WEBVTT - #Throwback Episode - w/ Uncle Luke | (Ep. 28)

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<v Speaker 1>Oh yeah, what's something y'all was going on radio?

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<v Speaker 2>He's a legendary Queen's rapper. Hey's is your boy in O?

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<v Speaker 2>He's a Miami hip hop pioneer? What Up is dj

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<v Speaker 2>e f N?

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<v Speaker 3>Together they drink it up with some of the biggest

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<v Speaker 3>players in music and sport.

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<v Speaker 1>You know what I mean, the most.

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<v Speaker 4>Professional, unprofessional podcast and your number one source for drunk fact.

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<v Speaker 2>This is Drinks champ Radio. Every day is New Year's Eve.

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<v Speaker 3>That's right.

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<v Speaker 2>He ain't said Hope your South Via, this is your

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<v Speaker 2>boy in o R.

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<v Speaker 3>What up?

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<v Speaker 2>It is? Dj e f N? And this is motherfucker

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<v Speaker 2>Drinks Chance Podcast.

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<v Speaker 4>And right now, before we get into our guests, before

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<v Speaker 4>we get into everything, we want to let people know

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<v Speaker 4>that September tenth is going down in r E Noriega's

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<v Speaker 4>birthday weekend. We're gonna do it big out here. We're

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<v Speaker 4>gonna have a barbecue and a cookout and all that. Right,

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<v Speaker 4>DJFN do a red Champster. That's September tenth. We want

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<v Speaker 4>you to keep it. But right now, we know this

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<v Speaker 4>is Miami king excited. Right now, we know there's Miami's mayors,

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<v Speaker 4>we know there's other Miami, but this is the Miami President.

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<v Speaker 2>This is Miami. This is Miami.

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<v Speaker 4>If he don't get your co signed, then you you

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<v Speaker 4>cannot live out here.

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<v Speaker 2>He's the person, he's personally.

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<v Speaker 4>If he didn't exist, a brother like me and r

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<v Speaker 4>E would not exist because I always talk the worst

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<v Speaker 4>shit on records. But he's the guy who went to

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<v Speaker 4>court and fought for me, my god given right and

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<v Speaker 4>one God damn it. He was one of the part

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<v Speaker 4>of the most controversial groups in the world and still

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<v Speaker 4>are relevant to this day.

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<v Speaker 2>This man is out here coaching. Not only he did.

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<v Speaker 4>All the craziest shit, but he's also given back to

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<v Speaker 4>the youth and the community. If you don't know who

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<v Speaker 4>we're talking right right now, we're talking about the godfather,

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<v Speaker 4>the father of Miami, of South Florida.

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<v Speaker 2>Of speaking your mother right now.

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<v Speaker 1>We got uncle.

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<v Speaker 2>Uncle Luke. I'm such a fan of you.

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<v Speaker 4>I've been living in Miami for ten years, but prior

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<v Speaker 4>to that, I've been coming to Miami ten years before that,

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<v Speaker 4>and I could just remember I'm digging right into it.

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<v Speaker 4>I could just remember Coward's and Campton.

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<v Speaker 2>Oh yeah, yesty, I just.

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<v Speaker 4>Remember that cow like because it's crazy because now that

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<v Speaker 4>I lived in Miami and I lived I would probably

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<v Speaker 4>say I lived out here ten years, So I would

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<v Speaker 4>probably say Miami maybe six years, and then brow it

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<v Speaker 4>maybe like three or four, maybe even maybe even five,

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<v Speaker 4>and that saying.

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<v Speaker 2>Will always be here.

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<v Speaker 4>He gets rayed today and all this, And I never

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<v Speaker 4>knew that they got that from. So how did that

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<v Speaker 4>even start? Like, oh, you gotta, you gotta, you gotta

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<v Speaker 4>set it up. We had a we had a couple

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<v Speaker 4>of weeks ago and then he talked about it. He

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<v Speaker 4>said that when that beef popped off, they quickly found

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<v Speaker 4>out how real Uncle Luke was.

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<v Speaker 1>Yeah, yeah, yeah, yeah, that was my That was my

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<v Speaker 1>transition from from the streets to you know, to the

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<v Speaker 1>music business. You know, I still had a lot of

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<v Speaker 1>streak in me and I still had a lot of

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<v Speaker 1>you first, I think we took a shot at them.

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<v Speaker 2>I mean, let me tell you it was.

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<v Speaker 1>It was.

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<v Speaker 2>It was a lot of disrespect for Miami.

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<v Speaker 1>I mean, you know, you had at one point you

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<v Speaker 1>had Redman and that whole thing when they.

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<v Speaker 2>Did the record where it was like what's up do?

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<v Speaker 1>What's they did?

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<v Speaker 2>Ye?

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<v Speaker 1>Yeah, that was I.

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<v Speaker 2>Think I think your boat bucket, like.

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<v Speaker 1>It was like, you know, you know when you when

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<v Speaker 1>you're in the business, like I'm in the business and

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<v Speaker 1>we're going on to it.

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<v Speaker 2>We're trying to do shows.

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<v Speaker 1>You know, niggas is.

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<v Speaker 2>Giving us, you know, this much.

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<v Speaker 1>Stage to work with, you know, and teen fifteen minutes

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<v Speaker 1>on stage and all that.

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<v Speaker 2>Less than that, you know, one or two. So so

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<v Speaker 2>it was this a whole lot of but that was

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<v Speaker 2>when it was too live. Crawl was that was too

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<v Speaker 2>live crew.

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<v Speaker 4>So so now I so now snooping them, they do

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<v Speaker 4>this video and then you do do like which is

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<v Speaker 4>Dreda it was, and you did the same video and

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<v Speaker 4>then you had.

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<v Speaker 2>JT Money on there.

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<v Speaker 4>Yeah, and then there was the other guy that was

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<v Speaker 4>on that record.

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<v Speaker 2>Someone from Poison Claim was somebody.

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<v Speaker 1>It was it was it was JT Money, and then

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<v Speaker 1>it was another artist you know that he was working with.

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<v Speaker 2>I forget what I was saying. Blake. Yeah, it's.

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<v Speaker 4>So so you you make this video and then Snoop

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<v Speaker 4>was like, Snoop says it because at this time I

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<v Speaker 4>came out in nineteen ninety seven, so you guys were

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<v Speaker 4>way before that. And then Snoop was ninety one. I

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<v Speaker 4>think he said it was something.

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<v Speaker 2>So at this time people are just seeing Miami beaches.

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<v Speaker 1>Yeah, yeah, how because he said.

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<v Speaker 4>That, he said, he said Luke. We figured out how

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<v Speaker 4>real Luke was. How did that happen? Like, what did

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<v Speaker 4>y'all see them somewhere?

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<v Speaker 1>Well, I mean, you know it was this, you know,

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<v Speaker 1>back then at that period of time, you know, Sugar

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<v Speaker 1>Knight had had everybody, you know, you know he had

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<v Speaker 1>you know, yeah, they all all the record executives.

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<v Speaker 2>They're all nervous.

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<v Speaker 1>Everybody nervous, you know, and and so during that period

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<v Speaker 1>of time, it was, you know, some kind of way

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<v Speaker 1>it became, you know, a question about whether or not

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<v Speaker 1>he got us ship. I'm like, no, nigga ain't got

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<v Speaker 1>me shook. I'm really on some different ship.

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<v Speaker 2>You know.

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<v Speaker 1>I'm just in the music business right now. Everybody something.

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<v Speaker 2>So you know.

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<v Speaker 1>So at the end of the day, you know, we

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<v Speaker 1>made the song, they made the song, and then we

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<v Speaker 1>ended up at Jackie Rapper so Atlanta. Yeah, in Atlanta,

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<v Speaker 1>So we we basically was like, you know, hey, look,

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<v Speaker 1>you know I want to jack the Rapper and was like, Yo,

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<v Speaker 1>this is the time you might need to squash this

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<v Speaker 1>in the South. Yeah, you know, they're coming down, racking

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<v Speaker 1>down for the convention. So you know, they were like, nah,

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<v Speaker 1>we ain't gotta do no talking about nothing and all that, right,

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<v Speaker 1>So I was like, okay, well this shit gonna go down.

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<v Speaker 2>So once once my dudes, you know, the dudes who.

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<v Speaker 1>Again making a transition from corporate world from the streets,

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<v Speaker 1>you know, and everybody was looking at us like, oh,

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<v Speaker 1>need some booty shaking dudes.

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<v Speaker 2>They're playing the booty music and all that, but.

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<v Speaker 1>No, we we rapping about ship. That's gonna get us

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<v Speaker 1>put in jail, you feel me. I always look at

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<v Speaker 1>it like, you know, dudes who be rapping about that ship,

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<v Speaker 1>they just wrapping about a niggas who they know. They

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<v Speaker 1>ain't rapping about somebody. They ain't really lived that life

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<v Speaker 1>like that, you feel me. So you know that's that's

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<v Speaker 1>why I went a whole different direction with what I

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<v Speaker 1>was talking about. But at the same time, them dudes,

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<v Speaker 1>you know, shit happened, and my homeboys on the streets

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<v Speaker 1>was like, yo, we gotta hey, look at you got

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<v Speaker 1>a problem here, you know, because they in the record

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<v Speaker 1>and they in the chatter and they hearing what them

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<v Speaker 1>dudes doing the other and it was the ship with

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<v Speaker 1>emotion where it was totally it was. It was it

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<v Speaker 1>got an emotion where I can't I could have really

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<v Speaker 1>controlled it to a whole degree. Were I'm sitting up

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<v Speaker 1>at the hotel now now she know the fucking Nico

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<v Speaker 1>hotel that my dudes came up there. You know, I

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<v Speaker 1>gotta funck y'all got here. You know, these are the

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<v Speaker 1>wrong dudes. And I'm like, uh, They're like, yo, yo, Ship,

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<v Speaker 1>we got stopped.

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<v Speaker 2>In these niggas.

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<v Speaker 1>So it's like eight of the most notorious motherfuckers you

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<v Speaker 1>ever want to meet from Miami, drove that car there.

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<v Speaker 2>They're like, we drove here, drove hold on, hold on.

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<v Speaker 1>We can't do this, you know, cause again I'm coming

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<v Speaker 1>from the streets and we woke up like that. So

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<v Speaker 1>at the end of the day, you know, I'm like,

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<v Speaker 1>hold on, and it was like, hey, hey man, well

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<v Speaker 1>you know we're gonna kill this nigga.

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<v Speaker 2>We're gonna kill this nigga, this nigga.

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<v Speaker 1>I said, no, no, no, no, ain't killing nobody, you know. No, Well,

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<v Speaker 1>we're gonna have to let mone. We're gonna have to

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<v Speaker 1>touch somebody, somebody up. So Ship hit the fan, you

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<v Speaker 1>know at that.

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<v Speaker 2>Point, And then how did y'all after that.

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<v Speaker 4>How did like we don't have to describe if anything happened,

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<v Speaker 4>because you know we be a positive but how how.

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<v Speaker 2>Did y'all eventually work that out? How we worked it out?

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<v Speaker 1>I mean, you know I ended up having a conversation

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<v Speaker 1>with should We ended up talking, you know, And and

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<v Speaker 1>then you know, at that time, I think the Bengals

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<v Speaker 1>and somebody was playing Super Bowl down okay, and so

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<v Speaker 1>I kind of invited them down. It's like, yo, man,

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<v Speaker 1>y'all come on down, hang out with me. You don't

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<v Speaker 1>as sweet in the Dolphin Stadium. And I was like,

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<v Speaker 1>y'all be my guest, and we all, you know, we

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<v Speaker 1>need to squashed it because I ain't on that. You know,

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<v Speaker 1>I'm leaving that like water cut you feel me.

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<v Speaker 2>So then they came down and we can't squashed it.

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<v Speaker 4>You know now you also this is this is which

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<v Speaker 4>is crazy. You also had words were run DMCs.

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<v Speaker 2>It was crazy like he was a promote.

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<v Speaker 4>You would bring him down, right because you gotta realize,

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<v Speaker 4>like I'm from New York.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 4>I recently migrated, but we never heard this news because

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<v Speaker 4>we ain't have the internet back then. You know what

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<v Speaker 4>I'm saying, so this will be little industry things. And

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<v Speaker 4>I remember hearing you.

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<v Speaker 2>Saying somewhere like they were acting like Pussy's or something

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<v Speaker 2>like that. When d see what happened, let's describe that.

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<v Speaker 1>I mean, you know the whole thing with that was,

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<v Speaker 1>you know, I was again just like sounds a promoter.

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<v Speaker 2>You know, I was bringing all the hip hop to Miami.

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<v Speaker 2>Was no hip hop feel me?

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<v Speaker 1>So running all of them would come down and they

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<v Speaker 1>would be you know, I pay them five hundred thousand dollars.

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<v Speaker 4>You know they ended up Luke just say he paid

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<v Speaker 4>one DMC five hundred for it's talking about this is

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<v Speaker 4>it doesn't matter she is legends. Well, listen, this is

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<v Speaker 4>for all the new artists that think you're supposed to.

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<v Speaker 2>Come out and get fit fifteen thousand the first show.

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<v Speaker 4>You know what I'm saying, Like, there's people who legends

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<v Speaker 4>have to start from somewhere.

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<v Speaker 1>So let me tell you we had we had doctor

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<v Speaker 1>Jack limits to hide down here. He ended up what

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<v Speaker 1>fucking running motown or something like that. You feel about, yeah,

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<v Speaker 1>one hundreds right, all those guys, I mean, you name it.

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<v Speaker 1>I would bring all those guys down here, you know,

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<v Speaker 1>because you know even on the radio.

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<v Speaker 2>Miami wasn't playing on here pop you feel me?

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<v Speaker 1>So then I'm like, you know, I'm into it because

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<v Speaker 1>I'm DJ, and I'm bringing dudes down, bringing people from everywhere, Cali,

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<v Speaker 1>New York, you know, Jessey j and all them dudes,

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<v Speaker 1>Man Tronics, you name it, just bringing all them dudes

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<v Speaker 1>and Run.

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<v Speaker 2>And they were acting funny or something.

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<v Speaker 1>Yeah, they got brand new yeah.

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<v Speaker 2>Port Mississippi.

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<v Speaker 1>Okay, right, and uh Leo Corn was there manager at

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<v Speaker 1>the time.

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<v Speaker 4>That's Les sniffing cochle off. He got the pictures in

0:10:56.840 --> 0:11:00.760
<v Speaker 4>his office when I was there manager, I was a

0:11:00.760 --> 0:11:01.360
<v Speaker 4>coke slipper.

0:11:02.400 --> 0:11:07.760
<v Speaker 1>Yeah, So Leo was the road manager, right, And and

0:11:07.800 --> 0:11:10.480
<v Speaker 1>so we went golf for Mississippi getting ready to do

0:11:10.480 --> 0:11:12.079
<v Speaker 1>the show. So they was like everybody was like ya,

0:11:12.480 --> 0:11:15.240
<v Speaker 1>Run said you could only have five minutes on stage.

0:11:15.320 --> 0:11:18.480
<v Speaker 1>Run said, you're gonna have one sets of lights. Run said,

0:11:18.559 --> 0:11:20.400
<v Speaker 1>you know your sound is gonna be a run Run

0:11:20.440 --> 0:11:22.880
<v Speaker 1>them see say this, run them see that. I'm like,

0:11:22.960 --> 0:11:25.559
<v Speaker 1>how the fuck we gonna do a show with five

0:11:25.559 --> 0:11:28.160
<v Speaker 1>minutes on stage? And we got you know what I'm saying,

0:11:28.200 --> 0:11:30.880
<v Speaker 1>We got at least four or five songs. Number one

0:11:31.000 --> 0:11:33.520
<v Speaker 1>ain't want us on the show norway because they had

0:11:33.559 --> 0:11:36.080
<v Speaker 1>to have us. It was like these niggas from the

0:11:36.120 --> 0:11:39.600
<v Speaker 1>South win't really fucking with them. Everybody mad that we

0:11:39.720 --> 0:11:42.080
<v Speaker 1>got to do a show with these guys because we're

0:11:42.080 --> 0:11:45.360
<v Speaker 1>selling so many records in the city to sell to sell,

0:11:45.640 --> 0:11:48.800
<v Speaker 1>you know, the tickets. So it was just too much

0:11:48.880 --> 0:11:51.800
<v Speaker 1>run this, too much run now again. I'm still got

0:11:51.800 --> 0:11:52.839
<v Speaker 1>this street ship.

0:11:52.600 --> 0:11:53.160
<v Speaker 2>In my head.

0:11:53.440 --> 0:11:55.520
<v Speaker 1>So at the end, they you know, I was like, man,

0:11:55.600 --> 0:12:06.800
<v Speaker 1>fuck run them. So I told I told him, I

0:12:06.800 --> 0:12:08.599
<v Speaker 1>told mister Mix. I was like, mister, this is what

0:12:08.679 --> 0:12:11.920
<v Speaker 1>we're gonna do. Since we got since we ain't got

0:12:11.920 --> 0:12:15.240
<v Speaker 1>but five minutes on stage, we're just gonna cut Peter Piper.

0:12:16.120 --> 0:12:18.320
<v Speaker 1>And so I went on and got the microphone, went

0:12:18.360 --> 0:12:20.959
<v Speaker 1>on stage. Oh these motherfuckers theid run them. See them say,

0:12:21.040 --> 0:12:23.880
<v Speaker 1>lean got but five minutes on stage, So what we're

0:12:23.880 --> 0:12:30.520
<v Speaker 1>gonna do in our five minutes? We're gonna scratch the ship. Yeah,

0:12:30.880 --> 0:12:35.520
<v Speaker 1>they ran him on stage.

0:12:35.200 --> 0:12:35.680
<v Speaker 2>And all that.

0:12:36.440 --> 0:12:38.200
<v Speaker 1>You know, when they ran him on stage there, we

0:12:38.240 --> 0:12:40.959
<v Speaker 1>was like, okay, let's go, let's do what we got.

0:12:41.040 --> 0:12:43.120
<v Speaker 1>So the police ended up running up on stage.

0:12:43.520 --> 0:12:46.439
<v Speaker 2>You know, back then, Nigga was packing for real. Alright,

0:12:46.520 --> 0:12:48.320
<v Speaker 2>and now now I know you're cool with all of

0:12:48.320 --> 0:12:51.960
<v Speaker 2>these guys, yeah, my dudes, but but how do you like?

0:12:52.080 --> 0:12:56.120
<v Speaker 4>I like that, like because you see why and and

0:12:56.320 --> 0:12:59.199
<v Speaker 4>nowadays it's so hard to squash beef because you see

0:12:59.240 --> 0:13:01.320
<v Speaker 4>how I knew about you know that I know about that.

0:13:01.360 --> 0:13:03.640
<v Speaker 2>But that's because it wasn't on the blogs. That's because

0:13:03.640 --> 0:13:04.560
<v Speaker 2>they wasn't on the internet.

0:13:04.600 --> 0:13:06.839
<v Speaker 1>You know what I'm saying on the blog? Y'are still

0:13:08.120 --> 0:13:08.439
<v Speaker 1>right now?

0:13:08.440 --> 0:13:11.120
<v Speaker 2>So would you say it was still it was easy?

0:13:11.320 --> 0:13:12.840
<v Speaker 2>It was easier to squash beef.

0:13:12.720 --> 0:13:15.280
<v Speaker 1>Then, well, because I mean it was easy if you

0:13:15.400 --> 0:13:17.800
<v Speaker 1>was a real nigga, if you if you was a pussy,

0:13:17.840 --> 0:13:18.760
<v Speaker 1>then they were going to keep on.

0:13:19.720 --> 0:13:21.920
<v Speaker 2>And then you don't have the fans instigating on Twitter

0:13:23.760 --> 0:13:24.160
<v Speaker 2>that ship.

0:13:24.640 --> 0:13:27.640
<v Speaker 4>Yeah right, like they just had Drake fans just ran

0:13:27.720 --> 0:13:28.520
<v Speaker 4>up on Joe Buttons.

0:13:28.679 --> 0:13:31.600
<v Speaker 2>It is rare, Like you ain't see that. They ran

0:13:31.679 --> 0:13:32.600
<v Speaker 2>up with Joe Button's house.

0:13:32.640 --> 0:13:35.320
<v Speaker 4>Then they got they got beef and one of his

0:13:35.480 --> 0:13:36.600
<v Speaker 4>fans just running up on.

0:13:36.640 --> 0:13:39.000
<v Speaker 2>Him like this is this is a totally fucked up world.

0:13:39.520 --> 0:13:46.000
<v Speaker 3>You're glad out this business, out of the business, are

0:13:46.000 --> 0:13:47.240
<v Speaker 3>you cleanly out of the business?

0:13:47.400 --> 0:13:50.000
<v Speaker 2>Well, when you got catalog this selling, that's right?

0:13:50.040 --> 0:13:53.719
<v Speaker 1>Well, yeah, they keep me on the Yeah, I'm like, oh,

0:13:54.200 --> 0:13:54.760
<v Speaker 1>that's still.

0:13:54.600 --> 0:13:54.920
<v Speaker 2>On the room.

0:13:55.000 --> 0:13:57.320
<v Speaker 4>Because now before we get to the one of my

0:13:57.360 --> 0:13:59.360
<v Speaker 4>favorite jay z and if you was ever was with you,

0:13:59.400 --> 0:14:02.480
<v Speaker 4>We're going to get to he wrote this book, right?

0:14:03.240 --> 0:14:06.960
<v Speaker 4>What what was that like? Inspired by? How many games?

0:14:06.960 --> 0:14:08.680
<v Speaker 4>How many years have you been in this game?

0:14:08.960 --> 0:14:13.800
<v Speaker 2>Oh? Man, you didn't you draw another eighty five? Was

0:14:13.960 --> 0:14:16.720
<v Speaker 2>the label start? Which would be the first?

0:14:16.760 --> 0:14:20.000
<v Speaker 3>Would you be the first black onwed independent hip hopolysises.

0:14:19.440 --> 0:14:27.400
<v Speaker 2>Yes, yes, it's made some noise for that relaxed. I

0:14:27.600 --> 0:14:28.560
<v Speaker 2>always wanted to know.

0:14:28.880 --> 0:14:31.080
<v Speaker 3>I've always told you, Bob, I was like, this gotta

0:14:31.120 --> 0:14:32.200
<v Speaker 3>be one of the first presses.

0:14:32.240 --> 0:14:34.520
<v Speaker 2>I don't know, that's what I say. This is one

0:14:34.560 --> 0:14:40.920
<v Speaker 2>of the first presses. Oh my god, hold on.

0:14:44.720 --> 0:14:46.560
<v Speaker 3>Made my mom mind for me because I couldn't get

0:14:46.560 --> 0:14:49.760
<v Speaker 3>I was too young now that when I said me, Now.

0:14:49.680 --> 0:14:51.920
<v Speaker 4>When I see this, it says lou Skywalker and the

0:14:52.000 --> 0:14:55.240
<v Speaker 4>two Live crew, were you always like the producer and

0:14:56.080 --> 0:14:57.960
<v Speaker 4>you was always like the main attraction?

0:14:58.080 --> 0:15:00.680
<v Speaker 2>You are pretty pretty much?

0:15:01.720 --> 0:15:05.120
<v Speaker 1>It was It was more I was more like I

0:15:05.160 --> 0:15:06.960
<v Speaker 1>didn't really want to be in the group, you know,

0:15:07.000 --> 0:15:09.240
<v Speaker 1>what I'm saying. But then it was more like, all right,

0:15:09.440 --> 0:15:11.360
<v Speaker 1>I need to be in the group because this ship

0:15:11.480 --> 0:15:13.760
<v Speaker 1>is a little you know, blad, we got.

0:15:13.640 --> 0:15:15.760
<v Speaker 2>To have a little bit already started prior to them.

0:15:15.800 --> 0:15:18.760
<v Speaker 1>Yeah, yeah, y'all to DJ. My DJ name was Lucie.

0:15:18.840 --> 0:15:20.360
<v Speaker 2>I woke okay, And then how did y'all meet?

0:15:20.720 --> 0:15:22.560
<v Speaker 1>Well bringing them down doing a concert.

0:15:22.680 --> 0:15:26.600
<v Speaker 2>Oh they're not from Miami, No, oh my god?

0:15:27.400 --> 0:15:31.600
<v Speaker 4>Yeah yeah, well Fresh Kid Ice.

0:15:31.640 --> 0:15:36.600
<v Speaker 1>Is from Brooklyn, brother Marquis is from Rochester, and mister

0:15:36.640 --> 0:15:38.320
<v Speaker 1>Mixes from sam Bernady.

0:15:38.560 --> 0:15:40.240
<v Speaker 2>I knew for service to mix was like when.

0:15:40.120 --> 0:15:41.800
<v Speaker 5>I was watching those videos, I was like I was

0:15:41.800 --> 0:15:42.560
<v Speaker 5>a kid because I was.

0:15:42.480 --> 0:15:45.200
<v Speaker 4>Born in seventy seven, so what year that had to

0:15:45.200 --> 0:15:47.480
<v Speaker 4>be like eighty eighty seven, So I must have been

0:15:47.560 --> 0:15:48.720
<v Speaker 4>ten years old watching that shit.

0:15:48.960 --> 0:15:51.240
<v Speaker 2>Like Miami is the place that made y'all.

0:15:51.880 --> 0:15:53.840
<v Speaker 3>There was a group already, they were doing something because

0:15:53.840 --> 0:15:55.560
<v Speaker 3>of the military they met or something or in LA

0:15:55.680 --> 0:15:56.640
<v Speaker 3>they was in the military.

0:15:56.720 --> 0:16:01.160
<v Speaker 1>Yeah yeah, yeah, Marquis and uh In Fresh Kid in

0:16:01.160 --> 0:16:05.240
<v Speaker 1>the military in California. And then the other original member

0:16:05.840 --> 0:16:08.520
<v Speaker 1>was your v Line. He was in the group. He

0:16:08.640 --> 0:16:09.960
<v Speaker 1>was the one on the flip side of the beat.

0:16:10.080 --> 0:16:10.600
<v Speaker 1>I was doing.

0:16:11.880 --> 0:16:15.000
<v Speaker 2>Yes, I did he So we gotta celebrate your book

0:16:15.040 --> 0:16:15.360
<v Speaker 2>right now.

0:16:15.440 --> 0:16:17.560
<v Speaker 4>Come on, have a drink, man, Come on, man, you

0:16:17.640 --> 0:16:18.880
<v Speaker 4>gotta have a drink about Hulu.

0:16:18.960 --> 0:16:22.480
<v Speaker 2>Man got the right fact. You know, you know I

0:16:22.560 --> 0:16:25.640
<v Speaker 2>made all my record car. You know what's up?

0:16:25.840 --> 0:16:29.840
<v Speaker 4>You know he you know he's born and raised from Miami,

0:16:30.720 --> 0:16:31.320
<v Speaker 4>with Miami.

0:16:31.560 --> 0:16:34.440
<v Speaker 2>The people know that you want to show at Miami.

0:16:34.640 --> 0:16:37.040
<v Speaker 4>And you have been hands down one of the most

0:16:37.080 --> 0:16:40.520
<v Speaker 4>highly requested guests because you know what I'm saying, because

0:16:40.520 --> 0:16:41.440
<v Speaker 4>of all your history.

0:16:41.600 --> 0:16:52.440
<v Speaker 2>So we're gonna celebrate. Excited. We got coming up, we

0:16:52.520 --> 0:16:53.440
<v Speaker 2>got boss coming up.

0:16:53.440 --> 0:16:55.400
<v Speaker 4>But I just want to know minute interviews, say thank

0:16:55.440 --> 0:16:58.000
<v Speaker 4>you so much because so many people has requested because

0:16:58.480 --> 0:17:00.600
<v Speaker 4>I am not like one of them guys, guys that

0:17:01.240 --> 0:17:03.000
<v Speaker 4>want to come to a town and don't give back

0:17:03.040 --> 0:17:05.040
<v Speaker 4>from the town and don't you know, help and we

0:17:05.320 --> 0:17:05.879
<v Speaker 4>get to that.

0:17:05.800 --> 0:17:06.800
<v Speaker 2>Phone call that's who.

0:17:08.440 --> 0:17:10.159
<v Speaker 4>But because I you know what, right now, we'll do

0:17:10.200 --> 0:17:11.879
<v Speaker 4>it right now. Because I remember you saying that he

0:17:12.000 --> 0:17:15.440
<v Speaker 4>was he was. It was like some type of discrepancy,

0:17:15.720 --> 0:17:17.879
<v Speaker 4>but like a Drake or Wayne and I believe a

0:17:17.920 --> 0:17:19.920
<v Speaker 4>baby or something and you said something that.

0:17:19.920 --> 0:17:23.120
<v Speaker 2>Was that was that was? That was real, real powerful

0:17:23.160 --> 0:17:23.359
<v Speaker 2>to me.

0:17:23.440 --> 0:17:28.440
<v Speaker 4>You said, you guys come out here, you smoke off drugs,

0:17:28.520 --> 0:17:30.960
<v Speaker 4>you funk off women, and he don't give nothing back

0:17:31.000 --> 0:17:31.280
<v Speaker 4>to her.

0:17:31.680 --> 0:17:34.320
<v Speaker 2>And let me tell you another thing. That's why I

0:17:34.320 --> 0:17:38.800
<v Speaker 2>don't fuck nobody girl in Miami. I said, I get

0:17:38.840 --> 0:17:39.320
<v Speaker 2>me out of that.

0:17:39.440 --> 0:17:40.440
<v Speaker 1>God damn, you.

0:17:40.440 --> 0:17:45.640
<v Speaker 2>Get me out of that. I know what you mean.

