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Speaker 1: Episode one hundred, Episode one hundred, Hey, Welcome, Welcome, Welcome, Welcome.

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Speaker 1: It's episode one hundred of the bootleg Head podcast. This

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Speaker 1: is a big deal. Last year in June, I decided

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Speaker 1: to launch this podcast after two or three years of procrastinating,

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Speaker 1: meant to launch this thing in twenty seventeen. Finally, in

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Speaker 1: the middle of a pandemic, I got the motivation to

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Speaker 1: launch the boutleg Heab podcast and it's been going great. Man,

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Speaker 1: we're about to hit one hundred thousand on YouTube. Appreciate

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Speaker 1: everyone who always reaches out about all the episodes. Man. Really,

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Speaker 1: just I'm gonna try to do more with the podcast too,

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Speaker 1: because I feel like we started the podcast we're doing

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Speaker 1: like more like cool podcasting shit, like having like hip

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Speaker 1: hop discussions that were like audio only that weren't necessarily

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Speaker 1: interview driven. So gonna try to bring back some of

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Speaker 1: that stuff because lately we've just been doing just going

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Speaker 1: hard on interviews, and we're still gonna go hard on interviews.

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Speaker 1: I'm gonna go hard on our pants. So those two

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Speaker 1: things are definitively gonna happen, but also just other things,

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Speaker 1: like we're gonna start going live on the YouTube more

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Speaker 1: I just want to say thank you. If you've ever

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Speaker 1: listened or watched any of the show, thank you for

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Speaker 1: real fucking fuck with y'all. I appreciate it. Even if

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Speaker 1: you're like a Doe who hates and talk shit about

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Speaker 1: all in the comments whatever, it's all the same, you're

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Speaker 1: still watching. Appreciate it. So for episode one hundred, we

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Speaker 1: were gonna do Freddy Gibbs, but Freddy Gibbs was out

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Speaker 1: of the state of California for a week, so you know,

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Speaker 1: Freddi Gibbs was episode one. We kicked it off with

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Speaker 1: fred and it obviously would have been dope to have

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Speaker 1: him on episode one hundred, but he'll be on like

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Speaker 1: an episode real soon. I mean I talk to him

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Speaker 1: every day. It is what it is. Instead, for episode

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Speaker 1: one hundred, we were like, let's do Whack one hundred,

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Speaker 1: one of the more crazy polarizing figures in rap that

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Speaker 1: we have right now, someone who I consider to be

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Speaker 1: a real friend, someone who, whether you like him or not,

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Speaker 1: is obviously you watch him. One of our most successful

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Speaker 1: interviews and episodes with Whack one hundred. And you know,

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Speaker 1: Whack is a guy who I always say like, Whack

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Speaker 1: will give you game, even when he's not trying. So

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Speaker 1: we brought Whack one hundred back on the podcast for

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Speaker 1: the hundredth episode Whack one hundred. Let me tell you

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Speaker 1: what actually happened. We recorded an hour and a half

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Speaker 1: with Whack, he leaves, and then all of a sudden

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Speaker 1: online it's pretty much being talked like Whack is managing

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Speaker 1: six ' nine. And now this is like after we

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Speaker 1: have a long discussion about his talks with six ' nine.

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Speaker 1: So I'm like, yo, Whack, you got to come back

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Speaker 1: up here and be a little bit more specific. When

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Speaker 1: you're talking about setting up forty three million dollar deals

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Speaker 1: for six ' nine, are you managing him or not?

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Speaker 1: So he came back up to kind of give us

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Speaker 1: some more clarification on his situation with six ' nine.

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Speaker 1: So there's a The front end of this interview was

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Speaker 1: just recorded. The back end of the interview was recorded

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Speaker 1: last week, and uh, just the press play enjoy it.

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Speaker 1: Craziness about the Ray J sex tape piece holding on

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Speaker 1: mean Whack guy. So much crazy shit in this interview,

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Speaker 1: so enjoy it. Feel free to talk shit. Uh and

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Speaker 1: uh yeah, shout out to our sponsors. Man, really want

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Speaker 1: to give a shout out to odd Socks. It's our

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Speaker 1: one hundredth episode, and odd Socks has been holding us

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Speaker 1: I don't know, but they've been holding us down from

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Speaker 1: the jump from the Rippy since August of twenty twenty,

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Speaker 1: call it a promo code. Use the fucking promo code

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Speaker 1: bootleg keV twenty percent off odd socksofficial dot com. Let's

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Speaker 1: get into episode one hundred it's the Bootleg Cab Podcast

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Speaker 1: one hundredth episode. So we recorded like an hour and

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Speaker 1: a half with you, and then you left, and then

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Speaker 1: like ten minutes after you left, there was this headline

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Speaker 1: about you leaving a comment about how much money you've

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Speaker 1: lined up for six ' nine, And then there's some

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Speaker 1: audio that's out there now and we had just had this.

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Speaker 1: We just had this long conversation that was a little

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Speaker 1: I guess that wasn't out there yet, so I was like, yo, whack,

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Speaker 1: you gotta come back in. So this is the beginning

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Speaker 1: of the interview. You're gonna keep watching this. There's there's

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Speaker 1: a lot of gems throughout the rest of the interview,

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Speaker 1: but there is some six nine stuff that might be

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Speaker 1: a little dated. So whack, let me just start this.

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Speaker 1: Are you managing six ' nine? I'm definitely not, I

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Speaker 1: think at this time in six nine career, and from

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Speaker 1: what he's been through, the word manager is not appealing

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Speaker 1: to him. Right. It'll take for anybody that wants to

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Speaker 1: beat at the six nine you're gonna have to be

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Speaker 1: in a box with him and do a bunch of

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Speaker 1: business for him to establish some type of trust. But

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Speaker 1: I don't think six ' nine is manageable to a

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Speaker 1: point where he's gonna let somebody control the narrative. Would you?

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Speaker 1: What he will or has allowed is for me to

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Speaker 1: utilize his name and the buildings that I have some

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Speaker 1: say so in and relationships in to do some business.

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Speaker 1: If it's and it's there. If he came to you

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Speaker 1: and said, whack, I would want you to be my manager,

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Speaker 1: would you consider it? At this point in time, I

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Speaker 1: couldn't be one hundred percent management of sixty nine. Could

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Speaker 1: you be like a co manager with the Murder Murphy

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Speaker 1: with the Murder Murphy guy whoever? Definitely I wouldn't do

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Speaker 1: that either. What I would do is I have a

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Speaker 1: lot of management teams out there, a lot of people

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Speaker 1: that I'm friends with that I'm real cool with, that

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Speaker 1: I know that understand this business like I understand it.

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Speaker 1: I would probably negotiate something with them and put them

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Speaker 1: in place. But at this time where he's at right,

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Speaker 1: a full time manager is not what he needs. He

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Speaker 1: just needs somebody that has the resources in the reach

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Speaker 1: to get things done, y'all. To remember, before he left,

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Speaker 1: he would run around with a bunch of street dudes

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Speaker 1: claiming to be a manager, right right. I used to

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Speaker 1: be the street dude that didn't understand the industry. So

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Speaker 1: I understand the difference between the street dude claiming the

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Speaker 1: title versus really living that title, you know what I mean.

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Speaker 1: So I think what a lot of people see, like

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Speaker 1: watch this, who's little nas X manager? I have no idea,

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Speaker 1: you know why? Because their management team operates from a building,

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Speaker 1: the cell phone to attorneys, and they send their little

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Speaker 1: assistant guy out to make sure shit's done right. What

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Speaker 1: you guys are used to whack doing is I'm hands

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Speaker 1: on with my artists. And we know, right, we know

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Speaker 1: like whack manager's blue face, we know whack managers games,

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Speaker 1: j etcetera. Yeah, I'm hands on with our artists. So

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Speaker 1: when people see them, they see me. It's a it's

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Speaker 1: a direct thing. Right With a guy like six ' nine, right,

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Speaker 1: something like that probably will be set up. Would he

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Speaker 1: asks me one day, a whack could you set me up?

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Speaker 1: Or do you know these dudes? He probably would because

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Speaker 1: in a short period of time, all I've done was

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Speaker 1: you got a product right? Six Now, let's take away

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Speaker 1: all the bullshit. He's a product right when you're talking

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Speaker 1: about business, right, entertainment? If you have a product. If

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Speaker 1: I got this phone right, and this is the six '

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Speaker 1: nine phone, right, and I know that I have distribution

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Speaker 1: reach in twelve countries because of my prior relationships, I

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Speaker 1: can box this phone up, mail it out to each

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Speaker 1: country my liaison and say hey, can you guys do

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Speaker 1: something with this phone. They're gonna say, well, whack, we

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Speaker 1: heard a few things about this phone. But are we

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Speaker 1: dealing with you directly? And I'm going to say, yeah,

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Speaker 1: you're dealing with me directly. You won't have to deal

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Speaker 1: with the guy on the phone, right And they say, okay, wa,

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Speaker 1: based upon me our relationship, yeah, we could distribute five

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Speaker 1: million phones a year for you, right, Okay, my attorney

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Speaker 1: will be in touch with you at that point in time.

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Speaker 1: Is just be a contract, a letter, direction and the signature,

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Speaker 1: so you know essentially what you're doing is contracting your

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Speaker 1: services to six ' nine. Know what I'm doing is

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Speaker 1: like making sure you have listen, he has a he

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Speaker 1: has a value to himself, right, right, And I have

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Speaker 1: resources for the things that's valuable about this young kid. Right.

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Speaker 1: So simply what I'm doing is I'm just bringing them together,

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Speaker 1: bringing them together, and you're getting your cut. That's it obviously,

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Speaker 1: Oh definitely, yeah, that's business is business. So and it's

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Speaker 1: not an extra cut on top of a cut, because

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Speaker 1: he is who he is, you know what I mean.

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Speaker 1: Some people will say, well, fuck that, you're putting your

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Speaker 1: name on the line. You should get fifty what you

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Speaker 1: get what you would normally get, right, And you know

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Speaker 1: some people might want to play it like that, right,

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Speaker 1: But in my world, it's like, you know, greed, you

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Speaker 1: know you greed, don't get you nowhere? You know what

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Speaker 1: I mean, Do what you do, take it, keep it moving.

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Speaker 1: Maybe y'all do some more business later. Maybe you won't.

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Speaker 1: But if you gouge a person, it's a good chance

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Speaker 1: you won't, especially if you know that they're in a

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Speaker 1: situation where they might have to do it. You know

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Speaker 1: what I'm saying. A person knows that, then they know

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Speaker 1: that he could have gouged me, but he didn't. You

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Speaker 1: know what I mean. I've gotten all kind of phone calls, movies,

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Speaker 1: NFT touring, I mean, fucking you name it, crazy shit,

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Speaker 1: God damn, I ain't gonna name it. Endorsement where people

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Speaker 1: contact my attorney. My attorneys, Yeah, my attorney. Where they

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Speaker 1: contact my attorney because they're like, well, wha we can

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Speaker 1: can we talk to you? We've been wanting to do

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Speaker 1: this business, right, so can we send this to you

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Speaker 1: and can you let us know if this could happen. Hey, listen, bro,

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Speaker 1: I understand why guys in the streets are saying what

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Speaker 1: they're saying about you working with them. The reason why

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Speaker 1: I understand them because I used to be that guy

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Speaker 1: when I was like fifteen years old. Right. I don't

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Speaker 1: expect that guy to understand what I'm doing because that

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Speaker 1: guy hasn't elevated. He don't even understand business. He probably

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Speaker 1: still hustling in the streets whatever he's doing, right, So

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Speaker 1: I understand his mindset because I used to have that

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Speaker 1: mindset right when I was adolescent. Right. Corporate America in

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Speaker 1: the streets two total different worlds. I mean, that's what

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Speaker 1: you're saying. You'll see later on in the interview where

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Speaker 1: you were talking about the people up on that fiftieth floors.

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Speaker 1: Not a lot of people get on that floor, you

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Speaker 1: know what I mean? Hand picked me and said you're

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Speaker 1: gonna be the one to go in and represent us

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Speaker 1: and none of that. You know what it does sound

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Speaker 1: like though, you're kind of like doing a lot of

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Speaker 1: stuff that a manager would do for him. Well, I

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Speaker 1: don't know, because I can't tell you what six nine

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Speaker 1: life can consist of. Day to day. You asked me

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Speaker 1: about game ray Jo Blue Face. I can tell you

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Speaker 1: pretty much day to day, week by week, of course,

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Speaker 1: month by month on what we gotta do. I can't

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Speaker 1: tell you what he's doing. I can't tell you where

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Speaker 1: he is right now, what he has to do tomorrow.

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Speaker 1: The only thing I can elaborate on if somebody tells me,

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Speaker 1: hey man, we want to do a tour from January

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Speaker 1: fifteenth to the fucking March, and I could say, well,

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Speaker 1: from January fifteen, he'll be on tour in Europe, right,

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Speaker 1: if that was the case, right, I know that because

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Speaker 1: it's been contracted. So I don't, you know. I don't

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Speaker 1: know what his day to day, what he's doing, what

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Speaker 1: other situation he's doing, all his deals and all his paperwork.

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Speaker 1: I don't know who's overseeing those things. Some would say, like,

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Speaker 1: at least from my perspective, I think like, if he's

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Speaker 1: ever going to be relevant again musically, he almost needs

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Speaker 1: a Whack one hundred. No, because I'm not saying I

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Speaker 1: don't mean don't. I don't make his music. I wouldn't

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Speaker 1: know how to make his music. But I just think

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Speaker 1: it makes the six ' nine pill a little easier

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Speaker 1: to swallow. If Whack one hundred is that's what y'all

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Speaker 1: keep getting it wrong at the whack one hundred crowd, right,

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Speaker 1: is no different than the blue Face crowd. They don't

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Speaker 1: give a fuck what I think now. The game crowd

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Speaker 1: is my crowd, right. It's people from my generation and

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Speaker 1: a little under me that that's his fan base. The

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Speaker 1: six nine crowd wouldn't give a fuck if it was

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Speaker 1: Whacked one hundred, the daff he duck or nobody at all.

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Speaker 1: They're into his music. I couldn't even tell you the

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Speaker 1: chemistry of this young man's music. I don't know what

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Speaker 1: producers he worked with. You haven't been helping him at

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Speaker 1: all with music. Feature has never been in the studio

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Speaker 1: with him. I've never done anything like that. I don't

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Speaker 1: feelly need a feature personally. But you've heard the new music,

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Speaker 1: oh definitely. And we heard about four songs. What's your

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Speaker 1: opinion on it? Oh, he got some hits, their hits.

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Speaker 1: I've called in people that hate his guts Radio hate

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Speaker 1: sixty nine guts, and they said, I hate the fact

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Speaker 1: that I like this music and I hate this individual. Right.

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Speaker 1: The product is the product. It ain't you know, it's

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Speaker 1: not my cot of music, right, but his fan base, Yeah,

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Speaker 1: he's there. What I will say is, if I have

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Speaker 1: anything to do with any other music, we definitely have

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Speaker 1: understanding that there's no disrespecting anybody dead at homies or

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Speaker 1: any artists in particular. You know what I'm saying, Whatever

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Speaker 1: I touch gotta be just music. And I think really

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Speaker 1: he's got a point in his career where he shouldn't

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Speaker 1: have to do that anymore anyway. So you guys, you

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Speaker 1: pretty much have an agreement with him that if you

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Speaker 1: do get involved on the music side, that the disrespect

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Speaker 1: has to anything I touched. I mean, I don't know.

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Speaker 1: He may go do some other random shit. That's his business.

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Speaker 1: I can't control that. But if I'm touching it, right,

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Speaker 1: it it can't be you know what I mean. You're

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Speaker 1: talking about you know, somebody's dead, shit like that. I'm

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Speaker 1: really not off into that, so is that something that

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Speaker 1: you think is gonna end up happening where you're kind

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Speaker 1: of like helping him out on the music side. I've

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Speaker 1: looked at his contracts because I needed to understand that

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Speaker 1: was what, you know what I mean, because it's a

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Speaker 1: lot of things that goes along with you know, publishing

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Speaker 1: deals and things of that nature. He still signed to

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Speaker 1: who he's signed to, right, you know, that's still their business,

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Speaker 1: you know. But I will look at his contract because

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Speaker 1: if he has any questions about what's going on or

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Speaker 1: what's not going on, I need to be at a

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Speaker 1: answer that, right which you know, I got a legal team,

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Speaker 1: you know, my attorney, sam Rod Singe, is one of

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Speaker 1: the best in the business. So he overlooks everything to

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Speaker 1: see what's what was what. And I'm not really here

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Speaker 1: to rough on these feathers out of his label to

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Speaker 1: take him from one label to another label. His comfort

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Speaker 1: zone is whereas being it really needs to be there,

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Speaker 1: right But if a questions asked to me, I need

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Speaker 1: to be at a answer that I understand that because

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Speaker 1: if I'm doing business over here, let's say a movie situation,

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Speaker 1: they say, hey, we want him to do the soundtrack, right,

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Speaker 1: I need to understand what his obligations to his label is.

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Speaker 1: Can this be done, does just have to run through

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Speaker 1: his label? Just something that can be done independently, you know,

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Speaker 1: without going that direction. So that's the reason why I

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Speaker 1: look through those type of things. That forty three million dollars,

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Speaker 1: there's a business you've set up a little more than that,

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Speaker 1: but a little bit more than that, right. You gotta

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Speaker 1: remember you're talking about the artists. Man, that's good for

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Speaker 1: like five eight thousand tickets that ain't never been on tour.

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Speaker 1: You do the math, you know what I'm saying. You know,

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Speaker 1: so that so that that vastly is live show. You

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Speaker 1: got it. You got no you gotta fight in there's

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Speaker 1: twenty million, so the blue face fight. Yeah. You got

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Speaker 1: NFT deals in there, multiple NFT deals and you set

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Speaker 1: all this up crazy. Uh. You got publishing situations, that's crazy.

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Speaker 1: Your quarterbacked at all. You got torn European torn, that's

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Speaker 1: you know, that's crazy. You gotta remember all my tours

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Speaker 1: I route, me and my wife route and you guys

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Speaker 1: have been on other side. N ain't finn but all

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Speaker 1: my tours I route. You know, my wife does all

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Speaker 1: the coss and the cleans, passport cleanses. I do the booking,

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Speaker 1: all the hotels, the back line gang, travels with a band, tour,

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Speaker 1: busting flights, do it all. I do all that shit

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Speaker 1: on his phone. You know, agency ain't none of that, right,

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Speaker 1: So uh, it's nothing all the fairy costs or bus routing.

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Speaker 1: You remember, I own the truck, had been twenty some years,

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Speaker 1: so it's the same shit. So I do all of that.

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Speaker 1: So it's just a simple text blast. Hey listen, you know,

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Speaker 1: give me some feedback on what you guys could do. Right.

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Speaker 1: He's just a ring he's an arena artist. So when

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Speaker 1: you think about it's a lot of money, man, Yeah,

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Speaker 1: you think about it. You you talking about a minimum

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Speaker 1: of three fifty that can go up to access to

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Speaker 1: you know, once you do your back in, cut up

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Speaker 1: or your splits at the doors a merger seven hundred

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Speaker 1: and fifty thousand dollars a night. So it really ain't

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Speaker 1: no money that I put out. There's some money, but

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Speaker 1: if you do the math on that, it accumulates, it

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Speaker 1: adds up, and I mean, yeah, I mean shit, that's

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Speaker 1: a lot. Do we know any sort of window when

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Speaker 1: we can this fight's gonna happen. It's not gonna happen

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Speaker 1: in the US, Okay, So it's gonna probably be overseas

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Speaker 1: Middle East, Saudi Araby somewhere you buy or something, probably

331
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Speaker 1: not Dubai. Dubai and Bahrain may come together and do

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Speaker 1: something with Saudi. Sadi's kind of making a move to

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Speaker 1: be like Dubai. So we're looking at putting it over there.

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Speaker 1: The good thing about it is the actual Minister of

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Speaker 1: Finance of Entertainment over there is the one handling it personally.

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Speaker 1: Oh wow, but that's a resource. That's a resource I

337
00:19:19,040 --> 00:19:21,480
Speaker 1: had that you can reach straight there. I ain't gotta

338
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Speaker 1: go over here, so you know, at the end of

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Speaker 1: the day, Uh, it'll happen over there. But even with that,

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00:19:26,680 --> 00:19:29,080
Speaker 1: that's just a flat feed. You know, once it's announced,

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Speaker 1: now you got to think about, you know, taking Starbucks

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Speaker 1: and paper view shows and maybe you know, fucking coke sponsorship.

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Speaker 1: Sponsorship is gonna come. So that's just business man, and

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Speaker 1: I don't know, maybe I've I've matured and grown to

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Speaker 1: a point to where some ship don't matter to me,

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Speaker 1: the ship that we used to matter to you, that

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Speaker 1: would keep you up at night, like don't don't I

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Speaker 1: mean at the end of the day. I mean, listen,

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Speaker 1: it was a point in my life, this real ship

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Speaker 1: that if I was out in public and uh me

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Speaker 1: and my homeboys and somebody told me, yo, that's that

352
00:20:01,880 --> 00:20:06,520
Speaker 1: nigga cav dog for motherfucking San Diego. Yeah, we rolled

353
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Speaker 1: him up off the yard because he snitched on the nigga. Right,

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Speaker 1: I'm not from San Diego, I wasn't on the yard,

355
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Speaker 1: don't know him. At a point in my life, I

356
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Speaker 1: had have did something to that man, just because of

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Speaker 1: the politics that I was under. Right today, you could

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Speaker 1: tell me, hey, yo, that's such and such, such and such,

359
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Speaker 1: such and such, such and such. I don't give a

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Speaker 1: fuck business south of the mind, it's not my business.

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Speaker 1: Whoever need to deal with that, need to deal with

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Speaker 1: that for real. Now, I'm a strong belief in street business,

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Speaker 1: street conversation, street talk, my homeboys, in my neighborhood, other

364
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Speaker 1: domus or whatever the fuck. You know what I mean.

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Speaker 1: I would never use the value of a bag of

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Speaker 1: any of that to bring that around six ' nine,

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Speaker 1: because that was part of his problem. When that element

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Speaker 1: comes around, he feeds off into it, and I really

369
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Speaker 1: think he needs another element around him. He needs a

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Speaker 1: more him leaning into the YouTube shit. He he needs

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Speaker 1: a more uh you know, uh, you know Todd of

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Speaker 1: the creator type surrounding around. Here's somebody that's now what

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Speaker 1: Steve will do it, which is perfect. I don't know

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Speaker 1: if you know the Milk Boy dudes, but that's he's

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Speaker 1: on the Milk Boys like every week. I think that's

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Speaker 1: like right up his ye. He needs to get in

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Speaker 1: his lane, bro, and be around his people, you know

378
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Speaker 1: what I mean, and how to proper people around you

379
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Speaker 1: know what I mean, like like my my demographic and

380
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Speaker 1: what I bring is not what needs to be around

381
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Speaker 1: him every day. You know, I got a little crazy

382
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Speaker 1: crip nigga. I got game. That's a g par rule,

383
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Speaker 1: you know what I mean. I got ray J. That

384
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Speaker 1: is what he is, you know what I mean. So

385
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Speaker 1: I gotta maintain those elements to make sure my people

386
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Speaker 1: are straight. I can't put that around that because it's

387
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Speaker 1: totally contradicting of what I'm saying. He shouldn't have never

388
00:21:54,680 --> 00:21:58,040
Speaker 1: been a part of you. You and my son have

389
00:21:58,160 --> 00:22:00,560
Speaker 1: had some words before on the internet. He's someone who

390
00:22:00,640 --> 00:22:03,000
Speaker 1: used to be affiliated with the game back in the day, right,

391
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Speaker 1: I mean, he went on a tour too, right, right right.

392
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Speaker 1: I didn't know if he was ever a Black Wall

393
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Speaker 1: Street official. Never he went on the tour. But uh,

394
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Speaker 1: you know, he's somebody who's out no disrespect my sound is.

395
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Speaker 1: I'm not gonna say it was my man. He's still

396
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Speaker 1: my man. It was just getting a little weird because

397
00:22:17,840 --> 00:22:21,479
Speaker 1: we've always done our debates, right, That's what I'm gonna say.

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Speaker 1: It seems like it's a at least a semi respectful

399
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Speaker 1: disagreement at least. But he's I seen some ship last

400
00:22:28,800 --> 00:22:30,320
Speaker 1: night he put up. Yeah, I saw what he put

401
00:22:30,359 --> 00:22:32,199
Speaker 1: up last night. And I think my son is like

402
00:22:32,600 --> 00:22:34,840
Speaker 1: a great leader, like you know, as far as you

403
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Speaker 1: know everything that's been going on, I mean just always

404
00:22:37,040 --> 00:22:39,119
Speaker 1: you can look for my song for like direction as

405
00:22:39,119 --> 00:22:40,560
Speaker 1: far as like if you want to know, I mean,

406
00:22:40,560 --> 00:22:42,280
Speaker 1: that's what he turned itself into. It's kind of like

407
00:22:42,320 --> 00:22:47,040
Speaker 1: this like Martin Luther King type revolutionary type that which

408
00:22:47,040 --> 00:22:49,159
Speaker 1: is kind of confusing because like, yo, listen, if you

409
00:22:49,280 --> 00:22:53,520
Speaker 1: that stop talking about street ship, M my sign and

410
00:22:53,640 --> 00:22:56,479
Speaker 1: like that's my man. I didn't see my son by myself.

411
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Speaker 1: It's all love, like you know, it's people that's in

412
00:22:59,160 --> 00:23:00,840
Speaker 1: New York got a ten. They didn't hurt me and

413
00:23:00,920 --> 00:23:04,000
Speaker 1: my sign orchestrating shit over the phone. That's my man like,

414
00:23:04,040 --> 00:23:06,159
Speaker 1: I don't want to see nothing happen to him. I

415
00:23:06,160 --> 00:23:08,440
Speaker 1: don't got that and my heart to do nothing to him.

416
00:23:08,560 --> 00:23:11,120
Speaker 1: But on the flip side, my sign, I had nothing

417
00:23:11,160 --> 00:23:12,919
Speaker 1: to say when you was running around with Vlad. We

418
00:23:13,000 --> 00:23:16,400
Speaker 1: all knew. You know, Rick Ross never said nothing either

419
00:23:16,640 --> 00:23:20,760
Speaker 1: Nigga suwing Rick Ross lawsuits, criminal cases and filing shit.

420
00:23:21,040 --> 00:23:22,800
Speaker 1: You know what I'm saying, because Rick Ross then whooped

421
00:23:22,800 --> 00:23:26,800
Speaker 1: on Blad ass talk street shit. You run around with Blad,

422
00:23:26,800 --> 00:23:28,320
Speaker 1: but you know why he was running around with Lad

423
00:23:28,359 --> 00:23:31,800
Speaker 1: because Vlad was giving you your exposed platform, your platform,

424
00:23:32,119 --> 00:23:35,639
Speaker 1: which is business understood. That was business understood that You

425
00:23:35,760 --> 00:23:38,720
Speaker 1: wasn't runing around with Blad saying Nigga this Blad TV

426
00:23:38,880 --> 00:23:41,320
Speaker 1: or nothing Nigga would ever come with. You wasn't doing that.

427
00:23:41,520 --> 00:23:44,280
Speaker 1: You were utilizing that platform because Blad is a big

428
00:23:44,320 --> 00:23:47,159
Speaker 1: plat shoot and you were doing your rap thing or

429
00:23:47,160 --> 00:23:49,560
Speaker 1: whatever it is you was doing, and I was working

430
00:23:49,640 --> 00:23:52,240
Speaker 1: for you. Right, I didn't say hey, my sign and

431
00:23:52,359 --> 00:23:55,400
Speaker 1: we talked. I got long phone history with my sign

432
00:23:55,840 --> 00:23:59,480
Speaker 1: text messages for years, right, ain't my sign on some

433
00:23:59,520 --> 00:24:03,399
Speaker 1: real streets. Shit, what you're doing with blag You know

434
00:24:03,480 --> 00:24:07,479
Speaker 1: he's doing that the Rick ross A Street nigga. It

435
00:24:07,520 --> 00:24:10,520
Speaker 1: was business. But I don't know. I think maybe he

436
00:24:10,560 --> 00:24:12,800
Speaker 1: runs out of things to talk about. And if he

437
00:24:12,880 --> 00:24:15,280
Speaker 1: runs out of things to talk about, by all means,

438
00:24:15,320 --> 00:24:17,640
Speaker 1: as a brother, he can utilize my name to bring

439
00:24:17,680 --> 00:24:20,400
Speaker 1: some publicity to him. I ain't mad at that. It's entertainment.

440
00:24:20,400 --> 00:24:23,800
Speaker 1: I ain't tripping. I mean, that's that's not that's a yeah,

441
00:24:23,840 --> 00:24:25,359
Speaker 1: I'm not a very mature way of looking at it.

442
00:24:25,400 --> 00:24:28,440
Speaker 1: I'm not tripping. Okay, we talked before the camera's rolling,

443
00:24:28,560 --> 00:24:30,359
Speaker 1: and I'm not going to use anything to all my

444
00:24:30,480 --> 00:24:33,600
Speaker 1: people that it be known. Yeah, my sign and my

445
00:24:33,800 --> 00:24:37,960
Speaker 1: book is not my enemy. Everybody that loved me that

446
00:24:38,040 --> 00:24:40,440
Speaker 1: are just moved for me without saying nothing. I don't

447
00:24:40,440 --> 00:24:43,560
Speaker 1: want nobody ever to approach my sign in a threatening

448
00:24:43,600 --> 00:24:46,399
Speaker 1: way or question him about anything that got to do

449
00:24:46,480 --> 00:24:50,320
Speaker 1: with WAG one hundred. That's between me and my soign period.

450
00:24:50,359 --> 00:24:54,199
Speaker 1: You know what I'm saying. Period some real shit. I

451
00:24:54,280 --> 00:24:56,479
Speaker 1: want to kind of peel the curtain back a bit

452
00:24:56,520 --> 00:25:01,680
Speaker 1: without mentioning any direct names or albums. But you had

453
00:25:01,720 --> 00:25:05,040
Speaker 1: said essentially let's have the conversation we have before the

454
00:25:05,080 --> 00:25:09,359
Speaker 1: cameras rolling, but let's exclude all names, right that you

455
00:25:09,440 --> 00:25:16,200
Speaker 1: had helped a recent project. Yeah, hit a crazy amount

456
00:25:16,200 --> 00:25:20,040
Speaker 1: of streams its first week, and we're talking a big,

457
00:25:20,080 --> 00:25:22,560
Speaker 1: big project. All the people guess in the comments, but

458
00:25:22,600 --> 00:25:24,159
Speaker 1: you know, there's only been a few of these projects

459
00:25:24,200 --> 00:25:26,680
Speaker 1: that have dropped this year that everyone's talked about. So

460
00:25:26,960 --> 00:25:31,520
Speaker 1: explain what happened and kind of peel back the curtain

461
00:25:31,560 --> 00:25:33,199
Speaker 1: of bit on the industry and how a lot of

462
00:25:33,200 --> 00:25:37,720
Speaker 1: this I mean, listen, I'm gonna say it in hun terms.

463
00:25:38,800 --> 00:25:42,280
Speaker 1: The process of music, it starts with the artists, the

464
00:25:42,280 --> 00:25:46,480
Speaker 1: appearance of the artists, the you know, the studio time,

465
00:25:46,600 --> 00:25:50,600
Speaker 1: the production, all that, mixed, mastering, write the video and

466
00:25:50,640 --> 00:25:54,720
Speaker 1: all that. After that comes to marketing. Right. You can't

467
00:25:54,760 --> 00:25:59,920
Speaker 1: spend to our indie guys teen fifteen thousand on the

468
00:26:00,119 --> 00:26:04,679
Speaker 1: song and then nothing on marketing. Bigger the artist is

469
00:26:04,760 --> 00:26:08,280
Speaker 1: the bigger, the situation is the bigger, the marketing budget

470
00:26:08,359 --> 00:26:11,639
Speaker 1: is right, and when it comes to marketing, it's a

471
00:26:11,680 --> 00:26:16,840
Speaker 1: real brainwashing process that people don't understand. Right, you have

472
00:26:16,960 --> 00:26:20,320
Speaker 1: seeding companies, So what I mean by seeding is like

473
00:26:21,040 --> 00:26:25,840
Speaker 1: you'll be looking up and you'll say little baby donates

474
00:26:26,200 --> 00:26:29,720
Speaker 1: fifteen thousand to the schools for books. It'll be on

475
00:26:29,760 --> 00:26:33,240
Speaker 1: a random thing, right, you don't understand it has you

476
00:26:33,359 --> 00:26:36,880
Speaker 1: thinking about a little baby Little d Dog? Does one

477
00:26:36,960 --> 00:26:39,200
Speaker 1: mean streams of twenty four hours? If you don't know

478
00:26:39,240 --> 00:26:41,160
Speaker 1: who Little de Dog is, you're gonna hit that link.

479
00:26:41,160 --> 00:26:44,920
Speaker 1: Who the fuck is is? Oh? Oh, follow, oh that's

480
00:26:44,960 --> 00:26:48,920
Speaker 1: your song stream? Right. So it's a lot of other

481
00:26:49,040 --> 00:26:51,760
Speaker 1: types of marketing outside of this, just putting your shit

482
00:26:51,880 --> 00:26:54,840
Speaker 1: up right, just like radio. Bro, you work radio, of course,

483
00:26:55,400 --> 00:26:59,480
Speaker 1: they have mixed show, right, and you have your ads,

484
00:27:00,320 --> 00:27:04,120
Speaker 1: then you have your positioning leading up to your rotation.

485
00:27:05,080 --> 00:27:08,159
Speaker 1: It's been songs. I've hated Lil Wayne, one of the

486
00:27:08,240 --> 00:27:13,840
Speaker 1: greatest of all time. I hated Lollipop six weeks, seven

487
00:27:13,880 --> 00:27:17,400
Speaker 1: weeks in the radio, two o'clock in the morning, I'm

488
00:27:17,480 --> 00:27:23,880
Speaker 1: driving up the freeway. Ciga showed you on the thing right,

489
00:27:23,920 --> 00:27:28,879
Speaker 1: Because I'm hearing this shit so much mentally, my mind

490
00:27:28,960 --> 00:27:30,960
Speaker 1: started to like it. So it's the same shit when

491
00:27:30,960 --> 00:27:34,600
Speaker 1: it comes to digital marketing, right, it's a whole nother

492
00:27:34,720 --> 00:27:38,320
Speaker 1: process that happens for us to holler out an artists

493
00:27:38,320 --> 00:27:40,320
Speaker 1: and keep it in front of you. And by that

494
00:27:41,200 --> 00:27:48,200
Speaker 1: like boosting streams, I mean stream that's streams are boosted. Body,

495
00:27:48,440 --> 00:27:52,119
Speaker 1: you know, by doing these things. Okay, people follow the

496
00:27:52,200 --> 00:27:56,760
Speaker 1: number bro. Like let's say, for instance, we watched Kanye

497
00:27:56,920 --> 00:28:00,359
Speaker 1: and Drake. They already have a fan base, right, but

498
00:28:00,520 --> 00:28:08,320
Speaker 1: every day you saw Donda does this many streams right

499
00:28:08,480 --> 00:28:12,880
Speaker 1: right now, let's erase Donda, Kanye and Drake, and let's

500
00:28:12,880 --> 00:28:18,000
Speaker 1: say it's a little e right or True Card, one

501
00:28:18,040 --> 00:28:21,920
Speaker 1: of my artists, True Card streams two millions twenty four hours. Right.

502
00:28:22,880 --> 00:28:25,359
Speaker 1: The people that follow True Card that didn't know that

503
00:28:25,560 --> 00:28:27,960
Speaker 1: was there are gonna go. And the people that don't

504
00:28:28,000 --> 00:28:30,119
Speaker 1: know True Card, they gonna say, who the fuck is

505
00:28:30,119 --> 00:28:33,680
Speaker 1: True Card? Let go see what they're talking about right now.

506
00:28:33,800 --> 00:28:37,119
Speaker 1: Money was spent for these things to be put in

507
00:28:37,200 --> 00:28:39,680
Speaker 1: front of you. So when you work in ten fifteen

508
00:28:39,760 --> 00:28:44,240
Speaker 1: different platforms from your you know, the smallest own up right,

509
00:28:44,800 --> 00:28:50,360
Speaker 1: that happens so that in turn drives the stream. Right.

