WEBVTT - The Voice of Lauren Tom

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<v Speaker 1>Hey Christy, Hey, will, what's go on? Nothing much? How

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<v Speaker 1>are you pretty good? You know it's really rainy in

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<v Speaker 1>Texas today. Um jus really really that Los Angeles it

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<v Speaker 1>rains once a year. I know, I know, we do

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<v Speaker 1>love weather, right, I mean that's part of the reason

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<v Speaker 1>why we moved down here, because people always think of

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<v Speaker 1>Texas and they think of the climate to be more

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<v Speaker 1>like California's. It's just go to dry and um and

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<v Speaker 1>it does have a drought here, but Austin is particularly

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<v Speaker 1>green and vibrant, so it is rainy. You may hear

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<v Speaker 1>drip drops from my from my echoe echoe throne here. Well,

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<v Speaker 1>it's better that the room you're in now has some

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<v Speaker 1>some stuff behind you at least, so that's good. It

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<v Speaker 1>doesn't look like you're being held against your will, which

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<v Speaker 1>is nice. I had to barter with many different prisoners

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<v Speaker 1>in the institute that I'm staying in right now, just

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<v Speaker 1>so that I could get these so that it looks

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<v Speaker 1>a little bit more welcoming and home. Yes, and this

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<v Speaker 1>is actually a straight jacket to you see that I'm

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<v Speaker 1>holding my hands up excellent. Well, people don't know you.

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<v Speaker 1>You you moonlight as the amazing Christie Carlson Romano. So

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<v Speaker 1>we know you're gonna be able to get out of

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<v Speaker 1>that straight jacket super easy. Nice, she's out people. I

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<v Speaker 1>broke my white hands up for those of listening, I am.

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<v Speaker 1>I'm very excited about her guest today. Me too. I

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<v Speaker 1>love her and it's like she's been there like my

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<v Speaker 1>whole life. I've seen her so many different things from

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<v Speaker 1>like friends. My first ever voiceover gig was with Lauren

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<v Speaker 1>Ever because I'm so excited about I don't even mind

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<v Speaker 1>blowing the surprise because I'm so excited that she's here.

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<v Speaker 1>But yeah, I want to we have to get into that.

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<v Speaker 1>But she was also on Kimpossible, that's right, she was

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<v Speaker 1>several times. I think she's done a hope. She did

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<v Speaker 1>a whole bunch of Kim Possibles too so and was

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<v Speaker 1>in like so the drama and so we've got some reunion. Yeah,

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<v Speaker 1>it's a reunion. And the last reason you has with

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<v Speaker 1>was with Taj Yes, who was unfriendly, not nice to

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<v Speaker 1>talk with me. He's really just so high maintenance distress.

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<v Speaker 1>It's like talking to a rock. He wasn't excited to

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<v Speaker 1>be on the show. He wasn't excited to talk about

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<v Speaker 1>his past it was sarcasm. This is sarcasm, I promise

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<v Speaker 1>is it's a sarcasm or is it sarcasm? It's interesting sarcasm.

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<v Speaker 1>That's the way we say it at the institute. Here

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<v Speaker 1>is nice nice, we say sarcasm. In the non tiny

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<v Speaker 1>Los Angeles world. How long has it been rainy? For days?

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<v Speaker 1>It's been we have had and very and by the way,

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<v Speaker 1>very cold. It's been like forty five degrees dropping to

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<v Speaker 1>like thirty eight. Yeah, it's and then the weird thing

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<v Speaker 1>is that here in Texas is gonna be like seventy

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<v Speaker 1>humidity in a couple of days. You know, It's like

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<v Speaker 1>it's just the weirdest weather, but it's weather. But it's weather.

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<v Speaker 1>It's not like, oh hey it's seventy nine and sunny again,

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<v Speaker 1>and anyone's like, oh, I would take that all day long.

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<v Speaker 1>But when you get like three hundred days in a

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<v Speaker 1>row of that, it really gets bored. It is very interesting.

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<v Speaker 1>It's like why people think that people don't age in California.

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<v Speaker 1>They're so endless summer. Exponentially, since I started this podcast

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<v Speaker 1>with you, Christie, I have aids so much. Again, this

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<v Speaker 1>is the easiest listen. This podcast is We've got a

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<v Speaker 1>big heart for this podcast. We started this podcast because

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<v Speaker 1>we would be doing comic cons together and we'd look

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<v Speaker 1>over to each other and we'd say, gosh, we wish

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<v Speaker 1>could work together again, Gosh, we wish they'd reboot him possible,

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<v Speaker 1>And and in the midst of waiting for all of this,

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<v Speaker 1>we've created our own opportunity to be together and be

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<v Speaker 1>here on this podcast. Don't you think I agree. I

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<v Speaker 1>think it's you know, it's it's very, very nice that

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<v Speaker 1>you get to work with me again. I look at it.

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<v Speaker 1>That's how I agree. It's really it's really nice for

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<v Speaker 1>you to get that opportunity. And I think, yeah, I agree.

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<v Speaker 1>It's fun enough to hang yourself. Well, it's fun. There's

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<v Speaker 1>no such thing as enough for obtaining myself I'm saying.

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<v Speaker 1>But no, we are very excited to have our guests

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<v Speaker 1>on today. Yes, I want to talk to her about

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<v Speaker 1>something very special because and I'll talk to her about this.

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<v Speaker 1>But she was my first ever animated girlfriend. Oh yeah,

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<v Speaker 1>first ever animated girlfriend. So I want to see if

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<v Speaker 1>she has the same memories of being my animated girlfriend

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<v Speaker 1>as I do of being her animated boyfriend. Wow, the

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<v Speaker 1>tea is hot here it is Lauren Tom and I

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<v Speaker 1>hear voices. Hello, Hey, hi Laurien guy. How are you?

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<v Speaker 1>But I'm so happy to see your face. Well, we

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<v Speaker 1>were just talking Lauren, because I'm not sure you're aware

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<v Speaker 1>of this because you're you've been a pro for so long.

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<v Speaker 1>But you were my first ever animated girlfriend. It was

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<v Speaker 1>Dana tant Yes and Batman Beyond was my first ever

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<v Speaker 1>animated girlfriend. So I was so excited talk to you. Oh,

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<v Speaker 1>I know that's so awesome. Yeah, you I have such

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<v Speaker 1>fun memories. And I I posted um a picture of

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<v Speaker 1>us on Twitter when Kevin passed and I and I

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<v Speaker 1>realized that you're you're not on Twitter anymore? Hum, No,

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<v Speaker 1>I'm not. I'm not. No, I I see you're a

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<v Speaker 1>smart way before everyone else. I haven't had so funny.

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<v Speaker 1>I haven't had social media for three years now, and

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<v Speaker 1>I have been talking with my friends on pod Meets World,

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<v Speaker 1>and I think I'm going to start an Instagram account

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<v Speaker 1>again for my first time. Well it's a lot of

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<v Speaker 1>gentle learn Instagram. I feel like, yes, it's a lot nicer.

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<v Speaker 1>That's so toxic. But now, so that was my first

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<v Speaker 1>ever animated series. Was was Batman Beyond and you, of

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<v Speaker 1>course we're integral and helping me kind of learned that world.

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<v Speaker 1>But what where did you start in the in the

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<v Speaker 1>animated world? What was your first kind of Oh my gosh,

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<v Speaker 1>well that you know, I felt like I was learning

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<v Speaker 1>on Batman. That's so funny that you say that. I mean,

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<v Speaker 1>it wasn't my very first Well, that wasn't your first series, wasn't. Yeah,

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<v Speaker 1>that was my I've never done animation before. First voiceover

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<v Speaker 1>job ever was Batman Beyond Wait for so for you?

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<v Speaker 1>Was it just like for me where you just went

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<v Speaker 1>in like a regular audition, as if it were an

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<v Speaker 1>on camera thing. They well, they called and said do

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<v Speaker 1>you want an audition for the role of Batman? And

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<v Speaker 1>I started laughing, thinking they had called the wrong person.

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<v Speaker 1>And I'd never done an animated series before, And I

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<v Speaker 1>went in and read with Andrea and with with and everybody,

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<v Speaker 1>thinking this is ridiculous. And next thing I know, I'm

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<v Speaker 1>sitting next to Kevin Conroy. So it was it was

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<v Speaker 1>just ridiculous. For me, that is ridiculous. What how fun

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<v Speaker 1>You've been doing this for a while by that point, though,

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<v Speaker 1>haven't you know? My first job was King of the Hill.

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<v Speaker 1>And yeah, and that wasn't really that much earlier. UM,

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<v Speaker 1>and I felt like I got to learn from Pamela

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<v Speaker 1>Adlon and all the people in that show because they've

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<v Speaker 1>already been doing voice over for a while and I

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<v Speaker 1>was really studying them and watching them, and I like,

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<v Speaker 1>one of my favorite things to do is just like

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<v Speaker 1>give people tips like what I've learned over the years.

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<v Speaker 1>So it's really fun that we're going to be having

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<v Speaker 1>a fan UM do do this with us. UM. But

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<v Speaker 1>I just auditioned just like like you said, where I

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<v Speaker 1>went in UM as a regular audition and I did it.

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<v Speaker 1>You know, they had a microphone there for me, but

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<v Speaker 1>I was so nervous. I didn't know what the heck

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<v Speaker 1>I was doing. And UM. Yeah, so that was my

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<v Speaker 1>first my first job in that one ran for like

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<v Speaker 1>thirteen seasons, so that was super exciting. Well, I mean

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<v Speaker 1>it's like, you know, it's it's a prime time and

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<v Speaker 1>it's with some of the greatest voice over actors ever. Yeah,

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<v Speaker 1>I mean, did you did you go did you approach

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<v Speaker 1>the audition like an on camera audition or did you

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<v Speaker 1>did you switch something up because you knew you were

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<v Speaker 1>going to be doing vo you know, like no, I

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<v Speaker 1>because I was clueless because I had never auditioned for

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<v Speaker 1>an animated series before. I just feel like when when

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<v Speaker 1>people ask me, like, you know what, what tips do

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<v Speaker 1>you have? I feel like, if you want to be

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<v Speaker 1>a voice actor, you just you have to become a

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<v Speaker 1>good actor. That's the amazing thing, right, So just go

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<v Speaker 1>to acting class and it's it's really the same thing.

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<v Speaker 1>And you know, like a piece of advice that I

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<v Speaker 1>got that I think is really helpful is when you're

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<v Speaker 1>auditioning or actually doing the job. And in Futurama you

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<v Speaker 1>can see this, Like Gangbusters, you do it as if

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<v Speaker 1>you're in front of the camera, so you you do

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<v Speaker 1>it full out with all of your body language as well,

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<v Speaker 1>because you only have that little tiny hole to get

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<v Speaker 1>it through all of your performance. Dude, there's a little

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<v Speaker 1>voice and so um, you know, uh, even when I'm

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<v Speaker 1>in my closet and I still have to audition, I

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<v Speaker 1>sometimes I'm actually acting out the scene, right. So, and

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<v Speaker 1>when you watch like Billy West and John DiMaggio and everything,

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<v Speaker 1>they're they're doing that too. They're they're like full out,

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<v Speaker 1>and I feel like, um, in my career on camera,

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<v Speaker 1>sometimes I'm a little too big because my my background

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<v Speaker 1>is theater, right, I mean I've been used to like

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<v Speaker 1>playing to the back. Yes, so directors have had to

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<v Speaker 1>say that's good, let's go one more time, less like

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<v Speaker 1>I'm sorry, I'm just really excited and and uh so anyway, yeah,

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<v Speaker 1>even in even in voiceover, I feel like sometimes I

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<v Speaker 1>have to take it down. But but you kind of like,

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<v Speaker 1>if you're at an audition, try to find out the

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<v Speaker 1>tone of the show first, um, so that you get

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<v Speaker 1>to like King of the Hill was very natural, right,

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<v Speaker 1>and they wanted it to be. All the humor was

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<v Speaker 1>character driven. It wasn't so much jokey and um. But

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<v Speaker 1>then like for other shows that I've done for Cartoon

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<v Speaker 1>Network or Nickelodeon, you can afford to be a little

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<v Speaker 1>bigger because the audience is younger, like kids next door.

