Speaker 1: It's nine O gene one Old Jane with Jenny Garth
Speaker 1: and Tory spelling.
Speaker 2: We're back here. We are another week.
Speaker 1: O MG, hello ladies, Hello, lovely ladies. So happy January.
Speaker 1: It's still January. Dry January? Is it dry January or
Speaker 1: no shaved January? I'm so confused.
Speaker 3: Oh my gosh, I didn't know about that second thing.
Speaker 1: Well, isn't there like a no shave month? Because I'm
Speaker 1: in it, so hopefully it's January.
Speaker 2: She's not even hairy. Guys, that's not saying much. You know,
Speaker 2: there's like holidays that don't exist that people create, and
Speaker 2: every day is in national something. Yeah, so what else
Speaker 2: could it be? Anything? We want it to be? No
Speaker 2: shave January? No, oh, no shave. I don't like no,
Speaker 2: but I like you, like a fresh shame be anything
Speaker 2: like on the daily.
Speaker 1: Amy, like every day.
Speaker 2: No blow dry January?
Speaker 4: Amy, Well, I have that right now. But I shave
Speaker 4: every day. I don't like.
Speaker 1: Oh my god, you are an inspiration woman.
Speaker 4: I wash my hair every day too.
Speaker 1: I used to be like you.
Speaker 2: I was never like either.
Speaker 1: Oh no, that's a lot of work though, y'all.
Speaker 4: Man, It's kind of like my meditation blow drying my hair,
Speaker 4: though I really like it, just sort of calms me.
Speaker 2: It's a good workout.
Speaker 3: I still don't have children. You guys, you.
Speaker 1: Got a little extra me time in the bathroom. Maybe
Speaker 1: you can share it with both of us.
Speaker 2: But to your point about January, Jen, I was told
Speaker 2: that after January seventh you can't say Happy New Year?
Speaker 3: Is this true?
Speaker 1: Oh? Oops?
Speaker 2: Wait, I know what's the day after January seventh?
Speaker 4: So yeah, when do we have to take our Christmas
Speaker 4: lights down?
Speaker 3: I've not been by yet that happened.
Speaker 1: I think that's January sixth.
Speaker 4: Yeah, I haven't finished.
Speaker 2: I'm not Kiddington won't be surprised at this that I
Speaker 2: think the longest I've had mine up I think April
Speaker 2: one year taking down. I'm not kidding. Well, they're fun.
Speaker 1: I sad when you take your Christmas Life's stay sad
Speaker 1: because then you have to wait a whole nother year
Speaker 1: for that like excitement you feel when you look at
Speaker 1: them in at night. They're just so fun and exciting.
Speaker 4: I love them these days with white too, because during
Speaker 4: COVID everybody used all those white lights, you know, so
Speaker 4: they could be outside. More So these days, if you
Speaker 4: have white it's kind of like, yeah, they're like just
Speaker 4: lights for their yard.
Speaker 2: I was embarrassed one time and someone came over and
Speaker 2: they were like, this was February. They were like, why
Speaker 2: is it still up? And I was like, oh, because
Speaker 2: it's going to be a holiday tree and I'm going
Speaker 2: to turn it into Valentine's. It's good a few days.
Speaker 2: And then it was still up months later, and it's
Speaker 2: going to be Saint Patrick's Day now. And then I
Speaker 2: was like, yes, screwed. I'm just lazy. I haven't taken
Speaker 2: it down.
Speaker 1: I know it's about lazy, but also my mom she
Speaker 1: wants to keep her tree up all the time, and
Speaker 1: she lives in a really tiny little house and it
Speaker 1: takes up most of the living room. But I was like,
Speaker 1: on one hand, letter it brings her joy, but on
Speaker 1: the other hand, like what about the joy you get
Speaker 1: when it's Christmas time and you have your tree up
Speaker 1: in that like moment of like, oh, it's the holidays
Speaker 1: and it's exciting, you know.
Speaker 4: Shall we talk about this? Jason Priestley directed episode.
Speaker 1: Oh my god, Amy so excited. Okay, let's talk about it.
Speaker 1: She said, yeah. Season five, episodes seventeen, Sweating It out
Speaker 1: Aired January eleventh, nineteen ninety four.
Speaker 2: Synopsis Brandon Dylan hit the road, but also hit a
Speaker 2: few emotional speed bumps and a run in with tribal police.
Speaker 2: Kelly is impressed with a workshop hosted by her psych
Speaker 2: professor Donna Channel's football legend Vince Plombardi, to give Ray
Speaker 2: a pregame pep talk. Steve is, being petty per usual,
Speaker 2: finally makes up with his pop. Oh the football of
Speaker 2: it all.
Speaker 3: The whole thing is ridiculous and amazing.
Speaker 1: Wait what about the football of it all? What you're
Speaker 1: talking about?
Speaker 3: Willis going, Ray, Okay, you're like the quarterback.
Speaker 1: Yeah right, that you're Lombardi.
Speaker 3: But it was just like Ray doesn't really seem like
Speaker 3: a football.
Speaker 1: Guy, right, right, like or Donna right.
Speaker 4: And I love when like Steve says Bence Lombardi and
Speaker 4: you're like kind of confused, and then you're like, I've
Speaker 4: got it, by George, I've got.
Speaker 3: It, And then like we come back with that like
Speaker 3: shock ward.
Speaker 2: I was like, and did it really help him?
Speaker 1: I'm curious because we didn't see him perform in this episode.
Speaker 2: Every time we sing sins cut now, that was really bad.
