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Speaker 1: Hey Christy, Hey, will, what's go on? Nothing much? How

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Speaker 1: are you pretty good? You know it's really rainy in

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Speaker 1: Texas today. Um jus really really that Los Angeles it

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Speaker 1: rains once a year. I know, I know, we do

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Speaker 1: love weather, right, I mean that's part of the reason

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Speaker 1: why we moved down here, because people always think of

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Speaker 1: Texas and they think of the climate to be more

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Speaker 1: like California's. It's just go to dry and um and

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Speaker 1: it does have a drought here, but Austin is particularly

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Speaker 1: green and vibrant, so it is rainy. You may hear

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Speaker 1: drip drops from my from my echoe echoe throne here. Well,

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Speaker 1: it's better that the room you're in now has some

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Speaker 1: some stuff behind you at least, so that's good. It

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Speaker 1: doesn't look like you're being held against your will, which

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Speaker 1: is nice. I had to barter with many different prisoners

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Speaker 1: in the institute that I'm staying in right now, just

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Speaker 1: so that I could get these so that it looks

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Speaker 1: a little bit more welcoming and home. Yes, and this

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Speaker 1: is actually a straight jacket to you see that I'm

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Speaker 1: holding my hands up excellent. Well, people don't know you.

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Speaker 1: You you moonlight as the amazing Christie Carlson Romano. So

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Speaker 1: we know you're gonna be able to get out of

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Speaker 1: that straight jacket super easy. Nice, she's out people. I

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Speaker 1: broke my white hands up for those of listening, I am.

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Speaker 1: I'm very excited about her guest today. Me too. I

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Speaker 1: love her and it's like she's been there like my

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Speaker 1: whole life. I've seen her so many different things from

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Speaker 1: like friends. My first ever voiceover gig was with Lauren

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Speaker 1: Ever because I'm so excited about I don't even mind

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Speaker 1: blowing the surprise because I'm so excited that she's here.

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Speaker 1: But yeah, I want to we have to get into that.

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Speaker 1: But she was also on Kimpossible, that's right, she was

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Speaker 1: several times. I think she's done a hope. She did

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Speaker 1: a whole bunch of Kim Possibles too so and was

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Speaker 1: in like so the drama and so we've got some reunion. Yeah,

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Speaker 1: it's a reunion. And the last reason you has with

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Speaker 1: was with Taj Yes, who was unfriendly, not nice to

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Speaker 1: talk with me. He's really just so high maintenance distress.

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Speaker 1: It's like talking to a rock. He wasn't excited to

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Speaker 1: be on the show. He wasn't excited to talk about

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Speaker 1: his past it was sarcasm. This is sarcasm, I promise

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Speaker 1: is it's a sarcasm or is it sarcasm? It's interesting sarcasm.

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Speaker 1: That's the way we say it at the institute. Here

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Speaker 1: is nice nice, we say sarcasm. In the non tiny

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Speaker 1: Los Angeles world. How long has it been rainy? For days?

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Speaker 1: It's been we have had and very and by the way,

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Speaker 1: very cold. It's been like forty five degrees dropping to

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Speaker 1: like thirty eight. Yeah, it's and then the weird thing

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Speaker 1: is that here in Texas is gonna be like seventy

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Speaker 1: humidity in a couple of days. You know, It's like

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Speaker 1: it's just the weirdest weather, but it's weather. But it's weather.

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Speaker 1: It's not like, oh hey it's seventy nine and sunny again,

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Speaker 1: and anyone's like, oh, I would take that all day long.

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Speaker 1: But when you get like three hundred days in a

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Speaker 1: row of that, it really gets bored. It is very interesting.

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Speaker 1: It's like why people think that people don't age in California.

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Speaker 1: They're so endless summer. Exponentially, since I started this podcast

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Speaker 1: with you, Christie, I have aids so much. Again, this

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Speaker 1: is the easiest listen. This podcast is We've got a

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Speaker 1: big heart for this podcast. We started this podcast because

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Speaker 1: we would be doing comic cons together and we'd look

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Speaker 1: over to each other and we'd say, gosh, we wish

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Speaker 1: could work together again, Gosh, we wish they'd reboot him possible,

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Speaker 1: And and in the midst of waiting for all of this,

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Speaker 1: we've created our own opportunity to be together and be

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Speaker 1: here on this podcast. Don't you think I agree. I

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Speaker 1: think it's you know, it's it's very, very nice that

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Speaker 1: you get to work with me again. I look at it.

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Speaker 1: That's how I agree. It's really it's really nice for

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Speaker 1: you to get that opportunity. And I think, yeah, I agree.

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Speaker 1: It's fun enough to hang yourself. Well, it's fun. There's

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Speaker 1: no such thing as enough for obtaining myself I'm saying.

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Speaker 1: But no, we are very excited to have our guests

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Speaker 1: on today. Yes, I want to talk to her about

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Speaker 1: something very special because and I'll talk to her about this.

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Speaker 1: But she was my first ever animated girlfriend. Oh yeah,

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Speaker 1: first ever animated girlfriend. So I want to see if

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Speaker 1: she has the same memories of being my animated girlfriend

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Speaker 1: as I do of being her animated boyfriend. Wow, the

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Speaker 1: tea is hot here it is Lauren Tom and I

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Speaker 1: hear voices. Hello, Hey, hi Laurien guy. How are you?

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Speaker 1: But I'm so happy to see your face. Well, we

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Speaker 1: were just talking Lauren, because I'm not sure you're aware

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Speaker 1: of this because you're you've been a pro for so long.

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Speaker 1: But you were my first ever animated girlfriend. It was

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Speaker 1: Dana tant Yes and Batman Beyond was my first ever

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Speaker 1: animated girlfriend. So I was so excited talk to you. Oh,

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Speaker 1: I know that's so awesome. Yeah, you I have such

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Speaker 1: fun memories. And I I posted um a picture of

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Speaker 1: us on Twitter when Kevin passed and I and I

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Speaker 1: realized that you're you're not on Twitter anymore? Hum, No,

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Speaker 1: I'm not. I'm not. No, I I see you're a

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Speaker 1: smart way before everyone else. I haven't had so funny.

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Speaker 1: I haven't had social media for three years now, and

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Speaker 1: I have been talking with my friends on pod Meets World,

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Speaker 1: and I think I'm going to start an Instagram account

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Speaker 1: again for my first time. Well it's a lot of

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Speaker 1: gentle learn Instagram. I feel like, yes, it's a lot nicer.

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Speaker 1: That's so toxic. But now, so that was my first

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Speaker 1: ever animated series. Was was Batman Beyond and you, of

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Speaker 1: course we're integral and helping me kind of learned that world.

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Speaker 1: But what where did you start in the in the

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Speaker 1: animated world? What was your first kind of Oh my gosh,

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Speaker 1: well that you know, I felt like I was learning

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Speaker 1: on Batman. That's so funny that you say that. I mean,

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Speaker 1: it wasn't my very first Well, that wasn't your first series, wasn't. Yeah,

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Speaker 1: that was my I've never done animation before. First voiceover

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Speaker 1: job ever was Batman Beyond Wait for so for you?

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Speaker 1: Was it just like for me where you just went

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Speaker 1: in like a regular audition, as if it were an

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Speaker 1: on camera thing. They well, they called and said do

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Speaker 1: you want an audition for the role of Batman? And

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Speaker 1: I started laughing, thinking they had called the wrong person.

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Speaker 1: And I'd never done an animated series before, And I

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Speaker 1: went in and read with Andrea and with with and everybody,

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Speaker 1: thinking this is ridiculous. And next thing I know, I'm

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Speaker 1: sitting next to Kevin Conroy. So it was it was

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Speaker 1: just ridiculous. For me, that is ridiculous. What how fun

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Speaker 1: You've been doing this for a while by that point, though,

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Speaker 1: haven't you know? My first job was King of the Hill.

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Speaker 1: And yeah, and that wasn't really that much earlier. UM,

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Speaker 1: and I felt like I got to learn from Pamela

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Speaker 1: Adlon and all the people in that show because they've

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Speaker 1: already been doing voice over for a while and I

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Speaker 1: was really studying them and watching them, and I like,

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Speaker 1: one of my favorite things to do is just like

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Speaker 1: give people tips like what I've learned over the years.

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Speaker 1: So it's really fun that we're going to be having

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Speaker 1: a fan UM do do this with us. UM. But

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Speaker 1: I just auditioned just like like you said, where I

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Speaker 1: went in UM as a regular audition and I did it.

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Speaker 1: You know, they had a microphone there for me, but

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Speaker 1: I was so nervous. I didn't know what the heck

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Speaker 1: I was doing. And UM. Yeah, so that was my

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Speaker 1: first my first job in that one ran for like

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Speaker 1: thirteen seasons, so that was super exciting. Well, I mean

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Speaker 1: it's like, you know, it's it's a prime time and

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Speaker 1: it's with some of the greatest voice over actors ever. Yeah,

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Speaker 1: I mean, did you did you go did you approach

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Speaker 1: the audition like an on camera audition or did you

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Speaker 1: did you switch something up because you knew you were

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Speaker 1: going to be doing vo you know, like no, I

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Speaker 1: because I was clueless because I had never auditioned for

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Speaker 1: an animated series before. I just feel like when when

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Speaker 1: people ask me, like, you know what, what tips do

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Speaker 1: you have? I feel like, if you want to be

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Speaker 1: a voice actor, you just you have to become a

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Speaker 1: good actor. That's the amazing thing, right, So just go

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Speaker 1: to acting class and it's it's really the same thing.

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Speaker 1: And you know, like a piece of advice that I

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Speaker 1: got that I think is really helpful is when you're

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Speaker 1: auditioning or actually doing the job. And in Futurama you

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Speaker 1: can see this, Like Gangbusters, you do it as if

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Speaker 1: you're in front of the camera, so you you do

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Speaker 1: it full out with all of your body language as well,

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Speaker 1: because you only have that little tiny hole to get

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Speaker 1: it through all of your performance. Dude, there's a little

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Speaker 1: voice and so um, you know, uh, even when I'm

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Speaker 1: in my closet and I still have to audition, I

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Speaker 1: sometimes I'm actually acting out the scene, right. So, and

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Speaker 1: when you watch like Billy West and John DiMaggio and everything,

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Speaker 1: they're they're doing that too. They're they're like full out,

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Speaker 1: and I feel like, um, in my career on camera,

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Speaker 1: sometimes I'm a little too big because my my background

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Speaker 1: is theater, right, I mean I've been used to like

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Speaker 1: playing to the back. Yes, so directors have had to

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Speaker 1: say that's good, let's go one more time, less like

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Speaker 1: I'm sorry, I'm just really excited and and uh so anyway, yeah,

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Speaker 1: even in even in voiceover, I feel like sometimes I

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Speaker 1: have to take it down. But but you kind of like,

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Speaker 1: if you're at an audition, try to find out the

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Speaker 1: tone of the show first, um, so that you get

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Speaker 1: to like King of the Hill was very natural, right,

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Speaker 1: and they wanted it to be. All the humor was

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Speaker 1: character driven. It wasn't so much jokey and um. But

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Speaker 1: then like for other shows that I've done for Cartoon

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Speaker 1: Network or Nickelodeon, you can afford to be a little

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Speaker 1: bigger because the audience is younger, like kids next door.