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<v Speaker 1>Like I don't think I could have been any bigger

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<v Speaker 1>than that, because I love Tom Moore Burton because he

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<v Speaker 1>was like, can you go even more kidding me? That's

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<v Speaker 1>the best though. That's the joy of doing the the

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<v Speaker 1>Young animated series. It's like you can't get cartoony enough.

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<v Speaker 1>Kim Possible got a little bit like that. Yeah, at

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<v Speaker 1>least yes, yes, yes, I want to get to Futurama

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<v Speaker 1>eventually because it's it's arguably one of my favorite animated

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<v Speaker 1>series of all time mine too, by the way, iolutely

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<v Speaker 1>love it it is. I'm one of those people when

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<v Speaker 1>I think of Matt Graining, that to me is his

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<v Speaker 1>pinnacle show. I know the Simpsons is huge, but I've

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<v Speaker 1>always loved fut drama. So we'll get to the trauma.

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<v Speaker 1>You're sweet, But so you said you started in theater.

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<v Speaker 1>Did you when you were younger? Did you grow up

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<v Speaker 1>liking animation? Were you a cartoon fan when you were

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<v Speaker 1>a kid. I just wanted to be a cartoon like life.

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<v Speaker 1>Life was too much for me, and you know, I

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<v Speaker 1>just came in really sensitive, so I I just wanted

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<v Speaker 1>to be in that world where everything was okay. And

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<v Speaker 1>and so it's still like all these years of therapy,

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<v Speaker 1>I'm still trying to inch my way towards I can

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<v Speaker 1>handle the disappointments of life, you know, like that, because

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<v Speaker 1>that's the scariest part is just feel fielding all of

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<v Speaker 1>these experiences that we have as human beings. And so

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<v Speaker 1>you know, that was my escape, um place that I

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<v Speaker 1>could go when when things were just too much. You know,

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<v Speaker 1>because we all come in so differently, and like my mom,

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<v Speaker 1>for example, is she just came in as like a

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<v Speaker 1>freaking badass. I saw a picture on your Instagram and

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<v Speaker 1>she first date. Oh my god, I like, I said

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<v Speaker 1>it to the thing this song called Revolver by Buelow

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<v Speaker 1>because I love it so much and because it's about

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<v Speaker 1>being a badass and wanting to be wanting to be

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<v Speaker 1>like her. But I didn't. I came in the complete opposite,

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<v Speaker 1>and so I had to find ways to just kind

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<v Speaker 1>of navigate my world my way through through all of this,

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<v Speaker 1>and um, animation, What I love about animation, I could

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<v Speaker 1>go on and on because it's please do you know,

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<v Speaker 1>I mean years ago, it's like you know, the you know,

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<v Speaker 1>the the blocks that came for me because I'm Asian,

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<v Speaker 1>We're way more than they are now, right, and it's

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<v Speaker 1>it's we still have a ways to go, but invoy

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<v Speaker 1>in the voice world, like you could be anything, literally

0:12:49.000 --> 0:12:52.120
<v Speaker 1>and I got to audition for anything too, So like

0:12:52.160 --> 0:12:56.240
<v Speaker 1>the joy of watching you know, Kevin Michael Richardson do

0:12:56.520 --> 0:13:00.960
<v Speaker 1>a little white Jewish five year old girl. I mean,

0:13:02.559 --> 0:13:07.760
<v Speaker 1>it just does not get better than that. So I mean,

0:13:07.840 --> 0:13:11.080
<v Speaker 1>and then you could wear your sweatpants, like, uh, to

0:13:11.120 --> 0:13:15.000
<v Speaker 1>get dressed up right. And I had two kids, and

0:13:15.080 --> 0:13:19.520
<v Speaker 1>I literally was recording until my water broke. I mean

0:13:19.760 --> 0:13:27.720
<v Speaker 1>like I was like, Andrea did Andrea. Actually, I'm just

0:13:27.840 --> 0:13:30.920
<v Speaker 1>joking about that, but Andrea let me come in to

0:13:31.040 --> 0:13:35.280
<v Speaker 1>record Batman while I was nursing. So this is kind

0:13:35.280 --> 0:13:39.439
<v Speaker 1>of like too much information, but I was literally like

0:13:39.920 --> 0:13:43.120
<v Speaker 1>I had Ali in my arms and he was like

0:13:43.280 --> 0:13:48.520
<v Speaker 1>having lunch and I was like recording and then we

0:13:48.840 --> 0:13:51.240
<v Speaker 1>would have to break, you know if he made a

0:13:51.240 --> 0:13:55.120
<v Speaker 1>little cooling sound. But I mean, not only is Andrea

0:13:55.240 --> 0:13:58.840
<v Speaker 1>Romano the best voice of her director, you know, bar none,

0:13:59.280 --> 0:14:02.040
<v Speaker 1>but she's also of like an incredible human being. She

0:14:02.480 --> 0:14:05.839
<v Speaker 1>is just right. We had her not too long ago,

0:14:06.440 --> 0:14:09.920
<v Speaker 1>and she's just a joy. We got to watch her.

0:14:10.000 --> 0:14:12.680
<v Speaker 1>She came out and we brought a uh an amateur

0:14:12.720 --> 0:14:15.600
<v Speaker 1>guest on and she came out of retirement and directed him.

0:14:16.160 --> 0:14:20.720
<v Speaker 1>And just watching her direct him again, I tried not

0:14:20.760 --> 0:14:23.360
<v Speaker 1>to cry, like it brought me back to the booth.

0:14:23.400 --> 0:14:27.840
<v Speaker 1>It was unbelievable. So she Yeah, it's like that confidence

0:14:27.960 --> 0:14:31.000
<v Speaker 1>that she instills in you, you kind of just get

0:14:31.040 --> 0:14:33.400
<v Speaker 1>it and you feel like you're smart for being only

0:14:33.480 --> 0:14:37.120
<v Speaker 1>get what she's saying, and it's so quick. It's like,

0:14:37.600 --> 0:14:40.480
<v Speaker 1>oh my god, I'm done. You know. That's the other

0:14:40.520 --> 0:14:44.160
<v Speaker 1>thing I love about about voice ever, right, I mean literally,

0:14:44.840 --> 0:14:47.720
<v Speaker 1>sometimes I wouldn't figure out how much I was paid

0:14:47.800 --> 0:14:52.120
<v Speaker 1>for word because it would be like I would go

0:14:52.160 --> 0:14:55.280
<v Speaker 1>in and say one since you know, if I Jesse

0:14:55.400 --> 0:14:58.640
<v Speaker 1>had a like a recurring part or whatever, and U

0:15:00.080 --> 0:15:02.840
<v Speaker 1>I don't know. It's just the best job ever. That's funny,

0:15:03.040 --> 0:15:06.560
<v Speaker 1>you know, if you wanted to be a parent, I don't.

0:15:07.200 --> 0:15:08.800
<v Speaker 1>I don't know if you guys are parents. But I

0:15:08.800 --> 0:15:13.840
<v Speaker 1>mean I am, like to two girls, and you have

0:15:13.880 --> 0:15:16.440
<v Speaker 1>two boys, right, I do? How old are yours? You

0:15:16.480 --> 0:15:19.560
<v Speaker 1>look so gold? Oh man, thank you. I'm thirty eight.

0:15:19.600 --> 0:15:21.800
<v Speaker 1>But yeah I have a five and a three year old,

0:15:21.920 --> 0:15:26.680
<v Speaker 1>so she's about six. Oh god, your your boys are

0:15:27.360 --> 0:15:31.000
<v Speaker 1>they're grown and they're going to college. You know what

0:15:31.120 --> 0:15:35.920
<v Speaker 1>I find so interesting about this voice acting as a career. Um,

0:15:35.960 --> 0:15:38.160
<v Speaker 1>and now you've done so many different things as well.

0:15:38.880 --> 0:15:41.360
<v Speaker 1>I wonder if you can speak to for a lot

0:15:41.400 --> 0:15:43.800
<v Speaker 1>of the people that are parents or you know, are

0:15:43.840 --> 0:15:46.120
<v Speaker 1>older wanting to get into the voice acting world and

0:15:46.160 --> 0:15:49.280
<v Speaker 1>have families and stuff, and how much of that is

0:15:49.280 --> 0:15:52.160
<v Speaker 1>a time commitment for them to like pull away. But

0:15:52.200 --> 0:15:56.000
<v Speaker 1>it is I think, a very good community for people

0:15:56.040 --> 0:15:57.760
<v Speaker 1>to like if they're going to get in the business,

0:15:57.800 --> 0:16:00.840
<v Speaker 1>like voice acting is. It's it's filled with a lot

0:16:00.840 --> 0:16:03.960
<v Speaker 1>of good people. In my opinion. Oh I've never I

0:16:04.000 --> 0:16:07.360
<v Speaker 1>swear to god, I have never met one jerk in

0:16:07.400 --> 0:16:10.920
<v Speaker 1>the voice over world. I mean, and they're they're bountiful

0:16:11.400 --> 0:16:16.320
<v Speaker 1>in the on camera world and the theater and theater. Yeah,

0:16:16.600 --> 0:16:19.560
<v Speaker 1>I don't really know what what it is about the

0:16:19.640 --> 0:16:22.400
<v Speaker 1>voice over community, but every it's also if you do

0:16:22.520 --> 0:16:26.280
<v Speaker 1>meet a jerk, you never see them again. That's because

0:16:26.280 --> 0:16:28.560
<v Speaker 1>it's one of those things where it's such everybody likes

0:16:28.560 --> 0:16:31.760
<v Speaker 1>everybody so much, and there's it's not it's not the

0:16:31.760 --> 0:16:35.560
<v Speaker 1>competition aspect, isn't there in the voice over world. Your

0:16:35.640 --> 0:16:37.520
<v Speaker 1>voice is gonna work or it's not gonna work. People

0:16:37.560 --> 0:16:40.120
<v Speaker 1>are genuinely, genuinely happy for each other when it's like,

0:16:40.120 --> 0:16:42.440
<v Speaker 1>oh you got that, you jerk, Oh I wanted that.

0:16:43.480 --> 0:16:46.720
<v Speaker 1>It's all fun, it's all fun stuff. And then you

0:16:46.760 --> 0:16:48.360
<v Speaker 1>do you get into the on camera world and you're like, oh,

0:16:48.400 --> 0:16:52.480
<v Speaker 1>you're genuinely not a good person, you like, you don't

0:16:52.520 --> 0:16:55.160
<v Speaker 1>find that in VO. You just don't find that in

0:16:55.320 --> 0:16:58.240
<v Speaker 1>v OH. It's so strange. I wonder if it's because

0:16:58.360 --> 0:17:01.400
<v Speaker 1>it's energetic and lie so much of like what you

0:17:01.480 --> 0:17:03.960
<v Speaker 1>were just talking about with Andrea and how she kind

0:17:03.960 --> 0:17:07.680
<v Speaker 1>of is this conduit for our creativity in the in

0:17:07.720 --> 0:17:10.480
<v Speaker 1>the in the room, so to speak. And like you said,

0:17:10.520 --> 0:17:14.160
<v Speaker 1>you're just pushing you're pushing your your your voice through

0:17:14.200 --> 0:17:17.080
<v Speaker 1>this little tiny hole and then this other person you're

0:17:17.240 --> 0:17:21.040
<v Speaker 1>entrusting with that and and so it's this energy exchange

0:17:21.200 --> 0:17:24.600
<v Speaker 1>that needs to be very free, flowing through a big glass,

0:17:24.920 --> 0:17:29.120
<v Speaker 1>you know, window that they absolutely I think that's true.

