WEBVTT - One on One: Melina Delkic

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<v Speaker 1>I Am all In.

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<v Speaker 2>I Am all In with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I Am all In podcast one

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<v Speaker 1>on one interviews. We're going to speaking with Molina Delkicch.

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<v Speaker 1>Let me tell you a little bit about her. She

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<v Speaker 1>is a senior staff editor for Breaking News. She's worked

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<v Speaker 1>at The New York Times since twenty eighteen. Her roles

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<v Speaker 1>include newsletters, business desk, the newsroom, print hub, and contributing

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<v Speaker 1>to coverage of the coronavirus pandemic. She has written an

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<v Speaker 1>article on editorial that appeared in The New York Times

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<v Speaker 1>talking about Gidmore Girls. Fascinating article, Melina, what inspired you

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<v Speaker 1>to write it now?

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<v Speaker 3>Yeah, so I've always loved Gilmore Girls. Every once in

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<v Speaker 3>a while you get to write about something that you

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<v Speaker 3>really love and are interested in, and so this was

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<v Speaker 3>a fun one for me, and I thought it was

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<v Speaker 3>interesting that with viewership data that had been coming out,

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<v Speaker 3>it's still one of the most popular shows across streaming,

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<v Speaker 3>both by Netflix's numbers and Nielsen, which is the ratings firm.

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<v Speaker 3>If listeners don't know that rates, you know TV and

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<v Speaker 3>movies and streaming popularity, and it's still one of by

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<v Speaker 3>far the most popular things that people like to watch,

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<v Speaker 3>and so with my own interest in it and that

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<v Speaker 3>I wanted to see why it's still so popular because it,

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<v Speaker 3>as you know, officially wrapped in two thousand and seven,

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<v Speaker 3>besides a year in the Life reboot.

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<v Speaker 1>And what conclusions did you draw?

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<v Speaker 3>Well, I think it was a mix of conclusions. I

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<v Speaker 3>think people love the show because it's feel good and

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<v Speaker 3>it makes you feel kind of and fuzzy and people,

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<v Speaker 3>you know, people I interviewed, like like Brenda Maybin, the

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<v Speaker 3>set costume designer who who said that, you know, people

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<v Speaker 3>like that there's no violence, there's no there's nothing that's unsolvable,

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<v Speaker 3>and it's going to stress you out about watching it.

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<v Speaker 3>It's comforting, but at the same time it is you know, deep,

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<v Speaker 3>there's deeply intertwined relationships, there's really interesting characters who are

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<v Speaker 3>multi layered and complex and and you know, so it's

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<v Speaker 3>it's that fun, fun, lightheartedness, but at the same time

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<v Speaker 3>it's there's there's some real depth there and some heart

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<v Speaker 3>to it.

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<v Speaker 1>That family dynamic is very powerful, isn't it. Anybody can

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<v Speaker 1>relate to it the mother daughter tension. Yes, And well,

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<v Speaker 1>as you said, the byline you are on your seventh

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<v Speaker 1>or eight time watching. Why have you watched so many times?

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<v Speaker 1>Why do you think people watch so many times?

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<v Speaker 3>That's a great question. So for me, I started watching

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<v Speaker 3>when I was in college actually, so, you know, similar

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<v Speaker 3>to a lot of people, after the show had concluded

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<v Speaker 3>it's run on TV, it was on Netflix and a

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<v Speaker 3>friend of mine said, you know, you have to watch this,

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<v Speaker 3>You're going to love it. And after that first time,

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<v Speaker 3>I was kind of hooked, and I was like, I

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<v Speaker 3>want to see it again. I feel like I missed something.

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<v Speaker 3>I you know, I want to when when things are stressful,

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<v Speaker 3>I want to have it on in the background, or

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<v Speaker 3>you know, just rewatch and find things I missed last time.

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<v Speaker 3>And I think for for people, I think even though

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<v Speaker 3>I put that I've rewatched it seven or eight times,

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<v Speaker 3>I think that's actually low for the Gilmore Girls audience.

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<v Speaker 3>I've found people have left comments on the article on

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<v Speaker 3>social media and on the article page itself, and my

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<v Speaker 3>friends have reached out that there's way higher numbers. People

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<v Speaker 3>are watching it dozens of times, and I think it's

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<v Speaker 3>you know, I think it's because it's it's that comfort.

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<v Speaker 3>It's there's also even a psychological aspect to it. I

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<v Speaker 3>talked to a clinical psychologist that rewatching a show you

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<v Speaker 3>love that makes you feel good and you know how

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<v Speaker 3>it's going to end, it makes it can actually, you know,

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<v Speaker 3>improve your mood. It can it can help you when

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<v Speaker 3>you're feeling lonely or or you know, any any tough

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<v Speaker 3>feelings in a stressful time. It can actually help those feelings.

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<v Speaker 4>You know.

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<v Speaker 1>I also think it it contributes to keeping high culture.

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<v Speaker 1>I think it's so smart that and I think that's

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<v Speaker 1>one of the primary reasons people rewatch it so often,

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<v Speaker 1>because there it's so fast, that fast paced dialogue, and

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<v Speaker 1>there's so many obscure and arcane cultural references that people

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<v Speaker 1>don't get them right away. They get some, and I

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<v Speaker 1>get some, and then I go back and I, boy,

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<v Speaker 1>you know, say to myself, Amy and Dan are very

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<v Speaker 1>well read, and you know they're they're plucking these references

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<v Speaker 1>out of everything that they love and read. And I

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<v Speaker 1>think it's comforting to have something of quality that is

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<v Speaker 1>keeping the culture or trying to set a bar higher

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<v Speaker 1>and not talking down to an audience, not dumbing a

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<v Speaker 1>show down for an audience. I think it really elevates

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<v Speaker 1>people and it gives people a lot of hope in

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<v Speaker 1>that sense that at least there's something on television that

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<v Speaker 1>doesn't insult me. Yeah, and insult my intelligence. It's it's

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<v Speaker 1>demanding me to keep up, and people love that challenge.

