WEBVTT - Mini Crush #38

0:00:25.079 --> 0:00:29.240
<v Speaker 1>Hey, everybody, welcome to Movie Crush. It's many crushing time

0:00:29.320 --> 0:00:32.440
<v Speaker 1>with me and Mr Norm Brown. It is I Mr

0:00:32.560 --> 0:00:35.720
<v Speaker 1>NORL Brown, here too, many crushed with you. Chuck Man,

0:00:35.760 --> 0:00:38.120
<v Speaker 1>it's hot in here. I hate the studio. Should we

0:00:38.159 --> 0:00:41.360
<v Speaker 1>take off all our clothes? That's a song. That's a

0:00:41.400 --> 0:00:45.159
<v Speaker 1>reference to a nineties hip hop song. That's a reference

0:00:45.200 --> 0:00:49.680
<v Speaker 1>to Koitus. Yes, exactly. All right, now we're gonna start

0:00:49.680 --> 0:00:51.159
<v Speaker 1>off this week. We're gonna get right into it with

0:00:51.200 --> 0:00:53.800
<v Speaker 1>a little surprise for you. I know. One of the

0:00:53.880 --> 0:00:56.600
<v Speaker 1>running jokes on this show is movies that you haven't

0:00:56.600 --> 0:00:59.520
<v Speaker 1>seen that I'm flabbergasted by. And people are starting to

0:00:59.600 --> 0:01:02.680
<v Speaker 1>joke about that on the mini Mini Crushed Movie Crush.

0:01:02.880 --> 0:01:05.120
<v Speaker 1>Do I think that's some kind of like uncultured rube. No,

0:01:05.480 --> 0:01:08.319
<v Speaker 1>it's just funny because people are, like Chuck's always saying,

0:01:08.360 --> 0:01:11.440
<v Speaker 1>what you haven't seen that? So here we go with

0:01:11.480 --> 0:01:17.560
<v Speaker 1>a special little game called knowles holes. Wow. So No,

0:01:17.680 --> 0:01:19.320
<v Speaker 1>what what I did was I put together a list

0:01:19.319 --> 0:01:23.400
<v Speaker 1>of twenty films from the sixties, seventies, eighties, and nineties

0:01:24.760 --> 0:01:29.199
<v Speaker 1>from a variety of genres, but all considered classics. And uh,

0:01:29.280 --> 0:01:31.320
<v Speaker 1>you need to respond whether or not you have seen

0:01:31.400 --> 0:01:33.240
<v Speaker 1>this movie or not? Should we say we should we

0:01:33.240 --> 0:01:38.080
<v Speaker 1>allow the listeners to place bets? Sure? Everyone? Just how

0:01:38.120 --> 0:01:42.080
<v Speaker 1>do we do this? How many are we talking here? Okay,

0:01:42.120 --> 0:01:47.680
<v Speaker 1>so if my ratio falls, what's the over under? Yeah? Yeah, well,

0:01:48.920 --> 0:01:50.720
<v Speaker 1>well here's what I tried to do. I tried to

0:01:50.760 --> 0:01:54.320
<v Speaker 1>just go across genres. So it wasn't like, you know,

0:01:55.640 --> 0:01:58.600
<v Speaker 1>I tried to be fair about it. I'm not stump

0:01:58.680 --> 0:02:01.160
<v Speaker 1>you necessarily. So I think I've I'm gonna say I'm

0:02:01.160 --> 0:02:05.919
<v Speaker 1>gonna do better than fifty. All right, but we'll see. Alright,

0:02:05.920 --> 0:02:07.840
<v Speaker 1>I'm gonna highlight the ones in Green that you've seen.

0:02:08.040 --> 0:02:13.000
<v Speaker 1>Number one Fast Times at Ridgemont High. Sure, okay, Yeah,

0:02:13.040 --> 0:02:16.560
<v Speaker 1>that's the one with with Phoebe Kates, right, of course,

0:02:16.680 --> 0:02:19.680
<v Speaker 1>that's what you remember, Yeah, coming out of the pool,

0:02:19.720 --> 0:02:22.280
<v Speaker 1>all right to that cars song. Yeah, now I like

0:02:22.360 --> 0:02:26.839
<v Speaker 1>that movie. Okay, great, Yeah, alright, Number two, Noel Unforgiven.

0:02:27.120 --> 0:02:30.040
<v Speaker 1>Of course, the great Clint Eastwood Western. I've seen that one.

0:02:30.080 --> 0:02:31.800
<v Speaker 1>I you know, I remember that actually came out on

0:02:31.840 --> 0:02:34.680
<v Speaker 1>my birthday. The year that it came out. Um, I

0:02:34.720 --> 0:02:36.560
<v Speaker 1>was quite young, but I do remember it came out

0:02:36.560 --> 0:02:38.959
<v Speaker 1>in August eight, and you saw it. No. I did not.

0:02:39.040 --> 0:02:40.760
<v Speaker 1>I did not see it till years later. But you

0:02:40.800 --> 0:02:43.480
<v Speaker 1>did see it? Did it when it came out? You know?

0:02:43.680 --> 0:02:48.079
<v Speaker 1>And the during the halcyon Blockbuster days? All right, well, no,

0:02:48.360 --> 0:02:51.919
<v Speaker 1>so far, I'm very impressed to for two. Number three

0:02:51.919 --> 0:02:55.360
<v Speaker 1>when Harry met Sally. No oh, I have seen the

0:02:55.360 --> 0:02:59.800
<v Speaker 1>famous orgasm scene, though just on clips doesn't count. Noels

0:03:00.080 --> 0:03:02.359
<v Speaker 1>holes when Harry met Sally. There are a lot of

0:03:02.360 --> 0:03:05.000
<v Speaker 1>shocked people right now. I haven't seen that. Number four.

