Speaker 1: Hello, and welcome to the Spirited Actor Podcast with me
Speaker 1: Tracy Moore. I was a casting director for film and
Speaker 1: TV and commercials for over thirty years. I transitioned to
Speaker 1: a celebrity acting coach after I cast a film New
Speaker 1: Jersey Drive with executive producers Spike Lee and director Nick Domez.
Speaker 1: I auditioned every rapper from biggiees Balls to Tupac, and
Speaker 1: I realized that rappers and musical artists they needed help
Speaker 1: transitioning to acting. My clients consist of musical artists from
Speaker 1: Buster Rhymes to Eve, Missy Elliott, Angela Yee from The
Speaker 1: Breakfast Club, and Vanessa Simmons to name a few. I
Speaker 1: also coach sports stars and host as well. I feel
Speaker 1: I have the best of both worlds. As a casting director,
Speaker 1: I know exactly what they're looking for, and as an
Speaker 1: acting coach, I can coach you to be remembered in
Speaker 1: that room. Now I know, I know actors want to
Speaker 1: get the job. I get that, but being remembered by
Speaker 1: casting director that is powerful. And now it's time for
Speaker 1: meditation of the day. Courage is resistance to fear, mastery
Speaker 1: of fear, not absence of fear. Anonymous let your fear
Speaker 1: fuel you. Sometimes when we approach new situations or new
Speaker 1: ideas or a new lifestyle, fear tends to show up
Speaker 1: first and talk us out of it. Oh you're never
Speaker 1: going to be able to learn how to swim, you're
Speaker 1: too old.
Speaker 2: Oh you can't change.
Speaker 1: Your life around after forty because your metabolism slows down.
Speaker 2: Oh you can't. We talk ourselves out.
Speaker 1: Of it before we even visualize seeing us in where
Speaker 1: it is we want to be. Instead of allowing fear
Speaker 1: to stop you, allow fear to fuel you into your dreams.
Speaker 1: Prove fear wrong and stop having conversation with fear and
Speaker 1: have conversation with courage. Today, I will spend time with
Speaker 1: courage and ex out fear.
Speaker 2: Before we get started.
Speaker 1: I like to remind everyone to go to Krackical Network
Speaker 1: to view seasons one and two of my show Inside
Speaker 1: the Black Box that I co host with the great
Speaker 1: Emmy Award winning Joe Morton. Look out for news on
Speaker 1: season three soon. Welcome to the Spirited Actor Podcast with
Speaker 1: me Tracy Moore. I am always super excited when I
Speaker 1: have my friend friends on the show because these people
Speaker 1: know me in my early stages in the embryo stages
Speaker 1: of my casting director career, and I'm knew them as well,
Speaker 1: and to see them still working and pursuing and achieving.
Speaker 2: This is what it's all about for me.
Speaker 1: So, ladies and gentlemen, we have another multi hyphenated person
Speaker 1: in the house our yet today I want you to
Speaker 1: stand up and please put your hands together for Parnell Hollow.
Speaker 3: Hello, everybody. How you guys doing out there? Man?
Speaker 1: I earlier audience, we were talking about how we have
Speaker 1: been trying to get together really since I started the
Speaker 1: podcast because.
Speaker 2: I followed him, followed his career. I'm gonna let him
Speaker 2: take us back because.
Speaker 1: Today I was thinking to myself, I felt like it
Speaker 1: wasn't acting that when I first met you, it was
Speaker 1: comedy because I was really embedded in the lady.
Speaker 3: Yes, nineties, That's exactly what it was.
Speaker 2: Club Village, Yes, oh my god, Caroline stand up all
Speaker 2: of those. So I'm gonna let you tell it.
Speaker 3: Okay, okay.
Speaker 4: So my first encounter with missus Tracy Moore, actually at
Speaker 4: that time it was fifty more Marabell you know, if
Speaker 4: you don't mind me bringing that up, that's what the
Speaker 4: full name was to talk about hyphenated, right, talk about hyphenated.
Speaker 4: But yes, that's who I met back then, and I
Speaker 4: was with another comedian at the time, and they with
Speaker 4: Jonathan Martin. Him and I we kind of traveled together
Speaker 4: and we joined your class, and it was in Manhattan.
Speaker 4: You were right there on Eighth Avenue, right across from
Speaker 4: Madison Square Garden, one of those hotels. I forget which one,
Speaker 4: but that's where we went to meet you. And we
Speaker 4: had a wonderful experience in your class. It was about comedy,
Speaker 4: but you were teaching us how to be in the moment,
Speaker 4: how to you know, have stage presence, and all of
Speaker 4: those things that come with acting skills. It comes naturally,
Speaker 4: I guess as an actor you have that stage present
Speaker 4: but for comedians sometimes it's such a one on one delivery.
Speaker 3: Between you and the audience that we forget that.
Speaker 4: Sometimes that stage is a big place and you have
Speaker 4: to move around sometimes and and you know, make your
Speaker 4: eyes bigger, or just adjust yourself a little bit more
Speaker 4: to get the lass that you want.
Speaker 3: So that was my first encounter with you, and I've
Speaker 3: never forgotten you.
Speaker 4: I always followed you, always to see what you were doing,
Speaker 4: directing the different things you were doing. I said, Wow,
Speaker 4: one day the last time I met you, when we
Speaker 4: cross paths again.
Speaker 3: You were in the black.
Speaker 4: Box and we're doing you were doing it with Malik Yoba.
Speaker 4: Was there, Yes, I came there with another writer director
Speaker 4: named Michelle England. We came to your show there and
Speaker 4: we got to see my friend John Laster, the other comedian,
Speaker 4: John Laster. You know John, You love John. He was
Speaker 4: a great guy.
Speaker 3: Woman the cloud for you and and that was my
Speaker 3: other time catching up with you right away, like in person.
Speaker 4: And ever since then, I've just been following you here
Speaker 4: on your cast. What you're doing an amazing job. Congratulations
Speaker 4: to thank you.
Speaker 1: So you know that I'm always champion actors.
Speaker 2: I mean, I kind of my career started with comedians.
Speaker 1: The thing that I love about comedians is that you
Speaker 1: guys don't get a chance to exercise the dramatic muscle,
Speaker 1: so you.
Speaker 2: Know, and I feel like.
Speaker 1: Our best actors are comedians, Our best dramatic actors are comedians.
Speaker 2: And so.
Speaker 1: It's just I want to start with comedy because you know,
Speaker 1: that's a tough gig. Man Like we can talk about
Speaker 1: TV and philm we can talk about haapp into a
Speaker 1: large or even an intimate group of people that you.