0:17:45.840 --> 0:17:49.200
<v Speaker 2>I know what you meant. And so is that how

0:17:49.240 --> 0:17:51.840
<v Speaker 2>you feel like the Miami has to have this pride

0:17:51.880 --> 0:17:54.360
<v Speaker 2>in order for you guys to move forward? Yeah? Yeah,

0:17:54.400 --> 0:17:56.600
<v Speaker 2>I mean, you know it's you know, my thing.

0:17:56.640 --> 0:18:00.360
<v Speaker 1>When I made the statement I did in my collw

0:18:00.400 --> 0:18:02.920
<v Speaker 1>not doing the Miami of New Times, it was more

0:18:03.240 --> 0:18:06.600
<v Speaker 1>down the lines of, uh, if you move here, you

0:18:06.600 --> 0:18:09.120
<v Speaker 1>feel me, you know, then you need to get back

0:18:09.119 --> 0:18:12.440
<v Speaker 1>to the community. You know, you know, and not only

0:18:12.640 --> 0:18:15.399
<v Speaker 1>this community, anywhere around the country because you know, back

0:18:15.440 --> 0:18:17.439
<v Speaker 1>in the days when we was doing ship, you know,

0:18:17.640 --> 0:18:19.919
<v Speaker 1>on a regular basis, you know, we all.

0:18:20.480 --> 0:18:22.960
<v Speaker 2>We knew we had to give back. You know.

0:18:23.040 --> 0:18:25.760
<v Speaker 1>I looked at every hip hop artist as a representative

0:18:26.080 --> 0:18:29.040
<v Speaker 1>of the of the city. You know, when when when

0:18:29.080 --> 0:18:32.040
<v Speaker 1>the word rep came out, you know what city you rep?

0:18:32.400 --> 0:18:35.680
<v Speaker 1>You know, you got repping. You know, the guys over there.

0:18:35.800 --> 0:18:39.880
<v Speaker 1>You know there James represents repping. You know, uh, Houston,

0:18:39.920 --> 0:18:42.199
<v Speaker 1>you know you had guys repping everywhere. But at the

0:18:42.200 --> 0:18:44.240
<v Speaker 1>same time, they were giving back to the community. So

0:18:44.280 --> 0:18:47.040
<v Speaker 1>if you live here, then if you move here, which

0:18:47.119 --> 0:18:50.560
<v Speaker 1>is finding right, you know, that's a that's an excellent thing.

0:18:50.640 --> 0:18:54.000
<v Speaker 1>But you know, go and read a fucking book to

0:18:54.119 --> 0:18:57.359
<v Speaker 1>some kids. You know what I'm saying. Now, you're you're

0:18:57.560 --> 0:18:59.160
<v Speaker 1>a citizen of Miami.

0:18:59.400 --> 0:19:00.480
<v Speaker 2>You know the South Beat.

0:19:00.560 --> 0:19:06.560
<v Speaker 4>Yeah, I don't say that over time, go to Kendy.

0:19:07.280 --> 0:19:14.440
<v Speaker 2>You know what I'm saying, any find a little program.

0:19:14.040 --> 0:19:19.960
<v Speaker 4>That It's very true because and then and then I

0:19:20.000 --> 0:19:24.680
<v Speaker 4>remember when that statement had came out, and then nobody

0:19:24.680 --> 0:19:26.760
<v Speaker 4>said nothing, but then Drake said something.

0:19:27.359 --> 0:19:29.480
<v Speaker 2>And then he moved though, because Drake was living here.

0:19:30.800 --> 0:19:34.640
<v Speaker 1>It was crazy because he said tell about Miami too.

0:19:35.240 --> 0:19:37.800
<v Speaker 2>Like a month later he was gone, like it was

0:19:38.520 --> 0:19:40.720
<v Speaker 2>doing that on that was just incident.

0:19:41.600 --> 0:19:45.680
<v Speaker 1>I don't know.

0:19:47.440 --> 0:19:49.960
<v Speaker 4>I was like, I was like, I heard Drake say that,

0:19:50.000 --> 0:19:51.639
<v Speaker 4>and I'm like, all right, I want to see And

0:19:51.640 --> 0:19:53.760
<v Speaker 4>then what I was saying he was in California.

0:19:53.240 --> 0:19:55.040
<v Speaker 1>And I was just like, yeah, you know it is

0:19:55.080 --> 0:19:55.640
<v Speaker 1>a nice guy.

0:19:55.800 --> 0:19:58.160
<v Speaker 2>Yeah, you didn't take it. You you understood, Yeah, I didn't

0:19:58.280 --> 0:19:58.760
<v Speaker 2>understood it.

0:19:59.000 --> 0:20:01.760
<v Speaker 1>Yeah, because you know, I I like, uh, you know,

0:20:01.800 --> 0:20:03.160
<v Speaker 1>I like direct shots.

0:20:03.800 --> 0:20:06.280
<v Speaker 2>You know, indirect shots, subliminal, Yeah.

0:20:06.119 --> 0:20:08.600
<v Speaker 1>Don't subliminal. So you know, to me, that wasn't a

0:20:08.640 --> 0:20:11.200
<v Speaker 1>direct shot. It's more like, oh I'm here, you should

0:20:11.200 --> 0:20:14.080
<v Speaker 1>have mentioned me, and you know what I mean. Okay,

0:20:14.080 --> 0:20:16.040
<v Speaker 1>I'm sorry, But if I took it, if I took

0:20:16.440 --> 0:20:17.320
<v Speaker 1>a direct.

0:20:16.960 --> 0:20:20.480
<v Speaker 2>Shot, Now, what's your relationship with pop Daddy?

0:20:20.560 --> 0:20:22.480
<v Speaker 1>Like? Because you guys come from my man.

0:20:23.400 --> 0:20:25.400
<v Speaker 2>Yeah, I like like my little son.

0:20:26.240 --> 0:20:32.640
<v Speaker 4>You know what I'm saying, was like, yeah, he bought

0:20:32.680 --> 0:20:32.960
<v Speaker 4>the water.

0:20:33.480 --> 0:20:34.880
<v Speaker 2>He bungs some water. Damn.

0:20:35.520 --> 0:20:37.840
<v Speaker 4>Yeah. Yeah, I can't have you. You can't have Dominican friends.

0:20:38.480 --> 0:20:42.239
<v Speaker 4>Friend mister Lee forgets everything. My brother nobody bunks water.

0:20:43.280 --> 0:20:49.440
<v Speaker 4>It's my friend Fat Joe's vodka. You got that over there?

0:20:51.240 --> 0:20:51.680
<v Speaker 1>Lean back.

0:20:51.960 --> 0:20:56.000
<v Speaker 2>That's what it should be called. Bottle is nice. The

0:20:56.000 --> 0:20:57.720
<v Speaker 2>bottle should be being right right.

0:21:03.320 --> 0:21:07.200
<v Speaker 4>So now uncle, you here, you had these these these

0:21:07.520 --> 0:21:12.159
<v Speaker 4>children nowadays, what music do you like? Sit back of

0:21:12.240 --> 0:21:15.480
<v Speaker 4>a new artist and you say, you know what, I.

0:21:15.480 --> 0:21:18.639
<v Speaker 1>Fuck with that? Man, I mean I'm all over the place.

0:21:18.840 --> 0:21:21.280
<v Speaker 1>I mean when they come to music, you know. I

0:21:21.320 --> 0:21:23.280
<v Speaker 1>mean I listened to Jake Cole. I mean I listened,

0:21:24.400 --> 0:21:26.399
<v Speaker 1>you know what I mean, as long as it got straight.

0:21:26.520 --> 0:21:28.639
<v Speaker 1>I listened to. You know what I'm saying. If it's

0:21:28.680 --> 0:21:30.120
<v Speaker 1>if he you.

0:21:30.119 --> 0:21:33.760
<v Speaker 2>Know, funny style. If it's different, I don't listen to.

0:21:33.800 --> 0:21:39.520
<v Speaker 3>It funny style, Okay, I just like I call it

0:21:39.960 --> 0:21:43.000
<v Speaker 3>to me a second, I call it, but you.

0:21:42.960 --> 0:21:45.360
<v Speaker 1>Know, I listen. You know, I'm a I'm a I

0:21:45.400 --> 0:21:49.280
<v Speaker 1>love music. You know, you know I love good music.

0:21:49.320 --> 0:21:52.720
<v Speaker 1>I love interesting music. You feel me like, Okay, damn

0:21:52.760 --> 0:21:55.359
<v Speaker 1>that ship that was different? You know, man, I like

0:21:55.400 --> 0:21:58.600
<v Speaker 1>that beat. I don't like if I hear the same

0:21:58.680 --> 0:22:01.879
<v Speaker 1>DM I'm going to. I mean, it's like a whole

0:22:01.880 --> 0:22:04.320
<v Speaker 1>bunch of ship with the same beat right now. So

0:22:04.400 --> 0:22:07.240
<v Speaker 1>I don't really vibe with you know, I listened to

0:22:07.280 --> 0:22:11.199
<v Speaker 1>some of the I listened to some fucking Drake and

0:22:11.240 --> 0:22:12.600
<v Speaker 1>I listened to some Uh.

0:22:13.080 --> 0:22:14.919
<v Speaker 2>You know, I'm a jay Z fan. Anything.

0:22:15.440 --> 0:22:17.960
<v Speaker 3>Were there any DJs in Miami that inspired you that

0:22:18.040 --> 0:22:19.040
<v Speaker 3>you looked up like?

0:22:19.080 --> 0:22:22.960
<v Speaker 2>I know that. Yeah, Frankie Hollywood inspired me.

0:22:23.040 --> 0:22:26.640
<v Speaker 1>I mean he you know everything that he did breaking.

0:22:26.359 --> 0:22:30.399
<v Speaker 3>Records because the way that Miami dj spun like the

0:22:30.400 --> 0:22:35.119
<v Speaker 3>ghetto style DJs. Sugar Hill DJ Jamponi expressed from Tampa

0:22:35.160 --> 0:22:35.760
<v Speaker 3>really right.

0:22:35.880 --> 0:22:36.960
<v Speaker 2>Yeah, I don't know where they're from.

0:22:37.920 --> 0:22:40.480
<v Speaker 1>You never really consider the ma as DJs because it

0:22:40.520 --> 0:22:44.080
<v Speaker 1>was more like the first studio DJ. But if you're

0:22:44.200 --> 0:22:47.640
<v Speaker 1>DJ in Miami, you set your fu speakers up and

0:22:47.720 --> 0:22:49.639
<v Speaker 1>you got in a battle and you had to go

0:22:49.640 --> 0:22:51.760
<v Speaker 1>ahead the head with another group, and if you can

0:22:51.840 --> 0:22:55.159
<v Speaker 1>survive that ship, you good. So jam Pony was always

0:22:55.160 --> 0:22:57.720
<v Speaker 1>doing that ship in the concert, which I like this

0:22:57.840 --> 0:23:00.560
<v Speaker 1>stuff and all that, but they were in the corset

0:23:01.119 --> 0:23:01.560
<v Speaker 1>doing that.

0:23:01.800 --> 0:23:07.240
<v Speaker 3>Definitely Sugarhill DJs, Sugar Hell, yeah, all the ones you got.

0:23:07.040 --> 0:23:13.199
<v Speaker 2>His uncle al Stories, old uncle Ale Stories like that

0:23:13.320 --> 0:23:17.720
<v Speaker 2>was a good at Studio one eighty three, and he

0:23:17.840 --> 0:23:19.119
<v Speaker 2>was just such a good, humble.

0:23:19.400 --> 0:23:23.800
<v Speaker 1>Alice, like Alice like my other little son. You know,

0:23:23.840 --> 0:23:25.840
<v Speaker 1>I love that dude to death, God bless it. So

0:23:26.080 --> 0:23:29.000
<v Speaker 1>you know what I'm saying, Hell is half good. You know,

0:23:29.160 --> 0:23:33.240
<v Speaker 1>have you know have my last time talking to all

0:23:33.320 --> 0:23:35.639
<v Speaker 1>he was like looke. You know, his whole conversation is

0:23:35.680 --> 0:23:38.240
<v Speaker 1>basically down the same lines too. You know, man, you

0:23:38.280 --> 0:23:39.840
<v Speaker 1>got a lot of dudes right here. Man, you the

0:23:39.840 --> 0:23:42.040
<v Speaker 1>only one can pretty much hold this ship. Down and

0:23:42.119 --> 0:23:44.080
<v Speaker 1>get the respect because a lot of a lot of

0:23:44.080 --> 0:23:46.480
<v Speaker 1>these other artists and a lot of these other companies

0:23:46.920 --> 0:23:48.200
<v Speaker 1>doing a lot of selling out.

0:23:48.720 --> 0:23:50.200
<v Speaker 2>You know, you need to hold his ship.

0:23:49.960 --> 0:23:53.400
<v Speaker 1>Down so people can, uh, you know, still give the respecting.

0:23:53.440 --> 0:23:54.520
<v Speaker 1>Probably two weeks after that.

0:23:54.600 --> 0:23:56.520
<v Speaker 3>He died because I remember I met Al for a

0:23:56.600 --> 0:23:58.440
<v Speaker 3>second and I thought he was gonna shut me down,

0:23:58.440 --> 0:23:59.760
<v Speaker 3>because this is when I'm coming.

0:23:59.520 --> 0:24:04.040
<v Speaker 2>Over talking about Yeah, rec in peace. And I met

0:24:04.080 --> 0:24:05.080
<v Speaker 2>him at Studio one eighty three.

0:24:05.080 --> 0:24:06.800
<v Speaker 3>We used to go and open up for shows out there,

0:24:07.600 --> 0:24:09.200
<v Speaker 3>and I remember I brought him a record. It wasn't

0:24:09.240 --> 0:24:11.359
<v Speaker 3>the typical record. I thought he would like he was

0:24:11.400 --> 0:24:13.600
<v Speaker 3>on some straight boombab hip hop ship. But we rep

0:24:13.600 --> 0:24:15.760
<v Speaker 3>in Miami and he said to me, as long as

0:24:15.800 --> 0:24:17.600
<v Speaker 3>you rep in the crib, I'm fucking with it.

0:24:18.240 --> 0:24:19.879
<v Speaker 2>Yeah, And I'll never forget that from him.

0:24:21.160 --> 0:24:27.600
<v Speaker 4>Racist is a fact, some watering man. I respect that

0:24:27.600 --> 0:24:29.720
<v Speaker 4>man came out here and learned early.

0:24:29.720 --> 0:24:30.639
<v Speaker 2>Did you know that? You know?

0:24:30.960 --> 0:24:32.679
<v Speaker 3>Tell us I want to know the Griff story too,

0:24:32.920 --> 0:24:35.560
<v Speaker 3>gri because Greg, you know Griff from Public Enemy.

0:24:35.920 --> 0:24:41.440
<v Speaker 2>You gotta beat for him to no no help were

0:24:41.480 --> 0:24:41.840
<v Speaker 2>me on?

0:24:42.920 --> 0:24:45.080
<v Speaker 1>I mean the Griff story. I mean Griff had just

0:24:45.119 --> 0:24:46.600
<v Speaker 1>got kicked out of Public Enemy.

0:24:46.359 --> 0:24:49.119
<v Speaker 2>Because it made the Jewish comments. You know.

0:24:49.960 --> 0:24:52.760
<v Speaker 1>You know, I like Griff, you know as a person

0:24:52.800 --> 0:24:56.320
<v Speaker 1>because I got to beat Griff, you know, because there

0:24:56.400 --> 0:25:00.920
<v Speaker 1>was a whole other movie was in Savannah, Georgia, and uh,

0:25:01.200 --> 0:25:04.960
<v Speaker 1>you know Public Enemy had this this uh this uh

0:25:05.200 --> 0:25:08.760
<v Speaker 1>this manager another you know, fun Miami fuck this fuck

0:25:08.800 --> 0:25:11.399
<v Speaker 1>that got five minutes on stage ship and I'm like

0:25:11.600 --> 0:25:14.280
<v Speaker 1>this don't look right. Public getting me got a little

0:25:14.280 --> 0:25:17.639
<v Speaker 1>white manager, you know, talking ship like this, and I'm like, okay,

0:25:17.760 --> 0:25:18.320
<v Speaker 1>fight the power.

0:25:18.359 --> 0:25:18.760
<v Speaker 3>And then i be.

0:25:22.160 --> 0:25:30.479
<v Speaker 1>Yeah, yeah, yeah, I'm beating this motherfucker up.

0:25:30.520 --> 0:25:32.480
<v Speaker 2>And then he comes group and all them Grip like.

0:25:32.520 --> 0:25:35.000
<v Speaker 1>Yo, yeah, yeah, come on. So many of them became

0:25:35.080 --> 0:25:37.000
<v Speaker 1>real good friends at that time, me and Chuck.

0:25:37.080 --> 0:25:39.600
<v Speaker 2>So then they ended up, you know, some kind of way.

0:25:39.600 --> 0:25:41.719
<v Speaker 1>He ended up getting out of the group for whatever

0:25:41.880 --> 0:25:44.840
<v Speaker 1>you know, the comments was, and you know, and Grip

0:25:45.080 --> 0:25:47.720
<v Speaker 1>ended up coming. He had he had a group. Uh

0:25:48.359 --> 0:25:51.320
<v Speaker 1>uh he was working with Society. So yeah, then he

0:25:51.400 --> 0:25:54.119
<v Speaker 1>came down and then it was like look man, you know,

0:25:54.880 --> 0:25:57.480
<v Speaker 1>explained to me what happened, you know, and uh.

0:25:57.640 --> 0:25:59.600
<v Speaker 2>I was like, okay, man, I look out for you.

0:25:59.600 --> 0:26:04.840
<v Speaker 1>I'll put you like that was just yeah, because anybody

0:26:04.880 --> 0:26:05.639
<v Speaker 1>was nobody.

0:26:05.640 --> 0:26:08.800
<v Speaker 3>He was black ball, like yeah, and he gave him

0:26:08.800 --> 0:26:10.920
<v Speaker 3>a home and you signed him on something.

0:26:10.960 --> 0:26:14.240
<v Speaker 2>Yeah, I'm saying that's what I meant by make some

0:26:14.320 --> 0:26:14.800
<v Speaker 2>noise for.

0:26:18.720 --> 0:26:22.639
<v Speaker 4>So I heard you say this man's name earlier. I

0:26:22.680 --> 0:26:25.359
<v Speaker 4>also said his man name earlier. But one of the

0:26:25.400 --> 0:26:30.840
<v Speaker 4>funniest interviews I ever seen is.

0:26:29.200 --> 0:26:31.280
<v Speaker 2>Is that that's that's Miami or what was that Atlanta?

0:26:31.320 --> 0:26:32.920
<v Speaker 2>I think it was. It was two bitches.

0:26:33.640 --> 0:26:36.640
<v Speaker 4>One was eating a bitch out and James trying jay

0:26:36.720 --> 0:26:37.680
<v Speaker 4>Z I'm talking about.

0:26:38.320 --> 0:26:40.520
<v Speaker 2>He was trying to be cool because he's just a

0:26:40.560 --> 0:26:42.960
<v Speaker 2>cool character. This is my man. Spoke to him this morning.

0:26:43.280 --> 0:26:47.720
<v Speaker 2>He's a cool character. He's not what I mean, he's

0:26:47.760 --> 0:26:51.600
<v Speaker 2>a cool character. But when I looked at that interview, yes.

0:26:51.440 --> 0:26:54.639
<v Speaker 5>Who's coming on my eyes because he's trying to be cool.

0:26:54.720 --> 0:26:57.760
<v Speaker 4>But they're really eating each other out, like this is

0:26:57.800 --> 0:27:00.199
<v Speaker 4>not you can tell, like you know when they be

0:27:00.240 --> 0:27:02.120
<v Speaker 4>like they got their left.

0:27:02.680 --> 0:27:05.760
<v Speaker 2>No, these is doing it for a real And Jaye's

0:27:05.800 --> 0:27:11.199
<v Speaker 2>standing there, He's like, yo, you would tell Luke is

0:27:11.320 --> 0:27:13.480
<v Speaker 2>nothing faded from Louke, but.

0:27:13.520 --> 0:27:16.480
<v Speaker 4>Jay is like, I won't seem sweat coming down like

0:27:16.800 --> 0:27:18.160
<v Speaker 4>I've never seen j like.

0:27:18.119 --> 0:27:22.680
<v Speaker 2>That, like he was this. Yeah, that's what I used

0:27:22.680 --> 0:27:25.479
<v Speaker 2>to do. I mean I used to do the I

0:27:25.520 --> 0:27:26.320
<v Speaker 2>created a show.

0:27:26.160 --> 0:27:31.080
<v Speaker 4>Called Luke Peep Ship wasn't a secondent called DHS supposed

0:27:31.119 --> 0:27:31.919
<v Speaker 4>to Captain Dickens.

0:27:32.080 --> 0:27:33.880
<v Speaker 2>I secrement of something like that I got.

0:27:34.880 --> 0:27:37.040
<v Speaker 1>So I would you know what I would do in

0:27:37.440 --> 0:27:40.200
<v Speaker 1>the show. You know, it actually came on action pay

0:27:40.200 --> 0:27:43.800
<v Speaker 1>per view, which was by BT. Wow you feel me.

0:27:43.840 --> 0:27:45.760
<v Speaker 1>So what we would do is take all the you know,

0:27:45.840 --> 0:27:48.440
<v Speaker 1>the club versions of the videos to put on the air.

0:27:48.800 --> 0:27:50.680
<v Speaker 1>So I would do a show and I would interview

0:27:51.560 --> 0:27:54.800
<v Speaker 1>different artists like Kim you know, Okay, yeah, you're talking

0:27:54.840 --> 0:27:57.040
<v Speaker 1>about sucking Dix and all that. So I would have

0:27:57.040 --> 0:28:01.879
<v Speaker 1>a big orgy right in the background. Really, I'm just

0:28:01.960 --> 0:28:06.520
<v Speaker 1>I'm really just working with the artist, you know, put

0:28:06.520 --> 0:28:09.399
<v Speaker 1>it in your mouth. I had a chick like, okay,

0:28:09.440 --> 0:28:14.720
<v Speaker 1>go ahead, You're.

0:28:14.600 --> 0:28:17.680
<v Speaker 2>Like yo, yo yo, we just had him on here.

0:28:18.440 --> 0:28:26.359
<v Speaker 2>I'm like, you really ain't on it.

0:28:27.000 --> 0:28:30.480
<v Speaker 1>I'm really like, my whole the whole thing was y'all

0:28:30.520 --> 0:28:32.840
<v Speaker 1>thinkgas making these records, But I want to see if

0:28:32.880 --> 0:28:36.359
<v Speaker 1>you really about that. So I would create the whole

0:28:36.400 --> 0:28:39.880
<v Speaker 1>scene about what you're talking about, you know, and if

0:28:39.880 --> 0:28:42.680
<v Speaker 1>you're looking like now that that let me know that

0:28:42.760 --> 0:28:43.640
<v Speaker 1>you was on the bullshit.

0:28:43.720 --> 0:28:46.200
<v Speaker 2>But we just had here and he must have took

0:28:46.280 --> 0:28:48.280
<v Speaker 2>that from you. He said that.

0:28:48.360 --> 0:28:49.840
<v Speaker 3>Let me tell you, let me tell you, Duran, how

0:28:49.880 --> 0:28:52.840
<v Speaker 3>can I be down right the convention. He had a

0:28:52.880 --> 0:28:55.960
<v Speaker 3>boat party that that was going on. Everybody knew we

0:28:56.040 --> 0:28:58.760
<v Speaker 3>had to be on that boat party and we all

0:28:58.760 --> 0:29:00.240
<v Speaker 3>would get on. I think it was that base side.

0:29:00.240 --> 0:29:02.000
<v Speaker 3>We were dining a dog, right, so we some of

0:29:02.000 --> 0:29:04.320
<v Speaker 3>my dogs in here. We went on it. You get

0:29:04.360 --> 0:29:06.280
<v Speaker 3>on the boat. It was calm for a second. As

0:29:06.280 --> 0:29:08.640
<v Speaker 3>soon as that motherfucker took off. Luke got on the

0:29:08.680 --> 0:29:12.440
<v Speaker 3>mic and strippers came out, Yo chicks sitting on forty

0:29:12.480 --> 0:29:14.280
<v Speaker 3>ounces and up and oio.

0:29:14.320 --> 0:29:17.400
<v Speaker 2>It was a crazy ship in the world. Man. We asked,

0:29:17.440 --> 0:29:21.320
<v Speaker 2>We asked questions. No, this is where we all advertise.

0:29:21.640 --> 0:29:24.280
<v Speaker 2>This is where he sucks us up right now? How many?

0:29:24.360 --> 0:29:27.440
<v Speaker 2>How many? How many grandmothers out there? Right? This is

0:29:27.440 --> 0:29:29.080
<v Speaker 2>a different type of It's a different question.

0:29:29.000 --> 0:29:33.440
<v Speaker 1>Now that you know you dog, a different questions, different question.

0:29:35.560 --> 0:29:38.960
<v Speaker 4>This maybe this grandmother list right now they might be

0:29:39.000 --> 0:29:41.840
<v Speaker 4>grandmother's because you're looking at the rooms might be.

0:29:41.760 --> 0:29:47.600
<v Speaker 2>One of you. Yeah, you're ready, Maxwell.

0:29:48.680 --> 0:29:51.960
<v Speaker 1>Listen, man, you're a little man ready Maxwell, Well, but

0:29:52.040 --> 0:29:53.680
<v Speaker 1>a little because back.

0:29:53.480 --> 0:29:57.840
<v Speaker 4>Then y'all didn't really have rubbers or rubbers wasn't really pop.

0:29:59.640 --> 0:30:02.760
<v Speaker 2>Saying it wasn't It wasn't disease. It wasn't disease.

0:30:05.600 --> 0:30:14.280
<v Speaker 1>Probably you're nasty only, but listen, I look at yours.

0:30:14.680 --> 0:30:15.400
<v Speaker 2>You know what.

0:30:15.640 --> 0:30:18.240
<v Speaker 1>Ship got dried the rubber name.

0:30:19.840 --> 0:30:22.600
<v Speaker 2>Because I watch your videos and you ain't. You ain't

0:30:22.640 --> 0:30:25.000
<v Speaker 2>have ugly bitches like this A man.

0:30:25.000 --> 0:30:27.440
<v Speaker 4>Difference, like you will get bitches to get naked, but

0:30:27.560 --> 0:30:30.160
<v Speaker 4>if they're if they're already tools, they're already ones with

0:30:30.200 --> 0:30:31.000
<v Speaker 4>low self esteem.

0:30:31.080 --> 0:30:33.360
<v Speaker 2>It's easy to get hot ned. But when you got the.

0:30:33.680 --> 0:30:37.280
<v Speaker 4>Twenty five chicken, your chick league, you're gonna get naked.

0:30:38.000 --> 0:30:38.600
<v Speaker 2>You're gonna.

0:30:42.240 --> 0:30:46.360
<v Speaker 1>You're gonna put this boy, you gonna put a baby dollar.

0:30:46.440 --> 0:30:54.360
<v Speaker 1>You're pushing that once to say you have you put it,

0:30:55.080 --> 0:31:17.760
<v Speaker 1>You're gonna put itself. Yo, I did I did that

0:31:17.800 --> 0:31:20.640
<v Speaker 1>ship one night out of my fucking mind. You know

0:31:20.680 --> 0:31:21.200
<v Speaker 1>this ship did?

0:31:21.600 --> 0:31:24.400
<v Speaker 2>They do a lot of things. Do you realize all

0:31:24.440 --> 0:31:27.400
<v Speaker 2>the stuff that you all the like, you will be

0:31:27.520 --> 0:31:31.680
<v Speaker 2>locked up nowadays? Like I mean I thought, I mean worse, Yeah,

0:31:33.240 --> 0:31:34.680
<v Speaker 2>but no. But what I'm saying is you.

0:31:34.880 --> 0:31:41.240
<v Speaker 4>Like, but what I'm saying is nowadays they're so coarse.

0:31:41.320 --> 0:31:44.040
<v Speaker 4>It's like the NBA, like you, they got something called

0:31:44.080 --> 0:31:46.440
<v Speaker 4>flocking and all that. Like back then people were just

0:31:46.520 --> 0:31:50.160
<v Speaker 4>hating each other and y'all was just fucking everywhere having

0:31:50.160 --> 0:31:53.360
<v Speaker 4>the ball. But nowadays we'll at least with But how

0:31:53.400 --> 0:31:56.040
<v Speaker 4>did that? How did the even controversy start? Because what

0:31:56.160 --> 0:31:59.720
<v Speaker 4>did they want to stop you from performing.

0:31:59.440 --> 0:32:02.120
<v Speaker 1>Or from going into their daughters.

0:32:02.800 --> 0:32:12.640
<v Speaker 2>Let's make some more, got to get let's toast the

0:32:12.640 --> 0:32:15.920
<v Speaker 2>book one more time. Man, the book a loop.

0:32:16.400 --> 0:32:19.840
<v Speaker 4>So you let your record label informs you that you're

0:32:19.880 --> 0:32:21.080
<v Speaker 4>about to have a case or.

0:32:21.320 --> 0:32:24.680
<v Speaker 2>Hold on time out. Record label informed.

0:32:24.280 --> 0:32:33.040
<v Speaker 4>Me he's the record label and ship my sorry first

0:32:33.680 --> 0:32:36.920
<v Speaker 4>press that the first black label. That that alone we

0:32:36.960 --> 0:32:38.479
<v Speaker 4>got to get back to because I want a segment

0:32:38.480 --> 0:32:40.840
<v Speaker 4>on that alone. But so you you would see the

0:32:40.920 --> 0:32:43.480
<v Speaker 4>letter because there's no emails back then, and they say

0:32:43.640 --> 0:32:44.400
<v Speaker 4>you got the facts.

0:32:44.520 --> 0:32:47.480
<v Speaker 2>Yeah, yeah, right right now, I got a letter.