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<v Speaker 3>I totally agree.

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<v Speaker 1>Well, you're also rewatching, as you said, it could be

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<v Speaker 1>a healthy coping mechanism. Mechanisms life gets stressful. When do

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<v Speaker 1>you tune in to watch this show? Is it in

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<v Speaker 1>you stressful times or just any time? Do you have

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<v Speaker 1>it on in the background all of the time.

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<v Speaker 3>That's a great question. I think I've found that I

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<v Speaker 3>gravitate toward Gilmore Girls in the fall, which a lot

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<v Speaker 3>of people I talked to for this article said the

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<v Speaker 3>same basically, And the viewership data supports that that it's

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<v Speaker 3>the viewer is a little bit higher in the fall

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<v Speaker 3>and winter months because it is kind of that cozy

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<v Speaker 3>you want to go to Luke Steiner and get your

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<v Speaker 3>coffee and like all the fun sweaters that are in

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<v Speaker 3>the in the you know, costuming of the show and

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<v Speaker 3>the festivals and the so it makes you feel like

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<v Speaker 3>fall and winter and these cozy vibes. So I find

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<v Speaker 3>myself watching it in those times here in New York.

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<v Speaker 3>It gets gloomy sometimes in the winter, and I find

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<v Speaker 3>it really cozy and helpful, but also definitely, you know,

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<v Speaker 3>in stressful times or if I'm in a in a

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<v Speaker 3>new place, you know, traveling for work or something, it's

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<v Speaker 3>it's kind of comforting. I will turn to it in

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<v Speaker 3>those times and have it on, like, Okay, this is

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<v Speaker 3>something I know and something I feel good watching.

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<v Speaker 1>Yeah, it's almost as if you are able to instead

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<v Speaker 1>of picking up a classic novel that you love, you

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<v Speaker 1>can just turn that on and you're going to get

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<v Speaker 1>the same kind of almost the same kind of quality.

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<v Speaker 1>You don't feel like you're watching TV. You don't feel

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<v Speaker 1>like you're wasting your time or it's just dead time.

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<v Speaker 1>You know, it's like I'm learning something here, and this

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<v Speaker 1>is this is wholly engaging. So you talked about the

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<v Speaker 1>first time you watched it was in college. Where'd you

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<v Speaker 1>go to college?

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<v Speaker 3>I went to Georgetown in DC.

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<v Speaker 1>Oh you went to Georgetown.

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<v Speaker 4>Oh?

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<v Speaker 1>My, one of my best buddies went to Georgetown. I

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<v Speaker 1>grew Paul. He was just over here the other day

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<v Speaker 1>telling me Georgetown stories. By the way, And so you

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<v Speaker 1>were in college, do you remember the moment you watched it?

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<v Speaker 1>Describe the day. Do you remember the vivid detail about

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<v Speaker 1>the first time you discovered it.

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<v Speaker 3>I do remember. I remember my friend Maddie and I

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<v Speaker 3>texted her when I was published this article to say,

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<v Speaker 3>thanks for turning me on to this wonderful show. And

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<v Speaker 3>I was I was staying on campus over the summer working. Basically,

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<v Speaker 3>you could work at campus job and it'd give you

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<v Speaker 3>free housing in DC for the summer, so it was

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<v Speaker 3>it was a pretty sweet deal. And I had some

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<v Speaker 3>downtime between these jobs I was working, and I would

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<v Speaker 3>put it on and campus is a little quieter in

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<v Speaker 3>the summer, you know, not the kids aren't there. And

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<v Speaker 3>I remember putting it on and just getting so quickly

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<v Speaker 3>wrapped up in all of the character's stories and in

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<v Speaker 3>the beautiful relationship between Rory and Laura l I and

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<v Speaker 3>and the fun you know references, and I remember like

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<v Speaker 3>I would like pause it sometimes and be like, wait,

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<v Speaker 3>what is that like that reference that they just said,

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<v Speaker 3>I need to go look it up? And yeah, and

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<v Speaker 3>I remember, and you know, I'm a journalist, so there's

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<v Speaker 3>obviously it was a fun kind of parallel that I

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<v Speaker 3>saw someone trying to start a journalism career or a

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<v Speaker 3>young a young woman trying to go into that world,

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<v Speaker 3>and I was going into that too, So it's fun

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<v Speaker 3>to relate to someone on screen.

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<v Speaker 1>Shaw, Yeah, perfect for you, Absolutely right in your whalehouse.

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<v Speaker 4>Yeah.

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<v Speaker 1>Well, yeah, as you said, Rory is an aspiring journalist,

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<v Speaker 1>so you obviously connected with her character the most. To

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<v Speaker 1>she your favorite character.

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<v Speaker 3>That's such a tough question. It's oh, man, I love

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<v Speaker 3>all of the characters so much at this point, and

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<v Speaker 3>I don't. I do feel like at the beginning I

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<v Speaker 3>really related to her and probably was drawn to watching

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<v Speaker 3>because of her character and Laura I, but I really

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<v Speaker 3>love all that. Recently I've been I was talking to

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<v Speaker 3>a friend the other day about how I really love

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<v Speaker 3>Paris Galer's character. And I know that the first time

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<v Speaker 3>you watch it as a you know, as a new viewer,

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<v Speaker 3>you're kind of like you might be turned off by

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<v Speaker 3>some of the things that she says. She's kind of

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<v Speaker 3>you know, it can be it can be abrasive as

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<v Speaker 3>a character, but then then you just kind of, I think,

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<v Speaker 3>rewatching it can kind of fall in love with her

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<v Speaker 3>at moments where she just she just says the funniest

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<v Speaker 3>thing ever. And but I mean, but yeah, I just

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<v Speaker 3>love I mean, everybody in the town of Stars hollow

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<v Speaker 3>just so great.

