1 00:00:00,280 --> 00:00:04,320 Speaker 1: It's nine O gene one Old Jane with Jenny Garth 2 00:00:04,440 --> 00:00:05,560 Speaker 1: and Tory spelling. 3 00:00:10,000 --> 00:00:12,440 Speaker 2: We're back here. We are another week. 4 00:00:12,560 --> 00:00:21,640 Speaker 1: O MG, hello ladies, Hello, lovely ladies. So happy January. 5 00:00:21,960 --> 00:00:26,200 Speaker 1: It's still January. Dry January? Is it dry January or 6 00:00:26,239 --> 00:00:28,080 Speaker 1: no shaved January? I'm so confused. 7 00:00:28,160 --> 00:00:30,480 Speaker 3: Oh my gosh, I didn't know about that second thing. 8 00:00:30,840 --> 00:00:34,200 Speaker 1: Well, isn't there like a no shave month? Because I'm 9 00:00:34,240 --> 00:00:36,560 Speaker 1: in it, so hopefully it's January. 10 00:00:37,200 --> 00:00:42,199 Speaker 2: She's not even hairy. Guys, that's not saying much. You know, 11 00:00:42,440 --> 00:00:45,479 Speaker 2: there's like holidays that don't exist that people create, and 12 00:00:45,720 --> 00:00:48,800 Speaker 2: every day is in national something. Yeah, so what else 13 00:00:48,800 --> 00:00:51,440 Speaker 2: could it be? Anything? We want it to be? No 14 00:00:51,560 --> 00:00:57,720 Speaker 2: shave January? No, oh, no shave. I don't like no, 15 00:00:58,480 --> 00:01:00,680 Speaker 2: but I like you, like a fresh shame be anything 16 00:01:00,920 --> 00:01:02,080 Speaker 2: like on the daily. 17 00:01:01,840 --> 00:01:03,480 Speaker 1: Amy, like every day. 18 00:01:03,400 --> 00:01:04,959 Speaker 2: No blow dry January? 19 00:01:05,000 --> 00:01:08,080 Speaker 4: Amy, Well, I have that right now. But I shave 20 00:01:08,200 --> 00:01:09,360 Speaker 4: every day. I don't like. 21 00:01:09,520 --> 00:01:12,800 Speaker 1: Oh my god, you are an inspiration woman. 22 00:01:13,840 --> 00:01:16,080 Speaker 4: I wash my hair every day too. 23 00:01:16,280 --> 00:01:17,360 Speaker 1: I used to be like you. 24 00:01:18,400 --> 00:01:19,759 Speaker 2: I was never like either. 25 00:01:22,200 --> 00:01:25,360 Speaker 1: Oh no, that's a lot of work though, y'all. 26 00:01:25,480 --> 00:01:28,399 Speaker 4: Man, It's kind of like my meditation blow drying my hair, 27 00:01:28,440 --> 00:01:30,959 Speaker 4: though I really like it, just sort of calms me. 28 00:01:31,400 --> 00:01:32,479 Speaker 2: It's a good workout. 29 00:01:32,280 --> 00:01:35,640 Speaker 3: I still don't have children. You guys, you. 30 00:01:35,720 --> 00:01:39,000 Speaker 1: Got a little extra me time in the bathroom. Maybe 31 00:01:39,000 --> 00:01:40,720 Speaker 1: you can share it with both of us. 32 00:01:41,000 --> 00:01:44,640 Speaker 2: But to your point about January, Jen, I was told 33 00:01:44,640 --> 00:01:48,080 Speaker 2: that after January seventh you can't say Happy New Year? 34 00:01:48,160 --> 00:01:48,640 Speaker 3: Is this true? 35 00:01:49,400 --> 00:01:50,520 Speaker 1: Oh? Oops? 36 00:01:50,920 --> 00:01:54,200 Speaker 2: Wait, I know what's the day after January seventh? 37 00:01:54,240 --> 00:01:57,720 Speaker 4: So yeah, when do we have to take our Christmas 38 00:01:57,800 --> 00:01:58,280 Speaker 4: lights down? 39 00:01:58,680 --> 00:02:00,559 Speaker 3: I've not been by yet that happened. 40 00:02:00,560 --> 00:02:02,880 Speaker 1: I think that's January sixth. 41 00:02:03,520 --> 00:02:04,320 Speaker 4: Yeah, I haven't finished. 42 00:02:04,400 --> 00:02:06,920 Speaker 2: I'm not Kiddington won't be surprised at this that I 43 00:02:06,960 --> 00:02:09,120 Speaker 2: think the longest I've had mine up I think April 44 00:02:09,160 --> 00:02:12,960 Speaker 2: one year taking down. I'm not kidding. Well, they're fun. 45 00:02:13,360 --> 00:02:17,119 Speaker 1: I sad when you take your Christmas Life's stay sad 46 00:02:17,480 --> 00:02:19,320 Speaker 1: because then you have to wait a whole nother year 47 00:02:19,360 --> 00:02:22,520 Speaker 1: for that like excitement you feel when you look at 48 00:02:22,520 --> 00:02:25,679 Speaker 1: them in at night. They're just so fun and exciting. 49 00:02:25,840 --> 00:02:28,239 Speaker 4: I love them these days with white too, because during 50 00:02:28,280 --> 00:02:30,560 Speaker 4: COVID everybody used all those white lights, you know, so 51 00:02:30,600 --> 00:02:32,920 Speaker 4: they could be outside. More So these days, if you 52 00:02:32,960 --> 00:02:37,600 Speaker 4: have white it's kind of like, yeah, they're like just 53 00:02:37,800 --> 00:02:38,760 Speaker 4: lights for their yard. 54 00:02:39,320 --> 00:02:41,320 Speaker 2: I was embarrassed one time and someone came over and 55 00:02:41,360 --> 00:02:44,239 Speaker 2: they were like, this was February. They were like, why 56 00:02:44,280 --> 00:02:45,960 Speaker 2: is it still up? And I was like, oh, because 57 00:02:46,000 --> 00:02:47,720 Speaker 2: it's going to be a holiday tree and I'm going 58 00:02:47,760 --> 00:02:50,600 Speaker 2: to turn it into Valentine's. It's good a few days. 59 00:02:50,880 --> 00:02:52,840 Speaker 2: And then it was still up months later, and it's 60 00:02:52,840 --> 00:02:55,440 Speaker 2: going to be Saint Patrick's Day now. And then I 61 00:02:55,480 --> 00:02:58,120 Speaker 2: was like, yes, screwed. I'm just lazy. I haven't taken 62 00:02:58,120 --> 00:02:58,440 Speaker 2: it down. 63 00:02:58,919 --> 00:03:01,320 Speaker 1: I know it's about lazy, but also my mom she 64 00:03:01,360 --> 00:03:03,360 Speaker 1: wants to keep her tree up all the time, and 65 00:03:03,400 --> 00:03:05,880 Speaker 1: she lives in a really tiny little house and it 66 00:03:05,919 --> 00:03:09,600 Speaker 1: takes up most of the living room. But I was like, 67 00:03:10,880 --> 00:03:13,520 Speaker 1: on one hand, letter it brings her joy, but on 68 00:03:13,560 --> 00:03:16,680 Speaker 1: the other hand, like what about the joy you get 69 00:03:16,720 --> 00:03:18,960 Speaker 1: when it's Christmas time and you have your tree up 70 00:03:19,000 --> 00:03:21,680 Speaker 1: in that like moment of like, oh, it's the holidays 71 00:03:21,720 --> 00:03:23,280 Speaker 1: and it's exciting, you know. 72 00:03:23,520 --> 00:03:28,600 Speaker 4: Shall we talk about this? Jason Priestley directed episode. 73 00:03:28,200 --> 00:03:32,080 Speaker 1: Oh my god, Amy so excited. Okay, let's talk about it. 74 00:03:32,280 --> 00:03:35,920 Speaker 1: She said, yeah. Season five, episodes seventeen, Sweating It out 75 00:03:36,160 --> 00:03:38,440 Speaker 1: Aired January eleventh, nineteen ninety four. 76 00:03:38,800 --> 00:03:41,920 Speaker 2: Synopsis Brandon Dylan hit the road, but also hit a 77 00:03:41,960 --> 00:03:46,880 Speaker 2: few emotional speed bumps and a run in with tribal police. 78 00:03:47,320 --> 00:03:50,200 Speaker 2: Kelly is impressed with a workshop hosted by her psych 79 00:03:50,320 --> 00:03:55,400 Speaker 2: professor Donna Channel's football legend Vince Plombardi, to give Ray 80 00:03:55,480 --> 00:03:59,760 Speaker 2: a pregame pep talk. Steve is, being petty per usual, 81 00:04:00,040 --> 00:04:04,480 Speaker 2: finally makes up with his pop. Oh the football of 82 00:04:04,520 --> 00:04:04,960 Speaker 2: it all. 83 00:04:05,360 --> 00:04:09,280 Speaker 3: The whole thing is ridiculous and amazing. 84 00:04:09,480 --> 00:04:11,280 Speaker 1: Wait what about the football of it all? What you're 85 00:04:11,280 --> 00:04:11,760 Speaker 1: talking about? 86 00:04:11,760 --> 00:04:19,240 Speaker 3: Willis going, Ray, Okay, you're like the quarterback. 87 00:04:18,800 --> 00:04:21,720 Speaker 1: Yeah right, that you're Lombardi. 88 00:04:21,960 --> 00:04:23,680 Speaker 3: But it was just like Ray doesn't really seem like 89 00:04:23,720 --> 00:04:24,880 Speaker 3: a football. 90 00:04:24,400 --> 00:04:28,080 Speaker 1: Guy, right, right, like or Donna right. 91 00:04:31,640 --> 00:04:34,520 Speaker 4: And I love when like Steve says Bence Lombardi and 92 00:04:34,560 --> 00:04:37,160 Speaker 4: you're like kind of confused, and then you're like, I've 93 00:04:37,200 --> 00:04:39,000 Speaker 4: got it, by George, I've got. 94 00:04:38,760 --> 00:04:40,599 Speaker 3: It, And then like we come back with that like 95 00:04:40,839 --> 00:04:41,560 Speaker 3: shock ward. 96 00:04:41,600 --> 00:04:45,000 Speaker 2: I was like, and did it really help him? 97 00:04:45,160 --> 00:04:48,880 Speaker 1: I'm curious because we didn't see him perform in this episode. 