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Speaker 1: Oh yeah, what's something y'all was going on radio?

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Speaker 2: He's a legendary Queen's rapper. Hey's is your boy in O?

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Speaker 2: He's a Miami hip hop pioneer? What Up is dj

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Speaker 2: e f N?

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Speaker 3: Together they drink it up with some of the biggest

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Speaker 3: players in music and sport.

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Speaker 1: You know what I mean, the most.

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Speaker 4: Professional, unprofessional podcast and your number one source for drunk fact.

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Speaker 2: This is Drinks champ Radio. Every day is New Year's Eve.

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Speaker 3: That's right.

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Speaker 2: He ain't said Hope your South Via, this is your

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Speaker 2: boy in o R.

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Speaker 3: What up?

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Speaker 2: It is? Dj e f N? And this is motherfucker

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Speaker 2: Drinks Chance Podcast.

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Speaker 4: And right now, before we get into our guests, before

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Speaker 4: we get into everything, we want to let people know

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Speaker 4: that September tenth is going down in r E Noriega's

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Speaker 4: birthday weekend. We're gonna do it big out here. We're

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Speaker 4: gonna have a barbecue and a cookout and all that. Right,

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Speaker 4: DJFN do a red Champster. That's September tenth. We want

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Speaker 4: you to keep it. But right now, we know this

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Speaker 4: is Miami king excited. Right now, we know there's Miami's mayors,

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Speaker 4: we know there's other Miami, but this is the Miami President.

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Speaker 2: This is Miami. This is Miami.

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Speaker 4: If he don't get your co signed, then you you

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Speaker 4: cannot live out here.

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Speaker 2: He's the person, he's personally.

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Speaker 4: If he didn't exist, a brother like me and r

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Speaker 4: E would not exist because I always talk the worst

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Speaker 4: shit on records. But he's the guy who went to

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Speaker 4: court and fought for me, my god given right and

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Speaker 4: one God damn it. He was one of the part

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Speaker 4: of the most controversial groups in the world and still

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Speaker 4: are relevant to this day.

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Speaker 2: This man is out here coaching. Not only he did.

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Speaker 4: All the craziest shit, but he's also given back to

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Speaker 4: the youth and the community. If you don't know who

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Speaker 4: we're talking right right now, we're talking about the godfather,

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Speaker 4: the father of Miami, of South Florida.

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Speaker 2: Of speaking your mother right now.

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Speaker 1: We got uncle.

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Speaker 2: Uncle Luke. I'm such a fan of you.

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Speaker 4: I've been living in Miami for ten years, but prior

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Speaker 4: to that, I've been coming to Miami ten years before that,

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Speaker 4: and I could just remember I'm digging right into it.

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Speaker 4: I could just remember Coward's and Campton.

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Speaker 2: Oh yeah, yesty, I just.

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Speaker 4: Remember that cow like because it's crazy because now that

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Speaker 4: I lived in Miami and I lived I would probably

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Speaker 4: say I lived out here ten years, So I would

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Speaker 4: probably say Miami maybe six years, and then brow it

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Speaker 4: maybe like three or four, maybe even maybe even five,

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Speaker 4: and that saying.

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Speaker 2: Will always be here.

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Speaker 4: He gets rayed today and all this, And I never

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Speaker 4: knew that they got that from. So how did that

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Speaker 4: even start? Like, oh, you gotta, you gotta, you gotta

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Speaker 4: set it up. We had a we had a couple

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Speaker 4: of weeks ago and then he talked about it. He

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Speaker 4: said that when that beef popped off, they quickly found

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Speaker 4: out how real Uncle Luke was.

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Speaker 1: Yeah, yeah, yeah, yeah, that was my That was my

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Speaker 1: transition from from the streets to you know, to the

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Speaker 1: music business. You know, I still had a lot of

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Speaker 1: streak in me and I still had a lot of

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Speaker 1: you first, I think we took a shot at them.

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Speaker 2: I mean, let me tell you it was.

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Speaker 1: It was.

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Speaker 2: It was a lot of disrespect for Miami.

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Speaker 1: I mean, you know, you had at one point you

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Speaker 1: had Redman and that whole thing when they.

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Speaker 2: Did the record where it was like what's up do?

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Speaker 1: What's they did?

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Speaker 2: Ye?

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Speaker 1: Yeah, that was I.

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Speaker 2: Think I think your boat bucket, like.

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Speaker 1: It was like, you know, you know when you when

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Speaker 1: you're in the business, like I'm in the business and

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Speaker 1: we're going on to it.

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Speaker 2: We're trying to do shows.

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Speaker 1: You know, niggas is.

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Speaker 2: Giving us, you know, this much.

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Speaker 1: Stage to work with, you know, and teen fifteen minutes

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Speaker 1: on stage and all that.

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Speaker 2: Less than that, you know, one or two. So so

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Speaker 2: it was this a whole lot of but that was

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Speaker 2: when it was too live. Crawl was that was too

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Speaker 2: live crew.

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Speaker 4: So so now I so now snooping them, they do

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Speaker 4: this video and then you do do like which is

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Speaker 4: Dreda it was, and you did the same video and

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Speaker 4: then you had.

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Speaker 2: JT Money on there.

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Speaker 4: Yeah, and then there was the other guy that was

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Speaker 4: on that record.

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Speaker 2: Someone from Poison Claim was somebody.

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Speaker 1: It was it was it was JT Money, and then

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Speaker 1: it was another artist you know that he was working with.

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Speaker 2: I forget what I was saying. Blake. Yeah, it's.

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Speaker 4: So so you you make this video and then Snoop

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Speaker 4: was like, Snoop says it because at this time I

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Speaker 4: came out in nineteen ninety seven, so you guys were

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Speaker 4: way before that. And then Snoop was ninety one. I

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Speaker 4: think he said it was something.

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Speaker 2: So at this time people are just seeing Miami beaches.

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Speaker 1: Yeah, yeah, how because he said.

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Speaker 4: That, he said, he said Luke. We figured out how

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Speaker 4: real Luke was. How did that happen? Like, what did

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Speaker 4: y'all see them somewhere?

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Speaker 1: Well, I mean, you know it was this, you know,

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Speaker 1: back then at that period of time, you know, Sugar

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Speaker 1: Knight had had everybody, you know, you know he had

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Speaker 1: you know, yeah, they all all the record executives.

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Speaker 2: They're all nervous.

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Speaker 1: Everybody nervous, you know, and and so during that period

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Speaker 1: of time, it was, you know, some kind of way

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Speaker 1: it became, you know, a question about whether or not

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Speaker 1: he got us ship. I'm like, no, nigga ain't got

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Speaker 1: me shook. I'm really on some different ship.

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Speaker 2: You know.

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Speaker 1: I'm just in the music business right now. Everybody something.

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Speaker 2: So you know.

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Speaker 1: So at the end of the day, you know, we

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Speaker 1: made the song, they made the song, and then we

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Speaker 1: ended up at Jackie Rapper so Atlanta. Yeah, in Atlanta,

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Speaker 1: So we we basically was like, you know, hey, look,

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Speaker 1: you know I want to jack the Rapper and was like, Yo,

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Speaker 1: this is the time you might need to squash this

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Speaker 1: in the South. Yeah, you know, they're coming down, racking

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Speaker 1: down for the convention. So you know, they were like, nah,

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Speaker 1: we ain't gotta do no talking about nothing and all that, right,

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Speaker 1: So I was like, okay, well this shit gonna go down.

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Speaker 2: So once once my dudes, you know, the dudes who.

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Speaker 1: Again making a transition from corporate world from the streets,

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Speaker 1: you know, and everybody was looking at us like, oh,

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Speaker 1: need some booty shaking dudes.

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Speaker 2: They're playing the booty music and all that, but.

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Speaker 1: No, we we rapping about ship. That's gonna get us

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Speaker 1: put in jail, you feel me. I always look at

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Speaker 1: it like, you know, dudes who be rapping about that ship,

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Speaker 1: they just wrapping about a niggas who they know. They

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Speaker 1: ain't rapping about somebody. They ain't really lived that life

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Speaker 1: like that, you feel me. So you know that's that's

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Speaker 1: why I went a whole different direction with what I

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Speaker 1: was talking about. But at the same time, them dudes,

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Speaker 1: you know, shit happened, and my homeboys on the streets

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Speaker 1: was like, yo, we gotta hey, look at you got

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Speaker 1: a problem here, you know, because they in the record

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Speaker 1: and they in the chatter and they hearing what them

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Speaker 1: dudes doing the other and it was the ship with

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Speaker 1: emotion where it was totally it was. It was it

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Speaker 1: got an emotion where I can't I could have really

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Speaker 1: controlled it to a whole degree. Were I'm sitting up

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Speaker 1: at the hotel now now she know the fucking Nico

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Speaker 1: hotel that my dudes came up there. You know, I

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Speaker 1: gotta funck y'all got here. You know, these are the

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Speaker 1: wrong dudes. And I'm like, uh, They're like, yo, yo, Ship,

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Speaker 1: we got stopped.

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Speaker 2: In these niggas.

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Speaker 1: So it's like eight of the most notorious motherfuckers you

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Speaker 1: ever want to meet from Miami, drove that car there.

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Speaker 2: They're like, we drove here, drove hold on, hold on.

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Speaker 1: We can't do this, you know, cause again I'm coming

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Speaker 1: from the streets and we woke up like that. So

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Speaker 1: at the end of the day, you know, I'm like,

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Speaker 1: hold on, and it was like, hey, hey man, well

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Speaker 1: you know we're gonna kill this nigga.

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Speaker 2: We're gonna kill this nigga, this nigga.

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Speaker 1: I said, no, no, no, no, ain't killing nobody, you know. No, Well,

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Speaker 1: we're gonna have to let mone. We're gonna have to

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Speaker 1: touch somebody, somebody up. So Ship hit the fan, you

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Speaker 1: know at that.

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Speaker 2: Point, And then how did y'all after that.

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Speaker 4: How did like we don't have to describe if anything happened,

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Speaker 4: because you know we be a positive but how how.

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Speaker 2: Did y'all eventually work that out? How we worked it out?

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Speaker 1: I mean, you know I ended up having a conversation

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Speaker 1: with should We ended up talking, you know, And and

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Speaker 1: then you know, at that time, I think the Bengals

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Speaker 1: and somebody was playing Super Bowl down okay, and so

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Speaker 1: I kind of invited them down. It's like, yo, man,

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Speaker 1: y'all come on down, hang out with me. You don't

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Speaker 1: as sweet in the Dolphin Stadium. And I was like,

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Speaker 1: y'all be my guest, and we all, you know, we

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Speaker 1: need to squashed it because I ain't on that. You know,

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Speaker 1: I'm leaving that like water cut you feel me.

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Speaker 2: So then they came down and we can't squashed it.

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Speaker 4: You know now you also this is this is which

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Speaker 4: is crazy. You also had words were run DMCs.

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Speaker 2: It was crazy like he was a promote.

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Speaker 4: You would bring him down, right because you gotta realize,

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Speaker 4: like I'm from New York.

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Speaker 2: You know what I'm saying.

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Speaker 4: I recently migrated, but we never heard this news because

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Speaker 4: we ain't have the internet back then. You know what

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Speaker 4: I'm saying, so this will be little industry things. And

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Speaker 4: I remember hearing you.

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Speaker 2: Saying somewhere like they were acting like Pussy's or something

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Speaker 2: like that. When d see what happened, let's describe that.

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Speaker 1: I mean, you know the whole thing with that was,

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Speaker 1: you know, I was again just like sounds a promoter.

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Speaker 2: You know, I was bringing all the hip hop to Miami.

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Speaker 2: Was no hip hop feel me?

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Speaker 1: So running all of them would come down and they

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Speaker 1: would be you know, I pay them five hundred thousand dollars.

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Speaker 4: You know they ended up Luke just say he paid

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Speaker 4: one DMC five hundred for it's talking about this is

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Speaker 4: it doesn't matter she is legends. Well, listen, this is

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Speaker 4: for all the new artists that think you're supposed to.

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Speaker 2: Come out and get fit fifteen thousand the first show.

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Speaker 4: You know what I'm saying, Like, there's people who legends

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Speaker 4: have to start from somewhere.

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Speaker 1: So let me tell you we had we had doctor

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Speaker 1: Jack limits to hide down here. He ended up what

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Speaker 1: fucking running motown or something like that. You feel about, yeah,

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Speaker 1: one hundreds right, all those guys, I mean, you name it.

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Speaker 1: I would bring all those guys down here, you know,

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Speaker 1: because you know even on the radio.

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Speaker 2: Miami wasn't playing on here pop you feel me?

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Speaker 1: So then I'm like, you know, I'm into it because

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Speaker 1: I'm DJ, and I'm bringing dudes down, bringing people from everywhere, Cali,

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Speaker 1: New York, you know, Jessey j and all them dudes,

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Speaker 1: Man Tronics, you name it, just bringing all them dudes

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Speaker 1: and Run.

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Speaker 2: And they were acting funny or something.

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Speaker 1: Yeah, they got brand new yeah.

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Speaker 2: Port Mississippi.

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Speaker 1: Okay, right, and uh Leo Corn was there manager at

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Speaker 1: the time.

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Speaker 4: That's Les sniffing cochle off. He got the pictures in

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Speaker 4: his office when I was there manager, I was a

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Speaker 4: coke slipper.

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Speaker 1: Yeah, So Leo was the road manager, right, And and

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Speaker 1: so we went golf for Mississippi getting ready to do

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Speaker 1: the show. So they was like everybody was like ya,

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Speaker 1: Run said you could only have five minutes on stage.

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Speaker 1: Run said, you're gonna have one sets of lights. Run said,

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Speaker 1: you know your sound is gonna be a run Run

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Speaker 1: them see say this, run them see that. I'm like,

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Speaker 1: how the fuck we gonna do a show with five

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Speaker 1: minutes on stage? And we got you know what I'm saying,

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Speaker 1: We got at least four or five songs. Number one

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Speaker 1: ain't want us on the show norway because they had

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Speaker 1: to have us. It was like these niggas from the

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Speaker 1: South win't really fucking with them. Everybody mad that we

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Speaker 1: got to do a show with these guys because we're

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Speaker 1: selling so many records in the city to sell to sell,

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Speaker 1: you know, the tickets. So it was just too much

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Speaker 1: run this, too much run now again. I'm still got

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Speaker 1: this street ship.

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Speaker 2: In my head.

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Speaker 1: So at the end, they you know, I was like, man,

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Speaker 1: fuck run them. So I told I told him, I

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Speaker 1: told mister Mix. I was like, mister, this is what

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Speaker 1: we're gonna do. Since we got since we ain't got

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Speaker 1: but five minutes on stage, we're just gonna cut Peter Piper.

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Speaker 1: And so I went on and got the microphone, went

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Speaker 1: on stage. Oh these motherfuckers theid run them. See them say,

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Speaker 1: lean got but five minutes on stage, So what we're

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Speaker 1: gonna do in our five minutes? We're gonna scratch the ship. Yeah,

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Speaker 1: they ran him on stage.

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Speaker 2: And all that.

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Speaker 1: You know, when they ran him on stage there, we

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Speaker 1: was like, okay, let's go, let's do what we got.

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Speaker 1: So the police ended up running up on stage.

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Speaker 2: You know, back then, Nigga was packing for real. Alright,

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Speaker 2: and now now I know you're cool with all of

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Speaker 2: these guys, yeah, my dudes, but but how do you like?

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Speaker 4: I like that, like because you see why and and

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Speaker 4: nowadays it's so hard to squash beef because you see

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Speaker 4: how I knew about you know that I know about that.

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Speaker 2: But that's because it wasn't on the blogs. That's because

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Speaker 2: they wasn't on the internet.

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Speaker 1: You know what I'm saying on the blog? Y'are still

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Speaker 1: right now?

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Speaker 2: So would you say it was still it was easy?

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Speaker 2: It was easier to squash beef.

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Speaker 1: Then, well, because I mean it was easy if you

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Speaker 1: was a real nigga, if you if you was a pussy,

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Speaker 1: then they were going to keep on.

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Speaker 2: And then you don't have the fans instigating on Twitter

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Speaker 2: that ship.

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Speaker 4: Yeah right, like they just had Drake fans just ran

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Speaker 4: up on Joe Buttons.

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Speaker 2: It is rare, Like you ain't see that. They ran

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Speaker 2: up with Joe Button's house.

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Speaker 4: Then they got they got beef and one of his

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Speaker 4: fans just running up on.

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Speaker 2: Him like this is this is a totally fucked up world.

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Speaker 3: You're glad out this business, out of the business, are

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Speaker 3: you cleanly out of the business?

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Speaker 2: Well, when you got catalog this selling, that's right?

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Speaker 1: Well, yeah, they keep me on the Yeah, I'm like, oh,

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Speaker 1: that's still.

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Speaker 2: On the room.

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Speaker 4: Because now before we get to the one of my

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Speaker 4: favorite jay z and if you was ever was with you,

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Speaker 4: We're going to get to he wrote this book, right?

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Speaker 4: What what was that like? Inspired by? How many games?

301
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Speaker 4: How many years have you been in this game?

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Speaker 2: Oh? Man, you didn't you draw another eighty five? Was

303
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Speaker 2: the label start? Which would be the first?

304
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Speaker 3: Would you be the first black onwed independent hip hopolysises.

305
00:14:19,440 --> 00:14:27,400
Speaker 2: Yes, yes, it's made some noise for that relaxed. I

306
00:14:27,600 --> 00:14:28,560
Speaker 2: always wanted to know.

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Speaker 3: I've always told you, Bob, I was like, this gotta

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Speaker 3: be one of the first presses.

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Speaker 2: I don't know, that's what I say. This is one

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Speaker 2: of the first presses. Oh my god, hold on.

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Speaker 3: Made my mom mind for me because I couldn't get

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Speaker 3: I was too young now that when I said me, Now.

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Speaker 4: When I see this, it says lou Skywalker and the

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Speaker 4: two Live crew, were you always like the producer and

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Speaker 4: you was always like the main attraction?

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Speaker 2: You are pretty pretty much?

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Speaker 1: It was It was more I was more like I

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Speaker 1: didn't really want to be in the group, you know,

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Speaker 1: what I'm saying. But then it was more like, all right,

320
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Speaker 1: I need to be in the group because this ship

321
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Speaker 1: is a little you know, blad, we got.

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Speaker 2: To have a little bit already started prior to them.

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Speaker 1: Yeah, yeah, y'all to DJ. My DJ name was Lucie.

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Speaker 2: I woke okay, And then how did y'all meet?

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Speaker 1: Well bringing them down doing a concert.

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Speaker 2: Oh they're not from Miami, No, oh my god?

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Speaker 4: Yeah yeah, well Fresh Kid Ice.

328
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Speaker 1: Is from Brooklyn, brother Marquis is from Rochester, and mister

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Speaker 1: Mixes from sam Bernady.

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Speaker 2: I knew for service to mix was like when.

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Speaker 5: I was watching those videos, I was like I was

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Speaker 5: a kid because I was.

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Speaker 4: Born in seventy seven, so what year that had to

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Speaker 4: be like eighty eighty seven, So I must have been

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Speaker 4: ten years old watching that shit.

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Speaker 2: Like Miami is the place that made y'all.

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Speaker 3: There was a group already, they were doing something because

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Speaker 3: of the military they met or something or in LA

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00:15:55,680 --> 00:15:56,640
Speaker 3: they was in the military.

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Speaker 1: Yeah yeah, yeah, Marquis and uh In Fresh Kid in

341
00:16:01,160 --> 00:16:05,240
Speaker 1: the military in California. And then the other original member

342
00:16:05,840 --> 00:16:08,520
Speaker 1: was your v Line. He was in the group. He

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Speaker 1: was the one on the flip side of the beat.

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Speaker 1: I was doing.

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Speaker 2: Yes, I did he So we gotta celebrate your book

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Speaker 2: right now.

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Speaker 4: Come on, have a drink, man, Come on, man, you

348
00:16:17,640 --> 00:16:18,880
Speaker 4: gotta have a drink about Hulu.

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Speaker 2: Man got the right fact. You know, you know I

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Speaker 2: made all my record car. You know what's up?

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Speaker 4: You know he you know he's born and raised from Miami,

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Speaker 4: with Miami.

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Speaker 2: The people know that you want to show at Miami.

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Speaker 4: And you have been hands down one of the most

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Speaker 4: highly requested guests because you know what I'm saying, because

356
00:16:40,520 --> 00:16:41,440
Speaker 4: of all your history.

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Speaker 2: So we're gonna celebrate. Excited. We got coming up, we

358
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Speaker 2: got boss coming up.

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00:16:53,440 --> 00:16:55,400
Speaker 4: But I just want to know minute interviews, say thank

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00:16:55,440 --> 00:16:58,000
Speaker 4: you so much because so many people has requested because

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00:16:58,480 --> 00:17:00,600
Speaker 4: I am not like one of them guys, guys that

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Speaker 4: want to come to a town and don't give back

363
00:17:03,040 --> 00:17:05,040
Speaker 4: from the town and don't you know, help and we

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00:17:05,320 --> 00:17:05,879
Speaker 4: get to that.

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00:17:05,800 --> 00:17:06,800
Speaker 2: Phone call that's who.

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Speaker 4: But because I you know what, right now, we'll do

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00:17:10,200 --> 00:17:11,879
Speaker 4: it right now. Because I remember you saying that he

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Speaker 4: was he was. It was like some type of discrepancy,

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00:17:15,720 --> 00:17:17,879
Speaker 4: but like a Drake or Wayne and I believe a

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Speaker 4: baby or something and you said something that.

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Speaker 2: Was that was that was? That was real, real powerful

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Speaker 2: to me.

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Speaker 4: You said, you guys come out here, you smoke off drugs,

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Speaker 4: you funk off women, and he don't give nothing back

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Speaker 4: to her.

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Speaker 2: And let me tell you another thing. That's why I

377
00:17:34,320 --> 00:17:38,800
Speaker 2: don't fuck nobody girl in Miami. I said, I get

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Speaker 2: me out of that.

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Speaker 1: God damn, you.

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Speaker 2: Get me out of that. I know what you mean.

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00:17:45,840 --> 00:17:49,200
Speaker 2: I know what you meant. And so is that how

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Speaker 2: you feel like the Miami has to have this pride

383
00:17:51,880 --> 00:17:54,360
Speaker 2: in order for you guys to move forward? Yeah? Yeah,

384
00:17:54,400 --> 00:17:56,600
Speaker 2: I mean, you know it's you know, my thing.

385
00:17:56,640 --> 00:18:00,360
Speaker 1: When I made the statement I did in my collw

386
00:18:00,400 --> 00:18:02,920
Speaker 1: not doing the Miami of New Times, it was more

387
00:18:03,240 --> 00:18:06,600
Speaker 1: down the lines of, uh, if you move here, you

388
00:18:06,600 --> 00:18:09,120
Speaker 1: feel me, you know, then you need to get back

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00:18:09,119 --> 00:18:12,440
Speaker 1: to the community. You know, you know, and not only

390
00:18:12,640 --> 00:18:15,399
Speaker 1: this community, anywhere around the country because you know, back

391
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Speaker 1: in the days when we was doing ship, you know,

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00:18:17,640 --> 00:18:19,919
Speaker 1: on a regular basis, you know, we all.

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00:18:20,480 --> 00:18:22,960
Speaker 2: We knew we had to give back. You know.

394
00:18:23,040 --> 00:18:25,760
Speaker 1: I looked at every hip hop artist as a representative

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Speaker 1: of the of the city. You know, when when when

396
00:18:29,080 --> 00:18:32,040
Speaker 1: the word rep came out, you know what city you rep?

397
00:18:32,400 --> 00:18:35,680
Speaker 1: You know, you got repping. You know, the guys over there.

398
00:18:35,800 --> 00:18:39,880
Speaker 1: You know there James represents repping. You know, uh, Houston,

399
00:18:39,920 --> 00:18:42,199
Speaker 1: you know you had guys repping everywhere. But at the

400
00:18:42,200 --> 00:18:44,240
Speaker 1: same time, they were giving back to the community. So

401
00:18:44,280 --> 00:18:47,040
Speaker 1: if you live here, then if you move here, which

402
00:18:47,119 --> 00:18:50,560
Speaker 1: is finding right, you know, that's a that's an excellent thing.

403
00:18:50,640 --> 00:18:54,000
Speaker 1: But you know, go and read a fucking book to

404
00:18:54,119 --> 00:18:57,359
Speaker 1: some kids. You know what I'm saying. Now, you're you're

405
00:18:57,560 --> 00:18:59,160
Speaker 1: a citizen of Miami.

406
00:18:59,400 --> 00:19:00,480
Speaker 2: You know the South Beat.

407
00:19:00,560 --> 00:19:06,560
Speaker 4: Yeah, I don't say that over time, go to Kendy.

408
00:19:07,280 --> 00:19:14,440
Speaker 2: You know what I'm saying, any find a little program.

409
00:19:14,040 --> 00:19:19,960
Speaker 4: That It's very true because and then and then I

410
00:19:20,000 --> 00:19:24,680
Speaker 4: remember when that statement had came out, and then nobody

411
00:19:24,680 --> 00:19:26,760
Speaker 4: said nothing, but then Drake said something.

412
00:19:27,359 --> 00:19:29,480
Speaker 2: And then he moved though, because Drake was living here.

413
00:19:30,800 --> 00:19:34,640
Speaker 1: It was crazy because he said tell about Miami too.

414
00:19:35,240 --> 00:19:37,800
Speaker 2: Like a month later he was gone, like it was

415
00:19:38,520 --> 00:19:40,720
Speaker 2: doing that on that was just incident.

416
00:19:41,600 --> 00:19:45,680
Speaker 1: I don't know.

417
00:19:47,440 --> 00:19:49,960
Speaker 4: I was like, I was like, I heard Drake say that,

418
00:19:50,000 --> 00:19:51,639
Speaker 4: and I'm like, all right, I want to see And

419
00:19:51,640 --> 00:19:53,760
Speaker 4: then what I was saying he was in California.

420
00:19:53,240 --> 00:19:55,040
Speaker 1: And I was just like, yeah, you know it is

421
00:19:55,080 --> 00:19:55,640
Speaker 1: a nice guy.

422
00:19:55,800 --> 00:19:58,160
Speaker 2: Yeah, you didn't take it. You you understood, Yeah, I didn't

423
00:19:58,280 --> 00:19:58,760
Speaker 2: understood it.

424
00:19:59,000 --> 00:20:01,760
Speaker 1: Yeah, because you know, I I like, uh, you know,

425
00:20:01,800 --> 00:20:03,160
Speaker 1: I like direct shots.

426
00:20:03,800 --> 00:20:06,280
Speaker 2: You know, indirect shots, subliminal, Yeah.

427
00:20:06,119 --> 00:20:08,600
Speaker 1: Don't subliminal. So you know, to me, that wasn't a

428
00:20:08,640 --> 00:20:11,200
Speaker 1: direct shot. It's more like, oh I'm here, you should

429
00:20:11,200 --> 00:20:14,080
Speaker 1: have mentioned me, and you know what I mean. Okay,

430
00:20:14,080 --> 00:20:16,040
Speaker 1: I'm sorry, But if I took it, if I took

431
00:20:16,440 --> 00:20:17,320
Speaker 1: a direct.

432
00:20:16,960 --> 00:20:20,480
Speaker 2: Shot, Now, what's your relationship with pop Daddy?

433
00:20:20,560 --> 00:20:22,480
Speaker 1: Like? Because you guys come from my man.

434
00:20:23,400 --> 00:20:25,400
Speaker 2: Yeah, I like like my little son.

435
00:20:26,240 --> 00:20:32,640
Speaker 4: You know what I'm saying, was like, yeah, he bought

436
00:20:32,680 --> 00:20:32,960
Speaker 4: the water.

437
00:20:33,480 --> 00:20:34,880
Speaker 2: He bungs some water. Damn.

438
00:20:35,520 --> 00:20:37,840
Speaker 4: Yeah. Yeah, I can't have you. You can't have Dominican friends.

439
00:20:38,480 --> 00:20:42,239
Speaker 4: Friend mister Lee forgets everything. My brother nobody bunks water.

440
00:20:43,280 --> 00:20:49,440
Speaker 4: It's my friend Fat Joe's vodka. You got that over there?

441
00:20:51,240 --> 00:20:51,680
Speaker 1: Lean back.

442
00:20:51,960 --> 00:20:56,000
Speaker 2: That's what it should be called. Bottle is nice. The

443
00:20:56,000 --> 00:20:57,720
Speaker 2: bottle should be being right right.

444
00:21:03,320 --> 00:21:07,200
Speaker 4: So now uncle, you here, you had these these these

445
00:21:07,520 --> 00:21:12,159
Speaker 4: children nowadays, what music do you like? Sit back of

446
00:21:12,240 --> 00:21:15,480
Speaker 4: a new artist and you say, you know what, I.

447
00:21:15,480 --> 00:21:18,639
Speaker 1: Fuck with that? Man, I mean I'm all over the place.

448
00:21:18,840 --> 00:21:21,280
Speaker 1: I mean when they come to music, you know. I

449
00:21:21,320 --> 00:21:23,280
Speaker 1: mean I listened to Jake Cole. I mean I listened,

450
00:21:24,400 --> 00:21:26,399
Speaker 1: you know what I mean, as long as it got straight.

