WEBVTT - UnEasy Rider

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<v Speaker 1>It's nine O gene one Old Jane with Jenny Garth

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<v Speaker 1>and Tory spelling.

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<v Speaker 2>We're back here. We are another week.

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<v Speaker 1>O MG, hello ladies, Hello, lovely ladies. So happy January.

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<v Speaker 1>It's still January. Dry January? Is it dry January or

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<v Speaker 1>no shaved January? I'm so confused.

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<v Speaker 3>Oh my gosh, I didn't know about that second thing.

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<v Speaker 1>Well, isn't there like a no shave month? Because I'm

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<v Speaker 1>in it, so hopefully it's January.

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<v Speaker 2>She's not even hairy. Guys, that's not saying much. You know,

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<v Speaker 2>there's like holidays that don't exist that people create, and

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<v Speaker 2>every day is in national something. Yeah, so what else

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<v Speaker 2>could it be? Anything? We want it to be? No

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<v Speaker 2>shave January? No, oh, no shave. I don't like no,

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<v Speaker 2>but I like you, like a fresh shame be anything

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<v Speaker 2>like on the daily.

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<v Speaker 1>Amy, like every day.

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<v Speaker 2>No blow dry January?

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<v Speaker 4>Amy, Well, I have that right now. But I shave

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<v Speaker 4>every day. I don't like.

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<v Speaker 1>Oh my god, you are an inspiration woman.

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<v Speaker 4>I wash my hair every day too.

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<v Speaker 1>I used to be like you.

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<v Speaker 2>I was never like either.

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<v Speaker 1>Oh no, that's a lot of work though, y'all.

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<v Speaker 4>Man, It's kind of like my meditation blow drying my hair,

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<v Speaker 4>though I really like it, just sort of calms me.

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<v Speaker 2>It's a good workout.

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<v Speaker 3>I still don't have children. You guys, you.

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<v Speaker 1>Got a little extra me time in the bathroom. Maybe

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<v Speaker 1>you can share it with both of us.

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<v Speaker 2>But to your point about January, Jen, I was told

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<v Speaker 2>that after January seventh you can't say Happy New Year?

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<v Speaker 3>Is this true?

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<v Speaker 1>Oh? Oops?

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<v Speaker 2>Wait, I know what's the day after January seventh?

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<v Speaker 4>So yeah, when do we have to take our Christmas

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<v Speaker 4>lights down?

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<v Speaker 3>I've not been by yet that happened.

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<v Speaker 1>I think that's January sixth.

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<v Speaker 4>Yeah, I haven't finished.

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<v Speaker 2>I'm not Kiddington won't be surprised at this that I

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<v Speaker 2>think the longest I've had mine up I think April

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<v Speaker 2>one year taking down. I'm not kidding. Well, they're fun.

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<v Speaker 1>I sad when you take your Christmas Life's stay sad

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<v Speaker 1>because then you have to wait a whole nother year

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<v Speaker 1>for that like excitement you feel when you look at

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<v Speaker 1>them in at night. They're just so fun and exciting.

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<v Speaker 4>I love them these days with white too, because during

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<v Speaker 4>COVID everybody used all those white lights, you know, so

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<v Speaker 4>they could be outside. More So these days, if you

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<v Speaker 4>have white it's kind of like, yeah, they're like just

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<v Speaker 4>lights for their yard.

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<v Speaker 2>I was embarrassed one time and someone came over and

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<v Speaker 2>they were like, this was February. They were like, why

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<v Speaker 2>is it still up? And I was like, oh, because

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<v Speaker 2>it's going to be a holiday tree and I'm going

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<v Speaker 2>to turn it into Valentine's. It's good a few days.

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<v Speaker 2>And then it was still up months later, and it's

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<v Speaker 2>going to be Saint Patrick's Day now. And then I

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<v Speaker 2>was like, yes, screwed. I'm just lazy. I haven't taken

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<v Speaker 2>it down.

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<v Speaker 1>I know it's about lazy, but also my mom she

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<v Speaker 1>wants to keep her tree up all the time, and

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<v Speaker 1>she lives in a really tiny little house and it

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<v Speaker 1>takes up most of the living room. But I was like,

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<v Speaker 1>on one hand, letter it brings her joy, but on

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<v Speaker 1>the other hand, like what about the joy you get

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<v Speaker 1>when it's Christmas time and you have your tree up

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<v Speaker 1>in that like moment of like, oh, it's the holidays

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<v Speaker 1>and it's exciting, you know.

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<v Speaker 4>Shall we talk about this? Jason Priestley directed episode.

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<v Speaker 1>Oh my god, Amy so excited. Okay, let's talk about it.

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<v Speaker 1>She said, yeah. Season five, episodes seventeen, Sweating It out

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<v Speaker 1>Aired January eleventh, nineteen ninety four.

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<v Speaker 2>Synopsis Brandon Dylan hit the road, but also hit a

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<v Speaker 2>few emotional speed bumps and a run in with tribal police.

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<v Speaker 2>Kelly is impressed with a workshop hosted by her psych

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<v Speaker 2>professor Donna Channel's football legend Vince Plombardi, to give Ray

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<v Speaker 2>a pregame pep talk. Steve is, being petty per usual,

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<v Speaker 2>finally makes up with his pop. Oh the football of

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<v Speaker 2>it all.

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<v Speaker 3>The whole thing is ridiculous and amazing.

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<v Speaker 1>Wait what about the football of it all? What you're

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<v Speaker 1>talking about?

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<v Speaker 3>Willis going, Ray, Okay, you're like the quarterback.

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<v Speaker 1>Yeah right, that you're Lombardi.

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<v Speaker 3>But it was just like Ray doesn't really seem like

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<v Speaker 3>a football.

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<v Speaker 1>Guy, right, right, like or Donna right.

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<v Speaker 4>And I love when like Steve says Bence Lombardi and

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<v Speaker 4>you're like kind of confused, and then you're like, I've

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<v Speaker 4>got it, by George, I've got.

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<v Speaker 3>It, And then like we come back with that like

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<v Speaker 3>shock ward.

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<v Speaker 2>I was like, and did it really help him?

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<v Speaker 1>I'm curious because we didn't see him perform in this episode.

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<v Speaker 2>Every time we sing sins cut now, that was really bad.

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<v Speaker 2>The second time, I.

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<v Speaker 4>Believe yes, the second time Ray.

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<v Speaker 2>Has performed and they've just cut it huge on the

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<v Speaker 2>back of the car, Donna, he was gonna yea.

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<v Speaker 4>This one was particularly awkward because it was like the

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<v Speaker 4>whole storyline that was not paid off.

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<v Speaker 2>I remember sitting there at peachprit after Dark Wing, like

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<v Speaker 2>he was singing to me like he like nails right.

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<v Speaker 4>Like I just remember it, like worked your dumb Lombardi

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<v Speaker 4>stuff and he goes out and crushes it right like.

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<v Speaker 2>Yeah, but they had to cut a whole scene of

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<v Speaker 2>him performing and showing us and like all of it's

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<v Speaker 2>on not just him on stage, like so bad.

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<v Speaker 1>I think I forgot to tell you that this episode,

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<v Speaker 1>as you mentioned already, is directed by Jason Priestley and

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<v Speaker 1>written by Chip Johanson. Definitely a guy's episode.

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<v Speaker 4>Yes, it feels like it was written by Jason Priestley.

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<v Speaker 4>All of his episodes like have that sort of corny

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<v Speaker 4>like like.

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<v Speaker 1>Like yeah, yeah, he had some bitching like Motorcycle Show,

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<v Speaker 1>like you know, I'm sure he had a little fun

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<v Speaker 1>with that. And why is it that whenever he directs

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<v Speaker 1>an episode, everybody gets to go on location but.

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<v Speaker 2>Us because with that new contract, I don't know, like

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<v Speaker 2>why didn't think that.

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<v Speaker 1>No, we didn't get to go anywhere. He got to

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<v Speaker 1>go on this cool camping trip to this every time,

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<v Speaker 1>You're right, how.

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<v Speaker 4>Much of the riding were they doing, Because they were

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<v Speaker 4>doing some I like really tried to be egalized about it.

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<v Speaker 1>I think that was all of them, all of them

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<v Speaker 1>because and here's why if they did go on this location, shoot,

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<v Speaker 1>you know, it was a skeleton crew, which means it

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<v Speaker 1>was just like a few of the top members of

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<v Speaker 1>the crew and the guys and I don't know if

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<v Speaker 1>I just feel like that was all them. And they

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<v Speaker 1>both were riders. They both rode motorcycles.

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<v Speaker 3>Wow, Wow, that makes it even more awesome.

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<v Speaker 2>But I'm just trying to think, like liability wise, would

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<v Speaker 2>they have let that hot or J Yeah, I'm we're here.

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<v Speaker 1>It's just that we're d I don't need stuntman. We

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<v Speaker 1>can do this.

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<v Speaker 4>It also seemed like they became bfs sort of okay,

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<v Speaker 4>like they've had all these problems and all of a sudden,

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<v Speaker 4>the Mustang pulls up and there's the big and we're

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<v Speaker 4>going to trip with me. Yeah, okay.

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<v Speaker 1>But I did like appreciate that this storyline was just

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<v Speaker 1>the two babes, you know, looking hot and riding a motorcycle,

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<v Speaker 1>but acting like deviant little pigs with the waitress.

