the city. Just 1420 01:11:22,400 --> 01:11:25,160 Speaker 1: I do like where I come from. I think the 1421 01:11:25,200 --> 01:11:26,920 Speaker 1: same way I wouldn't be into Like if a New 1422 01:11:26,960 --> 01:11:28,400 Speaker 1: Yorker said I don't want to move to Charlotte, I'd 1423 01:11:28,400 --> 01:11:30,880 Speaker 1: be like, I get it. You like where you come from. 1424 01:11:30,960 --> 01:11:32,680 Speaker 2: You know what I'm saying, like, ain't no shade to that, 1425 01:11:33,280 --> 01:11:37,040 Speaker 2: but you know, for it's just for bo I would 1426 01:11:37,120 --> 01:11:37,360 Speaker 2: do it. 1427 01:11:38,000 --> 01:11:41,400 Speaker 1: That's where it really came down to that if I 1428 01:11:41,439 --> 01:11:43,200 Speaker 1: ain't saying this on no big dog shit. 1429 01:11:43,080 --> 01:11:48,080 Speaker 2: But if anybody else, I would have said no, you know, 1430 01:11:48,320 --> 01:11:50,639 Speaker 2: to be honest, because I was happy and I am 1431 01:11:51,080 --> 01:11:54,639 Speaker 2: happy doing what we do, and we're making enough money. 1432 01:11:54,640 --> 01:11:57,680 Speaker 2: It's not like it wasn't for some like, man, I 1433 01:11:57,720 --> 01:12:00,639 Speaker 2: guess I gotta do it for this job. This is 1434 01:12:00,720 --> 01:12:04,920 Speaker 2: not I mean, pay me. I want my money, but 1435 01:12:05,040 --> 01:12:08,800 Speaker 2: this is not a I'm doing this so I just 1436 01:12:08,840 --> 01:12:12,720 Speaker 2: get paid. I'm doing this because of the love I have. 1437 01:12:12,800 --> 01:12:17,280 Speaker 1: For Bow and the want I have to see this 1438 01:12:17,400 --> 01:12:18,479 Speaker 1: man like. 1439 01:12:20,439 --> 01:12:23,200 Speaker 2: Achieve the things that I think he envisions for himself 1440 01:12:23,200 --> 01:12:25,280 Speaker 2: and things that honestly I have envisioned for him, like. 1441 01:12:26,840 --> 01:12:29,080 Speaker 1: And I don't you know, like I just don't. 1442 01:12:28,880 --> 01:12:31,840 Speaker 2: Want to see him get short changed because some motherfuckers 1443 01:12:31,920 --> 01:12:34,479 Speaker 2: like I'm just here to clap cash a check. I 1444 01:12:34,479 --> 01:12:36,880 Speaker 2: don't give a fuck what happens to this show. You know, 1445 01:12:36,960 --> 01:12:38,280 Speaker 2: which is there? 1446 01:12:38,400 --> 01:12:38,639 Speaker 3: Right? 1447 01:12:38,920 --> 01:12:40,479 Speaker 1: You know, if you're good at the job, that's what 1448 01:12:40,520 --> 01:12:40,960 Speaker 1: you do. Right. 1449 01:12:41,040 --> 01:12:42,880 Speaker 2: Sometimes it's like, I'm just at this job, and I 1450 01:12:43,000 --> 01:12:45,880 Speaker 2: do this job for anybody, But I was like, at 1451 01:12:45,960 --> 01:12:48,200 Speaker 2: least if I'm there, I know it'll be one person 1452 01:12:48,240 --> 01:12:51,639 Speaker 2: that's like, yeah, we just can't be going out whack, 1453 01:12:51,680 --> 01:12:53,720 Speaker 2: and we have to make sure this shit sounds like him, 1454 01:12:54,000 --> 01:12:57,479 Speaker 2: and man, it's the team they of a symbol is 1455 01:12:57,520 --> 01:13:00,200 Speaker 2: doing all that. Like whether I was here or not, 1456 01:13:00,360 --> 01:13:03,320 Speaker 2: I feel like this shit would be lit, you know 1457 01:13:03,320 --> 01:13:06,080 Speaker 2: what I'm saying. I don't know that anybody could have 1458 01:13:06,160 --> 01:13:08,360 Speaker 2: wrote all that shit about Duke because I think you 1459 01:13:08,439 --> 01:13:11,559 Speaker 2: kind of need a specific background the same way that 1460 01:13:11,600 --> 01:13:14,000 Speaker 2: there's gonna be deep dives. I couldn't have writ wrote 1461 01:13:14,240 --> 01:13:16,519 Speaker 2: written as good as these other folks because they got 1462 01:13:16,560 --> 01:13:18,360 Speaker 2: better backgrounds than me on that stuff. 1463 01:13:19,200 --> 01:13:21,000 Speaker 1: But man, he like. 1464 01:13:22,560 --> 01:13:26,680 Speaker 2: Very very very happy to have done this, and uh 1465 01:13:27,280 --> 01:13:30,240 Speaker 2: very I feel like as a debut man really wrote 1466 01:13:30,600 --> 01:13:31,519 Speaker 2: a monster show. 1467 01:13:31,960 --> 01:13:35,479 Speaker 1: Uh and we really in Bold just got the gift. 1468 01:13:35,920 --> 01:13:40,320 Speaker 2: So he just made all the shit we we wrote work, 1469 01:13:40,760 --> 01:13:43,880 Speaker 2: and anything that didn't work, they just figured out another 1470 01:13:43,920 --> 01:13:45,880 Speaker 2: way to make it work. Like because that's how good 1471 01:13:45,880 --> 01:13:48,800 Speaker 2: everybody was. They just had the vision to be like, Okay, 1472 01:13:48,840 --> 01:13:50,280 Speaker 2: this line, we just need to change it to this, 1473 01:13:50,479 --> 01:13:53,200 Speaker 2: and anybody got any oughts for this blah blah blah. 1474 01:13:52,960 --> 01:13:56,400 Speaker 1: Okay boom and then like. 1475 01:13:55,760 --> 01:13:57,519 Speaker 2: Like I said, Sidney so good at that shit. That 1476 01:13:57,680 --> 01:14:00,360 Speaker 2: was I think the Durham pd art that was. And 1477 01:14:00,400 --> 01:14:03,000 Speaker 2: he just came up with like bamn, like I don't. 1478 01:14:02,800 --> 01:14:05,040 Speaker 1: Know how he does it, Like damn, this. 1479 01:14:05,160 --> 01:14:08,439 Speaker 2: Is like like you know, like because he well we 1480 01:14:08,439 --> 01:14:10,640 Speaker 2: started filming, he get real serious. 1481 01:14:11,240 --> 01:14:13,439 Speaker 3: You know, because it's time to go to work. 1482 01:14:13,600 --> 01:14:16,040 Speaker 1: Yeah, because it's a job. You know. I'm in there 1483 01:14:16,120 --> 01:14:18,320 Speaker 1: fucking smiling under my mask, like I can't believe this 1484 01:14:18,400 --> 01:14:20,760 Speaker 1: is having. This is so fun, And he's over there 1485 01:14:20,840 --> 01:14:24,479 Speaker 1: just looking like it's fucking Game seven of the fucking finals, 1486 01:14:24,520 --> 01:14:27,439 Speaker 1: like like there ain't nothing funny about these jokes. 1487 01:14:27,479 --> 01:14:30,640 Speaker 2: We gotta make this work, and his instincts are be 1488 01:14:30,680 --> 01:14:34,360 Speaker 2: spot on, man, So I'm glad everybody's getting along. 1489 01:14:34,880 --> 01:14:36,840 Speaker 1: We had cake and champagne afterwards. 1490 01:14:37,160 --> 01:14:39,360 Speaker 3: I'm going to ask you about that. You showed a video. 1491 01:14:40,960 --> 01:14:45,640 Speaker 2: M M yeah, bo cut the cake, popped champagne. We 1492 01:14:45,720 --> 01:14:49,559 Speaker 2: all got to drink some. We all asked okake, huh 1493 01:14:50,120 --> 01:14:54,280 Speaker 2: it was it was just some fancy ass delicious, motherfucking 1494 01:14:54,280 --> 01:14:55,400 Speaker 2: expensive ass cake. 1495 01:14:55,439 --> 01:14:55,840 Speaker 3: I don't know. 1496 01:14:57,439 --> 01:15:00,200 Speaker 1: As it wasn't no shit they got from fucking uh. 1497 01:15:00,840 --> 01:15:03,760 Speaker 3: They didn't get that shit from publics or mister Tannah like. 1498 01:15:03,840 --> 01:15:06,439 Speaker 1: They got that shit from somewhere somewhere that I don't 1499 01:15:06,439 --> 01:15:09,720 Speaker 1: even know, somewhere I probably can't go get no cake 1500 01:15:09,800 --> 01:15:10,920 Speaker 1: from you know what I mean? 1501 01:15:11,880 --> 01:15:15,160 Speaker 2: That shit was light. It was light, fluffy, delicious and feeling. 1502 01:15:15,320 --> 01:15:19,440 Speaker 2: It was all those things. So we had cake and champagne, 1503 01:15:19,560 --> 01:15:21,840 Speaker 2: and you know, we hung out and talked after the show, 1504 01:15:22,000 --> 01:15:24,400 Speaker 2: and that was that was like a cool thing. 