0:32:47.800 --> 0:32:50.120
<v Speaker 1>You know when the kids was getting it, like we

0:32:50.360 --> 0:32:58.560
<v Speaker 1>had this on through the dickum on New York.

0:33:01.560 --> 0:33:09.320
<v Speaker 2>You got the New York you got. I like the

0:33:09.400 --> 0:33:11.000
<v Speaker 2>Miami and I'm excited.

0:33:11.480 --> 0:33:14.600
<v Speaker 4>I'm excited, excited, But so how do you find out

0:33:14.600 --> 0:33:14.960
<v Speaker 4>about that?

0:33:15.440 --> 0:33:16.360
<v Speaker 2>You know some parents, the.

0:33:16.400 --> 0:33:20.440
<v Speaker 1>PTA from Alabama, you know one of those, they hit

0:33:20.480 --> 0:33:22.640
<v Speaker 1>me up, send me a letter, was like, hey, look,

0:33:22.720 --> 0:33:24.920
<v Speaker 1>you know the kids is getting this. This throw the

0:33:24.960 --> 0:33:26.760
<v Speaker 1>dick version of the song. And I was like, I

0:33:26.800 --> 0:33:29.480
<v Speaker 1>ain't really trying to have kids get it. That's not

0:33:29.560 --> 0:33:33.080
<v Speaker 1>the intent. That's more of an adult thing. So then

0:33:33.160 --> 0:33:36.440
<v Speaker 1>that's when I created the perential advisory sticking that you see.

0:33:36.200 --> 0:33:40.800
<v Speaker 2>On the record. I was I had that for a question.

0:33:41.640 --> 0:33:42.960
<v Speaker 2>Let's just make listen, listen, listen.

0:33:42.960 --> 0:33:48.800
<v Speaker 4>People don't understand that that potental advisory sticker is so important.

0:33:48.920 --> 0:33:52.040
<v Speaker 4>If that pot into advisor sticker, wouldn't it existed, You

0:33:52.080 --> 0:33:54.480
<v Speaker 4>wouldn't have I don't want to just half a hip hop.

0:33:54.480 --> 0:33:57.800
<v Speaker 4>I'm about to start naming groups. But I gotta applaud

0:33:57.840 --> 0:33:59.000
<v Speaker 4>you for that. I gotta applaud you.

0:33:58.960 --> 0:34:02.560
<v Speaker 2>For fighting for the writers. But I want you to

0:34:02.600 --> 0:34:05.040
<v Speaker 2>go through it and for the people that you know

0:34:05.080 --> 0:34:05.480
<v Speaker 2>what I'm saying.

0:34:05.520 --> 0:34:06.960
<v Speaker 4>You can read the Book of Luke as well, but

0:34:07.000 --> 0:34:08.400
<v Speaker 4>I want you to go through it for fast. We

0:34:08.440 --> 0:34:10.360
<v Speaker 4>got dumb fast. They don't read, you know what I'm saying,

0:34:10.400 --> 0:34:14.239
<v Speaker 4>So they read I mean the niggas that like me

0:34:14.280 --> 0:34:18.480
<v Speaker 4>don't read. I want to resource. So you get that

0:34:18.560 --> 0:34:22.600
<v Speaker 4>letter and then they stop pushing the records or well,

0:34:22.640 --> 0:34:24.760
<v Speaker 4>I get the What happens is I get the letter

0:34:25.160 --> 0:34:27.480
<v Speaker 4>because you gotta remember, at that period of time, I'm

0:34:27.480 --> 0:34:30.840
<v Speaker 4>the only one doing explicit lyrics on the rap record

0:34:31.239 --> 0:34:34.280
<v Speaker 4>and nobody doing no cussing, no nothing.

0:34:34.719 --> 0:34:37.480
<v Speaker 1>So you get the letter in and at the same time,

0:34:37.640 --> 0:34:39.600
<v Speaker 1>you know, I'm like, okay, well I got to figure

0:34:39.600 --> 0:34:43.160
<v Speaker 1>this shit out. So I started using the you know,

0:34:43.239 --> 0:34:46.359
<v Speaker 1>the movie industry standards. I just took that idea because

0:34:46.400 --> 0:34:48.400
<v Speaker 1>I always know everything that I had to do, it

0:34:48.440 --> 0:34:50.440
<v Speaker 1>had to be common sense, it had to be already

0:34:50.760 --> 0:34:53.520
<v Speaker 1>something that was already established. So that's when I came

0:34:53.600 --> 0:34:56.960
<v Speaker 1>up with the idea of n C seventeen. You feel

0:34:57.000 --> 0:35:00.279
<v Speaker 1>me like, seventeen under seventeen you can't look at the move.

0:35:00.840 --> 0:35:04.440
<v Speaker 1>So I took that R rating system and using the

0:35:04.520 --> 0:35:07.800
<v Speaker 1>music system, and then I then alerted all the record

0:35:07.840 --> 0:35:10.160
<v Speaker 1>stores that hey, look here, I'm gonna put a stick

0:35:10.200 --> 0:35:13.799
<v Speaker 1>on here. Don't sell the kids this version, but selling the.

0:35:13.719 --> 0:35:20.279
<v Speaker 2>Clean version on your own did, Yeah, he did. No,

0:35:20.400 --> 0:35:24.120
<v Speaker 2>it was no other hip hop raped none of that.

0:35:25.040 --> 0:35:26.880
<v Speaker 3>Could you have made money off of the idea of

0:35:26.920 --> 0:35:27.920
<v Speaker 3>the sticker to yourself?

0:35:28.000 --> 0:35:30.080
<v Speaker 2>Yeah, I should have did I should I should have

0:35:30.080 --> 0:35:30.480
<v Speaker 2>patted it.

0:35:32.840 --> 0:35:36.200
<v Speaker 1>It was more about the the r I A, you know,

0:35:36.760 --> 0:35:40.120
<v Speaker 1>adopting the sticker. So if they adopted the sticker, then

0:35:40.480 --> 0:35:43.680
<v Speaker 1>it was industry standard that any other artists that would

0:35:43.680 --> 0:35:45.719
<v Speaker 1>come in front behind me, you know, they would just

0:35:45.760 --> 0:35:47.960
<v Speaker 1>put the stick on there. They were able to do

0:35:48.000 --> 0:35:49.440
<v Speaker 1>the music that they want to do and say what

0:35:49.440 --> 0:35:50.480
<v Speaker 1>they want to sell the records.

0:35:50.560 --> 0:35:52.960
<v Speaker 4>Now, when see the Lauris Tucker was coming at Tupac,

0:35:53.000 --> 0:35:55.239
<v Speaker 4>that was after you correct, when they was coming at

0:35:55.239 --> 0:35:56.719
<v Speaker 4>Tupac and Snoop and.

0:35:59.080 --> 0:36:01.719
<v Speaker 1>That that was also sitting there, so oh my god.

0:36:01.840 --> 0:36:04.919
<v Speaker 2>But they had had the permatory advice they on there. Yeah,

0:36:05.880 --> 0:36:07.920
<v Speaker 2>that was all. It was the first project. That was

0:36:07.960 --> 0:36:11.160
<v Speaker 2>your idea. That's crazy, that's crazy. I didn't he actually

0:36:11.200 --> 0:36:13.200
<v Speaker 2>came up with it. They came out of the court

0:36:13.280 --> 0:36:15.360
<v Speaker 2>stuff and everything. So you're saying that that just happened

0:36:15.440 --> 0:36:17.400
<v Speaker 2>because you wanted to do it, and then.

0:36:17.520 --> 0:36:20.160
<v Speaker 1>Yeah, because I wanted to do it, that happened. I

0:36:20.200 --> 0:36:23.000
<v Speaker 1>did that on my first record first record, which was

0:36:23.040 --> 0:36:24.960
<v Speaker 1>throw the D and the answer was throw the P

0:36:25.400 --> 0:36:27.799
<v Speaker 1>That was my first record doing with two live crew,

0:36:28.200 --> 0:36:30.560
<v Speaker 1>And so I did that at that period of time,

0:36:30.600 --> 0:36:32.600
<v Speaker 1>and you know, it's almost you know it was.

0:36:32.840 --> 0:36:34.560
<v Speaker 2>It was a no brainer because at the.

0:36:34.480 --> 0:36:36.960
<v Speaker 1>Same time, you got kids that can buy cigarettes, so

0:36:37.000 --> 0:36:39.200
<v Speaker 1>you look on the back a store on already know

0:36:39.360 --> 0:36:41.360
<v Speaker 1>how to sell the kids a cigarette bill or anything

0:36:41.440 --> 0:36:44.000
<v Speaker 1>like that. So then you know, I just said, okay,

0:36:44.080 --> 0:36:46.439
<v Speaker 1>let me put a sticker on here that would let

0:36:46.480 --> 0:36:49.279
<v Speaker 1>a clerk know because I'm thinking about it. You know,

0:36:49.320 --> 0:36:51.560
<v Speaker 1>it's little kids that work at the records too, So

0:36:51.600 --> 0:36:53.200
<v Speaker 1>you put the you know, sticker on there.

0:36:53.480 --> 0:36:56.959
<v Speaker 2>Don't sell This happened this one had it. That one

0:36:57.080 --> 0:36:57.640
<v Speaker 2>probably did.

0:36:58.000 --> 0:36:59.640
<v Speaker 3>I know, I can tell you right now. I couldn't

0:36:59.640 --> 0:37:02.719
<v Speaker 3>buy it. I saw my mom, this is like some

0:37:02.760 --> 0:37:03.400
<v Speaker 3>really good music.

0:37:05.920 --> 0:37:09.080
<v Speaker 1>There were a whole lot of records that went out

0:37:09.480 --> 0:37:12.319
<v Speaker 1>again that didn't have the stick because all this I'm

0:37:12.480 --> 0:37:16.680
<v Speaker 1>changing up. These new presidents will go out with the

0:37:16.719 --> 0:37:17.320
<v Speaker 1>sticky on it.

0:37:17.719 --> 0:37:20.359
<v Speaker 4>Now, did you have the ideas for the video as

0:37:20.360 --> 0:37:23.000
<v Speaker 4>you was recorded? You knew that you're gonna have button

0:37:23.000 --> 0:37:25.279
<v Speaker 4>makeing bitches running around it.

0:37:25.440 --> 0:37:27.440
<v Speaker 1>You knew that you know. I mean the whole thing

0:37:27.480 --> 0:37:29.759
<v Speaker 1>with that. You know, I looked at everything, you know,

0:37:29.800 --> 0:37:33.680
<v Speaker 1>because again, you don't hip hop junkie, you feel me.

0:37:33.760 --> 0:37:38.000
<v Speaker 1>So I'm coming from bringing you know, historic hip hop

0:37:38.080 --> 0:37:40.120
<v Speaker 1>artists and the Vine Sounds, you name it, t the

0:37:40.239 --> 0:37:43.439
<v Speaker 1>rock Jack, all these all these guys down here.

0:37:43.680 --> 0:37:46.080
<v Speaker 2>So I'm like, I'm from Miami. You know.

0:37:46.239 --> 0:37:48.120
<v Speaker 1>I looked at a lot of people, you know, don't

0:37:48.160 --> 0:37:50.319
<v Speaker 1>disrespect the iced tea and a whole lot of these

0:37:50.320 --> 0:37:53.319
<v Speaker 1>other guys. They were from other places, but they want

0:37:53.360 --> 0:37:54.359
<v Speaker 1>to be like New York.

0:37:54.760 --> 0:37:55.359
<v Speaker 2>You know what I'm saying.

0:37:55.400 --> 0:37:57.479
<v Speaker 1>I respect New York. I love New York to death.

0:37:57.760 --> 0:38:00.320
<v Speaker 1>But at the same time, I'm about where you from.

0:38:00.600 --> 0:38:02.640
<v Speaker 1>You know, you gotta, you know, rep your city. So

0:38:02.719 --> 0:38:05.839
<v Speaker 1>I wanted to show my city. This is what we do.

0:38:06.080 --> 0:38:06.279
<v Speaker 2>You know.

0:38:06.400 --> 0:38:08.680
<v Speaker 1>We walk around half naked, we got beat in the back,

0:38:08.760 --> 0:38:10.560
<v Speaker 1>we got all the wild ship going on.

0:38:10.920 --> 0:38:11.640
<v Speaker 2>So I wanted to.

0:38:11.600 --> 0:38:14.520
<v Speaker 1>Show that, you know, part of what we're about, you know,

0:38:14.600 --> 0:38:16.880
<v Speaker 1>how we live in As far as the hip hop.

0:38:16.719 --> 0:38:19.399
<v Speaker 4>Scene, I drove down Miami Beach the other day, man,

0:38:19.480 --> 0:38:21.719
<v Speaker 4>and I was just driving down and it was nothing

0:38:21.719 --> 0:38:24.279
<v Speaker 4>behlf neked chicks here, I said, anywhere else in the world,

0:38:24.400 --> 0:38:26.040
<v Speaker 4>I would call that bitch a slut.

0:38:26.320 --> 0:38:29.480
<v Speaker 2>Right here. This is normal as motherfucking tire man. Let's go.

0:38:29.640 --> 0:38:34.600
<v Speaker 2>It makes a noise from Miami being halfgg You see

0:38:34.960 --> 0:38:36.680
<v Speaker 2>you've seen this club right here at the pack Jam.

0:38:37.120 --> 0:38:40.080
<v Speaker 3>That's like a right of passage the days from Miami

0:38:40.160 --> 0:38:42.120
<v Speaker 3>like like we we kindle boys.

0:38:42.160 --> 0:38:43.719
<v Speaker 2>We was like, you gotta go to pack Jam just

0:38:43.719 --> 0:38:47.200
<v Speaker 2>to prove that robbed the pack Jam. Oh yeah, you

0:38:47.200 --> 0:38:47.560
<v Speaker 2>get that.

0:38:47.560 --> 0:38:47.959
<v Speaker 1>Hip hop.

0:38:53.000 --> 0:38:55.040
<v Speaker 2>Never go to hip hop club unless people get robbed

0:38:55.040 --> 0:39:01.880
<v Speaker 2>in the jam jam was crazy. That was crazy.

0:39:01.880 --> 0:39:03.520
<v Speaker 3>We was young just going in there, and then girls

0:39:03.520 --> 0:39:05.560
<v Speaker 3>getting butt naked were like, oh ship.

0:39:05.360 --> 0:39:08.279
<v Speaker 2>Peg was like the red in New York. So now

0:39:08.520 --> 0:39:10.280
<v Speaker 2>they're trying to ban your records.

0:39:10.360 --> 0:39:13.440
<v Speaker 4>And then you go even crazier with the videos because

0:39:13.480 --> 0:39:16.640
<v Speaker 4>you single handedly because of you, the shows like b

0:39:17.000 --> 0:39:20.400
<v Speaker 4>I think you created YouTube, like more.

0:39:20.400 --> 0:39:23.960
<v Speaker 1>More so than uh uh, you know video the juke

0:39:24.000 --> 0:39:27.480
<v Speaker 1>box box.

0:39:27.760 --> 0:39:30.319
<v Speaker 4>But they were showing guns. You were showing ass like

0:39:30.360 --> 0:39:33.960
<v Speaker 4>you know, they were showing It's all explicit. But I

0:39:34.000 --> 0:39:38.480
<v Speaker 4>think that single hand that single handy transferred to YouTube

0:39:38.920 --> 0:39:41.160
<v Speaker 4>because people were saying, well, you know what, we can't

0:39:41.200 --> 0:39:43.960
<v Speaker 4>watch it here, then we want to watch it somewhere else,

0:39:44.000 --> 0:39:46.479
<v Speaker 4>and I think, like in in a little way YouTube

0:39:46.680 --> 0:39:48.360
<v Speaker 4>you somebody that makes no noise, We're gonna.

0:39:48.120 --> 0:39:54.759
<v Speaker 2>Start you now, just do a deal and just think

0:39:54.800 --> 0:39:55.200
<v Speaker 2>about it.

0:39:55.239 --> 0:39:59.279
<v Speaker 4>Like and then BT jams they had had transferred to

0:39:59.280 --> 0:40:00.920
<v Speaker 4>B E t J BT hated me.

0:40:01.280 --> 0:40:04.239
<v Speaker 2>They hated me this day. They hate me. Why because

0:40:04.239 --> 0:40:05.320
<v Speaker 2>they couldn't play the records.

0:40:05.760 --> 0:40:11.839
<v Speaker 1>Well, because I was pushing the envelope of sexually intriguing.

0:40:13.320 --> 0:40:15.520
<v Speaker 3>It was really backed by the whole gospel side of

0:40:15.520 --> 0:40:18.120
<v Speaker 3>BT as well, Like it seemed like they would be well.

0:40:18.000 --> 0:40:21.839
<v Speaker 1>I mean back back then, you know, I mean back

0:40:21.880 --> 0:40:24.680
<v Speaker 1>then black people were very very conservative.

0:40:24.880 --> 0:40:27.720
<v Speaker 2>The ship that I was doing was unheard of. Box.

0:40:27.960 --> 0:40:32.279
<v Speaker 1>You know, I had every hip hop artist hating you

0:40:32.360 --> 0:40:34.640
<v Speaker 1>know what I'm saying. You had the kitten plays and ship.

0:40:34.640 --> 0:40:37.600
<v Speaker 1>They would get on VT. They would do shows where

0:40:37.640 --> 0:40:40.120
<v Speaker 1>they interview guys and be like, Yo, do you like

0:40:40.160 --> 0:40:42.160
<v Speaker 1>this two live crow motherfuckers and this Uncle Lue.

0:40:42.200 --> 0:40:43.359
<v Speaker 2>No, I fuck them, I don't like them.

0:40:43.400 --> 0:40:44.200
<v Speaker 1>That ain't hip hop.

0:40:44.320 --> 0:40:44.920
<v Speaker 2>They ain't ship.

0:40:45.320 --> 0:40:48.040
<v Speaker 1>You know. They would do that, you know, so we

0:40:48.080 --> 0:40:51.240
<v Speaker 1>would be pushing the envelope through the video juke box,

0:40:51.480 --> 0:40:53.479
<v Speaker 1>you know, and be like Okay, why y'all ain't playing

0:40:53.480 --> 0:40:55.719
<v Speaker 1>this ship and they would be losing ratings and people

0:40:55.760 --> 0:40:58.560
<v Speaker 1>would be looking at the box. So it became a big,

0:40:59.320 --> 0:41:01.839
<v Speaker 1>real b And then that's when I ended up doing

0:41:01.840 --> 0:41:05.040
<v Speaker 1>the show with Bob Johnson at the station. But everybody

0:41:05.080 --> 0:41:07.600
<v Speaker 1>else still hated me. You know, the people that there

0:41:07.719 --> 0:41:11.120
<v Speaker 1>right now, who are still there right now, they were

0:41:11.160 --> 0:41:14.040
<v Speaker 1>there back then. They still hate my ass to this

0:41:14.200 --> 0:41:17.400
<v Speaker 1>fucking day because I pushed the envelope so hard that

0:41:17.840 --> 0:41:19.719
<v Speaker 1>you know, they had to change their well programming.

0:41:20.480 --> 0:41:22.480
<v Speaker 2>People just didn't understand Miami, especially no.

0:41:22.600 --> 0:41:24.960
<v Speaker 1>I mean it was saying motherfuckers from Perry had the noise.

0:41:25.000 --> 0:41:26.719
<v Speaker 1>They sitting up there like what the fuck?

0:41:28.040 --> 0:41:28.239
<v Speaker 2>You know?

0:41:28.440 --> 0:41:30.839
<v Speaker 1>So you know they you know, they had a real

0:41:30.880 --> 0:41:31.960
<v Speaker 1>problem with what we were doing.

0:41:32.040 --> 0:41:33.359
<v Speaker 4>Well, let me tell you, I don't know who those

0:41:33.360 --> 0:41:36.640
<v Speaker 4>people are, but I'm telling you, you help my childhood. I

0:41:36.680 --> 0:41:37.880
<v Speaker 4>got an important part of.

0:41:40.120 --> 0:41:42.839
<v Speaker 1>The birthday. That was a good old day.

0:41:43.000 --> 0:41:45.160
<v Speaker 2>That was a good old day sticking in.

0:41:45.320 --> 0:41:47.880
<v Speaker 4>Yeah, I'm like, I'm just sitting back and watching, like

0:41:48.040 --> 0:41:48.920
<v Speaker 4>I gotta.

0:41:48.680 --> 0:42:00.640
<v Speaker 2>Get to my hand. You gotta talk about Big and Luke.

0:42:00.880 --> 0:42:04.440
<v Speaker 4>Oh that's right, Big y'all had y'all have beef at first.

0:42:04.480 --> 0:42:09.200
<v Speaker 2>No no no, no, no no, And yeah, let's just

0:42:09.200 --> 0:42:10.040
<v Speaker 2>talk about that Big.

0:42:10.160 --> 0:42:13.960
<v Speaker 1>Oh that's my dog, Big men Big, that's my guy.

0:42:14.040 --> 0:42:15.680
<v Speaker 2>What happened? How'd you Lincoln with Big?

0:42:15.840 --> 0:42:19.200
<v Speaker 1>I mean, you know, ship I brought him down to

0:42:19.200 --> 0:42:20.160
<v Speaker 1>do a show.

0:42:20.280 --> 0:42:23.000
<v Speaker 2>You know, it was a Super Bowl weekend and then

0:42:23.040 --> 0:42:24.719
<v Speaker 2>you know he came. He was like you know him,

0:42:24.800 --> 0:42:25.840
<v Speaker 2>Julie Muff, you know all that.

0:42:26.360 --> 0:42:28.879
<v Speaker 1>It was like Big was like, okay, man, I'm doing

0:42:28.920 --> 0:42:33.080
<v Speaker 1>your pack jam, the big one, the second one. It

0:42:33.120 --> 0:42:35.960
<v Speaker 1>was around the corner. He was saying, Man, I ain't

0:42:35.960 --> 0:42:38.759
<v Speaker 1>gonna do that, motherfucker. Let you come because pack jam

0:42:39.200 --> 0:42:41.879
<v Speaker 1>here was what we called. It was the Apollo South.

0:42:42.360 --> 0:42:42.560
<v Speaker 4>Oh.

0:42:43.320 --> 0:42:44.520
<v Speaker 2>They would go up in there and the.

0:42:44.560 --> 0:42:46.160
<v Speaker 1>Artists w was going there and they'll be looking like

0:42:46.400 --> 0:42:49.680
<v Speaker 1>this at your ass. You know, motherfucker, you better get

0:42:49.719 --> 0:42:51.920
<v Speaker 1>to the song, you know, cause we really you know,

0:42:52.000 --> 0:42:54.399
<v Speaker 1>they were the hardest sound man.

0:42:54.440 --> 0:42:56.279
<v Speaker 2>Did you have a dirty guy like who came out

0:42:56.400 --> 0:43:00.440
<v Speaker 2>like dirty? The crowd would be said.

0:43:04.280 --> 0:43:05.840
<v Speaker 1>Was like, yo, I ain't doing that, motherfucker less you

0:43:05.920 --> 0:43:08.160
<v Speaker 1>unless you come up in there. And so Man and them,

0:43:08.480 --> 0:43:11.000
<v Speaker 1>you know, we ended up linking up that weekend and

0:43:11.160 --> 0:43:14.840
<v Speaker 1>we was friends forever. I mean he uh, he would

0:43:14.840 --> 0:43:19.360
<v Speaker 1>tell me stories about you know him him being a

0:43:19.360 --> 0:43:20.840
<v Speaker 1>big fan of Poison Clan.

0:43:21.680 --> 0:43:23.680
<v Speaker 2>You know what I'm saying. He told me he was like, Man,

0:43:23.680 --> 0:43:24.880
<v Speaker 2>this fucking JT money.

0:43:25.239 --> 0:43:25.480
<v Speaker 3>You know.

0:43:25.560 --> 0:43:28.959
<v Speaker 1>I you know, before I got into business, I got

0:43:29.000 --> 0:43:29.680
<v Speaker 1>all his ship.

0:43:30.160 --> 0:43:31.560
<v Speaker 2>So he was like damn.

0:43:31.640 --> 0:43:33.640
<v Speaker 1>So you know, I'm looking at him like he was like, nah, Man,

0:43:33.719 --> 0:43:36.000
<v Speaker 1>that was my dude. That that's my dude. And so

0:43:36.080 --> 0:43:37.879
<v Speaker 1>Man and him hit it off. Every time you come

0:43:37.960 --> 0:43:40.239
<v Speaker 1>down I go to New York, I would hang out

0:43:40.280 --> 0:43:43.200
<v Speaker 1>with him and h we end up doing the record together.

0:43:43.320 --> 0:43:45.440
<v Speaker 2>And you wasn't dead when he died in l A, right,

0:43:45.800 --> 0:43:47.600
<v Speaker 2>I was in l A. Actually, I was in the

0:43:47.600 --> 0:43:48.520
<v Speaker 2>studio doing I was.

0:43:48.440 --> 0:43:51.240
<v Speaker 1>Supposed to link up with him and me and uh

0:43:51.719 --> 0:43:56.600
<v Speaker 1>me and stoop Dogg was in the studios. So yeah,

0:43:56.760 --> 0:43:59.680
<v Speaker 1>they ended up when they told us about them dead.

0:44:00.080 --> 0:44:01.600
<v Speaker 1>And you know we were sitting in the studio.

0:44:01.760 --> 0:44:03.120
<v Speaker 4>I think you sat in a brother's club. You were

0:44:03.120 --> 0:44:04.560
<v Speaker 4>supposed to meet with him somewhere.

0:44:05.000 --> 0:44:07.480
<v Speaker 2>Yeah, we were supposed to go to another party.

0:44:07.520 --> 0:44:11.200
<v Speaker 1>It was at a party we were recording, and uh,

0:44:11.680 --> 0:44:13.280
<v Speaker 1>we were supposed to go link up afterwards.

0:44:13.880 --> 0:44:16.880
<v Speaker 4>God bless Big man, God bless Julia Mafia.

0:44:16.920 --> 0:44:19.400
<v Speaker 2>You know what I'm saying is and did you ever

0:44:19.440 --> 0:44:21.000
<v Speaker 2>meet to park Park?

0:44:21.120 --> 0:44:21.200
<v Speaker 1>Was?

0:44:22.560 --> 0:44:23.319
<v Speaker 2>No, that was my guy.

0:44:23.400 --> 0:44:27.000
<v Speaker 4>Let's break out some now is the bitch is involved?

0:44:27.280 --> 0:44:27.680
<v Speaker 2>Of course?

0:44:28.360 --> 0:44:30.960
<v Speaker 1>Part was that was another one of my little sons,

0:44:31.440 --> 0:44:38.680
<v Speaker 1>you know what. Let's yeah, would Pop would come down,

0:44:38.760 --> 0:44:42.440
<v Speaker 1>you know you hang out park was like George Jefferson,

0:44:42.800 --> 0:44:45.560
<v Speaker 1>remember looking at George Jefferson on the on the Jefferson

0:44:46.080 --> 0:44:48.600
<v Speaker 1>that that motherfucker just sit in the car and talk

0:44:48.680 --> 0:44:51.840
<v Speaker 1>talk talk talk talk. I mean we would be on

0:44:51.880 --> 0:44:53.759
<v Speaker 1>the road together, we see each other. He would be

0:44:53.800 --> 0:44:56.840
<v Speaker 1>in my room. I'm sitting there laying down sleep, this

0:44:56.880 --> 0:45:01.680
<v Speaker 1>motherfucker still talking. God, you know I heard every story

0:45:01.760 --> 0:45:04.640
<v Speaker 1>it was, but that was part with my dude.

0:45:04.400 --> 0:45:07.000
<v Speaker 2>That's my nigga. That's so. Let me ask you because

0:45:07.000 --> 0:45:08.800
<v Speaker 2>it had to be weird from you.

0:45:08.880 --> 0:45:12.160
<v Speaker 4>Everybody knew you ran Miami after especially all the turmoil

0:45:12.200 --> 0:45:14.640
<v Speaker 4>or the beat and everybody everybody clearly knew that.

0:45:14.480 --> 0:45:15.320
<v Speaker 2>That was your section.

0:45:15.600 --> 0:45:18.560
<v Speaker 4>But now this East coast West coast war happens, right,

0:45:18.760 --> 0:45:22.520
<v Speaker 4>it's in the middle. You cool with both sides. Was

0:45:22.560 --> 0:45:24.920
<v Speaker 4>it like, did it ever feel weird to you? Because

0:45:25.080 --> 0:45:29.239
<v Speaker 4>Miami is a vacation place regardless, right, regardless, But now

0:45:29.520 --> 0:45:32.239
<v Speaker 4>they vacationing and they all got your number. Was there

0:45:32.320 --> 0:45:35.680
<v Speaker 4>ever an insince where like some East Coast dudes was

0:45:35.680 --> 0:45:38.160
<v Speaker 4>out here and some West Coast dudes text you and say, hey,

0:45:38.280 --> 0:45:39.759
<v Speaker 4>I mean I know the text wasn't back then, you

0:45:39.800 --> 0:45:41.880
<v Speaker 4>know what I'm saying to you all or whatever.

0:45:42.160 --> 0:45:45.759
<v Speaker 2>The brick phone, yeah, the brickphone, the rail trap phone.

0:45:45.800 --> 0:45:47.920
<v Speaker 1>Yeah. DJ Kelly was selling.

0:45:48.120 --> 0:45:49.960
<v Speaker 4>So was you ever like put in a weird space

0:45:50.000 --> 0:45:50.960
<v Speaker 4>because you do.

0:45:52.400 --> 0:45:53.760
<v Speaker 2>Miami is a new tube place.

0:45:54.400 --> 0:45:57.359
<v Speaker 1>Yeah, I mean no, I mean what we always told

0:45:57.400 --> 0:45:59.160
<v Speaker 1>dudes when they would come down here and look at man,

0:45:59.200 --> 0:46:01.279
<v Speaker 1>you come down here, lead the beef ship.