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<v Speaker 3>Okay, god.

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<v Speaker 2>Pigs.

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<v Speaker 3>That that was so.

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<v Speaker 1>That that would not work today obviously, just the way

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<v Speaker 1>that that, let's say Dylan looks at the girl that's

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<v Speaker 1>their server. It was so unsettling for me, so like,

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<v Speaker 1>literally did they.

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<v Speaker 4>Stay all eat your pie like something so gratuitous?

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<v Speaker 2>Yeah, oven in your pie.

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<v Speaker 1>The pie was in her little oven. Oh yes, and

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<v Speaker 1>they wanted to see in her little oven. It was

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<v Speaker 1>really gross. This felt like in the moment little add ons.

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<v Speaker 1>I don't know if that would have ever.

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<v Speaker 4>Scract It was oh yeah, taken, and then she goes

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<v Speaker 4>take a number. He's a mercy like John Stamos. It

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<v Speaker 4>was like, what is happening? That was so prevalent, like

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<v Speaker 4>back in the seventies, especially.

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<v Speaker 1>The sort of sexualizing women. Yes, in the seventies, eighties, nineties,

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<v Speaker 1>two thousands.

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<v Speaker 4>I was watching an old movie from the seventies called

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<v Speaker 4>Airport nineteen seventies seven ors and they are nineteen seventy

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<v Speaker 4>five and they are just all over the at the

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<v Speaker 4>time called Stewardess flight attendant, and I was like, it's jarring.

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<v Speaker 1>It's jarring, isn't it? Because things are so different now.

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<v Speaker 1>I mean, in my mind they're really different. I don't

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<v Speaker 1>know if it's always like that, but where I wherever

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<v Speaker 1>I go, that's it's different. Like I have a different

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<v Speaker 1>standard of the way I should be treated, the way

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<v Speaker 1>other women should be treated, and there's no great area

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<v Speaker 1>for me.

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<v Speaker 3>So I love a flirt. I'm not gonna lie.

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<v Speaker 4>I love a flirt. A flirt with the waitress, fine,

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<v Speaker 4>but what they were.

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<v Speaker 1>Doing was and sensual flirting whatever.

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<v Speaker 2>Yeah, but that was a little but not yeah, demeaning,

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<v Speaker 2>like yeah, yeah, AnyWho.

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<v Speaker 3>And then they start fighting kind of right after.

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<v Speaker 1>That, like.

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<v Speaker 4>You know, over you.

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<v Speaker 1>I guess it's basically Kelly driven, is it just that's

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<v Speaker 1>kind of like the backbone of their But they had

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<v Speaker 1>drifted before the whole Kelly of it all.

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<v Speaker 3>Yeah, they grew up.

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<v Speaker 1>Dylan started to go down his addict road.

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<v Speaker 4>Yeah, which rightfully, so like Brandon doesn't have to be

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<v Speaker 4>best friends with the guy who's totally an unhinged drug addict,

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<v Speaker 4>you know what I mean?

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<v Speaker 3>Like that's okay.

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<v Speaker 1>What about when they were standing like nose to nose?

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<v Speaker 1>I love I love those scenes when no one ever

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<v Speaker 1>talks this close to another human being. I've never even

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<v Speaker 1>like talk to my husband or my kids this close.

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<v Speaker 1>Isn't this weird?

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<v Speaker 2>I've definitely gotten that close to you. You can't even

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<v Speaker 2>see when you're there, and then you say like you're like.

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<v Speaker 1>Yeah, whoa, whoa, whoa, whoa. This is my dance space,

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<v Speaker 1>that's your dance space.

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<v Speaker 4>I would be so overwhelmed by the breath if someone

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<v Speaker 4>was that close to me, I'd.

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<v Speaker 2>Be like, that's right.

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<v Speaker 1>When you see a scene where they're so close, you're like, wow,

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<v Speaker 1>I wonder if they had stinky breaths and they just

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<v Speaker 1>like sucked it up for the scene. They got through it.

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<v Speaker 4>Oh the ping? Can we talk about the pen But

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<v Speaker 4>the fake ping? First of all, it wasn't even was acting.

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<v Speaker 4>It wasn't good pee acting.

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<v Speaker 1>I'm going to go out on a limb and say

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<v Speaker 1>it was real. Knowing those two guys.

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<v Speaker 4>It was so fake when they zip up.

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<v Speaker 1>Maybe from the back angle, From the back angle it

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<v Speaker 1>was probably real, okay, But from the front angle, yeah,

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<v Speaker 1>the whole shake it and then you shake it and

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<v Speaker 1>you scoop it in your pants.

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<v Speaker 2>Is that? Oh my gosh, I keep going, I really

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<v Speaker 2>wanted to watch that closely because it seemed very fake

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<v Speaker 2>pee acting for me.

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<v Speaker 4>And when they when when Luke Perry zips up, it

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<v Speaker 4>was like already zipped because he kind of went up

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<v Speaker 4>and you could see his jeans and I'm like, you

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<v Speaker 4>just zipped up zipped pants.

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<v Speaker 1>So this is your bad pe acting, got it?

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<v Speaker 4>Would they really get that?

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<v Speaker 3>In trouble writing?

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<v Speaker 1>The driver's license ever made of paper? Like that?

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<v Speaker 2>Is that?

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<v Speaker 4>Wait?

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<v Speaker 1>I'm trying to remember what my driver's license was made

0:12:23.800 --> 0:12:27.280
<v Speaker 1>of in nineteen ninety four, and there's no world in

0:12:27.280 --> 0:12:28.200
<v Speaker 1>which it was paper.

0:12:29.520 --> 0:12:30.760
<v Speaker 4>Wait, it was.

0:12:31.040 --> 0:12:35.600
<v Speaker 2>It was. It was not paper like what's that printed?

0:12:36.320 --> 0:12:39.680
<v Speaker 1>It was sort of card stock like past porty material

0:12:40.679 --> 0:12:44.200
<v Speaker 1>like paper that doesn't rip therase. No, I don't know.

0:12:44.240 --> 0:12:46.960
<v Speaker 4>I'll admit something. And why I don't think it was.

0:12:48.120 --> 0:12:51.040
<v Speaker 4>It's okay because people would have made if it was

0:12:51.080 --> 0:12:54.880
<v Speaker 4>on paper, people would have made so many fake id's.

0:12:55.440 --> 0:12:57.480
<v Speaker 1>Is this xerox copy that right?

0:12:57.600 --> 0:13:01.600
<v Speaker 4>Like, there's no way. It definitely was and on paper,

0:13:01.720 --> 0:13:03.480
<v Speaker 4>but it wasn't what it is now.

0:13:03.760 --> 0:13:06.120
<v Speaker 2>It was almost the quality of like a picture, like

0:13:06.160 --> 0:13:08.600
<v Speaker 2>a photo, like yes, yes, what I say?

0:13:09.240 --> 0:13:11.640
<v Speaker 1>It really pulled me out. It pulled me out people.

0:13:14.000 --> 0:13:16.079
<v Speaker 1>The peeing. The peeing moment pulled you out of me.

0:13:17.200 --> 0:13:19.200
<v Speaker 1>Just license paper for me out.

0:13:21.200 --> 0:13:22.280
<v Speaker 2>But yeah, I.

0:13:22.240 --> 0:13:24.839
<v Speaker 1>Mean, in what world are they going to get work

0:13:24.960 --> 0:13:30.400
<v Speaker 1>duty because they peed on the side of the ancient burial.

0:13:30.920 --> 0:13:36.160
<v Speaker 4>Also, not no disrespect, but if a police officer told

0:13:36.200 --> 0:13:37.600
<v Speaker 4>me to dig a hole.

0:13:37.480 --> 0:13:41.800
<v Speaker 1>I'd be like, no, I might be like, it's going.

0:13:41.600 --> 0:13:44.160
<v Speaker 4>On, Like, am I digging a hole that you're gonna

0:13:44.559 --> 0:13:45.719
<v Speaker 4>Am I gonna die out here?

0:13:45.880 --> 0:13:49.560
<v Speaker 1>Like I would think that you would think that, of course, Like,

0:13:51.640 --> 0:13:53.120
<v Speaker 1>I don't know. It was just I just thought it

0:13:53.160 --> 0:13:56.280
<v Speaker 1>was real stupid, the whole pulling them peeing.

0:13:56.080 --> 0:13:59.160
<v Speaker 3>Dig a hole and then making dig a hole and

0:13:59.280 --> 0:13:59.680
<v Speaker 3>all with this.

0:14:00.400 --> 0:14:05.680
<v Speaker 1>Oh that was so profound. Amy make sure it's wait,

0:14:05.720 --> 0:14:08.760
<v Speaker 1>he goes, make sure it's this and the sides are

0:14:08.800 --> 0:14:12.800
<v Speaker 1>like this, yeah, the bottom's like this inside Like what

0:14:12.840 --> 0:14:13.480
<v Speaker 1>does that mean?

0:14:13.520 --> 0:14:13.800
<v Speaker 2>Though?

0:14:14.280 --> 0:14:14.800
<v Speaker 4>Yeah?

0:14:14.920 --> 0:14:16.720
<v Speaker 3>Is that so they can get in there and sweat?