Speaker 4: Don't know, and I don't know them at all. Bunny Bone, Yeah,
Speaker 4: that's not an easy job.
Speaker 3: You are correct. I've been at it since.
Speaker 4: Like nineteen ninety A ball parked right around nineteen ninety
Speaker 4: is when I first started getting on stage. I was
Speaker 4: from New Jersey. I live in New York now, but
Speaker 4: you know New Jersey right across the water.
Speaker 3: But I grew up.
Speaker 4: Under the Bob Summoners and they had the Peppermint Lounge
Speaker 4: and Bill Bellamy was hosting, and I didn't realize what
Speaker 4: I was walking into.
Speaker 3: I just wanted to get on stage. I wanted to
Speaker 3: be a part of that big moment.
Speaker 4: And my very first time on stage, I had a
Speaker 4: great set. It was my first time on stage. I
Speaker 4: had a great set. So I was like, Wow, maybe
Speaker 4: this is I'm a natural.
Speaker 3: Right, I'm thinking I'm a natural. So I come back
Speaker 3: two weeks later. I'm all excited.
Speaker 4: I come back two weeks later and I tell a guy, hey,
Speaker 4: I got some new material. I want to try again.
Speaker 4: I went up there and I did not have such
Speaker 4: a great time. So then that let me know that, Okay,
Speaker 4: you can't take this for granted. That's for one You
Speaker 4: cannot take these moments for granted.
Speaker 3: You think that it's just easy.
Speaker 4: You're going to jump on stage and just everybody's going
Speaker 4: to love you willy nilly.
Speaker 3: It doesn't work that way. You have to really put
Speaker 3: effort into it.
Speaker 4: You're writing, you have to shorten some things, take words out,
Speaker 4: AdWords in, you.
Speaker 3: Know, to make the joke pop sometimes, you know.
Speaker 2: So let me ask you, because again this is to me.
Speaker 1: You master this craft, like you know, this is live,
Speaker 1: This isn't cut playback line, this is once you by yourself.
Speaker 1: You can't blame nobody else, nobody else on that and
Speaker 1: touching and you. The other thing is I feel like
Speaker 1: I saw you at when you said, Bob Sumner, they
Speaker 1: had the first annual awards.
Speaker 2: It was in Harlem, Paul.
Speaker 3: I was there, Okay, yeah, I was at that event.
Speaker 3: I was there at that event.
Speaker 4: I didn't perform at that particular event, but I was
Speaker 4: at the world famous Apollo is where I actually performed
Speaker 4: at the Apollo a couple of years back now, probably
Speaker 4: about three years or so back.
Speaker 3: But it was a wonderful experience.
Speaker 4: Bob Summer once again put me in position to the
Speaker 4: name the Marquis. You know, the whole nine yards, you know,
Speaker 4: burn the holloway right there on the I was in heaven,
Speaker 4: you know what I mean. As a comedian, that's one
Speaker 4: place you definitely want to do a great job, you know,
Speaker 4: at the Apollo, and I've been fortunate enough to travel
Speaker 4: around with them.
Speaker 3: You know her very well. Talent the comedian from New York,
Speaker 3: I know that's your guy.
Speaker 2: I know, Talent from Boston comedy clubs.
Speaker 3: That's where I met him too.
Speaker 4: Yeah, that's where I started my career basically under his wing.
Speaker 4: He took me to the Mohigan Son and he took
Speaker 4: me around to different places, and he gave me that
Speaker 4: little bit of confidence I needed to like kind of
Speaker 4: go out on my own and just start doing shows.
Speaker 4: And then he still kept me in his loop, but
Speaker 4: I was building my.
Speaker 3: Own report with people.
Speaker 4: You know, this business becomes more about relationships than you imagine.
Speaker 4: It's always about relationships at.
Speaker 5: The end of the day.
Speaker 4: So if you think you're going to go somewhere and
Speaker 4: treat people like not so nice and think it's going
Speaker 4: to you're gonna be good to know you have to.
Speaker 3: Be very mindful of your behavior out here.
Speaker 4: Even if if you think you're a celebrity or not,
Speaker 4: whatever you think you are, you still have a code
Speaker 4: of conduct in this business.
Speaker 1: I want to piggyback off of that because that's beautiful,
Speaker 1: a code of conduct, that's so beautiful. And this is
Speaker 1: a business as well, and your reputation precedes you. Someone
Speaker 1: said to me the other day, it's who you know,
Speaker 1: and I said, I've been in this business over forty years.
Speaker 1: I can say I know a lot of people. But
Speaker 1: if they don't know me, they're not picking.
Speaker 2: Up the phone. So it's who knows you how to
Speaker 2: respond to you.
Speaker 1: And people like Purnell, I'm an acting coach, right, celebrity
Speaker 1: acting coach or in that title, but I am a
Speaker 1: celebrity acting coach. Was on the set just the month
Speaker 1: of May, on two different sets with two different clients,
Speaker 1: and oh my god, so blessed had such a great time. However,
Speaker 1: what I'm noticing, and you know, just in transitioning into
Speaker 1: his acting career, you guys, because I told you he
Speaker 1: was multi hyphenated, and he's a writer.
Speaker 2: You heard that too.
Speaker 1: He's a writer, he writes his jokes, he's just an
Speaker 1: overall creative being. But the pressures do you feel the
Speaker 1: pressures since COVID being on sets where you have one
Speaker 1: take maybe two where it's moving quite fast. Because I
Speaker 1: was on Lifetime, which was fifteen days.
Speaker 2: And it was doing and you got one take maybe
Speaker 2: two right, yes, even the leads. And then I was on.
Speaker 1: Naked Gun and I was coaching Buster Rhymes and he
Speaker 1: had eight to ten takes on some wow.
Speaker 3: Okay okay.
Speaker 4: So I honestly a lot of things that I've done
Speaker 4: so far in film, I haven't had to worry too
Speaker 4: much of the takes right. I'm pretty much fortunate for
Speaker 4: me every project that I've done so far, I've had
Speaker 4: people reach out to me based on my pastwork.
Speaker 3: Right, I have an audition for very long things.
Speaker 4: I have not auditioned for very many things, but I've
Speaker 4: been in about maybe eight major projects that I feel
Speaker 4: are good for my career.
Speaker 3: You know, things that helped me as an actor.
Speaker 4: I started off with stage plays, like like almost I
Speaker 4: think most actors start off with stage plays because it
Speaker 4: gives you that in the moment, you can't go back,
Speaker 4: there's no you know, there's no mistakes. You know you
Speaker 4: have to get it right. And that's one thing that
Speaker 4: trains your mind to be on point.
