Speaker 1: Oh yeah, what's something y'all was going on radio?
Speaker 2: He's a legendary Queen's rapper. Hey's is your boy in O?
Speaker 2: He's a Miami hip hop pioneer? What Up is dj
Speaker 2: e f N?
Speaker 3: Together they drink it up with some of the biggest
Speaker 3: players in music and sport.
Speaker 1: You know what I mean, the most.
Speaker 4: Professional, unprofessional podcast and your number one source for drunk fact.
Speaker 2: This is Drinks champ Radio. Every day is New Year's Eve.
Speaker 3: That's right.
Speaker 2: He ain't said Hope your South Via, this is your
Speaker 2: boy in o R.
Speaker 3: What up?
Speaker 2: It is? Dj e f N? And this is motherfucker
Speaker 2: Drinks Chance Podcast.
Speaker 4: And right now, before we get into our guests, before
Speaker 4: we get into everything, we want to let people know
Speaker 4: that September tenth is going down in r E Noriega's
Speaker 4: birthday weekend. We're gonna do it big out here. We're
Speaker 4: gonna have a barbecue and a cookout and all that. Right,
Speaker 4: DJFN do a red Champster. That's September tenth. We want
Speaker 4: you to keep it. But right now, we know this
Speaker 4: is Miami king excited. Right now, we know there's Miami's mayors,
Speaker 4: we know there's other Miami, but this is the Miami President.
Speaker 2: This is Miami. This is Miami.
Speaker 4: If he don't get your co signed, then you you
Speaker 4: cannot live out here.
Speaker 2: He's the person, he's personally.
Speaker 4: If he didn't exist, a brother like me and r
Speaker 4: E would not exist because I always talk the worst
Speaker 4: shit on records. But he's the guy who went to
Speaker 4: court and fought for me, my god given right and
Speaker 4: one God damn it. He was one of the part
Speaker 4: of the most controversial groups in the world and still
Speaker 4: are relevant to this day.
Speaker 2: This man is out here coaching. Not only he did.
Speaker 4: All the craziest shit, but he's also given back to
Speaker 4: the youth and the community. If you don't know who
Speaker 4: we're talking right right now, we're talking about the godfather,
Speaker 4: the father of Miami, of South Florida.
Speaker 2: Of speaking your mother right now.
Speaker 1: We got uncle.
Speaker 2: Uncle Luke. I'm such a fan of you.
Speaker 4: I've been living in Miami for ten years, but prior
Speaker 4: to that, I've been coming to Miami ten years before that,
Speaker 4: and I could just remember I'm digging right into it.
Speaker 4: I could just remember Coward's and Campton.
Speaker 2: Oh yeah, yesty, I just.
Speaker 4: Remember that cow like because it's crazy because now that
Speaker 4: I lived in Miami and I lived I would probably
Speaker 4: say I lived out here ten years, So I would
Speaker 4: probably say Miami maybe six years, and then brow it
Speaker 4: maybe like three or four, maybe even maybe even five,
Speaker 4: and that saying.
Speaker 2: Will always be here.
Speaker 4: He gets rayed today and all this, And I never
Speaker 4: knew that they got that from. So how did that
Speaker 4: even start? Like, oh, you gotta, you gotta, you gotta
Speaker 4: set it up. We had a we had a couple
Speaker 4: of weeks ago and then he talked about it. He
Speaker 4: said that when that beef popped off, they quickly found
Speaker 4: out how real Uncle Luke was.
Speaker 1: Yeah, yeah, yeah, yeah, that was my That was my
Speaker 1: transition from from the streets to you know, to the
Speaker 1: music business. You know, I still had a lot of
Speaker 1: streak in me and I still had a lot of
Speaker 1: you first, I think we took a shot at them.
Speaker 2: I mean, let me tell you it was.
Speaker 1: It was.
Speaker 2: It was a lot of disrespect for Miami.
Speaker 1: I mean, you know, you had at one point you
Speaker 1: had Redman and that whole thing when they.
Speaker 2: Did the record where it was like what's up do?
Speaker 1: What's they did?
Speaker 2: Ye?
Speaker 1: Yeah, that was I.
Speaker 2: Think I think your boat bucket, like.
Speaker 1: It was like, you know, you know when you when
Speaker 1: you're in the business, like I'm in the business and
Speaker 1: we're going on to it.
Speaker 2: We're trying to do shows.
Speaker 1: You know, niggas is.
Speaker 2: Giving us, you know, this much.
Speaker 1: Stage to work with, you know, and teen fifteen minutes
Speaker 1: on stage and all that.
Speaker 2: Less than that, you know, one or two. So so
Speaker 2: it was this a whole lot of but that was
Speaker 2: when it was too live. Crawl was that was too
Speaker 2: live crew.
Speaker 4: So so now I so now snooping them, they do
Speaker 4: this video and then you do do like which is
Speaker 4: Dreda it was, and you did the same video and
Speaker 4: then you had.
Speaker 2: JT Money on there.
Speaker 4: Yeah, and then there was the other guy that was
Speaker 4: on that record.
Speaker 2: Someone from Poison Claim was somebody.
Speaker 1: It was it was it was JT Money, and then
Speaker 1: it was another artist you know that he was working with.
Speaker 2: I forget what I was saying. Blake. Yeah, it's.
Speaker 4: So so you you make this video and then Snoop
Speaker 4: was like, Snoop says it because at this time I
Speaker 4: came out in nineteen ninety seven, so you guys were
Speaker 4: way before that. And then Snoop was ninety one. I
Speaker 4: think he said it was something.
Speaker 2: So at this time people are just seeing Miami beaches.
Speaker 1: Yeah, yeah, how because he said.
Speaker 4: That, he said, he said Luke. We figured out how
Speaker 4: real Luke was. How did that happen? Like, what did
Speaker 4: y'all see them somewhere?
Speaker 1: Well, I mean, you know it was this, you know,
Speaker 1: back then at that period of time, you know, Sugar
Speaker 1: Knight had had everybody, you know, you know he had
Speaker 1: you know, yeah, they all all the record executives.
Speaker 2: They're all nervous.
Speaker 1: Everybody nervous, you know, and and so during that period
Speaker 1: of time, it was, you know, some kind of way
Speaker 1: it became, you know, a question about whether or not
Speaker 1: he got us ship. I'm like, no, nigga ain't got
Speaker 1: me shook. I'm really on some different ship.
Speaker 2: You know.
Speaker 1: I'm just in the music business right now. Everybody something.
Speaker 2: So you know.
Speaker 1: So at the end of the day, you know, we
Speaker 1: made the song, they made the song, and then we
Speaker 1: ended up at Jackie Rapper so Atlanta. Yeah, in Atlanta,
Speaker 1: So we we basically was like, you know, hey, look,
Speaker 1: you know I want to jack the Rapper and was like, Yo,
Speaker 1: this is the time you might need to squash this
Speaker 1: in the South. Yeah, you know, they're coming down, racking
Speaker 1: down for the convention. So you know, they were like, nah,
Speaker 1: we ain't gotta do no talking about nothing and all that, right,
Speaker 1: So I was like, okay, well this shit gonna go down.
Speaker 2: So once once my dudes, you know, the dudes who.
Speaker 1: Again making a transition from corporate world from the streets,
Speaker 1: you know, and everybody was looking at us like, oh,
Speaker 1: need some booty shaking dudes.
Speaker 2: They're playing the booty music and all that, but.
Speaker 1: No, we we rapping about ship. That's gonna get us
Speaker 1: put in jail, you feel me. I always look at
Speaker 1: it like, you know, dudes who be rapping about that ship,
Speaker 1: they just wrapping about a niggas who they know. They
Speaker 1: ain't rapping about somebody. They ain't really lived that life
Speaker 1: like that, you feel me. So you know that's that's
Speaker 1: why I went a whole different direction with what I
Speaker 1: was talking about. But at the same time, them dudes,
Speaker 1: you know, shit happened, and my homeboys on the streets
Speaker 1: was like, yo, we gotta hey, look at you got
Speaker 1: a problem here, you know, because they in the record
Speaker 1: and they in the chatter and they hearing what them
Speaker 1: dudes doing the other and it was the ship with
Speaker 1: emotion where it was totally it was. It was it
Speaker 1: got an emotion where I can't I could have really
Speaker 1: controlled it to a whole degree. Were I'm sitting up
Speaker 1: at the hotel now now she know the fucking Nico
Speaker 1: hotel that my dudes came up there. You know, I
Speaker 1: gotta funck y'all got here. You know, these are the
Speaker 1: wrong dudes. And I'm like, uh, They're like, yo, yo, Ship,
Speaker 1: we got stopped.
Speaker 2: In these niggas.
Speaker 1: So it's like eight of the most notorious motherfuckers you
Speaker 1: ever want to meet from Miami, drove that car there.
Speaker 2: They're like, we drove here, drove hold on, hold on.
Speaker 1: We can't do this, you know, cause again I'm coming
Speaker 1: from the streets and we woke up like that. So
Speaker 1: at the end of the day, you know, I'm like,
Speaker 1: hold on, and it was like, hey, hey man, well
Speaker 1: you know we're gonna kill this nigga.
Speaker 2: We're gonna kill this nigga, this nigga.
Speaker 1: I said, no, no, no, no, ain't killing nobody, you know. No, Well,
Speaker 1: we're gonna have to let mone. We're gonna have to
Speaker 1: touch somebody, somebody up. So Ship hit the fan, you
Speaker 1: know at that.
Speaker 2: Point, And then how did y'all after that.
Speaker 4: How did like we don't have to describe if anything happened,
Speaker 4: because you know we be a positive but how how.
Speaker 2: Did y'all eventually work that out? How we worked it out?
Speaker 1: I mean, you know I ended up having a conversation
Speaker 1: with should We ended up talking, you know, And and
Speaker 1: then you know, at that time, I think the Bengals
Speaker 1: and somebody was playing Super Bowl down okay, and so
Speaker 1: I kind of invited them down. It's like, yo, man,
Speaker 1: y'all come on down, hang out with me. You don't
Speaker 1: as sweet in the Dolphin Stadium. And I was like,
Speaker 1: y'all be my guest, and we all, you know, we
Speaker 1: need to squashed it because I ain't on that. You know,
Speaker 1: I'm leaving that like water cut you feel me.
Speaker 2: So then they came down and we can't squashed it.
Speaker 4: You know now you also this is this is which
Speaker 4: is crazy. You also had words were run DMCs.
Speaker 2: It was crazy like he was a promote.
Speaker 4: You would bring him down, right because you gotta realize,
Speaker 4: like I'm from New York.
Speaker 2: You know what I'm saying.
Speaker 4: I recently migrated, but we never heard this news because
Speaker 4: we ain't have the internet back then. You know what
Speaker 4: I'm saying, so this will be little industry things. And
Speaker 4: I remember hearing you.
Speaker 2: Saying somewhere like they were acting like Pussy's or something
Speaker 2: like that. When d see what happened, let's describe that.
Speaker 1: I mean, you know the whole thing with that was,
Speaker 1: you know, I was again just like sounds a promoter.
Speaker 2: You know, I was bringing all the hip hop to Miami.
Speaker 2: Was no hip hop feel me?
Speaker 1: So running all of them would come down and they
Speaker 1: would be you know, I pay them five hundred thousand dollars.
Speaker 4: You know they ended up Luke just say he paid
Speaker 4: one DMC five hundred for it's talking about this is
Speaker 4: it doesn't matter she is legends. Well, listen, this is
Speaker 4: for all the new artists that think you're supposed to.
Speaker 2: Come out and get fit fifteen thousand the first show.
Speaker 4: You know what I'm saying, Like, there's people who legends
Speaker 4: have to start from somewhere.
Speaker 1: So let me tell you we had we had doctor
Speaker 1: Jack limits to hide down here. He ended up what
Speaker 1: fucking running motown or something like that. You feel about, yeah,
Speaker 1: one hundreds right, all those guys, I mean, you name it.
Speaker 1: I would bring all those guys down here, you know,
Speaker 1: because you know even on the radio.
Speaker 2: Miami wasn't playing on here pop you feel me?
Speaker 1: So then I'm like, you know, I'm into it because
Speaker 1: I'm DJ, and I'm bringing dudes down, bringing people from everywhere, Cali,
Speaker 1: New York, you know, Jessey j and all them dudes,
Speaker 1: Man Tronics, you name it, just bringing all them dudes
Speaker 1: and Run.
Speaker 2: And they were acting funny or something.
Speaker 1: Yeah, they got brand new yeah.
Speaker 2: Port Mississippi.
Speaker 1: Okay, right, and uh Leo Corn was there manager at
Speaker 1: the time.
Speaker 4: That's Les sniffing cochle off. He got the pictures in
Speaker 4: his office when I was there manager, I was a
Speaker 4: coke slipper.
Speaker 1: Yeah, So Leo was the road manager, right, And and
Speaker 1: so we went golf for Mississippi getting ready to do
Speaker 1: the show. So they was like everybody was like ya,
Speaker 1: Run said you could only have five minutes on stage.
Speaker 1: Run said, you're gonna have one sets of lights. Run said,
Speaker 1: you know your sound is gonna be a run Run
Speaker 1: them see say this, run them see that. I'm like,
Speaker 1: how the fuck we gonna do a show with five
Speaker 1: minutes on stage? And we got you know what I'm saying,
Speaker 1: We got at least four or five songs. Number one
Speaker 1: ain't want us on the show norway because they had
Speaker 1: to have us. It was like these niggas from the
Speaker 1: South win't really fucking with them. Everybody mad that we
Speaker 1: got to do a show with these guys because we're
Speaker 1: selling so many records in the city to sell to sell,
Speaker 1: you know, the tickets. So it was just too much
Speaker 1: run this, too much run now again. I'm still got
Speaker 1: this street ship.
Speaker 2: In my head.
Speaker 1: So at the end, they you know, I was like, man,
Speaker 1: fuck run them. So I told I told him, I
Speaker 1: told mister Mix. I was like, mister, this is what
Speaker 1: we're gonna do. Since we got since we ain't got
Speaker 1: but five minutes on stage, we're just gonna cut Peter Piper.
Speaker 1: And so I went on and got the microphone, went
Speaker 1: on stage. Oh these motherfuckers theid run them. See them say,
Speaker 1: lean got but five minutes on stage, So what we're
Speaker 1: gonna do in our five minutes? We're gonna scratch the ship. Yeah,
Speaker 1: they ran him on stage.
Speaker 2: And all that.
Speaker 1: You know, when they ran him on stage there, we
Speaker 1: was like, okay, let's go, let's do what we got.
Speaker 1: So the police ended up running up on stage.
Speaker 2: You know, back then, Nigga was packing for real. Alright,
Speaker 2: and now now I know you're cool with all of
Speaker 2: these guys, yeah, my dudes, but but how do you like?
Speaker 4: I like that, like because you see why and and
Speaker 4: nowadays it's so hard to squash beef because you see
Speaker 4: how I knew about you know that I know about that.
Speaker 2: But that's because it wasn't on the blogs. That's because
Speaker 2: they wasn't on the internet.
Speaker 1: You know what I'm saying on the blog? Y'are still
Speaker 1: right now?
Speaker 2: So would you say it was still it was easy?
Speaker 2: It was easier to squash beef.
Speaker 1: Then, well, because I mean it was easy if you
Speaker 1: was a real nigga, if you if you was a pussy,
Speaker 1: then they were going to keep on.
Speaker 2: And then you don't have the fans instigating on Twitter
Speaker 2: that ship.
Speaker 4: Yeah right, like they just had Drake fans just ran
Speaker 4: up on Joe Buttons.
Speaker 2: It is rare, Like you ain't see that. They ran
Speaker 2: up with Joe Button's house.
Speaker 4: Then they got they got beef and one of his
Speaker 4: fans just running up on.
Speaker 2: Him like this is this is a totally fucked up world.
Speaker 3: You're glad out this business, out of the business, are
Speaker 3: you cleanly out of the business?
Speaker 2: Well, when you got catalog this selling, that's right?
Speaker 1: Well, yeah, they keep me on the Yeah, I'm like, oh,
Speaker 1: that's still.