0:14:18.640 --> 0:14:19.040
<v Speaker 2>I don't know.

0:14:19.080 --> 0:14:21.680
<v Speaker 1>I think it was just him having a little fun

0:14:21.720 --> 0:14:22.680
<v Speaker 1>with them.

0:14:24.080 --> 0:14:25.960
<v Speaker 2>None of this bothers me because we got to see

0:14:25.960 --> 0:14:28.880
<v Speaker 2>both them their shirts off, so I'm une cool with that.

0:14:29.080 --> 0:14:29.840
<v Speaker 4>They looked great.

0:14:30.240 --> 0:14:32.720
<v Speaker 1>Wait wait, wait, wait, okay, go back to the digging though,

0:14:32.720 --> 0:14:38.440
<v Speaker 1>because Dylan is not a very good digger huh, for

0:14:38.520 --> 0:14:43.080
<v Speaker 1>the record, and the other one.

0:14:43.000 --> 0:14:45.160
<v Speaker 4>Was supposed to observe like it was, so what kind

0:14:45.160 --> 0:14:46.840
<v Speaker 4>of lesson what was going on?

0:14:47.240 --> 0:14:53.840
<v Speaker 1>He was teaching them to despite their adversities, their obstacles,

0:14:53.920 --> 0:15:00.680
<v Speaker 1>to work together somehow and figure it out together. That's

0:15:00.720 --> 0:15:01.200
<v Speaker 1>what I thought.

0:15:02.760 --> 0:15:04.720
<v Speaker 4>We go back to their fight for a second too,

0:15:04.760 --> 0:15:09.800
<v Speaker 4>in the motel room. The sassy, sassy sass of their fight.

0:15:10.040 --> 0:15:14.880
<v Speaker 5>It was so like a pokey I could collar back.

0:15:15.280 --> 0:15:15.520
<v Speaker 4>Yeah.

0:15:15.600 --> 0:15:18.440
<v Speaker 2>I like when Dylan gets like that though, But is

0:15:18.440 --> 0:15:20.360
<v Speaker 2>that how guys have a little fight?

0:15:21.400 --> 0:15:23.360
<v Speaker 4>No, who guys fight over?

0:15:23.520 --> 0:15:25.560
<v Speaker 3>I just don't think they fight over a girl.

0:15:25.360 --> 0:15:29.080
<v Speaker 4>Like that, especially like if they've decided to go right, Yeah,

0:15:29.520 --> 0:15:31.640
<v Speaker 4>like on a road trip, they're gonna be drinking beers

0:15:31.760 --> 0:15:35.920
<v Speaker 4>and like watching something on that television. They're not discussing

0:15:36.480 --> 0:15:38.880
<v Speaker 4>the phone call or like, oh, we see waited until

0:15:38.880 --> 0:15:40.400
<v Speaker 4>I got in the shower and a collar.

0:15:41.720 --> 0:15:46.080
<v Speaker 1>Do you think they were naked in that sweat lunch hope?

0:15:46.160 --> 0:15:46.960
<v Speaker 2>I'd like to think so.

0:15:47.280 --> 0:15:50.760
<v Speaker 1>Yeah, me too, because it was really unclear. So yeah,

0:15:50.760 --> 0:15:52.440
<v Speaker 1>I decided in my mind they were naked.

0:15:52.800 --> 0:15:55.760
<v Speaker 2>Yeah. I tried to zoom in on my phone to watch.

0:15:56.960 --> 0:15:58.840
<v Speaker 1>But they looked pretty funny. Have you ever done a

0:15:58.840 --> 0:16:01.000
<v Speaker 1>sweat lunch, either of you?

0:16:01.040 --> 0:16:01.800
<v Speaker 4>No? I don't.

0:16:01.880 --> 0:16:04.160
<v Speaker 3>I don't think I've ever been in a saana.

0:16:03.840 --> 0:16:06.600
<v Speaker 2>Like a steam Really wait, you've done a sweat lodge.

0:16:07.360 --> 0:16:08.400
<v Speaker 1>I've done a sweat lodge.

0:16:08.480 --> 0:16:10.320
<v Speaker 4>And whoa, how was it?

0:16:10.320 --> 0:16:15.360
<v Speaker 1>It's amazing how it's tense. It's it's sweaty, y'all, and

0:16:15.400 --> 0:16:16.920
<v Speaker 1>it's hot and sweaty.

0:16:17.160 --> 0:16:19.200
<v Speaker 3>And are you trapped or can you get out?

0:16:19.680 --> 0:16:22.280
<v Speaker 1>You can get out the flaps of the tepee or

0:16:22.800 --> 0:16:27.560
<v Speaker 1>whatever the skin you're under. Not No, you would have

0:16:27.600 --> 0:16:31.520
<v Speaker 1>died three minutes into it. You would have just died,

0:16:31.680 --> 0:16:33.520
<v Speaker 1>and that we would have put you in a big hole.

0:16:33.720 --> 0:16:40.240
<v Speaker 1>That would have been that I did it. I don't

0:16:40.280 --> 0:16:44.560
<v Speaker 1>even remember where. That was, somewhere in the Palm springsy

0:16:44.640 --> 0:16:49.520
<v Speaker 1>desert y area like Joshua Tree. Yeah, this was many

0:16:49.560 --> 0:16:50.120
<v Speaker 1>moons ago.

0:16:50.320 --> 0:16:53.160
<v Speaker 2>Cool. I like the idea of it.

0:16:53.600 --> 0:16:55.160
<v Speaker 1>Yeah, and we all howled like.

0:16:55.240 --> 0:16:59.440
<v Speaker 4>Woah that I can't do that kind of thing.

0:16:59.560 --> 0:17:01.640
<v Speaker 1>Oh, it's fun. I was with a bunch of strangers.

0:17:02.160 --> 0:17:04.200
<v Speaker 3>Oh gosh, even more so.

0:17:04.040 --> 0:17:06.040
<v Speaker 1>I can't do that, friend, and then a bunch of

0:17:06.080 --> 0:17:09.320
<v Speaker 1>people I didn't know it was pretty cool. Oh my god,

0:17:09.040 --> 0:17:09.600
<v Speaker 1>I do that.

0:17:09.640 --> 0:17:11.600
<v Speaker 4>I can't do like howling or like.

0:17:11.920 --> 0:17:13.600
<v Speaker 1>You could do it, but I don't think you would

0:17:13.720 --> 0:17:17.440
<v Speaker 1>enjoy the rights the temperature situation.

0:17:20.040 --> 0:17:22.119
<v Speaker 4>I don't know. Group activities kind of challenge me, like

0:17:22.119 --> 0:17:26.120
<v Speaker 4>when everyone's like move your arms like this and I'm like.

0:17:26.160 --> 0:17:32.400
<v Speaker 1>Super anxious that right, Oh that's funny. Have you done

0:17:32.440 --> 0:17:35.639
<v Speaker 1>a lot of group like group things like that.

0:17:35.640 --> 0:17:35.880
<v Speaker 2>Like.

0:17:37.960 --> 0:17:43.159
<v Speaker 4>Healing like no.

0:17:41.960 --> 0:17:45.639
<v Speaker 1>Rehabby meetings or I don't know, like you gotta just

0:17:45.720 --> 0:17:46.200
<v Speaker 1>jump in.

0:17:46.520 --> 0:17:50.040
<v Speaker 2>Aren't there like team team things bonding corporate?

0:17:50.840 --> 0:17:52.480
<v Speaker 3>Oh yeah, I don't like those kind of things.

0:17:52.720 --> 0:17:55.520
<v Speaker 2>Like my heart's never done like a team like team

0:17:55.760 --> 0:17:58.000
<v Speaker 2>thing where you do those things like and you fall back.

0:17:57.840 --> 0:18:00.560
<v Speaker 1>And know one rope or is that just rope challenge?

0:18:00.640 --> 0:18:02.840
<v Speaker 2>That was just a little vernon Shirley. Where is that?

0:18:03.400 --> 0:18:05.160
<v Speaker 4>I'm like, oh, I can't make it.

0:18:05.320 --> 0:18:08.840
<v Speaker 1>We should have that for all the podcasts.

0:18:10.080 --> 0:18:10.399
<v Speaker 2>Come on.

0:18:12.880 --> 0:18:15.440
<v Speaker 1>I want to see I want to see that every

0:18:15.440 --> 0:18:15.960
<v Speaker 1>time there was a.

0:18:18.160 --> 0:18:23.439
<v Speaker 4>Team bonding thank you?

0:18:23.480 --> 0:18:23.640
<v Speaker 2>No?

0:18:24.080 --> 0:18:26.080
<v Speaker 4>Yes, right, Everyone's like can I not?

0:18:26.920 --> 0:18:27.080
<v Speaker 2>Can?

0:18:27.119 --> 0:18:29.760
<v Speaker 4>I just not? Okay?

0:18:29.800 --> 0:18:32.040
<v Speaker 3>Wait, So here's my question for you guys. Yes, focusing

0:18:32.080 --> 0:18:32.480
<v Speaker 3>on this.

0:18:32.440 --> 0:18:36.119
<v Speaker 4>Storyline, do you are you? Did you enjoy it.

0:18:36.119 --> 0:18:38.400
<v Speaker 1>It's always enjoyable. When they get out of Dodge, they

0:18:38.440 --> 0:18:40.840
<v Speaker 1>go on a little trip. You see some new things.