0:46:01.840 --> 0:46:02.520
<v Speaker 2>You know what I'm saying.

0:46:02.520 --> 0:46:04.680
<v Speaker 1>And so it was we was on that if you

0:46:04.719 --> 0:46:08.000
<v Speaker 1>come down, you know, leave your issues, you know, outside

0:46:08.000 --> 0:46:09.520
<v Speaker 1>of that, because we don't need that kind of heat

0:46:09.560 --> 0:46:11.960
<v Speaker 1>down here. You know, we didn't want no, you know,

0:46:12.040 --> 0:46:14.880
<v Speaker 1>the police and all that coming in all right, hey,

0:46:15.000 --> 0:46:18.319
<v Speaker 1>but we didn't want no the hip hop police down here.

0:46:18.440 --> 0:46:20.040
<v Speaker 2>Wen't need none of that kind of ship.

0:46:20.360 --> 0:46:23.120
<v Speaker 1>So you know, you know, me working with the police

0:46:23.160 --> 0:46:26.680
<v Speaker 1>and like, we need that kind of heat. Like hey, look, no,

0:46:26.800 --> 0:46:28.440
<v Speaker 1>you allt got to worry about that because when they

0:46:28.440 --> 0:46:32.680
<v Speaker 1>had that high, can they be downh was gonna get

0:46:32.680 --> 0:46:33.440
<v Speaker 1>crazy and know that.

0:46:33.520 --> 0:46:35.239
<v Speaker 2>I'm like, yo, don't come down there.

0:46:35.239 --> 0:46:37.080
<v Speaker 3>With the shoot up, Heavy was there was a shootout.

0:46:37.120 --> 0:46:39.360
<v Speaker 3>Was Heavy was involved? Like he wasn't shooting, but he

0:46:39.400 --> 0:46:39.799
<v Speaker 3>was there.

0:46:39.840 --> 0:46:43.240
<v Speaker 4>Now, in your opinion, you both knowing Poc and Big,

0:46:43.280 --> 0:46:46.160
<v Speaker 4>there's very few people right who know Pock and Big this.

0:46:46.360 --> 0:46:48.160
<v Speaker 2>There's people who know Poc great and.

0:46:48.120 --> 0:46:50.200
<v Speaker 4>The people who know Big a little bit, right, people

0:46:50.200 --> 0:46:52.560
<v Speaker 4>who know Big a lot, people who know Pop a

0:46:52.600 --> 0:46:54.480
<v Speaker 4>little bit. But you know them, both of them, right.

0:46:56.280 --> 0:46:58.120
<v Speaker 4>Do you think they could have ever squashed that? Like,

0:46:58.360 --> 0:47:00.160
<v Speaker 4>oh no, yeah, that would have been I.

0:47:00.840 --> 0:47:03.160
<v Speaker 1>Mean on the People Show when Pop got out of jail,

0:47:03.719 --> 0:47:08.040
<v Speaker 1>I interviewed Pop, then I went and interview Biggie, and

0:47:08.080 --> 0:47:10.279
<v Speaker 1>then through the interview and process of it, it was

0:47:10.320 --> 0:47:14.440
<v Speaker 1>more like I was interviewing them, but I was like, niggas,

0:47:14.560 --> 0:47:15.359
<v Speaker 1>chill the fuck out.

0:47:15.440 --> 0:47:17.280
<v Speaker 2>Wow, So it was more.

0:47:17.160 --> 0:47:20.520
<v Speaker 1>Of me having a conversation with them about chill the

0:47:20.560 --> 0:47:23.520
<v Speaker 1>fuck out. You two motherfuckers need to make money. This

0:47:23.560 --> 0:47:26.080
<v Speaker 1>ship is about money. Y'all taking this to the fucking

0:47:26.120 --> 0:47:29.080
<v Speaker 1>extreme because you know, I was a saint Louis doing

0:47:29.120 --> 0:47:32.040
<v Speaker 1>a show with Big and Big out there. You know,

0:47:32.120 --> 0:47:37.960
<v Speaker 1>motherfuckers they wanted the disc pop on stage and.

0:47:37.080 --> 0:47:38.040
<v Speaker 2>They were boring.

0:47:39.160 --> 0:47:42.440
<v Speaker 1>You know, I'm sitting up there like, you know, I'm like, okay,

0:47:42.840 --> 0:47:45.279
<v Speaker 1>you know, the mediator of the whole ship, like and

0:47:45.320 --> 0:47:49.719
<v Speaker 1>Big wasn't this So then I when I interviewed, Uh,

0:47:49.600 --> 0:47:53.680
<v Speaker 1>when I interviewed pop Pop was just going crazy, you know,

0:47:53.760 --> 0:47:56.600
<v Speaker 1>oh yeah, yeah, yeah, fuck this girl and did this

0:47:56.680 --> 0:47:58.680
<v Speaker 1>and and did that and all this, And I'm like,

0:47:58.960 --> 0:48:00.759
<v Speaker 1>so when I interview over, look at man, you need

0:48:00.760 --> 0:48:02.600
<v Speaker 1>to chill the funk out, you know what I'm saying.

0:48:02.640 --> 0:48:04.600
<v Speaker 1>You know, so many of them had that. You know,

0:48:04.680 --> 0:48:07.920
<v Speaker 1>we could talk because I know him before he linked

0:48:08.000 --> 0:48:10.400
<v Speaker 1>up with you know, with the Death Row dudes. I

0:48:10.480 --> 0:48:13.160
<v Speaker 1>knew him when he was with the Underground, you know,

0:48:13.200 --> 0:48:15.520
<v Speaker 1>so I know this young dude, he you know, on

0:48:15.560 --> 0:48:18.080
<v Speaker 1>some black power ship. You know, I know where he

0:48:18.160 --> 0:48:21.160
<v Speaker 1>come from. So you know, you ain't on what you

0:48:21.160 --> 0:48:22.960
<v Speaker 1>you know, I'm like, what you changed?

0:48:23.040 --> 0:48:23.879
<v Speaker 2>What are you doing?

0:48:24.440 --> 0:48:26.040
<v Speaker 1>You know what I'm saying. If you're on that you know,

0:48:26.120 --> 0:48:28.000
<v Speaker 1>on that black man ship, which you which is I

0:48:28.080 --> 0:48:30.560
<v Speaker 1>know how that's how you raised. You're always on that

0:48:30.840 --> 0:48:33.319
<v Speaker 1>you ain't on no do nothing the other black man. So,

0:48:34.120 --> 0:48:36.400
<v Speaker 1>you know, we had that conversation and you know, I

0:48:36.440 --> 0:48:40.399
<v Speaker 1>want to go interview Biggie. Big wouldn't say one word

0:48:40.440 --> 0:48:44.359
<v Speaker 1>about him. Yeah, Big wouldn't talk Big. You know, Big

0:48:44.400 --> 0:48:47.080
<v Speaker 1>wouldn't say nothing. It was like na, na, no, you know,

0:48:47.200 --> 0:48:50.880
<v Speaker 1>he just kept it like uh, kept it like really

0:48:50.880 --> 0:48:54.279
<v Speaker 1>one hundred. So it was it was they were if

0:48:54.320 --> 0:48:56.880
<v Speaker 1>they were gonna talk, you know, after me, after I

0:48:56.920 --> 0:48:59.120
<v Speaker 1>had that conversation with both of them, you know, they

0:48:59.120 --> 0:48:59.719
<v Speaker 1>were gonna talk.

0:49:00.080 --> 0:49:03.359
<v Speaker 2>And then for some reason, ship happened. You knew pop

0:49:03.600 --> 0:49:12.640
<v Speaker 2>pre Death Row? Yeah, and then what's that after? Right?

0:49:13.640 --> 0:49:19.240
<v Speaker 2>Very which which park you related to more before? Before

0:49:19.360 --> 0:49:23.120
<v Speaker 2>Death Row? Underground. It's almost like it's almost like two

0:49:23.120 --> 0:49:28.839
<v Speaker 2>different people, two different people's. Man, I can relate. I'm

0:49:28.880 --> 0:49:31.319
<v Speaker 2>a Gemini, Yeah yeah, yeah, yeah, yeah.

0:49:31.360 --> 0:49:35.479
<v Speaker 1>It's almost like, uh, you know, a young dude, you know,

0:49:35.600 --> 0:49:36.920
<v Speaker 1>hanging out with with.

0:49:36.880 --> 0:49:39.120
<v Speaker 2>A crew of people. Then you conform into that crew.

0:49:39.600 --> 0:49:39.799
<v Speaker 2>You know.

0:49:39.880 --> 0:49:41.920
<v Speaker 1>That's why always, you know, when I'm working with kids,

0:49:42.120 --> 0:49:43.720
<v Speaker 1>I tell kids, don't be no follower.

0:49:44.200 --> 0:49:46.400
<v Speaker 2>You know, in the back of my mind, I'm thinking about.

0:49:46.680 --> 0:49:49.759
<v Speaker 1>You know, them soldiers who did like you know, what

0:49:49.800 --> 0:49:50.680
<v Speaker 1>I'm saying, you gotta be.

0:49:50.600 --> 0:49:51.160
<v Speaker 2>Your own man.

0:49:51.239 --> 0:49:54.040
<v Speaker 1>You can't get caught up and you know, the ship

0:49:54.080 --> 0:49:54.880
<v Speaker 1>somebody else trying to do.

0:49:54.920 --> 0:49:56.960
<v Speaker 2>You think Park was following though in that sense, you

0:49:57.200 --> 0:49:57.480
<v Speaker 2>don't think.

0:49:57.600 --> 0:49:59.000
<v Speaker 3>I think he had a plan to get out of

0:49:59.000 --> 0:50:02.480
<v Speaker 3>that situation or change the trajectory of what he was

0:50:02.480 --> 0:50:03.000
<v Speaker 3>trying to do.

0:50:03.360 --> 0:50:05.319
<v Speaker 2>That's what everybody says, at least, well, when you.

0:50:05.400 --> 0:50:08.680
<v Speaker 1>When you when you when you're on on some real

0:50:08.719 --> 0:50:09.600
<v Speaker 1>black man ship.

0:50:09.520 --> 0:50:11.239
<v Speaker 2>Like Brenda got a baby, and then you go over here.

0:50:11.560 --> 0:50:15.640
<v Speaker 2>Not that exactly Brenda, but I mean he was deep.

0:50:16.160 --> 0:50:16.719
<v Speaker 2>He was deep.

0:50:16.840 --> 0:50:18.960
<v Speaker 1>He was on some real black man shit, you know,

0:50:19.080 --> 0:50:22.800
<v Speaker 1>black powered black like this. He was on some deep

0:50:22.840 --> 0:50:26.880
<v Speaker 1>black man And then so now you get linked up

0:50:26.920 --> 0:50:30.160
<v Speaker 1>with this crew on that on some different ship, then

0:50:30.200 --> 0:50:33.160
<v Speaker 1>you conform to be like that. You feel me, So

0:50:34.040 --> 0:50:37.319
<v Speaker 1>I knew him before that. You know, this young man

0:50:37.520 --> 0:50:38.800
<v Speaker 1>was just trying to get on, trying to get this

0:50:38.920 --> 0:50:40.680
<v Speaker 1>music here, trying to do the right thing.

0:50:40.680 --> 0:50:42.399
<v Speaker 2>I'm on some black man shit. He was more.

0:50:42.800 --> 0:50:46.560
<v Speaker 1>He was more deeper than than public enemy than public

0:50:46.719 --> 0:50:50.640
<v Speaker 1>enemy on that black man ship. So then when you

0:50:50.719 --> 0:50:53.719
<v Speaker 1>go and you linked with this crew here, then you

0:50:53.800 --> 0:50:56.600
<v Speaker 1>kind of conform to that, and then now you got a.

0:50:56.520 --> 0:50:59.400
<v Speaker 4>Whole crew and you had already had beef for death Row,

0:50:59.480 --> 0:51:01.439
<v Speaker 4>so you knew what type of mind.

0:51:01.719 --> 0:51:04.279
<v Speaker 1>Yeah, yeah it was, you know it was you know,

0:51:04.520 --> 0:51:07.799
<v Speaker 1>it was like on some you know, we tough guy ship.

0:51:07.880 --> 0:51:08.560
<v Speaker 2>So then now you.

0:51:08.560 --> 0:51:12.840
<v Speaker 1>Got this young guy that's really you know, just searching

0:51:12.960 --> 0:51:16.759
<v Speaker 1>for a family bringing in and before you know it,

0:51:16.840 --> 0:51:21.200
<v Speaker 1>he conformed into you know, it's like, uh, become a

0:51:21.200 --> 0:51:22.400
<v Speaker 1>product of your environment.

0:51:22.640 --> 0:51:26.640
<v Speaker 2>So he became a product of that environment. God damn that.

0:51:27.640 --> 0:51:34.319
<v Speaker 2>It makes a noise. Before we move on to that.

0:51:34.560 --> 0:51:37.000
<v Speaker 2>You ever hung out with Pun as well? Big Pun?

0:51:37.080 --> 0:51:37.279
<v Speaker 3>Yeah?

0:51:39.560 --> 0:51:44.839
<v Speaker 2>Yeah, how was it hanging out with fun Pun? Of Joe?

0:51:44.880 --> 0:51:48.319
<v Speaker 1>I remember, you know when I first met Joe, you know,

0:51:48.360 --> 0:51:51.759
<v Speaker 1>I went to the went to the fucking club and uh.

0:51:51.920 --> 0:51:56.000
<v Speaker 2>The Puerto Rican club story, let's get to it.

0:51:57.040 --> 0:51:58.560
<v Speaker 1>So I go to club and hang out with Joe

0:51:58.560 --> 0:52:00.879
<v Speaker 1>and Budd and Joe beat the ship out some mother

0:52:01.200 --> 0:52:08.319
<v Speaker 1>the club. This motherfucker is some motherfucker, and I'm like,

0:52:08.760 --> 0:52:09.879
<v Speaker 1>what the fuck is this?

0:52:10.040 --> 0:52:12.359
<v Speaker 2>Right? But but after that, I.

0:52:12.320 --> 0:52:15.000
<v Speaker 1>Mean we end up doing on together with a Pun

0:52:15.120 --> 0:52:17.920
<v Speaker 1>and and Uh and some of the other guys in

0:52:17.960 --> 0:52:18.279
<v Speaker 1>the group.

0:52:18.760 --> 0:52:22.240
<v Speaker 4>Now, now Louke, you put on practically the whole Miami.

0:52:22.440 --> 0:52:24.200
<v Speaker 2>If they from Miami and they are.

0:52:24.120 --> 0:52:27.279
<v Speaker 4>Artists, they either got put on through you or they

0:52:27.320 --> 0:52:29.440
<v Speaker 4>got put on through a protege a at you.

0:52:29.480 --> 0:52:32.160
<v Speaker 2>Like, how does that like? Because what was it? Trick Daddy,

0:52:32.280 --> 0:52:33.680
<v Speaker 2>trick scard, he's on scars.

0:52:33.880 --> 0:52:36.960
<v Speaker 1>Yeah, I got trick, came out of jail and he

0:52:37.080 --> 0:52:37.719
<v Speaker 1>was staying with me.

0:52:37.800 --> 0:52:41.160
<v Speaker 2>And how did you discover out there in the streets

0:52:41.600 --> 0:52:45.839
<v Speaker 2>running hard? Yeah? I discovered it. I have my own

0:52:45.920 --> 0:52:49.040
<v Speaker 2>idea because I have a story. Because my story. We

0:52:49.120 --> 0:52:51.279
<v Speaker 2>have something called drunk facts. Here.

0:52:52.000 --> 0:52:54.600
<v Speaker 3>Drunk facts means that were off by either a year

0:52:54.719 --> 0:52:58.360
<v Speaker 3>or a day or a name. This is not drunk facts.

0:52:58.440 --> 0:53:00.600
<v Speaker 3>I have an artist named Garcia, and we did we

0:53:00.680 --> 0:53:03.560
<v Speaker 3>did what was the what was the club? Remember that

0:53:03.600 --> 0:53:07.319
<v Speaker 3>club on South Beach Zen? Remember Zen? I actually did

0:53:07.360 --> 0:53:08.879
<v Speaker 3>the first hip hop party there. It took me three

0:53:08.920 --> 0:53:11.520
<v Speaker 3>months to convince the Turkish dudes to do it. So

0:53:11.760 --> 0:53:15.040
<v Speaker 3>they did a freestyle battle and my artist battle Pit

0:53:15.960 --> 0:53:18.920
<v Speaker 3>and my artist one against Pitt. But I, in my mind,

0:53:19.000 --> 0:53:21.360
<v Speaker 3>you was in the background and you was like, Pit's

0:53:21.400 --> 0:53:23.960
<v Speaker 3>the one. Did you discover him there? Or am I

0:53:24.120 --> 0:53:32.279
<v Speaker 3>completely did that? Drunk facts. No up. The good thing

0:53:32.280 --> 0:53:33.000
<v Speaker 3>about drunk facts.

0:53:33.000 --> 0:53:34.480
<v Speaker 4>You could be like, that's drunk facts, and it means

0:53:34.480 --> 0:53:35.520
<v Speaker 4>that's right drunk fast.

0:53:37.320 --> 0:53:40.759
<v Speaker 3>Remember remember when Pitt had the cord brazen, he was

0:53:40.840 --> 0:53:43.520
<v Speaker 3>rapping like dragon Pipbull comes up.

0:53:45.160 --> 0:53:49.040
<v Speaker 1>What I mean? I was chilling at the crib, you know,

0:53:49.239 --> 0:53:52.120
<v Speaker 1>and I looked at the I looked at you.

0:53:52.000 --> 0:53:55.560
<v Speaker 4>Know, because I know, hold on because when Miami people

0:53:55.600 --> 0:53:59.400
<v Speaker 4>say crib, y'all mean two things. I noticed that you

0:54:00.440 --> 0:54:03.600
<v Speaker 4>mean you also mean the city. Oh the city, also

0:54:03.640 --> 0:54:05.680
<v Speaker 4>mean the city. So you're talking about the city the

0:54:05.680 --> 0:54:09.319
<v Speaker 4>house because you know Miami, like you have the crib.

0:54:09.360 --> 0:54:11.360
<v Speaker 4>I'm like, all right, cool, I was kidding your house.

0:54:11.239 --> 0:54:12.319
<v Speaker 2>Like the city.

0:54:12.560 --> 0:54:14.600
<v Speaker 3>They say they mean the city.

0:54:14.680 --> 0:54:18.760
<v Speaker 2>Yeah, my crib at your I've been confusing for years.

0:54:19.960 --> 0:54:21.000
<v Speaker 2>That's why I was confused.

0:54:21.040 --> 0:54:25.959
<v Speaker 4>Just now, I was like, yeah, you cribhouse till that down.

0:54:26.160 --> 0:54:30.480
<v Speaker 1>So I mean, you know again, I just did this

0:54:30.600 --> 0:54:34.520
<v Speaker 1>song with you know, with Pun and all them you

0:54:34.600 --> 0:54:37.759
<v Speaker 1>know and everything. So I'm like, okay, you know, you

0:54:37.800 --> 0:54:41.360
<v Speaker 1>know New York got Puerto Rican rapper Fat Joe and

0:54:41.480 --> 0:54:44.279
<v Speaker 1>Big Pun and all that, right, So I'm like, I'm

0:54:44.280 --> 0:54:47.359
<v Speaker 1>from Miami. I won't be complete if I don't find

0:54:47.360 --> 0:54:49.640
<v Speaker 1>a Cuban rapper, you know what I'm saying. So I

0:54:49.719 --> 0:54:53.680
<v Speaker 1>didn say Okay. Then at the same time, I'm looking

0:54:53.680 --> 0:54:57.080
<v Speaker 1>at the fucking census and the censor says, you know,

0:54:57.239 --> 0:55:02.399
<v Speaker 1>Latinos all the predominant race, and a I'm like, ship,

0:55:02.680 --> 0:55:06.759
<v Speaker 1>I gotta give me a you know what I'm saying, so,

0:55:07.239 --> 0:55:10.000
<v Speaker 1>you know, me being the executive. But then I'm like

0:55:10.120 --> 0:55:12.960
<v Speaker 1>still saying, I won't be complete if I don't find

0:55:12.960 --> 0:55:16.840
<v Speaker 1>a Cuban artist somebody, because so many Cubans like my

0:55:17.000 --> 0:55:20.920
<v Speaker 1>music and they you know, you feel me. So I'm like,

0:55:21.160 --> 0:55:23.200
<v Speaker 1>I need to do that. That that will make Luke

0:55:23.280 --> 0:55:28.200
<v Speaker 1>Records complete. Yeah. So, so I ended up going on

0:55:28.280 --> 0:55:31.000
<v Speaker 1>this man's search looking for him and and uh.

0:55:30.920 --> 0:55:35.080
<v Speaker 2>They brought me a Sauce battle tape.

0:55:35.880 --> 0:55:38.040
<v Speaker 1>You know, they were like, they showed me a source

0:55:38.120 --> 0:55:40.799
<v Speaker 1>battle tape of this guy on there rapping. I was like,

0:55:40.960 --> 0:55:42.560
<v Speaker 1>it was like this one from I was like, I

0:55:42.640 --> 0:55:44.720
<v Speaker 1>want the motherfucker that's not for Miami.

0:55:45.040 --> 0:55:46.960
<v Speaker 2>I want you know, he's a Cuban.

0:55:47.080 --> 0:55:47.279
<v Speaker 1>Yeah.

0:55:47.680 --> 0:55:51.480
<v Speaker 2>From So then when I looked at I liked them. Now.

0:55:51.480 --> 0:55:53.880
<v Speaker 2>I was like, okay, well, you know, go find him

0:55:53.920 --> 0:55:55.839
<v Speaker 2>and brought him the Lollipop song.

0:55:56.239 --> 0:55:59.120
<v Speaker 1>Yeah, they brought him to the UH, to the UH,

0:56:00.040 --> 0:56:03.040
<v Speaker 1>the studio, to the office, and then you know, I'm

0:56:03.080 --> 0:56:05.520
<v Speaker 1>on that vibe, Like I have a guy hang out

0:56:05.560 --> 0:56:08.359
<v Speaker 1>with me for like a month before I really sign

0:56:08.440 --> 0:56:11.120
<v Speaker 1>him up because I got to know that Number one,

0:56:11.640 --> 0:56:15.839
<v Speaker 1>you original, We ain't doing no studios. Get down with that.

0:56:16.600 --> 0:56:19.480
<v Speaker 1>You original, You write your own ship, and you got

0:56:19.480 --> 0:56:20.200
<v Speaker 1>good vibes.

0:56:20.520 --> 0:56:22.360
<v Speaker 2>You know what I'm saying. You understand the game. So

0:56:22.560 --> 0:56:23.719
<v Speaker 2>it was a real woman.

0:56:23.920 --> 0:56:26.680
<v Speaker 1>Yeah, and we got shot out.

0:56:26.600 --> 0:56:30.319
<v Speaker 2>Big Teacher as well. That's fan Big Teachers Big. Now.

0:56:30.440 --> 0:56:34.839
<v Speaker 4>Krick Daddy is like one of the most phenomenal UH

0:56:36.040 --> 0:56:41.240
<v Speaker 4>personalities hip hop. Yea, like his no filter. It seems

0:56:41.280 --> 0:56:43.680
<v Speaker 4>like like he could just get on. He literally spit

0:56:43.719 --> 0:56:44.600
<v Speaker 4>on his computer.

0:56:44.320 --> 0:56:46.000
<v Speaker 2>The other day. I don't know if you guys see that.

0:56:46.000 --> 0:56:49.480
<v Speaker 2>It's crazy and he's authentic. But he's authentic.

0:56:49.480 --> 0:56:53.080
<v Speaker 4>And his did you notice that with Trick because you

0:56:53.080 --> 0:56:55.960
<v Speaker 4>know he makes great music, We already know that, but

0:56:56.160 --> 0:57:00.239
<v Speaker 4>he's like, but personality sometimes with transcends the person I.

0:57:00.239 --> 0:57:02.279
<v Speaker 2>Mean that that that's he.

0:57:02.320 --> 0:57:07.760
<v Speaker 1>As a record executive producer, I always look for authentic

0:57:07.840 --> 0:57:10.359
<v Speaker 1>Shiit like if you listen to Age Town, the guy

0:57:10.440 --> 0:57:13.959
<v Speaker 1>has an authentic voice. You know what I'm saying that

0:57:14.280 --> 0:57:18.440
<v Speaker 1>if you hear Trick talking outside in the bushes and

0:57:18.480 --> 0:57:20.600
<v Speaker 1>not knowing who out there, you'll know that's him. You know,

0:57:20.760 --> 0:57:24.000
<v Speaker 1>all my artists had all j C money, All of

0:57:24.040 --> 0:57:26.600
<v Speaker 1>them had that. That was my thing. You know that

0:57:26.720 --> 0:57:28.720
<v Speaker 1>I would do what I would be looking for in

0:57:28.760 --> 0:57:32.000
<v Speaker 1>an artist. But trick story was similar to the story

0:57:32.040 --> 0:57:34.080
<v Speaker 1>that you thought was would Pitt.

0:57:34.160 --> 0:57:34.840
<v Speaker 2>Trick was in.

0:57:35.360 --> 0:57:39.720
<v Speaker 1>I had a a battle contest, like a seven week

0:57:39.800 --> 0:57:43.000
<v Speaker 1>battle whoever last the longest and when I'm gonna sign

0:57:43.040 --> 0:57:44.240
<v Speaker 1>them up to Loot Records.

0:57:44.360 --> 0:57:46.920
<v Speaker 2>And so that's Trick ended up winning the contest.

0:57:47.520 --> 0:57:50.800
<v Speaker 1>You know, he battled, battled one guy, you know, this

0:57:50.960 --> 0:57:53.840
<v Speaker 1>kid named Red, beat him, put him on the record

0:57:53.960 --> 0:57:57.040
<v Speaker 1>before you know it in the story. But I mean

0:57:57.040 --> 0:58:00.440
<v Speaker 1>his whole thing was you know again you got vibe

0:58:00.440 --> 0:58:02.960
<v Speaker 1>with me. I'm we're riding. Take you on the road,

0:58:03.160 --> 0:58:05.440
<v Speaker 1>which is the same thing I did to Pick Definitely,

0:58:05.440 --> 0:58:06.880
<v Speaker 1>you know, I take him on the road with me

0:58:06.920 --> 0:58:09.520
<v Speaker 1>and and put the ass out on stage and you know,

0:58:09.600 --> 0:58:12.480
<v Speaker 1>throw them in the fire. You know, hates wonderful. You

0:58:12.520 --> 0:58:14.920
<v Speaker 1>know you ain't going studio. Let's I hate your ass.

0:58:15.280 --> 0:58:16.880
<v Speaker 1>You know, that's why they call it. You know you're

0:58:16.920 --> 0:58:18.760
<v Speaker 1>here pit talk, my old y'all. I went to the

0:58:18.800 --> 0:58:24.680
<v Speaker 1>Loop School of hard Knocks. Yeah yeah, So I mean

0:58:24.840 --> 0:58:25.760
<v Speaker 1>I gotta trip to.

0:58:25.800 --> 0:58:30.200
<v Speaker 2>Chase like you were like when you're in college, like

0:58:30.640 --> 0:58:32.480
<v Speaker 2>you pay your dues. Basically, you gotta do put the

0:58:32.560 --> 0:58:34.840
<v Speaker 2>water in the socks and ship. You gotta go some ship.

0:58:35.280 --> 0:58:36.280
<v Speaker 2>You gotta go through some ship.

0:58:36.360 --> 0:58:36.919
<v Speaker 1>You know you got.

0:58:37.880 --> 0:58:38.760
<v Speaker 2>I'll be on the radio.

0:58:38.760 --> 0:58:41.000
<v Speaker 1>I do a radio interview and be like, yo, bring

0:58:41.000 --> 0:58:42.960
<v Speaker 1>to the city, bring the best rapper in town.

0:58:43.560 --> 0:58:44.720
<v Speaker 2>If you if you our.

0:58:44.680 --> 0:58:47.160
<v Speaker 1>Battle of this month, I'm kicking his hands on the bus. Wow,

0:58:47.480 --> 0:58:48.400
<v Speaker 1>it's not serious.

0:58:48.560 --> 0:58:49.640
<v Speaker 2>It's not just artists.

0:58:50.000 --> 0:58:54.000
<v Speaker 3>Keep in mind, like he helped Calid too, because Calor

0:58:54.080 --> 0:58:55.080
<v Speaker 3>was on Mixed ninety six.

0:58:55.120 --> 0:58:56.880
<v Speaker 2>But you know, like he said before.

0:58:56.600 --> 0:58:58.680
<v Speaker 3>We underground radio stage, Yeah, Mix six, I was on

0:58:58.760 --> 0:59:00.760
<v Speaker 3>ninety four point seven. We were right under Mix ninety

0:59:00.760 --> 0:59:03.440
<v Speaker 3>six at one point in the same building. But we

0:59:03.480 --> 0:59:06.560
<v Speaker 3>didn't have like a straight up hip hop show in Miami.

0:59:07.160 --> 0:59:09.800
<v Speaker 3>And he had his show on nine nine Jams, and

0:59:09.840 --> 0:59:12.800
<v Speaker 3>you brought Calid. If I'm wrong telling me, you start

0:59:12.880 --> 0:59:14.480
<v Speaker 3>doing started.

0:59:14.680 --> 0:59:22.280
<v Speaker 2>From so basically I'm just like, why why isn't I'm

0:59:22.320 --> 0:59:25.240
<v Speaker 2>here Luca see me though, But.

0:59:26.880 --> 0:59:29.120
<v Speaker 3>You got to give him also credit for caleg as will.

