WEBVTT - Trying to get divorced here! (S4 E19 “Afterboom”)

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<v Speaker 1>I am all in. I am all in with Scott

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<v Speaker 1>Patterson and I Heart Radio podcast Everybody, Scott Patterson, I

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<v Speaker 1>am all in podcast, I Heart Radio, I want to

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<v Speaker 1>Live in Productions. I am joined by my in Trepid crew,

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<v Speaker 1>Tara sud Danielle Romo, Amy Sugarman, and we are all

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<v Speaker 1>sporting some gear merch. We got some merch. What kind

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<v Speaker 1>of merchant are we sporting over here? Guys? Look at that, Luke.

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<v Speaker 1>You got Luke's pillow, Danielle, and you've got a nice

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<v Speaker 1>powder blue Yeah. And look at the back, the spiritual

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<v Speaker 1>look at that, Look at that, Look at that? What

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<v Speaker 1>do you what do you got? Amy? What do you

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<v Speaker 1>get there? How do you not see that? I see

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<v Speaker 1>bottles of alcohol on look down. Oh, those there's a shampoo.

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<v Speaker 1>Those are perfume bottles that look like alcohol. Correct. But

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<v Speaker 1>look and we've got the duel Luke's pillows over there.

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<v Speaker 1>They really make the room pop. Yeah, the pillow is nice,

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<v Speaker 1>you know, like designer. All right, Danielle, time to synopsize

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<v Speaker 1>is only Danielle Romo can synopsize? Alright? This is season four,

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<v Speaker 1>episode nineteen after Boom air date April two thousand and four.

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<v Speaker 1>After Jason finds out Richard is ousting him of the business.

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<v Speaker 1>He makes a decision that jeopardizes his relationship with Laura Lai. Meanwhile,

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<v Speaker 1>Emily and Richard are having marriage troubles because of Richard's decision.

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<v Speaker 1>Rory is questioning her work at Yale, and here's rumors

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<v Speaker 1>about Professor Fleming. How shuk are you guys? This season

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<v Speaker 1>is good. It is very good. Gauging a lot of

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<v Speaker 1>people these are their favorite four episodes or starting a

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<v Speaker 1>couple of weeks ago. I'm right, I'm right with him,

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<v Speaker 1>I'm right with them. They're my favorite too. I love

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<v Speaker 1>this one too. I really love this one. And I

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<v Speaker 1>will say, and I'm not going to tell you where

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<v Speaker 1>it is because I don't want to start jumping around

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<v Speaker 1>right off the bat, but I will say I have

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<v Speaker 1>never seen the Laureli gilmore so appealing in a particular

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<v Speaker 1>scene which for me defines the show. And we'll get

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<v Speaker 1>to it. I just want to say I was completely

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<v Speaker 1>blown away by this one little scene is pivotal scene,

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<v Speaker 1>but one little scene, which I mean, it just knocked

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<v Speaker 1>me out. You'll tell us when we get to it. Well,

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<v Speaker 1>when we get to it. Yeah, yeah, but what do

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<v Speaker 1>you guys think. What do you guys think of this episode?

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<v Speaker 1>It was great. I loved it. I mean I love it,

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<v Speaker 1>even though I'm like very stressed about Richard and Emily. Yeah, yeah,

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<v Speaker 1>but I love the episode. Excellent. Yeah, no, no question.

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<v Speaker 1>There were a couple of hiccups here and there. I

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<v Speaker 1>think technically speaking with the a d R or the looping. Yes,

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<v Speaker 1>that was the stress you tell us when I didn't

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<v Speaker 1>notice it, But but I would. I occasionally do notice

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<v Speaker 1>that kind of thing, but this one didn't. It wasn't glaring. Yeah,

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<v Speaker 1>there were. There was a scene outdoors in the beginning

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<v Speaker 1>with the Rory and Lorelai where it was a lot

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<v Speaker 1>of a d R and it really kind of took

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<v Speaker 1>me out of the scene. I don't know that fans

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<v Speaker 1>noticed it so much. Um. I can always tell because

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<v Speaker 1>I know, you know, I know when if I think,

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<v Speaker 1>if it's atrocious, we notice it. Otherwise it's like, do

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<v Speaker 1>they do a d R if like they the audio

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<v Speaker 1>didn't pick up or is it like if the script

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<v Speaker 1>like what do they use it for? Well, they do

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<v Speaker 1>it just in case, sou you know, if the sound

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<v Speaker 1>department says, listen, I think we need to loop these

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<v Speaker 1>lines in these lines, and the editor agrees because of

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<v Speaker 1>ambient noise that came in a lawn mowl or a plane.

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<v Speaker 1>So they're not like changing the script there were got it? Interesting? Yeah?

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<v Speaker 1>And then you have to go in there and you

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<v Speaker 1>have to match your mouth movements to the words that

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<v Speaker 1>you're saying in the microphone. You've got a headset on

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<v Speaker 1>and you're watching it and you've got the lines in

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<v Speaker 1>front of you, and it's it's it's it's actually pretty

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<v Speaker 1>difficult to master. But you have to watch it, but

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<v Speaker 1>you also have to reenact it and and do the emotion.

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<v Speaker 1>I'm doing that now on my new show, and it's

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<v Speaker 1>such an emotional show. Are you doing R now? Yeah?

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<v Speaker 1>And it's better to do it while you're on set

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<v Speaker 1>on location because you're sort of still in the character

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<v Speaker 1>and it's easy to contract. Yeah. Now I'm like months

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<v Speaker 1>away from it and I have to go back in

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<v Speaker 1>there and do these emotional things, and it's a it's

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<v Speaker 1>a lot harder to do. Yeah, it's a lot harder

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<v Speaker 1>to do. Interesting, very yeah, So but we did. We

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<v Speaker 1>did a fair amount on Gilmore, but they didn't use

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<v Speaker 1>a lot of it. They did it just in case

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<v Speaker 1>they knew as a safety more for outdoor scenes rather

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<v Speaker 1>than like on a set. Absolutely, what about when you

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<v Speaker 1>said I wasn't running, I was walking. I wasn't yelling.

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<v Speaker 1>I was talking because I was outdoor and there was

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<v Speaker 1>a lot. No, I don't think those were I don't

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<v Speaker 1>think those were looped lines. Those were Luke lines that

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<v Speaker 1>were not looped. They looked legit, and I think they Luke.

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<v Speaker 1>I thought we went. I love this episode because it's

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<v Speaker 1>like right away out the gate into it, Luke's getting divorced,

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<v Speaker 1>we're at the mailboxes, etcetera. Yeah, I enjoyed that scene.

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<v Speaker 1>That was That was great Kirk stuff, great Luke and

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<v Speaker 1>Laurel stuff. Everybody stuff was stamps. The stamps, Laurela you

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<v Speaker 1>go first. I want to. I want to loose the

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<v Speaker 1>old ball stamps. Oh my god, I know, right do

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<v Speaker 1>you guys? You buy your stamps? Like I don't just

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<v Speaker 1>take any old stamp. No, they have to be cute.

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<v Speaker 1>I kind of want to, like yeah, and sometimes I

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<v Speaker 1>SeeMe it like Halloween, it's more spooky Christmas. Don't purchase stamps,

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<v Speaker 1>my wife. Oh my god. There's a comedian that does

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<v Speaker 1>a whole bit about stamps, like how people don't only

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<v Speaker 1>like grandmas know how much stamps are. He's like, does

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<v Speaker 1>it's Nate bar Gatsy. He does a whole bit. You

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<v Speaker 1>guys an looking at He's like, what are they like

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<v Speaker 1>a hundred dollars of stamp? I don't know, like because

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<v Speaker 1>like how often are you mailing crap? Once in a while?

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<v Speaker 1>I'm also like, I hope this is enough. Yeah, they

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<v Speaker 1>keep raising it, so your stamps are like, you know,

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<v Speaker 1>don't useless. They're useless anymore. And you just don't know.

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<v Speaker 1>You don't want to go to the post office. You're like,

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<v Speaker 1>I'm just gonna stick on three extra time. Wait. So, Luke,

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<v Speaker 1>how do you feel about getting divorced? I mean, Scott,

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<v Speaker 1>thanks Amy. That happens to me quite a bit. Sometimes

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<v Speaker 1>people can't tell one from the other. You know me

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<v Speaker 1>better as Luke. You've spent more time with Luke than

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<v Speaker 1>you have with me in all the years I've known you,

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<v Speaker 1>I've only done that twice, and in the all the

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<v Speaker 1>and we've done the show for almost two years. It's

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<v Speaker 1>getting there and I've done that. That's a second time.

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<v Speaker 1>We're approaching. We're approaching two d episodes, so basically once

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<v Speaker 1>a year Amy. You know in a hundred episodes, Warner

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<v Speaker 1>Brothers gave us a big party and a big cake.

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<v Speaker 1>What did we give you? Hundred? A whole lot more

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<v Speaker 1>than that, smile Um Scott. We hit two hundred last week. No,

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<v Speaker 1>it's already two hundred. Yeah, as guys our cake, Yes,

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<v Speaker 1>thank you, it was beautiful, game loved. We're at two hundred.

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<v Speaker 1>We need to do is the two hundred and first episode?

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<v Speaker 1>Oh man, a hand for all of you, yeah and

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<v Speaker 1>everyone listening. Thank you for all your comments. I'll never

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<v Speaker 1>forget the sniffle comment. I'll never forget it. I did

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<v Speaker 1>get a couple of positives this week. Now I've got

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<v Speaker 1>Now I have a new new uh couple of paragraphs

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<v Speaker 1>I'm gonna put on my tombstone. He died with five

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<v Speaker 1>thousand dollars less than he should have had, and he

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<v Speaker 1>sniffed too many times. He slipped. He sniffled twenty times

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<v Speaker 1>more than he should have had. That's good without nothing.

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<v Speaker 1>So absolutely it was a very seasonal episode. It was

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<v Speaker 1>a seasonal cold. Okay, so excuse me for fighting off nasty.

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<v Speaker 1>I'm done with Micole because I would have given her

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<v Speaker 1>more chances, but she cheated on you with the suck guy.

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<v Speaker 1>It's like, but do we really know that? Is it?

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<v Speaker 1>I think I think right. I think you saw it

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<v Speaker 1>and it was painful. Yeah, it could be somebody. Some

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<v Speaker 1>there was a domestic dispute out in front of her

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<v Speaker 1>condo and somebody, No, somebody threw a pair of socks

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<v Speaker 1>through a window in a rage and then and then

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<v Speaker 1>she rolled them up perfectly in her drawer. Maybe maybe

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<v Speaker 1>she's retentive. Maybe she's the guy. Luke's the guy. Maybe

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<v Speaker 1>it's a guy who was helping fix the stove. A

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<v Speaker 1>stove alright, because Luke would have done that, right. Yeah,

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<v Speaker 1>she cheated on you. Yeah, sorry, Sorry, happens to the

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<v Speaker 1>best of us. Yeah, but that's here's the thing. It

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<v Speaker 1>was easier to like, I'm not that heartbroken for the

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<v Speaker 1>divorce because I already was heartbroken on the cheating, and

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<v Speaker 1>it's just like, okay, bye, Nicole By you were not

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<v Speaker 1>heartbroken on the cheating. You were thrilled, and Nicole, We're

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<v Speaker 1>not going to happen me. But I felt like Luke.

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<v Speaker 1>I was a little sad for Luke. Yeah, It's like

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<v Speaker 1>I felt a little bad for him. But I don't

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<v Speaker 1>think Luke is sad about it either, you know what

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<v Speaker 1>I mean? I agree with Scott, what do you think?

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<v Speaker 1>I agree with Danielle that I think Luke was a

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<v Speaker 1>little maybe but her that she cheated and that she

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<v Speaker 1>didn't do it the right way. But I don't think

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<v Speaker 1>he wanted to be like that. That's humiliating, Yeah, no

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<v Speaker 1>matter if you're in love with a person or not.

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<v Speaker 1>It's just it's just so disrespectful. Yeah. But I think

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<v Speaker 1>he's really just done and he's over written. He's processed

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<v Speaker 1>it in his lukey way, and he's moved on and

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<v Speaker 1>he just wants it done. And it's like you didn't

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<v Speaker 1>want to make a big old stink thing and now

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<v Speaker 1>lower lies you go for. Although you guys will start

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<v Speaker 1>laughing when you're all talking, because yes I have some balls.