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Speaker 1: Like I don't think I could have been any bigger

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Speaker 1: than that, because I love Tom Moore Burton because he

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Speaker 1: was like, can you go even more kidding me? That's

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Speaker 1: the best though. That's the joy of doing the the

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Speaker 1: Young animated series. It's like you can't get cartoony enough.

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Speaker 1: Kim Possible got a little bit like that. Yeah, at

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Speaker 1: least yes, yes, yes, I want to get to Futurama

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Speaker 1: eventually because it's it's arguably one of my favorite animated

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Speaker 1: series of all time mine too, by the way, iolutely

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Speaker 1: love it it is. I'm one of those people when

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Speaker 1: I think of Matt Graining, that to me is his

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Speaker 1: pinnacle show. I know the Simpsons is huge, but I've

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Speaker 1: always loved fut drama. So we'll get to the trauma.

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Speaker 1: You're sweet, But so you said you started in theater.

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Speaker 1: Did you when you were younger? Did you grow up

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Speaker 1: liking animation? Were you a cartoon fan when you were

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Speaker 1: a kid. I just wanted to be a cartoon like life.

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Speaker 1: Life was too much for me, and you know, I

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Speaker 1: just came in really sensitive, so I I just wanted

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Speaker 1: to be in that world where everything was okay. And

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Speaker 1: and so it's still like all these years of therapy,

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Speaker 1: I'm still trying to inch my way towards I can

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Speaker 1: handle the disappointments of life, you know, like that, because

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Speaker 1: that's the scariest part is just feel fielding all of

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Speaker 1: these experiences that we have as human beings. And so

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Speaker 1: you know, that was my escape, um place that I

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Speaker 1: could go when when things were just too much. You know,

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Speaker 1: because we all come in so differently, and like my mom,

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Speaker 1: for example, is she just came in as like a

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Speaker 1: freaking badass. I saw a picture on your Instagram and

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Speaker 1: she first date. Oh my god, I like, I said

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Speaker 1: it to the thing this song called Revolver by Buelow

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Speaker 1: because I love it so much and because it's about

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Speaker 1: being a badass and wanting to be wanting to be

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Speaker 1: like her. But I didn't. I came in the complete opposite,

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Speaker 1: and so I had to find ways to just kind

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Speaker 1: of navigate my world my way through through all of this,

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Speaker 1: and um, animation, What I love about animation, I could

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Speaker 1: go on and on because it's please do you know,

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Speaker 1: I mean years ago, it's like you know, the you know,

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Speaker 1: the the blocks that came for me because I'm Asian,

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Speaker 1: We're way more than they are now, right, and it's

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Speaker 1: it's we still have a ways to go, but invoy

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Speaker 1: in the voice world, like you could be anything, literally

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Speaker 1: and I got to audition for anything too, So like

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Speaker 1: the joy of watching you know, Kevin Michael Richardson do

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Speaker 1: a little white Jewish five year old girl. I mean,

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Speaker 1: it just does not get better than that. So I mean,

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Speaker 1: and then you could wear your sweatpants, like, uh, to

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Speaker 1: get dressed up right. And I had two kids, and

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Speaker 1: I literally was recording until my water broke. I mean

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Speaker 1: like I was like, Andrea did Andrea. Actually, I'm just

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Speaker 1: joking about that, but Andrea let me come in to

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Speaker 1: record Batman while I was nursing. So this is kind

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Speaker 1: of like too much information, but I was literally like

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Speaker 1: I had Ali in my arms and he was like

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Speaker 1: having lunch and I was like recording and then we

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Speaker 1: would have to break, you know if he made a

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Speaker 1: little cooling sound. But I mean, not only is Andrea

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Speaker 1: Romano the best voice of her director, you know, bar none,

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Speaker 1: but she's also of like an incredible human being. She

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Speaker 1: is just right. We had her not too long ago,

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Speaker 1: and she's just a joy. We got to watch her.

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Speaker 1: She came out and we brought a uh an amateur

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Speaker 1: guest on and she came out of retirement and directed him.

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Speaker 1: And just watching her direct him again, I tried not

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Speaker 1: to cry, like it brought me back to the booth.

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Speaker 1: It was unbelievable. So she Yeah, it's like that confidence

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Speaker 1: that she instills in you, you kind of just get

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Speaker 1: it and you feel like you're smart for being only

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Speaker 1: get what she's saying, and it's so quick. It's like,

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Speaker 1: oh my god, I'm done. You know. That's the other

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Speaker 1: thing I love about about voice ever, right, I mean literally,

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Speaker 1: sometimes I wouldn't figure out how much I was paid

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Speaker 1: for word because it would be like I would go

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Speaker 1: in and say one since you know, if I Jesse

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Speaker 1: had a like a recurring part or whatever, and U

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Speaker 1: I don't know. It's just the best job ever. That's funny,

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Speaker 1: you know, if you wanted to be a parent, I don't.

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Speaker 1: I don't know if you guys are parents. But I

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Speaker 1: mean I am, like to two girls, and you have

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Speaker 1: two boys, right, I do? How old are yours? You

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Speaker 1: look so gold? Oh man, thank you. I'm thirty eight.

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Speaker 1: But yeah I have a five and a three year old,

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Speaker 1: so she's about six. Oh god, your your boys are

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Speaker 1: they're grown and they're going to college. You know what

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Speaker 1: I find so interesting about this voice acting as a career. Um,

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Speaker 1: and now you've done so many different things as well.

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Speaker 1: I wonder if you can speak to for a lot

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Speaker 1: of the people that are parents or you know, are

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Speaker 1: older wanting to get into the voice acting world and

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Speaker 1: have families and stuff, and how much of that is

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Speaker 1: a time commitment for them to like pull away. But

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Speaker 1: it is I think, a very good community for people

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Speaker 1: to like if they're going to get in the business,

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Speaker 1: like voice acting is. It's it's filled with a lot

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Speaker 1: of good people. In my opinion. Oh I've never I

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Speaker 1: swear to god, I have never met one jerk in

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Speaker 1: the voice over world. I mean, and they're they're bountiful

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Speaker 1: in the on camera world and the theater and theater. Yeah,

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Speaker 1: I don't really know what what it is about the

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Speaker 1: voice over community, but every it's also if you do

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Speaker 1: meet a jerk, you never see them again. That's because

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Speaker 1: it's one of those things where it's such everybody likes

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Speaker 1: everybody so much, and there's it's not it's not the

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Speaker 1: competition aspect, isn't there in the voice over world. Your

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Speaker 1: voice is gonna work or it's not gonna work. People

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Speaker 1: are genuinely, genuinely happy for each other when it's like,

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Speaker 1: oh you got that, you jerk, Oh I wanted that.

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Speaker 1: It's all fun, it's all fun stuff. And then you

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Speaker 1: do you get into the on camera world and you're like, oh,

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Speaker 1: you're genuinely not a good person, you like, you don't

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Speaker 1: find that in VO. You just don't find that in

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Speaker 1: v OH. It's so strange. I wonder if it's because

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Speaker 1: it's energetic and lie so much of like what you

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Speaker 1: were just talking about with Andrea and how she kind

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Speaker 1: of is this conduit for our creativity in the in

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Speaker 1: the in the room, so to speak. And like you said,

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Speaker 1: you're just pushing you're pushing your your your voice through

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Speaker 1: this little tiny hole and then this other person you're

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Speaker 1: entrusting with that and and so it's this energy exchange

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Speaker 1: that needs to be very free, flowing through a big glass,

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Speaker 1: you know, window that they absolutely I think that's true.

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Speaker 1: I think there's also an aspect in the VO world

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Speaker 1: where I always say, you know, Christy, and we've talked

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Speaker 1: about this, where one of my mottos is there's a

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Speaker 1: very big difference between child ish and childlike. And so

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Speaker 1: there's you have to be childlike to be in the

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Speaker 1: v O world. And when you are childlike, chances are

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Speaker 1: you embrace that goofiness. So you're inherently already a decent

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Speaker 1: human being, because that makes sense, like you're already like

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Speaker 1: you want to play. So when you get those lighthearted

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Speaker 1: people where a John DiMaggio walk into the room. I

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Speaker 1: tear a strong walks into the room. When a great

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Speaker 1: one of these people walks into the room, the room

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Speaker 1: lightens up because everybody's having fun and they're enjoying themselves

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Speaker 1: and and and so I think that lends itself to

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Speaker 1: just better people than kind of like, don't talk to

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Speaker 1: that guy over there. He you know, has studied deep

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Speaker 1: acting for five years. They spent on the streets to

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Speaker 1: make exactly Yeah, yeah, no, that's really astute. I think

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Speaker 1: you're you're dead on you're dead on so cooking. Well,

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Speaker 1: we're like little we're like little kids just playing. Yeah,

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Speaker 1: I would say it's it's really not monetarily. You know,

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Speaker 1: you don't go into voice acting for the money. That

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Speaker 1: there's something to that. But but but the money is good,

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Speaker 1: I mean like like I mean compared to how much

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Speaker 1: work you're actually doing. It's not work number one. It's fun.

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Speaker 1: And you know, I'm just I'm going to work to

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Speaker 1: just listen to all of my friends, Like I feel

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Speaker 1: like the future on my casts are they seem like

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Speaker 1: there all stand up comedians and I see myself more

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Speaker 1: as like an actor, So I'm not like that. But

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Speaker 1: someone's got to be the audience, so so I'm they're

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Speaker 1: just kind of like laughing at everybody, and and it's

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Speaker 1: sort of like, um, it takes us probably a third

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Speaker 1: longer than it should to record the whole thing, just

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Speaker 1: because we're just goofing around and and and you know,

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Speaker 1: at least Super Sinski, our producer, he's got the job

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Speaker 1: of like hurting all these crazy sheets. It's just I

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Speaker 1: always remembered I'd see this on Kim Possible and on

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Speaker 1: other shows. I would call it J D T or

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Speaker 1: John DiMaggio. Time. You knew you'd have to add of

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Speaker 1: the amount of time you were going to record, absolutely,

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Speaker 1: but it's so worth it because it's so funny. I mean,

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Speaker 1: for instance, Kim Possible, we were gonna have Johnny on.

