WEBVTT - Conversations About Storytellers

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<v Speaker 1>Speaks to the planet.

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<v Speaker 2>I go by the name of Charlamagne Tha God and

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<v Speaker 2>guess what, I can't wait to see y'all at the

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<v Speaker 2>third annual Black Effect Podcast Festival. That's right, We're coming

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<v Speaker 2>back to Atlanta, Georgia, Saturday, April twenty six at Poeman

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<v Speaker 2>Yards and it's hosted by none other than Decisions, Decisions Man,

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<v Speaker 2>DyB and Weezy. Okay, we got the R and B

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<v Speaker 2>Money podcast were taking Jay Valentine. You got the Women

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<v Speaker 2>of All podcasts with Saray Jake Roberts, we got Good

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<v Speaker 2>Mom's Bad Choices. Carrie Champion will be there with her

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<v Speaker 2>next sports podcast, and the Trap Nerds podcast with more

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<v Speaker 2>to be announced. And of course it's bigger than podcasts.

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<v Speaker 2>We're bringing the Black Effect marketplace with black owned businesses

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<v Speaker 1>All right, listen, you don't want to miss this.

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<v Speaker 2>Tap in and grab your tickets now at Black Effect

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<v Speaker 2>dot Com Flash Podcast Festival.

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sinners Podcast with your hosts now fuck that with your

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<v Speaker 1>load glasses Malone. So the tricky part is, right, is

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<v Speaker 1>I don't really look at. So when I podcast, I

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<v Speaker 1>don't do interviews. Like one thing I wanted to do

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<v Speaker 1>with no seilings is not have like an interview like

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<v Speaker 1>they like the audience. The population has enough interview ideas.

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<v Speaker 1>I just wanted to have a normal conversation with people

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<v Speaker 1>based off or whatever the thought is. So one of

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<v Speaker 1>the greatest people that I have conversations with is Pete.

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<v Speaker 1>Like Pete is somebody that's he's very knowledgeable in a

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<v Speaker 1>lot of different things, but it really strong and then

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<v Speaker 1>where I'm strong at, I'm strong at, but he's open

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<v Speaker 1>like Pete is. This ain't the true definition, but this

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<v Speaker 1>is my interpretation of definition through my experience of breathing.

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<v Speaker 1>Their smart is the ability to talk. It's like a

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<v Speaker 1>quick wit you could talk. Intellect is the ability to

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<v Speaker 1>listen and process with your listen to and then to

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<v Speaker 1>be able to respond to that. Peter's intelligent, Like Peter'll

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<v Speaker 1>be open to some information. Like We've had multiple conversations today.

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<v Speaker 1>I was on Twitter and I was telling somebody they

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<v Speaker 1>was telling me about They were talking about gang culture,

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<v Speaker 1>and I'm like, bro, they are so minimal things that

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<v Speaker 1>separate gang culture from any level of street culture. And

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<v Speaker 1>you'll have one hundred people that's upset that I'm distinguishing it.

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<v Speaker 1>They'll be mad, and I'm like, because they want to

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<v Speaker 1>be upset at gangs. They really want to feel like

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<v Speaker 1>gangs are the issue in the community, not oppression, not poverty,

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<v Speaker 1>not the lack of resources and opportunities, not the police

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<v Speaker 1>force driving down. They like gangs right and specifically they

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<v Speaker 1>kind of want to corner black people in games. They

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<v Speaker 1>don't want to talk about al Capone, like Sherry. They

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<v Speaker 1>don't want to talk about al Capone. They don't want

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<v Speaker 1>to talk about the mafia. They don't want to talk

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<v Speaker 1>about the same thing that's happen in East LA and

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<v Speaker 1>then cycles. They don't talk about it. They don't want

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<v Speaker 1>to talk about the hell. They want to hide it

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<v Speaker 1>under the guise of them being black. Like I was

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<v Speaker 1>talking to the Homie Champ today and I was telling him,

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<v Speaker 1>you know, it's a brother I start building from Alabama.

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<v Speaker 1>And I was explaining to him like he was like, well,

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<v Speaker 1>I don't care about my people because I'm black. I'm like,

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<v Speaker 1>how is it your people? He's like, well, them people

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<v Speaker 1>come from Mexico. No, they were born in America, just

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<v Speaker 1>like you, Like I think it's a lazy, irresponsible thing

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<v Speaker 1>that sometimes brothers do. It's like, I only worry about

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<v Speaker 1>black people. You have to be worried about humanity because

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<v Speaker 1>some things go across the clear landscape of humanity and

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<v Speaker 1>it lets you know that it's not an individual thing

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<v Speaker 1>based off this. So if you could solve this problem

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<v Speaker 1>for us, then you could solve the same problem for

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<v Speaker 1>everybody else. So Pete said to them, He tweeted, he said, man, look,

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<v Speaker 1>I was telling them that the same thing happened in

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<v Speaker 1>Oakland happens in LA. There's no crips of bloods. The

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<v Speaker 1>murder rate is just as high per capital. It's just

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<v Speaker 1>as violent. Everything that you would like to think is

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<v Speaker 1>the community itself. I'm like, there's no crips of blood,

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<v Speaker 1>so why do you think that is? Intellect allows you

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<v Speaker 1>to take what I'm saying and listen. Emotions make you

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<v Speaker 1>think I'm defending it because I'm a crypt But if

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<v Speaker 1>you think about everything happening in Oakland, he could tell

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<v Speaker 1>you he lived up there. It's the same fucking thing.

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<v Speaker 1>But it's also rooted in their ignorance, like most people's

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<v Speaker 1>ignorance about what gang banging is about. Most people think

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<v Speaker 1>it's about colors. They really saw the movie and it's like,

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<v Speaker 1>all that's about colors. So that's how I built no seilings.

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<v Speaker 1>I built it, you know, with Pete and the cousins,

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<v Speaker 1>to have real conversation things with things in good conversations

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<v Speaker 1>and good faith, where where you're hoping to learn in

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<v Speaker 1>exchange a bunch of facts to create dialogue and thought,

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<v Speaker 1>it's not meant to be entertaining. It just happens to

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<v Speaker 1>be entertaining. I can make it way more entertaining.

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<v Speaker 3>But do you think you'll be going against what you

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<v Speaker 3>trying to build? Do you make it more entertaining?

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<v Speaker 1>I mean I could put somebody that sit next to

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<v Speaker 1>you and and they'll just argue with me for the

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<v Speaker 1>sake of argue with me, And then at that point

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<v Speaker 1>the polarity, the negative and the positive coming to each

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<v Speaker 1>other makes it more powerful. I think the listener doesn't

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<v Speaker 1>get anything from that, Okay, Like it's more important as

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<v Speaker 1>a healthy sale to pass DNA genetic information. Just to

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<v Speaker 1>pass information, that's the most important thing. So like we're

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<v Speaker 1>trying to pass information that that's to me to go.

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<v Speaker 1>So even if we're having a conversation that I'm wrapped

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<v Speaker 1>up in which is what this thing was about. I'm

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<v Speaker 1>having a conversation. I'll bring it right to the podcast

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<v Speaker 1>to talk to Peter about. So like, if the concept

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<v Speaker 1>is storytelling, right, and it's like, that's all marketing is

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<v Speaker 1>is storytelling. Promotion is when I tell you the story

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<v Speaker 1>if it's mine story. Publicity is when somebody else tell

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<v Speaker 1>you the story. Advertising is when you pay for the

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<v Speaker 1>story to be told. So like, even if I'm talking

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<v Speaker 1>to Madi and I'm telling Madi right now, I'm like, man, Mady,

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<v Speaker 1>this is what I need, Like you can hear, I'm

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<v Speaker 1>gonna walk it down and she's gonna be like, yep, yep, yep, yep, yep, yep,

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<v Speaker 1>she's telling me in this time, like the conversation, the

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<v Speaker 1>story needs to be very intriguing. She said that to you,

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<v Speaker 1>She said, yeah, because it mattered you know who the

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<v Speaker 1>first person is that validates the story, and then you

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<v Speaker 1>can move a story based off who validated thing about that.

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<v Speaker 1>She said that, Remember I just said that. I said,

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<v Speaker 1>it's one thing if you get TMZ, it's another thing

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<v Speaker 1>you get the breakfast club or iHeart right, But then

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<v Speaker 1>there's still the work to take that story to everybody

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<v Speaker 1>in between see the belief that we've been doing business own.

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<v Speaker 1>Like I told you earlier, I was telling Pete, excuse me, Pete,

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<v Speaker 1>I was telling King. I was like, that's like, if

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<v Speaker 1>I open up a weed store and people like to

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<v Speaker 1>smoke weed, I think people supposed to come through the door.

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<v Speaker 1>Marketing is the reason people come through the door. The

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<v Speaker 1>tricky is people think you come to the door because

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<v Speaker 1>you want to get some weed. That's minute part of

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<v Speaker 1>the population. Marketing might be that you panked the front

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<v Speaker 1>of this motherfucker with a big ass cannabis leaf looked

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<v Speaker 1>like the front of the Chronic album covered that make

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<v Speaker 1>motherfuckers walk in. That's marketing. That's telling the story to

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<v Speaker 1>anybody that sees the front of that building. This got

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<v Speaker 1>something to do with weed, marijuana.

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<v Speaker 4>That's why every weed shop in the first like ten

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<v Speaker 4>years that they had weed shops had some sort of

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<v Speaker 4>play on words about smoking weed as the title name

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<v Speaker 4>of the shop.

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<v Speaker 1>No Selings, Jail, Come my Brother Peter, Boss in the house.

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<v Speaker 1>Another episode, No Breaks, got King of Things in the house.

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<v Speaker 1>What's up Ken, what's happening Pete? Okay, So that's the goal.

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<v Speaker 1>The goal is to tell the story. So it's like

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<v Speaker 1>when you asked me, what did I do wrong with cancel?

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<v Speaker 1>Specifically cancel. So when we first right before we first met,

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<v Speaker 1>when I first started learning all of this stuff, I

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<v Speaker 1>was picking up records, like I always told you, I

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<v Speaker 1>was picking up hip hop. Then I got to marketing.

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<v Speaker 1>We met when I was starting to pick up hip hop.

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<v Speaker 1>So at that point it's like you study, study, study, study, study,

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<v Speaker 1>and then you do these things that are tests. Right,

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<v Speaker 1>That good was my first test on record, and then

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<v Speaker 1>it being my first independent hit record. It was a

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<v Speaker 1>regional record, but it's my first hit record independently. My

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<v Speaker 1>MOA was just us. The proof of hip hop was

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<v Speaker 1>glass House Too. When people heard it, they could hear

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<v Speaker 1>the culture in it. They I knew what to do,

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<v Speaker 1>like I I got it. I know what's happening. And

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<v Speaker 1>then the marketing proof was when I did Tupac Months Die.

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<v Speaker 1>Remember I was like, man, it's gonna be the most

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<v Speaker 1>talked about song on the internet for twenty four hours,

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<v Speaker 1>and that mother fucking up being the most talked about

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<v Speaker 1>song on the internet for twos maybe even a month.

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<v Speaker 1>But it's all because now I'm not sacrificing no part

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<v Speaker 1>of my brand. I don't gotta give no, I don't

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<v Speaker 1>give nothing. I lean into my brand more. When everybody

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<v Speaker 1>feels like they need to run away, I lean into

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<v Speaker 1>my brand even more than before. That's the trick. I

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<v Speaker 1>leans into that shit. I'm not running away from shit

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<v Speaker 1>this crip. Yeah, whatever you think that mean. To some people,

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<v Speaker 1>they think it's like, oh, that means you're gonna snatch

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<v Speaker 1>your old lady purpose. That's they ignorance, you know what

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<v Speaker 1>I mean. They don't know. They like, what does that mean?

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<v Speaker 1>It means you you're gonna kill somebody that wears red.

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<v Speaker 1>They all kind of ridiculous shit. But it's not their

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<v Speaker 1>fault they ignorant. But it's also my job to That's

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<v Speaker 1>what makes me so valuable in the marketplace. I can

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<v Speaker 1>fill in the gray area. Now, there's gonna be a

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<v Speaker 1>population of people that act like they don't care. That's

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<v Speaker 1>just a fact. They're gonna act like they don't care.

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<v Speaker 1>It's a population of people that, oh my god, you know,

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<v Speaker 1>they feel the threat of how cool that's being, and

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<v Speaker 1>they tired of not being cool themselves. Oh you know,

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<v Speaker 1>fuck glasses, the creps. What they did every special to

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<v Speaker 1>Homie asked me that he was like, Yo, what's the

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<v Speaker 1>benefit of being a crip? And I'm like, the benefit, Like,

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<v Speaker 1>I don't do most of the stuff in my life

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<v Speaker 1>to be the benefit. But you know, I'm sure it's

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<v Speaker 1>the level of camaraderie. It's a level of opportunity to

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<v Speaker 1>actually hustle. Like in la you can't just be hustling

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<v Speaker 1>in everybody neighborhood. You got to have a relationship. I mean,

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<v Speaker 1>motherfuckers ain't let you monetize their community for free, just

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<v Speaker 1>like american't let you monetize this country for free. So

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<v Speaker 1>the point I'm saying is it's like you have to

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<v Speaker 1>kind of see it. So the difference what canceled is

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<v Speaker 1>I knew how to make the content right. I made

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<v Speaker 1>a great body of work. Canceled These Nuts is really

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<v Speaker 1>a solid body of work. Like definitely on the top

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<v Speaker 1>half of my project follow You by a four, it's

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<v Speaker 1>really good. But from the promotional angle, I just depended

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<v Speaker 1>on podcasting. Like a lot of people that that has

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<v Speaker 1>a that have a product, right that they depend on

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<v Speaker 1>just going around on a podcast to it right. People

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<v Speaker 1>they telling everybody, here's I'm gonna use my brand and

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<v Speaker 1>then you're gonna be interested in my brand, and I'm

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<v Speaker 1>gonna tell you at the end, gonna listen to my

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<v Speaker 1>album and that's gonna work. Right. I stop at the

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<v Speaker 1>breakfast club, I'll stop at you know, brilliant Idiots. I'll

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<v Speaker 1>stop at you know, uh eighty five South. I'll go

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<v Speaker 1>to the Bay.

