WEBVTT - The Rules with Dylan Mulvaney… (S3 E18 “Cock-a-Doodle-Do”)

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 1>you a Charlotte? You guys, welcome back to Are You

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<v Speaker 1>a Charlotte. We are here with the fantastic Dylan mulvaney,

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<v Speaker 1>and we are going to rewatch now more specifically, do

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<v Speaker 1>our rewatch of cocka Doodle Doo. Yes, the finale of

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<v Speaker 1>season three, Work Sex the City.

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<v Speaker 2>We're going to try to be less adhd if possible, promises,

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<v Speaker 2>but it's a good time.

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<v Speaker 1>It's a good time, all right. So this to me

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<v Speaker 1>is in so many ways as the Highs and the lows,

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<v Speaker 1>right Like, it does so many great things, and then

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<v Speaker 1>it has this this slightly insane and cringe worthy Samantha storyline,

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<v Speaker 1>which we will get into specifically, but it also has

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<v Speaker 1>just incredible storyline, especially for Carrie and Miranda. Yes, I think,

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<v Speaker 1>and the reason that I love it is so many

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<v Speaker 1>different things. But I mean, first of all, there's things

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<v Speaker 1>like one I did not remember, like this craziness that

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<v Speaker 1>Carrie hears roosters crowing all night and all day, which

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<v Speaker 1>is also.

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<v Speaker 2>Odd, and it was in a sound machine. No, they

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<v Speaker 2>were real.

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<v Speaker 1>They were real, and they were in a veterinary like rescue.

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<v Speaker 1>They were rescued. She finds out next door on the

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<v Speaker 1>Upper East Side, which, okay, I've never heard of this.

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<v Speaker 2>They got rescued from cock fighting, right, which is.

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<v Speaker 1>A real thing. That there are still cockfighting things going on,

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<v Speaker 1>which is insane, right, But like you know, I've never

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<v Speaker 1>I don't know if any rooster rescues in New York City.

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<v Speaker 2>Well, sounds like there's a hole in the market. I mean,

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<v Speaker 2>maybe here we go.

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<v Speaker 1>I should go back and ask them, like, where'd you

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<v Speaker 1>guys come up with this? Because usually they.

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<v Speaker 2>Haven't see actual roosters, now, I never didn't think.

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<v Speaker 1>She does go to the vet, right, and then she

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<v Speaker 1>feels bad when she finds out that they've been rescued

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<v Speaker 1>right from the bronx.

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<v Speaker 2>I think, like the line producer probably said no on

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<v Speaker 2>that one of seeing the real roosters, probably, but then

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<v Speaker 2>they said we'll just stick them in the basement.

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<v Speaker 1>Right, And she's like no, no, no. She feels guilty

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<v Speaker 1>that the poor roosters are going to have to go

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<v Speaker 1>to the basement. But also she never hears anyone really

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<v Speaker 1>tell her that it's roosters not chickens, because then when

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<v Speaker 1>she talks to Big on the phone, she's like there's

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<v Speaker 1>chickens and they're crowing, and he's like roosters.

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<v Speaker 2>She's like whatever, she's going crazy.

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<v Speaker 1>She is losing her mind a little bit. But it's adorable.

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<v Speaker 1>And also I think it was really hot that summer.

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<v Speaker 1>That's what went through my head many times. Oh, and

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<v Speaker 1>I didn't tell you my story about the roof. This

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<v Speaker 1>is the one thing that I remember the most vividly.

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<v Speaker 1>I didn't even remember that awesome scene that Kyle and

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<v Speaker 1>I did laying on against the wall. I had no

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<v Speaker 1>memory of it. Alan Culture, the director brought it up

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<v Speaker 1>to me in his episode as something like he was

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<v Speaker 1>bringing up the things that he fondly remembered as being

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<v Speaker 1>like good moments that we did together, and I was like, yeah,

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<v Speaker 1>I don't remember that at all. He said, I really

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<v Speaker 1>loved it because at the time, he said, we had

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<v Speaker 1>tried to block it many different ways, and then finally

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<v Speaker 1>we were like, none of this works. Let's just lean

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<v Speaker 1>against the wall, Like, let's just lean against the wall

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<v Speaker 1>and just talk simply, you know, which I think really

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<v Speaker 1>was powerful and worked.

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<v Speaker 2>Honest.

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<v Speaker 1>Yeah, it was great. It was amazing, and I was

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<v Speaker 1>so happy that it that it stood the test of

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<v Speaker 1>time and was awesome, and I don't even remember, Like

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<v Speaker 1>online we put Kyle and people were like, why did

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<v Speaker 1>you even give up with that character train? And I'm like,

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<v Speaker 1>I don't know, because I forget the things right. I

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<v Speaker 1>vaguely remember the impotence, but I didn't remember that. Then

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<v Speaker 1>we have sex once we separate. It's all very interesting.

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<v Speaker 2>But the roof the roof fact, this is the roof

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<v Speaker 2>scene at the end of the episode, the roofstee at

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<v Speaker 2>the end.

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<v Speaker 1>Of the episode with the very very much used photograph

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<v Speaker 1>of us, where they were like laugh, everybody laugh, and

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<v Speaker 1>so we're like, ah, it was so hot that the

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<v Speaker 1>tar on the top of that rooftop was melted and

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<v Speaker 1>ruined all of our shoes.

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<v Speaker 2>On the bottom side.

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<v Speaker 1>Yes, And it was the end of the season. So

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<v Speaker 1>Sin and I had gotten an ice cream truck because

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<v Speaker 1>we knew it was hot, right to bring ice cream

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<v Speaker 1>for the whole crew, But we were on the roof.

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<v Speaker 1>It was like thirty floors up. The elevator broke people,

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<v Speaker 1>so we had to walk. We had to get the

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<v Speaker 1>boxes of ice cream and walk them up all of

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<v Speaker 1>these stairs. It was probably melted by the time. It

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<v Speaker 1>was a little melted, but no one cared. No one

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<v Speaker 1>so happy to get anything cold in any way, even

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<v Speaker 1>slightly cold up to the tippy top and the other

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<v Speaker 1>thing that I saw recently, and it really really just

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<v Speaker 1>brought back so many memories for me, because I do

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<v Speaker 1>remember when I talk to people on the podcast, they're like, oh,

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<v Speaker 1>you guys were the biggest hit right away. That was

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<v Speaker 1>not our experience. Our experience was that we had to

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<v Speaker 1>work hard and we had to do press. We would

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<v Speaker 1>talk to anybody for years and years and years. Right,

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<v Speaker 1>Someone like ET maybe or E came to the set

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<v Speaker 1>that day that sweltering over one hundred degree day to

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<v Speaker 1>talk to maybe all of us, but definitely Sarah Jessica

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<v Speaker 1>about who what is the show? People were still asking

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<v Speaker 1>us what is the show? Right? This is season three

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<v Speaker 1>and she gives the most adorable interview that is on Instagram.

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<v Speaker 1>She just she's like, well, I played Carrie and I

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<v Speaker 1>write a sex column for the absurd. He and I

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<v Speaker 1>have girlfriends and they're in the show with me, and

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<v Speaker 1>there's Charlotte and she believes in love and she's a

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<v Speaker 1>little bit more like so by the just couldn't like

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<v Speaker 1>straight up do you what I mean? And she tells

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<v Speaker 1>the whole thing, like just in one day, which if

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<v Speaker 1>you ever see Sir Jessica now in an interview situation,

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<v Speaker 1>it's a much more complex situation going on. Yes, she's

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<v Speaker 1>not really anybody any any easy answers, no, no. But

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<v Speaker 1>back then, that's how important we felt like it was

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<v Speaker 1>to sell the show. Yes, the people understand, like, we're

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<v Speaker 1>not a logline of this exactly, We're not real sex,

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<v Speaker 1>you know on HBO in the middle of the night.

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<v Speaker 1>We this is what we are. It's adorable. And she's

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<v Speaker 1>wearing that whole outfit. She's wearing her.

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<v Speaker 2>Little like it's like a diaper kind of but it's

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<v Speaker 2>the cutest diaper you've ever seen in your entire life,

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<v Speaker 2>with like a.

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<v Speaker 1>Whole thing off, and it's like a creation of She

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<v Speaker 1>and Passion were.

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<v Speaker 2>Kind of giving like thirteen going on thirty.

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<v Speaker 1>Percent, which I think is like similar years.

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<v Speaker 2>Yeah, and we're back in it, babe, I.

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<v Speaker 1>Know we are back. And I also feel like Pat

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<v Speaker 1>Pat has got me in a short skirt, which is

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<v Speaker 1>really against my you know what I want to be wearing.

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<v Speaker 1>And you can tell by the fact that I literally

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<v Speaker 1>don't get up off that thing. I like wriggle around

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<v Speaker 1>a little bit. I'm like worried about my legs. I'm

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<v Speaker 1>just really worried about my legs. The whole scene, that's

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<v Speaker 1>all I can think of what I watch it, and

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<v Speaker 1>I just remember like just the heat radiating up from

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<v Speaker 1>that bar, you know, and everybody just sweat weltering and

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<v Speaker 1>sweaty and trying to be jovial. And Carrie's got to

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<v Speaker 1>get up and do her her turn, and she was

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<v Speaker 1>all worried because she's wearing her nude fish net, which

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<v Speaker 1>was like a big thing at the time. We were

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<v Speaker 1>all out trying to find the nude fish net.

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<v Speaker 2>Very have seen those yet, I don't think this year.

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<v Speaker 1>I haven't either. Okay, anyway, back to the episode. Back

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<v Speaker 1>to the episode, So let's just do Charlotte because that's

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<v Speaker 1>going to be the easiest. Great So, yeah, it's Charlotte.

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<v Speaker 1>We come to her at the coffee shop. That's the

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<v Speaker 1>first time we see her, and she's sad about Trey

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<v Speaker 1>and she said about that she separated and that who

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<v Speaker 1>wants to be divorced at thirty whatever she is at

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<v Speaker 1>the time, and they're kind of trying to Oh, they

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<v Speaker 1>come over to my apartment and unpack, which was weird

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<v Speaker 1>because I guess we haven't gone through the whole thing

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<v Speaker 1>where I end up getting his apartment. I hadn't remembered

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<v Speaker 1>that at all. But there's a pink lamp that I

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<v Speaker 1>still have in my own bedroom, and there's a mirror

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<v Speaker 1>that I had for many years that moved with Charlotte,

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<v Speaker 1>you know, around that I got to keep, you know,

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<v Speaker 1>which is nice. Yeah, I love that pink lamp. But

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<v Speaker 1>I don't remember this at all. And it's so sweet

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<v Speaker 1>that the girls come to help me unpack. And it's

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<v Speaker 1>a very Alan culter scene because we're all moving in

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<v Speaker 1>and out of frame, but the frame doesn't really move.

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<v Speaker 1>And it was a really hard thing as an actor

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<v Speaker 1>to remember, like, oh, I've got to be to this

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<v Speaker 1>place by this line, you know what I'm saying. Yeah,

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<v Speaker 1>that was his specialty in a way. So we always knew,

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<v Speaker 1>like you have to be like have your thinking cap on,

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<v Speaker 1>like have enough coffee on the day that Alan culture

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<v Speaker 1>is there so that you can do the choreography exactly

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<v Speaker 1>on Broadway.

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<v Speaker 2>There we go.

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<v Speaker 1>I hope I can live up to that fantasy. Then

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<v Speaker 1>then so I say, oh, I have this scene where

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<v Speaker 1>I like walk to the doorway and say, like, wouldn't

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<v Speaker 1>it be great if men didn't exist? And then we

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<v Speaker 1>wouldn't feel disappointed? I mean, have you seen this thing

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<v Speaker 1>about this article that this woman wrote about that people

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<v Speaker 1>are embarrassed to post their boyfriends. Now, yes, it's so great.

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<v Speaker 2>It's kind of iconic, right, but it is it's how

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<v Speaker 2>wild that we got to that from where she was

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<v Speaker 2>in that doorway.

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<v Speaker 1>Right, because like back then, you know, and this is

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<v Speaker 1>someone who desperately wanted to get married, right, but then

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<v Speaker 1>who's obviously so disappointed.

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<v Speaker 2>And every other character had almost said that in a

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<v Speaker 2>different context before, but we never thought we'd see never, Charlotte.

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<v Speaker 1>Never, and Charlotte's like, it would just be so much

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<v Speaker 1>better if there were nomen and we could just feel

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<v Speaker 1>good about ourselves. And that's kind of what we're seeing

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<v Speaker 1>in this interesting twenty twenty five version of like we

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<v Speaker 1>can make our own living. We've got our great house,

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<v Speaker 1>we've got our great friends, we've got our dogs, we're

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<v Speaker 1>traveling wherever it is.

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<v Speaker 2>If it's kind of creating boundaries and relationships in a

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<v Speaker 2>way that like of being so clear about what it

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<v Speaker 2>is you're looking for and what you want in someone else,

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<v Speaker 2>and if they don't meet the mark, then your character

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<v Speaker 2>did that I think probably the clearest of being pretty specific.

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<v Speaker 1>She was certainly very specific. I think her the main

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<v Speaker 1>lesson in Tray, which I didn't realize was as complicated

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<v Speaker 1>as it is, right and we're only part way through

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<v Speaker 1>it by this episode, but you know, her issue was

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<v Speaker 1>that she wanted the picture book, right, like you know

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<v Speaker 1>how there's going to be that scene where he comes

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<v Speaker 1>to take the picture with her, even though.

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<v Speaker 2>It's really over one of the home and gardens.

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<v Speaker 1>He understands, yeah, exactly, he understands how important that is

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<v Speaker 1>for her, right, and that is something that's really important

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<v Speaker 1>for her. But that is an empty picture, you know,

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<v Speaker 1>And so that's her lesson, is that learning that your

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<v Speaker 1>your picture perfect doesn't make you happy, right, And that's

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<v Speaker 1>why then Harry you know, shows up on this and

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<v Speaker 1>does make her happy, Thank goodness, because that's what she

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<v Speaker 1>really wanted and needed. But you have to be smart

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<v Speaker 1>enough and know yourself well enough. Right.

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<v Speaker 2>She almost manifested too hard, And I think for.

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<v Speaker 1>Sure she was so focused. And I do think that

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<v Speaker 1>when when women focus, they focus, you know, one hundred

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<v Speaker 1>and fifty percent, and they do get what they want

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<v Speaker 1>it's just not necessarily they don't They don't want what's

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<v Speaker 1>actually going to make them happy, right, But they don't

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<v Speaker 1>know this until they get it and find that out right.

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<v Speaker 1>And that's what I loved about Charlotte. And that was

0:10:31.480 --> 0:10:34.240
<v Speaker 1>the plan. I mean, our writers this was They told

0:10:34.280 --> 0:10:36.040
<v Speaker 1>me that was the plan, and I was like, okay.

0:10:36.240 --> 0:10:38.560
<v Speaker 1>But then once Kyle came, I was like, but you guys,

0:10:38.760 --> 0:10:42.080
<v Speaker 1>we can't let him go.

0:10:42.400 --> 0:10:44.000
<v Speaker 2>But he played it so well.