510
00:28:50,680 --> 00:28:53,720
Speaker 1: Not only does it drive the stream, it creates your

511
00:28:53,760 --> 00:28:57,560
Speaker 1: fan base. That's your ticket sales at your concerts. So

512
00:28:57,640 --> 00:28:59,920
Speaker 1: what you would do is have a digital marketing income

513
00:29:00,360 --> 00:29:03,280
Speaker 1: definitely that you inside digital. You would drop a bag

514
00:29:03,320 --> 00:29:05,840
Speaker 1: with and then there they would get your song on

515
00:29:06,200 --> 00:29:08,880
Speaker 1: a ship ton of us your curated playlist that not

516
00:29:08,880 --> 00:29:11,240
Speaker 1: not only that, even on your YouTube side. You know

517
00:29:11,240 --> 00:29:13,080
Speaker 1: you can run ads, right, so you can do YouTube

518
00:29:13,120 --> 00:29:15,120
Speaker 1: ads on one side. Then on the seven times you've

519
00:29:15,120 --> 00:29:19,040
Speaker 1: been watching fucking uh the babies and then somebody person

520
00:29:19,160 --> 00:29:22,000
Speaker 1: and I'm watching strictly that ship I'm working out, video

521
00:29:22,040 --> 00:29:25,640
Speaker 1: comes along one of his right, there's about four songs

522
00:29:25,640 --> 00:29:27,800
Speaker 1: come on to. This is how I discovered Rod Waves.

523
00:29:27,960 --> 00:29:31,000
Speaker 1: No Ship Wow, crazy about Rod Ray one of my

524
00:29:31,040 --> 00:29:34,520
Speaker 1: favorite young rappers. He's incredible. Right, I'm working out and

525
00:29:34,560 --> 00:29:37,880
Speaker 1: I'm listening to uh, you know, uh the Baby Ship

526
00:29:38,520 --> 00:29:42,640
Speaker 1: and uh out of Nowhere fuck song? Come on Now,

527
00:29:42,640 --> 00:29:44,600
Speaker 1: I don't think rod Wave just came on because it

528
00:29:44,640 --> 00:29:49,720
Speaker 1: came on. That's programming. Did what they did ad buys

529
00:29:49,800 --> 00:29:53,080
Speaker 1: right from that, I'm now I follow rod Wave. I stream.

530
00:29:53,160 --> 00:29:55,000
Speaker 1: It's now a day that's went by in the last

531
00:29:55,080 --> 00:29:57,960
Speaker 1: year that I haven't listened to rod Waves music off

532
00:29:58,000 --> 00:30:02,400
Speaker 1: of Spotify, right, and I've since then shared it. What

533
00:30:02,520 --> 00:30:05,600
Speaker 1: about a hundred of my friends and that's my age

534
00:30:05,680 --> 00:30:08,080
Speaker 1: and that's how this works. Fuck with this youngster. Now,

535
00:30:08,120 --> 00:30:11,160
Speaker 1: I don't know how many people charity with and this

536
00:30:11,320 --> 00:30:14,360
Speaker 1: hard as works not how many people like me discovered

537
00:30:14,400 --> 00:30:17,720
Speaker 1: it like that? Right, And these are the things that

538
00:30:17,760 --> 00:30:20,400
Speaker 1: people just simply don't know about. When people say the

539
00:30:20,480 --> 00:30:24,960
Speaker 1: machine at the labels, not only is the finance there,

540
00:30:25,360 --> 00:30:28,680
Speaker 1: but the politics of relationships there that says when certain

541
00:30:28,720 --> 00:30:32,040
Speaker 1: labels called, they're gonna get a slide. You know what

542
00:30:32,040 --> 00:30:35,760
Speaker 1: I'm saying. So you know it's it's it's I won't

543
00:30:35,760 --> 00:30:39,600
Speaker 1: say it's a controlled thing, but it's definitely a machine.

544
00:30:39,600 --> 00:30:43,040
Speaker 1: It's poll this happened. Where have you seen this happen

545
00:30:43,160 --> 00:30:45,800
Speaker 1: where there's a project that's coming out and the label

546
00:30:46,640 --> 00:30:49,080
Speaker 1: drops a bag to boost the streams. And I'm not

547
00:30:49,080 --> 00:30:51,560
Speaker 1: saying that they're not organic streams because with a lot

548
00:30:51,560 --> 00:30:53,960
Speaker 1: of these digital markets, and when you say stream boosting,

549
00:30:54,160 --> 00:30:55,920
Speaker 1: I mean like it's not that people coming in and

550
00:30:55,960 --> 00:30:59,960
Speaker 1: saying it's not like there's like a we're paying for

551
00:31:00,240 --> 00:31:03,000
Speaker 1: these streams to be like this. Stream boosting comes in

552
00:31:03,120 --> 00:31:08,480
Speaker 1: like different form, ten fifteen different forms. Right, you have marketing, right,

553
00:31:08,560 --> 00:31:12,640
Speaker 1: So have you seen it where a label will literally

554
00:31:12,720 --> 00:31:16,200
Speaker 1: drop a stupid bag to ensure their album gets to

555
00:31:16,200 --> 00:31:19,600
Speaker 1: be number one for the week. Well, the insurance comes

556
00:31:19,600 --> 00:31:25,440
Speaker 1: from first of all understand this. Labels know, right? You

557
00:31:25,560 --> 00:31:29,880
Speaker 1: notice no other artists dropped the weeks of Kanye and Drake. True,

558
00:31:30,560 --> 00:31:34,360
Speaker 1: we know who's dropping. For one. You don't fuck around

559
00:31:34,400 --> 00:31:37,040
Speaker 1: with shit. Well Kanye dropped Sunday at eight am. But yeah,

560
00:31:37,040 --> 00:31:39,880
Speaker 1: well you don't fuck around with shit like that, because

561
00:31:40,000 --> 00:31:42,640
Speaker 1: now when you go might want to spend one hundred

562
00:31:42,880 --> 00:31:47,480
Speaker 1: two hundred thousand dollars on the full digital marketing campaign. Right,

563
00:31:47,920 --> 00:31:49,920
Speaker 1: you fuck around some shit like Kanye, that's like you

564
00:31:49,960 --> 00:31:53,360
Speaker 1: spend twenty thousand dollars because you know what I mean,

565
00:31:54,080 --> 00:31:58,200
Speaker 1: they just won't work one song, they'll work fifteen. Yes,

566
00:31:58,360 --> 00:32:00,720
Speaker 1: you just stay out of that traffic. That shit bigger

567
00:32:00,720 --> 00:32:03,560
Speaker 1: than you. You know what I'm saying. You don't certain

568
00:32:03,600 --> 00:32:06,040
Speaker 1: people you don't fuck with. You just let them get

569
00:32:06,040 --> 00:32:08,400
Speaker 1: out the way and you let it blow over for

570
00:32:08,440 --> 00:32:12,120
Speaker 1: about three weeks or a month. Then you come in

571
00:32:12,120 --> 00:32:13,880
Speaker 1: and drop your back. So when I say that, to

572
00:32:13,920 --> 00:32:16,240
Speaker 1: say this, if a label is like, all right, we

573
00:32:16,280 --> 00:32:18,680
Speaker 1: got a we got a marketing budget of a half

574
00:32:18,680 --> 00:32:22,160
Speaker 1: a million dollars, right, they already know that half a

575
00:32:22,200 --> 00:32:26,160
Speaker 1: million dollars they're gonna spend here there here YouTube you know,

576
00:32:26,200 --> 00:32:31,680
Speaker 1: are seeding companies radio, you know, shit like this. You

577
00:32:31,720 --> 00:32:36,480
Speaker 1: ever look with to Spotify, right, and you go to Spotify,

578
00:32:36,520 --> 00:32:38,520
Speaker 1: way for everyone who dms me every day, you cannot

579
00:32:38,560 --> 00:32:41,080
Speaker 1: pay to get on my platform. Listen anyway, You go

580
00:32:41,120 --> 00:32:47,000
Speaker 1: to Spotify and let's say Rap Caviar, right, caller race picture. Yep,

581
00:32:47,640 --> 00:32:52,600
Speaker 1: she's the She's the cover of Rap Caviar. I don't

582
00:32:52,880 --> 00:32:56,200
Speaker 1: You don't realize if you going to Rap Countyard just

583
00:32:56,240 --> 00:32:58,480
Speaker 1: to listen to the playlist. Soon as you see that,

584
00:32:58,920 --> 00:33:00,760
Speaker 1: your first in your mind, I was gonna say, is

585
00:33:00,840 --> 00:33:03,160
Speaker 1: let me check out the song. That's what I do

586
00:33:03,240 --> 00:33:05,280
Speaker 1: to every time someone's on the cover, I go like,

587
00:33:05,680 --> 00:33:07,080
Speaker 1: let me see what song's on here? From these monther

588
00:33:07,200 --> 00:33:09,680
Speaker 1: you understand not one thing about Spotify. They pretty much

589
00:33:09,720 --> 00:33:13,000
Speaker 1: hand picked who they want. Spotify give you a call

590
00:33:13,120 --> 00:33:15,000
Speaker 1: like hey, we want you all to you know, to

591
00:33:15,040 --> 00:33:16,800
Speaker 1: be the cover of this, this, this, this and that.

592
00:33:17,040 --> 00:33:19,920
Speaker 1: But all this shit, right, it's things that are done

593
00:33:20,280 --> 00:33:22,920
Speaker 1: to kind of because it's been done time and time again.

594
00:33:23,240 --> 00:33:25,720
Speaker 1: We know what we spend this here here here there,

595
00:33:26,200 --> 00:33:31,000
Speaker 1: based upon the artist is following. Now we can expect

596
00:33:31,360 --> 00:33:35,160
Speaker 1: this kind of traffic. You know what I'm saying. It's

597
00:33:35,240 --> 00:33:37,240
Speaker 1: just like lib rat shit. Bro, they know we get

598
00:33:37,280 --> 00:33:40,520
Speaker 1: this motherfucker this dose, this happened, this dose. This is

599
00:33:40,560 --> 00:33:43,960
Speaker 1: the same shit. So when you hear people saying that, yeah,

600
00:33:44,000 --> 00:33:45,880
Speaker 1: you got a motherfuckers say what fuck, we're gonna spend

601
00:33:45,920 --> 00:33:49,360
Speaker 1: three million, they know that three million is gonna guarantee

602
00:33:50,160 --> 00:33:54,320
Speaker 1: organically after they do all exposure, three million should bring us,

603
00:33:54,880 --> 00:33:59,240
Speaker 1: you know, three hundred four hundred thousand album selves. They

604
00:33:59,280 --> 00:34:02,000
Speaker 1: know these things. I gotta figure out. It's to figure out,

605
00:34:02,000 --> 00:34:03,400
Speaker 1: that's just what it is. Last thing I want to

606
00:34:03,440 --> 00:34:06,120
Speaker 1: talk about without getting into the specifics of the incident,

607
00:34:06,840 --> 00:34:10,640
Speaker 1: but really obviously when your artist, blue Face got into altercations,

608
00:34:11,120 --> 00:34:13,960
Speaker 1: it's all over the internet right now. I don't want

609
00:34:13,960 --> 00:34:15,759
Speaker 1: to get into what actually happened, but I do want

610
00:34:15,760 --> 00:34:19,279
Speaker 1: to get into some of the the things that you

611
00:34:19,360 --> 00:34:22,319
Speaker 1: were saying about this before we started the interview, just

612
00:34:22,360 --> 00:34:26,719
Speaker 1: about like for any artist who's watching this, you know,

613
00:34:26,880 --> 00:34:28,920
Speaker 1: about staying out of places where you're not getting the

614
00:34:28,920 --> 00:34:30,640
Speaker 1: back like kind of you know, obviously you know, blue

615
00:34:30,640 --> 00:34:34,240
Speaker 1: Face a great dude. Yeah, when you when you're an artist,

616
00:34:35,200 --> 00:34:39,440
Speaker 1: you're a business. Regardless of what your homie say and

617
00:34:39,520 --> 00:34:43,080
Speaker 1: whatever say, you're a business. Everything about you is a business.

618
00:34:43,120 --> 00:34:45,960
Speaker 1: What you say, what you do? You know, if he

619
00:34:46,040 --> 00:34:48,520
Speaker 1: has a car accident, it's not going to be you know,

620
00:34:48,760 --> 00:34:50,960
Speaker 1: Jonathan poored at a car incident. It's gonna say Blue

621
00:34:50,960 --> 00:34:54,239
Speaker 1: Face the rapper was involved in the car accident. The

622
00:34:54,320 --> 00:34:56,560
Speaker 1: car incident has nothing to do with music. But because

623
00:34:56,560 --> 00:34:59,239
Speaker 1: it's him, he's a business and you're a target. You know,

624
00:34:59,239 --> 00:35:02,000
Speaker 1: in this situation, somebody pulled a weapon out on him,

625
00:35:02,040 --> 00:35:03,440
Speaker 1: you know what I mean, They pulled a knife out

626
00:35:03,480 --> 00:35:05,960
Speaker 1: on him. Man had to defend himself, you know what

627
00:35:06,000 --> 00:35:07,920
Speaker 1: I mean. And when things start to happen, you know

628
00:35:07,920 --> 00:35:10,319
Speaker 1: what I mean, when you're seeing camera footage, you're only

629
00:35:10,360 --> 00:35:12,800
Speaker 1: seeing a part of it, part of it, you know

630
00:35:12,840 --> 00:35:15,879
Speaker 1: what I mean. But once again, it's like, that's why

631
00:35:15,880 --> 00:35:20,160
Speaker 1: I urge rappers to keep the proper tools around you.

632
00:35:20,239 --> 00:35:23,480
Speaker 1: That's gonna absorb those things to where those things happen.

633
00:35:23,560 --> 00:35:26,719
Speaker 1: The wall is around you to where they can't really

634
00:35:26,760 --> 00:35:28,960
Speaker 1: get to you. You know what I mean. This is

635
00:35:29,000 --> 00:35:31,600
Speaker 1: what security is for. I mean, you've been that wall before.

636
00:35:32,040 --> 00:35:36,359
Speaker 1: I'll take I've taken that hit, you know what I mean.

637
00:35:36,440 --> 00:35:39,359
Speaker 1: I mean, that's just me, you know. But unfortunately Blue

638
00:35:39,400 --> 00:35:42,000
Speaker 1: Faces young man, he has a life, and I think

639
00:35:42,040 --> 00:35:46,360
Speaker 1: his struggle with this music thing is sometimes he wants

640
00:35:46,400 --> 00:35:49,400
Speaker 1: to be normal, and I'm trying to get him understand

641
00:35:49,560 --> 00:35:51,799
Speaker 1: is you're not normal as much as you want to

642
00:35:51,840 --> 00:35:55,560
Speaker 1: be normal. That's the downside to this ship. He's also

643
00:35:55,680 --> 00:35:58,600
Speaker 1: extremely tall, good looking kid with tattoos, so it's not

644
00:35:58,640 --> 00:36:00,759
Speaker 1: a very inconsect like when you go out there, it's

645
00:36:00,800 --> 00:36:04,680
Speaker 1: like another one of his downfalls is is he's genuinely

646
00:36:04,719 --> 00:36:08,759
Speaker 1: a nice guy. Is so he's not an assholder where

647
00:36:08,760 --> 00:36:11,480
Speaker 1: if you walking up on him, he gonna be like, hey,

648
00:36:11,520 --> 00:36:13,719
Speaker 1: get the fuck away from you, have people stop you.

649
00:36:14,120 --> 00:36:16,840
Speaker 1: He genuinely is a nice guy. He's gonna talk, have

650
00:36:16,920 --> 00:36:21,840
Speaker 1: a conversation, which opens him up to more if walking

651
00:36:21,920 --> 00:36:24,719
Speaker 1: up he's on some bullshit, right, So what you don't

652
00:36:24,719 --> 00:36:27,400
Speaker 1: see is a dude walks up and then blue Light

653
00:36:27,520 --> 00:36:30,640
Speaker 1: being cool, Hey, how you doing ye, and then he like, hey,

654
00:36:30,840 --> 00:36:34,480
Speaker 1: fuck your mama, spit sat him for some shit right now,

655
00:36:35,600 --> 00:36:41,000
Speaker 1: the artist that's a human being reacts Now it's all

656
00:36:41,120 --> 00:36:44,759
Speaker 1: blue Face did this right, And then that's where it goes.

657
00:36:44,760 --> 00:36:46,640
Speaker 1: So that's the pros and constant this shit. You know,

658
00:36:46,680 --> 00:36:50,359
Speaker 1: when you when you're that right, you can either be

659
00:36:50,719 --> 00:36:53,520
Speaker 1: regular and not have nobody paying attention to you, and

660
00:36:53,600 --> 00:36:56,440
Speaker 1: be a hell of an entrepreneur and get your money right.

661
00:36:56,560 --> 00:36:59,359
Speaker 1: I've known entrepreneurs. At one point in time, shout out

662
00:36:59,360 --> 00:37:02,279
Speaker 1: to white boy who had more money than everybody in

663
00:37:02,280 --> 00:37:04,640
Speaker 1: the motherfucking club, was standing outside from the supper club.

664
00:37:04,680 --> 00:37:06,520
Speaker 1: Couldn't get in because they didn't know who he was,

665
00:37:07,640 --> 00:37:09,279
Speaker 1: you know what I mean. So when Game said, that's

666
00:37:09,280 --> 00:37:12,120
Speaker 1: my part to bring him in, DJ Hollo Cold, send

667
00:37:12,160 --> 00:37:15,480
Speaker 1: the bottles, halloo cold, yo, this is cold, this is cold,

668
00:37:15,480 --> 00:37:19,000
Speaker 1: this is cold right now, his identity gave him face

669
00:37:19,239 --> 00:37:21,480
Speaker 1: and people responded to him as if he was some

670
00:37:21,560 --> 00:37:24,240
Speaker 1: type of celebrity in our city. Right, So the same

671
00:37:24,360 --> 00:37:27,640
Speaker 1: rule applied, like once you get that light on you,

672
00:37:28,400 --> 00:37:32,760
Speaker 1: it's what it is. It's a gift in the curse.

673
00:37:32,840 --> 00:37:34,800
Speaker 1: It's a gift in the curse. So you got to

674
00:37:34,880 --> 00:37:37,600
Speaker 1: know that people do ignorant. Look at the blue face

675
00:37:37,640 --> 00:37:40,919
Speaker 1: in his fight, dude running the ring. He running the ring,

676
00:37:41,000 --> 00:37:44,440
Speaker 1: holding his phone in one end, in one hand. He knew, like,

677
00:37:44,560 --> 00:37:47,760
Speaker 1: I'm doing this because that's blue face. I was closer

678
00:37:47,800 --> 00:37:49,640
Speaker 1: to him in blue face, but he like, shit, the

679
00:37:49,760 --> 00:37:54,400
Speaker 1: draw the lights is blueface. So they gonna try and

680
00:37:54,400 --> 00:37:58,600
Speaker 1: and I think, you know, he's young, he's full of life,

681
00:37:58,640 --> 00:38:00,919
Speaker 1: he's full of energy, and some time you just want

682
00:38:00,960 --> 00:38:03,719
Speaker 1: to have fun, just normal fun. And I think he's

683
00:38:03,840 --> 00:38:07,440
Speaker 1: learning that that's a task you signed up to do. Yeah,

684
00:38:07,600 --> 00:38:10,520
Speaker 1: I mean I think for anybody, right like you got,

685
00:38:10,520 --> 00:38:13,239
Speaker 1: you can't overexpose yourself, you know, Like I think, like

686
00:38:13,680 --> 00:38:15,759
Speaker 1: even me, Like I tell my wife, you know, I'm like,

687
00:38:16,480 --> 00:38:19,040
Speaker 1: she wants to go walk down Melrow. I'm like, listen, sweetheart, like,

688
00:38:19,200 --> 00:38:21,799
Speaker 1: now ain't the time for us to go walk down

689
00:38:21,800 --> 00:38:24,680
Speaker 1: Melrose with your wedding ring on? Because I'm not gonna

690
00:38:24,680 --> 00:38:27,919
Speaker 1: be Yeah, it's real ship, I'm not gonna know. I'm

691
00:38:27,920 --> 00:38:29,560
Speaker 1: just not gonna be the one. Like like at the

692
00:38:29,600 --> 00:38:31,360
Speaker 1: end of the day, like big Boy, how many places

693
00:38:31,400 --> 00:38:34,520
Speaker 1: you see Big Boy is out roam and and and

694
00:38:34,560 --> 00:38:38,319
Speaker 1: that's you know, I mean, people know who them. I'm like, yo,

695
00:38:38,360 --> 00:38:40,040
Speaker 1: if I'm not getting paid the DJ, I'm not going

696
00:38:40,080 --> 00:38:42,799
Speaker 1: to the club. You cannot know what big Boy looks like.

697
00:38:42,880 --> 00:38:45,480
Speaker 1: Right And a minute he opens his mouth, you know

698
00:38:45,560 --> 00:38:48,120
Speaker 1: exactly who he is because he's got You could be

699
00:38:48,120 --> 00:38:51,000
Speaker 1: at McDonald's and not know who this dude would say, yeah, man,

700
00:38:51,040 --> 00:38:54,359
Speaker 1: give me a whiffers ump. Hello, hey man, aren't you

701
00:38:55,040 --> 00:38:57,400
Speaker 1: dude get all excited. Big boy might be having a

702
00:38:57,440 --> 00:38:59,960
Speaker 1: bad day. Dude, Hey man, grabs big boy bout It

703
00:39:00,120 --> 00:39:02,880
Speaker 1: showed a big boy throws elbow that see. You know,

704
00:39:02,960 --> 00:39:06,799
Speaker 1: big boy assaults taxi dude, the McDonald's. This is why

705
00:39:06,800 --> 00:39:09,120
Speaker 1: Big Boy ain't gonna go in the motherfucker McDonald's. He

706
00:39:09,200 --> 00:39:11,480
Speaker 1: gonna send somebody else. He gonna go through the drive through.

707
00:39:11,680 --> 00:39:13,480
Speaker 1: This is what this is there. It is. Well, look,

708
00:39:13,719 --> 00:39:16,120
Speaker 1: we're gonna transition to the other part of the interview,

709
00:39:16,160 --> 00:39:18,200
Speaker 1: which is an hour and a half long, and gotcha,

710
00:39:18,200 --> 00:39:20,799
Speaker 1: there's a lot of gaming it. Appreciate you, man. It's

711
00:39:20,800 --> 00:39:25,200
Speaker 1: one hundred interview y'all. Two then the bootleg cav you

712
00:39:25,239 --> 00:39:28,239
Speaker 1: always have the wels have an open mic here, whack nah.

713
00:39:28,280 --> 00:39:32,160
Speaker 1: I appreciate it, man, that cav. You know, people don't

714
00:39:32,200 --> 00:39:35,160
Speaker 1: realize that you can vouch for this. I think about

715
00:39:35,200 --> 00:39:37,600
Speaker 1: people when they know I'm not thinking about them because

716
00:39:37,640 --> 00:39:41,560
Speaker 1: it was a few years ago. Well out nowhere, you

717
00:39:41,640 --> 00:39:44,880
Speaker 1: got a call. I'm sitting with they setting up the

718
00:39:44,960 --> 00:39:47,720
Speaker 1: real ninety two three and they going over their DJs.

719
00:39:47,719 --> 00:39:49,880
Speaker 1: I'm like, yo, y'all need to bring cave to the city.

720
00:39:50,040 --> 00:39:53,759
Speaker 1: I always tell everything. I always tell everybody, put you

721
00:39:53,880 --> 00:39:56,479
Speaker 1: right on the phone, called me at dinner, at dinner.

722
00:39:56,520 --> 00:39:58,879
Speaker 1: We was at dinner. This was in twenty fourteen. Yeah,

723
00:39:58,920 --> 00:40:01,640
Speaker 1: we was at dinner and I was in Tampa and

724
00:40:01,680 --> 00:40:04,319
Speaker 1: Whack hits my line, Hey, I'm a doc winner. Right

725
00:40:04,360 --> 00:40:07,120
Speaker 1: now at dinner, they're launching a rated I'm telling him

726
00:40:07,120 --> 00:40:10,160
Speaker 1: you're the guy. And I always tell everybody, Yo, Whack

727
00:40:10,360 --> 00:40:14,560
Speaker 1: really selflessly just threw me their craziest lib. Watch this.

728
00:40:14,960 --> 00:40:18,160
Speaker 1: You might hear from Whack every eighteen months. I don't

729
00:40:18,200 --> 00:40:22,800
Speaker 1: do ship because now I'm gonna, you know, work this situation.

730
00:40:22,880 --> 00:40:26,359
Speaker 1: I just genuinely do shit. I score amen, And when

731
00:40:26,360 --> 00:40:29,160
Speaker 1: I can do something. It's a misconception about you. Man.

732
00:40:29,200 --> 00:40:32,600
Speaker 1: It's like I think, like I always hear people be like, uh,

733
00:40:32,840 --> 00:40:34,680
Speaker 1: even when they talk about you and they don't know you.

734
00:40:35,000 --> 00:40:36,560
Speaker 1: I got to step in and be like, Yo, Whack,

735
00:40:36,600 --> 00:40:38,920
Speaker 1: ain't that guy? Like people really think like you're like

736
00:40:38,960 --> 00:40:42,120
Speaker 1: a really unreasonable dude, or like, you know, if you

737
00:40:42,200 --> 00:40:44,000
Speaker 1: do something for them, you're gonna hang them out like

738
00:40:44,000 --> 00:40:45,920
Speaker 1: on some sugar night shit over a balcony. I'm like, Yo,

739
00:40:45,960 --> 00:40:49,160
Speaker 1: Whack is a one of the smartest, smartest guys in

740
00:40:49,200 --> 00:40:54,080
Speaker 1: the music. And yeah, Sugar never hung anybody over the balcony,

741
00:40:54,280 --> 00:40:57,080
Speaker 1: so Vanilla has never got hung over the bout definitely

742
00:40:57,160 --> 00:41:00,360
Speaker 1: got hung over the balcony. But see, it's kind of

743
00:41:00,440 --> 00:41:03,560
Speaker 1: like the kid that got kicked and all the teachers

744
00:41:03,600 --> 00:41:06,719
Speaker 1: seeing was a kid doing hitting. Right, what people don't

745
00:41:06,760 --> 00:41:11,440
Speaker 1: talk about is that little young black kid right who

746
00:41:11,480 --> 00:41:15,800
Speaker 1: did the production for Ice Ice Baby, who Vanilla Ice said,

747
00:41:16,040 --> 00:41:18,080
Speaker 1: fuck you, I'm not gonna give you four or five

748
00:41:18,120 --> 00:41:20,919
Speaker 1: million dollars. People don't want to talk about how he

749
00:41:21,520 --> 00:41:25,120
Speaker 1: went through every resource he could to get his money

750
00:41:25,840 --> 00:41:28,160
Speaker 1: and the shit wasn't right. When he brought it to

751
00:41:28,160 --> 00:41:31,200
Speaker 1: Sugar Night, she said, Sug, I'll give you half the money.

752
00:41:31,239 --> 00:41:33,880
Speaker 1: You can get my money. Sugar said, young black brother,

753
00:41:33,920 --> 00:41:36,279
Speaker 1: I don't want half your money. I just want what's

754
00:41:36,320 --> 00:41:39,480
Speaker 1: reasonably coming to me. Let me have my attorneys contact

755
00:41:39,560 --> 00:41:42,600
Speaker 1: them and figure it out. After eight or nine months

756
00:41:42,600 --> 00:41:45,960
Speaker 1: of that not working, then he went through other extremes

757
00:41:46,000 --> 00:41:49,360
Speaker 1: of getting it done. Now watch this. Is it sug

758
00:41:49,480 --> 00:41:52,280
Speaker 1: Knight's fault that he had to go to that extreme

759
00:41:52,800 --> 00:41:56,080
Speaker 1: or is it Vanilla ICE's fault for totally ignoring it

760
00:41:56,239 --> 00:41:58,279
Speaker 1: when it was trying to be handled the corporate way

761
00:41:58,560 --> 00:42:01,960
Speaker 1: fair enough. So you know, I just got to defend

762
00:42:01,960 --> 00:42:04,200
Speaker 1: that because I know what's really behind that. It wasn't

763
00:42:04,239 --> 00:42:06,480
Speaker 1: a thing with you came in and I you on

764
00:42:06,600 --> 00:42:09,239
Speaker 1: no fucking verse. But all right, the fuck. You know

765
00:42:09,320 --> 00:42:11,719
Speaker 1: what I'm saying, and let the record be shown, and

766
00:42:11,760 --> 00:42:13,560
Speaker 1: do not fuck with Whack either. You know what I'm

767
00:42:13,600 --> 00:42:15,440
Speaker 1: saying because I've seen the dark side of Whack as

768
00:42:15,480 --> 00:42:19,319
Speaker 1: well personally me myself. Yo, listen, Whack, Thank you man.

769
00:42:19,360 --> 00:42:20,759
Speaker 1: Let's get into the rest of the interview right now.

770
00:42:20,800 --> 00:42:24,440
Speaker 1: All right, look Man, special Edition the one hundredth episode

771
00:42:24,480 --> 00:42:27,040
Speaker 1: of the Blueleg Heap Podcast. What a Minor, The Minor,

772
00:42:27,040 --> 00:42:29,040
Speaker 1: the Monitor, Episode one hundred. We had to do something

773
00:42:29,080 --> 00:42:32,080
Speaker 1: special and bring my bro, my big brother Man Whack

774
00:42:32,160 --> 00:42:35,640
Speaker 1: one hundred for episode one hundred. Welcome back this and

775
00:42:35,680 --> 00:42:37,319
Speaker 1: a Minor. It's a whole lot of ways you could

776
00:42:37,360 --> 00:42:40,000
Speaker 1: have went, so you know, it's honor to be Yeah.

777
00:42:40,000 --> 00:42:41,160
Speaker 1: I was like, man, there was a couple of people.

778
00:42:41,160 --> 00:42:42,440
Speaker 1: I was like, Man, we gotta get Whack back on

779
00:42:42,440 --> 00:42:44,680
Speaker 1: the episode one hundred. It's only right man on the

780
00:42:44,680 --> 00:42:46,680
Speaker 1: West Coast. Shit, Let's do it the way we supposed to.

781
00:42:47,000 --> 00:42:50,959
Speaker 1: Welcome back. First of all, how has everything been going

782
00:42:51,000 --> 00:42:56,280
Speaker 1: with you? Man? Because you've been all over every academics post.

783
00:42:56,320 --> 00:42:58,520
Speaker 1: I mean, shit's been kind of crazy since you did

784
00:42:58,560 --> 00:43:04,440
Speaker 1: the podcast. You know, you know, it's always a backlash,

785
00:43:05,080 --> 00:43:09,799
Speaker 1: you know when you go against the grain, you know

786
00:43:09,800 --> 00:43:11,680
Speaker 1: what I mean. So when you know, when you not

787
00:43:12,560 --> 00:43:15,960
Speaker 1: flowing the way everybody else is flowing, you're gonna get

788
00:43:16,000 --> 00:43:18,520
Speaker 1: that back. Last. Now, the question is can you stand.

789
00:43:18,560 --> 00:43:20,239
Speaker 1: You gotta be able to stand the ring. Can you

790
00:43:20,320 --> 00:43:22,560
Speaker 1: withstand that shit? You will stand the ring. A lot

791
00:43:22,600 --> 00:43:24,719
Speaker 1: of people is you know a lot of people clickish,

792
00:43:24,840 --> 00:43:27,200
Speaker 1: you know what I mean, and they caught up and

793
00:43:27,640 --> 00:43:30,279
Speaker 1: you know who gonna continue to talk to them or not?

794
00:43:30,480 --> 00:43:32,600
Speaker 1: You know what I mean. Unfortunately, a lot of people

795
00:43:32,640 --> 00:43:34,239
Speaker 1: that I know and do business with, they have been

796
00:43:34,320 --> 00:43:37,680
Speaker 1: long term relationships and uh they they called me and

797
00:43:37,760 --> 00:43:40,600
Speaker 1: express what they don't like. But the brotherhood and the

798
00:43:40,800 --> 00:43:43,640
Speaker 1: you know, the comrades, shit is too deep. I even

799
00:43:43,719 --> 00:43:45,799
Speaker 1: got some that won't call me, you know, when they

800
00:43:45,840 --> 00:43:47,680
Speaker 1: get over being mad, then they called me in there

801
00:43:47,800 --> 00:43:50,000
Speaker 1: tell me what it was. But other than that, man,

802
00:43:50,040 --> 00:43:51,160
Speaker 1: you know, you got to be able to stand, and

803
00:43:51,160 --> 00:43:52,640
Speaker 1: you got to be your own boss and You got

804
00:43:52,640 --> 00:43:54,200
Speaker 1: to know your own route, you know what I mean.

805
00:43:54,200 --> 00:43:56,320
Speaker 1: You gotta know what you're doing with it. You know

806
00:43:56,320 --> 00:43:58,080
Speaker 1: what I mean, And that's what it is. People sit

807
00:43:58,200 --> 00:44:02,719
Speaker 1: back and because they don't know what you're doing, assumption

808
00:44:02,840 --> 00:44:06,480
Speaker 1: when it comes to the to the human mind, they

809
00:44:06,600 --> 00:44:09,600
Speaker 1: gonna always assume the worst. You know, I'm since then

810
00:44:09,680 --> 00:44:13,359
Speaker 1: I think I'm Takshi signed to me six ' nine.

811
00:44:13,440 --> 00:44:17,560
Speaker 1: This man is by me. Shit, I didn't put him

812
00:44:17,600 --> 00:44:19,880
Speaker 1: on my neighborhood. You know, they come up with all

813
00:44:20,000 --> 00:44:22,359
Speaker 1: kind of crazy ass shit, but you know, you gotta

814
00:44:22,440 --> 00:44:26,080
Speaker 1: let them run wild with it. If you understand entertainment business,

815
00:44:26,400 --> 00:44:29,400
Speaker 1: because that's the clickbait, that's what keep people talking about you.

816
00:44:29,880 --> 00:44:31,799
Speaker 1: And hopefully you can put something in fun of the

817
00:44:31,880 --> 00:44:37,239
Speaker 1: people right to further the conversation. Whack did this, this? This, this, this,

818
00:44:37,360 --> 00:44:40,640
Speaker 1: oh year and this is coming out of this is

819
00:44:40,680 --> 00:44:42,759
Speaker 1: going on. So you gotta know how to finessa. You

820
00:44:42,719 --> 00:44:45,319
Speaker 1: gotta know how to work well. I think like we

821
00:44:45,520 --> 00:44:47,799
Speaker 1: did an interview probably like four or five months ago,

822
00:44:47,840 --> 00:44:49,719
Speaker 1: and in that interview you had said that you did

823
00:44:49,719 --> 00:44:51,520
Speaker 1: not feel like six nine was a snitch. He was

824
00:44:51,520 --> 00:44:54,759
Speaker 1: a civilian good So you said that way before you

825
00:44:54,840 --> 00:44:57,600
Speaker 1: had even had any contact with this dude way before

826
00:44:57,640 --> 00:45:00,480
Speaker 1: Roland Loud Weekend. I think I think the mis conception

827
00:45:00,560 --> 00:45:03,880
Speaker 1: of that that is people saying like, well, he was

828
00:45:03,920 --> 00:45:06,520
Speaker 1: doing what he was doing, you know what the people

829
00:45:06,520 --> 00:45:08,960
Speaker 1: he was doing it with, and my whole thing is

830
00:45:09,000 --> 00:45:12,680
Speaker 1: like those people should have never even had him involved

831
00:45:12,719 --> 00:45:15,240
Speaker 1: in those things, you know what I mean. It starts

832
00:45:15,239 --> 00:45:17,080
Speaker 1: with me from the beginning, you know what I mean.

