WEBVTT - Killer Thriller: What Makes An Ordinary Person Commit Murder?

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<v Speaker 1>Amy Robock and TJ.

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<v Speaker 2>Holmes present Killer Thriller with your host Elisa Donovan.

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<v Speaker 1>Hey, everyone, Elisa Donovan here and welcome back to Killer Thriller.

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<v Speaker 1>In the second part of my conversation with actor David Lasher,

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<v Speaker 1>we are turning to another true crime film from his career,

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<v Speaker 1>and this case is even more unsettling. Twisted Desire is

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<v Speaker 1>based on the shocking nineteen ninety murders of James and

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<v Speaker 1>Kathy Wiseman in rural Virginia. Prosecutors said fourteen year old

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<v Speaker 1>Jessica Wiseman and her seventeen year old boyfriend Douglas Thomas

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<v Speaker 1>carefully planned the murders because Jessica's parents stood in the

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<v Speaker 1>way of their relationship. So what drew you to this

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<v Speaker 1>role or how did it come to you.

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<v Speaker 3>I might have been on hiatus from some show I

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<v Speaker 3>was doing, so I had that window where you can

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<v Speaker 3>go off and do a movie. And yeah, it wasn't

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<v Speaker 3>a huge role, but I think it was integral to

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<v Speaker 3>the story because this girl wants a relationship with me,

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<v Speaker 3>with my character so badly, and it's so devastated that

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<v Speaker 3>her father has ruined it that it sets in motion

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<v Speaker 3>what she ends up doing, and again she finds some

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<v Speaker 3>patsy of a guy to murder her father. And also

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<v Speaker 3>another similarity is Daniel Baldwin is a scary dude whoa

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<v Speaker 3>he yes, right, Like I remember being there being like

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<v Speaker 3>this guy is big and thick and his voice and

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<v Speaker 3>he's just a scary guy.

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<v Speaker 1>Yes, his whole demeanor is very intimidating for sure. I

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<v Speaker 1>mean I think that was probably intentional. Yeah, but it's

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<v Speaker 1>so to give the plot really quickly, a teenage girl

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<v Speaker 1>convinced this is an ex con who's in love with

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<v Speaker 1>her to kill her parents so they can be together.

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<v Speaker 1>But the real thing is she wants to be with

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<v Speaker 1>your character. So it's really about manipulation and it's twisted,

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<v Speaker 1>and it's based on this real life nineteen ninety double

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<v Speaker 1>murder of James Baxter and Kathy Wiseman, committed by their

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<v Speaker 1>fourteen year old daughter and his seventeen year old her

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<v Speaker 1>seventeen year old boyfriend. But in the movie version of

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<v Speaker 1>the crime, the girl who plots her parents' murders is

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<v Speaker 1>almost eighteen, who's Melissa's character, and the shooter was a

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<v Speaker 1>few years older than that. But in reality, they were

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<v Speaker 1>fourteen and seventeen I mean, did you have a hard

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<v Speaker 1>time believing that the real people at the center of

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<v Speaker 1>the story, who are fourteen and seventeen?

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<v Speaker 3>Oh my gosh, I don't remember. I don't remember knowing that.

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<v Speaker 1>Oh my gosh.

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<v Speaker 3>Off the ages.

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<v Speaker 1>Yeah, so they made Melissa eighteen or almost eighteen, and

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<v Speaker 1>then the x con boyfriend love interest was probably like twenty.

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<v Speaker 1>He was out of high school in the movie.

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<v Speaker 3>Right, yeah, that was clear. He was working at a gas.

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<v Speaker 1>Station, right whe Yeah, yeah, I mean fourteen to seventeen.

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<v Speaker 1>My I mean Scarlett is fourteen. I can't wait. When

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<v Speaker 1>I think about this.

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<v Speaker 3>I'm like, what, Oh my god. Yeah, I mean there's

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<v Speaker 3>a fourteen year old doesn't even know. They have no

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<v Speaker 3>way to make, they have no idea what they're doing, right,

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<v Speaker 3>there's no justification for what that kid did.

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<v Speaker 1>No, No, I mean I think that or do you

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<v Speaker 1>think that we underestimate how powerful teenagers feelings can be

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<v Speaker 1>and their relationships. You know, there's so much drama. I

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<v Speaker 1>know that, As I said, my daughter's fourteen, so there's

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<v Speaker 1>a lot of drama in our house right now. But

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<v Speaker 1>going from that to actually this, I mean, it's kind

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<v Speaker 1>of unimaginable.