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<v Speaker 4>Traditional press tour concept, huh, like the traditional press tour

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<v Speaker 4>concept when they drop a book, when they drop an album,

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<v Speaker 4>they got a movie coming out all the rest.

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<v Speaker 1>Yeah, right, So it's like that was something cool, right,

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<v Speaker 1>So that was my only promotion. There was nothing else

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<v Speaker 1>that wasn't no promotion. The music videos and promotion, but

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<v Speaker 1>even that point, the way I saw it, once you

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<v Speaker 1>do a music video on YouTube, you're not promoting anymore.

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<v Speaker 1>You're giving away the product. Like the inception of music

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<v Speaker 1>videos was all about you putting something on television that

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<v Speaker 1>you didn't have, like you were able to get you

0:12:30.080 --> 0:12:34.360
<v Speaker 1>got privy to a new song, Like you looked at

0:12:34.360 --> 0:12:36.600
<v Speaker 1>the TV and you heard that song. The only way

0:12:36.600 --> 0:12:38.280
<v Speaker 1>you could have that song on command to be at

0:12:38.280 --> 0:12:40.400
<v Speaker 1>a player wherever you want to after that was to

0:12:40.400 --> 0:12:42.480
<v Speaker 1>go to the store and buy the song. And they

0:12:42.520 --> 0:12:45.760
<v Speaker 1>made you buy a whole album. They didn't even let

0:12:45.760 --> 0:12:48.440
<v Speaker 1>you buy the song, like you got to buy this

0:12:48.520 --> 0:12:51.840
<v Speaker 1>whole straight out of Compton and Master.

0:12:51.600 --> 0:12:56.000
<v Speaker 4>Pigmate, you buy twenty two songs and seven skits. So

0:12:56.080 --> 0:12:59.520
<v Speaker 4>it was quite a commitment, you like.

0:13:00.559 --> 0:13:03.719
<v Speaker 1>So it's like that was the point, right. So the

0:13:03.760 --> 0:13:05.520
<v Speaker 1>only way I could hear this song, if I liked

0:13:05.520 --> 0:13:07.560
<v Speaker 1>this song with that brand that I just saw on

0:13:07.600 --> 0:13:09.640
<v Speaker 1>the television, was to go to the record store and

0:13:09.640 --> 0:13:13.160
<v Speaker 1>buy it today on YouTube if I give you the

0:13:13.280 --> 0:13:16.320
<v Speaker 1>music video, you stream from YouTube. So you play your

0:13:16.400 --> 0:13:20.520
<v Speaker 1>music from YouTube and they pay you a whapp in

0:13:20.600 --> 0:13:25.520
<v Speaker 1>one cent per ten plays, one cent a penny for

0:13:25.600 --> 0:13:30.160
<v Speaker 1>ten plays. That's crazy, right. So it's like I didn't

0:13:30.240 --> 0:13:33.240
<v Speaker 1>calculate that. So when I dropped you know, some for

0:13:33.480 --> 0:13:39.680
<v Speaker 1>some for bitches, or when I dropped tra like, I

0:13:39.720 --> 0:13:43.079
<v Speaker 1>didn't calculate that. I didn't think about that. I was like, Okay, well,

0:13:43.120 --> 0:13:45.400
<v Speaker 1>if it's gonna do two to three million like Kanye

0:13:45.920 --> 0:13:47.839
<v Speaker 1>fit me, then I can make it work. But it didn't.

0:13:48.800 --> 0:13:50.760
<v Speaker 1>They was like, yeah, we're not finna move this nowhere.

0:13:50.880 --> 0:13:54.360
<v Speaker 1>You need to advertise. Yeah, you need to fiz some

0:13:54.440 --> 0:13:59.920
<v Speaker 1>money into this, you know what I'm saying. So one

0:14:00.080 --> 0:14:02.079
<v Speaker 1>thing was I didn't really have the promotion outside of

0:14:02.120 --> 0:14:04.439
<v Speaker 1>the press tour the proverbial like PI said, the press

0:14:04.480 --> 0:14:09.920
<v Speaker 1>tour or just the videos. I was thinking about something

0:14:09.920 --> 0:14:13.959
<v Speaker 1>else too, right, like YouTube like MTV might have charge

0:14:13.960 --> 0:14:16.160
<v Speaker 1>you five or six thousand dollars to slay the video

0:14:16.200 --> 0:14:19.920
<v Speaker 1>to put a video inside their system. Right, that's what

0:14:19.960 --> 0:14:21.600
<v Speaker 1>you paid for. You paid for the video, then you

0:14:21.600 --> 0:14:24.680
<v Speaker 1>prayed the slaty. So it's not like me advertising a

0:14:24.800 --> 0:14:28.520
<v Speaker 1>video is doing too much. The trick, though, is to

0:14:28.560 --> 0:14:31.200
<v Speaker 1>not advertise a video and then give you the song

0:14:31.280 --> 0:14:36.040
<v Speaker 1>at the same time explain that you can't put the

0:14:36.120 --> 0:14:38.960
<v Speaker 1>video on fucking YouTube first, okay, because if you put

0:14:39.000 --> 0:14:41.400
<v Speaker 1>the video on YouTube, I gave you the song, okay,

0:14:42.600 --> 0:14:45.560
<v Speaker 1>So you gotta put it out without visuals first. But

0:14:45.640 --> 0:14:47.200
<v Speaker 1>that's where it get tricky, you know what I mean.

0:14:47.240 --> 0:14:49.720
<v Speaker 1>That's where I'm that Nigga and other people gotta figure

0:14:49.720 --> 0:14:51.440
<v Speaker 1>it out because when they see what I'm doing, that's

0:14:51.480 --> 0:14:55.160
<v Speaker 1>the plan. Okay. But I'm telling you that's the problem.

0:14:55.680 --> 0:14:58.640
<v Speaker 4>You gotta sell your horses in the stable. You can't

0:14:58.720 --> 0:15:00.800
<v Speaker 4>let them flee the barn first and then try to

0:15:00.840 --> 0:15:01.920
<v Speaker 4>sell them when they're gone.

0:15:02.640 --> 0:15:04.800
<v Speaker 1>That means my idea, I can't give it to people

0:15:04.880 --> 0:15:07.880
<v Speaker 1>because it's my idea. They gotta pay me, and it's

0:15:07.920 --> 0:15:10.880
<v Speaker 1>not gonna work for everybody. Neither. My idea ain't gonna work.

0:15:10.880 --> 0:15:13.320
<v Speaker 1>I had to figure out the idea for them after

0:15:13.360 --> 0:15:16.560
<v Speaker 1>I'm done with this presentation. Man, some problem. Contina should

0:15:16.600 --> 0:15:19.080
<v Speaker 1>be hiring me to be her motherfucking in turn, to

0:15:19.200 --> 0:15:21.200
<v Speaker 1>take her position that she you know, when she when

0:15:21.240 --> 0:15:22.880
<v Speaker 1>she get out of the business. That's how good I should

0:15:22.880 --> 0:15:24.800
<v Speaker 1>be a product manager at some company at this point,

0:15:26.360 --> 0:15:28.000
<v Speaker 1>you know what I mean. That's how I see the game.

0:15:28.160 --> 0:15:29.720
<v Speaker 1>So if you gonna see me talk to the best

0:15:29.760 --> 0:15:31.600
<v Speaker 1>people in our field, you're gonna see me talk to

0:15:31.640 --> 0:15:33.960
<v Speaker 1>the best executive. If I'm talking to Brian Turner, it's

0:15:34.000 --> 0:15:35.880
<v Speaker 1>gonna make more sense. If I'm talking to Madi, who's

0:15:35.880 --> 0:15:38.360
<v Speaker 1>a publicist. Job she did with Tory Lang in Credible,

0:15:38.400 --> 0:15:40.240
<v Speaker 1>it's gonna be an impressive conversation. If I talk to

0:15:40.240 --> 0:15:43.200
<v Speaker 1>a distribution company, it's gonna be an impressive conversation. Hell,

0:15:43.240 --> 0:15:45.680
<v Speaker 1>if I talk to Doctor Dre about records, it's gonna

0:15:45.680 --> 0:15:48.000
<v Speaker 1>be an impressive conversation. If I talk to Lord Jamar

0:15:48.120 --> 0:15:50.960
<v Speaker 1>about hip hop, it's gonna be an impressive conversation. Because

0:15:51.000 --> 0:15:53.840
<v Speaker 1>I care. I put way too much effort in it.

0:15:55.480 --> 0:15:58.720
<v Speaker 1>So the separation from cancel to what I'm about to

0:15:58.720 --> 0:16:02.920
<v Speaker 1>do coming up is like I'm no longer trying to

0:16:03.000 --> 0:16:05.920
<v Speaker 1>figure it out. M And that's why I like when

0:16:05.920 --> 0:16:08.240
<v Speaker 1>you feel like, forgive me for lack of better terms.

0:16:08.280 --> 0:16:12.520
<v Speaker 1>If I snap at you, I'm not snapping, nigga. How

0:16:12.640 --> 0:16:18.320
<v Speaker 1>dare you question it? You feel now? That's raggedy. Don't

0:16:18.360 --> 0:16:19.920
<v Speaker 1>get me wrong, and I get it. I'm supposed to,

0:16:20.120 --> 0:16:22.840
<v Speaker 1>but I talk, but no, I see why the greatest

0:16:22.920 --> 0:16:26.360
<v Speaker 1>niggas are that way. I see why Kanye is that crazy.

0:16:26.400 --> 0:16:29.400
<v Speaker 1>I see why niggas is like, Nigga, you ain't put

0:16:29.400 --> 0:16:31.840
<v Speaker 1>in nowhere near this to be talking to me, nigga.

0:16:32.280 --> 0:16:35.160
<v Speaker 1>That's how I feel about creeping nigga. What the fuck like, Nigga,

0:16:35.200 --> 0:16:39.400
<v Speaker 1>Go get baby gangster. You know what I'm saying. Go

0:16:39.440 --> 0:16:44.400
<v Speaker 1>get get nigg you on the phone. Niggas ain't nigga.

0:16:45.600 --> 0:16:47.800
<v Speaker 1>Go get my nigga girch. Go go get some homie,

0:16:47.800 --> 0:16:50.160
<v Speaker 1>go get something, go get plucked, go get moon, go

0:16:50.160 --> 0:16:53.080
<v Speaker 1>get some older homies. You niggas don't give a fuck

0:16:53.200 --> 0:16:56.400
<v Speaker 1>enough to be talking to me about this. That's so

0:16:56.600 --> 0:16:58.280
<v Speaker 1>so when I'm telling you. I'm like, man, this poster,

0:16:58.360 --> 0:17:01.080
<v Speaker 1>this is the campaign. I want to drop this poster here.

0:17:01.440 --> 0:17:06.320
<v Speaker 1>You're like, well, you know, I don't know because Nigga, what, No,

0:17:06.520 --> 0:17:08.479
<v Speaker 1>don't take that picture. We're not gonna take that. It's

0:17:08.560 --> 0:17:12.000
<v Speaker 1>not a picture. I'm not saying you're wrong. King Olivia's soul. Bro,

0:17:12.080 --> 0:17:14.520
<v Speaker 1>I swim on my mother. Bro, you're not wrong, but

0:17:14.640 --> 0:17:17.960
<v Speaker 1>go ahead. But I'm saying it because I know, yeah,

0:17:18.760 --> 0:17:20.919
<v Speaker 1>now you could build everything I saw on top of it.

0:17:21.520 --> 0:17:23.040
<v Speaker 1>I'm sure it's gonna be a challenge that you want

0:17:23.080 --> 0:17:24.920
<v Speaker 1>me to do it because this is what I do.

0:17:26.000 --> 0:17:28.160
<v Speaker 1>And no, I don't want you to do it. That's

0:17:28.160 --> 0:17:32.480
<v Speaker 1>not what I'm saying. That what I'm saying, I'm saying

0:17:32.880 --> 0:17:36.480
<v Speaker 1>it comes across to everybody else like arrogance or like

0:17:36.480 --> 0:17:39.800
<v Speaker 1>like Cherry said, I'm being a dictator. I'm not because

0:17:39.800 --> 0:17:41.240
<v Speaker 1>I'm not talking to you about who gonna win to

0:17:41.280 --> 0:17:43.000
<v Speaker 1>chatter if you say who won win the finals, I

0:17:43.000 --> 0:17:44.760
<v Speaker 1>can't be like, yeah, the Knicks is gonna win. Here

0:17:44.760 --> 0:17:46.679
<v Speaker 1>it is boom and I know Nigga now want you

0:17:47.000 --> 0:17:50.280
<v Speaker 1>I wouldn't bet on it? Well, not straight up.