833
00:45:17,520 --> 00:45:22,480
Speaker 1: I'm not gonna take a hot rod race car and

834
00:45:22,520 --> 00:45:25,680
Speaker 1: go cross country. I know somewhere in there, you know

835
00:45:25,760 --> 00:45:28,480
Speaker 1: that ain't built for that. It's gonna blow up. I'm

836
00:45:28,480 --> 00:45:31,239
Speaker 1: gonna take something that's standard, start the Cadillac, the Range,

837
00:45:31,280 --> 00:45:33,680
Speaker 1: roll over some shit that's built for that to take

838
00:45:33,719 --> 00:45:35,640
Speaker 1: that cross country. But then I'm not gonna take my

839
00:45:36,440 --> 00:45:39,399
Speaker 1: Cadillac or my Range, roll with my Honda and try

840
00:45:39,440 --> 00:45:42,400
Speaker 1: to do a compete in a quarter mile, you know

841
00:45:42,440 --> 00:45:44,360
Speaker 1: what I'm saying. So it's like my whole way of

842
00:45:44,400 --> 00:45:47,160
Speaker 1: seeing it is, yeah, I see what happened when went on,

843
00:45:47,239 --> 00:45:50,440
Speaker 1: But you know, I knew that goddamn hot rod was

844
00:45:50,440 --> 00:45:55,479
Speaker 1: gonna blow up before I got the Arizona. Motherfucker gets

845
00:45:55,480 --> 00:45:57,880
Speaker 1: three miles to the gallon's running lean it's running hot,

846
00:45:58,040 --> 00:46:00,160
Speaker 1: and I'm trying to go cross country and I'm I'm

847
00:46:00,160 --> 00:46:01,960
Speaker 1: trying to do eighty on the freeway. It's gonna blow

848
00:46:02,120 --> 00:46:04,080
Speaker 1: over heat. It's going over heat. So I felt like,

849
00:46:04,520 --> 00:46:06,560
Speaker 1: you know, I understand why they did it, you know

850
00:46:06,560 --> 00:46:09,080
Speaker 1: what I mean. You had a few people that was

851
00:46:09,200 --> 00:46:11,960
Speaker 1: trying to figure out the music industry, you know what

852
00:46:12,000 --> 00:46:14,480
Speaker 1: I mean. And you know, with dealing with artists, bro,

853
00:46:14,600 --> 00:46:16,279
Speaker 1: you gotta know how to move them. You gotta know

854
00:46:16,320 --> 00:46:18,560
Speaker 1: how to furnest them, and you got to know how

855
00:46:18,560 --> 00:46:20,239
Speaker 1: to bow down to them and let them be the

856
00:46:20,280 --> 00:46:22,400
Speaker 1: boss and be the employee to them. You know what

857
00:46:22,400 --> 00:46:26,600
Speaker 1: I mean. It's a tricky game. So you know, I've

858
00:46:26,640 --> 00:46:29,920
Speaker 1: always seen the kid day one. There's like it was

859
00:46:29,960 --> 00:46:32,400
Speaker 1: a gimmick. It's a lot of artists that's a gimmick.

860
00:46:32,560 --> 00:46:34,879
Speaker 1: A lot of dudes running around with tattoos on their

861
00:46:34,880 --> 00:46:37,839
Speaker 1: faces and walking a certain way. They just got real

862
00:46:38,000 --> 00:46:42,120
Speaker 1: dudes around them, and the real dudes around them gives

863
00:46:42,160 --> 00:46:46,279
Speaker 1: them the persona that they're that so a lot of

864
00:46:46,280 --> 00:46:48,880
Speaker 1: people might I mean, I think the argument is like

865
00:46:48,920 --> 00:46:52,319
Speaker 1: he put hits on people's heads, right, He put money

866
00:46:52,360 --> 00:46:55,160
Speaker 1: on people's heads. He paid people to shoot shooting people,

867
00:46:55,200 --> 00:46:58,840
Speaker 1: et cetera. And I think the argument is, once you

868
00:46:58,960 --> 00:47:02,200
Speaker 1: do something like that, you're you're a criminal technically, right

869
00:47:02,280 --> 00:47:06,480
Speaker 1: like you you you've signed off on that lifestyle definitely,

870
00:47:06,840 --> 00:47:11,200
Speaker 1: So what do you you know? Because watch Blow? Of

871
00:47:11,239 --> 00:47:15,200
Speaker 1: course I love Blow. There was moving more goddamn cocaine

872
00:47:15,239 --> 00:47:20,720
Speaker 1: than the law. A lile, right, But deep down inside,

873
00:47:20,719 --> 00:47:23,440
Speaker 1: who was he? I mean, yeah, he was just a

874
00:47:23,480 --> 00:47:27,279
Speaker 1: normal dude. Okay when the heat came? What did the

875
00:47:27,320 --> 00:47:30,719
Speaker 1: normal dude do? What are you supposed to do? Right now?

876
00:47:30,719 --> 00:47:35,960
Speaker 1: I was the guy playing blow? Right. Unfortunately, I'm subject

877
00:47:36,280 --> 00:47:40,080
Speaker 1: to the politics, and I've been in these situations. I've

878
00:47:40,080 --> 00:47:43,640
Speaker 1: been charged with murders that I know I didn't commit,

879
00:47:45,200 --> 00:47:46,839
Speaker 1: and all I can say is I pleaded the fifth

880
00:47:46,920 --> 00:47:51,600
Speaker 1: see you in court. My homeboys is sitting there. The

881
00:47:51,640 --> 00:47:55,440
Speaker 1: people that know what they know, the details behind it.

882
00:47:55,480 --> 00:47:57,560
Speaker 1: They didn't jump up and say, oh no it wasn't him,

883
00:47:57,560 --> 00:47:59,279
Speaker 1: it was me. And you know what, they did what

884
00:47:59,360 --> 00:48:01,920
Speaker 1: they supposed to. They supposed to be quiet. Right, this

885
00:48:02,000 --> 00:48:03,960
Speaker 1: is a better situation if they put in the body

886
00:48:04,000 --> 00:48:06,120
Speaker 1: on somebody that we all know didn't do it, I

887
00:48:06,160 --> 00:48:08,120
Speaker 1: got a better chance of being in them, right. But

888
00:48:08,400 --> 00:48:11,279
Speaker 1: I'm gonna sit down. I'm gonna spend some money, but

889
00:48:11,640 --> 00:48:14,200
Speaker 1: this would come with it. I'm you know, I'm born

890
00:48:14,280 --> 00:48:17,400
Speaker 1: and bred and I'm into this shit. I'm initiated into

891
00:48:17,440 --> 00:48:21,400
Speaker 1: this right and everybody, no matter what, bro me and

892
00:48:21,440 --> 00:48:24,680
Speaker 1: you right now could go to the marine's training camp.

893
00:48:25,200 --> 00:48:28,759
Speaker 1: That don't necessarily mean we're gonna become a marine. You

894
00:48:28,880 --> 00:48:31,880
Speaker 1: have to pass things and go through stages of things

895
00:48:31,880 --> 00:48:37,520
Speaker 1: for them to say you are now that they can't

896
00:48:37,520 --> 00:48:39,720
Speaker 1: this out. We're here for Marie. Put him on the chopper,

897
00:48:40,040 --> 00:48:42,040
Speaker 1: send his ass up against that. You might he might

898
00:48:42,080 --> 00:48:43,480
Speaker 1: have a gun in his hand. He might bust some

899
00:48:43,520 --> 00:48:46,080
Speaker 1: shots in the right direction. We might see my nigga

900
00:48:46,120 --> 00:48:48,759
Speaker 1: and detonate the whole motherfucker battalion because we don't know

901
00:48:48,800 --> 00:48:51,000
Speaker 1: what we're doing with this grenada. We don't know how

902
00:48:51,040 --> 00:48:56,720
Speaker 1: to move. So, you know, no matter what they tried

903
00:48:56,760 --> 00:48:59,799
Speaker 1: to pain him to be right, you give a twelve

904
00:48:59,840 --> 00:49:01,880
Speaker 1: years the keys to a Lamborghini, he gonna get in

905
00:49:01,920 --> 00:49:05,000
Speaker 1: that motherfucker man, and he ain't gonna drive her like

906
00:49:05,040 --> 00:49:09,000
Speaker 1: a Lamborghini. Shit, I can dry this. I barely know

907
00:49:09,040 --> 00:49:11,359
Speaker 1: how to drive fucks, but I know to drive by

908
00:49:11,400 --> 00:49:14,440
Speaker 1: My school might run up on the curb running to this.

909
00:49:14,600 --> 00:49:16,120
Speaker 1: She ain't no telling what he's gonna do. When it

910
00:49:16,200 --> 00:49:18,919
Speaker 1: comes back, you're gonna say, yo, you drove the Lamborghini

911
00:49:19,040 --> 00:49:21,080
Speaker 1: like this. He didn't see it was a kid that's

912
00:49:21,160 --> 00:49:23,560
Speaker 1: driving a car. That's all he's seeing. It wasn't supposed

913
00:49:23,560 --> 00:49:26,480
Speaker 1: to be driving. So you tell him a dude like this,

914
00:49:27,760 --> 00:49:31,520
Speaker 1: We're gonna do whatever you tell us to do. He's

915
00:49:31,560 --> 00:49:36,840
Speaker 1: already intrigued by the streets, right right, right, So in

916
00:49:36,920 --> 00:49:40,400
Speaker 1: his head he like, one side of him is like,

917
00:49:41,000 --> 00:49:43,480
Speaker 1: damn they gonna I can tell him what to do.

918
00:49:44,760 --> 00:49:48,520
Speaker 1: The other side is, you know, I'm a Collie cocking.

919
00:49:48,600 --> 00:49:55,279
Speaker 1: Fuck it, Okay, do this, oh shit, do that? Oh shit.

920
00:49:56,400 --> 00:50:00,200
Speaker 1: And so then you got people saying, well, because he

921
00:50:00,239 --> 00:50:03,239
Speaker 1: was telling them these things, that makes them bad. Nah,

922
00:50:03,400 --> 00:50:06,160
Speaker 1: no it don't. So let's get a few of the

923
00:50:06,160 --> 00:50:08,920
Speaker 1: misconceptions out the way. Obviously, you're not working. You're not

924
00:50:08,920 --> 00:50:10,759
Speaker 1: getting any money with six or nine outside of maybe

925
00:50:10,800 --> 00:50:12,359
Speaker 1: a fight with blue Face. If they're not a fight

926
00:50:12,400 --> 00:50:14,520
Speaker 1: with blue Face set up with him. So that's gonna happen.

927
00:50:14,719 --> 00:50:20,160
Speaker 1: And that's the whole thing, right is that to me? Right?

928
00:50:22,760 --> 00:50:25,840
Speaker 1: The streets and the music industry, Uh, they're not the

929
00:50:25,920 --> 00:50:29,520
Speaker 1: same people in the music industry talk about the streets.

930
00:50:30,000 --> 00:50:32,040
Speaker 1: If that dude that was doing the talking about the

931
00:50:32,040 --> 00:50:35,239
Speaker 1: streets really did those things, his ass of being a

932
00:50:35,280 --> 00:50:38,200
Speaker 1: penitentiary be incriminating himself, right, because most of the people

933
00:50:38,200 --> 00:50:40,239
Speaker 1: who are actually doing that, as you've seen over the

934
00:50:40,320 --> 00:50:44,080
Speaker 1: last couple of years, they got reco charges charges quick.

935
00:50:44,560 --> 00:50:46,680
Speaker 1: I mean, who shisky is sitting down right now, one

936
00:50:46,719 --> 00:50:48,319
Speaker 1: of the hardest rappers in the world. You don't shout

937
00:50:48,320 --> 00:50:50,600
Speaker 1: out the nephew to a good dude, good youngster man.

938
00:50:50,840 --> 00:50:55,040
Speaker 1: Similar respects to his father and his family. But so

939
00:50:56,120 --> 00:51:01,280
Speaker 1: I've never personally seen the exist on the fiftieth floor

940
00:51:03,120 --> 00:51:07,560
Speaker 1: say listen today, we're gonna determine if a little de

941
00:51:07,719 --> 00:51:11,120
Speaker 1: doll get put on the hood. I've never seen that

942
00:51:11,160 --> 00:51:15,560
Speaker 1: conversation on the fiftieth floor, right, And I've also seen

943
00:51:15,640 --> 00:51:18,839
Speaker 1: them say you two dirty in them streets that come

944
00:51:18,880 --> 00:51:23,400
Speaker 1: to the fiftieth floor. Right. So street businesses, street politics

945
00:51:23,440 --> 00:51:27,040
Speaker 1: is just that, right, That's what it is. You catch

946
00:51:27,160 --> 00:51:30,239
Speaker 1: me trying to take six y nine to somebody neighborhood,

947
00:51:30,239 --> 00:51:33,759
Speaker 1: shoot the video or you know some crazy shit like that,

948
00:51:33,800 --> 00:51:37,040
Speaker 1: I'm in total violation, right. I would never even bring

949
00:51:37,600 --> 00:51:42,520
Speaker 1: my homeboys who will follow me into the fire around

950
00:51:42,560 --> 00:51:46,160
Speaker 1: that because that's not their thing. They're not part of

951
00:51:46,160 --> 00:51:49,560
Speaker 1: the business. They'll be there with me. Right. So whatever

952
00:51:49,560 --> 00:51:51,879
Speaker 1: it is I did choose to do with him, that's

953
00:51:51,920 --> 00:51:54,000
Speaker 1: why wasn't nobody with me with my wife and kids,

954
00:51:54,040 --> 00:51:56,719
Speaker 1: which I said day one. You know my daughter's a fan,

955
00:51:56,800 --> 00:51:58,680
Speaker 1: that's what that is. You know she don't give a

956
00:51:58,719 --> 00:52:03,359
Speaker 1: shit about none of that. Right. But if I got

957
00:52:03,400 --> 00:52:05,799
Speaker 1: an attorney on the fifty yeth floor and he got

958
00:52:05,840 --> 00:52:08,360
Speaker 1: my email, I got his email and the email attested

959
00:52:08,360 --> 00:52:11,279
Speaker 1: to him, and attorney says, hey, I see this, this

960
00:52:11,640 --> 00:52:13,640
Speaker 1: is available. It's just something that he may want to do.

961
00:52:14,000 --> 00:52:17,040
Speaker 1: And my attorney's talking to me. In this business, I'm

962
00:52:17,080 --> 00:52:21,960
Speaker 1: definitely gonna conduct that business. I'm not the guy to say,

963
00:52:22,840 --> 00:52:25,240
Speaker 1: fuck six ' nine. I want to see him starve

964
00:52:25,320 --> 00:52:28,360
Speaker 1: to death. I want to see him die today and

965
00:52:28,440 --> 00:52:32,279
Speaker 1: never make another die. I can say that that's not realistic.

966
00:52:33,480 --> 00:52:36,640
Speaker 1: He's what he represents to his fans is bigger than me.

967
00:52:37,920 --> 00:52:41,120
Speaker 1: I'm not his fan base. So what's driving his revenue

968
00:52:41,239 --> 00:52:44,560
Speaker 1: is gonna continue to drive his revenue. Whether what we

969
00:52:44,920 --> 00:52:46,880
Speaker 1: think about it or not, it don't matter you know

970
00:52:46,880 --> 00:52:51,120
Speaker 1: what I'm saying. So I'm a businessman, right, I've done

971
00:52:51,200 --> 00:52:59,160
Speaker 1: business with Jewish people, gay people, crips. You know what

972
00:52:59,160 --> 00:53:02,200
Speaker 1: I'm saying. I've done business with all kinds of shit

973
00:53:02,280 --> 00:53:05,520
Speaker 1: that may not like me. One of my head plumbers

974
00:53:05,560 --> 00:53:08,560
Speaker 1: who gave me a twenty percent discount was a Nazi

975
00:53:08,640 --> 00:53:11,000
Speaker 1: type dude. I can tell that, the big bed red,

976
00:53:11,040 --> 00:53:14,200
Speaker 1: real red nig dude. But you know that was who

977
00:53:14,280 --> 00:53:16,440
Speaker 1: he was. That had nothing to do with the service

978
00:53:16,480 --> 00:53:20,120
Speaker 1: I needed. You know what I'm saying. So I'm never

979
00:53:20,200 --> 00:53:22,359
Speaker 1: I'm always been the woof of my world bros. As

980
00:53:22,400 --> 00:53:23,919
Speaker 1: a kid, you know what I mean. If I see

981
00:53:23,920 --> 00:53:26,160
Speaker 1: it my way and I see a different way or

982
00:53:26,200 --> 00:53:29,279
Speaker 1: a different lane, I'm gonna follow my lane. If I

983
00:53:29,400 --> 00:53:33,439
Speaker 1: crash and burn following my lane, right, I can live

984
00:53:33,480 --> 00:53:36,640
Speaker 1: with that. But if I crash and burn and starve

985
00:53:36,760 --> 00:53:41,520
Speaker 1: to death following somebody else's lane, I can't live with that.

986
00:53:41,560 --> 00:53:44,920
Speaker 1: That's fair. So you're let me ask you this because

987
00:53:45,000 --> 00:53:47,719
Speaker 1: I think everyone respects you and your acumen as a

988
00:53:47,760 --> 00:53:50,600
Speaker 1: businessman in the music industry. Right, I think you're one

989
00:53:50,600 --> 00:53:52,960
Speaker 1: of the most brilliant minds in the game. You know.

990
00:53:52,960 --> 00:53:55,280
Speaker 1: I always say, like there's a lot of misconceptions about

991
00:53:55,280 --> 00:54:00,840
Speaker 1: you as a person. Would you like, obviously you're from Pacoima,

992
00:54:01,680 --> 00:54:05,120
Speaker 1: your you know your your your reputation in the streets

993
00:54:05,480 --> 00:54:09,120
Speaker 1: speaks for itself. Right at this point in time in

994
00:54:09,120 --> 00:54:12,480
Speaker 1: your life, do you put the business first or being

995
00:54:12,920 --> 00:54:17,000
Speaker 1: a Pyu first? Oh, parrus first when it comes to

996
00:54:17,000 --> 00:54:20,400
Speaker 1: Paru business. Okay, break that down, because I think some

997
00:54:20,400 --> 00:54:22,160
Speaker 1: people might look at what it is. Okay, this is

998
00:54:22,160 --> 00:54:23,840
Speaker 1: what it is. You got some people that's from the

999
00:54:23,880 --> 00:54:25,640
Speaker 1: neighborhood and they gonna be They're gonna do what they

1000
00:54:25,760 --> 00:54:28,560
Speaker 1: told to do, Okay, no matter what they want to do.

1001
00:54:29,440 --> 00:54:31,480
Speaker 1: And you got some people who do to dictating on

1002
00:54:31,560 --> 00:54:34,359
Speaker 1: what's being told to do. Some people that politic at

1003
00:54:34,360 --> 00:54:40,480
Speaker 1: the table was being told to do. My neighborhood hasn't. Uh,

1004
00:54:40,560 --> 00:54:45,839
Speaker 1: those are not my streets, right, That's where I'm from, right,

1005
00:54:45,880 --> 00:54:48,920
Speaker 1: let's get this right. When they were my streets, I

1006
00:54:48,960 --> 00:54:50,760
Speaker 1: woke up every day. That's where I got my money.

1007
00:54:52,440 --> 00:54:55,480
Speaker 1: That's where I protected the blocks every day. Yep. That's

1008
00:54:55,480 --> 00:54:58,840
Speaker 1: why I did my dirt, have my fun, My partying

1009
00:54:59,400 --> 00:55:03,799
Speaker 1: was right there like a hamster on those streets. Right.

1010
00:55:04,080 --> 00:55:07,319
Speaker 1: It's a whole nother team over there that that's they streets, right.

1011
00:55:07,920 --> 00:55:11,440
Speaker 1: I don't dictate or override what they choose to do.

1012
00:55:11,520 --> 00:55:15,480
Speaker 1: Those streets are being managed totally different today than they

1013
00:55:15,480 --> 00:55:18,960
Speaker 1: were my heyday. Right, things have changed. You know. We

1014
00:55:19,120 --> 00:55:23,200
Speaker 1: glorified selling dope, getting the money. All of them glorified

1015
00:55:23,440 --> 00:55:26,000
Speaker 1: how much dope they use today. You know who am

1016
00:55:26,000 --> 00:55:28,680
Speaker 1: out of judge that's their thing. You know what I'm saying.

1017
00:55:29,080 --> 00:55:32,480
Speaker 1: We signed our pants down, our fucking ankles. They just

1018
00:55:32,520 --> 00:55:35,440
Speaker 1: wear them tighter, you know, that's the thing. Right. So

1019
00:55:36,120 --> 00:55:41,280
Speaker 1: Paul ruebinness, it's just that six ' nine never mixes

1020
00:55:41,360 --> 00:55:43,440
Speaker 1: with that. He shouldn't have been mixed with that in

1021
00:55:43,480 --> 00:55:45,759
Speaker 1: the beginning when they was doing what they was doing

1022
00:55:45,800 --> 00:55:48,960
Speaker 1: out there, that should have never happened. I took anfence

1023
00:55:49,040 --> 00:55:51,160
Speaker 1: to him running around with the rainbow here in the

1024
00:55:51,200 --> 00:55:54,719
Speaker 1: red Bandella. That's something that I would never practice. That

1025
00:55:55,440 --> 00:55:57,319
Speaker 1: you would never have co signed if it was someone

1026
00:55:57,360 --> 00:56:00,000
Speaker 1: come out of LA. Wouldn't happen. It's not gonna happen,

1027
00:56:00,080 --> 00:56:02,160
Speaker 1: either you're that or you not. You know what I'm saying.

1028
00:56:03,480 --> 00:56:09,040
Speaker 1: My family business, it's just that, my business is just that.

1029
00:56:09,160 --> 00:56:11,560
Speaker 1: I mean, because if I was on some real parru

1030
00:56:11,680 --> 00:56:16,120
Speaker 1: street ship I wouldn't have signed blue Face fair enough. Right,

1031
00:56:17,200 --> 00:56:20,480
Speaker 1: it's real politics behind me signing blue Faces, deeper than

1032
00:56:20,480 --> 00:56:25,080
Speaker 1: people know outside of cripp and blood ship. You know

1033
00:56:25,080 --> 00:56:28,560
Speaker 1: what I'm saying. You know that maybe some of them

1034
00:56:28,600 --> 00:56:31,520
Speaker 1: don't know. It's a few of minds don't know. Right.

1035
00:56:32,080 --> 00:56:36,200
Speaker 1: So if I was like on some if dictated everything

1036
00:56:37,160 --> 00:56:41,600
Speaker 1: on the music side, yeah, it can't happen. I mean

1037
00:56:41,600 --> 00:56:43,520
Speaker 1: the end of the day, Snoop Dog wouldn't have been

1038
00:56:43,520 --> 00:56:46,680
Speaker 1: a death Row nor would dance a corrupt with Nate Dog,

1039
00:56:47,200 --> 00:56:49,160
Speaker 1: fair enough. But we all run around it with the

1040
00:56:49,160 --> 00:56:51,360
Speaker 1: death Row shirts. And that ship was really was built

1041
00:56:51,400 --> 00:56:55,520
Speaker 1: on the talents and skills of criptism and and and

1042
00:56:55,640 --> 00:57:02,440
Speaker 1: the business of a politics. So we've established that, right.

1043
00:57:02,480 --> 00:57:05,640
Speaker 1: So you know, obviously with the six nine thing, I

1044
00:57:05,640 --> 00:57:08,080
Speaker 1: feel like there's been like we had Glasses Malone up here, right,

1045
00:57:08,120 --> 00:57:12,000
Speaker 1: and glasses spoke. Glasses did not speak towards you in

1046
00:57:12,000 --> 00:57:14,560
Speaker 1: any sort of funny way. Right, Glass is gonna totally

1047
00:57:14,600 --> 00:57:17,400
Speaker 1: disagree with what I'm doing one million percent. That's my nepht.

1048
00:57:17,440 --> 00:57:20,080
Speaker 1: I know what he's gonna Glasses like, I think he's

1049
00:57:20,240 --> 00:57:23,680
Speaker 1: gonna see it. You gotta understand, Glasses, look at me

1050
00:57:23,880 --> 00:57:27,919
Speaker 1: like Nigga, that's one of our West Coast generals, right,

1051
00:57:29,040 --> 00:57:34,080
Speaker 1: but it's not the general that's conducting that business. You

1052
00:57:34,200 --> 00:57:37,920
Speaker 1: understand what I'm saying. Yeah, it's just like I'm not

1053
00:57:38,000 --> 00:57:41,200
Speaker 1: whack from Paru when I'm being dad to my kids,

1054
00:57:41,600 --> 00:57:44,160
Speaker 1: and you're not whack from Piru when you're brunning one

1055
00:57:44,240 --> 00:57:47,880
Speaker 1: hundred entertainment and definitely and looking for new town. I had,

1056
00:57:47,920 --> 00:57:51,480
Speaker 1: I had bro listen. I caught so much flack behind

1057
00:57:51,520 --> 00:57:53,960
Speaker 1: blue Face, the famous crip who had a song I'll

1058
00:57:54,040 --> 00:57:58,960
Speaker 1: called respect my crippet right right now. If I would

1059
00:57:59,000 --> 00:58:04,080
Speaker 1: allow all that those powers to be to dictate my business,

1060
00:58:04,200 --> 00:58:07,640
Speaker 1: it's a reason why I transition out of doing business

1061
00:58:07,640 --> 00:58:10,080
Speaker 1: in the streets of doing business in the building. I

1062
00:58:10,160 --> 00:58:13,000
Speaker 1: realized a long time, it's only profitable for so long.

1063
00:58:13,520 --> 00:58:15,800
Speaker 1: You get a two year run, eighteen running month run,

1064
00:58:15,840 --> 00:58:18,560
Speaker 1: three five year run, you know what I mean. Look

1065
00:58:18,600 --> 00:58:21,080
Speaker 1: at BMF for one. You know, these dudes is making

1066
00:58:21,080 --> 00:58:23,160
Speaker 1: a lot of money, but you know they've been gone,

1067
00:58:23,320 --> 00:58:26,240
Speaker 1: you know. You know what I'm saying, right, So it's

1068
00:58:26,320 --> 00:58:29,360
Speaker 1: kind of like, you know, I feel like slow and

1069
00:58:29,400 --> 00:58:31,760
Speaker 1: steady res the rates with me, you know what I mean?

1070
00:58:32,040 --> 00:58:35,880
Speaker 1: The long, long, more the longevity, the more longevity you

1071
00:58:35,920 --> 00:58:38,040
Speaker 1: had to doing something, the more successful chance of being

1072
00:58:38,080 --> 00:58:41,200
Speaker 1: successful at it, you know what I mean. So I

1073
00:58:41,640 --> 00:58:45,360
Speaker 1: don't expect everybody glasses says, he's just moving into the

1074
00:58:45,440 --> 00:58:47,520
Speaker 1: lane of being in exec You know, he got an

1075
00:58:47,560 --> 00:58:49,760
Speaker 1: art institute. Now, you know, he came to see me,

1076
00:58:50,040 --> 00:58:51,240
Speaker 1: you know what I mean a couple of weeks ago

1077
00:58:51,360 --> 00:58:53,760
Speaker 1: to figure out a few things. Right, he's moving into

1078
00:58:53,800 --> 00:58:57,280
Speaker 1: that and he's gonna cross those those thresholds where it's

1079
00:58:57,280 --> 00:58:59,840
Speaker 1: coming to some things that you know he wasn't supposed

1080
00:58:59,840 --> 00:59:01,760
Speaker 1: to be. Had ten believe it or not, caught some

1081
00:59:01,880 --> 00:59:06,120
Speaker 1: flat over signing g Malone. I don't I don't doubt

1082
00:59:06,160 --> 00:59:08,640
Speaker 1: that he Inglewood Blood Queenstreet. It's a bunch of rappers

1083
00:59:08,640 --> 00:59:10,280
Speaker 1: in the wood, like hold on, man, you could have

1084
00:59:10,560 --> 00:59:13,800
Speaker 1: did that. But g he he he equated six '

1085
00:59:13,880 --> 00:59:17,520
Speaker 1: nine to being worse than Hitler. He said he is

1086
00:59:17,560 --> 00:59:21,240
Speaker 1: an evil, demonic man who's worse than Hitler. I wouldn't

1087
00:59:21,280 --> 00:59:25,520
Speaker 1: say he's worse than Hitler because the casually between the

1088
00:59:25,520 --> 00:59:30,760
Speaker 1: holocausts and uh, I'm just saying what eed nine yeah,

1089
00:59:31,080 --> 00:59:34,720
Speaker 1: eighty nine individuals who's laying down you know, you know

1090
00:59:34,920 --> 00:59:36,560
Speaker 1: a lot of people got to understand. You know, I

1091
00:59:36,640 --> 00:59:38,520
Speaker 1: kind of did a little research on a few days,

1092
00:59:38,600 --> 00:59:40,800
Speaker 1: and I ain't justified nothing that six ' nine did.

1093
00:59:41,000 --> 00:59:43,680
Speaker 1: And I think also, I think people think that you are,

1094
00:59:43,720 --> 00:59:46,160
Speaker 1: but if you actually watched the interview academnic, you didn't

1095
00:59:46,160 --> 00:59:48,040
Speaker 1: just find anything. I'm not justified nothing he did. I

1096
00:59:48,080 --> 00:59:50,560
Speaker 1: was really trying to really get him to understand what

1097
00:59:50,600 --> 00:59:52,320
Speaker 1: he was and what he never being, you know, when

1098
00:59:52,320 --> 00:59:55,160
Speaker 1: he came to that. But I think there is a

1099
00:59:55,200 --> 01:00:00,000
Speaker 1: slight misconception. Right, six ' nine did not send him

1100
01:00:00,000 --> 01:00:03,400
Speaker 1: he even body the prison. He ain't said nobody to prison.

1101
01:00:04,000 --> 01:00:06,919
Speaker 1: What he did was say the CELP of call to prison. Right,

1102
01:00:07,360 --> 01:00:11,760
Speaker 1: because everybody already was indictment, was indicted. They were all

1103
01:00:11,800 --> 01:00:14,240
Speaker 1: part of the same Rico case. They were all indicted already,

1104
01:00:14,600 --> 01:00:17,120
Speaker 1: uh ninety percent of them if you really gonna read

1105
01:00:17,160 --> 01:00:20,480
Speaker 1: their paperwork, right, was violating the street code, fucking right

1106
01:00:20,520 --> 01:00:23,240
Speaker 1: on their phone, saying things on their phone, doing things

1107
01:00:23,240 --> 01:00:25,320
Speaker 1: on their phone they weren't supposed to do. So whether

1108
01:00:25,560 --> 01:00:28,080
Speaker 1: six ' nine did what he did or not, they

1109
01:00:28,120 --> 01:00:30,880
Speaker 1: were still going to the penitentiary, right, So it wasn't

1110
01:00:30,920 --> 01:00:33,400
Speaker 1: like they arrested him and then they didn't know about

1111
01:00:33,400 --> 01:00:36,439
Speaker 1: everybody else. Then he's like, Nah, this dude, this dude,

1112
01:00:36,480 --> 01:00:38,200
Speaker 1: this dude, And they released him when he wore a

1113
01:00:38,240 --> 01:00:41,800
Speaker 1: wire tap to you know, to glide this dude up,

1114
01:00:41,840 --> 01:00:44,400
Speaker 1: this dude up. All y'all had y'all warrants, all y'all

1115
01:00:44,400 --> 01:00:46,680
Speaker 1: got pretty much arrested by the same time, you know

1116
01:00:46,720 --> 01:00:48,600
Speaker 1: what I mean when he went on the breakfast club.

1117
01:00:48,760 --> 01:00:50,440
Speaker 1: They all knew it was coming. He was trying to

1118
01:00:51,760 --> 01:00:54,360
Speaker 1: trying to disassociate it. He knew it, but it was

1119
01:00:54,400 --> 01:00:56,280
Speaker 1: it was already too late, you know what I mean.

1120
01:00:57,040 --> 01:01:00,880
Speaker 1: I think they only went and picked everybody up because

1121
01:01:00,920 --> 01:01:03,600
Speaker 1: the wire taps. He had something going on in Connecticut

1122
01:01:03,760 --> 01:01:06,080
Speaker 1: and they heard on the wire tap that they was

1123
01:01:06,120 --> 01:01:09,400
Speaker 1: gonna push up on him in Connecticut. That's when they're like, Okay,

1124
01:01:09,400 --> 01:01:13,680
Speaker 1: we're not gonna jeopardize this. It's time to pick everybody up, right,

1125
01:01:13,760 --> 01:01:17,640
Speaker 1: So they was going regardless. Right, brother, this man he

1126
01:01:17,720 --> 01:01:19,960
Speaker 1: could have went in there and kept it gangster and

1127
01:01:20,040 --> 01:01:22,080
Speaker 1: said fuck that, I ain't saying nothing. He would have

1128
01:01:22,120 --> 01:01:25,360
Speaker 1: just been in there with him. Nobody was getting out right.

1129
01:01:25,960 --> 01:01:30,560
Speaker 1: Everybody pretty much lined themself up. Taps on the wire taps.

1130
01:01:31,160 --> 01:01:33,400
Speaker 1: We've heard some of the leaked conversations and some of

1131
01:01:33,440 --> 01:01:36,320
Speaker 1: those wire taps, you know, was were not in favor

1132
01:01:36,960 --> 01:01:39,960
Speaker 1: of six nine. It was some of those cases they

1133
01:01:39,960 --> 01:01:43,000
Speaker 1: got it was crimes committed against him. So you know,

1134
01:01:43,080 --> 01:01:45,920
Speaker 1: whatever they had coming, it was coming to them anyway

1135
01:01:46,000 --> 01:01:50,080
Speaker 1: based upon whatever they was doing. Right, yeah, right, So

1136
01:01:50,440 --> 01:01:52,120
Speaker 1: at the end of the day, they was going anywhere.

1137
01:01:52,160 --> 01:01:54,280
Speaker 1: They was running the fucked up ship. You know, it

1138
01:01:54,360 --> 01:01:56,880
Speaker 1: was a sinking ship. And that's what it was. What

1139
01:01:57,000 --> 01:02:00,800
Speaker 1: he did was what I expected the guy from blow

1140
01:02:00,840 --> 01:02:04,520
Speaker 1: to dude. He turned back to who he really was,

1141
01:02:06,240 --> 01:02:10,160
Speaker 1: straight up. And that's why my people that's around me, right,

1142
01:02:10,440 --> 01:02:13,080
Speaker 1: those people that went to the military and got trained,

1143
01:02:13,360 --> 01:02:16,360
Speaker 1: that's what they kidnapped their motherfuckers. They sitting there torturing

1144
01:02:16,360 --> 01:02:19,440
Speaker 1: the motherfuckers what they trained to do. Say they motherfucker name,

1145
01:02:19,480 --> 01:02:23,320
Speaker 1: and they rank, and they they in they number. That's it. Now,

1146
01:02:23,360 --> 01:02:25,240
Speaker 1: you take a motherfucker that ain't been trained for that

1147
01:02:25,320 --> 01:02:27,720
Speaker 1: and skilled for that. That's why some people are just this.

1148
01:02:27,920 --> 01:02:30,919
Speaker 1: Some people mayvy seal, some people green beret. Right, it's

1149
01:02:31,000 --> 01:02:33,120
Speaker 1: it's a different thing. They not gonna send the death

1150
01:02:33,240 --> 01:02:35,000
Speaker 1: dude to send the Marines out to do the Green

1151
01:02:35,040 --> 01:02:37,840
Speaker 1: Beret job because they know if he get caught, he's going,

1152
01:02:38,360 --> 01:02:40,320
Speaker 1: oh yeah, the office over here and the such and

1153
01:02:40,320 --> 01:02:42,880
Speaker 1: such as over here and the generals over here. Right,

1154
01:02:43,000 --> 01:02:45,760
Speaker 1: So they send the Green Beret dudes in there because

1155
01:02:45,760 --> 01:02:49,400
Speaker 1: that's a different type of training versus physically, physically, mentally,

1156
01:02:49,440 --> 01:02:53,680
Speaker 1: and psychologically, right, because if they get caught, they trained

1157
01:02:53,720 --> 01:02:57,439
Speaker 1: to die with it, die by it. Uh. It's nothing

1158
01:02:57,480 --> 01:03:02,280
Speaker 1: about Takashi that tells you that he's gonna be able

1159
01:03:02,280 --> 01:03:04,840
Speaker 1: to withstand that pressure. It's not gonna happen. The pressure

1160
01:03:04,880 --> 01:03:10,800
Speaker 1: is strong. I even had some some real gangsters crack.

