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Speaker 1: Welcome to Thursday show.

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Speaker 2: Month one tonight, the ACM Awards on Amazon Prime.

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Speaker 3: I hope you watch it.

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Speaker 2: I'll be there. I'll be backstage. I'm doing some voice

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Speaker 2: over stuff for the show. It should be real cool.

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Speaker 2: You don't even need a subscription, so I'll say that,

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Speaker 2: and they don't forget. Saturday night, I heard Country Music Festival.

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Speaker 2: You don't even need a subscription to listen to it

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Speaker 2: right here in your heart radio station. So we got

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Speaker 2: a big a couple of days here. Glad everybody's here.

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Speaker 2: Everybody feeling good. Oh yeah, everybody rock and rolling. Okay,

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Speaker 2: we're gonna go around the room here. Eddie, you're up first.

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Speaker 2: What's the one thing that you want people to remember

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Speaker 2: you for?

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Speaker 3: That's the question of going around the room for.

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Speaker 2: What's the one thing you want people to remember you for? So,

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Speaker 2: like when I die, I want people to say, Man,

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Speaker 2: Eddie just brought the fun out of everything, like when

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Speaker 2: he was showed up, it was gonna be a fun time.

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Speaker 2: I think that's a pretty good one, and I think

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Speaker 2: people do feel that way about you.

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Speaker 3: Yeah, I try to do that. Yeah, you're not. Hey,

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Speaker 3: you know what, the last few weeks I've had someone

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Speaker 3: come up to me.

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Speaker 2: Two different people go, hey, I've heard a lot of

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Speaker 2: good things about you. And I didn't know how to

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Speaker 2: respond to that. But I'm like, that's pretty cool. Oh

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Speaker 2: I always if that happens, and it doesn't really have

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Speaker 2: that much to me, but I would be like, oh,

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Speaker 2: you know, they're lying, I'd have to like get out

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Speaker 2: of it somehow because I just feel uncomfortable. I think,

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Speaker 2: I don't know about Fun isn't the word I would use,

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Speaker 2: but it is a word that is synonymous. I would

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Speaker 2: say you bring I don't know, you make things fun

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Speaker 2: more positive, oh, like lighter, Okay, Okay, yeah, that's so stressful.

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Speaker 2: You have that kind of personality, laid back. Yeah, like

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Speaker 2: people like to be around you.

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Speaker 3: I'd be chill.

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Speaker 2: Now I don't say like that, got'd be chill, but

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Speaker 2: people really like to be around you.

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Speaker 4: Okay, always say you're there, You're in that place, blunchbox.

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Speaker 4: What's the one thing you want people to remember you for?

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Speaker 4: That dude was a baller to find. Oh you know

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Speaker 4: what baller means? Like, I mean, he was flashy, he

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Speaker 4: had the goods, like he was living the life, the lifestyle,

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Speaker 4: the high life, VIP like he was a baller, like

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Speaker 4: people aspire to be like me. Like velvet rope, I

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Speaker 4: want to get on the side of that rope. Lunchbox

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Speaker 4: was always on the other side of that rope. So

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Speaker 4: with Eddie, I can see he's already been living a

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Speaker 4: life of bringing like more fun, more positive. When do

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Speaker 4: you plan on starting with yours? It's gonna take a

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Speaker 4: long time to build that. You don't look luxurious, you know.

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Speaker 4: Sometime when I met events, I look flashy. I do

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Speaker 4: like two events a year, That's what I'm saying. But

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Speaker 4: I look like a baller when I go, Like when

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Speaker 4: I'm out, I look good, uh at work, and I

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Speaker 4: ain't worried about that. But like if I'm getting out

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Speaker 4: of a limo, I'm looking good. When the last time

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Speaker 4: you got out of a limo spright? Well, when I

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Speaker 4: went for about out of Hell. So when was at

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Speaker 4: October and they they paid for that for you? Yeah, yeah,

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Speaker 4: it was awesome. Roll up to the hotel and limo.

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Speaker 5: What up?

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Speaker 3: How's it going.

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Speaker 2: Do you think that people see you generally as a baller?

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Speaker 3: Yeah, Like when I'm backstage and people, oh, let me

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Speaker 3: get a picture with you.

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Speaker 4: All, lean over the rope, take a picture of people,

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Speaker 4: you know, like that the rope like and a concert

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Speaker 4: like they can't come back here or you're in a

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Speaker 4: special section. O.

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Speaker 3: Yeah, I'll take some over the stanchion.

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Speaker 4: You know, it's somewhere a stanchion and that's one of

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Speaker 4: those what's saying?

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Speaker 3: I don't know. I don't know, but that's what I

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Speaker 3: want to be known at Evallah? Yeah? Cool, thank you, Amy.

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Speaker 2: What's the one thing you want people to remember you for?

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Speaker 6: I this was always me, but I think it's who

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Speaker 6: I'm like leaning into. I was talking about it with

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Speaker 6: a friend the other day, like being a connector and

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Speaker 6: creating connection with people, whether it's like something positive or

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Speaker 6: maybe something they're going through. I can take what I've

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Speaker 6: experienced connect them with other people. I don't know. I

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Speaker 6: just my word is connection right now. So I feel

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Speaker 6: like I would like to be remembered for like, oh,

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Speaker 6: she was there to connect and I felt that, And

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Speaker 6: I've avoided connection a lot of my life, so I'm

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Speaker 6: excited for that.

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Speaker 2: I think for me it would be like, because it

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Speaker 2: does matter where you come from, but where you come

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Speaker 2: from doesn't have to have full control of where you

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Speaker 2: can go. Is it harder for some people to get

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Speaker 2: even back to even. Yes, but if you come from

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Speaker 2: further down and you get back to even, you're that

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Speaker 2: much stronger when you get there, and it's so much

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Speaker 2: easier to get past that line. So it doesn't matter

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Speaker 2: where you come from, because it affects many things. However,

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Speaker 2: I would think that just because you come from somewhere

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Speaker 2: where things aren't the easiest, it doesn't mean you can't

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Speaker 2: pursue and crush whatever dream that you have, if it's

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Speaker 2: being a doctor, or a vet or a baller. People

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Speaker 2: want to be this or or this. I think that

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Speaker 2: would be it for me. And then, just like discipline,

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Speaker 2: you want to be beyond time to my funeral, losers

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Speaker 2: or you'll walk a home.

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Speaker 4: I'm telling I'm telling them. One minute later, out of

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Speaker 4: the door.

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Speaker 3: It's now time to open up the mail bag, fail

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Speaker 3: and the air to get.

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Speaker 5: Something we call Bobby's mail bag.

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Speaker 3: Yeah, here we go.

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Speaker 2: Hello, whoa, whoa, Bobby Bones. I was looking at the

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Speaker 2: ACM nominees and wondering what does it mean to Entertainer

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Speaker 2: of the Year. To me, it feels like a popularity contest.

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Speaker 2: I see people so upset online every year their favorite

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Speaker 2: artists isn't picked. I can't afford to see him a concert,

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Speaker 2: so I feel like I don't really care about what

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Speaker 2: they're like live. So what makes one artist more entertainer

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Speaker 2: than the other? What does that vote mean? What does

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Speaker 2: Entertainer of the Year mean? Signed Country Music Courtney. It's

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Speaker 2: a great question and there is no answer. It's like

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Speaker 2: being invited into the Illuminati, not talking anything about that,

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Speaker 2: but you don't really know being a member of the

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Speaker 2: Grand ol Opery.

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Speaker 3: There's no real protocol.

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Speaker 2: There's just people who go, this is it with the

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Speaker 2: ACM Entertainer of the Year. People just vote. If you're

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Speaker 2: part of the voting, there's a lot of voters, thousands.

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Speaker 2: They vote on who they think overall is like the person.

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Speaker 2: I can read you the definition, but it doesn't really

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Speaker 2: give any clarity because it kind of says it's whatever

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Speaker 2: you want it to be. Here's the definition for ACM

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Speaker 2: Entertainer of the Year. The factor you would be considered include,

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Speaker 2: but are not limited to, success of radio consumption, success

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Speaker 2: in music, video's vocal performances, live concert ticket sales, artistic merit,

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Speaker 2: appearances on television, appearances in film, songwriting, success in digital media,

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Speaker 2: and contribution to the country music industry.

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Speaker 3: That means anything in everything.

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Speaker 2: Or like whoever's everywhere you know, like you look everywhere

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Speaker 2: you look that person's on could be a thing, but

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Speaker 2: not the case, but it can be that. Yeah, here

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Speaker 2: are the nominees, Jason al Dean, Luke Combs, Randa Lambert,

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Speaker 2: Chris Stapleton, Carrie Underwood, Kane Brown and Morgan Wallen. Now

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Speaker 2: the show is tonight and somebody's gonna win this. But again,

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Speaker 2: they all aren't the same in any way. Some do

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Speaker 2: bigger shows than others, some do more TV. The answer

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Speaker 2: is there's no answer. It's a popularity contest. If there

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Speaker 2: was a strict set of guidelines, that'd be fine, but

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Speaker 2: there's not. So it's just like who's the biggest and

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Speaker 2: coolest right now period? That's it, And biggest can mean

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Speaker 2: whatever you want it to be, because nobody's selling more

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Speaker 2: tickets than Luke Combe's. But I think Morgan Wallen's the

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Speaker 2: biggest artist right now overall.

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Speaker 3: But Stapleton's probably like.

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Speaker 4: That, like the most now, him and Miranda are probably

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Speaker 4: like the most, like a legit, authentic I don't know.

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Speaker 4: Everybody has a different situation, so there is no answer.

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Speaker 4: All that to say there.

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Speaker 6: Is no answer, although that does give us an answer,

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Speaker 6: then there is no answer. Yeah, so thank you for that.

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Speaker 2: You just vote for he liked the best, he thinks

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Speaker 2: the biggest artists. It's like high school homecoming prom king.

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Speaker 2: Lunchbox is prom king. Yep, there's no answer. Like I said,

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Speaker 2: we got your team mail and.

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Speaker 6: We laid it on the air.

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Speaker 7: Now let's find the clothes Bobby's mailed that.

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Speaker 1: Dam.

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Speaker 2: We have two dogs. We have Stanley, who's a bulldog.

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Speaker 2: Stanley's almost four now, had a bunch of surgeries. Obviously

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Speaker 2: bulldog's a big, fat dog. And sometimes I'll be hanging

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Speaker 2: out with him, talking with him, and I'm like, that

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Speaker 2: sucks for you, bro, Like you were just born this way,

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Speaker 2: like you were just born big and fat. He can

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Speaker 2: never be in shape, he will never be ripped up.

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Speaker 2: He'll never be able to run.

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Speaker 4: We will walk and he walks about two and plops

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Speaker 4: for about five or he'll jog for about thirty seconds

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Speaker 4: and plops for about five minutes.

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Speaker 3: So I always feel bad because he can't help it.

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Speaker 3: He's born that way.

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Speaker 4: And what sucks is we have a friend who who's

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Speaker 4: bulldog was nine and a half and they just had

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Speaker 4: to put put him down because he was so sick.

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Speaker 3: Bulldogs do not live long.

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Speaker 4: And I always talk to him too, like, I know

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Speaker 4: you don't know English or what I'm saying, but I

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Speaker 4: think about you dying all the time.

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Speaker 3: It makes me sad.

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Speaker 6: Oh gosh.

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Speaker 2: Yeah, so he doesn't really know how to walk those

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Speaker 2: conversations again, it's really good. Yeah, it sucks actually, And

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Speaker 2: so that's one talk that we have. But he's like

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Speaker 2: not as nutty when people come over to the house.

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Speaker 2: And he used to just run and jump, and Eddie's

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Speaker 2: been over a bunch and he's not near that anymore.

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Speaker 8: No, not anymore. He used to be. He used to

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Speaker 8: knock me down all the time.

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Speaker 4: Eddie's son, they're about the same size, his youngest son,

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Speaker 4: who is just a maniac himself.

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Speaker 2: He's so funny, so strong, he just runs into stuff.

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Speaker 2: When he was like to Eddie, sound was like two.

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Speaker 2: He was like jumping off rocks into our pool creat

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Speaker 2: just like ah boom. I'm like, you're a tiny kid,

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Speaker 2: and he just hasn't But him and Stanley are like,

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Speaker 2: what was it Iron Man versus Captain America.

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Speaker 3: That's what it feels like, Just like they didn't run

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Speaker 3: into each other, and.

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Speaker 4: So they're funny. Stanley's funny. But we have Eller and

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Speaker 4: Ella is a dog that just a street dog. We

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Speaker 4: adopted her. I think they told us because somebody had

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Speaker 4: grabbed her off the road and said, hey, this is

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Speaker 4: a dog if we just found do you want her?

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Speaker 3: And so we were like, yeah, sure, we'll take her.

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Speaker 3: And I think they were wrong.

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Speaker 8: I don't.

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Speaker 3: I think they were wrong about how old she was.

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Speaker 4: I think we got her way too young because she

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Speaker 4: was already away from her mom, and so we adopted her.

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Speaker 3: And she is a runner.

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Speaker 2: She loves to sprint, She loves to just you know,

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Speaker 2: runs fas she can't everywhere she goes so much energy.

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Speaker 2: We have to take her into like the dog daycare place,

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Speaker 2: like three times a week just so she can get

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Speaker 2: all the energy out. Because we don't live on a farm.

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Speaker 2: So it's like two different dogs. They have to raise

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Speaker 2: them two different ways. Where Stanley will eat everything in

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Speaker 2: front of them, it doesn't matter what it is. I'd

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Speaker 2: sure like to have some of that, and it does.

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Speaker 2: Elder is so picky about food, and at first we

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Speaker 2: got something's wrong with it. We're taking her in twice

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Speaker 2: oh yeah.

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Speaker 6: I've never heard of a picky dog.

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Speaker 3: She'll be like, you know, I.

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Speaker 2: Don't think I like this kind of food anymore and

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Speaker 2: just stop being to it, and we have to change foods.

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Speaker 2: And finally the vet we were like, are we sure

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Speaker 2: she has nothing wrong with her, like her teeth, because

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Speaker 2: sometimes with their mouth hurts, their teeth thirts. They won't

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Speaker 2: eat because it hurts to chew. Same with us, right

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Speaker 2: if we got a tooth, or if it's like a

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Speaker 2: stomach thing. The problem with dogs is you guys may

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Speaker 2: not know this. Dogs can't talk English. They can't tell

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Speaker 2: us what hurts. Oh yeah, know to me a while

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Speaker 2: to learn that too. So she's so picky with food

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Speaker 2: and we have to change food out every month and

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Speaker 2: a half or so.

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Speaker 4: Or we'll get a little bone broth and we just

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Speaker 4: put a little on it the top of her food

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Speaker 4: in the bowl.

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Speaker 2: I'm telling you, though, she would go and pick the

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Speaker 2: ones out with bone broth and leave the rest. It's

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Speaker 2: like me eating onions and peppers.

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Speaker 3: I won't do it. So I get everything around it.

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Speaker 4: But we're constantly dealing with two It's like having if

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Speaker 4: you had two kids that were so different.

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Speaker 2: That just so I mean it's and they both get

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Speaker 2: jealous of each other where if one gets to go

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Speaker 2: for a walk because I have to go and run,

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Speaker 2: Eller like myself, I'll go and just run with her

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Speaker 2: and Stanley's like, YEO, what up? And I'm like, bro,

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Speaker 2: you can't even skip, you can to go no pace.

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Speaker 2: And so that's sposly be what it's like raising two kids. Yes,

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Speaker 2: I'm saying right, no, exactly, this must be exactly what

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Speaker 2: it's like. And exactly it's hard because sometimes I'll just

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Speaker 2: you know, walking outside.

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Speaker 3: Guys ever do that? No, no, no, you don't do

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Speaker 3: that hour, no, never.

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Speaker 6: But you're getting good practice, especially with the picky eating,

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Speaker 6: the different activity levels that dogs.

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Speaker 2: That won't eat everything all the time, because Stanley will

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Speaker 2: eat everything.

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Speaker 3: And Ether was like, I'm good.

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Speaker 2: She will might eat for a whole day, She'll go

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Speaker 2: twenty four hours. She'd rather starve than eat food that

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Speaker 2: she thinks maybe isn't acceptable for her.

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Speaker 3: And I'm like, we pulled you off the street. Who

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Speaker 3: do you think you are?

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Speaker 6: Like, gosh, you're literally talking about my daughters to share

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Speaker 6: right now. So she says, I said, oh, yeah, she

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Speaker 6: just won't eat And I said, sta shura, What did

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Speaker 6: you do with the orphanage when.

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Speaker 3: You didn't you didn't have a street dog? What are

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Speaker 3: you being so snooty about?

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Speaker 6: Yeah, she will look at me and say, I just

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Speaker 6: wouldn't eat sometimes I would go days, and I'm like, cool.

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Speaker 2: Great, being a parent's tough, right, Oh dude, you know

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Speaker 2: you know what I mean. That's just a little bit

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Speaker 2: of the like. And Stanley's hurt all the time. So

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Speaker 2: it's I think fourteen surgeries that he's had. Imagine at

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Speaker 2: fourteen years old and having fourteen surgeries because some of

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Speaker 2: them he has two at once, but some of them.

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Speaker 2: That was why it was so hard to discipline when

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Speaker 2: he was young, because he was always in a cone

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Speaker 2: eyes weener. But stommach two acls and that's just me

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Speaker 2: caring for him, that is what I heard. But anyway,

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Speaker 2: I get a lot of questions asking how the dogs

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Speaker 2: are doing, especially Stanley because he had those two surgeries.

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Speaker 2: He's probably three weeks out from being full blown again.

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Speaker 2: And he can't retear his acls because there now it's

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Speaker 2: just like a metal thing and you only have two acls.

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Speaker 2: Did you know a dog doesn't have four legs, they

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Speaker 2: have two legs and two arms. Didn't know that, so

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Speaker 2: you said, well, I didn't either. I don't know that

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Speaker 2: either till I said it, and then I.

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Speaker 3: Was like, I can't think.

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Speaker 6: We were debating it and then we got a vet

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Speaker 6: on and they clarified it.

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Speaker 2: So although they are legs they walk on, they're not

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Speaker 2: built the same way they're built like arms are.

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Speaker 4: There are no ligaments like in the legs. That's crazy,

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Speaker 4: which is pretty crazy. But that's the update on Stanley

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Speaker 4: the Dog. That's the updatene in La or the Dog.

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Speaker 4: They're both thriving. Stanley has one hundred thousand Instagram followers,

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Speaker 4: which is crazy. Eller has like twelve thousand. So Stanley's

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Speaker 4: like all full of himself.

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Speaker 6: I mean, he's a book.

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Speaker 3: He's going to be like an influencer. Yeah, So I

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Speaker 3: thank you for all the questions.

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Speaker 2: If you guys want to get the Stanley book, you

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Speaker 2: can Stanley the Dog in the first Day of School.

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Speaker 2: It is up on Amazon and we've been able to

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Speaker 2: make a couple of donations now to the Dog the

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Speaker 2: place that we work with, Wags and Walks Nashville, where

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Speaker 2: we got Eller from.

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Speaker 3: So appreciate that and appreciate.

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Speaker 9: You guys, it's time for the good news.

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Speaker 5: Ready.

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Speaker 2: Harry Schaeffer loves the Baltimore Ravens. He's a huge fan,

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Speaker 2: and he remembers being a kid and getting his first

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Speaker 2: ray Lewis jersey and how expensive it was.

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Speaker 3: He really loved it, but he was like, man, that

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Speaker 3: was really expensive.

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Speaker 4: Ray Lewis linebacker, one of the best ever, super famous

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Speaker 4: to come out of the tunnel doing the dance and

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Speaker 4: like anything, I.

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Speaker 6: Feel like, have I watched a thirty thirty on you?

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Speaker 3: Maybe yea, probably yeah, but it wasn't good the dark

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Speaker 3: Times or.

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Speaker 4: Yeah, okay, anyway, I feel like me, yeah, I don't

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Speaker 4: maybe ray Caruth, I don't know.

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Speaker 3: I don't know, but Ray Lewis, Yeah, not good anyway,

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Speaker 3: go ahead.

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Speaker 2: So anyway, Perry has some money now he's older, and

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Speaker 2: what he did was he bought twenty Lamar Jackson jerseys

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Speaker 2: and he just keeps them with him. So when he

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Speaker 2: sees a fan, somebody that has maybe a hat, a

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Speaker 2: Ravens hat, he gives him a jersey.

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Speaker 4: How cool would it be to get a free jersey

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Speaker 4: if you can't afford a jersey?

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Speaker 2: Guys, my kids ask for jerseys like all the time.

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Speaker 2: I'm like, you're out of your mind. They're so expensive,

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Speaker 2: you're not getting one.

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Speaker 3: This guy buys them. It just gives them.

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Speaker 2: That's that would be the greatest random gift if fit

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Speaker 2: and you were a fan. And also since Lamar Jackson

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Speaker 2: signed back, let's.

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Speaker 3: Go cool again. Otherwise like a dollar. Yeah, that's great.

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Speaker 3: What's his name again?

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Speaker 2: His name is Perry Schaeffer, Perry Shaffer. That's awesome and

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Speaker 2: that is what it's all about. That was tell me

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Speaker 2: something good, So Bobby Bones Show Interviews.

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Speaker 3: In case you didn't know, his name.

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Speaker 2: Is Jason al Dean. He's a brand new artist you

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Speaker 2: may not know about now, just kidding. He's up for

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Speaker 2: Entertainer of the Year tonight at the a c MS.

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Speaker 2: We're gonna talk about that. His top five streaming songs

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Speaker 2: of all time? What do you think Number one is

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Speaker 2: Amy big Green? Tractor Number five.

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Speaker 6: Is big that's my favorite.

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Speaker 3: Guess they're adding road anthem de road anthems number two.

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Speaker 3: What other songs does he have? Lots of them. He's

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Speaker 3: on the phone right now to be careful. She thinks

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Speaker 3: my tractor six is that? That's Kenny Chesney? Yeah? Four,

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Speaker 3: got what I got?

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Speaker 4: Well?

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Speaker 3: That can that god number three? She's country No.

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Speaker 9: Number one?

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Speaker 3: Yeah, hopefully can't hear us number one?

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Speaker 9: You make it easy, you make it here.

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Speaker 1: He is.

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Speaker 3: Lord Jason al Dean on.

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Speaker 9: The Bobby Bones Show Now Jason.

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Speaker 2: Tonight the ACM Awards on Amazon Prime. You don't even

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Speaker 2: need to have an account to watch. You can watch

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Speaker 2: it for free. One of the one of the people

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Speaker 2: nominated for Entertainer of the Year is Jason al Dean.

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Speaker 3: Jason's on right now. Yes, sir Jason. W what's up Boddy? Hey? Good?

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Speaker 2: So with this ACM Entertainer of the Year Award, you

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Speaker 2: have won this thing a few times now. The first

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Speaker 2: time you won it one, did you feel like you

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Speaker 2: had a legitimate shot And was this the organization that

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Speaker 2: really recognized you first at being like one of the

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Speaker 2: big dogs, which you are.

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Speaker 5: I mean, yeah, they were definitely one of the ones

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Speaker 5: that kind of recognized me first. I won the New

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Speaker 5: Artist of the Year award in two thousand and six,

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Speaker 5: I think, which was my first award, and then ended

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Speaker 5: up winning Male Vocalist a couple times and then eventually Entertainer.

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Speaker 5: But you know, I mean, I think anytime you're nominated

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Speaker 5: for it, you feel like you have a legitimate shot.

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Speaker 5: But we had been nominated before and it never won it,

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Speaker 5: so I was like, man, maybe this one just isn't

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00:17:27,640 --> 00:17:29,960
Speaker 5: supposed to happen for us or something, and then we

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Speaker 5: ended up winning it, I think three times in a row.

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Speaker 3: So you just you never know do you have I

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Speaker 3: don't think you have a piece of paper?

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Speaker 2: But when you go up and you do you think

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Speaker 2: people before they announced the name, are you like, okay,

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Speaker 2: just have to remember these four people specifically, or do

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Speaker 2: you just go up during.

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Speaker 3: Raw dog it?

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Speaker 5: You know, I've never tried to plan anything because I

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Speaker 5: always kind of feel like that feels I don't know,

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Speaker 5: it just feels a little weird when somebody goes up

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Speaker 5: with a piece of paper and you know, it's almost

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Speaker 5: like they're expecting to win. So I just always shoot

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Speaker 5: from the hip and sometimes I get everybody. Sometimes I

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Speaker 5: forget a person here, But anytime I go up, man,

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Speaker 5: I'm shooting from the hit.

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Speaker 2: You ever forget someone and as soon as you come off.

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Speaker 5: Go oh no, Yeah. That happens pretty much every.

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Speaker 2: Time Jason Ala Dean's on with us. Tonight is the

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Speaker 2: night it's the ACM Awards, will be in Dallas. It'll

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Speaker 2: be on Amazon Prime for free. You don't even have

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Speaker 2: to be a subscriber. I hope you watch. Hey tell

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Speaker 2: me about when you have to perform on one of

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Speaker 2: these shows, because I think it's it's so weird and

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Speaker 2: different because you're almost just going up cold, but you're

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Speaker 2: expected to give an extremely energetic performance even though it's like,

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Speaker 2: all right, no stretching. You haven't been to any other

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Speaker 2: songs action. I mean, is it difficult. It's like shot

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Speaker 2: out of a kid. Yeah, tell me about that.

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Speaker 5: It's exactly It's exactly what it's like. And you know,

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Speaker 5: you know that it's live, so there's not really any

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Speaker 5: room for error there, and you know, it's it's a

437
00:18:53,960 --> 00:18:56,320
Speaker 5: different vibe than going up and playing a show where

438
00:18:56,400 --> 00:18:58,560
Speaker 5: you got a few shows, you know, a few songs

439
00:18:58,600 --> 00:19:00,480
Speaker 5: to get warmed up and then it kind of fall

440
00:19:00,520 --> 00:19:03,159
Speaker 5: into a groove during the night. This is like a

441
00:19:03,240 --> 00:19:04,680
Speaker 5: one and done, so you got to get up and

442
00:19:04,760 --> 00:19:07,800
Speaker 5: knock it out and try to try to play it perfectly,

443
00:19:08,119 --> 00:19:10,760
Speaker 5: and you know, it's it's a little bit more pressure

444
00:19:10,800 --> 00:19:11,960
Speaker 5: when it's a live show like that.