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<v Speaker 1>Oh my god, I wrote that down as my favorite line.

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<v Speaker 1>Kirk is so good. And then they had a ten

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<v Speaker 1>minute conversation about Bewitched. We must spend time on pop

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<v Speaker 1>culture with Bewitched, the speaking of which a devastating loss yesterday,

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<v Speaker 1>Rack hell Welshan, you rest in peace. We want to

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<v Speaker 1>go back and watch some of those movies my friends

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<v Speaker 1>and I growing up. I can't tell you how many

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<v Speaker 1>times did you love her? Oh? God, everybody did? Everybody

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<v Speaker 1>did find Well, I can't decide if we should call

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<v Speaker 1>this episode this podcast episode. It wasn't running, I was walking,

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<v Speaker 1>It wasn't yelling. I was talking or trying to get

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<v Speaker 1>divorced here, trying to get the door. That was a

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<v Speaker 1>great like start to the whole thing, right, but but

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<v Speaker 1>it so wasn't about Luke this episode. So there's probably

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<v Speaker 1>a better name for it, you know what I mean.

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<v Speaker 1>I mean it's I know I need to break it

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<v Speaker 1>to you, but second time were reminding you, Yeah, title everything.

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<v Speaker 1>This is so funny, guys, because he doesn't he doesn't

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<v Speaker 1>think about this. Every episode of the podcast is titled

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<v Speaker 1>with a line that you deliver from that episode, except

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<v Speaker 1>for the couple of random episodes. Really yeah, the same

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<v Speaker 1>reaction last time. Whose idea was that since the very beginning.

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<v Speaker 1>Hopefully we didn't screw it up on like the very

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<v Speaker 1>first episode, but we thought about yeah, now you've done

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<v Speaker 1>thought of it right from the start. Well, I like

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<v Speaker 1>the divorce line was hysterically funny. Okay, well do you

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<v Speaker 1>trying to get divorced here? But the funny thing is

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<v Speaker 1>there is that like random episode You're not in and

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<v Speaker 1>I think we titled it Luke is not in this

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<v Speaker 1>open anyway. Okay, So that scene was great. It was great.

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<v Speaker 1>So then we go into the diner and Laurel lies

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<v Speaker 1>in her suit and you're fixing the toaster and oh

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<v Speaker 1>you still the thumbing. That was funny. Yeah, and then

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<v Speaker 1>they're kind of going back and forth. Right, there's a

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<v Speaker 1>little bit more. There's some good Luke Laurel lie in

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<v Speaker 1>this yeah, a little bit. Yeah. Okay, So then this

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<v Speaker 1>is when Jason calls and she's got the two cell

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<v Speaker 1>phones and he feeds her the pastry. Oh god, thank

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<v Speaker 1>you for bringing that up. That was so adorable and

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<v Speaker 1>intimate without even trying like it was like such a

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<v Speaker 1>nice gesture. But you're like, oh, it was really sweet.

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<v Speaker 1>That's relationshippy. That's like they're they're in the relationship, they

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<v Speaker 1>just don't know it yet. Yeah. I mean, it's like

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<v Speaker 1>the action is worth more than the words in that scene. Yeah,

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<v Speaker 1>but the way you just described that everybody take a

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<v Speaker 1>minute is exactly accurate. So relationshippy and they're in a relationship,

0:14:30.040 --> 0:14:34.800
<v Speaker 1>they just don't know it yet, And I yes, yes,

0:14:35.920 --> 0:14:39.560
<v Speaker 1>better myself. So what do we think about poor Jason.

0:14:39.760 --> 0:14:44.560
<v Speaker 1>My gosh, man, man, he got he got torn a

0:14:44.600 --> 0:14:48.160
<v Speaker 1>new one, didn't he old Jason? He got road hard

0:14:48.200 --> 0:14:51.400
<v Speaker 1>and put. I was going to say, he still doesn't

0:14:51.400 --> 0:14:57.120
<v Speaker 1>know what's going on here, work on his game. Also,

0:14:57.200 --> 0:14:59.400
<v Speaker 1>I was thinking, like I like a Rory left her

0:14:59.400 --> 0:15:01.000
<v Speaker 1>phone and it's like, oh, pick up my cell phone

0:15:01.040 --> 0:15:03.240
<v Speaker 1>when I see you, Like these days, I'd be like

0:15:03.360 --> 0:15:05.480
<v Speaker 1>running to pick up my phone wherever I leave it.

0:15:05.840 --> 0:15:08.680
<v Speaker 1>I think back then, though, it wasn't as stressful because

0:15:08.680 --> 0:15:10.720
<v Speaker 1>you really you didn't have all your numbers, It didn't

0:15:10.720 --> 0:15:12.520
<v Speaker 1>have your email, didn't have your tex. Yeah, it was

0:15:12.560 --> 0:15:15.280
<v Speaker 1>just like you had to like, what's the the t Tina?

0:15:15.440 --> 0:15:17.360
<v Speaker 1>Is it T nine? How did you say it? Like?

0:15:17.400 --> 0:15:19.520
<v Speaker 1>What is it? The way you at text and you

0:15:19.520 --> 0:15:21.760
<v Speaker 1>have to click the number like three times to get

0:15:21.800 --> 0:15:28.440
<v Speaker 1>the letter? Yeah? Take ten? That I never heard of

0:15:28.480 --> 0:15:32.400
<v Speaker 1>that Tina word e'sn just saying like word like correct?

0:15:32.440 --> 0:15:36.800
<v Speaker 1>They think thanks? I think so, But yeah, T nine

0:15:36.880 --> 0:15:38.200
<v Speaker 1>is what it was called. When you're like I need

0:15:38.200 --> 0:15:40.920
<v Speaker 1>to like get the letter C and you click number

0:15:41.120 --> 0:15:44.200
<v Speaker 1>three like or number one like three times to get there.

0:15:44.240 --> 0:15:46.160
<v Speaker 1>Because back in the day, if you lost your phone,

0:15:46.320 --> 0:15:48.320
<v Speaker 1>there's nothing in it I mean, you have to pay

0:15:48.320 --> 0:15:50.800
<v Speaker 1>for a new phone, but you weren't like, oh my god,

0:15:51.040 --> 0:15:53.120
<v Speaker 1>and there was nothing worse when you had like a

0:15:53.200 --> 0:15:55.240
<v Speaker 1>C and A together and you had to wait for

0:15:55.280 --> 0:15:59.640
<v Speaker 1>it to stop blinking. Yeah a oh my god, I

0:15:59.720 --> 0:16:02.680
<v Speaker 1>mean remember that, Oh my gosh. But yeah, I just

0:16:02.720 --> 0:16:04.480
<v Speaker 1>thought it was funny because I was like, you can

0:16:04.520 --> 0:16:06.920
<v Speaker 1>just tell the time of this show when you're just

0:16:06.960 --> 0:16:09.080
<v Speaker 1>like if I love my phone somewhere and now, I

0:16:09.080 --> 0:16:11.160
<v Speaker 1>wouldn't be like i'll see you in a week, I'll

0:16:11.160 --> 0:16:16.080
<v Speaker 1>pick it up. Then it's like a national security is

0:16:16.360 --> 0:16:19.120
<v Speaker 1>at that turn off turn off, like doing nothing where

0:16:19.320 --> 0:16:23.040
<v Speaker 1>you're like using to find my phone, like, yeah, what's

0:16:23.040 --> 0:16:33.240
<v Speaker 1>the code to self destruct my phone? Once I lost

0:16:33.280 --> 0:16:35.720
<v Speaker 1>my phone and I was literally calling like is there

0:16:35.760 --> 0:16:41.240
<v Speaker 1>any way to blow this thing up? Right? Soon? Soon

0:16:41.320 --> 0:16:43.400
<v Speaker 1>Apple is going to come out with a phone drone,

0:16:43.920 --> 0:16:46.320
<v Speaker 1>or if you lose it, it turns into a drone

0:16:46.600 --> 0:16:51.240
<v Speaker 1>and it flies home to you. The phone drone up

0:16:51.600 --> 0:16:55.040
<v Speaker 1>even has missiles so you can off some of your neighbors.

0:16:55.480 --> 0:16:57.640
<v Speaker 1>And at the time I did not have a pass code.

0:16:57.760 --> 0:16:59.520
<v Speaker 1>I don't know why, I just didn't and I love

0:16:59.600 --> 0:17:02.000
<v Speaker 1>my phone and like I'm not being braggy, but it

0:17:02.120 --> 0:17:05.640
<v Speaker 1>had so many celebrities phone numbers in it just because

0:17:05.640 --> 0:17:07.119
<v Speaker 1>of my job. I'm not friends with them, it's just

0:17:07.119 --> 0:17:09.760
<v Speaker 1>because my job. That I was literally like, you're like,

0:17:09.800 --> 0:17:13.600
<v Speaker 1>whoever picks that up hit the jackpot. I was like,

0:17:13.640 --> 0:17:16.200
<v Speaker 1>oh my god, they're gonna think this is like so fake.

0:17:16.880 --> 0:17:20.960
<v Speaker 1>But anyway, crazily a day later, it was still where

0:17:20.960 --> 0:17:24.280
<v Speaker 1>I left it, in a hotel room, and somebody had

0:17:24.320 --> 0:17:28.439
<v Speaker 1>stayed in the hotel room the night. It's my phone

0:17:29.000 --> 0:17:36.000
<v Speaker 1>still there, still there anyway, no one cares. So back

0:17:36.080 --> 0:17:44.040
<v Speaker 1>to so back to the whole thing. Here's my like

0:17:44.640 --> 0:17:48.760
<v Speaker 1>television question. It really looked like Digger was driving. So

0:17:48.840 --> 0:17:50.960
<v Speaker 1>does that mean he was driving or was he on

0:17:50.960 --> 0:17:54.560
<v Speaker 1>one of those things where someone's driving him. Yeah. Yeah,

0:17:54.600 --> 0:17:58.920
<v Speaker 1>it's called a process because it was that was good driving.

0:17:59.280 --> 0:18:01.400
<v Speaker 1>And it had to be Griffith Park, that like off

0:18:01.440 --> 0:18:04.439
<v Speaker 1>the five Freeway, that golf course, right, I think that

0:18:04.520 --> 0:18:07.160
<v Speaker 1>was it. Yeah, it's always near the studio. Yeah, that's

0:18:07.160 --> 0:18:10.400
<v Speaker 1>what I thought. I love like looking for the locations. Yeah.

