1
00:00:00,720 --> 00:00:18,440
Speaker 1: I am all in. I am all in with Scott

2
00:00:18,440 --> 00:00:22,360
Speaker 1: Patterson and I Heart Radio podcast Everybody, Scott Patterson, I

3
00:00:22,400 --> 00:00:24,320
Speaker 1: am all in podcast, I Heart Radio, I want to

4
00:00:24,360 --> 00:00:26,600
Speaker 1: Live in Productions. I am joined by my in Trepid crew,

5
00:00:27,160 --> 00:00:32,040
Speaker 1: Tara sud Danielle Romo, Amy Sugarman, and we are all

6
00:00:32,120 --> 00:00:36,760
Speaker 1: sporting some gear merch. We got some merch. What kind

7
00:00:36,760 --> 00:00:40,520
Speaker 1: of merchant are we sporting over here? Guys? Look at that, Luke.

8
00:00:40,640 --> 00:00:43,240
Speaker 1: You got Luke's pillow, Danielle, and you've got a nice

9
00:00:44,280 --> 00:00:47,960
Speaker 1: powder blue Yeah. And look at the back, the spiritual

10
00:00:49,000 --> 00:00:54,480
Speaker 1: look at that, Look at that, Look at that? What

11
00:00:54,520 --> 00:00:55,640
Speaker 1: do you what do you got? Amy? What do you

12
00:00:55,680 --> 00:00:58,240
Speaker 1: get there? How do you not see that? I see

13
00:00:58,280 --> 00:01:02,440
Speaker 1: bottles of alcohol on look down. Oh, those there's a shampoo.

14
00:01:02,520 --> 00:01:05,160
Speaker 1: Those are perfume bottles that look like alcohol. Correct. But

15
00:01:05,200 --> 00:01:10,880
Speaker 1: look and we've got the duel Luke's pillows over there.

16
00:01:12,520 --> 00:01:16,360
Speaker 1: They really make the room pop. Yeah, the pillow is nice,

17
00:01:16,520 --> 00:01:21,319
Speaker 1: you know, like designer. All right, Danielle, time to synopsize

18
00:01:21,400 --> 00:01:25,880
Speaker 1: is only Danielle Romo can synopsize? Alright? This is season four,

19
00:01:25,959 --> 00:01:31,520
Speaker 1: episode nineteen after Boom air date April two thousand and four.

20
00:01:32,080 --> 00:01:36,120
Speaker 1: After Jason finds out Richard is ousting him of the business.

21
00:01:36,200 --> 00:01:41,040
Speaker 1: He makes a decision that jeopardizes his relationship with Laura Lai. Meanwhile,

22
00:01:41,080 --> 00:01:44,480
Speaker 1: Emily and Richard are having marriage troubles because of Richard's decision.

23
00:01:45,440 --> 00:01:48,520
Speaker 1: Rory is questioning her work at Yale, and here's rumors

24
00:01:48,600 --> 00:01:55,840
Speaker 1: about Professor Fleming. How shuk are you guys? This season

25
00:01:55,920 --> 00:02:01,160
Speaker 1: is good. It is very good. Gauging a lot of

26
00:02:01,200 --> 00:02:04,680
Speaker 1: people these are their favorite four episodes or starting a

27
00:02:04,680 --> 00:02:06,840
Speaker 1: couple of weeks ago. I'm right, I'm right with him,

28
00:02:07,440 --> 00:02:10,679
Speaker 1: I'm right with them. They're my favorite too. I love

29
00:02:10,760 --> 00:02:13,600
Speaker 1: this one too. I really love this one. And I

30
00:02:13,639 --> 00:02:15,560
Speaker 1: will say, and I'm not going to tell you where

31
00:02:15,600 --> 00:02:18,080
Speaker 1: it is because I don't want to start jumping around

32
00:02:18,200 --> 00:02:21,320
Speaker 1: right off the bat, but I will say I have

33
00:02:21,520 --> 00:02:29,560
Speaker 1: never seen the Laureli gilmore so appealing in a particular

34
00:02:29,639 --> 00:02:34,960
Speaker 1: scene which for me defines the show. And we'll get

35
00:02:35,000 --> 00:02:37,600
Speaker 1: to it. I just want to say I was completely

36
00:02:37,720 --> 00:02:41,520
Speaker 1: blown away by this one little scene is pivotal scene,

37
00:02:41,520 --> 00:02:45,080
Speaker 1: but one little scene, which I mean, it just knocked

38
00:02:45,080 --> 00:02:48,040
Speaker 1: me out. You'll tell us when we get to it. Well,

39
00:02:48,080 --> 00:02:51,960
Speaker 1: when we get to it. Yeah, yeah, but what do

40
00:02:52,000 --> 00:02:53,919
Speaker 1: you guys think. What do you guys think of this episode?

41
00:02:55,520 --> 00:02:59,919
Speaker 1: It was great. I loved it. I mean I love it,

42
00:03:00,000 --> 00:03:07,360
Speaker 1: even though I'm like very stressed about Richard and Emily. Yeah, yeah,

43
00:03:07,440 --> 00:03:12,160
Speaker 1: but I love the episode. Excellent. Yeah, no, no question.

44
00:03:12,639 --> 00:03:15,840
Speaker 1: There were a couple of hiccups here and there. I

45
00:03:15,880 --> 00:03:21,280
Speaker 1: think technically speaking with the a d R or the looping. Yes,

46
00:03:21,639 --> 00:03:23,799
Speaker 1: that was the stress you tell us when I didn't

47
00:03:23,840 --> 00:03:27,400
Speaker 1: notice it, But but I would. I occasionally do notice

48
00:03:27,440 --> 00:03:30,119
Speaker 1: that kind of thing, but this one didn't. It wasn't glaring. Yeah,

49
00:03:30,160 --> 00:03:33,480
Speaker 1: there were. There was a scene outdoors in the beginning

50
00:03:33,520 --> 00:03:36,080
Speaker 1: with the Rory and Lorelai where it was a lot

51
00:03:36,120 --> 00:03:38,680
Speaker 1: of a d R and it really kind of took

52
00:03:38,680 --> 00:03:40,760
Speaker 1: me out of the scene. I don't know that fans

53
00:03:41,040 --> 00:03:45,320
Speaker 1: noticed it so much. Um. I can always tell because

54
00:03:45,360 --> 00:03:48,840
Speaker 1: I know, you know, I know when if I think,

55
00:03:48,880 --> 00:03:51,600
Speaker 1: if it's atrocious, we notice it. Otherwise it's like, do

56
00:03:51,680 --> 00:03:54,280
Speaker 1: they do a d R if like they the audio

57
00:03:54,320 --> 00:03:56,600
Speaker 1: didn't pick up or is it like if the script

58
00:03:56,640 --> 00:03:59,120
Speaker 1: like what do they use it for? Well, they do

59
00:03:59,200 --> 00:04:01,840
Speaker 1: it just in case, sou you know, if the sound

60
00:04:01,840 --> 00:04:04,160
Speaker 1: department says, listen, I think we need to loop these

61
00:04:04,200 --> 00:04:07,920
Speaker 1: lines in these lines, and the editor agrees because of

62
00:04:08,040 --> 00:04:11,160
Speaker 1: ambient noise that came in a lawn mowl or a plane.

63
00:04:11,160 --> 00:04:15,520
Speaker 1: So they're not like changing the script there were got it? Interesting? Yeah?

64
00:04:15,600 --> 00:04:16,760
Speaker 1: And then you have to go in there and you

65
00:04:16,800 --> 00:04:20,320
Speaker 1: have to match your mouth movements to the words that

66
00:04:20,320 --> 00:04:22,520
Speaker 1: you're saying in the microphone. You've got a headset on

67
00:04:22,640 --> 00:04:25,120
Speaker 1: and you're watching it and you've got the lines in

68
00:04:25,160 --> 00:04:27,960
Speaker 1: front of you, and it's it's it's it's actually pretty

69
00:04:28,000 --> 00:04:30,920
Speaker 1: difficult to master. But you have to watch it, but

70
00:04:30,960 --> 00:04:34,279
Speaker 1: you also have to reenact it and and do the emotion.

71
00:04:34,360 --> 00:04:36,240
Speaker 1: I'm doing that now on my new show, and it's

72
00:04:36,279 --> 00:04:39,800
Speaker 1: such an emotional show. Are you doing R now? Yeah?

73
00:04:39,839 --> 00:04:43,159
Speaker 1: And it's better to do it while you're on set

74
00:04:43,279 --> 00:04:46,120
Speaker 1: on location because you're sort of still in the character

75
00:04:46,320 --> 00:04:49,600
Speaker 1: and it's easy to contract. Yeah. Now I'm like months

76
00:04:49,680 --> 00:04:51,120
Speaker 1: away from it and I have to go back in

77
00:04:51,160 --> 00:04:52,920
Speaker 1: there and do these emotional things, and it's a it's

78
00:04:52,960 --> 00:04:56,039
Speaker 1: a lot harder to do. Yeah, it's a lot harder

79
00:04:56,040 --> 00:05:01,200
Speaker 1: to do. Interesting, very yeah, So but we did. We

80
00:05:01,279 --> 00:05:04,880
Speaker 1: did a fair amount on Gilmore, but they didn't use

81
00:05:04,920 --> 00:05:06,799
Speaker 1: a lot of it. They did it just in case

82
00:05:06,839 --> 00:05:10,880
Speaker 1: they knew as a safety more for outdoor scenes rather

83
00:05:10,920 --> 00:05:14,280
Speaker 1: than like on a set. Absolutely, what about when you

84
00:05:14,279 --> 00:05:16,320
Speaker 1: said I wasn't running, I was walking. I wasn't yelling.

85
00:05:16,360 --> 00:05:23,680
Speaker 1: I was talking because I was outdoor and there was

86
00:05:23,720 --> 00:05:25,920
Speaker 1: a lot. No, I don't think those were I don't

87
00:05:25,920 --> 00:05:28,560
Speaker 1: think those were looped lines. Those were Luke lines that

88
00:05:28,640 --> 00:05:31,920
Speaker 1: were not looped. They looked legit, and I think they Luke.

89
00:05:32,080 --> 00:05:34,200
Speaker 1: I thought we went. I love this episode because it's

90
00:05:34,200 --> 00:05:39,760
Speaker 1: like right away out the gate into it, Luke's getting divorced,

91
00:05:40,320 --> 00:05:43,960
Speaker 1: we're at the mailboxes, etcetera. Yeah, I enjoyed that scene.

92
00:05:44,040 --> 00:05:46,560
Speaker 1: That was That was great Kirk stuff, great Luke and

93
00:05:46,600 --> 00:05:52,160
Speaker 1: Laurel stuff. Everybody stuff was stamps. The stamps, Laurela you

94
00:05:52,279 --> 00:05:54,320
Speaker 1: go first. I want to. I want to loose the

95
00:05:54,360 --> 00:05:59,400
Speaker 1: old ball stamps. Oh my god, I know, right do

96
00:05:59,440 --> 00:06:02,159
Speaker 1: you guys? You buy your stamps? Like I don't just

97
00:06:02,240 --> 00:06:05,000
Speaker 1: take any old stamp. No, they have to be cute.

98
00:06:05,560 --> 00:06:07,240
Speaker 1: I kind of want to, like yeah, and sometimes I

99
00:06:07,320 --> 00:06:12,360
Speaker 1: SeeMe it like Halloween, it's more spooky Christmas. Don't purchase stamps,

100
00:06:12,480 --> 00:06:15,840
Speaker 1: my wife. Oh my god. There's a comedian that does

101
00:06:15,880 --> 00:06:19,799
Speaker 1: a whole bit about stamps, like how people don't only

102
00:06:19,880 --> 00:06:23,440
Speaker 1: like grandmas know how much stamps are. He's like, does

103
00:06:23,520 --> 00:06:25,240
Speaker 1: it's Nate bar Gatsy. He does a whole bit. You

104
00:06:25,279 --> 00:06:27,120
Speaker 1: guys an looking at He's like, what are they like

105
00:06:27,240 --> 00:06:30,400
Speaker 1: a hundred dollars of stamp? I don't know, like because

106
00:06:30,440 --> 00:06:34,400
Speaker 1: like how often are you mailing crap? Once in a while?

107
00:06:35,560 --> 00:06:40,560
Speaker 1: I'm also like, I hope this is enough. Yeah, they

108
00:06:40,680 --> 00:06:43,280
Speaker 1: keep raising it, so your stamps are like, you know,

109
00:06:43,920 --> 00:06:47,360
Speaker 1: don't useless. They're useless anymore. And you just don't know.

110
00:06:48,320 --> 00:06:49,800
Speaker 1: You don't want to go to the post office. You're like,

111
00:06:49,839 --> 00:06:56,920
Speaker 1: I'm just gonna stick on three extra time. Wait. So, Luke,

112
00:06:56,960 --> 00:06:59,520
Speaker 1: how do you feel about getting divorced? I mean, Scott,

113
00:07:02,160 --> 00:07:07,520
Speaker 1: thanks Amy. That happens to me quite a bit. Sometimes

114
00:07:07,560 --> 00:07:13,440
Speaker 1: people can't tell one from the other. You know me

115
00:07:13,520 --> 00:07:15,600
Speaker 1: better as Luke. You've spent more time with Luke than

116
00:07:15,640 --> 00:07:18,160
Speaker 1: you have with me in all the years I've known you,

117
00:07:18,280 --> 00:07:20,200
Speaker 1: I've only done that twice, and in the all the

118
00:07:20,280 --> 00:07:23,120
Speaker 1: and we've done the show for almost two years. It's

119
00:07:23,640 --> 00:07:25,800
Speaker 1: getting there and I've done that. That's a second time.