445
00:19:12,600 --> 00:19:14,920
Speaker 2: I saw you have themed rooms in your new house.

446
00:19:15,119 --> 00:19:17,000
Speaker 2: Do you have a room for just your awards, like

447
00:19:17,080 --> 00:19:19,720
Speaker 2: at the Aldean Museum, because that would be like the

448
00:19:19,960 --> 00:19:22,520
Speaker 2: ultimate flex, Like, come on, I've got room for is

449
00:19:22,720 --> 00:19:25,160
Speaker 2: I love donkeys? Look, I love you know, the War

450
00:19:25,200 --> 00:19:27,280
Speaker 2: of eighteen twelve. And this is my Aldean trophy room.

451
00:19:27,359 --> 00:19:28,600
Speaker 2: Do you have an Alideen trophy room?

452
00:19:28,880 --> 00:19:30,760
Speaker 5: I have like a man k that has a lot

453
00:19:30,840 --> 00:19:32,919
Speaker 5: of the plaques and things like that that are up

454
00:19:33,160 --> 00:19:35,760
Speaker 5: and then and then there's like an actual cabinet that

455
00:19:35,840 --> 00:19:39,160
Speaker 5: has some of the awards and stuff in it. But yeah,

456
00:19:39,359 --> 00:19:41,119
Speaker 5: you know, I mean, I try to display that stuff

457
00:19:41,119 --> 00:19:43,280
Speaker 5: of me. I'm proud of those things in the career

458
00:19:43,320 --> 00:19:46,160
Speaker 5: I've had, so I like to at least go check

459
00:19:46,200 --> 00:19:47,479
Speaker 5: them out and look at them every now and then

460
00:19:47,560 --> 00:19:49,240
Speaker 5: go oh, yeah that was that was a cool day.

461
00:19:49,320 --> 00:19:50,160
Speaker 5: That was a cool night.

462
00:19:50,240 --> 00:19:50,399
Speaker 6: You know.

463
00:19:50,600 --> 00:19:52,920
Speaker 2: Okay, I'm not a beach guy. Actually, you know, I

464
00:19:52,960 --> 00:19:54,480
Speaker 2: grew up in Arkansas. I never went to the beach,

465
00:19:54,520 --> 00:19:56,280
Speaker 2: so I don't understand the beach. I don't like the beach.

466
00:19:56,480 --> 00:19:58,440
Speaker 2: You're a big beach guy. What am I missing about

467
00:19:58,480 --> 00:19:59,480
Speaker 2: the beach to me?

468
00:19:59,640 --> 00:20:02,480
Speaker 5: Man? I grew up in Georgia and Florida. You know,

469
00:20:02,560 --> 00:20:04,320
Speaker 5: every summer I grew up around the beach, and so

470
00:20:04,440 --> 00:20:06,639
Speaker 5: I love it and it's just kind of a I

471
00:20:06,680 --> 00:20:08,280
Speaker 5: don't know, kind of a happy place for me where

472
00:20:08,320 --> 00:20:10,560
Speaker 5: I can go and kind of get away from music

473
00:20:10,640 --> 00:20:13,120
Speaker 5: and get away from all the other stuff and really

474
00:20:13,320 --> 00:20:16,399
Speaker 5: just relax and enjoy like time with family and stuff

475
00:20:16,440 --> 00:20:18,920
Speaker 5: like that. And I don't know, mentally, it's just kind

476
00:20:18,920 --> 00:20:21,200
Speaker 5: of a good place for me to go and refit

477
00:20:21,240 --> 00:20:22,119
Speaker 5: a little bit sometimes.

478
00:20:22,680 --> 00:20:24,800
Speaker 2: Are you performing tonight at the ACM Awards.

479
00:20:25,160 --> 00:20:29,280
Speaker 5: I am. Yeah. We got a we've been working on

480
00:20:29,320 --> 00:20:31,840
Speaker 5: a new album and so we've got I don't know

481
00:20:32,320 --> 00:20:35,840
Speaker 5: ninety percent of it done right now, and so we're

482
00:20:35,840 --> 00:20:38,520
Speaker 5: playing a song on there called Tough Crowd that's gonna

483
00:20:38,520 --> 00:20:40,080
Speaker 5: be on the new album, and it's it's kind of

484
00:20:40,119 --> 00:20:43,080
Speaker 5: a kind of a song for the fans and people

485
00:20:43,160 --> 00:20:44,879
Speaker 5: that have supported us, and it's kind of what we

486
00:20:45,040 --> 00:20:47,399
Speaker 5: see on stage, like a bird's eye view of the

487
00:20:47,480 --> 00:20:50,720
Speaker 5: crowd and what we see every night, and it's it's

488
00:20:50,760 --> 00:20:52,680
Speaker 5: a cool tune. So it's it's one for the fans

489
00:20:52,720 --> 00:20:53,800
Speaker 5: we're doing tonight, all right.

490
00:20:53,920 --> 00:20:55,840
Speaker 2: So I'm gonna ask you this because I know you

491
00:20:56,320 --> 00:20:58,760
Speaker 2: and I'm running by you and you can say no. So,

492
00:20:59,320 --> 00:21:01,920
Speaker 2: first of all, tonight on the show. I'm doing Garth

493
00:21:01,960 --> 00:21:03,720
Speaker 2: and Doli. You're hosting, but I'm doing all the backstage

494
00:21:03,760 --> 00:21:05,959
Speaker 2: stuff on camera, and I'm doing vo for a lot

495
00:21:06,000 --> 00:21:08,440
Speaker 2: of the stuff. But I'm also going up right before

496
00:21:08,480 --> 00:21:10,720
Speaker 2: it starts, and they want me to tell jokes to

497
00:21:10,840 --> 00:21:12,960
Speaker 2: the crowd, and I have a joke about you, and

498
00:21:13,000 --> 00:21:14,159
Speaker 2: I'm gonna just give it to you. Tell me if

499
00:21:14,200 --> 00:21:15,320
Speaker 2: you don't, if you don't mean to say it, just

500
00:21:15,320 --> 00:21:17,440
Speaker 2: say don't say it, or then text me be like yeah,

501
00:21:17,520 --> 00:21:18,800
Speaker 2: then text me. IU have to be like, don't say it.

502
00:21:18,920 --> 00:21:20,479
Speaker 2: You know, we can do whatever order you want here.

503
00:21:20,880 --> 00:21:24,159
Speaker 4: So it's pretty it's it's pretty friendly, though, But I

504
00:21:24,240 --> 00:21:27,440
Speaker 4: just don't want Jason, who I like, to hold a

505
00:21:27,480 --> 00:21:30,800
Speaker 4: grudge against me forever and him not tell me all

506
00:21:30,880 --> 00:21:32,120
Speaker 4: good Jason, Yeah.

507
00:21:31,960 --> 00:21:34,240
Speaker 5: Man, Okay, it takes a lot to hurt my feelings.

508
00:21:34,280 --> 00:21:35,320
Speaker 5: At this point, we're good.

509
00:21:36,119 --> 00:21:37,920
Speaker 2: But let's hear it, all right, So Jason, you gotta know,

510
00:21:38,000 --> 00:21:39,760
Speaker 2: though there were a few people that I had in

511
00:21:39,840 --> 00:21:43,480
Speaker 2: mind for this joke. It wasn't specifically about you, like Blake,

512
00:21:43,680 --> 00:21:45,280
Speaker 2: but Blake's not going to be there. It was an option,

513
00:21:45,800 --> 00:21:48,320
Speaker 2: so if you say no, I'll pick somebody else. Okay,

514
00:21:48,400 --> 00:21:50,960
Speaker 2: so I give out a few awards, and I say, hey,

515
00:21:50,960 --> 00:21:52,359
Speaker 2: I thought i'd hand out a few awards on my

516
00:21:52,400 --> 00:21:55,040
Speaker 2: own before the show gets started. For Best Spray Tan

517
00:21:55,640 --> 00:21:58,840
Speaker 2: Jason al Dean, Jason looks like when the technician asked

518
00:21:58,920 --> 00:22:01,000
Speaker 2: him if you want a level one to three, four

519
00:22:01,080 --> 00:22:05,440
Speaker 2: or five, he just said, yes, I say it better

520
00:22:05,480 --> 00:22:05,680
Speaker 2: than that.

521
00:22:05,880 --> 00:22:06,359
Speaker 3: Are you now?

522
00:22:06,560 --> 00:22:08,359
Speaker 4: Will you get upset if I tell that joke? Or

523
00:22:08,359 --> 00:22:10,320
Speaker 4: should I change it? Or you can change it right

524
00:22:10,400 --> 00:22:11,359
Speaker 4: now to somebody else?

525
00:22:11,560 --> 00:22:14,840
Speaker 5: Ooh, I'm fine, you can go with it, okay, all right,

526
00:22:15,920 --> 00:22:18,200
Speaker 5: just know that mine's from the sun. It's not from

527
00:22:18,280 --> 00:22:20,680
Speaker 5: the from the bottle. But it's all good.

528
00:22:20,800 --> 00:22:22,720
Speaker 3: That's fair enough. And you know what, I may even

529
00:22:22,760 --> 00:22:25,719
Speaker 3: say that after the joke under my breath. All right,

530
00:22:26,000 --> 00:22:28,440
Speaker 3: there he is all right. Tonight the ACM Awards, Jason

531
00:22:28,480 --> 00:22:30,280
Speaker 3: auding up for Entertainer of the Year. He'll be performing

532
00:22:30,320 --> 00:22:32,320
Speaker 3: as well. Jason. Good to talk to you, buddy, and

533
00:22:33,359 --> 00:22:37,120
Speaker 3: don't beat me up. All right, all right, see you buddy?

534
00:22:37,160 --> 00:22:38,040
Speaker 5: Oh good, I appreciate it.

535
00:22:38,160 --> 00:22:42,760
Speaker 2: Bye, brace yourselves, getting your seat, hold onto your seat

536
00:22:42,760 --> 00:22:45,800
Speaker 2: because we're gonna go to raymundo oh for this segment.

537
00:22:46,160 --> 00:22:48,560
Speaker 2: And this could take us anywhere. But Raymundo has two

538
00:22:48,680 --> 00:22:52,800
Speaker 2: different celebrity in the wild stories. Raymundo who runs all

539
00:22:52,880 --> 00:22:56,800
Speaker 2: of our sound. He's our sound producer, Raymundo. Let's go

540
00:22:56,840 --> 00:22:59,920
Speaker 2: with number one. You saw somebody just walking down the street.

541
00:23:00,040 --> 00:23:02,080
Speaker 2: It was an artist, right, yeah, on Music Row and

542
00:23:02,119 --> 00:23:03,520
Speaker 2: it is kind of by the coffee shop. I think

543
00:23:03,560 --> 00:23:05,320
Speaker 2: that's what they're going for. So Music Row is a

544
00:23:05,320 --> 00:23:09,000
Speaker 2: place in Nashville where there's a bunch of buildings that

545
00:23:09,119 --> 00:23:11,280
Speaker 2: don't look like anything, but really they're like record label,

546
00:23:11,440 --> 00:23:14,960
Speaker 2: songwriting places, studios. Yeah, you just know, but you wouldn't

547
00:23:15,000 --> 00:23:17,200
Speaker 2: drive through and be like, dang, all these buildings have

548
00:23:17,320 --> 00:23:18,480
Speaker 2: music notes on them like that.

549
00:23:18,840 --> 00:23:20,919
Speaker 3: But it's called Music Row. So he saw somebody just.

550
00:23:20,960 --> 00:23:22,480
Speaker 4: Walking down Yeah, and it was the same week at

551
00:23:22,520 --> 00:23:25,080
Speaker 4: Taylor Swift. So there were dozens of tourists in town

552
00:23:25,200 --> 00:23:26,760
Speaker 4: early for that just walking.

553
00:23:26,560 --> 00:23:32,800
Speaker 3: Past the guy. Dozens even. Oh, so it was a guy.

554
00:23:32,920 --> 00:23:34,480
Speaker 4: It was a guy, and he's part of a band.

555
00:23:34,680 --> 00:23:36,760
Speaker 4: And so then it led me to researching him and

556
00:23:36,800 --> 00:23:38,520
Speaker 4: see what he's been up to. Don me tell you

557
00:23:38,520 --> 00:23:42,800
Speaker 4: who it was. Yes, the King Callaway dude, Jordan Harvey.

558
00:23:46,760 --> 00:23:47,920
Speaker 4: Is he the one that used to be in the

559
00:23:48,000 --> 00:23:50,200
Speaker 4: band yeah, and so he's the redhead. Yeah, and his

560
00:23:50,520 --> 00:23:52,840
Speaker 4: hair's all noticeable and everything, and I looked him up

561
00:23:53,400 --> 00:23:54,600
Speaker 4: he left the band.

562
00:23:54,880 --> 00:23:56,760
Speaker 3: Yeah, long time ago, dude, we all knew that. Well,

563
00:23:56,800 --> 00:23:58,879
Speaker 3: that explains why it was all by himself walking down

564
00:23:59,000 --> 00:24:02,840
Speaker 3: music row that Okay, I thought I thought it was.

565
00:24:03,480 --> 00:24:06,720
Speaker 2: Okay, let's go to the next one, Ray, Yeah, the

566
00:24:06,800 --> 00:24:09,880
Speaker 2: next one will blow you guys away. So I can't

567
00:24:09,880 --> 00:24:12,800
Speaker 2: even believe you came to the show with that one. Okay,

568
00:24:12,920 --> 00:24:14,879
Speaker 2: So you can stop your laughter now, Okay, go ahead.

569
00:24:14,880 --> 00:24:16,280
Speaker 2: So where did you see the next celebrity?

570
00:24:16,760 --> 00:24:16,879
Speaker 4: Uh?

571
00:24:17,560 --> 00:24:19,680
Speaker 3: It was at the mall. I was going into the mall.

572
00:24:19,720 --> 00:24:20,400
Speaker 3: They were coming out.

573
00:24:20,600 --> 00:24:23,200
Speaker 4: Okay, that could be anybody, because I've seen some big

574
00:24:23,240 --> 00:24:25,560
Speaker 4: stars all before, and it wasn't just a big star.

575
00:24:25,680 --> 00:24:29,480
Speaker 4: It was a manly man big star. So it's gotta

576
00:24:29,480 --> 00:24:32,720
Speaker 4: be Trey Atkins coming out of the mall. Okay, So

577
00:24:32,840 --> 00:24:34,560
Speaker 4: let's play the game on this one. Is this a

578
00:24:34,600 --> 00:24:35,080
Speaker 4: stupid one?

579
00:24:35,160 --> 00:24:35,320
Speaker 2: Ray?

580
00:24:35,600 --> 00:24:39,439
Speaker 4: No, this one's awesome manly man manly man to suckered

581
00:24:39,480 --> 00:24:40,360
Speaker 4: us into that other one.

582
00:24:40,400 --> 00:24:43,240
Speaker 3: That's pretty good. Tobeyk's a good guest. Keith doesn't live here, though, Okay,

583
00:24:43,480 --> 00:24:44,639
Speaker 3: he could be here. At Oklahoma.

584
00:24:45,800 --> 00:24:50,600
Speaker 2: Okay, we're each gonna get one question and one guess. Okay,

585
00:24:51,440 --> 00:24:52,960
Speaker 2: go ahead, Amy question.

586
00:24:55,280 --> 00:24:57,119
Speaker 6: Does he wear a hat?

587
00:24:57,960 --> 00:25:02,320
Speaker 3: Yep, it's like a cowboy, A mean, right, a cowboy? Yeah?

588
00:25:03,680 --> 00:25:04,560
Speaker 3: When he's on stage?

589
00:25:04,680 --> 00:25:04,880
Speaker 1: Yes?

590
00:25:05,119 --> 00:25:07,720
Speaker 3: Off stage probably not? Okay, we feel pretty good. We're

591
00:25:07,720 --> 00:25:09,040
Speaker 3: a team. By the way, no need to build out

592
00:25:09,040 --> 00:25:12,879
Speaker 3: an answer everybody. Yeah. Does he have ear rings? No

593
00:25:13,080 --> 00:25:18,440
Speaker 3: ear rings? What cowboy hat? Where would wear earrings? Come on, man, Hey,

594
00:25:18,520 --> 00:25:21,800
Speaker 3: he likes fire man? Great?

595
00:25:23,200 --> 00:25:24,600
Speaker 4: See where I was going with the I do and

596
00:25:24,720 --> 00:25:27,320
Speaker 4: I did not put that together. Good job, Good job, lunchbox.

597
00:25:27,520 --> 00:25:28,960
Speaker 3: Is he over forty years of age?

598
00:25:29,200 --> 00:25:29,480
Speaker 10: Yes?

599
00:25:30,080 --> 00:25:32,879
Speaker 2: And I've seen I do it's all many times. Okay,

600
00:25:33,320 --> 00:25:34,880
Speaker 2: so he's over forty? Where's cowboy hat?

601
00:25:35,280 --> 00:25:41,119
Speaker 3: No ear rings? Has he been in the studio?

602
00:25:41,560 --> 00:25:41,600
Speaker 1: You?

603
00:25:42,320 --> 00:25:42,639
Speaker 3: Okay?

604
00:25:43,359 --> 00:25:45,520
Speaker 4: All right, I guess we can guess anybody we want.

605
00:25:46,080 --> 00:25:49,600
Speaker 4: There's only two choices McGraw McGraw or Alan Jackson. It

606
00:25:49,720 --> 00:25:52,399
Speaker 4: was only too Alan Jackson lives so far away though.

607
00:25:52,640 --> 00:25:53,920
Speaker 3: Oh does he? I don't know where he lives, not

608
00:25:54,040 --> 00:25:55,800
Speaker 3: that he can't get to the mall? Are we ruling

609
00:25:55,880 --> 00:25:58,840
Speaker 3: tray Akins out? Already? Said? Trace Akins didn't react. I know,

610
00:25:58,960 --> 00:26:00,760
Speaker 3: but that doesn't mean it's not him. It is an

611
00:26:00,960 --> 00:26:03,359
Speaker 3: A A A A lister.

612
00:26:03,640 --> 00:26:07,119
Speaker 4: How many AA A listers are there that wear cowboy hats?

613
00:26:07,480 --> 00:26:08,920
Speaker 4: George Straight McGraw.

614
00:26:08,760 --> 00:26:12,399
Speaker 3: Straight lives in Texas, lives on an island, Chesney, but Chesney.

615
00:26:12,440 --> 00:26:14,159
Speaker 4: Do you have it?

616
00:26:14,200 --> 00:26:15,600
Speaker 3: He cond wear a baseball cap in the mall?

617
00:26:15,680 --> 00:26:15,880
Speaker 4: Yeah?

618
00:26:16,560 --> 00:26:17,760
Speaker 3: But he is he a manly man?

619
00:26:18,000 --> 00:26:18,040
Speaker 5: No?

620
00:26:18,760 --> 00:26:22,440
Speaker 3: Oh sorry, I mean he's on the beach. Yeah, he's

621
00:26:22,480 --> 00:26:25,600
Speaker 3: like a dude, but he a manly Man's McGraw a

622
00:26:25,680 --> 00:26:27,639
Speaker 3: manly man? I say yes that one too.

623
00:26:28,040 --> 00:26:30,920
Speaker 2: It could be Garth, but Ray like family to Guarth,

624
00:26:30,960 --> 00:26:32,399
Speaker 2: so I think they would bring that one up.

625
00:26:33,040 --> 00:26:33,200
Speaker 4: Huh.

626
00:26:33,680 --> 00:26:35,880
Speaker 3: Who else is like manly man cowboy hats?

627
00:26:35,880 --> 00:26:38,160
Speaker 2: It's gotta be Tim grawl rights because.

628
00:26:37,920 --> 00:26:38,199
Speaker 4: He's a.

629
00:26:39,920 --> 00:26:40,120
Speaker 8: Yeah.

630
00:26:40,400 --> 00:26:43,200
Speaker 3: Who do you have amy? I mean yeah, McGrath, Eddie,

631
00:26:43,280 --> 00:26:45,640
Speaker 3: let's go MacRath. Did you see Tim McGraw at the mall?

632
00:26:47,320 --> 00:26:52,400
Speaker 4: Oh no, it's not then, No it is you guys

633
00:26:52,480 --> 00:26:54,280
Speaker 4: just aren't really thinking in your head.

634
00:26:55,000 --> 00:26:57,840
Speaker 3: In her head men manly men.

635
00:27:00,119 --> 00:27:09,160
Speaker 4: Talking beards, Stableton at the mall, Wow at the mall.

636
00:27:09,760 --> 00:27:12,200
Speaker 4: Coming out of the mall, No bags, no idea what

637
00:27:12,320 --> 00:27:13,080
Speaker 4: he was doing in there?

638
00:27:13,440 --> 00:27:19,719
Speaker 3: But coming out of the mall, baby are I think

639
00:27:19,760 --> 00:27:22,440
Speaker 3: he was playing pickleball inside They did have a pickleball

640
00:27:22,440 --> 00:27:24,240
Speaker 3: in but you think he's able to playing pickleball in

641
00:27:24,280 --> 00:27:26,200
Speaker 3: the mall. I have no idea. I'm trying to piece

642
00:27:26,280 --> 00:27:28,720
Speaker 3: it together. Me and Beazer were beside ourself. There was

643
00:27:28,720 --> 00:27:31,399
Speaker 3: a couple of millennials. They were freaking out video and yelling.

644
00:27:32,119 --> 00:27:34,240
Speaker 3: It was not nobody was bothering him. It was awesome.

645
00:27:36,000 --> 00:27:37,159
Speaker 3: You don't think it was. I feel like it was

646
00:27:37,200 --> 00:27:38,359
Speaker 3: someone that looked like Stapleton.

647
00:27:38,520 --> 00:27:40,440
Speaker 6: No, it was.

648
00:27:40,720 --> 00:27:43,680
Speaker 3: He has to be right because he's playing clips. He's like,

649
00:27:43,760 --> 00:27:44,359
Speaker 3: I'll prove to you.

650
00:27:44,359 --> 00:27:44,760
Speaker 5: I was right.

651
00:27:44,760 --> 00:27:45,840
Speaker 3: I'll just playing different song.

652
00:27:46,040 --> 00:27:51,200
Speaker 6: Yeah, there with him like she's not gonna like, she's

653
00:27:51,240 --> 00:27:51,719
Speaker 6: gonna know it's.

654
00:27:52,240 --> 00:27:54,440
Speaker 4: Baser confirmed it. And also the kids freaking out with

655
00:27:54,480 --> 00:27:56,639
Speaker 4: their phones and cameras, it meant it was him. He

656
00:27:56,840 --> 00:28:00,400
Speaker 4: was by himself, same long hair, same beard. Yeah, chill,

657
00:28:00,480 --> 00:28:02,840
Speaker 4: look that's really cool. If so, he's just.

658
00:28:02,840 --> 00:28:04,680
Speaker 2: Walking out of the mall by himself, I'm surprised he

659
00:28:04,680 --> 00:28:07,040
Speaker 2: would go by himself. But I see aldin like I

660
00:28:07,080 --> 00:28:08,159
Speaker 2: think he was eating in the mall, and I went

661
00:28:08,200 --> 00:28:09,239
Speaker 2: and just sat with him for a little bit. He's

662
00:28:09,240 --> 00:28:10,879
Speaker 2: by himself, and I was like, what's up. He's like

663
00:28:11,119 --> 00:28:12,000
Speaker 2: chilling eating all right?

664
00:28:12,040 --> 00:28:12,200
Speaker 10: Cool?

665
00:28:12,280 --> 00:28:14,040
Speaker 3: Nobody bothered him. I saw him a chuck and cheese.

666
00:28:14,160 --> 00:28:14,959
Speaker 3: Nobody bothered him.

667
00:28:15,080 --> 00:28:18,800
Speaker 4: True, uh, Raymond to which, by the way, I hate

668
00:28:18,800 --> 00:28:20,080
Speaker 4: to bring it up because I know we're talking to

669
00:28:20,119 --> 00:28:20,320
Speaker 4: you now.

670
00:28:20,359 --> 00:28:23,320
Speaker 3: Saw your cat pass away? Yep, very sadly. That was

671
00:28:23,880 --> 00:28:25,960
Speaker 3: I know, super important, and you have loved that cat

672
00:28:26,000 --> 00:28:26,760
Speaker 3: a lot. What happened?

673
00:28:26,760 --> 00:28:28,320
Speaker 4: I know I hurt his back, but what happened in

674
00:28:28,359 --> 00:28:30,080
Speaker 4: the end, Yeah, I hurt his back. We think the

675
00:28:30,200 --> 00:28:32,760
Speaker 4: back was because he had cancer, and so the cancer

676
00:28:32,880 --> 00:28:34,720
Speaker 4: led to other stuff. He was eating his litter, which

677
00:28:34,800 --> 00:28:37,760
Speaker 4: means he needed minerals he couldn't. He stopped drinking. Why

678
00:28:37,760 --> 00:28:39,760
Speaker 4: don't you stop drinking water? You got about forty eight

679
00:28:39,800 --> 00:28:41,680
Speaker 4: hours left. Very sorry to hear that.

680
00:28:41,840 --> 00:28:42,000
Speaker 1: I know.

681
00:28:42,120 --> 00:28:44,040
Speaker 4: Yeah, it was very rough on my wife, But we

682
00:28:44,120 --> 00:28:46,840
Speaker 4: stay positive. You guys gonna get another cat? Are you

683
00:28:46,840 --> 00:28:48,360
Speaker 4: getting chill for a little bit? I mean, I think

684
00:28:48,440 --> 00:28:50,120
Speaker 4: that's honestly. The only thing keeping her going in the

685
00:28:50,160 --> 00:28:51,880
Speaker 4: morning is because he used to lay on her every morning,

686
00:28:52,000 --> 00:28:54,960
Speaker 4: So she's been researching cats for an hour every morning.