0:18:41.320 --> 0:18:45.440
<v Speaker 1>There's a new energy in the scenes. You know that's

0:18:45.440 --> 0:18:48.119
<v Speaker 1>not normal. I like that part of it, but I

0:18:48.119 --> 0:18:50.560
<v Speaker 1>didn't really the storyline was so thin and weird and

0:18:51.400 --> 0:18:56.000
<v Speaker 1>like manipulated and sweat lodge. What this was like? Huh

0:18:56.240 --> 0:18:57.000
<v Speaker 1>what am I watching?

0:18:57.880 --> 0:19:00.600
<v Speaker 2>Yeah? Yeah, I liked seeing Dylan and rand in like

0:19:01.359 --> 0:19:04.639
<v Speaker 2>the two of them. Yeah, and you know, facing the

0:19:04.720 --> 0:19:08.320
<v Speaker 2>Luke was interacting. But yeah, other than that, the storyline,

0:19:08.480 --> 0:19:09.680
<v Speaker 2>I could have done What's.

0:19:09.480 --> 0:19:12.359
<v Speaker 1>Out it was.

0:19:12.480 --> 0:19:13.320
<v Speaker 3>Yeah, it was so weird.

0:19:13.400 --> 0:19:13.719
<v Speaker 4>I was.

0:19:13.920 --> 0:19:15.040
<v Speaker 3>I was pretty into it.

0:19:15.040 --> 0:19:17.919
<v Speaker 4>It was so weird. I was like, this is so

0:19:20.400 --> 0:19:23.919
<v Speaker 4>with so many like sort of story flaws. But I

0:19:23.960 --> 0:19:26.360
<v Speaker 4>was like, I'm loving every minute of it.

0:19:26.960 --> 0:19:29.639
<v Speaker 1>There was so much flannel in this episode. Did you

0:19:29.720 --> 0:19:33.360
<v Speaker 1>notice every character was wearing a flannel at some point.

0:19:33.400 --> 0:19:36.400
<v Speaker 3>I think Dylan was wearing like a tight leather jacket that.

0:19:36.400 --> 0:19:40.000
<v Speaker 1>I was like a motive, it was like a jacket.

0:19:40.040 --> 0:19:44.439
<v Speaker 4>Yet, Yeah, was super stoked on it was into that one.

0:19:45.000 --> 0:19:45.959
<v Speaker 4>You didn't.

0:19:46.680 --> 0:19:49.800
<v Speaker 2>I just felt like it felt new, which was surprising

0:19:49.840 --> 0:19:53.200
<v Speaker 2>for like Dylan, Like it didn't.

0:19:52.480 --> 0:19:55.680
<v Speaker 1>Ride his motorcycle and a denim jacket, right, No.

0:19:55.760 --> 0:19:59.160
<v Speaker 2>But like it didn't look like a worn in motorcycle diet,

0:19:59.440 --> 0:19:59.720
<v Speaker 2>you know what I.

0:19:59.760 --> 0:20:03.040
<v Speaker 1>Mean, fresh off the rack? Remember when the peach Pit

0:20:03.119 --> 0:20:07.879
<v Speaker 1>after Dark? I would never liked that set whenever we

0:20:07.960 --> 0:20:11.320
<v Speaker 1>would shoot on it, it just felt big and cavernous

0:20:11.440 --> 0:20:18.280
<v Speaker 1>and cold, like the everywhere you look it's like flat.

0:20:18.359 --> 0:20:21.360
<v Speaker 1>I hated it. I never like shooting in there and I, oh, wow,

0:20:21.640 --> 0:20:23.600
<v Speaker 1>I didn't. I don't like the way it looks on camera.

0:20:24.080 --> 0:20:26.040
<v Speaker 1>I don't feel like I want to go to that place.

0:20:26.280 --> 0:20:29.840
<v Speaker 3>Oh that's interesting, hmmm, Like it doesn't feel like a

0:20:29.880 --> 0:20:30.800
<v Speaker 3>cool club too.

0:20:31.200 --> 0:20:32.560
<v Speaker 1>It always felt like a miss for me.

0:20:33.760 --> 0:20:37.359
<v Speaker 2>I agree with that. The sets like and we know

0:20:37.440 --> 0:20:44.720
<v Speaker 2>because we had to recreate it for BH, Like it's yeah,

0:20:44.720 --> 0:20:45.480
<v Speaker 2>it wasn't great.

0:20:45.960 --> 0:20:48.240
<v Speaker 6>I would go to the peach Pit, like, if they're

0:20:48.240 --> 0:20:50.200
<v Speaker 6>going to make it after dark, if they're going to

0:20:50.320 --> 0:20:53.760
<v Speaker 6>make a place like and they have that much space

0:20:53.840 --> 0:20:58.480
<v Speaker 6>and all Rush's money, Like, why wouldn't they do something cooler?

0:20:58.560 --> 0:20:59.919
<v Speaker 1>I don't know, I'm wondering.

0:21:00.080 --> 0:21:01.560
<v Speaker 4>Back then, I think I thought it was cool.

0:21:02.040 --> 0:21:04.560
<v Speaker 2>Maybe is it because it was the nineties, Like, yeah,

0:21:04.600 --> 0:21:05.480
<v Speaker 2>I don't know, it.

0:21:05.320 --> 0:21:08.320
<v Speaker 1>Was like it was like one of those night at

0:21:08.359 --> 0:21:10.760
<v Speaker 1>the Roxbury kind of clubs.

0:21:10.920 --> 0:21:14.040
<v Speaker 2>I wander like the moving board or the inspo, like

0:21:14.440 --> 0:21:16.280
<v Speaker 2>what were the They were like, oh, so it's going

0:21:16.320 --> 0:21:18.120
<v Speaker 2>to be like this vibe this La.

0:21:18.480 --> 0:21:18.679
<v Speaker 4>You know.

0:21:18.720 --> 0:21:21.720
<v Speaker 2>Someone was like, oh, copy Bar One or copy the Rocks.

0:21:21.800 --> 0:21:23.680
<v Speaker 4>Yeah, yeah, exactly exactly.

0:21:24.320 --> 0:21:25.399
<v Speaker 3>It does have that vibe.

0:21:25.440 --> 0:21:29.080
<v Speaker 4>It's very nineties and those clubs because you always wanted

0:21:29.080 --> 0:21:32.080
<v Speaker 4>to get in, Like I remember before I lived in LA,

0:21:32.160 --> 0:21:34.040
<v Speaker 4>like going down to LA during college and being like,

0:21:34.040 --> 0:21:36.119
<v Speaker 4>I hope we can get in to this.

0:21:36.240 --> 0:21:38.200
<v Speaker 3>Blah blah blah club and then you get.

0:21:38.000 --> 0:21:41.359
<v Speaker 1>It, like it's just a big room, met a bar, lame.

0:21:41.680 --> 0:21:45.880
<v Speaker 3>Yeah, yeah, so lame and a bunch of weirdos.

0:21:46.200 --> 0:21:48.640
<v Speaker 2>I liked filming in it though, because it usually meant

0:21:48.640 --> 0:21:50.840
<v Speaker 2>we got to be together and like it was just

0:21:50.840 --> 0:21:53.760
<v Speaker 2>another extension of like scenes the pitch pit, like it

0:21:53.800 --> 0:21:57.280
<v Speaker 2>was group scenes usually. Yeah.

0:21:57.359 --> 0:21:57.719
<v Speaker 4>Yeah.

0:21:59.160 --> 0:22:03.720
<v Speaker 1>The so Rush is funding it and Steve is jealous?

0:22:03.960 --> 0:22:06.800
<v Speaker 1>What about that uh that part where Rush is standing

0:22:06.840 --> 0:22:10.560
<v Speaker 1>on the main stage and everybody's gathered around while he's

0:22:10.680 --> 0:22:15.840
<v Speaker 1>telling his stories. Donna's tails and Steve was all mad,

0:22:16.280 --> 0:22:20.200
<v Speaker 1>Oh I got so jelly because he wants to be Rush,

0:22:20.480 --> 0:22:22.040
<v Speaker 1>he wants to be him.

0:22:22.000 --> 0:22:26.560
<v Speaker 4>And then poor Donna where Torri. Donna goes to see

0:22:26.640 --> 0:22:28.440
<v Speaker 4>him for some help and he just.

0:22:29.960 --> 0:22:32.479
<v Speaker 1>Like stabbed her, bites your head off.

0:22:32.600 --> 0:22:34.360
<v Speaker 4>I was like, wow, overreact.

0:22:34.440 --> 0:22:37.960
<v Speaker 1>Yeah, that made me have like Greek PTSD for you.

0:22:38.119 --> 0:22:43.080
<v Speaker 1>I don't even know why, but I got anxiety. But

0:22:43.320 --> 0:22:45.720
<v Speaker 1>Steve was talking to Donna like that when they were

0:22:45.800 --> 0:22:48.119
<v Speaker 1>when Steve and Rush were making up again, I was like,

0:22:48.160 --> 0:22:50.399
<v Speaker 1>haven't I seen this like five times exactly?

0:22:50.480 --> 0:22:55.520
<v Speaker 4>And it's always so quick, like from mad to love

0:22:55.680 --> 0:23:01.160
<v Speaker 4>in five seconds. Okay, we'll go with you. How about

0:23:01.200 --> 0:23:04.000
<v Speaker 4>the Susan Powder reference too? So random?