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<v Speaker 3>I mean, the other famous story that I think of

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<v Speaker 3>is the Menendez brothers, who were you know, even recently

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<v Speaker 3>claiming that they were physically abused and in danger of

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<v Speaker 3>their parents and claiming it was self defense. But I

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<v Speaker 3>don't know, what do you think.

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<v Speaker 1>Because in this case, I didn't from everything that I've read,

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<v Speaker 1>it isn't you know. She wasn't even claiming that her

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<v Speaker 1>parents were abusive. It was just simply I want to

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<v Speaker 1>be with this person, and they don't like him, like

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<v Speaker 1>or they don't approve of him. So because this is

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<v Speaker 1>the way. At first, it seems like, you know, it's

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<v Speaker 1>about one thing, but really it's that this girl is

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<v Speaker 1>manipulative because they were just overprotective, right.

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<v Speaker 3>Well, the way I think they set it up is

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<v Speaker 3>that the father is very overprotective. Like changing clothes, she

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<v Speaker 3>asked her, can I go study where? You know? What

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<v Speaker 3>are you studying for? What task? What class? What period

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<v Speaker 3>are you studying? You know? And then yeah, you know,

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<v Speaker 3>the mother is just like, don't talk to your father

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<v Speaker 3>that way. The mother is just like, you know, let

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<v Speaker 3>the dad do whatever he wants. Don't protect the daughter

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<v Speaker 3>at all. There's no excuse for what she did, obviously,

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<v Speaker 3>but it was definitely a very overbearing you know dad

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<v Speaker 3>right in.

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<v Speaker 1>The So unlike in the in the film where both

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<v Speaker 1>of the parents are shot in their bed, in real life,

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<v Speaker 1>Jessica's mother survived the first gun shot long enough to

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<v Speaker 1>try to reach her daughter's bedroom, and then she was

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<v Speaker 1>shot again. And just reading details like that is just

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<v Speaker 1>it's heartbreaking. That's an egregious I mean, that's, without a doubt,

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<v Speaker 1>first degree murder.

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<v Speaker 3>Did the girl tell him to kill my mom too?

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<v Speaker 1>Yeah? Yeah, she said, both of them, both of them.

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<v Speaker 3>I mean, I hope she I hope she's still in jail.

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<v Speaker 1>So she was Jessica. This is one of the most

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<v Speaker 1>astonishing parts of this whole case is what happened afterwards.

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<v Speaker 1>So Jessica was fourteen and she remained in the juvenile system. Douglas,

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<v Speaker 1>the boyfriend, was seventeen and tried as an adult. He

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<v Speaker 1>was sentenced to death and eventually executed. I mean, does

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<v Speaker 1>that surprise you. I can tell by the espression on

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<v Speaker 1>your face that it does.

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<v Speaker 3>I mean, you don't hear about a lot of executions,

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<v Speaker 3>especially of a seventeen year old.

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<v Speaker 1>Oh my god, I was pretty struck by that too.

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<v Speaker 3>What was her sentence?

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<v Speaker 1>She was released let's see, so at the time, Virginia

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<v Speaker 1>law did not permit her to be tried as an

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<v Speaker 1>adult at fourteen, so she was educated delinquent in juvenile

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<v Speaker 1>court and was committed to a juvenile correctional facility until

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<v Speaker 1>her twenty first birthday in ninety seven, and she was released.

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<v Speaker 1>Why don't she turned twenty one?

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<v Speaker 3>Wow? Twenty one? She was released? So Dick, didn't she

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<v Speaker 3>do what she did? What Donna did, conspired to murder

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<v Speaker 3>her dad instead of her husband. Donna got forty years

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<v Speaker 3>and she whatever, she got twenty seven. Yeah, and this

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<v Speaker 3>girl got out at twenty one.

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<v Speaker 1>She served seven and she's like the mastermind of the whole.

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<v Speaker 1>I don't understand that, as justice.

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<v Speaker 3>And Donna's life was legitimately in danger, this girl just

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<v Speaker 3>couldn't have the boyfriend she wanted.

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<v Speaker 1>Her dad was annoying, just right exactly, I want this

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<v Speaker 1>boyfriend and my dad's annoying. I don't. I don't understand

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<v Speaker 1>that at all. So, I mean, this is one of

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<v Speaker 1>the questions, right of this difficult question of the person

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<v Speaker 1>who plans the murder just as responsible as the person

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<v Speaker 1>who actually commits it. And these both these cases and

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<v Speaker 1>movies sort of take the opposite end of that confusing.