0:18:10.440 --> 0:18:13.880
<v Speaker 1>Good note when whenever they take us on a driving

0:18:14.080 --> 0:18:17.520
<v Speaker 1>trailer rig whatever process shot, it would be very it

0:18:17.560 --> 0:18:22.560
<v Speaker 1>would just be the forest lawn, right, there. Yeah, as

0:18:22.600 --> 0:18:25.239
<v Speaker 1>out there, So then she hangs up with Jason, She's

0:18:25.240 --> 0:18:26.720
<v Speaker 1>not going to Rory. And I did think that it

0:18:26.800 --> 0:18:30.200
<v Speaker 1>was very funny, like, you know, we're not the Carrington's,

0:18:30.280 --> 0:18:33.159
<v Speaker 1>which was like that we talk about It was just

0:18:33.200 --> 0:18:41.879
<v Speaker 1>all very funny, but also like it's messy. This is messy. Yeah, well,

0:18:43.400 --> 0:18:46.919
<v Speaker 1>you know you introduced that element of the deception and

0:18:47.000 --> 0:18:53.360
<v Speaker 1>now the business intrigue and it's just business and this

0:18:53.440 --> 0:18:56.840
<v Speaker 1>is the move I'm making and yeah, I'm you know,

0:18:56.960 --> 0:18:58.920
<v Speaker 1>I don't blame her. I don't blame Richard for I

0:18:59.240 --> 0:19:02.000
<v Speaker 1>do the same thing. That's what You protect your nest egg,

0:19:02.040 --> 0:19:04.560
<v Speaker 1>you protect your pension, you protect your family, you protect

0:19:04.600 --> 0:19:10.960
<v Speaker 1>your home. There's a very interesting theory in the comments,

0:19:11.840 --> 0:19:13.679
<v Speaker 1>um and then I kind of went into a Reddit

0:19:13.720 --> 0:19:17.840
<v Speaker 1>threat I think maybe on it where some people felt

0:19:18.200 --> 0:19:23.520
<v Speaker 1>that Richard and Floyd were in cahoots essentially from the

0:19:23.600 --> 0:19:28.679
<v Speaker 1>time of planning the dinner, like that they were already

0:19:28.800 --> 0:19:32.560
<v Speaker 1>in cahoots. But my flag on that play is then

0:19:32.680 --> 0:19:36.320
<v Speaker 1>Richard wouldn't have been so emotional to Emily like or

0:19:36.400 --> 0:19:38.399
<v Speaker 1>Loria lie forget who he was talking to, like they

0:19:38.440 --> 0:19:40.639
<v Speaker 1>said they were going to take everything we have. I

0:19:40.640 --> 0:19:42.600
<v Speaker 1>think it was to lor Lie. So that was my

0:19:42.680 --> 0:19:47.240
<v Speaker 1>only thing on that theory, because there's some like theories,

0:19:47.280 --> 0:19:53.840
<v Speaker 1>fan theories on the whole Floyd Richard Digger Sich. Yeah,

0:19:53.920 --> 0:19:57.399
<v Speaker 1>I don't think it was premeditated either. I feel like

0:19:57.440 --> 0:20:01.639
<v Speaker 1>Emily would have known if it was, and she obviously

0:20:01.720 --> 0:20:08.720
<v Speaker 1>is having a very external reaction to the point. Yeah,

0:20:08.760 --> 0:20:12.040
<v Speaker 1>I think that that Richard made the game day decision

0:20:13.320 --> 0:20:16.920
<v Speaker 1>after Floyd presented with the lawsuit and he was like

0:20:17.119 --> 0:20:20.280
<v Speaker 1>f this, no, and went back and said, I'm going

0:20:20.280 --> 0:20:22.320
<v Speaker 1>to throw a Digger under the bus because I got

0:20:22.320 --> 0:20:24.600
<v Speaker 1>to save my nest egg. And he had the perfect

0:20:24.640 --> 0:20:27.119
<v Speaker 1>excuse to do it. There was deception and then the

0:20:27.280 --> 0:20:41.520
<v Speaker 1>lunch with thee so anyway, he had his out dramatic Yeah, okay,

0:20:41.560 --> 0:20:43.600
<v Speaker 1>So then we get to go back to Lane's apartment,

0:20:44.359 --> 0:20:50.440
<v Speaker 1>which I quite enjoy. Yeah, it's nice sort of something there.

0:20:50.840 --> 0:20:54.240
<v Speaker 1>It's nice, but there's not much there. At the same time,

0:20:55.119 --> 0:20:58.680
<v Speaker 1>I agree, right like it's I like it, but then

0:20:58.720 --> 0:21:01.760
<v Speaker 1>I'm like, can we get just like more, a little more.

0:21:02.359 --> 0:21:06.639
<v Speaker 1>It's like without Emily Corona in the scene raging away,

0:21:06.720 --> 0:21:11.520
<v Speaker 1>it's it's it's not as effective for me interesting. It's

0:21:11.560 --> 0:21:15.240
<v Speaker 1>like she's one of the most powerful dynamic presence on

0:21:15.400 --> 0:21:18.400
<v Speaker 1>that show, and just showing her in the background doing

0:21:18.400 --> 0:21:21.639
<v Speaker 1>little stuff here and there just isn't enough. How do

0:21:21.680 --> 0:21:23.840
<v Speaker 1>you like Zach? How do you guys feel about Zach?

0:21:24.119 --> 0:21:29.560
<v Speaker 1>The character of Zach like the roommates h I think

0:21:29.560 --> 0:21:32.439
<v Speaker 1>it's I mean, without giving anything away, I think that

0:21:32.680 --> 0:21:34.679
<v Speaker 1>because it was just so like it felt like a

0:21:34.680 --> 0:21:37.040
<v Speaker 1>bland scene. I think it is setting up the future

0:21:37.240 --> 0:21:40.520
<v Speaker 1>of of what we see later. So that's why I

0:21:40.520 --> 0:21:42.600
<v Speaker 1>didn't think too much of it. As someone who knows

0:21:42.680 --> 0:21:44.760
<v Speaker 1>what's coming. I was just like, this is a setup

0:21:44.800 --> 0:21:48.760
<v Speaker 1>for the future for me. Sebastian box, yeah is the

0:21:48.800 --> 0:21:52.240
<v Speaker 1>best part. I mean, give me Sebastian bok and a

0:21:52.320 --> 0:21:58.920
<v Speaker 1>velvet shirt, unbuttoned, short sleeve, you know, just there you go,

0:21:59.280 --> 0:22:03.320
<v Speaker 1>got the baby, there you go. I feel like the

0:22:03.359 --> 0:22:07.960
<v Speaker 1>band is just still so incomplete without Dave Kowski, like

0:22:08.359 --> 0:22:13.960
<v Speaker 1>like I'm still onto him, like he is a national treasure,

0:22:14.000 --> 0:22:19.080
<v Speaker 1>and he likes to point it's just a cover of

0:22:19.119 --> 0:22:26.160
<v Speaker 1>People magazine. He's with me. There's there's just only something missing.

0:22:26.240 --> 0:22:28.560
<v Speaker 1>When I see the band, I'm just like, where Steve

0:22:28.800 --> 0:22:30.960
<v Speaker 1>I needed him? You're right, there is there is a

0:22:31.040 --> 0:22:34.879
<v Speaker 1>giant hole there. Yeah. Without Sebastian Bach I would not

0:22:35.359 --> 0:22:39.879
<v Speaker 1>he definitely, Yeah, he completes it. Yeah, he's I missed.

0:22:40.160 --> 0:22:43.840
<v Speaker 1>I miss Adam Brodie Tube. Yeah. Sebastian has a big personality,

0:22:43.880 --> 0:22:48.840
<v Speaker 1>big presence. You know, he's you know, he's never going

0:22:48.880 --> 0:22:51.480
<v Speaker 1>to get accused of being Laurence Olivia, but he knows

0:22:51.920 --> 0:22:55.640
<v Speaker 1>he's great. But he's doing his thing and he's being himself,

0:22:55.760 --> 0:22:59.840
<v Speaker 1>which is really entertaining and fun. Right, because that's that's

0:22:59.840 --> 0:23:03.160
<v Speaker 1>the fast quick shout out to Adam Brody. Did anybody

0:23:03.200 --> 0:23:05.080
<v Speaker 1>watch that show that Adam Brodie is in with the

0:23:06.680 --> 0:23:10.840
<v Speaker 1>something about Fletcher? Oh god, you guys, it's really familiar.

0:23:10.840 --> 0:23:13.119
<v Speaker 1>Everyone should watch it. It's very good. Except for the

0:23:13.200 --> 0:23:16.800
<v Speaker 1>last episode. It has clear Danes and the guy from

0:23:16.840 --> 0:23:20.919
<v Speaker 1>Social network whose name is out of my mind. Come on, um,

0:23:22.800 --> 0:23:26.280
<v Speaker 1>Jesse Eisenberg. It's good. I know I'm not giving it

0:23:26.320 --> 0:23:28.560
<v Speaker 1>a great plug because I can't remember the name of it,

0:23:28.640 --> 0:23:31.520
<v Speaker 1>but it's so anyway, we're all gonna we're all going

0:23:31.560 --> 0:23:33.560
<v Speaker 1>to watch it, yeah, because we don't know what it is.

0:23:34.280 --> 0:23:39.280
<v Speaker 1>Said then Lane sees you're a lot of work, a

0:23:39.320 --> 0:23:44.360
<v Speaker 1>lot of work. You're a lot of work. First of all,

0:23:44.440 --> 0:23:49.280
<v Speaker 1>great callback great callback. Thank you. Uh we see the

0:23:49.280 --> 0:23:56.159
<v Speaker 1>the lane replacement student. You think she was just regretting

0:23:56.280 --> 0:24:00.080
<v Speaker 1>like every decision she made in that moment. Yeah, me,

0:24:00.119 --> 0:24:02.720
<v Speaker 1>not regret so much as she just missed her her

0:24:02.760 --> 0:24:05.439
<v Speaker 1>home and the band was doing well. She just she

0:24:05.480 --> 0:24:07.840
<v Speaker 1>loves her mom. Even though her mom is like tough,

0:24:07.920 --> 0:24:11.639
<v Speaker 1>they do love each other. And now she's living with

0:24:11.680 --> 0:24:14.520
<v Speaker 1>two guys that play video games instead of you know,

0:24:15.760 --> 0:24:21.600
<v Speaker 1>and they like her band. Fantasy communal lodging situation isn't

0:24:22.400 --> 0:24:25.080
<v Speaker 1>panning out the way she thought it would be. She's like,

0:24:25.160 --> 0:24:27.880
<v Speaker 1>she's become the mother. I could not live with two

0:24:27.920 --> 0:24:30.680
<v Speaker 1>boys at that age if I was nineteen years old.

0:24:31.640 --> 0:24:35.160
<v Speaker 1>And she's so much more emotionally mature than those guys,

0:24:36.000 --> 0:24:39.679
<v Speaker 1>you know that she probably just feels like, yeah, what

0:24:39.760 --> 0:24:42.960
<v Speaker 1>have I done here? Am I is this going to

0:24:43.040 --> 0:24:44.679
<v Speaker 1>be the next ten years of my life? I mean,

0:24:44.720 --> 0:24:49.120
<v Speaker 1>what happens if we're super successful? You know, the one

0:24:49.160 --> 0:24:52.560
<v Speaker 1>guy is gonna still eat beaten carrots from his mommy's pouch,

0:24:52.800 --> 0:24:54.800
<v Speaker 1>and the other guy is going to be with the

0:24:54.840 --> 0:24:58.600
<v Speaker 1>babes and you know, one's married with kids and and

0:24:58.760 --> 0:25:01.040
<v Speaker 1>one's married with kids. She's all alone in that band

0:25:01.119 --> 0:25:11.400
<v Speaker 1>basically although he fall explosion sounded sidebar uh poor. Then

0:25:11.400 --> 0:25:15.320
<v Speaker 1>we go to the driving range and that was just awkward.

0:25:15.080 --> 0:25:20.040
<v Speaker 1>Good swing from Jason Stuhls, good hearty golf swing. I

0:25:20.440 --> 0:25:24.280
<v Speaker 1>was like, Okay, I think Chris Agaman has spent a

0:25:24.320 --> 0:25:29.960
<v Speaker 1>little time on the link on the links, so yeah,

0:25:30.000 --> 0:25:34.200
<v Speaker 1>we're getting these sort of like little I don't know

0:25:34.240 --> 0:25:35.960
<v Speaker 1>what the right word is in undos, that's not the

0:25:36.040 --> 0:25:42.080
<v Speaker 1>right word, but little little signposts, signposts, yeah, clue. It's

0:25:42.119 --> 0:25:44.440
<v Speaker 1>like I just kind of like I did feel bad

0:25:44.480 --> 0:25:46.200
<v Speaker 1>for him in this moment at the golf course because

0:25:46.200 --> 0:25:48.159
<v Speaker 1>he was so out of the loop and everyone was

0:25:48.200 --> 0:25:51.240
<v Speaker 1>kind of just like, you don't know what's happening. That's

0:25:51.280 --> 0:25:54.520
<v Speaker 1>the worst. Yeah, like when you're the last to know

0:25:54.600 --> 0:25:58.640
<v Speaker 1>and everything. He's so good. Shout out to Chris. He's

0:25:58.680 --> 0:26:02.200
<v Speaker 1>so good, didn't he. You just believe everything he's doing

0:26:02.280 --> 0:26:05.720
<v Speaker 1>and and thinking and saying, he's he's really terrific. He

0:26:05.840 --> 0:26:09.800
<v Speaker 1>really Yeah, speaking of terrific, Shell giving the tour at

0:26:09.800 --> 0:26:14.080
<v Speaker 1>the end with all the little here, you know, like,

0:26:14.320 --> 0:26:19.400
<v Speaker 1>oh my god, it's so good, the cookies or Suki

0:26:19.480 --> 0:26:23.600
<v Speaker 1>with her broken FOOTO. I could be wrong, but was

0:26:23.640 --> 0:26:26.000
<v Speaker 1>it the first time we saw the Dragonfly in logo

0:26:26.119 --> 0:26:29.200
<v Speaker 1>like that, I think, so, I think on the car, yeah,

0:26:29.280 --> 0:26:31.720
<v Speaker 1>I think that's the first time we're saying that made

0:26:31.760 --> 0:26:34.840
<v Speaker 1>it really hit home, you know, because I really yeah,

0:26:34.880 --> 0:26:38.240
<v Speaker 1>they have a minivan, Yeah, the minivan. I was like, wait,

0:26:38.320 --> 0:26:40.080
<v Speaker 1>is that the first time we see the actual logo.