120
00:07:26,120 --> 00:07:29,800
Speaker 1: We're approaching. We're approaching two d episodes, so basically once

121
00:07:29,840 --> 00:07:32,320
Speaker 1: a year Amy. You know in a hundred episodes, Warner

122
00:07:32,320 --> 00:07:34,160
Speaker 1: Brothers gave us a big party and a big cake.

123
00:07:34,680 --> 00:07:38,360
Speaker 1: What did we give you? Hundred? A whole lot more

124
00:07:38,400 --> 00:07:51,240
Speaker 1: than that, smile Um Scott. We hit two hundred last week. No,

125
00:07:51,440 --> 00:07:58,160
Speaker 1: it's already two hundred. Yeah, as guys our cake, Yes,

126
00:07:58,360 --> 00:08:05,600
Speaker 1: thank you, it was beautiful, game loved. We're at two hundred.

127
00:08:05,720 --> 00:08:12,920
Speaker 1: We need to do is the two hundred and first episode?

128
00:08:13,200 --> 00:08:17,440
Speaker 1: Oh man, a hand for all of you, yeah and

129
00:08:17,480 --> 00:08:24,280
Speaker 1: everyone listening. Thank you for all your comments. I'll never

130
00:08:24,320 --> 00:08:28,040
Speaker 1: forget the sniffle comment. I'll never forget it. I did

131
00:08:28,080 --> 00:08:30,920
Speaker 1: get a couple of positives this week. Now I've got

132
00:08:31,040 --> 00:08:34,920
Speaker 1: Now I have a new new uh couple of paragraphs

133
00:08:34,920 --> 00:08:38,600
Speaker 1: I'm gonna put on my tombstone. He died with five

134
00:08:38,600 --> 00:08:41,600
Speaker 1: thousand dollars less than he should have had, and he

135
00:08:41,720 --> 00:08:46,839
Speaker 1: sniffed too many times. He slipped. He sniffled twenty times

136
00:08:46,840 --> 00:08:49,559
Speaker 1: more than he should have had. That's good without nothing.

137
00:08:49,960 --> 00:08:53,520
Speaker 1: So absolutely it was a very seasonal episode. It was

138
00:08:53,559 --> 00:09:01,560
Speaker 1: a seasonal cold. Okay, so excuse me for fighting off nasty.

139
00:09:03,080 --> 00:09:05,720
Speaker 1: I'm done with Micole because I would have given her

140
00:09:05,760 --> 00:09:08,199
Speaker 1: more chances, but she cheated on you with the suck guy.

141
00:09:08,400 --> 00:09:12,600
Speaker 1: It's like, but do we really know that? Is it?

142
00:09:13,000 --> 00:09:16,880
Speaker 1: I think I think right. I think you saw it

143
00:09:16,960 --> 00:09:21,200
Speaker 1: and it was painful. Yeah, it could be somebody. Some

144
00:09:22,000 --> 00:09:25,120
Speaker 1: there was a domestic dispute out in front of her

145
00:09:25,440 --> 00:09:29,959
Speaker 1: condo and somebody, No, somebody threw a pair of socks

146
00:09:29,960 --> 00:09:33,240
Speaker 1: through a window in a rage and then and then

147
00:09:33,280 --> 00:09:36,400
Speaker 1: she rolled them up perfectly in her drawer. Maybe maybe

148
00:09:36,400 --> 00:09:41,880
Speaker 1: she's retentive. Maybe she's the guy. Luke's the guy. Maybe

149
00:09:41,880 --> 00:09:43,760
Speaker 1: it's a guy who was helping fix the stove. A

150
00:09:45,080 --> 00:09:51,200
Speaker 1: stove alright, because Luke would have done that, right. Yeah,

151
00:09:51,240 --> 00:09:55,920
Speaker 1: she cheated on you. Yeah, sorry, Sorry, happens to the

152
00:09:55,960 --> 00:10:00,320
Speaker 1: best of us. Yeah, but that's here's the thing. It

153
00:10:00,400 --> 00:10:03,320
Speaker 1: was easier to like, I'm not that heartbroken for the

154
00:10:03,400 --> 00:10:05,760
Speaker 1: divorce because I already was heartbroken on the cheating, and

155
00:10:05,760 --> 00:10:08,080
Speaker 1: it's just like, okay, bye, Nicole By you were not

156
00:10:08,240 --> 00:10:13,240
Speaker 1: heartbroken on the cheating. You were thrilled, and Nicole, We're

157
00:10:13,280 --> 00:10:16,840
Speaker 1: not going to happen me. But I felt like Luke.

158
00:10:16,880 --> 00:10:20,880
Speaker 1: I was a little sad for Luke. Yeah, It's like

159
00:10:20,920 --> 00:10:22,520
Speaker 1: I felt a little bad for him. But I don't

160
00:10:22,559 --> 00:10:25,560
Speaker 1: think Luke is sad about it either, you know what

161
00:10:25,600 --> 00:10:28,960
Speaker 1: I mean? I agree with Scott, what do you think?

162
00:10:29,360 --> 00:10:32,040
Speaker 1: I agree with Danielle that I think Luke was a

163
00:10:32,080 --> 00:10:35,440
Speaker 1: little maybe but her that she cheated and that she

164
00:10:35,480 --> 00:10:37,200
Speaker 1: didn't do it the right way. But I don't think

165
00:10:37,200 --> 00:10:41,080
Speaker 1: he wanted to be like that. That's humiliating, Yeah, no

166
00:10:41,160 --> 00:10:42,960
Speaker 1: matter if you're in love with a person or not.

167
00:10:43,040 --> 00:10:47,839
Speaker 1: It's just it's just so disrespectful. Yeah. But I think

168
00:10:47,880 --> 00:10:52,199
Speaker 1: he's really just done and he's over written. He's processed

169
00:10:52,200 --> 00:10:56,040
Speaker 1: it in his lukey way, and he's moved on and

170
00:10:56,120 --> 00:10:58,120
Speaker 1: he just wants it done. And it's like you didn't

171
00:10:58,120 --> 00:11:00,280
Speaker 1: want to make a big old stink thing and now

172
00:11:00,320 --> 00:11:05,800
Speaker 1: lower lies you go for. Although you guys will start

173
00:11:05,920 --> 00:11:08,600
Speaker 1: laughing when you're all talking, because yes I have some balls.

174
00:11:09,559 --> 00:11:12,600
Speaker 1: Oh my god, I wrote that down as my favorite line.

175
00:11:14,360 --> 00:11:17,480
Speaker 1: Kirk is so good. And then they had a ten

176
00:11:17,520 --> 00:11:22,800
Speaker 1: minute conversation about Bewitched. We must spend time on pop

177
00:11:22,840 --> 00:11:28,280
Speaker 1: culture with Bewitched, the speaking of which a devastating loss yesterday,

178
00:11:28,360 --> 00:11:32,400
Speaker 1: Rack hell Welshan, you rest in peace. We want to

179
00:11:32,440 --> 00:11:35,800
Speaker 1: go back and watch some of those movies my friends

180
00:11:35,840 --> 00:11:37,680
Speaker 1: and I growing up. I can't tell you how many

181
00:11:37,679 --> 00:11:41,679
Speaker 1: times did you love her? Oh? God, everybody did? Everybody

182
00:11:41,720 --> 00:11:49,520
Speaker 1: did find Well, I can't decide if we should call

183
00:11:49,679 --> 00:11:53,880
Speaker 1: this episode this podcast episode. It wasn't running, I was walking,

184
00:11:53,880 --> 00:11:57,160
Speaker 1: It wasn't yelling. I was talking or trying to get

185
00:11:57,160 --> 00:12:06,720
Speaker 1: divorced here, trying to get the door. That was a

186
00:12:06,760 --> 00:12:12,000
Speaker 1: great like start to the whole thing, right, but but

187
00:12:12,080 --> 00:12:16,520
Speaker 1: it so wasn't about Luke this episode. So there's probably

188
00:12:16,520 --> 00:12:18,360
Speaker 1: a better name for it, you know what I mean.

189
00:12:19,520 --> 00:12:22,240
Speaker 1: I mean it's I know I need to break it

190
00:12:22,280 --> 00:12:30,320
Speaker 1: to you, but second time were reminding you, Yeah, title everything.

191
00:12:30,400 --> 00:12:34,040
Speaker 1: This is so funny, guys, because he doesn't he doesn't

192
00:12:34,160 --> 00:12:38,239
Speaker 1: think about this. Every episode of the podcast is titled

193
00:12:38,320 --> 00:12:42,800
Speaker 1: with a line that you deliver from that episode, except

194
00:12:42,880 --> 00:12:47,800
Speaker 1: for the couple of random episodes. Really yeah, the same

195
00:12:47,840 --> 00:12:57,679
Speaker 1: reaction last time. Whose idea was that since the very beginning.

196
00:12:58,040 --> 00:13:00,240
Speaker 1: Hopefully we didn't screw it up on like the very

197
00:13:00,320 --> 00:13:04,520
Speaker 1: first episode, but we thought about yeah, now you've done

198
00:13:04,640 --> 00:13:06,320
Speaker 1: thought of it right from the start. Well, I like

199
00:13:06,400 --> 00:13:09,520
Speaker 1: the divorce line was hysterically funny. Okay, well do you

200
00:13:09,600 --> 00:13:11,280
Speaker 1: trying to get divorced here? But the funny thing is

201
00:13:11,280 --> 00:13:13,800
Speaker 1: there is that like random episode You're not in and

202
00:13:13,840 --> 00:13:16,679
Speaker 1: I think we titled it Luke is not in this

203
00:13:16,760 --> 00:13:28,000
Speaker 1: open anyway. Okay, So that scene was great. It was great.

204
00:13:29,040 --> 00:13:31,120
Speaker 1: So then we go into the diner and Laurel lies

205
00:13:31,120 --> 00:13:34,120
Speaker 1: in her suit and you're fixing the toaster and oh

206
00:13:34,200 --> 00:13:39,439
Speaker 1: you still the thumbing. That was funny. Yeah, and then

207
00:13:39,440 --> 00:13:41,599
Speaker 1: they're kind of going back and forth. Right, there's a

208
00:13:41,640 --> 00:13:44,080
Speaker 1: little bit more. There's some good Luke Laurel lie in

209
00:13:44,120 --> 00:13:48,000
Speaker 1: this yeah, a little bit. Yeah. Okay, So then this

210
00:13:48,040 --> 00:13:50,200
Speaker 1: is when Jason calls and she's got the two cell

211
00:13:50,240 --> 00:13:56,440
Speaker 1: phones and he feeds her the pastry. Oh god, thank

212
00:13:56,480 --> 00:14:00,800
Speaker 1: you for bringing that up. That was so adorable and

213
00:14:00,960 --> 00:14:05,240
Speaker 1: intimate without even trying like it was like such a

214
00:14:05,320 --> 00:14:07,599
Speaker 1: nice gesture. But you're like, oh, it was really sweet.

215
00:14:07,720 --> 00:14:12,480
Speaker 1: That's relationshippy. That's like they're they're in the relationship, they

216
00:14:12,520 --> 00:14:16,200
Speaker 1: just don't know it yet. Yeah. I mean, it's like

217
00:14:16,320 --> 00:14:20,720
Speaker 1: the action is worth more than the words in that scene. Yeah,

218
00:14:21,800 --> 00:14:25,080
Speaker 1: but the way you just described that everybody take a

219
00:14:25,120 --> 00:14:29,960
Speaker 1: minute is exactly accurate. So relationshippy and they're in a relationship,

220
00:14:30,040 --> 00:14:34,800
Speaker 1: they just don't know it yet, And I yes, yes,

221
00:14:35,920 --> 00:14:39,560
Speaker 1: better myself. So what do we think about poor Jason.

222
00:14:39,760 --> 00:14:44,560
Speaker 1: My gosh, man, man, he got he got torn a

223
00:14:44,600 --> 00:14:48,160
Speaker 1: new one, didn't he old Jason? He got road hard

224
00:14:48,200 --> 00:14:51,400
Speaker 1: and put. I was going to say, he still doesn't

225
00:14:51,400 --> 00:14:57,120
Speaker 1: know what's going on here, work on his game. Also,

226
00:14:57,200 --> 00:14:59,400
Speaker 1: I was thinking, like I like a Rory left her

227
00:14:59,400 --> 00:15:01,000
Speaker 1: phone and it's like, oh, pick up my cell phone

228
00:15:01,040 --> 00:15:03,240
Speaker 1: when I see you, Like these days, I'd be like

229
00:15:03,360 --> 00:15:05,480
Speaker 1: running to pick up my phone wherever I leave it.

230
00:15:05,840 --> 00:15:08,680
Speaker 1: I think back then, though, it wasn't as stressful because

231
00:15:08,680 --> 00:15:10,720
Speaker 1: you really you didn't have all your numbers, It didn't

232
00:15:10,720 --> 00:15:12,520
Speaker 1: have your email, didn't have your tex. Yeah, it was

233
00:15:12,560 --> 00:15:15,280
Speaker 1: just like you had to like, what's the the t Tina?

234
00:15:15,440 --> 00:15:17,360
Speaker 1: Is it T nine? How did you say it? Like?