1505 01:15:24,640 --> 01:15:27,240 Speaker 1: And then I just came in. Honestly, I was so 1506 01:15:27,360 --> 01:15:32,559 Speaker 1: fucking I expended so much energy just talking being around 1507 01:15:32,640 --> 01:15:34,400 Speaker 1: people and stuff. But honestly, that was. 1508 01:15:35,920 --> 01:15:39,240 Speaker 2: I know it sounds backwards, but that was that I 1509 01:15:39,439 --> 01:15:42,280 Speaker 2: liked what we did this weekend more than just a 1510 01:15:42,320 --> 01:15:46,640 Speaker 2: regular day at the office. Because when they are like 1511 01:15:46,760 --> 01:15:51,120 Speaker 2: we need to rewrite this, we need ten alternative jokes 1512 01:15:51,320 --> 01:15:53,639 Speaker 2: or like all jokes or something that's what their column 1513 01:15:53,640 --> 01:15:56,640 Speaker 2: when you need to come up with better or different jokes, 1514 01:15:57,200 --> 01:16:00,080 Speaker 2: I love that shit, like just coming and being like 1515 01:16:00,080 --> 01:16:02,760 Speaker 2: like I'm gonna challenge myself to come up with five, six, 1516 01:16:02,880 --> 01:16:06,720 Speaker 2: seven better jokes, you know, And sometimes, you know, I'm 1517 01:16:06,720 --> 01:16:08,400 Speaker 2: starting to fall in love with the idea of them 1518 01:16:08,439 --> 01:16:12,639 Speaker 2: cutting shit too, cause one for time, but then too 1519 01:16:12,760 --> 01:16:14,320 Speaker 2: like if it don't work, I don't want it in 1520 01:16:14,400 --> 01:16:16,960 Speaker 2: there right and if I can't make it work, and 1521 01:16:17,000 --> 01:16:19,040 Speaker 2: it's gonna be the weakest part of something then please 1522 01:16:19,160 --> 01:16:20,840 Speaker 2: kack my shit out, you know what I mean? Like 1523 01:16:20,880 --> 01:16:22,760 Speaker 2: I had a pooty tang reference that they couldn't figure 1524 01:16:22,760 --> 01:16:25,200 Speaker 2: out how to get to work. Please don't let my 1525 01:16:25,240 --> 01:16:27,479 Speaker 2: pooty tang joke fuck up the show cause I don't. 1526 01:16:27,280 --> 01:16:28,240 Speaker 1: Want that on me. 1527 01:16:28,360 --> 01:16:30,680 Speaker 2: I don't want people being like it was good. Then 1528 01:16:30,720 --> 01:16:33,800 Speaker 2: this nigga said, fucking run my kind on TI. I 1529 01:16:33,800 --> 01:16:35,640 Speaker 2: don't know way peoples talking about now, I don't know, 1530 01:16:35,720 --> 01:16:38,559 Speaker 2: fucked up the show. Take it out like somebody else, 1531 01:16:38,640 --> 01:16:43,760 Speaker 2: Like it's so many times people somebody got something bad. Yeah, 1532 01:16:43,840 --> 01:16:47,839 Speaker 2: So it was like I loved the and then honestly, 1533 01:16:48,800 --> 01:16:51,720 Speaker 2: there's no better. There's a it's a good feeling when 1534 01:16:51,760 --> 01:16:54,519 Speaker 2: you submit like these aart jokes and then you see 1535 01:16:54,600 --> 01:16:58,280 Speaker 2: like they gonna use this one cause like cool. 1536 01:16:58,120 --> 01:17:00,000 Speaker 1: Like it's like solving a problem. 1537 01:17:00,760 --> 01:17:03,679 Speaker 2: I solved that that equation, you know what I'm saying, 1538 01:17:03,840 --> 01:17:07,280 Speaker 2: and in a way that made enough people be able 1539 01:17:07,360 --> 01:17:10,280 Speaker 2: to see it. Because sometimes you know the way my 1540 01:17:10,400 --> 01:17:13,680 Speaker 2: voice carries and stuff, I can't deliver shit like bo, 1541 01:17:13,880 --> 01:17:16,479 Speaker 2: but I can think of shit that would sign good 1542 01:17:17,000 --> 01:17:20,360 Speaker 2: for him to say. So it's a little like sometimes 1543 01:17:20,400 --> 01:17:21,920 Speaker 2: it's better for me to write it than to say 1544 01:17:21,960 --> 01:17:23,360 Speaker 2: it because I can say something in the room and 1545 01:17:23,360 --> 01:17:26,160 Speaker 2: be like, what if we just say this and it 1546 01:17:26,320 --> 01:17:28,479 Speaker 2: just takes a second because they have to process it 1547 01:17:28,520 --> 01:17:31,800 Speaker 2: from me saying it to what BO would sound like 1548 01:17:31,840 --> 01:17:34,800 Speaker 2: saying it. And if BO said it, it probably would be good. 1549 01:17:35,000 --> 01:17:40,160 Speaker 2: Like like you know, you're trying to solve someone, it's like, oh, 1550 01:17:40,840 --> 01:17:42,320 Speaker 2: you know you say them, but you didn't know. 1551 01:17:42,479 --> 01:17:44,519 Speaker 1: I'm saying, well, what if he said us, did it 1552 01:17:44,520 --> 01:17:45,720 Speaker 1: take people or something? Us? Well? 1553 01:17:45,720 --> 01:17:45,960 Speaker 3: No, no, no. 1554 01:17:46,160 --> 01:17:49,679 Speaker 2: And if he's like, oh us dad, and it's like, oh, okay, 1555 01:17:49,680 --> 01:17:53,040 Speaker 2: I'll see it. I see it from here him saying it. Now, 1556 01:17:53,080 --> 01:17:53,760 Speaker 2: I can see it. 1557 01:17:54,400 --> 01:17:56,000 Speaker 1: So so that's like. 1558 01:17:56,040 --> 01:17:58,080 Speaker 2: A hurdle to get over and everyone has to get 1559 01:17:58,080 --> 01:17:59,800 Speaker 2: over it because none of us can none. I mean 1560 01:17:59,840 --> 01:18:03,680 Speaker 2: we be on camera, we was both you know, we 1561 01:18:03,760 --> 01:18:06,559 Speaker 2: all have to do that. Ye Now everybody's saying, can 1562 01:18:06,560 --> 01:18:08,160 Speaker 2: I get it? That's what Tommy said. I have to 1563 01:18:08,160 --> 01:18:09,880 Speaker 2: try to get a pooty tang joke in before the 1564 01:18:09,880 --> 01:18:13,120 Speaker 2: season's over. I don't know, y'all, that's an uphill battle. 1565 01:18:14,120 --> 01:18:16,479 Speaker 2: I'm pretty sure they're gonna start recognizing if I'm the 1566 01:18:16,479 --> 01:18:18,320 Speaker 2: only niggas mean putty tang jokes. 1567 01:18:22,800 --> 01:18:25,519 Speaker 1: I think I think what's your putty chang joke? 1568 01:18:25,600 --> 01:18:26,000 Speaker 3: This week? 1569 01:18:26,160 --> 01:18:30,600 Speaker 1: I think it threw Tommy y off. 1570 01:18:30,840 --> 01:18:33,439 Speaker 2: They said they needed for a line on Pooty Tang, 1571 01:18:34,000 --> 01:18:36,080 Speaker 2: and I was the only one that had because I 1572 01:18:36,120 --> 01:18:40,479 Speaker 2: know the whole movie backwards. 1573 01:18:42,280 --> 01:18:47,040 Speaker 1: Yes, let's go. It was like, uh, we need for 1574 01:18:47,160 --> 01:18:49,439 Speaker 1: side I tell you something that. I was like, that's 1575 01:18:49,479 --> 01:18:53,280 Speaker 1: a tone pony sign my pity on the running kind 1576 01:18:53,800 --> 01:18:54,840 Speaker 1: leap a track. 1577 01:18:58,120 --> 01:19:00,120 Speaker 3: To see that. I had a motherfucking o. 1578 01:19:00,880 --> 01:19:04,360 Speaker 1: I was like, none of this ship is gonna make it. 1579 01:19:05,120 --> 01:19:05,720 Speaker 3: You got it. 1580 01:19:06,240 --> 01:19:09,280 Speaker 2: When they said when they said they was cutting that ship, 1581 01:19:09,320 --> 01:19:11,200 Speaker 2: I said, that's that's right, that's. 1582 01:19:11,040 --> 01:19:15,200 Speaker 3: The right right, Like I don't even take that personally 1583 01:19:16,200 --> 01:19:16,880 Speaker 3: as reference. 1584 01:19:16,960 --> 01:19:19,880 Speaker 2: Man, it's like five people that's probably know sell you man, 1585 01:19:20,120 --> 01:19:20,479 Speaker 2: all right? 1586 01:19:21,720 --> 01:19:24,679 Speaker 1: Oh my god, but yeah, so funny. 1587 01:19:24,760 --> 01:19:26,920 Speaker 3: I love that goddamn movie. 1588 01:19:27,520 --> 01:19:31,160 Speaker 2: And uh, Tommy was cracking up my potty tanged knowledge. 1589 01:19:32,160 --> 01:19:36,559 Speaker 2: I was like, oh man, but. 1590 01:19:34,960 --> 01:19:39,200 Speaker 1: But yeah, man, it was just that was a good time. Man. 1591 01:19:39,240 --> 01:19:40,840 Speaker 1: It feels relief relieving. 1592 01:19:41,360 --> 01:19:43,439 Speaker 2: It feels relieving in a way cause it's like I 1593 01:19:43,520 --> 01:19:46,639 Speaker 2: know I can do it now, you know. And it's 1594 01:19:46,800 --> 01:19:50,240 Speaker 2: and and not and not in a like I didn't 1595 01:19:50,280 --> 01:19:52,679 Speaker 2: think I could do it before, but like now it's proof. 1596 01:19:52,760 --> 01:19:56,360 Speaker 1: My name was on that motherfucking the same as all. 1597 01:19:56,240 --> 01:19:58,479 Speaker 2: Those writers I respect, all those people I respect whose 1598 01:19:58,520 --> 01:19:59,120 Speaker 2: name was on there. 1599 01:19:59,160 --> 01:20:00,200 Speaker 1: My name was up there too. 1600 01:20:00,439 --> 01:20:03,679 Speaker 3: So no oh, good name with no ride in Sharlotte, 1601 01:20:03,720 --> 01:20:05,839 Speaker 3: with no right in its prime, it was your whole 1602 01:20:06,040 --> 01:20:06,720 Speaker 3: good name. 1603 01:20:07,200 --> 01:20:07,599 Speaker 1: Yeah. 1604 01:20:07,640 --> 01:20:10,679 Speaker 2: So I'm like, I'm in this to the wheel fall 1605 01:20:10,720 --> 01:20:14,920 Speaker 2: off too, and you know, I'm gonna keep doing my thing. 