1 00:00:00,160 --> 00:00:04,519 Speaker 1: Welcome backstage, conspiracy Realist. We are bringing you a classic episode. 2 00:00:04,559 --> 00:00:06,680 Speaker 1: And before we do, while you're just kicking it with 3 00:00:06,760 --> 00:00:09,080 Speaker 1: us in the figurative green room, I have to ask, 4 00:00:09,760 --> 00:00:13,440 Speaker 1: do you guys like lights in general? Yeah? I love 5 00:00:13,480 --> 00:00:17,759 Speaker 1: them colored ones, you know, white ones, black ones. The 6 00:00:17,800 --> 00:00:20,480 Speaker 1: black ones are fun. They make they make things look 7 00:00:20,480 --> 00:00:22,440 Speaker 1: real trippy in the dock. They teach you a lot 8 00:00:22,480 --> 00:00:25,920 Speaker 1: about hotel rooms. That's also true. That's a different kind 9 00:00:25,920 --> 00:00:28,040 Speaker 1: of trippy in the dark. Yeah, what did they call that? 10 00:00:28,560 --> 00:00:32,720 Speaker 1: It was like it was like color therapy or something 11 00:00:32,760 --> 00:00:35,400 Speaker 1: like that. There was it was labeled in some strange way, 12 00:00:35,440 --> 00:00:37,520 Speaker 1: the blue and red lights. They were in a recent 13 00:00:37,520 --> 00:00:43,800 Speaker 1: hotel we visited. I really like lights when they come 14 00:00:43,840 --> 00:00:49,320 Speaker 1: together to form the shape of Diablo characters on my monitor. Basically, 15 00:00:49,720 --> 00:00:54,280 Speaker 1: I like lights that are tempty, you know. I like 16 00:00:54,480 --> 00:00:57,840 Speaker 1: lights that tease you a little bit, flirt you off 17 00:00:58,080 --> 00:01:01,520 Speaker 1: the expected route. Sometimes they are called the will of 18 00:01:01,520 --> 00:01:05,480 Speaker 1: the wisp. Sometimes they are called spooklights. And in today's 19 00:01:05,640 --> 00:01:09,640 Speaker 1: classic episode, we went with the title ghost lights. You 20 00:01:09,720 --> 00:01:13,080 Speaker 1: might be surprised by how many people feel that they 21 00:01:13,200 --> 00:01:17,279 Speaker 1: have encountered this phenomenon and by just how many different 22 00:01:17,280 --> 00:01:19,959 Speaker 1: explanations there are for it. I think we were all 23 00:01:20,000 --> 00:01:24,240 Speaker 1: surprised by the responses from our fellow conspiracy realist. Oh absolutely, 24 00:01:24,360 --> 00:01:26,480 Speaker 1: and hey, it's still not too late to let us 25 00:01:26,480 --> 00:01:28,800 Speaker 1: know what you think after you listen to this classic 26 00:01:28,840 --> 00:01:34,920 Speaker 1: episode from UFOs to psychic powers and government conspiracies. History 27 00:01:35,080 --> 00:01:38,640 Speaker 1: is riddled with unexplained events. You can turn back now 28 00:01:39,440 --> 00:01:55,200 Speaker 1: or learn this stuff they don't want you to know. Hello, 29 00:01:55,600 --> 00:01:57,680 Speaker 1: welcome back to the show. My name is Matt, my 30 00:01:57,760 --> 00:02:00,560 Speaker 1: name is Nell Spooky Brown. They called me been in 31 00:02:00,680 --> 00:02:03,559 Speaker 1: various other things. You are you that makes this stuff 32 00:02:03,680 --> 00:02:07,280 Speaker 1: they don't want you to know? A relatively spooky episode 33 00:02:07,320 --> 00:02:09,960 Speaker 1: for us today. Yeah. I'm not sure if I'm just 34 00:02:09,960 --> 00:02:12,440 Speaker 1: getting old and like sentimental or something, but I was 35 00:02:12,480 --> 00:02:16,360 Speaker 1: writing around yesterday listening to Thriller really loud in my car, 36 00:02:16,800 --> 00:02:19,880 Speaker 1: and it made me cry how good that song is, 37 00:02:19,960 --> 00:02:23,359 Speaker 1: like how perfectly done that song is, and how it's 38 00:02:23,400 --> 00:02:25,200 Speaker 1: like you think it couldn't get any better, You think 39 00:02:25,200 --> 00:02:27,840 Speaker 1: it couldn't get any better, and then Vincent Price boom. 40 00:02:28,000 --> 00:02:31,560 Speaker 1: Fun fact, I used to know the choreography of the 41 00:02:31,600 --> 00:02:33,919 Speaker 1: Thriller dance. Yeah, this is I mean been. My experience 42 00:02:34,000 --> 00:02:35,880 Speaker 1: is separated from the video. The video ads a whole 43 00:02:35,880 --> 00:02:38,600 Speaker 1: another layer of like shocking onto that thing that is 44 00:02:38,600 --> 00:02:41,640 Speaker 1: a piece of piece of art right there. It is. 45 00:02:41,800 --> 00:02:45,560 Speaker 1: So we are doing one. We are delving into one 46 00:02:45,639 --> 00:02:50,000 Speaker 1: topic that is particularly spooky, so spooky in fact that 47 00:02:50,200 --> 00:02:53,000 Speaker 1: they use the word spook in the name. It's correct, 48 00:02:53,120 --> 00:02:56,400 Speaker 1: and it was. We were hipped to the attention of 49 00:02:56,400 --> 00:03:00,400 Speaker 1: this topic by a listener named Megan, who wrote to us. 50 00:03:00,760 --> 00:03:03,080 Speaker 1: She says, Hey, guys, I started your podcast a couple 51 00:03:03,080 --> 00:03:05,400 Speaker 1: of weeks ago, and I'm greatly enjoying it. It's been 52 00:03:05,400 --> 00:03:07,160 Speaker 1: a great way to help me get through the workday, 53 00:03:07,360 --> 00:03:09,680 Speaker 1: though my coworkers might be getting a little annoyed with 54 00:03:09,720 --> 00:03:12,880 Speaker 1: me randomly laughing or bringing up odd conversations. Oh, we 55 00:03:12,960 --> 00:03:16,800 Speaker 1: understand that completely, Megan, the laughing part, you know, maybe 56 00:03:16,840 --> 00:03:20,480 Speaker 1: the odd conversations for sure. She says. I'm not sure 57 00:03:20,520 --> 00:03:23,120 Speaker 1: if you've ever heard of the Joplin Spooklight, but I 58 00:03:23,160 --> 00:03:25,200 Speaker 1: thought it might be something that you'd have an interest in. 59 00:03:25,480 --> 00:03:27,560 Speaker 1: I've been fascinated by it since I was little, and 60 00:03:27,600 --> 00:03:31,919 Speaker 1: I always liked the various theories that I hear. Yeah, 61 00:03:31,919 --> 00:03:35,440 Speaker 1: thank you for writing in, Megan. Our first response, I 62 00:03:35,720 --> 00:03:38,040 Speaker 1: don't know about you. Guys. But my first response when 63 00:03:38,080 --> 00:03:41,560 Speaker 1: I read the phrase Joplin Spooklight was what a great 64 00:03:41,680 --> 00:03:45,080 Speaker 1: band name. Yeah, like I would go. I would go 65 00:03:45,240 --> 00:03:48,200 Speaker 1: see them, only if you can get Janis to front it, though, 66 00:03:48,360 --> 00:03:51,560 Speaker 1: I think that sailed well. I you know, you could 67 00:03:51,600 --> 00:03:58,960 Speaker 1: do stuff with holograms or ghost maybe never holograms. Never holograms, 68 00:03:59,040 --> 00:04:01,840 Speaker 1: all right, we'll see that freaks me out. We could 69 00:04:01,880 --> 00:04:05,440 Speaker 1: get the old pentagram back out. See what we can conjure, 70 00:04:05,600 --> 00:04:08,839 Speaker 1: yea conjure the Janis? All right? Cool, So I think 71 00:04:08,880 --> 00:04:12,360 Speaker 1: we've we've just started a band. Yes, and before we 72 00:04:12,640 --> 00:04:16,200 Speaker 1: before we get to our album, which is pretty clearly 73 00:04:16,240 --> 00:04:19,240 Speaker 1: going to be a concept album, right, okay, as long 74 00:04:19,240 --> 00:04:21,279 Speaker 1: as we're all on board. Oh and we need to 75 00:04:21,279 --> 00:04:24,520 Speaker 1: introduce our super producer, Alex Williams. On the ones, twos 76 00:04:24,520 --> 00:04:28,640 Speaker 1: and threes, he pointed out, Scott Choplin could be Yeah, 77 00:04:28,680 --> 00:04:30,640 Speaker 1: that'd be a different kind of band, but I like it. 78 00:04:30,760 --> 00:04:33,560 Speaker 1: We could make it like space jazz. What about just 79 00:04:33,640 --> 00:04:36,080 Speaker 1: the two of them, just the two Joplins that would 80 00:04:36,080 --> 00:04:38,320 Speaker 1: probably cancel each other out double job of like a 81 00:04:38,920 --> 00:04:42,560 Speaker 1: dark matter explosion. I mean, that'd be dangerous. There is 82 00:04:42,600 --> 00:04:47,159 Speaker 1: sort of a crossing the proton beams, ghostbusters vibe going 83 00:04:47,200 --> 00:04:50,039 Speaker 1: on with that. Yeah, but maybe that's why it would 84 00:04:50,040 --> 00:04:53,279 Speaker 1: be incredible. Yes, And we'll put a we'll put a 85 00:04:53,440 --> 00:04:54,919 Speaker 1: we'll put a pin on this, and we want to 86 00:04:54,920 --> 00:04:58,040 Speaker 1: hear your opinions to what sort of band Joplin Spooklight 87 00:04:58,080 --> 00:05:00,720 Speaker 1: would be. It turns out that the job blind Spooklight, 88 00:05:00,720 --> 00:05:05,240 Speaker 1: in addition to being a fantastic band name, is a 89 00:05:05,279 --> 00:05:10,640 Speaker 1: phenomenon that is widespread and relatively well known in the 90 00:05:10,760 --> 00:05:14,680 Speaker 1: Joplin area. This is an example of something that is 91 00:05:14,839 --> 00:05:18,800 Speaker 1: also called, you know, a ghostlight, spooklight, a willow the wisp. 92 00:05:19,480 --> 00:05:22,599 Speaker 1: And how have we not made an episode on this? 93 00:05:23,200 --> 00:05:25,640 Speaker 1: We haven't, right, because we've not been through the other 94 00:05:25,720 --> 00:05:28,600 Speaker 1: We've been to the feed and it's it's okay. I 95 00:05:29,080 --> 00:05:31,240 Speaker 1: think we're good. I think we're good. We've talked about 96 00:05:31,240 --> 00:05:32,880 Speaker 1: ghosts a lot, and I think this has come up 97 00:05:32,920 --> 00:05:35,440 Speaker 1: come up in the periphery before, sure, but we've never 98 00:05:35,480 --> 00:05:38,600 Speaker 1: actually delved into it. I will say, for a fact, 99 00:05:38,680 --> 00:05:42,719 Speaker 1: stuff to blow your mind, our sister podcast, what do 100 00:05:42,760 --> 00:05:46,080 Speaker 1: you call it, compatriots, what's what's pure podcast? Stuff to 101 00:05:46,080 --> 00:05:49,800 Speaker 1: blow your mind? Our peer, part part peer. That's hard 102 00:05:49,800 --> 00:05:52,360 Speaker 1: to say, stuff to Blow your Mind. Our colleagues who 103 00:05:52,440 --> 00:05:54,920 Speaker 1: also a podcast, they did do an excellent episode on 104 00:05:54,960 --> 00:05:56,800 Speaker 1: Willow the Whisp, so I recommend checking that one out 105 00:05:57,080 --> 00:06:00,240 Speaker 1: addition to what you're about to hear here. Fantastic. Yeah, 106 00:06:00,279 --> 00:06:02,600 Speaker 1: and you can also if you're a stuff to Blow 107 00:06:02,640 --> 00:06:05,880 Speaker 1: your Mind fan, you can catch a couple of those 108 00:06:05,920 --> 00:06:09,320 Speaker 1: guys on appearances on this very show. Last one in 109 00:06:09,360 --> 00:06:12,479 Speaker 1: particular on the Bicameral Mind was one of my favorite 110 00:06:12,480 --> 00:06:15,040 Speaker 1: discussions we've had in a minute. It was It was 111 00:06:15,120 --> 00:06:18,360 Speaker 1: really fun, So do check that out. But first, in 112 00:06:18,400 --> 00:06:21,920 Speaker 1: this episode, we're going to examine spook lights or Willow 113 00:06:21,960 --> 00:06:25,200 Speaker 1: to Whisp in general, the one in Joplin in particular, 114 00:06:25,279 --> 00:06:28,320 Speaker 1: and see whether we can determine some sort of common 115 00:06:28,400 --> 00:06:31,920 Speaker 1: cause or best guess, right, and we are going to 116 00:06:32,000 --> 00:06:35,400 Speaker 1: delve into some folklore and hopefully a little bit of 117 00:06:35,440 --> 00:06:40,000 Speaker 1: science as well. Yeah, Joplin. And this is in Missouri, right, Yeah, Yeah, 118 00:06:40,040 --> 00:06:44,320 Speaker 1: that is. It is near It is near Joplin. It's 119 00:06:44,360 --> 00:06:48,599 Speaker 1: not actually in Joplin, Missouri, but the town. Yeah. Kind 120 00:06:48,640 --> 00:06:52,159 Speaker 1: of how kind of the way that people in the 121 00:06:52,240 --> 00:06:55,159 Speaker 1: US tend to just describe themselves as being from the 122 00:06:55,240 --> 00:06:59,200 Speaker 1: closest big town in their area. Exactly, So what what 123 00:06:59,279 --> 00:07:03,240 Speaker 1: the heck is spooklight? You've heard the term or will 124 00:07:03,240 --> 00:07:06,680 Speaker 1: of the wisp definitely. It's one of the common names 125 00:07:06,680 --> 00:07:10,320 Speaker 1: for a thing called an atmospheric ghost light, and these 126 00:07:10,960 --> 00:07:15,040 Speaker 1: have been documented numerous times in folklore. Will of the 127 00:07:15,080 --> 00:07:17,600 Speaker 1: whisp is still probably the most common term. It comes 128 00:07:17,640 --> 00:07:20,800 Speaker 1: from wisp, which meant a bundle of sticks or paper, 129 00:07:20,960 --> 00:07:25,200 Speaker 1: sometimes used as a torch, and the name will meaning 130 00:07:25,480 --> 00:07:29,239 Speaker 1: will of the torch. Jack lantern Jack of the lantern 131 00:07:29,280 --> 00:07:32,360 Speaker 1: has a similar meaning. They're also called ghost lights. You'll 132 00:07:32,400 --> 00:07:37,480 Speaker 1: hear folklorees call them orbs. Paranormal enthusiasts have names for 133 00:07:37,520 --> 00:07:41,520 Speaker 1: them as well. My favorite, though, is ghost candles. Ghost 134 00:07:41,640 --> 00:07:47,640 Speaker 1: candles about dead lights? Like, yeah, in it related? No, 135 00:07:48,240 --> 00:07:51,480 Speaker 1: I think that's more red balloons, but I'm not sure. Well, 136 00:07:51,560 --> 00:07:57,800 Speaker 1: deadlights are an otherworldly manifestation of the macro verse, in which, 137 00:07:58,480 --> 00:08:01,040 Speaker 1: you know, which is everything that exist outside of reality 138 00:08:01,080 --> 00:08:03,200 Speaker 1: as we understand it in the Stephen King universe. Oh 139 00:08:03,280 --> 00:08:07,880 Speaker 1: my gosh, I'm making this a different show, okay, but yes, 140 00:08:08,680 --> 00:08:12,400 Speaker 1: spooky lights seeing Allegedly, when they're in graveyards, they're called 141 00:08:12,440 --> 00:08:17,520 Speaker 1: ghost candles, but they're across the planet. This phenomenon is known, 142 00:08:17,600 --> 00:08:20,120 Speaker 1: and the name might change depending on the location or 143 00:08:20,160 --> 00:08:22,840 Speaker 1: the culture that you hear them reported in. So they 144 00:08:22,880 --> 00:08:26,800 Speaker 1: might be called onebe or Hitodama in Japan, or the 145 00:08:26,920 --> 00:08:29,600 Speaker 1: men men Light in Australia and the men men light 146 00:08:31,360 --> 00:08:38,760 Speaker 1: he said, a men men light. I like how when 147 00:08:38,800 --> 00:08:41,000 Speaker 1: you do that impression you just like clench your teeth, 148 00:08:41,120 --> 00:08:46,840 Speaker 1: yea yea yeah. Yeah. You might also hear people differentiate 149 00:08:46,880 --> 00:08:50,640 Speaker 1: between types that and that's largely based on what the 150 00:08:50,800 --> 00:08:55,319 Speaker 1: light is doing, how it's changing or moving the shape essentially. 151 00:08:56,440 --> 00:08:58,439 Speaker 1: And so to people who believe there's some kind of 152 00:08:58,640 --> 00:09:04,320 Speaker 1: supernatural and behind or occurrence behind these, they might be 153 00:09:04,360 --> 00:09:07,680 Speaker 1: thought to move in ways that would be naturally occurring 154 00:09:07,720 --> 00:09:10,319 Speaker 1: to some animal or something that has a will, something 155 00:09:10,360 --> 00:09:12,840 Speaker 1: that can choose to move in a way, or something 156 00:09:12,880 --> 00:09:17,640 Speaker 1: that's sentient. Right, So maybe there would be, for instance, 157 00:09:17,800 --> 00:09:23,120 Speaker 1: a legend about a jilted lover who was murdered and 158 00:09:23,160 --> 00:09:28,400 Speaker 1: the spooklight traces the path of their dying steps, or 159 00:09:28,400 --> 00:09:31,280 Speaker 1: it's searching for something, or it's a malicious spirit which 160 00:09:31,320 --> 00:09:34,760 Speaker 1: is trying to lure you further and further into the bag. Yeah, 161 00:09:34,840 --> 00:09:37,320 Speaker 1: someone got killed on a road at a certain place 162 00:09:37,400 --> 00:09:39,280 Speaker 1: and then all the way down on the other side 163 00:09:39,320 --> 00:09:41,400 Speaker 1: of the road miles away, you can still see like 164 00:09:41,440 --> 00:09:44,200 Speaker 1: the spirit of the person just going on their path 165 00:09:44,280 --> 00:09:46,920 Speaker 1: down the road as they died. And this, I know, 166 00:09:47,000 --> 00:09:50,080 Speaker 1: this sounds like it went morbid really quickly. But these 167 00:09:50,520 --> 00:09:52,959 Speaker 1: ghost lights, yeah, their ghostlights and these things have been 168 00:09:52,960 --> 00:09:57,400 Speaker 1: around for a long long time, and when mortality rates 169 00:09:57,559 --> 00:10:01,480 Speaker 1: were much higher or distributed different, it was much more 170 00:10:01,520 --> 00:10:05,080 Speaker 1: plausible to think, well, people die all the time in 171 00:10:05,160 --> 00:10:08,440 Speaker 1: childbirth or below the age of thirteen, so you would 172 00:10:08,480 --> 00:10:12,000 Speaker 1: also hear will of the whisp being like parents, mothers 173 00:10:12,120 --> 00:10:15,720 Speaker 1: or kids, and so you can hear them called wandering 174 00:10:15,800 --> 00:10:19,840 Speaker 1: spirits or the work of devils in Japan, or fairy 175 00:10:19,920 --> 00:10:24,840 Speaker 1: pranks in Europe. And the Japanese word is yoki, right, 176 00:10:24,880 --> 00:10:28,440 Speaker 1: which is there's there's a cartoon called Yoki Watch. Have 177 00:10:28,520 --> 00:10:30,240 Speaker 1: you heard of this? Yeah, yeah, yeah, it's sort of 178 00:10:30,280 --> 00:10:33,240 Speaker 1: like Pokemon, but they like live in a watch or something. 179 00:10:33,520 --> 00:10:35,880 Speaker 1: Maybe that's just a branding tie in. I don't know, Yeah, 180 00:10:36,040 --> 00:10:39,600 Speaker 1: the Yoki in um There's also a Takashimike fantasy film 181 00:10:39,720 --> 00:10:42,720 Speaker 1: called like the Great Yoki War, which is all about 182 00:10:42,760 --> 00:10:46,439 Speaker 1: like these kind of like gremliny like Japanese monsters and 183 00:10:46,559 --> 00:10:48,240 Speaker 1: like living in the underworld, and it's kind of like 184 00:10:48,240 --> 00:10:53,480 Speaker 1: a rollicking Gooonese style adventure by a pretty schlocky horror directors, 185 00:10:53,480 --> 00:10:55,840 Speaker 1: so it's always fun to see them go in different directions. 186 00:10:56,520 --> 00:10:59,880 Speaker 1: And they're also these lights are also feared by some 187 00:11:00,160 --> 00:11:03,480 Speaker 1: humans as importent of death, similar to the old stories 188 00:11:03,520 --> 00:11:07,560 Speaker 1: about hearing a banshee and this the version of this 189 00:11:07,600 --> 00:11:10,640 Speaker 1: would be entirely visual, like otto you saw the flickering 190 00:11:10,679 --> 00:11:14,000 Speaker 1: blue light, it means your time is nigh. And then 191 00:11:14,040 --> 00:11:16,320 Speaker 1: in other parts of the world there are folk beliefs 192 00:11:16,360 --> 00:11:20,640 Speaker 1: that supernatural fires of some sort appear where treasure is 193 00:11:20,679 --> 00:11:24,560 Speaker 1: buried or hidden somewhere away from a regular view. But 194 00:11:24,640 --> 00:11:27,319 Speaker 1: with this fire, maybe you can you can figure out 195 00:11:27,320 --> 00:11:30,880 Speaker 1: where it is. And with this sometimes the fires are 196 00:11:30,880 --> 00:11:33,640 Speaker 1: said to be spirits of the treasure itself, or maybe 197 00:11:33,640 --> 00:11:36,880 Speaker 1: even spirits of the people who buried the treasure, or 198 00:11:37,000 --> 00:11:40,200 Speaker 1: you know, maybe spirits who are searching for the treasure. 199 00:11:40,640 --> 00:11:43,480 Speaker 1: But with like that kind of like buried forgotten treasure, 200 00:11:43,520 --> 00:11:46,200 Speaker 1: isn't there always sort of a sense of like ominous 201 00:11:46,280 --> 00:11:48,600 Speaker 1: and ominous kind of dread surrounding it, where if you 202 00:11:48,600 --> 00:11:52,400 Speaker 1: know they don't want you to find it. Yeah, cursed treasure. Sure, 203 00:11:52,640 --> 00:11:55,360 Speaker 1: that shows up a lot in folklore pretty often. And 204 00:11:55,559 --> 00:11:58,640 Speaker 1: it's weird because already, just listing out some of the 205 00:11:58,679 --> 00:12:04,400 Speaker 1: big folklore themes for ghost lights, we're seeing contradictory explanations. 206 00:12:04,559 --> 00:12:08,520 Speaker 1: Right in the cannon. Should you run away from this thing? 207 00:12:08,880 --> 00:12:11,520 Speaker 1: Should you chase it for treasure? Does it just mean 208 00:12:11,559 --> 00:12:14,880 Speaker 1: you're going to die at dawn? Yeah? You throw the 209 00:12:14,920 --> 00:12:18,120 Speaker 1: dice there, I guess, because right now there's no one 210 00:12:18,280 --> 00:12:22,559 Speaker 1: explanation or one reason behind it. But they do have commonalities, 211 00:12:22,800 --> 00:12:26,400 Speaker 1: that's correct. One is that all of the spooklights do 212 00:12:26,600 --> 00:12:32,880 Speaker 1: seem to share this tendency to occur in humid conditions, 213 00:12:32,960 --> 00:12:38,240 Speaker 1: like said bog Yeah, so there isn't there is a 214 00:12:38,320 --> 00:12:45,600 Speaker 1: provable atmospheric thing, right. Even more bizarre part maybe that 215 00:12:46,880 --> 00:12:51,199 Speaker 1: they're ubiquitous. They've been reported almost everywhere. We mentioned Australia, 216 00:12:51,200 --> 00:12:54,920 Speaker 1: in Japan, and we mentioned the US right Missouri specifically, 217 00:12:55,240 --> 00:12:59,880 Speaker 1: but these lights have also been reported in the United Kingdom, Ireland, Bangladesh, POC. 218 00:13:00,400 --> 00:13:09,079 Speaker 1: The list goes on India, Sweden, Finland, lot Via, Estonia, Lithuania, Mexico, Brazil, Argentina, Uruguay, Colombia, Venezuela, Canada, Norway, 219 00:13:09,120 --> 00:13:12,559 Speaker 1: and many many more, and we couldn't find any reports 220 00:13:12,920 --> 00:13:16,360 Speaker 1: of them occurring in Africa, but or in the African 221 00:13:16,360 --> 00:13:19,920 Speaker 1: continent rather. But if you have had personal experiences with 222 00:13:19,960 --> 00:13:22,360 Speaker 1: any of this in any kind of African country, or 223 00:13:22,440 --> 00:13:24,240 Speaker 1: a good story about a sighting at all, we would 224 00:13:24,240 --> 00:13:26,800 Speaker 1: absolutely love to hear from you at conspiracy at housta 225 00:13:26,840 --> 00:13:31,160 Speaker 1: first dot com. Nice smooth, send us your stuff. So, 226 00:13:31,400 --> 00:13:36,080 Speaker 1: if these lights are widespread and they're well known and 227 00:13:36,160 --> 00:13:39,240 Speaker 1: they've been around for such a long time, have we 228 00:13:39,600 --> 00:13:47,200 Speaker 1: as a species actually figured out what ghost lights are? Well? Maybe? 229 00:13:47,960 --> 00:13:49,680 Speaker 1: And we'll get to that right after a quick word 230 00:13:49,720 --> 00:13:58,119 Speaker 1: from our sponsor. Here's where it gets crazy. Nice cliffhanger 231 00:13:58,160 --> 00:14:01,280 Speaker 1: before they add there, man, yeah, yeah, I just wanted 232 00:14:01,280 --> 00:14:03,680 Speaker 1: to do one of those. I think it worked. Okay, 233 00:14:03,679 --> 00:14:07,240 Speaker 1: cool there. To get to the crazy part, let's look 234 00:14:07,240 --> 00:14:11,560 Speaker 1: at some specific examples of these atmospheric ghosts and we'll 235 00:14:11,600 --> 00:14:16,319 Speaker 1: start with Meghan's suggestion the Joplin, Missouri spooklights. The spooklight 236 00:14:16,440 --> 00:14:21,200 Speaker 1: occurs in Oklahoma and it's near a small town. Residents. 