235
00:15:17,400 --> 00:15:19,520
Speaker 1: What is it? The way you at text and you

236
00:15:19,520 --> 00:15:21,760
Speaker 1: have to click the number like three times to get

237
00:15:21,800 --> 00:15:28,440
Speaker 1: the letter? Yeah? Take ten? That I never heard of

238
00:15:28,480 --> 00:15:32,400
Speaker 1: that Tina word e'sn just saying like word like correct?

239
00:15:32,440 --> 00:15:36,800
Speaker 1: They think thanks? I think so, But yeah, T nine

240
00:15:36,880 --> 00:15:38,200
Speaker 1: is what it was called. When you're like I need

241
00:15:38,200 --> 00:15:40,920
Speaker 1: to like get the letter C and you click number

242
00:15:41,120 --> 00:15:44,200
Speaker 1: three like or number one like three times to get there.

243
00:15:44,240 --> 00:15:46,160
Speaker 1: Because back in the day, if you lost your phone,

244
00:15:46,320 --> 00:15:48,320
Speaker 1: there's nothing in it I mean, you have to pay

245
00:15:48,320 --> 00:15:50,800
Speaker 1: for a new phone, but you weren't like, oh my god,

246
00:15:51,040 --> 00:15:53,120
Speaker 1: and there was nothing worse when you had like a

247
00:15:53,200 --> 00:15:55,240
Speaker 1: C and A together and you had to wait for

248
00:15:55,280 --> 00:15:59,640
Speaker 1: it to stop blinking. Yeah a oh my god, I

249
00:15:59,720 --> 00:16:02,680
Speaker 1: mean remember that, Oh my gosh. But yeah, I just

250
00:16:02,720 --> 00:16:04,480
Speaker 1: thought it was funny because I was like, you can

251
00:16:04,520 --> 00:16:06,920
Speaker 1: just tell the time of this show when you're just

252
00:16:06,960 --> 00:16:09,080
Speaker 1: like if I love my phone somewhere and now, I

253
00:16:09,080 --> 00:16:11,160
Speaker 1: wouldn't be like i'll see you in a week, I'll

254
00:16:11,160 --> 00:16:16,080
Speaker 1: pick it up. Then it's like a national security is

255
00:16:16,360 --> 00:16:19,120
Speaker 1: at that turn off turn off, like doing nothing where

256
00:16:19,320 --> 00:16:23,040
Speaker 1: you're like using to find my phone, like, yeah, what's

257
00:16:23,040 --> 00:16:33,240
Speaker 1: the code to self destruct my phone? Once I lost

258
00:16:33,280 --> 00:16:35,720
Speaker 1: my phone and I was literally calling like is there

259
00:16:35,760 --> 00:16:41,240
Speaker 1: any way to blow this thing up? Right? Soon? Soon

260
00:16:41,320 --> 00:16:43,400
Speaker 1: Apple is going to come out with a phone drone,

261
00:16:43,920 --> 00:16:46,320
Speaker 1: or if you lose it, it turns into a drone

262
00:16:46,600 --> 00:16:51,240
Speaker 1: and it flies home to you. The phone drone up

263
00:16:51,600 --> 00:16:55,040
Speaker 1: even has missiles so you can off some of your neighbors.

264
00:16:55,480 --> 00:16:57,640
Speaker 1: And at the time I did not have a pass code.

265
00:16:57,760 --> 00:16:59,520
Speaker 1: I don't know why, I just didn't and I love

266
00:16:59,600 --> 00:17:02,000
Speaker 1: my phone and like I'm not being braggy, but it

267
00:17:02,120 --> 00:17:05,640
Speaker 1: had so many celebrities phone numbers in it just because

268
00:17:05,640 --> 00:17:07,119
Speaker 1: of my job. I'm not friends with them, it's just

269
00:17:07,119 --> 00:17:09,760
Speaker 1: because my job. That I was literally like, you're like,

270
00:17:09,800 --> 00:17:13,600
Speaker 1: whoever picks that up hit the jackpot. I was like,

271
00:17:13,640 --> 00:17:16,200
Speaker 1: oh my god, they're gonna think this is like so fake.

272
00:17:16,880 --> 00:17:20,960
Speaker 1: But anyway, crazily a day later, it was still where

273
00:17:20,960 --> 00:17:24,280
Speaker 1: I left it, in a hotel room, and somebody had

274
00:17:24,320 --> 00:17:28,439
Speaker 1: stayed in the hotel room the night. It's my phone

275
00:17:29,000 --> 00:17:36,000
Speaker 1: still there, still there anyway, no one cares. So back

276
00:17:36,080 --> 00:17:44,040
Speaker 1: to so back to the whole thing. Here's my like

277
00:17:44,640 --> 00:17:48,760
Speaker 1: television question. It really looked like Digger was driving. So

278
00:17:48,840 --> 00:17:50,960
Speaker 1: does that mean he was driving or was he on

279
00:17:50,960 --> 00:17:54,560
Speaker 1: one of those things where someone's driving him. Yeah. Yeah,

280
00:17:54,600 --> 00:17:58,920
Speaker 1: it's called a process because it was that was good driving.

281
00:17:59,280 --> 00:18:01,400
Speaker 1: And it had to be Griffith Park, that like off

282
00:18:01,440 --> 00:18:04,439
Speaker 1: the five Freeway, that golf course, right, I think that

283
00:18:04,520 --> 00:18:07,160
Speaker 1: was it. Yeah, it's always near the studio. Yeah, that's

284
00:18:07,160 --> 00:18:10,400
Speaker 1: what I thought. I love like looking for the locations. Yeah.

285
00:18:10,440 --> 00:18:13,880
Speaker 1: Good note when whenever they take us on a driving

286
00:18:14,080 --> 00:18:17,520
Speaker 1: trailer rig whatever process shot, it would be very it

287
00:18:17,560 --> 00:18:22,560
Speaker 1: would just be the forest lawn, right, there. Yeah, as

288
00:18:22,600 --> 00:18:25,239
Speaker 1: out there, So then she hangs up with Jason, She's

289
00:18:25,240 --> 00:18:26,720
Speaker 1: not going to Rory. And I did think that it

290
00:18:26,800 --> 00:18:30,200
Speaker 1: was very funny, like, you know, we're not the Carrington's,

291
00:18:30,280 --> 00:18:33,159
Speaker 1: which was like that we talk about It was just

292
00:18:33,200 --> 00:18:41,879
Speaker 1: all very funny, but also like it's messy. This is messy. Yeah, well,

293
00:18:43,400 --> 00:18:46,919
Speaker 1: you know you introduced that element of the deception and

294
00:18:47,000 --> 00:18:53,360
Speaker 1: now the business intrigue and it's just business and this

295
00:18:53,440 --> 00:18:56,840
Speaker 1: is the move I'm making and yeah, I'm you know,

296
00:18:56,960 --> 00:18:58,920
Speaker 1: I don't blame her. I don't blame Richard for I

297
00:18:59,240 --> 00:19:02,000
Speaker 1: do the same thing. That's what You protect your nest egg,

298
00:19:02,040 --> 00:19:04,560
Speaker 1: you protect your pension, you protect your family, you protect

299
00:19:04,600 --> 00:19:10,960
Speaker 1: your home. There's a very interesting theory in the comments,

300
00:19:11,840 --> 00:19:13,679
Speaker 1: um and then I kind of went into a Reddit

301
00:19:13,720 --> 00:19:17,840
Speaker 1: threat I think maybe on it where some people felt

302
00:19:18,200 --> 00:19:23,520
Speaker 1: that Richard and Floyd were in cahoots essentially from the

303
00:19:23,600 --> 00:19:28,679
Speaker 1: time of planning the dinner, like that they were already

304
00:19:28,800 --> 00:19:32,560
Speaker 1: in cahoots. But my flag on that play is then

305
00:19:32,680 --> 00:19:36,320
Speaker 1: Richard wouldn't have been so emotional to Emily like or

306
00:19:36,400 --> 00:19:38,399
Speaker 1: Loria lie forget who he was talking to, like they

307
00:19:38,440 --> 00:19:40,639
Speaker 1: said they were going to take everything we have. I

308
00:19:40,640 --> 00:19:42,600
Speaker 1: think it was to lor Lie. So that was my

309
00:19:42,680 --> 00:19:47,240
Speaker 1: only thing on that theory, because there's some like theories,

310
00:19:47,280 --> 00:19:53,840
Speaker 1: fan theories on the whole Floyd Richard Digger Sich. Yeah,

311
00:19:53,920 --> 00:19:57,399
Speaker 1: I don't think it was premeditated either. I feel like

312
00:19:57,440 --> 00:20:01,639
Speaker 1: Emily would have known if it was, and she obviously

313
00:20:01,720 --> 00:20:08,720
Speaker 1: is having a very external reaction to the point. Yeah,

314
00:20:08,760 --> 00:20:12,040
Speaker 1: I think that that Richard made the game day decision

315
00:20:13,320 --> 00:20:16,920
Speaker 1: after Floyd presented with the lawsuit and he was like

316
00:20:17,119 --> 00:20:20,280
Speaker 1: f this, no, and went back and said, I'm going

317
00:20:20,280 --> 00:20:22,320
Speaker 1: to throw a Digger under the bus because I got

318
00:20:22,320 --> 00:20:24,600
Speaker 1: to save my nest egg. And he had the perfect

319
00:20:24,640 --> 00:20:27,119
Speaker 1: excuse to do it. There was deception and then the

320
00:20:27,280 --> 00:20:41,520
Speaker 1: lunch with thee so anyway, he had his out dramatic Yeah, okay,

321
00:20:41,560 --> 00:20:43,600
Speaker 1: So then we get to go back to Lane's apartment,

322
00:20:44,359 --> 00:20:50,440
Speaker 1: which I quite enjoy. Yeah, it's nice sort of something there.

323
00:20:50,840 --> 00:20:54,240
Speaker 1: It's nice, but there's not much there. At the same time,

324
00:20:55,119 --> 00:20:58,680
Speaker 1: I agree, right like it's I like it, but then

325
00:20:58,720 --> 00:21:01,760
Speaker 1: I'm like, can we get just like more, a little more.

326
00:21:02,359 --> 00:21:06,639
Speaker 1: It's like without Emily Corona in the scene raging away,

327
00:21:06,720 --> 00:21:11,520
Speaker 1: it's it's it's not as effective for me interesting. It's

328
00:21:11,560 --> 00:21:15,240
Speaker 1: like she's one of the most powerful dynamic presence on

329
00:21:15,400 --> 00:21:18,400
Speaker 1: that show, and just showing her in the background doing

330
00:21:18,400 --> 00:21:21,639
Speaker 1: little stuff here and there just isn't enough. How do

331
00:21:21,680 --> 00:21:23,840
Speaker 1: you like Zach? How do you guys feel about Zach?

332
00:21:24,119 --> 00:21:29,560
Speaker 1: The character of Zach like the roommates h I think

333
00:21:29,560 --> 00:21:32,439
Speaker 1: it's I mean, without giving anything away, I think that

334
00:21:32,680 --> 00:21:34,679
Speaker 1: because it was just so like it felt like a

335
00:21:34,680 --> 00:21:37,040
Speaker 1: bland scene. I think it is setting up the future

336
00:21:37,240 --> 00:21:40,520
Speaker 1: of of what we see later. So that's why I

337
00:21:40,520 --> 00:21:42,600
Speaker 1: didn't think too much of it. As someone who knows

338
00:21:42,680 --> 00:21:44,760
Speaker 1: what's coming. I was just like, this is a setup

339
00:21:44,800 --> 00:21:48,760
Speaker 1: for the future for me. Sebastian box, yeah is the

340
00:21:48,800 --> 00:21:52,240
Speaker 1: best part. I mean, give me Sebastian bok and a

341
00:21:52,320 --> 00:21:58,920
Speaker 1: velvet shirt, unbuttoned, short sleeve, you know, just there you go,

342
00:21:59,280 --> 00:22:03,320
Speaker 1: got the baby, there you go. I feel like the

343
00:22:03,359 --> 00:22:07,960
Speaker 1: band is just still so incomplete without Dave Kowski, like

344
00:22:08,359 --> 00:22:13,960
Speaker 1: like I'm still onto him, like he is a national treasure,

345
00:22:14,000 --> 00:22:19,080
Speaker 1: and he likes to point it's just a cover of

346
00:22:19,119 --> 00:22:26,160
Speaker 1: People magazine. He's with me. There's there's just only something missing.

347
00:22:26,240 --> 00:22:28,560
Speaker 1: When I see the band, I'm just like, where Steve

348
00:22:28,800 --> 00:22:30,960
Speaker 1: I needed him? You're right, there is there is a

349
00:22:31,040 --> 00:22:34,879
Speaker 1: giant hole there. Yeah. Without Sebastian Bach I would not

350
00:22:35,359 --> 00:22:39,879
Speaker 1: he definitely, Yeah, he completes it. Yeah, he's I missed.

351
00:22:40,160 --> 00:22:43,840
Speaker 1: I miss Adam Brodie Tube. Yeah. Sebastian has a big personality,

352
00:22:43,880 --> 00:22:48,840
Speaker 1: big presence. You know, he's you know, he's never going

353
00:22:48,880 --> 00:22:51,480
Speaker 1: to get accused of being Laurence Olivia, but he knows

354
00:22:51,920 --> 00:22:55,640
Speaker 1: he's great. But he's doing his thing and he's being himself,

355
00:22:55,760 --> 00:22:59,840
Speaker 1: which is really entertaining and fun. Right, because that's that's

356
00:22:59,840 --> 00:23:03,160
Speaker 1: the fast quick shout out to Adam Brody. Did anybody

357
00:23:03,200 --> 00:23:05,080
Speaker 1: watch that show that Adam Brodie is in with the

358
00:23:06,680 --> 00:23:10,840
Speaker 1: something about Fletcher? Oh god, you guys, it's really familiar.