0:10:43.800 --> 0:10:47.720
<v Speaker 1>So brilliantly, so brilliantly, so brilliantly. He's so good in

0:10:47.720 --> 0:10:51.120
<v Speaker 1>that scene when we lean on the on the backboard

0:10:51.160 --> 0:10:53.040
<v Speaker 1>and I ask him, you know whatever it is, it's

0:10:53.080 --> 0:10:54.719
<v Speaker 1>like the lower part of the wall. And I ask

0:10:54.800 --> 0:10:57.680
<v Speaker 1>him like, did you actually ever really want to marry me?

0:10:58.080 --> 0:11:00.400
<v Speaker 1>And he says, well, I don't know that I really

0:11:00.440 --> 0:11:02.360
<v Speaker 1>wanted to marry anyone. Does he say that or something

0:11:02.400 --> 0:11:03.959
<v Speaker 1>like that? He said, I just thought I should. It's

0:11:04.000 --> 0:11:06.840
<v Speaker 1>nice to hear man saying that. Yes, interesting right, like.

0:11:06.760 --> 0:11:09.480
<v Speaker 2>The and it's a different flip of your coin, because

0:11:09.960 --> 0:11:12.960
<v Speaker 2>you obviously were like, I should get married. I will

0:11:12.960 --> 0:11:15.840
<v Speaker 2>get married, and it should look exactly like this, So

0:11:16.120 --> 0:11:18.319
<v Speaker 2>he almost you were guilty of a similar crime.

0:11:18.440 --> 0:11:23.080
<v Speaker 1>Definitely, which is so perfect, so perfect, yea, so perfect.

0:11:23.320 --> 0:11:27.400
<v Speaker 1>And then he says very sweetly, and I say something like, well,

0:11:27.400 --> 0:11:29.200
<v Speaker 1>why did you then? And he said, you know, because

0:11:29.240 --> 0:11:31.640
<v Speaker 1>I felt like I had to in society tell me

0:11:31.640 --> 0:11:33.520
<v Speaker 1>I have to. But also I didn't think I'd ever

0:11:33.559 --> 0:11:36.959
<v Speaker 1>find anyone better than you or whatever, more perfect or

0:11:36.960 --> 0:11:38.800
<v Speaker 1>something so sweet.

0:11:39.320 --> 0:11:41.080
<v Speaker 2>Sad like he loved her.

0:11:41.320 --> 0:11:43.840
<v Speaker 1>I know, but it says, but then we carry on

0:11:43.920 --> 0:11:44.400
<v Speaker 1>next season.

0:11:44.480 --> 0:11:46.080
<v Speaker 2>Oh yep, sod it.

0:11:46.120 --> 0:11:46.920
<v Speaker 1>I don't remember.

0:11:47.080 --> 0:11:49.680
<v Speaker 2>I don't know what happens, okay, because not all that

0:11:49.760 --> 0:11:51.400
<v Speaker 2>the crazy sex hasn't happened yet.

0:11:51.480 --> 0:11:54.760
<v Speaker 1>No, I mean just once, the one the one time, right,

0:11:54.800 --> 0:11:56.720
<v Speaker 1>But can I just say I don't know if I

0:11:56.720 --> 0:11:58.720
<v Speaker 1>should say this, but I mean I could watch Kyle

0:11:58.760 --> 0:11:59.600
<v Speaker 1>and I kissing all day.

0:11:59.720 --> 0:12:02.080
<v Speaker 2>Oh it's it works, it's let me tell you. Chemistry

0:12:02.160 --> 0:12:04.280
<v Speaker 2>is great. And it was so I think it was

0:12:04.679 --> 0:12:07.920
<v Speaker 2>as an audience member, we we wanted.

0:12:07.559 --> 0:12:09.960
<v Speaker 1>That, like it was like I want it and I

0:12:10.080 --> 0:12:11.439
<v Speaker 1>was in it, so refreshing.

0:12:11.640 --> 0:12:11.880
<v Speaker 3>Right.

0:12:12.200 --> 0:12:16.359
<v Speaker 2>Yeah, it's also how interesting that you've built this relationship

0:12:16.400 --> 0:12:18.960
<v Speaker 2>with this this relationship up with this other actor and

0:12:19.000 --> 0:12:21.760
<v Speaker 2>you haven't done any of those sex scenes, whereas everybody

0:12:21.800 --> 0:12:24.200
<v Speaker 2>else is meeting someone the first day and then so

0:12:24.240 --> 0:12:26.880
<v Speaker 2>you're obviously so comfortable with Kyle at that point, right,

0:12:26.920 --> 0:12:28.719
<v Speaker 2>and then it's like you're finally doing what everybody else

0:12:28.760 --> 0:12:30.199
<v Speaker 2>has been doing the entire season.

0:12:29.960 --> 0:12:32.240
<v Speaker 1>Which is a much weight. It's very hard to just

0:12:32.280 --> 0:12:34.040
<v Speaker 1>meet someone and have to jump in bed with them

0:12:34.040 --> 0:12:35.199
<v Speaker 1>on the set, you know what I'm saying.

0:12:35.240 --> 0:12:37.000
<v Speaker 2>It's very odd, and so Kyle was probably one of

0:12:37.040 --> 0:12:39.760
<v Speaker 2>the few that you got that to do that with.

0:12:39.840 --> 0:12:41.680
<v Speaker 1>Oh, for sure, for sure, for sure. I mean I

0:12:41.679 --> 0:12:43.720
<v Speaker 1>have been making out with him for many many months

0:12:43.720 --> 0:12:44.880
<v Speaker 1>at this point, do you know what I mean?

0:12:44.960 --> 0:12:45.200
<v Speaker 2>Yeah.

0:12:45.240 --> 0:12:47.320
<v Speaker 1>But also it was very tasteful the way we do,

0:12:48.240 --> 0:12:50.640
<v Speaker 1>you know this particular like he comes in the door

0:12:50.679 --> 0:12:52.839
<v Speaker 1>and then it's craziness, but then we just fall out

0:12:52.840 --> 0:12:54.479
<v Speaker 1>of frame, which is cute, I thought.

0:12:54.240 --> 0:12:57.040
<v Speaker 2>And I think to land that next moment of the

0:12:57.600 --> 0:13:00.520
<v Speaker 2>honesty of it, so that it didn't feel camp, you know.

0:13:00.800 --> 0:13:03.880
<v Speaker 1>Definitely, No, I know, Alan Culture did a great job.

0:13:05.040 --> 0:13:06.760
<v Speaker 1>I know he is a good director. We always loved him.

0:13:06.760 --> 0:13:08.400
<v Speaker 1>He was one of my absolute favorites, which is why

0:13:08.400 --> 0:13:10.880
<v Speaker 1>I had him on the Pond. All right, So that's Charlotte,

0:13:11.920 --> 0:13:16.280
<v Speaker 1>and yes, so he confesses that he says he hadn't

0:13:16.280 --> 0:13:19.360
<v Speaker 1>felt the sex drive since before they got engaged, which

0:13:19.400 --> 0:13:22.800
<v Speaker 1>is interesting because you know, Charlotte was the one who

0:13:22.920 --> 0:13:25.120
<v Speaker 1>was like, I'm going to make him wait because I

0:13:25.160 --> 0:13:27.240
<v Speaker 1>think this could be the one, which I think is

0:13:27.280 --> 0:13:31.240
<v Speaker 1>such a misguided thing of waiting. Yeah, yeah, I mean

0:13:31.280 --> 0:13:33.840
<v Speaker 1>I don't think it's misguided to wait a little bit, right, Like,

0:13:33.880 --> 0:13:35.720
<v Speaker 1>I don't think I think that if you don't wait

0:13:35.760 --> 0:13:37.120
<v Speaker 1>at all, it could Yes, tell.

0:13:37.040 --> 0:13:39.120
<v Speaker 2>Us, Oh my god, the rules. Did you ever read

0:13:39.120 --> 0:13:43.240
<v Speaker 2>the rook? I had a whole last year's situation? Last

0:13:43.320 --> 0:13:46.120
<v Speaker 2>year we went. I I was a bridesmaid. I know,

0:13:46.840 --> 0:13:51.880
<v Speaker 2>I know it. So I was a bridesmaid in my

0:13:51.920 --> 0:13:56.000
<v Speaker 2>godsister's wedding and it was, you know, me, this transgirl

0:13:56.040 --> 0:13:59.000
<v Speaker 2>living in LA And then the most wholesome, sort of

0:13:59.360 --> 0:14:02.200
<v Speaker 2>you know, couple that had gotten married the early twenties,

0:14:02.760 --> 0:14:05.400
<v Speaker 2>and all were on a boat for her bachelorette and

0:14:05.400 --> 0:14:07.600
<v Speaker 2>there and I'm telling them I'm the only single one,

0:14:07.720 --> 0:14:10.840
<v Speaker 2>you know, and they're all married off and most beautiful

0:14:10.880 --> 0:14:13.080
<v Speaker 2>blondes you've ever seen, and they go, you need to

0:14:13.120 --> 0:14:16.680
<v Speaker 2>read the rules. We've all got our husbands because.

0:14:16.440 --> 0:14:17.079
<v Speaker 3>Of the rules.

0:14:17.080 --> 0:14:18.480
<v Speaker 1>Oh Jesus Christ.

0:14:18.240 --> 0:14:21.800
<v Speaker 2>And I'm going, well, I think Amazon it to the boat.

0:14:21.920 --> 0:14:24.360
<v Speaker 2>I think I got a dinghy for five ninety nine extra.

0:14:24.760 --> 0:14:27.200
<v Speaker 2>But I mean, and then it became my bible because

0:14:27.200 --> 0:14:28.880
<v Speaker 2>I said, well, if it worked for them in Colorado,

0:14:29.040 --> 0:14:30.640
<v Speaker 2>it's going to work for me a trans girl in

0:14:30.680 --> 0:14:35.560
<v Speaker 2>the spotlight in La And it did not. But one

0:14:35.560 --> 0:14:38.200
<v Speaker 2>of them was that you can't have sex until like

0:14:38.280 --> 0:14:40.720
<v Speaker 2>the third or fourth date or something, and it's like,

0:14:40.760 --> 0:14:44.920
<v Speaker 2>well that's hard, and then I'm And there was other

0:14:44.960 --> 0:14:47.440
<v Speaker 2>ones though, where I obviously I think we both love

0:14:47.520 --> 0:14:49.960
<v Speaker 2>to talk, but it was like, you can't ask a

0:14:50.040 --> 0:14:52.520
<v Speaker 2>question before, like you, and then you can't call.

0:14:52.320 --> 0:14:55.160
<v Speaker 1>Them first, you can't so many.

0:14:55.360 --> 0:14:57.440
<v Speaker 2>You can't visit them if you're a long distance like

0:14:57.840 --> 0:15:00.880
<v Speaker 2>And I lived by that for so long until I like,

0:15:01.280 --> 0:15:03.360
<v Speaker 2>I forget what the turning point was. But there was

0:15:03.440 --> 0:15:06.320
<v Speaker 2>one night where I was reading it and it was

0:15:06.360 --> 0:15:10.120
<v Speaker 2>towards the end and I was like this and it

0:15:10.280 --> 0:15:13.160
<v Speaker 2>because it was like it literally was how to take

0:15:13.160 --> 0:15:15.560
<v Speaker 2>away all of your parts of yourself in order to

0:15:15.640 --> 0:15:20.240
<v Speaker 2>be a good wife or a potential And then I

0:15:20.280 --> 0:15:22.120
<v Speaker 2>was like, but then what happens when you actually get

0:15:22.120 --> 0:15:24.520
<v Speaker 2>married and then they find out who you are? For sure,

0:15:24.640 --> 0:15:26.760
<v Speaker 2>but maybe was it kind of Do you think Charlotte

0:15:26.760 --> 0:15:27.680
<v Speaker 2>would have read the rules?

0:15:27.760 --> 0:15:29.560
<v Speaker 1>Oh? Yeah, No, Charlotte's got a bunch of books. I

0:15:29.600 --> 0:15:31.480
<v Speaker 1>can't remember if I held the rules up. She's got

0:15:31.480 --> 0:15:33.840
<v Speaker 1>a bunch of books. She's got the book about how

0:15:33.880 --> 0:15:36.240
<v Speaker 1>you need to look at it like a corporate you know,

0:15:36.480 --> 0:15:39.560
<v Speaker 1>job right, She's got to make cold calls and whatever,

0:15:39.720 --> 0:15:41.960
<v Speaker 1>call her married friend's husbands and ask them to set

0:15:41.960 --> 0:15:43.760
<v Speaker 1>her up on dates whatever. That was a weird one.

0:15:43.800 --> 0:15:45.880
<v Speaker 2>And then you got set up with the married guy

0:15:46.080 --> 0:15:47.480
<v Speaker 2>exactly the friend.

0:15:47.240 --> 0:15:50.640
<v Speaker 1>Oh to me, Trey, But yeah, that was so wicky

0:15:50.720 --> 0:15:54.040
<v Speaker 1>and Charlotte's like what, which I thought was funny. But

0:15:54.400 --> 0:15:57.040
<v Speaker 1>I do think she had the Rules on her bookshelf

0:15:57.080 --> 0:15:59.800
<v Speaker 1>at one point, like maybe first or second season, because

0:15:59.840 --> 0:16:01.400
<v Speaker 1>I I mean, there was a time where you couldn't

0:16:01.560 --> 0:16:02.720
<v Speaker 1>escape that book.

0:16:02.760 --> 0:16:03.520
<v Speaker 2>It was everywhere.

0:16:03.760 --> 0:16:14.560
<v Speaker 3>Yeah.

0:16:14.600 --> 0:16:18.000
<v Speaker 2>Also, do you think this idea of her saving herself

0:16:18.000 --> 0:16:21.160
<v Speaker 2>for marriage? Did she obviously had had sex before?

0:16:21.480 --> 0:16:21.920
<v Speaker 1>Clearly?

0:16:22.160 --> 0:16:26.240
<v Speaker 2>And then did I think I remember that correctly? Yeah?

0:16:26.320 --> 0:16:28.840
<v Speaker 2>But did do you think that she was like this

0:16:28.960 --> 0:16:30.800
<v Speaker 2>is the one I want, so I'm going to do

0:16:30.920 --> 0:16:31.440
<v Speaker 2>it differently?

0:16:31.600 --> 0:16:34.880
<v Speaker 1>Definitely? Well, I think I think she she tried many things, right,

0:16:35.000 --> 0:16:36.680
<v Speaker 1>like how you do when you have this goal but

0:16:36.760 --> 0:16:38.440
<v Speaker 1>you don't know how to get to it, And so

0:16:38.760 --> 0:16:41.200
<v Speaker 1>she tried many things, and she did, I think have

0:16:41.360 --> 0:16:44.760
<v Speaker 1>in her head in general. You know, I've got to

0:16:44.840 --> 0:16:48.280
<v Speaker 1>keep him like because she doesn't. They just make out

0:16:48.400 --> 0:16:51.000
<v Speaker 1>for weeks, man, Yes, and I won't let him in

0:16:51.000 --> 0:16:52.800
<v Speaker 1>the house or whatever. It's crazy.

0:16:53.160 --> 0:16:55.400
<v Speaker 2>But do you think would it have it would have

0:16:55.440 --> 0:16:57.920
<v Speaker 2>gone differently if she would have had sex with him?