237 00:14:21,240 --> 00:14:31,560 Speaker 1: Please be forgiving of my pronunciation quapa uapa, quapapa quapaw. However, 238 00:14:31,720 --> 00:14:35,160 Speaker 1: because it's most often seen from the east. It's been 239 00:14:35,520 --> 00:14:40,560 Speaker 1: quote unquote attached to the tiny hamlet of Hornet, Missouri, 240 00:14:40,800 --> 00:14:44,920 Speaker 1: and the larger area of you know, in a larger context, 241 00:14:45,000 --> 00:14:47,880 Speaker 1: the better known larger town of Joplin. Yeah, and just 242 00:14:48,000 --> 00:14:52,160 Speaker 1: for some simplicity there, it's occurring in Oklahoma, but you're 243 00:14:52,360 --> 00:14:55,520 Speaker 1: mostly seeing it, or where it's mostly reported from is 244 00:14:55,560 --> 00:14:59,119 Speaker 1: across the way in Missouri. Just did for an understanding. 245 00:14:59,360 --> 00:15:00,960 Speaker 1: And I just want to this out there for using 246 00:15:01,000 --> 00:15:04,000 Speaker 1: Family Guy rules. The town in their show is called Cohog, 247 00:15:04,120 --> 00:15:09,080 Speaker 1: but it's spelled Quahog. Maybe it's Copa. Oh yeah, that's nice. 248 00:15:09,840 --> 00:15:12,520 Speaker 1: Also could have entirely invented that pronunciation. I don't know. 249 00:15:13,640 --> 00:15:16,400 Speaker 1: I have a feeling. We'll find out in the listener mail. Yeah. 250 00:15:17,200 --> 00:15:20,360 Speaker 1: According to the legend, this is pretty interesting. It dates 251 00:15:20,400 --> 00:15:23,200 Speaker 1: back a while. You will hear people say that this 252 00:15:23,400 --> 00:15:26,720 Speaker 1: light was first seen by Native Americans along the Trail 253 00:15:26,800 --> 00:15:31,120 Speaker 1: of Tears in eighteen thirty six, so from a folklore perspective, 254 00:15:31,160 --> 00:15:36,040 Speaker 1: it's tied to that great tragedy. However, the first official, 255 00:15:36,760 --> 00:15:40,600 Speaker 1: you know, in print report occurred in eighteen eighty one 256 00:15:40,920 --> 00:15:44,640 Speaker 1: in a magazine called The Ozark Spook Light well, not 257 00:15:44,720 --> 00:15:49,920 Speaker 1: really a magazine, like a printed pamphlet. It typically travels 258 00:15:50,000 --> 00:15:52,720 Speaker 1: east to west along the four miles stretch of road 259 00:15:53,000 --> 00:15:55,920 Speaker 1: with a really cool name that I suspect as not official, 260 00:15:56,400 --> 00:15:59,960 Speaker 1: the Devil's promenade. Can you do that? In the Austria 261 00:16:00,240 --> 00:16:06,040 Speaker 1: the voice little devil? Um? It's okay, I'd have to 262 00:16:06,120 --> 00:16:09,280 Speaker 1: get this. I don't know how you promenade is such 263 00:16:09,280 --> 00:16:14,920 Speaker 1: a devil's the devil's promenade. See that now we're taking 264 00:16:14,920 --> 00:16:18,880 Speaker 1: all that back. Ok that's the promenade is such a 265 00:16:18,920 --> 00:16:20,280 Speaker 1: weird word, like, there's only one way to say it. 266 00:16:20,400 --> 00:16:27,840 Speaker 1: It's like a Southern gentleman, the devil's promenade, lemonade's promenade. 267 00:16:29,200 --> 00:16:32,080 Speaker 1: So I think all of those pronunciations are great. Okay. 268 00:16:33,000 --> 00:16:35,800 Speaker 1: According to the witness's descriptions, and there are quite a 269 00:16:35,840 --> 00:16:39,520 Speaker 1: few witnesses, this light looks like a sort of ball 270 00:16:39,680 --> 00:16:43,840 Speaker 1: of orange colored fire, and its size changes and it 271 00:16:44,000 --> 00:16:47,200 Speaker 1: moves down the center of the road at high speeds, 272 00:16:47,280 --> 00:16:50,720 Speaker 1: and then it will also rise and hover over the 273 00:16:51,120 --> 00:16:56,480 Speaker 1: treetops before it retreats and disappears. And retreating is a 274 00:16:56,600 --> 00:17:01,040 Speaker 1: really common thing with with the belief of ghost lights. Yeah, 275 00:17:01,080 --> 00:17:03,160 Speaker 1: and others say it moves from the side like side 276 00:17:03,200 --> 00:17:06,080 Speaker 1: to side, kind of like a lantern. Someone's swaying a 277 00:17:06,119 --> 00:17:09,600 Speaker 1: little bit as they're carrying it, you know, someone visible 278 00:17:09,800 --> 00:17:14,040 Speaker 1: being or spirit perhaps. The light's also been reportedly appearing 279 00:17:14,240 --> 00:17:17,800 Speaker 1: nightly for over one hundred years, so you know, every 280 00:17:17,920 --> 00:17:21,480 Speaker 1: night for a hundred years. It seems like there's something 281 00:17:21,600 --> 00:17:25,920 Speaker 1: going on that's common enough to occur every night and 282 00:17:26,520 --> 00:17:29,159 Speaker 1: to be visible. I don't know. We're going to get 283 00:17:29,240 --> 00:17:32,000 Speaker 1: deeper into this. Yeah, And if you are listening to 284 00:17:32,119 --> 00:17:35,600 Speaker 1: this and you happen to be in the area of Jobla, Missouri, 285 00:17:36,160 --> 00:17:39,920 Speaker 1: you can head over to Hornet to check out the 286 00:17:40,000 --> 00:17:42,920 Speaker 1: light for yourself. The locals say the best time to 287 00:17:43,040 --> 00:17:47,120 Speaker 1: see it is later in the evening, between ten and midnight, 288 00:17:47,720 --> 00:17:50,800 Speaker 1: So don't show up at three am and get disappointed. Yeah, 289 00:17:50,840 --> 00:17:54,080 Speaker 1: please don't do that. So there are all these proposed 290 00:17:54,200 --> 00:17:57,600 Speaker 1: explanations over the years, right. One of them would be 291 00:17:57,760 --> 00:18:02,159 Speaker 1: natural gas. Another would be the reflection of car lights 292 00:18:02,359 --> 00:18:05,879 Speaker 1: and billboards, which sounds super mundane but could be an 293 00:18:05,920 --> 00:18:11,240 Speaker 1: explanation for at least some of these so escaping natural 294 00:18:11,320 --> 00:18:16,880 Speaker 1: gas that's common in marshy areas. But the Hornet light 295 00:18:17,119 --> 00:18:20,280 Speaker 1: is seemingly not affected by wind or rain, So how 296 00:18:20,359 --> 00:18:22,840 Speaker 1: would it you know, how would it spark? How would 297 00:18:22,880 --> 00:18:26,000 Speaker 1: itself ignite? Hold on, are we calling it the Hornet light? Now? 298 00:18:26,880 --> 00:18:29,120 Speaker 1: Is it the Hornet light? Or is it the Joplin light? 299 00:18:30,040 --> 00:18:33,400 Speaker 1: You guys, those two talents have been in a bitter rivalry. 300 00:18:33,680 --> 00:18:36,040 Speaker 1: Are they beefed up? Yeah? They're like no, no, man, 301 00:18:36,080 --> 00:18:38,840 Speaker 1: it's the Hornet light. It's like, no, it's not as 302 00:18:38,880 --> 00:18:42,560 Speaker 1: a Dropolin light. Well, Megan called it the Joplin spook lights, 303 00:18:42,560 --> 00:18:44,480 Speaker 1: so I think we know where she stands on this debate. 304 00:18:44,560 --> 00:18:46,560 Speaker 1: All right. I think we should oscillate back and forth 305 00:18:46,720 --> 00:18:49,480 Speaker 1: just to see who wins in the end. Okay, deal, 306 00:18:50,040 --> 00:18:53,120 Speaker 1: just to make things as confusing as possible. Yes, yeah, yeah, 307 00:18:53,160 --> 00:18:56,440 Speaker 1: let's make sure that we are super unclear about So 308 00:18:58,040 --> 00:19:01,440 Speaker 1: people who are I guess true believers, maybe we would 309 00:19:01,440 --> 00:19:05,160 Speaker 1: call them, um, we will call them true believers because 310 00:19:05,200 --> 00:19:08,480 Speaker 1: they think that there is some other explanation that is 311 00:19:08,520 --> 00:19:12,760 Speaker 1: not mundane about this causing this light. So these believers 312 00:19:12,880 --> 00:19:16,400 Speaker 1: will tell you that the headlight explanation or the billboard 313 00:19:16,480 --> 00:19:20,400 Speaker 1: explanation are just easily dismissed because the light was seen 314 00:19:20,560 --> 00:19:24,639 Speaker 1: years before automobiles or billboards were made and before a 315 00:19:24,760 --> 00:19:29,240 Speaker 1: road existed in the area. Yeah, but torches, man, torches 316 00:19:29,320 --> 00:19:32,000 Speaker 1: were all over the place. You had to have fire 317 00:19:32,119 --> 00:19:35,560 Speaker 1: and light, you know. Ever since that time, telling you, 318 00:19:35,680 --> 00:19:40,320 Speaker 1: I think maybe there's something going on with light there again, 319 00:19:40,359 --> 00:19:42,280 Speaker 1: I feel like I'm jumping the gun here. But no 320 00:19:42,440 --> 00:19:44,840 Speaker 1: jump once. No, we'll talk about it towards the end. 321 00:19:45,480 --> 00:19:48,280 Speaker 1: Uh the FUTA we're going on. You're gonna tease the 322 00:19:48,359 --> 00:19:52,359 Speaker 1: jump the jump. There's some interesting things that occur on 323 00:19:52,440 --> 00:19:56,520 Speaker 1: the horizon with your eyeballs A jump tease, yeah, like 324 00:19:56,640 --> 00:20:01,200 Speaker 1: the Aurora borealis and stuff like that. Not okay, okay, 325 00:20:01,600 --> 00:20:05,359 Speaker 1: Well we'll get into it. But one possible explanation that 326 00:20:05,480 --> 00:20:08,200 Speaker 1: has been put forward is that the lights are somehow 327 00:20:08,760 --> 00:20:13,320 Speaker 1: electrical atmospheric charges. And it gets a little weird here. 328 00:20:13,760 --> 00:20:16,880 Speaker 1: So in areas where rocks deep below the Earth's surface 329 00:20:17,040 --> 00:20:21,520 Speaker 1: are shifting and grinding together, there can be an electrical 330 00:20:21,680 --> 00:20:25,560 Speaker 1: charge created depending on what the makeup of those rocks 331 00:20:26,280 --> 00:20:30,639 Speaker 1: is piezoelectric activity, right, that's what it is. So this 332 00:20:30,880 --> 00:20:33,840 Speaker 1: area lies on a fault line that runs east from 333 00:20:33,880 --> 00:20:37,560 Speaker 1: New Madrid, Missouri, westward to Oklahoma, and it was the 334 00:20:37,680 --> 00:20:40,840 Speaker 1: site of four earthquakes during the eighteenth century. So keep 335 00:20:40,880 --> 00:20:44,040 Speaker 1: that in mind. There's activity going on beneath the surface, 336 00:20:44,760 --> 00:20:49,439 Speaker 1: and these types of electrical fields are most commonly associated 337 00:20:49,760 --> 00:20:52,240 Speaker 1: with earthquakes. So when you have an earthquake, perhaps you're 338 00:20:52,240 --> 00:20:54,119 Speaker 1: going to get one of these electrical fields above the 339 00:20:54,200 --> 00:20:58,280 Speaker 1: surface of the ground. I have a completely unhelpful sidebar. Okay. 340 00:20:58,800 --> 00:21:01,960 Speaker 1: The only reason that I know, the only reason I 341 00:21:02,080 --> 00:21:05,840 Speaker 1: pronounced that town of Missouri as New Madrid from the video, 342 00:21:06,119 --> 00:21:10,640 Speaker 1: it's because a will of a Wilco song. Oh where 343 00:21:10,720 --> 00:21:13,639 Speaker 1: they know it's not Wilco, it's Uncle Tupolo, the predecessor 344 00:21:13,720 --> 00:21:16,800 Speaker 1: of Wilco. Where they have there's a part of the 345 00:21:16,880 --> 00:21:19,399 Speaker 1: lyrics where or a section of the lyrics where they 346 00:21:19,400 --> 00:21:22,639 Speaker 1: say roll me under New Madrid. And I had no 347 00:21:22,720 --> 00:21:24,800 Speaker 1: idea what that meant. And for years I thought he 348 00:21:24,960 --> 00:21:28,520 Speaker 1: was saying roll me under the mattress. I thought, wow, 349 00:21:28,960 --> 00:21:32,600 Speaker 1: Uncle Tupolo is a little