Speaker 2: The second time, I.
Speaker 4: Believe yes, the second time Ray.
Speaker 2: Has performed and they've just cut it huge on the
Speaker 2: back of the car, Donna, he was gonna yea.
Speaker 4: This one was particularly awkward because it was like the
Speaker 4: whole storyline that was not paid off.
Speaker 2: I remember sitting there at peachprit after Dark Wing, like
Speaker 2: he was singing to me like he like nails right.
Speaker 4: Like I just remember it, like worked your dumb Lombardi
Speaker 4: stuff and he goes out and crushes it right like.
Speaker 2: Yeah, but they had to cut a whole scene of
Speaker 2: him performing and showing us and like all of it's
Speaker 2: on not just him on stage, like so bad.
Speaker 1: I think I forgot to tell you that this episode,
Speaker 1: as you mentioned already, is directed by Jason Priestley and
Speaker 1: written by Chip Johanson. Definitely a guy's episode.
Speaker 4: Yes, it feels like it was written by Jason Priestley.
Speaker 4: All of his episodes like have that sort of corny
Speaker 4: like like.
Speaker 1: Like yeah, yeah, he had some bitching like Motorcycle Show,
Speaker 1: like you know, I'm sure he had a little fun
Speaker 1: with that. And why is it that whenever he directs
Speaker 1: an episode, everybody gets to go on location but.
Speaker 2: Us because with that new contract, I don't know, like
Speaker 2: why didn't think that.
Speaker 1: No, we didn't get to go anywhere. He got to
Speaker 1: go on this cool camping trip to this every time,
Speaker 1: You're right, how.
Speaker 4: Much of the riding were they doing, Because they were
Speaker 4: doing some I like really tried to be egalized about it.
Speaker 1: I think that was all of them, all of them
Speaker 1: because and here's why if they did go on this location, shoot,
Speaker 1: you know, it was a skeleton crew, which means it
Speaker 1: was just like a few of the top members of
Speaker 1: the crew and the guys and I don't know if
Speaker 1: I just feel like that was all them. And they
Speaker 1: both were riders. They both rode motorcycles.
Speaker 3: Wow, Wow, that makes it even more awesome.
Speaker 2: But I'm just trying to think, like liability wise, would
Speaker 2: they have let that hot or J Yeah, I'm we're here.
Speaker 1: It's just that we're d I don't need stuntman. We
Speaker 1: can do this.
Speaker 4: It also seemed like they became bfs sort of okay,
Speaker 4: like they've had all these problems and all of a sudden,
Speaker 4: the Mustang pulls up and there's the big and we're
Speaker 4: going to trip with me. Yeah, okay.
Speaker 1: But I did like appreciate that this storyline was just
Speaker 1: the two babes, you know, looking hot and riding a motorcycle,
Speaker 1: but acting like deviant little pigs with the waitress.
Speaker 3: Okay, god.
Speaker 2: Pigs.
Speaker 3: That that was so.
Speaker 1: That that would not work today obviously, just the way
Speaker 1: that that, let's say Dylan looks at the girl that's
Speaker 1: their server. It was so unsettling for me, so like,
Speaker 1: literally did they.
Speaker 4: Stay all eat your pie like something so gratuitous?
Speaker 2: Yeah, oven in your pie.
Speaker 1: The pie was in her little oven. Oh yes, and
Speaker 1: they wanted to see in her little oven. It was
Speaker 1: really gross. This felt like in the moment little add ons.
Speaker 1: I don't know if that would have ever.
Speaker 4: Scract It was oh yeah, taken, and then she goes
Speaker 4: take a number. He's a mercy like John Stamos. It
Speaker 4: was like, what is happening? That was so prevalent, like
Speaker 4: back in the seventies, especially.
Speaker 1: The sort of sexualizing women. Yes, in the seventies, eighties, nineties,
Speaker 1: two thousands.
Speaker 4: I was watching an old movie from the seventies called
Speaker 4: Airport nineteen seventies seven ors and they are nineteen seventy
Speaker 4: five and they are just all over the at the
Speaker 4: time called Stewardess flight attendant, and I was like, it's jarring.
Speaker 1: It's jarring, isn't it? Because things are so different now.
Speaker 1: I mean, in my mind they're really different. I don't
Speaker 1: know if it's always like that, but where I wherever
Speaker 1: I go, that's it's different. Like I have a different
Speaker 1: standard of the way I should be treated, the way
Speaker 1: other women should be treated, and there's no great area
Speaker 1: for me.
Speaker 3: So I love a flirt. I'm not gonna lie.
Speaker 4: I love a flirt. A flirt with the waitress, fine,
Speaker 4: but what they were.
Speaker 1: Doing was and sensual flirting whatever.
Speaker 2: Yeah, but that was a little but not yeah, demeaning,
Speaker 2: like yeah, yeah, AnyWho.
Speaker 3: And then they start fighting kind of right after.
Speaker 1: That, like.
Speaker 4: You know, over you.
Speaker 1: I guess it's basically Kelly driven, is it just that's
Speaker 1: kind of like the backbone of their But they had
Speaker 1: drifted before the whole Kelly of it all.
Speaker 3: Yeah, they grew up.
Speaker 1: Dylan started to go down his addict road.
Speaker 4: Yeah, which rightfully, so like Brandon doesn't have to be
Speaker 4: best friends with the guy who's totally an unhinged drug addict,
Speaker 4: you know what I mean?
Speaker 3: Like that's okay.
