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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a terminol and gay a.

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Speaker 1: We want to send you off instile.

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Speaker 2: We want to welcome you back home. Tell us all

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Speaker 2: about it.

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Speaker 1: We scared her? Was it fine? Malborn? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride? Do you need to ride? Do you need

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Speaker 1: to ride?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need.

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Speaker 3: With Karen and Chris welcome to do need to ride?

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Speaker 1: This is Chris Fairbanks and this is Karen Kilgareth.

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Speaker 4: I swear it's me, even though I sound like a

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Speaker 4: dusty cowboy.

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Speaker 5: You sound like a cold commercial. If you audition for

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Speaker 5: a cold commercial right now, you get it?

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Speaker 3: Oh coffee aching stuffy had fever. I wish I could

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Speaker 3: rest medisone?

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Speaker 5: Thank you, mister Fairfield, Thank you Fairbanks. Yes, that was

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Speaker 5: a great performance. Could you do it again and just

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Speaker 5: dial it down.

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Speaker 1: A little bit?

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Speaker 3: Oh? Oh god, how's that perfect? Thank you? Thank you,

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Speaker 3: thank you.

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Speaker 1: We'll call your manager agent manager.

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Speaker 3: I am a free agent. Oh I take my own calls.

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Speaker 1: On baseball only or all comedy as well.

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Speaker 3: I just alt comedy.

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Speaker 1: I just know comedy.

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Speaker 4: I was up late, and I guess I was screaming

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Speaker 4: and forgot. I don't know why I sounded like Nick

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Speaker 4: Nolty a joke by Martha Kelly, who's going to be

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Speaker 4: our guest?

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Speaker 5: Oh nice, you burn up a little har material as

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Speaker 5: an intro.

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Speaker 3: Well, I knew she wasn't going to do it. She

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Speaker 3: said when I moved.

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Speaker 4: Her joke was when I moved to Texas, I saw

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Speaker 4: myself becoming a new person. I just didn't realize that

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Speaker 4: person might be Nick Nold because she said she was

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Speaker 4: drinking and smoking a lot since I moved to Askin,

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Speaker 4: all I've been doing is drinking and smoking.

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Speaker 3: That's what I ruined the joke.

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Speaker 1: It's such a good joke either way. You can't ruin

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Speaker 1: that joke.

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Speaker 4: I'm so excited for her to be in the car

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Speaker 4: with But we can talk about her while she's here.

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Speaker 1: Okay, right, everybody, get your orders ready? Oh yes, yestro

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Speaker 1: cold brew.

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Speaker 3: We'll be back in a minute. Right now, we're going

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Speaker 3: to order Starbucks. Oh sure, I interat we interrupted each other.

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Speaker 1: Where'd you get the sunglasses?

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Speaker 3: Amazon?

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Speaker 1: Amazing?

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Speaker 3: They really put me in a good mood. I was

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Speaker 3: wearing them. Don't wear them morning.

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Speaker 5: Maybe let's use them when we need them, like on

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Speaker 5: who wants to be a millionaire?

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Speaker 3: Right?

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Speaker 1: Don't burn them up?

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Speaker 3: Really your phone glass?

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Speaker 5: It makes me feel like there's a friend on the

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Speaker 5: phone wearing these glasses.

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Speaker 3: Do people drink coffee?

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Speaker 1: That's okay? Can I get a Venti iced coffee? What

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Speaker 1: do you want?

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Speaker 3: I'll have Grande ice coffee, but nothing in it?

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Speaker 1: And also sorry, Grande ice coffee, Stephen. I'll do Grande

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Speaker 1: Vanilla latte ice okay, first day of the summer and

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Speaker 1: a Grande Vanilla latte iced? Please? Is there anything in

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Speaker 1: those ice coffees? No? But they're both clean?

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Speaker 4: Maybe else?

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Speaker 1: That's all okay? Why are you mad at me? It

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Speaker 1: always goes wrong?

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Speaker 3: What happened to us?

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Speaker 5: There's one guy that works here that I'm pretty sure

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Speaker 5: doesn't like.

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Speaker 3: Me really, just by his voice.

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Speaker 5: The voice, the vibe when I get up to the

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Speaker 5: window every time, I feel coldness.

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Speaker 4: Sometimes though, in a drive through situation, once you're in

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Speaker 4: front of them and you see their face and all

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Speaker 4: balances out because he sounds like a jerk. But then

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Speaker 4: you see him and he's like, hey, happy face.

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Speaker 1: True that's true.

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Speaker 5: But I've gone through this once before with this guy

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Speaker 5: and it didn't happen that way.

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Speaker 1: It felt like I owed him fifty dollars.

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Speaker 3: Huh. I don't like it when people treat you like

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Speaker 3: you owe money.

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Speaker 1: It could be my projection. You know.

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Speaker 5: I've been listening to a lot of you know, Ram

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Speaker 5: Das has a podcast.

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Speaker 3: I'm going I'm going to listen to it.

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Speaker 5: There's a podcast called be Here Now Now, and it's

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Speaker 5: just all his old speeches from the seventies to.

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Speaker 1: Like through the two thousands or nineties or whatever.

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Speaker 5: And it's so good because all it is is like, yeah,

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Speaker 5: everyone's just tripping out and thinking everything's real and nothing's real. Oh,

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Speaker 5: like a thousand different ways of saying that.

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Speaker 1: It's very cool.

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Speaker 4: I want Yeah, would that Would it make me feel good?

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Speaker 4: Or would I start to feel like life it's worthless?

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Speaker 1: No?

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Speaker 5: No, you feel good because it's that the point of

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Speaker 5: life is not to suffer.

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Speaker 1: Your going to suffer, that's automatic.

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Speaker 5: The point of life is letting go and trying to

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Speaker 5: cause less negative shit in the world and instead help, but.

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Speaker 3: At the same time reminding me I will suffer.

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Speaker 1: Well, that's inevitable. I don't have to be reminded because

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Speaker 1: it's probably already had.

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Speaker 3: I should not always be thinking that anyway.

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Speaker 1: No, it's just gonna happen. You don't have to think it.

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Speaker 1: That happened, but right when I wake up is what

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Speaker 1: I should be thinking. Now, Okay, you already are.

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Speaker 3: Okay, I'm suffering.

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Speaker 1: Now you're suffering, and the goal is try to stop.

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Speaker 3: Are other people suffering at my hands?

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Speaker 1: Stephen suffering because of this conversation? For sure?

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Speaker 4: Let's put on that happy glass. These are literally rose

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Speaker 4: colored lenses.

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Speaker 1: They're bright red lenses. Are so nice to look through.

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Speaker 4: The sky is I mean, I don't want to describe

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Speaker 4: my acid trip right now, but these glasses are.

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Speaker 3: It's it's a it's.

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Speaker 1: Like, excuse me, excuse me? While I kissed the sky?

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Speaker 1: Can I have my son?

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Speaker 6: My? Oh?

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Speaker 1: What is it about these?

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Speaker 5: They make the the sky is lavender? It turns the

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Speaker 5: sky lavender and everything else pink and then your whole

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Speaker 5: like it feels like the same feeling as eating with sobby.

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Speaker 1: Can I have my purse?

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Speaker 3: So I need that?

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Speaker 5: It's it's the Starbucks card. Oh, yes, that our friend

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Speaker 5: gave us. And I believe Pittsburgh but now I can't remember.

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Speaker 4: So last night, I uh went to a I was

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Speaker 4: invited to a house party, okay, and I knew nothing

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Speaker 4: about it. My friend just said, yeah, there's food, and

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Speaker 4: it's in the hills behind UCB.

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Speaker 3: And so it was this just beautiful house with a

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Speaker 3: pool and a bunch of people.

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Speaker 4: I just knew two people there, my buddy Chadwick, who

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Speaker 4: used to put on shows and we're pretty close.

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Speaker 3: But I didn't know anyone else there.

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Speaker 4: And then gradually throughout the night everyone was a beautiful person.

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Speaker 4: I'm like, I guess it was my first reminder of

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Speaker 4: what it's like to be in a Hollywood party.

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Speaker 3: But they were my age. Just everyone was gorgeous.

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Speaker 5: Yeah, and everyone, hi, I know that's okay.

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Speaker 1: I'm not sure how much are all music? Cards?

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Speaker 4: And everyone at this party was super friendly.

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Speaker 1: Oh okay, great, I'm gonna start over. I will thank you. Look,

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Speaker 1: you knew I was driving through the whole time.

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Speaker 3: I'd forgotten g.

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Speaker 1: The coal in that card. Oh, thank you, coffee, thank you.

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Speaker 5: That one's mine, right, I'll put that on the door.

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Speaker 5: Then oh, everyone gets a straw, thank you, that's yours.

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Speaker 5: Thanks Stephen, thank you.

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Speaker 1: Color not even close Hong Kong.

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Speaker 5: Okay, sorry you were out. The beautiful people were at

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Speaker 5: the party I was. It was clearly not a comedy party.

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Speaker 4: It wasn't, although some people knew about comedy. And the

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Speaker 4: guy that lived there had done some commercial acting, and

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Speaker 4: I recognized him as a Mazarro looking who's that actor

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Speaker 4: that was in company of men?

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Speaker 5: Oh, the guy with Aaron Aaron beautiful face, Aaron beautiful face.

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Speaker 3: So he was a beautiful man, buddy.

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Speaker 4: It was just like, I get uncomfortable when everyone around

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Speaker 4: me is like.

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Speaker 3: A model and a model.

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Speaker 4: Yeah, and then I get even more uncomfortable when they're

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Speaker 4: coming up. I'm like, okay, scientology is happening or something,

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Speaker 4: because everyone was saying, hey, how were you?

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Speaker 3: They were all being really nice and welcoming to.

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Speaker 1: Me, and then everyone watching No.

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Speaker 4: Friendly people, beautiful people. Numbers are dwindling. No, it's getting

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Speaker 4: down to a musical chairs situation. Are they going to

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Speaker 4: lay down at tarp? Is this going to be an orgy?

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Speaker 1: Is this another one of your orgy mistakes?

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Speaker 4: Am I going to be asked to leave when said

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Speaker 4: or starts? Which happened at a lobster bake. It turned

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Speaker 4: into an orgy. I didn't want to see anyone naked,

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Speaker 4: but I did. My feelings were hurt when because I

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Speaker 4: was alone, I didn't have a partner to share.

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Speaker 3: I was asked to leave. Yes, but I'm like, can

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Speaker 3: I watch just as a scientist?

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Speaker 5: You know, no unless you put this clinique Jackson, I

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Speaker 5: have a clipboard?

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Speaker 3: May I watch your orgy?

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Speaker 1: Please?

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Speaker 5: May I just comment and tap the pen against my

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Speaker 5: mouth every once in a while.

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Speaker 4: So these women were can I get your contact your Instagram?

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Speaker 4: Or I'm like, okay, maybe it's a networking thing. I

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Speaker 4: don't I'm too old for Why is this woman asking

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Speaker 4: for my information? I finally just asked a girl there,

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Speaker 4: I'm like, why is everyone here beautiful?

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Speaker 3: What is this?

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Speaker 4: And she said, oh, we were sent here by a

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Speaker 4: millionaire matchmaker. They were at a party to meet rich men,

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Speaker 4: and they were confusing me for a rich man.

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Speaker 1: What, yes, are you serious?

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Speaker 3: Happened?

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Speaker 5: Chris?

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Speaker 1: You have to call all of these women, call them all.

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Speaker 3: It would sounds expensive, but.

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Speaker 5: Look, what they want at the end of the day

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Speaker 5: is security and love. It doesn't mean dollar dollar dollar bills.

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Speaker 1: It doesn't have to.

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Speaker 4: Once once I heard millionaire matchmaker, I was.

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Speaker 3: Like, okay, I do.

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Speaker 4: And then and then someone said, yes, that guy was

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Speaker 4: on the Bachelor, this guy there, there's a scene, there's

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Speaker 4: a reality slash.

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Speaker 3: Let's marry rich people.

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Speaker 4: I'm not saying it's a prostitution or anything, of course not.

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Speaker 3: It's like, hey, let's all put these people in the

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Speaker 3: same place. Sure, it's fine.

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Speaker 1: Yes, you're not calling the cops or being.

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Speaker 3: A narc No, no, but it was.

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Speaker 4: I'm really I'm glad that I have that story and

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Speaker 4: that I've told it.

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Speaker 1: Chris, you have to call those women.

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Speaker 5: You have to get in contact and say, hey, I

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Speaker 5: know that you think, you think you know what you need.

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Speaker 1: But I'm Chris Fairbanks, and I'm here to say, you

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Speaker 1: know what are you wrap? They're your white wrap that.

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Speaker 3: You like to do, and I'm here to say.

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Speaker 1: I'm in love with you in a major way. Isn't

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Speaker 1: that what you want? At the end of the day,

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Speaker 1: that was good.

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Speaker 4: You had a girl, though, and then all of a sudden

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Speaker 4: it didn't run. Oh I don't want to be a stickler.

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Speaker 5: Look, I was doing more of Bobby Brown into flude wrap.

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Speaker 1: Right right place the word girl in.

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Speaker 3: All right, it's your prerogative to do so.

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Speaker 1: Look she's your TENDERNI you know it. I know it.

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Speaker 3: Did you ever say that.

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Speaker 1: Yes is a song and put it on and get

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Speaker 1: sued It'll be worth it. Yes, you don't know that song.

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Speaker 1: I hate that word. Sorry, we have this, Sorry, we have.

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Speaker 5: A cat and a pause for gas, pause for gas.

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Speaker 5: I love that all of a sudden that we were

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Speaker 5: surrounded by baby skateboarders.

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Speaker 3: Yeah, look at that.

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Speaker 4: It reminds me. That's why I love that mid nineties

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Speaker 4: movie so much. It's just my That's what I did.

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Speaker 4: I would go with my friends and we'd skate at

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Speaker 4: gas stations.

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Speaker 1: Because it's a little bump.

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Speaker 4: Also because the curbs always had metal on the edges

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Speaker 4: so you could grind on it. Oh okay, and those

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Speaker 4: kids and then Stephen was taking their picture and it's

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Speaker 4: so you're m a rip. Yeah, So Stephen was taking

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Speaker 4: the pictures of those skater kids.

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Speaker 3: Can I help you with them? Mike? I think you're good.

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Speaker 3: When that was the best that was ended, Mike Lapel,

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Speaker 3: I've ever.

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Speaker 5: Seen one handed Lapel snat. Okay, but you were saying

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Speaker 5: they were actually good.

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Speaker 3: It's just it's no, no, they were. They were just

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Speaker 3: cute kids.

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Speaker 4: And I'm nostalgic, but once Steven's taking a photo of him,

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Speaker 4: I understand why he felt uncomfortable using this against me,

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Speaker 4: because you're not supposed to.

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Speaker 5: It's okay if I do it, though, because I'm like

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Speaker 5: the old gal guests.

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Speaker 4: I was at the Venice skate park a few years

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Speaker 4: ago and some guy with a nice camera was just

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Speaker 4: taking pictures of kids skateboarding, which is harmless enough, but

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Speaker 4: he was hiding the camera under a jacket. You and

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Speaker 4: he was just taking pictures of a couple little kids. Yes,

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Speaker 4: so I kind of noticed it was happening and I

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Speaker 4: but it wasn't registering. Then all of a sudden, one

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Speaker 4: of the dads of one of the kids got in

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Speaker 4: this guy's face and I think he grabbed the.

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Speaker 3: Camera and threw it down. There was like an altercation.

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Speaker 4: Good and I was like, actually, I think I interrupted

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Speaker 4: and I was like, I think, actually, this guy was

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Speaker 4: just taking photos of skateboarding. I don't think it was

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Speaker 4: in a creepy way. And the guy was from France

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Speaker 4: or something. He didn't speak English, the photographer guy, so

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Speaker 4: it was a how convenient And then the dad was like, oh,

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Speaker 4: and then it it what I don't know, I don't

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Speaker 4: know if he was.

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Speaker 3: Reacting appropriately. Appropriately he was or not.

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Speaker 5: He probably was, because if the camera was not under

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Speaker 5: a jacket, it would be a different story.

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Speaker 1: And if the guy was like, I'm doing this thing,

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Speaker 1: is it okay? You can't just go take pictures of.

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Speaker 4: Jar I couldn't tell how much tell you about the

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Speaker 4: time in Austin some guy pulled up. I was skateboarding,

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Speaker 4: some guy in a classic white window liss fan, so

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Speaker 4: I thought he's a delivery man or something. He pulled

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Speaker 4: over and said, hey, man, I am doing a photo

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Speaker 4: book about different athletes and there and it's like a

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Speaker 4: body book.

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Speaker 3: I uh, can I see your abs? No?

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Speaker 1: I'm like, how old were you?

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Speaker 4: I was in my mid twenties. I'm like I don't sure.

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Speaker 4: And I pulled up my shirt and he took a

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Speaker 4: picture and then he just kind of smiled and I

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Speaker 4: was like hey, and they drove off.

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Speaker 3: So he got a free he had got a freebie.

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Speaker 4: He's a he's a ab snapshot bandit and the joke's

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Speaker 4: on him.

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Speaker 3: I never in my.

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Speaker 4: Life have I had abs. So he was like probably

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Speaker 4: kind of disappointment. It's like that's a skateboarder's midsection. That

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Speaker 4: seems a little swishy.

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Speaker 5: But you're like, yeah, okay, wait a second, just like

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Speaker 5: an eight second delay.

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Speaker 4: He smiled a little, like I'm not writing a book.

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Speaker 4: I'm gonna look at these in a parked in a

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Speaker 4: field somewhere.

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Speaker 1: That's the thing about the thing about perves. They always

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Speaker 1: give themselves away.

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Speaker 5: Yeah, they can't help but snicker and laugh, yeah, and

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Speaker 5: be creeps.

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Speaker 3: And curl their lip and have their their brow sweat

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Speaker 3: a little.

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Speaker 1: Yeah, collect children in a cage underneath the city.

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Speaker 5: Ooh, dectable children.

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Speaker 3: And take pictures of about a gas station.

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Speaker 5: Sorry, Stephen, but you're reported to the police.

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Speaker 1: It's such a setup.

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Speaker 5: I was like, Stephen, casually do this favor for me.

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Speaker 5: It's podcasts related. Therefore you have to.

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Speaker 3: Say, yeah, yes, yes, the next.

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Speaker 1: Thing I know.

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Speaker 5: Now I got the goods on you, Stephen. Yeah, you

337
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Speaker 5: got to watch it.

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Speaker 1: In this town.

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Speaker 4: Uh, they are not gonna like you specifically in the

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Speaker 4: big House. You're gonna have to give a lot of

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Speaker 4: a lot of your desserts away.

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Speaker 5: I feel like Stephen would be just like Paddington do

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Speaker 5: too in the Big House, where he would go in

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Speaker 5: and you'd be so worried for him but then he'd

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Speaker 5: start recording everybody's podcast and he would become like the

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Speaker 5: jailhouse accountant where he's actually beloved.

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Speaker 4: Oh yeah, he'd have the first behind the prison scenes

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Speaker 4: HBO podcast.

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Speaker 5: Yeah, well, you know there is one jail talk it is.

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Speaker 5: There is one from fucking San Quentin, and it's amazing.

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Speaker 5: Oh wow, yes, shit, Stephen. What's it called. We've talked

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Speaker 5: about it on my favorite murder. It's really good.

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Speaker 1: It's it's god damn it. I can't fucking remember anything.

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Speaker 1: I have to stop eating sugar.

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Speaker 3: Is that? Do you think it's sugar?

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Speaker 5: It is absolutely. When I eat sugar and carbs, it's

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00:17:35,000 --> 00:17:37,760
Speaker 5: like fog brain. I can't think of anything. It's so

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Speaker 5: bad for your brain.

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Speaker 4: Really, yeah, it is the name of the podcast.

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Speaker 3: Oh wow, thank you. That's an interesting name. It makes

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Speaker 3: me want to listen.

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Speaker 5: You should because it's it's it's inmate hosted and then

363
00:17:52,960 --> 00:17:55,439
Speaker 5: inmate stories of either how they got there or what

364
00:17:55,480 --> 00:17:59,240
Speaker 5: they're doing or whatever. But it's amazing. It's really eye opening.

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Speaker 5: And I think it's co produced. I want to say

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00:18:02,280 --> 00:18:03,880
Speaker 5: it's co produced, like by wondering.

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00:18:04,520 --> 00:18:06,800
Speaker 1: I'm not. I can't remember. But let's not get into

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Speaker 1: more information.

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Speaker 3: I guess yes.

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00:18:10,600 --> 00:18:15,560
Speaker 5: The list of possible information you're either produced by Wondering

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Speaker 5: or any other place.

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Speaker 1: There is me own radiotopia, and I.

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Speaker 4: Think I am as interested in prison situations as you

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Speaker 4: are in murders.

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Speaker 3: I watch all of the documentary.

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Speaker 1: Is that true?

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Speaker 3: There's an HBO one, Yeah.

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Speaker 1: Lock up row.

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Speaker 3: This guy became a racist murderer in prison. He was

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Speaker 3: put in jail.

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Speaker 4: I can't remember what for attempting to kill someone, and

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Speaker 4: then he became a terrible person in prison.

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Speaker 3: It was just about the criminal he became behind bars, right.

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Speaker 1: Was it a white supremacist thing or was it a

385
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Speaker 1: blood stick?

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Speaker 3: It was a white supremacist thing.

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Speaker 6: Yeah.

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Speaker 5: I think that's very common because you have to join

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Speaker 5: your group to stay alive in prison.

390
00:19:01,320 --> 00:19:06,800
Speaker 4: And my friend in Austin Vegas, James, was from Las Vegas.

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Speaker 3: And he was in a lot of punk bands and

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Speaker 3: he was in a band.

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Speaker 4: With a guy from dri He was in that scenemimbeciles. Yes,

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Speaker 4: the drummer was a drummer in his band and this

395
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Speaker 4: guy was one of his friends.

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Speaker 3: Wow.

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00:19:21,119 --> 00:19:25,280
Speaker 4: And he was like, and now he's a empty person

398
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Speaker 4: in prison. That sucks shit And the prison made him

399
00:19:29,200 --> 00:19:32,440
Speaker 4: that way it's yes, and maybe he also had a

400
00:19:32,480 --> 00:19:36,439
Speaker 4: void to fill his brain that it was yearning for

401
00:19:36,560 --> 00:19:37,879
Speaker 4: evil could have.

402
00:19:37,880 --> 00:19:40,359
Speaker 1: Been or he just didn't think it through. That's this.

403
00:19:40,560 --> 00:19:43,119
Speaker 5: That's the one that I feel like people never it's like, oh,

404
00:19:43,160 --> 00:19:45,520
Speaker 5: but you get what you deserve or whatever. But it's like,

405
00:19:45,560 --> 00:19:48,840
Speaker 5: but there's people in situations where they don't go, but

406
00:19:48,920 --> 00:19:51,639
Speaker 5: I'm going to send myself to a living hell. They go,

407
00:19:51,720 --> 00:19:53,399
Speaker 5: I have to get this thing done. I have to

408
00:19:53,440 --> 00:19:57,439
Speaker 5: do something about my drugs or yeah, yeah, my money

409
00:19:57,520 --> 00:20:01,280
Speaker 5: or whatever. Revenge like it's thinking it through isn't ever

410
00:20:01,320 --> 00:20:02,119
Speaker 5: a big part of it.

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Speaker 4: I want to be on one of those shows where

412
00:20:04,320 --> 00:20:06,479
Speaker 4: I'm like an ex military guy and I yelled at

413
00:20:06,560 --> 00:20:08,560
Speaker 4: him and I just yell at the prisoners.

414
00:20:08,040 --> 00:20:12,080
Speaker 3: And you didn't think it through. You kind of think

415
00:20:12,160 --> 00:20:12,919
Speaker 3: things through.

416
00:20:12,960 --> 00:20:15,760
Speaker 5: Man, it's an ex military guy and or my mom,

417
00:20:16,560 --> 00:20:20,000
Speaker 5: just think it through, Karen, think it through.

418
00:20:21,800 --> 00:20:23,000
Speaker 1: You know who that character is?

419
00:20:24,400 --> 00:20:26,960
Speaker 4: I don't know, but I wanted to see her played

420
00:20:27,000 --> 00:20:28,840
Speaker 4: by Maria Bamford on.

421
00:20:28,880 --> 00:20:33,240
Speaker 5: Something Think it Through. There's a little Canadian accent in there.

422
00:20:33,600 --> 00:20:35,199
Speaker 5: Oh what you think it through?

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00:20:36,720 --> 00:20:40,720
Speaker 3: Where you have you been traveling? Yes? Live? What cities

424
00:20:40,720 --> 00:20:42,720
Speaker 3: have you been doing. Get so excited because you get

425
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Speaker 3: to go to actual city.

426
00:20:43,920 --> 00:20:46,560
Speaker 5: I know we've been to Let's see these last two

427
00:20:46,600 --> 00:20:48,440
Speaker 5: weeks that were back to back, which.