0:03:05.120 --> 0:03:08.800
<v Speaker 1>Is it any good? When Harry Met Sally? No? The

0:03:09.080 --> 0:03:13.720
<v Speaker 1>probably the best romantic comedy of all time. Genuinely funny,

0:03:13.960 --> 0:03:19.400
<v Speaker 1>wonderfully scripted, acted and directed, classic class. It's very good.

0:03:19.960 --> 0:03:22.560
<v Speaker 1>I had to actually watch that recently for what I

0:03:22.600 --> 0:03:24.640
<v Speaker 1>thought was going to be a movie crush appearance from

0:03:24.680 --> 0:03:27.640
<v Speaker 1>Nicki Glazer. Um. She was coming through town and she

0:03:27.680 --> 0:03:30.040
<v Speaker 1>was all set, We're all set, and then she had

0:03:30.080 --> 0:03:32.680
<v Speaker 1>to cancel and I felt terrible and she felt terrible.

0:03:32.960 --> 0:03:35.920
<v Speaker 1>But we're gonna get her in here again, sweet, I think,

0:03:36.560 --> 0:03:41.640
<v Speaker 1>um goodwill hunting? Yes, okay, how about them apples? Yeah,

0:03:41.640 --> 0:03:45.320
<v Speaker 1>all right, you don't have to prove it, Robert Williams.

0:03:45.360 --> 0:03:46.880
<v Speaker 1>Maybe you should have to prove it isn't he like

0:03:46.880 --> 0:03:49.640
<v Speaker 1>the janitor. No, wait, the other way, we're out, all right,

0:03:49.680 --> 0:03:53.480
<v Speaker 1>he's no, he's the professor and and and Matt Damon

0:03:53.720 --> 0:03:56.960
<v Speaker 1>is the janitor. Yes, he's like the secret math genius. Okay,

0:03:57.000 --> 0:04:02.120
<v Speaker 1>all right, the usual suspects, NOL. You were jamming, Well,

0:04:02.120 --> 0:04:04.440
<v Speaker 1>I mean I think it's absurd, this notion that I

0:04:04.560 --> 0:04:06.960
<v Speaker 1>haven't seen movies. Well, I think you're trying. You're proving

0:04:07.000 --> 0:04:11.960
<v Speaker 1>it in our Kangar record American Beauty. Yes, that's another

0:04:12.000 --> 0:04:14.240
<v Speaker 1>one I saw a million times. I love that one

0:04:14.240 --> 0:04:16.640
<v Speaker 1>when it came I love Alan Ball. We're going to

0:04:16.760 --> 0:04:18.640
<v Speaker 1>change the name of this from Noel's Holes to Noel

0:04:18.720 --> 0:04:21.880
<v Speaker 1>gets offended. No, I don't keep it coming. Come on,

0:04:21.880 --> 0:04:24.839
<v Speaker 1>one flew over the Cuckoo's nest, all right, he rips

0:04:24.839 --> 0:04:31.240
<v Speaker 1>out the water fountain at the end. Uh he throws

0:04:31.240 --> 0:04:35.920
<v Speaker 1>it through the window. Spoiler alert say anything. Uh, yeah,

0:04:35.960 --> 0:04:37.120
<v Speaker 1>I don't know. I think that's one of those ones

0:04:37.120 --> 0:04:39.960
<v Speaker 1>I've probably seen in bits and pieces on TV over

0:04:40.000 --> 0:04:42.120
<v Speaker 1>the years, kind of like a Christmas story, you know,

0:04:42.400 --> 0:04:48.360
<v Speaker 1>doesn't count. Okay, Deliverance, Yeah, seen Deliverance squeel like a pig.

0:04:51.400 --> 0:04:52.839
<v Speaker 1>I had a great I had a great, a great

0:04:52.880 --> 0:04:55.680
<v Speaker 1>interview with um Oh Ship, the guy that who just

0:04:56.839 --> 0:04:59.000
<v Speaker 1>about how he like wanted to do his own stunt

0:04:59.040 --> 0:05:00.800
<v Speaker 1>when he goes over that water fall and he like

0:05:00.839 --> 0:05:03.880
<v Speaker 1>almost fucking died like because he they were gonna time it,

0:05:04.120 --> 0:05:05.599
<v Speaker 1>you know, and he was like, yeah, yeah, yeah, so

0:05:05.640 --> 0:05:07.039
<v Speaker 1>you know, you just count down and then I'll just

0:05:07.120 --> 0:05:09.640
<v Speaker 1>I want to throw myself off this waterfall and I'm

0:05:09.640 --> 0:05:11.320
<v Speaker 1>gonna go down and I'm gonna go here and I'm

0:05:11.320 --> 0:05:12.760
<v Speaker 1>gonna go let it. I'm gonna bounce off of this

0:05:12.760 --> 0:05:14.240
<v Speaker 1>and then I'm gonna end up right there and it's

0:05:14.279 --> 0:05:16.040
<v Speaker 1>gonna look amazing because they were gonna do it with

0:05:16.080 --> 0:05:18.000
<v Speaker 1>a dummy and the director was like, that looks like

0:05:18.040 --> 0:05:20.440
<v Speaker 1>a dummy. So Burn was like, well, funk it, I'll

0:05:20.440 --> 0:05:23.880
<v Speaker 1>do it. I'm a crazy bastard. He apparently got caught

0:05:23.920 --> 0:05:26.400
<v Speaker 1>in like this suction when it like he went down

0:05:26.480 --> 0:05:29.440
<v Speaker 1>so quickly and then the suction kind of shoots him out.