98 00:04:48,920 --> 00:04:52,720 Speaker 2: Every time we sing sins cut now, that was really bad. 99 00:04:53,360 --> 00:04:54,240 Speaker 2: The second time, I. 100 00:04:54,200 --> 00:04:57,039 Speaker 4: Believe yes, the second time Ray. 101 00:04:56,920 --> 00:05:00,520 Speaker 2: Has performed and they've just cut it huge on the 102 00:05:00,560 --> 00:05:03,040 Speaker 2: back of the car, Donna, he was gonna yea. 103 00:05:04,200 --> 00:05:07,800 Speaker 4: This one was particularly awkward because it was like the 104 00:05:07,920 --> 00:05:10,559 Speaker 4: whole storyline that was not paid off. 105 00:05:10,800 --> 00:05:13,760 Speaker 2: I remember sitting there at peachprit after Dark Wing, like 106 00:05:14,760 --> 00:05:17,159 Speaker 2: he was singing to me like he like nails right. 107 00:05:17,120 --> 00:05:21,360 Speaker 4: Like I just remember it, like worked your dumb Lombardi 108 00:05:21,440 --> 00:05:23,960 Speaker 4: stuff and he goes out and crushes it right like. 109 00:05:25,080 --> 00:05:26,920 Speaker 2: Yeah, but they had to cut a whole scene of 110 00:05:27,000 --> 00:05:29,520 Speaker 2: him performing and showing us and like all of it's 111 00:05:29,680 --> 00:05:32,799 Speaker 2: on not just him on stage, like so bad. 112 00:05:33,440 --> 00:05:35,640 Speaker 1: I think I forgot to tell you that this episode, 113 00:05:35,680 --> 00:05:38,120 Speaker 1: as you mentioned already, is directed by Jason Priestley and 114 00:05:38,120 --> 00:05:42,880 Speaker 1: written by Chip Johanson. Definitely a guy's episode. 115 00:05:43,040 --> 00:05:45,039 Speaker 4: Yes, it feels like it was written by Jason Priestley. 116 00:05:45,120 --> 00:05:49,839 Speaker 4: All of his episodes like have that sort of corny 117 00:05:50,160 --> 00:05:54,159 Speaker 4: like like. 118 00:05:55,400 --> 00:05:59,960 Speaker 1: Like yeah, yeah, he had some bitching like Motorcycle Show, 119 00:06:00,640 --> 00:06:02,240 Speaker 1: like you know, I'm sure he had a little fun 120 00:06:02,279 --> 00:06:04,520 Speaker 1: with that. And why is it that whenever he directs 121 00:06:04,520 --> 00:06:07,000 Speaker 1: an episode, everybody gets to go on location but. 122 00:06:07,080 --> 00:06:11,440 Speaker 2: Us because with that new contract, I don't know, like 123 00:06:11,640 --> 00:06:12,919 Speaker 2: why didn't think that. 124 00:06:14,640 --> 00:06:16,279 Speaker 1: No, we didn't get to go anywhere. He got to 125 00:06:16,279 --> 00:06:19,360 Speaker 1: go on this cool camping trip to this every time, 126 00:06:19,480 --> 00:06:21,240 Speaker 1: You're right, how. 127 00:06:21,200 --> 00:06:23,240 Speaker 4: Much of the riding were they doing, Because they were 128 00:06:23,279 --> 00:06:26,160 Speaker 4: doing some I like really tried to be egalized about it. 129 00:06:26,360 --> 00:06:28,960 Speaker 1: I think that was all of them, all of them 130 00:06:29,520 --> 00:06:33,599 Speaker 1: because and here's why if they did go on this location, shoot, 131 00:06:33,680 --> 00:06:36,480 Speaker 1: you know, it was a skeleton crew, which means it 132 00:06:36,560 --> 00:06:39,839 Speaker 1: was just like a few of the top members of 133 00:06:39,880 --> 00:06:44,479 Speaker 1: the crew and the guys and I don't know if 134 00:06:45,760 --> 00:06:47,240 Speaker 1: I just feel like that was all them. And they 135 00:06:47,240 --> 00:06:49,920 Speaker 1: both were riders. They both rode motorcycles. 136 00:06:50,000 --> 00:06:53,760 Speaker 3: Wow, Wow, that makes it even more awesome. 137 00:06:53,880 --> 00:06:58,080 Speaker 2: But I'm just trying to think, like liability wise, would 138 00:06:58,120 --> 00:07:05,200 Speaker 2: they have let that hot or J Yeah, I'm we're here. 139 00:07:05,240 --> 00:07:07,400 Speaker 1: It's just that we're d I don't need stuntman. We 140 00:07:07,400 --> 00:07:07,880 Speaker 1: can do this. 141 00:07:08,680 --> 00:07:12,480 Speaker 4: It also seemed like they became bfs sort of okay, 142 00:07:13,120 --> 00:07:14,800 Speaker 4: like they've had all these problems and all of a sudden, 143 00:07:14,800 --> 00:07:16,760 Speaker 4: the Mustang pulls up and there's the big and we're 144 00:07:16,920 --> 00:07:18,600 Speaker 4: going to trip with me. Yeah, okay. 145 00:07:19,240 --> 00:07:22,560 Speaker 1: But I did like appreciate that this storyline was just 146 00:07:22,640 --> 00:07:28,040 Speaker 1: the two babes, you know, looking hot and riding a motorcycle, 147 00:07:28,560 --> 00:07:33,080 Speaker 1: but acting like deviant little pigs with the waitress. 148 00:07:33,160 --> 00:07:34,760 Speaker 3: Okay, god. 149 00:07:37,440 --> 00:07:39,720 Speaker 2: Pigs. 150 00:07:37,920 --> 00:07:40,920 Speaker 3: That that was so. 151 00:07:42,480 --> 00:07:48,640 Speaker 1: That that would not work today obviously, just the way 152 00:07:48,680 --> 00:07:54,600 Speaker 1: that that, let's say Dylan looks at the girl that's 153 00:07:54,640 --> 00:08:01,400 Speaker 1: their server. It was so unsettling for me, so like, 154 00:08:01,920 --> 00:08:02,720 Speaker 1: literally did they. 155 00:08:02,640 --> 00:08:06,520 Speaker 4: Stay all eat your pie like something so gratuitous? 156 00:08:06,840 --> 00:08:08,600 Speaker 2: Yeah, oven in your pie. 157 00:08:08,800 --> 00:08:11,840 Speaker 1: The pie was in her little oven. Oh yes, and 158 00:08:11,880 --> 00:08:15,400 Speaker 1: they wanted to see in her little oven. It was 159 00:08:15,440 --> 00:08:21,400 Speaker 1: really gross. This felt like in the moment little add ons. 160 00:08:21,440 --> 00:08:23,000 Speaker 1: I don't know if that would have ever. 161 00:08:23,200 --> 00:08:26,640 Speaker 4: Scract It was oh yeah, taken, and then she goes 162 00:08:26,720 --> 00:08:34,760 Speaker 4: take a number. He's a mercy like John Stamos. It 163 00:08:34,840 --> 00:08:39,280 Speaker 4: was like, what is happening? That was so prevalent, like 164 00:08:39,440 --> 00:08:42,520 Speaker 4: back in the seventies, especially. 165 00:08:42,480 --> 00:08:49,000 Speaker 1: The sort of sexualizing women. Yes, in the seventies, eighties, nineties, 166 00:08:49,520 --> 00:08:50,439 Speaker 1: two thousands. 167 00:08:50,640 --> 00:08:52,840 Speaker 4: I was watching an old movie from the seventies called 168 00:08:53,000 --> 00:08:56,880 Speaker 4: Airport nineteen seventies seven ors and they are nineteen seventy 169 00:08:56,880 --> 00:09:00,280 Speaker 4: five and they are just all over the at the 170 00:09:00,320 --> 00:09:04,880 Speaker 4: time called Stewardess flight attendant, and I was like, it's jarring. 171 00:09:05,200 --> 00:09:08,000 Speaker 1: It's jarring, isn't it? Because things are so different now. 172 00:09:08,240 --> 00:09:10,840 Speaker 1: I mean, in my mind they're really different. I don't 173 00:09:10,840 --> 00:09:14,120 Speaker 1: know if it's always like that, but where I wherever 174 00:09:14,160 --> 00:09:17,600 Speaker 1: I go, that's it's different. Like I have a different 175 00:09:18,679 --> 00:09:21,800 Speaker 1: standard of the way I should be treated, the way 176 00:09:21,840 --> 00:09:25,000 Speaker 1: other women should be treated, and there's no great area 177 00:09:25,080 --> 00:09:25,320 Speaker 1: for me. 178 00:09:25,679 --> 00:09:28,000 Speaker 3: So I love a flirt. I'm not gonna lie. 179 00:09:28,000 --> 00:09:30,720 Speaker 4: I love a flirt. A flirt with the waitress, fine, 180 00:09:30,960 --> 00:09:31,760 Speaker 4: but what they were. 181 00:09:31,600 --> 00:09:34,199 Speaker 1: Doing was and sensual flirting whatever. 182 00:09:34,840 --> 00:09:37,679 Speaker 2: Yeah, but that was a little but not yeah, demeaning, 183 00:09:37,840 --> 00:09:42,120 Speaker 2: like yeah, yeah, AnyWho. 184 00:09:42,840 --> 00:09:46,040 Speaker 3: And then they start fighting kind of right after. 185 00:09:45,760 --> 00:09:46,400 Speaker 1: That, like. 186 00:09:47,840 --> 00:09:48,800 Speaker 4: You know, over you. 187 00:09:49,760 --> 00:09:52,240 Speaker 1: I guess it's basically Kelly driven, is it just that's 188 00:09:52,320 --> 00:09:55,840 Speaker 1: kind of like the backbone of their But they had 189 00:09:55,920 --> 00:09:58,600 Speaker 1: drifted before the whole Kelly of it all. 190 00:09:59,760 --> 00:10:01,320 Speaker 3: Yeah, they grew up. 191 00:10:02,080 --> 00:10:04,440 Speaker 1: Dylan started to go down his addict road. 192 00:10:05,400 --> 00:10:09,160 Speaker 4: Yeah, which rightfully, so like Brandon doesn't have to be 193 00:10:09,160 --> 00:10:12,120 Speaker 4: best friends with the guy who's totally an unhinged drug addict, 194 00:10:12,200 --> 00:10:12,840 Speaker 4: you know what I mean? 195 00:10:12,920 --> 00:10:14,840 Speaker 3: Like that's okay. 196 00:10:15,640 --> 00:10:18,520 Speaker 1: What about when they were standing like nose to nose? 197 00:10:18,760 --> 00:10:22,440 Speaker 1: I love I love those scenes when no one ever 198 00:10:22,520 --> 00:10:25,600 Speaker 1: talks this close to another human being. I've never even 199 00:10:25,679 --> 00:10:29,320 Speaker 1: like talk to my husband or my kids this close. 