1606 01:20:15,040 --> 01:20:17,320 Speaker 2: And like I said, under pressure this. 1607 01:20:17,320 --> 01:20:19,280 Speaker 1: Week when it was like we need to do this. 1608 01:20:19,320 --> 01:20:22,320 Speaker 2: When you change this anytime, you know, keep in mind 1609 01:20:22,479 --> 01:20:24,200 Speaker 2: a lot of my this didn't make it in. There 1610 01:20:24,240 --> 01:20:26,599 Speaker 2: was a few of my like y'all think this funny 1611 01:20:26,680 --> 01:20:30,080 Speaker 2: is you can hear cricket chirp. It's like, I guess 1612 01:20:30,160 --> 01:20:30,599 Speaker 2: they don't. 1613 01:20:36,160 --> 01:20:38,719 Speaker 3: Like you said, your job is to take the shots. 1614 01:20:38,800 --> 01:20:41,639 Speaker 3: They all you might be eballs, they might be shot. 1615 01:20:41,720 --> 01:20:43,679 Speaker 3: You might get over to the left, to the right. 1616 01:20:44,000 --> 01:20:46,479 Speaker 1: Yeah, not all of them gonna gonna gonna go in. 1617 01:20:46,760 --> 01:20:51,160 Speaker 2: But but when one does, it does feel like, Okay, cool, 1618 01:20:51,240 --> 01:20:56,600 Speaker 2: I belong. I'm doing my thing, and so you know, 1619 01:20:56,680 --> 01:20:58,720 Speaker 2: I gotta I gotta get more experience under our belt 1620 01:20:58,720 --> 01:21:01,720 Speaker 2: because there's that ship that I think I'm just not 1621 01:21:01,800 --> 01:21:06,280 Speaker 2: able to do yet or it'll come with time, or 1622 01:21:06,560 --> 01:21:07,960 Speaker 2: you know, you just had to do the job for 1623 01:21:08,040 --> 01:21:12,720 Speaker 2: while the gain of like trust and the understanding. But 1624 01:21:13,920 --> 01:21:16,479 Speaker 2: we I think we got something here, man, I really do. 1625 01:21:16,520 --> 01:21:19,559 Speaker 2: And I know the first episode is probably to me. 1626 01:21:19,640 --> 01:21:21,280 Speaker 2: I look at the first episode almost like how you 1627 01:21:21,280 --> 01:21:25,080 Speaker 2: look at like ill Madic, where like Na's I think 1628 01:21:25,200 --> 01:21:28,439 Speaker 2: Nah said in the interviews, like, man, I had X 1629 01:21:28,479 --> 01:21:34,439 Speaker 2: amount of years to do Illmatic and then right and 1630 01:21:34,479 --> 01:21:39,200 Speaker 2: then it's like it was written. I had two years 1631 01:21:39,240 --> 01:21:42,599 Speaker 2: to do it was written. So I think that might 1632 01:21:42,640 --> 01:21:45,960 Speaker 2: be how the TV show has to go, where it's like, well, yeah, 1633 01:21:46,000 --> 01:21:48,960 Speaker 2: we've been kind of writing the first episode almost six weeks. 1634 01:21:50,280 --> 01:21:52,880 Speaker 2: Every week after this, it's gonna be like we've been 1635 01:21:52,880 --> 01:21:55,280 Speaker 2: writing some elements for six weeks, but we've been writing some. 1636 01:21:55,240 --> 01:21:58,000 Speaker 1: Of these elements a little shorter, you know. 1637 01:21:58,320 --> 01:22:01,640 Speaker 2: And the way they or find this process with like 1638 01:22:01,800 --> 01:22:04,000 Speaker 2: the topical stories and stuff, man, it's been so cool 1639 01:22:04,040 --> 01:22:06,800 Speaker 2: to watch, Like it's been cool to watch them try 1640 01:22:06,840 --> 01:22:08,719 Speaker 2: shit and then be like that don't work. 1641 01:22:09,680 --> 01:22:11,360 Speaker 3: Yeah, Because you want to see what hits through what 1642 01:22:11,400 --> 01:22:13,240 Speaker 3: doesn't hit. You want to think outside the box. Like 1643 01:22:13,280 --> 01:22:15,880 Speaker 3: I really do. Like one of my favorite segments I'm 1644 01:22:15,880 --> 01:22:17,720 Speaker 3: not even gonna lie is the Man on the Streets. 1645 01:22:17,920 --> 01:22:22,040 Speaker 3: Oh he's so good questions at the end. It's particularly 1646 01:22:22,080 --> 01:22:24,400 Speaker 3: what was hilarious when they was acting them to spell 1647 01:22:24,560 --> 01:22:28,080 Speaker 3: coach that and like. 1648 01:22:30,000 --> 01:22:33,120 Speaker 2: Bo is so good at those the field team, you know, 1649 01:22:33,160 --> 01:22:35,720 Speaker 2: they were like doing in black and white and it 1650 01:22:35,760 --> 01:22:38,760 Speaker 2: looks so gray it almost reminds you of like the 1651 01:22:38,800 --> 01:22:43,240 Speaker 2: real sex Man on the Street. But but yeah, it's 1652 01:22:43,240 --> 01:22:46,040 Speaker 2: stylistically and it fits Bow. He's really good at just 1653 01:22:46,080 --> 01:22:49,479 Speaker 2: talking to people. I think it harnesses something that goes 1654 01:22:49,520 --> 01:22:51,360 Speaker 2: back to The Morning Jones because to me, like this 1655 01:22:51,479 --> 01:22:53,880 Speaker 2: show is like what if the Morning Jones on HBO. 1656 01:22:53,920 --> 01:22:55,800 Speaker 1: It's how I've been looking at it. And I know 1657 01:22:55,880 --> 01:22:58,320 Speaker 1: it's not one hundred percent like that, but because you 1658 01:22:58,360 --> 01:23:00,880 Speaker 1: can't have like your callers, but your Man on the 1659 01:23:00,880 --> 01:23:02,480 Speaker 1: Street is kind of like the Callers. 1660 01:23:02,840 --> 01:23:05,440 Speaker 2: It's like another way of having to like Bow interacting 1661 01:23:05,520 --> 01:23:09,000 Speaker 2: with regular people because he's so fucking good at it, 1662 01:23:09,080 --> 01:23:12,080 Speaker 2: you know what I mean. And those like those say 1663 01:23:12,320 --> 01:23:15,320 Speaker 2: every single week we do a segment like that, I 1664 01:23:15,439 --> 01:23:16,519 Speaker 2: just smile because it's. 1665 01:23:16,360 --> 01:23:18,760 Speaker 1: Just like, like our work is done. 1666 01:23:18,800 --> 01:23:21,520 Speaker 2: We just need to give him like a couple prompters 1667 01:23:21,520 --> 01:23:23,080 Speaker 2: and then he can go out and do the whole ship. 1668 01:23:23,120 --> 01:23:24,639 Speaker 2: He can probably sit out there and talk to people 1669 01:23:24,680 --> 01:23:28,719 Speaker 2: for however long, and we you could make that the show. 1670 01:23:28,720 --> 01:23:29,599 Speaker 1: He's that good at it. 1671 01:23:30,360 --> 01:23:31,439 Speaker 3: Just they just chop it up. 1672 01:23:31,840 --> 01:23:34,559 Speaker 1: So yeah, so yeah man. 1673 01:23:34,600 --> 01:23:37,960 Speaker 2: And then turning on HBO Max, it was telling like 1674 01:23:38,000 --> 01:23:41,200 Speaker 2: the first thing was bould like it's like watch game. 1675 01:23:41,040 --> 01:23:43,400 Speaker 3: Theory, and a lot of people were saying that they 1676 01:23:43,520 --> 01:23:45,160 Speaker 3: was like when you go on, it was like the 1677 01:23:45,439 --> 01:23:46,040 Speaker 3: first thing. 1678 01:23:45,920 --> 01:23:49,080 Speaker 2: You see and if you leave it on there, it 1679 01:23:49,240 --> 01:23:52,000 Speaker 2: starts a trailer for the show. Like if you just 1680 01:23:52,080 --> 01:23:53,760 Speaker 2: leave it on there and let us stick at least 1681 01:23:53,760 --> 01:23:56,599 Speaker 2: in this uh on this Roku TV in here, it'll 1682 01:23:56,640 --> 01:24:00,559 Speaker 2: start showing like bow during the commercial, both sitting desk 1683 01:24:00,800 --> 01:24:03,080 Speaker 2: like a bunch of It's like, you. 1684 01:24:03,040 --> 01:24:04,920 Speaker 1: Know, because it was a little you know, you're getting 1685 01:24:04,920 --> 01:24:05,639 Speaker 1: a little nervous. 1686 01:24:07,439 --> 01:24:09,559 Speaker 2: It is a black show. It is a new show, 1687 01:24:09,600 --> 01:24:11,879 Speaker 2: and so you worry, like, I hope. 1688 01:24:11,640 --> 01:24:12,519 Speaker 1: They promoted you know. 1689 01:24:12,600 --> 01:24:15,360 Speaker 2: The thing I always say about we learned from Spotify 1690 01:24:15,560 --> 01:24:18,120 Speaker 2: was like the best days for our show on Spotify 1691 01:24:18,160 --> 01:24:22,639 Speaker 2: were the day Spotify promoted us. Everything else really didn't 1692 01:24:22,680 --> 01:24:24,760 Speaker 2: have nothing to do with it, like how good our 1693 01:24:24,760 --> 01:24:27,000 Speaker 2: show was, had, how long it was, how often we 1694 01:24:27,040 --> 01:24:30,920 Speaker 2: did it, what we named it, that shit was that 1695 01:24:30,960 --> 01:24:33,599 Speaker 2: did not matter as much as when Spotify just put 1696 01:24:33,600 --> 01:24:36,120 Speaker 2: out pushed the button and told people go listen to 1697 01:24:36,160 --> 01:24:37,080 Speaker 2: the blackout. 