Speaker 1: What about when they were standing like nose to nose?
Speaker 1: I love I love those scenes when no one ever
Speaker 1: talks this close to another human being. I've never even
Speaker 1: like talk to my husband or my kids this close.
Speaker 1: Isn't this weird?
Speaker 2: I've definitely gotten that close to you. You can't even
Speaker 2: see when you're there, and then you say like you're like.
Speaker 1: Yeah, whoa, whoa, whoa, whoa. This is my dance space,
Speaker 1: that's your dance space.
Speaker 4: I would be so overwhelmed by the breath if someone
Speaker 4: was that close to me, I'd.
Speaker 2: Be like, that's right.
Speaker 1: When you see a scene where they're so close, you're like, wow,
Speaker 1: I wonder if they had stinky breaths and they just
Speaker 1: like sucked it up for the scene. They got through it.
Speaker 4: Oh the ping? Can we talk about the pen But
Speaker 4: the fake ping? First of all, it wasn't even was acting.
Speaker 4: It wasn't good pee acting.
Speaker 1: I'm going to go out on a limb and say
Speaker 1: it was real. Knowing those two guys.
Speaker 4: It was so fake when they zip up.
Speaker 1: Maybe from the back angle, From the back angle it
Speaker 1: was probably real, okay, But from the front angle, yeah,
Speaker 1: the whole shake it and then you shake it and
Speaker 1: you scoop it in your pants.
Speaker 2: Is that? Oh my gosh, I keep going, I really
Speaker 2: wanted to watch that closely because it seemed very fake
Speaker 2: pee acting for me.
Speaker 4: And when they when when Luke Perry zips up, it
Speaker 4: was like already zipped because he kind of went up
Speaker 4: and you could see his jeans and I'm like, you
Speaker 4: just zipped up zipped pants.
Speaker 1: So this is your bad pe acting, got it?
Speaker 4: Would they really get that?
Speaker 3: In trouble writing?
Speaker 1: The driver's license ever made of paper? Like that?
Speaker 2: Is that?
Speaker 4: Wait?
Speaker 1: I'm trying to remember what my driver's license was made
Speaker 1: of in nineteen ninety four, and there's no world in
Speaker 1: which it was paper.
Speaker 4: Wait, it was.
Speaker 2: It was. It was not paper like what's that printed?
Speaker 1: It was sort of card stock like past porty material
Speaker 1: like paper that doesn't rip therase. No, I don't know.
Speaker 4: I'll admit something. And why I don't think it was.
Speaker 4: It's okay because people would have made if it was
Speaker 4: on paper, people would have made so many fake id's.
Speaker 1: Is this xerox copy that right?
Speaker 4: Like, there's no way. It definitely was and on paper,
Speaker 4: but it wasn't what it is now.
Speaker 2: It was almost the quality of like a picture, like
Speaker 2: a photo, like yes, yes, what I say?
Speaker 1: It really pulled me out. It pulled me out people.
Speaker 1: The peeing. The peeing moment pulled you out of me.
Speaker 1: Just license paper for me out.
Speaker 2: But yeah, I.
Speaker 1: Mean, in what world are they going to get work
Speaker 1: duty because they peed on the side of the ancient burial.
Speaker 4: Also, not no disrespect, but if a police officer told
Speaker 4: me to dig a hole.
Speaker 1: I'd be like, no, I might be like, it's going.
Speaker 4: On, Like, am I digging a hole that you're gonna
Speaker 4: Am I gonna die out here?
Speaker 1: Like I would think that you would think that, of course, Like,
Speaker 1: I don't know. It was just I just thought it
Speaker 1: was real stupid, the whole pulling them peeing.
Speaker 3: Dig a hole and then making dig a hole and
Speaker 3: all with this.
Speaker 1: Oh that was so profound. Amy make sure it's wait,
Speaker 1: he goes, make sure it's this and the sides are
Speaker 1: like this, yeah, the bottom's like this inside Like what
Speaker 1: does that mean?
Speaker 2: Though?
Speaker 4: Yeah?
Speaker 3: Is that so they can get in there and sweat?
Speaker 2: I don't know.
Speaker 1: I think it was just him having a little fun
Speaker 1: with them.
Speaker 2: None of this bothers me because we got to see
Speaker 2: both them their shirts off, so I'm une cool with that.
Speaker 4: They looked great.
Speaker 1: Wait wait, wait, wait, okay, go back to the digging though,
Speaker 1: because Dylan is not a very good digger huh, for
Speaker 1: the record, and the other one.
Speaker 4: Was supposed to observe like it was, so what kind
Speaker 4: of lesson what was going on?
Speaker 1: He was teaching them to despite their adversities, their obstacles,
Speaker 1: to work together somehow and figure it out together. That's
Speaker 1: what I thought.
Speaker 4: We go back to their fight for a second too,
Speaker 4: in the motel room. The sassy, sassy sass of their fight.
Speaker 5: It was so like a pokey I could collar back.
Speaker 4: Yeah.
Speaker 2: I like when Dylan gets like that though, But is
Speaker 2: that how guys have a little fight?
Speaker 4: No, who guys fight over?
Speaker 3: I just don't think they fight over a girl.
Speaker 4: Like that, especially like if they've decided to go right, Yeah,
Speaker 4: like on a road trip, they're gonna be drinking beers
Speaker 4: and like watching something on that television. They're not discussing
Speaker 4: the phone call or like, oh, we see waited until
Speaker 4: I got in the shower and a collar.