451
00:21:26,520 --> 00:21:28,639
Speaker 1: I listened to. You know what I'm saying. If it's

452
00:21:28,680 --> 00:21:30,120
Speaker 1: if he you.

453
00:21:30,119 --> 00:21:33,760
Speaker 2: Know, funny style. If it's different, I don't listen to.

454
00:21:33,800 --> 00:21:39,520
Speaker 3: It funny style, Okay, I just like I call it

455
00:21:39,960 --> 00:21:43,000
Speaker 3: to me a second, I call it, but you.

456
00:21:42,960 --> 00:21:45,360
Speaker 1: Know, I listen. You know, I'm a I'm a I

457
00:21:45,400 --> 00:21:49,280
Speaker 1: love music. You know, you know I love good music.

458
00:21:49,320 --> 00:21:52,720
Speaker 1: I love interesting music. You feel me like, Okay, damn

459
00:21:52,760 --> 00:21:55,359
Speaker 1: that ship that was different? You know, man, I like

460
00:21:55,400 --> 00:21:58,600
Speaker 1: that beat. I don't like if I hear the same

461
00:21:58,680 --> 00:22:01,879
Speaker 1: DM I'm going to. I mean, it's like a whole

462
00:22:01,880 --> 00:22:04,320
Speaker 1: bunch of ship with the same beat right now. So

463
00:22:04,400 --> 00:22:07,240
Speaker 1: I don't really vibe with you know, I listened to

464
00:22:07,280 --> 00:22:11,199
Speaker 1: some of the I listened to some fucking Drake and

465
00:22:11,240 --> 00:22:12,600
Speaker 1: I listened to some Uh.

466
00:22:13,080 --> 00:22:14,919
Speaker 2: You know, I'm a jay Z fan. Anything.

467
00:22:15,440 --> 00:22:17,960
Speaker 3: Were there any DJs in Miami that inspired you that

468
00:22:18,040 --> 00:22:19,040
Speaker 3: you looked up like?

469
00:22:19,080 --> 00:22:22,960
Speaker 2: I know that. Yeah, Frankie Hollywood inspired me.

470
00:22:23,040 --> 00:22:26,640
Speaker 1: I mean he you know everything that he did breaking.

471
00:22:26,359 --> 00:22:30,399
Speaker 3: Records because the way that Miami dj spun like the

472
00:22:30,400 --> 00:22:35,119
Speaker 3: ghetto style DJs. Sugar Hill DJ Jamponi expressed from Tampa

473
00:22:35,160 --> 00:22:35,760
Speaker 3: really right.

474
00:22:35,880 --> 00:22:36,960
Speaker 2: Yeah, I don't know where they're from.

475
00:22:37,920 --> 00:22:40,480
Speaker 1: You never really consider the ma as DJs because it

476
00:22:40,520 --> 00:22:44,080
Speaker 1: was more like the first studio DJ. But if you're

477
00:22:44,200 --> 00:22:47,640
Speaker 1: DJ in Miami, you set your fu speakers up and

478
00:22:47,720 --> 00:22:49,639
Speaker 1: you got in a battle and you had to go

479
00:22:49,640 --> 00:22:51,760
Speaker 1: ahead the head with another group, and if you can

480
00:22:51,840 --> 00:22:55,159
Speaker 1: survive that ship, you good. So jam Pony was always

481
00:22:55,160 --> 00:22:57,720
Speaker 1: doing that ship in the concert, which I like this

482
00:22:57,840 --> 00:23:00,560
Speaker 1: stuff and all that, but they were in the corset

483
00:23:01,119 --> 00:23:01,560
Speaker 1: doing that.

484
00:23:01,800 --> 00:23:07,240
Speaker 3: Definitely Sugarhill DJs, Sugar Hell, yeah, all the ones you got.

485
00:23:07,040 --> 00:23:13,199
Speaker 2: His uncle al Stories, old uncle Ale Stories like that

486
00:23:13,320 --> 00:23:17,720
Speaker 2: was a good at Studio one eighty three, and he

487
00:23:17,840 --> 00:23:19,119
Speaker 2: was just such a good, humble.

488
00:23:19,400 --> 00:23:23,800
Speaker 1: Alice, like Alice like my other little son. You know,

489
00:23:23,840 --> 00:23:25,840
Speaker 1: I love that dude to death, God bless it. So

490
00:23:26,080 --> 00:23:29,000
Speaker 1: you know what I'm saying, Hell is half good. You know,

491
00:23:29,160 --> 00:23:33,240
Speaker 1: have you know have my last time talking to all

492
00:23:33,320 --> 00:23:35,639
Speaker 1: he was like looke. You know, his whole conversation is

493
00:23:35,680 --> 00:23:38,240
Speaker 1: basically down the same lines too. You know, man, you

494
00:23:38,280 --> 00:23:39,840
Speaker 1: got a lot of dudes right here. Man, you the

495
00:23:39,840 --> 00:23:42,040
Speaker 1: only one can pretty much hold this ship. Down and

496
00:23:42,119 --> 00:23:44,080
Speaker 1: get the respect because a lot of a lot of

497
00:23:44,080 --> 00:23:46,480
Speaker 1: these other artists and a lot of these other companies

498
00:23:46,920 --> 00:23:48,200
Speaker 1: doing a lot of selling out.

499
00:23:48,720 --> 00:23:50,200
Speaker 2: You know, you need to hold his ship.

500
00:23:49,960 --> 00:23:53,400
Speaker 1: Down so people can, uh, you know, still give the respecting.

501
00:23:53,440 --> 00:23:54,520
Speaker 1: Probably two weeks after that.

502
00:23:54,600 --> 00:23:56,520
Speaker 3: He died because I remember I met Al for a

503
00:23:56,600 --> 00:23:58,440
Speaker 3: second and I thought he was gonna shut me down,

504
00:23:58,440 --> 00:23:59,760
Speaker 3: because this is when I'm coming.

505
00:23:59,520 --> 00:24:04,040
Speaker 2: Over talking about Yeah, rec in peace. And I met

506
00:24:04,080 --> 00:24:05,080
Speaker 2: him at Studio one eighty three.

507
00:24:05,080 --> 00:24:06,800
Speaker 3: We used to go and open up for shows out there,

508
00:24:07,600 --> 00:24:09,200
Speaker 3: and I remember I brought him a record. It wasn't

509
00:24:09,240 --> 00:24:11,359
Speaker 3: the typical record. I thought he would like he was

510
00:24:11,400 --> 00:24:13,600
Speaker 3: on some straight boombab hip hop ship. But we rep

511
00:24:13,600 --> 00:24:15,760
Speaker 3: in Miami and he said to me, as long as

512
00:24:15,800 --> 00:24:17,600
Speaker 3: you rep in the crib, I'm fucking with it.

513
00:24:18,240 --> 00:24:19,879
Speaker 2: Yeah, And I'll never forget that from him.

514
00:24:21,160 --> 00:24:27,600
Speaker 4: Racist is a fact, some watering man. I respect that

515
00:24:27,600 --> 00:24:29,720
Speaker 4: man came out here and learned early.

516
00:24:29,720 --> 00:24:30,639
Speaker 2: Did you know that? You know?

517
00:24:30,960 --> 00:24:32,679
Speaker 3: Tell us I want to know the Griff story too,

518
00:24:32,920 --> 00:24:35,560
Speaker 3: gri because Greg, you know Griff from Public Enemy.

519
00:24:35,920 --> 00:24:41,440
Speaker 2: You gotta beat for him to no no help were

520
00:24:41,480 --> 00:24:41,840
Speaker 2: me on?

521
00:24:42,920 --> 00:24:45,080
Speaker 1: I mean the Griff story. I mean Griff had just

522
00:24:45,119 --> 00:24:46,600
Speaker 1: got kicked out of Public Enemy.

523
00:24:46,359 --> 00:24:49,119
Speaker 2: Because it made the Jewish comments. You know.

524
00:24:49,960 --> 00:24:52,760
Speaker 1: You know, I like Griff, you know as a person

525
00:24:52,800 --> 00:24:56,320
Speaker 1: because I got to beat Griff, you know, because there

526
00:24:56,400 --> 00:25:00,920
Speaker 1: was a whole other movie was in Savannah, Georgia, and uh,

527
00:25:01,200 --> 00:25:04,960
Speaker 1: you know Public Enemy had this this uh this uh

528
00:25:05,200 --> 00:25:08,760
Speaker 1: this manager another you know, fun Miami fuck this fuck

529
00:25:08,800 --> 00:25:11,399
Speaker 1: that got five minutes on stage ship and I'm like

530
00:25:11,600 --> 00:25:14,280
Speaker 1: this don't look right. Public getting me got a little

531
00:25:14,280 --> 00:25:17,639
Speaker 1: white manager, you know, talking ship like this, and I'm like, okay,

532
00:25:17,760 --> 00:25:18,320
Speaker 1: fight the power.

533
00:25:18,359 --> 00:25:18,760
Speaker 3: And then i be.

534
00:25:22,160 --> 00:25:30,479
Speaker 1: Yeah, yeah, yeah, I'm beating this motherfucker up.

535
00:25:30,520 --> 00:25:32,480
Speaker 2: And then he comes group and all them Grip like.

536
00:25:32,520 --> 00:25:35,000
Speaker 1: Yo, yeah, yeah, come on. So many of them became

537
00:25:35,080 --> 00:25:37,000
Speaker 1: real good friends at that time, me and Chuck.

538
00:25:37,080 --> 00:25:39,600
Speaker 2: So then they ended up, you know, some kind of way.

539
00:25:39,600 --> 00:25:41,719
Speaker 1: He ended up getting out of the group for whatever

540
00:25:41,880 --> 00:25:44,840
Speaker 1: you know, the comments was, and you know, and Grip

541
00:25:45,080 --> 00:25:47,720
Speaker 1: ended up coming. He had he had a group. Uh

542
00:25:48,359 --> 00:25:51,320
Speaker 1: uh he was working with Society. So yeah, then he

543
00:25:51,400 --> 00:25:54,119
Speaker 1: came down and then it was like look man, you know,

544
00:25:54,880 --> 00:25:57,480
Speaker 1: explained to me what happened, you know, and uh.

545
00:25:57,640 --> 00:25:59,600
Speaker 2: I was like, okay, man, I look out for you.

546
00:25:59,600 --> 00:26:04,840
Speaker 1: I'll put you like that was just yeah, because anybody

547
00:26:04,880 --> 00:26:05,639
Speaker 1: was nobody.

548
00:26:05,640 --> 00:26:08,800
Speaker 3: He was black ball, like yeah, and he gave him

549
00:26:08,800 --> 00:26:10,920
Speaker 3: a home and you signed him on something.

550
00:26:10,960 --> 00:26:14,240
Speaker 2: Yeah, I'm saying that's what I meant by make some

551
00:26:14,320 --> 00:26:14,800
Speaker 2: noise for.

552
00:26:18,720 --> 00:26:22,639
Speaker 4: So I heard you say this man's name earlier. I

553
00:26:22,680 --> 00:26:25,359
Speaker 4: also said his man name earlier. But one of the

554
00:26:25,400 --> 00:26:30,840
Speaker 4: funniest interviews I ever seen is.

555
00:26:29,200 --> 00:26:31,280
Speaker 2: Is that that's that's Miami or what was that Atlanta?

556
00:26:31,320 --> 00:26:32,920
Speaker 2: I think it was. It was two bitches.

557
00:26:33,640 --> 00:26:36,640
Speaker 4: One was eating a bitch out and James trying jay

558
00:26:36,720 --> 00:26:37,680
Speaker 4: Z I'm talking about.

559
00:26:38,320 --> 00:26:40,520
Speaker 2: He was trying to be cool because he's just a

560
00:26:40,560 --> 00:26:42,960
Speaker 2: cool character. This is my man. Spoke to him this morning.

561
00:26:43,280 --> 00:26:47,720
Speaker 2: He's a cool character. He's not what I mean, he's

562
00:26:47,760 --> 00:26:51,600
Speaker 2: a cool character. But when I looked at that interview, yes.

563
00:26:51,440 --> 00:26:54,639
Speaker 5: Who's coming on my eyes because he's trying to be cool.

564
00:26:54,720 --> 00:26:57,760
Speaker 4: But they're really eating each other out, like this is

565
00:26:57,800 --> 00:27:00,199
Speaker 4: not you can tell, like you know when they be

566
00:27:00,240 --> 00:27:02,120
Speaker 4: like they got their left.

567
00:27:02,680 --> 00:27:05,760
Speaker 2: No, these is doing it for a real And Jaye's

568
00:27:05,800 --> 00:27:11,199
Speaker 2: standing there, He's like, yo, you would tell Luke is

569
00:27:11,320 --> 00:27:13,480
Speaker 2: nothing faded from Louke, but.

570
00:27:13,520 --> 00:27:16,480
Speaker 4: Jay is like, I won't seem sweat coming down like

571
00:27:16,800 --> 00:27:18,160
Speaker 4: I've never seen j like.

572
00:27:18,119 --> 00:27:22,680
Speaker 2: That, like he was this. Yeah, that's what I used

573
00:27:22,680 --> 00:27:25,479
Speaker 2: to do. I mean I used to do the I

574
00:27:25,520 --> 00:27:26,320
Speaker 2: created a show.

575
00:27:26,160 --> 00:27:31,080
Speaker 4: Called Luke Peep Ship wasn't a secondent called DHS supposed

576
00:27:31,119 --> 00:27:31,919
Speaker 4: to Captain Dickens.

577
00:27:32,080 --> 00:27:33,880
Speaker 2: I secrement of something like that I got.

578
00:27:34,880 --> 00:27:37,040
Speaker 1: So I would you know what I would do in

579
00:27:37,440 --> 00:27:40,200
Speaker 1: the show. You know, it actually came on action pay

580
00:27:40,200 --> 00:27:43,800
Speaker 1: per view, which was by BT. Wow you feel me.

581
00:27:43,840 --> 00:27:45,760
Speaker 1: So what we would do is take all the you know,

582
00:27:45,840 --> 00:27:48,440
Speaker 1: the club versions of the videos to put on the air.

583
00:27:48,800 --> 00:27:50,680
Speaker 1: So I would do a show and I would interview

584
00:27:51,560 --> 00:27:54,800
Speaker 1: different artists like Kim you know, Okay, yeah, you're talking

585
00:27:54,840 --> 00:27:57,040
Speaker 1: about sucking Dix and all that. So I would have

586
00:27:57,040 --> 00:28:01,879
Speaker 1: a big orgy right in the background. Really, I'm just

587
00:28:01,960 --> 00:28:06,520
Speaker 1: I'm really just working with the artist, you know, put

588
00:28:06,520 --> 00:28:09,399
Speaker 1: it in your mouth. I had a chick like, okay,

589
00:28:09,440 --> 00:28:14,720
Speaker 1: go ahead, You're.

590
00:28:14,600 --> 00:28:17,680
Speaker 2: Like yo, yo yo, we just had him on here.

591
00:28:18,440 --> 00:28:26,359
Speaker 2: I'm like, you really ain't on it.

592
00:28:27,000 --> 00:28:30,480
Speaker 1: I'm really like, my whole the whole thing was y'all

593
00:28:30,520 --> 00:28:32,840
Speaker 1: thinkgas making these records, But I want to see if

594
00:28:32,880 --> 00:28:36,359
Speaker 1: you really about that. So I would create the whole

595
00:28:36,400 --> 00:28:39,880
Speaker 1: scene about what you're talking about, you know, and if

596
00:28:39,880 --> 00:28:42,680
Speaker 1: you're looking like now that that let me know that

597
00:28:42,760 --> 00:28:43,640
Speaker 1: you was on the bullshit.

598
00:28:43,720 --> 00:28:46,200
Speaker 2: But we just had here and he must have took

599
00:28:46,280 --> 00:28:48,280
Speaker 2: that from you. He said that.

600
00:28:48,360 --> 00:28:49,840
Speaker 3: Let me tell you, let me tell you, Duran, how

601
00:28:49,880 --> 00:28:52,840
Speaker 3: can I be down right the convention. He had a

602
00:28:52,880 --> 00:28:55,960
Speaker 3: boat party that that was going on. Everybody knew we

603
00:28:56,040 --> 00:28:58,760
Speaker 3: had to be on that boat party and we all

604
00:28:58,760 --> 00:29:00,240
Speaker 3: would get on. I think it was that base side.

605
00:29:00,240 --> 00:29:02,000
Speaker 3: We were dining a dog, right, so we some of

606
00:29:02,000 --> 00:29:04,320
Speaker 3: my dogs in here. We went on it. You get

607
00:29:04,360 --> 00:29:06,280
Speaker 3: on the boat. It was calm for a second. As

608
00:29:06,280 --> 00:29:08,640
Speaker 3: soon as that motherfucker took off. Luke got on the

609
00:29:08,680 --> 00:29:12,440
Speaker 3: mic and strippers came out, Yo chicks sitting on forty

610
00:29:12,480 --> 00:29:14,280
Speaker 3: ounces and up and oio.

611
00:29:14,320 --> 00:29:17,400
Speaker 2: It was a crazy ship in the world. Man. We asked,

612
00:29:17,440 --> 00:29:21,320
Speaker 2: We asked questions. No, this is where we all advertise.

613
00:29:21,640 --> 00:29:24,280
Speaker 2: This is where he sucks us up right now? How many?

614
00:29:24,360 --> 00:29:27,440
Speaker 2: How many? How many grandmothers out there? Right? This is

615
00:29:27,440 --> 00:29:29,080
Speaker 2: a different type of It's a different question.

616
00:29:29,000 --> 00:29:33,440
Speaker 1: Now that you know you dog, a different questions, different question.

617
00:29:35,560 --> 00:29:38,960
Speaker 4: This maybe this grandmother list right now they might be

618
00:29:39,000 --> 00:29:41,840
Speaker 4: grandmother's because you're looking at the rooms might be.

619
00:29:41,760 --> 00:29:47,600
Speaker 2: One of you. Yeah, you're ready, Maxwell.

620
00:29:48,680 --> 00:29:51,960
Speaker 1: Listen, man, you're a little man ready Maxwell, Well, but

621
00:29:52,040 --> 00:29:53,680
Speaker 1: a little because back.

622
00:29:53,480 --> 00:29:57,840
Speaker 4: Then y'all didn't really have rubbers or rubbers wasn't really pop.

623
00:29:59,640 --> 00:30:02,760
Speaker 2: Saying it wasn't It wasn't disease. It wasn't disease.

624
00:30:05,600 --> 00:30:14,280
Speaker 1: Probably you're nasty only, but listen, I look at yours.

625
00:30:14,680 --> 00:30:15,400
Speaker 2: You know what.

626
00:30:15,640 --> 00:30:18,240
Speaker 1: Ship got dried the rubber name.

627
00:30:19,840 --> 00:30:22,600
Speaker 2: Because I watch your videos and you ain't. You ain't

628
00:30:22,640 --> 00:30:25,000
Speaker 2: have ugly bitches like this A man.

629
00:30:25,000 --> 00:30:27,440
Speaker 4: Difference, like you will get bitches to get naked, but

630
00:30:27,560 --> 00:30:30,160
Speaker 4: if they're if they're already tools, they're already ones with

631
00:30:30,200 --> 00:30:31,000
Speaker 4: low self esteem.

632
00:30:31,080 --> 00:30:33,360
Speaker 2: It's easy to get hot ned. But when you got the.

633
00:30:33,680 --> 00:30:37,280
Speaker 4: Twenty five chicken, your chick league, you're gonna get naked.

634
00:30:38,000 --> 00:30:38,600
Speaker 2: You're gonna.

635
00:30:42,240 --> 00:30:46,360
Speaker 1: You're gonna put this boy, you gonna put a baby dollar.

636
00:30:46,440 --> 00:30:54,360
Speaker 1: You're pushing that once to say you have you put it,

637
00:30:55,080 --> 00:31:17,760
Speaker 1: You're gonna put itself. Yo, I did I did that

638
00:31:17,800 --> 00:31:20,640
Speaker 1: ship one night out of my fucking mind. You know

639
00:31:20,680 --> 00:31:21,200
Speaker 1: this ship did?

640
00:31:21,600 --> 00:31:24,400
Speaker 2: They do a lot of things. Do you realize all

641
00:31:24,440 --> 00:31:27,400
Speaker 2: the stuff that you all the like, you will be

642
00:31:27,520 --> 00:31:31,680
Speaker 2: locked up nowadays? Like I mean I thought, I mean worse, Yeah,

643
00:31:33,240 --> 00:31:34,680
Speaker 2: but no. But what I'm saying is you.

644
00:31:34,880 --> 00:31:41,240
Speaker 4: Like, but what I'm saying is nowadays they're so coarse.

645
00:31:41,320 --> 00:31:44,040
Speaker 4: It's like the NBA, like you, they got something called

646
00:31:44,080 --> 00:31:46,440
Speaker 4: flocking and all that. Like back then people were just

647
00:31:46,520 --> 00:31:50,160
Speaker 4: hating each other and y'all was just fucking everywhere having

648
00:31:50,160 --> 00:31:53,360
Speaker 4: the ball. But nowadays we'll at least with But how

649
00:31:53,400 --> 00:31:56,040
Speaker 4: did that? How did the even controversy start? Because what

650
00:31:56,160 --> 00:31:59,720
Speaker 4: did they want to stop you from performing.

651
00:31:59,440 --> 00:32:02,120
Speaker 1: Or from going into their daughters.

652
00:32:02,800 --> 00:32:12,640
Speaker 2: Let's make some more, got to get let's toast the

653
00:32:12,640 --> 00:32:15,920
Speaker 2: book one more time. Man, the book a loop.

654
00:32:16,400 --> 00:32:19,840
Speaker 4: So you let your record label informs you that you're

655
00:32:19,880 --> 00:32:21,080
Speaker 4: about to have a case or.

656
00:32:21,320 --> 00:32:24,680
Speaker 2: Hold on time out. Record label informed.

657
00:32:24,280 --> 00:32:33,040
Speaker 4: Me he's the record label and ship my sorry first

658
00:32:33,680 --> 00:32:36,920
Speaker 4: press that the first black label. That that alone we

659
00:32:36,960 --> 00:32:38,479
Speaker 4: got to get back to because I want a segment

660
00:32:38,480 --> 00:32:40,840
Speaker 4: on that alone. But so you you would see the

661
00:32:40,920 --> 00:32:43,480
Speaker 4: letter because there's no emails back then, and they say

662
00:32:43,640 --> 00:32:44,400
Speaker 4: you got the facts.

663
00:32:44,520 --> 00:32:47,480
Speaker 2: Yeah, yeah, right right now, I got a letter.

664
00:32:47,800 --> 00:32:50,120
Speaker 1: You know when the kids was getting it, like we

665
00:32:50,360 --> 00:32:58,560
Speaker 1: had this on through the dickum on New York.

666
00:33:01,560 --> 00:33:09,320
Speaker 2: You got the New York you got. I like the

667
00:33:09,400 --> 00:33:11,000
Speaker 2: Miami and I'm excited.

668
00:33:11,480 --> 00:33:14,600
Speaker 4: I'm excited, excited, But so how do you find out

669
00:33:14,600 --> 00:33:14,960
Speaker 4: about that?

670
00:33:15,440 --> 00:33:16,360
Speaker 2: You know some parents, the.

671
00:33:16,400 --> 00:33:20,440
Speaker 1: PTA from Alabama, you know one of those, they hit

672
00:33:20,480 --> 00:33:22,640
Speaker 1: me up, send me a letter, was like, hey, look,

673
00:33:22,720 --> 00:33:24,920
Speaker 1: you know the kids is getting this. This throw the

674
00:33:24,960 --> 00:33:26,760
Speaker 1: dick version of the song. And I was like, I

675
00:33:26,800 --> 00:33:29,480
Speaker 1: ain't really trying to have kids get it. That's not

676
00:33:29,560 --> 00:33:33,080
Speaker 1: the intent. That's more of an adult thing. So then

677
00:33:33,160 --> 00:33:36,440
Speaker 1: that's when I created the perential advisory sticking that you see.

678
00:33:36,200 --> 00:33:40,800
Speaker 2: On the record. I was I had that for a question.

679
00:33:41,640 --> 00:33:42,960
Speaker 2: Let's just make listen, listen, listen.

680
00:33:42,960 --> 00:33:48,800
Speaker 4: People don't understand that that potental advisory sticker is so important.

681
00:33:48,920 --> 00:33:52,040
Speaker 4: If that pot into advisor sticker, wouldn't it existed, You

682
00:33:52,080 --> 00:33:54,480
Speaker 4: wouldn't have I don't want to just half a hip hop.

683
00:33:54,480 --> 00:33:57,800
Speaker 4: I'm about to start naming groups. But I gotta applaud

684
00:33:57,840 --> 00:33:59,000
Speaker 4: you for that. I gotta applaud you.

685
00:33:58,960 --> 00:34:02,560
Speaker 2: For fighting for the writers. But I want you to

686
00:34:02,600 --> 00:34:05,040
Speaker 2: go through it and for the people that you know

687
00:34:05,080 --> 00:34:05,480
Speaker 2: what I'm saying.

688
00:34:05,520 --> 00:34:06,960
Speaker 4: You can read the Book of Luke as well, but

689
00:34:07,000 --> 00:34:08,400
Speaker 4: I want you to go through it for fast. We

690
00:34:08,440 --> 00:34:10,360
Speaker 4: got dumb fast. They don't read, you know what I'm saying,

691
00:34:10,400 --> 00:34:14,239
Speaker 4: So they read I mean the niggas that like me

692
00:34:14,280 --> 00:34:18,480
Speaker 4: don't read. I want to resource. So you get that

693
00:34:18,560 --> 00:34:22,600
Speaker 4: letter and then they stop pushing the records or well,

694
00:34:22,640 --> 00:34:24,760
Speaker 4: I get the What happens is I get the letter

695
00:34:25,160 --> 00:34:27,480
Speaker 4: because you gotta remember, at that period of time, I'm

696
00:34:27,480 --> 00:34:30,840
Speaker 4: the only one doing explicit lyrics on the rap record

697
00:34:31,239 --> 00:34:34,280
Speaker 4: and nobody doing no cussing, no nothing.

698
00:34:34,719 --> 00:34:37,480
Speaker 1: So you get the letter in and at the same time,

699
00:34:37,640 --> 00:34:39,600
Speaker 1: you know, I'm like, okay, well I got to figure

700
00:34:39,600 --> 00:34:43,160
Speaker 1: this shit out. So I started using the you know,

701
00:34:43,239 --> 00:34:46,359
Speaker 1: the movie industry standards. I just took that idea because

702
00:34:46,400 --> 00:34:48,400
Speaker 1: I always know everything that I had to do, it

703
00:34:48,440 --> 00:34:50,440
Speaker 1: had to be common sense, it had to be already

704
00:34:50,760 --> 00:34:53,520
Speaker 1: something that was already established. So that's when I came

705
00:34:53,600 --> 00:34:56,960
Speaker 1: up with the idea of n C seventeen. You feel

706
00:34:57,000 --> 00:35:00,279
Speaker 1: me like, seventeen under seventeen you can't look at the move.

707
00:35:00,840 --> 00:35:04,440
Speaker 1: So I took that R rating system and using the

708
00:35:04,520 --> 00:35:07,800
Speaker 1: music system, and then I then alerted all the record

709
00:35:07,840 --> 00:35:10,160
Speaker 1: stores that hey, look here, I'm gonna put a stick

710
00:35:10,200 --> 00:35:13,799
Speaker 1: on here. Don't sell the kids this version, but selling the.

711
00:35:13,719 --> 00:35:20,279
Speaker 2: Clean version on your own did, Yeah, he did. No,

712
00:35:20,400 --> 00:35:24,120
Speaker 2: it was no other hip hop raped none of that.

713
00:35:25,040 --> 00:35:26,880
Speaker 3: Could you have made money off of the idea of

714
00:35:26,920 --> 00:35:27,920
Speaker 3: the sticker to yourself?

715
00:35:28,000 --> 00:35:30,080
Speaker 2: Yeah, I should have did I should I should have

716
00:35:30,080 --> 00:35:30,480
Speaker 2: patted it.

717
00:35:32,840 --> 00:35:36,200
Speaker 1: It was more about the the r I A, you know,

718
00:35:36,760 --> 00:35:40,120
Speaker 1: adopting the sticker. So if they adopted the sticker, then

719
00:35:40,480 --> 00:35:43,680
Speaker 1: it was industry standard that any other artists that would

720
00:35:43,680 --> 00:35:45,719
Speaker 1: come in front behind me, you know, they would just

721
00:35:45,760 --> 00:35:47,960
Speaker 1: put the stick on there. They were able to do

722
00:35:48,000 --> 00:35:49,440
Speaker 1: the music that they want to do and say what

723
00:35:49,440 --> 00:35:50,480
Speaker 1: they want to sell the records.

724
00:35:50,560 --> 00:35:52,960
Speaker 4: Now, when see the Lauris Tucker was coming at Tupac,

725
00:35:53,000 --> 00:35:55,239
Speaker 4: that was after you correct, when they was coming at

726
00:35:55,239 --> 00:35:56,719
Speaker 4: Tupac and Snoop and.

727
00:35:59,080 --> 00:36:01,719
Speaker 1: That that was also sitting there, so oh my god.

