1 00:00:03,080 --> 00:00:06,120 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,119 --> 00:00:12,320 Speaker 2: Hi, my name is Robert Lamb and this is the 3 00:00:12,400 --> 00:00:15,240 Speaker 2: Monster Fact, a short form series from Stuff to Blow 4 00:00:15,280 --> 00:00:24,360 Speaker 2: Your Mind focusing on mythical creatures, ideas, and monsters in time. Now. 5 00:00:24,400 --> 00:00:29,000 Speaker 2: I frequently do these episodes about monsters from mythology, films 6 00:00:29,080 --> 00:00:33,400 Speaker 2: and comic books, but I figured I'd tried different medium today. Music. 7 00:00:34,159 --> 00:00:37,240 Speaker 2: I previously discussed this was probably a couple of years ago, 8 00:00:37,520 --> 00:00:40,839 Speaker 2: count Drugula from the song by of the same title 9 00:00:41,200 --> 00:00:44,400 Speaker 2: by the band Electric Wizard. This time we're going to 10 00:00:44,440 --> 00:00:48,479 Speaker 2: be discussing the Googo Monk. The origin story for this 11 00:00:48,640 --> 00:00:52,800 Speaker 2: monster goes back to a nineteen sixty two novelty horror 12 00:00:52,920 --> 00:00:57,000 Speaker 2: rockabilly tune by Ronnie Cook and the Gay Lads. This 13 00:00:57,320 --> 00:01:01,960 Speaker 2: was we have to remember sixty two as Boris Pickett's 14 00:01:02,000 --> 00:01:06,640 Speaker 2: Monster Mash, so novelty songs about monsters were all the rage. 15 00:01:07,400 --> 00:01:13,000 Speaker 2: Cook along with Ed James, are the credited songwriters. Most listeners, however, 16 00:01:13,040 --> 00:01:16,400 Speaker 2: are going to be familiar with the grittier nineteen eighty 17 00:01:16,440 --> 00:01:21,600 Speaker 2: one cover by The Cramps, the legendary psychobilly band founded 18 00:01:21,640 --> 00:01:25,800 Speaker 2: by the late Lux Interior and Poison Ivy. They'd already 19 00:01:25,800 --> 00:01:29,760 Speaker 2: featured two monster themed songs on their previous album I 20 00:01:29,880 --> 00:01:32,640 Speaker 2: Was a Teenage Werewolf and Zombie Dance. There would be 21 00:01:32,720 --> 00:01:35,639 Speaker 2: many more to come, so the cover here fit them 22 00:01:35,800 --> 00:01:40,240 Speaker 2: like a leather glove. As louder As Scott Rowley discussed 23 00:01:40,240 --> 00:01:43,440 Speaker 2: in a twenty twenty two article Cannibalism, the Cramps and 24 00:01:43,600 --> 00:01:47,480 Speaker 2: that Wednesday dance scene, the weird story of Googoo Muck, 25 00:01:48,120 --> 00:01:51,160 Speaker 2: the Cramps took the track in a slightly darker direction 26 00:01:51,600 --> 00:01:55,640 Speaker 2: via their Gotha billy style and some subtle lyrical tweaks. 27 00:01:56,200 --> 00:02:00,200 Speaker 2: While the original version of google Muck is concerned with 28 00:02:00,280 --> 00:02:06,000 Speaker 2: a teenage transformation into a cannibal monster with implied sexual connotations, 29 00:02:06,280 --> 00:02:10,120 Speaker 2: the Cramps really leaned into all of this. Their titular 30 00:02:10,160 --> 00:02:14,679 Speaker 2: googoo Muck is strongly sexual in its pursuit of female 31 00:02:14,760 --> 00:02:17,720 Speaker 2: human prey. Now I'm not going to walk you through 32 00:02:17,760 --> 00:02:21,280 Speaker 2: the entire song and its lyrics by all means, go 33 00:02:21,360 --> 00:02:24,480 Speaker 2: listen to either version wherever you get your music, but 34 00:02:24,560 --> 00:02:28,160 Speaker 2: I'll do my best to summarize here. The Googoomuk is 35 00:02:28,200 --> 00:02:31,880 Speaker 2: described as the result of a monstrous were wolf like 36 00:02:31,960 --> 00:02:37,400 Speaker 2: transformation brought out by lunar activity, strong were wolf vibes. 