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<v Speaker 3>Yeah, I disagree with that. I think the person that

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<v Speaker 3>pulls the trigger is the murderer, and that is a

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<v Speaker 3>bigger crime than paying someone to do it. I mean, right,

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<v Speaker 3>conspiracy to commit murder is you know, a serious things,

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<v Speaker 3>but it means that person didn't have That person is

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<v Speaker 3>not a killer and not a cold blooded killer. Like

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<v Speaker 3>Donna said, I could never have pulled that trigger.

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<v Speaker 1>And I appreciated in this movie how they show his character.

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<v Speaker 1>He said, I don't know if I can do this.

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<v Speaker 1>You know, he does have those doubts, and then she says,

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<v Speaker 1>what you have to so we can be together. So

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<v Speaker 1>they really also don't shy away from the twisted, diabolical

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<v Speaker 1>nature of this girl that even when you know the

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<v Speaker 1>shooters having second thoughts, like maybe this isn't the greatest idea,

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<v Speaker 1>and she's like, no, you have to do it.

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<v Speaker 3>Yeah, well then I don't know. What do you think

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<v Speaker 3>the person that conspires it and puts it together just

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<v Speaker 3>as bad.

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<v Speaker 1>No, I think I agree with you. I think when

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<v Speaker 1>push comes to shove in the moment, you have a

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<v Speaker 1>choice to do it or not, And particularly in this

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<v Speaker 1>kind of a situation where there's no immediate threat, right,

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<v Speaker 1>It's not like somebody is immediately going to hurt you.

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<v Speaker 1>But I think it is a particular sort of twisted

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<v Speaker 1>manipulation and manipulative personality that could do this to another person.

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<v Speaker 1>So I don't know. Maybe I'm contradicting myself now because

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<v Speaker 1>I'm thinking it's still it's still pretty bad what she did.

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<v Speaker 1>But I but I agree with you actually committing the murder.

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<v Speaker 1>That's that's worse. It's worse, all.

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<v Speaker 3>Right when you're thinking of the punishment, isn't it about

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<v Speaker 3>like how long does society think it will take for

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<v Speaker 3>this person to rehabilitate and not act like this again?

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<v Speaker 1>Right?

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<v Speaker 3>Right?

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<v Speaker 1>Right, that's supposed to be what the serving of the

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<v Speaker 1>time is, right.

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<v Speaker 3>I don't know. I think they're both like this young

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<v Speaker 3>girl when they let her out of prison. I mean,

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<v Speaker 3>obviously she didn't do this again, but you'd think, like,

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<v Speaker 3>what if someone else gets in her way?

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<v Speaker 1>What right is this going to be her problem solving

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<v Speaker 1>tactic for everything?

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<v Speaker 3>You know, Oh, I'll just flirt with some idiot and

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<v Speaker 3>have him kill it.

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<v Speaker 4>Yeah.

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<v Speaker 1>So Melissa, she was she was like America's sweetheart at

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<v Speaker 1>the time of this movie. I mean, were you surprised

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<v Speaker 1>that she took such a dark role.

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<v Speaker 3>I think I understand why. Right, she was coming off

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<v Speaker 3>of Oh she was Clarissa, Clarissa, she hitne Clarissa explains

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<v Speaker 3>it all. And I think she wanted to not be

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<v Speaker 3>that little Nickelodeon tween kind of actress. She wanted to

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<v Speaker 3>be do something dramatic. So she's like, let me be

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<v Speaker 3>a sick you know, twisted, you know, murdering mastermind right right,

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<v Speaker 3>it made sense. I think it was a good choice

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<v Speaker 3>for her. I think Paula produced it, probably helped choose

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<v Speaker 3>the movie, and they did a good job with it.

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<v Speaker 1>Yeah, I mean I think. And then I feel like

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<v Speaker 1>Sabrina started probably right after that. Yeah, you're right, So

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<v Speaker 1>I know it was over thirty years ago. But what

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<v Speaker 1>do you remember the most about making the film.

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<v Speaker 3>I remember just having a really good time. Melissa and

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<v Speaker 3>I got along so well. She was awesome. Charleston was

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<v Speaker 3>so much fun. Have you ever filmed there?

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<v Speaker 1>Yeah? I haven't filmed there, but I've been to a

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<v Speaker 1>wedding there which was pretty fun.

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<v Speaker 3>Great city, and I mean I remember the Jeremy Jordan

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<v Speaker 3>that that actor was very eccentric.

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<v Speaker 1>Oh really, No, but I thought he was quite good.

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<v Speaker 1>And then I didn't even realize that he was like

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<v Speaker 1>a pop star or something. Yes, a singer.