728
00:36:01,840 --> 00:36:04,919
Speaker 2: But they had had the permatory advice they on there. Yeah,

729
00:36:05,880 --> 00:36:07,920
Speaker 2: that was all. It was the first project. That was

730
00:36:07,960 --> 00:36:11,160
Speaker 2: your idea. That's crazy, that's crazy. I didn't he actually

731
00:36:11,200 --> 00:36:13,200
Speaker 2: came up with it. They came out of the court

732
00:36:13,280 --> 00:36:15,360
Speaker 2: stuff and everything. So you're saying that that just happened

733
00:36:15,440 --> 00:36:17,400
Speaker 2: because you wanted to do it, and then.

734
00:36:17,520 --> 00:36:20,160
Speaker 1: Yeah, because I wanted to do it, that happened. I

735
00:36:20,200 --> 00:36:23,000
Speaker 1: did that on my first record first record, which was

736
00:36:23,040 --> 00:36:24,960
Speaker 1: throw the D and the answer was throw the P

737
00:36:25,400 --> 00:36:27,799
Speaker 1: That was my first record doing with two live crew,

738
00:36:28,200 --> 00:36:30,560
Speaker 1: And so I did that at that period of time,

739
00:36:30,600 --> 00:36:32,600
Speaker 1: and you know, it's almost you know it was.

740
00:36:32,840 --> 00:36:34,560
Speaker 2: It was a no brainer because at the.

741
00:36:34,480 --> 00:36:36,960
Speaker 1: Same time, you got kids that can buy cigarettes, so

742
00:36:37,000 --> 00:36:39,200
Speaker 1: you look on the back a store on already know

743
00:36:39,360 --> 00:36:41,360
Speaker 1: how to sell the kids a cigarette bill or anything

744
00:36:41,440 --> 00:36:44,000
Speaker 1: like that. So then you know, I just said, okay,

745
00:36:44,080 --> 00:36:46,439
Speaker 1: let me put a sticker on here that would let

746
00:36:46,480 --> 00:36:49,279
Speaker 1: a clerk know because I'm thinking about it. You know,

747
00:36:49,320 --> 00:36:51,560
Speaker 1: it's little kids that work at the records too, So

748
00:36:51,600 --> 00:36:53,200
Speaker 1: you put the you know, sticker on there.

749
00:36:53,480 --> 00:36:56,959
Speaker 2: Don't sell This happened this one had it. That one

750
00:36:57,080 --> 00:36:57,640
Speaker 2: probably did.

751
00:36:58,000 --> 00:36:59,640
Speaker 3: I know, I can tell you right now. I couldn't

752
00:36:59,640 --> 00:37:02,719
Speaker 3: buy it. I saw my mom, this is like some

753
00:37:02,760 --> 00:37:03,400
Speaker 3: really good music.

754
00:37:05,920 --> 00:37:09,080
Speaker 1: There were a whole lot of records that went out

755
00:37:09,480 --> 00:37:12,319
Speaker 1: again that didn't have the stick because all this I'm

756
00:37:12,480 --> 00:37:16,680
Speaker 1: changing up. These new presidents will go out with the

757
00:37:16,719 --> 00:37:17,320
Speaker 1: sticky on it.

758
00:37:17,719 --> 00:37:20,359
Speaker 4: Now, did you have the ideas for the video as

759
00:37:20,360 --> 00:37:23,000
Speaker 4: you was recorded? You knew that you're gonna have button

760
00:37:23,000 --> 00:37:25,279
Speaker 4: makeing bitches running around it.

761
00:37:25,440 --> 00:37:27,440
Speaker 1: You knew that you know. I mean the whole thing

762
00:37:27,480 --> 00:37:29,759
Speaker 1: with that. You know, I looked at everything, you know,

763
00:37:29,800 --> 00:37:33,680
Speaker 1: because again, you don't hip hop junkie, you feel me.

764
00:37:33,760 --> 00:37:38,000
Speaker 1: So I'm coming from bringing you know, historic hip hop

765
00:37:38,080 --> 00:37:40,120
Speaker 1: artists and the Vine Sounds, you name it, t the

766
00:37:40,239 --> 00:37:43,439
Speaker 1: rock Jack, all these all these guys down here.

767
00:37:43,680 --> 00:37:46,080
Speaker 2: So I'm like, I'm from Miami. You know.

768
00:37:46,239 --> 00:37:48,120
Speaker 1: I looked at a lot of people, you know, don't

769
00:37:48,160 --> 00:37:50,319
Speaker 1: disrespect the iced tea and a whole lot of these

770
00:37:50,320 --> 00:37:53,319
Speaker 1: other guys. They were from other places, but they want

771
00:37:53,360 --> 00:37:54,359
Speaker 1: to be like New York.

772
00:37:54,760 --> 00:37:55,359
Speaker 2: You know what I'm saying.

773
00:37:55,400 --> 00:37:57,479
Speaker 1: I respect New York. I love New York to death.

774
00:37:57,760 --> 00:38:00,320
Speaker 1: But at the same time, I'm about where you from.

775
00:38:00,600 --> 00:38:02,640
Speaker 1: You know, you gotta, you know, rep your city. So

776
00:38:02,719 --> 00:38:05,839
Speaker 1: I wanted to show my city. This is what we do.

777
00:38:06,080 --> 00:38:06,279
Speaker 2: You know.

778
00:38:06,400 --> 00:38:08,680
Speaker 1: We walk around half naked, we got beat in the back,

779
00:38:08,760 --> 00:38:10,560
Speaker 1: we got all the wild ship going on.

780
00:38:10,920 --> 00:38:11,640
Speaker 2: So I wanted to.

781
00:38:11,600 --> 00:38:14,520
Speaker 1: Show that, you know, part of what we're about, you know,

782
00:38:14,600 --> 00:38:16,880
Speaker 1: how we live in As far as the hip hop.

783
00:38:16,719 --> 00:38:19,399
Speaker 4: Scene, I drove down Miami Beach the other day, man,

784
00:38:19,480 --> 00:38:21,719
Speaker 4: and I was just driving down and it was nothing

785
00:38:21,719 --> 00:38:24,279
Speaker 4: behlf neked chicks here, I said, anywhere else in the world,

786
00:38:24,400 --> 00:38:26,040
Speaker 4: I would call that bitch a slut.

787
00:38:26,320 --> 00:38:29,480
Speaker 2: Right here. This is normal as motherfucking tire man. Let's go.

788
00:38:29,640 --> 00:38:34,600
Speaker 2: It makes a noise from Miami being halfgg You see

789
00:38:34,960 --> 00:38:36,680
Speaker 2: you've seen this club right here at the pack Jam.

790
00:38:37,120 --> 00:38:40,080
Speaker 3: That's like a right of passage the days from Miami

791
00:38:40,160 --> 00:38:42,120
Speaker 3: like like we we kindle boys.

792
00:38:42,160 --> 00:38:43,719
Speaker 2: We was like, you gotta go to pack Jam just

793
00:38:43,719 --> 00:38:47,200
Speaker 2: to prove that robbed the pack Jam. Oh yeah, you

794
00:38:47,200 --> 00:38:47,560
Speaker 2: get that.

795
00:38:47,560 --> 00:38:47,959
Speaker 1: Hip hop.

796
00:38:53,000 --> 00:38:55,040
Speaker 2: Never go to hip hop club unless people get robbed

797
00:38:55,040 --> 00:39:01,880
Speaker 2: in the jam jam was crazy. That was crazy.

798
00:39:01,880 --> 00:39:03,520
Speaker 3: We was young just going in there, and then girls

799
00:39:03,520 --> 00:39:05,560
Speaker 3: getting butt naked were like, oh ship.

800
00:39:05,360 --> 00:39:08,279
Speaker 2: Peg was like the red in New York. So now

801
00:39:08,520 --> 00:39:10,280
Speaker 2: they're trying to ban your records.

802
00:39:10,360 --> 00:39:13,440
Speaker 4: And then you go even crazier with the videos because

803
00:39:13,480 --> 00:39:16,640
Speaker 4: you single handedly because of you, the shows like b

804
00:39:17,000 --> 00:39:20,400
Speaker 4: I think you created YouTube, like more.

805
00:39:20,400 --> 00:39:23,960
Speaker 1: More so than uh uh, you know video the juke

806
00:39:24,000 --> 00:39:27,480
Speaker 1: box box.

807
00:39:27,760 --> 00:39:30,319
Speaker 4: But they were showing guns. You were showing ass like

808
00:39:30,360 --> 00:39:33,960
Speaker 4: you know, they were showing It's all explicit. But I

809
00:39:34,000 --> 00:39:38,480
Speaker 4: think that single hand that single handy transferred to YouTube

810
00:39:38,920 --> 00:39:41,160
Speaker 4: because people were saying, well, you know what, we can't

811
00:39:41,200 --> 00:39:43,960
Speaker 4: watch it here, then we want to watch it somewhere else,

812
00:39:44,000 --> 00:39:46,479
Speaker 4: and I think, like in in a little way YouTube

813
00:39:46,680 --> 00:39:48,360
Speaker 4: you somebody that makes no noise, We're gonna.

814
00:39:48,120 --> 00:39:54,759
Speaker 2: Start you now, just do a deal and just think

815
00:39:54,800 --> 00:39:55,200
Speaker 2: about it.

816
00:39:55,239 --> 00:39:59,279
Speaker 4: Like and then BT jams they had had transferred to

817
00:39:59,280 --> 00:40:00,920
Speaker 4: B E t J BT hated me.

818
00:40:01,280 --> 00:40:04,239
Speaker 2: They hated me this day. They hate me. Why because

819
00:40:04,239 --> 00:40:05,320
Speaker 2: they couldn't play the records.

820
00:40:05,760 --> 00:40:11,839
Speaker 1: Well, because I was pushing the envelope of sexually intriguing.

821
00:40:13,320 --> 00:40:15,520
Speaker 3: It was really backed by the whole gospel side of

822
00:40:15,520 --> 00:40:18,120
Speaker 3: BT as well, Like it seemed like they would be well.

823
00:40:18,000 --> 00:40:21,839
Speaker 1: I mean back back then, you know, I mean back

824
00:40:21,880 --> 00:40:24,680
Speaker 1: then black people were very very conservative.

825
00:40:24,880 --> 00:40:27,720
Speaker 2: The ship that I was doing was unheard of. Box.

826
00:40:27,960 --> 00:40:32,279
Speaker 1: You know, I had every hip hop artist hating you

827
00:40:32,360 --> 00:40:34,640
Speaker 1: know what I'm saying. You had the kitten plays and ship.

828
00:40:34,640 --> 00:40:37,600
Speaker 1: They would get on VT. They would do shows where

829
00:40:37,640 --> 00:40:40,120
Speaker 1: they interview guys and be like, Yo, do you like

830
00:40:40,160 --> 00:40:42,160
Speaker 1: this two live crow motherfuckers and this Uncle Lue.

831
00:40:42,200 --> 00:40:43,359
Speaker 2: No, I fuck them, I don't like them.

832
00:40:43,400 --> 00:40:44,200
Speaker 1: That ain't hip hop.

833
00:40:44,320 --> 00:40:44,920
Speaker 2: They ain't ship.

834
00:40:45,320 --> 00:40:48,040
Speaker 1: You know. They would do that, you know, so we

835
00:40:48,080 --> 00:40:51,240
Speaker 1: would be pushing the envelope through the video juke box,

836
00:40:51,480 --> 00:40:53,479
Speaker 1: you know, and be like Okay, why y'all ain't playing

837
00:40:53,480 --> 00:40:55,719
Speaker 1: this ship and they would be losing ratings and people

838
00:40:55,760 --> 00:40:58,560
Speaker 1: would be looking at the box. So it became a big,

839
00:40:59,320 --> 00:41:01,839
Speaker 1: real b And then that's when I ended up doing

840
00:41:01,840 --> 00:41:05,040
Speaker 1: the show with Bob Johnson at the station. But everybody

841
00:41:05,080 --> 00:41:07,600
Speaker 1: else still hated me. You know, the people that there

842
00:41:07,719 --> 00:41:11,120
Speaker 1: right now, who are still there right now, they were

843
00:41:11,160 --> 00:41:14,040
Speaker 1: there back then. They still hate my ass to this

844
00:41:14,200 --> 00:41:17,400
Speaker 1: fucking day because I pushed the envelope so hard that

845
00:41:17,840 --> 00:41:19,719
Speaker 1: you know, they had to change their well programming.

846
00:41:20,480 --> 00:41:22,480
Speaker 2: People just didn't understand Miami, especially no.

847
00:41:22,600 --> 00:41:24,960
Speaker 1: I mean it was saying motherfuckers from Perry had the noise.

848
00:41:25,000 --> 00:41:26,719
Speaker 1: They sitting up there like what the fuck?

849
00:41:28,040 --> 00:41:28,239
Speaker 2: You know?

850
00:41:28,440 --> 00:41:30,839
Speaker 1: So you know they you know, they had a real

851
00:41:30,880 --> 00:41:31,960
Speaker 1: problem with what we were doing.

852
00:41:32,040 --> 00:41:33,359
Speaker 4: Well, let me tell you, I don't know who those

853
00:41:33,360 --> 00:41:36,640
Speaker 4: people are, but I'm telling you, you help my childhood. I

854
00:41:36,680 --> 00:41:37,880
Speaker 4: got an important part of.

855
00:41:40,120 --> 00:41:42,839
Speaker 1: The birthday. That was a good old day.

856
00:41:43,000 --> 00:41:45,160
Speaker 2: That was a good old day sticking in.

857
00:41:45,320 --> 00:41:47,880
Speaker 4: Yeah, I'm like, I'm just sitting back and watching, like

858
00:41:48,040 --> 00:41:48,920
Speaker 4: I gotta.

859
00:41:48,680 --> 00:42:00,640
Speaker 2: Get to my hand. You gotta talk about Big and Luke.

860
00:42:00,880 --> 00:42:04,440
Speaker 4: Oh that's right, Big y'all had y'all have beef at first.

861
00:42:04,480 --> 00:42:09,200
Speaker 2: No no no, no, no no, And yeah, let's just

862
00:42:09,200 --> 00:42:10,040
Speaker 2: talk about that Big.

863
00:42:10,160 --> 00:42:13,960
Speaker 1: Oh that's my dog, Big men Big, that's my guy.

864
00:42:14,040 --> 00:42:15,680
Speaker 2: What happened? How'd you Lincoln with Big?

865
00:42:15,840 --> 00:42:19,200
Speaker 1: I mean, you know, ship I brought him down to

866
00:42:19,200 --> 00:42:20,160
Speaker 1: do a show.

867
00:42:20,280 --> 00:42:23,000
Speaker 2: You know, it was a Super Bowl weekend and then

868
00:42:23,040 --> 00:42:24,719
Speaker 2: you know he came. He was like you know him,

869
00:42:24,800 --> 00:42:25,840
Speaker 2: Julie Muff, you know all that.

870
00:42:26,360 --> 00:42:28,879
Speaker 1: It was like Big was like, okay, man, I'm doing

871
00:42:28,920 --> 00:42:33,080
Speaker 1: your pack jam, the big one, the second one. It

872
00:42:33,120 --> 00:42:35,960
Speaker 1: was around the corner. He was saying, Man, I ain't

873
00:42:35,960 --> 00:42:38,759
Speaker 1: gonna do that, motherfucker. Let you come because pack jam

874
00:42:39,200 --> 00:42:41,879
Speaker 1: here was what we called. It was the Apollo South.

875
00:42:42,360 --> 00:42:42,560
Speaker 4: Oh.

876
00:42:43,320 --> 00:42:44,520
Speaker 2: They would go up in there and the.

877
00:42:44,560 --> 00:42:46,160
Speaker 1: Artists w was going there and they'll be looking like

878
00:42:46,400 --> 00:42:49,680
Speaker 1: this at your ass. You know, motherfucker, you better get

879
00:42:49,719 --> 00:42:51,920
Speaker 1: to the song, you know, cause we really you know,

880
00:42:52,000 --> 00:42:54,399
Speaker 1: they were the hardest sound man.

881
00:42:54,440 --> 00:42:56,279
Speaker 2: Did you have a dirty guy like who came out

882
00:42:56,400 --> 00:43:00,440
Speaker 2: like dirty? The crowd would be said.

883
00:43:04,280 --> 00:43:05,840
Speaker 1: Was like, yo, I ain't doing that, motherfucker less you

884
00:43:05,920 --> 00:43:08,160
Speaker 1: unless you come up in there. And so Man and them,

885
00:43:08,480 --> 00:43:11,000
Speaker 1: you know, we ended up linking up that weekend and

886
00:43:11,160 --> 00:43:14,840
Speaker 1: we was friends forever. I mean he uh, he would

887
00:43:14,840 --> 00:43:19,360
Speaker 1: tell me stories about you know him him being a

888
00:43:19,360 --> 00:43:20,840
Speaker 1: big fan of Poison Clan.

889
00:43:21,680 --> 00:43:23,680
Speaker 2: You know what I'm saying. He told me he was like, Man,

890
00:43:23,680 --> 00:43:24,880
Speaker 2: this fucking JT money.

891
00:43:25,239 --> 00:43:25,480
Speaker 3: You know.

892
00:43:25,560 --> 00:43:28,959
Speaker 1: I you know, before I got into business, I got

893
00:43:29,000 --> 00:43:29,680
Speaker 1: all his ship.

894
00:43:30,160 --> 00:43:31,560
Speaker 2: So he was like damn.

895
00:43:31,640 --> 00:43:33,640
Speaker 1: So you know, I'm looking at him like he was like, nah, Man,

896
00:43:33,719 --> 00:43:36,000
Speaker 1: that was my dude. That that's my dude. And so

897
00:43:36,080 --> 00:43:37,879
Speaker 1: Man and him hit it off. Every time you come

898
00:43:37,960 --> 00:43:40,239
Speaker 1: down I go to New York, I would hang out

899
00:43:40,280 --> 00:43:43,200
Speaker 1: with him and h we end up doing the record together.

900
00:43:43,320 --> 00:43:45,440
Speaker 2: And you wasn't dead when he died in l A, right,

901
00:43:45,800 --> 00:43:47,600
Speaker 2: I was in l A. Actually, I was in the

902
00:43:47,600 --> 00:43:48,520
Speaker 2: studio doing I was.

903
00:43:48,440 --> 00:43:51,240
Speaker 1: Supposed to link up with him and me and uh

904
00:43:51,719 --> 00:43:56,600
Speaker 1: me and stoop Dogg was in the studios. So yeah,

905
00:43:56,760 --> 00:43:59,680
Speaker 1: they ended up when they told us about them dead.

906
00:44:00,080 --> 00:44:01,600
Speaker 1: And you know we were sitting in the studio.

907
00:44:01,760 --> 00:44:03,120
Speaker 4: I think you sat in a brother's club. You were

908
00:44:03,120 --> 00:44:04,560
Speaker 4: supposed to meet with him somewhere.

909
00:44:05,000 --> 00:44:07,480
Speaker 2: Yeah, we were supposed to go to another party.

910
00:44:07,520 --> 00:44:11,200
Speaker 1: It was at a party we were recording, and uh,

911
00:44:11,680 --> 00:44:13,280
Speaker 1: we were supposed to go link up afterwards.

912
00:44:13,880 --> 00:44:16,880
Speaker 4: God bless Big man, God bless Julia Mafia.

913
00:44:16,920 --> 00:44:19,400
Speaker 2: You know what I'm saying is and did you ever

914
00:44:19,440 --> 00:44:21,000
Speaker 2: meet to park Park?

915
00:44:21,120 --> 00:44:21,200
Speaker 1: Was?

916
00:44:22,560 --> 00:44:23,319
Speaker 2: No, that was my guy.

917
00:44:23,400 --> 00:44:27,000
Speaker 4: Let's break out some now is the bitch is involved?

918
00:44:27,280 --> 00:44:27,680
Speaker 2: Of course?

919
00:44:28,360 --> 00:44:30,960
Speaker 1: Part was that was another one of my little sons,

920
00:44:31,440 --> 00:44:38,680
Speaker 1: you know what. Let's yeah, would Pop would come down,

921
00:44:38,760 --> 00:44:42,440
Speaker 1: you know you hang out park was like George Jefferson,

922
00:44:42,800 --> 00:44:45,560
Speaker 1: remember looking at George Jefferson on the on the Jefferson

923
00:44:46,080 --> 00:44:48,600
Speaker 1: that that motherfucker just sit in the car and talk

924
00:44:48,680 --> 00:44:51,840
Speaker 1: talk talk talk talk. I mean we would be on

925
00:44:51,880 --> 00:44:53,759
Speaker 1: the road together, we see each other. He would be

926
00:44:53,800 --> 00:44:56,840
Speaker 1: in my room. I'm sitting there laying down sleep, this

927
00:44:56,880 --> 00:45:01,680
Speaker 1: motherfucker still talking. God, you know I heard every story

928
00:45:01,760 --> 00:45:04,640
Speaker 1: it was, but that was part with my dude.

929
00:45:04,400 --> 00:45:07,000
Speaker 2: That's my nigga. That's so. Let me ask you because

930
00:45:07,000 --> 00:45:08,800
Speaker 2: it had to be weird from you.

931
00:45:08,880 --> 00:45:12,160
Speaker 4: Everybody knew you ran Miami after especially all the turmoil

932
00:45:12,200 --> 00:45:14,640
Speaker 4: or the beat and everybody everybody clearly knew that.

933
00:45:14,480 --> 00:45:15,320
Speaker 2: That was your section.

934
00:45:15,600 --> 00:45:18,560
Speaker 4: But now this East coast West coast war happens, right,

935
00:45:18,760 --> 00:45:22,520
Speaker 4: it's in the middle. You cool with both sides. Was

936
00:45:22,560 --> 00:45:24,920
Speaker 4: it like, did it ever feel weird to you? Because

937
00:45:25,080 --> 00:45:29,239
Speaker 4: Miami is a vacation place regardless, right, regardless, But now

938
00:45:29,520 --> 00:45:32,239
Speaker 4: they vacationing and they all got your number. Was there

939
00:45:32,320 --> 00:45:35,680
Speaker 4: ever an insince where like some East Coast dudes was

940
00:45:35,680 --> 00:45:38,160
Speaker 4: out here and some West Coast dudes text you and say, hey,

941
00:45:38,280 --> 00:45:39,759
Speaker 4: I mean I know the text wasn't back then, you

942
00:45:39,800 --> 00:45:41,880
Speaker 4: know what I'm saying to you all or whatever.

943
00:45:42,160 --> 00:45:45,759
Speaker 2: The brick phone, yeah, the brickphone, the rail trap phone.

944
00:45:45,800 --> 00:45:47,920
Speaker 1: Yeah. DJ Kelly was selling.

945
00:45:48,120 --> 00:45:49,960
Speaker 4: So was you ever like put in a weird space

946
00:45:50,000 --> 00:45:50,960
Speaker 4: because you do.

947
00:45:52,400 --> 00:45:53,760
Speaker 2: Miami is a new tube place.

948
00:45:54,400 --> 00:45:57,359
Speaker 1: Yeah, I mean no, I mean what we always told

949
00:45:57,400 --> 00:45:59,160
Speaker 1: dudes when they would come down here and look at man,

950
00:45:59,200 --> 00:46:01,279
Speaker 1: you come down here, lead the beef ship.

951
00:46:01,840 --> 00:46:02,520
Speaker 2: You know what I'm saying.

952
00:46:02,520 --> 00:46:04,680
Speaker 1: And so it was we was on that if you

953
00:46:04,719 --> 00:46:08,000
Speaker 1: come down, you know, leave your issues, you know, outside

954
00:46:08,000 --> 00:46:09,520
Speaker 1: of that, because we don't need that kind of heat

955
00:46:09,560 --> 00:46:11,960
Speaker 1: down here. You know, we didn't want no, you know,

956
00:46:12,040 --> 00:46:14,880
Speaker 1: the police and all that coming in all right, hey,

957
00:46:15,000 --> 00:46:18,319
Speaker 1: but we didn't want no the hip hop police down here.

958
00:46:18,440 --> 00:46:20,040
Speaker 2: Wen't need none of that kind of ship.

959
00:46:20,360 --> 00:46:23,120
Speaker 1: So you know, you know, me working with the police

960
00:46:23,160 --> 00:46:26,680
Speaker 1: and like, we need that kind of heat. Like hey, look, no,

961
00:46:26,800 --> 00:46:28,440
Speaker 1: you allt got to worry about that because when they

962
00:46:28,440 --> 00:46:32,680
Speaker 1: had that high, can they be downh was gonna get

963
00:46:32,680 --> 00:46:33,440
Speaker 1: crazy and know that.

964
00:46:33,520 --> 00:46:35,239
Speaker 2: I'm like, yo, don't come down there.

965
00:46:35,239 --> 00:46:37,080
Speaker 3: With the shoot up, Heavy was there was a shootout.

966
00:46:37,120 --> 00:46:39,360
Speaker 3: Was Heavy was involved? Like he wasn't shooting, but he

967
00:46:39,400 --> 00:46:39,799
Speaker 3: was there.

968
00:46:39,840 --> 00:46:43,240
Speaker 4: Now, in your opinion, you both knowing Poc and Big,

969
00:46:43,280 --> 00:46:46,160
Speaker 4: there's very few people right who know Pock and Big this.

970
00:46:46,360 --> 00:46:48,160
Speaker 2: There's people who know Poc great and.

971
00:46:48,120 --> 00:46:50,200
Speaker 4: The people who know Big a little bit, right, people

972
00:46:50,200 --> 00:46:52,560
Speaker 4: who know Big a lot, people who know Pop a

973
00:46:52,600 --> 00:46:54,480
Speaker 4: little bit. But you know them, both of them, right.

974
00:46:56,280 --> 00:46:58,120
Speaker 4: Do you think they could have ever squashed that? Like,

975
00:46:58,360 --> 00:47:00,160
Speaker 4: oh no, yeah, that would have been I.

976
00:47:00,840 --> 00:47:03,160
Speaker 1: Mean on the People Show when Pop got out of jail,

977
00:47:03,719 --> 00:47:08,040
Speaker 1: I interviewed Pop, then I went and interview Biggie, and

978
00:47:08,080 --> 00:47:10,279
Speaker 1: then through the interview and process of it, it was

979
00:47:10,320 --> 00:47:14,440
Speaker 1: more like I was interviewing them, but I was like, niggas,

980
00:47:14,560 --> 00:47:15,359
Speaker 1: chill the fuck out.

981
00:47:15,440 --> 00:47:17,280
Speaker 2: Wow, So it was more.

982
00:47:17,160 --> 00:47:20,520
Speaker 1: Of me having a conversation with them about chill the

983
00:47:20,560 --> 00:47:23,520
Speaker 1: fuck out. You two motherfuckers need to make money. This

984
00:47:23,560 --> 00:47:26,080
Speaker 1: ship is about money. Y'all taking this to the fucking

985
00:47:26,120 --> 00:47:29,080
Speaker 1: extreme because you know, I was a saint Louis doing

986
00:47:29,120 --> 00:47:32,040
Speaker 1: a show with Big and Big out there. You know,

987
00:47:32,120 --> 00:47:37,960
Speaker 1: motherfuckers they wanted the disc pop on stage and.

988
00:47:37,080 --> 00:47:38,040
Speaker 2: They were boring.

989
00:47:39,160 --> 00:47:42,440
Speaker 1: You know, I'm sitting up there like, you know, I'm like, okay,

990
00:47:42,840 --> 00:47:45,279
Speaker 1: you know, the mediator of the whole ship, like and

991
00:47:45,320 --> 00:47:49,719
Speaker 1: Big wasn't this So then I when I interviewed, Uh,

992
00:47:49,600 --> 00:47:53,680
Speaker 1: when I interviewed pop Pop was just going crazy, you know,

993
00:47:53,760 --> 00:47:56,600
Speaker 1: oh yeah, yeah, yeah, fuck this girl and did this

994
00:47:56,680 --> 00:47:58,680
Speaker 1: and and did that and all this, And I'm like,

995
00:47:58,960 --> 00:48:00,759
Speaker 1: so when I interview over, look at man, you need

996
00:48:00,760 --> 00:48:02,600
Speaker 1: to chill the funk out, you know what I'm saying.

997
00:48:02,640 --> 00:48:04,600
Speaker 1: You know, so many of them had that. You know,

998
00:48:04,680 --> 00:48:07,920
Speaker 1: we could talk because I know him before he linked

999
00:48:08,000 --> 00:48:10,400
Speaker 1: up with you know, with the Death Row dudes. I

1000
00:48:10,480 --> 00:48:13,160
Speaker 1: knew him when he was with the Underground, you know,

1001
00:48:13,200 --> 00:48:15,520
Speaker 1: so I know this young dude, he you know, on

1002
00:48:15,560 --> 00:48:18,080
Speaker 1: some black power ship. You know, I know where he

1003
00:48:18,160 --> 00:48:21,160
Speaker 1: come from. So you know, you ain't on what you

1004
00:48:21,160 --> 00:48:22,960
Speaker 1: you know, I'm like, what you changed?

1005
00:48:23,040 --> 00:48:23,879
Speaker 2: What are you doing?

