WEBVTT - Hayes Carll

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sense Podcast.

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<v Speaker 1>My guest today songweather musician Hey. He's called Hey. He's

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<v Speaker 1>good to have you on the podcast. Hey, Bob, it's

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<v Speaker 1>great to be here. So to what degree has COVID

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<v Speaker 1>nine team affected your career? Touring and Saturday Boy? Way

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<v Speaker 1>more than I could have imagined. I mean it initially,

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<v Speaker 1>it ended it. You know, I was I was in Seattle,

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<v Speaker 1>just about to start a tour and we did one

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<v Speaker 1>show at half capacity and and we just canceled it

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<v Speaker 1>and flew home. And UM, I was fortunate to be

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<v Speaker 1>had I'd been on the road for a couple of months,

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<v Speaker 1>so I was in decent shape financially and um, and

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<v Speaker 1>you know, nobody knew how long this was gonna go on.

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<v Speaker 1>So we thought we were okay and just try to

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<v Speaker 1>do some fundraising and help people out. UM. But then

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<v Speaker 1>as it continued, you know, it started to hit me.

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<v Speaker 1>The way I make my living, or had made my

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<v Speaker 1>living for the most part for twenty years, was gone,

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<v Speaker 1>and we didn't know when it was gonna come back.

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<v Speaker 1>So we started doing a lot of people did and

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<v Speaker 1>doing live streams. I had done that years before on Facebook.

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<v Speaker 1>I used to do a showdown in Austin at a

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<v Speaker 1>place called the Saxon Pub and I would we would

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<v Speaker 1>stream it on Facebook. We just never thought to monetize it.

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<v Speaker 1>I thought, how cool is this The people in Ireland

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<v Speaker 1>or Ireland are watching my show, or people in Idaho

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<v Speaker 1>or wherever. I was reaching all these people, and that

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<v Speaker 1>was significant to me. And I knew there was something there,

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<v Speaker 1>but I just never thought to put a tip jar up.

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<v Speaker 1>And um so when the pandemic came, I had some

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<v Speaker 1>experience with that and and and so now with the

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<v Speaker 1>ability to for people to support you, um we were

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<v Speaker 1>up and running. And uh so I started doing them

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<v Speaker 1>and and uh I was afraid that, you know, every week,

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<v Speaker 1>I just thought this isn't sustainable because it was people

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<v Speaker 1>were being very generous and and but at a certain point,

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<v Speaker 1>I thought the bottom was gonna fall out. So I

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<v Speaker 1>started working two. Um. I made it a priority to

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<v Speaker 1>show my appreciation and decided that I wanted my show

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<v Speaker 1>and then supporting my show to be the last thing

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<v Speaker 1>that they took out of the budget, you know, the

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<v Speaker 1>sort of discretionary income. So my wife's a musician as well,

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<v Speaker 1>and she was doing shows and she was sending postcards

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<v Speaker 1>to people, um who had supported her, and so I

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<v Speaker 1>started doing the same. And then I started making a

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<v Speaker 1>new postcard every week. And then I started um uh

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<v Speaker 1>adding set lists and and um and doing two three

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<v Speaker 1>four hour shows, and I started taking requests and asking

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<v Speaker 1>people to tell me stories about their life and what

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<v Speaker 1>was going on or about my music. And over a

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<v Speaker 1>period of about a year and a half, I did

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<v Speaker 1>uh sixty five shows or something and built up a

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<v Speaker 1>community um and uh it felt like a family. I

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<v Speaker 1>just got much closer to my audience in a way

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<v Speaker 1>that than I ever had before. And that was really

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<v Speaker 1>uh significant for me, not just emotionally, uh not just

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<v Speaker 1>financially during that time to keep us alive, but but

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<v Speaker 1>and like everybody else, we were isolated and kind of

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<v Speaker 1>quarantined and and too even if I couldn't see people,

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<v Speaker 1>to know, there was five thousand people every Tuesday at

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<v Speaker 1>six pm tuning in and I was sending on postcards

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<v Speaker 1>and they were sending me request and there was there

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<v Speaker 1>was a relationship there in a connection and it was

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<v Speaker 1>really incredible and kind of made me rethink my my career,

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<v Speaker 1>which had always just been about touring, touring, touring, grinding

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<v Speaker 1>on the road, and uh so, um it gave me

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<v Speaker 1>a really good chance to reset and an opportunity to

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<v Speaker 1>connect with my fans and kind of re prioritized and

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<v Speaker 1>figure out what was important to me. Okay, let's start

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<v Speaker 1>with the actual live stream. The first time you did it,

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<v Speaker 1>How did you make people aware that you were doing it? Well,

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<v Speaker 1>I did a couple of things that prepared me for

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<v Speaker 1>the pandemic. I had a Patreon page going. This is

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<v Speaker 1>probably five years ago, and I had I had sort

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<v Speaker 1>of hit a a point in life where I was

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<v Speaker 1>struggling creatively and and it had been four or five

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<v Speaker 1>years in between records, and so I got Patreon really

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<v Speaker 1>just to have an outlet for music because I was

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<v Speaker 1>starting to feel pressure on myself too. Um, my creative

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<v Speaker 1>flow was blocked and and so I just wanted a way,

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<v Speaker 1>a a pressure way to release music and songs that

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<v Speaker 1>I thought were cool and working producers that I thought

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<v Speaker 1>were interesting. Um, that didn't affect my career in my life,

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<v Speaker 1>And so I started Patreon and then I started doing

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<v Speaker 1>the live stream, and I combined the two. Well, well, well,

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<v Speaker 1>let's stay with Patreon then, since you started there. Yeah,

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<v Speaker 1>so when you first started Patreon. How did you drive

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<v Speaker 1>people to Patreon? Just social media? Basically, I I just

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<v Speaker 1>went on. I made the banners of all my pages,

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<v Speaker 1>you know, an image, and only most people didn't know

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<v Speaker 1>what it was at the time. I didn't know what

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<v Speaker 1>it was. My my manager at the time, uh, Mike Crowley.

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<v Speaker 1>I brought this idea to me, and um, it seemed interesting,

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<v Speaker 1>so we we set it up and I just tried

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<v Speaker 1>to figure out what I was gonna do, which was okay.

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<v Speaker 1>We got a lot of things going on here. You

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<v Speaker 1>say Mike Crowley was your manager, which would imply he's

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<v Speaker 1>not your manager anymore. Correct. What happened there? We just

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<v Speaker 1>we had a really good run, um uh for close

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<v Speaker 1>to fifteen years, and you know, I just reached a

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<v Speaker 1>time where it was it was time for us to

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<v Speaker 1>move on, and so we did. We're still friends and

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<v Speaker 1>uh no ill will of any kind. Just uh. I

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<v Speaker 1>have a lot of gratitude for him. And do you

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<v Speaker 1>have a manager now? I do? I do? UM, I

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<v Speaker 1>had I got a second manager after Mike, and then

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<v Speaker 1>um we split up during the pandemic and uh now

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<v Speaker 1>I work with Holly Lohman with Red Light Management. How

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<v Speaker 1>did you get hooked up there. Uh, she works with

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<v Speaker 1>some people I know, and UM, a lot of folks,

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<v Speaker 1>my my wife, my attorney, UM, and just a lot

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<v Speaker 1>of people in the business who knew I was looking

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<v Speaker 1>and needed help. UM recommended her. Her name just kept

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<v Speaker 1>coming up. So I I just cold called her and said, uh,

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<v Speaker 1>you know, let's meet for lunch and and talk it over.

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<v Speaker 1>And so we we hit it off and she had

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<v Speaker 1>room for me, and and so we've been at it

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<v Speaker 1>for uh, you know, almost a year now. Okay, Now,

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<v Speaker 1>red Light is a unique business model. I won't go

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<v Speaker 1>into all the depth at this point in time, but

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<v Speaker 1>they're managers to have individual acts, but they all work together.

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<v Speaker 1>Do you find any benefit having your manager part of

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<v Speaker 1>a larger organization in this case red Light. Yeah. Yeah.

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<v Speaker 1>I mean I think there's still things I'm waiting to see,

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<v Speaker 1>you know, how much they pay off. But I know

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<v Speaker 1>that she can see what's happening with with a lot

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<v Speaker 1>of other acts, and she's in close contact with a

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<v Speaker 1>lot of other managers. UM. And and I think some

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<v Speaker 1>things as basic as they send out a memo saying

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<v Speaker 1>you know this, these people are looking for a song

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<v Speaker 1>for a commercial, or here's a here's an opening opportunity

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<v Speaker 1>or you know supports lot or that might be good

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<v Speaker 1>or um. So it's it's similar to you know, if

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<v Speaker 1>you're with a booking agency, some things are going to

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<v Speaker 1>come across the table that may not have been aimed

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<v Speaker 1>at you, but but you and benefit from them. So

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<v Speaker 1>you made people aware of Patreon. On social media? What

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<v Speaker 1>platforms are you on? Which ones work? And how active

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<v Speaker 1>are you? I am on Facebook, Twitter, and Instagram, and

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<v Speaker 1>I guess I'm on Twitch, although I don't know how

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<v Speaker 1>I'm smile. But if you're on Twitch, begs a question

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<v Speaker 1>are you a gamer? And I'm not? No, okay, but

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<v Speaker 1>you're on Twitch, so yeah, go into those three platforms

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<v Speaker 1>and how you're using, etcetera. I have gone back and

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<v Speaker 1>forth over the years from being very involved to uh

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<v Speaker 1>not touching them from a month and it's it's it's

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<v Speaker 1>a struggle. I think a lot of musicians and a

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<v Speaker 1>lot of people period, but I seem to have this

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<v Speaker 1>conversation all the time with folks. Uh, it's this love

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<v Speaker 1>hate relationship like where we know it's essential or we

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<v Speaker 1>feel like it's essential. We feel like we're missing out

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<v Speaker 1>if we're not posting everything. We do all the time

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<v Speaker 1>and building this rapport and forming people I don't even know.

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<v Speaker 1>I struggle with how essential it really is. Um. But

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<v Speaker 1>but most of the time I think it's incredibly important

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<v Speaker 1>and something that I need to do. But I also

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<v Speaker 1>don't like doing it and I'm really uncomfortable doing it.

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<v Speaker 1>Um it's all my insecurities come out with it. Here's

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<v Speaker 1>here's what I'm thinking. Do you like me? Here's the

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<v Speaker 1>thing I'm gonna do. Are you gonna respond to it?

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<v Speaker 1>And and then I'm looking at other people's reactions and

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<v Speaker 1>it's hard not to compare and say, well this this

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<v Speaker 1>person has way more followers, or this person is funnier

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<v Speaker 1>than I am, and I find that it can lead

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<v Speaker 1>to uh kind of unhealthy um thing for me. And

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<v Speaker 1>and um it's also time consuming. So um I my

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<v Speaker 1>my wife the last couple of months has been helping

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<v Speaker 1>me out um with it, and it's been a godsend

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<v Speaker 1>because I now I just pick it up if I

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<v Speaker 1>want to look at the new is or something. But

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<v Speaker 1>I don't have to. It's a full time job, you know.

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<v Speaker 1>It's it's it's I want to be writing songs, you know,

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<v Speaker 1>are living life. So you mentioned your insecurities said, those

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<v Speaker 1>may feed your creativity, but what are your insecurity since

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<v Speaker 1>you mentioned them, well, my insecurities point, um, yeah, I've

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<v Speaker 1>got them all. It's uh, it's a constant work. I

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<v Speaker 1>mean insecurities about my my talents, my my my voice,

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<v Speaker 1>my looks, my physique, my career, my um, you know,

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<v Speaker 1>the job as a parent. Um Uh, there's there's a

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<v Speaker 1>lot of a lot of self doubt and uncertainty and

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<v Speaker 1>healthy amount is healthy. Um. But well, I guess the

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<v Speaker 1>question would be, you know, we live in an era

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<v Speaker 1>where people boast, and especially on social media institum am

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<v Speaker 1>being the prime example of that. To what degree does

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<v Speaker 1>that self confidence and people do you think help them

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<v Speaker 1>or hurt them? Musicians? I'm speaking of the self confidence

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<v Speaker 1>people we you know, we all know we forget the

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<v Speaker 1>raw level who someone really is in terms of evidencing

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<v Speaker 1>themselves in public. A lot of people demonstrate an incredible

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<v Speaker 1>self confidence. And if you have insecurities, you know, I

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<v Speaker 1>find this myself. I have insecurities and then all these

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<v Speaker 1>people got they're all telling me I have the great

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<v Speaker 1>and they're beating me down. And then every once while,

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<v Speaker 1>I can you know detach and said, well, I've met

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<v Speaker 1>a lot of people. This has got more to do

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<v Speaker 1>with that person than me, and it's just bluster. But

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<v Speaker 1>should I evidence more self confidence? So to become a

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<v Speaker 1>public figure and musician, that requires a certain amount of

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<v Speaker 1>belief in yourself and self confidence. So did you feel that, Hey, man,

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<v Speaker 1>I've got something to deliver, I'm entitled or is it?

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<v Speaker 1>Have you been tentative along? I've been pretty tentative. I mean,

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<v Speaker 1>there there are times, just like in life with my

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<v Speaker 1>my personality in real life, there are times where I'm

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<v Speaker 1>incredibly confident and um, and there are times where I'm crippling, crippling,

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<v Speaker 1>lee insecure, and there's times where I have a pretty

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<v Speaker 1>good balance. Um. And you know that's probably been reflected

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<v Speaker 1>in my social media. UM. I just I find the

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<v Speaker 1>I am expected to be or I feel like I'm

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<v Speaker 1>expected to be confident or I need to be confident

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<v Speaker 1>to put stuff out there, and that feels like a

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<v Speaker 1>disconnect sometimes because I want to. Um, I work really

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<v Speaker 1>hard at being connected with myself and not getting disconnected,

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<v Speaker 1>and there feels like a major disconnect sometimes when I say, hey,

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<v Speaker 1>here's this great thing going on, and I may not

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<v Speaker 1>be in a great place that day. It's not reflective

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<v Speaker 1>of my actual life. It's reflective of one part of

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<v Speaker 1>my career or or one moment in my life. And

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<v Speaker 1>and so that's a that's just a thing that I've

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<v Speaker 1>battle with is is uh. It does not feel seamless

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<v Speaker 1>like here, here's where I am in life, and then

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<v Speaker 1>here's why I'm on social media. Um. That that bothers me. That, Um,

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<v Speaker 1>I feel like I have to to put out some

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<v Speaker 1>sort of something. I don't know, maybe I take it

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<v Speaker 1>all too seriously, but it's this is great. No, you're

0:13:17.880 --> 0:13:20.040
<v Speaker 1>you're being honest like you are in your music. And

0:13:20.040 --> 0:13:22.320
<v Speaker 1>that's why it resonates, which begs the question using that

0:13:22.440 --> 0:13:27.040
<v Speaker 1>term again, what works on social media? What gets a reaction? Well,

0:13:27.160 --> 0:13:29.600
<v Speaker 1>you know, I find that when I am honest, that

0:13:29.760 --> 0:13:32.640
<v Speaker 1>tends to work when I tell uh some part of

0:13:32.679 --> 0:13:35.720
<v Speaker 1>my story in a real way, because I can post, hey,

0:13:35.760 --> 0:13:39.320
<v Speaker 1>I here's something cool I did and crickets and I

0:13:39.320 --> 0:13:42.079
<v Speaker 1>can say here's a struggle I had, and I get

0:13:42.080 --> 0:13:44.960
<v Speaker 1>a response. And so that's been informative to me. Doesn't

0:13:45.000 --> 0:13:47.960
<v Speaker 1>make it necessarily easier to put that out there, but

0:13:48.040 --> 0:13:51.200
<v Speaker 1>I have I have learned that I think people want

0:13:51.200 --> 0:13:55.280
<v Speaker 1>connection and and that you know, asked about the pandemic

0:13:55.720 --> 0:13:59.160
<v Speaker 1>that that was. That was my big takeaway was people

0:13:59.200 --> 0:14:03.480
<v Speaker 1>wanted connection, They wanted something authentic and and I think

0:14:03.520 --> 0:14:05.640
<v Speaker 1>I spent many years feeling like I needed to be

0:14:05.679 --> 0:14:08.400
<v Speaker 1>something that I wasn't because there I needed to be

0:14:08.440 --> 0:14:11.120
<v Speaker 1>a front man, I needed to be a rock singer,

0:14:11.160 --> 0:14:14.200
<v Speaker 1>I needed to be a drunk and whatever. And and

0:14:15.160 --> 0:14:17.360
<v Speaker 1>it's really hard to just be what you are, whatever

0:14:17.400 --> 0:14:19.520
<v Speaker 1>it is in that moment, to be vulnerable and and

0:14:19.560 --> 0:14:22.920
<v Speaker 1>when you're in the public eye. And so yeah, that's

0:14:23.040 --> 0:14:25.840
<v Speaker 1>that's I guess the struggle. Okay, so which of these

0:14:25.880 --> 0:14:29.840
<v Speaker 1>platforms you mentioned Twitter? You mentioned Facebook and Instagram for

0:14:29.920 --> 0:14:34.440
<v Speaker 1>your audience, which one has the largest audience in terms

0:14:34.440 --> 0:14:36.600
<v Speaker 1>of when you actually say something as opposed to the

0:14:36.640 --> 0:14:40.120
<v Speaker 1>number of followers, It says probably Facebook still um, with

0:14:40.240 --> 0:14:44.360
<v Speaker 1>Instagram being second and Twitter as a distant third for me. Okay,

0:14:44.360 --> 0:14:46.800
<v Speaker 1>so let's go back. You decide to go on Patreon.

0:14:47.240 --> 0:14:50.200
<v Speaker 1>There's a way to spur your creativity. You put out

0:14:50.240 --> 0:14:55.600
<v Speaker 1>the message. Two things, one how many people actually bite

0:14:56.120 --> 0:14:58.840
<v Speaker 1>and the nature of Patreon is their different tiers. What

0:14:58.920 --> 0:15:02.000
<v Speaker 1>were the different tiers you established? I think my initial

0:15:02.840 --> 0:15:05.640
<v Speaker 1>so I've had two sort of runs with Patreon, and

0:15:05.680 --> 0:15:07.840
<v Speaker 1>the first time I did it for a couple of

0:15:07.920 --> 0:15:13.800
<v Speaker 1>years and I had three four folks on there, and

0:15:14.040 --> 0:15:17.080
<v Speaker 1>my tears went from a dollar to a hundred dollars

0:15:17.720 --> 0:15:21.000
<v Speaker 1>And essentially I just told them you're going to get

0:15:21.040 --> 0:15:24.200
<v Speaker 1>a song a month and then here's a few extra things.

0:15:25.280 --> 0:15:27.600
<v Speaker 1>I wasn't all that creative with it, but I just

0:15:27.640 --> 0:15:29.520
<v Speaker 1>tried to figure out some way to make it worth

0:15:29.520 --> 0:15:33.200
<v Speaker 1>their while financially. But the money. I wasn't looking at

0:15:33.240 --> 0:15:35.040
<v Speaker 1>it to live off the money. I was looking at

0:15:35.040 --> 0:15:37.600
<v Speaker 1>it to get money to pay producers so that I

0:15:37.640 --> 0:15:40.000
<v Speaker 1>could go. I worked. My first one was with John

0:15:40.080 --> 0:15:42.920
<v Speaker 1>Levinthal and then I went work to Charlie Sexton or

0:15:42.960 --> 0:15:47.960
<v Speaker 1>just different people um um uh that I just really

0:15:47.960 --> 0:15:50.480
<v Speaker 1>wanted to play music with. And and so that's what

0:15:50.560 --> 0:15:53.040
<v Speaker 1>it was. I wasn't really profiting off of it. It

0:15:53.080 --> 0:15:55.640
<v Speaker 1>was just giving me the opportunity to to pay people

0:15:55.800 --> 0:15:58.080
<v Speaker 1>that I wanted to work with. Okay, so if someone

0:15:58.160 --> 0:16:00.640
<v Speaker 1>signed up for a hundred dollars, what they get, you know,

0:16:01.200 --> 0:16:03.840
<v Speaker 1>I don't even remember what I was offering back then.

