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Speaker 1: You got a bright future though, Man, Joe, it's crazy.

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Speaker 1: How like I look at your situation similar to fifty

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Speaker 1: because it's like because he got shot. Yeah, because fifty

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Speaker 1: got shot.

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Speaker 2: I can't y'all go ahead, this is crazy. Yeah, they're

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Speaker 2: not getting see you never let me drink?

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Speaker 3: Did he gets tipped? Shut proven frock out? Yo?

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Speaker 1: We here what Skiller baby man? The intro, it's the

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Speaker 1: real report. We got the realist artist, the biggest artist

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Speaker 1: out of Detroit. Right now, make some noise for Skiller Baby.

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Speaker 4: Yeah, you know what the vibes ship.

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Speaker 1: You know what I'm saying, fresh out the body shot.

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Speaker 1: You know what I'm saying. My man got popped and

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Speaker 1: he's back better than never. Man, y'all can't stop him. Man,

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Speaker 1: y'all can't stop him. I can't stop them. Y'all can't

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Speaker 1: stop him. And we heard the new music. Y'all was

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Speaker 1: in trouble, man, worry. Shout out to forty two dog,

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Speaker 1: what's the process of that?

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Speaker 4: Thick one?

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Speaker 1: Thick one is the hottest on the streets right now.

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Speaker 1: You know what I'm saying, it's been it's been shortened

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Speaker 1: for a minute. Talk about the process. You know you

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Speaker 1: in forty two dog clapping.

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Speaker 3: We really Me and Doug had to get cool. We're

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Speaker 3: just like we weren't their eyes, but we're just like, man,

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Speaker 3: that's just one of my friend I wasn't his friends,

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Speaker 3: so we had to get cool first. And then he

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Speaker 3: ended up being a cool So I know he need

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Speaker 3: a girl record with like he good at street records.

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Speaker 3: So I had on my phone that already. Did I

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Speaker 3: really sent it to him, like I that was really

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Speaker 3: supposed to be a record for my album, but I'll

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Speaker 3: be have girl records on my phone and and I

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Speaker 3: know everybody want girl records from me, So I just

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Speaker 3: sent them the hook and the idea and.

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Speaker 4: Talk about the new album. I was shieling with you

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Speaker 4: with Rocket we We I forgot where was we At

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Speaker 4: was in the Foul Blue in Vegas, Vegas.

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Speaker 1: We had a restaurant we you know, clowns, a fucking

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Speaker 1: wag gooule pastrami and all this good ship and ship

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Speaker 1: was coming out smoking and then he just started playing

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Speaker 1: the records and I heard another one with Doug, and

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Speaker 1: I was.

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Speaker 4: Like, man, this is like it's gonna kill the streets.

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Speaker 2: For the name of the album Rockets.

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Speaker 3: That was the street was hard it's out. I put

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Speaker 3: that out like two weeks ago.

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Speaker 1: So okay, West to East definitely, definitely, I definitely got

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Speaker 1: a I'm definitely gonna get that on Apple Music, Spotify,

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Speaker 1: whatever it is.

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Speaker 4: Shout to you and Doug, because that's another one when

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Speaker 4: y'all y'all did like both of them records in the

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Speaker 4: same day, don't you.

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Speaker 3: I had. I did the the Thick One Ship. I

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Speaker 3: did that like two years ago, almost two years ago.

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Speaker 3: I had that on my phone just sitting and I

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Speaker 3: sent it to him. He liked it. And then the

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Speaker 3: West to East shit, I did that right after I

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Speaker 3: got shot and I was just on some bullshit and

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Speaker 3: then I was just thinking all bunch of creative ways

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Speaker 3: to get my ship off. So then the sample like

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Speaker 3: a real like they considered Blade ice Wood the biggest

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Speaker 3: rapper from Detroit, you know, like the history of Blade

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Speaker 3: ice Wood, So I thought, like for us to both

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Speaker 3: get on there, it just mean something for Detrick, like

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Speaker 3: some ship we did for the trick. But yeah, we

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Speaker 3: just been We got me and Doug got like five

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Speaker 3: six songs. Yeah, putting EP together out or something like that. Yeah,

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Speaker 3: we're supposed to be working on Okay.

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Speaker 4: We wanted up getting shot man because that car got switched.

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Speaker 4: Cheese man. Thank god they still need it. Man, What like,

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Speaker 4: what the fuck you was feeling?

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Speaker 3: Like?

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Speaker 4: Did you see niggas on you?

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Speaker 3: Or like no, they got on the side of me

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Speaker 3: for real, for real? The call wasn't bulletpoof, you know,

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Speaker 3: I mean, I'll be moving around like I'm normal and

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Speaker 3: some ship and I should that.

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Speaker 4: I'm definitely you know, he'd be rolling Dice Harlem.

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Speaker 3: You know how you know how home will make it.

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Speaker 4: Harlem Dice games. You know what I'm saying.

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Speaker 3: I already said I'm from Harlem.

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Speaker 1: You every every strip club of course, sucking it up.

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Speaker 1: How you know to make the music for the women?

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Speaker 1: Like how do you how do you know like to relate.

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Speaker 4: To them like that?

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Speaker 3: Some shold just be natural though, you know how street niggas.

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Speaker 3: Some niggas just make music where the streets feel it,

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Speaker 3: like I think some should just be natural. Like you

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Speaker 3: can't really explain it. I didn't go to the studio

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Speaker 3: like I'm gonna be the girl rapper. I never did that.

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Speaker 3: I went to the studio like I'm gonna make what

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Speaker 3: I feel. Girls end up feeling that ship you see

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Speaker 3: something work and then like it's like making food, Like

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Speaker 3: you find a recipe, you don't just change your recipe.

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Speaker 3: People like you do what people like because at the

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Speaker 3: end of the day, we do it for our fans.

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Speaker 3: We don't do it for some other shit. You do

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Speaker 3: it to please your fans and the people that listen

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Speaker 3: to you and support you. So I just figured that out.

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Speaker 3: Rocket was just telling me that today, like damn, you

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Speaker 3: mastered this shit. I was like, I really don't feel

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Speaker 3: like I mastered it, but like I know, my niche right.

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Speaker 1: Got you hundred You know twenty twenty four you was

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Speaker 1: on that Freshman cover and when I when I view things,

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Speaker 1: I look at it like you Big X, the.

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Speaker 4: Plug, Cash Cobin. I believe Scarlett was on there.

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Speaker 1: But just between y'all three right there know how to

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Speaker 1: make fucking hit records, Big Exter Plug, Cash Cobin and you.

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Speaker 1: And it's like it's just like when you when you

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Speaker 1: in the studio, do you bring girls in the studio.

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Speaker 3: Or it depends on the day for real, Like I could,

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Speaker 3: I could go to the studio a lot of times,

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Speaker 3: Like I like being in the studio by myself, Like

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Speaker 3: if I want to make a song, like think when

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Speaker 3: I probably bring some girls, but if I want to

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Speaker 3: make some real music and get deep, I probably go

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Speaker 3: by myself because I don't need know distractions. I don't

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Speaker 3: need to feel like I'm not gonna say this because

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Speaker 3: this person here, or I just need to get this

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Speaker 3: ship off and I'm gonna do it, like you know

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Speaker 3: what I'm saying.

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Speaker 1: How did you feel when he was on the Freshman

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Speaker 1: cover sh double xself Vanessa? You know that's one of

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Speaker 1: the first covers we was on G units, so I

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Speaker 1: always you know, shout out double xit.

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Speaker 4: How you feel that was like a big accomplishment.

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Speaker 3: Yeah, I felt like that like cement you and hip

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Speaker 3: hop like so to speak, like when you on XX sales,

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Speaker 3: it's only certain people get on that shit, so it's

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Speaker 3: like something that it's like a little cool thing to

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Speaker 3: say when you get older, like like it's something that

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Speaker 3: some of the biggest people came up of. So you

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Speaker 3: can't never downplay XXXL. I feel like they walking it

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Speaker 3: down now with people doing the freestyles and stuff and

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Speaker 3: they not really taking it serious. That's what was my

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Speaker 3: problem with it at first. But like you can't help

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Speaker 3: what other people doing, but I feel like they should

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Speaker 3: kind of like put it, put it back together how

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Speaker 3: it was, like make it more less successible to just

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Speaker 3: the average people. But I appreciate it being on there

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Speaker 3: because everybody can't get on there. Definitely.

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Speaker 1: I know you got hell Cats, track Hawks, jewelry, and

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Speaker 1: you got everything. You know, you're rich, right, So no,

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Speaker 1: I'm just keeping it real. But tell tell the young

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Speaker 1: niggas out there, Thewaiians out there, about your real estate ventures,

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Speaker 1: because a lot of people don't know about that.

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Speaker 4: I know a lot of real estate.

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Speaker 3: Yeah, real estate. I got into real estate from my

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Speaker 3: my guy, he works for the Mayor's office. His name right, Simpson,

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Speaker 3: cold guy. I he started introducing real estate to me. Yeah,

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Speaker 3: I was young, but I was avery. I really got

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Speaker 3: into it because every nigga that I know that so

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Speaker 3: dope and ship. That's what they did with their money.

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Speaker 3: You know what I'm saying. They bought houses, you know

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Speaker 3: what I'm saying. So I got into it, and I

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Speaker 3: really flipped my first house this year. I've been sitting

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Speaker 3: on houses for like years, but I flipped my first

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Speaker 3: house this year a couple months ago. Appreciate you, but

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Speaker 3: I really jumped into it just because I had money.

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Speaker 3: I wanted to see what that could do. Like I

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Speaker 3: got a block where I got like three four houses

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Speaker 3: on it. I bought them for twenty thousand a piece.

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Speaker 3: They worked for like five hundred and all shit, and

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Speaker 3: I ain't even touch them. Like so I just that's

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Speaker 3: what made me really love it. Now I'm getting into

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Speaker 3: new developments, I'm win to like the youngest black developers

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Speaker 3: from my hood. Like so it's like I could build

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Speaker 3: from the ground up. Now I got into like a

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Speaker 3: little bit with the politics, helping the mayor and stuff

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Speaker 3: gett in the office. So they like they just always

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Speaker 3: on my side. They make sure I do everything right.

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Speaker 3: If I need inspection and stuff, they just make sure

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Speaker 3: I get my permits, do everything right. So shout out

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Speaker 3: Mary Sheffield and the mayor office. They helped me when

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Speaker 3: I do gun By bags that I done, gave kids shoes,

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Speaker 3: five hundred pair of shoes. I'm always showing up to

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Speaker 3: those events. I put some kids through college, put some

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Speaker 3: people through law school. So the Mayor's office always helping

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Speaker 3: me give back to the community. And then they my

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Speaker 3: community bless me, you know what I'm saying.

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Speaker 1: So that's Detroit Man. One of the biggest sauce hot. Yeah,

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Speaker 1: because your hooks, Like, man, you it's like you write

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Speaker 1: million dollar hooks.

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Speaker 3: Man, I don't know.

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Speaker 4: I just do you write or you just do the booth?

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Speaker 3: I do both. I do both something. I be inspired

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Speaker 3: by life, so I don't really go to the studio

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Speaker 3: a lot. I try to live and then go to

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Speaker 3: the studio to have something to write about. Like if

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Speaker 3: I made a song called the Thick One, I probably

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Speaker 3: had thick One. Reality.

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Speaker 2: Youp Detroit heavy? So what part shaped you the most

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Speaker 2: in Detroit?

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Speaker 3: Like Detroit? The whole Detroit really shaped me me though,

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Speaker 3: because like I grew up on the West Side and stuff,

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Speaker 3: and my whole family from like Wellwood in that area.

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Speaker 3: But I grew up like on like seven Mile and

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Speaker 3: Myers so and then when I got older, I got

200
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Speaker 3: like nineteen, I started going to the East Side running around.

201
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Speaker 3: So it's like I be inspired by everything about Detroit,

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Speaker 3: even the niggas I don't like. I'd rather hang with

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Speaker 3: them the other niggas. I would never hang with them niggas,

204
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Speaker 3: but I rather hang with the niggas I don't like

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Speaker 3: from Detroit. Then go to certain places and hang with

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Speaker 3: like niggas like, because niggas be weird to me, got you,

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Speaker 3: got you like, that's just about preference, though. Detroit niggas

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Speaker 3: my niggas. I fuck with niggas, But home Be I

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Speaker 3: did the record Home just be. You get too comfortable

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Speaker 3: at home. That's how he was talking with my sugar

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Speaker 3: and switch cheese and shit. Because you get too comfortable,

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Speaker 3: you get to doing normal like that.

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Speaker 4: You think niggas get bored when they get rich.

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Speaker 1: It's like like young rappers, like you know, young celebrities,

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Speaker 1: and y'all make all this money and you can buy

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Speaker 1: mansions and you can get any grill you want.

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Speaker 3: And you I think that's not the boredom part. The

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Speaker 3: boredom part is when you gotta you get rich, you

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Speaker 3: gotta leave home, and then that's not home. Like you

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Speaker 3: you imagine being twenty five and you can't go to

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Speaker 3: the block. I grew up on the block. How the

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Speaker 3: fuck you're gonna tell me I can't go to the

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Speaker 3: block because I'm rich. This is where I'm comfortable. This

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Speaker 3: is where make me happy, So I gotta be not

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Speaker 3: happy because I'm rich. I think like that, once you

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Speaker 3: get rich.

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Speaker 4: To police being you anyway, because when you look at

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Speaker 4: Young and Nace and Florida. He can't even go to Florida.

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Speaker 4: He can't even come back to where he's from.

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Speaker 3: Yeah, that's from certain that's from certain circumstances though, Like

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Speaker 3: see me, like my city really loved me. It's just

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Speaker 3: probably a couple of niggas that just got it off

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Speaker 3: of me. But my city really loved me. Like I

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Speaker 3: go anywhere, I could go anywhere. The police love me,

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Speaker 3: street niggas love me, the kids love me. Because I

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Speaker 3: don't go starting problems. I ain't a nigga that's gonna

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Speaker 3: pull up looking for problems. I ain't even a nigga

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Speaker 3: that's gonna get on here, like yeah, I want to

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Speaker 3: kill people every day. I don't. I want to see

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Speaker 3: everybody live. So like, I ain't going there with that

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Speaker 3: type of energy. I ain't going on set. I went

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Speaker 3: to movie set the power shit I go with suit

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Speaker 3: song like. I ain't even trying to give street nigga don't.

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Speaker 3: I ain't one of them niggas. It's just I like,

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Speaker 3: I like going to hang on my block. I like

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Speaker 3: going to hang in the hood. I do, and that's

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Speaker 3: what makes me happy. I like going to strip clubs.

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Speaker 2: I do.

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Speaker 3: I ain't gonna lie. I like being around bitches.

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Speaker 1: What if you're successful, you know? But what I'm what

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Speaker 1: I'm saying, is you successful people. You know, people who's

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Speaker 1: gonna hate you just dropped in twenty twenty four. You

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Speaker 1: had the Freshman cover. It's only twenty twenty six. You

254
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Speaker 1: put out hit records for the league, hit records for

255
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Speaker 1: the clubs. You got hit record out. Now we just

256
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Speaker 1: know you know how to make fucking hit records.

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Speaker 4: So why go back? And you know, A wise man

258
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Speaker 4: once always told me, you know, protect the money.

259
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Speaker 3: For sol but money don't just equal happiness. When you

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Speaker 3: go back and you like this is what you know,

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Speaker 3: like you'll be like you gotta think it don't matter

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Speaker 3: how rich you get, you still gonna know what you know.

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Speaker 3: You're gonna love what you love. Like everybody you love,

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Speaker 3: you can't take it with you. So I can't never

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Speaker 3: see you because you on the block.

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Speaker 1: I feel you, but I don't feel I don't get

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Speaker 1: that like I look when I look at rest in peace,

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Speaker 1: young Dolph, send a nigga to go get some cookies. No,

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Speaker 1: I ain't saying, I'm just saying just for just for

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Speaker 1: him being in the hood, like he had the bulletproof

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Speaker 1: ferrari and all that. He could have sat in the

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Speaker 1: car and his brother or whoever rested his brother could

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Speaker 1: have win got the cookies.

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Speaker 3: But that might have made young Dolph happy. You can't

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Speaker 3: tell young Dolph what made him happy. That cookie stole

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Speaker 3: might have brought him happiness. That might be his spot,

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Speaker 3: that where he grew up in made brought him joy.

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Speaker 3: That ship might have He might have had depression his

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Speaker 3: whole life and went to that cookie store and it

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Speaker 3: relieved him.

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Speaker 1: But when you but when you're an artists, right some property,

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Speaker 1: you know we got a lot to deal with. We

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Speaker 1: know that every single day it's watching it back. You

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Speaker 1: got chisty promoters, industry people, stick up kids, baby mama,

285
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Speaker 1: drama girls trying to get you for your money. You

286
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Speaker 1: know you got irs, you got the Feds. Everybody's watching,

287
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Speaker 1: gun police, everybody's watching because.

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Speaker 4: You're a rich black man with money. So I just

289
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Speaker 4: think we had beef with everybody.