687
00:28:55,080 --> 00:28:57,600
Speaker 3: Really, Yeah, Well, sorry to hear it, buddy, thank you.

688
00:28:58,000 --> 00:29:01,600
Speaker 3: All right, Well, I don't think them all, but it

689
00:29:01,680 --> 00:29:02,120
Speaker 3: is what it is.

690
00:29:02,240 --> 00:29:06,520
Speaker 2: Okay, it's cool. He saw that king callaway guy though, Guys,

691
00:29:07,880 --> 00:29:10,640
Speaker 2: how do I know? Lunchblok saying he saw Amy at

692
00:29:10,680 --> 00:29:14,480
Speaker 2: the park or whatever? Oh, Mike, d I saw celebrity.

693
00:29:14,520 --> 00:29:16,280
Speaker 2: We played that game for thirty minutes on the air.

694
00:29:17,200 --> 00:29:19,200
Speaker 2: All right, we give up. Who is the celebrity you saw?

695
00:29:19,560 --> 00:29:21,080
Speaker 9: Mock n wait, I.

696
00:29:21,120 --> 00:29:23,960
Speaker 3: Saw Amy at the baseball park. That was crazy. He

697
00:29:24,000 --> 00:29:25,600
Speaker 3: didn't bring it to us as a game. I was

698
00:29:25,960 --> 00:29:26,440
Speaker 3: thinking about it.

699
00:29:26,680 --> 00:29:29,280
Speaker 6: He never even brought it up at all, and I'm like, God,

700
00:29:29,360 --> 00:29:31,040
Speaker 6: I thought, Eddie got so why.

701
00:29:30,960 --> 00:29:33,000
Speaker 2: Because we're together every day and our audience just expects

702
00:29:33,080 --> 00:29:34,520
Speaker 2: us to Yeah, but when you see one of us

703
00:29:34,560 --> 00:29:35,680
Speaker 2: in the wild is pretty cool.

704
00:29:35,760 --> 00:29:35,920
Speaker 4: Man.

705
00:29:36,320 --> 00:29:38,800
Speaker 2: Eddie drove up beside me the other day. That was awesome,

706
00:29:38,880 --> 00:29:41,800
Speaker 2: he thought, he yeah, he thought he like saw like

707
00:29:42,040 --> 00:29:42,760
Speaker 2: a friendly ghost.

708
00:29:42,800 --> 00:29:45,960
Speaker 3: He's like, hey, hey, I can't believe it. Hey, Bobby,

709
00:29:46,040 --> 00:29:46,400
Speaker 3: look at.

710
00:29:46,320 --> 00:29:46,760
Speaker 4: Me, bro.

711
00:29:47,360 --> 00:29:49,440
Speaker 2: We just drove from the same place. We just happened

712
00:29:49,480 --> 00:29:51,360
Speaker 2: to be beside each other on the road five minutes.

713
00:29:51,640 --> 00:29:53,920
Speaker 2: Cool though, out of those hundreds of people in the highway. Dude,

714
00:29:53,920 --> 00:29:55,200
Speaker 2: it was you and me right next to each other.

715
00:29:55,960 --> 00:29:57,760
Speaker 6: I was behind Eddie on the highway this morning.

716
00:29:58,200 --> 00:30:02,800
Speaker 3: He was I was. I was like, who's that ship?

717
00:30:04,800 --> 00:30:08,120
Speaker 3: I'm serious? And then and then that funny that's creepy,

718
00:30:09,080 --> 00:30:11,240
Speaker 3: and then it kept following me. I'm like, ok, this

719
00:30:11,400 --> 00:30:13,000
Speaker 3: is weird. And then they pulled it into the garage

720
00:30:13,000 --> 00:30:14,320
Speaker 3: and I'm like, oh my gosh, it's somebody that works

721
00:30:14,320 --> 00:30:15,680
Speaker 3: in the building. And then Amy got out of the car.

722
00:30:16,040 --> 00:30:18,160
Speaker 3: It wasn't she's driving a different car. She had in

723
00:30:18,240 --> 00:30:19,640
Speaker 3: your car. Then I was like, oh, it's Amy.

724
00:30:23,040 --> 00:30:26,440
Speaker 2: You were checking out Amy, check them their head and

725
00:30:26,520 --> 00:30:29,000
Speaker 2: I saw a pretty girl back there is that?

726
00:30:29,440 --> 00:30:29,760
Speaker 8: Okay?

727
00:30:32,080 --> 00:30:34,720
Speaker 2: There's a voicemail from Sadie and Pittsburgh, PA.

728
00:30:35,400 --> 00:30:38,000
Speaker 7: So I started going to Sonic because you guys talk

729
00:30:38,040 --> 00:30:40,760
Speaker 7: about it so much, and I did an online order

730
00:30:40,920 --> 00:30:43,840
Speaker 7: like Bobby recommends. My husband ordered a slushy or something

731
00:30:43,960 --> 00:30:45,680
Speaker 7: like that, and we showed up in their slush and

732
00:30:45,880 --> 00:30:48,320
Speaker 7: she was broken. So I was like kind of bummed,

733
00:30:48,440 --> 00:30:51,120
Speaker 7: but like whatever, he got a linemate or something instead.

734
00:30:51,360 --> 00:30:54,479
Speaker 7: And then I got home and my entire order had

735
00:30:54,560 --> 00:30:57,400
Speaker 7: been refunded to my Sonic account, and I think I'm

736
00:30:57,440 --> 00:31:00,440
Speaker 7: starting to understand the Sonics vibe. I'm going to be

737
00:31:00,520 --> 00:31:02,600
Speaker 7: a Sonic fan from now on. So thank you so

738
00:31:02,760 --> 00:31:06,360
Speaker 7: much for I guess introducing me to the new Sonic family.

739
00:31:07,080 --> 00:31:07,640
Speaker 3: You're welcome.

740
00:31:07,720 --> 00:31:07,880
Speaker 8: Thank you.

741
00:31:07,880 --> 00:31:10,360
Speaker 3: There is yeah. Second, there's a cool side and a

742
00:31:10,400 --> 00:31:11,520
Speaker 3: loser side. Don't forget that.

743
00:31:12,400 --> 00:31:14,040
Speaker 2: Yeah, I still don't understand that which is the cool?

744
00:31:14,080 --> 00:31:16,680
Speaker 2: See exactly? You wouldn't what because I'm not cool?

745
00:31:16,760 --> 00:31:17,120
Speaker 3: That's right.

746
00:31:17,280 --> 00:31:17,480
Speaker 8: Damn.

747
00:31:17,560 --> 00:31:19,880
Speaker 4: You won't know the size one side. You pull in

748
00:31:20,440 --> 00:31:21,920
Speaker 4: both sides, you don't know which one it is. Though

749
00:31:22,400 --> 00:31:25,160
Speaker 4: it's kind of always understood by the people that are cool.

750
00:31:25,160 --> 00:31:27,560
Speaker 3: They're losers, you know. So I guess you don't understand.

751
00:31:27,720 --> 00:31:30,880
Speaker 6: I just do both well, and that's Sundays.

752
00:31:30,960 --> 00:31:34,680
Speaker 9: Some days I wouldna I don't pile of stories.

753
00:31:34,880 --> 00:31:38,120
Speaker 6: According to a recent study, we stop feeling young when

754
00:31:38,240 --> 00:31:41,760
Speaker 6: we are forty three years old, but we don't start

755
00:31:41,760 --> 00:31:43,800
Speaker 6: feeling old till we're fifty two, so we have a

756
00:31:43,840 --> 00:31:44,440
Speaker 6: buffer zone.

757
00:31:45,720 --> 00:31:49,040
Speaker 4: Once my old boss named Jay Shannon, because he was

758
00:31:49,080 --> 00:31:51,120
Speaker 4: like forty five or so, I was just so curious

759
00:31:51,120 --> 00:31:52,719
Speaker 4: about how you feel when you get older. I think

760
00:31:52,720 --> 00:31:55,040
Speaker 4: it was like twenty eight or something. I was like,

761
00:31:55,120 --> 00:31:57,160
Speaker 4: what does it feel like to be forty five? Like,

762
00:31:57,280 --> 00:31:58,840
Speaker 4: do you feel forty five?

763
00:31:59,200 --> 00:32:02,280
Speaker 2: And he said, body does sometimes, but I never actually

764
00:32:02,320 --> 00:32:04,120
Speaker 2: feel in my mind, in my brain like I'm forty five.

765
00:32:04,160 --> 00:32:05,880
Speaker 2: I always still feel like a kid, but a kid

766
00:32:05,920 --> 00:32:08,760
Speaker 2: who's just been through a bunch of stuff. And I've

767
00:32:08,760 --> 00:32:11,920
Speaker 2: always remembered that because I a lot go man, I

768
00:32:11,960 --> 00:32:14,720
Speaker 2: still feel like an idiot kid, but I've just done

769
00:32:14,760 --> 00:32:15,800
Speaker 2: so many things wrong.

770
00:32:15,960 --> 00:32:18,160
Speaker 3: But now it's like I don't touch the stove anymore

771
00:32:18,160 --> 00:32:18,840
Speaker 3: because I know it's hot.

772
00:32:19,840 --> 00:32:22,160
Speaker 4: So yeah, even as you get older, you still kind

773
00:32:22,200 --> 00:32:25,400
Speaker 4: of feel like you did before, just like you've read

774
00:32:25,440 --> 00:32:25,840
Speaker 4: more books.

775
00:32:25,840 --> 00:32:27,480
Speaker 2: Though, So I wonder if that's what like really old

776
00:32:27,520 --> 00:32:29,440
Speaker 2: people feel like like ninety year old people.

777
00:32:29,600 --> 00:32:31,560
Speaker 3: I can barely walk, but I feel young.

778
00:32:33,960 --> 00:32:37,280
Speaker 2: Possibly. I never asked that question to someone really old.

779
00:32:37,760 --> 00:32:40,120
Speaker 2: But so forty three is when we're not young anymore.

780
00:32:40,520 --> 00:32:42,760
Speaker 6: Yeah, that's when we start to feel Have they seen me?

781
00:32:44,240 --> 00:32:45,120
Speaker 3: I heard the picture of me?

782
00:32:45,320 --> 00:32:48,960
Speaker 6: I don't think it's based on pictures. It's how you feel. Yeah, okay,

783
00:32:49,160 --> 00:32:51,280
Speaker 6: but I guess some of it is like what makes

784
00:32:51,320 --> 00:32:52,920
Speaker 6: you feel old? Your little gray hairs?

785
00:32:53,400 --> 00:32:58,160
Speaker 4: Why do you I've had that, I've had the face

786
00:32:58,160 --> 00:32:59,640
Speaker 4: sial like, because I don't have it in my head,

787
00:32:59,680 --> 00:33:01,480
Speaker 4: but I have in my face. I've had that since

788
00:33:01,520 --> 00:33:03,560
Speaker 4: I was like thirty, though, and I've always hated it

789
00:33:03,600 --> 00:33:05,720
Speaker 4: and been embarrassed of it. But now I just don't

790
00:33:06,120 --> 00:33:06,960
Speaker 4: care as much.

791
00:33:07,800 --> 00:33:11,160
Speaker 2: But no, what makes me feel old is not bouncing

792
00:33:11,240 --> 00:33:14,040
Speaker 2: back from injuries quicker like I have a bad right

793
00:33:14,080 --> 00:33:16,320
Speaker 2: shoulders and killing me forever. Heard it first on Dancing

794
00:33:16,360 --> 00:33:19,360
Speaker 2: with the Stars, but it just takes for anything that

795
00:33:19,400 --> 00:33:20,760
Speaker 2: I heard takes forever to get better.

796
00:33:20,960 --> 00:33:22,880
Speaker 3: We're used to it. I'd just be like, all right,

797
00:33:22,920 --> 00:33:24,720
Speaker 3: ready to go. That's the one thing for me.

798
00:33:25,120 --> 00:33:27,920
Speaker 6: Do you ever use old phrases that I saw this

799
00:33:28,040 --> 00:33:30,240
Speaker 6: other article about how young kids don't understand when older

800
00:33:30,280 --> 00:33:31,840
Speaker 6: people say things like bite the bullet?

801
00:33:32,840 --> 00:33:35,880
Speaker 4: Yeah, probably, like when people say carbon copy. We didn't

802
00:33:35,880 --> 00:33:37,840
Speaker 4: even have a carbon copy, right, But there are just

803
00:33:37,880 --> 00:33:39,440
Speaker 4: some things that people say you just learned the meaning

804
00:33:39,520 --> 00:33:43,680
Speaker 4: of even without knowing throwing the towel, Yeah, but again

805
00:33:43,680 --> 00:33:45,240
Speaker 4: we don't even that wasn't even for us.

806
00:33:45,440 --> 00:33:51,200
Speaker 2: Here's a quarter call someone who caresread.

807
00:33:49,080 --> 00:33:50,760
Speaker 6: Eddie burn in the Midnight Oil.

808
00:33:50,800 --> 00:33:52,800
Speaker 3: But again we didn't even know what that means.

809
00:33:54,080 --> 00:33:55,800
Speaker 6: I do know what bite the bullet means is from

810
00:33:55,840 --> 00:33:57,160
Speaker 6: back in the day when they would have to do

811
00:33:57,320 --> 00:34:01,240
Speaker 6: surgery without pain meds or anesthesia, and they bite something hard.

812
00:34:01,560 --> 00:34:03,960
Speaker 2: You take whiskey, you bite on this bullet, and I'm

813
00:34:04,000 --> 00:34:05,240
Speaker 2: going to remove your testicles.

814
00:34:05,440 --> 00:34:06,280
Speaker 10: How did you know that?

815
00:34:07,200 --> 00:34:09,080
Speaker 3: How did you know that? I don't know how I

816
00:34:09,200 --> 00:34:09,680
Speaker 3: know things.

817
00:34:09,880 --> 00:34:13,320
Speaker 6: Okay, all right, it's graduation season. So I have the

818
00:34:13,440 --> 00:34:16,399
Speaker 6: top three songs for graduation from country music. In case

819
00:34:16,400 --> 00:34:18,400
Speaker 6: you want to play these for your kid or at

820
00:34:18,440 --> 00:34:19,200
Speaker 6: a party or whatever.

821
00:34:19,360 --> 00:34:20,839
Speaker 3: Don't do that. Don't just plan for your kids. Hey,

822
00:34:21,120 --> 00:34:23,240
Speaker 3: come here, Okay, yes, go ahead.

823
00:34:23,280 --> 00:34:25,360
Speaker 6: Brad Paisley letter to Me, it's.

824
00:34:27,880 --> 00:34:29,319
Speaker 3: You Got so Much.

825
00:34:30,080 --> 00:34:32,320
Speaker 6: It's an older guy giving his younger self advice. And

826
00:34:32,360 --> 00:34:34,840
Speaker 6: then there's Leanne Wellmackett too with I Hope You Dance,

827
00:34:38,160 --> 00:34:40,720
Speaker 6: and then it won Humble and Kind by Tim mcgrawl.

828
00:34:40,880 --> 00:34:44,400
Speaker 4: Oh we see Humble and In fact, those are too

829
00:34:44,440 --> 00:34:46,040
Speaker 4: old for kids today graduating, but.

830
00:34:46,040 --> 00:34:46,920
Speaker 6: They have good messages.

831
00:34:48,000 --> 00:34:48,920
Speaker 3: There are a lot.

832
00:34:48,840 --> 00:34:51,360
Speaker 2: Of Beatles songs have good messages too, but it's like

833
00:34:51,440 --> 00:34:52,160
Speaker 2: they want something new.

834
00:34:53,600 --> 00:34:55,480
Speaker 6: What's a new country song that would be appropriate.

835
00:34:55,160 --> 00:35:00,000
Speaker 3: For yummy yummy? Justin that's good? You get that yummy yummy, yum, yummy, yummy.

836
00:35:00,040 --> 00:35:00,680
Speaker 3: All right, what else?

837
00:35:01,200 --> 00:35:05,560
Speaker 6: Tonight the ACM Awards will be on Amazon Prime, which

838
00:35:05,600 --> 00:35:08,279
Speaker 6: you don't have to have the video account like, no.

839
00:35:08,320 --> 00:35:09,560
Speaker 3: Subscription needs, no subscription.

840
00:35:09,719 --> 00:35:11,600
Speaker 2: That's right, and I'll be there. I don't know how

841
00:35:11,760 --> 00:35:14,080
Speaker 2: much I'll be on. Don't watch it for me, but

842
00:35:14,160 --> 00:35:16,600
Speaker 2: when I do, come on stand out Standing Ovation in

843
00:35:16,640 --> 00:35:17,399
Speaker 2: the House, I will.

844
00:35:17,440 --> 00:35:18,040
Speaker 6: Okay, we'll do that.

845
00:35:18,080 --> 00:35:19,960
Speaker 2: I'm doing a few segments called Backstage with Bobby.

846
00:35:20,080 --> 00:35:22,680
Speaker 4: But yes, Amazon, it's a whole different They get to

847
00:35:22,719 --> 00:35:24,360
Speaker 4: move faster because it's not on network.

848
00:35:25,120 --> 00:35:27,800
Speaker 2: No subscription needed, Amazon Prime. Tonight ACM Awards.

849
00:35:27,800 --> 00:35:28,640
Speaker 3: Thank you, I Amy.

850
00:35:28,719 --> 00:35:29,239
Speaker 6: That's my pile.

851
00:35:30,120 --> 00:35:33,360
Speaker 9: That was Amy's pile of stories. It's time for the

852
00:35:33,440 --> 00:35:33,959
Speaker 9: good news.

853
00:35:34,360 --> 00:35:35,000
Speaker 11: How much Box?

854
00:35:39,200 --> 00:35:42,399
Speaker 4: A group of special needs teenagers at Washington High School

855
00:35:42,400 --> 00:35:45,080
Speaker 4: in Washington, North Carolina, weren't gonna be able to go

856
00:35:45,080 --> 00:35:46,320
Speaker 4: to prom couldn't afford it.

857
00:35:46,680 --> 00:35:49,040
Speaker 3: And then the community says, what you guys aren't going

858
00:35:49,080 --> 00:35:52,759
Speaker 3: to prompt? Wait a minute, Wait a minute, Here come

859
00:35:52,840 --> 00:35:54,040
Speaker 3: the donations flying in.

860
00:35:54,360 --> 00:35:56,319
Speaker 4: You get some money, You get some money, You get

861
00:35:56,400 --> 00:35:59,360
Speaker 4: some money, got them their outfits, got them a limo

862
00:36:00,080 --> 00:36:02,040
Speaker 4: him out to dinner, and they got to go to

863
00:36:02,160 --> 00:36:05,399
Speaker 4: the prom, and they said they danced all night long

864
00:36:05,560 --> 00:36:06,880
Speaker 4: and their favorite song was.

865
00:36:07,160 --> 00:36:10,640
Speaker 3: North Carolina Stand up, take your shirt off. It's beending

866
00:36:10,719 --> 00:36:14,440
Speaker 3: Like I had, like Copter North going, what song is that?

867
00:36:14,600 --> 00:36:20,360
Speaker 2: Peatie Pablo, and he's like eighty percent there. He just

868
00:36:20,440 --> 00:36:22,600
Speaker 2: wasn't gonna stop. He was he went back to the

869
00:36:22,680 --> 00:36:23,399
Speaker 2: first part again.

870
00:36:23,520 --> 00:36:27,080
Speaker 3: Heck, yeah, that's awesome. But they donated all that stuff

871
00:36:27,120 --> 00:36:28,600
Speaker 3: and they got to go to problem and had a blast.

872
00:36:28,840 --> 00:36:31,400
Speaker 3: Love it. D is what it's all about.

873
00:36:32,160 --> 00:36:33,640
Speaker 9: That was telling me something good.

874
00:36:35,040 --> 00:36:37,400
Speaker 3: How long does it take to establish a fitness habit?

875
00:36:39,480 --> 00:36:41,759
Speaker 3: Twenty one days, seven days.

876
00:36:42,040 --> 00:36:42,680
Speaker 4: I go, I go.

877
00:36:42,920 --> 00:36:43,120
Speaker 3: Month.

878
00:36:44,040 --> 00:36:47,080
Speaker 2: Developing a workout routine that you stick with consistently takes

879
00:36:47,120 --> 00:36:47,920
Speaker 2: about six months.

880
00:36:48,160 --> 00:36:51,560
Speaker 3: Oh my, whoa, I'm not even married. How long have

881
00:36:51,600 --> 00:36:55,080
Speaker 3: we been working out? Two months? Maybe? I mean, dude,

882
00:36:55,080 --> 00:36:56,799
Speaker 3: I feel like we've been working out for years.

883
00:36:57,560 --> 00:36:58,280
Speaker 8: For years.

884
00:36:59,080 --> 00:37:02,040
Speaker 2: Researchers said that you know what they did is they

885
00:37:03,239 --> 00:37:06,680
Speaker 2: watched and went with thirty thousand gym members over four years,

886
00:37:07,440 --> 00:37:09,600
Speaker 2: and so pretty much it took about a half year

887
00:37:09,600 --> 00:37:11,520
Speaker 2: for them to establish that routine where they just kept going.

888
00:37:13,080 --> 00:37:15,600
Speaker 2: And they say, you're more likely to stick with the workouts.

889
00:37:16,080 --> 00:37:18,279
Speaker 2: If you have someone that does it with you either

890
00:37:18,400 --> 00:37:21,440
Speaker 2: right then or is doing it as well, maybe not

891
00:37:21,560 --> 00:37:23,759
Speaker 2: right then, because you talk about it and not even

892
00:37:23,800 --> 00:37:27,640
Speaker 2: holding each other accountable so much holds you accountable because

893
00:37:27,640 --> 00:37:29,160
Speaker 2: if you know they're doing it, they're gonna bring it up.

894
00:37:29,200 --> 00:37:30,520
Speaker 2: You either have to hide it and lie about it

895
00:37:30,680 --> 00:37:33,000
Speaker 2: or do it or just go am out until like

896
00:37:33,040 --> 00:37:36,560
Speaker 2: a loser. So that's sit you with six months get started? Boys,

897
00:37:36,600 --> 00:37:38,040
Speaker 2: So is that why you have me around to keep

898
00:37:38,080 --> 00:37:38,680
Speaker 2: you accountable?

899
00:37:39,440 --> 00:37:40,960
Speaker 4: Nope, I don't really need people to keep you account

900
00:37:41,280 --> 00:37:44,120
Speaker 4: think like I don't like that trade about me sometimes.

901
00:37:44,160 --> 00:37:45,799
Speaker 3: But yeah, no, no, not at all. All Right, time

902
00:37:45,880 --> 00:37:47,160
Speaker 3: to get in the investigative.

903
00:37:47,239 --> 00:37:53,719
Speaker 2: Corny the morning, Corny, Well, ninety seconds to get as

904
00:37:53,760 --> 00:37:55,359
Speaker 2: many cornies as we can in a row.

905
00:37:56,400 --> 00:37:58,640
Speaker 3: The record is five five.

906
00:38:00,680 --> 00:38:01,640
Speaker 6: Run me out on that one.

907
00:38:01,880 --> 00:38:05,400
Speaker 2: Are you ready? When she finishes the first question?

908
00:38:05,880 --> 00:38:06,560
Speaker 3: Where on go?

909
00:38:07,960 --> 00:38:09,640
Speaker 6: What do you call a snail on a ship?

910
00:38:10,880 --> 00:38:16,480
Speaker 11: Snail ship, slow ship, slow slug, slug, slug slug boat,

911
00:38:16,480 --> 00:38:24,760
Speaker 11: slug mate, snail, snail, snail, slow slime, boat, snail.

912
00:38:25,440 --> 00:38:30,759
Speaker 4: Snail, shell shell, a snail, a snail, slow shell?

913
00:38:31,160 --> 00:38:32,800
Speaker 3: What drives a boat? Captain?

914
00:38:33,200 --> 00:38:41,520
Speaker 4: Captain snail snail first mate, first nat crustacious snailer, snailer, snailer, sailer, go,

915
00:38:41,880 --> 00:38:42,160
Speaker 4: goot go.

916
00:38:42,480 --> 00:38:46,000
Speaker 6: But what happens when doctors get frustrated?

917
00:38:47,640 --> 00:38:49,520
Speaker 3: They get angry? They don't let me go in anymore?

918
00:38:49,880 --> 00:38:55,600
Speaker 2: Snip snip, They well go angry upset an upset tummy

919
00:38:56,000 --> 00:39:00,680
Speaker 2: an upset anger management p h yay.

920
00:39:01,120 --> 00:39:01,840
Speaker 3: What happened?

921
00:39:02,600 --> 00:39:04,760
Speaker 6: Doctors get frustrated.

922
00:39:04,440 --> 00:39:09,040
Speaker 4: Frustrated, angry, stab waiting, misdiagnosis diagnosed?

923
00:39:09,560 --> 00:39:10,680
Speaker 3: Wow, they get mad?

924
00:39:11,360 --> 00:39:14,360
Speaker 4: Oh my gosh, waiting room, waiting games, cut off the

925
00:39:14,400 --> 00:39:17,400
Speaker 4: wrong arm u amputee brain and.

926
00:39:19,360 --> 00:39:23,640
Speaker 3: Bandage it the clarity dead, I got nothing hit you?

927
00:39:23,920 --> 00:39:25,400
Speaker 6: What happens when doctors get frustrated?

928
00:39:25,440 --> 00:39:28,000
Speaker 3: I don't we understand. I'm frustrated right now and I'm

929
00:39:28,000 --> 00:39:29,279
Speaker 3: not You're not okay?

930
00:39:29,320 --> 00:39:30,560
Speaker 6: So what is happening to you right now?

931
00:39:30,719 --> 00:39:32,560
Speaker 3: Let me think that means we're not being right. I'm

932
00:39:32,560 --> 00:39:34,840
Speaker 3: a doctor right now, there you go. I'm a little annoyed.

933
00:39:35,520 --> 00:39:36,640
Speaker 6: And what Why are you annoyed?

934
00:39:36,800 --> 00:39:37,719
Speaker 9: Because you can't get it right?

935
00:39:37,800 --> 00:39:42,240
Speaker 3: Because we're idiots, but you're not or something. I don't know, doctor.