darker than the those jaunty 350 00:21:32,720 --> 00:21:35,520 Speaker 1: country twang rhythms would have you believe. Well, do you 351 00:21:35,840 --> 00:21:38,600 Speaker 1: some pathos in there? My friend? Do you remember when 352 00:21:38,680 --> 00:21:41,399 Speaker 1: we made the video on the New Madrid Fault? Oh? Yes, 353 00:21:41,600 --> 00:21:45,400 Speaker 1: we called it the New Madrid Fault. The whole time. Yeah, yeah, sorry, 354 00:21:45,440 --> 00:21:49,240 Speaker 1: how the internet take to that? Um people are very helpful, 355 00:21:49,520 --> 00:21:54,320 Speaker 1: sure and pointing out things like that, Nat, did you 356 00:21:54,400 --> 00:21:58,879 Speaker 1: just roll plus one on diplomas? No? Uh yeah that 357 00:21:59,080 --> 00:22:01,240 Speaker 1: was That was a U. You can check it out. 358 00:22:02,480 --> 00:22:04,840 Speaker 1: That's on me. I mispronounced the name of the town. 359 00:22:05,040 --> 00:22:08,040 Speaker 1: I didn't catch it either. So we have another example though, 360 00:22:08,640 --> 00:22:11,000 Speaker 1: just to increase our sample size a little bit over 361 00:22:11,240 --> 00:22:16,280 Speaker 1: in Marfa, Texas, there's something called the Marfa Lights. So 362 00:22:16,800 --> 00:22:20,480 Speaker 1: the Marfa Lights are near US Root sixty seven on 363 00:22:20,560 --> 00:22:24,680 Speaker 1: Mitchell Flat East in Marfa, Texas, in the United States 364 00:22:24,760 --> 00:22:27,680 Speaker 1: these United States, and the first published account of this 365 00:22:28,000 --> 00:22:32,159 Speaker 1: sighting appeared in the July nineteen fifty seven issue of 366 00:22:32,320 --> 00:22:36,800 Speaker 1: Coronet Magazine. So in nineteen seventy six, Elton Miles Tale 367 00:22:36,880 --> 00:22:40,560 Speaker 1: of the Big Bend included stories dating to the nineteenth 368 00:22:40,600 --> 00:22:43,959 Speaker 1: century and a photograph of the Marpha Lights taken by 369 00:22:44,080 --> 00:22:48,920 Speaker 1: a local rancher. According to Cecilia Thompson's book History of 370 00:22:49,040 --> 00:22:52,640 Speaker 1: Marfa and Presidio County, Texas, the earliest allege report comes 371 00:22:52,720 --> 00:22:57,160 Speaker 1: from cowboy Robert Reid Ellison. That is a good cowboy name. 372 00:22:57,520 --> 00:23:01,080 Speaker 1: That was in March of eighteen eighty three. The Marfa 373 00:23:01,160 --> 00:23:05,040 Speaker 1: Lights have also been given an official viewing area, which 374 00:23:05,080 --> 00:23:08,320 Speaker 1: is cool. I picture it as being like almost like 375 00:23:08,400 --> 00:23:10,720 Speaker 1: one of those like scenic overlooks of the Blue Ridge 376 00:23:10,760 --> 00:23:13,879 Speaker 1: Mountains or something only creepier. And that is at the 377 00:23:13,960 --> 00:23:17,240 Speaker 1: site of Marfa Army Airfield, where there are tens of 378 00:23:17,280 --> 00:23:20,320 Speaker 1: thousands of personnel who are stationed there between nineteen forty 379 00:23:20,320 --> 00:23:22,920 Speaker 1: two and nine forty seven who are training American and 380 00:23:23,080 --> 00:23:26,760 Speaker 1: Allied pilots. Yeah, and this is a very important detail. 381 00:23:26,840 --> 00:23:29,639 Speaker 1: So the Marfa Lights here in the US are one 382 00:23:29,640 --> 00:23:32,720 Speaker 1: of the most well known examples of this phenomenon. So 383 00:23:32,880 --> 00:23:35,040 Speaker 1: that means that these are probably the lights that are 384 00:23:35,119 --> 00:23:38,720 Speaker 1: seen most often by the most people. I mean, the 385 00:23:38,760 --> 00:23:41,280 Speaker 1: fact that they have a viewing area itself speaks volumes. 386 00:23:42,440 --> 00:23:48,240 Speaker 1: But here's a detail that's important and maybe throws the 387 00:23:48,920 --> 00:23:53,320 Speaker 1: paranormal allegations a little askew. So it's this massive field, 388 00:23:53,400 --> 00:23:55,560 Speaker 1: like Noll said, and it had been used as an 389 00:23:55,600 --> 00:23:58,920 Speaker 1: airport at daily airline service, which means there was a 390 00:23:59,000 --> 00:24:02,760 Speaker 1: constant patrol schedule, you know, the flow of human beings 391 00:24:02,840 --> 00:24:06,760 Speaker 1: going through that area, right, So if there were anything 392 00:24:06,960 --> 00:24:13,560 Speaker 1: super duper unusual, you know, something supernatural, this would be 393 00:24:13,680 --> 00:24:15,720 Speaker 1: the place where it would have been most likely to 394 00:24:15,840 --> 00:24:19,720 Speaker 1: have been seen, acknowledged reported, you know, if someone actually, 395 00:24:19,840 --> 00:24:23,720 Speaker 1: say found treasure or they followed a ghost light to 396 00:24:24,760 --> 00:24:27,919 Speaker 1: a grave or something. Yeah, well maybe it was covered 397 00:24:28,000 --> 00:24:33,920 Speaker 1: up man, or there may be some other explanations in play. 398 00:24:34,680 --> 00:24:38,520 Speaker 1: So now we're now we're kind of putting folklore and 399 00:24:38,640 --> 00:24:42,120 Speaker 1: science in opposite corners of the boxing ring. Yeah. That's 400 00:24:42,119 --> 00:24:45,800 Speaker 1: always tough because there are all these great stories that have, 401 00:24:46,480 --> 00:24:49,920 Speaker 1: you know, believe explanations that are out there, and that's 402 00:24:49,960 --> 00:24:52,840 Speaker 1: why they're fun, right, Yeah, And what we're going to 403 00:24:52,880 --> 00:24:55,720 Speaker 1: try and do is find the space where do these 404 00:24:55,840 --> 00:24:59,280 Speaker 1: things connect somehow is there a little space in the middle. 405 00:25:00,119 --> 00:25:08,960 Speaker 1: We'll find out after a word from our sponsors. All right, So, 406 00:25:09,280 --> 00:25:15,320 Speaker 1: of the explanations that have been proposed by various scientific minds, 407 00:25:15,840 --> 00:25:20,280 Speaker 1: we have chosen the top contenders and let's explore them 408 00:25:20,320 --> 00:25:22,640 Speaker 1: a little bit. One is super fascinating is the idea 409 00:25:22,640 --> 00:25:28,080 Speaker 1: of bioluminescence. The belief the concept is this that the 410 00:25:28,400 --> 00:25:31,359 Speaker 1: light we see, the ghost lights, the spook lights, might 411 00:25:31,440 --> 00:25:34,680 Speaker 1: be the result of insects swarming that have taken on 412 00:25:34,840 --> 00:25:40,840 Speaker 1: bioluminescent characteristics, maybe because they were contaminated by some agent 413 00:25:40,960 --> 00:25:47,720 Speaker 1: in local fungus fungi, or maybe there is a species 414 00:25:47,760 --> 00:25:51,480 Speaker 1: of owl with their own naturally occurring source of bioluminescence. 415 00:25:51,600 --> 00:25:56,640 Speaker 1: That that one I don't buy. Bioluminescent owl. Well, owls 416 00:25:56,640 --> 00:26:02,600 Speaker 1: are also some of the quietest birds, yea, in terms 417 00:26:02,640 --> 00:26:05,639 Speaker 1: of the noise they like when they fly. Yeah, So 418 00:26:06,040 --> 00:26:08,919 Speaker 1: I don't know if that one measures up. So maybe okay, 419 00:26:09,119 --> 00:26:12,600 Speaker 1: let's say, wait, wait, what about what about just lightning bugs? Yeah? 420 00:26:12,680 --> 00:26:17,800 Speaker 1: What about fireflies? Right? Insects? Jellyfish, jellyfish? What about wait, 421 00:26:18,359 --> 00:26:21,960 Speaker 1: m what are you talking about? Yeah, like airborne jelly things. Yeah, 422 00:26:21,960 --> 00:26:26,600 Speaker 1: oh okay, Oh so jellyfish that are just like floating. Yes, okay, yes, man, 423 00:26:26,720 --> 00:26:30,679 Speaker 1: got it, got it. I meant I understood, understood, all right, 424 00:26:30,760 --> 00:26:34,959 Speaker 1: So case solved, right, guys, case solved. I think I'm 425 00:26:35,000 --> 00:26:37,840 Speaker 1: thinking of that scene and Life Aquatic, where like they 426 00:26:37,880 --> 00:26:38,920 Speaker 1: go out in the middle of the night and the 427 00:26:39,000 --> 00:26:42,280 Speaker 1: beach is covered and those bioluminescent jellyfish and someone asks 428 00:26:42,359 --> 00:26:45,119 Speaker 1: him like, what's what's the source of their glow? He's like, 429 00:26:45,560 --> 00:26:50,760 Speaker 1: it's the moon reflecting off of their skin. That's the 430 00:26:50,840 --> 00:26:52,680 Speaker 1: one thing about that movie I really thought was funny. 431 00:26:52,800 --> 00:26:54,679 Speaker 1: The rest of it kind of board me a little bit. 432 00:26:54,760 --> 00:26:56,800 Speaker 1: I tried. I tried to like it. I tried to 433 00:26:56,840 --> 00:26:58,520 Speaker 1: rewatch it and get into it, but I couldn't do. 434 00:26:58,560 --> 00:27:02,600 Speaker 1: It's very deliberate, it's very yes. Just so, what's that? 435 00:27:02,720 --> 00:27:05,920 Speaker 1: What's that old? It's a joke from family Guy that 436 00:27:06,000 --> 00:27:08,080 Speaker 1: got stuck in my head years ago when they're trying 437 00:27:08,119 --> 00:27:12,280 Speaker 1: to argue in pretentious terms about The Godfather, and Peter 438 00:27:12,680 --> 00:27:16,600 Speaker 1: ends up saying because it insists upon itself. It insists 439 00:27:16,680 --> 00:27:20,320 Speaker 1: upon itself, which sounds intelligent, but makes no sense when 440 00:27:20,400 --> 00:27:23,439 Speaker 1: you say that about a film that's mine. So whenever 441 00:27:23,600 --> 00:27:25,680 Speaker 1: we're talking, like if we go see a film together, 442 00:27:26,359 --> 00:27:30,120 Speaker 1: which you know, listeners, Matt Nolan, I and our crew 443 00:27:30,280 --> 00:27:32,360 Speaker 1: go out and watch films when we can find time 444 00:27:32,600 --> 00:27:34,600 Speaker 1: because we're nerds. But if we ever walk out and 445 00:27:34,600 --> 00:27:36,480 Speaker 1: you hear me say that I didn't like something because 446 00:27:36,520 --> 00:27:39,520 Speaker 1: it insists upon itself, it probably means I wasn't paying 447 00:27:39,520 --> 00:27:42,760 Speaker 1: attention and I want to sound smart nice. That expression, 448 00:27:42,800 --> 00:27:47,120 Speaker 1: to me means that something was pretentious. There we go, Well, 449 00:27:47,200 --> 00:27:49,240 Speaker 1: thank you for giving some meaning to it. Well, I 450 00:27:49,320 --> 00:27:52,720 Speaker 1: just just how it hits me. Let started using people 451 00:27:52,720 --> 00:27:55,720 Speaker 1: of insisting on themselves. Yeah, how would you even do that? 452 00:27:56,200 --> 00:27:58,440 Speaker 1: You just walk up to them and like, Hey, it's me, 453 00:27:59,160 --> 00:28:03,359 Speaker 1: it's me, It's really me all the time. You mean, 454 00:28:03,440 --> 00:28:06,160 Speaker 1: how would somebody insist upon themselves? No, you just kind 455 00:28:06,160 --> 00:28:09,080 Speaker 1: of like insist that you're important in the situation. I think, 456 00:28:09,160 --> 00:28:12,280 Speaker 1: is it? Okay? Yeah? Yeah, you know me. I think 457 00:28:12,320 --> 00:28:15,080 Speaker 1: that's what it is. We've solved it, and you slam 458 00:28:15,160 --> 00:28:17,320 Speaker 1: your fist down on the table. We've solved it as 459 00:28:17,400 --> 00:28:20,440 Speaker 1: well as solving the mystery of spooklights or have we 460 00:28:21,200 --> 00:28:25,080 Speaker 1: hang Tychemosaba, because to date, no one has captured or 461 00:28:25,280 --> 00:28:29,280 Speaker 1: observed an animal that has all these characteristics that would 462 00:28:30,200 --> 00:28:32,320 Speaker 1: make it, you know, a one on one comparison with 463 00:28:32,440 --> 00:28:35,440 Speaker 1: a ghost light. And there's also at this point no 464 00:28:35,720 --> 00:28:40,120 Speaker 1: bioluminescent source that we know of that's bright enough. Yeah, 