WEBVTT - The Spirited Actor - Purnell Holloway

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<v Speaker 1>Hello, and welcome to the Spirited Actor Podcast with me

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<v Speaker 1>Tracy Moore. I was a casting director for film and

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<v Speaker 1>TV and commercials for over thirty years. I transitioned to

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<v Speaker 1>a celebrity acting coach after I cast a film New

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<v Speaker 1>Jersey Drive with executive producers Spike Lee and director Nick Domez.

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<v Speaker 1>I auditioned every rapper from biggiees Balls to Tupac, and

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<v Speaker 1>I realized that rappers and musical artists they needed help

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<v Speaker 1>transitioning to acting. My clients consist of musical artists from

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<v Speaker 1>Buster Rhymes to Eve, Missy Elliott, Angela Yee from The

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<v Speaker 1>Breakfast Club, and Vanessa Simmons to name a few. I

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<v Speaker 1>also coach sports stars and host as well. I feel

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<v Speaker 1>I have the best of both worlds. As a casting director,

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<v Speaker 1>I know exactly what they're looking for, and as an

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<v Speaker 1>acting coach, I can coach you to be remembered in

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<v Speaker 1>that room. Now I know, I know actors want to

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<v Speaker 1>get the job. I get that, but being remembered by

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<v Speaker 1>casting director that is powerful. And now it's time for

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<v Speaker 1>meditation of the day. Courage is resistance to fear, mastery

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<v Speaker 1>of fear, not absence of fear. Anonymous let your fear

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<v Speaker 1>fuel you. Sometimes when we approach new situations or new

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<v Speaker 1>ideas or a new lifestyle, fear tends to show up

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<v Speaker 1>first and talk us out of it. Oh you're never

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<v Speaker 1>going to be able to learn how to swim, you're

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<v Speaker 1>too old.

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<v Speaker 2>Oh you can't change.

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<v Speaker 1>Your life around after forty because your metabolism slows down.

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<v Speaker 2>Oh you can't. We talk ourselves out.

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<v Speaker 1>Of it before we even visualize seeing us in where

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<v Speaker 1>it is we want to be. Instead of allowing fear

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<v Speaker 1>to stop you, allow fear to fuel you into your dreams.

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<v Speaker 1>Prove fear wrong and stop having conversation with fear and

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<v Speaker 1>have conversation with courage. Today, I will spend time with

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<v Speaker 1>courage and ex out fear.

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<v Speaker 2>Before we get started.

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<v Speaker 1>I like to remind everyone to go to Krackical Network

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<v Speaker 1>to view seasons one and two of my show Inside

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<v Speaker 1>the Black Box that I co host with the great

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<v Speaker 1>Emmy Award winning Joe Morton. Look out for news on

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<v Speaker 1>season three soon. Welcome to the Spirited Actor Podcast with

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<v Speaker 1>me Tracy Moore. I am always super excited when I

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<v Speaker 1>have my friend friends on the show because these people

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<v Speaker 1>know me in my early stages in the embryo stages

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<v Speaker 1>of my casting director career, and I'm knew them as well,

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<v Speaker 1>and to see them still working and pursuing and achieving.

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<v Speaker 2>This is what it's all about for me.

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<v Speaker 1>So, ladies and gentlemen, we have another multi hyphenated person

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<v Speaker 1>in the house our yet today I want you to

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<v Speaker 1>stand up and please put your hands together for Parnell Hollow.

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<v Speaker 3>Hello, everybody. How you guys doing out there? Man?

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<v Speaker 1>I earlier audience, we were talking about how we have

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<v Speaker 1>been trying to get together really since I started the

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<v Speaker 1>podcast because.

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<v Speaker 2>I followed him, followed his career. I'm gonna let him

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<v Speaker 2>take us back because.

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<v Speaker 1>Today I was thinking to myself, I felt like it

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<v Speaker 1>wasn't acting that when I first met you, it was

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<v Speaker 1>comedy because I was really embedded in the lady.

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<v Speaker 3>Yes, nineties, That's exactly what it was.

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<v Speaker 2>Club Village, Yes, oh my god, Caroline stand up all

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<v Speaker 2>of those. So I'm gonna let you tell it.

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<v Speaker 3>Okay, okay.

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<v Speaker 4>So my first encounter with missus Tracy Moore, actually at

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<v Speaker 4>that time it was fifty more Marabell you know, if

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<v Speaker 4>you don't mind me bringing that up, that's what the

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<v Speaker 4>full name was to talk about hyphenated, right, talk about hyphenated.

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<v Speaker 4>But yes, that's who I met back then, and I

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<v Speaker 4>was with another comedian at the time, and they with

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<v Speaker 4>Jonathan Martin. Him and I we kind of traveled together

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<v Speaker 4>and we joined your class, and it was in Manhattan.

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<v Speaker 4>You were right there on Eighth Avenue, right across from

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<v Speaker 4>Madison Square Garden, one of those hotels. I forget which one,

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<v Speaker 4>but that's where we went to meet you. And we

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<v Speaker 4>had a wonderful experience in your class. It was about comedy,

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<v Speaker 4>but you were teaching us how to be in the moment,

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<v Speaker 4>how to you know, have stage presence, and all of

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<v Speaker 4>those things that come with acting skills. It comes naturally,

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<v Speaker 4>I guess as an actor you have that stage present

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<v Speaker 4>but for comedians sometimes it's such a one on one delivery.

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<v Speaker 3>Between you and the audience that we forget that.

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<v Speaker 4>Sometimes that stage is a big place and you have

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<v Speaker 4>to move around sometimes and and you know, make your

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<v Speaker 4>eyes bigger, or just adjust yourself a little bit more

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<v Speaker 4>to get the lass that you want.

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<v Speaker 3>So that was my first encounter with you, and I've

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<v Speaker 3>never forgotten you.

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<v Speaker 4>I always followed you, always to see what you were doing,

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<v Speaker 4>directing the different things you were doing. I said, Wow,

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<v Speaker 4>one day the last time I met you, when we

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<v Speaker 4>cross paths again.

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<v Speaker 3>You were in the black.

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<v Speaker 4>Box and we're doing you were doing it with Malik Yoba.

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<v Speaker 4>Was there, Yes, I came there with another writer director

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<v Speaker 4>named Michelle England. We came to your show there and

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<v Speaker 4>we got to see my friend John Laster, the other comedian,

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<v Speaker 4>John Laster. You know John, You love John. He was

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<v Speaker 4>a great guy.

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<v Speaker 3>Woman the cloud for you and and that was my

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<v Speaker 3>other time catching up with you right away, like in person.

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<v Speaker 4>And ever since then, I've just been following you here

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<v Speaker 4>on your cast. What you're doing an amazing job. Congratulations

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<v Speaker 4>to thank you.

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<v Speaker 1>So you know that I'm always champion actors.

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<v Speaker 2>I mean, I kind of my career started with comedians.

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<v Speaker 1>The thing that I love about comedians is that you

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<v Speaker 1>guys don't get a chance to exercise the dramatic muscle,

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<v Speaker 1>so you.

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<v Speaker 2>Know, and I feel like.

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<v Speaker 1>Our best actors are comedians, Our best dramatic actors are comedians.

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<v Speaker 2>And so.

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<v Speaker 1>It's just I want to start with comedy because you know,

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<v Speaker 1>that's a tough gig. Man Like we can talk about

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<v Speaker 1>TV and philm we can talk about haapp into a

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<v Speaker 1>large or even an intimate group of people that you.

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<v Speaker 4>Don't know, and I don't know them at all. Bunny Bone, Yeah,

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<v Speaker 4>that's not an easy job.

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<v Speaker 3>You are correct. I've been at it since.

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<v Speaker 4>Like nineteen ninety A ball parked right around nineteen ninety

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<v Speaker 4>is when I first started getting on stage. I was

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<v Speaker 4>from New Jersey. I live in New York now, but

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<v Speaker 4>you know New Jersey right across the water.

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<v Speaker 3>But I grew up.

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<v Speaker 4>Under the Bob Summoners and they had the Peppermint Lounge

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<v Speaker 4>and Bill Bellamy was hosting, and I didn't realize what

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<v Speaker 4>I was walking into.

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<v Speaker 3>I just wanted to get on stage. I wanted to

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<v Speaker 3>be a part of that big moment.

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<v Speaker 4>And my very first time on stage, I had a

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<v Speaker 4>great set. It was my first time on stage. I

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<v Speaker 4>had a great set. So I was like, Wow, maybe

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<v Speaker 4>this is I'm a natural.

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<v Speaker 3>Right, I'm thinking I'm a natural. So I come back

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<v Speaker 3>two weeks later. I'm all excited.

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<v Speaker 4>I come back two weeks later and I tell a guy, hey,

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<v Speaker 4>I got some new material. I want to try again.

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<v Speaker 4>I went up there and I did not have such

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<v Speaker 4>a great time. So then that let me know that, Okay,

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<v Speaker 4>you can't take this for granted. That's for one You

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<v Speaker 4>cannot take these moments for granted.

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<v Speaker 3>You think that it's just easy.

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<v Speaker 4>You're going to jump on stage and just everybody's going

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<v Speaker 4>to love you willy nilly.

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<v Speaker 3>It doesn't work that way. You have to really put

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<v Speaker 3>effort into it.

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<v Speaker 4>You're writing, you have to shorten some things, take words out,

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<v Speaker 4>AdWords in, you.

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<v Speaker 3>Know, to make the joke pop sometimes, you know.

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<v Speaker 2>So let me ask you, because again this is to me.

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<v Speaker 1>You master this craft, like you know, this is live,

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<v Speaker 1>This isn't cut playback line, this is once you by yourself.

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<v Speaker 1>You can't blame nobody else, nobody else on that and

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<v Speaker 1>touching and you. The other thing is I feel like

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<v Speaker 1>I saw you at when you said, Bob Sumner, they

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<v Speaker 1>had the first annual awards.

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<v Speaker 2>It was in Harlem, Paul.

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<v Speaker 3>I was there, Okay, yeah, I was at that event.

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<v Speaker 3>I was there at that event.

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<v Speaker 4>I didn't perform at that particular event, but I was

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<v Speaker 4>at the world famous Apollo is where I actually performed

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<v Speaker 4>at the Apollo a couple of years back now, probably

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<v Speaker 4>about three years or so back.

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<v Speaker 3>But it was a wonderful experience.

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<v Speaker 4>Bob Summer once again put me in position to the

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<v Speaker 4>name the Marquis. You know, the whole nine yards, you know,

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<v Speaker 4>burn the holloway right there on the I was in heaven,

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<v Speaker 4>you know what I mean. As a comedian, that's one

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<v Speaker 4>place you definitely want to do a great job, you know,

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<v Speaker 4>at the Apollo, and I've been fortunate enough to travel

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<v Speaker 4>around with them.

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<v Speaker 3>You know her very well. Talent the comedian from New York,

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<v Speaker 3>I know that's your guy.

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<v Speaker 2>I know, Talent from Boston comedy clubs.

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<v Speaker 3>That's where I met him too.

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<v Speaker 4>Yeah, that's where I started my career basically under his wing.

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<v Speaker 4>He took me to the Mohigan Son and he took

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<v Speaker 4>me around to different places, and he gave me that

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<v Speaker 4>little bit of confidence I needed to like kind of

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<v Speaker 4>go out on my own and just start doing shows.