0:23:04.400 --> 0:23:05.840
<v Speaker 1>What's that? What do you mean? What was that?

0:23:06.600 --> 0:23:09.119
<v Speaker 4>Okay? So, when when Donna goes in to talk to

0:23:09.160 --> 0:23:12.680
<v Speaker 4>Steve and he's all just like bitter head off so fast.

0:23:12.680 --> 0:23:16.320
<v Speaker 4>First he's like fine, and then and then he turns

0:23:16.359 --> 0:23:18.760
<v Speaker 4>fine all of a sudden again and talking about Vince

0:23:18.800 --> 0:23:22.280
<v Speaker 4>Lombardi and he says, shave your head like Susan Powder.

0:23:22.720 --> 0:23:25.600
<v Speaker 4>Who was that? Because I was sort of like of

0:23:25.640 --> 0:23:27.680
<v Speaker 4>the time she was kind of like one of those

0:23:27.680 --> 0:23:32.560
<v Speaker 4>sort of what's that cat's name? Those like inspirational speaker

0:23:32.640 --> 0:23:36.679
<v Speaker 4>type people. We just said, that's that guy's name that

0:23:36.720 --> 0:23:40.639
<v Speaker 4>everybody goes to see, like Tony Robbins, Tony Robbins. I

0:23:40.640 --> 0:23:44.439
<v Speaker 4>think she was sort of a Tony rob Okay, and

0:23:44.480 --> 0:23:44.840
<v Speaker 4>she was.

0:23:44.800 --> 0:23:48.480
<v Speaker 2>Sort of of the era that Steve made that reference

0:23:49.080 --> 0:23:53.760
<v Speaker 2>in the nineties and now currently like Ian such like

0:23:53.800 --> 0:24:00.320
<v Speaker 2>an inspirational speaker about coaching people and business and all that.

0:24:01.040 --> 0:24:02.600
<v Speaker 1>Yep, he's destined.

0:24:03.520 --> 0:24:05.480
<v Speaker 4>It was a random reference.

0:24:06.800 --> 0:24:11.480
<v Speaker 1>What about the fact that Kelly Taylor and Cindy Walsh

0:24:11.680 --> 0:24:12.760
<v Speaker 1>have the same haircut.

0:24:14.720 --> 0:24:17.520
<v Speaker 4>Weren't they all in the kitchen making sandwhich is again

0:24:17.560 --> 0:24:18.920
<v Speaker 4>and she wanted him to take.

0:24:18.760 --> 0:24:22.879
<v Speaker 3>The station wagon on the road and then the like

0:24:23.560 --> 0:24:25.680
<v Speaker 3>field mice ate the sleeping bag.

0:24:25.760 --> 0:24:28.679
<v Speaker 1>Like it was a very family friendly and fun I

0:24:28.880 --> 0:24:31.440
<v Speaker 1>enjoy a good Walsh, A good.

0:24:31.280 --> 0:24:35.199
<v Speaker 4>Time for you to rekindle your friendship. Yeah, like Easy Rider,

0:24:35.280 --> 0:24:36.840
<v Speaker 4>except they die at the end.

0:24:37.600 --> 0:24:40.640
<v Speaker 1>Like it was just like so like parenting.

0:24:41.240 --> 0:24:43.480
<v Speaker 4>Yeah, it's all very I don't know what the word

0:24:43.600 --> 0:24:48.359
<v Speaker 4>is to describe his direction. It's so it's almost like

0:24:48.400 --> 0:24:55.000
<v Speaker 4>he's directing a comedy drama.

0:24:57.359 --> 0:24:59.679
<v Speaker 1>There's a lot of levity. There's a lot of levity

0:24:59.720 --> 0:25:04.119
<v Speaker 1>that's a camaraderie, there's a lot of like winks we're

0:25:04.880 --> 0:25:07.680
<v Speaker 1>all in this together. Kind of feels.

0:25:07.760 --> 0:25:23.320
<v Speaker 4>Yeah, I have a little thing for Tory slash Donna.

0:25:24.200 --> 0:25:27.000
<v Speaker 3>You're being so snarky with Ray.

0:25:26.960 --> 0:25:30.119
<v Speaker 4>And like he like getting up in him to do this,

0:25:30.200 --> 0:25:32.359
<v Speaker 4>and you're so bossy about it, and I just don't

0:25:32.359 --> 0:25:33.200
<v Speaker 4>really get it.

0:25:33.840 --> 0:25:37.679
<v Speaker 2>I just feel like, one, that's not Donna's demeanor or

0:25:38.280 --> 0:25:41.320
<v Speaker 2>like I don't it's just like out of character.

0:25:41.800 --> 0:25:42.159
<v Speaker 1>It is.

0:25:43.000 --> 0:25:46.720
<v Speaker 5>Yeah, you're not pushy, so why would you care? Like, yeah,

0:25:47.080 --> 0:25:48.960
<v Speaker 5>Ray has a great voice, you know that it's great

0:25:49.000 --> 0:25:51.000
<v Speaker 5>he writes you love songs. You might be like, hey,

0:25:51.040 --> 0:25:53.879
<v Speaker 5>if you want this opportunity, you know, I want you

0:25:53.920 --> 0:25:55.280
<v Speaker 5>to have it, when he's like, no, you.

0:25:55.280 --> 0:25:57.840
<v Speaker 4>Would be so respectful. And so it's very weird that

0:25:57.880 --> 0:25:59.560
<v Speaker 4>Donna's being like, look, Ray.

0:25:59.640 --> 0:26:02.920
<v Speaker 2>You need to do this. It is except she does

0:26:03.000 --> 0:26:06.320
<v Speaker 2>get like that sometimes when people are like fighting and

0:26:06.359 --> 0:26:10.560
<v Speaker 2>she like intervenes and makes them like make up. Those

0:26:10.640 --> 0:26:13.439
<v Speaker 2>lines always felt so challenging for me because it wouldn't

0:26:13.440 --> 0:26:14.920
<v Speaker 2>I would never be that person to be like you

0:26:15.000 --> 0:26:19.359
<v Speaker 2>got it, like take charge. Yeah, I don't feel like

0:26:19.359 --> 0:26:22.240
<v Speaker 2>she especially in like a love scenario. I don't think she.

0:26:23.840 --> 0:26:30.600
<v Speaker 4>And also say Ray suddenly couldn't perform David, aren't you

0:26:30.680 --> 0:26:34.320
<v Speaker 4>like a total musician? Like, can't you know that?

0:26:34.960 --> 0:26:35.440
<v Speaker 1>I think that.

0:26:37.600 --> 0:26:41.280
<v Speaker 4>What was his hit song called be my Love, Be

0:26:41.400 --> 0:26:47.920
<v Speaker 4>my love, Beat Beat be My.

0:26:46.400 --> 0:26:50.119
<v Speaker 1>He's saying that thank you so word. I don't think

0:26:50.480 --> 0:26:53.639
<v Speaker 1>I think his character had moved on from from that

0:26:53.800 --> 0:26:56.400
<v Speaker 1>after the whole thing with the girl in the live

0:26:56.720 --> 0:26:57.640
<v Speaker 1>got him a little.

0:26:57.480 --> 0:27:02.919
<v Speaker 4>By the way, Does he go back to it? Maybe?

0:27:02.960 --> 0:27:07.639
<v Speaker 4>But speaking of you know she's coming back? Who everyone

0:27:07.760 --> 0:27:09.000
<v Speaker 4>that gave him crabs?

0:27:12.040 --> 0:27:14.480
<v Speaker 1>When she comes back as the character?

0:27:15.320 --> 0:27:16.639
<v Speaker 2>My heart just dropped. Sorry.

0:27:16.720 --> 0:27:19.160
<v Speaker 1>Yeah, does she come to the peach pit after dark

0:27:19.240 --> 0:27:20.040
<v Speaker 1>by any chance?

0:27:20.800 --> 0:27:22.959
<v Speaker 4>I don't want to give away anymore, but but I

0:27:23.000 --> 0:27:27.600
<v Speaker 4>know she's coming soon. I can remember she's coming soon. Yeah,

0:27:28.320 --> 0:27:29.879
<v Speaker 4>sorry triggers.

0:27:30.320 --> 0:27:30.600
<v Speaker 2>God.

0:27:32.520 --> 0:27:36.680
<v Speaker 1>Let's talk about the cult. Well, it's it's really a

0:27:36.760 --> 0:27:37.720
<v Speaker 1>self empowerment.

0:27:38.000 --> 0:27:40.240
<v Speaker 4>First of all, it's Nexium. Do you guys know what

0:27:40.359 --> 0:27:41.040
<v Speaker 4>Nexium is?

0:27:42.200 --> 0:27:42.960
<v Speaker 1>Yeah?

0:27:43.000 --> 0:27:43.960
<v Speaker 3>Oh my god.

0:27:44.240 --> 0:27:46.639
<v Speaker 4>All I could think of was like, this is how

0:27:46.680 --> 0:27:50.280
<v Speaker 4>they got people into Nexium. I listened to that podcast

0:27:50.359 --> 0:27:53.479
<v Speaker 4>which Do Yourself a Favor and listen, and I was like,

0:27:53.760 --> 0:27:56.880
<v Speaker 4>this is does story like that?