0:05:29.800 --> 0:05:32.680
<v Speaker 1>It like tore his clothes off, and he ended up

0:05:32.760 --> 0:05:36.680
<v Speaker 1>like broke him and beaten and like naked, and they're like,

0:05:36.800 --> 0:05:39.599
<v Speaker 1>who's that weird looking naked old man over there? And

0:05:39.600 --> 0:05:41.720
<v Speaker 1>it was Burt Reynolds because he, you know, he had

0:05:41.720 --> 0:05:44.360
<v Speaker 1>just been thrashed crazy and then when they look back

0:05:44.360 --> 0:05:46.520
<v Speaker 1>at the footage, they go, it still looks like a dummy.

0:05:47.120 --> 0:05:50.160
<v Speaker 1>That was the story. It was great. Moving on, all right.

0:05:50.240 --> 0:05:52.960
<v Speaker 1>Number ten an old animal House. No, I haven't seen

0:05:52.960 --> 0:05:57.360
<v Speaker 1>that one. All right, that's that's a pretty big hole. Alright.

0:05:57.600 --> 0:06:01.360
<v Speaker 1>Saturday Night Fever. No, oh boy, we're on a roll.

0:06:01.400 --> 0:06:04.520
<v Speaker 1>I have the soundtrack though on vinyl. No, the original

0:06:04.560 --> 0:06:08.840
<v Speaker 1>Mad Max movie, not The Road Warrior. No, No, I

0:06:08.839 --> 0:06:14.360
<v Speaker 1>haven't seen it. That's three in a row. Number thirteen

0:06:14.440 --> 0:06:18.160
<v Speaker 1>Doctor Strange Love of course, Okay, a huge favorite. That's

0:06:18.160 --> 0:06:23.560
<v Speaker 1>another one I could watch repeatedly. Number fourteen The Graduate, Yeah,

0:06:23.839 --> 0:06:27.839
<v Speaker 1>Mrs Robinson, you're trying to seduce me. Number fifteen The

0:06:27.839 --> 0:06:31.279
<v Speaker 1>Great Escape. No, okay, do you know what that movie is?

0:06:32.480 --> 0:06:37.919
<v Speaker 1>World War two Escape from prison camp movie starring pretty

0:06:37.920 --> 0:06:42.240
<v Speaker 1>funny it's hysterical. Um, it actually does have some funny parts.

0:06:42.240 --> 0:06:48.520
<v Speaker 1>But boys starring James Garner and uh and Steve McQueen

0:06:48.760 --> 0:06:53.239
<v Speaker 1>and uh, just a whole host of dudes. I'm blanking

0:06:53.720 --> 0:07:01.039
<v Speaker 1>great movie nolies, some kind of wonderful nope. Okay, wait

0:07:01.040 --> 0:07:02.680
<v Speaker 1>wait wait wait wait wait wait is that the one? No,

0:07:02.800 --> 0:07:06.080
<v Speaker 1>I'm thinking of something wild. That's different, that is different,

0:07:06.160 --> 0:07:08.400
<v Speaker 1>that's different, so I'm kind of wonderful. It's a red

0:07:09.279 --> 0:07:14.080
<v Speaker 1>number seventeen footloose a Ridge. Nope, alright, that's the one

0:07:14.080 --> 0:07:17.600
<v Speaker 1>about the town where dancing is illegal. That's right, Kevin Bacon,

0:07:17.960 --> 0:07:21.440
<v Speaker 1>Noel number eighteen coming to America. Have seen them? Okay,

0:07:21.800 --> 0:07:26.160
<v Speaker 1>the McDougal's right, McDougal's yeah, that's like the McDonald's restaurant.

0:07:26.480 --> 0:07:29.480
<v Speaker 1>They were the Scottish Kilts. I love that's your takeaway.

0:07:29.600 --> 0:07:35.560
<v Speaker 1>McDougal's number nineteen, an American werewolf in London. You're scoring

0:07:35.560 --> 0:07:37.680
<v Speaker 1>well here, you're pulling it out in and finally an

0:07:37.680 --> 0:07:42.240
<v Speaker 1>old number twenty I'm adeus. Nope, all right, everyone, let's

0:07:42.240 --> 0:07:48.040
<v Speaker 1>tell it up here. One to seven, eight, nine movies

0:07:48.120 --> 0:07:53.000
<v Speaker 1>you have not seen you have officially seen. Over nice,

0:07:53.560 --> 0:07:57.440
<v Speaker 1>I saw eleven of those. That was fun. That was fun.

0:07:57.680 --> 0:08:01.120
<v Speaker 1>Nolds holes. We might should do that again. I gotta

0:08:01.120 --> 0:08:03.680
<v Speaker 1>fill them holes. Yeah, maybe, uh, maybe what we can

0:08:03.720 --> 0:08:08.560
<v Speaker 1>do is take some submissions, some listeners, submissions for Knowle's holes.

0:08:09.600 --> 0:08:11.520
<v Speaker 1>I think those are. That was a pretty fair smattering.

0:08:11.760 --> 0:08:22.200
<v Speaker 1>It was a good it was a good smattering. All Right,

0:08:22.240 --> 0:08:27.160
<v Speaker 1>We're gonna move it over to Social Studies Sociales Movie.

0:08:29.440 --> 0:08:34.240
<v Speaker 1>A few weeks ago, I asked about your favorite documentaries

0:08:35.600 --> 0:08:39.040
<v Speaker 1>and you responded in kind with lots of great recommendations.