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<v Speaker 4>And then he still kept me in his loop, but

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<v Speaker 4>I was building my.

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<v Speaker 3>Own report with people.

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<v Speaker 4>You know, this business becomes more about relationships than you imagine.

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<v Speaker 4>It's always about relationships at.

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<v Speaker 5>The end of the day.

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<v Speaker 4>So if you think you're going to go somewhere and

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<v Speaker 4>treat people like not so nice and think it's going

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<v Speaker 4>to you're gonna be good to know you have to.

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<v Speaker 3>Be very mindful of your behavior out here.

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<v Speaker 4>Even if if you think you're a celebrity or not,

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<v Speaker 4>whatever you think you are, you still have a code

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<v Speaker 4>of conduct in this business.

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<v Speaker 1>I want to piggyback off of that because that's beautiful,

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<v Speaker 1>a code of conduct, that's so beautiful. And this is

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<v Speaker 1>a business as well, and your reputation precedes you. Someone

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<v Speaker 1>said to me the other day, it's who you know,

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<v Speaker 1>and I said, I've been in this business over forty years.

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<v Speaker 1>I can say I know a lot of people. But

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<v Speaker 1>if they don't know me, they're not picking.

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<v Speaker 2>Up the phone. So it's who knows you how to

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<v Speaker 2>respond to you.

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<v Speaker 1>And people like Purnell, I'm an acting coach, right, celebrity

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<v Speaker 1>acting coach or in that title, but I am a

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<v Speaker 1>celebrity acting coach. Was on the set just the month

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<v Speaker 1>of May, on two different sets with two different clients,

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<v Speaker 1>and oh my god, so blessed had such a great time. However,

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<v Speaker 1>what I'm noticing, and you know, just in transitioning into

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<v Speaker 1>his acting career, you guys, because I told you he

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<v Speaker 1>was multi hyphenated, and he's a writer.

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<v Speaker 2>You heard that too.

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<v Speaker 1>He's a writer, he writes his jokes, he's just an

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<v Speaker 1>overall creative being. But the pressures do you feel the

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<v Speaker 1>pressures since COVID being on sets where you have one

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<v Speaker 1>take maybe two where it's moving quite fast. Because I

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<v Speaker 1>was on Lifetime, which was fifteen days.

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<v Speaker 2>And it was doing and you got one take maybe

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<v Speaker 2>two right, yes, even the leads. And then I was on.

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<v Speaker 1>Naked Gun and I was coaching Buster Rhymes and he

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<v Speaker 1>had eight to ten takes on some wow.

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<v Speaker 3>Okay okay.

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<v Speaker 4>So I honestly a lot of things that I've done

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<v Speaker 4>so far in film, I haven't had to worry too

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<v Speaker 4>much of the takes right. I'm pretty much fortunate for

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<v Speaker 4>me every project that I've done so far, I've had

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<v Speaker 4>people reach out to me based on my pastwork.

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<v Speaker 3>Right, I have an audition for very long things.

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<v Speaker 4>I have not auditioned for very many things, but I've

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<v Speaker 4>been in about maybe eight major projects that I feel

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<v Speaker 4>are good for my career.

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<v Speaker 3>You know, things that helped me as an actor.

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<v Speaker 4>I started off with stage plays, like like almost I

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<v Speaker 4>think most actors start off with stage plays because it

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<v Speaker 4>gives you that in the moment, you can't go back,

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<v Speaker 4>there's no you know, there's no mistakes. You know you

0:12:29.360 --> 0:12:31.160
<v Speaker 4>have to get it right. And that's one thing that

0:12:31.400 --> 0:12:33.240
<v Speaker 4>trains your mind to be on point.

0:12:34.080 --> 0:12:35.040
<v Speaker 3>I loved it. I was in.

0:12:35.320 --> 0:12:38.240
<v Speaker 4>My first stage play was with a woman named Stats Cordero.

0:12:38.520 --> 0:12:40.959
<v Speaker 4>She wrote a stage play called Poor Girl, Rich Girl,

0:12:41.280 --> 0:12:42.760
<v Speaker 4>and we did that play for.

0:12:42.720 --> 0:12:43.559
<v Speaker 3>About three years.

0:12:43.600 --> 0:12:45.720
<v Speaker 4>We went up and down the East Coast, taking it

0:12:45.720 --> 0:12:48.720
<v Speaker 4>to different cities and where, you know, working out craft

0:12:48.960 --> 0:12:52.200
<v Speaker 4>and it was such a wonderful experience. It led to

0:12:52.240 --> 0:12:54.920
<v Speaker 4>me getting into film, which I thought film was easy

0:12:54.960 --> 0:12:56.960
<v Speaker 4>because like, wow, you get a chance to do it over.

0:12:57.240 --> 0:13:02.359
<v Speaker 1>Really, I love all out line to the script.

0:13:02.120 --> 0:13:05.160
<v Speaker 3>Supervisor right, People do that right.

0:13:05.440 --> 0:13:08.959
<v Speaker 4>And so I was so into the stage world that

0:13:09.280 --> 0:13:11.320
<v Speaker 4>I was ended up being the guy with the one take.

0:13:11.480 --> 0:13:13.240
<v Speaker 4>They didn't have to do two and three and four

0:13:13.280 --> 0:13:15.760
<v Speaker 4>takes because I already knew that we need to nail

0:13:15.840 --> 0:13:17.439
<v Speaker 4>this thing. We get it right if we get it

0:13:17.520 --> 0:13:20.120
<v Speaker 4>right the first time. Sometimes they just want one for safety,

0:13:20.160 --> 0:13:20.320
<v Speaker 4>you know.

0:13:20.880 --> 0:13:23.600
<v Speaker 3>But if you get it right the first time, they're.

0:13:23.400 --> 0:13:25.200
<v Speaker 4>Like, Okay, let's move on, let's keep going, you know

0:13:25.240 --> 0:13:27.199
<v Speaker 4>what I mean, Let's not waste any more time on that.

0:13:27.559 --> 0:13:29.280
<v Speaker 3>And so I've been very fortunate.

0:13:30.240 --> 0:13:32.720
<v Speaker 4>I started off with a guy named Saladin Nork in

0:13:32.720 --> 0:13:37.120
<v Speaker 4>a film called Nicknames. It's an independent project, but my

0:13:37.320 --> 0:13:41.120
<v Speaker 4>character I literally had two minutes on screen right when

0:13:41.240 --> 0:13:43.160
<v Speaker 4>I mean when they you know, when you see the Melbury,

0:13:43.400 --> 0:13:45.960
<v Speaker 4>I'm literally on screen only about two minutes, but it

0:13:46.000 --> 0:13:50.160
<v Speaker 4>was an impact of two minutes. We really remember my character.

0:13:50.160 --> 0:13:52.360
<v Speaker 4>When the movie was over, They're like, hey, Uncle Boom,

0:13:52.400 --> 0:13:56.440
<v Speaker 4>that's calling me Uncle Boom like and that meant so

0:13:56.559 --> 0:13:58.559
<v Speaker 4>much to me. And I was so I was so

0:13:58.640 --> 0:14:01.240
<v Speaker 4>grateful for that two minutes the screen time when I

0:14:01.240 --> 0:14:03.200
<v Speaker 4>actually saw it, right, I mean, it took longer to

0:14:03.200 --> 0:14:04.280
<v Speaker 4>film it, but you know, with the.

0:14:04.320 --> 0:14:05.520
<v Speaker 3>Editing and everything right.

0:14:07.000 --> 0:14:09.520
<v Speaker 4>And then my very next project, I kid you not,

0:14:09.760 --> 0:14:10.319
<v Speaker 4>I got.

0:14:10.120 --> 0:14:11.040
<v Speaker 3>A leading role.

0:14:11.240 --> 0:14:15.560
<v Speaker 4>I was a character named Shapiro, Rudy Shapiro, in something

0:14:15.600 --> 0:14:16.480
<v Speaker 4>called bum Rush.

0:14:16.679 --> 0:14:19.600
<v Speaker 3>The series. It was a group of from Poor Girl,

0:14:19.680 --> 0:14:20.080
<v Speaker 3>Rich Girl.

0:14:20.120 --> 0:14:22.560
<v Speaker 4>The same actors from Poor Girl, Rich Girls are in

0:14:22.680 --> 0:14:27.160
<v Speaker 4>bum Rush, Yes, and dre Foreman and J. V. Simmons,

0:14:27.240 --> 0:14:29.480
<v Speaker 4>they were two of the characters from Poor Girl, Rich Girl.

0:14:29.560 --> 0:14:32.200
<v Speaker 4>And they wrote bum Rush and they thought of my

0:14:32.360 --> 0:14:35.640
<v Speaker 4>character and they said, we want you to play Rudy Shapiro.

0:14:35.720 --> 0:14:38.120
<v Speaker 4>We don't want anybody else to play this character. And

0:14:38.160 --> 0:14:40.520
<v Speaker 4>everybody else had to audition this and that, but like

0:14:40.560 --> 0:14:44.360
<v Speaker 4>I said, they just chose me, and luckily, I'm very

0:14:44.440 --> 0:14:46.520
<v Speaker 4>proud of the work we did there. Even though, like

0:14:46.520 --> 0:14:48.120
<v Speaker 4>I said, all of the work I've done thus far

0:14:48.160 --> 0:14:50.920
<v Speaker 4>has been pretty much independent projects. The only thing I've

0:14:50.960 --> 0:14:53.880
<v Speaker 4>done that was not like independent was too commercials that

0:14:53.920 --> 0:14:54.360
<v Speaker 4>I got.

0:14:54.680 --> 0:14:57.200
<v Speaker 3>You know, I had what is it? It was like,

0:14:58.240 --> 0:15:00.760
<v Speaker 3>get your New York sports here. It's like, I forget.

0:15:00.760 --> 0:15:03.120
<v Speaker 4>I think it's something with the older New York sports.

0:15:03.120 --> 0:15:06.080
<v Speaker 4>I was one of the Jets characters right, one of

0:15:06.080 --> 0:15:09.520
<v Speaker 4>the sports teams and air for about air for about

0:15:09.520 --> 0:15:12.520
<v Speaker 4>one year on different programs, and you know, it was

0:15:12.640 --> 0:15:15.480
<v Speaker 4>very nice. Yeah, I was very happy. And then I

0:15:15.520 --> 0:15:18.640
<v Speaker 4>got a b Et commercial right after that. It was

0:15:19.080 --> 0:15:21.560
<v Speaker 4>just a b Et They had that like a where

0:15:21.560 --> 0:15:23.960
<v Speaker 4>you can uh watch it on your on your phone,

0:15:24.000 --> 0:15:25.440
<v Speaker 4>Like I said, I you have Bet at the house.

0:15:25.480 --> 0:15:26.840
<v Speaker 3>You can now watch it on your phone. It was

0:15:26.880 --> 0:15:27.680
<v Speaker 3>like one of those things.

0:15:27.720 --> 0:15:29.720
<v Speaker 4>And that was the second commercial I ever got, and

0:15:29.760 --> 0:15:31.240
<v Speaker 4>that was pretty much national.