0:26:40.119 --> 0:26:43.240
<v Speaker 1>I do have a dragonflying cup that I'll bring next week,

0:26:43.800 --> 0:26:45.359
<v Speaker 1>But that's what I thought. I was like, where's my cup?

0:26:45.800 --> 0:26:48.800
<v Speaker 1>Because thanks to Luke they seem to be able to

0:26:48.840 --> 0:26:53.600
<v Speaker 1>have the minivan and the horses. They have the horses.

0:26:54.600 --> 0:26:56.199
<v Speaker 1>What do they have their horses for? People are going

0:26:56.240 --> 0:26:58.399
<v Speaker 1>to be taking their kids on the horses. I don't know,

0:26:58.440 --> 0:27:02.280
<v Speaker 1>maybe the back right, Yeah, it's always nice to have.

0:27:02.800 --> 0:27:04.840
<v Speaker 1>It is nice to see like the business up and

0:27:04.920 --> 0:27:11.040
<v Speaker 1>running and like, yeah, yeah, we've we've come a long way. Baby.

0:27:11.359 --> 0:27:17.440
<v Speaker 1>Right here we are the Dragonfly and looks divorced and

0:27:18.640 --> 0:27:21.520
<v Speaker 1>so then we yeah. So then now the belief is

0:27:21.560 --> 0:27:24.160
<v Speaker 1>going to hit the fan because now Jason knows what's

0:27:24.240 --> 0:27:27.679
<v Speaker 1>up and he's figured it out that Richard's got So

0:27:27.720 --> 0:27:30.240
<v Speaker 1>it's interesting that Richard's going back with Floyd but having

0:27:30.280 --> 0:27:34.280
<v Speaker 1>his own boutique agency under their banner. So Richard is

0:27:34.320 --> 0:27:41.000
<v Speaker 1>really hashtag winning and Jason is hosed. Richard always wins, right,

0:27:41.680 --> 0:27:45.159
<v Speaker 1>even when he's losing, he's winning. Um. And the thing

0:27:45.200 --> 0:27:47.280
<v Speaker 1>I liked about Jason is he even admitted, like he

0:27:47.320 --> 0:27:51.719
<v Speaker 1>goes it makes sense. He very was brilliant, like this

0:27:51.880 --> 0:27:55.840
<v Speaker 1>is brilliant. Yeah, and he was very sweet to Lorela.

0:27:55.960 --> 0:27:59.520
<v Speaker 1>He wasn't in that, like he wasn't blaming there, like

0:28:00.400 --> 0:28:05.200
<v Speaker 1>he wasn't like your dad's an Yeah he suck, your

0:28:05.240 --> 0:28:08.000
<v Speaker 1>family sucks all that, Like he didn't do any of that,

0:28:08.320 --> 0:28:10.760
<v Speaker 1>which is why I'm not We'll get there. I'm not

0:28:10.760 --> 0:28:14.040
<v Speaker 1>sure I agree with her decision, but we'll get there.

0:28:14.080 --> 0:28:17.600
<v Speaker 1>But we'll get there. Yeah, I guess you and I

0:28:17.640 --> 0:28:19.800
<v Speaker 1>are going to have a talk about that. I can't wait.

0:28:20.160 --> 0:28:21.879
<v Speaker 1>I don't know. Yeah, I might be able to be

0:28:21.920 --> 0:28:28.280
<v Speaker 1>convinced choose your weapon now. That made me think of

0:28:28.800 --> 0:28:34.840
<v Speaker 1>Miss Plumb in the library with the candlestick. I did

0:28:35.000 --> 0:28:38.280
<v Speaker 1>think it was really sad when Digger literally was like,

0:28:38.400 --> 0:28:44.400
<v Speaker 1>I have to move. My reputation is really like that sucks.

0:28:44.680 --> 0:28:48.080
<v Speaker 1>But he didn't listen. He did it to himself, didn't

0:28:48.640 --> 0:28:52.760
<v Speaker 1>He made a move against his own father, who's extremely powerless. Yeah,

0:28:52.800 --> 0:28:55.760
<v Speaker 1>he didn't play the politics well at all. He took

0:28:55.840 --> 0:29:00.320
<v Speaker 1>up with Richard's daughter, How could you not? Right? Didn't

0:29:00.360 --> 0:29:02.640
<v Speaker 1>tell anybody. It was kind of his idea to keep

0:29:03.200 --> 0:29:04.880
<v Speaker 1>wasn't it his idea to keep her secret? And she

0:29:04.960 --> 0:29:07.480
<v Speaker 1>wanted to It was the other way around. It was

0:29:07.520 --> 0:29:10.280
<v Speaker 1>the other way around. He wanted to tell and she

0:29:10.320 --> 0:29:13.280
<v Speaker 1>wanted and she wanted to keep it a secret. And

0:29:13.600 --> 0:29:15.280
<v Speaker 1>we're skipping a scene, but I think it's important to

0:29:15.280 --> 0:29:17.680
<v Speaker 1>talk about it. Lorea Lie does go to Richard and

0:29:17.760 --> 0:29:23.560
<v Speaker 1>she does say, like, Jason was your partner. He's losing everything.

0:29:24.360 --> 0:29:27.440
<v Speaker 1>And that's when Richard sort of says, Lauraae, like I

0:29:27.560 --> 0:29:32.200
<v Speaker 1>cannot lose everything. But he's right about how she came

0:29:32.240 --> 0:29:34.680
<v Speaker 1>at him, right, It's like, how are you going to

0:29:34.800 --> 0:29:36.960
<v Speaker 1>come at somebody in that way? And he she didn't

0:29:37.000 --> 0:29:40.560
<v Speaker 1>express any concern or for his side of the story

0:29:40.680 --> 0:29:42.840
<v Speaker 1>or how it was going to affect him or or

0:29:43.080 --> 0:29:46.480
<v Speaker 1>or her mother Emily. Um, she just sort of she

0:29:46.520 --> 0:29:48.440
<v Speaker 1>didn't open up both battles on him, but she went

0:29:48.480 --> 0:29:51.560
<v Speaker 1>at him pretty pretty hard, a little disrespectfully, like, hey,

0:29:51.600 --> 0:29:54.560
<v Speaker 1>it's my my world is being affected, my world not

0:29:54.640 --> 0:29:58.479
<v Speaker 1>taking consideration. Yeah, yeah, I'm not saying loyally is right,

0:29:58.560 --> 0:30:01.920
<v Speaker 1>and I actually think it's interesting, is Emily, but just

0:30:02.000 --> 0:30:04.920
<v Speaker 1>let me But that's the misdirection. That scene was planted

0:30:04.960 --> 0:30:09.040
<v Speaker 1>there to surprise us on the ultimate when you and

0:30:09.080 --> 0:30:12.960
<v Speaker 1>I have our knife fight. Yes. So the thing I

0:30:13.040 --> 0:30:16.720
<v Speaker 1>like about Emily here is she goes to Richard because

0:30:16.840 --> 0:30:20.840
<v Speaker 1>ultimately what she cares about most is Laura lion Rory.

0:30:21.600 --> 0:30:26.160
<v Speaker 1>And she's really like not worried about the money. Now,

0:30:26.320 --> 0:30:29.800
<v Speaker 1>she's probably not being supportive enough of Richard and the

0:30:29.840 --> 0:30:33.360
<v Speaker 1>importance of his career per se, because really what she

0:30:33.480 --> 0:30:37.880
<v Speaker 1>cares about is Laura lion Rory. That's all she cares Okay, Okay,

0:30:38.040 --> 0:30:41.480
<v Speaker 1>and Laura life finding somebody and she realizes they have

0:30:41.520 --> 0:30:49.680
<v Speaker 1>a connection. Okay. So the way Richard sees it is

0:30:51.000 --> 0:30:56.320
<v Speaker 1>we lose everything, the house, the pension, everything, We're destitute, Okay,

0:30:56.880 --> 0:30:59.360
<v Speaker 1>to get to get sued to that level, you don't

0:30:59.360 --> 0:31:04.600
<v Speaker 1>know where you're gonna end up, right, And Richard, there's

0:31:04.680 --> 0:31:07.960
<v Speaker 1>only one choice he can make, and it has nothing

0:31:08.000 --> 0:31:13.360
<v Speaker 1>to do with lauralized relationship with Jason or Friday night

0:31:13.400 --> 0:31:17.959
<v Speaker 1>dinners or you know, he his hands that are tied.

0:31:19.200 --> 0:31:21.080
<v Speaker 1>Do you know what's crazy? Though, He's got to do

0:31:21.120 --> 0:31:26.120
<v Speaker 1>what he's gotta do. I do understand where Richard's coming from,

0:31:26.160 --> 0:31:29.760
<v Speaker 1>but I think Emily is taking it as Okay, fine,

0:31:29.840 --> 0:31:32.200
<v Speaker 1>we'll have our money and you'll have your job, but

0:31:32.360 --> 0:31:35.320
<v Speaker 1>we won't have lor Lie and we won't have Rory.

0:31:35.520 --> 0:31:38.000
<v Speaker 1>Like this is what I've been working for the last

0:31:38.000 --> 0:31:42.000
<v Speaker 1>few years to foster this relationship and now it's going

0:31:42.040 --> 0:31:44.880
<v Speaker 1>to go away because you screwed over her boyfriend. Like

0:31:44.960 --> 0:31:48.000
<v Speaker 1>I think she is panicking that things are going to

0:31:48.080 --> 0:31:51.080
<v Speaker 1>revert back to how they work for And here's what's interesting.

0:31:51.440 --> 0:31:55.120
<v Speaker 1>This is very important. I think Rory won't go away,

0:31:55.200 --> 0:31:58.240
<v Speaker 1>and Richard points that out. I agree, and I agree

0:31:58.880 --> 0:32:02.600
<v Speaker 1>cares about or A Lie because she I think somewhere

0:32:02.600 --> 0:32:05.440
<v Speaker 1>they both know Rory's not going anywhere. But Emily does

0:32:05.480 --> 0:32:08.800
<v Speaker 1>not want to lose Lora Lie again. Well, and she's like,

0:32:08.840 --> 0:32:10.920
<v Speaker 1>this is really about Laura Lie. And then you think

0:32:10.920 --> 0:32:13.360
<v Speaker 1>about it because like they are paying for Yale and

0:32:13.440 --> 0:32:16.520
<v Speaker 1>like you know, that's where they know Rory won't go away.

0:32:16.600 --> 0:32:20.719
<v Speaker 1>But I was also thinking, like it is interesting that

0:32:21.400 --> 0:32:24.280
<v Speaker 1>Richard didn't have a conversation with Emily about it, and

0:32:24.320 --> 0:32:26.320
<v Speaker 1>kind of just like like when was Emily going to

0:32:26.400 --> 0:32:28.000
<v Speaker 1>find out if she didn't stand at the corner of

0:32:28.040 --> 0:32:30.160
<v Speaker 1>the stairs to listen, you know, like, why would she

0:32:30.200 --> 0:32:33.360
<v Speaker 1>have known? That should have been a conversation between husband

0:32:33.360 --> 0:32:35.680
<v Speaker 1>and wife about there if it was a financial thing.