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<v Speaker 1>Yeah, that was my initial reaction because it's the whole

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<v Speaker 1>point of podcast. I'd never watched the show, so I

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<v Speaker 1>didn't really know the show. And yeah, I would talk

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<v Speaker 1>about the need for Paris to have intensive therapy and

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<v Speaker 1>to not be in the mainstream. But she has grown

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<v Speaker 1>on me. There have been a lot of moments where

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<v Speaker 1>I just you know, throw my head back and laugh. Yeah,

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<v Speaker 1>and she's quite endearing at times, so it's a playing

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<v Speaker 1>those extremes. Do you have and I cautioned to ask

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<v Speaker 1>you this, and you don't have to be honest, do

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<v Speaker 1>you have any career parallels to her storyline? Paris Is storyline?

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<v Speaker 3>Oh to Paris. Yeah, well Paris, I you know, that's

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<v Speaker 3>that's a hard one because I mean she was in

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<v Speaker 3>a different career path. She ended up being like what

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<v Speaker 3>like a combination lawyer doctor or something, which which was like, oh,

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<v Speaker 3>of course, you know, Paris Scholler went down that path.

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<v Speaker 3>But I don't know. I you know, I do feel

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<v Speaker 3>like there's there's a little bit of that that Paris

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<v Speaker 3>ambition or spark in a lot of people, but most

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<v Speaker 3>of us don't push that hard as her character. Did

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<v Speaker 3>you know? But but yeah, I can't say I quite

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<v Speaker 3>approach situations the way she does.

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<v Speaker 4>Well, that's probably a good thing.

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<v Speaker 1>When did you know that you wanted to be a journalist?

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<v Speaker 3>It took some time of figuring it out and trying

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<v Speaker 3>a lot of different paths. I think I probably stressed

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<v Speaker 3>out my parents in college because I can't. I switched

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<v Speaker 3>my major like four times, and it was you know,

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<v Speaker 3>trying out econ, trying out different languages. But I always

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<v Speaker 3>in the background had that love of writing and also

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<v Speaker 3>was just always the news and slowly realizing that instead

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<v Speaker 3>of you know, being involved in it. As a school

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<v Speaker 3>in DC, a lot of people want to get involved

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<v Speaker 3>in the government, politics, things like that, and I just

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<v Speaker 3>kind of kept thinking, I don't want to be in it.

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<v Speaker 3>I want to be like observing it and you know,

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<v Speaker 3>helping helping write kind of the historical you know, record

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<v Speaker 3>about this stuff. And so that's how I made my way.

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<v Speaker 3>But it took a lot of small decisions and figuring

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<v Speaker 3>out what I what I needed.

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<v Speaker 1>And boy, I tell you Washington, Yeah, the time to

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<v Speaker 1>be a journalist. Yeah, and we won't open up that

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<v Speaker 1>can of worms.

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<v Speaker 3>But yeah, to be fair, now, I don't really deal

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<v Speaker 3>with any politics or government news in my job.

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<v Speaker 1>Probably healthiest. So The New York Times plays a big part.

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<v Speaker 1>In season seven, Rory turns down a job with a

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<v Speaker 1>new newspaper in Providence, wrote on because she's holding on

0:13:05.400 --> 0:13:09.119
<v Speaker 1>to well, she's holding out for the rest and fellowship

0:13:09.200 --> 0:13:13.320
<v Speaker 1>at the New York Times. What'd you think of this decision?

0:13:14.080 --> 0:13:17.520
<v Speaker 3>I was so with her in that season. I remember

0:13:17.720 --> 0:13:23.160
<v Speaker 3>just feeling the pressure the uncertainty of that, especially watching

0:13:23.200 --> 0:13:27.520
<v Speaker 3>it in college and in the years right after college,

0:13:27.600 --> 0:13:30.480
<v Speaker 3>because it is so I think with any career, it's

0:13:30.559 --> 0:13:33.160
<v Speaker 3>kind of you have these moments where the timing doesn't

0:13:33.160 --> 0:13:34.600
<v Speaker 3>work out the way you want it to. You don't

0:13:34.600 --> 0:13:37.360
<v Speaker 3>get to find out everything you need to find out.

0:13:38.040 --> 0:13:40.400
<v Speaker 3>You might have a job offer, but one that you

0:13:40.400 --> 0:13:42.120
<v Speaker 3>you know, and there's a deadline for it, but one

0:13:42.120 --> 0:13:46.800
<v Speaker 3>that you want more. And so I felt I felt

0:13:46.840 --> 0:13:51.040
<v Speaker 3>like it was a very very thoughtful and good representation

0:13:51.160 --> 0:13:54.880
<v Speaker 3>of what that's like as a young journalist. I think,

0:13:55.760 --> 0:13:59.400
<v Speaker 3>you know, I think she obviously like that. It was

0:13:59.400 --> 0:14:03.480
<v Speaker 3>a difficult time for her character. I remember she ended

0:14:03.559 --> 0:14:06.360
<v Speaker 3>up then not getting the New York Times fellowship, right,

0:14:06.520 --> 0:14:09.640
<v Speaker 3>If I'm remembering correctly that she had turned basically was