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<v Speaker 3>Yeah, he was a pop star before this movie. And

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<v Speaker 3>I thought he did a great job.

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<v Speaker 1>I did too, So like his.

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<v Speaker 3>Choices I remember were so like not what you'd expect. Yes,

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<v Speaker 3>it was very thoughtful, but he was. He was a

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<v Speaker 3>unique dude, really, and I think Melissa just couldn't figure.

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<v Speaker 1>Him out, right, She was like where's David.

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<v Speaker 3>Yeah. I remember her coming to me being like, what's

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<v Speaker 3>with this guy?

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<v Speaker 1>Oh my god? Maybe he was method, you know, maybe

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<v Speaker 1>he was like getting deeply into his character. I was

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<v Speaker 1>very impressed with his work too.

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<v Speaker 3>Yeah, he ended up doing a great job, right. I

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<v Speaker 3>remember seeing the movie being like no way, oh like surprise. Yeah,

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<v Speaker 3>I was surprised.

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<v Speaker 1>Oh man. So getting back to this idea of do

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<v Speaker 1>we underestimate how powerful teenage relationships can become when the

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<v Speaker 1>brain isn't fully formed yet and the emotions are big

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<v Speaker 1>and all of that. So I mean, did it did

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<v Speaker 1>it ever cross your mind like that could this happen

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<v Speaker 1>in my family? Like now as an adult, do you

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<v Speaker 1>think about that? Is that?

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<v Speaker 3>Ah? My god? Well I do have a sixteen year

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<v Speaker 3>old daughter. That's pretty strong willed and defiant, right, I mean,

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<v Speaker 3>so is I. But no, I never think of that obviously,

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<v Speaker 3>But I do think of like that line as a

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<v Speaker 3>parent where you have to not really care if they

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<v Speaker 3>like you or they're offended by your choices for them.

0:14:39.120 --> 0:14:43.040
<v Speaker 3>You're their parent, not their friend. And I, you know,

0:14:43.320 --> 0:14:48.280
<v Speaker 3>I fall. My default is like, don't upset anybody. You know,

0:14:48.400 --> 0:14:50.960
<v Speaker 3>she wants to go to this party where there's no adults.

0:14:51.200 --> 0:14:53.440
<v Speaker 3>Why are we going to stop her? All her friends

0:14:53.480 --> 0:14:58.840
<v Speaker 3>are going, and Jill's like be her father, Like there's

0:14:58.920 --> 0:14:59.640
<v Speaker 3>boys there.

0:15:00.080 --> 0:15:03.800
<v Speaker 1>We just we are in the midst. I mean, Scarlett

0:15:03.840 --> 0:15:06.160
<v Speaker 1>is home today. She's supposed to be at surf camp,

0:15:06.160 --> 0:15:08.280
<v Speaker 1>but she wasn't feeling well, so she's home. I have

0:15:08.320 --> 0:15:11.280
<v Speaker 1>to I'm gonna have to whisper now. But we were

0:15:11.440 --> 0:15:14.120
<v Speaker 1>literally just having this conversation over the weekend, Charlie and

0:15:14.200 --> 0:15:18.840
<v Speaker 1>I I'm like, uh, okay, so were She's telling me,

0:15:18.880 --> 0:15:20.640
<v Speaker 1>you know, none of my friends like you. They think

0:15:20.680 --> 0:15:24.000
<v Speaker 1>you're mean. And I have to swallow my feeling of

0:15:24.080 --> 0:15:27.240
<v Speaker 1>like I want everybody to like me. Aren't I cool?

0:15:27.560 --> 0:15:29.840
<v Speaker 1>You know, to like I don't care if they like me?

0:15:31.120 --> 0:15:33.600
<v Speaker 1>I don't care if they like me and also don't

0:15:33.640 --> 0:15:36.240
<v Speaker 1>speak to me that way. That's very disrespectful, you know.

0:15:36.480 --> 0:15:39.680
<v Speaker 1>But it's like it's hard, it's but I agree with

0:15:39.720 --> 0:15:41.760
<v Speaker 1>you. You can't be You're not their friend.