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Speaker 1: So instead of us like going in Walmart, you know

291
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Speaker 1: what I'm saying, to go get socks or under nas yo,

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Speaker 1: send a nigga in there, because it's levels. I think

293
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Speaker 1: when you go back it's fucked up. Like I feel

294
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Speaker 1: like Limbse's supposed to be alive. Doult's supposed to be alive.

295
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Speaker 1: A lot of niggas, God bless you alive.

296
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Speaker 3: But what age did you figure that out? Though? What that?

297
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Speaker 3: I got beef for all these niggas and I gotta

298
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Speaker 3: do this this way? What age would you?

299
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Speaker 4: Well?

300
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Speaker 1: When I came home, fifty told me he gave me

301
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Speaker 1: my first Jacob and he told me, you know, motherfuckers,

302
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Speaker 1: shoot you for this?

303
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Speaker 3: What age though?

304
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Speaker 4: He's probably twenty five, twenty six, So.

305
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Speaker 3: You gotta think a lot of these niggas down at

306
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Speaker 3: twenty one twenty two nigga don't know no better. Niggas

307
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Speaker 3: just getting I just told my label this. They give

308
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Speaker 3: you all this money, right, it's not even your money.

309
00:15:22,320 --> 00:15:26,560
Speaker 3: This your marketing, this your recording budget. So that give

310
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Speaker 3: you this money. You gonna blow your first run the

311
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Speaker 3: first time you get some money, regardless, I don't care

312
00:15:32,200 --> 00:15:35,240
Speaker 3: who you are, you're blowing your first run. They gonna

313
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Speaker 3: give you this money that automatically make you a bigger

314
00:15:38,640 --> 00:15:42,360
Speaker 3: threat than the hood. Then you're gonna blow this money.

315
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Speaker 3: You're not getting no money to you fulfill your obligations.

316
00:15:45,480 --> 00:15:48,040
Speaker 3: You're not getting nothing. You're not getting you're not getting

317
00:15:48,080 --> 00:15:52,080
Speaker 3: streaming money. You better hope you getting shows. You're not

318
00:15:52,160 --> 00:15:56,400
Speaker 3: getting no more advances. You ain't getting nothing, No rice,

319
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Speaker 3: no nothing. You're not eating. Yeah, right, so Chicken, you're

320
00:16:02,000 --> 00:16:04,680
Speaker 3: gonna blow this shit. You're gonna buy a car, You're

321
00:16:04,680 --> 00:16:06,920
Speaker 3: gonna buy some jurey, You're gonna buy a house, and

322
00:16:07,040 --> 00:16:09,240
Speaker 3: then you're gonna help people around you. He's gonna buy

323
00:16:09,280 --> 00:16:13,160
Speaker 3: some guns. Then you're gonna get to doing bullshit. You

324
00:16:13,240 --> 00:16:15,760
Speaker 3: know what I'm saying. You're gonna be a bigger threat

325
00:16:15,760 --> 00:16:18,360
Speaker 3: because the niggas know you got money now and then

326
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Speaker 3: you're gonna blow it all. Now you gotta go back there.

327
00:16:21,320 --> 00:16:24,160
Speaker 3: People still think you got money, and YO is gonna

328
00:16:24,160 --> 00:16:26,960
Speaker 3: get blue down because the label ain't got nothing for you.

329
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Speaker 3: So the label really, this is the label really, Like

330
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Speaker 3: I ain't saying they the reason why young niggas dye,

331
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Speaker 3: but they enhancing this shit because it's no artist development.

332
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Speaker 3: It's no. They're not teaching on financial literacy. They're not

333
00:16:46,760 --> 00:16:48,640
Speaker 3: doing all this shit. They're giving you a bunch of money.

334
00:16:48,960 --> 00:16:51,480
Speaker 3: They're not telling you to do nothing with it. They

335
00:16:51,640 --> 00:16:54,000
Speaker 3: really telling you to go do the shit that's helping

336
00:16:54,080 --> 00:16:57,120
Speaker 3: you sell, which is the bullshit, and then you're gonna

337
00:16:57,120 --> 00:17:00,120
Speaker 3: blow it all, and then they ain't got nothing for you,

338
00:17:00,240 --> 00:17:03,280
Speaker 3: and your music gonna stop selling because you're not inspired

339
00:17:03,320 --> 00:17:05,960
Speaker 3: by nothing, You're not seeing nothing else, you're not doing nothing,

340
00:17:07,080 --> 00:17:10,200
Speaker 3: and it's gonna be twenty other little niggas just like you.

341
00:17:11,240 --> 00:17:14,399
Speaker 3: So like that's why a lot of this shit happened.

342
00:17:14,440 --> 00:17:17,280
Speaker 3: I'll watch it every day. I seen this movie a

343
00:17:17,440 --> 00:17:20,160
Speaker 3: hundred times. You know what I'm saying. I just happen

344
00:17:20,200 --> 00:17:23,000
Speaker 3: to get lucky. I'll be around older niggas like y'all,

345
00:17:23,040 --> 00:17:25,560
Speaker 3: and y'all get me game like I talk back and

346
00:17:25,600 --> 00:17:27,879
Speaker 3: get my peace. But I'm still listening to you. I

347
00:17:27,920 --> 00:17:29,640
Speaker 3: don't live in Detroit. I'll be gone.

348
00:17:29,840 --> 00:17:32,399
Speaker 1: So what's going through your head when the cars getting

349
00:17:32,400 --> 00:17:34,960
Speaker 1: shot up because you got you got hit or grades live?

350
00:17:35,920 --> 00:17:38,880
Speaker 3: I got hit, I got hit, grays it's live.

351
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Speaker 2: Like.

352
00:17:39,720 --> 00:17:43,040
Speaker 3: I don't be in no situation panicking. I got faith

353
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Speaker 3: in God, so like God, just if it's my time,

354
00:17:46,000 --> 00:17:48,280
Speaker 3: I feel like it's my time. I ain't yelling nothing.

355
00:17:48,280 --> 00:17:50,399
Speaker 3: It wasn't nobody in the car to yell to. So

356
00:17:50,600 --> 00:17:53,040
Speaker 3: it's like, all right, boom. Let me get out the

357
00:17:53,080 --> 00:17:55,880
Speaker 3: way of these bullets. Let me turn these niggas gotta

358
00:17:55,920 --> 00:17:58,639
Speaker 3: go straight. I'm gonna crash this bitch. I'm gonna get out.

359
00:17:58,720 --> 00:18:01,160
Speaker 3: I'm gonna get out of harm's way. I ain't gonna

360
00:18:01,640 --> 00:18:04,000
Speaker 3: like when we accept what come with this shit too,

361
00:18:04,320 --> 00:18:08,119
Speaker 3: Like you know what I'm saying. It's like anytime you

362
00:18:08,280 --> 00:18:11,040
Speaker 3: doing certain shit like and I don't do bullshit, but

363
00:18:11,200 --> 00:18:14,119
Speaker 3: you live a certain life. Unfortunately, we was born in

364
00:18:14,200 --> 00:18:16,760
Speaker 3: the ghetto, so you live a certain life. You got

365
00:18:16,920 --> 00:18:19,920
Speaker 3: to accept what come with everything you got going on

366
00:18:20,320 --> 00:18:23,280
Speaker 3: as a man, as a street nigga. Like I don't,

367
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Speaker 3: I don't know. I don't never wake up a day

368
00:18:25,840 --> 00:18:28,399
Speaker 3: and be like nothing can't happen. I don't do that,

369
00:18:28,920 --> 00:18:33,080
Speaker 3: especially being from Detroit or hanging in Detroit. Like, niggas

370
00:18:33,119 --> 00:18:36,359
Speaker 3: get ribbed, niggas get shot, a type of shit get happened.

371
00:18:36,359 --> 00:18:37,920
Speaker 3: You might get hit by a current. It might just

372
00:18:38,000 --> 00:18:39,840
Speaker 3: be your time to get hit by I tell.

373
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Speaker 1: Young niggas like, yo, listen, I'm in the country where

374
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Speaker 1: niggas don't God gun, So I'm good.

375
00:18:44,440 --> 00:18:45,159
Speaker 3: What country is that?

376
00:18:45,520 --> 00:18:48,600
Speaker 4: Switzerland? Mad? This bad countries? It's no good. We've been

377
00:18:48,600 --> 00:18:49,960
Speaker 4: in the countries though, Yo, Look, we.

378
00:18:51,600 --> 00:18:54,000
Speaker 3: Was in the country get shot to get hit by.

379
00:18:55,480 --> 00:18:56,919
Speaker 4: Yeah, wasn't we in a country?

380
00:18:57,040 --> 00:18:59,119
Speaker 1: I don't know what country was, but you gonna remember

381
00:18:59,520 --> 00:19:01,840
Speaker 1: the pole last had to give their guns in at

382
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Speaker 1: the end of the night, so they don't nothing that. Yeah,

383
00:19:04,920 --> 00:19:08,119
Speaker 1: it was doublin or something them countries. Just when you

384
00:19:08,320 --> 00:19:11,320
Speaker 1: overseas for me, instead of you being in the strip

385
00:19:11,400 --> 00:19:14,440
Speaker 1: club rolling in the gamble spot, spend your money and

386
00:19:14,520 --> 00:19:15,160
Speaker 1: fly to Paris.

387
00:19:15,280 --> 00:19:18,280
Speaker 3: You ain't have flood there. Though I'm have fun.

388
00:19:18,440 --> 00:19:20,320
Speaker 1: I might have fun going to see the Mona Lisa

389
00:19:20,800 --> 00:19:24,040
Speaker 1: shopping that low wage. Might have fun going to see

390
00:19:24,080 --> 00:19:24,679
Speaker 1: big Man.

391
00:19:26,000 --> 00:19:26,400
Speaker 3: Right now.

392
00:19:28,200 --> 00:19:31,200
Speaker 5: That while he'll live in Value, Yo, listen to Value,

393
00:19:31,680 --> 00:19:35,000
Speaker 5: he need more money. Why he'll live Yo, listen, let

394
00:19:35,040 --> 00:19:39,960
Speaker 5: me explain. He ain't let me explain something. He don't

395
00:19:39,960 --> 00:19:42,520
Speaker 5: even y'all don't even know my next plan. My next

396
00:19:42,600 --> 00:19:45,440
Speaker 5: plan is to have a gold passport. That's when I

397
00:19:45,520 --> 00:19:50,160
Speaker 5: have residents in Amsterdam, Paris or whatever, and I will

398
00:19:50,240 --> 00:19:50,600
Speaker 5: live there.

399
00:19:51,240 --> 00:19:54,639
Speaker 4: That's in the future. Volume keep paying me, we gotta pay.

400
00:19:54,560 --> 00:19:58,920
Speaker 3: You always talk about what they're gonna do. Right again,

401
00:20:00,560 --> 00:20:05,199
Speaker 3: I see watch his chain everywhere I see nigga doing.

402
00:20:06,680 --> 00:20:08,240
Speaker 3: We still don't live in Jubbling.

403
00:20:08,480 --> 00:20:11,639
Speaker 1: I can't yo, I can't wait too. I can't wait too.

404
00:20:11,720 --> 00:20:15,359
Speaker 1: He goes on a big ass tour and he's gonna

405
00:20:15,359 --> 00:20:16,719
Speaker 1: be like YO. I'm telling he's gonna be like your

406
00:20:16,800 --> 00:20:19,720
Speaker 1: rocket call the phone. I'm staying in Switzerland, man, I'm

407
00:20:19,760 --> 00:20:20,320
Speaker 1: not leaving here.

408
00:20:20,440 --> 00:20:26,720
Speaker 4: Man. I'm telling you you lie, get there.

409
00:20:26,920 --> 00:20:29,040
Speaker 3: I'm gonna tell you the truth. I've been a thousand

410
00:20:29,119 --> 00:20:32,080
Speaker 3: places in the world. Ain't no pussy like Detroit. Pussy

411
00:20:32,359 --> 00:20:35,440
Speaker 3: Oh ship, I don't know about that, but I'm telling

412
00:20:35,520 --> 00:20:37,400
Speaker 3: you I'm going home.

413
00:20:39,440 --> 00:20:44,040
Speaker 1: I'm going Detroit pussy can fly to Switzerland. You catching

414
00:20:44,080 --> 00:20:44,840
Speaker 1: a stunt to me?

415
00:20:44,960 --> 00:20:47,439
Speaker 4: I love. I just love touring overseas.

416
00:20:47,160 --> 00:20:49,879
Speaker 2: Where that slogan Detroit versus everybody come from cause they

417
00:20:49,960 --> 00:20:50,200
Speaker 2: was going.

418
00:20:50,440 --> 00:20:51,399
Speaker 4: That's how Detroit is.

419
00:20:51,640 --> 00:20:54,159
Speaker 3: It's just how Detroit is. We ain't like like, if

420
00:20:54,200 --> 00:20:56,040
Speaker 3: I see a nigga on beef aware out of town

421
00:20:56,160 --> 00:20:58,560
Speaker 3: and some out of town niggas get on him, I'm

422
00:20:58,600 --> 00:21:00,600
Speaker 3: daring there getting on the out of townniggas because it.

423
00:21:00,600 --> 00:21:04,959
Speaker 1: Makes Detroit fight. They fight each other, but once they

424
00:21:05,040 --> 00:21:06,439
Speaker 1: go out of town, it's them together.

425
00:21:06,480 --> 00:21:07,400
Speaker 4: They together. They gonna.

426
00:21:08,000 --> 00:21:10,800
Speaker 3: It's gonna make Detroit. It makes Detroit as a whole

427
00:21:10,920 --> 00:21:13,480
Speaker 3: look bad, Like I don't gotta be cool with a

428
00:21:13,560 --> 00:21:16,240
Speaker 3: nigga to make my city look good, Like I ain't

429
00:21:16,280 --> 00:21:18,120
Speaker 3: have to be cool with Doug. But if some out

430
00:21:18,160 --> 00:21:20,080
Speaker 3: of town niggas get on Dug and I'm right there,

431
00:21:20,359 --> 00:21:22,280
Speaker 3: I ain't saying I'm jumping in a nigga beef. But

432
00:21:22,400 --> 00:21:25,199
Speaker 3: if I'm right there and out of town niggas get

433
00:21:25,200 --> 00:21:28,920
Speaker 3: on Peas or Vezzo or Ray or anybody, I'm I got.

434
00:21:29,240 --> 00:21:31,240
Speaker 3: I gotta protect home, like you know what I'm saying,

435
00:21:31,840 --> 00:21:34,480
Speaker 3: Like that just is what it is, Like I ain't

436
00:21:35,920 --> 00:21:37,920
Speaker 3: them niggas ain't got to be my friends. It's just

437
00:21:38,200 --> 00:21:42,200
Speaker 3: Detroit versus everybody. That's our culture. Like I can't even

438
00:21:42,280 --> 00:21:44,119
Speaker 3: I don't know who. That's just how we was raised

439
00:21:44,200 --> 00:21:46,840
Speaker 3: for real, Like I ain't gonna be out of town

440
00:21:46,920 --> 00:21:49,040
Speaker 3: even if I don't like it's certain niggas, I just

441
00:21:49,480 --> 00:21:52,359
Speaker 3: absolutely don't like that. Or but I'm never gonna be

442
00:21:52,400 --> 00:21:54,520
Speaker 3: out of town telling the business. I'm never gonna be

443
00:21:55,160 --> 00:21:56,840
Speaker 3: saying like I don't like you would never know.

444
00:21:57,119 --> 00:21:59,119
Speaker 4: Let me ask you a question. You think Detroit niggas

445
00:21:59,160 --> 00:22:01,120
Speaker 4: and New York niggas thought that the Caudier wave.

446
00:22:01,600 --> 00:22:04,240
Speaker 3: The niggas. I'm gonna say that because I'm biased, and

447
00:22:04,640 --> 00:22:04,919
Speaker 3: that's what.

448
00:22:04,960 --> 00:22:05,560
Speaker 4: I really think.

449
00:22:05,600 --> 00:22:10,000
Speaker 3: I thought New York niggas, we wear buffs though we

450
00:22:10,040 --> 00:22:10,679
Speaker 3: don't know.

451
00:22:10,760 --> 00:22:11,800
Speaker 4: But Buff's Cardiers.

452
00:22:11,960 --> 00:22:14,840
Speaker 3: You know, we don't really do like card You can

453
00:22:14,880 --> 00:22:18,080
Speaker 3: see the buff, the wood white buff white buffs. The

454
00:22:18,119 --> 00:22:21,119
Speaker 3: wood on the side or white is white is supposed

455
00:22:21,119 --> 00:22:22,480
Speaker 3: to be genuine buffalo horn.

456
00:22:22,640 --> 00:22:24,600
Speaker 4: I thought it was just Cardy's period.

457
00:22:24,720 --> 00:22:28,959
Speaker 3: Every we wear buffs. We wear buffs. Some niggas wear

458
00:22:29,000 --> 00:22:30,920
Speaker 3: wires and woods they did back in it. But we

459
00:22:31,600 --> 00:22:36,040
Speaker 3: we we we wear buffs like out there like this.