Speaker 2: On the room.
Speaker 4: Because now before we get to the one of my
Speaker 4: favorite jay z and if you was ever was with you,
Speaker 4: We're going to get to he wrote this book, right?
Speaker 4: What what was that like? Inspired by? How many games?
Speaker 4: How many years have you been in this game?
Speaker 2: Oh? Man, you didn't you draw another eighty five? Was
Speaker 2: the label start? Which would be the first?
Speaker 3: Would you be the first black onwed independent hip hopolysises.
Speaker 2: Yes, yes, it's made some noise for that relaxed. I
Speaker 2: always wanted to know.
Speaker 3: I've always told you, Bob, I was like, this gotta
Speaker 3: be one of the first presses.
Speaker 2: I don't know, that's what I say. This is one
Speaker 2: of the first presses. Oh my god, hold on.
Speaker 3: Made my mom mind for me because I couldn't get
Speaker 3: I was too young now that when I said me, Now.
Speaker 4: When I see this, it says lou Skywalker and the
Speaker 4: two Live crew, were you always like the producer and
Speaker 4: you was always like the main attraction?
Speaker 2: You are pretty pretty much?
Speaker 1: It was It was more I was more like I
Speaker 1: didn't really want to be in the group, you know,
Speaker 1: what I'm saying. But then it was more like, all right,
Speaker 1: I need to be in the group because this ship
Speaker 1: is a little you know, blad, we got.
Speaker 2: To have a little bit already started prior to them.
Speaker 1: Yeah, yeah, y'all to DJ. My DJ name was Lucie.
Speaker 2: I woke okay, And then how did y'all meet?
Speaker 1: Well bringing them down doing a concert.
Speaker 2: Oh they're not from Miami, No, oh my god?
Speaker 4: Yeah yeah, well Fresh Kid Ice.
Speaker 1: Is from Brooklyn, brother Marquis is from Rochester, and mister
Speaker 1: Mixes from sam Bernady.
Speaker 2: I knew for service to mix was like when.
Speaker 5: I was watching those videos, I was like I was
Speaker 5: a kid because I was.
Speaker 4: Born in seventy seven, so what year that had to
Speaker 4: be like eighty eighty seven, So I must have been
Speaker 4: ten years old watching that shit.
Speaker 2: Like Miami is the place that made y'all.
Speaker 3: There was a group already, they were doing something because
Speaker 3: of the military they met or something or in LA
Speaker 3: they was in the military.
Speaker 1: Yeah yeah, yeah, Marquis and uh In Fresh Kid in
Speaker 1: the military in California. And then the other original member
Speaker 1: was your v Line. He was in the group. He
Speaker 1: was the one on the flip side of the beat.
Speaker 1: I was doing.
Speaker 2: Yes, I did he So we gotta celebrate your book
Speaker 2: right now.
Speaker 4: Come on, have a drink, man, Come on, man, you
Speaker 4: gotta have a drink about Hulu.
Speaker 2: Man got the right fact. You know, you know I
Speaker 2: made all my record car. You know what's up?
Speaker 4: You know he you know he's born and raised from Miami,
Speaker 4: with Miami.
Speaker 2: The people know that you want to show at Miami.
Speaker 4: And you have been hands down one of the most
Speaker 4: highly requested guests because you know what I'm saying, because
Speaker 4: of all your history.
Speaker 2: So we're gonna celebrate. Excited. We got coming up, we
Speaker 2: got boss coming up.
Speaker 4: But I just want to know minute interviews, say thank
Speaker 4: you so much because so many people has requested because
Speaker 4: I am not like one of them guys, guys that
Speaker 4: want to come to a town and don't give back
Speaker 4: from the town and don't you know, help and we
Speaker 4: get to that.
Speaker 2: Phone call that's who.
Speaker 4: But because I you know what, right now, we'll do
Speaker 4: it right now. Because I remember you saying that he
Speaker 4: was he was. It was like some type of discrepancy,
Speaker 4: but like a Drake or Wayne and I believe a
Speaker 4: baby or something and you said something that.
Speaker 2: Was that was that was? That was real, real powerful
Speaker 2: to me.
Speaker 4: You said, you guys come out here, you smoke off drugs,
Speaker 4: you funk off women, and he don't give nothing back
Speaker 4: to her.
Speaker 2: And let me tell you another thing. That's why I
Speaker 2: don't fuck nobody girl in Miami. I said, I get
Speaker 2: me out of that.
Speaker 1: God damn, you.
Speaker 2: Get me out of that. I know what you mean.
Speaker 2: I know what you meant. And so is that how
Speaker 2: you feel like the Miami has to have this pride
Speaker 2: in order for you guys to move forward? Yeah? Yeah,
Speaker 2: I mean, you know it's you know, my thing.
Speaker 1: When I made the statement I did in my collw
Speaker 1: not doing the Miami of New Times, it was more
Speaker 1: down the lines of, uh, if you move here, you
Speaker 1: feel me, you know, then you need to get back
Speaker 1: to the community. You know, you know, and not only
Speaker 1: this community, anywhere around the country because you know, back
Speaker 1: in the days when we was doing ship, you know,
Speaker 1: on a regular basis, you know, we all.
Speaker 2: We knew we had to give back. You know.
Speaker 1: I looked at every hip hop artist as a representative
Speaker 1: of the of the city. You know, when when when
Speaker 1: the word rep came out, you know what city you rep?
Speaker 1: You know, you got repping. You know, the guys over there.
Speaker 1: You know there James represents repping. You know, uh, Houston,
Speaker 1: you know you had guys repping everywhere. But at the
Speaker 1: same time, they were giving back to the community. So
Speaker 1: if you live here, then if you move here, which
Speaker 1: is finding right, you know, that's a that's an excellent thing.
Speaker 1: But you know, go and read a fucking book to
Speaker 1: some kids. You know what I'm saying. Now, you're you're
Speaker 1: a citizen of Miami.
Speaker 2: You know the South Beat.
Speaker 4: Yeah, I don't say that over time, go to Kendy.
Speaker 2: You know what I'm saying, any find a little program.
Speaker 4: That It's very true because and then and then I
Speaker 4: remember when that statement had came out, and then nobody
Speaker 4: said nothing, but then Drake said something.
Speaker 2: And then he moved though, because Drake was living here.
Speaker 1: It was crazy because he said tell about Miami too.
Speaker 2: Like a month later he was gone, like it was
Speaker 2: doing that on that was just incident.
Speaker 1: I don't know.
Speaker 4: I was like, I was like, I heard Drake say that,
Speaker 4: and I'm like, all right, I want to see And
Speaker 4: then what I was saying he was in California.
Speaker 1: And I was just like, yeah, you know it is
Speaker 1: a nice guy.
Speaker 2: Yeah, you didn't take it. You you understood, Yeah, I didn't
Speaker 2: understood it.
Speaker 1: Yeah, because you know, I I like, uh, you know,
Speaker 1: I like direct shots.
Speaker 2: You know, indirect shots, subliminal, Yeah.
Speaker 1: Don't subliminal. So you know, to me, that wasn't a
Speaker 1: direct shot. It's more like, oh I'm here, you should
Speaker 1: have mentioned me, and you know what I mean. Okay,
Speaker 1: I'm sorry, But if I took it, if I took
Speaker 1: a direct.
Speaker 2: Shot, Now, what's your relationship with pop Daddy?
Speaker 1: Like? Because you guys come from my man.
Speaker 2: Yeah, I like like my little son.
Speaker 4: You know what I'm saying, was like, yeah, he bought
Speaker 4: the water.
Speaker 2: He bungs some water. Damn.
Speaker 4: Yeah. Yeah, I can't have you. You can't have Dominican friends.
Speaker 4: Friend mister Lee forgets everything. My brother nobody bunks water.
Speaker 4: It's my friend Fat Joe's vodka. You got that over there?
Speaker 1: Lean back.
Speaker 2: That's what it should be called. Bottle is nice. The
Speaker 2: bottle should be being right right.
Speaker 4: So now uncle, you here, you had these these these
Speaker 4: children nowadays, what music do you like? Sit back of
Speaker 4: a new artist and you say, you know what, I.
Speaker 1: Fuck with that? Man, I mean I'm all over the place.
Speaker 1: I mean when they come to music, you know. I
Speaker 1: mean I listened to Jake Cole. I mean I listened,
Speaker 1: you know what I mean, as long as it got straight.
Speaker 1: I listened to. You know what I'm saying. If it's
Speaker 1: if he you.
Speaker 2: Know, funny style. If it's different, I don't listen to.
Speaker 3: It funny style, Okay, I just like I call it
Speaker 3: to me a second, I call it, but you.
Speaker 1: Know, I listen. You know, I'm a I'm a I
Speaker 1: love music. You know, you know I love good music.
Speaker 1: I love interesting music. You feel me like, Okay, damn
Speaker 1: that ship that was different? You know, man, I like
Speaker 1: that beat. I don't like if I hear the same
Speaker 1: DM I'm going to. I mean, it's like a whole
Speaker 1: bunch of ship with the same beat right now. So
Speaker 1: I don't really vibe with you know, I listened to
Speaker 1: some of the I listened to some fucking Drake and
Speaker 1: I listened to some Uh.
Speaker 2: You know, I'm a jay Z fan. Anything.
Speaker 3: Were there any DJs in Miami that inspired you that
Speaker 3: you looked up like?
Speaker 2: I know that. Yeah, Frankie Hollywood inspired me.
Speaker 1: I mean he you know everything that he did breaking.
Speaker 3: Records because the way that Miami dj spun like the
Speaker 3: ghetto style DJs. Sugar Hill DJ Jamponi expressed from Tampa
Speaker 3: really right.
Speaker 2: Yeah, I don't know where they're from.
Speaker 1: You never really consider the ma as DJs because it
Speaker 1: was more like the first studio DJ. But if you're
Speaker 1: DJ in Miami, you set your fu speakers up and
Speaker 1: you got in a battle and you had to go
Speaker 1: ahead the head with another group, and if you can
Speaker 1: survive that ship, you good. So jam Pony was always
Speaker 1: doing that ship in the concert, which I like this
Speaker 1: stuff and all that, but they were in the corset
Speaker 1: doing that.
Speaker 3: Definitely Sugarhill DJs, Sugar Hell, yeah, all the ones you got.
Speaker 2: His uncle al Stories, old uncle Ale Stories like that
Speaker 2: was a good at Studio one eighty three, and he
Speaker 2: was just such a good, humble.
Speaker 1: Alice, like Alice like my other little son. You know,
Speaker 1: I love that dude to death, God bless it. So
Speaker 1: you know what I'm saying, Hell is half good. You know,
Speaker 1: have you know have my last time talking to all
Speaker 1: he was like looke. You know, his whole conversation is
Speaker 1: basically down the same lines too. You know, man, you
Speaker 1: got a lot of dudes right here. Man, you the
Speaker 1: only one can pretty much hold this ship. Down and
Speaker 1: get the respect because a lot of a lot of
Speaker 1: these other artists and a lot of these other companies
Speaker 1: doing a lot of selling out.
Speaker 2: You know, you need to hold his ship.
Speaker 1: Down so people can, uh, you know, still give the respecting.
Speaker 1: Probably two weeks after that.
Speaker 3: He died because I remember I met Al for a
Speaker 3: second and I thought he was gonna shut me down,
Speaker 3: because this is when I'm coming.
Speaker 2: Over talking about Yeah, rec in peace. And I met
Speaker 2: him at Studio one eighty three.
Speaker 3: We used to go and open up for shows out there,
Speaker 3: and I remember I brought him a record. It wasn't
Speaker 3: the typical record. I thought he would like he was
Speaker 3: on some straight boombab hip hop ship. But we rep
Speaker 3: in Miami and he said to me, as long as
Speaker 3: you rep in the crib, I'm fucking with it.
Speaker 2: Yeah, And I'll never forget that from him.
Speaker 4: Racist is a fact, some watering man. I respect that
Speaker 4: man came out here and learned early.
Speaker 2: Did you know that? You know?
Speaker 3: Tell us I want to know the Griff story too,
Speaker 3: gri because Greg, you know Griff from Public Enemy.
Speaker 2: You gotta beat for him to no no help were
Speaker 2: me on?
Speaker 1: I mean the Griff story. I mean Griff had just
Speaker 1: got kicked out of Public Enemy.
Speaker 2: Because it made the Jewish comments. You know.
Speaker 1: You know, I like Griff, you know as a person
Speaker 1: because I got to beat Griff, you know, because there
Speaker 1: was a whole other movie was in Savannah, Georgia, and uh,
Speaker 1: you know Public Enemy had this this uh this uh
Speaker 1: this manager another you know, fun Miami fuck this fuck
Speaker 1: that got five minutes on stage ship and I'm like
Speaker 1: this don't look right. Public getting me got a little
Speaker 1: white manager, you know, talking ship like this, and I'm like, okay,
Speaker 1: fight the power.
Speaker 3: And then i be.
Speaker 1: Yeah, yeah, yeah, I'm beating this motherfucker up.
Speaker 2: And then he comes group and all them Grip like.
Speaker 1: Yo, yeah, yeah, come on. So many of them became
Speaker 1: real good friends at that time, me and Chuck.
Speaker 2: So then they ended up, you know, some kind of way.
Speaker 1: He ended up getting out of the group for whatever
Speaker 1: you know, the comments was, and you know, and Grip
Speaker 1: ended up coming. He had he had a group. Uh
Speaker 1: uh he was working with Society. So yeah, then he
Speaker 1: came down and then it was like look man, you know,
Speaker 1: explained to me what happened, you know, and uh.
Speaker 2: I was like, okay, man, I look out for you.
Speaker 1: I'll put you like that was just yeah, because anybody
Speaker 1: was nobody.
Speaker 3: He was black ball, like yeah, and he gave him
Speaker 3: a home and you signed him on something.
Speaker 2: Yeah, I'm saying that's what I meant by make some
Speaker 2: noise for.
Speaker 4: So I heard you say this man's name earlier. I
Speaker 4: also said his man name earlier. But one of the
Speaker 4: funniest interviews I ever seen is.
Speaker 2: Is that that's that's Miami or what was that Atlanta?
Speaker 2: I think it was. It was two bitches.
Speaker 4: One was eating a bitch out and James trying jay
Speaker 4: Z I'm talking about.
Speaker 2: He was trying to be cool because he's just a
Speaker 2: cool character. This is my man. Spoke to him this morning.
Speaker 2: He's a cool character. He's not what I mean, he's
Speaker 2: a cool character. But when I looked at that interview, yes.
Speaker 5: Who's coming on my eyes because he's trying to be cool.
Speaker 4: But they're really eating each other out, like this is
Speaker 4: not you can tell, like you know when they be
Speaker 4: like they got their left.
Speaker 2: No, these is doing it for a real And Jaye's
Speaker 2: standing there, He's like, yo, you would tell Luke is
Speaker 2: nothing faded from Louke, but.
Speaker 4: Jay is like, I won't seem sweat coming down like
Speaker 4: I've never seen j like.
Speaker 2: That, like he was this. Yeah, that's what I used
Speaker 2: to do. I mean I used to do the I
Speaker 2: created a show.
Speaker 4: Called Luke Peep Ship wasn't a secondent called DHS supposed
Speaker 4: to Captain Dickens.
Speaker 2: I secrement of something like that I got.
Speaker 1: So I would you know what I would do in
Speaker 1: the show. You know, it actually came on action pay
Speaker 1: per view, which was by BT. Wow you feel me.
Speaker 1: So what we would do is take all the you know,
Speaker 1: the club versions of the videos to put on the air.
Speaker 1: So I would do a show and I would interview
Speaker 1: different artists like Kim you know, Okay, yeah, you're talking
Speaker 1: about sucking Dix and all that. So I would have
Speaker 1: a big orgy right in the background. Really, I'm just
Speaker 1: I'm really just working with the artist, you know, put
Speaker 1: it in your mouth. I had a chick like, okay,
Speaker 1: go ahead, You're.
Speaker 2: Like yo, yo yo, we just had him on here.
Speaker 2: I'm like, you really ain't on it.