Speaker 1: Do you think they were naked in that sweat lunch hope?
Speaker 2: I'd like to think so.
Speaker 1: Yeah, me too, because it was really unclear. So yeah,
Speaker 1: I decided in my mind they were naked.
Speaker 2: Yeah. I tried to zoom in on my phone to watch.
Speaker 1: But they looked pretty funny. Have you ever done a
Speaker 1: sweat lunch, either of you?
Speaker 4: No? I don't.
Speaker 3: I don't think I've ever been in a saana.
Speaker 2: Like a steam Really wait, you've done a sweat lodge.
Speaker 1: I've done a sweat lodge.
Speaker 4: And whoa, how was it?
Speaker 1: It's amazing how it's tense. It's it's sweaty, y'all, and
Speaker 1: it's hot and sweaty.
Speaker 3: And are you trapped or can you get out?
Speaker 1: You can get out the flaps of the tepee or
Speaker 1: whatever the skin you're under. Not No, you would have
Speaker 1: died three minutes into it. You would have just died,
Speaker 1: and that we would have put you in a big hole.
Speaker 1: That would have been that I did it. I don't
Speaker 1: even remember where. That was, somewhere in the Palm springsy
Speaker 1: desert y area like Joshua Tree. Yeah, this was many
Speaker 1: moons ago.
Speaker 2: Cool. I like the idea of it.
Speaker 1: Yeah, and we all howled like.
Speaker 4: Woah that I can't do that kind of thing.
Speaker 1: Oh, it's fun. I was with a bunch of strangers.
Speaker 3: Oh gosh, even more so.
Speaker 1: I can't do that, friend, and then a bunch of
Speaker 1: people I didn't know it was pretty cool. Oh my god,
Speaker 1: I do that.
Speaker 4: I can't do like howling or like.
Speaker 1: You could do it, but I don't think you would
Speaker 1: enjoy the rights the temperature situation.
Speaker 4: I don't know. Group activities kind of challenge me, like
Speaker 4: when everyone's like move your arms like this and I'm like.
Speaker 1: Super anxious that right, Oh that's funny. Have you done
Speaker 1: a lot of group like group things like that.
Speaker 2: Like.
Speaker 4: Healing like no.
Speaker 1: Rehabby meetings or I don't know, like you gotta just
Speaker 1: jump in.
Speaker 2: Aren't there like team team things bonding corporate?
Speaker 3: Oh yeah, I don't like those kind of things.
Speaker 2: Like my heart's never done like a team like team
Speaker 2: thing where you do those things like and you fall back.
Speaker 1: And know one rope or is that just rope challenge?
Speaker 2: That was just a little vernon Shirley. Where is that?
Speaker 4: I'm like, oh, I can't make it.
Speaker 1: We should have that for all the podcasts.
Speaker 2: Come on.
Speaker 1: I want to see I want to see that every
Speaker 1: time there was a.
Speaker 4: Team bonding thank you?
Speaker 2: No?
Speaker 4: Yes, right, Everyone's like can I not?
Speaker 2: Can?
Speaker 4: I just not? Okay?
Speaker 3: Wait, So here's my question for you guys. Yes, focusing
Speaker 3: on this.
Speaker 4: Storyline, do you are you? Did you enjoy it.
Speaker 1: It's always enjoyable. When they get out of Dodge, they
Speaker 1: go on a little trip. You see some new things.
Speaker 1: There's a new energy in the scenes. You know that's
Speaker 1: not normal. I like that part of it, but I
Speaker 1: didn't really the storyline was so thin and weird and
Speaker 1: like manipulated and sweat lodge. What this was like? Huh
Speaker 1: what am I watching?
Speaker 2: Yeah? Yeah, I liked seeing Dylan and rand in like
Speaker 2: the two of them. Yeah, and you know, facing the
Speaker 2: Luke was interacting. But yeah, other than that, the storyline,
Speaker 2: I could have done What's.
Speaker 1: Out it was.
Speaker 3: Yeah, it was so weird.
Speaker 4: I was.
Speaker 3: I was pretty into it.
Speaker 4: It was so weird. I was like, this is so
Speaker 4: with so many like sort of story flaws. But I
Speaker 4: was like, I'm loving every minute of it.
Speaker 1: There was so much flannel in this episode. Did you
Speaker 1: notice every character was wearing a flannel at some point.
Speaker 3: I think Dylan was wearing like a tight leather jacket that.
Speaker 1: I was like a motive, it was like a jacket.
Speaker 4: Yet, Yeah, was super stoked on it was into that one.
Speaker 4: You didn't.
Speaker 2: I just felt like it felt new, which was surprising
Speaker 2: for like Dylan, Like it didn't.
Speaker 1: Ride his motorcycle and a denim jacket, right, No.
Speaker 2: But like it didn't look like a worn in motorcycle diet,
Speaker 2: you know what I.
Speaker 1: Mean, fresh off the rack? Remember when the peach Pit
Speaker 1: after Dark? I would never liked that set whenever we
Speaker 1: would shoot on it, it just felt big and cavernous
Speaker 1: and cold, like the everywhere you look it's like flat.
Speaker 1: I hated it. I never like shooting in there and I, oh, wow,
Speaker 1: I didn't. I don't like the way it looks on camera.
Speaker 1: I don't feel like I want to go to that place.
Speaker 3: Oh that's interesting, hmmm, Like it doesn't feel like a
Speaker 3: cool club too.
Speaker 1: It always felt like a miss for me.