359
00:23:10,840 --> 00:23:13,119
Speaker 1: Everyone should watch it. It's very good. Except for the

360
00:23:13,200 --> 00:23:16,800
Speaker 1: last episode. It has clear Danes and the guy from

361
00:23:16,840 --> 00:23:20,919
Speaker 1: Social network whose name is out of my mind. Come on, um,

362
00:23:22,800 --> 00:23:26,280
Speaker 1: Jesse Eisenberg. It's good. I know I'm not giving it

363
00:23:26,320 --> 00:23:28,560
Speaker 1: a great plug because I can't remember the name of it,

364
00:23:28,640 --> 00:23:31,520
Speaker 1: but it's so anyway, we're all gonna we're all going

365
00:23:31,560 --> 00:23:33,560
Speaker 1: to watch it, yeah, because we don't know what it is.

366
00:23:34,280 --> 00:23:39,280
Speaker 1: Said then Lane sees you're a lot of work, a

367
00:23:39,320 --> 00:23:44,360
Speaker 1: lot of work. You're a lot of work. First of all,

368
00:23:44,440 --> 00:23:49,280
Speaker 1: great callback great callback. Thank you. Uh we see the

369
00:23:49,280 --> 00:23:56,159
Speaker 1: the lane replacement student. You think she was just regretting

370
00:23:56,280 --> 00:24:00,080
Speaker 1: like every decision she made in that moment. Yeah, me,

371
00:24:00,119 --> 00:24:02,720
Speaker 1: not regret so much as she just missed her her

372
00:24:02,760 --> 00:24:05,439
Speaker 1: home and the band was doing well. She just she

373
00:24:05,480 --> 00:24:07,840
Speaker 1: loves her mom. Even though her mom is like tough,

374
00:24:07,920 --> 00:24:11,639
Speaker 1: they do love each other. And now she's living with

375
00:24:11,680 --> 00:24:14,520
Speaker 1: two guys that play video games instead of you know,

376
00:24:15,760 --> 00:24:21,600
Speaker 1: and they like her band. Fantasy communal lodging situation isn't

377
00:24:22,400 --> 00:24:25,080
Speaker 1: panning out the way she thought it would be. She's like,

378
00:24:25,160 --> 00:24:27,880
Speaker 1: she's become the mother. I could not live with two

379
00:24:27,920 --> 00:24:30,680
Speaker 1: boys at that age if I was nineteen years old.

380
00:24:31,640 --> 00:24:35,160
Speaker 1: And she's so much more emotionally mature than those guys,

381
00:24:36,000 --> 00:24:39,679
Speaker 1: you know that she probably just feels like, yeah, what

382
00:24:39,760 --> 00:24:42,960
Speaker 1: have I done here? Am I is this going to

383
00:24:43,040 --> 00:24:44,679
Speaker 1: be the next ten years of my life? I mean,

384
00:24:44,720 --> 00:24:49,120
Speaker 1: what happens if we're super successful? You know, the one

385
00:24:49,160 --> 00:24:52,560
Speaker 1: guy is gonna still eat beaten carrots from his mommy's pouch,

386
00:24:52,800 --> 00:24:54,800
Speaker 1: and the other guy is going to be with the

387
00:24:54,840 --> 00:24:58,600
Speaker 1: babes and you know, one's married with kids and and

388
00:24:58,760 --> 00:25:01,040
Speaker 1: one's married with kids. She's all alone in that band

389
00:25:01,119 --> 00:25:11,400
Speaker 1: basically although he fall explosion sounded sidebar uh poor. Then

390
00:25:11,400 --> 00:25:15,320
Speaker 1: we go to the driving range and that was just awkward.

391
00:25:15,080 --> 00:25:20,040
Speaker 1: Good swing from Jason Stuhls, good hearty golf swing. I

392
00:25:20,440 --> 00:25:24,280
Speaker 1: was like, Okay, I think Chris Agaman has spent a

393
00:25:24,320 --> 00:25:29,960
Speaker 1: little time on the link on the links, so yeah,

394
00:25:30,000 --> 00:25:34,200
Speaker 1: we're getting these sort of like little I don't know

395
00:25:34,240 --> 00:25:35,960
Speaker 1: what the right word is in undos, that's not the

396
00:25:36,040 --> 00:25:42,080
Speaker 1: right word, but little little signposts, signposts, yeah, clue. It's

397
00:25:42,119 --> 00:25:44,440
Speaker 1: like I just kind of like I did feel bad

398
00:25:44,480 --> 00:25:46,200
Speaker 1: for him in this moment at the golf course because

399
00:25:46,200 --> 00:25:48,159
Speaker 1: he was so out of the loop and everyone was

400
00:25:48,200 --> 00:25:51,240
Speaker 1: kind of just like, you don't know what's happening. That's

401
00:25:51,280 --> 00:25:54,520
Speaker 1: the worst. Yeah, like when you're the last to know

402
00:25:54,600 --> 00:25:58,640
Speaker 1: and everything. He's so good. Shout out to Chris. He's

403
00:25:58,680 --> 00:26:02,200
Speaker 1: so good, didn't he. You just believe everything he's doing

404
00:26:02,280 --> 00:26:05,720
Speaker 1: and and thinking and saying, he's he's really terrific. He

405
00:26:05,840 --> 00:26:09,800
Speaker 1: really Yeah, speaking of terrific, Shell giving the tour at

406
00:26:09,800 --> 00:26:14,080
Speaker 1: the end with all the little here, you know, like,

407
00:26:14,320 --> 00:26:19,400
Speaker 1: oh my god, it's so good, the cookies or Suki

408
00:26:19,480 --> 00:26:23,600
Speaker 1: with her broken FOOTO. I could be wrong, but was

409
00:26:23,640 --> 00:26:26,000
Speaker 1: it the first time we saw the Dragonfly in logo

410
00:26:26,119 --> 00:26:29,200
Speaker 1: like that, I think, so, I think on the car, yeah,

411
00:26:29,280 --> 00:26:31,720
Speaker 1: I think that's the first time we're saying that made

412
00:26:31,760 --> 00:26:34,840
Speaker 1: it really hit home, you know, because I really yeah,

413
00:26:34,880 --> 00:26:38,240
Speaker 1: they have a minivan, Yeah, the minivan. I was like, wait,

414
00:26:38,320 --> 00:26:40,080
Speaker 1: is that the first time we see the actual logo.

415
00:26:40,119 --> 00:26:43,240
Speaker 1: I do have a dragonflying cup that I'll bring next week,

416
00:26:43,800 --> 00:26:45,359
Speaker 1: But that's what I thought. I was like, where's my cup?

417
00:26:45,800 --> 00:26:48,800
Speaker 1: Because thanks to Luke they seem to be able to

418
00:26:48,840 --> 00:26:53,600
Speaker 1: have the minivan and the horses. They have the horses.

419
00:26:54,600 --> 00:26:56,199
Speaker 1: What do they have their horses for? People are going

420
00:26:56,240 --> 00:26:58,399
Speaker 1: to be taking their kids on the horses. I don't know,

421
00:26:58,440 --> 00:27:02,280
Speaker 1: maybe the back right, Yeah, it's always nice to have.

422
00:27:02,800 --> 00:27:04,840
Speaker 1: It is nice to see like the business up and

423
00:27:04,920 --> 00:27:11,040
Speaker 1: running and like, yeah, yeah, we've we've come a long way. Baby.

424
00:27:11,359 --> 00:27:17,440
Speaker 1: Right here we are the Dragonfly and looks divorced and

425
00:27:18,640 --> 00:27:21,520
Speaker 1: so then we yeah. So then now the belief is

426
00:27:21,560 --> 00:27:24,160
Speaker 1: going to hit the fan because now Jason knows what's

427
00:27:24,240 --> 00:27:27,679
Speaker 1: up and he's figured it out that Richard's got So

428
00:27:27,720 --> 00:27:30,240
Speaker 1: it's interesting that Richard's going back with Floyd but having

429
00:27:30,280 --> 00:27:34,280
Speaker 1: his own boutique agency under their banner. So Richard is

430
00:27:34,320 --> 00:27:41,000
Speaker 1: really hashtag winning and Jason is hosed. Richard always wins, right,

431
00:27:41,680 --> 00:27:45,159
Speaker 1: even when he's losing, he's winning. Um. And the thing

432
00:27:45,200 --> 00:27:47,280
Speaker 1: I liked about Jason is he even admitted, like he

433
00:27:47,320 --> 00:27:51,719
Speaker 1: goes it makes sense. He very was brilliant, like this

434
00:27:51,880 --> 00:27:55,840
Speaker 1: is brilliant. Yeah, and he was very sweet to Lorela.

435
00:27:55,960 --> 00:27:59,520
Speaker 1: He wasn't in that, like he wasn't blaming there, like

436
00:28:00,400 --> 00:28:05,200
Speaker 1: he wasn't like your dad's an Yeah he suck, your

437
00:28:05,240 --> 00:28:08,000
Speaker 1: family sucks all that, Like he didn't do any of that,

438
00:28:08,320 --> 00:28:10,760
Speaker 1: which is why I'm not We'll get there. I'm not

439
00:28:10,760 --> 00:28:14,040
Speaker 1: sure I agree with her decision, but we'll get there.

440
00:28:14,080 --> 00:28:17,600
Speaker 1: But we'll get there. Yeah, I guess you and I

441
00:28:17,640 --> 00:28:19,800
Speaker 1: are going to have a talk about that. I can't wait.

442
00:28:20,160 --> 00:28:21,879
Speaker 1: I don't know. Yeah, I might be able to be

443
00:28:21,920 --> 00:28:28,280
Speaker 1: convinced choose your weapon now. That made me think of

444
00:28:28,800 --> 00:28:34,840
Speaker 1: Miss Plumb in the library with the candlestick. I did

445
00:28:35,000 --> 00:28:38,280
Speaker 1: think it was really sad when Digger literally was like,

446
00:28:38,400 --> 00:28:44,400
Speaker 1: I have to move. My reputation is really like that sucks.

447
00:28:44,680 --> 00:28:48,080
Speaker 1: But he didn't listen. He did it to himself, didn't

448
00:28:48,640 --> 00:28:52,760
Speaker 1: He made a move against his own father, who's extremely powerless. Yeah,

449
00:28:52,800 --> 00:28:55,760
Speaker 1: he didn't play the politics well at all. He took

450
00:28:55,840 --> 00:29:00,320
Speaker 1: up with Richard's daughter, How could you not? Right? Didn't

451
00:29:00,360 --> 00:29:02,640
Speaker 1: tell anybody. It was kind of his idea to keep

452
00:29:03,200 --> 00:29:04,880
Speaker 1: wasn't it his idea to keep her secret? And she

453
00:29:04,960 --> 00:29:07,480
Speaker 1: wanted to It was the other way around. It was

454
00:29:07,520 --> 00:29:10,280
Speaker 1: the other way around. He wanted to tell and she

455
00:29:10,320 --> 00:29:13,280
Speaker 1: wanted and she wanted to keep it a secret. And

456
00:29:13,600 --> 00:29:15,280
Speaker 1: we're skipping a scene, but I think it's important to

457
00:29:15,280 --> 00:29:17,680
Speaker 1: talk about it. Lorea Lie does go to Richard and

458
00:29:17,760 --> 00:29:23,560
Speaker 1: she does say, like, Jason was your partner. He's losing everything.

459
00:29:24,360 --> 00:29:27,440
Speaker 1: And that's when Richard sort of says, Lauraae, like I

460
00:29:27,560 --> 00:29:32,200
Speaker 1: cannot lose everything. But he's right about how she came

461
00:29:32,240 --> 00:29:34,680
Speaker 1: at him, right, It's like, how are you going to

462
00:29:34,800 --> 00:29:36,960
Speaker 1: come at somebody in that way? And he she didn't

463
00:29:37,000 --> 00:29:40,560
Speaker 1: express any concern or for his side of the story

464
00:29:40,680 --> 00:29:42,840
Speaker 1: or how it was going to affect him or or

465
00:29:43,080 --> 00:29:46,480
Speaker 1: or her mother Emily. Um, she just sort of she

466
00:29:46,520 --> 00:29:48,440
Speaker 1: didn't open up both battles on him, but she went

467
00:29:48,480 --> 00:29:51,560
Speaker 1: at him pretty pretty hard, a little disrespectfully, like, hey,

468
00:29:51,600 --> 00:29:54,560
Speaker 1: it's my my world is being affected, my world not

469
00:29:54,640 --> 00:29:58,479
Speaker 1: taking consideration. Yeah, yeah, I'm not saying loyally is right,

470
00:29:58,560 --> 00:30:01,920
Speaker 1: and I actually think it's interesting, is Emily, but just

471
00:30:02,000 --> 00:30:04,920
Speaker 1: let me But that's the misdirection. That scene was planted

472
00:30:04,960 --> 00:30:09,040
Speaker 1: there to surprise us on the ultimate when you and

473
00:30:09,080 --> 00:30:12,960
Speaker 1: I have our knife fight. Yes. So the thing I

474
00:30:13,040 --> 00:30:16,720
Speaker 1: like about Emily here is she goes to Richard because

475
00:30:16,840 --> 00:30:20,840
Speaker 1: ultimately what she cares about most is Laura lion Rory.