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Speaker 1: We've we've had and one of the things you know,

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Speaker 1: in those moments, and we've all seen this in the booth,

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Speaker 1: in those moments where some of these actors are joking

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Speaker 1: around and trying to one up each other and going

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Speaker 1: off on different characters, they come up with the character

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Speaker 1: that then is used in the future, right like Dave Herman,

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Speaker 1: I mean, crazy John DiMaggio as we were joking around

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Speaker 1: one day, just started doing this this character and it

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Speaker 1: became motor ed from from Kim Possible, So you see

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Speaker 1: this kind of stuff. I mean, so I have to

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Speaker 1: jump into this because now we're talking John Demjo and

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Speaker 1: we've now talked to Futurama. I want to talk a

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Speaker 1: bit about Futurama because I think it is arguably one

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Speaker 1: of the greatest animated series of all time. I think phenomenal.

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Speaker 1: I feel just as strong I do. But do you

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Speaker 1: like it more than Simpson's Yes, okay, I I think

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Speaker 1: one of the things I love so much about Futurama

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Speaker 1: is the episodes out of nowhere that all of a

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Speaker 1: sudden you're crying, which doesn't really happen in the Simpsons.

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Speaker 1: And when you get Luck of the fryar Ish or

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Speaker 1: you get Fries Dog, or you get one of these episodes,

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Speaker 1: like you've got to be kidding me with some of this,

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Speaker 1: but a voice over actor and fan. It's also one

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Speaker 1: of those things where you go because there's never guest stars.

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Speaker 1: You guys do all the voices, so no never ever

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Speaker 1: any guest stars. It's amazing. So it's like you know

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Speaker 1: that it's gonna be Johnny or mo Or or they

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Speaker 1: never no one can ever go on to be like,

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Speaker 1: guess what I did last week? I did a Futurama.

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Speaker 1: Like that's never gonna happen. Well unless you're Al Gore

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Speaker 1: really trying to get the real person or or like that. Yeah,

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Speaker 1: of course, Um, but what was it like? So you

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Speaker 1: you know, Futurama's actually came in after The Simpsons, which

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Speaker 1: is you know one, it is the biggest smash hit

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Speaker 1: and me a series of all time. So what is

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Speaker 1: it like knowing that you're going in and reading for

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Speaker 1: kind of the next project that Matt Greening is doing?

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Speaker 1: What was that process? Like? I was scared too, I'm

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Speaker 1: not gonna lie. And I had the most magical meeting

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Speaker 1: with Matt and and I I always credit Michael McKeon

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Speaker 1: because he and I were dating at that time for

386
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Speaker 1: a couple of years actually, and he is like one

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Speaker 1: of the funniest, coolest people, just naturally. And I swear

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Speaker 1: to god, I feel like that I got some street

389
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Speaker 1: cred just because I was his girlfriend. And I and

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Speaker 1: Matt loves Michael, and you know, like his work. I

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Speaker 1: don't know if they know each other's people, but he

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Speaker 1: loved his work and I he mentioned that to me

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Speaker 1: at the top of the meeting, and so that really

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Speaker 1: relaxed me. And then and yeah, and then I have

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Speaker 1: kind of a nutty laugh. I've always had like a

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Speaker 1: really loud, crazy laugh. And Matt just really loved it

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Speaker 1: and said, you know, you know what, he said it

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Speaker 1: right in the room. He said, I don't know what

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Speaker 1: we're gonna do with you, but with that laugh, we

400
00:23:09,600 --> 00:23:13,520
Speaker 1: have to have you in the show somehow. So did they?

401
00:23:13,800 --> 00:23:17,560
Speaker 1: Did they write Amy for you? Then? So what happened

402
00:23:17,600 --> 00:23:21,080
Speaker 1: is is uh knight of in a way because they

403
00:23:21,119 --> 00:23:27,840
Speaker 1: had um Leela and Amy's uh natural qualities switched. Um.

404
00:23:27,920 --> 00:23:33,320
Speaker 1: In the original creation of it, they had Amy really

405
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Speaker 1: tough and she was a mechanic and she was wearing

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Speaker 1: this jumpsuit and um kind of like very you know,

407
00:23:40,520 --> 00:23:44,240
Speaker 1: like my mom would be, you know, and and um,

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00:23:44,320 --> 00:23:47,640
Speaker 1: and then Leela was the girly one. But then when

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Speaker 1: I came in and he said that, he was like,

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Speaker 1: I don't know, I just like you. Oh wow, imagine

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00:23:59,560 --> 00:24:02,800
Speaker 1: it's here, I know, And they kind of redrew it

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Speaker 1: and they and they made me the girly one, and

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00:24:05,440 --> 00:24:08,600
Speaker 1: then they made me kind of slutty, which is which

414
00:24:08,720 --> 00:24:11,199
Speaker 1: is fine, but I mean, you're not totally dead on,

415
00:24:11,400 --> 00:24:14,880
Speaker 1: but but it was fun. It was fun to make

416
00:24:14,880 --> 00:24:17,360
Speaker 1: her they which was super glutzy too in the beginning.

417
00:24:17,800 --> 00:24:20,040
Speaker 1: Um that we we kind of toned that down a

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00:24:20,080 --> 00:24:23,240
Speaker 1: little bit, but um but yeah, so so that was like,

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00:24:24,040 --> 00:24:26,600
Speaker 1: oh my gosh, it was. It was so uplifting to

420
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Speaker 1: think that that you can do that. And then like

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00:24:30,000 --> 00:24:33,040
Speaker 1: later on, like I said this to Matt, I don't know,

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00:24:33,240 --> 00:24:36,639
Speaker 1: six months ago, because you know, he uses all of

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00:24:36,720 --> 00:24:40,960
Speaker 1: us on Disenchantment and um, I said to him, yeah,

424
00:24:41,080 --> 00:24:45,720
Speaker 1: I said, you know, Matt, I'm so grateful to you

425
00:24:45,760 --> 00:24:49,879
Speaker 1: that you just are so loyal, like, you know, you

426
00:24:50,080 --> 00:24:53,680
Speaker 1: keep using all of us for your projects now. And

427
00:24:54,080 --> 00:24:56,320
Speaker 1: he said, well, think of it like this. You know,

428
00:24:56,400 --> 00:25:00,320
Speaker 1: back in the day, like Hannah Barbara had a table

429
00:25:00,400 --> 00:25:02,760
Speaker 1: of people that they used all the time and that

430
00:25:02,880 --> 00:25:06,240
Speaker 1: was the troop, that was the company, that was you know,

431
00:25:06,320 --> 00:25:09,359
Speaker 1: like and and so it's kind of like that, you're

432
00:25:09,400 --> 00:25:16,720
Speaker 1: you're my stable of people. He is such an incredible

433
00:25:16,800 --> 00:25:20,560
Speaker 1: person and so such a genius and so humble, and

434
00:25:20,560 --> 00:25:22,600
Speaker 1: he's one of our dream he's one of our dream guests.

435
00:25:22,720 --> 00:25:25,879
Speaker 1: For one of the questions I had, I'm so curious

436
00:25:25,880 --> 00:25:30,040
Speaker 1: about when it comes to Futurama. Do you record together, Yes,

437
00:25:30,560 --> 00:25:35,560
Speaker 1: during the pandemic, I mean at the beginning when we've

438
00:25:35,600 --> 00:25:38,960
Speaker 1: got picked up again, the pandemic was still more present.

439
00:25:39,600 --> 00:25:42,960
Speaker 1: And so like Phil Lamar has this date of the

440
00:25:43,119 --> 00:25:48,560
Speaker 1: art recording studio in his um house, and so there's

441
00:25:48,600 --> 00:25:52,800
Speaker 1: a certain amount of booths available and so um it's

442
00:25:52,960 --> 00:25:56,960
Speaker 1: in order to accommodate all of us. Phil always records

443
00:25:57,000 --> 00:26:00,480
Speaker 1: at home and then he only lives twenty minutes the studio,

444
00:26:00,520 --> 00:26:04,080
Speaker 1: so he'll drive in for lunch, which is awesome because we,

445
00:26:04,240 --> 00:26:07,280
Speaker 1: you know, we like to be all together. We're just

446
00:26:07,359 --> 00:26:11,040
Speaker 1: like this family, and I feel like I'm completely myself

447
00:26:11,440 --> 00:26:14,840
Speaker 1: when I'm there, you know how you always go through

448
00:26:14,880 --> 00:26:19,320
Speaker 1: the world, you know, with a certain like mask that

449
00:26:19,359 --> 00:26:22,040
Speaker 1: you wear in order to just kind of, you know,

450
00:26:22,200 --> 00:26:24,800
Speaker 1: get along. But there, I just feel like I've known

451
00:26:24,840 --> 00:26:27,080
Speaker 1: them for so long and I just feel still loved

452
00:26:27,119 --> 00:26:30,199
Speaker 1: and accepted by all of them that I feel like

453
00:26:30,200 --> 00:26:32,639
Speaker 1: there's nothing I could do or say that would you know.

454
00:26:33,320 --> 00:26:35,760
Speaker 1: I have a question, Lauren, so your character, and this

455
00:26:35,800 --> 00:26:37,760
Speaker 1: is because I'm a fan of the show, so sorry

456
00:26:37,800 --> 00:26:41,040
Speaker 1: I'm going but you said that your character evolved, and

457
00:26:41,080 --> 00:26:43,120
Speaker 1: I do feel like I've heard this and seen this

458
00:26:43,480 --> 00:26:47,119
Speaker 1: in a lot of different uh you know versions of

459
00:26:47,160 --> 00:26:50,320
Speaker 1: our guests. This is something that does tend to happen.