Speaker 2: I agree with that. The sets like and we know
Speaker 2: because we had to recreate it for BH, Like it's yeah,
Speaker 2: it wasn't great.
Speaker 6: I would go to the peach Pit, like, if they're
Speaker 6: going to make it after dark, if they're going to
Speaker 6: make a place like and they have that much space
Speaker 6: and all Rush's money, Like, why wouldn't they do something cooler?
Speaker 1: I don't know, I'm wondering.
Speaker 4: Back then, I think I thought it was cool.
Speaker 2: Maybe is it because it was the nineties, Like, yeah,
Speaker 2: I don't know, it.
Speaker 1: Was like it was like one of those night at
Speaker 1: the Roxbury kind of clubs.
Speaker 2: I wander like the moving board or the inspo, like
Speaker 2: what were the They were like, oh, so it's going
Speaker 2: to be like this vibe this La.
Speaker 4: You know.
Speaker 2: Someone was like, oh, copy Bar One or copy the Rocks.
Speaker 4: Yeah, yeah, exactly exactly.
Speaker 3: It does have that vibe.
Speaker 4: It's very nineties and those clubs because you always wanted
Speaker 4: to get in, Like I remember before I lived in LA,
Speaker 4: like going down to LA during college and being like,
Speaker 4: I hope we can get in to this.
Speaker 3: Blah blah blah club and then you get.
Speaker 1: It, like it's just a big room, met a bar, lame.
Speaker 3: Yeah, yeah, so lame and a bunch of weirdos.
Speaker 2: I liked filming in it though, because it usually meant
Speaker 2: we got to be together and like it was just
Speaker 2: another extension of like scenes the pitch pit, like it
Speaker 2: was group scenes usually. Yeah.
Speaker 4: Yeah.
Speaker 1: The so Rush is funding it and Steve is jealous?
Speaker 1: What about that uh that part where Rush is standing
Speaker 1: on the main stage and everybody's gathered around while he's
Speaker 1: telling his stories. Donna's tails and Steve was all mad,
Speaker 1: Oh I got so jelly because he wants to be Rush,
Speaker 1: he wants to be him.
Speaker 4: And then poor Donna where Torri. Donna goes to see
Speaker 4: him for some help and he just.
Speaker 1: Like stabbed her, bites your head off.
Speaker 4: I was like, wow, overreact.
Speaker 1: Yeah, that made me have like Greek PTSD for you.
Speaker 1: I don't even know why, but I got anxiety. But
Speaker 1: Steve was talking to Donna like that when they were
Speaker 1: when Steve and Rush were making up again, I was like,
Speaker 1: haven't I seen this like five times exactly?
Speaker 4: And it's always so quick, like from mad to love
Speaker 4: in five seconds. Okay, we'll go with you. How about
Speaker 4: the Susan Powder reference too? So random?
Speaker 1: What's that? What do you mean? What was that?
Speaker 4: Okay? So, when when Donna goes in to talk to
Speaker 4: Steve and he's all just like bitter head off so fast.
Speaker 4: First he's like fine, and then and then he turns
Speaker 4: fine all of a sudden again and talking about Vince
Speaker 4: Lombardi and he says, shave your head like Susan Powder.
Speaker 4: Who was that? Because I was sort of like of
Speaker 4: the time she was kind of like one of those
Speaker 4: sort of what's that cat's name? Those like inspirational speaker
Speaker 4: type people. We just said, that's that guy's name that
Speaker 4: everybody goes to see, like Tony Robbins, Tony Robbins. I
Speaker 4: think she was sort of a Tony rob Okay, and
Speaker 4: she was.
Speaker 2: Sort of of the era that Steve made that reference
Speaker 2: in the nineties and now currently like Ian such like
Speaker 2: an inspirational speaker about coaching people and business and all that.
Speaker 1: Yep, he's destined.
Speaker 4: It was a random reference.
Speaker 1: What about the fact that Kelly Taylor and Cindy Walsh
Speaker 1: have the same haircut.
Speaker 4: Weren't they all in the kitchen making sandwhich is again
Speaker 4: and she wanted him to take.
Speaker 3: The station wagon on the road and then the like
Speaker 3: field mice ate the sleeping bag.
Speaker 1: Like it was a very family friendly and fun I
Speaker 1: enjoy a good Walsh, A good.
Speaker 4: Time for you to rekindle your friendship. Yeah, like Easy Rider,
Speaker 4: except they die at the end.
Speaker 1: Like it was just like so like parenting.
Speaker 4: Yeah, it's all very I don't know what the word
Speaker 4: is to describe his direction. It's so it's almost like
Speaker 4: he's directing a comedy drama.
Speaker 1: There's a lot of levity. There's a lot of levity
Speaker 1: that's a camaraderie, there's a lot of like winks we're
Speaker 1: all in this together. Kind of feels.
Speaker 4: Yeah, I have a little thing for Tory slash Donna.
Speaker 3: You're being so snarky with Ray.
Speaker 4: And like he like getting up in him to do this,
Speaker 4: and you're so bossy about it, and I just don't
Speaker 4: really get it.
Speaker 2: I just feel like, one, that's not Donna's demeanor or
Speaker 2: like I don't it's just like out of character.
Speaker 1: It is.
Speaker 5: Yeah, you're not pushy, so why would you care? Like, yeah,
Speaker 5: Ray has a great voice, you know that it's great
Speaker 5: he writes you love songs. You might be like, hey,
Speaker 5: if you want this opportunity, you know, I want you
Speaker 5: to have it, when he's like, no, you.