0:32:35.800 --> 0:32:38.160
<v Speaker 1>I feel like they should have had that conversation. And

0:32:38.200 --> 0:32:40.400
<v Speaker 1>so I think it just escalated because of the way

0:32:40.480 --> 0:32:45.520
<v Speaker 1>she found out. But I do understand both sides. I

0:32:45.720 --> 0:32:48.479
<v Speaker 1>just thought the and and let's point out that Sheila

0:32:48.600 --> 0:32:51.360
<v Speaker 1>Lawrence wrote this episode. What a what a brilliant set

0:32:51.440 --> 0:32:54.200
<v Speaker 1>up for what is to come right, all these complications,

0:32:54.240 --> 0:32:59.880
<v Speaker 1>all these nuances and subtleties within these relationships. How deaf

0:33:00.040 --> 0:33:03.600
<v Speaker 1>late it was handled in these episodes, because it is

0:33:03.720 --> 0:33:08.239
<v Speaker 1>leading up to a really really interesting scene, which I mean,

0:33:08.280 --> 0:33:10.560
<v Speaker 1>and I are going to talk about. I have a

0:33:10.600 --> 0:33:13.160
<v Speaker 1>few I think where you've got two major ones. So wait,

0:33:13.200 --> 0:33:16.400
<v Speaker 1>before we get to that, let's just talk about the

0:33:17.000 --> 0:33:22.360
<v Speaker 1>ash Or Fleming story. There's no other there's like no

0:33:22.480 --> 0:33:26.480
<v Speaker 1>other professor who's good looking at Yale. Like my whole

0:33:26.720 --> 0:33:29.160
<v Speaker 1>the whole time, I was like, the oldest professor is

0:33:29.200 --> 0:33:32.000
<v Speaker 1>the one all the girls are going for. I think

0:33:32.040 --> 0:33:37.720
<v Speaker 1>it's because he's worldly. I don't know if you guys

0:33:37.760 --> 0:33:40.959
<v Speaker 1>did this, but last night I was mourning the loss

0:33:40.960 --> 0:33:45.320
<v Speaker 1>of Rachel Welsh and I because it's my my childhood dying.

0:33:45.400 --> 0:33:47.960
<v Speaker 1>Every every day, somebody else from my child who was

0:33:47.960 --> 0:33:49.760
<v Speaker 1>passing away. And this is what happens when you get

0:33:49.800 --> 0:33:52.840
<v Speaker 1>a little bit older. This happens. They don't tell you this,

0:33:53.640 --> 0:33:55.960
<v Speaker 1>uh that it happens, but it happens, and it's it's

0:33:56.080 --> 0:33:59.640
<v Speaker 1>tough to deal with. Yeah, it's kind of rough. Um.

0:33:59.680 --> 0:34:02.080
<v Speaker 1>And then was a pick. She did a movie with

0:34:02.120 --> 0:34:07.880
<v Speaker 1>Michael York back in the seventies called The Three Musketeers,

0:34:09.400 --> 0:34:13.200
<v Speaker 1>and he was quite something back then. I mean the

0:34:13.280 --> 0:34:17.239
<v Speaker 1>long blonde hair, I mean just I mean the two

0:34:17.280 --> 0:34:20.560
<v Speaker 1>of them together, they're looks so good together in in

0:34:20.640 --> 0:34:25.000
<v Speaker 1>that period costumes. Um, so he was like he was

0:34:25.040 --> 0:34:28.960
<v Speaker 1>a major star, Michael or he was a charming, dashing

0:34:29.120 --> 0:34:31.760
<v Speaker 1>figure of the theater. And then he became a movie

0:34:31.760 --> 0:34:35.479
<v Speaker 1>star for obvious reasons. So you know he still got

0:34:35.520 --> 0:34:39.719
<v Speaker 1>it right as Fleming. Yeah, he's pretty cute twenty years ago,

0:34:39.800 --> 0:34:43.640
<v Speaker 1>even in this Yeah, he's still got it. He's definitely charming.

0:34:43.719 --> 0:34:49.200
<v Speaker 1>And I liked the confrontation he had with Rory that

0:34:49.280 --> 0:34:51.560
<v Speaker 1>was so let's just let's just talk it through. Let's

0:34:51.560 --> 0:34:54.000
<v Speaker 1>talk through everything as Do you think she was a

0:34:54.040 --> 0:34:55.920
<v Speaker 1>little out of line? I do. I thought that was

0:34:55.960 --> 0:34:59.120
<v Speaker 1>a very awkward scene. Yeah, I don't know if that

0:34:59.120 --> 0:35:01.800
<v Speaker 1>that that was the only seen in the whole uh

0:35:01.960 --> 0:35:07.200
<v Speaker 1>four episodes that I thought, you know, yeah, yeah, yeah,

0:35:07.360 --> 0:35:09.600
<v Speaker 1>I thought that was weird. I feel like you just

0:35:09.600 --> 0:35:13.279
<v Speaker 1>wouldn't approach a professor that way, even if he was

0:35:13.400 --> 0:35:19.040
<v Speaker 1>dating your roommate. It just seemed inappropriate. The fact that

0:35:19.080 --> 0:35:21.080
<v Speaker 1>this is like that actually just came out of your

0:35:21.120 --> 0:35:24.880
<v Speaker 1>mouth like that is just crazy, like he is dating

0:35:24.880 --> 0:35:26.920
<v Speaker 1>her roommate. But I think that's why she gets so

0:35:27.040 --> 0:35:32.480
<v Speaker 1>pissed and so like um over analytical on everything in

0:35:32.520 --> 0:35:35.920
<v Speaker 1>his class. But but also he's friends with Richard, so

0:35:35.960 --> 0:35:40.440
<v Speaker 1>she could have just DoD this easily assumed valid because valid.

0:35:40.719 --> 0:35:43.480
<v Speaker 1>But but the the impetus was was that Doyle let

0:35:43.520 --> 0:35:46.600
<v Speaker 1>her know that Escher has you know, a babe of

0:35:46.680 --> 0:35:51.200
<v Speaker 1>the Year of the semester or whatever. And you know,

0:35:51.239 --> 0:35:54.520
<v Speaker 1>I think I think it was the attempt to show

0:35:54.600 --> 0:36:00.279
<v Speaker 1>Rory being loyal to crazy Town. Yeah, so yeah, so,

0:36:00.360 --> 0:36:02.319
<v Speaker 1>and I don't I don't. I don't know that it

0:36:02.400 --> 0:36:05.680
<v Speaker 1>worked out the way we wanted it to work out,

0:36:05.840 --> 0:36:09.319
<v Speaker 1>But they got it in right, like Rory did the

0:36:09.360 --> 0:36:12.400
<v Speaker 1>noble thing, and like, I'm gonna call my great grading

0:36:12.440 --> 0:36:15.520
<v Speaker 1>system into question, and she's gonna get a couple of

0:36:15.560 --> 0:36:18.560
<v Speaker 1>shots in. And I mean, but that last line, you know,

0:36:18.640 --> 0:36:20.799
<v Speaker 1>I liked the redhead or whatever. It was like it

0:36:20.920 --> 0:36:23.400
<v Speaker 1>was a little little much. I thought he was going

0:36:23.440 --> 0:36:25.200
<v Speaker 1>to be like, final, I'll give you an F Like

0:36:25.239 --> 0:36:27.600
<v Speaker 1>I thought he was going to drop the grade right there.

0:36:27.719 --> 0:36:31.560
<v Speaker 1>I can't do that. My question is, but I think

0:36:31.600 --> 0:36:34.480
<v Speaker 1>he understood at the end of that scene that she

0:36:34.560 --> 0:36:37.480
<v Speaker 1>knew about the relationship. She didn't approve, she didn't approve

0:36:37.520 --> 0:36:40.880
<v Speaker 1>of him, and I don't, but don't hurt my friend.

0:36:41.000 --> 0:36:47.839
<v Speaker 1>He won, he won. He like he definitely won. Yeah, yeah,

0:36:47.840 --> 0:36:49.560
<v Speaker 1>he like he's like, this is why you got the

0:36:49.600 --> 0:36:51.960
<v Speaker 1>A you did X y Z. Like it was he

0:36:52.080 --> 0:36:54.600
<v Speaker 1>had the point, he had the points. I don't know

0:36:54.640 --> 0:36:57.319
<v Speaker 1>that he might dropped her. I think he closed. I

0:36:57.400 --> 0:37:00.440
<v Speaker 1>thought he closed. He slammed his case down at a

0:37:00.520 --> 0:37:04.600
<v Speaker 1>frustration like for that that was a moment that he

0:37:04.719 --> 0:37:08.600
<v Speaker 1>had been outed by Rory, like you're a dirty old man,

0:37:08.800 --> 0:37:13.040
<v Speaker 1>leave these girls alone. Yes he was. I disagree. He

0:37:13.080 --> 0:37:17.239
<v Speaker 1>was like, have you quite finished? Like he's judging him,

0:37:17.280 --> 0:37:20.759
<v Speaker 1>But why shouldn't she he's praying on his students. I

0:37:20.800 --> 0:37:23.840
<v Speaker 1>don't think he sees it that way. That's kind of vile.

0:37:24.360 --> 0:37:28.160
<v Speaker 1>He's technically not doing anything wrong, right Paris, Paris is

0:37:28.200 --> 0:37:31.400
<v Speaker 1>eighteen years old. He's not she's not a student in

0:37:31.560 --> 0:37:35.440
<v Speaker 1>his class. He's a British Maximadia. He's a British Maximadina.

0:37:35.560 --> 0:37:39.439
<v Speaker 1>I'm not saying it's right, but like, he's technically not

0:37:39.560 --> 0:37:43.680
<v Speaker 1>doing anything wrong. It's creepy, gross, but it's not right.

0:37:44.000 --> 0:37:46.600
<v Speaker 1>I didn't realize the decision. I didn't realize that she's

0:37:46.640 --> 0:37:49.200
<v Speaker 1>not his student. So yeah, that's actually good. No, because

0:37:49.600 --> 0:37:52.439
<v Speaker 1>she always comes into the class because Rory's there. You're right,

0:37:52.480 --> 0:37:58.840
<v Speaker 1>you're right, doesn't make it right. Yeah, I'm not saying

0:37:58.840 --> 0:38:03.239
<v Speaker 1>it's right. Any schools must have like morality clauses where

0:38:03.320 --> 0:38:06.960
<v Speaker 1>you don't do this and it would be definitely frowned upon. Yeah,

0:38:07.239 --> 0:38:11.680
<v Speaker 1>it's just like, but it's not Rory's place to go

0:38:11.800 --> 0:38:15.200
<v Speaker 1>in and be kind of self righteous about it. It's like,

0:38:16.120 --> 0:38:19.280
<v Speaker 1>I don't know. Look, things were different in nineteen sixty.

0:38:19.400 --> 0:38:22.120
<v Speaker 1>This happened all the time, things were looser. In nine eight,

0:38:22.239 --> 0:38:26.319
<v Speaker 1>these things happened all the time. Between students and teachers. Um,

0:38:26.360 --> 0:38:29.080
<v Speaker 1>it's just in two thousand it was still going on.

0:38:29.120 --> 0:38:32.360
<v Speaker 1>I think it's less appropriate these days, right, you know,

0:38:32.440 --> 0:38:37.879
<v Speaker 1>it's everything's sort of tightening up in society. Yeah, that's correct, right,

0:38:38.200 --> 0:38:40.920
<v Speaker 1>even more cringe, so it's more permissive. I mean as

0:38:41.000 --> 0:38:46.320
<v Speaker 1>we look back. Um, my question is is that dedication

0:38:46.400 --> 0:38:51.680
<v Speaker 1>for Paris? What does everybody think that booked out? I

0:38:51.719 --> 0:38:56.879
<v Speaker 1>think that's too whichever, it's the only thing he could

0:38:56.880 --> 0:38:59.120
<v Speaker 1>have done. What is he supposed to put some heartfelt

0:38:59.120 --> 0:39:01.120
<v Speaker 1>thing in there? And don't think that gets thrown in

0:39:01.160 --> 0:39:03.520
<v Speaker 1>the lawsuit. I think she thinks it was to her.

0:39:03.600 --> 0:39:07.200
<v Speaker 1>I don't know, she definitely did. She says it's about

0:39:07.200 --> 0:39:09.960
<v Speaker 1>me and my things, like, no, it is a girl.