0:17:29.160 --> 0:17:31.520
<v Speaker 1>I think there's also an aspect in the VO world

0:17:31.600 --> 0:17:34.320
<v Speaker 1>where I always say, you know, Christy, and we've talked

0:17:34.320 --> 0:17:36.000
<v Speaker 1>about this, where one of my mottos is there's a

0:17:36.080 --> 0:17:39.920
<v Speaker 1>very big difference between child ish and childlike. And so

0:17:40.080 --> 0:17:42.879
<v Speaker 1>there's you have to be childlike to be in the

0:17:43.000 --> 0:17:45.480
<v Speaker 1>v O world. And when you are childlike, chances are

0:17:45.520 --> 0:17:49.800
<v Speaker 1>you embrace that goofiness. So you're inherently already a decent

0:17:49.880 --> 0:17:51.760
<v Speaker 1>human being, because that makes sense, like you're already like

0:17:51.800 --> 0:17:57.720
<v Speaker 1>you want to play. So when you get those lighthearted

0:17:57.760 --> 0:18:00.800
<v Speaker 1>people where a John DiMaggio walk into the room. I

0:18:00.840 --> 0:18:02.600
<v Speaker 1>tear a strong walks into the room. When a great

0:18:03.040 --> 0:18:04.920
<v Speaker 1>one of these people walks into the room, the room

0:18:05.000 --> 0:18:08.359
<v Speaker 1>lightens up because everybody's having fun and they're enjoying themselves

0:18:08.400 --> 0:18:10.760
<v Speaker 1>and and and so I think that lends itself to

0:18:10.840 --> 0:18:13.560
<v Speaker 1>just better people than kind of like, don't talk to

0:18:13.600 --> 0:18:16.440
<v Speaker 1>that guy over there. He you know, has studied deep

0:18:16.480 --> 0:18:20.200
<v Speaker 1>acting for five years. They spent on the streets to

0:18:20.280 --> 0:18:26.520
<v Speaker 1>make exactly Yeah, yeah, no, that's really astute. I think

0:18:26.520 --> 0:18:29.120
<v Speaker 1>you're you're dead on you're dead on so cooking. Well,

0:18:29.520 --> 0:18:33.080
<v Speaker 1>we're like little we're like little kids just playing. Yeah,

0:18:33.119 --> 0:18:36.399
<v Speaker 1>I would say it's it's really not monetarily. You know,

0:18:36.560 --> 0:18:39.320
<v Speaker 1>you don't go into voice acting for the money. That

0:18:39.480 --> 0:18:42.200
<v Speaker 1>there's something to that. But but but the money is good,

0:18:42.359 --> 0:18:45.360
<v Speaker 1>I mean like like I mean compared to how much

0:18:45.400 --> 0:18:50.520
<v Speaker 1>work you're actually doing. It's not work number one. It's fun.

0:18:51.040 --> 0:18:53.679
<v Speaker 1>And you know, I'm just I'm going to work to

0:18:53.680 --> 0:18:57.400
<v Speaker 1>just listen to all of my friends, Like I feel

0:18:57.440 --> 0:18:59.840
<v Speaker 1>like the future on my casts are they seem like

0:18:59.880 --> 0:19:04.840
<v Speaker 1>there all stand up comedians and I see myself more

0:19:04.880 --> 0:19:07.439
<v Speaker 1>as like an actor, So I'm not like that. But

0:19:07.600 --> 0:19:11.640
<v Speaker 1>someone's got to be the audience, so so I'm they're

0:19:11.920 --> 0:19:14.720
<v Speaker 1>just kind of like laughing at everybody, and and it's

0:19:14.760 --> 0:19:20.119
<v Speaker 1>sort of like, um, it takes us probably a third

0:19:20.359 --> 0:19:23.960
<v Speaker 1>longer than it should to record the whole thing, just

0:19:24.000 --> 0:19:27.720
<v Speaker 1>because we're just goofing around and and and you know,

0:19:27.760 --> 0:19:31.480
<v Speaker 1>at least Super Sinski, our producer, he's got the job

0:19:31.560 --> 0:19:46.679
<v Speaker 1>of like hurting all these crazy sheets. It's just I

0:19:46.760 --> 0:19:49.919
<v Speaker 1>always remembered I'd see this on Kim Possible and on

0:19:49.960 --> 0:19:52.199
<v Speaker 1>other shows. I would call it J D T or

0:19:52.320 --> 0:19:57.920
<v Speaker 1>John DiMaggio. Time. You knew you'd have to add of

0:19:58.200 --> 0:20:00.520
<v Speaker 1>the amount of time you were going to record, absolutely,

0:20:00.760 --> 0:20:05.200
<v Speaker 1>but it's so worth it because it's so funny. I mean,

0:20:05.240 --> 0:20:07.680
<v Speaker 1>for instance, Kim Possible, we were gonna have Johnny on.

0:20:07.720 --> 0:20:12.439
<v Speaker 1>We've we've had and one of the things you know,

0:20:12.600 --> 0:20:15.200
<v Speaker 1>in those moments, and we've all seen this in the booth,

0:20:15.280 --> 0:20:18.119
<v Speaker 1>in those moments where some of these actors are joking

0:20:18.119 --> 0:20:20.399
<v Speaker 1>around and trying to one up each other and going

0:20:20.400 --> 0:20:23.560
<v Speaker 1>off on different characters, they come up with the character

0:20:23.840 --> 0:20:28.800
<v Speaker 1>that then is used in the future, right like Dave Herman,

0:20:28.560 --> 0:20:32.439
<v Speaker 1>I mean, crazy John DiMaggio as we were joking around

0:20:32.440 --> 0:20:34.679
<v Speaker 1>one day, just started doing this this character and it

0:20:34.720 --> 0:20:39.240
<v Speaker 1>became motor ed from from Kim Possible, So you see

0:20:39.320 --> 0:20:42.240
<v Speaker 1>this kind of stuff. I mean, so I have to

0:20:42.320 --> 0:20:44.040
<v Speaker 1>jump into this because now we're talking John Demjo and

0:20:44.080 --> 0:20:46.639
<v Speaker 1>we've now talked to Futurama. I want to talk a

0:20:46.680 --> 0:20:49.879
<v Speaker 1>bit about Futurama because I think it is arguably one

0:20:49.880 --> 0:20:53.520
<v Speaker 1>of the greatest animated series of all time. I think phenomenal.

0:20:53.760 --> 0:20:56.199
<v Speaker 1>I feel just as strong I do. But do you

0:20:56.240 --> 0:21:01.360
<v Speaker 1>like it more than Simpson's Yes, okay, I I think

0:21:01.400 --> 0:21:03.359
<v Speaker 1>one of the things I love so much about Futurama

0:21:03.480 --> 0:21:05.600
<v Speaker 1>is the episodes out of nowhere that all of a

0:21:05.640 --> 0:21:08.639
<v Speaker 1>sudden you're crying, which doesn't really happen in the Simpsons.

0:21:08.720 --> 0:21:10.639
<v Speaker 1>And when you get Luck of the fryar Ish or

0:21:10.760 --> 0:21:13.320
<v Speaker 1>you get Fries Dog, or you get one of these episodes,

0:21:14.080 --> 0:21:16.800
<v Speaker 1>like you've got to be kidding me with some of this,

0:21:18.119 --> 0:21:22.159
<v Speaker 1>but a voice over actor and fan. It's also one

0:21:22.160 --> 0:21:25.119
<v Speaker 1>of those things where you go because there's never guest stars.

0:21:26.080 --> 0:21:29.160
<v Speaker 1>You guys do all the voices, so no never ever

0:21:29.320 --> 0:21:31.800
<v Speaker 1>any guest stars. It's amazing. So it's like you know

0:21:31.960 --> 0:21:36.439
<v Speaker 1>that it's gonna be Johnny or mo Or or they

0:21:36.640 --> 0:21:38.399
<v Speaker 1>never no one can ever go on to be like,

0:21:38.440 --> 0:21:40.960
<v Speaker 1>guess what I did last week? I did a Futurama.

0:21:41.040 --> 0:21:46.200
<v Speaker 1>Like that's never gonna happen. Well unless you're Al Gore

0:21:45.600 --> 0:21:51.040
<v Speaker 1>really trying to get the real person or or like that. Yeah,

0:21:51.080 --> 0:21:54.680
<v Speaker 1>of course, Um, but what was it like? So you

0:21:54.680 --> 0:21:57.800
<v Speaker 1>you know, Futurama's actually came in after The Simpsons, which

0:21:57.840 --> 0:21:59.719
<v Speaker 1>is you know one, it is the biggest smash hit

0:21:59.800 --> 0:22:01.879
<v Speaker 1>and me a series of all time. So what is

0:22:01.880 --> 0:22:03.800
<v Speaker 1>it like knowing that you're going in and reading for

0:22:04.240 --> 0:22:06.920
<v Speaker 1>kind of the next project that Matt Greening is doing?

0:22:06.960 --> 0:22:10.200
<v Speaker 1>What was that process? Like? I was scared too, I'm

0:22:10.200 --> 0:22:13.480
<v Speaker 1>not gonna lie. And I had the most magical meeting

0:22:13.560 --> 0:22:18.720
<v Speaker 1>with Matt and and I I always credit Michael McKeon

0:22:19.000 --> 0:22:21.920
<v Speaker 1>because he and I were dating at that time for

0:22:22.000 --> 0:22:24.960
<v Speaker 1>a couple of years actually, and he is like one

0:22:25.000 --> 0:22:29.280
<v Speaker 1>of the funniest, coolest people, just naturally. And I swear

0:22:29.320 --> 0:22:32.880
<v Speaker 1>to god, I feel like that I got some street

0:22:32.960 --> 0:22:38.720
<v Speaker 1>cred just because I was his girlfriend. And I and

0:22:38.800 --> 0:22:42.600
<v Speaker 1>Matt loves Michael, and you know, like his work. I

0:22:42.640 --> 0:22:44.560
<v Speaker 1>don't know if they know each other's people, but he

0:22:44.600 --> 0:22:46.919
<v Speaker 1>loved his work and I he mentioned that to me

0:22:46.960 --> 0:22:49.000
<v Speaker 1>at the top of the meeting, and so that really

0:22:49.640 --> 0:22:53.720
<v Speaker 1>relaxed me. And then and yeah, and then I have

0:22:53.960 --> 0:22:56.879
<v Speaker 1>kind of a nutty laugh. I've always had like a

0:22:56.920 --> 0:23:01.720
<v Speaker 1>really loud, crazy laugh. And Matt just really loved it

0:23:02.000 --> 0:23:04.119
<v Speaker 1>and said, you know, you know what, he said it

0:23:04.200 --> 0:23:06.040
<v Speaker 1>right in the room. He said, I don't know what

0:23:06.040 --> 0:23:09.480
<v Speaker 1>we're gonna do with you, but with that laugh, we

0:23:09.600 --> 0:23:13.520
<v Speaker 1>have to have you in the show somehow. So did they?

0:23:13.800 --> 0:23:17.560
<v Speaker 1>Did they write Amy for you? Then? So what happened

0:23:17.600 --> 0:23:21.080
<v Speaker 1>is is uh knight of in a way because they

0:23:21.119 --> 0:23:27.840
<v Speaker 1>had um Leela and Amy's uh natural qualities switched. Um.