1698 01:24:36,680 --> 01:24:42,840 Speaker 1: Tips and the numbers would jump up. Yep, So what 1699 01:24:42,920 --> 01:24:46,519 Speaker 1: were you gonna say? I'm sorry, I was trying to 1700 01:24:46,520 --> 01:24:47,559 Speaker 1: think was everything else? 1701 01:24:47,880 --> 01:24:49,720 Speaker 2: I figured we could just take this day to talk 1702 01:24:49,720 --> 01:24:53,320 Speaker 2: about this because it's a big day, son. 1703 01:24:53,320 --> 01:24:56,599 Speaker 3: I'm so happy and I'm so excited for you. And 1704 01:24:57,200 --> 01:24:59,360 Speaker 3: it was fun watching it. Like I told you, I'm 1705 01:24:59,360 --> 01:25:01,639 Speaker 3: going to record everything, so you know, when you get 1706 01:25:01,640 --> 01:25:04,120 Speaker 3: back you can actually sit down and kind of watch it, 1707 01:25:04,360 --> 01:25:06,519 Speaker 3: you know, watch it, watch it because you're watching it, 1708 01:25:06,560 --> 01:25:09,160 Speaker 3: but it also it's still a lot of things kind 1709 01:25:09,160 --> 01:25:12,880 Speaker 3: of around that versus watching it kind of outside of 1710 01:25:12,960 --> 01:25:15,280 Speaker 3: the atmosphere that you're in, because, like a lot of 1711 01:25:15,280 --> 01:25:18,800 Speaker 3: things in life, when you're living in and experiencing it firsthand, 1712 01:25:18,800 --> 01:25:20,599 Speaker 3: it's kind of different between that and then you're going 1713 01:25:20,640 --> 01:25:21,400 Speaker 3: back and watching it. 1714 01:25:21,479 --> 01:25:28,000 Speaker 2: Yeah, I'm definitely enjoying it in the moment, and you know, man, 1715 01:25:28,240 --> 01:25:32,120 Speaker 2: it's honestly, man, just like the smile on Bo's face 1716 01:25:32,640 --> 01:25:35,320 Speaker 2: after the shoot, it's like, that's what it's about, you 1717 01:25:35,320 --> 01:25:37,360 Speaker 2: know what I mean? Because a big thing for me 1718 01:25:37,479 --> 01:25:39,240 Speaker 2: is like I didn't want to let him down. I 1719 01:25:39,280 --> 01:25:42,479 Speaker 2: didn't want to be like I can't hack it. You 1720 01:25:42,520 --> 01:25:45,680 Speaker 2: took a chance on me. I fucked it up or 1721 01:25:45,720 --> 01:25:49,120 Speaker 2: just wasn't good enough, and now you're stuck with me, 1722 01:25:49,600 --> 01:25:52,120 Speaker 2: and I'm learning on the fly, hoping to be good 1723 01:25:52,240 --> 01:25:56,400 Speaker 2: enough by the time we leave. Not like there's no 1724 01:25:56,520 --> 01:25:58,519 Speaker 2: room for improvement. There's obviously tons of room for me 1725 01:25:58,600 --> 01:26:04,479 Speaker 2: to improve. But that smile, that that moment that you know, 1726 01:26:04,640 --> 01:26:06,960 Speaker 2: even a smile on the other people's face, Man, it's 1727 01:26:07,000 --> 01:26:10,000 Speaker 2: like we got something special we gotta show here. Like 1728 01:26:10,520 --> 01:26:12,719 Speaker 2: this isn't a like there's things that can make better, 1729 01:26:12,760 --> 01:26:14,920 Speaker 2: but this ain't a dud. 1730 01:26:14,680 --> 01:26:17,120 Speaker 1: On delivery where it's like, oh, what they gonna do 1731 01:26:17,120 --> 01:26:19,800 Speaker 1: about that? Like this is more like a hey, you 1732 01:26:19,840 --> 01:26:21,000 Speaker 1: know what people said? 1733 01:26:21,280 --> 01:26:22,960 Speaker 2: Like I got a lot of feedback on the show 1734 01:26:23,120 --> 01:26:26,479 Speaker 2: on Twitter anecdotal, but hey, we liked hearing y'all laugh. 1735 01:26:28,000 --> 01:26:32,320 Speaker 3: Mm hmm, I did too ill dok aside, Like, even 1736 01:26:32,360 --> 01:26:35,280 Speaker 3: though it was kind of sporadic, it was like when 1737 01:26:35,360 --> 01:26:40,200 Speaker 3: y'all laughed, it actually almost took it to the next level. 1738 01:26:40,760 --> 01:26:42,160 Speaker 3: You know, I don't know if this is something they 1739 01:26:42,200 --> 01:26:45,360 Speaker 3: would consider, but you know, having like a studio audience 1740 01:26:45,439 --> 01:26:47,360 Speaker 3: or a small group of people to test, you know 1741 01:26:47,400 --> 01:26:50,240 Speaker 3: what I mean, audience in there. But I know with 1742 01:26:50,320 --> 01:26:53,200 Speaker 3: COVID auto with the restrictions and stuff like that. But 1743 01:26:53,520 --> 01:26:56,000 Speaker 3: but yeah, hear and y'all laugh actually just made it 1744 01:26:56,040 --> 01:26:59,000 Speaker 3: even more funnier because I was like, oh, they're laughing, 1745 01:26:59,080 --> 01:27:01,160 Speaker 3: and you know, it's funny. And when you know, bo 1746 01:27:01,360 --> 01:27:03,160 Speaker 3: was pointing talking about the lawyer over there, was I 1747 01:27:03,200 --> 01:27:05,320 Speaker 3: was thinking, it probably is a lawyer standing right there 1748 01:27:05,400 --> 01:27:07,960 Speaker 3: going with you and cannot say, like, I know that 1749 01:27:08,240 --> 01:27:10,360 Speaker 3: he was joking, but he was bullshit and prob okay 1750 01:27:10,400 --> 01:27:12,360 Speaker 3: say that. 1751 01:27:12,680 --> 01:27:15,280 Speaker 2: So I mean, and I think they take all these 1752 01:27:15,320 --> 01:27:18,760 Speaker 2: elements because it's still a work in progress. And you know, 1753 01:27:18,840 --> 01:27:21,200 Speaker 2: wouldn't be shocked if y'all heard more laughing next week 1754 01:27:21,200 --> 01:27:23,559 Speaker 2: because it sounded like that that worked and resonated with 1755 01:27:23,600 --> 01:27:27,680 Speaker 2: a lot of people. Uh, the social media posts that 1756 01:27:27,720 --> 01:27:31,280 Speaker 2: came online, the now naming license posts are so good. 1757 01:27:31,360 --> 01:27:33,080 Speaker 3: It's college students. 1758 01:27:33,160 --> 01:27:35,559 Speaker 1: Yeah, well a lot of people like that. 1759 01:27:35,439 --> 01:27:38,000 Speaker 3: And I really like them college students. Was like, hey, 1760 01:27:38,080 --> 01:27:41,000 Speaker 3: doll like, shout out to the n c a A for 1761 01:27:41,120 --> 01:27:43,080 Speaker 3: changing the rules. I'm about to make this money. Y'all 1762 01:27:43,120 --> 01:27:45,759 Speaker 3: go watch this show, and some of them actually started 1763 01:27:45,800 --> 01:27:46,799 Speaker 3: trending and ship. 1764 01:27:47,360 --> 01:27:56,679 Speaker 2: Yeah it's yeah, it's been so funny students. Uh watching 1765 01:27:56,720 --> 01:28:00,280 Speaker 2: the kids say that stuff, it's been so fucking funny. 1766 01:28:01,040 --> 01:28:04,920 Speaker 3: You can play Huh you can play? Ye? 1767 01:28:04,960 --> 01:28:06,880 Speaker 2: Yeah, yeah, I'm about to pull it up. And then 1768 01:28:06,880 --> 01:28:11,320 Speaker 2: we had the Stephen A. Smith interview, which was everything 1769 01:28:11,920 --> 01:28:17,519 Speaker 2: listen like I saw people being like, that's that reminds 1770 01:28:17,560 --> 01:28:20,759 Speaker 2: me of why you like why I started liking Stephen 1771 01:28:20,840 --> 01:28:23,840 Speaker 2: Nay And I was like, yes, here's one of the names. 1772 01:28:23,840 --> 01:28:25,559 Speaker 1: I haven't even seen this one. I don't think everyone. 1773 01:28:25,640 --> 01:28:28,160 Speaker 5: My name is Grant House. I'm a swimmer at Arizona 1774 01:28:28,200 --> 01:28:31,479 Speaker 5: State University, and Bimani Jones is paying me under the 1775 01:28:31,600 --> 01:28:37,040 Speaker 5: new NCAA NIL laws to promote his show Game Theory 1776 01:28:37,200 --> 01:28:40,920 Speaker 5: with Bamani Jones, airing Sunday nights on HBO. And he 1777 01:28:41,040 --> 01:28:43,360 Speaker 5: also gives me five seconds to say whatever the heck 1778 01:28:43,439 --> 01:28:46,320 Speaker 5: I want. So, if you're a college athlete, go get 1779 01:28:46,320 --> 01:28:49,240 Speaker 5: your bag, go get your bands, and go get yourself 1780 01:28:49,240 --> 01:28:52,040 Speaker 5: paid because you deserve it. And You've earned the right 1781 01:28:52,120 --> 01:28:54,439 Speaker 5: to go do that, So make sure to tune into 1782 01:28:54,479 --> 01:28:58,880 Speaker 5: Game Theory on HBO Sunday nights and Bamoni Jones thank 1783 01:28:58,920 --> 01:29:00,200 Speaker 5: you for the cash. 1784 01:29:00,720 --> 01:29:03,920 Speaker 6: It is literally the least I could do. Watch Game 1785 01:29:03,960 --> 01:29:07,360 Speaker 6: Theory Sunday Nights on HBO, like I'm all. 1786 01:29:07,280 --> 01:29:10,760 Speaker 3: Through through white Boy. White Boy was