0:39:11.160 --> 0:39:13.080
<v Speaker 1>They don't know who it's about. But I bet it's

0:39:13.080 --> 0:39:18.799
<v Speaker 1>not about only a slide guy like Asher would leave

0:39:18.840 --> 0:39:22.440
<v Speaker 1>it anonymous. So whichever lady he's you know, with at

0:39:22.480 --> 0:39:31.000
<v Speaker 1>the time her. Now the next question, did Rory deserve

0:39:31.120 --> 0:39:33.879
<v Speaker 1>the A? Yes, I mean it's not like she did

0:39:33.920 --> 0:39:39.160
<v Speaker 1>the work. Yeah, she did PhD level work connecting dogs. Yeah, yeah,

0:39:39.239 --> 0:39:42.839
<v Speaker 1>I agree, I agree, and I thought, okay, so so

0:39:42.960 --> 0:39:47.200
<v Speaker 1>yes or no? Did she overstep going to Asher and

0:39:47.280 --> 0:39:51.560
<v Speaker 1>being so pointing. I think yes. And also she got

0:39:51.560 --> 0:39:53.560
<v Speaker 1>an a It's like what were you what were you

0:39:53.560 --> 0:39:55.000
<v Speaker 1>going to get out of that? Like you wanted to

0:39:55.040 --> 0:40:00.319
<v Speaker 1>get to be you know, like she's going with it. Yeah,

0:40:00.360 --> 0:40:03.440
<v Speaker 1>I can see why she's annoyed with him because he's

0:40:03.840 --> 0:40:09.600
<v Speaker 1>I don't know, just yeah, but like not to like

0:40:09.800 --> 0:40:14.520
<v Speaker 1>challenge a grade that he gave her. Yeah, Like she

0:40:14.600 --> 0:40:16.799
<v Speaker 1>went out of her way, she went out of her

0:40:16.800 --> 0:40:22.000
<v Speaker 1>way to have that conversation. Yeah. And I think as

0:40:22.040 --> 0:40:23.920
<v Speaker 1>a teacher, you gotta be a little bit more respectful,

0:40:24.560 --> 0:40:27.719
<v Speaker 1>even if the guy's a creep. Yeah. Do we think

0:40:27.760 --> 0:40:33.319
<v Speaker 1>he's a creep A little creepy. He's a little a

0:40:33.400 --> 0:40:37.360
<v Speaker 1>little creepy, you know, on the creep scale, I would

0:40:37.360 --> 0:40:43.839
<v Speaker 1>say seven seven point eight five. He's just a guy

0:40:43.920 --> 0:40:47.400
<v Speaker 1>who likes, you know, he likes what he likes. He

0:40:47.480 --> 0:40:50.200
<v Speaker 1>likes what he likes, you know. Yeah. Do you think

0:40:50.320 --> 0:40:55.480
<v Speaker 1>Richard knows like that he dates younger women. He probably

0:40:55.480 --> 0:40:58.919
<v Speaker 1>thinks he dates like he knows he dates younger woman,

0:40:59.080 --> 0:41:02.640
<v Speaker 1>but maybe not Paris. I don't think Richard knows. I

0:41:02.719 --> 0:41:04.919
<v Speaker 1>think Richard would frown upon it. I don't think Richard

0:41:04.960 --> 0:41:11.399
<v Speaker 1>would approve of him dating students Paris, any of them.

0:41:11.440 --> 0:41:14.640
<v Speaker 1>I think if you're friends with somebody and longstanding friends,

0:41:15.680 --> 0:41:20.920
<v Speaker 1>you just sort of chuckle it there, idiosync. You don't

0:41:20.960 --> 0:41:24.640
<v Speaker 1>try to change people or give them lectures like Leo.

0:41:24.760 --> 0:41:27.839
<v Speaker 1>No one's like Leo, you should age it up. Yeah,

0:41:27.880 --> 0:41:30.239
<v Speaker 1>there's nobody in his circle telling them like, hey, you

0:41:30.280 --> 0:41:32.439
<v Speaker 1>got to rethink this. They're going when are you going

0:41:32.440 --> 0:41:38.200
<v Speaker 1>out again? Does she have a friend a sister. While

0:41:38.200 --> 0:41:39.840
<v Speaker 1>we're on the topic of Asher, let me tell you

0:41:39.880 --> 0:41:43.040
<v Speaker 1>what hurt my brain when he goes. Next week, we're

0:41:43.040 --> 0:41:45.879
<v Speaker 1>going to talk about the neglect of the individual as

0:41:45.960 --> 0:41:50.359
<v Speaker 1>a hallmark of modern government, which hurt my brain, which

0:41:50.400 --> 0:41:53.359
<v Speaker 1>I kind of get. And then something about coughka, which

0:41:53.400 --> 0:41:58.879
<v Speaker 1>I was just like, writ existentialism, yes too hard, Yeah, yeah,

0:41:59.760 --> 0:42:10.040
<v Speaker 1>kind tea Jersey literature English, Yeah, inful you know, the

0:42:10.040 --> 0:42:15.759
<v Speaker 1>in in the individual within a system of socialism and

0:42:15.840 --> 0:42:20.440
<v Speaker 1>individual and a system of free market capitalism. It's all different, right,

0:42:21.280 --> 0:42:25.719
<v Speaker 1>representative democracy versus you know, a tyrannical government. How how

0:42:25.760 --> 0:42:29.400
<v Speaker 1>it affects the individual? Right? I mean, what's what's so competent?

0:42:38.120 --> 0:42:42.560
<v Speaker 1>If we skipped laying at the diner all again? My lines?

0:42:42.640 --> 0:42:45.000
<v Speaker 1>What are you doing with my lines. What's happening, that's

0:42:45.040 --> 0:42:48.399
<v Speaker 1>my scene that's going on. Get out. Do you see

0:42:48.400 --> 0:42:53.120
<v Speaker 1>me running around the Kim's antiques, sneaking around trying to

0:42:53.160 --> 0:42:56.880
<v Speaker 1>make things happen? You know, No, that's a bad comparison.

0:42:56.920 --> 0:42:59.640
<v Speaker 1>I'm sorry, No, I mean it's not. It's actually not.

0:42:59.760 --> 0:43:02.359
<v Speaker 1>And think right, your only line was like su had

0:43:02.400 --> 0:43:04.640
<v Speaker 1>to go to the bank, right, and that was a loop.

0:43:04.840 --> 0:43:06.719
<v Speaker 1>The part of that was looped to and it took

0:43:06.719 --> 0:43:08.760
<v Speaker 1>me out of it. Part of Luke's stuff was looped.

0:43:09.880 --> 0:43:13.359
<v Speaker 1>Oh that was looped and no one else was here.

0:43:13.440 --> 0:43:18.319
<v Speaker 1>Let's go back the loop. The Laurela and Jason conversation

0:43:19.200 --> 0:43:21.319
<v Speaker 1>at the end when he's pacing back and forth and

0:43:21.360 --> 0:43:24.759
<v Speaker 1>he found out that he's done. Yeah, some of that

0:43:24.880 --> 0:43:29.279
<v Speaker 1>was looped in. Yes, yes, wow, I want to go

0:43:29.320 --> 0:43:35.239
<v Speaker 1>back now, yes, rewatch it's night. Just just it's a

0:43:35.320 --> 0:43:39.200
<v Speaker 1>sound it's a sound quality. It doesn't sound like it

0:43:39.239 --> 0:43:43.319
<v Speaker 1>doesn't sound right. Her voice when she's there talking, it

0:43:43.400 --> 0:43:48.840
<v Speaker 1>sounds like a voice that's been installed. And then Lane

0:43:48.880 --> 0:43:55.600
<v Speaker 1>has the confrontation with the exchange that was for the

0:43:55.640 --> 0:44:01.279
<v Speaker 1>exchange students. She was thought that was funny. So that

0:44:01.360 --> 0:44:03.880
<v Speaker 1>girl was really funny. I did think it was really

0:44:03.920 --> 0:44:07.840
<v Speaker 1>sweet when when she said, like, did Mrs Kim mentioned

0:44:07.840 --> 0:44:11.600
<v Speaker 1>she has a daughter and she said yes, well yeah,

0:44:11.719 --> 0:44:13.600
<v Speaker 1>And then we have that scene where they where she

0:44:13.640 --> 0:44:16.239
<v Speaker 1>goes into the house and which, by the way, so

0:44:16.320 --> 0:44:18.040
<v Speaker 1>weird that she walked into the house to watch her.

0:44:18.160 --> 0:44:21.960
<v Speaker 1>I think that was I go flag on the play

0:44:22.000 --> 0:44:26.040
<v Speaker 1>because I know if anybody broke into Mrs Kim's house,

0:44:26.360 --> 0:44:30.040
<v Speaker 1>she will get up and she knows she's got that place.

0:44:33.360 --> 0:44:37.000
<v Speaker 1>You would you would hear someone opening the door. That

0:44:37.080 --> 0:44:41.080
<v Speaker 1>was heartbreaking. That scene was heartbreaking. That was my favorite

0:44:41.239 --> 0:44:46.560
<v Speaker 1>Lane scene ever. It was it. Yeah, it was heartbreaking,

0:44:47.560 --> 0:44:51.920
<v Speaker 1>beautiful scene, beautiful, the emptiness of being on the road

0:44:52.040 --> 0:44:54.960
<v Speaker 1>with a rock band. It's not fulfilling. You want your

0:44:55.040 --> 0:44:59.279
<v Speaker 1>mom kiss her on the forehead as she sleeps, and

0:44:59.320 --> 0:45:02.640
<v Speaker 1>she won't. Oh it, it's beautiful. It's a beautiful moment.

0:45:05.320 --> 0:45:09.600
<v Speaker 1>So here's my question, Danielle. It's really for Danielle and

0:45:09.640 --> 0:45:13.279
<v Speaker 1>a little bit for Scott. What was going through your

0:45:13.320 --> 0:45:17.640
<v Speaker 1>mind when you first see Richard opened the door and

0:45:17.920 --> 0:45:20.920
<v Speaker 1>clearly he's like not, he's trying to doesn't have ice,

0:45:20.960 --> 0:45:24.440
<v Speaker 1>He's trying to do things. Emily walks in with her purse,

0:45:24.520 --> 0:45:26.200
<v Speaker 1>like what was going on. I thought that they were

0:45:26.239 --> 0:45:31.279
<v Speaker 1>having sex in the in the kitchen and they got

0:45:31.320 --> 0:45:35.440
<v Speaker 1>caught and they had to stop. That's funny. I did

0:45:35.480 --> 0:45:38.879
<v Speaker 1>not think that. That's funny, Scott. I did think that,

0:45:38.920 --> 0:45:40.800
<v Speaker 1>and I think they wanted us to think that, because

0:45:40.800 --> 0:45:45.200
<v Speaker 1>their behavior was that, especially Emily's behavior, they were so

0:45:45.360 --> 0:45:49.319
<v Speaker 1>off that it was like, you know, they were just

0:45:50.120 --> 0:45:54.120
<v Speaker 1>railing each other. Man, What did you think, Danielle? So

0:45:54.480 --> 0:45:57.280
<v Speaker 1>I when I was watching it, I was like, Okay,

0:45:57.320 --> 0:46:03.000
<v Speaker 1>there's there's something off, obvious, something's happening. And then the

0:46:03.080 --> 0:46:06.640
<v Speaker 1>light bulb went off when there was no dessert, and

0:46:07.640 --> 0:46:11.359
<v Speaker 1>I realized that they wanted to end this as soon

0:46:11.400 --> 0:46:13.600
<v Speaker 1>as possible and I could get back to the kitchen

0:46:13.640 --> 0:46:17.560
<v Speaker 1>and finish the job. No, I just because like Emily

0:46:17.600 --> 0:46:20.560
<v Speaker 1>doesn't do a dinner without dessert, you know what I mean.

0:46:20.640 --> 0:46:23.120
<v Speaker 1>And she didn't know what was on the menu, she

0:46:23.160 --> 0:46:25.080
<v Speaker 1>didn't know what they were eating, like all that kind

0:46:25.120 --> 0:46:27.239
<v Speaker 1>of stuff. I was like, Oh, there's a there's a

0:46:27.320 --> 0:46:32.160
<v Speaker 1>problem internally here, like I there's something off yea like

0:46:32.200 --> 0:46:34.600
<v Speaker 1>throwing them out with little goodie bags of chocolate here

0:46:34.719 --> 0:46:37.279
<v Speaker 1>by like this never happened. It was weirder on this

0:46:37.600 --> 0:46:41.840
<v Speaker 1>I mean, rewatch, I've seen it many times. There was

0:46:42.239 --> 0:46:45.440
<v Speaker 1>I knew it, so I don't remember what I thought

0:46:45.560 --> 0:46:47.640
<v Speaker 1>when I saw it the very first time when it

0:46:47.680 --> 0:46:55.080
<v Speaker 1>aired on television, like because it is sort of a whoa. Yeah,

0:46:55.239 --> 0:46:57.560
<v Speaker 1>by the way, how great was that scene? How funny?