0:16:57.960 --> 0:17:00.680
<v Speaker 1>Well, I think it would have gone differently because I feel,

0:17:00.760 --> 0:17:03.920
<v Speaker 1>I feel what do I know? Right? They are fictional

0:17:03.960 --> 0:17:04.840
<v Speaker 1>characters fight.

0:17:06.040 --> 0:17:07.160
<v Speaker 2>Just for a second.

0:17:07.560 --> 0:17:10.480
<v Speaker 1>What would have happened? Was that? So he says in

0:17:10.520 --> 0:17:13.959
<v Speaker 1>this scene, I haven't felt this sex strive since before

0:17:14.000 --> 0:17:16.640
<v Speaker 1>we got engaged, right, So that means when they got

0:17:16.640 --> 0:17:19.640
<v Speaker 1>engaged with Charlotte engineers, Yes, you know what I mean?

0:17:19.680 --> 0:17:22.040
<v Speaker 1>Like that was Charlotte's doing the timing of it, right,

0:17:22.400 --> 0:17:24.960
<v Speaker 1>Maybe he was thinking it, but he's not gonna do

0:17:25.040 --> 0:17:27.159
<v Speaker 1>it right then. And then he buys her the ring

0:17:27.200 --> 0:17:29.159
<v Speaker 1>because she's pouting and blah blah blah blah. Right, so

0:17:29.200 --> 0:17:32.280
<v Speaker 1>it was all kind of backwards in some alrighty, Yes,

0:17:32.320 --> 0:17:36.480
<v Speaker 1>the nightmare the nightmare word, Yes, that that was. People

0:17:36.560 --> 0:17:38.200
<v Speaker 1>just said that to us all the time for quite

0:17:38.200 --> 0:17:43.199
<v Speaker 1>some time. I think what would have happened was they

0:17:43.240 --> 0:17:44.480
<v Speaker 1>would have been free.

0:17:45.400 --> 0:17:48.680
<v Speaker 2>To define their relationship exactly see.

0:17:48.400 --> 0:17:50.920
<v Speaker 1>And they would have been free from whatever constraints shut

0:17:51.000 --> 0:17:53.520
<v Speaker 1>him down, right, which has to do obviously with his

0:17:53.640 --> 0:17:55.040
<v Speaker 1>mother and whatnot.

0:17:54.800 --> 0:17:56.000
<v Speaker 2>And your pressure to.

0:17:56.200 --> 0:17:59.080
<v Speaker 1>And my pressure on my timeline to get engaged and

0:17:59.080 --> 0:18:01.879
<v Speaker 1>then you're in. I do think that's something that happens,

0:18:02.040 --> 0:18:04.440
<v Speaker 1>and I hope it's less so now in twenty twenty five,

0:18:04.440 --> 0:18:06.320
<v Speaker 1>but I'm not sure if it is. You know, there

0:18:06.400 --> 0:18:09.480
<v Speaker 1>you do go into a husband wife mentality of like, oh,

0:18:09.520 --> 0:18:12.119
<v Speaker 1>we're doing the things that are expected of us, and

0:18:12.160 --> 0:18:15.000
<v Speaker 1>that can feel very stifling, you know, for people. So

0:18:15.080 --> 0:18:18.400
<v Speaker 1>I think if they if Charlotte hadn't made him wait

0:18:18.480 --> 0:18:20.600
<v Speaker 1>and done all these things, then he would have been

0:18:20.640 --> 0:18:22.919
<v Speaker 1>freer and maybe they could have found each other in

0:18:22.960 --> 0:18:25.800
<v Speaker 1>a freer way, in a more complete way, and then

0:18:25.920 --> 0:18:28.520
<v Speaker 1>hopefully things could have still gone along. I don't think

0:18:28.600 --> 0:18:32.919
<v Speaker 1>that he's that kind of guy where he needs the pursuit,

0:18:33.000 --> 0:18:34.720
<v Speaker 1>you know what I'm saying. I don't feel like he's that.

0:18:34.960 --> 0:18:36.920
<v Speaker 1>I feel like he's a good guy, but he does

0:18:36.960 --> 0:18:39.720
<v Speaker 1>seem to have some kind of deep seated issues.

0:18:39.960 --> 0:18:43.280
<v Speaker 2>Well, yea, those families do breed him that way, so sure.

0:18:43.160 --> 0:18:45.240
<v Speaker 1>For sure, for sure, and not a not a family

0:18:45.240 --> 0:18:48.600
<v Speaker 1>where you're talking about your feelings freely as Charlotte. Also,

0:18:48.880 --> 0:18:51.720
<v Speaker 1>you know, Charlotte or no, not Bunny, not Bunny McDougal.

0:18:51.800 --> 0:18:54.920
<v Speaker 1>She goes smoke and be mean. But Charlotte at one

0:18:54.920 --> 0:18:58.520
<v Speaker 1>point earlier in the show says, you know, in my family,

0:18:58.680 --> 0:19:01.320
<v Speaker 1>we don't talk about our feelings. We tennis, which was

0:19:01.320 --> 0:19:04.719
<v Speaker 1>true in his family too, right, like that whole tennis. Yeah, anyway,

0:19:04.920 --> 0:19:06.960
<v Speaker 1>so who knows, who knows what would have happened?

0:19:06.960 --> 0:19:07.879
<v Speaker 2>Okay, we will never know.

0:19:08.119 --> 0:19:10.240
<v Speaker 1>But I think what's great is whatever's gonna we're going

0:19:10.320 --> 0:19:11.919
<v Speaker 1>to see in the fourth season, where apparently we have

0:19:11.960 --> 0:19:12.600
<v Speaker 1>a lot of sex.

0:19:12.720 --> 0:19:14.800
<v Speaker 2>I don't remember this, Well you're about to.

0:19:14.920 --> 0:19:17.359
<v Speaker 1>I guess I am. I'm excited. I'm excited to see it.

0:19:17.440 --> 0:19:19.600
<v Speaker 1>But I did really love how we how we leave

0:19:19.600 --> 0:19:22.119
<v Speaker 1>it there with us just talking really honestly, which is

0:19:22.160 --> 0:19:25.200
<v Speaker 1>really really nice. Okay, let's just ignore Samantha for a second,

0:19:25.200 --> 0:19:27.800
<v Speaker 1>because we have talked about her for a while. Let's

0:19:27.840 --> 0:19:28.720
<v Speaker 1>talk about Miranda.

0:19:28.800 --> 0:19:30.560
<v Speaker 2>It's so good it's really good.

0:19:30.640 --> 0:19:33.320
<v Speaker 1>It's so good. And if you think about the whole

0:19:33.440 --> 0:19:36.320
<v Speaker 1>trajectory of Miranda, including the films, and in just like

0:19:36.359 --> 0:19:41.080
<v Speaker 1>that she's struggling with the fact that she's judgmental, it's

0:19:41.160 --> 0:19:44.040
<v Speaker 1>so great and I love her so much.

0:19:44.320 --> 0:19:46.800
<v Speaker 2>And the ft it's like triggered in the weirdest way

0:19:46.840 --> 0:19:51.280
<v Speaker 2>of her ordering food yes and feeling judged yes.

0:19:51.160 --> 0:19:54.320
<v Speaker 1>Because the girl laughs at her and knows her her order.

0:19:54.720 --> 0:19:57.120
<v Speaker 1>And then she goes down there to confront this woman

0:19:57.160 --> 0:19:59.639
<v Speaker 1>who's laughing at her and sees her laughing in the

0:19:59.680 --> 0:20:02.040
<v Speaker 1>same way with someone else over nothing, and then she

0:20:02.119 --> 0:20:04.240
<v Speaker 1>realizes that it's not about her, which is like so

0:20:04.640 --> 0:20:05.480
<v Speaker 1>true to life.

0:20:05.560 --> 0:20:08.320
<v Speaker 2>There's so many of those moments where you like, I

0:20:08.320 --> 0:20:11.840
<v Speaker 2>think it's somebody. A lot of people say they're never

0:20:12.200 --> 0:20:14.040
<v Speaker 2>thinking about you the way that you think they are.

0:20:14.720 --> 0:20:18.960
<v Speaker 2>We're all so like individual that it's we're not thinking

0:20:19.000 --> 0:20:20.240
<v Speaker 2>about other people that we're not.

0:20:20.320 --> 0:20:22.520
<v Speaker 1>But of course you take it personally if you feel

0:20:22.520 --> 0:20:23.840
<v Speaker 1>like someone at the time.

0:20:23.760 --> 0:20:26.199
<v Speaker 2>And which Miranda, would you ever have those conversations in

0:20:26.240 --> 0:20:28.719
<v Speaker 2>the shower with yourself where like you it's like all

0:20:28.760 --> 0:20:30.280
<v Speaker 2>the things you would say to a person if you

0:20:30.280 --> 0:20:31.960
<v Speaker 2>were And then those conversations never happen.

0:20:32.200 --> 0:20:35.399
<v Speaker 1>Yes, yes, but that's what I love so much about

0:20:35.400 --> 0:20:38.560
<v Speaker 1>Miranda and Carrie, Like when they do get in this

0:20:38.640 --> 0:20:39.359
<v Speaker 1>fight in.

0:20:39.240 --> 0:20:41.879
<v Speaker 2>This the first big one ever, it's the first.

0:20:41.960 --> 0:20:45.679
<v Speaker 1>Well, there is one earlier on that's also about Big,

0:20:46.240 --> 0:20:51.120
<v Speaker 1>where Carrie calls her from a phone booth in the rain,

0:20:51.800 --> 0:20:53.440
<v Speaker 1>and then you think she might be calling me Big,

0:20:53.480 --> 0:20:55.600
<v Speaker 1>But then she goes and she meets Miranda. Miranda's all

0:20:55.640 --> 0:20:57.840
<v Speaker 1>wet and she's come to the coffee shop. That I

0:20:57.880 --> 0:21:00.680
<v Speaker 1>think was the first fight. Yes, it wasn't as in

0:21:00.720 --> 0:21:01.640
<v Speaker 1>depth as this fight.

0:21:01.760 --> 0:21:04.679
<v Speaker 2>This fight to me, all of it on the table.

0:21:04.720 --> 0:21:08.000
<v Speaker 1>It was so good and so risky, Like I never

0:21:08.000 --> 0:21:09.200
<v Speaker 1>fight with my girlfriends.

0:21:09.359 --> 0:21:10.320
<v Speaker 3>I'd be scared to death.

0:21:10.359 --> 0:21:13.919
<v Speaker 1>I shouldn't say never. Occasionally a fight will happen. The

0:21:14.000 --> 0:21:17.960
<v Speaker 1>tension is like, I feel like it's very risky to

0:21:18.560 --> 0:21:21.479
<v Speaker 1>say things like this to your girlfriends.

0:21:21.080 --> 0:21:22.200
<v Speaker 2>Because that's your safe space.

0:21:22.320 --> 0:21:24.320
<v Speaker 1>It's your safe space, and you might be blowing up

0:21:24.320 --> 0:21:27.800
<v Speaker 1>your safe space because literally, Miranda says to carry, I

0:21:27.960 --> 0:21:30.520
<v Speaker 1>do not want to hear about Big again, and I

0:21:30.560 --> 0:21:32.560
<v Speaker 1>do not want you coming to cry on my shoulder,

0:21:32.800 --> 0:21:35.760
<v Speaker 1>you know, And she's not wrong, right, But then in

0:21:35.840 --> 0:21:38.440
<v Speaker 1>the end, of course she is wrong, because of course

0:21:38.480 --> 0:21:39.880
<v Speaker 1>you're going to be there for your friend to cry

0:21:39.880 --> 0:21:41.840
<v Speaker 1>and the shoulder, and if the friend has to go

0:21:41.920 --> 0:21:43.800
<v Speaker 1>through that, the friend has to go through that.

0:21:44.080 --> 0:21:47.320
<v Speaker 2>And I think that that was such a growing pain

0:21:47.640 --> 0:21:51.159
<v Speaker 2>moment of like, because it then it leveled the playing

0:21:51.200 --> 0:21:53.280
<v Speaker 2>field in a way, because I think they both got

0:21:53.359 --> 0:21:55.000
<v Speaker 2>everything they needed to off their chest, not in the

0:21:55.000 --> 0:21:58.840
<v Speaker 2>most productive way, but in a way that then their friendship.

0:21:59.040 --> 0:22:01.600
<v Speaker 2>When you get through something like that, it only becomes richer.

0:22:01.520 --> 0:22:05.280
<v Speaker 1>Absolutely, And that's what is so incredible about them, because

0:22:05.280 --> 0:22:07.560
<v Speaker 1>they're both so strong in their own ways. I mean,

0:22:07.640 --> 0:22:10.639
<v Speaker 1>Miranda's kind of more openly strong and Judgie, but Carrie's

0:22:10.680 --> 0:22:13.320
<v Speaker 1>very strong as well, right, and she stands right back

0:22:13.359 --> 0:22:15.400
<v Speaker 1>up to her in the vintage shop. You know, that's

0:22:15.840 --> 0:22:17.600
<v Speaker 1>the whole thing in the veneed shop. I had forgot.

0:22:17.400 --> 0:22:20.920
<v Speaker 2>Stubborn all about it. Well, still, the girls can be stubborn.

0:22:22.080 --> 0:22:23.159
<v Speaker 2>That's very true.

0:22:23.359 --> 0:22:26.040
<v Speaker 1>That's very very true in their own ways. It's very

0:22:26.119 --> 0:22:28.800
<v Speaker 1>very true, very very true. All right.

0:22:28.880 --> 0:22:30.800
<v Speaker 2>So wait, oh, they run into the boyfriends.

0:22:30.800 --> 0:22:33.000
<v Speaker 1>They run into the boyfriends. That was so crazy. I

0:22:33.000 --> 0:22:35.520
<v Speaker 1>didn't remember that. I didn't even remember that. Steve and

0:22:35.560 --> 0:22:39.200
<v Speaker 1>Aiden become friends. But it totally makes so much sense.

0:22:39.200 --> 0:22:43.680
<v Speaker 1>They both have their dogs, they're both like regular guys, right,

0:22:44.359 --> 0:22:46.800
<v Speaker 1>I mean, is Aidan simple? I don't think so. It

0:22:46.880 --> 0:22:48.639
<v Speaker 1>kind of seems like you might be there.

0:22:49.359 --> 0:22:52.520
<v Speaker 2>I think it's the delusion of the girls, because that's

0:22:53.040 --> 0:22:55.480
<v Speaker 2>I feel like me and my girlfriends we operate out

0:22:55.480 --> 0:22:58.359
<v Speaker 2>of delusion, and that that's why we've gotten where we

0:22:58.400 --> 0:23:00.680
<v Speaker 2>are is because we're like, well, of course they're these

0:23:00.680 --> 0:23:03.720
<v Speaker 2>guys are just having drinks, thinking about us and talking

0:23:03.720 --> 0:23:05.600
<v Speaker 2>about us with other women.

0:23:05.880 --> 0:23:06.000
<v Speaker 1>Right.

0:23:06.280 --> 0:23:10.240
<v Speaker 2>And then but when those girls walk coming out or

0:23:10.400 --> 0:23:14.159
<v Speaker 2>just wherever those women are, I know, and they it

0:23:14.359 --> 0:23:16.560
<v Speaker 2>hits you and it's the most embarrassing thing, and you

0:23:16.640 --> 0:23:19.919
<v Speaker 2>fall from this pedestal. And and then when they're you know,

0:23:19.920 --> 0:23:22.000
<v Speaker 2>they're bumping. They don't know where to do with their.