Speaker 1: I'm really like, my whole the whole thing was y'all
Speaker 1: thinkgas making these records, But I want to see if
Speaker 1: you really about that. So I would create the whole
Speaker 1: scene about what you're talking about, you know, and if
Speaker 1: you're looking like now that that let me know that
Speaker 1: you was on the bullshit.
Speaker 2: But we just had here and he must have took
Speaker 2: that from you. He said that.
Speaker 3: Let me tell you, let me tell you, Duran, how
Speaker 3: can I be down right the convention. He had a
Speaker 3: boat party that that was going on. Everybody knew we
Speaker 3: had to be on that boat party and we all
Speaker 3: would get on. I think it was that base side.
Speaker 3: We were dining a dog, right, so we some of
Speaker 3: my dogs in here. We went on it. You get
Speaker 3: on the boat. It was calm for a second. As
Speaker 3: soon as that motherfucker took off. Luke got on the
Speaker 3: mic and strippers came out, Yo chicks sitting on forty
Speaker 3: ounces and up and oio.
Speaker 2: It was a crazy ship in the world. Man. We asked,
Speaker 2: We asked questions. No, this is where we all advertise.
Speaker 2: This is where he sucks us up right now? How many?
Speaker 2: How many? How many grandmothers out there? Right? This is
Speaker 2: a different type of It's a different question.
Speaker 1: Now that you know you dog, a different questions, different question.
Speaker 4: This maybe this grandmother list right now they might be
Speaker 4: grandmother's because you're looking at the rooms might be.
Speaker 2: One of you. Yeah, you're ready, Maxwell.
Speaker 1: Listen, man, you're a little man ready Maxwell, Well, but
Speaker 1: a little because back.
Speaker 4: Then y'all didn't really have rubbers or rubbers wasn't really pop.
Speaker 2: Saying it wasn't It wasn't disease. It wasn't disease.
Speaker 1: Probably you're nasty only, but listen, I look at yours.
Speaker 2: You know what.
Speaker 1: Ship got dried the rubber name.
Speaker 2: Because I watch your videos and you ain't. You ain't
Speaker 2: have ugly bitches like this A man.
Speaker 4: Difference, like you will get bitches to get naked, but
Speaker 4: if they're if they're already tools, they're already ones with
Speaker 4: low self esteem.
Speaker 2: It's easy to get hot ned. But when you got the.
Speaker 4: Twenty five chicken, your chick league, you're gonna get naked.
Speaker 2: You're gonna.
Speaker 1: You're gonna put this boy, you gonna put a baby dollar.
Speaker 1: You're pushing that once to say you have you put it,
Speaker 1: You're gonna put itself. Yo, I did I did that
Speaker 1: ship one night out of my fucking mind. You know
Speaker 1: this ship did?
Speaker 2: They do a lot of things. Do you realize all
Speaker 2: the stuff that you all the like, you will be
Speaker 2: locked up nowadays? Like I mean I thought, I mean worse, Yeah,
Speaker 2: but no. But what I'm saying is you.
Speaker 4: Like, but what I'm saying is nowadays they're so coarse.
Speaker 4: It's like the NBA, like you, they got something called
Speaker 4: flocking and all that. Like back then people were just
Speaker 4: hating each other and y'all was just fucking everywhere having
Speaker 4: the ball. But nowadays we'll at least with But how
Speaker 4: did that? How did the even controversy start? Because what
Speaker 4: did they want to stop you from performing.
Speaker 1: Or from going into their daughters.
Speaker 2: Let's make some more, got to get let's toast the
Speaker 2: book one more time. Man, the book a loop.
Speaker 4: So you let your record label informs you that you're
Speaker 4: about to have a case or.
Speaker 2: Hold on time out. Record label informed.
Speaker 4: Me he's the record label and ship my sorry first
Speaker 4: press that the first black label. That that alone we
Speaker 4: got to get back to because I want a segment
Speaker 4: on that alone. But so you you would see the
Speaker 4: letter because there's no emails back then, and they say
Speaker 4: you got the facts.
Speaker 2: Yeah, yeah, right right now, I got a letter.
Speaker 1: You know when the kids was getting it, like we
Speaker 1: had this on through the dickum on New York.
Speaker 2: You got the New York you got. I like the
Speaker 2: Miami and I'm excited.
Speaker 4: I'm excited, excited, But so how do you find out
Speaker 4: about that?
Speaker 2: You know some parents, the.
Speaker 1: PTA from Alabama, you know one of those, they hit
Speaker 1: me up, send me a letter, was like, hey, look,
Speaker 1: you know the kids is getting this. This throw the
Speaker 1: dick version of the song. And I was like, I
Speaker 1: ain't really trying to have kids get it. That's not
Speaker 1: the intent. That's more of an adult thing. So then
Speaker 1: that's when I created the perential advisory sticking that you see.
Speaker 2: On the record. I was I had that for a question.
Speaker 2: Let's just make listen, listen, listen.
Speaker 4: People don't understand that that potental advisory sticker is so important.
Speaker 4: If that pot into advisor sticker, wouldn't it existed, You
Speaker 4: wouldn't have I don't want to just half a hip hop.
Speaker 4: I'm about to start naming groups. But I gotta applaud
Speaker 4: you for that. I gotta applaud you.
Speaker 2: For fighting for the writers. But I want you to
Speaker 2: go through it and for the people that you know
Speaker 2: what I'm saying.
Speaker 4: You can read the Book of Luke as well, but
Speaker 4: I want you to go through it for fast. We
Speaker 4: got dumb fast. They don't read, you know what I'm saying,
Speaker 4: So they read I mean the niggas that like me
Speaker 4: don't read. I want to resource. So you get that
Speaker 4: letter and then they stop pushing the records or well,
Speaker 4: I get the What happens is I get the letter
Speaker 4: because you gotta remember, at that period of time, I'm
Speaker 4: the only one doing explicit lyrics on the rap record
Speaker 4: and nobody doing no cussing, no nothing.
Speaker 1: So you get the letter in and at the same time,
Speaker 1: you know, I'm like, okay, well I got to figure
Speaker 1: this shit out. So I started using the you know,
Speaker 1: the movie industry standards. I just took that idea because
Speaker 1: I always know everything that I had to do, it
Speaker 1: had to be common sense, it had to be already
Speaker 1: something that was already established. So that's when I came
Speaker 1: up with the idea of n C seventeen. You feel
Speaker 1: me like, seventeen under seventeen you can't look at the move.
Speaker 1: So I took that R rating system and using the
Speaker 1: music system, and then I then alerted all the record
Speaker 1: stores that hey, look here, I'm gonna put a stick
Speaker 1: on here. Don't sell the kids this version, but selling the.
Speaker 2: Clean version on your own did, Yeah, he did. No,
Speaker 2: it was no other hip hop raped none of that.
Speaker 3: Could you have made money off of the idea of
Speaker 3: the sticker to yourself?
Speaker 2: Yeah, I should have did I should I should have
Speaker 2: patted it.
Speaker 1: It was more about the the r I A, you know,
Speaker 1: adopting the sticker. So if they adopted the sticker, then
Speaker 1: it was industry standard that any other artists that would
Speaker 1: come in front behind me, you know, they would just
Speaker 1: put the stick on there. They were able to do
Speaker 1: the music that they want to do and say what
Speaker 1: they want to sell the records.
Speaker 4: Now, when see the Lauris Tucker was coming at Tupac,
Speaker 4: that was after you correct, when they was coming at
Speaker 4: Tupac and Snoop and.
Speaker 1: That that was also sitting there, so oh my god.
Speaker 2: But they had had the permatory advice they on there. Yeah,
Speaker 2: that was all. It was the first project. That was
Speaker 2: your idea. That's crazy, that's crazy. I didn't he actually
Speaker 2: came up with it. They came out of the court
Speaker 2: stuff and everything. So you're saying that that just happened
Speaker 2: because you wanted to do it, and then.
Speaker 1: Yeah, because I wanted to do it, that happened. I
Speaker 1: did that on my first record first record, which was
Speaker 1: throw the D and the answer was throw the P
Speaker 1: That was my first record doing with two live crew,
Speaker 1: And so I did that at that period of time,
Speaker 1: and you know, it's almost you know it was.
Speaker 2: It was a no brainer because at the.
Speaker 1: Same time, you got kids that can buy cigarettes, so
Speaker 1: you look on the back a store on already know
Speaker 1: how to sell the kids a cigarette bill or anything
Speaker 1: like that. So then you know, I just said, okay,
Speaker 1: let me put a sticker on here that would let
Speaker 1: a clerk know because I'm thinking about it. You know,
Speaker 1: it's little kids that work at the records too, So
Speaker 1: you put the you know, sticker on there.
Speaker 2: Don't sell This happened this one had it. That one
Speaker 2: probably did.
Speaker 3: I know, I can tell you right now. I couldn't
Speaker 3: buy it. I saw my mom, this is like some
Speaker 3: really good music.
Speaker 1: There were a whole lot of records that went out
Speaker 1: again that didn't have the stick because all this I'm
Speaker 1: changing up. These new presidents will go out with the
Speaker 1: sticky on it.
Speaker 4: Now, did you have the ideas for the video as
Speaker 4: you was recorded? You knew that you're gonna have button
Speaker 4: makeing bitches running around it.
Speaker 1: You knew that you know. I mean the whole thing
Speaker 1: with that. You know, I looked at everything, you know,
Speaker 1: because again, you don't hip hop junkie, you feel me.
Speaker 1: So I'm coming from bringing you know, historic hip hop
Speaker 1: artists and the Vine Sounds, you name it, t the
Speaker 1: rock Jack, all these all these guys down here.
Speaker 2: So I'm like, I'm from Miami. You know.
Speaker 1: I looked at a lot of people, you know, don't
Speaker 1: disrespect the iced tea and a whole lot of these
Speaker 1: other guys. They were from other places, but they want
Speaker 1: to be like New York.
Speaker 2: You know what I'm saying.
Speaker 1: I respect New York. I love New York to death.
Speaker 1: But at the same time, I'm about where you from.
Speaker 1: You know, you gotta, you know, rep your city. So
Speaker 1: I wanted to show my city. This is what we do.
Speaker 2: You know.
Speaker 1: We walk around half naked, we got beat in the back,
Speaker 1: we got all the wild ship going on.
Speaker 2: So I wanted to.
Speaker 1: Show that, you know, part of what we're about, you know,
Speaker 1: how we live in As far as the hip hop.
Speaker 4: Scene, I drove down Miami Beach the other day, man,
Speaker 4: and I was just driving down and it was nothing
Speaker 4: behlf neked chicks here, I said, anywhere else in the world,
Speaker 4: I would call that bitch a slut.
Speaker 2: Right here. This is normal as motherfucking tire man. Let's go.
Speaker 2: It makes a noise from Miami being halfgg You see
Speaker 2: you've seen this club right here at the pack Jam.
Speaker 3: That's like a right of passage the days from Miami
Speaker 3: like like we we kindle boys.
Speaker 2: We was like, you gotta go to pack Jam just
Speaker 2: to prove that robbed the pack Jam. Oh yeah, you
Speaker 2: get that.
Speaker 1: Hip hop.
Speaker 2: Never go to hip hop club unless people get robbed
Speaker 2: in the jam jam was crazy. That was crazy.
Speaker 3: We was young just going in there, and then girls
Speaker 3: getting butt naked were like, oh ship.
Speaker 2: Peg was like the red in New York. So now
Speaker 2: they're trying to ban your records.
Speaker 4: And then you go even crazier with the videos because
Speaker 4: you single handedly because of you, the shows like b
Speaker 4: I think you created YouTube, like more.
Speaker 1: More so than uh uh, you know video the juke
Speaker 1: box box.
Speaker 4: But they were showing guns. You were showing ass like
Speaker 4: you know, they were showing It's all explicit. But I
Speaker 4: think that single hand that single handy transferred to YouTube
Speaker 4: because people were saying, well, you know what, we can't
Speaker 4: watch it here, then we want to watch it somewhere else,
Speaker 4: and I think, like in in a little way YouTube
Speaker 4: you somebody that makes no noise, We're gonna.
Speaker 2: Start you now, just do a deal and just think
Speaker 2: about it.
Speaker 4: Like and then BT jams they had had transferred to
Speaker 4: B E t J BT hated me.
Speaker 2: They hated me this day. They hate me. Why because
Speaker 2: they couldn't play the records.
Speaker 1: Well, because I was pushing the envelope of sexually intriguing.
Speaker 3: It was really backed by the whole gospel side of
Speaker 3: BT as well, Like it seemed like they would be well.
Speaker 1: I mean back back then, you know, I mean back
Speaker 1: then black people were very very conservative.
Speaker 2: The ship that I was doing was unheard of. Box.
Speaker 1: You know, I had every hip hop artist hating you
Speaker 1: know what I'm saying. You had the kitten plays and ship.
Speaker 1: They would get on VT. They would do shows where
Speaker 1: they interview guys and be like, Yo, do you like
Speaker 1: this two live crow motherfuckers and this Uncle Lue.
Speaker 2: No, I fuck them, I don't like them.
Speaker 1: That ain't hip hop.
Speaker 2: They ain't ship.
Speaker 1: You know. They would do that, you know, so we
Speaker 1: would be pushing the envelope through the video juke box,
Speaker 1: you know, and be like Okay, why y'all ain't playing
Speaker 1: this ship and they would be losing ratings and people
Speaker 1: would be looking at the box. So it became a big,
Speaker 1: real b And then that's when I ended up doing
Speaker 1: the show with Bob Johnson at the station. But everybody
Speaker 1: else still hated me. You know, the people that there
Speaker 1: right now, who are still there right now, they were
Speaker 1: there back then. They still hate my ass to this
Speaker 1: fucking day because I pushed the envelope so hard that
Speaker 1: you know, they had to change their well programming.
Speaker 2: People just didn't understand Miami, especially no.
Speaker 1: I mean it was saying motherfuckers from Perry had the noise.
Speaker 1: They sitting up there like what the fuck?
Speaker 2: You know?
Speaker 1: So you know they you know, they had a real
Speaker 1: problem with what we were doing.
Speaker 4: Well, let me tell you, I don't know who those
Speaker 4: people are, but I'm telling you, you help my childhood. I
Speaker 4: got an important part of.
Speaker 1: The birthday. That was a good old day.
Speaker 2: That was a good old day sticking in.
Speaker 4: Yeah, I'm like, I'm just sitting back and watching, like
Speaker 4: I gotta.
Speaker 2: Get to my hand. You gotta talk about Big and Luke.
Speaker 4: Oh that's right, Big y'all had y'all have beef at first.
Speaker 2: No no no, no, no no, And yeah, let's just
Speaker 2: talk about that Big.
Speaker 1: Oh that's my dog, Big men Big, that's my guy.
Speaker 2: What happened? How'd you Lincoln with Big?
Speaker 1: I mean, you know, ship I brought him down to
Speaker 1: do a show.
Speaker 2: You know, it was a Super Bowl weekend and then
Speaker 2: you know he came. He was like you know him,
Speaker 2: Julie Muff, you know all that.
Speaker 1: It was like Big was like, okay, man, I'm doing
Speaker 1: your pack jam, the big one, the second one. It
Speaker 1: was around the corner. He was saying, Man, I ain't
Speaker 1: gonna do that, motherfucker. Let you come because pack jam
Speaker 1: here was what we called. It was the Apollo South.
Speaker 4: Oh.
Speaker 2: They would go up in there and the.
Speaker 1: Artists w was going there and they'll be looking like
Speaker 1: this at your ass. You know, motherfucker, you better get
Speaker 1: to the song, you know, cause we really you know,
Speaker 1: they were the hardest sound man.
Speaker 2: Did you have a dirty guy like who came out
Speaker 2: like dirty? The crowd would be said.
Speaker 1: Was like, yo, I ain't doing that, motherfucker less you
Speaker 1: unless you come up in there. And so Man and them,
Speaker 1: you know, we ended up linking up that weekend and
Speaker 1: we was friends forever. I mean he uh, he would
Speaker 1: tell me stories about you know him him being a
Speaker 1: big fan of Poison Clan.