460
00:22:36,560 --> 00:22:38,840
Speaker 3: We like white buffs though, like you gotta had the

461
00:22:38,920 --> 00:22:42,160
Speaker 3: whitest buff genuine buffalo horn.

462
00:22:43,119 --> 00:22:45,920
Speaker 1: No Detroit, your ya get fly, y'all got the glasses.

463
00:22:45,960 --> 00:22:49,119
Speaker 1: The jewelry ch jewelry game is crazy in Detroit. You

464
00:22:49,160 --> 00:22:51,000
Speaker 1: go to Detroit, everybody looking like mister t.

465
00:22:52,520 --> 00:22:54,639
Speaker 3: Everybody think that it's celebrity and the troch. And they

466
00:22:54,720 --> 00:22:57,159
Speaker 3: was pimping hall in Detroit. That was like, that was like,

467
00:22:58,000 --> 00:22:59,920
Speaker 3: I ain't no no pimp. You ain't no no pimp.

468
00:23:00,280 --> 00:23:02,400
Speaker 3: Mama told me it was PIMPSI Detroit. I ain't even

469
00:23:02,440 --> 00:23:02,639
Speaker 3: know that.

470
00:23:02,720 --> 00:23:04,840
Speaker 4: Though, gentlemen, this is a sponsored show.

471
00:23:04,880 --> 00:23:08,720
Speaker 3: I don't talk all Mama Love was right.

472
00:23:11,800 --> 00:23:13,040
Speaker 4: I'm talking about the jewelry.

473
00:23:13,119 --> 00:23:14,160
Speaker 3: Gain. I know I was talking.

474
00:23:14,160 --> 00:23:17,480
Speaker 1: After you got shot, you went right back outside like

475
00:23:17,720 --> 00:23:19,760
Speaker 1: maybe two three days later, maybe five days.

476
00:23:19,880 --> 00:23:23,159
Speaker 3: Yeah, I don't want nobody they got nothing over me.

477
00:23:23,320 --> 00:23:25,640
Speaker 3: The nigga ain't gonna think he stopped this show.

478
00:23:25,840 --> 00:23:26,159
Speaker 4: Crazy.

479
00:23:27,119 --> 00:23:29,399
Speaker 3: I don't like niggas thinking they got power over you

480
00:23:29,560 --> 00:23:31,680
Speaker 3: like I did that because I wanted to let a

481
00:23:31,760 --> 00:23:34,320
Speaker 3: nigga know, like, yeah, you sweet, you don't stop that,

482
00:23:34,600 --> 00:23:37,880
Speaker 3: like like you don't stop no show. You gotta really

483
00:23:37,960 --> 00:23:41,600
Speaker 3: stop the show. I don't. I wasn't raised like that though,

484
00:23:41,720 --> 00:23:44,600
Speaker 3: Like I swear to God, like my pops would have told, man,

485
00:23:44,640 --> 00:23:47,200
Speaker 3: get your ass up, like I had the pops that

486
00:23:47,320 --> 00:23:50,639
Speaker 3: was born in forty six, so he man, if a

487
00:23:50,720 --> 00:23:52,120
Speaker 3: nigga hits, you hit him back.

488
00:23:52,840 --> 00:23:54,560
Speaker 4: I just want to see all my young boys get

489
00:23:54,600 --> 00:23:56,560
Speaker 4: the money before they dead or in jail.

490
00:23:56,640 --> 00:23:56,800
Speaker 3: Man.

491
00:23:56,880 --> 00:23:58,719
Speaker 4: That's really it. Because we get excited.

492
00:23:58,800 --> 00:24:00,960
Speaker 1: Y'all making way more money than we did way back.

493
00:24:01,040 --> 00:24:03,359
Speaker 1: So it's like for me, I just get excited. So

494
00:24:03,400 --> 00:24:05,520
Speaker 1: when I see young niggas fuck up the bag. That

495
00:24:05,600 --> 00:24:08,760
Speaker 1: shit kind of make me tight, like then niggas making

496
00:24:10,200 --> 00:24:12,639
Speaker 1: chef Chee sleepy out of you know this guy, you

497
00:24:12,720 --> 00:24:15,160
Speaker 1: know what I mean. Free to guys, but like dudes,

498
00:24:15,200 --> 00:24:17,960
Speaker 1: is y'all missing out on serious bread?

499
00:24:18,160 --> 00:24:21,119
Speaker 3: But I ain't really into it with niggas off ship.

500
00:24:21,200 --> 00:24:24,359
Speaker 3: I did, like, why not, no shit, I ain't. I

501
00:24:24,440 --> 00:24:26,800
Speaker 3: ain't in to it with niggas. I'm off I be

502
00:24:26,920 --> 00:24:31,680
Speaker 3: in too with niggas off family shit Like I'm a

503
00:24:31,800 --> 00:24:35,359
Speaker 3: soldier so like I'm my MoMA holy boy. So I

504
00:24:35,400 --> 00:24:37,480
Speaker 3: don't want to put too much shit. It'd just be

505
00:24:37,680 --> 00:24:40,600
Speaker 3: like I'm in tool with niggas because my mama had

506
00:24:40,680 --> 00:24:43,879
Speaker 3: one boy and I just happened to be frontline for

507
00:24:44,000 --> 00:24:47,320
Speaker 3: this shit. So that's just what it is. Like I'm

508
00:24:47,440 --> 00:24:50,119
Speaker 3: dying about that shit, like I don't really care about

509
00:24:50,640 --> 00:24:53,320
Speaker 3: none of I'm down about my respect and my family.

510
00:24:54,040 --> 00:24:56,760
Speaker 3: It's one thing I'm jumping in front of bullets. I'm

511
00:24:56,800 --> 00:24:59,560
Speaker 3: doing whatever, like you, I'm gonna come get you about

512
00:24:59,600 --> 00:25:02,240
Speaker 3: that shit everything. I don't want no problems with nobody.

513
00:25:02,640 --> 00:25:05,280
Speaker 3: I never go outside. You see me outside. I never

514
00:25:05,400 --> 00:25:08,560
Speaker 3: wanted a problem with nobody but for my family and

515
00:25:08,640 --> 00:25:11,440
Speaker 3: for my respect and people. I love my friends, all

516
00:25:11,520 --> 00:25:13,840
Speaker 3: that shit. I'm standing front line about this shit. I

517
00:25:13,880 --> 00:25:15,040
Speaker 3: don't care how rich I get.

518
00:25:15,240 --> 00:25:17,560
Speaker 2: I'm sure help get them out that situation, so you

519
00:25:17,560 --> 00:25:18,680
Speaker 2: ain't got to put yourself in.

520
00:25:18,840 --> 00:25:21,240
Speaker 3: I moved them, I moved them. But this just happened

521
00:25:21,240 --> 00:25:23,720
Speaker 3: to be a situation that happened before I got rich,

522
00:25:24,920 --> 00:25:26,280
Speaker 3: you know what I'm saying. Before I was in a

523
00:25:26,320 --> 00:25:30,800
Speaker 3: position to move my family, shit shit happened, and shit,

524
00:25:31,000 --> 00:25:33,560
Speaker 3: I just had to stand frontline for that shit. And

525
00:25:34,280 --> 00:25:36,679
Speaker 3: even if I got to stand by myself, I'm standing

526
00:25:36,760 --> 00:25:40,160
Speaker 3: on that shit regardless. I'm never gonna apologize for being

527
00:25:40,240 --> 00:25:42,600
Speaker 3: a good man of my family. Like, I'm not never

528
00:25:42,720 --> 00:25:44,679
Speaker 3: doing that shit. And if I got to go against

529
00:25:44,720 --> 00:25:47,879
Speaker 3: a whole village of people, I'm doing that shit about

530
00:25:47,960 --> 00:25:50,680
Speaker 3: my village, you know what I'm saying, even about your

531
00:25:51,520 --> 00:25:53,800
Speaker 3: I'm going that way like if I see a nigga

532
00:25:54,119 --> 00:25:56,119
Speaker 3: like I'm a person that if I seen a nigga

533
00:25:56,200 --> 00:25:58,879
Speaker 3: disrespecting you all behind you all back, I'm standing on

534
00:25:59,000 --> 00:26:01,159
Speaker 3: it because I look at all like my big brothers.

535
00:26:03,160 --> 00:26:03,320
Speaker 2: Man.

536
00:26:03,440 --> 00:26:08,160
Speaker 3: Yea yo, murder, No y'all got I'm a call y'all man,

537
00:26:08,200 --> 00:26:09,720
Speaker 3: y'all heard what dogs saying about your.

538
00:26:09,880 --> 00:26:12,200
Speaker 4: Telling years to talk of New York, Tony Yo.

539
00:26:12,400 --> 00:26:14,359
Speaker 2: And it's the boy led Jed Lenny We And.

540
00:26:14,440 --> 00:26:17,840
Speaker 1: Right now we represent basket Laver Black Owned. One of

541
00:26:17,960 --> 00:26:20,560
Speaker 1: my best products that I love to use is the

542
00:26:20,640 --> 00:26:22,440
Speaker 1: bid Grow because I want to use, you know, full

543
00:26:22,480 --> 00:26:23,080
Speaker 1: a whole bid out.

544
00:26:23,200 --> 00:26:24,840
Speaker 2: I've been working on my waves, so I've been messing

545
00:26:24,880 --> 00:26:25,159
Speaker 2: with this one.

546
00:26:25,240 --> 00:26:26,000
Speaker 3: Yeah, I gonna hold you.

547
00:26:26,040 --> 00:26:27,800
Speaker 2: I'm gonna sell the people have my Waves is looking

548
00:26:27,840 --> 00:26:29,000
Speaker 2: to in the next couple of episodes.

549
00:26:29,000 --> 00:26:31,000
Speaker 1: I can be like, oh, well, yeah, they know for

550
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Speaker 1: good nutrients, you know, for your hair circulation, a lot

551
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552
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553
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554
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555
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556
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557
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559
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561
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562
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Speaker 2: Cold real report.

563
00:27:09,320 --> 00:27:12,880
Speaker 1: Well, yo, come on, let's talk about the album. Chris

564
00:27:13,000 --> 00:27:19,680
Speaker 1: Brown Bracing Toil, the forty two, Doug and Wis Kalifa.

565
00:27:20,480 --> 00:27:22,920
Speaker 3: I got Mary Mary on that shit all type of shit.

566
00:27:23,520 --> 00:27:25,800
Speaker 2: Ask you about that, right, Mary Mary, because I've seen

567
00:27:25,920 --> 00:27:28,640
Speaker 2: something where you went to when you went to church

568
00:27:28,760 --> 00:27:29,080
Speaker 2: and all that.

569
00:27:29,200 --> 00:27:30,840
Speaker 3: What made you want to do that?

570
00:27:31,960 --> 00:27:32,080
Speaker 2: Uh?

571
00:27:32,920 --> 00:27:35,400
Speaker 3: It was that situation and shit I was going through,

572
00:27:35,720 --> 00:27:38,320
Speaker 3: and I was just I was really fighting myself, like

573
00:27:38,960 --> 00:27:41,879
Speaker 3: I was like, all right, boom, I could go do

574
00:27:42,000 --> 00:27:46,119
Speaker 3: this and be in that situation like other people, or

575
00:27:46,720 --> 00:27:48,399
Speaker 3: I could try to figure it this shouting through it

576
00:27:48,480 --> 00:27:51,840
Speaker 3: a different way. So then I just happened to be

577
00:27:52,280 --> 00:27:54,920
Speaker 3: with the president of A and R my label, and

578
00:27:55,000 --> 00:27:59,919
Speaker 3: he was with Warren Campbell, which is Erica Campbell's husband,

579
00:28:00,200 --> 00:28:04,480
Speaker 3: and he produced a lot of records, gospel records. He

580
00:28:04,600 --> 00:28:07,320
Speaker 3: produced like seventeen songs on All Eyes on Me, all

581
00:28:07,400 --> 00:28:10,720
Speaker 3: type of shit. He has Dog of Beasts, so he

582
00:28:10,960 --> 00:28:12,320
Speaker 3: also he had passed.

583
00:28:12,640 --> 00:28:16,000
Speaker 4: So definitely talking to him, trusting Jesus, and.

584
00:28:16,040 --> 00:28:19,080
Speaker 3: He was like, I was like, I'm fighting between like

585
00:28:19,720 --> 00:28:23,080
Speaker 3: I want to do bullshit, and he was like, you

586
00:28:23,240 --> 00:28:27,080
Speaker 3: might not be fighting right and wrong, like it might

587
00:28:27,160 --> 00:28:30,119
Speaker 3: be the right thing to go do some bullshit, but

588
00:28:30,600 --> 00:28:32,480
Speaker 3: it might not be the wise thing, which is what

589
00:28:32,640 --> 00:28:35,399
Speaker 3: you're saying. Like, so he like, you might be fighting

590
00:28:35,600 --> 00:28:38,280
Speaker 3: right and wise, like you might be right, like your

591
00:28:38,360 --> 00:28:41,000
Speaker 3: intentions might be right everything, but is it a wise

592
00:28:41,120 --> 00:28:43,840
Speaker 3: thing to do? So Ever, since he said that to me,

593
00:28:44,200 --> 00:28:46,960
Speaker 3: and I felt like he wasn't judging me. I was

594
00:28:47,080 --> 00:28:50,000
Speaker 3: just locked in with him because it was like another

595
00:28:50,080 --> 00:28:53,520
Speaker 3: person would have been like, man, the Bible says, don't

596
00:28:53,560 --> 00:28:55,880
Speaker 3: do this, this, this, and that, I'm judging you if

597
00:28:55,920 --> 00:28:58,000
Speaker 3: you And he was like, you might not be right

598
00:28:58,440 --> 00:29:01,880
Speaker 3: or you might not be wrong. Is it wise? Though?

599
00:29:02,280 --> 00:29:04,800
Speaker 3: And I had to really think and that helped me

600
00:29:04,880 --> 00:29:07,480
Speaker 3: with my album processing everything. I was just sitting in

601
00:29:07,560 --> 00:29:09,520
Speaker 3: there thinking and shit, and that shit really kept me

602
00:29:09,560 --> 00:29:10,560
Speaker 3: out a lot of trouble for me.

603
00:29:11,680 --> 00:29:14,560
Speaker 1: Chris Brown hit record, one of the biggest records in

604
00:29:14,640 --> 00:29:17,040
Speaker 1: the world. Talk about that, man, how do you even

605
00:29:17,080 --> 00:29:18,200
Speaker 1: get in the room with these guys?

606
00:29:19,440 --> 00:29:22,200
Speaker 3: Well, when I met Chris Brown through T Grizzly, that

607
00:29:22,360 --> 00:29:25,280
Speaker 3: was hard, Like like a few years ago, No, I

608
00:29:25,360 --> 00:29:27,480
Speaker 3: met Chris Brown through Side of the Baby when I

609
00:29:27,560 --> 00:29:30,479
Speaker 3: was hanging with Sider all the time. Then shout out

610
00:29:30,520 --> 00:29:32,800
Speaker 3: to Side of for Shelby bro Then I got with

611
00:29:32,920 --> 00:29:35,440
Speaker 3: t Grizzly and he took me to his rehearsal. Then

612
00:29:35,480 --> 00:29:38,360
Speaker 3: I locked in with Chris Brown. So over the years

613
00:29:38,400 --> 00:29:40,520
Speaker 3: I just been seeing him and shit, and every time

614
00:29:40,600 --> 00:29:43,720
Speaker 3: he see me he showed me love. Then one time

615
00:29:43,800 --> 00:29:46,640
Speaker 3: I was at a show with bryceon Taylor and Bryce

616
00:29:46,680 --> 00:29:48,880
Speaker 3: and Tiller told me he fucked through my ship. So

617
00:29:49,160 --> 00:29:52,640
Speaker 3: then shout out to hit Maker because I was working

618
00:29:52,680 --> 00:29:55,400
Speaker 3: with hit Maker. He like, boom, I got this record.

619
00:29:56,400 --> 00:29:59,760
Speaker 3: So Bryce and Tiller and Chris Brown went on the

620
00:29:59,760 --> 00:30:03,520
Speaker 3: record the firston Nothing. So then we're just figuring it out.

621
00:30:03,600 --> 00:30:05,880
Speaker 3: I just did my verse on the record. I had

622
00:30:06,000 --> 00:30:09,360
Speaker 3: wrote my verse and shit, and then I was like,

623
00:30:09,640 --> 00:30:11,840
Speaker 3: I told him who I wanted on there. So then

624
00:30:12,280 --> 00:30:14,520
Speaker 3: Bryson Tiller wasn't even the first person I wanted on there.

625
00:30:14,560 --> 00:30:16,360
Speaker 3: I said Chris, he was supposed to do the hook

626
00:30:16,400 --> 00:30:20,760
Speaker 3: on the shit, but then Bryson Tylor ended up doing it.

627
00:30:20,840 --> 00:30:23,720
Speaker 3: We ended up somehow getting brycey Tiller to do the hook.