0:23:21.920 --> 0:23:24.200
<v Speaker 1>Bodies when they can't get out. Oh my god.

0:23:24.600 --> 0:23:27.440
<v Speaker 2>But have you ever had any weird run ins with xes?

0:23:29.080 --> 0:23:31.840
<v Speaker 1>Oh? L, I'm sure I have. I don't even know.

0:23:32.119 --> 0:23:36.160
<v Speaker 1>Your questions are too good and scary scary, yes, scary

0:23:36.160 --> 0:23:38.479
<v Speaker 1>you can tell by the deer in the headlights. I

0:23:38.520 --> 0:23:45.520
<v Speaker 1>can't think right now. I mean, yeah, I I generally

0:23:45.720 --> 0:23:48.120
<v Speaker 1>am relatively friendly with my exits.

0:23:48.600 --> 0:23:50.920
<v Speaker 2>How about have you ever worn something that like you

0:23:51.000 --> 0:23:52.760
<v Speaker 2>knew you were going to see your ex and so

0:23:52.840 --> 0:23:54.600
<v Speaker 2>you're like, I'm going to look I'm going to look

0:23:54.640 --> 0:23:55.000
<v Speaker 2>like this.

0:23:55.440 --> 0:23:58.960
<v Speaker 1>Well for sure, I mean it's been a while. It's

0:23:59.000 --> 0:24:02.680
<v Speaker 1>been a second, yes, since I've been concerned with any xes,

0:24:02.720 --> 0:24:06.440
<v Speaker 1>Let's put it that way. They're like, I'm like kind

0:24:06.440 --> 0:24:07.840
<v Speaker 1>of over it all, do you know what I mean?

0:24:08.119 --> 0:24:11.720
<v Speaker 2>Not yet, I'm concerned about are you exes? Yeah?

0:24:11.800 --> 0:24:12.399
<v Speaker 3>Are you well?

0:24:12.440 --> 0:24:14.480
<v Speaker 2>Because maybe one of them could still be up the

0:24:14.520 --> 0:24:15.760
<v Speaker 2>one you know?

0:24:15.840 --> 0:24:20.359
<v Speaker 1>Have you heard is it opal lighte? I'm going to

0:24:20.440 --> 0:24:22.760
<v Speaker 1>talk to Taylor Swift song right now. Okay, she has

0:24:22.800 --> 0:24:26.240
<v Speaker 1>this line. I love it so much. So at the

0:24:26.320 --> 0:24:29.080
<v Speaker 1>beginning of you heard is it op light she says,

0:24:29.480 --> 0:24:34.919
<v Speaker 1>I have this habit of living in the past. I

0:24:34.920 --> 0:24:38.320
<v Speaker 1>think she says, thinking about my exes. My brother calls

0:24:38.320 --> 0:24:49.080
<v Speaker 1>it eating from the trash.

0:24:44.320 --> 0:24:48.520
<v Speaker 2>Honey, pull the trash can out because I'm I'm hungry interest.

0:24:49.160 --> 0:24:50.960
<v Speaker 1>I don't know if you should do that though, no, no, no,

0:24:51.359 --> 0:24:52.360
<v Speaker 1>can be a waste of time.

0:24:52.600 --> 0:24:54.480
<v Speaker 2>And then I wrote down a quote. I'm going to

0:24:54.640 --> 0:24:56.840
<v Speaker 2>a quote this episode and sad, I wish it was

0:24:56.880 --> 0:25:01.080
<v Speaker 2>a Taylor swift lyric. But this one way the rear

0:25:01.160 --> 0:25:07.360
<v Speaker 2>view mirror, the relationship appears closer than the relationship appears

0:25:07.359 --> 0:25:09.040
<v Speaker 2>closer than it appears.

0:25:09.160 --> 0:25:11.080
<v Speaker 1>Listen, I'm a master at this, and I just need

0:25:11.119 --> 0:25:12.800
<v Speaker 1>to tell you, don't waste your time with this.

0:25:13.320 --> 0:25:13.639
<v Speaker 2>Okay.

0:25:13.760 --> 0:25:15.960
<v Speaker 1>If they're gone, they're gone for a reason. They're gonna

0:25:15.960 --> 0:25:18.720
<v Speaker 1>come back. Don't let them. You need to be moving

0:25:18.760 --> 0:25:22.359
<v Speaker 1>forward this take it from me. I've spent a lot

0:25:22.400 --> 0:25:23.560
<v Speaker 1>of time waiting for it.

0:25:23.840 --> 0:25:26.720
<v Speaker 2>In the way that Alabama guy taught me, he was like,

0:25:26.760 --> 0:25:29.760
<v Speaker 2>you're a woman. I'm also now Kristin Davis has taught

0:25:29.800 --> 0:25:31.919
<v Speaker 2>me that I don't need to go back to the battle.

0:25:32.400 --> 0:25:34.159
<v Speaker 2>You don't let it go.

0:25:34.320 --> 0:25:34.920
<v Speaker 1>They're going to come.

0:25:34.960 --> 0:25:37.560
<v Speaker 2>But I will say, but the rear view mirror for Carrie,

0:25:38.200 --> 0:25:42.159
<v Speaker 2>I think is really interesting because you start to romanticize it.

0:25:42.280 --> 0:25:44.600
<v Speaker 2>Once the time goes on, you're like, wait, what was

0:25:44.640 --> 0:25:45.720
<v Speaker 2>so bad? Right?

0:25:45.760 --> 0:25:48.359
<v Speaker 1>But that's what I do love about Carrie, because Carrie

0:25:48.840 --> 0:25:51.760
<v Speaker 1>in this is the episode where they go and have

0:25:51.960 --> 0:25:53.840
<v Speaker 1>lunch at the boat house and fall in the pond,

0:25:54.400 --> 0:25:56.720
<v Speaker 1>which was like a very big deal, and she wears

0:25:56.760 --> 0:25:59.240
<v Speaker 1>that incredible. I think it's a Richard Tyler dress.

0:25:59.280 --> 0:26:01.480
<v Speaker 2>Who it's almost that we think it's going to be

0:26:01.480 --> 0:26:03.160
<v Speaker 2>the naked dress because of she's.

0:26:03.800 --> 0:26:07.160
<v Speaker 1>But it's lunch, right, it's lunch, and it's and it's better.

0:26:07.240 --> 0:26:10.280
<v Speaker 1>It's better. But I remember the stress about them falling

0:26:10.280 --> 0:26:13.880
<v Speaker 1>in the pond and they had like hydrogen peroxide to

0:26:13.960 --> 0:26:16.119
<v Speaker 1>like pour them because it's green. It's solid green in

0:26:16.160 --> 0:26:17.920
<v Speaker 1>that pond. Like you don't want to go in that pond,

0:26:17.960 --> 0:26:19.280
<v Speaker 1>you know what I mean. But it was such a

0:26:19.320 --> 0:26:21.200
<v Speaker 1>great thing that they were like, yeah, we're going to

0:26:21.320 --> 0:26:23.200
<v Speaker 1>do it. So they had we had like first daid

0:26:23.280 --> 0:26:25.199
<v Speaker 1>there and everything, and then she cuts her foot in

0:26:25.280 --> 0:26:27.560
<v Speaker 1>the pond. Yeah, she cut her foot in the pond.

0:26:27.640 --> 0:26:30.080
<v Speaker 1>She had to go get a tetanis shot. And then

0:26:30.320 --> 0:26:32.359
<v Speaker 1>this is another thing that I remember happening because I

0:26:32.400 --> 0:26:34.439
<v Speaker 1>wasn't there that day, but I remember like there's a

0:26:34.440 --> 0:26:37.560
<v Speaker 1>big rum. You're you're you're worried, like how's it going?

0:26:37.600 --> 0:26:38.960
<v Speaker 1>And I think Sarah and I might have had our

0:26:39.000 --> 0:26:41.439
<v Speaker 1>blackberries at that point, the original ones, like the tiny

0:26:41.440 --> 0:26:44.239
<v Speaker 1>little ones. Yeah, and we text all day, you know,

0:26:44.320 --> 0:26:46.200
<v Speaker 1>and I was like so worried, like how's it going,

0:26:46.200 --> 0:26:48.479
<v Speaker 1>How's it going? And you know, how they fall they

0:26:48.520 --> 0:26:50.960
<v Speaker 1>fall so beautifully in the water because he kind of

0:26:50.960 --> 0:26:52.720
<v Speaker 1>comes in to kiss her and she's like ah, and

0:26:52.760 --> 0:26:55.800
<v Speaker 1>then her physical comedy is so brilliant, you know. So

0:26:55.840 --> 0:27:01.359
<v Speaker 1>she's like very gorgeously slow mogoes backward and her leg

0:27:01.480 --> 0:27:04.440
<v Speaker 1>kicks up. Well, the paparazzi had been there and they

0:27:04.440 --> 0:27:07.119
<v Speaker 1>took a bunch of pictures, and then later they reached

0:27:07.119 --> 0:27:08.760
<v Speaker 1>out to her people and was like, well, we have

0:27:08.880 --> 0:27:11.959
<v Speaker 1>pictures of Sir Jusica falling in the pond and she

0:27:12.040 --> 0:27:14.800
<v Speaker 1>wasn't wearing underwear, and you need to pay us for

0:27:14.880 --> 0:27:18.280
<v Speaker 1>these pictures. And was like, I was totally wearing underwear.

0:27:18.280 --> 0:27:19.320
<v Speaker 1>What are they talking about?

0:27:19.400 --> 0:27:20.199
<v Speaker 2>Like psychotic?

0:27:20.400 --> 0:27:23.040
<v Speaker 1>I know, this is how it is. Okay, this is

0:27:23.080 --> 0:27:24.800
<v Speaker 1>how it is. And I remember this stress and I

0:27:24.840 --> 0:27:27.560
<v Speaker 1>was so stressed out, like yeah, what could those pictures be?

0:27:27.800 --> 0:27:30.520
<v Speaker 1>And she was like, I was wearing underwear. Don't even worry.

0:27:30.600 --> 0:27:32.119
<v Speaker 1>I'm not even worried about it. And I was like,

0:27:32.160 --> 0:27:36.159
<v Speaker 1>you are stronger than me. But you know, they did

0:27:36.200 --> 0:27:37.680
<v Speaker 1>they the pond in any way.

0:27:37.840 --> 0:27:41.320
<v Speaker 2>No, it's huge, They're not important, there's nothing.

0:27:42.280 --> 0:27:45.640
<v Speaker 1>No, they hadn't doused them with hydrogen peroxide like over

0:27:45.680 --> 0:27:46.240
<v Speaker 1>their heads.

0:27:46.320 --> 0:27:48.000
<v Speaker 2>I hope they got a good wrap gift for that.

0:27:49.000 --> 0:27:51.359
<v Speaker 1>I don't think so back in the day, I can't

0:27:51.359 --> 0:27:53.600
<v Speaker 1>think of what the rap gift was. I don't know

0:27:53.920 --> 0:27:54.520
<v Speaker 1>been part.

0:27:54.320 --> 0:27:56.520
<v Speaker 2>Of me, I think because I'm so optimistic and just

0:27:56.560 --> 0:27:59.480
<v Speaker 2>want to do everything twice, I'd be like, oh, I

0:27:59.520 --> 0:28:01.040
<v Speaker 2>get to fall like I'm one of the few people

0:28:01.080 --> 0:28:02.520
<v Speaker 2>that get to falla in the pond.

0:28:02.640 --> 0:28:04.920
<v Speaker 1>I mean, I do think they felt it was special. Okay,

0:28:04.960 --> 0:28:08.359
<v Speaker 1>it was so We hate the word iconic because everyone

0:28:08.440 --> 0:28:10.000
<v Speaker 1>used to use it back in the day and now

0:28:10.000 --> 0:28:13.439
<v Speaker 1>people use it every other sentence or whatever. It was iconic.

0:28:24.040 --> 0:28:25.800
<v Speaker 2>What was your most special thing that you said? I

0:28:25.800 --> 0:28:27.720
<v Speaker 2>can't believe this is happening to me right now.

0:28:28.480 --> 0:28:31.280
<v Speaker 1>My first thought was the tray wedding because it was

0:28:31.320 --> 0:28:34.840
<v Speaker 1>so beautiful. Yeah, But the second thought was the wedding

0:28:34.880 --> 0:28:37.399
<v Speaker 1>that doesn't happen in the movie because we're at the

0:28:37.400 --> 0:28:39.840
<v Speaker 1>New York Public Library, Yes, and we filmed there for

0:28:39.880 --> 0:28:42.640
<v Speaker 1>so long and it was so gorgeous.

0:28:42.800 --> 0:28:46.480
<v Speaker 2>I did I recreated your when BIG's Coming after Carrie

0:28:46.520 --> 0:28:48.080
<v Speaker 2>and I was in the little Black dress with it

0:28:48.120 --> 0:28:53.800
<v Speaker 2>then't Yeah? Good that so, but that felt crazier at Lart,

0:28:53.920 --> 0:28:54.840
<v Speaker 2>Like it felt.

0:28:54.560 --> 0:28:59.520
<v Speaker 1>Crazy because it was so big and beautiful and and

0:28:59.760 --> 0:29:02.000
<v Speaker 1>like we had a room in the in the public

0:29:02.040 --> 0:29:03.960
<v Speaker 1>library that I have pictures of us where we would

0:29:04.160 --> 0:29:06.920
<v Speaker 1>lounge between takes, you know, yes, and we'd hang up

0:29:06.960 --> 0:29:08.320
<v Speaker 1>my dress because it was so big we had to

0:29:08.320 --> 0:29:09.920
<v Speaker 1>steam it out all the time. And we'd be in

0:29:10.040 --> 0:29:13.520
<v Speaker 1>robes like lounging with the tapestries behind us. Like it

0:29:13.640 --> 0:29:17.040
<v Speaker 1>was so nuts that we were allowed to be there,

0:29:17.280 --> 0:29:19.560
<v Speaker 1>you know. And that went on for a while too,

0:29:19.640 --> 0:29:22.360
<v Speaker 1>write like at least a week, maybe more. I mean,

0:29:22.440 --> 0:29:24.760
<v Speaker 1>so many different things have been so huge, going to Morocco,

0:29:24.840 --> 0:29:27.120
<v Speaker 1>filming in Morocco, I mean I could go on. We

0:29:27.200 --> 0:29:29.160
<v Speaker 1>filmed in the Sahara Desert on the camels.

0:29:29.360 --> 0:29:31.800
<v Speaker 2>I mean, it doesn't get much crazier than that.

0:29:31.880 --> 0:29:34.280
<v Speaker 1>It doesn't. And that was us at a little show

0:29:34.360 --> 0:29:37.080
<v Speaker 1>about four women stomping around Manhattan, you know what I mean,

0:29:37.640 --> 0:29:39.800
<v Speaker 1>anything as possible, It's true. All right, back to the show.