0:15:43.080 --> 0:15:48.440
<v Speaker 3>And teenagers are so they're so sensitive and they know

0:15:48.560 --> 0:15:51.920
<v Speaker 3>exactly what your sore spots are and how to get

0:15:51.960 --> 0:15:54.840
<v Speaker 3>to you. She knows that you want to be liked,

0:15:55.080 --> 0:15:58.800
<v Speaker 3>yes and yes, and they're and their emotions are you know,

0:15:58.880 --> 0:16:05.080
<v Speaker 3>everything is so heavy, like everything, Like I say to

0:16:05.160 --> 0:16:08.240
<v Speaker 3>Chelsea all the time, in five years you're being in college,

0:16:08.240 --> 0:16:10.600
<v Speaker 3>You're not even going to remember any of this, right,

0:16:10.760 --> 0:16:13.040
<v Speaker 3>these things that you think are the the end of

0:16:13.080 --> 0:16:17.560
<v Speaker 3>the world, right, like, none of this is going to matter.

0:16:17.600 --> 0:16:21.920
<v Speaker 1>Right, the hormones, the hormones. No, they can't see it.

0:16:22.000 --> 0:16:25.000
<v Speaker 1>And then how about when the dad he was he's,

0:16:25.200 --> 0:16:30.920
<v Speaker 1>as we said, a very intimidating presence. He goes to

0:16:31.000 --> 0:16:34.840
<v Speaker 1>the party to pick her up. I remember my mom

0:16:35.160 --> 0:16:40.480
<v Speaker 1>going into a nightclub when I was seventeen and taking

0:16:40.520 --> 0:16:44.360
<v Speaker 1>me out, and I now, if it was my dad,

0:16:44.400 --> 0:16:46.480
<v Speaker 1>I would have had a different reaction. But my mom,

0:16:46.600 --> 0:16:50.040
<v Speaker 1>I was like, what are you doing here? How dare

0:16:50.080 --> 0:16:53.880
<v Speaker 1>you come in here? After me, you know. Meanwhile, she's like,

0:16:53.960 --> 0:16:56.960
<v Speaker 1>you said that I did, And I stormed out in

0:16:57.000 --> 0:16:59.600
<v Speaker 1>front of her and went to my car. And then

0:16:59.640 --> 0:17:02.000
<v Speaker 1>she said, now, oh, I was so afraid you weren't

0:17:02.000 --> 0:17:03.560
<v Speaker 1>going to drive home, that you were just going to

0:17:03.640 --> 0:17:06.040
<v Speaker 1>like drive away and never come back. And meanwhile I

0:17:06.160 --> 0:17:09.280
<v Speaker 1>was sweating it, like I am in so much trouble.

0:17:11.400 --> 0:17:15.920
<v Speaker 3>Good, there needs to be still that level of like respect.

0:17:16.400 --> 0:17:18.639
<v Speaker 3>This is my family. These are the only people that

0:17:18.800 --> 0:17:20.600
<v Speaker 3>love me, like and care about me.

0:17:20.960 --> 0:17:23.919
<v Speaker 1>Right. That was not the response of Melissa's character in

0:17:23.960 --> 0:17:26.439
<v Speaker 1>this movie. She was like, Okay, I guess I have

0:17:26.520 --> 0:17:29.560
<v Speaker 1>to kill Dad if he since he's come into this.

0:17:31.320 --> 0:17:36.560
<v Speaker 3>Oh, I'll tell you like this this scary. Scariest people

0:17:36.560 --> 0:17:41.600
<v Speaker 3>in the world are like mentally unstable adolescents.

0:17:41.880 --> 0:17:44.160
<v Speaker 1>Yes, right, like, yes, I was.

0:17:44.119 --> 0:17:46.560
<v Speaker 3>Held up one time at gunpoint in New York on

0:17:46.640 --> 0:17:50.680
<v Speaker 3>sixth Avenue way really with my buddy Doug Ellen. Yeah.

0:17:50.760 --> 0:17:54.960
<v Speaker 3>We we were walking back to his parents' apartment sixth

0:17:55.000 --> 0:18:00.119
<v Speaker 3>then what fifty seventh, outside of Stelly, right, And it

0:18:00.160 --> 0:18:01.680
<v Speaker 3>was must have been one in the morning. We're coming

0:18:01.680 --> 0:18:03.160
<v Speaker 3>home at the end of the night, and these three

0:18:03.440 --> 0:18:06.159
<v Speaker 3>kids came up to us held a gun. One of

0:18:06.160 --> 0:18:09.600
<v Speaker 3>them held a gun right in my stomach, and all

0:18:09.640 --> 0:18:13.000
<v Speaker 3>I kept thinking was, this is a child. He won't

0:18:13.040 --> 0:18:17.000
<v Speaker 3>even know what he's doing, right, right, Like if you're

0:18:17.040 --> 0:18:19.879
<v Speaker 3>held up by a thirty year old. This guy knows

0:18:19.920 --> 0:18:24.679
<v Speaker 3>he's the consequences, but like a sixteen year old kid

0:18:25.080 --> 0:18:28.520
<v Speaker 3>has no freaking clue what they're doing. They'll look, they'll

0:18:28.520 --> 0:18:32.640
<v Speaker 3>regret it when they're thirty, but meanwhile you're dead. Yes,

0:18:32.760 --> 0:18:38.199
<v Speaker 3>so I find like, yeah, mentally unstable young you know,

0:18:38.440 --> 0:18:41.119
<v Speaker 3>adolescents are really scary and dangerous.