428
00:20:48,240 --> 00:20:51,240
Speaker 1: Made it a little a little hard. Was is this

429
00:20:51,359 --> 00:20:51,840
Speaker 1: my exit?

430
00:20:52,040 --> 00:20:58,280
Speaker 5: It is, it's helping, it is kind of was Pittsburgh.

431
00:20:58,359 --> 00:21:01,640
Speaker 5: Two nights in Pittsburgh since an Indianapolis. Then we came

432
00:21:01,680 --> 00:21:03,960
Speaker 5: home for three days and then we went out to

433
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Speaker 5: Kansas City, Kansas City, Moe and Omahao.

434
00:21:11,240 --> 00:21:11,560
Speaker 3: Wow.

435
00:21:11,880 --> 00:21:15,560
Speaker 4: And when you went to Kansas City, here's a few

436
00:21:15,600 --> 00:21:18,359
Speaker 4: things I realized the miny you get there, if you

437
00:21:18,440 --> 00:21:20,880
Speaker 4: have sprant, which I do, and I'm going to stop

438
00:21:21,640 --> 00:21:22,120
Speaker 4: very soon.

439
00:21:22,160 --> 00:21:23,560
Speaker 3: I'll tell you about that afterwards.

440
00:21:23,560 --> 00:21:25,400
Speaker 1: People, I'd love to hear about your phone bill.

441
00:21:25,560 --> 00:21:28,600
Speaker 4: People know the yesterday they called me and said your

442
00:21:29,000 --> 00:21:33,160
Speaker 4: your new iPhone's arriving, and then last week your iPad

443
00:21:33,240 --> 00:21:33,760
Speaker 4: is arriving.

444
00:21:34,000 --> 00:21:37,160
Speaker 3: Someone has been buying ship buying shit through my.

445
00:21:37,160 --> 00:21:40,800
Speaker 4: Account and it's because I applied for that fake apartment.

446
00:21:41,080 --> 00:21:47,800
Speaker 3: Oh right, yes, I've been having problems yees, identity theft.

447
00:21:47,880 --> 00:21:50,240
Speaker 4: Anyway, Right when you get to Kansas City, though, they're like,

448
00:21:50,600 --> 00:21:54,359
Speaker 4: welcome to Kansas City, and our city's free internet, like

449
00:21:54,560 --> 00:21:56,040
Speaker 4: free WiFi Is that true?

450
00:21:56,160 --> 00:21:57,760
Speaker 1: Yeah, Oh, I didn't even notice.

451
00:21:57,560 --> 00:22:02,280
Speaker 4: They just have WiFi in the city. That's so everyone's

452
00:22:02,480 --> 00:22:05,160
Speaker 4: with Sprint. It's because I guess Sprint is based there.

453
00:22:05,760 --> 00:22:08,600
Speaker 4: And then also that's really smart I did. I did

454
00:22:08,640 --> 00:22:11,520
Speaker 4: shows and I was wandering around. I didn't know anyone,

455
00:22:11,680 --> 00:22:14,960
Speaker 4: and people were so friendly. These guys who I thought

456
00:22:14,960 --> 00:22:17,760
Speaker 4: were going to rough me up were like, hey, you

457
00:22:17,800 --> 00:22:21,720
Speaker 4: knew to town, and I'm like, oh boy, hey guys.

458
00:22:21,800 --> 00:22:24,000
Speaker 4: And then they're like, would you like to go to

459
00:22:24,720 --> 00:22:29,159
Speaker 4: this underground after hour jazz club. And I went with

460
00:22:29,320 --> 00:22:32,800
Speaker 4: these strangers and watched jazz till like four in the morning,

461
00:22:32,880 --> 00:22:35,840
Speaker 4: and it was the best jaz I couldn't believe. I've

462
00:22:35,880 --> 00:22:38,159
Speaker 4: never been a jazz man. You know, I'm not a

463
00:22:38,240 --> 00:22:40,280
Speaker 4: jazz That's true. I do know that I'm not a

464
00:22:40,359 --> 00:22:44,520
Speaker 4: jazz singer. No, I don't. My mom liked a frenetic,

465
00:22:44,560 --> 00:22:46,440
Speaker 4: flippito jazz and it made me nervous.

466
00:22:46,720 --> 00:22:47,639
Speaker 1: It's nerve wracking.

467
00:22:47,720 --> 00:22:50,240
Speaker 4: Yeah, Like like Howard Kramer says, it makes you want

468
00:22:50,320 --> 00:22:56,399
Speaker 4: to go run errands, go to the bank, wash my clothes.

469
00:22:57,680 --> 00:23:00,440
Speaker 3: I don't know that's how that's his jo. Do other

470
00:23:00,440 --> 00:23:03,000
Speaker 3: people's jokes, No, other people's jokes.

471
00:23:03,000 --> 00:23:04,760
Speaker 1: That's the best way to hear jokes.

472
00:23:05,000 --> 00:23:09,400
Speaker 5: Yes, other people interpreting it's me jazz style appreciating.

473
00:23:09,840 --> 00:23:13,520
Speaker 4: But it was the best I've never seen jazz like that.

474
00:23:13,720 --> 00:23:19,240
Speaker 4: It was And apparently there's that. That's part of the

475
00:23:19,320 --> 00:23:21,800
Speaker 4: history of Kansas City. Is there's a New Orleans a

476
00:23:21,920 --> 00:23:22,440
Speaker 4: jazz thing.

477
00:23:22,640 --> 00:23:23,639
Speaker 1: Yeah, they're big.

478
00:23:23,800 --> 00:23:29,200
Speaker 5: They have their own big jazz jazz barbecue justin Timberlake.

479
00:23:29,440 --> 00:23:31,200
Speaker 3: Did you go to the jazz I want to say

480
00:23:31,200 --> 00:23:32,960
Speaker 3: it was called the Green Door or something.

481
00:23:32,960 --> 00:23:34,679
Speaker 5: We didn't go anywhere. We went to a sports bar

482
00:23:34,760 --> 00:23:36,400
Speaker 5: the night we got there because it was the closest

483
00:23:36,440 --> 00:23:36,679
Speaker 5: thing to.

484
00:23:36,680 --> 00:23:39,760
Speaker 3: The hotel where well, you're way deep into sports.

485
00:23:39,760 --> 00:23:43,400
Speaker 5: Oh my god, whether it's basketball or football, I don't

486
00:23:43,560 --> 00:23:45,560
Speaker 5: I don't even give a fuck.

487
00:23:47,400 --> 00:23:49,600
Speaker 3: Actually, sports people do give a fuck. Oh they do.

488
00:23:49,800 --> 00:23:51,399
Speaker 1: Yeah, yeah, yeah they're into it.

489
00:23:51,520 --> 00:23:53,280
Speaker 3: Yeah they really give fucks.

490
00:23:53,320 --> 00:23:56,600
Speaker 1: They that's all they do. Yeah, no, me too so much.

491
00:23:56,840 --> 00:24:00,080
Speaker 5: And what it was was I like TV all on

492
00:24:00,800 --> 00:24:02,520
Speaker 5: super loud while I eat salad.

493
00:24:02,960 --> 00:24:06,080
Speaker 1: And that's what happens at a sports bar, the loudest TV.

494
00:24:06,320 --> 00:24:09,720
Speaker 4: It is important for me on Thanksgiving to have football

495
00:24:09,760 --> 00:24:12,679
Speaker 4: playing in the background. Yes, it is a festive it

496
00:24:12,720 --> 00:24:14,120
Speaker 4: adds to the festivities.

497
00:24:14,359 --> 00:24:16,160
Speaker 5: Yeah, if I went to my father's house and there

498
00:24:16,240 --> 00:24:18,879
Speaker 5: wasn't a sport on the television in the background of

499
00:24:19,040 --> 00:24:21,280
Speaker 5: some kind, it's a very bad feeling.

500
00:24:21,520 --> 00:24:22,640
Speaker 1: That's something very off.

501
00:24:24,480 --> 00:24:26,399
Speaker 5: But we had a great time, and just speaking of

502
00:24:26,480 --> 00:24:30,400
Speaker 5: how cool and nice people are we a couple nights

503
00:24:30,440 --> 00:24:32,560
Speaker 5: in a row, Vince was like, we got it. You

504
00:24:32,600 --> 00:24:34,479
Speaker 5: guys got to stop talking to people. We have to

505
00:24:34,520 --> 00:24:37,119
Speaker 5: move these meet and greets along. Because usually people walk up,

506
00:24:37,160 --> 00:24:39,840
Speaker 5: they say Hi, They'll say like, here's a book I

507
00:24:39,880 --> 00:24:41,520
Speaker 5: want you to read, or here's the thing I want

508
00:24:41,560 --> 00:24:44,320
Speaker 5: you to know. It's like mostly like a one minute,

509
00:24:44,359 --> 00:24:47,520
Speaker 5: two minute exchange. Sometimes people'll be I just want to

510
00:24:47,520 --> 00:24:49,520
Speaker 5: tell you the story, and then they'll tell some amazing thing.

511
00:24:49,800 --> 00:24:51,960
Speaker 5: But for the most part, it's pretty fast. We were

512
00:24:51,960 --> 00:24:55,000
Speaker 5: going so slow in all those cities the last couple

513
00:24:54,960 --> 00:24:57,879
Speaker 5: of weekends that it is like, dude, you guys there,

514
00:24:57,920 --> 00:25:01,120
Speaker 5: like one night the parking structure are the street was closing.

515
00:25:01,200 --> 00:25:03,280
Speaker 5: We took so long, and they're like, we have to

516
00:25:03,320 --> 00:25:05,600
Speaker 5: move people up in the line who are part across

517
00:25:05,600 --> 00:25:05,920
Speaker 5: the street.

518
00:25:05,920 --> 00:25:07,240
Speaker 3: You guys have to stop talking.

519
00:25:07,680 --> 00:25:11,480
Speaker 5: Because every person was like lovely and lovely to talk

520
00:25:11,560 --> 00:25:14,880
Speaker 5: to and like interesting and had something good to say.

521
00:25:14,960 --> 00:25:18,240
Speaker 4: Hey, your people are some of They are coming to

522
00:25:18,280 --> 00:25:20,040
Speaker 4: my shows now and they're the sweetest.

523
00:25:20,080 --> 00:25:22,919
Speaker 3: I love it. I love talking to your fans and

524
00:25:23,000 --> 00:25:25,239
Speaker 3: how our fans. Yeah, they were your, a lot of them.

525
00:25:25,280 --> 00:25:27,320
Speaker 4: I know when they come up to me, I can

526
00:25:27,359 --> 00:25:31,320
Speaker 4: tell sometimes I'm like, you like my favorite murder first,

527
00:25:31,359 --> 00:25:33,199
Speaker 4: and now you know who I am and you like me.

528
00:25:33,240 --> 00:25:34,240
Speaker 3: It makes me feel good.

529
00:25:34,359 --> 00:25:38,840
Speaker 5: Yeah, it's well there they started ass MFM listeners.

530
00:25:38,880 --> 00:25:40,000
Speaker 1: But then I think for a.

531
00:25:39,920 --> 00:25:42,040
Speaker 5: Lot of them, they realize, oh, there's this whole world

532
00:25:42,119 --> 00:25:44,040
Speaker 5: of stuff like this that I can like. That's for

533
00:25:44,119 --> 00:25:47,359
Speaker 5: me when they haven't really been exposed to any of

534
00:25:47,400 --> 00:25:50,480
Speaker 5: that before. Yeah, it's a little more underground, so they're

535
00:25:50,640 --> 00:25:54,560
Speaker 5: genuinely enthusiastic to find things that they really like.

536
00:25:55,119 --> 00:25:55,320
Speaker 1: Yeah.

537
00:25:55,640 --> 00:26:00,520
Speaker 3: I will talk for hours after shows too. Happened the

538
00:26:00,520 --> 00:26:00,920
Speaker 3: other night.

539
00:26:01,000 --> 00:26:04,480
Speaker 4: These women were at my show and everyone left and

540
00:26:04,520 --> 00:26:08,040
Speaker 4: I'm just standing in a parking lot because they wanted

541
00:26:08,119 --> 00:26:08,480
Speaker 4: to talk.

542
00:26:08,520 --> 00:26:09,080
Speaker 3: It was fun.

543
00:26:09,160 --> 00:26:10,200
Speaker 1: Yes, there was a girl.

544
00:26:10,280 --> 00:26:11,800
Speaker 3: Actually lot weird. I'm not weird.

545
00:26:12,080 --> 00:26:14,320
Speaker 1: No, No, I'm not weird, and you're not.

546
00:26:14,520 --> 00:26:15,920
Speaker 3: I'm not weird. We're not weird.

547
00:26:16,000 --> 00:26:17,520
Speaker 1: None of us are fucking weird.

548
00:26:17,600 --> 00:26:18,840
Speaker 3: Some people out there are weird.

549
00:26:18,880 --> 00:26:21,440
Speaker 5: Care there's definitely weirdos out there. It's not any of

550
00:26:21,560 --> 00:26:23,560
Speaker 5: us that we're talking about right now, non DearS Car.

551
00:26:23,720 --> 00:26:26,119
Speaker 5: There was a girl, a woman i should say, who

552
00:26:26,280 --> 00:26:28,840
Speaker 5: was in the meet and greet in Omaha, the last

553
00:26:28,840 --> 00:26:31,320
Speaker 5: city we were just in and we met her, and

554
00:26:31,359 --> 00:26:35,720
Speaker 5: she was really funny, nervous talking, and then once she

555
00:26:35,760 --> 00:26:37,600
Speaker 5: got talking, she had like a list she was reading

556
00:26:37,600 --> 00:26:39,320
Speaker 5: off of she's the things she want us to know,

557
00:26:39,760 --> 00:26:41,840
Speaker 5: and one of them was she wants Chris Fairbanks to

558
00:26:41,840 --> 00:26:42,560
Speaker 5: be her husband.

559
00:26:42,600 --> 00:26:44,400
Speaker 1: And I was like, I will definitely let him.

560
00:26:45,240 --> 00:26:48,119
Speaker 5: It was really cute and hilarious and like she just

561
00:26:48,320 --> 00:26:50,439
Speaker 5: had her list of things of like this is what

562
00:26:50,560 --> 00:26:53,159
Speaker 5: MFM means to me? Now, I'm I'm meant to do

563
00:26:53,200 --> 00:26:55,760
Speaker 5: you need a ride? And she had all her things.

564
00:26:55,840 --> 00:26:59,720
Speaker 4: I've announced already that I'm a terrible husband. Okay, I'd

565
00:26:59,720 --> 00:27:00,399
Speaker 4: never mean.

566
00:27:01,840 --> 00:27:03,280
Speaker 1: But you don't believe in yourself?

567
00:27:03,760 --> 00:27:09,239
Speaker 4: Oh shit, I'm I'm my attention span, you know, like

568
00:27:09,680 --> 00:27:11,600
Speaker 4: I bailed mint sentence right here.

569
00:27:11,760 --> 00:27:12,800
Speaker 1: Sure, Well that's.

570
00:27:12,680 --> 00:27:15,800
Speaker 3: An example of who I am in a relationship. I

571
00:27:15,840 --> 00:27:17,320
Speaker 3: can't even make it to the period.

572
00:27:19,440 --> 00:27:21,959
Speaker 1: Well, you're gonna have to get used to some periods.

573
00:27:22,200 --> 00:27:23,399
Speaker 3: Oh, are we here?

574
00:27:23,600 --> 00:27:26,040
Speaker 5: No, it's that it's the other way. But I couldn't

575
00:27:26,200 --> 00:27:28,600
Speaker 5: like go all the way across into the left, gotcha,

576
00:27:28,880 --> 00:27:30,760
Speaker 5: So I'm making a U turn.

577
00:27:32,520 --> 00:27:34,480
Speaker 3: I will tell her we are here.

578
00:27:34,640 --> 00:27:38,560
Speaker 5: Yeah, we're very close. Oh and now we get to

579
00:27:38,640 --> 00:27:42,600
Speaker 5: drive around beautiful. Uh you know this area I'm at Washington,

580
00:27:42,680 --> 00:27:43,280
Speaker 5: let's call it.

581
00:27:44,680 --> 00:27:46,600
Speaker 1: They look at more skateboard boys.

582
00:27:46,720 --> 00:27:49,760
Speaker 3: There are more skater boys. I'm taking more pictures.

583
00:27:49,920 --> 00:27:50,760
Speaker 1: They're everywhere.

584
00:27:50,760 --> 00:27:55,520
Speaker 5: There wound like flowers in the springtime.

585
00:27:55,760 --> 00:27:57,879
Speaker 4: I used to be like you guys. My hair was

586
00:27:57,960 --> 00:27:59,880
Speaker 4: like he wishes he had straight hair so he could

587
00:27:59,880 --> 00:28:02,280
Speaker 4: have bangs. But it's kind of curly, so it just

588
00:28:02,359 --> 00:28:03,560
Speaker 4: has a big old fluf.

589
00:28:03,920 --> 00:28:05,160
Speaker 1: Yes, it's push it across.

590
00:28:05,440 --> 00:28:07,480
Speaker 3: Oh, it's weird. It's weird what we're doing.

591
00:28:07,960 --> 00:28:11,320
Speaker 5: We're gonna put guys, all right, I'm just a dude,

592
00:28:11,320 --> 00:28:11,880
Speaker 5: black cut.

593
00:28:13,040 --> 00:28:17,800
Speaker 1: We're gonna put black bars across all their eyes. This

594
00:28:17,880 --> 00:28:19,960
Speaker 1: is exploitation, and it's fine.

595
00:28:20,400 --> 00:28:20,760
Speaker 3: Thank you.

596
00:28:21,320 --> 00:28:21,480
Speaker 1: Yeah.

597
00:28:21,560 --> 00:28:21,760
Speaker 3: Yeah.

598
00:28:21,760 --> 00:28:28,040
Speaker 4: I was leaves leaves smelling spring the middle. I wasn't ready.

599
00:28:28,080 --> 00:28:31,040
Speaker 4: I mean, the weather's great, but I was having winter fever.

600
00:28:31,200 --> 00:28:36,000
Speaker 4: I like snow and I like snowboarding, and now it's

601
00:28:36,040 --> 00:28:39,560
Speaker 4: beautiful out and I feel like I missed out on

602
00:28:39,640 --> 00:28:40,080
Speaker 4: a season.

603
00:28:40,080 --> 00:28:42,520
Speaker 3: I'm the only one that doesn't want spring to sprung.

604
00:28:42,840 --> 00:28:43,840
Speaker 1: I have to say that.

605
00:28:44,200 --> 00:28:49,240
Speaker 5: I'm like you where I like the rain lot and

606
00:28:49,280 --> 00:28:50,200
Speaker 5: I'm sad if it's.

607
00:28:50,200 --> 00:28:51,480
Speaker 3: A rainy night.

608
00:28:52,200 --> 00:28:57,320
Speaker 1: You can see in my eyes. But oh is this?

609
00:28:57,640 --> 00:28:59,240
Speaker 1: Did she rent some cute house?

610
00:29:00,080 --> 00:29:03,120
Speaker 4: Now it's I'm it's on the other side. It's what

611
00:29:03,280 --> 00:29:07,840
Speaker 4: a curious Yeah, it's being a curious little monster.

612
00:29:08,040 --> 00:29:12,360
Speaker 5: How am I supposed to get across cute? Those are

613
00:29:12,400 --> 00:29:13,000
Speaker 5: for vacancy.

614
00:29:13,480 --> 00:29:14,200
Speaker 3: This is nice.

615
00:29:14,360 --> 00:29:19,800
Speaker 4: Oh, someone's giving away antique. Someone got vic antiking, it's

616
00:29:19,840 --> 00:29:24,680
Speaker 4: an estate style. Someone got murdered. Come on, Eagle Rock,

617
00:29:24,840 --> 00:29:27,760
Speaker 4: Come on, you guys. It is the coolest name of

618
00:29:27,800 --> 00:29:28,640
Speaker 4: a part of town.

619
00:29:29,120 --> 00:29:33,080
Speaker 3: Eagle Rock. Come on, those two things together.

620
00:29:33,240 --> 00:29:34,720
Speaker 1: Unbelievably rock and roll.

621
00:29:35,440 --> 00:29:38,200
Speaker 3: I want there to be a mascot that is the

622
00:29:38,320 --> 00:29:38,920
Speaker 3: rock Eagle.

623
00:29:39,640 --> 00:29:41,960
Speaker 1: I think there is a rock that looks like an eagle,

624
00:29:41,960 --> 00:29:42,960
Speaker 1: and that's why they named it that.

625
00:29:43,320 --> 00:29:45,960
Speaker 3: Oh wow, yes, let's go visit it.

626
00:29:47,200 --> 00:29:50,240
Speaker 5: We'll have to ask Martha all about her. Must have Margaret.

627
00:29:50,680 --> 00:29:54,920
Speaker 3: I don't know why I used to call her Martin Martin.

628
00:29:55,920 --> 00:29:59,880
Speaker 4: I really did, and I was thinking about that.

629
00:30:00,320 --> 00:30:02,120
Speaker 3: Okay, yay, we made it.

630
00:30:02,200 --> 00:30:05,200
Speaker 1: We did. And we're only at thirty minutes late.

631
00:30:05,560 --> 00:30:07,160
Speaker 3: That's a nice place. I like it.

632
00:30:07,640 --> 00:30:11,080
Speaker 4: Oh are we super late? It's so hard to work. Hey,

633
00:30:11,320 --> 00:30:13,320
Speaker 4: at least we're not at the damn airport.

634
00:30:13,520 --> 00:30:16,200
Speaker 1: Yeah, she's waited at home, which is great news.

635
00:30:17,400 --> 00:30:20,560
Speaker 3: Yes, I'm sure we if you.

636
00:30:20,760 --> 00:30:23,640
Speaker 4: Were attached at all, So I think people sometimes, like

637
00:30:23,720 --> 00:30:26,680
Speaker 4: my mental breakdowns at the airport's at my expense.

638
00:30:27,240 --> 00:30:29,680
Speaker 1: That's right. You can't just do that to yourself for

639
00:30:29,720 --> 00:30:36,360
Speaker 1: other people's entertainment. Oh it is, look at her.

640
00:30:39,200 --> 00:30:44,240
Speaker 5: Oh oh hello, Martha, Oh you can throw that.

641
00:30:44,320 --> 00:30:46,680
Speaker 1: Yeah back Stevens my friend.

642
00:30:47,040 --> 00:30:51,160
Speaker 6: Hey, good, how are you good?

643
00:30:51,640 --> 00:30:56,760
Speaker 3: Goodness? Here here, grasp my hand. Martha and I are

644
00:30:56,800 --> 00:30:59,160
Speaker 3: old friends. Did you know that I did.

645
00:31:00,400 --> 00:31:04,320
Speaker 5: I bet we're gonna hear some Austin stories shipped Howard

646
00:31:04,360 --> 00:31:05,280
Speaker 5: and Laura style.

647
00:31:06,040 --> 00:31:08,400
Speaker 4: Let's talk about the baggy jeans we bore as we

648
00:31:08,600 --> 00:31:11,000
Speaker 4: can't armadillos on the train tracks.

649
00:31:11,520 --> 00:31:13,800
Speaker 3: I never I just watched the intro to that show.

650
00:31:13,840 --> 00:31:16,360
Speaker 3: I never. I know there was an armadillo on the

651
00:31:16,400 --> 00:31:16,920
Speaker 3: train track.

652
00:31:17,040 --> 00:31:19,040
Speaker 5: I have to if it's happening in Texas, Martha, How

653
00:31:19,040 --> 00:31:19,880
Speaker 5: are you, Martha.

654
00:31:19,920 --> 00:31:20,440
Speaker 1: I'm good.

655
00:31:21,960 --> 00:31:24,800
Speaker 6: I saw us last night and I'm upset about it.

656
00:31:24,880 --> 00:31:27,160
Speaker 1: But other than that, I'm pretty good. It's scary, you

657
00:31:27,280 --> 00:31:27,760
Speaker 1: really bad.

658
00:31:27,960 --> 00:31:31,640
Speaker 6: Yeah, and also I don't totally understand it.

659
00:31:33,600 --> 00:31:35,280
Speaker 1: Well that's even Yeah, that's scarier.

660
00:31:35,400 --> 00:31:38,200
Speaker 4: I saw your tweet the day before that you were

661
00:31:38,200 --> 00:31:40,480
Speaker 4: going to see it and you were pre scared.

662
00:31:41,120 --> 00:31:42,040
Speaker 1: Yeah. I was.

663
00:31:43,600 --> 00:31:48,640
Speaker 6: Clenched all the like my hands and fists and recoiling

664
00:31:49,800 --> 00:31:50,160
Speaker 6: in my.

665
00:31:50,200 --> 00:31:54,840
Speaker 1: Seat the whole movie. So a lot of tension. Yeah,

666
00:31:55,000 --> 00:31:56,000
Speaker 1: there's a lot of.

667
00:31:58,800 --> 00:32:02,480
Speaker 6: Who's gonna pop out from behind this next thing?

668
00:32:02,600 --> 00:32:05,840
Speaker 1: And whatever is happening it? Spoiler alert?