0:15:31.480 --> 0:15:33.960
<v Speaker 3>So I was very excited. You know, this is all

0:15:34.000 --> 0:15:36.040
<v Speaker 3>happening very fast for me. So I was like, wow,

0:15:36.080 --> 0:15:40.240
<v Speaker 3>this is great, you know. And even when I well.

0:15:40.080 --> 0:15:42.880
<v Speaker 1>I was going to say it just goes. I wanted

0:15:42.920 --> 0:15:47.480
<v Speaker 1>to go back to you know, you said, you had

0:15:47.480 --> 0:15:51.440
<v Speaker 1>two minutes on screen. It's not about quantity, it's about

0:15:51.440 --> 0:15:54.640
<v Speaker 1>the quality of work that people resonate with.

0:15:55.080 --> 0:15:58.360
<v Speaker 2>And so you know, I feel like that was a

0:15:58.440 --> 0:15:59.480
<v Speaker 2>confirmation to.

0:15:59.560 --> 0:16:04.960
<v Speaker 1>You from the cast, like we need more, not only

0:16:05.000 --> 0:16:07.680
<v Speaker 1>to be more a character, we need to develop a

0:16:07.760 --> 0:16:12.600
<v Speaker 1>storyline so that is accredited to your work and continue.

0:16:12.600 --> 0:16:16.440
<v Speaker 1>That's why you continue to work out here. I wanted

0:16:16.480 --> 0:16:19.000
<v Speaker 1>to and this is what I wanted.

0:16:18.680 --> 0:16:21.160
<v Speaker 2>To talk to you about because.

0:16:22.040 --> 0:16:26.800
<v Speaker 1>The other things that I will always remember, regardless of

0:16:26.880 --> 0:16:29.200
<v Speaker 1>the fact that we don't see each other all the time,

0:16:29.560 --> 0:16:34.320
<v Speaker 1>every time I see you, even on Instagram, you are smile.

0:16:34.960 --> 0:16:37.480
<v Speaker 2>I've never ever forgotten your smile.

0:16:38.080 --> 0:16:44.400
<v Speaker 1>You resonate love and light and energy with you.

0:16:44.520 --> 0:16:46.920
<v Speaker 2>Just actors, there's a lot of.

0:16:46.960 --> 0:16:50.880
<v Speaker 1>Comedians and actors that he's helped in his path as well.

0:16:52.120 --> 0:16:55.720
<v Speaker 1>So known in the industry by so many people, and

0:16:57.120 --> 0:16:59.920
<v Speaker 1>that's important because at the end of the day, the

0:17:00.080 --> 0:17:05.200
<v Speaker 1>truth is, we will not remember everybody's credits, will remember

0:17:05.280 --> 0:17:10.080
<v Speaker 1>this type of person that they were, And like you said, relationships,

0:17:10.520 --> 0:17:13.560
<v Speaker 1>that means something that matters.

0:17:13.800 --> 0:17:16.840
<v Speaker 3>One hundred percent. Yeah, one hundred percent, it does.

0:17:16.960 --> 0:17:20.919
<v Speaker 4>I'll tell you I was gonna say piggyback on the

0:17:20.960 --> 0:17:26.320
<v Speaker 4>relationship thing. I did some work for a woman. The

0:17:26.320 --> 0:17:28.760
<v Speaker 4>project never got completed. That's something I want to talk

0:17:28.800 --> 0:17:31.320
<v Speaker 4>about when we go as actors. Sometimes you give your

0:17:31.320 --> 0:17:33.680
<v Speaker 4>all and you're hoping to get something for your real

0:17:33.880 --> 0:17:36.879
<v Speaker 4>or to see the project and it's finished phases and

0:17:37.040 --> 0:17:39.879
<v Speaker 4>some people never finished the project. It just you know,

0:17:39.960 --> 0:17:42.080
<v Speaker 4>there's nothing you can really do about that. Things happen,

0:17:42.119 --> 0:17:45.000
<v Speaker 4>They lose it. Something happened to the hard drive, something

0:17:45.000 --> 0:17:46.440
<v Speaker 4>happened with the sound wasn't right.

0:17:46.480 --> 0:17:47.280
<v Speaker 3>We got to go back.

0:17:47.400 --> 0:17:49.440
<v Speaker 4>So some things you're not going to always get every

0:17:49.480 --> 0:17:51.480
<v Speaker 4>bit of the work that you put out there. But

0:17:52.040 --> 0:17:55.280
<v Speaker 4>that one person who couldn't finish the project, she referred

0:17:55.280 --> 0:17:57.720
<v Speaker 4>me to someone else and that led to me working

0:17:57.720 --> 0:17:59.720
<v Speaker 4>with this person for almost seven years now.

0:18:00.240 --> 0:18:02.359
<v Speaker 3>We started a show. It was called Yeah.

0:18:02.440 --> 0:18:05.560
<v Speaker 4>It was a show called Juicy the series and a

0:18:05.600 --> 0:18:08.159
<v Speaker 4>young lady named Zoe Taylor. She's the writer and her

0:18:08.240 --> 0:18:11.840
<v Speaker 4>father is the cameraman. He films it, edits. It puts

0:18:11.880 --> 0:18:14.760
<v Speaker 4>everything together. Their mother, father and daughter, they all do

0:18:14.880 --> 0:18:17.400
<v Speaker 4>this together. And I was so happy to meet them.

0:18:17.480 --> 0:18:17.720
<v Speaker 3>Yeah.

0:18:17.760 --> 0:18:20.159
<v Speaker 4>I never worked with a family of people that you know,

0:18:20.160 --> 0:18:22.600
<v Speaker 4>they knew. The daughter had a talent for writing, and

0:18:22.640 --> 0:18:25.160
<v Speaker 4>she had a passion for film. So the father said,

0:18:25.160 --> 0:18:27.119
<v Speaker 4>you know what, let me learn how to work this camera.

0:18:27.359 --> 0:18:29.720
<v Speaker 4>And they all learned the business as they were going,

0:18:30.000 --> 0:18:32.800
<v Speaker 4>and we're still doing it like. Juicy the series is

0:18:32.800 --> 0:18:35.920
<v Speaker 4>in its seventh season now, and I have a spin

0:18:35.960 --> 0:18:36.480
<v Speaker 4>off show.

0:18:36.680 --> 0:18:40.000
<v Speaker 3>Yes well, Juicy right now is on too B TV.

0:18:40.560 --> 0:18:44.880
<v Speaker 4>It's on too B TV all sixth series, all six seasons,

0:18:44.920 --> 0:18:48.440
<v Speaker 4>and season seven will be coming out after my other show,

0:18:48.480 --> 0:18:49.480
<v Speaker 4>Bishop and Cheney.

0:18:49.760 --> 0:18:51.840
<v Speaker 3>Season two comes out this Thursday.

0:18:52.440 --> 0:18:55.760
<v Speaker 4>And after Bishop and Cheney, they're gonna put season seven

0:18:55.800 --> 0:18:57.520
<v Speaker 4>of Juicy the series out.

0:18:57.720 --> 0:19:01.240
<v Speaker 1>Oh my god, I am still watching its Juicy the series.

0:19:01.320 --> 0:19:02.280
<v Speaker 2>I love it. Thank you.

0:19:02.480 --> 0:19:05.680
<v Speaker 3>Yes, my character and Juicy is the series. I play

0:19:05.680 --> 0:19:08.560
<v Speaker 3>an FBI agent. I play a character named Frank Bishop.

0:19:08.880 --> 0:19:10.960
<v Speaker 4>Yeah, and that's how I got My spin off show

0:19:11.080 --> 0:19:14.960
<v Speaker 4>is called Bishop and Cheney, which is partner right, so

0:19:15.000 --> 0:19:18.359
<v Speaker 4>we got season one is already on TV, and because

0:19:18.359 --> 0:19:21.040
<v Speaker 4>we started our fan base on YouTube, we're gonna we're

0:19:21.040 --> 0:19:24.520
<v Speaker 4>gonna start showing season two on YouTube first because we

0:19:24.560 --> 0:19:26.800
<v Speaker 4>have a fan base already from YouTube, and then once

0:19:26.840 --> 0:19:29.360
<v Speaker 4>in complete there, then we're gonna take it back.

0:19:29.160 --> 0:19:31.040
<v Speaker 3>To to B for season two put it on to

0:19:31.200 --> 0:19:31.800
<v Speaker 3>B as well.

0:19:32.760 --> 0:19:35.440
<v Speaker 1>Now I need to let the audience know one the too,

0:19:35.520 --> 0:19:40.520
<v Speaker 1>B is getting money and financing projects. So I feel

0:19:40.520 --> 0:19:43.359
<v Speaker 1>like that's a very very smart idea.

0:19:43.280 --> 0:19:47.320
<v Speaker 2>For to be and you.

0:19:46.280 --> 0:19:51.960
<v Speaker 1>You know, I just I love the fact that the

0:19:52.119 --> 0:19:53.880
<v Speaker 1>universe is confirming to.

0:19:53.800 --> 0:19:56.479
<v Speaker 2>You who you are as the tax Man.

0:19:56.640 --> 0:19:59.600
<v Speaker 1>It's like, Okay, I have this series Juicy, and then

0:20:00.240 --> 0:20:02.399
<v Speaker 1>to the spin off of my character to get but

0:20:02.520 --> 0:20:06.200
<v Speaker 1>new so they can't get enough. They want to see more,

0:20:06.320 --> 0:20:09.800
<v Speaker 1>and there's nothing like wanting to see more.

0:20:10.000 --> 0:20:13.840
<v Speaker 4>So one hundred percent, Ever since I've been watching TV,

0:20:14.040 --> 0:20:16.040
<v Speaker 4>right when I when I really don't know, let's say,

0:20:16.119 --> 0:20:17.000
<v Speaker 4>let's say Eddie Murphy.

0:20:17.040 --> 0:20:18.560
<v Speaker 3>That's one of my favorite comedies, right.

0:20:18.560 --> 0:20:20.080
<v Speaker 4>And then when he got his first movie that you

0:20:20.160 --> 0:20:23.440
<v Speaker 4>always think about three movie deals, right, like trading places

0:20:23.480 --> 0:20:25.520
<v Speaker 4>and then something else and then there's something else. So

0:20:25.600 --> 0:20:27.879
<v Speaker 4>I always felt that way with the Juicy leading to

0:20:27.960 --> 0:20:30.040
<v Speaker 4>the spinoff show, I say, wow, this is this is

0:20:30.040 --> 0:20:32.879
<v Speaker 4>what it should feel like, you know, And even a

0:20:33.040 --> 0:20:36.159
<v Speaker 4>major scale as an actor, it still gives.

0:20:35.920 --> 0:20:38.440
<v Speaker 3>Me that that movement forward that I need.

0:20:39.080 --> 0:20:41.320
<v Speaker 4>And I appreciate everybody that's been a part of the

0:20:41.359 --> 0:20:43.680
<v Speaker 4>project and all the support that they give me as

0:20:43.720 --> 0:20:45.800
<v Speaker 4>an actor, and I'm even going to take some.

0:20:45.760 --> 0:20:47.880
<v Speaker 3>More courses with you. I'm going to study again more

0:20:47.920 --> 0:20:51.879
<v Speaker 3>with you. And here's the kick. Check this out.