465 00:28:40,520 --> 00:28:45,800 Speaker 1: it's overwhelmingly unlikely for these lights to be produced by animals. Correct, 466 00:28:46,160 --> 00:28:51,800 Speaker 1: But what if the Earth is doing it itself? You guys? Yeah, yeah, 467 00:28:51,960 --> 00:28:55,920 Speaker 1: remember the thing of piezio electrics that been mentioned before, 468 00:28:56,000 --> 00:28:59,640 Speaker 1: where the earth itself is creating it or perhaps even 469 00:29:00,160 --> 00:29:04,720 Speaker 1: that favled marsh gas. Yeah, so okay. The idea is 470 00:29:04,840 --> 00:29:11,040 Speaker 1: that the tectonic strain. Moving faults in the earth would 471 00:29:11,080 --> 00:29:14,680 Speaker 1: also heat up the rocks, vaporizing any water content, and 472 00:29:14,960 --> 00:29:19,000 Speaker 1: rock or soil containing something like quartz or silicon or 473 00:29:19,400 --> 00:29:23,240 Speaker 1: arsenic can also produce electricity that would be channeled up 474 00:29:23,320 --> 00:29:26,800 Speaker 1: to the surface through the soil via the water as 475 00:29:26,840 --> 00:29:32,560 Speaker 1: a medium and then somehow appearing as these lights. This, 476 00:29:32,800 --> 00:29:36,360 Speaker 1: if it were piezoelectric in origin, would also explain why 477 00:29:36,440 --> 00:29:40,880 Speaker 1: the lights appear to be erratic or even intelligent in 478 00:29:40,960 --> 00:29:44,120 Speaker 1: their behavior, because there's some kind of flow that's occurring 479 00:29:44,360 --> 00:29:46,800 Speaker 1: there that maybe is moving it in a way that 480 00:29:46,920 --> 00:29:50,520 Speaker 1: you would think as you're watching it, they're choosing to 481 00:29:50,640 --> 00:29:53,840 Speaker 1: do that. Yeah, because we like to anthropomorphize things, right 482 00:29:53,960 --> 00:29:57,360 Speaker 1: and describe agency to them. You know, but what about 483 00:29:57,400 --> 00:30:01,240 Speaker 1: marsh gas? What about marsh gas? So this guy Alessandro Volta, 484 00:30:01,680 --> 00:30:05,520 Speaker 1: who discovered methane in seventeen seventy six, originally put forth 485 00:30:05,720 --> 00:30:10,800 Speaker 1: this idea that these ghostly orbs of light were somehow 486 00:30:10,880 --> 00:30:14,720 Speaker 1: tied to marsh gas. He believed that lightning mixed with 487 00:30:14,880 --> 00:30:18,400 Speaker 1: the swamp gases and caused the ghost lights. His theory 488 00:30:19,200 --> 00:30:23,040 Speaker 1: was pretty controversial at time, and initially was just, you know, 489 00:30:23,600 --> 00:30:29,360 Speaker 1: disregarded wholeheartedly due to two pretty important factors. One is 490 00:30:29,440 --> 00:30:33,360 Speaker 1: the unlikeliness of spontaneous combustion. Okay, that's a good one. 491 00:30:34,040 --> 00:30:37,000 Speaker 1: That's not likely, not super likely. And two is the 492 00:30:38,200 --> 00:30:42,920 Speaker 1: his failure to explain why these phenomena appeared to retreat 493 00:30:43,760 --> 00:30:47,080 Speaker 1: when approached. Ye as if they knew something was come, 494 00:30:47,120 --> 00:30:51,280 Speaker 1: as if to beccon you into the void like a 495 00:30:51,400 --> 00:30:56,680 Speaker 1: swamp siren. Yes or no no, no, no, no, no, 496 00:30:56,720 --> 00:31:00,320 Speaker 1: no no, don't don't fall, don't see How are you 497 00:31:00,320 --> 00:31:02,240 Speaker 1: supposed to go into the light? Are you not supposed 498 00:31:02,240 --> 00:31:05,360 Speaker 1: to go into the light? Really depends on the contact. Yeah, yeah, 499 00:31:06,760 --> 00:31:10,200 Speaker 1: Are you dying and you're ready to go then yes? Right, 500 00:31:10,480 --> 00:31:12,080 Speaker 1: that's the whole point. That's the only time you go 501 00:31:12,160 --> 00:31:14,000 Speaker 1: into the light. Wasn't there a poulter Geist thing? Or 502 00:31:14,120 --> 00:31:18,000 Speaker 1: just don't go into the light? Yeah, because the actual 503 00:31:18,160 --> 00:31:21,200 Speaker 1: Poulter guyst the Dead cult leader, is trying to take 504 00:31:21,360 --> 00:31:24,720 Speaker 1: Carol Anne's enormous power. You know, I've never seen Poulter 505 00:31:24,760 --> 00:31:26,920 Speaker 1: guyst been. You just spoiled poulter Geist for me. No, 506 00:31:27,080 --> 00:31:29,720 Speaker 1: I didn't even tell you. The coolest part Dead Cult Leader, though, 507 00:31:30,280 --> 00:31:32,360 Speaker 1: is that they don't get to that until like poulter 508 00:31:32,480 --> 00:31:35,040 Speaker 1: Geist two or three. I see you've spoiled the whole 509 00:31:35,120 --> 00:31:37,520 Speaker 1: franchise for me. Dude, Yeah, let me go ahead, let 510 00:31:37,560 --> 00:31:39,719 Speaker 1: me make it worse. The guy who is that guy 511 00:31:39,840 --> 00:31:42,760 Speaker 1: had a show called Coach. He's the dad. Oh what 512 00:31:42,840 --> 00:31:45,200 Speaker 1: the hell is his name? The only thing you need 513 00:31:45,240 --> 00:31:49,480 Speaker 1: to know about Poultergeist is that braces sometimes attack you. 514 00:31:50,080 --> 00:31:53,400 Speaker 1: Your own braces sometimes attack you, and that's terrifying. Well 515 00:31:53,400 --> 00:31:56,320 Speaker 1: everybody knows that. Yeah, I feel like I must have 516 00:31:56,400 --> 00:32:00,280 Speaker 1: done braces. I mean horrible, horrible, malicious things like I 517 00:32:00,360 --> 00:32:03,200 Speaker 1: may have done you a disservice, my friend, because I 518 00:32:03,320 --> 00:32:06,720 Speaker 1: went through that period where I was just sending images 519 00:32:06,800 --> 00:32:10,200 Speaker 1: screen caps from Poultergeist in response to work emails, like 520 00:32:10,320 --> 00:32:13,080 Speaker 1: creepy old dude with the hat. This is like pre emoji. 521 00:32:13,560 --> 00:32:16,520 Speaker 1: This is probably pre emoji. Yeah. The first time I 522 00:32:16,600 --> 00:32:21,280 Speaker 1: ever saw meat in a like a decomposing state where 523 00:32:21,280 --> 00:32:24,240 Speaker 1: there are maggots and everything is from Poltergeist. And I 524 00:32:24,440 --> 00:32:26,680 Speaker 1: was a little kid. Yeah, and it has scarred me 525 00:32:26,720 --> 00:32:30,680 Speaker 1: ever since. Yes, I'm glad you're talking about decomposition because 526 00:32:30,760 --> 00:32:36,080 Speaker 1: this idea that Volta proposes says that, all right, so 527 00:32:36,160 --> 00:32:40,680 Speaker 1: the normal way that organic stuff decomposes in open air 528 00:32:41,080 --> 00:32:45,800 Speaker 1: is called aerobic decomposition. Sounds like a lazy fitness program. 529 00:32:46,440 --> 00:32:50,760 Speaker 1: It means they're affected by air around them. And like 530 00:32:51,000 --> 00:32:54,160 Speaker 1: all organic matter, plants, animals, what have you, were mostly 531 00:32:54,200 --> 00:32:59,240 Speaker 1: made up of carbon and oxygen and hydrogen, and when 532 00:32:59,320 --> 00:33:02,880 Speaker 1: decaying in the presence of oxygen, the byproducts of the 533 00:33:03,120 --> 00:33:06,800 Speaker 1: decomposition process are going to be carbon dioxide, energy, or 534 00:33:06,960 --> 00:33:11,920 Speaker 1: heat water. But in swampy or marshy areas, which would 535 00:33:11,920 --> 00:33:16,080 Speaker 1: also happen to be very humid, aerobic decomposition often doesn't 536 00:33:16,120 --> 00:33:19,640 Speaker 1: take place because the dead matter, the organic stuff, gets 537 00:33:19,720 --> 00:33:23,680 Speaker 1: buried beneath water or water saturated soil, and it continues 538 00:33:23,720 --> 00:33:29,320 Speaker 1: to decompose in the absence of air anaerobic decomposition, and 539 00:33:29,800 --> 00:33:32,480 Speaker 1: that would mean that the matter gets broken down by 540 00:33:32,680 --> 00:33:35,960 Speaker 1: anaerobic bacteria. And here we go. This is why it matters, 541 00:33:36,080 --> 00:33:40,560 Speaker 1: because when the bacteria are decomposing this stuff or breaking 542 00:33:40,640 --> 00:33:45,920 Speaker 1: it down, they produce carbon dioxide, nitrogen, phosphenes, other chemicals, 543 00:33:45,960 --> 00:33:51,160 Speaker 1: including methane as byproducts. Now, methane, what do we know 544 00:33:51,240 --> 00:33:57,040 Speaker 1: about methane cow parts? Well, if anyone out there ever 545 00:33:57,440 --> 00:34:03,760 Speaker 1: attempted to light a toot on fire, a toot. Really, 546 00:34:04,560 --> 00:34:09,719 Speaker 1: what do you know? This is like that time? So 547 00:34:10,000 --> 00:34:12,960 Speaker 1: it was a while back. Would you called something to 548 00:34:13,120 --> 00:34:16,919 Speaker 1: no no place? Yeah? Yeah, Should we take a break 549 00:34:16,920 --> 00:34:19,239 Speaker 1: and go tinkle? I mean, you know, if you got 550 00:34:19,320 --> 00:34:23,799 Speaker 1: a tinkle tinkle. But yeah, all right, so uh toots, yeah, 551 00:34:23,880 --> 00:34:27,920 Speaker 1: toots and methane. It's flammable. That's why it's important. That 552 00:34:28,080 --> 00:34:31,400 Speaker 1: is important. Yeah, and uh, phosphines are also flammable, and 553 00:34:31,920 --> 00:34:36,919 Speaker 1: they can burst into spontaneous flame in the presence of air. 554 00:34:38,200 --> 00:34:41,319 Speaker 1: As it burns, it produces this dense white cloud which 555 00:34:41,400 --> 00:34:45,040 Speaker 1: could seem to give more substance to the flame, right, 556 00:34:45,280 --> 00:34:50,960 Speaker 1: especially from far away, mixed with methane. This these gases 557 00:34:51,239 --> 00:34:56,600 Speaker 1: functioning in concert, would you know, would be the explanation 558 00:34:56,680 --> 00:34:59,080 Speaker 1: for willow the whisp, at least according to a Volta. Yeah, 559 00:34:59,160 --> 00:35:01,239 Speaker 1: especially if you get a pocket of the gas that's 560 00:35:01,280 --> 00:35:03,960 Speaker 1: just on fire for a little bit and burns for 561 00:35:04,000 --> 00:35:08,040 Speaker 1: a little while and then dissipates or you know, begins 562 00:35:08,080 --> 00:35:10,600 Speaker 1: burning in a direction. It sure sounds like it needs 563 00:35:10,680 --> 00:35:14,480 Speaker 1: some pretty specific circumstances to generate this effect. Though, you 564 00:35:14,560 --> 00:35:17,480 Speaker 1: know that's correct when you hear the way it's described, 565 00:35:17,560 --> 00:35:20,560 Speaker 1: it's it's all got a very similar look, right, or 566 00:35:20,640 --> 00:35:24,200 Speaker 1: they're bobbing and weaving and kind of like you said, retreating, 567 00:35:24,960 --> 00:35:28,000 Speaker 1: especially to see it every night, right, I mean, what 568 00:35:28,160 --> 00:35:32,440 Speaker 1: there's like a National Park style you know, scenic overlook 569 00:35:32,480 --> 00:35:34,399 Speaker 1: for the damn things. I mean, it's like, you know, yeah, 570 00:35:34,480 --> 00:35:38,040 Speaker 1: it's not a made up phenomenon, but we know how 571 00:35:38,120 --> 00:35:41,239 Speaker 1: the northern lights work, right, Yeah, yeah, yeah, we know 572 00:35:42,040 --> 00:35:44,319 Speaker 1: you know what the cause of that phenomenon is. It's 573 00:35:44,320 --> 00:35:48,239 Speaker 1: pretty interesting that we've accepted this visual oddity but we 574 00:35:48,280 --> 00:35:50,480 Speaker 1: don't really know what causes it. It's pretty neat. Well. 575 00:35:50,800 --> 00:35:52,399 Speaker 1: I mean, there are a lot of people will say 576 00:35:52,600 --> 00:35:56,000 Speaker 1: they have figured out the cause of a specific one 577 00:35:56,280 --> 00:36:00,319 Speaker 1: or a specific area, right, But you're right, there are 578 00:36:00,320 --> 00:36:03,680 Speaker 1: people who would still disagree with this because the folks 579 00:36:03,680 --> 00:36:07,160 Speaker 1: again i'll call them true believers, who think that these 580 00:36:07,239 --> 00:36:11,520 Speaker 1: explanations are okay, but they don't really encapsulate or demystify 581 00:36:11,640 --> 00:36:13,600 Speaker 1: the thing. They would say, in a lot of cases, 582 00:36:13,680 --> 00:36:17,160 Speaker 1: lights are reported from areas without these favorable conditions. And 583 00:36:17,280 --> 00:36:22,480 Speaker 1: I agree that it sounds like a set of pretty 584 00:36:22,560 --> 00:36:28,280 Speaker 1: complicated specific things. There's almost a Rube Goldberg feel to this, definitely. 