669
00:32:06,280 --> 00:32:08,840
Speaker 4: Is there a lot of popping? There's a lot of

670
00:32:08,880 --> 00:32:11,560
Speaker 4: popping of a sudden startling.

671
00:32:12,120 --> 00:32:16,320
Speaker 6: Well, there is a lot of startling, And that's maybe

672
00:32:16,360 --> 00:32:18,720
Speaker 6: the biggest theme in the movie is.

673
00:32:20,320 --> 00:32:28,000
Speaker 1: You're gonna get startled. Isn't that the motto of the movie.

674
00:32:28,800 --> 00:32:35,560
Speaker 1: It's pretty You're gonna get You're gonna get startled in

675
00:32:35,720 --> 00:32:36,440
Speaker 1: the way.

676
00:32:36,440 --> 00:32:37,200
Speaker 3: I want to see it.

677
00:32:37,280 --> 00:32:40,320
Speaker 4: Yeah, I like getting scared, and that was when I

678
00:32:40,400 --> 00:32:43,959
Speaker 4: watched that Hereditary movie. I liked how they didn't have

679
00:32:44,040 --> 00:32:47,720
Speaker 4: any jumpy all of a sudden, like the ring surprise.

680
00:32:47,840 --> 00:32:49,800
Speaker 3: The scary thing is leaping in your face.

681
00:32:49,920 --> 00:32:52,760
Speaker 1: No, that one was realistic, which was even scarier.

682
00:32:52,840 --> 00:32:54,800
Speaker 4: Yeah, it's like in the background, you're like, oh my god,

683
00:32:54,800 --> 00:32:56,640
Speaker 4: Oh you're seeing what I'm seeing it it's hidden.

684
00:32:57,000 --> 00:33:00,680
Speaker 1: Yes, Oh, I don't think I can watch that. You I.

685
00:33:01,360 --> 00:33:04,680
Speaker 1: It sounds intense, it is upsetting.

686
00:33:04,400 --> 00:33:07,680
Speaker 4: And I'm not suggesting you should watch it because it's kind.

687
00:33:07,560 --> 00:33:08,120
Speaker 3: Of a bummer.

688
00:33:09,080 --> 00:33:12,120
Speaker 1: Yes, and it's no good. It's great in a bad way.

689
00:33:12,240 --> 00:33:14,160
Speaker 3: It's great in a sad, scary way.

690
00:33:14,680 --> 00:33:17,520
Speaker 6: When I was walking to my car last night after

691
00:33:17,560 --> 00:33:21,400
Speaker 6: the movie, I started thinking, how do we know for

692
00:33:21,480 --> 00:33:24,800
Speaker 6: sure that we're not all dead?

693
00:33:24,920 --> 00:33:27,560
Speaker 1: And in hell, we don't.

694
00:33:28,920 --> 00:33:30,280
Speaker 3: There's no way to prove it.

695
00:33:30,920 --> 00:33:33,960
Speaker 6: So that that's why I don't think I should see

696
00:33:34,000 --> 00:33:38,120
Speaker 6: scary movies, because that sounds reasonable in my head after

697
00:33:38,200 --> 00:33:39,040
Speaker 6: a scary movie.

698
00:33:39,200 --> 00:33:39,560
Speaker 1: Yeah.

699
00:33:39,600 --> 00:33:42,200
Speaker 4: When I was little, hell was a thing that I

700
00:33:42,240 --> 00:33:44,080
Speaker 4: was scared of. The devil was a thing I was

701
00:33:44,080 --> 00:33:46,720
Speaker 4: scared of. I didn't have religious parents, but I thought,

702
00:33:46,840 --> 00:33:50,120
Speaker 4: at any point, the devil will enter and possess me

703
00:33:50,800 --> 00:33:54,040
Speaker 4: and I won't have control over it. And I am

704
00:33:54,040 --> 00:33:56,440
Speaker 4: a grown up now and I don't think that. So

705
00:33:56,520 --> 00:33:59,680
Speaker 4: when you watch a movie that brings that back. It

706
00:33:59,680 --> 00:34:00,600
Speaker 4: does feel good.

707
00:34:02,320 --> 00:34:05,160
Speaker 5: You know, there's so much you know, ninety six percent

708
00:34:05,160 --> 00:34:06,480
Speaker 5: of the ocean is unexplored.

709
00:34:06,840 --> 00:34:08,080
Speaker 1: The devil could be down there.

710
00:34:08,600 --> 00:34:12,680
Speaker 4: The devil is a phosphorus riddled glowfish.

711
00:34:12,760 --> 00:34:15,840
Speaker 1: Yeah, we don't know. With horn hands, it could be anywhere.

712
00:34:16,280 --> 00:34:19,000
Speaker 5: Anything's possible, and there's nothing that lets you know that

713
00:34:19,080 --> 00:34:20,760
Speaker 5: more than a horror a horror movie.

714
00:34:21,120 --> 00:34:22,919
Speaker 1: But I have a proposition.

715
00:34:23,080 --> 00:34:27,319
Speaker 6: What if in the ocean there are pockets of it

716
00:34:27,440 --> 00:34:28,120
Speaker 6: that are like.

717
00:34:30,040 --> 00:34:31,760
Speaker 1: With little things that are.

718
00:34:31,680 --> 00:34:37,239
Speaker 6: Cute, like the lorax, really sweet, cute, wise creatures that

719
00:34:37,360 --> 00:34:41,000
Speaker 6: are just avoiding us because they've seen what we're capable of.

720
00:34:41,280 --> 00:34:45,919
Speaker 7: Right, I think, Yeah, they call those dolphins and they're

721
00:34:45,960 --> 00:34:48,279
Speaker 7: tired of getting boat props to the back.

722
00:34:48,480 --> 00:34:52,360
Speaker 1: Yeah, they're sick of all of it. I don't blame THEMA.

723
00:34:52,880 --> 00:34:55,280
Speaker 1: How have you are you guys still shooting?

724
00:34:56,040 --> 00:35:00,319
Speaker 6: Yeah, we're about we're almost well, we're actually we're a

725
00:35:00,320 --> 00:35:03,680
Speaker 6: little bit into the second block, so we're not quite

726
00:35:03,719 --> 00:35:04,640
Speaker 6: halfway through.

727
00:35:05,120 --> 00:35:07,400
Speaker 1: How many blocks are there? Four? Three?

728
00:35:08,120 --> 00:35:08,279
Speaker 3: Oh?

729
00:35:08,400 --> 00:35:09,200
Speaker 1: Like each act?

730
00:35:09,920 --> 00:35:10,920
Speaker 3: What are blocks?

731
00:35:12,120 --> 00:35:16,480
Speaker 6: I guess they just they use that to mean each

732
00:35:16,600 --> 00:35:21,520
Speaker 6: section of shooting and then separated by a week of hiatus.

733
00:35:20,960 --> 00:35:23,520
Speaker 3: Like a school semester kind.

734
00:35:23,320 --> 00:35:26,760
Speaker 5: Of Yeah, Okay, did you get good grades last semester?

735
00:35:27,000 --> 00:35:28,520
Speaker 1: Yeah? How'd you do?

736
00:35:28,800 --> 00:35:30,200
Speaker 3: Is the show getting good grades?

737
00:35:30,640 --> 00:35:30,879
Speaker 1: Well?

738
00:35:31,680 --> 00:35:36,920
Speaker 6: I that I cannot answer. There's not enough people watching

739
00:35:37,040 --> 00:35:38,240
Speaker 6: to get a good sample.

740
00:35:39,520 --> 00:35:40,920
Speaker 1: We got to get those numbers up.

741
00:35:41,840 --> 00:35:45,280
Speaker 6: We've got to somehow figure out how to trig people

742
00:35:45,320 --> 00:35:48,160
Speaker 6: into watching this show, and I don't know how to

743
00:35:48,200 --> 00:35:48,560
Speaker 6: do it.

744
00:35:48,680 --> 00:35:51,520
Speaker 4: I love that it is the best. It's a lot

745
00:35:51,520 --> 00:35:53,520
Speaker 4: of people just aren't smart enough for it. I think

746
00:35:53,520 --> 00:35:55,680
Speaker 4: I'm afraid I'm going to have to say that sounds

747
00:35:55,680 --> 00:35:57,080
Speaker 4: like I'm talking down to people.

748
00:35:57,200 --> 00:36:00,520
Speaker 5: Well, I think it is intimidating, you know what I mean.

749
00:36:00,600 --> 00:36:04,960
Speaker 5: That's Bakersfield clowning. It's all the stuff that really intimidates people.

750
00:36:05,000 --> 00:36:07,759
Speaker 3: I love it. I love that show. You guys are

751
00:36:07,800 --> 00:36:09,239
Speaker 3: the coolest for working on it.

752
00:36:09,880 --> 00:36:14,279
Speaker 6: We should take the Ornie Adams philosophy of you know what,

753
00:36:14,320 --> 00:36:16,560
Speaker 6: they're scared of us. That's why they're not That's why

754
00:36:16,600 --> 00:36:18,520
Speaker 6: they don't like get They're scared of how good it is.

755
00:36:18,600 --> 00:36:21,279
Speaker 1: That's right. It is scary when something is of such

756
00:36:21,400 --> 00:36:22,120
Speaker 1: high quality.

757
00:36:23,160 --> 00:36:26,360
Speaker 4: Do you guys think it's weird that Ornie Adams just

758
00:36:26,480 --> 00:36:28,960
Speaker 4: it's still a comic that's like around and you see

759
00:36:29,000 --> 00:36:29,760
Speaker 4: him all the time.

760
00:36:30,840 --> 00:36:31,799
Speaker 1: I don't know who he is.

761
00:36:32,040 --> 00:36:36,239
Speaker 4: He was like the villain in the so yes, he

762
00:36:36,400 --> 00:36:38,520
Speaker 4: was like the villain in the comedian movie.

763
00:36:38,840 --> 00:36:41,120
Speaker 1: Oh, I never watched that. I don't care about comedians.

764
00:36:42,320 --> 00:36:43,320
Speaker 1: They're boring.

765
00:36:43,480 --> 00:36:44,279
Speaker 3: You love them?

766
00:36:44,320 --> 00:36:45,719
Speaker 1: I want them to shut up?

767
00:36:45,880 --> 00:36:47,759
Speaker 3: You want to kiss all the comedians?

768
00:36:47,760 --> 00:36:48,160
Speaker 5: I do?

769
00:36:48,600 --> 00:36:49,920
Speaker 1: Why are they so funny?

770
00:36:50,040 --> 00:36:52,680
Speaker 3: I knew i'd make you admit it. You want to

771
00:36:52,719 --> 00:36:54,120
Speaker 3: french all the clowns.

772
00:36:55,840 --> 00:36:59,160
Speaker 5: Well, you haven't gotten to episode eight yet, have you, Martha.

773
00:36:59,440 --> 00:37:05,120
Speaker 6: No, we well we shoot everything out of order, so

774
00:37:05,320 --> 00:37:09,120
Speaker 6: like they just block they book a location and shoot

775
00:37:09,160 --> 00:37:12,200
Speaker 6: every scene from every episode that's at that location.

776
00:37:12,600 --> 00:37:15,240
Speaker 3: What Yeah, oh wow, that's hard.

777
00:37:16,080 --> 00:37:19,880
Speaker 4: Like, so everything that takes place in a desert situation

778
00:37:20,040 --> 00:37:21,600
Speaker 4: we shoot this way this week.

779
00:37:21,640 --> 00:37:23,720
Speaker 3: And you're all in the math with the story.

780
00:37:24,360 --> 00:37:26,880
Speaker 4: Yeah, so are you saying lines? And you're like, I

781
00:37:26,920 --> 00:37:28,719
Speaker 4: don't even know what I'm talking about right now.

782
00:37:29,360 --> 00:37:33,319
Speaker 6: Because the nice, the brilliant thing about the way the

783
00:37:34,480 --> 00:37:38,840
Speaker 6: my character's written is that it doesn't require any actual acting,

784
00:37:41,560 --> 00:37:45,160
Speaker 6: So it doesn't it doesn't matter what order we shooting

785
00:37:45,360 --> 00:37:48,560
Speaker 6: or what's happening, is.

786
00:37:48,760 --> 00:37:50,480
Speaker 1: Anything that's right.

787
00:37:51,080 --> 00:37:53,560
Speaker 3: You get to just be Martha. Huh.

788
00:37:53,640 --> 00:37:57,920
Speaker 5: But when you are acting, what are the little secrets

789
00:37:57,920 --> 00:37:59,120
Speaker 5: that you take on stage with you?

790
00:37:59,239 --> 00:38:04,160
Speaker 1: Martha? What are your acting secrets? One through five?

791
00:38:04,280 --> 00:38:06,560
Speaker 3: Like Dustin Hoffman used to punch his own face?

792
00:38:06,800 --> 00:38:07,800
Speaker 1: Yeah did he really?

793
00:38:07,960 --> 00:38:09,839
Speaker 3: I don't know. He's very method though.

794
00:38:09,960 --> 00:38:13,799
Speaker 5: In The Marathon Man, Dustin Hoffman stayed up for like

795
00:38:13,840 --> 00:38:15,719
Speaker 5: three days in a row with no sleep, and he

796
00:38:15,880 --> 00:38:18,799
Speaker 5: jogged constantly, and he didn't eat, and he was all

797
00:38:18,800 --> 00:38:20,520
Speaker 5: screwed up. And then he showed up on set and

798
00:38:20,520 --> 00:38:24,359
Speaker 5: he was all like, you know, he was all screwed up.

799
00:38:24,920 --> 00:38:27,360
Speaker 5: And Laurence Olivier looked at him and said, why don't

800
00:38:27,360 --> 00:38:28,240
Speaker 5: you try acting?

801
00:38:28,760 --> 00:38:31,960
Speaker 3: Yes, yes, I've heard that. My dad tells that.

802
00:38:32,040 --> 00:38:34,200
Speaker 1: Story, so does mine. That's really it's the best.

803
00:38:34,360 --> 00:38:37,400
Speaker 4: Yeah, our dad's got the gym's got to get together.

804
00:38:37,520 --> 00:38:38,440
Speaker 1: Yeah, they're gonna party.

805
00:38:38,640 --> 00:38:42,080
Speaker 5: But Martha, like, when you're standing for all the young

806
00:38:42,120 --> 00:38:44,960
Speaker 5: actors listening and there are so many yes, when you're

807
00:38:45,000 --> 00:38:47,080
Speaker 5: standing there and they go roll them, what do you

808
00:38:47,160 --> 00:38:49,960
Speaker 5: do to like keep it together and deliver your comedy?

809
00:38:50,000 --> 00:38:51,719
Speaker 3: Pretend you're on James lift In right now.

810
00:38:51,800 --> 00:38:57,600
Speaker 6: Yeah, Okay, my secrets are I'll just spoiler alert. They're

811
00:38:57,680 --> 00:39:01,520
Speaker 6: dumb and boring, okay, and there's evidence that they work.

812
00:39:01,719 --> 00:39:03,120
Speaker 1: But here's what I do.

813
00:39:03,239 --> 00:39:09,080
Speaker 6: Okay, I always know my lines before we start. That

814
00:39:09,239 --> 00:39:14,040
Speaker 6: is my only real solid contribution to any project, as

815
00:39:14,120 --> 00:39:16,320
Speaker 6: I know my lines when I get there. M h.

816
00:39:16,840 --> 00:39:18,799
Speaker 3: It's an important.

817
00:39:19,560 --> 00:39:24,480
Speaker 6: And and then I'm sorry to say this part because

818
00:39:24,520 --> 00:39:29,959
Speaker 6: it's gonna ruffle some feathers, but I actually pray right

819
00:39:30,160 --> 00:39:32,320
Speaker 6: before the camera roll.

820
00:39:32,640 --> 00:39:35,480
Speaker 1: Is okay, just who do you pray to, Martha? I

821
00:39:35,560 --> 00:39:36,040
Speaker 1: don't know.

822
00:39:36,160 --> 00:39:38,360
Speaker 6: I just I think of it as a as a

823
00:39:38,960 --> 00:39:43,799
Speaker 6: energy force, not a deity, and I just ask for

824
00:39:43,880 --> 00:39:48,080
Speaker 6: whatever is out there to be with me so that

825
00:39:48,200 --> 00:39:52,000
Speaker 6: whatever I'm supposed to do in the scene will come

826
00:39:52,040 --> 00:39:55,520
Speaker 6: out naturally because I really don't ever know what I'm doing.

827
00:39:57,320 --> 00:39:58,719
Speaker 1: I still don't.

828
00:39:58,760 --> 00:40:01,839
Speaker 6: This character on bout Skits is very close to what

829
00:40:01,880 --> 00:40:04,480
Speaker 6: I'm like in real life, and I still don't know how.

830
00:40:04,360 --> 00:40:07,480
Speaker 1: To do that character. Well, that's the hardest one to do.

831
00:40:08,120 --> 00:40:10,719
Speaker 5: How can you How can you observe yourself well enough

832
00:40:10,760 --> 00:40:11,520
Speaker 5: to play yourself?

833
00:40:12,040 --> 00:40:13,879
Speaker 1: That's hard. I don't know.

834
00:40:13,960 --> 00:40:16,760
Speaker 6: But it seems to me like people who can create

835
00:40:16,960 --> 00:40:21,720
Speaker 6: a believable person nothing like them are doing are doing

836
00:40:21,760 --> 00:40:25,120
Speaker 6: a lot more work than what I ever do. But

837
00:40:26,840 --> 00:40:50,600
Speaker 6: it's with Zach and John. And what if I put you.

838
00:40:42,400 --> 00:40:48,040
Speaker 3: On your hospitals. I do it too. I talk to

839
00:40:48,120 --> 00:40:51,360
Speaker 3: a spirit deity.

840
00:40:51,560 --> 00:40:53,719
Speaker 1: I mean, it can't hurt. That's how I look at it.

841
00:40:53,719 --> 00:40:58,200
Speaker 6: It also can't always help, but it can't hurt.

842
00:40:58,400 --> 00:41:00,759
Speaker 3: I can talk to a vague.

843
00:41:02,480 --> 00:41:05,640
Speaker 4: Cloud or whatever I'm thinking of and not believe in

844
00:41:05,680 --> 00:41:07,239
Speaker 4: the devil and be.

845
00:41:07,239 --> 00:41:08,160
Speaker 3: Scared of devils.

846
00:41:08,320 --> 00:41:13,920
Speaker 5: We also pray before we do live shows because we

847
00:41:14,080 --> 00:41:16,480
Speaker 5: just do the it's basically the same thing of whatever

848
00:41:16,520 --> 00:41:19,000
Speaker 5: we've just been talking about or whatever's.

849
00:41:18,600 --> 00:41:19,799
Speaker 3: Going on, we just didn't know that.

850
00:41:20,040 --> 00:41:21,480
Speaker 1: Yeah, we hold hands.

851
00:41:21,239 --> 00:41:23,359
Speaker 3: Fold your hands that say we'd get them.

852
00:41:23,440 --> 00:41:26,120
Speaker 5: Yeah, Or if we're just if we were just talking

853
00:41:26,120 --> 00:41:29,560
Speaker 5: about Gail King, then we're like, Gail be with us tonight,

854
00:41:29,719 --> 00:41:32,080
Speaker 5: if you were ever with us at all, that kind

855
00:41:32,120 --> 00:41:35,520
Speaker 5: of stuff, and it helps. It's like weirdly centering of like, yeah,

856
00:41:35,560 --> 00:41:37,879
Speaker 5: whatever this is, we don't know, we kind of can't

857
00:41:37,920 --> 00:41:39,879
Speaker 5: control it, so let's do this thing.

858
00:41:40,239 --> 00:41:43,440
Speaker 4: And when I'm remember back in Austin Martha, we did

859
00:41:43,480 --> 00:41:47,839
Speaker 4: that weird skeet, that hyper Jackson chamber. Yeah, and it

860
00:41:47,920 --> 00:41:50,200
Speaker 4: was it was stressful. There was a lot of stuff

861
00:41:50,200 --> 00:41:52,200
Speaker 4: going on. We did these live shows and we would

862
00:41:52,280 --> 00:41:55,040
Speaker 4: show these videos that we did and I we would

863
00:41:55,040 --> 00:41:58,600
Speaker 4: all be nervous, and Lee Eddie, who's the best, would

864
00:41:58,600 --> 00:42:00,360
Speaker 4: grab my hand and we'd have.

865
00:42:00,080 --> 00:42:03,200
Speaker 3: A little prayer. Oh, and I'm like, oh that did

866
00:42:03,239 --> 00:42:03,799
Speaker 3: feel good.

867
00:42:04,160 --> 00:42:05,439
Speaker 1: Skateboarders, I love.

868
00:42:05,560 --> 00:42:08,200
Speaker 3: This is the most religious episode we've ever had. There's

869
00:42:08,239 --> 00:42:09,120
Speaker 3: more skateboarders.

870
00:42:09,880 --> 00:42:10,640
Speaker 1: They're everywhere.

871
00:42:10,760 --> 00:42:13,960
Speaker 4: We've been dangerously taking photos of young skater boys.

872
00:42:14,040 --> 00:42:20,719
Speaker 1: Martha, Well, are you going to post them anywhere? You

873
00:42:20,719 --> 00:42:22,840
Speaker 1: should join our painterst Martha. I think you'd like it,

874
00:42:23,120 --> 00:42:24,960
Speaker 1: and I'm excited love young men.

875
00:42:25,800 --> 00:42:27,960
Speaker 3: We are going to jail.

876
00:42:28,360 --> 00:42:31,840
Speaker 4: Every time this comes up this episode, I get uncomfortable.

877
00:42:32,880 --> 00:42:35,840
Speaker 5: Wait, but I interrupted you, Martha because you were talking

878
00:42:35,840 --> 00:42:37,240
Speaker 5: about Zach and Kreisel.

879
00:42:37,480 --> 00:42:39,759
Speaker 1: What were you going to say? Well, but before that,

880
00:42:39,880 --> 00:42:40,480
Speaker 1: real quick.

881
00:42:40,960 --> 00:42:46,239
Speaker 6: I love when I'm doing stand up before the show starts,

882
00:42:46,280 --> 00:42:48,719
Speaker 6: to make the other comics on the show.

883
00:42:49,239 --> 00:42:51,680
Speaker 1: If there's three if it's a three person show, if

884
00:42:51,680 --> 00:42:53,239
Speaker 1: it's like ten people.

885
00:42:52,960 --> 00:42:56,040
Speaker 6: I don't harass everyone, sure, but if it's three of us,

886
00:42:56,160 --> 00:42:59,640
Speaker 6: I love to make everyone uncomfortable by saying, do you

887
00:42:59,680 --> 00:43:02,560
Speaker 6: guys want to do a good luck handpile.

888
00:43:03,960 --> 00:43:06,359
Speaker 1: And then we all pile our hands one on top

889
00:43:06,440 --> 00:43:08,520
Speaker 1: of the other. But we did it.

890
00:43:09,000 --> 00:43:12,960
Speaker 5: Whatever good luck handpile? No was did you do that

891
00:43:13,080 --> 00:43:14,920
Speaker 5: on your no refunds allowed?

892
00:43:15,000 --> 00:43:16,759
Speaker 1: What was it? You didn't know that?

893
00:43:16,800 --> 00:43:19,319
Speaker 6: It was called no refunds tour, which we ended up

894
00:43:19,360 --> 00:43:20,480
Speaker 6: giving refunds on.

895
00:43:22,120 --> 00:43:27,919
Speaker 1: Yeah, yes it was, but you said clearly no refunds

896
00:43:28,200 --> 00:43:29,120
Speaker 1: and we lied.

897
00:43:29,239 --> 00:43:31,440
Speaker 6: But wait, before we go any further, look at this

898
00:43:32,080 --> 00:43:34,839
Speaker 6: father and son on the bus bench right to your right.

899
00:43:35,600 --> 00:43:39,520
Speaker 1: Are you kidding me? The love that those two globs,

900
00:43:39,600 --> 00:43:40,839
Speaker 1: I don't even know what they are.

901
00:43:41,360 --> 00:43:46,120
Speaker 4: It's fatherhood dot com and it has a father and

902
00:43:46,200 --> 00:43:50,480
Speaker 4: son booger And since he doesn't have arms in the

903
00:43:50,520 --> 00:43:53,160
Speaker 4: baseball bat they're playing with us just shoved into his

904
00:43:53,239 --> 00:43:54,040
Speaker 4: gelatinous bom.

905
00:43:54,200 --> 00:43:54,560
Speaker 1: That's right.

906
00:43:54,600 --> 00:43:57,160
Speaker 5: He has to hold it with his abdomen, with the

907
00:43:57,239 --> 00:43:58,280
Speaker 5: gel of his abdomen.

908
00:43:58,360 --> 00:43:59,719
Speaker 1: He has to hold that baseball bat.

909
00:44:00,160 --> 00:44:03,440
Speaker 4: Don't design billboards while on acid?

910
00:44:04,920 --> 00:44:08,799
Speaker 6: Or is that the best father son billboard we've ever seen?

911
00:44:09,200 --> 00:44:13,600
Speaker 5: It could be the transcending all cultures, all boundaries.