628
00:30:23,880 --> 00:30:25,880
Speaker 3: I was like, I still need Chris on this bitch,

629
00:30:26,480 --> 00:30:29,440
Speaker 3: because Bryson Taylor gonna take me to the top. I

630
00:30:29,560 --> 00:30:31,520
Speaker 3: need to go over the top. We need to blow

631
00:30:31,600 --> 00:30:34,760
Speaker 3: the roof off this bitch. So then I just kept

632
00:30:34,800 --> 00:30:37,440
Speaker 3: seeing Chris. I really ain't had the courage at first

633
00:30:37,440 --> 00:30:40,479
Speaker 3: because Chris my man, like, I just fuck with him.

634
00:30:40,480 --> 00:30:42,600
Speaker 3: I don't be fucking with niggas for records or fucking

635
00:30:42,600 --> 00:30:45,800
Speaker 3: with niggas just to for them to do something. Then

636
00:30:45,880 --> 00:30:47,840
Speaker 3: I just seen him a few times and I built

637
00:30:47,920 --> 00:30:49,560
Speaker 3: up the carriage. I'm like, damn, could you do this

638
00:30:49,720 --> 00:30:54,280
Speaker 3: for me? Thought like yeah, And eventually he ended up

639
00:30:54,360 --> 00:30:56,239
Speaker 3: doing it for me. He just called me and hit

640
00:30:56,320 --> 00:30:59,560
Speaker 3: Baker on the phone and motherfucking with the verse and shit.

641
00:31:00,160 --> 00:31:03,160
Speaker 3: That shit was like I was like, man, because it's

642
00:31:03,200 --> 00:31:07,040
Speaker 3: really like, as an artist, it's hard to get. The

643
00:31:07,240 --> 00:31:10,640
Speaker 3: hardest people that get to do stuff for you is rappers.

644
00:31:10,720 --> 00:31:13,120
Speaker 3: It don't be the singers and the R and B

645
00:31:13,280 --> 00:31:16,200
Speaker 3: niggas and the biggest niggas in the world. They just

646
00:31:16,320 --> 00:31:19,960
Speaker 3: be genuinely fucking with I done heard rappers tell me

647
00:31:20,080 --> 00:31:23,360
Speaker 3: two fifty all type of shit like, and it's like

648
00:31:23,480 --> 00:31:25,880
Speaker 3: me and you might be working you, but it's just

649
00:31:26,000 --> 00:31:29,400
Speaker 3: like I like working with people that is genuine love.

650
00:31:29,720 --> 00:31:32,240
Speaker 3: Like I don't we do the same things, so I

651
00:31:32,280 --> 00:31:35,520
Speaker 3: don't want to have to buy buy you like I mean,

652
00:31:35,560 --> 00:31:38,440
Speaker 3: I will, I'll do the business if it makes sense,

653
00:31:38,520 --> 00:31:41,440
Speaker 3: But I just rather just be genuine and it's just

654
00:31:41,600 --> 00:31:45,200
Speaker 3: genuine c B Like Dog Dog want the coolest people.

655
00:31:45,240 --> 00:31:48,880
Speaker 3: I'm in the industry for real. It's genuine with Dog.

656
00:31:49,480 --> 00:31:53,640
Speaker 3: He genuinely on what he owned, he not. He unapologetically

657
00:31:53,760 --> 00:31:56,880
Speaker 3: itself every time. It don't matter if it's a hundred

658
00:31:56,920 --> 00:31:59,560
Speaker 3: bitches in the room, whatever niggas in the room, he's

659
00:31:59,560 --> 00:32:01,760
Speaker 3: shaking my here in the same way he's standing on

660
00:32:01,880 --> 00:32:04,400
Speaker 3: that shit. He fuck with me. So I just fuck

661
00:32:04,480 --> 00:32:07,560
Speaker 3: with bro. Same thing with fifty, Like it don't matter

662
00:32:07,640 --> 00:32:09,920
Speaker 3: who around. He showed me the same love. Same thing

663
00:32:09,960 --> 00:32:12,000
Speaker 3: with y'all. Y'all showed me the same love. It don't

664
00:32:12,040 --> 00:32:15,240
Speaker 3: matter motherfucking president could be in the room. So that's

665
00:32:15,240 --> 00:32:17,560
Speaker 3: why I just I'm a genuine person like that, So

666
00:32:17,720 --> 00:32:20,320
Speaker 3: I valued it, you know what I'm saying. So that

667
00:32:20,480 --> 00:32:22,840
Speaker 3: type of shit I just love like and most of

668
00:32:22,920 --> 00:32:25,000
Speaker 3: my records on it, like all my records on his

669
00:32:25,160 --> 00:32:28,680
Speaker 3: album was like that, Like it was just genuine and organic.

670
00:32:29,120 --> 00:32:31,400
Speaker 4: How was the collab of What's Kalifa heard? The records

671
00:32:31,560 --> 00:32:32,240
Speaker 4: fire that was.

672
00:32:32,280 --> 00:32:35,280
Speaker 3: On the movie, That was on the movie set when

673
00:32:35,320 --> 00:32:38,800
Speaker 3: we did the movie set for On Moses, the Black

674
00:32:39,040 --> 00:32:42,200
Speaker 3: Whiz Khalifa just what's cool as hell? He stopped me

675
00:32:42,520 --> 00:32:46,200
Speaker 3: for the movie. Dog was like he said something, and

676
00:32:46,600 --> 00:32:48,880
Speaker 3: he was like, said something by my music. And I

677
00:32:49,040 --> 00:32:51,440
Speaker 3: was really being quiet around because I'm like this weiz.

678
00:32:52,520 --> 00:32:54,840
Speaker 3: He stopped me and said something. I'm like, damn wiz.

679
00:32:55,000 --> 00:32:56,120
Speaker 3: Know who I mean? Is that shit?

680
00:32:56,240 --> 00:32:56,280
Speaker 2: Was?

681
00:32:56,640 --> 00:32:59,400
Speaker 3: That shit fucked me up? Then the whole movie set

682
00:32:59,440 --> 00:33:03,280
Speaker 3: we just king and chopping it. Then I just like,

683
00:33:03,360 --> 00:33:05,960
Speaker 3: I got a record for you. He really did that

684
00:33:06,040 --> 00:33:08,400
Speaker 3: ship in like a week, that ship with fire.

685
00:33:10,600 --> 00:33:12,920
Speaker 2: I mean the first time I went Miss Khalifa, I

686
00:33:13,040 --> 00:33:17,040
Speaker 2: was in Atlantic Records. Man, he was just walking by,

687
00:33:18,000 --> 00:33:21,600
Speaker 2: smoking in the label. Nigga walked in the boom, was like,

688
00:33:21,680 --> 00:33:24,080
Speaker 2: oh ship, Murdy, what's up the fun? You gave me

689
00:33:24,120 --> 00:33:26,320
Speaker 2: a dad smoking his blunt, just kept walking out.

690
00:33:27,120 --> 00:33:27,960
Speaker 3: I was in the gene.

691
00:33:28,000 --> 00:33:31,240
Speaker 2: I'm like, I'm like, yo, he y'all smoking, like well

692
00:33:31,840 --> 00:33:34,280
Speaker 2: whiskey smoking here. I was like, oh wow, just walking

693
00:33:34,360 --> 00:33:35,320
Speaker 2: around the building.

694
00:33:36,720 --> 00:33:39,880
Speaker 4: Snoop. But I'm about to be like that.

695
00:33:41,520 --> 00:33:46,600
Speaker 2: That's how you're gonna be up man. You're talking about

696
00:33:46,680 --> 00:33:47,240
Speaker 2: acting a lot.

697
00:33:47,360 --> 00:33:47,520
Speaker 3: Man.

698
00:33:47,560 --> 00:33:49,360
Speaker 2: You're about to be in this power origin and how

699
00:33:49,400 --> 00:33:50,000
Speaker 2: that ship feeling.

700
00:33:50,040 --> 00:33:53,880
Speaker 3: What's that experience that's her shout out to fifty and Rocket.

701
00:33:53,960 --> 00:33:56,000
Speaker 2: Definitely man, but they don't know he takes.

702
00:33:56,280 --> 00:33:59,120
Speaker 1: Talking about acting classes, people just take fifty. Just choose

703
00:33:59,200 --> 00:34:00,640
Speaker 1: people right right lead just to.

704
00:34:00,680 --> 00:34:02,800
Speaker 4: Be yo, you and acting Yo, Yo, don't fit your

705
00:34:02,840 --> 00:34:04,920
Speaker 4: dope me and your shit. Talk about the acting, the

706
00:34:05,000 --> 00:34:06,880
Speaker 4: acting classes and the process you go through.

707
00:34:07,000 --> 00:34:09,480
Speaker 3: I've been acting class for like the last two years.

708
00:34:09,880 --> 00:34:13,080
Speaker 3: Rocket put me in that ship. Shout out my nigga,

709
00:34:13,120 --> 00:34:15,319
Speaker 3: Sam too. He linked me with a Rocket. That's how

710
00:34:15,400 --> 00:34:17,000
Speaker 3: I got cool with Rocket. I was seeing him and

711
00:34:17,120 --> 00:34:19,680
Speaker 3: passing that shit my nigga saying I linked me with

712
00:34:19,719 --> 00:34:23,840
Speaker 3: a rocket, and Rocket really was just chopping it with

713
00:34:23,960 --> 00:34:25,640
Speaker 3: me at first, and then I was like, no, I

714
00:34:26,160 --> 00:34:28,319
Speaker 3: really want to do this shit, Like you really want

715
00:34:28,360 --> 00:34:30,560
Speaker 3: to do this shit. We gotta do acting class. We

716
00:34:30,640 --> 00:34:33,720
Speaker 3: ain't gonna get no rolls for like four years, three years.

717
00:34:34,560 --> 00:34:38,440
Speaker 3: I told it as man like I'm I wasn't know

718
00:34:38,480 --> 00:34:41,160
Speaker 3: with them, like I'm skiller baby shit. I was like,

719
00:34:41,239 --> 00:34:43,480
Speaker 3: you don't know me, like I'm a nigga that when

720
00:34:43,520 --> 00:34:45,680
Speaker 3: I put my mind to do something, I'm gonna blow

721
00:34:45,760 --> 00:34:48,600
Speaker 3: past everybody. So he ain't really know I was gonna

722
00:34:48,640 --> 00:34:51,239
Speaker 3: lock in. I was doing like class like three times

723
00:34:51,280 --> 00:34:53,520
Speaker 3: a week. That shit was like one fifty every time.

724
00:34:53,680 --> 00:34:56,640
Speaker 3: I was just doing that ship. That shit was just

725
00:34:56,800 --> 00:34:59,759
Speaker 3: like and I started falling in love with the ship.

726
00:35:00,760 --> 00:35:04,759
Speaker 3: So then we ain't even tell fifty, like he like,

727
00:35:04,840 --> 00:35:07,239
Speaker 3: we ain't even gonna tell fifty. We're just gonna show him.

728
00:35:07,920 --> 00:35:10,680
Speaker 3: And then one day we just he was like, yeah,

729
00:35:10,800 --> 00:35:15,600
Speaker 3: dog been acting classes for like like six months or

730
00:35:15,640 --> 00:35:18,560
Speaker 3: some shit. He told Fifty like word blah blah blah,

731
00:35:18,760 --> 00:35:22,759
Speaker 3: just keep working and damn nigga just kept working and well, no, no,

732
00:35:23,560 --> 00:35:27,400
Speaker 3: intend to like make somebody notice how I was working.

733
00:35:27,920 --> 00:35:32,040
Speaker 3: So then Fifty just called one day like man taking.

734
00:35:31,880 --> 00:35:32,360
Speaker 6: The I a G.

735
00:35:33,239 --> 00:35:36,120
Speaker 3: Which is on the agency and ship, but it was

736
00:35:36,160 --> 00:35:40,160
Speaker 3: also ya yo in the midst of that ship. Yao

737
00:35:40,320 --> 00:35:43,520
Speaker 3: was like, man, you need to this before the acting class.

738
00:35:45,920 --> 00:35:54,520
Speaker 3: Damn man. I just said like, man, you need to

739
00:35:54,640 --> 00:35:56,480
Speaker 3: do this, this and that. Though he was saying that

740
00:35:56,520 --> 00:35:58,279
Speaker 3: ship like man, you need to get on that ship,

741
00:35:58,520 --> 00:36:00,879
Speaker 3: Like what the fuck is you waiting for? You talking

742
00:36:00,920 --> 00:36:06,000
Speaker 3: to me like that. We had shows and ship, like

743
00:36:06,080 --> 00:36:08,880
Speaker 3: we had eight boogie shows and ship. He's still saying this.

744
00:36:08,880 --> 00:36:12,560
Speaker 6: Ship like what the fuck you wait for you to micarating,

745
00:36:13,840 --> 00:36:17,040
Speaker 6: like you see the nigga micarading, like you see the

746
00:36:17,080 --> 00:36:20,040
Speaker 6: niggy little meat man look at him, Man, nigga acting

747
00:36:20,080 --> 00:36:20,960
Speaker 6: and ship man.

748
00:36:21,400 --> 00:36:25,600
Speaker 2: So to tell you how much the checks was saying, Oh, okay.

749
00:36:25,520 --> 00:36:28,560
Speaker 3: I'm like this ship make it sick. And then I

750
00:36:28,680 --> 00:36:30,799
Speaker 3: was like, yeah, I'm kind of decent at this ship.

751
00:36:30,840 --> 00:36:33,600
Speaker 3: So I just kept working and ship and damn, like

752
00:36:34,600 --> 00:36:38,040
Speaker 3: I started just keep working and kept working, and I

753
00:36:38,200 --> 00:36:41,840
Speaker 3: was getting I actually takes fifty like man, I'm feeling

754
00:36:41,920 --> 00:36:46,279
Speaker 3: staggering and rapping ship Like man, this ship like like

755
00:36:46,320 --> 00:36:48,600
Speaker 3: because you know, as a rapper, like you all rappresent s,

756
00:36:48,880 --> 00:36:50,840
Speaker 3: so you know, we gets to a moment a point

757
00:36:50,920 --> 00:36:53,600
Speaker 3: like it don't matter how successful, well this ship be

758
00:36:53,680 --> 00:36:57,359
Speaker 3: feeling the same, Like I'm just feeling the same off

759
00:36:57,440 --> 00:36:59,400
Speaker 3: this ship, Like, man, this ship getting boring.

760
00:37:00,880 --> 00:37:02,960
Speaker 4: But you're right, hits so would be boring for you.

761
00:37:06,800 --> 00:37:09,320
Speaker 3: But I had text that nigga and he was he

762
00:37:09,520 --> 00:37:11,799
Speaker 3: was like, word, I'm gonna have something for you soon

763
00:37:12,239 --> 00:37:14,320
Speaker 3: next week he had me an audition for one of

764
00:37:14,400 --> 00:37:17,239
Speaker 3: the biggest shows in the world, like and I didn't

765
00:37:17,280 --> 00:37:19,680
Speaker 3: get it. But it was just like Damn, niggas don't

766
00:37:19,680 --> 00:37:22,520
Speaker 3: even get to self take for this show like I couldn't.

767
00:37:22,520 --> 00:37:24,480
Speaker 3: I don't even want to say it because I don't

768
00:37:24,480 --> 00:37:27,520
Speaker 3: want niggas to be thinking like like I know how

769
00:37:27,560 --> 00:37:30,320
Speaker 3: big the oops I be getting? Like that was crazy?

770
00:37:30,960 --> 00:37:34,640
Speaker 3: He thre be a crazy like like that's why I,

771
00:37:34,760 --> 00:37:37,520
Speaker 3: like a nigga, can't say nothing wrong about your to me,

772
00:37:37,640 --> 00:37:38,959
Speaker 3: for real, niggas.

773
00:37:39,239 --> 00:37:43,360
Speaker 1: Pay the bills, skills, pay the bills, man, because I

774
00:37:43,440 --> 00:37:46,359
Speaker 1: look at it like this to me, like you could

775
00:37:46,440 --> 00:37:50,200
Speaker 1: have balls, But to me, it's like melodies and dope hooks.

776
00:37:51,000 --> 00:37:55,120
Speaker 4: Is that's it? Once you got that, it's different to me.

777
00:37:55,320 --> 00:37:57,799
Speaker 3: Told Rocket that you can you could spit.

778
00:37:57,920 --> 00:38:00,160
Speaker 1: But when you like when you hit thick ones, so

779
00:38:00,280 --> 00:38:03,000
Speaker 1: many bitches, so many I just want to think one

780
00:38:03,160 --> 00:38:08,239
Speaker 1: that shit videos crazy and Rockets telling me about all

781
00:38:08,280 --> 00:38:10,440
Speaker 1: these videos that you want to do. When I watched

782
00:38:10,520 --> 00:38:14,040
Speaker 1: thick one, it's like where do you pick the girls from?

783
00:38:14,080 --> 00:38:14,200
Speaker 3: Too?

784
00:38:14,280 --> 00:38:15,120
Speaker 4: That's the number one question.

785
00:38:15,239 --> 00:38:16,480
Speaker 3: You didn't pick the girls for that one.