0:23:27.920 --> 0:23:33.320
<v Speaker 1>In the original creation of it, they had Amy really

0:23:33.359 --> 0:23:36.280
<v Speaker 1>tough and she was a mechanic and she was wearing

0:23:36.320 --> 0:23:40.439
<v Speaker 1>this jumpsuit and um kind of like very you know,

0:23:40.520 --> 0:23:44.240
<v Speaker 1>like my mom would be, you know, and and um,

0:23:44.320 --> 0:23:47.640
<v Speaker 1>and then Leela was the girly one. But then when

0:23:47.640 --> 0:23:50.280
<v Speaker 1>I came in and he said that, he was like,

0:23:50.359 --> 0:23:56.760
<v Speaker 1>I don't know, I just like you. Oh wow, imagine

0:23:59.560 --> 0:24:02.800
<v Speaker 1>it's here, I know, And they kind of redrew it

0:24:02.960 --> 0:24:05.399
<v Speaker 1>and they and they made me the girly one, and

0:24:05.440 --> 0:24:08.600
<v Speaker 1>then they made me kind of slutty, which is which

0:24:08.720 --> 0:24:11.199
<v Speaker 1>is fine, but I mean, you're not totally dead on,

0:24:11.400 --> 0:24:14.880
<v Speaker 1>but but it was fun. It was fun to make

0:24:14.880 --> 0:24:17.360
<v Speaker 1>her they which was super glutzy too in the beginning.

0:24:17.800 --> 0:24:20.040
<v Speaker 1>Um that we we kind of toned that down a

0:24:20.080 --> 0:24:23.240
<v Speaker 1>little bit, but um but yeah, so so that was like,

0:24:24.040 --> 0:24:26.600
<v Speaker 1>oh my gosh, it was. It was so uplifting to

0:24:26.680 --> 0:24:29.520
<v Speaker 1>think that that you can do that. And then like

0:24:30.000 --> 0:24:33.040
<v Speaker 1>later on, like I said this to Matt, I don't know,

0:24:33.240 --> 0:24:36.639
<v Speaker 1>six months ago, because you know, he uses all of

0:24:36.720 --> 0:24:40.960
<v Speaker 1>us on Disenchantment and um, I said to him, yeah,

0:24:41.080 --> 0:24:45.720
<v Speaker 1>I said, you know, Matt, I'm so grateful to you

0:24:45.760 --> 0:24:49.879
<v Speaker 1>that you just are so loyal, like, you know, you

0:24:50.080 --> 0:24:53.680
<v Speaker 1>keep using all of us for your projects now. And

0:24:54.080 --> 0:24:56.320
<v Speaker 1>he said, well, think of it like this. You know,

0:24:56.400 --> 0:25:00.320
<v Speaker 1>back in the day, like Hannah Barbara had a table

0:25:00.400 --> 0:25:02.760
<v Speaker 1>of people that they used all the time and that

0:25:02.880 --> 0:25:06.240
<v Speaker 1>was the troop, that was the company, that was you know,

0:25:06.320 --> 0:25:09.359
<v Speaker 1>like and and so it's kind of like that, you're

0:25:09.400 --> 0:25:16.720
<v Speaker 1>you're my stable of people. He is such an incredible

0:25:16.800 --> 0:25:20.560
<v Speaker 1>person and so such a genius and so humble, and

0:25:20.560 --> 0:25:22.600
<v Speaker 1>he's one of our dream he's one of our dream guests.

0:25:22.720 --> 0:25:25.879
<v Speaker 1>For one of the questions I had, I'm so curious

0:25:25.880 --> 0:25:30.040
<v Speaker 1>about when it comes to Futurama. Do you record together, Yes,

0:25:30.560 --> 0:25:35.560
<v Speaker 1>during the pandemic, I mean at the beginning when we've

0:25:35.600 --> 0:25:38.960
<v Speaker 1>got picked up again, the pandemic was still more present.

0:25:39.600 --> 0:25:42.960
<v Speaker 1>And so like Phil Lamar has this date of the

0:25:43.119 --> 0:25:48.560
<v Speaker 1>art recording studio in his um house, and so there's

0:25:48.600 --> 0:25:52.800
<v Speaker 1>a certain amount of booths available and so um it's

0:25:52.960 --> 0:25:56.960
<v Speaker 1>in order to accommodate all of us. Phil always records

0:25:57.000 --> 0:26:00.480
<v Speaker 1>at home and then he only lives twenty minutes the studio,

0:26:00.520 --> 0:26:04.080
<v Speaker 1>so he'll drive in for lunch, which is awesome because we,

0:26:04.240 --> 0:26:07.280
<v Speaker 1>you know, we like to be all together. We're just

0:26:07.359 --> 0:26:11.040
<v Speaker 1>like this family, and I feel like I'm completely myself

0:26:11.440 --> 0:26:14.840
<v Speaker 1>when I'm there, you know how you always go through

0:26:14.880 --> 0:26:19.320
<v Speaker 1>the world, you know, with a certain like mask that

0:26:19.359 --> 0:26:22.040
<v Speaker 1>you wear in order to just kind of, you know,

0:26:22.200 --> 0:26:24.800
<v Speaker 1>get along. But there, I just feel like I've known

0:26:24.840 --> 0:26:27.080
<v Speaker 1>them for so long and I just feel still loved

0:26:27.119 --> 0:26:30.199
<v Speaker 1>and accepted by all of them that I feel like

0:26:30.200 --> 0:26:32.639
<v Speaker 1>there's nothing I could do or say that would you know.

0:26:33.320 --> 0:26:35.760
<v Speaker 1>I have a question, Lauren, so your character, and this

0:26:35.800 --> 0:26:37.760
<v Speaker 1>is because I'm a fan of the show, so sorry

0:26:37.800 --> 0:26:41.040
<v Speaker 1>I'm going but you said that your character evolved, and

0:26:41.080 --> 0:26:43.120
<v Speaker 1>I do feel like I've heard this and seen this

0:26:43.480 --> 0:26:47.119
<v Speaker 1>in a lot of different uh you know versions of

0:26:47.160 --> 0:26:50.320
<v Speaker 1>our guests. This is something that does tend to happen.

0:26:50.560 --> 0:26:53.560
<v Speaker 1>I mean, can you speak to that experience? Do you

0:26:53.600 --> 0:26:57.280
<v Speaker 1>feel like, after they kind of optimize this character for

0:26:57.359 --> 0:27:01.040
<v Speaker 1>you and your mindset and your approach to her, how

0:27:01.080 --> 0:27:04.280
<v Speaker 1>did she evolve over time? Was that more towards catering

0:27:04.320 --> 0:27:07.800
<v Speaker 1>towards the health of the show and the ratings, or

0:27:07.880 --> 0:27:13.000
<v Speaker 1>was that more towards giving you more opportunities to perform? Well,

0:27:13.040 --> 0:27:16.639
<v Speaker 1>do you feel like she's evolved? That's that's good? Um,

0:27:16.680 --> 0:27:20.720
<v Speaker 1>because I do, Yes, I do, I do. Okay. So

0:27:20.920 --> 0:27:24.600
<v Speaker 1>here's a little thing I recently said, actually last week

0:27:24.640 --> 0:27:28.679
<v Speaker 1>to David X Cohen that someone put together like a

0:27:28.680 --> 0:27:31.679
<v Speaker 1>little I don't know, voice over real for me. And

0:27:31.720 --> 0:27:35.639
<v Speaker 1>I saw it on Twitter and it was from the

0:27:35.720 --> 0:27:40.080
<v Speaker 1>early early days of of Futurama and then kids lots

0:27:40.080 --> 0:27:42.960
<v Speaker 1>of things, and I realized that my voice was so

0:27:43.080 --> 0:27:47.879
<v Speaker 1>much higher season that than it is now. So in

0:27:47.920 --> 0:27:51.040
<v Speaker 1>that way, I think my voice is evolved. And I

0:27:51.080 --> 0:27:54.480
<v Speaker 1>said to David, is that okay? Like I had no

0:27:54.560 --> 0:27:58.520
<v Speaker 1>idea and he said, you know what everyone has done

0:27:58.560 --> 0:28:01.520
<v Speaker 1>that it's almost like, um, it's a natural thing that

0:28:01.560 --> 0:28:04.760
<v Speaker 1>occurs that a character kind of like settles in and

0:28:04.840 --> 0:28:07.480
<v Speaker 1>becomes a little bit closer to who you are and

0:28:07.760 --> 0:28:13.440
<v Speaker 1>and we we we know and everyone has done that. Um,

0:28:13.440 --> 0:28:18.520
<v Speaker 1>and it's okay because you know, even in certain instances,

0:28:18.560 --> 0:28:22.240
<v Speaker 1>like the characters are like trying to be discovered, they're

0:28:22.280 --> 0:28:25.679
<v Speaker 1>not completely set yet in the early days, and then

0:28:25.720 --> 0:28:29.359
<v Speaker 1>they become stronger and stronger once they you know, like

0:28:29.480 --> 0:28:32.240
<v Speaker 1>get settled in and it feels right and you get

0:28:32.280 --> 0:28:34.800
<v Speaker 1>into a groove. So he said, don't worry about it

0:28:34.840 --> 0:28:38.800
<v Speaker 1>at all. That was shocking to me, and very that's good.

0:28:38.960 --> 0:28:42.600
<v Speaker 1>That's good. Yeah, it's funny because with Kim, sorry, well

0:28:42.920 --> 0:28:47.480
<v Speaker 1>so with Kim, like you got higher and higher? Yeah

0:28:47.640 --> 0:28:50.680
<v Speaker 1>he did, well, I got I got lower and lower.

0:28:50.840 --> 0:28:58.800
<v Speaker 1>Those cigarettes don't stop up higher? Yeah? Oh wait was

0:28:58.840 --> 0:29:01.400
<v Speaker 1>that on purpose? Will? Now it just kind of again

0:29:01.480 --> 0:29:04.800
<v Speaker 1>it's kind of the evolution of the character where yeah, okay,

0:29:05.000 --> 0:29:06.800
<v Speaker 1>oh come on, Kim, we're just in high school. And

0:29:06.800 --> 0:29:08.400
<v Speaker 1>by end he was like all the way up here,

0:29:08.440 --> 0:29:14.000
<v Speaker 1>like what's going to it got a lot so interesting,

0:29:14.280 --> 0:29:17.280
<v Speaker 1>you know. In King of the Hill, Greg Daniels had

0:29:17.280 --> 0:29:21.720
<v Speaker 1>a different take on that whole thing because he he

0:29:21.840 --> 0:29:25.400
<v Speaker 1>listened to us in like season ten and compared us

0:29:25.480 --> 0:29:28.440
<v Speaker 1>to season one and wanted us to get back to

0:29:28.560 --> 0:29:31.640
<v Speaker 1>season one really okay? And so did you have to

0:29:31.960 --> 0:29:34.200
<v Speaker 1>kind did he say like, hey, we're going We're going

0:29:34.240 --> 0:29:36.280
<v Speaker 1>back to where we started, and I want to bring

0:29:36.320 --> 0:29:38.240
<v Speaker 1>I want to pitch the voices back to where they were,

0:29:38.600 --> 0:29:40.200
<v Speaker 1>And did you all have to go and kind of

0:29:40.200 --> 0:29:42.400
<v Speaker 1>watch the show again to pick the voice up again?