200 00:10:29,640 --> 00:10:30,280 Speaker 1: Isn't this weird? 201 00:10:30,400 --> 00:10:33,960 Speaker 2: I've definitely gotten that close to you. You can't even 202 00:10:34,000 --> 00:10:36,240 Speaker 2: see when you're there, and then you say like you're like. 203 00:10:36,960 --> 00:10:39,760 Speaker 1: Yeah, whoa, whoa, whoa, whoa. This is my dance space, 204 00:10:39,840 --> 00:10:40,880 Speaker 1: that's your dance space. 205 00:10:41,800 --> 00:10:43,760 Speaker 4: I would be so overwhelmed by the breath if someone 206 00:10:43,880 --> 00:10:45,200 Speaker 4: was that close to me, I'd. 207 00:10:44,960 --> 00:10:48,480 Speaker 2: Be like, that's right. 208 00:10:48,520 --> 00:10:50,480 Speaker 1: When you see a scene where they're so close, you're like, wow, 209 00:10:50,520 --> 00:10:53,679 Speaker 1: I wonder if they had stinky breaths and they just 210 00:10:53,720 --> 00:10:56,480 Speaker 1: like sucked it up for the scene. They got through it. 211 00:11:09,320 --> 00:11:12,800 Speaker 4: Oh the ping? Can we talk about the pen But 212 00:11:13,040 --> 00:11:16,200 Speaker 4: the fake ping? First of all, it wasn't even was acting. 213 00:11:16,440 --> 00:11:17,760 Speaker 4: It wasn't good pee acting. 214 00:11:18,120 --> 00:11:20,640 Speaker 1: I'm going to go out on a limb and say 215 00:11:20,679 --> 00:11:24,280 Speaker 1: it was real. Knowing those two guys. 216 00:11:24,760 --> 00:11:27,040 Speaker 4: It was so fake when they zip up. 217 00:11:27,360 --> 00:11:29,760 Speaker 1: Maybe from the back angle, From the back angle it 218 00:11:29,800 --> 00:11:33,240 Speaker 1: was probably real, okay, But from the front angle, yeah, 219 00:11:33,240 --> 00:11:36,280 Speaker 1: the whole shake it and then you shake it and 220 00:11:36,320 --> 00:11:37,640 Speaker 1: you scoop it in your pants. 221 00:11:37,720 --> 00:11:44,160 Speaker 2: Is that? Oh my gosh, I keep going, I really 222 00:11:44,200 --> 00:11:47,040 Speaker 2: wanted to watch that closely because it seemed very fake 223 00:11:47,240 --> 00:11:48,200 Speaker 2: pee acting for me. 224 00:11:48,840 --> 00:11:54,240 Speaker 4: And when they when when Luke Perry zips up, it 225 00:11:54,320 --> 00:11:57,920 Speaker 4: was like already zipped because he kind of went up 226 00:11:57,960 --> 00:12:00,240 Speaker 4: and you could see his jeans and I'm like, you 227 00:12:00,360 --> 00:12:03,080 Speaker 4: just zipped up zipped pants. 228 00:12:04,760 --> 00:12:08,040 Speaker 1: So this is your bad pe acting, got it? 229 00:12:10,240 --> 00:12:11,920 Speaker 4: Would they really get that? 230 00:12:12,040 --> 00:12:13,680 Speaker 3: In trouble writing? 231 00:12:15,160 --> 00:12:18,000 Speaker 1: The driver's license ever made of paper? Like that? 232 00:12:19,400 --> 00:12:19,640 Speaker 2: Is that? 233 00:12:19,880 --> 00:12:20,120 Speaker 4: Wait? 234 00:12:20,280 --> 00:12:23,760 Speaker 1: I'm trying to remember what my driver's license was made 235 00:12:23,800 --> 00:12:27,280 Speaker 1: of in nineteen ninety four, and there's no world in 236 00:12:27,280 --> 00:12:28,200 Speaker 1: which it was paper. 237 00:12:29,520 --> 00:12:30,760 Speaker 4: Wait, it was. 238 00:12:31,040 --> 00:12:35,600 Speaker 2: It was. It was not paper like what's that printed? 239 00:12:36,320 --> 00:12:39,680 Speaker 1: It was sort of card stock like past porty material 240 00:12:40,679 --> 00:12:44,200 Speaker 1: like paper that doesn't rip therase. No, I don't know. 241 00:12:44,240 --> 00:12:46,960 Speaker 4: I'll admit something. And why I don't think it was. 242 00:12:48,120 --> 00:12:51,040 Speaker 4: It's okay because people would have made if it was 243 00:12:51,080 --> 00:12:54,880 Speaker 4: on paper, people would have made so many fake id's. 244 00:12:55,440 --> 00:12:57,480 Speaker 1: Is this xerox copy that right? 245 00:12:57,600 --> 00:13:01,600 Speaker 4: Like, there's no way. It definitely was and on paper, 246 00:13:01,720 --> 00:13:03,480 Speaker 4: but it wasn't what it is now. 247 00:13:03,760 --> 00:13:06,120 Speaker 2: It was almost the quality of like a picture, like 248 00:13:06,160 --> 00:13:08,600 Speaker 2: a photo, like yes, yes, what I say? 249 00:13:09,240 --> 00:13:11,640 Speaker 1: It really pulled me out. It pulled me out people. 250 00:13:14,000 --> 00:13:16,079 Speaker 1: The peeing. The peeing moment pulled you out of me. 251 00:13:17,200 --> 00:13:19,200 Speaker 1: Just license paper for me out. 252 00:13:21,200 --> 00:13:22,280 Speaker 2: But yeah, I. 253 00:13:22,240 --> 00:13:24,839 Speaker 1: Mean, in what world are they going to get work 254 00:13:24,960 --> 00:13:30,400 Speaker 1: duty because they peed on the side of the ancient burial. 255 00:13:30,920 --> 00:13:36,160 Speaker 4: Also, not no disrespect, but if a police officer told 256 00:13:36,200 --> 00:13:37,600 Speaker 4: me to dig a hole. 257 00:13:37,480 --> 00:13:41,800 Speaker 1: I'd be like, no, I might be like, it's going. 258 00:13:41,600 --> 00:13:44,160 Speaker 4: On, Like, am I digging a hole that you're gonna 259 00:13:44,559 --> 00:13:45,719 Speaker 4: Am I gonna die out here? 260 00:13:45,880 --> 00:13:49,560 Speaker 1: Like I would think that you would think that, of course, Like, 261 00:13:51,640 --> 00:13:53,120 Speaker 1: I don't know. It was just I just thought it 262 00:13:53,160 --> 00:13:56,280 Speaker 1: was real stupid, the whole pulling them peeing. 263 00:13:56,080 --> 00:13:59,160 Speaker 3: Dig a hole and then making dig a hole and 264 00:13:59,280 --> 00:13:59,680 Speaker 3: all with this. 265 00:14:00,400 --> 00:14:05,680 Speaker 1: Oh that was so profound. Amy make sure it's wait, 266 00:14:05,720 --> 00:14:08,760 Speaker 1: he goes, make sure it's this and the sides are 267 00:14:08,800 --> 00:14:12,800 Speaker 1: like this, yeah, the bottom's like this inside Like what 268 00:14:12,840 --> 00:14:13,480 Speaker 1: does that mean? 269 00:14:13,520 --> 00:14:13,800 Speaker 2: Though? 270 00:14:14,280 --> 00:14:14,800 Speaker 4: Yeah? 271 00:14:14,920 --> 00:14:16,720 Speaker 3: Is that so they can get in there and sweat? 272 00:14:18,640 --> 00:14:19,040 Speaker 2: I don't know. 273 00:14:19,080 --> 00:14:21,680 Speaker 1: I think it was just him having a little fun 274 00:14:21,720 --> 00:14:22,680 Speaker 1: with them. 275 00:14:24,080 --> 00:14:25,960 Speaker 2: None of this bothers me because we got to see 276 00:14:25,960 --> 00:14:28,880 Speaker 2: both them their shirts off, so I'm une cool with that. 277 00:14:29,080 --> 00:14:29,840 Speaker 4: They looked great. 278 00:14:30,240 --> 00:14:32,720 Speaker 1: Wait wait, wait, wait, okay, go back to the digging though, 279 00:14:32,720 --> 00:14:38,440 Speaker 1: because Dylan is not a very good digger huh, for 280 00:14:38,520 --> 00:14:43,080 Speaker 1: the record, and the other one. 281 00:14:43,000 --> 00:14:45,160 Speaker 4: Was supposed to observe like it was, so what kind 282 00:14:45,160 --> 00:14:46,840 Speaker 4: of lesson what was going on? 283 00:14:47,240 --> 00:14:53,840 Speaker 1: He was teaching them to despite their adversities, their obstacles, 284 00:14:53,920 --> 00:15:00,680 Speaker 1: to work together somehow and figure it out together. That's 285 00:15:00,720 --> 00:15:01,200 Speaker 1: what I thought. 286 00:15:02,760 --> 00:15:04,720 Speaker 4: We go back to their fight for a second too, 287 00:15:04,760 --> 00:15:09,800 Speaker 4: in the motel room. The sassy, sassy sass of their fight. 288 00:15:10,040 --> 00:15:14,880 Speaker 5: It was so like a pokey I could collar back. 289 00:15:15,280 --> 00:15:15,520 Speaker 4: Yeah. 290 00:15:15,600 --> 00:15:18,440 Speaker 2: I like when Dylan gets like that though, But is 291 00:15:18,440 --> 00:15:20,360 Speaker 2: that how guys have a little fight? 292 00:15:21,400 --> 00:15:23,360 Speaker 4: No, who guys fight over? 293 00:15:23,520 --> 00:15:25,560 Speaker 3: I just don't think they fight over a girl. 294 00:15:25,360 --> 00:15:29,080 Speaker 4: Like that, especially like if they've decided to go right, Yeah, 295 00:15:29,520 --> 00:15:31,640 Speaker 4: like on a road trip, they're gonna be drinking beers 296 00:15:31,760 --> 00:15:35,920 Speaker 4: and like watching something on that television. They're not discussing 297 00:15:36,480 --> 00:15:38,880 Speaker 4: the phone call or like, oh, we see waited until 298 00:15:38,880 --> 00:15:40,400 Speaker 4: I got in the shower and a collar. 