0:16:04.400 --> 0:16:07.680
<v Speaker 1>I'll just skip real quick to where it is now. Well, well,

0:16:07.760 --> 0:16:10.880
<v Speaker 1>let's let's hold that for a second. Okay, So you start,

0:16:11.040 --> 0:16:14.800
<v Speaker 1>you're doing it for creative purposes. People are paying monthly

0:16:15.240 --> 0:16:17.760
<v Speaker 1>to what degree? And I think it's inherent. You're seeing

0:16:17.760 --> 0:16:20.640
<v Speaker 1>whether the numbers are staying steady, going up, going down?

0:16:21.080 --> 0:16:22.960
<v Speaker 1>And to what degree did you feel you had to

0:16:23.040 --> 0:16:25.800
<v Speaker 1>service people to a degree in order to make sure

0:16:25.840 --> 0:16:30.680
<v Speaker 1>they stayed on? Yeah? I, Uh, the numbers were pretty

0:16:30.680 --> 0:16:33.560
<v Speaker 1>consistent as long as I was consistent. But then I

0:16:33.640 --> 0:16:37.320
<v Speaker 1>stopped being consistent, and then people express frustration and say,

0:16:37.360 --> 0:16:39.840
<v Speaker 1>you know, what are we paying for? You're not really delivering.

0:16:40.480 --> 0:16:42.920
<v Speaker 1>And so I felt like I was taking my best

0:16:42.960 --> 0:16:47.680
<v Speaker 1>fans and and rather than making them closer to me,

0:16:47.960 --> 0:16:51.760
<v Speaker 1>that I was making them regret trusting me. And I

0:16:51.760 --> 0:16:54.200
<v Speaker 1>didn't like that. So, and I had just made a

0:16:54.200 --> 0:16:57.640
<v Speaker 1>new record using a lot of the songs, you know,

0:16:57.720 --> 0:16:59.920
<v Speaker 1>different recordings, but a lot of the songs that I

0:17:00.000 --> 0:17:03.920
<v Speaker 1>had written and recorded initially on Patreon um and so

0:17:04.000 --> 0:17:05.680
<v Speaker 1>I decided to shut it down and so I could

0:17:05.720 --> 0:17:09.160
<v Speaker 1>pay attention and focus on the on the record, and uh,

0:17:09.280 --> 0:17:11.560
<v Speaker 1>that's what so I gave it. It was about two

0:17:11.640 --> 0:17:13.359
<v Speaker 1>years that I went with it, and it was it

0:17:13.400 --> 0:17:16.080
<v Speaker 1>was wonderful to get to make music. But then it

0:17:16.160 --> 0:17:18.520
<v Speaker 1>felt like a job, started to feel like a full

0:17:18.560 --> 0:17:21.560
<v Speaker 1>time job, and I was I had a pretty busy

0:17:21.600 --> 0:17:24.240
<v Speaker 1>life at that point. Decided to put it away for

0:17:24.240 --> 0:17:27.000
<v Speaker 1>a minute, but you restarted it. What was the motivation

0:17:27.040 --> 0:17:30.000
<v Speaker 1>of restarting? What's different or the same about it now? Yeah,

0:17:30.040 --> 0:17:34.320
<v Speaker 1>So that was another another result of the pandemic UM

0:17:34.440 --> 0:17:37.520
<v Speaker 1>and I was fortunate that even though I had shut

0:17:37.560 --> 0:17:40.040
<v Speaker 1>it down, I still had I don't know, three hundred

0:17:40.080 --> 0:17:43.639
<v Speaker 1>or so of my the followers were still there. And

0:17:43.640 --> 0:17:45.480
<v Speaker 1>so I just put it back out and said, Okay,

0:17:45.480 --> 0:17:48.480
<v Speaker 1>I'm gonna start charging uh per month again, and I

0:17:48.520 --> 0:17:52.520
<v Speaker 1>reworked the tears and UM and then I got like

0:17:52.920 --> 0:17:56.320
<v Speaker 1>around seven hundred patrons, and I think people were feeling,

0:17:56.520 --> 0:17:58.520
<v Speaker 1>you know, like they wanted to help out. They knew

0:17:58.600 --> 0:18:01.959
<v Speaker 1>musicians were in a tight spot. So so I got

0:18:02.240 --> 0:18:04.560
<v Speaker 1>more significantly more than I had the first time around,

0:18:05.080 --> 0:18:07.240
<v Speaker 1>and I expanded it all the way up to a

0:18:07.240 --> 0:18:11.960
<v Speaker 1>thousand dollar level UM. And so you'd asked, what the

0:18:12.160 --> 0:18:15.360
<v Speaker 1>what you get? I think at like a five dollar level,

0:18:15.440 --> 0:18:17.960
<v Speaker 1>I send you a signed set list from a show

0:18:17.960 --> 0:18:20.480
<v Speaker 1>of your choice, or UM, you can get a v

0:18:20.600 --> 0:18:24.239
<v Speaker 1>I P meet and greet at a show. Um, at

0:18:24.240 --> 0:18:29.680
<v Speaker 1>the hundred dollar level, I'll do a cameo, I'll sing

0:18:29.880 --> 0:18:32.280
<v Speaker 1>you know, a personalized song for you or something, all

0:18:32.320 --> 0:18:34.200
<v Speaker 1>the way up to a thousand, which after a year,

0:18:34.440 --> 0:18:37.680
<v Speaker 1>i'll do a I'll do a concert at your house

0:18:37.840 --> 0:18:43.080
<v Speaker 1>like a you know, acoustic show or um, I'll send

0:18:43.119 --> 0:18:47.159
<v Speaker 1>people guitars and signed lyrics and and uh, all my

0:18:47.240 --> 0:18:50.840
<v Speaker 1>vinyl and basically anything I can think of. I just

0:18:50.840 --> 0:18:53.560
<v Speaker 1>try and make it worth people's while to to support me.

0:18:53.720 --> 0:18:55.760
<v Speaker 1>So if you've done any live shows, of course, the

0:18:55.800 --> 0:18:58.919
<v Speaker 1>pandemic has continued, and how many people will pay a

0:18:58.960 --> 0:19:03.359
<v Speaker 1>thousand dollars on long Well, I currently have two people

0:19:03.480 --> 0:19:08.560
<v Speaker 1>who who do that, and UM, I'm very grateful for them.

0:19:08.600 --> 0:19:10.440
<v Speaker 1>So if you've done the live shows yet, yeah, I

0:19:10.480 --> 0:19:13.960
<v Speaker 1>did one. I did one of them. What was that experience? Like?

0:19:14.200 --> 0:19:17.280
<v Speaker 1>I was cool? It's um Uh, it's just a very

0:19:17.320 --> 0:19:21.600
<v Speaker 1>generous guy who, um, who loves music and is financially

0:19:21.640 --> 0:19:24.119
<v Speaker 1>in a position to to support stuff that he loves.

0:19:24.160 --> 0:19:28.119
<v Speaker 1>So it's um, he supports me through through Patreon and

0:19:28.160 --> 0:19:30.600
<v Speaker 1>then every single live stream I would do, he would

0:19:30.600 --> 0:19:34.600
<v Speaker 1>support me through that and and so uh and you

0:19:34.640 --> 0:19:37.800
<v Speaker 1>know sometimes it's uh, I spent a long time kind

0:19:37.800 --> 0:19:41.320
<v Speaker 1>of being too close to my fans and then sometimes

0:19:41.560 --> 0:19:43.560
<v Speaker 1>you know, keep really keeping a distance because it it

0:19:43.600 --> 0:19:48.560
<v Speaker 1>didn't feel um, I was just trying to establish some boundaries. Um.

0:19:48.800 --> 0:19:52.840
<v Speaker 1>And but Patreon has has been good for me and

0:19:52.880 --> 0:19:56.679
<v Speaker 1>that um uh. You know, the people that are on

0:19:56.760 --> 0:20:01.680
<v Speaker 1>there or in my experience of been solid folks who

0:20:01.760 --> 0:20:04.840
<v Speaker 1>just want to support something that they appreciate, and so

0:20:05.359 --> 0:20:07.440
<v Speaker 1>I keep the guidelines. There. You have the two people

0:20:07.480 --> 0:20:11.240
<v Speaker 1>paying a thousand dollars. You know, you mentioned your insecurities past.

0:20:11.320 --> 0:20:13.080
<v Speaker 1>You know, if you put up a date and you

0:20:13.119 --> 0:20:15.880
<v Speaker 1>go to a club that's an established business, you play,

0:20:15.960 --> 0:20:19.000
<v Speaker 1>you get paid, assuming people come. When someone sends you

0:20:19.040 --> 0:20:21.520
<v Speaker 1>a thousand dollars a month, do you have any guilt?

0:20:21.920 --> 0:20:24.080
<v Speaker 1>But you just say, this is a business. Obviously they

0:20:24.119 --> 0:20:28.160
<v Speaker 1>can afford it, and I'm giving something back. It's transactions. Yeah,

0:20:28.200 --> 0:20:31.040
<v Speaker 1>If I have any guilt, it's maybe maybe sometimes I

0:20:31.080 --> 0:20:34.240
<v Speaker 1>just feel like I'm not doing enough, But I also

0:20:34.280 --> 0:20:37.560
<v Speaker 1>have to realize that I do. I have a lot

0:20:37.600 --> 0:20:41.120
<v Speaker 1>going on in my life and uh, and if they're

0:20:41.119 --> 0:20:43.560
<v Speaker 1>not happy, they can, you know, they can let me know,

0:20:43.840 --> 0:20:45.919
<v Speaker 1>and I try to. I try to reach out and

0:20:45.960 --> 0:20:48.720
<v Speaker 1>stay in contact and just make sure folks are doing

0:20:48.960 --> 0:20:51.600
<v Speaker 1>doing well. Um, I lucked out and I found a

0:20:53.040 --> 0:20:55.639
<v Speaker 1>woman to help me out with this stuff. Before I

0:20:55.720 --> 0:20:58.800
<v Speaker 1>had a manager. Um finding my last manager and and

0:20:59.080 --> 0:21:01.360
<v Speaker 1>help me keep it all together. They're organized, Otherwise I'd

0:21:01.400 --> 0:21:05.320
<v Speaker 1>be lost, um fulfilling all this stuff. So UM, No,

0:21:05.400 --> 0:21:08.920
<v Speaker 1>I don't feel guilty. It's ah. Um. I do a thing,

0:21:09.000 --> 0:21:11.000
<v Speaker 1>they appreciate it and and they support me, and I

0:21:11.000 --> 0:21:21.359
<v Speaker 1>appreciate them for that. So the people, let's you know,

0:21:21.440 --> 0:21:27.320
<v Speaker 1>the steady three people on Patreon, that's the result of

0:21:27.359 --> 0:21:30.199
<v Speaker 1>them being so close to you online and limited in

0:21:30.280 --> 0:21:32.399
<v Speaker 1>numbers supposed to a big like a big act. Do

0:21:32.440 --> 0:21:36.320
<v Speaker 1>you actually know them and interact with them? Uh? Some

0:21:36.480 --> 0:21:39.320
<v Speaker 1>of them? I mean, and I know a few of

0:21:39.359 --> 0:21:42.439
<v Speaker 1>them just because they're friends, are supported and then I

0:21:42.480 --> 0:21:47.359
<v Speaker 1>know a few of them, Um, through meet and greets

0:21:47.359 --> 0:21:49.320
<v Speaker 1>and stuff. They'll come to the show and you start

0:21:49.359 --> 0:21:51.720
<v Speaker 1>to recognize names. You know, there's some people who are active.

0:21:51.720 --> 0:21:53.080
<v Speaker 1>There's a lot of people who sign up and I

0:21:53.080 --> 0:21:56.080
<v Speaker 1>think don't ever read my emails because they just want

0:21:56.080 --> 0:21:58.359
<v Speaker 1>to support me. They don't actually want to listen to

0:21:58.400 --> 0:22:01.159
<v Speaker 1>everything I have to say. Um. And I know that

0:22:01.160 --> 0:22:02.640
<v Speaker 1>to be true because I support a lot of people

0:22:02.680 --> 0:22:05.920
<v Speaker 1>on Patreon and and I. You know, there's a certain

0:22:05.920 --> 0:22:07.720
<v Speaker 1>percentage that I just delete because I don't have the

0:22:07.760 --> 0:22:12.080
<v Speaker 1>time to to go through it all. But um, um,

0:22:12.119 --> 0:22:15.520
<v Speaker 1>and that's fine. I appreciate them just wanting to support it. Okay,

0:22:15.520 --> 0:22:18.080
<v Speaker 1>So how many people do you support on Patreon? I

0:22:18.160 --> 0:22:21.639
<v Speaker 1>currently have six people that I, uh support and with

0:22:21.840 --> 0:22:25.080
<v Speaker 1>those big names that the average person recognizes or they're

0:22:25.080 --> 0:22:28.360
<v Speaker 1>more personal friends. Yeah, I'm not sure who. I mean,

0:22:28.520 --> 0:22:31.680
<v Speaker 1>what one is Amanda Palmer, who's the biggest act on there,

0:22:31.720 --> 0:22:35.000
<v Speaker 1>and and I And that's more educational for me, um,

0:22:35.119 --> 0:22:39.040
<v Speaker 1>just trying to study, you know, how she got to

0:22:39.040 --> 0:22:42.240
<v Speaker 1>where she's at and and um, and how she engages

0:22:42.280 --> 0:22:44.320
<v Speaker 1>with her audience, which is I don't know how many

0:22:45.280 --> 0:22:49.320
<v Speaker 1>thousands of people, but it's it's pretty impressive. Uh. And

0:22:49.359 --> 0:22:52.680
<v Speaker 1>then the other ones Joe Pug who's a great songwriter

0:22:52.720 --> 0:22:55.520
<v Speaker 1>and has a great podcast called The Working Songwriter, Will

0:22:55.640 --> 0:22:59.840
<v Speaker 1>kimbro It's a great fantastic musician, guitar player places and

0:23:00.040 --> 0:23:02.920
<v Speaker 1>the Harris and Binding crowd a bunch of people. Um.

0:23:02.960 --> 0:23:05.680
<v Speaker 1>And then Travis Lynnville who is also in my band

0:23:05.760 --> 0:23:09.560
<v Speaker 1>sometimes but he's a fantastic singer songwriter and um so

0:23:10.000 --> 0:23:12.199
<v Speaker 1>maybe not a lot of household names, but if you're

0:23:12.200 --> 0:23:15.639
<v Speaker 1>in the music business, names folks might know. Okay, So

0:23:15.720 --> 0:23:18.120
<v Speaker 1>let's go to the live show. So you start these

0:23:18.160 --> 0:23:22.320
<v Speaker 1>live shows, You've done sixty during the pandemic. Let's start

0:23:22.400 --> 0:23:24.480
<v Speaker 1>with the beginning, because I'm sure there's an arc to

0:23:25.240 --> 0:23:28.000
<v Speaker 1>you know, you put the word out. How many people

0:23:28.119 --> 0:23:33.560
<v Speaker 1>show up and they're free I assume correct, But you're

0:23:33.680 --> 0:23:36.680
<v Speaker 1>encouraged to tip. So how do you sell the tips?

0:23:36.760 --> 0:23:39.960
<v Speaker 1>Into what degree does that work? You generate tips? At first,

0:23:40.000 --> 0:23:41.480
<v Speaker 1>I didn't try and sell it at all. I just

0:23:41.520 --> 0:23:44.600
<v Speaker 1>put it up there and people were again, everybody just

0:23:44.720 --> 0:23:50.719
<v Speaker 1>really wanted to help out, and that was amazing and overwhelming.

0:23:50.720 --> 0:23:55.719
<v Speaker 1>Really just it felt like all of the work that

0:23:55.760 --> 0:23:58.680
<v Speaker 1>I had done in the past twenty years to try

0:23:58.720 --> 0:24:02.960
<v Speaker 1>and be you know, to not only make the art

0:24:03.040 --> 0:24:05.520
<v Speaker 1>and do a good job, but but just try and

0:24:05.560 --> 0:24:09.200
<v Speaker 1>be decent and and somewhat connected with my fans. Uh

0:24:09.240 --> 0:24:14.200
<v Speaker 1>it felt like it was I was, you know, reaping

0:24:14.240 --> 0:24:18.479
<v Speaker 1>the rewards of that and and that harvest. Um uh

0:24:20.359 --> 0:24:25.800
<v Speaker 1>So initially people just gave very generously and um but

0:24:25.840 --> 0:24:27.920
<v Speaker 1>again I just thought the bottom was gonna gonna fall

0:24:27.960 --> 0:24:32.639
<v Speaker 1>out at some point, So, UM, I started finding ways

0:24:32.720 --> 0:24:36.679
<v Speaker 1>to encourage folks. Um, it's like I said, the postcard

0:24:36.800 --> 0:24:39.000
<v Speaker 1>I would I would, just to be clear, that's virtual

0:24:39.119 --> 0:24:42.760
<v Speaker 1>or physical postcards. These are physical postcards. So every week

0:24:42.800 --> 0:24:46.479
<v Speaker 1>I would design a postcard through Vista print, print off

0:24:46.520 --> 0:24:49.680
<v Speaker 1>two fifty or five hundred of them, um, and it

0:24:49.720 --> 0:24:51.240
<v Speaker 1>would be just you know, my wife would take a

0:24:51.240 --> 0:24:53.840
<v Speaker 1>picture of me in the living room, right, take a

0:24:53.840 --> 0:24:57.879
<v Speaker 1>picture of my dog, or or just just some of

0:24:57.920 --> 0:25:01.359
<v Speaker 1>them were funny something, you know, someones Matthew McConaughey's body

0:25:01.440 --> 0:25:04.480
<v Speaker 1>with my face on it. Um, you know, just whatever

0:25:04.480 --> 0:25:09.520
<v Speaker 1>I could do to um to change it up. And

0:25:09.520 --> 0:25:13.280
<v Speaker 1>and so I'll give that out. And then I how

0:25:13.280 --> 0:25:16.199
<v Speaker 1>did you get everybody's addressed? And who actually addressed the envelopes?

0:25:16.240 --> 0:25:19.480
<v Speaker 1>Was at all computerized? No? It was, Um, I got

0:25:19.520 --> 0:25:23.719
<v Speaker 1>the addresses on PayPal. If you tip using PayPal, your

0:25:23.760 --> 0:25:27.239
<v Speaker 1>are address automatically shows up and on Venmo. I just

0:25:27.440 --> 0:25:29.000
<v Speaker 1>I made a point of letting people know if you

0:25:29.080 --> 0:25:32.080
<v Speaker 1>use Vinmo and you want a postcard, type your address

0:25:32.080 --> 0:25:35.280
<v Speaker 1>in the comments and I'm after you tip. So, just

0:25:35.280 --> 0:25:37.080
<v Speaker 1>just to be very clear, if someone were to tip

0:25:37.119 --> 0:25:42.680
<v Speaker 1>you via PayPal, you have instant access to their address. Yeah, okay,

0:25:43.000 --> 0:25:45.000
<v Speaker 1>so you have all those addressed. Now you're telling me

0:25:45.040 --> 0:25:49.520
<v Speaker 1>about addressing the postcard. Yeah, so then I would I

0:25:49.560 --> 0:25:51.800
<v Speaker 1>would my show the last two hours, but it would

0:25:51.800 --> 0:25:54.760
<v Speaker 1>take all week because I would I would, you know,

0:25:54.840 --> 0:25:58.399
<v Speaker 1>find a postcard, do the show, get it all set up,

0:25:59.000 --> 0:26:02.840
<v Speaker 1>and uh and again this is on my laptop or

0:26:02.880 --> 0:26:06.439
<v Speaker 1>my iPad. It's not high quality tech at this point.