0:29:42.720 --> 0:29:46.720
<v Speaker 1>Now he had it all cute up. You know how

0:29:46.760 --> 0:29:49.000
<v Speaker 1>you always go, can I have a voice reference? It's

0:29:49.040 --> 0:29:51.800
<v Speaker 1>like that, you know. And so Bobby, he was always

0:29:51.800 --> 0:29:54.520
<v Speaker 1>here like the you know, Hank was always kind of

0:29:54.520 --> 0:29:58.680
<v Speaker 1>here like yeah, wow, that's really good. Will Yeah? And

0:29:58.720 --> 0:30:02.600
<v Speaker 1>then but did everybody else get cartoony? Is that what

0:30:02.640 --> 0:30:05.560
<v Speaker 1>was happening in the in the tension? Now? I think

0:30:05.600 --> 0:30:08.640
<v Speaker 1>what happened is again it's sort of like becomes more

0:30:08.760 --> 0:30:13.120
<v Speaker 1>organic to who you are more um. And so, for

0:30:13.120 --> 0:30:17.280
<v Speaker 1>for instance, whenever I have to do an accent, I

0:30:17.360 --> 0:30:22.840
<v Speaker 1>always channel my grandmother, right, And and this character of

0:30:22.960 --> 0:30:27.160
<v Speaker 1>men was not exactly my grandmother, right. My grandmother was

0:30:27.200 --> 0:30:30.760
<v Speaker 1>more like my mother. So her voice was here like, oh,

0:30:30.800 --> 0:30:33.440
<v Speaker 1>I don't you know you're too fat? I'm not giving

0:30:33.480 --> 0:30:36.440
<v Speaker 1>you ice cream you get jello, you know. It was

0:30:36.520 --> 0:30:41.840
<v Speaker 1>like more more grounded like that, and and and then

0:30:42.200 --> 0:30:45.400
<v Speaker 1>they wanted her to be like more passive aggressive, so

0:30:45.480 --> 0:30:49.760
<v Speaker 1>that she would say things really sweet like oh, oh,

0:30:49.800 --> 0:30:53.280
<v Speaker 1>your boat. She was so big, you're like in a boat,

0:30:53.720 --> 0:30:56.800
<v Speaker 1>you know, like she was. They wanted her to be

0:30:56.960 --> 0:31:02.360
<v Speaker 1>sweet sounding and so but passive aggressive and thing the

0:31:02.440 --> 0:31:06.320
<v Speaker 1>meanest things, right, So I had to I I started

0:31:06.360 --> 0:31:09.760
<v Speaker 1>to forget that, and I started to naturally just be

0:31:09.960 --> 0:31:13.880
<v Speaker 1>more like my grandma because her voice and her personality

0:31:14.280 --> 0:31:17.200
<v Speaker 1>were so hilarious to me. And also we're in my body,

0:31:17.480 --> 0:31:19.880
<v Speaker 1>you know what I mean, like like that voice and everything,

0:31:19.880 --> 0:31:23.080
<v Speaker 1>and so it got lower and lower my my voice

0:31:23.080 --> 0:31:26.720
<v Speaker 1>and I became a little bit tougher, so so they

0:31:26.720 --> 0:31:30.400
<v Speaker 1>had to remind me. So so it's interesting. How often

0:31:30.440 --> 0:31:33.880
<v Speaker 1>do you tap into people from your life to do

0:31:34.040 --> 0:31:36.000
<v Speaker 1>the voices that you do? I mean, are you usually

0:31:36.080 --> 0:31:38.479
<v Speaker 1>is it based on somebody you know? Or I mean

0:31:38.520 --> 0:31:40.400
<v Speaker 1>you said you've talked about your mom, your grandmother. I mean,

0:31:40.480 --> 0:31:43.320
<v Speaker 1>is it kind of like oh, yeah, I'm I'm I'm

0:31:43.360 --> 0:31:45.800
<v Speaker 1>pulling from life to find these characters or is it

0:31:45.840 --> 0:31:48.280
<v Speaker 1>just something come up with on the fly. I think

0:31:48.320 --> 0:31:51.320
<v Speaker 1>that I think in my regular on screen acting too.

0:31:51.360 --> 0:31:53.200
<v Speaker 1>I don't know if this is true for you, but

0:31:53.480 --> 0:31:56.280
<v Speaker 1>I do tend to think of certain people that have

0:31:56.960 --> 0:32:01.680
<v Speaker 1>the same qualities, and I d of like try to

0:32:01.720 --> 0:32:04.880
<v Speaker 1>get into their body in a way how they present

0:32:05.000 --> 0:32:08.560
<v Speaker 1>themselves to the world. But for sure, my mom and

0:32:08.640 --> 0:32:12.040
<v Speaker 1>my my grandmother I use a lot because any time

0:32:12.360 --> 0:32:14.800
<v Speaker 1>because I don't present myself to the world in that

0:32:14.880 --> 0:32:17.720
<v Speaker 1>super tough way, right, I'm just not comfortable with it.

0:32:18.000 --> 0:32:20.560
<v Speaker 1>And and so whenever I have to do a tough character,

0:32:21.160 --> 0:32:23.640
<v Speaker 1>you're seeing my mom or my grandmother. So my mom

0:32:23.720 --> 0:32:26.640
<v Speaker 1>doesn't really have an accent, although she because she was

0:32:26.720 --> 0:32:30.560
<v Speaker 1>born in Chicago, so um yeah, and um, but my

0:32:30.560 --> 0:32:34.800
<v Speaker 1>my grandmother came from um Hoiping and so if she

0:32:34.920 --> 0:32:38.040
<v Speaker 1>has an accent, it's like my grandma. And if she doesn't,

0:32:38.120 --> 0:32:44.600
<v Speaker 1>then and she's tough, it's my mom. Alright, last question

0:32:44.680 --> 0:32:46.160
<v Speaker 1>I really want to know. And then we're going to

0:32:46.280 --> 0:32:49.040
<v Speaker 1>bring in our our wonderful guest to play across the

0:32:49.080 --> 0:32:52.600
<v Speaker 1>Garden with us. Yes, Wonderful are playing across the Garden

0:32:52.600 --> 0:32:54.320
<v Speaker 1>again with Lauren. It's going to be a ton of fun.

0:32:54.400 --> 0:32:56.640
<v Speaker 1>And also this is a good time to tell you

0:32:56.680 --> 0:32:59.960
<v Speaker 1>all once again we are very very close to opening

0:33:00.080 --> 0:33:02.280
<v Speaker 1>up the contest. Yes, the what's the name of the

0:33:02.280 --> 0:33:05.520
<v Speaker 1>contest again, Christie, I can't remember what. It's called. Super

0:33:05.600 --> 0:33:10.160
<v Speaker 1>Awesome Contest to become the next Big Voice Actor. Oh gosh,

0:33:10.400 --> 0:33:14.520
<v Speaker 1>she nailed it. Did I do it? Finally, Lauren, it's

0:33:14.680 --> 0:33:20.280
<v Speaker 1>because of you. Thank you, Yeah, thank you. Super awesome

0:33:20.320 --> 0:33:22.840
<v Speaker 1>contest to become the next Big Voice Actor where everybody

0:33:22.920 --> 0:33:24.959
<v Speaker 1>is going to get to audition for us. We're going

0:33:25.000 --> 0:33:27.320
<v Speaker 1>to bring you on the show, and the winner, American

0:33:27.360 --> 0:33:30.760
<v Speaker 1>Idol style gets a yearlong contract with a voiceover agent,

0:33:30.840 --> 0:33:32.560
<v Speaker 1>gets to do some work for My Heart, gets a

0:33:32.600 --> 0:33:38.360
<v Speaker 1>whole bunch of really fun stuff. Whose idea was the

0:33:38.400 --> 0:33:40.680
<v Speaker 1>coolest thing in the world. It was our idea. It

0:33:40.760 --> 0:33:43.120
<v Speaker 1>was the wonderful idea which we were which when it's

0:33:43.120 --> 0:33:44.680
<v Speaker 1>an idea that we've had for a while that we

0:33:44.720 --> 0:33:48.040
<v Speaker 1>wanted to do, which I Heart has made. My goodness,

0:33:48.120 --> 0:33:50.160
<v Speaker 1>So we are going to be able to help somebody

0:33:50.240 --> 0:33:52.760
<v Speaker 1>kick open the door to their voiceover career. We are

0:33:52.800 --> 0:33:56.120
<v Speaker 1>so excected. You guys are the best. Talk about giving

0:33:56.200 --> 0:34:00.160
<v Speaker 1>back to the community. Honestly, it's gonna be cool. This

0:34:00.200 --> 0:34:03.920
<v Speaker 1>is good karma for you guys. You're gonna get to

0:34:03.960 --> 0:34:06.320
<v Speaker 1>write on this for a while. You can be like

0:34:06.400 --> 0:34:12.680
<v Speaker 1>total jerks. So now for the next exactly the final question,

0:34:12.680 --> 0:34:14.320
<v Speaker 1>and then we're going to bring in our our guests.

0:34:14.440 --> 0:34:19.680
<v Speaker 1>Um all of the awesome uh slang from the future,

0:34:19.719 --> 0:34:22.120
<v Speaker 1>the smish and stuff like that. Do you get to

0:34:22.160 --> 0:34:23.640
<v Speaker 1>play with any of that or is all that on

0:34:23.680 --> 0:34:26.200
<v Speaker 1>the page? That's all on the page? To be honest,

0:34:26.400 --> 0:34:29.040
<v Speaker 1>we have the most brilliant writers, Like not only did

0:34:29.080 --> 0:34:31.279
<v Speaker 1>they most of them go to Harvard, but they're just

0:34:31.520 --> 0:34:33.839
<v Speaker 1>so fright. The writing is so good. So as much

0:34:33.880 --> 0:34:37.719
<v Speaker 1>as we goof around in the session, we never really

0:34:37.800 --> 0:34:43.279
<v Speaker 1>change the writing the words like you know, not not

0:34:43.400 --> 0:34:46.000
<v Speaker 1>really not in Futurama, like you know, I'm sure that

0:34:46.040 --> 0:34:49.000
<v Speaker 1>you've been on other shows where they actually love that, sure,

0:34:49.160 --> 0:34:51.680
<v Speaker 1>but but I think we're we just have too much

0:34:52.080 --> 0:34:56.040
<v Speaker 1>like respect um for for the page. So all of

0:34:56.040 --> 0:34:58.680
<v Speaker 1>that was coming from the writers, the schmish and all

0:34:58.719 --> 0:35:04.600
<v Speaker 1>that that. When when to to understand to have I

0:35:04.600 --> 0:35:08.040
<v Speaker 1>don't think most people could possibly understand having people like

0:35:08.160 --> 0:35:14.240
<v Speaker 1>you John DiMaggio, Maurice Lamarge, Billy West and the writing

0:35:14.280 --> 0:35:17.759
<v Speaker 1>being Phil Lamar and the writing being so good that

0:35:17.760 --> 0:35:22.120
<v Speaker 1>there's no ad libbing. That's well, I shouldn't say no,

0:35:22.520 --> 0:35:26.680
<v Speaker 1>d limn, but but very very little. That's insane. That's

0:35:26.520 --> 0:35:29.080
<v Speaker 1>just a testament to how incredible the writing of that

0:35:29.120 --> 0:35:32.480
<v Speaker 1>show is, because those are some of the greatest You're

0:35:32.520 --> 0:35:34.320
<v Speaker 1>you're all the great one of some of the greatest

0:35:34.400 --> 0:35:36.440
<v Speaker 1>voice over actors that have ever worked. So to have

0:35:37.080 --> 0:35:40.120
<v Speaker 1>that on the page already is pretty outstanding. Hey, we

0:35:40.200 --> 0:35:42.719
<v Speaker 1>got her for Kim. What was your experience like with Kim?

0:35:42.760 --> 0:35:48.960
<v Speaker 1>Do you remember? Wait? What were you? What was it? Briefly?

0:35:49.200 --> 0:35:53.400
<v Speaker 1>You know, if you remember what, I'm so sorry I

0:35:53.440 --> 0:35:56.480
<v Speaker 1>shouldn't done my jumped on. I don't even know what

0:35:56.560 --> 0:35:59.759
<v Speaker 1>I played. Maybe maybe it'll come back. You were in

0:35:59.840 --> 0:36:05.000
<v Speaker 1>the first episode of Kim Possible. Yeah, you were one

0:36:05.200 --> 0:36:08.719
<v Speaker 1>episode one crush. You played Yeshiko. Did I have a

0:36:08.760 --> 0:36:14.840
<v Speaker 1>good time? Yes, you did an amazing character. She's online.