912
00:44:14,520 --> 00:44:17,160
Speaker 4: We used to do the handstack at the beginning of

913
00:44:17,200 --> 00:44:21,280
Speaker 4: our improv shows, and we would say we're gonna suck.

914
00:44:22,480 --> 00:44:23,800
Speaker 3: But it still worked.

915
00:44:24,200 --> 00:44:28,000
Speaker 6: Sure, it's fun, and I think we might have done

916
00:44:28,000 --> 00:44:31,680
Speaker 6: it a little on no refunds, which just.

917
00:44:33,560 --> 00:44:36,600
Speaker 1: It was. It was a very poorly.

918
00:44:36,400 --> 00:44:38,759
Speaker 6: Planned tour, and I was the one who planned it

919
00:44:40,160 --> 00:44:42,719
Speaker 6: and then also the one who canceled the shows that

920
00:44:42,880 --> 00:44:47,160
Speaker 6: had not sold tickets, more out of a desire not

921
00:44:47,280 --> 00:44:52,120
Speaker 6: to be demoralized than the money we would have lost,

922
00:44:52,440 --> 00:44:55,239
Speaker 6: because it wouldn't have been We were like, we went

923
00:44:55,360 --> 00:44:59,120
Speaker 6: from Texas to North Carolina and back, and so we

924
00:44:59,239 --> 00:45:02,279
Speaker 6: had to drive anyway, so it wouldn't have been a

925
00:45:02,360 --> 00:45:04,640
Speaker 6: ton of money to still do those shows. But I

926
00:45:04,719 --> 00:45:08,080
Speaker 6: was like, I cannot. In New Orleans our show, there

927
00:45:08,080 --> 00:45:11,560
Speaker 6: were ten people and they were all angry at all

928
00:45:11,600 --> 00:45:15,799
Speaker 6: of us the whole show because they were drunk. I

929
00:45:15,840 --> 00:45:21,440
Speaker 6: think they had been barked in by the door guy. Oh,

930
00:45:21,480 --> 00:45:24,920
Speaker 6: and they just were not whatever. We all four of

931
00:45:25,000 --> 00:45:28,120
Speaker 6: us were very different and they were like, no.

932
00:45:28,200 --> 00:45:28,640
Speaker 1: Thank you.

933
00:45:28,840 --> 00:45:32,840
Speaker 3: Who was on these comedy concerts that show?

934
00:45:33,160 --> 00:45:36,480
Speaker 6: While the all the shows were me, Avery Moore and

935
00:45:36,560 --> 00:45:37,160
Speaker 6: Pat Dean.

936
00:45:37,520 --> 00:45:38,720
Speaker 3: Oh yeah, they're the best.

937
00:45:38,960 --> 00:45:40,160
Speaker 1: They're delightful.

938
00:45:40,320 --> 00:45:43,120
Speaker 4: Avery has a tattoo on her arm that says, iri,

939
00:45:44,760 --> 00:45:45,480
Speaker 4: what does she mean?

940
00:45:48,360 --> 00:45:50,080
Speaker 3: She's gotten joke tattoos.

941
00:45:50,840 --> 00:45:57,120
Speaker 6: She's so funny. I love them. And but then that

942
00:45:57,280 --> 00:46:00,440
Speaker 6: show there was a there was a New Orleans comic

943
00:46:00,480 --> 00:46:02,480
Speaker 6: who I can't remember his name now, but he was

944
00:46:02,600 --> 00:46:04,879
Speaker 6: great and they hated all of us.

945
00:46:05,200 --> 00:46:05,399
Speaker 3: Wow.

946
00:46:06,400 --> 00:46:10,160
Speaker 1: And after that I almost was like, let's just go home.

947
00:46:10,520 --> 00:46:15,640
Speaker 6: I don't I don't have stitutiveness when it comes to

948
00:46:15,800 --> 00:46:20,680
Speaker 6: really anything of the slightest discouragement, like we should go home.

949
00:46:20,800 --> 00:46:23,040
Speaker 4: And I know that about you, and I love it,

950
00:46:23,160 --> 00:46:26,880
Speaker 4: and I'm I'm just happy that you're doing stand up again.

951
00:46:27,120 --> 00:46:30,600
Speaker 6: It's great. Are you enjoying it? I do love it.

952
00:46:31,160 --> 00:46:35,239
Speaker 6: I want to write new stuff. That's my favorite thing

953
00:46:35,280 --> 00:46:35,440
Speaker 6: to do.

954
00:46:37,080 --> 00:46:40,200
Speaker 4: Feels good to have new jokes and and try them

955
00:46:40,239 --> 00:46:42,799
Speaker 4: and they work and then you that's there's nothing more

956
00:46:42,840 --> 00:46:43,760
Speaker 4: productive feeling.

957
00:46:44,120 --> 00:46:45,400
Speaker 1: Yeah.

958
00:46:45,440 --> 00:46:49,120
Speaker 6: And it seems like there are some I haven't done

959
00:46:49,280 --> 00:46:51,400
Speaker 6: very money, but it seems like there's some fun.

960
00:46:51,160 --> 00:46:54,160
Speaker 1: Places to do stand up in LA nowadays. I think

961
00:46:54,200 --> 00:46:57,120
Speaker 1: there are you. Have you done the Lab? I think

962
00:46:57,160 --> 00:46:58,799
Speaker 1: I saw you at the Lab the last time I

963
00:46:58,800 --> 00:46:59,640
Speaker 1: saw you, just had it.

964
00:46:59,680 --> 00:47:02,920
Speaker 6: I think I did you and April show at the

965
00:47:03,040 --> 00:47:03,879
Speaker 6: Lab one time.

966
00:47:04,040 --> 00:47:07,680
Speaker 1: It's right, be like a year ago long ago. It

967
00:47:07,840 --> 00:47:08,600
Speaker 1: was longer than that.

968
00:47:08,719 --> 00:47:11,880
Speaker 3: But yeah, let's do shows, Martha. I want to be

969
00:47:11,920 --> 00:47:14,560
Speaker 3: on comedy. It'll be like the old days. I do too,

970
00:47:14,719 --> 00:47:17,040
Speaker 3: It'll be like the early two thousands.

971
00:47:17,440 --> 00:47:18,200
Speaker 1: I like it.

972
00:47:18,360 --> 00:47:19,080
Speaker 3: I like it too.

973
00:47:19,200 --> 00:47:21,120
Speaker 1: That'd be we'd be a good combination of a show.

974
00:47:21,160 --> 00:47:25,080
Speaker 6: You guys, guys, I'm I'm not kidding, I'm where do

975
00:47:25,160 --> 00:47:25,640
Speaker 6: I sign?

976
00:47:25,719 --> 00:47:28,360
Speaker 1: Okay, Well, let's we'll call it two headliners in the middle.

977
00:47:28,440 --> 00:47:29,240
Speaker 1: I'll be the middle.

978
00:47:29,360 --> 00:47:31,160
Speaker 3: Are you going to do stand up too? That makes

979
00:47:31,200 --> 00:47:32,200
Speaker 3: me excited too.

980
00:47:32,200 --> 00:47:33,600
Speaker 1: Yeah, because I need to do it again.

981
00:47:33,640 --> 00:47:36,640
Speaker 5: I did it my first show, and I just cobbled

982
00:47:36,640 --> 00:47:39,400
Speaker 5: together whatever jokes I could remember. I literally didn't know

983
00:47:39,440 --> 00:47:41,960
Speaker 5: I was supposed to do. It was a goddamn comedy jam.

984
00:47:42,000 --> 00:47:43,680
Speaker 5: And I thought, oh, you did do it.

985
00:47:43,680 --> 00:47:45,839
Speaker 3: Your voice you got well.

986
00:47:45,880 --> 00:47:47,480
Speaker 5: I was hoping I would get sick because I was

987
00:47:47,560 --> 00:47:50,000
Speaker 5: getting so scared to do it. Of course, and then

988
00:47:50,160 --> 00:47:52,759
Speaker 5: when I told josh Adammeiers that I thought I was

989
00:47:52,760 --> 00:47:55,239
Speaker 5: getting sick, he was like, that's okay, I'll sing with you.

990
00:47:55,360 --> 00:47:56,480
Speaker 1: He was not letting me.

991
00:47:56,440 --> 00:47:59,799
Speaker 5: Get out of it, right, So so I ended up

992
00:47:59,800 --> 00:48:01,960
Speaker 5: doing it. But then once I got there, only then

993
00:48:02,040 --> 00:48:04,080
Speaker 5: did I find out that I was also supposed to

994
00:48:04,120 --> 00:48:07,680
Speaker 5: do a set. So I was texting Lucy Cooperman, going,

995
00:48:07,880 --> 00:48:10,200
Speaker 5: can you remember any jokes of mine.

996
00:48:10,000 --> 00:48:10,720
Speaker 3: That's so funny?

997
00:48:10,880 --> 00:48:11,560
Speaker 1: And my sister.

998
00:48:11,800 --> 00:48:13,560
Speaker 5: My sister's like the last timeside you stand up was

999
00:48:13,600 --> 00:48:15,120
Speaker 5: nineteen ninety eight talking.

1000
00:48:15,440 --> 00:48:16,200
Speaker 3: I wouldn't know either.

1001
00:48:16,239 --> 00:48:18,560
Speaker 4: I'd be like someone trying to get into the bathroom

1002
00:48:18,920 --> 00:48:19,600
Speaker 4: ling the door.

1003
00:48:19,880 --> 00:48:22,520
Speaker 3: That's a ten second joke. And then do your hay

1004
00:48:22,560 --> 00:48:24,120
Speaker 3: Ride bit that you don't remember.

1005
00:48:25,560 --> 00:48:27,959
Speaker 1: There's no way I can. My jokes aren't like they're

1006
00:48:27,960 --> 00:48:29,360
Speaker 1: not written to be remembered.

1007
00:48:29,560 --> 00:48:30,040
Speaker 3: I can.

1008
00:48:30,239 --> 00:48:33,719
Speaker 4: I can tell as many Martha Kelly jokes as I

1009
00:48:33,719 --> 00:48:35,600
Speaker 4: can tell like Mitch Heedberg jokes.

1010
00:48:35,760 --> 00:48:37,280
Speaker 1: Oh you have a herd set memoriz.

1011
00:48:37,480 --> 00:48:40,200
Speaker 3: It's just no, it's jokes you don't even tell anymore.

1012
00:48:40,200 --> 00:48:44,560
Speaker 4: But when we started everyone's jokes at that time, I mean.

1013
00:48:44,800 --> 00:48:46,120
Speaker 1: Give me one. Let's hear them.

1014
00:48:46,120 --> 00:48:50,320
Speaker 3: Oh no, I did kill Mark the kill.

1015
00:48:50,239 --> 00:48:51,839
Speaker 1: You said it, Now you have to do it.

1016
00:48:51,960 --> 00:48:54,640
Speaker 3: I already did that one. I did your Nick Nolty joke.

1017
00:48:54,680 --> 00:48:55,759
Speaker 1: Oh yeah, that was a good one.

1018
00:48:55,840 --> 00:49:00,239
Speaker 4: I'm going to do it better this time. And I

1019
00:49:00,280 --> 00:49:04,960
Speaker 4: moved to Texas. I saw myself becoming a new person.

1020
00:49:05,000 --> 00:49:07,960
Speaker 4: But all I've been doing well here is drinking and smoking.

1021
00:49:09,560 --> 00:49:12,000
Speaker 4: I didn't realize that person would be nick naughty.

1022
00:49:12,200 --> 00:49:12,960
Speaker 3: Is that how it goes?

1023
00:49:13,680 --> 00:49:15,359
Speaker 1: Is very much in the ball park.

1024
00:49:16,920 --> 00:49:18,360
Speaker 3: I think I told it better before.

1025
00:49:19,160 --> 00:49:22,000
Speaker 1: It was definitely tighter before and easier to track.

1026
00:49:22,239 --> 00:49:26,239
Speaker 4: And Martha was in traffic and the guy looked over

1027
00:49:26,920 --> 00:49:31,680
Speaker 4: and he honked or said, hey, can I get your

1028
00:49:31,719 --> 00:49:34,560
Speaker 4: phone number? But all he could see was your face.

1029
00:49:35,440 --> 00:49:38,960
Speaker 4: And then maybe we should go out sometime. He asked

1030
00:49:38,960 --> 00:49:41,319
Speaker 4: you out from his car, and then you said, I

1031
00:49:41,320 --> 00:49:44,400
Speaker 4: have a better idea. How about I meet you naked

1032
00:49:44,440 --> 00:49:46,480
Speaker 4: in a shallow grave and you just pushed me in.

1033
00:49:47,920 --> 00:49:51,000
Speaker 1: Is that I know, Martha? You did good.

1034
00:49:53,160 --> 00:49:58,920
Speaker 6: That is a true story, except for the comeback. All

1035
00:49:58,960 --> 00:50:01,799
Speaker 6: of my early joke we're real things that happened where

1036
00:50:01,840 --> 00:50:04,520
Speaker 6: I pretended I had a good comeback at the time.

1037
00:50:04,800 --> 00:50:06,280
Speaker 3: Same that's the best.

1038
00:50:06,320 --> 00:50:08,000
Speaker 1: We are from the same school of comedy.

1039
00:50:08,560 --> 00:50:10,400
Speaker 5: And the one time I did is set, the only

1040
00:50:10,440 --> 00:50:12,120
Speaker 5: time I've ever done a set at the comedy at

1041
00:50:12,120 --> 00:50:14,680
Speaker 5: the Laugh Factory. I was so nervous to do it.

1042
00:50:14,719 --> 00:50:17,000
Speaker 5: I was like, this is gonna be terrible. And I

1043
00:50:17,040 --> 00:50:19,480
Speaker 5: got up and the first joke was okay. And then

1044
00:50:19,520 --> 00:50:21,880
Speaker 5: my second joke was a true story of this time.

1045
00:50:22,000 --> 00:50:24,680
Speaker 5: I went to the Corner store in San Francisco and

1046
00:50:24,719 --> 00:50:26,000
Speaker 5: I was super stoned.

1047
00:50:25,719 --> 00:50:28,680
Speaker 8: And the guy that worked there goes anything you want

1048
00:50:28,680 --> 00:50:34,960
Speaker 8: to day for free, Jeeps, Coke, Gandy, Sickness magazines, and

1049
00:50:34,960 --> 00:50:37,160
Speaker 8: he was listing all the shit off that for free.

1050
00:50:37,200 --> 00:50:38,440
Speaker 1: And this really happened.

1051
00:50:38,840 --> 00:50:40,799
Speaker 5: And then of course I did something that was like

1052
00:50:40,920 --> 00:50:42,960
Speaker 5: the comeback, which I of course did not say in

1053
00:50:43,000 --> 00:50:45,279
Speaker 5: real time. And when I did that joke at the

1054
00:50:45,360 --> 00:50:48,520
Speaker 5: laugh Factory, some guy, huge sounding guy in the back

1055
00:50:48,560 --> 00:50:50,520
Speaker 5: goes bullshit.

1056
00:50:50,400 --> 00:50:53,360
Speaker 1: Like really loud, really, and I go, you're right, sir.

1057
00:50:53,360 --> 00:50:56,439
Speaker 5: And walked off the stakes and I left my set

1058
00:50:56,480 --> 00:50:59,239
Speaker 5: to jokes in and was like, I fucking hate this

1059
00:50:59,360 --> 00:51:01,799
Speaker 5: place and I hate stand up commed bullshit.

1060
00:51:02,120 --> 00:51:02,680
Speaker 3: Bullshit.

1061
00:51:03,040 --> 00:51:05,880
Speaker 4: You made up that last part to evoke the emotion

1062
00:51:06,080 --> 00:51:06,640
Speaker 4: of laughter.

1063
00:51:07,840 --> 00:51:11,160
Speaker 1: That is insane. Why do people go like that go

1064
00:51:11,239 --> 00:51:13,800
Speaker 1: to comedy shows? I was always assuming it was another

1065
00:51:13,800 --> 00:51:16,680
Speaker 1: comedian that makes me some.

1066
00:51:18,239 --> 00:51:19,759
Speaker 4: Every once in a while, and I don't see it

1067
00:51:19,760 --> 00:51:22,360
Speaker 4: as much. But there was a Texas there. There was

1068
00:51:22,440 --> 00:51:24,840
Speaker 4: a whole thing where there'd be some guy with his

1069
00:51:25,000 --> 00:51:27,239
Speaker 4: arms crossed and cap City had called him and given

1070
00:51:27,280 --> 00:51:30,919
Speaker 4: him free tickets, and they're like, well, I guess I'll

1071
00:51:30,920 --> 00:51:33,040
Speaker 4: stop yelling at my wife and kids and go that's

1072
00:51:33,160 --> 00:51:34,439
Speaker 4: damn free comedy show.

1073
00:51:35,040 --> 00:51:36,960
Speaker 3: They better not try and make me laugh.

1074
00:51:37,239 --> 00:51:39,600
Speaker 4: It's like the last person that should be there sitting

1075
00:51:39,719 --> 00:51:42,040
Speaker 4: up front. They put him up front. Yeah, yeah, and

1076
00:51:42,120 --> 00:51:44,759
Speaker 4: he just jiggles his leg, tapping his leg with his

1077
00:51:44,920 --> 00:51:47,279
Speaker 4: arms crossed, staring like he wants to kill you.

1078
00:51:47,360 --> 00:51:49,680
Speaker 3: And that's who. That's who You'll learn to tell jokes

1079
00:51:49,719 --> 00:51:50,080
Speaker 3: in front of.

1080
00:51:50,320 --> 00:51:54,320
Speaker 1: Yeah, in the early days, that's how it was. It's rough.

1081
00:51:54,560 --> 00:51:59,640
Speaker 6: I love that before Daniel Tosh was famous, he was

1082
00:51:59,640 --> 00:52:05,640
Speaker 6: at City and some person with that kind of attitude

1083
00:52:06,200 --> 00:52:09,160
Speaker 6: said something that wasn't like a mean heckle, but it

1084
00:52:09,239 --> 00:52:11,080
Speaker 6: was just like I'm going to be a smart ass

1085
00:52:11,480 --> 00:52:14,800
Speaker 6: and this he didn't have any like footing.

1086
00:52:15,280 --> 00:52:16,760
Speaker 1: He was a pretty new.

1087
00:52:16,600 --> 00:52:19,520
Speaker 6: Headliner at the time, and he just goes, yeah, you

1088
00:52:19,560 --> 00:52:21,920
Speaker 6: got to get out. I'm not continuing the show until

1089
00:52:21,960 --> 00:52:25,879
Speaker 6: you get out, and you would not, and then they

1090
00:52:25,920 --> 00:52:28,919
Speaker 6: had to leave. I was like that, I wish I could.

1091
00:52:29,040 --> 00:52:30,800
Speaker 6: I wish I had that kind of balls.

1092
00:52:31,160 --> 00:52:31,879
Speaker 3: Yeah.

1093
00:52:32,560 --> 00:52:36,240
Speaker 6: I loved him for I love anytime a comic fights

1094
00:52:36,320 --> 00:52:39,080
Speaker 6: with a heckler and wins, including fistfights.

1095
00:52:39,120 --> 00:52:45,440
Speaker 1: I've seen, what about the one where the guy smashes

1096
00:52:45,480 --> 00:52:48,400
Speaker 1: the guitar over the guy's head. Okay, that guy, I'm

1097
00:52:48,440 --> 00:52:50,480
Speaker 1: not on his side because it.

1098
00:52:50,520 --> 00:52:53,439
Speaker 6: Seemed like he was insane.

1099
00:52:54,000 --> 00:52:56,000
Speaker 1: It seemed like it was about something else for him.

1100
00:52:56,120 --> 00:52:58,800
Speaker 3: Yeah. Yeah, you guys saw him coming at me in

1101
00:52:58,880 --> 00:52:59,880
Speaker 3: the crowd, just goes.

1102
00:53:01,719 --> 00:53:02,920
Speaker 1: Dude, No he did not.

1103
00:53:05,000 --> 00:53:07,600
Speaker 6: Yeah, but one time I saw a guy in the

1104
00:53:07,680 --> 00:53:11,840
Speaker 6: audience throw a drink at Gary Goleman at the improv.

1105
00:53:12,080 --> 00:53:14,800
Speaker 6: Oh shit, And then I started fist fighting. And I've

1106
00:53:15,360 --> 00:53:18,640
Speaker 6: I already liked Gary Goleman, but that made me loyal

1107
00:53:18,719 --> 00:53:19,480
Speaker 6: to him for life.

1108
00:53:19,520 --> 00:53:20,279
Speaker 1: I've never met up.

1109
00:53:20,400 --> 00:53:23,600
Speaker 4: If Gary Goleman came at me with his banana hands

1110
00:53:23,600 --> 00:53:27,080
Speaker 4: curled up into fists and started swinging, I would.

1111
00:53:27,520 --> 00:53:30,840
Speaker 1: He's a big He's big, right, he is big.

1112
00:53:30,880 --> 00:53:34,680
Speaker 6: But the thing about guys like the one he fought

1113
00:53:34,880 --> 00:53:41,520
Speaker 6: is that they will heckle guide comedians who are not

1114
00:53:42,280 --> 00:53:46,560
Speaker 6: big and can't really physically defend themselves. And it's just

1115
00:53:46,640 --> 00:53:49,680
Speaker 6: like the jocks in high school picking on the smart guys.

1116
00:53:49,760 --> 00:53:52,239
Speaker 1: Yeah, so to see a comic rise up.

1117
00:53:52,360 --> 00:53:56,439
Speaker 6: And I don't really like violence, I ran and hid

1118
00:53:56,440 --> 00:54:02,080
Speaker 6: in the bathroom when I saw them violence, I really do.

1119
00:54:02,080 --> 00:54:04,919
Speaker 4: Do you remember, Martha? When I at the belvide room,

1120
00:54:04,960 --> 00:54:08,279
Speaker 4: I threw a cup of ice on this table of

1121
00:54:08,280 --> 00:54:14,359
Speaker 4: guys that wouldn't stop talking, and it and my cup

1122
00:54:14,440 --> 00:54:16,520
Speaker 4: hit their glasses and their doings fell.

1123
00:54:16,640 --> 00:54:18,360
Speaker 3: I was really they were being terrible.

1124
00:54:18,719 --> 00:54:22,920
Speaker 4: And then I went outside to talk to them and

1125
00:54:22,960 --> 00:54:27,080
Speaker 4: they were a couple. They were, And then I felt

1126
00:54:27,200 --> 00:54:29,319
Speaker 4: really weird because all of a sudden, I felt like

1127
00:54:29,360 --> 00:54:32,800
Speaker 4: I was in a but they wanted to get in

1128
00:54:32,840 --> 00:54:35,400
Speaker 4: a fight with me as a couple. Sure can you

1129
00:54:35,440 --> 00:54:38,040
Speaker 4: imagine being in that situation anyone in this car?

1130
00:54:39,320 --> 00:54:41,920
Speaker 3: And so we made up and then we went to

1131
00:54:41,960 --> 00:54:42,520
Speaker 3: Love Joyce.

1132
00:54:42,640 --> 00:54:47,200
Speaker 1: You didn't let us answer because I can.

1133
00:54:48,480 --> 00:54:52,279
Speaker 4: And then I hung out with them a little friends. Yeah, yeah,

1134
00:54:52,320 --> 00:54:55,000
Speaker 4: we ended up being friends. And it started with throwing

1135
00:54:55,040 --> 00:54:56,719
Speaker 4: a glass of ice at them.

1136
00:54:56,800 --> 00:55:01,000
Speaker 5: Well that was unsatisfying because I want violence and violence.

1137
00:55:00,880 --> 00:55:02,760
Speaker 3: I couldn't cry.

1138
00:55:05,360 --> 00:55:08,560
Speaker 4: And they ended up being my friends, but I didn't

1139
00:55:08,680 --> 00:55:11,680
Speaker 4: really like them because they were still the people that hadckled.

1140
00:55:12,000 --> 00:55:12,160
Speaker 3: Well.

1141
00:55:12,200 --> 00:55:15,440
Speaker 5: What I like about comedy these days is that you

1142
00:55:15,480 --> 00:55:19,799
Speaker 5: can actually find people that want to watch you, specifically.

1143
00:55:19,280 --> 00:55:21,279
Speaker 1: Right it's not the thing it used to.

1144
00:55:21,320 --> 00:55:24,200
Speaker 5: Be, where it was like go to a room where

1145
00:55:24,239 --> 00:55:26,840
Speaker 5: people have gathered for their own reasons, and some of

1146
00:55:26,880 --> 00:55:28,280
Speaker 5: them have nothing to do with comedy.

1147
00:55:28,360 --> 00:55:29,040
Speaker 3: Yeah, yeah, yeah.

1148
00:55:29,040 --> 00:55:31,200
Speaker 5: And often it's like I'm on a date and I

1149
00:55:31,239 --> 00:55:34,120
Speaker 5: want to get fucked up. Yeah it's a birthday party

1150
00:55:34,239 --> 00:55:36,400
Speaker 5: or bachelorette party or something horrifying.