0:14:10.240 --> 0:14:12.800
<v Speaker 3>out of a job with both of those, but then

0:14:12.840 --> 0:14:16.280
<v Speaker 3>she ended up finding something else, and I don't remember

0:14:16.320 --> 0:14:18.360
<v Speaker 3>if it was right after that, but she ended up

0:14:18.400 --> 0:14:22.840
<v Speaker 3>going to work for an upstart publication of some sort

0:14:22.920 --> 0:14:27.760
<v Speaker 3>covering the election campaign. And I thought that was kind

0:14:27.800 --> 0:14:31.440
<v Speaker 3>of you know, I thought I related to that, because

0:14:31.480 --> 0:14:35.880
<v Speaker 3>sometimes it seems like nothing is working out, and you know,

0:14:35.960 --> 0:14:38.520
<v Speaker 3>you don't know like where your path is going to lead,

0:14:38.640 --> 0:14:41.520
<v Speaker 3>and even though it's early in your career, you have

0:14:41.720 --> 0:14:44.240
<v Speaker 3>these moments of struggle and the timing is just not

0:14:44.320 --> 0:14:47.840
<v Speaker 3>working out. But then something does work out, and it's

0:14:47.960 --> 0:14:50.080
<v Speaker 3>kind of it seemed like it was sort of a

0:14:50.120 --> 0:14:53.320
<v Speaker 3>great fit for her as an ending of that show,

0:14:53.360 --> 0:14:56.640
<v Speaker 3>and it seemed like it ended on a really hopeful

0:14:56.720 --> 0:14:59.800
<v Speaker 3>note where she was going to go travel and right

0:14:59.840 --> 0:15:02.000
<v Speaker 3>for this new publication and her work was going to

0:15:02.040 --> 0:15:04.800
<v Speaker 3>be valued, and so I think she ended up making

0:15:04.800 --> 0:15:05.880
<v Speaker 3>the right call for herself.

0:15:06.520 --> 0:15:09.080
<v Speaker 1>And you're talking about the end of season seven or

0:15:09.120 --> 0:15:10.200
<v Speaker 1>the Netflix.

0:15:09.720 --> 0:15:14.280
<v Speaker 3>Episodes the end of season Steven, Okay, am I confusing that?

0:15:14.720 --> 0:15:17.520
<v Speaker 3>I remember there was a she I thought at the

0:15:17.600 --> 0:15:20.240
<v Speaker 3>end of the show that she went to go work

0:15:20.320 --> 0:15:23.920
<v Speaker 3>for like the kind of upstart digital publication to cover

0:15:24.120 --> 0:15:25.440
<v Speaker 3>the election.

0:15:28.280 --> 0:15:32.880
<v Speaker 1>Okay, so let's talk about the Netflix episodes a little bit.

0:15:33.320 --> 0:15:36.720
<v Speaker 1>As regards Rory, were you disappointed that her journalism career

0:15:36.760 --> 0:15:38.880
<v Speaker 1>didn't pan out. Did you think it was realistic when

0:15:39.040 --> 0:15:40.960
<v Speaker 1>she was showing so much promise?

0:15:42.120 --> 0:15:45.160
<v Speaker 3>You know, I was. I think the first time I

0:15:45.200 --> 0:15:49.160
<v Speaker 3>watched that, I was a little disappointed in that we

0:15:49.280 --> 0:15:52.640
<v Speaker 3>had been with Rory and watched her be so ambitious

0:15:52.760 --> 0:15:56.200
<v Speaker 3>and so in such a go getter, and I had

0:15:56.280 --> 0:15:59.080
<v Speaker 3>dreamed of this her whole life. There's that moment with

0:15:59.160 --> 0:16:02.880
<v Speaker 3>Christian I'm on poor and then she kind of it

0:16:02.920 --> 0:16:05.760
<v Speaker 3>didn't take off, maybe the way I would have predicted

0:16:05.880 --> 0:16:08.000
<v Speaker 3>when I was, you know, twenty two, and I'm like, oh,

0:16:08.040 --> 0:16:11.280
<v Speaker 3>I want this for Rory. But I think it's realistic

0:16:11.440 --> 0:16:14.880
<v Speaker 3>in that a lot of people kind of you know,

0:16:15.040 --> 0:16:19.280
<v Speaker 3>don't have a constant, full time gig in this industry

0:16:20.520 --> 0:16:23.120
<v Speaker 3>and a lot of industries. So I think, you know,

0:16:23.200 --> 0:16:27.040
<v Speaker 3>she was freelancing for The New Yorker and and she

0:16:27.320 --> 0:16:30.120
<v Speaker 3>was doing some really great work, but it's it's kind

0:16:30.120 --> 0:16:35.320
<v Speaker 3>of representative of the sort of you know, sometimes unusual

0:16:36.320 --> 0:16:39.120
<v Speaker 3>schedules and gigs that journalists can have.

0:16:41.360 --> 0:16:48.240
<v Speaker 1>Give us your opinion on how the show portrayed journalism itself.