1161
01:03:11,800 --> 01:03:14,080
Speaker 1: You know. I tell people what the dude is willing

1162
01:03:14,120 --> 01:03:18,360
Speaker 1: to accept that twenty five. He may not be willing

1163
01:03:18,360 --> 01:03:21,600
Speaker 1: to accept that forty five. You know, motherfucker go find

1164
01:03:21,600 --> 01:03:26,400
Speaker 1: out what they are maybel living backwoods Alabama. Quick man,

1165
01:03:27,000 --> 01:03:31,600
Speaker 1: we got thirty years for you man. Fuck it. Whoo

1166
01:03:31,640 --> 01:03:35,280
Speaker 1: whoo woo woo woo wooh wooh wooh woom, disappear gone.

1167
01:03:36,400 --> 01:03:40,120
Speaker 1: Because he rather deal with it like that free than

1168
01:03:40,280 --> 01:03:46,840
Speaker 1: sit in that penitentiary but keeping it real while he

1169
01:03:46,960 --> 01:03:54,080
Speaker 1: watched others go fuck his baby mama. Yeah, his baby

1170
01:03:54,080 --> 01:03:56,520
Speaker 1: mama's moving on. You know what I'm saying go hit

1171
01:03:56,520 --> 01:04:00,200
Speaker 1: his spot. So this is just real shit, right and

1172
01:04:00,240 --> 01:04:03,440
Speaker 1: his kids. This is what happens. So and I tell

1173
01:04:03,440 --> 01:04:07,320
Speaker 1: people this, This is why. You know a lot of

1174
01:04:07,360 --> 01:04:12,840
Speaker 1: my soldiers right, the older they get, the less involved

1175
01:04:12,880 --> 01:04:14,400
Speaker 1: I make sure they are when it come to that

1176
01:04:14,480 --> 01:04:17,200
Speaker 1: kind of thing, right, you know, I try to move

1177
01:04:17,280 --> 01:04:21,320
Speaker 1: them into being professional businessman. Not to say that they

1178
01:04:21,360 --> 01:04:23,320
Speaker 1: are cracked, but I don't want to even put them

1179
01:04:23,360 --> 01:04:25,240
Speaker 1: in a position or a situation where they got to

1180
01:04:25,240 --> 01:04:27,680
Speaker 1: even think about it. They've got to think about that, yeah, perod,

1181
01:04:27,720 --> 01:04:30,000
Speaker 1: I mean I understand it, because at the end of

1182
01:04:30,040 --> 01:04:33,640
Speaker 1: the day, you don't ever want to you know. I

1183
01:04:33,680 --> 01:04:37,640
Speaker 1: feel like when you get yourself involved in that, it's

1184
01:04:37,760 --> 01:04:40,120
Speaker 1: not probably out of choice, it's out of environment, it's

1185
01:04:40,120 --> 01:04:43,560
Speaker 1: out of necessity. And the goal is having fun with

1186
01:04:43,640 --> 01:04:45,560
Speaker 1: something that that's not fun. What I'm saying is like

1187
01:04:45,600 --> 01:04:48,160
Speaker 1: the goal is though, like obviously, if you the goal

1188
01:04:48,200 --> 01:04:53,200
Speaker 1: would be to evolve and and get out of that eventually. Right, No, listen,

1189
01:04:53,520 --> 01:04:55,680
Speaker 1: I'm gonna tell you right now, my goal for the

1190
01:04:55,760 --> 01:04:58,800
Speaker 1: last three years has been to not even be on

1191
01:04:58,840 --> 01:05:01,000
Speaker 1: the West Coast at least reef four months out of

1192
01:05:01,040 --> 01:05:05,200
Speaker 1: the year, and you be in China working on ship home.

1193
01:05:05,680 --> 01:05:07,760
Speaker 1: I'm by a coastal. I live on these coasts when

1194
01:05:07,760 --> 01:05:11,400
Speaker 1: I want to, right, So that's now my goal is

1195
01:05:11,440 --> 01:05:13,480
Speaker 1: to I on'tly want to be here six months out

1196
01:05:13,520 --> 01:05:16,280
Speaker 1: the year. You know, I want to spend two months

1197
01:05:16,720 --> 01:05:20,240
Speaker 1: overseas conducting business, you know what I mean, and then

1198
01:05:20,280 --> 01:05:23,360
Speaker 1: I can spend another month vacation in another three months

1199
01:05:23,640 --> 01:05:27,720
Speaker 1: this other places that I need to be. I don't.

1200
01:05:28,160 --> 01:05:30,120
Speaker 1: I don't want to run the hood. I want to

1201
01:05:30,160 --> 01:05:33,600
Speaker 1: position myself to come back and control the hood by

1202
01:05:33,680 --> 01:05:38,000
Speaker 1: means of real estate businesses. You know, my ultimate goal,

1203
01:05:38,080 --> 01:05:40,640
Speaker 1: and my ultimate goal is to come back and buy

1204
01:05:40,680 --> 01:05:45,000
Speaker 1: my projects. That been the goal of mine is to

1205
01:05:45,000 --> 01:05:47,920
Speaker 1: come back and actually purchase my projects. And I can't

1206
01:05:47,920 --> 01:05:50,520
Speaker 1: get that done in the hood because whatever I can

1207
01:05:50,560 --> 01:05:52,280
Speaker 1: do in the hood, or but have to do in

1208
01:05:52,320 --> 01:05:55,440
Speaker 1: the hood, it's gonna hinder me from having the proper documents,

1209
01:05:55,480 --> 01:05:58,160
Speaker 1: paperwork and cash flow to go do that. You know

1210
01:05:58,200 --> 01:06:02,240
Speaker 1: what I'm saying. I got to come back a business.

1211
01:06:02,280 --> 01:06:04,640
Speaker 1: I gotta come back a mogo to do that, you

1212
01:06:04,680 --> 01:06:06,960
Speaker 1: know what I'm saying. So, and I'm not knocking. What

1213
01:06:07,000 --> 01:06:09,880
Speaker 1: I want to be is is to those in my

1214
01:06:09,920 --> 01:06:14,600
Speaker 1: neighborhood who not being brainwashed by those as my age

1215
01:06:14,600 --> 01:06:17,440
Speaker 1: and older than me and salty and mad because they

1216
01:06:17,440 --> 01:06:20,200
Speaker 1: didn't find their way out. Say well, look, we know

1217
01:06:20,320 --> 01:06:23,000
Speaker 1: this dude was this, this did time, put in work,

1218
01:06:23,080 --> 01:06:25,480
Speaker 1: did all the crazy shit and all that, and he

1219
01:06:25,640 --> 01:06:27,919
Speaker 1: was able to turn it around and do that. Do that.

1220
01:06:28,120 --> 01:06:30,640
Speaker 1: I got a g deep central jevenile hall. If I'm

1221
01:06:30,680 --> 01:06:33,040
Speaker 1: able to do it, it ain't nobody in my neighborhood

1222
01:06:33,120 --> 01:06:36,040
Speaker 1: is not able to do it. I didn't. I didn't.

1223
01:06:36,360 --> 01:06:39,040
Speaker 1: My one hundred percent of my success our music. And

1224
01:06:39,080 --> 01:06:41,479
Speaker 1: I don't think my big my biggest success is gonna

1225
01:06:41,520 --> 01:06:44,600
Speaker 1: be music, because really I look down on myself for

1226
01:06:44,800 --> 01:06:47,360
Speaker 1: doing what I do in music because I'm still depending

1227
01:06:47,400 --> 01:06:49,880
Speaker 1: on another man. I wake up in one of my

1228
01:06:50,000 --> 01:06:52,600
Speaker 1: artists and there's some crazy shit. You know, this shit,

1229
01:06:52,680 --> 01:06:55,360
Speaker 1: and this shit it affects the business men. You know,

1230
01:06:55,640 --> 01:06:57,720
Speaker 1: you can't just birth of artists overnight. You got to

1231
01:06:57,800 --> 01:07:01,360
Speaker 1: start back over and rebuild. Any businessman know at that

1232
01:07:01,440 --> 01:07:04,120
Speaker 1: point in time the revenue gonna change, so you got

1233
01:07:04,120 --> 01:07:06,720
Speaker 1: to downsize and you got to do things a little different.

1234
01:07:07,120 --> 01:07:10,120
Speaker 1: That's where the diaper company comes from, me challenging myself

1235
01:07:10,120 --> 01:07:13,720
Speaker 1: to do something outside of this that can create another

1236
01:07:13,800 --> 01:07:16,440
Speaker 1: top of wealth, and then you're only depending on yourself

1237
01:07:16,480 --> 01:07:18,520
Speaker 1: and your team as opposed to because you know, and

1238
01:07:18,560 --> 01:07:21,000
Speaker 1: it's on me. Artists are very They're variables, right, You're

1239
01:07:21,000 --> 01:07:23,320
Speaker 1: dealing with artists. Maybe they have a bad day. Maybe,

1240
01:07:23,400 --> 01:07:25,400
Speaker 1: you know, yeah, you know, you know a lot of

1241
01:07:25,400 --> 01:07:28,040
Speaker 1: my real business partners. You know, it's like people from

1242
01:07:28,080 --> 01:07:33,640
Speaker 1: the NAACP. You know, people that run financial institutions. You know,

1243
01:07:35,120 --> 01:07:37,880
Speaker 1: eighty percent of my time on the phone is with them, right,

1244
01:07:38,480 --> 01:07:41,640
Speaker 1: I'm not talking to the homies. That's a text. You straight,

1245
01:07:41,680 --> 01:07:43,520
Speaker 1: you straight, You're good, You're good. Great. You know what

1246
01:07:43,560 --> 01:07:46,240
Speaker 1: I'm saying. Other than that, that's what that is. Hey,

1247
01:07:46,280 --> 01:07:47,880
Speaker 1: what up? Man? We got to interrupt the interview real

1248
01:07:48,000 --> 01:07:50,720
Speaker 1: quick to tell you about our family at odd Socks. Now,

1249
01:07:50,760 --> 01:07:52,800
Speaker 1: when I be riding for odd Socks so hard, man,

1250
01:07:52,840 --> 01:07:54,920
Speaker 1: it's because I really love the product. They got the

1251
01:07:54,920 --> 01:07:57,720
Speaker 1: most comfortable socks in the fucking world. I got a

1252
01:07:57,760 --> 01:08:00,000
Speaker 1: pair of odd Socks basic song right now, go get

1253
01:08:00,520 --> 01:08:03,400
Speaker 1: they got the socks. WWE joints. See what I'm saying.

1254
01:08:03,400 --> 01:08:07,400
Speaker 1: Shot to the undertaker, PEPSI motherfucking really whatever you need

1255
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1256
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Speaker 1: of teal underwear right now. You want some pop tarts

1258
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Speaker 1: on your dick pop tart draws and these motherfuckers are

1259
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Speaker 1: so comfortable, like man, So listen, you gotta go to

1260
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Speaker 1: odd socksofficial dot com and use the promo code, the

1261
01:08:29,880 --> 01:08:34,280
Speaker 1: discount code bootleg keV. At odd socksofficial dot com. You'll

1262
01:08:34,280 --> 01:08:37,400
Speaker 1: save twenty percent off underwear the most comfortable socks in

1263
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Speaker 1: the world. Crazy licenses. Not only they got the ww

1264
01:08:40,800 --> 01:08:42,840
Speaker 1: they got the Scarface, they got the street Fighter, they

1265
01:08:42,880 --> 01:08:45,320
Speaker 1: got the Nickelodeon, they got it all. So make sure

1266
01:08:45,360 --> 01:08:48,920
Speaker 1: you hit that website oddsocksofficial dot com save twenty percent

1267
01:08:48,920 --> 01:08:52,599
Speaker 1: off with the promo code bootleg keV. All right, go

1268
01:08:52,720 --> 01:08:54,800
Speaker 1: do that shout out to odd socks. Let's get back

1269
01:08:54,800 --> 01:08:57,599
Speaker 1: to the interview. Let me ask you this, whack. I

1270
01:08:57,640 --> 01:09:02,280
Speaker 1: think people, first of all, love when you share your

1271
01:09:02,320 --> 01:09:05,760
Speaker 1: thoughts online because I feel like they're genuine and you're

1272
01:09:05,880 --> 01:09:08,320
Speaker 1: very very like you know, like you said you don't

1273
01:09:08,320 --> 01:09:10,519
Speaker 1: go to ship people thinking were scared to say so,

1274
01:09:10,680 --> 01:09:12,880
Speaker 1: but but there's so let me ask you this right.

1275
01:09:14,320 --> 01:09:17,920
Speaker 1: Why there's people who will be like, yo, why is

1276
01:09:18,000 --> 01:09:21,040
Speaker 1: whack online? So much like you'll be on clubhouse called

1277
01:09:21,240 --> 01:09:24,439
Speaker 1: crazy on clubhouse, clubhouse shout out to my my nephew,

1278
01:09:24,560 --> 01:09:27,479
Speaker 1: Rocky the world family, nainety second Street, as he would say,

1279
01:09:27,720 --> 01:09:30,000
Speaker 1: So yeah, the room, no, so just give me like like,

1280
01:09:30,120 --> 01:09:31,759
Speaker 1: no way, I'm gonna give me. You go ahead, Okay,

1281
01:09:32,200 --> 01:09:36,680
Speaker 1: My little home boy had a room, right, and he like, man,

1282
01:09:36,680 --> 01:09:40,320
Speaker 1: I'm trying to get my room popping right. So I'm like,

1283
01:09:40,360 --> 01:09:42,960
Speaker 1: all right, I had to understand club I really know it.

1284
01:09:43,000 --> 01:09:44,720
Speaker 1: The shit, well, I'm come and see what it is.

1285
01:09:45,080 --> 01:09:46,800
Speaker 1: I'm like, all right, cool. So when I did the

1286
01:09:46,840 --> 01:09:50,000
Speaker 1: six nine interview, right, I tell nephew, listen, once you

1287
01:09:50,000 --> 01:09:52,920
Speaker 1: go on vacation for a minute and put me with

1288
01:09:52,960 --> 01:09:56,120
Speaker 1: the people so I can set up the room. He like,

1289
01:09:56,120 --> 01:09:58,000
Speaker 1: what you mean? I need you to go on vacation

1290
01:09:58,080 --> 01:10:00,800
Speaker 1: because you know you're young, nigg real blood. You know

1291
01:10:00,840 --> 01:10:02,760
Speaker 1: what I'm saying. He don't mixed with that shit. He

1292
01:10:03,320 --> 01:10:06,960
Speaker 1: just in the room as Rocky Eaglewood family. So by

1293
01:10:07,000 --> 01:10:08,800
Speaker 1: the time he spent off of due what he do,

1294
01:10:08,880 --> 01:10:11,960
Speaker 1: I come in and bring the kid in the host room.

1295
01:10:12,560 --> 01:10:17,600
Speaker 1: His room go from thirteen thousand to thirty thousand overnight.

1296
01:10:18,000 --> 01:10:19,880
Speaker 1: I don't come in and say get me half of

1297
01:10:19,920 --> 01:10:22,080
Speaker 1: the room. I want to own the room. Right. I

1298
01:10:22,200 --> 01:10:24,800
Speaker 1: passed the room back to nephew. He hasked some things

1299
01:10:24,840 --> 01:10:26,840
Speaker 1: to say to me. He like, damn, monk, you could

1300
01:10:26,880 --> 01:10:28,680
Speaker 1: have told me what you was gonna do. Man, I

1301
01:10:28,760 --> 01:10:30,280
Speaker 1: might not have been with it. I said, listen, you

1302
01:10:30,280 --> 01:10:31,960
Speaker 1: see where your room is at. Right, Yeah, I took

1303
01:10:32,000 --> 01:10:34,160
Speaker 1: the hit. I'm at to take the back lash for it.

1304
01:10:34,360 --> 01:10:37,320
Speaker 1: I take that room and go generate you some revenue. Right.

1305
01:10:37,520 --> 01:10:40,960
Speaker 1: He loved me today for it. He didn't agree, right,

1306
01:10:41,040 --> 01:10:44,759
Speaker 1: but you know, and then clubhouse is a fun space

1307
01:10:44,800 --> 01:10:46,360
Speaker 1: where you boy, it ain't got nothing to do. He

1308
01:10:46,479 --> 01:10:48,960
Speaker 1: be there, went to sleep early in the day, six o'clock,

1309
01:10:49,080 --> 01:10:52,679
Speaker 1: got up at sixty midnight. You get up. Everybody else

1310
01:10:52,720 --> 01:10:56,680
Speaker 1: sleep stay up on clubhouse. Right. I also feel like

1311
01:10:56,680 --> 01:10:59,720
Speaker 1: you low resurrected clubhouse because I definitely did. That's what

1312
01:10:59,720 --> 01:11:01,680
Speaker 1: they did. Yo. I'm like, I didn't even know if

1313
01:11:01,680 --> 01:11:04,000
Speaker 1: people were still on Clubhouse until I'm like, Yo, wax

1314
01:11:04,000 --> 01:11:06,960
Speaker 1: Gold crazy, gonna cll me fucking I reinstalled the app.

1315
01:11:08,920 --> 01:11:11,120
Speaker 1: I literally, but let me ask you this, right, So,

1316
01:11:11,240 --> 01:11:14,920
Speaker 1: like the six nine thing happens, and so much fallout

1317
01:11:15,160 --> 01:11:19,400
Speaker 1: as far as relationships with you and artists who people

1318
01:11:19,479 --> 01:11:21,760
Speaker 1: might perceive you to be close with, like obviously, h

1319
01:11:21,800 --> 01:11:23,800
Speaker 1: there was a Jim Jones French shoot that you pulled

1320
01:11:23,880 --> 01:11:26,439
Speaker 1: up to early last like last year, and then the

1321
01:11:26,520 --> 01:11:30,160
Speaker 1: Jim Jones thing happens, where you know, well, you know,

1322
01:11:30,200 --> 01:11:32,040
Speaker 1: I got to blame for something had nothing to do

1323
01:11:32,120 --> 01:11:36,360
Speaker 1: with me, because they say I provide the platform for

1324
01:11:36,560 --> 01:11:38,679
Speaker 1: him for six nine to say what he said, right,

1325
01:11:38,800 --> 01:11:40,600
Speaker 1: But I'm gonna keep it gangster, don't. I don't. I

1326
01:11:40,600 --> 01:11:43,479
Speaker 1: don't harbor fugitives, you know what I'm saying. I got

1327
01:11:43,520 --> 01:11:46,920
Speaker 1: a lot of people that I with new fifteen, twenty

1328
01:11:46,960 --> 01:11:50,440
Speaker 1: thirty years and then you know, somebody slid me some paperwork,

1329
01:11:51,080 --> 01:11:53,320
Speaker 1: you know what I'm saying. And based upon what I'm

1330
01:11:53,360 --> 01:11:55,519
Speaker 1: reading or what i'm seeing, not to say i've seen

1331
01:11:55,560 --> 01:11:58,320
Speaker 1: paperwork on gym, I just heard the recordings of me

1332
01:11:58,439 --> 01:12:02,880
Speaker 1: understanding the law. I'm a little confused and one sided

1333
01:12:02,960 --> 01:12:04,880
Speaker 1: with that because I know what that is. You know

1334
01:12:04,960 --> 01:12:08,080
Speaker 1: what I'm saying. So and you didn't necessarily bring up

1335
01:12:08,120 --> 01:12:11,120
Speaker 1: your skepticism about that situation until they were static brought

1336
01:12:11,160 --> 01:12:14,160
Speaker 1: to you. Yeah, well, you know he he he had

1337
01:12:14,200 --> 01:12:16,559
Speaker 1: wanted to bring it up doing an interview, but I

1338
01:12:16,560 --> 01:12:18,880
Speaker 1: didn't know nothing about what he was talking about. I'm like, Yo,

1339
01:12:18,920 --> 01:12:21,439
Speaker 1: you can't talk about Jim doing his interview because because

1340
01:12:21,479 --> 01:12:24,000
Speaker 1: I don't know what about Trumble, I can't defend him,

1341
01:12:24,520 --> 01:12:26,360
Speaker 1: you know what I'm saying. So he he was so

1342
01:12:26,479 --> 01:12:29,040
Speaker 1: adamant about wanting to show me what he was talking about.

1343
01:12:29,640 --> 01:12:33,160
Speaker 1: It's scared I did some buster shit because I was

1344
01:12:33,200 --> 01:12:35,760
Speaker 1: good with Jim at the time, right, And I didn't

1345
01:12:35,760 --> 01:12:37,680
Speaker 1: even let him show it to me, because if he

1346
01:12:37,800 --> 01:12:41,800
Speaker 1: showed me something that's real, then I gotta let him

1347
01:12:41,800 --> 01:12:44,720
Speaker 1: talk about it, right, So I didn't want that to

1348
01:12:44,760 --> 01:12:47,400
Speaker 1: happen on that on that right. So that's why if

1349
01:12:47,439 --> 01:12:49,880
Speaker 1: you look at that like that never came up in

1350
01:12:49,920 --> 01:12:52,920
Speaker 1: that interview, right. He tried to show me something on

1351
01:12:52,400 --> 01:12:55,599
Speaker 1: on on casting over right, what he had on his phone.

1352
01:12:55,840 --> 01:12:58,160
Speaker 1: So me and Casting over relationship is kind of like

1353
01:12:58,680 --> 01:13:00,800
Speaker 1: we see each other one day as who another day.

1354
01:13:00,840 --> 01:13:02,760
Speaker 1: We may not say nothing to each other. And I

1355
01:13:02,800 --> 01:13:05,000
Speaker 1: know he in the situation he end, and I don't

1356
01:13:05,080 --> 01:13:07,479
Speaker 1: like to kick no man when they down, So I

1357
01:13:07,479 --> 01:13:09,559
Speaker 1: didn't even entertain what he was trying to show me

1358
01:13:09,920 --> 01:13:12,960
Speaker 1: because Casanova ain't here to defend itself. So that's why

1359
01:13:12,960 --> 01:13:14,760
Speaker 1: I didn't allow that to be talked about, you know

1360
01:13:14,800 --> 01:13:16,680
Speaker 1: what I mean. You know, so it's kind of like

1361
01:13:17,280 --> 01:13:19,559
Speaker 1: I don't know where me and casanovad you know what

1362
01:13:19,560 --> 01:13:21,840
Speaker 1: I mean. I think we both respect each other as men,

1363
01:13:22,240 --> 01:13:24,639
Speaker 1: but then we got our little issues with each other

1364
01:13:24,680 --> 01:13:28,920
Speaker 1: about whatever it may be. Right, So that's why i'd

1365
01:13:28,920 --> 01:13:30,800
Speaker 1: allow that to happen. But you know, when they come

1366
01:13:30,840 --> 01:13:33,760
Speaker 1: on clubhouse and you know he was on, I got

1367
01:13:33,800 --> 01:13:37,519
Speaker 1: tired of people asking me about yo six nine is

1368
01:13:37,600 --> 01:13:39,680
Speaker 1: so you know what I'm gonna bring you on there

1369
01:13:39,760 --> 01:13:42,280
Speaker 1: y'all asking and would shock the shit out of me.

1370
01:13:42,760 --> 01:13:45,320
Speaker 1: Is the people that will come super aggressive at me

1371
01:13:45,600 --> 01:13:49,639
Speaker 1: about six y nine questions on clubhouse man, Well your

1372
01:13:49,720 --> 01:13:54,320
Speaker 1: six ' nine sir, excuse me man asking fuck me up?

1373
01:13:54,760 --> 01:13:58,240
Speaker 1: Right now. I'm one person, bro, I'm one person, and

1374
01:13:58,280 --> 01:14:01,080
Speaker 1: I'm going to defend myself when I say about giving

1375
01:14:01,120 --> 01:14:04,360
Speaker 1: him a platform. Right, I want everybody to see this.

1376
01:14:05,800 --> 01:14:08,799
Speaker 1: If you people really felt the way you feel about

1377
01:14:08,840 --> 01:14:12,960
Speaker 1: this individual, right, it should have said Whack one hundred

1378
01:14:13,040 --> 01:14:17,400
Speaker 1: invites six ' nine in the clubhouse. Only eight people

1379
01:14:17,439 --> 01:14:21,680
Speaker 1: showed up. It should not say that. Damn there, fourteen

1380
01:14:21,800 --> 01:14:24,559
Speaker 1: thousand people came through there to a point that the

1381
01:14:24,600 --> 01:14:29,479
Speaker 1: clubhouse staff they fucking expanded their bandwidth because it's seven

1382
01:14:29,560 --> 01:14:32,120
Speaker 1: eight thousand people coming in there at the time and

1383
01:14:32,200 --> 01:14:34,880
Speaker 1: another four five thousand people waiting to get in there.

1384
01:14:35,640 --> 01:14:38,400
Speaker 1: I didn't give him the platform. The people that came

1385
01:14:38,479 --> 01:14:44,519
Speaker 1: in there to hear that man's speak gave him the platform,

1386
01:14:44,760 --> 01:14:48,760
Speaker 1: right if it was. If it's that bad with him

1387
01:14:48,880 --> 01:14:52,679
Speaker 1: with why support him that the venue should be empty? Right,

1388
01:14:53,200 --> 01:14:56,559
Speaker 1: We've all seen an empty venue. So I think people

1389
01:14:56,640 --> 01:14:59,599
Speaker 1: might be like, why you did the interview? Obviously there's

1390
01:15:00,000 --> 01:15:02,080
Speaker 1: there's the blue face fight that is that gonna happen,

1391
01:15:02,200 --> 01:15:06,599
Speaker 1: Definitely gonna happen. I'm about about six point five million

1392
01:15:06,640 --> 01:15:09,280
Speaker 1: away from the mark the number I need, which is

1393
01:15:09,320 --> 01:15:11,639
Speaker 1: easy to on time. Once you get the money going,

1394
01:15:12,120 --> 01:15:13,960
Speaker 1: it's easy to pull other people. We'll get to the

1395
01:15:13,960 --> 01:15:17,639
Speaker 1: fight and all that. But but but then people might say, Okay,

1396
01:15:17,680 --> 01:15:19,360
Speaker 1: well look we get it, you did, you did it,

1397
01:15:19,400 --> 01:15:23,320
Speaker 1: But but why continue to kind of bring him into

1398
01:15:24,000 --> 01:15:28,440
Speaker 1: your world, like you know, he's not in your world.

1399
01:15:29,760 --> 01:15:32,160
Speaker 1: One time you've seen him one time I did an interview.

1400
01:15:33,160 --> 01:15:35,160
Speaker 1: How often do you talk to six nine? He called

1401
01:15:35,160 --> 01:15:37,880
Speaker 1: me probably about two three times a week. So what

1402
01:15:38,000 --> 01:15:39,800
Speaker 1: you say at this point in time he had text

1403
01:15:39,840 --> 01:15:41,559
Speaker 1: me on your face time and let me know that,

1404
01:15:42,040 --> 01:15:44,200
Speaker 1: you know, he got something because his business going on.

1405
01:15:44,240 --> 01:15:45,599
Speaker 1: Would you say, at this point in time, you guys

1406
01:15:45,600 --> 01:15:48,760
Speaker 1: are friendly with each other. Well, I'm not saying you

1407
01:15:48,800 --> 01:15:51,640
Speaker 1: guys are friends I don't have. I'm not looking to

1408
01:15:51,680 --> 01:15:53,360
Speaker 1: do nothing to him. I was looking to do something

1409
01:15:53,360 --> 01:15:54,920
Speaker 1: to him. I would have been done. I wouldn't have

1410
01:15:55,000 --> 01:15:57,439
Speaker 1: never set out and did the interview. I feel like

1411
01:15:57,479 --> 01:15:59,240
Speaker 1: it ain't my job to do nothing to him, you

1412
01:15:59,240 --> 01:16:01,320
Speaker 1: know what I mean. I mean, at one point in time,

1413
01:16:01,360 --> 01:16:03,640
Speaker 1: that used to be the politics that when its own

1414
01:16:03,800 --> 01:16:06,040
Speaker 1: like that, with somebody's own like that. But you know,

1415
01:16:06,320 --> 01:16:09,519
Speaker 1: I come to realize that people selectively politic what they

1416
01:16:09,560 --> 01:16:11,080
Speaker 1: want to do, when they want to do it, and

1417
01:16:11,120 --> 01:16:13,439
Speaker 1: with who they want to do it with. We you know,

1418
01:16:13,680 --> 01:16:16,720
Speaker 1: unless you my direct comrade, you know what I mean,

1419
01:16:16,800 --> 01:16:20,840
Speaker 1: you my direct comrade. It don't work like that with me.

1420
01:16:21,560 --> 01:16:23,400
Speaker 1: You know what I'm saying, Because I look up all

1421
01:16:23,439 --> 01:16:26,599
Speaker 1: the time and video shoots and all kind of shit

1422
01:16:26,720 --> 01:16:30,040
Speaker 1: and people going live, and I'm like, damn dude really

1423
01:16:30,040 --> 01:16:31,960
Speaker 1: in there with dude. He was just at the studio.

1424
01:16:32,000 --> 01:16:34,840
Speaker 1: We was having a discussion. But you know, okay, well

1425
01:16:34,920 --> 01:16:38,280
Speaker 1: that's the way it's curbed. It's cool, the selective politic.

1426
01:16:38,320 --> 01:16:41,599
Speaker 1: And I feel like is definitely something that that that

1427
01:16:41,600 --> 01:16:43,840
Speaker 1: that did have some merit when six times bringing that

1428
01:16:43,920 --> 01:16:46,559
Speaker 1: up in the interview, because there are I mean, I'm

1429
01:16:46,560 --> 01:16:49,080
Speaker 1: not gonna say any names, but there are artists, there

1430
01:16:49,120 --> 01:16:54,680
Speaker 1: are executives that that. I mean some of the artists, right,

1431
01:16:54,800 --> 01:16:59,800
Speaker 1: like some big guys right that you know all but

1432
01:17:00,040 --> 01:17:03,000
Speaker 1: pretty much you can confirm if probably and got down

1433
01:17:03,400 --> 01:17:05,120
Speaker 1: you know, you know, it's some niggas that used to

1434
01:17:05,200 --> 01:17:09,839
Speaker 1: be crips's bloods. There's probably some dudes used to be bloods.

1435
01:17:09,840 --> 01:17:11,720
Speaker 1: It's crips. You know, it's all kind of shit and

1436
01:17:11,720 --> 01:17:13,800
Speaker 1: people know about it, but because of whatever's going on

1437
01:17:13,880 --> 01:17:16,080
Speaker 1: with the business, they kind of overlooking. Well also too,

1438
01:17:16,120 --> 01:17:18,320
Speaker 1: I think like the reason why people are so the

1439
01:17:18,360 --> 01:17:21,200
Speaker 1: six nine thing was such a huge story. It was like,

1440
01:17:21,840 --> 01:17:24,800
Speaker 1: it's only a huge story, Let's keep it real. The

1441
01:17:24,920 --> 01:17:29,960
Speaker 1: story was only huge because of his platform. Who he is,

1442
01:17:30,640 --> 01:17:35,400
Speaker 1: right right, people can say what they want. Anything seen

1443
01:17:35,439 --> 01:17:39,800
Speaker 1: around his name. People go crazy about y'all giving that power,

1444
01:17:39,920 --> 01:17:45,280
Speaker 1: not me. You know what I'm saying, I don't. I can't.

1445
01:17:45,360 --> 01:17:49,600
Speaker 1: I can't recite the six nine verse. I can't. You

1446
01:17:49,680 --> 01:17:50,920
Speaker 1: know what I'm saying. I would have to go to

1447
01:17:50,960 --> 01:17:54,320
Speaker 1: the Spotify and see maybe one song I heard mistakingly

1448
01:17:54,360 --> 01:17:56,360
Speaker 1: and I was like, Yo, that shit hard as a motherfucker.

1449
01:17:56,680 --> 01:17:59,120
Speaker 1: You know what I'm saying, Like I couldn't front you know, hard,

1450
01:17:59,120 --> 01:18:01,400
Speaker 1: all right, that's him. I get it. But you know,

1451
01:18:01,400 --> 01:18:04,920
Speaker 1: at the end of the day is you know, the

1452
01:18:05,040 --> 01:18:09,000
Speaker 1: people that really have a lot to say about him

1453
01:18:09,600 --> 01:18:15,000
Speaker 1: don't matter. We're not part of his success as an artist.

1454
01:18:15,320 --> 01:18:17,760
Speaker 1: We're not the ones going to his concerts. We're not

1455
01:18:17,800 --> 01:18:21,880
Speaker 1: gonna buy his merch whether he told or not. Right,

1456
01:18:22,560 --> 01:18:24,920
Speaker 1: we wouldn't have brought his mid Way, we wouldn't have

1457
01:18:24,960 --> 01:18:27,679
Speaker 1: brought We ain't streaming his music. You're not his audience either.

1458
01:18:27,680 --> 01:18:29,720
Speaker 1: We're not his audience. So a lot of people that's

1459
01:18:29,760 --> 01:18:32,479
Speaker 1: doing a lot of talking it really don't matter. Like

1460
01:18:32,600 --> 01:18:34,200
Speaker 1: you know what I'm saying, he kind of wasting your

1461
01:18:34,240 --> 01:18:38,000
Speaker 1: time because his fan base they don't care. Do you

1462
01:18:38,040 --> 01:18:40,800
Speaker 1: feel like you see his engagement the boy put up

1463
01:18:40,840 --> 01:18:44,280
Speaker 1: some bullshit on It's crazy it's crazy fifteen million. Do

1464
01:18:44,320 --> 01:18:47,760
Speaker 1: you feel like do you feel like like doing that

1465
01:18:47,840 --> 01:18:52,080
Speaker 1: interview that it cost you anything. I'm pretty sure it

1466
01:18:52,280 --> 01:18:59,720
Speaker 1: cost me a few friends. I'm really not bothered by

1467
01:18:59,760 --> 01:19:02,120
Speaker 1: a life of people because I'm really a loner type dude.

1468
01:19:02,920 --> 01:19:06,400
Speaker 1: My close friends have called me and god on me.

1469
01:19:06,479 --> 01:19:09,400
Speaker 1: I think the one that Thinnk got on me the most,

1470
01:19:09,800 --> 01:19:14,080
Speaker 1: right this bird Man. Yeah, you know, I you know,

1471
01:19:14,320 --> 01:19:16,080
Speaker 1: I'm a I'm a dude to keep it one hundred.

1472
01:19:16,120 --> 01:19:18,840
Speaker 1: You know. Ain't nobody bigger than the politics. That's my

1473
01:19:19,000 --> 01:19:21,519
Speaker 1: brother and we get on each other. But Birdmen, out

1474
01:19:21,560 --> 01:19:25,479
Speaker 1: of everybody, bird Man that got on my ass, like

1475
01:19:26,400 --> 01:19:30,360
Speaker 1: on me. He told me how dissatisfied the year. He said,

1476
01:19:30,360 --> 01:19:32,400
Speaker 1: I love you, you my brother. I ain't never going

1477
01:19:32,400 --> 01:19:34,560
Speaker 1: against you. You know that we didn't been in the

1478
01:19:34,600 --> 01:19:38,320
Speaker 1: trenches together, but god damn it, just the way I feel.

1479
01:19:38,400 --> 01:19:40,479
Speaker 1: What did he say? You know, he just told me,

1480
01:19:40,520 --> 01:19:42,280
Speaker 1: he said, who you are and what you stand for,

1481
01:19:42,479 --> 01:19:46,280
Speaker 1: what you represent is greater and bigger than that. Right.

1482
01:19:46,720 --> 01:19:48,599
Speaker 1: So even at the end of the day, some people

1483
01:19:48,640 --> 01:19:50,559
Speaker 1: got that lane with me, you know what I mean

1484
01:19:50,560 --> 01:19:53,720
Speaker 1: where they can call me and I'm gonna humble myself

1485
01:19:54,000 --> 01:19:56,320
Speaker 1: and I'm gonna listen, you know what I'm saying, because

1486
01:19:56,360 --> 01:19:58,680
Speaker 1: I got that respect for him. They they earned that

1487
01:19:58,800 --> 01:20:00,600
Speaker 1: from me, you know what I mean. I got a

1488
01:20:00,600 --> 01:20:03,360
Speaker 1: few of my brothers. I ain't heard nothing from, you

1489
01:20:03,400 --> 01:20:06,320
Speaker 1: know what I'm saying, And eventually I hear something from

1490
01:20:06,600 --> 01:20:10,000
Speaker 1: maybe I won't, you know what I mean, But I

1491
01:20:10,080 --> 01:20:12,880
Speaker 1: know what my mission, to my goal is what I'm doing.