0:20:52.040 --> 0:20:56.000
<v Speaker 4>I have three grandsons right well, three in Texas. Two

0:20:56.119 --> 0:20:58.679
<v Speaker 4>of them are twelve, one is twelve, one is eleven.

0:20:58.720 --> 0:21:01.080
<v Speaker 4>They both wanted to get into it, think right, So

0:21:01.240 --> 0:21:03.600
<v Speaker 4>guess what my daughter. Guess who my daughter signed them

0:21:03.680 --> 0:21:06.960
<v Speaker 4>up with. You know her, Wendy. Wendy, Wendy the acting

0:21:07.080 --> 0:21:10.360
<v Speaker 4>coach from New Jersey. Yeah, I was the way these

0:21:10.359 --> 0:21:12.880
<v Speaker 4>circles were starting to connect. I just felt so blessed

0:21:12.880 --> 0:21:15.679
<v Speaker 4>that God God found the way that my grandchildren had

0:21:15.720 --> 0:21:18.400
<v Speaker 4>show of interest and my daughter didn't deny them. They said, okay,

0:21:18.480 --> 0:21:20.080
<v Speaker 4>you have an interest in acting. Wow, I'm going to

0:21:20.080 --> 0:21:22.239
<v Speaker 4>get you an acting coach. And Wendy was there for

0:21:22.280 --> 0:21:23.840
<v Speaker 4>them and they did a few things with her.

0:21:24.080 --> 0:21:26.560
<v Speaker 3>That was very proud of them. You know. Yeah, I

0:21:26.600 --> 0:21:27.040
<v Speaker 3>love that.

0:21:27.760 --> 0:21:30.040
<v Speaker 1>I love the fact that I'm still in touch with

0:21:30.080 --> 0:21:33.520
<v Speaker 1>Wendy after all these years. Wendy was night current Twinkie.

0:21:33.560 --> 0:21:35.919
<v Speaker 1>I trained on New Jersey Drive and that.

0:21:35.920 --> 0:21:38.840
<v Speaker 2>Was that's right, ninety two two.

0:21:39.080 --> 0:21:41.560
<v Speaker 3>Yeah, A long time, right, And.

0:21:41.560 --> 0:21:46.080
<v Speaker 2>I recommend her as well. So I'm glad hundred Yeah,

0:21:46.359 --> 0:21:48.639
<v Speaker 2>you gotta. And I tell people all the time you

0:21:49.000 --> 0:21:51.320
<v Speaker 2>need to do your due diligence on people that you

0:21:51.400 --> 0:21:54.760
<v Speaker 2>work with, and they need to be current because again,

0:21:56.160 --> 0:22:01.280
<v Speaker 2>being on two sets last month, there's things that are

0:22:01.320 --> 0:22:04.439
<v Speaker 2>evolving like and you have to learn. And let me

0:22:04.480 --> 0:22:09.119
<v Speaker 2>tell you something. Two things that the producer told me

0:22:09.240 --> 0:22:12.320
<v Speaker 2>down there. One is that the memorization game has to

0:22:12.359 --> 0:22:16.480
<v Speaker 2>be on point. And two, Tyler Perry.

0:22:16.160 --> 0:22:23.680
<v Speaker 1>Shoots extremely fast and unorthodoxed, so sixteen episodes in three

0:22:23.720 --> 0:22:28.119
<v Speaker 1>weeks and so or whatever his schedule. But I'm just

0:22:28.160 --> 0:22:33.000
<v Speaker 1>saying that people have found a way. You know, we

0:22:33.080 --> 0:22:36.359
<v Speaker 1>grew up at a time where four to six weeks

0:22:36.480 --> 0:22:37.560
<v Speaker 1>low budget film.

0:22:37.880 --> 0:22:44.879
<v Speaker 2>That's low budget, you know, But seventeen twenty days shooting

0:22:45.040 --> 0:22:51.840
<v Speaker 2>features or theories, Wow, and it can get done.

0:22:52.520 --> 0:22:58.760
<v Speaker 1>However, my question, because I champion actors, will always be

0:22:59.520 --> 0:23:01.800
<v Speaker 1>who's offers.

0:23:01.840 --> 0:23:04.920
<v Speaker 3>You know, that's a good question.

0:23:05.359 --> 0:23:08.520
<v Speaker 6>You also, well, this is a question to you because

0:23:09.119 --> 0:23:12.119
<v Speaker 6>if you also come from the school of sitting and

0:23:12.160 --> 0:23:15.679
<v Speaker 6>your winning and waiting for somebody to knock on your.

0:23:15.520 --> 0:23:18.040
<v Speaker 2>Door and tell you, Parnell, you got sixteen.

0:23:17.760 --> 0:23:21.119
<v Speaker 1>Minutes whatever, whatever, you in there perusing through your lines.

0:23:21.880 --> 0:23:26.280
<v Speaker 2>You don't have that luxury anymore on these sets.

0:23:28.480 --> 0:23:30.720
<v Speaker 4>Yeah, you're right, a lot of those things are no

0:23:30.800 --> 0:23:32.840
<v Speaker 4>longer there. You have to almost walk on the set

0:23:32.960 --> 0:23:35.040
<v Speaker 4>ready to go, like from the time you get there,

0:23:35.400 --> 0:23:38.000
<v Speaker 4>and hope that you know, like you said, learning your

0:23:38.000 --> 0:23:41.200
<v Speaker 4>lines and knowing your lines. I have a big thing

0:23:41.240 --> 0:23:43.480
<v Speaker 4>with when I'm in a scene with more than three people,

0:23:43.640 --> 0:23:45.760
<v Speaker 4>I would love for us to, like, before we get anywhere,

0:23:45.800 --> 0:23:48.320
<v Speaker 4>if we could exchange any kind of information numbers, let's

0:23:48.440 --> 0:23:51.240
<v Speaker 4>let's run the lines while we're you know, not on set.

0:23:51.280 --> 0:23:53.120
<v Speaker 4>Don't wait till we get here to start saying, okay,

0:23:53.160 --> 0:23:56.800
<v Speaker 4>let's run. I really like to prepare and because you

0:23:56.880 --> 0:23:58.879
<v Speaker 4>never know, like you got to have those right beats,

0:23:58.920 --> 0:24:01.439
<v Speaker 4>you know, you always talk about beats and letting it

0:24:01.520 --> 0:24:04.359
<v Speaker 4>breathe and riots, you know, like every word doesn't have

0:24:04.400 --> 0:24:06.479
<v Speaker 4>to be right on top of each other, so depending

0:24:06.520 --> 0:24:09.680
<v Speaker 4>on what it is. And so I believe in that wholeheartedly.

0:24:09.760 --> 0:24:12.920
<v Speaker 4>So I always love to work with actors who don't mind.

0:24:12.960 --> 0:24:15.040
<v Speaker 4>They're not too you know, if you will, not too

0:24:15.080 --> 0:24:17.440
<v Speaker 4>cocky to think that they don't have to do this anymore.

0:24:17.600 --> 0:24:19.199
<v Speaker 4>So I know my line as long as you know

0:24:19.240 --> 0:24:21.320
<v Speaker 4>your lines. I know my line, that's not you know.

0:24:21.359 --> 0:24:24.879
<v Speaker 4>It makes for a much better scene when you guys

0:24:25.040 --> 0:24:26.720
<v Speaker 4>know kind of how you're going to be going in

0:24:26.760 --> 0:24:29.560
<v Speaker 4>and out, and it makes it just much much better.

0:24:29.840 --> 0:24:31.680
<v Speaker 4>And it makes it good for the camera crew because

0:24:31.680 --> 0:24:33.080
<v Speaker 4>they can get it done and they can move on

0:24:33.200 --> 0:24:36.040
<v Speaker 4>and move on to other shots and angles and everything else.

0:24:36.960 --> 0:24:40.160
<v Speaker 2>Well, And I also I agree with everything you said.

0:24:40.280 --> 0:24:41.480
<v Speaker 2>I also think that.

0:24:41.880 --> 0:24:47.160
<v Speaker 1>You know whether you're getting you know, ten dollars or

0:24:47.280 --> 0:24:48.959
<v Speaker 1>you know ten million dollars.

0:24:49.240 --> 0:24:53.159
<v Speaker 2>The preparation is what's going to create and parlay your

0:24:53.200 --> 0:24:53.760
<v Speaker 2>next gig.

0:24:54.240 --> 0:24:57.840
<v Speaker 1>So I feel like, what are you doing, Like once

0:24:57.920 --> 0:24:59.920
<v Speaker 1>that check clears and.

0:25:00.800 --> 0:25:02.800
<v Speaker 2>You know what I mean, you get that white script?

0:25:03.200 --> 0:25:06.480
<v Speaker 1>Like, what else are you doing other than Because Joe

0:25:06.640 --> 0:25:10.320
<v Speaker 1>Morton he is a director as well, and he says

0:25:10.400 --> 0:25:12.880
<v Speaker 1>when he comes on a set and he sees actors

0:25:12.880 --> 0:25:15.480
<v Speaker 1>with scripts, he takes them out of their hands because

0:25:15.480 --> 0:25:19.199
<v Speaker 1>it's like, well, unless you make a note, we're not

0:25:19.280 --> 0:25:21.439
<v Speaker 1>running lines past running lines.

0:25:21.480 --> 0:25:23.880
<v Speaker 2>You need to know who this character is.

0:25:24.440 --> 0:25:29.160
<v Speaker 1>You need to know you know those Because I love

0:25:29.200 --> 0:25:29.840
<v Speaker 1>what you said.

0:25:29.880 --> 0:25:30.479
<v Speaker 2>Two things.

0:25:30.520 --> 0:25:34.000
<v Speaker 1>One, I always encourage my clients to go to lunch,

0:25:34.320 --> 0:25:37.560
<v Speaker 1>especially if they're in a relationship in the film, spend

0:25:37.560 --> 0:25:42.280
<v Speaker 1>some time with each other. Y, yeah, create that because

0:25:42.320 --> 0:25:46.200
<v Speaker 1>you can't create that. And again, these sets are moving fast.

0:25:46.320 --> 0:25:49.280
<v Speaker 1>Can you really create all that energy in that moment.

0:25:50.080 --> 0:25:51.200
<v Speaker 2>When you're doing on pay?

0:25:51.840 --> 0:25:56.160
<v Speaker 1>And then the other thing is, again, you have created

0:25:56.240 --> 0:25:59.359
<v Speaker 1>such a stellar work ethic for yourself that you're not

0:25:59.480 --> 0:26:03.399
<v Speaker 1>going to be way when you know bad Boy five

0:26:03.800 --> 0:26:07.480
<v Speaker 1>or you know breaks Anatomy, you know Law and Order,

0:26:07.760 --> 0:26:11.040
<v Speaker 1>you're not going to be sway because you already have

0:26:11.560 --> 0:26:16.879
<v Speaker 1>that work ethic in you. How important is and we touched,

0:26:17.160 --> 0:26:20.399
<v Speaker 1>but can you let our audience of actors and creative

0:26:21.440 --> 0:26:26.080
<v Speaker 1>how important is training from you transitioning from stand up

0:26:26.119 --> 0:26:27.639
<v Speaker 1>to TV and film.