786
00:38:16,800 --> 00:38:19,320
Speaker 1: You have some things in there, the visuals crazy, It

787
00:38:19,520 --> 00:38:24,759
Speaker 1: was just sick video you you directed as yourself for No.

788
00:38:25,040 --> 00:38:27,640
Speaker 3: I didn't direct that one. I helped a little bit

789
00:38:27,680 --> 00:38:32,360
Speaker 3: while I was on set. But my new videos like

790
00:38:32,560 --> 00:38:35,800
Speaker 3: gonna be out of this world. My new inspirations is

791
00:38:36,160 --> 00:38:39,600
Speaker 3: from old movies and hip hop moments and hip hop.

792
00:38:40,320 --> 00:38:42,560
Speaker 3: So I want to recreate moments and hip hop and

793
00:38:42,640 --> 00:38:44,280
Speaker 3: my videos and old movies.

794
00:38:44,560 --> 00:38:46,400
Speaker 2: So you played the part with the creative process with

795
00:38:46,480 --> 00:38:48,920
Speaker 2: these new ones were talking about got You, got You.

796
00:38:49,160 --> 00:38:52,239
Speaker 3: They all start with me, like what I wanted to do.

797
00:38:52,920 --> 00:38:55,759
Speaker 3: We get somebody to get a treatment, and I like

798
00:38:56,440 --> 00:38:59,360
Speaker 3: curated and like make it to what I wanted to be.

799
00:38:59,520 --> 00:39:02,840
Speaker 3: But it all start with my idea, like I won't

800
00:39:03,520 --> 00:39:08,440
Speaker 3: like all older movies that girls like all hip hop

801
00:39:08,520 --> 00:39:11,920
Speaker 3: moments that make like some nostalgic moments that make like

802
00:39:12,200 --> 00:39:14,640
Speaker 3: because I got a I got a real rap album

803
00:39:15,000 --> 00:39:17,759
Speaker 3: coming out, So I want like real hip hop HEAs

804
00:39:17,800 --> 00:39:19,279
Speaker 3: and people that have been listening to rap for a

805
00:39:19,360 --> 00:39:21,919
Speaker 3: long time to be like all right when I see

806
00:39:21,960 --> 00:39:24,200
Speaker 3: this moment. I was right here back in the day

807
00:39:24,360 --> 00:39:27,000
Speaker 3: in ninety six. I was here, oh five, I was

808
00:39:27,040 --> 00:39:28,839
Speaker 3: here when this movie came out. I was there.

809
00:39:29,120 --> 00:39:30,920
Speaker 1: How was how was it working in the studio with

810
00:39:31,000 --> 00:39:33,120
Speaker 1: knaves Man? I mean, when you know that was something

811
00:39:33,160 --> 00:39:34,600
Speaker 1: different from me, I'm like, you know, I know you

812
00:39:35,040 --> 00:39:36,840
Speaker 1: good at the hooks and stuff like that, and I

813
00:39:36,960 --> 00:39:37,800
Speaker 1: know you got balls.

814
00:39:38,200 --> 00:39:39,879
Speaker 4: Don't know you be on the grim spitting and shit.

815
00:39:39,960 --> 00:39:41,720
Speaker 4: But I just was like, damn me in the studio

816
00:39:41,800 --> 00:39:42,799
Speaker 4: with Naves, what the fuck?

817
00:39:42,880 --> 00:39:48,640
Speaker 3: But my president shot out dash he linked us, because

818
00:39:48,640 --> 00:39:51,239
Speaker 3: I'm supposed to get nads on my shit too, but

819
00:39:52,560 --> 00:39:54,919
Speaker 3: he linked us in No, I just took a liking

820
00:39:54,960 --> 00:39:58,080
Speaker 3: to me. They was talking about NAS album and shit

821
00:39:58,560 --> 00:40:01,160
Speaker 3: and me helping with NAS out him. I helped him

822
00:40:01,160 --> 00:40:03,920
Speaker 3: with some ideas. It was cool, like that was fire.

823
00:40:04,239 --> 00:40:06,000
Speaker 3: And then he was telling me stories from back in

824
00:40:06,040 --> 00:40:07,959
Speaker 3: the day and Ship like that's why I like kicking

825
00:40:08,000 --> 00:40:11,200
Speaker 3: it with the other stuff. That was hearing them stories

826
00:40:11,280 --> 00:40:13,879
Speaker 3: like I can't, I don't. I wasn't here in ninety six,

827
00:40:14,800 --> 00:40:18,560
Speaker 3: so like I'd be wanting to hear ship like Man

828
00:40:18,640 --> 00:40:21,120
Speaker 3: in ninety five. This is going on like with your

829
00:40:21,239 --> 00:40:25,960
Speaker 3: favorite person like Man five six that was like.

830
00:40:26,760 --> 00:40:31,800
Speaker 1: Cha z and that ninety five was definitely yeah, that

831
00:40:32,000 --> 00:40:34,879
Speaker 1: was you know, to get money era. Niggas was still

832
00:40:34,920 --> 00:40:36,120
Speaker 1: getting money in the nineties.

833
00:40:36,239 --> 00:40:38,239
Speaker 3: I want to hear how Timberlin like paying you to

834
00:40:38,320 --> 00:40:38,640
Speaker 3: the club.

835
00:40:38,760 --> 00:40:41,840
Speaker 1: But you gotta understand for me, the moments like I

836
00:40:42,040 --> 00:40:45,360
Speaker 1: remember like shook ones coming on, like you ain't a

837
00:40:45,440 --> 00:40:48,840
Speaker 1: crook son when that first came out. Niggas get robbed,

838
00:40:49,560 --> 00:40:52,800
Speaker 1: niggas get punched in they faced eight bulls getting jacked

839
00:40:53,000 --> 00:40:54,600
Speaker 1: pell Pelly's back then you're.

840
00:40:54,480 --> 00:40:55,879
Speaker 2: Saying records in the club.

841
00:40:56,360 --> 00:40:58,680
Speaker 4: It was just like, I ain't even.

842
00:40:58,560 --> 00:41:01,520
Speaker 1: Gonna lie, Like even what I I remember when I NIX,

843
00:41:02,160 --> 00:41:05,520
Speaker 1: like everybody, they had to throw the guns in the air,

844
00:41:05,600 --> 00:41:08,319
Speaker 1: niggas buying their first guns, little two fives or whatever.

845
00:41:08,400 --> 00:41:11,120
Speaker 1: You know what I'm saying, Oh your God, Like it

846
00:41:11,280 --> 00:41:13,880
Speaker 1: was just it was crazy back then too, just like

847
00:41:13,960 --> 00:41:14,480
Speaker 1: you always said.

848
00:41:14,480 --> 00:41:17,080
Speaker 4: It just wasn't no cameras. The same shit was going on.

849
00:41:17,400 --> 00:41:19,880
Speaker 3: I kind of wish I was back then though, I

850
00:41:19,920 --> 00:41:22,000
Speaker 3: would have been that thing back then. I ain't gotta

851
00:41:22,040 --> 00:41:22,520
Speaker 3: lot to tell you.

852
00:41:22,960 --> 00:41:27,600
Speaker 1: Cameras, yeah, ueyawaiians is fucking everything up, y'all fucking everything else,

853
00:41:27,640 --> 00:41:29,640
Speaker 1: Like niggas don't want to go party like it was

854
00:41:29,680 --> 00:41:32,920
Speaker 1: different because think about it. Think about this, It was

855
00:41:33,040 --> 00:41:36,640
Speaker 1: no Instagram. Niggas have a phone, maybe a flip phone

856
00:41:36,680 --> 00:41:39,680
Speaker 1: in the nineties. In the eighties, you know, nineties, niggas

857
00:41:39,719 --> 00:41:42,160
Speaker 1: really had beepers too. You know what I'm saying, then

858
00:41:42,200 --> 00:41:44,759
Speaker 1: the omni points and all that shit came out. Feel me,

859
00:41:45,200 --> 00:41:48,319
Speaker 1: But nigga was in jail when camera phones came out

860
00:41:48,640 --> 00:41:50,920
Speaker 1: two o five. You know they got the camera phone out.

861
00:41:50,960 --> 00:41:52,120
Speaker 1: Now you know what I'm saying.

862
00:41:52,400 --> 00:41:53,040
Speaker 4: I was in jail.

863
00:41:53,120 --> 00:41:55,080
Speaker 1: Niggas ain't have all that shit. So when you go

864
00:41:55,200 --> 00:41:58,919
Speaker 1: to a party, niggas is dancing, DJ's is killing the shit.

865
00:41:59,080 --> 00:42:03,440
Speaker 1: Ain't used to be crazy, bro, backyard parties, block parties

866
00:42:03,800 --> 00:42:05,600
Speaker 1: them ships really ain't getting shot up like that.

867
00:42:06,480 --> 00:42:09,040
Speaker 4: Now she's totally different. You can't really even.

868
00:42:09,120 --> 00:42:11,080
Speaker 2: Parties got shot up back in I mean they did.

869
00:42:11,280 --> 00:42:22,759
Speaker 2: Some niggas no parties got I know, know they you know,

870
00:42:22,840 --> 00:42:23,359
Speaker 2: you know it's crazy.

871
00:42:23,440 --> 00:42:26,879
Speaker 3: Look more ship happened back then. You think that's why

872
00:42:26,880 --> 00:42:34,400
Speaker 3: I ship. You know, more murders than Detroit back in.

873
00:42:34,400 --> 00:42:35,480
Speaker 2: The day than way more.

874
00:42:35,520 --> 00:42:36,080
Speaker 3: But you know what it is.

875
00:42:36,160 --> 00:42:39,759
Speaker 2: Nowadays we got still little things get highlighted more.

876
00:42:39,880 --> 00:42:42,040
Speaker 1: She said, Okay, I agree with you. She was getting

877
00:42:42,080 --> 00:42:45,200
Speaker 1: shot up. But back in the days, right drug dealers

878
00:42:45,400 --> 00:42:46,800
Speaker 1: had bus trips.

879
00:42:49,719 --> 00:42:51,160
Speaker 3: Right about that, they did do things.

880
00:42:51,280 --> 00:42:52,560
Speaker 4: What that go do what that.

881
00:42:58,440 --> 00:42:58,920
Speaker 2: To throw it off?

882
00:42:59,920 --> 00:43:00,000
Speaker 6: More?

883
00:43:00,120 --> 00:43:05,680
Speaker 3: Shoot is but but yo, but dying twenty bodies Listen,

884
00:43:06,080 --> 00:43:08,719
Speaker 3: you're talking about old niggas with twenty bodies and ship.

885
00:43:08,960 --> 00:43:10,480
Speaker 3: You've never heard nothing when.

886
00:43:10,360 --> 00:43:14,440
Speaker 1: You say that, twenty bodies, twenty body, you say the

887
00:43:14,520 --> 00:43:16,200
Speaker 1: eighties and nineties. This is what I'm trying to say

888
00:43:16,239 --> 00:43:18,400
Speaker 1: to you. It's a classic time. And I'm gonna tell

889
00:43:18,440 --> 00:43:18,680
Speaker 1: you why.

890
00:43:19,320 --> 00:43:22,319
Speaker 4: Like before b E T. You know b T right

891
00:43:22,719 --> 00:43:26,000
Speaker 4: before m t V, right before so you.

892
00:43:26,080 --> 00:43:27,680
Speaker 2: Just asked him if he knows what BS he is.

893
00:43:27,960 --> 00:43:31,360
Speaker 3: Yeah, he's young though, Hey, it's crazy.

894
00:43:34,760 --> 00:43:39,239
Speaker 4: I'm fucking time. Put it up. I just say T

895
00:43:39,520 --> 00:43:42,400
Speaker 4: was back in the days. That was two five. He

896
00:43:42,680 --> 00:43:48,759
Speaker 4: was on that ship, was on that found what he

897
00:43:48,920 --> 00:43:51,680
Speaker 4: was born ninety eight, He was born ninety eight. He

898
00:43:51,800 --> 00:43:52,600
Speaker 4: know body cool? You know?

899
00:43:52,680 --> 00:43:53,239
Speaker 3: Okay, thank you.

900
00:43:53,520 --> 00:43:55,520
Speaker 4: He was like six watching us on that shit.

901
00:43:55,600 --> 00:43:58,960
Speaker 1: He was six watching I was watching your Yeah, look

902
00:44:00,120 --> 00:44:02,080
Speaker 1: you see making me think my train of thought. No,

903
00:44:02,239 --> 00:44:04,799
Speaker 1: but look now, look when you think about the good

904
00:44:04,800 --> 00:44:08,440
Speaker 1: old days, right the only place you could watch like niggas.

905
00:44:08,480 --> 00:44:12,680
Speaker 1: Don't give this man his props. But Ralph McDaniels is

906
00:44:12,760 --> 00:44:14,960
Speaker 1: a big part of hip hop because when we was kids,

907
00:44:15,520 --> 00:44:20,640
Speaker 1: it was only video music box. That shit, come on, doom,

908
00:44:20,719 --> 00:44:24,320
Speaker 1: that shit, come on you gonna see Run DMC. You

909
00:44:24,480 --> 00:44:27,560
Speaker 1: gonna see MC like you gonna see Queen Latifa. There

910
00:44:27,640 --> 00:44:30,600
Speaker 1: was no other channel. That was the beginning of hip

911
00:44:30,640 --> 00:44:33,799
Speaker 1: hop for me, niggas with the Big Change, and they

912
00:44:33,920 --> 00:44:35,840
Speaker 1: was just copying the drug dealers because the drug dealers

913
00:44:35,880 --> 00:44:38,480
Speaker 1: had that shit too, So the Big Change went. So

914
00:44:38,560 --> 00:44:40,960
Speaker 1: I always, you know, say Queens, I love Brooklyn, but

915
00:44:41,160 --> 00:44:44,920
Speaker 1: run DMC, hands down my my favorite group. Seeing them

916
00:44:44,960 --> 00:44:48,239
Speaker 1: motherfuckers on that ship walk this way with bon Jovi.

917
00:44:48,400 --> 00:44:51,759
Speaker 1: That that's the first group to be on MTV as

918
00:44:51,800 --> 00:44:54,800
Speaker 1: a rap group. Run DMC from Queen's shout to Brooklyn

919
00:44:55,280 --> 00:44:58,799
Speaker 1: from Queens, No BF. Okay, but that's why I get

920
00:44:58,840 --> 00:45:00,359
Speaker 1: excited when you say, yo, I want to do shit

921
00:45:00,440 --> 00:45:02,280
Speaker 1: from the eighties and the nineties.

922
00:45:02,320 --> 00:45:04,759
Speaker 4: You know what I'm saying, Shit like that, I understand

923
00:45:04,880 --> 00:45:05,360
Speaker 4: because for.

924
00:45:05,480 --> 00:45:10,799
Speaker 1: Me, that's a nostalgic time the MVP niggas started getting

925
00:45:10,800 --> 00:45:12,439
Speaker 1: the drop top ends is you know what I'm saying

926
00:45:12,760 --> 00:45:14,600
Speaker 1: When Big said to drop three in the quarter I've

927
00:45:14,600 --> 00:45:16,759
Speaker 1: seen niggas coming through my block and that three in

928
00:45:16,840 --> 00:45:21,000
Speaker 1: the quarto, I'm like, oh shit, drop top three. That's

929
00:45:21,040 --> 00:45:23,640
Speaker 1: why I like the drug dealers. No, not to glorify

930
00:45:23,680 --> 00:45:25,560
Speaker 1: it now. They was our hero That was my heroes

931
00:45:25,600 --> 00:45:26,080
Speaker 1: back in the days.

932
00:45:26,120 --> 00:45:30,360
Speaker 3: Drug dealers for sure. That's all that was in Detroit,

933
00:45:30,560 --> 00:45:33,000
Speaker 3: like for a long time. That's how we measured success

934
00:45:33,160 --> 00:45:35,000
Speaker 3: though it was the most successful people.

935
00:45:35,239 --> 00:45:35,279
Speaker 2: Know.

936
00:45:35,880 --> 00:45:38,880
Speaker 1: You have Mysroiety, Rick, all kinds of niggas out fucking

937
00:45:38,920 --> 00:45:41,520
Speaker 1: get money in Detroit. That's a get money place and

938
00:45:41,640 --> 00:45:44,160
Speaker 1: it's a rough place to live. But niggas always gonna

939
00:45:44,160 --> 00:45:47,359
Speaker 1: look nice, have some money, jeury girls, gonna have their

940
00:45:47,360 --> 00:45:50,000
Speaker 1: head done Detroit, clean up nice. You know what I'm saying.

941
00:45:50,000 --> 00:45:51,759
Speaker 1: They know how to get to the bags, you know

942
00:45:51,800 --> 00:45:53,560
Speaker 1: what I'm saying. So the hustle with mine us in

943
00:45:53,640 --> 00:45:56,440
Speaker 1: New York every time I came out there. Now, Detroit niggas,

944
00:45:56,560 --> 00:45:58,799
Speaker 1: a lot of Detroit niggas could rap and get money

945
00:45:58,920 --> 00:45:59,160
Speaker 1: like that.