0:36:14.920 --> 0:36:17.560
<v Speaker 1>You got to google it and then it was. And

0:36:17.600 --> 0:36:20.520
<v Speaker 1>then you were in our movie the two thousand five movies.

0:36:21.040 --> 0:36:26.640
<v Speaker 1>Was not same same character, same character. Yes, And then

0:36:26.680 --> 0:36:33.520
<v Speaker 1>we got you and then you were my first girlfriend ever. Yeah,

0:36:33.600 --> 0:36:36.200
<v Speaker 1>that was really fun doing those things with you will

0:36:36.520 --> 0:36:39.200
<v Speaker 1>That was really fun. And then we got to play

0:36:39.280 --> 0:36:41.920
<v Speaker 1>with everybody in New York to which was which was

0:36:41.960 --> 0:36:45.000
<v Speaker 1>a ton of a couple of years ago. Yeah, two

0:36:45.080 --> 0:36:48.759
<v Speaker 1>or three years ago. What a gift. Yeah, you have

0:36:48.880 --> 0:36:52.000
<v Speaker 1>that picture right of all of us in New York. Yeah. Yeah,

0:36:52.000 --> 0:36:53.960
<v Speaker 1>we did a comic con. Yeah, that was it, Batman

0:36:54.000 --> 0:36:58.680
<v Speaker 1>Beyond the twentieth anniversary. It was New York Comic Con.

0:36:59.000 --> 0:37:01.120
<v Speaker 1>It was so much fun. We were with everybody and

0:37:01.160 --> 0:37:18.040
<v Speaker 1>it was Andrea well Kevin. Yeah, it's really special. Alright,

0:37:18.080 --> 0:37:21.080
<v Speaker 1>so we're gonna all right in our guest. Now do

0:37:21.200 --> 0:37:24.520
<v Speaker 1>we get to see him? We do, of course we did. Okay, great, great,

0:37:25.040 --> 0:37:33.200
<v Speaker 1>we have a great guest coming in today. Where's hello?

0:37:35.560 --> 0:37:40.359
<v Speaker 1>Thanks for thank you. No, yeah, I'm excited. I've been

0:37:40.400 --> 0:37:43.680
<v Speaker 1>listening to the podcast for a long time. And um,

0:37:43.719 --> 0:37:45.680
<v Speaker 1>I'm a huge fan of the voice acting world in general.

0:37:45.760 --> 0:37:51.759
<v Speaker 1>I actually work at Dragon Con in Atlanta, so I've

0:37:51.760 --> 0:37:54.640
<v Speaker 1>actually Mr Mr fardel If had extensive coaching how to

0:37:54.640 --> 0:37:59.200
<v Speaker 1>pronounce your last name as a in one of my panels.

0:37:59.239 --> 0:38:02.719
<v Speaker 1>So Christie, you were in a different track of that

0:38:02.800 --> 0:38:06.799
<v Speaker 1>year that you guys are both there interview and Lauren,

0:38:06.840 --> 0:38:09.400
<v Speaker 1>I remember you were a Dragon for I think for

0:38:09.520 --> 0:38:12.120
<v Speaker 1>like a future Rummer reunion. How do you know that

0:38:14.560 --> 0:38:16.160
<v Speaker 1>I only do the one con right like I do

0:38:16.239 --> 0:38:19.840
<v Speaker 1>dragon con of mom around. So for me, it's great,

0:38:20.560 --> 0:38:23.839
<v Speaker 1>that's great that you remember that. And now I'm saying

0:38:23.840 --> 0:38:26.960
<v Speaker 1>it right, it's undressed, right, Yeah, it's Spanish and if

0:38:26.960 --> 0:38:31.120
<v Speaker 1>you don't speak Spanish, hey, we are in a world

0:38:31.239 --> 0:38:33.759
<v Speaker 1>where we like things to be pronounced properly in our

0:38:33.840 --> 0:38:38.480
<v Speaker 1>voiceover world. So not only are you a moderator for

0:38:38.520 --> 0:38:40.719
<v Speaker 1>dragon Com, but you're also an improv actor and you've

0:38:40.760 --> 0:38:43.160
<v Speaker 1>got some I've got to hear. I'm sorry, I don't

0:38:43.160 --> 0:38:45.000
<v Speaker 1>mean to put you on the spot, but I want

0:38:45.040 --> 0:38:50.399
<v Speaker 1>to hear first online Fontaine. Oh okay, this summer one

0:38:50.440 --> 0:38:54.200
<v Speaker 1>man with one desire to fight everyone in the streets.

0:38:54.200 --> 0:39:00.239
<v Speaker 1>So l A like, that's really good, that's really really good.

0:39:00.840 --> 0:39:03.040
<v Speaker 1>And now because we've all worked with him and he

0:39:03.160 --> 0:39:07.160
<v Speaker 1>was on Kim Possible, can we hear a little Patrick Warburton. Okay,

0:39:07.239 --> 0:39:09.400
<v Speaker 1>he's actually the voice I do from my dog Krypto

0:39:09.520 --> 0:39:12.160
<v Speaker 1>the Super Dog. My favorite thing about him is he's

0:39:12.160 --> 0:39:14.680
<v Speaker 1>super lovely. He's like chronk from a burs New Groove.

0:39:16.600 --> 0:39:21.319
<v Speaker 1>Awesome and what I'm excited one today, I'm sorry. One

0:39:21.480 --> 0:39:26.520
<v Speaker 1>last one. Casey Casem's shaggy, oh like the way I

0:39:26.640 --> 0:39:28.880
<v Speaker 1>love my dog and all, but he's huge, hard to

0:39:28.920 --> 0:39:35.920
<v Speaker 1>carry around. Al Right, Well, we gotta live one today, people,

0:39:36.040 --> 0:39:38.360
<v Speaker 1>We got a live one today. So is everybody have

0:39:38.480 --> 0:39:44.480
<v Speaker 1>their copy of this week's across the Garden? Yes, Ricky

0:39:44.520 --> 0:39:47.200
<v Speaker 1>and Mocha are still trying to get to the damn mall.

0:39:47.280 --> 0:39:50.759
<v Speaker 1>It has been mean for ever now it's getting a

0:39:50.800 --> 0:39:53.520
<v Speaker 1>little ridiculous how long it's taking these poor people to

0:39:53.640 --> 0:39:56.600
<v Speaker 1>get to the mall. We, of course, have come up

0:39:56.600 --> 0:39:59.799
<v Speaker 1>with these characters on the fly. We have often said

0:39:59.800 --> 0:40:01.920
<v Speaker 1>we wish we'd come up with different ones, but we

0:40:02.120 --> 0:40:04.520
<v Speaker 1>came up with what we got. And so we are

0:40:04.840 --> 0:40:08.160
<v Speaker 1>once again with Ricky Amocha in the woods, still trying

0:40:08.160 --> 0:40:11.080
<v Speaker 1>to get to the damn mall. Uh So, I think

0:40:11.080 --> 0:40:12.799
<v Speaker 1>we did one last week where they actually got to

0:40:12.800 --> 0:40:14.560
<v Speaker 1>the mall but didn't actually step into the mall. So

0:40:14.600 --> 0:40:21.160
<v Speaker 1>we're still and closer. We could smell the food court,

0:40:21.200 --> 0:40:23.680
<v Speaker 1>but we're not in the door yet. Uh So, here

0:40:23.719 --> 0:40:25.880
<v Speaker 1>we go. Everybody ready, everybody know who they're playing, and

0:40:25.920 --> 0:40:29.319
<v Speaker 1>we're ready to Yeah, all right, so here we go.

0:40:29.400 --> 0:40:32.040
<v Speaker 1>We're going to fade in exterior woods continuous. Ricky a

0:40:32.040 --> 0:40:37.000
<v Speaker 1>Mocha are still trudging through the garden. Then she uploaded

0:40:37.040 --> 0:40:40.200
<v Speaker 1>this totally fire video doing this new TikTok to answer

0:40:40.360 --> 0:40:43.640
<v Speaker 1>and she hit seventeen million follars on and STA in

0:40:43.719 --> 0:40:48.200
<v Speaker 1>the same day and definitely my hero ist hero. Wait

0:40:48.560 --> 0:40:54.279
<v Speaker 1>what was the question again? Are we there yet? Oh? Well,

0:40:54.320 --> 0:40:56.960
<v Speaker 1>do you see them all? You know? Mom says, never

0:40:56.960 --> 0:41:00.360
<v Speaker 1>answered a question with a question, Chelsea's if you're not

0:41:00.480 --> 0:41:06.279
<v Speaker 1>really her son? So wait, she does, Mocha, I don't

0:41:06.320 --> 0:41:08.760
<v Speaker 1>think I can do this anymore. We just keep walking

0:41:08.800 --> 0:41:15.799
<v Speaker 1>in circles. What how can you see that one? Oh? Man,

0:41:16.920 --> 0:41:19.640
<v Speaker 1>I don't think I can do this anymore either. Should

0:41:19.640 --> 0:41:22.799
<v Speaker 1>we just turn back? That's when we hear it looks

0:41:22.840 --> 0:41:25.960
<v Speaker 1>like the tin and back. It's true what they say,

0:41:26.600 --> 0:41:30.560
<v Speaker 1>losers for lives. Ricky Moka around a corner and come

0:41:30.640 --> 0:41:33.279
<v Speaker 1>upon a tiny little radio station. Two squirrels sit behind

0:41:33.320 --> 0:41:35.520
<v Speaker 1>a desk wearing headphones. They gestured to two empty seats

0:41:35.520 --> 0:41:37.360
<v Speaker 1>in front of them. As Ricky Amoka said, one of

0:41:37.360 --> 0:41:40.360
<v Speaker 1>the squirrels, the stain, pops over and adjust microphones in

0:41:40.400 --> 0:41:46.160
<v Speaker 1>front of their faces. Yeah, we are now doing by.

0:41:46.320 --> 0:41:49.040
<v Speaker 1>Both squirrels just stares Ricky and Mocha from on Silent Beat.

0:41:49.080 --> 0:41:52.760
<v Speaker 1>The soundtracks on Crinkle covers the mic. We got daddy

0:41:53.080 --> 0:42:00.840
<v Speaker 1>here people. What are your names? Oh? I'm Mocha. Oh

0:42:01.800 --> 0:42:07.680
<v Speaker 1>like the coffee. I'd like to sit meet some of that. Hey,

0:42:08.400 --> 0:42:13.560
<v Speaker 1>what's your name? Sport? I'm Ricky? If he just tune in,

0:42:13.680 --> 0:42:17.000
<v Speaker 1>we got Mocha and Ricky here with us on morning Creeks,

0:42:17.520 --> 0:42:21.040
<v Speaker 1>I'm Creek, and as always I'm joined by the mand Man,

0:42:21.239 --> 0:42:28.880
<v Speaker 1>the legend himself. The stain stained by shuts. They hit

0:42:28.920 --> 0:42:33.120
<v Speaker 1>a they hit a button. Creak, Yeah, you do it,

0:42:33.280 --> 0:42:34.640
<v Speaker 1>you do it on dress. You're better at it than

0:42:34.640 --> 0:42:37.439
<v Speaker 1>I am. Go ahead, Crinkle and the stain by crook

0:42:37.520 --> 0:42:42.040
<v Speaker 1>cookok crazy one or seven point four. The wood stain

0:42:42.120 --> 0:42:50.720
<v Speaker 1>hits another button. We got wood you well, I'm officially done.