460
00:26:50,560 --> 00:26:53,560
Speaker 1: I mean, can you speak to that experience? Do you

461
00:26:53,600 --> 00:26:57,280
Speaker 1: feel like, after they kind of optimize this character for

462
00:26:57,359 --> 00:27:01,040
Speaker 1: you and your mindset and your approach to her, how

463
00:27:01,080 --> 00:27:04,280
Speaker 1: did she evolve over time? Was that more towards catering

464
00:27:04,320 --> 00:27:07,800
Speaker 1: towards the health of the show and the ratings, or

465
00:27:07,880 --> 00:27:13,000
Speaker 1: was that more towards giving you more opportunities to perform? Well,

466
00:27:13,040 --> 00:27:16,639
Speaker 1: do you feel like she's evolved? That's that's good? Um,

467
00:27:16,680 --> 00:27:20,720
Speaker 1: because I do, Yes, I do, I do. Okay. So

468
00:27:20,920 --> 00:27:24,600
Speaker 1: here's a little thing I recently said, actually last week

469
00:27:24,640 --> 00:27:28,679
Speaker 1: to David X Cohen that someone put together like a

470
00:27:28,680 --> 00:27:31,679
Speaker 1: little I don't know, voice over real for me. And

471
00:27:31,720 --> 00:27:35,639
Speaker 1: I saw it on Twitter and it was from the

472
00:27:35,720 --> 00:27:40,080
Speaker 1: early early days of of Futurama and then kids lots

473
00:27:40,080 --> 00:27:42,960
Speaker 1: of things, and I realized that my voice was so

474
00:27:43,080 --> 00:27:47,879
Speaker 1: much higher season that than it is now. So in

475
00:27:47,920 --> 00:27:51,040
Speaker 1: that way, I think my voice is evolved. And I

476
00:27:51,080 --> 00:27:54,480
Speaker 1: said to David, is that okay? Like I had no

477
00:27:54,560 --> 00:27:58,520
Speaker 1: idea and he said, you know what everyone has done

478
00:27:58,560 --> 00:28:01,520
Speaker 1: that it's almost like, um, it's a natural thing that

479
00:28:01,560 --> 00:28:04,760
Speaker 1: occurs that a character kind of like settles in and

480
00:28:04,840 --> 00:28:07,480
Speaker 1: becomes a little bit closer to who you are and

481
00:28:07,760 --> 00:28:13,440
Speaker 1: and we we we know and everyone has done that. Um,

482
00:28:13,440 --> 00:28:18,520
Speaker 1: and it's okay because you know, even in certain instances,

483
00:28:18,560 --> 00:28:22,240
Speaker 1: like the characters are like trying to be discovered, they're

484
00:28:22,280 --> 00:28:25,679
Speaker 1: not completely set yet in the early days, and then

485
00:28:25,720 --> 00:28:29,359
Speaker 1: they become stronger and stronger once they you know, like

486
00:28:29,480 --> 00:28:32,240
Speaker 1: get settled in and it feels right and you get

487
00:28:32,280 --> 00:28:34,800
Speaker 1: into a groove. So he said, don't worry about it

488
00:28:34,840 --> 00:28:38,800
Speaker 1: at all. That was shocking to me, and very that's good.

489
00:28:38,960 --> 00:28:42,600
Speaker 1: That's good. Yeah, it's funny because with Kim, sorry, well

490
00:28:42,920 --> 00:28:47,480
Speaker 1: so with Kim, like you got higher and higher? Yeah

491
00:28:47,640 --> 00:28:50,680
Speaker 1: he did, well, I got I got lower and lower.

492
00:28:50,840 --> 00:28:58,800
Speaker 1: Those cigarettes don't stop up higher? Yeah? Oh wait was

493
00:28:58,840 --> 00:29:01,400
Speaker 1: that on purpose? Will? Now it just kind of again

494
00:29:01,480 --> 00:29:04,800
Speaker 1: it's kind of the evolution of the character where yeah, okay,

495
00:29:05,000 --> 00:29:06,800
Speaker 1: oh come on, Kim, we're just in high school. And

496
00:29:06,800 --> 00:29:08,400
Speaker 1: by end he was like all the way up here,

497
00:29:08,440 --> 00:29:14,000
Speaker 1: like what's going to it got a lot so interesting,

498
00:29:14,280 --> 00:29:17,280
Speaker 1: you know. In King of the Hill, Greg Daniels had

499
00:29:17,280 --> 00:29:21,720
Speaker 1: a different take on that whole thing because he he

500
00:29:21,840 --> 00:29:25,400
Speaker 1: listened to us in like season ten and compared us

501
00:29:25,480 --> 00:29:28,440
Speaker 1: to season one and wanted us to get back to

502
00:29:28,560 --> 00:29:31,640
Speaker 1: season one really okay? And so did you have to

503
00:29:31,960 --> 00:29:34,200
Speaker 1: kind did he say like, hey, we're going We're going

504
00:29:34,240 --> 00:29:36,280
Speaker 1: back to where we started, and I want to bring

505
00:29:36,320 --> 00:29:38,240
Speaker 1: I want to pitch the voices back to where they were,

506
00:29:38,600 --> 00:29:40,200
Speaker 1: And did you all have to go and kind of

507
00:29:40,200 --> 00:29:42,400
Speaker 1: watch the show again to pick the voice up again?

508
00:29:42,720 --> 00:29:46,720
Speaker 1: Now he had it all cute up. You know how

509
00:29:46,760 --> 00:29:49,000
Speaker 1: you always go, can I have a voice reference? It's

510
00:29:49,040 --> 00:29:51,800
Speaker 1: like that, you know. And so Bobby, he was always

511
00:29:51,800 --> 00:29:54,520
Speaker 1: here like the you know, Hank was always kind of

512
00:29:54,520 --> 00:29:58,680
Speaker 1: here like yeah, wow, that's really good. Will Yeah? And

513
00:29:58,720 --> 00:30:02,600
Speaker 1: then but did everybody else get cartoony? Is that what

514
00:30:02,640 --> 00:30:05,560
Speaker 1: was happening in the in the tension? Now? I think

515
00:30:05,600 --> 00:30:08,640
Speaker 1: what happened is again it's sort of like becomes more

516
00:30:08,760 --> 00:30:13,120
Speaker 1: organic to who you are more um. And so, for

517
00:30:13,120 --> 00:30:17,280
Speaker 1: for instance, whenever I have to do an accent, I

518
00:30:17,360 --> 00:30:22,840
Speaker 1: always channel my grandmother, right, And and this character of

519
00:30:22,960 --> 00:30:27,160
Speaker 1: men was not exactly my grandmother, right. My grandmother was

520
00:30:27,200 --> 00:30:30,760
Speaker 1: more like my mother. So her voice was here like, oh,

521
00:30:30,800 --> 00:30:33,440
Speaker 1: I don't you know you're too fat? I'm not giving

522
00:30:33,480 --> 00:30:36,440
Speaker 1: you ice cream you get jello, you know. It was

523
00:30:36,520 --> 00:30:41,840
Speaker 1: like more more grounded like that, and and and then

524
00:30:42,200 --> 00:30:45,400
Speaker 1: they wanted her to be like more passive aggressive, so

525
00:30:45,480 --> 00:30:49,760
Speaker 1: that she would say things really sweet like oh, oh,

526
00:30:49,800 --> 00:30:53,280
Speaker 1: your boat. She was so big, you're like in a boat,

527
00:30:53,720 --> 00:30:56,800
Speaker 1: you know, like she was. They wanted her to be

528
00:30:56,960 --> 00:31:02,360
Speaker 1: sweet sounding and so but passive aggressive and thing the

529
00:31:02,440 --> 00:31:06,320
Speaker 1: meanest things, right, So I had to I I started

530
00:31:06,360 --> 00:31:09,760
Speaker 1: to forget that, and I started to naturally just be

531
00:31:09,960 --> 00:31:13,880
Speaker 1: more like my grandma because her voice and her personality

532
00:31:14,280 --> 00:31:17,200
Speaker 1: were so hilarious to me. And also we're in my body,

533
00:31:17,480 --> 00:31:19,880
Speaker 1: you know what I mean, like like that voice and everything,

534
00:31:19,880 --> 00:31:23,080
Speaker 1: and so it got lower and lower my my voice

535
00:31:23,080 --> 00:31:26,720
Speaker 1: and I became a little bit tougher, so so they

536
00:31:26,720 --> 00:31:30,400
Speaker 1: had to remind me. So so it's interesting. How often

537
00:31:30,440 --> 00:31:33,880
Speaker 1: do you tap into people from your life to do

538
00:31:34,040 --> 00:31:36,000
Speaker 1: the voices that you do? I mean, are you usually

539
00:31:36,080 --> 00:31:38,479
Speaker 1: is it based on somebody you know? Or I mean

540
00:31:38,520 --> 00:31:40,400
Speaker 1: you said you've talked about your mom, your grandmother. I mean,

541
00:31:40,480 --> 00:31:43,320
Speaker 1: is it kind of like oh, yeah, I'm I'm I'm

542
00:31:43,360 --> 00:31:45,800
Speaker 1: pulling from life to find these characters or is it

543
00:31:45,840 --> 00:31:48,280
Speaker 1: just something come up with on the fly. I think

544
00:31:48,320 --> 00:31:51,320
Speaker 1: that I think in my regular on screen acting too.

545
00:31:51,360 --> 00:31:53,200
Speaker 1: I don't know if this is true for you, but

546
00:31:53,480 --> 00:31:56,280
Speaker 1: I do tend to think of certain people that have

547
00:31:56,960 --> 00:32:01,680
Speaker 1: the same qualities, and I d of like try to

548
00:32:01,720 --> 00:32:04,880
Speaker 1: get into their body in a way how they present

549
00:32:05,000 --> 00:32:08,560
Speaker 1: themselves to the world. But for sure, my mom and

550
00:32:08,640 --> 00:32:12,040
Speaker 1: my my grandmother I use a lot because any time

551
00:32:12,360 --> 00:32:14,800
Speaker 1: because I don't present myself to the world in that

552
00:32:14,880 --> 00:32:17,720
Speaker 1: super tough way, right, I'm just not comfortable with it.

553
00:32:18,000 --> 00:32:20,560
Speaker 1: And and so whenever I have to do a tough character,

554
00:32:21,160 --> 00:32:23,640
Speaker 1: you're seeing my mom or my grandmother. So my mom

555
00:32:23,720 --> 00:32:26,640
Speaker 1: doesn't really have an accent, although she because she was

556
00:32:26,720 --> 00:32:30,560
Speaker 1: born in Chicago, so um yeah, and um, but my

557
00:32:30,560 --> 00:32:34,800
Speaker 1: my grandmother came from um Hoiping and so if she

558
00:32:34,920 --> 00:32:38,040
Speaker 1: has an accent, it's like my grandma. And if she doesn't,

559
00:32:38,120 --> 00:32:44,600
Speaker 1: then and she's tough, it's my mom. Alright, last question

560
00:32:44,680 --> 00:32:46,160
Speaker 1: I really want to know. And then we're going to

561
00:32:46,280 --> 00:32:49,040
Speaker 1: bring in our our wonderful guest to play across the

562
00:32:49,080 --> 00:32:52,600
Speaker 1: Garden with us. Yes, Wonderful are playing across the Garden

563
00:32:52,600 --> 00:32:54,320
Speaker 1: again with Lauren. It's going to be a ton of fun.