Speaker 4: Would be so respectful. And so it's very weird that
Speaker 4: Donna's being like, look, Ray.
Speaker 2: You need to do this. It is except she does
Speaker 2: get like that sometimes when people are like fighting and
Speaker 2: she like intervenes and makes them like make up. Those
Speaker 2: lines always felt so challenging for me because it wouldn't
Speaker 2: I would never be that person to be like you
Speaker 2: got it, like take charge. Yeah, I don't feel like
Speaker 2: she especially in like a love scenario. I don't think she.
Speaker 4: And also say Ray suddenly couldn't perform David, aren't you
Speaker 4: like a total musician? Like, can't you know that?
Speaker 1: I think that.
Speaker 4: What was his hit song called be my Love, Be
Speaker 4: my love, Beat Beat be My.
Speaker 1: He's saying that thank you so word. I don't think
Speaker 1: I think his character had moved on from from that
Speaker 1: after the whole thing with the girl in the live
Speaker 1: got him a little.
Speaker 4: By the way, Does he go back to it? Maybe?
Speaker 4: But speaking of you know she's coming back? Who everyone
Speaker 4: that gave him crabs?
Speaker 1: When she comes back as the character?
Speaker 2: My heart just dropped. Sorry.
Speaker 1: Yeah, does she come to the peach pit after dark
Speaker 1: by any chance?
Speaker 4: I don't want to give away anymore, but but I
Speaker 4: know she's coming soon. I can remember she's coming soon. Yeah,
Speaker 4: sorry triggers.
Speaker 2: God.
Speaker 1: Let's talk about the cult. Well, it's it's really a
Speaker 1: self empowerment.
Speaker 4: First of all, it's Nexium. Do you guys know what
Speaker 4: Nexium is?
Speaker 1: Yeah?
Speaker 3: Oh my god.
Speaker 4: All I could think of was like, this is how
Speaker 4: they got people into Nexium. I listened to that podcast
Speaker 4: which Do Yourself a Favor and listen, and I was like,
Speaker 4: this is does story like that?
Speaker 1: And with a bunch of people chairs, Yep, you.
Speaker 4: Come to a meeting you're in the chairs, there's like
Speaker 4: the guy kind of giving the lecture up there, and
Speaker 4: exactly how they came around to the table and they
Speaker 4: kind of pushed you.
Speaker 1: Did they put that was a creepy hand on your shoulder,
Speaker 1: like Finlay did Kelly.
Speaker 4: Literally that this show could have invented nexium because that
Speaker 4: guy could have watched this show.
Speaker 1: Oh my god, don't do that to us, saying he's
Speaker 1: really creepy.
Speaker 3: Oh creepy, so creepy.
Speaker 4: And how about Valerie just knowing this was a bunch
Speaker 4: of hullabaloo and was out. Now.
Speaker 2: I just don't like Valerie and Kelly together, Like it's
Speaker 2: just like.
Speaker 1: Do you like the way they were dressed exactly the same.
Speaker 1: They both had on floral maxi dresses and sweaters.
Speaker 2: Because you guys never did that in real life.
Speaker 1: We did.
Speaker 4: We did that.
Speaker 2: We all would do that like you would twin in
Speaker 2: real life with your friends. Yeah, yeah, I believe you
Speaker 2: had like matching leather jackets on. There's a photo. Here's
Speaker 2: a photo.
Speaker 1: We are like each other, but they I don't know.
Speaker 1: It's just so weird.
Speaker 4: Weirder was Valerie walking into Brandon's bedroom when Kelly and
Speaker 4: Brandon are making out through how about knocking through the
Speaker 4: Jack and Jill bathroom like it was the Brady bunch,
Speaker 4: Like what just bopping in and nobody even reacts like hey,
Speaker 4: they're just like talk to her like no problems, come
Speaker 4: on in anytime you want.
Speaker 1: I'm just curious, like, why does Kelly want to change
Speaker 1: her life so bad? Like what's so wrong life? And
Speaker 1: then I don't see where they.
Speaker 2: Need the storyline to happen.
Speaker 3: Yes, how about the question he happened?
Speaker 4: Are you happy or whatever?
Speaker 3: Are you happy with your life?
Speaker 2: And then she's like, wait, what's the whole thing he
Speaker 2: does when he's telling her like basically like are you happy?
Speaker 2: Like he gives her a comparison of you.
Speaker 4: Mean, like when he comes around and he's so kind
Speaker 4: of weird. Yes, And then she's all like sucked into it?
Speaker 1: Yes, but why I.
Speaker 2: Just gave you an analogy to something? I think?
Speaker 4: Are we to assume it's the fire has changed you
Speaker 4: and you have guilt because you sort of hoped you
Speaker 4: were like let me live, I don't care if she
Speaker 4: dies kind of a thing.
Speaker 1: She admits that, yeah, yeah, that was gnar. Really that's
Speaker 1: pretty dark mm hmm. And I guess she did. She
Speaker 1: thought she was going to.
Speaker 4: Die and then you barely got to burn and she's
Speaker 4: so burned.
Speaker 1: So she's got guilt.
Speaker 2: Yeah, but like deep down her mom like she that's
Speaker 2: you always had that one person in your life you
Speaker 2: want the approval from. And her mom wants a model.
Speaker 2: Her mom wanted her to be a model, like she's
Speaker 2: never she feels like it can be pretty enough now enough, yeah, enough, enough,
Speaker 2: enough enough for Jackie, she's not enough. And if she's
Speaker 2: not enough for Jackie, she's not enough for anyone.