Speaker 2: You know what I'm saying. He told me he was like, Man,
Speaker 2: this fucking JT money.
Speaker 3: You know.
Speaker 1: I you know, before I got into business, I got
Speaker 1: all his ship.
Speaker 2: So he was like damn.
Speaker 1: So you know, I'm looking at him like he was like, nah, Man,
Speaker 1: that was my dude. That that's my dude. And so
Speaker 1: Man and him hit it off. Every time you come
Speaker 1: down I go to New York, I would hang out
Speaker 1: with him and h we end up doing the record together.
Speaker 2: And you wasn't dead when he died in l A, right,
Speaker 2: I was in l A. Actually, I was in the
Speaker 2: studio doing I was.
Speaker 1: Supposed to link up with him and me and uh
Speaker 1: me and stoop Dogg was in the studios. So yeah,
Speaker 1: they ended up when they told us about them dead.
Speaker 1: And you know we were sitting in the studio.
Speaker 4: I think you sat in a brother's club. You were
Speaker 4: supposed to meet with him somewhere.
Speaker 2: Yeah, we were supposed to go to another party.
Speaker 1: It was at a party we were recording, and uh,
Speaker 1: we were supposed to go link up afterwards.
Speaker 4: God bless Big man, God bless Julia Mafia.
Speaker 2: You know what I'm saying is and did you ever
Speaker 2: meet to park Park?
Speaker 1: Was?
Speaker 2: No, that was my guy.
Speaker 4: Let's break out some now is the bitch is involved?
Speaker 2: Of course?
Speaker 1: Part was that was another one of my little sons,
Speaker 1: you know what. Let's yeah, would Pop would come down,
Speaker 1: you know you hang out park was like George Jefferson,
Speaker 1: remember looking at George Jefferson on the on the Jefferson
Speaker 1: that that motherfucker just sit in the car and talk
Speaker 1: talk talk talk talk. I mean we would be on
Speaker 1: the road together, we see each other. He would be
Speaker 1: in my room. I'm sitting there laying down sleep, this
Speaker 1: motherfucker still talking. God, you know I heard every story
Speaker 1: it was, but that was part with my dude.
Speaker 2: That's my nigga. That's so. Let me ask you because
Speaker 2: it had to be weird from you.
Speaker 4: Everybody knew you ran Miami after especially all the turmoil
Speaker 4: or the beat and everybody everybody clearly knew that.
Speaker 2: That was your section.
Speaker 4: But now this East coast West coast war happens, right,
Speaker 4: it's in the middle. You cool with both sides. Was
Speaker 4: it like, did it ever feel weird to you? Because
Speaker 4: Miami is a vacation place regardless, right, regardless, But now
Speaker 4: they vacationing and they all got your number. Was there
Speaker 4: ever an insince where like some East Coast dudes was
Speaker 4: out here and some West Coast dudes text you and say, hey,
Speaker 4: I mean I know the text wasn't back then, you
Speaker 4: know what I'm saying to you all or whatever.
Speaker 2: The brick phone, yeah, the brickphone, the rail trap phone.
Speaker 1: Yeah. DJ Kelly was selling.
Speaker 4: So was you ever like put in a weird space
Speaker 4: because you do.
Speaker 2: Miami is a new tube place.
Speaker 1: Yeah, I mean no, I mean what we always told
Speaker 1: dudes when they would come down here and look at man,
Speaker 1: you come down here, lead the beef ship.
Speaker 2: You know what I'm saying.
Speaker 1: And so it was we was on that if you
Speaker 1: come down, you know, leave your issues, you know, outside
Speaker 1: of that, because we don't need that kind of heat
Speaker 1: down here. You know, we didn't want no, you know,
Speaker 1: the police and all that coming in all right, hey,
Speaker 1: but we didn't want no the hip hop police down here.
Speaker 2: Wen't need none of that kind of ship.
Speaker 1: So you know, you know, me working with the police
Speaker 1: and like, we need that kind of heat. Like hey, look, no,
Speaker 1: you allt got to worry about that because when they
Speaker 1: had that high, can they be downh was gonna get
Speaker 1: crazy and know that.
Speaker 2: I'm like, yo, don't come down there.
Speaker 3: With the shoot up, Heavy was there was a shootout.
Speaker 3: Was Heavy was involved? Like he wasn't shooting, but he
Speaker 3: was there.
Speaker 4: Now, in your opinion, you both knowing Poc and Big,
Speaker 4: there's very few people right who know Pock and Big this.
Speaker 2: There's people who know Poc great and.
Speaker 4: The people who know Big a little bit, right, people
Speaker 4: who know Big a lot, people who know Pop a
Speaker 4: little bit. But you know them, both of them, right.
Speaker 4: Do you think they could have ever squashed that? Like,
Speaker 4: oh no, yeah, that would have been I.
Speaker 1: Mean on the People Show when Pop got out of jail,
Speaker 1: I interviewed Pop, then I went and interview Biggie, and
Speaker 1: then through the interview and process of it, it was
Speaker 1: more like I was interviewing them, but I was like, niggas,
Speaker 1: chill the fuck out.
Speaker 2: Wow, So it was more.
Speaker 1: Of me having a conversation with them about chill the
Speaker 1: fuck out. You two motherfuckers need to make money. This
Speaker 1: ship is about money. Y'all taking this to the fucking
Speaker 1: extreme because you know, I was a saint Louis doing
Speaker 1: a show with Big and Big out there. You know,
Speaker 1: motherfuckers they wanted the disc pop on stage and.
Speaker 2: They were boring.
Speaker 1: You know, I'm sitting up there like, you know, I'm like, okay,
Speaker 1: you know, the mediator of the whole ship, like and
Speaker 1: Big wasn't this So then I when I interviewed, Uh,
Speaker 1: when I interviewed pop Pop was just going crazy, you know,
Speaker 1: oh yeah, yeah, yeah, fuck this girl and did this
Speaker 1: and and did that and all this, And I'm like,
Speaker 1: so when I interview over, look at man, you need
Speaker 1: to chill the funk out, you know what I'm saying.
Speaker 1: You know, so many of them had that. You know,
Speaker 1: we could talk because I know him before he linked
Speaker 1: up with you know, with the Death Row dudes. I
Speaker 1: knew him when he was with the Underground, you know,
Speaker 1: so I know this young dude, he you know, on
Speaker 1: some black power ship. You know, I know where he
Speaker 1: come from. So you know, you ain't on what you
Speaker 1: you know, I'm like, what you changed?
Speaker 2: What are you doing?
Speaker 1: You know what I'm saying. If you're on that you know,
Speaker 1: on that black man ship, which you which is I
Speaker 1: know how that's how you raised. You're always on that
Speaker 1: you ain't on no do nothing the other black man. So,
Speaker 1: you know, we had that conversation and you know, I
Speaker 1: want to go interview Biggie. Big wouldn't say one word
Speaker 1: about him. Yeah, Big wouldn't talk Big. You know, Big
Speaker 1: wouldn't say nothing. It was like na, na, no, you know,
Speaker 1: he just kept it like uh, kept it like really
Speaker 1: one hundred. So it was it was they were if
Speaker 1: they were gonna talk, you know, after me, after I
Speaker 1: had that conversation with both of them, you know, they
Speaker 1: were gonna talk.
Speaker 2: And then for some reason, ship happened. You knew pop
Speaker 2: pre Death Row? Yeah, and then what's that after? Right?
Speaker 2: Very which which park you related to more before? Before
Speaker 2: Death Row? Underground. It's almost like it's almost like two
Speaker 2: different people, two different people's. Man, I can relate. I'm
Speaker 2: a Gemini, Yeah yeah, yeah, yeah, yeah.
Speaker 1: It's almost like, uh, you know, a young dude, you know,
Speaker 1: hanging out with with.
Speaker 2: A crew of people. Then you conform into that crew.
Speaker 2: You know.
Speaker 1: That's why always, you know, when I'm working with kids,
Speaker 1: I tell kids, don't be no follower.
Speaker 2: You know, in the back of my mind, I'm thinking about.
Speaker 1: You know, them soldiers who did like you know, what
Speaker 1: I'm saying, you gotta be.
Speaker 2: Your own man.
Speaker 1: You can't get caught up and you know, the ship
Speaker 1: somebody else trying to do.
Speaker 2: You think Park was following though in that sense, you
Speaker 2: don't think.
Speaker 3: I think he had a plan to get out of
Speaker 3: that situation or change the trajectory of what he was
Speaker 3: trying to do.
Speaker 2: That's what everybody says, at least, well, when you.
Speaker 1: When you when you when you're on on some real
Speaker 1: black man ship.
Speaker 2: Like Brenda got a baby, and then you go over here.
Speaker 2: Not that exactly Brenda, but I mean he was deep.
Speaker 2: He was deep.
Speaker 1: He was on some real black man shit, you know,
Speaker 1: black powered black like this. He was on some deep
Speaker 1: black man And then so now you get linked up
Speaker 1: with this crew on that on some different ship, then
Speaker 1: you conform to be like that. You feel me, So
Speaker 1: I knew him before that. You know, this young man
Speaker 1: was just trying to get on, trying to get this
Speaker 1: music here, trying to do the right thing.
Speaker 2: I'm on some black man shit. He was more.
Speaker 1: He was more deeper than than public enemy than public
Speaker 1: enemy on that black man ship. So then when you
Speaker 1: go and you linked with this crew here, then you
Speaker 1: kind of conform to that, and then now you got a.
Speaker 4: Whole crew and you had already had beef for death Row,
Speaker 4: so you knew what type of mind.
Speaker 1: Yeah, yeah it was, you know it was you know,
Speaker 1: it was like on some you know, we tough guy ship.
Speaker 2: So then now you.
Speaker 1: Got this young guy that's really you know, just searching
Speaker 1: for a family bringing in and before you know it,
Speaker 1: he conformed into you know, it's like, uh, become a
Speaker 1: product of your environment.
Speaker 2: So he became a product of that environment. God damn that.
Speaker 2: It makes a noise. Before we move on to that.
Speaker 2: You ever hung out with Pun as well? Big Pun?
Speaker 3: Yeah?
Speaker 2: Yeah, how was it hanging out with fun Pun? Of Joe?
Speaker 1: I remember, you know when I first met Joe, you know,
Speaker 1: I went to the went to the fucking club and uh.
Speaker 2: The Puerto Rican club story, let's get to it.
Speaker 1: So I go to club and hang out with Joe
Speaker 1: and Budd and Joe beat the ship out some mother
Speaker 1: the club. This motherfucker is some motherfucker, and I'm like,
Speaker 1: what the fuck is this?
Speaker 2: Right? But but after that, I.
Speaker 1: Mean we end up doing on together with a Pun
Speaker 1: and and Uh and some of the other guys in
Speaker 1: the group.
Speaker 4: Now, now Louke, you put on practically the whole Miami.
Speaker 2: If they from Miami and they are.
Speaker 4: Artists, they either got put on through you or they
Speaker 4: got put on through a protege a at you.
Speaker 2: Like, how does that like? Because what was it? Trick Daddy,
Speaker 2: trick scard, he's on scars.
Speaker 1: Yeah, I got trick, came out of jail and he
Speaker 1: was staying with me.
Speaker 2: And how did you discover out there in the streets
Speaker 2: running hard? Yeah? I discovered it. I have my own
Speaker 2: idea because I have a story. Because my story. We
Speaker 2: have something called drunk facts. Here.
Speaker 3: Drunk facts means that were off by either a year
Speaker 3: or a day or a name. This is not drunk facts.
Speaker 3: I have an artist named Garcia, and we did we
Speaker 3: did what was the what was the club? Remember that
Speaker 3: club on South Beach Zen? Remember Zen? I actually did
Speaker 3: the first hip hop party there. It took me three
Speaker 3: months to convince the Turkish dudes to do it. So
Speaker 3: they did a freestyle battle and my artist battle Pit
Speaker 3: and my artist one against Pitt. But I, in my mind,
Speaker 3: you was in the background and you was like, Pit's
Speaker 3: the one. Did you discover him there? Or am I
Speaker 3: completely did that? Drunk facts. No up. The good thing
Speaker 3: about drunk facts.
Speaker 4: You could be like, that's drunk facts, and it means
Speaker 4: that's right drunk fast.
Speaker 3: Remember remember when Pitt had the cord brazen, he was
Speaker 3: rapping like dragon Pipbull comes up.
Speaker 1: What I mean? I was chilling at the crib, you know,
Speaker 1: and I looked at the I looked at you.
Speaker 4: Know, because I know, hold on because when Miami people
Speaker 4: say crib, y'all mean two things. I noticed that you
Speaker 4: mean you also mean the city. Oh the city, also
Speaker 4: mean the city. So you're talking about the city the
Speaker 4: house because you know Miami, like you have the crib.
Speaker 4: I'm like, all right, cool, I was kidding your house.
Speaker 2: Like the city.
Speaker 3: They say they mean the city.
Speaker 2: Yeah, my crib at your I've been confusing for years.
Speaker 2: That's why I was confused.
Speaker 4: Just now, I was like, yeah, you cribhouse till that down.
Speaker 1: So I mean, you know again, I just did this
Speaker 1: song with you know, with Pun and all them you
Speaker 1: know and everything. So I'm like, okay, you know, you
Speaker 1: know New York got Puerto Rican rapper Fat Joe and
Speaker 1: Big Pun and all that, right, So I'm like, I'm
Speaker 1: from Miami. I won't be complete if I don't find
Speaker 1: a Cuban rapper, you know what I'm saying. So I
Speaker 1: didn say Okay. Then at the same time, I'm looking
Speaker 1: at the fucking census and the censor says, you know,
Speaker 1: Latinos all the predominant race, and a I'm like, ship,
Speaker 1: I gotta give me a you know what I'm saying, so,
Speaker 1: you know, me being the executive. But then I'm like
Speaker 1: still saying, I won't be complete if I don't find
Speaker 1: a Cuban artist somebody, because so many Cubans like my
Speaker 1: music and they you know, you feel me. So I'm like,
Speaker 1: I need to do that. That that will make Luke
Speaker 1: Records complete. Yeah. So, so I ended up going on
Speaker 1: this man's search looking for him and and uh.
Speaker 2: They brought me a Sauce battle tape.
Speaker 1: You know, they were like, they showed me a source
Speaker 1: battle tape of this guy on there rapping. I was like,
Speaker 1: it was like this one from I was like, I
Speaker 1: want the motherfucker that's not for Miami.
Speaker 2: I want you know, he's a Cuban.
Speaker 1: Yeah.
Speaker 2: From So then when I looked at I liked them. Now.
Speaker 2: I was like, okay, well, you know, go find him
Speaker 2: and brought him the Lollipop song.
Speaker 1: Yeah, they brought him to the UH, to the UH,
Speaker 1: the studio, to the office, and then you know, I'm
Speaker 1: on that vibe, Like I have a guy hang out
Speaker 1: with me for like a month before I really sign
Speaker 1: him up because I got to know that Number one,
Speaker 1: you original, We ain't doing no studios. Get down with that.
Speaker 1: You original, You write your own ship, and you got
Speaker 1: good vibes.
Speaker 2: You know what I'm saying. You understand the game. So
Speaker 2: it was a real woman.
Speaker 1: Yeah, and we got shot out.
Speaker 2: Big Teacher as well. That's fan Big Teachers Big. Now.
Speaker 4: Krick Daddy is like one of the most phenomenal UH
Speaker 4: personalities hip hop. Yea, like his no filter. It seems
Speaker 4: like like he could just get on. He literally spit
Speaker 4: on his computer.
Speaker 2: The other day. I don't know if you guys see that.
Speaker 2: It's crazy and he's authentic. But he's authentic.
Speaker 4: And his did you notice that with Trick because you
Speaker 4: know he makes great music, We already know that, but
Speaker 4: he's like, but personality sometimes with transcends the person I.
Speaker 2: Mean that that that's he.