1151
00:55:36,440 --> 00:55:38,200
Speaker 1: It's anti comedy.

1152
00:55:37,719 --> 00:55:38,680
Speaker 3: I did.

1153
00:55:39,120 --> 00:55:42,319
Speaker 4: Or people that work together, yes, when they're like, oh,

1154
00:55:42,400 --> 00:55:44,920
Speaker 4: I sit across from you and we see each other

1155
00:55:44,960 --> 00:55:45,439
Speaker 4: every day.

1156
00:55:45,440 --> 00:55:47,719
Speaker 3: But let's be let's not know how to.

1157
00:55:47,640 --> 00:55:50,120
Speaker 4: Act at Let's all go to a comedy show together

1158
00:55:50,160 --> 00:55:53,040
Speaker 4: and look at each other for approval after each joke.

1159
00:55:53,040 --> 00:55:54,680
Speaker 1: And decide we're better than these people.

1160
00:55:54,840 --> 00:55:56,320
Speaker 3: Yes, it's the worst.

1161
00:55:56,640 --> 00:56:01,000
Speaker 1: Yeah, I hate all those people worse, and yet we're

1162
00:56:01,000 --> 00:56:02,040
Speaker 1: here to entertain them.

1163
00:56:02,960 --> 00:56:05,200
Speaker 4: Do you remember I went I did a show once

1164
00:56:05,239 --> 00:56:07,600
Speaker 4: and they made me dress like their boss. It was

1165
00:56:07,600 --> 00:56:11,040
Speaker 4: like around Christmas time, can you put on his jacket?

1166
00:56:11,239 --> 00:56:15,120
Speaker 4: And just he had a catchphrase, and I'm like, yes, sure,

1167
00:56:15,239 --> 00:56:16,840
Speaker 4: I'll do an impression of your boss.

1168
00:56:16,920 --> 00:56:18,800
Speaker 1: The boss had a catch phrase, Yes, they.

1169
00:56:18,680 --> 00:56:21,520
Speaker 4: Were these are some things he says, Well, you may

1170
00:56:21,640 --> 00:56:23,560
Speaker 4: roast him a little bit, and I was new it

1171
00:56:23,719 --> 00:56:26,279
Speaker 4: to comedy, and I'm like, okay, I will do that.

1172
00:56:26,360 --> 00:56:28,640
Speaker 4: And I put on his jacket and I put my

1173
00:56:28,719 --> 00:56:31,080
Speaker 4: hand in the pocket, and in his pocket there was

1174
00:56:31,120 --> 00:56:35,800
Speaker 4: a pair of underwear, ew women's underwear. And his real

1175
00:56:35,840 --> 00:56:38,640
Speaker 4: wife was at the show, and she knew right away

1176
00:56:38,680 --> 00:56:41,960
Speaker 4: that it was like some secretaries under when reached in

1177
00:56:42,000 --> 00:56:45,640
Speaker 4: and that I was holding underwear, and she's like, you,

1178
00:56:45,880 --> 00:56:48,600
Speaker 4: son of a bitch, and they had like altercation, and

1179
00:56:48,680 --> 00:56:51,919
Speaker 4: the boss left and everyone I ruined the night.

1180
00:56:52,760 --> 00:56:54,200
Speaker 3: It was not my idea.

1181
00:56:54,440 --> 00:56:58,960
Speaker 1: I disagree. You didn't put those underwear in there. He did.

1182
00:56:59,280 --> 00:57:03,600
Speaker 1: It was in his pockets, please release.

1183
00:57:05,680 --> 00:57:08,600
Speaker 4: And everyone knew and they're like, oh, he's back at

1184
00:57:08,680 --> 00:57:12,480
Speaker 4: it again. Our boss is putting panties in his pocket.

1185
00:57:12,600 --> 00:57:16,400
Speaker 1: What's his motto? I am a huge sex addict? Is

1186
00:57:16,440 --> 00:57:21,919
Speaker 1: that the line they gave you today? Panties please? What's

1187
00:57:21,960 --> 00:57:23,760
Speaker 1: the motto? Bro?

1188
00:57:24,120 --> 00:57:27,960
Speaker 4: It didn't make any sense until they were in my hand.

1189
00:57:28,040 --> 00:57:28,400
Speaker 3: That's why.

1190
00:57:28,920 --> 00:57:32,120
Speaker 1: Oh god it he loves panties. Panties.

1191
00:57:32,240 --> 00:57:35,400
Speaker 3: We hate that word. Let's keep saying it. Anties.

1192
00:57:36,480 --> 00:57:37,840
Speaker 1: That's crazy.

1193
00:57:39,640 --> 00:57:43,560
Speaker 5: You. Since these your days in Austin comedy coming up,

1194
00:57:43,880 --> 00:57:46,440
Speaker 5: you're now in movies Let's name some of the movies

1195
00:57:46,480 --> 00:57:47,320
Speaker 5: you've been in lately.

1196
00:57:47,920 --> 00:57:50,920
Speaker 6: That'll be easy because they're hardly been nunny.

1197
00:57:51,600 --> 00:57:52,240
Speaker 1: Name them.

1198
00:57:52,880 --> 00:57:59,720
Speaker 6: I've been in a total of four movies, very little,

1199
00:57:59,840 --> 00:58:01,040
Speaker 6: tiny parts.

1200
00:58:01,160 --> 00:58:01,480
Speaker 3: Right.

1201
00:58:02,360 --> 00:58:04,400
Speaker 1: One was Spider Man Homecoming.

1202
00:58:04,760 --> 00:58:06,440
Speaker 3: Yeah that was a while ago.

1203
00:58:06,800 --> 00:58:10,000
Speaker 6: Yeah, that was the summer of twenty sixteen.

1204
00:58:10,160 --> 00:58:11,160
Speaker 1: Was one it shot?

1205
00:58:11,440 --> 00:58:12,840
Speaker 3: Okay, that wasn't that long.

1206
00:58:13,720 --> 00:58:17,480
Speaker 1: It was almost three years ago. Yeah. Oh, what else?

1207
00:58:18,480 --> 00:58:24,600
Speaker 6: A movie called Infinity Baby where Iman one scene?

1208
00:58:25,040 --> 00:58:25,840
Speaker 1: Who directed it?

1209
00:58:26,600 --> 00:58:31,080
Speaker 6: Bob By Bayer, Bierton, Byington.

1210
00:58:31,600 --> 00:58:33,800
Speaker 3: Bugy Bobby Byington.

1211
00:58:33,600 --> 00:58:38,680
Speaker 6: Bobby the director, Boberton, Robert Bobby Barr Bireton.

1212
00:58:39,480 --> 00:58:43,240
Speaker 5: Bob Bobby, bobbar Bobbinson, Big Bob, Big Bugby Bar.

1213
00:58:43,800 --> 00:58:54,960
Speaker 4: Big Bopper, Robertson, mister Bob Dobelina, Mister Bob Dobelina, Bob Bob,

1214
00:58:55,360 --> 00:58:59,520
Speaker 4: Bob Banna, fan of Bob Bob, Bob Bob Bob.

1215
00:59:05,200 --> 00:59:12,360
Speaker 3: He certainly is off. I do like the words Infinity

1216
00:59:12,440 --> 00:59:13,200
Speaker 3: Baby together.

1217
00:59:13,400 --> 00:59:16,160
Speaker 1: Sure that that is.

1218
00:59:16,200 --> 00:59:18,440
Speaker 3: One that a baby that will grow up?

1219
00:59:18,800 --> 00:59:21,520
Speaker 1: Yeah? It is, Yeah, that's fun.

1220
00:59:21,720 --> 00:59:24,280
Speaker 6: It's actually a bunch of babies that won't grow up,

1221
00:59:24,280 --> 00:59:26,880
Speaker 6: but a failed experiment.

1222
00:59:28,000 --> 00:59:30,200
Speaker 3: Did you act with a bunch of babies. Did you

1223
00:59:30,240 --> 00:59:31,600
Speaker 3: get to be certainly.

1224
00:59:31,240 --> 00:59:34,440
Speaker 6: I didn't get to babies are some of my favorite people.

1225
00:59:34,240 --> 00:59:37,560
Speaker 1: And I did not get to add to any babies.

1226
00:59:38,360 --> 00:59:42,560
Speaker 1: But it was fun. It was with Karen Colkin. Yes,

1227
00:59:42,720 --> 00:59:45,880
Speaker 1: he's amazing. He was very nice and normal.

1228
00:59:46,040 --> 00:59:50,280
Speaker 6: I always would expect any former child actor to be bonkers,

1229
00:59:51,200 --> 00:59:54,800
Speaker 6: but he was very uh normal, dudes.

1230
00:59:54,920 --> 00:59:57,080
Speaker 1: So did you watch him in Succession?

1231
00:59:57,080 --> 01:00:00,960
Speaker 5: Sorry interrupt, I haven't seen that. It's great, and he's

1232
01:00:01,080 --> 01:00:02,600
Speaker 5: incredible in it.

1233
01:00:02,720 --> 01:00:03,640
Speaker 1: He's so good.

1234
01:00:03,800 --> 01:00:07,160
Speaker 4: He's incredible in Dangerous Lives of Altar Boys too.

1235
01:00:07,520 --> 01:00:10,480
Speaker 5: He's just a great I think the Colkin children knew

1236
01:00:10,520 --> 01:00:12,040
Speaker 5: what they were doing when it came to acting.

1237
01:00:12,400 --> 01:00:13,760
Speaker 1: Yes, all of them.

1238
01:00:13,960 --> 01:00:16,760
Speaker 4: The key is leaving them at home alone, that's right,

1239
01:00:16,880 --> 01:00:18,160
Speaker 4: and not parenting them.

1240
01:00:18,320 --> 01:00:18,800
Speaker 1: That's right.

1241
01:00:18,840 --> 01:00:21,360
Speaker 5: You go on a vacation, leave them be Oh, check

1242
01:00:21,400 --> 01:00:23,880
Speaker 5: out this fucking sweet ass film.

1243
01:00:23,920 --> 01:00:28,360
Speaker 1: Were you in this? Mar On getting it?

1244
01:00:33,560 --> 01:00:38,959
Speaker 5: Do you know, Sirtain ma'am that we have the star

1245
01:00:39,040 --> 01:00:41,640
Speaker 5: of Big Bobby Boverton's lip last film.

1246
01:00:42,000 --> 01:00:44,080
Speaker 3: Guys, you're gonna want to yell cut.

1247
01:00:45,520 --> 01:00:46,800
Speaker 1: It, cut let Martha in.

1248
01:00:47,400 --> 01:00:50,360
Speaker 6: That's actually how every scene I've been in in a

1249
01:00:50,440 --> 01:00:53,080
Speaker 6: movie was just someone pulling over it and I ran

1250
01:00:53,160 --> 01:00:54,640
Speaker 6: over and got.

1251
01:00:53,720 --> 01:00:56,360
Speaker 1: The camera, but fully memorized the script.

1252
01:00:56,440 --> 01:00:59,600
Speaker 6: Any script gone until a costume real quick.

1253
01:01:01,360 --> 01:01:03,200
Speaker 1: Delivered that line jumped in.

1254
01:01:03,440 --> 01:01:07,240
Speaker 3: What were you in after Infinity? Baby? There's two more movies?

1255
01:01:08,080 --> 01:01:12,520
Speaker 1: Uh? Wait? Are there? Maybe there's only one? Wait?

1256
01:01:12,840 --> 01:01:15,760
Speaker 6: Oh, one hasn't come out yet, and I don't know

1257
01:01:15,960 --> 01:01:20,520
Speaker 6: what the title will be. And my character's name I

1258
01:01:20,560 --> 01:01:22,440
Speaker 6: think was caseworker.

1259
01:01:26,080 --> 01:01:28,480
Speaker 4: I was on a show called Single Parents and my

1260
01:01:28,640 --> 01:01:34,480
Speaker 4: character's name was man and I was cut from the episode.

1261
01:01:34,720 --> 01:01:37,760
Speaker 6: That's the thing I might be cut from. The movie

1262
01:01:37,760 --> 01:01:41,280
Speaker 6: hasn't come out. And I know that's a common thing

1263
01:01:41,360 --> 01:01:43,800
Speaker 6: where that you if you're not one of the leads,

1264
01:01:44,320 --> 01:01:48,360
Speaker 6: you can your entire storyline or scenes or whatever can

1265
01:01:48,400 --> 01:01:49,720
Speaker 6: get cut out of anything.

1266
01:01:50,040 --> 01:01:52,840
Speaker 5: And the more like, just because you filmed it doesn't

1267
01:01:52,880 --> 01:01:56,960
Speaker 5: mean it's happening, right, And oftentimes people will go and

1268
01:01:57,000 --> 01:02:00,240
Speaker 5: have a whole experience and do like start writing stand

1269
01:02:00,320 --> 01:02:02,160
Speaker 5: up bits about how they're in this movie, and then

1270
01:02:02,160 --> 01:02:04,120
Speaker 5: when the movie comes out, they're not in the movie

1271
01:02:04,400 --> 01:02:05,160
Speaker 5: and they didn't know.

1272
01:02:05,520 --> 01:02:08,360
Speaker 4: Everyone keeps trying to watch Jack Frost to pick me

1273
01:02:08,400 --> 01:02:11,360
Speaker 4: out as a snowboarder, and they're showing me pictures as

1274
01:02:11,440 --> 01:02:15,680
Speaker 4: it's you. I can't. I don't remember who I was.

1275
01:02:15,840 --> 01:02:17,680
Speaker 4: I just know I was there and the camera was.

1276
01:02:17,880 --> 01:02:20,880
Speaker 4: I was in the background snowboarding. I'm not a liar.

1277
01:02:21,440 --> 01:02:25,280
Speaker 7: Well, but it doesn't seem like you have proof I was.

1278
01:02:25,960 --> 01:02:28,800
Speaker 7: I'm not in the credits, but I was on camera.

1279
01:02:29,000 --> 01:02:31,680
Speaker 7: The camera was aimed at my general direction. Me too,

1280
01:02:32,160 --> 01:02:33,360
Speaker 7: I oft in the distance.

1281
01:02:33,440 --> 01:02:36,720
Speaker 4: They were making a movie and I was snowboarding that day,

1282
01:02:36,760 --> 01:02:39,600
Speaker 4: and I have to be on camera at some point. Okay,

1283
01:02:39,320 --> 01:02:42,360
Speaker 4: you've beat it out of me. I'm not sure if

1284
01:02:42,400 --> 01:02:43,160
Speaker 4: I'm in the movie.

1285
01:02:43,440 --> 01:02:45,360
Speaker 5: Technically it looks it seems like we're gonna have to

1286
01:02:45,400 --> 01:02:46,840
Speaker 5: have a screening of Jack Frost.

1287
01:02:47,040 --> 01:02:50,000
Speaker 4: There is a film, a two thousand and four animated

1288
01:02:50,080 --> 01:02:56,680
Speaker 4: film called Oh God, what is it called? It's It's birds, Delivery.

1289
01:02:56,200 --> 01:03:01,440
Speaker 1: Bird, Rio, It's delivery It Storks.

1290
01:03:01,800 --> 01:03:03,080
Speaker 3: I can't remember.

1291
01:03:03,200 --> 01:03:04,760
Speaker 1: Well, then it's called Delivery Birds.

1292
01:03:04,880 --> 01:03:05,520
Speaker 3: Allegiant.

1293
01:03:06,560 --> 01:03:10,200
Speaker 4: Valiant. There's a movie called Valiant, and I am a

1294
01:03:10,320 --> 01:03:14,040
Speaker 4: voice in it. According to IMDb, Oh.

1295
01:03:13,480 --> 01:03:16,240
Speaker 3: And I looked. I don't know where who this Chris

1296
01:03:16,240 --> 01:03:16,920
Speaker 3: Fairbanks is.

1297
01:03:16,920 --> 01:03:21,000
Speaker 4: It's not Chris Fairbanks, the English actor actor, or Christopher Fairbanks,

1298
01:03:21,040 --> 01:03:24,640
Speaker 4: a local actor who goes by Christopher it is it

1299
01:03:24,720 --> 01:03:28,040
Speaker 4: is given to me. I so I pretend that I

1300
01:03:28,080 --> 01:03:29,960
Speaker 4: was in it. And I even have a line in

1301
01:03:30,000 --> 01:03:33,840
Speaker 4: the movie that I've made up. I've never seen the movie,

1302
01:03:33,880 --> 01:03:35,360
Speaker 4: but do you guys want to hear my line?

1303
01:03:35,600 --> 01:03:41,400
Speaker 1: Yes? Yes, all deliver it? What kind of bird was that?

1304
01:03:41,680 --> 01:03:44,160
Speaker 4: I don't know. I never watched the movie. I don't

1305
01:03:44,200 --> 01:03:45,200
Speaker 4: know who I am in it.

1306
01:03:45,240 --> 01:03:47,880
Speaker 1: But it's about birds that deliver stuff.

1307
01:03:48,000 --> 01:03:52,440
Speaker 4: It's the cover is birds with aviator like goggles on

1308
01:03:52,480 --> 01:03:52,919
Speaker 4: their house.

1309
01:03:53,000 --> 01:03:54,400
Speaker 1: Oh like top gun for birds.

1310
01:03:54,600 --> 01:03:59,720
Speaker 3: Yes, yes, it is like top Gun. The logo kate orders.

1311
01:03:59,720 --> 01:04:01,600
Speaker 3: It's a oh well, yeah.

1312
01:04:01,480 --> 01:04:05,840
Speaker 4: I've been really I like how many skateboarder girls there are.

1313
01:04:05,760 --> 01:04:08,800
Speaker 3: Now and they're getting really good and it's fun to watch.

1314
01:04:08,960 --> 01:04:12,360
Speaker 6: And my niece knows how to skateboard really, she's she

1315
01:04:12,560 --> 01:04:16,160
Speaker 6: started when she was like seven and she's twelve now.

1316
01:04:17,120 --> 01:04:20,320
Speaker 6: I don't think that she's very passionate about it, but

1317
01:04:20,360 --> 01:04:21,680
Speaker 6: she does know how to do it.

1318
01:04:21,760 --> 01:04:22,720
Speaker 3: That's so cool.

1319
01:04:22,880 --> 01:04:26,800
Speaker 4: I like that Michelle Balloon is having heard her little

1320
01:04:26,880 --> 01:04:28,640
Speaker 4: daughter do skateboarding too.

1321
01:04:28,880 --> 01:04:29,600
Speaker 1: Yeah, that's good.

1322
01:04:29,760 --> 01:04:31,080
Speaker 3: I was going to say her name, but we don't

1323
01:04:31,120 --> 01:04:31,360
Speaker 3: want to.

1324
01:04:31,480 --> 01:04:41,400
Speaker 4: We only show pictures of children reveal their I, oh,

1325
01:04:41,520 --> 01:04:43,280
Speaker 4: that's weird in Trouble.

1326
01:04:43,000 --> 01:04:47,600
Speaker 1: Now, I think we're fine. The law will never catch us.

1327
01:04:49,120 --> 01:04:51,840
Speaker 3: We are Monnie and Clyde of comedy.

1328
01:04:51,880 --> 01:04:54,480
Speaker 1: We'll just fucking edited out if they catch us. Exactly,

1329
01:04:54,520 --> 01:04:57,760
Speaker 1: that never happened. I'm sorry, it's not an interest of ours.

1330
01:04:57,880 --> 01:05:02,560
Speaker 4: Looks like a little snip snippero up in copper, you fool,

1331
01:05:02,960 --> 01:05:03,840
Speaker 4: you bucking up.

1332
01:05:03,800 --> 01:05:05,080
Speaker 3: The wrong tree.

1333
01:05:07,600 --> 01:05:09,320
Speaker 1: What else, Martha, what else is going on in your

1334
01:05:09,360 --> 01:05:12,640
Speaker 1: private life? Yeah? Private, deepest, dark as secrets.

1335
01:05:13,320 --> 01:05:18,000
Speaker 6: I'm on year four of saying that I'm gonna try

1336
01:05:18,040 --> 01:05:23,320
Speaker 6: online dating and not try it yet, so that's exciting.

1337
01:05:23,600 --> 01:05:23,840
Speaker 5: Yeah.

1338
01:05:24,960 --> 01:05:26,560
Speaker 1: Can I tell you an anecdote.

1339
01:05:26,760 --> 01:05:29,480
Speaker 5: I just got an email that said, well, come back

1340
01:05:29,520 --> 01:05:32,320
Speaker 5: to Bumble, we miss you, and I was like, I've

1341
01:05:32,360 --> 01:05:35,160
Speaker 5: never been on Bumble, And then I remembered one night

1342
01:05:35,200 --> 01:05:38,680
Speaker 5: after April Orchardson and I talked about it for a

1343
01:05:38,800 --> 01:05:42,320
Speaker 5: really long time and it truly was literally two thirty

1344
01:05:42,320 --> 01:05:44,640
Speaker 5: in the morning I signed up for Bumble, but I

1345
01:05:45,240 --> 01:05:47,000
Speaker 5: had I may have.

1346
01:05:46,960 --> 01:05:49,320
Speaker 3: Told the story on this podcast. I don't think you have, Okay.

1347
01:05:49,600 --> 01:05:53,880
Speaker 5: I when I signed up for Facebook, originally I entered

1348
01:05:53,880 --> 01:05:54,800
Speaker 5: that my age was one.

1349
01:05:54,760 --> 01:05:55,480
Speaker 1: Hundred and eleven.

1350
01:05:56,040 --> 01:05:59,840
Speaker 5: So on Bumble, they take all your information from Facebook,

1351
01:06:00,080 --> 01:06:02,960
Speaker 5: and I couldn't change my age, so they were only

1352
01:06:03,000 --> 01:06:06,880
Speaker 5: sending me men that were over eighty. Oh my gosh,

1353
01:06:07,120 --> 01:06:10,080
Speaker 5: that's because they really had me as being a hundred

1354
01:06:10,120 --> 01:06:10,480
Speaker 5: and a lot.

1355
01:06:10,600 --> 01:06:14,120
Speaker 6: That sounds fun, and they wouldn't let They won't let

1356
01:06:14,120 --> 01:06:14,600
Speaker 6: you change.

1357
01:06:14,640 --> 01:06:18,560
Speaker 5: Well, I had to go back on to Facebook to

1358
01:06:18,720 --> 01:06:20,960
Speaker 5: change my age. It was this whole thing that once

1359
01:06:21,000 --> 01:06:24,720
Speaker 5: I started the because then when I went on Facebook

1360
01:06:24,760 --> 01:06:26,960
Speaker 5: to change my age and make it accurate, all these

1361
01:06:26,960 --> 01:06:29,800
Speaker 5: people started sending me messages of like, you're back on Facebook,

1362
01:06:29,840 --> 01:06:31,480
Speaker 5: da da da, like all the people that I used

1363
01:06:31,480 --> 01:06:33,400
Speaker 5: to talk to and hang out with because I'd been

1364
01:06:33,400 --> 01:06:36,120
Speaker 5: off Facebook for since twenty eleven or something.

1365
01:06:35,880 --> 01:06:37,360
Speaker 3: Right, I noticed when you got back on.

1366
01:06:38,320 --> 01:06:40,600
Speaker 5: But that was purely just to try to make my

1367
01:06:40,680 --> 01:06:42,480
Speaker 5: age accurate for Bumble. Then I was like, why am

1368
01:06:42,520 --> 01:06:44,720
Speaker 5: I doing any of this? There's no fucking way I'm

1369
01:06:44,760 --> 01:06:45,840
Speaker 5: ever actually using this.

1370
01:06:46,200 --> 01:06:48,320
Speaker 3: Part of you wanted to stop being elderly.

1371
01:06:48,680 --> 01:06:51,960
Speaker 1: It's true, a big part of you. There's so much

1372
01:06:51,960 --> 01:06:52,600
Speaker 1: of that.

1373
01:06:52,600 --> 01:06:55,880
Speaker 5: That was my whole attitude and all the digital shit

1374
01:06:56,000 --> 01:06:58,080
Speaker 5: started or I was like, yeah, I'm one hundred and eleven,

1375
01:06:58,120 --> 01:07:00,880
Speaker 5: and this is I'm definitely into tools or whatever, like

1376
01:07:00,880 --> 01:07:02,880
Speaker 5: I would sign up for shit that I had nothing

1377
01:07:02,920 --> 01:07:04,880
Speaker 5: to do with me. It's like, you'll never catch me,

1378
01:07:05,480 --> 01:07:08,080
Speaker 5: you will never know who I really am the internet,

1379
01:07:09,000 --> 01:07:11,720
Speaker 5: and then I screwed myself basically.

1380
01:07:11,960 --> 01:07:16,320
Speaker 6: But I don't even know if bumble is the desirable

1381
01:07:16,400 --> 01:07:19,280
Speaker 6: because it isn't like a Sadie Hawkins dance where it

1382
01:07:20,040 --> 01:07:21,680
Speaker 6: has to ask the guy out.

1383
01:07:22,040 --> 01:07:24,760
Speaker 1: Right, which I would never do. I would never do that.

1384
01:07:25,080 --> 01:07:28,160
Speaker 4: I've been on it and I've never met a real human,

1385
01:07:28,200 --> 01:07:30,280
Speaker 4: but I have had or maybe I have, but I have.