299 00:15:41,720 --> 00:15:46,080 Speaker 1: Do you think they were naked in that sweat lunch hope? 300 00:15:46,160 --> 00:15:46,960 Speaker 2: I'd like to think so. 301 00:15:47,280 --> 00:15:50,760 Speaker 1: Yeah, me too, because it was really unclear. So yeah, 302 00:15:50,760 --> 00:15:52,440 Speaker 1: I decided in my mind they were naked. 303 00:15:52,800 --> 00:15:55,760 Speaker 2: Yeah. I tried to zoom in on my phone to watch. 304 00:15:56,960 --> 00:15:58,840 Speaker 1: But they looked pretty funny. Have you ever done a 305 00:15:58,840 --> 00:16:01,000 Speaker 1: sweat lunch, either of you? 306 00:16:01,040 --> 00:16:01,800 Speaker 4: No? I don't. 307 00:16:01,880 --> 00:16:04,160 Speaker 3: I don't think I've ever been in a saana. 308 00:16:03,840 --> 00:16:06,600 Speaker 2: Like a steam Really wait, you've done a sweat lodge. 309 00:16:07,360 --> 00:16:08,400 Speaker 1: I've done a sweat lodge. 310 00:16:08,480 --> 00:16:10,320 Speaker 4: And whoa, how was it? 311 00:16:10,320 --> 00:16:15,360 Speaker 1: It's amazing how it's tense. It's it's sweaty, y'all, and 312 00:16:15,400 --> 00:16:16,920 Speaker 1: it's hot and sweaty. 313 00:16:17,160 --> 00:16:19,200 Speaker 3: And are you trapped or can you get out? 314 00:16:19,680 --> 00:16:22,280 Speaker 1: You can get out the flaps of the tepee or 315 00:16:22,800 --> 00:16:27,560 Speaker 1: whatever the skin you're under. Not No, you would have 316 00:16:27,600 --> 00:16:31,520 Speaker 1: died three minutes into it. You would have just died, 317 00:16:31,680 --> 00:16:33,520 Speaker 1: and that we would have put you in a big hole. 318 00:16:33,720 --> 00:16:40,240 Speaker 1: That would have been that I did it. I don't 319 00:16:40,280 --> 00:16:44,560 Speaker 1: even remember where. That was, somewhere in the Palm springsy 320 00:16:44,640 --> 00:16:49,520 Speaker 1: desert y area like Joshua Tree. Yeah, this was many 321 00:16:49,560 --> 00:16:50,120 Speaker 1: moons ago. 322 00:16:50,320 --> 00:16:53,160 Speaker 2: Cool. I like the idea of it. 323 00:16:53,600 --> 00:16:55,160 Speaker 1: Yeah, and we all howled like. 324 00:16:55,240 --> 00:16:59,440 Speaker 4: Woah that I can't do that kind of thing. 325 00:16:59,560 --> 00:17:01,640 Speaker 1: Oh, it's fun. I was with a bunch of strangers. 326 00:17:02,160 --> 00:17:04,200 Speaker 3: Oh gosh, even more so. 327 00:17:04,040 --> 00:17:06,040 Speaker 1: I can't do that, friend, and then a bunch of 328 00:17:06,080 --> 00:17:09,320 Speaker 1: people I didn't know it was pretty cool. Oh my god, 329 00:17:09,040 --> 00:17:09,600 Speaker 1: I do that. 330 00:17:09,640 --> 00:17:11,600 Speaker 4: I can't do like howling or like. 331 00:17:11,920 --> 00:17:13,600 Speaker 1: You could do it, but I don't think you would 332 00:17:13,720 --> 00:17:17,440 Speaker 1: enjoy the rights the temperature situation. 333 00:17:20,040 --> 00:17:22,119 Speaker 4: I don't know. Group activities kind of challenge me, like 334 00:17:22,119 --> 00:17:26,120 Speaker 4: when everyone's like move your arms like this and I'm like. 335 00:17:26,160 --> 00:17:32,400 Speaker 1: Super anxious that right, Oh that's funny. Have you done 336 00:17:32,440 --> 00:17:35,639 Speaker 1: a lot of group like group things like that. 337 00:17:35,640 --> 00:17:35,880 Speaker 2: Like. 338 00:17:37,960 --> 00:17:43,159 Speaker 4: Healing like no. 339 00:17:41,960 --> 00:17:45,639 Speaker 1: Rehabby meetings or I don't know, like you gotta just 340 00:17:45,720 --> 00:17:46,200 Speaker 1: jump in. 341 00:17:46,520 --> 00:17:50,040 Speaker 2: Aren't there like team team things bonding corporate? 342 00:17:50,840 --> 00:17:52,480 Speaker 3: Oh yeah, I don't like those kind of things. 343 00:17:52,720 --> 00:17:55,520 Speaker 2: Like my heart's never done like a team like team 344 00:17:55,760 --> 00:17:58,000 Speaker 2: thing where you do those things like and you fall back. 345 00:17:57,840 --> 00:18:00,560 Speaker 1: And know one rope or is that just rope challenge? 346 00:18:00,640 --> 00:18:02,840 Speaker 2: That was just a little vernon Shirley. Where is that? 347 00:18:03,400 --> 00:18:05,160 Speaker 4: I'm like, oh, I can't make it. 348 00:18:05,320 --> 00:18:08,840 Speaker 1: We should have that for all the podcasts. 349 00:18:10,080 --> 00:18:10,399 Speaker 2: Come on. 350 00:18:12,880 --> 00:18:15,440 Speaker 1: I want to see I want to see that every 351 00:18:15,440 --> 00:18:15,960 Speaker 1: time there was a. 352 00:18:18,160 --> 00:18:23,439 Speaker 4: Team bonding thank you? 353 00:18:23,480 --> 00:18:23,640 Speaker 2: No? 354 00:18:24,080 --> 00:18:26,080 Speaker 4: Yes, right, Everyone's like can I not? 355 00:18:26,920 --> 00:18:27,080 Speaker 2: Can? 356 00:18:27,119 --> 00:18:29,760 Speaker 4: I just not? Okay? 357 00:18:29,800 --> 00:18:32,040 Speaker 3: Wait, So here's my question for you guys. Yes, focusing 358 00:18:32,080 --> 00:18:32,480 Speaker 3: on this. 359 00:18:32,440 --> 00:18:36,119 Speaker 4: Storyline, do you are you? Did you enjoy it. 360 00:18:36,119 --> 00:18:38,400 Speaker 1: It's always enjoyable. When they get out of Dodge, they 361 00:18:38,440 --> 00:18:40,840 Speaker 1: go on a little trip. You see some new things. 362 00:18:41,320 --> 00:18:45,440 Speaker 1: There's a new energy in the scenes. You know that's 363 00:18:45,440 --> 00:18:48,119 Speaker 1: not normal. I like that part of it, but I 364 00:18:48,119 --> 00:18:50,560 Speaker 1: didn't really the storyline was so thin and weird and 365 00:18:51,400 --> 00:18:56,000 Speaker 1: like manipulated and sweat lodge. What this was like? Huh 366 00:18:56,240 --> 00:18:57,000 Speaker 1: what am I watching? 367 00:18:57,880 --> 00:19:00,600 Speaker 2: Yeah? Yeah, I liked seeing Dylan and rand in like 368 00:19:01,359 --> 00:19:04,639 Speaker 2: the two of them. Yeah, and you know, facing the 369 00:19:04,720 --> 00:19:08,320 Speaker 2: Luke was interacting. But yeah, other than that, the storyline, 370 00:19:08,480 --> 00:19:09,680 Speaker 2: I could have done What's. 371 00:19:09,480 --> 00:19:12,359 Speaker 1: Out it was. 372 00:19:12,480 --> 00:19:13,320 Speaker 3: Yeah, it was so weird. 373 00:19:13,400 --> 00:19:13,719 Speaker 4: I was. 374 00:19:13,920 --> 00:19:15,040 Speaker 3: I was pretty into it. 375 00:19:15,040 --> 00:19:17,919 Speaker 4: It was so weird. I was like, this is so 376 00:19:20,400 --> 00:19:23,919 Speaker 4: with so many like sort of story flaws. But I 377 00:19:23,960 --> 00:19:26,360 Speaker 4: was like, I'm loving every minute of it. 378 00:19:26,960 --> 00:19:29,639 Speaker 1: There was so much flannel in this episode. Did you 379 00:19:29,720 --> 00:19:33,360 Speaker 1: notice every character was wearing a flannel at some point. 380 00:19:33,400 --> 00:19:36,400 Speaker 3: I think Dylan was wearing like a tight leather jacket that. 381 00:19:36,400 --> 00:19:40,000 Speaker 1: I was like a motive, it was like a jacket. 382 00:19:40,040 --> 00:19:44,439 Speaker 4: Yet, Yeah, was super stoked on it was into that one. 383 00:19:45,000 --> 00:19:45,959 Speaker 4: You didn't. 384 00:19:46,680 --> 00:19:49,800 Speaker 2: I just felt like it felt new, which was surprising 385 00:19:49,840 --> 00:19:53,200 Speaker 2: for like Dylan, Like it didn't. 386 00:19:52,480 --> 00:19:55,680 Speaker 1: Ride his motorcycle and a denim jacket, right, No. 387 00:19:55,760 --> 00:19:59,160 Speaker 2: But like it didn't look like a worn in motorcycle diet, 388 00:19:59,440 --> 00:19:59,720 Speaker 2: you know what I. 389 00:19:59,760 --> 00:20:03,040 Speaker 1: Mean, fresh off the rack? Remember when the peach Pit 390 00:20:03,119 --> 00:20:07,879 Speaker 1: after Dark? I would never liked that set whenever we 391 00:20:07,960 --> 00:20:11,320 Speaker 1: would shoot on it, it just felt big and cavernous 392 00:20:11,440 --> 00:20:18,280 Speaker 1: and cold, like the everywhere you look it's like flat. 393 00:20:18,359 --> 00:20:21,360 Speaker 1: I hated it. I never like shooting in there and I, oh, wow, 394 00:20:21,640 --> 00:20:23,600 Speaker 1: I didn't. I don't like the way it looks on camera. 395 00:20:24,080 --> 00:20:26,040 Speaker 1: I don't feel like I want to go to that place. 