Speaker 1: As a record executive producer, I always look for authentic
Speaker 1: Shiit like if you listen to Age Town, the guy
Speaker 1: has an authentic voice. You know what I'm saying that
Speaker 1: if you hear Trick talking outside in the bushes and
Speaker 1: not knowing who out there, you'll know that's him. You know,
Speaker 1: all my artists had all j C money, All of
Speaker 1: them had that. That was my thing. You know that
Speaker 1: I would do what I would be looking for in
Speaker 1: an artist. But trick story was similar to the story
Speaker 1: that you thought was would Pitt.
Speaker 2: Trick was in.
Speaker 1: I had a a battle contest, like a seven week
Speaker 1: battle whoever last the longest and when I'm gonna sign
Speaker 1: them up to Loot Records.
Speaker 2: And so that's Trick ended up winning the contest.
Speaker 1: You know, he battled, battled one guy, you know, this
Speaker 1: kid named Red, beat him, put him on the record
Speaker 1: before you know it in the story. But I mean
Speaker 1: his whole thing was you know again you got vibe
Speaker 1: with me. I'm we're riding. Take you on the road,
Speaker 1: which is the same thing I did to Pick Definitely,
Speaker 1: you know, I take him on the road with me
Speaker 1: and and put the ass out on stage and you know,
Speaker 1: throw them in the fire. You know, hates wonderful. You
Speaker 1: know you ain't going studio. Let's I hate your ass.
Speaker 1: You know, that's why they call it. You know you're
Speaker 1: here pit talk, my old y'all. I went to the
Speaker 1: Loop School of hard Knocks. Yeah yeah, So I mean
Speaker 1: I gotta trip to.
Speaker 2: Chase like you were like when you're in college, like
Speaker 2: you pay your dues. Basically, you gotta do put the
Speaker 2: water in the socks and ship. You gotta go some ship.
Speaker 2: You gotta go through some ship.
Speaker 1: You know you got.
Speaker 2: I'll be on the radio.
Speaker 1: I do a radio interview and be like, yo, bring
Speaker 1: to the city, bring the best rapper in town.
Speaker 2: If you if you our.
Speaker 1: Battle of this month, I'm kicking his hands on the bus. Wow,
Speaker 1: it's not serious.
Speaker 2: It's not just artists.
Speaker 3: Keep in mind, like he helped Calid too, because Calor
Speaker 3: was on Mixed ninety six.
Speaker 2: But you know, like he said before.
Speaker 3: We underground radio stage, Yeah, Mix six, I was on
Speaker 3: ninety four point seven. We were right under Mix ninety
Speaker 3: six at one point in the same building. But we
Speaker 3: didn't have like a straight up hip hop show in Miami.
Speaker 3: And he had his show on nine nine Jams, and
Speaker 3: you brought Calid. If I'm wrong telling me, you start
Speaker 3: doing started.
Speaker 2: From so basically I'm just like, why why isn't I'm
Speaker 2: here Luca see me though, But.
Speaker 3: You got to give him also credit for caleg as will.
Speaker 3: He definitely helped.
Speaker 4: Caulet, Like is there an artist that ever got to
Speaker 4: a certain place and like he was disappointed in though
Speaker 4: the way just in the in the and there, like man,
Speaker 4: I thought he would have kept it real. I thought
Speaker 4: he would have kept in contact with me. I thought
Speaker 4: he was you know, like any type of disappointment.
Speaker 2: Like well, you know when.
Speaker 1: I when I listened to cal It talk, he'd never
Speaker 1: made mention of the show what you're talking about.
Speaker 2: He never made I mean, we know it in Miami,
Speaker 2: don't know it in Miami.
Speaker 1: But if you ever if you ever listened to any
Speaker 1: interview that he's but did he never make mention of
Speaker 1: any of that?
Speaker 2: That should exactly exactly.
Speaker 1: I mean, you know him being on the underground and
Speaker 1: you know what I mean here and this again it's
Speaker 1: a it's a discovery thing. I mean, this guy is true,
Speaker 1: by the way, this this this this energetic guy.
Speaker 4: On the radio because he was originally from Orlando, or
Speaker 4: wasn't he from Orleans?
Speaker 3: Yeah?
Speaker 2: It was it was all over the place trying to
Speaker 2: find it. And you heard him on the underground radio station.
Speaker 1: I heard him on there, and then you know, you know,
Speaker 1: I wanted to see you know, this this kid on
Speaker 1: the radio.
Speaker 2: You know, I wanted to see what he looked like.
Speaker 2: And I vibing again.
Speaker 1: So I would go to a mad house, you know,
Speaker 1: they had the Mad House party and I was, you know,
Speaker 1: just chilling there with Joey and check him out.
Speaker 2: And then before you know.
Speaker 1: It, when I did the show. Because Miami never had
Speaker 1: a mixed shore. Yeah, so when uh, you know, Cuentral
Speaker 1: Hollywood came down for Orlando to take over the radio
Speaker 1: your station, I was like, we need to do a
Speaker 1: mix show, and he was like, well you do it.
Speaker 2: What years is by the way, just so we can ship.
Speaker 2: I forgot like ninety seven problems.
Speaker 1: So yeah, so I wanted to have a combination of everything.
Speaker 2: This kid spinning you.
Speaker 1: Know, hip hop, then Uncle Alice spinning Miami, Papa Keith
Speaker 1: and soul syding kids spinning you.
Speaker 2: Know, reggae.
Speaker 1: And then I would have DJ Iry come in and
Speaker 1: spend pop every now and then.
Speaker 2: So all these all these guys, damn, let's take some
Speaker 2: want to finish. Yeah, it's just crazy. Blew my mind.
Speaker 1: Yeah, so you know, this is my way of putting
Speaker 1: them on.
Speaker 2: You know.
Speaker 1: So I did the Luke Show on the radio every Friday.
Speaker 1: It would come on ninety nine Jams and it was
Speaker 1: a big show. Yeah, motherfuckers used to line up around
Speaker 1: the corner you know, the station, you know, because I
Speaker 1: you know, I played on people mind, which you know,
Speaker 1: which was not hard to do because they already know
Speaker 1: I could bitch his naked if I said, oh yeah,
Speaker 1: we live in the studio, every right naked and fucking
Speaker 1: it was right now getting this out, you know, and
Speaker 1: so everybody would beleeve that, you know. So you know,
Speaker 1: all those guys were personalities, and and they were different personalities.
Speaker 1: So I would, you know, the guys at nine and Jams,
Speaker 1: they wanted me to fire call it. So many times
Speaker 1: it was like he's too loud, he's to this, he's
Speaker 1: too that, you know, and and I would I would
Speaker 1: actually they would be like fire him, and then I say,
Speaker 1: fuck it, I ain't doing the show this.
Speaker 2: So it'd be like, okay, well we want.
Speaker 1: You, so we got to keep it, you know, And
Speaker 1: and then I would amp him up, you know, like
Speaker 1: he would be this, Oh I'm the baddest DJ.
Speaker 2: In the world.
Speaker 1: So I would be like, yo, you're the best DJ. Yeah,
Speaker 1: I'm the bast DJ in mine. Oh so everybody else
Speaker 1: is bullshit? Oh yeah, yeah yeah, And so you know
Speaker 1: he would I would.
Speaker 2: Push him into ship.
Speaker 1: That I well, I really when when I really met him.
Speaker 1: When the first time I met him, you know, it's
Speaker 1: on one of my peep shows. It was he was
Speaker 1: with Fat Joe. He came to a party. We had
Speaker 1: the super Bowl party and this young dude, you know,
Speaker 1: Arab guy, he's selling fucking hot phones.
Speaker 2: You know, that was my first kind of with him.
Speaker 1: He got the hot phone.
Speaker 2: You know what I'm like.
Speaker 3: And I think his mom at the time was Palistinian
Speaker 3: terrorists dropping bombs.
Speaker 4: That's big up to Uncle Luke for talking about MC
Speaker 4: colleague had bootleg phones.
Speaker 2: This is a college. You got booths, Del's and all
Speaker 2: that ship now and you'll will wait for you a
Speaker 2: bit more.
Speaker 1: Chaps.
Speaker 5: Listen, motherfucker. We know you when you have bootleg phones.
Speaker 5: Come ongg. I know you do, he show, but you know,
Speaker 5: at the end of the day, you're proud of him.
Speaker 5: I'm proud of.
Speaker 4: Because you know a lot of listeners can't see. But
Speaker 4: I looked at your face. There's no hate, no disappointment.
Speaker 4: Don't hate. No, he's like, you know what I'm saying,
Speaker 4: Like I could be I could be disappointed.
Speaker 2: Doesn't mean I hate right now, I know.
Speaker 1: I love what he's doing. I love the fact that
Speaker 1: you know that he's I knew he was gonna be Yeah, yeah,
Speaker 1: is crazy. You can put him in the room and
Speaker 1: he'll make He'll make fucking anything out of something, you know,
Speaker 1: because he's just that creative, you know what I'm saying.
Speaker 1: So I like what he's doing. Happy you know to
Speaker 1: see that. Okay, this young kid who is selling bootleg
Speaker 1: phones is on the damn TV.
Speaker 2: So I said, down, beout.
Speaker 1: You know you're doing You're doing commercials and ship right now.
Speaker 1: You know.
Speaker 2: But it's a good thing.
Speaker 1: But you know, the story should be told and I'm.
Speaker 2: Just that makes you great.
Speaker 1: You you have to you have to let young people
Speaker 1: know that I ain't just start up here. I came
Speaker 1: from here. This is the road, this is the path
Speaker 1: that I took, so you can actually do the same
Speaker 1: thing exactly. You You give people, you know, you get people,
Speaker 1: you know, hope in their mind that they could do
Speaker 1: things like Chris.
Speaker 2: Shiddy Chris, like he used to always tell me.
Speaker 4: He used to be like I would complain about something
Speaker 4: like he was like, I got this flight, you'll go
Speaker 4: pick up fucking fifteen eighteen.
Speaker 2: Thousand, Like, yo, they ain't have first class.
Speaker 4: He's to be like I used to hold kick a
Speaker 4: prieze Crates, I mean our kid in plays Crates. Go
Speaker 4: in there and get your bucket and like it's like
Speaker 4: remembering your beginning. It makes you better, makes you better,
Speaker 4: it makes you better.
Speaker 2: So I want it.
Speaker 4: But that's the only like person that you ever like
Speaker 4: felt this disappointed at like a little bit. That's like,
Speaker 4: that's just a little bit. I mean I can see
Speaker 4: look at your face, you ain't hating at all. I
Speaker 4: can tell you that he was one most of the artists.
Speaker 2: You know what I'm saying.
Speaker 1: Cool, you know I was a little disappointed with two
Speaker 1: Live crew.
Speaker 2: A little disappointed with a.
Speaker 4: Reunion will be when you're in twenty fourteen and Club
Speaker 4: Live correct.
Speaker 2: Yeah, yeah, I thought you I was back to from there.
Speaker 2: They I mean, those guys are really I.
Speaker 3: Talked to Bob all the times, like, yo, bb, we
Speaker 3: need to have them all together.
Speaker 2: Yeah, and I don't know what the fuck is doing.
Speaker 2: I love BB. I raised BB, but I think BB
Speaker 2: is taking you know, I don't know, I don't know.
Speaker 2: I was trying to you know, my man too.
Speaker 1: Yeah, I love BB to death. That's his son. But exactly,
Speaker 1: but BB taking that money from over there, that's like
Speaker 1: taking money from Hilo.
Speaker 2: Whoa in my opinion, from overwhere, from well, the.
Speaker 1: Little Joe guy.
Speaker 2: Oh you know what I'm saying. You don't You don't
Speaker 2: know about Little Joe. Yeah, you don't know that. That's
Speaker 2: that's that's going back.
Speaker 1: Yeah, BB, you know, you know being here, you know,
Speaker 1: I'm like, if.
Speaker 2: You're that desperate, you can So Little Joe's still involved, Yeah, yeah, yeah,
Speaker 2: those guys signed up them.
Speaker 1: Oh ship, all those guys, all those guys had have
Speaker 1: tried to go bankruptcy, and then he went and bought
Speaker 1: them in bankruptcy. He owns all of them. So they
Speaker 1: can't do a reunion without going through him, asking him,
Speaker 1: and so for BB to be working for them, it's straight.
Speaker 3: Bull because he don't understand and the listeners ain't understand
Speaker 3: Little Joe was they the distributors originally of no directly,
Speaker 3: not at all, So how do.
Speaker 2: They how do they own anything? Well, in my opinion,
Speaker 2: he stole the catalog. That's he out right by it.
Speaker 1: No, no, no, no, wow. But for BB to be
Speaker 1: working for them, you know, that's not cool at all.
Speaker 4: I had no idea. So it's no beef with them,
Speaker 4: It's just beef with the.
Speaker 2: Guy that that well.
Speaker 1: Yeah, I mean, when you let some guy could control you,
Speaker 1: I mean, it don't matter with me. I mean I'm
Speaker 1: twenty years not doing shows with them. I mean they
Speaker 1: you know, if you a nigga had let him mouth
Speaker 1: control you, you used to put the ass nigga as
Speaker 1: simple as that.
Speaker 2: You know, I let some dude who don't matter.
Speaker 1: Control the old dude over there.
Speaker 2: Late.
Speaker 1: But come, no, no, it's a little this big here.
Speaker 2: You know what I'm saying.
Speaker 1: So if you got dudes that control you like that
Speaker 1: to the point where they tell you you can't, you know,
Speaker 1: go and do something for your fans and all that.
Speaker 2: That's the whole other movie. Wow.
Speaker 4: It took a weird disappointed right now, man, because when
Speaker 4: I was when I when when you know people were
Speaker 4: requiring because at first, you know, they started saying two
Speaker 4: live crew, and then I guess people, you know, we
Speaker 4: only been doing this five months right six we're going
Speaker 4: to going to just six months we got the number
Speaker 4: one podcast that makes a noise for us. I started
Speaker 4: to notice like that when the fans knew, the fans
Speaker 4: is like, no, just go with Uncle, just get Uncle,
Speaker 4: because it's not gonna happen.
Speaker 2: The reunion is not gonna happen. I had no we tried.
Speaker 2: We actually had aspirations of getting all y'all together. Oh yeah,
Speaker 2: and then yeah, that didn't happen. We're never gone. That's all.
Speaker 2: I mean.
Speaker 1: That's a whole movie in itself.
Speaker 2: I mean, you know, the dudes are good dudes.
Speaker 1: But again, when when you're own by this guy, when
Speaker 1: this guy paying all your bulls and shit and he
Speaker 1: got your handcuffed and you're almost like a slave in
Speaker 1: my opinion, you know, they pretty much got to do it, dude,
Speaker 1: they do.
Speaker 2: That's crazy.
Speaker 4: Now, this is a problem that I've had in the past,
Speaker 4: and what I mean by that is I don't kind
Speaker 4: of like the respect of these young artists. I've been
Speaker 4: out since nineteen thirty seven and there's been a couple
Speaker 4: of artists and just sample my records and they'll clear
Speaker 4: it through the proper things, or they won't clear it
Speaker 4: through the call you Harry, you know here, are know
Speaker 4: what I'm going thro because now I'm considered.
Speaker 2: Like an og liked now.
Speaker 4: And the thing about it is if I touched, you know,
Speaker 4: a Curtis Blow record, or I touched like we come
Speaker 4: from the arrow, I'll call you a listen. I'm doing
Speaker 4: this over. I'm sampling it because we all have the
Speaker 4: same nature. Right nowadays, motherfuckers are just taking her record,
Speaker 4: loop it, put it on iTunes, and by the time,
Speaker 4: even if you have a problem with it, it's like
Speaker 4: so big it makes you. It makes you look like, oh,
Speaker 4: you're mad because the record is a sussessed No, I'm
Speaker 4: mad because the proper respect wasn't handled to me right,
Speaker 4: you know what I'm saying, Like, I don't care.
Speaker 2: I don't even care about the finances. I just care
Speaker 2: about like if I made a record, like I got
Speaker 2: a record call. Sometimes it's about my father record.
Speaker 4: He died, so it's about putting it and my father
Speaker 4: and I literally made that record crying.
Speaker 2: And some of these artists take this record and.
Speaker 4: Be like sometimes I want and they changed the whole concept.
Speaker 2: Sometimes I want to suck the bitch. Are you mad
Speaker 2: at every artist?