0:29:39.920 --> 0:29:45.120
<v Speaker 1>Let's go. Okay, So Carrie and Miranda running Steve and

0:29:45.200 --> 0:29:49.120
<v Speaker 1>Aiden is really sad because then these really cute girls

0:29:49.240 --> 0:29:52.520
<v Speaker 1>Jessica and Susan show up. And this is after Carrie

0:29:52.560 --> 0:29:55.560
<v Speaker 1>and Miranda. No Carrie, yeah, Karrie Miranda have hidden in

0:29:55.640 --> 0:29:58.280
<v Speaker 1>the hallway, thinking like they've got to run, they've got

0:29:58.320 --> 0:30:00.400
<v Speaker 1>to hide. They're out there talking about us whatever they think.

0:30:00.440 --> 0:30:02.800
<v Speaker 1>Of course the world revolves around them, but it doesn't

0:30:02.840 --> 0:30:05.560
<v Speaker 1>because they're on dates, which is really funny, and those

0:30:05.560 --> 0:30:07.680
<v Speaker 1>girls are cute, and then they're all like bumping into

0:30:07.720 --> 0:30:10.800
<v Speaker 1>each other trying to get it's adorable, so adorable.

0:30:10.800 --> 0:30:12.360
<v Speaker 2>I don't think they thought they were adorable.

0:30:12.720 --> 0:30:13.440
<v Speaker 1>I'm sure they did.

0:30:13.480 --> 0:30:16.160
<v Speaker 2>They did look really good for having run into their

0:30:16.320 --> 0:30:17.080
<v Speaker 2>they did.

0:30:17.160 --> 0:30:19.080
<v Speaker 1>But also the thing that kind of breaks my heart

0:30:19.080 --> 0:30:24.440
<v Speaker 1>in that scene is Corbett. The sadness on Aiden's face.

0:30:25.080 --> 0:30:29.120
<v Speaker 1>He basically doesn't basically speak like I think he says

0:30:29.160 --> 0:30:33.040
<v Speaker 1>something like how are you Carrie, but literally there's just

0:30:33.240 --> 0:30:39.000
<v Speaker 1>the sadness on his face is so powerful and well done.

0:30:39.080 --> 0:30:39.680
<v Speaker 2>It's broken.

0:30:39.960 --> 0:30:42.560
<v Speaker 1>Broken. He's not into that girl, do you know what

0:30:42.600 --> 0:30:42.880
<v Speaker 1>I mean?

0:30:42.960 --> 0:30:43.040
<v Speaker 3>No?

0:30:43.120 --> 0:30:46.160
<v Speaker 2>And he probably like put up a fight with Steve

0:30:46.200 --> 0:30:47.239
<v Speaker 2>to even do that.

0:30:47.520 --> 0:30:47.800
<v Speaker 1>Yep.

0:30:48.400 --> 0:30:52.120
<v Speaker 2>And yet of course that Carrie sweeps in and she's there, right.

0:30:52.160 --> 0:30:53.680
<v Speaker 1>But I thought it was really good, and I think

0:30:53.720 --> 0:30:56.560
<v Speaker 1>Corbett in general is really good. I'm hoping someday he'll

0:30:56.600 --> 0:30:59.280
<v Speaker 1>come on here and talk to me. Come I know,

0:30:59.600 --> 0:31:01.920
<v Speaker 1>But and Okay, so then this is the big scene.

0:31:01.920 --> 0:31:04.160
<v Speaker 1>And I love the scene for so many reasons, and

0:31:04.200 --> 0:31:06.040
<v Speaker 1>I think it was so so well written. And I

0:31:06.120 --> 0:31:10.160
<v Speaker 1>think also, like if you think about the trajectory, trajectory

0:31:10.200 --> 0:31:13.080
<v Speaker 1>is hard to say of Miranda and Carrie. It's a

0:31:13.400 --> 0:31:17.520
<v Speaker 1>crazy powerful friendship and the writing is never better.

0:31:17.960 --> 0:31:20.760
<v Speaker 2>No, that scene in the when they're trying stuff on.

0:31:20.760 --> 0:31:23.200
<v Speaker 1>The vintage, it's that.

0:31:23.120 --> 0:31:25.920
<v Speaker 2>It's almost as if they like clipped it from someone's life,

0:31:26.000 --> 0:31:26.640
<v Speaker 2>and it's.

0:31:26.480 --> 0:31:28.760
<v Speaker 1>So good and it happens like kind of a surprise,

0:31:28.840 --> 0:31:29.880
<v Speaker 1>do you know what I mean? Like it's not like

0:31:29.920 --> 0:31:32.280
<v Speaker 1>anyone's like trying to start a fight or whatever. It's

0:31:32.320 --> 0:31:34.920
<v Speaker 1>just that Carrie confesses to her. First she says, she says,

0:31:34.960 --> 0:31:36.400
<v Speaker 1>do you want to do something on Saturday? She says, no,

0:31:36.480 --> 0:31:37.840
<v Speaker 1>I have to work. And then she's like, no, I

0:31:37.880 --> 0:31:40.120
<v Speaker 1>feel bad that I just liked my friend. So she says, no,

0:31:40.360 --> 0:31:42.080
<v Speaker 1>I don't have to work. I'm gonna go see Big

0:31:42.080 --> 0:31:46.440
<v Speaker 1>and Miranda she's like, broke the camel's back, right, It's

0:31:46.520 --> 0:31:49.760
<v Speaker 1>extreme her reaction, and then she's like, no, you know,

0:31:50.280 --> 0:31:52.760
<v Speaker 1>I'm not gonna be here for another round of this,

0:31:53.160 --> 0:31:56.760
<v Speaker 1>Like it's so intense, and Carrie's like what, like, you

0:31:56.760 --> 0:31:58.960
<v Speaker 1>know inside just like I can't believe she's saying this

0:31:59.000 --> 0:32:02.840
<v Speaker 1>to me, and and so it's so good, it's so good.

0:32:03.200 --> 0:32:05.840
<v Speaker 1>And so she says, wake up, Carrie, how many more

0:32:05.880 --> 0:32:07.600
<v Speaker 1>times are you going to go through this? He is

0:32:07.720 --> 0:32:10.760
<v Speaker 1>bad for you? Jesus, every time you get near him,

0:32:10.800 --> 0:32:15.080
<v Speaker 1>you turn into this pathetic, needy, insecure victim. And the

0:32:15.200 --> 0:32:18.720
<v Speaker 1>thing that pisces me off the most is that you

0:32:18.720 --> 0:32:21.160
<v Speaker 1>you're more than willing to go right back for more.

0:32:22.480 --> 0:32:24.560
<v Speaker 1>I will never say that's one of my friends.

0:32:25.720 --> 0:32:28.960
<v Speaker 2>No, And I think, like it's it's interesting though, because

0:32:29.040 --> 0:32:32.880
<v Speaker 2>that I think is a projection onto carry of Miranda's

0:32:32.880 --> 0:32:36.560
<v Speaker 2>own issues, but like it's also the wording. It's like, yeah,

0:32:36.600 --> 0:32:39.160
<v Speaker 2>it's basically the worst version of how to say everything

0:32:39.320 --> 0:32:42.120
<v Speaker 2>of like you're really fragile. Okay, now I'm going to say,

0:32:42.160 --> 0:32:43.600
<v Speaker 2>you always make yourself the victim.

0:32:43.880 --> 0:32:46.840
<v Speaker 1>Because she doesn't take a moment. That's one thing about Miranda. Obviously,

0:32:46.880 --> 0:32:50.560
<v Speaker 1>she's just from She doesn't take a moment to think

0:32:50.760 --> 0:32:54.440
<v Speaker 1>about how could I say this more gently or lovingly? Right,

0:32:54.760 --> 0:32:59.160
<v Speaker 1>she's just like and Carrie's like, you know cuts like

0:32:59.200 --> 0:33:01.040
<v Speaker 1>you cut her? What I mean, she looks.

0:33:00.840 --> 0:33:04.160
<v Speaker 2>So hurt and when it's your person that like even more.

0:33:04.360 --> 0:33:06.400
<v Speaker 2>That's what I have a hard time believing that I

0:33:06.400 --> 0:33:09.360
<v Speaker 2>will ever find some man that I love more than

0:33:09.360 --> 0:33:12.320
<v Speaker 2>I love my best friend Lily. Yeah, but I think

0:33:12.400 --> 0:33:17.240
<v Speaker 2>that's what's really unique about especially Miranda and Carrie, is

0:33:17.280 --> 0:33:21.400
<v Speaker 2>that like that is such a sacred bond. And now

0:33:21.520 --> 0:33:25.240
<v Speaker 2>what those words just did was it broke it well

0:33:25.440 --> 0:33:28.200
<v Speaker 2>for a second, just but like I think it can

0:33:28.280 --> 0:33:29.800
<v Speaker 2>feel at least in those moments of.

0:33:29.800 --> 0:33:31.920
<v Speaker 1>When it feels very scary's dangerous.

0:33:32.440 --> 0:33:34.200
<v Speaker 2>You don't know how you're going to come back, for.

0:33:34.120 --> 0:33:36.520
<v Speaker 1>Sure, it's very dangerous. And that's why I think women

0:33:36.600 --> 0:33:38.960
<v Speaker 1>friends don't fight like this that often, but also why

0:33:39.000 --> 0:33:41.480
<v Speaker 1>I think it's so great to see them actually go

0:33:41.560 --> 0:33:44.600
<v Speaker 1>through this. And also one of the last episodes that

0:33:44.640 --> 0:33:46.880
<v Speaker 1>I've watched of and just like that, they have another

0:33:46.920 --> 0:33:50.920
<v Speaker 1>fight and it's so great. It's after the birthday party,

0:33:50.960 --> 0:33:54.960
<v Speaker 1>after Charlotte's birthday party in the kitchen. It's so great.

0:33:55.120 --> 0:33:59.240
<v Speaker 1>And also at that point, Miranda's just talking about her

0:33:59.320 --> 0:34:02.000
<v Speaker 1>flirting with the right and she doesn't see it coming

0:34:02.000 --> 0:34:05.560
<v Speaker 1>in there. Carrie's like, why can't I you know, I'm

0:34:05.560 --> 0:34:07.560
<v Speaker 1>not doing anything, what are you accusing me of you

0:34:07.560 --> 0:34:10.640
<v Speaker 1>know what I mean, it's super interesting, super interesting, two

0:34:10.719 --> 0:34:13.520
<v Speaker 1>different snaps. Yeah, but they also know, I think at

0:34:13.520 --> 0:34:15.319
<v Speaker 1>that point, because they've been friends for so long, they

0:34:15.360 --> 0:34:18.200
<v Speaker 1>know they're going to be fine. But it is still dangerous.

0:34:18.280 --> 0:34:22.600
<v Speaker 1>It's dangerous because it's too much truth, you know, and

0:34:22.760 --> 0:34:25.400
<v Speaker 1>so much history, right, and they've seen so much of

0:34:25.440 --> 0:34:27.319
<v Speaker 1>what everyone has gone through. But I love this scene

0:34:27.360 --> 0:34:29.959
<v Speaker 1>so much, and so they go and then Carrie goes

0:34:30.040 --> 0:34:33.239
<v Speaker 1>right home and presses her you know, voicemail in the

0:34:33.239 --> 0:34:35.560
<v Speaker 1>olden days type thing, and there's no message. And she

0:34:35.640 --> 0:34:37.680
<v Speaker 1>thought by now, she says, I thought by now Miranda

0:34:37.719 --> 0:34:39.640
<v Speaker 1>would have gotten home and left me a message. And

0:34:39.680 --> 0:34:42.200
<v Speaker 1>then later on she goes and calls her, and Miranda

0:34:42.320 --> 0:34:43.960
<v Speaker 1>was just about to call her, and they're on the

0:34:44.000 --> 0:34:46.560
<v Speaker 1>same page again, which is so great and so satisfying

0:34:46.880 --> 0:34:49.239
<v Speaker 1>and so important, so much more important than the men, really,

0:34:49.360 --> 0:34:51.239
<v Speaker 1>you know what I mean, totally. But she goes to

0:34:51.280 --> 0:34:54.080
<v Speaker 1>this lunch with Big and then I didn't remember this

0:34:54.200 --> 0:34:57.279
<v Speaker 1>at all, But she goes back to BIG's apartment and

0:34:57.400 --> 0:34:58.040
<v Speaker 1>showers or.

0:34:58.040 --> 0:35:00.680
<v Speaker 2>Whatever, yes, and looks Stunn it's fantastic.

0:35:00.760 --> 0:35:02.240
<v Speaker 1>After the hair bounces back.

0:35:02.560 --> 0:35:06.040
<v Speaker 2>Makeup in his cabinet for sure somebody left something, or

0:35:06.080 --> 0:35:07.319
<v Speaker 2>maybe Natasha less him gone.

0:35:07.360 --> 0:35:09.719
<v Speaker 1>And we find out Natasha's gone, and that Big has

0:35:09.760 --> 0:35:15.000
<v Speaker 1>painted his wall red red, and that Carrie says basically

0:35:15.080 --> 0:35:18.160
<v Speaker 1>like this red wall. It's a great idea, but we

0:35:18.400 --> 0:35:22.120
<v Speaker 1>just don't really work, which is so sad, and obviously

0:35:22.160 --> 0:35:23.120
<v Speaker 1>we know it's not true.

0:35:23.360 --> 0:35:27.120
<v Speaker 2>But that's also fascinating because it's similar to Charlotte's moment

0:35:27.200 --> 0:35:28.920
<v Speaker 2>of saying, did you actually want to marry me?

0:35:29.120 --> 0:35:29.440
<v Speaker 1>Yes?

0:35:29.640 --> 0:35:33.799
<v Speaker 2>That's it's Carrie's having her big season finale wake up call.

0:35:33.960 --> 0:35:36.200
<v Speaker 1>It's so true and you really believe it. I mean,

0:35:36.280 --> 0:35:39.239
<v Speaker 1>obviously we know what happens later, so we know that

0:35:39.239 --> 0:35:41.480
<v Speaker 1>that's not the end. But in the moment watching it,

0:35:41.520 --> 0:35:43.279
<v Speaker 1>I was like, wow, I would have really believed this.

0:35:43.560 --> 0:35:45.719
<v Speaker 1>As a fan watching this, it was very good.

0:35:45.760 --> 0:35:49.719
<v Speaker 2>When he looked so good at the the Pond in

0:35:49.760 --> 0:35:51.319
<v Speaker 2>that suit, it was like, look good at the suit.

0:35:51.440 --> 0:35:53.600
<v Speaker 1>I thought he looked better. When he's back at Allay,

0:35:53.640 --> 0:35:55.640
<v Speaker 1>his hair is all soft. I like it when his

0:35:55.760 --> 0:36:00.160
<v Speaker 1>hair is all soft. I know, I know that's fine.

0:36:01.880 --> 0:36:04.160
<v Speaker 1>So wait then Carrie goes, oh, it's one of those

0:36:04.320 --> 0:36:07.040
<v Speaker 1>really beautiful shots of her writing too, Like I love

0:36:07.120 --> 0:36:11.319
<v Speaker 1>how the filming her writing has evolved into just like

0:36:11.800 --> 0:36:16.759
<v Speaker 1>different angles and fans and you know, atmospheric.

0:36:16.160 --> 0:36:18.920
<v Speaker 2>They have to keep reinventing the wheels they do.