1386
01:07:31,480 --> 01:07:34,640
Speaker 4: It's usually a woman saying hi or whatever it's like,

1387
01:07:34,840 --> 01:07:37,520
Speaker 4: and then you go and it's never like you have

1388
01:07:37,600 --> 01:07:38,800
Speaker 4: to come up with a witty thing.

1389
01:07:38,880 --> 01:07:40,320
Speaker 3: It's like, okay, you got me.

1390
01:07:40,360 --> 01:07:43,440
Speaker 1: Hello, you caught me.

1391
01:07:44,440 --> 01:07:47,880
Speaker 4: Usually it's a back and forth on there, right, Well,

1392
01:07:47,920 --> 01:07:50,720
Speaker 4: you seem nice, let's never talk or me ever again.

1393
01:07:50,880 --> 01:07:52,120
Speaker 3: That's usually what happens.

1394
01:07:52,320 --> 01:07:53,120
Speaker 1: Because I wonder.

1395
01:07:53,520 --> 01:07:56,840
Speaker 5: I feel like there's some people know, there's some there's

1396
01:07:56,880 --> 01:07:59,800
Speaker 5: a code of some kind, there's some kind of thing.

1397
01:07:59,720 --> 01:08:03,240
Speaker 1: Where like I don't know, then you're supposed to know

1398
01:08:03,360 --> 01:08:04,360
Speaker 1: or say a certain.

1399
01:08:04,120 --> 01:08:06,200
Speaker 3: Thing, and that's well, I don't know it.

1400
01:08:06,720 --> 01:08:07,360
Speaker 1: Yeah, I don't either.

1401
01:08:07,480 --> 01:08:10,680
Speaker 3: Maybe there's a maybe we could google that. We'll look at.

1402
01:08:10,720 --> 01:08:12,920
Speaker 1: Codes double code online.

1403
01:08:13,120 --> 01:08:15,840
Speaker 5: If you wear a green kerchief, that means that you

1404
01:08:16,000 --> 01:08:16,519
Speaker 5: like money.

1405
01:08:16,840 --> 01:08:19,960
Speaker 3: If you hang a necktie on the doorknob, that means

1406
01:08:20,000 --> 01:08:20,439
Speaker 3: you have a.

1407
01:08:20,439 --> 01:08:23,680
Speaker 1: Roommate that you're that you're messaging on bumble.

1408
01:08:24,880 --> 01:08:28,360
Speaker 5: Well, Martha, if you could go on a digital dating app,

1409
01:08:28,600 --> 01:08:30,000
Speaker 5: what would the best one for you be?

1410
01:08:31,240 --> 01:08:36,599
Speaker 6: I think that for people for women my age, I'm

1411
01:08:36,640 --> 01:08:37,719
Speaker 6: fifty one.

1412
01:08:39,800 --> 01:08:43,200
Speaker 1: And very sheltered, it's.

1413
01:08:43,040 --> 01:08:43,960
Speaker 3: A beautiful house.

1414
01:08:44,439 --> 01:08:50,760
Speaker 6: Probably match dot com, because that's what I think where

1415
01:08:53,800 --> 01:08:57,439
Speaker 6: one of my comedian friends who did online dating and

1416
01:08:58,760 --> 01:09:02,600
Speaker 6: met someone in and they love each other, was like,

1417
01:09:02,920 --> 01:09:07,120
Speaker 6: it's you have to go through a lot of terrible experiences.

1418
01:09:07,160 --> 01:09:11,599
Speaker 6: But the benefit of online dating is, especially for women

1419
01:09:11,760 --> 01:09:16,400
Speaker 6: comics like me and this friend, you know up front

1420
01:09:16,560 --> 01:09:20,679
Speaker 6: whether you're flirting or not, Like it isn't just hang

1421
01:09:20,760 --> 01:09:22,760
Speaker 6: out with a guy that you think is cute and

1422
01:09:22,800 --> 01:09:26,760
Speaker 6: then find out you guys aren't flirting. It's just platonic, right,

1423
01:09:26,840 --> 01:09:32,080
Speaker 6: Like that happens to women comics pretty regularly or.

1424
01:09:32,479 --> 01:09:34,519
Speaker 1: I don't know, but some of us.

1425
01:09:34,640 --> 01:09:38,599
Speaker 6: And and so if you do online dating, and at

1426
01:09:38,680 --> 01:09:41,200
Speaker 6: least you know that the guy that you're interacting with

1427
01:09:41,400 --> 01:09:42,759
Speaker 6: is interested in boning.

1428
01:09:43,200 --> 01:09:44,840
Speaker 3: Yeah, that's right.

1429
01:09:45,000 --> 01:09:49,120
Speaker 5: There's not some weird girlfriend reveal in month four, right

1430
01:09:49,400 --> 01:09:50,679
Speaker 5: that always fucking happens.

1431
01:09:51,040 --> 01:09:51,280
Speaker 6: Yeah.

1432
01:09:51,320 --> 01:09:55,760
Speaker 4: It gets rid of that awkward obstacle of what are

1433
01:09:55,800 --> 01:09:56,200
Speaker 4: we doing?

1434
01:09:56,760 --> 01:09:56,880
Speaker 3: Right?

1435
01:09:56,960 --> 01:09:59,280
Speaker 5: Yeah, I know, someone's like, Oh, I thought you just

1436
01:09:59,320 --> 01:10:03,600
Speaker 5: wanted to spend time with me and drive me around

1437
01:10:04,640 --> 01:10:07,120
Speaker 5: while I had a relationship that I didn't mention to you.

1438
01:10:07,280 --> 01:10:09,800
Speaker 5: I thought that's what you wanted in this right, and

1439
01:10:10,000 --> 01:10:11,080
Speaker 5: great riffing.

1440
01:10:10,920 --> 01:10:13,960
Speaker 4: And matches like normal. It's been around a long time.

1441
01:10:14,120 --> 01:10:17,960
Speaker 4: The one isn't the harmony? They you have to be religious,

1442
01:10:18,000 --> 01:10:18,639
Speaker 4: are they wanted?

1443
01:10:18,840 --> 01:10:24,080
Speaker 1: Kind of yeah, I think so. And farmers only you

1444
01:10:24,080 --> 01:10:24,759
Speaker 1: have to be a farmer.

1445
01:10:25,640 --> 01:10:28,960
Speaker 6: I mean that is appealing, except for I don't think

1446
01:10:29,040 --> 01:10:34,960
Speaker 6: people should use animals and farming, although I do drink milk, So.

1447
01:10:35,000 --> 01:10:36,200
Speaker 1: What am I talking about?

1448
01:10:37,320 --> 01:10:39,439
Speaker 5: You don't think animals should be used in the dating

1449
01:10:39,920 --> 01:10:40,760
Speaker 5: world in any way?

1450
01:10:41,920 --> 01:10:42,519
Speaker 1: What I mean?

1451
01:10:42,600 --> 01:10:45,559
Speaker 6: Of course, a nice horse drong carriage is a very

1452
01:10:45,680 --> 01:10:53,560
Speaker 6: rot No, I don't a anti farm animal exploitation.

1453
01:10:53,720 --> 01:10:56,800
Speaker 4: Well, they even if they they already are doing it

1454
01:10:56,840 --> 01:10:58,800
Speaker 4: for a living. They got a fine love even though

1455
01:10:58,800 --> 01:11:01,160
Speaker 4: they don't have admirable animal jobs.

1456
01:11:01,880 --> 01:11:04,400
Speaker 6: Yeah, but they can find it with someone who's not

1457
01:11:04,479 --> 01:11:08,040
Speaker 6: gonna look at their cows and be depressed about it. Yeah,

1458
01:11:08,240 --> 01:11:11,800
Speaker 6: I can't. I can't even go to a rodeo find

1459
01:11:12,040 --> 01:11:13,080
Speaker 6: I hear you fine?

1460
01:11:13,600 --> 01:11:16,360
Speaker 4: And it's funny how Instagram videos have made me more.

1461
01:11:16,479 --> 01:11:20,599
Speaker 4: I'm like, I'm just gonna eat fishes and chickens because

1462
01:11:20,600 --> 01:11:24,960
Speaker 4: I haven't seen a lot of cute chicken videos. Sorry, sorry, chickens.

1463
01:11:25,400 --> 01:11:29,120
Speaker 5: Chickens are kind of the worst. They're little bit nuts.

1464
01:11:29,320 --> 01:11:31,679
Speaker 5: I had to raise chickens. Sorry Martha, because I'm sure

1465
01:11:31,960 --> 01:11:34,400
Speaker 5: this is upsetting, but I had to raise I'm going

1466
01:11:34,439 --> 01:11:36,880
Speaker 5: to be the counter and I don't want to fight

1467
01:11:36,920 --> 01:11:39,960
Speaker 5: with you, but in this I will. I had to

1468
01:11:40,040 --> 01:11:43,439
Speaker 5: raise chickens growing up, and they do not give love,

1469
01:11:43,800 --> 01:11:45,920
Speaker 5: nor do they receive it. And I know there's lots

1470
01:11:45,960 --> 01:11:49,080
Speaker 5: of gifts with children hugging chickens, right, but those chickens

1471
01:11:49,080 --> 01:11:50,400
Speaker 5: don't fucking know what's going on.

1472
01:11:51,160 --> 01:11:53,040
Speaker 3: Seconds later they get packed right in the.

1473
01:11:54,840 --> 01:11:57,679
Speaker 5: It's true, or shared these shit on your jeans. Somehow,

1474
01:11:58,400 --> 01:12:02,439
Speaker 5: the chickens aren't there for you emotionally. Let's not pretend

1475
01:12:02,479 --> 01:12:05,840
Speaker 5: they are. But I will say this what I just

1476
01:12:05,880 --> 01:12:09,960
Speaker 5: recently saw the Peta ad where it's a cow that's

1477
01:12:10,200 --> 01:12:15,720
Speaker 5: very buxom. Oh yeah, and she's nursing an old man, right.

1478
01:12:15,840 --> 01:12:18,559
Speaker 5: And then Pete's thing was this doesn't look right to you,

1479
01:12:18,640 --> 01:12:21,320
Speaker 5: does it? You shouldn't be drinking milk? What do you

1480
01:12:21,360 --> 01:12:21,880
Speaker 5: think about that?

1481
01:12:22,160 --> 01:12:26,000
Speaker 4: It's hit a photoshopped pictures or did they actually capture

1482
01:12:26,080 --> 01:12:26,639
Speaker 4: this moment?

1483
01:12:27,400 --> 01:12:29,519
Speaker 1: Who is that man? I want to know his name?

1484
01:12:29,520 --> 01:12:33,639
Speaker 1: It looks like Joe Biden. I thought that was part

1485
01:12:33,680 --> 01:12:36,040
Speaker 1: of the whole Look what it creep Joe Biden? Is

1486
01:12:36,080 --> 01:12:39,760
Speaker 1: that just came out this week? Martha, you have to

1487
01:12:39,760 --> 01:12:44,120
Speaker 1: write a joke about that. Please, I will, please, will try.

1488
01:12:45,040 --> 01:12:46,679
Speaker 3: It's considerate reason.

1489
01:12:47,640 --> 01:12:53,240
Speaker 6: I mean, I understand the reasoning behind don't drink another

1490
01:12:53,400 --> 01:12:54,880
Speaker 6: animal's mother's milk.

1491
01:12:55,720 --> 01:12:59,640
Speaker 1: However, if you could.

1492
01:12:59,560 --> 01:13:05,240
Speaker 6: Have a humanely treated dairy cow, they don't give a

1493
01:13:05,320 --> 01:13:06,759
Speaker 6: ship what you do with their milk.

1494
01:13:06,840 --> 01:13:08,000
Speaker 1: We're producing it.

1495
01:13:08,160 --> 01:13:09,800
Speaker 3: Yeah, yeah, sure.

1496
01:13:10,240 --> 01:13:13,280
Speaker 6: And if you grew up drinking whole milk like it

1497
01:13:13,360 --> 01:13:13,960
Speaker 6: was water.

1498
01:13:14,360 --> 01:13:17,799
Speaker 1: Yeah, and add into the mix.

1499
01:13:17,720 --> 01:13:22,680
Speaker 6: The fact that food was the only consistent comfort you

1500
01:13:22,840 --> 01:13:25,000
Speaker 6: received as a child, you're goddamn right.

1501
01:13:25,080 --> 01:13:32,720
Speaker 1: I'm not giving up. I thought you were talking about me,

1502
01:13:32,800 --> 01:13:33,640
Speaker 1: but you're talking about you.

1503
01:13:35,040 --> 01:13:35,439
Speaker 3: Perfect.

1504
01:13:35,880 --> 01:13:42,400
Speaker 1: I will never never right. All the cows I grew

1505
01:13:42,439 --> 01:13:44,120
Speaker 1: up with were very humanely treated.

1506
01:13:44,160 --> 01:13:47,080
Speaker 5: It was all free range because they were It was

1507
01:13:47,160 --> 01:13:51,280
Speaker 5: just small town farms and branches, so like there was

1508
01:13:51,320 --> 01:13:52,160
Speaker 5: no it wasn't.

1509
01:13:51,960 --> 01:13:54,920
Speaker 1: Corporate dairy system.

1510
01:13:55,000 --> 01:13:58,639
Speaker 5: It was a very organic but just by chance organic

1511
01:13:58,760 --> 01:13:59,400
Speaker 5: dairy system.

1512
01:13:59,439 --> 01:14:01,160
Speaker 1: So that's that's all the dairy.

1513
01:14:01,320 --> 01:14:02,960
Speaker 3: Yeah, As I was when.

1514
01:14:02,800 --> 01:14:06,720
Speaker 4: I was a kid, our daycare, early school, I think

1515
01:14:06,720 --> 01:14:08,400
Speaker 4: I was like five or six, but we went on

1516
01:14:08,439 --> 01:14:11,320
Speaker 4: a tour of the Dale's dairy and it was a

1517
01:14:11,360 --> 01:14:15,400
Speaker 4: family that milked the cows with their hands, yep. And

1518
01:14:15,439 --> 01:14:17,840
Speaker 4: they had all burned. They had all been in a fire.

1519
01:14:17,960 --> 01:14:22,840
Speaker 4: They had been burned. There was a lot of the

1520
01:14:23,080 --> 01:14:25,320
Speaker 4: that's how I remember. I was a kid, but there

1521
01:14:25,360 --> 01:14:29,040
Speaker 4: they had burned. And then later in life there that industry.

1522
01:14:29,160 --> 01:14:32,960
Speaker 4: You couldn't just be in mon caught dairy and I

1523
01:14:33,040 --> 01:14:34,679
Speaker 4: went into Random movie and they owned.

1524
01:14:34,479 --> 01:14:37,439
Speaker 3: A video store. One day. They went from milk and

1525
01:14:37,520 --> 01:14:43,160
Speaker 3: cows to milking the movie business.

1526
01:14:43,840 --> 01:14:45,680
Speaker 1: That's good though they kept it light. They stayed they

1527
01:14:45,680 --> 01:14:46,719
Speaker 1: stayed light on their feet.

1528
01:14:48,240 --> 01:14:50,280
Speaker 4: Well the kid I remember a kid working there and

1529
01:14:50,320 --> 01:14:52,000
Speaker 4: then he was an adult and I'm like, did you

1530
01:14:52,120 --> 01:14:55,200
Speaker 4: used to work at Dale's Dairy And he's like, yeah,

1531
01:14:55,200 --> 01:14:56,519
Speaker 4: that was my family's dairy.

1532
01:14:56,880 --> 01:14:59,439
Speaker 3: Wow, I'm sorry, it's not a dairy anymore.

1533
01:14:59,720 --> 01:14:59,920
Speaker 6: It was.

1534
01:15:00,160 --> 01:15:03,320
Speaker 4: I remember being there though, and there's no cows that

1535
01:15:03,360 --> 01:15:06,799
Speaker 4: were sad. It was just like, yep, it's like you described, Martha.

1536
01:15:06,840 --> 01:15:10,240
Speaker 4: It was old timey early eighties.

1537
01:15:11,640 --> 01:15:16,320
Speaker 3: Dairy farm. Yeah, no one's getting slaughtered. Yeah.

1538
01:15:16,439 --> 01:15:20,479
Speaker 6: I wish, I wish there was a way to turn

1539
01:15:20,600 --> 01:15:27,200
Speaker 6: back our population exploded and turn back time. Share one

1540
01:15:27,240 --> 01:15:32,200
Speaker 6: time on Brendan Walsh's podcast for some reason we started

1541
01:15:32,240 --> 01:15:35,320
Speaker 6: singing shares if I could turn back time and it

1542
01:15:35,360 --> 01:15:37,520
Speaker 6: was still one of my happiest.

1543
01:15:37,080 --> 01:15:39,479
Speaker 1: Memories of my whole life. Did they ever get sued

1544
01:15:39,479 --> 01:15:40,760
Speaker 1: by Share, because.

1545
01:15:41,280 --> 01:15:46,160
Speaker 4: That's on the Bone Zone. I do know they had

1546
01:15:46,200 --> 01:15:47,400
Speaker 4: to pull some songs off.

1547
01:15:47,880 --> 01:15:50,240
Speaker 1: Is that true?

1548
01:15:50,600 --> 01:15:53,000
Speaker 4: They just played music and someone said, hey, you can't

1549
01:15:53,000 --> 01:15:54,840
Speaker 4: do that. I know Brendan had.

1550
01:15:54,720 --> 01:15:56,479
Speaker 1: A story about that, Yeah you can't.

1551
01:15:56,560 --> 01:15:59,160
Speaker 3: It might be this, It might be the Share episode

1552
01:15:59,320 --> 01:16:00,759
Speaker 3: with Martha, if.

1553
01:16:00,560 --> 01:16:03,599
Speaker 1: You maybe it was because it was the Bone Zone.

1554
01:16:03,760 --> 01:16:08,720
Speaker 6: If you did, hypothetically a podcast about Alvin and the

1555
01:16:08,800 --> 01:16:13,599
Speaker 6: Chipmunks could you legally use a sample of one of their.

1556
01:16:13,560 --> 01:16:18,679
Speaker 5: Cover songs, No, because it would be topical day and date,

1557
01:16:18,840 --> 01:16:21,559
Speaker 5: so you could justify it's not just random usage.

1558
01:16:22,439 --> 01:16:27,760
Speaker 1: I don't know what any of that means. I'm just

1559
01:16:27,800 --> 01:16:30,120
Speaker 1: talking to music Clearence Martha. I don't know what.

1560
01:16:30,560 --> 01:16:34,000
Speaker 4: As a real life fan of the Chipmunk franchise, can

1561
01:16:34,040 --> 01:16:36,960
Speaker 4: you give some of the listeners the actual names of

1562
01:16:37,000 --> 01:16:37,559
Speaker 4: the movies?

1563
01:16:39,560 --> 01:16:44,760
Speaker 6: I'm it's it would be my honor. The first one

1564
01:16:44,840 --> 01:16:47,559
Speaker 6: is just Alvin and the Chipmunks, Okay. The second one

1565
01:16:47,720 --> 01:16:52,960
Speaker 6: is The Squeakwell, and that's where we meet the chip Bets.

1566
01:16:53,040 --> 01:16:55,480
Speaker 6: And I honestly didn't think I was gonna.

1567
01:16:55,240 --> 01:16:57,320
Speaker 1: Like the chip Bets. I thought it was.

1568
01:16:57,320 --> 01:17:02,519
Speaker 6: Down that they made three female your female partners to

1569
01:17:02,560 --> 01:17:03,240
Speaker 6: the Chipmunks.

1570
01:17:03,240 --> 01:17:08,679
Speaker 1: But they're adorable kind of, but it's like g rated

1571
01:17:08,760 --> 01:17:13,040
Speaker 1: little kid stuff. Is the Alvin what's the Alvin version?

1572
01:17:13,439 --> 01:17:15,559
Speaker 1: Female version of Alvin's name Brittany.

1573
01:17:17,000 --> 01:17:23,759
Speaker 6: She likes she is very good at singing and dancing

1574
01:17:25,200 --> 01:17:29,320
Speaker 6: like Britney Spears. She does happen to think that she's

1575
01:17:29,479 --> 01:17:37,519
Speaker 6: very pretty, but in her defense, she is. And then

1576
01:17:38,479 --> 01:17:41,000
Speaker 6: she loves her sisters. That's one of the themes is

1577
01:17:41,040 --> 01:17:45,040
Speaker 6: all the Chipmunks and chip Bets love their families. And

1578
01:17:45,080 --> 01:17:51,040
Speaker 6: then Simon's counterpart is, oh no.

1579
01:17:51,479 --> 01:17:52,439
Speaker 3: How could this happen?

1580
01:17:53,080 --> 01:17:53,400
Speaker 6: Oh no?

1581
01:17:55,400 --> 01:17:56,280
Speaker 1: Is it a smart one?

1582
01:17:56,560 --> 01:17:56,960
Speaker 3: She is?

1583
01:17:57,000 --> 01:18:01,760
Speaker 1: She wears it's Oh my god, I want that.

1584
01:18:02,600 --> 01:18:04,000
Speaker 3: It's not a real horse, is it?

1585
01:18:04,120 --> 01:18:04,320
Speaker 6: No?

1586
01:18:04,520 --> 01:18:06,280
Speaker 3: I thought it was a horse about to dump off

1587
01:18:06,320 --> 01:18:08,120
Speaker 3: a room. I've had enough.

1588
01:18:08,320 --> 01:18:09,280
Speaker 1: I'm driving down there.

1589
01:18:09,720 --> 01:18:11,040
Speaker 3: Yeah, we have to see that horse.

1590
01:18:11,200 --> 01:18:15,840
Speaker 1: Lady calm down. Oh my god. That lady was swerving

1591
01:18:15,960 --> 01:18:17,640
Speaker 1: back and forth like this behind me.

1592
01:18:17,800 --> 01:18:18,960
Speaker 3: Oh wow, because I.

1593
01:18:19,160 --> 01:18:23,160
Speaker 1: Slowed down slightly to look at a horse. You old horror.

1594
01:18:24,400 --> 01:18:24,719
Speaker 9: Horse.

1595
01:18:26,640 --> 01:18:33,200
Speaker 5: Horse horse, Stephen, Will you take a picture of this horse?

1596
01:18:34,160 --> 01:18:38,439
Speaker 3: What's it was? Is road? Is there road?

1597
01:18:38,640 --> 01:18:42,519
Speaker 1: Wait? I have to look up Simon's yes. Please, it's

1598
01:18:42,600 --> 01:18:43,519
Speaker 1: gonna break my heart.

1599
01:18:43,840 --> 01:18:46,360
Speaker 4: I'm gonna reveal that I only know there's there's a

1600
01:18:46,439 --> 01:18:50,439
Speaker 4: Chipmunks movie called Chipmunks Road Chip right the road Chip?

1601
01:18:50,560 --> 01:18:52,320
Speaker 1: Yeah, but like they go in a road chip?

1602
01:18:52,720 --> 01:18:52,920
Speaker 5: Yeah?

1603
01:18:53,000 --> 01:18:54,360
Speaker 1: But what Jeanette.

1604
01:18:54,400 --> 01:18:58,520
Speaker 6: That's Simon's counterpart is jet She wears glasses.

1605
01:19:00,000 --> 01:19:01,800
Speaker 1: She's a little bit clumsy.

1606
01:19:02,120 --> 01:19:08,839
Speaker 6: And then my favorite, Theodore is my favorite Chipmunk's counterpart.

1607
01:19:08,280 --> 01:19:13,760
Speaker 3: Eleanor here's this horse. It's way back there. Shit, can

1608
01:19:13,800 --> 01:19:16,360
Speaker 3: we do with more? We can't do one movie?

1609
01:19:16,840 --> 01:19:17,240
Speaker 1: Not here?

1610
01:19:17,320 --> 01:19:22,719
Speaker 6: But we know around and Eleanor is the little round

1611
01:19:22,960 --> 01:19:26,639
Speaker 6: Theodore they eat together.

1612
01:19:27,080 --> 01:19:32,679
Speaker 1: Yeah, it's so cute. Good lord, I can't stand it.

1613
01:19:32,840 --> 01:19:35,400
Speaker 1: Who are some of the human actors in these movies?

1614
01:19:35,880 --> 01:19:40,439
Speaker 6: Jason Lee is in them real quick. The fourth one's

1615
01:19:40,560 --> 01:19:43,840
Speaker 6: called The Road Chip So wait. The third one is

1616
01:19:43,920 --> 01:19:44,559
Speaker 6: chip Wrecked.

1617
01:19:44,880 --> 01:19:47,439
Speaker 1: Are they on a desert island? Yes?

1618
01:19:49,120 --> 01:19:53,000
Speaker 6: And the one my only criticism is the the ship

1619
01:19:53,040 --> 01:19:55,120
Speaker 6: that they're on doesn't actually wreck.

1620
01:19:55,320 --> 01:19:58,240
Speaker 1: They get into a hang gliding.

1621
01:19:57,880 --> 01:20:00,519
Speaker 6: Incident and end up stranded on it, but.