Speaker 4: Or you'm mad young kid in his room redoing it. Yeah,
Speaker 4: I'm mad at him too without calling me, because I
Speaker 4: don't call you.
Speaker 2: Know, I'm saying.
Speaker 4: It's a certain way because certain records, certain records mean
Speaker 4: too much to me to let you fuck with it.
Speaker 2: Like if I don't know you, like, I might not
Speaker 2: let you. You could be you could be a dude
Speaker 2: I met before, So you won't take it. It's paying
Speaker 2: homage to you. If it's not, it's not paying homage.
Speaker 4: Sometimes it's not like what Drake just did with a
Speaker 4: canelly ship.
Speaker 2: I believe that that was paying.
Speaker 3: But that's a different level. The kid in his room
Speaker 3: that's wrapping over your beat, but he needs to learn.
Speaker 2: Though. Don't get ahold of you though Twitter everybody. But
Speaker 2: the thing is this, The thing is this. People need
Speaker 2: to learn. People need to.
Speaker 4: Learn that there was a there was a world that
Speaker 4: existed before you.
Speaker 2: If we just allow a person to just come and
Speaker 2: just do some too.
Speaker 4: Loud crul ship and a nigga say like he said,
Speaker 4: he said me so harmed and they think they invented that.
Speaker 4: That shit is a problem with history. It's no future.
Speaker 4: I feel like people, I feel like I feel like like,
Speaker 4: we ain't trying to sue you artists, We ain't trying
Speaker 4: to but just come.
Speaker 2: Holler at me. Get the proper respect. So I ain't
Speaker 2: never got to say something courtesies what you know what
Speaker 2: I'm saying, I ain't never got to say something slick.
Speaker 2: But how do you feel about that? Because we went
Speaker 2: in and we were going down.
Speaker 1: I mean, I clearly understand what you mean.
Speaker 2: You know what I'm saying. You know when you know
Speaker 2: when the.
Speaker 4: Guys did pop that song, Okay, totally forgot.
Speaker 1: I mean, you know, motherfucker's hed pop that never called
Speaker 1: me up. You don't actually called me to.
Speaker 2: Do a video.
Speaker 1: But they never a video. They never let me hear
Speaker 1: the song. It was like, Yo, we're doing the video.
Speaker 1: We want you to come and be in the video.
Speaker 1: I was like, what's song you being?
Speaker 2: What's on you?
Speaker 1: They never let me hear the song. It was like,
Speaker 1: come be in the video. We you know a song.
Speaker 1: It's a big.
Speaker 2: Secret, you know.
Speaker 1: So I don't know whether it was a surprising thing. Okay,
Speaker 1: you know, I never got deep into the conversation. Yeah,
Speaker 1: but it's the same thing. Nobody never really called up
Speaker 1: and said, Yo, Luke, we're gonna do uh, you know,
Speaker 1: we're gonna take your voice and put your voice on
Speaker 1: this song and gonna put this ship out. So you know,
Speaker 1: so I said something about it, you know, down those lines,
Speaker 1: and then it became, you know, almost.
Speaker 4: Like you look like the old old hater when you're
Speaker 4: a young man. You're in the young man's game. Young
Speaker 4: man showed me.
Speaker 2: Exactly.
Speaker 1: But and and so I clearly understand what you what
Speaker 1: you what you mean by that? I mean, but a
Speaker 1: lot of these guys just don't know their history, and
Speaker 1: they you know, if they sit back for one second
Speaker 1: and say, okay, if I'm making here records, then if
Speaker 1: I'm gonna be in the game for this amount of time,
Speaker 1: there's gonna be some more young guys after after me.
Speaker 1: Do I How would I feel if they take my
Speaker 1: ship and start rapping my ship? Because yea, it's gonna
Speaker 1: get old, keep living, it's having you are going to
Speaker 1: get you.
Speaker 2: You are going to.
Speaker 1: Get old in the game and a young motherfucker's gonna
Speaker 1: come and they gonna take your ship. How would you
Speaker 1: feel when they take your song and start, you know,
Speaker 1: rapping and using your making ship?
Speaker 2: There's different.
Speaker 4: Official the artist just did my record seeing him in
Speaker 4: MTV and he gave me up.
Speaker 1: What up?
Speaker 2: I wanted to kill this nigga.
Speaker 4: But we was in MTV offices and people called me
Speaker 4: that because he was coming up.
Speaker 2: He ain't popping no more off. I won't say his name.
Speaker 2: So he was coming up. It's dream say his name. No, no, no, no, no,
Speaker 2: it's cool.
Speaker 4: It's cool. It's cool because he's over. If he was bobbing,
Speaker 4: I was saying his name, but you know, over that nigga.
Speaker 4: And when I seen him, when I realized he he
Speaker 4: not only he didn't even recognize me. So youre just
Speaker 4: doing records. There's no respect to that. I can't respect that.
Speaker 2: Now. I'm not a hater. I'm not fucked up. You
Speaker 2: know what I'm saying. I'm okay.
Speaker 4: But at the same token, I was raised with respect.
Speaker 4: My mom's told me to pull out a care for
Speaker 4: a woman. My moms told me to hold the door,
Speaker 4: my moms told my moms told me man, so.
Speaker 2: I don't.
Speaker 1: But that's why he ain't in the business right now.
Speaker 2: You know what I'm saying.
Speaker 1: The guys, when you really think about it, the guys
Speaker 1: who are still in the business right now, the ones
Speaker 1: who have longevity, they have some sense of the history
Speaker 1: of the one hit wonders. They go and they come
Speaker 1: all day because they don't understand the history, and they
Speaker 1: ain't trying to learn the history. You know, if you
Speaker 1: know the history, you'll be around. I mean, Jay has
Speaker 1: been around one hundred years and still making here records
Speaker 1: hundred I mean you know all those guys, I mean
Speaker 1: Wayne and all them, do you have to know the history.
Speaker 1: If you don't know the history, and you sitting there
Speaker 1: and when you make a statement like that, everybody old man,
Speaker 1: he tripping and all that. No, no, no, you don't pay
Speaker 1: homage like that. You'll be in this business and out real.
Speaker 2: But y'all talking to you specifically? Are you talking about
Speaker 2: two different things?
Speaker 3: There's the artist that puts out a single and he
Speaker 3: just Jack's beat and takes the record and puts out
Speaker 3: officially because I'm a mixtape DJ. So I'm I'm saying,
Speaker 3: there's the kid that anybody you could be.
Speaker 2: You run on other people's beats on my mixtape. It's
Speaker 2: not the same thing.
Speaker 6: Freestyle are you talking about? We need to define that
Speaker 6: about redo your record? That's crazy, that's crazy.
Speaker 2: I have no problem with.
Speaker 4: A person freestyle and when you take my ship, throw
Speaker 4: it out, sell it, make a profit.
Speaker 2: For me like it ain't. And the thing about it
Speaker 2: is like money ain't everything.
Speaker 4: So most people could come back and offer you some
Speaker 4: running and it's like damn.
Speaker 2: Knowing that you don't. Maybe you don't own that beat
Speaker 2: because of whatever.
Speaker 3: But you ship, they owe you as an individual, as
Speaker 3: an artist, they should pay homage to you.
Speaker 2: That's what My ship was worse than that.
Speaker 1: My ship was more like the first one. When I
Speaker 1: really heard about what it was, it was a fucking
Speaker 1: ad Lou Uncle Luke uh uh Rick Ross and French Montana.
Speaker 1: I ain't know who the fuck French Montana? And the
Speaker 1: fun is French.
Speaker 3: Right?
Speaker 2: A song? You know?
Speaker 1: I heard song like this motherfucker.
Speaker 2: Song hot, Who the fucking French Montega?
Speaker 1: You know what I'm saying. Jonas made the nigga my song,
Speaker 1: So you know, man, you know, but I you know again,
Speaker 1: you know that that you know, people blew it up
Speaker 1: man at French Montana. Ain't ready to get this motherfucker.
Speaker 1: I'm like, nah, yeah, we ended up doing the show
Speaker 1: for me to awards and all that.
Speaker 4: You just did a show recently with d m X
Speaker 4: and ONYX and my manager was out there.
Speaker 1: Man, I'm performing. I have to tell them to stop. Yeah,
Speaker 1: I love performing. You love perform I love Yeah. It's
Speaker 1: like a hobby to me, not going you know, and
Speaker 1: and you know I don't do that kind of music
Speaker 1: while I just walking downstage smoking joint and and be strippers.
Speaker 1: What you on? No, we are regular dances. Excuse me?
Speaker 4: Different when they graduated scrippers now I know, no dancing.
Speaker 4: When they graduated dances, it's all out as scrippers and
Speaker 4: they end up as dances.
Speaker 2: How how does it go? They thought I was none.
Speaker 2: They just start out strippers since nowadays, but got sophisticated dances. Yeah,
Speaker 2: strippers dance. Let's make We're not ending.
Speaker 4: But I just want to thank you admitted interview, because
Speaker 4: you know why, I single hand the least scenk.
Speaker 2: That you know. Oh my god, what cause Santiago my
Speaker 2: last name? I'm sorry, I just saw that.
Speaker 4: I'm sorry, just throwing it out there, but I single
Speaker 4: handedly see you hold Miami down. When Miami had problems
Speaker 4: with anybody, you stepped up. You wasn't you wasn't holding
Speaker 4: your tongue. You you you shape and mold what Miami
Speaker 4: is now. And I have to thank you as a
Speaker 4: person that now lives in Miami, born and raised in
Speaker 4: New York, but this is my second home. I've been
Speaker 4: out here, this is where the show is being taped.
Speaker 4: And we wanted it personally. I was gonna say, but
Speaker 4: we wanted to personally and just invite you here and
Speaker 4: let you know that this is your home.
Speaker 2: We got got one point two million people listening to us.
Speaker 2: I'm like two people. I was gonna say, like two
Speaker 2: or three people listen. We so we're at the crib.
Speaker 2: At the crib. We at the crib the type of the
Speaker 2: way they.
Speaker 4: Want to use it, and we want you to know
Speaker 4: that you can come here all the time. But continuing
Speaker 4: moving on, where do you see Miami going to as
Speaker 4: far as the music scene goes?
Speaker 2: What's as far as far as the music scene?
Speaker 1: I mean, you know it's it's it's tough around here
Speaker 1: because radio stations don't support the local artists. You know
Speaker 1: what I'm saying. Uh, the underground and as power for
Speaker 1: is it as it was as it used to be?
Speaker 1: You know, you got you know what I mean. The
Speaker 1: DJ's on South Beach, you know, no disrespecting none of them.
Speaker 1: They ain't really playing no Miami music, you know. So
Speaker 1: so at the same time, you know, you got clubs running.
Speaker 1: It's a totally different scene.
Speaker 2: You know. If you you know, like I'm I'm out, you.
Speaker 1: Know, in the hood all the time, you know, at
Speaker 1: the parks and everything, and the DJ's play totally different music.
Speaker 1: Then what you is, it's it's the same thing, you know,
Speaker 1: like when I was when I came up. You know,
Speaker 1: the difference is I was able to take you know,
Speaker 1: songs like Peter Butter and Jelly in because I was
Speaker 1: nationally known.
Speaker 2: I put it out.
Speaker 1: They become nationally known, you know, in that same beat
Speaker 1: that's going on around here. So you don't have the
Speaker 1: record companies in Miami that may have.
Speaker 2: A national appeal.
Speaker 1: They're not going to get those artists and put them
Speaker 1: on and let people hear real Miami music. You know,
Speaker 1: I could be doing I could be selling platinum Ahtown
Speaker 1: R and B album, But then I'll go find a
Speaker 1: treat daddy and he'll be spitting Miami slain you feel me,
Speaker 1: and he'll do it song in Then through me, I'm
Speaker 1: introducing the rest of the world to you. You don't
Speaker 1: have these artists you know that.
Speaker 2: From here doing that. You know, that's what the dudes
Speaker 2: who on they ain't doing it.
Speaker 1: And then Miami does not have a sound anymore because
Speaker 1: everybody that's the biggest problem. And I tell a lot
Speaker 1: of these young dudes, you know, whether you like it
Speaker 1: or not, we have boom chat, boom chat, you know
Speaker 1: what I'm saying.
Speaker 2: We had that was Miami.
Speaker 1: And then we had our slain because to me, hip
Speaker 1: hop is slain.
Speaker 2: You know what these niggas, you.
Speaker 1: Know, like you lost when you said the Koreban, you
Speaker 1: know red Man lost when he said what's up?
Speaker 2: Dog?
Speaker 1: And you will be like what these niggas talking about
Speaker 1: cousin blood and all that ship. So then you heard
Speaker 1: slag through the music right now, you know the artists
Speaker 1: that are coming out of Miami, you don't hear Miami slang.
Speaker 3: What did you think about Mother Superior? Because I'm I'm
Speaker 3: that's the era I'm from. I'm with that group. What
Speaker 3: did you think about her?
Speaker 2: Do you remember she wasn't getting You ain't give a funk,
Speaker 2: Let's keep it. I don't get shot shot. That's my whole.
Speaker 3: They called it the liverally, the female nas and she
Speaker 3: was from Miami.
Speaker 2: She rerapped Miami. She was just on some lyrical ship.
Speaker 2: Look at look.
Speaker 1: But we.
Speaker 3: Got mad at her when she moved to New York,
Speaker 3: when she got her deal with Island, right.
Speaker 1: Right, I mean again, when you the question becomes and
Speaker 1: I try and tell these young dudes around here, you can't.
Speaker 2: You got to have a sound.
Speaker 1: Atlanta got a sound, New York got a sound, California sound,
Speaker 1: and right now Miami don't have a sound anymore. On
Speaker 1: top of it, you ain't got guys putting guys on.
Speaker 2: So everybody trying to sound like fucking Atlanta, you know.
Speaker 1: And and when you you know, nothing you saying lyrically
Speaker 1: ain't really you know, I don't understand what you're saying
Speaker 1: because I'm with kids every day, you know, I coach
Speaker 1: high school football. So I'm driving them home and they
Speaker 1: having a whole conversation. I'm really I'm hearing the conversation,
Speaker 1: and their slang is totally different. You know what I'm saying.
Speaker 1: They call a fat girl a pepper, you know, So again,
Speaker 1: you know, so just you going like that, you know
Speaker 1: when when when I'm doing records, that'll be a whole
Speaker 1: song you know, the girls to be peppers, you know
Speaker 1: that in the lyrical content of a song. And then
Speaker 1: you would get the song in Chicago at Atlanta and
Speaker 1: you know what, you know what the what the is
Speaker 1: the this thigga keeps saying.
Speaker 4: It's like like y'all always like at the whole world.
Speaker 4: My son, my son comes in the other day and
Speaker 4: he's calling his little brothers a jet and I'm like.
Speaker 2: What does that mean?
Speaker 4: Then I come around these guys and they start using it,
Speaker 4: and I'm like, I have to be cared, Like, what
Speaker 4: the is my son call them?
Speaker 2: Like they just called him a younger dude. But like,
Speaker 2: and to me and to me.
Speaker 1: That's always been hip hop. It was it was the
Speaker 1: ghetto blues, you know what you're.
Speaker 2: Talking about over here? You know when Big was making
Speaker 2: the songs.
Speaker 1: Oh ship, you know what I'm saying, all right, the
Speaker 1: dudes in Atlanta making their song Okay, Oh that's you know.
Speaker 1: So it was more intriguing as to what they're vibing
Speaker 1: and what they're talking about, as well as the slain
Speaker 1: on top of it. So now when you have the
Speaker 1: guys coming from Miami or from Miami, but.
Speaker 2: You sound like pop, that ain't Miami.
Speaker 1: So technically, I'm like, it's not no Miami artists.
Speaker 2: You know what I'm saying.
Speaker 1: When when when when Trick they say, you don't know, now, nigga,
Speaker 1: you know what I'm saying, that's the Miami ship.
Speaker 3: So Trick is like the jay Z of Miami because
Speaker 3: he's lyrical and people don't give him that credit, but
Speaker 3: he's literal Miami.
Speaker 2: Loss will be the jay Z.