396 00:20:26,280 --> 00:20:29,840 Speaker 3: Oh that's interesting, hmmm, Like it doesn't feel like a 397 00:20:29,880 --> 00:20:30,800 Speaker 3: cool club too. 398 00:20:31,200 --> 00:20:32,560 Speaker 1: It always felt like a miss for me. 399 00:20:33,760 --> 00:20:37,359 Speaker 2: I agree with that. The sets like and we know 400 00:20:37,440 --> 00:20:44,720 Speaker 2: because we had to recreate it for BH, Like it's yeah, 401 00:20:44,720 --> 00:20:45,480 Speaker 2: it wasn't great. 402 00:20:45,960 --> 00:20:48,240 Speaker 6: I would go to the peach Pit, like, if they're 403 00:20:48,240 --> 00:20:50,200 Speaker 6: going to make it after dark, if they're going to 404 00:20:50,320 --> 00:20:53,760 Speaker 6: make a place like and they have that much space 405 00:20:53,840 --> 00:20:58,480 Speaker 6: and all Rush's money, Like, why wouldn't they do something cooler? 406 00:20:58,560 --> 00:20:59,919 Speaker 1: I don't know, I'm wondering. 407 00:21:00,080 --> 00:21:01,560 Speaker 4: Back then, I think I thought it was cool. 408 00:21:02,040 --> 00:21:04,560 Speaker 2: Maybe is it because it was the nineties, Like, yeah, 409 00:21:04,600 --> 00:21:05,480 Speaker 2: I don't know, it. 410 00:21:05,320 --> 00:21:08,320 Speaker 1: Was like it was like one of those night at 411 00:21:08,359 --> 00:21:10,760 Speaker 1: the Roxbury kind of clubs. 412 00:21:10,920 --> 00:21:14,040 Speaker 2: I wander like the moving board or the inspo, like 413 00:21:14,440 --> 00:21:16,280 Speaker 2: what were the They were like, oh, so it's going 414 00:21:16,320 --> 00:21:18,120 Speaker 2: to be like this vibe this La. 415 00:21:18,480 --> 00:21:18,679 Speaker 4: You know. 416 00:21:18,720 --> 00:21:21,720 Speaker 2: Someone was like, oh, copy Bar One or copy the Rocks. 417 00:21:21,800 --> 00:21:23,680 Speaker 4: Yeah, yeah, exactly exactly. 418 00:21:24,320 --> 00:21:25,399 Speaker 3: It does have that vibe. 419 00:21:25,440 --> 00:21:29,080 Speaker 4: It's very nineties and those clubs because you always wanted 420 00:21:29,080 --> 00:21:32,080 Speaker 4: to get in, Like I remember before I lived in LA, 421 00:21:32,160 --> 00:21:34,040 Speaker 4: like going down to LA during college and being like, 422 00:21:34,040 --> 00:21:36,119 Speaker 4: I hope we can get in to this. 423 00:21:36,240 --> 00:21:38,200 Speaker 3: Blah blah blah club and then you get. 424 00:21:38,000 --> 00:21:41,359 Speaker 1: It, like it's just a big room, met a bar, lame. 425 00:21:41,680 --> 00:21:45,880 Speaker 3: Yeah, yeah, so lame and a bunch of weirdos. 426 00:21:46,200 --> 00:21:48,640 Speaker 2: I liked filming in it though, because it usually meant 427 00:21:48,640 --> 00:21:50,840 Speaker 2: we got to be together and like it was just 428 00:21:50,840 --> 00:21:53,760 Speaker 2: another extension of like scenes the pitch pit, like it 429 00:21:53,800 --> 00:21:57,280 Speaker 2: was group scenes usually. Yeah. 430 00:21:57,359 --> 00:21:57,719 Speaker 4: Yeah. 431 00:21:59,160 --> 00:22:03,720 Speaker 1: The so Rush is funding it and Steve is jealous? 432 00:22:03,960 --> 00:22:06,800 Speaker 1: What about that uh that part where Rush is standing 433 00:22:06,840 --> 00:22:10,560 Speaker 1: on the main stage and everybody's gathered around while he's 434 00:22:10,680 --> 00:22:15,840 Speaker 1: telling his stories. Donna's tails and Steve was all mad, 435 00:22:16,280 --> 00:22:20,200 Speaker 1: Oh I got so jelly because he wants to be Rush, 436 00:22:20,480 --> 00:22:22,040 Speaker 1: he wants to be him. 437 00:22:22,000 --> 00:22:26,560 Speaker 4: And then poor Donna where Torri. Donna goes to see 438 00:22:26,640 --> 00:22:28,440 Speaker 4: him for some help and he just. 439 00:22:29,960 --> 00:22:32,479 Speaker 1: Like stabbed her, bites your head off. 440 00:22:32,600 --> 00:22:34,360 Speaker 4: I was like, wow, overreact. 441 00:22:34,440 --> 00:22:37,960 Speaker 1: Yeah, that made me have like Greek PTSD for you. 442 00:22:38,119 --> 00:22:43,080 Speaker 1: I don't even know why, but I got anxiety. But 443 00:22:43,320 --> 00:22:45,720 Speaker 1: Steve was talking to Donna like that when they were 444 00:22:45,800 --> 00:22:48,119 Speaker 1: when Steve and Rush were making up again, I was like, 445 00:22:48,160 --> 00:22:50,399 Speaker 1: haven't I seen this like five times exactly? 446 00:22:50,480 --> 00:22:55,520 Speaker 4: And it's always so quick, like from mad to love 447 00:22:55,680 --> 00:23:01,160 Speaker 4: in five seconds. Okay, we'll go with you. How about 448 00:23:01,200 --> 00:23:04,000 Speaker 4: the Susan Powder reference too? So random? 449 00:23:04,400 --> 00:23:05,840 Speaker 1: What's that? What do you mean? What was that? 450 00:23:06,600 --> 00:23:09,119 Speaker 4: Okay? So, when when Donna goes in to talk to 451 00:23:09,160 --> 00:23:12,680 Speaker 4: Steve and he's all just like bitter head off so fast. 452 00:23:12,680 --> 00:23:16,320 Speaker 4: First he's like fine, and then and then he turns 453 00:23:16,359 --> 00:23:18,760 Speaker 4: fine all of a sudden again and talking about Vince 454 00:23:18,800 --> 00:23:22,280 Speaker 4: Lombardi and he says, shave your head like Susan Powder. 455 00:23:22,720 --> 00:23:25,600 Speaker 4: Who was that? Because I was sort of like of 456 00:23:25,640 --> 00:23:27,680 Speaker 4: the time she was kind of like one of those 457 00:23:27,680 --> 00:23:32,560 Speaker 4: sort of what's that cat's name? Those like inspirational speaker 458 00:23:32,640 --> 00:23:36,679 Speaker 4: type people. We just said, that's that guy's name that 459 00:23:36,720 --> 00:23:40,639 Speaker 4: everybody goes to see, like Tony Robbins, Tony Robbins. I 460 00:23:40,640 --> 00:23:44,439 Speaker 4: think she was sort of a Tony rob Okay, and 461 00:23:44,480 --> 00:23:44,840 Speaker 4: she was. 462 00:23:44,800 --> 00:23:48,480 Speaker 2: Sort of of the era that Steve made that reference 463 00:23:49,080 --> 00:23:53,760 Speaker 2: in the nineties and now currently like Ian such like 464 00:23:53,800 --> 00:24:00,320 Speaker 2: an inspirational speaker about coaching people and business and all that. 465 00:24:01,040 --> 00:24:02,600 Speaker 1: Yep, he's destined. 466 00:24:03,520 --> 00:24:05,480 Speaker 4: It was a random reference. 467 00:24:06,800 --> 00:24:11,480 Speaker 1: What about the fact that Kelly Taylor and Cindy Walsh 468 00:24:11,680 --> 00:24:12,760 Speaker 1: have the same haircut. 469 00:24:14,720 --> 00:24:17,520 Speaker 4: Weren't they all in the kitchen making sandwhich is again 470 00:24:17,560 --> 00:24:18,920 Speaker 4: and she wanted him to take. 471 00:24:18,760 --> 00:24:22,879 Speaker 3: The station wagon on the road and then the like 472 00:24:23,560 --> 00:24:25,680 Speaker 3: field mice ate the sleeping bag. 473 00:24:25,760 --> 00:24:28,679 Speaker 1: Like it was a very family friendly and fun I 474 00:24:28,880 --> 00:24:31,440 Speaker 1: enjoy a good Walsh, A good. 475 00:24:31,280 --> 00:24:35,199 Speaker 4: Time for you to rekindle your friendship. Yeah, like Easy Rider, 476 00:24:35,280 --> 00:24:36,840 Speaker 4: except they die at the end. 477 00:24:37,600 --> 00:24:40,640 Speaker 1: Like it was just like so like parenting. 478 00:24:41,240 --> 00:24:43,480 Speaker 4: Yeah, it's all very I don't know what the word 479 00:24:43,600 --> 00:24:48,359 Speaker 4: is to describe his direction. It's so it's almost like 480 00:24:48,400 --> 00:24:55,000 Speaker 4: he's directing a comedy drama. 481 00:24:57,359 --> 00:24:59,679 Speaker 1: There's a lot of levity. There's a lot of levity 482 00:24:59,720 --> 00:25:04,119 Speaker 1: that's a camaraderie, there's a lot of like winks we're 483 00:25:04,880 --> 00:25:07,680 Speaker 1: all in this together. Kind of feels. 484 00:25:07,760 --> 00:25:23,320 Speaker 4: Yeah, I have a little thing for Tory slash Donna. 485 00:25:24,200 --> 00:25:27,000 Speaker 3: You're being so snarky with Ray. 486 00:25:26,960 --> 00:25:30,119 Speaker 4: And like he like getting up in him to do this, 487 00:25:30,200 --> 00:25:32,359 Speaker 4: and you're so bossy about it, and I just don't 488 00:25:32,359 --> 00:25:33,200 Speaker 4: really get it. 489 00:25:33,840 --> 00:25:37,679 Speaker 2: I just feel like, one, that's not Donna's demeanor or 490 00:25:38,280 --> 00:25:41,320 Speaker 2: like I don't it's just like out of character. 