0:18:41.359 --> 0:18:44.399
<v Speaker 1>I think you are exactly right. It is that the

0:18:44.840 --> 0:18:48.399
<v Speaker 1>literally their brains are not fully formed, so they can't

0:18:48.600 --> 0:18:53.600
<v Speaker 1>fully understand consequences and you know, and that desire to

0:18:53.840 --> 0:18:55.399
<v Speaker 1>have what you want when you want it.

0:18:57.240 --> 0:18:59.920
<v Speaker 3>Yeah, I mean, look, but this's his character. You know,

0:19:00.680 --> 0:19:04.680
<v Speaker 3>could have used a good therapist and maybe a psychiatrist

0:19:05.800 --> 0:19:09.800
<v Speaker 3>and some impulse control medication. Correct.

0:19:24.359 --> 0:19:26.879
<v Speaker 1>Did working on two movies like this that you know,

0:19:26.920 --> 0:19:29.879
<v Speaker 1>based on real murder cases so early in your career

0:19:30.000 --> 0:19:33.760
<v Speaker 1>have any kind of particular impact on you.

0:19:33.800 --> 0:19:36.679
<v Speaker 3>No, For me, it was kind of about the work

0:19:36.800 --> 0:19:40.240
<v Speaker 3>and you know, just getting to act in front of

0:19:40.280 --> 0:19:44.480
<v Speaker 3>the camera and connecting with the different cast members, pleasing

0:19:44.560 --> 0:19:47.959
<v Speaker 3>the director. I wasn't. I didn't really, but you know what,

0:19:48.040 --> 0:19:51.000
<v Speaker 3>I did a lot of these. When after the Donna

0:19:51.080 --> 0:19:56.199
<v Speaker 3>Yaclick movie ended, Prime Video automatically pulls up Violation of

0:19:56.240 --> 0:20:00.640
<v Speaker 3>Trust starring me and Katie Segal and Charlie the Ross

0:20:01.359 --> 0:20:04.200
<v Speaker 3>about another freaking true crime, crazy story.

0:20:04.520 --> 0:20:07.440
<v Speaker 1>Oh well, guess what You're coming back, David, and we're

0:20:07.440 --> 0:20:08.720
<v Speaker 1>going to talk about that too.

0:20:09.240 --> 0:20:13.239
<v Speaker 3>And Jill's like, why is Prime Video bringing this up

0:20:13.280 --> 0:20:16.080
<v Speaker 3>as your next thing to watch? Is it like finding

0:20:16.320 --> 0:20:19.160
<v Speaker 3>the algorithm David Lasher and real life murders?

0:20:19.440 --> 0:20:23.360
<v Speaker 1>Listen, just ask Charlie what our algorithm is. Now everything

0:20:23.480 --> 0:20:27.119
<v Speaker 1>our Netflix account is under his name and everything that

0:20:27.200 --> 0:20:29.560
<v Speaker 1>comes up is murder related and trying.

0:20:29.640 --> 0:20:34.800
<v Speaker 3>He's like, oh my god, oh god, you must see

0:20:34.840 --> 0:20:36.400
<v Speaker 3>the craziest stories.

0:20:36.680 --> 0:20:41.960
<v Speaker 1>Oh boy, oh boy, I sure do. Was making either

0:20:41.960 --> 0:20:44.840
<v Speaker 1>of these films Cries on Herd or Twist to Desire

0:20:45.160 --> 0:20:48.560
<v Speaker 1>emotionally heavier than the other, was one more difficult.