476
00:30:21,600 --> 00:30:26,160
Speaker 1: And she's really like not worried about the money. Now,

477
00:30:26,320 --> 00:30:29,800
Speaker 1: she's probably not being supportive enough of Richard and the

478
00:30:29,840 --> 00:30:33,360
Speaker 1: importance of his career per se, because really what she

479
00:30:33,480 --> 00:30:37,880
Speaker 1: cares about is Laura lion Rory. That's all she cares Okay, Okay,

480
00:30:38,040 --> 00:30:41,480
Speaker 1: and Laura life finding somebody and she realizes they have

481
00:30:41,520 --> 00:30:49,680
Speaker 1: a connection. Okay. So the way Richard sees it is

482
00:30:51,000 --> 00:30:56,320
Speaker 1: we lose everything, the house, the pension, everything, We're destitute, Okay,

483
00:30:56,880 --> 00:30:59,360
Speaker 1: to get to get sued to that level, you don't

484
00:30:59,360 --> 00:31:04,600
Speaker 1: know where you're gonna end up, right, And Richard, there's

485
00:31:04,680 --> 00:31:07,960
Speaker 1: only one choice he can make, and it has nothing

486
00:31:08,000 --> 00:31:13,360
Speaker 1: to do with lauralized relationship with Jason or Friday night

487
00:31:13,400 --> 00:31:17,959
Speaker 1: dinners or you know, he his hands that are tied.

488
00:31:19,200 --> 00:31:21,080
Speaker 1: Do you know what's crazy? Though, He's got to do

489
00:31:21,120 --> 00:31:26,120
Speaker 1: what he's gotta do. I do understand where Richard's coming from,

490
00:31:26,160 --> 00:31:29,760
Speaker 1: but I think Emily is taking it as Okay, fine,

491
00:31:29,840 --> 00:31:32,200
Speaker 1: we'll have our money and you'll have your job, but

492
00:31:32,360 --> 00:31:35,320
Speaker 1: we won't have lor Lie and we won't have Rory.

493
00:31:35,520 --> 00:31:38,000
Speaker 1: Like this is what I've been working for the last

494
00:31:38,000 --> 00:31:42,000
Speaker 1: few years to foster this relationship and now it's going

495
00:31:42,040 --> 00:31:44,880
Speaker 1: to go away because you screwed over her boyfriend. Like

496
00:31:44,960 --> 00:31:48,000
Speaker 1: I think she is panicking that things are going to

497
00:31:48,080 --> 00:31:51,080
Speaker 1: revert back to how they work for And here's what's interesting.

498
00:31:51,440 --> 00:31:55,120
Speaker 1: This is very important. I think Rory won't go away,

499
00:31:55,200 --> 00:31:58,240
Speaker 1: and Richard points that out. I agree, and I agree

500
00:31:58,880 --> 00:32:02,600
Speaker 1: cares about or A Lie because she I think somewhere

501
00:32:02,600 --> 00:32:05,440
Speaker 1: they both know Rory's not going anywhere. But Emily does

502
00:32:05,480 --> 00:32:08,800
Speaker 1: not want to lose Lora Lie again. Well, and she's like,

503
00:32:08,840 --> 00:32:10,920
Speaker 1: this is really about Laura Lie. And then you think

504
00:32:10,920 --> 00:32:13,360
Speaker 1: about it because like they are paying for Yale and

505
00:32:13,440 --> 00:32:16,520
Speaker 1: like you know, that's where they know Rory won't go away.

506
00:32:16,600 --> 00:32:20,719
Speaker 1: But I was also thinking, like it is interesting that

507
00:32:21,400 --> 00:32:24,280
Speaker 1: Richard didn't have a conversation with Emily about it, and

508
00:32:24,320 --> 00:32:26,320
Speaker 1: kind of just like like when was Emily going to

509
00:32:26,400 --> 00:32:28,000
Speaker 1: find out if she didn't stand at the corner of

510
00:32:28,040 --> 00:32:30,160
Speaker 1: the stairs to listen, you know, like, why would she

511
00:32:30,200 --> 00:32:33,360
Speaker 1: have known? That should have been a conversation between husband

512
00:32:33,360 --> 00:32:35,680
Speaker 1: and wife about there if it was a financial thing.

513
00:32:35,800 --> 00:32:38,160
Speaker 1: I feel like they should have had that conversation. And

514
00:32:38,200 --> 00:32:40,400
Speaker 1: so I think it just escalated because of the way

515
00:32:40,480 --> 00:32:45,520
Speaker 1: she found out. But I do understand both sides. I

516
00:32:45,720 --> 00:32:48,479
Speaker 1: just thought the and and let's point out that Sheila

517
00:32:48,600 --> 00:32:51,360
Speaker 1: Lawrence wrote this episode. What a what a brilliant set

518
00:32:51,440 --> 00:32:54,200
Speaker 1: up for what is to come right, all these complications,

519
00:32:54,240 --> 00:32:59,880
Speaker 1: all these nuances and subtleties within these relationships. How deaf

520
00:33:00,040 --> 00:33:03,600
Speaker 1: late it was handled in these episodes, because it is

521
00:33:03,720 --> 00:33:08,239
Speaker 1: leading up to a really really interesting scene, which I mean,

522
00:33:08,280 --> 00:33:10,560
Speaker 1: and I are going to talk about. I have a

523
00:33:10,600 --> 00:33:13,160
Speaker 1: few I think where you've got two major ones. So wait,

524
00:33:13,200 --> 00:33:16,400
Speaker 1: before we get to that, let's just talk about the

525
00:33:17,000 --> 00:33:22,360
Speaker 1: ash Or Fleming story. There's no other there's like no

526
00:33:22,480 --> 00:33:26,480
Speaker 1: other professor who's good looking at Yale. Like my whole

527
00:33:26,720 --> 00:33:29,160
Speaker 1: the whole time, I was like, the oldest professor is

528
00:33:29,200 --> 00:33:32,000
Speaker 1: the one all the girls are going for. I think

529
00:33:32,040 --> 00:33:37,720
Speaker 1: it's because he's worldly. I don't know if you guys

530
00:33:37,760 --> 00:33:40,959
Speaker 1: did this, but last night I was mourning the loss

531
00:33:40,960 --> 00:33:45,320
Speaker 1: of Rachel Welsh and I because it's my my childhood dying.

532
00:33:45,400 --> 00:33:47,960
Speaker 1: Every every day, somebody else from my child who was

533
00:33:47,960 --> 00:33:49,760
Speaker 1: passing away. And this is what happens when you get

534
00:33:49,800 --> 00:33:52,840
Speaker 1: a little bit older. This happens. They don't tell you this,

535
00:33:53,640 --> 00:33:55,960
Speaker 1: uh that it happens, but it happens, and it's it's

536
00:33:56,080 --> 00:33:59,640
Speaker 1: tough to deal with. Yeah, it's kind of rough. Um.

537
00:33:59,680 --> 00:34:02,080
Speaker 1: And then was a pick. She did a movie with

538
00:34:02,120 --> 00:34:07,880
Speaker 1: Michael York back in the seventies called The Three Musketeers,

539
00:34:09,400 --> 00:34:13,200
Speaker 1: and he was quite something back then. I mean the

540
00:34:13,280 --> 00:34:17,239
Speaker 1: long blonde hair, I mean just I mean the two

541
00:34:17,280 --> 00:34:20,560
Speaker 1: of them together, they're looks so good together in in

542
00:34:20,640 --> 00:34:25,000
Speaker 1: that period costumes. Um, so he was like he was

543
00:34:25,040 --> 00:34:28,960
Speaker 1: a major star, Michael or he was a charming, dashing

544
00:34:29,120 --> 00:34:31,760
Speaker 1: figure of the theater. And then he became a movie

545
00:34:31,760 --> 00:34:35,479
Speaker 1: star for obvious reasons. So you know he still got

546
00:34:35,520 --> 00:34:39,719
Speaker 1: it right as Fleming. Yeah, he's pretty cute twenty years ago,

547
00:34:39,800 --> 00:34:43,640
Speaker 1: even in this Yeah, he's still got it. He's definitely charming.

548
00:34:43,719 --> 00:34:49,200
Speaker 1: And I liked the confrontation he had with Rory that

549
00:34:49,280 --> 00:34:51,560
Speaker 1: was so let's just let's just talk it through. Let's

550
00:34:51,560 --> 00:34:54,000
Speaker 1: talk through everything as Do you think she was a

551
00:34:54,040 --> 00:34:55,920
Speaker 1: little out of line? I do. I thought that was

552
00:34:55,960 --> 00:34:59,120
Speaker 1: a very awkward scene. Yeah, I don't know if that

553
00:34:59,120 --> 00:35:01,800
Speaker 1: that that was the only seen in the whole uh

554
00:35:01,960 --> 00:35:07,200
Speaker 1: four episodes that I thought, you know, yeah, yeah, yeah,

555
00:35:07,360 --> 00:35:09,600
Speaker 1: I thought that was weird. I feel like you just

556
00:35:09,600 --> 00:35:13,279
Speaker 1: wouldn't approach a professor that way, even if he was

557
00:35:13,400 --> 00:35:19,040
Speaker 1: dating your roommate. It just seemed inappropriate. The fact that

558
00:35:19,080 --> 00:35:21,080
Speaker 1: this is like that actually just came out of your

559
00:35:21,120 --> 00:35:24,880
Speaker 1: mouth like that is just crazy, like he is dating

560
00:35:24,880 --> 00:35:26,920
Speaker 1: her roommate. But I think that's why she gets so

561
00:35:27,040 --> 00:35:32,480
Speaker 1: pissed and so like um over analytical on everything in

562
00:35:32,520 --> 00:35:35,920
Speaker 1: his class. But but also he's friends with Richard, so

563
00:35:35,960 --> 00:35:40,440
Speaker 1: she could have just DoD this easily assumed valid because valid.

564
00:35:40,719 --> 00:35:43,480
Speaker 1: But but the the impetus was was that Doyle let

565
00:35:43,520 --> 00:35:46,600
Speaker 1: her know that Escher has you know, a babe of

566
00:35:46,680 --> 00:35:51,200
Speaker 1: the Year of the semester or whatever. And you know,

567
00:35:51,239 --> 00:35:54,520
Speaker 1: I think I think it was the attempt to show

568
00:35:54,600 --> 00:36:00,279
Speaker 1: Rory being loyal to crazy Town. Yeah, so yeah, so,

569
00:36:00,360 --> 00:36:02,319
Speaker 1: and I don't I don't. I don't know that it

570
00:36:02,400 --> 00:36:05,680
Speaker 1: worked out the way we wanted it to work out,

571
00:36:05,840 --> 00:36:09,319
Speaker 1: But they got it in right, like Rory did the

572
00:36:09,360 --> 00:36:12,400
Speaker 1: noble thing, and like, I'm gonna call my great grading

573
00:36:12,440 --> 00:36:15,520
Speaker 1: system into question, and she's gonna get a couple of

574
00:36:15,560 --> 00:36:18,560
Speaker 1: shots in. And I mean, but that last line, you know,

575
00:36:18,640 --> 00:36:20,799
Speaker 1: I liked the redhead or whatever. It was like it

576
00:36:20,920 --> 00:36:23,400
Speaker 1: was a little little much. I thought he was going

577
00:36:23,440 --> 00:36:25,200
Speaker 1: to be like, final, I'll give you an F Like

578
00:36:25,239 --> 00:36:27,600
Speaker 1: I thought he was going to drop the grade right there.

579
00:36:27,719 --> 00:36:31,560
Speaker 1: I can't do that. My question is, but I think

580
00:36:31,600 --> 00:36:34,480
Speaker 1: he understood at the end of that scene that she

581
00:36:34,560 --> 00:36:37,480
Speaker 1: knew about the relationship. She didn't approve, she didn't approve

582
00:36:37,520 --> 00:36:40,880
Speaker 1: of him, and I don't, but don't hurt my friend.

583
00:36:41,000 --> 00:36:47,839
Speaker 1: He won, he won. He like he definitely won. Yeah, yeah,

584
00:36:47,840 --> 00:36:49,560
Speaker 1: he like he's like, this is why you got the

585
00:36:49,600 --> 00:36:51,960
Speaker 1: A you did X y Z. Like it was he

586
00:36:52,080 --> 00:36:54,600
Speaker 1: had the point, he had the points. I don't know

587
00:36:54,640 --> 00:36:57,319
Speaker 1: that he might dropped her. I think he closed. I

588
00:36:57,400 --> 00:37:00,440
Speaker 1: thought he closed. He slammed his case down at a

589
00:37:00,520 --> 00:37:04,600
Speaker 1: frustration like for that that was a moment that he

590
00:37:04,719 --> 00:37:08,600
Speaker 1: had been outed by Rory, like you're a dirty old man,

591
00:37:08,800 --> 00:37:13,040
Speaker 1: leave these girls alone. Yes he was. I disagree. He

592
00:37:13,080 --> 00:37:17,239
Speaker 1: was like, have you quite finished? Like he's judging him,

593
00:37:17,280 --> 00:37:20,759
Speaker 1: But why shouldn't she he's praying on his students. I

594
00:37:20,800 --> 00:37:23,840
Speaker 1: don't think he sees it that way. That's kind of vile.