946
00:45:59,280 --> 00:46:01,680
Speaker 4: Shit. Just it reminds me in New York. It's a

947
00:46:01,719 --> 00:46:02,799
Speaker 4: little more grimey.

948
00:46:04,040 --> 00:46:05,600
Speaker 3: Detroit. New York.

949
00:46:05,760 --> 00:46:08,400
Speaker 1: Yeah, y'all like number two on the Murder Capital Memphis.

950
00:46:09,680 --> 00:46:13,640
Speaker 1: But come I come visit y'all. On the VP of Bulletproof.

951
00:46:13,920 --> 00:46:18,080
Speaker 3: It's grimy everywhere Detroit is in New York. Right man

952
00:46:18,280 --> 00:46:21,640
Speaker 3: for New York, John playing with knives and ship like, man,

953
00:46:21,920 --> 00:46:22,480
Speaker 3: New York.

954
00:46:22,440 --> 00:46:25,840
Speaker 1: Is grimey, but Detroit is like Detroit is like blocks

955
00:46:25,880 --> 00:46:27,960
Speaker 1: with you. Like I done been on blocks in Detroit,

956
00:46:28,120 --> 00:46:30,680
Speaker 1: Like I went to Detroit, right, niggas took me to

957
00:46:30,760 --> 00:46:33,520
Speaker 1: a bowdega Like it's like some movie ship went to

958
00:46:33,560 --> 00:46:34,160
Speaker 1: the boatdegga.

959
00:46:34,800 --> 00:46:37,400
Speaker 4: You know what I'm saying. He rap nigga came back.

960
00:46:37,440 --> 00:46:39,960
Speaker 1: He was like, Yo, man, I've seen some black niggas. Man,

961
00:46:39,960 --> 00:46:41,600
Speaker 1: I was gonna shoot you up down he was cool though,

962
00:46:41,640 --> 00:46:44,080
Speaker 1: he was cool up. It's gonna grab the a. K

963
00:46:44,440 --> 00:46:47,239
Speaker 1: Moms was cooking in the back mad pounds that she

964
00:46:47,440 --> 00:46:49,439
Speaker 1: was like some training day ship.

965
00:46:49,520 --> 00:46:51,719
Speaker 4: Like what the fun kind of shit going on over here?

966
00:46:51,880 --> 00:46:53,960
Speaker 4: Like Detroit is different whole nother world.

967
00:46:54,040 --> 00:46:56,120
Speaker 3: Y'all ain't got that going out here, not in the.

968
00:46:56,120 --> 00:46:58,120
Speaker 4: Back of the boatdega, but that shit was just crazy.

969
00:46:58,560 --> 00:47:04,240
Speaker 1: Ship ship be going on going on everywhere, but Detroit,

970
00:47:04,480 --> 00:47:07,200
Speaker 1: like certain blocks ain't no lights, like you know, you

971
00:47:07,400 --> 00:47:08,319
Speaker 1: know block is lit up.

972
00:47:08,400 --> 00:47:12,239
Speaker 4: Now you go on the blocks, you ain't seeing police.

973
00:47:12,000 --> 00:47:14,480
Speaker 3: Or nothing nothing, because y'all ain't really got houses here

974
00:47:14,560 --> 00:47:17,759
Speaker 3: and ship like we got houses, we got houses, Yeah,

975
00:47:17,880 --> 00:47:24,319
Speaker 3: but y'all y'all got like this nigga buggets. I'm saying,

976
00:47:24,400 --> 00:47:29,120
Speaker 3: like our projects is like townhouses and houses, and y'all

977
00:47:29,239 --> 00:47:32,280
Speaker 3: got buildings and ship. We don't really live in buildings

978
00:47:32,400 --> 00:47:35,040
Speaker 3: like we don't like I don't know too many people

979
00:47:35,120 --> 00:47:38,160
Speaker 3: living apartments, so I know, like that's why I my

980
00:47:38,320 --> 00:47:40,640
Speaker 3: first thing was a big ass house I purchased because

981
00:47:40,640 --> 00:47:42,640
Speaker 3: I don't want to live in no condo or nothing.

982
00:47:42,680 --> 00:47:43,960
Speaker 3: I want to live in the house. That's what I

983
00:47:44,040 --> 00:47:47,239
Speaker 3: grew up in. Like y'all got buildings and ship, so

984
00:47:47,760 --> 00:47:50,000
Speaker 3: you would be beefing with a nigga on the twelve floor.

985
00:47:51,080 --> 00:47:53,360
Speaker 3: We beef with niggas from around the corner, so you

986
00:47:53,520 --> 00:47:57,360
Speaker 3: gotta get the striker and gop floor.

987
00:47:58,600 --> 00:48:02,600
Speaker 4: It used to be nigga beef with the nigga floor.

988
00:48:02,719 --> 00:48:06,439
Speaker 3: Nigga y'all coming around like around the hallway and ship.

989
00:48:06,920 --> 00:48:09,720
Speaker 3: We come around blocks. We gotta go spind a nigga

990
00:48:09,760 --> 00:48:12,960
Speaker 3: block and really get put feet on land. Y'all do too,

991
00:48:13,080 --> 00:48:15,759
Speaker 3: But y'all in buildings and ship like y'all ain't gotta

992
00:48:16,160 --> 00:48:17,960
Speaker 3: go buy a car and go do all this ship.

993
00:48:18,080 --> 00:48:22,440
Speaker 3: Y'all niggas put right, Yeah, we can stand outside or

994
00:48:22,560 --> 00:48:25,880
Speaker 3: the nigga come outside. The fun of the building.

995
00:48:25,960 --> 00:48:28,120
Speaker 2: We go to the next building to go creep on niggas,

996
00:48:28,200 --> 00:48:28,960
Speaker 2: vice versas.

997
00:48:28,760 --> 00:48:31,359
Speaker 3: And like that, poking together while you're walking past.

998
00:48:31,480 --> 00:48:34,200
Speaker 7: We can't do none of that ship right now, I

999
00:48:34,320 --> 00:48:37,960
Speaker 7: know we getting to I mean, none of that, y'all.

1000
00:48:39,760 --> 00:48:44,719
Speaker 7: Podcast We put it to podcast.

1001
00:48:53,040 --> 00:48:56,960
Speaker 2: Change talk to some times. It's a good statue of limitation.

1002
00:48:57,719 --> 00:48:59,959
Speaker 3: He just told niggas, I gotta switch cheese.

1003
00:49:00,960 --> 00:49:04,040
Speaker 2: He just said, my man, you got shot. Then when

1004
00:49:04,120 --> 00:49:06,600
Speaker 2: niggas talk about shooting the ops, you wanted to say.

1005
00:49:06,520 --> 00:49:06,920
Speaker 3: Whole off.

1006
00:49:06,960 --> 00:49:11,880
Speaker 4: It just got crazy, a little bittaking with.

1007
00:49:11,960 --> 00:49:14,120
Speaker 3: The bullets just coming through the bus. Thinking when the

1008
00:49:14,160 --> 00:49:15,040
Speaker 3: bullets was coming through.

1009
00:49:17,600 --> 00:49:20,160
Speaker 2: But now you want to say, hold up, gentlemen, shout.

1010
00:49:19,960 --> 00:49:20,920
Speaker 3: Out the hard rock back.

1011
00:49:23,280 --> 00:49:24,399
Speaker 4: I want to poke in and off.

1012
00:49:26,280 --> 00:49:28,839
Speaker 2: It happens. This is real life. That happens, man, It's

1013
00:49:28,880 --> 00:49:30,160
Speaker 2: all good. It happens.

1014
00:49:30,600 --> 00:49:32,600
Speaker 4: We smoked in moroccos.

1015
00:49:35,280 --> 00:49:38,400
Speaker 1: We ain't always aroc Take it from the guy got

1016
00:49:38,440 --> 00:49:39,960
Speaker 1: a pool in his backyard.

1017
00:49:40,600 --> 00:49:42,040
Speaker 2: Man, I love the pool.

1018
00:49:43,640 --> 00:49:44,239
Speaker 3: With a lot of them.

1019
00:49:44,880 --> 00:49:48,319
Speaker 2: The freestyles in the car to used to go. Get

1020
00:49:48,320 --> 00:49:49,120
Speaker 2: back to that a little bit.

1021
00:49:49,880 --> 00:49:52,719
Speaker 3: Yeah, I'm working on my album right now. Yeah, I'm

1022
00:49:52,880 --> 00:49:58,759
Speaker 3: just trying to be like a little bit tech, take

1023
00:49:58,880 --> 00:50:02,400
Speaker 3: some access from people a little bit right now, so

1024
00:50:02,520 --> 00:50:04,839
Speaker 3: I can just focus on my album.

1025
00:50:06,280 --> 00:50:09,360
Speaker 4: Professional like on a movie set, Like what have you learned?

1026
00:50:09,520 --> 00:50:12,879
Speaker 4: Like what advice can you give the youngs out there

1027
00:50:12,920 --> 00:50:15,200
Speaker 4: about being on a movie set, like on time and

1028
00:50:15,280 --> 00:50:16,000
Speaker 4: all that shit.

1029
00:50:16,040 --> 00:50:19,640
Speaker 3: Being on time? And it is important having a good attitude,

1030
00:50:19,800 --> 00:50:25,320
Speaker 3: being a team player, making everybody comfortable, always bringing good energy,

1031
00:50:25,560 --> 00:50:29,960
Speaker 3: positive energy, leader all bushit at home. Don't come to

1032
00:50:30,040 --> 00:50:33,360
Speaker 3: work with nothing from home, like as far as attitude

1033
00:50:33,520 --> 00:50:36,680
Speaker 3: or wearing that on your Just make everybody feel comfortable

1034
00:50:36,680 --> 00:50:39,000
Speaker 3: and let everybody do their job and do your job.

1035
00:50:39,160 --> 00:50:42,359
Speaker 3: Don't try to do everything. Everybody is important. It don't

1036
00:50:42,360 --> 00:50:47,440
Speaker 3: matter what road they is, like cast crew, production, lights,

1037
00:50:48,760 --> 00:50:54,279
Speaker 3: the driver. Everybody is important on das and just make

1038
00:50:54,400 --> 00:50:58,200
Speaker 3: everybody feel like they of importance and they they they

1039
00:50:58,360 --> 00:51:04,160
Speaker 3: somebody on set y'all really, So it was like everybody

1040
00:51:04,239 --> 00:51:07,640
Speaker 3: goes into making this film and success, whether it's a

1041
00:51:07,760 --> 00:51:11,600
Speaker 3: movie or a TV show. So you just come with professionalism,

1042
00:51:11,840 --> 00:51:15,239
Speaker 3: courtesy and ship like that, and then you would be

1043
00:51:15,360 --> 00:51:17,759
Speaker 3: good for real because a lot of this ship, like

1044
00:51:18,280 --> 00:51:22,239
Speaker 3: everything be politics, so you might be a less you

1045
00:51:22,360 --> 00:51:24,880
Speaker 3: might not be Denzel Washington, but he might not be

1046
00:51:25,000 --> 00:51:29,680
Speaker 3: Denzel Washington either, but both a Dinzel Washington. But he's

1047
00:51:29,760 --> 00:51:31,960
Speaker 3: an asshole, and you not, they're gonna pick you. You

1048
00:51:32,040 --> 00:51:32,600
Speaker 3: know what I'm saying.

1049
00:51:33,600 --> 00:51:34,640
Speaker 4: How was it working with Omar?

1050
00:51:36,360 --> 00:51:38,560
Speaker 3: That was hard. I learned a lot of game from

1051
00:51:38,600 --> 00:51:42,360
Speaker 3: Bro and he I was thinking, like he's gonna be

1052
00:51:42,400 --> 00:51:44,799
Speaker 3: one of them actors. That was like stand offs and Ship.

1053
00:51:45,480 --> 00:51:48,239
Speaker 3: He was real like cool and was talking to us

1054
00:51:48,280 --> 00:51:50,919
Speaker 3: and Ship gave me game about acting. So that was cool.

1055
00:51:51,040 --> 00:51:51,880
Speaker 3: Working well mar Well.

1056
00:51:51,920 --> 00:51:53,520
Speaker 4: I think about his juice when I see him.

1057
00:51:53,640 --> 00:51:55,920
Speaker 3: Sure juice love basketball.

1058
00:51:57,920 --> 00:51:59,000
Speaker 4: That's one of my favorites.

1059
00:51:59,040 --> 00:52:01,759
Speaker 3: So I just I asked him about the movies.

1060
00:52:01,840 --> 00:52:04,319
Speaker 1: Just like when I see see you know Old Dog,

1061
00:52:04,400 --> 00:52:08,680
Speaker 1: Old Dog. My God still call them old though classics.

1062
00:52:08,320 --> 00:52:10,239
Speaker 3: Them classic movies. And he was telling me like he

1063
00:52:10,280 --> 00:52:12,000
Speaker 3: ain't make that much money off them, but just like

1064
00:52:13,239 --> 00:52:15,799
Speaker 3: so that was cool to know Nigga's biggest movies they

1065
00:52:15,800 --> 00:52:18,719
Speaker 3: ain't even make that much bread off. But after you

1066
00:52:18,840 --> 00:52:20,560
Speaker 3: put in that pain, Like you know what I'm saying,

1067
00:52:21,160 --> 00:52:24,359
Speaker 3: people put you in other shit and you make money.

1068
00:52:24,600 --> 00:52:29,360
Speaker 3: So just knowing that the longevity is what we were

1069
00:52:29,600 --> 00:52:33,800
Speaker 3: striving for, that was like what I learned through like acting,

1070
00:52:34,239 --> 00:52:37,200
Speaker 3: like his longevity, it ain't about just getting in it

1071
00:52:37,520 --> 00:52:40,080
Speaker 3: and getting out of it, Like you gotta want to

1072
00:52:40,200 --> 00:52:44,120
Speaker 3: do this for like you could wrap to you forty thirty, whatever,

1073
00:52:44,239 --> 00:52:46,279
Speaker 3: you could act to you a hundred. You know what

1074
00:52:46,320 --> 00:52:48,319
Speaker 3: I'm saying. It's always a role for somebody. You could

1075
00:52:48,360 --> 00:52:50,680
Speaker 3: be a granddaddy, you could be a court justice, you

1076
00:52:50,719 --> 00:52:54,520
Speaker 3: could be anything. So you can do active forever and

1077
00:52:54,640 --> 00:52:56,760
Speaker 3: as long as you build up your brand and your resume,

1078
00:52:57,080 --> 00:52:58,480
Speaker 3: you will keep getting paid more and more.

1079
00:52:58,960 --> 00:53:01,720
Speaker 1: You don't like about your music, It's like your music

1080
00:53:01,880 --> 00:53:03,880
Speaker 1: is like I want to just say, it's just for

1081
00:53:03,960 --> 00:53:05,919
Speaker 1: the females. So when I'm in the club, I'm rocking

1082
00:53:06,000 --> 00:53:08,840
Speaker 1: to it too, Like the beat is crazy, the hooks

1083
00:53:08,920 --> 00:53:10,440
Speaker 1: is crazy, the balls is crazy.

1084
00:53:11,040 --> 00:53:14,520
Speaker 4: So like on Thick One, like fuck with that too.

1085
00:53:14,880 --> 00:53:19,080
Speaker 4: Of course, of course it's not like you just rapping

1086
00:53:19,320 --> 00:53:20,640
Speaker 4: just for the ladies.

1087
00:53:20,760 --> 00:53:23,760
Speaker 1: Like I feel like any rapper that could make music

1088
00:53:23,960 --> 00:53:28,400
Speaker 1: that guys ain't girls Like I think that that's that

1089
00:53:28,600 --> 00:53:31,960
Speaker 1: makes you crazy. Like a scissor, for instance, will listen

1090
00:53:32,040 --> 00:53:36,160
Speaker 1: to scissors, you know what I mean, Like she make music,

1091
00:53:36,840 --> 00:53:38,240
Speaker 1: she'll make music for the women.

1092
00:53:38,360 --> 00:53:41,759
Speaker 4: But dudes be feeling it too. Fuck, I ain't gonna

1093
00:53:41,760 --> 00:53:43,160
Speaker 4: fresh sexy Red like that too.

1094
00:53:44,840 --> 00:53:48,600
Speaker 3: Sexy I had I had, I had a like a

1095
00:53:48,760 --> 00:53:53,080
Speaker 3: fase where I would play all sexy rid, sexy.

1096
00:53:52,800 --> 00:53:54,000
Speaker 2: Red heard sex.

1097
00:53:54,080 --> 00:53:56,680
Speaker 4: You have my boy playing see for me for me,

1098
00:53:56,760 --> 00:53:58,480
Speaker 4: I'm gonna keep it real. It's the beat. So what's

1099
00:53:58,520 --> 00:54:05,160
Speaker 4: her producing name again? Whenever he makes yeah.

1100
00:54:04,960 --> 00:54:09,759
Speaker 3: It's not all the time. It's how she make a

1101
00:54:09,800 --> 00:54:13,200
Speaker 3: nigga feel on that tell. It's simple.