Speaker 3: I loved it. I was in.
Speaker 4: My first stage play was with a woman named Stats Cordero.
Speaker 4: She wrote a stage play called Poor Girl, Rich Girl,
Speaker 4: and we did that play for.
Speaker 3: About three years.
Speaker 4: We went up and down the East Coast, taking it
Speaker 4: to different cities and where, you know, working out craft
Speaker 4: and it was such a wonderful experience. It led to
Speaker 4: me getting into film, which I thought film was easy
Speaker 4: because like, wow, you get a chance to do it over.
Speaker 1: Really, I love all out line to the script.
Speaker 3: Supervisor right, People do that right.
Speaker 4: And so I was so into the stage world that
Speaker 4: I was ended up being the guy with the one take.
Speaker 4: They didn't have to do two and three and four
Speaker 4: takes because I already knew that we need to nail
Speaker 4: this thing. We get it right if we get it
Speaker 4: right the first time. Sometimes they just want one for safety,
Speaker 4: you know.
Speaker 3: But if you get it right the first time, they're.
Speaker 4: Like, Okay, let's move on, let's keep going, you know
Speaker 4: what I mean, Let's not waste any more time on that.
Speaker 3: And so I've been very fortunate.
Speaker 4: I started off with a guy named Saladin Nork in
Speaker 4: a film called Nicknames. It's an independent project, but my
Speaker 4: character I literally had two minutes on screen right when
Speaker 4: I mean when they you know, when you see the Melbury,
Speaker 4: I'm literally on screen only about two minutes, but it
Speaker 4: was an impact of two minutes. We really remember my character.
Speaker 4: When the movie was over, They're like, hey, Uncle Boom,
Speaker 4: that's calling me Uncle Boom like and that meant so
Speaker 4: much to me. And I was so I was so
Speaker 4: grateful for that two minutes the screen time when I
Speaker 4: actually saw it, right, I mean, it took longer to
Speaker 4: film it, but you know, with the.
Speaker 3: Editing and everything right.
Speaker 4: And then my very next project, I kid you not,
Speaker 4: I got.
Speaker 3: A leading role.
Speaker 4: I was a character named Shapiro, Rudy Shapiro, in something
Speaker 4: called bum Rush.
Speaker 3: The series. It was a group of from Poor Girl,
Speaker 3: Rich Girl.
Speaker 4: The same actors from Poor Girl, Rich Girls are in
Speaker 4: bum Rush, Yes, and dre Foreman and J. V. Simmons,
Speaker 4: they were two of the characters from Poor Girl, Rich Girl.
Speaker 4: And they wrote bum Rush and they thought of my
Speaker 4: character and they said, we want you to play Rudy Shapiro.
Speaker 4: We don't want anybody else to play this character. And
Speaker 4: everybody else had to audition this and that, but like
Speaker 4: I said, they just chose me, and luckily, I'm very
Speaker 4: proud of the work we did there. Even though, like
Speaker 4: I said, all of the work I've done thus far
Speaker 4: has been pretty much independent projects. The only thing I've
Speaker 4: done that was not like independent was too commercials that
Speaker 4: I got.
Speaker 3: You know, I had what is it? It was like,
Speaker 3: get your New York sports here. It's like, I forget.
Speaker 4: I think it's something with the older New York sports.
Speaker 4: I was one of the Jets characters right, one of
Speaker 4: the sports teams and air for about air for about
Speaker 4: one year on different programs, and you know, it was
Speaker 4: very nice. Yeah, I was very happy. And then I
Speaker 4: got a b Et commercial right after that. It was
Speaker 4: just a b Et They had that like a where
Speaker 4: you can uh watch it on your on your phone,
Speaker 4: Like I said, I you have Bet at the house.
Speaker 3: You can now watch it on your phone. It was
Speaker 3: like one of those things.
Speaker 4: And that was the second commercial I ever got, and
Speaker 4: that was pretty much national.
Speaker 3: So I was very excited. You know, this is all
Speaker 3: happening very fast for me. So I was like, wow,
Speaker 3: this is great, you know. And even when I well.
Speaker 1: I was going to say it just goes. I wanted
Speaker 1: to go back to you know, you said, you had
Speaker 1: two minutes on screen. It's not about quantity, it's about
Speaker 1: the quality of work that people resonate with.
Speaker 2: And so you know, I feel like that was a
Speaker 2: confirmation to.
Speaker 1: You from the cast, like we need more, not only
Speaker 1: to be more a character, we need to develop a
Speaker 1: storyline so that is accredited to your work and continue.
Speaker 1: That's why you continue to work out here. I wanted
Speaker 1: to and this is what I wanted.
Speaker 2: To talk to you about because.
Speaker 1: The other things that I will always remember, regardless of
Speaker 1: the fact that we don't see each other all the time,
Speaker 1: every time I see you, even on Instagram, you are smile.
Speaker 2: I've never ever forgotten your smile.
Speaker 1: You resonate love and light and energy with you.
Speaker 2: Just actors, there's a lot of.
Speaker 1: Comedians and actors that he's helped in his path as well.
Speaker 1: So known in the industry by so many people, and
Speaker 1: that's important because at the end of the day, the
Speaker 1: truth is, we will not remember everybody's credits, will remember
Speaker 1: this type of person that they were, And like you said, relationships,
Speaker 1: that means something that matters.
Speaker 3: One hundred percent. Yeah, one hundred percent, it does.
Speaker 4: I'll tell you I was gonna say piggyback on the
Speaker 4: relationship thing. I did some work for a woman. The
Speaker 4: project never got completed. That's something I want to talk
Speaker 4: about when we go as actors. Sometimes you give your
Speaker 4: all and you're hoping to get something for your real
Speaker 4: or to see the project and it's finished phases and
Speaker 4: some people never finished the project. It just you know,
Speaker 4: there's nothing you can really do about that. Things happen,
Speaker 4: They lose it. Something happened to the hard drive, something
Speaker 4: happened with the sound wasn't right.
Speaker 3: We got to go back.
Speaker 4: So some things you're not going to always get every
Speaker 4: bit of the work that you put out there. But
Speaker 4: that one person who couldn't finish the project, she referred
Speaker 4: me to someone else and that led to me working
Speaker 4: with this person for almost seven years now.
Speaker 3: We started a show. It was called Yeah.