0:26:28.800 --> 0:26:31.920
<v Speaker 4>I truly think training is one hundred percent of the

0:26:32.000 --> 0:26:33.840
<v Speaker 4>right way to go. You know, there is such a

0:26:33.840 --> 0:26:36.520
<v Speaker 4>thing as being unnatural, but when you have the overall

0:26:37.760 --> 0:26:40.920
<v Speaker 4>training from the right people about the business by.

0:26:40.840 --> 0:26:42.879
<v Speaker 3>Understanding all the ins and outs of it.

0:26:42.960 --> 0:26:45.679
<v Speaker 4>As you're learning your lines, you know, the lines are

0:26:45.720 --> 0:26:46.960
<v Speaker 4>one thing, that's that's one thing.

0:26:47.160 --> 0:26:48.960
<v Speaker 3>But creating the character, like.

0:26:48.920 --> 0:26:51.320
<v Speaker 4>You said, all of these things, that's what you get

0:26:51.359 --> 0:26:53.800
<v Speaker 4>in in the training, That's what you understand how to

0:26:53.840 --> 0:26:55.639
<v Speaker 4>break the character down does it.

0:26:55.800 --> 0:26:57.840
<v Speaker 3>Does a character walk with a limp? Do you give

0:26:57.880 --> 0:26:59.720
<v Speaker 3>them do you have a little bit of a lisp?

0:26:59.800 --> 0:27:01.720
<v Speaker 3>Like I always try to think, because.

0:27:01.520 --> 0:27:04.679
<v Speaker 4>I'm both headed, I always think that I have to

0:27:04.720 --> 0:27:07.480
<v Speaker 4>do something really special. I have to give myself that

0:27:07.600 --> 0:27:10.479
<v Speaker 4>to give myself a feeling that I'm playing someone different,

0:27:10.920 --> 0:27:13.199
<v Speaker 4>because there's been quite a few times where my my

0:27:13.520 --> 0:27:15.840
<v Speaker 4>image doesn't change a lot. But I played a priest,

0:27:16.000 --> 0:27:18.400
<v Speaker 4>I played a I played a bad guy, I played

0:27:18.440 --> 0:27:20.000
<v Speaker 4>a FBI agent.

0:27:20.240 --> 0:27:21.320
<v Speaker 3>But they're all different.

0:27:21.480 --> 0:27:23.760
<v Speaker 4>If you watch, if you watch my work, you'll see

0:27:24.000 --> 0:27:27.280
<v Speaker 4>each character has its own own thing, you know. And

0:27:27.320 --> 0:27:29.280
<v Speaker 4>that's what I love about it, you know, And that

0:27:29.320 --> 0:27:30.720
<v Speaker 4>came from the training.

0:27:31.040 --> 0:27:35.080
<v Speaker 1>But that that also comes from I think as a comedian,

0:27:35.200 --> 0:27:40.240
<v Speaker 1>you guys are super observant in behavior and you ease

0:27:40.359 --> 0:27:41.920
<v Speaker 1>drop on dialogue.

0:27:42.840 --> 0:27:47.120
<v Speaker 2>One thing all comedian is that I know and love

0:27:48.720 --> 0:27:52.600
<v Speaker 2>great and recreating or imitating in person.

0:27:52.359 --> 0:27:54.639
<v Speaker 3>That is true. That is also a.

0:27:54.760 --> 0:27:56.879
<v Speaker 2>Body like the little details.

0:27:56.880 --> 0:28:01.760
<v Speaker 1>So I would think that trans that transfers over to

0:28:02.440 --> 0:28:06.800
<v Speaker 1>you wanting to create a character that might.

0:28:06.640 --> 0:28:10.280
<v Speaker 2>Have a scar or like, yeah, a priest.

0:28:10.480 --> 0:28:13.240
<v Speaker 1>You know, you remind me of a bishop, you know,

0:28:13.440 --> 0:28:16.399
<v Speaker 1>especially with the necklace that you have on right now.

0:28:16.680 --> 0:28:20.679
<v Speaker 1>I feel very bishop vibes from you. So, you know,

0:28:20.920 --> 0:28:24.359
<v Speaker 1>is that a part of it, extracting certain behaviors and

0:28:24.520 --> 0:28:26.240
<v Speaker 1>dial Absolutely.

0:28:26.440 --> 0:28:29.520
<v Speaker 4>Yes, absolutely, it's a big, big part of it. My

0:28:29.640 --> 0:28:32.520
<v Speaker 4>most recent film that I've been right now, it's going

0:28:32.600 --> 0:28:34.600
<v Speaker 4>to be on YouTube till the end of June. It's

0:28:34.640 --> 0:28:39.120
<v Speaker 4>called He's All I Need. He's All I Need. It's

0:28:39.160 --> 0:28:43.200
<v Speaker 4>a faith based film. Yes, He's All I Need. And

0:28:43.280 --> 0:28:48.800
<v Speaker 4>I play Pastor Douglas in this particular project, and it's

0:28:48.840 --> 0:28:49.600
<v Speaker 4>a great story.

0:28:49.680 --> 0:28:50.520
<v Speaker 3>Yeah.

0:28:50.560 --> 0:28:52.920
<v Speaker 4>I play a pastor in two different films, but each

0:28:52.960 --> 0:28:56.360
<v Speaker 4>one is totally different, you know, each pastor totally different.

0:28:56.720 --> 0:28:59.360
<v Speaker 4>One was a little more flamboyant in his deliveries and

0:28:59.400 --> 0:29:01.600
<v Speaker 4>the other one was mundane and more laid back but

0:29:01.720 --> 0:29:05.080
<v Speaker 4>still effective, with a little bit of funny and more serious.

0:29:05.160 --> 0:29:05.280
<v Speaker 3>You know.

0:29:05.320 --> 0:29:08.080
<v Speaker 4>I was able to balance the serious and the funny together.

0:29:08.480 --> 0:29:11.400
<v Speaker 4>And I'm just, I just I'm so grateful.

0:29:11.480 --> 0:29:13.240
<v Speaker 3>I think one minute, I just want to say this

0:29:13.360 --> 0:29:13.680
<v Speaker 3>right now.

0:29:13.800 --> 0:29:17.239
<v Speaker 4>Yes, thank you, thank you, Dear God for all the

0:29:17.280 --> 0:29:20.200
<v Speaker 4>many blessings that you have placed upon me and my family.

0:29:20.440 --> 0:29:22.440
<v Speaker 3>I asked that you continue to watch over me.

0:29:22.560 --> 0:29:25.080
<v Speaker 4>And all my loved ones and my friends and give

0:29:25.160 --> 0:29:26.920
<v Speaker 4>us your guidance and your strength each day.

0:29:27.160 --> 0:29:27.560
<v Speaker 3>Amen.

0:29:28.160 --> 0:29:30.560
<v Speaker 4>I just want to say that, Yeah, I just had

0:29:30.560 --> 0:29:33.840
<v Speaker 4>to catch myself. But I'm so humbled and peul by

0:29:33.880 --> 0:29:34.920
<v Speaker 4>everything he's done for me.

0:29:35.840 --> 0:29:40.200
<v Speaker 1>And gratitude is magic. That is the magic that increases,

0:29:40.560 --> 0:29:43.240
<v Speaker 1>you know. I tell my granddaughter all the time to

0:29:43.320 --> 0:29:46.880
<v Speaker 1>bring her awareness, to bring her get her grounded and

0:29:46.920 --> 0:29:51.640
<v Speaker 1>footed and her footing that you know, when you appreciate

0:29:51.720 --> 0:29:54.840
<v Speaker 1>love what you have, it increases. But you have to

0:29:55.040 --> 0:29:59.760
<v Speaker 1>appreciate love really, like I think, well, listen, yesterday I

0:30:00.160 --> 0:30:02.920
<v Speaker 1>light went out, I had a light bulb, I had

0:30:02.920 --> 0:30:03.640
<v Speaker 1>a surplus.

0:30:03.680 --> 0:30:05.680
<v Speaker 2>I was like, thank you, thank.

0:30:05.520 --> 0:30:07.280
<v Speaker 3>You, thank you. I'm not in the dark right.

0:30:08.520 --> 0:30:13.320
<v Speaker 1>So it's like everything always thank you, thank you. This

0:30:13.760 --> 0:30:16.680
<v Speaker 1>as Spruce said Blue by Parnell.

0:30:17.080 --> 0:30:19.400
<v Speaker 3>Wow, oh wow, yes, oh my god.

0:30:20.200 --> 0:30:22.640
<v Speaker 1>At one point I forgot we were doing the podcast,

0:30:22.720 --> 0:30:23.840
<v Speaker 1>and I was just like, we do it.

0:30:23.920 --> 0:30:30.400
<v Speaker 2>So I'm going to give you. I know you're gonna pack. Listen,

0:30:30.440 --> 0:30:32.080
<v Speaker 2>I'm following you with a bag.

0:30:32.320 --> 0:30:34.560
<v Speaker 3>Okay, no problem, Okay, no problem.

0:30:34.680 --> 0:30:38.640
<v Speaker 1>So three minutes tell them what they need to know.

0:30:38.800 --> 0:30:41.560
<v Speaker 2>What is that thing that you want.

0:30:41.400 --> 0:30:43.760
<v Speaker 3>Them to know about me?

0:30:44.920 --> 0:30:51.440
<v Speaker 1>About that about acting stand up just in terms of succeeding,

0:30:51.600 --> 0:30:54.440
<v Speaker 1>because you are a true example of that.

0:30:54.880 --> 0:30:55.280
<v Speaker 3>Thank you.

0:30:55.720 --> 0:30:59.600
<v Speaker 4>Okay, well, I think I think first of all, you

0:30:59.760 --> 0:31:01.920
<v Speaker 4>really have to decideed this what you want to do.

0:31:02.280 --> 0:31:04.400
<v Speaker 4>You know, some people get into things just to you know,

0:31:04.400 --> 0:31:06.200
<v Speaker 4>they want to try it out, see how it feels

0:31:06.280 --> 0:31:08.840
<v Speaker 4>or whatever. But I knew a long time ago that

0:31:08.920 --> 0:31:11.160
<v Speaker 4>this is something I'm going to be doing. I mean,

0:31:11.360 --> 0:31:14.120
<v Speaker 4>it hasn't been anything overnight in no way, shape or form.

0:31:14.440 --> 0:31:18.200
<v Speaker 4>But every time you go to perform or do I'm

0:31:18.200 --> 0:31:22.080
<v Speaker 4>talking between comedy and acting, whatever fill you're in, if

0:31:22.120 --> 0:31:24.719
<v Speaker 4>you're going to perform, give one hundred percent. There's no

0:31:24.800 --> 0:31:27.239
<v Speaker 4>reason to like go half, you know, try to let

0:31:27.360 --> 0:31:29.880
<v Speaker 4>mail it in as they say, or just walk through

0:31:29.920 --> 0:31:33.000
<v Speaker 4>the motions. You have to go and really dig in

0:31:33.160 --> 0:31:37.040
<v Speaker 4>and be wholehearted in your delivery. When it comes to acting,

0:31:37.200 --> 0:31:40.160
<v Speaker 4>that's a whole other beast from comedy. You have to

0:31:40.200 --> 0:31:43.240
<v Speaker 4>take the time and break your scripts down. Uh don't

0:31:43.360 --> 0:31:47.520
<v Speaker 4>just don't just when I read a script like nowadays, they.