0:20:49.240 --> 0:20:55.120
<v Speaker 3>Yeah, the Donnie Yaklick one. I just I remember, even

0:20:55.119 --> 0:20:58.080
<v Speaker 3>though it was so long ago, I do remember walking

0:20:58.119 --> 0:21:02.159
<v Speaker 3>alone around this prison with my headphones on, listening to

0:21:02.240 --> 0:21:05.800
<v Speaker 3>sad music, thinking about I even remember the moments in

0:21:05.840 --> 0:21:08.560
<v Speaker 3>my life. I was thinking about to try and go

0:21:08.680 --> 0:21:11.080
<v Speaker 3>back in there and have that last scene with her

0:21:12.960 --> 0:21:18.080
<v Speaker 3>where where I have to cry. I mean, legitimately, he

0:21:18.200 --> 0:21:21.040
<v Speaker 3>should be crying. I mean he's telling his mom like

0:21:21.320 --> 0:21:25.080
<v Speaker 3>it's okay, you left me with no one and I understood,

0:21:25.160 --> 0:21:30.359
<v Speaker 3>I still love you, and I remember it being very

0:21:30.400 --> 0:21:32.479
<v Speaker 3>heavy and sad.

0:21:32.960 --> 0:21:36.040
<v Speaker 1>Yeah, I can believe that.

0:21:36.119 --> 0:21:38.880
<v Speaker 3>It's a much sadder story. I mean the cries unheard

0:21:39.000 --> 0:21:46.160
<v Speaker 3>is kind of sensationalists, like just a crazy teenager. Really

0:21:46.200 --> 0:21:48.520
<v Speaker 3>nothing more than that, like tragedy.

0:21:48.800 --> 0:21:50.960
<v Speaker 1>The twisted desire, right, yeah, I'm sorry.

0:21:50.960 --> 0:21:56.200
<v Speaker 3>Twisted twisted desire was just more like you know, it

0:21:56.280 --> 0:22:03.600
<v Speaker 3>seemed like an entertaining story where I didn't feel so

0:22:03.800 --> 0:22:07.960
<v Speaker 3>sad for the character I was working with. Yeah, like

0:22:08.119 --> 0:22:11.639
<v Speaker 3>Jacqueline Smith and that character and what she did to

0:22:11.720 --> 0:22:17.000
<v Speaker 3>her husband and to her son was so sad, right, Like, you.

0:22:16.920 --> 0:22:21.520
<v Speaker 1>Don't feel any there's no kind of redemption or sense

0:22:21.560 --> 0:22:25.960
<v Speaker 1>of justice in the end because you kind of you

0:22:26.440 --> 0:22:29.280
<v Speaker 1>don't want her husband to be alive. I mean, this

0:22:29.359 --> 0:22:32.680
<v Speaker 1>is a horrible man. But then you also don't want

0:22:32.720 --> 0:22:33.040
<v Speaker 1>her to.

0:22:33.000 --> 0:22:35.960
<v Speaker 3>Say they killed him. I was like, go check, make

0:22:36.000 --> 0:22:37.600
<v Speaker 3>sure he's dead. I was sure he was going to

0:22:37.640 --> 0:22:38.680
<v Speaker 3>get up and be like.

0:22:39.320 --> 0:22:43.280
<v Speaker 2>You right, right, But so she says that in the

0:22:43.320 --> 0:22:46.600
<v Speaker 2>things in the some of the video that I watched

0:22:46.640 --> 0:22:50.480
<v Speaker 2>of her, of the real Donna speaking later, and the.

0:22:50.320 --> 0:22:54.840
<v Speaker 1>Transcripts that I've read where she says, I was, you know,

0:22:54.960 --> 0:22:57.000
<v Speaker 1>I was waiting for him to get up when he

0:22:57.080 --> 0:22:59.520
<v Speaker 1>was in the driveway. I just kept thinking, he's going

0:22:59.560 --> 0:23:01.240
<v Speaker 1>to get up, and he's going to come after me.

0:23:01.680 --> 0:23:04.399
<v Speaker 3>That's what jud and I thought watching it, like is

0:23:04.440 --> 0:23:08.440
<v Speaker 3>he dead? Like make sure he's dead? Is that scary?

0:23:08.560 --> 0:23:13.520
<v Speaker 3>I mean, yeah, I mean that guy deserved to die

0:23:13.560 --> 0:23:15.120
<v Speaker 3>because he was going to kill her, right.

0:23:15.640 --> 0:23:18.560
<v Speaker 1>But it's interesting the son, Denny, who you play, he

0:23:19.200 --> 0:23:22.640
<v Speaker 1>did in real life support his mom much like it's

0:23:22.680 --> 0:23:26.760
<v Speaker 1>reflected in the movie. But then there's another apparently there's

0:23:26.800 --> 0:23:31.600
<v Speaker 1>another daughter, not the Hillary Swank character, another daughter who

0:23:31.840 --> 0:23:34.040
<v Speaker 1>has a whole different story and is like, the mom

0:23:34.080 --> 0:23:36.600
<v Speaker 1>made it up and my dad was a perfect man,

0:23:36.720 --> 0:23:42.199
<v Speaker 1>and but you know, these are always yes. And I

0:23:42.400 --> 0:23:49.240
<v Speaker 1>just don't personally think it is feasible nor possible for

0:23:49.480 --> 0:23:54.080
<v Speaker 1>a woman to make up all of this abuse to

0:23:54.119 --> 0:23:56.359
<v Speaker 1>such a degree, Like it's just it's crazy. This is

0:23:56.400 --> 0:23:58.760
<v Speaker 1>like a kid who just didn't see it or doesn't

0:23:58.760 --> 0:24:01.200
<v Speaker 1>want to believe there could be a bad man.