0:08:39.040 --> 0:08:42.760
<v Speaker 1>I'm leaving this one up because we have like over

0:08:42.840 --> 0:08:46.920
<v Speaker 1>three documentary rex over there on the movie crush page.

0:08:46.960 --> 0:08:49.959
<v Speaker 1>Not movie crushers everyone, and we're just gonna tick down

0:08:50.000 --> 0:08:53.079
<v Speaker 1>some of these. Teresa Tomorrow says, the Human Planet from

0:08:53.080 --> 0:08:56.480
<v Speaker 1>BBC and Planet Earth also from the BBC. Those are

0:08:56.520 --> 0:09:01.560
<v Speaker 1>great if you're into nature nature docs. Steve Laroche, Dear Zachary,

0:09:01.679 --> 0:09:05.880
<v Speaker 1>Oh boy completely destroyed me, he says, emotionally. Aside from

0:09:05.880 --> 0:09:08.280
<v Speaker 1>that it was masterfully shot at it in and paste, Yester,

0:09:08.440 --> 0:09:10.960
<v Speaker 1>we talked about Dear Zachary on the show before that.

0:09:10.960 --> 0:09:13.640
<v Speaker 1>That's a tough one. Taylor Ashley, I have not heard

0:09:13.640 --> 0:09:16.440
<v Speaker 1>of this, but she says the Toys that made us

0:09:16.920 --> 0:09:19.800
<v Speaker 1>on Netflix, which I believe is a series. It's fun,

0:09:19.960 --> 0:09:21.840
<v Speaker 1>she said, it's really good. There's one about like Hello

0:09:21.920 --> 0:09:24.320
<v Speaker 1>Kitty and Sanrio Surprise and all that stuff. There's one

0:09:24.320 --> 0:09:26.480
<v Speaker 1>about he Man and Yeah and a lot of the

0:09:26.520 --> 0:09:30.560
<v Speaker 1>cartoons that were like made specifically to market action figures,

0:09:30.600 --> 0:09:33.400
<v Speaker 1>and there's one about Star Wars toys, which I think

0:09:33.400 --> 0:09:37.760
<v Speaker 1>you would probably dig chuck. Yeah, because you're old. Um

0:09:37.880 --> 0:09:41.520
<v Speaker 1>that was getting back at me because of your holes. Um. Yeah,

0:09:41.600 --> 0:09:44.040
<v Speaker 1>she said. It's just a very kind of light, fun,

0:09:44.320 --> 0:09:47.160
<v Speaker 1>nostalgic thing that is kind of welcome. Right. I enjoy it.

0:09:47.160 --> 0:09:50.640
<v Speaker 1>It was like I enjoyed it very much. It's good stuff. Um.

0:09:50.679 --> 0:09:55.000
<v Speaker 1>Benjamin Johnston, grizzly Man and Encounters at the End of

0:09:55.040 --> 0:09:57.080
<v Speaker 1>the World. I don't think I've seen that one, but

0:09:57.120 --> 0:10:00.599
<v Speaker 1>I did see grizzly Man. John Millstep says, hbo is

0:10:00.640 --> 0:10:04.440
<v Speaker 1>going clear, boy, howdy you maint kidding. I took a

0:10:04.440 --> 0:10:06.640
<v Speaker 1>photo to when I was in l a of the

0:10:06.679 --> 0:10:10.200
<v Speaker 1>Scientology productions over there in Los Felis where used to live.

0:10:10.200 --> 0:10:13.920
<v Speaker 1>That's Scientology Central, the celebrity centers over there, one of

0:10:13.920 --> 0:10:17.480
<v Speaker 1>the main buildings the production departments over there. L Ron

0:10:17.559 --> 0:10:20.280
<v Speaker 1>Hubbard Way on the street of what is it, um

0:10:20.360 --> 0:10:22.920
<v Speaker 1>Gilman Street. No, that's in San Francisco. What's the street

0:10:22.960 --> 0:10:25.120
<v Speaker 1>where the big Scientology Center is this night near the

0:10:25.200 --> 0:10:28.040
<v Speaker 1>Upright Citizens Brigade Theater. Yeah, that's it. Well, that's the

0:10:28.040 --> 0:10:31.520
<v Speaker 1>Scientology Center is right across the street from UCB. That's

0:10:31.520 --> 0:10:34.559
<v Speaker 1>where I'm thinking of that Franklin, Franklin, Yeah, exactly. I

0:10:34.600 --> 0:10:36.679
<v Speaker 1>love that area. There's a place called the Bourgeois Hig.

0:10:36.720 --> 0:10:38.319
<v Speaker 1>What's over there that I like? Yeah, I used to

0:10:38.640 --> 0:10:41.679
<v Speaker 1>really cool little record store and like bookstore right there.

0:10:41.679 --> 0:10:43.720
<v Speaker 1>I want to say it's called Counterpoint, I think yeah.

0:10:43.720 --> 0:10:45.800
<v Speaker 1>And there's a restaurant right next to UCB called Birds.

0:10:45.840 --> 0:10:48.760
<v Speaker 1>It's pretty good. I like a great part of town.