936
00:39:43,840 --> 00:39:47,439
Speaker 6: They lose their patients. Oh that's good.

937
00:39:48,320 --> 00:39:49,680
Speaker 3: I don't want to go either.

938
00:39:50,640 --> 00:39:52,160
Speaker 6: But what is good that it used to be that

939
00:39:52,680 --> 00:39:53,360
Speaker 6: you had to do.

940
00:39:53,760 --> 00:39:55,799
Speaker 3: Our record was five Amy, we didn't even get two

941
00:39:55,960 --> 00:39:57,920
Speaker 3: and Amy. I gotta be real that Doctor one was

942
00:39:57,960 --> 00:40:00,640
Speaker 3: really good. It was deep, but the it was hard.

943
00:40:01,800 --> 00:40:04,200
Speaker 3: Thanks for being real, Luna man. That's that's so cool.

944
00:40:04,920 --> 00:40:05,520
Speaker 3: That's really tough.

945
00:40:06,239 --> 00:40:08,160
Speaker 4: Hey, I know it's hard to be vulnerable like that,

946
00:40:08,760 --> 00:40:11,239
Speaker 4: but you did wondering about vulnerability.

947
00:40:11,280 --> 00:40:13,720
Speaker 6: Will you share it helps others feel less alone?

948
00:40:13,840 --> 00:40:17,200
Speaker 3: Yes, Okay to yell this, you know, I would.

949
00:40:17,280 --> 00:40:19,960
Speaker 2: I would just like low volume, like kind of like

950
00:40:20,120 --> 00:40:21,759
Speaker 2: clear eyes, foolhearts.

951
00:40:24,440 --> 00:40:26,759
Speaker 9: All right, thank you, Hey, there you go.

952
00:40:27,120 --> 00:40:27,359
Speaker 1: Wow.

953
00:40:27,840 --> 00:40:31,400
Speaker 9: So Bobby Bones Show interview in case you didn't know.

954
00:40:31,800 --> 00:40:33,640
Speaker 4: This one of those where if you don't know, you're crazy.

955
00:40:34,160 --> 00:40:36,239
Speaker 4: That's what this interview is is Chris Stapleton. If you

956
00:40:36,239 --> 00:40:38,120
Speaker 4: don't know who he is, you're crazy. I mean yeah,

957
00:40:38,440 --> 00:40:38,960
Speaker 4: just making sure.

958
00:40:39,040 --> 00:40:42,399
Speaker 2: All right, Christapleton, walk in the studio right now. Look,

959
00:40:42,880 --> 00:40:50,680
Speaker 2: Tennessee Whiskey, come on back in the day, broken Halos Parachute,

960
00:40:52,200 --> 00:40:53,120
Speaker 2: I could keep going.

961
00:40:53,880 --> 00:40:56,560
Speaker 3: His current single is Joy of My Life.

962
00:41:04,000 --> 00:41:06,839
Speaker 2: He's a ten time ACM Award winner, nominated for three

963
00:41:06,960 --> 00:41:10,320
Speaker 2: more this year. Entertainer of the Year tonight ACM Awards,

964
00:41:10,320 --> 00:41:11,080
Speaker 2: Amazon Prime.

965
00:41:11,520 --> 00:41:14,719
Speaker 9: Here he is on the Bobby Bones Show.

966
00:41:14,840 --> 00:41:17,400
Speaker 3: Now, Chris, Chris, it's good to see you, buddy.

967
00:41:17,440 --> 00:41:18,680
Speaker 8: Yeah, man, good to see you. How are you?

968
00:41:19,600 --> 00:41:21,160
Speaker 3: How are I'm good?

969
00:41:21,440 --> 00:41:23,360
Speaker 2: Nobody cares about me right now though, but I appreciate

970
00:41:23,400 --> 00:41:24,319
Speaker 2: that because the kind of guy you are.

971
00:41:24,760 --> 00:41:25,480
Speaker 3: Thank you? How are you?

972
00:41:26,080 --> 00:41:27,000
Speaker 8: I'm doing just great?

973
00:41:27,280 --> 00:41:28,880
Speaker 3: How's everything been? Just generally?

974
00:41:28,880 --> 00:41:31,120
Speaker 2: Because I've been spoke to you in a while, like you,

975
00:41:31,520 --> 00:41:33,759
Speaker 2: what are you doing now? Are you balancing right now?

976
00:41:33,880 --> 00:41:34,600
Speaker 2: Or are you working?

977
00:41:34,880 --> 00:41:35,799
Speaker 8: What does that even mean?

978
00:41:36,000 --> 00:41:36,200
Speaker 1: Well?

979
00:41:36,920 --> 00:41:38,759
Speaker 8: You work more than any known a man, I think,

980
00:41:38,840 --> 00:41:41,480
Speaker 8: so you know, the work life balance thing is a

981
00:41:41,560 --> 00:41:43,200
Speaker 8: tough thing for anybody in this industry.

982
00:41:43,360 --> 00:41:44,080
Speaker 3: Have you mastered it?

983
00:41:44,360 --> 00:41:44,400
Speaker 6: No?

984
00:41:45,200 --> 00:41:45,239
Speaker 2: You?

985
00:41:45,960 --> 00:41:46,360
Speaker 3: Oh no?

986
00:41:47,080 --> 00:41:48,799
Speaker 2: And I was going to ask you because you are Morgan.

987
00:41:48,840 --> 00:41:51,239
Speaker 2: I have married a long time. I have had to

988
00:41:51,480 --> 00:41:53,680
Speaker 2: learn to taper off of working all the time.

989
00:41:53,800 --> 00:41:54,840
Speaker 3: Like I have to listen.

990
00:41:55,120 --> 00:41:57,000
Speaker 4: It's hard for me to listen because I didnt get

991
00:41:57,000 --> 00:41:59,160
Speaker 4: married till I was thirty nine. So we've married a

992
00:41:59,160 --> 00:42:02,920
Speaker 4: couple of years, maybe almost two years now.

993
00:42:03,000 --> 00:42:03,680
Speaker 8: You need to know how long?

994
00:42:03,800 --> 00:42:05,520
Speaker 4: I know? Boy said that, I was like, way, we

995
00:42:05,560 --> 00:42:08,440
Speaker 4: can edit this more live so but I've had to

996
00:42:08,680 --> 00:42:12,400
Speaker 4: learn to value her time and sometimes that's by taking

997
00:42:12,600 --> 00:42:14,560
Speaker 4: sure less away from me working.

998
00:42:15,880 --> 00:42:16,040
Speaker 5: Is that.

999
00:42:16,800 --> 00:42:19,640
Speaker 2: How do you find balance, or at least chase balance

1000
00:42:19,680 --> 00:42:20,200
Speaker 2: in your life.

1001
00:42:20,480 --> 00:42:22,680
Speaker 8: Well, you just do everything you can to make that happen,

1002
00:42:22,960 --> 00:42:25,520
Speaker 8: you know, and sometimes that means saying no to things.

1003
00:42:25,560 --> 00:42:28,080
Speaker 8: And that's hard in this industry where you can get

1004
00:42:28,160 --> 00:42:31,680
Speaker 8: used to you know, you want to do that. Sure, yes, opportunity, yes,

1005
00:42:32,520 --> 00:42:35,720
Speaker 8: but you have to, you know, try to make conscious

1006
00:42:35,800 --> 00:42:40,360
Speaker 8: choices to choose living, sometimes over money or any of

1007
00:42:40,360 --> 00:42:42,640
Speaker 8: this thing. Living that's the key.

1008
00:42:42,840 --> 00:42:45,320
Speaker 3: Maybe maybe it's living for me.

1009
00:42:46,120 --> 00:42:47,520
Speaker 4: I didn't get to do a lot of cool stuff

1010
00:42:47,600 --> 00:42:49,439
Speaker 4: until the last couple of years, and I was saying

1011
00:42:49,480 --> 00:42:51,239
Speaker 4: yes to everything because I just wanted to make it.

1012
00:42:51,320 --> 00:42:54,560
Speaker 3: I just wanted to Yes, can I please do this? Yes? Yes, yes.

1013
00:42:54,840 --> 00:42:56,839
Speaker 4: And I'm finally now getting to say no to things.

1014
00:42:56,880 --> 00:42:59,440
Speaker 4: But I have this sort of imposter syndrome where if

1015
00:42:59,440 --> 00:43:00,879
Speaker 4: I feel like if I they knowed too much, I'll

1016
00:43:00,920 --> 00:43:02,439
Speaker 4: never get asked to do anything again.

1017
00:43:02,640 --> 00:43:03,160
Speaker 8: Absolutely.

1018
00:43:03,320 --> 00:43:06,880
Speaker 3: Yeah, Wait, do you understand that? You understand that?

1019
00:43:07,280 --> 00:43:07,480
Speaker 8: Yes?

1020
00:43:08,719 --> 00:43:10,040
Speaker 3: How so you're the greatest.

1021
00:43:10,719 --> 00:43:12,440
Speaker 8: You might think that, or somebody else might think that,

1022
00:43:12,560 --> 00:43:14,719
Speaker 8: but you know, I don't feel that way. I feel

1023
00:43:14,800 --> 00:43:17,400
Speaker 8: very much like a working musician who is trying to

1024
00:43:17,480 --> 00:43:19,480
Speaker 8: get keep his gig, you.

1025
00:43:19,480 --> 00:43:21,920
Speaker 2: Know, yeah, even you, Yeah, I think that gives a

1026
00:43:22,000 --> 00:43:24,480
Speaker 2: lot of people hope because they're going well. Christ Ableton,

1027
00:43:24,480 --> 00:43:26,680
Speaker 2: who we all feel like like, you're like the greatest vocalist,

1028
00:43:26,719 --> 00:43:29,640
Speaker 2: You're a phenomenal songwriter. Love to hear you live, and

1029
00:43:29,719 --> 00:43:31,319
Speaker 2: even you're like, you know, I don't even know about

1030
00:43:31,360 --> 00:43:32,239
Speaker 2: me sometimes.

1031
00:43:31,920 --> 00:43:33,800
Speaker 8: Well, but I want to be better. You want to

1032
00:43:33,800 --> 00:43:35,600
Speaker 8: be better. Everybody wants to be better at their job

1033
00:43:36,320 --> 00:43:38,480
Speaker 8: or there's always there's always something else, you know. That's

1034
00:43:38,520 --> 00:43:42,240
Speaker 8: the other thing I think when you have the problem

1035
00:43:42,320 --> 00:43:44,680
Speaker 8: with the work life balance thing is no matter what

1036
00:43:44,760 --> 00:43:48,040
Speaker 8: you achieve or no matter what you do, there's a

1037
00:43:48,080 --> 00:43:51,280
Speaker 8: certain personality type and I'm one of them. I'm guessing

1038
00:43:51,360 --> 00:43:53,560
Speaker 8: maybe you're one of them too, that there's like, well,

1039
00:43:53,840 --> 00:43:56,520
Speaker 8: but then there's this next thing. There's always a next thing,

1040
00:43:57,080 --> 00:43:59,920
Speaker 8: There's always the next thing. It's there's never an end

1041
00:44:00,160 --> 00:44:03,120
Speaker 8: for that personality. So you have to learn to let's

1042
00:44:03,160 --> 00:44:06,480
Speaker 8: flip that switch and you know, be present a little bit,

1043
00:44:06,480 --> 00:44:08,960
Speaker 8: and it's hard. Being present is hard, and enjoying moments,

1044
00:44:09,040 --> 00:44:11,319
Speaker 8: you know, sometimes you're moving through the moments so fast

1045
00:44:11,400 --> 00:44:14,360
Speaker 8: that you're not even looking around and going, hey, this

1046
00:44:14,520 --> 00:44:17,440
Speaker 8: is this is pretty killer. What's going on right now?

1047
00:44:17,800 --> 00:44:18,920
Speaker 8: It's beautiful. You know.

1048
00:44:19,280 --> 00:44:21,200
Speaker 3: My wife has been a big part of me being

1049
00:44:21,280 --> 00:44:21,800
Speaker 3: forced to do that.

1050
00:44:21,880 --> 00:44:23,200
Speaker 2: But then once I do it, a couple of times like, oh,

1051
00:44:23,200 --> 00:44:26,520
Speaker 2: it's pretty cool to actually acknowledge how cool we have it,

1052
00:44:26,600 --> 00:44:29,279
Speaker 2: how good we have it. My thing has always been

1053
00:44:29,360 --> 00:44:31,120
Speaker 2: I can't wait. I want to host one of the

1054
00:44:31,160 --> 00:44:33,000
Speaker 2: award shows, and tonight we're gonna beat the ACMs. I'm

1055
00:44:33,000 --> 00:44:36,239
Speaker 2: not hosting, but I'm like, Garth and Dollar should happen,

1056
00:44:36,360 --> 00:44:39,200
Speaker 2: I'll vote for that. Well thanks, I mean, who knows

1057
00:44:39,560 --> 00:44:41,960
Speaker 2: that they won't let me. But I'm very happy I'm

1058
00:44:42,000 --> 00:44:43,239
Speaker 2: at the I'm part of the I'm part of.

1059
00:44:43,239 --> 00:44:46,200
Speaker 3: The ACM tonight. Everybody, Okay, this is not an ACM thing,

1060
00:44:46,560 --> 00:44:48,120
Speaker 3: but that's the next thing.

1061
00:44:48,280 --> 00:44:49,600
Speaker 2: It's hard for me to enjoy a lot of this

1062
00:44:49,600 --> 00:44:52,560
Speaker 2: stuff because I'm like, I do so much comedy, I

1063
00:44:52,640 --> 00:44:55,120
Speaker 2: do so much like I would be perfect for that job,

1064
00:44:55,600 --> 00:44:57,400
Speaker 2: but they but it's all I can focus on. So

1065
00:44:57,400 --> 00:44:59,919
Speaker 2: when all these other good things are happening, I'm still like, yeah,

1066
00:45:00,080 --> 00:45:01,480
Speaker 2: but I still haven't been able to do this.

1067
00:45:01,920 --> 00:45:03,640
Speaker 3: Do you have one of those what's the dream for you?

1068
00:45:05,480 --> 00:45:08,320
Speaker 8: The work life balance is the dream. I've done so

1069
00:45:08,400 --> 00:45:11,759
Speaker 8: many things that I never dreamed of, and so I'm

1070
00:45:11,840 --> 00:45:13,920
Speaker 8: well beyond having a dream in that way, you know,

1071
00:45:14,080 --> 00:45:16,560
Speaker 8: like it's hard for me to look at something else

1072
00:45:16,640 --> 00:45:18,560
Speaker 8: and go, but I need to do that, you know,

1073
00:45:19,440 --> 00:45:23,680
Speaker 8: And I'm not trying to Maybe that's cocky sounding or something.

1074
00:45:23,680 --> 00:45:25,520
Speaker 3: I don't think it's cocky at all. I think it's true.

1075
00:45:25,600 --> 00:45:27,200
Speaker 3: And you have to have confidence to even be able

1076
00:45:27,239 --> 00:45:29,239
Speaker 3: to like put our foot in the water, honestly.

1077
00:45:29,320 --> 00:45:32,920
Speaker 8: Yeah, I mean, and I'm do you think you have

1078
00:45:32,960 --> 00:45:34,600
Speaker 8: confidence in some spaces? Sure?

1079
00:45:34,719 --> 00:45:34,759
Speaker 4: Me?

1080
00:45:34,880 --> 00:45:35,680
Speaker 3: That's what I was going to say.

1081
00:45:35,719 --> 00:45:37,680
Speaker 2: True and something I'm terrible. I'm so insecure.

1082
00:45:37,840 --> 00:45:39,680
Speaker 8: Yeah, well, I think And that's part of the other

1083
00:45:39,760 --> 00:45:43,360
Speaker 8: things that makes you always push into you know, you're

1084
00:45:43,400 --> 00:45:45,440
Speaker 8: trying to be better, trying to do something better, bigger

1085
00:45:45,480 --> 00:45:46,000
Speaker 8: than yourself.

1086
00:45:46,080 --> 00:45:48,000
Speaker 3: Maybe even do you think that you try to get

1087
00:45:48,040 --> 00:45:53,800
Speaker 3: better because of your want to achieve or your fear

1088
00:45:54,040 --> 00:45:55,360
Speaker 3: of not achieving.

1089
00:45:56,520 --> 00:45:58,160
Speaker 8: Probably a little bit of both. I mean I think

1090
00:45:58,200 --> 00:46:02,759
Speaker 8: that both would be fair. I don't know. I mean,

1091
00:46:04,160 --> 00:46:08,560
Speaker 8: I don'tly, I don't especially now that I'm older, Right now,

1092
00:46:08,600 --> 00:46:10,400
Speaker 8: I don't have as much of a fear of failure,

1093
00:46:11,400 --> 00:46:14,120
Speaker 8: because that's how you learn things. You can't learn anything

1094
00:46:14,200 --> 00:46:19,640
Speaker 8: without failing at something. But I certainly like I mean,

1095
00:46:20,880 --> 00:46:22,640
Speaker 8: and who doesn't I don't think, but maybe there's somebody

1096
00:46:22,680 --> 00:46:27,760
Speaker 8: that doesn't like, you know, achieving things. It feels good. Everybody.

1097
00:46:27,760 --> 00:46:32,000
Speaker 8: Everybody likes to win. Yeah, it's not necessarily competitive competitive

1098
00:46:32,040 --> 00:46:37,200
Speaker 8: with anybody other than myself for me, but yeah, I

1099
00:46:38,120 --> 00:46:40,239
Speaker 8: do like those things. I grew up playing sports and

1100
00:46:40,320 --> 00:46:42,719
Speaker 8: things like that, so some of that's kind of, you know,

1101
00:46:43,080 --> 00:46:43,960
Speaker 8: hardwired into me.

1102
00:46:44,160 --> 00:46:48,000
Speaker 4: But I don't know how do you get out your

1103
00:46:48,080 --> 00:46:51,560
Speaker 4: competition bug if not in music, because I love to compete,

1104
00:46:51,719 --> 00:46:53,400
Speaker 4: same thing, grow up playing sports. I just I am

1105
00:46:53,520 --> 00:46:55,520
Speaker 4: so competitive, So I have different things that I do.

1106
00:46:55,600 --> 00:46:57,879
Speaker 4: If it's a you know, my buddy is an Iron League,

1107
00:46:57,920 --> 00:46:59,680
Speaker 4: we play Madden, or I play golf.

1108
00:47:00,040 --> 00:47:01,600
Speaker 3: I love to compete. It didn't matter what it is.

1109
00:47:01,600 --> 00:47:02,839
Speaker 3: I just need to beat somebody at something.

1110
00:47:04,239 --> 00:47:06,520
Speaker 8: You know, I've kind of reached a space where I

1111
00:47:06,760 --> 00:47:08,680
Speaker 8: don't feel like I'm trying to beat anybody anything. I'm

1112
00:47:08,719 --> 00:47:09,120
Speaker 8: just trying to.

1113
00:47:09,239 --> 00:47:12,200
Speaker 4: You're healthy, okay, to move You're a healthy person. I'm

1114
00:47:12,280 --> 00:47:13,719
Speaker 4: not a healthy person, Chris Well.

1115
00:47:14,520 --> 00:47:16,000
Speaker 8: I mean if we would and played something I would

1116
00:47:16,040 --> 00:47:19,359
Speaker 8: want to beat, let's be it. Let's be real clear

1117
00:47:19,400 --> 00:47:22,880
Speaker 8: about that. But when I was a teenager where I

1118
00:47:22,960 --> 00:47:25,160
Speaker 8: might have thrown a golf club, you know, maybe I

1119
00:47:25,960 --> 00:47:28,480
Speaker 8: be like, oh, well I shank that one in the woods,

1120
00:47:28,840 --> 00:47:30,560
Speaker 8: I'll hit another one. It's fine.

1121
00:47:30,840 --> 00:47:31,799
Speaker 3: You're single now.

1122
00:47:31,960 --> 00:47:34,879
Speaker 4: Is enjoying my life? John Fogerty, I'm a massive John

1123
00:47:34,880 --> 00:47:36,480
Speaker 4: Fogerty fan. One of the first concert I went to

1124
00:47:36,600 --> 00:47:39,759
Speaker 4: was John Fogerty. I mean, do you yeah, I was

1125
00:47:39,800 --> 00:47:44,640
Speaker 4: like fourteen fifteen. I saw Diamond Rio, I saw Peter Frampton,

1126
00:47:44,680 --> 00:47:46,719
Speaker 4: and I saw John Fogerty on one show.

1127
00:47:47,040 --> 00:47:48,720
Speaker 3: No, I wish that had been a heck of a festival.

1128
00:47:49,560 --> 00:47:51,680
Speaker 2: But like all of the like like six months and

1129
00:47:51,719 --> 00:47:55,160
Speaker 2: my first concerts ever and John Fogerty. I love CCR.

1130
00:47:55,360 --> 00:47:58,520
Speaker 2: I could do the whole catalog, even as a solo artist.

1131
00:47:58,560 --> 00:48:00,480
Speaker 2: Even when I think about baseball, even like center field

1132
00:48:00,680 --> 00:48:03,560
Speaker 2: it's great, so and so joy my life. Like that's

1133
00:48:03,600 --> 00:48:05,440
Speaker 2: John Fogerty song, right it is because I've heard him.

1134
00:48:05,440 --> 00:48:07,480
Speaker 2: I've heard his live version as well. Why would you

1135
00:48:07,800 --> 00:48:09,640
Speaker 2: Why did you pick that song up the Great Songs

1136
00:48:09,680 --> 00:48:10,240
Speaker 2: that it's.

1137
00:48:10,080 --> 00:48:12,840
Speaker 8: A record of his that I had when that record

1138
00:48:12,880 --> 00:48:16,719
Speaker 8: came out as maybe the nineties. And I don't know

1139
00:48:16,800 --> 00:48:19,239
Speaker 8: if that song is known as well as some of you.

1140
00:48:19,360 --> 00:48:21,800
Speaker 8: Certainly he has a really deep catalog, but I just

1141
00:48:21,920 --> 00:48:24,200
Speaker 8: always loved that song and I would play that, you know,

1142
00:48:24,960 --> 00:48:27,120
Speaker 8: like a lot of songs that I cut that are covers.

1143
00:48:27,800 --> 00:48:29,600
Speaker 8: It's just some song that I love, you know, and

1144
00:48:29,680 --> 00:48:32,680
Speaker 8: I think it's cool and it's fun to sing, and

1145
00:48:32,960 --> 00:48:37,560
Speaker 8: I love the sentiment of it, and maybe not maybe

1146
00:48:37,680 --> 00:48:39,600
Speaker 8: I'm I'm sure that I never would have written it

1147
00:48:39,719 --> 00:48:42,160
Speaker 8: that way or even thought of it that way. And

1148
00:48:42,239 --> 00:48:48,280
Speaker 8: so it's it's it's neat to find songs that feel

1149
00:48:48,920 --> 00:48:52,560
Speaker 8: like they can be personal, but there they didn't come

1150
00:48:52,600 --> 00:48:53,160
Speaker 8: from you at all.

1151
00:48:53,800 --> 00:48:54,920
Speaker 3: So we're gonna play it now.

1152
00:48:54,920 --> 00:48:56,480
Speaker 4: We're gonna come back with Chris, which, by the way,

1153
00:48:56,560 --> 00:49:00,279
Speaker 4: Chris tonight a CM Awards up for I mean, he's man,

1154
00:49:00,480 --> 00:49:01,920
Speaker 4: But Entertainer of the Year is the one I'm talking

1155
00:49:01,920 --> 00:49:03,800
Speaker 4: about here. You got three total nominations, but I do

1156
00:49:03,920 --> 00:49:06,200
Speaker 4: the VIO for Entertainer of the Year. I gave your

1157
00:49:06,280 --> 00:49:07,120
Speaker 4: name a little extra buzz.

1158
00:49:07,120 --> 00:49:07,520
Speaker 3: Don't worry.

1159
00:49:07,560 --> 00:49:10,160
Speaker 2: Oh yeah, everybody else. I was like Morgan Wall and

1160
00:49:10,320 --> 00:49:13,680
Speaker 2: Randa Lambert, Chris, So when you hear that, you know.

1161
00:49:14,239 --> 00:49:15,840
Speaker 8: I hear that. When you do that, it makes the

1162
00:49:15,960 --> 00:49:16,720
Speaker 8: voting good differently.

1163
00:49:16,840 --> 00:49:19,560
Speaker 4: Absolutely, even though there's no chance because they've already happened.

1164
00:49:19,600 --> 00:49:20,120
Speaker 3: But still.

1165
00:49:22,760 --> 00:49:25,000
Speaker 9: On the Bobby Bones Show now, Chris.

1166
00:49:25,640 --> 00:49:28,439
Speaker 3: ACMs tonight on Amazon Prime. I hope you watch.

1167
00:49:28,480 --> 00:49:30,839
Speaker 2: You don't even need a subscription to watch. You can

1168
00:49:31,160 --> 00:49:32,160
Speaker 2: go check it out.

1169
00:49:32,360 --> 00:49:34,719
Speaker 3: I'll be there. I'm doing backstage with Bobby Bones. During

1170
00:49:34,800 --> 00:49:35,120
Speaker 3: the show.

1171
00:49:35,280 --> 00:49:39,200
Speaker 2: Garth and Dolly are hosting. Chris Stapleton's up for Entertainer

1172
00:49:39,200 --> 00:49:41,480
Speaker 2: of the Year's got more nominations than that, but he's

1173
00:49:41,560 --> 00:49:45,040
Speaker 2: also here today now, Chris, everybody, when's the last time

1174
00:49:45,040 --> 00:49:46,279
Speaker 2: you were nervous? Let me ask you that, when's the

1175
00:49:46,320 --> 00:49:47,760
Speaker 2: last time for performance?

1176
00:49:48,239 --> 00:49:48,800
Speaker 8: For performance?

1177
00:49:48,880 --> 00:49:50,840
Speaker 3: For performance? Because I can't see you get nervous?

1178
00:49:51,320 --> 00:49:51,879
Speaker 8: Super Bowl?

1179
00:49:52,760 --> 00:49:54,400
Speaker 3: Really is it?