37 00:02:37,800 --> 00:02:41,840 Speaker 2: The Googoomuk describes itself as a teenage beast, and this 38 00:02:41,919 --> 00:02:44,120 Speaker 2: of course references a lot of the old like I 39 00:02:44,240 --> 00:02:46,120 Speaker 2: was a teenage were wolf, you know, I was a 40 00:02:46,120 --> 00:02:48,400 Speaker 2: teenage Frankenstein, and so forth, that whole trend that we've 41 00:02:48,440 --> 00:02:51,440 Speaker 2: discussed on Weird House Cinema. But then the lyrics also 42 00:02:51,520 --> 00:02:56,200 Speaker 2: reference tigers rather than wolves. This certainly brings to mind 43 00:02:56,200 --> 00:03:00,519 Speaker 2: the various war tiger and tiger transformation tales for parts 44 00:03:00,520 --> 00:03:03,240 Speaker 2: of the world where the tiger stands tall or at 45 00:03:03,320 --> 00:03:06,720 Speaker 2: least once stood tall as the pre eminent man swear. 46 00:03:07,680 --> 00:03:12,000 Speaker 2: This detail also probably speaks to the Eastern gazing quasi 47 00:03:12,160 --> 00:03:15,799 Speaker 2: tiki origins of the song. The lyrics, for instance, also 48 00:03:15,919 --> 00:03:20,080 Speaker 2: reference headhunters. Now, one interesting factor here is that the 49 00:03:20,120 --> 00:03:23,560 Speaker 2: only description we get of the monster's body is that 50 00:03:23,600 --> 00:03:26,800 Speaker 2: it boasts quote a way out body underneath that head. 51 00:03:27,400 --> 00:03:30,160 Speaker 2: Now this is pretty vague, but it makes me imagine 52 00:03:30,520 --> 00:03:33,959 Speaker 2: a were tiger who still looks perhaps comically like a 53 00:03:34,040 --> 00:03:37,320 Speaker 2: human from the neck up. But it also brings to 54 00:03:37,360 --> 00:03:39,840 Speaker 2: mind various traditions of creatures like the sphinx and the 55 00:03:39,880 --> 00:03:46,040 Speaker 2: manticore involving hybrid beast bodies with a human face or head. However, 56 00:03:46,160 --> 00:03:49,120 Speaker 2: considering the sexually charged nature of the song, it probably 57 00:03:49,160 --> 00:03:53,279 Speaker 2: speaks as much to the idea of bodily lust contained 58 00:03:53,680 --> 00:03:57,040 Speaker 2: beneath the character's streak clothing you know, you know, aching 59 00:03:57,120 --> 00:03:59,960 Speaker 2: for release. Scott Rawley speaks to all of this is 60 00:04:00,080 --> 00:04:04,760 Speaker 2: while expressly tying the Cramps Google Monk to lust, hormones 61 00:04:04,800 --> 00:04:07,960 Speaker 2: and frothing fluids, and by many estimates, this sums up 62 00:04:08,000 --> 00:04:11,600 Speaker 2: something very key to the Cramps whole vibe, the intersection 63 00:04:11,840 --> 00:04:16,680 Speaker 2: of horror and horniness, full of double entendres and references 64 00:04:16,760 --> 00:04:20,560 Speaker 2: to retro weird cinema. Tune in for additional episodes of 65 00:04:20,560 --> 00:04:23,679 Speaker 2: The Monster Fact the Artifact or Animalist Stupendium each week. 66 00:04:24,000 --> 00:04:26,680 Speaker 2: As always, you can email us at contact at stuff 67 00:04:26,680 --> 00:04:36,920 Speaker 2: to Blow your Mind dot com. 68 00:04:37,040 --> 00:04:40,000 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 69 00:04:40,080 --> 00:04:42,880 Speaker 1: more podcasts from my Heart Radio, visit the iHeartRadio app, 70 00:04:43,000 --> 00:04:45,760 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.