like, look, come on, 1787 01:29:10,800 --> 01:29:12,800 Speaker 3: come on, and you said I got five sex say 1788 01:29:12,840 --> 01:29:14,920 Speaker 3: I want to get that bag, get that bag. 1789 01:29:15,120 --> 01:29:19,479 Speaker 1: Yeah, it's not just that, it's like funny, but it's smart, 1790 01:29:20,040 --> 01:29:20,280 Speaker 1: you know. 1791 01:29:20,760 --> 01:29:22,960 Speaker 4: Like my name is Cassi Woods, I'm a football player 1792 01:29:22,960 --> 01:29:26,040 Speaker 4: at the University of Northern Colorado. But Money's promaring on 1793 01:29:26,080 --> 01:29:29,719 Speaker 4: his new show called Game Theory this Sunday on HBO. 1794 01:29:30,280 --> 01:29:31,960 Speaker 4: But Money and I also wanted to tell you that 1795 01:29:32,040 --> 01:29:34,000 Speaker 4: the NSC double a is a billion dollar industry that 1796 01:29:34,080 --> 01:29:37,760 Speaker 4: continues to exploit me and my fellow college athletes. But 1797 01:29:37,920 --> 01:29:41,200 Speaker 4: since the creation of NIL, this allows athletes to compensate 1798 01:29:41,240 --> 01:29:43,559 Speaker 4: off of our name, image and likeness, just like the 1799 01:29:43,600 --> 01:29:46,640 Speaker 4: nc DOUBLEA has it's its existence. So thank you Bo 1800 01:29:46,760 --> 01:29:49,160 Speaker 4: Money for using NIL to pay me and others as well. 1801 01:29:49,560 --> 01:29:52,639 Speaker 4: And please, please please don't forget to tune into Game 1802 01:29:52,680 --> 01:29:55,200 Speaker 4: Theory every Sunday at eleven thirty pm. 1803 01:29:55,360 --> 01:29:55,679 Speaker 1: Piece. 1804 01:29:56,479 --> 01:29:59,679 Speaker 6: It is literally the least I could do watch Game 1805 01:29:59,720 --> 01:30:01,439 Speaker 6: Theory Sunday nights on HBO. 1806 01:30:02,360 --> 01:30:04,080 Speaker 1: So yeah, that's been That's been. 1807 01:30:03,960 --> 01:30:07,240 Speaker 3: So fun, man, because now you're getting a lot of 1808 01:30:07,320 --> 01:30:10,040 Speaker 3: college students talking about it and trending in kind of 1809 01:30:10,120 --> 01:30:12,839 Speaker 3: that area, a lot of younger people, yes. 1810 01:30:13,360 --> 01:30:17,400 Speaker 2: And like seeing like obviously seeing Stephen A Smith get 1811 01:30:17,439 --> 01:30:20,639 Speaker 2: interviewed is just for people that know how I feel 1812 01:30:20,680 --> 01:30:24,400 Speaker 2: about how entertaining and how much I think he's just he's. 1813 01:30:24,240 --> 01:30:27,880 Speaker 3: The best at guess, at his job, at that job. 1814 01:30:28,439 --> 01:30:32,160 Speaker 1: It was so his interview was so crazy. 1815 01:30:32,360 --> 01:30:33,280 Speaker 3: Might better than him. 1816 01:30:33,880 --> 01:30:39,479 Speaker 1: It was just it was just it's just like I'm 1817 01:30:39,479 --> 01:30:45,240 Speaker 1: that dude. Bro, that's even crazier. Ship, y'all didn't even 1818 01:30:45,280 --> 01:30:45,760 Speaker 1: get to see. 1819 01:30:45,760 --> 01:30:49,439 Speaker 2: That was so fucking funny, man, Like y'all like y'all 1820 01:30:49,479 --> 01:30:51,240 Speaker 2: just got to see a little bit of his like 1821 01:30:51,360 --> 01:30:53,280 Speaker 2: what's it like being day in a Smith? But in 1822 01:30:53,280 --> 01:30:56,880 Speaker 2: the uncut version, man, that's ship in there where he's 1823 01:30:56,920 --> 01:30:57,519 Speaker 2: like it's not. 1824 01:30:57,439 --> 01:31:01,800 Speaker 1: The cars, the close the jewelry. You know you might 1825 01:31:01,880 --> 01:31:05,320 Speaker 1: see me popular. I'm like like, this dude is the best, 1826 01:31:06,160 --> 01:31:08,920 Speaker 1: Oh man, this dude is the best so did you 1827 01:31:08,960 --> 01:31:10,760 Speaker 1: get to do your stephen am pressure for him? 1828 01:31:10,800 --> 01:31:13,599 Speaker 2: Now, I would never get to be at a million 1829 01:31:13,600 --> 01:31:15,839 Speaker 2: feet of stephen A. That's that man is a boss. 1830 01:31:17,160 --> 01:31:18,200 Speaker 1: I don't. I think, y'all. 1831 01:31:18,200 --> 01:31:20,960 Speaker 2: Man misunderstood where I'm at on the total pole here, 1832 01:31:20,960 --> 01:31:23,400 Speaker 2: I'm at the bottom, y'all. I did get to see 1833 01:31:23,600 --> 01:31:26,960 Speaker 2: Greg Gumble right before they did Yeah, right before they 1834 01:31:26,960 --> 01:31:30,519 Speaker 2: did the CBS selection Sunday thing. I was hanging out 1835 01:31:30,520 --> 01:31:34,680 Speaker 2: with Boe and his brother Patrise, who I think it was. 1836 01:31:34,760 --> 01:31:38,720 Speaker 1: I think his brother. Don't make me say it, I think, yeah, 1837 01:31:38,720 --> 01:31:40,120 Speaker 1: I think his brother's name is Patrice. 1838 01:31:41,080 --> 01:31:42,760 Speaker 2: I got to hang out with him. He's he was 1839 01:31:42,760 --> 01:31:45,639 Speaker 2: taking everybody's pictures and stuff. He posted like a picture of. 1840 01:31:45,640 --> 01:31:49,120 Speaker 1: Me and him. Uh it was cool man, He's he's 1841 01:31:49,400 --> 01:31:50,639 Speaker 1: cool dude, And. 1842 01:31:51,720 --> 01:31:52,479 Speaker 3: You post that one. 1843 01:31:52,720 --> 01:31:53,000 Speaker 2: Huh. 1844 01:31:53,760 --> 01:31:54,719 Speaker 3: I didn't that picture. 1845 01:31:54,800 --> 01:31:59,280 Speaker 2: Yeah, I was tagged in it and I just retweeted it, okay. 1846 01:32:00,560 --> 01:32:03,920 Speaker 2: But he's he's such a cool, cool, cool just like 1847 01:32:03,960 --> 01:32:07,880 Speaker 2: bo cool, funny dude. And I got to talk to 1848 01:32:07,960 --> 01:32:10,400 Speaker 2: him for a little bit and he was taking pictures 1849 01:32:10,520 --> 01:32:11,200 Speaker 2: and and all. 1850 01:32:11,080 --> 01:32:14,679 Speaker 1: That stuff, and uh and we had like a good 1851 01:32:14,720 --> 01:32:20,200 Speaker 1: conversation as well. But uh, he uh, Uh. 1852 01:32:20,240 --> 01:32:23,000 Speaker 2: He had me cracking up too, just kind of talking 1853 01:32:23,040 --> 01:32:26,040 Speaker 2: because he was so tickled by the Duke thing and 1854 01:32:26,120 --> 01:32:28,599 Speaker 2: he hadn't got to see the museum tape until we 1855 01:32:28,640 --> 01:32:32,839 Speaker 2: saw it live, and he was just like so impressed. 1856 01:32:32,840 --> 01:32:35,599 Speaker 1: He's like, man, yeah, Voe told me you did that, man, 1857 01:32:35,720 --> 01:32:38,080 Speaker 1: And man it turned out good. 1858 01:32:38,640 --> 01:32:41,080 Speaker 2: He loved the stephen A interview and stuff. Man, so 1859 01:32:41,240 --> 01:32:43,680 Speaker 2: like it was dope that he like got it. 1860 01:32:43,760 --> 01:32:43,960 Speaker 1: You know. 1861 01:32:45,880 --> 01:32:48,080 Speaker 2: So I think I've covered everything, y'all. I'm really trying 1862 01:32:48,120 --> 01:32:50,120 Speaker 2: to rack my brain to see that's something I missed. 1863 01:32:50,240 --> 01:32:54,639 Speaker 2: But yeah, and seeing Greg Gumbo was crazy because it's 1864 01:32:54,680 --> 01:32:58,800 Speaker 2: just like you walking bomb and I'm like, Nigga, that's 1865 01:32:58,880 --> 01:33:06,960 Speaker 2: Greg gumb like like like I'm trying, like honestly, I 1866 01:33:07,000 --> 01:33:08,560 Speaker 2: was smiling, so I'm glad to have my mask on. 1867 01:33:08,680 --> 01:33:11,080 Speaker 2: I was smiling so fucking hard. I'm like, what is 1868 01:33:11,120 --> 01:33:12,840 Speaker 2: this life I'm living right now? 1869 01:33:13,560 --> 01:33:16,719 Speaker 3: This man is having a mask so people can't see 1870 01:33:16,760 --> 01:33:18,040 Speaker 3: things like that, you know. 1871 01:33:18,040 --> 01:33:20,200 Speaker 1: I'm like, this man is literally about their goal. 1872 01:33:20,320 --> 01:33:23,839 Speaker 2: Tell the nation where Carolina is playing in like fifteen minutes. 