585 00:36:28,840 --> 00:36:33,000 Speaker 1: But there is one other explanation that was what did 586 00:36:33,040 --> 00:36:36,000 Speaker 1: we call it? It was like a quick hint at 587 00:36:36,400 --> 00:36:39,439 Speaker 1: It was a quick uh we were oh, a jump tease. 588 00:36:39,520 --> 00:36:41,560 Speaker 1: It was a jump tease. We jump tease. That guess 589 00:36:41,640 --> 00:36:45,920 Speaker 1: what we're jumping in right now. It's called fata Morgana 590 00:36:46,640 --> 00:36:49,440 Speaker 1: first or head first. Well, I like to go belly. 591 00:36:50,040 --> 00:36:53,880 Speaker 1: You're a flopper first, yep, that's generally my life, just 592 00:36:54,040 --> 00:37:02,400 Speaker 1: flopping before after you good things the street, like the 593 00:37:02,480 --> 00:37:06,080 Speaker 1: flop toots to the tanks. All right, So what's a 594 00:37:06,200 --> 00:37:10,399 Speaker 1: photo morgana. So this is a third hypothesis, and that's 595 00:37:10,560 --> 00:37:13,400 Speaker 1: this is that the lights are a result of optical 596 00:37:13,719 --> 00:37:18,480 Speaker 1: illusion occurring in the observer, or at least it happens 597 00:37:18,600 --> 00:37:21,520 Speaker 1: to the observer from what's happening into your eyes, the 598 00:37:21,600 --> 00:37:24,520 Speaker 1: way the light enters your eyes over the horizon. Right. 599 00:37:24,640 --> 00:37:27,840 Speaker 1: The idea that the whole thing is a mirage, forget 600 00:37:27,960 --> 00:37:33,240 Speaker 1: swamp gas, forget some kind of earthquake based electricity. People 601 00:37:33,440 --> 00:37:39,719 Speaker 1: are just somehow making this up consistently over decades, centuries 602 00:37:39,760 --> 00:37:43,480 Speaker 1: and so on. Foto Morgana is pretty interesting, but it 603 00:37:43,560 --> 00:37:47,160 Speaker 1: has one big problem, at least in this case. So 604 00:37:47,800 --> 00:37:51,080 Speaker 1: the idea is that there has to be a thermal 605 00:37:51,239 --> 00:37:56,120 Speaker 1: inversion such that the curvature of light rays within the 606 00:37:56,360 --> 00:38:01,160 Speaker 1: inversion becomes stronger than the curvature of the earth. I 607 00:38:01,239 --> 00:38:03,239 Speaker 1: know this sounds like a lot of gobbledy goook, but 608 00:38:03,680 --> 00:38:07,880 Speaker 1: essentially means the rays will bend and create arcs. So 609 00:38:09,040 --> 00:38:11,880 Speaker 1: if you are seeing this, you're what you're seeing is 610 00:38:12,120 --> 00:38:19,120 Speaker 1: a distorted, erect or inverted image. And because of the 611 00:38:19,400 --> 00:38:23,720 Speaker 1: changing nature of the atmosphere at the time of Fata Morgana, 612 00:38:23,800 --> 00:38:27,520 Speaker 1: this type of mirage can change within just a few seconds, 613 00:38:28,640 --> 00:38:32,400 Speaker 1: so it can seem to be very dynamic. But here's 614 00:38:32,440 --> 00:38:36,160 Speaker 1: the big problem with Fata morgana. What they are most 615 00:38:36,200 --> 00:38:41,240 Speaker 1: commonly seen in polar regions really, so not Missouri, not Texas. 616 00:38:42,000 --> 00:38:44,239 Speaker 1: Oh Man. See, so I was banking on this one 617 00:38:44,280 --> 00:38:47,480 Speaker 1: because we're talking about humid conditions right where you've already 618 00:38:47,520 --> 00:38:50,440 Speaker 1: got some optical stuff going on, and there's moisture in 619 00:38:50,480 --> 00:38:54,480 Speaker 1: the air. You've got four miles of roughly flat terrain 620 00:38:55,040 --> 00:38:57,880 Speaker 1: that you're looking all the way down and seeing some 621 00:38:58,080 --> 00:39:00,800 Speaker 1: light way on the other end of that four miles. 622 00:39:01,560 --> 00:39:04,640 Speaker 1: And you know, if you've got lights, even if you're 623 00:39:04,680 --> 00:39:06,680 Speaker 1: way back in the day and you've got torches during 624 00:39:06,719 --> 00:39:09,480 Speaker 1: the trail of tears, and it's way way way down there, 625 00:39:09,560 --> 00:39:11,880 Speaker 1: and you've got those human conditions, you've got that distance. 626 00:39:12,320 --> 00:39:16,040 Speaker 1: I was thinking that is what would end up happening. 627 00:39:16,560 --> 00:39:19,160 Speaker 1: You could, you know, it might look larger, it might 628 00:39:19,239 --> 00:39:22,720 Speaker 1: look to be moving differently than it actually is because 629 00:39:22,840 --> 00:39:26,560 Speaker 1: of this fotimorgana. But dang it, I really thought I 630 00:39:26,680 --> 00:39:30,680 Speaker 1: was onto the figuring it out right there. Well, I mean, 631 00:39:30,840 --> 00:39:35,080 Speaker 1: don't don't dismiss entirely yet. It could be some kind 632 00:39:35,120 --> 00:39:37,120 Speaker 1: of mirage. But my issue with that is if it 633 00:39:37,239 --> 00:39:40,279 Speaker 1: were a mirage, right, if it were some sort of 634 00:39:40,440 --> 00:39:45,359 Speaker 1: optical illusion, then why would it be consistently the same. 635 00:39:45,440 --> 00:39:47,759 Speaker 1: It seems much more likely that maybe there would be 636 00:39:49,080 --> 00:39:53,440 Speaker 1: a busy road that somehow is reflecting light, you know, 637 00:39:53,800 --> 00:39:58,680 Speaker 1: But then if these are moving cars on an interstate 638 00:39:58,800 --> 00:40:03,319 Speaker 1: or a road, not affect the behavior of the light. Yeah, 639 00:40:03,440 --> 00:40:06,960 Speaker 1: but if it's a smaller road, then maybe you only 640 00:40:07,000 --> 00:40:09,239 Speaker 1: have a couple cars on there at once. But there's 641 00:40:09,320 --> 00:40:12,440 Speaker 1: usually a car, but only a few at a time. 642 00:40:12,640 --> 00:40:14,400 Speaker 1: I don't know. I think the closest thing I can 643 00:40:14,520 --> 00:40:16,759 Speaker 1: say that I've seen to this sort of like this 644 00:40:16,960 --> 00:40:19,319 Speaker 1: and super common it is just when it's really really 645 00:40:19,360 --> 00:40:22,120 Speaker 1: hot and you're driving and like, you know, the street 646 00:40:22,239 --> 00:40:24,320 Speaker 1: is really hot, and you kind of see this like 647 00:40:24,760 --> 00:40:28,840 Speaker 1: faint shimmering in the air above the right above the 648 00:40:28,920 --> 00:40:31,120 Speaker 1: horizon kind of And I think, you know, that's that's 649 00:40:31,160 --> 00:40:34,520 Speaker 1: the closest thing that like a visual disturbance that I've 650 00:40:34,600 --> 00:40:38,319 Speaker 1: maybe personally witnessed. So but that happens all the time, 651 00:40:38,360 --> 00:40:40,479 Speaker 1: and all it takes is it being really hot. Yeah, 652 00:40:40,920 --> 00:40:43,080 Speaker 1: so okay, what about heat? We didn't even really talk 653 00:40:43,200 --> 00:40:46,560 Speaker 1: much about temperature. We haven't. Yeah, it could the temperature 654 00:40:46,760 --> 00:40:51,840 Speaker 1: be affecting this? And that that weird heat wave that 655 00:40:52,160 --> 00:40:54,640 Speaker 1: Noel's mentioned is something that I think we've all seen, 656 00:40:54,840 --> 00:40:57,919 Speaker 1: friends and neighbors. I mean, you can just walk out 657 00:40:58,040 --> 00:41:01,600 Speaker 1: in a hot area and look into the distance. But 658 00:41:01,920 --> 00:41:08,200 Speaker 1: would that could the heat create just heat alone create 659 00:41:08,280 --> 00:41:11,959 Speaker 1: this sustained ball of creepy light? I think anything any 660 00:41:12,080 --> 00:41:14,800 Speaker 1: true explanation for one of these, And I think you 661 00:41:14,920 --> 00:41:18,200 Speaker 1: probably have to take each one. So yeah, I think 662 00:41:18,239 --> 00:41:21,000 Speaker 1: you probably do, because all the conditions in the different 663 00:41:21,040 --> 00:41:24,400 Speaker 1: areas are going to be slightly different. But yeah, I 664 00:41:24,600 --> 00:41:27,960 Speaker 1: think maybe it's a combination. You guys, At this point, 665 00:41:28,320 --> 00:41:31,880 Speaker 1: mainstream science probably agrees with you and feels is adequately 666 00:41:31,960 --> 00:41:36,840 Speaker 1: explained this phenomenon through the following the following causes, or 667 00:41:36,880 --> 00:41:44,279 Speaker 1: a combination thereof naturally a currying atmospheric conditions, misidentification by eyewitnesses. Right, 668 00:41:44,400 --> 00:41:47,239 Speaker 1: and so the same thing as you know, you think 669 00:41:47,280 --> 00:41:50,080 Speaker 1: it's a UFO, but it's a secret government spy plane, 670 00:41:50,280 --> 00:41:54,239 Speaker 1: still creepy, or you know the Chinese lanterns that go up. 671 00:41:54,560 --> 00:41:57,480 Speaker 1: I've I have tricked myself into believing there's a UFO 672 00:41:57,640 --> 00:42:00,640 Speaker 1: with the Chinese lantern a group of Chinese lantern Oh really, 673 00:42:00,760 --> 00:42:02,640 Speaker 1: was it from the lantern parade or something? It wasn't 674 00:42:02,680 --> 00:42:05,080 Speaker 1: the lantern parade. It was awful lantern parade time, but 675 00:42:05,600 --> 00:42:08,120 Speaker 1: it was for sure that's what it was. And then, 676 00:42:08,239 --> 00:42:10,719 Speaker 1: of course we would be remiss if we did not 677 00:42:10,920 --> 00:42:16,400 Speaker 1: mention the likelihood of purposeful hoaxes, which I still don't understand. 678 00:42:17,160 --> 00:42:21,320 Speaker 1: I guess it's this sort of hoax scene came along 679 00:42:21,520 --> 00:42:24,839 Speaker 1: before it was easy to just troll people on the internet. Yeah, 680 00:42:25,200 --> 00:42:28,520 Speaker 1: a few years ago here in Georgia, where the show 681 00:42:28,640 --> 00:42:32,840 Speaker 1: is based, we heard tell, as they would say in Tennessee, 682 00:42:32,920 --> 00:42:35,680 Speaker 1: we heard tell of someone who claimed they have found 683 00:42:35,960 --> 00:42:39,319 Speaker 1: the corpse of a sasquatch. Yes, remember that, and they 684 00:42:39,360 --> 00:42:41,840 Speaker 1: had it in a cooler, and they had pictures of it, 685 00:42:41,920 --> 00:42:44,800 Speaker 1: and they said they were getting DNA analysis. And I 686 00:42:44,920 --> 00:42:47,360 Speaker 1: think it was just a gorilla costume. Is that what 687 00:42:47,440 --> 00:42:50,520 Speaker 1: it turned out to be? Yes, it definitely wasn't a sasquatch. 