0:46:57.640 --> 0:47:02.440
<v Speaker 1>Was insane? The dinner larious? No, I mean Emily and

0:47:02.560 --> 0:47:06.960
<v Speaker 1>Richard's behavior and just so great. You know how hard

0:47:07.040 --> 0:47:11.080
<v Speaker 1>that is to do on that kind of stuff. You

0:47:11.080 --> 0:47:16.160
<v Speaker 1>know what I noticed? That was very smart of somebody

0:47:16.320 --> 0:47:21.160
<v Speaker 1>in production. No flowers on the table, the table, Yes,

0:47:21.320 --> 0:47:26.600
<v Speaker 1>it did seem very stark, didn't it. Yes, always has flowers,

0:47:26.600 --> 0:47:32.399
<v Speaker 1>extravagant centerpieces. And obviously she's not there, she's not doing that.

0:47:32.520 --> 0:47:34.960
<v Speaker 1>But but right exactly, and there was. It wasn't the

0:47:35.000 --> 0:47:37.880
<v Speaker 1>table was not set, there was no center piece. There

0:47:37.920 --> 0:47:43.439
<v Speaker 1>was nothing that too. But here's a flag on the play,

0:47:43.680 --> 0:47:49.440
<v Speaker 1>and especially in people of their age. Richard would have

0:47:49.440 --> 0:47:53.560
<v Speaker 1>gone to the hotel. If a couple like Richard and

0:47:53.600 --> 0:47:56.799
<v Speaker 1>Emily decide to get into some sort of argument and

0:47:56.960 --> 0:48:00.239
<v Speaker 1>separate whatever it is, Emily would have had the house,

0:48:00.400 --> 0:48:02.480
<v Speaker 1>Richard would have gone to that. I disagree though, because

0:48:02.600 --> 0:48:06.040
<v Speaker 1>Richard is not the one that's upset, like Emily is

0:48:06.080 --> 0:48:09.600
<v Speaker 1>the one that is not happy with his you're saying

0:48:09.640 --> 0:48:11.960
<v Speaker 1>she just said, like I'm going to hotel. Yeah, I

0:48:12.000 --> 0:48:14.239
<v Speaker 1>think I think she was like, I don't even recognize you.

0:48:14.360 --> 0:48:19.680
<v Speaker 1>I'm out, you know, like it. Speaking speaking of flags

0:48:19.719 --> 0:48:22.960
<v Speaker 1>on the play, give it. What the heck is going

0:48:23.080 --> 0:48:26.480
<v Speaker 1>on with that ref in the Super Bowl? Throwing a

0:48:26.560 --> 0:48:30.239
<v Speaker 1>flag with a minute thirty to go on, a little

0:48:30.280 --> 0:48:33.839
<v Speaker 1>ticky cat nothing we understand. Let it. Let it out,

0:48:35.239 --> 0:48:38.560
<v Speaker 1>for God's sake. I'm fulfilly boy, man, I understand that

0:48:38.600 --> 0:48:42.239
<v Speaker 1>people are upset the eagles flying high then shot down

0:48:42.320 --> 0:48:45.239
<v Speaker 1>by the flags. Sorry, I'm not gonna lie you for

0:48:45.280 --> 0:48:47.040
<v Speaker 1>a second. I was like, there was like rough on

0:48:47.080 --> 0:48:51.080
<v Speaker 1>my golf course in the episode. It was like, wait,

0:48:51.120 --> 0:48:54.160
<v Speaker 1>I missed. I just needed to I needed to get

0:48:54.200 --> 0:49:00.360
<v Speaker 1>that out. You know. So you think a sort of

0:49:00.360 --> 0:49:03.839
<v Speaker 1>in a fight as opposed to like, okay, I'm completely wrong.

0:49:03.880 --> 0:49:06.200
<v Speaker 1>They weren't having sex. They weren't in a fight. She

0:49:06.360 --> 0:49:10.280
<v Speaker 1>was already out of the house. Your superior observation skills

0:49:10.280 --> 0:49:14.040
<v Speaker 1>and logic skills have trumped me yet again. The park,

0:49:14.200 --> 0:49:15.959
<v Speaker 1>the car was parked out there. She was just coming

0:49:16.000 --> 0:49:17.880
<v Speaker 1>in to get something and leave. Well, then at the

0:49:18.000 --> 0:49:20.719
<v Speaker 1>end when she leaves, when they was coming in for dinner,

0:49:20.760 --> 0:49:23.880
<v Speaker 1>because they're going to try and pretend you're not telling

0:49:23.920 --> 0:49:26.520
<v Speaker 1>the girl because she's just coming in as part of

0:49:26.560 --> 0:49:31.400
<v Speaker 1>the ruse. So now every Friday night, she wasn't the table.

0:49:31.560 --> 0:49:35.480
<v Speaker 1>Why wasn't the table set if they're trying to because

0:49:36.920 --> 0:49:41.040
<v Speaker 1>they weren't they early too, they were really Yeah, they

0:49:41.080 --> 0:49:46.000
<v Speaker 1>were early, and they weren't that early. Twenty minutes. I

0:49:46.000 --> 0:49:48.160
<v Speaker 1>mean twenty minutes you can put flowers of flowers on

0:49:48.200 --> 0:49:51.960
<v Speaker 1>a vase on the table and get things situated. And

0:49:52.080 --> 0:49:54.600
<v Speaker 1>Richard doesn't know what he's doing what he does, so

0:49:54.719 --> 0:49:57.359
<v Speaker 1>he's all doesn't know what's going And at the end

0:49:57.400 --> 0:49:59.279
<v Speaker 1>when they when they hide and see her get in

0:49:59.320 --> 0:50:01.640
<v Speaker 1>the car and leave. You like she didn't dry cleaning

0:50:01.760 --> 0:50:04.040
<v Speaker 1>with the dry clean she didn't even wait like five

0:50:04.080 --> 0:50:07.400
<v Speaker 1>minutes she was out. It was funny, going my shoes,

0:50:07.480 --> 0:50:11.799
<v Speaker 1>my shoes, my shoes, nice shoes, nice shoes. I don't

0:50:11.800 --> 0:50:18.200
<v Speaker 1>want the bushes, I don't. But wouldn't she have seen

0:50:18.280 --> 0:50:20.960
<v Speaker 1>their car still there? That's the weird part. Two. Yeah,

0:50:21.239 --> 0:50:24.239
<v Speaker 1>it's a little there's a little bit of like we

0:50:24.320 --> 0:50:30.160
<v Speaker 1>have to she's probably so just in She's like, I

0:50:30.200 --> 0:50:34.520
<v Speaker 1>just want to get out, Like yeah, for sure. So

0:50:34.560 --> 0:50:39.960
<v Speaker 1>then we have the big performance at the gig, got

0:50:39.960 --> 0:50:45.040
<v Speaker 1>the gig? Did you notice? No you go? Did she

0:50:45.080 --> 0:50:48.319
<v Speaker 1>notice the background actor just like singing every word in

0:50:48.360 --> 0:50:50.120
<v Speaker 1>the crowd? And I was like, how many times do

0:50:50.160 --> 0:50:52.840
<v Speaker 1>they do this take where this guy knows every word?

0:50:54.520 --> 0:51:00.239
<v Speaker 1>You knew every word? Uh? What did you think of

0:51:00.239 --> 0:51:02.920
<v Speaker 1>the overall scene? I mean I get the whole point

0:51:02.960 --> 0:51:09.600
<v Speaker 1>there sad plane, like she didn't have anybody there. Yeah,

0:51:09.840 --> 0:51:13.440
<v Speaker 1>I mean right, Brian's got his like weird family, screw

0:51:13.520 --> 0:51:15.600
<v Speaker 1>your dreams, get back to your get back to your mother,

0:51:15.760 --> 0:51:20.000
<v Speaker 1>screw your dreams. Oh interesting, that's what the scene was, right,

0:51:20.600 --> 0:51:24.359
<v Speaker 1>So that's an interesting take. It's not wrong. Mine was like,

0:51:25.160 --> 0:51:28.280
<v Speaker 1>she's so she's living her dream and she's so lonely.

0:51:28.320 --> 0:51:31.520
<v Speaker 1>She wants her family there to support her, which is

0:51:31.520 --> 0:51:35.600
<v Speaker 1>so complicated because she's got this, but it's not it's

0:51:35.600 --> 0:51:39.080
<v Speaker 1>not very rock and roll, is it. No, but everybody

0:51:39.120 --> 0:51:43.320
<v Speaker 1>had somebody, Zack Scott, the ladies, you know, Sebastian Box

0:51:43.320 --> 0:51:46.560
<v Speaker 1>got his. Not sports. It's not sports, you know, where

0:51:46.560 --> 0:51:51.800
<v Speaker 1>you want your family to come cheer you on. It's

0:51:52.280 --> 0:51:54.640
<v Speaker 1>you don't want the very rock and roll just get

0:51:54.719 --> 0:51:59.200
<v Speaker 1>plastered and about the way and find a guy, like,

0:51:59.320 --> 0:52:01.640
<v Speaker 1>I mean, but then you hang out with your band

0:52:01.680 --> 0:52:04.840
<v Speaker 1>meats right or whatever? Like how are you going to

0:52:04.960 --> 0:52:08.640
<v Speaker 1>hang out with those bandmates on one's got his mommy

0:52:08.719 --> 0:52:10.520
<v Speaker 1>with a bag of carrots, the other one that is

0:52:10.560 --> 0:52:13.000
<v Speaker 1>like thinks he's Hugh Hefner, and the other one is like,

0:52:13.040 --> 0:52:16.479
<v Speaker 1>you know, macin on his wife right in the hallway there.

0:52:16.600 --> 0:52:20.239
<v Speaker 1>I mean, I think it's more of not feeling supported,

0:52:20.400 --> 0:52:23.560
<v Speaker 1>Like everyone had a support system there and she didn't.

0:52:23.600 --> 0:52:28.640
<v Speaker 1>That's really what it is. Not even a friend. Yeah,

0:52:28.719 --> 0:52:31.480
<v Speaker 1>I just literally wrote, poor, Well what did you excuse me?

0:52:31.520 --> 0:52:34.840
<v Speaker 1>What did she expect her mother to show up to

0:52:34.960 --> 0:52:38.240
<v Speaker 1>a rock concert? What did she what did she expect?

0:52:39.080 --> 0:52:45.040
<v Speaker 1>I think she expect she doesn't have people. Well, you know,

0:52:45.200 --> 0:52:47.600
<v Speaker 1>Rory could have come, but she had to go to

0:52:47.680 --> 0:52:50.959
<v Speaker 1>this fiasco. But there's only one friend, Like she doesn't

0:52:50.960 --> 0:52:54.280
<v Speaker 1>even have anyone else that would come, Like, has no one? Yeah,

0:52:55.200 --> 0:52:58.879
<v Speaker 1>m she could make more friends, you know, I mean

0:52:58.960 --> 0:53:02.680
<v Speaker 1>right right, look, rock and roll. Let me tell you something.

0:53:02.760 --> 0:53:04.600
<v Speaker 1>I know this from experience. Rock and roll is a

0:53:04.680 --> 0:53:11.360
<v Speaker 1>lonely rude. I think it just reminds I agree, I

0:53:11.360 --> 0:53:12.839
<v Speaker 1>don't write I wouldn't want to live on a tour

0:53:12.880 --> 0:53:15.040
<v Speaker 1>bus if you paid me a millionaire. Well not at

0:53:15.080 --> 0:53:20.680
<v Speaker 1>this age, no way, when you're nineteen. Really amplified Delane

0:53:20.800 --> 0:53:24.319
<v Speaker 1>like she has no one and she and now she's

0:53:24.320 --> 0:53:29.719
<v Speaker 1>been replaced, that other girl has her apple. Yeah, that's

0:53:29.800 --> 0:53:33.719
<v Speaker 1>that's just the big thing. Being replaced is very, very

0:53:33.760 --> 0:53:36.319
<v Speaker 1>tough to swallow. That's that's a that's a hard one.