0:17:53.200 --> 0:17:55.600
<v Speaker 4>That happened me A couple of times, like I've hung

0:17:55.680 --> 0:17:59.800
<v Speaker 4>out with Malcolm and some people and aside from the

0:17:59.840 --> 0:18:02.240
<v Speaker 4>fact act like if I make jokes, they can be

0:18:02.240 --> 0:18:07.160
<v Speaker 4>a little sharp, but also like I have no no

0:18:07.320 --> 0:18:12.439
<v Speaker 4>patience and stupid, not well read loud opinions. I just

0:18:12.880 --> 0:18:14.639
<v Speaker 4>I don't have the patience to take them off. So

0:18:14.720 --> 0:18:17.359
<v Speaker 4>like fella, last couple of times, like we hung out

0:18:17.359 --> 0:18:20.800
<v Speaker 4>with some people and they say some shit, he just looks.

0:18:20.520 --> 0:18:23.560
<v Speaker 1>At me like, please don't embarrass me.

0:18:23.680 --> 0:18:26.639
<v Speaker 4>Man, yeah, and I know, and like this is your friends,

0:18:26.640 --> 0:18:30.840
<v Speaker 4>but like he'll just kind of go just just no,

0:18:31.520 --> 0:18:32.040
<v Speaker 4>not today.

0:18:32.600 --> 0:18:37.240
<v Speaker 1>But I get can't feel and getting older, like it

0:18:37.359 --> 0:18:39.760
<v Speaker 1>makes sense, like you know what I mean If you

0:18:39.760 --> 0:18:43.160
<v Speaker 1>don't ask me, nigga, I'm telling you. So it's like, Nigga,

0:18:43.160 --> 0:18:46.040
<v Speaker 1>I gave up everything to know what I know. Now

0:18:46.080 --> 0:18:49.119
<v Speaker 1>I am up for listen. If you say something, I'm

0:18:49.119 --> 0:18:51.399
<v Speaker 1>ana listen. But if it's say some bullshit, the first

0:18:51.400 --> 0:18:53.800
<v Speaker 1>thing I'm about to them to cuss you out. You

0:18:53.920 --> 0:18:55.680
<v Speaker 1>made me listen to this ship when I just gave

0:18:55.720 --> 0:18:57.840
<v Speaker 1>you this soul fly shit that took me seventeen years

0:18:57.840 --> 0:19:00.200
<v Speaker 1>to figure out. You're gonna tell me just think you said.

0:19:03.119 --> 0:19:04.800
<v Speaker 4>I had a question from earlier from like we were

0:19:04.800 --> 0:19:09.480
<v Speaker 4>talking about before we got on, because he had mentioned

0:19:09.480 --> 0:19:18.080
<v Speaker 4>like the time gap between Kanye and Cancel. Yeah, and

0:19:18.520 --> 0:19:23.240
<v Speaker 4>obviously there's a lot of factors, say, like you know,

0:19:24.040 --> 0:19:28.480
<v Speaker 4>you and Kendrick aim for like your most pinnacle quality

0:19:28.600 --> 0:19:31.800
<v Speaker 4>of artistic output, which with each project. Yeah, and I

0:19:31.840 --> 0:19:35.200
<v Speaker 4>would say, you guys are also both older than like

0:19:35.200 --> 0:19:38.119
<v Speaker 4>like you were doing your thing and then social media happened.

0:19:38.160 --> 0:19:40.800
<v Speaker 4>You weren't born into the social media ecosystem.

0:19:41.119 --> 0:19:41.280
<v Speaker 1>You know.

0:19:42.600 --> 0:19:45.800
<v Speaker 4>Do you think that a good portion or at least

0:19:45.840 --> 0:19:46.919
<v Speaker 4>the younger portion of.

0:19:47.000 --> 0:19:48.320
<v Speaker 1>Hip hop is.

0:19:49.840 --> 0:19:52.600
<v Speaker 4>You Maybe you could make the case like suffering from

0:19:52.680 --> 0:19:56.080
<v Speaker 4>low quality, high quantity, or at least being framed by

0:19:56.080 --> 0:19:59.480
<v Speaker 4>the fact that you see, all right, this is good

0:19:59.560 --> 0:20:03.000
<v Speaker 4>enough to to consume or be consumed, but we have

0:20:03.080 --> 0:20:06.840
<v Speaker 4>to just keep putting out fives on a scale of

0:20:06.840 --> 0:20:08.960
<v Speaker 4>one to ten, just all the time, the way like

0:20:08.960 --> 0:20:11.040
<v Speaker 4>you see girls trying to build a massive social media

0:20:11.119 --> 0:20:14.760
<v Speaker 4>portfolio of like as bouncing videos. Just low quality, stupid ship.

0:20:14.840 --> 0:20:16.960
<v Speaker 4>We're putting out three a day, all the time, all

0:20:17.000 --> 0:20:18.959
<v Speaker 4>the time. Put it out all the time, like like

0:20:19.640 --> 0:20:23.600
<v Speaker 4>the Curtis le may fire bombing thousands of bombs a day,

0:20:24.000 --> 0:20:26.159
<v Speaker 4>versus just one nuke and then end it?

0:20:29.560 --> 0:20:31.679
<v Speaker 1>Do I think so? So I don't want to say that.

0:20:32.320 --> 0:20:32.960
<v Speaker 4>Is that in my head?

0:20:33.040 --> 0:20:36.000
<v Speaker 1>Or is that? Like? No, I don't want to say local,

0:20:36.040 --> 0:20:38.200
<v Speaker 1>you're not tripping, but I don't want to say low quality.

0:20:38.600 --> 0:20:41.080
<v Speaker 1>It's like an NBA Young Boys, like the Father. It

0:20:41.160 --> 0:20:43.800
<v Speaker 1>is NBA Young. We got so many goddamn songs, so

0:20:43.840 --> 0:20:46.359
<v Speaker 1>many that motherfucker probably got one hundred plaques. Welcome home,

0:20:46.400 --> 0:20:48.760
<v Speaker 1>because I know you came home. You know I'm happy

0:20:48.840 --> 0:20:51.399
<v Speaker 1>for you. Do the most with your time out. Go

0:20:51.560 --> 0:20:57.159
<v Speaker 1>make it happen, bro, because you your wizard. It's like

0:20:58.920 --> 0:21:02.200
<v Speaker 1>he understands right now. I don't know if you understgive

0:21:02.240 --> 0:21:06.320
<v Speaker 1>me that's not That may not be true, but this

0:21:06.400 --> 0:21:08.800
<v Speaker 1>goes to that theory that hip hop is street urban

0:21:08.800 --> 0:21:11.800
<v Speaker 1>culture personified through the arts. So where it may not

0:21:11.920 --> 0:21:15.280
<v Speaker 1>have the literature or the English technique some other hip

0:21:15.320 --> 0:21:18.719
<v Speaker 1>hop artists have, the culture is so heavy with it

0:21:19.520 --> 0:21:22.280
<v Speaker 1>that's all you really need to move it across the

0:21:22.359 --> 0:21:25.480
<v Speaker 1>landscape so people can enjoy it. Because whether people know

0:21:25.560 --> 0:21:28.159
<v Speaker 1>it or not, Pete, they're coming for the culture. They

0:21:28.280 --> 0:21:30.840
<v Speaker 1>not coming for the English technique. They not coming for

0:21:30.920 --> 0:21:35.239
<v Speaker 1>the metaphors. The punchlines and similes, even though historically they

0:21:35.280 --> 0:21:38.640
<v Speaker 1>have found that in certain artists usually.

0:21:38.920 --> 0:21:43.040
<v Speaker 4>Well, I think that the quality suffers on everything, well,

0:21:43.080 --> 0:21:46.280
<v Speaker 4>at least comparatively, Like some guys are really good. You

0:21:46.320 --> 0:21:49.040
<v Speaker 4>can put you can put stuff out, good quality, you know,

0:21:49.119 --> 0:21:52.359
<v Speaker 4>out of your mouth, uh, and good volume. I think

0:21:52.400 --> 0:21:54.920
<v Speaker 4>maybe it's more so on the musical side.

0:21:57.160 --> 0:21:58.000
<v Speaker 1>We're talking about like.

0:21:59.520 --> 0:22:01.520
<v Speaker 4>I'm talking songs like like I said, of putting out

0:22:01.560 --> 0:22:04.600
<v Speaker 4>like the Chronic and then two thousand, like they're eight

0:22:04.680 --> 0:22:07.240
<v Speaker 4>years apart when they hit. They hit like you know,

0:22:07.320 --> 0:22:11.600
<v Speaker 4>with with metric tonnage, just putting out like decent enough

0:22:11.640 --> 0:22:14.159
<v Speaker 4>songs all the all the all the time, and the

0:22:14.240 --> 0:22:16.439
<v Speaker 4>songs kind of sound the same. You might be rapping

0:22:16.520 --> 0:22:21.240
<v Speaker 4>phenomenally on them, but the songs are just a just

0:22:21.280 --> 0:22:24.600
<v Speaker 4>an ocean of Honda civics just boom boom boom boom.

0:22:24.680 --> 0:22:41.960
<v Speaker 1>Yeah. Yes, answering the question is yes, but well I

0:22:41.960 --> 0:22:45.720
<v Speaker 1>guess there is no but yes, yes, that's like that's.

0:22:45.600 --> 0:22:47.840
<v Speaker 4>Led to where like there's a few songs have a

0:22:47.840 --> 0:22:52.120
<v Speaker 4>good sound and then people just make similar ish sounding

0:22:52.160 --> 0:22:54.440
<v Speaker 4>beats just in huge volumes.

0:22:57.000 --> 0:23:04.200
<v Speaker 1>Yeah, yeah, yes, yes that's happening. Yes, why is that happened.

0:23:05.560 --> 0:23:09.480
<v Speaker 1>Everything else is harder, which made harder to find producers,

0:23:09.480 --> 0:23:12.440
<v Speaker 1>harder to find different music, or to make the chronic

0:23:12.480 --> 0:23:14.960
<v Speaker 1>of two thousand. To make the chronic or two thousand

0:23:15.000 --> 0:23:17.600
<v Speaker 1>and one is hard. But can you just make good music?

0:23:17.800 --> 0:23:19.359
<v Speaker 1>You don't have to make the chronic, But can you

0:23:19.400 --> 0:23:25.159
<v Speaker 1>make good music? What's good? I guess? I mean it

0:23:25.200 --> 0:23:27.920
<v Speaker 1>appears like if you young boy, young boys dropping a song,

0:23:28.080 --> 0:23:30.040
<v Speaker 1>he dropped one hundred songs in the year them, then,

0:23:30.640 --> 0:23:34.200
<v Speaker 1>so how can you be great overall with one hundred songs? Well,

0:23:34.240 --> 0:23:37.760
<v Speaker 1>I think his greatness is measured differently. His greatness is

0:23:37.840 --> 0:23:40.600
<v Speaker 1>measured in his cultural appeal, and then the songs just

0:23:40.640 --> 0:23:43.119
<v Speaker 1>become away for you to vote that you fuck with

0:23:43.160 --> 0:23:47.600
<v Speaker 1>him culturally. Yeah, but you go ahead, you'll find something

0:23:47.680 --> 0:23:50.600
<v Speaker 1>you like in the songs if you put out one hundred. Yes,

0:23:50.640 --> 0:23:55.440
<v Speaker 1>I say what I'm saying, like people support young boy

0:23:55.480 --> 0:23:58.159
<v Speaker 1>because I noticed this as soon as we got the

0:23:58.200 --> 0:24:00.280
<v Speaker 1>phones in our hand. You know what I'm saying. As

0:24:00.320 --> 0:24:03.479
<v Speaker 1>we got phones in our hands, it made everything what

0:24:03.560 --> 0:24:06.280
<v Speaker 1>we see, not what we hear. So all you have

0:24:06.320 --> 0:24:10.959
<v Speaker 1>to do is deliver what you see in my ears,

0:24:12.560 --> 0:24:14.320
<v Speaker 1>so it don't have to be they don't have to

0:24:14.520 --> 0:24:18.200
<v Speaker 1>master what you hear. This ain't you know pre phone ever,

0:24:18.280 --> 0:24:23.240
<v Speaker 1>where a visual took longer to travel like a picture.

0:24:23.280 --> 0:24:24.879
<v Speaker 1>There were certain artists I didn't even know what they

0:24:24.960 --> 0:24:27.720
<v Speaker 1>looked like, and I knew some of their songs. A

0:24:27.840 --> 0:24:29.800
<v Speaker 1>god was like that for a long time. Most people

0:24:29.800 --> 0:24:33.560
<v Speaker 1>that know Bobby Carwell was a white man, right, people

0:24:33.560 --> 0:24:37.480
<v Speaker 1>didn't know that. Now it's the exact opposite. I know

0:24:37.520 --> 0:24:39.680
<v Speaker 1>who a lot of these people are and never heard

0:24:39.720 --> 0:24:48.200
<v Speaker 1>a song. Because of how we consume, you know, entertainment,

0:24:48.240 --> 0:24:50.640
<v Speaker 1>It's changed. It's all in my hand and I see

0:24:50.680 --> 0:24:53.080
<v Speaker 1>everything it's like right now. One of the biggest and

0:24:53.160 --> 0:24:57.040
<v Speaker 1>greatest mistakes of No Feelings not being this really huge

0:24:57.080 --> 0:24:59.479
<v Speaker 1>podcast because I think me and pe conversations will go

0:25:00.040 --> 0:25:02.720
<v Speaker 1>as big as Joe or anybody else conversations is we

0:25:02.760 --> 0:25:06.000
<v Speaker 1>don't just have a simple visual component. Now it couldn't

0:25:06.000 --> 0:25:07.439
<v Speaker 1>be as simple as like what we do with the

0:25:07.480 --> 0:25:10.680
<v Speaker 1>live stream, whereas it's kind of like underproduced idea needs

0:25:10.720 --> 0:25:13.880
<v Speaker 1>to be produced to some degree. Part of the thing.