0:42:51.360 --> 0:42:59.560
<v Speaker 1>You're officially lame. They hit another button. So word, do

0:42:59.640 --> 0:43:07.120
<v Speaker 1>you have buttons for everything? Another button? He does? So

0:43:07.440 --> 0:43:09.800
<v Speaker 1>what brings to you to our neck of the garden?

0:43:10.840 --> 0:43:14.400
<v Speaker 1>I seriously can't tell the story again. Looks like I've

0:43:14.400 --> 0:43:18.880
<v Speaker 1>got a primadonna on her hands here, Crinkle, I say,

0:43:20.840 --> 0:43:27.280
<v Speaker 1>hits another button. He'll say, if you touch one more button,

0:43:27.600 --> 0:43:31.040
<v Speaker 1>I'm going to open up a candle. There's a beat

0:43:31.120 --> 0:43:35.040
<v Speaker 1>that covers Mocha swearing, Hi, Hey, this is the Family

0:43:35.120 --> 0:43:38.319
<v Speaker 1>Family Show. Yeah, we're just trying to get to know

0:43:38.360 --> 0:43:42.560
<v Speaker 1>our fellow gardeners. Now, come on, where are you headed? Ah?

0:43:42.640 --> 0:43:46.759
<v Speaker 1>You might as well just tell them. Fine, we're trying

0:43:46.840 --> 0:43:53.000
<v Speaker 1>to get to the mall to find my boyfriend. Stay

0:43:53.120 --> 0:43:57.359
<v Speaker 1>hits another button, going to the mall see her boyfriend.

0:43:58.000 --> 0:44:00.440
<v Speaker 1>Without warning, Mocha launches herself over the table and a

0:44:00.480 --> 0:44:09.520
<v Speaker 1>through hosts not that body part as beat passes before

0:44:09.600 --> 0:44:17.719
<v Speaker 1>Mocha casually reenters frame. Come on, we're going home? Oh

0:44:19.440 --> 0:44:21.680
<v Speaker 1>ricky a Moocha turned to find a battered crinkle pointing

0:44:21.680 --> 0:44:24.279
<v Speaker 1>into the distance. They follow the gaze. As the sun

0:44:24.320 --> 0:44:27.600
<v Speaker 1>breaks through the trees, we can see the mall on

0:44:27.760 --> 0:44:33.480
<v Speaker 1>Rickey and Mocha's delighted faces. We fade out. Yes, that

0:44:33.600 --> 0:44:39.080
<v Speaker 1>was nailed it. Undress killed it. Yeah, you're you're awesome,

0:44:39.800 --> 0:44:43.279
<v Speaker 1>so talented voices adding and we were just talking about

0:44:43.280 --> 0:44:48.640
<v Speaker 1>ad libbing and adding in stuff. Just crushed it day.

0:44:48.680 --> 0:44:50.680
<v Speaker 1>Are you very proud? Are you going to be joining

0:44:50.680 --> 0:44:54.080
<v Speaker 1>our contest? Uh? Sure? What I'd love to do is

0:44:54.160 --> 0:44:55.440
<v Speaker 1>one day to be a guest on your show. In

0:44:55.520 --> 0:44:58.480
<v Speaker 1>Lauren's role, and actually talk about work that I will

0:44:58.520 --> 0:45:03.520
<v Speaker 1>finally one day do I never did. Yes, that's gonna happens.

0:45:03.560 --> 0:45:07.040
<v Speaker 1>Are so talented, you could come on and you could definitely,

0:45:07.360 --> 0:45:10.239
<v Speaker 1>You've got to enter the super awesome contests become the

0:45:10.280 --> 0:45:12.960
<v Speaker 1>next big Voice actor because that contests to become the

0:45:12.960 --> 0:45:16.279
<v Speaker 1>next big voice acker a chance of a lifetime for

0:45:16.360 --> 0:45:18.640
<v Speaker 1>you because you win an agent for a year and

0:45:18.760 --> 0:45:21.120
<v Speaker 1>you win a whole dude, big come on to do

0:45:21.239 --> 0:45:24.040
<v Speaker 1>some voices for my heart. And I want to call

0:45:24.120 --> 0:45:26.560
<v Speaker 1>it your big break, but Will does not because it's

0:45:26.600 --> 0:45:28.759
<v Speaker 1>not your big break. Right, there's a difference. It's not

0:45:28.840 --> 0:45:30.799
<v Speaker 1>a big it's what we're doing. We always say it's

0:45:30.840 --> 0:45:32.880
<v Speaker 1>we're cracking open the door, and then you gotta have

0:45:32.960 --> 0:45:35.120
<v Speaker 1>your talent kick the door open. But that first crack

0:45:35.239 --> 0:45:37.680
<v Speaker 1>is usually the hardest one to do. So we're giving

0:45:37.719 --> 0:45:40.360
<v Speaker 1>you the opportunity for your big break, which is what

0:45:40.640 --> 0:45:44.319
<v Speaker 1>I was gonna say. Maybe, Okay, yeah, thank you so much.

0:45:44.400 --> 0:45:48.200
<v Speaker 1>I might cry. I'm I'm a little emotional, but so cool.

0:45:48.800 --> 0:45:51.839
<v Speaker 1>So where first of all, where can people find you? Yeah?

0:45:52.280 --> 0:45:54.120
<v Speaker 1>I have an install with no posts. I'd use it

0:45:54.200 --> 0:45:57.400
<v Speaker 1>to follow artists because I do art and paint miniatures.

0:45:58.200 --> 0:46:00.960
<v Speaker 1>Are you a mini painter too? Forever? D M? The

0:46:00.960 --> 0:46:02.480
<v Speaker 1>reason I have a million voices because I have to

0:46:02.520 --> 0:46:04.680
<v Speaker 1>come up with them on the flyes. So I hope

0:46:04.719 --> 0:46:07.879
<v Speaker 1>you roll really poorly. As as the d M, thank

0:46:08.040 --> 0:46:09.719
<v Speaker 1>thank you very much. I wish I was there. I

0:46:09.800 --> 0:46:11.600
<v Speaker 1>put my hands on you, because I have touched Will

0:46:11.600 --> 0:46:15.200
<v Speaker 1>Wheaton several times. I'd give you the wheat and curse

0:46:15.280 --> 0:46:18.960
<v Speaker 1>my friend. Well, my instant was zero posts. Right now

0:46:19.400 --> 0:46:26.000
<v Speaker 1>is rook like the chess piece one? So rook one?

0:46:26.760 --> 0:46:29.400
<v Speaker 1>That's me totally cool. Jean vel Jet, you're a d

0:46:29.640 --> 0:46:31.800
<v Speaker 1>M and you're throwing out many paintings. You're wearing a

0:46:31.840 --> 0:46:34.359
<v Speaker 1>Batman shirt and you have a Jean Valjean reference. We'd

0:46:34.400 --> 0:46:41.560
<v Speaker 1>be besties. I think you are. Don't give me hope. Well, seriously,

0:46:42.840 --> 0:46:45.600
<v Speaker 1>totally be besties. That's so cool. Well, come and win

0:46:45.719 --> 0:46:47.480
<v Speaker 1>the contest and you get to One of the things

0:46:47.560 --> 0:46:48.719
<v Speaker 1>you get to do is you fly out. We fly

0:46:48.840 --> 0:46:50.640
<v Speaker 1>you out to l A and you come have lunch. Christine,

0:46:50.680 --> 0:46:56.200
<v Speaker 1>I we hang out. So when the contest, that's we're

0:46:56.239 --> 0:46:58.040
<v Speaker 1>gonna be. There's gonna be an episode coming up where

0:46:58.040 --> 0:47:00.480
<v Speaker 1>all we're gonna be doing is discussing the contest, all

0:47:00.520 --> 0:47:02.799
<v Speaker 1>the rules, everything involved. It's going to be totally cool.

0:47:02.880 --> 0:47:05.960
<v Speaker 1>We've got some really really really cool prizes we're not

0:47:06.000 --> 0:47:09.160
<v Speaker 1>allowed to talk about yet. Um so you just wait,

0:47:09.200 --> 0:47:11.000
<v Speaker 1>my friend. It's gonna be awesome. But thank you so

0:47:11.200 --> 0:47:13.759
<v Speaker 1>much for joining us. You killed it, he did. I

0:47:13.840 --> 0:47:17.560
<v Speaker 1>hope it was fun. Yes, thank you. It's great to

0:47:17.600 --> 0:47:19.440
<v Speaker 1>play with professionals. I'm used to play with a bunch

0:47:19.480 --> 0:47:21.880
<v Speaker 1>of oral amateurs hell in the improv space, so to

0:47:22.040 --> 0:47:24.239
<v Speaker 1>actually get to do work with professionals, even if it's

0:47:24.280 --> 0:47:27.160
<v Speaker 1>just for fun, is an extreme blessing, a treat. So

0:47:27.239 --> 0:47:31.600
<v Speaker 1>thank you you all so much. This is awesome. Thank you,

0:47:31.920 --> 0:47:34.319
<v Speaker 1>And don't forget an amateur is just professional hasn't got

0:47:34.360 --> 0:47:36.479
<v Speaker 1>their break yet. That's all that is. That's the only

0:47:36.600 --> 0:47:39.279
<v Speaker 1>difference is somebody they've just heard no a thousand times

0:47:39.320 --> 0:47:41.640
<v Speaker 1>and we were lucky enough to hear yes once. That's

0:47:41.719 --> 0:47:44.520
<v Speaker 1>all the only difference. So just keep plugging along and

0:47:44.640 --> 0:47:47.719
<v Speaker 1>please join the contest because you're very, very talented and

0:47:47.840 --> 0:47:51.400
<v Speaker 1>you never know what could happen, my friend. Thanks, that's right. Okay,

0:47:51.680 --> 0:47:54.880
<v Speaker 1>thank you a pleasure to meet you all. Thank you all,

0:47:55.719 --> 0:47:59.200
<v Speaker 1>Bye bye bye. That was cool. Oh my gosh, that

0:47:59.360 --> 0:48:04.080
<v Speaker 1>was so fun and good. He was great. I just

0:48:04.520 --> 0:48:06.320
<v Speaker 1>you know, I'm just gonna do that actors thing for

0:48:06.360 --> 0:48:09.520
<v Speaker 1>a second, is it okay? That was so big? I

0:48:09.600 --> 0:48:15.000
<v Speaker 1>mean it said she was a squirrelka. So good because

0:48:15.040 --> 0:48:17.160
<v Speaker 1>if we end up editing this, which is our goal

0:48:17.920 --> 0:48:20.320
<v Speaker 1>is to edit this together with some animation from you know,

0:48:20.440 --> 0:48:24.879
<v Speaker 1>independent animators, and oh wow, we wanted big can help

0:48:24.960 --> 0:48:28.440
<v Speaker 1>fill in the gaps for me and my awful, for

0:48:29.120 --> 0:48:32.880
<v Speaker 1>Christie and I being terrible. No, no, no, I just

0:48:33.960 --> 0:48:36.520
<v Speaker 1>I was talking about tone and then I thought, oh

0:48:36.600 --> 0:48:39.479
<v Speaker 1>my gosh, they're in a different cartoon than me. What's

0:48:39.480 --> 0:48:47.120
<v Speaker 1>wrong with me? Like this is because it's drawn together together. Yeah,

0:48:48.280 --> 0:48:50.759
<v Speaker 1>that was so fun you guys, thank you for having me.

0:48:51.080 --> 0:48:55.520
<v Speaker 1>Thank you very much, very quickly for our listener. That's

0:48:55.520 --> 0:48:58.359
<v Speaker 1>how I like it for our one listener out there. Um,

0:48:59.560 --> 0:49:02.759
<v Speaker 1>what where can people find you? And what are you

0:49:02.840 --> 0:49:07.040
<v Speaker 1>doing now? If you're a sweet Um that's so nice. Um.