0:53:36.480 --> 0:53:43.000
<v Speaker 1>And then this just triggered that. Yeah, well if you

0:53:43.080 --> 0:53:45.600
<v Speaker 1>get if you get replaced, if you get dumped by

0:53:45.640 --> 0:53:50.160
<v Speaker 1>your own mother and replaced, you just go out there

0:53:50.160 --> 0:53:53.040
<v Speaker 1>and write a song about it. I mean, go play

0:53:53.040 --> 0:53:59.480
<v Speaker 1>harder the next gig, go party harder. Possibly Scott with

0:53:59.520 --> 0:54:03.840
<v Speaker 1>his cold stone heart. But here we get to the

0:54:03.840 --> 0:54:07.040
<v Speaker 1>debate rock and roll man. She's entered the she's entered

0:54:07.040 --> 0:54:11.239
<v Speaker 1>the Colosseum, right, she wanted it. So here's the next one.

0:54:11.920 --> 0:54:15.680
<v Speaker 1>Now we're in the cafe and Laura Lae says to Jason,

0:54:16.120 --> 0:54:21.360
<v Speaker 1>obviously telling him her parents are separated. The best scene

0:54:21.880 --> 0:54:30.239
<v Speaker 1>I have ever seen from Lauren Graham. This was impressive,

0:54:31.239 --> 0:54:34.000
<v Speaker 1>and I thought it was impressive in the way she

0:54:34.160 --> 0:54:40.560
<v Speaker 1>handled it because it wasn't a big, wile, ugly fight.

0:54:40.880 --> 0:54:43.160
<v Speaker 1>You know, it didn't get out of hand. It was

0:54:43.239 --> 0:54:48.640
<v Speaker 1>just she chose her family. Her family became like you

0:54:49.080 --> 0:54:51.640
<v Speaker 1>you can't, but you don't have to do this. You

0:54:51.719 --> 0:54:55.319
<v Speaker 1>can't sue my family, right, And it was just like,

0:54:55.560 --> 0:55:00.200
<v Speaker 1>that's Laura La Gilmore, that is Emily and Richard's daughter. Right.

0:55:00.920 --> 0:55:05.040
<v Speaker 1>For me, that was as significant a statement as I've

0:55:05.080 --> 0:55:08.080
<v Speaker 1>ever seen in this show. And it was a beautiful moment.

0:55:08.120 --> 0:55:11.000
<v Speaker 1>It was a beautiful, full circle moment for me as

0:55:11.040 --> 0:55:14.279
<v Speaker 1>a fan of the show. And I don't think she's

0:55:14.280 --> 0:55:17.080
<v Speaker 1>ever looked that good. I don't think she's ever been

0:55:17.120 --> 0:55:20.439
<v Speaker 1>more appealing as a character. And I fell in love

0:55:20.480 --> 0:55:23.480
<v Speaker 1>with her all over again. I was like, yes, I

0:55:23.520 --> 0:55:28.040
<v Speaker 1>want that's the that's the woman. I want her family.

0:55:28.239 --> 0:55:31.799
<v Speaker 1>You do not assume my family. And it was an

0:55:31.800 --> 0:55:35.239
<v Speaker 1>easy and what I loved the ease of the transition

0:55:35.400 --> 0:55:38.320
<v Speaker 1>of like we used to be together, now we're not together,

0:55:38.440 --> 0:55:40.919
<v Speaker 1>and I'm going to leave now without any fanfare bye,

0:55:41.480 --> 0:55:44.160
<v Speaker 1>and just the look in her eyes. It wasn't dramatic,

0:55:44.440 --> 0:55:48.239
<v Speaker 1>it was, but it was the but therefore it was

0:55:48.280 --> 0:55:50.600
<v Speaker 1>the soul of drama because she didn't give that much.

0:55:51.000 --> 0:55:53.520
<v Speaker 1>There was an easy decision. I agree with how you're

0:55:53.600 --> 0:55:56.240
<v Speaker 1>saying it. And she's like, he's saying it's just business,

0:55:56.239 --> 0:55:57.799
<v Speaker 1>and she's like, you don't have to do this, Like

0:55:58.480 --> 0:56:02.279
<v Speaker 1>do you think it was her best I've ever seen her?

0:56:03.040 --> 0:56:04.760
<v Speaker 1>Do you think anything would have changed if she didn't

0:56:04.800 --> 0:56:08.000
<v Speaker 1>have the conversation with Richard first though about like financials

0:56:08.000 --> 0:56:10.520
<v Speaker 1>and stuff. She had to have the conversation with Richard.

0:56:10.680 --> 0:56:13.680
<v Speaker 1>She had to come off that way. No. No, I'm saying,

0:56:13.680 --> 0:56:16.120
<v Speaker 1>like what if I think No, I think that if

0:56:16.200 --> 0:56:21.839
<v Speaker 1>Jason suing, then it's just done. Yeah, it doesn't matter.

0:56:22.440 --> 0:56:25.880
<v Speaker 1>You know that. You're right, you're gonna assume my family.

0:56:25.920 --> 0:56:28.440
<v Speaker 1>You're gonna put me in that pickle. It's like, I

0:56:28.480 --> 0:56:30.520
<v Speaker 1>know what my father did to you, but think about

0:56:30.560 --> 0:56:33.840
<v Speaker 1>what what you did to get, you know, just to

0:56:34.640 --> 0:56:37.040
<v Speaker 1>heat up your to boil yourself in your own pot.

0:56:37.239 --> 0:56:40.080
<v Speaker 1>Because he was being completely selfish and that's I mean

0:56:40.160 --> 0:56:42.319
<v Speaker 1>Richard was as well, but Richard was more of a

0:56:42.360 --> 0:56:45.680
<v Speaker 1>family thing. And and for for Jason, it's like it's

0:56:45.719 --> 0:56:47.840
<v Speaker 1>just about his reputation. That's all it comes down to.

0:56:49.160 --> 0:56:53.719
<v Speaker 1>Love love that scene, that scene. Yeah, I agree. Right

0:56:53.760 --> 0:56:57.759
<v Speaker 1>after that, I wrote, Wow this up. Yeah, that was powerful.

0:56:58.080 --> 0:57:01.160
<v Speaker 1>That was powerful scene, and I thought he played it

0:57:01.160 --> 0:57:04.439
<v Speaker 1>beautifully too, because obviously he knew beforehand what the scene

0:57:04.480 --> 0:57:06.759
<v Speaker 1>was about. So I think the two of the two

0:57:06.800 --> 0:57:09.680
<v Speaker 1>of them handled that that beautifully. That scene, that's my

0:57:09.760 --> 0:57:13.440
<v Speaker 1>favorite scene, and it might be the entire four years

0:57:13.440 --> 0:57:16.880
<v Speaker 1>so far. I just I loved her in that scene.

0:57:17.040 --> 0:57:22.360
<v Speaker 1>I thought, man, what you know? So proud to know

0:57:23.120 --> 0:57:28.560
<v Speaker 1>brings us to favorite lines, which I think that's easy agreement,

0:57:28.920 --> 0:57:33.000
<v Speaker 1>that's easy. Go ahead, Tara. I mean we did how

0:57:33.000 --> 0:57:41.760
<v Speaker 1>many lucial balls? Yeah, I think I'm gonna do how

0:57:41.800 --> 0:57:48.200
<v Speaker 1>many divorce decrees? Like mine was the same as Taras

0:57:48.240 --> 0:57:58.160
<v Speaker 1>so whole scene. Yeah, I'm like, the whole face mar

0:57:58.400 --> 0:58:02.280
<v Speaker 1>this episode? What do we what do do? How many mailboxes? Etcetera?

0:58:02.600 --> 0:58:05.479
<v Speaker 1>Or what about the what was it? The meatball thing?

0:58:06.000 --> 0:58:10.960
<v Speaker 1>May meatball explosions on the forehead? How many? How many

0:58:11.000 --> 0:58:16.919
<v Speaker 1>lonely symbol slaps? Should everybody do their own? Yes? Maybe

0:58:16.920 --> 0:58:19.000
<v Speaker 1>we should always do our Just pick one and go

0:58:19.080 --> 0:58:26.680
<v Speaker 1>with it, Daniel, nine out of ten kisses on the forehead, Mom, Tara,

0:58:27.200 --> 0:58:31.800
<v Speaker 1>I'm gonna give it a nine out of ten meatball explosions.

0:58:33.440 --> 0:58:36.600
<v Speaker 1>I was going eight point five meatball explosions, but I

0:58:36.640 --> 0:58:39.120
<v Speaker 1>think I'll do um instead, I'll do eight point five

0:58:39.200 --> 0:58:50.400
<v Speaker 1>Dragonfly minivans. There you go. I'm gonna give it um

0:58:50.680 --> 0:59:00.160
<v Speaker 1>nine point nine eight broken Suki foots, good one, good one?

0:59:01.520 --> 0:59:05.720
<v Speaker 1>Favorite lines? What's favorite lines? We did them? Well? Who

0:59:05.800 --> 0:59:10.040
<v Speaker 1>did them? Who did? Who did you? I didn't hear yours?

0:59:10.040 --> 0:59:13.200
<v Speaker 1>What were yours? But I have I have I have

0:59:13.280 --> 0:59:16.280
<v Speaker 1>some balls. Oh so everybody liked the balls thing? All right?

0:59:16.360 --> 0:59:20.880
<v Speaker 1>That was my least favorite line. Oh yeah, it was. Uh.

0:59:21.040 --> 0:59:26.280
<v Speaker 1>I like Rory's line when she said, uh, I know,

0:59:26.600 --> 0:59:28.919
<v Speaker 1>you know, people get all that. They say things change,

0:59:28.960 --> 0:59:30.720
<v Speaker 1>but not in the same and not in one week,

0:59:34.480 --> 0:59:38.520
<v Speaker 1>all in one. Alright, everybody, Next episode, Season four, Episode

0:59:38.520 --> 0:59:42.080
<v Speaker 1>twenty one, almost done, Season four, Luke can see her face.

0:59:43.280 --> 0:59:48.560
<v Speaker 1>Oh oh, could this be the episode? Is this the

0:59:48.640 --> 0:59:51.960
<v Speaker 1>lead up to this finale? Oh no, this is not

0:59:52.000 --> 0:59:54.720
<v Speaker 1>the finale? I guess Oh this is this is really

0:59:54.960 --> 1:00:00.160
<v Speaker 1>heating up, folks, heating up? Right? Um? Alright, a US,

1:00:00.200 --> 1:00:05.400
<v Speaker 1>that's that terrific episode. Um. This is the first time

1:00:05.400 --> 1:00:07.200
<v Speaker 1>I haven't given something to ten in a long time.

1:00:07.280 --> 1:00:10.640
<v Speaker 1>It's nine point nine eight is fine, it's point to

1:00:13.880 --> 1:00:17.439
<v Speaker 1>um anyway. Um, that's it, folks, Thank you so much

1:00:17.480 --> 1:00:20.800
<v Speaker 1>for downloading. Best fans on the planet. Keep your cards

1:00:20.800 --> 1:00:25.360
<v Speaker 1>and letters come and we sniffing lee appreciate them and

1:00:25.760 --> 1:00:29.000
<v Speaker 1>we will not turn our noses up even though they

1:00:29.040 --> 1:00:31.480
<v Speaker 1>may be running at any of them. And then we

1:00:31.560 --> 1:00:37.840
<v Speaker 1>lead them through it. We read them all through our tears. Alright,

1:00:37.880 --> 1:01:11.640
<v Speaker 1>best everybody, stay safe now, see you next time. Yeah, hey, everybody,

1:01:11.640 --> 1:01:14.959
<v Speaker 1>and don't forget Follow us on Instagram at I Am

1:01:15.040 --> 1:01:19.520
<v Speaker 1>all In podcast and Emailie at Gilmore at I heart

1:01:19.640 --> 1:01:22.760
<v Speaker 1>radio dot com. Oh you Gilmore fans. If you're looking

1:01:22.800 --> 1:01:24.560
<v Speaker 1>for the best cup of coffee in the world, go

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1:01:28.520 --> 1:01:30.680
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1:01:30.680 --> 1:01:41.640
<v Speaker 1>ep dot com Grade one Specialty Coffee. Yeah.