0:16:48.720 --> 0:16:53.520
<v Speaker 3>I remember in the A Year in the Life, there

0:16:53.600 --> 0:16:57.000
<v Speaker 3>was a moment where where Rory got a little too

0:16:57.040 --> 0:16:59.880
<v Speaker 3>close to a source. I think I'm remembering that correctly

0:17:00.080 --> 0:17:03.520
<v Speaker 3>and that that is not uh, that that's that's not

0:17:03.600 --> 0:17:07.720
<v Speaker 3>a super accurate portrayal of something that would be permissible

0:17:07.920 --> 0:17:11.040
<v Speaker 3>in a in a news job. But I remember the

0:17:11.080 --> 0:17:14.760
<v Speaker 3>rest of it feeling pretty accurate. That her her role

0:17:14.880 --> 0:17:18.840
<v Speaker 3>is like an intern in the newsroom that that Logan

0:17:19.000 --> 0:17:22.840
<v Speaker 3>Logan's dad owned, where she's just running around trying to

0:17:23.080 --> 0:17:25.719
<v Speaker 3>do everything she can and and trying to get noticed

0:17:25.720 --> 0:17:29.200
<v Speaker 3>a little bit that that seemed very accurate. And also

0:17:29.320 --> 0:17:32.119
<v Speaker 3>her writing for the paper, and I remember these moments

0:17:32.119 --> 0:17:35.919
<v Speaker 3>of her trying to stand out while not not you know,

0:17:36.000 --> 0:17:40.480
<v Speaker 3>insulting people around campus with her with her work and

0:17:40.960 --> 0:17:43.919
<v Speaker 3>finding that difficult balance of you know, trying not to

0:17:43.960 --> 0:17:46.840
<v Speaker 3>be a jerk but being really like accurate and honest.

0:17:47.760 --> 0:17:49.680
<v Speaker 3>I felt like there there were a lot of these

0:17:49.720 --> 0:17:54.320
<v Speaker 3>like kind of the early sometimes you know, things that

0:17:54.359 --> 0:17:57.160
<v Speaker 3>you have to really think through in a journalism career.

0:17:58.600 --> 0:18:01.600
<v Speaker 1>Were are there any without naming names, are there any

0:18:01.640 --> 0:18:03.760
<v Speaker 1>minsh of hunts Burgers at the New York Times.

0:18:05.119 --> 0:18:07.120
<v Speaker 3>No, no, fortunately, not.

0:18:09.400 --> 0:18:13.520
<v Speaker 1>Have you ever encountered a personality like that? And in

0:18:14.080 --> 0:18:18.639
<v Speaker 1>your years of being a journalist, Oh.

0:18:18.560 --> 0:18:21.880
<v Speaker 3>Yeah, I think as a young as a young woman journalist,

0:18:21.920 --> 0:18:25.760
<v Speaker 3>you definitely come across I mean, anyone, as a young

0:18:25.800 --> 0:18:30.600
<v Speaker 3>journalist in your career, you come across personalities that are

0:18:30.800 --> 0:18:34.480
<v Speaker 3>you know that everybody has that moment where someone tells

0:18:34.480 --> 0:18:37.800
<v Speaker 3>them you're not going to make it, You're not good enough,

0:18:37.920 --> 0:18:41.680
<v Speaker 3>You're you know X and Y. And I definitely had

0:18:41.720 --> 0:18:46.600
<v Speaker 3>that when I was in college. And yeah, and I actually,

0:18:46.640 --> 0:18:48.480
<v Speaker 3>you know, I feel like I hear a lot of

0:18:48.840 --> 0:18:52.560
<v Speaker 3>these types of stories that people have in different careers,

0:18:52.600 --> 0:18:56.320
<v Speaker 3>but also in journalism. And maybe it's just because it's

0:18:56.320 --> 0:19:01.840
<v Speaker 3>so competitive at times that but you know, hopefully you

0:19:01.840 --> 0:19:04.520
<v Speaker 3>you learn from it, but you don't take it too seriously.

0:19:05.000 --> 0:19:07.680
<v Speaker 3>And I think that's I remember that's what Rory did.

0:19:07.720 --> 0:19:09.679
<v Speaker 3>That she kind of she went back to journalism and

0:19:09.720 --> 0:19:10.560
<v Speaker 3>went back to Yale.

0:19:11.080 --> 0:19:13.200
<v Speaker 1>Mm hmm. What does the show mean to you?

0:19:15.280 --> 0:19:18.760
<v Speaker 3>It's a it's a big answer. It's I really love

0:19:18.840 --> 0:19:22.080
<v Speaker 3>the show. It's it's just one of those things that

0:19:22.119 --> 0:19:25.400
<v Speaker 3>I'm like, how is this so good? It's I could

0:19:25.440 --> 0:19:29.080
<v Speaker 3>rewatch it ten more times and I probably will over

0:19:29.119 --> 0:19:32.040
<v Speaker 3>the course of you know, however many years that takes.

0:19:33.520 --> 0:19:38.680
<v Speaker 3>And it's it's just, you know, supported me in difficult times.

0:19:38.800 --> 0:19:43.359
<v Speaker 3>It's made me laugh, it's you know, comforting, and I

0:19:43.400 --> 0:19:45.439
<v Speaker 3>love it and I love how much it means to

0:19:45.520 --> 0:19:46.560
<v Speaker 3>so many other people too.

0:19:46.760 --> 0:19:50.120
<v Speaker 1>Yeah, it is quite a phenomenon.

0:19:50.560 --> 0:19:50.679
<v Speaker 3>Uh.

0:19:51.720 --> 0:19:57.439
<v Speaker 1>It really has become this, uh, this iconic piece of

0:19:57.560 --> 0:20:01.040
<v Speaker 1>art that that that is woven into the fabric of

0:20:01.080 --> 0:20:05.280
<v Speaker 1>this country. And it's I don't know, it's sort of

0:20:05.320 --> 0:20:09.719
<v Speaker 1>taken a place in in in entertainment culture that is

0:20:09.760 --> 0:20:16.560
<v Speaker 1>completely unexpected and something I don't think anybody so common, right,

0:20:16.840 --> 0:20:18.439
<v Speaker 1>I mean, how do you how do you predict this?