0:31:47.400 --> 0:31:50.320
<v Speaker 3>Only give you your little scenes and now you know, like

0:31:50.400 --> 0:31:51.960
<v Speaker 3>the people I work where, they don't give.

0:31:51.800 --> 0:31:53.360
<v Speaker 4>You the whole script like they used to. But I

0:31:53.440 --> 0:31:56.320
<v Speaker 4>used to read the entire script because I just felt like,

0:31:56.640 --> 0:31:58.560
<v Speaker 4>I want to know where I fit in in this

0:31:59.040 --> 0:32:02.720
<v Speaker 4>in this story, right, how does my character affect this scene?

0:32:02.880 --> 0:32:06.960
<v Speaker 3>Like I wanted to know where do I fit my big? Small? Little?

0:32:07.000 --> 0:32:08.800
<v Speaker 3>Do I come in large? Do I come in low?

0:32:09.520 --> 0:32:14.360
<v Speaker 4>But one thing I've learned is that over time, you're

0:32:14.360 --> 0:32:15.640
<v Speaker 4>going to find those beats.

0:32:15.800 --> 0:32:18.560
<v Speaker 3>I always refer to the beats because it's almost like music,

0:32:18.600 --> 0:32:19.320
<v Speaker 3>it's a rhythm.

0:32:19.880 --> 0:32:24.800
<v Speaker 4>I watched Denzel, I watch Terry CRUs I watch so

0:32:24.960 --> 0:32:28.680
<v Speaker 4>many different actors just to see how they do their thing, work.

0:32:28.520 --> 0:32:31.240
<v Speaker 3>Their magic, it's yours. It's all crafts.

0:32:31.360 --> 0:32:33.480
<v Speaker 4>So there's no wrong way to do it, but you

0:32:33.680 --> 0:32:36.120
<v Speaker 4>have to be serious about it, and you really have

0:32:36.240 --> 0:32:38.880
<v Speaker 4>to commit. I think that's really one hundred percent of

0:32:38.920 --> 0:32:41.880
<v Speaker 4>what has happened. You have to commit, and don't worry

0:32:41.880 --> 0:32:44.080
<v Speaker 4>about what your friends. If they're not supportive of what

0:32:44.120 --> 0:32:46.280
<v Speaker 4>you're doing, somebody's going to see you and take you

0:32:46.360 --> 0:32:49.520
<v Speaker 4>seriously when they see you're taking yourself seriously.

0:32:49.840 --> 0:32:50.560
<v Speaker 3>So don't get.

0:32:50.440 --> 0:32:53.080
<v Speaker 4>Discouraged if your family members aren't buying tickets to come

0:32:53.120 --> 0:32:55.440
<v Speaker 4>see your comedy, or if they're not coming to like

0:32:55.440 --> 0:32:57.040
<v Speaker 4>if you tell them, oh, it's right on TV. It's

0:32:57.040 --> 0:33:00.200
<v Speaker 4>coming on tonight and they don't watch it. It's okay, okay,

0:33:00.240 --> 0:33:02.760
<v Speaker 4>don't get upset. Let that's their loss for the moment.

0:33:03.000 --> 0:33:05.160
<v Speaker 4>When the world sees what you have to offer, they

0:33:05.240 --> 0:33:08.160
<v Speaker 4>all go, oh, that's my cousin, that's my this, that's

0:33:08.200 --> 0:33:10.360
<v Speaker 4>my that. And then you'll have your time, you know.

0:33:10.480 --> 0:33:13.240
<v Speaker 4>But for now, just stay committed to yourself.

0:33:13.800 --> 0:33:15.920
<v Speaker 3>Please. I hope you believe in a higher power.

0:33:15.960 --> 0:33:18.280
<v Speaker 4>I don't know who you pray to, but if you

0:33:18.320 --> 0:33:21.400
<v Speaker 4>have that in your life, please fall back on that.

0:33:21.680 --> 0:33:24.040
<v Speaker 3>Rely on that. I called on God all.

0:33:23.920 --> 0:33:26.360
<v Speaker 4>The time and I have no problem shouting his name,

0:33:26.720 --> 0:33:27.720
<v Speaker 4>no problem at all.

0:33:28.240 --> 0:33:28.560
<v Speaker 1>Amen.

0:33:29.080 --> 0:33:31.360
<v Speaker 3>Amen, Amen, Amen.

0:33:32.400 --> 0:33:34.680
<v Speaker 1>I'm gonna shout some names right now because we have

0:33:34.800 --> 0:33:38.400
<v Speaker 1>some actors actresses who have some questions for you.

0:33:38.800 --> 0:33:41.240
<v Speaker 2>Else is coming on to introduce them to you.

0:33:42.200 --> 0:33:45.880
<v Speaker 5>Okay, thank you, thank you, thank you, Parnell. That was

0:33:46.080 --> 0:33:48.360
<v Speaker 5>that was so refreshing. I really enjoyed.

0:33:48.040 --> 0:33:50.960
<v Speaker 3>You're welcome conversation. Thanks.

0:33:51.000 --> 0:33:54.680
<v Speaker 5>So today we have two of our spirited actors on

0:33:54.800 --> 0:33:57.400
<v Speaker 5>to ask you a question. We have missus Amber Janey,

0:33:58.000 --> 0:34:00.880
<v Speaker 5>welcome back here, but you can come on camera. And

0:34:00.920 --> 0:34:04.360
<v Speaker 5>we have miss Leomitria Starks welcome back, Leamitria. You can

0:34:04.520 --> 0:34:05.520
<v Speaker 5>come on also.

0:34:06.640 --> 0:34:07.680
<v Speaker 3>All right, hello Malabe.

0:34:07.760 --> 0:34:09.840
<v Speaker 5>You can ask your question first. You can unmute and

0:34:09.840 --> 0:34:10.520
<v Speaker 5>ask your question.

0:34:12.080 --> 0:34:17.120
<v Speaker 7>Awesome, Hi for now Hello Hi. So my question for

0:34:17.160 --> 0:34:20.800
<v Speaker 7>you is what is the best way for a dramatic

0:34:20.880 --> 0:34:25.280
<v Speaker 7>actor to sort of exercise that comedic muscle and really

0:34:25.320 --> 0:34:27.919
<v Speaker 7>start to get a hold on these comedic beats that

0:34:28.280 --> 0:34:30.680
<v Speaker 7>a lot of times we're told is like inherent to

0:34:30.760 --> 0:34:32.680
<v Speaker 7>some but I feel like it can be taught.

0:34:32.680 --> 0:34:34.400
<v Speaker 2>And if you have any advice, how would you go

0:34:34.440 --> 0:34:34.839
<v Speaker 2>about that?

0:34:36.280 --> 0:34:39.320
<v Speaker 4>Okay, one way that you could tap into your comedic

0:34:39.400 --> 0:34:43.439
<v Speaker 4>side is to do especially if you like comedy at all,

0:34:43.640 --> 0:34:47.000
<v Speaker 4>I would suggest you, you know, go be around comedy

0:34:47.040 --> 0:34:49.680
<v Speaker 4>a little, Go to a comedy show, go shit at

0:34:49.760 --> 0:34:52.960
<v Speaker 4>one comedy show, and just see how each comedian presents

0:34:53.000 --> 0:34:56.040
<v Speaker 4>themselves right, Because we all have a funny bone. Some

0:34:56.080 --> 0:34:57.880
<v Speaker 4>people just don't have the courage to stand up and

0:34:57.920 --> 0:35:01.360
<v Speaker 4>be funny. But when you're a dramatic and you're required

0:35:01.400 --> 0:35:03.520
<v Speaker 4>to be funny, now you have to come out of

0:35:03.520 --> 0:35:06.000
<v Speaker 4>your comfort zone if that's what you are in as

0:35:06.080 --> 0:35:08.520
<v Speaker 4>a dramatic actor. It's great to be dramatic on film

0:35:08.560 --> 0:35:11.400
<v Speaker 4>because you can pause you can take those dramatic pauses,

0:35:11.440 --> 0:35:14.200
<v Speaker 4>you can give those, you know, you brow on your

0:35:14.200 --> 0:35:16.920
<v Speaker 4>shoulders and make yourself big on screen and things like that.

0:35:16.960 --> 0:35:18.799
<v Speaker 3>But when it's time to be funny, you have to

0:35:18.800 --> 0:35:19.239
<v Speaker 3>find that.

0:35:19.280 --> 0:35:21.319
<v Speaker 4>Lighter side of yourself, right, You have to go back

0:35:21.320 --> 0:35:23.200
<v Speaker 4>to being the kid again sort of speak. You know,

0:35:23.440 --> 0:35:26.080
<v Speaker 4>picture yourself as like maybe nine years old in your mind,

0:35:26.120 --> 0:35:28.600
<v Speaker 4>depending on how serious the funny has to be.

0:35:28.760 --> 0:35:30.640
<v Speaker 3>You know, like there's a lot of.

0:35:30.560 --> 0:35:34.400
<v Speaker 4>Times where a serious character can be funny without smiling,

0:35:34.440 --> 0:35:36.960
<v Speaker 4>even you know, you don't even have to be tracking

0:35:37.120 --> 0:35:40.560
<v Speaker 4>like a big smile and everything to be funny on film, especially,

0:35:40.680 --> 0:35:43.000
<v Speaker 4>So what I would say to you is, try to

0:35:43.040 --> 0:35:45.719
<v Speaker 4>refer to your younger self. Try to go into a

0:35:45.800 --> 0:35:49.560
<v Speaker 4>childhood state of mind, like to be light and let

0:35:49.600 --> 0:35:51.760
<v Speaker 4>things just kind of flow, if you will.

0:35:51.800 --> 0:35:53.120
<v Speaker 3>But try a comedy show.

0:35:53.320 --> 0:35:55.359
<v Speaker 4>Definitely go sit in a comedy show just to see

0:35:55.400 --> 0:35:59.000
<v Speaker 4>how the humor comes out. And sometimes most comedians talking

0:35:59.000 --> 0:36:01.800
<v Speaker 4>about very serious but they make them funny.

0:36:02.000 --> 0:36:04.719
<v Speaker 3>And when they're funny, you figure you can laugh, right,

0:36:04.840 --> 0:36:05.479
<v Speaker 3>it's easy.

0:36:05.520 --> 0:36:07.600
<v Speaker 4>It's easier to laugh at it if they make it funny,

0:36:07.719 --> 0:36:09.360
<v Speaker 4>even though it's a very serious subject.

0:36:09.440 --> 0:36:13.200
<v Speaker 3>So that's the balance we're looking to get right there. Yeah,

0:36:14.520 --> 0:36:17.919
<v Speaker 3>I hope I helped you. You are, thank you. Nice

0:36:17.920 --> 0:36:19.360
<v Speaker 3>to meet you. I hope to see you again.

0:36:19.880 --> 0:36:20.600
<v Speaker 2>Yeah, pleasure.

0:36:21.680 --> 0:36:24.000
<v Speaker 5>All right, that was awesome advice. Thank you for now.

0:36:24.480 --> 0:36:27.600
<v Speaker 5>Next up you have miss Aliah Maitria Starks Lea Metria.

0:36:27.640 --> 0:36:29.840
<v Speaker 5>What is your question him.

0:36:29.719 --> 0:36:30.480
<v Speaker 2>Mister Halloway.