1180
00:49:54,560 --> 00:49:56,640
Speaker 8: Because it's a super Bowl?

1181
00:49:56,800 --> 00:49:57,000
Speaker 2: Yeah?

1182
00:49:58,400 --> 00:50:00,880
Speaker 8: Yeah, it's a super Bowl, you know it's and it's

1183
00:50:00,920 --> 00:50:04,239
Speaker 8: the anthem. You know, that's a hard song and it's

1184
00:50:04,320 --> 00:50:07,239
Speaker 8: a it's one that if you mess it up, you

1185
00:50:07,360 --> 00:50:10,200
Speaker 8: are immortalized messing it up forever. And if you do

1186
00:50:10,440 --> 00:50:13,160
Speaker 8: do well, you you did good there too, But the

1187
00:50:13,239 --> 00:50:15,280
Speaker 8: main goal with anthem is don't mess up the words

1188
00:50:15,320 --> 00:50:16,600
Speaker 8: and don't mess up the mouth.

1189
00:50:17,080 --> 00:50:20,360
Speaker 4: Did you have a conversation on if you listen, we

1190
00:50:20,480 --> 00:50:23,000
Speaker 4: all love America, let's get that straight. Be of a

1191
00:50:23,040 --> 00:50:24,879
Speaker 4: conversation was do I do I want to go sing

1192
00:50:24,920 --> 00:50:26,759
Speaker 4: the national anthem at the Super Bowl? Because if you were,

1193
00:50:26,760 --> 00:50:28,560
Speaker 4: you're right. If you nail it, everybody's like, good job,

1194
00:50:28,640 --> 00:50:34,760
Speaker 4: let's get the game. But if you don't, it's remembered forever. Yes, well, here's.

1195
00:50:34,560 --> 00:50:36,359
Speaker 8: None of those things we're talking about about the dream things.

1196
00:50:36,840 --> 00:50:38,920
Speaker 8: People would ask me to do the anthem for various

1197
00:50:38,960 --> 00:50:41,120
Speaker 8: other things. I'd be like, no, I'll just wait on

1198
00:50:41,160 --> 00:50:44,520
Speaker 8: the super Bowl, thinking, you know, like and I got

1199
00:50:44,600 --> 00:50:46,640
Speaker 8: to call me for the super Bowl. So but then

1200
00:50:46,640 --> 00:50:48,200
Speaker 8: they call you for the super Bowl and you're like, well,

1201
00:50:48,680 --> 00:50:50,960
Speaker 8: I said I would do that if they called me

1202
00:50:51,040 --> 00:50:55,040
Speaker 8: for that. So I went and did it, and now

1203
00:50:55,120 --> 00:50:56,480
Speaker 8: I am retired from the anthem.

1204
00:50:57,280 --> 00:50:59,319
Speaker 2: So whenever you perform it, and you know, they can

1205
00:50:59,360 --> 00:51:01,680
Speaker 2: bet on how long it goes. Did you ever did

1206
00:51:01,760 --> 00:51:03,279
Speaker 2: you know how long yours was going to be? Just

1207
00:51:03,360 --> 00:51:03,880
Speaker 2: from practice?

1208
00:51:03,920 --> 00:51:04,839
Speaker 8: I want a lot of money.

1209
00:51:05,000 --> 00:51:05,200
Speaker 1: Yeah.

1210
00:51:07,080 --> 00:51:11,640
Speaker 4: Some guy named Chris bapults. Yes, did you did you

1211
00:51:11,880 --> 00:51:12,800
Speaker 4: judge it for yourself?

1212
00:51:13,680 --> 00:51:13,880
Speaker 8: Did I?

1213
00:51:14,160 --> 00:51:14,960
Speaker 3: Did you even think about it?

1214
00:51:15,040 --> 00:51:15,080
Speaker 4: Like?

1215
00:51:15,120 --> 00:51:17,040
Speaker 3: Did you time it yourself? Even knowing that was a thing.

1216
00:51:18,360 --> 00:51:22,279
Speaker 8: I did? Yeah, good, I did after people started asking me, like, like,

1217
00:51:22,800 --> 00:51:24,480
Speaker 8: I didn't know it was a thing. First of all,

1218
00:51:24,520 --> 00:51:27,000
Speaker 8: I never didn't know you could bet on how long

1219
00:51:27,160 --> 00:51:29,520
Speaker 8: the anthem was. And once I learned that, I was like, man,

1220
00:51:29,520 --> 00:51:32,600
Speaker 8: I know how long the anthem is. That's crazy. But

1221
00:51:33,000 --> 00:51:35,320
Speaker 8: I haven't really told anybody. I didn't tell anybody, so

1222
00:51:36,000 --> 00:51:38,280
Speaker 8: there's still some honor there. I didn't all annoyings.

1223
00:51:38,280 --> 00:51:40,640
Speaker 4: I never got a message saying, hey, it's two forty two,

1224
00:51:40,719 --> 00:51:42,720
Speaker 4: because what I'd have been killing?

1225
00:51:43,239 --> 00:51:43,360
Speaker 2: Is it?

1226
00:51:43,920 --> 00:51:46,480
Speaker 3: When you sing the anthem with a guitar?

1227
00:51:47,440 --> 00:51:51,480
Speaker 2: Is it easier to stay the same pitch because you

1228
00:51:51,600 --> 00:51:54,160
Speaker 2: have that you can hear the note, you know, because

1229
00:51:54,160 --> 00:51:55,839
Speaker 2: somebody h they blow that thing?

1230
00:51:56,680 --> 00:51:59,640
Speaker 8: Yeah, I mean, does it not matter. It's a non

1231
00:51:59,680 --> 00:52:01,759
Speaker 8: issue for me. It might be for somebody else. I

1232
00:52:01,800 --> 00:52:04,480
Speaker 8: don't know's I can only judge it for me.

1233
00:52:04,560 --> 00:52:07,200
Speaker 3: Do you have perfect pitch? Can you hear perfect pitch?

1234
00:52:08,160 --> 00:52:11,200
Speaker 8: I mean perfect pitch means that I could I could

1235
00:52:11,800 --> 00:52:14,799
Speaker 8: hear you hit and the match it and I could

1236
00:52:14,840 --> 00:52:16,360
Speaker 8: tell you, well, I could tell you what that note was.

1237
00:52:16,520 --> 00:52:20,040
Speaker 8: I can't do that. That's perfect pitch, like Charlie Pooth

1238
00:52:20,080 --> 00:52:20,719
Speaker 8: has perfect pitch.

1239
00:52:20,760 --> 00:52:22,279
Speaker 3: But could you guess pretty good?

1240
00:52:22,719 --> 00:52:25,640
Speaker 8: No, not even not even close. I don't even know

1241
00:52:25,760 --> 00:52:27,600
Speaker 8: the names of all the notes on the guitar, you know,

1242
00:52:27,800 --> 00:52:29,960
Speaker 8: so I can't tell you what I'm playing most of

1243
00:52:30,040 --> 00:52:30,359
Speaker 8: the time.

1244
00:52:30,880 --> 00:52:32,520
Speaker 3: What's the best concert you've ever been to?

1245
00:52:33,200 --> 00:52:37,320
Speaker 8: The best concert I've ever been to. I've been to

1246
00:52:37,400 --> 00:52:42,879
Speaker 8: some good ones. Paul McCartney, The Eagles Health Freezes Over Tour,

1247
00:52:43,960 --> 00:52:46,360
Speaker 8: the Vince Guilt where he had the big band. I

1248
00:52:46,400 --> 00:52:48,040
Speaker 8: don't know. It's hard to pick. There's a lot of

1249
00:52:48,080 --> 00:52:50,680
Speaker 8: good ones, but one but one.

1250
00:52:50,960 --> 00:52:52,680
Speaker 3: You only go to one. You get to relive it,

1251
00:52:53,920 --> 00:52:55,320
Speaker 3: get reli that you've been to.

1252
00:52:58,120 --> 00:53:01,480
Speaker 8: Man if I was reliving, i'd probably go. And part

1253
00:53:01,520 --> 00:53:03,359
Speaker 8: of this is just the era of my life.

1254
00:53:03,480 --> 00:53:03,719
Speaker 4: It is.

1255
00:53:03,840 --> 00:53:07,480
Speaker 8: It's the Eagles Health Freezes Over Tour, you know, Fourth Row, Charleston,

1256
00:53:07,480 --> 00:53:10,040
Speaker 8: West Virginia. Me and my brother I spent all my money.

1257
00:53:10,040 --> 00:53:12,840
Speaker 8: I had to get these tickets, you know, And they

1258
00:53:12,920 --> 00:53:15,359
Speaker 8: played for four hours and it was they did all

1259
00:53:15,400 --> 00:53:18,200
Speaker 8: their solo stuff, bless all the Eagle stuff. So you

1260
00:53:18,320 --> 00:53:19,920
Speaker 8: got everything that you wanted out of that show, and

1261
00:53:20,000 --> 00:53:21,680
Speaker 8: it was an immaculate show.

1262
00:53:21,760 --> 00:53:23,040
Speaker 3: Did you ever watched their documentary?

1263
00:53:23,880 --> 00:53:24,239
Speaker 8: I have not.

1264
00:53:24,440 --> 00:53:25,439
Speaker 3: It's like three and a half.

1265
00:53:25,520 --> 00:53:26,320
Speaker 8: It was awesome.

1266
00:53:26,440 --> 00:53:29,120
Speaker 2: It was that it was them getting back together and

1267
00:53:30,239 --> 00:53:33,759
Speaker 2: doing that tour. You see the Tom Petty documentary about

1268
00:53:33,760 --> 00:53:35,400
Speaker 2: Ey Chance, it's like seven hours, eight hours on.

1269
00:53:35,520 --> 00:53:38,520
Speaker 8: I haven't Oh, I've watched about half of the Beatles,

1270
00:53:39,280 --> 00:53:41,719
Speaker 8: the one on Apple. Yeah, I watched about half of that.

1271
00:53:41,760 --> 00:53:45,280
Speaker 8: I haven't gone through. I just I get distracted.

1272
00:53:45,920 --> 00:53:47,360
Speaker 4: What did you think about the Apple one? Because I

1273
00:53:47,560 --> 00:53:49,120
Speaker 4: see why everybody thought it was so awesome. But I

1274
00:53:49,200 --> 00:53:51,520
Speaker 4: also couldn't sit for long periods because you're just watching

1275
00:53:51,560 --> 00:53:51,960
Speaker 4: them live.

1276
00:53:52,840 --> 00:53:54,239
Speaker 3: You know, it's voyeurism, you know.

1277
00:53:54,640 --> 00:53:58,080
Speaker 8: It was sure as a songwriter, it's fascinating to watch

1278
00:53:58,160 --> 00:54:02,080
Speaker 8: some of these things be created and realized that a

1279
00:54:02,120 --> 00:54:05,080
Speaker 8: lot of the processes are not too different than what

1280
00:54:05,160 --> 00:54:06,600
Speaker 8: the rest of us trying to do. They just happen

1281
00:54:06,640 --> 00:54:09,440
Speaker 8: to be the Beatles. Yeah, you know, like they're sitting there,

1282
00:54:09,640 --> 00:54:11,800
Speaker 8: dinking around on something, thinking they're not doing anything, and

1283
00:54:11,880 --> 00:54:16,120
Speaker 8: then it's, you know, some classic Beatles song that everybody knows.

1284
00:54:16,760 --> 00:54:19,080
Speaker 4: Yeah, there's one part where Paul is just like Jojo

1285
00:54:19,360 --> 00:54:24,680
Speaker 4: wasn't man, Jojo wasn't Man, and you're hearing him. Yeah,

1286
00:54:24,680 --> 00:54:28,440
Speaker 4: you hear like the beginning parts of Get Back that

1287
00:54:28,520 --> 00:54:30,279
Speaker 4: we all know now we've heard ten million times, but

1288
00:54:30,360 --> 00:54:32,680
Speaker 4: it's just him like dinking around figuring it out right.

1289
00:54:32,719 --> 00:54:35,760
Speaker 8: It's incredible. That's an incredible thing to have on film.

1290
00:54:36,239 --> 00:54:38,320
Speaker 3: Are you recording a lot of your life so we

1291
00:54:38,400 --> 00:54:39,440
Speaker 3: can do one of these about you?

1292
00:54:39,760 --> 00:54:39,800
Speaker 1: No?

1293
00:54:40,280 --> 00:54:41,760
Speaker 3: No, nobody.

1294
00:54:41,840 --> 00:54:44,120
Speaker 2: You don't have somebody that's recording a bunch of stuff

1295
00:54:44,120 --> 00:54:46,480
Speaker 2: that's not getting out on social media, but one day

1296
00:54:46,840 --> 00:54:50,160
Speaker 2: when it's time for Staple to uncut unedited midnight version.

1297
00:54:51,160 --> 00:54:53,440
Speaker 8: No, I'm pretty I'm pretty private. I mean, there we

1298
00:54:53,560 --> 00:54:54,719
Speaker 8: film shows and stuff like that.

1299
00:54:54,960 --> 00:54:56,759
Speaker 3: But you don't want a documentary about your life?

1300
00:54:57,600 --> 00:54:58,120
Speaker 8: Not really?

1301
00:54:58,520 --> 00:54:58,560
Speaker 6: No?

1302
00:55:00,120 --> 00:55:02,560
Speaker 8: Do you know, well there's one.

1303
00:55:04,080 --> 00:55:08,400
Speaker 2: Did you think let's go twenty years ago. Did you

1304
00:55:08,480 --> 00:55:10,839
Speaker 2: have dreams that equal to where you are now?

1305
00:55:11,160 --> 00:55:11,200
Speaker 1: No?

1306
00:55:12,080 --> 00:55:17,399
Speaker 8: No dreams, No, No, because I you know, I try

1307
00:55:17,440 --> 00:55:19,160
Speaker 8: to work very much in the space and the doors

1308
00:55:19,200 --> 00:55:24,399
Speaker 8: that feel like they're open, not necessarily like I guess

1309
00:55:24,440 --> 00:55:26,719
Speaker 8: it's good to have goals like, but my goals were

1310
00:55:26,760 --> 00:55:30,239
Speaker 8: always I'm a songwriter. I want to keep this job,

1311
00:55:31,640 --> 00:55:34,680
Speaker 8: you know, I'm touring. I don't want to lose money,

1312
00:55:35,840 --> 00:55:37,840
Speaker 8: you know, Like those are those are the kinds of

1313
00:55:38,160 --> 00:55:41,680
Speaker 8: things that there was never like a hey, I want

1314
00:55:41,719 --> 00:55:47,280
Speaker 8: to be getting interviewed on radio talking about being nominated

1315
00:55:47,320 --> 00:55:51,400
Speaker 8: for a munch of awards doesn't not a not was

1316
00:55:51,480 --> 00:55:54,359
Speaker 8: not a not a thing.

1317
00:55:55,760 --> 00:55:57,440
Speaker 3: You would have liked it though, it just was. It

1318
00:55:57,560 --> 00:55:59,279
Speaker 3: was just so out of the realm of what you

1319
00:55:59,400 --> 00:56:00,480
Speaker 3: thought was ApoB disibility.

1320
00:56:00,680 --> 00:56:06,200
Speaker 8: Well, you know, I'm not. Well, it just didn't seem

1321
00:56:07,040 --> 00:56:10,920
Speaker 8: some of those things don't seem achievable or practical, right,

1322
00:56:11,080 --> 00:56:12,879
Speaker 8: and they're not without a whole lot of luck.

1323
00:56:13,560 --> 00:56:15,920
Speaker 2: You know, if we go back to that performance with

1324
00:56:16,000 --> 00:56:19,520
Speaker 2: you and JT, where I think America was introduced to

1325
00:56:19,680 --> 00:56:21,920
Speaker 2: you was the next few days and a week after that,

1326
00:56:22,200 --> 00:56:23,640
Speaker 2: was it just bonkers.

1327
00:56:23,239 --> 00:56:26,719
Speaker 8: For super bonkers? Yeah, we went from you know, the

1328
00:56:26,800 --> 00:56:30,200
Speaker 8: next thing that we had after that, we had like

1329
00:56:30,280 --> 00:56:32,360
Speaker 8: a West Coast run which we never played really on

1330
00:56:32,400 --> 00:56:34,640
Speaker 8: the West coast at all, and we were playing places

1331
00:56:34,719 --> 00:56:40,279
Speaker 8: that held maybe eight hundred people that were half sold,

1332
00:56:40,800 --> 00:56:42,920
Speaker 8: you know, because nobody knew who knew who we were

1333
00:56:43,000 --> 00:56:46,640
Speaker 8: out there, and you know, those tickets were gone, and

1334
00:56:47,040 --> 00:56:49,399
Speaker 8: then pretty soon we were booking things we didn't know how,

1335
00:56:50,960 --> 00:56:53,480
Speaker 8: you know, Deep the River was all of a sudden,

1336
00:56:53,600 --> 00:56:58,200
Speaker 8: and so there was a lot of guessing about what

1337
00:56:58,719 --> 00:57:00,680
Speaker 8: venue we could play for the next year or so,

1338
00:57:01,760 --> 00:57:04,640
Speaker 8: and then and then we're in the venues that we're in.

1339
00:57:04,880 --> 00:57:06,480
Speaker 3: Did you feel like that could be fleeting?

1340
00:57:07,760 --> 00:57:10,640
Speaker 8: I still do, yeah, but no, but you can't.

1341
00:57:11,000 --> 00:57:12,279
Speaker 2: I mean, I get it because I feel the same

1342
00:57:12,280 --> 00:57:15,640
Speaker 2: way people say, if you got fired today, you'd be fine.

1343
00:57:15,719 --> 00:57:18,280
Speaker 2: I'm like, I don't know, so I completely understand, but

1344
00:57:18,320 --> 00:57:20,040
Speaker 2: I'm saying this from my perfect like, there's no chance

1345
00:57:20,080 --> 00:57:22,880
Speaker 2: it's fleeting now. But you did feel like maybe this

1346
00:57:23,000 --> 00:57:24,600
Speaker 2: is just a blips. I need to hold on as

1347
00:57:24,640 --> 00:57:25,160
Speaker 2: long as I can.

1348
00:57:25,880 --> 00:57:28,840
Speaker 8: Well, yeah, I mean, working musician mentality kicks in and

1349
00:57:28,840 --> 00:57:31,160
Speaker 8: you're like, all sunshine and let's make some Hey, let's

1350
00:57:31,280 --> 00:57:33,600
Speaker 8: let's do what we can do. And you and you

1351
00:57:33,880 --> 00:57:36,600
Speaker 8: and you run pretty hard in those moments, as hard

1352
00:57:36,640 --> 00:57:37,000
Speaker 8: as you can.

1353
00:57:37,280 --> 00:57:38,200
Speaker 3: Was it ever overwhelming?

1354
00:57:39,480 --> 00:57:43,840
Speaker 8: No, it was exciting. I mean it was exhausting, but

1355
00:57:43,960 --> 00:57:48,160
Speaker 8: it was exciting, you know, and and just uh surreal

1356
00:57:48,240 --> 00:57:50,280
Speaker 8: and life and still is. On a lot of nights,

1357
00:57:50,360 --> 00:57:50,520
Speaker 8: you know.

1358
00:57:51,000 --> 00:57:53,400
Speaker 4: Can you go to dinner in a public place, I

1359
00:57:53,520 --> 00:57:55,920
Speaker 4: can can you go to dinner in a pub place

1360
00:57:55,920 --> 00:57:58,560
Speaker 4: where people don't recognize you or want to pay for

1361
00:57:58,640 --> 00:57:59,760
Speaker 4: your bill or try to get a picture?

1362
00:58:00,080 --> 00:58:07,360
Speaker 8: Sometimes so hard. I mean that that kind of adjustment

1363
00:58:07,520 --> 00:58:10,920
Speaker 8: was hard. That was that was the hardest part initially,

1364
00:58:11,760 --> 00:58:15,960
Speaker 8: and it and it's probably and now it's just that's

1365
00:58:16,040 --> 00:58:18,240
Speaker 8: that's just what my life is, you know, And I'm

1366
00:58:18,280 --> 00:58:19,479
Speaker 8: sure that's what your.

1367
00:58:19,440 --> 00:58:22,320
Speaker 3: Life is, and totally the same were the same thing, Yeah.

1368
00:58:22,320 --> 00:58:26,520
Speaker 8: Pretty much. Yeah, I don't know what you have to

1369
00:58:26,560 --> 00:58:26,800
Speaker 8: deal with.

1370
00:58:26,920 --> 00:58:29,480
Speaker 3: Man, it gets we sometimes.

1371
00:58:29,520 --> 00:58:33,800
Speaker 4: But you're you're very I mean, you're such a great

1372
00:58:34,120 --> 00:58:37,080
Speaker 4: songwriter and singer. And on top of that, your beard

1373
00:58:37,240 --> 00:58:41,040
Speaker 4: is very distinct. Sure where my glasses is pretty distinct

1374
00:58:41,160 --> 00:58:42,920
Speaker 4: your beard. So I would think, like I got I

1375
00:58:42,960 --> 00:58:44,200
Speaker 4: got pulled over the other day, had a phone up

1376
00:58:44,200 --> 00:58:45,600
Speaker 4: to my ear ship You can't do that, by the way,

1377
00:58:45,600 --> 00:58:46,640
Speaker 4: you can't hold the phone up to your ear You

1378
00:58:46,640 --> 00:58:47,120
Speaker 4: get a ticket.

1379
00:58:47,280 --> 00:58:48,680
Speaker 3: I wasn't speeding, got a phone up to my.

1380
00:58:48,720 --> 00:58:50,919
Speaker 8: Ear coffee, it's not what if you're not talking to anybody.

1381
00:58:50,560 --> 00:58:50,960
Speaker 3: It doesn't matter.

1382
00:58:51,000 --> 00:58:53,320
Speaker 2: I can't have phone in your ear. Yeah, you can't

1383
00:58:53,360 --> 00:58:54,360
Speaker 2: know you can't hold it up.

1384
00:58:54,480 --> 00:58:56,280
Speaker 4: What if it's a toy phone, Chris, I don't have

1385
00:58:56,360 --> 00:58:58,400
Speaker 4: the answers, but that'd be hilarious. You drive by a

1386
00:58:58,480 --> 00:59:00,479
Speaker 4: cop of the toy phone just to see, Yeah, gotcha,

1387
00:59:00,640 --> 00:59:04,440
Speaker 4: that's funny. Okay man, that's funny. Check yeah checking.

1388
00:59:05,680 --> 00:59:08,200
Speaker 3: I got so I got pulled over. It does that

1389
00:59:08,280 --> 00:59:09,880
Speaker 3: ever happen? And somebody, like a cop was like, oh,

1390
00:59:09,960 --> 00:59:11,320
Speaker 3: Chris table To, look at that. We'll let you go.

1391
00:59:11,400 --> 00:59:12,640
Speaker 3: I know you drop the bank, but you go ahead

1392
00:59:12,680 --> 00:59:13,720
Speaker 3: and go for your Chris Tableton.

1393
00:59:14,520 --> 00:59:19,280
Speaker 8: I've gotten, you know, because my whole life, because I

1394
00:59:19,280 --> 00:59:21,280
Speaker 8: look like I do, I look like I need a ticket.

1395
00:59:22,760 --> 00:59:25,840
Speaker 8: You know, I'll get caught for like a rolling stuff

1396
00:59:25,880 --> 00:59:27,959
Speaker 8: on a stop sign or something. And it doesn't happen

1397
00:59:27,960 --> 00:59:30,240
Speaker 8: as much anymore. But anytime I used to get pulled,

1398
00:59:30,240 --> 00:59:31,600
Speaker 8: I just knew I was getting a ticket. There were

1399
00:59:31,640 --> 00:59:35,200
Speaker 8: no warnings, nothing. They would find everything they could find,

1400
00:59:35,640 --> 00:59:37,680
Speaker 8: and I would get those because I think in their

1401
00:59:37,760 --> 00:59:40,560
Speaker 8: heart they knew that because I look like I look.

1402
00:59:41,040 --> 00:59:44,040
Speaker 8: It was even though they didn't catch me for something

1403
00:59:44,080 --> 00:59:47,160
Speaker 8: that I've done. I did something, you know, I felt

1404
00:59:47,240 --> 00:59:49,920
Speaker 8: like that a lot, But no, I actually have gotten

1405
00:59:50,000 --> 00:59:54,520
Speaker 8: off with a warning. And last two or three years.

1406
00:59:54,680 --> 00:59:56,720
Speaker 2: They say, Chris, please sing to me like a warning,

1407
00:59:57,480 --> 00:59:59,920
Speaker 2: and he's like, all right, I need a warning.

1408
01:00:00,400 --> 01:00:00,760
Speaker 4: There you go.

1409
01:00:02,360 --> 01:00:04,120
Speaker 3: I saw a video of you. I don't know how

1410
01:00:04,200 --> 01:00:06,240
Speaker 3: long it was. Were you at a Tyler Perry show?

1411
01:00:06,240 --> 01:00:07,400
Speaker 3: And they were like, made you get up and sing?

1412
01:00:07,560 --> 01:00:07,960
Speaker 3: Is that real?

1413
01:00:08,160 --> 01:00:08,720
Speaker 8: Yeah? That's real?

1414
01:00:08,800 --> 01:00:09,520
Speaker 3: How long ago is that?

1415
01:00:09,760 --> 01:00:12,520
Speaker 8: That's been a minute? It has Yeah, I don't know.

1416
01:00:14,240 --> 01:00:15,120
Speaker 8: It's pretty pandemic.

1417
01:00:15,240 --> 01:00:18,040
Speaker 3: So I wondered, how did how did a microphone get

1418
01:00:18,040 --> 01:00:19,040
Speaker 3: to you? How did they know it was you?

1419
01:00:19,240 --> 01:00:21,040
Speaker 8: Well, I was coming to the show and we were

1420
01:00:21,080 --> 01:00:24,000
Speaker 8: going to you know, a bunch of folks don't work with.