1622
01:20:02,080 --> 01:20:04,840
Speaker 1: There's actually no ship element to it. Well, they're on

1623
01:20:04,920 --> 01:20:07,280
Speaker 1: a cruise ship, but the ship doesn't run.

1624
01:20:08,680 --> 01:20:13,559
Speaker 6: But you can't rhyme anything from Chipmunks with hang gliding.

1625
01:20:15,360 --> 01:20:17,160
Speaker 3: It's a lot like the word orange.

1626
01:20:17,320 --> 01:20:20,960
Speaker 5: It's like but they created the problem themselves. They painted

1627
01:20:20,960 --> 01:20:23,080
Speaker 5: themselves into the in that corner.

1628
01:20:23,360 --> 01:20:25,880
Speaker 6: That is a theme in all the movies is they

1629
01:20:26,040 --> 01:20:31,760
Speaker 6: created the problems themselves. Usually Alvin is that the That's right,

1630
01:20:31,880 --> 01:20:33,400
Speaker 6: He's a real disturber.

1631
01:20:34,720 --> 01:20:35,639
Speaker 3: Did you guys know that?

1632
01:20:36,000 --> 01:20:39,720
Speaker 4: I mean, as a kid, I had a wall dedicated

1633
01:20:39,760 --> 01:20:41,280
Speaker 4: to Jason Lee.

1634
01:20:41,280 --> 01:20:42,600
Speaker 3: As skateboard skateboarding.

1635
01:20:42,640 --> 01:20:46,680
Speaker 4: Yeah, yeah, I had like magazine pictures and he was

1636
01:20:46,720 --> 01:20:49,080
Speaker 4: at the top of his skateboarding career when all of

1637
01:20:49,080 --> 01:20:51,680
Speaker 4: a sudden, it just said, oh, he's taking acting classes,

1638
01:20:51,840 --> 01:20:55,759
Speaker 4: and we were like, like that was in a skateboarding magazine.

1639
01:20:55,840 --> 01:20:57,640
Speaker 4: He's retired to become an actor. And then all of

1640
01:20:57,680 --> 01:21:01,919
Speaker 4: a sudden like Chasing Amy and Marat because.

1641
01:21:01,680 --> 01:21:04,320
Speaker 1: He has the best face. He just genuinely has the

1642
01:21:04,320 --> 01:21:04,920
Speaker 1: best face.

1643
01:21:06,880 --> 01:21:13,720
Speaker 6: Is no Is was Chasing Amy his first boog role.

1644
01:21:13,840 --> 01:21:16,840
Speaker 3: I think it was mal Rats movie. I've never seen.

1645
01:21:17,080 --> 01:21:20,519
Speaker 1: Not good. None of those movies are good.

1646
01:21:20,840 --> 01:21:23,760
Speaker 4: It's weird because I remember I did a scene from

1647
01:21:23,840 --> 01:21:27,960
Speaker 4: Chasing Amy in my acting class and had I had

1648
01:21:27,960 --> 01:21:30,439
Speaker 4: a kissing scene with a with a with a.

1649
01:21:30,400 --> 01:21:31,960
Speaker 1: Boy, Oh how to go?

1650
01:21:32,160 --> 01:21:33,680
Speaker 3: It was great, he had braces.

1651
01:21:34,640 --> 01:21:36,840
Speaker 1: I don't remember that from Chasing Amy.

1652
01:21:37,040 --> 01:21:40,479
Speaker 4: Well, there's a there's a scene where Ben Affleck is like,

1653
01:21:40,640 --> 01:21:42,720
Speaker 4: you're gay, you have to deal with it, and he

1654
01:21:42,880 --> 01:21:45,920
Speaker 4: kisses him. And I did that scene in my acting class,

1655
01:21:46,400 --> 01:21:48,920
Speaker 4: and is you guys know me, I don't care. I'm like,

1656
01:21:49,280 --> 01:21:51,200
Speaker 4: I was a little nervous, but I went for it.

1657
01:21:51,320 --> 01:21:53,639
Speaker 1: No, you're a really modern and or an actor at Heart.

1658
01:21:53,800 --> 01:21:59,439
Speaker 5: But in the movie, Ben Affleck was telling Jason Lee

1659
01:21:59,520 --> 01:22:01,479
Speaker 5: that he was gay, uh.

1660
01:22:01,479 --> 01:22:03,519
Speaker 4: Yeah, or that he should come out and he'd be

1661
01:22:03,600 --> 01:22:06,400
Speaker 4: happier and he'd be less grumpy all the time, unless

1662
01:22:06,840 --> 01:22:07,960
Speaker 4: I don't remember them.

1663
01:22:08,120 --> 01:22:09,920
Speaker 1: But that's not the plot of the movie, right, No,

1664
01:22:10,000 --> 01:22:11,439
Speaker 1: it's just a plot.

1665
01:22:11,760 --> 01:22:15,599
Speaker 6: Okay, he's just always Jason Lee is trying to break

1666
01:22:15,680 --> 01:22:22,599
Speaker 6: up Ben at fluck right, okay, Joey Heatherton, Lauren Adams,

1667
01:22:22,680 --> 01:22:26,360
Speaker 6: Joey oh right, And then he's like, wait a minute,

1668
01:22:26,560 --> 01:22:29,000
Speaker 6: this isn't because you don't like her.

1669
01:22:29,040 --> 01:22:31,000
Speaker 1: It's because you're in love with me. You're gay?

1670
01:22:31,560 --> 01:22:31,800
Speaker 3: Right?

1671
01:22:32,240 --> 01:22:35,240
Speaker 1: And was that true? It was? I think so? It

1672
01:22:35,400 --> 01:22:36,879
Speaker 1: was yeah, awesome.

1673
01:22:36,960 --> 01:22:39,479
Speaker 4: He went out on a limb. Imagine being wrong. It's like, wow,

1674
01:22:39,520 --> 01:22:41,879
Speaker 4: you're full of yourself. You just don't like your girlfriend.

1675
01:22:42,439 --> 01:22:44,679
Speaker 4: I don't have the hots for you. You're not You're

1676
01:22:44,720 --> 01:22:45,160
Speaker 4: not Ben a.

1677
01:22:45,160 --> 01:22:46,720
Speaker 3: Flack yet, but.

1678
01:22:48,840 --> 01:22:51,400
Speaker 1: Ben a Flack. First of all, we're saying it wrong,

1679
01:22:51,600 --> 01:22:54,040
Speaker 1: But Flack Flack.

1680
01:22:54,880 --> 01:22:58,080
Speaker 5: He always reminded me of a guy you'd meet at

1681
01:22:58,120 --> 01:23:01,760
Speaker 5: a speech meet competition and who would be nice to

1682
01:23:01,840 --> 01:23:05,680
Speaker 5: you so that he could figure out a way to

1683
01:23:05,760 --> 01:23:08,519
Speaker 5: mentally mind fuck you and beat you. It's in like

1684
01:23:08,760 --> 01:23:10,680
Speaker 5: the humorous interpretation category.

1685
01:23:11,400 --> 01:23:11,720
Speaker 3: That's it.

1686
01:23:11,880 --> 01:23:17,040
Speaker 5: I find him frat boy suspicious to the point of

1687
01:23:17,080 --> 01:23:19,519
Speaker 5: being almost scary anyone else.

1688
01:23:19,840 --> 01:23:24,559
Speaker 6: I feel like what I've heard the I'm always on

1689
01:23:24,600 --> 01:23:29,240
Speaker 6: the hunt for showman's gossip and rarely get any. But

1690
01:23:29,439 --> 01:23:32,320
Speaker 6: the few things I've heard or maybe just seen on

1691
01:23:32,479 --> 01:23:35,640
Speaker 6: magazines is that maybe he's a little bit of a

1692
01:23:35,880 --> 01:23:42,360
Speaker 6: jur I mean, wasn't there a thing where he like

1693
01:23:43,040 --> 01:23:50,200
Speaker 6: I guess when you're that like handsome movie star, square

1694
01:23:50,320 --> 01:23:55,000
Speaker 6: jaw guy, yeah, you have to. You have to be

1695
01:23:55,040 --> 01:23:58,240
Speaker 6: portrayed as a good guy in real life. But maybe

1696
01:23:58,280 --> 01:24:00,080
Speaker 6: he is a little bit of a me too.

1697
01:24:00,080 --> 01:24:02,840
Speaker 1: Type of guy. Yeah, I think.

1698
01:24:04,040 --> 01:24:07,040
Speaker 5: Well, I don't know how you could avoid being an

1699
01:24:07,080 --> 01:24:11,280
Speaker 5: asshole unless you had a like early childhood tragedy or something, if.

1700
01:24:11,160 --> 01:24:12,600
Speaker 3: You had like a Superman.

1701
01:24:12,360 --> 01:24:15,639
Speaker 1: Chin, yeah, and like immediate those guys.

1702
01:24:15,720 --> 01:24:18,040
Speaker 5: The first movie him and Matt Damon wrote want to

1703
01:24:18,120 --> 01:24:21,280
Speaker 5: Fucking Oscar and set them on the perfect right Hollywood

1704
01:24:21,280 --> 01:24:22,960
Speaker 5: track permanently.

1705
01:24:22,479 --> 01:24:26,280
Speaker 1: No matter right. But Matt Damon has like a humanity

1706
01:24:26,360 --> 01:24:27,040
Speaker 1: chill wear best.

1707
01:24:27,120 --> 01:24:30,960
Speaker 3: He's short, is he Yeah, sure, he's like five.

1708
01:24:30,840 --> 01:24:33,320
Speaker 5: To two, but he has smile, he's kind of like

1709
01:24:35,240 --> 01:24:38,160
Speaker 5: he's got a humanity chim Where's Ben Affleck? Seems like

1710
01:24:38,200 --> 01:24:41,000
Speaker 5: he's trying to foreclose on your home because he's tall.

1711
01:24:41,360 --> 01:24:45,639
Speaker 5: Because it's all about guys, it's height and dead eyes.

1712
01:24:46,439 --> 01:24:49,599
Speaker 4: When on my phone, I have my number recorded as

1713
01:24:49,720 --> 01:24:53,920
Speaker 4: ben Affleck, So when I text myself an idea or

1714
01:24:54,439 --> 01:24:57,439
Speaker 4: or anything, it looks like it's coming from Ben Affleck,

1715
01:24:57,479 --> 01:25:00,320
Speaker 4: and I might show someone I'm like ben Affleck sending

1716
01:25:00,360 --> 01:25:04,280
Speaker 4: me a dumb joke about birds again, and people believe

1717
01:25:04,320 --> 01:25:05,400
Speaker 4: it and they're like, you know him.

1718
01:25:05,439 --> 01:25:07,360
Speaker 3: I'm like, yeah, he's always look at this, He's.

1719
01:25:07,200 --> 01:25:12,840
Speaker 4: Always texting me, and when I call myself.

1720
01:25:12,840 --> 01:25:14,880
Speaker 3: You know, it comes up its number.

1721
01:25:14,880 --> 01:25:16,519
Speaker 4: It makes me feel like I know the guy, and

1722
01:25:16,560 --> 01:25:19,479
Speaker 4: the version I know is he does weird me.

1723
01:25:19,600 --> 01:25:20,160
Speaker 3: Two things.

1724
01:25:20,240 --> 01:25:23,519
Speaker 5: Okay, the guy in my phone, the made up, the

1725
01:25:24,000 --> 01:25:25,800
Speaker 5: purely fictional then offlecking her.

1726
01:25:25,680 --> 01:25:28,599
Speaker 4: Phone, some of the jokes he sends me our question.

1727
01:25:29,040 --> 01:25:32,160
Speaker 4: At best, it's like, where is this coming from?

1728
01:25:32,360 --> 01:25:32,679
Speaker 1: Martha?

1729
01:25:32,720 --> 01:25:36,080
Speaker 5: Who's the most famous person you've met now that you

1730
01:25:36,120 --> 01:25:36,879
Speaker 5: are a TV.

1731
01:25:36,760 --> 01:25:37,439
Speaker 1: And film star?

1732
01:25:37,760 --> 01:25:39,320
Speaker 3: Great question, Thank you.

1733
01:25:40,840 --> 01:25:43,400
Speaker 1: I met that you want to talk about?

1734
01:25:44,000 --> 01:25:46,439
Speaker 3: Sorry, yeah, you want to talk about it?

1735
01:25:46,479 --> 01:25:50,360
Speaker 6: Clearly I don't know a lot to say am about him,

1736
01:25:50,400 --> 01:25:55,400
Speaker 6: but he was very very sweet to me in the

1737
01:25:55,479 --> 01:26:00,200
Speaker 6: limited time I interacted with him. Adam Driver, Oh the

1738
01:26:00,240 --> 01:26:02,559
Speaker 6: movie that hasn't come out that I might be cut

1739
01:26:02,560 --> 01:26:07,160
Speaker 6: out of where my character was named caseworker, but.

1740
01:26:07,160 --> 01:26:07,920
Speaker 1: He just was.

1741
01:26:08,120 --> 01:26:12,400
Speaker 6: But he was very like I like, you know, when

1742
01:26:12,439 --> 01:26:14,920
Speaker 6: you guys were talking about Dustin Hoffman, all the stuff

1743
01:26:14,920 --> 01:26:18,800
Speaker 6: he did to get into character. I've never felt my

1744
01:26:19,000 --> 01:26:21,960
Speaker 6: heart was in a job. Any job is enough to

1745
01:26:22,040 --> 01:26:26,439
Speaker 6: do that kind of stuff. Nor do I ever want

1746
01:26:26,560 --> 01:26:30,760
Speaker 6: to like be that dedicated to anything.

1747
01:26:32,200 --> 01:26:33,280
Speaker 3: Anything at that level.

1748
01:26:33,360 --> 01:26:35,160
Speaker 1: Yeah, I agree, not to the.

1749
01:26:35,160 --> 01:26:37,800
Speaker 6: Point of staying up for three days straight and like

1750
01:26:38,000 --> 01:26:44,360
Speaker 6: not bathing or whatever he did. And but Adam Driver

1751
01:26:44,520 --> 01:26:48,439
Speaker 6: seems like one of those method actors who has the

1752
01:26:48,479 --> 01:26:54,040
Speaker 6: ability to tune out everything and concentrate really hard on

1753
01:26:54,040 --> 01:26:59,479
Speaker 6: on whatever character he's doing. So I don't think I

1754
01:26:59,520 --> 01:27:02,040
Speaker 6: would ever be able to do that, and certainly if

1755
01:27:02,120 --> 01:27:03,480
Speaker 6: I don't put any effort.

1756
01:27:03,280 --> 01:27:07,640
Speaker 1: Into it all, never be able to. But I admire

1757
01:27:07,800 --> 01:27:09,320
Speaker 1: people who can do that.

1758
01:27:09,479 --> 01:27:12,439
Speaker 6: But so he he would, he would be in his

1759
01:27:12,479 --> 01:27:17,200
Speaker 6: own world and like kind of tune out everyone. But

1760
01:27:17,439 --> 01:27:21,160
Speaker 6: then if you interacted with him, he was very.

1761
01:27:21,000 --> 01:27:22,759
Speaker 3: Sweet and he's tall.

1762
01:27:23,280 --> 01:27:27,920
Speaker 6: He's super tall, and he has a long waist and

1763
01:27:28,000 --> 01:27:29,560
Speaker 6: a long face.

1764
01:27:29,520 --> 01:27:38,920
Speaker 1: And a long jacket. That's exciting. So he actually talked

1765
01:27:38,920 --> 01:27:41,519
Speaker 1: to you like a person and was just kind of chill. Yeah,

1766
01:27:41,560 --> 01:27:42,639
Speaker 1: but he didn't talk.

1767
01:27:42,800 --> 01:27:46,360
Speaker 6: So a lot of the main thing I love about

1768
01:27:46,439 --> 01:27:49,120
Speaker 6: acting job is all the time you spend with all

1769
01:27:49,160 --> 01:27:52,680
Speaker 6: the other cast and crew hanging out and talking all day,

1770
01:27:53,360 --> 01:27:54,960
Speaker 6: and he didn't really do that.

1771
01:27:55,240 --> 01:27:57,599
Speaker 1: He was very focused. But like.

1772
01:27:59,200 --> 01:28:01,920
Speaker 6: The second day, I think I only had I only

1773
01:28:01,960 --> 01:28:05,360
Speaker 6: worked three days. So the second day of shooting, I

1774
01:28:05,400 --> 01:28:09,800
Speaker 6: was just like, I owe him an apology. I should

1775
01:28:09,840 --> 01:28:12,960
Speaker 6: have not taken the job. I'm doing a terrible job.

1776
01:28:13,000 --> 01:28:19,280
Speaker 1: And so between setups, I said because I really felt like.

1777
01:28:21,360 --> 01:28:25,880
Speaker 6: He deserves to be with someone who actually can act.

1778
01:28:26,240 --> 01:28:31,080
Speaker 6: And no, I apologized to him because he also that

1779
01:28:31,240 --> 01:28:34,839
Speaker 6: day he kept getting frustrated with himself if he didn't

1780
01:28:34,920 --> 01:28:39,680
Speaker 6: do a take he thought was good, and I was like, who,

1781
01:28:39,800 --> 01:28:44,599
Speaker 6: why is he being subjected to this actor with him?

1782
01:28:45,120 --> 01:28:47,720
Speaker 6: And so I apologize to him between setups and he

1783
01:28:47,760 --> 01:28:51,040
Speaker 6: was like, no, you're you know he's really sweet and

1784
01:28:51,200 --> 01:28:55,920
Speaker 6: like he so he was sweet to people if he

1785
01:28:56,040 --> 01:28:59,400
Speaker 6: talked to you, but he just didn't initiate much interaction

1786
01:28:59,439 --> 01:29:05,960
Speaker 6: because he was focusing on acting, whereas like Louie and

1787
01:29:06,120 --> 01:29:12,320
Speaker 6: Zach and all of the great guest actors that come on,

1788
01:29:12,800 --> 01:29:14,400
Speaker 6: everyone just wants to joke.

1789
01:29:14,240 --> 01:29:18,880
Speaker 1: Around and hang out, you know, and it's really fun fun.

1790
01:29:19,160 --> 01:29:22,599
Speaker 5: I bet it's the best I've never in that Well,

1791
01:29:22,680 --> 01:29:25,240
Speaker 5: I guess it's only two years, three years, three years,

1792
01:29:25,320 --> 01:29:28,160
Speaker 5: three years since I've worked on that show. I've never

1793
01:29:28,560 --> 01:29:31,040
Speaker 5: had the chance to go be there when they're shooting,

1794
01:29:31,080 --> 01:29:32,240
Speaker 5: and it's heartbreaking.

1795
01:29:32,280 --> 01:29:34,880
Speaker 1: I wondered that I've never I've never been on set.

1796
01:29:35,720 --> 01:29:38,280
Speaker 3: I really want to Where does the shooting take place?

1797
01:29:38,320 --> 01:29:39,960
Speaker 3: Where is it all over? Where do you go?

1798
01:29:40,080 --> 01:29:42,800
Speaker 6: Yeah, Like this coming week we have a couple of

1799
01:29:42,880 --> 01:29:45,960
Speaker 6: days in Pico Rivera and then a couple of days

1800
01:29:45,960 --> 01:29:56,400
Speaker 6: in Silmar. There's lots of like Santa Clarita, that a

1801
01:29:56,400 --> 01:30:00,160
Speaker 6: lot of valley stuff. There's going to be stuff like

1802
01:30:01,280 --> 01:30:05,240
Speaker 6: calabasas they were in last week, just kind of all

1803
01:30:05,320 --> 01:30:06,120
Speaker 6: over the valley.

1804
01:30:06,240 --> 01:30:09,759
Speaker 4: All these places I've never been that I've been wanting

1805
01:30:09,800 --> 01:30:10,200
Speaker 4: to go to.

1806
01:30:10,640 --> 01:30:14,560
Speaker 6: It's kind of fun that the locations that I like.

1807
01:30:14,680 --> 01:30:17,080
Speaker 6: Before Baskets, there were a bunch of neat places in

1808
01:30:17,120 --> 01:30:18,080
Speaker 6: southern California.

1809
01:30:18,080 --> 01:30:21,720
Speaker 1: I didn't even know we're there. So that's kind of

1810
01:30:21,720 --> 01:30:22,760
Speaker 1: fun where all.

1811
01:30:22,720 --> 01:30:24,480
Speaker 3: Of a sudden you're just around horses.

1812
01:30:24,600 --> 01:30:29,000
Speaker 1: And yeah, there was one little town.

1813
01:30:30,240 --> 01:30:32,800
Speaker 6: Kind of like on the way to Ventura, but in

1814
01:30:32,840 --> 01:30:37,040
Speaker 6: the mountains, so kind of off any of the major highways,

1815
01:30:37,040 --> 01:30:39,760
Speaker 6: and it's just a little town in the mountains and

1816
01:30:39,800 --> 01:30:44,439
Speaker 6: there's this little winding road in and out of it,

1817
01:30:44,520 --> 01:30:47,160
Speaker 6: and it was so cool and I didn't even know

1818
01:30:47,200 --> 01:30:49,400
Speaker 6: it was there. It's where they shot this stuff when

1819
01:30:49,439 --> 01:30:53,360
Speaker 6: he jumps on the train in Season one. Oh yeah, yeah,

1820
01:30:53,439 --> 01:30:56,040
Speaker 6: so that stuff is really fun.

1821
01:30:56,080 --> 01:31:00,160
Speaker 4: Will you please share with our listeners the time you

1822
01:31:00,400 --> 01:31:05,559
Speaker 4: tried to befriend a horse and the horse did.

1823
01:31:05,400 --> 01:31:08,920
Speaker 3: It turn on you? Will you want to tell that story?

1824
01:31:08,920 --> 01:31:09,519
Speaker 3: And will you?

1825
01:31:10,479 --> 01:31:13,439
Speaker 1: I will? Yeah.

1826
01:31:14,200 --> 01:31:16,960
Speaker 6: I just there was a horse near where I lived

1827
01:31:16,960 --> 01:31:22,439
Speaker 6: in East Austin in twenty twelve, and it was when

1828
01:31:22,520 --> 01:31:25,120
Speaker 6: Buddy was sick and dying.

1829
01:31:25,400 --> 01:31:27,800
Speaker 4: A dog that was my dog for a little while,

1830
01:31:27,840 --> 01:31:30,600
Speaker 4: and it was always Buddy was always your dog, but

1831
01:31:30,920 --> 01:31:32,559
Speaker 4: I fostered Buddy for a while.

1832
01:31:33,040 --> 01:31:36,360
Speaker 6: I feel like he was definitely both our dogs, yea,

1833
01:31:36,600 --> 01:31:41,080
Speaker 6: and he so the day I found out he was

1834
01:31:41,240 --> 01:31:43,720
Speaker 6: this horse, we just would walk by, and she was

1835
01:31:43,800 --> 01:31:47,360
Speaker 6: always alone in this pasture and would walk the length

1836
01:31:47,400 --> 01:31:49,439
Speaker 6: of her fence when we would walk by, and I

1837
01:31:49,520 --> 01:31:52,360
Speaker 6: just thought she was lonely. So I started petting her,

1838
01:31:52,360 --> 01:31:55,400
Speaker 6: and then I started bringing your carrots and apples. And

1839
01:31:55,439 --> 01:31:57,760
Speaker 6: then the day I found out Buddy only had a

1840
01:31:57,800 --> 01:32:01,839
Speaker 6: few weeks to live, that he had this fast moving cancer,

1841
01:32:03,439 --> 01:32:07,720
Speaker 6: I stopped to give her carrots and an apple, and

1842
01:32:07,880 --> 01:32:10,760
Speaker 6: she put her head over the fence and pushed her

1843
01:32:10,800 --> 01:32:13,519
Speaker 6: forehead against my forehead and just stood there.

1844
01:32:14,720 --> 01:32:15,559
Speaker 3: That's the best.

1845
01:32:15,720 --> 01:32:20,040
Speaker 6: And so I don't know anything about horses, and I

1846
01:32:20,160 --> 01:32:23,400
Speaker 6: just thought that we were friends and had to because

1847
01:32:23,439 --> 01:32:26,519
Speaker 6: if you have a connection with a dog, once you

1848
01:32:26,760 --> 01:32:30,559
Speaker 6: have that there, they want you to be around them

1849
01:32:30,600 --> 01:32:32,840
Speaker 6: all the time and close to They want you to

1850
01:32:32,920 --> 01:32:33,760
Speaker 6: hug and pet them.

1851
01:32:34,280 --> 01:32:37,280
Speaker 4: You assume horses and dogs maybe because they have similar

1852
01:32:37,320 --> 01:32:38,560
Speaker 4: body type.

1853
01:32:41,560 --> 01:32:46,120
Speaker 1: They do have four legs, both of them, and tails, yeah, and.

1854
01:32:48,400 --> 01:32:49,240
Speaker 3: Big dogs. To me.