1006
00:48:24,440 --> 00:48:26,040
Speaker 1: You know what I'm saying. If you're on that you know,

1007
00:48:26,120 --> 00:48:28,000
Speaker 1: on that black man ship, which you which is I

1008
00:48:28,080 --> 00:48:30,560
Speaker 1: know how that's how you raised. You're always on that

1009
00:48:30,840 --> 00:48:33,319
Speaker 1: you ain't on no do nothing the other black man. So,

1010
00:48:34,120 --> 00:48:36,400
Speaker 1: you know, we had that conversation and you know, I

1011
00:48:36,440 --> 00:48:40,399
Speaker 1: want to go interview Biggie. Big wouldn't say one word

1012
00:48:40,440 --> 00:48:44,359
Speaker 1: about him. Yeah, Big wouldn't talk Big. You know, Big

1013
00:48:44,400 --> 00:48:47,080
Speaker 1: wouldn't say nothing. It was like na, na, no, you know,

1014
00:48:47,200 --> 00:48:50,880
Speaker 1: he just kept it like uh, kept it like really

1015
00:48:50,880 --> 00:48:54,279
Speaker 1: one hundred. So it was it was they were if

1016
00:48:54,320 --> 00:48:56,880
Speaker 1: they were gonna talk, you know, after me, after I

1017
00:48:56,920 --> 00:48:59,120
Speaker 1: had that conversation with both of them, you know, they

1018
00:48:59,120 --> 00:48:59,719
Speaker 1: were gonna talk.

1019
00:49:00,080 --> 00:49:03,359
Speaker 2: And then for some reason, ship happened. You knew pop

1020
00:49:03,600 --> 00:49:12,640
Speaker 2: pre Death Row? Yeah, and then what's that after? Right?

1021
00:49:13,640 --> 00:49:19,240
Speaker 2: Very which which park you related to more before? Before

1022
00:49:19,360 --> 00:49:23,120
Speaker 2: Death Row? Underground. It's almost like it's almost like two

1023
00:49:23,120 --> 00:49:28,839
Speaker 2: different people, two different people's. Man, I can relate. I'm

1024
00:49:28,880 --> 00:49:31,319
Speaker 2: a Gemini, Yeah yeah, yeah, yeah, yeah.

1025
00:49:31,360 --> 00:49:35,479
Speaker 1: It's almost like, uh, you know, a young dude, you know,

1026
00:49:35,600 --> 00:49:36,920
Speaker 1: hanging out with with.

1027
00:49:36,880 --> 00:49:39,120
Speaker 2: A crew of people. Then you conform into that crew.

1028
00:49:39,600 --> 00:49:39,799
Speaker 2: You know.

1029
00:49:39,880 --> 00:49:41,920
Speaker 1: That's why always, you know, when I'm working with kids,

1030
00:49:42,120 --> 00:49:43,720
Speaker 1: I tell kids, don't be no follower.

1031
00:49:44,200 --> 00:49:46,400
Speaker 2: You know, in the back of my mind, I'm thinking about.

1032
00:49:46,680 --> 00:49:49,759
Speaker 1: You know, them soldiers who did like you know, what

1033
00:49:49,800 --> 00:49:50,680
Speaker 1: I'm saying, you gotta be.

1034
00:49:50,600 --> 00:49:51,160
Speaker 2: Your own man.

1035
00:49:51,239 --> 00:49:54,040
Speaker 1: You can't get caught up and you know, the ship

1036
00:49:54,080 --> 00:49:54,880
Speaker 1: somebody else trying to do.

1037
00:49:54,920 --> 00:49:56,960
Speaker 2: You think Park was following though in that sense, you

1038
00:49:57,200 --> 00:49:57,480
Speaker 2: don't think.

1039
00:49:57,600 --> 00:49:59,000
Speaker 3: I think he had a plan to get out of

1040
00:49:59,000 --> 00:50:02,480
Speaker 3: that situation or change the trajectory of what he was

1041
00:50:02,480 --> 00:50:03,000
Speaker 3: trying to do.

1042
00:50:03,360 --> 00:50:05,319
Speaker 2: That's what everybody says, at least, well, when you.

1043
00:50:05,400 --> 00:50:08,680
Speaker 1: When you when you when you're on on some real

1044
00:50:08,719 --> 00:50:09,600
Speaker 1: black man ship.

1045
00:50:09,520 --> 00:50:11,239
Speaker 2: Like Brenda got a baby, and then you go over here.

1046
00:50:11,560 --> 00:50:15,640
Speaker 2: Not that exactly Brenda, but I mean he was deep.

1047
00:50:16,160 --> 00:50:16,719
Speaker 2: He was deep.

1048
00:50:16,840 --> 00:50:18,960
Speaker 1: He was on some real black man shit, you know,

1049
00:50:19,080 --> 00:50:22,800
Speaker 1: black powered black like this. He was on some deep

1050
00:50:22,840 --> 00:50:26,880
Speaker 1: black man And then so now you get linked up

1051
00:50:26,920 --> 00:50:30,160
Speaker 1: with this crew on that on some different ship, then

1052
00:50:30,200 --> 00:50:33,160
Speaker 1: you conform to be like that. You feel me, So

1053
00:50:34,040 --> 00:50:37,319
Speaker 1: I knew him before that. You know, this young man

1054
00:50:37,520 --> 00:50:38,800
Speaker 1: was just trying to get on, trying to get this

1055
00:50:38,920 --> 00:50:40,680
Speaker 1: music here, trying to do the right thing.

1056
00:50:40,680 --> 00:50:42,399
Speaker 2: I'm on some black man shit. He was more.

1057
00:50:42,800 --> 00:50:46,560
Speaker 1: He was more deeper than than public enemy than public

1058
00:50:46,719 --> 00:50:50,640
Speaker 1: enemy on that black man ship. So then when you

1059
00:50:50,719 --> 00:50:53,719
Speaker 1: go and you linked with this crew here, then you

1060
00:50:53,800 --> 00:50:56,600
Speaker 1: kind of conform to that, and then now you got a.

1061
00:50:56,520 --> 00:50:59,400
Speaker 4: Whole crew and you had already had beef for death Row,

1062
00:50:59,480 --> 00:51:01,439
Speaker 4: so you knew what type of mind.

1063
00:51:01,719 --> 00:51:04,279
Speaker 1: Yeah, yeah it was, you know it was you know,

1064
00:51:04,520 --> 00:51:07,799
Speaker 1: it was like on some you know, we tough guy ship.

1065
00:51:07,880 --> 00:51:08,560
Speaker 2: So then now you.

1066
00:51:08,560 --> 00:51:12,840
Speaker 1: Got this young guy that's really you know, just searching

1067
00:51:12,960 --> 00:51:16,759
Speaker 1: for a family bringing in and before you know it,

1068
00:51:16,840 --> 00:51:21,200
Speaker 1: he conformed into you know, it's like, uh, become a

1069
00:51:21,200 --> 00:51:22,400
Speaker 1: product of your environment.

1070
00:51:22,640 --> 00:51:26,640
Speaker 2: So he became a product of that environment. God damn that.

1071
00:51:27,640 --> 00:51:34,319
Speaker 2: It makes a noise. Before we move on to that.

1072
00:51:34,560 --> 00:51:37,000
Speaker 2: You ever hung out with Pun as well? Big Pun?

1073
00:51:37,080 --> 00:51:37,279
Speaker 3: Yeah?

1074
00:51:39,560 --> 00:51:44,839
Speaker 2: Yeah, how was it hanging out with fun Pun? Of Joe?

1075
00:51:44,880 --> 00:51:48,319
Speaker 1: I remember, you know when I first met Joe, you know,

1076
00:51:48,360 --> 00:51:51,759
Speaker 1: I went to the went to the fucking club and uh.

1077
00:51:51,920 --> 00:51:56,000
Speaker 2: The Puerto Rican club story, let's get to it.

1078
00:51:57,040 --> 00:51:58,560
Speaker 1: So I go to club and hang out with Joe

1079
00:51:58,560 --> 00:52:00,879
Speaker 1: and Budd and Joe beat the ship out some mother

1080
00:52:01,200 --> 00:52:08,319
Speaker 1: the club. This motherfucker is some motherfucker, and I'm like,

1081
00:52:08,760 --> 00:52:09,879
Speaker 1: what the fuck is this?

1082
00:52:10,040 --> 00:52:12,359
Speaker 2: Right? But but after that, I.

1083
00:52:12,320 --> 00:52:15,000
Speaker 1: Mean we end up doing on together with a Pun

1084
00:52:15,120 --> 00:52:17,920
Speaker 1: and and Uh and some of the other guys in

1085
00:52:17,960 --> 00:52:18,279
Speaker 1: the group.

1086
00:52:18,760 --> 00:52:22,240
Speaker 4: Now, now Louke, you put on practically the whole Miami.

1087
00:52:22,440 --> 00:52:24,200
Speaker 2: If they from Miami and they are.

1088
00:52:24,120 --> 00:52:27,279
Speaker 4: Artists, they either got put on through you or they

1089
00:52:27,320 --> 00:52:29,440
Speaker 4: got put on through a protege a at you.

1090
00:52:29,480 --> 00:52:32,160
Speaker 2: Like, how does that like? Because what was it? Trick Daddy,

1091
00:52:32,280 --> 00:52:33,680
Speaker 2: trick scard, he's on scars.

1092
00:52:33,880 --> 00:52:36,960
Speaker 1: Yeah, I got trick, came out of jail and he

1093
00:52:37,080 --> 00:52:37,719
Speaker 1: was staying with me.

1094
00:52:37,800 --> 00:52:41,160
Speaker 2: And how did you discover out there in the streets

1095
00:52:41,600 --> 00:52:45,839
Speaker 2: running hard? Yeah? I discovered it. I have my own

1096
00:52:45,920 --> 00:52:49,040
Speaker 2: idea because I have a story. Because my story. We

1097
00:52:49,120 --> 00:52:51,279
Speaker 2: have something called drunk facts. Here.

1098
00:52:52,000 --> 00:52:54,600
Speaker 3: Drunk facts means that were off by either a year

1099
00:52:54,719 --> 00:52:58,360
Speaker 3: or a day or a name. This is not drunk facts.

1100
00:52:58,440 --> 00:53:00,600
Speaker 3: I have an artist named Garcia, and we did we

1101
00:53:00,680 --> 00:53:03,560
Speaker 3: did what was the what was the club? Remember that

1102
00:53:03,600 --> 00:53:07,319
Speaker 3: club on South Beach Zen? Remember Zen? I actually did

1103
00:53:07,360 --> 00:53:08,879
Speaker 3: the first hip hop party there. It took me three

1104
00:53:08,920 --> 00:53:11,520
Speaker 3: months to convince the Turkish dudes to do it. So

1105
00:53:11,760 --> 00:53:15,040
Speaker 3: they did a freestyle battle and my artist battle Pit

1106
00:53:15,960 --> 00:53:18,920
Speaker 3: and my artist one against Pitt. But I, in my mind,

1107
00:53:19,000 --> 00:53:21,360
Speaker 3: you was in the background and you was like, Pit's

1108
00:53:21,400 --> 00:53:23,960
Speaker 3: the one. Did you discover him there? Or am I

1109
00:53:24,120 --> 00:53:32,279
Speaker 3: completely did that? Drunk facts. No up. The good thing

1110
00:53:32,280 --> 00:53:33,000
Speaker 3: about drunk facts.

1111
00:53:33,000 --> 00:53:34,480
Speaker 4: You could be like, that's drunk facts, and it means

1112
00:53:34,480 --> 00:53:35,520
Speaker 4: that's right drunk fast.

1113
00:53:37,320 --> 00:53:40,759
Speaker 3: Remember remember when Pitt had the cord brazen, he was

1114
00:53:40,840 --> 00:53:43,520
Speaker 3: rapping like dragon Pipbull comes up.

1115
00:53:45,160 --> 00:53:49,040
Speaker 1: What I mean? I was chilling at the crib, you know,

1116
00:53:49,239 --> 00:53:52,120
Speaker 1: and I looked at the I looked at you.

1117
00:53:52,000 --> 00:53:55,560
Speaker 4: Know, because I know, hold on because when Miami people

1118
00:53:55,600 --> 00:53:59,400
Speaker 4: say crib, y'all mean two things. I noticed that you

1119
00:54:00,440 --> 00:54:03,600
Speaker 4: mean you also mean the city. Oh the city, also

1120
00:54:03,640 --> 00:54:05,680
Speaker 4: mean the city. So you're talking about the city the

1121
00:54:05,680 --> 00:54:09,319
Speaker 4: house because you know Miami, like you have the crib.

1122
00:54:09,360 --> 00:54:11,360
Speaker 4: I'm like, all right, cool, I was kidding your house.

1123
00:54:11,239 --> 00:54:12,319
Speaker 2: Like the city.

1124
00:54:12,560 --> 00:54:14,600
Speaker 3: They say they mean the city.

1125
00:54:14,680 --> 00:54:18,760
Speaker 2: Yeah, my crib at your I've been confusing for years.

1126
00:54:19,960 --> 00:54:21,000
Speaker 2: That's why I was confused.

1127
00:54:21,040 --> 00:54:25,959
Speaker 4: Just now, I was like, yeah, you cribhouse till that down.

1128
00:54:26,160 --> 00:54:30,480
Speaker 1: So I mean, you know again, I just did this

1129
00:54:30,600 --> 00:54:34,520
Speaker 1: song with you know, with Pun and all them you

1130
00:54:34,600 --> 00:54:37,759
Speaker 1: know and everything. So I'm like, okay, you know, you

1131
00:54:37,800 --> 00:54:41,360
Speaker 1: know New York got Puerto Rican rapper Fat Joe and

1132
00:54:41,480 --> 00:54:44,279
Speaker 1: Big Pun and all that, right, So I'm like, I'm

1133
00:54:44,280 --> 00:54:47,359
Speaker 1: from Miami. I won't be complete if I don't find

1134
00:54:47,360 --> 00:54:49,640
Speaker 1: a Cuban rapper, you know what I'm saying. So I

1135
00:54:49,719 --> 00:54:53,680
Speaker 1: didn say Okay. Then at the same time, I'm looking

1136
00:54:53,680 --> 00:54:57,080
Speaker 1: at the fucking census and the censor says, you know,

1137
00:54:57,239 --> 00:55:02,399
Speaker 1: Latinos all the predominant race, and a I'm like, ship,

1138
00:55:02,680 --> 00:55:06,759
Speaker 1: I gotta give me a you know what I'm saying, so,

1139
00:55:07,239 --> 00:55:10,000
Speaker 1: you know, me being the executive. But then I'm like

1140
00:55:10,120 --> 00:55:12,960
Speaker 1: still saying, I won't be complete if I don't find

1141
00:55:12,960 --> 00:55:16,840
Speaker 1: a Cuban artist somebody, because so many Cubans like my

1142
00:55:17,000 --> 00:55:20,920
Speaker 1: music and they you know, you feel me. So I'm like,

1143
00:55:21,160 --> 00:55:23,200
Speaker 1: I need to do that. That that will make Luke

1144
00:55:23,280 --> 00:55:28,200
Speaker 1: Records complete. Yeah. So, so I ended up going on

1145
00:55:28,280 --> 00:55:31,000
Speaker 1: this man's search looking for him and and uh.

1146
00:55:30,920 --> 00:55:35,080
Speaker 2: They brought me a Sauce battle tape.

1147
00:55:35,880 --> 00:55:38,040
Speaker 1: You know, they were like, they showed me a source

1148
00:55:38,120 --> 00:55:40,799
Speaker 1: battle tape of this guy on there rapping. I was like,

1149
00:55:40,960 --> 00:55:42,560
Speaker 1: it was like this one from I was like, I

1150
00:55:42,640 --> 00:55:44,720
Speaker 1: want the motherfucker that's not for Miami.

1151
00:55:45,040 --> 00:55:46,960
Speaker 2: I want you know, he's a Cuban.

1152
00:55:47,080 --> 00:55:47,279
Speaker 1: Yeah.

1153
00:55:47,680 --> 00:55:51,480
Speaker 2: From So then when I looked at I liked them. Now.

1154
00:55:51,480 --> 00:55:53,880
Speaker 2: I was like, okay, well, you know, go find him

1155
00:55:53,920 --> 00:55:55,839
Speaker 2: and brought him the Lollipop song.

1156
00:55:56,239 --> 00:55:59,120
Speaker 1: Yeah, they brought him to the UH, to the UH,

1157
00:56:00,040 --> 00:56:03,040
Speaker 1: the studio, to the office, and then you know, I'm

1158
00:56:03,080 --> 00:56:05,520
Speaker 1: on that vibe, Like I have a guy hang out

1159
00:56:05,560 --> 00:56:08,359
Speaker 1: with me for like a month before I really sign

1160
00:56:08,440 --> 00:56:11,120
Speaker 1: him up because I got to know that Number one,

1161
00:56:11,640 --> 00:56:15,839
Speaker 1: you original, We ain't doing no studios. Get down with that.

1162
00:56:16,600 --> 00:56:19,480
Speaker 1: You original, You write your own ship, and you got

1163
00:56:19,480 --> 00:56:20,200
Speaker 1: good vibes.

1164
00:56:20,520 --> 00:56:22,360
Speaker 2: You know what I'm saying. You understand the game. So

1165
00:56:22,560 --> 00:56:23,719
Speaker 2: it was a real woman.

1166
00:56:23,920 --> 00:56:26,680
Speaker 1: Yeah, and we got shot out.

1167
00:56:26,600 --> 00:56:30,319
Speaker 2: Big Teacher as well. That's fan Big Teachers Big. Now.

1168
00:56:30,440 --> 00:56:34,839
Speaker 4: Krick Daddy is like one of the most phenomenal UH

1169
00:56:36,040 --> 00:56:41,240
Speaker 4: personalities hip hop. Yea, like his no filter. It seems

1170
00:56:41,280 --> 00:56:43,680
Speaker 4: like like he could just get on. He literally spit

1171
00:56:43,719 --> 00:56:44,600
Speaker 4: on his computer.

1172
00:56:44,320 --> 00:56:46,000
Speaker 2: The other day. I don't know if you guys see that.

1173
00:56:46,000 --> 00:56:49,480
Speaker 2: It's crazy and he's authentic. But he's authentic.

1174
00:56:49,480 --> 00:56:53,080
Speaker 4: And his did you notice that with Trick because you

1175
00:56:53,080 --> 00:56:55,960
Speaker 4: know he makes great music, We already know that, but

1176
00:56:56,160 --> 00:57:00,239
Speaker 4: he's like, but personality sometimes with transcends the person I.

1177
00:57:00,239 --> 00:57:02,279
Speaker 2: Mean that that that's he.

1178
00:57:02,320 --> 00:57:07,760
Speaker 1: As a record executive producer, I always look for authentic

1179
00:57:07,840 --> 00:57:10,359
Speaker 1: Shiit like if you listen to Age Town, the guy

1180
00:57:10,440 --> 00:57:13,959
Speaker 1: has an authentic voice. You know what I'm saying that

1181
00:57:14,280 --> 00:57:18,440
Speaker 1: if you hear Trick talking outside in the bushes and

1182
00:57:18,480 --> 00:57:20,600
Speaker 1: not knowing who out there, you'll know that's him. You know,

1183
00:57:20,760 --> 00:57:24,000
Speaker 1: all my artists had all j C money, All of

1184
00:57:24,040 --> 00:57:26,600
Speaker 1: them had that. That was my thing. You know that

1185
00:57:26,720 --> 00:57:28,720
Speaker 1: I would do what I would be looking for in

1186
00:57:28,760 --> 00:57:32,000
Speaker 1: an artist. But trick story was similar to the story

1187
00:57:32,040 --> 00:57:34,080
Speaker 1: that you thought was would Pitt.

1188
00:57:34,160 --> 00:57:34,840
Speaker 2: Trick was in.

1189
00:57:35,360 --> 00:57:39,720
Speaker 1: I had a a battle contest, like a seven week

1190
00:57:39,800 --> 00:57:43,000
Speaker 1: battle whoever last the longest and when I'm gonna sign

1191
00:57:43,040 --> 00:57:44,240
Speaker 1: them up to Loot Records.

1192
00:57:44,360 --> 00:57:46,920
Speaker 2: And so that's Trick ended up winning the contest.

1193
00:57:47,520 --> 00:57:50,800
Speaker 1: You know, he battled, battled one guy, you know, this

1194
00:57:50,960 --> 00:57:53,840
Speaker 1: kid named Red, beat him, put him on the record

1195
00:57:53,960 --> 00:57:57,040
Speaker 1: before you know it in the story. But I mean

1196
00:57:57,040 --> 00:58:00,440
Speaker 1: his whole thing was you know again you got vibe

1197
00:58:00,440 --> 00:58:02,960
Speaker 1: with me. I'm we're riding. Take you on the road,

1198
00:58:03,160 --> 00:58:05,440
Speaker 1: which is the same thing I did to Pick Definitely,

1199
00:58:05,440 --> 00:58:06,880
Speaker 1: you know, I take him on the road with me

1200
00:58:06,920 --> 00:58:09,520
Speaker 1: and and put the ass out on stage and you know,

1201
00:58:09,600 --> 00:58:12,480
Speaker 1: throw them in the fire. You know, hates wonderful. You

1202
00:58:12,520 --> 00:58:14,920
Speaker 1: know you ain't going studio. Let's I hate your ass.

1203
00:58:15,280 --> 00:58:16,880
Speaker 1: You know, that's why they call it. You know you're

1204
00:58:16,920 --> 00:58:18,760
Speaker 1: here pit talk, my old y'all. I went to the

1205
00:58:18,800 --> 00:58:24,680
Speaker 1: Loop School of hard Knocks. Yeah yeah, So I mean

1206
00:58:24,840 --> 00:58:25,760
Speaker 1: I gotta trip to.

1207
00:58:25,800 --> 00:58:30,200
Speaker 2: Chase like you were like when you're in college, like

1208
00:58:30,640 --> 00:58:32,480
Speaker 2: you pay your dues. Basically, you gotta do put the

1209
00:58:32,560 --> 00:58:34,840
Speaker 2: water in the socks and ship. You gotta go some ship.

1210
00:58:35,280 --> 00:58:36,280
Speaker 2: You gotta go through some ship.

1211
00:58:36,360 --> 00:58:36,919
Speaker 1: You know you got.

1212
00:58:37,880 --> 00:58:38,760
Speaker 2: I'll be on the radio.

1213
00:58:38,760 --> 00:58:41,000
Speaker 1: I do a radio interview and be like, yo, bring

1214
00:58:41,000 --> 00:58:42,960
Speaker 1: to the city, bring the best rapper in town.

1215
00:58:43,560 --> 00:58:44,720
Speaker 2: If you if you our.

1216
00:58:44,680 --> 00:58:47,160
Speaker 1: Battle of this month, I'm kicking his hands on the bus. Wow,

1217
00:58:47,480 --> 00:58:48,400
Speaker 1: it's not serious.

1218
00:58:48,560 --> 00:58:49,640
Speaker 2: It's not just artists.

1219
00:58:50,000 --> 00:58:54,000
Speaker 3: Keep in mind, like he helped Calid too, because Calor

1220
00:58:54,080 --> 00:58:55,080
Speaker 3: was on Mixed ninety six.

1221
00:58:55,120 --> 00:58:56,880
Speaker 2: But you know, like he said before.

1222
00:58:56,600 --> 00:58:58,680
Speaker 3: We underground radio stage, Yeah, Mix six, I was on

1223
00:58:58,760 --> 00:59:00,760
Speaker 3: ninety four point seven. We were right under Mix ninety

1224
00:59:00,760 --> 00:59:03,440
Speaker 3: six at one point in the same building. But we

1225
00:59:03,480 --> 00:59:06,560
Speaker 3: didn't have like a straight up hip hop show in Miami.

1226
00:59:07,160 --> 00:59:09,800
Speaker 3: And he had his show on nine nine Jams, and

1227
00:59:09,840 --> 00:59:12,800
Speaker 3: you brought Calid. If I'm wrong telling me, you start

1228
00:59:12,880 --> 00:59:14,480
Speaker 3: doing started.

1229
00:59:14,680 --> 00:59:22,280
Speaker 2: From so basically I'm just like, why why isn't I'm

1230
00:59:22,320 --> 00:59:25,240
Speaker 2: here Luca see me though, But.

1231
00:59:26,880 --> 00:59:29,120
Speaker 3: You got to give him also credit for caleg as will.

1232
00:59:29,200 --> 00:59:30,200
Speaker 3: He definitely helped.

1233
00:59:29,960 --> 00:59:32,800
Speaker 4: Caulet, Like is there an artist that ever got to

1234
00:59:32,840 --> 00:59:35,959
Speaker 4: a certain place and like he was disappointed in though

1235
00:59:36,880 --> 00:59:39,720
Speaker 4: the way just in the in the and there, like man,

1236
00:59:39,760 --> 00:59:41,600
Speaker 4: I thought he would have kept it real. I thought

1237
00:59:41,640 --> 00:59:44,080
Speaker 4: he would have kept in contact with me. I thought

1238
00:59:44,080 --> 00:59:46,480
Speaker 4: he was you know, like any type of disappointment.

1239
00:59:46,600 --> 00:59:47,959
Speaker 2: Like well, you know when.

1240
00:59:47,880 --> 00:59:50,520
Speaker 1: I when I listened to cal It talk, he'd never

1241
00:59:50,640 --> 00:59:53,040
Speaker 1: made mention of the show what you're talking about.

1242
00:59:53,120 --> 00:59:54,920
Speaker 2: He never made I mean, we know it in Miami,

1243
00:59:55,160 --> 00:59:56,280
Speaker 2: don't know it in Miami.

1244
00:59:56,360 --> 00:59:59,000
Speaker 1: But if you ever if you ever listened to any

1245
00:59:59,040 --> 01:00:02,800
Speaker 1: interview that he's but did he never make mention of

1246
01:00:02,920 --> 01:00:03,880
Speaker 1: any of that?

1247
01:00:03,880 --> 01:00:07,880
Speaker 2: That should exactly exactly.

1248
01:00:07,920 --> 01:00:10,440
Speaker 1: I mean, you know him being on the underground and

1249
01:00:10,560 --> 01:00:12,720
Speaker 1: you know what I mean here and this again it's

1250
01:00:12,720 --> 01:00:15,560
Speaker 1: a it's a discovery thing. I mean, this guy is true,

1251
01:00:15,640 --> 01:00:18,800
Speaker 1: by the way, this this this this energetic guy.

1252
01:00:18,680 --> 01:00:21,360
Speaker 4: On the radio because he was originally from Orlando, or

1253
01:00:21,400 --> 01:00:22,880
Speaker 4: wasn't he from Orleans?

1254
01:00:23,880 --> 01:00:24,040
Speaker 3: Yeah?

1255
01:00:24,080 --> 01:00:25,640
Speaker 2: It was it was all over the place trying to

1256
01:00:25,640 --> 01:00:27,760
Speaker 2: find it. And you heard him on the underground radio station.

1257
01:00:29,760 --> 01:00:32,480
Speaker 1: I heard him on there, and then you know, you know,

1258
01:00:32,520 --> 01:00:34,520
Speaker 1: I wanted to see you know, this this kid on

1259
01:00:34,560 --> 01:00:35,000
Speaker 1: the radio.

1260
01:00:35,120 --> 01:00:36,840
Speaker 2: You know, I wanted to see what he looked like.

1261
01:00:37,200 --> 01:00:38,600
Speaker 2: And I vibing again.

1262
01:00:39,120 --> 01:00:41,200
Speaker 1: So I would go to a mad house, you know,

1263
01:00:41,240 --> 01:00:43,400
Speaker 1: they had the Mad House party and I was, you know,

1264
01:00:43,560 --> 01:00:46,480
Speaker 1: just chilling there with Joey and check him out.

1265
01:00:46,520 --> 01:00:47,560
Speaker 2: And then before you know.

1266
01:00:47,520 --> 01:00:50,880
Speaker 1: It, when I did the show. Because Miami never had

1267
01:00:50,880 --> 01:00:57,520
Speaker 1: a mixed shore. Yeah, so when uh, you know, Cuentral

1268
01:00:57,560 --> 01:01:00,000
Speaker 1: Hollywood came down for Orlando to take over the radio

1269
01:01:00,040 --> 01:01:02,440
Speaker 1: your station, I was like, we need to do a

1270
01:01:02,440 --> 01:01:04,400
Speaker 1: mix show, and he was like, well you do it.

1271
01:01:04,480 --> 01:01:06,680
Speaker 2: What years is by the way, just so we can ship.

1272
01:01:06,720 --> 01:01:08,400
Speaker 2: I forgot like ninety seven problems.

1273
01:01:09,640 --> 01:01:12,840
Speaker 1: So yeah, so I wanted to have a combination of everything.

1274
01:01:12,960 --> 01:01:14,680
Speaker 2: This kid spinning you.

1275
01:01:14,640 --> 01:01:19,440
Speaker 1: Know, hip hop, then Uncle Alice spinning Miami, Papa Keith

1276
01:01:19,960 --> 01:01:22,120
Speaker 1: and soul syding kids spinning you.

1277
01:01:22,080 --> 01:01:23,080
Speaker 2: Know, reggae.

1278
01:01:23,440 --> 01:01:26,360
Speaker 1: And then I would have DJ Iry come in and

1279
01:01:26,360 --> 01:01:27,880
Speaker 1: spend pop every now and then.