1421
01:00:24,520 --> 01:00:26,640
Speaker 8: We wanted to go see the show because at the

1422
01:00:26,680 --> 01:00:28,040
Speaker 8: time that was like the last one he was going

1423
01:00:28,080 --> 01:00:32,360
Speaker 8: to do, you know, and he knew that I was

1424
01:00:32,400 --> 01:00:34,560
Speaker 8: there going to be there, and he's like so before

1425
01:00:34,600 --> 01:00:36,000
Speaker 8: she was like, hey, man, can I just hand you

1426
01:00:36,040 --> 01:00:37,720
Speaker 8: a microphone? Can we break out of the show for

1427
01:00:37,760 --> 01:00:39,120
Speaker 8: a minute and we'll just do that thing? I was like,

1428
01:00:39,840 --> 01:00:41,840
Speaker 8: I mean, I guess, so let's let's go. And so

1429
01:00:41,920 --> 01:00:42,480
Speaker 8: that's what we did.

1430
01:00:42,720 --> 01:00:43,360
Speaker 3: That's pretty cool.

1431
01:00:43,400 --> 01:00:44,280
Speaker 8: Yeah, it was super cool.

1432
01:00:44,480 --> 01:00:46,200
Speaker 2: Is it cool to people that are also uber talented?

1433
01:00:46,240 --> 01:00:50,440
Speaker 2: Think you're uber talented, because that's what that is.

1434
01:00:50,600 --> 01:00:54,360
Speaker 8: Certainly, it feels validating, you know, And if you want

1435
01:00:54,360 --> 01:00:56,200
Speaker 8: to say it's cool, yeah, I think I mean, yeah,

1436
01:00:56,200 --> 01:00:56,919
Speaker 8: I think that's cool.

1437
01:00:57,400 --> 01:00:59,800
Speaker 3: You're on the road. We were talking about this.

1438
01:01:00,720 --> 01:01:02,600
Speaker 4: If we look through your tour dates here all American

1439
01:01:02,680 --> 01:01:06,400
Speaker 4: Road Show, Chris Stapleton dot com and March all the

1440
01:01:06,440 --> 01:01:09,120
Speaker 4: way through, it looks like the end of October.

1441
01:01:09,520 --> 01:01:13,680
Speaker 3: Do you still enjoy being that hour and a half

1442
01:01:13,840 --> 01:01:17,840
Speaker 3: on stage? We usually do two hours, but yeah, two hours.

1443
01:01:18,080 --> 01:01:18,880
Speaker 3: Do you still enjoy that?

1444
01:01:19,240 --> 01:01:22,680
Speaker 8: Yeah? I mean certainly. I mean every night is a

1445
01:01:22,760 --> 01:01:27,040
Speaker 8: new animally, you know, and if you you know, feel

1446
01:01:27,120 --> 01:01:30,800
Speaker 8: out of the weather or it's super hot or super gold,

1447
01:01:30,960 --> 01:01:32,880
Speaker 8: those are things, you know, if you're playing outside, those

1448
01:01:32,880 --> 01:01:36,040
Speaker 8: are things that are kind of wild cards that you know.

1449
01:01:36,360 --> 01:01:38,440
Speaker 8: But is as long as you can get to the

1450
01:01:39,440 --> 01:01:43,200
Speaker 8: the best version of how something can sound on stage,

1451
01:01:43,240 --> 01:01:46,440
Speaker 8: and you really can find that that musicianship thing with

1452
01:01:46,520 --> 01:01:50,240
Speaker 8: all the guys on stage and getting the groove something, yeah,

1453
01:01:50,240 --> 01:01:52,680
Speaker 8: that's that's really something to enjoy because then you see

1454
01:01:52,840 --> 01:01:55,920
Speaker 8: this thing start happening with the circle of the fans

1455
01:01:55,960 --> 01:01:59,080
Speaker 8: and everybody's you send something out and the energy comes

1456
01:01:59,160 --> 01:02:02,360
Speaker 8: back at you. Then you get to send that energy

1457
01:02:02,400 --> 01:02:04,840
Speaker 8: back out and it elevates what you do. You can't,

1458
01:02:06,240 --> 01:02:08,919
Speaker 8: I don't know, you can't do that without people coming

1459
01:02:09,000 --> 01:02:09,440
Speaker 8: to watch you.

1460
01:02:09,560 --> 01:02:11,160
Speaker 3: You know, three more questions.

1461
01:02:11,280 --> 01:02:16,120
Speaker 4: If you're we'll say writer's block, writers slow writers, and

1462
01:02:16,200 --> 01:02:19,600
Speaker 4: you're not there, you can't get there, What can you

1463
01:02:19,800 --> 01:02:22,720
Speaker 4: do in order to kind of find that spark?

1464
01:02:23,800 --> 01:02:24,640
Speaker 8: Go do something else?

1465
01:02:25,160 --> 01:02:28,040
Speaker 3: Just get away completely, just stop it's.

1466
01:02:27,880 --> 01:02:31,080
Speaker 8: Not happening to just stop, go do something else. And

1467
01:02:31,160 --> 01:02:37,280
Speaker 8: then you know, I've had rare occasions where I've dedicated

1468
01:02:37,360 --> 01:02:40,280
Speaker 8: time to go do something like that that that happens,

1469
01:02:40,280 --> 01:02:42,080
Speaker 8: But I've certainly had it happens that it said. Yeah,

1470
01:02:42,120 --> 01:02:45,280
Speaker 8: I've had writing poems with people. I was a songwriter

1471
01:02:45,400 --> 01:02:48,880
Speaker 8: and we'd be banging around on trying to beat our

1472
01:02:48,920 --> 01:02:51,120
Speaker 8: heads against the wall for two hours and then look

1473
01:02:51,160 --> 01:02:52,680
Speaker 8: at each other and just go, hey, let's just go

1474
01:02:52,760 --> 01:02:56,280
Speaker 8: to launch and you do that and that's the day.

1475
01:02:56,320 --> 01:02:59,920
Speaker 8: And that's that's songwriting and being creative too. Like someday

1476
01:03:01,280 --> 01:03:03,440
Speaker 8: you're not gonna have it, but if you, you know,

1477
01:03:03,760 --> 01:03:07,200
Speaker 8: can have enough presence of mind, dude, just walk away.

1478
01:03:08,040 --> 01:03:10,240
Speaker 4: Is that where Salisbury's Steak was written? That song that's

1479
01:03:10,240 --> 01:03:12,040
Speaker 4: my favorite song. He Salisbury's seak was it at lunch?

1480
01:03:12,240 --> 01:03:13,240
Speaker 8: I have no idea.

1481
01:03:13,640 --> 01:03:14,240
Speaker 3: I'm just kidding.

1482
01:03:15,600 --> 01:03:17,600
Speaker 8: But now listen, I could have written a song like

1483
01:03:17,680 --> 01:03:19,840
Speaker 8: that in my twenties. I don't remember a lot I didn't,

1484
01:03:19,840 --> 01:03:20,000
Speaker 8: you know.

1485
01:03:20,840 --> 01:03:24,480
Speaker 4: So, okay, you're on the road, you're playing these shows.

1486
01:03:24,560 --> 01:03:27,360
Speaker 4: You play these songs that you've either written or that

1487
01:03:27,440 --> 01:03:30,240
Speaker 4: you've you've picked, like the Jeff Fogerty song, or we

1488
01:03:30,320 --> 01:03:31,520
Speaker 4: go back to some of the great covers that you

1489
01:03:31,600 --> 01:03:33,880
Speaker 4: put on your records. Do you have a This is

1490
01:03:33,920 --> 01:03:35,880
Speaker 4: such a cliche question, but I love asking do you

1491
01:03:35,920 --> 01:03:38,400
Speaker 4: have a favorite song? Right now that you play a

1492
01:03:38,480 --> 01:03:40,680
Speaker 4: favorite song? Yeah, what do you like playing the most?

1493
01:03:42,440 --> 01:03:43,960
Speaker 4: You see it coming up in the set lest you're like, man,

1494
01:03:44,000 --> 01:03:44,880
Speaker 4: this is what I'm looking forward to.

1495
01:03:47,680 --> 01:03:50,240
Speaker 8: I look forward to playing I was wrong a lot,

1496
01:03:50,480 --> 01:03:53,560
Speaker 8: just because you know, I get to we extended and

1497
01:03:53,640 --> 01:03:55,320
Speaker 8: played like a bunch of guitar on the end. And

1498
01:03:55,480 --> 01:03:58,840
Speaker 8: so as a singer who likes to play guitar, I'm

1499
01:03:58,960 --> 01:04:01,520
Speaker 8: you know, I like to do that.

1500
01:04:02,240 --> 01:04:02,360
Speaker 4: You know.

1501
01:04:02,640 --> 01:04:04,800
Speaker 2: John Ayra plays with Dead and Company? Right, so he goes,

1502
01:04:04,840 --> 01:04:08,000
Speaker 2: would you ever not with Grateful Dead Dead and Company?

1503
01:04:08,040 --> 01:04:10,200
Speaker 2: But is that intriguing, exciting to you.

1504
01:04:10,240 --> 01:04:11,800
Speaker 4: If somebody was like, hey, it's some famous man like

1505
01:04:11,840 --> 01:04:13,600
Speaker 4: the Eagles or something like, hey, would you play guitar

1506
01:04:13,640 --> 01:04:15,760
Speaker 4: for us for three shows, but only guitar where you

1507
01:04:15,840 --> 01:04:16,440
Speaker 4: don't have to sing?

1508
01:04:16,720 --> 01:04:16,880
Speaker 8: Yes?

1509
01:04:16,880 --> 01:04:17,560
Speaker 3: Would that be fine?

1510
01:04:17,640 --> 01:04:17,760
Speaker 4: Oh?

1511
01:04:17,880 --> 01:04:20,240
Speaker 8: Yeah? And that's Those are my favorite calls sometimes when

1512
01:04:20,280 --> 01:04:23,080
Speaker 8: people call me just to come play guitar on something,

1513
01:04:23,120 --> 01:04:28,360
Speaker 8: because you know, I secretly really love that, you know,

1514
01:04:28,440 --> 01:04:31,280
Speaker 8: not secretly, I'm publicly setting right here. My favorite thing

1515
01:04:31,360 --> 01:04:34,400
Speaker 8: is to get a call to not sing, you know

1516
01:04:34,480 --> 01:04:38,320
Speaker 8: that's weird, or or just to write with somebody for

1517
01:04:38,480 --> 01:04:40,960
Speaker 8: something they're doing and not because it has to be

1518
01:04:41,000 --> 01:04:44,120
Speaker 8: a duet. Those are the things that so.

1519
01:04:44,280 --> 01:04:45,720
Speaker 4: Not to write for you to sing on, but just

1520
01:04:45,800 --> 01:04:50,160
Speaker 4: they just want your your writing perspective ability.

1521
01:04:50,320 --> 01:04:50,520
Speaker 3: Yeah.

1522
01:04:50,520 --> 01:04:53,800
Speaker 8: I love to do that because it allows you there's

1523
01:04:53,800 --> 01:04:58,360
Speaker 8: so much more. I'm trying to give somebody else's thing

1524
01:04:58,520 --> 01:05:01,600
Speaker 8: and help them get to whatever they're looking for and

1525
01:05:02,160 --> 01:05:08,640
Speaker 8: in my own way, And that's really fun creative space

1526
01:05:08,720 --> 01:05:11,800
Speaker 8: to be in for me, because I don't do that

1527
01:05:11,840 --> 01:05:12,280
Speaker 8: all the time.

1528
01:05:12,880 --> 01:05:14,520
Speaker 2: Well, I'm gonna bite you over not to sing. That's

1529
01:05:14,560 --> 01:05:15,640
Speaker 2: pretty easy here, you a co over man.

1530
01:05:15,720 --> 01:05:16,120
Speaker 3: Just no sing?

1531
01:05:16,240 --> 01:05:20,080
Speaker 2: Yeah, just hang out Christapleton tonight. You guys watched the ACMs.

1532
01:05:20,160 --> 01:05:24,320
Speaker 2: Please it is on Amazon Prime. Are you playing tonight?

1533
01:05:25,280 --> 01:05:25,560
Speaker 4: You're not.

1534
01:05:26,040 --> 01:05:28,000
Speaker 2: And that's why you're going because they, like Chris, want

1535
01:05:28,040 --> 01:05:28,880
Speaker 2: you to come, but don't play.

1536
01:05:28,960 --> 01:05:29,480
Speaker 3: That's what I heard.

1537
01:05:29,600 --> 01:05:31,680
Speaker 4: They wanted you to know. I said, please, never play,

1538
01:05:31,760 --> 01:05:33,760
Speaker 4: and then you're like, my favorite call is not to play,

1539
01:05:33,840 --> 01:05:34,560
Speaker 4: So I'm going to be there.

1540
01:05:35,040 --> 01:05:37,240
Speaker 8: Well, we don't really, I mean, we're at the end

1541
01:05:37,280 --> 01:05:41,240
Speaker 8: of an album cycle. With that we've there wasn't much

1542
01:05:41,320 --> 01:05:43,120
Speaker 8: reason for us to play. So we just pumped the

1543
01:05:43,160 --> 01:05:46,360
Speaker 8: brakes and we'll show up and be there, be present.

1544
01:05:46,560 --> 01:05:48,200
Speaker 2: But if we're at the end of one, is it

1545
01:05:48,280 --> 01:05:51,760
Speaker 2: almost a rebirth of another album cycle?

1546
01:05:52,840 --> 01:05:53,160
Speaker 8: Could be?

1547
01:05:53,440 --> 01:05:57,600
Speaker 4: Yes, they're yes, They're okay. There he is Chris Staple.

1548
01:05:57,680 --> 01:05:58,760
Speaker 4: He just said it here. He's got a brand new

1549
01:05:58,760 --> 01:06:05,720
Speaker 4: album coming out called sALS Steak, untitled all Right, you

1550
01:06:05,760 --> 01:06:08,360
Speaker 4: guys follow Chris at Chris Stapleton. Chris, you know I

1551
01:06:08,440 --> 01:06:11,000
Speaker 4: love you man, just as a dude, just as obviously

1552
01:06:11,080 --> 01:06:14,280
Speaker 4: your music is fantastic. But you guys go see Chris.

1553
01:06:14,760 --> 01:06:17,920
Speaker 4: The show is with George Straight. That's that's gotta be crazy.

1554
01:06:18,360 --> 01:06:19,080
Speaker 1: That's gotta be crazy.

1555
01:06:21,920 --> 01:06:24,000
Speaker 8: We have played a few of those kind of ships before,

1556
01:06:24,000 --> 01:06:26,960
Speaker 8: and I just bugged George to do some more because

1557
01:06:27,000 --> 01:06:27,400
Speaker 8: it's fun.

1558
01:06:27,440 --> 01:06:30,280
Speaker 3: It's a it's a great bill to be on. It's

1559
01:06:30,320 --> 01:06:32,880
Speaker 3: George straight Man, George straight Man. You know that's right,

1560
01:06:33,080 --> 01:06:33,360
Speaker 3: all right?

1561
01:06:33,400 --> 01:06:36,240
Speaker 4: There is a CMS tonight Amazon Prime. Clap your hands

1562
01:06:36,240 --> 01:06:41,400
Speaker 4: for Chris Stapleton, everybody. The news coming up in just

1563
01:06:41,440 --> 01:06:44,160
Speaker 4: a second where they say this is the deadliest sport

1564
01:06:44,200 --> 01:06:46,680
Speaker 4: in America. I think you could actually die. I mean,

1565
01:06:46,680 --> 01:06:48,320
Speaker 4: I guess you could. I'll tell you about that in

1566
01:06:48,400 --> 01:06:51,200
Speaker 4: like two minutes. There is a Bobby Cast episode up.

1567
01:06:51,240 --> 01:06:53,680
Speaker 4: It's an hour long with Meghan Patrick, and I got

1568
01:06:53,720 --> 01:06:55,400
Speaker 4: a couple of things I wanted to tell you. First

1569
01:06:55,440 --> 01:06:57,640
Speaker 4: of all, that injury she had because she's from Canada,

1570
01:06:57,680 --> 01:07:01,120
Speaker 4: and then she started like skiing and she hurt herself

1571
01:07:01,200 --> 01:07:01,600
Speaker 4: real bad.

1572
01:07:01,920 --> 01:07:02,600
Speaker 3: Like listen to this.

1573
01:07:02,920 --> 01:07:05,800
Speaker 10: I was warming up in a slopestyle competition, went off

1574
01:07:05,840 --> 01:07:08,920
Speaker 10: a jump way too fast and it threw me off.

1575
01:07:08,960 --> 01:07:11,000
Speaker 10: When I went up to start my rotation, I kind

1576
01:07:11,040 --> 01:07:13,400
Speaker 10: of overcorrected and basically ended up doing a front flip

1577
01:07:13,440 --> 01:07:16,760
Speaker 10: without completing the rotation, landed on my head and my shoulder,

1578
01:07:16,880 --> 01:07:19,640
Speaker 10: sat my collar room and dislocated my shoulder and kind

1579
01:07:19,680 --> 01:07:22,040
Speaker 10: of suitcased on top of myself and so I broke

1580
01:07:22,120 --> 01:07:24,560
Speaker 10: my back, broke my ribs, severe concussion.

1581
01:07:25,520 --> 01:07:27,120
Speaker 4: I thought about that every day since I've talked to her,

1582
01:07:28,040 --> 01:07:30,200
Speaker 4: her going up and losing a troll, and then just landed, well,

1583
01:07:30,280 --> 01:07:31,640
Speaker 4: nothing I can do, so I gotta go landrod on

1584
01:07:31,720 --> 01:07:35,000
Speaker 4: my head crazy. She has this song called Red Roses

1585
01:07:35,040 --> 01:07:40,800
Speaker 4: and Red Flags. We were talking about this and Eddie goes,

1586
01:07:40,800 --> 01:07:42,640
Speaker 4: she's still with Mitchell Tinpenny and I was like, no,

1587
01:07:42,680 --> 01:07:44,080
Speaker 4: on Lyts, she with him, she married him. I didn't

1588
01:07:44,080 --> 01:07:45,000
Speaker 4: realize that yet.

1589
01:07:45,200 --> 01:07:49,280
Speaker 2: And so so Meghan Patrick is married to Mitchell Tinpenny

1590
01:07:49,320 --> 01:07:51,560
Speaker 2: and this is her talking about I guess when they

1591
01:07:51,680 --> 01:07:52,400
Speaker 2: made it official.

1592
01:07:52,880 --> 01:07:55,000
Speaker 10: So when I met Mitchell, I went on tour for

1593
01:07:55,160 --> 01:07:57,560
Speaker 10: like a month, and I just figured, well, Bill goes

1594
01:07:57,560 --> 01:08:00,240
Speaker 10: to me in like a week. He's another artist, song writer,

1595
01:08:00,680 --> 01:08:03,240
Speaker 10: you know, guy in Nashville who thinks he's God's gift

1596
01:08:03,280 --> 01:08:04,320
Speaker 10: to country and women.

1597
01:08:04,480 --> 01:08:05,680
Speaker 3: And he wasn't.

1598
01:08:05,760 --> 01:08:08,240
Speaker 10: He We talked every day, and you know, he ended

1599
01:08:08,320 --> 01:08:10,200
Speaker 10: up saying to me about three quarters the way through

1600
01:08:10,240 --> 01:08:11,920
Speaker 10: the tour, yeah, I kind of want to lock this down.

1601
01:08:11,960 --> 01:08:13,040
Speaker 3: So do you want a date and then I was.

1602
01:08:13,040 --> 01:08:14,280
Speaker 6: Like, I'm not really sure what that beans.

1603
01:08:14,320 --> 01:08:15,800
Speaker 10: He's like like, I'm committing to you, and I was

1604
01:08:15,840 --> 01:08:17,679
Speaker 10: like all right, And then I think it was forty

1605
01:08:17,720 --> 01:08:19,200
Speaker 10: five minutes later, I'm on the bus and I get

1606
01:08:19,240 --> 01:08:20,680
Speaker 10: a text. He's like, so just to be clear, like

1607
01:08:20,760 --> 01:08:22,240
Speaker 10: I can tell people you're my girlfriend.

1608
01:08:22,320 --> 01:08:26,800
Speaker 2: Right there you go, Megan Patrick. Check out the Bobby Cast.

1609
01:08:26,880 --> 01:08:29,880
Speaker 2: It's an hour long. She's awesome. It's awesome. I hope

1610
01:08:29,880 --> 01:08:30,600
Speaker 2: you podcast it.

1611
01:08:30,920 --> 01:08:35,240
Speaker 3: Okay, let's go to the news Bobby's Stories.

1612
01:08:36,200 --> 01:08:41,519
Speaker 2: It turns out horseback riding America's most dangerous and deadly sport. Wow,

1613
01:08:42,000 --> 01:08:45,040
Speaker 2: horseback riding not horse fighting?

1614
01:08:45,960 --> 01:08:47,280
Speaker 3: What is that? I don't know. You crazy.

1615
01:08:47,360 --> 01:08:50,080
Speaker 2: I just can't imagine we win much because we had

1616
01:08:50,080 --> 01:08:53,400
Speaker 2: a gun. Okay, but yeah, one hundred deaths per year.

1617
01:08:53,600 --> 01:08:56,200
Speaker 2: Well this is like jumping stuff like equestrian, right, or

1618
01:08:56,280 --> 01:08:56,880
Speaker 2: just falling off.

1619
01:08:57,360 --> 01:08:57,559
Speaker 3: Yeah.

1620
01:08:58,320 --> 01:09:02,080
Speaker 4: So the danger is is this story came out because

1621
01:09:02,080 --> 01:09:05,000
Speaker 4: somebody in Florida her horse tripped and fell on top

1622
01:09:05,040 --> 01:09:07,400
Speaker 4: of her. It wasn't even like a questria in times. Gosh,

1623
01:09:08,120 --> 01:09:09,600
Speaker 4: and she was fifteen. I don't want to get into that,

1624
01:09:09,640 --> 01:09:12,240
Speaker 4: but it was an accident. So this becomes a story,

1625
01:09:12,439 --> 01:09:14,839
Speaker 4: and then the follow up was, yeah, and this happens

1626
01:09:14,840 --> 01:09:19,080
Speaker 4: a lot. So the deadliest sport in America not just

1627
01:09:19,200 --> 01:09:22,639
Speaker 4: horse jumping in a questrian it's lived to really horseback riding.

1628
01:09:22,720 --> 01:09:25,080
Speaker 6: Well well, and this wasn't in America, but recently the

1629
01:09:26,000 --> 01:09:28,240
Speaker 6: Miss Australia runner up for the World I don't know

1630
01:09:28,280 --> 01:09:31,320
Speaker 6: beauty pageant person, she just was. She was twenty three

1631
01:09:31,360 --> 01:09:33,840
Speaker 6: years old, just taken off life support after a horse

1632
01:09:33,920 --> 01:09:34,519
Speaker 6: riding accident.

1633
01:09:34,600 --> 01:09:35,200
Speaker 3: She's fall off.

1634
01:09:36,120 --> 01:09:37,080
Speaker 6: I don't know the details.

1635
01:09:37,120 --> 01:09:38,599
Speaker 3: I just saw her gave us the story.

1636
01:09:39,680 --> 01:09:41,840
Speaker 6: Related to this, and I thought, oh, my gosh, how tragic.

1637
01:09:41,960 --> 01:09:44,040
Speaker 6: She probably because she probably does that as a sport,

1638
01:09:44,240 --> 01:09:45,320
Speaker 6: and she fell off once.

1639
01:09:45,400 --> 01:09:48,160
Speaker 4: Because my uncle Rick had horses, and I don't think

1640
01:09:48,200 --> 01:09:50,040
Speaker 4: you had enough saddles for all the horses.

1641
01:09:50,280 --> 01:09:52,280
Speaker 3: Oh, we'd ride bare back a lot. We were idiot kids.

1642
01:09:52,320 --> 01:09:53,960
Speaker 3: We just jump on a horse and go. And I

1643
01:09:54,000 --> 01:09:55,519
Speaker 3: remember once I was on.

1644
01:09:55,640 --> 01:09:58,040
Speaker 4: This horse, I feel like the horse's name was horse

1645
01:09:58,320 --> 01:09:59,840
Speaker 4: unless he just yelled a horse at all the horses.

1646
01:10:00,040 --> 01:10:01,880
Speaker 4: Not sure as I look back, but I got on

1647
01:10:02,000 --> 01:10:06,639
Speaker 4: horse and horse took off and probably a little too fast.

1648
01:10:06,680 --> 01:10:08,120
Speaker 4: And again I'm riding bare backs I'm just holding on

1649
01:10:08,160 --> 01:10:10,840
Speaker 4: to the main and took me right into a clothes line,

1650
01:10:11,080 --> 01:10:12,720
Speaker 4: like not a power line, but I could close line.

1651
01:10:13,479 --> 01:10:17,040
Speaker 2: I remember it catching my neck and horse kept running

1652
01:10:17,360 --> 01:10:18,120
Speaker 2: and I said.

1653
01:10:19,000 --> 01:10:21,120
Speaker 3: And it like just threw me back. You literally got

1654
01:10:21,160 --> 01:10:23,320
Speaker 3: clotheslined by a clothes literally.

1655
01:10:23,680 --> 01:10:23,920
Speaker 8: Wow.

1656
01:10:24,280 --> 01:10:27,360
Speaker 2: Horse on a horse clothesline.

1657
01:10:27,760 --> 01:10:27,960
Speaker 4: Wow.

1658
01:10:28,080 --> 01:10:31,120
Speaker 3: Yeah, Amy, I have that story. Siena. We're a finalist

1659
01:10:31,200 --> 01:10:32,000
Speaker 3: in the Miss Universe.

1660
01:10:32,040 --> 01:10:35,519
Speaker 2: Australia pageant has tragically passed away following a horse riding accident.

1661
01:10:36,120 --> 01:10:39,800
Speaker 2: She was riding her horse and the horse took a fall.

1662
01:10:40,479 --> 01:10:42,640
Speaker 2: The horse fell, so obviously she was on it and

1663
01:10:42,760 --> 01:10:47,160
Speaker 2: she died. She was great horse riding, horseback riding. But

1664
01:10:47,240 --> 01:10:48,960
Speaker 2: stay off. If you see a horse named horse, avoid

1665
01:10:49,000 --> 01:10:50,439
Speaker 2: it unless it's got a saddle.