1492
01:20:13,280 --> 01:20:15,680
Speaker 1: People are gonna take it, and they're gonna paint the

1493
01:20:15,720 --> 01:20:18,519
Speaker 1: perception that they want to paint around it. Like it's

1494
01:20:18,560 --> 01:20:22,000
Speaker 1: some people that I feel like shit going on with that.

1495
01:20:22,800 --> 01:20:27,599
Speaker 1: I feel like others shouldn't fuck with, right t I

1496
01:20:27,880 --> 01:20:31,320
Speaker 1: for one yo, till they figure that out. You know,

1497
01:20:31,720 --> 01:20:33,679
Speaker 1: I ain't with that kind of shit. Are you talking

1498
01:20:33,680 --> 01:20:37,120
Speaker 1: about the allegations about it straight up? Like with the women? Yeah?

1499
01:20:37,160 --> 01:20:39,680
Speaker 1: And then it's gonna be interested to see that what

1500
01:20:39,840 --> 01:20:42,240
Speaker 1: comes of this, you know what I mean? Me personally,

1501
01:20:42,680 --> 01:20:44,600
Speaker 1: I can't front I know t I I'm a t

1502
01:20:44,720 --> 01:20:48,559
Speaker 1: I fair listening to our music. I hope he's innocent

1503
01:20:48,600 --> 01:20:53,479
Speaker 1: of this shit. But I hope, I really really hope

1504
01:20:54,760 --> 01:20:59,040
Speaker 1: that he's innocent of that. Right. But it's some things

1505
01:20:59,080 --> 01:21:01,720
Speaker 1: that then went on in this man's life that a

1506
01:21:01,720 --> 01:21:06,200
Speaker 1: lot of people don't overlook too keeping it real. Motherfuckers

1507
01:21:06,240 --> 01:21:09,479
Speaker 1: ain't crazy. It's a lot of motherfuckers being to the fairs.

1508
01:21:09,520 --> 01:21:13,320
Speaker 1: Motherfuckers understand the twelve month a day kick out, you

1509
01:21:13,360 --> 01:21:15,639
Speaker 1: know what I'm saying. You know, And things are done

1510
01:21:15,720 --> 01:21:18,200
Speaker 1: differently these days. So it's like, you know, it's a

1511
01:21:18,280 --> 01:21:20,000
Speaker 1: lot of things that they went on and I look

1512
01:21:20,040 --> 01:21:22,639
Speaker 1: at certain people and say, but I understand it, right.

1513
01:21:22,720 --> 01:21:24,680
Speaker 1: You know, it may be out of genuine love as

1514
01:21:24,680 --> 01:21:27,120
Speaker 1: a brother, maybe some business going on. It may be

1515
01:21:27,240 --> 01:21:30,000
Speaker 1: that they see it different than me, right, you know,

1516
01:21:30,080 --> 01:21:33,680
Speaker 1: and vice versa. So I'm gonna understand my side of

1517
01:21:33,760 --> 01:21:37,080
Speaker 1: it too as well. You know what I'm saying. I think,

1518
01:21:37,160 --> 01:21:39,400
Speaker 1: like you said, like with the select with the selective politic,

1519
01:21:39,479 --> 01:21:42,200
Speaker 1: and there's a lot of that, you know. At the

1520
01:21:42,280 --> 01:21:45,479
Speaker 1: end of the day, like I've done it. I've done it.

1521
01:21:45,520 --> 01:21:47,960
Speaker 1: Like I didn't ask my artists do some shit they

1522
01:21:48,080 --> 01:21:52,120
Speaker 1: did wrong on they're my artists, you know, what the

1523
01:21:52,840 --> 01:21:56,679
Speaker 1: what the fucking what's something like that happening? It's kind

1524
01:21:56,680 --> 01:22:02,040
Speaker 1: of do blue face, right, I've got calls in his

1525
01:22:02,160 --> 01:22:09,080
Speaker 1: videos to where his homeboys was disrespecting with hand signs. Right,

1526
01:22:09,439 --> 01:22:13,320
Speaker 1: I got thirty forty year history with some of these neighborhoods.

1527
01:22:13,760 --> 01:22:15,320
Speaker 1: You know what I'm saying. You know, they do shit

1528
01:22:15,439 --> 01:22:18,160
Speaker 1: so fast these days. I didn't catch it, you know

1529
01:22:18,240 --> 01:22:20,800
Speaker 1: what I mean. I'm paying attention to the artists, to

1530
01:22:20,840 --> 01:22:24,000
Speaker 1: the music, I'm paying attention to what he's saying, what

1531
01:22:24,400 --> 01:22:28,080
Speaker 1: he's doing. I really ain't catching you know, what everybody

1532
01:22:28,160 --> 01:22:31,040
Speaker 1: else is doing, but they like, you know, a whack,

1533
01:22:31,960 --> 01:22:34,600
Speaker 1: that's your artist on your watch, your fucking video, you

1534
01:22:34,720 --> 01:22:37,080
Speaker 1: putting it out, and this this and this, this and

1535
01:22:37,160 --> 01:22:42,920
Speaker 1: this that. Right, fuck dude. You know what I'm saying, Nah,

1536
01:22:43,000 --> 01:22:46,240
Speaker 1: I can't ain't no fuck dude, right because you know,

1537
01:22:46,320 --> 01:22:49,880
Speaker 1: outside of me doing business with this man, I've learned

1538
01:22:49,880 --> 01:22:52,000
Speaker 1: to love this man genuinely. I feel like you and

1539
01:22:52,000 --> 01:22:53,360
Speaker 1: your wife kind of took him in as like your

1540
01:22:53,360 --> 01:22:55,080
Speaker 1: own man. Like I mean, you know, he has he

1541
01:22:55,120 --> 01:22:56,760
Speaker 1: has a mother, he has a very lovely I just

1542
01:22:57,160 --> 01:22:59,599
Speaker 1: in terms of like that. But just I remember when

1543
01:22:59,600 --> 01:23:02,120
Speaker 1: we first met him, your wife was telling us how

1544
01:23:02,320 --> 01:23:04,559
Speaker 1: like you guys are helping him just get situated with

1545
01:23:04,560 --> 01:23:06,840
Speaker 1: his first home purchase at the time. His home purchase

1546
01:23:06,920 --> 01:23:10,800
Speaker 1: is credit is life insurance, his medicals, diner, everything, and

1547
01:23:10,840 --> 01:23:12,600
Speaker 1: I believe that young man is gonna grow to be

1548
01:23:12,680 --> 01:23:15,280
Speaker 1: something great outside of music because he got a great

1549
01:23:15,360 --> 01:23:17,800
Speaker 1: mind and he's a good kid man. Yeah, you know

1550
01:23:17,800 --> 01:23:19,439
Speaker 1: what I mean. Young So he got he gonna do.

1551
01:23:19,520 --> 01:23:21,639
Speaker 1: He's still right now. He tell you take the fuck

1552
01:23:21,680 --> 01:23:24,360
Speaker 1: out of me. Some ship he doing. And I'm pretty sure, hey,

1553
01:23:24,400 --> 01:23:28,479
Speaker 1: he only see that phone ring in one in the morning.

1554
01:23:28,680 --> 01:23:31,080
Speaker 1: He already know. But I think he knows that ain't

1555
01:23:31,120 --> 01:23:33,160
Speaker 1: to control him that I want to seem better. I

1556
01:23:33,240 --> 01:23:35,000
Speaker 1: want to see him be here, you know what I'm saying,

1557
01:23:35,000 --> 01:23:37,240
Speaker 1: Because a little young man here, you know, he got

1558
01:23:37,280 --> 01:23:39,400
Speaker 1: the heart of a line and he ain't scared of nothing.

1559
01:23:39,800 --> 01:23:41,519
Speaker 1: But you know it's some things I'm telling him. The

1560
01:23:41,560 --> 01:23:44,960
Speaker 1: bigger you get, you know what I mean, the less

1561
01:23:45,040 --> 01:23:47,040
Speaker 1: lead way you had to make mistakes, you know what

1562
01:23:47,040 --> 01:23:49,559
Speaker 1: I mean, he gonna be great. He gonna be greater

1563
01:23:49,640 --> 01:23:51,840
Speaker 1: than what he's doing in music one day. You know,

1564
01:23:51,880 --> 01:23:54,800
Speaker 1: he's a business man. His restaurant, that's something he set

1565
01:23:54,840 --> 01:23:56,840
Speaker 1: out and did. I didn't even know he was doing

1566
01:23:56,840 --> 01:23:59,639
Speaker 1: it till he told me. Had he fire set out

1567
01:23:59,680 --> 01:24:01,280
Speaker 1: and did put it together? You know what I mean?

1568
01:24:01,320 --> 01:24:03,360
Speaker 1: So that let me know he a young boss, and

1569
01:24:03,360 --> 01:24:05,760
Speaker 1: I'm gonna respect him as that. But because of my

1570
01:24:05,920 --> 01:24:11,160
Speaker 1: relationship and my bond with him, right, yeah, I probably

1571
01:24:11,160 --> 01:24:13,400
Speaker 1: when it came to this cripping blood that I was

1572
01:24:13,439 --> 01:24:16,320
Speaker 1: probably supposed to be a little more assertive or aggressive

1573
01:24:16,320 --> 01:24:18,840
Speaker 1: of what my people was calling me about, but the

1574
01:24:18,880 --> 01:24:22,559
Speaker 1: selected politics because who he was to me, I probably

1575
01:24:22,600 --> 01:24:25,280
Speaker 1: dealt with it a little wilder done you you know

1576
01:24:25,280 --> 01:24:27,719
Speaker 1: what I'm saying. You know, And and with this gang

1577
01:24:27,760 --> 01:24:30,479
Speaker 1: culture we got, man, it's so many it was out here.

1578
01:24:30,560 --> 01:24:33,479
Speaker 1: That's you know, we crips, and we got bloods is

1579
01:24:33,720 --> 01:24:36,719
Speaker 1: our brothers and families. We bluods and we got crypts.

1580
01:24:36,760 --> 01:24:40,080
Speaker 1: That's our relatives. People we didn't did time with all

1581
01:24:40,120 --> 01:24:42,640
Speaker 1: of us, got some top of hatred and then some

1582
01:24:42,760 --> 01:24:46,160
Speaker 1: top of love and respect for the same side, for

1583
01:24:46,280 --> 01:24:48,559
Speaker 1: the same enemy, you know what I mean. So it's

1584
01:24:48,560 --> 01:24:52,519
Speaker 1: a little different. What did you and twenty one Savage

1585
01:24:52,520 --> 01:24:57,720
Speaker 1: ever have any dialogue after the uh, very very very

1586
01:24:57,800 --> 01:25:00,600
Speaker 1: loud back and forth were pretty much They're like, it's

1587
01:25:00,680 --> 01:25:03,519
Speaker 1: on site. I'm glad you brought that up, because I

1588
01:25:03,560 --> 01:25:05,720
Speaker 1: wasn't thinking about it. Like bird Man been on my

1589
01:25:06,000 --> 01:25:09,200
Speaker 1: ass about twenty one Savage almost to a point where

1590
01:25:09,200 --> 01:25:15,960
Speaker 1: I'm damn they're jealous. Man, he is whack. That's family man, Savage,

1591
01:25:16,080 --> 01:25:21,200
Speaker 1: family man, you a g So what if he stepped

1592
01:25:21,200 --> 01:25:24,120
Speaker 1: out of line a little bit? You know, he family.

1593
01:25:24,439 --> 01:25:26,439
Speaker 1: You didn't told me you fucked with him. I told

1594
01:25:26,479 --> 01:25:29,160
Speaker 1: you I loved the little nigga to death. You supposed

1595
01:25:29,160 --> 01:25:31,280
Speaker 1: to swallow that and dealt with that difference, like he

1596
01:25:31,680 --> 01:25:34,479
Speaker 1: hear another when bird Man had been on my ass

1597
01:25:34,520 --> 01:25:38,320
Speaker 1: about but me and Savage spoke the same day after

1598
01:25:38,360 --> 01:25:40,559
Speaker 1: the fact. I think what it was was somebody it

1599
01:25:41,360 --> 01:25:45,479
Speaker 1: somebody already told me Savage had a distaste with somebody

1600
01:25:45,479 --> 01:25:47,599
Speaker 1: did and I wasn't tripping. So when they pinged him

1601
01:25:47,600 --> 01:25:49,160
Speaker 1: to the room they told me he was down there,

1602
01:25:49,320 --> 01:25:52,080
Speaker 1: I'm like, you'll bring him up. So I'm under the

1603
01:25:52,080 --> 01:25:54,559
Speaker 1: impression I'm just gonna ask him, your savage, what's the issue?

1604
01:25:54,600 --> 01:25:56,800
Speaker 1: He gonna tell me, and we're gonna have a conversation

1605
01:25:56,880 --> 01:25:59,559
Speaker 1: because we both had mutual respect for one anohing right,

1606
01:25:59,640 --> 01:26:01,400
Speaker 1: But he you know, he kind of told me somebody

1607
01:26:01,520 --> 01:26:03,679
Speaker 1: fed in some other ship, you know what I mean

1608
01:26:03,720 --> 01:26:05,320
Speaker 1: to where when he came into the room, he was

1609
01:26:05,400 --> 01:26:08,920
Speaker 1: already on charge because he was thinking something totally different.

1610
01:26:09,240 --> 01:26:11,880
Speaker 1: So you know, yeah, so what's triggered him off. A

1611
01:26:11,920 --> 01:26:14,360
Speaker 1: little nigga, little gangster and a little punk. So you know,

1612
01:26:14,439 --> 01:26:17,160
Speaker 1: he figured somebody saying this is saying these things about him.

1613
01:26:17,479 --> 01:26:19,400
Speaker 1: He coming in a room. He dealing with the ship

1614
01:26:19,439 --> 01:26:22,120
Speaker 1: head on right, I get it understanding now. So we

1615
01:26:22,200 --> 01:26:25,960
Speaker 1: had a conversation in uh, one of his rooms. I

1616
01:26:26,000 --> 01:26:28,240
Speaker 1: mean the way we chopped it up people was in

1617
01:26:28,240 --> 01:26:31,559
Speaker 1: a room. This was after the been, the one that

1618
01:26:31,680 --> 01:26:34,320
Speaker 1: went viral a been a couple of hours later. Because listen,

1619
01:26:34,400 --> 01:26:36,200
Speaker 1: for people who don't know you, you you have when you

1620
01:26:36,280 --> 01:26:40,600
Speaker 1: are activated. No listen, I am like, like you know

1621
01:26:42,040 --> 01:26:48,639
Speaker 1: this businessman father, Uh, but when you're when your fuse

1622
01:26:48,760 --> 01:26:51,759
Speaker 1: is gone. I mean I know to do that right.

1623
01:26:52,840 --> 01:26:56,560
Speaker 1: Doing that is more for me and more natural to

1624
01:26:56,680 --> 01:27:00,679
Speaker 1: me than being this other dude. You know what I'm saying.

1625
01:27:00,840 --> 01:27:03,639
Speaker 1: No matter you know, with age, it don't do nothing

1626
01:27:03,680 --> 01:27:06,920
Speaker 1: but make you a more grouch your don't you know

1627
01:27:06,920 --> 01:27:09,559
Speaker 1: what I'm saying. That's all it does. So you know

1628
01:27:09,600 --> 01:27:12,599
Speaker 1: when it happened because of who it was, I think

1629
01:27:12,640 --> 01:27:15,040
Speaker 1: I did great and that was probably due to my

1630
01:27:15,040 --> 01:27:18,000
Speaker 1: my my, my, my wife. I just held to me

1631
01:27:18,080 --> 01:27:20,639
Speaker 1: that I need to learn how to, you know, deal

1632
01:27:20,680 --> 01:27:22,439
Speaker 1: with my anger and not snap and I have a

1633
01:27:22,479 --> 01:27:24,519
Speaker 1: short fuse. That's why I kind of like I was

1634
01:27:24,520 --> 01:27:26,479
Speaker 1: trying to deal with it, but he just kept coming.

1635
01:27:26,760 --> 01:27:29,240
Speaker 1: And then you know, it's always this little man on

1636
01:27:29,320 --> 01:27:31,680
Speaker 1: my shoulder. I can't get rid of this motherfucker man.

1637
01:27:31,680 --> 01:27:35,640
Speaker 1: He always trying to tell me and remind me of

1638
01:27:35,760 --> 01:27:38,439
Speaker 1: some shit I should be mad at and how I

1639
01:27:38,479 --> 01:27:41,080
Speaker 1: should be reacting. You know, when I'm trying to keep

1640
01:27:41,120 --> 01:27:43,600
Speaker 1: a focus, mind like this, dude, don't go nowhere. I

1641
01:27:43,800 --> 01:27:45,080
Speaker 1: don't want. I want to get rid of it, but

1642
01:27:45,120 --> 01:27:47,719
Speaker 1: then to get I don't because he's kept me alive.

1643
01:27:48,320 --> 01:27:50,200
Speaker 1: I don't go down that block. You know what you

1644
01:27:50,280 --> 01:27:52,040
Speaker 1: gotta do, Get off hand of your business, get up

1645
01:27:52,040 --> 01:27:54,680
Speaker 1: out of there. Right. He's part of my instincts, you

1646
01:27:54,720 --> 01:27:56,599
Speaker 1: know what I mean. So that's why when I when

1647
01:27:56,600 --> 01:27:59,639
Speaker 1: I when I did talk to Savage a couple hours later,

1648
01:28:00,120 --> 01:28:02,400
Speaker 1: he came out and said, listen, man, you know I

1649
01:28:02,439 --> 01:28:04,200
Speaker 1: thought this and thought that so the way I came

1650
01:28:04,240 --> 01:28:06,559
Speaker 1: I might have came wrong. And I knew for him

1651
01:28:06,640 --> 01:28:09,639
Speaker 1: to say that after I had approached him the way

1652
01:28:09,680 --> 01:28:12,040
Speaker 1: I did, and we approached each other, I knew it

1653
01:28:12,080 --> 01:28:14,720
Speaker 1: was genuine and there was some grown man shit, and

1654
01:28:14,760 --> 01:28:17,000
Speaker 1: he really was outclassing me at that point in time

1655
01:28:17,040 --> 01:28:19,320
Speaker 1: for me to keep tripping. So I had to hear

1656
01:28:19,360 --> 01:28:21,760
Speaker 1: him out. So we you know, we verbally talked and

1657
01:28:22,400 --> 01:28:25,120
Speaker 1: verbally was cordial for like another twenty thirty minutes towards

1658
01:28:25,120 --> 01:28:26,880
Speaker 1: each other. Let me ask you this, right, because I

1659
01:28:26,920 --> 01:28:31,080
Speaker 1: know that you had kind of you know, you've obviously

1660
01:28:31,160 --> 01:28:35,080
Speaker 1: evolved as a man, right, Yeah, from being in your

1661
01:28:35,120 --> 01:28:40,360
Speaker 1: younger days, definitely. And I think that there's an argument

1662
01:28:40,479 --> 01:28:44,960
Speaker 1: that someone like maybe Meek Mill, who who you know.

1663
01:28:45,800 --> 01:28:47,800
Speaker 1: I know that you know you had kind of said like, look,

1664
01:28:47,840 --> 01:28:50,800
Speaker 1: once you state that this is what it is, then

1665
01:28:50,840 --> 01:28:54,080
Speaker 1: when you're presented with the opportunity, you got to you

1666
01:28:54,160 --> 01:28:56,240
Speaker 1: got to keep that energy to be real with you, right.

1667
01:28:56,280 --> 01:28:58,400
Speaker 1: I think something going to come good out of the

1668
01:28:58,439 --> 01:29:03,599
Speaker 1: meet meal situation. What do you mean? Because I don't

1669
01:29:03,600 --> 01:29:07,559
Speaker 1: think he's gonna ever do that again. Essentially, he's never

1670
01:29:07,640 --> 01:29:10,080
Speaker 1: going to step out online again because I don't think

1671
01:29:10,120 --> 01:29:12,880
Speaker 1: he's ever gonna voist what he's gonna do when he

1672
01:29:12,960 --> 01:29:18,559
Speaker 1: sees somebody, right, I think he's gonna handle that differently.

1673
01:29:18,720 --> 01:29:20,720
Speaker 1: I think if that's his thoughts, he might keep that

1674
01:29:20,760 --> 01:29:23,000
Speaker 1: to himself. If he gonna do it. He's gonna do it,

1675
01:29:23,080 --> 01:29:25,400
Speaker 1: but I think he's gonna put hisself in the position

1676
01:29:25,479 --> 01:29:28,439
Speaker 1: to where the light ain't on him to do it. Well,

1677
01:29:28,439 --> 01:29:29,559
Speaker 1: that's what I was gonna say about Like the teop

1678
01:29:29,560 --> 01:29:32,920
Speaker 1: wouldn't saying nothing. Nobody was gonna say nothing. What I

1679
01:29:33,000 --> 01:29:34,720
Speaker 1: was gonna say about the twenty one Savage thing is like,

1680
01:29:34,760 --> 01:29:37,080
Speaker 1: obviously even if he saw six or nine at the club,

1681
01:29:38,160 --> 01:29:40,240
Speaker 1: like he didn't know, he didn't. But but but I'm saying,

1682
01:29:40,240 --> 01:29:45,320
Speaker 1: like hypothetically, you know he's got it. It wasn't his Well, see,

1683
01:29:45,760 --> 01:29:48,040
Speaker 1: he has not had all kind of ship that he

1684
01:29:48,840 --> 01:29:51,160
Speaker 1: was saying. Savage said it did, so that was his

1685
01:29:51,200 --> 01:29:53,240
Speaker 1: whole thing. His whole thing is if you one of

1686
01:29:53,240 --> 01:29:55,600
Speaker 1: those dudes saying you're gonna do something to me, he

1687
01:29:55,640 --> 01:29:58,440
Speaker 1: don't care about his saying Fox is now you're a rat.

1688
01:29:58,479 --> 01:30:00,599
Speaker 1: He don't give a fuck about that. If you want him.

1689
01:30:00,640 --> 01:30:03,320
Speaker 1: Dudes are saying when I see you, it's on, then

1690
01:30:03,360 --> 01:30:06,439
Speaker 1: he sees you and that happens. That's his home. Yeah,

1691
01:30:06,479 --> 01:30:08,639
Speaker 1: I would just I would hope twenty one Savage would

1692
01:30:08,960 --> 01:30:14,360
Speaker 1: risk his freedom, is his career just because you know, well,

1693
01:30:14,439 --> 01:30:16,960
Speaker 1: I mean I defended twenty one in the in the

1694
01:30:17,000 --> 01:30:18,920
Speaker 1: interview he did because I was like, just because y'all

1695
01:30:19,000 --> 01:30:21,200
Speaker 1: in the same he saw you, and he saw you

1696
01:30:21,520 --> 01:30:24,880
Speaker 1: and then at the same token, uh, he ain't the

1697
01:30:24,880 --> 01:30:27,360
Speaker 1: one got the real direct beat with you, So a

1698
01:30:28,680 --> 01:30:30,960
Speaker 1: why would he put on his online you know what

1699
01:30:31,040 --> 01:30:32,320
Speaker 1: I'm saying at the end of the day, you know

1700
01:30:32,360 --> 01:30:35,280
Speaker 1: what I mean. So I said, listen, if he did

1701
01:30:35,920 --> 01:30:38,200
Speaker 1: say or do these things because I hadn't heard it

1702
01:30:38,280 --> 01:30:41,320
Speaker 1: or seen it personally, then I feel where you're coming from.

1703
01:30:41,439 --> 01:30:43,600
Speaker 1: And I think that's what Savage had a problem with,

1704
01:30:44,040 --> 01:30:45,640
Speaker 1: you know what I mean. But once we talked and

1705
01:30:45,680 --> 01:30:47,960
Speaker 1: he kind of you know, he got it like I

1706
01:30:48,000 --> 01:30:50,559
Speaker 1: got where he was coming from. I don't expect twenty

1707
01:30:50,600 --> 01:30:53,640
Speaker 1: one to beat the under not at all. Have you

1708
01:30:53,680 --> 01:30:57,920
Speaker 1: given six ' nine any off camera, off clubhouse advice,

1709
01:30:58,120 --> 01:31:01,320
Speaker 1: because if I feel like Tony mister starm disrespecting the dead,

1710
01:31:02,080 --> 01:31:04,479
Speaker 1: you know what I'm saying, I told him that you

1711
01:31:04,560 --> 01:31:08,240
Speaker 1: didne made enough enemies. Want you give some attention to

1712
01:31:08,320 --> 01:31:12,400
Speaker 1: your fans. I don't think that you need to be

1713
01:31:12,680 --> 01:31:19,479
Speaker 1: so controversial on the negative side to bring attention to

1714
01:31:19,560 --> 01:31:22,679
Speaker 1: your music. I think it's I've seen him do things,

1715
01:31:22,720 --> 01:31:24,280
Speaker 1: you know, like over the years when I don't even

1716
01:31:24,280 --> 01:31:25,800
Speaker 1: know who he was, and I've seen him like go

1717
01:31:25,920 --> 01:31:31,479
Speaker 1: visit uh, go and visit uh kids, you know what

1718
01:31:31,560 --> 01:31:33,680
Speaker 1: I mean, that on their last leg of living and

1719
01:31:33,680 --> 01:31:35,640
Speaker 1: stuff like that. So I just feel like, you know,

1720
01:31:35,680 --> 01:31:37,720
Speaker 1: if you're gonna do something, man, focus on your music

1721
01:31:37,800 --> 01:31:40,360
Speaker 1: and do some positive things. Man, you know your fans.

1722
01:31:40,439 --> 01:31:42,200
Speaker 1: Let your fans love you. People that's gonna hate you,

1723
01:31:42,240 --> 01:31:44,240
Speaker 1: that's gonna they're gonna hate you. You've done what you did.

1724
01:31:44,680 --> 01:31:49,160
Speaker 1: There's no sense in antagonizing them anymore, you know, especially

1725
01:31:49,240 --> 01:31:51,559
Speaker 1: the Little Dirt shit. You know, I like Little Dirt. Yeah,

1726
01:31:51,560 --> 01:31:53,120
Speaker 1: the Dirt shit. I feel like he's out of pocket.

1727
01:31:53,280 --> 01:31:55,040
Speaker 1: I like, I like Little Dirt, you know what I mean.

1728
01:31:55,080 --> 01:31:58,800
Speaker 1: So you know, think Little Dirt and made versus something

1729
01:31:58,840 --> 01:32:00,840
Speaker 1: on some Drake song you know, I don't know, or

1730
01:32:00,920 --> 01:32:02,600
Speaker 1: some shit, but so what, it's a verse, you know

1731
01:32:02,640 --> 01:32:03,960
Speaker 1: what I mean? The fuck? You know what I mean.

1732
01:32:04,000 --> 01:32:06,880
Speaker 1: I like Little Dirt, you know what I mean. So,

1733
01:32:08,320 --> 01:32:10,360
Speaker 1: you know, anybody tied the Little Dirt, you know, he

1734
01:32:10,400 --> 01:32:13,280
Speaker 1: needs to refrain from saying the things he's been saying.

1735
01:32:13,320 --> 01:32:15,200
Speaker 1: You know this, this is what I told him, you

1736
01:32:15,240 --> 01:32:17,479
Speaker 1: know what I mean. So whether he does. It looked

1737
01:32:17,479 --> 01:32:19,160
Speaker 1: at me like he might be doing it, but you

1738
01:32:19,240 --> 01:32:23,160
Speaker 1: never knows his own man, when you're going to think advertising,

1739
01:32:23,240 --> 01:32:26,559
Speaker 1: I'm moving around with no security now, probably not the smartest.

1740
01:32:27,680 --> 01:32:31,559
Speaker 1: I think his whole thing was that is because I

1741
01:32:31,600 --> 01:32:33,600
Speaker 1: hate to say it, he's really trying to expose the

1742
01:32:33,640 --> 01:32:37,519
Speaker 1: streets because the streets is painting the picture of those

1743
01:32:37,560 --> 01:32:39,400
Speaker 1: in the streets. That's saying what they want to do

1744
01:32:39,479 --> 01:32:42,360
Speaker 1: that I can't do because it is you know what

1745
01:32:42,439 --> 01:32:45,439
Speaker 1: I'm saying. So he's like, yo, bro, stop lying. I'm

1746
01:32:45,439 --> 01:32:48,320
Speaker 1: not moving like that. I'm right here. So that was

1747
01:32:48,360 --> 01:32:50,760
Speaker 1: his way of kind of like exposing do you think

1748
01:32:50,840 --> 01:32:53,720
Speaker 1: instead of really exposing the streets, he really just exposed

1749
01:32:54,360 --> 01:32:58,680
Speaker 1: the perception of what hip hop hip hop fans think

1750
01:32:58,800 --> 01:33:01,360
Speaker 1: is the streets, right, because we look at definitely our

1751
01:33:01,400 --> 01:33:05,960
Speaker 1: favorite artists and we think, yo, that's the streets. At

1752
01:33:06,360 --> 01:33:11,400
Speaker 1: lot I seen Rick Ross. Uh I was on Instagram

1753
01:33:11,479 --> 01:33:15,040
Speaker 1: and Rick Ross was they was he was interviewing. It

1754
01:33:15,120 --> 01:33:17,840
Speaker 1: might have been Breakfast Club and they asked Rick Ross

1755
01:33:17,840 --> 01:33:21,280
Speaker 1: about the Drake Kanye thing. Said, menim dudes got too

1756
01:33:21,360 --> 01:33:27,400
Speaker 1: much money. I think I want to see I wouldn't

1757
01:33:27,400 --> 01:33:31,400
Speaker 1: see them doing so together ross thing. They got too

1758
01:33:31,439 --> 01:33:34,600
Speaker 1: much money. They having fun with it, right. But you know,

1759
01:33:34,680 --> 01:33:37,720
Speaker 1: to the fans, you know, they eating that ship up.

1760
01:33:37,760 --> 01:33:40,280
Speaker 1: You know, they think Drake gonna come from some gangsters

1761
01:33:40,280 --> 01:33:44,360
Speaker 1: from the six and Kanye gonna come from some gds

1762
01:33:44,640 --> 01:33:49,200
Speaker 1: some ship from Chicago. But that's not gonna happen. These dudes.

1763
01:33:49,760 --> 01:33:55,600
Speaker 1: These dudes can't control. They always know when gonna be

1764
01:33:56,120 --> 01:34:00,120
Speaker 1: in the building where they are. Their situation says they

1765
01:34:00,160 --> 01:34:02,400
Speaker 1: can be in the bill that's gonna be the section,

1766
01:34:02,520 --> 01:34:04,080
Speaker 1: that's gonna be their section, you know what I mean.

1767
01:34:04,120 --> 01:34:07,840
Speaker 1: So you know, I hate to say it, but the

1768
01:34:07,880 --> 01:34:15,600
Speaker 1: world we live in social media, they crave negativity. You

1769
01:34:15,720 --> 01:34:21,040
Speaker 1: put up something, you're doing something positive, whatever. I feel like,

1770
01:34:21,680 --> 01:34:26,519
Speaker 1: what's the brother Trade of Truth should get millions of

1771
01:34:26,840 --> 01:34:28,800
Speaker 1: likes and views? Of course, man, he's one of the

1772
01:34:28,840 --> 01:34:36,360
Speaker 1: rarest community relief game some relief games rogers, right, you see,

1773
01:34:36,400 --> 01:34:38,960
Speaker 1: he get his He get it as little perks because

1774
01:34:39,000 --> 01:34:41,880
Speaker 1: a lot of people with blue checks might be on it, right,

1775
01:34:41,960 --> 01:34:46,639
Speaker 1: But I think Trade of Truth does deserves the millions

1776
01:34:46,680 --> 01:34:49,000
Speaker 1: of you. I feel like Trader Truth should have forty

1777
01:34:49,040 --> 01:34:53,439
Speaker 1: million followers, right, But then you go over here to

1778
01:34:53,520 --> 01:34:58,600
Speaker 1: the other dude, right, that got less followers. But he

1779
01:34:58,680 --> 01:35:02,880
Speaker 1: may promote a fight, say yo, fuck this, fuck that,

1780
01:35:03,479 --> 01:35:05,680
Speaker 1: of this, this and that, and that's where all the

1781
01:35:05,720 --> 01:35:08,080
Speaker 1: traffic goes. Unfortunately, that's the world we live. That's what

1782
01:35:08,120 --> 01:35:10,400
Speaker 1: it is. And I understand that. I understand that to

1783
01:35:10,479 --> 01:35:13,240
Speaker 1: be entertainment. See a lot of these people take this

1784
01:35:13,280 --> 01:35:15,439
Speaker 1: ship to sais and too real. It's like the news.

1785
01:35:15,479 --> 01:35:17,439
Speaker 1: If you think about the news, the ratings for the

1786
01:35:17,479 --> 01:35:20,360
Speaker 1: news were the highest when Trump was in office, straight up,

1787
01:35:20,640 --> 01:35:25,160
Speaker 1: because they want the controversy. This dude, the controversy. He's

1788
01:35:25,160 --> 01:35:26,880
Speaker 1: gonna say some crazy He's gonna say some wild shit

1789
01:35:26,960 --> 01:35:33,599
Speaker 1: every day New CNN, Twitter, Instagram, and then and and

1790
01:35:33,600 --> 01:35:36,080
Speaker 1: and whether you're on the left or the right or

1791
01:35:36,080 --> 01:35:38,240
Speaker 1: in the middle, there's a channel for you to go

1792
01:35:38,320 --> 01:35:41,439
Speaker 1: and there it goes reaffirm what you feel. And a

1793
01:35:41,479 --> 01:35:44,400
Speaker 1: lot of this look, a lot of this ship be entertainment.

1794
01:35:44,800 --> 01:35:46,120
Speaker 1: You know what I'm saying. A lot of it is

1795
01:35:46,240 --> 01:35:49,040
Speaker 1: entertainment because we know we have to entertain you know

1796
01:35:49,080 --> 01:35:51,200
Speaker 1: what I mean? We know what what what what they

1797
01:35:51,240 --> 01:35:52,960
Speaker 1: want to see what they don't want. Do you look

1798
01:35:52,960 --> 01:35:54,960
Speaker 1: at yourself as an entertainer? Nou kind of because you're

1799
01:35:55,080 --> 01:35:57,400
Speaker 1: you're kind of a social media you know, people think

1800
01:35:57,520 --> 01:36:01,960
Speaker 1: I think my I think my entertainment kicks in because

1801
01:36:02,000 --> 01:36:07,360
Speaker 1: the things I say in address it's borderline with the

1802
01:36:07,439 --> 01:36:11,559
Speaker 1: negativity and that might lead to violence. So it's something

1803
01:36:11,600 --> 01:36:14,479
Speaker 1: for him to talk about, because I think that you

1804
01:36:14,520 --> 01:36:17,560
Speaker 1: are looked at, like for people who don't even know

1805
01:36:17,600 --> 01:36:19,439
Speaker 1: who the fuck you are as far as what you

1806
01:36:19,560 --> 01:36:23,120
Speaker 1: do in the industry. People just fough like there's people

1807
01:36:23,320 --> 01:36:25,840
Speaker 1: who are following you just because they saw some wild

1808
01:36:25,840 --> 01:36:28,360
Speaker 1: shit you might have seen exactly. They don't maybe respect

1809
01:36:28,360 --> 01:36:30,560
Speaker 1: to understand. They see a fight. I didn't want to

1810
01:36:30,600 --> 01:36:32,160
Speaker 1: have a fucking fight. I'm telling them the world. I

1811
01:36:32,200 --> 01:36:34,000
Speaker 1: didn't want to have to fight. I didn't go to

1812
01:36:34,040 --> 01:36:36,360
Speaker 1: the burger stand that day to have to fight. It's

1813
01:36:36,400 --> 01:36:38,760
Speaker 1: a fight that just happened. I didn't record the fight.