0:20:18.760 --> 0:20:30.359
<v Speaker 1>It's uh, it's quite extraordinary. We're going to play a

0:20:30.359 --> 0:20:34.320
<v Speaker 1>little game right now called rapid Fire. Okay, right, uh huh.

0:20:34.320 --> 0:20:36.040
<v Speaker 1>And you don't have to we don't have to be

0:20:36.119 --> 0:20:39.440
<v Speaker 1>fast with us. It doesn't have to be rapid. How

0:20:39.440 --> 0:20:40.880
<v Speaker 1>do you like your coffee?

0:20:41.800 --> 0:20:42.119
<v Speaker 3>Black?

0:20:42.640 --> 0:20:44.840
<v Speaker 1>Are your Team Logan, Team Jess or Team Dean?

0:20:45.880 --> 0:20:49.040
<v Speaker 3>Oh? So hard? I when I was younger, I was

0:20:49.119 --> 0:20:52.080
<v Speaker 3>Team Logan because I thought that's where Rory is going

0:20:52.280 --> 0:20:56.280
<v Speaker 3>and she she you know, needs someone who who respects

0:20:56.280 --> 0:20:59.520
<v Speaker 3>her intellect and her career. But now I'm like, you know,

0:20:59.600 --> 0:21:03.680
<v Speaker 3>who's of a jerk sometimes? So maybe I'm maybe I'm

0:21:03.680 --> 0:21:05.040
<v Speaker 3>a little bit team just now.

0:21:05.840 --> 0:21:07.880
<v Speaker 1>I'm kind of with you on that. You know, I

0:21:07.920 --> 0:21:12.320
<v Speaker 1>was riding the logan wave pretty for a couple of seasons,

0:21:12.320 --> 0:21:15.680
<v Speaker 1>but now I think I'm getting back on the jet thing.

0:21:16.840 --> 0:21:18.400
<v Speaker 3>I love how it changes for you too.

0:21:18.840 --> 0:21:22.000
<v Speaker 1>Yeah, I know it does, because but that's you know,

0:21:22.080 --> 0:21:24.840
<v Speaker 1>a testament to the writing, isn't it. You know, ye

0:21:25.400 --> 0:21:30.080
<v Speaker 1>can flip the fans like that, who's your favorite Gilmore

0:21:30.119 --> 0:21:33.200
<v Speaker 1>Girls couple, Luke and Laurele I or Emily.

0:21:33.240 --> 0:21:37.640
<v Speaker 3>And Richard Luke and Laurel I for sure. I think

0:21:37.680 --> 0:21:40.720
<v Speaker 3>I wrote in my email responding to your team, like

0:21:40.800 --> 0:21:43.840
<v Speaker 3>I was team Luke all the way in the in

0:21:43.920 --> 0:21:47.280
<v Speaker 3>the show. And I recently learned that I didn't even

0:21:47.280 --> 0:21:50.440
<v Speaker 3>think there was a debate on Laurel I's other romantic partners.

0:21:50.440 --> 0:21:52.639
<v Speaker 3>But I was like, no, it's it's Laurea I and Luke.

0:21:52.720 --> 0:21:57.680
<v Speaker 1>Right, I I was. I was always uh dumbfounded that

0:21:57.720 --> 0:22:00.200
<v Speaker 1>there was even a debate about it. And you know,

0:22:00.240 --> 0:22:02.600
<v Speaker 1>I think the network, as a marketing tool tried to

0:22:02.760 --> 0:22:08.600
<v Speaker 1>engage the base with well, let's you know, let's make

0:22:08.640 --> 0:22:12.639
<v Speaker 1>another like is, let's make another contest out of it.

0:22:13.720 --> 0:22:18.440
<v Speaker 1>Would you rather work with Michelle or Kirk oh Man?

0:22:19.240 --> 0:22:23.000
<v Speaker 3>I love them both, and Kirk is just everywhere, but

0:22:23.080 --> 0:22:25.439
<v Speaker 3>he's kind of a goof, So maybe I would have

0:22:25.480 --> 0:22:28.440
<v Speaker 3>to say Michelle for the for the competency factor.

0:22:30.760 --> 0:22:32.919
<v Speaker 1>What would you order at Luke's Diner?

0:22:33.680 --> 0:22:37.000
<v Speaker 3>Oh my gosh, if you know, if I only could,

0:22:37.840 --> 0:22:41.399
<v Speaker 3>I would get a black coffee in one of the

0:22:41.440 --> 0:22:47.399
<v Speaker 3>giant mugs. I would have waffles, waffles, syrup, the whole

0:22:47.520 --> 0:22:51.240
<v Speaker 3>the whole thing. And then it, depending on the time

0:22:51.240 --> 0:22:54.320
<v Speaker 3>of day. If it's later in the day, We're going burger. Absolutely.

0:22:55.000 --> 0:22:55.159
<v Speaker 4>You know.

0:22:55.320 --> 0:22:59.520
<v Speaker 1>I want to ask you about this, what if there

0:22:59.600 --> 0:23:02.280
<v Speaker 1>were a chain of Luke's Diners? Would you go?

0:23:03.200 --> 0:23:04.320
<v Speaker 3>Oh, one hundred percent?

0:23:04.440 --> 0:23:06.240
<v Speaker 1>Do you think people would go? Do you think that's

0:23:06.240 --> 0:23:07.200
<v Speaker 1>a good idea?

0:23:07.840 --> 0:23:11.639
<v Speaker 3>I think that's a great idea. We're always going to

0:23:11.720 --> 0:23:14.720
<v Speaker 3>diners here in New York. You know, when you really

0:23:14.760 --> 0:23:18.680
<v Speaker 3>get a craving for like good food, that's not that's

0:23:18.720 --> 0:23:22.600
<v Speaker 3>not overpriced, that's not overdoing it. It's that you want

0:23:22.680 --> 0:23:26.399
<v Speaker 3>a diner, and especially the whole environment of Lukes. It's great.