1280
01:01:28,280 --> 01:01:34,320
Speaker 2: So all these all these guys, damn, let's take some

1281
01:01:39,920 --> 01:01:42,640
Speaker 2: want to finish. Yeah, it's just crazy. Blew my mind.

1282
01:01:43,160 --> 01:01:46,160
Speaker 1: Yeah, so you know, this is my way of putting

1283
01:01:46,160 --> 01:01:46,520
Speaker 1: them on.

1284
01:01:47,160 --> 01:01:47,360
Speaker 2: You know.

1285
01:01:47,480 --> 01:01:49,920
Speaker 1: So I did the Luke Show on the radio every Friday.

1286
01:01:50,200 --> 01:01:52,040
Speaker 1: It would come on ninety nine Jams and it was

1287
01:01:52,200 --> 01:01:55,360
Speaker 1: a big show. Yeah, motherfuckers used to line up around

1288
01:01:55,360 --> 01:01:58,120
Speaker 1: the corner you know, the station, you know, because I

1289
01:01:58,160 --> 01:02:00,880
Speaker 1: you know, I played on people mind, which you know,

1290
01:02:01,200 --> 01:02:03,400
Speaker 1: which was not hard to do because they already know

1291
01:02:03,400 --> 01:02:05,480
Speaker 1: I could bitch his naked if I said, oh yeah,

1292
01:02:05,480 --> 01:02:09,360
Speaker 1: we live in the studio, every right naked and fucking

1293
01:02:09,920 --> 01:02:12,320
Speaker 1: it was right now getting this out, you know, and

1294
01:02:12,360 --> 01:02:15,920
Speaker 1: so everybody would beleeve that, you know. So you know,

1295
01:02:16,000 --> 01:02:19,760
Speaker 1: all those guys were personalities, and and they were different personalities.

1296
01:02:19,800 --> 01:02:22,520
Speaker 1: So I would, you know, the guys at nine and Jams,

1297
01:02:22,520 --> 01:02:24,960
Speaker 1: they wanted me to fire call it. So many times

1298
01:02:24,960 --> 01:02:28,120
Speaker 1: it was like he's too loud, he's to this, he's

1299
01:02:28,160 --> 01:02:30,640
Speaker 1: too that, you know, and and I would I would

1300
01:02:30,640 --> 01:02:33,320
Speaker 1: actually they would be like fire him, and then I say,

1301
01:02:33,360 --> 01:02:34,440
Speaker 1: fuck it, I ain't doing the show this.

1302
01:02:35,200 --> 01:02:37,360
Speaker 2: So it'd be like, okay, well we want.

1303
01:02:37,160 --> 01:02:39,840
Speaker 1: You, so we got to keep it, you know, And

1304
01:02:39,840 --> 01:02:41,840
Speaker 1: and then I would amp him up, you know, like

1305
01:02:42,040 --> 01:02:44,439
Speaker 1: he would be this, Oh I'm the baddest DJ.

1306
01:02:44,520 --> 01:02:44,960
Speaker 2: In the world.

1307
01:02:45,000 --> 01:02:48,240
Speaker 1: So I would be like, yo, you're the best DJ. Yeah,

1308
01:02:48,280 --> 01:02:50,400
Speaker 1: I'm the bast DJ in mine. Oh so everybody else

1309
01:02:51,120 --> 01:02:54,000
Speaker 1: is bullshit? Oh yeah, yeah yeah, And so you know

1310
01:02:54,080 --> 01:02:55,520
Speaker 1: he would I would.

1311
01:02:55,400 --> 01:02:56,680
Speaker 2: Push him into ship.

1312
01:02:56,520 --> 01:03:01,520
Speaker 1: That I well, I really when when I really met him.

1313
01:03:01,840 --> 01:03:04,720
Speaker 1: When the first time I met him, you know, it's

1314
01:03:04,760 --> 01:03:06,960
Speaker 1: on one of my peep shows. It was he was

1315
01:03:07,080 --> 01:03:10,520
Speaker 1: with Fat Joe. He came to a party. We had

1316
01:03:10,560 --> 01:03:13,600
Speaker 1: the super Bowl party and this young dude, you know,

1317
01:03:14,080 --> 01:03:17,080
Speaker 1: Arab guy, he's selling fucking hot phones.

1318
01:03:17,600 --> 01:03:19,400
Speaker 2: You know, that was my first kind of with him.

1319
01:03:19,440 --> 01:03:20,400
Speaker 1: He got the hot phone.

1320
01:03:20,800 --> 01:03:21,280
Speaker 2: You know what I'm like.

1321
01:03:22,280 --> 01:03:24,520
Speaker 3: And I think his mom at the time was Palistinian

1322
01:03:24,640 --> 01:03:25,880
Speaker 3: terrorists dropping bombs.

1323
01:03:26,200 --> 01:03:29,080
Speaker 4: That's big up to Uncle Luke for talking about MC

1324
01:03:29,160 --> 01:03:30,400
Speaker 4: colleague had bootleg phones.

1325
01:03:35,040 --> 01:03:37,480
Speaker 2: This is a college. You got booths, Del's and all

1326
01:03:37,520 --> 01:03:39,400
Speaker 2: that ship now and you'll will wait for you a

1327
01:03:39,440 --> 01:03:39,800
Speaker 2: bit more.

1328
01:03:39,960 --> 01:03:40,360
Speaker 1: Chaps.

1329
01:03:40,920 --> 01:03:43,600
Speaker 5: Listen, motherfucker. We know you when you have bootleg phones.

1330
01:03:44,360 --> 01:03:48,440
Speaker 5: Come ongg. I know you do, he show, but you know,

1331
01:03:48,480 --> 01:03:51,560
Speaker 5: at the end of the day, you're proud of him.

1332
01:03:51,600 --> 01:03:52,120
Speaker 5: I'm proud of.

1333
01:03:53,720 --> 01:03:55,840
Speaker 4: Because you know a lot of listeners can't see. But

1334
01:03:55,840 --> 01:03:59,760
Speaker 4: I looked at your face. There's no hate, no disappointment.

1335
01:03:59,760 --> 01:04:02,160
Speaker 4: Don't hate. No, he's like, you know what I'm saying,

1336
01:04:02,160 --> 01:04:04,200
Speaker 4: Like I could be I could be disappointed.

1337
01:04:04,200 --> 01:04:08,280
Speaker 2: Doesn't mean I hate right now, I know.

1338
01:04:08,360 --> 01:04:10,240
Speaker 1: I love what he's doing. I love the fact that

1339
01:04:10,600 --> 01:04:14,360
Speaker 1: you know that he's I knew he was gonna be Yeah, yeah,

1340
01:04:14,880 --> 01:04:16,880
Speaker 1: is crazy. You can put him in the room and

1341
01:04:16,920 --> 01:04:21,120
Speaker 1: he'll make He'll make fucking anything out of something, you know,

1342
01:04:21,240 --> 01:04:23,840
Speaker 1: because he's just that creative, you know what I'm saying.

1343
01:04:23,880 --> 01:04:27,080
Speaker 1: So I like what he's doing. Happy you know to

1344
01:04:27,120 --> 01:04:30,600
Speaker 1: see that. Okay, this young kid who is selling bootleg

1345
01:04:30,680 --> 01:04:32,400
Speaker 1: phones is on the damn TV.

1346
01:04:32,520 --> 01:04:33,520
Speaker 2: So I said, down, beout.

1347
01:04:34,040 --> 01:04:36,720
Speaker 1: You know you're doing You're doing commercials and ship right now.

1348
01:04:37,080 --> 01:04:37,280
Speaker 1: You know.

1349
01:04:37,600 --> 01:04:39,240
Speaker 2: But it's a good thing.

1350
01:04:39,320 --> 01:04:44,000
Speaker 1: But you know, the story should be told and I'm.

1351
01:04:43,840 --> 01:04:45,960
Speaker 2: Just that makes you great.

1352
01:04:46,400 --> 01:04:49,560
Speaker 1: You you have to you have to let young people

1353
01:04:49,680 --> 01:04:53,160
Speaker 1: know that I ain't just start up here. I came

1354
01:04:53,200 --> 01:04:56,320
Speaker 1: from here. This is the road, this is the path

1355
01:04:56,360 --> 01:04:58,600
Speaker 1: that I took, so you can actually do the same

1356
01:04:58,640 --> 01:05:02,160
Speaker 1: thing exactly. You You give people, you know, you get people,

1357
01:05:02,480 --> 01:05:04,760
Speaker 1: you know, hope in their mind that they could do

1358
01:05:04,840 --> 01:05:06,200
Speaker 1: things like Chris.

1359
01:05:06,080 --> 01:05:07,760
Speaker 2: Shiddy Chris, like he used to always tell me.

1360
01:05:08,040 --> 01:05:10,160
Speaker 4: He used to be like I would complain about something

1361
01:05:10,200 --> 01:05:12,200
Speaker 4: like he was like, I got this flight, you'll go

1362
01:05:12,240 --> 01:05:14,120
Speaker 4: pick up fucking fifteen eighteen.

1363
01:05:13,840 --> 01:05:15,920
Speaker 2: Thousand, Like, yo, they ain't have first class.

1364
01:05:15,920 --> 01:05:18,120
Speaker 4: He's to be like I used to hold kick a

1365
01:05:18,200 --> 01:05:21,960
Speaker 4: prieze Crates, I mean our kid in plays Crates. Go

1366
01:05:22,000 --> 01:05:24,600
Speaker 4: in there and get your bucket and like it's like

1367
01:05:25,040 --> 01:05:27,919
Speaker 4: remembering your beginning. It makes you better, makes you better,

1368
01:05:27,920 --> 01:05:28,640
Speaker 4: it makes you better.

1369
01:05:28,720 --> 01:05:29,680
Speaker 2: So I want it.

1370
01:05:29,720 --> 01:05:31,840
Speaker 4: But that's the only like person that you ever like

1371
01:05:31,880 --> 01:05:34,440
Speaker 4: felt this disappointed at like a little bit. That's like,

1372
01:05:34,480 --> 01:05:36,600
Speaker 4: that's just a little bit. I mean I can see

1373
01:05:36,600 --> 01:05:38,320
Speaker 4: look at your face, you ain't hating at all. I

1374
01:05:38,320 --> 01:05:43,240
Speaker 4: can tell you that he was one most of the artists.

1375
01:05:43,320 --> 01:05:44,000
Speaker 2: You know what I'm saying.

1376
01:05:44,520 --> 01:05:48,120
Speaker 1: Cool, you know I was a little disappointed with two

1377
01:05:48,160 --> 01:05:48,680
Speaker 1: Live crew.

1378
01:05:48,840 --> 01:05:51,200
Speaker 2: A little disappointed with a.

1379
01:05:51,160 --> 01:05:54,320
Speaker 4: Reunion will be when you're in twenty fourteen and Club

1380
01:05:54,400 --> 01:05:55,080
Speaker 4: Live correct.

1381
01:05:55,400 --> 01:05:57,960
Speaker 2: Yeah, yeah, I thought you I was back to from there.

1382
01:05:58,120 --> 01:06:00,520
Speaker 2: They I mean, those guys are really I.

1383
01:06:00,440 --> 01:06:02,040
Speaker 3: Talked to Bob all the times, like, yo, bb, we

1384
01:06:02,040 --> 01:06:02,920
Speaker 3: need to have them all together.

1385
01:06:03,160 --> 01:06:04,840
Speaker 2: Yeah, and I don't know what the fuck is doing.

1386
01:06:05,240 --> 01:06:09,000
Speaker 2: I love BB. I raised BB, but I think BB

1387
01:06:09,240 --> 01:06:15,280
Speaker 2: is taking you know, I don't know, I don't know.

1388
01:06:15,320 --> 01:06:19,720
Speaker 2: I was trying to you know, my man too.

1389
01:06:20,000 --> 01:06:24,960
Speaker 1: Yeah, I love BB to death. That's his son. But exactly,

1390
01:06:25,040 --> 01:06:28,120
Speaker 1: but BB taking that money from over there, that's like

1391
01:06:28,200 --> 01:06:29,640
Speaker 1: taking money from Hilo.

1392
01:06:30,040 --> 01:06:33,640
Speaker 2: Whoa in my opinion, from overwhere, from well, the.

1393
01:06:33,760 --> 01:06:34,560
Speaker 1: Little Joe guy.

1394
01:06:34,760 --> 01:06:37,000
Speaker 2: Oh you know what I'm saying. You don't You don't

1395
01:06:37,000 --> 01:06:39,480
Speaker 2: know about Little Joe. Yeah, you don't know that. That's

1396
01:06:39,560 --> 01:06:40,680
Speaker 2: that's that's going back.

1397
01:06:41,000 --> 01:06:43,760
Speaker 1: Yeah, BB, you know, you know being here, you know,

1398
01:06:43,800 --> 01:06:45,160
Speaker 1: I'm like, if.

1399
01:06:45,000 --> 01:06:49,200
Speaker 2: You're that desperate, you can So Little Joe's still involved, Yeah, yeah, yeah,

1400
01:06:49,360 --> 01:06:50,720
Speaker 2: those guys signed up them.

1401
01:06:51,080 --> 01:06:56,040
Speaker 1: Oh ship, all those guys, all those guys had have

1402
01:06:57,040 --> 01:06:59,960
Speaker 1: tried to go bankruptcy, and then he went and bought

1403
01:07:00,120 --> 01:07:03,200
Speaker 1: them in bankruptcy. He owns all of them. So they

1404
01:07:03,200 --> 01:07:06,360
Speaker 1: can't do a reunion without going through him, asking him,

1405
01:07:06,680 --> 01:07:10,400
Speaker 1: and so for BB to be working for them, it's straight.

1406
01:07:10,080 --> 01:07:12,600
Speaker 3: Bull because he don't understand and the listeners ain't understand

1407
01:07:12,640 --> 01:07:16,240
Speaker 3: Little Joe was they the distributors originally of no directly,

1408
01:07:16,360 --> 01:07:17,600
Speaker 3: not at all, So how do.

1409
01:07:17,600 --> 01:07:20,920
Speaker 2: They how do they own anything? Well, in my opinion,

1410
01:07:20,960 --> 01:07:24,840
Speaker 2: he stole the catalog. That's he out right by it.

1411
01:07:24,960 --> 01:07:28,560
Speaker 1: No, no, no, no, wow. But for BB to be

1412
01:07:28,600 --> 01:07:31,560
Speaker 1: working for them, you know, that's not cool at all.

1413
01:07:32,280 --> 01:07:34,760
Speaker 4: I had no idea. So it's no beef with them,

1414
01:07:34,840 --> 01:07:35,720
Speaker 4: It's just beef with the.

1415
01:07:35,680 --> 01:07:36,880
Speaker 2: Guy that that well.

1416
01:07:37,000 --> 01:07:39,600
Speaker 1: Yeah, I mean, when you let some guy could control you,

1417
01:07:39,800 --> 01:07:41,400
Speaker 1: I mean, it don't matter with me. I mean I'm

1418
01:07:41,440 --> 01:07:45,600
Speaker 1: twenty years not doing shows with them. I mean they

1419
01:07:45,800 --> 01:07:47,280
Speaker 1: you know, if you a nigga had let him mouth

1420
01:07:47,520 --> 01:07:50,200
Speaker 1: control you, you used to put the ass nigga as

1421
01:07:50,240 --> 01:07:50,800
Speaker 1: simple as that.

1422
01:07:51,680 --> 01:07:53,720
Speaker 2: You know, I let some dude who don't matter.

1423
01:07:53,680 --> 01:07:55,760
Speaker 1: Control the old dude over there.

1424
01:07:57,480 --> 01:07:57,640
Speaker 2: Late.

1425
01:07:57,680 --> 01:08:02,480
Speaker 1: But come, no, no, it's a little this big here.

1426
01:08:02,960 --> 01:08:03,560
Speaker 2: You know what I'm saying.

1427
01:08:03,560 --> 01:08:05,560
Speaker 1: So if you got dudes that control you like that

1428
01:08:05,840 --> 01:08:08,000
Speaker 1: to the point where they tell you you can't, you know,

1429
01:08:08,160 --> 01:08:10,120
Speaker 1: go and do something for your fans and all that.

1430
01:08:10,120 --> 01:08:11,600
Speaker 2: That's the whole other movie. Wow.

1431
01:08:13,120 --> 01:08:16,479
Speaker 4: It took a weird disappointed right now, man, because when

1432
01:08:16,479 --> 01:08:19,400
Speaker 4: I was when I when when you know people were

1433
01:08:19,400 --> 01:08:22,320
Speaker 4: requiring because at first, you know, they started saying two

1434
01:08:22,360 --> 01:08:24,760
Speaker 4: live crew, and then I guess people, you know, we

1435
01:08:24,880 --> 01:08:27,559
Speaker 4: only been doing this five months right six we're going

1436
01:08:27,560 --> 01:08:29,280
Speaker 4: to going to just six months we got the number

1437
01:08:29,320 --> 01:08:35,080
Speaker 4: one podcast that makes a noise for us. I started

1438
01:08:35,080 --> 01:08:38,080
Speaker 4: to notice like that when the fans knew, the fans

1439
01:08:38,160 --> 01:08:40,479
Speaker 4: is like, no, just go with Uncle, just get Uncle,

1440
01:08:41,200 --> 01:08:42,200
Speaker 4: because it's not gonna happen.

1441
01:08:42,280 --> 01:08:45,000
Speaker 2: The reunion is not gonna happen. I had no we tried.

1442
01:08:45,040 --> 01:08:48,439
Speaker 2: We actually had aspirations of getting all y'all together. Oh yeah,

1443
01:08:48,520 --> 01:08:52,240
Speaker 2: and then yeah, that didn't happen. We're never gone. That's all.

1444
01:08:52,439 --> 01:08:52,720
Speaker 2: I mean.

1445
01:08:52,720 --> 01:08:54,839
Speaker 1: That's a whole movie in itself.

1446
01:08:55,880 --> 01:08:57,880
Speaker 2: I mean, you know, the dudes are good dudes.

1447
01:08:57,920 --> 01:09:01,519
Speaker 1: But again, when when you're own by this guy, when

1448
01:09:01,520 --> 01:09:04,160
Speaker 1: this guy paying all your bulls and shit and he

1449
01:09:04,479 --> 01:09:08,160
Speaker 1: got your handcuffed and you're almost like a slave in

1450
01:09:08,200 --> 01:09:11,920
Speaker 1: my opinion, you know, they pretty much got to do it, dude,

1451
01:09:11,960 --> 01:09:12,320
Speaker 1: they do.

1452
01:09:13,880 --> 01:09:14,519
Speaker 2: That's crazy.

1453
01:09:14,600 --> 01:09:22,200
Speaker 4: Now, this is a problem that I've had in the past,

1454
01:09:22,200 --> 01:09:24,720
Speaker 4: and what I mean by that is I don't kind

1455
01:09:24,760 --> 01:09:27,000
Speaker 4: of like the respect of these young artists. I've been

1456
01:09:27,040 --> 01:09:30,439
Speaker 4: out since nineteen thirty seven and there's been a couple

1457
01:09:30,479 --> 01:09:33,320
Speaker 4: of artists and just sample my records and they'll clear

1458
01:09:33,360 --> 01:09:35,600
Speaker 4: it through the proper things, or they won't clear it

1459
01:09:35,640 --> 01:09:40,200
Speaker 4: through the call you Harry, you know here, are know

1460
01:09:40,200 --> 01:09:42,280
Speaker 4: what I'm going thro because now I'm considered.

1461
01:09:42,000 --> 01:09:44,639
Speaker 2: Like an og liked now.

1462
01:09:45,080 --> 01:09:48,559
Speaker 4: And the thing about it is if I touched, you know,

1463
01:09:49,640 --> 01:09:52,519
Speaker 4: a Curtis Blow record, or I touched like we come

1464
01:09:52,560 --> 01:09:54,519
Speaker 4: from the arrow, I'll call you a listen. I'm doing

1465
01:09:54,520 --> 01:09:57,040
Speaker 4: this over. I'm sampling it because we all have the

1466
01:09:57,080 --> 01:10:00,519
Speaker 4: same nature. Right nowadays, motherfuckers are just taking her record,

1467
01:10:01,479 --> 01:10:04,479
Speaker 4: loop it, put it on iTunes, and by the time,

1468
01:10:04,800 --> 01:10:07,400
Speaker 4: even if you have a problem with it, it's like

1469
01:10:07,520 --> 01:10:10,880
Speaker 4: so big it makes you. It makes you look like, oh,

1470
01:10:11,240 --> 01:10:13,360
Speaker 4: you're mad because the record is a sussessed No, I'm

1471
01:10:13,360 --> 01:10:16,000
Speaker 4: mad because the proper respect wasn't handled to me right,

1472
01:10:16,439 --> 01:10:17,840
Speaker 4: you know what I'm saying, Like, I don't care.

1473
01:10:18,160 --> 01:10:20,439
Speaker 2: I don't even care about the finances. I just care

1474
01:10:20,479 --> 01:10:22,840
Speaker 2: about like if I made a record, like I got

1475
01:10:22,840 --> 01:10:26,719
Speaker 2: a record call. Sometimes it's about my father record.

1476
01:10:27,000 --> 01:10:29,360
Speaker 4: He died, so it's about putting it and my father

1477
01:10:30,000 --> 01:10:32,599
Speaker 4: and I literally made that record crying.

1478
01:10:32,720 --> 01:10:34,320
Speaker 2: And some of these artists take this record and.

1479
01:10:34,320 --> 01:10:38,280
Speaker 4: Be like sometimes I want and they changed the whole concept.

1480
01:10:38,880 --> 01:10:42,920
Speaker 2: Sometimes I want to suck the bitch. Are you mad

1481
01:10:42,960 --> 01:10:43,759
Speaker 2: at every artist?

1482
01:10:43,920 --> 01:10:47,679
Speaker 4: Or you'm mad young kid in his room redoing it. Yeah,

1483
01:10:47,720 --> 01:10:52,240
Speaker 4: I'm mad at him too without calling me, because I

1484
01:10:52,320 --> 01:10:53,360
Speaker 4: don't call you.

1485
01:10:53,360 --> 01:10:54,360
Speaker 2: Know, I'm saying.

1486
01:10:55,880 --> 01:10:59,720
Speaker 4: It's a certain way because certain records, certain records mean

1487
01:10:59,800 --> 01:11:01,640
Speaker 4: too much to me to let you fuck with it.

1488
01:11:01,880 --> 01:11:03,960
Speaker 2: Like if I don't know you, like, I might not

1489
01:11:04,080 --> 01:11:06,040
Speaker 2: let you. You could be you could be a dude

1490
01:11:06,120 --> 01:11:07,920
Speaker 2: I met before, So you won't take it. It's paying

1491
01:11:07,920 --> 01:11:10,839
Speaker 2: homage to you. If it's not, it's not paying homage.

1492
01:11:10,880 --> 01:11:13,439
Speaker 4: Sometimes it's not like what Drake just did with a

1493
01:11:13,520 --> 01:11:14,200
Speaker 4: canelly ship.

1494
01:11:14,960 --> 01:11:17,280
Speaker 2: I believe that that was paying.

1495
01:11:17,520 --> 01:11:19,639
Speaker 3: But that's a different level. The kid in his room

1496
01:11:19,680 --> 01:11:21,840
Speaker 3: that's wrapping over your beat, but he needs to learn.

1497
01:11:21,880 --> 01:11:26,479
Speaker 2: Though. Don't get ahold of you though Twitter everybody. But

1498
01:11:26,560 --> 01:11:29,320
Speaker 2: the thing is this, The thing is this. People need

1499
01:11:29,360 --> 01:11:31,120
Speaker 2: to learn. People need to.

1500
01:11:31,080 --> 01:11:34,760
Speaker 4: Learn that there was a there was a world that

1501
01:11:34,880 --> 01:11:36,120
Speaker 4: existed before you.

1502
01:11:36,400 --> 01:11:38,559
Speaker 2: If we just allow a person to just come and

1503
01:11:38,640 --> 01:11:39,479
Speaker 2: just do some too.

1504
01:11:39,320 --> 01:11:42,160
Speaker 4: Loud crul ship and a nigga say like he said,

1505
01:11:42,200 --> 01:11:45,600
Speaker 4: he said me so harmed and they think they invented that.

1506
01:11:45,600 --> 01:11:48,080
Speaker 4: That shit is a problem with history. It's no future.

1507
01:11:48,320 --> 01:11:52,040
Speaker 4: I feel like people, I feel like I feel like like,

1508
01:11:52,080 --> 01:11:54,200
Speaker 4: we ain't trying to sue you artists, We ain't trying

1509
01:11:54,200 --> 01:11:55,400
Speaker 4: to but just come.

1510
01:11:55,240 --> 01:11:57,840
Speaker 2: Holler at me. Get the proper respect. So I ain't

1511
01:11:57,880 --> 01:12:00,160
Speaker 2: never got to say something courtesies what you know what

1512
01:12:00,160 --> 01:12:02,040
Speaker 2: I'm saying, I ain't never got to say something slick.

1513
01:12:02,120 --> 01:12:04,720
Speaker 2: But how do you feel about that? Because we went

1514
01:12:04,760 --> 01:12:05,920
Speaker 2: in and we were going down.

1515
01:12:06,160 --> 01:12:09,320
Speaker 1: I mean, I clearly understand what you mean.

1516
01:12:09,439 --> 01:12:11,559
Speaker 2: You know what I'm saying. You know when you know

1517
01:12:11,600 --> 01:12:11,920
Speaker 2: when the.

1518
01:12:11,880 --> 01:12:16,080
Speaker 4: Guys did pop that song, Okay, totally forgot.

1519
01:12:17,040 --> 01:12:20,439
Speaker 1: I mean, you know, motherfucker's hed pop that never called

1520
01:12:20,439 --> 01:12:22,720
Speaker 1: me up. You don't actually called me to.

1521
01:12:22,680 --> 01:12:23,320
Speaker 2: Do a video.

1522
01:12:23,840 --> 01:12:26,280
Speaker 1: But they never a video. They never let me hear

1523
01:12:26,320 --> 01:12:29,000
Speaker 1: the song. It was like, Yo, we're doing the video.

1524
01:12:29,160 --> 01:12:31,920
Speaker 1: We want you to come and be in the video.

1525
01:12:32,240 --> 01:12:34,240
Speaker 1: I was like, what's song you being?

1526
01:12:34,360 --> 01:12:34,920
Speaker 2: What's on you?

1527
01:12:36,479 --> 01:12:39,360
Speaker 1: They never let me hear the song. It was like,

1528
01:12:39,840 --> 01:12:41,639
Speaker 1: come be in the video. We you know a song.

1529
01:12:41,720 --> 01:12:42,320
Speaker 1: It's a big.

1530
01:12:42,160 --> 01:12:43,200
Speaker 2: Secret, you know.

1531
01:12:43,320 --> 01:12:47,320
Speaker 1: So I don't know whether it was a surprising thing. Okay,

1532
01:12:47,439 --> 01:12:50,559
Speaker 1: you know, I never got deep into the conversation. Yeah,

1533
01:12:50,600 --> 01:12:53,200
Speaker 1: but it's the same thing. Nobody never really called up

1534
01:12:53,280 --> 01:12:56,160
Speaker 1: and said, Yo, Luke, we're gonna do uh, you know,

1535
01:12:56,240 --> 01:12:58,559
Speaker 1: we're gonna take your voice and put your voice on

1536
01:12:58,600 --> 01:13:01,640
Speaker 1: this song and gonna put this ship out. So you know,

1537
01:13:01,800 --> 01:13:05,040
Speaker 1: so I said something about it, you know, down those lines,

1538
01:13:05,479 --> 01:13:07,960
Speaker 1: and then it became, you know, almost.

1539
01:13:07,560 --> 01:13:11,760
Speaker 4: Like you look like the old old hater when you're

1540
01:13:11,800 --> 01:13:14,479
Speaker 4: a young man. You're in the young man's game. Young

1541
01:13:14,560 --> 01:13:15,240
Speaker 4: man showed me.

1542
01:13:17,320 --> 01:13:17,719
Speaker 2: Exactly.

1543
01:13:17,760 --> 01:13:21,040
Speaker 1: But and and so I clearly understand what you what

1544
01:13:21,080 --> 01:13:24,000
Speaker 1: you what you mean by that? I mean, but a

1545
01:13:24,000 --> 01:13:28,240
Speaker 1: lot of these guys just don't know their history, and

1546
01:13:28,280 --> 01:13:30,559
Speaker 1: they you know, if they sit back for one second

1547
01:13:30,680 --> 01:13:34,320
Speaker 1: and say, okay, if I'm making here records, then if

1548
01:13:34,360 --> 01:13:36,080
Speaker 1: I'm gonna be in the game for this amount of time,

1549
01:13:36,080 --> 01:13:38,599
Speaker 1: there's gonna be some more young guys after after me.

1550
01:13:39,160 --> 01:13:42,960
Speaker 1: Do I How would I feel if they take my

1551
01:13:43,080 --> 01:13:45,880
Speaker 1: ship and start rapping my ship? Because yea, it's gonna

1552
01:13:45,880 --> 01:13:48,680
Speaker 1: get old, keep living, it's having you are going to

1553
01:13:48,760 --> 01:13:49,080
Speaker 1: get you.