1855
01:32:49,840 --> 01:32:54,120
Speaker 6: Well, when after Buddy died one day, I just thought,

1856
01:32:54,160 --> 01:32:55,920
Speaker 6: I bet she would like it if I was on

1857
01:32:56,000 --> 01:32:59,120
Speaker 6: the other side of the fence petting her, and so

1858
01:32:59,240 --> 01:33:02,519
Speaker 6: I climbed in and she immediately tried to tell me,

1859
01:33:02,920 --> 01:33:04,680
Speaker 6: this is not what she wanted.

1860
01:33:05,960 --> 01:33:07,360
Speaker 3: What stopping.

1861
01:33:07,760 --> 01:33:14,520
Speaker 6: Well, she started, she kind of she kind of trotted

1862
01:33:14,600 --> 01:33:18,000
Speaker 6: over towards me, like she trotted away when I climbed over,

1863
01:33:18,040 --> 01:33:20,599
Speaker 6: and then came back. And so I walked next to her,

1864
01:33:20,640 --> 01:33:23,880
Speaker 6: petting her, going it's okay, it's okay. And then she

1865
01:33:24,080 --> 01:33:28,439
Speaker 6: turned her back feet towards me, and it popped into

1866
01:33:28,439 --> 01:33:30,680
Speaker 6: my head like this is what they do sometimes when

1867
01:33:30,680 --> 01:33:36,000
Speaker 6: they kick people. So I jumped kind of out of

1868
01:33:36,000 --> 01:33:39,760
Speaker 6: the way, and then she whirled around and stood up

1869
01:33:39,800 --> 01:33:41,080
Speaker 6: on her hind legs and went.

1870
01:33:44,439 --> 01:33:46,920
Speaker 1: Cranes horse like Iamug's crane.

1871
01:33:48,360 --> 01:33:51,000
Speaker 3: The Black Stallion when they put on a cruise ship.

1872
01:33:51,120 --> 01:33:53,200
Speaker 1: Yes, something like that.

1873
01:33:53,400 --> 01:33:57,640
Speaker 6: She reared up with her her front legs waned or

1874
01:33:58,840 --> 01:34:03,679
Speaker 6: winned winn winnaned thank you, and then I ran behind

1875
01:34:03,680 --> 01:34:05,439
Speaker 6: a tree and she chased me.

1876
01:34:06,439 --> 01:34:10,000
Speaker 3: That's when I remember, and didn't people drive by or something?

1877
01:34:10,120 --> 01:34:13,640
Speaker 6: Her owners who didn't stop and do anything.

1878
01:34:13,760 --> 01:34:16,400
Speaker 1: They drove by, and I didn't know who they were.

1879
01:34:17,200 --> 01:34:20,160
Speaker 6: I just saw people driving by as I was hiding

1880
01:34:20,160 --> 01:34:23,439
Speaker 6: behind a tree, and she was at the tree trying

1881
01:34:23,439 --> 01:34:23,880
Speaker 6: to get me.

1882
01:34:24,640 --> 01:34:27,400
Speaker 3: Why wouldn't they be concern that a person was in there.

1883
01:34:27,520 --> 01:34:30,280
Speaker 6: I still don't know they didn't see you. Maybe no,

1884
01:34:30,360 --> 01:34:32,160
Speaker 6: they saw me because I waved.

1885
01:34:31,840 --> 01:34:34,600
Speaker 1: And they waved back.

1886
01:34:33,840 --> 01:34:38,759
Speaker 6: And I waved because of that thing where you don't

1887
01:34:39,680 --> 01:34:43,000
Speaker 6: want people to know that you need help because you're embarrassed,

1888
01:34:43,120 --> 01:34:44,280
Speaker 6: so like.

1889
01:34:45,040 --> 01:34:46,960
Speaker 1: You mean, my whole life.

1890
01:34:46,280 --> 01:34:51,120
Speaker 6: They slowed down, and I was like, this is embarrassing.

1891
01:34:51,240 --> 01:34:54,160
Speaker 6: So I just raised a hand like, hey, I'm fine,

1892
01:34:54,400 --> 01:34:55,479
Speaker 6: even though I wasn't.

1893
01:34:55,760 --> 01:34:59,439
Speaker 4: You'd rather not be embarrassed and potentially be saved from

1894
01:34:59,439 --> 01:35:00,679
Speaker 4: a dangerous horse killing.

1895
01:35:00,840 --> 01:35:04,280
Speaker 6: Yes, And then they waved back. They'd slowed a little.

1896
01:35:04,320 --> 01:35:07,880
Speaker 6: They waved back and kept driving. And then a few

1897
01:35:07,960 --> 01:35:10,280
Speaker 6: days later I met them and they were like, yeah,

1898
01:35:10,320 --> 01:35:11,639
Speaker 6: we saw you the other day.

1899
01:35:11,720 --> 01:35:14,760
Speaker 3: I was like, what, why didn't you do something about it?

1900
01:35:14,840 --> 01:35:15,800
Speaker 1: I needed you.

1901
01:35:17,640 --> 01:35:21,879
Speaker 6: I had to run from like that tree to behind

1902
01:35:22,000 --> 01:35:25,160
Speaker 6: her little shed, to behind another tree, working my way

1903
01:35:25,160 --> 01:35:28,400
Speaker 6: towards the fence, and then ran to the fence and

1904
01:35:28,600 --> 01:35:32,240
Speaker 6: thought I could hop up, you know, like run out

1905
01:35:32,240 --> 01:35:34,920
Speaker 6: of a chain link fence and land a little bit

1906
01:35:34,960 --> 01:35:38,240
Speaker 6: off the ground. But I didn't, and then I ripped

1907
01:35:38,280 --> 01:35:39,720
Speaker 6: my jeans climbing over it.

1908
01:35:39,880 --> 01:35:41,280
Speaker 1: Oh God.

1909
01:35:41,800 --> 01:35:45,120
Speaker 6: And then I told her because she chased me to

1910
01:35:45,200 --> 01:35:47,679
Speaker 6: the fence, and I said, we're not friends anymore?

1911
01:35:47,880 --> 01:35:51,000
Speaker 1: You you're not nice?

1912
01:35:51,160 --> 01:35:52,400
Speaker 3: How did she take that?

1913
01:35:52,760 --> 01:35:53,880
Speaker 1: She didn't seem to care.

1914
01:35:53,960 --> 01:35:56,559
Speaker 6: But then I went back to being a friend because

1915
01:35:56,560 --> 01:35:58,360
Speaker 6: I felt bad for there's no one.

1916
01:36:00,240 --> 01:36:03,080
Speaker 3: Relationship with a horse has ups and downs.

1917
01:36:03,479 --> 01:36:05,200
Speaker 1: She may have been a problem horse too.

1918
01:36:05,800 --> 01:36:08,200
Speaker 6: Maybe that is why no one was in her pastors

1919
01:36:08,240 --> 01:36:09,599
Speaker 6: because she wasn't very nice.

1920
01:36:09,640 --> 01:36:11,960
Speaker 4: Did you ever feel like putting peanut butter in the

1921
01:36:11,960 --> 01:36:16,000
Speaker 4: horse's mouth and then later doing some voice over dubbing

1922
01:36:16,160 --> 01:36:16,639
Speaker 4: going like.

1923
01:36:16,840 --> 01:36:22,160
Speaker 1: I'm sorry, Martha, huh I I don't know how to

1924
01:36:22,200 --> 01:36:22,800
Speaker 1: do it right.

1925
01:36:23,960 --> 01:36:26,000
Speaker 3: Sometimes my teeth getting the way.

1926
01:36:26,920 --> 01:36:29,280
Speaker 1: Wait, Martha, have you ever seen that? What's one of

1927
01:36:29,360 --> 01:36:30,120
Speaker 1: my favorite gifts?

1928
01:36:30,160 --> 01:36:32,920
Speaker 5: And it's the horse that somebody put a stuffed horse

1929
01:36:32,960 --> 01:36:36,360
Speaker 5: into the horse's like area and it goes up and

1930
01:36:36,439 --> 01:36:36,960
Speaker 5: kicks it with it.

1931
01:36:37,960 --> 01:36:39,639
Speaker 1: I love it so much.

1932
01:36:39,720 --> 01:36:41,519
Speaker 5: I'm picturing that you tried to make friends with that

1933
01:36:41,720 --> 01:36:44,000
Speaker 5: horse because that's my favorite gift maybe of all time.

1934
01:36:44,200 --> 01:36:46,360
Speaker 1: I have to look it up again because it is

1935
01:36:46,439 --> 01:36:49,679
Speaker 1: so good, it's so funny, it's painful.

1936
01:36:49,920 --> 01:36:53,320
Speaker 6: It seems like the horse is like, oh is this

1937
01:36:53,400 --> 01:36:56,120
Speaker 6: a friend of Fuck you stuffed animals.

1938
01:36:56,280 --> 01:36:59,240
Speaker 1: And fuck you human being that put this stuffed animal here? Yeah,

1939
01:36:59,320 --> 01:36:59,800
Speaker 1: who do you think?

1940
01:36:59,840 --> 01:37:02,759
Speaker 4: I I just saw one the other day of an owl,

1941
01:37:03,240 --> 01:37:07,320
Speaker 4: like people have owls his pets and certain strange houses.

1942
01:37:07,280 --> 01:37:11,880
Speaker 9: And this Harry Potter's house, this sorcerer child's house has

1943
01:37:11,960 --> 01:37:15,040
Speaker 9: a giant owl and they just put a little rabbit

1944
01:37:16,000 --> 01:37:18,920
Speaker 9: behind it, had little rabbit ears, and they all started

1945
01:37:18,960 --> 01:37:21,800
Speaker 9: running towards it, and his wings were up like he

1946
01:37:21,920 --> 01:37:23,680
Speaker 9: was gonna fly off with it.

1947
01:37:23,760 --> 01:37:25,519
Speaker 4: But then he saw it was a stuffed animal, and

1948
01:37:25,560 --> 01:37:28,080
Speaker 4: he just was like staring at it all confused, like.

1949
01:37:28,120 --> 01:37:30,519
Speaker 3: That's not a real rabbit. Why did you make me

1950
01:37:30,560 --> 01:37:31,240
Speaker 3: get into hunter?

1951
01:37:31,320 --> 01:37:35,240
Speaker 4: Most Yeah, it was embarrassed, so he waved off. He

1952
01:37:35,320 --> 01:37:39,719
Speaker 4: waved at some horse owners embarrassment, just out of shame.

1953
01:37:40,400 --> 01:37:42,280
Speaker 4: We've probably done a long episode recu.

1954
01:37:42,479 --> 01:37:42,639
Speaker 6: Yeah.

1955
01:37:42,640 --> 01:37:44,720
Speaker 5: I was actually trying to find Martha's street, but now

1956
01:37:44,720 --> 01:37:46,040
Speaker 5: I can't remember which one it is.

1957
01:37:46,240 --> 01:37:51,719
Speaker 1: It's the one if you go left and then pass

1958
01:37:51,840 --> 01:37:52,280
Speaker 1: the light.

1959
01:37:53,320 --> 01:37:55,240
Speaker 4: Do you guys care about that little dog on that

1960
01:37:55,360 --> 01:37:56,760
Speaker 4: wall being a show dog?

1961
01:37:58,400 --> 01:38:00,800
Speaker 1: Like a little diamond walk seen it?

1962
01:38:00,800 --> 01:38:03,000
Speaker 4: It's a little model dog on a cat wash it

1963
01:38:03,040 --> 01:38:05,439
Speaker 4: before all right, it's a doggy cat watch? Are you

1964
01:38:05,479 --> 01:38:09,759
Speaker 4: sure you don't want to glance over doggy cat does

1965
01:38:09,800 --> 01:38:10,360
Speaker 4: show's over.

1966
01:38:12,200 --> 01:38:12,400
Speaker 3: Yeah.

1967
01:38:12,720 --> 01:38:14,880
Speaker 6: My neighbor on the other side of the duplex has

1968
01:38:14,920 --> 01:38:19,360
Speaker 6: a corgie and she is everything you would want.

1969
01:38:19,760 --> 01:38:22,040
Speaker 3: Big body, tiny legs and big.

1970
01:38:21,880 --> 01:38:27,720
Speaker 6: Body, tiny legs, a lot of instructions about what other

1971
01:38:27,760 --> 01:38:28,760
Speaker 6: people should be doing.

1972
01:38:28,920 --> 01:38:33,040
Speaker 1: Oh real, bossy, very bossy. Yeah, because they're royals. I

1973
01:38:33,080 --> 01:38:37,439
Speaker 1: love it. Here we go, well, I get hit by

1974
01:38:37,520 --> 01:38:38,680
Speaker 1: a car we don't know.

1975
01:38:39,160 --> 01:38:42,479
Speaker 3: Oh wow, they are going for it. Thank you for

1976
01:38:42,880 --> 01:38:45,760
Speaker 3: existing and being terrible.

1977
01:38:45,400 --> 01:38:49,799
Speaker 1: Not even adjusting slightly. So yeah, two more.

1978
01:38:50,960 --> 01:38:53,559
Speaker 3: We might as well take you right to your door.

1979
01:38:54,360 --> 01:38:54,559
Speaker 5: Right.

1980
01:38:56,960 --> 01:38:59,479
Speaker 3: We can't quit an episode mid block.

1981
01:39:00,120 --> 01:39:02,080
Speaker 1: That would be bad. Let's do it right up, right

1982
01:39:02,120 --> 01:39:02,439
Speaker 1: up to the.

1983
01:39:02,800 --> 01:39:05,439
Speaker 3: Bitter and it's gonna get bitter.

1984
01:39:05,400 --> 01:39:07,559
Speaker 5: Now, Martha, do you have anything that you want to

1985
01:39:07,600 --> 01:39:10,160
Speaker 5: plug that you that you'd like to discuss, that you

1986
01:39:10,200 --> 01:39:12,640
Speaker 5: want to confront us about anything at all?

1987
01:39:12,800 --> 01:39:16,479
Speaker 1: Amends, or do you want to apologize for what you've

1988
01:39:16,520 --> 01:39:18,520
Speaker 1: done to us? Dam Sorry.

1989
01:39:18,560 --> 01:39:22,080
Speaker 6: This is the fourth podcast I've done since moving out here,

1990
01:39:22,120 --> 01:39:29,960
Speaker 6: and it's been a path of destruction. One of them

1991
01:39:30,120 --> 01:39:33,000
Speaker 6: they I did over a month ago, so it's.

1992
01:39:32,880 --> 01:39:34,360
Speaker 1: The street after this one.

1993
01:39:34,400 --> 01:39:37,200
Speaker 6: Okay, I did over a month ago and they still

1994
01:39:37,200 --> 01:39:39,800
Speaker 6: haven't released it, and I can only assume it's because

1995
01:39:39,840 --> 01:39:41,519
Speaker 6: it was even worse than I remember.

1996
01:39:42,680 --> 01:39:49,000
Speaker 1: Impossible, No way, your comedy is pretty bad. They all

1997
01:39:49,040 --> 01:39:49,760
Speaker 1: feel bad though.

1998
01:39:49,960 --> 01:39:52,880
Speaker 3: There are people and I've seen it. I've known Martha

1999
01:39:52,880 --> 01:39:53,479
Speaker 3: a long time.

2000
01:39:53,560 --> 01:39:56,000
Speaker 4: We kind of started stand up together in a way,

2001
01:39:56,040 --> 01:39:57,960
Speaker 4: don't you think, or whatever.

2002
01:39:57,640 --> 01:40:01,160
Speaker 3: We dabbled prior, I really knew.

2003
01:40:01,320 --> 01:40:04,360
Speaker 4: I've seen people not get Martha and I want I've

2004
01:40:04,400 --> 01:40:10,120
Speaker 4: wanted who was the It was like the Cajun comic

2005
01:40:10,240 --> 01:40:12,799
Speaker 4: that you had a rough set and he's like, hey, everyone,

2006
01:40:13,000 --> 01:40:16,280
Speaker 4: just take your hands and just wipe the sweat off

2007
01:40:16,360 --> 01:40:19,639
Speaker 4: your brow and just know that, thank God that's over

2008
01:40:19,800 --> 01:40:24,560
Speaker 4: or what he said, and you go apologize.

2009
01:40:24,560 --> 01:40:28,479
Speaker 3: I was going to fight that guy. Remember, you gotta

2010
01:40:28,520 --> 01:40:30,280
Speaker 3: go to apology. Did he apologize?

2011
01:40:31,520 --> 01:40:35,040
Speaker 6: No, he never spoke to me between any of the

2012
01:40:35,080 --> 01:40:36,920
Speaker 6: rest of the shows we did that week. That was

2013
01:40:36,960 --> 01:40:40,320
Speaker 6: in the terrible That All Club in San Antonio, But

2014
01:40:40,400 --> 01:40:41,680
Speaker 6: I think has closed.

2015
01:40:42,080 --> 01:40:45,240
Speaker 3: I know that was a capsity. Matt Bearden was I

2016
01:40:45,360 --> 01:40:46,320
Speaker 3: remember it vividly.

2017
01:40:46,600 --> 01:40:50,080
Speaker 4: Oh, And I was like that guy is and he

2018
01:40:50,240 --> 01:40:52,639
Speaker 4: was like had won his wife had won the lottery

2019
01:40:52,760 --> 01:40:54,959
Speaker 4: or something, and he is a millionaire.

2020
01:40:55,320 --> 01:40:58,479
Speaker 5: There was some bad I remember meeting a guy who

2021
01:40:58,520 --> 01:41:01,439
Speaker 5: came the one week I had lined in Houston at

2022
01:41:01,439 --> 01:41:02,360
Speaker 5: the old lap Stop.

2023
01:41:03,080 --> 01:41:05,320
Speaker 1: And I don't know why. The guy headlined yet was

2024
01:41:05,400 --> 01:41:08,240
Speaker 1: like a solid middle and part rabbit.

2025
01:41:08,120 --> 01:41:11,120
Speaker 4: And that there's one VHS in the green room and

2026
01:41:11,160 --> 01:41:12,320
Speaker 4: it was Girls Guitar Club.

2027
01:41:12,479 --> 01:41:15,120
Speaker 3: Yeah, and I watched it and I'm like that, she's funny.

2028
01:41:15,160 --> 01:41:17,519
Speaker 3: Maybe one day I'll have a podcast. I've said that

2029
01:41:17,680 --> 01:41:19,120
Speaker 3: I didn't know what a podcast was.

2030
01:41:19,560 --> 01:41:22,000
Speaker 5: But while I was at that, after the show every

2031
01:41:22,080 --> 01:41:23,880
Speaker 5: night you'd have to go out and drink in the bar.

2032
01:41:24,439 --> 01:41:26,240
Speaker 5: And I was standing there one night and there was

2033
01:41:26,240 --> 01:41:27,519
Speaker 5: a guy that walked on and he's like, yeah, you're

2034
01:41:27,520 --> 01:41:30,800
Speaker 5: all right, and I'm like, oh, thanks, and he goes, yeah,

2035
01:41:30,880 --> 01:41:32,320
Speaker 5: I'm a balloon comic.

2036
01:41:32,720 --> 01:41:35,479
Speaker 1: And he was fucking serious. I laughed in his face.

2037
01:41:35,520 --> 01:41:37,920
Speaker 1: I was like, are you kidding me? Like, but he

2038
01:41:38,000 --> 01:41:40,280
Speaker 1: meant it. He was just like the balloon comics here,

2039
01:41:40,479 --> 01:41:42,320
Speaker 1: I may or may not be giving you my approval.

2040
01:41:42,600 --> 01:41:44,960
Speaker 5: And I just had that moment where he pulled all

2041
01:41:45,000 --> 01:41:47,519
Speaker 5: the way back, so it was like the United States,

2042
01:41:47,560 --> 01:41:50,960
Speaker 5: then it was in the Northern Hemisphere, and then I

2043
01:41:50,960 --> 01:41:53,280
Speaker 5: would have outer space where I was just like wow,

2044
01:41:53,320 --> 01:41:56,120
Speaker 5: this is the dumbest job I could have ever tried

2045
01:41:56,160 --> 01:41:58,400
Speaker 5: to do, and now I'm fucking stuck in it.

2046
01:41:58,800 --> 01:41:59,840
Speaker 1: And this is my job.

2047
01:42:00,040 --> 01:42:02,960
Speaker 5: These assholes are my peers, and this is these are

2048
01:42:03,000 --> 01:42:04,600
Speaker 5: the people I'm going to be hearing from for the

2049
01:42:04,640 --> 01:42:05,320
Speaker 5: rest of my life.

2050
01:42:05,560 --> 01:42:08,439
Speaker 4: Anyone in this car ever seen a balloon comedy show?

2051
01:42:08,960 --> 01:42:12,200
Speaker 5: I didn't saying a balloon comic like I'm a balloon comic,

2052
01:42:12,320 --> 01:42:13,679
Speaker 5: like I'm a political comic.

2053
01:42:14,439 --> 01:42:17,320
Speaker 4: It's a genre of comedy.

2054
01:42:17,400 --> 01:42:22,439
Speaker 1: Yeah, that's you're saying you're a clown. That's crazy. I'm angry.

2055
01:42:22,560 --> 01:42:25,479
Speaker 3: I tell you jokes as I make poodles for children

2056
01:42:25,479 --> 01:42:26,280
Speaker 3: at the parties.

2057
01:42:26,360 --> 01:42:28,160
Speaker 5: And I'm the one who knows that you're not that

2058
01:42:28,240 --> 01:42:31,240
Speaker 5: good at comedy. Okay, well then that's so be it.

2059
01:42:31,439 --> 01:42:33,800
Speaker 3: Well you know who is good at comedy.

2060
01:42:33,600 --> 01:42:37,840
Speaker 5: Martha Kelly.

2061
01:42:38,200 --> 01:42:41,920
Speaker 6: Guys, thank you for having me on your podcast, so

2062
01:42:42,040 --> 01:42:43,120
Speaker 6: much for doing it.

2063
01:42:43,000 --> 01:42:45,160
Speaker 3: And you're nothing to play? You know, are you going

2064
01:42:45,200 --> 01:42:45,479
Speaker 3: to doing?

2065
01:42:46,160 --> 01:42:50,360
Speaker 6: I'm doing but I don't remember the dates, So what's the.

2066
01:42:50,360 --> 01:42:51,760
Speaker 3: Point you look it up?

2067
01:42:52,240 --> 01:42:55,639
Speaker 1: Do you have a website? Not want I would want

2068
01:42:55,640 --> 01:42:56,600
Speaker 1: anyone to look at it.

2069
01:42:57,120 --> 01:42:59,799
Speaker 6: I have a word Press site that I haven't updated

2070
01:43:00,080 --> 01:43:02,080
Speaker 6: a year and it's embarrassing.

2071
01:43:02,240 --> 01:43:06,759
Speaker 5: Word press it Martha Kelly dot gov, Martha Kelly dot gov.

2072
01:43:07,080 --> 01:43:07,679
Speaker 3: And then.

2073
01:43:10,040 --> 01:43:13,040
Speaker 6: And then my Twitter handles Martha Kelly three. That's the

2074
01:43:13,040 --> 01:43:15,559
Speaker 6: one where I yell at people on the internet every

2075
01:43:15,680 --> 01:43:16,360
Speaker 6: single day.

2076
01:43:16,400 --> 01:43:17,599
Speaker 1: I love it. I live for it.

2077
01:43:18,240 --> 01:43:21,479
Speaker 6: Well, thanks you guys, thank you for being with us.

2078
01:43:21,600 --> 01:43:23,720
Speaker 5: Yes, Martha meant the world that you would do it

2079
01:43:23,720 --> 01:43:25,240
Speaker 5: at so last minute we made this.

2080
01:43:25,280 --> 01:43:27,080
Speaker 1: Appreciate it. We love you, Martha.

2081
01:43:27,320 --> 01:43:30,799
Speaker 3: I mean you've been listening to do you need to ride?

2082
01:43:30,960 --> 01:43:32,559
Speaker 3: D Y N A R?

2083
01:43:34,760 --> 01:43:39,680
Speaker 1: Are you leaving? You wanna way back? Either way, we

2084
01:43:39,840 --> 01:43:41,640
Speaker 1: want to be there.

2085
01:43:42,840 --> 01:43:47,200
Speaker 2: Doesn't matter how much baggage you Clay us time and

2086
01:43:48,320 --> 01:43:53,560
Speaker 2: Tourmano and Gabe. We want to send you off instead,

2087
01:43:55,000 --> 01:43:57,200
Speaker 2: we want to welcome you back home.

2088
01:43:59,120 --> 01:44:05,040
Speaker 1: Tell us all loud it we scared her? Was it fine? Melbourne?

2089
01:44:20,920 --> 01:44:24,320
Speaker 1: Do you need to ride? Do you need to ride?

2090
01:44:24,920 --> 01:44:28,200
Speaker 1: Do you need to ride? Do you need to ride?

2091
01:44:28,880 --> 01:44:32,679
Speaker 1: Do you need to ride? Do you need to ride?

2092
01:44:32,880 --> 01:44:37,559
Speaker 1: Do you need to ride? Do you need.

2093
01:44:42,000 --> 01:44:43,160
Speaker 3: With Karen and Chris

2094
01:44:45,040 --> 01:44:45,080
Speaker 6: H