0:27:56.960 --> 0:28:01.400
<v Speaker 1>And with a bunch of people chairs, Yep, you.

0:28:01.359 --> 0:28:03.320
<v Speaker 4>Come to a meeting you're in the chairs, there's like

0:28:03.400 --> 0:28:06.080
<v Speaker 4>the guy kind of giving the lecture up there, and

0:28:06.200 --> 0:28:08.159
<v Speaker 4>exactly how they came around to the table and they

0:28:08.240 --> 0:28:10.280
<v Speaker 4>kind of pushed you.

0:28:10.040 --> 0:28:12.600
<v Speaker 1>Did they put that was a creepy hand on your shoulder,

0:28:12.760 --> 0:28:14.920
<v Speaker 1>like Finlay did Kelly.

0:28:14.600 --> 0:28:18.600
<v Speaker 4>Literally that this show could have invented nexium because that

0:28:18.640 --> 0:28:20.400
<v Speaker 4>guy could have watched this show.

0:28:20.640 --> 0:28:23.560
<v Speaker 1>Oh my god, don't do that to us, saying he's

0:28:23.600 --> 0:28:25.119
<v Speaker 1>really creepy.

0:28:25.600 --> 0:28:28.040
<v Speaker 3>Oh creepy, so creepy.

0:28:28.119 --> 0:28:30.720
<v Speaker 4>And how about Valerie just knowing this was a bunch

0:28:30.760 --> 0:28:32.679
<v Speaker 4>of hullabaloo and was out. Now.

0:28:32.760 --> 0:28:35.600
<v Speaker 2>I just don't like Valerie and Kelly together, Like it's

0:28:35.720 --> 0:28:36.120
<v Speaker 2>just like.

0:28:36.359 --> 0:28:38.720
<v Speaker 1>Do you like the way they were dressed exactly the same.

0:28:39.880 --> 0:28:43.600
<v Speaker 1>They both had on floral maxi dresses and sweaters.

0:28:44.480 --> 0:28:46.360
<v Speaker 2>Because you guys never did that in real life.

0:28:47.120 --> 0:28:47.520
<v Speaker 1>We did.

0:28:47.960 --> 0:28:48.560
<v Speaker 4>We did that.

0:28:50.920 --> 0:28:52.680
<v Speaker 2>We all would do that like you would twin in

0:28:52.840 --> 0:28:56.400
<v Speaker 2>real life with your friends. Yeah, yeah, I believe you

0:28:56.480 --> 0:28:59.520
<v Speaker 2>had like matching leather jackets on. There's a photo. Here's

0:28:59.520 --> 0:28:59.920
<v Speaker 2>a photo.

0:29:00.280 --> 0:29:03.400
<v Speaker 1>We are like each other, but they I don't know.

0:29:03.440 --> 0:29:04.160
<v Speaker 1>It's just so weird.

0:29:04.320 --> 0:29:07.960
<v Speaker 4>Weirder was Valerie walking into Brandon's bedroom when Kelly and

0:29:08.000 --> 0:29:11.080
<v Speaker 4>Brandon are making out through how about knocking through the

0:29:11.160 --> 0:29:14.360
<v Speaker 4>Jack and Jill bathroom like it was the Brady bunch,

0:29:14.480 --> 0:29:19.440
<v Speaker 4>Like what just bopping in and nobody even reacts like hey,

0:29:19.760 --> 0:29:22.160
<v Speaker 4>they're just like talk to her like no problems, come

0:29:22.200 --> 0:29:23.200
<v Speaker 4>on in anytime you want.

0:29:23.760 --> 0:29:27.080
<v Speaker 1>I'm just curious, like, why does Kelly want to change

0:29:27.080 --> 0:29:31.360
<v Speaker 1>her life so bad? Like what's so wrong life? And

0:29:31.480 --> 0:29:33.120
<v Speaker 1>then I don't see where they.

0:29:32.960 --> 0:29:34.160
<v Speaker 2>Need the storyline to happen.

0:29:35.080 --> 0:29:36.720
<v Speaker 3>Yes, how about the question he happened?

0:29:36.840 --> 0:29:38.320
<v Speaker 4>Are you happy or whatever?

0:29:38.440 --> 0:29:39.960
<v Speaker 3>Are you happy with your life?

0:29:39.960 --> 0:29:43.120
<v Speaker 2>And then she's like, wait, what's the whole thing he

0:29:43.160 --> 0:29:48.120
<v Speaker 2>does when he's telling her like basically like are you happy?

0:29:48.160 --> 0:29:50.240
<v Speaker 2>Like he gives her a comparison of you.

0:29:50.200 --> 0:29:52.000
<v Speaker 4>Mean, like when he comes around and he's so kind

0:29:52.040 --> 0:29:55.400
<v Speaker 4>of weird. Yes, And then she's all like sucked into it?

0:29:55.600 --> 0:29:57.080
<v Speaker 1>Yes, but why I.

0:29:57.080 --> 0:29:59.960
<v Speaker 2>Just gave you an analogy to something? I think?

0:30:00.400 --> 0:30:02.960
<v Speaker 4>Are we to assume it's the fire has changed you

0:30:03.520 --> 0:30:06.479
<v Speaker 4>and you have guilt because you sort of hoped you

0:30:06.480 --> 0:30:08.000
<v Speaker 4>were like let me live, I don't care if she

0:30:08.120 --> 0:30:09.200
<v Speaker 4>dies kind of a thing.

0:30:09.480 --> 0:30:12.440
<v Speaker 1>She admits that, yeah, yeah, that was gnar. Really that's

0:30:12.440 --> 0:30:17.120
<v Speaker 1>pretty dark mm hmm. And I guess she did. She

0:30:17.160 --> 0:30:18.320
<v Speaker 1>thought she was going to.

0:30:18.240 --> 0:30:20.560
<v Speaker 4>Die and then you barely got to burn and she's

0:30:20.680 --> 0:30:22.280
<v Speaker 4>so burned.

0:30:22.600 --> 0:30:23.680
<v Speaker 1>So she's got guilt.

0:30:24.400 --> 0:30:28.960
<v Speaker 2>Yeah, but like deep down her mom like she that's

0:30:29.040 --> 0:30:30.600
<v Speaker 2>you always had that one person in your life you

0:30:30.640 --> 0:30:34.000
<v Speaker 2>want the approval from. And her mom wants a model.

0:30:34.000 --> 0:30:35.720
<v Speaker 2>Her mom wanted her to be a model, like she's

0:30:35.840 --> 0:30:44.240
<v Speaker 2>never she feels like it can be pretty enough now enough, yeah, enough, enough,

0:30:45.080 --> 0:30:48.760
<v Speaker 2>enough enough for Jackie, she's not enough. And if she's

0:30:48.800 --> 0:30:51.240
<v Speaker 2>not enough for Jackie, she's not enough for anyone.

0:30:51.920 --> 0:30:54.960
<v Speaker 4>I'm going to say, I buy the storyline that Kelly

0:30:55.040 --> 0:31:00.000
<v Speaker 4>is sort of struggling so much that she could be so.

0:31:01.880 --> 0:31:04.480
<v Speaker 3>To the cult that we didn't know as a cult.

0:31:04.240 --> 0:31:07.280
<v Speaker 1>Yet I guess so yeah, now that you break it

0:31:07.320 --> 0:31:10.400
<v Speaker 1>down like that, it does make sense. Yeah.

0:31:10.840 --> 0:31:13.200
<v Speaker 4>And then you go to the classroom and push a

0:31:13.320 --> 0:31:16.000
<v Speaker 4>note under it, which is also weird, like what students,

0:31:16.280 --> 0:31:19.640
<v Speaker 4>let me push a little note under and then he's

0:31:19.680 --> 0:31:21.920
<v Speaker 4>all Creeposaurus and it's like, come on in.

0:31:22.960 --> 0:31:31.040
<v Speaker 1>There's no like weird, like love, sexual, whatever anything between

0:31:31.080 --> 0:31:34.560
<v Speaker 1>these two characters, right, Finley and Kelly.

0:31:34.320 --> 0:31:35.640
<v Speaker 4>Can't answer that.

0:31:35.640 --> 0:31:37.240
<v Speaker 2>That's tough to answer.

0:31:37.000 --> 0:31:39.400
<v Speaker 1>Because it's gonna send me over the edge.

0:31:40.200 --> 0:31:43.200
<v Speaker 4>Because he's not going away for a minute. I'll say that,

0:31:43.320 --> 0:31:44.160
<v Speaker 4>I'll tell you that.

0:31:44.720 --> 0:31:48.360
<v Speaker 2>But I feel like those types of people, that's what

0:31:48.440 --> 0:31:50.840
<v Speaker 2>they become, like you fall in love with them.

0:31:50.920 --> 0:32:00.480
<v Speaker 1>Because nexium, you're under their spell. Yeah, I'm scared about

0:32:00.520 --> 0:32:01.320
<v Speaker 1>what's going to happen.

0:32:01.320 --> 0:32:03.840
<v Speaker 2>Then you should be. You should be really scared.

0:32:03.920 --> 0:32:08.520
<v Speaker 4>Yeah, really scared, because I was like, yeah, like Bonker scared.