0:23:27.160 --> 0:23:30.199
<v Speaker 1>You would you like to go to a Lukes Diner

0:23:30.320 --> 0:23:34.480
<v Speaker 1>that is a replica of the TV one or would

0:23:34.520 --> 0:23:37.040
<v Speaker 1>you want it to be more of an experience where

0:23:37.080 --> 0:23:39.879
<v Speaker 1>it's like got really comfortable booths and it's got the

0:23:39.920 --> 0:23:42.480
<v Speaker 1>memorabilia all over the walls, and it's got a room

0:23:42.480 --> 0:23:45.439
<v Speaker 1>where you can actually watch the shows and it's you

0:23:45.480 --> 0:23:47.480
<v Speaker 1>know what I'm saying, it's like a it's it's like

0:23:47.520 --> 0:23:51.760
<v Speaker 1>a comfy, high tech version of Luke's. Uh, that's more

0:23:51.880 --> 0:23:56.240
<v Speaker 1>would be more comfortable than you know, the original diner

0:23:57.600 --> 0:23:59.880
<v Speaker 1>because I think do you think people would just sort

0:23:59.880 --> 0:24:01.720
<v Speaker 1>of visit it once or twice if it was like

0:24:01.760 --> 0:24:07.400
<v Speaker 1>the original Lukes Dinners chasing after nostalgia, but not come

0:24:07.480 --> 0:24:08.840
<v Speaker 1>back so much? But what do you.

0:24:08.800 --> 0:24:09.760
<v Speaker 4>Think about that?

0:24:10.600 --> 0:24:13.200
<v Speaker 3>I think that's a good question. I think both would

0:24:13.240 --> 0:24:16.960
<v Speaker 3>be popular for sure. But I think you're right that

0:24:17.080 --> 0:24:20.119
<v Speaker 3>if you if you wanted to keep coming back and

0:24:20.160 --> 0:24:24.240
<v Speaker 3>have something as your go to diner spot, you'd want

0:24:24.280 --> 0:24:26.720
<v Speaker 3>the maybe a little bit more comfortable option.

0:24:27.040 --> 0:24:30.600
<v Speaker 1>You'd want all the bells and whistles, you know. Yeah, yeah,

0:24:30.720 --> 0:24:36.560
<v Speaker 1>competitive space anyway. Interesting. Who would you rather hang out with?

0:24:36.720 --> 0:24:37.960
<v Speaker 1>Paris or Lane?

0:24:38.840 --> 0:24:39.040
<v Speaker 4>Oh?

0:24:39.119 --> 0:24:40.640
<v Speaker 3>Definitely lane definitely.

0:24:44.000 --> 0:24:45.760
<v Speaker 1>Do you play an instrument you could be in your band?

0:24:46.359 --> 0:24:49.960
<v Speaker 3>I do? I have a guitar, right, you do. I

0:24:50.080 --> 0:24:53.320
<v Speaker 3>started learning guitar in the early pandemic, and then I

0:24:53.359 --> 0:24:57.600
<v Speaker 3>grew up playing piano, keyboard. Oh that's great, and so

0:24:57.800 --> 0:25:00.400
<v Speaker 3>I would love to there. That was such a fun

0:25:00.560 --> 0:25:03.480
<v Speaker 3>plot point for me. Their their band and the whole

0:25:03.520 --> 0:25:05.480
<v Speaker 3>growth of their musical life.

0:25:05.960 --> 0:25:06.679
<v Speaker 4>Who do you like?

0:25:06.760 --> 0:25:09.119
<v Speaker 1>Who are your Who are you partial to? Who you

0:25:09.160 --> 0:25:09.800
<v Speaker 1>like listening to?

0:25:10.920 --> 0:25:15.280
<v Speaker 3>Oh? Musically I love it? Really runs the gamut. I

0:25:15.600 --> 0:25:20.480
<v Speaker 3>recently this was so impulsive to me, but I splurged

0:25:20.480 --> 0:25:23.840
<v Speaker 3>on Joni Mitchell tickets and oh, there you go, because

0:25:23.880 --> 0:25:27.800
<v Speaker 3>she's my absolute favorite of all time. But then also

0:25:28.160 --> 0:25:30.880
<v Speaker 3>Beyonce is also my favorite of all time. So it's

0:25:30.960 --> 0:25:33.080
<v Speaker 3>kind of like interest really run the game. But I

0:25:33.080 --> 0:25:36.240
<v Speaker 3>also love rock and you know, listen to the Ramones.

0:25:36.280 --> 0:25:37.879
<v Speaker 3>I feel like, if you live in Brooklyn, you have

0:25:37.960 --> 0:25:41.480
<v Speaker 3>to Fleetwood Mac all the good stuff.

0:25:41.640 --> 0:25:44.520
<v Speaker 1>Oh yeah, yeah, I was listening to some Stevie Nick yesterday.

0:25:44.520 --> 0:25:50.040
<v Speaker 1>She's extraordinary. Uh yeah, Joni Mitchell in my youth, big influence.

0:25:50.040 --> 0:25:53.200
<v Speaker 1>I loved her, loved those albums.

0:25:52.800 --> 0:25:55.080
<v Speaker 4>What a talent, What a talent?

0:25:56.600 --> 0:26:00.240
<v Speaker 1>If if you love piano music. There's a have you

0:26:00.280 --> 0:26:06.280
<v Speaker 1>heard of Keith Jarrett No, Oh, okay, so nineteen seventy five.