1102
00:54:13,320 --> 00:54:15,560
Speaker 1: I like, I like sexy Red, but with ta Key

1103
00:54:15,719 --> 00:54:18,759
Speaker 1: when he make a beat, it's just you mean, that's

1104
00:54:18,840 --> 00:54:21,320
Speaker 1: like Greg John with Chef G And what's your favorite?

1105
00:54:21,840 --> 00:54:24,160
Speaker 4: What producers you used, by the way, because you always

1106
00:54:24,200 --> 00:54:25,000
Speaker 4: got crazy beats.

1107
00:54:25,080 --> 00:54:27,400
Speaker 3: I use all type of I started off with j

1108
00:54:27,640 --> 00:54:31,120
Speaker 3: C from Detroit. He like a hit in gym hit Maker,

1109
00:54:31,200 --> 00:54:33,799
Speaker 3: one of my favorites right now. Books the Beasts work

1110
00:54:33,880 --> 00:54:40,839
Speaker 3: with Kanye he hard, go Griz crazy beats. I got

1111
00:54:40,920 --> 00:54:44,320
Speaker 3: this one nigga from Florida, his name Jay Hard to

1112
00:54:44,400 --> 00:54:48,719
Speaker 3: sell hell of her Hard. I'll be fucking with a

1113
00:54:48,760 --> 00:54:50,479
Speaker 3: lot of people. I'll be trying to make my ship

1114
00:54:50,600 --> 00:54:52,960
Speaker 3: sound different every time, so I don't be trying to

1115
00:54:53,160 --> 00:54:57,680
Speaker 3: just like I like in with my producers, but I

1116
00:54:57,800 --> 00:55:02,200
Speaker 3: gotta like have different sounds. So but now my new process,

1117
00:55:02,520 --> 00:55:04,399
Speaker 3: I want you to come to the studio and build

1118
00:55:04,440 --> 00:55:07,680
Speaker 3: this bitch from scratch. Though like I don't how I

1119
00:55:07,800 --> 00:55:10,000
Speaker 3: did my album. I want to do all my music

1120
00:55:10,120 --> 00:55:12,640
Speaker 3: like that. I gotta build this bitch from scratch, Like

1121
00:55:12,760 --> 00:55:15,480
Speaker 3: I gotta produce on it too, like I gotta I'm

1122
00:55:15,480 --> 00:55:17,520
Speaker 3: a I gotta be a producer on it because I

1123
00:55:17,600 --> 00:55:20,000
Speaker 3: gotta tell you how I'm feeling and what I want

1124
00:55:20,040 --> 00:55:20,880
Speaker 3: to go into it now.

1125
00:55:21,040 --> 00:55:23,319
Speaker 2: So you want to be there with the producer picking

1126
00:55:23,360 --> 00:55:25,719
Speaker 2: out the sounds and all that, like for sure got

1127
00:55:25,800 --> 00:55:26,840
Speaker 2: you got you.

1128
00:55:27,760 --> 00:55:29,880
Speaker 1: And you gotta think about he got he got music

1129
00:55:29,960 --> 00:55:33,719
Speaker 1: that is not only just for radio. It's like all

1130
00:55:33,760 --> 00:55:37,120
Speaker 1: the women when they do their reals, they play his music.

1131
00:55:37,920 --> 00:55:39,840
Speaker 1: So every time you go up on Instagram, you just

1132
00:55:39,920 --> 00:55:42,080
Speaker 1: hear them. You hear them, see you know beautiful women,

1133
00:55:42,160 --> 00:55:47,200
Speaker 1: Oh you know everywhere it's just like oh ship playing

1134
00:55:47,239 --> 00:55:49,680
Speaker 1: his records. Like everything is just like I hit, I hit.

1135
00:55:50,160 --> 00:55:53,600
Speaker 3: My song Mary Mary Gonna change the world, Mark mark

1136
00:55:53,680 --> 00:55:56,719
Speaker 3: my words. I just said that cool my shit gonna

1137
00:55:56,760 --> 00:56:00,279
Speaker 3: change the world. That one, for sure, thousand. It's not

1138
00:56:00,400 --> 00:56:05,280
Speaker 3: like that one. It's not like a hip hop record

1139
00:56:05,320 --> 00:56:07,320
Speaker 3: with a gospel person on it. And it's not like

1140
00:56:07,719 --> 00:56:10,480
Speaker 3: a gospel record with a hip hop person on it.

1141
00:56:10,560 --> 00:56:13,960
Speaker 3: It's like a real record, like it's a real collaboration.

1142
00:56:14,120 --> 00:56:18,239
Speaker 3: It's not going on. Yeah, it's got like one of

1143
00:56:18,280 --> 00:56:22,240
Speaker 3: them we are the real meanings to it, like feels

1144
00:56:22,280 --> 00:56:25,600
Speaker 3: and vibes, like you got one of those to where

1145
00:56:25,719 --> 00:56:30,800
Speaker 3: like when you hear it, you're gonna automatically feel like happy,

1146
00:56:31,239 --> 00:56:35,960
Speaker 3: You're gonna feel relieved, all types of stuff, like it's

1147
00:56:36,000 --> 00:56:40,320
Speaker 3: one of those record. Before I even met her, I

1148
00:56:40,440 --> 00:56:45,880
Speaker 3: had did the record. I was just searching to make one.

1149
00:56:46,120 --> 00:56:48,080
Speaker 3: I was just getting inspired by a lot of stuff.

1150
00:56:48,400 --> 00:56:51,400
Speaker 3: And then I was searching to make a record like this.

1151
00:56:51,680 --> 00:56:55,600
Speaker 3: And then I finally had got a beat that inspired

1152
00:56:55,640 --> 00:56:58,080
Speaker 3: me to do the ship, and I had like a

1153
00:56:58,200 --> 00:57:00,600
Speaker 3: theme for it and ship, and then I just was

1154
00:57:00,640 --> 00:57:04,080
Speaker 3: writing a little bit at a time. I wrote a verse.

1155
00:57:06,200 --> 00:57:08,480
Speaker 3: I liked it. Then I put the choir on it.

1156
00:57:09,760 --> 00:57:12,200
Speaker 3: Then I just kept adding pieces to it, took some

1157
00:57:12,280 --> 00:57:15,359
Speaker 3: pieces off, cart working it, care working it, and then

1158
00:57:15,760 --> 00:57:17,960
Speaker 3: I got it to where I liked it. Then we

1159
00:57:18,080 --> 00:57:20,400
Speaker 3: got in the studio, I played it for my label,

1160
00:57:20,800 --> 00:57:23,040
Speaker 3: and that's how when I was telling y'all, I got

1161
00:57:23,080 --> 00:57:26,440
Speaker 3: with Erica Campbell and her husband and stuff, and I

1162
00:57:26,520 --> 00:57:29,440
Speaker 3: went through that situation. They was like, damn, Erica Campbell

1163
00:57:29,440 --> 00:57:31,680
Speaker 3: can't get on this. And then when she got on it,

1164
00:57:32,240 --> 00:57:35,320
Speaker 3: she just made it that she brought it all the

1165
00:57:35,360 --> 00:57:37,480
Speaker 3: way together with the party and scenes looking at that.

1166
00:57:38,160 --> 00:57:40,600
Speaker 1: Hows how's it working in the school? Shouting in the school?

1167
00:57:40,600 --> 00:57:42,280
Speaker 1: You know all in the school movies there? We had

1168
00:57:42,320 --> 00:57:43,120
Speaker 1: good time over there.

1169
00:57:43,480 --> 00:57:46,120
Speaker 3: In Scope is one of the best labels to be

1170
00:57:46,240 --> 00:57:49,040
Speaker 3: at because you got a lot of resources at your hand.

1171
00:57:50,440 --> 00:57:55,960
Speaker 3: It's a lot of big artists over there, and it

1172
00:57:56,120 --> 00:58:00,480
Speaker 3: be Interscope good for me, because it might not be

1173
00:58:00,560 --> 00:58:04,160
Speaker 3: good for artists that just come in and trying to

1174
00:58:04,280 --> 00:58:10,680
Speaker 3: be here by day, gone by night. Like, if you

1175
00:58:10,800 --> 00:58:13,760
Speaker 3: really want to work to be something, you probably want

1176
00:58:13,800 --> 00:58:15,919
Speaker 3: to go to Interscope because they're not going to really

1177
00:58:16,040 --> 00:58:18,160
Speaker 3: work your ship until they really see you ready to

1178
00:58:18,480 --> 00:58:22,560
Speaker 3: work your ship. So like right now in the Scope,

1179
00:58:23,040 --> 00:58:25,240
Speaker 3: ready to take me through the roof, like what I'm saying,

1180
00:58:25,400 --> 00:58:27,600
Speaker 3: take me to the moon because they see me putting

1181
00:58:27,640 --> 00:58:29,800
Speaker 3: the work in. So in the Scope, one of the

1182
00:58:29,840 --> 00:58:32,280
Speaker 3: records where you got m over there, fifth over there,

1183
00:58:33,640 --> 00:58:37,000
Speaker 3: Kendrick Lamar over there, Drake was over there, all types

1184
00:58:37,000 --> 00:58:41,760
Speaker 3: of all types of people, an interscope for big artists

1185
00:58:41,800 --> 00:58:46,680
Speaker 3: and medium artists, little artists. Kendrick. Yeah, so it's all

1186
00:58:46,760 --> 00:58:50,160
Speaker 3: type of people at your resource if you really put

1187
00:58:50,280 --> 00:58:52,200
Speaker 3: in the work and practice on craft and.

1188
00:58:52,240 --> 00:58:56,040
Speaker 4: So definitely, yeah, we definitely had some good times in

1189
00:58:56,080 --> 00:58:59,440
Speaker 4: the school. I remember one time having lunch on.

1190
00:58:59,560 --> 00:59:04,200
Speaker 3: I just tho, some of y'all merch. Oh no, they're

1191
00:59:04,240 --> 00:59:08,760
Speaker 3: not right back in the day.

1192
00:59:10,320 --> 00:59:12,320
Speaker 1: You on the show in the schoope. I know, you

1193
00:59:12,400 --> 00:59:15,160
Speaker 1: know because you're from Detroit and you're on a Cali team.

1194
00:59:15,600 --> 00:59:17,960
Speaker 1: But I had a good time over there. Jimmy Iven,

1195
00:59:18,160 --> 00:59:22,960
Speaker 1: doctor dre Minem, you know me Banks fifty, you know

1196
00:59:23,120 --> 00:59:24,320
Speaker 1: that ship Game two?

1197
00:59:24,760 --> 00:59:25,320
Speaker 3: You know Buck.

1198
00:59:26,040 --> 00:59:28,040
Speaker 4: You can't leave them out because it was just a

1199
00:59:28,080 --> 00:59:30,160
Speaker 4: good time. The moments was just crazy for us. For

1200
00:59:30,280 --> 00:59:30,960
Speaker 4: me coming out of.

1201
00:59:31,000 --> 00:59:34,960
Speaker 3: Jail, what's your favorite moments? And hip hop though, like

1202
00:59:35,040 --> 00:59:36,520
Speaker 3: that y'all y'all went through.

1203
00:59:36,480 --> 00:59:38,560
Speaker 1: Like my favorite moment is always going to be free

1204
00:59:38,640 --> 00:59:41,480
Speaker 1: Yale because I was on rikers Allen, so you know,

1205
00:59:41,560 --> 00:59:43,600
Speaker 1: they kept the name alive while I was locked up,

1206
00:59:44,120 --> 00:59:47,160
Speaker 1: So I mean, for me, I felt like me and jail.

1207
00:59:47,200 --> 00:59:49,920
Speaker 4: I felt like Tupac on the island because it's only

1208
00:59:49,960 --> 00:59:51,960
Speaker 4: a couple of niggas that got to do interviews on

1209
00:59:52,040 --> 00:59:54,280
Speaker 4: the island. I think probably just me and Tupac. I

1210
00:59:54,320 --> 00:59:55,080
Speaker 4: don't know who else.

1211
00:59:55,640 --> 00:59:57,880
Speaker 1: But I got to do an interview on Rykers Allen

1212
00:59:58,000 --> 01:00:01,520
Speaker 1: and that shit was crazy, like everything was moving so fast.

1213
01:00:02,040 --> 01:00:04,720
Speaker 4: Fifty did a million his first week. I'm in jail.

1214
01:00:04,800 --> 01:00:05,960
Speaker 4: I'm like, damn, it's crazy.

1215
01:00:06,600 --> 01:00:06,760
Speaker 3: You know.

1216
01:00:06,840 --> 01:00:09,640
Speaker 1: I get the call from Shady Records, like, yo, yo,

1217
01:00:10,520 --> 01:00:12,440
Speaker 1: watch the Grammys tonight, and you know, I didn't want

1218
01:00:12,440 --> 01:00:14,040
Speaker 1: to get stabbed over the TV and nothing.

1219
01:00:14,040 --> 01:00:14,760
Speaker 4: I ain't in PC.

1220
01:00:14,960 --> 01:00:18,520
Speaker 1: You know, Spanish niggas want to watch Kylieente. Other niggas

1221
01:00:18,520 --> 01:00:21,000
Speaker 1: want to watch basketball and sports and all that. You

1222
01:00:21,120 --> 01:00:22,760
Speaker 1: know how that goes, because you know, when you locked

1223
01:00:22,800 --> 01:00:25,160
Speaker 1: up on the island, stay away from the newspaper, the phone,

1224
01:00:25,720 --> 01:00:27,880
Speaker 1: just got to play the games politics in there.

1225
01:00:27,920 --> 01:00:29,960
Speaker 4: You know, you know you be in New York.

1226
01:00:30,600 --> 01:00:33,520
Speaker 1: So basically they called me and say, yo, eminem, we're

1227
01:00:33,520 --> 01:00:34,680
Speaker 1: gonna do something at the Grammys.

1228
01:00:34,720 --> 01:00:35,200
Speaker 3: I ain't know what.

1229
01:00:35,360 --> 01:00:36,560
Speaker 4: He wore, a free AO shirt.

1230
01:00:36,680 --> 01:00:39,760
Speaker 1: That shit had me hype or I'm gonna see seventy

1231
01:00:39,800 --> 01:00:43,000
Speaker 1: three too lower hyped as motherfuckers. So I'm like, Damn

1232
01:00:43,120 --> 01:00:46,080
Speaker 1: niggas blowing up crazy because we had the streets on

1233
01:00:46,240 --> 01:00:50,320
Speaker 1: lock with the mixtapes and then it was just crazy.

1234
01:00:50,800 --> 01:00:52,920
Speaker 1: Because you know, that's what I like about niggas that

1235
01:00:52,960 --> 01:00:55,520
Speaker 1: can write hooks, because I felt like Fifth always could

1236
01:00:55,520 --> 01:00:56,479
Speaker 1: write the hook.

1237
01:00:57,640 --> 01:00:58,520
Speaker 4: The hook is.

1238
01:00:58,600 --> 01:00:59,800
Speaker 3: Really the song.

1239
01:01:00,080 --> 01:01:03,000
Speaker 4: It's really the song, you know what I'm saying.

1240
01:01:03,120 --> 01:01:05,720
Speaker 1: Like you can spit balls and then how you put

1241
01:01:05,840 --> 01:01:09,240
Speaker 1: you know, bridges and stuff in there. I like that creativity.

1242
01:01:11,520 --> 01:01:13,640
Speaker 1: That's why I'm like, damn like you. It's like you

1243
01:01:13,680 --> 01:01:15,480
Speaker 1: don't miss when you put out a record like the

1244
01:01:15,600 --> 01:01:20,000
Speaker 1: Last Ship with Doug Crazy, you put out the other

1245
01:01:20,080 --> 01:01:22,840
Speaker 1: record that's bubbling up. So it's like I just know,

1246
01:01:23,040 --> 01:01:25,400
Speaker 1: like when your album come, I know you're gonna have

1247
01:01:25,560 --> 01:01:27,160
Speaker 1: number one hits on it, you know what I'm saying,

1248
01:01:27,240 --> 01:01:28,360
Speaker 1: Like I already know.

1249
01:01:28,920 --> 01:01:31,200
Speaker 3: You know that C B Ship gonna be your number one.

1250
01:01:31,080 --> 01:01:35,959
Speaker 4: Here, Yeah, CB Mice and Tilla, Like that's that's hands down.

1251
01:01:36,280 --> 01:01:36,800
Speaker 4: You know what I'm saying.

1252
01:01:36,840 --> 01:01:38,800
Speaker 1: Because I know you a nigga that don't like to lose.

1253
01:01:38,840 --> 01:01:41,760
Speaker 1: I've seen you play basketball, shreeport. You know what I'm saying,

1254
01:01:42,240 --> 01:01:43,600
Speaker 1: like you didn't get the.

1255
01:01:43,640 --> 01:01:43,920
Speaker 4: M v P.

1256
01:01:44,880 --> 01:01:51,280
Speaker 3: No, they gave it to you.

1257
01:01:51,400 --> 01:01:54,120
Speaker 2: Was you was cooking Gilly too? You was cooking Gilly?

1258
01:01:54,240 --> 01:01:55,840
Speaker 3: Yeah, Gilly. Gilly couldn't check me.