0:32:08.760 --> 0:32:12.840
<v Speaker 4>It gets really it gets really juicy soon because Tory,

0:32:13.520 --> 0:32:14.960
<v Speaker 4>you're gonna be real mad too.

0:32:15.680 --> 0:32:18.080
<v Speaker 1>Wait what why Wait Donna goes to the cult.

0:32:18.640 --> 0:32:23.200
<v Speaker 4>No, but there's a lot of Steph drama coming your

0:32:23.200 --> 0:32:27.160
<v Speaker 4>way too with Ray.

0:32:28.720 --> 0:32:31.200
<v Speaker 2>Wait, well now that's next season. No.

0:32:31.320 --> 0:32:33.720
<v Speaker 1>I think it really feels like this is the longest

0:32:33.840 --> 0:32:38.200
<v Speaker 1>season of any season ever made for television.

0:32:37.880 --> 0:32:41.000
<v Speaker 4>And it's just getting good. Like there's a lot left

0:32:41.040 --> 0:32:43.360
<v Speaker 4>of this season that's very juicy.

0:32:43.680 --> 0:32:44.680
<v Speaker 1>Much left.

0:32:44.800 --> 0:32:48.520
<v Speaker 4>You're right, episode we're.

0:32:48.600 --> 0:32:49.880
<v Speaker 1>Halfway through the season.

0:32:50.000 --> 0:32:51.800
<v Speaker 4>Yeah, what episode are we on?

0:32:52.920 --> 0:32:54.680
<v Speaker 1>This is seventeen eighteen.

0:32:54.880 --> 0:32:58.280
<v Speaker 4>Yeah, you're right, there's like twelve or something more elisode.

0:32:58.840 --> 0:33:00.440
<v Speaker 4>That's why I think to love what you.

0:33:00.400 --> 0:33:02.400
<v Speaker 3>Think is season six is actually season five.

0:33:02.720 --> 0:33:05.440
<v Speaker 4>Oh but you do love season five? And I think

0:33:05.480 --> 0:33:09.320
<v Speaker 4>you do. How about we hear from Jonesy too that

0:33:09.400 --> 0:33:10.920
<v Speaker 4>the money is.

0:33:11.040 --> 0:33:15.640
<v Speaker 1>At the very end. Yeah, it's your good friend Jonesy, which.

0:33:15.480 --> 0:33:18.200
<v Speaker 4>I'm ready to get the money back. I don't need this, Like,

0:33:18.280 --> 0:33:19.800
<v Speaker 4>let's get still on this money back.

0:33:20.120 --> 0:33:25.040
<v Speaker 1>I forgot about the money part. I honestly was enjoying

0:33:25.160 --> 0:33:29.600
<v Speaker 1>him having a good time and being somewhat normal again.

0:33:30.160 --> 0:33:32.200
<v Speaker 4>Two mentions to y'all. And see if you noticed it's

0:33:32.280 --> 0:33:36.480
<v Speaker 4>number one on the table clause in the diner in

0:33:36.520 --> 0:33:39.560
<v Speaker 4>the middle of nowhere, the red and white very prominent

0:33:39.680 --> 0:33:43.720
<v Speaker 4>table clause that really indicated you're in an old dimey

0:33:44.200 --> 0:33:45.440
<v Speaker 4>cat a diner.

0:33:45.760 --> 0:33:47.760
<v Speaker 1>Wait, were they just like the red and white checks?

0:33:47.800 --> 0:33:51.600
<v Speaker 1>Like yepas okay, they were sitting at a picnic table

0:33:51.640 --> 0:33:56.480
<v Speaker 1>first of all, which really bothered me. Random the same side,

0:33:56.520 --> 0:33:59.040
<v Speaker 1>and you know why that is? So that it's one shot.

0:34:00.120 --> 0:34:03.160
<v Speaker 1>It's like, so save time and just shoot this way.

0:34:03.760 --> 0:34:06.280
<v Speaker 3>That was so captain obvious.

0:34:06.400 --> 0:34:10.160
<v Speaker 1>Like I saw a number of those moments in this episode, honestly,

0:34:10.160 --> 0:34:12.359
<v Speaker 1>where the people that were in the scene were all

0:34:12.440 --> 0:34:15.000
<v Speaker 1>kind of lined up conveniently that they could all pop

0:34:15.040 --> 0:34:16.920
<v Speaker 1>it off in one shot. And I know that when

0:34:17.000 --> 0:34:19.560
<v Speaker 1>Jason was directing that was like a big thing to him,

0:34:19.600 --> 0:34:21.640
<v Speaker 1>like let's get this done and let's get this crew

0:34:21.640 --> 0:34:24.239
<v Speaker 1>out of here early. You know, like he really was

0:34:24.320 --> 0:34:26.520
<v Speaker 1>one of the crew guys. Like he was always trying

0:34:26.560 --> 0:34:27.680
<v Speaker 1>to speed things up.

0:34:28.920 --> 0:34:32.520
<v Speaker 2>I love that except for the he's so creative like

0:34:33.320 --> 0:34:36.040
<v Speaker 2>with his direction like that as well, like he would

0:34:36.120 --> 0:34:40.320
<v Speaker 2>take time to do like the really cool like big

0:34:40.400 --> 0:34:42.560
<v Speaker 2>shots right but right.

0:34:42.520 --> 0:34:45.440
<v Speaker 3>Like the motorcycle stock. He shot the motorcycle.

0:34:44.920 --> 0:34:46.280
<v Speaker 4>Stock really really cool.

0:34:46.520 --> 0:34:48.200
<v Speaker 1>He kind of prioritized things.

0:34:48.520 --> 0:34:50.520
<v Speaker 4>Yeah, then I'm like, why are they sitting on the

0:34:50.560 --> 0:34:51.520
<v Speaker 4>same side.

0:34:52.280 --> 0:34:53.960
<v Speaker 1>That was weird?

0:34:53.960 --> 0:34:56.480
<v Speaker 4>Shoot him in a booth, then create a booth so

0:34:56.560 --> 0:34:56.879
<v Speaker 4>it's not.

0:34:58.800 --> 0:34:58.920
<v Speaker 2>Like.

0:35:00.200 --> 0:35:04.960
<v Speaker 4>Also, one other thing, I'd love mushroom barley soup. Like, really,

0:35:05.000 --> 0:35:07.040
<v Speaker 4>you're not gonna just order a burger dude, You're ordering

0:35:07.160 --> 0:35:09.040
<v Speaker 4>mushroom barley soup.

0:35:10.040 --> 0:35:11.320
<v Speaker 1>It was it was cold.

0:35:11.880 --> 0:35:12.760
<v Speaker 4>I love soup.

0:35:13.280 --> 0:35:17.360
<v Speaker 1>She Torri loves soup. You guys, it's weird.

0:35:17.520 --> 0:35:21.880
<v Speaker 3>Oh and then how about Russ and Steve. You'll play

0:35:21.920 --> 0:35:23.920
<v Speaker 3>I'll fly what's that meaning?

0:35:24.560 --> 0:35:26.080
<v Speaker 1>It means I'll go with you?

0:35:26.200 --> 0:35:30.600
<v Speaker 4>Yeah, if you pay, if you pay for the peach

0:35:30.640 --> 0:35:32.640
<v Speaker 4>pit after good, good with you.

0:35:32.920 --> 0:35:37.279
<v Speaker 1>I don't fly buy would you basically to sum this

0:35:37.360 --> 0:35:39.880
<v Speaker 1>episode up. I'll just use the words of Brandon and Dylan.

0:35:40.680 --> 0:35:45.040
<v Speaker 1>Nobody's perfect. Anything is possible. That was the big takeaway

0:35:45.040 --> 0:35:47.880
<v Speaker 1>for me. Great, profound, beautiful.

0:35:49.480 --> 0:35:52.359
<v Speaker 4>I feel like, yeah, I loved it. Lessons to live

0:35:52.400 --> 0:35:56.720
<v Speaker 4>by before we please note it's important. Jesse and Andrea

0:35:56.920 --> 0:35:59.160
<v Speaker 4>still doing good at the peach Pit. They were gonna

0:35:59.200 --> 0:35:59.840
<v Speaker 4>go dance.

0:36:02.239 --> 0:36:07.359
<v Speaker 1>Oh okay, so next week, let's see our show. Next

0:36:07.400 --> 0:36:14.320
<v Speaker 1>week is about season five, episode eighteen, Hazardous to Your Health.

0:36:16.000 --> 0:36:20.080
<v Speaker 2>Trying to remember we didn't mention Claire and David doesn't matter,

0:36:20.840 --> 0:36:26.360
<v Speaker 2>no mention super cute. Yeah, they are not bothering me. Weirdly,

0:36:26.640 --> 0:36:27.560
<v Speaker 2>they didn't bother me.

0:36:27.600 --> 0:36:29.600
<v Speaker 1>I didn't have any feeling about them though.

0:36:29.600 --> 0:36:32.640
<v Speaker 4>That's they're just trying to open the peach Pit after dark.

0:36:33.280 --> 0:36:36.000
<v Speaker 2>I just take wardrobe, in her makeup, in her hair,

0:36:36.040 --> 0:36:37.640
<v Speaker 2>and yeah.

0:36:37.040 --> 0:36:38.000
<v Speaker 3>They're not annoying.