595
00:37:24,360 --> 00:37:28,160
Speaker 1: He's technically not doing anything wrong, right Paris, Paris is

596
00:37:28,200 --> 00:37:31,400
Speaker 1: eighteen years old. He's not she's not a student in

597
00:37:31,560 --> 00:37:35,440
Speaker 1: his class. He's a British Maximadia. He's a British Maximadina.

598
00:37:35,560 --> 00:37:39,439
Speaker 1: I'm not saying it's right, but like, he's technically not

599
00:37:39,560 --> 00:37:43,680
Speaker 1: doing anything wrong. It's creepy, gross, but it's not right.

600
00:37:44,000 --> 00:37:46,600
Speaker 1: I didn't realize the decision. I didn't realize that she's

601
00:37:46,640 --> 00:37:49,200
Speaker 1: not his student. So yeah, that's actually good. No, because

602
00:37:49,600 --> 00:37:52,439
Speaker 1: she always comes into the class because Rory's there. You're right,

603
00:37:52,480 --> 00:37:58,840
Speaker 1: you're right, doesn't make it right. Yeah, I'm not saying

604
00:37:58,840 --> 00:38:03,239
Speaker 1: it's right. Any schools must have like morality clauses where

605
00:38:03,320 --> 00:38:06,960
Speaker 1: you don't do this and it would be definitely frowned upon. Yeah,

606
00:38:07,239 --> 00:38:11,680
Speaker 1: it's just like, but it's not Rory's place to go

607
00:38:11,800 --> 00:38:15,200
Speaker 1: in and be kind of self righteous about it. It's like,

608
00:38:16,120 --> 00:38:19,280
Speaker 1: I don't know. Look, things were different in nineteen sixty.

609
00:38:19,400 --> 00:38:22,120
Speaker 1: This happened all the time, things were looser. In nine eight,

610
00:38:22,239 --> 00:38:26,319
Speaker 1: these things happened all the time. Between students and teachers. Um,

611
00:38:26,360 --> 00:38:29,080
Speaker 1: it's just in two thousand it was still going on.

612
00:38:29,120 --> 00:38:32,360
Speaker 1: I think it's less appropriate these days, right, you know,

613
00:38:32,440 --> 00:38:37,879
Speaker 1: it's everything's sort of tightening up in society. Yeah, that's correct, right,

614
00:38:38,200 --> 00:38:40,920
Speaker 1: even more cringe, so it's more permissive. I mean as

615
00:38:41,000 --> 00:38:46,320
Speaker 1: we look back. Um, my question is is that dedication

616
00:38:46,400 --> 00:38:51,680
Speaker 1: for Paris? What does everybody think that booked out? I

617
00:38:51,719 --> 00:38:56,879
Speaker 1: think that's too whichever, it's the only thing he could

618
00:38:56,880 --> 00:38:59,120
Speaker 1: have done. What is he supposed to put some heartfelt

619
00:38:59,120 --> 00:39:01,120
Speaker 1: thing in there? And don't think that gets thrown in

620
00:39:01,160 --> 00:39:03,520
Speaker 1: the lawsuit. I think she thinks it was to her.

621
00:39:03,600 --> 00:39:07,200
Speaker 1: I don't know, she definitely did. She says it's about

622
00:39:07,200 --> 00:39:09,960
Speaker 1: me and my things, like, no, it is a girl.

623
00:39:11,160 --> 00:39:13,080
Speaker 1: They don't know who it's about. But I bet it's

624
00:39:13,080 --> 00:39:18,799
Speaker 1: not about only a slide guy like Asher would leave

625
00:39:18,840 --> 00:39:22,440
Speaker 1: it anonymous. So whichever lady he's you know, with at

626
00:39:22,480 --> 00:39:31,000
Speaker 1: the time her. Now the next question, did Rory deserve

627
00:39:31,120 --> 00:39:33,879
Speaker 1: the A? Yes, I mean it's not like she did

628
00:39:33,920 --> 00:39:39,160
Speaker 1: the work. Yeah, she did PhD level work connecting dogs. Yeah, yeah,

629
00:39:39,239 --> 00:39:42,839
Speaker 1: I agree, I agree, and I thought, okay, so so

630
00:39:42,960 --> 00:39:47,200
Speaker 1: yes or no? Did she overstep going to Asher and

631
00:39:47,280 --> 00:39:51,560
Speaker 1: being so pointing. I think yes. And also she got

632
00:39:51,560 --> 00:39:53,560
Speaker 1: an a It's like what were you what were you

633
00:39:53,560 --> 00:39:55,000
Speaker 1: going to get out of that? Like you wanted to

634
00:39:55,040 --> 00:40:00,319
Speaker 1: get to be you know, like she's going with it. Yeah,

635
00:40:00,360 --> 00:40:03,440
Speaker 1: I can see why she's annoyed with him because he's

636
00:40:03,840 --> 00:40:09,600
Speaker 1: I don't know, just yeah, but like not to like

637
00:40:09,800 --> 00:40:14,520
Speaker 1: challenge a grade that he gave her. Yeah, Like she

638
00:40:14,600 --> 00:40:16,799
Speaker 1: went out of her way, she went out of her

639
00:40:16,800 --> 00:40:22,000
Speaker 1: way to have that conversation. Yeah. And I think as

640
00:40:22,040 --> 00:40:23,920
Speaker 1: a teacher, you gotta be a little bit more respectful,

641
00:40:24,560 --> 00:40:27,719
Speaker 1: even if the guy's a creep. Yeah. Do we think

642
00:40:27,760 --> 00:40:33,319
Speaker 1: he's a creep A little creepy. He's a little a

643
00:40:33,400 --> 00:40:37,360
Speaker 1: little creepy, you know, on the creep scale, I would

644
00:40:37,360 --> 00:40:43,839
Speaker 1: say seven seven point eight five. He's just a guy

645
00:40:43,920 --> 00:40:47,400
Speaker 1: who likes, you know, he likes what he likes. He

646
00:40:47,480 --> 00:40:50,200
Speaker 1: likes what he likes, you know. Yeah. Do you think

647
00:40:50,320 --> 00:40:55,480
Speaker 1: Richard knows like that he dates younger women. He probably

648
00:40:55,480 --> 00:40:58,919
Speaker 1: thinks he dates like he knows he dates younger woman,

649
00:40:59,080 --> 00:41:02,640
Speaker 1: but maybe not Paris. I don't think Richard knows. I

650
00:41:02,719 --> 00:41:04,919
Speaker 1: think Richard would frown upon it. I don't think Richard

651
00:41:04,960 --> 00:41:11,399
Speaker 1: would approve of him dating students Paris, any of them.

652
00:41:11,440 --> 00:41:14,640
Speaker 1: I think if you're friends with somebody and longstanding friends,

653
00:41:15,680 --> 00:41:20,920
Speaker 1: you just sort of chuckle it there, idiosync. You don't

654
00:41:20,960 --> 00:41:24,640
Speaker 1: try to change people or give them lectures like Leo.

655
00:41:24,760 --> 00:41:27,839
Speaker 1: No one's like Leo, you should age it up. Yeah,

656
00:41:27,880 --> 00:41:30,239
Speaker 1: there's nobody in his circle telling them like, hey, you

657
00:41:30,280 --> 00:41:32,439
Speaker 1: got to rethink this. They're going when are you going

658
00:41:32,440 --> 00:41:38,200
Speaker 1: out again? Does she have a friend a sister. While

659
00:41:38,200 --> 00:41:39,840
Speaker 1: we're on the topic of Asher, let me tell you

660
00:41:39,880 --> 00:41:43,040
Speaker 1: what hurt my brain when he goes. Next week, we're

661
00:41:43,040 --> 00:41:45,879
Speaker 1: going to talk about the neglect of the individual as

662
00:41:45,960 --> 00:41:50,359
Speaker 1: a hallmark of modern government, which hurt my brain, which

663
00:41:50,400 --> 00:41:53,359
Speaker 1: I kind of get. And then something about coughka, which

664
00:41:53,400 --> 00:41:58,879
Speaker 1: I was just like, writ existentialism, yes too hard, Yeah, yeah,

665
00:41:59,760 --> 00:42:10,040
Speaker 1: kind tea Jersey literature English, Yeah, inful you know, the

666
00:42:10,040 --> 00:42:15,759
Speaker 1: in in the individual within a system of socialism and

667
00:42:15,840 --> 00:42:20,440
Speaker 1: individual and a system of free market capitalism. It's all different, right,

668
00:42:21,280 --> 00:42:25,719
Speaker 1: representative democracy versus you know, a tyrannical government. How how

669
00:42:25,760 --> 00:42:29,400
Speaker 1: it affects the individual? Right? I mean, what's what's so competent?

670
00:42:38,120 --> 00:42:42,560
Speaker 1: If we skipped laying at the diner all again? My lines?

671
00:42:42,640 --> 00:42:45,000
Speaker 1: What are you doing with my lines. What's happening, that's

672
00:42:45,040 --> 00:42:48,399
Speaker 1: my scene that's going on. Get out. Do you see

673
00:42:48,400 --> 00:42:53,120
Speaker 1: me running around the Kim's antiques, sneaking around trying to

674
00:42:53,160 --> 00:42:56,880
Speaker 1: make things happen? You know, No, that's a bad comparison.

675
00:42:56,920 --> 00:42:59,640
Speaker 1: I'm sorry, No, I mean it's not. It's actually not.

676
00:42:59,760 --> 00:43:02,359
Speaker 1: And think right, your only line was like su had

677
00:43:02,400 --> 00:43:04,640
Speaker 1: to go to the bank, right, and that was a loop.

678
00:43:04,840 --> 00:43:06,719
Speaker 1: The part of that was looped to and it took

679
00:43:06,719 --> 00:43:08,760
Speaker 1: me out of it. Part of Luke's stuff was looped.

680
00:43:09,880 --> 00:43:13,359
Speaker 1: Oh that was looped and no one else was here.

681
00:43:13,440 --> 00:43:18,319
Speaker 1: Let's go back the loop. The Laurela and Jason conversation

682
00:43:19,200 --> 00:43:21,319
Speaker 1: at the end when he's pacing back and forth and

683
00:43:21,360 --> 00:43:24,759
Speaker 1: he found out that he's done. Yeah, some of that

684
00:43:24,880 --> 00:43:29,279
Speaker 1: was looped in. Yes, yes, wow, I want to go

685
00:43:29,320 --> 00:43:35,239
Speaker 1: back now, yes, rewatch it's night. Just just it's a

686
00:43:35,320 --> 00:43:39,200
Speaker 1: sound it's a sound quality. It doesn't sound like it

687
00:43:39,239 --> 00:43:43,319
Speaker 1: doesn't sound right. Her voice when she's there talking, it

688
00:43:43,400 --> 00:43:48,840
Speaker 1: sounds like a voice that's been installed. And then Lane

689
00:43:48,880 --> 00:43:55,600
Speaker 1: has the confrontation with the exchange that was for the

690
00:43:55,640 --> 00:44:01,279
Speaker 1: exchange students. She was thought that was funny. So that

691
00:44:01,360 --> 00:44:03,880
Speaker 1: girl was really funny. I did think it was really

692
00:44:03,920 --> 00:44:07,840
Speaker 1: sweet when when she said, like, did Mrs Kim mentioned

693
00:44:07,840 --> 00:44:11,600
Speaker 1: she has a daughter and she said yes, well yeah,

694
00:44:11,719 --> 00:44:13,600
Speaker 1: And then we have that scene where they where she

695
00:44:13,640 --> 00:44:16,239
Speaker 1: goes into the house and which, by the way, so

696
00:44:16,320 --> 00:44:18,040
Speaker 1: weird that she walked into the house to watch her.

697
00:44:18,160 --> 00:44:21,960
Speaker 1: I think that was I go flag on the play

698
00:44:22,000 --> 00:44:26,040
Speaker 1: because I know if anybody broke into Mrs Kim's house,

699
00:44:26,360 --> 00:44:30,040
Speaker 1: she will get up and she knows she's got that place.

700
00:44:33,360 --> 00:44:37,000
Speaker 1: You would you would hear someone opening the door. That

701
00:44:37,080 --> 00:44:41,080
Speaker 1: was heartbreaking. That scene was heartbreaking. That was my favorite

702
00:44:41,239 --> 00:44:46,560
Speaker 1: Lane scene ever. It was it. Yeah, it was heartbreaking,

703
00:44:47,560 --> 00:44:51,920
Speaker 1: beautiful scene, beautiful, the emptiness of being on the road

704
00:44:52,040 --> 00:44:54,960
Speaker 1: with a rock band. It's not fulfilling. You want your

705
00:44:55,040 --> 00:44:59,279
Speaker 1: mom kiss her on the forehead as she sleeps, and

706
00:44:59,320 --> 00:45:02,640
Speaker 1: she won't. Oh it, it's beautiful. It's a beautiful moment.