1666
01:10:50,560 --> 01:10:50,840
Speaker 3: Okay.

1667
01:10:51,920 --> 01:10:57,120
Speaker 2: A landlord finds well the condo they own was listed

1668
01:10:57,160 --> 01:11:00,760
Speaker 2: as an Airbnb, but by a stranger, and they weren't

1669
01:11:00,760 --> 01:11:01,479
Speaker 2: even making money.

1670
01:11:01,320 --> 01:11:06,519
Speaker 4: Off of the stranger was WHOA bizarre crazy landlord found

1671
01:11:06,520 --> 01:11:09,599
Speaker 4: her condo listed on Airbnb. It was somebody who wasn't

1672
01:11:09,600 --> 01:11:11,680
Speaker 4: her tenant. She went online and found that it was

1673
01:11:13,000 --> 01:11:16,519
Speaker 4: listed repeatedly by someone she had never heard of. It

1674
01:11:16,720 --> 01:11:20,599
Speaker 4: was the tenant's boyfriend who was the last tenant who

1675
01:11:20,680 --> 01:11:23,760
Speaker 4: was there. She tried to evict the tenant. The tenant

1676
01:11:23,800 --> 01:11:26,000
Speaker 4: wanted six thousand dollars to be evicted. You have to

1677
01:11:26,000 --> 01:11:28,200
Speaker 4: settle and kicked out. Now wow, wait, what a life?

1678
01:11:28,720 --> 01:11:29,960
Speaker 4: I like to kick you out of the place. I

1679
01:11:30,120 --> 01:11:32,840
Speaker 4: like ten grand and then you use that to keep

1680
01:11:32,840 --> 01:11:36,040
Speaker 4: paying rent. It's a never ending cycle. The owner of

1681
01:11:36,120 --> 01:11:39,040
Speaker 4: the condo lost thousands in legal fees and unpaid rent.

1682
01:11:39,439 --> 01:11:42,200
Speaker 4: She blames the city's lacks rules around licensing short term

1683
01:11:42,240 --> 01:11:45,080
Speaker 4: rentals and is calling for changes and regulations. MSN has

1684
01:11:45,120 --> 01:11:45,559
Speaker 4: that story.

1685
01:11:46,160 --> 01:11:49,240
Speaker 2: Women are getting hair transplants to offset the size of

1686
01:11:49,240 --> 01:11:53,360
Speaker 2: their forehead. But would you get them long and then

1687
01:11:53,360 --> 01:11:54,840
Speaker 2: you turn them to the side or would you do

1688
01:11:54,960 --> 01:11:55,960
Speaker 2: like lunch as bangs?

1689
01:11:57,360 --> 01:11:57,559
Speaker 3: Yeah?

1690
01:11:57,680 --> 01:11:59,800
Speaker 6: Probably add some to the front and then they would

1691
01:11:59,800 --> 01:12:03,640
Speaker 6: come down. My sister, I'm not saying she would get this,

1692
01:12:03,840 --> 01:12:05,840
Speaker 6: but I always felt bad for her growing up. People

1693
01:12:05,880 --> 01:12:06,720
Speaker 6: called her five head.

1694
01:12:07,360 --> 01:12:10,280
Speaker 3: Oh wow, if she's listening, she's just retriggered.

1695
01:12:11,120 --> 01:12:15,280
Speaker 4: Yeah she's hey, Christy, no Amy, she had yeah, yeah, yeah,

1696
01:12:15,360 --> 01:12:15,960
Speaker 4: good to hear from me.

1697
01:12:16,000 --> 01:12:18,160
Speaker 2: I hey, t bone here, five head. You know, I'm

1698
01:12:18,200 --> 01:12:19,439
Speaker 2: sure we're bout to hurting, right, now.

1699
01:12:19,960 --> 01:12:21,920
Speaker 6: No, it's something that's coming back up for her because

1700
01:12:21,960 --> 01:12:25,280
Speaker 6: of her HGTV show. People have like mean things online

1701
01:12:25,320 --> 01:12:27,240
Speaker 6: about it. There's a whole Reddit thread about my sister's hair.

1702
01:12:27,360 --> 01:12:28,280
Speaker 3: No one watches that show.

1703
01:12:28,920 --> 01:12:29,680
Speaker 6: Well, somebody on.

1704
01:12:29,880 --> 01:12:32,080
Speaker 4: Why do you think they don't have season two? They've

1705
01:12:32,120 --> 01:12:35,840
Speaker 4: renewed it, just saying not very good. Seasons two's gonna

1706
01:12:35,840 --> 01:12:36,240
Speaker 4: be even worse?

1707
01:12:36,479 --> 01:12:38,000
Speaker 3: Is you're Uh, he's just bitter. Yeah, I know.

1708
01:12:38,240 --> 01:12:40,640
Speaker 2: I was gonna ask him, are you injured because it

1709
01:12:40,640 --> 01:12:41,839
Speaker 2: feels like your butt's hurt.

1710
01:12:43,400 --> 01:12:44,519
Speaker 3: Because you can get picked. Thank you.

1711
01:12:45,040 --> 01:12:46,920
Speaker 4: Yeah. A new study found the longer naps can be

1712
01:12:46,960 --> 01:12:48,679
Speaker 4: associated with negative impacts on your health.

1713
01:12:49,560 --> 01:12:54,519
Speaker 2: Oh lunch average nap average per week.

1714
01:12:54,960 --> 01:12:58,559
Speaker 3: Hour thirty five. I did take a Sunday. I took

1715
01:12:58,560 --> 01:13:00,720
Speaker 3: a three and a half one hear I got that

1716
01:13:00,840 --> 01:13:03,880
Speaker 3: thirty five number. Nobody let the guy do his analysis.

1717
01:13:03,920 --> 01:13:05,559
Speaker 4: You know, if you look at the clock, it's about

1718
01:13:05,560 --> 01:13:07,320
Speaker 4: now we're in thirty five is an average.

1719
01:13:07,160 --> 01:13:09,519
Speaker 2: Of the thousands of adults that participate in the study.

1720
01:13:09,800 --> 01:13:13,280
Speaker 2: Thirty five percent of them took naps often, sixteen percent

1721
01:13:13,320 --> 01:13:15,720
Speaker 2: of them slept for more than thirty minutes at a time,

1722
01:13:16,360 --> 01:13:19,920
Speaker 2: and longer naps were associated with later bed and mule times,

1723
01:13:20,520 --> 01:13:24,760
Speaker 2: increased intake at lunch, also smoking. Mostly it was the

1724
01:13:24,840 --> 01:13:28,000
Speaker 2: link of the nap affected everything else, and a lot

1725
01:13:28,080 --> 01:13:31,759
Speaker 2: of those factors were bad for your health. Power naps

1726
01:13:31,800 --> 01:13:35,200
Speaker 2: have been proven though, like fifteen minute ters can't do that,

1727
01:13:36,560 --> 01:13:38,840
Speaker 2: I can't do fifty minutes impossible, too short, not strong

1728
01:13:38,920 --> 01:13:41,200
Speaker 2: enough can power the power nap.

1729
01:13:41,280 --> 01:13:43,840
Speaker 4: They've been proven to lead you through all the mental

1730
01:13:43,880 --> 01:13:47,200
Speaker 4: and physical health benefits like energy, alertness, productivity, mood.

1731
01:13:48,640 --> 01:13:51,519
Speaker 3: So there you go. Nothing like you wake me up

1732
01:13:51,520 --> 01:13:53,639
Speaker 3: from a fifteen minute power nap on angry as crab,

1733
01:13:53,800 --> 01:13:55,519
Speaker 3: I'm going to be in a bad mood. All right,

1734
01:13:55,800 --> 01:13:56,400
Speaker 3: that's you news.

1735
01:13:57,200 --> 01:14:04,240
Speaker 2: Bobby's a reminder Mother's Days coming up this weekend.

1736
01:14:05,040 --> 01:14:05,880
Speaker 3: Thanks for the reminder.

1737
01:14:06,000 --> 01:14:08,920
Speaker 2: Yes, wow, that's why I'm saying this right now. You

1738
01:14:09,000 --> 01:14:10,960
Speaker 2: got a couple of days Mother's Days this weekend.

1739
01:14:11,680 --> 01:14:11,880
Speaker 1: Yeah.

1740
01:14:12,360 --> 01:14:16,240
Speaker 3: I just switched my flight. What do you mean from iHeart?

1741
01:14:16,400 --> 01:14:18,519
Speaker 4: Yeah, I took the two thirty in the afternoon flight

1742
01:14:18,520 --> 01:14:20,559
Speaker 4: because I was like, man, I'm gonna leave my un

1743
01:14:20,640 --> 01:14:21,280
Speaker 4: I'm gonna leave my.

1744
01:14:21,280 --> 01:14:22,280
Speaker 3: Wife with the three kids.

1745
01:14:22,520 --> 01:14:22,760
Speaker 2: Chill.

1746
01:14:23,600 --> 01:14:26,080
Speaker 4: And then like earlier a couple days ago, someone goes,

1747
01:14:26,120 --> 01:14:27,800
Speaker 4: you know, it's Mother's Day Sunday. I was like, ooh,

1748
01:14:28,640 --> 01:14:30,719
Speaker 4: so there's a seven AM or a nine thirty AM.

1749
01:14:30,800 --> 01:14:34,000
Speaker 3: So I took the nine thirty. You still you know what?

1750
01:14:34,200 --> 01:14:34,519
Speaker 3: Good for you?

1751
01:14:34,760 --> 01:14:34,920
Speaker 1: Yeah?

1752
01:14:34,960 --> 01:14:38,479
Speaker 3: Ich I said, you still get his changes to the seven? Yeah? No, no, no, no,

1753
01:14:38,680 --> 01:14:40,479
Speaker 3: that I'd just be dead man walking?

1754
01:14:40,560 --> 01:14:40,680
Speaker 8: Then?

1755
01:14:41,760 --> 01:14:42,280
Speaker 3: Is it about you?

1756
01:14:42,400 --> 01:14:42,559
Speaker 4: Though?

1757
01:14:43,520 --> 01:14:43,680
Speaker 8: Yeah?

1758
01:14:43,720 --> 01:14:45,519
Speaker 4: I mean if I want to be present for Mother's Day,

1759
01:14:45,520 --> 01:14:47,080
Speaker 4: I'm gonna need a couple of extra hours asleep.

1760
01:14:47,720 --> 01:14:53,559
Speaker 2: Fair, Now, Mother's Day's coming up. We're gonna play name

1761
01:14:53,640 --> 01:14:54,720
Speaker 2: that TV momo.

1762
01:14:56,080 --> 01:14:57,000
Speaker 3: So I will give you.

1763
01:14:58,600 --> 01:15:01,160
Speaker 4: The TV mom, you give me the show that they're on. Okay,

1764
01:15:01,720 --> 01:15:03,200
Speaker 4: we'll just go around the room. If you miss one,

1765
01:15:03,240 --> 01:15:04,679
Speaker 4: you're dead dead.

1766
01:15:04,960 --> 01:15:07,599
Speaker 3: Yeah. I looked after the paintball gun. Oh man.

1767
01:15:10,120 --> 01:15:13,080
Speaker 2: Here's an example. I don't care who gets it. Laura

1768
01:15:13,160 --> 01:15:14,640
Speaker 2: le Gilmore.

1769
01:15:17,200 --> 01:15:18,120
Speaker 9: Way, I do.

1770
01:15:19,360 --> 01:15:20,519
Speaker 3: That's it. That's how the game works.

1771
01:15:21,640 --> 01:15:23,599
Speaker 2: We're serving two purposes here, one to give a little

1772
01:15:23,640 --> 01:15:25,680
Speaker 2: entertaining game, and two reminds you it's Mother's Day coming out.

1773
01:15:25,760 --> 01:15:29,960
Speaker 3: And it was Laura La whatever. Lay. I never watched

1774
01:15:30,000 --> 01:15:31,760
Speaker 3: that show. Do you watch Gilmore Girls?

1775
01:15:31,840 --> 01:15:32,000
Speaker 4: Yeah?

1776
01:15:32,000 --> 01:15:33,519
Speaker 3: I watched a couple of episodes. Pretty good.

1777
01:15:34,040 --> 01:15:39,400
Speaker 2: He didn't just watch a couple seasons. Yeah, okay, ready, Amy,

1778
01:15:39,439 --> 01:15:41,800
Speaker 2: your first Tammy Taylor.

1779
01:15:42,920 --> 01:15:43,719
Speaker 6: Friday Night Lights.

1780
01:15:44,800 --> 01:15:50,360
Speaker 2: Correct, Lunchbox atleas Keaton.

1781
01:15:52,120 --> 01:15:58,880
Speaker 3: M hm, which one is that? Growing Pains? So your answer? Yeah,

1782
01:16:00,720 --> 01:16:06,360
Speaker 3: oh incorrect one Family ties y it was between those two.

1783
01:16:06,360 --> 01:16:09,559
Speaker 3: I don't know that Amy got a much easier than

1784
01:16:09,600 --> 01:16:19,200
Speaker 3: you think. Eddie. Come on, Claire Dumpy, Dumphy, Claire Dumpy.

1785
01:16:21,640 --> 01:16:23,360
Speaker 2: We're just gonna play points because this is gonna be

1786
01:16:23,400 --> 01:16:26,599
Speaker 2: over immediately if that's the case, Claire, Yeah, go ahead.

1787
01:16:26,600 --> 01:16:28,439
Speaker 3: I'm leaning towards step by Step.

1788
01:16:28,560 --> 01:16:31,799
Speaker 2: But that's because Patrick Dumpy was on that show, Patrick Duffy.

1789
01:16:32,200 --> 01:16:36,880
Speaker 2: That's it, Patrick Duffy. It's not step by Step.

1790
01:16:36,920 --> 01:16:38,880
Speaker 3: And that was his real name, wasn't it. Uh huh.

1791
01:16:38,960 --> 01:16:41,519
Speaker 3: That's why I was confused. Yeah, let's go step by step.

1792
01:16:42,120 --> 01:16:44,880
Speaker 4: You still go with step on film on Patrick Dumpy,

1793
01:16:46,120 --> 01:16:51,200
Speaker 4: Modern Family. You don't play it points now that shows

1794
01:16:51,200 --> 01:16:52,000
Speaker 4: from this generation.

1795
01:16:52,520 --> 01:16:55,760
Speaker 2: Amy Moider, Rose, Myra Rose, Moira Rose.

1796
01:16:55,800 --> 01:17:01,240
Speaker 3: He do you say that? Rose? It's creak Yeah, s Creek. Oh,

1797
01:17:02,120 --> 01:17:02,599
Speaker 3: good job.

1798
01:17:04,120 --> 01:17:15,440
Speaker 4: Lunchbox, Marie Barone, Yeah, everybody loves Raymond. Correct, Eddie Marion Cunningham,

1799
01:17:15,800 --> 01:17:17,040
Speaker 4: she was a mom on what show.

1800
01:17:17,439 --> 01:17:19,240
Speaker 3: Oh, that'll be happy days. Correct.

1801
01:17:23,760 --> 01:17:25,640
Speaker 4: Maybe you're still on one long as you get them right.

1802
01:17:26,400 --> 01:17:34,160
Speaker 4: You don't miss Wanda Maximov. What Wanda Maximov? Maxa one

1803
01:17:35,080 --> 01:17:37,080
Speaker 4: Wanda Maximov.

1804
01:17:38,320 --> 01:17:40,200
Speaker 6: Wanda Maximov.

1805
01:17:40,320 --> 01:17:41,320
Speaker 3: That's they say it right, Mike.

1806
01:17:41,439 --> 01:17:45,000
Speaker 6: Yeah, okay, the seventies show. I don't know.

1807
01:17:45,160 --> 01:17:46,880
Speaker 3: I guess Game of Thrones just because I've never heard

1808
01:17:46,880 --> 01:17:52,120
Speaker 3: of it. Wanda Vision, Oh I love that show. Yeah, yeah,

1809
01:17:52,200 --> 01:17:56,799
Speaker 3: I guess that was there that lunchbox.

1810
01:17:56,960 --> 01:18:06,439
Speaker 2: Rebeccaa, Rebecca Ensopholis, Rebecca Cassopolis, Rebecca Casopolis Webster.

1811
01:18:07,320 --> 01:18:13,760
Speaker 3: Oh, no, you're gonna kick yourself full house. I thank you.

1812
01:18:16,479 --> 01:18:17,120
Speaker 8: She was a mom.

1813
01:18:17,560 --> 01:18:17,760
Speaker 3: Yeah.

1814
01:18:18,160 --> 01:18:24,479
Speaker 4: Wins Oh, we've only a couple of It's like Eddie

1815
01:18:24,520 --> 01:18:28,400
Speaker 4: Harriet Winslow, give me family matter.

1816
01:18:28,520 --> 01:18:36,920
Speaker 3: Correct. Have they got three?

1817
01:18:37,240 --> 01:18:37,280
Speaker 6: No?

1818
01:18:37,400 --> 01:18:40,200
Speaker 3: I have one? Amy and Eddie have two. Oh. I

1819
01:18:40,240 --> 01:18:42,800
Speaker 3: can keep scoring my head because I'm so competitive. Because

1820
01:18:42,800 --> 01:18:44,599
Speaker 3: you only have one point, that's easy to keep trying.

1821
01:18:44,640 --> 01:18:46,439
Speaker 3: I can't yours and Amy's because I want to win.

1822
01:18:47,120 --> 01:18:49,400
Speaker 3: Amy Joe Taylor.

1823
01:18:51,120 --> 01:18:51,839
Speaker 6: Home Improvement.

1824
01:18:52,040 --> 01:19:02,479
Speaker 4: Correct lunchbox, Peggy Bundy m hmm, married with children correct.

1825
01:19:06,320 --> 01:19:15,000
Speaker 4: Eddie Florida Evans, Florida, Oh, Florida Florida Evans.

1826
01:19:16,240 --> 01:19:18,160
Speaker 3: Was that her name flow?

1827
01:19:18,880 --> 01:19:24,799
Speaker 2: They called her flow? Give me Jefferson's or that wheezy

1828
01:19:24,880 --> 01:19:33,200
Speaker 2: good times? No, okay, we have one each one left.

1829
01:19:33,600 --> 01:19:35,519
Speaker 3: I did this store. Oh my good, it's Amy three,

1830
01:19:35,680 --> 01:19:36,360
Speaker 3: Me and Eddie two.

1831
01:19:36,600 --> 01:19:42,680
Speaker 2: Okay, okay, good Joyce buyers Amy, Joyce.

1832
01:19:42,600 --> 01:19:53,880
Speaker 6: Buyers, Joyce buyers, Joyceres Joyce Joyce Vision.

1833
01:19:55,960 --> 01:19:56,120
Speaker 2: Like that?

1834
01:19:57,479 --> 01:19:59,040
Speaker 6: Do it fire to.

1835
01:20:00,760 --> 01:20:03,120
Speaker 3: That seventies show Stranger Things?

1836
01:20:04,840 --> 01:20:06,040
Speaker 9: Come on? I can get back in it.

1837
01:20:06,280 --> 01:20:12,360
Speaker 3: That's why I not a writer. I think, come on, lunchbox, Mortitia,

1838
01:20:13,040 --> 01:20:13,360
Speaker 3: m h.

1839
01:20:17,960 --> 01:20:23,320
Speaker 4: Morticia, Morticia stand dragging stop?

1840
01:20:23,880 --> 01:20:27,240
Speaker 3: Okay. The only thing I can think of, man, what

1841
01:20:27,320 --> 01:20:29,560
Speaker 3: are you thinking? Though? The only thing that poss in

1842
01:20:29,640 --> 01:20:29,880
Speaker 3: my head?

1843
01:20:29,920 --> 01:20:33,240
Speaker 4: I have no idea. It's dead people. The Adams family

1844
01:20:33,280 --> 01:20:35,760
Speaker 4: are dead people, I think, aren't they?

1845
01:20:35,880 --> 01:20:37,800
Speaker 3: I don't know. I don't know about dead.

1846
01:20:38,720 --> 01:20:42,200
Speaker 4: But Mortician has to do with like zombies. Maybe that's

1847
01:20:42,240 --> 01:20:43,400
Speaker 4: the only thing I'm going with.

1848
01:20:43,920 --> 01:20:44,320
Speaker 8: I don't know.

1849
01:20:45,040 --> 01:20:47,040
Speaker 3: Mortician would be a dead person.

1850
01:20:47,120 --> 01:20:50,240
Speaker 4: Yeah yet, doctor, Yeah, go ahead, I am going with

1851
01:20:50,520 --> 01:20:51,439
Speaker 4: the Adams Family.

1852
01:20:51,560 --> 01:20:51,880
Speaker 3: Correct.

1853
01:20:55,439 --> 01:20:57,080
Speaker 4: I don't take a little feed out for the possum

1854
01:20:57,120 --> 01:20:59,960
Speaker 4: and I ate it out, guys, I don't I never

1855
01:21:00,120 --> 01:21:00,400
Speaker 4: seen that.

1856
01:21:02,040 --> 01:21:04,600
Speaker 2: Eddie, come on, you need this a time got a

1857
01:21:04,640 --> 01:21:08,640
Speaker 2: sudden death, Kitty foreman.

1858
01:21:09,880 --> 01:21:13,080
Speaker 3: Amy, you wanted this one so bad. Give me that

1859
01:21:13,280 --> 01:21:21,200
Speaker 3: seventy show three way time. Hey, we should let Amy

1860
01:21:21,200 --> 01:21:24,080
Speaker 3: win because it's Mother's Day. We all have three three

1861
01:21:24,160 --> 01:21:26,200
Speaker 3: three three. Thought I missed that for the league.

1862
01:21:28,200 --> 01:21:29,160
Speaker 6: I was already ahead of them.

1863
01:21:29,280 --> 01:21:31,360
Speaker 3: Wait, so so Lunch wants to give it to Amy

1864
01:21:31,439 --> 01:21:35,120
Speaker 3: because it's Mother's Day. That's a great point. That's a

1865
01:21:35,120 --> 01:21:37,280
Speaker 3: great point, Mother's Day coming out. No, no, give me

1866
01:21:37,320 --> 01:21:40,760
Speaker 3: another moment. I get it. Whatever her kids will give

1867
01:21:40,800 --> 01:21:42,479
Speaker 3: her something. I ain't giving her anything. Will your kids

1868
01:21:42,560 --> 01:21:43,080
Speaker 3: get you something?

1869
01:21:43,560 --> 01:21:45,360
Speaker 6: I don't think, So that's too bad.

1870
01:21:46,400 --> 01:21:47,560
Speaker 3: They might let's go.

1871
01:21:47,920 --> 01:21:50,440
Speaker 6: I don't have high expectations.

1872
01:21:50,560 --> 01:21:52,360
Speaker 3: Well it's even lower them with a loss in this game.

1873
01:21:52,560 --> 01:21:54,840
Speaker 6: Not anything bad, like we just I don't know.

1874
01:21:55,960 --> 01:21:56,240
Speaker 4: I don't know.

1875
01:21:56,439 --> 01:21:57,840
Speaker 3: I felt like if you think it's heard a little bit.

1876
01:21:58,240 --> 01:22:00,439
Speaker 6: No, my feelings are not hurt. I just don't know

1877
01:22:00,960 --> 01:22:05,200
Speaker 6: how this year will go. It's like my first first

1878
01:22:05,280 --> 01:22:08,120
Speaker 6: what oh yeah, it's my first Mother's Day without that

1879
01:22:09,439 --> 01:22:14,040
Speaker 6: for bringing that up, like their dad might do something

1880
01:22:14,280 --> 01:22:15,519
Speaker 6: for me, But I don't know.

1881
01:22:16,160 --> 01:22:22,040
Speaker 4: Like here we go, speed round two of you go

1882
01:22:22,120 --> 01:22:22,799
Speaker 4: through to the finals.

1883
01:22:23,439 --> 01:22:25,439
Speaker 3: In the finals, here we go, we yell o.

1884
01:22:25,439 --> 01:22:25,920
Speaker 8: Her name.

1885
01:22:28,400 --> 01:22:32,040
Speaker 4: Sophia Patrolloy Amy, Golden Girls.

1886
01:22:32,080 --> 01:22:32,360
Speaker 3: Correct.

1887
01:22:32,400 --> 01:22:34,560
Speaker 2: Amy moves onto the finals. No wonder who that is

1888
01:22:35,000 --> 01:22:36,880
Speaker 2: Golden Girls. She was the mom of Dorothy.

1889
01:22:36,920 --> 01:22:37,519
Speaker 3: I didn't watch that.

1890
01:22:38,200 --> 01:22:40,879
Speaker 6: We didn't watch the Adams Family exactly.

1891
01:22:41,080 --> 01:22:43,559
Speaker 2: So now it's me and lunchwalks. It's YouTube battling out

1892
01:22:43,760 --> 01:22:48,640
Speaker 2: or the championship. Edith a Bunker Eddie Eddie all in

1893
01:22:48,680 --> 01:22:52,439
Speaker 2: the family. Correct, let's go Archie.

1894
01:22:53,520 --> 01:22:58,120
Speaker 3: I don't know. Yeah, I guess it's his mom. Okay,

1895
01:22:58,560 --> 01:23:02,000
Speaker 3: last one. Gosh, oh my gosh, buzz in with your name,

1896
01:23:02,120 --> 01:23:03,120
Speaker 3: so Amy, I'll let you win.

1897
01:23:04,360 --> 01:23:06,640
Speaker 2: Ready, I'm just gonna say the first name, and if

1898
01:23:06,680 --> 01:23:08,040
Speaker 2: you don't get it, we'll go to the last name.

1899
01:23:09,240 --> 01:23:17,160
Speaker 3: June Am. Nobody wants to go June.

1900
01:23:18,040 --> 01:23:20,720
Speaker 2: I want to say your name because when I say,

1901
01:23:20,800 --> 01:23:24,240
Speaker 2: you can guess. Now, okay, we're gonna move on the

1902
01:23:24,320 --> 01:23:29,759
Speaker 2: last name, June. Cleave Amy to correct.