Speaker 3: No, no, I'm telling you before that it's Trick.
Speaker 2: Trick is the jay Z in Miami. He's literally us.
Speaker 1: So nobody is connecting with Miami. You know what I'm saying,
Speaker 1: None of the none of the artists, because he's artists.
Speaker 1: These young guys are really lost. I mean like, I'll
Speaker 1: go to the radio station, the fucking go in on
Speaker 1: the PD and the m D white, you ain't playing
Speaker 1: the music from Miami, and they'll be like, their business
Speaker 1: ain't right, Luke, their business ain't right, you know, And
Speaker 1: then I business and then they'll be like and then
Speaker 1: I listen to a song, you know, because they everybody
Speaker 1: get mad. Luke man, you you need to go and
Speaker 1: step down on these motherfuckers. When I go in there,
Speaker 1: then I listen sh like the fuck.
Speaker 2: Is this the ship that they have? Okay?
Speaker 1: You know what, and they'll be like, yo, this these
Speaker 1: are the songs right here. I'd be like, this, ain't
Speaker 1: no fucking Miami song. These motherfucker's trying to sound like
Speaker 1: another motherfucker on the same beat, you know what I'm saying.
Speaker 1: So I'm really yeah, yeah, I'm fucked up when it
Speaker 1: when it comes to music, I'm real real, ain't. I
Speaker 1: don't like studios. I go in there. My tension span
Speaker 1: is real short. Ship ain't right. I ain't fucking with it,
Speaker 1: you know. So when I hear it in the first
Speaker 1: one minute, I'd be like, y'all, y'all motherfuckers trying to
Speaker 1: sound like somebody else. Start sounded like Miami. You know,
Speaker 1: a lot of a lot of a lot of music.
Speaker 2: Ain't like that. You got a couple of young guys.
Speaker 1: Around here that Curry is dope from from You got
Speaker 1: a couple back too. Yeah, when you hear when you
Speaker 1: hear dudes spitting, you know, Miami slain and it's more
Speaker 1: to slag than anything. And they ain't delivering like some
Speaker 1: guy from Atlanta.
Speaker 2: It's the same. It's the neighborhood, the look and it's
Speaker 2: it's all. It's the funny.
Speaker 1: I mean, when when I put out portsy Clan, you know,
Speaker 1: which is the first Southern you know, God, Southern w A.
Speaker 2: That's a Southern w A, a hardcore group. Well after
Speaker 2: spots all Night, yeah.
Speaker 1: They got you know, they got a shake what your
Speaker 1: mama gave you. But then the next song.
Speaker 2: They had a longer court ass record.
Speaker 1: You know one you know what I'm saying. So de
Speaker 1: Montherfuler's got lyrics, so you can't do it. You know,
Speaker 1: with the sound they used to sound, it slowed it down,
Speaker 1: you know, it's the same beat, but then they sped
Speaker 1: it up whenever they need to speed it up.
Speaker 2: But these dudes want to get away.
Speaker 3: But you did see the value in society as well,
Speaker 3: which when he finally came out, I know, he came
Speaker 3: through New York. He did rep Miami and then and
Speaker 3: even the dudes from Home Team, I mean from Poison
Speaker 3: Clan did Home Team, which they didn't sound necessarily Miami.
Speaker 3: But for us, the cats that were into that, we
Speaker 3: were like, they're in Miami.
Speaker 2: Yeah, they're ripping the South, the Miami. They were from
Speaker 2: New York.
Speaker 1: But then they repped with the beat, right, I mean
Speaker 1: J T Money was in that right, right. You know
Speaker 1: what I'm saying. He was the Miami guy that was
Speaker 1: in the group and then he left out. Then we
Speaker 1: did a solo.
Speaker 3: App because a kid like me, I was like, I'm
Speaker 3: going to a party and based music is a part
Speaker 3: of my life.
Speaker 2: Reggae music is a part of my life.
Speaker 3: But I'm a hip hop kid too, So I'm looking
Speaker 3: at Home Team, Society, Mother Superior. At least they speak
Speaker 3: in my language in Miami, right, And that's what I
Speaker 3: was looking for, right right, I like the Miami connect.
Speaker 2: I have different periods of hip hop.
Speaker 4: Was my my my, I'm gonna tell you my favorite
Speaker 4: year in hip hop had to be nineteen ninety eight.
Speaker 2: What what? What? What was your favorite year? Like? If
Speaker 2: you had the pillow point one year ship, I don't
Speaker 2: know how, I mean, so many.
Speaker 1: Years, all of them is so, I mean, so just
Speaker 1: give me one.
Speaker 2: I had all kind of crazy years.
Speaker 4: You have, you gont get to that.
Speaker 2: Don't get to that. But let's get to your favorite year.
Speaker 2: First favorite year. I don't I don't know, maybe I
Speaker 2: don't know name nine or.
Speaker 4: Something about year after damn it?
Speaker 2: So how many orgies.
Speaker 1: Have you had, like if you could count? You said,
Speaker 1: this was the family show.
Speaker 2: No, I was like, we call the drink you know what.
Speaker 1: Orgies? Oh? Man, I don't know. I don't know.
Speaker 2: You can't come. So how did how did like are
Speaker 2: you a warning niggas? That's what's going on? Like? How
Speaker 2: did you start thinking? I just have mad business around me?
Speaker 1: I got my title from a T. K. Kurculum, a pussyologist.
Speaker 1: Three steps out in the gun and collar.
Speaker 2: Okay, that was hard. That's away that he takes her.
Speaker 2: You're not talking about the comedian. That's what I.
Speaker 4: Said, Luke. How many rappers came to you? And said,
Speaker 4: Luke gom Gona thak this Eddie to asked either right there,
Speaker 4: but if you didn't brother chicks, he was here right now,
Speaker 4: he asked.
Speaker 2: He's going to y'all, yeah, you should have had some girls.
Speaker 2: And I know, man up, he was trying. He's trying to.
Speaker 2: We're trying to. We're trying to get a barked.
Speaker 4: But most importantly, we wanted you to be comfortable with
Speaker 4: liquor because this is some hip hop.
Speaker 2: To some hip hop, and be comfortable around girls.
Speaker 7: You know, man, we don't know was married, like I
Speaker 7: don't want to be saying when I did you gotta
Speaker 7: take one.
Speaker 4: I'm mazy, right, I'm you've been married longer than me.
Speaker 4: But how did your wife ever look at your old
Speaker 4: videos and just look at you and.
Speaker 2: Discuss She don't be like so she don't bring it
Speaker 2: up exception.
Speaker 1: Yeah, that's what I mean, my whole thing. I mean,
Speaker 1: back back in my wild days, he always was real, real,
Speaker 1: real picky with chicks, you know, so everybody always thought, okay,
Speaker 1: look all these girls.
Speaker 2: I was real, real, real picky.
Speaker 4: Like Trail right check, Trail was with you before Nelly, right,
Speaker 4: like you're down with your crew.
Speaker 2: Not nothing like that chick, pretty red Prey read at
Speaker 2: one point, I'm telling me I'm not. I know you read,
Speaker 2: and alright, hold on, I know, hold on, let me
Speaker 2: be clear, hold on the way I just said that gra.
Speaker 1: So so what and now you're going to get the
Speaker 1: same question asked you to you when you get on
Speaker 1: But now where's your video?
Speaker 4: You know, she did some ship that looked at me
Speaker 4: like for real. Now nowadays, look, the girls will go
Speaker 4: on Instagram. They will you know, be half naked whatever
Speaker 4: whatever they get all these followers and that's how people
Speaker 4: know who the bitches is in the town to funk with.
Speaker 4: When y'all was going out of town, how did y'all
Speaker 4: know where to find the bat because you brung your
Speaker 4: bitches with you from Miami like when y'all was on
Speaker 4: tour like that, or.
Speaker 1: I would bring my girls. I'll bring my girls down
Speaker 1: pick up girls in every city.
Speaker 2: Oh my god.
Speaker 4: Let's make no noise for Luke being a real let
Speaker 4: me tell you something, but you have to get your
Speaker 4: hands dirty. You gotta get your hands meaning the bit
Speaker 4: the girl.
Speaker 2: In any anybody that was on there, and that means
Speaker 2: face down. Yeah, they would have to, you know, go
Speaker 2: through something.
Speaker 1: Moyad on them be looking at the mother because like okay,
Speaker 1: and you know the girls would actually the girls.
Speaker 2: Let's make some noise for for for look you you live.
Speaker 4: You lived every real nigga's life and what I mean
Speaker 4: by everywhere, what every real nigga would want to be
Speaker 4: in life.
Speaker 2: Meaning you did what you wanted to do, when you
Speaker 2: wanted to do it, how you wanted to do it.
Speaker 2: You fought the system, you won crazy, you got married,
Speaker 2: and now you're teaching kids. That's what every real gang.
Speaker 2: I'm just being honest.
Speaker 4: The only difference between you is some of the other gangsters,
Speaker 4: they become a preacher that they last, that they last life.
Speaker 2: It is the right way. So how did you get
Speaker 2: into teaching kids?
Speaker 1: How did that?
Speaker 2: Like?
Speaker 1: You know, well, I mean when I first got my check,
Speaker 1: I started my youth program.
Speaker 2: This is like first first check, first check.
Speaker 1: Wow. You know. Part of the check went to buy
Speaker 1: my mama house and uh and the other part of
Speaker 1: it went to start my youth program Liberty City out.
Speaker 2: Wow, this is like twenty six years you know, with
Speaker 2: with you know, with the program. For those that don't know,
Speaker 2: Liberty City is a very very real place.
Speaker 1: Continue yeah, yeah, I mean you know, and like I said,
Speaker 1: you know, we got some great kids that came out
Speaker 1: of the program.
Speaker 2: And did you go to Liberty City because you felt
Speaker 2: that they needed it the most? From now? Because I
Speaker 2: know you from the whole Miami, I know, like you
Speaker 2: could have went anywhere in the whole Miami. Yeah that's
Speaker 2: where you're from city. Yeah, cool, from Liberty City too, right,
Speaker 2: Check from Liberty City. I think we're check from down south.
Speaker 2: He's from the heights man, Yeah, down here. It goes
Speaker 2: all around. But from Carol City, Yeah, Carol City. Gun
Speaker 2: play from Karroll City, Marimont, Carol City. All right, Pitt
Speaker 2: Bull is from Holly, you know, not west Chester a little.
Speaker 2: I know what you're talking about. I'm wucking with you.
Speaker 4: So have any of your kids ever, like not your kids,
Speaker 4: not your physical kids, but you know, you coach, have
Speaker 4: they ever came to you and said, look, I'm trying
Speaker 4: to you.
Speaker 1: Know, get it popping.
Speaker 2: Can you hook me up? You coach Luke.
Speaker 1: If you call me Luca, uncle Luca, something of your
Speaker 1: ass to be rolling four hund of yards and.
Speaker 4: Now how many people because I seen especially I believe
Speaker 4: on MTV or something, they was naming all the kids
Speaker 4: that you know, made it from from your program.
Speaker 2: How proud of you that, mom, I'm very proud.
Speaker 1: I mean, that's that's that's the whole point of the program.
Speaker 1: You know, they go and save lives. You know, a
Speaker 1: lot of people talk about it, and you know, and
Speaker 1: they say, oh, I'm doing this, but tell you physically
Speaker 1: out there every day with them, you know, and you
Speaker 1: seeing the little ones to be grown people. You know,
Speaker 1: I walked through the airport, I see some of the kids,
Speaker 1: you know, war Pride, you know, what I'm saying that
Speaker 1: they worked. Now they're working, and they came through the program,
Speaker 1: you know, you know, and you see someone on the NFL,
Speaker 1: you know, you know tomorrow night, two of our kids
Speaker 1: would be starting running backs for Cleveland Browns in the
Speaker 1: Atlanta FL.
Speaker 2: You know, in his books, I know you talked about that.
Speaker 2: Back in the days, there was no leagues like that. No,
Speaker 2: it wasn't no lead. You basically helped create that. Yeah.
Speaker 1: I mean because I was you know, I lived in
Speaker 1: the Liberty City, and because I was a good football player,
Speaker 1: I ended up going to Miami Beach playing for you know,
Speaker 1: the Optimists over there in Beach High.
Speaker 2: So I was, you know, that kid being on the
Speaker 2: bus every every every day coming.
Speaker 1: Home down the street right here, seventy ninth Street, eleven
Speaker 1: o'clock at night. So I was like, you know, if
Speaker 1: I would make two cents of my lunch money, I'll
Speaker 1: started program where kids don't have to, you know, go
Speaker 1: through that riding on the bus and getting on eleven
Speaker 1: o'clock at night. They can be able to go home
Speaker 1: and be able to get the proper education that they need.
Speaker 1: That's beautiful.
Speaker 2: God.
Speaker 4: Let me ask you little you just come across as
Speaker 4: a person. You don't use navigation in Miami.
Speaker 1: Navigation Yeah, Like, I ain't gonna lie like you just
Speaker 1: like you just look like you know the whole money
Speaker 1: every every now and then use it.
Speaker 2: Everybody in Miami too. Yeah. But you've seen this city
Speaker 2: literally built this up. You see, well you seen when
Speaker 2: cocaine came to this motherfucker.
Speaker 4: Yeah, cowboys all that you see that women would change,
Speaker 4: that's just been crazy.
Speaker 2: Yeah, I'm still trying to That was back in the days.
Speaker 2: That ship was not the way it looked like. Yeah,
Speaker 2: I'm still trying to figure out what it was. Crazy.
Speaker 2: I'm like, that's over time.
Speaker 1: You mother can still over town away.
Speaker 2: I'm still trying to figure it out. Don't get the
Speaker 2: word section this small for US Cubans. We were surprised
Speaker 2: about the Puerto Rican section for them.
Speaker 1: Yeah, when Wood was this small, all of a sudden,
Speaker 1: that motherfuckers this me. I'm like, okay, what part of
Speaker 1: old town did you? You know?
Speaker 2: I'm like, okay, all right.
Speaker 1: And then the Mosquitoes came. I'm like, yeah, motherfuckers, so
Speaker 1: old time and see you motherfucking mosquitoes.
Speaker 2: To get y'all, you, I said, let's go wrong, have drinks.
Speaker 2: It's like no. I was like, oh, ship, I don't
Speaker 2: know what it was a chick. I was like, I
Speaker 2: want to And then they's praying that motherfuckers sucking up
Speaker 2: people with that ship. I'm like, I'm like, hold on,
Speaker 2: where the fuck did this ship pop up? Man?
Speaker 1: You know you got wind Wood me in town all
Speaker 1: that ship was over time.
Speaker 4: Now Ross and Ross beginning the career, did you have
Speaker 4: anything to do with that? Because that was slipping slide correct?
Speaker 2: Yeah, Ross was on slipping side. Then me and Ross
Speaker 2: did a record.
Speaker 1: After Ross did a dis a record on slide, he
Speaker 1: did a disc record, and then I did a record.
Speaker 2: With Ross and the slipper side. I thought you was
Speaker 2: dissing them too or.
Speaker 1: No, well not no. My song wasn't a this song,
Speaker 1: you know. I just thought he was a a hot
Speaker 1: a rapper. But he had a mixtape. He had a
Speaker 1: mixtape and he had did a you know, whole album
Speaker 1: and one of the records he had dissed them, you
Speaker 1: know on there and then I ended up listening to
Speaker 1: the mixtape. I lighted him as an artist, you know
Speaker 1: here man dirt bag. So both of them, yeah, I
Speaker 1: put him both on a record. You know, I was like,
Speaker 1: these two dudes are hot, this ship right here, So
Speaker 1: I ended up putting them on the record before he
Speaker 1: blew up.
Speaker 4: Now, everybody, like a lot of people, they say I
Speaker 4: run this town, or I'm the king, or I'm such
Speaker 4: and such, like you are really like the king of Miami.
Speaker 4: Like from families that praise you for helping their sons
Speaker 4: play football and get into certain things for football, and
Speaker 4: then from families that you've helped Because when you put
Speaker 4: on a rap up.