Speaker 4: It was a show called Juicy the series and a
Speaker 4: young lady named Zoe Taylor. She's the writer and her
Speaker 4: father is the cameraman. He films it, edits. It puts
Speaker 4: everything together. Their mother, father and daughter, they all do
Speaker 4: this together. And I was so happy to meet them.
Speaker 3: Yeah.
Speaker 4: I never worked with a family of people that you know,
Speaker 4: they knew. The daughter had a talent for writing, and
Speaker 4: she had a passion for film. So the father said,
Speaker 4: you know what, let me learn how to work this camera.
Speaker 4: And they all learned the business as they were going,
Speaker 4: and we're still doing it like. Juicy the series is
Speaker 4: in its seventh season now, and I have a spin
Speaker 4: off show.
Speaker 3: Yes well, Juicy right now is on too B TV.
Speaker 4: It's on too B TV all sixth series, all six seasons,
Speaker 4: and season seven will be coming out after my other show,
Speaker 4: Bishop and Cheney.
Speaker 3: Season two comes out this Thursday.
Speaker 4: And after Bishop and Cheney, they're gonna put season seven
Speaker 4: of Juicy the series out.
Speaker 1: Oh my god, I am still watching its Juicy the series.
Speaker 2: I love it. Thank you.
Speaker 3: Yes, my character and Juicy is the series. I play
Speaker 3: an FBI agent. I play a character named Frank Bishop.
Speaker 4: Yeah, and that's how I got My spin off show
Speaker 4: is called Bishop and Cheney, which is partner right, so
Speaker 4: we got season one is already on TV, and because
Speaker 4: we started our fan base on YouTube, we're gonna we're
Speaker 4: gonna start showing season two on YouTube first because we
Speaker 4: have a fan base already from YouTube, and then once
Speaker 4: in complete there, then we're gonna take it back.
Speaker 3: To to B for season two put it on to
Speaker 3: B as well.
Speaker 1: Now I need to let the audience know one the too,
Speaker 1: B is getting money and financing projects. So I feel
Speaker 1: like that's a very very smart idea.
Speaker 2: For to be and you.
Speaker 1: You know, I just I love the fact that the
Speaker 1: universe is confirming to.
Speaker 2: You who you are as the tax Man.
Speaker 1: It's like, Okay, I have this series Juicy, and then
Speaker 1: to the spin off of my character to get but
Speaker 1: new so they can't get enough. They want to see more,
Speaker 1: and there's nothing like wanting to see more.
Speaker 4: So one hundred percent, Ever since I've been watching TV,
Speaker 4: right when I when I really don't know, let's say,
Speaker 4: let's say Eddie Murphy.
Speaker 3: That's one of my favorite comedies, right.
Speaker 4: And then when he got his first movie that you
Speaker 4: always think about three movie deals, right, like trading places
Speaker 4: and then something else and then there's something else. So
Speaker 4: I always felt that way with the Juicy leading to
Speaker 4: the spinoff show, I say, wow, this is this is
Speaker 4: what it should feel like, you know, And even a
Speaker 4: major scale as an actor, it still gives.
Speaker 3: Me that that movement forward that I need.
Speaker 4: And I appreciate everybody that's been a part of the
Speaker 4: project and all the support that they give me as
Speaker 4: an actor, and I'm even going to take some.
Speaker 3: More courses with you. I'm going to study again more
Speaker 3: with you. And here's the kick. Check this out.
Speaker 4: I have three grandsons right well, three in Texas. Two
Speaker 4: of them are twelve, one is twelve, one is eleven.
Speaker 4: They both wanted to get into it, think right, So
Speaker 4: guess what my daughter. Guess who my daughter signed them
Speaker 4: up with. You know her, Wendy. Wendy, Wendy the acting
Speaker 4: coach from New Jersey. Yeah, I was the way these
Speaker 4: circles were starting to connect. I just felt so blessed
Speaker 4: that God God found the way that my grandchildren had
Speaker 4: show of interest and my daughter didn't deny them. They said, okay,
Speaker 4: you have an interest in acting. Wow, I'm going to
Speaker 4: get you an acting coach. And Wendy was there for
Speaker 4: them and they did a few things with her.
Speaker 3: That was very proud of them. You know. Yeah, I
Speaker 3: love that.
Speaker 1: I love the fact that I'm still in touch with
Speaker 1: Wendy after all these years. Wendy was night current Twinkie.
Speaker 1: I trained on New Jersey Drive and that.
Speaker 2: Was that's right, ninety two two.
Speaker 3: Yeah, A long time, right, And.
Speaker 2: I recommend her as well. So I'm glad hundred Yeah,
Speaker 2: you gotta. And I tell people all the time you
Speaker 2: need to do your due diligence on people that you
Speaker 2: work with, and they need to be current because again,
Speaker 2: being on two sets last month, there's things that are
Speaker 2: evolving like and you have to learn. And let me
Speaker 2: tell you something. Two things that the producer told me
Speaker 2: down there. One is that the memorization game has to
Speaker 2: be on point. And two, Tyler Perry.
Speaker 1: Shoots extremely fast and unorthodoxed, so sixteen episodes in three
Speaker 1: weeks and so or whatever his schedule. But I'm just
Speaker 1: saying that people have found a way. You know, we
Speaker 1: grew up at a time where four to six weeks
Speaker 1: low budget film.
Speaker 2: That's low budget, you know, But seventeen twenty days shooting
Speaker 2: features or theories, Wow, and it can get done.
Speaker 1: However, my question, because I champion actors, will always be
Speaker 1: who's offers.
Speaker 3: You know, that's a good question.
Speaker 6: You also, well, this is a question to you because
Speaker 6: if you also come from the school of sitting and
Speaker 6: your winning and waiting for somebody to knock on your.
Speaker 2: Door and tell you, Parnell, you got sixteen.
Speaker 1: Minutes whatever, whatever, you in there perusing through your lines.
Speaker 2: You don't have that luxury anymore on these sets.
Speaker 4: Yeah, you're right, a lot of those things are no
Speaker 4: longer there. You have to almost walk on the set
Speaker 4: ready to go, like from the time you get there,
Speaker 4: and hope that you know, like you said, learning your
Speaker 4: lines and knowing your lines. I have a big thing
Speaker 4: with when I'm in a scene with more than three people,
Speaker 4: I would love for us to, like, before we get anywhere,
Speaker 4: if we could exchange any kind of information numbers, let's
Speaker 4: let's run the lines while we're you know, not on set.