707
00:45:05,320 --> 00:45:09,600
Speaker 1: So here's my question, Danielle. It's really for Danielle and

708
00:45:09,640 --> 00:45:13,279
Speaker 1: a little bit for Scott. What was going through your

709
00:45:13,320 --> 00:45:17,640
Speaker 1: mind when you first see Richard opened the door and

710
00:45:17,920 --> 00:45:20,920
Speaker 1: clearly he's like not, he's trying to doesn't have ice,

711
00:45:20,960 --> 00:45:24,440
Speaker 1: He's trying to do things. Emily walks in with her purse,

712
00:45:24,520 --> 00:45:26,200
Speaker 1: like what was going on. I thought that they were

713
00:45:26,239 --> 00:45:31,279
Speaker 1: having sex in the in the kitchen and they got

714
00:45:31,320 --> 00:45:35,440
Speaker 1: caught and they had to stop. That's funny. I did

715
00:45:35,480 --> 00:45:38,879
Speaker 1: not think that. That's funny, Scott. I did think that,

716
00:45:38,920 --> 00:45:40,800
Speaker 1: and I think they wanted us to think that, because

717
00:45:40,800 --> 00:45:45,200
Speaker 1: their behavior was that, especially Emily's behavior, they were so

718
00:45:45,360 --> 00:45:49,319
Speaker 1: off that it was like, you know, they were just

719
00:45:50,120 --> 00:45:54,120
Speaker 1: railing each other. Man, What did you think, Danielle? So

720
00:45:54,480 --> 00:45:57,280
Speaker 1: I when I was watching it, I was like, Okay,

721
00:45:57,320 --> 00:46:03,000
Speaker 1: there's there's something off, obvious, something's happening. And then the

722
00:46:03,080 --> 00:46:06,640
Speaker 1: light bulb went off when there was no dessert, and

723
00:46:07,640 --> 00:46:11,359
Speaker 1: I realized that they wanted to end this as soon

724
00:46:11,400 --> 00:46:13,600
Speaker 1: as possible and I could get back to the kitchen

725
00:46:13,640 --> 00:46:17,560
Speaker 1: and finish the job. No, I just because like Emily

726
00:46:17,600 --> 00:46:20,560
Speaker 1: doesn't do a dinner without dessert, you know what I mean.

727
00:46:20,640 --> 00:46:23,120
Speaker 1: And she didn't know what was on the menu, she

728
00:46:23,160 --> 00:46:25,080
Speaker 1: didn't know what they were eating, like all that kind

729
00:46:25,120 --> 00:46:27,239
Speaker 1: of stuff. I was like, Oh, there's a there's a

730
00:46:27,320 --> 00:46:32,160
Speaker 1: problem internally here, like I there's something off yea like

731
00:46:32,200 --> 00:46:34,600
Speaker 1: throwing them out with little goodie bags of chocolate here

732
00:46:34,719 --> 00:46:37,279
Speaker 1: by like this never happened. It was weirder on this

733
00:46:37,600 --> 00:46:41,840
Speaker 1: I mean, rewatch, I've seen it many times. There was

734
00:46:42,239 --> 00:46:45,440
Speaker 1: I knew it, so I don't remember what I thought

735
00:46:45,560 --> 00:46:47,640
Speaker 1: when I saw it the very first time when it

736
00:46:47,680 --> 00:46:55,080
Speaker 1: aired on television, like because it is sort of a whoa. Yeah,

737
00:46:55,239 --> 00:46:57,560
Speaker 1: by the way, how great was that scene? How funny?

738
00:46:57,640 --> 00:47:02,440
Speaker 1: Was insane? The dinner larious? No, I mean Emily and

739
00:47:02,560 --> 00:47:06,960
Speaker 1: Richard's behavior and just so great. You know how hard

740
00:47:07,040 --> 00:47:11,080
Speaker 1: that is to do on that kind of stuff. You

741
00:47:11,080 --> 00:47:16,160
Speaker 1: know what I noticed? That was very smart of somebody

742
00:47:16,320 --> 00:47:21,160
Speaker 1: in production. No flowers on the table, the table, Yes,

743
00:47:21,320 --> 00:47:26,600
Speaker 1: it did seem very stark, didn't it. Yes, always has flowers,

744
00:47:26,600 --> 00:47:32,399
Speaker 1: extravagant centerpieces. And obviously she's not there, she's not doing that.

745
00:47:32,520 --> 00:47:34,960
Speaker 1: But but right exactly, and there was. It wasn't the

746
00:47:35,000 --> 00:47:37,880
Speaker 1: table was not set, there was no center piece. There

747
00:47:37,920 --> 00:47:43,439
Speaker 1: was nothing that too. But here's a flag on the play,

748
00:47:43,680 --> 00:47:49,440
Speaker 1: and especially in people of their age. Richard would have

749
00:47:49,440 --> 00:47:53,560
Speaker 1: gone to the hotel. If a couple like Richard and

750
00:47:53,600 --> 00:47:56,799
Speaker 1: Emily decide to get into some sort of argument and

751
00:47:56,960 --> 00:48:00,239
Speaker 1: separate whatever it is, Emily would have had the house,

752
00:48:00,400 --> 00:48:02,480
Speaker 1: Richard would have gone to that. I disagree though, because

753
00:48:02,600 --> 00:48:06,040
Speaker 1: Richard is not the one that's upset, like Emily is

754
00:48:06,080 --> 00:48:09,600
Speaker 1: the one that is not happy with his you're saying

755
00:48:09,640 --> 00:48:11,960
Speaker 1: she just said, like I'm going to hotel. Yeah, I

756
00:48:12,000 --> 00:48:14,239
Speaker 1: think I think she was like, I don't even recognize you.

757
00:48:14,360 --> 00:48:19,680
Speaker 1: I'm out, you know, like it. Speaking speaking of flags

758
00:48:19,719 --> 00:48:22,960
Speaker 1: on the play, give it. What the heck is going

759
00:48:23,080 --> 00:48:26,480
Speaker 1: on with that ref in the Super Bowl? Throwing a

760
00:48:26,560 --> 00:48:30,239
Speaker 1: flag with a minute thirty to go on, a little

761
00:48:30,280 --> 00:48:33,839
Speaker 1: ticky cat nothing we understand. Let it. Let it out,

762
00:48:35,239 --> 00:48:38,560
Speaker 1: for God's sake. I'm fulfilly boy, man, I understand that

763
00:48:38,600 --> 00:48:42,239
Speaker 1: people are upset the eagles flying high then shot down

764
00:48:42,320 --> 00:48:45,239
Speaker 1: by the flags. Sorry, I'm not gonna lie you for

765
00:48:45,280 --> 00:48:47,040
Speaker 1: a second. I was like, there was like rough on

766
00:48:47,080 --> 00:48:51,080
Speaker 1: my golf course in the episode. It was like, wait,

767
00:48:51,120 --> 00:48:54,160
Speaker 1: I missed. I just needed to I needed to get

768
00:48:54,200 --> 00:49:00,360
Speaker 1: that out. You know. So you think a sort of

769
00:49:00,360 --> 00:49:03,839
Speaker 1: in a fight as opposed to like, okay, I'm completely wrong.

770
00:49:03,880 --> 00:49:06,200
Speaker 1: They weren't having sex. They weren't in a fight. She

771
00:49:06,360 --> 00:49:10,280
Speaker 1: was already out of the house. Your superior observation skills

772
00:49:10,280 --> 00:49:14,040
Speaker 1: and logic skills have trumped me yet again. The park,

773
00:49:14,200 --> 00:49:15,959
Speaker 1: the car was parked out there. She was just coming

774
00:49:16,000 --> 00:49:17,880
Speaker 1: in to get something and leave. Well, then at the

775
00:49:18,000 --> 00:49:20,719
Speaker 1: end when she leaves, when they was coming in for dinner,

776
00:49:20,760 --> 00:49:23,880
Speaker 1: because they're going to try and pretend you're not telling

777
00:49:23,920 --> 00:49:26,520
Speaker 1: the girl because she's just coming in as part of

778
00:49:26,560 --> 00:49:31,400
Speaker 1: the ruse. So now every Friday night, she wasn't the table.

779
00:49:31,560 --> 00:49:35,480
Speaker 1: Why wasn't the table set if they're trying to because

780
00:49:36,920 --> 00:49:41,040
Speaker 1: they weren't they early too, they were really Yeah, they

781
00:49:41,080 --> 00:49:46,000
Speaker 1: were early, and they weren't that early. Twenty minutes. I

782
00:49:46,000 --> 00:49:48,160
Speaker 1: mean twenty minutes you can put flowers of flowers on

783
00:49:48,200 --> 00:49:51,960
Speaker 1: a vase on the table and get things situated. And

784
00:49:52,080 --> 00:49:54,600
Speaker 1: Richard doesn't know what he's doing what he does, so

785
00:49:54,719 --> 00:49:57,359
Speaker 1: he's all doesn't know what's going And at the end

786
00:49:57,400 --> 00:49:59,279
Speaker 1: when they when they hide and see her get in

787
00:49:59,320 --> 00:50:01,640
Speaker 1: the car and leave. You like she didn't dry cleaning

788
00:50:01,760 --> 00:50:04,040
Speaker 1: with the dry clean she didn't even wait like five

789
00:50:04,080 --> 00:50:07,400
Speaker 1: minutes she was out. It was funny, going my shoes,

790
00:50:07,480 --> 00:50:11,799
Speaker 1: my shoes, my shoes, nice shoes, nice shoes. I don't

791
00:50:11,800 --> 00:50:18,200
Speaker 1: want the bushes, I don't. But wouldn't she have seen

792
00:50:18,280 --> 00:50:20,960
Speaker 1: their car still there? That's the weird part. Two. Yeah,

793
00:50:21,239 --> 00:50:24,239
Speaker 1: it's a little there's a little bit of like we

794
00:50:24,320 --> 00:50:30,160
Speaker 1: have to she's probably so just in She's like, I

795
00:50:30,200 --> 00:50:34,520
Speaker 1: just want to get out, Like yeah, for sure. So

796
00:50:34,560 --> 00:50:39,960
Speaker 1: then we have the big performance at the gig, got

797
00:50:39,960 --> 00:50:45,040
Speaker 1: the gig? Did you notice? No you go? Did she

798
00:50:45,080 --> 00:50:48,319
Speaker 1: notice the background actor just like singing every word in

799
00:50:48,360 --> 00:50:50,120
Speaker 1: the crowd? And I was like, how many times do

800
00:50:50,160 --> 00:50:52,840
Speaker 1: they do this take where this guy knows every word?

801
00:50:54,520 --> 00:51:00,239
Speaker 1: You knew every word? Uh? What did you think of

802
00:51:00,239 --> 00:51:02,920
Speaker 1: the overall scene? I mean I get the whole point

803
00:51:02,960 --> 00:51:09,600
Speaker 1: there sad plane, like she didn't have anybody there. Yeah,

804
00:51:09,840 --> 00:51:13,440
Speaker 1: I mean right, Brian's got his like weird family, screw

805
00:51:13,520 --> 00:51:15,600
Speaker 1: your dreams, get back to your get back to your mother,

806
00:51:15,760 --> 00:51:20,000
Speaker 1: screw your dreams. Oh interesting, that's what the scene was, right,

807
00:51:20,600 --> 00:51:24,359
Speaker 1: So that's an interesting take. It's not wrong. Mine was like,

808
00:51:25,160 --> 00:51:28,280
Speaker 1: she's so she's living her dream and she's so lonely.

809
00:51:28,320 --> 00:51:31,520
Speaker 1: She wants her family there to support her, which is

810
00:51:31,520 --> 00:51:35,600
Speaker 1: so complicated because she's got this, but it's not it's

811
00:51:35,600 --> 00:51:39,080
Speaker 1: not very rock and roll, is it. No, but everybody

812
00:51:39,120 --> 00:51:43,320
Speaker 1: had somebody, Zack Scott, the ladies, you know, Sebastian Box

813
00:51:43,320 --> 00:51:46,560
Speaker 1: got his. Not sports. It's not sports, you know, where

814
00:51:46,560 --> 00:51:51,800
Speaker 1: you want your family to come cheer you on. It's

815
00:51:52,280 --> 00:51:54,640
Speaker 1: you don't want the very rock and roll just get

816
00:51:54,719 --> 00:51:59,200
Speaker 1: plastered and about the way and find a guy, like,

817
00:51:59,320 --> 00:52:01,640
Speaker 1: I mean, but then you hang out with your band

818
00:52:01,680 --> 00:52:04,840
Speaker 1: meats right or whatever? Like how are you going to

819
00:52:04,960 --> 00:52:08,640
Speaker 1: hang out with those bandmates on one's got his mommy

820
00:52:08,719 --> 00:52:10,520
Speaker 1: with a bag of carrots, the other one that is

821
00:52:10,560 --> 00:52:13,000
Speaker 1: like thinks he's Hugh Hefner, and the other one is like,

822
00:52:13,040 --> 00:52:16,479
Speaker 1: you know, macin on his wife right in the hallway there.

823
00:52:16,600 --> 00:52:20,239
Speaker 1: I mean, I think it's more of not feeling supported,

824
00:52:20,400 --> 00:52:23,560
Speaker 1: Like everyone had a support system there and she didn't.

825
00:52:23,600 --> 00:52:28,640
Speaker 1: That's really what it is. Not even a friend. Yeah,

826
00:52:28,719 --> 00:52:31,480
Speaker 1: I just literally wrote, poor, Well what did you excuse me?

827
00:52:31,520 --> 00:52:34,840
Speaker 1: What did she expect her mother to show up to

828
00:52:34,960 --> 00:52:38,240
Speaker 1: a rock concert? What did she what did she expect?

829
00:52:39,080 --> 00:52:45,040
Speaker 1: I think she expect she doesn't have people. Well, you know,

830
00:52:45,200 --> 00:52:47,600
Speaker 1: Rory could have come, but she had to go to

831
00:52:47,680 --> 00:52:50,959
Speaker 1: this fiasco. But there's only one friend, Like she doesn't

832
00:52:50,960 --> 00:52:54,280
Speaker 1: even have anyone else that would come, Like, has no one? Yeah,

833
00:52:55,200 --> 00:52:58,879
Speaker 1: m she could make more friends, you know, I mean

834
00:52:58,960 --> 00:53:02,680
Speaker 1: right right, look, rock and roll. Let me tell you something.