1873 01:33:24,640 --> 01:33:27,640 Speaker 2: And I got to see him meet Bomoni and have 1874 01:33:27,920 --> 01:33:30,280 Speaker 2: like a little like an introduction you know, like what 1875 01:33:30,360 --> 01:33:35,240 Speaker 2: a cool lass, cool ass moment. Man, it's just a 1876 01:33:34,880 --> 01:33:36,840 Speaker 2: lot of a lot of dope shit happening right now. 1877 01:33:36,920 --> 01:33:39,840 Speaker 2: And very thankful to be here and five more weeks 1878 01:33:39,840 --> 01:33:43,920 Speaker 2: of it. Man, it's not over. But I think I'm 1879 01:33:43,960 --> 01:33:46,120 Speaker 2: looking forward to five more. 1880 01:33:46,000 --> 01:33:49,080 Speaker 1: Chances to do this thing and try to do it 1881 01:33:49,120 --> 01:33:54,280 Speaker 1: even better, as as difficult as that may be, you know, 1882 01:33:54,360 --> 01:33:56,639 Speaker 1: because I think some of it's probably gonna get harder, 1883 01:33:57,080 --> 01:34:04,800 Speaker 1: you know, and as some to some extent, like I'm 1884 01:34:04,840 --> 01:34:06,880 Speaker 1: looking forward to it, like it's gonna get harder, that's 1885 01:34:06,880 --> 01:34:12,360 Speaker 1: the challenge, and and some of it's just gonna change 1886 01:34:12,360 --> 01:34:14,719 Speaker 1: and morph and get to know people better and stuff. 1887 01:34:14,760 --> 01:34:17,200 Speaker 1: But I feel like I'm in good hands, and I 1888 01:34:17,200 --> 01:34:18,879 Speaker 1: feel like these people are. 1889 01:34:20,439 --> 01:34:23,360 Speaker 2: So fucking good. It's just like glad I'm here. I'm 1890 01:34:23,360 --> 01:34:24,640 Speaker 2: glad I'm here for this, you know. 1891 01:34:25,680 --> 01:34:29,400 Speaker 3: Yay, I'm glad you're here for it too. I'm very 1892 01:34:29,439 --> 01:34:35,400 Speaker 3: happy and I'm very excited. And Uh, I did good. 1893 01:34:35,439 --> 01:34:39,559 Speaker 3: I didn't take a nap today, Uh, but I came 1894 01:34:39,640 --> 01:34:41,880 Speaker 3: from my next Next week I might have taken nap, 1895 01:34:41,880 --> 01:34:44,320 Speaker 3: but this week I didn't take a nap. I stayed 1896 01:34:44,360 --> 01:34:46,439 Speaker 3: up and I watched it and watched The Walking Dead 1897 01:34:46,479 --> 01:34:49,240 Speaker 3: and stuff and it was actually really really funny, and 1898 01:34:49,280 --> 01:34:51,479 Speaker 3: I because I wanted to. I didn't I didn't really 1899 01:34:51,479 --> 01:34:53,400 Speaker 3: live to it and anything, but I wanted to watch it, 1900 01:34:53,520 --> 01:34:55,040 Speaker 3: you know, I mean live in case I you know, 1901 01:34:55,120 --> 01:34:57,880 Speaker 3: kind of poke in and out on social media and 1902 01:34:58,000 --> 01:35:02,519 Speaker 3: stuff like that. So I'm very happy and I'm very proud. 1903 01:35:04,320 --> 01:35:09,160 Speaker 3: I mean, I'm excited for you and everything that's happening 1904 01:35:09,240 --> 01:35:12,960 Speaker 3: and everything is you know, it's going on and stuff like. 1905 01:35:12,880 --> 01:35:15,360 Speaker 1: That cool, and thank y'all. 1906 01:35:15,520 --> 01:35:21,760 Speaker 2: Thank you, especially because you always uh push, you know, 1907 01:35:21,880 --> 01:35:24,479 Speaker 2: push me to kind of do some of these things 1908 01:35:24,479 --> 01:35:28,880 Speaker 2: that I think I generally would be anious, anxious or 1909 01:35:28,920 --> 01:35:32,759 Speaker 2: scared to do and something that I you know, probably 1910 01:35:32,760 --> 01:35:35,080 Speaker 2: would have default said no too, just because I'm like, ah, 1911 01:35:35,160 --> 01:35:37,599 Speaker 2: this isn't my path. And I'm sure there's somebody that 1912 01:35:37,640 --> 01:35:41,320 Speaker 2: can do the job better than me, and that's you know, 1913 01:35:41,400 --> 01:35:43,919 Speaker 2: that's been doing it for a long time, and that'll 1914 01:35:44,720 --> 01:35:47,960 Speaker 2: really be like probably better in the long run to 1915 01:35:48,080 --> 01:35:50,160 Speaker 2: have somebody that knows what they're doing as opposed to 1916 01:35:50,200 --> 01:35:55,360 Speaker 2: me working hard as I can but also learning. But 1917 01:35:56,479 --> 01:36:00,360 Speaker 2: I like, like I said, man, everybody's ever written for 1918 01:36:00,360 --> 01:36:02,840 Speaker 2: a show has not written for a show at some point, 1919 01:36:02,960 --> 01:36:05,320 Speaker 2: and they had dad that the first show, and at 1920 01:36:05,400 --> 01:36:07,519 Speaker 2: forty three years old, it is my first one. Then 1921 01:36:07,680 --> 01:36:11,120 Speaker 2: fuck it, and it's just a crazy thing to see, 1922 01:36:11,200 --> 01:36:13,759 Speaker 2: you know that. You know, like this is my first 1923 01:36:13,760 --> 01:36:19,840 Speaker 2: time doing this shit. And you know, I think from 1924 01:36:19,920 --> 01:36:22,599 Speaker 2: at least the people I care about, they loved it, 1925 01:36:23,360 --> 01:36:26,200 Speaker 2: you know, and that's all I really you know, I 1926 01:36:26,200 --> 01:36:29,040 Speaker 2: don't think you can really control a lot of shit, 1927 01:36:29,200 --> 01:36:31,439 Speaker 2: and you definitely can't control how people perceive it. But 1928 01:36:32,600 --> 01:36:35,519 Speaker 2: you know, like somebody hit me up my DMS like 1929 01:36:35,600 --> 01:36:36,639 Speaker 2: I didn't like this segment. 1930 01:36:36,680 --> 01:36:37,479 Speaker 1: In that segment, I. 1931 01:36:37,439 --> 01:36:40,280 Speaker 2: Was like, you know, it's cool, Like I can't make 1932 01:36:40,320 --> 01:36:42,360 Speaker 2: it like all of it, and I damn sure ain't 1933 01:36:42,360 --> 01:36:44,679 Speaker 2: write all of it. It's all of us writing this shit, 1934 01:36:45,240 --> 01:36:47,040 Speaker 2: and it's a lot of decisions that got to be made, 1935 01:36:47,880 --> 01:36:51,840 Speaker 2: you know, and some of it is like when you 1936 01:36:52,000 --> 01:36:59,040 Speaker 2: understand what goes into it, at which I explained to 1937 01:36:59,080 --> 01:37:01,320 Speaker 2: them like this how this process works. 1938 01:37:02,080 --> 01:37:03,120 Speaker 1: I think they understood. 1939 01:37:03,280 --> 01:37:06,599 Speaker 2: And also it's a sports comedy show where it's not 1940 01:37:06,720 --> 01:37:10,720 Speaker 2: all of it's sports. It's smart, but it also does 1941 01:37:10,840 --> 01:37:14,519 Speaker 2: need to be funny. So with some of these stories, 1942 01:37:14,640 --> 01:37:17,479 Speaker 2: we either need to find a place for jokes or 1943 01:37:17,520 --> 01:37:21,040 Speaker 2: we probably just would not cover it. And we can't 1944 01:37:21,040 --> 01:37:23,400 Speaker 2: have it both ways, you know what I mean, We can't, 1945 01:37:23,439 --> 01:37:26,000 Speaker 2: like at least yet. You know, maybe we'll get to 1946 01:37:26,040 --> 01:37:28,960 Speaker 2: a point where we can do ten minutes of some 1947 01:37:29,000 --> 01:37:30,960 Speaker 2: shit just not even being funny, and people will be 1948 01:37:31,000 --> 01:37:35,760 Speaker 2: like that was good, but we you know, I don't 1949 01:37:35,760 --> 01:37:37,240 Speaker 2: think the first episode. 1950 01:37:36,800 --> 01:37:37,599 Speaker 1: Would be like that. 1951 01:37:37,760 --> 01:37:41,640 Speaker 2: But but yeah, you know, but it seemed like they 1952 01:37:41,720 --> 01:37:43,559 Speaker 2: was all right with it by the end, you know, 1953 01:37:44,040 --> 01:37:45,519 Speaker 2: but a lot of. 1954 01:37:45,479 --> 01:37:48,080 Speaker 3: People they don't know the process. They don't really understand 1955 01:37:48,080 --> 01:37:50,000 Speaker 3: a lot of people don't know all the ins and 1956 01:37:50,040 --> 01:37:54,000 Speaker 3: out and everything that you know goes behind it, and 1957 01:37:54,200 --> 01:37:56,760 Speaker 3: you know, and all people involved, you know, hundreds of 1958 01:37:56,760 --> 01:37:59,880 Speaker 3: people involved in like literally hundreds people involved from Stout 1959 01:38:00,080 --> 01:38:02,240 Speaker 3: definishing the process, and they're all the little piece of 1960 01:38:02,240 --> 01:38:02,719 Speaker 3: the puzzle. 