491 00:25:41,800 --> 00:25:42,159 Speaker 1: It is. 492 00:25:43,000 --> 00:25:46,720 Speaker 5: Yeah, you're not pushy, so why would you care? Like, yeah, 493 00:25:47,080 --> 00:25:48,960 Speaker 5: Ray has a great voice, you know that it's great 494 00:25:49,000 --> 00:25:51,000 Speaker 5: he writes you love songs. You might be like, hey, 495 00:25:51,040 --> 00:25:53,879 Speaker 5: if you want this opportunity, you know, I want you 496 00:25:53,920 --> 00:25:55,280 Speaker 5: to have it, when he's like, no, you. 497 00:25:55,280 --> 00:25:57,840 Speaker 4: Would be so respectful. And so it's very weird that 498 00:25:57,880 --> 00:25:59,560 Speaker 4: Donna's being like, look, Ray. 499 00:25:59,640 --> 00:26:02,920 Speaker 2: You need to do this. It is except she does 500 00:26:03,000 --> 00:26:06,320 Speaker 2: get like that sometimes when people are like fighting and 501 00:26:06,359 --> 00:26:10,560 Speaker 2: she like intervenes and makes them like make up. Those 502 00:26:10,640 --> 00:26:13,439 Speaker 2: lines always felt so challenging for me because it wouldn't 503 00:26:13,440 --> 00:26:14,920 Speaker 2: I would never be that person to be like you 504 00:26:15,000 --> 00:26:19,359 Speaker 2: got it, like take charge. Yeah, I don't feel like 505 00:26:19,359 --> 00:26:22,240 Speaker 2: she especially in like a love scenario. I don't think she. 506 00:26:23,840 --> 00:26:30,600 Speaker 4: And also say Ray suddenly couldn't perform David, aren't you 507 00:26:30,680 --> 00:26:34,320 Speaker 4: like a total musician? Like, can't you know that? 508 00:26:34,960 --> 00:26:35,440 Speaker 1: I think that. 509 00:26:37,600 --> 00:26:41,280 Speaker 4: What was his hit song called be my Love, Be 510 00:26:41,400 --> 00:26:47,920 Speaker 4: my love, Beat Beat be My. 511 00:26:46,400 --> 00:26:50,119 Speaker 1: He's saying that thank you so word. I don't think 512 00:26:50,480 --> 00:26:53,639 Speaker 1: I think his character had moved on from from that 513 00:26:53,800 --> 00:26:56,400 Speaker 1: after the whole thing with the girl in the live 514 00:26:56,720 --> 00:26:57,640 Speaker 1: got him a little. 515 00:26:57,480 --> 00:27:02,919 Speaker 4: By the way, Does he go back to it? Maybe? 516 00:27:02,960 --> 00:27:07,639 Speaker 4: But speaking of you know she's coming back? Who everyone 517 00:27:07,760 --> 00:27:09,000 Speaker 4: that gave him crabs? 518 00:27:12,040 --> 00:27:14,480 Speaker 1: When she comes back as the character? 519 00:27:15,320 --> 00:27:16,639 Speaker 2: My heart just dropped. Sorry. 520 00:27:16,720 --> 00:27:19,160 Speaker 1: Yeah, does she come to the peach pit after dark 521 00:27:19,240 --> 00:27:20,040 Speaker 1: by any chance? 522 00:27:20,800 --> 00:27:22,959 Speaker 4: I don't want to give away anymore, but but I 523 00:27:23,000 --> 00:27:27,600 Speaker 4: know she's coming soon. I can remember she's coming soon. Yeah, 524 00:27:28,320 --> 00:27:29,879 Speaker 4: sorry triggers. 525 00:27:30,320 --> 00:27:30,600 Speaker 2: God. 526 00:27:32,520 --> 00:27:36,680 Speaker 1: Let's talk about the cult. Well, it's it's really a 527 00:27:36,760 --> 00:27:37,720 Speaker 1: self empowerment. 528 00:27:38,000 --> 00:27:40,240 Speaker 4: First of all, it's Nexium. Do you guys know what 529 00:27:40,359 --> 00:27:41,040 Speaker 4: Nexium is? 530 00:27:42,200 --> 00:27:42,960 Speaker 1: Yeah? 531 00:27:43,000 --> 00:27:43,960 Speaker 3: Oh my god. 532 00:27:44,240 --> 00:27:46,639 Speaker 4: All I could think of was like, this is how 533 00:27:46,680 --> 00:27:50,280 Speaker 4: they got people into Nexium. I listened to that podcast 534 00:27:50,359 --> 00:27:53,479 Speaker 4: which Do Yourself a Favor and listen, and I was like, 535 00:27:53,760 --> 00:27:56,880 Speaker 4: this is does story like that? 536 00:27:56,960 --> 00:28:01,400 Speaker 1: And with a bunch of people chairs, Yep, you. 537 00:28:01,359 --> 00:28:03,320 Speaker 4: Come to a meeting you're in the chairs, there's like 538 00:28:03,400 --> 00:28:06,080 Speaker 4: the guy kind of giving the lecture up there, and 539 00:28:06,200 --> 00:28:08,159 Speaker 4: exactly how they came around to the table and they 540 00:28:08,240 --> 00:28:10,280 Speaker 4: kind of pushed you. 541 00:28:10,040 --> 00:28:12,600 Speaker 1: Did they put that was a creepy hand on your shoulder, 542 00:28:12,760 --> 00:28:14,920 Speaker 1: like Finlay did Kelly. 543 00:28:14,600 --> 00:28:18,600 Speaker 4: Literally that this show could have invented nexium because that 544 00:28:18,640 --> 00:28:20,400 Speaker 4: guy could have watched this show. 545 00:28:20,640 --> 00:28:23,560 Speaker 1: Oh my god, don't do that to us, saying he's 546 00:28:23,600 --> 00:28:25,119 Speaker 1: really creepy. 547 00:28:25,600 --> 00:28:28,040 Speaker 3: Oh creepy, so creepy. 548 00:28:28,119 --> 00:28:30,720 Speaker 4: And how about Valerie just knowing this was a bunch 549 00:28:30,760 --> 00:28:32,679 Speaker 4: of hullabaloo and was out. Now. 550 00:28:32,760 --> 00:28:35,600 Speaker 2: I just don't like Valerie and Kelly together, Like it's 551 00:28:35,720 --> 00:28:36,120 Speaker 2: just like. 552 00:28:36,359 --> 00:28:38,720 Speaker 1: Do you like the way they were dressed exactly the same. 553 00:28:39,880 --> 00:28:43,600 Speaker 1: They both had on floral maxi dresses and sweaters. 554 00:28:44,480 --> 00:28:46,360 Speaker 2: Because you guys never did that in real life. 555 00:28:47,120 --> 00:28:47,520 Speaker 1: We did. 556 00:28:47,960 --> 00:28:48,560 Speaker 4: We did that. 557 00:28:50,920 --> 00:28:52,680 Speaker 2: We all would do that like you would twin in 558 00:28:52,840 --> 00:28:56,400 Speaker 2: real life with your friends. Yeah, yeah, I believe you 559 00:28:56,480 --> 00:28:59,520 Speaker 2: had like matching leather jackets on. There's a photo. Here's 560 00:28:59,520 --> 00:28:59,920 Speaker 2: a photo. 561 00:29:00,280 --> 00:29:03,400 Speaker 1: We are like each other, but they I don't know. 562 00:29:03,440 --> 00:29:04,160 Speaker 1: It's just so weird. 563 00:29:04,320 --> 00:29:07,960 Speaker 4: Weirder was Valerie walking into Brandon's bedroom when Kelly and 564 00:29:08,000 --> 00:29:11,080 Speaker 4: Brandon are making out through how about knocking through the 565 00:29:11,160 --> 00:29:14,360 Speaker 4: Jack and Jill bathroom like it was the Brady bunch, 566 00:29:14,480 --> 00:29:19,440 Speaker 4: Like what just bopping in and nobody even reacts like hey, 567 00:29:19,760 --> 00:29:22,160 Speaker 4: they're just like talk to her like no problems, come 568 00:29:22,200 --> 00:29:23,200 Speaker 4: on in anytime you want. 569 00:29:23,760 --> 00:29:27,080 Speaker 1: I'm just curious, like, why does Kelly want to change 570 00:29:27,080 --> 00:29:31,360 Speaker 1: her life so bad? Like what's so wrong life? And 571 00:29:31,480 --> 00:29:33,120 Speaker 1: then I don't see where they. 572 00:29:32,960 --> 00:29:34,160 Speaker 2: Need the storyline to happen. 573 00:29:35,080 --> 00:29:36,720 Speaker 3: Yes, how about the question he happened? 574 00:29:36,840 --> 00:29:38,320 Speaker 4: Are you happy or whatever? 575 00:29:38,440 --> 00:29:39,960 Speaker 3: Are you happy with your life? 576 00:29:39,960 --> 00:29:43,120 Speaker 2: And then she's like, wait, what's the whole thing he 577 00:29:43,160 --> 00:29:48,120 Speaker 2: does when he's telling her like basically like are you happy? 578 00:29:48,160 --> 00:29:50,240 Speaker 2: Like he gives her a comparison of you. 579 00:29:50,200 --> 00:29:52,000 Speaker 4: Mean, like when he comes around and he's so kind 580 00:29:52,040 --> 00:29:55,400 Speaker 4: of weird. Yes, And then she's all like sucked into it? 581 00:29:55,600 --> 00:29:57,080 Speaker 1: Yes, but why I. 582 00:29:57,080 --> 00:29:59,960 Speaker 2: Just gave you an analogy to something? I think? 583 00:30:00,400 --> 00:30:02,960 Speaker 4: Are we to assume it's the fire has changed you 584 00:30:03,520 --> 00:30:06,479 Speaker 4: and you have guilt because you sort of hoped you 585 00:30:06,480 --> 00:30:08,000 Speaker 4: were like let me live, I don't care if she 586 00:30:08,120 --> 00:30:09,200 Speaker 4: dies kind of a thing. 587 00:30:09,480 --> 00:30:12,440 Speaker 1: She admits that, yeah, yeah, that was gnar. Really that's 588 00:30:12,440 --> 00:30:17,120 Speaker 1: pretty dark mm hmm. And I guess she did. She 589 00:30:17,160 --> 00:30:18,320 Speaker 1: thought she was going to. 590 00:30:18,240 --> 00:30:20,560 Speaker 4: Die and then you barely got to burn and she's 591 00:30:20,680 --> 00:30:22,280 Speaker 4: so burned. 592 00:30:22,600 --> 00:30:23,680 Speaker 1: So she's got guilt. 593 00:30:24,400 --> 00:30:28,960 Speaker 2: Yeah, but like deep down her mom like she that's 594 00:30:29,040 --> 00:30:30,600 Speaker 2: you always had that one person in your life you 595 00:30:30,640 --> 00:30:34,000 Speaker 2: want the approval from. And her mom wants a model. 