564
00:32:54,400 --> 00:32:56,640
Speaker 1: And also this is a good time to tell you

565
00:32:56,680 --> 00:32:59,960
Speaker 1: all once again we are very very close to opening

566
00:33:00,080 --> 00:33:02,280
Speaker 1: up the contest. Yes, the what's the name of the

567
00:33:02,280 --> 00:33:05,520
Speaker 1: contest again, Christie, I can't remember what. It's called. Super

568
00:33:05,600 --> 00:33:10,160
Speaker 1: Awesome Contest to become the next Big Voice Actor. Oh gosh,

569
00:33:10,400 --> 00:33:14,520
Speaker 1: she nailed it. Did I do it? Finally, Lauren, it's

570
00:33:14,680 --> 00:33:20,280
Speaker 1: because of you. Thank you, Yeah, thank you. Super awesome

571
00:33:20,320 --> 00:33:22,840
Speaker 1: contest to become the next Big Voice Actor where everybody

572
00:33:22,920 --> 00:33:24,959
Speaker 1: is going to get to audition for us. We're going

573
00:33:25,000 --> 00:33:27,320
Speaker 1: to bring you on the show, and the winner, American

574
00:33:27,360 --> 00:33:30,760
Speaker 1: Idol style gets a yearlong contract with a voiceover agent,

575
00:33:30,840 --> 00:33:32,560
Speaker 1: gets to do some work for My Heart, gets a

576
00:33:32,600 --> 00:33:38,360
Speaker 1: whole bunch of really fun stuff. Whose idea was the

577
00:33:38,400 --> 00:33:40,680
Speaker 1: coolest thing in the world. It was our idea. It

578
00:33:40,760 --> 00:33:43,120
Speaker 1: was the wonderful idea which we were which when it's

579
00:33:43,120 --> 00:33:44,680
Speaker 1: an idea that we've had for a while that we

580
00:33:44,720 --> 00:33:48,040
Speaker 1: wanted to do, which I Heart has made. My goodness,

581
00:33:48,120 --> 00:33:50,160
Speaker 1: So we are going to be able to help somebody

582
00:33:50,240 --> 00:33:52,760
Speaker 1: kick open the door to their voiceover career. We are

583
00:33:52,800 --> 00:33:56,120
Speaker 1: so excected. You guys are the best. Talk about giving

584
00:33:56,200 --> 00:34:00,160
Speaker 1: back to the community. Honestly, it's gonna be cool. This

585
00:34:00,200 --> 00:34:03,920
Speaker 1: is good karma for you guys. You're gonna get to

586
00:34:03,960 --> 00:34:06,320
Speaker 1: write on this for a while. You can be like

587
00:34:06,400 --> 00:34:12,680
Speaker 1: total jerks. So now for the next exactly the final question,

588
00:34:12,680 --> 00:34:14,320
Speaker 1: and then we're going to bring in our our guests.

589
00:34:14,440 --> 00:34:19,680
Speaker 1: Um all of the awesome uh slang from the future,

590
00:34:19,719 --> 00:34:22,120
Speaker 1: the smish and stuff like that. Do you get to

591
00:34:22,160 --> 00:34:23,640
Speaker 1: play with any of that or is all that on

592
00:34:23,680 --> 00:34:26,200
Speaker 1: the page? That's all on the page? To be honest,

593
00:34:26,400 --> 00:34:29,040
Speaker 1: we have the most brilliant writers, Like not only did

594
00:34:29,080 --> 00:34:31,279
Speaker 1: they most of them go to Harvard, but they're just

595
00:34:31,520 --> 00:34:33,839
Speaker 1: so fright. The writing is so good. So as much

596
00:34:33,880 --> 00:34:37,719
Speaker 1: as we goof around in the session, we never really

597
00:34:37,800 --> 00:34:43,279
Speaker 1: change the writing the words like you know, not not

598
00:34:43,400 --> 00:34:46,000
Speaker 1: really not in Futurama, like you know, I'm sure that

599
00:34:46,040 --> 00:34:49,000
Speaker 1: you've been on other shows where they actually love that, sure,

600
00:34:49,160 --> 00:34:51,680
Speaker 1: but but I think we're we just have too much

601
00:34:52,080 --> 00:34:56,040
Speaker 1: like respect um for for the page. So all of

602
00:34:56,040 --> 00:34:58,680
Speaker 1: that was coming from the writers, the schmish and all

603
00:34:58,719 --> 00:35:04,600
Speaker 1: that that. When when to to understand to have I

604
00:35:04,600 --> 00:35:08,040
Speaker 1: don't think most people could possibly understand having people like

605
00:35:08,160 --> 00:35:14,240
Speaker 1: you John DiMaggio, Maurice Lamarge, Billy West and the writing

606
00:35:14,280 --> 00:35:17,759
Speaker 1: being Phil Lamar and the writing being so good that

607
00:35:17,760 --> 00:35:22,120
Speaker 1: there's no ad libbing. That's well, I shouldn't say no,

608
00:35:22,520 --> 00:35:26,680
Speaker 1: d limn, but but very very little. That's insane. That's

609
00:35:26,520 --> 00:35:29,080
Speaker 1: just a testament to how incredible the writing of that

610
00:35:29,120 --> 00:35:32,480
Speaker 1: show is, because those are some of the greatest You're

611
00:35:32,520 --> 00:35:34,320
Speaker 1: you're all the great one of some of the greatest

612
00:35:34,400 --> 00:35:36,440
Speaker 1: voice over actors that have ever worked. So to have

613
00:35:37,080 --> 00:35:40,120
Speaker 1: that on the page already is pretty outstanding. Hey, we

614
00:35:40,200 --> 00:35:42,719
Speaker 1: got her for Kim. What was your experience like with Kim?

615
00:35:42,760 --> 00:35:48,960
Speaker 1: Do you remember? Wait? What were you? What was it? Briefly?

616
00:35:49,200 --> 00:35:53,400
Speaker 1: You know, if you remember what, I'm so sorry I

617
00:35:53,440 --> 00:35:56,480
Speaker 1: shouldn't done my jumped on. I don't even know what

618
00:35:56,560 --> 00:35:59,759
Speaker 1: I played. Maybe maybe it'll come back. You were in

619
00:35:59,840 --> 00:36:05,000
Speaker 1: the first episode of Kim Possible. Yeah, you were one

620
00:36:05,200 --> 00:36:08,719
Speaker 1: episode one crush. You played Yeshiko. Did I have a

621
00:36:08,760 --> 00:36:14,840
Speaker 1: good time? Yes, you did an amazing character. She's online.

622
00:36:14,920 --> 00:36:17,560
Speaker 1: You got to google it and then it was. And

623
00:36:17,600 --> 00:36:20,520
Speaker 1: then you were in our movie the two thousand five movies.

624
00:36:21,040 --> 00:36:26,640
Speaker 1: Was not same same character, same character. Yes, And then

625
00:36:26,680 --> 00:36:33,520
Speaker 1: we got you and then you were my first girlfriend ever. Yeah,

626
00:36:33,600 --> 00:36:36,200
Speaker 1: that was really fun doing those things with you will

627
00:36:36,520 --> 00:36:39,200
Speaker 1: That was really fun. And then we got to play

628
00:36:39,280 --> 00:36:41,920
Speaker 1: with everybody in New York to which was which was

629
00:36:41,960 --> 00:36:45,000
Speaker 1: a ton of a couple of years ago. Yeah, two

630
00:36:45,080 --> 00:36:48,759
Speaker 1: or three years ago. What a gift. Yeah, you have

631
00:36:48,880 --> 00:36:52,000
Speaker 1: that picture right of all of us in New York. Yeah. Yeah,

632
00:36:52,000 --> 00:36:53,960
Speaker 1: we did a comic con. Yeah, that was it, Batman

633
00:36:54,000 --> 00:36:58,680
Speaker 1: Beyond the twentieth anniversary. It was New York Comic Con.

634
00:36:59,000 --> 00:37:01,120
Speaker 1: It was so much fun. We were with everybody and

635
00:37:01,160 --> 00:37:18,040
Speaker 1: it was Andrea well Kevin. Yeah, it's really special. Alright,

636
00:37:18,080 --> 00:37:21,080
Speaker 1: so we're gonna all right in our guest. Now do

637
00:37:21,200 --> 00:37:24,520
Speaker 1: we get to see him? We do, of course we did. Okay, great, great,

638
00:37:25,040 --> 00:37:33,200
Speaker 1: we have a great guest coming in today. Where's hello?

639
00:37:35,560 --> 00:37:40,359
Speaker 1: Thanks for thank you. No, yeah, I'm excited. I've been

640
00:37:40,400 --> 00:37:43,680
Speaker 1: listening to the podcast for a long time. And um,

641
00:37:43,719 --> 00:37:45,680
Speaker 1: I'm a huge fan of the voice acting world in general.

642
00:37:45,760 --> 00:37:51,759
Speaker 1: I actually work at Dragon Con in Atlanta, so I've

643
00:37:51,760 --> 00:37:54,640
Speaker 1: actually Mr Mr fardel If had extensive coaching how to

644
00:37:54,640 --> 00:37:59,200
Speaker 1: pronounce your last name as a in one of my panels.

645
00:37:59,239 --> 00:38:02,719
Speaker 1: So Christie, you were in a different track of that

646
00:38:02,800 --> 00:38:06,799
Speaker 1: year that you guys are both there interview and Lauren,

647
00:38:06,840 --> 00:38:09,400
Speaker 1: I remember you were a Dragon for I think for

648
00:38:09,520 --> 00:38:12,120
Speaker 1: like a future Rummer reunion. How do you know that

649
00:38:14,560 --> 00:38:16,160
Speaker 1: I only do the one con right like I do

650
00:38:16,239 --> 00:38:19,840
Speaker 1: dragon con of mom around. So for me, it's great,

651
00:38:20,560 --> 00:38:23,839
Speaker 1: that's great that you remember that. And now I'm saying

652
00:38:23,840 --> 00:38:26,960
Speaker 1: it right, it's undressed, right, Yeah, it's Spanish and if

653
00:38:26,960 --> 00:38:31,120
Speaker 1: you don't speak Spanish, hey, we are in a world

654
00:38:31,239 --> 00:38:33,759
Speaker 1: where we like things to be pronounced properly in our

655
00:38:33,840 --> 00:38:38,480
Speaker 1: voiceover world. So not only are you a moderator for

656
00:38:38,520 --> 00:38:40,719
Speaker 1: dragon Com, but you're also an improv actor and you've

657
00:38:40,760 --> 00:38:43,160
Speaker 1: got some I've got to hear. I'm sorry, I don't

658
00:38:43,160 --> 00:38:45,000
Speaker 1: mean to put you on the spot, but I want

659
00:38:45,040 --> 00:38:50,399
Speaker 1: to hear first online Fontaine. Oh okay, this summer one

660
00:38:50,440 --> 00:38:54,200
Speaker 1: man with one desire to fight everyone in the streets.