688 00:42:51,280 --> 00:42:54,400 Speaker 1: So we do have to at some point, or anyone 689 00:42:54,440 --> 00:42:57,839 Speaker 1: who looks into this has to at some point acknowledge 690 00:42:57,960 --> 00:43:03,160 Speaker 1: the possibility or even plausibility of someone purposefully, you know, 691 00:43:03,360 --> 00:43:06,879 Speaker 1: pulling a fast one on friends and neighbors. But here's 692 00:43:06,880 --> 00:43:10,520 Speaker 1: the thing. Yeah, even if there is a perfectly good 693 00:43:10,640 --> 00:43:14,480 Speaker 1: explanation for one of these things, or we can explain 694 00:43:14,560 --> 00:43:19,080 Speaker 1: it away somehow through science, it doesn't make the physical 695 00:43:19,200 --> 00:43:23,040 Speaker 1: viewing of one of these things any less spooky. Which 696 00:43:23,120 --> 00:43:27,200 Speaker 1: makes me think it would be wonderful to see pictures 697 00:43:27,280 --> 00:43:30,080 Speaker 1: of ghost lights or will of the wisps. Would they 698 00:43:30,120 --> 00:43:32,279 Speaker 1: be wills of the wisp? Yeah, they would have to 699 00:43:32,320 --> 00:43:36,319 Speaker 1: be wills will of the wisps. Wills of the wisp, yeah, 700 00:43:36,360 --> 00:43:38,279 Speaker 1: all because each one is a different will. Can we 701 00:43:38,320 --> 00:43:41,600 Speaker 1: call them? The wisp is the thing that these are 702 00:43:41,640 --> 00:43:43,839 Speaker 1: the wills of, So there would be only one whisp, 703 00:43:43,880 --> 00:43:48,240 Speaker 1: It's the great Whisp. The individual items are the wills 704 00:43:48,400 --> 00:43:50,799 Speaker 1: of said great whisp. But what if it's one will 705 00:43:51,360 --> 00:43:56,000 Speaker 1: controlling all of the will. There's a will, there's a whisp. Okay, yes, 706 00:43:56,440 --> 00:43:59,360 Speaker 1: if you are a will of the whisper, then we 707 00:43:59,440 --> 00:44:03,640 Speaker 1: would like to hear your firsthand experience, friends and neighbors. 708 00:44:04,280 --> 00:44:07,880 Speaker 1: We ourselves, like anybody else, have seen certain phenomenon that 709 00:44:08,120 --> 00:44:12,560 Speaker 1: we can't completely explain right without careful research. But I 710 00:44:12,719 --> 00:44:17,520 Speaker 1: don't believe we have in this room actually seen ghost 711 00:44:17,600 --> 00:44:20,160 Speaker 1: light or spooklight for ourselves. Is that correct? I have 712 00:44:20,360 --> 00:44:24,240 Speaker 1: not seen one. I have watched tons of videos online 713 00:44:24,440 --> 00:44:28,040 Speaker 1: of people showing it, and I've seen things that were 714 00:44:28,160 --> 00:44:33,080 Speaker 1: very strange on a mountain road in the Blue Ridge Mountains, 715 00:44:33,200 --> 00:44:37,040 Speaker 1: where out in the distance it looks as though there 716 00:44:37,160 --> 00:44:41,040 Speaker 1: is a light shimmering or shining and floating a little bit, 717 00:44:41,560 --> 00:44:44,319 Speaker 1: And after a little bit of investigation I found out 718 00:44:44,360 --> 00:44:47,080 Speaker 1: that it's this specific road that wraps around the mountain 719 00:44:47,120 --> 00:44:49,800 Speaker 1: in this one way, and when cars go around it, 720 00:44:50,760 --> 00:44:53,360 Speaker 1: for some reason, it just looks very strange and not 721 00:44:53,600 --> 00:44:58,799 Speaker 1: like headlights. And it's true that even though different proposed 722 00:44:58,880 --> 00:45:03,000 Speaker 1: explanations might sound I don't know, highly unlikely or maybe 723 00:45:03,040 --> 00:45:06,640 Speaker 1: even to a degree condescending when people talk about misidentification, 724 00:45:07,080 --> 00:45:10,080 Speaker 1: it's it's still true that it's easy for this sort 725 00:45:10,239 --> 00:45:14,279 Speaker 1: of stuff to happen. If you believe that you have 726 00:45:14,960 --> 00:45:18,040 Speaker 1: proof of a supernatural will of the whisp. By the way, 727 00:45:18,239 --> 00:45:21,880 Speaker 1: please write to us post haste before it gets you. 728 00:45:22,360 --> 00:45:24,080 Speaker 1: I Oh, I had one other thing I wanted to 729 00:45:24,160 --> 00:45:27,759 Speaker 1: put in here to the question about why these lights 730 00:45:27,800 --> 00:45:30,400 Speaker 1: seem to retreat. Yes, I want to know what that 731 00:45:30,800 --> 00:45:33,400 Speaker 1: Depending on how close people get before the retreat occurs. 732 00:45:33,600 --> 00:45:36,560 Speaker 1: Is it possible that it's a disturbance in the air 733 00:45:36,680 --> 00:45:41,279 Speaker 1: of the person approaching or from the person approaching. Interesting, 734 00:45:42,160 --> 00:45:44,000 Speaker 1: I'm waiting for someone to write in and say that's 735 00:45:44,080 --> 00:45:47,239 Speaker 1: not how air works. What do you call someone that's 736 00:45:47,239 --> 00:45:54,160 Speaker 1: an expert in an air a weatherman or or a woman? Well, 737 00:45:54,160 --> 00:45:57,719 Speaker 1: I guess it would be a meteorologist. That yeah, yeah, 738 00:45:57,760 --> 00:46:01,440 Speaker 1: that's whether whether men or woman is a diminutive and 739 00:46:01,680 --> 00:46:05,960 Speaker 1: not mean any disrespect to the meteorological community. They're very 740 00:46:06,040 --> 00:46:09,239 Speaker 1: powerful here. You don't want to get a big meteorology 741 00:46:09,280 --> 00:46:10,759 Speaker 1: mad at we think about it. They're only a couple 742 00:46:10,760 --> 00:46:13,439 Speaker 1: of clicks away from controlling the weather. So you know, yeah, 743 00:46:14,120 --> 00:46:17,640 Speaker 1: that's true. And do check out our episode on weather 744 00:46:17,760 --> 00:46:21,160 Speaker 1: modification while we're While we're here, we've been talking so 745 00:46:21,280 --> 00:46:24,000 Speaker 1: much about you friends and neighbors, and we've been asking 746 00:46:24,560 --> 00:46:27,439 Speaker 1: for your write in, and that reminds us what better 747 00:46:27,560 --> 00:46:35,480 Speaker 1: time for got corner Our first shout out today subject 748 00:46:36,320 --> 00:46:39,279 Speaker 1: daughter of a psychic Hey, conspiracy dudes. I'm a new 749 00:46:39,320 --> 00:46:42,080 Speaker 1: listener and you guys have expressed some interest in psychic people. 750 00:46:42,400 --> 00:46:44,680 Speaker 1: My mom has made a few predictions in her lifetime, 751 00:46:44,760 --> 00:46:47,719 Speaker 1: mostly around death. Back in the nineties, my family went 752 00:46:47,760 --> 00:46:49,680 Speaker 1: to New York and we're going to visit the World 753 00:46:49,760 --> 00:46:52,120 Speaker 1: Trade Center. They're on their way to cross the bridge 754 00:46:52,120 --> 00:46:55,080 Speaker 1: when my mom starts completely freaking out, saying she doesn't 755 00:46:55,120 --> 00:46:57,160 Speaker 1: want to go and something bad is going to happen, 756 00:46:57,440 --> 00:46:59,360 Speaker 1: and she's freaking out so bad. My dad asks a 757 00:46:59,400 --> 00:47:02,560 Speaker 1: police officer to help them turn around. A few weeks later, 758 00:47:02,920 --> 00:47:05,879 Speaker 1: World Trade Center blew up for the first time. Whoa Also, 759 00:47:06,000 --> 00:47:07,960 Speaker 1: she predicted the death of my grandmother. She had a 760 00:47:08,040 --> 00:47:10,480 Speaker 1: dream that my grandma was sitting at the edge of 761 00:47:10,680 --> 00:47:13,799 Speaker 1: my father's brother's coffin. He had died a few years prior. 762 00:47:14,280 --> 00:47:16,840 Speaker 1: She sat there just looking at my mom and talking 763 00:47:16,880 --> 00:47:19,080 Speaker 1: to her. When my mom woke up and asked my 764 00:47:19,200 --> 00:47:22,200 Speaker 1: dad to take her to his mom's house. By the 765 00:47:22,280 --> 00:47:25,200 Speaker 1: time they got there, she had already passed away. There's 766 00:47:25,239 --> 00:47:28,520 Speaker 1: some other stuff about how she gets bad vibes about 767 00:47:28,560 --> 00:47:30,520 Speaker 1: people and things, and I'm not a big believer in 768 00:47:30,560 --> 00:47:32,719 Speaker 1: this stuff, but I am a big believer in her predictions. 769 00:47:33,040 --> 00:47:35,080 Speaker 1: She hasn't had one in a while, but I guess 770 00:47:35,120 --> 00:47:37,080 Speaker 1: that's a good thing. Thanks for doing what you do, 771 00:47:37,280 --> 00:47:41,239 Speaker 1: Signed Elena. You know I want to see at the 772 00:47:41,600 --> 00:47:46,440 Speaker 1: very top of this reaction that I absolutely do not 773 00:47:46,680 --> 00:47:50,799 Speaker 1: care what people ascribe a bad vibe too. I would 774 00:47:50,880 --> 00:47:54,480 Speaker 1: listen to it because there's you know, there's any combination 775 00:47:54,840 --> 00:47:59,360 Speaker 1: of cues that you're subconscious might pick up on that 776 00:47:59,480 --> 00:48:02,920 Speaker 1: your mind does not acknowledge, and sometimes that could translate 777 00:48:03,040 --> 00:48:05,840 Speaker 1: as a bad feeling, you know, like someone just walked 778 00:48:05,880 --> 00:48:09,120 Speaker 1: over my grave, or I just shook hands with that guy. 779 00:48:09,360 --> 00:48:12,360 Speaker 1: Now it feels weird and I don't trust him. You know, 780 00:48:12,480 --> 00:48:15,120 Speaker 1: I think there's nothing wrong with following your gut in 781 00:48:15,239 --> 00:48:19,640 Speaker 1: that regard. I mean, don't don't you know, go out 782 00:48:19,680 --> 00:48:22,640 Speaker 1: and try to murder someone because you got a vav 783 00:48:22,719 --> 00:48:24,359 Speaker 1: vibe off of them. Yeah, but even like I mean, 784 00:48:24,440 --> 00:48:27,640 Speaker 1: like not not to oversimplify it. But haven't you ever 785 00:48:27,719 --> 00:48:30,359 Speaker 1: had I had a thing where like you were thinking 786 00:48:30,400 --> 00:48:34,040 Speaker 1: about a song and then that song came on or 787 00:48:34,120 --> 00:48:35,480 Speaker 1: like you know, I mean, so I know that's like 788 00:48:35,520 --> 00:48:38,319 Speaker 1: confirmation bias or what is it where you or mind 789 00:48:38,360 --> 00:48:42,000 Speaker 1: hoff syndrome or whatever, But like, it is a very 790 00:48:42,480 --> 00:48:45,960 Speaker 1: very powerful feeling, you know what I mean, And especially 791 00:48:46,040 --> 00:48:49,680 Speaker 1: when you connect it with something that ultimately does come 792 00:48:49,760 --> 00:48:51,719 Speaker 1: to pass. It's it's it's very easy. Even like something 793 00:48:51,760 --> 00:48:54,040 Speaker 1: as simple as like hearing a song, you could almost 794 00:48:54,840 --> 00:48:57,320 Speaker 1: you know, your brain could you could very easily be 795 00:48:57,400 --> 00:49:00,359 Speaker 1: convinced by your brain, which is very clever, you know. Yeah, 796 00:49:00,440 --> 00:49:03,239 Speaker 1: piece of machinery that you made that happen, or that 797 00:49:03,640 --> 00:49:06,479 Speaker 1: you somehow had for knowledge that was going to happen, 798 00:49:06,520 --> 00:49:08,239 Speaker 1: and then it was like an inclination or something like that. 799 00:49:08,680 --> 00:49:11,920 Speaker 1: I have never really experienced the phenomenon in the way 800 00:49:11,920 --> 00:49:14,160 Speaker 1: that she's describing like that. I don't think I've ever 801 00:49:14,200 --> 00:49:17,400 Speaker 1: really known anybody that was just spot on repeatedly. But 802 00:49:17,520 --> 00:49:19,560 Speaker 1: for me to really believe it, I think it would 803 00:49:19,560 --> 00:49:24,279 Speaker 1: have to be like repeatedly repeatedly and specifics. Yeah, well 804 00:49:24,520 --> 00:49:29,920 Speaker 1: you know, full disclosure I have. It is a belief 805 00:49:30,000 --> 00:49:32,840 Speaker 1: in this stuff is widespread in my extended family, and 806 00:49:33,239 --> 00:49:37,640 Speaker 1: they will insist to you that they have had precognitive 807 00:49:37,760 --> 00:49:41,359 Speaker 1: dreams or that they have had you know, discidence, Yeah, 808 00:49:41,480 --> 00:49:44,080 Speaker 1: that they've had the site. It's big in Appalachia, so 809 00:49:44,400 --> 00:49:46,919 Speaker 1: my in laws are right there with you. Oh yeah, yeah. 810 00:49:47,800 --> 00:49:50,840 Speaker 1: But I would love to hear more of these stories. 