835
00:53:02,760 --> 00:53:04,600
Speaker 1: I know this from experience. Rock and roll is a

836
00:53:04,680 --> 00:53:11,360
Speaker 1: lonely rude. I think it just reminds I agree, I

837
00:53:11,360 --> 00:53:12,839
Speaker 1: don't write I wouldn't want to live on a tour

838
00:53:12,880 --> 00:53:15,040
Speaker 1: bus if you paid me a millionaire. Well not at

839
00:53:15,080 --> 00:53:20,680
Speaker 1: this age, no way, when you're nineteen. Really amplified Delane

840
00:53:20,800 --> 00:53:24,319
Speaker 1: like she has no one and she and now she's

841
00:53:24,320 --> 00:53:29,719
Speaker 1: been replaced, that other girl has her apple. Yeah, that's

842
00:53:29,800 --> 00:53:33,719
Speaker 1: that's just the big thing. Being replaced is very, very

843
00:53:33,760 --> 00:53:36,319
Speaker 1: tough to swallow. That's that's a that's a hard one.

844
00:53:36,480 --> 00:53:43,000
Speaker 1: And then this just triggered that. Yeah, well if you

845
00:53:43,080 --> 00:53:45,600
Speaker 1: get if you get replaced, if you get dumped by

846
00:53:45,640 --> 00:53:50,160
Speaker 1: your own mother and replaced, you just go out there

847
00:53:50,160 --> 00:53:53,040
Speaker 1: and write a song about it. I mean, go play

848
00:53:53,040 --> 00:53:59,480
Speaker 1: harder the next gig, go party harder. Possibly Scott with

849
00:53:59,520 --> 00:54:03,840
Speaker 1: his cold stone heart. But here we get to the

850
00:54:03,840 --> 00:54:07,040
Speaker 1: debate rock and roll man. She's entered the she's entered

851
00:54:07,040 --> 00:54:11,239
Speaker 1: the Colosseum, right, she wanted it. So here's the next one.

852
00:54:11,920 --> 00:54:15,680
Speaker 1: Now we're in the cafe and Laura Lae says to Jason,

853
00:54:16,120 --> 00:54:21,360
Speaker 1: obviously telling him her parents are separated. The best scene

854
00:54:21,880 --> 00:54:30,239
Speaker 1: I have ever seen from Lauren Graham. This was impressive,

855
00:54:31,239 --> 00:54:34,000
Speaker 1: and I thought it was impressive in the way she

856
00:54:34,160 --> 00:54:40,560
Speaker 1: handled it because it wasn't a big, wile, ugly fight.

857
00:54:40,880 --> 00:54:43,160
Speaker 1: You know, it didn't get out of hand. It was

858
00:54:43,239 --> 00:54:48,640
Speaker 1: just she chose her family. Her family became like you

859
00:54:49,080 --> 00:54:51,640
Speaker 1: you can't, but you don't have to do this. You

860
00:54:51,719 --> 00:54:55,319
Speaker 1: can't sue my family, right, And it was just like,

861
00:54:55,560 --> 00:55:00,200
Speaker 1: that's Laura La Gilmore, that is Emily and Richard's daughter. Right.

862
00:55:00,920 --> 00:55:05,040
Speaker 1: For me, that was as significant a statement as I've

863
00:55:05,080 --> 00:55:08,080
Speaker 1: ever seen in this show. And it was a beautiful moment.

864
00:55:08,120 --> 00:55:11,000
Speaker 1: It was a beautiful, full circle moment for me as

865
00:55:11,040 --> 00:55:14,279
Speaker 1: a fan of the show. And I don't think she's

866
00:55:14,280 --> 00:55:17,080
Speaker 1: ever looked that good. I don't think she's ever been

867
00:55:17,120 --> 00:55:20,439
Speaker 1: more appealing as a character. And I fell in love

868
00:55:20,480 --> 00:55:23,480
Speaker 1: with her all over again. I was like, yes, I

869
00:55:23,520 --> 00:55:28,040
Speaker 1: want that's the that's the woman. I want her family.

870
00:55:28,239 --> 00:55:31,799
Speaker 1: You do not assume my family. And it was an

871
00:55:31,800 --> 00:55:35,239
Speaker 1: easy and what I loved the ease of the transition

872
00:55:35,400 --> 00:55:38,320
Speaker 1: of like we used to be together, now we're not together,

873
00:55:38,440 --> 00:55:40,919
Speaker 1: and I'm going to leave now without any fanfare bye,

874
00:55:41,480 --> 00:55:44,160
Speaker 1: and just the look in her eyes. It wasn't dramatic,

875
00:55:44,440 --> 00:55:48,239
Speaker 1: it was, but it was the but therefore it was

876
00:55:48,280 --> 00:55:50,600
Speaker 1: the soul of drama because she didn't give that much.

877
00:55:51,000 --> 00:55:53,520
Speaker 1: There was an easy decision. I agree with how you're

878
00:55:53,600 --> 00:55:56,240
Speaker 1: saying it. And she's like, he's saying it's just business,

879
00:55:56,239 --> 00:55:57,799
Speaker 1: and she's like, you don't have to do this, Like

880
00:55:58,480 --> 00:56:02,279
Speaker 1: do you think it was her best I've ever seen her?

881
00:56:03,040 --> 00:56:04,760
Speaker 1: Do you think anything would have changed if she didn't

882
00:56:04,800 --> 00:56:08,000
Speaker 1: have the conversation with Richard first though about like financials

883
00:56:08,000 --> 00:56:10,520
Speaker 1: and stuff. She had to have the conversation with Richard.

884
00:56:10,680 --> 00:56:13,680
Speaker 1: She had to come off that way. No. No, I'm saying,

885
00:56:13,680 --> 00:56:16,120
Speaker 1: like what if I think No, I think that if

886
00:56:16,200 --> 00:56:21,839
Speaker 1: Jason suing, then it's just done. Yeah, it doesn't matter.

887
00:56:22,440 --> 00:56:25,880
Speaker 1: You know that. You're right, you're gonna assume my family.

888
00:56:25,920 --> 00:56:28,440
Speaker 1: You're gonna put me in that pickle. It's like, I

889
00:56:28,480 --> 00:56:30,520
Speaker 1: know what my father did to you, but think about

890
00:56:30,560 --> 00:56:33,840
Speaker 1: what what you did to get, you know, just to

891
00:56:34,640 --> 00:56:37,040
Speaker 1: heat up your to boil yourself in your own pot.

892
00:56:37,239 --> 00:56:40,080
Speaker 1: Because he was being completely selfish and that's I mean

893
00:56:40,160 --> 00:56:42,319
Speaker 1: Richard was as well, but Richard was more of a

894
00:56:42,360 --> 00:56:45,680
Speaker 1: family thing. And and for for Jason, it's like it's

895
00:56:45,719 --> 00:56:47,840
Speaker 1: just about his reputation. That's all it comes down to.

896
00:56:49,160 --> 00:56:53,719
Speaker 1: Love love that scene, that scene. Yeah, I agree. Right

897
00:56:53,760 --> 00:56:57,759
Speaker 1: after that, I wrote, Wow this up. Yeah, that was powerful.

898
00:56:58,080 --> 00:57:01,160
Speaker 1: That was powerful scene, and I thought he played it

899
00:57:01,160 --> 00:57:04,439
Speaker 1: beautifully too, because obviously he knew beforehand what the scene

900
00:57:04,480 --> 00:57:06,759
Speaker 1: was about. So I think the two of the two

901
00:57:06,800 --> 00:57:09,680
Speaker 1: of them handled that that beautifully. That scene, that's my

902
00:57:09,760 --> 00:57:13,440
Speaker 1: favorite scene, and it might be the entire four years

903
00:57:13,440 --> 00:57:16,880
Speaker 1: so far. I just I loved her in that scene.

904
00:57:17,040 --> 00:57:22,360
Speaker 1: I thought, man, what you know? So proud to know

905
00:57:23,120 --> 00:57:28,560
Speaker 1: brings us to favorite lines, which I think that's easy agreement,

906
00:57:28,920 --> 00:57:33,000
Speaker 1: that's easy. Go ahead, Tara. I mean we did how

907
00:57:33,000 --> 00:57:41,760
Speaker 1: many lucial balls? Yeah, I think I'm gonna do how

908
00:57:41,800 --> 00:57:48,200
Speaker 1: many divorce decrees? Like mine was the same as Taras

909
00:57:48,240 --> 00:57:58,160
Speaker 1: so whole scene. Yeah, I'm like, the whole face mar

910
00:57:58,400 --> 00:58:02,280
Speaker 1: this episode? What do we what do do? How many mailboxes? Etcetera?

911
00:58:02,600 --> 00:58:05,479
Speaker 1: Or what about the what was it? The meatball thing?

912
00:58:06,000 --> 00:58:10,960
Speaker 1: May meatball explosions on the forehead? How many? How many

913
00:58:11,000 --> 00:58:16,919
Speaker 1: lonely symbol slaps? Should everybody do their own? Yes? Maybe

914
00:58:16,920 --> 00:58:19,000
Speaker 1: we should always do our Just pick one and go

915
00:58:19,080 --> 00:58:26,680
Speaker 1: with it, Daniel, nine out of ten kisses on the forehead, Mom, Tara,

916
00:58:27,200 --> 00:58:31,800
Speaker 1: I'm gonna give it a nine out of ten meatball explosions.

917
00:58:33,440 --> 00:58:36,600
Speaker 1: I was going eight point five meatball explosions, but I

918
00:58:36,640 --> 00:58:39,120
Speaker 1: think I'll do um instead, I'll do eight point five

919
00:58:39,200 --> 00:58:50,400
Speaker 1: Dragonfly minivans. There you go. I'm gonna give it um

920
00:58:50,680 --> 00:59:00,160
Speaker 1: nine point nine eight broken Suki foots, good one, good one?

921
00:59:01,520 --> 00:59:05,720
Speaker 1: Favorite lines? What's favorite lines? We did them? Well? Who

922
00:59:05,800 --> 00:59:10,040
Speaker 1: did them? Who did? Who did you? I didn't hear yours?

923
00:59:10,040 --> 00:59:13,200
Speaker 1: What were yours? But I have I have I have

924
00:59:13,280 --> 00:59:16,280
Speaker 1: some balls. Oh so everybody liked the balls thing? All right?

925
00:59:16,360 --> 00:59:20,880
Speaker 1: That was my least favorite line. Oh yeah, it was. Uh.

926
00:59:21,040 --> 00:59:26,280
Speaker 1: I like Rory's line when she said, uh, I know,

927
00:59:26,600 --> 00:59:28,919
Speaker 1: you know, people get all that. They say things change,

928
00:59:28,960 --> 00:59:30,720
Speaker 1: but not in the same and not in one week,

929
00:59:34,480 --> 00:59:38,520
Speaker 1: all in one. Alright, everybody, Next episode, Season four, Episode

930
00:59:38,520 --> 00:59:42,080
Speaker 1: twenty one, almost done, Season four, Luke can see her face.

931
00:59:43,280 --> 00:59:48,560
Speaker 1: Oh oh, could this be the episode? Is this the

932
00:59:48,640 --> 00:59:51,960
Speaker 1: lead up to this finale? Oh no, this is not

933
00:59:52,000 --> 00:59:54,720
Speaker 1: the finale? I guess Oh this is this is really

934
00:59:54,960 --> 01:00:00,160
Speaker 1: heating up, folks, heating up? Right? Um? Alright, a US,

935
01:00:00,200 --> 01:00:05,400
Speaker 1: that's that terrific episode. Um. This is the first time

936
01:00:05,400 --> 01:00:07,200
Speaker 1: I haven't given something to ten in a long time.

937
01:00:07,280 --> 01:00:10,640
Speaker 1: It's nine point nine eight is fine, it's point to

938
01:00:13,880 --> 01:00:17,439
Speaker 1: um anyway. Um, that's it, folks, Thank you so much

939
01:00:17,480 --> 01:00:20,800
Speaker 1: for downloading. Best fans on the planet. Keep your cards

940
01:00:20,800 --> 01:00:25,360
Speaker 1: and letters come and we sniffing lee appreciate them and

941
01:00:25,760 --> 01:00:29,000
Speaker 1: we will not turn our noses up even though they

942
01:00:29,040 --> 01:00:31,480
Speaker 1: may be running at any of them. And then we

943
01:00:31,560 --> 01:00:37,840
Speaker 1: lead them through it. We read them all through our tears. Alright,

944
01:00:37,880 --> 01:01:11,640
Speaker 1: best everybody, stay safe now, see you next time. Yeah, hey, everybody,

945
01:01:11,640 --> 01:01:14,959
Speaker 1: and don't forget Follow us on Instagram at I Am

946
01:01:15,040 --> 01:01:19,520
Speaker 1: all In podcast and Emailie at Gilmore at I heart

947
01:01:19,640 --> 01:01:22,760
Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking

948
01:01:22,800 --> 01:01:24,560
Speaker 1: for the best cup of coffee in the world, go

949
01:01:24,640 --> 01:01:28,400
Speaker 1: to my website for my company scott ep dot com

950
01:01:28,520 --> 01:01:30,680
Speaker 1: s C O T T y P dot com, scott

951
01:01:30,680 --> 01:01:41,640
Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.