0:36:18.960 --> 0:36:20.719
<v Speaker 1>But they do a great job. They do a great job,

0:36:20.760 --> 0:36:23.040
<v Speaker 1>so she says, later that night, I got to think

0:36:23.080 --> 0:36:26.080
<v Speaker 1>about men and women in relationships, or more to the point,

0:36:26.280 --> 0:36:30.240
<v Speaker 1>how women feel men disappoint them in relationships. Than a radical,

0:36:30.400 --> 0:36:33.520
<v Speaker 1>almost earth shattering thought popped into my head. What if

0:36:33.560 --> 0:36:37.440
<v Speaker 1>everything isn't the men's fault after a certain age and

0:36:37.480 --> 0:36:40.680
<v Speaker 1>a certain number of relationships, if it still isn't working

0:36:40.840 --> 0:36:43.200
<v Speaker 1>and the excess seem to be moving on and we

0:36:43.360 --> 0:36:47.040
<v Speaker 1>don't perhaps the problem isn't the last boyfriend or the

0:36:47.040 --> 0:36:50.279
<v Speaker 1>one before him, or even the one before him. Could

0:36:50.320 --> 0:36:53.920
<v Speaker 1>it be that the problem isn't them? But horror of horrors?

0:36:54.200 --> 0:36:54.400
<v Speaker 2>Is it?

0:36:54.680 --> 0:36:55.000
<v Speaker 1>Us?

0:36:55.760 --> 0:36:55.960
<v Speaker 2>Ah?

0:36:57.840 --> 0:36:59.440
<v Speaker 1>I love it so much.

0:36:59.640 --> 0:37:03.399
<v Speaker 2>But that is like the fact that that monologue took

0:37:03.440 --> 0:37:06.759
<v Speaker 2>three seasons and many more years before that leading up

0:37:06.800 --> 0:37:07.320
<v Speaker 2>to get.

0:37:07.160 --> 0:37:10.360
<v Speaker 1>To It's true. It's true, but it's so good, and

0:37:10.440 --> 0:37:12.600
<v Speaker 1>I just think it's important to remember, you know, it's

0:37:12.640 --> 0:37:17.280
<v Speaker 1>important to remember right well, it's accountability. It is accountability.

0:37:17.320 --> 0:37:22.760
<v Speaker 1>And also, like I do think it's very very easy

0:37:23.680 --> 0:37:28.759
<v Speaker 1>to think like women, we do one thing and the

0:37:28.840 --> 0:37:31.239
<v Speaker 1>men do another thing, and like this Alabama guy can

0:37:31.280 --> 0:37:33.439
<v Speaker 1>atually prove you wrong, right, Like you have to keep

0:37:33.719 --> 0:37:35.440
<v Speaker 1>your mind open or.

0:37:35.560 --> 0:37:38.880
<v Speaker 2>Having your I think the fact that these women, especially

0:37:39.040 --> 0:37:44.320
<v Speaker 2>at the diner, are constantly explaining for the other man's

0:37:44.600 --> 0:37:47.480
<v Speaker 2>behaviors and why they're these women are in the right, yes,

0:37:47.520 --> 0:37:50.000
<v Speaker 2>but you know, we only get so many of what

0:37:50.040 --> 0:37:51.520
<v Speaker 2>did the woman do wrong?

0:37:52.120 --> 0:37:52.440
<v Speaker 1>Where?

0:37:52.640 --> 0:37:56.440
<v Speaker 2>Like I think that is Carrie's sort of like, oh,

0:37:56.560 --> 0:37:58.719
<v Speaker 2>let's see what I've got going on here.

0:38:00.160 --> 0:38:02.920
<v Speaker 1>So then we go to the kiss and makeup party

0:38:02.960 --> 0:38:04.799
<v Speaker 1>on the rooftop. I didn't realize we called it that.

0:38:05.440 --> 0:38:07.880
<v Speaker 1>I guess we call it a kiss and makeup party.

0:38:08.160 --> 0:38:09.840
<v Speaker 1>And again, where's the scene in between of how we

0:38:09.880 --> 0:38:13.840
<v Speaker 1>got to the kiss of making I'm super super interested

0:38:14.120 --> 0:38:17.040
<v Speaker 1>and I again I'm sitting there obsessing over Trey, which

0:38:17.080 --> 0:38:19.759
<v Speaker 1>is hysterical. But then I say that I'm not going

0:38:19.760 --> 0:38:23.239
<v Speaker 1>to I believe right, Like poor Charlotte, Poor Charlotte, she

0:38:23.360 --> 0:38:25.719
<v Speaker 1>needs some help. She needs a therapist. That's what Charlotte needs,

0:38:25.760 --> 0:38:28.000
<v Speaker 1>you know what I mean. But she doesn't she doesn't

0:38:28.040 --> 0:38:30.279
<v Speaker 1>get one. For some reason. We did leave out some

0:38:30.360 --> 0:38:34.399
<v Speaker 1>of the all the carry with the roosters so insane.

0:38:34.719 --> 0:38:36.320
<v Speaker 1>I just have to go back to it for a second.

0:38:36.400 --> 0:38:39.080
<v Speaker 2>So she, have you ever had chickens or roosters.

0:38:39.280 --> 0:38:41.040
<v Speaker 1>I have never, though I do have friends who do,

0:38:41.040 --> 0:38:42.320
<v Speaker 1>and I have kind of want chicken.

0:38:42.320 --> 0:38:45.759
<v Speaker 2>It's like you would like have them in your little backyard.

0:38:45.480 --> 0:38:48.279
<v Speaker 1>Right, and I know people who do. Yet Okay, excuse me,

0:38:48.320 --> 0:38:49.920
<v Speaker 1>but I did used to live in a canyon here

0:38:50.160 --> 0:38:53.400
<v Speaker 1>that did have roosters that were like grandfathered in, and

0:38:53.440 --> 0:38:55.319
<v Speaker 1>the roosters did wake me up because I would have

0:38:55.360 --> 0:38:58.200
<v Speaker 1>I would fly home to get some sleep when we

0:38:58.200 --> 0:38:59.799
<v Speaker 1>were working, when we were doing the show, because we

0:38:59.800 --> 0:39:01.880
<v Speaker 1>were all night and we never slept right, and I

0:39:01.880 --> 0:39:04.040
<v Speaker 1>would come home to my super quiet house up in

0:39:04.080 --> 0:39:07.360
<v Speaker 1>the hills, and at five am, those roosters down at

0:39:07.400 --> 0:39:09.279
<v Speaker 1>the bottom of the hill would start growing and I

0:39:09.320 --> 0:39:10.479
<v Speaker 1>would wake up and I'd be.

0:39:10.480 --> 0:39:15.200
<v Speaker 2>So mad, and so La was no longer the sleep city.

0:39:15.600 --> 0:39:18.640
<v Speaker 1>No, I mean, I'd go back to sleep, but yeah,

0:39:18.680 --> 0:39:20.839
<v Speaker 1>they were. They wanted to get us up. I don't

0:39:20.840 --> 0:39:22.680
<v Speaker 1>think they're there anymore, because I did. I lived there

0:39:22.680 --> 0:39:24.680
<v Speaker 1>for like twenty years, and I think when they died out.

0:39:24.680 --> 0:39:26.320
<v Speaker 1>I don't think they could get new ones, but I

0:39:26.400 --> 0:39:28.560
<v Speaker 1>do have friends, and the stress is that you don't

0:39:28.600 --> 0:39:31.560
<v Speaker 1>always know when they're chicks at their roosters or not right,

0:39:31.600 --> 0:39:33.480
<v Speaker 1>so you're trying not to get roosters, and then you

0:39:33.560 --> 0:39:36.160
<v Speaker 1>end up with roosters and then if you want eggs.

0:39:35.920 --> 0:39:37.840
<v Speaker 2>You need a morning personal situation.

0:39:38.280 --> 0:39:41.000
<v Speaker 1>You're not I am now because the kids and the

0:39:41.040 --> 0:39:43.840
<v Speaker 1>time change hasn't helped, right, So we're gett when you

0:39:43.880 --> 0:39:48.080
<v Speaker 1>come back down early. Yeah, yeah, but that's okay, that's okay.

0:39:48.120 --> 0:39:50.160
<v Speaker 1>I've become more of a morning person and it is

0:39:50.280 --> 0:39:52.040
<v Speaker 1>nice and like you can get some stuff done in

0:39:52.080 --> 0:39:54.560
<v Speaker 1>the morning. You feel productive, you do, you feel productive.

0:40:05.200 --> 0:40:08.960
<v Speaker 1>So Samantha is in her new apartment in the meatpacking District,

0:40:08.960 --> 0:40:11.480
<v Speaker 1>which I think we saw her in previously, because she

0:40:11.480 --> 0:40:14.279
<v Speaker 1>gets sick and the light's coming in and she's trying

0:40:14.280 --> 0:40:16.319
<v Speaker 1>to close the curtains into the curtains break and she

0:40:16.320 --> 0:40:18.600
<v Speaker 1>wants someone to come help her. And she realizes this

0:40:18.680 --> 0:40:24.520
<v Speaker 1>a couple episodes ago, that like all of her conquests

0:40:24.600 --> 0:40:26.680
<v Speaker 1>or whatever are not necessarily going to show up for

0:40:26.680 --> 0:40:29.279
<v Speaker 1>her when she's sick, which is kind of sad and heartbreaking.

0:40:30.120 --> 0:40:32.920
<v Speaker 1>It made me feel really sad for Samantha that past episode.

0:40:33.000 --> 0:40:36.359
<v Speaker 1>So she's she's in her fabulous apartment and we all

0:40:36.400 --> 0:40:39.520
<v Speaker 1>go over to have drinks.

0:40:39.560 --> 0:40:45.040
<v Speaker 2>I think, right, well, I think she'd had a altercation before. Wait.

0:40:45.160 --> 0:40:47.600
<v Speaker 1>No, she has a guy at one point there and

0:40:47.640 --> 0:40:51.799
<v Speaker 1>then she leaves literally like she goes crazy this model. Yes,

0:40:51.880 --> 0:40:52.480
<v Speaker 1>she gets like.

0:40:52.480 --> 0:40:54.799
<v Speaker 2>A obsessive water she dumps the water.

0:40:54.840 --> 0:40:57.560
<v Speaker 1>Oh god. But let's back up. So Samantha is woken

0:40:57.640 --> 0:41:00.360
<v Speaker 1>up by a group of trans women on the street.

0:41:00.400 --> 0:41:04.440
<v Speaker 1>I'm reading my nose right now. Who says and says you,

0:41:04.560 --> 0:41:06.840
<v Speaker 1>oh yeah, no, no, I can't even read these lines.

0:41:07.640 --> 0:41:09.560
<v Speaker 2>Nope.

0:41:10.040 --> 0:41:13.120
<v Speaker 1>So there's some craziness happening down on the street, okay,

0:41:13.840 --> 0:41:17.520
<v Speaker 1>and they're loud, and probably there used to not be

0:41:17.560 --> 0:41:20.160
<v Speaker 1>people living there, right, you know, because it was the

0:41:20.160 --> 0:41:23.600
<v Speaker 1>meatpacking district, and the meatpacking district was like butchers and things,

0:41:23.640 --> 0:41:26.600
<v Speaker 1>that's what it really was. So it was probably an

0:41:26.640 --> 0:41:29.239
<v Speaker 1>area where if you were a sex worker you could

0:41:29.239 --> 0:41:31.120
<v Speaker 1>go and no one would be.

0:41:31.320 --> 0:41:35.640
<v Speaker 2>Bothered, and only your callers could from that, she says.

0:41:35.480 --> 0:41:38.600
<v Speaker 1>Who have driven across the Holland Tunnel. It's right there

0:41:38.960 --> 0:41:41.400
<v Speaker 1>and it's easy. You just drive right over the Holland

0:41:41.400 --> 0:41:43.400
<v Speaker 1>tune and you're there in the meatpacking district, which is

0:41:43.440 --> 0:41:47.040
<v Speaker 1>all very real and I'm sure probably did happen, but

0:41:47.239 --> 0:41:50.520
<v Speaker 1>I don't know why why we needed to have it

0:41:50.560 --> 0:41:54.840
<v Speaker 1>happen in our show or whatever, but we do have

0:41:54.920 --> 0:41:58.320
<v Speaker 1>it happening in our show. And Samantha is she decides

0:41:58.440 --> 0:42:01.480
<v Speaker 1>it's very interesting. She says, I'm going to test my

0:42:01.640 --> 0:42:06.160
<v Speaker 1>PR skills and talk to them. So she goes out

0:42:06.200 --> 0:42:07.560
<v Speaker 1>there in that gold trench coat.

0:42:07.800 --> 0:42:09.799
<v Speaker 2>Oh to make nice kind of.

0:42:09.800 --> 0:42:12.000
<v Speaker 1>Yeah, but then when she turns her back and walks away,

0:42:12.040 --> 0:42:14.560
<v Speaker 1>she kind of rolls her eyes. It's interesting.

0:42:15.280 --> 0:42:18.960
<v Speaker 2>I think she thought she could get what she wanted, yeah,

0:42:19.040 --> 0:42:23.400
<v Speaker 2>because I think she well, and she is comparing them

0:42:23.440 --> 0:42:25.839
<v Speaker 2>a lot to men in the episode, And actually, what

0:42:25.840 --> 0:42:29.520
<v Speaker 2>it proves to me is that it's like interacting with

0:42:29.560 --> 0:42:35.759
<v Speaker 2>trans people like you. You can't project some idea of

0:42:35.800 --> 0:42:37.520
<v Speaker 2>what that. You have to let someone tell you who

0:42:37.560 --> 0:42:40.200
<v Speaker 2>they are. And she thought she knew who those women

0:42:40.239 --> 0:42:41.840
<v Speaker 2>were before it definitely did.

0:42:42.000 --> 0:42:45.640
<v Speaker 1>She definitely did. So she goes down to basically make

0:42:45.680 --> 0:42:47.799
<v Speaker 1>friends with them and to try to reason with them,

0:42:47.880 --> 0:42:49.880
<v Speaker 1>and she says, it's my new apartment and I'm unfair

0:42:49.920 --> 0:42:52.360
<v Speaker 1>and you guys are too loud, and she meets Destiny

0:42:52.480 --> 0:42:55.760
<v Speaker 1>China and Joe, who are very nice to her yes

0:42:55.920 --> 0:42:58.920
<v Speaker 1>and say like oh okay, you know they get it. Yeah, well,

0:42:59.000 --> 0:43:02.160
<v Speaker 1>quiet down. And then the next time we see her,

0:43:02.239 --> 0:43:05.520
<v Speaker 1>she's having sex with some like literally like a fitness model, Like,

0:43:05.680 --> 0:43:08.960
<v Speaker 1>my god, do we have no idea who he is,

0:43:09.080 --> 0:43:11.440
<v Speaker 1>what he does, nothing, But they're trying to have sex

0:43:11.640 --> 0:43:15.719
<v Speaker 1>and he's into it, but she's distracted by the women

0:43:15.800 --> 0:43:19.920
<v Speaker 1>in the street and she decides she's like obsessive and

0:43:19.960 --> 0:43:22.280
<v Speaker 1>weird at that point, so the guy gets like.