1814
01:36:38,800 --> 01:36:41,920
Speaker 1: It's just somebody out here with a goddamn camera, right,

1815
01:36:42,040 --> 01:36:46,920
Speaker 1: recording something and then win. Right, But that thing got

1816
01:36:46,920 --> 01:36:49,880
Speaker 1: one hundred two hundred thousand, and it's not even the

1817
01:36:49,920 --> 01:36:53,559
Speaker 1: first time you've knocked someone out on camera shot. I mean,

1818
01:36:53,600 --> 01:36:56,320
Speaker 1: I didn't had a minion fight right right, right, because

1819
01:36:56,320 --> 01:36:58,679
Speaker 1: they saw it, then that's just what that is, right.

1820
01:36:59,120 --> 01:37:01,880
Speaker 1: But that's what what the people won't that's what they crap.

1821
01:37:02,160 --> 01:37:05,840
Speaker 1: I don't. I was sitting watching chick film with my

1822
01:37:05,960 --> 01:37:10,080
Speaker 1: wife because that's my wife. Man put on some shit

1823
01:37:10,160 --> 01:37:12,920
Speaker 1: with them dudes jumping out the helicopter. This shit just

1824
01:37:12,960 --> 01:37:16,000
Speaker 1: got bombed. The drones came in. That's what I want

1825
01:37:16,040 --> 01:37:18,240
Speaker 1: to see, right, That's what excites me. And I think

1826
01:37:18,280 --> 01:37:20,439
Speaker 1: that just what excites people. You know. That's why when

1827
01:37:20,479 --> 01:37:23,479
Speaker 1: you see a lot of these rappers, when they become

1828
01:37:23,520 --> 01:37:27,280
Speaker 1: other things and they start shining away from it, you

1829
01:37:27,320 --> 01:37:29,559
Speaker 1: don't hear jay z name unless he didn't drop the

1830
01:37:29,680 --> 01:37:32,280
Speaker 1: verse a crazy verse, or he didn't brought another company

1831
01:37:32,400 --> 01:37:35,519
Speaker 1: or got another billion dollar check. Straight up, you don't

1832
01:37:35,520 --> 01:37:38,960
Speaker 1: hear it nowhere? What is uh? What is you? In

1833
01:37:39,000 --> 01:37:42,200
Speaker 1: your opinion, the biggest misconception about the music industry. I

1834
01:37:42,240 --> 01:37:44,719
Speaker 1: think the misconception of music industry is that the music

1835
01:37:44,760 --> 01:37:47,360
Speaker 1: industry is actually the streets and they don't understand that

1836
01:37:47,400 --> 01:37:49,640
Speaker 1: everybody from the streets is in the music industries and

1837
01:37:49,680 --> 01:37:54,000
Speaker 1: get away from the streets. So if it's a figment

1838
01:37:54,000 --> 01:37:56,920
Speaker 1: of your imagination of what you think it is, you

1839
01:37:56,920 --> 01:37:59,720
Speaker 1: know what I'm saying on some real shit, and I

1840
01:37:59,720 --> 01:38:02,200
Speaker 1: think that's what it is. Don't get it wrong. We

1841
01:38:02,600 --> 01:38:05,439
Speaker 1: still got We still got some of these youngsters. I

1842
01:38:05,560 --> 01:38:10,439
Speaker 1: seen twenty one Savage on there with Gilly and Wallow Right.

1843
01:38:12,479 --> 01:38:14,920
Speaker 1: That's probably my favorite podcast. By the way, Gilly, I'm

1844
01:38:14,960 --> 01:38:17,120
Speaker 1: coming for your ass. I heard what you said. Gilly.

1845
01:38:17,120 --> 01:38:20,360
Speaker 1: We're gonna address that, like, stop ducking me. Set the

1846
01:38:20,560 --> 01:38:25,479
Speaker 1: date right. So Savage was like in y'all era, I

1847
01:38:25,520 --> 01:38:28,640
Speaker 1: think a lot of the rappers was bitch ass niggas

1848
01:38:29,120 --> 01:38:31,559
Speaker 1: right they did our era. A lot of these young

1849
01:38:31,640 --> 01:38:34,479
Speaker 1: rappers really come from that, right. I think Gilly kind

1850
01:38:34,479 --> 01:38:36,920
Speaker 1: of correctly was like, well, the rapper wanted to be

1851
01:38:37,000 --> 01:38:39,840
Speaker 1: the street nigga. Now the street nigga wants to be

1852
01:38:39,920 --> 01:38:44,760
Speaker 1: the rapper. Yeah. Back when we were, you know, the

1853
01:38:44,760 --> 01:38:47,000
Speaker 1: little young rappers pull up. We out there with our money,

1854
01:38:47,000 --> 01:38:49,600
Speaker 1: our juria cars grow, They're like, yo, I want to

1855
01:38:49,640 --> 01:38:52,400
Speaker 1: be like big such and such. Right. Also back then,

1856
01:38:52,560 --> 01:38:56,800
Speaker 1: let's transparency, right, So back then it was easier to

1857
01:38:56,840 --> 01:38:59,120
Speaker 1: be a gangster even if you weren't, because there wasn't

1858
01:38:59,160 --> 01:39:01,800
Speaker 1: social media to to pull your car exactly. You really

1859
01:39:01,840 --> 01:39:04,680
Speaker 1: had to be that because people heard about it from

1860
01:39:04,720 --> 01:39:07,800
Speaker 1: shit that really happened. Now you can go do a

1861
01:39:07,880 --> 01:39:11,040
Speaker 1: couple of videos pull up by a certain spots where

1862
01:39:11,080 --> 01:39:13,479
Speaker 1: the right thing being around, the right people off the

1863
01:39:13,560 --> 01:39:20,920
Speaker 1: right gangster. We're seeing it happen with six nine. Yeah,

1864
01:39:21,280 --> 01:39:23,479
Speaker 1: you know what I'm saying. Like I was, it was

1865
01:39:23,520 --> 01:39:27,000
Speaker 1: crazy shout out to uncle murder. I was listening, you know,

1866
01:39:27,000 --> 01:39:28,800
Speaker 1: I always go to this page every day, listen to

1867
01:39:28,800 --> 01:39:31,200
Speaker 1: the wrap up things like that. They had a song

1868
01:39:31,240 --> 01:39:36,080
Speaker 1: with him six nine, uh fifty and young man was

1869
01:39:36,080 --> 01:39:39,920
Speaker 1: talking about earlier. The one was locked up Cassanova right,

1870
01:39:41,200 --> 01:39:44,880
Speaker 1: six nine going crazy, he blood and the everything's for

1871
01:39:45,479 --> 01:39:50,280
Speaker 1: you know, all the bullshit went down, right, But you

1872
01:39:50,360 --> 01:39:54,760
Speaker 1: see six now a fucking castanoa fucking uncle murder, Uncle

1873
01:39:54,840 --> 01:39:57,599
Speaker 1: murder won the realist nigga come out of Brooklyn facts

1874
01:39:58,240 --> 01:40:07,520
Speaker 1: right fifty Okay, shit, what you think that did to that?

1875
01:40:07,520 --> 01:40:12,960
Speaker 1: That kid's head right right right? And now he starts

1876
01:40:13,000 --> 01:40:16,880
Speaker 1: to live this shit mentally. Now his little fans is

1877
01:40:16,920 --> 01:40:21,000
Speaker 1: not these other dudes fans. Oh yeah, he gangster. He

1878
01:40:21,200 --> 01:40:23,599
Speaker 1: was with such and such. That was a control video.

1879
01:40:24,479 --> 01:40:26,280
Speaker 1: It was a reason why they did that video. It's

1880
01:40:26,400 --> 01:40:30,080
Speaker 1: different demographics for murdering fifty in casting over. You know

1881
01:40:30,120 --> 01:40:33,320
Speaker 1: what I'm saying, And if you look on that shit

1882
01:40:33,400 --> 01:40:38,000
Speaker 1: got about thirty five forty million the streams versus other songs.

1883
01:40:38,000 --> 01:40:41,479
Speaker 1: They don't. That's the business of it, you know what

1884
01:40:41,560 --> 01:40:43,640
Speaker 1: I'm saying. And this is out of time. Why I

1885
01:40:43,640 --> 01:40:46,080
Speaker 1: had a dislike for six nine when that video happened,

1886
01:40:46,280 --> 01:40:50,240
Speaker 1: well years that murdered my man. Yeah, game, game back

1887
01:40:50,320 --> 01:40:52,760
Speaker 1: here for murder, my man, murder ta you never got

1888
01:40:52,800 --> 01:40:54,800
Speaker 1: a call from me talking about why the fuck you

1889
01:40:54,920 --> 01:40:58,280
Speaker 1: doing this video? Because I understand that's some business going

1890
01:40:58,280 --> 01:41:01,600
Speaker 1: on on the fiftieth floor. Understood the business part of it.

1891
01:41:01,640 --> 01:41:03,920
Speaker 1: I knew once that was done and over with, murder

1892
01:41:03,960 --> 01:41:05,720
Speaker 1: was going back to what he's going back to. Dude,

1893
01:41:05,800 --> 01:41:07,280
Speaker 1: was going back to where he was going back to

1894
01:41:07,920 --> 01:41:11,000
Speaker 1: what was the games? Thoughts on you doing the six ninety.

1895
01:41:11,960 --> 01:41:15,920
Speaker 1: He hadn't said nothing to me, which means I haven't.

1896
01:41:16,240 --> 01:41:18,000
Speaker 1: If I get to a point where he think I

1897
01:41:18,040 --> 01:41:20,439
Speaker 1: went too far, he'll tell you. He gonna come knock

1898
01:41:20,439 --> 01:41:24,519
Speaker 1: on my door. That's happened before. Oh yeah, definitely, yeah, Yeah,

1899
01:41:24,520 --> 01:41:27,280
Speaker 1: he don't give a fuck. He gonna look, he gonna

1900
01:41:27,280 --> 01:41:33,640
Speaker 1: I'm open the door, and he gonna woo woo, woo whoo.

1901
01:41:34,400 --> 01:41:35,880
Speaker 1: I love you, and he's gonna walk away, get his

1902
01:41:35,880 --> 01:41:38,240
Speaker 1: car and go home. He don't buy his tongue with

1903
01:41:38,320 --> 01:41:41,120
Speaker 1: me one big what was it? And uh, maybe an

1904
01:41:41,160 --> 01:41:43,160
Speaker 1: example you could share where that happened, where game was

1905
01:41:43,200 --> 01:41:44,840
Speaker 1: like kind of kind of give you an ear full

1906
01:41:44,880 --> 01:41:46,360
Speaker 1: of some of some of the ship. You might have said,

1907
01:41:49,560 --> 01:41:52,160
Speaker 1: what the fuck was I was doing something on social media?

1908
01:41:53,040 --> 01:41:55,599
Speaker 1: Oh Nipsey, I was gonna say, was it? Had there

1909
01:41:55,640 --> 01:41:59,000
Speaker 1: been the Nipsey thing? You think? Right? It was Nipsey,

1910
01:41:59,080 --> 01:42:04,960
Speaker 1: But he understood what I was saying. To be clear,

1911
01:42:05,000 --> 01:42:07,439
Speaker 1: what you said was Nipsey's not a legends, not a

1912
01:42:07,560 --> 01:42:10,759
Speaker 1: legend in music. In music, yeah, not in the streets.

1913
01:42:10,760 --> 01:42:14,080
Speaker 1: You know the streets he from were dictating and determine that.

1914
01:42:14,280 --> 01:42:17,200
Speaker 1: You know what I'm saying by the way that I

1915
01:42:17,240 --> 01:42:18,360
Speaker 1: think you were in the club and you had the

1916
01:42:18,400 --> 01:42:21,080
Speaker 1: DJ players music. I remember I was in Chicago. Yeah,

1917
01:42:21,080 --> 01:42:22,880
Speaker 1: I remember that he plays me up some West coast

1918
01:42:22,880 --> 01:42:25,599
Speaker 1: ship like you know, you know I did that. I

1919
01:42:25,640 --> 01:42:28,120
Speaker 1: stopped the whole club. We was in Chicago, and me

1920
01:42:28,160 --> 01:42:30,559
Speaker 1: and Blue Face and did that. And just so you know,

1921
01:42:30,640 --> 01:42:33,840
Speaker 1: Blueface neighborhood and the neighborhood don't get along. You know,

1922
01:42:34,080 --> 01:42:36,200
Speaker 1: that could have caused a riff that I'm in the

1923
01:42:36,240 --> 01:42:38,680
Speaker 1: middle of a blue Face club hosting. I stopped the

1924
01:42:38,720 --> 01:42:42,160
Speaker 1: whole club and you know, just you know, a moment

1925
01:42:42,160 --> 01:42:44,680
Speaker 1: of silence for Nip and let's play his music. And

1926
01:42:44,680 --> 01:42:46,960
Speaker 1: then we went on by our night. But it got

1927
01:42:47,000 --> 01:42:52,280
Speaker 1: to a point to where Game definitely pulled up on me.

1928
01:42:54,240 --> 01:42:56,679
Speaker 1: What are you saying? He said, Bro, I understand everything

1929
01:42:56,720 --> 01:42:59,160
Speaker 1: you said, You got your point across. Can you please

1930
01:42:59,560 --> 01:43:04,920
Speaker 1: just not saying no more? I tell you and I'm

1931
01:43:05,000 --> 01:43:08,160
Speaker 1: going on, And he wrote out, you know what I'm saying.

1932
01:43:08,240 --> 01:43:12,759
Speaker 1: So when that happened, I remember me and Head talking like, damns,

1933
01:43:12,840 --> 01:43:16,360
Speaker 1: there's some shit like we love you act right, but

1934
01:43:16,400 --> 01:43:18,479
Speaker 1: I'm like, there's just some shit like you could have

1935
01:43:18,560 --> 01:43:21,760
Speaker 1: kept to yourself. And I think you know and you right,

1936
01:43:22,000 --> 01:43:25,800
Speaker 1: But I think in my life, in my world, it's

1937
01:43:25,920 --> 01:43:29,639
Speaker 1: fake as all this shit is. I like to keep

1938
01:43:29,640 --> 01:43:32,400
Speaker 1: it as real as I can. Like, even if you

1939
01:43:32,439 --> 01:43:34,559
Speaker 1: feel that way, right, and I'm not saying I share

1940
01:43:34,560 --> 01:43:37,000
Speaker 1: your opinion about then shit, but even if you feel

1941
01:43:37,000 --> 01:43:39,479
Speaker 1: that way, and not to say, you know, the way

1942
01:43:39,479 --> 01:43:41,920
Speaker 1: you laid out your argument about look ice cube, snoop

1943
01:43:42,000 --> 01:43:45,800
Speaker 1: dre all these, Yeah, why even put it out there? Well,

1944
01:43:45,800 --> 01:43:49,120
Speaker 1: they asked me a question, and I think the problem

1945
01:43:49,160 --> 01:43:51,920
Speaker 1: with me is I don't know how to run fair enough.

1946
01:43:52,120 --> 01:43:55,400
Speaker 1: I'm gonna keep it real. I think if a person

1947
01:43:55,479 --> 01:43:59,040
Speaker 1: asked me a question and I have a logical answer

1948
01:44:00,160 --> 01:44:06,200
Speaker 1: and I say, well, what this answered them? People over

1949
01:44:06,200 --> 01:44:09,360
Speaker 1: there ain't gonna like I'm gonna say, well, why they're

1950
01:44:09,400 --> 01:44:12,840
Speaker 1: not gonna like it? Am I telling the lie? Am

1951
01:44:12,880 --> 01:44:16,599
Speaker 1: I am I disrespecting anybody? Or is it I shouldn't

1952
01:44:16,640 --> 01:44:19,960
Speaker 1: say it because of how they gonna they telling me.

1953
01:44:20,000 --> 01:44:23,080
Speaker 1: I just think, like anytime, there's no different than when

1954
01:44:23,120 --> 01:44:26,640
Speaker 1: I come into hold tanks back then in them days.

1955
01:44:27,080 --> 01:44:29,280
Speaker 1: Hey because they cause they cause, they cause, they cause,

1956
01:44:29,320 --> 01:44:32,200
Speaker 1: they cause they cause where you're from. Nine deep Nigga

1957
01:44:32,320 --> 01:44:37,520
Speaker 1: is par role some people that would have said nowhere,

1958
01:44:39,520 --> 01:44:43,880
Speaker 1: I couldn't run. Whatever came with that, It came with that,

1959
01:44:44,320 --> 01:44:47,360
Speaker 1: And I think that's really what my problem is. And

1960
01:44:47,479 --> 01:44:49,800
Speaker 1: I know how to fix the problem. I'm fixing the

1961
01:44:49,880 --> 01:44:53,960
Speaker 1: problem as far as because because I always tell my

1962
01:44:53,560 --> 01:44:56,479
Speaker 1: h my son the problem we were talking about our

1963
01:44:56,520 --> 01:44:59,760
Speaker 1: wives earlier, right, and I always make I always tell

1964
01:44:59,760 --> 01:45:02,479
Speaker 1: my right, my son's fifteen, and I always say, hey, look,

1965
01:45:02,880 --> 01:45:05,880
Speaker 1: sometimes I just want out you gotta just bite your lip.

1966
01:45:06,160 --> 01:45:09,599
Speaker 1: And in my household, in my household, I call it

1967
01:45:09,640 --> 01:45:12,280
Speaker 1: making a business decision with my wife. I'm gonna let

1968
01:45:12,280 --> 01:45:14,519
Speaker 1: you have that w I'm gonna just I'm gonna make

1969
01:45:14,520 --> 01:45:16,920
Speaker 1: the business decision and not say nothing. Let you win.

1970
01:45:17,200 --> 01:45:20,040
Speaker 1: And you know, that's another thing that I gotta work on,

1971
01:45:20,080 --> 01:45:22,960
Speaker 1: because you know, I'd be like shit, you know, but

1972
01:45:23,000 --> 01:45:25,080
Speaker 1: women gotta do it to it us sometimes, you know,

1973
01:45:25,200 --> 01:45:27,680
Speaker 1: they can put up a greater argument, but depending on

1974
01:45:27,720 --> 01:45:30,639
Speaker 1: how we feeling about it and how we reacting to it,

1975
01:45:30,880 --> 01:45:34,080
Speaker 1: they should know like let that go. But I think

1976
01:45:35,240 --> 01:45:38,439
Speaker 1: my way of fixing that problem is Indie Life, which

1977
01:45:38,479 --> 01:45:41,000
Speaker 1: is that mobile app is by ready to launch to

1978
01:45:41,080 --> 01:45:44,200
Speaker 1: where that's me giving back to the music community, the

1979
01:45:44,280 --> 01:45:47,120
Speaker 1: underground community which I cater to from the unsign and

1980
01:45:47,200 --> 01:45:50,120
Speaker 1: artists right to where now I don't really have to

1981
01:45:50,120 --> 01:45:52,880
Speaker 1: be a visible face of it. I let y'all utilize that.

1982
01:45:53,120 --> 01:45:54,920
Speaker 1: And I'm gonna go on with the next chapter of

1983
01:45:54,960 --> 01:45:57,879
Speaker 1: my life to I got rid of all the jeans

1984
01:45:57,880 --> 01:46:00,000
Speaker 1: and the Georgians. I might keep a couple of joy

1985
01:46:00,120 --> 01:46:02,200
Speaker 1: is a word with a couple of suits, right, And

1986
01:46:02,280 --> 01:46:04,840
Speaker 1: I'm doing something different to where I'm not even in

1987
01:46:04,920 --> 01:46:08,080
Speaker 1: that conversation, you know what I'm saying like that, Like

1988
01:46:08,200 --> 01:46:11,240
Speaker 1: jay Z got a line on four four four. You know,

1989
01:46:11,479 --> 01:46:13,280
Speaker 1: I want to be on the floor where ain't no

1990
01:46:13,360 --> 01:46:17,360
Speaker 1: real niggas in the room. Really, that's what I'm That's

1991
01:46:17,520 --> 01:46:20,160
Speaker 1: that's what I'm targeted. That's a I think that should

1992
01:46:20,160 --> 01:46:23,559
Speaker 1: be everyone's aspirations, man, because if I'm there and you

1993
01:46:23,680 --> 01:46:26,080
Speaker 1: ask me, I'm gonna say something. So I gotta i

1994
01:46:26,120 --> 01:46:29,680
Speaker 1: gotta remove myself from being so accessible to being in

1995
01:46:29,680 --> 01:46:31,800
Speaker 1: front of that can. Did you resolve any sort because

1996
01:46:31,800 --> 01:46:34,160
Speaker 1: I know that there was like speculation that you had

1997
01:46:34,160 --> 01:46:37,439
Speaker 1: gotten into a scuffle. Was it rolling loud with Nipsey's

1998
01:46:37,439 --> 01:46:43,760
Speaker 1: camp you know, watch this? Yeah right, I'm in Lancaster, California.

1999
01:46:44,160 --> 01:46:46,200
Speaker 1: Got into a fight with some skin He is right,

2000
01:46:47,760 --> 01:46:52,679
Speaker 1: somebody had a camera. Let me ask you something, thinking

2001
01:46:52,800 --> 01:46:57,200
Speaker 1: wack had to fight a wack guy hit and hit

2002
01:46:57,240 --> 01:47:02,080
Speaker 1: the ground, or we was a lock up we had

2003
01:47:02,160 --> 01:47:08,639
Speaker 1: rolling loud, it wouldn't be no footage. I mean, obviously

2004
01:47:08,720 --> 01:47:10,960
Speaker 1: the fuck out of here. I'm not even trying to

2005
01:47:11,280 --> 01:47:13,439
Speaker 1: no this. I'm just saying, right, I'm not even trying

2006
01:47:13,479 --> 01:47:15,400
Speaker 1: to go down like whether that happened, this is just

2007
01:47:15,479 --> 01:47:19,240
Speaker 1: real shit, right right, But they hate me so much

2008
01:47:20,040 --> 01:47:22,680
Speaker 1: and they want to see me take a loss so

2009
01:47:23,200 --> 01:47:29,519
Speaker 1: bad that if a motherfucker say it, that's what happened. Right.

2010
01:47:29,760 --> 01:47:32,559
Speaker 1: But even with that, you gotta understand, it's a million

2011
01:47:32,600 --> 01:47:36,560
Speaker 1: different stories out there. All he disrespect Dipsey. Uh, he

2012
01:47:36,680 --> 01:47:40,240
Speaker 1: say he wasn't from here, or he say he wasn't

2013
01:47:40,280 --> 01:47:42,559
Speaker 1: alleged he wasn't who he was to where he's from.

2014
01:47:42,680 --> 01:47:44,360
Speaker 1: Like you know, people then took it and twisted their

2015
01:47:44,400 --> 01:47:47,519
Speaker 1: own way. You know. I challenge anybody to find any

2016
01:47:47,520 --> 01:47:53,240
Speaker 1: footage that says anything different from me addressing music, because

2017
01:47:53,240 --> 01:47:55,360
Speaker 1: that was really all you were addressing. That's it, and

2018
01:47:55,400 --> 01:47:57,800
Speaker 1: that's obviously it's your opinion. It's not my place to

2019
01:47:57,840 --> 01:48:00,000
Speaker 1: address where you're from. I'm not from where you're from.

2020
01:48:00,360 --> 01:48:02,800
Speaker 1: I haven't kept up with his stats over there. You

2021
01:48:02,840 --> 01:48:05,000
Speaker 1: know what I'm saying. We ain't. We ain't did business

2022
01:48:05,120 --> 01:48:06,760
Speaker 1: like that. We was acquainted, we talked to each other,

2023
01:48:06,840 --> 01:48:09,679
Speaker 1: we had each other's phone numbers. Uh, we did some business.

2024
01:48:09,880 --> 01:48:12,320
Speaker 1: I helped him with his in his early career. You

2025
01:48:12,320 --> 01:48:16,320
Speaker 1: know what I'm saying, Shit like lax tour case slay,

2026
01:48:16,320 --> 01:48:18,000
Speaker 1: I'm gonna want to put him on New York Radio.

2027
01:48:18,560 --> 01:48:20,000
Speaker 1: You know what I'm saying, You know, a bunch of

2028
01:48:20,000 --> 01:48:22,880
Speaker 1: shit like that that tour. It's crazy because that tour

2029
01:48:23,320 --> 01:48:28,120
Speaker 1: was the first time I ever met nip was that

2030
01:48:28,280 --> 01:48:30,599
Speaker 1: tour he was in I was on Rady on Boise.

2031
01:48:31,800 --> 01:48:33,519
Speaker 1: A lot of people like to take credit for that.

2032
01:48:33,680 --> 01:48:35,439
Speaker 1: You know what I'm saying, I'm not gonna take the

2033
01:48:35,479 --> 01:48:38,160
Speaker 1: credit for that. A lot of people like to get

2034
01:48:38,160 --> 01:48:40,080
Speaker 1: Big U the credit for that, But ultimately, I'm gonna

2035
01:48:40,080 --> 01:48:43,559
Speaker 1: be real. As cocky as Nipsey was, he had to

2036
01:48:43,600 --> 01:48:46,679
Speaker 1: want to be over there with Game, and as cocky

2037
01:48:46,720 --> 01:48:49,200
Speaker 1: and the strict as Game is with who's out with

2038
01:48:49,400 --> 01:48:52,320
Speaker 1: him on tour, he had to want that to happen.

2039
01:48:52,439 --> 01:48:56,439
Speaker 1: So you know that's that was a relationship, you know

2040
01:48:56,479 --> 01:48:58,599
Speaker 1: what I'm saying. That's why I know Game is real

2041
01:48:58,720 --> 01:49:01,640
Speaker 1: genuine about that. Game did some shit. He did some

2042
01:49:01,640 --> 01:49:04,280
Speaker 1: shit the homies do on't like. He took a Lamborghini

2043
01:49:04,400 --> 01:49:10,320
Speaker 1: rapping in blue, put fucking Nipsy down one side and

2044
01:49:10,400 --> 01:49:13,680
Speaker 1: violated everything pol roofs Dawn and put Crenshaw down the

2045
01:49:13,720 --> 01:49:16,960
Speaker 1: other side. You know what I'm saying, ain't no power

2046
01:49:17,000 --> 01:49:20,599
Speaker 1: rules on Crenshaw. You know what I'm saying, but that's

2047
01:49:20,680 --> 01:49:23,880
Speaker 1: the way he was feeling about his homeboy's partner. I

2048
01:49:23,920 --> 01:49:27,559
Speaker 1: got a million calls about it. Man, he ain't supposed

2049
01:49:27,560 --> 01:49:30,519
Speaker 1: to a listen, bro. See that's the difference between street

2050
01:49:30,560 --> 01:49:35,080
Speaker 1: shit and the industry shit. Industry shit, some brotherhood shit. Also,

2051
01:49:35,200 --> 01:49:36,760
Speaker 1: like you know what I'm saying, I ain't gonna call

2052
01:49:36,840 --> 01:49:39,720
Speaker 1: game Mayo game. Listen, man, take that off your car. Well,

2053
01:49:39,720 --> 01:49:42,559
Speaker 1: also like a game is also another example of someone

2054
01:49:42,600 --> 01:49:45,240
Speaker 1: who's evolved as a human and as a as a businessman,

2055
01:49:45,360 --> 01:49:49,920
Speaker 1: as a what he represents something that that has to

2056
01:49:49,960 --> 01:49:54,200
Speaker 1: be that and that's really not who he represents himself

2057
01:49:54,240 --> 01:49:56,280
Speaker 1: to be. That's where he's from, that's where he came

2058
01:49:56,320 --> 01:49:58,840
Speaker 1: from and all that. But I think people, it's a

2059
01:49:58,880 --> 01:50:02,280
Speaker 1: lot of people, bro. They stuck on the second chapter,

2060
01:50:02,320 --> 01:50:04,680
Speaker 1: and they book of life. Some of us is on

2061
01:50:04,720 --> 01:50:07,800
Speaker 1: our tenth book, ninth chapter. So they stuck on the

2062
01:50:07,800 --> 01:50:10,320
Speaker 1: second chapter. This what is supposed to be blood or

2063
01:50:10,320 --> 01:50:13,080
Speaker 1: this what is supposed to be cut? They ain't. They

2064
01:50:13,120 --> 01:50:15,679
Speaker 1: ain't evolving to writing these chapters and closing that book

2065
01:50:15,720 --> 01:50:17,800
Speaker 1: out and going to the next book and evolving to

2066
01:50:17,840 --> 01:50:19,400
Speaker 1: who they gonna be as a man, as a father,

2067
01:50:19,400 --> 01:50:21,879
Speaker 1: as a businessman, as a home boy, as a comrade.

2068
01:50:21,880 --> 01:50:23,639
Speaker 1: You know what I mean. They haven't they they haven't

2069
01:50:23,680 --> 01:50:26,040
Speaker 1: done that. So when we down here on our tenth book,

2070
01:50:26,120 --> 01:50:28,400
Speaker 1: ninth chapter, they still see it the way they seen

2071
01:50:28,479 --> 01:50:31,240
Speaker 1: on their first book, second chapter. Got a forty year

2072
01:50:31,240 --> 01:50:33,720
Speaker 1: old fifteen year old. That's a real shit, bigger of

2073
01:50:33,720 --> 01:50:36,240
Speaker 1: a nigga fifty five by default when you combine it too.

2074
01:50:36,560 --> 01:50:38,160
Speaker 1: But then if you average it out, there's a whole

2075
01:50:38,200 --> 01:50:41,040
Speaker 1: nother you know what I'm saying. So it's different and

2076
01:50:41,160 --> 01:50:43,639
Speaker 1: we see it different, and you can't argue with them people,

2077
01:50:43,840 --> 01:50:47,599
Speaker 1: because I understand how you seeing it. I totally understand

2078
01:50:47,600 --> 01:50:49,439
Speaker 1: how you seeing it because at one point in time,

2079
01:50:49,479 --> 01:50:52,080
Speaker 1: when I was in my first book, second chapter, many

2080
01:50:52,160 --> 01:50:54,840
Speaker 1: many moons ago, I seen it that way too. But

2081
01:50:54,920 --> 01:50:57,240
Speaker 1: I also see it because I'm on my tenth book,

2082
01:50:57,320 --> 01:51:01,519
Speaker 1: ninth chapter that you still down there. That's some real shit, man.

2083
01:51:02,000 --> 01:51:05,200
Speaker 1: That's something that's a that's a bar uh talk about game.

2084
01:51:05,240 --> 01:51:07,000
Speaker 1: I just went over to his crib like last month.

2085
01:51:07,000 --> 01:51:09,559
Speaker 1: He played me. I know he's got this like playlist

2086
01:51:09,560 --> 01:51:11,519
Speaker 1: that he's gonna put out, but he's also got this album.

2087
01:51:11,840 --> 01:51:14,200
Speaker 1: That album come. I don't know if this album is crazy.

2088
01:51:14,439 --> 01:51:17,880
Speaker 1: I heard some crazy we're going NFT and I got

2089
01:51:17,920 --> 01:51:19,320
Speaker 1: to see which way he want to go with it.

2090
01:51:19,360 --> 01:51:21,240
Speaker 1: You know, with me and Game do our minus. We

2091
01:51:21,280 --> 01:51:24,200
Speaker 1: sit down and we bounce ideas around. He listened to me,

2092
01:51:24,280 --> 01:51:26,559
Speaker 1: I'll listen to him. We sleep on it, and then

2093
01:51:26,600 --> 01:51:29,000
Speaker 1: we text and then from there that's just what it's

2094
01:51:29,040 --> 01:51:31,240
Speaker 1: gonna be. And then I take the business and whatever

2095
01:51:31,280 --> 01:51:33,240
Speaker 1: we come up with, and then that's just what it is.

2096
01:51:33,720 --> 01:51:35,599
Speaker 1: You know what's crazy is like I was even talking

2097
01:51:35,640 --> 01:51:40,120
Speaker 1: to him just about like how somehow he's become underappreciated

2098
01:51:40,320 --> 01:51:42,840
Speaker 1: in the last like ten, Game is the most under man.

2099
01:51:42,880 --> 01:51:48,120
Speaker 1: I'll be seeing so many Top ten, Top five, Top this,

2100
01:51:48,479 --> 01:51:52,160
Speaker 1: and top that. Like, Bro, it's very few artists right

2101
01:51:52,200 --> 01:51:54,280
Speaker 1: now that can go on that studio. And I'll wrap

2102
01:51:54,360 --> 01:51:57,960
Speaker 1: that man with substance. You know what I'm saying. That

2103
01:51:58,000 --> 01:52:01,120
Speaker 1: man still records. When you hear him record, it ain't

2104
01:52:01,120 --> 01:52:05,080
Speaker 1: a fucking solid and his disco is untouchable. It's crazy,

2105
01:52:05,160 --> 01:52:06,680
Speaker 1: you know what I mean. Game is still going and

2106
01:52:06,720 --> 01:52:10,160
Speaker 1: do foss six songs, Bro, night, no problem. I think

2107
01:52:10,200 --> 01:52:13,839
Speaker 1: you are the man that records three hundred songs album.

2108
01:52:14,200 --> 01:52:17,240
Speaker 1: I think Game is kind of like uh an example

2109
01:52:17,280 --> 01:52:21,000
Speaker 1: of someone who just doesn't play the industry bullshit in it,

2110
01:52:21,160 --> 01:52:24,720
Speaker 1: like like you know, like there's you go to a

2111
01:52:24,720 --> 01:52:27,160
Speaker 1: fucking industry event and you'll go to five in a

2112
01:52:27,200 --> 01:52:30,320
Speaker 1: month and you'll see the same Like he don't play that.

2113
01:52:30,439 --> 01:52:33,559
Speaker 1: You don't care about the award awards. He ain't doing

2114
01:52:33,560 --> 01:52:36,720
Speaker 1: none of that ship because he know he understands the end.

2115
01:52:36,880 --> 01:52:39,840
Speaker 1: Like bro, that's a bunch of fake shit. Yeah yeah, yeah, yeah, yeah,

2116
01:52:39,920 --> 01:52:43,519
Speaker 1: yeah yeah yeah. Man, fuck that nigga, and you know, man,

2117
01:52:43,560 --> 01:52:45,200
Speaker 1: let's get something to do some work and then you

2118
01:52:45,240 --> 01:52:47,479
Speaker 1: try to hit him then answer or the manager is calling,

2119
01:52:47,880 --> 01:52:51,080
Speaker 1: you know, with some bullshit. So he just like he

2120
01:52:51,160 --> 01:52:53,160
Speaker 1: deal with who he deal with, and like this is

2121
01:52:53,160 --> 01:52:55,000
Speaker 1: what I was telling him. I'm like, dude, like when

2122
01:52:55,000 --> 01:52:58,360
Speaker 1: it comes to people who make actual albums, and if

2123
01:52:58,360 --> 01:53:01,719
Speaker 1: we're look in a discography against discography, he's like top

2124
01:53:01,760 --> 01:53:05,759
Speaker 1: five all time, all day. Game don't put out whack albums.

2125
01:53:06,000 --> 01:53:08,160
Speaker 1: Well no, it's not gonna you could go through the

2126
01:53:08,200 --> 01:53:10,280
Speaker 1: greatest of all time, and they got some black eyes

2127
01:53:10,320 --> 01:53:13,760
Speaker 1: on their discography, right, But like Game, when it's a

2128
01:53:13,800 --> 01:53:18,479
Speaker 1: game album, it's always front to back. You press player.

2129
01:53:18,560 --> 01:53:21,479
Speaker 1: Let that bitch ride, and I think really my main

2130
01:53:22,920 --> 01:53:26,240
Speaker 1: goal is over the next twelve months is to help

2131
01:53:26,320 --> 01:53:31,280
Speaker 1: the underground artists and definitely I need to uh my

2132
01:53:31,400 --> 01:53:34,160
Speaker 1: West Coast artists out here. You know, it's a lot

2133
01:53:34,160 --> 01:53:37,240
Speaker 1: of politics and a lot of shit that goes on

2134
01:53:37,360 --> 01:53:40,120
Speaker 1: and they don't have to reach to so I want

2135
01:53:40,120 --> 01:53:42,879
Speaker 1: to position them so they can win. You know, our voices.