Speaker 4: Don't wait till we get here to start saying, okay,
Speaker 4: let's run. I really like to prepare and because you
Speaker 4: never know, like you got to have those right beats,
Speaker 4: you know, you always talk about beats and letting it
Speaker 4: breathe and riots, you know, like every word doesn't have
Speaker 4: to be right on top of each other, so depending
Speaker 4: on what it is. And so I believe in that wholeheartedly.
Speaker 4: So I always love to work with actors who don't mind.
Speaker 4: They're not too you know, if you will, not too
Speaker 4: cocky to think that they don't have to do this anymore.
Speaker 4: So I know my line as long as you know
Speaker 4: your lines. I know my line, that's not you know.
Speaker 4: It makes for a much better scene when you guys
Speaker 4: know kind of how you're going to be going in
Speaker 4: and out, and it makes it just much much better.
Speaker 4: And it makes it good for the camera crew because
Speaker 4: they can get it done and they can move on
Speaker 4: and move on to other shots and angles and everything else.
Speaker 2: Well, And I also I agree with everything you said.
Speaker 2: I also think that.
Speaker 1: You know whether you're getting you know, ten dollars or
Speaker 1: you know ten million dollars.
Speaker 2: The preparation is what's going to create and parlay your
Speaker 2: next gig.
Speaker 1: So I feel like, what are you doing, Like once
Speaker 1: that check clears and.
Speaker 2: You know what I mean, you get that white script?
Speaker 1: Like, what else are you doing other than Because Joe
Speaker 1: Morton he is a director as well, and he says
Speaker 1: when he comes on a set and he sees actors
Speaker 1: with scripts, he takes them out of their hands because
Speaker 1: it's like, well, unless you make a note, we're not
Speaker 1: running lines past running lines.
Speaker 2: You need to know who this character is.
Speaker 1: You need to know you know those Because I love
Speaker 1: what you said.
Speaker 2: Two things.
Speaker 1: One, I always encourage my clients to go to lunch,
Speaker 1: especially if they're in a relationship in the film, spend
Speaker 1: some time with each other. Y, yeah, create that because
Speaker 1: you can't create that. And again, these sets are moving fast.
Speaker 1: Can you really create all that energy in that moment.
Speaker 2: When you're doing on pay?
Speaker 1: And then the other thing is, again, you have created
Speaker 1: such a stellar work ethic for yourself that you're not
Speaker 1: going to be way when you know bad Boy five
Speaker 1: or you know breaks Anatomy, you know Law and Order,
Speaker 1: you're not going to be sway because you already have
Speaker 1: that work ethic in you. How important is and we touched,
Speaker 1: but can you let our audience of actors and creative
Speaker 1: how important is training from you transitioning from stand up
Speaker 1: to TV and film.
Speaker 4: I truly think training is one hundred percent of the
Speaker 4: right way to go. You know, there is such a
Speaker 4: thing as being unnatural, but when you have the overall
Speaker 4: training from the right people about the business by.
Speaker 3: Understanding all the ins and outs of it.
Speaker 4: As you're learning your lines, you know, the lines are
Speaker 4: one thing, that's that's one thing.
Speaker 3: But creating the character, like.
Speaker 4: You said, all of these things, that's what you get
Speaker 4: in in the training, That's what you understand how to
Speaker 4: break the character down does it.
Speaker 3: Does a character walk with a limp? Do you give
Speaker 3: them do you have a little bit of a lisp?
Speaker 3: Like I always try to think, because.
Speaker 4: I'm both headed, I always think that I have to
Speaker 4: do something really special. I have to give myself that
Speaker 4: to give myself a feeling that I'm playing someone different,
Speaker 4: because there's been quite a few times where my my
Speaker 4: image doesn't change a lot. But I played a priest,
Speaker 4: I played a I played a bad guy, I played
Speaker 4: a FBI agent.
Speaker 3: But they're all different.
Speaker 4: If you watch, if you watch my work, you'll see
Speaker 4: each character has its own own thing, you know. And
Speaker 4: that's what I love about it, you know, And that
Speaker 4: came from the training.
Speaker 1: But that that also comes from I think as a comedian,
Speaker 1: you guys are super observant in behavior and you ease
Speaker 1: drop on dialogue.
Speaker 2: One thing all comedian is that I know and love
Speaker 2: great and recreating or imitating in person.
Speaker 3: That is true. That is also a.
Speaker 2: Body like the little details.
Speaker 1: So I would think that trans that transfers over to
Speaker 1: you wanting to create a character that might.
Speaker 2: Have a scar or like, yeah, a priest.
Speaker 1: You know, you remind me of a bishop, you know,
Speaker 1: especially with the necklace that you have on right now.
Speaker 1: I feel very bishop vibes from you. So, you know,
Speaker 1: is that a part of it, extracting certain behaviors and
Speaker 1: dial Absolutely.
Speaker 4: Yes, absolutely, it's a big, big part of it. My
Speaker 4: most recent film that I've been right now, it's going
Speaker 4: to be on YouTube till the end of June. It's
Speaker 4: called He's All I Need. He's All I Need. It's
Speaker 4: a faith based film. Yes, He's All I Need. And
Speaker 4: I play Pastor Douglas in this particular project, and it's
Speaker 4: a great story.
Speaker 3: Yeah.
Speaker 4: I play a pastor in two different films, but each
Speaker 4: one is totally different, you know, each pastor totally different.
Speaker 4: One was a little more flamboyant in his deliveries and
Speaker 4: the other one was mundane and more laid back but
Speaker 4: still effective, with a little bit of funny and more serious.
Speaker 3: You know.
Speaker 4: I was able to balance the serious and the funny together.
Speaker 4: And I'm just, I just I'm so grateful.
Speaker 3: I think one minute, I just want to say this
Speaker 3: right now.
Speaker 4: Yes, thank you, thank you, Dear God for all the
Speaker 4: many blessings that you have placed upon me and my family.
Speaker 3: I asked that you continue to watch over me.
Speaker 4: And all my loved ones and my friends and give
Speaker 4: us your guidance and your strength each day.
Speaker 3: Amen.
Speaker 4: I just want to say that, Yeah, I just had
Speaker 4: to catch myself. But I'm so humbled and peul by
Speaker 4: everything he's done for me.
Speaker 1: And gratitude is magic. That is the magic that increases,
Speaker 1: you know. I tell my granddaughter all the time to
Speaker 1: bring her awareness, to bring her get her grounded and
Speaker 1: footed and her footing that you know, when you appreciate
Speaker 1: love what you have, it increases. But you have to
Speaker 1: appreciate love really, like I think, well, listen, yesterday I
Speaker 1: light went out, I had a light bulb, I had
Speaker 1: a surplus.