0:25:13.960 --> 0:25:16.080
<v Speaker 1>Pete moved to Florida, so is like trying to figure

0:25:16.080 --> 0:25:20.760
<v Speaker 1>that out, it's really tedious, and then creating a set

0:25:21.720 --> 0:25:26.399
<v Speaker 1>that would give off something special, right, It's like huff

0:25:26.960 --> 0:25:29.480
<v Speaker 1>But that's we're probably missing out on ninety percent of

0:25:29.480 --> 0:25:31.560
<v Speaker 1>the shit we could have. And I mean ninety percent.

0:25:33.280 --> 0:25:35.639
<v Speaker 1>We're probably at ten percent potential. A lot of other

0:25:35.680 --> 0:25:38.200
<v Speaker 1>shows don't they do like interviews and stuff. That's something

0:25:38.240 --> 0:25:40.960
<v Speaker 1>you don't really want to do. It's not the interview part.

0:25:41.000 --> 0:25:42.639
<v Speaker 1>Like I could sit down and have a conversation with

0:25:42.760 --> 0:25:44.760
<v Speaker 1>too short. We don't got an interview it if you

0:25:44.760 --> 0:25:46.679
<v Speaker 1>can sit down and have a conversation with Shaq, I

0:25:46.760 --> 0:25:49.439
<v Speaker 1>just ain't trying to ask you, you know, like unless

0:25:49.440 --> 0:25:52.359
<v Speaker 1>it falls within the conversation, Like the goal ain't to

0:25:52.400 --> 0:25:55.360
<v Speaker 1>come in and know no siblings, ain't to come in

0:25:55.440 --> 0:25:58.800
<v Speaker 1>and probe you. Yeah, nigga, you could join in what

0:25:58.800 --> 0:26:01.159
<v Speaker 1>we're talking about. And I learned that from brilliant idiots.

0:26:01.160 --> 0:26:04.680
<v Speaker 1>I learned that from Scholtz and Charlotte Mane. Like they

0:26:04.840 --> 0:26:07.119
<v Speaker 1>just be having a conversation, they jump jump in ge

0:26:08.720 --> 0:26:12.320
<v Speaker 1>like double dutch. You know what I'm saying. And when

0:26:12.359 --> 0:26:14.000
<v Speaker 1>he kept trying to get me to do a podcast,

0:26:14.000 --> 0:26:19.400
<v Speaker 1>that's how I believe in podcasts. Shout out to Jack Recipes,

0:26:19.560 --> 0:26:24.760
<v Speaker 1>the podcast God About to Chris and all the other

0:26:24.960 --> 0:26:27.879
<v Speaker 1>podcast text on all the other god the podcast gods.

0:26:27.920 --> 0:26:31.240
<v Speaker 1>But to me, that's what real. Joe Budden's just conversation.

0:26:32.480 --> 0:26:34.600
<v Speaker 1>So I hang my hat on it. I'm not here

0:26:34.680 --> 0:26:38.200
<v Speaker 1>to interview people ask you about your songs, and you're right.

0:26:38.240 --> 0:26:40.560
<v Speaker 1>Every a lot of people they just sit back and

0:26:40.600 --> 0:26:43.320
<v Speaker 1>just talk to the person versus letting people see this

0:26:43.400 --> 0:26:47.560
<v Speaker 1>person talk about something else. He always put a lot

0:26:47.560 --> 0:26:50.159
<v Speaker 1>of pressure on still about that, like, don't turn against

0:26:50.160 --> 0:26:52.800
<v Speaker 1>the chronicles into an interview platform. You're not. You're not

0:26:52.920 --> 0:27:05.760
<v Speaker 1>Donnie Simpson. So that's the job. Storytelling is the job

0:27:05.840 --> 0:27:10.000
<v Speaker 1>on every level, So even on the promotional levels. Telling

0:27:10.000 --> 0:27:12.240
<v Speaker 1>you the story. So if the posters look a certain way,

0:27:12.800 --> 0:27:15.280
<v Speaker 1>they want it, and they look a certain way, how

0:27:15.320 --> 0:27:19.960
<v Speaker 1>do I convey want it through a poster? Now you

0:27:19.960 --> 0:27:21.800
<v Speaker 1>see the poster, it makes sense, right, How do I

0:27:21.840 --> 0:27:25.960
<v Speaker 1>convey the title of the song wanted? All right? How

0:27:26.000 --> 0:27:29.639
<v Speaker 1>do I convey the title of the wanted song through publicity?

0:27:29.720 --> 0:27:34.800
<v Speaker 1>How do I convey the advertisement? How do I make

0:27:34.840 --> 0:27:40.080
<v Speaker 1>it work the greatest levels? I can make that work

0:27:40.119 --> 0:27:44.320
<v Speaker 1>at the greatest levels means more people get exposed to

0:27:45.440 --> 0:27:51.439
<v Speaker 1>the campaign. So what separates cancel from this one particularly

0:27:51.560 --> 0:27:54.639
<v Speaker 1>is just my mentality going into it, like I made

0:27:54.640 --> 0:27:56.639
<v Speaker 1>the record a little bit more unique to fit the

0:27:56.720 --> 0:27:59.280
<v Speaker 1>landscape of the day. Like Pete was saying, like I'm

0:27:59.320 --> 0:28:03.760
<v Speaker 1>mindful of even now this was the last part. I

0:28:03.880 --> 0:28:06.280
<v Speaker 1>wasn't even mindful the streaming. In twenty twenty three, I

0:28:06.400 --> 0:28:10.240
<v Speaker 1>made traditional records from you know that Ray Charles created

0:28:10.240 --> 0:28:13.600
<v Speaker 1>the whole traditional hook bridge, you know verse shit. You

0:28:13.600 --> 0:28:16.639
<v Speaker 1>know we've been making that style of record now for

0:28:17.160 --> 0:28:21.439
<v Speaker 1>I don't know seventy years, and it's like, but we

0:28:21.640 --> 0:28:25.040
<v Speaker 1>may don't have the medium or the structure that that

0:28:25.119 --> 0:28:28.680
<v Speaker 1>created to even market it. So now we're stuck marketing.

0:28:28.920 --> 0:28:31.200
<v Speaker 1>Even when I'm telling Mardy like that's why she was honest,

0:28:31.240 --> 0:28:32.720
<v Speaker 1>she was like she was like, yeah, it changed a lot,

0:28:32.800 --> 0:28:39.040
<v Speaker 1>Like you really got to have something now, You really

0:28:39.040 --> 0:28:40.960
<v Speaker 1>got to have something now. I mean other than that,

0:28:41.000 --> 0:28:42.479
<v Speaker 1>people are gonna be like, you need to pay me

0:28:42.520 --> 0:28:46.240
<v Speaker 1>to expose your shit. People offer me ads and shit,

0:28:46.360 --> 0:28:47.680
<v Speaker 1>and they like, man, you got to post it on

0:28:47.720 --> 0:28:52.360
<v Speaker 1>your page too. What they they offering me? A story?

0:28:52.520 --> 0:28:54.240
<v Speaker 1>You got to posts on your place? Nigga? You are

0:28:54.280 --> 0:28:56.800
<v Speaker 1>you why I could tell my own people that shit?

0:28:56.840 --> 0:28:59.440
<v Speaker 1>You want me to say? You know what, I'm saying.

0:28:59.520 --> 0:29:05.400
<v Speaker 1>So it's like you have to understand that's marketing in

0:29:05.440 --> 0:29:09.880
<v Speaker 1>the nutshell, it's just really great storytelling. And once you

0:29:09.960 --> 0:29:11.200
<v Speaker 1>get that, you know what I mean, you can make

0:29:11.240 --> 0:29:15.000
<v Speaker 1>it work. Now you know exactly who to go to,

0:29:15.120 --> 0:29:16.800
<v Speaker 1>what to tell them, what you need from him, and

0:29:16.840 --> 0:29:19.360
<v Speaker 1>what they should be doing. And then if somebody really

0:29:19.360 --> 0:29:21.360
<v Speaker 1>fuck with you, like Mady so a big part, like

0:29:21.400 --> 0:29:24.640
<v Speaker 1>Greg is my nigga, Like Greg the publishers, Greg is

0:29:24.680 --> 0:29:27.640
<v Speaker 1>like my guy. Mady is like, really my sist. This

0:29:27.680 --> 0:29:30.240
<v Speaker 1>is really my friend too, like Greg is. We built

0:29:30.280 --> 0:29:32.240
<v Speaker 1>the relationship me and Maighty before we did every did

0:29:32.320 --> 0:29:34.480
<v Speaker 1>we never did business. That's just really been my dog.

0:29:35.520 --> 0:29:39.040
<v Speaker 1>And she'll be honest with me. And if anybody else

0:29:39.040 --> 0:29:41.000
<v Speaker 1>don't cut me some slacks, she'll cut me the most slack.

0:29:41.040 --> 0:29:44.160
<v Speaker 1>Greg would too what I mean, But Mady is like,

0:29:44.520 --> 0:29:49.120
<v Speaker 1>you know, that's really my dog. So it's like, you know,

0:29:49.520 --> 0:29:53.400
<v Speaker 1>finding rounding up the best storytellers, you know what I mean?

0:29:54.440 --> 0:29:57.080
<v Speaker 1>In advertising, my nigga Drew that work with joining the

0:29:57.120 --> 0:29:59.320
<v Speaker 1>Luka shout out to Army Drew. Drew was one of

0:29:59.320 --> 0:30:03.120
<v Speaker 1>the best stories tellers when it comes to advertising. Not

0:30:03.240 --> 0:30:07.520
<v Speaker 1>the content, sheer just shifting the conversation out there, making

0:30:07.520 --> 0:30:12.080
<v Speaker 1>it worth less than a cent per engagement, less than

0:30:12.080 --> 0:30:18.960
<v Speaker 1>a cent per engagement, less than a cent per engagement.

0:30:19.720 --> 0:30:22.120
<v Speaker 1>So think about it. That means one dollar means one

0:30:22.200 --> 0:30:30.160
<v Speaker 1>hundred eyes eyeballs less shit, maybe two hundred eyeballs for

0:30:30.200 --> 0:30:35.920
<v Speaker 1>one hundred you know, all the way to ten dollars.

0:30:35.920 --> 0:30:39.000
<v Speaker 1>And that's the thing. So you really gotta when you're

0:30:39.000 --> 0:30:41.120
<v Speaker 1>trying to market something, you gotta figure out what's the

0:30:41.200 --> 0:30:44.560
<v Speaker 1>story that's gonna make people interested and then round up

0:30:44.960 --> 0:30:48.200
<v Speaker 1>the best storytellers you can get. Shout out to the

0:30:48.200 --> 0:30:50.640
<v Speaker 1>Tommy Jagbamb Right, Jagbamb is one of the best street

0:30:50.640 --> 0:30:53.880
<v Speaker 1>team guys on the promotional level. So even though I

0:30:53.920 --> 0:30:57.640
<v Speaker 1>can create how to tell this story through this promotional poster, right,

0:30:57.680 --> 0:31:00.920
<v Speaker 1>we figured that out, Right now, I need somebody to

0:31:01.000 --> 0:31:03.960
<v Speaker 1>go out and tell help me tell that story, put

0:31:03.960 --> 0:31:06.160
<v Speaker 1>it to where that story will convey it matter the

0:31:06.160 --> 0:31:08.480
<v Speaker 1>most to the people that see it, because it ain't

0:31:08.480 --> 0:31:10.520
<v Speaker 1>as simple as making a poster cousin and putting that

0:31:10.560 --> 0:31:13.960
<v Speaker 1>poster in church that might not work out. You can't

0:31:14.000 --> 0:31:17.560
<v Speaker 1>just have the little Kim hardcore poster in church that

0:31:17.720 --> 0:31:20.320
<v Speaker 1>might not get what you trying to get she got

0:31:20.320 --> 0:31:22.560
<v Speaker 1>that thing bust open, spread eagle. You feel me? That

0:31:22.720 --> 0:31:26.360
<v Speaker 1>might not be cool at church. You may not get

0:31:26.440 --> 0:31:29.320
<v Speaker 1>CD sales because of that. You might get some outred,

0:31:29.400 --> 0:31:34.840
<v Speaker 1>but you might not get no CD seid one thing.

0:31:34.880 --> 0:31:37.640
<v Speaker 1>Like I said, I'd be really upset at Kanye a

0:31:37.640 --> 0:31:40.320
<v Speaker 1>lot right because and I don't know why I should

0:31:40.320 --> 0:31:43.560
<v Speaker 1>expect Kanye be Kanye. It's Kanye. But I think he

0:31:43.760 --> 0:31:48.120
<v Speaker 1>really gets how to make He gets how to garner

0:31:48.360 --> 0:31:55.760
<v Speaker 1>major level of publicity on independent status by the antics

0:31:55.760 --> 0:31:58.720
<v Speaker 1>he do. I mean, if you use the term antics,

0:31:59.680 --> 0:32:06.240
<v Speaker 1>I mean he's just saying something now. He don't have

0:32:06.360 --> 0:32:08.520
<v Speaker 1>a fear of the repercussion of how people gonna feel

0:32:08.520 --> 0:32:10.760
<v Speaker 1>about it. He probably knows something more than most of

0:32:10.840 --> 0:32:14.120
<v Speaker 1>us know. But you know, in my situation, like I said,

0:32:14.120 --> 0:32:16.440
<v Speaker 1>I wouldn't galvanize an audience to not listen to him.