0:59:29.200 --> 0:59:30.200
<v Speaker 3>He definitely helped.

0:59:29.960 --> 0:59:32.800
<v Speaker 4>Caulet, Like is there an artist that ever got to

0:59:32.840 --> 0:59:35.959
<v Speaker 4>a certain place and like he was disappointed in though

0:59:36.880 --> 0:59:39.720
<v Speaker 4>the way just in the in the and there, like man,

0:59:39.760 --> 0:59:41.600
<v Speaker 4>I thought he would have kept it real. I thought

0:59:41.640 --> 0:59:44.080
<v Speaker 4>he would have kept in contact with me. I thought

0:59:44.080 --> 0:59:46.480
<v Speaker 4>he was you know, like any type of disappointment.

0:59:46.600 --> 0:59:47.959
<v Speaker 2>Like well, you know when.

0:59:47.880 --> 0:59:50.520
<v Speaker 1>I when I listened to cal It talk, he'd never

0:59:50.640 --> 0:59:53.040
<v Speaker 1>made mention of the show what you're talking about.

0:59:53.120 --> 0:59:54.920
<v Speaker 2>He never made I mean, we know it in Miami,

0:59:55.160 --> 0:59:56.280
<v Speaker 2>don't know it in Miami.

0:59:56.360 --> 0:59:59.000
<v Speaker 1>But if you ever if you ever listened to any

0:59:59.040 --> 1:00:02.800
<v Speaker 1>interview that he's but did he never make mention of

1:00:02.920 --> 1:00:03.880
<v Speaker 1>any of that?

1:00:03.880 --> 1:00:07.880
<v Speaker 2>That should exactly exactly.

1:00:07.920 --> 1:00:10.440
<v Speaker 1>I mean, you know him being on the underground and

1:00:10.560 --> 1:00:12.720
<v Speaker 1>you know what I mean here and this again it's

1:00:12.720 --> 1:00:15.560
<v Speaker 1>a it's a discovery thing. I mean, this guy is true,

1:00:15.640 --> 1:00:18.800
<v Speaker 1>by the way, this this this this energetic guy.

1:00:18.680 --> 1:00:21.360
<v Speaker 4>On the radio because he was originally from Orlando, or

1:00:21.400 --> 1:00:22.880
<v Speaker 4>wasn't he from Orleans?

1:00:23.880 --> 1:00:24.040
<v Speaker 3>Yeah?

1:00:24.080 --> 1:00:25.640
<v Speaker 2>It was it was all over the place trying to

1:00:25.640 --> 1:00:27.760
<v Speaker 2>find it. And you heard him on the underground radio station.

1:00:29.760 --> 1:00:32.480
<v Speaker 1>I heard him on there, and then you know, you know,

1:00:32.520 --> 1:00:34.520
<v Speaker 1>I wanted to see you know, this this kid on

1:00:34.560 --> 1:00:35.000
<v Speaker 1>the radio.

1:00:35.120 --> 1:00:36.840
<v Speaker 2>You know, I wanted to see what he looked like.

1:00:37.200 --> 1:00:38.600
<v Speaker 2>And I vibing again.

1:00:39.120 --> 1:00:41.200
<v Speaker 1>So I would go to a mad house, you know,

1:00:41.240 --> 1:00:43.400
<v Speaker 1>they had the Mad House party and I was, you know,

1:00:43.560 --> 1:00:46.480
<v Speaker 1>just chilling there with Joey and check him out.

1:00:46.520 --> 1:00:47.560
<v Speaker 2>And then before you know.

1:00:47.520 --> 1:00:50.880
<v Speaker 1>It, when I did the show. Because Miami never had

1:00:50.880 --> 1:00:57.520
<v Speaker 1>a mixed shore. Yeah, so when uh, you know, Cuentral

1:00:57.560 --> 1:01:00.000
<v Speaker 1>Hollywood came down for Orlando to take over the radio

1:01:00.040 --> 1:01:02.440
<v Speaker 1>your station, I was like, we need to do a

1:01:02.440 --> 1:01:04.400
<v Speaker 1>mix show, and he was like, well you do it.

1:01:04.480 --> 1:01:06.680
<v Speaker 2>What years is by the way, just so we can ship.

1:01:06.720 --> 1:01:08.400
<v Speaker 2>I forgot like ninety seven problems.

1:01:09.640 --> 1:01:12.840
<v Speaker 1>So yeah, so I wanted to have a combination of everything.

1:01:12.960 --> 1:01:14.680
<v Speaker 2>This kid spinning you.

1:01:14.640 --> 1:01:19.440
<v Speaker 1>Know, hip hop, then Uncle Alice spinning Miami, Papa Keith

1:01:19.960 --> 1:01:22.120
<v Speaker 1>and soul syding kids spinning you.

1:01:22.080 --> 1:01:23.080
<v Speaker 2>Know, reggae.

1:01:23.440 --> 1:01:26.360
<v Speaker 1>And then I would have DJ Iry come in and

1:01:26.360 --> 1:01:27.880
<v Speaker 1>spend pop every now and then.

1:01:28.280 --> 1:01:34.320
<v Speaker 2>So all these all these guys, damn, let's take some

1:01:39.920 --> 1:01:42.640
<v Speaker 2>want to finish. Yeah, it's just crazy. Blew my mind.

1:01:43.160 --> 1:01:46.160
<v Speaker 1>Yeah, so you know, this is my way of putting

1:01:46.160 --> 1:01:46.520
<v Speaker 1>them on.

1:01:47.160 --> 1:01:47.360
<v Speaker 2>You know.

1:01:47.480 --> 1:01:49.920
<v Speaker 1>So I did the Luke Show on the radio every Friday.

1:01:50.200 --> 1:01:52.040
<v Speaker 1>It would come on ninety nine Jams and it was

1:01:52.200 --> 1:01:55.360
<v Speaker 1>a big show. Yeah, motherfuckers used to line up around

1:01:55.360 --> 1:01:58.120
<v Speaker 1>the corner you know, the station, you know, because I

1:01:58.160 --> 1:02:00.880
<v Speaker 1>you know, I played on people mind, which you know,

1:02:01.200 --> 1:02:03.400
<v Speaker 1>which was not hard to do because they already know

1:02:03.400 --> 1:02:05.480
<v Speaker 1>I could bitch his naked if I said, oh yeah,

1:02:05.480 --> 1:02:09.360
<v Speaker 1>we live in the studio, every right naked and fucking

1:02:09.920 --> 1:02:12.320
<v Speaker 1>it was right now getting this out, you know, and

1:02:12.360 --> 1:02:15.920
<v Speaker 1>so everybody would beleeve that, you know. So you know,

1:02:16.000 --> 1:02:19.760
<v Speaker 1>all those guys were personalities, and and they were different personalities.

1:02:19.800 --> 1:02:22.520
<v Speaker 1>So I would, you know, the guys at nine and Jams,

1:02:22.520 --> 1:02:24.960
<v Speaker 1>they wanted me to fire call it. So many times

1:02:24.960 --> 1:02:28.120
<v Speaker 1>it was like he's too loud, he's to this, he's

1:02:28.160 --> 1:02:30.640
<v Speaker 1>too that, you know, and and I would I would

1:02:30.640 --> 1:02:33.320
<v Speaker 1>actually they would be like fire him, and then I say,

1:02:33.360 --> 1:02:34.440
<v Speaker 1>fuck it, I ain't doing the show this.

1:02:35.200 --> 1:02:37.360
<v Speaker 2>So it'd be like, okay, well we want.

1:02:37.160 --> 1:02:39.840
<v Speaker 1>You, so we got to keep it, you know, And

1:02:39.840 --> 1:02:41.840
<v Speaker 1>and then I would amp him up, you know, like

1:02:42.040 --> 1:02:44.439
<v Speaker 1>he would be this, Oh I'm the baddest DJ.

1:02:44.520 --> 1:02:44.960
<v Speaker 2>In the world.

1:02:45.000 --> 1:02:48.240
<v Speaker 1>So I would be like, yo, you're the best DJ. Yeah,

1:02:48.280 --> 1:02:50.400
<v Speaker 1>I'm the bast DJ in mine. Oh so everybody else

1:02:51.120 --> 1:02:54.000
<v Speaker 1>is bullshit? Oh yeah, yeah yeah, And so you know

1:02:54.080 --> 1:02:55.520
<v Speaker 1>he would I would.

1:02:55.400 --> 1:02:56.680
<v Speaker 2>Push him into ship.

1:02:56.520 --> 1:03:01.520
<v Speaker 1>That I well, I really when when I really met him.

1:03:01.840 --> 1:03:04.720
<v Speaker 1>When the first time I met him, you know, it's

1:03:04.760 --> 1:03:06.960
<v Speaker 1>on one of my peep shows. It was he was

1:03:07.080 --> 1:03:10.520
<v Speaker 1>with Fat Joe. He came to a party. We had

1:03:10.560 --> 1:03:13.600
<v Speaker 1>the super Bowl party and this young dude, you know,

1:03:14.080 --> 1:03:17.080
<v Speaker 1>Arab guy, he's selling fucking hot phones.

1:03:17.600 --> 1:03:19.400
<v Speaker 2>You know, that was my first kind of with him.

1:03:19.440 --> 1:03:20.400
<v Speaker 1>He got the hot phone.

1:03:20.800 --> 1:03:21.280
<v Speaker 2>You know what I'm like.

1:03:22.280 --> 1:03:24.520
<v Speaker 3>And I think his mom at the time was Palistinian

1:03:24.640 --> 1:03:25.880
<v Speaker 3>terrorists dropping bombs.

1:03:26.200 --> 1:03:29.080
<v Speaker 4>That's big up to Uncle Luke for talking about MC

1:03:29.160 --> 1:03:30.400
<v Speaker 4>colleague had bootleg phones.

1:03:35.040 --> 1:03:37.480
<v Speaker 2>This is a college. You got booths, Del's and all

1:03:37.520 --> 1:03:39.400
<v Speaker 2>that ship now and you'll will wait for you a

1:03:39.440 --> 1:03:39.800
<v Speaker 2>bit more.

1:03:39.960 --> 1:03:40.360
<v Speaker 1>Chaps.

1:03:40.920 --> 1:03:43.600
<v Speaker 5>Listen, motherfucker. We know you when you have bootleg phones.

1:03:44.360 --> 1:03:48.440
<v Speaker 5>Come ongg. I know you do, he show, but you know,

1:03:48.480 --> 1:03:51.560
<v Speaker 5>at the end of the day, you're proud of him.

1:03:51.600 --> 1:03:52.120
<v Speaker 5>I'm proud of.

1:03:53.720 --> 1:03:55.840
<v Speaker 4>Because you know a lot of listeners can't see. But

1:03:55.840 --> 1:03:59.760
<v Speaker 4>I looked at your face. There's no hate, no disappointment.

1:03:59.760 --> 1:04:02.160
<v Speaker 4>Don't hate. No, he's like, you know what I'm saying,

1:04:02.160 --> 1:04:04.200
<v Speaker 4>Like I could be I could be disappointed.

1:04:04.200 --> 1:04:08.280
<v Speaker 2>Doesn't mean I hate right now, I know.

1:04:08.360 --> 1:04:10.240
<v Speaker 1>I love what he's doing. I love the fact that

1:04:10.600 --> 1:04:14.360
<v Speaker 1>you know that he's I knew he was gonna be Yeah, yeah,

1:04:14.880 --> 1:04:16.880
<v Speaker 1>is crazy. You can put him in the room and

1:04:16.920 --> 1:04:21.120
<v Speaker 1>he'll make He'll make fucking anything out of something, you know,

1:04:21.240 --> 1:04:23.840
<v Speaker 1>because he's just that creative, you know what I'm saying.

1:04:23.880 --> 1:04:27.080
<v Speaker 1>So I like what he's doing. Happy you know to

1:04:27.120 --> 1:04:30.600
<v Speaker 1>see that. Okay, this young kid who is selling bootleg

1:04:30.680 --> 1:04:32.400
<v Speaker 1>phones is on the damn TV.

1:04:32.520 --> 1:04:33.520
<v Speaker 2>So I said, down, beout.

1:04:34.040 --> 1:04:36.720
<v Speaker 1>You know you're doing You're doing commercials and ship right now.

1:04:37.080 --> 1:04:37.280
<v Speaker 1>You know.

1:04:37.600 --> 1:04:39.240
<v Speaker 2>But it's a good thing.

1:04:39.320 --> 1:04:44.000
<v Speaker 1>But you know, the story should be told and I'm.

1:04:43.840 --> 1:04:45.960
<v Speaker 2>Just that makes you great.

1:04:46.400 --> 1:04:49.560
<v Speaker 1>You you have to you have to let young people

1:04:49.680 --> 1:04:53.160
<v Speaker 1>know that I ain't just start up here. I came

1:04:53.200 --> 1:04:56.320
<v Speaker 1>from here. This is the road, this is the path

1:04:56.360 --> 1:04:58.600
<v Speaker 1>that I took, so you can actually do the same

1:04:58.640 --> 1:05:02.160
<v Speaker 1>thing exactly. You You give people, you know, you get people,

1:05:02.480 --> 1:05:04.760
<v Speaker 1>you know, hope in their mind that they could do

1:05:04.840 --> 1:05:06.200
<v Speaker 1>things like Chris.

1:05:06.080 --> 1:05:07.760
<v Speaker 2>Shiddy Chris, like he used to always tell me.

1:05:08.040 --> 1:05:10.160
<v Speaker 4>He used to be like I would complain about something

1:05:10.200 --> 1:05:12.200
<v Speaker 4>like he was like, I got this flight, you'll go

1:05:12.240 --> 1:05:14.120
<v Speaker 4>pick up fucking fifteen eighteen.

1:05:13.840 --> 1:05:15.920
<v Speaker 2>Thousand, Like, yo, they ain't have first class.

1:05:15.920 --> 1:05:18.120
<v Speaker 4>He's to be like I used to hold kick a

1:05:18.200 --> 1:05:21.960
<v Speaker 4>prieze Crates, I mean our kid in plays Crates. Go

1:05:22.000 --> 1:05:24.600
<v Speaker 4>in there and get your bucket and like it's like

1:05:25.040 --> 1:05:27.919
<v Speaker 4>remembering your beginning. It makes you better, makes you better,

1:05:27.920 --> 1:05:28.640
<v Speaker 4>it makes you better.

1:05:28.720 --> 1:05:29.680
<v Speaker 2>So I want it.

1:05:29.720 --> 1:05:31.840
<v Speaker 4>But that's the only like person that you ever like

1:05:31.880 --> 1:05:34.440
<v Speaker 4>felt this disappointed at like a little bit. That's like,

1:05:34.480 --> 1:05:36.600
<v Speaker 4>that's just a little bit. I mean I can see

1:05:36.600 --> 1:05:38.320
<v Speaker 4>look at your face, you ain't hating at all. I

1:05:38.320 --> 1:05:43.240
<v Speaker 4>can tell you that he was one most of the artists.

1:05:43.320 --> 1:05:44.000
<v Speaker 2>You know what I'm saying.

1:05:44.520 --> 1:05:48.120
<v Speaker 1>Cool, you know I was a little disappointed with two

1:05:48.160 --> 1:05:48.680
<v Speaker 1>Live crew.

1:05:48.840 --> 1:05:51.200
<v Speaker 2>A little disappointed with a.

1:05:51.160 --> 1:05:54.320
<v Speaker 4>Reunion will be when you're in twenty fourteen and Club

1:05:54.400 --> 1:05:55.080
<v Speaker 4>Live correct.

1:05:55.400 --> 1:05:57.960
<v Speaker 2>Yeah, yeah, I thought you I was back to from there.

1:05:58.120 --> 1:06:00.520
<v Speaker 2>They I mean, those guys are really I.

1:06:00.440 --> 1:06:02.040
<v Speaker 3>Talked to Bob all the times, like, yo, bb, we

1:06:02.040 --> 1:06:02.920
<v Speaker 3>need to have them all together.

1:06:03.160 --> 1:06:04.840
<v Speaker 2>Yeah, and I don't know what the fuck is doing.

1:06:05.240 --> 1:06:09.000
<v Speaker 2>I love BB. I raised BB, but I think BB

1:06:09.240 --> 1:06:15.280
<v Speaker 2>is taking you know, I don't know, I don't know.

1:06:15.320 --> 1:06:19.720
<v Speaker 2>I was trying to you know, my man too.

1:06:20.000 --> 1:06:24.960
<v Speaker 1>Yeah, I love BB to death. That's his son. But exactly,

1:06:25.040 --> 1:06:28.120
<v Speaker 1>but BB taking that money from over there, that's like

1:06:28.200 --> 1:06:29.640
<v Speaker 1>taking money from Hilo.

1:06:30.040 --> 1:06:33.640
<v Speaker 2>Whoa in my opinion, from overwhere, from well, the.

1:06:33.760 --> 1:06:34.560
<v Speaker 1>Little Joe guy.

1:06:34.760 --> 1:06:37.000
<v Speaker 2>Oh you know what I'm saying. You don't You don't

1:06:37.000 --> 1:06:39.480
<v Speaker 2>know about Little Joe. Yeah, you don't know that. That's

1:06:39.560 --> 1:06:40.680
<v Speaker 2>that's that's going back.

1:06:41.000 --> 1:06:43.760
<v Speaker 1>Yeah, BB, you know, you know being here, you know,

1:06:43.800 --> 1:06:45.160
<v Speaker 1>I'm like, if.

1:06:45.000 --> 1:06:49.200
<v Speaker 2>You're that desperate, you can So Little Joe's still involved, Yeah, yeah, yeah,

1:06:49.360 --> 1:06:50.720
<v Speaker 2>those guys signed up them.

1:06:51.080 --> 1:06:56.040
<v Speaker 1>Oh ship, all those guys, all those guys had have

1:06:57.040 --> 1:06:59.960
<v Speaker 1>tried to go bankruptcy, and then he went and bought

1:07:00.120 --> 1:07:03.200
<v Speaker 1>them in bankruptcy. He owns all of them. So they

1:07:03.200 --> 1:07:06.360
<v Speaker 1>can't do a reunion without going through him, asking him,

1:07:06.680 --> 1:07:10.400
<v Speaker 1>and so for BB to be working for them, it's straight.

1:07:10.080 --> 1:07:12.600
<v Speaker 3>Bull because he don't understand and the listeners ain't understand

1:07:12.640 --> 1:07:16.240
<v Speaker 3>Little Joe was they the distributors originally of no directly,

1:07:16.360 --> 1:07:17.600
<v Speaker 3>not at all, So how do.

1:07:17.600 --> 1:07:20.920
<v Speaker 2>They how do they own anything? Well, in my opinion,

1:07:20.960 --> 1:07:24.840
<v Speaker 2>he stole the catalog. That's he out right by it.

1:07:24.960 --> 1:07:28.560
<v Speaker 1>No, no, no, no, wow. But for BB to be

1:07:28.600 --> 1:07:31.560
<v Speaker 1>working for them, you know, that's not cool at all.

1:07:32.280 --> 1:07:34.760
<v Speaker 4>I had no idea. So it's no beef with them,

1:07:34.840 --> 1:07:35.720
<v Speaker 4>It's just beef with the.

1:07:35.680 --> 1:07:36.880
<v Speaker 2>Guy that that well.

1:07:37.000 --> 1:07:39.600
<v Speaker 1>Yeah, I mean, when you let some guy could control you,

1:07:39.800 --> 1:07:41.400
<v Speaker 1>I mean, it don't matter with me. I mean I'm

1:07:41.440 --> 1:07:45.600
<v Speaker 1>twenty years not doing shows with them. I mean they

1:07:45.800 --> 1:07:47.280
<v Speaker 1>you know, if you a nigga had let him mouth

1:07:47.520 --> 1:07:50.200
<v Speaker 1>control you, you used to put the ass nigga as

1:07:50.240 --> 1:07:50.800
<v Speaker 1>simple as that.

1:07:51.680 --> 1:07:53.720
<v Speaker 2>You know, I let some dude who don't matter.

1:07:53.680 --> 1:07:55.760
<v Speaker 1>Control the old dude over there.

1:07:57.480 --> 1:07:57.640
<v Speaker 2>Late.

1:07:57.680 --> 1:08:02.480
<v Speaker 1>But come, no, no, it's a little this big here.

1:08:02.960 --> 1:08:03.560
<v Speaker 2>You know what I'm saying.

1:08:03.560 --> 1:08:05.560
<v Speaker 1>So if you got dudes that control you like that

1:08:05.840 --> 1:08:08.000
<v Speaker 1>to the point where they tell you you can't, you know,

1:08:08.160 --> 1:08:10.120
<v Speaker 1>go and do something for your fans and all that.

1:08:10.120 --> 1:08:11.600
<v Speaker 2>That's the whole other movie. Wow.

1:08:13.120 --> 1:08:16.479
<v Speaker 4>It took a weird disappointed right now, man, because when

1:08:16.479 --> 1:08:19.400
<v Speaker 4>I was when I when when you know people were

1:08:19.400 --> 1:08:22.320
<v Speaker 4>requiring because at first, you know, they started saying two

1:08:22.360 --> 1:08:24.760
<v Speaker 4>live crew, and then I guess people, you know, we

1:08:24.880 --> 1:08:27.559
<v Speaker 4>only been doing this five months right six we're going

1:08:27.560 --> 1:08:29.280
<v Speaker 4>to going to just six months we got the number

1:08:29.320 --> 1:08:35.080
<v Speaker 4>one podcast that makes a noise for us. I started

1:08:35.080 --> 1:08:38.080
<v Speaker 4>to notice like that when the fans knew, the fans

1:08:38.160 --> 1:08:40.479
<v Speaker 4>is like, no, just go with Uncle, just get Uncle,

1:08:41.200 --> 1:08:42.200
<v Speaker 4>because it's not gonna happen.

1:08:42.280 --> 1:08:45.000
<v Speaker 2>The reunion is not gonna happen. I had no we tried.

1:08:45.040 --> 1:08:48.439
<v Speaker 2>We actually had aspirations of getting all y'all together. Oh yeah,

1:08:48.520 --> 1:08:52.240
<v Speaker 2>and then yeah, that didn't happen. We're never gone. That's all.

1:08:52.439 --> 1:08:52.720
<v Speaker 2>I mean.

1:08:52.720 --> 1:08:54.839
<v Speaker 1>That's a whole movie in itself.

1:08:55.880 --> 1:08:57.880
<v Speaker 2>I mean, you know, the dudes are good dudes.

1:08:57.920 --> 1:09:01.519
<v Speaker 1>But again, when when you're own by this guy, when

1:09:01.520 --> 1:09:04.160
<v Speaker 1>this guy paying all your bulls and shit and he

1:09:04.479 --> 1:09:08.160
<v Speaker 1>got your handcuffed and you're almost like a slave in

1:09:08.200 --> 1:09:11.920
<v Speaker 1>my opinion, you know, they pretty much got to do it, dude,

1:09:11.960 --> 1:09:12.320
<v Speaker 1>they do.

1:09:13.880 --> 1:09:14.519
<v Speaker 2>That's crazy.

1:09:14.600 --> 1:09:22.200
<v Speaker 4>Now, this is a problem that I've had in the past,

1:09:22.200 --> 1:09:24.720
<v Speaker 4>and what I mean by that is I don't kind

1:09:24.760 --> 1:09:27.000
<v Speaker 4>of like the respect of these young artists. I've been

1:09:27.040 --> 1:09:30.439
<v Speaker 4>out since nineteen thirty seven and there's been a couple

1:09:30.479 --> 1:09:33.320
<v Speaker 4>of artists and just sample my records and they'll clear

1:09:33.360 --> 1:09:35.600
<v Speaker 4>it through the proper things, or they won't clear it

1:09:35.640 --> 1:09:40.200
<v Speaker 4>through the call you Harry, you know here, are know

1:09:40.200 --> 1:09:42.280
<v Speaker 4>what I'm going thro because now I'm considered.

1:09:42.000 --> 1:09:44.639
<v Speaker 2>Like an og liked now.

1:09:45.080 --> 1:09:48.559
<v Speaker 4>And the thing about it is if I touched, you know,

1:09:49.640 --> 1:09:52.519
<v Speaker 4>a Curtis Blow record, or I touched like we come

1:09:52.560 --> 1:09:54.519
<v Speaker 4>from the arrow, I'll call you a listen. I'm doing

1:09:54.520 --> 1:09:57.040
<v Speaker 4>this over. I'm sampling it because we all have the

1:09:57.080 --> 1:10:00.519
<v Speaker 4>same nature. Right nowadays, motherfuckers are just taking her record,

1:10:01.479 --> 1:10:04.479
<v Speaker 4>loop it, put it on iTunes, and by the time,

1:10:04.800 --> 1:10:07.400
<v Speaker 4>even if you have a problem with it, it's like

1:10:07.520 --> 1:10:10.880
<v Speaker 4>so big it makes you. It makes you look like, oh,

1:10:11.240 --> 1:10:13.360
<v Speaker 4>you're mad because the record is a sussessed No, I'm

1:10:13.360 --> 1:10:16.000
<v Speaker 4>mad because the proper respect wasn't handled to me right,

1:10:16.439 --> 1:10:17.840
<v Speaker 4>you know what I'm saying, Like, I don't care.

1:10:18.160 --> 1:10:20.439
<v Speaker 2>I don't even care about the finances. I just care

1:10:20.479 --> 1:10:22.840
<v Speaker 2>about like if I made a record, like I got

1:10:22.840 --> 1:10:26.719
<v Speaker 2>a record call. Sometimes it's about my father record.

1:10:27.000 --> 1:10:29.360
<v Speaker 4>He died, so it's about putting it and my father

1:10:30.000 --> 1:10:32.599
<v Speaker 4>and I literally made that record crying.

1:10:32.720 --> 1:10:34.320
<v Speaker 2>And some of these artists take this record and.

1:10:34.320 --> 1:10:38.280
<v Speaker 4>Be like sometimes I want and they changed the whole concept.

1:10:38.880 --> 1:10:42.920
<v Speaker 2>Sometimes I want to suck the bitch. Are you mad

1:10:42.960 --> 1:10:43.759
<v Speaker 2>at every artist?

1:10:43.920 --> 1:10:47.679
<v Speaker 4>Or you'm mad young kid in his room redoing it. Yeah,

1:10:47.720 --> 1:10:52.240
<v Speaker 4>I'm mad at him too without calling me, because I

1:10:52.320 --> 1:10:53.360
<v Speaker 4>don't call you.

1:10:53.360 --> 1:10:54.360
<v Speaker 2>Know, I'm saying.

1:10:55.880 --> 1:10:59.720
<v Speaker 4>It's a certain way because certain records, certain records mean

1:10:59.800 --> 1:11:01.640
<v Speaker 4>too much to me to let you fuck with it.

1:11:01.880 --> 1:11:03.960
<v Speaker 2>Like if I don't know you, like, I might not

1:11:04.080 --> 1:11:06.040
<v Speaker 2>let you. You could be you could be a dude

1:11:06.120 --> 1:11:07.920
<v Speaker 2>I met before, So you won't take it. It's paying

1:11:07.920 --> 1:11:10.839
<v Speaker 2>homage to you. If it's not, it's not paying homage.

1:11:10.880 --> 1:11:13.439
<v Speaker 4>Sometimes it's not like what Drake just did with a

1:11:13.520 --> 1:11:14.200
<v Speaker 4>canelly ship.

1:11:14.960 --> 1:11:17.280
<v Speaker 2>I believe that that was paying.

1:11:17.520 --> 1:11:19.639
<v Speaker 3>But that's a different level. The kid in his room

1:11:19.680 --> 1:11:21.840
<v Speaker 3>that's wrapping over your beat, but he needs to learn.

1:11:21.880 --> 1:11:26.479
<v Speaker 2>Though. Don't get ahold of you though Twitter everybody. But

1:11:26.560 --> 1:11:29.320
<v Speaker 2>the thing is this, The thing is this. People need

1:11:29.360 --> 1:11:31.120
<v Speaker 2>to learn. People need to.

1:11:31.080 --> 1:11:34.760
<v Speaker 4>Learn that there was a there was a world that

1:11:34.880 --> 1:11:36.120
<v Speaker 4>existed before you.

1:11:36.400 --> 1:11:38.559
<v Speaker 2>If we just allow a person to just come and

1:11:38.640 --> 1:11:39.479
<v Speaker 2>just do some too.

1:11:39.320 --> 1:11:42.160
<v Speaker 4>Loud crul ship and a nigga say like he said,

1:11:42.200 --> 1:11:45.600
<v Speaker 4>he said me so harmed and they think they invented that.

1:11:45.600 --> 1:11:48.080
<v Speaker 4>That shit is a problem with history. It's no future.

1:11:48.320 --> 1:11:52.040
<v Speaker 4>I feel like people, I feel like I feel like like,

1:11:52.080 --> 1:11:54.200
<v Speaker 4>we ain't trying to sue you artists, We ain't trying

1:11:54.200 --> 1:11:55.400
<v Speaker 4>to but just come.

1:11:55.240 --> 1:11:57.840
<v Speaker 2>Holler at me. Get the proper respect. So I ain't

1:11:57.880 --> 1:12:00.160
<v Speaker 2>never got to say something courtesies what you know what

1:12:00.160 --> 1:12:02.040
<v Speaker 2>I'm saying, I ain't never got to say something slick.

1:12:02.120 --> 1:12:04.720
<v Speaker 2>But how do you feel about that? Because we went

1:12:04.760 --> 1:12:05.920
<v Speaker 2>in and we were going down.

1:12:06.160 --> 1:12:09.320
<v Speaker 1>I mean, I clearly understand what you mean.

1:12:09.439 --> 1:12:11.559
<v Speaker 2>You know what I'm saying. You know when you know

1:12:11.600 --> 1:12:11.920
<v Speaker 2>when the.