0:26:07.080 --> 0:26:10.840
<v Speaker 1>And uh. Then I would go through and and address everyone,

0:26:10.920 --> 0:26:13.159
<v Speaker 1>and I would try and write them. You know, I

0:26:13.200 --> 0:26:14.959
<v Speaker 1>look back now, and it was like I was. I

0:26:15.000 --> 0:26:16.840
<v Speaker 1>was trying really hard to let him know I cared.

0:26:16.840 --> 0:26:19.879
<v Speaker 1>So I would write a paragraph of thank you, thank you,

0:26:20.320 --> 0:26:24.159
<v Speaker 1>but it took it would take weeks and and and

0:26:24.200 --> 0:26:27.239
<v Speaker 1>there were times uhum where there's a lot going on

0:26:27.280 --> 0:26:30.119
<v Speaker 1>and would back up. So, um, I told you that

0:26:30.160 --> 0:26:35.840
<v Speaker 1>I um uh found this uh woman, there's a there's

0:26:35.840 --> 0:26:39.200
<v Speaker 1>a manager here in town. I'm Tracy Thomas um. And

0:26:39.280 --> 0:26:43.479
<v Speaker 1>Tracy had hired a woman to work for right as

0:26:43.520 --> 0:26:45.719
<v Speaker 1>the pandemic hit, and so she moved here and all

0:26:45.720 --> 0:26:47.879
<v Speaker 1>of a sudden didn't have work much work to do,

0:26:48.040 --> 0:26:51.159
<v Speaker 1>and so Tracy let me hire let's let's just go

0:26:51.200 --> 0:26:54.720
<v Speaker 1>back where is here. Where are you now? I'm sorry, Nashville.

0:26:54.720 --> 0:26:57.840
<v Speaker 1>I'm in Nashville, Tennessee. Yeah, so she hired this person

0:26:58.440 --> 0:27:02.560
<v Speaker 1>and uh so then let me um higher as well.

0:27:02.640 --> 0:27:06.000
<v Speaker 1>And so then things really got a lot better because

0:27:06.119 --> 0:27:09.400
<v Speaker 1>because um she would address all the stuff and and

0:27:09.440 --> 0:27:13.440
<v Speaker 1>moderate the shows and let people know what was what Okay,

0:27:13.480 --> 0:27:17.600
<v Speaker 1>So generally speaking, how many people would come to a show,

0:27:18.320 --> 0:27:21.000
<v Speaker 1>and how much money could you make in tips my

0:27:21.119 --> 0:27:24.600
<v Speaker 1>first show, there's probably people, maybe two thousand. It was.

0:27:24.800 --> 0:27:28.840
<v Speaker 1>It was it started off really well, and I was

0:27:28.920 --> 0:27:36.719
<v Speaker 1>probably averaging a show something like that. Um. And then

0:27:36.760 --> 0:27:41.399
<v Speaker 1>I started doing the postcards and then uh, and that

0:27:41.480 --> 0:27:43.640
<v Speaker 1>went on for a while, and I think I've maybe

0:27:43.640 --> 0:27:48.520
<v Speaker 1>got as high as for grand or something, um, which

0:27:48.560 --> 0:27:51.880
<v Speaker 1>was incredible. I mean against sitting here at my computer

0:27:51.960 --> 0:27:54.880
<v Speaker 1>and I was having dinner at my own table by

0:27:54.920 --> 0:27:59.200
<v Speaker 1>eight pm, uh, you know, and and just watching money

0:27:59.200 --> 0:28:04.520
<v Speaker 1>come in. UM. And so the thing that really made

0:28:04.520 --> 0:28:06.960
<v Speaker 1>a shift was or give it a boost was I

0:28:07.000 --> 0:28:10.960
<v Speaker 1>started including the set list. I would hand draw a

0:28:11.040 --> 0:28:13.840
<v Speaker 1>set list and print copies off and sign it and

0:28:13.880 --> 0:28:15.880
<v Speaker 1>I said, if you, if you contribute thirty dollars and more,

0:28:16.080 --> 0:28:19.520
<v Speaker 1>I will I'll send you this as well. And then

0:28:19.560 --> 0:28:25.680
<v Speaker 1>so then people started contributing in greater amounts and um

0:28:25.960 --> 0:28:29.480
<v Speaker 1>uh and then I do lyrics each week I do lyrics.

0:28:29.520 --> 0:28:32.040
<v Speaker 1>So I started trying to get a package of nice

0:28:32.080 --> 0:28:35.080
<v Speaker 1>things to make it worth your while and uh and

0:28:35.119 --> 0:28:36.960
<v Speaker 1>it just increased and grew, and we gave a lot

0:28:36.960 --> 0:28:40.040
<v Speaker 1>of money a charity. Um uh. So every week we

0:28:40.040 --> 0:28:43.800
<v Speaker 1>would connect with the charity. My son's is a magician,

0:28:44.200 --> 0:28:46.880
<v Speaker 1>among other things, and he started sending them videos of

0:28:46.960 --> 0:28:49.280
<v Speaker 1>himself doing magic, and that became part of the show.

0:28:49.720 --> 0:28:53.440
<v Speaker 1>My wife would comes thing with us, um um, the

0:28:53.560 --> 0:28:55.840
<v Speaker 1>dogs would be here, and it just became very personal.

0:28:55.880 --> 0:28:57.440
<v Speaker 1>And all these people felt like they were in our

0:28:57.440 --> 0:28:59.280
<v Speaker 1>house and they knew my family and they knew what

0:28:59.360 --> 0:29:03.120
<v Speaker 1>I uh did. And then, like I said, I started

0:29:03.120 --> 0:29:07.600
<v Speaker 1>taking requests and and just people would come and tell

0:29:07.640 --> 0:29:10.760
<v Speaker 1>me their stories of loss or of struggle or of

0:29:10.840 --> 0:29:12.760
<v Speaker 1>joy or how they met at my show and got

0:29:12.800 --> 0:29:15.120
<v Speaker 1>married or how their father loved me. And it passed

0:29:15.160 --> 0:29:18.720
<v Speaker 1>away and and it just was it felt like this

0:29:19.160 --> 0:29:24.640
<v Speaker 1>place for people to come and connect. And the more

0:29:24.760 --> 0:29:30.040
<v Speaker 1>that happens, the money went up. And um, I mean

0:29:31.040 --> 0:29:32.760
<v Speaker 1>by the end, if I went back and average that

0:29:32.840 --> 0:29:34.440
<v Speaker 1>it probably came out to four or five grand the

0:29:34.480 --> 0:29:38.160
<v Speaker 1>show on average. Wow, that's great. And since you did

0:29:38.200 --> 0:29:42.080
<v Speaker 1>sixty five, did you consistently get the same number of viewers? No?

0:29:42.360 --> 0:29:46.720
<v Speaker 1>It uh, it fluctuated a bit, um and sometime around

0:29:48.160 --> 0:29:50.200
<v Speaker 1>after I've been at it about a year, things were

0:29:50.200 --> 0:29:54.080
<v Speaker 1>starting to drop off, and finally I put it away

0:29:54.600 --> 0:29:56.080
<v Speaker 1>for a while because I didn't want to be the

0:29:56.160 --> 0:29:59.200
<v Speaker 1>last one at the party. It was it was uh,

0:29:59.360 --> 0:30:02.720
<v Speaker 1>consistently around seven or eight hundred, and then it got

0:30:02.800 --> 0:30:05.760
<v Speaker 1>it was like five hundred, six hundred, and then by

0:30:05.800 --> 0:30:07.200
<v Speaker 1>the end it was starting to get to round three

0:30:07.240 --> 0:30:10.520
<v Speaker 1>or four hundred and and um, which is still incredible,

0:30:10.560 --> 0:30:12.520
<v Speaker 1>But live work was starting to come back as well,

0:30:12.560 --> 0:30:15.480
<v Speaker 1>and so I thought, um, it might be time to

0:30:15.520 --> 0:30:17.880
<v Speaker 1>get out there and start tourning in. But I see

0:30:17.920 --> 0:30:21.080
<v Speaker 1>you did one with your wife on Valentine's today. Yeah,

0:30:21.200 --> 0:30:24.240
<v Speaker 1>what was the motivation there? Into what degreer? Are you

0:30:24.320 --> 0:30:27.280
<v Speaker 1>still doing these live streams? I've done two this year.

0:30:27.360 --> 0:30:30.280
<v Speaker 1>I did one on my birthday. Um. I got COVID

0:30:30.320 --> 0:30:32.320
<v Speaker 1>on New Year's Day and I was supposed to go

0:30:32.480 --> 0:30:36.280
<v Speaker 1>to Colorado for a festival and I couldn't, so I, um,

0:30:36.360 --> 0:30:38.400
<v Speaker 1>I just thought I'll celebrate here at my house and

0:30:38.440 --> 0:30:41.840
<v Speaker 1>that ended up being my best one ever. So I

0:30:41.880 --> 0:30:43.560
<v Speaker 1>got paid more for that than I would have to

0:30:43.600 --> 0:30:46.320
<v Speaker 1>fly to Colorado and do the festival. So it's it's

0:30:46.360 --> 0:30:49.400
<v Speaker 1>been a real eye opening, kind of game changing thing.

0:30:49.640 --> 0:30:55.120
<v Speaker 1>And the Valentine's Day one, Um, we just hadn't done

0:30:55.120 --> 0:30:56.680
<v Speaker 1>a show in a while, and we we do a

0:30:56.680 --> 0:30:59.320
<v Speaker 1>lot of songs together and and and I've got a

0:30:59.360 --> 0:31:02.120
<v Speaker 1>lot of love songs and and uh, and we have

0:31:02.240 --> 0:31:04.400
<v Speaker 1>fun doing it. So we we just thought why not.

0:31:04.600 --> 0:31:08.080
<v Speaker 1>We're here. I'm not working much right now on the road. Okay,

0:31:08.120 --> 0:31:10.479
<v Speaker 1>So you said when we started to discuss all this

0:31:10.560 --> 0:31:14.040
<v Speaker 1>that having had this experience, your eyes were opened and

0:31:14.080 --> 0:31:17.760
<v Speaker 1>you've reevaluated a little bit going forward. So do you

0:31:17.800 --> 0:31:21.280
<v Speaker 1>think you'll just go back into your ole routine primarily

0:31:21.320 --> 0:31:23.760
<v Speaker 1>working on the road, or will be different now? Well,

0:31:24.240 --> 0:31:25.800
<v Speaker 1>I'm trying, like a lot of people, I think, to

0:31:25.840 --> 0:31:28.640
<v Speaker 1>figure out what lesson I've learned here and then to

0:31:29.600 --> 0:31:32.360
<v Speaker 1>apply it and not just fall back into what I

0:31:32.440 --> 0:31:39.280
<v Speaker 1>was doing, because what I was doing wasn't ultimately fulfilling me. Um,

0:31:39.360 --> 0:31:41.320
<v Speaker 1>And so I'm trying to find a balance, Like I

0:31:41.360 --> 0:31:44.520
<v Speaker 1>still enjoy performing for people, and and sometimes I enjoy

0:31:44.560 --> 0:31:51.320
<v Speaker 1>the travel and and um uh, but the grind of it,

0:31:51.400 --> 0:31:53.120
<v Speaker 1>that being away from home. You know, I have a

0:31:53.200 --> 0:31:57.080
<v Speaker 1>home I like, and and and um I live in

0:31:57.080 --> 0:32:00.680
<v Speaker 1>a town and I enjoy and and uh uh. It's

0:32:00.760 --> 0:32:02.720
<v Speaker 1>it's hard. It's harder and harder as I get older

0:32:02.720 --> 0:32:05.200
<v Speaker 1>to to just go out there and you know, stay

0:32:05.240 --> 0:32:07.120
<v Speaker 1>at the holiday and express with a bunch of guys,

0:32:07.160 --> 0:32:10.120
<v Speaker 1>no matter how much I like them. And so I'm

0:32:10.120 --> 0:32:12.360
<v Speaker 1>just trying to find a balance. And and that's that's

0:32:12.360 --> 0:32:14.400
<v Speaker 1>a bunch of things. That's maybe a little less touring,

0:32:14.520 --> 0:32:17.880
<v Speaker 1>but but I still enjoy getting out there, but mixing

0:32:17.920 --> 0:32:22.280
<v Speaker 1>in live streams, making songwriting and publishing and recording a

0:32:22.320 --> 0:32:26.560
<v Speaker 1>bigger part of my income and and work well work

0:32:26.600 --> 0:32:30.520
<v Speaker 1>and then hopefully income. Um And I'm just more interested

0:32:30.520 --> 0:32:34.120
<v Speaker 1>in in the working on my craft and being an

0:32:34.240 --> 0:32:39.400
<v Speaker 1>artist than I am being a road dog. And um

0:32:39.800 --> 0:32:41.920
<v Speaker 1>that that feels like a more balanced life for me

0:32:42.080 --> 0:32:44.880
<v Speaker 1>right now. And that's what I'm looking for. Okay. Prior

0:32:44.960 --> 0:32:48.560
<v Speaker 1>to the pandemic, how many days a year were you doing? Well?

0:32:48.720 --> 0:32:52.800
<v Speaker 1>My early days, I I would do over two hundred annually. Um.

0:32:52.960 --> 0:32:56.120
<v Speaker 1>And in the last five years, it was you know,

0:32:56.160 --> 0:32:59.480
<v Speaker 1>it was down to probably a hundred or so. Okay,

0:32:59.520 --> 0:33:01.720
<v Speaker 1>let's go back to the beginning. Where did you grow up?

0:33:01.800 --> 0:33:04.680
<v Speaker 1>I was born in Houston, Texas in nineteen seventy six,

0:33:04.800 --> 0:33:08.280
<v Speaker 1>and I grew up about twenty miles north in a

0:33:08.400 --> 0:33:11.680
<v Speaker 1>suburb planning community called the Woodlands, Texas. And what was

0:33:11.720 --> 0:33:14.520
<v Speaker 1>that like being in that planning community. Well, when I

0:33:14.560 --> 0:33:16.720
<v Speaker 1>moved there, there was twelve people. I think now there's

0:33:16.760 --> 0:33:20.880
<v Speaker 1>a hundred and twenty thousand, So it was it was

0:33:20.920 --> 0:33:23.600
<v Speaker 1>just a pine forest at first. And he literally watched

0:33:23.640 --> 0:33:25.800
<v Speaker 1>it get built out and the neighborhoods get built out,

0:33:25.800 --> 0:33:28.160
<v Speaker 1>and the schools get bigger, and it was great in

0:33:28.160 --> 0:33:31.160
<v Speaker 1>a lot of ways. Um, but it was also, you know,

0:33:31.240 --> 0:33:36.360
<v Speaker 1>mostly white, conservative spot. And and you know, there was

0:33:36.400 --> 0:33:40.000
<v Speaker 1>there was a lot of golf courses in golf course crossings.

0:33:40.120 --> 0:33:43.520
<v Speaker 1>And as a teenager, I mean, like a lot of people,

0:33:43.560 --> 0:33:47.239
<v Speaker 1>you feel sort of constricted by your hometown. And and

0:33:47.280 --> 0:33:50.720
<v Speaker 1>I was into Carolac and Dylan and Willie Nelson and

0:33:50.960 --> 0:33:54.440
<v Speaker 1>and and so I was like, I don't know where

0:33:54.440 --> 0:33:58.440
<v Speaker 1>those guys live, but it's it's clearly not here. So

0:33:58.920 --> 0:34:02.520
<v Speaker 1>I had a really strong desire to to go find

0:34:02.520 --> 0:34:04.200
<v Speaker 1>that out. And so I spent a lot of my

0:34:04.320 --> 0:34:08.279
<v Speaker 1>years just really excited or anxious to to to go

0:34:08.440 --> 0:34:14.040
<v Speaker 1>travel and and uh get a little more life experience. Okay,

0:34:14.040 --> 0:34:15.920
<v Speaker 1>So what did your parents do for a living? My

0:34:16.000 --> 0:34:19.440
<v Speaker 1>parents were both attorneys. And how many kids in the family. Uh,

0:34:19.480 --> 0:34:21.719
<v Speaker 1>there's two. I'm the oldest. I have a brother's nine

0:34:21.800 --> 0:34:24.960
<v Speaker 1>years younger than I am, who's also an attorney. And

0:34:25.000 --> 0:34:27.880
<v Speaker 1>how good were you in school? And were you popular

0:34:28.000 --> 0:34:31.040
<v Speaker 1>not popular? What kind of kids were you? I was

0:34:31.120 --> 0:34:34.920
<v Speaker 1>somebody who wanted to be popular and wasn't, which is

0:34:35.640 --> 0:34:39.319
<v Speaker 1>being unpopular spine if you're okay with it, and I wasn't.

0:34:39.360 --> 0:34:42.520
<v Speaker 1>I struggled. Uh. Um, so I guess I was on

0:34:42.560 --> 0:34:47.640
<v Speaker 1>the cusp. I I played sports, not not great, but

0:34:47.920 --> 0:34:51.440
<v Speaker 1>enough to to be around on the team for as

0:34:51.440 --> 0:34:55.760
<v Speaker 1>long as I could. Um. Uh. I didn't date until

0:34:55.880 --> 0:34:58.040
<v Speaker 1>my senior year in high school. And I got my

0:34:58.080 --> 0:35:04.680
<v Speaker 1>first kiss when I was eighteen. Um and UM, I

0:35:04.719 --> 0:35:07.319
<v Speaker 1>don't know. Just struggled to find my identity and who

0:35:07.360 --> 0:35:12.720
<v Speaker 1>I was. UM. And I got into theater, which became

0:35:12.719 --> 0:35:14.759
<v Speaker 1>a really important thing for me that that opened me

0:35:14.840 --> 0:35:18.080
<v Speaker 1>up to a lot of different Uh. You know, I

0:35:18.080 --> 0:35:20.080
<v Speaker 1>went from being in a locker room with fifty guys

0:35:20.080 --> 0:35:22.400
<v Speaker 1>talking about a certain same thing to being in a

0:35:22.480 --> 0:35:28.760
<v Speaker 1>room with with a much more diverse and uh interesting

0:35:28.840 --> 0:35:31.320
<v Speaker 1>to me crowd. And how well did you do in school?

0:35:31.360 --> 0:35:34.719
<v Speaker 1>I started off okay, I barely, I barely got out

0:35:35.040 --> 0:35:37.200
<v Speaker 1>and I greet I went to college and graduated last

0:35:37.200 --> 0:35:39.560
<v Speaker 1>in my class in college. So I ended up being

0:35:39.600 --> 0:35:41.879
<v Speaker 1>about as bad as well. Let's go a little bit slower.

0:35:42.719 --> 0:35:46.920
<v Speaker 1>So you're in school, when do you get infected by music?

0:35:47.000 --> 0:35:48.920
<v Speaker 1>And when do you pick up an instrument? And to

0:35:49.040 --> 0:35:51.320
<v Speaker 1>what degree your parents push you or to what degree

0:35:51.360 --> 0:35:54.840
<v Speaker 1>is that just spontaneous generation from your friends? Yeah? I

0:35:54.880 --> 0:35:58.960
<v Speaker 1>know my parents didn't push me at all. Um and uh,

0:35:59.680 --> 0:36:02.160
<v Speaker 1>I I just grew up listening to country music. I

0:36:02.239 --> 0:36:05.400
<v Speaker 1>knew that was Some of my earliest memories are listening

0:36:05.440 --> 0:36:06.759
<v Speaker 1>to the Blue Eyes Crying in the rain in the

0:36:06.760 --> 0:36:10.560
<v Speaker 1>back seat of the car. And and um, so I

0:36:10.840 --> 0:36:16.799
<v Speaker 1>loved country, I loved fifties rock and roll, sixties rock

0:36:16.800 --> 0:36:20.960
<v Speaker 1>and roll, and a real I had a couple of

0:36:21.520 --> 0:36:25.680
<v Speaker 1>moments that I absolutely remember that were life changing for me. Uh.