1554
01:13:49,240 --> 01:13:49,920
Speaker 2: You are going to.

1555
01:13:49,920 --> 01:13:52,880
Speaker 1: Get old in the game and a young motherfucker's gonna

1556
01:13:52,880 --> 01:13:55,240
Speaker 1: come and they gonna take your ship. How would you

1557
01:13:55,280 --> 01:13:58,640
Speaker 1: feel when they take your song and start, you know,

1558
01:13:58,760 --> 01:14:01,439
Speaker 1: rapping and using your making ship?

1559
01:14:02,520 --> 01:14:03,360
Speaker 2: There's different.

1560
01:14:04,680 --> 01:14:10,320
Speaker 4: Official the artist just did my record seeing him in

1561
01:14:10,520 --> 01:14:11,960
Speaker 4: MTV and he gave me up.

1562
01:14:12,040 --> 01:14:12,400
Speaker 1: What up?

1563
01:14:13,160 --> 01:14:15,479
Speaker 2: I wanted to kill this nigga.

1564
01:14:15,760 --> 01:14:19,479
Speaker 4: But we was in MTV offices and people called me

1565
01:14:19,520 --> 01:14:20,519
Speaker 4: that because he was coming up.

1566
01:14:20,560 --> 01:14:22,439
Speaker 2: He ain't popping no more off. I won't say his name.

1567
01:14:22,880 --> 01:14:26,240
Speaker 2: So he was coming up. It's dream say his name. No, no, no, no, no,

1568
01:14:26,400 --> 01:14:26,840
Speaker 2: it's cool.

1569
01:14:27,040 --> 01:14:30,240
Speaker 4: It's cool. It's cool because he's over. If he was bobbing,

1570
01:14:30,320 --> 01:14:33,759
Speaker 4: I was saying his name, but you know, over that nigga.

1571
01:14:33,840 --> 01:14:37,360
Speaker 4: And when I seen him, when I realized he he

1572
01:14:38,040 --> 01:14:42,559
Speaker 4: not only he didn't even recognize me. So youre just

1573
01:14:42,720 --> 01:14:46,000
Speaker 4: doing records. There's no respect to that. I can't respect that.

1574
01:14:46,479 --> 01:14:48,960
Speaker 2: Now. I'm not a hater. I'm not fucked up. You

1575
01:14:48,960 --> 01:14:50,120
Speaker 2: know what I'm saying. I'm okay.

1576
01:14:51,080 --> 01:14:53,320
Speaker 4: But at the same token, I was raised with respect.

1577
01:14:53,360 --> 01:14:55,760
Speaker 4: My mom's told me to pull out a care for

1578
01:14:55,840 --> 01:14:58,040
Speaker 4: a woman. My moms told me to hold the door,

1579
01:14:58,240 --> 01:15:00,920
Speaker 4: my moms told my moms told me man, so.

1580
01:15:02,439 --> 01:15:02,720
Speaker 2: I don't.

1581
01:15:03,120 --> 01:15:05,000
Speaker 1: But that's why he ain't in the business right now.

1582
01:15:05,080 --> 01:15:05,760
Speaker 2: You know what I'm saying.

1583
01:15:05,840 --> 01:15:07,719
Speaker 1: The guys, when you really think about it, the guys

1584
01:15:07,720 --> 01:15:10,240
Speaker 1: who are still in the business right now, the ones

1585
01:15:10,280 --> 01:15:14,920
Speaker 1: who have longevity, they have some sense of the history

1586
01:15:14,960 --> 01:15:20,479
Speaker 1: of the one hit wonders. They go and they come

1587
01:15:20,600 --> 01:15:23,840
Speaker 1: all day because they don't understand the history, and they

1588
01:15:23,840 --> 01:15:26,040
Speaker 1: ain't trying to learn the history. You know, if you

1589
01:15:26,080 --> 01:15:28,080
Speaker 1: know the history, you'll be around. I mean, Jay has

1590
01:15:28,200 --> 01:15:30,840
Speaker 1: been around one hundred years and still making here records

1591
01:15:32,000 --> 01:15:37,640
Speaker 1: hundred I mean you know all those guys, I mean

1592
01:15:37,720 --> 01:15:41,559
Speaker 1: Wayne and all them, do you have to know the history.

1593
01:15:41,600 --> 01:15:43,960
Speaker 1: If you don't know the history, and you sitting there

1594
01:15:44,000 --> 01:15:46,519
Speaker 1: and when you make a statement like that, everybody old man,

1595
01:15:47,040 --> 01:15:49,599
Speaker 1: he tripping and all that. No, no, no, you don't pay

1596
01:15:49,600 --> 01:15:53,040
Speaker 1: homage like that. You'll be in this business and out real.

1597
01:15:53,160 --> 01:15:56,080
Speaker 2: But y'all talking to you specifically? Are you talking about

1598
01:15:56,080 --> 01:15:56,760
Speaker 2: two different things?

1599
01:15:56,760 --> 01:15:59,240
Speaker 3: There's the artist that puts out a single and he

1600
01:15:59,400 --> 01:16:02,160
Speaker 3: just Jack's beat and takes the record and puts out

1601
01:16:02,160 --> 01:16:05,799
Speaker 3: officially because I'm a mixtape DJ. So I'm I'm saying,

1602
01:16:05,880 --> 01:16:08,160
Speaker 3: there's the kid that anybody you could be.

1603
01:16:08,280 --> 01:16:11,559
Speaker 2: You run on other people's beats on my mixtape. It's

1604
01:16:11,600 --> 01:16:12,240
Speaker 2: not the same thing.

1605
01:16:12,280 --> 01:16:18,800
Speaker 6: Freestyle are you talking about? We need to define that

1606
01:16:19,040 --> 01:16:24,360
Speaker 6: about redo your record? That's crazy, that's crazy.

1607
01:16:24,400 --> 01:16:25,160
Speaker 2: I have no problem with.

1608
01:16:25,160 --> 01:16:32,920
Speaker 4: A person freestyle and when you take my ship, throw

1609
01:16:32,960 --> 01:16:35,360
Speaker 4: it out, sell it, make a profit.

1610
01:16:36,920 --> 01:16:40,639
Speaker 2: For me like it ain't. And the thing about it

1611
01:16:40,680 --> 01:16:41,759
Speaker 2: is like money ain't everything.

1612
01:16:41,840 --> 01:16:43,720
Speaker 4: So most people could come back and offer you some

1613
01:16:43,800 --> 01:16:45,600
Speaker 4: running and it's like damn.

1614
01:16:45,600 --> 01:16:48,000
Speaker 2: Knowing that you don't. Maybe you don't own that beat

1615
01:16:48,000 --> 01:16:48,719
Speaker 2: because of whatever.

1616
01:16:48,960 --> 01:16:52,880
Speaker 3: But you ship, they owe you as an individual, as

1617
01:16:52,880 --> 01:16:54,840
Speaker 3: an artist, they should pay homage to you.

1618
01:16:55,200 --> 01:16:57,600
Speaker 2: That's what My ship was worse than that.

1619
01:16:57,760 --> 01:17:00,320
Speaker 1: My ship was more like the first one. When I

1620
01:17:00,439 --> 01:17:03,519
Speaker 1: really heard about what it was, it was a fucking

1621
01:17:03,680 --> 01:17:11,400
Speaker 1: ad Lou Uncle Luke uh uh Rick Ross and French Montana.

1622
01:17:11,840 --> 01:17:15,280
Speaker 1: I ain't know who the fuck French Montana? And the

1623
01:17:15,400 --> 01:17:16,640
Speaker 1: fun is French.

1624
01:17:18,200 --> 01:17:18,360
Speaker 3: Right?

1625
01:17:19,479 --> 01:17:20,400
Speaker 2: A song? You know?

1626
01:17:21,280 --> 01:17:23,920
Speaker 1: I heard song like this motherfucker.

1627
01:17:23,560 --> 01:17:26,679
Speaker 2: Song hot, Who the fucking French Montega?

1628
01:17:27,240 --> 01:17:34,000
Speaker 1: You know what I'm saying. Jonas made the nigga my song,

1629
01:17:41,640 --> 01:17:44,599
Speaker 1: So you know, man, you know, but I you know again,

1630
01:17:45,160 --> 01:17:47,840
Speaker 1: you know that that you know, people blew it up

1631
01:17:48,560 --> 01:17:51,120
Speaker 1: man at French Montana. Ain't ready to get this motherfucker.

1632
01:17:51,120 --> 01:17:54,479
Speaker 1: I'm like, nah, yeah, we ended up doing the show

1633
01:17:54,920 --> 01:17:56,599
Speaker 1: for me to awards and all that.

1634
01:17:57,040 --> 01:17:58,880
Speaker 4: You just did a show recently with d m X

1635
01:17:59,000 --> 01:18:02,080
Speaker 4: and ONYX and my manager was out there.

1636
01:18:05,280 --> 01:18:09,439
Speaker 1: Man, I'm performing. I have to tell them to stop. Yeah,

1637
01:18:09,840 --> 01:18:12,280
Speaker 1: I love performing. You love perform I love Yeah. It's

1638
01:18:12,280 --> 01:18:14,719
Speaker 1: like a hobby to me, not going you know, and

1639
01:18:14,720 --> 01:18:16,519
Speaker 1: and you know I don't do that kind of music

1640
01:18:16,520 --> 01:18:21,679
Speaker 1: while I just walking downstage smoking joint and and be strippers.

1641
01:18:21,720 --> 01:18:25,320
Speaker 1: What you on? No, we are regular dances. Excuse me?

1642
01:18:25,520 --> 01:18:34,120
Speaker 4: Different when they graduated scrippers now I know, no dancing.

1643
01:18:34,120 --> 01:18:36,880
Speaker 4: When they graduated dances, it's all out as scrippers and

1644
01:18:36,880 --> 01:18:38,000
Speaker 4: they end up as dances.

1645
01:18:39,240 --> 01:18:41,160
Speaker 2: How how does it go? They thought I was none.

1646
01:18:41,439 --> 01:18:46,200
Speaker 2: They just start out strippers since nowadays, but got sophisticated dances. Yeah,

1647
01:18:46,760 --> 01:18:53,240
Speaker 2: strippers dance. Let's make We're not ending.

1648
01:18:53,320 --> 01:18:55,240
Speaker 4: But I just want to thank you admitted interview, because

1649
01:18:55,240 --> 01:18:58,160
Speaker 4: you know why, I single hand the least scenk.

1650
01:18:58,040 --> 01:19:00,600
Speaker 2: That you know. Oh my god, what cause Santiago my

1651
01:19:00,680 --> 01:19:01,920
Speaker 2: last name? I'm sorry, I just saw that.

1652
01:19:01,960 --> 01:19:03,920
Speaker 4: I'm sorry, just throwing it out there, but I single

1653
01:19:04,000 --> 01:19:08,559
Speaker 4: handedly see you hold Miami down. When Miami had problems

1654
01:19:08,560 --> 01:19:11,519
Speaker 4: with anybody, you stepped up. You wasn't you wasn't holding

1655
01:19:11,560 --> 01:19:15,400
Speaker 4: your tongue. You you you shape and mold what Miami

1656
01:19:15,560 --> 01:19:17,920
Speaker 4: is now. And I have to thank you as a

1657
01:19:17,920 --> 01:19:20,000
Speaker 4: person that now lives in Miami, born and raised in

1658
01:19:20,040 --> 01:19:23,599
Speaker 4: New York, but this is my second home. I've been

1659
01:19:23,600 --> 01:19:25,639
Speaker 4: out here, this is where the show is being taped.

1660
01:19:25,640 --> 01:19:28,040
Speaker 4: And we wanted it personally. I was gonna say, but

1661
01:19:28,280 --> 01:19:30,519
Speaker 4: we wanted to personally and just invite you here and

1662
01:19:30,600 --> 01:19:31,680
Speaker 4: let you know that this is your home.

1663
01:19:31,720 --> 01:19:35,080
Speaker 2: We got got one point two million people listening to us.

1664
01:19:36,160 --> 01:19:41,080
Speaker 2: I'm like two people. I was gonna say, like two

1665
01:19:41,200 --> 01:19:45,519
Speaker 2: or three people listen. We so we're at the crib.

1666
01:19:45,920 --> 01:19:47,920
Speaker 2: At the crib. We at the crib the type of the

1667
01:19:47,880 --> 01:19:48,320
Speaker 2: way they.

1668
01:19:48,240 --> 01:19:50,000
Speaker 4: Want to use it, and we want you to know

1669
01:19:50,040 --> 01:19:52,280
Speaker 4: that you can come here all the time. But continuing

1670
01:19:52,360 --> 01:19:57,800
Speaker 4: moving on, where do you see Miami going to as

1671
01:19:57,800 --> 01:19:59,360
Speaker 4: far as the music scene goes?

1672
01:19:59,720 --> 01:20:02,200
Speaker 2: What's as far as far as the music scene?

1673
01:20:02,439 --> 01:20:05,200
Speaker 1: I mean, you know it's it's it's tough around here

1674
01:20:05,200 --> 01:20:08,720
Speaker 1: because radio stations don't support the local artists. You know

1675
01:20:08,720 --> 01:20:12,000
Speaker 1: what I'm saying. Uh, the underground and as power for

1676
01:20:12,200 --> 01:20:14,880
Speaker 1: is it as it was as it used to be?

1677
01:20:17,560 --> 01:20:19,400
Speaker 1: You know, you got you know what I mean. The

1678
01:20:19,479 --> 01:20:22,559
Speaker 1: DJ's on South Beach, you know, no disrespecting none of them.

1679
01:20:22,560 --> 01:20:26,560
Speaker 1: They ain't really playing no Miami music, you know. So

1680
01:20:26,560 --> 01:20:29,200
Speaker 1: so at the same time, you know, you got clubs running.

1681
01:20:29,400 --> 01:20:30,960
Speaker 1: It's a totally different scene.

1682
01:20:31,600 --> 01:20:34,439
Speaker 2: You know. If you you know, like I'm I'm out, you.

1683
01:20:34,479 --> 01:20:36,240
Speaker 1: Know, in the hood all the time, you know, at

1684
01:20:36,240 --> 01:20:40,160
Speaker 1: the parks and everything, and the DJ's play totally different music.

1685
01:20:40,680 --> 01:20:43,439
Speaker 1: Then what you is, it's it's the same thing, you know,

1686
01:20:43,760 --> 01:20:46,320
Speaker 1: like when I was when I came up. You know,

1687
01:20:46,680 --> 01:20:49,400
Speaker 1: the difference is I was able to take you know,

1688
01:20:49,920 --> 01:20:52,240
Speaker 1: songs like Peter Butter and Jelly in because I was

1689
01:20:52,320 --> 01:20:53,080
Speaker 1: nationally known.

1690
01:20:53,920 --> 01:20:54,599
Speaker 2: I put it out.

1691
01:20:54,800 --> 01:20:57,920
Speaker 1: They become nationally known, you know, in that same beat

1692
01:20:57,960 --> 01:21:01,760
Speaker 1: that's going on around here. So you don't have the

1693
01:21:01,800 --> 01:21:05,559
Speaker 1: record companies in Miami that may have.

1694
01:21:05,439 --> 01:21:07,280
Speaker 2: A national appeal.

1695
01:21:08,120 --> 01:21:11,760
Speaker 1: They're not going to get those artists and put them

1696
01:21:11,800 --> 01:21:15,200
Speaker 1: on and let people hear real Miami music. You know,

1697
01:21:15,280 --> 01:21:18,000
Speaker 1: I could be doing I could be selling platinum Ahtown

1698
01:21:18,240 --> 01:21:21,439
Speaker 1: R and B album, But then I'll go find a

1699
01:21:21,520 --> 01:21:25,920
Speaker 1: treat daddy and he'll be spitting Miami slain you feel me,

1700
01:21:25,960 --> 01:21:29,760
Speaker 1: and he'll do it song in Then through me, I'm

1701
01:21:29,840 --> 01:21:32,639
Speaker 1: introducing the rest of the world to you. You don't

1702
01:21:32,640 --> 01:21:34,360
Speaker 1: have these artists you know that.

1703
01:21:34,479 --> 01:21:38,599
Speaker 2: From here doing that. You know, that's what the dudes

1704
01:21:38,600 --> 01:21:40,479
Speaker 2: who on they ain't doing it.

1705
01:21:40,760 --> 01:21:44,120
Speaker 1: And then Miami does not have a sound anymore because

1706
01:21:44,160 --> 01:21:46,320
Speaker 1: everybody that's the biggest problem. And I tell a lot

1707
01:21:46,320 --> 01:21:49,280
Speaker 1: of these young dudes, you know, whether you like it

1708
01:21:49,400 --> 01:21:51,920
Speaker 1: or not, we have boom chat, boom chat, you know

1709
01:21:51,960 --> 01:21:52,439
Speaker 1: what I'm saying.

1710
01:21:52,520 --> 01:21:55,760
Speaker 2: We had that was Miami.

1711
01:21:55,439 --> 01:21:58,880
Speaker 1: And then we had our slain because to me, hip

1712
01:21:58,920 --> 01:21:59,920
Speaker 1: hop is slain.

1713
01:22:00,439 --> 01:22:02,080
Speaker 2: You know what these niggas, you.

1714
01:22:02,040 --> 01:22:04,439
Speaker 1: Know, like you lost when you said the Koreban, you

1715
01:22:04,479 --> 01:22:07,320
Speaker 1: know red Man lost when he said what's up?

1716
01:22:07,360 --> 01:22:09,280
Speaker 2: Dog?

1717
01:22:10,240 --> 01:22:13,479
Speaker 1: And you will be like what these niggas talking about

1718
01:22:13,479 --> 01:22:16,240
Speaker 1: cousin blood and all that ship. So then you heard

1719
01:22:16,600 --> 01:22:20,640
Speaker 1: slag through the music right now, you know the artists

1720
01:22:20,640 --> 01:22:23,960
Speaker 1: that are coming out of Miami, you don't hear Miami slang.

1721
01:22:24,240 --> 01:22:26,439
Speaker 3: What did you think about Mother Superior? Because I'm I'm

1722
01:22:26,680 --> 01:22:29,680
Speaker 3: that's the era I'm from. I'm with that group. What

1723
01:22:29,680 --> 01:22:30,479
Speaker 3: did you think about her?

1724
01:22:30,520 --> 01:22:33,360
Speaker 2: Do you remember she wasn't getting You ain't give a funk,

1725
01:22:33,400 --> 01:22:40,040
Speaker 2: Let's keep it. I don't get shot shot. That's my whole.

1726
01:22:41,120 --> 01:22:43,760
Speaker 3: They called it the liverally, the female nas and she

1727
01:22:43,880 --> 01:22:44,519
Speaker 3: was from Miami.

1728
01:22:44,560 --> 01:22:46,559
Speaker 2: She rerapped Miami. She was just on some lyrical ship.

1729
01:22:47,520 --> 01:22:47,960
Speaker 2: Look at look.

1730
01:22:48,360 --> 01:22:51,160
Speaker 1: But we.

1731
01:22:52,920 --> 01:22:54,920
Speaker 3: Got mad at her when she moved to New York,

1732
01:22:55,040 --> 01:22:57,439
Speaker 3: when she got her deal with Island, right.

1733
01:22:57,600 --> 01:23:01,479
Speaker 1: Right, I mean again, when you the question becomes and

1734
01:23:01,520 --> 01:23:04,920
Speaker 1: I try and tell these young dudes around here, you can't.

1735
01:23:04,960 --> 01:23:06,240
Speaker 2: You got to have a sound.

1736
01:23:06,720 --> 01:23:10,559
Speaker 1: Atlanta got a sound, New York got a sound, California sound,

1737
01:23:10,880 --> 01:23:14,000
Speaker 1: and right now Miami don't have a sound anymore. On

1738
01:23:14,120 --> 01:23:16,240
Speaker 1: top of it, you ain't got guys putting guys on.

1739
01:23:16,720 --> 01:23:20,000
Speaker 2: So everybody trying to sound like fucking Atlanta, you know.

1740
01:23:20,280 --> 01:23:24,440
Speaker 1: And and when you you know, nothing you saying lyrically

1741
01:23:25,080 --> 01:23:27,719
Speaker 1: ain't really you know, I don't understand what you're saying

1742
01:23:27,760 --> 01:23:30,320
Speaker 1: because I'm with kids every day, you know, I coach

1743
01:23:30,439 --> 01:23:33,000
Speaker 1: high school football. So I'm driving them home and they

1744
01:23:33,080 --> 01:23:36,240
Speaker 1: having a whole conversation. I'm really I'm hearing the conversation,

1745
01:23:36,360 --> 01:23:38,920
Speaker 1: and their slang is totally different. You know what I'm saying.

1746
01:23:38,920 --> 01:23:44,960
Speaker 1: They call a fat girl a pepper, you know, So again,

1747
01:23:45,080 --> 01:23:47,519
Speaker 1: you know, so just you going like that, you know

1748
01:23:48,520 --> 01:23:51,639
Speaker 1: when when when I'm doing records, that'll be a whole

1749
01:23:51,680 --> 01:23:57,720
Speaker 1: song you know, the girls to be peppers, you know

1750
01:23:57,880 --> 01:24:01,920
Speaker 1: that in the lyrical content of a song. And then

1751
01:24:02,000 --> 01:24:05,320
Speaker 1: you would get the song in Chicago at Atlanta and

1752
01:24:05,360 --> 01:24:08,680
Speaker 1: you know what, you know what the what the is

1753
01:24:08,680 --> 01:24:09,920
Speaker 1: the this thigga keeps saying.

1754
01:24:09,960 --> 01:24:15,080
Speaker 4: It's like like y'all always like at the whole world.

1755
01:24:17,439 --> 01:24:20,720
Speaker 4: My son, my son comes in the other day and

1756
01:24:20,760 --> 01:24:23,559
Speaker 4: he's calling his little brothers a jet and I'm like.

1757
01:24:23,520 --> 01:24:24,599
Speaker 2: What does that mean?

1758
01:24:26,200 --> 01:24:28,200
Speaker 4: Then I come around these guys and they start using it,

1759
01:24:28,200 --> 01:24:29,559
Speaker 4: and I'm like, I have to be cared, Like, what

1760
01:24:29,640 --> 01:24:30,880
Speaker 4: the is my son call them?

1761
01:24:31,560 --> 01:24:33,280
Speaker 2: Like they just called him a younger dude. But like,

1762
01:24:33,520 --> 01:24:35,080
Speaker 2: and to me and to me.

1763
01:24:35,400 --> 01:24:38,360
Speaker 1: That's always been hip hop. It was it was the

1764
01:24:38,360 --> 01:24:40,559
Speaker 1: ghetto blues, you know what you're.

1765
01:24:40,400 --> 01:24:42,719
Speaker 2: Talking about over here? You know when Big was making

1766
01:24:42,720 --> 01:24:43,600
Speaker 2: the songs.

1767
01:24:43,280 --> 01:24:45,439
Speaker 1: Oh ship, you know what I'm saying, all right, the

1768
01:24:45,520 --> 01:24:48,960
Speaker 1: dudes in Atlanta making their song Okay, Oh that's you know.

1769
01:24:49,240 --> 01:24:52,120
Speaker 1: So it was more intriguing as to what they're vibing

1770
01:24:52,560 --> 01:24:54,960
Speaker 1: and what they're talking about, as well as the slain

1771
01:24:55,080 --> 01:24:57,200
Speaker 1: on top of it. So now when you have the

1772
01:24:57,560 --> 01:24:59,920
Speaker 1: guys coming from Miami or from Miami, but.

1773
01:25:00,080 --> 01:25:02,599
Speaker 2: You sound like pop, that ain't Miami.

1774
01:25:03,280 --> 01:25:08,040
Speaker 1: So technically, I'm like, it's not no Miami artists.

1775
01:25:08,400 --> 01:25:09,000
Speaker 2: You know what I'm saying.

1776
01:25:09,000 --> 01:25:12,519
Speaker 1: When when when when Trick they say, you don't know, now, nigga,

1777
01:25:12,760 --> 01:25:14,760
Speaker 1: you know what I'm saying, that's the Miami ship.

1778
01:25:15,920 --> 01:25:18,760
Speaker 3: So Trick is like the jay Z of Miami because

1779
01:25:18,760 --> 01:25:20,559
Speaker 3: he's lyrical and people don't give him that credit, but

1780
01:25:20,560 --> 01:25:21,599
Speaker 3: he's literal Miami.

1781
01:25:21,840 --> 01:25:23,000
Speaker 2: Loss will be the jay Z.

1782
01:25:23,240 --> 01:25:26,360
Speaker 3: No, no, I'm telling you before that it's Trick.

1783
01:25:26,439 --> 01:25:28,760
Speaker 2: Trick is the jay Z in Miami. He's literally us.

1784
01:25:29,080 --> 01:25:32,479
Speaker 1: So nobody is connecting with Miami. You know what I'm saying,

1785
01:25:32,520 --> 01:25:34,920
Speaker 1: None of the none of the artists, because he's artists.

1786
01:25:35,240 --> 01:25:38,120
Speaker 1: These young guys are really lost. I mean like, I'll

1787
01:25:38,160 --> 01:25:41,280
Speaker 1: go to the radio station, the fucking go in on

1788
01:25:41,320 --> 01:25:43,080
Speaker 1: the PD and the m D white, you ain't playing

1789
01:25:43,080 --> 01:25:46,000
Speaker 1: the music from Miami, and they'll be like, their business

1790
01:25:46,040 --> 01:25:48,640
Speaker 1: ain't right, Luke, their business ain't right, you know, And

1791
01:25:48,680 --> 01:25:51,400
Speaker 1: then I business and then they'll be like and then

1792
01:25:51,439 --> 01:25:54,360
Speaker 1: I listen to a song, you know, because they everybody

1793
01:25:54,439 --> 01:25:56,360
Speaker 1: get mad. Luke man, you you need to go and

1794
01:25:56,360 --> 01:25:58,720
Speaker 1: step down on these motherfuckers. When I go in there,

1795
01:25:59,040 --> 01:26:01,040
Speaker 1: then I listen sh like the fuck.

1796
01:26:00,960 --> 01:26:04,480
Speaker 2: Is this the ship that they have? Okay?

1797
01:26:04,560 --> 01:26:06,320
Speaker 1: You know what, and they'll be like, yo, this these

1798
01:26:06,320 --> 01:26:09,320
Speaker 1: are the songs right here. I'd be like, this, ain't

1799
01:26:09,360 --> 01:26:11,840
Speaker 1: no fucking Miami song. These motherfucker's trying to sound like

1800
01:26:11,840 --> 01:26:14,960
Speaker 1: another motherfucker on the same beat, you know what I'm saying.

1801
01:26:15,040 --> 01:26:19,200
Speaker 1: So I'm really yeah, yeah, I'm fucked up when it

1802
01:26:19,320 --> 01:26:21,880
Speaker 1: when it comes to music, I'm real real, ain't. I

1803
01:26:21,920 --> 01:26:25,240
Speaker 1: don't like studios. I go in there. My tension span

1804
01:26:25,400 --> 01:26:28,439
Speaker 1: is real short. Ship ain't right. I ain't fucking with it,

1805
01:26:28,520 --> 01:26:30,479
Speaker 1: you know. So when I hear it in the first

1806
01:26:30,560 --> 01:26:33,200
Speaker 1: one minute, I'd be like, y'all, y'all motherfuckers trying to

1807
01:26:33,200 --> 01:26:36,479
Speaker 1: sound like somebody else. Start sounded like Miami. You know,

1808
01:26:36,560 --> 01:26:38,000
Speaker 1: a lot of a lot of a lot of music.

1809
01:26:38,040 --> 01:26:40,440
Speaker 2: Ain't like that. You got a couple of young guys.

1810
01:26:40,479 --> 01:26:44,840
Speaker 1: Around here that Curry is dope from from You got

1811
01:26:44,840 --> 01:26:49,000
Speaker 1: a couple back too. Yeah, when you hear when you

1812
01:26:49,080 --> 01:26:56,559
Speaker 1: hear dudes spitting, you know, Miami slain and it's more

1813
01:26:56,600 --> 01:27:00,360
Speaker 1: to slag than anything. And they ain't delivering like some

1814
01:27:00,400 --> 01:27:01,320
Speaker 1: guy from Atlanta.

1815
01:27:01,479 --> 01:27:04,160
Speaker 2: It's the same. It's the neighborhood, the look and it's

1816
01:27:04,920 --> 01:27:06,799
Speaker 2: it's all. It's the funny.

1817
01:27:07,040 --> 01:27:09,680
Speaker 1: I mean, when when I put out portsy Clan, you know,

1818
01:27:09,720 --> 01:27:14,400
Speaker 1: which is the first Southern you know, God, Southern w A.

1819
01:27:14,560 --> 01:27:18,320
Speaker 2: That's a Southern w A, a hardcore group. Well after

1820
01:27:18,720 --> 01:27:20,240
Speaker 2: spots all Night, yeah.

1821
01:27:20,080 --> 01:27:22,400
Speaker 1: They got you know, they got a shake what your

1822
01:27:22,400 --> 01:27:24,280
Speaker 1: mama gave you. But then the next song.

1823
01:27:24,280 --> 01:27:26,000
Speaker 2: They had a longer court ass record.