661
00:38:54,200 --> 00:39:00,239
Speaker 1: So l A like, that's really good, that's really really good.

662
00:39:00,840 --> 00:39:03,040
Speaker 1: And now because we've all worked with him and he

663
00:39:03,160 --> 00:39:07,160
Speaker 1: was on Kim Possible, can we hear a little Patrick Warburton. Okay,

664
00:39:07,239 --> 00:39:09,400
Speaker 1: he's actually the voice I do from my dog Krypto

665
00:39:09,520 --> 00:39:12,160
Speaker 1: the Super Dog. My favorite thing about him is he's

666
00:39:12,160 --> 00:39:14,680
Speaker 1: super lovely. He's like chronk from a burs New Groove.

667
00:39:16,600 --> 00:39:21,319
Speaker 1: Awesome and what I'm excited one today, I'm sorry. One

668
00:39:21,480 --> 00:39:26,520
Speaker 1: last one. Casey Casem's shaggy, oh like the way I

669
00:39:26,640 --> 00:39:28,880
Speaker 1: love my dog and all, but he's huge, hard to

670
00:39:28,920 --> 00:39:35,920
Speaker 1: carry around. Al Right, Well, we gotta live one today, people,

671
00:39:36,040 --> 00:39:38,360
Speaker 1: We got a live one today. So is everybody have

672
00:39:38,480 --> 00:39:44,480
Speaker 1: their copy of this week's across the Garden? Yes, Ricky

673
00:39:44,520 --> 00:39:47,200
Speaker 1: and Mocha are still trying to get to the damn mall.

674
00:39:47,280 --> 00:39:50,759
Speaker 1: It has been mean for ever now it's getting a

675
00:39:50,800 --> 00:39:53,520
Speaker 1: little ridiculous how long it's taking these poor people to

676
00:39:53,640 --> 00:39:56,600
Speaker 1: get to the mall. We, of course, have come up

677
00:39:56,600 --> 00:39:59,799
Speaker 1: with these characters on the fly. We have often said

678
00:39:59,800 --> 00:40:01,920
Speaker 1: we wish we'd come up with different ones, but we

679
00:40:02,120 --> 00:40:04,520
Speaker 1: came up with what we got. And so we are

680
00:40:04,840 --> 00:40:08,160
Speaker 1: once again with Ricky Amocha in the woods, still trying

681
00:40:08,160 --> 00:40:11,080
Speaker 1: to get to the damn mall. Uh So, I think

682
00:40:11,080 --> 00:40:12,799
Speaker 1: we did one last week where they actually got to

683
00:40:12,800 --> 00:40:14,560
Speaker 1: the mall but didn't actually step into the mall. So

684
00:40:14,600 --> 00:40:21,160
Speaker 1: we're still and closer. We could smell the food court,

685
00:40:21,200 --> 00:40:23,680
Speaker 1: but we're not in the door yet. Uh So, here

686
00:40:23,719 --> 00:40:25,880
Speaker 1: we go. Everybody ready, everybody know who they're playing, and

687
00:40:25,920 --> 00:40:29,319
Speaker 1: we're ready to Yeah, all right, so here we go.

688
00:40:29,400 --> 00:40:32,040
Speaker 1: We're going to fade in exterior woods continuous. Ricky a

689
00:40:32,040 --> 00:40:37,000
Speaker 1: Mocha are still trudging through the garden. Then she uploaded

690
00:40:37,040 --> 00:40:40,200
Speaker 1: this totally fire video doing this new TikTok to answer

691
00:40:40,360 --> 00:40:43,640
Speaker 1: and she hit seventeen million follars on and STA in

692
00:40:43,719 --> 00:40:48,200
Speaker 1: the same day and definitely my hero ist hero. Wait

693
00:40:48,560 --> 00:40:54,279
Speaker 1: what was the question again? Are we there yet? Oh? Well,

694
00:40:54,320 --> 00:40:56,960
Speaker 1: do you see them all? You know? Mom says, never

695
00:40:56,960 --> 00:41:00,360
Speaker 1: answered a question with a question, Chelsea's if you're not

696
00:41:00,480 --> 00:41:06,279
Speaker 1: really her son? So wait, she does, Mocha, I don't

697
00:41:06,320 --> 00:41:08,760
Speaker 1: think I can do this anymore. We just keep walking

698
00:41:08,800 --> 00:41:15,799
Speaker 1: in circles. What how can you see that one? Oh? Man,

699
00:41:16,920 --> 00:41:19,640
Speaker 1: I don't think I can do this anymore either. Should

700
00:41:19,640 --> 00:41:22,799
Speaker 1: we just turn back? That's when we hear it looks

701
00:41:22,840 --> 00:41:25,960
Speaker 1: like the tin and back. It's true what they say,

702
00:41:26,600 --> 00:41:30,560
Speaker 1: losers for lives. Ricky Moka around a corner and come

703
00:41:30,640 --> 00:41:33,279
Speaker 1: upon a tiny little radio station. Two squirrels sit behind

704
00:41:33,320 --> 00:41:35,520
Speaker 1: a desk wearing headphones. They gestured to two empty seats

705
00:41:35,520 --> 00:41:37,360
Speaker 1: in front of them. As Ricky Amoka said, one of

706
00:41:37,360 --> 00:41:40,360
Speaker 1: the squirrels, the stain, pops over and adjust microphones in

707
00:41:40,400 --> 00:41:46,160
Speaker 1: front of their faces. Yeah, we are now doing by.

708
00:41:46,320 --> 00:41:49,040
Speaker 1: Both squirrels just stares Ricky and Mocha from on Silent Beat.

709
00:41:49,080 --> 00:41:52,760
Speaker 1: The soundtracks on Crinkle covers the mic. We got daddy

710
00:41:53,080 --> 00:42:00,840
Speaker 1: here people. What are your names? Oh? I'm Mocha. Oh

711
00:42:01,800 --> 00:42:07,680
Speaker 1: like the coffee. I'd like to sit meet some of that. Hey,

712
00:42:08,400 --> 00:42:13,560
Speaker 1: what's your name? Sport? I'm Ricky? If he just tune in,

713
00:42:13,680 --> 00:42:17,000
Speaker 1: we got Mocha and Ricky here with us on morning Creeks,

714
00:42:17,520 --> 00:42:21,040
Speaker 1: I'm Creek, and as always I'm joined by the mand Man,

715
00:42:21,239 --> 00:42:28,880
Speaker 1: the legend himself. The stain stained by shuts. They hit

716
00:42:28,920 --> 00:42:33,120
Speaker 1: a they hit a button. Creak, Yeah, you do it,

717
00:42:33,280 --> 00:42:34,640
Speaker 1: you do it on dress. You're better at it than

718
00:42:34,640 --> 00:42:37,439
Speaker 1: I am. Go ahead, Crinkle and the stain by crook

719
00:42:37,520 --> 00:42:42,040
Speaker 1: cookok crazy one or seven point four. The wood stain

720
00:42:42,120 --> 00:42:50,720
Speaker 1: hits another button. We got wood you well, I'm officially done.

721
00:42:51,360 --> 00:42:59,560
Speaker 1: You're officially lame. They hit another button. So word, do

722
00:42:59,640 --> 00:43:07,120
Speaker 1: you have buttons for everything? Another button? He does? So

723
00:43:07,440 --> 00:43:09,800
Speaker 1: what brings to you to our neck of the garden?

724
00:43:10,840 --> 00:43:14,400
Speaker 1: I seriously can't tell the story again. Looks like I've

725
00:43:14,400 --> 00:43:18,880
Speaker 1: got a primadonna on her hands here, Crinkle, I say,

726
00:43:20,840 --> 00:43:27,280
Speaker 1: hits another button. He'll say, if you touch one more button,

727
00:43:27,600 --> 00:43:31,040
Speaker 1: I'm going to open up a candle. There's a beat

728
00:43:31,120 --> 00:43:35,040
Speaker 1: that covers Mocha swearing, Hi, Hey, this is the Family

729
00:43:35,120 --> 00:43:38,319
Speaker 1: Family Show. Yeah, we're just trying to get to know

730
00:43:38,360 --> 00:43:42,560
Speaker 1: our fellow gardeners. Now, come on, where are you headed? Ah?

731
00:43:42,640 --> 00:43:46,759
Speaker 1: You might as well just tell them. Fine, we're trying

732
00:43:46,840 --> 00:43:53,000
Speaker 1: to get to the mall to find my boyfriend. Stay

733
00:43:53,120 --> 00:43:57,359
Speaker 1: hits another button, going to the mall see her boyfriend.

734
00:43:58,000 --> 00:44:00,440
Speaker 1: Without warning, Mocha launches herself over the table and a

735
00:44:00,480 --> 00:44:09,520
Speaker 1: through hosts not that body part as beat passes before

736
00:44:09,600 --> 00:44:17,719
Speaker 1: Mocha casually reenters frame. Come on, we're going home? Oh

737
00:44:19,440 --> 00:44:21,680
Speaker 1: ricky a Moocha turned to find a battered crinkle pointing

738
00:44:21,680 --> 00:44:24,279
Speaker 1: into the distance. They follow the gaze. As the sun

739
00:44:24,320 --> 00:44:27,600
Speaker 1: breaks through the trees, we can see the mall on

740
00:44:27,760 --> 00:44:33,480
Speaker 1: Rickey and Mocha's delighted faces. We fade out. Yes, that

741
00:44:33,600 --> 00:44:39,080
Speaker 1: was nailed it. Undress killed it. Yeah, you're you're awesome,

742
00:44:39,800 --> 00:44:43,279
Speaker 1: so talented voices adding and we were just talking about

743
00:44:43,280 --> 00:44:48,640
Speaker 1: ad libbing and adding in stuff. Just crushed it day.