0:36:25.880 --> 0:36:29.160
<v Speaker 1>One was we would we would occasionally attend the Unitarian Church.

0:36:30.120 --> 0:36:33.000
<v Speaker 1>My parents weren't big churchgoers, but we would occasionally go

0:36:33.040 --> 0:36:36.720
<v Speaker 1>to the Interian church, and they weren't known for their choir. Uh,

0:36:36.760 --> 0:36:40.440
<v Speaker 1>So rather than have a choir, they would have acts

0:36:40.920 --> 0:36:42.759
<v Speaker 1>come by and one day it would be somebody reading

0:36:42.840 --> 0:36:46.720
<v Speaker 1>Dante's Inferno. And one day it was a folk trio

0:36:47.160 --> 0:36:50.440
<v Speaker 1>and they came in and sang Dylan songs. And I

0:36:50.560 --> 0:36:53.759
<v Speaker 1>was fourteen and they sang A hard rain is Gonna

0:36:53.800 --> 0:36:58.440
<v Speaker 1>fall blowing in the wind. And I went home that

0:36:58.520 --> 0:37:01.360
<v Speaker 1>day and I told my parents don't wanted guitar. Um.

0:37:02.239 --> 0:37:05.760
<v Speaker 1>You know, like probably thousands of other people who discovered Dylan,

0:37:06.560 --> 0:37:09.360
<v Speaker 1>and uh, because it was I knew I loved music,

0:37:09.440 --> 0:37:12.760
<v Speaker 1>but I didn't know that something about that, the power.

0:37:13.560 --> 0:37:16.560
<v Speaker 1>It just opened me up to the power of song.

0:37:17.520 --> 0:37:22.200
<v Speaker 1>Um and changed my life. So we're the type of

0:37:22.200 --> 0:37:25.719
<v Speaker 1>person playing in your bedroom or seeking other out, other

0:37:25.719 --> 0:37:28.680
<v Speaker 1>people out to play. Did you play live when you

0:37:28.680 --> 0:37:31.200
<v Speaker 1>were in high school? What was going on there? Yeah?

0:37:31.200 --> 0:37:34.600
<v Speaker 1>I did not play live when I was in high school. Um.

0:37:34.640 --> 0:37:36.600
<v Speaker 1>I played in my bedroom mostly, and then you know,

0:37:37.920 --> 0:37:42.040
<v Speaker 1>with my friends around at parties and stuff. You know,

0:37:42.080 --> 0:37:44.000
<v Speaker 1>the one thing I had going I couldn't really sing.

0:37:44.360 --> 0:37:47.600
<v Speaker 1>I didn't think, and I barely new guitar. But I

0:37:47.960 --> 0:37:50.239
<v Speaker 1>could remember all the lyrics to all the songs. And

0:37:50.280 --> 0:37:52.280
<v Speaker 1>there are there are all these guys who could play

0:37:52.760 --> 0:37:55.440
<v Speaker 1>Stairway to Heaven our love song on the guitar, but

0:37:55.520 --> 0:37:57.640
<v Speaker 1>that's all they could do, and nobody, you know, at

0:37:57.640 --> 0:38:00.040
<v Speaker 1>a party, people want to be a part of the

0:38:00.040 --> 0:38:01.560
<v Speaker 1>don't want just sit there and watch you play the

0:38:01.600 --> 0:38:06.160
<v Speaker 1>same guitar nerds stuff over and over. So that was

0:38:06.239 --> 0:38:08.840
<v Speaker 1>my secret weapon was I can see you every country

0:38:08.840 --> 0:38:12.359
<v Speaker 1>song that you want to hear, and so that's kind

0:38:12.360 --> 0:38:16.160
<v Speaker 1>of what I did. Um, but it was just it

0:38:16.280 --> 0:38:18.440
<v Speaker 1>was just for fun of people's houses or you know,

0:38:18.440 --> 0:38:21.200
<v Speaker 1>sitting around drinking beer. Okay, so you talked about where

0:38:21.239 --> 0:38:23.920
<v Speaker 1>you grew up being conservative, but if your parents were

0:38:23.920 --> 0:38:25.840
<v Speaker 1>going to the Unitarian Church, I don't think there's a

0:38:25.880 --> 0:38:29.319
<v Speaker 1>conservative goes to the Unitarian. So that would seem to

0:38:29.360 --> 0:38:32.520
<v Speaker 1>indicate that your parents themselves were liberal. Yeah, yeah, that's

0:38:32.680 --> 0:38:35.600
<v Speaker 1>that's safe to say. Okay, So you graduate from high

0:38:35.640 --> 0:38:38.439
<v Speaker 1>school and you go to college, where and what your experience?

0:38:38.640 --> 0:38:41.839
<v Speaker 1>What do you do before you graduate? Last I went

0:38:41.920 --> 0:38:45.080
<v Speaker 1>to college, I was looking for a small liberal arts school,

0:38:46.280 --> 0:38:49.759
<v Speaker 1>uh that didn't have a Greek then. Um, that was

0:38:49.880 --> 0:38:52.759
<v Speaker 1>that was my criteria and I ended up going to

0:38:52.840 --> 0:38:58.279
<v Speaker 1>Hendricks College in Conway, Arkansas. UM claim to fame being

0:38:58.320 --> 0:39:02.080
<v Speaker 1>that Roger wenton, Bill's brother went there for a year,

0:39:02.280 --> 0:39:05.040
<v Speaker 1>and Mary Steam Virgin went there for a year. Um

0:39:05.040 --> 0:39:12.200
<v Speaker 1>both of them left for different reasons. Uh and um uh.

0:39:12.239 --> 0:39:15.160
<v Speaker 1>So I went there. I didn't know, you know, it

0:39:15.239 --> 0:39:17.400
<v Speaker 1>was just sort of expected, you're gonna go to college.

0:39:17.480 --> 0:39:19.600
<v Speaker 1>Just just one stop for a second. Yeah, he's is

0:39:19.640 --> 0:39:22.640
<v Speaker 1>your middle name? We always haze. When you started to

0:39:22.640 --> 0:39:25.560
<v Speaker 1>play music, you were Haz. Yeah, No, I was. My

0:39:25.640 --> 0:39:28.359
<v Speaker 1>name is Joshua Hayes Carl. And in high school I

0:39:28.480 --> 0:39:32.200
<v Speaker 1>was josh And I never liked that name and I

0:39:32.360 --> 0:39:38.439
<v Speaker 1>never liked who I was in a way are Every

0:39:38.520 --> 0:39:40.440
<v Speaker 1>year I would come back to school saying, this is

0:39:40.480 --> 0:39:42.359
<v Speaker 1>the year that I'm gonna be cool and I'm gonna

0:39:43.440 --> 0:39:46.280
<v Speaker 1>I'm I'm gonna be different somehow. And then I realized

0:39:46.320 --> 0:39:48.880
<v Speaker 1>is you can't reset these people who have known you

0:39:48.880 --> 0:39:52.480
<v Speaker 1>in their whole lives. And so that never worked out

0:39:52.480 --> 0:39:55.239
<v Speaker 1>like I hoped it would. And then with college, I

0:39:55.280 --> 0:40:02.719
<v Speaker 1>had this opportunity to to really reset, and so I went.

0:40:02.880 --> 0:40:06.319
<v Speaker 1>I told people my name was Hayes. Um, my dad's

0:40:06.400 --> 0:40:08.799
<v Speaker 1>Lloyd Hayes Carl the third, so it's a family name

0:40:09.040 --> 0:40:14.080
<v Speaker 1>and I didn't feel like that big of a a thing, um,

0:40:14.120 --> 0:40:19.720
<v Speaker 1>and I I just took that chance to start fresh.

0:40:19.840 --> 0:40:21.640
<v Speaker 1>So how many people were going to the college, and

0:40:21.680 --> 0:40:25.000
<v Speaker 1>what was your experience in college? And it was hundred folks,

0:40:25.000 --> 0:40:27.800
<v Speaker 1>it was. It was a very small liberal arts school,

0:40:28.000 --> 0:40:33.920
<v Speaker 1>and um, my experience was that I was a terrible

0:40:33.920 --> 0:40:36.640
<v Speaker 1>student who didn't know how to manage this time, and

0:40:36.719 --> 0:40:42.400
<v Speaker 1>it made college not great. There was I remember my

0:40:42.440 --> 0:40:44.799
<v Speaker 1>first day there was this British politics professor and he

0:40:44.840 --> 0:40:46.759
<v Speaker 1>gave me some advice that I wish I had listened to.

0:40:46.920 --> 0:40:49.239
<v Speaker 1>He said, he said, I was drunk every day in

0:40:49.239 --> 0:40:51.279
<v Speaker 1>college and I got a four point oh. And the

0:40:51.320 --> 0:40:53.840
<v Speaker 1>way I did it was I came straight home and

0:40:53.880 --> 0:40:55.960
<v Speaker 1>I did my work and then I went out and

0:40:55.960 --> 0:40:59.360
<v Speaker 1>I had a hell of a time and I flipped

0:40:59.400 --> 0:41:03.359
<v Speaker 1>that and to poor results. You know, I just put

0:41:03.360 --> 0:41:05.640
<v Speaker 1>off everything until last minute and tried to have a

0:41:05.640 --> 0:41:08.520
<v Speaker 1>hell of a time. But it's hard to relax and

0:41:08.600 --> 0:41:11.040
<v Speaker 1>enjoy yourself when you know you've got an exam that

0:41:11.080 --> 0:41:15.440
<v Speaker 1>you're not prepared for. So it was I don't know,

0:41:15.600 --> 0:41:18.360
<v Speaker 1>it was a great experience, and I probably found myself

0:41:18.400 --> 0:41:23.000
<v Speaker 1>in college, but I I regret not being as present

0:41:23.040 --> 0:41:26.840
<v Speaker 1>for it and and uh not being a better student.

0:41:27.040 --> 0:41:32.000
<v Speaker 1>You obviously weren't focusing on academics, were you, you know,

0:41:32.680 --> 0:41:35.799
<v Speaker 1>playing music where you're hanging with the girls, You're getting drunk.

0:41:35.880 --> 0:41:41.360
<v Speaker 1>What was going on? Yeah, all the above, Um, uh,

0:41:41.400 --> 0:41:45.480
<v Speaker 1>it was it was, Um, I try to take advantage

0:41:45.480 --> 0:41:49.200
<v Speaker 1>of all that. Um and uh, you know, being away

0:41:49.239 --> 0:41:55.799
<v Speaker 1>from home. I failed health my first semester because you know,

0:41:55.960 --> 0:41:58.440
<v Speaker 1>I just it was the classes at eight in the morning,

0:41:58.440 --> 0:42:04.000
<v Speaker 1>and I just wouldn't no intention I'm going that early. Um. Yeah,

0:42:04.040 --> 0:42:07.000
<v Speaker 1>I just tried to make friends and and uh and

0:42:07.200 --> 0:42:10.960
<v Speaker 1>kind of find my new identity and and I kept

0:42:10.960 --> 0:42:14.160
<v Speaker 1>playing music and started to write some songs and earnest

0:42:14.239 --> 0:42:17.319
<v Speaker 1>and and um figure out how I could play them

0:42:17.320 --> 0:42:20.960
<v Speaker 1>perfect folks. Okay, so what point does this trip start

0:42:21.040 --> 0:42:23.800
<v Speaker 1>to become You want to be a professional musician somewhere

0:42:24.080 --> 0:42:26.719
<v Speaker 1>somewhere in college? I mean there. I live in a

0:42:26.800 --> 0:42:31.359
<v Speaker 1>dry county, so there was nowhere to play music, um,

0:42:31.560 --> 0:42:35.120
<v Speaker 1>except for these kind of coffeehouse things that we would do,

0:42:35.280 --> 0:42:41.160
<v Speaker 1>these little shows. Uh. But I I think I had

0:42:41.200 --> 0:42:42.759
<v Speaker 1>known for a long time it's what I wanted to

0:42:42.800 --> 0:42:45.239
<v Speaker 1>do another idea that I could, that I could that

0:42:45.320 --> 0:42:48.360
<v Speaker 1>there was you know, I thought you either have to

0:42:48.400 --> 0:42:52.600
<v Speaker 1>be on MTV. UM. I didn't know how. I didn't

0:42:52.600 --> 0:42:55.200
<v Speaker 1>know how you go about being a singer songwriter, but

0:42:56.239 --> 0:42:58.520
<v Speaker 1>I knew that I loved it and I had a

0:42:58.520 --> 0:43:00.520
<v Speaker 1>passion for it and that I would always regret if

0:43:00.520 --> 0:43:03.279
<v Speaker 1>I didn't try to do it. So I just kind

0:43:03.280 --> 0:43:06.279
<v Speaker 1>of floated through college with the idea that I was

0:43:06.320 --> 0:43:16.040
<v Speaker 1>going to get out and then go try it somewhere. Okay,

0:43:16.040 --> 0:43:17.879
<v Speaker 1>a couple of questions for those of us who grew

0:43:17.960 --> 0:43:20.800
<v Speaker 1>up on the coasts. You know, though Bill Clinton was

0:43:20.840 --> 0:43:23.719
<v Speaker 1>from Arkansas, since you've traveled the country, if not the

0:43:23.760 --> 0:43:29.040
<v Speaker 1>world at this point and seeing everything is Arkansas state

0:43:29.040 --> 0:43:34.000
<v Speaker 1>of mind like everywhere else are completely different. Uh, I

0:43:34.040 --> 0:43:37.320
<v Speaker 1>think it's uh. I remember coming in, you know, I

0:43:37.360 --> 0:43:40.279
<v Speaker 1>always used to say Texas is the one place, like

0:43:40.360 --> 0:43:45.520
<v Speaker 1>the place where people are the most proud of themselves

0:43:45.760 --> 0:43:49.480
<v Speaker 1>of anywhere in the world, regardless of you know, they

0:43:49.480 --> 0:43:51.640
<v Speaker 1>haven't necessarily done anything to earn it, but there's just

0:43:51.760 --> 0:43:56.520
<v Speaker 1>this pride and and being from Texas and and uh

0:43:57.960 --> 0:44:00.640
<v Speaker 1>I remember getting to Arkansas and kind of wagging around

0:44:00.760 --> 0:44:04.200
<v Speaker 1>I'm meeting some folks from Texas, and hey, we're we're Texans,

0:44:04.200 --> 0:44:06.480
<v Speaker 1>and I thought we were connecting and and they stopped

0:44:06.480 --> 0:44:08.719
<v Speaker 1>me real quickly said, we don't do that around here.

0:44:09.120 --> 0:44:11.920
<v Speaker 1>And and I realized. I started to realize, not only

0:44:11.960 --> 0:44:15.560
<v Speaker 1>is it obnoxious, but uh, um, you know, our Kansans

0:44:15.600 --> 0:44:17.879
<v Speaker 1>had a lot of pride about where they were from.

0:44:18.120 --> 0:44:23.080
<v Speaker 1>And uh and and just like I found that everywhere

0:44:23.120 --> 0:44:27.840
<v Speaker 1>in the country has something to offer and um uh

0:44:27.880 --> 0:44:31.120
<v Speaker 1>you know most folks appreciate that and and and um.

0:44:32.520 --> 0:44:35.480
<v Speaker 1>So so okay, so you graduate from college, you're going

0:44:35.560 --> 0:44:38.480
<v Speaker 1>to be a singer songwriter. What are your parents the

0:44:38.480 --> 0:44:41.040
<v Speaker 1>attorneys to have to say to what degree did they

0:44:41.040 --> 0:44:44.239
<v Speaker 1>support you? And what are your initial moves? Well, they

0:44:44.440 --> 0:44:50.160
<v Speaker 1>supported me by uh, just emotionally encouraging me. Like I

0:44:50.200 --> 0:44:54.600
<v Speaker 1>got very lucky in that. You know, they never they

0:44:54.640 --> 0:44:58.160
<v Speaker 1>were not the type of folks who were super concerned

0:44:58.280 --> 0:45:00.840
<v Speaker 1>or at least outwardly with you know, how are you

0:45:00.840 --> 0:45:03.200
<v Speaker 1>going to make a living? They just let me do

0:45:03.239 --> 0:45:08.160
<v Speaker 1>what I wanted to do, and so that that was

0:45:08.200 --> 0:45:10.839
<v Speaker 1>a blessing. So I got out of college, I went

0:45:11.000 --> 0:45:15.840
<v Speaker 1>in detasseled corn in Iowa for the summer um with

0:45:15.960 --> 0:45:21.600
<v Speaker 1>some friends uh. And then moved down to Crystal Beach, Texas.

0:45:22.440 --> 0:45:25.279
<v Speaker 1>UM on the ball of a peninsula, which is this

0:45:25.480 --> 0:45:29.040
<v Speaker 1>very remote beach. It used to be the cheapest beach

0:45:29.040 --> 0:45:36.200
<v Speaker 1>in America. It probably still is. And um and so uh,

0:45:36.560 --> 0:45:40.080
<v Speaker 1>I'm I started hanging out in bars down there and

0:45:40.320 --> 0:45:42.839
<v Speaker 1>um with the idea that I was just gonna live

0:45:42.920 --> 0:45:45.680
<v Speaker 1>by the water and write songs. And uh that's how

0:45:45.680 --> 0:45:48.080
<v Speaker 1>I got to start. But my parents, I remember telling

0:45:48.120 --> 0:45:49.640
<v Speaker 1>him I wanted to be a singer songwriter and my

0:45:49.680 --> 0:45:53.520
<v Speaker 1>mom said, can you sing? Uh? You know, it was

0:45:53.600 --> 0:45:57.440
<v Speaker 1>very surprising to them. Um. And she also said, you know,

0:45:57.480 --> 0:46:00.799
<v Speaker 1>I grew up in this planning community and and I said,

0:46:00.960 --> 0:46:03.359
<v Speaker 1>I want to be a country singer. And she said, well,

0:46:04.120 --> 0:46:05.680
<v Speaker 1>you can't be a country singer, like what are you

0:46:05.680 --> 0:46:07.560
<v Speaker 1>gonna sing about? How they ran out of towels at

0:46:07.560 --> 0:46:11.600
<v Speaker 1>the country club and uh, you know, so she told

0:46:11.600 --> 0:46:16.000
<v Speaker 1>me I had to be a folk singer, um sitting

0:46:16.000 --> 0:46:18.880
<v Speaker 1>down and play. But um. Anyway, so they were they

0:46:18.880 --> 0:46:21.279
<v Speaker 1>were supportive, and they're good natured about it. And and

0:46:22.120 --> 0:46:24.480
<v Speaker 1>I think they were probably very skeptical that anything was

0:46:24.480 --> 0:46:27.000
<v Speaker 1>gonna happen, but they gave me room to to find

0:46:27.040 --> 0:46:28.760
<v Speaker 1>out what I wanted to do. And to what degree

0:46:28.800 --> 0:46:32.200
<v Speaker 1>did they financially support you? And while you were down

0:46:32.200 --> 0:46:33.800
<v Speaker 1>there at the beach plane in bars, what are you

0:46:33.880 --> 0:46:39.160
<v Speaker 1>living on? Uh, let's see, financially supporting? Well, the they

0:46:39.400 --> 0:46:43.279
<v Speaker 1>didn't give me money but uh um um, but they

0:46:43.280 --> 0:46:47.040
<v Speaker 1>were there if I needed them, which you know is reassuring.