1824
01:27:26,040 --> 01:27:29,680
Speaker 1: You know one you know what I'm saying. So de

1825
01:27:29,840 --> 01:27:33,200
Speaker 1: Montherfuler's got lyrics, so you can't do it. You know,

1826
01:27:33,760 --> 01:27:37,400
Speaker 1: with the sound they used to sound, it slowed it down,

1827
01:27:38,000 --> 01:27:40,240
Speaker 1: you know, it's the same beat, but then they sped

1828
01:27:40,240 --> 01:27:41,720
Speaker 1: it up whenever they need to speed it up.

1829
01:27:42,040 --> 01:27:43,200
Speaker 2: But these dudes want to get away.

1830
01:27:43,280 --> 01:27:45,400
Speaker 3: But you did see the value in society as well,

1831
01:27:45,880 --> 01:27:48,000
Speaker 3: which when he finally came out, I know, he came

1832
01:27:48,000 --> 01:27:50,559
Speaker 3: through New York. He did rep Miami and then and

1833
01:27:50,600 --> 01:27:52,679
Speaker 3: even the dudes from Home Team, I mean from Poison

1834
01:27:52,760 --> 01:27:55,960
Speaker 3: Clan did Home Team, which they didn't sound necessarily Miami.

1835
01:27:55,960 --> 01:27:58,240
Speaker 3: But for us, the cats that were into that, we

1836
01:27:58,240 --> 01:27:59,280
Speaker 3: were like, they're in Miami.

1837
01:27:59,520 --> 01:28:03,439
Speaker 2: Yeah, they're ripping the South, the Miami. They were from

1838
01:28:03,520 --> 01:28:04,000
Speaker 2: New York.

1839
01:28:04,200 --> 01:28:06,439
Speaker 1: But then they repped with the beat, right, I mean

1840
01:28:06,880 --> 01:28:08,840
Speaker 1: J T Money was in that right, right. You know

1841
01:28:08,880 --> 01:28:10,360
Speaker 1: what I'm saying. He was the Miami guy that was

1842
01:28:10,400 --> 01:28:12,080
Speaker 1: in the group and then he left out. Then we

1843
01:28:12,320 --> 01:28:13,200
Speaker 1: did a solo.

1844
01:28:12,960 --> 01:28:15,280
Speaker 3: App because a kid like me, I was like, I'm

1845
01:28:15,280 --> 01:28:17,519
Speaker 3: going to a party and based music is a part

1846
01:28:17,560 --> 01:28:17,960
Speaker 3: of my life.

1847
01:28:17,960 --> 01:28:19,160
Speaker 2: Reggae music is a part of my life.

1848
01:28:19,200 --> 01:28:21,240
Speaker 3: But I'm a hip hop kid too, So I'm looking

1849
01:28:21,280 --> 01:28:24,760
Speaker 3: at Home Team, Society, Mother Superior. At least they speak

1850
01:28:24,760 --> 01:28:26,800
Speaker 3: in my language in Miami, right, And that's what I

1851
01:28:26,840 --> 01:28:32,160
Speaker 3: was looking for, right right, I like the Miami connect.

1852
01:28:44,040 --> 01:28:45,920
Speaker 2: I have different periods of hip hop.

1853
01:28:46,600 --> 01:28:48,839
Speaker 4: Was my my my, I'm gonna tell you my favorite

1854
01:28:49,720 --> 01:28:51,800
Speaker 4: year in hip hop had to be nineteen ninety eight.

1855
01:28:53,800 --> 01:28:56,479
Speaker 2: What what? What? What was your favorite year? Like? If

1856
01:28:56,479 --> 01:28:59,519
Speaker 2: you had the pillow point one year ship, I don't

1857
01:28:59,520 --> 01:29:00,959
Speaker 2: know how, I mean, so many.

1858
01:29:00,800 --> 01:29:05,160
Speaker 1: Years, all of them is so, I mean, so just

1859
01:29:05,160 --> 01:29:05,680
Speaker 1: give me one.

1860
01:29:05,720 --> 01:29:07,280
Speaker 2: I had all kind of crazy years.

1861
01:29:07,320 --> 01:29:09,880
Speaker 4: You have, you gont get to that.

1862
01:29:10,800 --> 01:29:12,599
Speaker 2: Don't get to that. But let's get to your favorite year.

1863
01:29:12,680 --> 01:29:17,120
Speaker 2: First favorite year. I don't I don't know, maybe I

1864
01:29:17,120 --> 01:29:18,519
Speaker 2: don't know name nine or.

1865
01:29:18,439 --> 01:29:21,920
Speaker 4: Something about year after damn it?

1866
01:29:28,439 --> 01:29:29,519
Speaker 2: So how many orgies.

1867
01:29:29,520 --> 01:29:32,760
Speaker 1: Have you had, like if you could count? You said,

1868
01:29:32,800 --> 01:29:33,760
Speaker 1: this was the family show.

1869
01:29:33,840 --> 01:29:37,880
Speaker 2: No, I was like, we call the drink you know what.

1870
01:29:40,080 --> 01:29:45,640
Speaker 1: Orgies? Oh? Man, I don't know. I don't know.

1871
01:29:45,840 --> 01:29:48,960
Speaker 2: You can't come. So how did how did like are

1872
01:29:49,000 --> 01:29:51,320
Speaker 2: you a warning niggas? That's what's going on? Like? How

1873
01:29:51,360 --> 01:29:53,720
Speaker 2: did you start thinking? I just have mad business around me?

1874
01:29:53,880 --> 01:29:58,480
Speaker 1: I got my title from a T. K. Kurculum, a pussyologist.

1875
01:29:58,479 --> 01:29:59,920
Speaker 1: Three steps out in the gun and collar.

1876
01:30:01,880 --> 01:30:07,720
Speaker 2: Okay, that was hard. That's away that he takes her.

1877
01:30:07,960 --> 01:30:11,120
Speaker 2: You're not talking about the comedian. That's what I.

1878
01:30:11,439 --> 01:30:19,000
Speaker 4: Said, Luke. How many rappers came to you? And said,

1879
01:30:19,080 --> 01:30:22,760
Speaker 4: Luke gom Gona thak this Eddie to asked either right there,

1880
01:30:22,840 --> 01:30:28,639
Speaker 4: but if you didn't brother chicks, he was here right now,

1881
01:30:28,720 --> 01:30:30,000
Speaker 4: he asked.

1882
01:30:30,280 --> 01:30:34,519
Speaker 2: He's going to y'all, yeah, you should have had some girls.

1883
01:30:34,520 --> 01:30:37,200
Speaker 2: And I know, man up, he was trying. He's trying to.

1884
01:30:37,560 --> 01:30:40,200
Speaker 2: We're trying to. We're trying to get a barked.

1885
01:30:40,720 --> 01:30:43,120
Speaker 4: But most importantly, we wanted you to be comfortable with

1886
01:30:43,160 --> 01:30:44,800
Speaker 4: liquor because this is some hip hop.

1887
01:30:44,880 --> 01:30:47,200
Speaker 2: To some hip hop, and be comfortable around girls.

1888
01:30:47,240 --> 01:30:50,640
Speaker 7: You know, man, we don't know was married, like I

1889
01:30:50,640 --> 01:30:57,840
Speaker 7: don't want to be saying when I did you gotta

1890
01:30:57,880 --> 01:30:58,240
Speaker 7: take one.

1891
01:30:58,280 --> 01:31:01,639
Speaker 4: I'm mazy, right, I'm you've been married longer than me.

1892
01:31:01,880 --> 01:31:04,920
Speaker 4: But how did your wife ever look at your old

1893
01:31:05,000 --> 01:31:06,439
Speaker 4: videos and just look at you and.

1894
01:31:06,479 --> 01:31:12,120
Speaker 2: Discuss She don't be like so she don't bring it

1895
01:31:12,200 --> 01:31:12,799
Speaker 2: up exception.

1896
01:31:13,120 --> 01:31:15,800
Speaker 1: Yeah, that's what I mean, my whole thing. I mean,

1897
01:31:16,760 --> 01:31:22,559
Speaker 1: back back in my wild days, he always was real, real,

1898
01:31:22,680 --> 01:31:26,320
Speaker 1: real picky with chicks, you know, so everybody always thought, okay,

1899
01:31:26,360 --> 01:31:27,599
Speaker 1: look all these girls.

1900
01:31:28,080 --> 01:31:29,920
Speaker 2: I was real, real, real picky.

1901
01:31:29,800 --> 01:31:33,400
Speaker 4: Like Trail right check, Trail was with you before Nelly, right,

1902
01:31:33,479 --> 01:31:34,840
Speaker 4: like you're down with your crew.

1903
01:31:35,360 --> 01:31:43,519
Speaker 2: Not nothing like that chick, pretty red Prey read at

1904
01:31:43,560 --> 01:31:46,400
Speaker 2: one point, I'm telling me I'm not. I know you read,

1905
01:31:46,600 --> 01:31:53,840
Speaker 2: and alright, hold on, I know, hold on, let me

1906
01:31:54,000 --> 01:31:57,599
Speaker 2: be clear, hold on the way I just said that gra.

1907
01:31:59,640 --> 01:32:02,080
Speaker 1: So so what and now you're going to get the

1908
01:32:02,120 --> 01:32:04,120
Speaker 1: same question asked you to you when you get on

1909
01:32:04,880 --> 01:32:06,120
Speaker 1: But now where's your video?

1910
01:32:07,240 --> 01:32:11,120
Speaker 4: You know, she did some ship that looked at me

1911
01:32:11,240 --> 01:32:17,720
Speaker 4: like for real. Now nowadays, look, the girls will go

1912
01:32:17,840 --> 01:32:23,599
Speaker 4: on Instagram. They will you know, be half naked whatever

1913
01:32:23,600 --> 01:32:27,160
Speaker 4: whatever they get all these followers and that's how people

1914
01:32:27,320 --> 01:32:30,439
Speaker 4: know who the bitches is in the town to funk with.

1915
01:32:30,840 --> 01:32:33,439
Speaker 4: When y'all was going out of town, how did y'all

1916
01:32:33,560 --> 01:32:36,800
Speaker 4: know where to find the bat because you brung your

1917
01:32:36,840 --> 01:32:38,960
Speaker 4: bitches with you from Miami like when y'all was on

1918
01:32:39,120 --> 01:32:40,400
Speaker 4: tour like that, or.

1919
01:32:40,760 --> 01:32:43,720
Speaker 1: I would bring my girls. I'll bring my girls down

1920
01:32:43,800 --> 01:32:44,960
Speaker 1: pick up girls in every city.

1921
01:32:45,080 --> 01:32:45,479
Speaker 2: Oh my god.

1922
01:32:45,600 --> 01:32:52,320
Speaker 4: Let's make no noise for Luke being a real let

1923
01:32:52,360 --> 01:32:53,960
Speaker 4: me tell you something, but you have to get your

1924
01:32:54,000 --> 01:32:56,360
Speaker 4: hands dirty. You gotta get your hands meaning the bit

1925
01:32:57,160 --> 01:32:57,679
Speaker 4: the girl.

1926
01:32:57,560 --> 01:33:01,240
Speaker 2: In any anybody that was on there, and that means

1927
01:33:01,479 --> 01:33:05,519
Speaker 2: face down. Yeah, they would have to, you know, go

1928
01:33:05,600 --> 01:33:06,040
Speaker 2: through something.

1929
01:33:06,080 --> 01:33:09,719
Speaker 1: Moyad on them be looking at the mother because like okay,

1930
01:33:09,960 --> 01:33:12,759
Speaker 1: and you know the girls would actually the girls.

1931
01:33:13,120 --> 01:33:19,519
Speaker 2: Let's make some noise for for for look you you live.

1932
01:33:19,920 --> 01:33:22,760
Speaker 4: You lived every real nigga's life and what I mean

1933
01:33:22,840 --> 01:33:26,000
Speaker 4: by everywhere, what every real nigga would want to be

1934
01:33:26,360 --> 01:33:27,080
Speaker 4: in life.

1935
01:33:27,040 --> 01:33:29,880
Speaker 2: Meaning you did what you wanted to do, when you

1936
01:33:30,000 --> 01:33:31,880
Speaker 2: wanted to do it, how you wanted to do it.

1937
01:33:32,720 --> 01:33:36,960
Speaker 2: You fought the system, you won crazy, you got married,

1938
01:33:37,120 --> 01:33:39,880
Speaker 2: and now you're teaching kids. That's what every real gang.

1939
01:33:41,240 --> 01:33:42,240
Speaker 2: I'm just being honest.

1940
01:33:42,560 --> 01:33:45,400
Speaker 4: The only difference between you is some of the other gangsters,

1941
01:33:45,439 --> 01:33:48,720
Speaker 4: they become a preacher that they last, that they last life.

1942
01:33:49,760 --> 01:33:51,519
Speaker 2: It is the right way. So how did you get

1943
01:33:51,520 --> 01:33:52,439
Speaker 2: into teaching kids?

1944
01:33:52,520 --> 01:33:52,880
Speaker 1: How did that?

1945
01:33:53,120 --> 01:33:53,160
Speaker 2: Like?

1946
01:33:53,439 --> 01:33:55,439
Speaker 1: You know, well, I mean when I first got my check,

1947
01:33:55,520 --> 01:33:56,920
Speaker 1: I started my youth program.

1948
01:33:57,160 --> 01:33:59,479
Speaker 2: This is like first first check, first check.

1949
01:33:59,560 --> 01:34:03,200
Speaker 1: Wow. You know. Part of the check went to buy

1950
01:34:03,280 --> 01:34:06,720
Speaker 1: my mama house and uh and the other part of

1951
01:34:06,800 --> 01:34:09,240
Speaker 1: it went to start my youth program Liberty City out.

1952
01:34:09,720 --> 01:34:14,320
Speaker 2: Wow, this is like twenty six years you know, with

1953
01:34:14,600 --> 01:34:17,160
Speaker 2: with you know, with the program. For those that don't know,

1954
01:34:17,280 --> 01:34:19,439
Speaker 2: Liberty City is a very very real place.

1955
01:34:19,560 --> 01:34:22,479
Speaker 1: Continue yeah, yeah, I mean you know, and like I said,

1956
01:34:22,680 --> 01:34:25,200
Speaker 1: you know, we got some great kids that came out

1957
01:34:25,240 --> 01:34:25,759
Speaker 1: of the program.

1958
01:34:25,920 --> 01:34:27,960
Speaker 2: And did you go to Liberty City because you felt

1959
01:34:28,000 --> 01:34:31,760
Speaker 2: that they needed it the most? From now? Because I

1960
01:34:31,840 --> 01:34:33,360
Speaker 2: know you from the whole Miami, I know, like you

1961
01:34:33,400 --> 01:34:36,080
Speaker 2: could have went anywhere in the whole Miami. Yeah that's

1962
01:34:36,080 --> 01:34:40,680
Speaker 2: where you're from city. Yeah, cool, from Liberty City too, right,

1963
01:34:41,040 --> 01:34:44,439
Speaker 2: Check from Liberty City. I think we're check from down south.

1964
01:34:44,600 --> 01:34:48,720
Speaker 2: He's from the heights man, Yeah, down here. It goes

1965
01:34:48,760 --> 01:34:53,320
Speaker 2: all around. But from Carol City, Yeah, Carol City. Gun

1966
01:34:53,439 --> 01:34:56,519
Speaker 2: play from Karroll City, Marimont, Carol City. All right, Pitt

1967
01:34:56,640 --> 01:35:00,400
Speaker 2: Bull is from Holly, you know, not west Chester a little.

1968
01:35:05,640 --> 01:35:07,320
Speaker 2: I know what you're talking about. I'm wucking with you.

1969
01:35:07,680 --> 01:35:10,679
Speaker 4: So have any of your kids ever, like not your kids,

1970
01:35:10,720 --> 01:35:13,400
Speaker 4: not your physical kids, but you know, you coach, have

1971
01:35:13,479 --> 01:35:15,960
Speaker 4: they ever came to you and said, look, I'm trying

1972
01:35:16,000 --> 01:35:16,240
Speaker 4: to you.

1973
01:35:16,240 --> 01:35:17,240
Speaker 1: Know, get it popping.

1974
01:35:17,320 --> 01:35:20,960
Speaker 2: Can you hook me up? You coach Luke.

1975
01:35:22,600 --> 01:35:26,479
Speaker 1: If you call me Luca, uncle Luca, something of your

1976
01:35:26,479 --> 01:35:29,080
Speaker 1: ass to be rolling four hund of yards and.

1977
01:35:29,880 --> 01:35:32,840
Speaker 4: Now how many people because I seen especially I believe

1978
01:35:32,920 --> 01:35:35,759
Speaker 4: on MTV or something, they was naming all the kids

1979
01:35:35,840 --> 01:35:37,920
Speaker 4: that you know, made it from from your program.

1980
01:35:38,760 --> 01:35:40,719
Speaker 2: How proud of you that, mom, I'm very proud.

1981
01:35:40,840 --> 01:35:43,000
Speaker 1: I mean, that's that's that's the whole point of the program.

1982
01:35:43,640 --> 01:35:48,200
Speaker 1: You know, they go and save lives. You know, a

1983
01:35:48,280 --> 01:35:50,400
Speaker 1: lot of people talk about it, and you know, and

1984
01:35:50,520 --> 01:35:54,160
Speaker 1: they say, oh, I'm doing this, but tell you physically

1985
01:35:55,040 --> 01:35:57,880
Speaker 1: out there every day with them, you know, and you

1986
01:35:58,040 --> 01:36:01,280
Speaker 1: seeing the little ones to be grown people. You know,

1987
01:36:02,040 --> 01:36:04,320
Speaker 1: I walked through the airport, I see some of the kids,

1988
01:36:04,520 --> 01:36:06,920
Speaker 1: you know, war Pride, you know, what I'm saying that

1989
01:36:07,200 --> 01:36:12,040
Speaker 1: they worked. Now they're working, and they came through the program,

1990
01:36:12,520 --> 01:36:14,599
Speaker 1: you know, you know, and you see someone on the NFL,

1991
01:36:14,720 --> 01:36:18,120
Speaker 1: you know, you know tomorrow night, two of our kids

1992
01:36:18,160 --> 01:36:21,000
Speaker 1: would be starting running backs for Cleveland Browns in the

1993
01:36:21,040 --> 01:36:21,639
Speaker 1: Atlanta FL.

1994
01:36:22,560 --> 01:36:28,680
Speaker 2: You know, in his books, I know you talked about that.

1995
01:36:28,760 --> 01:36:31,080
Speaker 2: Back in the days, there was no leagues like that. No,

1996
01:36:31,200 --> 01:36:33,360
Speaker 2: it wasn't no lead. You basically helped create that. Yeah.

1997
01:36:33,479 --> 01:36:36,640
Speaker 1: I mean because I was you know, I lived in

1998
01:36:36,680 --> 01:36:39,200
Speaker 1: the Liberty City, and because I was a good football player,

1999
01:36:39,320 --> 01:36:42,600
Speaker 1: I ended up going to Miami Beach playing for you know,

2000
01:36:42,680 --> 01:36:44,400
Speaker 1: the Optimists over there in Beach High.

2001
01:36:44,920 --> 01:36:47,040
Speaker 2: So I was, you know, that kid being on the

2002
01:36:47,080 --> 01:36:50,920
Speaker 2: bus every every every day coming.

2003
01:36:50,680 --> 01:36:54,519
Speaker 1: Home down the street right here, seventy ninth Street, eleven

2004
01:36:54,520 --> 01:36:57,200
Speaker 1: o'clock at night. So I was like, you know, if

2005
01:36:57,240 --> 01:36:59,160
Speaker 1: I would make two cents of my lunch money, I'll

2006
01:36:59,200 --> 01:37:01,760
Speaker 1: started program where kids don't have to, you know, go

2007
01:37:01,880 --> 01:37:05,320
Speaker 1: through that riding on the bus and getting on eleven

2008
01:37:05,360 --> 01:37:07,200
Speaker 1: o'clock at night. They can be able to go home

2009
01:37:07,280 --> 01:37:09,840
Speaker 1: and be able to get the proper education that they need.

2010
01:37:10,960 --> 01:37:11,879
Speaker 1: That's beautiful.

2011
01:37:12,160 --> 01:37:12,320
Speaker 2: God.

2012
01:37:12,720 --> 01:37:15,000
Speaker 4: Let me ask you little you just come across as

2013
01:37:15,040 --> 01:37:17,679
Speaker 4: a person. You don't use navigation in Miami.

2014
01:37:18,240 --> 01:37:22,479
Speaker 1: Navigation Yeah, Like, I ain't gonna lie like you just

2015
01:37:22,800 --> 01:37:24,840
Speaker 1: like you just look like you know the whole money

2016
01:37:24,880 --> 01:37:26,760
Speaker 1: every every now and then use it.

2017
01:37:26,880 --> 01:37:32,120
Speaker 2: Everybody in Miami too. Yeah. But you've seen this city

2018
01:37:32,160 --> 01:37:34,640
Speaker 2: literally built this up. You see, well you seen when

2019
01:37:34,720 --> 01:37:37,000
Speaker 2: cocaine came to this motherfucker.

2020
01:37:36,680 --> 01:37:40,840
Speaker 4: Yeah, cowboys all that you see that women would change,

2021
01:37:40,880 --> 01:37:41,759
Speaker 4: that's just been crazy.

2022
01:37:42,120 --> 01:37:44,720
Speaker 2: Yeah, I'm still trying to That was back in the days.

2023
01:37:44,760 --> 01:37:46,599
Speaker 2: That ship was not the way it looked like. Yeah,

2024
01:37:46,600 --> 01:37:48,800
Speaker 2: I'm still trying to figure out what it was. Crazy.

2025
01:37:48,840 --> 01:37:50,080
Speaker 2: I'm like, that's over time.

2026
01:37:50,280 --> 01:37:51,960
Speaker 1: You mother can still over town away.

2027
01:37:53,760 --> 01:38:00,320
Speaker 2: I'm still trying to figure it out. Don't get the

2028
01:38:00,360 --> 01:38:05,120
Speaker 2: word section this small for US Cubans. We were surprised

2029
01:38:05,120 --> 01:38:07,960
Speaker 2: about the Puerto Rican section for them.

2030
01:38:08,439 --> 01:38:10,639
Speaker 1: Yeah, when Wood was this small, all of a sudden,

2031
01:38:10,680 --> 01:38:13,720
Speaker 1: that motherfuckers this me. I'm like, okay, what part of

2032
01:38:13,800 --> 01:38:16,160
Speaker 1: old town did you? You know?

2033
01:38:16,280 --> 01:38:17,479
Speaker 2: I'm like, okay, all right.

2034
01:38:17,360 --> 01:38:26,200
Speaker 1: And then the Mosquitoes came. I'm like, yeah, motherfuckers, so

2035
01:38:26,439 --> 01:38:30,040
Speaker 1: old time and see you motherfucking mosquitoes.

2036
01:38:30,080 --> 01:38:33,360
Speaker 2: To get y'all, you, I said, let's go wrong, have drinks.

2037
01:38:33,400 --> 01:38:36,080
Speaker 2: It's like no. I was like, oh, ship, I don't

2038
01:38:36,160 --> 01:38:39,080
Speaker 2: know what it was a chick. I was like, I

2039
01:38:39,240 --> 01:38:45,840
Speaker 2: want to And then they's praying that motherfuckers sucking up

2040
01:38:45,880 --> 01:38:48,360
Speaker 2: people with that ship. I'm like, I'm like, hold on,

2041
01:38:48,520 --> 01:38:50,479
Speaker 2: where the fuck did this ship pop up? Man?

2042
01:38:51,160 --> 01:38:53,080
Speaker 1: You know you got wind Wood me in town all

2043
01:38:53,120 --> 01:38:54,000
Speaker 1: that ship was over time.

2044
01:38:54,560 --> 01:38:58,320
Speaker 4: Now Ross and Ross beginning the career, did you have

2045
01:38:58,439 --> 01:39:00,799
Speaker 4: anything to do with that? Because that was slipping slide correct?

2046
01:39:01,400 --> 01:39:03,800
Speaker 2: Yeah, Ross was on slipping side. Then me and Ross

2047
01:39:03,960 --> 01:39:04,639
Speaker 2: did a record.

2048
01:39:05,160 --> 01:39:09,920
Speaker 1: After Ross did a dis a record on slide, he

2049
01:39:10,000 --> 01:39:12,320
Speaker 1: did a disc record, and then I did a record.

2050
01:39:12,120 --> 01:39:14,640
Speaker 2: With Ross and the slipper side. I thought you was

2051
01:39:14,720 --> 01:39:15,800
Speaker 2: dissing them too or.

2052
01:39:15,880 --> 01:39:19,320
Speaker 1: No, well not no. My song wasn't a this song,

2053
01:39:19,880 --> 01:39:21,599
Speaker 1: you know. I just thought he was a a hot

2054
01:39:21,920 --> 01:39:24,760
Speaker 1: a rapper. But he had a mixtape. He had a

2055
01:39:24,800 --> 01:39:27,479
Speaker 1: mixtape and he had did a you know, whole album

2056
01:39:28,200 --> 01:39:30,680
Speaker 1: and one of the records he had dissed them, you

2057
01:39:30,800 --> 01:39:34,280
Speaker 1: know on there and then I ended up listening to

2058
01:39:34,360 --> 01:39:37,320
Speaker 1: the mixtape. I lighted him as an artist, you know

2059
01:39:37,560 --> 01:39:41,840
Speaker 1: here man dirt bag. So both of them, yeah, I

2060
01:39:41,880 --> 01:39:45,080
Speaker 1: put him both on a record. You know, I was like,

2061
01:39:45,200 --> 01:39:47,479
Speaker 1: these two dudes are hot, this ship right here, So

2062
01:39:47,479 --> 01:39:49,160
Speaker 1: I ended up putting them on the record before he

2063
01:39:49,240 --> 01:39:49,680
Speaker 1: blew up.

2064
01:39:50,040 --> 01:39:55,000
Speaker 4: Now, everybody, like a lot of people, they say I

2065
01:39:55,120 --> 01:39:59,000
Speaker 4: run this town, or I'm the king, or I'm such

2066
01:39:59,040 --> 01:40:02,400
Speaker 4: and such, like you are really like the king of Miami.

2067
01:40:02,640 --> 01:40:08,439
Speaker 4: Like from families that praise you for helping their sons

2068
01:40:08,560 --> 01:40:11,439
Speaker 4: play football and get into certain things for football, and

2069
01:40:11,560 --> 01:40:14,080
Speaker 4: then from families that you've helped Because when you put

2070
01:40:14,160 --> 01:40:14,760
Speaker 4: on a rap up.

2071
01:40:14,840 --> 01:40:17,760
Speaker 2: DMX said this on our third interview. He said, when

2072
01:40:17,760 --> 01:40:21,880
Speaker 2: you put on a rapp up, you employ eight other motherfuckers. Yeah,

2073
01:40:22,000 --> 01:40:24,360
Speaker 2: like one rapper comes with eight other motherfuckers.

2074
01:40:24,400 --> 01:40:27,040
Speaker 4: So if you put on if you put on just

2075
01:40:27,160 --> 01:40:29,880
Speaker 4: three rappers, what's eight times three?

2076
01:40:31,000 --> 01:40:34,439
Speaker 2: That's twenty four people that you employed. Yeah, and I'm

2077
01:40:34,479 --> 01:40:35,400
Speaker 2: just talking about three.

2078
01:40:36,960 --> 01:40:40,479
Speaker 4: So you are like so revered, you so love, like

2079
01:40:40,600 --> 01:40:44,040
Speaker 4: you can walk around by yourself. Is that something you

2080
01:40:44,240 --> 01:40:46,840
Speaker 4: proud of? Because is that something you always thought that

2081
01:40:46,960 --> 01:40:48,880
Speaker 4: this is what you how you want to be or

2082
01:40:50,000 --> 01:40:50,759
Speaker 4: what I didn't.

2083
01:40:51,160 --> 01:40:53,240
Speaker 1: I didn't think it out. You know, I just know

2084
01:40:53,320 --> 01:40:55,600
Speaker 1: who my mom and my dad raised. You know what

2085
01:40:55,600 --> 01:40:57,839
Speaker 1: I'm saying, And I just did. I just did everything

2086
01:40:57,920 --> 01:41:00,599
Speaker 1: with common sense. And at the same time, I made

2087
01:41:00,640 --> 01:41:05,360
Speaker 1: sure that, you know, even how big I got, whether

2088
01:41:05,400 --> 01:41:10,000
Speaker 1: I was in Japan or China or wherever, France or

2089
01:41:10,080 --> 01:41:13,720
Speaker 1: Holland doing the show, that I would eventually end up

2090
01:41:13,960 --> 01:41:17,160
Speaker 1: back home, you know. And when the all opportunities came

2091
01:41:17,800 --> 01:41:20,479
Speaker 1: to be, you know, an executive in New York and

2092
01:41:20,920 --> 01:41:23,880
Speaker 1: LA get into the movie industry, I know I couldn't

2093
01:41:23,960 --> 01:41:28,040
Speaker 1: leave because I need to go back to Miami, you know,

2094
01:41:28,320 --> 01:41:30,680
Speaker 1: because you know, I always figured, hey, look there got

2095
01:41:30,800 --> 01:41:32,920
Speaker 1: to be some other loops coming after me.

2096
01:41:33,040 --> 01:41:33,679
Speaker 2: If I leave.