Speaker 4: I'm going to say, I buy the storyline that Kelly
Speaker 4: is sort of struggling so much that she could be so.
Speaker 3: To the cult that we didn't know as a cult.
Speaker 1: Yet I guess so yeah, now that you break it
Speaker 1: down like that, it does make sense. Yeah.
Speaker 4: And then you go to the classroom and push a
Speaker 4: note under it, which is also weird, like what students,
Speaker 4: let me push a little note under and then he's
Speaker 4: all Creeposaurus and it's like, come on in.
Speaker 1: There's no like weird, like love, sexual, whatever anything between
Speaker 1: these two characters, right, Finley and Kelly.
Speaker 4: Can't answer that.
Speaker 2: That's tough to answer.
Speaker 1: Because it's gonna send me over the edge.
Speaker 4: Because he's not going away for a minute. I'll say that,
Speaker 4: I'll tell you that.
Speaker 2: But I feel like those types of people, that's what
Speaker 2: they become, like you fall in love with them.
Speaker 1: Because nexium, you're under their spell. Yeah, I'm scared about
Speaker 1: what's going to happen.
Speaker 2: Then you should be. You should be really scared.
Speaker 4: Yeah, really scared, because I was like, yeah, like Bonker scared.
Speaker 4: It gets really it gets really juicy soon because Tory,
Speaker 4: you're gonna be real mad too.
Speaker 1: Wait what why Wait Donna goes to the cult.
Speaker 4: No, but there's a lot of Steph drama coming your
Speaker 4: way too with Ray.
Speaker 2: Wait, well now that's next season. No.
Speaker 1: I think it really feels like this is the longest
Speaker 1: season of any season ever made for television.
Speaker 4: And it's just getting good. Like there's a lot left
Speaker 4: of this season that's very juicy.
Speaker 1: Much left.
Speaker 4: You're right, episode we're.
Speaker 1: Halfway through the season.
Speaker 4: Yeah, what episode are we on?
Speaker 1: This is seventeen eighteen.
Speaker 4: Yeah, you're right, there's like twelve or something more elisode.
Speaker 4: That's why I think to love what you.
Speaker 3: Think is season six is actually season five.
Speaker 4: Oh but you do love season five? And I think
Speaker 4: you do. How about we hear from Jonesy too that
Speaker 4: the money is.
Speaker 1: At the very end. Yeah, it's your good friend Jonesy, which.
Speaker 4: I'm ready to get the money back. I don't need this, Like,
Speaker 4: let's get still on this money back.
Speaker 1: I forgot about the money part. I honestly was enjoying
Speaker 1: him having a good time and being somewhat normal again.
Speaker 4: Two mentions to y'all. And see if you noticed it's
Speaker 4: number one on the table clause in the diner in
Speaker 4: the middle of nowhere, the red and white very prominent
Speaker 4: table clause that really indicated you're in an old dimey
Speaker 4: cat a diner.
Speaker 1: Wait, were they just like the red and white checks?
Speaker 1: Like yepas okay, they were sitting at a picnic table
Speaker 1: first of all, which really bothered me. Random the same side,
Speaker 1: and you know why that is? So that it's one shot.
Speaker 1: It's like, so save time and just shoot this way.
Speaker 3: That was so captain obvious.
Speaker 1: Like I saw a number of those moments in this episode, honestly,
Speaker 1: where the people that were in the scene were all
Speaker 1: kind of lined up conveniently that they could all pop
Speaker 1: it off in one shot. And I know that when
Speaker 1: Jason was directing that was like a big thing to him,
Speaker 1: like let's get this done and let's get this crew
Speaker 1: out of here early. You know, like he really was
Speaker 1: one of the crew guys. Like he was always trying
Speaker 1: to speed things up.
Speaker 2: I love that except for the he's so creative like
Speaker 2: with his direction like that as well, like he would
Speaker 2: take time to do like the really cool like big
Speaker 2: shots right but right.
Speaker 3: Like the motorcycle stock. He shot the motorcycle.
Speaker 4: Stock really really cool.
Speaker 1: He kind of prioritized things.
Speaker 4: Yeah, then I'm like, why are they sitting on the
Speaker 4: same side.
Speaker 1: That was weird?
Speaker 4: Shoot him in a booth, then create a booth so
Speaker 4: it's not.
Speaker 2: Like.
Speaker 4: Also, one other thing, I'd love mushroom barley soup. Like, really,
Speaker 4: you're not gonna just order a burger dude, You're ordering
Speaker 4: mushroom barley soup.
Speaker 1: It was it was cold.
Speaker 4: I love soup.
Speaker 1: She Torri loves soup. You guys, it's weird.
Speaker 3: Oh and then how about Russ and Steve. You'll play
Speaker 3: I'll fly what's that meaning?
Speaker 1: It means I'll go with you?
Speaker 4: Yeah, if you pay, if you pay for the peach
Speaker 4: pit after good, good with you.
Speaker 1: I don't fly buy would you basically to sum this
Speaker 1: episode up. I'll just use the words of Brandon and Dylan.
Speaker 1: Nobody's perfect. Anything is possible. That was the big takeaway
Speaker 1: for me. Great, profound, beautiful.
Speaker 4: I feel like, yeah, I loved it. Lessons to live
Speaker 4: by before we please note it's important. Jesse and Andrea
Speaker 4: still doing good at the peach Pit. They were gonna
Speaker 4: go dance.