0:10:49.800 --> 0:10:54.360
<v Speaker 1>Dan Maynard says it might get loud. That's the documentary

0:10:54.440 --> 0:10:57.280
<v Speaker 1>Jimmy Page, Jack White and the Edge. Did you ever

0:10:57.280 --> 0:10:59.640
<v Speaker 1>see that? I don't know, man, it seemed a little

0:11:00.000 --> 0:11:03.120
<v Speaker 1>obstributory to well. I enjoyed it, but what I wanted

0:11:03.240 --> 0:11:06.719
<v Speaker 1>was more of the three of them together. And they

0:11:06.720 --> 0:11:10.319
<v Speaker 1>had all those they tackled each one of them individually

0:11:10.400 --> 0:11:12.280
<v Speaker 1>and then finally brought them all together at the end,

0:11:12.520 --> 0:11:13.920
<v Speaker 1>and that was the best part. And I was like, man,

0:11:13.960 --> 0:11:17.240
<v Speaker 1>that should have been the documentary right there. I thought

0:11:17.240 --> 0:11:19.160
<v Speaker 1>it was very interesting and I love, I did love,

0:11:19.240 --> 0:11:22.480
<v Speaker 1>like just the reverence for Jimmy Page from both of them.

0:11:22.480 --> 0:11:25.040
<v Speaker 1>They are both just sort of like, okay, yeah, epic

0:11:25.160 --> 0:11:33.000
<v Speaker 1>legendary guy. Yeah. Uh, Tony Klutvik, great name. Dogtown and

0:11:33.080 --> 0:11:37.480
<v Speaker 1>z Boys agreed much much better than the Lords of

0:11:37.480 --> 0:11:40.880
<v Speaker 1>Dogtown movie that they made, the fictional film Dogtown and

0:11:40.920 --> 0:11:43.200
<v Speaker 1>the z Boys, Right, yeah, Dogtown and z Boys, the

0:11:43.280 --> 0:11:48.800
<v Speaker 1>Dog well all kinds of just early skateboarding mavericks who

0:11:48.800 --> 0:11:52.840
<v Speaker 1>were like sucking fourteen, which is crazy. Joshua Hall says,

0:11:52.840 --> 0:11:56.319
<v Speaker 1>I know that voice. It's about voice actors. I think

0:11:56.360 --> 0:11:59.120
<v Speaker 1>I've seen parts of that. Actually, Vanessa Cashman exit through

0:11:59.120 --> 0:12:02.160
<v Speaker 1>the gift shop of court great Banksy doc. Did you

0:12:02.160 --> 0:12:05.120
<v Speaker 1>see that banks He news he like had has self

0:12:05.160 --> 0:12:08.480
<v Speaker 1>destructed his own painting at Southby's. Oh Man, hello that guy.

0:12:08.559 --> 0:12:11.000
<v Speaker 1>I think everyone was kind of like, I think there

0:12:11.040 --> 0:12:13.600
<v Speaker 1>was a percentage of people that were like, what an ass,

0:12:13.640 --> 0:12:17.040
<v Speaker 1>and then the other the people were like, oh, that's great. Yeah.

0:12:17.040 --> 0:12:19.000
<v Speaker 1>But the funny thing is apparently it makes the painting

0:12:19.040 --> 0:12:21.600
<v Speaker 1>even more valuable. Well yeah, of course, because it's like

0:12:21.640 --> 0:12:24.560
<v Speaker 1>now it's it's still there and it's been banks Seed. Yeah.

0:12:24.720 --> 0:12:26.920
<v Speaker 1>For those of you don't know banks he has a

0:12:27.000 --> 0:12:29.360
<v Speaker 1>very lovely picture of a girl holding a heart balloon

0:12:30.400 --> 0:12:33.240
<v Speaker 1>that he had framed and uh, this sort of big

0:12:33.280 --> 0:12:35.920
<v Speaker 1>fat frame that kind of looked strange. It turns out

0:12:36.120 --> 0:12:38.480
<v Speaker 1>that the frame had a shredder in the bottom of it.

0:12:38.559 --> 0:12:40.880
<v Speaker 1>No one knew this when it went to auction, sold

0:12:40.880 --> 0:12:42.640
<v Speaker 1>for like one point two or one point four million.

0:12:43.440 --> 0:12:46.199
<v Speaker 1>Somehow he activated it must have been bluetooth or something. No, no,

0:12:46.280 --> 0:12:48.360
<v Speaker 1>there's a video he put on his Oh it shows

0:12:48.360 --> 0:12:50.000
<v Speaker 1>how he did it. Yeah, it shows him making the

0:12:50.040 --> 0:12:54.520
<v Speaker 1>frame and then it shows like footage, like clearly covert

0:12:54.559 --> 0:12:57.920
<v Speaker 1>footage from inside the auction So either him or one

0:12:57.920 --> 0:13:00.880
<v Speaker 1>of the plant Yeah, triggered it remotely, and it like

0:13:01.000 --> 0:13:03.120
<v Speaker 1>the painting passes down through the bottom of the frame

0:13:03.200 --> 0:13:06.200
<v Speaker 1>and and shreds. It's it's it's iconic. It is funny

0:13:06.200 --> 0:13:09.240
<v Speaker 1>that though after I saw that, and like the picture

0:13:09.320 --> 0:13:10.800
<v Speaker 1>is still in there. It's not like its shredded and

0:13:10.840 --> 0:13:14.120
<v Speaker 1>all just flew out, So it's hanging partially shredded down

0:13:14.559 --> 0:13:16.559
<v Speaker 1>below the frame. And as soon as I saw that,

0:13:16.600 --> 0:13:18.760
<v Speaker 1>I was like, well, that's gonna be worth even more now.

0:13:18.960 --> 0:13:22.280
<v Speaker 1>And of course that's the case, go Banks, he go.

0:13:23.840 --> 0:13:26.320
<v Speaker 1>But actually, The Gift Shop is such a smart movie

0:13:26.360 --> 0:13:28.559
<v Speaker 1>because I'm not even convinced that it's fully a documentary.