596 00:30:34,000 --> 00:30:35,720 Speaker 2: Her mom wanted her to be a model, like she's 597 00:30:35,840 --> 00:30:44,240 Speaker 2: never she feels like it can be pretty enough now enough, yeah, enough, enough, 598 00:30:45,080 --> 00:30:48,760 Speaker 2: enough enough for Jackie, she's not enough. And if she's 599 00:30:48,800 --> 00:30:51,240 Speaker 2: not enough for Jackie, she's not enough for anyone. 600 00:30:51,920 --> 00:30:54,960 Speaker 4: I'm going to say, I buy the storyline that Kelly 601 00:30:55,040 --> 00:31:00,000 Speaker 4: is sort of struggling so much that she could be so. 602 00:31:01,880 --> 00:31:04,480 Speaker 3: To the cult that we didn't know as a cult. 603 00:31:04,240 --> 00:31:07,280 Speaker 1: Yet I guess so yeah, now that you break it 604 00:31:07,320 --> 00:31:10,400 Speaker 1: down like that, it does make sense. Yeah. 605 00:31:10,840 --> 00:31:13,200 Speaker 4: And then you go to the classroom and push a 606 00:31:13,320 --> 00:31:16,000 Speaker 4: note under it, which is also weird, like what students, 607 00:31:16,280 --> 00:31:19,640 Speaker 4: let me push a little note under and then he's 608 00:31:19,680 --> 00:31:21,920 Speaker 4: all Creeposaurus and it's like, come on in. 609 00:31:22,960 --> 00:31:31,040 Speaker 1: There's no like weird, like love, sexual, whatever anything between 610 00:31:31,080 --> 00:31:34,560 Speaker 1: these two characters, right, Finley and Kelly. 611 00:31:34,320 --> 00:31:35,640 Speaker 4: Can't answer that. 612 00:31:35,640 --> 00:31:37,240 Speaker 2: That's tough to answer. 613 00:31:37,000 --> 00:31:39,400 Speaker 1: Because it's gonna send me over the edge. 614 00:31:40,200 --> 00:31:43,200 Speaker 4: Because he's not going away for a minute. I'll say that, 615 00:31:43,320 --> 00:31:44,160 Speaker 4: I'll tell you that. 616 00:31:44,720 --> 00:31:48,360 Speaker 2: But I feel like those types of people, that's what 617 00:31:48,440 --> 00:31:50,840 Speaker 2: they become, like you fall in love with them. 618 00:31:50,920 --> 00:32:00,480 Speaker 1: Because nexium, you're under their spell. Yeah, I'm scared about 619 00:32:00,520 --> 00:32:01,320 Speaker 1: what's going to happen. 620 00:32:01,320 --> 00:32:03,840 Speaker 2: Then you should be. You should be really scared. 621 00:32:03,920 --> 00:32:08,520 Speaker 4: Yeah, really scared, because I was like, yeah, like Bonker scared. 622 00:32:08,760 --> 00:32:12,840 Speaker 4: It gets really it gets really juicy soon because Tory, 623 00:32:13,520 --> 00:32:14,960 Speaker 4: you're gonna be real mad too. 624 00:32:15,680 --> 00:32:18,080 Speaker 1: Wait what why Wait Donna goes to the cult. 625 00:32:18,640 --> 00:32:23,200 Speaker 4: No, but there's a lot of Steph drama coming your 626 00:32:23,200 --> 00:32:27,160 Speaker 4: way too with Ray. 627 00:32:28,720 --> 00:32:31,200 Speaker 2: Wait, well now that's next season. No. 628 00:32:31,320 --> 00:32:33,720 Speaker 1: I think it really feels like this is the longest 629 00:32:33,840 --> 00:32:38,200 Speaker 1: season of any season ever made for television. 630 00:32:37,880 --> 00:32:41,000 Speaker 4: And it's just getting good. Like there's a lot left 631 00:32:41,040 --> 00:32:43,360 Speaker 4: of this season that's very juicy. 632 00:32:43,680 --> 00:32:44,680 Speaker 1: Much left. 633 00:32:44,800 --> 00:32:48,520 Speaker 4: You're right, episode we're. 634 00:32:48,600 --> 00:32:49,880 Speaker 1: Halfway through the season. 635 00:32:50,000 --> 00:32:51,800 Speaker 4: Yeah, what episode are we on? 636 00:32:52,920 --> 00:32:54,680 Speaker 1: This is seventeen eighteen. 637 00:32:54,880 --> 00:32:58,280 Speaker 4: Yeah, you're right, there's like twelve or something more elisode. 638 00:32:58,840 --> 00:33:00,440 Speaker 4: That's why I think to love what you. 639 00:33:00,400 --> 00:33:02,400 Speaker 3: Think is season six is actually season five. 640 00:33:02,720 --> 00:33:05,440 Speaker 4: Oh but you do love season five? And I think 641 00:33:05,480 --> 00:33:09,320 Speaker 4: you do. How about we hear from Jonesy too that 642 00:33:09,400 --> 00:33:10,920 Speaker 4: the money is. 643 00:33:11,040 --> 00:33:15,640 Speaker 1: At the very end. Yeah, it's your good friend Jonesy, which. 644 00:33:15,480 --> 00:33:18,200 Speaker 4: I'm ready to get the money back. I don't need this, Like, 645 00:33:18,280 --> 00:33:19,800 Speaker 4: let's get still on this money back. 646 00:33:20,120 --> 00:33:25,040 Speaker 1: I forgot about the money part. I honestly was enjoying 647 00:33:25,160 --> 00:33:29,600 Speaker 1: him having a good time and being somewhat normal again. 648 00:33:30,160 --> 00:33:32,200 Speaker 4: Two mentions to y'all. And see if you noticed it's 649 00:33:32,280 --> 00:33:36,480 Speaker 4: number one on the table clause in the diner in 650 00:33:36,520 --> 00:33:39,560 Speaker 4: the middle of nowhere, the red and white very prominent 651 00:33:39,680 --> 00:33:43,720 Speaker 4: table clause that really indicated you're in an old dimey 652 00:33:44,200 --> 00:33:45,440 Speaker 4: cat a diner. 653 00:33:45,760 --> 00:33:47,760 Speaker 1: Wait, were they just like the red and white checks? 654 00:33:47,800 --> 00:33:51,600 Speaker 1: Like yepas okay, they were sitting at a picnic table 655 00:33:51,640 --> 00:33:56,480 Speaker 1: first of all, which really bothered me. Random the same side, 656 00:33:56,520 --> 00:33:59,040 Speaker 1: and you know why that is? So that it's one shot. 657 00:34:00,120 --> 00:34:03,160 Speaker 1: It's like, so save time and just shoot this way. 658 00:34:03,760 --> 00:34:06,280 Speaker 3: That was so captain obvious. 659 00:34:06,400 --> 00:34:10,160 Speaker 1: Like I saw a number of those moments in this episode, honestly, 660 00:34:10,160 --> 00:34:12,359 Speaker 1: where the people that were in the scene were all 661 00:34:12,440 --> 00:34:15,000 Speaker 1: kind of lined up conveniently that they could all pop 662 00:34:15,040 --> 00:34:16,920 Speaker 1: it off in one shot. And I know that when 663 00:34:17,000 --> 00:34:19,560 Speaker 1: Jason was directing that was like a big thing to him, 664 00:34:19,600 --> 00:34:21,640 Speaker 1: like let's get this done and let's get this crew 665 00:34:21,640 --> 00:34:24,239 Speaker 1: out of here early. You know, like he really was 666 00:34:24,320 --> 00:34:26,520 Speaker 1: one of the crew guys. Like he was always trying 667 00:34:26,560 --> 00:34:27,680 Speaker 1: to speed things up. 668 00:34:28,920 --> 00:34:32,520 Speaker 2: I love that except for the he's so creative like 669 00:34:33,320 --> 00:34:36,040 Speaker 2: with his direction like that as well, like he would 670 00:34:36,120 --> 00:34:40,320 Speaker 2: take time to do like the really cool like big 671 00:34:40,400 --> 00:34:42,560 Speaker 2: shots right but right. 672 00:34:42,520 --> 00:34:45,440 Speaker 3: Like the motorcycle stock. He shot the motorcycle. 673 00:34:44,920 --> 00:34:46,280 Speaker 4: Stock really really cool. 674 00:34:46,520 --> 00:34:48,200 Speaker 1: He kind of prioritized things. 675 00:34:48,520 --> 00:34:50,520 Speaker 4: Yeah, then I'm like, why are they sitting on the 676 00:34:50,560 --> 00:34:51,520 Speaker 4: same side. 677 00:34:52,280 --> 00:34:53,960 Speaker 1: That was weird? 678 00:34:53,960 --> 00:34:56,480 Speaker 4: Shoot him in a booth, then create a booth so 679 00:34:56,560 --> 00:34:56,879 Speaker 4: it's not. 680 00:34:58,800 --> 00:34:58,920 Speaker 2: Like. 681 00:35:00,200 --> 00:35:04,960 Speaker 4: Also, one other thing, I'd love mushroom barley soup. Like, really, 682 00:35:05,000 --> 00:35:07,040 Speaker 4: you're not gonna just order a burger dude, You're ordering 683 00:35:07,160 --> 00:35:09,040 Speaker 4: mushroom barley soup. 684 00:35:10,040 --> 00:35:11,320 Speaker 1: It was it was cold. 685 00:35:11,880 --> 00:35:12,760 Speaker 4: I love soup. 686 00:35:13,280 --> 00:35:17,360 Speaker 1: She Torri loves soup. You guys, it's weird. 687 00:35:17,520 --> 00:35:21,880 Speaker 3: Oh and then how about Russ and Steve. You'll play 688 00:35:21,920 --> 00:35:23,920 Speaker 3: I'll fly what's that meaning? 689 00:35:24,560 --> 00:35:26,080 Speaker 1: It means I'll go with you? 690 00:35:26,200 --> 00:35:30,600 Speaker 4: Yeah, if you pay, if you pay for the peach 691 00:35:30,640 --> 00:35:32,640 Speaker 4: pit after good, good with you. 692 00:35:32,920 --> 00:35:37,279 Speaker 1: I don't fly buy would you basically to sum this 693 00:35:37,360 --> 00:35:39,880 Speaker 1: episode up. I'll just use the words of Brandon and Dylan. 694 00:35:40,680 --> 00:35:45,040 Speaker 1: Nobody's perfect. Anything is possible. That was the big takeaway 695 00:35:45,040 --> 00:35:47,880 Speaker 1: for me. Great, profound, beautiful. 