Speaker 1: Oh okay, so next week, let's see our show. Next
Speaker 1: week is about season five, episode eighteen, Hazardous to Your Health.
Speaker 2: Trying to remember we didn't mention Claire and David doesn't matter,
Speaker 2: no mention super cute. Yeah, they are not bothering me. Weirdly,
Speaker 2: they didn't bother me.
Speaker 1: I didn't have any feeling about them though.
Speaker 4: That's they're just trying to open the peach Pit after dark.
Speaker 2: I just take wardrobe, in her makeup, in her hair,
Speaker 2: and yeah.
Speaker 3: They're not annoying.
Speaker 1: I'm kind of like they're just kind of like, yeah,
Speaker 1: they were kind of they're doing their thing. Oh my god.
Speaker 4: My favorite line though, when Donna is talking to Ray
Speaker 4: and he's all like she's I think she says something like,
Speaker 4: what do you have afraid of that? Nothing will come
Speaker 4: out and then I'll puke and die.
Speaker 1: Extreme formatic song we never saw.
Speaker 4: Yeah, like so much build up.
Speaker 2: I know it was I'm remembering, I'm looking at myself.
Speaker 2: That's not a party.
Speaker 1: That's not a like let's dance kind of song. Oh
Speaker 1: and it was.
Speaker 2: Then.
Speaker 4: I think you're right though.
Speaker 2: I'm pretty sure I give this a.
Speaker 1: Ten A ten.
Speaker 4: Oh oh gosh, of course this is a you.
Speaker 1: Went from hold on Hold on Melmber definite ten.
Speaker 2: Yes, this is also are ten Jen eight.
Speaker 1: I'm gonna go eight talks maybe maybe seven seven and
Speaker 1: a half.
Speaker 2: I'm gonna go with seven and a half.
Speaker 1: Seven and a half.
Speaker 2: Yeah, oh, no disrespect to Jason, but like, get your
Speaker 2: motor run in on the How did they play that song?
Speaker 3: I don't I'm sure they didn't pay for that song.
Speaker 1: Only in your head.
Speaker 3: In my head, I think it's just my that's how
Speaker 3: I wow.
Speaker 1: Okay, we've learned so much about you, easy rider.
Speaker 4: I'll like never ride a motorcycle in my life, but
Speaker 4: yet I'd love to jump in your mind, like yeah,
Speaker 4: Priestley's motorcycle and just be like, yeah, I get your
Speaker 4: motor would be so I think I would go priestly
Speaker 4: over Perry.
Speaker 2: Do not ever blow your hair again. Because you are
Speaker 2: on fire today with white hair.
Speaker 1: Wait a second, you would rather ride behind Priestley? Thank you?
Speaker 4: So if I had to pick between one of those motorcycles,
Speaker 4: which one would you?
Speaker 2: Why? Why?
Speaker 1: Why?
Speaker 2: Why? The motorcycle picked the rider. Yeah.
Speaker 4: No, I'm not picking the Dakati over the Sorry. Like
Speaker 4: if you said to me right now, I'm in that episode,
Speaker 4: I'm at the diner. One of them's gonna kiss me,
Speaker 4: which one do I want?
Speaker 1: No, I want to know who you would ride on
Speaker 1: the back of a motorcycle with Priestley.
Speaker 3: I just I don't know why.
Speaker 1: Just you don't know why.
Speaker 3: I love Luke Perry.
Speaker 1: I I agree with you. Honestly, I think I'd feel
Speaker 1: safer on the back of Jason's motorcycle.
Speaker 2: Guys were going with safety.
Speaker 1: Now I'm gonna go with safety. I'm getting on a motorcycle.
Speaker 2: It's very dangerous. Wait is that your instinct, because yes,
Speaker 2: the jet ski.
Speaker 1: No, Honestly, it really comes down. I would rather be
Speaker 1: back on the back of Jason Priestley's motorcycle just because
Speaker 1: his legs look stronger. Luke's legs might be very strong,
Speaker 1: but they're thinner and longer, and I want a good sturdy,
Speaker 1: strong legs supporting that motorcycle.
Speaker 3: Who saved you on the jet ski.
Speaker 1: Luke, No, he did nothing of the of the kind.
Speaker 1: He tried to kill me. Yeah, I don't know. We've
Speaker 1: gone a miss rye.
Speaker 2: Wait wait, I'm gonna liken it too. I'm gonna pick Luke. Okay,
Speaker 2: why I don't want to wait, you.
Speaker 1: Don't want to say no, I don't.
Speaker 2: I feel like it would be like smoother oh writing,
Speaker 2: I don't know. I feel like Jason needs to race,
Speaker 2: so he was like more fast. I would feel more
Speaker 2: comfortable because I feel like Luke was more like in
Speaker 2: tune with like just riding a motorcycle on the roads
Speaker 2: and not like like Jason raced cars. So like, if
Speaker 2: you're too fast for me?
Speaker 1: Yeah, I think you said before about like I don't
Speaker 1: maybe I couldn't trust him because he did try to
Speaker 1: kill me with the jet ski, so I would be in,
Speaker 1: You're right. It would be like, ooh, that's not safe.
Speaker 1: I'm gonna go with this guy. Good stuff, you guys,
Speaker 1: great episode. Really really enjoyed myself me too for this.
Speaker 2: Though not the actual episode. The two of you really.
Speaker 1: And we'll be back next week with Hazardous to your health.
Speaker 1: You guys have a great week.
Speaker 2: We of you. Yeah.