0:36:38.360 --> 0:36:41.040
<v Speaker 1>I'm kind of like they're just kind of like, yeah,

0:36:41.040 --> 0:36:44.120
<v Speaker 1>they were kind of they're doing their thing. Oh my god.

0:36:44.200 --> 0:36:47.879
<v Speaker 4>My favorite line though, when Donna is talking to Ray

0:36:48.480 --> 0:36:51.400
<v Speaker 4>and he's all like she's I think she says something like,

0:36:51.440 --> 0:36:53.200
<v Speaker 4>what do you have afraid of that? Nothing will come

0:36:53.200 --> 0:36:56.600
<v Speaker 4>out and then I'll puke and die.

0:36:56.719 --> 0:37:03.400
<v Speaker 1>Extreme formatic song we never saw.

0:37:04.160 --> 0:37:07.279
<v Speaker 4>Yeah, like so much build up.

0:37:08.080 --> 0:37:10.920
<v Speaker 2>I know it was I'm remembering, I'm looking at myself.

0:37:11.840 --> 0:37:12.920
<v Speaker 2>That's not a party.

0:37:13.080 --> 0:37:15.759
<v Speaker 1>That's not a like let's dance kind of song. Oh

0:37:16.160 --> 0:37:16.560
<v Speaker 1>and it was.

0:37:17.440 --> 0:37:17.560
<v Speaker 2>Then.

0:37:17.600 --> 0:37:18.560
<v Speaker 4>I think you're right though.

0:37:18.719 --> 0:37:21.359
<v Speaker 2>I'm pretty sure I give this a.

0:37:21.320 --> 0:37:22.520
<v Speaker 1>Ten A ten.

0:37:22.880 --> 0:37:25.880
<v Speaker 4>Oh oh gosh, of course this is a you.

0:37:25.920 --> 0:37:29.359
<v Speaker 1>Went from hold on Hold on Melmber definite ten.

0:37:30.960 --> 0:37:36.000
<v Speaker 2>Yes, this is also are ten Jen eight.

0:37:36.040 --> 0:37:40.800
<v Speaker 1>I'm gonna go eight talks maybe maybe seven seven and

0:37:40.800 --> 0:37:41.040
<v Speaker 1>a half.

0:37:41.080 --> 0:37:42.520
<v Speaker 2>I'm gonna go with seven and a half.

0:37:42.440 --> 0:37:43.040
<v Speaker 1>Seven and a half.

0:37:43.320 --> 0:37:48.440
<v Speaker 2>Yeah, oh, no disrespect to Jason, but like, get your

0:37:48.440 --> 0:37:53.040
<v Speaker 2>motor run in on the How did they play that song?

0:37:53.440 --> 0:37:55.160
<v Speaker 3>I don't I'm sure they didn't pay for that song.

0:37:55.239 --> 0:37:56.040
<v Speaker 1>Only in your head.

0:37:56.680 --> 0:37:59.759
<v Speaker 3>In my head, I think it's just my that's how

0:37:59.800 --> 0:38:03.000
<v Speaker 3>I wow.

0:38:03.120 --> 0:38:07.000
<v Speaker 1>Okay, we've learned so much about you, easy rider.

0:38:08.120 --> 0:38:10.600
<v Speaker 4>I'll like never ride a motorcycle in my life, but

0:38:10.719 --> 0:38:13.600
<v Speaker 4>yet I'd love to jump in your mind, like yeah,

0:38:13.680 --> 0:38:16.719
<v Speaker 4>Priestley's motorcycle and just be like, yeah, I get your

0:38:16.800 --> 0:38:21.520
<v Speaker 4>motor would be so I think I would go priestly

0:38:21.600 --> 0:38:22.560
<v Speaker 4>over Perry.

0:38:22.960 --> 0:38:25.880
<v Speaker 2>Do not ever blow your hair again. Because you are

0:38:25.880 --> 0:38:27.439
<v Speaker 2>on fire today with white hair.

0:38:27.560 --> 0:38:30.960
<v Speaker 1>Wait a second, you would rather ride behind Priestley? Thank you?

0:38:31.160 --> 0:38:34.600
<v Speaker 4>So if I had to pick between one of those motorcycles,

0:38:34.600 --> 0:38:35.160
<v Speaker 4>which one would you?

0:38:35.200 --> 0:38:35.680
<v Speaker 2>Why? Why?

0:38:35.760 --> 0:38:36.080
<v Speaker 1>Why?

0:38:36.239 --> 0:38:38.320
<v Speaker 2>Why? The motorcycle picked the rider. Yeah.

0:38:39.200 --> 0:38:42.680
<v Speaker 4>No, I'm not picking the Dakati over the Sorry. Like

0:38:42.719 --> 0:38:45.000
<v Speaker 4>if you said to me right now, I'm in that episode,

0:38:45.120 --> 0:38:47.239
<v Speaker 4>I'm at the diner. One of them's gonna kiss me,

0:38:47.320 --> 0:38:48.280
<v Speaker 4>which one do I want?

0:38:48.560 --> 0:38:50.160
<v Speaker 1>No, I want to know who you would ride on

0:38:50.200 --> 0:38:52.760
<v Speaker 1>the back of a motorcycle with Priestley.

0:38:53.160 --> 0:38:54.279
<v Speaker 3>I just I don't know why.

0:38:54.440 --> 0:38:55.160
<v Speaker 1>Just you don't know why.

0:38:57.200 --> 0:38:58.240
<v Speaker 3>I love Luke Perry.

0:38:58.520 --> 0:39:03.240
<v Speaker 1>I I agree with you. Honestly, I think I'd feel

0:39:03.320 --> 0:39:06.400
<v Speaker 1>safer on the back of Jason's motorcycle.

0:39:06.520 --> 0:39:07.960
<v Speaker 2>Guys were going with safety.

0:39:08.040 --> 0:39:11.160
<v Speaker 1>Now I'm gonna go with safety. I'm getting on a motorcycle.

0:39:11.160 --> 0:39:16.080
<v Speaker 2>It's very dangerous. Wait is that your instinct, because yes,

0:39:17.160 --> 0:39:17.759
<v Speaker 2>the jet ski.

0:39:18.880 --> 0:39:23.400
<v Speaker 1>No, Honestly, it really comes down. I would rather be

0:39:23.520 --> 0:39:27.560
<v Speaker 1>back on the back of Jason Priestley's motorcycle just because

0:39:28.160 --> 0:39:33.360
<v Speaker 1>his legs look stronger. Luke's legs might be very strong,

0:39:33.440 --> 0:39:36.880
<v Speaker 1>but they're thinner and longer, and I want a good sturdy,

0:39:36.920 --> 0:39:39.600
<v Speaker 1>strong legs supporting that motorcycle.

0:39:39.640 --> 0:39:40.919
<v Speaker 3>Who saved you on the jet ski.

0:39:41.040 --> 0:39:48.000
<v Speaker 1>Luke, No, he did nothing of the of the kind.

0:39:47.800 --> 0:39:56.160
<v Speaker 1>He tried to kill me. Yeah, I don't know. We've

0:39:56.200 --> 0:39:57.719
<v Speaker 1>gone a miss rye.

0:39:58.320 --> 0:40:04.120
<v Speaker 2>Wait wait, I'm gonna liken it too. I'm gonna pick Luke. Okay,

0:40:04.280 --> 0:40:07.719
<v Speaker 2>why I don't want to wait, you.

0:40:07.640 --> 0:40:10.040
<v Speaker 1>Don't want to say no, I don't.

0:40:10.239 --> 0:40:15.960
<v Speaker 2>I feel like it would be like smoother oh writing,

0:40:16.920 --> 0:40:19.600
<v Speaker 2>I don't know. I feel like Jason needs to race,

0:40:19.640 --> 0:40:22.319
<v Speaker 2>so he was like more fast. I would feel more

0:40:22.360 --> 0:40:25.000
<v Speaker 2>comfortable because I feel like Luke was more like in

0:40:25.040 --> 0:40:27.840
<v Speaker 2>tune with like just riding a motorcycle on the roads

0:40:27.840 --> 0:40:31.279
<v Speaker 2>and not like like Jason raced cars. So like, if

0:40:31.320 --> 0:40:32.200
<v Speaker 2>you're too fast for me?

0:40:32.640 --> 0:40:35.640
<v Speaker 1>Yeah, I think you said before about like I don't

0:40:35.840 --> 0:40:37.920
<v Speaker 1>maybe I couldn't trust him because he did try to

0:40:38.000 --> 0:40:40.440
<v Speaker 1>kill me with the jet ski, so I would be in,

0:40:40.680 --> 0:40:42.919
<v Speaker 1>You're right. It would be like, ooh, that's not safe.

0:40:43.000 --> 0:40:46.240
<v Speaker 1>I'm gonna go with this guy. Good stuff, you guys,

0:40:46.320 --> 0:40:51.359
<v Speaker 1>great episode. Really really enjoyed myself me too for this.

0:40:51.440 --> 0:40:55.560
<v Speaker 2>Though not the actual episode. The two of you really.

0:40:55.360 --> 0:40:58.080
<v Speaker 1>And we'll be back next week with Hazardous to your health.

0:40:58.360 --> 0:40:59.640
<v Speaker 1>You guys have a great week.

0:40:59.680 --> 0:41:06.879
<v Speaker 2>We of you. Yeah.