Speaker 2: I was like, thank you, thank.
Speaker 3: You, thank you. I'm not in the dark right.
Speaker 1: So it's like everything always thank you, thank you. This
Speaker 1: as Spruce said Blue by Parnell.
Speaker 3: Wow, oh wow, yes, oh my god.
Speaker 1: At one point I forgot we were doing the podcast,
Speaker 1: and I was just like, we do it.
Speaker 2: So I'm going to give you. I know you're gonna pack. Listen,
Speaker 2: I'm following you with a bag.
Speaker 3: Okay, no problem, Okay, no problem.
Speaker 1: So three minutes tell them what they need to know.
Speaker 2: What is that thing that you want.
Speaker 3: Them to know about me?
Speaker 1: About that about acting stand up just in terms of succeeding,
Speaker 1: because you are a true example of that.
Speaker 3: Thank you.
Speaker 4: Okay, well, I think I think first of all, you
Speaker 4: really have to decideed this what you want to do.
Speaker 4: You know, some people get into things just to you know,
Speaker 4: they want to try it out, see how it feels
Speaker 4: or whatever. But I knew a long time ago that
Speaker 4: this is something I'm going to be doing. I mean,
Speaker 4: it hasn't been anything overnight in no way, shape or form.
Speaker 4: But every time you go to perform or do I'm
Speaker 4: talking between comedy and acting, whatever fill you're in, if
Speaker 4: you're going to perform, give one hundred percent. There's no
Speaker 4: reason to like go half, you know, try to let
Speaker 4: mail it in as they say, or just walk through
Speaker 4: the motions. You have to go and really dig in
Speaker 4: and be wholehearted in your delivery. When it comes to acting,
Speaker 4: that's a whole other beast from comedy. You have to
Speaker 4: take the time and break your scripts down. Uh don't
Speaker 4: just don't just when I read a script like nowadays, they.
Speaker 3: Only give you your little scenes and now you know, like
Speaker 3: the people I work where, they don't give.
Speaker 4: You the whole script like they used to. But I
Speaker 4: used to read the entire script because I just felt like,
Speaker 4: I want to know where I fit in in this
Speaker 4: in this story, right, how does my character affect this scene?
Speaker 3: Like I wanted to know where do I fit my big? Small? Little?
Speaker 3: Do I come in large? Do I come in low?
Speaker 4: But one thing I've learned is that over time, you're
Speaker 4: going to find those beats.
Speaker 3: I always refer to the beats because it's almost like music,
Speaker 3: it's a rhythm.
Speaker 4: I watched Denzel, I watch Terry CRUs I watch so
Speaker 4: many different actors just to see how they do their thing, work.
Speaker 3: Their magic, it's yours. It's all crafts.
Speaker 4: So there's no wrong way to do it, but you
Speaker 4: have to be serious about it, and you really have
Speaker 4: to commit. I think that's really one hundred percent of
Speaker 4: what has happened. You have to commit, and don't worry
Speaker 4: about what your friends. If they're not supportive of what
Speaker 4: you're doing, somebody's going to see you and take you
Speaker 4: seriously when they see you're taking yourself seriously.
Speaker 3: So don't get.
Speaker 4: Discouraged if your family members aren't buying tickets to come
Speaker 4: see your comedy, or if they're not coming to like
Speaker 4: if you tell them, oh, it's right on TV. It's
Speaker 4: coming on tonight and they don't watch it. It's okay, okay,
Speaker 4: don't get upset. Let that's their loss for the moment.
Speaker 4: When the world sees what you have to offer, they
Speaker 4: all go, oh, that's my cousin, that's my this, that's
Speaker 4: my that. And then you'll have your time, you know.
Speaker 4: But for now, just stay committed to yourself.
Speaker 3: Please. I hope you believe in a higher power.
Speaker 4: I don't know who you pray to, but if you
Speaker 4: have that in your life, please fall back on that.
Speaker 3: Rely on that. I called on God all.
Speaker 4: The time and I have no problem shouting his name,
Speaker 4: no problem at all.
Speaker 1: Amen.
Speaker 3: Amen, Amen, Amen.
Speaker 1: I'm gonna shout some names right now because we have
Speaker 1: some actors actresses who have some questions for you.
Speaker 2: Else is coming on to introduce them to you.
Speaker 5: Okay, thank you, thank you, thank you, Parnell. That was
Speaker 5: that was so refreshing. I really enjoyed.
Speaker 3: You're welcome conversation. Thanks.
Speaker 5: So today we have two of our spirited actors on
Speaker 5: to ask you a question. We have missus Amber Janey,
Speaker 5: welcome back here, but you can come on camera. And
Speaker 5: we have miss Leomitria Starks welcome back, Leamitria. You can
Speaker 5: come on also.
Speaker 3: All right, hello Malabe.
Speaker 5: You can ask your question first. You can unmute and
Speaker 5: ask your question.
Speaker 7: Awesome, Hi for now Hello Hi. So my question for
Speaker 7: you is what is the best way for a dramatic
Speaker 7: actor to sort of exercise that comedic muscle and really
Speaker 7: start to get a hold on these comedic beats that
Speaker 7: a lot of times we're told is like inherent to
Speaker 7: some but I feel like it can be taught.
Speaker 2: And if you have any advice, how would you go
Speaker 2: about that?
Speaker 4: Okay, one way that you could tap into your comedic
Speaker 4: side is to do especially if you like comedy at all,
Speaker 4: I would suggest you, you know, go be around comedy
Speaker 4: a little, Go to a comedy show, go shit at
Speaker 4: one comedy show, and just see how each comedian presents
Speaker 4: themselves right, Because we all have a funny bone. Some
Speaker 4: people just don't have the courage to stand up and
Speaker 4: be funny. But when you're a dramatic and you're required
Speaker 4: to be funny, now you have to come out of
Speaker 4: your comfort zone if that's what you are in as
Speaker 4: a dramatic actor. It's great to be dramatic on film
Speaker 4: because you can pause you can take those dramatic pauses,
Speaker 4: you can give those, you know, you brow on your
Speaker 4: shoulders and make yourself big on screen and things like that.
Speaker 3: But when it's time to be funny, you have to
Speaker 3: find that.
Speaker 4: Lighter side of yourself, right, You have to go back
Speaker 4: to being the kid again sort of speak. You know,
Speaker 4: picture yourself as like maybe nine years old in your mind,
Speaker 4: depending on how serious the funny has to be.
Speaker 3: You know, like there's a lot of.