0:13:28.600 --> 0:13:31.160
<v Speaker 1>I think there's parts of it that are like manipulated

0:13:31.200 --> 0:13:33.720
<v Speaker 1>and kind of like, yeah, I don't know, the whole

0:13:33.800 --> 0:13:35.880
<v Speaker 1>Mr Brainwash thing. I don't know if you haven't seen that,

0:13:35.880 --> 0:13:38.559
<v Speaker 1>that's it's a fabulous film. Yeah, it is. I just

0:13:38.679 --> 0:13:44.920
<v Speaker 1>like his whole, his whole jam punking the World. Lorraine

0:13:44.960 --> 0:13:48.520
<v Speaker 1>Ackroyd says, Bowling for Columbine first documentary I saw in

0:13:48.559 --> 0:13:51.600
<v Speaker 1>cinema is so powerful and emotional, especially watching it and

0:13:51.600 --> 0:13:54.320
<v Speaker 1>it packed cinema. Yeah, that was like when you know,

0:13:54.720 --> 0:13:57.520
<v Speaker 1>he he what I think what you will about Michael Moore,

0:13:57.559 --> 0:14:01.280
<v Speaker 1>like he's certainly brought documentary's back to the forefront in

0:14:01.400 --> 0:14:03.880
<v Speaker 1>terms of like being banker and like you know, yeah,

0:14:04.040 --> 0:14:08.640
<v Speaker 1>like playing in theaters theaters, Yeah for real. Uh, Michelle Lambing.

0:14:09.400 --> 0:14:12.880
<v Speaker 1>Crumb immediately came to mind, but O J Made in

0:14:12.920 --> 0:14:17.120
<v Speaker 1>America also close second. Yeah, those are great, Crumb. One

0:14:17.120 --> 0:14:21.160
<v Speaker 1>of my favorite documentaries about the great artist are Crumb. Uh.

0:14:21.240 --> 0:14:24.360
<v Speaker 1>Danny Garland says Hero Dreams of Sushi of course and

0:14:24.560 --> 0:14:29.360
<v Speaker 1>some s o mm about Somalia's wine Somaliers. Uh, Danny

0:14:29.440 --> 0:14:31.200
<v Speaker 1>saw both of those. Those are both great. I only

0:14:31.200 --> 0:14:33.560
<v Speaker 1>see that one popping up on the Netflix, So it's good.

0:14:33.600 --> 0:14:36.120
<v Speaker 1>I mean, especially if you're into wine, you're it's a

0:14:36.240 --> 0:14:42.160
<v Speaker 1>must see, very very intense that uh, master Somalia's tests

0:14:42.200 --> 0:14:45.760
<v Speaker 1>that you have to take very intense. Uh. Jamie Varney says,

0:14:45.800 --> 0:14:49.320
<v Speaker 1>Brothers Keeper from not a well known dock, but it

0:14:49.360 --> 0:14:52.760
<v Speaker 1>took place about thirty miles from me. Um, yeah, totally

0:14:52.800 --> 0:14:55.040
<v Speaker 1>my saw Brothers Keeper. If you're in the true crime

0:14:55.440 --> 0:14:57.360
<v Speaker 1>dig back into that one. Everyone. That's a really really

0:14:57.360 --> 0:15:02.480
<v Speaker 1>good one, very tragic. Tammy Mitchell says, spell Bound the

0:15:02.560 --> 0:15:04.720
<v Speaker 1>best stock of all time. I love that one about

0:15:04.720 --> 0:15:08.320
<v Speaker 1>the spelling Bee kids. Wonderful, really sweet, very very good movie.

0:15:08.960 --> 0:15:17.120
<v Speaker 1>And these are so great documentaries. Does it get any better? Yes? Uh.

0:15:17.120 --> 0:15:19.760
<v Speaker 1>William Anga says, I love this film has not yet

0:15:19.840 --> 0:15:22.920
<v Speaker 1>been rated. In King of Kong, Yeah, those were both great.

0:15:23.040 --> 0:15:24.680
<v Speaker 1>King of Kong was cool, and there was a development

0:15:24.680 --> 0:15:28.560
<v Speaker 1>in that one recently where the the the horrible Billy

0:15:28.640 --> 0:15:31.440
<v Speaker 1>Mitchell who was like kind of the big bully Kong

0:15:31.800 --> 0:15:37.080
<v Speaker 1>guy Donkey Kong that is arcade Champion in that movie. Um,

0:15:37.120 --> 0:15:39.160
<v Speaker 1>he got stripped of his title because he had been

0:15:39.520 --> 0:15:42.760
<v Speaker 1>cheater reading. He was using an emulator as a post

0:15:42.840 --> 0:15:46.160
<v Speaker 1>actually playing it on the console and not the console,

0:15:46.240 --> 0:15:49.640
<v Speaker 1>the cabinet version, and you can actually mess with the

0:15:49.640 --> 0:15:53.240
<v Speaker 1>frame rate on the emulator version, so it's like slower

0:15:53.320 --> 0:15:55.120
<v Speaker 1>or something. There's a way he was doing it where

0:15:55.680 --> 0:15:58.880
<v Speaker 1>he was Duke in the stats? What did jackass Duke

0:15:58.920 --> 0:16:01.520
<v Speaker 1>and the stats? Never heard that one? No, you haven't

0:16:01.520 --> 0:16:03.800
<v Speaker 1>heard Duke in the stats. No, man, we gotta we

0:16:03.880 --> 0:16:05.720
<v Speaker 1>gotta take that wide. I don't know that. I just

0:16:05.720 --> 0:16:09.920
<v Speaker 1>make that. That'd be pretty cool. Duke in the stats?