0:32:16.440 --> 0:32:17.880
<v Speaker 1>I'm just not gonna fuck with him when I'm not.

0:32:18.240 --> 0:32:19.800
<v Speaker 1>I'm not going to fuck with that new project. You

0:32:19.800 --> 0:32:21.520
<v Speaker 1>have to do better, show me something that I should

0:32:21.520 --> 0:32:25.320
<v Speaker 1>care about there, like the last project, I don't care

0:32:25.360 --> 0:32:29.240
<v Speaker 1>if you go number one. I'm not the traditional listener,

0:32:29.360 --> 0:32:30.760
<v Speaker 1>you know what I mean? The story of you going

0:32:30.840 --> 0:32:33.320
<v Speaker 1>number one or making the Billboard charts mean nothing to me.

0:32:33.360 --> 0:32:35.880
<v Speaker 1>I ain't never saw no motherfucking body who made a

0:32:35.880 --> 0:32:37.600
<v Speaker 1>Billboard charge that person number one. I need to go

0:32:37.600 --> 0:32:39.360
<v Speaker 1>listen to the project, and I ain't listen to a

0:32:39.400 --> 0:32:44.000
<v Speaker 1>Traviscott project. Still. I heard about eight Travis Scott song.

0:32:44.040 --> 0:32:45.840
<v Speaker 1>I ain't never heard a Travis Scott song. Shut out

0:32:45.840 --> 0:32:49.200
<v Speaker 1>the travel. I'm not talking shit for I'm not telling

0:32:49.200 --> 0:32:51.280
<v Speaker 1>shit no for real, because I've never heard a Travis

0:32:51.280 --> 0:32:52.800
<v Speaker 1>Scott song that maybe want to listen to the album.

0:32:54.400 --> 0:32:56.960
<v Speaker 1>I've heard Traviscott songs that I enjoy and be banging.

0:32:57.160 --> 0:32:58.840
<v Speaker 1>But nigga, just because you got album don't mean I

0:32:58.840 --> 0:33:01.240
<v Speaker 1>gotta listen to it. A nigga, he thank you, sick mo,

0:33:01.400 --> 0:33:04.920
<v Speaker 1>thank you, this is your song. I appreciate that. The

0:33:05.040 --> 0:33:07.560
<v Speaker 1>jams I don't know. I don't gnna fuck with albums

0:33:07.600 --> 0:33:13.040
<v Speaker 1>own is because it's his brands and the product itself. Okay,

0:33:14.240 --> 0:33:19.960
<v Speaker 1>Like like for example, right Pete, it's fair to say,

0:33:20.040 --> 0:33:22.480
<v Speaker 1>like like if somebody got a good piece of fried

0:33:22.560 --> 0:33:27.200
<v Speaker 1>chicken and now they're selling uh burgers. Yeah, I'm not

0:33:27.240 --> 0:33:31.480
<v Speaker 1>buying burgers from Kentucky. Mm hmm fuck no ho the fuck?

0:33:31.560 --> 0:33:34.240
<v Speaker 1>How good. I like your original recipe chicken. I'm not

0:33:34.280 --> 0:33:36.240
<v Speaker 1>buying no fucking burgers from y'all. Fuck out of here.

0:33:36.920 --> 0:33:38.720
<v Speaker 1>I won't even buy the chicken sandwich from me.

0:33:39.760 --> 0:33:43.400
<v Speaker 4>Really, that's one of the funniest phenomenons. And I guess

0:33:43.440 --> 0:33:46.120
<v Speaker 4>they all seem to survive. But you know Papao, the

0:33:46.200 --> 0:33:52.600
<v Speaker 4>company out in Houston. Yeah, well they've got like Papa's Barbecued,

0:33:52.640 --> 0:33:55.840
<v Speaker 4>They've got Papa's Mexican Food, like or like text mex

0:33:55.960 --> 0:33:59.120
<v Speaker 4>or whatever like that. There's a whole series of different

0:33:59.160 --> 0:34:02.600
<v Speaker 4>genres of type of restaurants under the Papa's umbrella. And

0:34:02.640 --> 0:34:06.640
<v Speaker 4>I'm amazed that, like the I mean, I guess I don't.

0:34:06.640 --> 0:34:09.760
<v Speaker 4>I haven't eaten it. If they might be terrific, but you're.

0:34:09.640 --> 0:34:12.840
<v Speaker 1>Like the marketing person like me, like I actually judge

0:34:12.880 --> 0:34:18.560
<v Speaker 1>your marketing. So too many papa scare you with different.

0:34:22.520 --> 0:34:24.240
<v Speaker 4>I don't know about that because they got different, different

0:34:24.239 --> 0:34:27.920
<v Speaker 4>things going on. But sometimes it's like, what's the what's

0:34:27.960 --> 0:34:31.160
<v Speaker 4>the what's the expression of a master of none? You

0:34:31.520 --> 0:34:33.839
<v Speaker 4>want to trade oh jack wads, master of nuns. Yeah,

0:34:33.840 --> 0:34:35.799
<v Speaker 4>you start to become the cheesecake factory. We got seventy

0:34:35.800 --> 0:34:37.600
<v Speaker 4>five I's on the menu and another of Murney good.

0:34:37.560 --> 0:34:39.799
<v Speaker 1>And the only thing good is the fucking cheesecake.

0:34:40.560 --> 0:34:45.319
<v Speaker 4>Yeah, which incidentally is going down their thing.

0:34:46.040 --> 0:34:49.200
<v Speaker 1>Yeah, it's like we're gonna make this fire and we're

0:34:49.200 --> 0:34:50.680
<v Speaker 1>gonna have a bunch of regular ship.

0:34:51.280 --> 0:34:54.160
<v Speaker 4>Just give some dinner. It's all about the dessert. Throw it.

0:34:55.239 --> 0:34:58.720
<v Speaker 1>And that's how they should marketing. Who cares about the dinner.

0:34:58.920 --> 0:35:01.440
<v Speaker 1>You come for the dessert. That that's just to get

0:35:01.480 --> 0:35:02.520
<v Speaker 1>you to the dessert menu.

0:35:03.120 --> 0:35:05.200
<v Speaker 4>We just gave you that to We're just we're giving

0:35:05.239 --> 0:35:09.000
<v Speaker 4>you a justification for eating this cheesecake.

0:35:09.320 --> 0:35:12.040
<v Speaker 1>They should charge sixty dollars for the cheesecake and it

0:35:12.080 --> 0:35:15.360
<v Speaker 1>comes with dinner for free.

0:35:16.400 --> 0:35:18.319
<v Speaker 4>I think you're I think you're on something.

0:35:19.600 --> 0:35:26.960
<v Speaker 3>I have to think about it too, Like.

0:35:25.719 --> 0:35:28.279
<v Speaker 1>Hey, come to cheesecake factory where dinner is free with

0:35:28.600 --> 0:35:31.840
<v Speaker 1>every slice of cheesecake. Yeah, it could work. All that

0:35:31.960 --> 0:35:34.600
<v Speaker 1>nasty as ship. You can pick off that and sorry cheesecake,

0:35:34.640 --> 0:35:37.640
<v Speaker 1>because I know I'm on your sh I had that

0:35:37.719 --> 0:35:40.040
<v Speaker 1>chefer's part. You need to be ashamed of yourself. But

0:35:40.080 --> 0:35:44.319
<v Speaker 1>that's how that's how good the food is not The

0:35:44.360 --> 0:35:48.759
<v Speaker 1>food is not that good. But if they focus on cheesecake,

0:35:48.960 --> 0:35:52.400
<v Speaker 1>like every order you get free dinner with your cheesecake.

0:35:53.320 --> 0:35:56.000
<v Speaker 1>You got us, Like that's one thing. Like I stand

0:35:56.080 --> 0:35:58.560
<v Speaker 1>on being a crypt from the West Coast. Now I

0:35:58.600 --> 0:36:01.959
<v Speaker 1>do let other people's ignorre kind of control them because

0:36:01.960 --> 0:36:04.919
<v Speaker 1>I really ain't tripping like whatever, like what you really want?

0:36:05.200 --> 0:36:08.279
<v Speaker 1>That's the way that move. Originally you started that.

0:36:08.800 --> 0:36:12.440
<v Speaker 4>Yeah, buy this water and get a cigarette for free.

0:36:12.640 --> 0:36:15.960
<v Speaker 1>That's true. True, And everybody used to make a lot

0:36:15.960 --> 0:36:17.840
<v Speaker 1>of people used to make people bring their own cigarettes,

0:36:18.120 --> 0:36:19.799
<v Speaker 1>like now you gotta bring your own new Ports. I

0:36:19.840 --> 0:36:22.640
<v Speaker 1>got Sherman. That's where the name sharm come from. Sherman

0:36:22.680 --> 0:36:26.560
<v Speaker 1>cigarettes and brown cigarettes. Oh interesting, that's what the brown

0:36:26.560 --> 0:36:29.879
<v Speaker 1>cigarettes is called Sherman. Yeah, so that's where the term

0:36:29.960 --> 0:36:32.799
<v Speaker 1>sherm weirdose had brown cigarettes when I was young, Well

0:36:32.800 --> 0:36:34.719
<v Speaker 1>that's what you used to dip them all, because I

0:36:34.719 --> 0:36:37.200
<v Speaker 1>guess I don't know. I did the white paper ones.

0:36:37.480 --> 0:36:39.480
<v Speaker 1>I had to ask the older hummies, why do they select.

0:36:39.280 --> 0:36:43.560
<v Speaker 4>Sherm confused and smoke the rog cigarette?

0:36:43.880 --> 0:36:46.439
<v Speaker 1>Probably so they okay, Yeah, I got to the plaint.

0:36:47.080 --> 0:36:49.160
<v Speaker 1>I got to the point where I started dipping anything.

0:36:49.560 --> 0:36:51.560
<v Speaker 3>Yeah, that's what I'm saying. I seen white ones dipp

0:36:51.600 --> 0:36:54.560
<v Speaker 3>and all that kind of stuff, but not I dipped

0:36:54.560 --> 0:36:57.279
<v Speaker 3>your blunt at the brown. You ain't getting no five

0:36:57.360 --> 0:36:58.520
<v Speaker 3>or ten dollars deal with no blunt.

0:36:58.560 --> 0:37:01.480
<v Speaker 1>That's twenty hit this motherfucker cause you know that blunt,

0:37:01.480 --> 0:37:03.480
<v Speaker 1>soak up all your God damn it was dipping blunts.

0:37:03.480 --> 0:37:07.319
<v Speaker 1>So yeah, damn they was going hard. And then that

0:37:07.400 --> 0:37:14.239
<v Speaker 1>we was touching that tac strogg Yeah weed to call

0:37:14.280 --> 0:37:14.879
<v Speaker 1>that hurr game.

0:37:17.360 --> 0:37:17.640
<v Speaker 3>Yep.

0:37:17.680 --> 0:37:21.680
<v Speaker 1>So it's like just leaning on it and understanding your

0:37:21.760 --> 0:37:22.919
<v Speaker 1>job as a storyteller.

0:37:25.239 --> 0:37:28.040
<v Speaker 3>So you think with storytelling, now you gotta start adding

0:37:28.080 --> 0:37:30.680
<v Speaker 3>stuff to it, like products or something in your storytelling

0:37:30.719 --> 0:37:34.800
<v Speaker 3>so people could take something with them.

0:37:34.920 --> 0:37:37.560
<v Speaker 1>For me, I just feel like it needs to be immersive,

0:37:40.320 --> 0:37:42.680
<v Speaker 1>you know what I mean, Like you gotta really do it.

0:37:44.520 --> 0:37:47.320
<v Speaker 1>You ain't no more half stepping, and so what's immersive

0:37:47.320 --> 0:37:50.200
<v Speaker 1>and not half stepping to you? So, like, if my

0:37:50.320 --> 0:37:52.920
<v Speaker 1>goal was to leak a snippet, right, if i'm i'm

0:37:53.000 --> 0:37:55.680
<v Speaker 1>I'm I'm gonna use this video as a vessel to

0:37:55.840 --> 0:37:58.640
<v Speaker 1>market to something, right, as a vessel to not even

0:37:58.680 --> 0:38:01.839
<v Speaker 1>market to expose this because you were on the phone

0:38:01.840 --> 0:38:04.319
<v Speaker 1>and you need to see everything first. So if that's

0:38:04.360 --> 0:38:08.200
<v Speaker 1>a vessel to expose even building up to the release

0:38:08.280 --> 0:38:09.919
<v Speaker 1>of the vessel of how I want you to see

0:38:09.920 --> 0:38:13.960
<v Speaker 1>it need to be just as tedious like the average

0:38:14.000 --> 0:38:16.680
<v Speaker 1>person right there, just put up you know, not dissing them.

0:38:16.719 --> 0:38:18.799
<v Speaker 1>They're not wrong. They'll just put a picture of a

0:38:18.840 --> 0:38:23.680
<v Speaker 1>wave on air. Ig listen to my new snippet. No no, no, no,

0:38:23.680 --> 0:38:27.239
<v Speaker 1>no cuss glass low hip hop all the way in

0:38:27.320 --> 0:38:29.439
<v Speaker 1>like this. I'm gonna make it a part of the video.

0:38:29.440 --> 0:38:33.480
<v Speaker 1>I'm gonna build the video out more. I'm not just

0:38:33.480 --> 0:38:35.759
<v Speaker 1>gonna let y'all have this house. That's the video. You

0:38:35.800 --> 0:38:38.479
<v Speaker 1>come in this yard, No no, no, I'm putting grass down.