0:36:30.640 --> 0:36:34.799
<v Speaker 8>So my question is, with you being a comedian and

0:36:34.840 --> 0:36:38.239
<v Speaker 8>an actor, how does your training differ? Because I heard

0:36:38.239 --> 0:36:40.960
<v Speaker 8>you say that you write your own jokes, So how

0:36:41.000 --> 0:36:44.360
<v Speaker 8>did that training differ from you writing your own jokes

0:36:44.360 --> 0:36:47.040
<v Speaker 8>to reading someone else's words on a paper.

0:36:48.000 --> 0:36:49.200
<v Speaker 3>That's a very good question.

0:36:49.800 --> 0:36:54.760
<v Speaker 4>As a comedian, it's so much of a one, one man,

0:36:54.840 --> 0:36:59.000
<v Speaker 4>one woman sport that with the comedy, I can write

0:36:59.000 --> 0:37:02.640
<v Speaker 4>it from my own personerspective. Right, If I talk about

0:37:02.640 --> 0:37:05.680
<v Speaker 4>my children, I talk about my whatever I'm doing personally,

0:37:06.280 --> 0:37:08.360
<v Speaker 4>I can find the humor in it and it comes

0:37:08.440 --> 0:37:10.120
<v Speaker 4>naturally through through.

0:37:09.880 --> 0:37:10.719
<v Speaker 3>My own eyes. Right.

0:37:10.719 --> 0:37:13.480
<v Speaker 4>But when I'm reading someone's script and they're trying to

0:37:13.520 --> 0:37:15.200
<v Speaker 4>be funny in the script.

0:37:15.080 --> 0:37:17.279
<v Speaker 3>Now is when I have to actually have a word

0:37:17.320 --> 0:37:18.000
<v Speaker 3>with the director.

0:37:18.080 --> 0:37:20.279
<v Speaker 4>Sometimes I just want to You always want to make

0:37:20.320 --> 0:37:23.360
<v Speaker 4>sure that you're on the right vibe with them, because

0:37:23.360 --> 0:37:25.879
<v Speaker 4>sometimes as a comedian, I might see it totally different

0:37:25.920 --> 0:37:28.200
<v Speaker 4>and want to go big with the laugh, and he's like, no.

0:37:28.040 --> 0:37:30.040
<v Speaker 3>No, no, no, this is more like this way, you

0:37:30.120 --> 0:37:30.640
<v Speaker 3>know what I mean.

0:37:30.880 --> 0:37:33.160
<v Speaker 4>As a comedian, we always want the biggest of laughs,

0:37:33.200 --> 0:37:35.399
<v Speaker 4>you know, so I have to tone myself down quite

0:37:35.440 --> 0:37:39.360
<v Speaker 4>a few times. I was just telling Miss Moore about

0:37:39.400 --> 0:37:41.600
<v Speaker 4>a show that I'm in called He's All I Need.

0:37:42.080 --> 0:37:44.080
<v Speaker 4>If you get a chance, it's on YouTube, I think

0:37:44.200 --> 0:37:46.279
<v Speaker 4>until the end of June, but if you get a

0:37:46.360 --> 0:37:47.879
<v Speaker 4>chance to see it, you'll see what I mean.

0:37:47.920 --> 0:37:48.839
<v Speaker 3>When I'm a.

0:37:48.760 --> 0:37:52.800
<v Speaker 4>Pastor and I'm talking to my congregation and I'm literally

0:37:52.840 --> 0:37:56.040
<v Speaker 4>not trying to be funny, but I'm just I'm naturally funny,

0:37:56.320 --> 0:37:58.440
<v Speaker 4>and so I was able to be subtle funny, like

0:37:58.640 --> 0:38:01.520
<v Speaker 4>little things that I've done big laughs, even though I

0:38:01.600 --> 0:38:05.000
<v Speaker 4>wasn't intending on that. So it's a fine art the

0:38:05.120 --> 0:38:08.799
<v Speaker 4>balance in between. But as a comedian, I.

0:38:08.760 --> 0:38:10.640
<v Speaker 3>Write for the biggest of laughs.

0:38:10.640 --> 0:38:13.399
<v Speaker 4>But as an actor, when I'm reading someone else's work

0:38:13.480 --> 0:38:16.080
<v Speaker 4>and I have to fit my mindset into what they wrote,

0:38:16.440 --> 0:38:18.840
<v Speaker 4>I sometimes do have to check back in with the

0:38:18.880 --> 0:38:21.960
<v Speaker 4>writer just to make sure I'm in line with what

0:38:22.000 --> 0:38:22.720
<v Speaker 4>they had in mind.

0:38:23.719 --> 0:38:24.920
<v Speaker 2>Okay, thank you?

0:38:24.920 --> 0:38:27.160
<v Speaker 3>Did that help you? I hope I helped you with that? Okay,

0:38:27.320 --> 0:38:29.439
<v Speaker 3>thank you. No, I really appreciate you all.

0:38:31.160 --> 0:38:34.720
<v Speaker 1>Thank you so much. You guys, great questions. Thank you, Elsa,

0:38:34.920 --> 0:38:36.160
<v Speaker 1>that's really good questions.

0:38:36.280 --> 0:38:36.480
<v Speaker 5>Yes.

0:38:37.120 --> 0:38:42.520
<v Speaker 1>Yeah, So Parnell is going to stay with us and

0:38:42.560 --> 0:38:45.239
<v Speaker 1>he's going to be with such class and session. So

0:38:45.400 --> 0:38:48.239
<v Speaker 1>I want everybody to sit back, and I know you

0:38:48.239 --> 0:38:50.000
<v Speaker 1>guys still have your bag or your.

0:38:49.920 --> 0:38:55.000
<v Speaker 2>Treasure chest because he is dropping the jubils. Okay, when

0:38:55.000 --> 0:38:55.440
<v Speaker 2>we come.

0:38:55.320 --> 0:38:58.320
<v Speaker 1>Back on the Spirited Actor Podcast with me Tracy Moore,

0:38:58.719 --> 0:39:02.040
<v Speaker 1>we are going to do Class in Session. Stay tight,

0:39:03.719 --> 0:39:07.960
<v Speaker 1>Welcome back to the Spirited Actor Podcast with me Tracy Moore,

0:39:08.040 --> 0:39:12.040
<v Speaker 1>and you are blessed. Parnelle Hollaway is still with us,

0:39:12.080 --> 0:39:16.839
<v Speaker 1>ladies and gentlemen. Yes, yes, dropping all the jewels. So

0:39:17.040 --> 0:39:20.120
<v Speaker 1>I am going to bring else Lathan on and she's

0:39:20.200 --> 0:39:23.120
<v Speaker 1>going to bring on these spirited actors who.

0:39:23.000 --> 0:39:27.640
<v Speaker 2>Are going to perform for us and especially you per.

0:39:27.520 --> 0:39:34.000
<v Speaker 5>Now okay also yes, yes, hello everyone. So today for

0:39:34.160 --> 0:39:38.399
<v Speaker 5>Class in Session, we have missus Amber Janey, Welcome back,

0:39:38.480 --> 0:39:45.120
<v Speaker 5>Camber Hi. And we have miss Leamitria Stocks welcome.

0:39:44.880 --> 0:39:47.399
<v Speaker 3>Back, Leomitria, thank you for having me.

0:39:49.040 --> 0:39:54.920
<v Speaker 5>Today's scene is community Lunch written by Leona Model Interior

0:39:55.360 --> 0:39:58.719
<v Speaker 5>lunch room day. Kelly walks into the lunch room to

0:39:58.800 --> 0:40:01.400
<v Speaker 5>find her boss Patty there with her head in the

0:40:01.440 --> 0:40:02.919
<v Speaker 5>fridge grabbing a plate.

0:40:04.200 --> 0:40:10.040
<v Speaker 2>Oh hey, Patty, hey kill some meeting today, right? Tell

0:40:10.080 --> 0:40:10.600
<v Speaker 2>me about it?

0:40:10.840 --> 0:40:13.000
<v Speaker 7>Mark should have told us how he really feels.

0:40:15.200 --> 0:40:17.920
<v Speaker 3>Right. Well, back to the hell box I go.

0:40:19.760 --> 0:40:23.160
<v Speaker 5>Kelly notices the container and Patty, saying as she's walking.

0:40:22.880 --> 0:40:26.760
<v Speaker 7>Out, Oh, Patty, I think that's my lunch.

0:40:28.120 --> 0:40:32.120
<v Speaker 3>Uh no, girl, this is mine. We may have the

0:40:32.160 --> 0:40:33.040
<v Speaker 3>same container.

0:40:34.120 --> 0:40:36.759
<v Speaker 9>Did you get it on the top left? Yeah, that's my,

0:40:37.440 --> 0:40:43.800
<v Speaker 9>that's my that's your what you know what, I'll just

0:40:43.840 --> 0:40:44.400
<v Speaker 9>check myself.

0:40:46.920 --> 0:40:47.480
<v Speaker 3>Good idea.

0:40:49.480 --> 0:40:53.960
<v Speaker 5>As Patty blocks the fridge, maybe.

0:40:53.680 --> 0:40:54.840
<v Speaker 2>I'll just check leader.

0:40:56.600 --> 0:40:57.520
<v Speaker 3>Even better idea.

0:40:59.680 --> 0:41:04.040
<v Speaker 5>Patty smiles and walks out. Kelly checks the fridge. It's

0:41:04.160 --> 0:41:09.160
<v Speaker 5>totally her food missing again. She encourages herself to grow

0:41:09.280 --> 0:41:18.120
<v Speaker 5>so and heads over to Patty's cubicle. Excuse me, Patty, Well,

0:41:18.160 --> 0:41:21.080
<v Speaker 5>Patty's happily enjoying Kelly's food.

0:41:22.600 --> 0:41:23.680
<v Speaker 3>Funny thing you came in.

0:41:24.680 --> 0:41:27.000
<v Speaker 8>I was just thinking how happy I am with the

0:41:27.120 --> 0:41:28.120
<v Speaker 8>choice that I hired you.

0:41:30.040 --> 0:41:33.200
<v Speaker 7>I'm super grateful for my job, so thank you again.

0:41:33.719 --> 0:41:36.399
<v Speaker 10>I just wanted to say, it's probably a mix up,

0:41:36.440 --> 0:41:38.560
<v Speaker 10>because that is my lunch.

0:41:38.880 --> 0:41:39.440
<v Speaker 3>I checked.

0:41:43.400 --> 0:41:43.799
<v Speaker 8>Are you.

0:41:45.520 --> 0:41:46.120
<v Speaker 2>Accusing me?

0:41:46.760 --> 0:41:51.919
<v Speaker 8>Two weeks in and you're accusing me as if as

0:41:51.960 --> 0:41:55.240
<v Speaker 8>your boss? May I remind you that I can't afford

0:41:55.320 --> 0:41:56.080
<v Speaker 8>my own lunch.

0:41:57.040 --> 0:42:00.799
<v Speaker 10>No, no, I'm not saying that. I just mean there's

0:42:00.840 --> 0:42:07.120
<v Speaker 10>been a mix up. Yeah, I'm actually not even hungry.

0:42:07.880 --> 0:42:09.160
<v Speaker 10>We'll try again tomorrow.