1903
01:23:40,320 --> 01:23:41,400
Speaker 3: Hey, there's your good thing.

1904
01:23:41,600 --> 01:23:43,160
Speaker 6: There you go, Someone get this away from me.

1905
01:23:47,640 --> 01:23:48,880
Speaker 3: Everybody says, have hearts.

1906
01:23:48,880 --> 01:23:49,200
Speaker 4: There you go.

1907
01:23:49,320 --> 01:23:51,639
Speaker 3: We just showed our hearts. You gave that different free Yeah,

1908
01:23:52,080 --> 01:23:52,880
Speaker 3: that's that's so nice.

1909
01:23:52,920 --> 01:23:57,439
Speaker 2: Of you. All these segments were rejected for different reasons.

1910
01:23:57,920 --> 01:23:59,800
Speaker 2: I saved the best five and present them to you.

1911
01:24:00,000 --> 01:24:00,439
Speaker 2: It's a segment.

1912
01:24:00,560 --> 01:24:03,120
Speaker 3: Well, we call it rejected segments.

1913
01:24:03,320 --> 01:24:09,519
Speaker 2: Rejected segment number five, number five from Lunchbox. You're right,

1914
01:24:09,560 --> 01:24:12,960
Speaker 2: so our company sucks are a bunch of liars. Oh well, huh,

1915
01:24:13,200 --> 01:24:16,080
Speaker 2: I definitely it's not a company issue. But he's upset

1916
01:24:16,120 --> 01:24:17,320
Speaker 2: because of the free lunch email.

1917
01:24:17,439 --> 01:24:19,000
Speaker 4: Yeah, we got an email saying that we're gonna have

1918
01:24:19,040 --> 01:24:22,559
Speaker 4: free lunch fajetas from eleven forty five to twelve forty five.

1919
01:24:22,640 --> 01:24:24,640
Speaker 3: Come on down and I go in there.

1920
01:24:24,640 --> 01:24:26,920
Speaker 4: At twelve fifteen, there was nothing but one scoop of

1921
01:24:26,960 --> 01:24:29,080
Speaker 4: salso scoop of beans, and one tortilla.

1922
01:24:30,000 --> 01:24:32,760
Speaker 3: Like I think that's the food that they bring and

1923
01:24:32,920 --> 01:24:33,439
Speaker 3: sit in there.

1924
01:24:33,520 --> 01:24:36,360
Speaker 2: Will be there from eleven forty five to twelve forty five,

1925
01:24:36,400 --> 01:24:38,400
Speaker 2: and if you don't go at love forty five, you know, no.

1926
01:24:38,560 --> 01:24:39,320
Speaker 3: It's all gonna be gone.

1927
01:24:39,400 --> 01:24:41,560
Speaker 4: But don't send You know how many people work in

1928
01:24:41,640 --> 01:24:43,360
Speaker 4: this building. There's not very many of us that work

1929
01:24:43,400 --> 01:24:46,360
Speaker 4: in this building, so you can accommodate. Okay, there's twenty

1930
01:24:46,439 --> 01:24:48,960
Speaker 4: people that work here in this building, so we should

1931
01:24:49,000 --> 01:24:51,919
Speaker 4: get twenty people wore the food halfway.

1932
01:24:52,200 --> 01:24:54,360
Speaker 3: I was doing work. I was in the middle of

1933
01:24:54,439 --> 01:24:56,280
Speaker 3: doing a podcast and you can't pause it to go

1934
01:24:56,360 --> 01:25:02,120
Speaker 3: get your nood You can't, No, and you can't. I could, okay, but.

1935
01:25:03,280 --> 01:25:05,920
Speaker 4: They tell you it's food for everyone. They know how

1936
01:25:05,960 --> 01:25:07,920
Speaker 4: many people work here, and they don't even bring enough

1937
01:25:07,960 --> 01:25:08,439
Speaker 4: for everybody.

1938
01:25:08,520 --> 01:25:10,519
Speaker 3: It's like, what are you doing? I had the food.

1939
01:25:10,560 --> 01:25:11,000
Speaker 3: It was great.

1940
01:25:11,160 --> 01:25:11,560
Speaker 4: You ate it?

1941
01:25:11,720 --> 01:25:11,880
Speaker 10: Yeah?

1942
01:25:11,920 --> 01:25:14,360
Speaker 3: When were you there? Right when it started? It was

1943
01:25:14,400 --> 01:25:16,120
Speaker 3: a fresh and warm Oh, it was great. Dude. I

1944
01:25:16,200 --> 01:25:18,640
Speaker 3: had three tacos. Dank you if I had his? They

1945
01:25:18,640 --> 01:25:20,320
Speaker 3: got two supposed to ly that he got three. I mean,

1946
01:25:20,360 --> 01:25:21,120
Speaker 3: it was crazy.

1947
01:25:21,240 --> 01:25:23,120
Speaker 4: How we go in there and it was like, wow,

1948
01:25:23,240 --> 01:25:25,240
Speaker 4: that's down to this one scoop of beachs he did

1949
01:25:25,360 --> 01:25:26,719
Speaker 4: go half an hour after it started.

1950
01:25:27,360 --> 01:25:28,360
Speaker 3: How many people are?

1951
01:25:28,520 --> 01:25:31,280
Speaker 4: How hard is it to get enough for the twenty

1952
01:25:31,320 --> 01:25:33,200
Speaker 4: people that work in I don't want to get exactly

1953
01:25:33,400 --> 01:25:35,439
Speaker 4: enough because there won't be everybody that comes in.

1954
01:25:35,560 --> 01:25:36,479
Speaker 6: And it sounds like some people.

1955
01:25:36,560 --> 01:25:38,200
Speaker 3: It sounds like five people went in there and it

1956
01:25:38,280 --> 01:25:40,160
Speaker 3: was already out. Sounds like a little bit more than

1957
01:25:40,160 --> 01:25:44,120
Speaker 3: they should have. Number four and this one I didn't

1958
01:25:44,200 --> 01:25:44,640
Speaker 3: choose just.

1959
01:25:44,680 --> 01:25:46,600
Speaker 4: Because it was boring as crap. You may think we

1960
01:25:46,680 --> 01:25:49,000
Speaker 4: do some boring stuff sometimes, but I don't know. This

1961
01:25:49,200 --> 01:25:51,720
Speaker 4: might actually trump all of them. Eddie wants to do

1962
01:25:51,760 --> 01:25:53,439
Speaker 4: a segment about him getting reading glasses.

1963
01:25:54,000 --> 01:25:55,040
Speaker 3: Hey, this is real, guys.

1964
01:25:55,920 --> 01:25:57,760
Speaker 8: I mean I don't know anything about it.

1965
01:25:57,880 --> 01:25:59,280
Speaker 2: This is why I kind of wanted to talk about it,

1966
01:25:59,360 --> 01:26:01,360
Speaker 2: like do I need to go to the optometrist or what?

1967
01:26:01,520 --> 01:26:01,640
Speaker 4: All?

1968
01:26:01,680 --> 01:26:04,120
Speaker 3: Right, there you go. That is number four. Thank you

1969
01:26:04,720 --> 01:26:05,479
Speaker 3: number three.

1970
01:26:06,560 --> 01:26:08,800
Speaker 2: This one is from Lunchbox and I'm just gonna read

1971
01:26:08,840 --> 01:26:12,519
Speaker 2: the description win a date with Amy. We need to

1972
01:26:12,520 --> 01:26:16,080
Speaker 2: get Amy back on the dating scene. We should hold

1973
01:26:16,080 --> 01:26:18,439
Speaker 2: a contest where the prize is to win a date

1974
01:26:18,479 --> 01:26:20,880
Speaker 2: with Amy. We bring in three single guys or girls

1975
01:26:20,960 --> 01:26:22,600
Speaker 2: and play the match game. The winner goes on a

1976
01:26:22,640 --> 01:26:24,360
Speaker 2: date with Amy, and then we follow up to be

1977
01:26:24,520 --> 01:26:26,880
Speaker 2: see if there's a second date, and especially if it's

1978
01:26:26,880 --> 01:26:27,120
Speaker 2: a girl.

1979
01:26:27,160 --> 01:26:29,599
Speaker 3: I'll go as a chaperone. Here's the deal.

1980
01:26:30,360 --> 01:26:32,439
Speaker 4: When you're scared to do things, you got to force

1981
01:26:32,479 --> 01:26:34,360
Speaker 4: people out there to do things. Like my kids, we

1982
01:26:34,400 --> 01:26:36,080
Speaker 4: get to the top of the playground at the slide

1983
01:26:36,080 --> 01:26:36,719
Speaker 4: and they're scared.

1984
01:26:37,080 --> 01:26:37,680
Speaker 3: I push them.

1985
01:26:37,880 --> 01:26:40,680
Speaker 4: They go to the slide. Guess what they realize they

1986
01:26:40,800 --> 01:26:43,000
Speaker 4: love it. Amy is scared to get out there and date,

1987
01:26:43,080 --> 01:26:45,280
Speaker 4: so we push her out there. She's gonna realize, Man,

1988
01:26:45,320 --> 01:26:47,519
Speaker 4: this is fun. That's what you gotta do.

1989
01:26:48,000 --> 01:26:50,920
Speaker 3: You're I'm helping these guys with date.

1990
01:26:51,120 --> 01:26:53,080
Speaker 4: Put up a thing on the website and say why

1991
01:26:53,120 --> 01:26:56,759
Speaker 4: you should be in the contest, and then ask for what, Amy,

1992
01:26:56,800 --> 01:26:59,439
Speaker 4: do you want pictures or do you don't care? Just

1993
01:26:59,560 --> 01:27:02,920
Speaker 4: like personality, what would you prefer? I mean, that's that's

1994
01:27:03,000 --> 01:27:05,320
Speaker 4: up to her. Like she get a control tool. It's

1995
01:27:05,360 --> 01:27:07,120
Speaker 4: not a one way street. Like I'm willing to work

1996
01:27:07,160 --> 01:27:07,600
Speaker 4: with her on this.

1997
01:27:08,000 --> 01:27:09,639
Speaker 3: I feel like that's just a murder waiting to happen

1998
01:27:09,680 --> 01:27:10,679
Speaker 3: if you do this a bit with people.

1999
01:27:10,760 --> 01:27:12,559
Speaker 6: Oh gosh, my brain hadn't even gone to murder.

2000
01:27:12,720 --> 01:27:15,120
Speaker 3: Yeah I didn't. Yeah, I feel like it is. If

2001
01:27:15,160 --> 01:27:17,800
Speaker 3: we don't background check them, check them. Amy's out with

2002
01:27:17,840 --> 01:27:21,439
Speaker 3: something crazy. Yeah my good. Oh good. He chases her home.

2003
01:27:22,320 --> 01:27:23,839
Speaker 6: I'm good. It's rejected.

2004
01:27:24,040 --> 01:27:25,160
Speaker 3: Rejected. Okay, there we go.

2005
01:27:25,800 --> 01:27:26,439
Speaker 8: Number two.

2006
01:27:26,680 --> 01:27:30,080
Speaker 2: It's called Lunchbox Sexy photo Shoot. We tell Lunchbox has

2007
01:27:30,120 --> 01:27:31,640
Speaker 2: been hired by a client he endorses to do a

2008
01:27:31,680 --> 01:27:33,760
Speaker 2: photo shoot for a digital commercial. But when he gets there,

2009
01:27:33,760 --> 01:27:36,080
Speaker 2: it's actually a boudoir photo shoot that we lined up.

2010
01:27:36,200 --> 01:27:37,400
Speaker 3: That's good. That's good.

2011
01:27:38,400 --> 01:27:40,479
Speaker 4: No, because I'd show up and be like no, but

2012
01:27:40,600 --> 01:27:41,920
Speaker 4: the client wants you to do it. They're gonna pay

2013
01:27:41,920 --> 01:27:43,760
Speaker 4: your money, gonna pay me.

2014
01:27:45,479 --> 01:27:47,080
Speaker 2: They can say million, they're gonna pay you actually, but

2015
01:27:47,160 --> 01:27:48,439
Speaker 2: they would say ten thousand dollars.

2016
01:27:49,080 --> 01:27:51,400
Speaker 3: Then I'm in okay, and then I would sue you

2017
01:27:51,520 --> 01:27:53,320
Speaker 3: for not coming through Number one.

2018
01:27:53,479 --> 01:27:56,200
Speaker 2: This is from Mike d It's called Easy Trivia Hard Consequences.

2019
01:27:57,120 --> 01:27:59,400
Speaker 2: Listener's been calling for us to change the rules of

2020
01:27:59,439 --> 01:28:03,280
Speaker 2: Easy Trivia since Eddie dominates. So there's motivation. The first

2021
01:28:03,320 --> 01:28:05,479
Speaker 2: person to eliminate to get shot with three paintballs. The

2022
01:28:05,560 --> 01:28:08,240
Speaker 2: second person gets shot with two paintballs, and the third

2023
01:28:08,320 --> 01:28:12,120
Speaker 2: person well, who lasts? Wait, the winner lasts and the

2024
01:28:12,200 --> 01:28:13,880
Speaker 2: last person the third gets shot with one paintball.

2025
01:28:14,320 --> 01:28:14,840
Speaker 3: I like it.

2026
01:28:16,080 --> 01:28:18,360
Speaker 2: That's easy Trivia Hard Consequences.

2027
01:28:19,080 --> 01:28:20,400
Speaker 3: Who's shooting fright me?

2028
01:28:21,479 --> 01:28:21,679
Speaker 4: Yeah?

2029
01:28:22,479 --> 01:28:24,280
Speaker 2: I want to shoot people. I mean that would be fun,

2030
01:28:24,640 --> 01:28:28,439
Speaker 2: but we can't have people to finish. Second getting shot, yeah,

2031
01:28:28,840 --> 01:28:30,640
Speaker 2: like fourth would be hilarious.

2032
01:28:30,280 --> 01:28:31,920
Speaker 3: And is it like as soon as they get it wrong,

2033
01:28:32,920 --> 01:28:34,839
Speaker 3: we sent all you guys up on stage with dogs

2034
01:28:34,880 --> 01:28:38,080
Speaker 3: on it and we don't even go you got bone,

2035
01:28:38,160 --> 01:28:43,360
Speaker 3: We just su that's crazy, dude. I mean, I'm gonna

2036
01:28:43,360 --> 01:28:45,320
Speaker 3: tell you what. That's a little close to get shot

2037
01:28:45,360 --> 01:28:45,839
Speaker 3: with paintball.

2038
01:28:47,040 --> 01:28:50,120
Speaker 4: Yeah. I've been shot from like point blank range when

2039
01:28:50,479 --> 01:28:52,120
Speaker 4: one time, and I don't want to talk about it.

2040
01:28:52,640 --> 01:28:54,080
Speaker 4: And I mean I have never been in so much

2041
01:28:54,120 --> 01:28:54,760
Speaker 4: pain in my life.

2042
01:28:55,120 --> 01:28:57,560
Speaker 3: So that is another rejected segment. It's number one. It

2043
01:28:57,600 --> 01:29:01,400
Speaker 3: would just be too painful rejected. I thank you guys,

2044
01:29:02,040 --> 01:29:04,520
Speaker 3: Bobby Bones show sorry.

2045
01:29:04,400 --> 01:29:04,880
Speaker 5: Up to day.

2046
01:29:05,520 --> 01:29:08,120
Speaker 3: This story comes us from Pittsburgh, Pennsylvania.

2047
01:29:08,720 --> 01:29:11,360
Speaker 4: A twenty four year old man was wanted by police

2048
01:29:11,400 --> 01:29:13,080
Speaker 4: and they couldn't track him down, so they were making

2049
01:29:13,160 --> 01:29:14,040
Speaker 4: posts on Facebook.

2050
01:29:14,120 --> 01:29:15,960
Speaker 3: Have you seen this guy? Have you seen this guy?

2051
01:29:16,600 --> 01:29:16,640
Speaker 4: So?

2052
01:29:16,720 --> 01:29:18,680
Speaker 3: What's he doing? He comments? I love when they do this.

2053
01:29:18,960 --> 01:29:21,680
Speaker 3: Oh he gets on Facebook. You guys can't catch me.

2054
01:29:22,160 --> 01:29:25,280
Speaker 3: You'll never find me. Well, they got when you log

2055
01:29:25,320 --> 01:29:27,519
Speaker 3: into Facebook, they can find you, and they tracked them down.

2056
01:29:27,560 --> 01:29:31,519
Speaker 3: They got them. Tell me, I love those stories. It's

2057
01:29:31,520 --> 01:29:34,400
Speaker 3: pretty funny, but it wasn't there one for a while.

2058
01:29:34,439 --> 01:29:35,840
Speaker 3: He kept going, you can't find me. Then they literally

2059
01:29:35,840 --> 01:29:37,439
Speaker 3: couldn't find him. No, I really couldn't find them.

2060
01:29:37,479 --> 01:29:39,880
Speaker 4: And they just searched and searched, and eventually they caught

2061
01:29:39,920 --> 01:29:41,920
Speaker 4: him because he did something else stupid. But he was

2062
01:29:41,960 --> 01:29:44,879
Speaker 4: on Facebook, like logging in like he and the gingerbread

2063
01:29:44,920 --> 01:29:47,800
Speaker 4: man can't catch me, then they wouldn't catch him. But yes,

2064
01:29:47,880 --> 01:29:48,639
Speaker 4: these are hilarious.

2065
01:29:48,680 --> 01:29:51,160
Speaker 3: All right, I'm lunchbox. That's your bonehead story of the day.

2066
01:29:52,800 --> 01:29:54,200
Speaker 2: It is a crazy one and you just hope you're

2067
01:29:54,240 --> 01:29:57,200
Speaker 2: not the person that's going through it. W FLA has

2068
01:29:57,240 --> 01:29:59,320
Speaker 2: a story to Florida EMT's have been given the boot

2069
01:29:59,640 --> 01:30:01,960
Speaker 2: after claring a guy dead even though he's still alive.

2070
01:30:03,320 --> 01:30:05,360
Speaker 2: The paramedics told a woman a clear Water to stop

2071
01:30:05,439 --> 01:30:08,599
Speaker 2: giving her sixty six year old father CPR. Even though

2072
01:30:08,640 --> 01:30:13,400
Speaker 2: Phoebe Maxwell said he's still breathing, the medics continue to

2073
01:30:13,479 --> 01:30:16,920
Speaker 2: pronounce him dead. Notified law enforcement and went to another call.

2074
01:30:18,120 --> 01:30:22,400
Speaker 2: The county's not making recommendations about revoking the medics licenses,

2075
01:30:23,560 --> 01:30:24,400
Speaker 2: which is crazy.

2076
01:30:24,520 --> 01:30:27,040
Speaker 3: And I know what you're gonna ask me, did he live?

2077
01:30:28,360 --> 01:30:31,080
Speaker 3: I want to live? Oh you didn't want to know that.

2078
01:30:31,240 --> 01:30:33,360
Speaker 3: I mean no, I do. Oh you weren't thinking that

2079
01:30:33,400 --> 01:30:36,040
Speaker 3: immediately when I know that, I thought he didn't make

2080
01:30:36,040 --> 01:30:36,439
Speaker 3: it well.

2081
01:30:36,479 --> 01:30:39,200
Speaker 2: Despite her father continue to get healthy. Maxwell says her

2082
01:30:39,280 --> 01:30:41,400
Speaker 2: life has been in turmoil since the incident.

2083
01:30:42,000 --> 01:30:45,719
Speaker 3: It seems to me like the dad live, Oh wow,

2084
01:30:46,000 --> 01:30:46,599
Speaker 3: thank goodness.

2085
01:30:47,400 --> 01:30:48,920
Speaker 2: Quote had to call my family. I I told them

2086
01:30:49,000 --> 01:30:50,400
Speaker 2: my dad was dead, and the ten minutes later to

2087
01:30:50,400 --> 01:30:51,479
Speaker 2: call him say, is not dead?

2088
01:30:52,560 --> 01:30:52,680
Speaker 4: Now?

2089
01:30:52,760 --> 01:30:54,840
Speaker 2: The chief says the county will make recommendations regarding whether

2090
01:30:54,920 --> 01:30:58,920
Speaker 2: or not to revoke the now fired medics licenses for good.

2091
01:30:59,360 --> 01:31:01,360
Speaker 3: It's their sight the story, like we had to go somewhere.

2092
01:31:01,560 --> 01:31:05,920
Speaker 3: That's a great question. Were they late, yeah, to dinner

2093
01:31:06,080 --> 01:31:08,400
Speaker 3: or did they truly truly think he was dead?

2094
01:31:09,680 --> 01:31:13,759
Speaker 2: They must have truly, yeah, But maybe they just didn't

2095
01:31:13,760 --> 01:31:14,600
Speaker 2: pay enough attention to.

2096
01:31:14,680 --> 01:31:16,200
Speaker 6: Him, Like do they know where to check the pulse?

2097
01:31:16,320 --> 01:31:18,400
Speaker 3: Like sometimes you try to check your own pulse and

2098
01:31:18,479 --> 01:31:19,680
Speaker 3: you can't find it, you know.

2099
01:31:19,800 --> 01:31:21,040
Speaker 2: Then that's why I know I'm dead, and I leave,

2100
01:31:21,240 --> 01:31:23,479
Speaker 2: I go and I leave me there exactly, you know,

2101
01:31:23,600 --> 01:31:24,800
Speaker 2: And so I hate for that to happen.

2102
01:31:26,200 --> 01:31:28,000
Speaker 3: Wyeah, that's a sad one there.

2103
01:31:28,400 --> 01:31:30,439
Speaker 4: But apparently again I gotta read you the whole story,

2104
01:31:30,479 --> 01:31:32,200
Speaker 4: and never since he died in the story, he may

2105
01:31:32,240 --> 01:31:34,120
Speaker 4: I don't know if he died since, but it just

2106
01:31:34,160 --> 01:31:36,320
Speaker 4: says despite her father.

2107
01:31:36,240 --> 01:31:37,719
Speaker 3: Continuing to get healthier.

2108
01:31:38,520 --> 01:31:40,479
Speaker 2: Maxwell says her life has been a turmoil since that

2109
01:31:40,560 --> 01:31:42,040
Speaker 2: means since then he's gotten healthier.

2110
01:31:42,160 --> 01:31:45,960
Speaker 3: Right, Yeah, so I think you're right.

2111
01:31:46,000 --> 01:31:48,800
Speaker 2: I would like to hear their stories, and if you're

2112
01:31:48,920 --> 01:31:50,960
Speaker 2: them or anybody else, you can leave the voicemail eight

2113
01:31:51,040 --> 01:31:54,960
Speaker 2: seven seven seventy seven, Bobby, that's her voicemail line.

2114
01:31:55,080 --> 01:31:55,759
Speaker 3: Leave the story.

2115
01:31:55,840 --> 01:31:58,280
Speaker 6: They learn from that, Like they don't learn.

2116
01:31:58,120 --> 01:31:59,559
Speaker 3: They can't go to work the next exit of a job.

2117
01:31:59,560 --> 01:32:01,559
Speaker 6: Oh yeah, if they get if they get to keep

2118
01:32:01,600 --> 01:32:05,160
Speaker 6: their job. They don't leave a body until it's like colors,

2119
01:32:06,840 --> 01:32:07,120
Speaker 6: if it.

2120
01:32:07,200 --> 01:32:10,360
Speaker 2: Was breathing, If the body was breathing at all.

2121
01:32:10,439 --> 01:32:14,320
Speaker 3: That's not good. And the daughter was like, it's I

2122
01:32:14,400 --> 01:32:14,640
Speaker 3: got it.

2123
01:32:14,800 --> 01:32:17,679
Speaker 2: It's going up and down breathing. I just can't imagine

2124
01:32:17,680 --> 01:32:19,080
Speaker 2: why they believe. But yes, there's got to be a

2125
01:32:19,200 --> 01:32:20,280
Speaker 2: version of their story as well.

2126
01:32:21,000 --> 01:32:21,559
Speaker 3: Glad to hear.

2127
01:32:21,680 --> 01:32:25,599
Speaker 4: Though it seems it ended up okay. According to that story,

2128
01:32:26,040 --> 01:32:27,559
Speaker 4: it says getting healthier. I don't know what that means,

2129
01:32:27,680 --> 01:32:29,280
Speaker 4: don't I just get yelled at sometimes.

2130
01:32:29,560 --> 01:32:31,360
Speaker 2: Okay, that's it, thank you. Hope you guys have a

2131
01:32:31,439 --> 01:32:34,439
Speaker 2: great rest of the day. We've got the ACMs tonight.

2132
01:32:34,920 --> 01:32:37,960
Speaker 2: Hopefully it's gonna be great. Dolly and Garth are hosting.

2133
01:32:38,120 --> 01:32:38,840
Speaker 3: I will be there.

2134
01:32:39,200 --> 01:32:41,040
Speaker 2: I'm the backstage person. They'll come to me a few

2135
01:32:41,080 --> 01:32:41,800
Speaker 2: times during the show.

2136
01:32:41,840 --> 01:32:43,960
Speaker 3: I'm doing vio. Don't watch it for me, Watch it

2137
01:32:44,000 --> 01:32:45,720
Speaker 3: for Dolly and Garth. Watch it for all the.

2138
01:32:45,760 --> 01:32:49,680
Speaker 2: Country music ACMs on Amazon Prime and you don't have

2139
01:32:49,760 --> 01:32:50,800
Speaker 2: to have a subscription to watch it.

2140
01:32:51,120 --> 01:32:52,640
Speaker 3: So if you watch it tonight, thank you. Everybody will

2141
01:32:52,640 --> 01:32:56,360
Speaker 3: see you tomorrow. Bye. What's up, y'all. I'm Bailey Zimmerman.

2142
01:32:56,520 --> 01:32:58,639
Speaker 3: I'll be on the Bobby Bone Show tomorrow and I'm

2143
01:32:58,640 --> 01:33:00,680
Speaker 3: bringing my full band for a performance.

2144
01:33:00,800 --> 01:33:02,400
Speaker 4: We'll do a few songs to talk to you guys

2145
01:33:02,400 --> 01:33:05,120
Speaker 4: about my new record, Religiously, the album, and so much more.