0:24:01.800 --> 0:24:04.920
<v Speaker 3>Well, Hilary Swank's character lived in the house with them

0:24:05.080 --> 0:24:08.880
<v Speaker 3>and testified for Donna that this was true. And Donna's

0:24:08.920 --> 0:24:13.960
<v Speaker 3>sister also was a wakener saw the whole thing. I mean,

0:24:14.359 --> 0:24:16.800
<v Speaker 3>I don't think it's possible that she made all this up.

0:24:17.280 --> 0:24:23.080
<v Speaker 1>No, no, neither do I. Okay, let's go for one second,

0:24:23.119 --> 0:24:27.520
<v Speaker 1>go back to the twisted Desire that Melissa joh Hart movie.

0:24:27.560 --> 0:24:30.400
<v Speaker 1>Than that case, do you think that it is ultimately

0:24:30.520 --> 0:24:38.280
<v Speaker 1>about love, obsession, manipulation, or something else entirely? What do

0:24:38.320 --> 0:24:39.119
<v Speaker 1>you think that's about?

0:24:39.880 --> 0:24:45.280
<v Speaker 3>I think twisted desire. If it's about anything, it's about

0:24:45.520 --> 0:24:50.399
<v Speaker 3>adolescent mental health. I mean, this girl, for her to

0:24:50.440 --> 0:24:54.119
<v Speaker 3>be able to do this with no conscience, I'm not

0:24:54.359 --> 0:24:56.600
<v Speaker 3>you know, I'm not a psychiatrist. And you can use

0:24:56.600 --> 0:25:01.639
<v Speaker 3>the word sociopath or some sort of diagnosis, but you

0:25:01.680 --> 0:25:04.000
<v Speaker 3>know she was a sick kid.

0:25:04.680 --> 0:25:06.480
<v Speaker 1>This is a great answer.

0:25:06.640 --> 0:25:10.840
<v Speaker 3>And triggered by a father that you know pushed her

0:25:10.880 --> 0:25:15.760
<v Speaker 3>too far. But you know, to kill both their parents

0:25:15.840 --> 0:25:18.880
<v Speaker 3>or have them both killed, and manipulate this guy into

0:25:18.920 --> 0:25:23.239
<v Speaker 3>doing it with no conscience, That to me that's what

0:25:23.240 --> 0:25:26.840
<v Speaker 3>the movie is about, is a really crazy sick teenager.

0:25:27.240 --> 0:25:30.199
<v Speaker 1>Yeah, that is an excellent answer.

0:25:30.880 --> 0:25:34.560
<v Speaker 3>Yeah, I mean they're look, we see we see sick

0:25:34.640 --> 0:25:40.440
<v Speaker 3>teenagers do crazy tragic stuff way too often. I mean

0:25:40.440 --> 0:25:42.320
<v Speaker 3>it's still you know, it still happens.

0:25:42.680 --> 0:25:48.120
<v Speaker 1>Yep. Well, David, this has been such a pleasure. Thank

0:25:48.200 --> 0:25:50.359
<v Speaker 1>you so much. I love getting to see her face,

0:25:50.440 --> 0:25:54.359
<v Speaker 1>even if if it's not quite in person. And this

0:25:54.480 --> 0:25:57.080
<v Speaker 1>is so great. We've never you know, I've never seen

0:25:57.440 --> 0:26:00.520
<v Speaker 1>I had never seen these movies before, and you know,

0:26:00.680 --> 0:26:02.680
<v Speaker 1>it's not a surprise what your work is so great

0:26:02.720 --> 0:26:05.000
<v Speaker 1>in it, and it's just nice to now kind of

0:26:05.040 --> 0:26:09.240
<v Speaker 1>have that backdrop for you. Now I feel like I

0:26:09.320 --> 0:26:10.400
<v Speaker 1>know you even better.

0:26:10.880 --> 0:26:22.600
<v Speaker 3>All Right, thank you so much. Everybody,