1:12:11.880 --> 1:12:16.080
<v Speaker 4>Guys did pop that song, Okay, totally forgot.

1:12:17.040 --> 1:12:20.439
<v Speaker 1>I mean, you know, motherfucker's hed pop that never called

1:12:20.439 --> 1:12:22.720
<v Speaker 1>me up. You don't actually called me to.

1:12:22.680 --> 1:12:23.320
<v Speaker 2>Do a video.

1:12:23.840 --> 1:12:26.280
<v Speaker 1>But they never a video. They never let me hear

1:12:26.320 --> 1:12:29.000
<v Speaker 1>the song. It was like, Yo, we're doing the video.

1:12:29.160 --> 1:12:31.920
<v Speaker 1>We want you to come and be in the video.

1:12:32.240 --> 1:12:34.240
<v Speaker 1>I was like, what's song you being?

1:12:34.360 --> 1:12:34.920
<v Speaker 2>What's on you?

1:12:36.479 --> 1:12:39.360
<v Speaker 1>They never let me hear the song. It was like,

1:12:39.840 --> 1:12:41.639
<v Speaker 1>come be in the video. We you know a song.

1:12:41.720 --> 1:12:42.320
<v Speaker 1>It's a big.

1:12:42.160 --> 1:12:43.200
<v Speaker 2>Secret, you know.

1:12:43.320 --> 1:12:47.320
<v Speaker 1>So I don't know whether it was a surprising thing. Okay,

1:12:47.439 --> 1:12:50.559
<v Speaker 1>you know, I never got deep into the conversation. Yeah,

1:12:50.600 --> 1:12:53.200
<v Speaker 1>but it's the same thing. Nobody never really called up

1:12:53.280 --> 1:12:56.160
<v Speaker 1>and said, Yo, Luke, we're gonna do uh, you know,

1:12:56.240 --> 1:12:58.559
<v Speaker 1>we're gonna take your voice and put your voice on

1:12:58.600 --> 1:13:01.640
<v Speaker 1>this song and gonna put this ship out. So you know,

1:13:01.800 --> 1:13:05.040
<v Speaker 1>so I said something about it, you know, down those lines,

1:13:05.479 --> 1:13:07.960
<v Speaker 1>and then it became, you know, almost.

1:13:07.560 --> 1:13:11.760
<v Speaker 4>Like you look like the old old hater when you're

1:13:11.800 --> 1:13:14.479
<v Speaker 4>a young man. You're in the young man's game. Young

1:13:14.560 --> 1:13:15.240
<v Speaker 4>man showed me.

1:13:17.320 --> 1:13:17.719
<v Speaker 2>Exactly.

1:13:17.760 --> 1:13:21.040
<v Speaker 1>But and and so I clearly understand what you what

1:13:21.080 --> 1:13:24.000
<v Speaker 1>you what you mean by that? I mean, but a

1:13:24.000 --> 1:13:28.240
<v Speaker 1>lot of these guys just don't know their history, and

1:13:28.280 --> 1:13:30.559
<v Speaker 1>they you know, if they sit back for one second

1:13:30.680 --> 1:13:34.320
<v Speaker 1>and say, okay, if I'm making here records, then if

1:13:34.360 --> 1:13:36.080
<v Speaker 1>I'm gonna be in the game for this amount of time,

1:13:36.080 --> 1:13:38.599
<v Speaker 1>there's gonna be some more young guys after after me.

1:13:39.160 --> 1:13:42.960
<v Speaker 1>Do I How would I feel if they take my

1:13:43.080 --> 1:13:45.880
<v Speaker 1>ship and start rapping my ship? Because yea, it's gonna

1:13:45.880 --> 1:13:48.680
<v Speaker 1>get old, keep living, it's having you are going to

1:13:48.760 --> 1:13:49.080
<v Speaker 1>get you.

1:13:49.240 --> 1:13:49.920
<v Speaker 2>You are going to.

1:13:49.920 --> 1:13:52.880
<v Speaker 1>Get old in the game and a young motherfucker's gonna

1:13:52.880 --> 1:13:55.240
<v Speaker 1>come and they gonna take your ship. How would you

1:13:55.280 --> 1:13:58.640
<v Speaker 1>feel when they take your song and start, you know,

1:13:58.760 --> 1:14:01.439
<v Speaker 1>rapping and using your making ship?

1:14:02.520 --> 1:14:03.360
<v Speaker 2>There's different.

1:14:04.680 --> 1:14:10.320
<v Speaker 4>Official the artist just did my record seeing him in

1:14:10.520 --> 1:14:11.960
<v Speaker 4>MTV and he gave me up.

1:14:12.040 --> 1:14:12.400
<v Speaker 1>What up?

1:14:13.160 --> 1:14:15.479
<v Speaker 2>I wanted to kill this nigga.

1:14:15.760 --> 1:14:19.479
<v Speaker 4>But we was in MTV offices and people called me

1:14:19.520 --> 1:14:20.519
<v Speaker 4>that because he was coming up.

1:14:20.560 --> 1:14:22.439
<v Speaker 2>He ain't popping no more off. I won't say his name.

1:14:22.880 --> 1:14:26.240
<v Speaker 2>So he was coming up. It's dream say his name. No, no, no, no, no,

1:14:26.400 --> 1:14:26.840
<v Speaker 2>it's cool.

1:14:27.040 --> 1:14:30.240
<v Speaker 4>It's cool. It's cool because he's over. If he was bobbing,

1:14:30.320 --> 1:14:33.759
<v Speaker 4>I was saying his name, but you know, over that nigga.

1:14:33.840 --> 1:14:37.360
<v Speaker 4>And when I seen him, when I realized he he

1:14:38.040 --> 1:14:42.559
<v Speaker 4>not only he didn't even recognize me. So youre just

1:14:42.720 --> 1:14:46.000
<v Speaker 4>doing records. There's no respect to that. I can't respect that.

1:14:46.479 --> 1:14:48.960
<v Speaker 2>Now. I'm not a hater. I'm not fucked up. You

1:14:48.960 --> 1:14:50.120
<v Speaker 2>know what I'm saying. I'm okay.

1:14:51.080 --> 1:14:53.320
<v Speaker 4>But at the same token, I was raised with respect.

1:14:53.360 --> 1:14:55.760
<v Speaker 4>My mom's told me to pull out a care for

1:14:55.840 --> 1:14:58.040
<v Speaker 4>a woman. My moms told me to hold the door,

1:14:58.240 --> 1:15:00.920
<v Speaker 4>my moms told my moms told me man, so.

1:15:02.439 --> 1:15:02.720
<v Speaker 2>I don't.

1:15:03.120 --> 1:15:05.000
<v Speaker 1>But that's why he ain't in the business right now.

1:15:05.080 --> 1:15:05.760
<v Speaker 2>You know what I'm saying.

1:15:05.840 --> 1:15:07.719
<v Speaker 1>The guys, when you really think about it, the guys

1:15:07.720 --> 1:15:10.240
<v Speaker 1>who are still in the business right now, the ones

1:15:10.280 --> 1:15:14.920
<v Speaker 1>who have longevity, they have some sense of the history

1:15:14.960 --> 1:15:20.479
<v Speaker 1>of the one hit wonders. They go and they come

1:15:20.600 --> 1:15:23.840
<v Speaker 1>all day because they don't understand the history, and they

1:15:23.840 --> 1:15:26.040
<v Speaker 1>ain't trying to learn the history. You know, if you

1:15:26.080 --> 1:15:28.080
<v Speaker 1>know the history, you'll be around. I mean, Jay has

1:15:28.200 --> 1:15:30.840
<v Speaker 1>been around one hundred years and still making here records

1:15:32.000 --> 1:15:37.640
<v Speaker 1>hundred I mean you know all those guys, I mean

1:15:37.720 --> 1:15:41.559
<v Speaker 1>Wayne and all them, do you have to know the history.

1:15:41.600 --> 1:15:43.960
<v Speaker 1>If you don't know the history, and you sitting there

1:15:44.000 --> 1:15:46.519
<v Speaker 1>and when you make a statement like that, everybody old man,

1:15:47.040 --> 1:15:49.599
<v Speaker 1>he tripping and all that. No, no, no, you don't pay

1:15:49.600 --> 1:15:53.040
<v Speaker 1>homage like that. You'll be in this business and out real.

1:15:53.160 --> 1:15:56.080
<v Speaker 2>But y'all talking to you specifically? Are you talking about

1:15:56.080 --> 1:15:56.760
<v Speaker 2>two different things?

1:15:56.760 --> 1:15:59.240
<v Speaker 3>There's the artist that puts out a single and he

1:15:59.400 --> 1:16:02.160
<v Speaker 3>just Jack's beat and takes the record and puts out

1:16:02.160 --> 1:16:05.799
<v Speaker 3>officially because I'm a mixtape DJ. So I'm I'm saying,

1:16:05.880 --> 1:16:08.160
<v Speaker 3>there's the kid that anybody you could be.

1:16:08.280 --> 1:16:11.559
<v Speaker 2>You run on other people's beats on my mixtape. It's

1:16:11.600 --> 1:16:12.240
<v Speaker 2>not the same thing.

1:16:12.280 --> 1:16:18.800
<v Speaker 6>Freestyle are you talking about? We need to define that

1:16:19.040 --> 1:16:24.360
<v Speaker 6>about redo your record? That's crazy, that's crazy.

1:16:24.400 --> 1:16:25.160
<v Speaker 2>I have no problem with.

1:16:25.160 --> 1:16:32.920
<v Speaker 4>A person freestyle and when you take my ship, throw

1:16:32.960 --> 1:16:35.360
<v Speaker 4>it out, sell it, make a profit.

1:16:36.920 --> 1:16:40.639
<v Speaker 2>For me like it ain't. And the thing about it

1:16:40.680 --> 1:16:41.759
<v Speaker 2>is like money ain't everything.

1:16:41.840 --> 1:16:43.720
<v Speaker 4>So most people could come back and offer you some

1:16:43.800 --> 1:16:45.600
<v Speaker 4>running and it's like damn.

1:16:45.600 --> 1:16:48.000
<v Speaker 2>Knowing that you don't. Maybe you don't own that beat

1:16:48.000 --> 1:16:48.719
<v Speaker 2>because of whatever.

1:16:48.960 --> 1:16:52.880
<v Speaker 3>But you ship, they owe you as an individual, as

1:16:52.880 --> 1:16:54.840
<v Speaker 3>an artist, they should pay homage to you.

1:16:55.200 --> 1:16:57.600
<v Speaker 2>That's what My ship was worse than that.

1:16:57.760 --> 1:17:00.320
<v Speaker 1>My ship was more like the first one. When I

1:17:00.439 --> 1:17:03.519
<v Speaker 1>really heard about what it was, it was a fucking

1:17:03.680 --> 1:17:11.400
<v Speaker 1>ad Lou Uncle Luke uh uh Rick Ross and French Montana.

1:17:11.840 --> 1:17:15.280
<v Speaker 1>I ain't know who the fuck French Montana? And the

1:17:15.400 --> 1:17:16.640
<v Speaker 1>fun is French.

1:17:18.200 --> 1:17:18.360
<v Speaker 3>Right?

1:17:19.479 --> 1:17:20.400
<v Speaker 2>A song? You know?

1:17:21.280 --> 1:17:23.920
<v Speaker 1>I heard song like this motherfucker.

1:17:23.560 --> 1:17:26.679
<v Speaker 2>Song hot, Who the fucking French Montega?

1:17:27.240 --> 1:17:34.000
<v Speaker 1>You know what I'm saying. Jonas made the nigga my song,

1:17:41.640 --> 1:17:44.599
<v Speaker 1>So you know, man, you know, but I you know again,

1:17:45.160 --> 1:17:47.840
<v Speaker 1>you know that that you know, people blew it up

1:17:48.560 --> 1:17:51.120
<v Speaker 1>man at French Montana. Ain't ready to get this motherfucker.

1:17:51.120 --> 1:17:54.479
<v Speaker 1>I'm like, nah, yeah, we ended up doing the show

1:17:54.920 --> 1:17:56.599
<v Speaker 1>for me to awards and all that.

1:17:57.040 --> 1:17:58.880
<v Speaker 4>You just did a show recently with d m X

1:17:59.000 --> 1:18:02.080
<v Speaker 4>and ONYX and my manager was out there.

1:18:05.280 --> 1:18:09.439
<v Speaker 1>Man, I'm performing. I have to tell them to stop. Yeah,

1:18:09.840 --> 1:18:12.280
<v Speaker 1>I love performing. You love perform I love Yeah. It's

1:18:12.280 --> 1:18:14.719
<v Speaker 1>like a hobby to me, not going you know, and

1:18:14.720 --> 1:18:16.519
<v Speaker 1>and you know I don't do that kind of music

1:18:16.520 --> 1:18:21.679
<v Speaker 1>while I just walking downstage smoking joint and and be strippers.

1:18:21.720 --> 1:18:25.320
<v Speaker 1>What you on? No, we are regular dances. Excuse me?

1:18:25.520 --> 1:18:34.120
<v Speaker 4>Different when they graduated scrippers now I know, no dancing.

1:18:34.120 --> 1:18:36.880
<v Speaker 4>When they graduated dances, it's all out as scrippers and

1:18:36.880 --> 1:18:38.000
<v Speaker 4>they end up as dances.

1:18:39.240 --> 1:18:41.160
<v Speaker 2>How how does it go? They thought I was none.

1:18:41.439 --> 1:18:46.200
<v Speaker 2>They just start out strippers since nowadays, but got sophisticated dances. Yeah,

1:18:46.760 --> 1:18:53.240
<v Speaker 2>strippers dance. Let's make We're not ending.

1:18:53.320 --> 1:18:55.240
<v Speaker 4>But I just want to thank you admitted interview, because

1:18:55.240 --> 1:18:58.160
<v Speaker 4>you know why, I single hand the least scenk.

1:18:58.040 --> 1:19:00.600
<v Speaker 2>That you know. Oh my god, what cause Santiago my

1:19:00.680 --> 1:19:01.920
<v Speaker 2>last name? I'm sorry, I just saw that.

1:19:01.960 --> 1:19:03.920
<v Speaker 4>I'm sorry, just throwing it out there, but I single

1:19:04.000 --> 1:19:08.559
<v Speaker 4>handedly see you hold Miami down. When Miami had problems

1:19:08.560 --> 1:19:11.519
<v Speaker 4>with anybody, you stepped up. You wasn't you wasn't holding

1:19:11.560 --> 1:19:15.400
<v Speaker 4>your tongue. You you you shape and mold what Miami

1:19:15.560 --> 1:19:17.920
<v Speaker 4>is now. And I have to thank you as a

1:19:17.920 --> 1:19:20.000
<v Speaker 4>person that now lives in Miami, born and raised in

1:19:20.040 --> 1:19:23.599
<v Speaker 4>New York, but this is my second home. I've been

1:19:23.600 --> 1:19:25.639
<v Speaker 4>out here, this is where the show is being taped.

1:19:25.640 --> 1:19:28.040
<v Speaker 4>And we wanted it personally. I was gonna say, but

1:19:28.280 --> 1:19:30.519
<v Speaker 4>we wanted to personally and just invite you here and

1:19:30.600 --> 1:19:31.680
<v Speaker 4>let you know that this is your home.

1:19:31.720 --> 1:19:35.080
<v Speaker 2>We got got one point two million people listening to us.

1:19:36.160 --> 1:19:41.080
<v Speaker 2>I'm like two people. I was gonna say, like two

1:19:41.200 --> 1:19:45.519
<v Speaker 2>or three people listen. We so we're at the crib.

1:19:45.920 --> 1:19:47.920
<v Speaker 2>At the crib. We at the crib the type of the

1:19:47.880 --> 1:19:48.320
<v Speaker 2>way they.

1:19:48.240 --> 1:19:50.000
<v Speaker 4>Want to use it, and we want you to know

1:19:50.040 --> 1:19:52.280
<v Speaker 4>that you can come here all the time. But continuing

1:19:52.360 --> 1:19:57.800
<v Speaker 4>moving on, where do you see Miami going to as

1:19:57.800 --> 1:19:59.360
<v Speaker 4>far as the music scene goes?

1:19:59.720 --> 1:20:02.200
<v Speaker 2>What's as far as far as the music scene?

1:20:02.439 --> 1:20:05.200
<v Speaker 1>I mean, you know it's it's it's tough around here

1:20:05.200 --> 1:20:08.720
<v Speaker 1>because radio stations don't support the local artists. You know

1:20:08.720 --> 1:20:12.000
<v Speaker 1>what I'm saying. Uh, the underground and as power for

1:20:12.200 --> 1:20:14.880
<v Speaker 1>is it as it was as it used to be?

1:20:17.560 --> 1:20:19.400
<v Speaker 1>You know, you got you know what I mean. The

1:20:19.479 --> 1:20:22.559
<v Speaker 1>DJ's on South Beach, you know, no disrespecting none of them.

1:20:22.560 --> 1:20:26.560
<v Speaker 1>They ain't really playing no Miami music, you know. So

1:20:26.560 --> 1:20:29.200
<v Speaker 1>so at the same time, you know, you got clubs running.

1:20:29.400 --> 1:20:30.960
<v Speaker 1>It's a totally different scene.

1:20:31.600 --> 1:20:34.439
<v Speaker 2>You know. If you you know, like I'm I'm out, you.

1:20:34.479 --> 1:20:36.240
<v Speaker 1>Know, in the hood all the time, you know, at

1:20:36.240 --> 1:20:40.160
<v Speaker 1>the parks and everything, and the DJ's play totally different music.

1:20:40.680 --> 1:20:43.439
<v Speaker 1>Then what you is, it's it's the same thing, you know,

1:20:43.760 --> 1:20:46.320
<v Speaker 1>like when I was when I came up. You know,

1:20:46.680 --> 1:20:49.400
<v Speaker 1>the difference is I was able to take you know,

1:20:49.920 --> 1:20:52.240
<v Speaker 1>songs like Peter Butter and Jelly in because I was

1:20:52.320 --> 1:20:53.080
<v Speaker 1>nationally known.

1:20:53.920 --> 1:20:54.599
<v Speaker 2>I put it out.

1:20:54.800 --> 1:20:57.920
<v Speaker 1>They become nationally known, you know, in that same beat

1:20:57.960 --> 1:21:01.760
<v Speaker 1>that's going on around here. So you don't have the

1:21:01.800 --> 1:21:05.559
<v Speaker 1>record companies in Miami that may have.

1:21:05.439 --> 1:21:07.280
<v Speaker 2>A national appeal.

1:21:08.120 --> 1:21:11.760
<v Speaker 1>They're not going to get those artists and put them

1:21:11.800 --> 1:21:15.200
<v Speaker 1>on and let people hear real Miami music. You know,

1:21:15.280 --> 1:21:18.000
<v Speaker 1>I could be doing I could be selling platinum Ahtown

1:21:18.240 --> 1:21:21.439
<v Speaker 1>R and B album, But then I'll go find a

1:21:21.520 --> 1:21:25.920
<v Speaker 1>treat daddy and he'll be spitting Miami slain you feel me,

1:21:25.960 --> 1:21:29.760
<v Speaker 1>and he'll do it song in Then through me, I'm

1:21:29.840 --> 1:21:32.639
<v Speaker 1>introducing the rest of the world to you. You don't

1:21:32.640 --> 1:21:34.360
<v Speaker 1>have these artists you know that.

1:21:34.479 --> 1:21:38.599
<v Speaker 2>From here doing that. You know, that's what the dudes

1:21:38.600 --> 1:21:40.479
<v Speaker 2>who on they ain't doing it.

1:21:40.760 --> 1:21:44.120
<v Speaker 1>And then Miami does not have a sound anymore because

1:21:44.160 --> 1:21:46.320
<v Speaker 1>everybody that's the biggest problem. And I tell a lot

1:21:46.320 --> 1:21:49.280
<v Speaker 1>of these young dudes, you know, whether you like it

1:21:49.400 --> 1:21:51.920
<v Speaker 1>or not, we have boom chat, boom chat, you know

1:21:51.960 --> 1:21:52.439
<v Speaker 1>what I'm saying.

1:21:52.520 --> 1:21:55.760
<v Speaker 2>We had that was Miami.

1:21:55.439 --> 1:21:58.880
<v Speaker 1>And then we had our slain because to me, hip

1:21:58.920 --> 1:21:59.920
<v Speaker 1>hop is slain.

1:22:00.439 --> 1:22:02.080
<v Speaker 2>You know what these niggas, you.

1:22:02.040 --> 1:22:04.439
<v Speaker 1>Know, like you lost when you said the Koreban, you

1:22:04.479 --> 1:22:07.320
<v Speaker 1>know red Man lost when he said what's up?

1:22:07.360 --> 1:22:09.280
<v Speaker 2>Dog?

1:22:10.240 --> 1:22:13.479
<v Speaker 1>And you will be like what these niggas talking about

1:22:13.479 --> 1:22:16.240
<v Speaker 1>cousin blood and all that ship. So then you heard

1:22:16.600 --> 1:22:20.640
<v Speaker 1>slag through the music right now, you know the artists

1:22:20.640 --> 1:22:23.960
<v Speaker 1>that are coming out of Miami, you don't hear Miami slang.

1:22:24.240 --> 1:22:26.439
<v Speaker 3>What did you think about Mother Superior? Because I'm I'm

1:22:26.680 --> 1:22:29.680
<v Speaker 3>that's the era I'm from. I'm with that group. What

1:22:29.680 --> 1:22:30.479
<v Speaker 3>did you think about her?

1:22:30.520 --> 1:22:33.360
<v Speaker 2>Do you remember she wasn't getting You ain't give a funk,

1:22:33.400 --> 1:22:40.040
<v Speaker 2>Let's keep it. I don't get shot shot. That's my whole.

1:22:41.120 --> 1:22:43.760
<v Speaker 3>They called it the liverally, the female nas and she

1:22:43.880 --> 1:22:44.519
<v Speaker 3>was from Miami.

1:22:44.560 --> 1:22:46.559
<v Speaker 2>She rerapped Miami. She was just on some lyrical ship.

1:22:47.520 --> 1:22:47.960
<v Speaker 2>Look at look.

1:22:48.360 --> 1:22:51.160
<v Speaker 1>But we.

1:22:52.920 --> 1:22:54.920
<v Speaker 3>Got mad at her when she moved to New York,

1:22:55.040 --> 1:22:57.439
<v Speaker 3>when she got her deal with Island, right.

1:22:57.600 --> 1:23:01.479
<v Speaker 1>Right, I mean again, when you the question becomes and

1:23:01.520 --> 1:23:04.920
<v Speaker 1>I try and tell these young dudes around here, you can't.

1:23:04.960 --> 1:23:06.240
<v Speaker 2>You got to have a sound.

1:23:06.720 --> 1:23:10.559
<v Speaker 1>Atlanta got a sound, New York got a sound, California sound,

1:23:10.880 --> 1:23:14.000
<v Speaker 1>and right now Miami don't have a sound anymore. On

1:23:14.120 --> 1:23:16.240
<v Speaker 1>top of it, you ain't got guys putting guys on.

1:23:16.720 --> 1:23:20.000
<v Speaker 2>So everybody trying to sound like fucking Atlanta, you know.

1:23:20.280 --> 1:23:24.440
<v Speaker 1>And and when you you know, nothing you saying lyrically

1:23:25.080 --> 1:23:27.719
<v Speaker 1>ain't really you know, I don't understand what you're saying

1:23:27.760 --> 1:23:30.320
<v Speaker 1>because I'm with kids every day, you know, I coach

1:23:30.439 --> 1:23:33.000
<v Speaker 1>high school football. So I'm driving them home and they

1:23:33.080 --> 1:23:36.240
<v Speaker 1>having a whole conversation. I'm really I'm hearing the conversation,

1:23:36.360 --> 1:23:38.920
<v Speaker 1>and their slang is totally different. You know what I'm saying.

1:23:38.920 --> 1:23:44.960
<v Speaker 1>They call a fat girl a pepper, you know, So again,

1:23:45.080 --> 1:23:47.519
<v Speaker 1>you know, so just you going like that, you know

1:23:48.520 --> 1:23:51.639
<v Speaker 1>when when when I'm doing records, that'll be a whole

1:23:51.680 --> 1:23:57.720
<v Speaker 1>song you know, the girls to be peppers, you know

1:23:57.880 --> 1:24:01.920
<v Speaker 1>that in the lyrical content of a song. And then

1:24:02.000 --> 1:24:05.320
<v Speaker 1>you would get the song in Chicago at Atlanta and

1:24:05.360 --> 1:24:08.680
<v Speaker 1>you know what, you know what the what the is

1:24:08.680 --> 1:24:09.920
<v Speaker 1>the this thigga keeps saying.

1:24:09.960 --> 1:24:15.080
<v Speaker 4>It's like like y'all always like at the whole world.

1:24:17.439 --> 1:24:20.720
<v Speaker 4>My son, my son comes in the other day and

1:24:20.760 --> 1:24:23.559
<v Speaker 4>he's calling his little brothers a jet and I'm like.

1:24:23.520 --> 1:24:24.599
<v Speaker 2>What does that mean?

1:24:26.200 --> 1:24:28.200
<v Speaker 4>Then I come around these guys and they start using it,

1:24:28.200 --> 1:24:29.559
<v Speaker 4>and I'm like, I have to be cared, Like, what

1:24:29.640 --> 1:24:30.880
<v Speaker 4>the is my son call them?

1:24:31.560 --> 1:24:33.280
<v Speaker 2>Like they just called him a younger dude. But like,

1:24:33.520 --> 1:24:35.080
<v Speaker 2>and to me and to me.

1:24:35.400 --> 1:24:38.360
<v Speaker 1>That's always been hip hop. It was it was the

1:24:38.360 --> 1:24:40.559
<v Speaker 1>ghetto blues, you know what you're.

1:24:40.400 --> 1:24:42.719
<v Speaker 2>Talking about over here? You know when Big was making

1:24:42.720 --> 1:24:43.600
<v Speaker 2>the songs.

1:24:43.280 --> 1:24:45.439
<v Speaker 1>Oh ship, you know what I'm saying, all right, the

1:24:45.520 --> 1:24:48.960
<v Speaker 1>dudes in Atlanta making their song Okay, Oh that's you know.

1:24:49.240 --> 1:24:52.120
<v Speaker 1>So it was more intriguing as to what they're vibing

1:24:52.560 --> 1:24:54.960
<v Speaker 1>and what they're talking about, as well as the slain

1:24:55.080 --> 1:24:57.200
<v Speaker 1>on top of it. So now when you have the

1:24:57.560 --> 1:24:59.920
<v Speaker 1>guys coming from Miami or from Miami, but.

1:25:00.080 --> 1:25:02.599
<v Speaker 2>You sound like pop, that ain't Miami.

1:25:03.280 --> 1:25:08.040
<v Speaker 1>So technically, I'm like, it's not no Miami artists.

1:25:08.400 --> 1:25:09.000
<v Speaker 2>You know what I'm saying.

1:25:09.000 --> 1:25:12.519
<v Speaker 1>When when when when Trick they say, you don't know, now, nigga,

1:25:12.760 --> 1:25:14.760
<v Speaker 1>you know what I'm saying, that's the Miami ship.

1:25:15.920 --> 1:25:18.760
<v Speaker 3>So Trick is like the jay Z of Miami because

1:25:18.760 --> 1:25:20.559
<v Speaker 3>he's lyrical and people don't give him that credit, but

1:25:20.560 --> 1:25:21.599
<v Speaker 3>he's literal Miami.

1:25:21.840 --> 1:25:23.000
<v Speaker 2>Loss will be the jay Z.

1:25:23.240 --> 1:25:26.360
<v Speaker 3>No, no, I'm telling you before that it's Trick.

1:25:26.439 --> 1:25:28.760
<v Speaker 2>Trick is the jay Z in Miami. He's literally us.

1:25:29.080 --> 1:25:32.479
<v Speaker 1>So nobody is connecting with Miami. You know what I'm saying,

1:25:32.520 --> 1:25:34.920
<v Speaker 1>None of the none of the artists, because he's artists.

1:25:35.240 --> 1:25:38.120
<v Speaker 1>These young guys are really lost. I mean like, I'll

1:25:38.160 --> 1:25:41.280
<v Speaker 1>go to the radio station, the fucking go in on

1:25:41.320 --> 1:25:43.080
<v Speaker 1>the PD and the m D white, you ain't playing

1:25:43.080 --> 1:25:46.000
<v Speaker 1>the music from Miami, and they'll be like, their business

1:25:46.040 --> 1:25:48.640
<v Speaker 1>ain't right, Luke, their business ain't right, you know, And

1:25:48.680 --> 1:25:51.400
<v Speaker 1>then I business and then they'll be like and then

1:25:51.439 --> 1:25:54.360
<v Speaker 1>I listen to a song, you know, because they everybody

1:25:54.439 --> 1:25:56.360
<v Speaker 1>get mad. Luke man, you you need to go and

1:25:56.360 --> 1:25:58.720
<v Speaker 1>step down on these motherfuckers. When I go in there,

1:25:59.040 --> 1:26:01.040
<v Speaker 1>then I listen sh like the fuck.

1:26:00.960 --> 1:26:04.480
<v Speaker 2>Is this the ship that they have? Okay?

1:26:04.560 --> 1:26:06.320
<v Speaker 1>You know what, and they'll be like, yo, this these

1:26:06.320 --> 1:26:09.320
<v Speaker 1>are the songs right here. I'd be like, this, ain't

1:26:09.360 --> 1:26:11.840
<v Speaker 1>no fucking Miami song. These motherfucker's trying to sound like

1:26:11.840 --> 1:26:14.960
<v Speaker 1>another motherfucker on the same beat, you know what I'm saying.