0:43:22.280 --> 0:43:25.000
<v Speaker 2>What is wrong with triggered? Well, she you know, literally

0:43:25.480 --> 0:43:28.439
<v Speaker 2>fills up a bucket and dumps it on them, which

0:43:28.480 --> 0:43:31.440
<v Speaker 2>is such a TV moment, but it's also like it's

0:43:31.480 --> 0:43:33.719
<v Speaker 2>funny because it's like it didn't matter who it was

0:43:33.800 --> 0:43:36.040
<v Speaker 2>or what it was, but it was the thing prohibiting

0:43:36.040 --> 0:43:40.239
<v Speaker 2>her from having sex. So orgasm, well, fair, right, and

0:43:40.480 --> 0:43:43.320
<v Speaker 2>I guess that's the top of the list for her orgasm,

0:43:43.360 --> 0:43:44.839
<v Speaker 2>so mean, you know.

0:43:44.840 --> 0:43:45.200
<v Speaker 1>But I.

0:43:47.200 --> 0:43:49.319
<v Speaker 2>Think that then it becomes this sort of cat and

0:43:49.360 --> 0:43:51.960
<v Speaker 2>mouse game of you know, the egging of.

0:43:51.960 --> 0:43:55.120
<v Speaker 1>Oh that's crazy. I didn't remember that at all. So

0:43:55.160 --> 0:43:59.520
<v Speaker 1>then that's Destiny. So cut to she throws the water

0:43:59.560 --> 0:44:03.920
<v Speaker 1>out and it takes someone's wig off. Must be Destiny's right, yes,

0:44:03.960 --> 0:44:06.440
<v Speaker 1>And so then Destiny comes back and throws eggs in

0:44:06.520 --> 0:44:10.600
<v Speaker 1>her window, and Samantha, really not the smartest move, opens

0:44:10.680 --> 0:44:15.200
<v Speaker 1>the window. What was she thinking? And of course gets

0:44:15.200 --> 0:44:18.640
<v Speaker 1>a big egg in the face, which she does deserve

0:44:18.800 --> 0:44:19.319
<v Speaker 1>a good tea.

0:44:19.400 --> 0:44:21.239
<v Speaker 2>You know what? I think that that was. That was

0:44:21.280 --> 0:44:23.520
<v Speaker 2>for the entire community. The only time I'll speak on

0:44:23.560 --> 0:44:25.200
<v Speaker 2>behalf of the entire community is the egg.

0:44:25.520 --> 0:44:28.279
<v Speaker 1>I agree, I agree, because she wasn't smart number one

0:44:28.440 --> 0:44:29.120
<v Speaker 1>number two.

0:44:29.000 --> 0:44:32.040
<v Speaker 2>And she deserves She said the teaseler many a time.

0:44:32.120 --> 0:44:34.840
<v Speaker 2>I think she really does. Was that something that was

0:44:35.040 --> 0:44:36.480
<v Speaker 2>like a word that was floating around?

0:44:36.760 --> 0:44:40.560
<v Speaker 1>I think it was. I mean, it's hard to remember

0:44:40.680 --> 0:44:43.240
<v Speaker 1>because I wasn't in that storyline, right, so I didn't

0:44:43.280 --> 0:44:45.960
<v Speaker 1>like sit down and think it through, But I do remember.

0:44:47.320 --> 0:44:52.799
<v Speaker 1>I feel like there was some kind of some kind

0:44:52.840 --> 0:44:57.960
<v Speaker 1>of cultural awareness beginning. But it was like baby baby

0:44:58.120 --> 0:45:01.799
<v Speaker 1>steps very much where some how it seemed okay to

0:45:01.840 --> 0:45:06.000
<v Speaker 1>just be like the tranny, like casually just say it right.

0:45:06.160 --> 0:45:10.360
<v Speaker 1>Like somehow tranny seemed more friendly than saying, you know.

0:45:10.440 --> 0:45:13.400
<v Speaker 2>A transsexual transsexual, which would have been more mis gendering

0:45:13.480 --> 0:45:16.560
<v Speaker 2>straight up, which is what that was a lot of that,

0:45:16.680 --> 0:45:19.239
<v Speaker 2>and a lot of these like allusions to But I

0:45:19.280 --> 0:45:22.000
<v Speaker 2>think that a lot of it was the writing. I

0:45:22.000 --> 0:45:25.320
<v Speaker 2>could tell it was for the comedy they wanted, Oh yes,

0:45:25.440 --> 0:45:28.360
<v Speaker 2>the jokes in the top, and I think during that

0:45:28.400 --> 0:45:31.040
<v Speaker 2>time people were probably laughing at not with Do you

0:45:31.120 --> 0:45:34.839
<v Speaker 2>think I think they were? I don't. I mean, I

0:45:34.840 --> 0:45:39.799
<v Speaker 2>imagine people during that time watching it, maybe very you know,

0:45:39.920 --> 0:45:43.919
<v Speaker 2>liberal people watching it and being concerned, but I can't

0:45:43.960 --> 0:45:47.640
<v Speaker 2>imagine that level of show, with that big of an

0:45:47.680 --> 0:45:53.319
<v Speaker 2>audience doing something that would upset like it didn't seem

0:45:53.320 --> 0:45:55.920
<v Speaker 2>wildly upsetting at the time, I assume I don't.

0:45:55.760 --> 0:45:58.520
<v Speaker 1>Think it seemed wildly upsetting because I don't remember being upset.

0:45:58.560 --> 0:46:01.160
<v Speaker 1>I just thought it was so rod and over the

0:46:01.200 --> 0:46:04.759
<v Speaker 1>top and now a shade obviously now, but even at

0:46:04.760 --> 0:46:06.400
<v Speaker 1>the time, I just thought it was like one of

0:46:06.400 --> 0:46:11.440
<v Speaker 1>those times where occasionally, and I think some of times,

0:46:11.440 --> 0:46:14.920
<v Speaker 1>it's because the structure of the show, right is like

0:46:14.960 --> 0:46:18.000
<v Speaker 1>you have a storyline, B, storyline, C storyline, D storyline right,

0:46:18.360 --> 0:46:21.080
<v Speaker 1>and they can't all be serious, right, and they can't

0:46:21.120 --> 0:46:23.279
<v Speaker 1>all be in depth because there's not time. Even though

0:46:23.280 --> 0:46:25.160
<v Speaker 1>this episode is longer, then.

0:46:25.400 --> 0:46:26.160
<v Speaker 2>We get a lot in it.

0:46:26.160 --> 0:46:28.840
<v Speaker 1>There's thirty four yeah, thirty four minutes, whereas most of

0:46:28.840 --> 0:46:31.279
<v Speaker 1>our episodes were twenty two, which is crazy because we

0:46:31.320 --> 0:46:35.200
<v Speaker 1>get so much in there. But that was definitely the broadest.

0:46:35.239 --> 0:46:37.560
<v Speaker 1>Like we've got Charlotte kind of having a very kind

0:46:37.560 --> 0:46:41.240
<v Speaker 1>of real storyline, not funny at all. Carrie not funny

0:46:41.280 --> 0:46:43.600
<v Speaker 1>at all other than I mean when she falls in

0:46:43.640 --> 0:46:45.400
<v Speaker 1>the pond. I don't know if it's funny how, but

0:46:45.480 --> 0:46:48.880
<v Speaker 1>it's like a lot obviously. And then I mean I

0:46:48.920 --> 0:46:51.719
<v Speaker 1>think I laughed out loud. I think Big made me

0:46:51.800 --> 0:46:53.719
<v Speaker 1>laugh out loud. Someone made me laugh out loud, which

0:46:53.719 --> 0:46:56.200
<v Speaker 1>is pretty funny also at this time thirty years later.

0:46:57.560 --> 0:46:59.520
<v Speaker 1>And then we also have I do think they try

0:46:59.560 --> 0:47:01.600
<v Speaker 1>to make the meeting of the boyfriends in the street

0:47:01.680 --> 0:47:03.719
<v Speaker 1>comedic by bucking into each other. But then we also

0:47:03.719 --> 0:47:05.640
<v Speaker 1>have the argument. We have a lot of dramas wearing

0:47:05.680 --> 0:47:09.120
<v Speaker 1>so many things, so I feel like the supposed to

0:47:09.160 --> 0:47:11.719
<v Speaker 1>be the funny. Yeah, Now, to me, I don't ever

0:47:11.760 --> 0:47:13.600
<v Speaker 1>think I thought it was funny, right. I don't never

0:47:13.719 --> 0:47:17.880
<v Speaker 1>also think I had understanding of the deeper reasons that

0:47:17.920 --> 0:47:20.759
<v Speaker 1>it was wrong. I don't think I had that either, right,

0:47:20.800 --> 0:47:22.520
<v Speaker 1>But I think I was somewhere in the middle right

0:47:22.520 --> 0:47:23.560
<v Speaker 1>at that point, right.

0:47:23.400 --> 0:47:25.920
<v Speaker 2>And it was also not your storyline.

0:47:25.360 --> 0:47:27.960
<v Speaker 1>Right, so I didn't have to But Delvin, do I think.

0:47:27.840 --> 0:47:31.080
<v Speaker 2>The hope that I have is that anyone you know,

0:47:31.200 --> 0:47:35.160
<v Speaker 2>rewatching it now does get that cringe of understanding of like, oh,

0:47:35.239 --> 0:47:39.120
<v Speaker 2>this isn't landing the way that this show obviously intended.

0:47:40.360 --> 0:47:44.160
<v Speaker 2>But I also think, like my general hope outside of

0:47:44.200 --> 0:47:46.840
<v Speaker 2>this podcast everywhere is that even if I might not

0:47:46.920 --> 0:47:49.120
<v Speaker 2>be someone's you know, cup of tea as a trans person,

0:47:49.200 --> 0:47:51.120
<v Speaker 2>that they find a trans person in their lives that

0:47:51.480 --> 0:47:55.920
<v Speaker 2>they can connect to over something other than identity. And

0:47:56.480 --> 0:48:01.040
<v Speaker 2>I think that that's what's so important of just being

0:48:01.080 --> 0:48:04.280
<v Speaker 2>able to say, oh, we should have done this different,

0:48:04.440 --> 0:48:08.720
<v Speaker 2>or you know, obviously now we would want those characters

0:48:08.719 --> 0:48:11.080
<v Speaker 2>to be played by trans women. In this last episode,

0:48:11.120 --> 0:48:13.759
<v Speaker 2>we were just talking about how a black trans person

0:48:13.800 --> 0:48:16.400
<v Speaker 2>talking about this would be very different, right, and important,

0:48:17.360 --> 0:48:21.080
<v Speaker 2>And I think I think what just makes me so

0:48:21.280 --> 0:48:24.240
<v Speaker 2>sad right now in this world is how closed minded

0:48:24.280 --> 0:48:28.120
<v Speaker 2>we've gotten, and that there are people, very famous comedians

0:48:28.160 --> 0:48:31.520
<v Speaker 2>still making those same jokes that they were in Second

0:48:31.560 --> 0:48:36.319
<v Speaker 2>City twenty five years later, that are on Netflix and

0:48:36.320 --> 0:48:40.000
<v Speaker 2>and so I just hope that we can move forward

0:48:40.000 --> 0:48:42.399
<v Speaker 2>in the right direction. But my dad is like the

0:48:42.440 --> 0:48:46.640
<v Speaker 2>sort of straightest, most macho football loving guy. But he

0:48:46.640 --> 0:48:49.560
<v Speaker 2>does make four hundred cookies a week, very random fact wow,

0:48:50.000 --> 0:48:52.680
<v Speaker 2>and cost them. No, he gives them out to people

0:48:52.680 --> 0:48:53.200
<v Speaker 2>on the streets.

0:48:53.320 --> 0:48:54.080
<v Speaker 1>That's incredible.

0:48:54.160 --> 0:48:57.239
<v Speaker 2>Yes, But he was talking. He was talking to me

0:48:57.239 --> 0:48:59.759
<v Speaker 2>one night about he was like, you've shown me One

0:48:59.760 --> 0:49:01.719
<v Speaker 2>of the things that I talked to him about was

0:49:01.719 --> 0:49:03.880
<v Speaker 2>like he was he was like, I'm just so scared

0:49:03.920 --> 0:49:05.960
<v Speaker 2>that your life is going to be so hard. And

0:49:06.680 --> 0:49:09.200
<v Speaker 2>I said, and he thought that when I was a

0:49:09.480 --> 0:49:11.360
<v Speaker 2>gay kid even that my life is going to be

0:49:11.360 --> 0:49:14.680
<v Speaker 2>so hard. And we've seen gay marriage come so far,

0:49:15.000 --> 0:49:19.680
<v Speaker 2>and you know, just gay gay culture and has changed

0:49:19.719 --> 0:49:22.120
<v Speaker 2>so much in the past twenty years. And I told him,

0:49:22.200 --> 0:49:24.839
<v Speaker 2>I was like, my life in twenty years is going

0:49:24.880 --> 0:49:30.520
<v Speaker 2>to be so much safer and richer and nuanced. This

0:49:30.600 --> 0:49:33.759
<v Speaker 2>is the most nuanced episode that I can think of,

0:49:33.840 --> 0:49:38.520
<v Speaker 2>at least for me. And I really really hope that

0:49:39.080 --> 0:49:42.000
<v Speaker 2>we are looking forward to the future and trying to

0:49:42.000 --> 0:49:43.000
<v Speaker 2>make the changes now.

0:49:43.320 --> 0:49:45.640
<v Speaker 1>I agree. I mean, I think and that's the other

0:49:45.719 --> 0:49:48.960
<v Speaker 1>thing I think about. I mean because like for me, certainly,

0:49:49.239 --> 0:49:52.360
<v Speaker 1>I can't count all of the different trans people that

0:49:52.400 --> 0:49:54.680
<v Speaker 1>I know. I know so many in so many different

0:49:54.719 --> 0:49:58.360
<v Speaker 1>stages of their lives, which is amazing and so.

0:50:00.719 --> 0:50:04.719
<v Speaker 2>But I'll just say having support from someone like you

0:50:05.800 --> 0:50:10.319
<v Speaker 2>makes me feel like less of a problem in this

0:50:10.360 --> 0:50:12.759
<v Speaker 2>world because I think, you know, I know who I

0:50:12.800 --> 0:50:15.960
<v Speaker 2>am so well. But then when the especially the women

0:50:16.040 --> 0:50:18.799
<v Speaker 2>that I've I've looked up to my whole life, say

0:50:18.960 --> 0:50:21.120
<v Speaker 2>I see you for who you are, I stand by you,

0:50:21.160 --> 0:50:25.920
<v Speaker 2>I support you, it makes me feel like I'm going

0:50:25.960 --> 0:50:26.560
<v Speaker 2>to be okay.

0:50:27.000 --> 0:50:30.759
<v Speaker 1>I'm glad. I mean, I wish that we could somehow,

0:50:31.200 --> 0:50:34.839
<v Speaker 1>you know, blanket the world in that. You know what

0:50:34.880 --> 0:50:37.560
<v Speaker 1>I'm saying, because because we want everyone to.

0:50:37.440 --> 0:50:39.880
<v Speaker 2>Be okay, but the but the world wants to make

0:50:39.920 --> 0:50:44.280
<v Speaker 2>someone like you scared right now to support trans people them. Wow,

0:50:44.880 --> 0:50:45.399
<v Speaker 2>I love you.