0:46:47.080 --> 0:46:52.040
<v Speaker 1>And I didn't need them. Um. I was fortunate to

0:46:52.239 --> 0:46:57.320
<v Speaker 1>get by. I lived pretty cheaply and and um uh

0:46:57.400 --> 0:47:01.480
<v Speaker 1>and I had jobs. I was doing landscaping or or uh.

0:47:01.520 --> 0:47:04.279
<v Speaker 1>I was a bartending and waiting tables and it was

0:47:04.320 --> 0:47:07.120
<v Speaker 1>a medical test patients and I man did anything I

0:47:07.160 --> 0:47:11.720
<v Speaker 1>could to scrape together some money and then I would Uh.

0:47:11.960 --> 0:47:14.600
<v Speaker 1>There was a bar used to hang out at uh

0:47:14.680 --> 0:47:20.640
<v Speaker 1>called Bob's Sports Bar and world famous grill, and uh.

0:47:20.719 --> 0:47:22.359
<v Speaker 1>I went up to the owner one day and I said,

0:47:22.760 --> 0:47:27.560
<v Speaker 1>can I set up in the corner and uh play music?

0:47:28.760 --> 0:47:30.759
<v Speaker 1>You don't have to pay me, I just you know,

0:47:30.800 --> 0:47:32.479
<v Speaker 1>I'll put a tip jar out and he said sure.

0:47:32.760 --> 0:47:36.560
<v Speaker 1>So I got a four hour gig and uh that

0:47:36.719 --> 0:47:40.520
<v Speaker 1>started working for me. I started getting other shows up

0:47:40.520 --> 0:47:43.680
<v Speaker 1>and down to this remote beach, planned for two people,

0:47:43.800 --> 0:47:48.000
<v Speaker 1>ten people or whatever, and um um but I started

0:47:48.000 --> 0:47:49.839
<v Speaker 1>making fifty bucks a night, you know, a hundred bucks

0:47:49.840 --> 0:47:53.960
<v Speaker 1>a night, um on a good night. And and back then,

0:47:54.040 --> 0:47:56.640
<v Speaker 1>I mean I didn't have a bank account. It's all cash,

0:47:56.760 --> 0:48:00.719
<v Speaker 1>so you know, I wouldn't paying taxes and and and uh,

0:48:00.800 --> 0:48:02.919
<v Speaker 1>I wasn't making much money, but I didn't have much

0:48:02.960 --> 0:48:06.040
<v Speaker 1>to spend it on. And we're playing covers or originals.

0:48:06.440 --> 0:48:10.360
<v Speaker 1>It was all covers. So that's where my my memory

0:48:10.400 --> 0:48:13.759
<v Speaker 1>of lyrics came in handy because I could whether I

0:48:13.840 --> 0:48:17.640
<v Speaker 1>knew the song or not. Uh, musically, I mean I could.

0:48:17.680 --> 0:48:20.520
<v Speaker 1>I usually figured out with a capeo and my limited

0:48:21.120 --> 0:48:24.080
<v Speaker 1>knowledge of chords. Um, but I could always remember the lyrics.

0:48:24.080 --> 0:48:25.960
<v Speaker 1>And so people would come in and they would request

0:48:26.000 --> 0:48:29.920
<v Speaker 1>Jimmy Buffett or Paul Simon or Steve Miller or John

0:48:29.960 --> 0:48:33.840
<v Speaker 1>Prine or Chris Christopperson or Willie Nelson, whatever it was

0:48:34.000 --> 0:48:36.200
<v Speaker 1>I could. I could usually pull something out that would

0:48:36.239 --> 0:48:38.920
<v Speaker 1>satisfy them. Okay, so what's the next step? How do

0:48:38.960 --> 0:48:41.719
<v Speaker 1>you start writing songs? And how do you move up

0:48:41.719 --> 0:48:45.120
<v Speaker 1>the ladder? So to speak? So I really got lucky

0:48:45.160 --> 0:48:47.560
<v Speaker 1>in I mean I was writing songs through college and

0:48:47.560 --> 0:48:50.440
<v Speaker 1>then and then continue to at the beach, and I

0:48:50.480 --> 0:48:53.200
<v Speaker 1>was waiting tables in Galveston Island, which is uh, you

0:48:53.280 --> 0:48:57.200
<v Speaker 1>take a ferry across the bay to the island. And

0:48:57.200 --> 0:49:03.560
<v Speaker 1>and one night after work, I was ah going out

0:49:03.600 --> 0:49:05.399
<v Speaker 1>with some co workers to a bar and the bar

0:49:05.520 --> 0:49:07.399
<v Speaker 1>was closed, and so I'm walking back to my car

0:49:07.520 --> 0:49:10.640
<v Speaker 1>and I hear music coming down an alley and I

0:49:10.680 --> 0:49:13.719
<v Speaker 1>take a left down this alley with another one of

0:49:13.719 --> 0:49:17.640
<v Speaker 1>those moments that completely changed the course of my life. Um,

0:49:17.680 --> 0:49:21.120
<v Speaker 1>and I followed the music and walk into this bar

0:49:21.600 --> 0:49:27.200
<v Speaker 1>and there's somebody on stage playing guitar and singing. And

0:49:27.400 --> 0:49:30.240
<v Speaker 1>there's a shrine to Towns van Zant on one wall

0:49:30.360 --> 0:49:35.120
<v Speaker 1>and another shrine to Lightning Hopkins on another wall. And

0:49:35.280 --> 0:49:38.239
<v Speaker 1>it's a place called the Old Quarter Acoustic Cafe. And

0:49:38.560 --> 0:49:41.239
<v Speaker 1>the original Old Quarter was in Houston and it was

0:49:41.239 --> 0:49:46.640
<v Speaker 1>a bar um that Town's VanZant recorded an iconic live

0:49:46.719 --> 0:49:52.440
<v Speaker 1>record at. And this offshoot was owned by his former

0:49:52.440 --> 0:49:57.319
<v Speaker 1>bass player again named Rex Bell. And uh, it was

0:49:57.360 --> 0:50:00.400
<v Speaker 1>an open mic night. So I asked the rec like,

0:50:00.760 --> 0:50:02.439
<v Speaker 1>can you can I get up there? And he said sure.

0:50:03.200 --> 0:50:05.560
<v Speaker 1>So when out grabbed my car, my to my car

0:50:05.680 --> 0:50:08.480
<v Speaker 1>and got my guitar, came back in and got on stage,

0:50:08.960 --> 0:50:12.080
<v Speaker 1>played a loud love It song and that became my

0:50:12.160 --> 0:50:15.080
<v Speaker 1>second home. UM. I started at tending bar there, hanging

0:50:15.120 --> 0:50:20.600
<v Speaker 1>out doing open mics and um and so I've been

0:50:20.600 --> 0:50:23.880
<v Speaker 1>playing covers six nights a week down on the Peninsula,

0:50:24.600 --> 0:50:26.480
<v Speaker 1>but this was a place where I could play my

0:50:26.520 --> 0:50:31.640
<v Speaker 1>own songs and and Rex started letting me open for people. UM.

0:50:31.680 --> 0:50:34.040
<v Speaker 1>And there was a touring circuit, which I didn't know

0:50:34.360 --> 0:50:39.160
<v Speaker 1>was a thing, and all these singer songwriters, uh Willis,

0:50:39.160 --> 0:50:43.319
<v Speaker 1>Allen Ramsey and Steve Fromholtz and Shake Russell and Dana

0:50:43.360 --> 0:50:46.080
<v Speaker 1>Cooper and sisters Morales and Ray Wiley Hubbard and all

0:50:46.080 --> 0:50:48.560
<v Speaker 1>these folks will come through and they had careers like

0:50:48.600 --> 0:50:51.240
<v Speaker 1>they did this for a living, but playing their own music,

0:50:51.640 --> 0:50:54.160
<v Speaker 1>and people would buy ticket stuff to see it, which

0:50:54.200 --> 0:50:58.520
<v Speaker 1>was just uh incredible to me. And I started to

0:50:58.520 --> 0:51:01.640
<v Speaker 1>get into open for the open for these people. UM

0:51:01.760 --> 0:51:04.239
<v Speaker 1>and a few of them started taking me on the

0:51:04.320 --> 0:51:08.120
<v Speaker 1>road two open shows in Houston or San Antonio or

0:51:08.200 --> 0:51:11.800
<v Speaker 1>Dallas or Austin. And so that's when things really started

0:51:11.880 --> 0:51:16.480
<v Speaker 1>kicking into gear. Was was other musicians kind of showing

0:51:16.520 --> 0:51:18.600
<v Speaker 1>me the ropes and taking me out, get me started.

0:51:18.680 --> 0:51:20.359
<v Speaker 1>And how do you end up making a record. Well,

0:51:20.400 --> 0:51:22.600
<v Speaker 1>one of those musicians was Lisa Morales. She had a

0:51:22.600 --> 0:51:26.600
<v Speaker 1>band called Sisters Morales, and UH, I had some songs

0:51:26.600 --> 0:51:31.759
<v Speaker 1>together and and I was going to just make a

0:51:31.760 --> 0:51:33.359
<v Speaker 1>a record. I had no idea how I was going

0:51:33.400 --> 0:51:35.480
<v Speaker 1>to do in somebody's garage probably and it would have

0:51:35.480 --> 0:51:38.240
<v Speaker 1>been a disaster and I probably wouldn't be here today. UM.

0:51:38.280 --> 0:51:41.400
<v Speaker 1>But Lisa stepped in and offered to produce the record,

0:51:41.800 --> 0:51:44.760
<v Speaker 1>and I said yes, And so we went to Willie

0:51:44.760 --> 0:51:49.680
<v Speaker 1>Nelson's studio and put Analysis, Texas, and she got a

0:51:49.719 --> 0:51:53.640
<v Speaker 1>great crew of players and we made a made a record,

0:51:54.520 --> 0:51:57.920
<v Speaker 1>and UM, I sent it to a guy named Brad

0:51:57.960 --> 0:52:03.480
<v Speaker 1>Turcott who had a upstart label called UH Compadre Records,

0:52:03.840 --> 0:52:05.799
<v Speaker 1>and he didn't he had done a couple of compilations,

0:52:05.800 --> 0:52:11.600
<v Speaker 1>but he didn't have any actual acts artists, and UM

0:52:11.719 --> 0:52:13.920
<v Speaker 1>I sent it to him and he he signed me

0:52:13.960 --> 0:52:18.400
<v Speaker 1>to a licensing deal. So UM, another really good stroke

0:52:18.440 --> 0:52:20.239
<v Speaker 1>of luck, because I had no idea how to get

0:52:20.239 --> 0:52:22.080
<v Speaker 1>a record out there, and so all of a sudden,

0:52:22.080 --> 0:52:24.640
<v Speaker 1>now I had a record that was professionally produced, and

0:52:24.680 --> 0:52:27.319
<v Speaker 1>I had a record label UM that didn't have any

0:52:27.320 --> 0:52:30.319
<v Speaker 1>other artists but UM, and the guy was younger than

0:52:30.320 --> 0:52:32.040
<v Speaker 1>Brad was probably younger than I was. I think he

0:52:32.080 --> 0:52:33.520
<v Speaker 1>was twenty three and he was in law school and

0:52:33.560 --> 0:52:38.640
<v Speaker 1>running a record label. Um but uh, but he did

0:52:38.680 --> 0:52:40.759
<v Speaker 1>a great job of it, and and it showed me

0:52:41.320 --> 0:52:45.200
<v Speaker 1>here's what a publicist is, here's uh, here's your first tour.

0:52:45.280 --> 0:52:48.719
<v Speaker 1>He got me an agent and and um uh, here's

0:52:48.719 --> 0:52:50.680
<v Speaker 1>a radio promoter and all these things that I had

0:52:50.719 --> 0:52:52.920
<v Speaker 1>no idea about any of this. I was just you know,

0:52:53.000 --> 0:52:56.400
<v Speaker 1>a cover singer in a bar and then but you

0:52:56.440 --> 0:52:59.640
<v Speaker 1>know who was writing songs on the side. So, um,

0:52:59.680 --> 0:53:03.080
<v Speaker 1>this really opened up my world. Okay, so you paid

0:53:03.080 --> 0:53:05.319
<v Speaker 1>for all that yourself or he paid. I paid for

0:53:05.360 --> 0:53:07.960
<v Speaker 1>the record. I took out a loan, a line of credit.

0:53:08.880 --> 0:53:11.440
<v Speaker 1>So I made the record and then I licensed it

0:53:11.440 --> 0:53:13.480
<v Speaker 1>to him, and then he paid for everything after that.

0:53:13.719 --> 0:53:16.120
<v Speaker 1>So we had a seven year licensing deal and which

0:53:16.160 --> 0:53:19.520
<v Speaker 1>was also he paid for the publicity, etcetera. Yeah. Yeah,

0:53:19.680 --> 0:53:22.200
<v Speaker 1>So what was the ultimate reception of that record? We

0:53:22.239 --> 0:53:25.600
<v Speaker 1>sold fifty six copies the first week. I still remember

0:53:25.640 --> 0:53:31.040
<v Speaker 1>that number. Um, and uh, you know, it didn't do

0:53:31.080 --> 0:53:34.640
<v Speaker 1>a ton, but it got me all those elements. The

0:53:34.719 --> 0:53:37.560
<v Speaker 1>radio and the publicity, got me on the radar a

0:53:37.600 --> 0:53:41.920
<v Speaker 1>little bit, got me out of state touring UM and

0:53:42.200 --> 0:53:43.880
<v Speaker 1>helped me start to build up a little bit of

0:53:43.920 --> 0:53:48.680
<v Speaker 1>an audience around Texas. UM. UM, there were certain clubs

0:53:48.680 --> 0:53:50.400
<v Speaker 1>where I could go and make money now doing my

0:53:50.440 --> 0:53:54.120
<v Speaker 1>own songs, which before that had not been a reality.

0:53:54.280 --> 0:53:56.560
<v Speaker 1>So what's the next step with the next album. Well,

0:53:56.600 --> 0:54:00.160
<v Speaker 1>I met Mike Crowley, who I told you about UM

0:54:00.360 --> 0:54:03.239
<v Speaker 1>and be my first manager. I Well, I went and

0:54:03.320 --> 0:54:05.400
<v Speaker 1>made a second record, paid for the second record on

0:54:05.440 --> 0:54:10.560
<v Speaker 1>my own as well, UM, and took it to Brad

0:54:10.600 --> 0:54:13.759
<v Speaker 1>and asked if you wanted to to put it out

0:54:13.760 --> 0:54:16.600
<v Speaker 1>and he passed. And so I was a free agent

0:54:16.680 --> 0:54:19.080
<v Speaker 1>and I was looking around it at different labels that

0:54:19.160 --> 0:54:21.600
<v Speaker 1>there were a couple of labels who were offering me deals.

0:54:21.640 --> 0:54:24.000
<v Speaker 1>But I grew up reading all the books about how

0:54:24.080 --> 0:54:27.040
<v Speaker 1>musicians get screwed and how you can sell a million

0:54:27.080 --> 0:54:30.839
<v Speaker 1>records and end up owing your label money and all

0:54:30.880 --> 0:54:35.000
<v Speaker 1>these kind of things. Uh. And I always was determined,

0:54:35.120 --> 0:54:37.120
<v Speaker 1>like I never thought I would actually have a shot.

0:54:37.160 --> 0:54:38.760
<v Speaker 1>But I told myself, if I do have a shot,

0:54:39.560 --> 0:54:44.480
<v Speaker 1>I'm gonna sink or swim on my own. Like I

0:54:44.520 --> 0:54:48.000
<v Speaker 1>didn't want to be dependent on somebody else too too,

0:54:48.560 --> 0:54:50.360
<v Speaker 1>or let them have control of my career or be

0:54:50.400 --> 0:54:52.520
<v Speaker 1>able to sink my career. If I wasn't gonna succeed,

0:54:52.560 --> 0:54:54.399
<v Speaker 1>it was gonna because I wasn't very good, or because

0:54:54.440 --> 0:54:57.200
<v Speaker 1>I didn't work hard enough, not because somebody else put

0:54:57.200 --> 0:54:59.600
<v Speaker 1>me on the shelf or didn't promote in the way

0:54:59.600 --> 0:55:03.560
<v Speaker 1>that you know need to be done. So I met

0:55:03.640 --> 0:55:05.800
<v Speaker 1>up with Mike Crowley and we formed our own label,

0:55:06.120 --> 0:55:08.439
<v Speaker 1>and I put out my second records called Little Rock,

0:55:09.520 --> 0:55:13.680
<v Speaker 1>and it got on the radio. There's a radio station

0:55:13.719 --> 0:55:16.040
<v Speaker 1>in Dallas called h y I, and one of the

0:55:16.080 --> 0:55:19.880
<v Speaker 1>songs on there became kind of a hit, uh for

0:55:19.960 --> 0:55:24.239
<v Speaker 1>you know, a regional hit, and overnight my crowds went

0:55:24.280 --> 0:55:28.800
<v Speaker 1>from twenty people too. And it was the power of

0:55:28.840 --> 0:55:34.399
<v Speaker 1>the radio. H was in full effect. And we ended

0:55:34.440 --> 0:55:40.160
<v Speaker 1>up selling copies of that record, um, which for you know,

0:55:40.360 --> 0:55:46.640
<v Speaker 1>independent artists run as the label was, was a success. Okay,

0:55:46.640 --> 0:55:48.200
<v Speaker 1>how did it get on the radio if you were

0:55:48.200 --> 0:55:51.160
<v Speaker 1>an independent artist? Oh? We hired a radio promoter, same deal,

0:55:51.280 --> 0:55:54.560
<v Speaker 1>just kind of Americana radio promoter. And okay, so this

0:55:54.600 --> 0:55:58.040
<v Speaker 1>record forts quite a lot as an independent. Then how

0:55:58.040 --> 0:56:00.239
<v Speaker 1>do you make a deal with Lost Highway? A woman

0:56:00.280 --> 0:56:03.640
<v Speaker 1>named Kim Boie did an r for Lost Highway, and

0:56:03.760 --> 0:56:05.880
<v Speaker 1>she she came out to his show. I don't remember

0:56:06.320 --> 0:56:09.720
<v Speaker 1>where when, but I think it was in Nashville, and

0:56:09.719 --> 0:56:11.960
<v Speaker 1>and we met and and at some point she just

0:56:12.000 --> 0:56:15.440
<v Speaker 1>reached out and said that they were interested in and

0:56:15.520 --> 0:56:22.640
<v Speaker 1>signing me. And I remember looking at the roster and

0:56:23.120 --> 0:56:29.680
<v Speaker 1>seeing Willie Nelson and uh Elvis Costello and Ryan Adams

0:56:29.680 --> 0:56:33.600
<v Speaker 1>and Lucinda Williams and Van Morrison. It was this fantastic

0:56:34.800 --> 0:56:40.600
<v Speaker 1>roster um and a part of me thought, this is

0:56:40.600 --> 0:56:42.719
<v Speaker 1>a no brainer. But then there was the other part

0:56:42.719 --> 0:56:46.000
<v Speaker 1>of me that had just created a successful record label,

0:56:46.000 --> 0:56:49.080
<v Speaker 1>I mean, you know, relatively successful record label. And I

0:56:49.120 --> 0:56:53.560
<v Speaker 1>always remember this quote from John Prine. He's he said

0:56:53.600 --> 0:56:58.000
<v Speaker 1>with when he started Old Boy Records. He said, I

0:56:58.080 --> 0:57:00.480
<v Speaker 1>sell a third of the records that I used to sell,

0:57:00.640 --> 0:57:04.080
<v Speaker 1>and I make three times the money. And that always

0:57:04.120 --> 0:57:08.279
<v Speaker 1>stuck with me. And I was hesitant to let go

0:57:08.360 --> 0:57:10.600
<v Speaker 1>of this thing and be with somebody else. But the

0:57:10.719 --> 0:57:14.360
<v Speaker 1>roster was incredible, and the people that worked for the company,

0:57:15.200 --> 0:57:17.880
<v Speaker 1>we're all incredible, and so I just took a leap

0:57:17.920 --> 0:57:20.400
<v Speaker 1>of faith and and I thought this, this is I think,

0:57:20.400 --> 0:57:23.200
<v Speaker 1>a really great opportunity, and they'll either drop me after

0:57:23.240 --> 0:57:25.280
<v Speaker 1>a couple of records and hopefully my career will be

0:57:25.320 --> 0:57:27.120
<v Speaker 1>bigger and I can go back to doing on my own,

0:57:28.040 --> 0:57:31.320
<v Speaker 1>or it will be a success and everybody will be happy,

0:57:32.520 --> 0:57:35.960
<v Speaker 1>kind of a mix of both. Actually, uh Um. I

0:57:36.040 --> 0:57:38.960
<v Speaker 1>put out my the first record with him is called

0:57:39.000 --> 0:57:44.200
<v Speaker 1>Trouble in Mind and its I don't know what the

0:57:44.240 --> 0:57:46.360
<v Speaker 1>numbers are now, it's probably it's over a hundred thousand

0:57:46.640 --> 0:57:51.240
<v Speaker 1>copies and that's my most successful record, um to date,

0:57:51.320 --> 0:57:54.280
<v Speaker 1>and and uh it did pretty well. And then I

0:57:54.320 --> 0:57:56.920
<v Speaker 1>put out a second one called Came a Yo Yo,

0:57:57.040 --> 0:58:00.720
<v Speaker 1>and it probably did eighty or ninety um and it

0:58:00.800 --> 0:58:03.760
<v Speaker 1>was fine. I've I've I've since recouped, which my wife

0:58:03.760 --> 0:58:07.360
<v Speaker 1>tells me is unusual to recoup from a major label.