1:26:15.040 --> 1:26:19.200
<v Speaker 1>So I'm really yeah, yeah, I'm fucked up when it

1:26:19.320 --> 1:26:21.880
<v Speaker 1>when it comes to music, I'm real real, ain't. I

1:26:21.920 --> 1:26:25.240
<v Speaker 1>don't like studios. I go in there. My tension span

1:26:25.400 --> 1:26:28.439
<v Speaker 1>is real short. Ship ain't right. I ain't fucking with it,

1:26:28.520 --> 1:26:30.479
<v Speaker 1>you know. So when I hear it in the first

1:26:30.560 --> 1:26:33.200
<v Speaker 1>one minute, I'd be like, y'all, y'all motherfuckers trying to

1:26:33.200 --> 1:26:36.479
<v Speaker 1>sound like somebody else. Start sounded like Miami. You know,

1:26:36.560 --> 1:26:38.000
<v Speaker 1>a lot of a lot of a lot of music.

1:26:38.040 --> 1:26:40.440
<v Speaker 2>Ain't like that. You got a couple of young guys.

1:26:40.479 --> 1:26:44.840
<v Speaker 1>Around here that Curry is dope from from You got

1:26:44.840 --> 1:26:49.000
<v Speaker 1>a couple back too. Yeah, when you hear when you

1:26:49.080 --> 1:26:56.559
<v Speaker 1>hear dudes spitting, you know, Miami slain and it's more

1:26:56.600 --> 1:27:00.360
<v Speaker 1>to slag than anything. And they ain't delivering like some

1:27:00.400 --> 1:27:01.320
<v Speaker 1>guy from Atlanta.

1:27:01.479 --> 1:27:04.160
<v Speaker 2>It's the same. It's the neighborhood, the look and it's

1:27:04.920 --> 1:27:06.799
<v Speaker 2>it's all. It's the funny.

1:27:07.040 --> 1:27:09.680
<v Speaker 1>I mean, when when I put out portsy Clan, you know,

1:27:09.720 --> 1:27:14.400
<v Speaker 1>which is the first Southern you know, God, Southern w A.

1:27:14.560 --> 1:27:18.320
<v Speaker 2>That's a Southern w A, a hardcore group. Well after

1:27:18.720 --> 1:27:20.240
<v Speaker 2>spots all Night, yeah.

1:27:20.080 --> 1:27:22.400
<v Speaker 1>They got you know, they got a shake what your

1:27:22.400 --> 1:27:24.280
<v Speaker 1>mama gave you. But then the next song.

1:27:24.280 --> 1:27:26.000
<v Speaker 2>They had a longer court ass record.

1:27:26.040 --> 1:27:29.680
<v Speaker 1>You know one you know what I'm saying. So de

1:27:29.840 --> 1:27:33.200
<v Speaker 1>Montherfuler's got lyrics, so you can't do it. You know,

1:27:33.760 --> 1:27:37.400
<v Speaker 1>with the sound they used to sound, it slowed it down,

1:27:38.000 --> 1:27:40.240
<v Speaker 1>you know, it's the same beat, but then they sped

1:27:40.240 --> 1:27:41.720
<v Speaker 1>it up whenever they need to speed it up.

1:27:42.040 --> 1:27:43.200
<v Speaker 2>But these dudes want to get away.

1:27:43.280 --> 1:27:45.400
<v Speaker 3>But you did see the value in society as well,

1:27:45.880 --> 1:27:48.000
<v Speaker 3>which when he finally came out, I know, he came

1:27:48.000 --> 1:27:50.559
<v Speaker 3>through New York. He did rep Miami and then and

1:27:50.600 --> 1:27:52.679
<v Speaker 3>even the dudes from Home Team, I mean from Poison

1:27:52.760 --> 1:27:55.960
<v Speaker 3>Clan did Home Team, which they didn't sound necessarily Miami.

1:27:55.960 --> 1:27:58.240
<v Speaker 3>But for us, the cats that were into that, we

1:27:58.240 --> 1:27:59.280
<v Speaker 3>were like, they're in Miami.

1:27:59.520 --> 1:28:03.439
<v Speaker 2>Yeah, they're ripping the South, the Miami. They were from

1:28:03.520 --> 1:28:04.000
<v Speaker 2>New York.

1:28:04.200 --> 1:28:06.439
<v Speaker 1>But then they repped with the beat, right, I mean

1:28:06.880 --> 1:28:08.840
<v Speaker 1>J T Money was in that right, right. You know

1:28:08.880 --> 1:28:10.360
<v Speaker 1>what I'm saying. He was the Miami guy that was

1:28:10.400 --> 1:28:12.080
<v Speaker 1>in the group and then he left out. Then we

1:28:12.320 --> 1:28:13.200
<v Speaker 1>did a solo.

1:28:12.960 --> 1:28:15.280
<v Speaker 3>App because a kid like me, I was like, I'm

1:28:15.280 --> 1:28:17.519
<v Speaker 3>going to a party and based music is a part

1:28:17.560 --> 1:28:17.960
<v Speaker 3>of my life.

1:28:17.960 --> 1:28:19.160
<v Speaker 2>Reggae music is a part of my life.

1:28:19.200 --> 1:28:21.240
<v Speaker 3>But I'm a hip hop kid too, So I'm looking

1:28:21.280 --> 1:28:24.760
<v Speaker 3>at Home Team, Society, Mother Superior. At least they speak

1:28:24.760 --> 1:28:26.800
<v Speaker 3>in my language in Miami, right, And that's what I

1:28:26.840 --> 1:28:32.160
<v Speaker 3>was looking for, right right, I like the Miami connect.

1:28:44.040 --> 1:28:45.920
<v Speaker 2>I have different periods of hip hop.

1:28:46.600 --> 1:28:48.839
<v Speaker 4>Was my my my, I'm gonna tell you my favorite

1:28:49.720 --> 1:28:51.800
<v Speaker 4>year in hip hop had to be nineteen ninety eight.

1:28:53.800 --> 1:28:56.479
<v Speaker 2>What what? What? What was your favorite year? Like? If

1:28:56.479 --> 1:28:59.519
<v Speaker 2>you had the pillow point one year ship, I don't

1:28:59.520 --> 1:29:00.959
<v Speaker 2>know how, I mean, so many.

1:29:00.800 --> 1:29:05.160
<v Speaker 1>Years, all of them is so, I mean, so just

1:29:05.160 --> 1:29:05.680
<v Speaker 1>give me one.

1:29:05.720 --> 1:29:07.280
<v Speaker 2>I had all kind of crazy years.

1:29:07.320 --> 1:29:09.880
<v Speaker 4>You have, you gont get to that.

1:29:10.800 --> 1:29:12.599
<v Speaker 2>Don't get to that. But let's get to your favorite year.

1:29:12.680 --> 1:29:17.120
<v Speaker 2>First favorite year. I don't I don't know, maybe I

1:29:17.120 --> 1:29:18.519
<v Speaker 2>don't know name nine or.

1:29:18.439 --> 1:29:21.920
<v Speaker 4>Something about year after damn it?

1:29:28.439 --> 1:29:29.519
<v Speaker 2>So how many orgies.

1:29:29.520 --> 1:29:32.760
<v Speaker 1>Have you had, like if you could count? You said,

1:29:32.800 --> 1:29:33.760
<v Speaker 1>this was the family show.

1:29:33.840 --> 1:29:37.880
<v Speaker 2>No, I was like, we call the drink you know what.

1:29:40.080 --> 1:29:45.640
<v Speaker 1>Orgies? Oh? Man, I don't know. I don't know.

1:29:45.840 --> 1:29:48.960
<v Speaker 2>You can't come. So how did how did like are

1:29:49.000 --> 1:29:51.320
<v Speaker 2>you a warning niggas? That's what's going on? Like? How

1:29:51.360 --> 1:29:53.720
<v Speaker 2>did you start thinking? I just have mad business around me?

1:29:53.880 --> 1:29:58.480
<v Speaker 1>I got my title from a T. K. Kurculum, a pussyologist.

1:29:58.479 --> 1:29:59.920
<v Speaker 1>Three steps out in the gun and collar.

1:30:01.880 --> 1:30:07.720
<v Speaker 2>Okay, that was hard. That's away that he takes her.

1:30:07.960 --> 1:30:11.120
<v Speaker 2>You're not talking about the comedian. That's what I.

1:30:11.439 --> 1:30:19.000
<v Speaker 4>Said, Luke. How many rappers came to you? And said,

1:30:19.080 --> 1:30:22.760
<v Speaker 4>Luke gom Gona thak this Eddie to asked either right there,

1:30:22.840 --> 1:30:28.639
<v Speaker 4>but if you didn't brother chicks, he was here right now,

1:30:28.720 --> 1:30:30.000
<v Speaker 4>he asked.

1:30:30.280 --> 1:30:34.519
<v Speaker 2>He's going to y'all, yeah, you should have had some girls.

1:30:34.520 --> 1:30:37.200
<v Speaker 2>And I know, man up, he was trying. He's trying to.

1:30:37.560 --> 1:30:40.200
<v Speaker 2>We're trying to. We're trying to get a barked.

1:30:40.720 --> 1:30:43.120
<v Speaker 4>But most importantly, we wanted you to be comfortable with

1:30:43.160 --> 1:30:44.800
<v Speaker 4>liquor because this is some hip hop.

1:30:44.880 --> 1:30:47.200
<v Speaker 2>To some hip hop, and be comfortable around girls.

1:30:47.240 --> 1:30:50.640
<v Speaker 7>You know, man, we don't know was married, like I

1:30:50.640 --> 1:30:57.840
<v Speaker 7>don't want to be saying when I did you gotta

1:30:57.880 --> 1:30:58.240
<v Speaker 7>take one.

1:30:58.280 --> 1:31:01.639
<v Speaker 4>I'm mazy, right, I'm you've been married longer than me.

1:31:01.880 --> 1:31:04.920
<v Speaker 4>But how did your wife ever look at your old

1:31:05.000 --> 1:31:06.439
<v Speaker 4>videos and just look at you and.

1:31:06.479 --> 1:31:12.120
<v Speaker 2>Discuss She don't be like so she don't bring it

1:31:12.200 --> 1:31:12.799
<v Speaker 2>up exception.

1:31:13.120 --> 1:31:15.800
<v Speaker 1>Yeah, that's what I mean, my whole thing. I mean,

1:31:16.760 --> 1:31:22.559
<v Speaker 1>back back in my wild days, he always was real, real,

1:31:22.680 --> 1:31:26.320
<v Speaker 1>real picky with chicks, you know, so everybody always thought, okay,

1:31:26.360 --> 1:31:27.599
<v Speaker 1>look all these girls.

1:31:28.080 --> 1:31:29.920
<v Speaker 2>I was real, real, real picky.

1:31:29.800 --> 1:31:33.400
<v Speaker 4>Like Trail right check, Trail was with you before Nelly, right,

1:31:33.479 --> 1:31:34.840
<v Speaker 4>like you're down with your crew.

1:31:35.360 --> 1:31:43.519
<v Speaker 2>Not nothing like that chick, pretty red Prey read at

1:31:43.560 --> 1:31:46.400
<v Speaker 2>one point, I'm telling me I'm not. I know you read,

1:31:46.600 --> 1:31:53.840
<v Speaker 2>and alright, hold on, I know, hold on, let me

1:31:54.000 --> 1:31:57.599
<v Speaker 2>be clear, hold on the way I just said that gra.

1:31:59.640 --> 1:32:02.080
<v Speaker 1>So so what and now you're going to get the

1:32:02.120 --> 1:32:04.120
<v Speaker 1>same question asked you to you when you get on

1:32:04.880 --> 1:32:06.120
<v Speaker 1>But now where's your video?

1:32:07.240 --> 1:32:11.120
<v Speaker 4>You know, she did some ship that looked at me

1:32:11.240 --> 1:32:17.720
<v Speaker 4>like for real. Now nowadays, look, the girls will go

1:32:17.840 --> 1:32:23.599
<v Speaker 4>on Instagram. They will you know, be half naked whatever

1:32:23.600 --> 1:32:27.160
<v Speaker 4>whatever they get all these followers and that's how people

1:32:27.320 --> 1:32:30.439
<v Speaker 4>know who the bitches is in the town to funk with.

1:32:30.840 --> 1:32:33.439
<v Speaker 4>When y'all was going out of town, how did y'all

1:32:33.560 --> 1:32:36.800
<v Speaker 4>know where to find the bat because you brung your

1:32:36.840 --> 1:32:38.960
<v Speaker 4>bitches with you from Miami like when y'all was on

1:32:39.120 --> 1:32:40.400
<v Speaker 4>tour like that, or.

1:32:40.760 --> 1:32:43.720
<v Speaker 1>I would bring my girls. I'll bring my girls down

1:32:43.800 --> 1:32:44.960
<v Speaker 1>pick up girls in every city.

1:32:45.080 --> 1:32:45.479
<v Speaker 2>Oh my god.

1:32:45.600 --> 1:32:52.320
<v Speaker 4>Let's make no noise for Luke being a real let

1:32:52.360 --> 1:32:53.960
<v Speaker 4>me tell you something, but you have to get your

1:32:54.000 --> 1:32:56.360
<v Speaker 4>hands dirty. You gotta get your hands meaning the bit

1:32:57.160 --> 1:32:57.679
<v Speaker 4>the girl.

1:32:57.560 --> 1:33:01.240
<v Speaker 2>In any anybody that was on there, and that means

1:33:01.479 --> 1:33:05.519
<v Speaker 2>face down. Yeah, they would have to, you know, go

1:33:05.600 --> 1:33:06.040
<v Speaker 2>through something.

1:33:06.080 --> 1:33:09.719
<v Speaker 1>Moyad on them be looking at the mother because like okay,

1:33:09.960 --> 1:33:12.759
<v Speaker 1>and you know the girls would actually the girls.

1:33:13.120 --> 1:33:19.519
<v Speaker 2>Let's make some noise for for for look you you live.

1:33:19.920 --> 1:33:22.760
<v Speaker 4>You lived every real nigga's life and what I mean

1:33:22.840 --> 1:33:26.000
<v Speaker 4>by everywhere, what every real nigga would want to be

1:33:26.360 --> 1:33:27.080
<v Speaker 4>in life.

1:33:27.040 --> 1:33:29.880
<v Speaker 2>Meaning you did what you wanted to do, when you

1:33:30.000 --> 1:33:31.880
<v Speaker 2>wanted to do it, how you wanted to do it.

1:33:32.720 --> 1:33:36.960
<v Speaker 2>You fought the system, you won crazy, you got married,

1:33:37.120 --> 1:33:39.880
<v Speaker 2>and now you're teaching kids. That's what every real gang.

1:33:41.240 --> 1:33:42.240
<v Speaker 2>I'm just being honest.

1:33:42.560 --> 1:33:45.400
<v Speaker 4>The only difference between you is some of the other gangsters,

1:33:45.439 --> 1:33:48.720
<v Speaker 4>they become a preacher that they last, that they last life.

1:33:49.760 --> 1:33:51.519
<v Speaker 2>It is the right way. So how did you get

1:33:51.520 --> 1:33:52.439
<v Speaker 2>into teaching kids?

1:33:52.520 --> 1:33:52.880
<v Speaker 1>How did that?

1:33:53.120 --> 1:33:53.160
<v Speaker 2>Like?

1:33:53.439 --> 1:33:55.439
<v Speaker 1>You know, well, I mean when I first got my check,

1:33:55.520 --> 1:33:56.920
<v Speaker 1>I started my youth program.

1:33:57.160 --> 1:33:59.479
<v Speaker 2>This is like first first check, first check.

1:33:59.560 --> 1:34:03.200
<v Speaker 1>Wow. You know. Part of the check went to buy

1:34:03.280 --> 1:34:06.720
<v Speaker 1>my mama house and uh and the other part of

1:34:06.800 --> 1:34:09.240
<v Speaker 1>it went to start my youth program Liberty City out.

1:34:09.720 --> 1:34:14.320
<v Speaker 2>Wow, this is like twenty six years you know, with

1:34:14.600 --> 1:34:17.160
<v Speaker 2>with you know, with the program. For those that don't know,

1:34:17.280 --> 1:34:19.439
<v Speaker 2>Liberty City is a very very real place.

1:34:19.560 --> 1:34:22.479
<v Speaker 1>Continue yeah, yeah, I mean you know, and like I said,

1:34:22.680 --> 1:34:25.200
<v Speaker 1>you know, we got some great kids that came out

1:34:25.240 --> 1:34:25.759
<v Speaker 1>of the program.

1:34:25.920 --> 1:34:27.960
<v Speaker 2>And did you go to Liberty City because you felt

1:34:28.000 --> 1:34:31.760
<v Speaker 2>that they needed it the most? From now? Because I

1:34:31.840 --> 1:34:33.360
<v Speaker 2>know you from the whole Miami, I know, like you

1:34:33.400 --> 1:34:36.080
<v Speaker 2>could have went anywhere in the whole Miami. Yeah that's

1:34:36.080 --> 1:34:40.680
<v Speaker 2>where you're from city. Yeah, cool, from Liberty City too, right,

1:34:41.040 --> 1:34:44.439
<v Speaker 2>Check from Liberty City. I think we're check from down south.

1:34:44.600 --> 1:34:48.720
<v Speaker 2>He's from the heights man, Yeah, down here. It goes

1:34:48.760 --> 1:34:53.320
<v Speaker 2>all around. But from Carol City, Yeah, Carol City. Gun

1:34:53.439 --> 1:34:56.519
<v Speaker 2>play from Karroll City, Marimont, Carol City. All right, Pitt

1:34:56.640 --> 1:35:00.400
<v Speaker 2>Bull is from Holly, you know, not west Chester a little.

1:35:05.640 --> 1:35:07.320
<v Speaker 2>I know what you're talking about. I'm wucking with you.

1:35:07.680 --> 1:35:10.679
<v Speaker 4>So have any of your kids ever, like not your kids,

1:35:10.720 --> 1:35:13.400
<v Speaker 4>not your physical kids, but you know, you coach, have

1:35:13.479 --> 1:35:15.960
<v Speaker 4>they ever came to you and said, look, I'm trying

1:35:16.000 --> 1:35:16.240
<v Speaker 4>to you.

1:35:16.240 --> 1:35:17.240
<v Speaker 1>Know, get it popping.

1:35:17.320 --> 1:35:20.960
<v Speaker 2>Can you hook me up? You coach Luke.

1:35:22.600 --> 1:35:26.479
<v Speaker 1>If you call me Luca, uncle Luca, something of your

1:35:26.479 --> 1:35:29.080
<v Speaker 1>ass to be rolling four hund of yards and.

1:35:29.880 --> 1:35:32.840
<v Speaker 4>Now how many people because I seen especially I believe

1:35:32.920 --> 1:35:35.759
<v Speaker 4>on MTV or something, they was naming all the kids

1:35:35.840 --> 1:35:37.920
<v Speaker 4>that you know, made it from from your program.

1:35:38.760 --> 1:35:40.719
<v Speaker 2>How proud of you that, mom, I'm very proud.

1:35:40.840 --> 1:35:43.000
<v Speaker 1>I mean, that's that's that's the whole point of the program.

1:35:43.640 --> 1:35:48.200
<v Speaker 1>You know, they go and save lives. You know, a

1:35:48.280 --> 1:35:50.400
<v Speaker 1>lot of people talk about it, and you know, and

1:35:50.520 --> 1:35:54.160
<v Speaker 1>they say, oh, I'm doing this, but tell you physically

1:35:55.040 --> 1:35:57.880
<v Speaker 1>out there every day with them, you know, and you

1:35:58.040 --> 1:36:01.280
<v Speaker 1>seeing the little ones to be grown people. You know,

1:36:02.040 --> 1:36:04.320
<v Speaker 1>I walked through the airport, I see some of the kids,

1:36:04.520 --> 1:36:06.920
<v Speaker 1>you know, war Pride, you know, what I'm saying that

1:36:07.200 --> 1:36:12.040
<v Speaker 1>they worked. Now they're working, and they came through the program,

1:36:12.520 --> 1:36:14.599
<v Speaker 1>you know, you know, and you see someone on the NFL,

1:36:14.720 --> 1:36:18.120
<v Speaker 1>you know, you know tomorrow night, two of our kids

1:36:18.160 --> 1:36:21.000
<v Speaker 1>would be starting running backs for Cleveland Browns in the

1:36:21.040 --> 1:36:21.639
<v Speaker 1>Atlanta FL.

1:36:22.560 --> 1:36:28.680
<v Speaker 2>You know, in his books, I know you talked about that.

1:36:28.760 --> 1:36:31.080
<v Speaker 2>Back in the days, there was no leagues like that. No,

1:36:31.200 --> 1:36:33.360
<v Speaker 2>it wasn't no lead. You basically helped create that. Yeah.

1:36:33.479 --> 1:36:36.640
<v Speaker 1>I mean because I was you know, I lived in

1:36:36.680 --> 1:36:39.200
<v Speaker 1>the Liberty City, and because I was a good football player,

1:36:39.320 --> 1:36:42.600
<v Speaker 1>I ended up going to Miami Beach playing for you know,

1:36:42.680 --> 1:36:44.400
<v Speaker 1>the Optimists over there in Beach High.

1:36:44.920 --> 1:36:47.040
<v Speaker 2>So I was, you know, that kid being on the

1:36:47.080 --> 1:36:50.920
<v Speaker 2>bus every every every day coming.

1:36:50.680 --> 1:36:54.519
<v Speaker 1>Home down the street right here, seventy ninth Street, eleven

1:36:54.520 --> 1:36:57.200
<v Speaker 1>o'clock at night. So I was like, you know, if

1:36:57.240 --> 1:36:59.160
<v Speaker 1>I would make two cents of my lunch money, I'll

1:36:59.200 --> 1:37:01.760
<v Speaker 1>started program where kids don't have to, you know, go

1:37:01.880 --> 1:37:05.320
<v Speaker 1>through that riding on the bus and getting on eleven

1:37:05.360 --> 1:37:07.200
<v Speaker 1>o'clock at night. They can be able to go home

1:37:07.280 --> 1:37:09.840
<v Speaker 1>and be able to get the proper education that they need.

1:37:10.960 --> 1:37:11.879
<v Speaker 1>That's beautiful.

1:37:12.160 --> 1:37:12.320
<v Speaker 2>God.

1:37:12.720 --> 1:37:15.000
<v Speaker 4>Let me ask you little you just come across as

1:37:15.040 --> 1:37:17.679
<v Speaker 4>a person. You don't use navigation in Miami.

1:37:18.240 --> 1:37:22.479
<v Speaker 1>Navigation Yeah, Like, I ain't gonna lie like you just

1:37:22.800 --> 1:37:24.840
<v Speaker 1>like you just look like you know the whole money

1:37:24.880 --> 1:37:26.760
<v Speaker 1>every every now and then use it.

1:37:26.880 --> 1:37:32.120
<v Speaker 2>Everybody in Miami too. Yeah. But you've seen this city

1:37:32.160 --> 1:37:34.640
<v Speaker 2>literally built this up. You see, well you seen when

1:37:34.720 --> 1:37:37.000
<v Speaker 2>cocaine came to this motherfucker.

1:37:36.680 --> 1:37:40.840
<v Speaker 4>Yeah, cowboys all that you see that women would change,

1:37:40.880 --> 1:37:41.759
<v Speaker 4>that's just been crazy.

1:37:42.120 --> 1:37:44.720
<v Speaker 2>Yeah, I'm still trying to That was back in the days.

1:37:44.760 --> 1:37:46.599
<v Speaker 2>That ship was not the way it looked like. Yeah,

1:37:46.600 --> 1:37:48.800
<v Speaker 2>I'm still trying to figure out what it was. Crazy.

1:37:48.840 --> 1:37:50.080
<v Speaker 2>I'm like, that's over time.

1:37:50.280 --> 1:37:51.960
<v Speaker 1>You mother can still over town away.

1:37:53.760 --> 1:38:00.320
<v Speaker 2>I'm still trying to figure it out. Don't get the

1:38:00.360 --> 1:38:05.120
<v Speaker 2>word section this small for US Cubans. We were surprised

1:38:05.120 --> 1:38:07.960
<v Speaker 2>about the Puerto Rican section for them.

1:38:08.439 --> 1:38:10.639
<v Speaker 1>Yeah, when Wood was this small, all of a sudden,

1:38:10.680 --> 1:38:13.720
<v Speaker 1>that motherfuckers this me. I'm like, okay, what part of

1:38:13.800 --> 1:38:16.160
<v Speaker 1>old town did you? You know?

1:38:16.280 --> 1:38:17.479
<v Speaker 2>I'm like, okay, all right.

1:38:17.360 --> 1:38:26.200
<v Speaker 1>And then the Mosquitoes came. I'm like, yeah, motherfuckers, so

1:38:26.439 --> 1:38:30.040
<v Speaker 1>old time and see you motherfucking mosquitoes.

1:38:30.080 --> 1:38:33.360
<v Speaker 2>To get y'all, you, I said, let's go wrong, have drinks.

1:38:33.400 --> 1:38:36.080
<v Speaker 2>It's like no. I was like, oh, ship, I don't

1:38:36.160 --> 1:38:39.080
<v Speaker 2>know what it was a chick. I was like, I

1:38:39.240 --> 1:38:45.840
<v Speaker 2>want to And then they's praying that motherfuckers sucking up

1:38:45.880 --> 1:38:48.360
<v Speaker 2>people with that ship. I'm like, I'm like, hold on,

1:38:48.520 --> 1:38:50.479
<v Speaker 2>where the fuck did this ship pop up? Man?

1:38:51.160 --> 1:38:53.080
<v Speaker 1>You know you got wind Wood me in town all

1:38:53.120 --> 1:38:54.000
<v Speaker 1>that ship was over time.

1:38:54.560 --> 1:38:58.320
<v Speaker 4>Now Ross and Ross beginning the career, did you have

1:38:58.439 --> 1:39:00.799
<v Speaker 4>anything to do with that? Because that was slipping slide correct?

1:39:01.400 --> 1:39:03.800
<v Speaker 2>Yeah, Ross was on slipping side. Then me and Ross

1:39:03.960 --> 1:39:04.639
<v Speaker 2>did a record.

1:39:05.160 --> 1:39:09.920
<v Speaker 1>After Ross did a dis a record on slide, he

1:39:10.000 --> 1:39:12.320
<v Speaker 1>did a disc record, and then I did a record.

1:39:12.120 --> 1:39:14.640
<v Speaker 2>With Ross and the slipper side. I thought you was

1:39:14.720 --> 1:39:15.800
<v Speaker 2>dissing them too or.

1:39:15.880 --> 1:39:19.320
<v Speaker 1>No, well not no. My song wasn't a this song,

1:39:19.880 --> 1:39:21.599
<v Speaker 1>you know. I just thought he was a a hot

1:39:21.920 --> 1:39:24.760
<v Speaker 1>a rapper. But he had a mixtape. He had a

1:39:24.800 --> 1:39:27.479
<v Speaker 1>mixtape and he had did a you know, whole album

1:39:28.200 --> 1:39:30.680
<v Speaker 1>and one of the records he had dissed them, you

1:39:30.800 --> 1:39:34.280
<v Speaker 1>know on there and then I ended up listening to

1:39:34.360 --> 1:39:37.320
<v Speaker 1>the mixtape. I lighted him as an artist, you know

1:39:37.560 --> 1:39:41.840
<v Speaker 1>here man dirt bag. So both of them, yeah, I

1:39:41.880 --> 1:39:45.080
<v Speaker 1>put him both on a record. You know, I was like,

1:39:45.200 --> 1:39:47.479
<v Speaker 1>these two dudes are hot, this ship right here, So

1:39:47.479 --> 1:39:49.160
<v Speaker 1>I ended up putting them on the record before he

1:39:49.240 --> 1:39:49.680
<v Speaker 1>blew up.

1:39:50.040 --> 1:39:55.000
<v Speaker 4>Now, everybody, like a lot of people, they say I

1:39:55.120 --> 1:39:59.000
<v Speaker 4>run this town, or I'm the king, or I'm such

1:39:59.040 --> 1:40:02.400
<v Speaker 4>and such, like you are really like the king of Miami.

1:40:02.640 --> 1:40:08.439
<v Speaker 4>Like from families that praise you for helping their sons

1:40:08.560 --> 1:40:11.439
<v Speaker 4>play football and get into certain things for football, and

1:40:11.560 --> 1:40:14.080
<v Speaker 4>then from families that you've helped Because when you put

1:40:14.160 --> 1:40:14.760
<v Speaker 4>on a rap up.

1:40:14.840 --> 1:40:17.760
<v Speaker 2>DMX said this on our third interview. He said, when

1:40:17.760 --> 1:40:21.880
<v Speaker 2>you put on a rapp up, you employ eight other motherfuckers. Yeah,

1:40:22.000 --> 1:40:24.360
<v Speaker 2>like one rapper comes with eight other motherfuckers.

1:40:24.400 --> 1:40:27.040
<v Speaker 4>So if you put on if you put on just

1:40:27.160 --> 1:40:29.880
<v Speaker 4>three rappers, what's eight times three?

1:40:31.000 --> 1:40:34.439
<v Speaker 2>That's twenty four people that you employed. Yeah, and I'm

1:40:34.479 --> 1:40:35.400
<v Speaker 2>just talking about three.

1:40:36.960 --> 1:40:40.479
<v Speaker 4>So you are like so revered, you so love, like

1:40:40.600 --> 1:40:44.040
<v Speaker 4>you can walk around by yourself. Is that something you

1:40:44.240 --> 1:40:46.840
<v Speaker 4>proud of? Because is that something you always thought that

1:40:46.960 --> 1:40:48.880
<v Speaker 4>this is what you how you want to be or

1:40:50.000 --> 1:40:50.759
<v Speaker 4>what I didn't.