Speaker 4: Times where a serious character can be funny without smiling,
Speaker 4: even you know, you don't even have to be tracking
Speaker 4: like a big smile and everything to be funny on film, especially,
Speaker 4: So what I would say to you is, try to
Speaker 4: refer to your younger self. Try to go into a
Speaker 4: childhood state of mind, like to be light and let
Speaker 4: things just kind of flow, if you will.
Speaker 3: But try a comedy show.
Speaker 4: Definitely go sit in a comedy show just to see
Speaker 4: how the humor comes out. And sometimes most comedians talking
Speaker 4: about very serious but they make them funny.
Speaker 3: And when they're funny, you figure you can laugh, right,
Speaker 3: it's easy.
Speaker 4: It's easier to laugh at it if they make it funny,
Speaker 4: even though it's a very serious subject.
Speaker 3: So that's the balance we're looking to get right there. Yeah,
Speaker 3: I hope I helped you. You are, thank you. Nice
Speaker 3: to meet you. I hope to see you again.
Speaker 2: Yeah, pleasure.
Speaker 5: All right, that was awesome advice. Thank you for now.
Speaker 5: Next up you have miss Aliah Maitria Starks Lea Metria.
Speaker 5: What is your question him.
Speaker 2: Mister Halloway.
Speaker 8: So my question is, with you being a comedian and
Speaker 8: an actor, how does your training differ? Because I heard
Speaker 8: you say that you write your own jokes, So how
Speaker 8: did that training differ from you writing your own jokes
Speaker 8: to reading someone else's words on a paper.
Speaker 3: That's a very good question.
Speaker 4: As a comedian, it's so much of a one, one man,
Speaker 4: one woman sport that with the comedy, I can write
Speaker 4: it from my own personerspective. Right, If I talk about
Speaker 4: my children, I talk about my whatever I'm doing personally,
Speaker 4: I can find the humor in it and it comes
Speaker 4: naturally through through.
Speaker 3: My own eyes. Right.
Speaker 4: But when I'm reading someone's script and they're trying to
Speaker 4: be funny in the script.
Speaker 3: Now is when I have to actually have a word
Speaker 3: with the director.
Speaker 4: Sometimes I just want to You always want to make
Speaker 4: sure that you're on the right vibe with them, because
Speaker 4: sometimes as a comedian, I might see it totally different
Speaker 4: and want to go big with the laugh, and he's like, no.
Speaker 3: No, no, no, this is more like this way, you
Speaker 3: know what I mean.
Speaker 4: As a comedian, we always want the biggest of laughs,
Speaker 4: you know, so I have to tone myself down quite
Speaker 4: a few times. I was just telling Miss Moore about
Speaker 4: a show that I'm in called He's All I Need.
Speaker 4: If you get a chance, it's on YouTube, I think
Speaker 4: until the end of June, but if you get a
Speaker 4: chance to see it, you'll see what I mean.
Speaker 3: When I'm a.
Speaker 4: Pastor and I'm talking to my congregation and I'm literally
Speaker 4: not trying to be funny, but I'm just I'm naturally funny,
Speaker 4: and so I was able to be subtle funny, like
Speaker 4: little things that I've done big laughs, even though I
Speaker 4: wasn't intending on that. So it's a fine art the
Speaker 4: balance in between. But as a comedian, I.
Speaker 3: Write for the biggest of laughs.
Speaker 4: But as an actor, when I'm reading someone else's work
Speaker 4: and I have to fit my mindset into what they wrote,
Speaker 4: I sometimes do have to check back in with the
Speaker 4: writer just to make sure I'm in line with what
Speaker 4: they had in mind.
Speaker 2: Okay, thank you?
Speaker 3: Did that help you? I hope I helped you with that? Okay,
Speaker 3: thank you. No, I really appreciate you all.
Speaker 1: Thank you so much. You guys, great questions. Thank you, Elsa,
Speaker 1: that's really good questions.
Speaker 5: Yes.
Speaker 1: Yeah, So Parnell is going to stay with us and
Speaker 1: he's going to be with such class and session. So
Speaker 1: I want everybody to sit back, and I know you
Speaker 1: guys still have your bag or your.
Speaker 2: Treasure chest because he is dropping the jubils. Okay, when
Speaker 2: we come.
Speaker 1: Back on the Spirited Actor Podcast with me Tracy Moore,
Speaker 1: we are going to do Class in Session. Stay tight,
Speaker 1: Welcome back to the Spirited Actor Podcast with me Tracy Moore,
Speaker 1: and you are blessed. Parnelle Hollaway is still with us,
Speaker 1: ladies and gentlemen. Yes, yes, dropping all the jewels. So
Speaker 1: I am going to bring else Lathan on and she's
Speaker 1: going to bring on these spirited actors who.
Speaker 2: Are going to perform for us and especially you per.
Speaker 5: Now okay also yes, yes, hello everyone. So today for
Speaker 5: Class in Session, we have missus Amber Janey, Welcome back,
Speaker 5: Camber Hi. And we have miss Leamitria Stocks welcome.
Speaker 3: Back, Leomitria, thank you for having me.
Speaker 5: Today's scene is community Lunch written by Leona Model Interior
Speaker 5: lunch room day. Kelly walks into the lunch room to
Speaker 5: find her boss Patty there with her head in the
Speaker 5: fridge grabbing a plate.
Speaker 2: Oh hey, Patty, hey kill some meeting today, right? Tell
Speaker 2: me about it?
Speaker 7: Mark should have told us how he really feels.
Speaker 3: Right. Well, back to the hell box I go.
Speaker 5: Kelly notices the container and Patty, saying as she's walking.
Speaker 7: Out, Oh, Patty, I think that's my lunch.
Speaker 3: Uh no, girl, this is mine. We may have the
Speaker 3: same container.
Speaker 9: Did you get it on the top left? Yeah, that's my,
Speaker 9: that's my that's your what you know what, I'll just
Speaker 9: check myself.
Speaker 3: Good idea.
Speaker 5: As Patty blocks the fridge, maybe.
Speaker 2: I'll just check leader.
Speaker 3: Even better idea.
Speaker 5: Patty smiles and walks out. Kelly checks the fridge. It's
Speaker 5: totally her food missing again. She encourages herself to grow
Speaker 5: so and heads over to Patty's cubicle. Excuse me, Patty, Well,
Speaker 5: Patty's happily enjoying Kelly's food.
Speaker 3: Funny thing you came in.
Speaker 8: I was just thinking how happy I am with the
Speaker 8: choice that I hired you.
Speaker 7: I'm super grateful for my job, so thank you again.