0:42:10.320 --> 0:42:16.680
<v Speaker 5>Enjoy too. Delly rushes out of Patty's cubicle, noticing her

0:42:16.719 --> 0:42:19.399
<v Speaker 5>own sweater hanging on Patty's coat. Rat too.

0:42:21.680 --> 0:42:29.480
<v Speaker 1>See Oh my god.

0:42:29.680 --> 0:42:33.319
<v Speaker 2>Okay, all right, Pradell, what do you have?

0:42:34.920 --> 0:42:38.160
<v Speaker 4>Okay, First of all, I commend both of you for

0:42:38.320 --> 0:42:41.160
<v Speaker 4>being like one into your characters.

0:42:41.480 --> 0:42:43.520
<v Speaker 3>I love I love the fact that she was going

0:42:43.520 --> 0:42:45.200
<v Speaker 3>through the motions with the food.

0:42:45.239 --> 0:42:47.880
<v Speaker 4>Eating out of the containers as if everything was just

0:42:47.920 --> 0:42:51.960
<v Speaker 4>as you said. I think the poise and the patience

0:42:52.040 --> 0:42:53.960
<v Speaker 4>of the woman.

0:42:53.760 --> 0:42:56.120
<v Speaker 3>Whose food was missing. I like that.

0:42:56.200 --> 0:42:57.799
<v Speaker 4>I like the way that you're kind of like, okay, well,

0:42:57.840 --> 0:42:59.600
<v Speaker 4>let me just double check and make sure I was

0:42:59.680 --> 0:43:02.560
<v Speaker 4>right and everything else, and then when you realize it

0:43:02.640 --> 0:43:04.640
<v Speaker 4>was your lunch, you're like, wait a minute, that was

0:43:04.719 --> 0:43:07.920
<v Speaker 4>my food, you know. I like the way you presented yourself.

0:43:09.040 --> 0:43:11.160
<v Speaker 4>The woman I forgot, Kelly. I know the names, but

0:43:11.200 --> 0:43:13.040
<v Speaker 4>I forget the one who was eating the food. I

0:43:13.080 --> 0:43:15.040
<v Speaker 4>love the way she was just as glatant as she

0:43:15.080 --> 0:43:17.719
<v Speaker 4>wanted to be about. Okay, it might be your food,

0:43:17.760 --> 0:43:20.080
<v Speaker 4>but you're working for me, and you know you've been

0:43:20.160 --> 0:43:21.960
<v Speaker 4>there for two weeks or whatever the case may be.

0:43:22.239 --> 0:43:24.400
<v Speaker 4>I love the way you presented yourself. You did a

0:43:24.520 --> 0:43:27.239
<v Speaker 4>very good job. That's what it's all about. You know,

0:43:27.320 --> 0:43:30.040
<v Speaker 4>actually taken the words off the paper. You guys are

0:43:30.600 --> 0:43:32.480
<v Speaker 4>There was no script in front of you, so therefore

0:43:32.480 --> 0:43:35.000
<v Speaker 4>you already knew what you had to say. And you

0:43:35.040 --> 0:43:37.040
<v Speaker 4>guys were right on point with each of the beats

0:43:37.080 --> 0:43:39.719
<v Speaker 4>that I was mentioning before. And sometimes you have to

0:43:39.760 --> 0:43:41.520
<v Speaker 4>let it breathe a little bit, and you did that

0:43:42.960 --> 0:43:45.840
<v Speaker 4>the whole thing, playing it out with the food perfect.

0:43:46.280 --> 0:43:47.960
<v Speaker 4>I think that was a great job on both of

0:43:48.000 --> 0:43:48.880
<v Speaker 4>your be hats.

0:43:50.239 --> 0:43:52.359
<v Speaker 2>I agree with you for now.

0:43:52.600 --> 0:43:56.040
<v Speaker 1>I also loved when Amber dropped her head that said

0:43:56.080 --> 0:43:56.480
<v Speaker 1>to tell me.

0:43:58.440 --> 0:43:59.480
<v Speaker 3>Shep her head.

0:43:59.560 --> 0:44:04.000
<v Speaker 1>I was like, I am so in and then Tria

0:44:04.440 --> 0:44:12.440
<v Speaker 1>threatening her blatantly, Yo, that is just wrong on all levels.

0:44:12.440 --> 0:44:15.240
<v Speaker 2>So you guys, that was in a well written scene.

0:44:15.280 --> 0:44:16.080
<v Speaker 2>Thank you so much.

0:44:16.239 --> 0:44:21.279
<v Speaker 1>Yes, thank you Matria and Parnelle, thank.

0:44:21.040 --> 0:44:23.440
<v Speaker 2>You so much for the story.

0:44:23.760 --> 0:44:30.520
<v Speaker 4>Honorsdom your thank you and I am honest your blessing man.

0:44:30.760 --> 0:44:32.080
<v Speaker 2>Thank you for the prayer.

0:44:32.760 --> 0:44:37.359
<v Speaker 3>We are welcome. That you're welcome man. Thank you for

0:44:37.400 --> 0:44:38.960
<v Speaker 3>having me listen.

0:44:39.200 --> 0:44:42.640
<v Speaker 1>You'll come back on when you're doing else, because I'm

0:44:42.640 --> 0:44:48.520
<v Speaker 1>gonna tell you tonight is a Panelle Holloway binging to

0:44:48.520 --> 0:44:49.200
<v Speaker 1>be down.

0:44:49.480 --> 0:44:51.359
<v Speaker 2>I will know for thing.

0:44:52.440 --> 0:44:55.920
<v Speaker 3>Thank you, Okay, next time, okay, okay.

0:44:56.160 --> 0:44:59.759
<v Speaker 4>And I left one thing, Yes, I left one thing

0:44:59.800 --> 0:45:01.960
<v Speaker 4>that to me, I tell you, I played another pastor.

0:45:02.320 --> 0:45:04.560
<v Speaker 4>It's a show called now excuse the first word, but

0:45:04.600 --> 0:45:08.239
<v Speaker 4>it's called The Bitch and for me is the name

0:45:08.280 --> 0:45:12.880
<v Speaker 4>of the project. It's an eight episode series. Eight episodes

0:45:12.960 --> 0:45:16.120
<v Speaker 4>is the whole thing. And I played pastor young in this.

0:45:16.320 --> 0:45:19.080
<v Speaker 4>I was like a not so good guy when I

0:45:19.160 --> 0:45:20.880
<v Speaker 4>was young, but now I'm a pastor. I try to

0:45:20.960 --> 0:45:23.160
<v Speaker 4>change my life around. But you'll see there's a nice

0:45:23.160 --> 0:45:23.840
<v Speaker 4>little story.

0:45:23.880 --> 0:45:25.160
<v Speaker 3>There a lot going on.

0:45:25.440 --> 0:45:30.360
<v Speaker 1>Well, I'm gonna do my two re vengings. So ladies, yeah, indeed,

0:45:30.719 --> 0:45:35.480
<v Speaker 1>put your hands together mostly high conated comedian, actor, director, producer.

0:45:35.880 --> 0:45:37.799
<v Speaker 2>It's a spiritual greed for now.

0:45:38.280 --> 0:45:43.560
<v Speaker 4>Holloway, thank you, Thank you guys, thank you as well.

0:45:44.600 --> 0:45:48.520
<v Speaker 1>Absolutely, when we come back on the Spirited Actor Podcast

0:45:48.960 --> 0:45:51.520
<v Speaker 1>with me Tracy Moore, I am going to give you

0:45:51.560 --> 0:45:56.120
<v Speaker 1>some love, and now it's time to give love. Everything

0:45:56.239 --> 0:46:01.440
<v Speaker 1>great in my life has evolved from fear. When I

0:46:01.480 --> 0:46:03.840
<v Speaker 1>think about the things that I wanted to do and

0:46:03.920 --> 0:46:07.520
<v Speaker 1>I was afraid to do, I did it anyway, and

0:46:07.560 --> 0:46:10.200
<v Speaker 1>that's what we should do in life. I'm not saying

0:46:10.280 --> 0:46:13.480
<v Speaker 1>anything dangerous or anything harmful to your person.

0:46:14.000 --> 0:46:17.120
<v Speaker 2>I'm saying, if you always wanted.

0:46:17.200 --> 0:46:23.600
<v Speaker 1>To go to like a paint and sit right and

0:46:23.960 --> 0:46:27.640
<v Speaker 1>just paint, who cares if it's perfect or not? Just

0:46:27.719 --> 0:46:32.719
<v Speaker 1>having fun and laughing with friends right or yesterday I

0:46:32.920 --> 0:46:38.719
<v Speaker 1>was passing by this sewing It was like they teach

0:46:38.840 --> 0:46:43.400
<v Speaker 1>sewing there and adults and children these classes, and I

0:46:43.560 --> 0:46:46.920
<v Speaker 1>was like, you know what, I could try sewing just

0:46:47.000 --> 0:46:50.560
<v Speaker 1>to do it right. I'm afraid I might break a

0:46:50.640 --> 0:46:52.920
<v Speaker 1>sewing machine. Howsoever, I'm going to.

0:46:52.920 --> 0:46:53.480
<v Speaker 3>Do it anyway.

0:46:53.520 --> 0:46:54.160
<v Speaker 2>No, I'm just kidding.

0:46:54.200 --> 0:46:59.000
<v Speaker 1>I wasn't afraid, but I'm just saying, try a different

0:46:59.000 --> 0:47:02.840
<v Speaker 1>way in a pro fear, and what you will find

0:47:03.160 --> 0:47:07.480
<v Speaker 1>is that fear is truly an illusion, doesn't exist. Don't

0:47:07.520 --> 0:47:14.560
<v Speaker 1>buy it anything that fear tells you. Remember fear knocked

0:47:14.600 --> 0:47:21.760
<v Speaker 1>on my door. Faithe answered, and Hello, nobody was there?

0:47:23.520 --> 0:47:23.759
<v Speaker 3>Hi?

0:47:23.840 --> 0:47:24.440
<v Speaker 2>Everyone.

0:47:25.040 --> 0:47:29.320
<v Speaker 1>The Spirited Actor Podcast with Tracy Moore now has.

0:47:29.239 --> 0:47:30.760
<v Speaker 2>A YouTube channel.

0:47:31.320 --> 0:47:35.720
<v Speaker 1>You'll get to see exclusive video footage from our podcast taping,

0:47:36.120 --> 0:47:37.960
<v Speaker 1>as well as your favorite.

0:47:37.520 --> 0:47:38.720
<v Speaker 2>Segments from the show.

0:47:39.280 --> 0:47:43.560
<v Speaker 1>Make sure to like our videos, subscribe to our channel,

0:47:43.800 --> 0:47:45.879
<v Speaker 1>and share with all your friends.

0:47:46.320 --> 0:47:48.400
<v Speaker 2>Don't forget to also follow.

0:47:48.160 --> 0:47:51.960
<v Speaker 1>Us on Instagram, at the Spirited Actor, and at both

0:47:52.080 --> 0:47:56.200
<v Speaker 1>Tracy Moore and at The Spirited Actor Podcast with Tracy

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<v Speaker 1>Moore on Facebook and X Thank you thank for joining

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<v Speaker 1>us on The Spirited Actor Podcast with me Tracy Moore.

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<v Speaker 1>I look forward to our next Spirited podcast.

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<v Speaker 2>Thank you.