0:38:38.560 --> 0:38:41.799
<v Speaker 1>I'm put a gate around it, put a basketball court

0:38:41.800 --> 0:38:44.160
<v Speaker 1>and the pool in the backyard. When you're leaving, it's

0:38:44.200 --> 0:38:47.439
<v Speaker 1>a pool in the backyard. I'm gonna build it out

0:38:47.600 --> 0:38:50.080
<v Speaker 1>for the fans, so so motherfucker that wanna have some

0:38:50.200 --> 0:38:52.640
<v Speaker 1>dope shit could be wrapped up into it and give

0:38:52.680 --> 0:38:55.000
<v Speaker 1>them more things to talk about. I feel like you

0:38:55.080 --> 0:39:00.640
<v Speaker 1>gotta go all the way. You know what I'm saying.

0:39:00.680 --> 0:39:05.279
<v Speaker 1>People want it all, they don't They not taking just

0:39:05.400 --> 0:39:08.759
<v Speaker 1>part of it no more. It's music itself, just part

0:39:08.800 --> 0:39:16.160
<v Speaker 1>of it now. I mean, yes, music was its own product,

0:39:16.360 --> 0:39:18.799
<v Speaker 1>but you take somebody like Larry June, Like a lot

0:39:18.800 --> 0:39:23.520
<v Speaker 1>of Larry June's business is like you know, like good

0:39:23.560 --> 0:39:25.839
<v Speaker 1>job Larry talking about people with the job, or get

0:39:25.840 --> 0:39:29.000
<v Speaker 1>healthy and juicing, or you know what I mean. It's

0:39:29.040 --> 0:39:32.279
<v Speaker 1>a million other things, and it's a full emotion immercial world.

0:39:32.280 --> 0:39:34.920
<v Speaker 1>Same thing with like the Russell Like they give you

0:39:34.960 --> 0:39:38.520
<v Speaker 1>a full immersive experience. You fully engulfed in the experience

0:39:38.520 --> 0:39:41.480
<v Speaker 1>of whatever they doing. They brand and then the music

0:39:41.680 --> 0:39:48.239
<v Speaker 1>just become an extension of the brand. M My shit

0:39:48.360 --> 0:39:50.960
<v Speaker 1>is different because I still make fucking joints. Though my

0:39:51.080 --> 0:39:52.920
<v Speaker 1>shit could live on its own. You don't need me

0:39:53.000 --> 0:39:58.000
<v Speaker 1>to be there at the highest level, Like I don't

0:39:58.000 --> 0:39:59.560
<v Speaker 1>got to be with the record. The record could go

0:39:59.640 --> 0:40:01.680
<v Speaker 1>on his own. People will be like, oh, I didn't

0:40:01.680 --> 0:40:03.560
<v Speaker 1>know that was your song. Yeah, I'm good that good

0:40:03.560 --> 0:40:06.399
<v Speaker 1>at making records. People tell me all the time that God,

0:40:06.400 --> 0:40:08.239
<v Speaker 1>I didn't know that good was yourself. Damn that is you.

0:40:08.719 --> 0:40:11.400
<v Speaker 1>I used to be Nigga that because it wasn't important.

0:40:11.440 --> 0:40:15.640
<v Speaker 1>The product itself was specialized and learn how to make

0:40:15.640 --> 0:40:20.200
<v Speaker 1>the best product of record first. A lot of other

0:40:20.239 --> 0:40:23.360
<v Speaker 1>people specialize in how to market their brand. That was

0:40:23.480 --> 0:40:27.680
<v Speaker 1>nip thing that was like nip Shit was brand, the

0:40:27.760 --> 0:40:32.000
<v Speaker 1>Russell was brand their brand. Guys, I'm a record guy

0:40:32.040 --> 0:40:34.840
<v Speaker 1>that understood finally, Like, oh, y'all want me to be

0:40:35.040 --> 0:40:38.919
<v Speaker 1>the nigga for real? Okay, well, y'all can't shit really

0:40:38.960 --> 0:40:41.160
<v Speaker 1>can't nobody even be this nigga like this? No, Like

0:40:41.239 --> 0:40:46.200
<v Speaker 1>this is like I'm the last of a few. You

0:40:46.200 --> 0:40:48.440
<v Speaker 1>know what I'm saying, Like, oh you you oh you

0:40:48.520 --> 0:40:51.359
<v Speaker 1>really want to see it? Oh you want to see

0:40:51.400 --> 0:40:54.359
<v Speaker 1>the whole thing I got you here it is? This

0:40:54.360 --> 0:40:57.880
<v Speaker 1>would have looked like so you think you got everything?

0:40:57.960 --> 0:41:00.960
<v Speaker 3>Now the totality of what needs to be done, from

0:41:01.000 --> 0:41:02.720
<v Speaker 3>the records to the business.

0:41:02.280 --> 0:41:05.320
<v Speaker 1>Side to the most stripped down minimals still ain't great.

0:41:05.560 --> 0:41:08.400
<v Speaker 1>Like still one person. But should I send at the

0:41:08.400 --> 0:41:11.200
<v Speaker 1>top dog the dude Doff from TD, Like, look at this,

0:41:11.280 --> 0:41:12.880
<v Speaker 1>he ain't said one thing back. I'm gonna call his

0:41:12.920 --> 0:41:14.279
<v Speaker 1>ass soon as I get off this podcest What you

0:41:14.280 --> 0:41:17.120
<v Speaker 1>tak I call stress stretch? Can I do this and that? Like?

0:41:17.560 --> 0:41:19.440
<v Speaker 1>You still have to keep us er? Now I have

0:41:19.520 --> 0:41:21.200
<v Speaker 1>to ask Pete people you to get his market. Pete

0:41:21.200 --> 0:41:23.600
<v Speaker 1>don't give a fuck, but he might see one thing,

0:41:24.280 --> 0:41:25.560
<v Speaker 1>you know what I mean to be like yeah, what

0:41:25.640 --> 0:41:29.759
<v Speaker 1>about this, So you still got to use your resources,

0:41:29.800 --> 0:41:32.520
<v Speaker 1>you know what I mean? And and thank god, I'm

0:41:32.560 --> 0:41:34.920
<v Speaker 1>not the smartest person I know. Thank God, I just

0:41:34.960 --> 0:41:40.120
<v Speaker 1>know a lot of smarter people. But it's like I

0:41:40.200 --> 0:41:43.480
<v Speaker 1>know at the I know at the basic level, at

0:41:43.480 --> 0:41:45.320
<v Speaker 1>the oct to put his level, what needs to happen.

0:41:46.600 --> 0:41:48.600
<v Speaker 1>I know where all eight arms, I know where all

0:41:48.600 --> 0:41:54.720
<v Speaker 1>eight tentacles need to be. I know exactly what's the story.

0:41:55.200 --> 0:41:58.120
<v Speaker 1>You know what I mean, and who the story needs

0:41:58.120 --> 0:42:00.279
<v Speaker 1>to be told to. And then after that story told

0:42:00.280 --> 0:42:02.640
<v Speaker 1>to that person, now I understand you need to go

0:42:02.640 --> 0:42:04.919
<v Speaker 1>tell everybody else under that person that story. That's gonna

0:42:04.960 --> 0:42:06.759
<v Speaker 1>be the reason that they tell the story for you.

0:42:07.719 --> 0:42:11.799
<v Speaker 1>That's important to know. I can even size it up

0:42:11.840 --> 0:42:13.880
<v Speaker 1>based off impressions at this point. I know what I'm

0:42:13.880 --> 0:42:17.399
<v Speaker 1>gonna stream based off impressions at this point, Like if

0:42:17.440 --> 0:42:19.719
<v Speaker 1>I get this many impressions, i'ma streaming this much Like

0:42:19.800 --> 0:42:21.600
<v Speaker 1>this is how much I believe in the math of

0:42:21.640 --> 0:42:34.520
<v Speaker 1>the business. So it it I paid. I gave up

0:42:34.520 --> 0:42:36.000
<v Speaker 1>a lot of years to get to this point, for

0:42:36.160 --> 0:42:39.680
<v Speaker 1>probably very little years, but I'm finna run this bitch

0:42:39.719 --> 0:42:42.600
<v Speaker 1>into the ground until the end though, I mean even

0:42:42.640 --> 0:42:45.879
<v Speaker 1>if it was eighteen months that sacrifice was worth it.

0:42:46.320 --> 0:42:50.880
<v Speaker 1>Like this became like my first love is drag racing.

0:42:52.320 --> 0:42:54.719
<v Speaker 1>If you have to give that up for this, Yeah,

0:42:54.760 --> 0:42:59.040
<v Speaker 1>this is my second love. But you learned to love this, right. Yeah.

0:42:59.080 --> 0:43:01.480
<v Speaker 1>I didn't love it at first. Yeah, I love drag racing.

0:43:01.520 --> 0:43:03.960
<v Speaker 1>At the beginning, I wanted to know everything that was

0:43:04.120 --> 0:43:06.080
<v Speaker 1>know about it. Hip hop not so much. It was

0:43:06.160 --> 0:43:08.879
<v Speaker 1>just like my mom used to listen to the song

0:43:08.880 --> 0:43:10.600
<v Speaker 1>blah blah blah, but I didn't really know what it

0:43:10.640 --> 0:43:12.320
<v Speaker 1>was about. I didn't really know what about. I always

0:43:12.360 --> 0:43:14.799
<v Speaker 1>knew what racing was about. I always knew the math

0:43:14.840 --> 0:43:18.120
<v Speaker 1>and racing always knew it was way more to it,

0:43:18.239 --> 0:43:20.359
<v Speaker 1>Like I always knew with hip hop, I didn't quite

0:43:20.360 --> 0:43:20.680
<v Speaker 1>know that.

0:43:21.239 --> 0:43:25.000
<v Speaker 3>But hip hop being so like time's frustrating. What made

0:43:25.000 --> 0:43:27.160
<v Speaker 3>you start loving is because just just who you are,

0:43:27.200 --> 0:43:33.560
<v Speaker 3>it's just culture. Well, it wasn't frustrating. That's probably from

0:43:33.560 --> 0:43:35.279
<v Speaker 3>my view. I mean, from my view of hip hop

0:43:35.360 --> 0:43:38.640
<v Speaker 3>is frustrating to me. You know at times, I've never

0:43:38.680 --> 0:43:39.719
<v Speaker 3>been frustrated by it.

0:43:39.760 --> 0:43:45.319
<v Speaker 1>I just so what I knew that when I fell

0:43:45.360 --> 0:43:47.600
<v Speaker 1>in love is when I realized somebody made something for

0:43:47.680 --> 0:43:51.600
<v Speaker 1>people like me. Okay, you know what I mean. Like

0:43:51.640 --> 0:43:53.520
<v Speaker 1>when I went to the Bronx and talked to some

0:43:53.560 --> 0:43:55.839
<v Speaker 1>of them old spades and different people, it was made

0:43:55.920 --> 0:43:57.839
<v Speaker 1>for people like me. I talked to crazyness, shut out

0:43:57.880 --> 0:43:59.840
<v Speaker 1>the crazy legs. He was like, g Na, we was

0:43:59.880 --> 0:44:01.880
<v Speaker 1>just like you, bro, we would stick up kids da da.

0:44:02.640 --> 0:44:05.120
<v Speaker 1>That shit put it on my heart like differently, like

0:44:05.200 --> 0:44:07.640
<v Speaker 1>oh wow, this is really something special for niggas that

0:44:08.080 --> 0:44:11.839
<v Speaker 1>came through this traumatic experience like me, me, And they

0:44:11.880 --> 0:44:14.680
<v Speaker 1>made just to express what's like coming through that experience

0:44:14.719 --> 0:44:18.200
<v Speaker 1>and how you find pride in comraderie, and that's what

0:44:18.320 --> 0:44:20.400
<v Speaker 1>hip hop was. And I was like, damn, So now

0:44:20.680 --> 0:44:22.839
<v Speaker 1>it went from just being something personal that I love

0:44:22.920 --> 0:44:25.279
<v Speaker 1>and enjoy doing to something I wanted to protect and

0:44:25.320 --> 0:44:28.319
<v Speaker 1>defend and I wanted to be there for the next

0:44:28.360 --> 0:44:30.279
<v Speaker 1>group of people that came up like me.

0:44:31.120 --> 0:44:33.880
<v Speaker 3>It's so funny that you say that, because when I

0:44:33.920 --> 0:44:36.280
<v Speaker 3>went with you back through you know, the United States,

0:44:36.320 --> 0:44:40.040
<v Speaker 3>like you did, I didn't know nothing about real black

0:44:40.160 --> 0:44:43.000
<v Speaker 3>culture outside of where I was sure, you know.

0:44:43.160 --> 0:44:44.960
<v Speaker 1>But then when I went back there and seen that,

0:44:45.040 --> 0:44:46.320
<v Speaker 1>it made me much different.

0:44:46.560 --> 0:44:48.359
<v Speaker 3>Yeah, it made me want to do something, you know,

0:44:48.480 --> 0:44:51.520
<v Speaker 3>as a whole and not as just in Tacoma or

0:44:51.600 --> 0:44:54.360
<v Speaker 3>something made me want to just like as a whole

0:44:54.440 --> 0:44:56.520
<v Speaker 3>now when I've seen that Pete.