1961 01:38:03,000 --> 01:38:06,120 Speaker 2: Yeah exactly. It's you know, you have to finesse your 1962 01:38:06,120 --> 01:38:11,240 Speaker 2: shit in there. But yeah, and like I said, that 1963 01:38:11,320 --> 01:38:13,600 Speaker 2: didn't I know, people are like in the chat like 1964 01:38:13,880 --> 01:38:17,120 Speaker 2: why how did and why would they say that shit? Honestly, man, 1965 01:38:17,160 --> 01:38:18,840 Speaker 2: I was in such a good mood. I didn't even 1966 01:38:18,880 --> 01:38:21,120 Speaker 2: give a fuck. If you don't like it, it's fine, 1967 01:38:21,120 --> 01:38:22,880 Speaker 2: it just might not be for you or you didn't 1968 01:38:22,920 --> 01:38:23,840 Speaker 2: like one part of it. 1969 01:38:23,880 --> 01:38:25,120 Speaker 1: That's cool. 1970 01:38:25,400 --> 01:38:30,919 Speaker 2: I've been listening to this podcast called download It's spelled 1971 01:38:31,280 --> 01:38:36,720 Speaker 2: it's like d download l Owd and it's about the 1972 01:38:36,800 --> 01:38:40,400 Speaker 2: rise and fall of Ain't It Cool News and the 1973 01:38:40,479 --> 01:38:43,519 Speaker 2: dude that ran it. It's a really great podcast. But 1974 01:38:43,560 --> 01:38:45,000 Speaker 2: one of the things they do is they do like 1975 01:38:45,040 --> 01:38:51,000 Speaker 2: a kind of feedback show every week. And what I 1976 01:38:51,160 --> 01:38:54,320 Speaker 2: liked and will try to emulate from that dude is 1977 01:38:54,960 --> 01:38:57,599 Speaker 2: when people kind of troll or was hating on his show, 1978 01:38:58,600 --> 01:39:02,559 Speaker 2: he was really able to like take it constructively or 1979 01:39:02,600 --> 01:39:06,720 Speaker 2: not at all, and I thought that was such an 1980 01:39:06,720 --> 01:39:09,120 Speaker 2: empowering thing for him to be able to do. So 1981 01:39:09,160 --> 01:39:11,240 Speaker 2: I'm just looking at the show like that. I'm not 1982 01:39:11,280 --> 01:39:14,519 Speaker 2: fitna argue with no nigga on Twitter. I appreciate that 1983 01:39:14,560 --> 01:39:17,320 Speaker 2: person if they didn't like some dm me, but I'm 1984 01:39:17,320 --> 01:39:18,080 Speaker 2: not that head writer. 1985 01:39:18,200 --> 01:39:23,719 Speaker 1: I don't fucking write all that shit, Like like, I don't. 1986 01:39:23,560 --> 01:39:25,200 Speaker 2: Know how much power you think I have it in room, 1987 01:39:25,240 --> 01:39:29,040 Speaker 2: but I'm not vetoing nobody shit if they If the 1988 01:39:29,040 --> 01:39:30,800 Speaker 2: people at the top think some shit is going in 1989 01:39:30,840 --> 01:39:33,040 Speaker 2: the show, guess what's gonna happen. It's going in the show. 1990 01:39:33,160 --> 01:39:34,360 Speaker 2: And I'm not some. 1991 01:39:35,760 --> 01:39:40,400 Speaker 1: Uh, I don't mean this pejoratively, but I'm jen X 1992 01:39:40,720 --> 01:39:44,880 Speaker 1: not millennial, meaning I ain't got the constitution to do 1993 01:39:45,040 --> 01:39:47,640 Speaker 1: to Like I'm about to fucking go on Twitter and 1994 01:39:47,680 --> 01:39:52,000 Speaker 1: say I didn't agree with this decision and I'm not 1995 01:39:52,120 --> 01:39:56,639 Speaker 1: that guy is and honestly is I didn't find any 1996 01:39:56,680 --> 01:39:58,280 Speaker 1: of it to be agreeious. You know. 1997 01:39:58,360 --> 01:40:01,599 Speaker 2: I feel like people had their own personal you know, 1998 01:40:01,680 --> 01:40:03,360 Speaker 2: triggers and stuff, but I didn't find. 1999 01:40:03,160 --> 01:40:04,960 Speaker 1: It to be some pejoritive shit. 2000 01:40:05,080 --> 01:40:08,640 Speaker 2: But yeah, so it's like that, but that energy of 2001 01:40:08,760 --> 01:40:14,360 Speaker 2: like all right cool like that, Like, honestly, I told 2002 01:40:14,520 --> 01:40:18,080 Speaker 2: my mom this, I told bo this too. The honestly, 2003 01:40:18,120 --> 01:40:20,400 Speaker 2: the best thing happening to the show is like probably 2004 01:40:20,600 --> 01:40:24,599 Speaker 2: we get like Tucker Carson to somebody to get mad 2005 01:40:24,600 --> 01:40:25,240 Speaker 2: about the show. 2006 01:40:26,840 --> 01:40:28,599 Speaker 1: Like, honestly, that probably be the best thing. 2007 01:40:28,800 --> 01:40:30,760 Speaker 2: If we get to say, some ship that will make 2008 01:40:31,280 --> 01:40:35,880 Speaker 2: conservative America decide that Bomani is the number one nigga 2009 01:40:35,920 --> 01:40:39,200 Speaker 2: to get rid of, that would probably be the best 2010 01:40:39,240 --> 01:40:42,679 Speaker 2: thing to happen to the show, like, because that's. 2011 01:40:42,560 --> 01:40:50,720 Speaker 1: The ship that watch just yeah, Unfortunately, unfortunately, that's the 2012 01:40:50,760 --> 01:40:54,839 Speaker 1: ship that these motherfuckers that be on Twitter and stuff. 2013 01:40:55,040 --> 01:40:57,360 Speaker 1: That's the ship that make them go watch stuff is. 2014 01:40:58,120 --> 01:41:00,920 Speaker 2: You know, Joe Rogan said what and now the fucking 2015 01:41:01,720 --> 01:41:04,280 Speaker 2: the ratings is out the roof. So maybe that's what 2016 01:41:04,280 --> 01:41:07,320 Speaker 2: we need. We need Jason Whitlock or somebody to start hating. 2017 01:41:08,280 --> 01:41:10,559 Speaker 2: Jason ain't got enough pull. We need somebody to start 2018 01:41:10,600 --> 01:41:13,200 Speaker 2: hating lauryd Ingram or somebody. 2019 01:41:15,000 --> 01:41:15,479 Speaker 3: Over there. 2020 01:41:15,640 --> 01:41:18,719 Speaker 2: Yeah, like it's the shop on HBO. Lord Ingraham doesn't 2021 01:41:18,720 --> 01:41:21,120 Speaker 2: tell that man to go shut up and dribble, I 2022 01:41:21,120 --> 01:41:23,439 Speaker 2: don't think so. So we need her to be like 2023 01:41:23,600 --> 01:41:26,840 Speaker 2: Boom Money, shut up and whatever they think bo Money does, 2024 01:41:27,479 --> 01:41:30,400 Speaker 2: and then we could be like boom we got us, 2025 01:41:30,479 --> 01:41:35,400 Speaker 2: we got us a season two. Y'all the concerned this 2026 01:41:35,439 --> 01:41:39,200 Speaker 2: is mad. They Tommy Lawrence Rete on the toline. 2027 01:41:39,920 --> 01:41:42,639 Speaker 3: You know they're protesting. They're protesting. It's actually the go 2028 01:41:42,760 --> 01:41:45,799 Speaker 3: watch and didn't complain and go purchasing then burn. 2029 01:41:46,439 --> 01:41:48,920 Speaker 1: So all right, that's it, we can wrap it up. 2030 01:41:48,960 --> 01:41:51,240 Speaker 1: I'm not gonna do any news or segments. 2031 01:41:52,080 --> 01:41:54,960 Speaker 3: No. No. Only thing, and I think I said I'm 2032 01:41:55,160 --> 01:41:59,840 Speaker 3: keeping her. Only thing is that all has been well here. 2033 01:41:59,720 --> 01:42:06,120 Speaker 3: I'm excited. I've been uh cleaning up and rearranging some stuff, 2034 01:42:06,200 --> 01:42:11,200 Speaker 3: and I'm really really excited about, you know, the things 2035 01:42:11,200 --> 01:42:14,160 Speaker 3: that just just getting reorganized and stuff like that. So, 2036 01:42:14,240 --> 01:42:16,640 Speaker 3: like I told you, you might see, you know, a 2037 01:42:16,680 --> 01:42:19,080 Speaker 3: bunch of the ship going. You got some new ship 2038 01:42:19,200 --> 01:42:21,679 Speaker 3: bit chipped to Amazon. But that's that's what I'm doing. 2039 01:42:21,720 --> 01:42:25,160 Speaker 3: And so I've been getting at the house a bit more, 2040 01:42:25,439 --> 01:42:27,519 Speaker 3: you know, I've been getting the cars washed and stuff 2041 01:42:27,560 --> 01:42:29,960 Speaker 3: like that, and you know, moving around because like I 2042 01:42:30,000 --> 01:42:32,120 Speaker 3: was telling people before on three Guys on, I'm kind 2043 01:42:32,120 --> 01:42:33,840 Speaker 3: of out of them. I'm out of the COVID funk. 2044 01:42:33,880 --> 01:42:37,559 Speaker 3: I'm not. I'm not full fledged back out in society 2045 01:42:37,600 --> 01:42:40,320 Speaker 3: quote unquote. Yet I still wear my mask, you know, 2046 01:42:40,479 --> 01:42:43,120 Speaker 3: I still you know, social distance and things like that. 2047 01:42:43,720 --> 01:42:46,280 Speaker 3: But you know that being stuck in the house and 2048 01:42:46,360 --> 01:42:48,840 Speaker 3: not going anywhere, then motherfucking days, it's got them mob. 2049 01:42:49,200 --> 01:42:53,360 Speaker 3: I can't do it no more. I just can't. It's 2050 01:42:53,400 --> 01:42:55,640 Speaker 3: time to get get out and just move around a 2051 01:42:55,680 --> 01:42:58,920 Speaker 3: little bit more and get more sun, you know, start 2052 01:42:59,000 --> 01:43:02,479 Speaker 3: exercising a little bit more. Things like that. Uh, you know, 2053 01:43:02,520 --> 01:43:05,439 Speaker 3: because you still want to be cautious and you still 2054 01:43:05,479 --> 01:43:07,960 Speaker 3: want to be safe and stuff like that. But at 2055 01:43:08,000 --> 01:43:11,080 Speaker 3: the same time, I said I do feel myself kind 2056 01:43:11,080 --> 01:43:12,960 Speaker 3: of coming out of that funk that was kind of 2057 01:43:13,600 --> 01:43:16,040 Speaker 3: over me, you know, because even when you was here, 2058 01:43:16,080 --> 01:43:17,880 Speaker 3: would be periods of time where I wouldn't go nowhere, 2059 01:43:17,880 --> 01:43:19,479 Speaker 3: I wouldn't do nothing. I