2136
01:53:43,120 --> 01:53:45,439
Speaker 1: You know, the South been in control. Yeah you know

2137
01:53:45,479 --> 01:53:47,080
Speaker 1: what I'm saying, And they strong down there, and they

2138
01:53:47,200 --> 01:53:50,479
Speaker 1: gonna continue to be thriving and still be strong. But

2139
01:53:50,560 --> 01:53:53,160
Speaker 1: you know, I think that the West could be just

2140
01:53:53,200 --> 01:53:55,639
Speaker 1: as strong and just ass thrive. And it's nothing wrong

2141
01:53:55,720 --> 01:53:58,439
Speaker 1: with you know what I mean every region we go to,

2142
01:53:59,040 --> 01:54:01,920
Speaker 1: it's that dominant strength going on. But it's only gonna

2143
01:54:01,920 --> 01:54:04,240
Speaker 1: happen if we help these youngsters. You know a lot

2144
01:54:04,280 --> 01:54:06,920
Speaker 1: of people out here, in my position as a CEO,

2145
01:54:07,200 --> 01:54:10,040
Speaker 1: that that playing CEO, that got artist up on them,

2146
01:54:10,240 --> 01:54:13,040
Speaker 1: that got movements, they just don't know. So it's kind

2147
01:54:13,040 --> 01:54:15,559
Speaker 1: of on me to help get them there. I got

2148
01:54:15,600 --> 01:54:18,920
Speaker 1: an obligation to take Blue Face and get him, help

2149
01:54:19,000 --> 01:54:22,160
Speaker 1: get him to that next level of me and a superstar.

2150
01:54:22,439 --> 01:54:25,400
Speaker 1: You know, my up and coming artist True Car and

2151
01:54:25,520 --> 01:54:29,960
Speaker 1: Conyote and you know what I mean, And you know,

2152
01:54:30,040 --> 01:54:33,480
Speaker 1: to help them Flash Gotti become that. They got to

2153
01:54:33,560 --> 01:54:36,880
Speaker 1: moving down there in Compton called Rose Krantz. We got

2154
01:54:37,120 --> 01:54:41,680
Speaker 1: Mari Ruger. We got Adobe from westside Parlo. Adobe is

2155
01:54:42,240 --> 01:54:44,520
Speaker 1: really standing in there on the business side. You got

2156
01:54:44,520 --> 01:54:49,040
Speaker 1: Mari Ruger. You got a tone, you know, a tone tone.

2157
01:54:49,920 --> 01:54:52,160
Speaker 1: Then they got another kid. He from I think he

2158
01:54:52,240 --> 01:54:54,560
Speaker 1: might be from forgive me for this. He might be

2159
01:54:54,600 --> 01:54:57,920
Speaker 1: from Saint Louis or some world toward woo. He might

2160
01:54:57,920 --> 01:54:59,920
Speaker 1: have seen him. He was getting it to Soldier Boy.

2161
01:55:00,200 --> 01:55:02,440
Speaker 1: He didn't one said the film Soldier Boy. That's some

2162
01:55:02,480 --> 01:55:04,520
Speaker 1: crazy shit right there. So you got that going on

2163
01:55:04,600 --> 01:55:07,400
Speaker 1: over there. But these are movements that they stay in

2164
01:55:07,440 --> 01:55:12,400
Speaker 1: that pocket because the resources of them having access to

2165
01:55:13,520 --> 01:55:15,680
Speaker 1: these blogs and knowing how to do this and knowing

2166
01:55:15,680 --> 01:55:17,360
Speaker 1: how to do that, you know what I mean. They

2167
01:55:17,400 --> 01:55:20,200
Speaker 1: don't know, but they but it's there. The talent, the

2168
01:55:20,200 --> 01:55:22,560
Speaker 1: skill is there. If I put something in front of

2169
01:55:22,600 --> 01:55:24,760
Speaker 1: you and you interview this person or you listen to

2170
01:55:24,800 --> 01:55:26,560
Speaker 1: that music in your studio over there, you're like, Yo,

2171
01:55:26,600 --> 01:55:28,480
Speaker 1: this dude, dope, and where you been. Yeah, I've been

2172
01:55:28,480 --> 01:55:31,440
Speaker 1: over there grinding like five years damn no shit. Why

2173
01:55:31,520 --> 01:55:34,000
Speaker 1: do you think that is though, because like everyone has

2174
01:55:34,040 --> 01:55:36,200
Speaker 1: to you know, they don't want to let nobody in

2175
01:55:36,240 --> 01:55:39,080
Speaker 1: the people that's in. But if you really think about

2176
01:55:39,120 --> 01:55:42,000
Speaker 1: like where the music industry exists now, it's here like

2177
01:55:42,520 --> 01:55:43,920
Speaker 1: it used to be. You can move to New York

2178
01:55:43,960 --> 01:55:45,800
Speaker 1: and make it. You can move, but it's you got

2179
01:55:45,840 --> 01:55:48,880
Speaker 1: to think about it. Bro. When the Powers to Be

2180
01:55:49,160 --> 01:55:54,840
Speaker 1: had the voice they was letting people in game, then

2181
01:55:56,640 --> 01:56:00,520
Speaker 1: they did the passing of the torch. Remember it was Kendrick. Yeah,

2182
01:56:00,560 --> 01:56:04,000
Speaker 1: all that to Kendred right, this shit then went to

2183
01:56:04,240 --> 01:56:08,320
Speaker 1: a digital world, a total different world to where I

2184
01:56:08,360 --> 01:56:12,240
Speaker 1: got more of a voice now in this world than

2185
01:56:13,480 --> 01:56:17,920
Speaker 1: people I consider to be my legends, because that ain't

2186
01:56:18,000 --> 01:56:20,480
Speaker 1: they world, and that ain't they laying and you're playing

2187
01:56:20,560 --> 01:56:23,560
Speaker 1: that world exactly. So you know, so now it's a

2188
01:56:23,560 --> 01:56:25,760
Speaker 1: lot of the obligation is on me. So you know,

2189
01:56:25,800 --> 01:56:28,640
Speaker 1: I got other things that I'm moving off to, moving

2190
01:56:28,680 --> 01:56:31,480
Speaker 1: on to, but I'm not gonna just leave them high

2191
01:56:31,480 --> 01:56:34,120
Speaker 1: and drama. Make sure I leave some here a platform

2192
01:56:34,160 --> 01:56:37,560
Speaker 1: here to where it's gonna work for them and help

2193
01:56:38,720 --> 01:56:40,720
Speaker 1: them get to where they go to and expedited a

2194
01:56:40,720 --> 01:56:42,560
Speaker 1: little faster, you know, what I mean, you have a

2195
01:56:42,560 --> 01:56:46,000
Speaker 1: great relationship with p at QC. That's another dude that

2196
01:56:46,080 --> 01:56:51,960
Speaker 1: I watch. He has motivated me because he helps them

2197
01:56:52,040 --> 01:56:57,800
Speaker 1: youngsters out that gutter him Gucci Maine. I watched them

2198
01:56:57,960 --> 01:56:59,880
Speaker 1: and they made me tell myself, Yo, I need this

2199
01:57:00,120 --> 01:57:03,280
Speaker 1: that my game up because they really really helped them

2200
01:57:03,320 --> 01:57:06,400
Speaker 1: youngsters and get them a platform. And I've been to

2201
01:57:06,480 --> 01:57:09,320
Speaker 1: QC studios. I don't know none of these dudes. They

2202
01:57:09,480 --> 01:57:11,480
Speaker 1: just up and coming dudes, you know what I'm saying.

2203
01:57:11,840 --> 01:57:14,640
Speaker 1: But they round you know, his big artists so they

2204
01:57:14,640 --> 01:57:16,680
Speaker 1: can see how it going, you know what I mean,

2205
01:57:16,720 --> 01:57:19,800
Speaker 1: And he helping them get funny and position them. You know, look,

2206
01:57:19,880 --> 01:57:23,560
Speaker 1: look what the evolution of little Baby, Yeah, it's crazy,

2207
01:57:23,600 --> 01:57:26,080
Speaker 1: you know what I'm saying. He didn't went from from

2208
01:57:26,200 --> 01:57:28,680
Speaker 1: the little dude that come to shoot dice with the

2209
01:57:28,800 --> 01:57:32,680
Speaker 1: artists at the studio to in the studio to being

2210
01:57:32,680 --> 01:57:34,560
Speaker 1: one of the hottest in the studio to now he

2211
01:57:34,640 --> 01:57:37,560
Speaker 1: got artists as hot that's under him in the studio

2212
01:57:37,680 --> 01:57:41,080
Speaker 1: to where he got his own label situation. And you know,

2213
01:57:41,120 --> 01:57:44,280
Speaker 1: he blewprinted off of what he's seen Pete do with him,

2214
01:57:44,280 --> 01:57:46,600
Speaker 1: and Pete supporting him, and they supporting each other. So

2215
01:57:47,040 --> 01:57:49,720
Speaker 1: you know, he's he's really one of the ones that, yeah,

2216
01:57:49,720 --> 01:57:51,320
Speaker 1: I think I look at like what he's doing, and like,

2217
01:57:51,520 --> 01:57:54,920
Speaker 1: look at what YO got. He's doing Birdman too, you

2218
01:57:54,960 --> 01:57:57,240
Speaker 1: know bird Man of course, you know burd with certain

2219
01:57:57,280 --> 01:57:59,560
Speaker 1: guys that I see what they doing to where I

2220
01:57:59,560 --> 01:58:01,880
Speaker 1: feel like I got an obligation to step to the plate.

2221
01:58:02,400 --> 01:58:04,080
Speaker 1: What about you know, I know you and top got

2222
01:58:04,080 --> 01:58:07,640
Speaker 1: a great relationship obviously, you know, TD being the I guess,

2223
01:58:07,720 --> 01:58:10,840
Speaker 1: kind of the closest thing we've had to death Row

2224
01:58:10,880 --> 01:58:13,320
Speaker 1: Sin's Death Row. Yeah, definitely, Top Dogs, definitely one of

2225
01:58:13,320 --> 01:58:15,560
Speaker 1: my mentors, one of my g homies. I don't say

2226
01:58:15,560 --> 01:58:19,680
Speaker 1: that about everybody. He's definitely somebody that one of them

2227
01:58:19,720 --> 01:58:22,839
Speaker 1: in a buying or I need to make a decision

2228
01:58:23,360 --> 01:58:25,880
Speaker 1: or I'm kind of at odds about which way I

2229
01:58:25,920 --> 01:58:28,520
Speaker 1: should go with something somebody I called because I definitely

2230
01:58:29,200 --> 01:58:34,960
Speaker 1: respect his opinion. And you see the the leadership, you know,

2231
01:58:35,200 --> 01:58:38,440
Speaker 1: and uh, the class he showed with Kendrick just being

2232
01:58:38,520 --> 01:58:40,840
Speaker 1: Kendrick's last album. You know what I'm saying. You know,

2233
01:58:41,320 --> 01:58:44,280
Speaker 1: if you're paying attention, he's just then woke up and

2234
01:58:44,280 --> 01:58:46,440
Speaker 1: got back on the gas, you know what I mean.

2235
01:58:46,480 --> 01:58:50,600
Speaker 1: He got Ravon, Rayvon Dope beast him and Kendrick and

2236
01:58:50,680 --> 01:58:52,960
Speaker 1: Top and Jay Rock and Top came to the studio

2237
01:58:53,000 --> 01:58:55,760
Speaker 1: with True Car and gave me a bank. Rayvon's a

2238
01:58:55,800 --> 01:58:57,920
Speaker 1: beast man. We had him on the show. We had

2239
01:58:58,240 --> 01:59:01,080
Speaker 1: so Rayvaon lived in Arizona for little bit. Okay, so

2240
01:59:01,080 --> 01:59:05,040
Speaker 1: one of my Arizona homies has been managing forever. So

2241
01:59:05,200 --> 01:59:06,960
Speaker 1: ray Vn came on me in head show like three

2242
01:59:07,040 --> 01:59:09,400
Speaker 1: or four years ago. Good dude, good dude. He's a beast,

2243
01:59:09,560 --> 01:59:15,640
Speaker 1: funny as hell too. Hilario does his hilarious little his diary.

2244
01:59:15,920 --> 01:59:19,440
Speaker 1: Yeah he's hillariy. Yeah. But see, and to artists, pay

2245
01:59:19,480 --> 01:59:22,720
Speaker 1: attention to ray Vin because not only is he a beast,

2246
01:59:22,800 --> 01:59:25,280
Speaker 1: and I want to say, nephew from Long Beat, He's

2247
01:59:25,280 --> 01:59:27,800
Speaker 1: from Long Beach. Here he from Long Beast, right, And

2248
01:59:28,200 --> 01:59:30,120
Speaker 1: I can't. I don't know if he gang bangs or

2249
01:59:30,160 --> 01:59:32,440
Speaker 1: not because time I seen, we don't know, no conversation.

2250
01:59:33,000 --> 01:59:36,200
Speaker 1: But he also is not scared to show his sense

2251
01:59:36,240 --> 01:59:38,480
Speaker 1: of humor and be himself. You know what I'm saying.

2252
01:59:38,480 --> 01:59:41,800
Speaker 1: In that sense of humors was translating to tik tok,

2253
01:59:42,240 --> 01:59:44,480
Speaker 1: which is growing his fan base. And then when you

2254
01:59:44,560 --> 01:59:48,680
Speaker 1: listen to his music. It's real, It's authentic. Street is real.

2255
01:59:48,760 --> 01:59:52,120
Speaker 1: So you know some people is too gangster for this

2256
01:59:52,240 --> 01:59:54,720
Speaker 1: ship today. I tell you, if you're too gangster, I

2257
01:59:54,800 --> 01:59:57,440
Speaker 1: can't do nothing for you. You're too gangster to have

2258
01:59:57,480 --> 01:59:59,280
Speaker 1: a sense of humor is something the kids want to

2259
01:59:59,280 --> 02:00:02,800
Speaker 1: talk about a lot, have about it. TikTok two. I can't.

2260
02:00:02,920 --> 02:00:04,840
Speaker 1: I can't do nothing with you because I can't do

2261
02:00:04,920 --> 02:00:08,400
Speaker 1: those things right right right, Yeah, you can't be funny

2262
02:00:08,440 --> 02:00:11,560
Speaker 1: and no. I can take your I can take your product,

2263
02:00:11,760 --> 02:00:15,000
Speaker 1: and I can put it in places that you can't,

2264
02:00:15,040 --> 02:00:17,600
Speaker 1: but you got to create the product. I really do

2265
02:00:17,680 --> 02:00:20,480
Speaker 1: think like ray Von is like kind of an evolution

2266
02:00:20,560 --> 02:00:22,720
Speaker 1: to Kendrick, right, because like Kendrick is obviously to the

2267
02:00:22,760 --> 02:00:25,320
Speaker 1: point I always say, there's like, well so listen, listen, listen,

2268
02:00:26,920 --> 02:00:29,280
Speaker 1: like it's only one game, there's only one Kendrick. No,

2269
02:00:29,320 --> 02:00:30,760
Speaker 1: But what I was gonna say was that I think

2270
02:00:30,920 --> 02:00:34,440
Speaker 1: ray vn is talented enough to one day we'll be

2271
02:00:34,480 --> 02:00:37,000
Speaker 1: sitting here saying there's only one. That's what I was

2272
02:00:37,040 --> 02:00:39,320
Speaker 1: gonna say. Like, if you think of Kendrick, right, Kendrick

2273
02:00:39,480 --> 02:00:42,440
Speaker 1: is in my opinion top five all time. That's my

2274
02:00:42,520 --> 02:00:45,960
Speaker 1: personal opinion, my personal opinion. Right, I always tell people,

2275
02:00:46,400 --> 02:00:48,360
Speaker 1: if you got Bigger in your top five, and he

2276
02:00:48,400 --> 02:00:50,320
Speaker 1: only put out two albums, how the fuck don't you

2277
02:00:50,360 --> 02:00:52,040
Speaker 1: got Kendrick in your top You know? The first time

2278
02:00:52,080 --> 02:00:56,240
Speaker 1: I heard Kendrick when where was it? New York? Top

2279
02:00:56,280 --> 02:00:58,080
Speaker 1: Dog and New came out there. They were just moving

2280
02:00:58,080 --> 02:01:01,520
Speaker 1: around to introduce them. The case like Shaq and my God,

2281
02:01:01,600 --> 02:01:05,320
Speaker 1: money Mark was doing this thing in Long Island. Everybody

2282
02:01:05,400 --> 02:01:07,960
Speaker 1: was there, bun Bee all eybody was there performing and

2283
02:01:07,960 --> 02:01:12,520
Speaker 1: ship like that, and fucking Patpoos had got up there.

2284
02:01:13,600 --> 02:01:17,040
Speaker 1: Jay Rock went Pat Pools get up there and does that?

2285
02:01:17,200 --> 02:01:21,360
Speaker 1: Ends his set with alphabetical slaughtering right, classic great mixtape,

2286
02:01:21,400 --> 02:01:26,200
Speaker 1: Classic Kendrick At the time, Who is motherfucking Kate Haydoe

2287
02:01:26,680 --> 02:01:30,320
Speaker 1: sitting over there? The shy guy? You know, he looking

2288
02:01:30,360 --> 02:01:32,280
Speaker 1: at me and I'm looking at him. I'm looking at Top.

2289
02:01:32,360 --> 02:01:34,760
Speaker 1: I'm like Top. He's like yeah, he like, you want

2290
02:01:34,800 --> 02:01:37,320
Speaker 1: to go up there after that? He's like yeah, yeah, yeah, yeah,

2291
02:01:37,680 --> 02:01:39,160
Speaker 1: you shure you want to go up there after that?

2292
02:01:39,840 --> 02:01:43,240
Speaker 1: Pat Pools in New York, right, he like yeah yeah,

2293
02:01:43,320 --> 02:01:46,520
Speaker 1: yeah yeah right, and he went up there, and you know,

2294
02:01:46,680 --> 02:01:48,600
Speaker 1: you get up there, get somebody the mike. You kind

2295
02:01:48,640 --> 02:01:51,480
Speaker 1: of fade to the left, you talking, and right when

2296
02:01:51,480 --> 02:01:54,880
Speaker 1: he started going, I'm like, what the fuck? I look

2297
02:01:54,920 --> 02:01:58,160
Speaker 1: at Top, I say Top, that's the one that the

2298
02:01:58,160 --> 02:02:00,920
Speaker 1: first time I heard Kendrick get out was when he

2299
02:02:01,000 --> 02:02:04,960
Speaker 1: came behind Pat Pools in New York and Pool's gonna

2300
02:02:04,960 --> 02:02:07,520
Speaker 1: make it hard for you. He'll make it hard for anybody,

2301
02:02:07,840 --> 02:02:14,440
Speaker 1: so especially I'm assuming this was like six somewhere like that.

2302
02:02:14,880 --> 02:02:20,760
Speaker 1: This is like Peaks, Pat Poo's running the mixtapepe Ship

2303
02:02:21,400 --> 02:02:23,280
Speaker 1: running all that just old, you know what I'm saying.

2304
02:02:23,560 --> 02:02:25,600
Speaker 1: And it was then, So that was my first bar

2305
02:02:25,680 --> 02:02:29,879
Speaker 1: of Yeah, I just think Kendrick like his lyrical proudness

2306
02:02:29,920 --> 02:02:32,560
Speaker 1: and like, you know, Kendrick is on a level kind

2307
02:02:32,560 --> 02:02:34,200
Speaker 1: of where he calls at right where like they don't

2308
02:02:34,240 --> 02:02:37,080
Speaker 1: need to be on TikTok thing, No, they're omn the present.

2309
02:02:37,440 --> 02:02:40,040
Speaker 1: They're on the present. But I think Ray Vaughan has

2310
02:02:40,040 --> 02:02:46,200
Speaker 1: the opportunity to be the like lyrical person. That's kind

2311
02:02:46,200 --> 02:02:48,400
Speaker 1: of you know when we look when we think of

2312
02:02:48,440 --> 02:02:50,920
Speaker 1: the young like generation, right, I think you can think

2313
02:02:50,920 --> 02:02:52,880
Speaker 1: of cord A, You can think of a few guys

2314
02:02:52,880 --> 02:02:54,320
Speaker 1: who are kind of who can get down with the

2315
02:02:54,360 --> 02:02:56,280
Speaker 1: bars right, But I think ray Von has an opportunity.

2316
02:02:56,280 --> 02:02:58,080
Speaker 1: I got that edgy ship to him, like he like,

2317
02:02:58,160 --> 02:03:00,000
Speaker 1: you know, like our true Car got that edgy ship

2318
02:03:00,120 --> 02:03:03,000
Speaker 1: to him. You know you need that pain Raven's got

2319
02:03:03,040 --> 02:03:05,160
Speaker 1: the Raven played the song. I don't know if it's

2320
02:03:05,160 --> 02:03:06,520
Speaker 1: ever gonna come out, but he played a song that

2321
02:03:06,640 --> 02:03:08,080
Speaker 1: like made me tear up in the studio because it

2322
02:03:08,080 --> 02:03:10,440
Speaker 1: was about when he lost his baby mom and it

2323
02:03:10,600 --> 02:03:12,800
Speaker 1: was crazy and I'm like, man, he's got this. But

2324
02:03:12,840 --> 02:03:16,960
Speaker 1: then he also has the social media ship on lock

2325
02:03:17,000 --> 02:03:21,680
Speaker 1: because he's fucking hilarious. He's funniest man. That damn dear

2326
02:03:21,800 --> 02:03:24,960
Speaker 1: Diary shit he does. Bro that ship called me off

2327
02:03:25,000 --> 02:03:26,760
Speaker 1: gard one day. I didn't know what he was doing.

2328
02:03:27,320 --> 02:03:29,720
Speaker 1: I spent all my food. I'm like, what the fuck

2329
02:03:29,920 --> 02:03:32,080
Speaker 1: is some of your Mama boo booed on myself, like

2330
02:03:33,400 --> 02:03:34,960
Speaker 1: you know what I mean. But but he has a

2331
02:03:35,000 --> 02:03:37,480
Speaker 1: sense of humor. Man, shout out to Rayven. He gonna

2332
02:03:37,480 --> 02:03:40,880
Speaker 1: be some grapscot one for sure. TD gonna continue to

2333
02:03:41,480 --> 02:03:45,120
Speaker 1: look at look at doing numbers whole so coming again.

2334
02:03:45,200 --> 02:03:47,760
Speaker 1: I've seen something about something popped up on scissor, you

2335
02:03:47,800 --> 02:03:49,840
Speaker 1: know what I mean? Jay Rock still over there doing

2336
02:03:50,240 --> 02:03:55,120
Speaker 1: you know what I mean? Uh Q Schoolboy Q and

2337
02:03:55,440 --> 02:03:59,000
Speaker 1: the other the other nephew from from Carson. He's a

2338
02:03:59,000 --> 02:04:06,480
Speaker 1: beep to appstepisode on right. He goes in the studio lights,

2339
02:04:06,880 --> 02:04:11,880
Speaker 1: puts his arms behind his back and goals, Aien, would

2340
02:04:11,880 --> 02:04:14,400
Speaker 1: you ever do a podcast yourself? Way? They've been reaching

2341
02:04:14,440 --> 02:04:17,320
Speaker 1: for me to do it, academics that uh he hinted around,

2342
02:04:17,320 --> 02:04:21,280
Speaker 1: maybe I do so with him. My guys at Paradigm

2343
02:04:21,680 --> 02:04:25,400
Speaker 1: Fred Andrew Ruff that they've been in conversations with with

2344
02:04:25,480 --> 02:04:27,960
Speaker 1: a few platforms. So yeah, I definitely would consider it.

2345
02:04:28,360 --> 02:04:30,600
Speaker 1: I wouldn't I wouldn't mind it'd be another platform, but

2346
02:04:30,640 --> 02:04:32,680
Speaker 1: I would like want to. I would want to. I

2347
02:04:32,720 --> 02:04:34,720
Speaker 1: would want to put the attention on those people that

2348
02:04:34,800 --> 02:04:37,600
Speaker 1: they can't see. You know what I'm saying, you know

2349
02:04:37,600 --> 02:04:40,200
Speaker 1: what I mean, like share your platform with some people

2350
02:04:40,320 --> 02:04:44,320
Speaker 1: people who really benefit off it. Drake was once one

2351
02:04:44,320 --> 02:04:47,480
Speaker 1: of those guys that people couldn't see. You know, you

2352
02:04:47,640 --> 02:04:49,560
Speaker 1: never know, you know it's out there. It's a lot

2353
02:04:49,600 --> 02:04:51,480
Speaker 1: of them out there. So I would definitely want to

2354
02:04:51,480 --> 02:04:54,720
Speaker 1: put my attention on on nose if I did my podcast,

2355
02:04:54,720 --> 02:04:56,960
Speaker 1: we could mix in the common ship, but I would

2356
02:04:56,960 --> 02:04:59,640
Speaker 1: want to be that gateway to the underground artist. You

2357
02:04:59,640 --> 02:05:02,600
Speaker 1: know what I mean, I mean the underground producers, you know,

2358
02:05:03,080 --> 02:05:05,600
Speaker 1: the management, those CEOs up and coming to put some

2359
02:05:05,680 --> 02:05:08,080
Speaker 1: light on them. You talked about how when you first

2360
02:05:08,120 --> 02:05:10,320
Speaker 1: signed Blueface, you helped get his credit together, help them

2361
02:05:10,360 --> 02:05:12,680
Speaker 1: get the house. Let's say you signed somebody today and

2362
02:05:12,720 --> 02:05:16,280
Speaker 1: they got a five hundred credit score. What is your like,

2363
02:05:16,360 --> 02:05:18,560
Speaker 1: what do you how do you help them get their

2364
02:05:18,560 --> 02:05:20,160
Speaker 1: shit together? Because I think that this is one of

2365
02:05:20,200 --> 02:05:23,800
Speaker 1: the more under appreciated things about outside the music in

2366
02:05:23,800 --> 02:05:26,240
Speaker 1: the streets. You know, I'm a businessman, yes, so you know,

2367
02:05:26,280 --> 02:05:28,760
Speaker 1: shout out to my man, Travis Wilson. That's to see

2368
02:05:28,800 --> 02:05:32,200
Speaker 1: what my success try for the stars follow him on Instagram.

2369
02:05:32,960 --> 02:05:36,720
Speaker 1: I'm definitely gonna have them pull their profile and I'll

2370
02:05:36,760 --> 02:05:38,440
Speaker 1: have my team sit down and we're gonna look at

2371
02:05:38,480 --> 02:05:41,160
Speaker 1: everything they have going on. And these are costs and

2372
02:05:41,200 --> 02:05:45,640
Speaker 1: expenses that I absorbed. I don't charge its back to them,

2373
02:05:45,680 --> 02:05:46,880
Speaker 1: you know what I mean, And we're gonna look at

2374
02:05:46,920 --> 02:05:48,600
Speaker 1: what's going on with them. We're gonna get them right,

2375
02:05:48,680 --> 02:05:50,880
Speaker 1: you know what I mean. A lot of these they

2376
02:05:50,880 --> 02:05:54,080
Speaker 1: come and they got fucking repolls and lates. They don't

2377
02:05:54,160 --> 02:05:56,480
Speaker 1: know they just get the call them out. You know,

2378
02:05:56,520 --> 02:05:58,920
Speaker 1: I paid when I paid, so I definitely want to

2379
02:05:58,960 --> 02:06:01,400
Speaker 1: get them right with that. Yeah, you know, you can't

2380
02:06:01,400 --> 02:06:03,560
Speaker 1: be running around here with no medical and shit. You

2381
02:06:03,600 --> 02:06:05,520
Speaker 1: know what I'm saying. You got your dinner work done?

2382
02:06:05,560 --> 02:06:07,360
Speaker 1: You need to do that. A lot of your artists,

2383
02:06:07,400 --> 02:06:11,080
Speaker 1: for real, y'all got ten thousand dollars of clothes on

2384
02:06:11,360 --> 02:06:13,680
Speaker 1: two hundred thousand dollars a jury. You know, listen, I

2385
02:06:13,720 --> 02:06:15,760
Speaker 1: know you got used to looking at yourself like that,

2386
02:06:16,000 --> 02:06:18,480
Speaker 1: you know, bro, going to the dinners, spend put your

2387
02:06:18,480 --> 02:06:20,640
Speaker 1: teeth together, get and get your teeth together. Man, It's

2388
02:06:20,680 --> 02:06:22,840
Speaker 1: just real shit. Man, y'all need to definitely do that.

2389
02:06:22,920 --> 02:06:25,360
Speaker 1: And make sure that your kids don't come up the

2390
02:06:25,360 --> 02:06:27,280
Speaker 1: way you come up because you used to seeing yourself

2391
02:06:27,400 --> 02:06:29,800
Speaker 1: like that, and make sure you keep them right and

2392
02:06:29,880 --> 02:06:33,080
Speaker 1: keep them together, you know what I mean. So you

2393
02:06:33,120 --> 02:06:34,840
Speaker 1: know it's just about you know, I want them to

2394
02:06:34,840 --> 02:06:36,680
Speaker 1: be a reflection to me and then grow to become

2395
02:06:36,720 --> 02:06:39,040
Speaker 1: better than me. That's fair, you know what I mean.

2396
02:06:39,960 --> 02:06:42,600
Speaker 1: You know, Segue and how you you know, we were

2397
02:06:42,640 --> 02:06:44,400
Speaker 1: just talking about how your daughter, you know, unfortunately she

2398
02:06:44,480 --> 02:06:48,000
Speaker 1: tore Achilles. You just tore Achilles. But you always you know,

2399
02:06:48,560 --> 02:06:50,440
Speaker 1: you're a great wha text, I'm like you all make

2400
02:06:50,480 --> 02:06:52,840
Speaker 1: Cais with you. You're a great father man, like you know,

2401
02:06:53,160 --> 02:06:55,560
Speaker 1: whether your daughter has a cheerleading competition in Vegas, you're there.

2402
02:06:56,200 --> 02:06:59,440
Speaker 1: You always say like, you know, I want my daughter

2403
02:06:59,840 --> 02:07:02,760
Speaker 1: like I want my children to not follow in my footsteps,

2404
02:07:03,200 --> 02:07:04,640
Speaker 1: my son to be better than me. Like me and

2405
02:07:04,680 --> 02:07:07,040
Speaker 1: my son. Kind of we hit a rough patch couple

2406
02:07:07,120 --> 02:07:09,200
Speaker 1: months ago, you know what I mean. But he's right

2407
02:07:09,200 --> 02:07:11,200
Speaker 1: there at that stage where he's seeing it his way

2408
02:07:11,200 --> 02:07:15,240
Speaker 1: and I'm seeing the way. Twenty just turned twenty seven, right,

2409
02:07:15,360 --> 02:07:18,160
Speaker 1: But you know he's been man in the house all

2410
02:07:18,280 --> 02:07:20,120
Speaker 1: this time because I'm not there half the time. Me

2411
02:07:20,160 --> 02:07:24,600
Speaker 1: and my wife here there they're whatever, right, But you know,

2412
02:07:24,640 --> 02:07:27,680
Speaker 1: we hit a rough pasture where you know, he did

2413
02:07:27,720 --> 02:07:30,720
Speaker 1: something that I respected he did. I came home one

2414
02:07:30,800 --> 02:07:34,720
Speaker 1: day and he was gone. You know what I'm saying.

2415
02:07:35,400 --> 02:07:37,440
Speaker 1: He was gone. But at this on the flip side,

2416
02:07:37,480 --> 02:07:40,680
Speaker 1: what I'm gonna do make him come home? Man grown? Right?

2417
02:07:40,760 --> 02:07:42,880
Speaker 1: You know I didne gave him everything I can give him.

2418
02:07:42,880 --> 02:07:44,280
Speaker 1: When I'm still here to give me some more. He

2419
02:07:44,360 --> 02:07:46,360
Speaker 1: know I'm here if he slipping and follow him and

2420
02:07:46,440 --> 02:07:48,480
Speaker 1: catch him and I got him. But you know, just

2421
02:07:48,520 --> 02:07:50,680
Speaker 1: the fact that he stepped out there, let me know, okay,

2422
02:07:51,160 --> 02:07:53,640
Speaker 1: you know, he manning up. You know what I'm saying,

2423
02:07:53,680 --> 02:07:56,560
Speaker 1: He's manning up. Do you How do your kids feel

2424
02:07:56,560 --> 02:08:01,760
Speaker 1: about your public persona? They really don't say nothing to

2425
02:08:01,760 --> 02:08:04,720
Speaker 1: me about it, cause you know, me, my kids growing

2426
02:08:04,800 --> 02:08:09,960
Speaker 1: up around me, I never heard who I was. They don't. Yeah,

2427
02:08:10,000 --> 02:08:14,600
Speaker 1: they you know, they'll come tell me certain things, and

2428
02:08:14,720 --> 02:08:17,600
Speaker 1: sometimes they'll know when I did something because they because

2429
02:08:17,640 --> 02:08:20,720
Speaker 1: it's on the internet, their phone goes crazy. People, you know,

2430
02:08:20,760 --> 02:08:22,760
Speaker 1: I mean, people want to answer this, but you know,

2431
02:08:22,920 --> 02:08:24,600
Speaker 1: they don't really say too and they don't really pay

2432
02:08:24,680 --> 02:08:27,920
Speaker 1: no attention because they watched me. People be thinking I'm

2433
02:08:27,920 --> 02:08:30,720
Speaker 1: sering half the time when I'm doing it, I'm laughing.

2434
02:08:30,720 --> 02:08:33,200
Speaker 1: They knowing I'm doing something because I'm laughing while I'm

2435
02:08:33,240 --> 02:08:36,160
Speaker 1: doing it. And then the world just takes it very,

2436
02:08:36,280 --> 02:08:40,919
Speaker 1: very serious, which answers my question to where the perception

2437
02:08:41,120 --> 02:08:44,640
Speaker 1: of the industry. Right, people don't know what's real and

2438
02:08:44,680 --> 02:08:49,120
Speaker 1: what's fate that's real. That's crazy because like you had

2439
02:08:49,120 --> 02:08:52,560
Speaker 1: said earlier, like six or nine, kind of his mission

2440
02:08:52,640 --> 02:08:56,040
Speaker 1: is to expose quote unquote the streets, right that's his

2441
02:08:56,120 --> 02:09:00,080
Speaker 1: mission and what shouldn't be because if you know that

2442
02:09:00,120 --> 02:09:01,680
Speaker 1: they not coming for you and you ain't got the

2443
02:09:01,720 --> 02:09:03,920
Speaker 1: people with you, you should just take that as an

2444
02:09:03,960 --> 02:09:07,400
Speaker 1: opportunity to just live your life. Well, I was gonna say, like,

2445
02:09:07,880 --> 02:09:12,600
Speaker 1: how much of what he's saying is true is in

2446
02:09:12,720 --> 02:09:17,440
Speaker 1: terms of the quote unquote streets kind of and the industry,

2447
02:09:17,560 --> 02:09:19,880
Speaker 1: Like you said, right that the perception is that they're

2448
02:09:19,920 --> 02:09:22,680
Speaker 1: both the same when they're not. Right. No, it definitely

2449
02:09:22,720 --> 02:09:25,040
Speaker 1: not so. Isn't what he's trying to do kind of

2450
02:09:26,160 --> 02:09:29,760
Speaker 1: exposing what you're saying is the biggest misconception is definitely

2451
02:09:29,840 --> 02:09:36,440
Speaker 1: it's not just listen, man, I don't advise any of

2452
02:09:36,480 --> 02:09:40,080
Speaker 1: the youth to get a life to the streets. The

2453
02:09:40,280 --> 02:09:44,360
Speaker 1: first chance and first opportunity you have to get out

2454
02:09:44,360 --> 02:09:46,440
Speaker 1: of the streets to get out of together. Whether it's

2455
02:09:46,440 --> 02:09:50,200
Speaker 1: going to college, whether it's a foreign exchange program in

2456
02:09:50,320 --> 02:09:53,280
Speaker 1: another country, whether you go to the military or the

2457
02:09:53,320 --> 02:09:57,560
Speaker 1: police academy, I'm telling you take that route, take that lane.

2458
02:09:58,160 --> 02:10:01,400
Speaker 1: I need more of our youth that's crips and blood

2459
02:10:01,480 --> 02:10:06,120
Speaker 1: orientated uncles, brothers that got eight nine generations of this

2460
02:10:06,240 --> 02:10:08,480
Speaker 1: shit to go to the police academy, and we still

2461
02:10:08,680 --> 02:10:11,760
Speaker 1: complaining about how they doing us when they pull us over.