0:50:46.200 --> 0:50:48.399
<v Speaker 1>Oh my, I'm not going to do that. No no,

0:50:49.000 --> 0:50:53.719
<v Speaker 1>oh wow. This is like we're not going backwards. No no,

0:50:54.400 --> 0:50:56.200
<v Speaker 1>And that's why I kind of want to keep making

0:50:56.239 --> 0:50:56.600
<v Speaker 1>the show.

0:50:59.040 --> 0:51:01.520
<v Speaker 2>So you have to find your way, yes, tell your

0:51:01.560 --> 0:51:03.799
<v Speaker 2>story and it's messy at the beginning, oh my god,

0:51:03.880 --> 0:51:06.160
<v Speaker 2>and the like if we're thinking about I've never compared

0:51:06.320 --> 0:51:09.000
<v Speaker 2>my transition to and just like that. But like, you've

0:51:09.000 --> 0:51:10.600
<v Speaker 2>got to find your footing. And a lot of people

0:51:10.760 --> 0:51:12.720
<v Speaker 2>judged me at first, and even some of your viewers

0:51:12.800 --> 0:51:15.200
<v Speaker 2>might be like, oh, isn't that that girl who'd X,

0:51:15.320 --> 0:51:19.440
<v Speaker 2>Y and Z. But it's the awkwardness of finding life

0:51:19.640 --> 0:51:22.279
<v Speaker 2>after you know you've lived for so long in one

0:51:22.320 --> 0:51:26.640
<v Speaker 2>way and trying to rEFInd. It is awkward and messy,

0:51:26.640 --> 0:51:28.840
<v Speaker 2>but in its earnest and that's what.

0:51:29.000 --> 0:51:30.600
<v Speaker 1>And it might have moments of cringe.

0:51:30.920 --> 0:51:33.920
<v Speaker 2>Yes, oh my god, I'm cringe dot com.

0:51:34.760 --> 0:51:37.040
<v Speaker 1>And it's so funny to me the way that the

0:51:37.120 --> 0:51:42.640
<v Speaker 1>world talks about cringe now, like that it's somehow avoidable. Yes,

0:51:42.719 --> 0:51:44.719
<v Speaker 1>it's not avoidable.

0:51:44.000 --> 0:51:47.200
<v Speaker 2>If you're living, and it's suppressing so many young people's

0:51:48.320 --> 0:51:51.439
<v Speaker 2>desires through creativity. There's so many young people that would

0:51:51.480 --> 0:51:54.040
<v Speaker 2>be making things right now, but they're nervous with their friends. Anything.

0:51:54.200 --> 0:51:56.319
<v Speaker 1>You can't be nervous about that people. You guys go

0:51:56.360 --> 0:51:57.680
<v Speaker 1>out there and do stuff.

0:51:57.440 --> 0:51:59.880
<v Speaker 2>Post the video, write the song, fall on your face.

0:52:00.360 --> 0:52:02.640
<v Speaker 1>Oh my god, right, yes, yes, I know.

0:52:02.719 --> 0:52:05.280
<v Speaker 2>And you've got kids, so it's like you are trying

0:52:05.320 --> 0:52:08.400
<v Speaker 2>to make sure they're walking through life. The way that

0:52:08.480 --> 0:52:09.239
<v Speaker 2>you would want them to.

0:52:09.400 --> 0:52:12.440
<v Speaker 1>It's true, and I mean they are, and because a

0:52:12.520 --> 0:52:15.399
<v Speaker 1>lot of the kids people that I know are are

0:52:15.600 --> 0:52:18.239
<v Speaker 1>young people who are trends. And then also now we

0:52:18.480 --> 0:52:21.319
<v Speaker 1>have people who are finding the strength to come out

0:52:21.680 --> 0:52:24.000
<v Speaker 1>and be their true selves now even later at life

0:52:24.080 --> 0:52:26.680
<v Speaker 1>because the way the world is changing, even though it

0:52:26.760 --> 0:52:29.640
<v Speaker 1>is this very herky jerky, We've got people moving forward.

0:52:29.680 --> 0:52:33.239
<v Speaker 1>We've got people not moving forward, potentially going back. But

0:52:33.320 --> 0:52:34.640
<v Speaker 1>you know what, we're not going to be with them,

0:52:34.920 --> 0:52:38.400
<v Speaker 1>and hopefully we're going to help them at some point.

0:52:38.680 --> 0:52:41.240
<v Speaker 1>I'm not sure how, but you know what I'm saying, We're.

0:52:41.120 --> 0:52:41.719
<v Speaker 2>Going to get there.

0:52:41.760 --> 0:52:44.000
<v Speaker 1>We're going to get there because we're all moving forward.

0:52:44.200 --> 0:52:46.200
<v Speaker 1>You know, I can't believe that. I do believe that,

0:52:46.640 --> 0:52:48.600
<v Speaker 1>and I believe that partly because I know so many

0:52:48.680 --> 0:52:54.440
<v Speaker 1>people that I cannot. I cannot allow them not to

0:52:54.560 --> 0:52:56.880
<v Speaker 1>be whole and happy and safe.

0:52:57.080 --> 0:52:57.440
<v Speaker 2>Thank you.

0:52:57.640 --> 0:53:00.520
<v Speaker 1>We have to, you know, do what we need to

0:53:00.560 --> 0:53:01.440
<v Speaker 1>do to make that happen.

0:53:01.520 --> 0:53:04.920
<v Speaker 2>Yeah, it's just sad that that is up for debate.

0:53:05.040 --> 0:53:08.080
<v Speaker 1>It is, it is, it's it's it's shocking.

0:53:08.320 --> 0:53:11.240
<v Speaker 2>But if it's any consolation to you, me being here

0:53:11.840 --> 0:53:14.120
<v Speaker 2>and getting to meet you, today and seeing you on

0:53:14.160 --> 0:53:16.040
<v Speaker 2>my wall every day when I wake up is like

0:53:16.600 --> 0:53:18.719
<v Speaker 2>the greatest gift you could have ever given me.

0:53:19.480 --> 0:53:22.279
<v Speaker 1>And you're a gift to me. You're a gift to

0:53:22.320 --> 0:53:25.120
<v Speaker 1>me to be here, to be yourself. I've been following you.

0:53:25.160 --> 0:53:28.920
<v Speaker 1>I've been so happy to see your success. It's so thrilling.

0:53:29.000 --> 0:53:30.360
<v Speaker 2>And we're gonna get you on Broadway.

0:53:31.280 --> 0:53:35.200
<v Speaker 1>I don't know. I think you should take the Broadway ring.

0:53:35.280 --> 0:53:37.799
<v Speaker 2>Okay, Okay, you'll come, you'll come. Oh and if this

0:53:37.920 --> 0:53:40.120
<v Speaker 2>comes out by the time, I'm going to be playing

0:53:40.160 --> 0:53:44.919
<v Speaker 2>Anne Blin in six. I love Baway so much. It's

0:53:44.960 --> 0:53:46.959
<v Speaker 2>really you haven't seen it, right, Okay.

0:53:46.680 --> 0:53:48.520
<v Speaker 1>We're going to get you here in New York. I'm

0:53:48.560 --> 0:53:49.120
<v Speaker 1>into it.

0:53:49.120 --> 0:53:51.560
<v Speaker 2>It's eighty minutes. I love an I love An In

0:53:51.640 --> 0:53:53.919
<v Speaker 2>and Out. Oh that kind of show. I think one

0:53:53.920 --> 0:53:56.440
<v Speaker 2>act is all we need these days, by places to be,

0:53:56.520 --> 0:53:59.000
<v Speaker 2>people to see. And I think I'll be the first

0:53:59.040 --> 0:54:03.839
<v Speaker 2>trans person to to take on the show. And it's

0:54:03.960 --> 0:54:06.800
<v Speaker 2>it's little things like that that I'm not an activist

0:54:07.760 --> 0:54:09.799
<v Speaker 2>and I don't see myself, but that's the kind of

0:54:09.880 --> 0:54:11.080
<v Speaker 2>advocacy that I'd like to do.

0:54:11.239 --> 0:54:15.800
<v Speaker 1>Absolutely. I think this advocacy can take so many forms

0:54:15.840 --> 0:54:17.160
<v Speaker 1>with the animals.

0:54:17.440 --> 0:54:22.080
<v Speaker 2>Absolutely absolutely love seeing you go to the I want

0:54:22.080 --> 0:54:22.799
<v Speaker 2>to go there one day.

0:54:22.800 --> 0:54:27.280
<v Speaker 1>You should go, so healing, so wonderful, so great, so great,

0:54:27.760 --> 0:54:29.400
<v Speaker 1>so great. I haven't been in a little while. I

0:54:29.440 --> 0:54:31.320
<v Speaker 1>miss it when I haven't been. Before the kids, I

0:54:31.360 --> 0:54:33.239
<v Speaker 1>used to go like twice a year, which was wonderful.

0:54:33.719 --> 0:54:35.080
<v Speaker 2>Have they gone yet? Have the kids gone?

0:54:35.120 --> 0:54:38.840
<v Speaker 1>They haven't gone yet, partly because the time change a lot.

0:54:39.040 --> 0:54:41.399
<v Speaker 1>It's a lot for the seven year old. But they're

0:54:41.480 --> 0:54:44.120
<v Speaker 1>dying to go, and so I keep trying to figure

0:54:44.120 --> 0:54:46.640
<v Speaker 1>out a way, like how you.

0:54:46.560 --> 0:54:47.720
<v Speaker 2>Know what I'm saying, it's going to happen.

0:54:47.800 --> 0:54:50.680
<v Speaker 1>It'll happen for sure, because because they love it, and

0:54:50.719 --> 0:54:52.200
<v Speaker 1>I have a lot of pictures up or you know

0:54:52.320 --> 0:54:54.960
<v Speaker 1>the elephants, the baby who doesn't love a baby elephant?

0:54:55.440 --> 0:54:57.080
<v Speaker 1>I know it's a great thing. Do you do you do?

0:54:57.080 --> 0:54:57.759
<v Speaker 1>You travel a lot?

0:54:57.880 --> 0:55:00.000
<v Speaker 2>I travel all the time, and I used to raise

0:55:00.160 --> 0:55:03.439
<v Speaker 2>possums in my kitchen in West Hollywood. Well speaking, yeah,

0:55:03.440 --> 0:55:07.360
<v Speaker 2>I mean there's animals in this episode. I during the pandemic,

0:55:07.520 --> 0:55:09.800
<v Speaker 2>I lost my job in the Book of Mormon the musical,

0:55:10.200 --> 0:55:11.880
<v Speaker 2>and so I had time on my hands and I

0:55:11.920 --> 0:55:16.160
<v Speaker 2>got onto kind of the underground possum rehabilitation circuit, which

0:55:16.160 --> 0:55:17.920
<v Speaker 2>I can get you into if you're interested.

0:55:18.040 --> 0:55:20.280
<v Speaker 1>No, no, I have a little dog. Okays a hunters.

0:55:20.480 --> 0:55:23.000
<v Speaker 2>Yeah, but you know, possums fall in a pool, they

0:55:23.040 --> 0:55:26.400
<v Speaker 2>got to call someone whenever this swoman's house raised pearl.

0:55:26.920 --> 0:55:28.560
<v Speaker 2>But then you have to let them go unless they've

0:55:28.600 --> 0:55:30.799
<v Speaker 2>either lost a tail or been they've hit their head

0:55:30.800 --> 0:55:32.640
<v Speaker 2>really hard. So I had to let mine go into

0:55:32.680 --> 0:55:33.080
<v Speaker 2>the wild.

0:55:33.320 --> 0:55:33.880
<v Speaker 3>Did she go?

0:55:34.280 --> 0:55:37.120
<v Speaker 2>She's she's out. Well, actually they only lived two to

0:55:37.160 --> 0:55:37.680
<v Speaker 2>three years.

0:55:38.520 --> 0:55:40.240
<v Speaker 1>Possums only lived two to three years.

0:55:40.320 --> 0:55:43.360
<v Speaker 2>Yes cue when somebody loved me.

0:55:44.360 --> 0:55:46.000
<v Speaker 1>Everything was beautiful.

0:55:46.920 --> 0:55:48.959
<v Speaker 2>Pearl, lrip pearl.

0:55:49.040 --> 0:55:51.239
<v Speaker 1>Oh pearl. But but she got to live a wildlife

0:55:51.239 --> 0:55:53.400
<v Speaker 1>because of you. That's amazing, I know.

0:55:53.280 --> 0:55:55.280
<v Speaker 2>And it was all started in a West Hollywood kitchen.

0:55:55.520 --> 0:55:58.640
<v Speaker 1>Wow. Yeah, I don't know anything about.

0:55:58.360 --> 0:56:00.719
<v Speaker 2>The possum, but you and you're doing something similar for

0:56:00.800 --> 0:56:01.799
<v Speaker 2>the elephants.

0:56:01.920 --> 0:56:04.080
<v Speaker 1>I try, I try. I'm just to support for the

0:56:04.160 --> 0:56:06.400
<v Speaker 1>real people doing it on the ground in Kenya. But

0:56:06.440 --> 0:56:09.400
<v Speaker 1>I do love it. But advocacy can take many forms,

0:56:09.480 --> 0:56:12.120
<v Speaker 1>and I think that sometimes just being present in the

0:56:12.160 --> 0:56:14.040
<v Speaker 1>world is a form of advocacy.

0:56:14.080 --> 0:56:15.719
<v Speaker 2>At this point in time, you know what I mean,

0:56:15.880 --> 0:56:18.160
<v Speaker 2>and find some money that you can connect to or

0:56:18.200 --> 0:56:22.440
<v Speaker 2>follow that helps whatever version that you're looking for.

0:56:22.480 --> 0:56:24.920
<v Speaker 1>I agree, and I for me, I think a lot

0:56:24.960 --> 0:56:28.439
<v Speaker 1>of it is about creativity. I think it's about expansion,

0:56:28.560 --> 0:56:31.319
<v Speaker 1>Like who expands my worldview? That's one of the things

0:56:31.360 --> 0:56:33.719
<v Speaker 1>that I look for. You think, Yeah, who makes me think?

0:56:33.760 --> 0:56:36.560
<v Speaker 1>Who makes me see things differently? You know who's doing

0:56:36.600 --> 0:56:37.600
<v Speaker 1>something that I wish I.

0:56:37.600 --> 0:56:39.239
<v Speaker 2>Could do, that can look up to?

0:56:39.560 --> 0:56:42.600
<v Speaker 1>You know you guys, you Benny Merribeth, like the young

0:56:42.680 --> 0:56:43.800
<v Speaker 1>people that I can find.

0:56:43.960 --> 0:56:45.799
<v Speaker 2>We all need to do something togather one day.

0:56:45.840 --> 0:56:47.799
<v Speaker 1>It would be amazing. But I mean just watching you

0:56:47.840 --> 0:56:50.680
<v Speaker 1>guys succeed, Oh, it makes me so happy, makes I

0:56:50.719 --> 0:56:53.160
<v Speaker 1>love you happy. I love you guys so much. And

0:56:53.200 --> 0:56:56.840
<v Speaker 1>you're just out there paving the way. You know, it's amazing.

0:56:56.880 --> 0:57:00.719
<v Speaker 1>Thank you for being here doing it. We've had it

0:57:00.800 --> 0:57:02.479
<v Speaker 1>since November and it came true.

0:57:03.520 --> 0:57:03.640
<v Speaker 2>Wo