1259
01:01:55,920 --> 01:01:57,320
Speaker 2: He was cooking slept.

1260
01:01:57,920 --> 01:02:01,520
Speaker 8: I slept on him too. But him and Gilly which

1261
01:02:01,560 --> 01:02:04,600
Speaker 8: on y'all. Oh yeah, Yo told me I who because

1262
01:02:04,800 --> 01:02:07,080
Speaker 8: because I was like, yea, I know Gilly nice. Yeah,

1263
01:02:07,160 --> 01:02:12,760
Speaker 8: y'all tell me, y'all tell you man, never go.

1264
01:02:13,440 --> 01:02:15,200
Speaker 2: Yeah, but we got the switches to I'm like, damn,

1265
01:02:15,240 --> 01:02:16,760
Speaker 2: we're just talking about basketball.

1266
01:02:19,160 --> 01:02:24,600
Speaker 4: Detroit niggas. My niggas, Detroit niggas. They be on time.

1267
01:02:25,400 --> 01:02:26,440
Speaker 3: Tell the Gilly.

1268
01:02:28,440 --> 01:02:31,400
Speaker 4: You dropped like twenty five thirty. Yeah, I have he

1269
01:02:31,560 --> 01:02:33,960
Speaker 4: was cooking. I had a good time in street Port.

1270
01:02:34,040 --> 01:02:34,960
Speaker 4: Man shout out to them that.

1271
01:02:35,080 --> 01:02:37,040
Speaker 3: That was a good tim y'all had. Y'all had it

1272
01:02:37,160 --> 01:02:39,840
Speaker 3: going to street Port. I ain't gonna lie what happened

1273
01:02:39,840 --> 01:02:43,480
Speaker 3: in street Port. Stays and Streetport. Let's go to Streetport.

1274
01:02:44,560 --> 01:02:46,560
Speaker 1: We're supposed to be doing one in Vegas, so we

1275
01:02:46,640 --> 01:02:48,840
Speaker 1: see how that works out. Fifty you gotta come out

1276
01:02:48,880 --> 01:02:49,040
Speaker 1: to that.

1277
01:02:49,240 --> 01:02:51,240
Speaker 2: So what the origin power is? You just see like

1278
01:02:52,000 --> 01:02:55,120
Speaker 2: one episode or they got you in a couple episode.

1279
01:02:55,080 --> 01:02:58,480
Speaker 3: If you okay, and and I'm gonna show my ass,

1280
01:02:58,520 --> 01:02:59,480
Speaker 3: they're gonna put me in more.

1281
01:02:59,680 --> 01:03:02,200
Speaker 2: Okay, Okay, that's what I'm talking about.

1282
01:03:02,520 --> 01:03:05,160
Speaker 3: Shout out to Power Origin, Shout out to the director

1283
01:03:05,320 --> 01:03:11,400
Speaker 3: rive he heard. Shout out to fifty Autumn. They really

1284
01:03:11,440 --> 01:03:14,520
Speaker 3: showed me a little too, like, and I don't be

1285
01:03:14,640 --> 01:03:16,840
Speaker 3: over there on no Skiller baby stuff. They all call

1286
01:03:16,920 --> 01:03:18,919
Speaker 3: me tray Vine and stuff by my real name.

1287
01:03:19,880 --> 01:03:23,680
Speaker 2: That's me, that's me, that's his well name.

1288
01:03:24,080 --> 01:03:26,320
Speaker 4: No, I never heard his government. You know, I'm glad

1289
01:03:26,400 --> 01:03:26,800
Speaker 4: he said it.

1290
01:03:26,760 --> 01:03:28,760
Speaker 3: Because you know that nigga shit is Marvin all right?

1291
01:03:29,000 --> 01:03:29,800
Speaker 4: Why are you saying.

1292
01:03:31,480 --> 01:03:32,840
Speaker 2: Lens cool.

1293
01:03:36,320 --> 01:03:37,120
Speaker 4: My niggas gonna.

1294
01:03:38,960 --> 01:03:43,520
Speaker 2: My my govern talking about nigga's going on?

1295
01:03:43,840 --> 01:03:44,000
Speaker 6: Man?

1296
01:03:45,040 --> 01:03:55,440
Speaker 4: Leonard Leonard Leonard nigga. But there's a lot of how

1297
01:03:55,520 --> 01:03:57,120
Speaker 4: many how many famous Leonards?

1298
01:03:57,160 --> 01:03:57,800
Speaker 3: You know? Nigga?

1299
01:03:57,840 --> 01:04:01,720
Speaker 4: Okay, my man, the kaffy man, it's Leonardo. It's not Leonard.

1300
01:04:04,400 --> 01:04:05,120
Speaker 4: Funk out of here.

1301
01:04:05,680 --> 01:04:08,200
Speaker 1: You've got a right future though, Man, Joe, it's crazy

1302
01:04:08,280 --> 01:04:11,920
Speaker 1: how like I look at your situation similar to fifty

1303
01:04:11,920 --> 01:04:15,000
Speaker 1: because it's like because he got shot, Yeah, because fifty

1304
01:04:15,080 --> 01:04:15,560
Speaker 1: got shot.

1305
01:04:16,840 --> 01:04:19,040
Speaker 2: I can't y'all go ahead.

1306
01:04:19,920 --> 01:04:20,960
Speaker 3: This is crazy.

1307
01:04:21,960 --> 01:04:25,720
Speaker 1: Yeah, they're not getting see he never let me drin

1308
01:04:27,280 --> 01:04:31,000
Speaker 1: finish point No, because you got shot. I'm not saying

1309
01:04:31,080 --> 01:04:33,720
Speaker 1: getting shot is a good thing. Nobody wants to get shot.

1310
01:04:33,760 --> 01:04:36,280
Speaker 4: You know what I'm saying. You got shot, and it's

1311
01:04:36,360 --> 01:04:38,520
Speaker 4: like you and him got shot.

1312
01:04:38,320 --> 01:04:42,640
Speaker 1: And y'all turned a negative thing into a positive thing

1313
01:04:43,080 --> 01:04:46,040
Speaker 1: because look, listen to the music, the aggression he's going

1314
01:04:46,120 --> 01:04:49,160
Speaker 1: to be acting, and it's like everything turned up.

1315
01:04:50,600 --> 01:04:51,240
Speaker 4: When you did that.

1316
01:04:51,480 --> 01:04:54,680
Speaker 1: And it's like sometimes when somebody's going through pain and music.

1317
01:04:54,720 --> 01:04:57,440
Speaker 1: I always tell you that I've seen fifty go through that.

1318
01:04:57,560 --> 01:05:00,320
Speaker 1: When you go through pain and you come back and

1319
01:05:00,360 --> 01:05:03,720
Speaker 1: it's just like Yo, this niggas like Superman. You know

1320
01:05:03,760 --> 01:05:06,600
Speaker 1: what I'm saying, Like this nigga just whatever, he just

1321
01:05:06,760 --> 01:05:11,720
Speaker 1: acting now, fucking real estate, nigga, motherfucking moving crazy, bulletproof

1322
01:05:11,760 --> 01:05:13,280
Speaker 1: trucks now he got all that shit now.

1323
01:05:13,320 --> 01:05:15,520
Speaker 4: You know what I'm saying, motherfuckers.

1324
01:05:16,200 --> 01:05:18,479
Speaker 1: What I'm just being real, You know what I'm saying,

1325
01:05:18,760 --> 01:05:23,280
Speaker 1: bulletproof trucks now, niggas moving, Like, how the fuck do

1326
01:05:23,320 --> 01:05:25,560
Speaker 1: you like? How the fuck do motherfuckers do that could

1327
01:05:25,560 --> 01:05:27,800
Speaker 1: take a negative and turn that shit into a positive.

1328
01:05:28,080 --> 01:05:29,240
Speaker 4: What gave you that drive.

1329
01:05:29,360 --> 01:05:31,800
Speaker 3: I think that shit just began you though, Like getting

1330
01:05:31,800 --> 01:05:34,120
Speaker 3: shot either put you up or turn you up, like

1331
01:05:34,760 --> 01:05:37,320
Speaker 3: that shit, Like it's two different types of people in life,

1332
01:05:37,440 --> 01:05:41,400
Speaker 3: like you got fight or flight sence, so like that

1333
01:05:41,560 --> 01:05:43,800
Speaker 3: type of shit to make you want to go, Like

1334
01:05:44,520 --> 01:05:46,360
Speaker 3: like that shit. I got in the gym after that

1335
01:05:46,480 --> 01:05:49,320
Speaker 3: shit early and everything, like started working on my body,

1336
01:05:49,440 --> 01:05:52,240
Speaker 3: praying more, doing all type of shit. So I ain't

1337
01:05:52,280 --> 01:05:54,760
Speaker 3: gonna lie me and Rocket be saying that like that's

1338
01:05:54,880 --> 01:05:56,840
Speaker 3: like one of the best bullets I caught, like and

1339
01:05:56,960 --> 01:06:00,800
Speaker 3: it's like and it ain't funny, but it's it really is,

1340
01:06:01,000 --> 01:06:05,440
Speaker 3: like that shit changed my life mentally physically, I'm better

1341
01:06:05,520 --> 01:06:11,160
Speaker 3: and bigger, like it's everything. I'm more focused. So I

1342
01:06:11,240 --> 01:06:13,640
Speaker 3: turned the negative to a positive like you said, but

1343
01:06:14,480 --> 01:06:17,400
Speaker 3: I wouldn't won't. I wouldn't recommend nobody getting shot. This

1344
01:06:17,520 --> 01:06:20,480
Speaker 3: is just my situation and how I turned my situation

1345
01:06:20,680 --> 01:06:23,919
Speaker 3: into this, and it just showed me, like you said,

1346
01:06:24,000 --> 01:06:28,240
Speaker 3: how to move better and maybe other people I'll be saying,

1347
01:06:28,240 --> 01:06:30,760
Speaker 3: I'm like God's guinea pig though, like I'll be feeling

1348
01:06:30,840 --> 01:06:34,520
Speaker 3: like God be putting me through shit to show other

1349
01:06:34,600 --> 01:06:36,920
Speaker 3: people because I'm big and young people life and stuff,

1350
01:06:37,120 --> 01:06:40,160
Speaker 3: kids and shit, and like, I ain't really trying to

1351
01:06:40,280 --> 01:06:42,680
Speaker 3: preach at no kids. I really just be trying to

1352
01:06:42,760 --> 01:06:46,280
Speaker 3: show kids I went through this, you don't have to

1353
01:06:46,360 --> 01:06:48,440
Speaker 3: go through this, you know what I'm saying, Like you

1354
01:06:48,520 --> 01:06:50,720
Speaker 3: could use because I used a lot of shit that

1355
01:06:50,800 --> 01:06:54,800
Speaker 3: people went through to avoid situations too. Since I'm gonna

1356
01:06:54,800 --> 01:06:57,280
Speaker 3: be in kids life and shit, i ain't gonna make

1357
01:06:57,320 --> 01:07:00,560
Speaker 3: the choice for them, but I'm gonna show them to like,

1358
01:07:00,640 --> 01:07:02,560
Speaker 3: and I think that's what God do for us, Like

1359
01:07:02,960 --> 01:07:05,000
Speaker 3: He'll show you the door on the left, show you're

1360
01:07:05,040 --> 01:07:07,800
Speaker 3: doing the right. Nigga. You can go through this door

1361
01:07:08,520 --> 01:07:10,280
Speaker 3: and it might be the same to get to the

1362
01:07:10,320 --> 01:07:14,280
Speaker 3: same spot. But nigga, just fire on this door, nigga

1363
01:07:14,440 --> 01:07:17,240
Speaker 3: and its steps on this door, and a nigga might

1364
01:07:17,760 --> 01:07:19,760
Speaker 3: like it might be a little bit of fire and

1365
01:07:19,880 --> 01:07:21,640
Speaker 3: it might be the goal right here, but it might

1366
01:07:21,720 --> 01:07:23,560
Speaker 3: be a lot of steps, and the nigga might not

1367
01:07:23,680 --> 01:07:25,840
Speaker 3: want to go up all them steps. But if you

1368
01:07:26,000 --> 01:07:27,960
Speaker 3: go up all them steps, you come in. You come

1369
01:07:28,040 --> 01:07:29,680
Speaker 3: through clean. You know what I'm saying. You just a

1370
01:07:29,720 --> 01:07:32,160
Speaker 3: little tired. You go through this fire, your ass is

1371
01:07:32,200 --> 01:07:35,480
Speaker 3: gonna be burnt. You know what? I'm saying, so I

1372
01:07:35,640 --> 01:07:38,520
Speaker 3: feel like you just show like even with the kids,

1373
01:07:38,640 --> 01:07:40,920
Speaker 3: I'll show you the fire and I'll show you the steps.

1374
01:07:41,640 --> 01:07:43,800
Speaker 3: You don't have to go through the fire. You could

1375
01:07:43,840 --> 01:07:47,160
Speaker 3: go through the steps. But Nigga, I got you regardless.

1376
01:07:47,160 --> 01:07:49,600
Speaker 3: I ain't judging you. You know what I'm saying. Everybody

1377
01:07:49,640 --> 01:07:52,160
Speaker 3: bumped their head. But I'm just here to show you

1378
01:07:52,240 --> 01:07:53,880
Speaker 3: the options. You know what I'm saying. So I think

1379
01:07:53,960 --> 01:07:55,880
Speaker 3: God do that for me a lot. A lot of

1380
01:07:55,960 --> 01:07:59,800
Speaker 3: times I do choose the fire because I'm just a knucklehead,

1381
01:08:00,400 --> 01:08:05,800
Speaker 3: you know what I'm saying. But shore, I got I

1382
01:08:05,880 --> 01:08:06,720
Speaker 3: take the steps now.

1383
01:08:08,200 --> 01:08:10,200
Speaker 4: Talked about giving back? Do you want to start a

1384
01:08:10,280 --> 01:08:13,080
Speaker 4: foundation or do you have thee Yeah I had you

1385
01:08:13,120 --> 01:08:15,040
Speaker 4: talk about giving out with five hundred PA sneakers.

1386
01:08:15,040 --> 01:08:16,880
Speaker 3: You said something, Yeah, I just gave a lady a

1387
01:08:16,960 --> 01:08:21,360
Speaker 3: house for for Christmas and gave one of my husbanes

1388
01:08:21,400 --> 01:08:23,720
Speaker 3: and ship. But I do that all the time. I

1389
01:08:23,760 --> 01:08:26,320
Speaker 3: don't have a foundation because I was just so caught up, like.

1390
01:08:26,320 --> 01:08:27,120
Speaker 4: Well, I could get on it.

1391
01:08:27,439 --> 01:08:29,599
Speaker 2: How did that come about giving a lady a house?

1392
01:08:29,640 --> 01:08:31,800
Speaker 2: What you selected? You picked that you had like a.

1393
01:08:32,960 --> 01:08:34,760
Speaker 3: I be working with the mayor and stuff and then

1394
01:08:34,840 --> 01:08:38,439
Speaker 3: when certain people be having situations, they call me. Okay,

1395
01:08:38,680 --> 01:08:41,000
Speaker 3: so they called me and I helped, Like I did

1396
01:08:41,040 --> 01:08:43,040
Speaker 3: a gun by back last year, like I told you all,

1397
01:08:43,320 --> 01:08:46,000
Speaker 3: gave them like fifty thousand tours buying all the guns

1398
01:08:46,040 --> 01:08:48,160
Speaker 3: off the streets. I'll be doing a lot of ship,

1399
01:08:48,240 --> 01:08:50,160
Speaker 3: and it's don't be like I be wanting to be

1400
01:08:50,360 --> 01:08:55,240
Speaker 3: rewarded or no recognition for it, just because, like I said,

1401
01:08:55,280 --> 01:08:56,920
Speaker 3: I used to look up to the dope man when

1402
01:08:56,960 --> 01:08:59,160
Speaker 3: I was little in that's the type of ship the

1403
01:08:59,320 --> 01:09:02,080
Speaker 3: older dope and used to do. Like when the ice

1404
01:09:02,120 --> 01:09:05,519
Speaker 3: cream truck. Everybody guy ice cream man. This house on

1405
01:09:05,640 --> 01:09:08,320
Speaker 3: the block ain't had water. He paid the water bill.

1406
01:09:08,439 --> 01:09:10,880
Speaker 3: Like It's just it was ship I've seen growing up

1407
01:09:10,920 --> 01:09:12,080
Speaker 3: that inspired me to do it.

1408
01:09:13,200 --> 01:09:15,360
Speaker 4: Thank you man, thanks for having you on the show.

1409
01:09:15,560 --> 01:09:17,559
Speaker 2: The name of the album, what's the name of the album?

1410
01:09:17,640 --> 01:09:19,600
Speaker 3: The Price of Fang, The Price.

1411
01:09:19,360 --> 01:09:21,719
Speaker 4: Of Fame man live from Detroit.

1412
01:09:21,800 --> 01:09:22,360
Speaker 3: You know what it is?

1413
01:09:22,479 --> 01:09:27,680
Speaker 4: Makes him noise kill a baby. Appreciate you though,