744
00:44:48,680 --> 00:44:50,680
Speaker 1: Are you very proud? Are you going to be joining

745
00:44:50,680 --> 00:44:54,080
Speaker 1: our contest? Uh? Sure? What I'd love to do is

746
00:44:54,160 --> 00:44:55,440
Speaker 1: one day to be a guest on your show. In

747
00:44:55,520 --> 00:44:58,480
Speaker 1: Lauren's role, and actually talk about work that I will

748
00:44:58,520 --> 00:45:03,520
Speaker 1: finally one day do I never did. Yes, that's gonna happens.

749
00:45:03,560 --> 00:45:07,040
Speaker 1: Are so talented, you could come on and you could definitely,

750
00:45:07,360 --> 00:45:10,239
Speaker 1: You've got to enter the super awesome contests become the

751
00:45:10,280 --> 00:45:12,960
Speaker 1: next big Voice actor because that contests to become the

752
00:45:12,960 --> 00:45:16,279
Speaker 1: next big voice acker a chance of a lifetime for

753
00:45:16,360 --> 00:45:18,640
Speaker 1: you because you win an agent for a year and

754
00:45:18,760 --> 00:45:21,120
Speaker 1: you win a whole dude, big come on to do

755
00:45:21,239 --> 00:45:24,040
Speaker 1: some voices for my heart. And I want to call

756
00:45:24,120 --> 00:45:26,560
Speaker 1: it your big break, but Will does not because it's

757
00:45:26,600 --> 00:45:28,759
Speaker 1: not your big break. Right, there's a difference. It's not

758
00:45:28,840 --> 00:45:30,799
Speaker 1: a big it's what we're doing. We always say it's

759
00:45:30,840 --> 00:45:32,880
Speaker 1: we're cracking open the door, and then you gotta have

760
00:45:32,960 --> 00:45:35,120
Speaker 1: your talent kick the door open. But that first crack

761
00:45:35,239 --> 00:45:37,680
Speaker 1: is usually the hardest one to do. So we're giving

762
00:45:37,719 --> 00:45:40,360
Speaker 1: you the opportunity for your big break, which is what

763
00:45:40,640 --> 00:45:44,319
Speaker 1: I was gonna say. Maybe, Okay, yeah, thank you so much.

764
00:45:44,400 --> 00:45:48,200
Speaker 1: I might cry. I'm I'm a little emotional, but so cool.

765
00:45:48,800 --> 00:45:51,839
Speaker 1: So where first of all, where can people find you? Yeah?

766
00:45:52,280 --> 00:45:54,120
Speaker 1: I have an install with no posts. I'd use it

767
00:45:54,200 --> 00:45:57,400
Speaker 1: to follow artists because I do art and paint miniatures.

768
00:45:58,200 --> 00:46:00,960
Speaker 1: Are you a mini painter too? Forever? D M? The

769
00:46:00,960 --> 00:46:02,480
Speaker 1: reason I have a million voices because I have to

770
00:46:02,520 --> 00:46:04,680
Speaker 1: come up with them on the flyes. So I hope

771
00:46:04,719 --> 00:46:07,879
Speaker 1: you roll really poorly. As as the d M, thank

772
00:46:08,040 --> 00:46:09,719
Speaker 1: thank you very much. I wish I was there. I

773
00:46:09,800 --> 00:46:11,600
Speaker 1: put my hands on you, because I have touched Will

774
00:46:11,600 --> 00:46:15,200
Speaker 1: Wheaton several times. I'd give you the wheat and curse

775
00:46:15,280 --> 00:46:18,960
Speaker 1: my friend. Well, my instant was zero posts. Right now

776
00:46:19,400 --> 00:46:26,000
Speaker 1: is rook like the chess piece one? So rook one?

777
00:46:26,760 --> 00:46:29,400
Speaker 1: That's me totally cool. Jean vel Jet, you're a d

778
00:46:29,640 --> 00:46:31,800
Speaker 1: M and you're throwing out many paintings. You're wearing a

779
00:46:31,840 --> 00:46:34,359
Speaker 1: Batman shirt and you have a Jean Valjean reference. We'd

780
00:46:34,400 --> 00:46:41,560
Speaker 1: be besties. I think you are. Don't give me hope. Well, seriously,

781
00:46:42,840 --> 00:46:45,600
Speaker 1: totally be besties. That's so cool. Well, come and win

782
00:46:45,719 --> 00:46:47,480
Speaker 1: the contest and you get to One of the things

783
00:46:47,560 --> 00:46:48,719
Speaker 1: you get to do is you fly out. We fly

784
00:46:48,840 --> 00:46:50,640
Speaker 1: you out to l A and you come have lunch. Christine,

785
00:46:50,680 --> 00:46:56,200
Speaker 1: I we hang out. So when the contest, that's we're

786
00:46:56,239 --> 00:46:58,040
Speaker 1: gonna be. There's gonna be an episode coming up where

787
00:46:58,040 --> 00:47:00,480
Speaker 1: all we're gonna be doing is discussing the contest, all

788
00:47:00,520 --> 00:47:02,799
Speaker 1: the rules, everything involved. It's going to be totally cool.

789
00:47:02,880 --> 00:47:05,960
Speaker 1: We've got some really really really cool prizes we're not

790
00:47:06,000 --> 00:47:09,160
Speaker 1: allowed to talk about yet. Um so you just wait,

791
00:47:09,200 --> 00:47:11,000
Speaker 1: my friend. It's gonna be awesome. But thank you so

792
00:47:11,200 --> 00:47:13,759
Speaker 1: much for joining us. You killed it, he did. I

793
00:47:13,840 --> 00:47:17,560
Speaker 1: hope it was fun. Yes, thank you. It's great to

794
00:47:17,600 --> 00:47:19,440
Speaker 1: play with professionals. I'm used to play with a bunch

795
00:47:19,480 --> 00:47:21,880
Speaker 1: of oral amateurs hell in the improv space, so to

796
00:47:22,040 --> 00:47:24,239
Speaker 1: actually get to do work with professionals, even if it's

797
00:47:24,280 --> 00:47:27,160
Speaker 1: just for fun, is an extreme blessing, a treat. So

798
00:47:27,239 --> 00:47:31,600
Speaker 1: thank you you all so much. This is awesome. Thank you,

799
00:47:31,920 --> 00:47:34,319
Speaker 1: And don't forget an amateur is just professional hasn't got

800
00:47:34,360 --> 00:47:36,479
Speaker 1: their break yet. That's all that is. That's the only

801
00:47:36,600 --> 00:47:39,279
Speaker 1: difference is somebody they've just heard no a thousand times

802
00:47:39,320 --> 00:47:41,640
Speaker 1: and we were lucky enough to hear yes once. That's

803
00:47:41,719 --> 00:47:44,520
Speaker 1: all the only difference. So just keep plugging along and

804
00:47:44,640 --> 00:47:47,719
Speaker 1: please join the contest because you're very, very talented and

805
00:47:47,840 --> 00:47:51,400
Speaker 1: you never know what could happen, my friend. Thanks, that's right. Okay,

806
00:47:51,680 --> 00:47:54,880
Speaker 1: thank you a pleasure to meet you all. Thank you all,

807
00:47:55,719 --> 00:47:59,200
Speaker 1: Bye bye bye. That was cool. Oh my gosh, that

808
00:47:59,360 --> 00:48:04,080
Speaker 1: was so fun and good. He was great. I just

809
00:48:04,520 --> 00:48:06,320
Speaker 1: you know, I'm just gonna do that actors thing for

810
00:48:06,360 --> 00:48:09,520
Speaker 1: a second, is it okay? That was so big? I

811
00:48:09,600 --> 00:48:15,000
Speaker 1: mean it said she was a squirrelka. So good because

812
00:48:15,040 --> 00:48:17,160
Speaker 1: if we end up editing this, which is our goal

813
00:48:17,920 --> 00:48:20,320
Speaker 1: is to edit this together with some animation from you know,

814
00:48:20,440 --> 00:48:24,879
Speaker 1: independent animators, and oh wow, we wanted big can help

815
00:48:24,960 --> 00:48:28,440
Speaker 1: fill in the gaps for me and my awful, for

816
00:48:29,120 --> 00:48:32,880
Speaker 1: Christie and I being terrible. No, no, no, I just

817
00:48:33,960 --> 00:48:36,520
Speaker 1: I was talking about tone and then I thought, oh

818
00:48:36,600 --> 00:48:39,479
Speaker 1: my gosh, they're in a different cartoon than me. What's

819
00:48:39,480 --> 00:48:47,120
Speaker 1: wrong with me? Like this is because it's drawn together together. Yeah,

820
00:48:48,280 --> 00:48:50,759
Speaker 1: that was so fun you guys, thank you for having me.

821
00:48:51,080 --> 00:48:55,520
Speaker 1: Thank you very much, very quickly for our listener. That's

822
00:48:55,520 --> 00:48:58,359
Speaker 1: how I like it for our one listener out there. Um,

823
00:48:59,560 --> 00:49:02,759
Speaker 1: what where can people find you? And what are you

824
00:49:02,840 --> 00:49:07,040
Speaker 1: doing now? If you're a sweet Um that's so nice. Um.

825
00:49:07,719 --> 00:49:13,240
Speaker 1: So if Twitter keeps going, I'm actually the same address

826
00:49:13,320 --> 00:49:16,480
Speaker 1: on both Instagram and Twitter, so it's it's Lauren Tom

827
00:49:16,600 --> 00:49:19,880
Speaker 1: nine thousand and Um. That would be great. I would

828
00:49:19,960 --> 00:49:23,480
Speaker 1: love to, you know, connect with people and just like

829
00:49:23,680 --> 00:49:27,439
Speaker 1: let let me know what shows you like? And UM yeah,

830
00:49:27,520 --> 00:49:30,680
Speaker 1: I'm just like I keep on keeping on with with

831
00:49:30,920 --> 00:49:34,759
Speaker 1: my different series and um I have um let's see

832
00:49:34,800 --> 00:49:38,279
Speaker 1: what is Dragons and nine in Realms and um uh

833
00:49:38,560 --> 00:49:42,320
Speaker 1: Disenchantment and of course Featurama and when that's coming that

834
00:49:42,400 --> 00:49:44,640
Speaker 1: I'm not allowed to say yet, but people are going

835
00:49:44,680 --> 00:49:48,040
Speaker 1: to be super excited about and um yeah, so I

836
00:49:48,160 --> 00:49:51,760
Speaker 1: feel very blessed. And that's it, Just those four series.