811 00:49:50,880 --> 00:49:53,480 Speaker 1: I am fascinated by this. Yes, please send them in 812 00:49:53,560 --> 00:49:55,160 Speaker 1: if you've got them. I am too, And I am 813 00:49:55,239 --> 00:49:58,680 Speaker 1: not downplaying these stories at all. I'm just kind of 814 00:49:58,760 --> 00:50:01,120 Speaker 1: like filtering it through my own experience, in my own 815 00:50:01,960 --> 00:50:05,080 Speaker 1: jerky skeptic brain, I guess. But you know, I have 816 00:50:05,239 --> 00:50:08,600 Speaker 1: experienced things like this, but not quite this intense, and 817 00:50:08,680 --> 00:50:10,279 Speaker 1: if it was, if it had happened to me, I 818 00:50:10,360 --> 00:50:13,640 Speaker 1: might feel completely differently about him. That's true. That's true. 819 00:50:13,719 --> 00:50:17,200 Speaker 1: Now I'm now I'm going to be paying close attention 820 00:50:17,400 --> 00:50:20,160 Speaker 1: to every song I hear for the next day because 821 00:50:20,200 --> 00:50:22,759 Speaker 1: we mentioned bet or mine off. It's gonna follow me 822 00:50:22,880 --> 00:50:30,360 Speaker 1: like a curse. Rams I used to dance alone of 823 00:50:30,560 --> 00:50:34,080 Speaker 1: my own volition. That's a good one. That's Alex's favorite 824 00:50:34,120 --> 00:50:37,719 Speaker 1: one too. So thanks for writing to Elena. We've got 825 00:50:37,840 --> 00:50:42,080 Speaker 1: a We've got a short recommendation from the been Randall 826 00:50:42,239 --> 00:50:46,000 Speaker 1: on Twitter says, conspiracy stuff. Please call your drunken after 827 00:50:46,120 --> 00:50:52,640 Speaker 1: show cons barrassy hashtag do it for the kids? What 828 00:50:54,360 --> 00:50:56,399 Speaker 1: have we decided that's a thing. I don't think we've 829 00:50:56,440 --> 00:50:59,800 Speaker 1: decided that yet, Ben, but you know we're we're definitely 830 00:51:00,760 --> 00:51:03,040 Speaker 1: it's a thinking about it. We're just trying to decide 831 00:51:03,080 --> 00:51:06,160 Speaker 1: whether we're going to record it or not. That's true. 832 00:51:06,800 --> 00:51:10,160 Speaker 1: I heard a funny Halloween beer pun last night. It 833 00:51:10,280 --> 00:51:15,239 Speaker 1: was would you'd care for a Miller fright? You know? 834 00:51:15,400 --> 00:51:21,720 Speaker 1: It is, after all the Shampain of fears. Oh wow, 835 00:51:22,680 --> 00:51:25,000 Speaker 1: I am so delighted. Thank you for bringing that into 836 00:51:25,040 --> 00:51:27,680 Speaker 1: my life. Yeah, my girlfriend told me that, and she'd 837 00:51:27,719 --> 00:51:29,879 Speaker 1: heard some friends say it. I'm not going to name names, 838 00:51:29,920 --> 00:51:33,239 Speaker 1: but shout out to Jess Bress and Uh and to 839 00:51:33,400 --> 00:51:36,120 Speaker 1: you as well, Ben Randall. We have not we have 840 00:51:36,239 --> 00:51:39,560 Speaker 1: not officially decided whether we're going to foray into recording this, 841 00:51:39,680 --> 00:51:43,560 Speaker 1: but we appreciate all the suggestions that we found on Twitter. 842 00:51:44,400 --> 00:51:46,879 Speaker 1: Who you know, people were asking us if we wanted 843 00:51:46,880 --> 00:51:48,719 Speaker 1: to film it. I don't know if we wanted to 844 00:51:48,800 --> 00:51:51,480 Speaker 1: record it, but I can't argue with a good pun, 845 00:51:51,600 --> 00:51:56,080 Speaker 1: and conspiracy is pretty solid, So thank you the Ben Randall. 846 00:51:56,480 --> 00:52:01,000 Speaker 1: Our final shout out goes to Damon from Indiana. Damon says, 847 00:52:01,040 --> 00:52:03,360 Speaker 1: I've been listening to every podcast so far, and I 848 00:52:03,440 --> 00:52:05,279 Speaker 1: have to say it's quite the feat to get to 849 00:52:05,360 --> 00:52:08,439 Speaker 1: the newer stuff. There's just so much of it. Well, 850 00:52:08,520 --> 00:52:12,200 Speaker 1: you're welcome, Damon, and sorry, but I do also have 851 00:52:12,320 --> 00:52:15,279 Speaker 1: a suggestion for you guys to research. I don't know 852 00:52:15,440 --> 00:52:17,080 Speaker 1: how easy it would be for you to do a 853 00:52:17,160 --> 00:52:20,200 Speaker 1: topic on this due to how mysterious it is. The 854 00:52:20,480 --> 00:52:23,759 Speaker 1: Great Attractor. Oh that's a good one, right. There are 855 00:52:23,840 --> 00:52:26,640 Speaker 1: so many speculations on what this thing could be. No 856 00:52:26,719 --> 00:52:29,320 Speaker 1: one really knows what it is other than a strange 857 00:52:29,320 --> 00:52:33,360 Speaker 1: anomaly that's pulling everything in the universe towards it. I 858 00:52:33,440 --> 00:52:35,239 Speaker 1: think it would be a cool episode, maybe fun for 859 00:52:35,320 --> 00:52:39,320 Speaker 1: you guys as well. We all love looking into deep space. Agreed. 860 00:52:40,400 --> 00:52:42,320 Speaker 1: Thank you for taking the time to read this. Guys, 861 00:52:42,400 --> 00:52:44,200 Speaker 1: keep doing all the awesome stuff you do for all 862 00:52:44,239 --> 00:52:46,440 Speaker 1: of us listeners. Oh that's really cool. Thank you Damon 863 00:52:46,680 --> 00:52:49,400 Speaker 1: and the Great Attractor. I don't know that I know 864 00:52:49,560 --> 00:52:53,000 Speaker 1: this besides maybe a supermassive black hole. Is that what 865 00:52:53,280 --> 00:52:56,160 Speaker 1: Damon's talking about? Or is it something even bigger? Some 866 00:52:56,280 --> 00:53:00,759 Speaker 1: other force. Right now, science is referring to it as 867 00:53:00,880 --> 00:53:05,560 Speaker 1: a gravitational anomaly. It's at the center of the Alanakia 868 00:53:05,760 --> 00:53:11,320 Speaker 1: super cluster, and it has it's a localized concentration of 869 00:53:11,440 --> 00:53:16,160 Speaker 1: mass that is tens of thousands of times more massive 870 00:53:16,200 --> 00:53:22,400 Speaker 1: than the entire Milky Way. Wow, so what's going on 871 00:53:22,560 --> 00:53:24,520 Speaker 1: with that? That does sound like a great idea for 872 00:53:24,560 --> 00:53:27,840 Speaker 1: an episode. Yes, we just need to get somebody on 873 00:53:27,960 --> 00:53:30,040 Speaker 1: the phone with us or in the studio. I think, 874 00:53:30,120 --> 00:53:35,919 Speaker 1: who can just go, here's the science, true and fair enough. 875 00:53:36,520 --> 00:53:38,680 Speaker 1: Thank you so much, Elena, Thank you so much the 876 00:53:38,840 --> 00:53:41,400 Speaker 1: Ben Randall, and of course thank you Damon. This concludes 877 00:53:41,440 --> 00:53:48,760 Speaker 1: our Ohs, but not our show. Matt Noel, super producer 878 00:53:48,800 --> 00:53:52,759 Speaker 1: Alex and I will be back next week with some 879 00:53:52,960 --> 00:53:56,160 Speaker 1: things that might surprise you, some things that might disturb you, 880 00:53:56,400 --> 00:54:00,000 Speaker 1: but definitely hopefully fascinate you as much as they fascinate 881 00:54:00,080 --> 00:54:02,160 Speaker 1: need us. So if you have any stories about ghost 882 00:54:02,280 --> 00:54:05,520 Speaker 1: lights or any other kind of paranormal activity, really we 883 00:54:05,680 --> 00:54:09,960 Speaker 1: love hearing that kind of stuff. Anything from psychics, you know, 884 00:54:10,239 --> 00:54:14,320 Speaker 1: maybe a premonition that somebody in your family had, or 885 00:54:14,360 --> 00:54:16,759 Speaker 1: somebody you know or maybe you had, all the way 886 00:54:16,880 --> 00:54:20,680 Speaker 1: to just a glowing red orb that appeared to you 887 00:54:21,719 --> 00:54:23,719 Speaker 1: on top of your cat once. I want to know 888 00:54:23,800 --> 00:54:26,400 Speaker 1: about that. I think these guys do too. He'll just 889 00:54:26,480 --> 00:54:30,120 Speaker 1: tell us about your cat. We're very interested in your 890 00:54:30,200 --> 00:54:32,920 Speaker 1: cat stories. Yes, especially if your cat sits on your 891 00:54:33,000 --> 00:54:36,120 Speaker 1: chest at night and tries to steal your breath. Why 892 00:54:36,160 --> 00:54:37,759 Speaker 1: you gotta make it all sinister, man, Why can't it 893 00:54:37,800 --> 00:54:40,719 Speaker 1: just be about the cats or a sweet, cute, little 894 00:54:40,880 --> 00:54:43,640 Speaker 1: katy cat that is only a serial murderer on the side. 895 00:54:43,880 --> 00:54:49,880 Speaker 1: As someone who is as someone who is unreasonably popular 896 00:54:50,000 --> 00:54:52,480 Speaker 1: with cats, I can say that I believe they are 897 00:54:52,520 --> 00:54:55,480 Speaker 1: inherently sinister. Me too. I don't love them. I don't 898 00:54:55,520 --> 00:54:58,160 Speaker 1: think that's a criticism. I agreed, I love them. Have 899 00:54:58,239 --> 00:55:01,560 Speaker 1: you guys seen that movie Cat People. Yeah, it's like 900 00:55:01,640 --> 00:55:04,360 Speaker 1: sort of like a skin a max, like like softcore 901 00:55:04,640 --> 00:55:11,280 Speaker 1: erotica film from the Eightiesway, oh, I'm you're thinking of cats. 902 00:55:11,360 --> 00:55:15,160 Speaker 1: I was thinking of Sleepwalkers. That was later cat People. 903 00:55:15,200 --> 00:55:17,319 Speaker 1: I think in Sleepwalkers are very similar. They're basically about, 904 00:55:17,600 --> 00:55:20,400 Speaker 1: you know, these very sexy people in the eighties that 905 00:55:20,520 --> 00:55:23,000 Speaker 1: turned into cats. Wow. I only bring it up because 906 00:55:23,040 --> 00:55:25,720 Speaker 1: we're talking about cats and sinister things, and I recently 907 00:55:25,760 --> 00:55:29,319 Speaker 1: bought the soundtrack and it rules. It's Georgio Moroder does 908 00:55:29,400 --> 00:55:32,480 Speaker 1: the score and that's got the Like the Cat People. 909 00:55:32,960 --> 00:55:36,239 Speaker 1: UM title track is by David Bowie and it was 910 00:55:36,320 --> 00:55:39,800 Speaker 1: featured in that scene in UM Inglorious Bastards where the 911 00:55:39,960 --> 00:55:43,520 Speaker 1: character sets a fire. I'm not gonna do any spoilers, 912 00:55:43,640 --> 00:55:46,280 Speaker 1: but there's a really intense Bowie track and that's totally 913 00:55:46,320 --> 00:55:49,880 Speaker 1: like the theme to Cat People. Wow, start a fire 914 00:55:50,040 --> 00:55:56,040 Speaker 1: with guesso. And what better way to inspire you to 915 00:55:56,239 --> 00:56:00,920 Speaker 1: write to us? I cannot imagine a better note, musical 916 00:56:01,120 --> 00:56:05,680 Speaker 1: or conceptual to set you on your digital journey while 917 00:56:05,719 --> 00:56:08,920 Speaker 1: you're on the internet. You can also find us on Instagram, 918 00:56:09,040 --> 00:56:11,239 Speaker 1: and you can find us on Facebook, and you can 919 00:56:11,320 --> 00:56:17,960 Speaker 1: find us on Twitter and not tumbler. Tumbler. Yeah, we're 920 00:56:18,000 --> 00:56:20,480 Speaker 1: conspiracy stuff on most of those or conspiracy stuff show. 921 00:56:20,560 --> 00:56:22,480 Speaker 1: Just typing in you'll find us. If you don't want 922 00:56:22,520 --> 00:56:24,600 Speaker 1: to do any of the social media, just send us 923 00:56:24,600 --> 00:56:28,279 Speaker 1: an email. We will get it. We are conspiracy at 924 00:56:28,360 --> 00:56:52,520 Speaker 1: HowStuffWorks dot com. And that's the end of this classic episode. 925 00:56:52,640 --> 00:56:56,440 Speaker 1: If you have any thoughts or questions about this episode, 926 00:56:56,840 --> 00:56:58,919 Speaker 1: you can get into contact with us in a number 927 00:56:58,920 --> 00:57:00,920 Speaker 1: of different ways. One of the best is to give 928 00:57:01,000 --> 00:57:03,520 Speaker 1: us a call. Our number is one eight three three 929 00:57:03,880 --> 00:57:07,000 Speaker 1: stdwy t K. If you don't want to do that, 930 00:57:07,400 --> 00:57:09,680 Speaker 1: you can send us a good old fashioned email. We 931 00:57:09,840 --> 00:57:19,200 Speaker 1: are conspiracy at iHeartRadio dot com. For more podcasts from iHeartRadio, 932 00:57:19,360 --> 00:57:22,600 Speaker 1: visit the iHeartRadio app, Apple Podcasts, or wherever you listen 933 00:57:22,680 --> 00:57:23,560 Speaker 1: to your favorite shows.