0:58:07.880 --> 0:58:12.560
<v Speaker 1>Um uh. But the things started slowing down there and

0:58:12.600 --> 0:58:16.320
<v Speaker 1>I uh uh, they weren't signing new acts, and I

0:58:16.320 --> 0:58:21.920
<v Speaker 1>think Luke Lewis was um Um, who had been really supportive,

0:58:22.680 --> 0:58:26.960
<v Speaker 1>was was moving on and and so they had the

0:58:27.040 --> 0:58:29.360
<v Speaker 1>rights to another record. But he told me it's like,

0:58:29.680 --> 0:58:31.080
<v Speaker 1>if you want to get out of here, you can,

0:58:31.320 --> 0:58:35.360
<v Speaker 1>and and uh you probably it might be a good

0:58:35.360 --> 0:58:39.760
<v Speaker 1>idea because uh, it just seemed like things weren't going

0:58:39.840 --> 0:58:42.760
<v Speaker 1>to be there very long. So uh so I jumped

0:58:42.760 --> 0:58:45.560
<v Speaker 1>out and that was the end of it. But it

0:58:45.600 --> 0:58:49.360
<v Speaker 1>was a really really positive experience. They never asked me

0:58:49.440 --> 0:58:51.040
<v Speaker 1>do anything I didn't want to do, and they were

0:58:51.440 --> 0:58:54.360
<v Speaker 1>They spent a bunch of money promoting my stuff and

0:58:54.360 --> 0:58:57.320
<v Speaker 1>and and raised my visibility to a point that it

0:58:57.560 --> 0:58:59.880
<v Speaker 1>would not have gotten to without him. Okay, you meeting

0:59:00.000 --> 0:59:03.080
<v Speaker 1>of the record independently, and then you made another one.

0:59:03.160 --> 0:59:05.800
<v Speaker 1>The last one was for Dual Tone. How did you

0:59:05.880 --> 0:59:08.560
<v Speaker 1>decide to go with the company again? Well, I did,

0:59:08.680 --> 0:59:11.600
<v Speaker 1>Uh yeah, I did a record with thirty Tigers UM

0:59:12.280 --> 0:59:17.880
<v Speaker 1>called Lovers and Levers, and then UM Mike and I

0:59:18.320 --> 0:59:22.320
<v Speaker 1>parted ways and I worked with another manager named Griff Morris,

0:59:23.120 --> 0:59:27.320
<v Speaker 1>and uh, my career was kind of it had taken

0:59:27.360 --> 0:59:31.240
<v Speaker 1>a dip. You know, It's been five years in between records,

0:59:32.040 --> 0:59:36.160
<v Speaker 1>and I wasn't touring as much, and my the that

0:59:36.240 --> 0:59:40.000
<v Speaker 1>Lovers and Levers record was a pretty somber affair. I

0:59:40.080 --> 0:59:42.080
<v Speaker 1>love it. I made it with Joe Henry and I'm

0:59:42.080 --> 0:59:44.360
<v Speaker 1>really proud of that record, but it was very different

0:59:44.360 --> 0:59:45.800
<v Speaker 1>than what I put up before. And I think a

0:59:45.800 --> 0:59:49.240
<v Speaker 1>lot of my fans between the laps or between the

0:59:49.280 --> 0:59:55.400
<v Speaker 1>time that had had had happened between records and the

0:59:56.760 --> 0:59:59.960
<v Speaker 1>tone of that record, A lot of people who had

1:00:00.120 --> 1:00:04.120
<v Speaker 1>come out to drink and shout and dance and fight

1:00:04.200 --> 1:00:08.360
<v Speaker 1>and make out and holler and sing along, it wasn't

1:00:08.400 --> 1:00:10.320
<v Speaker 1>really the thing for them, and so I lost a

1:00:10.360 --> 1:00:14.480
<v Speaker 1>lot of fans. And uh so I think, uh, the

1:00:14.520 --> 1:00:17.760
<v Speaker 1>idea of when I was working with Griff was, we

1:00:17.800 --> 1:00:20.480
<v Speaker 1>need we need some energy here, we need to kick

1:00:20.520 --> 1:00:24.200
<v Speaker 1>start things again, and so trying to build up a

1:00:24.200 --> 1:00:28.040
<v Speaker 1>team with a good record, label, publisher, things like that

1:00:28.320 --> 1:00:31.880
<v Speaker 1>became the priority. And and so we met with dualtone

1:00:31.880 --> 1:00:33.680
<v Speaker 1>and I really liked what they had to say and

1:00:34.080 --> 1:00:36.840
<v Speaker 1>ended up working together. Okay, so at this late date,

1:00:36.920 --> 1:00:41.600
<v Speaker 1>you've been in the game twenty years, do you feel

1:00:42.200 --> 1:00:45.760
<v Speaker 1>you're inside or outside? I mean, the business is completely

1:00:45.880 --> 1:00:50.040
<v Speaker 1>change starting the turn of the century, and you know

1:00:50.160 --> 1:00:54.520
<v Speaker 1>there are these acts that you know, dominate Spotify, and

1:00:54.560 --> 1:00:56.520
<v Speaker 1>then there are all these acts that either used to

1:00:56.600 --> 1:01:00.360
<v Speaker 1>have success or independent from the start. Who were about me?

1:01:00.720 --> 1:01:03.240
<v Speaker 1>Is there a scene or you just one guy who's

1:01:03.280 --> 1:01:05.880
<v Speaker 1>grinding it out? Is there a scene? You know? Early

1:01:05.920 --> 1:01:10.280
<v Speaker 1>on it was it was there was a scene in Texas. Uh,

1:01:10.960 --> 1:01:15.960
<v Speaker 1>just an incredible audience down there that just music is

1:01:16.320 --> 1:01:18.720
<v Speaker 1>part of the culture and life in a way like

1:01:18.840 --> 1:01:23.840
<v Speaker 1>unlike I've seen anywhere else. Um And so that that

1:01:23.920 --> 1:01:26.560
<v Speaker 1>was a big boost for me. And then the Americana

1:01:27.120 --> 1:01:29.520
<v Speaker 1>scene really if if there, I mean, I don't even

1:01:29.520 --> 1:01:32.320
<v Speaker 1>know what the scene is, but the UM I met

1:01:32.360 --> 1:01:34.720
<v Speaker 1>a lot of kind of like minded artists and and

1:01:35.320 --> 1:01:39.760
<v Speaker 1>everything from Canadian songwriters like fred Eagle Smith or Cory

1:01:39.800 --> 1:01:45.320
<v Speaker 1>Blonde to um uh you know folks in the States

1:01:45.720 --> 1:01:48.960
<v Speaker 1>Shovels and Rope or Jason Nesbo or um. You know,

1:01:48.960 --> 1:01:52.040
<v Speaker 1>there were there were there were people that I toured

1:01:52.080 --> 1:01:55.840
<v Speaker 1>with and all ninety seven's and just different bands that

1:01:55.840 --> 1:02:00.840
<v Speaker 1>that uh I connected with and and um I felt

1:02:00.840 --> 1:02:02.280
<v Speaker 1>it was similar to what I was trying to do.

1:02:02.400 --> 1:02:06.520
<v Speaker 1>They were songwriters who had a roots sensibility of country

1:02:06.520 --> 1:02:08.560
<v Speaker 1>and rock, and so that all kind of fell into

1:02:08.560 --> 1:02:10.960
<v Speaker 1>the umbrella of Americana. I guess, well, what would you

1:02:11.000 --> 1:02:13.880
<v Speaker 1>say the state of Americana is today, because certainly it

1:02:13.920 --> 1:02:15.440
<v Speaker 1>was a new thing, you know, at the turn of

1:02:15.440 --> 1:02:18.520
<v Speaker 1>the century, and everybody's talking about it and now everyone

1:02:18.560 --> 1:02:21.440
<v Speaker 1>thinks it's is genre. But other than Jason is Bill,

1:02:21.520 --> 1:02:23.640
<v Speaker 1>you don't hear that much about the act and I'm

1:02:23.680 --> 1:02:26.440
<v Speaker 1>not talking that's not happening, but it doesn't float to

1:02:26.480 --> 1:02:31.040
<v Speaker 1>the general as we say mainstream media. Yeah, I think

1:02:31.080 --> 1:02:32.600
<v Speaker 1>the state is pretty good. I mean, first of all,

1:02:32.600 --> 1:02:35.360
<v Speaker 1>I have no idea, like, no one has ever come

1:02:35.440 --> 1:02:38.520
<v Speaker 1>up with a definition of Americana that I can remember

1:02:38.600 --> 1:02:42.120
<v Speaker 1>or feel like, you know, it makes any sense. So

1:02:42.200 --> 1:02:47.480
<v Speaker 1>it's a pretty catch all thing. But you know, lately

1:02:47.600 --> 1:02:54.160
<v Speaker 1>I feel like whether it's Jason or the Turnpike, Troubadours

1:02:54.320 --> 1:03:02.320
<v Speaker 1>or um Sturgill Simpson or um, I don't know, there's

1:03:02.400 --> 1:03:06.160
<v Speaker 1>there's a long list of folks that are m Yeah,

1:03:06.360 --> 1:03:08.840
<v Speaker 1>I don't know if they would label themselves as any

1:03:08.840 --> 1:03:12.200
<v Speaker 1>of these things. But American or or the the the

1:03:12.400 --> 1:03:18.360
<v Speaker 1>off the beaten path, non mainstream music world certainly embraced

1:03:18.360 --> 1:03:20.880
<v Speaker 1>them and call them their own. And and those people

1:03:20.920 --> 1:03:24.920
<v Speaker 1>are doing big business and and it may not be

1:03:25.000 --> 1:03:29.480
<v Speaker 1>something that uh, I mean, I guess all relative, but um,

1:03:29.520 --> 1:03:36.280
<v Speaker 1>you know, people are playing arenas and and and um,

1:03:36.520 --> 1:03:39.200
<v Speaker 1>selling out stuff left and right, and and uh it

1:03:39.280 --> 1:03:43.640
<v Speaker 1>may not be mains like totally mainstream popular culture, but

1:03:43.920 --> 1:03:47.280
<v Speaker 1>there is absolutely an audience out there, uh, in the

1:03:47.360 --> 1:03:50.920
<v Speaker 1>tens of thousands or hundreds of thousands for or millions

1:03:50.960 --> 1:03:53.360
<v Speaker 1>for some of these folks, and and uh and yeah,

1:03:53.680 --> 1:03:56.120
<v Speaker 1>Brandy Carlisle would be one of those people. And again

1:03:56.160 --> 1:03:58.400
<v Speaker 1>like where I don't want to label people that they

1:03:58.440 --> 1:04:01.280
<v Speaker 1>may not want to be labeled with that, but but

1:04:01.360 --> 1:04:05.600
<v Speaker 1>these are like non traditional A lot of these people

1:04:05.640 --> 1:04:07.360
<v Speaker 1>are doing this without major labels. A lot of them

1:04:07.360 --> 1:04:14.280
<v Speaker 1>are doing it um independently and and uh just completely

1:04:14.280 --> 1:04:25.800
<v Speaker 1>in their own style. So we are you in that hierarchy?

1:04:26.040 --> 1:04:28.160
<v Speaker 1>And what do you want? I mean back in the

1:04:28.200 --> 1:04:32.000
<v Speaker 1>major label era, there are all these songwriters like you mentioned,

1:04:32.040 --> 1:04:36.760
<v Speaker 1>you know Towns, Vian Sand and other people, uh who

1:04:36.800 --> 1:04:39.880
<v Speaker 1>had were icons in Texas, but once you got outside

1:04:39.880 --> 1:04:42.000
<v Speaker 1>the borders of Texas, you have to be paying attention

1:04:42.040 --> 1:04:45.280
<v Speaker 1>to know who they are. Are you someone and says

1:04:45.280 --> 1:04:47.680
<v Speaker 1>well this is what I do or I want more?

1:04:48.480 --> 1:04:52.320
<v Speaker 1>Or are you somewhat depressed because you feel like you

1:04:52.440 --> 1:04:54.720
<v Speaker 1>missed the target? Where are you at on your career

1:04:54.800 --> 1:04:59.120
<v Speaker 1>right now? Yeah, it's trying to figure that out. Um.

1:05:00.080 --> 1:05:02.400
<v Speaker 1>I'm kind of at a point where I'm trying to

1:05:02.520 --> 1:05:05.200
<v Speaker 1>do the work the best I can and and sort

1:05:05.200 --> 1:05:08.120
<v Speaker 1>of accept where the chips fall. And that doesn't mean

1:05:08.160 --> 1:05:15.000
<v Speaker 1>I'm not working hard. Um Uh, my goal is to

1:05:15.000 --> 1:05:17.400
<v Speaker 1>to take care of my family and to do work

1:05:17.440 --> 1:05:22.800
<v Speaker 1>that I'm proud of. Um, I can't worry too much

1:05:22.800 --> 1:05:25.120
<v Speaker 1>about the numbers or where my careers are comparing its

1:05:25.120 --> 1:05:28.440
<v Speaker 1>somebody else's career. It's that's uh, that is not a

1:05:28.480 --> 1:05:31.120
<v Speaker 1>good head space for me, and it's not what makes

1:05:31.120 --> 1:05:34.120
<v Speaker 1>me happy. I finally realized, like if if I sold

1:05:34.160 --> 1:05:39.960
<v Speaker 1>another uh, you know, twenty thousand tickets this year on

1:05:40.000 --> 1:05:43.919
<v Speaker 1>the road, uh, you know, there would there would be

1:05:44.320 --> 1:05:45.960
<v Speaker 1>it would be great to be able to afford the

1:05:46.000 --> 1:05:48.959
<v Speaker 1>buses or or or you know, travel a little better,

1:05:49.120 --> 1:05:53.640
<v Speaker 1>but the overhead goes up and and like with each stage, UM,

1:05:53.680 --> 1:05:56.600
<v Speaker 1>I guess what I'm realizing is there's no finish line.

1:05:56.600 --> 1:05:59.720
<v Speaker 1>There's no oh now now everything is good and they're

1:05:59.760 --> 1:06:02.320
<v Speaker 1>never will be. You know. Garth Brooks is you know,

1:06:02.640 --> 1:06:05.640
<v Speaker 1>he's he's sold more records than Elvis, and he's still

1:06:05.640 --> 1:06:09.600
<v Speaker 1>trying to figure out, uh like at a certain point,

1:06:09.680 --> 1:06:12.120
<v Speaker 1>who who can you compete with? And and so I

1:06:13.560 --> 1:06:18.880
<v Speaker 1>just it sounds try it, I guess, but I'm really

1:06:18.920 --> 1:06:21.480
<v Speaker 1>interested in doing work that will last, and work that

1:06:21.520 --> 1:06:25.880
<v Speaker 1>I can be proud of. And um, and I have

1:06:26.080 --> 1:06:29.320
<v Speaker 1>faith and again come out of the pandemic. It's something

1:06:29.360 --> 1:06:31.600
<v Speaker 1>that I know there's an audience out there. It may

1:06:31.600 --> 1:06:33.680
<v Speaker 1>not be as big as I once had hoped it

1:06:33.720 --> 1:06:37.640
<v Speaker 1>would be, but I also realized I don't need it

1:06:37.680 --> 1:06:40.640
<v Speaker 1>to be um hard. I'm a singer songwriter. I don't

1:06:40.640 --> 1:06:42.280
<v Speaker 1>need to be rocking in front of ten thousand people.

1:06:42.320 --> 1:06:46.040
<v Speaker 1>I'm actually quite uncomfortable doing that. UM. I like to

1:06:46.080 --> 1:06:52.120
<v Speaker 1>be able to to connect with my audience and and UM,

1:06:53.400 --> 1:06:58.200
<v Speaker 1>for me, that's a more intimate way. So I mean,

1:06:58.200 --> 1:07:01.200
<v Speaker 1>I can still tear about hoky talk and and rock out,

1:07:01.320 --> 1:07:05.400
<v Speaker 1>but uh um, at the end of the day of

1:07:05.480 --> 1:07:07.480
<v Speaker 1>what I think I do best is write songs and

1:07:07.560 --> 1:07:10.640
<v Speaker 1>connect to people in a in au from the stage

1:07:10.640 --> 1:07:13.840
<v Speaker 1>in an intimate way. Okay, let's use the classic example

1:07:13.920 --> 1:07:18.080
<v Speaker 1>Bruce Springsteen. He's been around for a while, different era. Okay,

1:07:18.480 --> 1:07:22.200
<v Speaker 1>delivers a record and the manager says not done. He

1:07:22.280 --> 1:07:25.080
<v Speaker 1>goes right dancing in the dark. Now, that album Born

1:07:25.080 --> 1:07:27.880
<v Speaker 1>in the USA was more upbeat, certainly Nebraska that came

1:07:27.920 --> 1:07:30.160
<v Speaker 1>before it, but some of the other work. But you know,

1:07:30.200 --> 1:07:33.720
<v Speaker 1>across the catalog he had, he had uppers and downers.

1:07:34.120 --> 1:07:36.680
<v Speaker 1>You ever sit there and say, I've been doing this

1:07:36.760 --> 1:07:39.560
<v Speaker 1>a long time. I know what the market is. Let

1:07:39.600 --> 1:07:42.920
<v Speaker 1>me write something that I believe will resonate with the market. Yeah,

1:07:42.960 --> 1:07:46.480
<v Speaker 1>I don't know how to do that. Just let's go

1:07:46.560 --> 1:07:48.959
<v Speaker 1>back in chapter. How do you do it? In terms

1:07:48.960 --> 1:07:54.680
<v Speaker 1>of songwriting? Well, I used to just be observation and inspiration.

1:07:55.520 --> 1:08:00.480
<v Speaker 1>And you know, I thought I mentioned Carolac and Dylan.