0:44:56.560 --> 0:44:59.680
<v Speaker 1>So we go hang out with coming from GS nine

0:44:59.760 --> 0:45:03.080
<v Speaker 1>right in Brooklyn, just nine as were Bobbie murdered, you know,

0:45:03.280 --> 0:45:06.879
<v Speaker 1>was claiming the ship. We went to jail. So King

0:45:06.960 --> 0:45:09.960
<v Speaker 1>got all this crazy you know Washington where you know,

0:45:10.120 --> 0:45:14.080
<v Speaker 1>Washington got that really good environment, you know what I mean,

0:45:14.239 --> 0:45:17.000
<v Speaker 1>like they got the best atmosphere to grow shit, and

0:45:17.080 --> 0:45:21.680
<v Speaker 1>I mean or it's like weed weed. So we standing

0:45:21.680 --> 0:45:23.359
<v Speaker 1>around talking to some Homi, shout out to a couple

0:45:23.400 --> 0:45:26.120
<v Speaker 1>of homies from over there at the time. We politics

0:45:26.160 --> 0:45:27.719
<v Speaker 1>we sitting out in Middle Street, no different than we

0:45:27.760 --> 0:45:30.239
<v Speaker 1>sit on the West Hub, and they just blowing. They

0:45:30.280 --> 0:45:31.799
<v Speaker 1>got a circle blow. He's like, yeah, this will ill

0:45:31.840 --> 0:45:34.880
<v Speaker 1>be on right here. So King's smoking past it. They

0:45:34.960 --> 0:45:37.160
<v Speaker 1>got around to the second time, pass it. They want

0:45:37.239 --> 0:45:39.320
<v Speaker 1>to go around the third time. Why did this nigga

0:45:39.480 --> 0:45:44.520
<v Speaker 1>just faint? This New York is this Brooklyn nigga just

0:45:44.880 --> 0:45:47.520
<v Speaker 1>ain't it? I was like, I want the league and

0:45:47.560 --> 0:45:49.319
<v Speaker 1>I'm like, oh my god, we s gonna catch a case.

0:45:50.320 --> 0:45:53.120
<v Speaker 1>What Fudy got this nigga? This motherfucker West Coast weed. Man, this,

0:45:53.880 --> 0:45:56.719
<v Speaker 1>Oh my god, we go to prison. Shout out to

0:45:56.760 --> 0:45:59.440
<v Speaker 1>the homies from jes nine because he he hopped up

0:45:59.520 --> 0:46:03.480
<v Speaker 1>after he was for fun though. That was some fun

0:46:03.560 --> 0:46:07.080
<v Speaker 1>times that year. Going through that all the places, I

0:46:07.200 --> 0:46:09.879
<v Speaker 1>learned a lot and you realize it's just like us. Yeah,

0:46:09.920 --> 0:46:12.360
<v Speaker 1>it was crazy. That's why. That's why when people be

0:46:12.400 --> 0:46:14.320
<v Speaker 1>trying to tell me about game, cause I'm like, nah, nigga,

0:46:14.600 --> 0:46:18.080
<v Speaker 1>you can't tell me. I'm really fucked away, Like no,

0:46:18.280 --> 0:46:21.880
<v Speaker 1>you do really around like nigga, I'm not you know,

0:46:21.960 --> 0:46:25.359
<v Speaker 1>I'm not there. I love my people, man, I'm hanging

0:46:25.400 --> 0:46:28.879
<v Speaker 1>out with the hommies from from one and the Bronx Dog.

0:46:28.960 --> 0:46:31.080
<v Speaker 1>I'm in a back chiller shooting dice fuck with man.

0:46:31.160 --> 0:46:34.919
<v Speaker 1>I'm not nigga. I love my people. I love black people.

0:46:34.960 --> 0:46:36.919
<v Speaker 1>I look at fuck how poor we is? I fuck

0:46:36.960 --> 0:46:40.239
<v Speaker 1>which ghetto? I love us? Pete, Pete, can you hear me?

0:46:40.719 --> 0:46:40.919
<v Speaker 4>Yeah?

0:46:41.200 --> 0:46:43.040
<v Speaker 3>I think he had us in a barber shop that

0:46:43.160 --> 0:46:48.800
<v Speaker 3>I seen like on forty eight hours months later, like

0:46:49.320 --> 0:46:51.439
<v Speaker 3>this is where he had me at motherfuckers walking around

0:46:51.440 --> 0:46:54.080
<v Speaker 3>with pistols. When police driving around seventy eleven, They're like,

0:46:54.400 --> 0:46:57.680
<v Speaker 3>it's okay over here, what you mean. It's okay, you

0:46:57.800 --> 0:46:59.840
<v Speaker 3>got pollice, some pistols all around here.

0:47:00.200 --> 0:47:02.960
<v Speaker 1>Leaving this blackness. I don't get fuck with none of

0:47:03.000 --> 0:47:06.600
<v Speaker 1>these beings talking about Yeah black my whole life. I've

0:47:06.640 --> 0:47:09.279
<v Speaker 1>been ghetto my whole life, and I'm go fuck with

0:47:09.320 --> 0:47:11.759
<v Speaker 1>everybody to gettigga when you get killed, ship, I don't

0:47:11.760 --> 0:47:15.319
<v Speaker 1>live long enough, nigga. But I am not running from

0:47:15.400 --> 0:47:18.160
<v Speaker 1>black people, bro, I am not. I'm I'm fucking my

0:47:18.239 --> 0:47:21.440
<v Speaker 1>people's man. I be enamored that they just like us.

0:47:21.520 --> 0:47:24.160
<v Speaker 1>I mean that youte motherfuckers three thousand miles away and

0:47:24.239 --> 0:47:24.879
<v Speaker 1>be on this bus.

0:47:24.960 --> 0:47:30.719
<v Speaker 4>Shit, it's a good thing. Jobs isn't here to hear this.

0:47:34.719 --> 0:47:34.879
<v Speaker 3>Man.

0:47:36.880 --> 0:47:38.439
<v Speaker 1>Job's called me out to call John's back.

0:47:38.800 --> 0:47:41.000
<v Speaker 4>God damn, we're gonna have to crop this piece and

0:47:41.080 --> 0:47:41.680
<v Speaker 4>send it to him.

0:47:42.520 --> 0:47:46.759
<v Speaker 1>Yeah facts, but uh man, I was trade man. I'll

0:47:46.840 --> 0:47:49.239
<v Speaker 1>just be posting up with my people's man, like I'm

0:47:49.440 --> 0:47:52.520
<v Speaker 1>posting up with my people's man. I'm chilling. I'm with

0:47:52.640 --> 0:47:54.560
<v Speaker 1>my peoples right now. Man. That's how I feel.

0:47:54.800 --> 0:47:56.560
<v Speaker 3>I see how that's the brand or like you say,

0:47:56.600 --> 0:47:59.239
<v Speaker 3>your brand, that's your brand, like that it's part of

0:47:59.280 --> 0:48:01.400
<v Speaker 3>your brand to go anywhere and be with your people

0:48:01.480 --> 0:48:03.080
<v Speaker 3>and not have no fear or nothing.

0:48:03.560 --> 0:48:05.520
<v Speaker 1>I mean, because I ain't getting nothing to none of

0:48:05.600 --> 0:48:08.600
<v Speaker 1>these niggas. Yeah, that's how I feel like I heard.

0:48:08.840 --> 0:48:12.080
<v Speaker 1>Uh it's a cat named Myran Refresh and Fit podcast.

0:48:12.280 --> 0:48:14.399
<v Speaker 1>You're talking about Myron is so mad at black people,

0:48:14.480 --> 0:48:16.239
<v Speaker 1>like all you niggas and Nigga Tree and I'm like,

0:48:16.520 --> 0:48:18.359
<v Speaker 1>you know, you can't be around you niggas. Could up?

0:48:18.880 --> 0:48:22.359
<v Speaker 1>What are you talking? I've never got that. I never

0:48:22.480 --> 0:48:24.600
<v Speaker 1>got that. I never when I was in the Bronx.

0:48:24.600 --> 0:48:27.360
<v Speaker 1>When we was in the Bronx, it was I that

0:48:27.719 --> 0:48:29.640
<v Speaker 1>one round fifty cent neighborhood, like I owned the house

0:48:29.680 --> 0:48:32.520
<v Speaker 1>around the smother So with y'all, bro, Oh yeah, I'm

0:48:32.520 --> 0:48:34.719
<v Speaker 1>glad I'm alone. Oh West Coast, Yeah, watch up with it,

0:48:34.760 --> 0:48:36.680
<v Speaker 1>my nigga. Yeah, man, I'm coming to the fucking around.

0:48:36.680 --> 0:48:38.279
<v Speaker 1>I wanted to feel, bro, I wanted to be around

0:48:38.320 --> 0:48:39.840
<v Speaker 1>in the area. Oh ah, you're trying to get on

0:48:39.920 --> 0:48:42.360
<v Speaker 1>that hip hop Yes, son, I'm in Queen's. What's up

0:48:42.400 --> 0:48:42.759
<v Speaker 1>with y'all?

0:48:42.840 --> 0:48:42.960
<v Speaker 3>Man?

0:48:43.080 --> 0:48:45.880
<v Speaker 1>Like, like, nigga, what so what if a nigga want

0:48:45.960 --> 0:48:47.439
<v Speaker 1>to spot at the end of the day, I hate

0:48:47.480 --> 0:48:49.720
<v Speaker 1>that whole thing, Pete, Like if a nigga want to squabble.

0:48:49.920 --> 0:48:52.000
<v Speaker 1>What a nigga want to try? Like what Pete?

0:48:52.160 --> 0:48:55.040
<v Speaker 3>He was there by hisself at times with nobody else.

0:48:55.160 --> 0:48:57.200
<v Speaker 3>Pete like by himself.

0:48:57.480 --> 0:48:59.920
<v Speaker 1>Man, I lost my people's man, I don't just fun

0:49:00.080 --> 0:49:02.719
<v Speaker 1>what these people talking about. I love my peoples, bro,

0:49:02.800 --> 0:49:05.920
<v Speaker 1>I don't give fuck. We in Detroit and the ghetto,

0:49:06.600 --> 0:49:09.520
<v Speaker 1>and we was at a bar and Detroit and the ghetto. Man, Man,

0:49:09.680 --> 0:49:13.040
<v Speaker 1>what I'm with my people. If I'm gonna go out,

0:49:13.120 --> 0:49:14.520
<v Speaker 1>this is how I want to die. I want to

0:49:14.560 --> 0:49:16.319
<v Speaker 1>die with my peoples anywhere. If I'm gonna die, If

0:49:16.320 --> 0:49:18.040
<v Speaker 1>I ain't gonna die more das let me die with

0:49:18.160 --> 0:49:21.239
<v Speaker 1>my people for me. That's cool, you know what I mean.

0:49:21.440 --> 0:49:25.040
<v Speaker 1>I just I don't see that fear in us. I

0:49:25.080 --> 0:49:28.680
<v Speaker 1>don't look at us as these predators. Like it's a

0:49:28.800 --> 0:49:30.719
<v Speaker 1>love about us. And I got that love when I

0:49:30.760 --> 0:49:32.640
<v Speaker 1>went out there, Like it wasn't like that Pete. I

0:49:32.719 --> 0:49:37.239
<v Speaker 1>got that love. I got that love, bro. It was like,

0:49:38.000 --> 0:49:41.479
<v Speaker 1>damn you really posted yeah, man, it was like cool.

0:49:41.600 --> 0:49:45.000
<v Speaker 1>It was like, damn, get what we're doing. We're in

0:49:45.080 --> 0:49:47.560
<v Speaker 1>the projects and Jorgy shut out to Armie Free the army, Bro.

0:49:47.840 --> 0:49:49.880
<v Speaker 1>We're in the Project and Jorgey just chilling. What's up

0:49:49.880 --> 0:49:52.040
<v Speaker 1>with y'all? You only went to the projects in every

0:49:52.120 --> 0:49:55.120
<v Speaker 1>state in the projects and Jersey with the great streets,

0:49:55.480 --> 0:49:57.600
<v Speaker 1>and it's like, what show with y'all? My nigga show

0:49:57.600 --> 0:49:59.759
<v Speaker 1>with y'all. Nigga like watch up g man, oh g O.

0:50:00.000 --> 0:50:03.239
<v Speaker 1>I'm like, man, this nigga said on George on b

0:50:03.400 --> 0:50:07.200
<v Speaker 1>A nigga sad on Brandon in Jersey. Nigga in Jersey's

0:50:07.239 --> 0:50:10.640
<v Speaker 1>nigga said on George and Brandon, So you know, I'm

0:50:10.800 --> 0:50:14.560
<v Speaker 1>enamored that we're so close, three thousand miles away, like

0:50:15.920 --> 0:50:17.720
<v Speaker 1>like you know what I mean, Like everybody can frown,

0:50:17.800 --> 0:50:20.040
<v Speaker 1>but I love. I love the fact that we're so close.

0:50:20.239 --> 0:50:22.920
<v Speaker 1>Like I feel like when I as a rapper, like

0:50:23.080 --> 0:50:25.600
<v Speaker 1>that's my New York thing, even though I do West

0:50:25.640 --> 0:50:28.600
<v Speaker 1>Coast hip hop, that's something New York gave me, give

0:50:28.680 --> 0:50:30.200
<v Speaker 1>me and I and I want to make sure they

0:50:30.280 --> 0:50:33.040
<v Speaker 1>impressed with what I'm doing with it. It's y'all, just

0:50:33.120 --> 0:50:34.640
<v Speaker 1>like when I go over there, they want to show

0:50:34.719 --> 0:50:36.880
<v Speaker 1>me how they doing that things with their communities and

0:50:36.960 --> 0:50:39.800
<v Speaker 1>trying to organize and put together their own little street

0:50:39.840 --> 0:50:43.319
<v Speaker 1>gangs to protect each other and stand up. They care

0:50:43.440 --> 0:50:45.879
<v Speaker 1>what I thought? You see how deep our ten trade

0:50:45.920 --> 0:50:48.640
<v Speaker 1>day g is we out here? Becuz? Oh great, cause

0:50:48.760 --> 0:50:52.880
<v Speaker 1>I see y'all for real too. Back the three thousand

0:50:53.000 --> 0:50:57.600
<v Speaker 1>miles three thousand miles of Port Wemember, we're in Memphis.