2097
01:41:33,880 --> 01:41:36,720
Speaker 1: Like every other dude, do you know they'll leave their

2098
01:41:36,760 --> 01:41:39,240
Speaker 1: own city after they blow up. Oh I'm going to

2099
01:41:39,320 --> 01:41:42,760
Speaker 1: the big lights. You know what I'm saying in Hollywood? Now,

2100
01:41:42,840 --> 01:41:45,439
Speaker 1: you just left the city. So I always looked at

2101
01:41:45,479 --> 01:41:47,720
Speaker 1: it from the standpoint you know, I really got to

2102
01:41:47,720 --> 01:41:50,320
Speaker 1: wrap my city and I got to put other people

2103
01:41:50,360 --> 01:41:50,760
Speaker 1: on and.

2104
01:41:50,800 --> 01:41:58,320
Speaker 2: I applaud you for that. Obama just recently had two meetings.

2105
01:41:58,439 --> 01:42:00,519
Speaker 2: He met with all the rappers and then he had

2106
01:42:00,520 --> 01:42:04,400
Speaker 2: a party. Can't invite me? Are you taking it in? Obama?

2107
01:42:04,439 --> 01:42:06,559
Speaker 2: I was saying, we can't say Obama, so you got

2108
01:42:06,640 --> 01:42:11,080
Speaker 2: office and he did he meet with niggas? Was in

2109
01:42:11,160 --> 01:42:11,559
Speaker 2: there with the.

2110
01:42:15,560 --> 01:42:22,559
Speaker 1: Keep was there for the t was there?

2111
01:42:22,920 --> 01:42:25,160
Speaker 4: He invited a whole bunch of niggas that I know.

2112
01:42:25,280 --> 01:42:28,800
Speaker 4: I committed a felony with as well, and he invited them.

2113
01:42:28,840 --> 01:42:30,640
Speaker 2: He didn't invite me. Yeah, this is the first I

2114
01:42:30,760 --> 01:42:31,080
Speaker 2: heard that.

2115
01:42:31,240 --> 01:42:33,639
Speaker 4: But have you ever been invited to the White House

2116
01:42:33,680 --> 01:42:37,280
Speaker 4: like n w A? W A had some fun up

2117
01:42:37,280 --> 01:42:41,519
Speaker 4: ship and then he went to w A. Yeah, I

2118
01:42:41,640 --> 01:42:42,200
Speaker 4: was just wondering.

2119
01:42:42,240 --> 01:42:45,080
Speaker 1: I don't know that would have been Bernie would have

2120
01:42:45,080 --> 01:42:46,520
Speaker 1: won out from Bernie.

2121
01:42:46,600 --> 01:42:52,439
Speaker 2: Bernie now went to politics. He's a politician, all right.

2122
01:42:53,479 --> 01:42:57,160
Speaker 2: Nelly tried to open the cloud on South Beach. They

2123
01:42:57,600 --> 01:43:00,320
Speaker 2: told him that happen. They shut him down. So now

2124
01:43:00,400 --> 01:43:04,160
Speaker 2: he's trying to run for mayor of not Miami, of South.

2125
01:43:03,960 --> 01:43:05,599
Speaker 3: I didn't even know that was a city by itself.

2126
01:43:07,360 --> 01:43:10,759
Speaker 3: So he said South Beach, South. I don't know many beaches,

2127
01:43:10,840 --> 01:43:12,680
Speaker 3: but he's said South Beach is I never knew that.

2128
01:43:12,880 --> 01:43:20,920
Speaker 1: I never knew that first, right, he said, I said,

2129
01:43:21,240 --> 01:43:21,920
Speaker 1: sure's the city.

2130
01:43:22,120 --> 01:43:25,640
Speaker 4: He says the city from other queens, so he might

2131
01:43:25,720 --> 01:43:28,320
Speaker 4: be getting But the fact is it doesn't matter.

2132
01:43:28,640 --> 01:43:32,479
Speaker 2: I think that Donald Trump, I don't feel bad now.

2133
01:43:32,600 --> 01:43:35,080
Speaker 2: You don't know that it doesn't matter.

2134
01:43:35,160 --> 01:43:35,840
Speaker 1: But this is what I think.

2135
01:43:35,920 --> 01:43:38,720
Speaker 4: I think that that Donald Trump has set it up

2136
01:43:38,920 --> 01:43:44,760
Speaker 4: for people like you who have maybe a filtered past,

2137
01:43:44,840 --> 01:43:49,760
Speaker 4: but you have for such a bright future that uh.

2138
01:43:49,439 --> 01:43:52,360
Speaker 2: People that you can run for maya sat up for

2139
01:43:52,439 --> 01:43:53,000
Speaker 2: Donald Trump?

2140
01:43:55,520 --> 01:43:56,000
Speaker 1: Is that good?

2141
01:43:57,520 --> 01:43:58,800
Speaker 2: I don't know. I'm gonna make no way for.

2142
01:43:58,800 --> 01:44:03,280
Speaker 1: That, you know, I mean what I mean by that.

2143
01:44:03,479 --> 01:44:06,240
Speaker 1: What I mean by that is when I ran for

2144
01:44:06,479 --> 01:44:14,640
Speaker 1: mayor here right game in third Uh, I ran us

2145
01:44:14,720 --> 01:44:17,479
Speaker 1: my own money. You know what I'm saying the same

2146
01:44:17,560 --> 01:44:18,080
Speaker 1: things I do.

2147
01:44:18,280 --> 01:44:19,800
Speaker 2: Remember this that's long ago.

2148
01:44:20,560 --> 01:44:23,679
Speaker 1: I lived out the same thing you see Trump doing.

2149
01:44:24,920 --> 01:44:29,200
Speaker 2: I mean, you know, it's it's almost like straight out

2150
01:44:29,200 --> 01:44:29,919
Speaker 2: of my playbook.

2151
01:44:30,640 --> 01:44:33,240
Speaker 1: You know what I'm saying, basically keeping it real, you know,

2152
01:44:33,600 --> 01:44:38,120
Speaker 1: appealing to people who who feel like they left off.

2153
01:44:38,600 --> 01:44:40,360
Speaker 2: You know what I'm saying. Trump the way you sound,

2154
01:44:40,400 --> 01:44:43,400
Speaker 2: you sound like you know. I don't like Trump. I'm

2155
01:44:43,439 --> 01:44:44,240
Speaker 2: worried about Trump.

2156
01:44:44,640 --> 01:44:48,240
Speaker 1: No, Trump never ended up in my rap. I never

2157
01:44:48,320 --> 01:44:50,880
Speaker 1: glorified him. You know, most of the guys from New

2158
01:44:50,960 --> 01:44:57,120
Speaker 1: York glorifying Trump about.

2159
01:45:00,040 --> 01:45:08,760
Speaker 2: I don't worry about her? Was a rap song gone

2160
01:45:08,840 --> 01:45:09,720
Speaker 2: back as soon as he got.

2161
01:45:09,800 --> 01:45:11,920
Speaker 4: As soon as he got mother, he said, I'm I'm

2162
01:45:11,920 --> 01:45:15,360
Speaker 4: gonna suck with the white racist because those are the

2163
01:45:15,400 --> 01:45:16,439
Speaker 4: people that's gonna come out.

2164
01:45:17,360 --> 01:45:21,200
Speaker 2: Hung out with Trump. You know, back in the day,

2165
01:45:24,000 --> 01:45:26,840
Speaker 2: you know, he was a cool motherfucker. You give him

2166
01:45:26,840 --> 01:45:31,519
Speaker 2: a dirty I gotta give Trump a dirty man next time.

2167
01:45:31,600 --> 01:45:35,439
Speaker 1: He Actually, I thought I was the party I was

2168
01:45:35,720 --> 01:45:37,519
Speaker 1: with him. I was like, y'all trying to get something

2169
01:45:37,520 --> 01:45:40,000
Speaker 1: of me. Let me get the fun out of the now.

2170
01:45:40,080 --> 01:45:41,000
Speaker 1: Y'all got cameras in.

2171
01:45:41,040 --> 01:45:42,120
Speaker 2: This room here. Now.

2172
01:45:42,240 --> 01:45:45,200
Speaker 4: Trina, she's one of like Miami stables, like one of

2173
01:45:45,280 --> 01:45:48,439
Speaker 4: the first female artists. Sex symbol kind of took your

2174
01:45:49,040 --> 01:45:54,120
Speaker 4: your you know a format. How you feel about Trina?

2175
01:45:54,960 --> 01:45:55,280
Speaker 2: My girl?

2176
01:45:55,720 --> 01:45:58,439
Speaker 1: I mean that's that's that's one of the niece, you

2177
01:45:58,520 --> 01:46:01,360
Speaker 1: know what me and me and you know she when

2178
01:46:01,400 --> 01:46:03,599
Speaker 1: you hit a song on East your birthday and say,

2179
01:46:03,640 --> 01:46:04,639
Speaker 1: Trina is your birthday?

2180
01:46:05,000 --> 01:46:08,040
Speaker 2: That was her thought about that. Yeah, wow, Yeah, that

2181
01:46:08,160 --> 01:46:08,920
Speaker 2: was that was.

2182
01:46:10,160 --> 01:46:11,759
Speaker 1: You know, she used to hang out at the studio

2183
01:46:11,840 --> 01:46:15,160
Speaker 1: and all that I know her since she was real

2184
01:46:15,240 --> 01:46:20,439
Speaker 1: real young stepdad, mister wonderful on fifteen that's the store

2185
01:46:20,479 --> 01:46:22,519
Speaker 1: we used to hang out at. You know when I

2186
01:46:22,680 --> 01:46:25,280
Speaker 1: was a rough guy, you know, and she used to

2187
01:46:25,320 --> 01:46:27,880
Speaker 1: be the little girl running around you know all that.

2188
01:46:28,160 --> 01:46:30,800
Speaker 1: You know, that's when I was not a nice guy,

2189
01:46:31,160 --> 01:46:32,880
Speaker 1: and so I kind of squatched her girl up.

2190
01:46:34,200 --> 01:46:37,599
Speaker 4: So big up, Trina, Trina, trick Daddy, everybody from Miami.

2191
01:46:38,000 --> 01:46:40,479
Speaker 2: He's artists. We in Miami. We want to respect that.

2192
01:46:41,000 --> 01:46:41,680
Speaker 2: So looke, let me.

2193
01:46:42,840 --> 01:46:47,320
Speaker 4: Pretty much wrapping this up. You started like the sex

2194
01:46:47,720 --> 01:46:50,600
Speaker 4: the strip clubs. I had a party with you and

2195
01:46:50,680 --> 01:46:53,200
Speaker 4: soby Live the ship was turned the fuck out. I mean,

2196
01:46:53,240 --> 01:46:55,600
Speaker 4: this was years ago when Sobey Lives was open. But

2197
01:46:55,680 --> 01:46:57,679
Speaker 4: then my manager told me, it's like I said.

2198
01:46:58,080 --> 01:46:59,599
Speaker 2: You should have went to the one in the tunnel.

2199
01:47:00,000 --> 01:47:01,160
Speaker 2: I went to the one that know I did. I

2200
01:47:01,200 --> 01:47:03,000
Speaker 2: didn't go to your joint in the tunnel. I'm sorry.

2201
01:47:03,200 --> 01:47:04,599
Speaker 2: I might have been locked up at the time. I'm

2202
01:47:04,640 --> 01:47:08,080
Speaker 2: not sure what period, what what what?

2203
01:47:08,200 --> 01:47:08,240
Speaker 1: What?

2204
01:47:08,360 --> 01:47:09,840
Speaker 2: What year was this you taking?

2205
01:47:10,400 --> 01:47:11,720
Speaker 1: I did the tunnel man?

2206
01:47:12,680 --> 01:47:15,120
Speaker 2: That was a crazy I did?

2207
01:47:15,439 --> 01:47:15,760
Speaker 3: I did?

2208
01:47:16,040 --> 01:47:20,280
Speaker 1: I was bard out of out of speed, no.

2209
01:47:22,920 --> 01:47:25,479
Speaker 2: Apolo? Oh you got who get bared from the polo?

2210
01:47:25,560 --> 01:47:28,800
Speaker 2: Hold off? You got bard from the ball? I just

2211
01:47:28,880 --> 01:47:29,920
Speaker 2: did the other day.

2212
01:47:30,479 --> 01:47:32,439
Speaker 1: Second five rules came in.

2213
01:47:33,439 --> 01:47:37,680
Speaker 2: From cool because yeah, yeah, shaking that she was.

2214
01:47:38,680 --> 01:47:46,599
Speaker 1: Mother girlfriends stabbed the boyfriend and the show on stage

2215
01:47:47,160 --> 01:47:47,680
Speaker 1: ahead and.

2216
01:47:48,520 --> 01:47:54,439
Speaker 4: Got damn no boy the Miami Boys and there could

2217
01:47:54,479 --> 01:47:55,800
Speaker 4: be a new look right now?

2218
01:47:56,040 --> 01:47:57,200
Speaker 2: Do you think like right now?

2219
01:47:57,760 --> 01:47:58,519
Speaker 3: Like what you not?

2220
01:47:58,840 --> 01:47:58,880
Speaker 2: No?

2221
01:47:59,280 --> 01:48:02,599
Speaker 1: No, okay, I don't think they can.

2222
01:48:02,800 --> 01:48:05,760
Speaker 2: No, man, you can't reinvent. I'm the only one they

2223
01:48:05,800 --> 01:48:06,200
Speaker 2: can't get.

2224
01:48:06,320 --> 01:48:09,400
Speaker 4: Can they can't get the wrest of Can it be

2225
01:48:09,439 --> 01:48:11,280
Speaker 4: a new two Live crew? Like I'm talking about other

2226
01:48:11,360 --> 01:48:16,120
Speaker 4: niggas like new artists, a new Yeah, but not Louke.

2227
01:48:17,640 --> 01:48:19,280
Speaker 2: No, you gotta you gotta go through some ship.

2228
01:48:23,479 --> 01:48:24,800
Speaker 3: I don't think they could be a new two Life, bro.

2229
01:48:24,800 --> 01:48:26,479
Speaker 3: I'm gonna tell you why because it was just the

2230
01:48:26,720 --> 01:48:30,120
Speaker 3: error that was brand new. Anybody does it now? It's

2231
01:48:30,160 --> 01:48:33,600
Speaker 3: not brand new no more. What I'm saying that him it.

2232
01:48:33,560 --> 01:48:35,799
Speaker 2: Has been too short. It's been keeping it alive.

2233
01:48:37,120 --> 01:48:40,160
Speaker 4: But it's not gonna be a shocking when say it

2234
01:48:40,280 --> 01:48:42,919
Speaker 4: was shocking, That's what I'm saying, Like another new young.

2235
01:48:42,840 --> 01:48:47,479
Speaker 2: Dude, that that what you do. Most of them to

2236
01:48:47,600 --> 01:48:48,519
Speaker 2: have a necond video and.

2237
01:48:48,520 --> 01:48:50,920
Speaker 4: Then they'll going to another video like all of the

2238
01:48:51,160 --> 01:48:53,920
Speaker 4: videos was like you know what I'm saying, Like my

2239
01:48:54,200 --> 01:48:55,840
Speaker 4: right arm is hurting like you know what I'm saying

2240
01:48:56,040 --> 01:48:58,960
Speaker 4: was sitting on the drinking off the kid watching videos.

2241
01:48:58,960 --> 01:49:01,000
Speaker 4: I'm sorry that it's wait a minute, but i gotta

2242
01:49:01,000 --> 01:49:03,720
Speaker 4: tell you, you know what I mean? They cannot be

2243
01:49:03,800 --> 01:49:05,679
Speaker 4: another look, right, they cannot?

2244
01:49:06,040 --> 01:49:09,240
Speaker 2: I don't think so. I would like to see that.

2245
01:49:09,320 --> 01:49:12,479
Speaker 4: I would like to see artists resurgence, like like with

2246
01:49:12,600 --> 01:49:15,880
Speaker 4: styles like not biting nobody ship but reminded me like

2247
01:49:15,960 --> 01:49:17,320
Speaker 4: Joey Badass reminds.

2248
01:49:17,040 --> 01:49:19,040
Speaker 2: Me of buck Shot. That might be resemblance. Now that

2249
01:49:19,200 --> 01:49:20,599
Speaker 2: reminds me of rock Him.

2250
01:49:20,880 --> 01:49:22,680
Speaker 4: You know what I'm saying, not saying nas is not

2251
01:49:22,960 --> 01:49:25,759
Speaker 4: rock Him and and and Joey Badass is a Buckshot.

2252
01:49:26,000 --> 01:49:27,720
Speaker 2: But it does remind me, you know what I mean?

2253
01:49:28,520 --> 01:49:30,600
Speaker 2: They can it can never be. Can they get? Is

2254
01:49:30,680 --> 01:49:35,320
Speaker 2: somebody come close? Resemblance? Yeah? Definitely. Now, when the last

2255
01:49:35,360 --> 01:49:39,599
Speaker 2: time you've been in strip club? Last time, last week,

2256
01:49:39,880 --> 01:49:40,360
Speaker 2: last week?

2257
01:49:41,080 --> 01:49:44,120
Speaker 4: And are you like all right they're keeping the tradition

2258
01:49:44,240 --> 01:49:46,679
Speaker 4: going or you like, let me get the funk about

2259
01:49:46,720 --> 01:49:46,920
Speaker 4: it here?

2260
01:49:47,280 --> 01:49:49,639
Speaker 2: Most of the time. I mean, you got different types

2261
01:49:49,640 --> 01:49:53,320
Speaker 2: of strip clubes. I mean you got some straight don't

2262
01:49:57,439 --> 01:49:58,240
Speaker 2: that's almost.

2263
01:50:00,640 --> 01:50:04,519
Speaker 3: There's holiday some clubs that's dancing and shout out to

2264
01:50:04,600 --> 01:50:05,040
Speaker 3: show girls.

2265
01:50:05,080 --> 01:50:09,639
Speaker 2: That's color. Cheetahs Holiday strip clubs ain't got no chairs.

2266
01:50:09,720 --> 01:50:12,880
Speaker 1: Everybody standing up looking at the stage, you know, I

2267
01:50:13,000 --> 01:50:15,120
Speaker 1: mean they got comedy and ship going on.

2268
01:50:15,280 --> 01:50:19,480
Speaker 2: I mean it's different people they got going on. Scotland scarlets,

2269
01:50:19,760 --> 01:50:23,479
Speaker 2: fat scarlett, scarlets of the block from Cheetahs, Take one,

2270
01:50:23,600 --> 01:50:23,920
Speaker 2: Take one.

2271
01:50:24,920 --> 01:50:28,000
Speaker 4: You know, you know all the mistresses in the strips

2272
01:50:28,760 --> 01:50:32,400
Speaker 4: up the mistress game Miami and Atlanta. I remember at

2273
01:50:32,439 --> 01:50:34,680
Speaker 4: one point we would look at your niggas and be

2274
01:50:34,800 --> 01:50:36,799
Speaker 4: like they throwing their money the bitches.

2275
01:50:37,360 --> 01:50:38,880
Speaker 2: Yes it right now.

2276
01:50:39,160 --> 01:50:41,960
Speaker 4: There's no regular clubs in New York. It's only strip club.

2277
01:50:42,360 --> 01:50:45,639
Speaker 4: But I remember us clown and niggas like I remember

2278
01:50:45,720 --> 01:50:47,559
Speaker 4: the players ball and all that. We used to laugh

2279
01:50:47,640 --> 01:50:50,360
Speaker 4: at niggas in the South, like these niggas, it's crazy,

2280
01:50:50,439 --> 01:50:53,599
Speaker 4: y'all hang out with the bitches getting naked. And then

2281
01:50:54,080 --> 01:50:57,720
Speaker 4: remember like strip club was a one night a week thing.

2282
01:50:57,880 --> 01:51:01,559
Speaker 4: It was like on a Tuesday on a Friday. Now

2283
01:51:01,920 --> 01:51:06,760
Speaker 4: it's every day thing. Every day something is open. And

2284
01:51:07,160 --> 01:51:10,200
Speaker 4: and now go nigga's not integrated New York. Yeah, got

2285
01:51:10,280 --> 01:51:11,280
Speaker 4: some fun up niggas for that.

2286
01:51:11,400 --> 01:51:13,320
Speaker 2: Man. I'm not making noise for that. I'm just letting

2287
01:51:13,320 --> 01:51:17,799
Speaker 2: you know that you're my whole city, part of our culture.

2288
01:51:17,840 --> 01:51:18,120
Speaker 2: In mind.

2289
01:51:18,320 --> 01:51:20,360
Speaker 4: You can just not I mean, back in the days,

2290
01:51:20,400 --> 01:51:21,640
Speaker 4: you could look at a girl and be like, oh,

2291
01:51:21,800 --> 01:51:23,800
Speaker 4: that's a nice girl. Like right now you can like

2292
01:51:23,880 --> 01:51:26,160
Speaker 4: if you see a girl rolling the bag, you're like,

2293
01:51:26,200 --> 01:51:30,280
Speaker 4: oh man, it's sucking miacause got rich just rolling the back.

2294
01:51:30,320 --> 01:51:32,479
Speaker 4: You just came from to I just came up, like

2295
01:51:32,560 --> 01:51:34,200
Speaker 4: it's crazy. So I just want to thank you. Want

2296
01:51:34,280 --> 01:51:37,400
Speaker 4: to get blue Uncle Luke Man.

2297
01:51:37,640 --> 01:51:39,439
Speaker 2: We all wet, we got a bad We got a

2298
01:51:39,479 --> 01:51:42,120
Speaker 2: bag for you. Yeah, I got a bag. We're trying

2299
01:51:42,160 --> 01:51:43,960
Speaker 2: to be professional. You know what I'm saying.

2300
01:51:44,000 --> 01:51:46,040
Speaker 3: It's from the Dream Champs to you. The drink Champions

2301
01:51:46,120 --> 01:51:49,360
Speaker 3: didn't drink you didn't like Oh no, no no, that's

2302
01:51:49,400 --> 01:51:54,960
Speaker 3: my personal person. But I'm fucking with the Columbians and

2303
01:51:55,000 --> 01:51:57,120
Speaker 3: we got a Dream championshire Dream Champs cups.

2304
01:51:57,920 --> 01:52:02,000
Speaker 4: Big up that royal elite Fat Joe bigare.

2305
01:52:01,200 --> 01:52:05,559
Speaker 2: Big of Rick ross Man. He's getting so much money.

2306
01:52:05,640 --> 01:52:09,840
Speaker 2: Man coming here for years. Yeah oh yeah he still

2307
01:52:09,880 --> 01:52:11,040
Speaker 2: live here. He still live here.

2308
01:52:11,960 --> 01:52:15,559
Speaker 4: Uh big September tenth, We're having this party go down,

2309
01:52:15,880 --> 01:52:17,200
Speaker 4: so all the people we want you to come out

2310
01:52:17,240 --> 01:52:18,320
Speaker 4: and go and invite all the guests.

2311
01:52:18,520 --> 01:52:19,120
Speaker 1: Uncle Luke, I.

2312
01:52:19,160 --> 01:52:21,160
Speaker 2: Can't thank you so much because you are the Miami

2313
01:52:21,280 --> 01:52:22,720
Speaker 2: King and we.

2314
01:52:23,040 --> 01:52:25,960
Speaker 4: Wouldn't feel comfortable continue with this show or having this

2315
01:52:26,040 --> 01:52:29,559
Speaker 4: show without the ball man coming through a cod signing us.

2316
01:52:29,760 --> 01:52:31,280
Speaker 4: We want a salute. We want to tell people go

2317
01:52:31,360 --> 01:52:34,160
Speaker 4: out there and get your book. Is very important because

2318
01:52:34,240 --> 01:52:39,559
Speaker 4: what you heard today is just a piece of how phenomenally.

2319
01:52:40,760 --> 01:52:41,240
Speaker 2: You know what I mean.

2320
01:52:41,360 --> 01:52:45,840
Speaker 4: And then not only that, you young motherfuckers, not only

2321
01:52:45,960 --> 01:52:50,040
Speaker 4: do you listen to this interview and then read this book,

2322
01:52:50,479 --> 01:52:52,880
Speaker 4: but go out there and do your research. Go out

2323
01:52:52,880 --> 01:52:55,840
Speaker 4: there and see why you heard Efn's voice cracking and

2324
01:52:56,000 --> 01:52:59,280
Speaker 4: my voice cracking as we're asking questions and we're sitting

2325
01:52:59,360 --> 01:53:02,280
Speaker 4: back and learning things. Is because we're excited to see

2326
01:53:02,320 --> 01:53:05,400
Speaker 4: a legend. It is not bad for you to be

2327
01:53:05,520 --> 01:53:09,639
Speaker 4: a fan of somebody else makes it a great artist.

2328
01:53:10,040 --> 01:53:14,080
Speaker 4: Blue artists are fans of other people and ain't afraid.

2329
01:53:13,720 --> 01:53:16,439
Speaker 2: To be fans of other people. Here you are. This

2330
01:53:16,520 --> 01:53:18,120
Speaker 2: is what makes drinks Champs.

2331
01:53:17,880 --> 01:53:20,280
Speaker 4: Dope, is that you get to hear me and EFN

2332
01:53:20,640 --> 01:53:22,120
Speaker 4: act like young boys.

2333
01:53:22,160 --> 01:53:22,400
Speaker 2: Again.

2334
01:53:23,280 --> 01:53:25,720
Speaker 4: We're sitting here, sitting with a legend, like Luke, and

2335
01:53:25,840 --> 01:53:29,720
Speaker 4: we just sitting here and just so open because and

2336
01:53:29,840 --> 01:53:32,160
Speaker 4: it don't matter the fuck with ratings. We ad that

2337
01:53:32,240 --> 01:53:34,960
Speaker 4: don't matter. What matters is to keep hip hop alive.

2338
01:53:35,320 --> 01:53:39,400
Speaker 4: And we don't interview new artists. We interview legends because

2339
01:53:39,479 --> 01:53:41,799
Speaker 4: that's who we know about. We don't got to google.

2340
01:53:42,000 --> 01:53:45,280
Speaker 4: But if you're a young guy, you enter this drink Champs,

2341
01:53:45,560 --> 01:53:48,720
Speaker 4: I suggest you google you in the book, the book

2342
01:53:49,000 --> 01:53:50,360
Speaker 4: that's about to say, you know, not only listen to

2343
01:53:50,439 --> 01:53:52,880
Speaker 4: this interview, not only listen to the book, but go

2344
01:53:53,080 --> 01:53:54,000
Speaker 4: and get your interview.

2345
01:53:54,080 --> 01:53:56,880
Speaker 2: Because when you see Nellie Tiptrail and.

2346
01:53:57,000 --> 01:53:58,800
Speaker 4: I'm talking about the video now I'm about the girl,

2347
01:53:59,000 --> 01:54:01,080
Speaker 4: but the video, a lot of people think that that

2348
01:54:01,280 --> 01:54:05,759
Speaker 4: was the first video, the first X rated video period,

2349
01:54:06,400 --> 01:54:09,479
Speaker 4: and that bothers me. That bothers me because it's like,

2350
01:54:09,680 --> 01:54:12,439
Speaker 4: damn as a og, I'm the next generation.

2351
01:54:12,800 --> 01:54:14,960
Speaker 2: So I kind of blame myself, but I can't be

2352
01:54:15,040 --> 01:54:18,080
Speaker 2: on Twitter every single day. But some of you guys

2353
01:54:18,120 --> 01:54:18,599
Speaker 2: who love.

2354
01:54:18,600 --> 01:54:20,960
Speaker 4: Hip hop, go out there and do your research because

2355
01:54:21,760 --> 01:54:24,880
Speaker 4: you ain't doing nothing new under the sun. And that's

2356
01:54:24,960 --> 01:54:27,120
Speaker 4: not a dis to you guys. That's to stay tuned.

2357
01:54:27,479 --> 01:54:29,960
Speaker 4: Do your research. Uncle Luke you can't think you know

2358
01:54:30,080 --> 01:54:33,120
Speaker 4: your history. Ain't nothing about that because just think about

2359
01:54:33,160 --> 01:54:36,600
Speaker 4: it us as being you know, African Latinos or whatever.

2360
01:54:36,960 --> 01:54:38,760
Speaker 4: If we don't know the history that we got on

2361
01:54:38,880 --> 01:54:41,160
Speaker 4: the boat and motherfuckers put us in the slave shit,

2362
01:54:41,440 --> 01:54:43,320
Speaker 4: then guess what if you don't know, next time a

2363
01:54:43,400 --> 01:54:44,680
Speaker 4: motherfucker asked you on a boat.

2364
01:54:44,480 --> 01:54:46,560
Speaker 2: We would be like, let me get my paddle, and your.

2365
01:54:46,520 --> 01:54:49,280
Speaker 4: Monkey asked, gonna be somewhere dumb, were stupid, So go

2366
01:54:49,400 --> 01:54:50,480
Speaker 4: do your motherfucker history.

2367
01:54:50,640 --> 01:54:53,800
Speaker 2: Uh, luluke, we know you man leaving the building. Let's

2368
01:54:53,840 --> 01:54:54,440
Speaker 2: go man.

2369
01:55:00,640 --> 01:55:02,440
Speaker 1: He turned the sad lay