0:16:10.120 --> 0:16:14.120
<v Speaker 1>Are you typing that ship in now? No? Um, Travis

0:16:14.200 --> 0:16:17.640
<v Speaker 1>Jeremy says, Andre the Giant and HBO agreed. Just saw

0:16:17.680 --> 0:16:21.760
<v Speaker 1>that great, great documentary. Uh. And then finally we'll finish

0:16:21.840 --> 0:16:26.640
<v Speaker 1>with two more. Jimmy, it's joking the stats apparent. I

0:16:26.720 --> 0:16:30.120
<v Speaker 1>like duking the stats better. I've never heard of either one. Yeah,

0:16:30.200 --> 0:16:35.880
<v Speaker 1>I had joking, really, Jimmy Mallory our old friend. Uh,

0:16:35.920 --> 0:16:38.320
<v Speaker 1>he says huls documentary on the Dana Carvey Show, Too

0:16:38.320 --> 0:16:41.240
<v Speaker 1>Funny to Fail, highlights the Doom Show and how everything

0:16:41.280 --> 0:16:43.040
<v Speaker 1>in the atmosphere was just right for it to not

0:16:43.120 --> 0:16:48.520
<v Speaker 1>work out. Real shame. Uh. Really interesting. I haven't haven't

0:16:48.520 --> 0:16:51.040
<v Speaker 1>heard of that. That sounds really good, though, because I've

0:16:51.040 --> 0:16:53.440
<v Speaker 1>heard about that show, and you know, I had some

0:16:53.560 --> 0:16:57.840
<v Speaker 1>legends on it, Colbert and Smigel and Steve Carrell. Amazing.

0:16:57.880 --> 0:16:59.800
<v Speaker 1>I'm gonna have to check that out. Jimmy, thanks for

0:16:59.840 --> 0:17:04.439
<v Speaker 1>the wreck. Joking the stats is a specifically from The Wire,

0:17:04.840 --> 0:17:06.679
<v Speaker 1>the show The Wire. Oh really, Yeah, it's what they

0:17:06.720 --> 0:17:09.439
<v Speaker 1>talked about when they're like trying to clear murders or whatever.

0:17:09.800 --> 0:17:11.800
<v Speaker 1>They're trying to like, you know, kind of make the

0:17:11.880 --> 0:17:14.679
<v Speaker 1>murder rate seem lower than it is. They call it

0:17:14.760 --> 0:17:16.959
<v Speaker 1>joking the stat. Joking the stats. I was wondering, but

0:17:17.080 --> 0:17:28.280
<v Speaker 1>I still prefer duking the stats. Interesting. Alright, On that note,

0:17:28.400 --> 0:17:33.520
<v Speaker 1>we're gonna finish with UM stream this. That's right what

0:17:33.600 --> 0:17:36.320
<v Speaker 1>I've been watching lately. UM, speaking of The Wire, I've

0:17:36.320 --> 0:17:40.000
<v Speaker 1>been watching The Deuce. Have you seen The Deuce? I've

0:17:40.080 --> 0:17:42.639
<v Speaker 1>heard that it's pretty good on HBO. It is the

0:17:42.720 --> 0:17:47.600
<v Speaker 1>newest show, I guess from creator of The Wire, David Simon,

0:17:48.440 --> 0:17:50.600
<v Speaker 1>and I think he had some some help on this.

0:17:50.680 --> 0:17:54.800
<v Speaker 1>And this wasn't a David Simon production. Yeah, he's working

0:17:54.800 --> 0:17:59.960
<v Speaker 1>with another gentleman named George uh Pelicanos and Um, David

0:18:00.040 --> 0:18:03.679
<v Speaker 1>time Simon brought us The Wire in trim A and

0:18:03.720 --> 0:18:06.520
<v Speaker 1>The Deuce is the story of sort of the early

0:18:06.640 --> 0:18:09.720
<v Speaker 1>days of the sex trade industry in New York City

0:18:09.920 --> 0:18:13.199
<v Speaker 1>in Times Square in the early nineteen seventies. UM and

0:18:13.280 --> 0:18:16.000
<v Speaker 1>it stars well stars, a bunch of great people. Of course,

0:18:16.000 --> 0:18:18.159
<v Speaker 1>because it's David Simon, it's got a huge, huge cast.

0:18:18.720 --> 0:18:23.440
<v Speaker 1>But James Franco was in it, Maggie Jellen Hall is wonderful. Margharita,

0:18:24.680 --> 0:18:27.080
<v Speaker 1>I don't know how you pronounced her name. Leviva. Um,

0:18:27.160 --> 0:18:29.359
<v Speaker 1>she's really great. I've seen her and some other stuff

0:18:29.359 --> 0:18:32.200
<v Speaker 1>Adventureland she was in that. That's good. H Emily Meade,

0:18:32.800 --> 0:18:35.920
<v Speaker 1>Dominic Fishback, Um, a lot a lot of great people

0:18:35.920 --> 0:18:39.440
<v Speaker 1>in this, Gary carr Uh, Lawrence Skiller Jr. Who believe

0:18:39.480 --> 0:18:42.360
<v Speaker 1>he was in The Wire too, Chris Bauer, really really

0:18:42.359 --> 0:18:46.879
<v Speaker 1>good stuff. Huge cast, and because it's David Simon, it's

0:18:47.080 --> 0:18:49.960
<v Speaker 1>got a Wire esque feel and that it Um. There

0:18:49.960 --> 0:18:53.880
<v Speaker 1>are a lot of different storylines interweaving, and I feel

0:18:53.920 --> 0:18:56.359
<v Speaker 1>like in the pilot, maybe even in the first couple

0:18:56.400 --> 0:19:00.359
<v Speaker 1>of episodes, it's just introducing story after story after story,