2462
02:10:12,040 --> 02:10:14,680
Speaker 1: I want somebody to pull me over that understands where

2463
02:10:14,680 --> 02:10:18,600
Speaker 1: I come from. That's not nervous, and that's not nervous

2464
02:10:18,600 --> 02:10:21,480
Speaker 1: and jittery and got their lunch money took. You know,

2465
02:10:21,520 --> 02:10:23,480
Speaker 1: the only way we're gonna turn it around is to

2466
02:10:23,480 --> 02:10:25,960
Speaker 1: put some of us in there. I think that you

2467
02:10:26,000 --> 02:10:29,160
Speaker 1: can't take the house without getting in the house. How

2468
02:10:29,800 --> 02:10:31,840
Speaker 1: change it if you're not that's what we gotta do.

2469
02:10:31,920 --> 02:10:35,800
Speaker 1: I don't. I haven't. I haven't made the decision of

2470
02:10:35,840 --> 02:10:38,320
Speaker 1: being part of the decision making and over twenty five

2471
02:10:38,400 --> 02:10:43,360
Speaker 1: years of somebody getting put on my neighborhood and then

2472
02:10:43,520 --> 02:10:46,760
Speaker 1: my homework kids just gang bang that I run across.

2473
02:10:47,120 --> 02:10:49,440
Speaker 1: I don't even allow them to call me big homie

2474
02:10:49,840 --> 02:10:52,160
Speaker 1: because I don't want to have no gang association of

2475
02:10:52,280 --> 02:10:55,080
Speaker 1: tides with you like that, because that ain't what I

2476
02:10:55,120 --> 02:10:59,560
Speaker 1: want for you. If if you had it, if I

2477
02:10:59,600 --> 02:11:04,080
Speaker 1: had it our way, it wouldn't be nobody else initiated

2478
02:11:04,120 --> 02:11:08,200
Speaker 1: from this day forward, and hopefully ten, fifteen, twenty years

2479
02:11:08,200 --> 02:11:11,080
Speaker 1: from now, it'll all phase out and we just be

2480
02:11:11,240 --> 02:11:14,440
Speaker 1: one as a people. Yeah, man, I just don't like

2481
02:11:14,480 --> 02:11:16,600
Speaker 1: you because I don't like you, not because of what

2482
02:11:16,720 --> 02:11:19,160
Speaker 1: somebody did ten years ago. That's from the same place

2483
02:11:19,200 --> 02:11:21,880
Speaker 1: for from. I mean, that's really what Paige, I'm mom,

2484
02:11:21,960 --> 02:11:23,960
Speaker 1: if you really want to know. Yeah, man, I think

2485
02:11:24,040 --> 02:11:27,520
Speaker 1: that's I mean, that's that's hopefully that rubs off on

2486
02:11:27,560 --> 02:11:29,880
Speaker 1: a lot of this generation. I'm not gonna denounce that

2487
02:11:30,440 --> 02:11:33,800
Speaker 1: I'm a thug and I come from that gangster shit

2488
02:11:33,840 --> 02:11:35,600
Speaker 1: and I come from it. I ain't gonna never denounce

2489
02:11:35,640 --> 02:11:37,760
Speaker 1: that because I ain't ashamed, and I think that's what

2490
02:11:37,920 --> 02:11:39,480
Speaker 1: made me who I am today to be able to

2491
02:11:39,520 --> 02:11:42,000
Speaker 1: have these type of conversations that had the top of

2492
02:11:42,080 --> 02:11:44,680
Speaker 1: influence that I have on some of these youngsters. I

2493
02:11:44,720 --> 02:11:46,520
Speaker 1: don't denounce it, but I'm not gonna be one to

2494
02:11:46,520 --> 02:11:48,840
Speaker 1: sit here and be a hypocrite and say that's the

2495
02:11:48,880 --> 02:11:52,960
Speaker 1: way to go because some of us didn't make it out. Yeah,

2496
02:11:52,960 --> 02:11:57,480
Speaker 1: that's real, man, that's real. I think keeping it one

2497
02:11:57,600 --> 02:12:00,720
Speaker 1: hundred on a one hundred episode on one hundred episod So, So,

2498
02:12:00,800 --> 02:12:03,360
Speaker 1: what is the latest with Blue Face fighting six ' nine?

2499
02:12:03,400 --> 02:12:07,080
Speaker 1: Is it? For sure? They both agreed to it. It's

2500
02:12:07,080 --> 02:12:09,160
Speaker 1: probably gonna be something that happens in the Middle East.

2501
02:12:09,480 --> 02:12:12,120
Speaker 1: It just get the funds up because Triller for that

2502
02:12:12,240 --> 02:12:15,320
Speaker 1: to happen. N You know, it's a lot of my

2503
02:12:15,400 --> 02:12:19,080
Speaker 1: investors in Saudi and Bahrain and Qatar that's coming to

2504
02:12:19,160 --> 02:12:21,160
Speaker 1: the table with it, because you know, that's gonna be

2505
02:12:21,200 --> 02:12:24,320
Speaker 1: a big, big bag, real real big bag. Blue Face

2506
02:12:24,400 --> 02:12:27,080
Speaker 1: is probably gonna mop him up for sure. I mean, listen,

2507
02:12:27,160 --> 02:12:30,040
Speaker 1: I got all faith that Blue Face is gonna win

2508
02:12:30,080 --> 02:12:32,480
Speaker 1: the fight. I saw blue Face can like has his hands,

2509
02:12:32,480 --> 02:12:35,160
Speaker 1: his face, can fight, he can fighting, can box, and

2510
02:12:35,200 --> 02:12:38,600
Speaker 1: he left learned, you know, a valuable lesson when it

2511
02:12:38,680 --> 02:12:41,320
Speaker 1: comes to training all little inside jokes up and I

2512
02:12:41,400 --> 02:12:44,320
Speaker 1: know that he won't do a violate again. You know what,

2513
02:12:44,320 --> 02:12:46,160
Speaker 1: I would you ever step in the ring as a

2514
02:12:46,200 --> 02:12:49,360
Speaker 1: celebrity celebrity fight definitely on you know, if the bag

2515
02:12:49,400 --> 02:12:51,840
Speaker 1: is right, you definitely get My money is on you.

2516
02:12:52,640 --> 02:12:55,920
Speaker 1: I'm not gonna box, We're gonna lock up. It's gonna

2517
02:12:56,040 --> 02:12:57,760
Speaker 1: I'm gonna try to get it out the way quick.

2518
02:12:58,560 --> 02:13:01,040
Speaker 1: I've never been a box I've been a brawler, you

2519
02:13:01,080 --> 02:13:03,240
Speaker 1: know what I mean. So that's what that is. You know,

2520
02:13:03,240 --> 02:13:05,280
Speaker 1: I'm gonna call on Mike to train me. My partner,

2521
02:13:05,480 --> 02:13:08,000
Speaker 1: Mike Tyson. You know what I'm saying, I definitely might

2522
02:13:08,080 --> 02:13:10,960
Speaker 1: gonna be my trainer. What what is Mike Tyson like?

2523
02:13:11,280 --> 02:13:17,040
Speaker 1: Uh yeah, real, real, don't know who he is? Mike

2524
02:13:17,160 --> 02:13:19,200
Speaker 1: has no not to say. He don't know who he

2525
02:13:19,240 --> 02:13:21,440
Speaker 1: is as a person. He doesn't understand who he is

2526
02:13:21,480 --> 02:13:23,840
Speaker 1: to the world. Don't give a fuck about that all

2527
02:13:23,920 --> 02:13:26,120
Speaker 1: that famous Mike Yo wagon. Let's go to the store.

2528
02:13:26,160 --> 02:13:29,800
Speaker 1: He's getting the car with Mike Tyson. Yeah, walk to

2529
02:13:29,920 --> 02:13:32,600
Speaker 1: the to the store. You know, I'm cool as hell,

2530
02:13:32,800 --> 02:13:36,720
Speaker 1: laid back down the earth and he's gonna speak his mind.

2531
02:13:37,320 --> 02:13:40,040
Speaker 1: Has he convinced you to try any psychedelics? Whack? Because

2532
02:13:40,040 --> 02:13:42,120
Speaker 1: you know he's a psychedelical You know, I don't he

2533
02:13:42,240 --> 02:13:44,680
Speaker 1: know everybody, I don't do nothing, So no, I know

2534
02:13:44,720 --> 02:13:47,360
Speaker 1: you don't do nothing, But psychedelics are different with that.

2535
02:13:47,600 --> 02:13:50,920
Speaker 1: I know nobody wants to see me do anything. I

2536
02:13:50,920 --> 02:13:57,760
Speaker 1: think I don't want to see you. What is mushrooms? Oh?

2537
02:13:57,960 --> 02:14:03,360
Speaker 1: Hell no, I think you could cut that's out. You

2538
02:14:03,360 --> 02:14:06,000
Speaker 1: wouldn't You wouldn't do a shroom trip with Mike tysaid? No,

2539
02:14:06,160 --> 02:14:09,080
Speaker 1: I'm not doing man, what I think I'll die? No,

2540
02:14:09,120 --> 02:14:13,200
Speaker 1: you won't die. Yeah. Reborn kids do not listen to

2541
02:14:13,240 --> 02:14:15,960
Speaker 1: this type of conversation. This is pure you know what.

2542
02:14:16,040 --> 02:14:17,920
Speaker 1: And I want to touch on this too, man like,

2543
02:14:18,720 --> 02:14:23,080
Speaker 1: because we got a situation going on in our streets

2544
02:14:23,400 --> 02:14:27,400
Speaker 1: with the drugs. Man. Rest in peace to Michael K. Williams,

2545
02:14:27,480 --> 02:14:30,680
Speaker 1: A good dude, man good. I was just I just

2546
02:14:30,720 --> 02:14:34,560
Speaker 1: got through watching Chalky white Boardwalk Empire, one of his

2547
02:14:34,600 --> 02:14:38,320
Speaker 1: best characters. But the kids, y'all need to understand. I

2548
02:14:38,360 --> 02:14:40,480
Speaker 1: don't know if y'all know what Russian roulette is. Russian

2549
02:14:40,520 --> 02:14:43,440
Speaker 1: roulette when they take a revolver, they put one bullet

2550
02:14:43,480 --> 02:14:45,920
Speaker 1: in there and they spend the chamber and they clicked

2551
02:14:45,960 --> 02:14:49,839
Speaker 1: the gun, and if that bullet lies in the wrong spot,

2552
02:14:50,280 --> 02:14:55,600
Speaker 1: you're dead. Right, these days, these people that are manufacturing

2553
02:14:55,640 --> 02:15:00,960
Speaker 1: these drugs are lacing these drugs with this fat and right.

2554
02:15:01,480 --> 02:15:04,160
Speaker 1: And the people that you are buying these drugs from,

2555
02:15:04,560 --> 02:15:07,680
Speaker 1: they don't know if they laced it not. And they

2556
02:15:07,960 --> 02:15:09,680
Speaker 1: tell you I got the pure ship, but they don't

2557
02:15:09,720 --> 02:15:15,080
Speaker 1: know playing Russian roulette with your life taking these pills

2558
02:15:15,560 --> 02:15:21,440
Speaker 1: to I strongly advise you guys to stop. You take it,

2559
02:15:21,760 --> 02:15:26,440
Speaker 1: you go to sleep, you don't wake up period period, right,

2560
02:15:27,160 --> 02:15:31,040
Speaker 1: And I really strongly advise you guys to look it

2561
02:15:31,080 --> 02:15:34,280
Speaker 1: to yourself to ask yourself, is this drug, this pill

2562
02:15:34,360 --> 02:15:37,880
Speaker 1: whatever it may be worth the risk of you possibly

2563
02:15:38,120 --> 02:15:41,680
Speaker 1: not waking up. I think if you look at the

2564
02:15:41,760 --> 02:15:45,040
Speaker 1: legends we've lost in the last three or four years,

2565
02:15:45,440 --> 02:15:47,880
Speaker 1: I mean, there was a comedian that passed away. There

2566
02:15:47,960 --> 02:15:50,520
Speaker 1: was like and I gotta correct myself because I was

2567
02:15:50,560 --> 02:15:54,280
Speaker 1: real ignorant to what this this fatanoh was And I

2568
02:15:54,320 --> 02:15:57,320
Speaker 1: think I could be wrong. I think this might be

2569
02:15:57,440 --> 02:16:01,480
Speaker 1: what killed mac miller. It right, and when mac millan died,

2570
02:16:01,520 --> 02:16:03,560
Speaker 1: I made a statement like, yo, that's on him that

2571
02:16:03,640 --> 02:16:06,080
Speaker 1: being know what he was doing taking all these drugs

2572
02:16:06,080 --> 02:16:08,720
Speaker 1: he overdosed. I was done the impression that dude was

2573
02:16:08,800 --> 02:16:10,960
Speaker 1: just abusing, just doing a bunch. Now I think he

2574
02:16:11,440 --> 02:16:15,880
Speaker 1: took the wrong ship, the wrong fucking drugs. So you know,

2575
02:16:15,960 --> 02:16:18,560
Speaker 1: I want to you know, my apologies, man, you know

2576
02:16:18,560 --> 02:16:21,280
Speaker 1: what I mean, because I really I was really ignorant

2577
02:16:21,320 --> 02:16:23,920
Speaker 1: to what that nod was. I didn't know, you know,

2578
02:16:24,400 --> 02:16:26,880
Speaker 1: like that's that's not some household ship in the street.

2579
02:16:26,960 --> 02:16:28,600
Speaker 1: Did you see the video of the cop who took

2580
02:16:28,640 --> 02:16:31,320
Speaker 1: a whiff of it on a stop and they almost

2581
02:16:31,360 --> 02:16:33,320
Speaker 1: died on the side of the street. He was in

2582
02:16:33,400 --> 02:16:35,720
Speaker 1: San Diego. This is serious, bro. That's why I tell

2583
02:16:35,760 --> 02:16:38,600
Speaker 1: my kids, you don't accept the talent all. It's the

2584
02:16:38,720 --> 02:16:43,200
Speaker 1: cheapest ship, right and stretches it like stretches. Imagine if

2585
02:16:43,240 --> 02:16:44,960
Speaker 1: you have a Q coke and you're a drug dealer

2586
02:16:44,959 --> 02:16:47,160
Speaker 1: on the times five, you can stretch your times five

2587
02:16:47,240 --> 02:16:50,240
Speaker 1: and crazy shit. But the problem is when you kill

2588
02:16:50,240 --> 02:16:52,760
Speaker 1: how many people are gonna I'm not gonna lie, man,

2589
02:16:52,840 --> 02:16:55,880
Speaker 1: listen to our rappers out here that's influencing the kids.

2590
02:16:57,160 --> 02:17:00,320
Speaker 1: A lot of it gonna start with y'all, man, because

2591
02:17:00,400 --> 02:17:03,520
Speaker 1: y'all are glorifying it. And I know y'all not glorifying

2592
02:17:03,959 --> 02:17:06,760
Speaker 1: using drugs that have fetanol, but the fact that this

2593
02:17:06,879 --> 02:17:08,880
Speaker 1: is how they sneak it in on us, you know

2594
02:17:08,920 --> 02:17:11,200
Speaker 1: what I mean. You know, maybe y'all need to be

2595
02:17:11,240 --> 02:17:14,000
Speaker 1: a little more educational about it. I can't tell y'all

2596
02:17:14,000 --> 02:17:16,440
Speaker 1: what to do, what to say, how to live y'all life.

2597
02:17:16,480 --> 02:17:18,920
Speaker 1: But we all got little brothers, you know what I mean,

2598
02:17:18,959 --> 02:17:21,400
Speaker 1: We all got family, you know what I mean? Where

2599
02:17:21,879 --> 02:17:24,400
Speaker 1: maybe we may want to educate them to where. Yeah,

2600
02:17:24,440 --> 02:17:28,360
Speaker 1: I take zanni of this that I you know, this

2601
02:17:28,400 --> 02:17:31,760
Speaker 1: ship is getting bad. You may want to eliminate, you

2602
02:17:31,800 --> 02:17:34,880
Speaker 1: know what I mean? Doing this because of what's going

2603
02:17:34,920 --> 02:17:36,600
Speaker 1: on with it, you know what I mean, you know,

2604
02:17:36,760 --> 02:17:38,920
Speaker 1: just you know, just my reach to all you rappers

2605
02:17:39,000 --> 02:17:42,480
Speaker 1: that yeah, I just saw, uh you know, I was

2606
02:17:42,560 --> 02:17:44,600
Speaker 1: I was watching an episode of Joe Rogan, Uh that

2607
02:17:44,760 --> 02:17:47,080
Speaker 1: just came out, and he was talking about Michael K.

2608
02:17:47,160 --> 02:17:49,360
Speaker 1: Williams who died. And obviously there was some comedians in

2609
02:17:49,400 --> 02:17:51,880
Speaker 1: a house in Venice where I'm still a little up

2610
02:17:51,879 --> 02:17:54,680
Speaker 1: in there because I'm here in cocaine. I'm hearing hair Ron.

2611
02:17:55,800 --> 02:17:58,800
Speaker 1: I don't know, I'm hearing this cocaine right as far

2612
02:17:58,879 --> 02:18:02,440
Speaker 1: as like the day before the comedians, the comedians in

2613
02:18:02,520 --> 02:18:04,879
Speaker 1: Venice ship right doing. I mean, look, at the end

2614
02:18:04,879 --> 02:18:07,840
Speaker 1: of the day, I've never done cocaine. I'm the only

2615
02:18:07,879 --> 02:18:11,160
Speaker 1: drugs I've ever done. But you know how it is,

2616
02:18:11,320 --> 02:18:13,560
Speaker 1: you've been in a situation where everyone's passing around to

2617
02:18:13,560 --> 02:18:16,840
Speaker 1: play the coke. I've witnessed that. I've never participated in it.

2618
02:18:16,879 --> 02:18:21,039
Speaker 1: But ship lakes with everybody who hits it is on

2619
02:18:21,080 --> 02:18:24,280
Speaker 1: the ground, it's gone. But Joe Rogan was saying, like

2620
02:18:24,920 --> 02:18:28,680
Speaker 1: the what what probably is the like uneasy truth that

2621
02:18:28,680 --> 02:18:30,800
Speaker 1: people aren't gonna want to like admit to as far

2622
02:18:30,800 --> 02:18:34,560
Speaker 1: as politicians is like you gotta legalize all drugs so

2623
02:18:34,640 --> 02:18:37,720
Speaker 1: the product at least is controlled because people are gonna

2624
02:18:37,800 --> 02:18:41,320
Speaker 1: do drugs either way, right Fededanols. Hey, look, they catch

2625
02:18:41,360 --> 02:18:43,280
Speaker 1: you with that ship, they give me you they putting

2626
02:18:43,280 --> 02:18:45,240
Speaker 1: you in under the fucking prison. Catch you with that

2627
02:18:45,360 --> 02:18:48,720
Speaker 1: fal That ship is like what PCP was on steroids.

2628
02:18:48,879 --> 02:18:51,320
Speaker 1: They catch it with that, you out of here? Yeah, man,

2629
02:18:51,360 --> 02:18:54,760
Speaker 1: And and it's crazy because there's no way to there's

2630
02:18:54,800 --> 02:18:59,480
Speaker 1: no quality control in the drugs, in drugs anymore. What's

2631
02:18:59,520 --> 02:19:02,959
Speaker 1: the quality control? I don't know because even that's what

2632
02:19:02,959 --> 02:19:05,240
Speaker 1: I'm saying. All I know is it ship. It ain't

2633
02:19:05,240 --> 02:19:08,039
Speaker 1: for us, it ain't for my people, nobody's people, it

2634
02:19:08,080 --> 02:19:10,440
Speaker 1: ain't for our youth, man. And we really need to

2635
02:19:10,480 --> 02:19:14,680
Speaker 1: start educating these kids on what ftanol is and what

2636
02:19:14,720 --> 02:19:18,160
Speaker 1: it would do to you if they happened to be it,

2637
02:19:18,720 --> 02:19:20,720
Speaker 1: because I don't think they know. I didn't know at

2638
02:19:20,760 --> 02:19:24,200
Speaker 1: one point in time. Right. Yeah, it is Russian. It's

2639
02:19:24,200 --> 02:19:27,840
Speaker 1: literally Russian Russian. Let bro, if you get it, it's over.

2640
02:19:28,120 --> 02:19:32,400
Speaker 1: So yeah, it's crazy, man. Yeah, you know what I'm saying.

2641
02:19:32,400 --> 02:19:34,240
Speaker 1: So we definitely to do that. Are here you back

2642
02:19:34,280 --> 02:19:37,680
Speaker 1: at radio? Oh yeah, yeah, yeah, you're talking about we launched,

2643
02:19:37,760 --> 02:19:39,920
Speaker 1: you know, it launched the syndicated show back back in

2644
02:19:39,959 --> 02:19:41,680
Speaker 1: real ninety two three. It's been a real ninety two

2645
02:19:41,760 --> 02:19:44,080
Speaker 1: three doing this thing, you know, seeing the podcast, bro,

2646
02:19:44,320 --> 02:19:46,360
Speaker 1: I gotta let go and then back on the station

2647
02:19:46,600 --> 02:19:48,920
Speaker 1: said seven months where they do that at Oh did

2648
02:19:48,959 --> 02:19:53,000
Speaker 1: you let get let go what you ventured off to do? Right?

2649
02:19:53,240 --> 02:19:56,760
Speaker 1: You went back to radio with that what you was doing,

2650
02:19:56,800 --> 02:19:58,600
Speaker 1: you know what I mean? So now it ain't like

2651
02:19:58,600 --> 02:20:00,720
Speaker 1: you had to shut this down. This is part of that.

2652
02:20:00,720 --> 02:20:02,880
Speaker 1: The way I looked at what happened with me was

2653
02:20:04,160 --> 02:20:07,560
Speaker 1: I had already had the thought in my mind to

2654
02:20:07,800 --> 02:20:11,560
Speaker 1: leave terrestrial radio and launch my own syndicated show, because

2655
02:20:11,600 --> 02:20:13,520
Speaker 1: I see that that's where the business is heading. Right.

2656
02:20:14,000 --> 02:20:16,760
Speaker 1: So when everything happened, you know, for people who don't know,

2657
02:20:16,760 --> 02:20:18,959
Speaker 1: I got to let go in December for budget cuts, right,

2658
02:20:19,080 --> 02:20:21,879
Speaker 1: I heeart laid off like two thousand people or something. Actually,

2659
02:20:22,120 --> 02:20:24,720
Speaker 1: so I got let laid off, but I didn't. I

2660
02:20:24,800 --> 02:20:27,280
Speaker 1: wasn't emotional about it. I was like, hey, thank you

2661
02:20:27,360 --> 02:20:29,640
Speaker 1: Doc for the look. Thank you. Ao kept my relation.

2662
02:20:29,680 --> 02:20:31,120
Speaker 1: I'm like, look, I told he Ao, I said, look,

2663
02:20:31,160 --> 02:20:34,360
Speaker 1: you know I'm launching this radio show, and you know,

2664
02:20:34,400 --> 02:20:36,240
Speaker 1: I got put on in Vegas at first at AO

2665
02:20:36,280 --> 02:20:39,000
Speaker 1: station in Vegas and then you know, just put my

2666
02:20:39,040 --> 02:20:42,680
Speaker 1: head down and got to it, and an opportunity presented itself.

2667
02:20:42,720 --> 02:20:45,000
Speaker 1: You've always been a real one, you know, and it

2668
02:20:45,080 --> 02:20:47,160
Speaker 1: got my attention being a real one. So you know

2669
02:20:47,320 --> 02:20:49,600
Speaker 1: it ain't gonna stop you bro, Like I'm gonna be

2670
02:20:49,640 --> 02:20:52,119
Speaker 1: really you know your best is yet to come. Yeah, man,

2671
02:20:52,160 --> 02:20:55,640
Speaker 1: I feel that. I mean, I value our relationship because

2672
02:20:55,640 --> 02:20:57,440
Speaker 1: I know it's gonna come a day while I'm walking

2673
02:20:57,480 --> 02:20:59,959
Speaker 1: in somewhere and it's going to the decision gonna be

2674
02:21:00,080 --> 02:21:02,640
Speaker 1: up to Bootleg Care And I'm a value that I

2675
02:21:02,720 --> 02:21:05,360
Speaker 1: got fifteen twenty twenty five years and with this man,

2676
02:21:05,400 --> 02:21:07,080
Speaker 1: you know what I mean. So it's like, you know,

2677
02:21:07,200 --> 02:21:10,560
Speaker 1: that's how I build my relationships with people. So you know,

2678
02:21:10,640 --> 02:21:13,480
Speaker 1: I see it in you. You understand this business. You're

2679
02:21:13,520 --> 02:21:15,959
Speaker 1: taking your hits in this business. I was back for

2680
02:21:16,040 --> 02:21:18,680
Speaker 1: this business and I know you still reaching in this business.

2681
02:21:18,680 --> 02:21:20,320
Speaker 1: So you know the best for you you have to come. Man.

2682
02:21:20,320 --> 02:21:22,160
Speaker 1: I say, yeah, I would just tell everyone, man, bet

2683
02:21:22,200 --> 02:21:24,760
Speaker 1: on yourself, because literally that's all I did. I just

2684
02:21:24,760 --> 02:21:26,760
Speaker 1: went all in on me. I said, I'm gona launch

2685
02:21:26,800 --> 02:21:30,040
Speaker 1: a radio show and we launched with kkf R as

2686
02:21:30,080 --> 02:21:32,440
Speaker 1: our first affiliate in Phoenix. And now you know we're

2687
02:21:32,480 --> 02:21:35,840
Speaker 1: on seven stations, probably about to be like fifteen real soon.

2688
02:21:36,840 --> 02:21:40,280
Speaker 1: Did my YouTube shit? Let y'all know, my little brother,

2689
02:21:40,360 --> 02:21:42,840
Speaker 1: ray J, my business partner, is still working. He loves

2690
02:21:42,879 --> 02:21:46,000
Speaker 1: to get back to the community. Ray J. Ray J's

2691
02:21:46,040 --> 02:21:49,280
Speaker 1: election has this safe sex campaign going on. He got

2692
02:21:49,280 --> 02:21:52,520
Speaker 1: his new his new line of ratronics. No, he got

2693
02:21:52,560 --> 02:21:55,560
Speaker 1: new condoms coming out. There's gonna be ray J condoms.

2694
02:21:55,560 --> 02:21:58,200
Speaker 1: You got condoms, they better be magnumized because we've seen

2695
02:21:58,200 --> 02:22:01,680
Speaker 1: the video. That man is packed out of it. I

2696
02:22:01,720 --> 02:22:05,600
Speaker 1: don't know nothing about that. You didn't watch them sex tape. Listen,

2697
02:22:05,920 --> 02:22:08,480
Speaker 1: you didn't see the sex tape. All I know is

2698
02:22:08,560 --> 02:22:11,320
Speaker 1: this is Kanye high lobing me. Bro. We got part

2699
02:22:11,400 --> 02:22:13,760
Speaker 1: two on the laptop. Ain't never been seen. We'd love

2700
02:22:13,800 --> 02:22:16,240
Speaker 1: for you to have it. It'd be a great personal

2701
02:22:16,280 --> 02:22:19,560
Speaker 1: private n ft. Wait wait wait, wait wait, So there's

2702
02:22:19,600 --> 02:22:24,440
Speaker 1: another ray J kimk sex tape that's that we haven't seen. Yeah,

2703
02:22:24,480 --> 02:22:26,600
Speaker 1: that was more graphic and better than the first of one.

2704
02:22:27,520 --> 02:22:29,400
Speaker 1: Is it ever gonna see the light of day? I mean,

2705
02:22:29,400 --> 02:22:31,600
Speaker 1: I wouldn't meet personally I would never give it to

2706
02:22:31,720 --> 02:22:36,760
Speaker 1: anybody but Kanye, because that's he's some mother, his children.

2707
02:22:37,080 --> 02:22:38,840
Speaker 1: It's a lot of people that didn't try to reach

2708
02:22:38,879 --> 02:22:41,000
Speaker 1: for that for a price tag. Obviously Kanye could buy

2709
02:22:41,000 --> 02:22:42,320
Speaker 1: it from you, or would you just give it to him?

2710
02:22:42,320 --> 02:22:46,000
Speaker 1: And say what I probably would because it's Kanye. I

2711
02:22:46,120 --> 02:22:49,320
Speaker 1: probably would give it to Kanye. Kanye, it's ray J.

2712
02:22:49,480 --> 02:22:51,760
Speaker 1: In the same mind state as you, because that was

2713
02:22:51,840 --> 02:22:54,200
Speaker 1: my little brother. You know, he may we might wake

2714
02:22:54,280 --> 02:22:56,480
Speaker 1: up one day and Ray is like, fuck it, nah no,

2715
02:22:56,760 --> 02:23:01,000
Speaker 1: because you know com force last ya remember Ray's father.

2716
02:23:01,120 --> 02:23:04,840
Speaker 1: Now understand what I'm saying. So and ray J really

2717
02:23:04,959 --> 02:23:06,879
Speaker 1: and the boss is you know, he's a great He's

2718
02:23:06,879 --> 02:23:09,000
Speaker 1: a great guy. So you know that's I think we

2719
02:23:09,040 --> 02:23:11,640
Speaker 1: would probably gift that to him. You don't know what

2720
02:23:11,680 --> 02:23:13,680
Speaker 1: I'm saying. If ever that day was to come, we

2721
02:23:13,680 --> 02:23:15,280
Speaker 1: was just sat out and we would gift that to him.

2722
02:23:15,440 --> 02:23:17,600
Speaker 1: He got mother, he got children. By that one, you've

2723
02:23:17,600 --> 02:23:21,080
Speaker 1: seen the part two. We've been in our life ten twelve,

2724
02:23:21,160 --> 02:23:26,440
Speaker 1: so you've seen the unreleased Wow, and it was better

2725
02:23:26,480 --> 02:23:32,080
Speaker 1: than the first one, longer all that Wow. Hey, Well listen,

2726
02:23:33,400 --> 02:23:36,959
Speaker 1: uh Kanye tapping with waq one hund yeah, we gift

2727
02:23:37,000 --> 02:23:39,240
Speaker 1: that to him. Well, you know that just that's for him.

2728
02:23:39,320 --> 02:23:40,760
Speaker 1: You know what I mean. We can't put that out

2729
02:23:40,760 --> 02:23:44,560
Speaker 1: there in the world like that. We disrespectful. In worst

2730
02:23:44,560 --> 02:23:47,760
Speaker 1: case scenario, Kanye becomes the president in like eight years

2731
02:23:48,000 --> 02:23:49,920
Speaker 1: and you want to hit like a billion dollar lick.

2732
02:23:50,920 --> 02:23:54,600
Speaker 1: I'm just saying. I'm just saying. You know, you know

2733
02:23:54,640 --> 02:23:58,039
Speaker 1: what's bigger than Kanye and Kim what those children? I

2734
02:23:58,120 --> 02:24:00,959
Speaker 1: understand the Internet. That is true. Man, got kids not

2735
02:24:01,040 --> 02:24:03,480
Speaker 1: gonna happen, not on my watch. Hey man, that's what

2736
02:24:03,600 --> 02:24:05,720
Speaker 1: makes you different. Whack You know what I'm saying. So

2737
02:24:06,000 --> 02:24:08,520
Speaker 1: Whack one hundred, Episode one hundred of the bluele had

2738
02:24:08,600 --> 02:24:14,240
Speaker 1: podcasts West up ending with a fucking big just a

2739
02:24:14,440 --> 02:24:18,800
Speaker 1: huge revelation. So let's go. Let's go, let's go, let's go.

2740
02:24:18,800 --> 02:24:21,640
Speaker 1: Shout out to all my family, my loved ones, everybody

2741
02:24:21,640 --> 02:24:25,200
Speaker 1: out there that supported me. Incredible diapers coming man, Steve Marconnell.

2742
02:24:25,320 --> 02:24:29,600
Speaker 1: Fifteen wait is it? Fifteen hours of soaking up the

2743
02:24:30,240 --> 02:24:33,080
Speaker 1: crazy man. Incredible diapers with the people. They're like, yo,

2744
02:24:33,160 --> 02:24:37,199
Speaker 1: my babies, by kids wake it up at night they dry. Wow,

2745
02:24:37,400 --> 02:24:39,800
Speaker 1: went a lot of money. I really want shout out

2746
02:24:39,800 --> 02:24:42,360
Speaker 1: to American gangs to American gangs inspired me to do

2747
02:24:42,400 --> 02:24:44,800
Speaker 1: what I did because I went Frank Lucas and went

2748
02:24:44,879 --> 02:24:48,000
Speaker 1: to the source like I went to China. Me and

2749
02:24:48,040 --> 02:24:50,320
Speaker 1: my pipe was in the pick up. My business partner,

2750
02:24:50,360 --> 02:24:52,560
Speaker 1: Travis Wilson. We was in the pick up and going

2751
02:24:52,600 --> 02:24:55,560
Speaker 1: straight to where they make the diapers yep out the middle,

2752
02:24:56,040 --> 02:24:58,600
Speaker 1: and we went out there right there. They witnessed it,

2753
02:24:58,680 --> 02:25:00,840
Speaker 1: you know what I mean? It was crazy, so yo,

2754
02:25:00,959 --> 02:25:02,440
Speaker 1: they could have made a left and or right my

2755
02:25:02,520 --> 02:25:05,760
Speaker 1: ass with another kid. You would never know. There is

2756
02:25:05,800 --> 02:25:09,160
Speaker 1: man Whack one hundred, Episode one hundred, The Bullet Hit Podcasts,

2757
02:25:10,360 --> 02:25:16,080
Speaker 1: and I'm gonna leak something out. Instagram been tripping, y'all.

2758
02:25:16,080 --> 02:25:20,640
Speaker 1: Stay tuned on the lookout for insti Rated coming soon.

2759
02:25:20,760 --> 02:25:23,840
Speaker 1: Insta what insti rated, Well, they took your ig down

2760
02:25:23,879 --> 02:25:25,840
Speaker 1: for a bid take it every two weeks with something

2761
02:25:25,879 --> 02:25:27,880
Speaker 1: because I saw your your Instagram after the sixth nine

2762
02:25:27,879 --> 02:25:29,280
Speaker 1: shiit was just gone. And then it came back and

2763
02:25:29,320 --> 02:25:32,000
Speaker 1: there was this this profile that had like eighteen thousand followers.

2764
02:25:32,000 --> 02:25:34,160
Speaker 1: If one en youre me that wasn't even that ain't

2765
02:25:34,160 --> 02:25:37,440
Speaker 1: me whacked one hundred officials not missed a fake page.

2766
02:25:37,440 --> 02:25:39,600
Speaker 1: They'd be getting people to send them money for consulting

2767
02:25:39,680 --> 02:25:42,600
Speaker 1: fees and all that do not send them nothing. But

2768
02:25:42,680 --> 02:25:44,800
Speaker 1: you know, it's getting to a point to watch what

2769
02:25:44,800 --> 02:25:47,600
Speaker 1: they do with Bootsy and a few other artists is like,

2770
02:25:47,680 --> 02:25:50,120
Speaker 1: you know, I got a nice little tech team. Shout

2771
02:25:50,120 --> 02:25:52,160
Speaker 1: out to my man saved my man say, I'm and

2772
02:25:52,240 --> 02:25:55,760
Speaker 1: Brave Energy drink. We didn't put our tech team together,

2773
02:25:55,800 --> 02:25:58,280
Speaker 1: and we didn't we about about two million lines of

2774
02:25:58,280 --> 02:26:00,320
Speaker 1: cold in so you might you can be watch your

2775
02:26:00,320 --> 02:26:02,920
Speaker 1: own social platform definitely where indie life is coming and

2776
02:26:03,000 --> 02:26:06,160
Speaker 1: instagrated is coming. There. It is my censor there. It

2777
02:26:06,200 --> 02:26:09,120
Speaker 1: is whack on there, it is leading nothing, post whatever

2778
02:26:09,120 --> 02:26:11,400
Speaker 1: you want. You know what I'm saying, get your money,

2779
02:26:11,440 --> 02:26:12,440
Speaker 1: Boom West Up