0:50:57.640 --> 0:50:59.680
<v Speaker 1>This niggas are gonna gray old baby lo. What do

0:50:59.760 --> 0:51:05.920
<v Speaker 1>you y'all? We are talking about here with brothers? We

0:51:06.040 --> 0:51:08.279
<v Speaker 1>had the street racers. We say with y'all, men, what something?

0:51:08.320 --> 0:51:08.440
<v Speaker 4>Man?

0:51:08.520 --> 0:51:10.160
<v Speaker 1>Yeah, man, y' I'm gonna get my caught. We're gonna

0:51:10.160 --> 0:51:12.719
<v Speaker 1>figure it out. We're gonna make this thing. I'm in Kentucky, man,

0:51:14.000 --> 0:51:18.520
<v Speaker 1>I mean Louisville. Stay with y'all. That's what hip hop

0:51:18.640 --> 0:51:23.160
<v Speaker 1>is supposed to do. It's supposed to bring you closer

0:51:23.200 --> 0:51:26.759
<v Speaker 1>to brothers in all these ghettos. It's supposed to make

0:51:26.840 --> 0:51:29.799
<v Speaker 1>the mainstream America understand our plfe a little bit more.

0:51:32.360 --> 0:51:35.319
<v Speaker 1>They supposed Tupac made them understand our plife a little

0:51:35.360 --> 0:51:37.719
<v Speaker 1>bit more. They was like, you know, niggas ain't that bad.

0:51:38.000 --> 0:51:41.680
<v Speaker 1>You know that Tupac nigga. You know they understand our

0:51:41.760 --> 0:51:44.920
<v Speaker 1>feel mean like that shit matter cuse like, and niggas

0:51:44.920 --> 0:51:47.680
<v Speaker 1>don't get that's what this is for. They still be

0:51:47.760 --> 0:51:50.000
<v Speaker 1>trying to use it selfishly to try to get rich.

0:51:50.640 --> 0:51:52.000
<v Speaker 1>You know what I mean. Like, don't get me wrong,

0:51:52.040 --> 0:51:54.279
<v Speaker 1>it's some paper to get what I'm saying. It's so

0:51:54.520 --> 0:51:58.440
<v Speaker 1>much more to it that can happen, and we can

0:51:58.520 --> 0:52:03.080
<v Speaker 1>mobilize the whole country, This whole fly as shit, even

0:52:03.120 --> 0:52:05.920
<v Speaker 1>with cribs like nigga. When I went to New York, nigga,

0:52:05.960 --> 0:52:09.680
<v Speaker 1>we shot that video. Niggas crips everywhere, niggag, that's a nigga.

0:52:09.719 --> 0:52:12.200
<v Speaker 1>Look at this is three thousand miles away and the

0:52:12.320 --> 0:52:15.799
<v Speaker 1>brothers is united together? Or video was that you shot

0:52:15.840 --> 0:52:20.759
<v Speaker 1>there east side? Yeah, shout out to my brother went

0:52:20.960 --> 0:52:24.920
<v Speaker 1>and the brothers united. It brought us together. It's a

0:52:25.000 --> 0:52:29.160
<v Speaker 1>belief that a tear is aparted. Don't trust me. The

0:52:29.239 --> 0:52:34.040
<v Speaker 1>niggas who wasn't together in La wasn't together way before

0:52:34.120 --> 0:52:38.120
<v Speaker 1>crips and bloods came about. They was not together already.

0:52:38.160 --> 0:52:41.120
<v Speaker 1>This is not terrible part. Any further, they was gonna

0:52:41.160 --> 0:52:42.839
<v Speaker 1>still be like, well, man, them niggas live over there,

0:52:42.840 --> 0:52:45.239
<v Speaker 1>off slosson them. Niggas live over there off Western man

0:52:45.280 --> 0:52:47.680
<v Speaker 1>them a nigga. You could use any tidy you want to.

0:52:47.760 --> 0:52:51.400
<v Speaker 1>People just gonna find separations, I mean and distance. It's

0:52:51.520 --> 0:52:52.200
<v Speaker 1>just how it worked.

0:52:55.239 --> 0:52:59.080
<v Speaker 4>I think that so to me, like, well, like Miami

0:52:59.160 --> 0:53:00.760
<v Speaker 4>is not a city that really has that. In Oaklands

0:53:00.800 --> 0:53:03.040
<v Speaker 4>dot of city that really has like blood and crypt

0:53:03.320 --> 0:53:04.840
<v Speaker 4>type things going on, you know.

0:53:05.400 --> 0:53:08.640
<v Speaker 1>But most of all do. But they still got the

0:53:08.719 --> 0:53:09.640
<v Speaker 1>same shit happening.

0:53:10.600 --> 0:53:12.759
<v Speaker 4>Yeah, I was just gonna say, the only differentially that

0:53:12.840 --> 0:53:19.120
<v Speaker 4>I see is the intergenerationality of one particular like name.

0:53:19.960 --> 0:53:20.560
<v Speaker 1>That's it.

0:53:20.800 --> 0:53:24.560
<v Speaker 4>Otherwise, like the same situation pops up and then it

0:53:24.640 --> 0:53:27.400
<v Speaker 4>kind of expires, and the same situation pops up from

0:53:27.400 --> 0:53:29.640
<v Speaker 4>the same courtyard in front of the same building. After

0:53:29.719 --> 0:53:32.160
<v Speaker 4>that one expires and does the same thing until that expires.

0:53:32.280 --> 0:53:33.840
<v Speaker 4>It just does it with different names in.

0:53:33.880 --> 0:53:36.600
<v Speaker 1>The postal one. But the whole time, even when you

0:53:36.680 --> 0:53:39.040
<v Speaker 1>think of the gray stries, right, it feel like shut

0:53:39.120 --> 0:53:42.839
<v Speaker 1>up to the homies. It feel like everything is gray sty.

0:53:42.920 --> 0:53:45.000
<v Speaker 1>People don't really know the grace. That's not the first

0:53:46.640 --> 0:53:48.759
<v Speaker 1>like idea of Gray Street. The first Gray Street is

0:53:48.800 --> 0:53:55.040
<v Speaker 1>watched Wady of grat They got they got east Side kids,

0:53:55.360 --> 0:53:58.400
<v Speaker 1>they got Jordan down, they got Jordan down, gangs. They

0:53:58.440 --> 0:54:01.439
<v Speaker 1>had two other games in between that one. Then Gray

0:54:01.480 --> 0:54:07.799
<v Speaker 1>Street came along, right, then they got gangs under Grave Street, right,

0:54:07.840 --> 0:54:10.080
<v Speaker 1>they got baby low that's niggas older than me, baby

0:54:10.120 --> 0:54:13.480
<v Speaker 1>loas older than they was just baby loads at the time.

0:54:13.600 --> 0:54:15.279
<v Speaker 1>Then they got the niggas that's my age, the Peter

0:54:15.400 --> 0:54:17.719
<v Speaker 1>Rol niggas or the Dustail niggas or the paro Leae

0:54:17.760 --> 0:54:21.879
<v Speaker 1>and these are all gangs within that place. They feel

0:54:21.960 --> 0:54:23.759
<v Speaker 1>like it's all a sign. But them niggas a fight

0:54:23.840 --> 0:54:25.800
<v Speaker 1>and shoot and hurt each other too. You go to

0:54:25.880 --> 0:54:28.040
<v Speaker 1>the niggas and guards. They got lot. They got lots

0:54:28.080 --> 0:54:30.560
<v Speaker 1>in line, like the parking lot, Like these niggas from

0:54:30.600 --> 0:54:33.279
<v Speaker 1>this parking lot versus these niggas that hang out off

0:54:33.320 --> 0:54:35.600
<v Speaker 1>of this street, the deuce line one hundred and thirty,

0:54:35.600 --> 0:54:38.320
<v Speaker 1>one hundred and twelve versus the niggas that be in

0:54:38.400 --> 0:54:42.000
<v Speaker 1>this parking lot. Then you got the block, the block Boys,

0:54:42.000 --> 0:54:43.960
<v Speaker 1>which is out of the projects, so the Bell Havens

0:54:44.000 --> 0:54:46.279
<v Speaker 1>which is out of the project. So it's like it's

0:54:46.360 --> 0:54:50.760
<v Speaker 1>the same thing. But again if everybody from the outside

0:54:50.880 --> 0:54:53.840
<v Speaker 1>or they just grape streets, it just looked like nothing.

0:54:54.239 --> 0:54:56.239
<v Speaker 1>But again that's the point of hip hop, Like I

0:54:56.280 --> 0:54:58.839
<v Speaker 1>could give people sub the nuances to make them see

0:54:58.920 --> 0:55:02.120
<v Speaker 1>that they not that different. That's what I'm supposed to

0:55:02.200 --> 0:55:04.080
<v Speaker 1>be doing. That's why I'm here. That's why God put

0:55:04.160 --> 0:55:06.520
<v Speaker 1>me through all the stuff he put me through. That's

0:55:06.560 --> 0:55:08.719
<v Speaker 1>why God really put me through this stuff. We're gonna

0:55:08.719 --> 0:55:11.560
<v Speaker 1>be able to convey that this new project I conveyed

0:55:12.120 --> 0:55:15.600
<v Speaker 1>what's gonna blow everybody back. Pause is when I actually

0:55:15.760 --> 0:55:17.840
<v Speaker 1>dropped this and it be a big deal and everybody

0:55:17.880 --> 0:55:19.920
<v Speaker 1>gotta go back and listen and realize I've been doing this.

0:55:21.800 --> 0:55:24.000
<v Speaker 1>That's gonna fuck everybody. Man, this nigga really been on

0:55:24.120 --> 0:55:28.120
<v Speaker 1>this ship, so you know what I mean. That's when

0:55:28.160 --> 0:55:30.680
<v Speaker 1>it's gonna for me. It's more or less like God

0:55:30.760 --> 0:55:32.799
<v Speaker 1>always gave me a level of intellect, so it made

0:55:32.840 --> 0:55:35.120
<v Speaker 1>everything always a little bit more challenging. I could never

0:55:35.200 --> 0:55:39.120
<v Speaker 1>take the cheap way. What you mean by pause? That's

0:55:39.200 --> 0:55:40.840
<v Speaker 1>the New York Ship fuck with hummies and hartum.

0:55:41.280 --> 0:55:44.080
<v Speaker 3>Okay he said bloody back and said pause. That tripped

0:55:44.120 --> 0:55:44.359
<v Speaker 3>me out.

0:55:44.560 --> 0:55:46.040
<v Speaker 1>That means that's telling you I don't mean it in

0:55:46.120 --> 0:55:49.719
<v Speaker 1>a sexual way. Okay, Yeah, it's like some Harlem sh

0:55:49.760 --> 0:55:53.080
<v Speaker 1>It's New York Ship. I don't know, hal shit, A

0:55:53.239 --> 0:56:04.640
<v Speaker 1>bad bad why you laugh peaks just.

0:56:04.719 --> 0:56:08.920
<v Speaker 4>The whole nature of it. It kind of replaced what

0:56:09.120 --> 0:56:10.440
<v Speaker 4>was the previous iteration of that.

0:56:11.920 --> 0:56:19.080
<v Speaker 1>Something kind of like that. So that's all. That's all

0:56:19.120 --> 0:56:23.759
<v Speaker 1>it is. I focus on that more than anything. So

0:56:24.719 --> 0:56:26.600
<v Speaker 1>that's why a lot of times the things that's going

0:56:26.640 --> 0:56:29.080
<v Speaker 1>on inside of my mind come right to the podcast,

0:56:30.360 --> 0:56:32.480
<v Speaker 1>because really, these are things that can help people with

0:56:32.600 --> 0:56:34.520
<v Speaker 1>their every day life. This is something peak it help

0:56:34.600 --> 0:56:38.000
<v Speaker 1>me with. I can say one thing, people like, man, gee,

0:56:38.000 --> 0:56:38.960
<v Speaker 1>I thought about that? Did that?

0:56:39.080 --> 0:56:39.279
<v Speaker 2>Or that?

0:56:39.480 --> 0:56:42.200
<v Speaker 1>Man? Somebody can hear this podcast and be able to

0:56:42.239 --> 0:56:44.040
<v Speaker 1>tap in be like man, gee, that's a good point.

0:56:44.080 --> 0:56:46.680
<v Speaker 1>I thought this that And the third you do get

0:56:46.760 --> 0:56:48.400
<v Speaker 1>some of the people that like man, that was brilliant.

0:56:48.520 --> 0:56:50.719
<v Speaker 1>But you know, you're really putting out the information so

0:56:51.360 --> 0:56:57.640
<v Speaker 1>people could use it to they benefit. They're looking out

0:56:57.680 --> 0:57:00.520
<v Speaker 1>for tuning into the Note Senters podcast. Please do us

0:57:00.560 --> 0:57:03.920
<v Speaker 1>a favorite, subscribe, rate, comment, and share. This episode was

0:57:03.960 --> 0:57:06.200
<v Speaker 1>recorded right here on the West coast of the USA.

0:57:06.560 --> 0:57:09.440
<v Speaker 1>It produced about the Black Effect podcast network and not

0:57:09.560 --> 0:57:10.919
<v Speaker 1>heard radio year