0:49:07.719 --> 0:49:13.240
<v Speaker 1>So if Twitter keeps going, I'm actually the same address

0:49:13.320 --> 0:49:16.480
<v Speaker 1>on both Instagram and Twitter, so it's it's Lauren Tom

0:49:16.600 --> 0:49:19.880
<v Speaker 1>nine thousand and Um. That would be great. I would

0:49:19.960 --> 0:49:23.480
<v Speaker 1>love to, you know, connect with people and just like

0:49:23.680 --> 0:49:27.439
<v Speaker 1>let let me know what shows you like? And UM yeah,

0:49:27.520 --> 0:49:30.680
<v Speaker 1>I'm just like I keep on keeping on with with

0:49:30.920 --> 0:49:34.759
<v Speaker 1>my different series and um I have um let's see

0:49:34.800 --> 0:49:38.279
<v Speaker 1>what is Dragons and nine in Realms and um uh

0:49:38.560 --> 0:49:42.320
<v Speaker 1>Disenchantment and of course Featurama and when that's coming that

0:49:42.400 --> 0:49:44.640
<v Speaker 1>I'm not allowed to say yet, but people are going

0:49:44.680 --> 0:49:48.040
<v Speaker 1>to be super excited about and um yeah, so I

0:49:48.160 --> 0:49:51.760
<v Speaker 1>feel very blessed. And that's it, Just those four series.

0:49:51.840 --> 0:49:56.600
<v Speaker 1>That's all you got, my goodness. And I have a

0:49:56.719 --> 0:50:01.440
<v Speaker 1>movie coming out called One True Loves. It's written by

0:50:01.600 --> 0:50:04.799
<v Speaker 1>Taylor Jenkins Reed who wrote Daisy and Six anyway, she's

0:50:04.800 --> 0:50:07.880
<v Speaker 1>a novelist. And the beautiful thing about this movie is

0:50:07.920 --> 0:50:09.960
<v Speaker 1>that it's set in New England and it was written

0:50:10.120 --> 0:50:14.360
<v Speaker 1>about all these white people, but it turns out that

0:50:14.480 --> 0:50:17.839
<v Speaker 1>they ended up casting it all Asian and we don't

0:50:17.880 --> 0:50:20.560
<v Speaker 1>need Yeah, they don't even say like, they don't even

0:50:20.600 --> 0:50:23.320
<v Speaker 1>mention that we're Asian. We're just these people living in

0:50:23.440 --> 0:50:25.200
<v Speaker 1>New England. It's it's kind of neat that way. Did

0:50:25.239 --> 0:50:28.440
<v Speaker 1>you shoot in New England? Um no, we we actually

0:50:28.480 --> 0:50:32.160
<v Speaker 1>shot in North Carolina. Um and it was substituting and

0:50:32.560 --> 0:50:35.960
<v Speaker 1>um you know Shaun Chi that got that movie on Steemulu.

0:50:36.600 --> 0:50:39.759
<v Speaker 1>He's the lead. And then Philip a Sue who was

0:50:40.239 --> 0:50:44.640
<v Speaker 1>in Hamilton's Beautiful and she plays my daughter and and

0:50:44.840 --> 0:50:48.920
<v Speaker 1>so anyway, yeah, she was she played his wife in

0:50:49.120 --> 0:50:55.480
<v Speaker 1>in Hambleton's played Eliza Eliza. Yeah, so that's amazing. And

0:50:55.560 --> 0:50:58.239
<v Speaker 1>when is that coming out? I don't know yet. I

0:50:58.360 --> 0:51:00.719
<v Speaker 1>have to actually find out which out it last year,

0:51:00.760 --> 0:51:03.720
<v Speaker 1>so it should be coming out soon and a streaming

0:51:03.719 --> 0:51:05.799
<v Speaker 1>service is going to be in the theaters. I think

0:51:05.840 --> 0:51:07.120
<v Speaker 1>it's going to be in the theaters. It was a

0:51:07.160 --> 0:51:11.120
<v Speaker 1>feature film. That's awesome. Well, congratulations on those small projects

0:51:13.200 --> 0:51:16.759
<v Speaker 1>different series, Lauren, thank you for joining us, Thank you

0:51:16.880 --> 0:51:19.680
<v Speaker 1>guys for having me, and have a wonderful stay safe

0:51:19.719 --> 0:51:22.520
<v Speaker 1>and healthy and all that. I feel like everyone's mom

0:51:22.760 --> 0:51:32.120
<v Speaker 1>of my mom Lauren here. Okay, thank you everybody. Bye bye.

0:51:32.920 --> 0:51:36.120
<v Speaker 1>Oh man, she's done. I forget that she is my

0:51:37.800 --> 0:51:43.360
<v Speaker 1>my first TV girlfriends. Well, I mean, anybody who was

0:51:43.360 --> 0:51:46.600
<v Speaker 1>a Batman Beyond fan knows that Dana was hugely important

0:51:46.640 --> 0:51:49.640
<v Speaker 1>in Terry's life. So to be able to say that

0:51:49.719 --> 0:51:54.480
<v Speaker 1>it was like my first animated girlfriends Lauren, Tom, I mean,

0:51:54.520 --> 0:51:57.680
<v Speaker 1>that's awesome. Well, you remember when she played U Chico.

0:51:57.760 --> 0:52:00.279
<v Speaker 1>Your character also had a crush on her. Yeah, was it?

0:52:00.440 --> 0:52:02.880
<v Speaker 1>So it's do you know if they did that on purpose?

0:52:03.400 --> 0:52:06.560
<v Speaker 1>I don't know. But there's two people, Lauren, Tom and

0:52:06.719 --> 0:52:09.800
<v Speaker 1>Cree Summer where we're always boyfriend and girlfriend and everything

0:52:09.840 --> 0:52:12.200
<v Speaker 1>that we do, I think we do. We haven't speak.

0:52:12.360 --> 0:52:14.319
<v Speaker 1>Have we spoken to Korea on the show? No, we're

0:52:14.320 --> 0:52:16.600
<v Speaker 1>gonna we'll have koreon. We'll have to have Yeah, yeah

0:52:16.640 --> 0:52:20.279
<v Speaker 1>we have because her, I swear to god, her name

0:52:20.320 --> 0:52:22.719
<v Speaker 1>has been mentioned so many times on this podcast that

0:52:22.800 --> 0:52:25.600
<v Speaker 1>I assumed that she was a guest, but she's another

0:52:25.840 --> 0:52:29.120
<v Speaker 1>another legend. Yeah, we're so blessed. Our guests have been

0:52:29.239 --> 0:52:32.279
<v Speaker 1>so great. Our our guests have been and and like

0:52:32.440 --> 0:52:35.319
<v Speaker 1>we do have really uh you know, we have our

0:52:35.560 --> 0:52:38.360
<v Speaker 1>our our wish list of people, and so far, I

0:52:38.480 --> 0:52:41.160
<v Speaker 1>feel like so many of our wishes have been granted

0:52:41.280 --> 0:52:43.279
<v Speaker 1>with with who we've had on. Not only that, but

0:52:43.320 --> 0:52:46.239
<v Speaker 1>it's also people that we figured we couldn't get, so

0:52:46.320 --> 0:52:48.719
<v Speaker 1>we didn't even put him on the wish list. End

0:52:48.800 --> 0:52:52.359
<v Speaker 1>up interviewing where it's like, yeah, it's amazing. So yeah,

0:52:52.440 --> 0:52:54.279
<v Speaker 1>it's totally cool and we're going to keep going and

0:52:54.400 --> 0:52:57.399
<v Speaker 1>thank you everything for for joining us again for another

0:52:57.440 --> 0:52:59.759
<v Speaker 1>good episode. Well another great guest. Who knows that the

0:53:00.040 --> 0:53:01.520
<v Speaker 1>so it's any good. They probably hate us, but the

0:53:01.640 --> 0:53:05.960
<v Speaker 1>guests was aw You guys, send us some love. Go

0:53:06.080 --> 0:53:08.120
<v Speaker 1>ahead and write us up. I feel like a lot

0:53:08.200 --> 0:53:10.839
<v Speaker 1>of people do read reviews when they're trying to learn

0:53:10.920 --> 0:53:12.320
<v Speaker 1>if they want to listen to our show or not.

0:53:12.480 --> 0:53:15.080
<v Speaker 1>Give us a good review, shout us out, Share us

0:53:15.120 --> 0:53:17.120
<v Speaker 1>to your friends and family and people that you know

0:53:17.560 --> 0:53:20.840
<v Speaker 1>who love animation and are passionate about just the industry

0:53:20.880 --> 0:53:23.359
<v Speaker 1>at large. We love you guys so much and thanks

0:53:23.400 --> 0:53:27.040
<v Speaker 1>for listening. That's very true. Also, m Christie is on

0:53:27.320 --> 0:53:30.000
<v Speaker 1>all the social stuff and has the ten trillion followers.

0:53:30.160 --> 0:53:33.480
<v Speaker 1>I may be starting that wo on Instagram soon because

0:53:33.480 --> 0:53:35.520
<v Speaker 1>I like putting up pictures of my dog um. But

0:53:35.760 --> 0:53:38.520
<v Speaker 1>other than that, the contest is coming. I know we

0:53:38.600 --> 0:53:40.360
<v Speaker 1>keep teasing it, but it's really coming now it is.

0:53:43.200 --> 0:53:45.080
<v Speaker 1>It's the super awesome contest to become the next big

0:53:45.160 --> 0:53:47.520
<v Speaker 1>voice actor. We're taking this whole thing to the next level.

0:53:47.600 --> 0:53:49.239
<v Speaker 1>We're hope you're going to hear about this all over

0:53:49.320 --> 0:53:51.759
<v Speaker 1>the place because we're going to get some pretty incredible

0:53:51.800 --> 0:53:54.880
<v Speaker 1>people involved. So until then, if you think you got

0:53:54.920 --> 0:53:56.799
<v Speaker 1>what it takes to be one of us. Step up

0:53:56.840 --> 0:53:58.840
<v Speaker 1>and put your voices where your mouth is. Thanks everybody.

0:53:59.239 --> 0:54:01.319
<v Speaker 1>I Hear Voices is hosted by Wilfrid l and Christy

0:54:01.400 --> 0:54:04.840
<v Speaker 1>Carlson Romano. Executive produced by Wilfordell, Brendan Rooney, Amy Sugarman

0:54:04.880 --> 0:54:07.400
<v Speaker 1>and Vicky Ernst Chang. Our executive in charge of production

0:54:07.480 --> 0:54:10.040
<v Speaker 1>is Danielle Romo. Our producer is Lorraine Vera Weez and

0:54:10.080 --> 0:54:13.640
<v Speaker 1>our editor slash engineer is Brian Burton. And that was

0:54:13.760 --> 0:54:16.360
<v Speaker 1>my announcer voice. Some side effects of listening to I

0:54:16.480 --> 0:54:18.880
<v Speaker 1>Hear Voices are sore abs from hilarity falling down the

0:54:18.920 --> 0:54:22.280
<v Speaker 1>Coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.

0:54:22.480 --> 0:54:24.520
<v Speaker 1>Follow I Hear Voices wherever you listen to podcasts so

0:54:24.600 --> 0:54:26.759
<v Speaker 1>you don't miss any of the amazing voices. Be sure

0:54:26.800 --> 0:54:28.960
<v Speaker 1>to follow us on Instagram and TikTok at I Hear

0:54:29.040 --> 0:54:31.479
<v Speaker 1>Voices podcast. You can also check us out on my Space,

0:54:31.560 --> 0:54:34.640
<v Speaker 1>omegal Vine, Lime Wire. Hey I'm a napster. Okay, well

0:54:34.719 --> 0:54:36.200
<v Speaker 1>let's teach you about the Internet. The who