Speaker 2: DMX said this on our third interview. He said, when
Speaker 2: you put on a rapp up, you employ eight other motherfuckers. Yeah,
Speaker 2: like one rapper comes with eight other motherfuckers.
Speaker 4: So if you put on if you put on just
Speaker 4: three rappers, what's eight times three?
Speaker 2: That's twenty four people that you employed. Yeah, and I'm
Speaker 2: just talking about three.
Speaker 4: So you are like so revered, you so love, like
Speaker 4: you can walk around by yourself. Is that something you
Speaker 4: proud of? Because is that something you always thought that
Speaker 4: this is what you how you want to be or
Speaker 4: what I didn't.
Speaker 1: I didn't think it out. You know, I just know
Speaker 1: who my mom and my dad raised. You know what
Speaker 1: I'm saying, And I just did. I just did everything
Speaker 1: with common sense. And at the same time, I made
Speaker 1: sure that, you know, even how big I got, whether
Speaker 1: I was in Japan or China or wherever, France or
Speaker 1: Holland doing the show, that I would eventually end up
Speaker 1: back home, you know. And when the all opportunities came
Speaker 1: to be, you know, an executive in New York and
Speaker 1: LA get into the movie industry, I know I couldn't
Speaker 1: leave because I need to go back to Miami, you know,
Speaker 1: because you know, I always figured, hey, look there got
Speaker 1: to be some other loops coming after me.
Speaker 2: If I leave.
Speaker 1: Like every other dude, do you know they'll leave their
Speaker 1: own city after they blow up. Oh I'm going to
Speaker 1: the big lights. You know what I'm saying in Hollywood? Now,
Speaker 1: you just left the city. So I always looked at
Speaker 1: it from the standpoint you know, I really got to
Speaker 1: wrap my city and I got to put other people
Speaker 1: on and.
Speaker 2: I applaud you for that. Obama just recently had two meetings.
Speaker 2: He met with all the rappers and then he had
Speaker 2: a party. Can't invite me? Are you taking it in? Obama?
Speaker 2: I was saying, we can't say Obama, so you got
Speaker 2: office and he did he meet with niggas? Was in
Speaker 2: there with the.
Speaker 1: Keep was there for the t was there?
Speaker 4: He invited a whole bunch of niggas that I know.
Speaker 4: I committed a felony with as well, and he invited them.
Speaker 2: He didn't invite me. Yeah, this is the first I
Speaker 2: heard that.
Speaker 4: But have you ever been invited to the White House
Speaker 4: like n w A? W A had some fun up
Speaker 4: ship and then he went to w A. Yeah, I
Speaker 4: was just wondering.
Speaker 1: I don't know that would have been Bernie would have
Speaker 1: won out from Bernie.
Speaker 2: Bernie now went to politics. He's a politician, all right.
Speaker 2: Nelly tried to open the cloud on South Beach. They
Speaker 2: told him that happen. They shut him down. So now
Speaker 2: he's trying to run for mayor of not Miami, of South.
Speaker 3: I didn't even know that was a city by itself.
Speaker 3: So he said South Beach, South. I don't know many beaches,
Speaker 3: but he's said South Beach is I never knew that.
Speaker 1: I never knew that first, right, he said, I said,
Speaker 1: sure's the city.
Speaker 4: He says the city from other queens, so he might
Speaker 4: be getting But the fact is it doesn't matter.
Speaker 2: I think that Donald Trump, I don't feel bad now.
Speaker 2: You don't know that it doesn't matter.
Speaker 1: But this is what I think.
Speaker 4: I think that that Donald Trump has set it up
Speaker 4: for people like you who have maybe a filtered past,
Speaker 4: but you have for such a bright future that uh.
Speaker 2: People that you can run for maya sat up for
Speaker 2: Donald Trump?
Speaker 1: Is that good?
Speaker 2: I don't know. I'm gonna make no way for.
Speaker 1: That, you know, I mean what I mean by that.
Speaker 1: What I mean by that is when I ran for
Speaker 1: mayor here right game in third Uh, I ran us
Speaker 1: my own money. You know what I'm saying the same
Speaker 1: things I do.
Speaker 2: Remember this that's long ago.
Speaker 1: I lived out the same thing you see Trump doing.
Speaker 2: I mean, you know, it's it's almost like straight out
Speaker 2: of my playbook.
Speaker 1: You know what I'm saying, basically keeping it real, you know,
Speaker 1: appealing to people who who feel like they left off.
Speaker 2: You know what I'm saying. Trump the way you sound,
Speaker 2: you sound like you know. I don't like Trump. I'm
Speaker 2: worried about Trump.
Speaker 1: No, Trump never ended up in my rap. I never
Speaker 1: glorified him. You know, most of the guys from New
Speaker 1: York glorifying Trump about.
Speaker 2: I don't worry about her? Was a rap song gone
Speaker 2: back as soon as he got.
Speaker 4: As soon as he got mother, he said, I'm I'm
Speaker 4: gonna suck with the white racist because those are the
Speaker 4: people that's gonna come out.
Speaker 2: Hung out with Trump. You know, back in the day,
Speaker 2: you know, he was a cool motherfucker. You give him
Speaker 2: a dirty I gotta give Trump a dirty man next time.
Speaker 1: He Actually, I thought I was the party I was
Speaker 1: with him. I was like, y'all trying to get something
Speaker 1: of me. Let me get the fun out of the now.
Speaker 1: Y'all got cameras in.
Speaker 2: This room here. Now.
Speaker 4: Trina, she's one of like Miami stables, like one of
Speaker 4: the first female artists. Sex symbol kind of took your
Speaker 4: your you know a format. How you feel about Trina?
Speaker 2: My girl?
Speaker 1: I mean that's that's that's one of the niece, you
Speaker 1: know what me and me and you know she when
Speaker 1: you hit a song on East your birthday and say,
Speaker 1: Trina is your birthday?
Speaker 2: That was her thought about that. Yeah, wow, Yeah, that
Speaker 2: was that was.
Speaker 1: You know, she used to hang out at the studio
Speaker 1: and all that I know her since she was real
Speaker 1: real young stepdad, mister wonderful on fifteen that's the store
Speaker 1: we used to hang out at. You know when I
Speaker 1: was a rough guy, you know, and she used to
Speaker 1: be the little girl running around you know all that.
Speaker 1: You know, that's when I was not a nice guy,
Speaker 1: and so I kind of squatched her girl up.
Speaker 4: So big up, Trina, Trina, trick Daddy, everybody from Miami.
Speaker 2: He's artists. We in Miami. We want to respect that.
Speaker 2: So looke, let me.
Speaker 4: Pretty much wrapping this up. You started like the sex
Speaker 4: the strip clubs. I had a party with you and
Speaker 4: soby Live the ship was turned the fuck out. I mean,
Speaker 4: this was years ago when Sobey Lives was open. But
Speaker 4: then my manager told me, it's like I said.
Speaker 2: You should have went to the one in the tunnel.
Speaker 2: I went to the one that know I did. I
Speaker 2: didn't go to your joint in the tunnel. I'm sorry.
Speaker 2: I might have been locked up at the time. I'm
Speaker 2: not sure what period, what what what?
Speaker 1: What?
Speaker 2: What year was this you taking?
Speaker 1: I did the tunnel man?
Speaker 2: That was a crazy I did?
Speaker 3: I did?
Speaker 1: I was bard out of out of speed, no.
Speaker 2: Apolo? Oh you got who get bared from the polo?
Speaker 2: Hold off? You got bard from the ball? I just
Speaker 2: did the other day.
Speaker 1: Second five rules came in.
Speaker 2: From cool because yeah, yeah, shaking that she was.
Speaker 1: Mother girlfriends stabbed the boyfriend and the show on stage
Speaker 1: ahead and.
Speaker 4: Got damn no boy the Miami Boys and there could
Speaker 4: be a new look right now?
Speaker 2: Do you think like right now?
Speaker 3: Like what you not?
Speaker 2: No?
Speaker 1: No, okay, I don't think they can.
Speaker 2: No, man, you can't reinvent. I'm the only one they
Speaker 2: can't get.
Speaker 4: Can they can't get the wrest of Can it be
Speaker 4: a new two Live crew? Like I'm talking about other
Speaker 4: niggas like new artists, a new Yeah, but not Louke.
Speaker 2: No, you gotta you gotta go through some ship.
Speaker 3: I don't think they could be a new two Life, bro.
Speaker 3: I'm gonna tell you why because it was just the
Speaker 3: error that was brand new. Anybody does it now? It's
Speaker 3: not brand new no more. What I'm saying that him it.
Speaker 2: Has been too short. It's been keeping it alive.
Speaker 4: But it's not gonna be a shocking when say it
Speaker 4: was shocking, That's what I'm saying, Like another new young.
Speaker 2: Dude, that that what you do. Most of them to
Speaker 2: have a necond video and.
Speaker 4: Then they'll going to another video like all of the
Speaker 4: videos was like you know what I'm saying, Like my
Speaker 4: right arm is hurting like you know what I'm saying
Speaker 4: was sitting on the drinking off the kid watching videos.
Speaker 4: I'm sorry that it's wait a minute, but i gotta
Speaker 4: tell you, you know what I mean? They cannot be
Speaker 4: another look, right, they cannot?
Speaker 2: I don't think so. I would like to see that.
Speaker 4: I would like to see artists resurgence, like like with
Speaker 4: styles like not biting nobody ship but reminded me like
Speaker 4: Joey Badass reminds.
Speaker 2: Me of buck Shot. That might be resemblance. Now that
Speaker 2: reminds me of rock Him.
Speaker 4: You know what I'm saying, not saying nas is not
Speaker 4: rock Him and and and Joey Badass is a Buckshot.
Speaker 2: But it does remind me, you know what I mean?
Speaker 2: They can it can never be. Can they get? Is
Speaker 2: somebody come close? Resemblance? Yeah? Definitely. Now, when the last
Speaker 2: time you've been in strip club? Last time, last week,
Speaker 2: last week?
Speaker 4: And are you like all right they're keeping the tradition
Speaker 4: going or you like, let me get the funk about
Speaker 4: it here?
Speaker 2: Most of the time. I mean, you got different types
Speaker 2: of strip clubes. I mean you got some straight don't
Speaker 2: that's almost.
Speaker 3: There's holiday some clubs that's dancing and shout out to
Speaker 3: show girls.
Speaker 2: That's color. Cheetahs Holiday strip clubs ain't got no chairs.
Speaker 1: Everybody standing up looking at the stage, you know, I
Speaker 1: mean they got comedy and ship going on.
Speaker 2: I mean it's different people they got going on. Scotland scarlets,
Speaker 2: fat scarlett, scarlets of the block from Cheetahs, Take one,
Speaker 2: Take one.
Speaker 4: You know, you know all the mistresses in the strips
Speaker 4: up the mistress game Miami and Atlanta. I remember at
Speaker 4: one point we would look at your niggas and be
Speaker 4: like they throwing their money the bitches.
Speaker 2: Yes it right now.
Speaker 4: There's no regular clubs in New York. It's only strip club.
Speaker 4: But I remember us clown and niggas like I remember
Speaker 4: the players ball and all that. We used to laugh
Speaker 4: at niggas in the South, like these niggas, it's crazy,
Speaker 4: y'all hang out with the bitches getting naked. And then
Speaker 4: remember like strip club was a one night a week thing.
Speaker 4: It was like on a Tuesday on a Friday. Now
Speaker 4: it's every day thing. Every day something is open. And
Speaker 4: and now go nigga's not integrated New York. Yeah, got
Speaker 4: some fun up niggas for that.
Speaker 2: Man. I'm not making noise for that. I'm just letting
Speaker 2: you know that you're my whole city, part of our culture.
Speaker 2: In mind.
Speaker 4: You can just not I mean, back in the days,
Speaker 4: you could look at a girl and be like, oh,
Speaker 4: that's a nice girl. Like right now you can like
Speaker 4: if you see a girl rolling the bag, you're like,
Speaker 4: oh man, it's sucking miacause got rich just rolling the back.
Speaker 4: You just came from to I just came up, like
Speaker 4: it's crazy. So I just want to thank you. Want
Speaker 4: to get blue Uncle Luke Man.
Speaker 2: We all wet, we got a bad We got a
Speaker 2: bag for you. Yeah, I got a bag. We're trying
Speaker 2: to be professional. You know what I'm saying.
Speaker 3: It's from the Dream Champs to you. The drink Champions
Speaker 3: didn't drink you didn't like Oh no, no no, that's
Speaker 3: my personal person. But I'm fucking with the Columbians and
Speaker 3: we got a Dream championshire Dream Champs cups.
Speaker 4: Big up that royal elite Fat Joe bigare.
Speaker 2: Big of Rick ross Man. He's getting so much money.
Speaker 2: Man coming here for years. Yeah oh yeah he still
Speaker 2: live here. He still live here.
Speaker 4: Uh big September tenth, We're having this party go down,
Speaker 4: so all the people we want you to come out
Speaker 4: and go and invite all the guests.
Speaker 1: Uncle Luke, I.
Speaker 2: Can't thank you so much because you are the Miami
Speaker 2: King and we.
Speaker 4: Wouldn't feel comfortable continue with this show or having this
Speaker 4: show without the ball man coming through a cod signing us.
Speaker 4: We want a salute. We want to tell people go
Speaker 4: out there and get your book. Is very important because
Speaker 4: what you heard today is just a piece of how phenomenally.
Speaker 2: You know what I mean.
Speaker 4: And then not only that, you young motherfuckers, not only
Speaker 4: do you listen to this interview and then read this book,
Speaker 4: but go out there and do your research. Go out
Speaker 4: there and see why you heard Efn's voice cracking and
Speaker 4: my voice cracking as we're asking questions and we're sitting
Speaker 4: back and learning things. Is because we're excited to see
Speaker 4: a legend. It is not bad for you to be
Speaker 4: a fan of somebody else makes it a great artist.
Speaker 4: Blue artists are fans of other people and ain't afraid.
Speaker 2: To be fans of other people. Here you are. This
Speaker 2: is what makes drinks Champs.
Speaker 4: Dope, is that you get to hear me and EFN
Speaker 4: act like young boys.
Speaker 2: Again.
Speaker 4: We're sitting here, sitting with a legend, like Luke, and
Speaker 4: we just sitting here and just so open because and
Speaker 4: it don't matter the fuck with ratings. We ad that
Speaker 4: don't matter. What matters is to keep hip hop alive.
Speaker 4: And we don't interview new artists. We interview legends because
Speaker 4: that's who we know about. We don't got to google.
Speaker 4: But if you're a young guy, you enter this drink Champs,
Speaker 4: I suggest you google you in the book, the book
Speaker 4: that's about to say, you know, not only listen to
Speaker 4: this interview, not only listen to the book, but go
Speaker 4: and get your interview.
Speaker 2: Because when you see Nellie Tiptrail and.
Speaker 4: I'm talking about the video now I'm about the girl,
Speaker 4: but the video, a lot of people think that that
Speaker 4: was the first video, the first X rated video period,
Speaker 4: and that bothers me. That bothers me because it's like,
Speaker 4: damn as a og, I'm the next generation.
Speaker 2: So I kind of blame myself, but I can't be
Speaker 2: on Twitter every single day. But some of you guys
Speaker 2: who love.
Speaker 4: Hip hop, go out there and do your research because
Speaker 4: you ain't doing nothing new under the sun. And that's
Speaker 4: not a dis to you guys. That's to stay tuned.
Speaker 4: Do your research. Uncle Luke you can't think you know
Speaker 4: your history. Ain't nothing about that because just think about
Speaker 4: it us as being you know, African Latinos or whatever.
Speaker 4: If we don't know the history that we got on
Speaker 4: the boat and motherfuckers put us in the slave shit,
Speaker 4: then guess what if you don't know, next time a
Speaker 4: motherfucker asked you on a boat.
Speaker 2: We would be like, let me get my paddle, and your.
Speaker 4: Monkey asked, gonna be somewhere dumb, were stupid, So go
Speaker 4: do your motherfucker history.
Speaker 2: Uh, luluke, we know you man leaving the building. Let's
Speaker 2: go man.
Speaker 1: He turned the sad lay