Speaker 10: I just wanted to say, it's probably a mix up,
Speaker 10: because that is my lunch.
Speaker 3: I checked.
Speaker 8: Are you.
Speaker 2: Accusing me?
Speaker 8: Two weeks in and you're accusing me as if as
Speaker 8: your boss? May I remind you that I can't afford
Speaker 8: my own lunch.
Speaker 10: No, no, I'm not saying that. I just mean there's
Speaker 10: been a mix up. Yeah, I'm actually not even hungry.
Speaker 10: We'll try again tomorrow.
Speaker 5: Enjoy too. Delly rushes out of Patty's cubicle, noticing her
Speaker 5: own sweater hanging on Patty's coat. Rat too.
Speaker 1: See Oh my god.
Speaker 2: Okay, all right, Pradell, what do you have?
Speaker 4: Okay, First of all, I commend both of you for
Speaker 4: being like one into your characters.
Speaker 3: I love I love the fact that she was going
Speaker 3: through the motions with the food.
Speaker 4: Eating out of the containers as if everything was just
Speaker 4: as you said. I think the poise and the patience
Speaker 4: of the woman.
Speaker 3: Whose food was missing. I like that.
Speaker 4: I like the way that you're kind of like, okay, well,
Speaker 4: let me just double check and make sure I was
Speaker 4: right and everything else, and then when you realize it
Speaker 4: was your lunch, you're like, wait a minute, that was
Speaker 4: my food, you know. I like the way you presented yourself.
Speaker 4: The woman I forgot, Kelly. I know the names, but
Speaker 4: I forget the one who was eating the food. I
Speaker 4: love the way she was just as glatant as she
Speaker 4: wanted to be about. Okay, it might be your food,
Speaker 4: but you're working for me, and you know you've been
Speaker 4: there for two weeks or whatever the case may be.
Speaker 4: I love the way you presented yourself. You did a
Speaker 4: very good job. That's what it's all about. You know,
Speaker 4: actually taken the words off the paper. You guys are
Speaker 4: There was no script in front of you, so therefore
Speaker 4: you already knew what you had to say. And you
Speaker 4: guys were right on point with each of the beats
Speaker 4: that I was mentioning before. And sometimes you have to
Speaker 4: let it breathe a little bit, and you did that
Speaker 4: the whole thing, playing it out with the food perfect.
Speaker 4: I think that was a great job on both of
Speaker 4: your be hats.
Speaker 2: I agree with you for now.
Speaker 1: I also loved when Amber dropped her head that said
Speaker 1: to tell me.
Speaker 3: Shep her head.
Speaker 1: I was like, I am so in and then Tria
Speaker 1: threatening her blatantly, Yo, that is just wrong on all levels.
Speaker 2: So you guys, that was in a well written scene.
Speaker 2: Thank you so much.
Speaker 1: Yes, thank you Matria and Parnelle, thank.
Speaker 2: You so much for the story.
Speaker 4: Honorsdom your thank you and I am honest your blessing man.
Speaker 2: Thank you for the prayer.
Speaker 3: We are welcome. That you're welcome man. Thank you for
Speaker 3: having me listen.
Speaker 1: You'll come back on when you're doing else, because I'm
Speaker 1: gonna tell you tonight is a Panelle Holloway binging to
Speaker 1: be down.
Speaker 2: I will know for thing.
Speaker 3: Thank you, Okay, next time, okay, okay.
Speaker 4: And I left one thing, Yes, I left one thing
Speaker 4: that to me, I tell you, I played another pastor.
Speaker 4: It's a show called now excuse the first word, but
Speaker 4: it's called The Bitch and for me is the name
Speaker 4: of the project. It's an eight episode series. Eight episodes
Speaker 4: is the whole thing. And I played pastor young in this.
Speaker 4: I was like a not so good guy when I
Speaker 4: was young, but now I'm a pastor. I try to
Speaker 4: change my life around. But you'll see there's a nice
Speaker 4: little story.
Speaker 3: There a lot going on.
Speaker 1: Well, I'm gonna do my two re vengings. So ladies, yeah, indeed,
Speaker 1: put your hands together mostly high conated comedian, actor, director, producer.
Speaker 2: It's a spiritual greed for now.
Speaker 4: Holloway, thank you, Thank you guys, thank you as well.
Speaker 1: Absolutely, when we come back on the Spirited Actor Podcast
Speaker 1: with me Tracy Moore, I am going to give you
Speaker 1: some love, and now it's time to give love. Everything
Speaker 1: great in my life has evolved from fear. When I
Speaker 1: think about the things that I wanted to do and
Speaker 1: I was afraid to do, I did it anyway, and
Speaker 1: that's what we should do in life. I'm not saying
Speaker 1: anything dangerous or anything harmful to your person.
Speaker 2: I'm saying, if you always wanted.
Speaker 1: To go to like a paint and sit right and
Speaker 1: just paint, who cares if it's perfect or not? Just
Speaker 1: having fun and laughing with friends right or yesterday I
Speaker 1: was passing by this sewing It was like they teach
Speaker 1: sewing there and adults and children these classes, and I
Speaker 1: was like, you know what, I could try sewing just
Speaker 1: to do it right. I'm afraid I might break a
Speaker 1: sewing machine. Howsoever, I'm going to.
Speaker 3: Do it anyway.
Speaker 2: No, I'm just kidding.
Speaker 1: I wasn't afraid, but I'm just saying, try a different
Speaker 1: way in a pro fear, and what you will find
Speaker 1: is that fear is truly an illusion, doesn't exist. Don't
Speaker 1: buy it anything that fear tells you. Remember fear knocked
Speaker 1: on my door. Faithe answered, and Hello, nobody was there?
Speaker 3: Hi?
Speaker 2: Everyone.
Speaker 1: The Spirited Actor Podcast with Tracy Moore now has.
Speaker 2: A YouTube channel.
Speaker 1: You'll get to see exclusive video footage from our podcast taping,
Speaker 1: as well as your favorite.
Speaker 2: Segments from the show.
Speaker 1: Make sure to like our videos, subscribe to our channel,
Speaker 1: and share with all your friends.
Speaker 2: Don't forget to also follow.
Speaker 1: Us on Instagram, at the Spirited Actor, and at both
Speaker 1: Tracy Moore and at The Spirited Actor Podcast with Tracy
Speaker 1: Moore on Facebook and X Thank you thank for joining
Speaker 1: us on The Spirited Actor Podcast with me Tracy Moore.
Speaker 1: I look forward to our next Spirited podcast.
Speaker 2: Thank you.