1:08:01.520 --> 1:08:03.480
<v Speaker 1>You know, I thought the key to me a songwriters

1:08:03.480 --> 1:08:05.440
<v Speaker 1>you just take a bunch of pills and drink heavily

1:08:05.520 --> 1:08:08.360
<v Speaker 1>and and live a wildlife and and every once in

1:08:08.360 --> 1:08:10.439
<v Speaker 1>a while lightning strikes and you just write it down

1:08:10.560 --> 1:08:14.040
<v Speaker 1>and and you're just in a channel for it. And

1:08:14.040 --> 1:08:15.960
<v Speaker 1>then that's it. And you either have that ability or

1:08:16.000 --> 1:08:22.879
<v Speaker 1>you don't. And um, I mean they're there's there's something

1:08:22.920 --> 1:08:27.639
<v Speaker 1>to that, but uh, it's not sustainable. It's not a craft.

1:08:28.560 --> 1:08:31.800
<v Speaker 1>And um So for years I sort of did did

1:08:31.840 --> 1:08:36.639
<v Speaker 1>things that way, um, and then it sort of dried

1:08:36.760 --> 1:08:39.280
<v Speaker 1>up and I didn't know what I was doing. I

1:08:39.280 --> 1:08:41.439
<v Speaker 1>didn't know what I was writing about. I didn't know myself.

1:08:42.280 --> 1:08:45.519
<v Speaker 1>And so these days I'm much more interested in the

1:08:45.520 --> 1:08:48.639
<v Speaker 1>craft of it and annoying myself and working through something.

1:08:48.760 --> 1:08:53.240
<v Speaker 1>And um, I'll tell you a quick ancdote if I can't. Uh, well,

1:08:53.320 --> 1:08:55.360
<v Speaker 1>nothing to do is quick, but I'll try to make

1:08:55.400 --> 1:08:58.880
<v Speaker 1>it so. Um. There's a There was a legendary songwriter

1:08:59.000 --> 1:09:02.920
<v Speaker 1>named Guy Clark, who, when I was twenty four, let

1:09:03.000 --> 1:09:04.439
<v Speaker 1>me come over to his house and write a song

1:09:04.479 --> 1:09:07.479
<v Speaker 1>with him. And this is to me. It was an

1:09:07.640 --> 1:09:10.120
<v Speaker 1>icon and somebody I really looked up to. And he

1:09:10.200 --> 1:09:12.439
<v Speaker 1>was very deliberate. He had a basement downstairs where he

1:09:12.439 --> 1:09:15.240
<v Speaker 1>built guitars, and he wrote these songs on graph paper

1:09:15.640 --> 1:09:18.360
<v Speaker 1>and every letter, every square had a letter in it

1:09:18.600 --> 1:09:23.679
<v Speaker 1>for the song. And we worked on something and got

1:09:23.720 --> 1:09:26.360
<v Speaker 1>it started, and I went home and finished it up,

1:09:26.360 --> 1:09:28.439
<v Speaker 1>and I sent him a tape or something with it,

1:09:28.880 --> 1:09:30.840
<v Speaker 1>and he called me up and said, you need to

1:09:30.880 --> 1:09:34.599
<v Speaker 1>change this to that and this here that there these

1:09:34.720 --> 1:09:40.760
<v Speaker 1>very minute details, and I remember thinking, uh, this is unnecessary,

1:09:40.840 --> 1:09:45.800
<v Speaker 1>this is not this, it doesn't matter, um, And it

1:09:45.880 --> 1:09:47.439
<v Speaker 1>was not at all the way that I wrote. I

1:09:47.479 --> 1:09:51.760
<v Speaker 1>did not revise and edit and draft and spend time

1:09:51.760 --> 1:09:53.679
<v Speaker 1>with it. I tried to catch lightning in a bottle

1:09:53.720 --> 1:09:55.280
<v Speaker 1>and if it didn't work, there was nothing there, and

1:09:55.280 --> 1:09:57.880
<v Speaker 1>if it did, that's what it was. Now. I look

1:09:57.920 --> 1:10:01.280
<v Speaker 1>back at that guy, and it's really trying to beat

1:10:01.320 --> 1:10:06.160
<v Speaker 1>myself up. But I'm embarrassed by that, um, because now

1:10:06.200 --> 1:10:09.760
<v Speaker 1>I am I'm not saying I'm a guy Clark's level

1:10:09.800 --> 1:10:13.080
<v Speaker 1>as a writer, but that is much more high. Right now.

1:10:13.160 --> 1:10:17.160
<v Speaker 1>I'm intentional and I deliberate, and songs every one, small

1:10:17.240 --> 1:10:20.640
<v Speaker 1>sometime will come out in a day. I wrote one today, um,

1:10:20.720 --> 1:10:23.080
<v Speaker 1>which was nice and rare to finish a song in

1:10:23.120 --> 1:10:26.880
<v Speaker 1>a day. But these days I'll put weeks and months

1:10:26.880 --> 1:10:28.720
<v Speaker 1>of time into something to make sure it's right. I

1:10:28.760 --> 1:10:30.800
<v Speaker 1>can't let it go anymore. I used to just throw

1:10:30.840 --> 1:10:33.360
<v Speaker 1>it out and go it's good enough, and now there's

1:10:33.360 --> 1:10:37.320
<v Speaker 1>something that's changed where I can't. That doesn't work for me.

1:10:38.120 --> 1:10:43.720
<v Speaker 1>It has to be able to stand up and and um.

1:10:43.840 --> 1:10:46.880
<v Speaker 1>So that's that's the process for me now. Okay, but

1:10:46.960 --> 1:10:49.960
<v Speaker 1>let's go back to the real beginning. Do you say, hey,

1:10:49.960 --> 1:10:52.559
<v Speaker 1>I want to make a record, therefore I'm gonna write songs,

1:10:53.240 --> 1:10:55.000
<v Speaker 1>or you're writing songs and all of a sudden you

1:10:55.000 --> 1:10:57.960
<v Speaker 1>realize you have an album, or or do you say

1:10:58.000 --> 1:11:00.840
<v Speaker 1>I need life, more life experience, I'm gonna wait until

1:11:00.960 --> 1:11:03.400
<v Speaker 1>I got more to write about. We're gonna work every

1:11:03.439 --> 1:11:05.920
<v Speaker 1>day and write a song. What's the process? Well, the

1:11:05.960 --> 1:11:10.400
<v Speaker 1>inspiration was just first of all songwriters, they articulated what

1:11:10.640 --> 1:11:13.320
<v Speaker 1>I felt, and to me, it was the most magical

1:11:13.360 --> 1:11:16.680
<v Speaker 1>thing and the coolest job I could imagine. It was

1:11:16.760 --> 1:11:21.160
<v Speaker 1>it was it was it was magic, um to be

1:11:21.200 --> 1:11:26.200
<v Speaker 1>able to articulate the human experience and describe it and

1:11:26.200 --> 1:11:29.280
<v Speaker 1>and make you feel these things. And so I just

1:11:30.160 --> 1:11:32.120
<v Speaker 1>I was drawn to it, and I wanted to be

1:11:32.160 --> 1:11:36.719
<v Speaker 1>able to do that um uh and and in any

1:11:36.760 --> 1:11:39.320
<v Speaker 1>creative form really, but I have attention issues, So I

1:11:39.320 --> 1:11:41.400
<v Speaker 1>figured I'll never be a novelist because I can't focus

1:11:41.520 --> 1:11:44.439
<v Speaker 1>that long. But a song three minutes, maybe I could.

1:11:44.520 --> 1:11:48.760
<v Speaker 1>Maybe there's hope there. Um. And I just did it

1:11:48.880 --> 1:11:52.040
<v Speaker 1>from my own self. Again, I never had any I

1:11:52.080 --> 1:11:56.439
<v Speaker 1>didn't know how you become a professional anything to do

1:11:56.479 --> 1:11:59.080
<v Speaker 1>with the music business. So it was it was not

1:11:59.240 --> 1:12:02.800
<v Speaker 1>my world growing up, It was not my world in college. UM.

1:12:03.280 --> 1:12:05.760
<v Speaker 1>So I was just doing it because I had a

1:12:05.880 --> 1:12:10.160
<v Speaker 1>dream for it, passion for it, and and so I

1:12:10.240 --> 1:12:15.080
<v Speaker 1>just wrote to wrote to write and um. And then

1:12:15.200 --> 1:12:18.240
<v Speaker 1>I started getting gigs. Then I really kind of kicked

1:12:18.240 --> 1:12:20.400
<v Speaker 1>it up a gear because it was I started getting

1:12:20.439 --> 1:12:23.920
<v Speaker 1>open for people in front of real audiences, and I thought,

1:12:24.120 --> 1:12:28.200
<v Speaker 1>I gotta have something to say here, um, or I

1:12:28.200 --> 1:12:30.120
<v Speaker 1>can just play covers or if I want to have

1:12:30.120 --> 1:12:32.160
<v Speaker 1>any kind of career in my own. Okay, so you

1:12:32.200 --> 1:12:35.680
<v Speaker 1>wrote a song this morning. Was it because you said, Okay,

1:12:35.760 --> 1:12:37.679
<v Speaker 1>I'm gonna write a song, I went to my room

1:12:37.680 --> 1:12:39.320
<v Speaker 1>and worked on it, or you all of a sudden

1:12:39.320 --> 1:12:41.880
<v Speaker 1>had an inspiration? Do you do this every day? Try

1:12:41.920 --> 1:12:44.320
<v Speaker 1>to write a song? Well, I try to put some

1:12:44.360 --> 1:12:47.280
<v Speaker 1>time in every day. I don't succeed, um usually, but

1:12:47.680 --> 1:12:51.400
<v Speaker 1>you know today I had a co write. Uh. Guy

1:12:51.439 --> 1:12:54.479
<v Speaker 1>named Driver Williams plays guitar with Eric Church. He has

1:12:54.520 --> 1:12:58.120
<v Speaker 1>a uh he lives here in town. And and um,

1:12:58.439 --> 1:13:02.799
<v Speaker 1>we've had pretty successful run the last year or two

1:13:02.880 --> 1:13:07.880
<v Speaker 1>of writing songs. So um we got together and and

1:13:07.000 --> 1:13:11.600
<v Speaker 1>uh I wrote one that I quite like. So it

1:13:11.640 --> 1:13:14.200
<v Speaker 1>was it was a prearranged deal. To what degree do

1:13:14.240 --> 1:13:17.439
<v Speaker 1>you like working with others supposed to doing it alone? Well,

1:13:17.479 --> 1:13:19.759
<v Speaker 1>it's I used to write everything by myself. And then

1:13:19.880 --> 1:13:23.200
<v Speaker 1>I had a couple uh folks like Guy Clark and

1:13:23.280 --> 1:13:28.920
<v Speaker 1>right Wiley Hubbard who who who showed me about co

1:13:29.080 --> 1:13:35.680
<v Speaker 1>writing and um uh and then I started relying on

1:13:35.720 --> 1:13:37.880
<v Speaker 1>it more and more as I sort of lost my

1:13:37.960 --> 1:13:42.360
<v Speaker 1>own inspiration, I started relying on other people for theirs,

1:13:42.439 --> 1:13:44.960
<v Speaker 1>and then I became kind of an editor of songs

1:13:45.040 --> 1:13:49.240
<v Speaker 1>rather than a creator of songs. And uh now it's

1:13:49.280 --> 1:13:52.240
<v Speaker 1>kind of come to where I I feel like I

1:13:52.280 --> 1:13:54.599
<v Speaker 1>can write on my own. I'm doing a lot more

1:13:54.640 --> 1:13:59.160
<v Speaker 1>of that these days, UM, but also enjoying writing with

1:13:59.200 --> 1:14:01.280
<v Speaker 1>other people. They're times where it's a drag, but there's

1:14:01.320 --> 1:14:06.000
<v Speaker 1>a there's a real magic that happens when you you know,

1:14:06.080 --> 1:14:08.080
<v Speaker 1>you get into a flow and you each have a

1:14:08.160 --> 1:14:11.120
<v Speaker 1>kind of role that you're playing. And sometimes I'm just

1:14:11.160 --> 1:14:14.360
<v Speaker 1>helping them edit, and sometimes they're helping they're just editing me,

1:14:14.439 --> 1:14:18.639
<v Speaker 1>and and or sometimes it's completely even, but it's it's

1:14:18.720 --> 1:14:21.960
<v Speaker 1>it's uh, that chemistry when it works is really cool.

1:14:22.040 --> 1:14:24.720
<v Speaker 1>And and I end up both songs that I never

1:14:24.760 --> 1:14:26.760
<v Speaker 1>would have come up with my own, and and and

1:14:26.800 --> 1:14:29.000
<v Speaker 1>can use other people's talents. And I learned a lot

1:14:29.200 --> 1:14:32.679
<v Speaker 1>too from that. UM. You know, there's no songwriting school.

1:14:33.040 --> 1:14:36.639
<v Speaker 1>I didn't go to one. UM, So to to get

1:14:36.640 --> 1:14:39.240
<v Speaker 1>to sit with with really creative, talented people and watch

1:14:39.280 --> 1:14:43.400
<v Speaker 1>their process, always learn something. And what happens to these songs?

1:14:43.400 --> 1:14:45.400
<v Speaker 1>Are they for you or you try to get them covered?

1:14:45.680 --> 1:14:48.840
<v Speaker 1>They used to all be for me, um, because I

1:14:48.920 --> 1:14:52.240
<v Speaker 1>was the most important thing to me was being the

1:14:52.320 --> 1:14:56.559
<v Speaker 1>artist and and now I'm I'm just as happy for

1:14:56.600 --> 1:14:59.800
<v Speaker 1>other people to go out and do the work and

1:15:00.040 --> 1:15:03.920
<v Speaker 1>make the money so for me. So um, it's a

1:15:03.960 --> 1:15:06.800
<v Speaker 1>bit of both. I'm always writing for myself, but uh,

1:15:06.840 --> 1:15:09.800
<v Speaker 1>I mean that's always in my mind. Um. But in

1:15:09.800 --> 1:15:14.160
<v Speaker 1>the last couple of years, I've really uh leaned into

1:15:14.200 --> 1:15:17.080
<v Speaker 1>just writing to write and and doing these co writes

1:15:17.120 --> 1:15:19.080
<v Speaker 1>and living here. I moved to Nashville. Was in Austin

1:15:19.160 --> 1:15:22.680
<v Speaker 1>for twelve years, and I've been in Nashville for a

1:15:22.720 --> 1:15:27.439
<v Speaker 1>few years now, and and um there's you know, the

1:15:27.479 --> 1:15:33.320
<v Speaker 1>whole uh ecosystem and the music industry's country music is here,

1:15:33.360 --> 1:15:37.040
<v Speaker 1>and and um, so you can write a song and

1:15:37.040 --> 1:15:40.240
<v Speaker 1>it can be and somebody's you know, some of you

1:15:40.320 --> 1:15:43.160
<v Speaker 1>me listening to it that day, and and it can

1:15:43.200 --> 1:15:45.920
<v Speaker 1>be get cut that week, and which is it doesn't

1:15:45.920 --> 1:15:49.679
<v Speaker 1>happen often to me, but but the possibility is there.

1:15:49.720 --> 1:15:53.640
<v Speaker 1>And so that that's that's a fun muscle I've been

1:15:55.120 --> 1:15:58.360
<v Speaker 1>working out lately, is is just to write the best

1:15:58.400 --> 1:16:01.760
<v Speaker 1>song I can and not think about, uh, you know,

1:16:01.840 --> 1:16:04.760
<v Speaker 1>can I do it? And it's something too about my

1:16:04.760 --> 1:16:08.320
<v Speaker 1>my stuff. I relied on my personality and my delivery

1:16:08.400 --> 1:16:11.840
<v Speaker 1>to get a song across and rather than crafting the

1:16:11.920 --> 1:16:14.599
<v Speaker 1>song to be something that anybody could sing. And so

1:16:14.760 --> 1:16:17.320
<v Speaker 1>that's that's something that's important to me too, is I

1:16:17.320 --> 1:16:18.840
<v Speaker 1>want to write a song and not have to be

1:16:18.920 --> 1:16:21.200
<v Speaker 1>able to wink at the audience or deliver it a

1:16:21.200 --> 1:16:23.880
<v Speaker 1>certain way. I want to write it towards bulletproof, so

1:16:23.960 --> 1:16:25.960
<v Speaker 1>anybody can pick it up and sing it and people

1:16:25.960 --> 1:16:28.080
<v Speaker 1>can go, that's a hell of a song. It doesn't

1:16:28.120 --> 1:16:32.720
<v Speaker 1>have to be my unique delivery, uh to to to

1:16:32.920 --> 1:16:35.839
<v Speaker 1>land it that that it could be a standard. Everything

1:16:35.880 --> 1:16:38.599
<v Speaker 1>could give it up. No, do you have the same

1:16:38.640 --> 1:16:42.000
<v Speaker 1>motivation you have now then you did at the beginning? Uh? Yeah, yeah,

1:16:42.040 --> 1:16:44.280
<v Speaker 1>in a way. I mean, I'm I'm probably a little

1:16:44.280 --> 1:16:49.040
<v Speaker 1>more sorted and I don't have the same fire. I mean,

1:16:49.160 --> 1:16:51.840
<v Speaker 1>when you're in your twenties and you're just trying to

1:16:51.880 --> 1:16:55.479
<v Speaker 1>make a mark and and do something and find yourself,

1:16:55.520 --> 1:16:59.160
<v Speaker 1>that was that was an energy that I will never

1:16:59.200 --> 1:17:04.120
<v Speaker 1>be able to recap. Sure, But uh but yeah, I'm

1:17:04.160 --> 1:17:05.880
<v Speaker 1>I have a lot of work to do and a

1:17:05.960 --> 1:17:08.919
<v Speaker 1>lot of things that I'm excited about still, and I've

1:17:09.560 --> 1:17:14.960
<v Speaker 1>i am still in love with the act of creating

1:17:15.000 --> 1:17:18.519
<v Speaker 1>a song, where they're creating something out of nothing. So

1:17:18.640 --> 1:17:21.519
<v Speaker 1>you have a son. How many times have you been married?

1:17:22.400 --> 1:17:25.360
<v Speaker 1>And now you're married to Alison? Give me the run there.

1:17:26.160 --> 1:17:28.640
<v Speaker 1>I had my son in two thousand three. His name

1:17:28.680 --> 1:17:35.320
<v Speaker 1>is Eli. Uh and um, I'm married. I've been married twice.

1:17:35.360 --> 1:17:39.439
<v Speaker 1>So my first wife is Eli's mom and we were

1:17:39.439 --> 1:17:45.000
<v Speaker 1>married for nine years I think, um, and we got

1:17:45.000 --> 1:17:50.760
<v Speaker 1>divorced h seven years ago. And uh Alison and I

1:17:50.800 --> 1:17:54.880
<v Speaker 1>got married, uh three and a half, it'll be three

1:17:54.960 --> 1:17:58.040
<v Speaker 1>years in May. Where's your son today? My son is

1:17:58.040 --> 1:18:02.080
<v Speaker 1>in Austin. Uh. Uh he's just graduated high school and

1:18:02.080 --> 1:18:05.680
<v Speaker 1>in his uh about to go to college. So how

1:18:05.720 --> 1:18:08.640
<v Speaker 1>did you meet Allison? How do you end up marrying it?