0:19:00.920 --> 0:19:03.760
<v Speaker 1>and then you know, again because it is a Simon production,

0:19:03.840 --> 0:19:06.200
<v Speaker 1>that they're all sort of gonna weave their ten drils

0:19:06.240 --> 0:19:10.480
<v Speaker 1>through each other. It's gritty, it's realistic as hell, and

0:19:10.640 --> 0:19:14.800
<v Speaker 1>um right sort of yeah, like you know, there are

0:19:14.800 --> 0:19:18.600
<v Speaker 1>sex workers, so um that's going on. But also very

0:19:18.640 --> 0:19:23.000
<v Speaker 1>early going in the series, it's it sort of transforms

0:19:23.040 --> 0:19:28.159
<v Speaker 1>from uh like street level sex workers to them getting

0:19:28.200 --> 0:19:33.440
<v Speaker 1>into porn, porn acting like through the early days of pornography,

0:19:33.560 --> 0:19:35.800
<v Speaker 1>and how that is like a better alternative for them

0:19:35.800 --> 0:19:39.760
<v Speaker 1>than turning tricks you know in Times Square. Uh just

0:19:39.920 --> 0:19:45.080
<v Speaker 1>good stuff though, like there's no uh like, there's no

0:19:45.160 --> 0:19:47.440
<v Speaker 1>judgments cast on these people, I think, which is a

0:19:47.480 --> 0:19:50.880
<v Speaker 1>good way to play this. UM. James Franco plays twin brothers.

0:19:51.400 --> 0:19:54.040
<v Speaker 1>I don't know that that's awesome because it's Franco. That's

0:19:54.040 --> 0:19:56.040
<v Speaker 1>always the dream job though too right, I think so

0:19:56.480 --> 0:19:58.640
<v Speaker 1>to like show that You've got the chops, Yeah, yeah,

0:19:58.720 --> 0:20:00.359
<v Speaker 1>and he's pretty good in it that I was on

0:20:00.440 --> 0:20:04.760
<v Speaker 1>Franco burnout and obviously he had his his me too

0:20:05.200 --> 0:20:08.119
<v Speaker 1>a moment called out and he seems to have weathered

0:20:08.160 --> 0:20:09.680
<v Speaker 1>it okay, because I don't hear a lot of people

0:20:09.720 --> 0:20:12.359
<v Speaker 1>complaining about him. It's an interesting that he decided to

0:20:12.400 --> 0:20:15.040
<v Speaker 1>be in this show two and and this show is

0:20:15.080 --> 0:20:18.439
<v Speaker 1>getting some love, but it's also coming out at a

0:20:18.440 --> 0:20:21.080
<v Speaker 1>time that I think it's tough for a movie about

0:20:21.119 --> 0:20:25.439
<v Speaker 1>sex workers in the seventies UM starring James Franco. You know,

0:20:26.880 --> 0:20:29.560
<v Speaker 1>I think that might be hurting it, I wonder because

0:20:29.560 --> 0:20:31.760
<v Speaker 1>it's not. It hasn't blown up. Season two just came

0:20:31.760 --> 0:20:34.560
<v Speaker 1>out though, and it's a very expensive show. Yeah, and

0:20:34.600 --> 0:20:37.360
<v Speaker 1>they already committed to a season three and apparently it's

0:20:37.359 --> 0:20:39.600
<v Speaker 1>a one to three and done like they have it,

0:20:39.880 --> 0:20:42.040
<v Speaker 1>and I think they're they're jumping ahead. I think season

0:20:42.080 --> 0:20:44.119
<v Speaker 1>two is I haven't gotten into that yet, but I

0:20:44.160 --> 0:20:47.280
<v Speaker 1>think that goes into the eighties and I think they

0:20:47.359 --> 0:20:49.600
<v Speaker 1>may be going into the nineties for season three. So

0:20:49.640 --> 0:20:51.280
<v Speaker 1>it's almost like a Boogie Nights kind of thing where

0:20:52.400 --> 0:20:55.280
<v Speaker 1>olden age of film and pornography and then into the

0:20:55.320 --> 0:20:58.720
<v Speaker 1>eighties when it's like all VHS and video and the

0:20:58.760 --> 0:21:02.439
<v Speaker 1>production value. Yeah, yeah, for sure. Good show though. I

0:21:02.480 --> 0:21:04.720
<v Speaker 1>like it. I mean it's, um, you kind of want

0:21:04.720 --> 0:21:07.800
<v Speaker 1>to take a bath after you watch episodes. It's not

0:21:07.880 --> 0:21:12.240
<v Speaker 1>like heartwarming and fun, but uh, it's good stuff, gritty,

0:21:12.280 --> 0:21:16.120
<v Speaker 1>gritty TV. So I recommended everyone The Deuce on HBO.

0:21:16.600 --> 0:21:19.840
<v Speaker 1>If you don't have HBO, just I'll post my HBO

0:21:19.920 --> 0:21:22.800
<v Speaker 1>go log in and everyone can just watch it. I'm

0:21:22.800 --> 0:21:25.440
<v Speaker 1>just kidding. I want to do that. All right. That's

0:21:25.480 --> 0:21:27.600
<v Speaker 1>it for this week. Nol Uh. This was a bit

0:21:27.640 --> 0:21:29.520
<v Speaker 1>of a shorter one We're gonna get into Comic Card

0:21:29.560 --> 0:21:34.439
<v Speaker 1>and ensuing episodes, but for today, that is all we

0:21:34.480 --> 0:21:36.920
<v Speaker 1>have here on Mini Crush, and we look forward to

0:21:36.960 --> 0:21:39.320
<v Speaker 1>you joining us next Monday. Good