837
00:49:51,840 --> 00:49:56,600
Speaker 1: That's all you got, my goodness. And I have a

838
00:49:56,719 --> 00:50:01,440
Speaker 1: movie coming out called One True Loves. It's written by

839
00:50:01,600 --> 00:50:04,799
Speaker 1: Taylor Jenkins Reed who wrote Daisy and Six anyway, she's

840
00:50:04,800 --> 00:50:07,880
Speaker 1: a novelist. And the beautiful thing about this movie is

841
00:50:07,920 --> 00:50:09,960
Speaker 1: that it's set in New England and it was written

842
00:50:10,120 --> 00:50:14,360
Speaker 1: about all these white people, but it turns out that

843
00:50:14,480 --> 00:50:17,839
Speaker 1: they ended up casting it all Asian and we don't

844
00:50:17,880 --> 00:50:20,560
Speaker 1: need Yeah, they don't even say like, they don't even

845
00:50:20,600 --> 00:50:23,320
Speaker 1: mention that we're Asian. We're just these people living in

846
00:50:23,440 --> 00:50:25,200
Speaker 1: New England. It's it's kind of neat that way. Did

847
00:50:25,239 --> 00:50:28,440
Speaker 1: you shoot in New England? Um no, we we actually

848
00:50:28,480 --> 00:50:32,160
Speaker 1: shot in North Carolina. Um and it was substituting and

849
00:50:32,560 --> 00:50:35,960
Speaker 1: um you know Shaun Chi that got that movie on Steemulu.

850
00:50:36,600 --> 00:50:39,759
Speaker 1: He's the lead. And then Philip a Sue who was

851
00:50:40,239 --> 00:50:44,640
Speaker 1: in Hamilton's Beautiful and she plays my daughter and and

852
00:50:44,840 --> 00:50:48,920
Speaker 1: so anyway, yeah, she was she played his wife in

853
00:50:49,120 --> 00:50:55,480
Speaker 1: in Hambleton's played Eliza Eliza. Yeah, so that's amazing. And

854
00:50:55,560 --> 00:50:58,239
Speaker 1: when is that coming out? I don't know yet. I

855
00:50:58,360 --> 00:51:00,719
Speaker 1: have to actually find out which out it last year,

856
00:51:00,760 --> 00:51:03,720
Speaker 1: so it should be coming out soon and a streaming

857
00:51:03,719 --> 00:51:05,799
Speaker 1: service is going to be in the theaters. I think

858
00:51:05,840 --> 00:51:07,120
Speaker 1: it's going to be in the theaters. It was a

859
00:51:07,160 --> 00:51:11,120
Speaker 1: feature film. That's awesome. Well, congratulations on those small projects

860
00:51:13,200 --> 00:51:16,759
Speaker 1: different series, Lauren, thank you for joining us, Thank you

861
00:51:16,880 --> 00:51:19,680
Speaker 1: guys for having me, and have a wonderful stay safe

862
00:51:19,719 --> 00:51:22,520
Speaker 1: and healthy and all that. I feel like everyone's mom

863
00:51:22,760 --> 00:51:32,120
Speaker 1: of my mom Lauren here. Okay, thank you everybody. Bye bye.

864
00:51:32,920 --> 00:51:36,120
Speaker 1: Oh man, she's done. I forget that she is my

865
00:51:37,800 --> 00:51:43,360
Speaker 1: my first TV girlfriends. Well, I mean, anybody who was

866
00:51:43,360 --> 00:51:46,600
Speaker 1: a Batman Beyond fan knows that Dana was hugely important

867
00:51:46,640 --> 00:51:49,640
Speaker 1: in Terry's life. So to be able to say that

868
00:51:49,719 --> 00:51:54,480
Speaker 1: it was like my first animated girlfriends Lauren, Tom, I mean,

869
00:51:54,520 --> 00:51:57,680
Speaker 1: that's awesome. Well, you remember when she played U Chico.

870
00:51:57,760 --> 00:52:00,279
Speaker 1: Your character also had a crush on her. Yeah, was it?

871
00:52:00,440 --> 00:52:02,880
Speaker 1: So it's do you know if they did that on purpose?

872
00:52:03,400 --> 00:52:06,560
Speaker 1: I don't know. But there's two people, Lauren, Tom and

873
00:52:06,719 --> 00:52:09,800
Speaker 1: Cree Summer where we're always boyfriend and girlfriend and everything

874
00:52:09,840 --> 00:52:12,200
Speaker 1: that we do, I think we do. We haven't speak.

875
00:52:12,360 --> 00:52:14,319
Speaker 1: Have we spoken to Korea on the show? No, we're

876
00:52:14,320 --> 00:52:16,600
Speaker 1: gonna we'll have koreon. We'll have to have Yeah, yeah

877
00:52:16,640 --> 00:52:20,279
Speaker 1: we have because her, I swear to god, her name

878
00:52:20,320 --> 00:52:22,719
Speaker 1: has been mentioned so many times on this podcast that

879
00:52:22,800 --> 00:52:25,600
Speaker 1: I assumed that she was a guest, but she's another

880
00:52:25,840 --> 00:52:29,120
Speaker 1: another legend. Yeah, we're so blessed. Our guests have been

881
00:52:29,239 --> 00:52:32,279
Speaker 1: so great. Our our guests have been and and like

882
00:52:32,440 --> 00:52:35,319
Speaker 1: we do have really uh you know, we have our

883
00:52:35,560 --> 00:52:38,360
Speaker 1: our our wish list of people, and so far, I

884
00:52:38,480 --> 00:52:41,160
Speaker 1: feel like so many of our wishes have been granted

885
00:52:41,280 --> 00:52:43,279
Speaker 1: with with who we've had on. Not only that, but

886
00:52:43,320 --> 00:52:46,239
Speaker 1: it's also people that we figured we couldn't get, so

887
00:52:46,320 --> 00:52:48,719
Speaker 1: we didn't even put him on the wish list. End

888
00:52:48,800 --> 00:52:52,359
Speaker 1: up interviewing where it's like, yeah, it's amazing. So yeah,

889
00:52:52,440 --> 00:52:54,279
Speaker 1: it's totally cool and we're going to keep going and

890
00:52:54,400 --> 00:52:57,399
Speaker 1: thank you everything for for joining us again for another

891
00:52:57,440 --> 00:52:59,759
Speaker 1: good episode. Well another great guest. Who knows that the

892
00:53:00,040 --> 00:53:01,520
Speaker 1: so it's any good. They probably hate us, but the

893
00:53:01,640 --> 00:53:05,960
Speaker 1: guests was aw You guys, send us some love. Go

894
00:53:06,080 --> 00:53:08,120
Speaker 1: ahead and write us up. I feel like a lot

895
00:53:08,200 --> 00:53:10,839
Speaker 1: of people do read reviews when they're trying to learn

896
00:53:10,920 --> 00:53:12,320
Speaker 1: if they want to listen to our show or not.

897
00:53:12,480 --> 00:53:15,080
Speaker 1: Give us a good review, shout us out, Share us

898
00:53:15,120 --> 00:53:17,120
Speaker 1: to your friends and family and people that you know

899
00:53:17,560 --> 00:53:20,840
Speaker 1: who love animation and are passionate about just the industry

900
00:53:20,880 --> 00:53:23,359
Speaker 1: at large. We love you guys so much and thanks

901
00:53:23,400 --> 00:53:27,040
Speaker 1: for listening. That's very true. Also, m Christie is on

902
00:53:27,320 --> 00:53:30,000
Speaker 1: all the social stuff and has the ten trillion followers.

903
00:53:30,160 --> 00:53:33,480
Speaker 1: I may be starting that wo on Instagram soon because

904
00:53:33,480 --> 00:53:35,520
Speaker 1: I like putting up pictures of my dog um. But

905
00:53:35,760 --> 00:53:38,520
Speaker 1: other than that, the contest is coming. I know we

906
00:53:38,600 --> 00:53:40,360
Speaker 1: keep teasing it, but it's really coming now it is.

907
00:53:43,200 --> 00:53:45,080
Speaker 1: It's the super awesome contest to become the next big

908
00:53:45,160 --> 00:53:47,520
Speaker 1: voice actor. We're taking this whole thing to the next level.

909
00:53:47,600 --> 00:53:49,239
Speaker 1: We're hope you're going to hear about this all over

910
00:53:49,320 --> 00:53:51,759
Speaker 1: the place because we're going to get some pretty incredible

911
00:53:51,800 --> 00:53:54,880
Speaker 1: people involved. So until then, if you think you got

912
00:53:54,920 --> 00:53:56,799
Speaker 1: what it takes to be one of us. Step up

913
00:53:56,840 --> 00:53:58,840
Speaker 1: and put your voices where your mouth is. Thanks everybody.

914
00:53:59,239 --> 00:54:01,319
Speaker 1: I Hear Voices is hosted by Wilfrid l and Christy

915
00:54:01,400 --> 00:54:04,840
Speaker 1: Carlson Romano. Executive produced by Wilfordell, Brendan Rooney, Amy Sugarman

916
00:54:04,880 --> 00:54:07,400
Speaker 1: and Vicky Ernst Chang. Our executive in charge of production

917
00:54:07,480 --> 00:54:10,040
Speaker 1: is Danielle Romo. Our producer is Lorraine Vera Weez and

918
00:54:10,080 --> 00:54:13,640
Speaker 1: our editor slash engineer is Brian Burton. And that was

919
00:54:13,760 --> 00:54:16,360
Speaker 1: my announcer voice. Some side effects of listening to I

920
00:54:16,480 --> 00:54:18,880
Speaker 1: Hear Voices are sore abs from hilarity falling down the

921
00:54:18,920 --> 00:54:22,280
Speaker 1: Coco melon rabbit hole, sneezing due to mass nostalgia, and hugs.

922
00:54:22,480 --> 00:54:24,520
Speaker 1: Follow I Hear Voices wherever you listen to podcasts so

923
00:54:24,600 --> 00:54:26,759
Speaker 1: you don't miss any of the amazing voices. Be sure

924
00:54:26,800 --> 00:54:28,960
Speaker 1: to follow us on Instagram and TikTok at I Hear

925
00:54:29,040 --> 00:54:31,479
Speaker 1: Voices podcast. You can also check us out on my Space,

926
00:54:31,560 --> 00:54:34,640
Speaker 1: omegal Vine, Lime Wire. Hey I'm a napster. Okay, well

927
00:54:34,719 --> 00:54:36,200
Speaker 1: let's teach you about the Internet. The who