1:18:08.760 --> 1:18:13.639
<v Speaker 1>She has an autistic son with her previous husband, Steve Earle,

1:18:14.320 --> 1:18:17.519
<v Speaker 1>And what how often is the child with you? And

1:18:17.560 --> 1:18:20.200
<v Speaker 1>how does that affect your everyday life? I met Allison

1:18:20.240 --> 1:18:25.920
<v Speaker 1>in two thousand three, I think, uh. We had some

1:18:26.000 --> 1:18:28.280
<v Speaker 1>mutual friends. I was just starting to come to town

1:18:29.280 --> 1:18:32.960
<v Speaker 1>and she um actually sang on my second record in

1:18:33.040 --> 1:18:41.800
<v Speaker 1>two thousand four and uh and we were friendly um

1:18:41.880 --> 1:18:49.080
<v Speaker 1>for years, but I didn't see much of her and UM,

1:18:49.200 --> 1:18:53.680
<v Speaker 1>and we just I invited her to a show. I

1:18:53.720 --> 1:18:56.720
<v Speaker 1>was up in New York, um and invited her to

1:18:56.760 --> 1:18:59.240
<v Speaker 1>a show and and she couldn't make the show, but

1:18:59.320 --> 1:19:04.000
<v Speaker 1>we met up for uh a drink and and UM

1:19:04.080 --> 1:19:09.040
<v Speaker 1>you know, much to our surprise, uh connected UM and yes,

1:19:09.120 --> 1:19:13.400
<v Speaker 1>she has a son named John Henry who UM is

1:19:13.439 --> 1:19:21.440
<v Speaker 1>eleven and is level three autism. He's nonverbal and UM

1:19:21.439 --> 1:19:25.080
<v Speaker 1>her she just released her second book, which is titled

1:19:25.160 --> 1:19:28.880
<v Speaker 1>A Dreamy Talks to Me and it's uh it's about

1:19:30.000 --> 1:19:35.360
<v Speaker 1>about John Henry in life with him and UM. Right now,

1:19:35.439 --> 1:19:39.680
<v Speaker 1>John Henry is in New York with his dad UM

1:19:39.760 --> 1:19:41.759
<v Speaker 1>for the school year, and then he spends the summers

1:19:41.800 --> 1:19:47.360
<v Speaker 1>with us and Alison. Uh. When John hery was diagnosed,

1:19:47.920 --> 1:19:53.720
<v Speaker 1>sort of quit touring so that she could be there

1:19:53.760 --> 1:19:59.639
<v Speaker 1>full time with him and and uh Steve UM continue

1:19:59.680 --> 1:20:04.000
<v Speaker 1>to tour R and um. Uh they split up shortly

1:20:04.040 --> 1:20:11.719
<v Speaker 1>after the diagnosis and so now we we split time essentially. UM.

1:20:11.720 --> 1:20:13.439
<v Speaker 1>And is she going back on the road with the

1:20:13.520 --> 1:20:16.040
<v Speaker 1>status of her career, She's gonna go out her her

1:20:16.080 --> 1:20:22.040
<v Speaker 1>sister's uh wonderful artists and Shelby Lynn and UM they're

1:20:22.040 --> 1:20:24.920
<v Speaker 1>gonna go and do a few dates in April, Um,

1:20:24.960 --> 1:20:28.120
<v Speaker 1>just a week, I think. Um, but that's that's it.

1:20:28.360 --> 1:20:31.479
<v Speaker 1>She's trying to slow down. You know, she's put she's

1:20:31.520 --> 1:20:38.320
<v Speaker 1>put out eleven records and two books, and um, is

1:20:38.320 --> 1:20:44.439
<v Speaker 1>is um trying to to slow down? UM. I don't

1:20:44.439 --> 1:20:48.280
<v Speaker 1>know how much luck she's having with it, but UM,

1:20:48.320 --> 1:20:49.920
<v Speaker 1>so there won't be a lot of touring this year,

1:20:49.920 --> 1:20:52.000
<v Speaker 1>but they do have some dates, which the two of

1:20:52.000 --> 1:20:54.720
<v Speaker 1>them together is really something special. So what is it

1:20:54.800 --> 1:20:57.599
<v Speaker 1>you're trying to say in your songs? What is it

1:20:57.720 --> 1:21:00.760
<v Speaker 1>you want to get across that would make it that

1:21:00.960 --> 1:21:03.679
<v Speaker 1>someone needs to listen to your music? Well, I don't.

1:21:03.720 --> 1:21:05.800
<v Speaker 1>I don't look at it that way anymore. I mean,

1:21:06.040 --> 1:21:08.519
<v Speaker 1>when I was younger, it was what I was trying

1:21:08.560 --> 1:21:11.000
<v Speaker 1>to say, was I was trying to put words to

1:21:11.080 --> 1:21:19.559
<v Speaker 1>whatever I was feeling. Um, And I'm not sure, UM,

1:21:19.960 --> 1:21:22.920
<v Speaker 1>I'm not sure how important that was. You know, felt

1:21:22.960 --> 1:21:33.200
<v Speaker 1>incredibly important. But uh, these days I don't. I UM,

1:21:33.240 --> 1:21:37.120
<v Speaker 1>I sit down with a song and try to or

1:21:37.160 --> 1:21:39.320
<v Speaker 1>an idea and try to find what it has to

1:21:39.360 --> 1:21:42.479
<v Speaker 1>tell me and then flesh it out and coax it

1:21:42.640 --> 1:21:50.320
<v Speaker 1>in and into the uh, polished it as best I

1:21:50.400 --> 1:21:55.600
<v Speaker 1>can to to where it says something. So uh, you know,

1:21:55.680 --> 1:21:59.160
<v Speaker 1>today we wrote a song about addiction, about somebody who

1:22:00.840 --> 1:22:05.320
<v Speaker 1>dies and and the person that's left behind, how angry

1:22:05.360 --> 1:22:08.640
<v Speaker 1>they are, and and all the emotions, the sadness and

1:22:08.680 --> 1:22:12.519
<v Speaker 1>the anger and then ultimately the forgiveness. And that's interesting

1:22:12.560 --> 1:22:16.720
<v Speaker 1>to me. And I didn't think about it. I wasn't

1:22:16.720 --> 1:22:20.120
<v Speaker 1>thinking about it two days ago. It wasn't I didn't

1:22:20.439 --> 1:22:23.680
<v Speaker 1>think I need to write a song about addiction. But

1:22:23.920 --> 1:22:26.400
<v Speaker 1>there's a lot of addiction in my life surrounding me

1:22:26.479 --> 1:22:30.800
<v Speaker 1>these days, and and and um it's been on my mind.

1:22:31.080 --> 1:22:35.599
<v Speaker 1>And so then it just came up, um in in

1:22:35.640 --> 1:22:37.720
<v Speaker 1>the in the room, we started writing about it. So

1:22:38.080 --> 1:22:40.880
<v Speaker 1>I'm interested in finding those ideas and then and then

1:22:40.920 --> 1:22:43.280
<v Speaker 1>fleshing them out. But I don't walk around thinking I

1:22:43.320 --> 1:22:48.599
<v Speaker 1>need to tell the world this or that. Um. I

1:22:48.600 --> 1:22:52.639
<v Speaker 1>I have some ideas from my own stuff that I'm

1:22:52.720 --> 1:22:56.720
<v Speaker 1>I feel like I'm scratching the the surface of kind

1:22:56.720 --> 1:22:58.920
<v Speaker 1>of finding my voice in a in a new way

1:22:59.080 --> 1:23:04.600
<v Speaker 1>or a point of view. Um, But right now it's it's, uh,

1:23:04.840 --> 1:23:07.240
<v Speaker 1>I'm not there yet, and and those those things kind

1:23:07.240 --> 1:23:09.840
<v Speaker 1>of change and take time. So I'm just trying to

1:23:09.880 --> 1:23:12.599
<v Speaker 1>be patient until I find something I really am passionate

1:23:12.600 --> 1:23:15.160
<v Speaker 1>about saying. So you talk about going out with your band,

1:23:15.320 --> 1:23:19.440
<v Speaker 1>that inherently adds costs. So it's just the same guys,

1:23:19.800 --> 1:23:22.560
<v Speaker 1>what have they been doing? And you could save a

1:23:22.640 --> 1:23:25.400
<v Speaker 1>lot of money going out alone. But would that just

1:23:25.520 --> 1:23:29.000
<v Speaker 1>be a different thing? Well, I do both. Um. I

1:23:29.040 --> 1:23:34.360
<v Speaker 1>started out solo and UM and this year I'll next

1:23:34.360 --> 1:23:36.760
<v Speaker 1>month I'll do probably seven shows solo and then I'll

1:23:36.760 --> 1:23:42.360
<v Speaker 1>go out and do thirty in a row with the band. Uh. Yeah,

1:23:42.400 --> 1:23:45.840
<v Speaker 1>it's I mean, that's the That's one of the things

1:23:45.840 --> 1:23:49.519
<v Speaker 1>about doing this is is figuring out how can you

1:23:49.600 --> 1:23:52.960
<v Speaker 1>how do you best deliver it? First of all, UM,

1:23:53.000 --> 1:23:55.360
<v Speaker 1>And I'm still not sure if I'm better as solo

1:23:55.479 --> 1:23:59.160
<v Speaker 1>artist or with a band or with a sideman. UM.

1:23:59.200 --> 1:24:04.040
<v Speaker 1>But there are some um career opportunities that that I

1:24:04.080 --> 1:24:07.080
<v Speaker 1>don't get as a solo artist that I would with

1:24:07.120 --> 1:24:09.920
<v Speaker 1>a band. So I can go play two nights at

1:24:09.920 --> 1:24:14.200
<v Speaker 1>Green Hall in Texas and do you know fift people

1:24:14.439 --> 1:24:22.240
<v Speaker 1>and and um uh you know, I have a really

1:24:22.240 --> 1:24:26.680
<v Speaker 1>successful weekend at a dance hall. But if I have

1:24:26.760 --> 1:24:33.040
<v Speaker 1>the band, but I can't do the same thing solo. UM.

1:24:33.640 --> 1:24:35.760
<v Speaker 1>But then you know, like you said, A lot of that,

1:24:35.840 --> 1:24:39.240
<v Speaker 1>A lot of that profit is eaten up by salaries

1:24:39.240 --> 1:24:42.439
<v Speaker 1>and hotel rooms and per deems and all that stuff.

1:24:42.479 --> 1:24:46.320
<v Speaker 1>And um, so I'm always trying to trying to find

1:24:46.320 --> 1:24:48.720
<v Speaker 1>a line of where I can do what I need

1:24:48.920 --> 1:24:52.880
<v Speaker 1>financially and um, but keep the band. I like having

1:24:52.880 --> 1:24:55.080
<v Speaker 1>that element. I like being a solo artist, like like

1:24:55.160 --> 1:24:58.080
<v Speaker 1>going out by myself and playing a listing room, and

1:24:58.120 --> 1:25:00.400
<v Speaker 1>I like getting the band together and tearing but a

1:25:00.479 --> 1:25:04.719
<v Speaker 1>dance hall. It's uh, I enjoy being able to do both. Um.

1:25:04.760 --> 1:25:06.400
<v Speaker 1>I think I would get bored if I can only

1:25:06.439 --> 1:25:08.840
<v Speaker 1>do one thing and it's just the same guys each time.

1:25:09.040 --> 1:25:11.160
<v Speaker 1>Oh it's changed over the years, but right now I've

1:25:11.160 --> 1:25:15.599
<v Speaker 1>got a pretty uh consistent abandoned career. And what they

1:25:15.640 --> 1:25:19.519
<v Speaker 1>do to get through the pandemic, well, um, everything from

1:25:19.680 --> 1:25:25.320
<v Speaker 1>Patreon to teaching online music lessons to um, you know,

1:25:25.360 --> 1:25:28.800
<v Speaker 1>government assistance too. I helped out in the beginning where

1:25:28.840 --> 1:25:32.599
<v Speaker 1>I could, Um, one of them became a substitute teacher.

1:25:32.920 --> 1:25:36.120
<v Speaker 1>That's uh, you know, everybody's hustling. Okay, So let's say

1:25:36.120 --> 1:25:39.559
<v Speaker 1>someone is unfamiliar with your work, what are the two

1:25:39.600 --> 1:25:44.040
<v Speaker 1>songs they should listen to that you think would really

1:25:44.520 --> 1:25:47.760
<v Speaker 1>depict where you're coming from that they need to hear.

1:25:50.800 --> 1:25:55.639
<v Speaker 1>Oh boy, Um, Well, I'm gonna go with my most

1:25:56.439 --> 1:25:58.599
<v Speaker 1>recent record. I've got two songs on there that I think,

1:25:59.439 --> 1:26:02.439
<v Speaker 1>UH show at least part of the range. And their

1:26:02.439 --> 1:26:05.080
<v Speaker 1>two songs I'm really proud of I've got the title

1:26:05.120 --> 1:26:09.400
<v Speaker 1>track is called you Get It All and um, which

1:26:09.479 --> 1:26:15.240
<v Speaker 1>is just uh sort of introspective love song. But but

1:26:15.280 --> 1:26:18.120
<v Speaker 1>I feel like it's got all the elements that that

1:26:19.479 --> 1:26:22.839
<v Speaker 1>I'm drawn too in songs, the word play and and

1:26:22.840 --> 1:26:27.880
<v Speaker 1>and a little bit of levity and um uh and

1:26:28.240 --> 1:26:33.799
<v Speaker 1>a country feel. Um. It's it's I think it's well written,

1:26:33.840 --> 1:26:37.600
<v Speaker 1>if I do say so myself. And then um, the

1:26:37.640 --> 1:26:39.880
<v Speaker 1>other one off this record that I think it's it's

1:26:39.880 --> 1:26:41.599
<v Speaker 1>one of the things I'm most proud of that I've

1:26:41.600 --> 1:26:44.280
<v Speaker 1>ever done. Uh is a song I sent to you

1:26:44.960 --> 1:26:53.200
<v Speaker 1>called help Me Remember, and that uh is just one

1:26:53.240 --> 1:26:58.120
<v Speaker 1>of my Uh It's just one of the things I'm

1:26:58.160 --> 1:27:01.040
<v Speaker 1>most proud of. I worked really hard on it with

1:27:01.040 --> 1:27:05.679
<v Speaker 1>with the Josh Morning Star, UM great songwriter, and and

1:27:05.840 --> 1:27:08.040
<v Speaker 1>we really brought it home. I think, yeah, I know

1:27:08.080 --> 1:27:09.760
<v Speaker 1>what it's about. Could you tell if those people were

1:27:09.840 --> 1:27:13.400
<v Speaker 1>unfamiliar with what it's about well, help me remembers about dementia,

1:27:13.520 --> 1:27:19.240
<v Speaker 1>Alzheimer's people struggling with that, and and U and about

1:27:19.280 --> 1:27:27.320
<v Speaker 1>the having a witness to your life um, which is ah,

1:27:27.520 --> 1:27:30.640
<v Speaker 1>sometimes I think about a lot um. So it's uh,

1:27:31.160 --> 1:27:34.400
<v Speaker 1>it's it's a song written from the perspective of someone

1:27:34.800 --> 1:27:37.640
<v Speaker 1>suffering dementia and and sort of losing the thread to

1:27:37.680 --> 1:27:42.920
<v Speaker 1>their own story and asking their spouse to help fill

1:27:42.960 --> 1:27:44.920
<v Speaker 1>in the blanks about who they were and what their

1:27:44.960 --> 1:27:48.599
<v Speaker 1>life was, what they were about, what their life was like.

1:27:49.200 --> 1:27:52.439
<v Speaker 1>So what do you mean about having a witness? Well,

1:27:53.040 --> 1:27:57.080
<v Speaker 1>I mean I was thinking about the idea of not

1:27:57.320 --> 1:28:02.679
<v Speaker 1>remembering who you were. You know, your partner, your friends,

1:28:02.720 --> 1:28:05.200
<v Speaker 1>your children, those are people who saw you through your life.

1:28:05.360 --> 1:28:08.320
<v Speaker 1>They knew what you were about. They knew your actions,

1:28:10.080 --> 1:28:14.519
<v Speaker 1>they knew whether you were where you were good and

1:28:14.520 --> 1:28:21.000
<v Speaker 1>where you struggled. They knew, um, what you aspired to.

1:28:22.560 --> 1:28:28.959
<v Speaker 1>And it's heartbreaking to think about losing that self knowledge,

1:28:30.360 --> 1:28:34.960
<v Speaker 1>but people do. And so the idea of having a

1:28:34.960 --> 1:28:38.800
<v Speaker 1>witness to your life is is exactly that somebody who

1:28:38.960 --> 1:28:42.120
<v Speaker 1>was there for your life and can tell you this

1:28:42.160 --> 1:28:44.559
<v Speaker 1>is what you were about, this is the kind of

1:28:44.600 --> 1:28:47.519
<v Speaker 1>person you were. You were. This is the kind of

1:28:47.560 --> 1:28:50.120
<v Speaker 1>parent you were, it's kind of spouse, it's the kind

1:28:50.120 --> 1:28:58.439
<v Speaker 1>of citizen. Um that that just really struck me. My

1:28:58.479 --> 1:29:01.599
<v Speaker 1>grandfather suffered from dementia just a little bit before he passed,

1:29:03.800 --> 1:29:08.719
<v Speaker 1>and he had too things that happened that really stood

1:29:08.760 --> 1:29:11.920
<v Speaker 1>out to me. One I was riding in his pickup

1:29:11.920 --> 1:29:15.240
<v Speaker 1>truck in Waco, Texas, and he pulled up to the

1:29:15.280 --> 1:29:17.960
<v Speaker 1>stoplight and he turned around to me and asked me

1:29:18.040 --> 1:29:20.720
<v Speaker 1>where we were and I had no idea, and that

1:29:20.840 --> 1:29:23.959
<v Speaker 1>was his hometown. I didn't live there, and I was fourteen,

1:29:24.800 --> 1:29:29.640
<v Speaker 1>and he looked scared, and you know, this was a

1:29:29.720 --> 1:29:34.600
<v Speaker 1>drive he had made ten thousand times he and he

1:29:34.680 --> 1:29:38.120
<v Speaker 1>was lost. And then there was another time. My grandfather

1:29:38.160 --> 1:29:42.120
<v Speaker 1>was a really loving, sweet man, and there was one

1:29:42.200 --> 1:29:44.559
<v Speaker 1>day where he was not being either of those things.

1:29:45.400 --> 1:29:50.200
<v Speaker 1>And I remember my my dad pulled me aside. He said,

1:29:50.280 --> 1:29:54.280
<v Speaker 1>don't remember your grandfather this way. Yeah, this is not

1:29:54.400 --> 1:29:59.639
<v Speaker 1>who he is. And I guess that's what I mean

1:29:59.800 --> 1:30:05.720
<v Speaker 1>is m My dad was a witness, you know, my

1:30:05.760 --> 1:30:09.240
<v Speaker 1>grandmother was a witness. And as my grandfather was starting

1:30:09.240 --> 1:30:13.360
<v Speaker 1>to struggle with knowing who he was and where he was,

1:30:13.920 --> 1:30:16.400
<v Speaker 1>the idea of having people who did know that and

1:30:16.439 --> 1:30:20.160
<v Speaker 1>could remind you. Uh. It seemed like a very powerful

1:30:20.200 --> 1:30:23.760
<v Speaker 1>one and an important thing to have. Well, Hayes, I

1:30:23.760 --> 1:30:25.960
<v Speaker 1>think we've come to the end of the feeling we've known.

1:30:26.400 --> 1:30:30.480
<v Speaker 1>Thanks for being so honest and open. You're a real thinker,

1:30:30.520 --> 1:30:33.280
<v Speaker 1>and you're giving very insightful the answer. So thanks so

1:30:33.360 --> 1:30:36.960
<v Speaker 1>much for doing this well. Thank you, Bob. I'm i'm

1:30:37.320 --> 1:30:41.280
<v Speaker 1>I really appreciate your newsletter and and you give me

1:30:41.320 --> 1:30:43.880
<v Speaker 1>and I can think about every years. Thank you til

1:30:43.960 --> 1:30:46.040
<v Speaker 1>next time. This is Bob Left Sense