1:40:51.160 --> 1:40:53.240
<v Speaker 1>I didn't think it out. You know, I just know

1:40:53.320 --> 1:40:55.600
<v Speaker 1>who my mom and my dad raised. You know what

1:40:55.600 --> 1:40:57.839
<v Speaker 1>I'm saying, And I just did. I just did everything

1:40:57.920 --> 1:41:00.599
<v Speaker 1>with common sense. And at the same time, I made

1:41:00.640 --> 1:41:05.360
<v Speaker 1>sure that, you know, even how big I got, whether

1:41:05.400 --> 1:41:10.000
<v Speaker 1>I was in Japan or China or wherever, France or

1:41:10.080 --> 1:41:13.720
<v Speaker 1>Holland doing the show, that I would eventually end up

1:41:13.960 --> 1:41:17.160
<v Speaker 1>back home, you know. And when the all opportunities came

1:41:17.800 --> 1:41:20.479
<v Speaker 1>to be, you know, an executive in New York and

1:41:20.920 --> 1:41:23.880
<v Speaker 1>LA get into the movie industry, I know I couldn't

1:41:23.960 --> 1:41:28.040
<v Speaker 1>leave because I need to go back to Miami, you know,

1:41:28.320 --> 1:41:30.680
<v Speaker 1>because you know, I always figured, hey, look there got

1:41:30.800 --> 1:41:32.920
<v Speaker 1>to be some other loops coming after me.

1:41:33.040 --> 1:41:33.679
<v Speaker 2>If I leave.

1:41:33.880 --> 1:41:36.720
<v Speaker 1>Like every other dude, do you know they'll leave their

1:41:36.760 --> 1:41:39.240
<v Speaker 1>own city after they blow up. Oh I'm going to

1:41:39.320 --> 1:41:42.760
<v Speaker 1>the big lights. You know what I'm saying in Hollywood? Now,

1:41:42.840 --> 1:41:45.439
<v Speaker 1>you just left the city. So I always looked at

1:41:45.479 --> 1:41:47.720
<v Speaker 1>it from the standpoint you know, I really got to

1:41:47.720 --> 1:41:50.320
<v Speaker 1>wrap my city and I got to put other people

1:41:50.360 --> 1:41:50.760
<v Speaker 1>on and.

1:41:50.800 --> 1:41:58.320
<v Speaker 2>I applaud you for that. Obama just recently had two meetings.

1:41:58.439 --> 1:42:00.519
<v Speaker 2>He met with all the rappers and then he had

1:42:00.520 --> 1:42:04.400
<v Speaker 2>a party. Can't invite me? Are you taking it in? Obama?

1:42:04.439 --> 1:42:06.559
<v Speaker 2>I was saying, we can't say Obama, so you got

1:42:06.640 --> 1:42:11.080
<v Speaker 2>office and he did he meet with niggas? Was in

1:42:11.160 --> 1:42:11.559
<v Speaker 2>there with the.

1:42:15.560 --> 1:42:22.559
<v Speaker 1>Keep was there for the t was there?

1:42:22.920 --> 1:42:25.160
<v Speaker 4>He invited a whole bunch of niggas that I know.

1:42:25.280 --> 1:42:28.800
<v Speaker 4>I committed a felony with as well, and he invited them.

1:42:28.840 --> 1:42:30.640
<v Speaker 2>He didn't invite me. Yeah, this is the first I

1:42:30.760 --> 1:42:31.080
<v Speaker 2>heard that.

1:42:31.240 --> 1:42:33.639
<v Speaker 4>But have you ever been invited to the White House

1:42:33.680 --> 1:42:37.280
<v Speaker 4>like n w A? W A had some fun up

1:42:37.280 --> 1:42:41.519
<v Speaker 4>ship and then he went to w A. Yeah, I

1:42:41.640 --> 1:42:42.200
<v Speaker 4>was just wondering.

1:42:42.240 --> 1:42:45.080
<v Speaker 1>I don't know that would have been Bernie would have

1:42:45.080 --> 1:42:46.520
<v Speaker 1>won out from Bernie.

1:42:46.600 --> 1:42:52.439
<v Speaker 2>Bernie now went to politics. He's a politician, all right.

1:42:53.479 --> 1:42:57.160
<v Speaker 2>Nelly tried to open the cloud on South Beach. They

1:42:57.600 --> 1:43:00.320
<v Speaker 2>told him that happen. They shut him down. So now

1:43:00.400 --> 1:43:04.160
<v Speaker 2>he's trying to run for mayor of not Miami, of South.

1:43:03.960 --> 1:43:05.599
<v Speaker 3>I didn't even know that was a city by itself.

1:43:07.360 --> 1:43:10.759
<v Speaker 3>So he said South Beach, South. I don't know many beaches,

1:43:10.840 --> 1:43:12.680
<v Speaker 3>but he's said South Beach is I never knew that.

1:43:12.880 --> 1:43:20.920
<v Speaker 1>I never knew that first, right, he said, I said,

1:43:21.240 --> 1:43:21.920
<v Speaker 1>sure's the city.

1:43:22.120 --> 1:43:25.640
<v Speaker 4>He says the city from other queens, so he might

1:43:25.720 --> 1:43:28.320
<v Speaker 4>be getting But the fact is it doesn't matter.

1:43:28.640 --> 1:43:32.479
<v Speaker 2>I think that Donald Trump, I don't feel bad now.

1:43:32.600 --> 1:43:35.080
<v Speaker 2>You don't know that it doesn't matter.

1:43:35.160 --> 1:43:35.840
<v Speaker 1>But this is what I think.

1:43:35.920 --> 1:43:38.720
<v Speaker 4>I think that that Donald Trump has set it up

1:43:38.920 --> 1:43:44.760
<v Speaker 4>for people like you who have maybe a filtered past,

1:43:44.840 --> 1:43:49.760
<v Speaker 4>but you have for such a bright future that uh.

1:43:49.439 --> 1:43:52.360
<v Speaker 2>People that you can run for maya sat up for

1:43:52.439 --> 1:43:53.000
<v Speaker 2>Donald Trump?

1:43:55.520 --> 1:43:56.000
<v Speaker 1>Is that good?

1:43:57.520 --> 1:43:58.800
<v Speaker 2>I don't know. I'm gonna make no way for.

1:43:58.800 --> 1:44:03.280
<v Speaker 1>That, you know, I mean what I mean by that.

1:44:03.479 --> 1:44:06.240
<v Speaker 1>What I mean by that is when I ran for

1:44:06.479 --> 1:44:14.640
<v Speaker 1>mayor here right game in third Uh, I ran us

1:44:14.720 --> 1:44:17.479
<v Speaker 1>my own money. You know what I'm saying the same

1:44:17.560 --> 1:44:18.080
<v Speaker 1>things I do.

1:44:18.280 --> 1:44:19.800
<v Speaker 2>Remember this that's long ago.

1:44:20.560 --> 1:44:23.679
<v Speaker 1>I lived out the same thing you see Trump doing.

1:44:24.920 --> 1:44:29.200
<v Speaker 2>I mean, you know, it's it's almost like straight out

1:44:29.200 --> 1:44:29.919
<v Speaker 2>of my playbook.

1:44:30.640 --> 1:44:33.240
<v Speaker 1>You know what I'm saying, basically keeping it real, you know,

1:44:33.600 --> 1:44:38.120
<v Speaker 1>appealing to people who who feel like they left off.

1:44:38.600 --> 1:44:40.360
<v Speaker 2>You know what I'm saying. Trump the way you sound,

1:44:40.400 --> 1:44:43.400
<v Speaker 2>you sound like you know. I don't like Trump. I'm

1:44:43.439 --> 1:44:44.240
<v Speaker 2>worried about Trump.

1:44:44.640 --> 1:44:48.240
<v Speaker 1>No, Trump never ended up in my rap. I never

1:44:48.320 --> 1:44:50.880
<v Speaker 1>glorified him. You know, most of the guys from New

1:44:50.960 --> 1:44:57.120
<v Speaker 1>York glorifying Trump about.

1:45:00.040 --> 1:45:08.760
<v Speaker 2>I don't worry about her? Was a rap song gone

1:45:08.840 --> 1:45:09.720
<v Speaker 2>back as soon as he got.

1:45:09.800 --> 1:45:11.920
<v Speaker 4>As soon as he got mother, he said, I'm I'm

1:45:11.920 --> 1:45:15.360
<v Speaker 4>gonna suck with the white racist because those are the

1:45:15.400 --> 1:45:16.439
<v Speaker 4>people that's gonna come out.

1:45:17.360 --> 1:45:21.200
<v Speaker 2>Hung out with Trump. You know, back in the day,

1:45:24.000 --> 1:45:26.840
<v Speaker 2>you know, he was a cool motherfucker. You give him

1:45:26.840 --> 1:45:31.519
<v Speaker 2>a dirty I gotta give Trump a dirty man next time.

1:45:31.600 --> 1:45:35.439
<v Speaker 1>He Actually, I thought I was the party I was

1:45:35.720 --> 1:45:37.519
<v Speaker 1>with him. I was like, y'all trying to get something

1:45:37.520 --> 1:45:40.000
<v Speaker 1>of me. Let me get the fun out of the now.

1:45:40.080 --> 1:45:41.000
<v Speaker 1>Y'all got cameras in.

1:45:41.040 --> 1:45:42.120
<v Speaker 2>This room here. Now.

1:45:42.240 --> 1:45:45.200
<v Speaker 4>Trina, she's one of like Miami stables, like one of

1:45:45.280 --> 1:45:48.439
<v Speaker 4>the first female artists. Sex symbol kind of took your

1:45:49.040 --> 1:45:54.120
<v Speaker 4>your you know a format. How you feel about Trina?

1:45:54.960 --> 1:45:55.280
<v Speaker 2>My girl?

1:45:55.720 --> 1:45:58.439
<v Speaker 1>I mean that's that's that's one of the niece, you

1:45:58.520 --> 1:46:01.360
<v Speaker 1>know what me and me and you know she when

1:46:01.400 --> 1:46:03.599
<v Speaker 1>you hit a song on East your birthday and say,

1:46:03.640 --> 1:46:04.639
<v Speaker 1>Trina is your birthday?

1:46:05.000 --> 1:46:08.040
<v Speaker 2>That was her thought about that. Yeah, wow, Yeah, that

1:46:08.160 --> 1:46:08.920
<v Speaker 2>was that was.

1:46:10.160 --> 1:46:11.759
<v Speaker 1>You know, she used to hang out at the studio

1:46:11.840 --> 1:46:15.160
<v Speaker 1>and all that I know her since she was real

1:46:15.240 --> 1:46:20.439
<v Speaker 1>real young stepdad, mister wonderful on fifteen that's the store

1:46:20.479 --> 1:46:22.519
<v Speaker 1>we used to hang out at. You know when I

1:46:22.680 --> 1:46:25.280
<v Speaker 1>was a rough guy, you know, and she used to

1:46:25.320 --> 1:46:27.880
<v Speaker 1>be the little girl running around you know all that.

1:46:28.160 --> 1:46:30.800
<v Speaker 1>You know, that's when I was not a nice guy,

1:46:31.160 --> 1:46:32.880
<v Speaker 1>and so I kind of squatched her girl up.

1:46:34.200 --> 1:46:37.599
<v Speaker 4>So big up, Trina, Trina, trick Daddy, everybody from Miami.

1:46:38.000 --> 1:46:40.479
<v Speaker 2>He's artists. We in Miami. We want to respect that.

1:46:41.000 --> 1:46:41.680
<v Speaker 2>So looke, let me.

1:46:42.840 --> 1:46:47.320
<v Speaker 4>Pretty much wrapping this up. You started like the sex

1:46:47.720 --> 1:46:50.600
<v Speaker 4>the strip clubs. I had a party with you and

1:46:50.680 --> 1:46:53.200
<v Speaker 4>soby Live the ship was turned the fuck out. I mean,

1:46:53.240 --> 1:46:55.600
<v Speaker 4>this was years ago when Sobey Lives was open. But

1:46:55.680 --> 1:46:57.679
<v Speaker 4>then my manager told me, it's like I said.

1:46:58.080 --> 1:46:59.599
<v Speaker 2>You should have went to the one in the tunnel.

1:47:00.000 --> 1:47:01.160
<v Speaker 2>I went to the one that know I did. I

1:47:01.200 --> 1:47:03.000
<v Speaker 2>didn't go to your joint in the tunnel. I'm sorry.

1:47:03.200 --> 1:47:04.599
<v Speaker 2>I might have been locked up at the time. I'm

1:47:04.640 --> 1:47:08.080
<v Speaker 2>not sure what period, what what what?

1:47:08.200 --> 1:47:08.240
<v Speaker 1>What?

1:47:08.360 --> 1:47:09.840
<v Speaker 2>What year was this you taking?

1:47:10.400 --> 1:47:11.720
<v Speaker 1>I did the tunnel man?

1:47:12.680 --> 1:47:15.120
<v Speaker 2>That was a crazy I did?

1:47:15.439 --> 1:47:15.760
<v Speaker 3>I did?

1:47:16.040 --> 1:47:20.280
<v Speaker 1>I was bard out of out of speed, no.

1:47:22.920 --> 1:47:25.479
<v Speaker 2>Apolo? Oh you got who get bared from the polo?

1:47:25.560 --> 1:47:28.800
<v Speaker 2>Hold off? You got bard from the ball? I just

1:47:28.880 --> 1:47:29.920
<v Speaker 2>did the other day.

1:47:30.479 --> 1:47:32.439
<v Speaker 1>Second five rules came in.

1:47:33.439 --> 1:47:37.680
<v Speaker 2>From cool because yeah, yeah, shaking that she was.

1:47:38.680 --> 1:47:46.599
<v Speaker 1>Mother girlfriends stabbed the boyfriend and the show on stage

1:47:47.160 --> 1:47:47.680
<v Speaker 1>ahead and.

1:47:48.520 --> 1:47:54.439
<v Speaker 4>Got damn no boy the Miami Boys and there could

1:47:54.479 --> 1:47:55.800
<v Speaker 4>be a new look right now?

1:47:56.040 --> 1:47:57.200
<v Speaker 2>Do you think like right now?

1:47:57.760 --> 1:47:58.519
<v Speaker 3>Like what you not?

1:47:58.840 --> 1:47:58.880
<v Speaker 2>No?

1:47:59.280 --> 1:48:02.599
<v Speaker 1>No, okay, I don't think they can.

1:48:02.800 --> 1:48:05.760
<v Speaker 2>No, man, you can't reinvent. I'm the only one they

1:48:05.800 --> 1:48:06.200
<v Speaker 2>can't get.

1:48:06.320 --> 1:48:09.400
<v Speaker 4>Can they can't get the wrest of Can it be

1:48:09.439 --> 1:48:11.280
<v Speaker 4>a new two Live crew? Like I'm talking about other

1:48:11.360 --> 1:48:16.120
<v Speaker 4>niggas like new artists, a new Yeah, but not Louke.

1:48:17.640 --> 1:48:19.280
<v Speaker 2>No, you gotta you gotta go through some ship.

1:48:23.479 --> 1:48:24.800
<v Speaker 3>I don't think they could be a new two Life, bro.

1:48:24.800 --> 1:48:26.479
<v Speaker 3>I'm gonna tell you why because it was just the

1:48:26.720 --> 1:48:30.120
<v Speaker 3>error that was brand new. Anybody does it now? It's

1:48:30.160 --> 1:48:33.600
<v Speaker 3>not brand new no more. What I'm saying that him it.

1:48:33.560 --> 1:48:35.799
<v Speaker 2>Has been too short. It's been keeping it alive.

1:48:37.120 --> 1:48:40.160
<v Speaker 4>But it's not gonna be a shocking when say it

1:48:40.280 --> 1:48:42.919
<v Speaker 4>was shocking, That's what I'm saying, Like another new young.

1:48:42.840 --> 1:48:47.479
<v Speaker 2>Dude, that that what you do. Most of them to

1:48:47.600 --> 1:48:48.519
<v Speaker 2>have a necond video and.

1:48:48.520 --> 1:48:50.920
<v Speaker 4>Then they'll going to another video like all of the

1:48:51.160 --> 1:48:53.920
<v Speaker 4>videos was like you know what I'm saying, Like my

1:48:54.200 --> 1:48:55.840
<v Speaker 4>right arm is hurting like you know what I'm saying

1:48:56.040 --> 1:48:58.960
<v Speaker 4>was sitting on the drinking off the kid watching videos.

1:48:58.960 --> 1:49:01.000
<v Speaker 4>I'm sorry that it's wait a minute, but i gotta

1:49:01.000 --> 1:49:03.720
<v Speaker 4>tell you, you know what I mean? They cannot be

1:49:03.800 --> 1:49:05.679
<v Speaker 4>another look, right, they cannot?

1:49:06.040 --> 1:49:09.240
<v Speaker 2>I don't think so. I would like to see that.

1:49:09.320 --> 1:49:12.479
<v Speaker 4>I would like to see artists resurgence, like like with

1:49:12.600 --> 1:49:15.880
<v Speaker 4>styles like not biting nobody ship but reminded me like

1:49:15.960 --> 1:49:17.320
<v Speaker 4>Joey Badass reminds.

1:49:17.040 --> 1:49:19.040
<v Speaker 2>Me of buck Shot. That might be resemblance. Now that

1:49:19.200 --> 1:49:20.599
<v Speaker 2>reminds me of rock Him.

1:49:20.880 --> 1:49:22.680
<v Speaker 4>You know what I'm saying, not saying nas is not

1:49:22.960 --> 1:49:25.759
<v Speaker 4>rock Him and and and Joey Badass is a Buckshot.

1:49:26.000 --> 1:49:27.720
<v Speaker 2>But it does remind me, you know what I mean?

1:49:28.520 --> 1:49:30.600
<v Speaker 2>They can it can never be. Can they get? Is

1:49:30.680 --> 1:49:35.320
<v Speaker 2>somebody come close? Resemblance? Yeah? Definitely. Now, when the last

1:49:35.360 --> 1:49:39.599
<v Speaker 2>time you've been in strip club? Last time, last week,

1:49:39.880 --> 1:49:40.360
<v Speaker 2>last week?

1:49:41.080 --> 1:49:44.120
<v Speaker 4>And are you like all right they're keeping the tradition

1:49:44.240 --> 1:49:46.679
<v Speaker 4>going or you like, let me get the funk about

1:49:46.720 --> 1:49:46.920
<v Speaker 4>it here?

1:49:47.280 --> 1:49:49.639
<v Speaker 2>Most of the time. I mean, you got different types

1:49:49.640 --> 1:49:53.320
<v Speaker 2>of strip clubes. I mean you got some straight don't

1:49:57.439 --> 1:49:58.240
<v Speaker 2>that's almost.

1:50:00.640 --> 1:50:04.519
<v Speaker 3>There's holiday some clubs that's dancing and shout out to

1:50:04.600 --> 1:50:05.040
<v Speaker 3>show girls.

1:50:05.080 --> 1:50:09.639
<v Speaker 2>That's color. Cheetahs Holiday strip clubs ain't got no chairs.

1:50:09.720 --> 1:50:12.880
<v Speaker 1>Everybody standing up looking at the stage, you know, I

1:50:13.000 --> 1:50:15.120
<v Speaker 1>mean they got comedy and ship going on.

1:50:15.280 --> 1:50:19.480
<v Speaker 2>I mean it's different people they got going on. Scotland scarlets,

1:50:19.760 --> 1:50:23.479
<v Speaker 2>fat scarlett, scarlets of the block from Cheetahs, Take one,

1:50:23.600 --> 1:50:23.920
<v Speaker 2>Take one.

1:50:24.920 --> 1:50:28.000
<v Speaker 4>You know, you know all the mistresses in the strips

1:50:28.760 --> 1:50:32.400
<v Speaker 4>up the mistress game Miami and Atlanta. I remember at

1:50:32.439 --> 1:50:34.680
<v Speaker 4>one point we would look at your niggas and be

1:50:34.800 --> 1:50:36.799
<v Speaker 4>like they throwing their money the bitches.

1:50:37.360 --> 1:50:38.880
<v Speaker 2>Yes it right now.

1:50:39.160 --> 1:50:41.960
<v Speaker 4>There's no regular clubs in New York. It's only strip club.

1:50:42.360 --> 1:50:45.639
<v Speaker 4>But I remember us clown and niggas like I remember

1:50:45.720 --> 1:50:47.559
<v Speaker 4>the players ball and all that. We used to laugh

1:50:47.640 --> 1:50:50.360
<v Speaker 4>at niggas in the South, like these niggas, it's crazy,

1:50:50.439 --> 1:50:53.599
<v Speaker 4>y'all hang out with the bitches getting naked. And then

1:50:54.080 --> 1:50:57.720
<v Speaker 4>remember like strip club was a one night a week thing.

1:50:57.880 --> 1:51:01.559
<v Speaker 4>It was like on a Tuesday on a Friday. Now

1:51:01.920 --> 1:51:06.760
<v Speaker 4>it's every day thing. Every day something is open. And

1:51:07.160 --> 1:51:10.200
<v Speaker 4>and now go nigga's not integrated New York. Yeah, got

1:51:10.280 --> 1:51:11.280
<v Speaker 4>some fun up niggas for that.

1:51:11.400 --> 1:51:13.320
<v Speaker 2>Man. I'm not making noise for that. I'm just letting

1:51:13.320 --> 1:51:17.799
<v Speaker 2>you know that you're my whole city, part of our culture.

1:51:17.840 --> 1:51:18.120
<v Speaker 2>In mind.

1:51:18.320 --> 1:51:20.360
<v Speaker 4>You can just not I mean, back in the days,

1:51:20.400 --> 1:51:21.640
<v Speaker 4>you could look at a girl and be like, oh,

1:51:21.800 --> 1:51:23.800
<v Speaker 4>that's a nice girl. Like right now you can like

1:51:23.880 --> 1:51:26.160
<v Speaker 4>if you see a girl rolling the bag, you're like,

1:51:26.200 --> 1:51:30.280
<v Speaker 4>oh man, it's sucking miacause got rich just rolling the back.

1:51:30.320 --> 1:51:32.479
<v Speaker 4>You just came from to I just came up, like

1:51:32.560 --> 1:51:34.200
<v Speaker 4>it's crazy. So I just want to thank you. Want

1:51:34.280 --> 1:51:37.400
<v Speaker 4>to get blue Uncle Luke Man.

1:51:37.640 --> 1:51:39.439
<v Speaker 2>We all wet, we got a bad We got a

1:51:39.479 --> 1:51:42.120
<v Speaker 2>bag for you. Yeah, I got a bag. We're trying

1:51:42.160 --> 1:51:43.960
<v Speaker 2>to be professional. You know what I'm saying.

1:51:44.000 --> 1:51:46.040
<v Speaker 3>It's from the Dream Champs to you. The drink Champions

1:51:46.120 --> 1:51:49.360
<v Speaker 3>didn't drink you didn't like Oh no, no no, that's

1:51:49.400 --> 1:51:54.960
<v Speaker 3>my personal person. But I'm fucking with the Columbians and

1:51:55.000 --> 1:51:57.120
<v Speaker 3>we got a Dream championshire Dream Champs cups.

1:51:57.920 --> 1:52:02.000
<v Speaker 4>Big up that royal elite Fat Joe bigare.

1:52:01.200 --> 1:52:05.559
<v Speaker 2>Big of Rick ross Man. He's getting so much money.

1:52:05.640 --> 1:52:09.840
<v Speaker 2>Man coming here for years. Yeah oh yeah he still

1:52:09.880 --> 1:52:11.040
<v Speaker 2>live here. He still live here.

1:52:11.960 --> 1:52:15.559
<v Speaker 4>Uh big September tenth, We're having this party go down,

1:52:15.880 --> 1:52:17.200
<v Speaker 4>so all the people we want you to come out

1:52:17.240 --> 1:52:18.320
<v Speaker 4>and go and invite all the guests.

1:52:18.520 --> 1:52:19.120
<v Speaker 1>Uncle Luke, I.

1:52:19.160 --> 1:52:21.160
<v Speaker 2>Can't thank you so much because you are the Miami

1:52:21.280 --> 1:52:22.720
<v Speaker 2>King and we.

1:52:23.040 --> 1:52:25.960
<v Speaker 4>Wouldn't feel comfortable continue with this show or having this

1:52:26.040 --> 1:52:29.559
<v Speaker 4>show without the ball man coming through a cod signing us.

1:52:29.760 --> 1:52:31.280
<v Speaker 4>We want a salute. We want to tell people go

1:52:31.360 --> 1:52:34.160
<v Speaker 4>out there and get your book. Is very important because

1:52:34.240 --> 1:52:39.559
<v Speaker 4>what you heard today is just a piece of how phenomenally.

1:52:40.760 --> 1:52:41.240
<v Speaker 2>You know what I mean.

1:52:41.360 --> 1:52:45.840
<v Speaker 4>And then not only that, you young motherfuckers, not only

1:52:45.960 --> 1:52:50.040
<v Speaker 4>do you listen to this interview and then read this book,

1:52:50.479 --> 1:52:52.880
<v Speaker 4>but go out there and do your research. Go out

1:52:52.880 --> 1:52:55.840
<v Speaker 4>there and see why you heard Efn's voice cracking and

1:52:56.000 --> 1:52:59.280
<v Speaker 4>my voice cracking as we're asking questions and we're sitting

1:52:59.360 --> 1:53:02.280
<v Speaker 4>back and learning things. Is because we're excited to see

1:53:02.320 --> 1:53:05.400
<v Speaker 4>a legend. It is not bad for you to be

1:53:05.520 --> 1:53:09.639
<v Speaker 4>a fan of somebody else makes it a great artist.

1:53:10.040 --> 1:53:14.080
<v Speaker 4>Blue artists are fans of other people and ain't afraid.

1:53:13.720 --> 1:53:16.439
<v Speaker 2>To be fans of other people. Here you are. This

1:53:16.520 --> 1:53:18.120
<v Speaker 2>is what makes drinks Champs.

1:53:17.880 --> 1:53:20.280
<v Speaker 4>Dope, is that you get to hear me and EFN

1:53:20.640 --> 1:53:22.120
<v Speaker 4>act like young boys.

1:53:22.160 --> 1:53:22.400
<v Speaker 2>Again.

1:53:23.280 --> 1:53:25.720
<v Speaker 4>We're sitting here, sitting with a legend, like Luke, and

1:53:25.840 --> 1:53:29.720
<v Speaker 4>we just sitting here and just so open because and

1:53:29.840 --> 1:53:32.160
<v Speaker 4>it don't matter the fuck with ratings. We ad that

1:53:32.240 --> 1:53:34.960
<v Speaker 4>don't matter. What matters is to keep hip hop alive.

1:53:35.320 --> 1:53:39.400
<v Speaker 4>And we don't interview new artists. We interview legends because

1:53:39.479 --> 1:53:41.799
<v Speaker 4>that's who we know about. We don't got to google.

1:53:42.000 --> 1:53:45.280
<v Speaker 4>But if you're a young guy, you enter this drink Champs,

1:53:45.560 --> 1:53:48.720
<v Speaker 4>I suggest you google you in the book, the book

1:53:49.000 --> 1:53:50.360
<v Speaker 4>that's about to say, you know, not only listen to

1:53:50.439 --> 1:53:52.880
<v Speaker 4>this interview, not only listen to the book, but go

1:53:53.080 --> 1:53:54.000
<v Speaker 4>and get your interview.

1:53:54.080 --> 1:53:56.880
<v Speaker 2>Because when you see Nellie Tiptrail and.

1:53:57.000 --> 1:53:58.800
<v Speaker 4>I'm talking about the video now I'm about the girl,

1:53:59.000 --> 1:54:01.080
<v Speaker 4>but the video, a lot of people think that that

1:54:01.280 --> 1:54:05.759
<v Speaker 4>was the first video, the first X rated video period,

1:54:06.400 --> 1:54:09.479
<v Speaker 4>and that bothers me. That bothers me because it's like,

1:54:09.680 --> 1:54:12.439
<v Speaker 4>damn as a og, I'm the next generation.

1:54:12.800 --> 1:54:14.960
<v Speaker 2>So I kind of blame myself, but I can't be

1:54:15.040 --> 1:54:18.080
<v Speaker 2>on Twitter every single day. But some of you guys

1:54:18.120 --> 1:54:18.599
<v Speaker 2>who love.

1:54:18.600 --> 1:54:20.960
<v Speaker 4>Hip hop, go out there and do your research because

1:54:21.760 --> 1:54:24.880
<v Speaker 4>you ain't doing nothing new under the sun. And that's

1:54:24.960 --> 1:54:27.120
<v Speaker 4>not a dis to you guys. That's to stay tuned.

1:54:27.479 --> 1:54:29.960
<v Speaker 4>Do your research. Uncle Luke you can't think you know

1:54:30.080 --> 1:54:33.120
<v Speaker 4>your history. Ain't nothing about that because just think about

1:54:33.160 --> 1:54:36.600
<v Speaker 4>it us as being you know, African Latinos or whatever.

1:54:36.960 --> 1:54:38.760
<v Speaker 4>If we don't know the history that we got on

1:54:38.880 --> 1:54:41.160
<v Speaker 4>the boat and motherfuckers put us in the slave shit,

1:54:41.440 --> 1:54:43.320
<v Speaker 4>then guess what if you don't know, next time a

1:54:43.400 --> 1:54:44.680
<v Speaker 4>motherfucker asked you on a boat.

1:54:44.480 --> 1:54:46.560
<v Speaker 2>We would be like, let me get my paddle, and your.

1:54:46.520 --> 1:54:49.280
<v Speaker 4>Monkey asked, gonna be somewhere dumb, were stupid, So go

1:54:49.400 --> 1:54:50.480
<v Speaker 4>do your motherfucker history.

1:54:50.640 --> 1:54:53.800
<v Speaker 2>Uh, luluke, we know you man leaving the building. Let's

1:54:53.840 --> 1:54:54.440
<v Speaker 2>go man.

1:55:00.640 --> 1:55:02.440
<v Speaker 1>He turned the sad lay