696 00:35:49,480 --> 00:35:52,359 Speaker 4: I feel like, yeah, I loved it. Lessons to live 697 00:35:52,400 --> 00:35:56,720 Speaker 4: by before we please note it's important. Jesse and Andrea 698 00:35:56,920 --> 00:35:59,160 Speaker 4: still doing good at the peach Pit. They were gonna 699 00:35:59,200 --> 00:35:59,840 Speaker 4: go dance. 700 00:36:02,239 --> 00:36:07,359 Speaker 1: Oh okay, so next week, let's see our show. Next 701 00:36:07,400 --> 00:36:14,320 Speaker 1: week is about season five, episode eighteen, Hazardous to Your Health. 702 00:36:16,000 --> 00:36:20,080 Speaker 2: Trying to remember we didn't mention Claire and David doesn't matter, 703 00:36:20,840 --> 00:36:26,360 Speaker 2: no mention super cute. Yeah, they are not bothering me. Weirdly, 704 00:36:26,640 --> 00:36:27,560 Speaker 2: they didn't bother me. 705 00:36:27,600 --> 00:36:29,600 Speaker 1: I didn't have any feeling about them though. 706 00:36:29,600 --> 00:36:32,640 Speaker 4: That's they're just trying to open the peach Pit after dark. 707 00:36:33,280 --> 00:36:36,000 Speaker 2: I just take wardrobe, in her makeup, in her hair, 708 00:36:36,040 --> 00:36:37,640 Speaker 2: and yeah. 709 00:36:37,040 --> 00:36:38,000 Speaker 3: They're not annoying. 710 00:36:38,360 --> 00:36:41,040 Speaker 1: I'm kind of like they're just kind of like, yeah, 711 00:36:41,040 --> 00:36:44,120 Speaker 1: they were kind of they're doing their thing. Oh my god. 712 00:36:44,200 --> 00:36:47,879 Speaker 4: My favorite line though, when Donna is talking to Ray 713 00:36:48,480 --> 00:36:51,400 Speaker 4: and he's all like she's I think she says something like, 714 00:36:51,440 --> 00:36:53,200 Speaker 4: what do you have afraid of that? Nothing will come 715 00:36:53,200 --> 00:36:56,600 Speaker 4: out and then I'll puke and die. 716 00:36:56,719 --> 00:37:03,400 Speaker 1: Extreme formatic song we never saw. 717 00:37:04,160 --> 00:37:07,279 Speaker 4: Yeah, like so much build up. 718 00:37:08,080 --> 00:37:10,920 Speaker 2: I know it was I'm remembering, I'm looking at myself. 719 00:37:11,840 --> 00:37:12,920 Speaker 2: That's not a party. 720 00:37:13,080 --> 00:37:15,759 Speaker 1: That's not a like let's dance kind of song. Oh 721 00:37:16,160 --> 00:37:16,560 Speaker 1: and it was. 722 00:37:17,440 --> 00:37:17,560 Speaker 2: Then. 723 00:37:17,600 --> 00:37:18,560 Speaker 4: I think you're right though. 724 00:37:18,719 --> 00:37:21,359 Speaker 2: I'm pretty sure I give this a. 725 00:37:21,320 --> 00:37:22,520 Speaker 1: Ten A ten. 726 00:37:22,880 --> 00:37:25,880 Speaker 4: Oh oh gosh, of course this is a you. 727 00:37:25,920 --> 00:37:29,359 Speaker 1: Went from hold on Hold on Melmber definite ten. 728 00:37:30,960 --> 00:37:36,000 Speaker 2: Yes, this is also are ten Jen eight. 729 00:37:36,040 --> 00:37:40,800 Speaker 1: I'm gonna go eight talks maybe maybe seven seven and 730 00:37:40,800 --> 00:37:41,040 Speaker 1: a half. 731 00:37:41,080 --> 00:37:42,520 Speaker 2: I'm gonna go with seven and a half. 732 00:37:42,440 --> 00:37:43,040 Speaker 1: Seven and a half. 733 00:37:43,320 --> 00:37:48,440 Speaker 2: Yeah, oh, no disrespect to Jason, but like, get your 734 00:37:48,440 --> 00:37:53,040 Speaker 2: motor run in on the How did they play that song? 735 00:37:53,440 --> 00:37:55,160 Speaker 3: I don't I'm sure they didn't pay for that song. 736 00:37:55,239 --> 00:37:56,040 Speaker 1: Only in your head. 737 00:37:56,680 --> 00:37:59,759 Speaker 3: In my head, I think it's just my that's how 738 00:37:59,800 --> 00:38:03,000 Speaker 3: I wow. 739 00:38:03,120 --> 00:38:07,000 Speaker 1: Okay, we've learned so much about you, easy rider. 740 00:38:08,120 --> 00:38:10,600 Speaker 4: I'll like never ride a motorcycle in my life, but 741 00:38:10,719 --> 00:38:13,600 Speaker 4: yet I'd love to jump in your mind, like yeah, 742 00:38:13,680 --> 00:38:16,719 Speaker 4: Priestley's motorcycle and just be like, yeah, I get your 743 00:38:16,800 --> 00:38:21,520 Speaker 4: motor would be so I think I would go priestly 744 00:38:21,600 --> 00:38:22,560 Speaker 4: over Perry. 745 00:38:22,960 --> 00:38:25,880 Speaker 2: Do not ever blow your hair again. Because you are 746 00:38:25,880 --> 00:38:27,439 Speaker 2: on fire today with white hair. 747 00:38:27,560 --> 00:38:30,960 Speaker 1: Wait a second, you would rather ride behind Priestley? Thank you? 748 00:38:31,160 --> 00:38:34,600 Speaker 4: So if I had to pick between one of those motorcycles, 749 00:38:34,600 --> 00:38:35,160 Speaker 4: which one would you? 750 00:38:35,200 --> 00:38:35,680 Speaker 2: Why? Why? 751 00:38:35,760 --> 00:38:36,080 Speaker 1: Why? 752 00:38:36,239 --> 00:38:38,320 Speaker 2: Why? The motorcycle picked the rider. Yeah. 753 00:38:39,200 --> 00:38:42,680 Speaker 4: No, I'm not picking the Dakati over the Sorry. Like 754 00:38:42,719 --> 00:38:45,000 Speaker 4: if you said to me right now, I'm in that episode, 755 00:38:45,120 --> 00:38:47,239 Speaker 4: I'm at the diner. One of them's gonna kiss me, 756 00:38:47,320 --> 00:38:48,280 Speaker 4: which one do I want? 757 00:38:48,560 --> 00:38:50,160 Speaker 1: No, I want to know who you would ride on 758 00:38:50,200 --> 00:38:52,760 Speaker 1: the back of a motorcycle with Priestley. 759 00:38:53,160 --> 00:38:54,279 Speaker 3: I just I don't know why. 760 00:38:54,440 --> 00:38:55,160 Speaker 1: Just you don't know why. 761 00:38:57,200 --> 00:38:58,240 Speaker 3: I love Luke Perry. 762 00:38:58,520 --> 00:39:03,240 Speaker 1: I I agree with you. Honestly, I think I'd feel 763 00:39:03,320 --> 00:39:06,400 Speaker 1: safer on the back of Jason's motorcycle. 764 00:39:06,520 --> 00:39:07,960 Speaker 2: Guys were going with safety. 765 00:39:08,040 --> 00:39:11,160 Speaker 1: Now I'm gonna go with safety. I'm getting on a motorcycle. 766 00:39:11,160 --> 00:39:16,080 Speaker 2: It's very dangerous. Wait is that your instinct, because yes, 767 00:39:17,160 --> 00:39:17,759 Speaker 2: the jet ski. 768 00:39:18,880 --> 00:39:23,400 Speaker 1: No, Honestly, it really comes down. I would rather be 769 00:39:23,520 --> 00:39:27,560 Speaker 1: back on the back of Jason Priestley's motorcycle just because 770 00:39:28,160 --> 00:39:33,360 Speaker 1: his legs look stronger. Luke's legs might be very strong, 771 00:39:33,440 --> 00:39:36,880 Speaker 1: but they're thinner and longer, and I want a good sturdy, 772 00:39:36,920 --> 00:39:39,600 Speaker 1: strong legs supporting that motorcycle. 773 00:39:39,640 --> 00:39:40,919 Speaker 3: Who saved you on the jet ski. 774 00:39:41,040 --> 00:39:48,000 Speaker 1: Luke, No, he did nothing of the of the kind. 775 00:39:47,800 --> 00:39:56,160 Speaker 1: He tried to kill me. Yeah, I don't know. We've 776 00:39:56,200 --> 00:39:57,719 Speaker 1: gone a miss rye. 777 00:39:58,320 --> 00:40:04,120 Speaker 2: Wait wait, I'm gonna liken it too. I'm gonna pick Luke. Okay, 778 00:40:04,280 --> 00:40:07,719 Speaker 2: why I don't want to wait, you. 779 00:40:07,640 --> 00:40:10,040 Speaker 1: Don't want to say no, I don't. 780 00:40:10,239 --> 00:40:15,960 Speaker 2: I feel like it would be like smoother oh writing, 781 00:40:16,920 --> 00:40:19,600 Speaker 2: I don't know. I feel like Jason needs to race, 782 00:40:19,640 --> 00:40:22,319 Speaker 2: so he was like more fast. I would feel more 783 00:40:22,360 --> 00:40:25,000 Speaker 2: comfortable because I feel like Luke was more like in 784 00:40:25,040 --> 00:40:27,840 Speaker 2: tune with like just riding a motorcycle on the roads 785 00:40:27,840 --> 00:40:31,279 Speaker 2: and not like like Jason raced cars. So like, if 786 00:40:31,320 --> 00:40:32,200 Speaker 2: you're too fast for me? 787 00:40:32,640 --> 00:40:35,640 Speaker 1: Yeah, I think you said before about like I don't 788 00:40:35,840 --> 00:40:37,920 Speaker 1: maybe I couldn't trust him because he did try to 789 00:40:38,000 --> 00:40:40,440 Speaker 1: kill me with the jet ski, so I would be in, 790 00:40:40,680 --> 00:40:42,919 Speaker 1: You're right. It would be like, ooh, that's not safe. 791 00:40:43,000 --> 00:40:46,240 Speaker 1: I'm gonna go with this guy. Good stuff, you guys, 792 00:40:46,320 --> 00:40:51,359 Speaker 1: great episode. Really really enjoyed myself me too for this. 793 00:40:51,440 --> 00:40:55,560 Speaker 2: Though not the actual episode. The two of you really. 794 00:40:55,360 --> 00:40:58,080 Speaker 1: And we'll be back next week with Hazardous to your health. 795 00:40:58,360 --> 00:40:59,640 Speaker 1: You guys have a great week. 796 00:40:59,680 --> 00:41:06,879 Speaker 2: We of you. Yeah.