0:26:09.080 --> 0:26:11.600
<v Speaker 1>This is a guy who was classically trained. They were

0:26:11.640 --> 0:26:14.800
<v Speaker 1>grooming him for you know, the concert stage and the

0:26:14.800 --> 0:26:17.920
<v Speaker 1>whole thing. He was a child prodigy and he left

0:26:17.960 --> 0:26:21.120
<v Speaker 1>it all to play jazz.

0:26:22.200 --> 0:26:22.560
<v Speaker 4>Wow.

0:26:22.760 --> 0:26:25.040
<v Speaker 1>He wanted to write his own material and perform his

0:26:25.080 --> 0:26:31.119
<v Speaker 1>own material, so he turned into this justice mind blowing artist,

0:26:32.720 --> 0:26:35.720
<v Speaker 1>master of the keyboards. Yeah, so there's something you should

0:26:36.640 --> 0:26:38.399
<v Speaker 1>It's going to affect you. It's going to hit you

0:26:38.480 --> 0:26:46.480
<v Speaker 1>really deeply. These songs are really earth shattering. Keith Jarrett

0:26:47.320 --> 0:26:53.840
<v Speaker 1>Coln concert liveko in Germany, Colm, Germany, and it's one

0:26:53.840 --> 0:26:57.560
<v Speaker 1>of the most remarkable pieces of music I've ever heard.

0:26:58.359 --> 0:26:59.919
<v Speaker 3>Wow, I have to listen. I'm excited.

0:27:00.520 --> 0:27:04.520
<v Speaker 1>Yeah, so get that. Get that Harvard or Yale, or

0:27:04.600 --> 0:27:06.000
<v Speaker 1>drop out and live in the poolhouse.

0:27:06.560 --> 0:27:09.840
<v Speaker 3>Oh oh man. The third option is so tempting now

0:27:10.000 --> 0:27:13.240
<v Speaker 3>as a as a burnt out twenty eight year old,

0:27:13.960 --> 0:27:18.280
<v Speaker 3>But I think, oh man, both both are such great schools.

0:27:18.359 --> 0:27:21.320
<v Speaker 3>I think, you know, I've always wanted to live in

0:27:21.400 --> 0:27:24.479
<v Speaker 3>Boston area, so I would say Harvard if I were

0:27:24.760 --> 0:27:25.320
<v Speaker 3>there right now.

0:27:25.480 --> 0:27:29.399
<v Speaker 1>Yeah, would you rather attend a dar event with Emily

0:27:29.560 --> 0:27:31.720
<v Speaker 1>or a town meeting with Taylor?

0:27:32.359 --> 0:27:35.560
<v Speaker 3>Oh, town meeting for sure. That really just sounds like

0:27:35.600 --> 0:27:39.360
<v Speaker 3>I could bring my popcorn. I would be entertained for hours.

0:27:39.920 --> 0:27:44.760
<v Speaker 1>Right, Gilmore Girls, character that you would most want as

0:27:44.800 --> 0:27:45.560
<v Speaker 1>a roommate?

0:27:46.680 --> 0:27:52.879
<v Speaker 3>Ooh, Larelei? I think Lorelei. She would be fun. She's not,

0:27:53.240 --> 0:27:56.280
<v Speaker 3>you know, so intense, like a like a Paris galer

0:27:56.440 --> 0:28:01.040
<v Speaker 3>or somebody. She you know, would be easy going and

0:28:01.320 --> 0:28:02.679
<v Speaker 3>not you know, not too much.

0:28:02.600 --> 0:28:07.000
<v Speaker 1>Chaos, something in your life that you are all in on.

0:28:07.680 --> 0:28:11.840
<v Speaker 3>Oh well, since it is Valentine's Day, I'll say my

0:28:11.840 --> 0:28:16.760
<v Speaker 3>my relationship, shout out to my boyfriend Sean. And also

0:28:17.040 --> 0:28:20.880
<v Speaker 3>we have a little dog. He's a little corgy named Mark,

0:28:21.080 --> 0:28:23.280
<v Speaker 3>and so I would say he's the most spoiled dog

0:28:23.320 --> 0:28:25.400
<v Speaker 3>in the world. So we're all in on him too.

0:28:28.200 --> 0:28:31.840
<v Speaker 1>Molina has been a pleasure, and your article Gilmore Girls

0:28:32.040 --> 0:28:37.200
<v Speaker 1>is an endless buffet of TV comfort food. I recommend

0:28:37.200 --> 0:28:41.520
<v Speaker 1>everybody reading this article good luck with your journalism career

0:28:41.680 --> 0:28:44.800
<v Speaker 1>going forward. Thank you so much, and keep watching. I

0:28:44.880 --> 0:28:48.000
<v Speaker 1>absolutely will, yes, because I know I will and everybody does,

0:28:48.120 --> 0:28:52.520
<v Speaker 1>and it's it's inevitable isn't it. Yes, anyway, thanks for

0:28:52.560 --> 0:28:54.360
<v Speaker 1>coming on. It was it was great fun.

0:28:54.880 --> 0:28:56.400
<v Speaker 3>It was so fun. Thank you so much.

0:28:56.480 --> 0:29:40.920
<v Speaker 4>Set all right, take care, bye.

0:29:27.400 --> 0:29:30.840
<v Speaker 1>Everybody, and don't forget. Follow us on Instagram at I

0:29:30.920 --> 0:29:35.000
<v Speaker 1>Am All In Podcast and email us at Gilmore at

0:29:35.160 --> 0:29:45.640
<v Speaker 1>iHeartRadio dot com