won't get the house. You 2060 01:43:19,560 --> 01:43:21,000 Speaker 3: kind of have to force me to get out the 2061 01:43:21,000 --> 01:43:25,360 Speaker 3: house type of thing, you know. But you know, now, 2062 01:43:25,680 --> 01:43:27,439 Speaker 3: you know about after a day or two, I'm like, 2063 01:43:27,479 --> 01:43:28,880 Speaker 3: you know what, like I said, even if I don't 2064 01:43:28,880 --> 01:43:30,680 Speaker 3: do not but take the college to be watched, I 2065 01:43:30,800 --> 01:43:33,680 Speaker 3: just you know, get at the house, move around, do 2066 01:43:33,760 --> 01:43:37,080 Speaker 3: some things, be more active and stuff like that. And 2067 01:43:37,160 --> 01:43:41,120 Speaker 3: I really do think organizing and rearranging and you know, 2068 01:43:41,200 --> 01:43:44,759 Speaker 3: cleaning and stuff like that has actually really, truthfully, baby, 2069 01:43:44,800 --> 01:43:47,559 Speaker 3: it changed my mood, like like it put me in 2070 01:43:47,640 --> 01:43:53,439 Speaker 3: a mentally in a lot happier place, you know, around here, 2071 01:43:53,479 --> 01:43:56,600 Speaker 3: because I'd be like, oh, okay, these things are functionable, 2072 01:43:56,680 --> 01:43:58,439 Speaker 3: you know, because one of those things where I took 2073 01:43:58,520 --> 01:44:01,320 Speaker 3: us both into consideration, like if I do this, how 2074 01:44:01,320 --> 01:44:04,080 Speaker 3: would it help Roger? How would it help you know him, 2075 01:44:04,120 --> 01:44:06,800 Speaker 3: move around the kitchen a little bit more, keep things organized, 2076 01:44:06,840 --> 01:44:08,519 Speaker 3: you know, and stuff like that. You know, because when 2077 01:44:08,520 --> 01:44:10,760 Speaker 3: you come back, I wanted to be as easy of 2078 01:44:10,840 --> 01:44:14,200 Speaker 3: a transition as possible, you know, to kind of get 2079 01:44:14,200 --> 01:44:16,920 Speaker 3: back and get in the mood and through things like that. 2080 01:44:17,040 --> 01:44:18,960 Speaker 3: So yeah, like I said, if you see like the 2081 01:44:19,760 --> 01:44:23,360 Speaker 3: Amazon thing where you be like, well, goddamn Amazon coming again. Yes, bitch, 2082 01:44:23,360 --> 01:44:26,240 Speaker 3: Amazon is here again. Because you know some of the stuff, 2083 01:44:26,680 --> 01:44:30,120 Speaker 3: it's just easier and more convenient for Amazon to get 2084 01:44:30,160 --> 01:44:32,880 Speaker 3: it through Amazon for me to go approachase it. And 2085 01:44:32,960 --> 01:44:36,559 Speaker 3: also I'm not gonna lie some on some things. Amazon 2086 01:44:36,600 --> 01:44:38,960 Speaker 3: ain't up with the devil because you going there and 2087 01:44:39,000 --> 01:44:41,559 Speaker 3: you'd be like yeah, and you know you're going bouy 2088 01:44:41,600 --> 01:44:43,800 Speaker 3: your business and then Amazon hit you up on your phone. 2089 01:44:43,880 --> 01:44:47,240 Speaker 3: But hey a girl, Hey girl, we saw he was 2090 01:44:47,280 --> 01:44:50,439 Speaker 3: looking at this. And you know what, if you get 2091 01:44:50,479 --> 01:44:53,760 Speaker 3: it now, you get that shit the same day. You 2092 01:44:53,760 --> 01:44:55,280 Speaker 3: can get it in a few hours. 2093 01:44:55,960 --> 01:44:57,160 Speaker 6: I'm like a. 2094 01:44:57,200 --> 01:44:58,439 Speaker 3: Few hours, do sound good? 2095 01:44:58,479 --> 01:44:59,000 Speaker 1: Amazon? 2096 01:45:01,200 --> 01:45:03,439 Speaker 3: And so I I uh uh. And I'd be like 2097 01:45:03,760 --> 01:45:05,439 Speaker 3: or they hit you be like, hey that thing you 2098 01:45:05,520 --> 01:45:10,760 Speaker 3: look for it dropped by twenty percent. It's they'd be like, yeah, 2099 01:45:10,880 --> 01:45:15,439 Speaker 3: twenty percent. I'm like, you know what, Amazon, Uh huh, 2100 01:45:15,520 --> 01:45:17,719 Speaker 3: you know I want it from two to six? 2101 01:45:18,200 --> 01:45:19,320 Speaker 1: Yes, you know what? 2102 01:45:19,840 --> 01:45:22,200 Speaker 3: And uh, I guess that I'll hire more workers because 2103 01:45:22,240 --> 01:45:24,559 Speaker 3: now they be on it. When when when they say 2104 01:45:24,600 --> 01:45:27,880 Speaker 3: two to six, and sometimes sometimes they think they slick. 2105 01:45:27,920 --> 01:45:30,080 Speaker 3: They'll be like, uh yeah, if you order a certain thing, 2106 01:45:30,120 --> 01:45:32,519 Speaker 3: it'd be here by eight am. That shit be five 2107 01:45:32,680 --> 01:45:35,680 Speaker 3: six thirty am. But I bling bling, I'm like, goddamn, 2108 01:45:36,040 --> 01:45:38,960 Speaker 3: you're gonna fuck around. So uh but uh yeah, so 2109 01:45:39,439 --> 01:45:43,120 Speaker 3: uh once I go through this, uh uh well we'll 2110 01:45:43,120 --> 01:45:45,880 Speaker 3: be good. I'm gonna be I give Amazon a rest. 2111 01:45:46,200 --> 01:45:50,520 Speaker 3: But for right now, I'm just really getting things organized 2112 01:45:50,560 --> 01:45:53,840 Speaker 3: and clean and and moving stuff around and stuff like that. 2113 01:45:54,000 --> 01:45:56,400 Speaker 3: So I am, uh, I know I'm part of the problem. 2114 01:45:56,400 --> 01:45:58,120 Speaker 3: I'm not even gonna lie. I know some people going 2115 01:45:58,400 --> 01:46:03,400 Speaker 3: you're doing, yes, I am. I'm uh same day delivery, 2116 01:46:03,479 --> 01:46:07,680 Speaker 3: two day shipping. I'm just sorry, y'all. I don't know 2117 01:46:07,680 --> 01:46:12,200 Speaker 3: what to tell you. But for me, I am happy 2118 01:46:12,200 --> 01:46:15,360 Speaker 3: for you, baby. I'm excited, and I'm really really excited 2119 01:46:15,360 --> 01:46:18,479 Speaker 3: about coming to see you. I'm really excited about that. 2120 01:46:19,040 --> 01:46:21,080 Speaker 3: And so, you know, and that's one reason why I 2121 01:46:21,080 --> 01:46:23,599 Speaker 3: started moving around and walking a little bit more, because 2122 01:46:23,600 --> 01:46:25,360 Speaker 3: I'm gonna get my stemming it up, you know, because 2123 01:46:25,360 --> 01:46:28,800 Speaker 3: I know that's a walking city. So I wanted to 2124 01:46:28,840 --> 01:46:30,599 Speaker 3: be sure, you know, because I mean I can walk 2125 01:46:30,640 --> 01:46:32,280 Speaker 3: in things like that, but you know, walk for you know, 2126 01:46:32,320 --> 01:46:35,160 Speaker 3: extensive periods of time and things like that, so you know, 2127 01:46:35,400 --> 01:46:38,800 Speaker 3: I uh, A'm gonna handle those things. So I am 2128 01:46:38,920 --> 01:46:42,160 Speaker 3: really I'm really happy. I really am in a happy place, baby, 2129 01:46:42,160 --> 01:46:45,720 Speaker 3: and I'm excited for you. And I just know I'll 2130 01:46:45,760 --> 01:46:49,400 Speaker 3: be here cheering you on and and and rooting you 2131 01:46:49,479 --> 01:46:52,519 Speaker 3: on and excited for the show. And you know, it's 2132 01:46:52,560 --> 01:46:55,320 Speaker 3: one of those things to where I say, nobody knows 2133 01:46:55,360 --> 01:46:57,880 Speaker 3: what's you know, what's gonna happen with the show, you know, 2134 01:46:58,080 --> 01:47:01,080 Speaker 3: But I'm I'm a very posit the person, so I 2135 01:47:01,120 --> 01:47:03,320 Speaker 3: you know, I say, yes, you do get a season two, 2136 01:47:03,360 --> 01:47:04,000 Speaker 3: but that's just me. 2137 01:47:04,520 --> 01:47:05,200 Speaker 1: Yeah, I hope. 2138 01:47:05,240 --> 01:47:08,240 Speaker 2: So we'll see, you know, how it works out and 2139 01:47:08,320 --> 01:47:12,400 Speaker 2: all the logistics of that. But I think most importantly, 2140 01:47:12,439 --> 01:47:14,400 Speaker 2: we just need to make a dope ass season one. 2141 01:47:14,560 --> 01:47:17,720 Speaker 2: You know, we one episode down five months ago and 2142 01:47:17,920 --> 01:47:19,800 Speaker 2: looking forward to it. And I'm just happy to be 2143 01:47:19,840 --> 01:47:22,599 Speaker 2: here working with these cool ass people and learning all 2144 01:47:22,600 --> 01:47:26,200 Speaker 2: the shit I can learn, you know, for whatever else I. 2145 01:47:26,160 --> 01:47:28,559 Speaker 1: Need these skills for in life. But I'm just enjoying 2146 01:47:28,560 --> 01:47:28,920 Speaker 1: the ride. 2147 01:47:29,120 --> 01:47:32,479 Speaker 2: And until then, you know we'll see I love you, 2148 01:47:33,320 --> 01:47:35,200 Speaker 2: I love you too. 2149 01:47:34,439 --> 01:47:34,479 Speaker 3: W